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Doctor, sir, you are appallingly well connected!


1:07 PM Richard Zvonar

>At 7:12 AM -0700 4/29/02, Evan Meyers wrote:
>
>>does anyone know specifically if zappa ever really experimented with looping
>
>I asked Bob Rice, who was Zappa's Synclavier assistant for several 
>years. Bob sez:
>
>>yes, actually. During the sound checks for his live shows, he used to send
>>everyone away and he'd just work with his guitar rig for a while at
>>extremely high volume levels, mostly just improvising stuff. He'd load
>>snippets into a pair of MXR digital delays with extended memory of up to, I
>>think, almost 4 seconds! Anyway, on the MXRs, he' d usually create 2
>>different loops so if they played together they'd eventually drop out of
>>sync. This was the only use for the delays in the rig and they'd have 2
>>dedicated combo amps that were mic'd so that he could kick them in in the
>>middle of a solo and then play over the top of them with his main rig. The
>>drummer and bass player would have to find a groove based on or around the
>>loops and if both were on and they went out of sync, they would listen for
>>the polyrhythms that would result from the kaos. For a short amount of loop
>>time, there were pretty amazing possibilities for improvisation with good
>>players aboard.
>>
>>There is a live album called Make a Jazz Noise Here that has 2 pieces that
>>use quite a bit of looping. One is called Fire and Chains which uses a
>>massive sample patch I built for him on the Synclavier with lots of vocal
>>samples from the Senate hearings on Porn Rock lyrics (and warning labels on
>>records ect.), that loop around at various rates and have pitch modulation
>>patched to the polyphonic aftertouch on the keyboard. You'd hold down a
>>chord and use varying degrees of aftertouch on each note to change the
>>speed of the samples going round and round. Again these mutant polyrhythms
>>would result and you could play off of them if you could feel them.
>>
>>The guitar loops with the MXR delays happened at least once everynight and
>>an example of that is on the cut (also on Jazz Noise) called Star Wars
>>Won't Work. There's also a pretty good helping of these delay solos on the
>>"Guitar" album (2 cds of Zappa guitar solos! NOt a desert island disc but
>>interesting in small doses).
>
>-- 
>
>______________________________________________________________
>Richard Zvonar, PhD
>(818) 788-2202
>http://www.zvonar.com
>http://RZCybernetics.com
>http://www.cybmotion.com/aliaszone
>http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
>

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Date: Tue, 30 Apr 2002 23:15:55 +0800
Subject: Re: RC-20 review
From: Darrell Havard <darrell367@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3103053355_176592_MIME_Part
Content-type: text/plain; charset="US-ASCII"
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on 4/16/02 11:50 PM, Reid, Benjamin at BReid@about-inc.com wrote:


I get the impression not a lot of other people use the Boss RC-20. I got it
primarily because it's Boss, had long loops, and was affordable. Are there
other RC-20 users on the list? Seems like the EDP and Repeater are most
common. 

On the whole I like the pedal, esp for the price point (225 used) Things I
see holding it back:

+ No midi synch. This seems so easy I can't explain why it's not on there.
+ Limited time stretch.
+ Also seems to be a minimum loop time (I might not have learned this
properly yet) which won't allow you to get lower than 1 second. I was hoping
to make sub-second/stuttering loops.

Anyone else have similar experiences or opinions on the pedal?

Ben 

I love my rc-20, although it's the first looping device I've ever used.  I
store breakbeats in most of the banks to get an even cut loop.  I'm
beginning to wish I had something that would make playing with a drummer
easier though.  In short, it's great for storing stuff on and then looping
over that, especially for the money,  but if you want to do stuff on the
fly, it ain't that great.  

--MS_Mac_OE_3103053355_176592_MIME_Part
Content-type: text/html; charset="US-ASCII"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: RC-20 review</TITLE>
</HEAD>
<BODY>
on 4/16/02 11:50 PM, Reid, Benjamin at BReid@about-inc.com wrote:<BR>
<BR>
<BLOCKQUOTE><BR>
<FONT SIZE=3D"2">I get the impression not a lot of other people use the Boss =
RC-20. I got it primarily because it's Boss, had long loops, and was afforda=
ble. Are there other RC-20 users on the list? Seems like the EDP and Repeate=
r are most common.</FONT> <BR>
<BR>
<FONT SIZE=3D"2">On the whole I like the pedal, esp for the price point (225 =
used) Things I see holding it back:</FONT> <BR>
<BR>
<FONT SIZE=3D"2">+ No midi synch. This seems so easy I can't explain why it's=
 not on there.</FONT> <BR>
<FONT SIZE=3D"2">+ Limited time stretch.</FONT> <BR>
<FONT SIZE=3D"2">+ Also seems to be a minimum loop time (I might not have lea=
rned this properly yet) which won't allow you to get lower than 1 second. I =
was hoping to make sub-second/stuttering loops.</FONT> <BR>
<BR>
<FONT SIZE=3D"2">Anyone else have similar experiences or opinions on the peda=
l?</FONT> <BR>
<BR>
<FONT SIZE=3D"2">Ben</FONT> <BR>
</BLOCKQUOTE><BR>
I love my rc-20, although it's the first looping device I've ever used. &nb=
sp;I store breakbeats in most of the banks to get an even cut loop. &nbsp;I'=
m beginning to wish I had something that would make playing with a drummer e=
asier though. &nbsp;In short, it's great for storing stuff on and then loopi=
ng over that, especially for the money, &nbsp;but if you want to do stuff on=
 the fly, it ain't that great. &nbsp;
</BODY>
</HTML>


--MS_Mac_OE_3103053355_176592_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Wed May  1 01:30:10 2002
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on 4/29/02 6:41 AM, Mark Smart at mwsmart@insightbb.com wrote:

> Hi all.
> I am a jazz guitarist from Champaign, IL who just joined the list. I have
> been building a looping setup with two Boss RC-20 Loop Stations, and am
> almost done with it.
> 
> This jazz setup consists of an Ibanez Artist AR-250 with a Copeland hex
> humbucker pickup in the neck position to split the strings so that the top
> four go through a guitar amp simulator and the bottom two can go through a
> Dano Chili Dog octave divider pedal and a Sansmp Bass DI for a bass sound. I
> ended up with two RC-20's when a certain mail order place sent me two when I
> only ordered and paid for one! After I had them for a while, I realized that
> when you string two RC-20's in series you can do a lot of cool tricks like
> recording a long loop over multiple repitiions of a short loop (like the
> Multiply pedal on the Gibson/Oberheim Echoplex). I have 4-bar jazz drum
> loops (from the Peter Erskine Living Drums CD plus a few from regular jazz
> CDs) stored in the first RC-20, which I play bass-and-guitar accompaniments
> over, then loop the whole thing and solo on it.
> 
> I intend to use this setup mostly for straight jazz, but I have done some
> messing around in other styles. I did a few gigs using my Roland VG-8 and a
> borrowed Oberheim Echoplex to do Mahavishnu Orchestra tunes and simulate a
> bluegrass band.
> 
> I'm interested to hear from other loopers doing jazz stuff, and others using
> the
> two-RC-20s-in-series trick. Thanks!
> 
> Mark Smart
> 
> 
hey jazzer, great to have you.  you use a rc-20 and a chili dog?!!!  If you
were a stick player I'd say we were separated at birth!  thanks for the
peter erksine cd tip, I've been using funk breakbeats on my rc-20, but I've
been trying to find more jazz drums.

From Loopers-Delight-request@loopers-delight.com  Wed May  1 02:35:26 2002
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From: "terry o'brien" <anomalousdisturbances@hotmail.com>
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Subject: Re: zappa!
Date: Tue, 30 Apr 2002 23:32:31 -0700
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Yes indeed, a great report! Richard, thanks for posting Bob's comments, 
especially the tips on Frank's looping tracks.

I saw FZ play several times. I recall his great huge rack with many blinking 
lights and I have a rather vague memory of him referring to it as The 
Fridge.  And... let us not forget the Electro Wagnerian Emancipator!

F.Y.I.  Guitar Player '95 article with great gear discription, but doesn't 
mention looping;

http://members.tripod.com/~arf_she_said/fzints/gpoct95.html

Terry
wwww.anomalousdisturbances.com




>From: Greg Kucharo <telecaster@mac.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: zappa!(was Re: For G-bashers)
>Date: Tue, 30 Apr 2002 21:16:56 -0700
>
>Doctor, sir, you are appallingly well connected!
>
>
>1:07 PM Richard Zvonar
>
> >At 7:12 AM -0700 4/29/02, Evan Meyers wrote:
> >
> >>does anyone know specifically if zappa ever really experimented with 
>looping
> >
> >I asked Bob Rice, who was Zappa's Synclavier assistant for several
> >years. Bob sez:
> >
> >>yes, actually. During the sound checks for his live shows, he used to 
>send
> >>everyone away and he'd just work with his guitar rig for a while at
> >>extremely high volume levels, mostly just improvising stuff. He'd load
> >>snippets into a pair of MXR digital delays with extended memory of up 
>to, I
> >>think, almost 4 seconds! Anyway, on the MXRs, he' d usually create 2
> >>different loops so if they played together they'd eventually drop out of
> >>sync. This was the only use for the delays in the rig and they'd have 2
> >>dedicated combo amps that were mic'd so that he could kick them in in 
>the
> >>middle of a solo and then play over the top of them with his main rig. 
>The
> >>drummer and bass player would have to find a groove based on or around 
>the
> >>loops and if both were on and they went out of sync, they would listen 
>for
> >>the polyrhythms that would result from the kaos. For a short amount of 
>loop
> >>time, there were pretty amazing possibilities for improvisation with 
>good
> >>players aboard.
> >>
> >>There is a live album called Make a Jazz Noise Here that has 2 pieces 
>that
> >>use quite a bit of looping. One is called Fire and Chains which uses a
> >>massive sample patch I built for him on the Synclavier with lots of 
>vocal
> >>samples from the Senate hearings on Porn Rock lyrics (and warning labels 
>on
> >>records ect.), that loop around at various rates and have pitch 
>modulation
> >>patched to the polyphonic aftertouch on the keyboard. You'd hold down a
> >>chord and use varying degrees of aftertouch on each note to change the
> >>speed of the samples going round and round. Again these mutant 
>polyrhythms
> >>would result and you could play off of them if you could feel them.
> >>
> >>The guitar loops with the MXR delays happened at least once everynight 
>and
> >>an example of that is on the cut (also on Jazz Noise) called Star Wars
> >>Won't Work. There's also a pretty good helping of these delay solos on 
>the
> >>"Guitar" album (2 cds of Zappa guitar solos! NOt a desert island disc 
>but
> >>interesting in small doses).
> >
> >--
> >
> >______________________________________________________________
> >Richard Zvonar, PhD
> >(818) 788-2202
> >http://www.zvonar.com
> >http://RZCybernetics.com
> >http://www.cybmotion.com/aliaszone
> >http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
> >
>






_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed May  1 04:31:20 2002
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References: <F201croNCfhKOpgxtKK0000793d@hotmail.com>
Subject: May 1 Blackout at EarthLight Studios
Date: Wed, 1 May 2002 09:27:08 +0100
Organization: EarthLight Productions
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Hi Folks,

In alignment with webcasters, and against the pending considerations in
Washington about broadcast royalties that would drive all but the majors out
of the business, EarthLight Studios has removed all music links from its
site.  For more information about this, go to
http://www.saveinternetradio.org - or contact your Congressman or Senator,
and tell them to vote down the CARP recommendations.

Democracy has this problem:  It requires participation!  Thank you for your
attention but mostly your help.

Stephen P. Goodman
EarthLight Productions
*
http://www.earthlight.net/Studios - The Free Loop of the Week (Not THIS
Week)!
http://www.earthlight.net/Gallery_Front.html - Cartoons!
http://www.earthlight.net/HiddenTrack.html - More Cartoons!

From Loopers-Delight-request@loopers-delight.com  Wed May  1 07:42:35 2002
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From: "Louis Rossi" <tarbit@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: RC-20 review
Date: Wed, 01 May 2002 07:39:35 -0400
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Has anyone tried out the other Boss ‘twin’ petals. I was thinking about the 
EQ one as you can have a few presets saved.
Thanks
Lou


>From: Darrell Havard <darrell367@earthlink.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: RC-20 review
>Date: Tue, 30 Apr 2002 23:15:55 +0800
>
>on 4/16/02 11:50 PM, Reid, Benjamin at BReid@about-inc.com wrote:
>
>
>I get the impression not a lot of other people use the Boss RC-20. I got it
>primarily because it's Boss, had long loops, and was affordable. Are there
>other RC-20 users on the list? Seems like the EDP and Repeater are most
>common.
>
>On the whole I like the pedal, esp for the price point (225 used) Things I
>see holding it back:
>
>+ No midi synch. This seems so easy I can't explain why it's not on there.
>+ Limited time stretch.
>+ Also seems to be a minimum loop time (I might not have learned this
>properly yet) which won't allow you to get lower than 1 second. I was 
>hoping
>to make sub-second/stuttering loops.
>
>Anyone else have similar experiences or opinions on the pedal?
>
>Ben
>
>I love my rc-20, although it's the first looping device I've ever used.  I
>store breakbeats in most of the banks to get an even cut loop.  I'm
>beginning to wish I had something that would make playing with a drummer
>easier though.  In short, it's great for storing stuff on and then looping
>over that, especially for the money,  but if you want to do stuff on the
>fly, it ain't that great.


_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed May  1 07:50:02 2002
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Then aren't you against recording artists, songwriters, composers, etc.
from receiving royalties? I believe broadcast is broadcast is broadcast,
even if it is webcast. Therefore, we musicians should be compensated
just as we are in all other media.

Sorry you are against it, and I understand where you are coming from.
However, being a musician and composer who would like to benefit from
broadcast royalties, I for one am telling my representatives to vote FOR
the CARP recommendations.

J. Sawruk

P.S. The American Federation of Musicians has send email (propaganda) to
all its members requesting they support the CARP recommendations. I,
however, formed my conclusions prior to receiving this email.

-----Original Message-----
From: Stephen P. Goodman [mailto:spgoodman@earthlight.net] 
Sent: Wednesday, 01 May, 2002 4:27
To: Loopers-Delight@loopers-delight.com
Subject: May 1 Blackout at EarthLight Studios

Hi Folks,

In alignment with webcasters, and against the pending considerations in
Washington about broadcast royalties that would drive all but the majors
out
of the business, EarthLight Studios has removed all music links from its
site.  For more information about this, go to
http://www.saveinternetradio.org - or contact your Congressman or
Senator,
and tell them to vote down the CARP recommendations.

Democracy has this problem:  It requires participation!  Thank you for
your
attention but mostly your help.

Stephen P. Goodman
EarthLight Productions
*
http://www.earthlight.net/Studios - The Free Loop of the Week (Not THIS
Week)!
http://www.earthlight.net/Gallery_Front.html - Cartoons!
http://www.earthlight.net/HiddenTrack.html - More Cartoons!

From Loopers-Delight-request@loopers-delight.com  Wed May  1 08:01:03 2002
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Subject: Re: May 1 Blackout at EarthLight Studios
Date: Wed, 1 May 2002 12:53:44 +0100
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That's the RIAA line, yup.

----- Original Message ----- 
From: "Jeremy Sawruk" <lobachevski@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 01, 2002 12:48 PM
Subject: RE: May 1 Blackout at EarthLight Studios


> Then aren't you against recording artists, songwriters, composers, etc.
> from receiving royalties? I believe broadcast is broadcast is broadcast,
> even if it is webcast. Therefore, we musicians should be compensated
> just as we are in all other media.
> 
> Sorry you are against it, and I understand where you are coming from.
> However, being a musician and composer who would like to benefit from
> broadcast royalties, I for one am telling my representatives to vote FOR
> the CARP recommendations.
> 
> J. Sawruk
> 
> P.S. The American Federation of Musicians has send email (propaganda) to
> all its members requesting they support the CARP recommendations. I,
> however, formed my conclusions prior to receiving this email.
> 
> -----Original Message-----
> From: Stephen P. Goodman [mailto:spgoodman@earthlight.net] 
> Sent: Wednesday, 01 May, 2002 4:27
> To: Loopers-Delight@loopers-delight.com
> Subject: May 1 Blackout at EarthLight Studios
> 
> Hi Folks,
> 
> In alignment with webcasters, and against the pending considerations in
> Washington about broadcast royalties that would drive all but the majors
> out
> of the business, EarthLight Studios has removed all music links from its
> site.  For more information about this, go to
> http://www.saveinternetradio.org - or contact your Congressman or
> Senator,
> and tell them to vote down the CARP recommendations.
> 
> Democracy has this problem:  It requires participation!  Thank you for
> your
> attention but mostly your help.
> 
> Stephen P. Goodman
> EarthLight Productions
> *
> http://www.earthlight.net/Studios - The Free Loop of the Week (Not THIS
> Week)!
> http://www.earthlight.net/Gallery_Front.html - Cartoons!
> http://www.earthlight.net/HiddenTrack.html - More Cartoons!
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed May  1 09:17:56 2002
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From: "Bill Fox" <billfox@fast.net>
To: "emusic-wdiy Mailing List" <emusic-wdiy@yahoogroups.com>
Subject: EMUSIC Top 20 Report for April, 2002
Date: Wed, 1 May 2002 09:12:13 -0400
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WDIY 88.1 FM "EMUSIC" Top 20 report to
New Age Voice and CD Revolutions for April, 2002.
Shows #262 to #266; 4-April-2002 to 25-April-2002
Reported in non-ranked order.
Compiled by Bill Fox, billfox@fast.net

CONTACT:
billfox@fast.net
http://wdiyfm.org/programs/emusic


ARTIST - ALBUM TITLE - LABEL
============================
Akikaze - Leap in the Dark - Quantum
Ashra - @shra Vol. 2 - MG-Art
Craig Padilla - Folding Space and Melting Galaxies - Space for Music
Eric Wollo - Wind Journey - Spotted Peccary
FSP, AirSculpture, Brewer and Fox - Okefenokee Dreams 2001 - Neu Harmony and
Quantum
Hemisphere - Attachment X - Groove
James Johnson - Odyssey - Zero Music
Jim Cole - Godspace - Spectral Spiral
Robert Rich and Ian Boddy - Outpost - DiN
Rudy Adrian and Nick Prosser - Concerts in New Zealand - Quantum
Saul Stokes - Collection of Live Recordings - none
Saul Stokes - Edge of the Forest - none
Saul Stokes - Washed in Mercury - Hypnos
Saul Stokes - Zo Pilots - Hypnos
Spacecraft - Inside the Inside - Space for Music
Synergy - Reconstructed Artifacts - Third Contact
T-Bass UK - The Fabulous Neutrinos - Infection Music
Various Artists - Hampshire Jam Preserved - none
Zero Ohms - Atma-spheric Surfaces - ZOP OPUS
Zero Ohms and Brannan Lane - Soundfall to the Infinite - Space for Music

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Subject: Re: RC-20 review
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Re: RC-20 reviewLike I was saying in my intro note...I like the RC-20 =
and use two of 'em! The only other looping device I've used is the =
Oberheim Echoplex, so that's the only thing I can compare it to. I'd say =
that function-wise, two cascaded RC-20s are almost as cool as an =
Echoplex (and still cheaper), because you can do the multiply function. =
I also like to use one RC-20 to record a background for the head of the =
tune, and the second to record a background for soloing over, then go =
back to the head background at the end (this is good for Monk's Dream, =
with a stop-time background on the head). I THINK you can do this on the =
Echoplex using the Next Loop pedal, although I never figured out how =
when I was borrowing one.

For what I do, being able to keep 11 loops in memory when the power is =
turned off is VERY useful for my Peter Erskine jazz loops. I don't use =
any MIDI gear in my setup, so I don't really need synch capability.=20

It's nice that the RC-20 has so much more memory than a fully expanded =
Echoplex, but this doesn't really impact what I do much. The longest =
time I ever need is enough to record a full chorus of a ballad, and the =
Echoplex's 198 seconds is plenty for that.

The input mixer on the RC-20 is useful for me because I mix together the =
straight guitar sound and the octave-divided bass sound there. If I used =
an Echoplex, I'd have to add a mixer.

Things I would change about the RC-20:

1. Eliminate the idiotic-sounding "guide" drum tracks. To me these are =
absolutely useless, and I have embarrassed myself in front of an =
audience more than once by forgetting to turn this knob all the way down =
and having stupid pounding drums come on in the middle of a jazz tune!! =
I may end up just removing the pot and soldering a jumper wire in so =
that this won't happen!

2. Get rid of the dang noise gate on the input, or at least make it =
possible to turn it off. If you don't have the input level up high =
enough, the noise gate cuts off long notes when you play softly. This is =
extremely annoying.

Other than than, I think the RC-20 is a really great thing.=20

Mark Smart

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: RC-20 review</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4522.1800" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Like I was saying in my intro note...I =
like the=20
RC-20 and use two of 'em! The only other looping device I've used is the =

Oberheim Echoplex, so that's the only thing I can compare it to. I'd say =
that=20
function-wise, two cascaded RC-20s&nbsp;are almost as cool as an =
Echoplex (and=20
still cheaper), because you can do the multiply function. I also like to =
use one=20
RC-20 to record a background for the head of the tune, and the second to =
record=20
a background for soloing over, then go back to the head background at =
the end=20
(this is good for Monk's Dream, with a stop-time background on the =
head). I=20
THINK you can do this on the Echoplex using the Next Loop pedal, =
although I=20
never figured out how when I was borrowing one.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>For what I do, being able to keep 11 =
loops in=20
memory when the power is turned off is VERY useful for my Peter Erskine =
jazz=20
loops. I don't use any MIDI gear in my setup, so I don't really need =
synch=20
capability. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>It's nice that the RC-20 has so much =
more memory=20
than a fully expanded Echoplex, but this doesn't really impact what I do =
much.=20
The longest time I ever need is enough to record a full chorus of a =
ballad, and=20
the Echoplex's 198 seconds is&nbsp;plenty for that.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The input mixer on the RC-20 is useful =
for me=20
because I mix together the straight guitar sound and the octave-divided =
bass=20
sound there. If I used an Echoplex, I'd have to add a =
mixer.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Things I would change about the =
RC-20:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>1. Eliminate the idiotic-sounding =
"guide" drum=20
tracks. To me these are absolutely useless, and I have embarrassed =
myself in=20
front of an audience more than once by forgetting to turn this knob all =
the way=20
down and having stupid pounding drums come on in the middle of a jazz =
tune!! I=20
may end up just removing the pot and soldering a jumper wire in so that =
this=20
won't happen!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>2. Get rid of the dang noise gate on =
the input, or=20
at least make it possible to turn it off. If you don't have the input =
level up=20
high enough, the noise gate cuts off long notes when you play softly. =
This is=20
extremely annoying.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Other than than, I think the RC-20 is a =
really=20
great thing. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Mark Smart</FONT></DIV></BODY></HTML>

------=_NextPart_000_001A_01C1F0EA.C6E69BE0--


From Loopers-Delight-request@loopers-delight.com  Wed May  1 09:45:21 2002
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Subject: Re: New Jazzer on the list
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> hey jazzer, great to have you.  you use a rc-20 and a chili dog?!!!

Yeah. I hate to admit it, but the Chili Dog is the best
playing-bass-from-the-guitar device I've ever used. It does this better than
any guitar synth, better even than the VG-8, where there is a delay when you
use the pitch shifter. You can play walking bass lines at like 310 BPM and
it has no problem keeping up! And it costs $40! It does bounce octaves on
low notes sometimes, I'm figuring out ways around this. This is a really
unusual octave pedal, the 1-octave-down output does not sound like a square
wave like most octave pedals. I got curious and poked around on it with a
scope. I don't think the thing even HAS an envelope follower. I think they
are just multiplying the input audio signal by the octave and outputting it!
This has added benefits, however. The timbre of the octave is affected by
the timbre of the input signal. And it kind of sounds like an acoustic bass
if you use your imagination, which is perfect for what I do.
The tracking of the dynamics of the input is flawless. I can use this thing
for a romantic jazz ballad and it blends in very naturally.

>If you
> were a stick player I'd say we were separated at birth!

Maybe we were. I do play Stick a little bit. I have an '80s Ironwood
10-string that I play around with sometimes. I worked for a while on doing
jazz stuff on it, but ended up being really overwhelmed with having to
re-learn the whole fretboard. But if I do like the idea of the Stick for
jazz....I started figuring out how to do a walking bass + chords with one
hand and melody with the other. And I like all the close-voiced chords you
can play.

My Stick, unfortunately, has problems handling the humidity variations in
the Midwest!

>thanks for the
> peter erksine cd tip, I've been using funk breakbeats on my rc-20, but
I've
> been trying to find more jazz drums.

The Erskine disk is great! There is swing time at a bunch of different
tempos, plus bossa nova and a bunch of funk stuff. He was careful to include
time loops with no extra accents for looping. Of course, his time is solid
as a rock. Also, there are individual samples of several of his drum kits,
with velocity layers and, in some cases, right and left stickings.

I use those, plus a few loops I have sampled from CDs: Joe Morello's drum
intro from Take Five and Tony Williams' incredible cymbal playing on
"Footprints" from "Miles Smiles".

Mark Smart


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References: <000201c1f106$12927350$7450fea9@cartman>
Subject: Re: May 1 Blackout at EarthLight Studios
Date: Wed, 1 May 2002 15:00:43 +0100
Organization: EarthLight Productions
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AFM Supports Blackout:
http://mi2n.com/press.php3?press_nb=36165

----- Original Message ----- 
From: "Jeremy Sawruk" <lobachevski@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 01, 2002 12:48 PM
Subject: RE: May 1 Blackout at EarthLight Studios


> Then aren't you against recording artists, songwriters, composers, etc.
> from receiving royalties? I believe broadcast is broadcast is broadcast,
> even if it is webcast. Therefore, we musicians should be compensated
> just as we are in all other media.
> 
> Sorry you are against it, and I understand where you are coming from.
> However, being a musician and composer who would like to benefit from
> broadcast royalties, I for one am telling my representatives to vote FOR
> the CARP recommendations.
> 
> J. Sawruk
> 
> P.S. The American Federation of Musicians has send email (propaganda) to
> all its members requesting they support the CARP recommendations. I,
> however, formed my conclusions prior to receiving this email.
> 
> -----Original Message-----
> From: Stephen P. Goodman [mailto:spgoodman@earthlight.net] 
> Sent: Wednesday, 01 May, 2002 4:27
> To: Loopers-Delight@loopers-delight.com
> Subject: May 1 Blackout at EarthLight Studios
> 
> Hi Folks,
> 
> In alignment with webcasters, and against the pending considerations in
> Washington about broadcast royalties that would drive all but the majors
> out
> of the business, EarthLight Studios has removed all music links from its
> site.  For more information about this, go to
> http://www.saveinternetradio.org - or contact your Congressman or
> Senator,
> and tell them to vote down the CARP recommendations.
> 
> Democracy has this problem:  It requires participation!  Thank you for
> your
> attention but mostly your help.
> 
> Stephen P. Goodman
> EarthLight Productions
> *
> http://www.earthlight.net/Studios - The Free Loop of the Week (Not THIS
> Week)!
> http://www.earthlight.net/Gallery_Front.html - Cartoons!
> http://www.earthlight.net/HiddenTrack.html - More Cartoons!
> 
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed May  1 10:13:11 2002
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Subject: Re: May 1 Blackout at EarthLight Studios
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I believe there is a misunderstanding here. This is not how I read it. I 
believe the AFM is saying that, people should get used to the blackout idea 
because without financial compensation, no one will write anymore.

I particularly point to this quote:

"Most recording musicians are not rich or glamorous," continued Lee. "What 
they are is enormously talented and enormously under-compensated in relation 
to the value of their work. For decades, musicians struggled to make a 
decent living while commercial broadcasters built a hugely profitable 
industry based on using their creations for free. Congress was right when it 
changed the law to ensure that the Internet streaming industry would not be 
built on the same faulty basis. Recording musicians need and deserve to be 
paid when their work is exploited on the Web and that is what the recent 
arbitration decision setting a digital performance royalty rate is really 
all about."

What this does say is that the recording industry does have faults, and that 
the internet broadcasters will not recreate these faults. However, he still 
says that musicians need and deserve to be paid for their work when it is 
used on the web.

To reinforce this, another direct quote:
"When the streaming pauses on May 1," urged Lee, "stop and think about life 
without musicians. Fifty percent of the new digital performance royalty 
payments will go directly to musicians and vocalists. Without these new 
income streams, recording musicians won't be able to afford to make the 
wonderful recordings we all crave to hear."

Notice the last sentence.

So even though the AFM says the welcome this day of silence, please realize 
that it may be sarcasm or for reasons contrary to why you are doing this.

May I remind you that I am not affiliated with the AFM anymore. If anyone 
affiliated with them would help to clarify the issue, please feel free to.

I'm not saying you're wrong, and I recognize and fully understand your 
reason to blackout. I just want to ensure that this debate has accurate 
facts from BOTH sides.

J. Sawruk

>From: "Stephen P. Goodman" <spgoodman@earthlight.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: May 1 Blackout at EarthLight Studios
>Date: Wed, 1 May 2002 15:00:43 +0100
>
>AFM Supports Blackout:
>http://mi2n.com/press.php3?press_nb=36165
>
>----- Original Message -----
>From: "Jeremy Sawruk" <lobachevski@hotmail.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Wednesday, May 01, 2002 12:48 PM
>Subject: RE: May 1 Blackout at EarthLight Studios
>
>
> > Then aren't you against recording artists, songwriters, composers, etc.
> > from receiving royalties? I believe broadcast is broadcast is broadcast,
> > even if it is webcast. Therefore, we musicians should be compensated
> > just as we are in all other media.
> >
> > Sorry you are against it, and I understand where you are coming from.
> > However, being a musician and composer who would like to benefit from
> > broadcast royalties, I for one am telling my representatives to vote FOR
> > the CARP recommendations.
> >
> > J. Sawruk
> >
> > P.S. The American Federation of Musicians has send email (propaganda) to
> > all its members requesting they support the CARP recommendations. I,
> > however, formed my conclusions prior to receiving this email.
> >
> > -----Original Message-----
> > From: Stephen P. Goodman [mailto:spgoodman@earthlight.net]
> > Sent: Wednesday, 01 May, 2002 4:27
> > To: Loopers-Delight@loopers-delight.com
> > Subject: May 1 Blackout at EarthLight Studios
> >
> > Hi Folks,
> >
> > In alignment with webcasters, and against the pending considerations in
> > Washington about broadcast royalties that would drive all but the majors
> > out
> > of the business, EarthLight Studios has removed all music links from its
> > site.  For more information about this, go to
> > http://www.saveinternetradio.org - or contact your Congressman or
> > Senator,
> > and tell them to vote down the CARP recommendations.
> >
> > Democracy has this problem:  It requires participation!  Thank you for
> > your
> > attention but mostly your help.
> >
> > Stephen P. Goodman
> > EarthLight Productions
> > *
> > http://www.earthlight.net/Studios - The Free Loop of the Week (Not THIS
> > Week)!
> > http://www.earthlight.net/Gallery_Front.html - Cartoons!
> > http://www.earthlight.net/HiddenTrack.html - More Cartoons!
> >
> >
> >
> >
>


_________________________________________________________________
MSN Photos is the easiest way to share and print your photos: 
http://photos.msn.com/support/worldwide.aspx

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Actually, he is a stick player, so you'd better get ready for the talk
shows.

:)

-K

>>> darrell367@earthlink.net 04/30/02 10:25AM >>>
on 4/29/02 6:41 AM, Mark Smart at mwsmart@insightbb.com wrote:

> Hi all.
> I am a jazz guitarist from Champaign, IL who just joined the list. I
have
> been building a looping setup with two Boss RC-20 Loop Stations, and
am
> almost done with it.
> 
> This jazz setup consists of an Ibanez Artist AR-250 with a Copeland
hex
> humbucker pickup in the neck position to split the strings so that
the top
> four go through a guitar amp simulator and the bottom two can go
through a
> Dano Chili Dog octave divider pedal and a Sansmp Bass DI for a bass
sound. I
> ended up with two RC-20's when a certain mail order place sent me two
when I
> only ordered and paid for one! After I had them for a while, I
realized that
> when you string two RC-20's in series you can do a lot of cool tricks
like
> recording a long loop over multiple repitiions of a short loop (like
the
> Multiply pedal on the Gibson/Oberheim Echoplex). I have 4-bar jazz
drum
> loops (from the Peter Erskine Living Drums CD plus a few from regular
jazz
> CDs) stored in the first RC-20, which I play bass-and-guitar
accompaniments
> over, then loop the whole thing and solo on it.
> 
> I intend to use this setup mostly for straight jazz, but I have done
some
> messing around in other styles. I did a few gigs using my Roland VG-8
and a
> borrowed Oberheim Echoplex to do Mahavishnu Orchestra tunes and
simulate a
> bluegrass band.
> 
> I'm interested to hear from other loopers doing jazz stuff, and
others using
> the
> two-RC-20s-in-series trick. Thanks!
> 
> Mark Smart
> 
> 
hey jazzer, great to have you.  you use a rc-20 and a chili dog?!!!  If
you
were a stick player I'd say we were separated at birth!  thanks for
the
peter erksine cd tip, I've been using funk breakbeats on my rc-20, but
I've
been trying to find more jazz drums.

From Loopers-Delight-request@loopers-delight.com  Wed May  1 12:15:25 2002
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From: "Chris Olden" <chrisolden@hotmail.com>
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Subject: Re: DL-4 Tricks?
Date: Wed, 01 May 2002 16:11:51 +0000
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  Howdy,
  I just picked up a DL-4 this past weekeend; a very cool
  little unit!! I was wondering if any DL-4 users out there
  have any "tricks" they have discovered with the DL-4 they'd
  be willing t share?
  Thanks!
  Chris Olden


_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed May  1 12:49:41 2002
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Date: Wed, 01 May 2002 09:42:35 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Pauline Oliveros recordings
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This just in from Electronic Musician editor Gino Robair. As many of 
you know, Pauline Oliveros is the Grandmother of Looping, although 
only one of her early tape delay pieces has previously been available 
on record. "I of IV" was one of the first live electronic pieces I 
ever heard, being on a 1968 Columbia Odyssey LP along with "Come Out" 
by Steve Reich and "Night Music" by Richard Maxfield. PO was doing 
many pieces with multiple tape delays in the '60s, and when digital 
delays became available she bought a pair of Lexicon PCM-42s which 
she had modified by Gary Hall. She later upped her arsenal to four 
PCM-42s and four PCM-70s. These days she's using Max/MSP.

<http://email.email.primedia.com/cgi-bin15/flo?y=hsz0BdKia0Lm0sV0AD>Pauline 
Oliveros: 
<http://email.email.primedia.com/cgi-bin15/flo?y=hsz0BdKia0Lm0sW0AE>Alien 
Bog/Beautiful Soop (<http://www.pogus.com>Pogus Productions). Alien 
Bog (1967) and Beautiful Soop (1966) were created during Oliveros's 
tenure as director of the San Francisco Tape Music Center at Mills 
College, in Oakland, California, using the first Buchla 100 series 
modular synthesizer and a tape-delay system of her own design.
http://www.pogus.com/21012.htm

<http://email.email.primedia.com/cgi-bin15/flo?y=hsz0BdKia0Lm0sV0AD>Pauline 
Oliveros: Electronic Works 
(<http://email.email.primedia.com/cgi-bin15/flo?y=hsz0BdKia0Lm0sX0AF>Paradigm 
Discs) The pieces on this disc also features Oliveros's work with 
tape delays, this time using sine-wave generators, pink noise, voice, 
and turntable.
http://www.stalk.net/paradigm/

<http://email.email.primedia.com/cgi-bin15/flo?y=hsz0BdKia0Lm0sV0AD>Pauline 
Oliveros: 
<http://email.email.primedia.com/cgi-bin15/flo?y=hsz0BdKia0Lm0sY0AG>No 
Mo (<http://www.pogus.com>Pogus Productions). Three more tape works 
dating from the mid '60s: Something Else and No Mo were created in 
1966 at the Electronic Music Studio University of Toronto; Bog Road 
was created at Mills College using the Buchla Series 100.
http://www.pogus.com/21023.htm

The lovely works on these three discs show that Pauline Oliveros's 
concepts of organized sound and electronic music were way ahead of 
their time.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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From: Richard Zvonar <zvonar@zvonar.com>
Subject: CARP = CRAP
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The arguments put forth on 
http://www.saveinternetradio.org/pressroom.asp seem compelling to me, 
though I'd welcome debate that addresses the economic specifics of 
the CARP recommendation. The problem appears to be twofold: 1) 
royalties are based on a fixed rate per song, per listener rather 
than as a percentage of revenues, and 2) these royalties would be due 
retroactively to October 1998. If these figures are correct then the 
cost of Internet broadcast would indeed be too great for small 
companies.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Wed May  1 14:02:13 2002
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Date: Wed, 1 May 2002 13:54:11 EDT
Subject: loop IV features vol 1
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Just to get you all interested.
Some features of the new Loop4 software for the EDP, not available with loop3.

16 loops, previously 9.

New InsertModes, which change the way the Insert button works,
in addition to Ins, rhr, Rev, rEP
1) HSP Halfspeed playback, and record. 
2) SUB , substitute, which means that feedback is reduced to zero.
3) SUS, changes the way both Insert and Multiply buttons work, the 
  function is ended as soon as the button is released, so you can 
  make very short loops, or add v.short sounds together.
   (Granular synthesis if you like)
   if you like the RecorMode=SUS from loop3, then
   this is worth getting excited about.  

There are 2 new values for quantise, in addition to the 
old Off and CYC (=per cycle)
1)LOP quantises to the entire loop, however many cycles it contains.
2)8th quantises to an eighth note, as selected by the 8th/cycle parameter.

the 8th quantise lets you divide the loop length with total accuracy,
and allows you to replace single beats within the loop with a single press.

andy butler 




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Subject: Re: loop IV features vol 1
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> Just to get you all interested.
> Some features of the new Loop4 software for the EDP, not available with loop3.
> 
> New InsertModes, which change the way the Insert button works,
> in addition to Ins, rhr, Rev, rEP
> 1) HSP Halfspeed playback, and record. 
> andy butler 

Does this mean that you can have Reverse OR Halfspeed on the Insert footswitch
or can you have both? (ie: the click or doubleclick response on the Line 6 DL/4.)

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com

From Loopers-Delight-request@loopers-delight.com  Wed May  1 14:34:40 2002
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Date: Wed, 1 May 2002 11:32:23 -0700 (PDT)
From: SRice <srice44@yahoo.com>
Subject: Re: (RC-20 review) -EQ pedal
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I have the Boss EQ pedal and find it quite useful.  As Lou
suggested, you can have different presets available, but
what is cool to me is to kick it on and off during a piece.
As the loop is playing away I can momentarily change
my EQ and volume from wet to dry or dry to wet.  The live
instrument can then play a phrase that comes out above
the mix, then be more of an accompaniment.

Yours in rhythm,
Steve



Has anyone tried out the other Boss ?twin? petals. I was 
thinking about the 
EQ one as you can have a few presets saved.
Thanks
Lou



__________________________________________________
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Yahoo! Health - your guide to health and wellness
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Two RC-20's are my goal also.
I want to link the remote bank switches together to operate at the same 
time.
I want to have a series/parralle switch to change the path of the RC-20's.
The outputs I plan to take to a cross fade Ernie Ball volume pedal for 
taking an old track to the background.
I have the repair prints on the RC-20. Someday when time is better I would 
love to sync the two together through the reverse jack.
I agree on the guide being less useful.
Denis Aldrich


_________________________________________________________________
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Subject: Re: (RC-20 review) -EQ pedal
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Hey Steve-

How much can you cut/boost the freq ranges with that thing? I wonder if it
could be used for extreme eq like the Electrix EQ Killer-

Cliff

----- Original Message -----
From: "SRice" <srice44@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 01, 2002 11:32 AM
Subject: Re: (RC-20 review) -EQ pedal


> I have the Boss EQ pedal and find it quite useful.  As Lou
> suggested, you can have different presets available, but
> what is cool to me is to kick it on and off during a piece.
> As the loop is playing away I can momentarily change
> my EQ and volume from wet to dry or dry to wet.  The live
> instrument can then play a phrase that comes out above
> the mix, then be more of an accompaniment.
>
> Yours in rhythm,
> Steve
>
>
>
> Has anyone tried out the other Boss ?twin? petals. I was
> thinking about the
> EQ one as you can have a few presets saved.
> Thanks
> Lou
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Health - your guide to health and wellness
> http://health.yahoo.com
>
>
>


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From: "Louis Rossi" <tarbit@hotmail.com>
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Thanks Steve,
I have been using the Compressor & the mysterious pickup simulator on the 
GT-3 for my NS stick, which helps out the sound a lot. ie EMG :(  It would 
be nice to check out that EQ as well as some of the patches do the 
simulation & it’s a little less cumbersome..
Cheers
LOU



>From: SRice <srice44@yahoo.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: (RC-20 review) -EQ pedal
>Date: Wed, 1 May 2002 11:32:23 -0700 (PDT)
>
>I have the Boss EQ pedal and find it quite useful.  As Lou
>suggested, you can have different presets available, but
>what is cool to me is to kick it on and off during a piece.
>As the loop is playing away I can momentarily change
>my EQ and volume from wet to dry or dry to wet.  The live
>instrument can then play a phrase that comes out above
>the mix, then be more of an accompaniment.
>
>Yours in rhythm,
>Steve

_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp.

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Subject: RE: RC-20 Review
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yea!! I just got the Boss LS-2 which is kind of a pedal mixer/AB box. very
nice for this application with/w/out vol pedal.

are repair prints available somewhere online? I'd love to customize my box
as well.

Ben

-----Original Message-----
From: Denis Aldrich [mailto:joy_top@hotmail.com]
Sent: Wednesday, May 01, 2002 2:44 PM
To: loopers-delight@loopers-delight.com
Subject: RE: RC-20 Review


Two RC-20's are my goal also.
I want to link the remote bank switches together to operate at the same 
time.
I want to have a series/parralle switch to change the path of the RC-20's.
The outputs I plan to take to a cross fade Ernie Ball volume pedal for 
taking an old track to the background.
I have the repair prints on the RC-20. Someday when time is better I would 
love to sync the two together through the reverse jack.
I agree on the guide being less useful.
Denis Aldrich


_________________________________________________________________
Join the world's largest e-mail service with MSN Hotmail. 
http://www.hotmail.com

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Subject: Re: New Jazzer on the list, now OT
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----- Original Message -----
From: "Mark Smart" <mwsmart@insightbb.com>
> Maybe we were. I do play Stick a little bit. I have an '80s Ironwood
> 10-string that I play around with sometimes. I worked for a while on doing
> jazz stuff on it, but ended up being really overwhelmed with having to
> re-learn the whole fretboard. But if I do like the idea of the Stick for
> jazz....I started figuring out how to do a walking bass + chords with one
> hand and melody with the other. And I like all the close-voiced chords you
> can play.

If you are interested in jazz Stick, you might check out Steve Adelson.  He
does give lessons, but he lives in NYC.

http://www.steveadelson.com/

-Vance


From Loopers-Delight-request@loopers-delight.com  Wed May  1 19:08:35 2002
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From: Michael Clark <mcl451@airmail.net>
Subject: A Book On Music Composition
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Hey,

For anyone who's interested, there is a neat e-book (free) on music
composition at

http://www.musique.umontreal.ca/personnel/Belkin/bk/index.html

I got the link from another group, started reading it, and thought some of
you might like it.

Anyway.

M....

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Subject: Why I support the Internet Radio Protest Blackout on May 1st
Date: Wed, 1 May 2002 16:41:45 -0700
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Dear Loopers,

    I've been reading the debate sparked by Stephen Goodmans' posting about
his intention to
blackout his internet radio station on May 1st to protest the proposed
acceptance of the CARP
recommendations by the Librarian of Congress  (see
http://www.saveinternetradio.org/90seconds.asp)
and I wanted to put in my quick two impassioned cents into the debate.

    This is an incredibly important event in the future of independent
music.

    The issue is not necessarily about whether musicians and composers
should be compensated for their work but more for the
fact that the music business has an increasing stranglehold on the
dissemination of music in this country.   They are usurous
and decietful in their practises.*   Right now,  the internet and internet
radio is the ONLY way I have of getting my music
out to people.   I made a very decent amount of money from my entirely
independently produced, manufactured and disseminated
CD of abstract, loop based electronica last year (because I stepped out of
the paradigm of the music  industry and did everything myself) and I would
never have been able to do the dance commissions, documentary soundtracks,
museum appearances and other gigs if I had relied on the dominant paradigm
to 'pay' me for my music.

Acceptance of the CARP recommendation will effectively put independent
internet radio out of business.
Independent internet radio owners have proposed paying a fee to artists that
will not bankrupt them.  The CARP recommendations
put the fee so high that only the majors will win out.     They are not
taking recommendations from the independents nor are they
taking recommendations from the general population.

This legislation will only increase the major  mega-corporate music business
labels stranglehold on music in the world.

Please fight it!!!!

yours,   sincerely,   Rick Walker (aka Loop.pooL)


*go to this URL to read Courtney Love's insightful address to the Digital
Hollywood Media Conference in New York City
about the relationship of the music industry to artists.  This transcript of
her lengthy (and eye opening) speech really
cemented my attitudes towards the major labels and the music 'business' in
general.
http://www.salon.com/tech/feature/2000/06/14/love/


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At 6:04 PM -0500 5/1/02, Michael Clark wrote:

>For anyone who's interested, there is a neat e-book (free) on music
>composition at
>
>http://www.musique.umontreal.ca/personnel/Belkin/bk/index.html

This looks like a good overview, and it provides references to enough 
musical examples to keep one busy for a while.  I think this material 
would be most useful if one were to download it into a laptop, or to 
print it out, and then go to a good music library where both scores 
and recordings are available.

Although the author seems to be interested mostly in the classical 
repertoire, the principles he outlines can be applied to any sort of 
music. This on-line book is a bit terse, though. Many of his short 
sections could be expanded into whole chapters. For instance, his 
section on the coda is only 160 words!
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Wed May  1 20:58:23 2002
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Date: Wed, 01 May 2002 17:50:21 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Native Instruments FM7
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If anyone is curious about the FM7 software synthesizer, my review on 
audioMIDI.com is available. If anyone else is using it I'd like to 
compare notes. If anyone has questions beyond what's covered in my 
review, feel free.

http://www.audiomidi.com/aboutus/reviews/zvonar_fm7.cfm
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Wed May  1 21:06:03 2002
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From: "M. Steven Ginn" <sginn@airmail.net>
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Subject: RE: Native Instruments FM7
Date: Wed, 1 May 2002 20:04:53 -0500
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Hi Richard,

I like FM7 and it was able to import my sounds from my old TX81Z.
However, one drawback I see is that you can't play multiple programs at
the same time like you can on the TX81z (or any other FM synth as far as
I know).  One of the nice things about the TX81z is the ability to layer
the sounds to create even better, richer sounds.

Thanks,
Steve


> 
> If anyone is curious about the FM7 software synthesizer, my review on 
> audioMIDI.com is available. If anyone else is using it I'd like to 
> compare notes. If anyone has questions beyond what's covered in my 
> review, feel free.
> 
http://www.audiomidi.com/aboutus/reviews/zvonar_fm7.cfm
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Wed May  1 21:13:58 2002
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Date: Wed, 1 May 2002 21:11:26 EDT
Subject: a very nice listen
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anomalous disturbances, "THE SPIRIT MOLECULE".....ambient to say the 
least.....and a great web site (notes section gives a ton-o-info on the cd) 
www.anomalousdisturbances.com.....lots-o-canadians poppin up lately, ehh..... 
sounds like the entire country is hot to loop.....michael

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http://www.harmony-central.com/Newp/2002/IBVA-for-MAX.html

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i'm sticking with my TG33. :)

i liked FM7 ok, but found the interface a bit overwhelming and a bit clunky.
it also tended to REALLY hog processor cycles - something absynth doesn't do.

M. Steven Ginn(sginn@airmail.net)@Wed, May 01, 2002 at 08:04:53PM -0500:
> Hi Richard,
> 
> I like FM7 and it was able to import my sounds from my old TX81Z.
> However, one drawback I see is that you can't play multiple programs at
> the same time like you can on the TX81z (or any other FM synth as far as
> I know).  One of the nice things about the TX81z is the ability to layer
> the sounds to create even better, richer sounds.
> 
> Thanks,
> Steve
> 
> 
> > 
> > If anyone is curious about the FM7 software synthesizer, my review on 
> > audioMIDI.com is available. If anyone else is using it I'd like to 
> > compare notes. If anyone has questions beyond what's covered in my 
> > review, feel free.
> > 
> http://www.audiomidi.com/aboutus/reviews/zvonar_fm7.cfm
> -- 
> 
> ______________________________________________________________
> Richard Zvonar, PhD
> (818) 788-2202
> http://www.zvonar.com
> http://RZCybernetics.com
> http://www.cybmotion.com/aliaszone
> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Wed May  1 22:17:33 2002
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At 8:04 PM -0500 5/1/02, M. Steven Ginn wrote:

>one drawback I see is that you can't play multiple programs at the 
>same time like you can on the TX81z (or any other FM synth as far as 
>I know).

FM7 allows you to create multiple instances ("File/New Instance" or 
Command-N) of the synthesizer and to assign each to its own MIDI 
channel ("System/MIDI Settings..."). You are limited to eight 
instances, which allows FM7 to be eight-part multitimbral. This 
feature is not clearly explained in the manual, so it's easy to see 
how you might have missed it.
-- 
______________________________________________________________________________
Richard Zvonar					(818) 788-2202 voice
zvonar@zvonar.com				(818) 788-2203 fax
http://www.zvonar.com

From Loopers-Delight-request@loopers-delight.com  Wed May  1 22:51:09 2002
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hi all -

i would really like to get a 1/2 rack delay unit that has tap tempo & 2
seconds of delay or so. no need for looping capabilites or repeat hold,
but speed & modulation controls would be a plus. mono is fine.

suggestions?

thanx!

bobdog

From Loopers-Delight-request@loopers-delight.com  Wed May  1 22:57:19 2002
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jusy goy in from a dw/sabian sponsored terry bozzio clinic.

golly.

this guy has a most positive, far-reaching outlook on music in general &
drumming in particular. ***looping content: terry's use of ostinato
patterns on the 9 drums/hats he controls w/his feet is amazing.

i walked out of this seminar very inspired & i'm just a string player.
if he does a clinic in your town i would recommend attending

golly.

bobdog

ps - and for you zappa fans, the black page was performed,

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From: nick douglas <nickd@mindspring.com>
Subject: RE: Native Instruments FM7
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Can FM7 layer them on the *same* MIDI channel?  I'd want a single note to make several TX81Z sounds at once.

Thanks,
Nick

M. Steven Ginn wrote:
>
>>one drawback I see is that you can't play multiple programs at the 
>>same time like you can on the TX81z (or any other FM synth as far as 
>>I know).

and Richard Zvonar wrote:

>FM7 allows you to create multiple instances ("File/New Instance" or 
>Command-N) of the synthesizer and to assign each to its own MIDI 
>channel ("System/MIDI Settings..."). You are limited to eight 
>instances, which allows FM7 to be eight-part multitimbral.

From Loopers-Delight-request@loopers-delight.com  Thu May  2 02:26:44 2002
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<< If these figures are correct then the cost of
Internet broadcast would indeed be too great for
small companies.>>

Which would mean that we might as well say
goodbye to hearing anything interesting on the
internet radio if this CARP thing goes through.
Even college radio stations won't be able to come
up with the kind of money that's being talked
about here. If the CARP regs go into action, the
only thing you're gonna be hearing on internet
radio is the same stuff we hear on commercial
radio, more classic rock (do we really need to
hear Free Bird and Stairway To Heaven?! AGAIN?!),
"smooth jazz", oldies and top 40. 

=====
May you never thirst!
The Scuba Diver Presently Known As Chris

"What do you get when you give a yo-yo to a flock of flamingos?"-James Earl Jones

__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
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From Loopers-Delight-request@loopers-delight.com  Thu May  2 02:46:21 2002
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>If anyone is curious about the FM7 software synthesizer, my review 
>on audioMIDI.com is available. If anyone else is using it I'd like 
>to compare notes. If anyone has questions beyond what's covered in 
>my review, feel free.
>
>http://www.audiomidi.com/aboutus/reviews/zvonar_fm7.cfm


Nice review. I also spent a lot of the 80's programming a DX, (and 
just picked up a TX-416 a few years ago for peanuts). I've become a 
big fan of Cesare Ferrari's FMHeaven VSTi 
(http://www.loftsoft.co.uk/), which appears to do much of what FM7 
does, but a lot cheaper. Sounds very much like the original too, I 
compared patches between it and the TX, and really couldn't hear a 
difference.

-- 
-------------------------------------------------------------------------
Dave Trenkel                                New and Improv Music
http://www.newandimprov.com         improv@peak.org
-------------------------------------------------------------------------

From Loopers-Delight-request@loopers-delight.com  Thu May  2 03:56:02 2002
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In a message dated 02/05/02 03:07:14 GMT Daylight Time, 
Loopers-Delight-d-request@loopers-delight.com writes:

> > New InsertModes, which change the way the Insert button works,
>  > in addition to Ins, rhr, Rev, rEP
>  > 1) HSP Halfspeed playback, and record. 
>  > andy butler 
>  
>  Does this mean that you can have Reverse OR Halfspeed on the Insert 
> footswitch
>  or can you have both? (ie: the click or doubleclick response on the Line 6 
> DL/4.)

Yes, thats Reverse OR Halfspeed.
Reverse is still available at all times from the Timing parameter row.

With a MIDI controller ALL the Insert possibilities are available separately!

andy butler

From Loopers-Delight-request@loopers-delight.com  Thu May  2 04:12:50 2002
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Hello list,

The one gig spam:

Tuesday, May 7
Lulu's Beehive
13203 Ventura Blvd.
Studio City
8:00 PM

This is a FREE show.  I'll be playing solo, continuing my exploration of
some new LoopIV features that are steering some of my previous EDP
techniques in a more overtly rhythmic, post-hip-hop direction.  And I
may try to cop some of the EDP ideas I tried to steal from Mr. Grob up
in Oakland (not that I could possibly pull it off anywhere near as
fluidly as he does it, mind you.)

The half gig spam:

Thursday, May 2 (i.e. TONIGHT)
California Institute of the Arts 
24700 McBean Parkway, Valencia
11:30 PM (approximately) with various events happening all evening

This is also a free show.

A bit more info regarding the event I first spammed you about last week:
This will be the end of the year exhibition for the Integrated Media
program at CalArts, which focuses on various mixed-media,
interdisciplinary digital endeavors.  Events are scheduled to happen all
day; there's apparently a reception at 6:00, and my gig with Eric
Oberthaler on Ableton Live and EDP will supposedly commence around 11:30
PM.  (Yowza).  

Eric has been delving very heavily into the Live software, and is
building up a sort of quasi-DJ approach with it, combining various
snatches of found sounds and recordings using the program's real-time
timestretching and editing functions.  Our set will morph in and out of
our duo EDP material and Eric's more purely Laptopism-based techique
(which he'll also be displaying between various performances throughout
the evening), all of which will be sync'd up to a common rhythmic pulse.
 

Well then.

--Andre LaFosse
http://www.altruistmusic.com

From Loopers-Delight-request@loopers-delight.com  Thu May  2 10:12:17 2002
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Date: Thu, 2 May 2002 07:09:57 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: OT: Gear transport in NYC?
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I know this is way off topic, but I know there are several of you
living/working in NYC and I've been curious about this for awhile.

Given that most people don't have cars in the city, how do you get your
equipment to where you're going to play?

Greg

__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
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From Loopers-Delight-request@loopers-delight.com  Thu May  2 10:31:03 2002
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Yeah, and for Chris the scuba diver, I still want to know what a scuba
diver does when he gets thristy?Bill

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I want to be able to trigger the sustain function on my drumkat but my
feet would be otherwise occupied on the bass drum and HH trigger pedals.

Does anyone make a footswitch type control but that one would use in
their mouth?!  Something that kind of looks like a breath controller.
Hey, maybe I'm on to something.  It could also have a tongue continuous
controller for pitch bends:-)

 



Bill Wolf
Ness Technologies
+ eMail: mailto:bill.wolf@Ness-USA.com 
(phone: (877) 488-7222 ext.127

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doesn't Latch mode do that?

----- Original Message -----
From: "Wolf, Bill" <bill.wolf@ness-usa.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 02, 2002 9:43 AM
Subject: OT: Does anyone make a footswitch type control but that one would
use in their mouth?!


> I want to be able to trigger the sustain function on my drumkat but my
> feet would be otherwise occupied on the bass drum and HH trigger pedals.
>
> Does anyone make a footswitch type control but that one would use in
> their mouth?!  Something that kind of looks like a breath controller.
> Hey, maybe I'm on to something.  It could also have a tongue continuous
> controller for pitch bends:-)
>
>
>
>
>
> Bill Wolf
> Ness Technologies
> + eMail: mailto:bill.wolf@Ness-USA.com
> (phone: (877) 488-7222 ext.127
>

From Loopers-Delight-request@loopers-delight.com  Thu May  2 12:18:51 2002
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From: "Luigi Meloni" <Luigimeloni74@libero.it>
To: <Loopers-Delight@loopers-delight.com>
Subject: OT Yamaha A5000 Sampler
Date: Thu, 2 May 2002 18:13:49 +0200
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Messaggio in formato MIME composto da piů parti.

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Hi all. My studio is looking around for a sampler, and I found a really =
good offer on the yamaha a5000 sampler. Has anyone of you ever tried =
one?
I know that it should be compatible to almost all the kinds of samples =
(Wav, Aiff, Akai S1000 & S3000, Roland S760, Emu EIII), and the price is =
really interesting (less then half the list price, and it is new).
Obviously it will be used for loops ;-)

Thanx

Peace=20
Luigi

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4134.600" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi all. My studio is looking around for =
a sampler,=20
and I found a really good offer on the yamaha a5000 sampler. Has anyone =
of you=20
ever tried one?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I know that it should be compatible to =
almost all=20
the kinds of samples (Wav, Aiff, Akai S1000 &amp; S3000, Roland S760, =
Emu EIII),=20
and the price is really interesting (less then half the list price, and =
it=20
is&nbsp;new).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Obviously it will be used for loops=20
;-)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanx</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Peace </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Luigi</FONT></DIV></BODY></HTML>

------=_NextPart_000_0011_01C1F205.1BCA8520--


From Loopers-Delight-request@loopers-delight.com  Thu May  2 13:16:38 2002
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>>This is an incredibly important event in the future of independent music.

Yes the CARP proposal's fee structure is absurd, and is a wolf in
sheep's clothing.  The proposal will kill internet radio at all the
college stations, and small outfits that are trying to compete with the
majors.  Just the retroactive aspect will be enough to accomplish this
in short order.

Please -  I have trouble finding anything interesting on broadcast radio
- and I'm in metro New York!  If internet radio isn't available I won't
have access to any new music except MP3s and I don't have the bandwidth
to make that practical.  I wrote both my state senators and said how
tired I am that our legislators just don't see past the fact that the
issue is 'complex'.  Why they go to the usurious record companies and
clear channel fat cats for advice is beyond my comprehension.  Who do
they represent anyway?

Sorry, I'm through venting now.  I want to be able to listen to NPR and
my New Afternoon Show (WNYC/WFDU) on internet radio .  It's DOA without
intervention of someone that's sensitive to both artists' rights and to
the small provider.

>> Courtney Love's insightful address to the Digital Hollywood Media Conference in New York City

That article put her in a whole new light for me.  I've always had
respect for her as an artist -some of her music really has something to
say.  Figured that the temper tantrums and aggressive idiocy reported in
the press are mostly a PR ploy.  I now realize that she's alot brighter
and tuned in than I thought.  Anyway I am glad this article is still
being circulated - it put the whole Napster issue in perspecitve for
me... Another 'complex' issue, yes?

Dan Ash

From Loopers-Delight-request@loopers-delight.com  Thu May  2 13:33:43 2002
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From: Dean Stiglitz <deknow@deknow.com>
Subject: re[2]: Why I support the Internet Radio Protest Blackout on May 1st
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perhaps i don't understand all of the issues here...but it seems to me that who cares?  obviously, the music biz is changing very quickly...it is absurd to think that bmi and ascap will (or ever would) allow ppl to broadcast music within their controll over the internet for free.  i don't think that bmi and ascap will serve the smaller producer/composer for very much longer...they will focus their business on big money, mass marketed music.

where does this leave us?  well, the way i see it, we should produce our music, but not give it to ascap/bmi to enforce the copyrights.  if it's used in an obvious, big money production/broadcast/package, then we individually sue or make arrangements with the "publisher".  independant internet radio can thrive on music produced by "amatures"...and when the "amatures" have enough market draw to intrest ascap/bmi (read: the cake gets big enough for them to want a bite), then they will pay for the right to license the music.

as performers/composers/producers, what we have is controll over how our music is used...so lets exercise it!  obviously, anything that is published at this point becomes part of the de facto "public domain"...so we publish enough for free/cheaply (less than $15/cd for the consumer) to get and keep intrest, and our real value is in a "performance" or a "special presentation" of material that we do not release to the public at large.

unless i'm mistaken, the carp rules don't apply to music that the major publishers don't own or have controll over...we now have to make our own paradigm.

deknow

From Loopers-Delight-request@loopers-delight.com  Thu May  2 13:53:49 2002
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Subject: Re: OT: Does anyone make a footswitch type control but that one would
 use  in their mouth?!
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At 10:43 AM -0400 5/2/02, Wolf, Bill wrote:
>Does anyone make a footswitch type control but that one would use in
>their mouth?!  Something that kind of looks like a breath controller.
>Hey, maybe I'm on to something.  It could also have a tongue continuous
>controller for pitch bends:-)

A breath controller with a MIDI Solutions BC3 interface might work, 
though there might be some latency as the controller value ramps up 
to the switching threshold.

Any MIDI switch is just a special case of a MIDI continuous 
controller, so if you were to use a pedal or fader or knob controller 
then any value of 63 or below would be OFF and any value above would 
be ON.

You should be able to build a small switch that you could hold 
between your teeth and bite down to make contact. Two strips of 
springy metal separated by two spongy pads might work:

	        |
	        v
	================== <- attach one wire here
	XXXXX        XXXXX
	================== <- attach other wire here
	        ^
	        |

	    bite here
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu May  2 14:24:05 2002
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Subject: re[2]: Why I support the Internet Radio Protest Blackout on May 1st
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At 1:27 PM -0700 5/2/02, Dean Stiglitz wrote:
>perhaps i don't understand all of the issues here...but it seems to 
>me that who cares?

I care. I belong to a composers' organization that has several 
Internet stations. We'd have to shut them down.


>it is absurd to think that bmi and ascap will (or ever would) allow 
>ppl to broadcast music within their controll over the internet for 
>free.

They already have licensing deals with some Internet radio 
operations. Live365 for instance, is an ASCAP licensee. Smaller 
stations, such as SomaFM are ASCAP and BMI licensees. 
http://www.salon.com/tech/feature/2002/03/26/web_radio/

The CARP royalties would be on top of the ASCAP/BMI fees and would be 
considerably greater.


>i don't think that bmi and ascap will serve the smaller 
>producer/composer for very much longer...they will focus their 
>business on big money, mass marketed music.

They already do focus most of their attention to commercial music, 
but both organizations also put effort into less prominent artists. 
Today's small fry are often tomorrow's big fish.


>well, the way i see it, we should produce our music, but not give it 
>to ascap/bmi to enforce the copyrights.

What do you feel is wrong with ASCAP and BMI?

>if it's used in an obvious, big money production/broadcast/package, 
>then we individually sue or make arrangements with the "publisher".

Do you have the legal budget to sue a major studio?

>independant internet radio can thrive on music produced by "amatures"...

I for one would rather listen to Internet radio that included 
recordings by both amateurs and professionals. For instance, the type 
of programming you describe could not include music by such artists 
as Jon Hassell, David Torn, John Cage, Conlon Nancarrow, or even my 
own little project Alias Zone.


>and when the "amatures" have enough market draw to intrest ascap/bmi 
>(read: the cake gets big enough for them to want a bite), then they 
>will pay for the right to license the music.

It sounds like you don't know how ASCAP and BMI work. These 
organizations collect royalties in behalf of the composers and 
publishers of recorded materials that are played by their licensees 
such as radio stations, restaurants, and Internet broadcasters. The 
fees set by CARP would be paid to the record companies, who then 
presumably would pay them to the artists (right). They are completely 
separate from the ASCAP/BMI fees.

>as performers/composers/producers, what we have is controll over how 
>our music is used...so lets exercise it!  obviously, anything that 
>is published at this point becomes part of the de facto "public 
>domain"...

That isn't what "public domain" means.

>unless i'm mistaken, the carp rules don't apply to music that the 
>major publishers don't own or have controll over...we now have to 
>make our own paradigm.

In order to avoid the CARP fees, a broadcaster needs to have 
individual agreements with all the artists and/or labels that they 
play. This is quite cumbersome and not necessarily foolproof because 
if this music is subsequently licensed to a major, then the original 
agreement becomes void.


-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu May  2 14:57:45 2002
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Subject: Re: OT: Does anyone make a footswitch type control but that one 
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on the subject of footswitches-

the record button on my edp footpedal finally bit the dust- wondered who
out there has done this repair and has any tips, sources, etc. it certainly
looks staightforward, but just in case i don't wanna screw anything up...

lance g.



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From: Pedro Felix <pfelix28@yahoo.com>
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Greg - 

the way of the cab. usally car service of some type.
and lately i've been lucky enough to have this one
weekly gig on Thursday nights right around the corner
from my apt.
right now I go with SKBs three rack space. the new
jobbies are quite nice. one bag w/various switches,
Selina (gtr.) and a Sundown 1x12 though sometimes just
go straight to the deck, subject to venue.

best regards, Pedro Felix - NYC 2002


--- Greg House <ghunicycle@yahoo.com> wrote:
> I know this is way off topic, but I know there are
> several of you
> living/working in NYC and I've been curious about
> this for awhile.
> 
> Given that most people don't have cars in the city,
> how do you get your
> equipment to where you're going to play?
> 
> Greg
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Health - your guide to health and wellness
> http://health.yahoo.com
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com

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Subject: [Hip-Hop] BSP: Felonious w/ Armatronix @ SLO Brew Saturday 5-4-2002
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Dear Hip-Hop Fans,

Please come by SLO Brew this Saturday night and check out Felonious and
Armatronix.  This show is an experiment to see whether live hip-hop is
feasible in SLO, and with a little bit of support it can become a
regular thing.

Felonious is a band from the Bay Area whose style has much in common
with the Roots, in that they've departed from the DJ paradigm in favor
of live instrumentation, beat-boxing, and vocal scratching.  They've
also got tight MC skills.  Please welcome them to the Central Coast.

Armatronix will open the show, doing our best interpretation of
downtempo trip-hop dub, beginning at 9:30 P.M.

See you there,

-Hans Lindauer

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I was looking at that Yamaha deal as well, but I think I'd rather same
my money and go for
<br>Akai's new Z-4 sampler which gives you a USB connection and software
for your Mac &amp; PC.
<br>The A5000, though very powerful, is extremely slow in loading samples
and if you are going to
<br>deal with long loops, it could be excruciatingly slow.&nbsp;&nbsp;&nbsp;
It is also limited to 128 MB while the Z-4
<br>can take you to 512 MB.&nbsp; You might want to check it out before
you invest in older technology.....
<br>Now if you could get the A5000 for $500 or so bucks, it would be a
great deal.....
<br><a href="http://www.akaipro.com/">http://www.akaipro.com/</a>
<br>If it's mostly loops you want to sample, the Repeater is probably your
best bet.&nbsp; But if you
<br>want to have the ability to spread your samples out on a keyboard or
control them with pads,
<br>I'd look at the latest samplers....
<br>--
<br>gary
<br>@friendlyspider.com
<br>By the way, I'm still using an ancient Korg DSS-1 (256K) and the DSM
(1 MB).
<br>They are good workhorses for percussion samples and some retro sounds...
<br>particularly the DSS-1....&nbsp; but no loop time.
<br>&nbsp;
<br>&nbsp;
<p>Luigi Meloni wrote:
<blockquote TYPE=CITE><style></style>
<font face="Arial"><font size=-1>Hi
all. My studio is looking around for a sampler, and I found a really good
offer on the yamaha a5000 sampler. Has anyone of you ever tried one?</font></font><font face="Arial"><font size=-1>I
know that it should be compatible to almost all the kinds of samples (Wav,
Aiff, Akai S1000 &amp; S3000, Roland S760, Emu EIII), and the price is
really interesting (less then half the list price, and it is new).</font></font><font face="Arial"><font size=-1>Obviously
it will be used for loops ;-)</font></font>&nbsp;<font face="Arial"><font size=-1>Thanx</font></font>&nbsp;<font face="Arial"><font size=-1>Peace</font></font><font face="Arial"><font size=-1>Luigi</font></font></blockquote>

<br>&nbsp;
<br>&nbsp;
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From Loopers-Delight-request@loopers-delight.com  Thu May  2 17:58:31 2002
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Date: Thu, 2 May 2002 14:56:58 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: OT: Gear transport in NYC?
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Pedro,

How do you carry all that at once? Luggage cart? Take a friend along?

Greg


--- Pedro Felix <pfelix28@yahoo.com> wrote:
> Greg - 
> 
> the way of the cab. usally car service of some type.
> and lately i've been lucky enough to have this one
> weekly gig on Thursday nights right around the corner
> from my apt.
> right now I go with SKBs three rack space. the new
> jobbies are quite nice. one bag w/various switches,
> Selina (gtr.) and a Sundown 1x12 though sometimes just
> go straight to the deck, subject to venue.
> 
> best regards, Pedro Felix - NYC 2002
> 
> 
> --- Greg House <ghunicycle@yahoo.com> wrote:
> > I know this is way off topic, but I know there are
> > several of you
> > living/working in NYC and I've been curious about
> > this for awhile.
> > 
> > Given that most people don't have cars in the city,
> > how do you get your
> > equipment to where you're going to play?
> > 
> > Greg
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Yahoo! Health - your guide to health and wellness
> > http://health.yahoo.com
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Health - your guide to health and wellness
> http://health.yahoo.com
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu May  2 19:41:10 2002
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To: <Loopers-Delight@loopers-delight.com>
References: <r01050100-1014-460C34495CBA11D69B500003937B76DC@[10.0.1.16]>
Subject: Re: zappa!(was Re: For G-bashers)
Date: Thu, 2 May 2002 16:34:58 -0700
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In another Zappa sighting, Watermelon In Easter Hay (from Joe's Garage) is
in the soundtrack of the new movie Y Tu Mama Tambien. (Spanish language with
English subtitles.  Pretty good story about how two wild college freshmen
take an older woman on a road trip.)  Though he does not use loops in the
piece, the band just repeats a phrase over and over.  FZ manages to keep it
interesting both in the parts with a guitar melody, and the improvised solo
sections even though the background never changes.  Paying attention to his
approach I find helpful in dealing with a similar problem in looping.

-Vance


From Loopers-Delight-request@loopers-delight.com  Thu May  2 19:42:45 2002
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Date: Thu, 02 May 2002 16:39:46 -0700
From: Mark Coniglio <troika@panix.com> (by way of Richard Zvonar)
Subject: [ANN] Public Beta: Isadora Real Time Media Processing Software
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I am writing to announce the public beta of Isadora, my real-time 
video processing software for MacOS 9, Mac OS X, and Windows. You can 
download version 0.8.2 and the preliminary Isadora manual from the 
page at

http://www.troikaranch.org/troikatronix/isadora.html

Isadora is a graphic programming environment that provides 
interactive control over digital media, with special emphasis on the 
real-time manipulation of digital video. An Isadora program is 
created by linking together graphically represented building blocks, 
each of which performs a specific function: playing or manipulating 
digital video, capturing live video, looking for MIDI input, 
controlling a DV camera, etc. By linking the modules together you can 
create complex interactive relationships that can be controlled in 
real time, either with the mouse and keyboard, or with external MIDI 
devices.

The response from those of you who have seen it has been positive, 
which is gratifying to me. So I hope that some of you on this list 
will have a look. For those of you here who have been using MAX + 
Nato, the interface will be quite familiar I think.

As mentioned above Isadora will be for both MacOS and Windows. This 
public beta is for the MacOS 9.x version of the program only. The 
seems to run fine on OS X, but I haven't seriously tested it in that 
environment. The OS X version should be considered be in an alpha 
stage of development. There is also a Windows version on the way. My 
hope is to make an alpha release of the PC version in the next month 
or so. (If you are really burning to have it, email me...) Files 
created on one platform will be able to be loaded on the other.

The program is available for sale now at a discounted price that will 
remain in effect until the 1.0 release. (Those who purchase the 
public beta will receive the 1.0 release too.)

If you find bugs, or just have suggestions, please don't hesitate to 
send them to me via the page at 
http://www.troikaranch.org/troikatronix/isadorabugs.html

Enjoy,
Mark


-- 
================================================================
Mark Coniglio, Artistic Co-Director | troika@panix.com
Troika Ranch Dance Theater          | http://www.troikaranch.org
================================================================

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From: Evan Meyers <evanmeyers@yahoo.com>
Subject: behringer w/ repeater midi cc's and pc's?
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does anyone have a link to a correct midi
implementation chart for the repeater using the
behringer fcb1010?  i have the 1.1 os for repeater and
the manual is off...not sure by how much, but if there
is a up to date chart somewhere, i'd really appreciate
a link...i couldn't find one.  also, are all of the
face operations available via midi?  the chart in my
repeater manual is missing some clutch
operations/techniques.

thanks for any help!
e va n|s sa b
evanmeyers@yahoo.com (wanna jam, live in NY?, email
me!)



__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu May  2 20:49:16 2002
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sorry for the cross post. anyone have enough experience with this device to know if it might
be a decent solution for repeater control?

thanks!

Jon

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Hello- 

 

I have aquired a very old computer which runs great and has DOS
installed- and a whopping 3712KB of RAM. I read awhile back about a
sampler software that would run in DOS and keep running in RAM even if
the hard drive died- just curious if anyone knows of this or related
programs- thanks.

 

Cliff

 

http://www.om-studios.com <http://www.om-studios.com/> 

 


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<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Hello- </span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I h</span></font><font size=3D2 face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'>ve =
</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>quired </span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> very old
computer which runs gre</span></font><font size=3D2 face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'>t =
</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>nd h</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>s DOS =
inst</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>lled- </span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>nd </span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> whopping 3712KB
of RAM. I re</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
 font-family:Arial'>a</span></font><font size=3D2 face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>d </span></font><font =
size=3D2
 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>while b</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>ck </span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>bout </span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> s</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>mpler =
softw</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>re th</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>t would run
in DOS </span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
 font-family:Arial'>a</span></font><font size=3D2 face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>nd keep running in RAM even =
if the h</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>rd drive
died- just curious if </span></font><font size=3D2 face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'>nyone =
knows of this
or rel</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
 font-family:Arial'>a</span></font><font size=3D2 face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>ted =
progr</span></font><font size=3D2
 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>ms- th</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>nks.</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Cliff</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><a =
href=3D"http://www.om-studios.com/">http://www.om-studios.com</a></span><=
/font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;</span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Thu May  2 21:10:46 2002
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Date: Thu, 02 May 2002 21:07:39 -0400
From: skincage <skincage@infin8ty.com>
Subject: quick routing advice please
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i'm doing two shows soon, one tomorrow night, one the 11th. i'm planning on taking a headrush
and vortex for their looping capabilities and also a repeater for looping the whole
output/improvising with as a solo device, with a mofx along for delay and such. i'll be
hooking this into my mackie cfx 12 mixer, and i know a few of you have cfx mixers so i
figured i'd ask, what routing do you think would allow the most flexible setup for changing
around which looper is dominant and stuff like that?

i'm thinking:

repeater fed by aux send 1 and 2
vortex fed by alt 3/4
mofx in repeater fx loop

i'm going to try a few patching varieties out tonight and tomorrow before i go on, but i
wanted to get some advice from the more experienced loopers as i'm still quite new to
performance!

and if you're in the dc area and want to come see what i end up doing, feel free, here's the
info:

http://www.aex.org/tour/washington.html

thanks!

Jon/skincage

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From: Mark Sottilaro <sine@zerocrossing.net>
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Dear Hip-Hop fans...

OK, we're probably not hip hop, but we've got a turntablist and some PHAT
beats, as the kids say.  Aesthetically pleasing, in other words FLY.

Come here me loop 'd loop.  Repeater Madness.  Maybe I'll even bring out
the Againinator prototype, if it's behaving.  On Chapman Stick, the famous
Katrin Schenk.  On turntable and drum machine Gerard Honig.

This Sunday night at 8:00PM we'll be making noise at the Java Rama Coffee
house in Alameda, CA.  Right on the main drag.  Park St. and Alameda St.
Easy to find, take 880 and get off at the 22nd St. Alameda exit and follow
signs to Alameda.  You go over a little bridge, as Alameda's an island off
the coast of Oakland.  If you went to Matthais's gig in Alameda, it's the
same place.

see you there,

Mark Sottilaro

Hans Lindauer wrote:

> Dear Hip-Hop Fans,
>
> Please come by SLO Brew this Saturday night and check out Felonious and
> Armatronix.  This show is an experiment to see whether live hip-hop is
> feasible in SLO, and with a little bit of support it can become a
> regular thing.
>
> Felonious is a band from the Bay Area whose style has much in common
> with the Roots, in that they've departed from the DJ paradigm in favor
> of live instrumentation, beat-boxing, and vocal scratching.  They've
> also got tight MC skills.  Please welcome them to the Central Coast.
>
> Armatronix will open the show, doing our best interpretation of
> downtempo trip-hop dub, beginning at 9:30 P.M.
>
> See you there,
>
> -Hans Lindauer

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> hooking this into my mackie cfx 12 mixer, and i know a few of you have cfx
mixers so i
> figured i'd ask, what routing do you think would allow the most flexible
setup for changing
> around which looper is dominant and stuff like that?

I've got a mackie 1402, so it could be a little different.  It looks like
you're onto some good ideas with sends, and I'm assuming you're planning to
return to channel strips which gives you a lot of flexibility (don't turn up
their respective sends if you know what I mean...).    I recently came up
with a way to sqeeze one more stereo send from the board, using the control
room outs.  This'll work best if you don't need to use headphones:)  If you
use this as a stereo send, the solo buttons enable the send, and it can also
be pre or post faders which is nice.  It also has its own level control
which is also nice.  Just an idea to keep you on your toes.
Jon

From Loopers-Delight-request@loopers-delight.com  Thu May  2 22:08:12 2002
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References: <20020503003304.75037.qmail@web20002.mail.yahoo.com>
Subject: Re: behringer w/ repeater midi cc's and pc's?
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Yes. I'm still having a problem using MIDI with the Repeater. I previously
had a relic Digitech MIDI pedal that was tedious to program and use. I kinda
blamed the Digitech. Yhen, I purchased a Fender Cyber-Twin MIDI pedal to use
with my CT. It can be used with any other MIDI device as well.

I'm confused, though. If I normally am playing a loop and want to go to the
next loop, I select the next loop (say loop #2) then press Play (after the
three-dot-thingy) and Loop #2 plays after loop one plays in its entirety.

With MIDI, I'm assuming I can do the same thing. I start playing a loop with
PC 2 (or PC 20) then enter a PC 4 (Loop Up). Then, I'm assuming I would
enter a PC 2 (or 20) again after the loop is staged ( I can see that the
loop is staged, but I can't get it to play). What's up with that? Is my MIDI
impl. chart incorrect? If anyone can shed any light on the problem, it will
be appreciated.

Regards, Paul
----- Original Message -----
From: "Evan Meyers" <evanmeyers@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 02, 2002 8:33 PM
Subject: behringer w/ repeater midi cc's and pc's?


> does anyone have a link to a correct midi
> implementation chart for the repeater using the
> behringer fcb1010?  i have the 1.1 os for repeater and
> the manual is off...not sure by how much, but if there
> is a up to date chart somewhere, i'd really appreciate
> a link...i couldn't find one.  also, are all of the
> face operations available via midi?  the chart in my
> repeater manual is missing some clutch
> operations/techniques.
>
> thanks for any help!
> e va n|s sa b
> evanmeyers@yahoo.com (wanna jam, live in NY?, email
> me!)
>
>
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Health - your guide to health and wellness
> http://health.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Fri May  3 00:37:45 2002
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Subject: Re:Gear transport in NYC
From: Steve Sandberg <stevesandberg@earthlink.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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One word -- taxi! 

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<FONT SIZE=3D"4">One word -- taxi!</FONT>
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From Loopers-Delight-request@loopers-delight.com  Fri May  3 02:25:06 2002
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Subject: Re: behringer w/ repeater midi cc's and pc's?
From: Marklar <sine@zerocrossing.net>
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on 5/2/02 6:14 PM, Butch at paulrichard10@attbi.com wrote:

 Is my MIDI
> impl. chart incorrect?

Yes.  There are a bunch of typos on the MIDI implementation chart, but I'm
not sure what they are, as the ones I'm using seem to be OK.  I did have to
end up using CC messages instead of PC messages as I couldn't get some to
work.  Again, I forget the specifics, but much hair was pulled from head.
Maybe Electrix has an addendum to the manual on their site?  Good luck.

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Fri May  3 02:28:54 2002
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Date: Thu, 02 May 2002 23:27:35 -0700
Subject: Gig Spam [Seattle]: Saturday, May 4th
From: Travis Hartnett <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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Sat. May 4th 2 guitar solos at IMC
Benefit for IMC (don't expect any big crowds)
Suggested donation $5

* Sue Ann Harkey: prepared 12 string guitar solo improvisation
* Tiktok: ambient solo guitar
(perhaps a duet will manifest)
 
IMC 1413 3rd Ave. (at Union St.), Seattle, Washington
Doors open at 8pm 
Concert begins at 8:30 sharp
Music concludes by 10pm

Be seeing you,

Travis Hartnett
Tiktok

From Loopers-Delight-request@loopers-delight.com  Fri May  3 02:31:03 2002
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Date: Thu, 2 May 2002 23:29:53 -0700 (PDT)
From: Bradley Fish <bradleyfishmusic@yahoo.com>
Subject: Echoplex Digi Pro - syncing in 6/8 w/drum machine???
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--0-1072193437-1020407393=:4180
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 Hi,
I have my EDP controlling my Roland V-Drum brain. When I play in 4/4 everything is cool-my loops groove with the drum machine. Hwever, when I play in 6/8 the tempo comes out funny on the drum brain. Is there a parameter that I need to change on the EDP? I am still using the previous software - Loop 3, I believe...Also, Can't find the paperback manual. Is it online somewhere?  
Thanks!!!!   
Bradley Fish
  



---------------------------------
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
--0-1072193437-1020407393=:4180
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<P> Hi,
<P>I have my EDP controlling my Roland V-Drum brain. When I play in 4/4 everything is cool-my loops groove with the drum machine. Hwever, when I play in 6/8 the tempo comes out funny on the drum brain. Is there a parameter that I need to change on the EDP? I am still using the previous software - Loop 3, I believe...Also, Can't find the paperback manual. Is it online somewhere?&nbsp;&nbsp;
<P>Thanks!!!!&nbsp;&nbsp;&nbsp;
<P>Bradley Fish
<P>&nbsp; </P><p><br><hr size=1><b>Do You Yahoo!?</b><br>
<a href="http://rd.yahoo.com/welcome/*http://health.yahoo.com">Yahoo! Health</a> - your guide to health and wellness
--0-1072193437-1020407393=:4180--

From Loopers-Delight-request@loopers-delight.com  Fri May  3 04:20:01 2002
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From: "Per Boysen" <boysen@chello.se>
To: <Loopers-Delight@loopers-delight.com>
Subject: SV: Echoplex Digi Pro - syncing in 6/8 w/drum machine???
Date: Fri, 3 May 2002 10:17:58 +0200
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Hi Brad,

I usually set "8th/Cycle" to "12" in the EDP for this.
Best wishes

Per Boysen
________________
http://loopboy.tk
www.boysen.se
www.upsweden.com
www.fuzz.se

  -----Ursprungligt meddelande-----
  Fran: Bradley Fish [mailto:bradleyfishmusic@yahoo.com]
  Skickat: den 3 maj 2002 08:30
  Till: Loopers-Delight@loopers-delight.com
  Amne: Echoplex Digi Pro - syncing in 6/8 w/drum machine???


  Hi,

  I have my EDP controlling my Roland V-Drum brain. When I play in 4/4
everything is cool-my loops groove with the drum machine. Hwever, when I
play in 6/8 the tempo comes out funny on the drum brain. Is there a
parameter that I need to change on the EDP? I am still using the previous
software - Loop 3, I believe...Also, Can't find the paperback manual. Is it
online somewhere?

  Thanks!!!!

  Bradley Fish


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<BODY>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN =
class=3D358004706-03052002>Hi=20
Brad,</SPAN></FONT></DIV>
<DIV><FONT face=3DArial color=3D#0000ff size=3D2><SPAN=20
class=3D358004706-03052002></SPAN></FONT>&nbsp;</DIV>
<DIV><SPAN class=3D358004706-03052002><FONT face=3DArial color=3D#0000ff =
size=3D2>I=20
usually set "8th/Cycle" to "12" in the EDP for this. =
</FONT></SPAN></DIV>
<P><FONT size=3D2>Best wishes<BR><BR>Per =
Boysen<BR>________________<BR><A=20
href=3D"http://loopboy.tk/"=20
target=3D_blank>http://loopboy.tk</A><BR>www.boysen.se<BR>www.upsweden.co=
m<BR>www.fuzz.se</FONT>=20
</P>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid">
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Ursprungligt meddelande-----<BR><B>Fr&aring;n:</B> =
Bradley Fish=20
  [mailto:bradleyfishmusic@yahoo.com]<BR><B>Skickat:</B> den 3 maj 2002=20
  08:30<BR><B>Till:</B> =
Loopers-Delight@loopers-delight.com<BR><B>&Auml;mne:</B>=20
  Echoplex Digi Pro - syncing in 6/8 w/drum =
machine???<BR><BR></FONT></DIV>
  <P>Hi,=20
  <P>I have my EDP controlling my Roland V-Drum brain. When I play in =
4/4=20
  everything is cool-my loops groove with the drum machine. Hwever, when =
I play=20
  in 6/8 the tempo comes out funny on the drum brain. Is there a =
parameter that=20
  I need to change on the EDP? I am still using the previous software - =
Loop 3,=20
  I believe...Also, Can't find the paperback manual. Is it online=20
  somewhere?&nbsp;&nbsp;=20
  <P>Thanks!!!!&nbsp;&nbsp;&nbsp;=20
  <P>Bradley Fish </P></BLOCKQUOTE></BODY></HTML>

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Subject: Re: Re:Gear transport in NYC
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Re:Gear transport in NYC

Rental car is good too for larger hauls- doesn't Enterprise come right =
to your house- aah- apartment?

Kevin


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<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Rental car is good too for larger =
hauls- doesn't=20
Enterprise come right to your house- aah- apartment?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Kevin</FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Fri May  3 09:01:53 2002
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OK, here's a worst case scenario: It may well appear overly paranoid to most of
you but bear in mind that once a medium goes digital then it is ultimately
lockable and signable by any number of encryption solutions and also the
playback of that media is ultimately under the control of those who can afford
to
set up chip fabrication plant.... Not a garage business by any means!

So put on your cynical head, slip into Orwellian nightmare mode and:

>as performers/composers/producers, what we have is controll over how our music
is used...

>..so we publish enough for free/cheaply

That is until all the proposed digital rights management systems are in place
and
you suddenly find that you can't even produce media that will be readable on the
state of the art mass market devices out there. No more back room CDR
publishing,
(or its equivalent) if it doesn't come from one of the big boys and have the
right signiture
embedded in the data then the playback devices just assume it's pirated and
refuse to
play (or even auto erase).
The same will go for software that receives audio data streams from the net.

Open source will provide alternative solutions you say? Not if the 'trustworthy
computing' initiative goes ahead and the only code that the motherboard bios
(or cpu microcode or whatever other non trivially modifiable component of the
 system is used ) will let near the audio hardware is code that has been
approved by the central authorities (be they Microsoft, Sony, the Ancient Order
of
Bavarian Illuminati... whoever)

So one day you upgrade your PC (or buy a new recording device ) and find that
none of the old MP3 players work, you can only playback "MMF" files and guess
what
there's no conversion software available that doesn't involve signing up for a
hugely bewildering license agreement and handing over a few hundred K. Hell the
player won't even start up untill it has phoned home and downloaded the latest
codec, set of signiatures and new encryption keys to replace those cracked
yesterday.

Great, guess you'll just have to settle back and listen to the latest single
from BoyKlone II
or Atomic Mutton that came pre-loaded on the pc and you begin to remember what
drove you away from FM radio all those years ago.

Meanwhile you've finished downloading drivers and a patch for your favorite DAW
software that now actually seems to work on your PC, great!
Soon you're laying down a few tracks and soloing over them, shame all your old
sample CD's (the royalty free ones you bought a while back, paying over the odds
for the rights to use them in your own recordings without the hassle of getting
every
sample cleared ) don't seem to work in the CD/DVD/NUEZDisc(TM) drive any more
and hey! since when did they stop putting analogue outputs on those drives!
 Oh yeah I remember, the press release said that the NUEZDisc(TM)  consortium
had decided that  the inferior analogue format was now obsolete and agreed
amongst themselves to not bother with it in the new spec thus saving on
manufacture
price and eliminating some bothersome components which this chart here shows
were the cause of over 50% of malfunctions on the previous drives, so it's all
for
your own good in the cause of better reliability and service to you, our
esteemed customers.

Never mind, at least you can record some music of your own now but hang on...
what the F...  is that format? Where's my wavs! Hmmm, better read that splash
screen properly.... "Thank you for  deciding to demo the Maxwell Media Format
drivers, you have used up 5 of your 20 free acesses*, why not upgrade to
our platinum 'pay to play' program and let the EZupload wizard make putting
your tunes on line at www.megamediacorp.com as easy as EGBDF!

* Free trial files are reproducable only on the device of origin, other
restrictions
may apply "


<rant mode off>

....get the idea?  The sort of wide ranging laws that are being sought could
easily be the thin end of the wedge, before you know it the digital
broadcast revolution is no more, sure you have free speech but only to those
who can be bothered to stand in earshot while the majority sit at home infront
of MTV. The technology is there to create monopolies the like of which
have not been seen before. Don't say I didn't warn you.....


Robin.











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From Loopers-Delight-request@loopers-delight.com  Fri May  3 09:23:51 2002
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In a message dated 03/05/02 09:22:56 GMT Daylight Time, 
Loopers-Delight-d-request@loopers-delight.com writes:

> EDP controlling my Roland V-Drum brain. When I play in 4/4 everything is 
> cool-my loops groove with the drum machine. Hwever, when I play in 6/8 the 
> tempo comes out funny on the drum brain. Is there a parameter that I need 
to 
> change on the EDP? I am still using the previous software - Loop 3, I 
believe.
> ..Also, Can't find the paperback manual. Is it online somewhere?  
>  Thanks!!!!   
>  Bradley Fish

the manual:-
http://www.loopers-delight.com/tools/echoplex/Echoplex_Manual.pdf

lots of echoplex stuff on the LD site

and sort your problem by changing the 8th/cycle parameter.
try 6 or 12

andy butler

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Subject: Re: Subject: Echoplex Digi Pro - syncing in 6/8 w/drum machine???
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In a message dated 03/05/02 09:22:56 GMT Daylight Time, 
Loopers-Delight-d-request@loopers-delight.com writes:

> EDP controlling my Roland V-Drum brain. When I play in 4/4 everything is 
> cool-my loops groove with the drum machine. Hwever, when I play in 6/8 the 
> tempo comes out funny on the drum brain. Is there a parameter that I need 
to 
> change on the EDP? I am still using the previous software - Loop 3, I 
believe.
> ..Also, Can't find the paperback manual. Is it online somewhere?  
>  Thanks!!!!   
>  Bradley Fish

the manual:-
http://www.loopers-delight.com/tools/echoplex/Echoplex_Manual.pdf

lots of echoplex stuff on the LD site

and sort your problem by changing the 8th/cycle parameter.
try 6 or 12

andy butler
with apologies to bandwidth watchers for the double send 
with the dumb useless subject

From Loopers-Delight-request@loopers-delight.com  Fri May  3 10:42:13 2002
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Date: Fri, 3 May 2002 07:40:12 -0700 (PDT)
From: philip raath <philraath@yahoo.com>
Subject: Re: midiman oxygen 8
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> Subject: midiman oxygen8
> 
> sorry for the cross post. anyone have enough
> experience with this device to know if it might
> be a decent solution for repeater control?
> 
> thanks!
> 
> Jon

this is what torn uses for such things.

check out the real audio at kcrw.com

http://www.kcrw.com/cgi-bin/db/kcrw.pl?show_code=mb&air_date=3/11/02&tmplt_type=show

the show is morning becomes eclectic.

peace

phil

=====
"Compassion is the sometimes fatal capacity for feeling what
it's like to live inside somebody else's skin.
 It is the knowledge that there can never really be any
peace and joy for me until there is peace and joy finally 
for you too." 
                                   -Frederick Buechner
"The jewel is in the lotus."

__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri May  3 10:43:22 2002
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From: BILLYBUDDHA@webtv.net (William Mcallister)
Date: Fri, 3 May 2002 07:41:37 -0700 (PDT)
To: Loopers-Delight@loopers-delight.com
Subject: Re: zappa!(was Re: For G-bashers)
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Is Baby Snakes still available on video? I'm having a hard time locating
one. Bill'Las Vegas

From Loopers-Delight-request@loopers-delight.com  Fri May  3 10:44:07 2002
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Subject: FW: OT: Greene's REmix
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Hey Loopers,

Got this on another list I'm on, thought you would enjoy it.

Michael Greene's Grammy speech remixed:

http://www.ntk.net/2002/04/26/riaa_we_love_you.mp3

Enjoy,

Carl


From Loopers-Delight-request@loopers-delight.com  Fri May  3 13:18:44 2002
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Date: Fri, 3 May 2002 10:16:48 -0700 (PDT)
From: Evan Meyers <evanmeyers@yahoo.com>
Subject: Re: zappa!(was Re: For G-bashers)
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i managed to nab a copy of the 2 vhs somewhere along
the way...

but that was a few years ago...if you look hard
enough, i'm sure you'll find it.

--- William Mcallister <BILLYBUDDHA@webtv.net> wrote:
> Is Baby Snakes still available on video? I'm having
> a hard time locating
> one. Bill'Las Vegas
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com

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Date: Fri, 03 May 2002 10:37:11 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: re[2]: Why I support the Internet Radio Protest Blackout
  on May 1st
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golly, I guess everybody will have to back to playing and listening to live 
music again!

At 05:26 AM 5/3/2002, Robin.Bussell@axa-sunlife.co.uk wrote:
>OK, here's a worst case scenario: It may well appear overly paranoid

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

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From: Miko Biffle <biffoz@pacbell.net>
Subject: Re: re[2]: Why I support the Internet Radio Protest Blackout on May 1st
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Jeeze Robin, you ARE cynical... and so am I. I believe corporate powers will
do their best to enact *every* scenario you've mentioned, and the only thing
that stands in their way is little old US. I have very little faith that
we'll make the difference, but if we don't try no one else will...

We'll see how it goes with the CARP recommendations...

-Miko

----- Original Message -----
From: <Robin.Bussell@axa-sunlife.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 03, 2002 5:26 AM
Subject: Re: re[2]: Why I support the Internet Radio Protest Blackout on May
1st


>
>
>
> OK, here's a worst case scenario: It may well appear overly paranoid to
most of
> you but bear in mind that once a medium goes digital then it is ultimately
> lockable and signable by any number of encryption solutions and also the
> playback of that media is ultimately under the control of those who can
afford
> to set up chip fabrication plant.... Not a garage business by any means!
>
> So put on your cynical head, slip into Orwellian nightmare mode and:


From Loopers-Delight-request@loopers-delight.com  Fri May  3 14:29:11 2002
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Date: Fri, 3 May 2002 11:26:30 -0700 (PDT)
From: SRice <srice44@yahoo.com>
Subject: Re: (RC-20 review) -EQ pedal
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The EQ pedal does +- 15 dB, not as much as I'd like, but
still pretty handy.

Yours in rhythm,
Steve

----------------------------------------------------

Hey Steve-

How much can you cut/boost the freq ranges with that thing? I 
wonder if it
could be used for extreme eq like the Electrix EQ Killer-

Cliff

----- Original Message -----
From: "SRice" <srice44@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 01, 2002 11:32 AM
Subject: Re: (RC-20 review) -EQ pedal


> I have the Boss EQ pedal and find it quite useful.  As Lou
> suggested, you can have different presets available, but
> what is cool to me is to kick it on and off during a piece.
> As the loop is playing away I can momentarily change
> my EQ and volume from wet to dry or dry to wet.  The live
> instrument can then play a phrase that comes out above
> the mix, then be more of an accompaniment.
>
> Yours in rhythm,
> Steve
>

__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri May  3 15:35:51 2002
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	 <Loopers-Delight@loopers-delight.com>
Subject: OT: Phaser recommend
Date: Fri, 3 May 2002 15:33:20 -0400 
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Sorry for OT post but this is a good group to query. Wondering if people
have a recommend on a dedicated commercial or kit phaser. I am looking for
one that is already very versitile or can be modded to produce a very long
phase period (up to 60 seconds). Additionally, a sawtooth waveform would be
super-cool as well. Most of the commercial pedals I have seen are not
extreme enough for my purposes; some kits I have found online look
promising; I have not investigated rackmount units yet.

Any suggestions are appreciated!!

Thanks,

Ben

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<P><FONT SIZE=3D2>Sorry for OT post but this is a good group to query. =
Wondering if people have a recommend on a dedicated commercial or kit =
phaser. I am looking for one that is already very versitile or can be =
modded to produce a very long phase period (up to 60 seconds). =
Additionally, a sawtooth waveform would be super-cool as well. Most of =
the commercial pedals I have seen are not extreme enough for my =
purposes; some kits I have found online look promising; I have not =
investigated rackmount units yet.</FONT></P>

<P><FONT SIZE=3D2>Any suggestions are appreciated!!</FONT>
</P>

<P><FONT SIZE=3D2>Thanks,</FONT>
</P>

<P><FONT SIZE=3D2>Ben</FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Fri May  3 17:13:00 2002
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From: "Paul Weissman" <paul@nioterra.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: repeater pc import/export software - need comments 
Date: Fri, 3 May 2002 14:13:50 -0700
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i just finished an early version of a utility that allows users to extract
wave data from repeater Track files and create repeater compatible Tracks
from your own loops.  this will (hopefully) alleviate the need for all the
manual loop creation and editing that you have to do to get your material in
and out of the repeater.

i'm curious what the interest in a public release of such a tool would be.
anyone interested?  if so, i can clean it up and make it available.

any other things that you'd like a utility like this to do?

paul

From Loopers-Delight-request@loopers-delight.com  Fri May  3 17:20:54 2002
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Subject: Re: repeater pc import/export software - need comments 
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Wow- how cool! You might consider posting to the Electrix Forum with this- I
am sure plenty of people would be interested- heck- if the code is good
enough I bet you could get Electrix to support it as an Electrix app- maybe.

I would love to be able to audition loops on my pc as they would on the
Repeater- and not just going into the folder and playing 1 of the 4 tracks.
Maybe even just a select-and-hear type operation- click once on a folder and
hear the loops-

Cliff

----- Original Message -----
From: "Paul Weissman" <paul@nioterra.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 03, 2002 2:13 PM
Subject: repeater pc import/export software - need comments


>
> i just finished an early version of a utility that allows users to extract
> wave data from repeater Track files and create repeater compatible Tracks
> from your own loops.  this will (hopefully) alleviate the need for all the
> manual loop creation and editing that you have to do to get your material
in
> and out of the repeater.
>
> i'm curious what the interest in a public release of such a tool would be.
> anyone interested?  if so, i can clean it up and make it available.
>
> any other things that you'd like a utility like this to do?
>
> paul
>
>
>


From Loopers-Delight-request@loopers-delight.com  Fri May  3 17:21:19 2002
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sounds like a cool utility... I definitly could use such a thing just 
for importing
drum loops.

-jas
http://dimbulb.org


Paul Weissman wrote:

>i just finished an early version of a utility that allows users to extract
>wave data from repeater Track files and create repeater compatible Tracks
>from your own loops.  this will (hopefully) alleviate the need for all the
>manual loop creation and editing that you have to do to get your material in
>and out of the repeater.
>
>i'm curious what the interest in a public release of such a tool would be.
>anyone interested?  if so, i can clean it up and make it available.
>
>any other things that you'd like a utility like this to do?
>
>paul
>


From Loopers-Delight-request@loopers-delight.com  Fri May  3 17:27:55 2002
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Subject: RE: repeater pc import/export software - need comments 
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YES YES YES!!!

-----Original Message-----
From: Paul Weissman [mailto:paul@nioterra.com]
Sent: Friday, May 03, 2002 4:14 PM
To: Loopers-Delight@loopers-delight.com
Subject: repeater pc import/export software - need comments



i just finished an early version of a utility that allows users to extract
wave data from repeater Track files and create repeater compatible Tracks
from your own loops.  this will (hopefully) alleviate the need for all the
manual loop creation and editing that you have to do to get your material in
and out of the repeater.

i'm curious what the interest in a public release of such a tool would be.
anyone interested?  if so, i can clean it up and make it available.

any other things that you'd like a utility like this to do?

paul


From Loopers-Delight-request@loopers-delight.com  Fri May  3 20:29:40 2002
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Subject: Re: repeater pc import/export software - need comments
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very cool . . . .
thanks
t.

"Paul Weissman" wrote

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> 
> 
> i just finished an early version of a utility that
allows users to extract
> wave data from repeater Track files and create
repeater compatible Tracks
> from your own loops.  this will (hopefully) alleviate
the need for all the
> manual loop creation and editing that you have to do
to get your material in
> and out of the repeater.
> 
> i'm curious what the interest in a public release of
such a tool would be.
> anyone interested?  if so, i can clean it up and make
it available.
> 
> any other things that you'd like a utility like this
to do?
> 
> paul


From Loopers-Delight-request@loopers-delight.com  Fri May  3 20:35:31 2002
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Date: Fri, 3 May 2002 17:34:08 -0700 (PDT)
From: Pedro Felix <pfelix28@yahoo.com>
Subject: Re: OT: Gear transport in NYC?
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Greg -

'lil folding hand truck works like a charm, and a
friend or two usually come along. though once again
last night I played a gig without an amp, if I could
only get rid of my love of "pushing air" i'd be set.

best, Pedro

--- Greg House <ghunicycle@yahoo.com> wrote:
> Pedro,
> 
> How do you carry all that at once? Luggage cart?
> Take a friend along?
> 
> Greg
> 
> 
> --- Pedro Felix <pfelix28@yahoo.com> wrote:
> > Greg - 
> > 
> > the way of the cab. usally car service of some
> type.
> > and lately i've been lucky enough to have this one
> > weekly gig on Thursday nights right around the
> corner
> > from my apt.
> > right now I go with SKBs three rack space. the new
> > jobbies are quite nice. one bag w/various
> switches,
> > Selina (gtr.) and a Sundown 1x12 though sometimes
> just
> > go straight to the deck, subject to venue.
> > 
> > best regards, Pedro Felix - NYC 2002
> > 
> > 
> > --- Greg House <ghunicycle@yahoo.com> wrote:
> > > I know this is way off topic, but I know there
> are
> > > several of you
> > > living/working in NYC and I've been curious
> about
> > > this for awhile.
> > > 
> > > Given that most people don't have cars in the
> city,
> > > how do you get your
> > > equipment to where you're going to play?
> > > 
> > > Greg
> > > 
> > >
> __________________________________________________
> > > Do You Yahoo!?
> > > Yahoo! Health - your guide to health and
> wellness
> > > http://health.yahoo.com
> > > 
> > 
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Yahoo! Health - your guide to health and wellness
> > http://health.yahoo.com
> > 
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Health - your guide to health and wellness
> http://health.yahoo.com
> 


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From Loopers-Delight-request@loopers-delight.com  Fri May  3 22:30:20 2002
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From: "Butch" <paulrichard10@attbi.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Ready to dump Repeater
Date: Fri, 3 May 2002 22:36:16 -0400
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Man, I tell ya. The Repeater is a nice unit. Except it's foot pedal =
controls (both with a three-button Digitech and a MIDI controller) leave =
a lot to be desired. The EDP leaves it in the dust in that department.

I haven't been able to change loops without using my hands since I got =
the thing. I'm on my second MIDI pedal. I thought my original somewhat =
archaic Digitech PDS-type was not the best device to use and since sold =
it. I purchased a Fender Cyber-Twin MIDI Foot Pedal with the intention =
of using it for the CT as well as the Repeater. It's a real simple pedal =
to use. Sends PC and can send CC.

Most of the MIDI functions I tried worked BUT when a new loop is =
selected (after being created), ex. LOOP UP, I can't get the darn thing =
to PLAY. I opened a case with Electrix and they're helpful but it seems =
weird that a simple function can't be made to work. I'm running 1.1, =
BTW.

This problem is really starting to get on my nerves. As a guitar player, =
stopping to manually initiate Loop Up or Loop Down ain't gonna cut it.

Electrix should have, in the first place, took a lesson from Gibson and =
used more than a 3 switch pedal. You got to be able to Loop Up or Down.

Oh well, must have been the bad Martinis I drank earlier.

Regards, Butch

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http-equiv=3DContent-Type>
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Man, I tell ya. The Repeater is a nice =
unit. Except=20
it's foot pedal controls (both with a three-button Digitech and a MIDI=20
controller) leave a lot to be desired. The EDP leaves it in the dust in =
that=20
department.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I haven't been able to change loops =
without using=20
my hands since I got the thing. I'm on my second MIDI pedal. I thought =
my=20
original somewhat archaic Digitech PDS-type was not the best device to =
use and=20
since sold it. I purchased a Fender Cyber-Twin MIDI Foot Pedal with the=20
intention of using it for the CT as well as the Repeater. It's a real =
simple=20
pedal to use. Sends PC and can send CC.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Most of the MIDI functions I tried =
worked BUT when=20
a new loop is selected (after being created), ex. LOOP UP, I can't get =
the darn=20
thing to PLAY. I opened a case with Electrix and they're helpful but it =
seems=20
weird that a simple function can't be made to work. I'm running 1.1,=20
BTW.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>This problem is really starting to get =
on my=20
nerves. As a guitar player, stopping to manually initiate Loop Up or =
Loop Down=20
ain't gonna cut it.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Electrix should have, in the first =
place, took a=20
lesson from Gibson and used more than a 3 switch pedal. You got to be =
able to=20
Loop Up or Down.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Oh well, must have been the bad =
Martinis I drank=20
earlier.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Regards, =
Butch</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri May  3 23:18:38 2002
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Date: Fri, 03 May 2002 20:17:30 -0800
Subject: Re: Ready to dump Repeater
From: Marklar <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
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I've had success using a Behringer FCP1010 to send loop up and down info,
and then use the Digitech FS300 to cue up a play or record function.  Seems
to work fine, although a little clumsey.  I've not tried to make the
Behringer do it all yet.

Mark

on 5/3/02 6:36 PM, Butch at paulrichard10@attbi.com wrote:

Man, I tell ya. The Repeater is a nice unit. Except it's foot pedal controls
(both with a three-button Digitech and a MIDI controller) leave a lot to be
desired. The EDP leaves it in the dust in that department.
 
I haven't been able to change loops without using my hands since I got the
thing. I'm on my second MIDI pedal. I thought my original somewhat archaic
Digitech PDS-type was not the best device to use and since sold it. I
purchased a Fender Cyber-Twin MIDI Foot Pedal with the intention of using it
for the CT as well as the Repeater. It's a real simple pedal to use. Sends
PC and can send CC.
 
Most of the MIDI functions I tried worked BUT when a new loop is selected
(after being created), ex. LOOP UP, I can't get the darn thing to PLAY. I
opened a case with Electrix and they're helpful but it seems weird that a
simple function can't be made to work. I'm running 1.1, BTW.
 
This problem is really starting to get on my nerves. As a guitar player,
stopping to manually initiate Loop Up or Loop Down ain't gonna cut it.
 
Electrix should have, in the first place, took a lesson from Gibson and used
more than a 3 switch pedal. You got to be able to Loop Up or Down.
 
Oh well, must have been the bad Martinis I drank earlier.
 
Regards, Butch




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<HTML>
<HEAD>
<TITLE>Re: Ready to dump Repeater</TITLE>
</HEAD>
<BODY>
I've had success using a Behringer FCP1010 to send loop up and down info, a=
nd then use the Digitech FS300 to cue up a play or record function. &nbsp;Se=
ems to work fine, although a little clumsey. &nbsp;I've not tried to make th=
e Behringer do it all yet.<BR>
<BR>
Mark<BR>
<BR>
on 5/3/02 6:36 PM, Butch at paulrichard10@attbi.com wrote:<BR>
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2"><FONT FACE=3D"Arial">Man, I tell ya. The Repeater =
is a nice unit. Except it's foot pedal controls (both with a three-button Di=
gitech and a MIDI controller) leave a lot to be desired. The EDP leaves it i=
n the dust in that department.<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">I haven't been able to change loops witho=
ut using my hands since I got the thing. I'm on my second MIDI pedal. I thou=
ght my original somewhat archaic Digitech PDS-type was not the best device t=
o use and since sold it. I purchased a Fender Cyber-Twin MIDI Foot Pedal wit=
h the intention of using it for the CT as well as the Repeater. It's a real =
simple pedal to use. Sends PC and can send CC.<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">Most of the MIDI functions I tried worked=
 BUT when a new loop is selected (after being created), ex. LOOP UP, I can't=
 get the darn thing to PLAY. I opened a case with Electrix and they're helpf=
ul but it seems weird that a simple function can't be made to work. I'm runn=
ing 1.1, BTW.<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">This problem is really starting to get on=
 my nerves. As a guitar player, stopping to manually initiate Loop Up or Loo=
p Down ain't gonna cut it.<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">Electrix should have, in the first place,=
 took a lesson from Gibson and used more than a 3 switch pedal. You got to b=
e able to Loop Up or Down.<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">Oh well, must have been the bad Martinis =
I drank earlier.<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">Regards, Butch<BR>
</FONT></FONT><BR>
</BLOCKQUOTE><BR>
</BODY>
</HTML>


--MS_Mac_OE_3103301851_75942_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Fri May  3 23:34:55 2002
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From: "Butch" <paulrichard10@attbi.com>
To: <Loopers-Delight@loopers-delight.com>
References: <B8F8A0DA.573%sine@zerocrossing.net>
Subject: Re: Ready to dump Repeater
Date: Fri, 3 May 2002 23:41:26 -0400
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Re: Ready to dump RepeaterHi, Mark:

Yes, that does indeed work (MIDI for Loop Up & Down) and Digitech for =
Play. I'm thinking of spinning a pie plate on a stick in my mouth while =
I play guitar and 'tap dance'  as well. Hehehe...Too bad Ed Sullivan =
isn't still alive.

'gards, Butch
  ----- Original Message -----=20
  From: Marklar=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Saturday, May 04, 2002 12:17 AM
  Subject: Re: Ready to dump Repeater


  I've had success using a Behringer FCP1010 to send loop up and down =
info, and then use the Digitech FS300 to cue up a play or record =
function.  Seems to work fine, although a little clumsey.  I've not =
tried to make the Behringer do it all yet.

  Mark

  on 5/3/02 6:36 PM, Butch at paulrichard10@attbi.com wrote:


    Man, I tell ya. The Repeater is a nice unit. Except it's foot pedal =
controls (both with a three-button Digitech and a MIDI controller) leave =
a lot to be desired. The EDP leaves it in the dust in that department.

    I haven't been able to change loops without using my hands since I =
got the thing. I'm on my second MIDI pedal. I thought my original =
somewhat archaic Digitech PDS-type was not the best device to use and =
since sold it. I purchased a Fender Cyber-Twin MIDI Foot Pedal with the =
intention of using it for the CT as well as the Repeater. It's a real =
simple pedal to use. Sends PC and can send CC.

    Most of the MIDI functions I tried worked BUT when a new loop is =
selected (after being created), ex. LOOP UP, I can't get the darn thing =
to PLAY. I opened a case with Electrix and they're helpful but it seems =
weird that a simple function can't be made to work. I'm running 1.1, =
BTW.

    This problem is really starting to get on my nerves. As a guitar =
player, stopping to manually initiate Loop Up or Loop Down ain't gonna =
cut it.

    Electrix should have, in the first place, took a lesson from Gibson =
and used more than a 3 switch pedal. You got to be able to Loop Up or =
Down.

    Oh well, must have been the bad Martinis I drank earlier.

    Regards, Butch





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<HTML><HEAD><TITLE>Re: Ready to dump Repeater</TITLE>
<META content=3D"text/html; charset=3Diso-8859-1" =
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<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi, Mark:</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Yes, that does indeed work (MIDI for =
Loop Up &amp;=20
Down) and Digitech for Play. I'm thinking of spinning a pie plate on a =
stick in=20
my mouth while I play guitar and 'tap dance'&nbsp; as well. Hehehe...Too =
bad Ed=20
Sullivan isn't still alive.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>'gards, Butch</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:sine@zerocrossing.net" =
title=3Dsine@zerocrossing.net>Marklar</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Saturday, May 04, 2002 =
12:17=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: Ready to dump =
Repeater</DIV>
  <DIV><BR></DIV>I've had success using a Behringer FCP1010 to send loop =
up and=20
  down info, and then use the Digitech FS300 to cue up a play or record=20
  function. &nbsp;Seems to work fine, although a little clumsey. =
&nbsp;I've not=20
  tried to make the Behringer do it all yet.<BR><BR>Mark<BR><BR>on =
5/3/02 6:36=20
  PM, Butch at <A=20
  href=3D"mailto:paulrichard10@attbi.com">paulrichard10@attbi.com</A>=20
  wrote:<BR><BR>
  <BLOCKQUOTE><FONT size=3D2><FONT face=3DArial>Man, I tell ya. The =
Repeater is a=20
    nice unit. Except it's foot pedal controls (both with a three-button =

    Digitech and a MIDI controller) leave a lot to be desired. The EDP =
leaves it=20
    in the dust in that department.<BR></FONT></FONT><BR><FONT =
size=3D2><FONT=20
    face=3DArial>I haven't been able to change loops without using my =
hands since=20
    I got the thing. I'm on my second MIDI pedal. I thought my original =
somewhat=20
    archaic Digitech PDS-type was not the best device to use and since =
sold it.=20
    I purchased a Fender Cyber-Twin MIDI Foot Pedal with the intention =
of using=20
    it for the CT as well as the Repeater. It's a real simple pedal to =
use.=20
    Sends PC and can send CC.<BR></FONT></FONT><BR><FONT size=3D2><FONT=20
    face=3DArial>Most of the MIDI functions I tried worked BUT when a =
new loop is=20
    selected (after being created), ex. LOOP UP, I can't get the darn =
thing to=20
    PLAY. I opened a case with Electrix and they're helpful but it seems =
weird=20
    that a simple function can't be made to work. I'm running 1.1,=20
    BTW.<BR></FONT></FONT><BR><FONT size=3D2><FONT face=3DArial>This =
problem is=20
    really starting to get on my nerves. As a guitar player, stopping to =

    manually initiate Loop Up or Loop Down ain't gonna cut=20
    it.<BR></FONT></FONT><BR><FONT size=3D2><FONT face=3DArial>Electrix =
should have,=20
    in the first place, took a lesson from Gibson and used more than a 3 =
switch=20
    pedal. You got to be able to Loop Up or =
Down.<BR></FONT></FONT><BR><FONT=20
    size=3D2><FONT face=3DArial>Oh well, must have been the bad Martinis =
I drank=20
    earlier.<BR></FONT></FONT><BR><FONT size=3D2><FONT =
face=3DArial>Regards,=20
    =
Butch<BR></FONT></FONT><BR></BLOCKQUOTE><BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri May  3 23:38:41 2002
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From: "Mark Smart" <mwsmart@insightbb.com>
To: <Loopers-Delight@loopers-delight.com>
References: <F91syRbHyBftCcVGtDm00002b6a@hotmail.com>
Subject: Re: RC-20 Review
Date: Fri, 3 May 2002 22:44:27 -0500
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>Two RC-20's are my goal also.
>I want to link the remote bank switches together to operate at the same
>time.

I've thought about doing hacks like this, but haven't worked on it yet. I
would really like to have the bank knob on or near the guitar rather than on
the floor. Since you have the schematics....is that knob a selector switch
or a pot with detent positions? If it is a pot, I think the hacking might be
a lot easier. Did you get the schematics from Roland?

I've also thought about adding a pedal that would push the two outside
pedals on the RC-20's (the left one's play/record and the right one's stop)
at the same time to facilitate the tunes where I have one background for the
tune;s head and another for the solos. Since I added the drum samples, this
is less easy to do at all, so I probably will skip that one.

Mark Smart


From Loopers-Delight-request@loopers-delight.com  Sat May  4 04:00:21 2002
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Subject: routing
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thanks to everyone who gave me advice. i was able to do a VERY VERY loop heavy show tonight
using headrush, vortex, and repeater (until it TOTALLY FREAKED OUT ON ME in mid performance,
this makes twice now). when repeater went wonky, i still had the headrush and vortex to rely
on, as well as my homemade low-fi looper (circuit-bent from one of those recording picture
frames) and a cute yamaha sampling keyboard. i'm very happy with how things went, if only
repeater hadn't flaked! maybe it got dropped harder than i thought, heh.

anyone with a 128 meg sandisk card having trouble with it giving you some kind of time limit
problem? it's like it somehow ran out of memory from 2 stereo loops that were maybe 30
seconds each. that can't be, right?

any advice appreciated, as usual! thanks folks. i love being back on this list.

Jon/skincage

From Loopers-Delight-request@loopers-delight.com  Sat May  4 04:52:41 2002
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Subject: Re: Ready to dump Repeater
From: Marklar <sine@zerocrossing.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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In that case I recommend the Digicram X2400 midi synchable pie plate
spinner.  The new software allows you to spin pie plates in multiple time
signatures, and is more stable than the first release.  It makes for a
really big show.  Really big.

Mark Sottilaro

on 5/3/02 7:41 PM, Butch at paulrichard10@attbi.com wrote:

Hi, Mark:
 
Yes, that does indeed work (MIDI for Loop Up & Down) and Digitech for Play.
I'm thinking of spinning a pie plate on a stick in my mouth while I play
guitar and 'tap dance'  as well. Hehehe...Too bad Ed Sullivan isn't still
alive.
 


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<HTML>
<HEAD>
<TITLE>Re: Ready to dump Repeater</TITLE>
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<BODY>
In that case I recommend the Digicram X2400 midi synchable pie plate spinne=
r. &nbsp;The new software allows you to spin pie plates in multiple time sig=
natures, and is more stable than the first release. &nbsp;It makes for a rea=
lly big show. &nbsp;Really big.<BR>
<BR>
Mark Sottilaro<BR>
<BR>
on 5/3/02 7:41 PM, Butch at paulrichard10@attbi.com wrote:<BR>
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2"><FONT FACE=3D"Arial">Hi, Mark:<BR>
</FONT></FONT> <BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">Yes, that does indeed work (MIDI for Loop=
 Up &amp; Down) and Digitech for Play. I'm thinking of spinning a pie plate =
on a stick in my mouth while I play guitar and 'tap dance' &nbsp;as well. He=
hehe...Too bad Ed Sullivan isn't still alive.<BR>
</FONT></FONT> <BR>
</BLOCKQUOTE>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Sat May  4 05:20:56 2002
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Subject: Re: repeater pc import/export software - need comments
From: Marklar <sine@zerocrossing.net>
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>> i'm curious what the interest in a public release of
> such a tool would be.
>> anyone interested?  if so, i can clean it up and make
> it available.
>> 

I'd be interested... in a Mac version, if possible.  It would also be nice
if you could go both ways with the file.  Taking files off, and putting new
files on that the Repeater could then recognize.

Mark

From Loopers-Delight-request@loopers-delight.com  Sat May  4 05:48:08 2002
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Date: Sat, 4 May 2002 02:45:26 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Ready to dump Repeater
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I recommend the Sénor Wences Hand-Controller.

John

--- Marklar <sine@zerocrossing.net> wrote:
> In that case I recommend the Digicram X2400 midi
> synchable pie plate
> spinner.  The new software allows you to spin pie
> plates in multiple time
> signatures, and is more stable than the first
> release.  It makes for a
> really big show.  Really big.
> 
> Mark Sottilaro




=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat May  4 09:05:26 2002
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References: <20020502062512.88243.qmail@web12302.mail.yahoo.com>
Subject: The Ambient Ping presents Styrohead and Mach 747
Date: Sat, 4 May 2002 09:04:05 -0400
Organization: dreamSTATE
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THE AMBiENT PiNG   http://www.theambientping.com
Every Tuesday Night - doors open at 9pm - 1st set at 9:30
@ club nia / C'est What - 19 Church St. at Front St. - Toronto
        3 blocks east of the Union Station subway.
        map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday May 7th - Styrohead and Mach 747

Mach 747 stopover at the Ping again with its crew of sound and
groove technicians: St. Pete (synthesizer), Fabian (sampler),
Rob Riggs (vox) and your pilot, Joe G (synths, loops & treatments).
Pack up your bags and prepare to be flown to an exotic island of
ambient textures, vocoded melodics and downtempo beats.

Captain Joe G (Styrohead) opens the night with a solo flight of fancy.

Joe G's Styrohead mp3 page - http://www.mp3.com/styrohead

Between sets CD - "supernice" by Kinder Atom (nice+smooth/Hypnotic)
< A trippy chillout disc from these eclectic Toronto artists (1997) >
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and
the club's impressive beer, wine and whiskey selection.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming Tuesday May 14th 2002 - Planet Of The Loops

Andrew Aldridge's floating ensemble of improvisers and their
various looping devices and approaches returns to the Ping
for a fresh night of circular musical conversations as the
Planet Of The Loops' bi-monthly looping series continues...
http://www.geocities.com/energymadeaudible/planet.html

Between sets CD - "The Spirit Molecule" (2002) Ambient looping
guitar-based works by Vancouver's Anomalous Disturbances.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be
interested in live ambient and experimental performances.


From Loopers-Delight-request@loopers-delight.com  Sat May  4 11:53:36 2002
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>From: the living rumor <rumors@thelivingjarboe.com>

>Hello to all Living Rumor subscribers !
>
>NEWS: The Swans c.d. "Feel Good Now" reissue is on the horizon and running 
>towards us.
>Pre-orders are being taken right 'NOW' from :
>http://www.swans.pair.com
>http://www.thelivingjarboe.com
>
>Recently added : unusual Snake jewelry worn during the Children Of God and 
>Blood Women Roses era I collected mostly in Europe is also being offered on 
>www.thelivingjarboe.com
>
>Coming : my new fetish boxes, art, master reels to display on your wall, 
>and spooky oddities.
>Contact info@thelivingjarboe.com  for more.
>
>Also ,  finally  a new photograph of ME on my home page.
>Thanks for the numerous email requests !
>
>The ' MEN ' album updates : I have received a terrific track from David 
>Torn (among numerous noteworthy achievements,  DT is David Bowie's 
>guitarist) and  Maynard Keenan (Tool, A Perfect Circle) will be working on 
>a track for ' MEN ' in June.
>
>In a few weeks, I head back to Los Angeles to sing on the album I'm doing 
>with the band, Neurosis. This new project is as yet unnamed ...
>?
>
>LOVE,
>JARBOE





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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
&gt;From: the living rumor &lt;rumors@thelivingjarboe.com&gt;<BR>
<BR>
&gt;Hello to all Living Rumor subscribers !<BR>
&gt;<BR>
&gt;NEWS: The Swans c.d. "Feel Good Now" reissue is on the horizon and running <BR>
&gt;towards us.<BR>
&gt;Pre-orders are being taken right 'NOW' from :<BR>
&gt;http://www.swans.pair.com<BR>
&gt;http://www.thelivingjarboe.com<BR>
&gt;<BR>
&gt;Recently added : unusual Snake jewelry worn during the Children Of God and <BR>
&gt;Blood Women Roses era I collected mostly in Europe is also being offered on <BR>
&gt;www.thelivingjarboe.com<BR>
&gt;<BR>
&gt;</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=3 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0">Coming :</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"> my new fetish boxes, art, master reels to display on your wall, <BR>
&gt;and spooky oddities.<BR>
&gt;Contact info@thelivingjarboe.com&nbsp; for more.<BR>
&gt;<BR>
&gt;Also ,&nbsp; finally&nbsp; a new photograph of ME on my home page.<BR>
&gt;Thanks for the numerous email requests !<BR>
&gt;<BR>
&gt;The ' MEN ' album updates : I have received a terrific track from David <BR>
&gt;Torn (among numerous noteworthy achievements,&nbsp; DT is David Bowie's <BR>
&gt;guitarist) and&nbsp; Maynard Keenan (Tool, A Perfect Circle) will be working on <BR>
&gt;a track for ' MEN ' in June.<BR>
&gt;<BR>
&gt;In a few weeks, I head back to Los Angeles to sing on the album I'm doing <BR>
&gt;with the band, Neurosis. This new project is as yet unnamed ...<BR>
&gt;?<BR>
&gt;<BR>
&gt;LOVE,<BR>
&gt;JARBOE<BR>
<BR>
<BR>
<BR>
<BR>
</FONT></HTML>
--part1_15e.d37bdd3.2a055d7b_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat May  4 13:04:39 2002
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Subject: Re: Ready to dump Repeater
Date: Sat, 4 May 2002 13:00:16 -0400
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have you tried assigning two CC/PC messages to one pedal, one to
Up Loop and one to Record/Play?

mike

----- Original Message -----
From: "Butch" <paulrichard10@attbi.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 03, 2002 11:41 PM
Subject: Re: Ready to dump Repeater


Re: Ready to dump RepeaterHi, Mark:

Yes, that does indeed work (MIDI for Loop Up & Down) and
Digitech for Play. I'm thinking of spinning a pie plate on a
stick in my mouth while I play guitar and 'tap dance'  as well.
Hehehe...Too bad Ed Sullivan isn't still alive.

'gards, Butch
  ----- Original Message -----
  From: Marklar
  To: Loopers-Delight@loopers-delight.com
  Sent: Saturday, May 04, 2002 12:17 AM
  Subject: Re: Ready to dump Repeater


  I've had success using a Behringer FCP1010 to send loop up and
down info, and then use the Digitech FS300 to cue up a play or
record function.  Seems to work fine, although a little clumsey.
I've not tried to make the Behringer do it all yet.

  Mark

  on 5/3/02 6:36 PM, Butch at paulrichard10@attbi.com wrote:


    Man, I tell ya. The Repeater is a nice unit. Except it's
foot pedal controls (both with a three-button Digitech and a
MIDI controller) leave a lot to be desired. The EDP leaves it in
the dust in that department.

    I haven't been able to change loops without using my hands
since I got the thing. I'm on my second MIDI pedal. I thought my
original somewhat archaic Digitech PDS-type was not the best
device to use and since sold it. I purchased a Fender Cyber-Twin
MIDI Foot Pedal with the intention of using it for the CT as
well as the Repeater. It's a real simple pedal to use. Sends PC
and can send CC.

    Most of the MIDI functions I tried worked BUT when a new
loop is selected (after being created), ex. LOOP UP, I can't get
the darn thing to PLAY. I opened a case with Electrix and
they're helpful but it seems weird that a simple function can't
be made to work. I'm running 1.1, BTW.

    This problem is really starting to get on my nerves. As a
guitar player, stopping to manually initiate Loop Up or Loop
Down ain't gonna cut it.

    Electrix should have, in the first place, took a lesson from
Gibson and used more than a 3 switch pedal. You got to be able
to Loop Up or Down.

    Oh well, must have been the bad Martinis I drank earlier.

    Regards, Butch






From Loopers-Delight-request@loopers-delight.com  Sat May  4 14:00:22 2002
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From: BILLYBUDDHA@webtv.net (William Mcallister)
Date: Sat, 4 May 2002 10:59:08 -0700 (PDT)
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Subject: Re: zappa! Baby Snakes video
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In-Reply-To: Evan Meyers <evanmeyers@yahoo.com>'s message of Fri, 3 May
	2002 10:16:48 -0700 (PDT)
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Thanks Evan, ya know I did'nt even see it mentioned on the Zappa
website. Maybe I'll have to find a used one. Bill

From Loopers-Delight-request@loopers-delight.com  Sat May  4 16:40:43 2002
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Subject: Re: OT: Phaser recommend
From: charmah tiego <tiegolego@noos.fr>
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You could get a micromodular and make one yourself out of the modules ( it
may not be possible to have a sixty second phase period one, but you can
have lfos of about fourty secs )
It has a 10 or 12 peaks phaser module ready to go anyway, with all the mod
inputs you'd normally want to find.
I use mine a lot as an FX unit,  and as it is the size of a  stomp box, it
is in my bakpack.
 OK , it is not analog, but you can really approach the feel of one if you
work on it. You find huge amount of example patches on the net
And if you are looking for extreme and personal,entirely programmable FX for
less than 600 dollars, well...

peace.
tiego

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Subject: Re: OT: Phaser recommend
Date: Sat, 4 May 2002 17:29:34 -0400
Organization: dreamSTATE
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Actually, the Nord Modular phaser module is a pretty good sounding "unit".
Plus you get a modular synth!

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com

> You could get a micromodular and make one yourself out of the modules ( it
> may not be possible to have a sixty second phase period one, but you can
> have lfos of about fourty secs )
> It has a 10 or 12 peaks phaser module ready to go anyway, with all the mod
> inputs you'd normally want to find.
> I use mine a lot as an FX unit,  and as it is the size of a  stomp box, it
> is in my bakpack.
>  OK , it is not analog, but you can really approach the feel of one if you
> work on it. You find huge amount of example patches on the net
> And if you are looking for extreme and personal,entirely programmable FX for
> less than 600 dollars, well...
> 
> peace.
> tiego
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat May  4 20:22:43 2002
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From: "Neil Goldstein" <ngold@attbi.com>
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Subject: RE: OT: Phaser recommend
Date: Sat, 4 May 2002 17:08:06 -0700
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The Adrenalinn has a pretty nice phaser on it, with lots of modulation
sources, incl the 32 step sequencer.



    _/      _/  _/_/_/  _/  _/
   _/_/    _/  _/      _/  _/
  _/  _/  _/  _/_/    _/  _/
 _/    _/_/  _/      _/  _/
_/      _/  _/_/_/  _/  _/_/_/


> -----Original Message-----
> From: charmah tiego [mailto:tiegolego@noos.fr]
> Sent: Saturday, May 04, 2002 1:45 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT: Phaser recommend
>
>
>
>
> You could get a micromodular and make one yourself out of the modules ( it
> may not be possible to have a sixty second phase period one, but you can
> have lfos of about fourty secs )
> It has a 10 or 12 peaks phaser module ready to go anyway, with all the mod
> inputs you'd normally want to find.
> I use mine a lot as an FX unit,  and as it is the size of a  stomp box, it
> is in my bakpack.
>  OK , it is not analog, but you can really approach the feel of one if you
> work on it. You find huge amount of example patches on the net
> And if you are looking for extreme and personal,entirely
> programmable FX for
> less than 600 dollars, well...
>
> peace.
> tiego
>

From Loopers-Delight-request@loopers-delight.com  Sat May  4 22:47:37 2002
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From: "Paul Weissman" <paul@nioterra.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: repeater pc import/export software - need comments 
Date: Sat, 4 May 2002 19:46:31 -0700
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thanks for the responses everyone.  since it seems like there's some decent
interest, i'll try to give you a better picture of what exactly i'm working
on.

as of today both extracting .wav data from a Track file to another .wav file
(with no leading or trailing dead space) and creating Repeater compatible
Track files from arbitrary .wav files are working.  these two functions are
already starting to be big time savers for me.

within a few more iterations of the program, it should be easy to a) point
the program at the root directory of a Repeater file hierarchy and have it
extract all the .wav files from the entire hierarchy to another directory
and b) point the program at a directory containing your own .wav file loops
and have the program create a set of directories that mimic a Repeater file
hierarchy with Track files that contain your loops.  does that make sense?

in it's first incarnation, this utility is simply going to be a command line
utility for Windows.  (and Unix for all the freaks who love managing their
loops on unix)  i don't have a mac, but i can look into what it will take to
make that happen.  also, in order to get clean loops, for the time being
you're going to have to 'trim' your loops in repeater before exporting.  of
course, if you want all the data that's in there, you don't have to do this.

the only bad news is that i've got a trip coming up and i've got to spend 4
days in the studio working on some tracks so my time will be limited.  it'll
be a couple weeks before i can polish a releasable version off.

in the meantime... does anyone have any server space where i can put the
files?  i might have some, but some other options would be nifty.

more responses and ideas are definitely welcome!

to answer some questions:

> Wow- how cool! You might consider posting to the Electrix Forum
> with this- I
> am sure plenty of people would be interested- heck- if the code is good
> enough I bet you could get Electrix to support it as an Electrix
> app- maybe.

i'll just be psyched if i can get electrix to release some basic info about
their file formats to me (and the community in general)... if i had more
info, even cooler things could happen.

> I would love to be able to audition loops on my pc as they would on the
> Repeater- and not just going into the folder and playing 1 of the
> 4 tracks.
> Maybe even just a select-and-hear type operation- click once on a
> folder and
> hear the loops-

unfortunately unless Electrix releases the exact algorithms that they use to
do pitch shifting and loop playback, no one can write software to do this.
what this utility will do is just extract the raw wave data from the files
and put them in new files.  however, you can resample your loops in your
repeater and then export the wav files for further manipulation.

> Super Cool!  You might want to mention this on the repeater-users yahoo
> group too.  I'm interested in your package and it seems like an obvious

didn't know about it, signing up... thanks!

> thing to do!  If I have a single 4 second wave file that is 8 beats long,
> can I use your tool to create a repeater loop out of it?  If so
> you've got a
> winner of a program.  I bet Electrix would possibly even be interested...

yup, that's the idea!

> Definitely interested.  I considered doing something like this
> myself, but Electrix told me that they were going to release one
> eventually.  That was a long, long time ago...

maybe this'll help give 'em a kick in the butt... :)

> It would be awesome to have the files convertable to .acd files (the files
> for ACID, the Sonic Foundry looping program) and
> maybe a conversion to .AIFF files for the mackies out there.

at some point i could look into this, but there are already good programs
that do batch file conversion.  however, with this utility it'll be a simple
2 step process to get them into whatever format you need them in.

oh... one thing that's a pain for me is splitting stereo files, so i'll
probably include that as part of the utility to.  so if you have a stereo
drum track, this util will split it up and then convert both L and R into a
separate Track files for the Repeater.

paul









> -----Original Message-----
> From: Clifford Novey [mailto:om@om-studios.com]
> Sent: Friday, May 03, 2002 2:19 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: repeater pc import/export software - need comments
>
>
> Wow- how cool! You might consider posting to the Electrix Forum
> with this- I
> am sure plenty of people would be interested- heck- if the code is good
> enough I bet you could get Electrix to support it as an Electrix
> app- maybe.
>
> I would love to be able to audition loops on my pc as they would on the
> Repeater- and not just going into the folder and playing 1 of the
> 4 tracks.
> Maybe even just a select-and-hear type operation- click once on a
> folder and
> hear the loops-
>
> Cliff
>
> ----- Original Message -----
> From: "Paul Weissman" <paul@nioterra.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, May 03, 2002 2:13 PM
> Subject: repeater pc import/export software - need comments
>
>
> >
> > i just finished an early version of a utility that allows users
> to extract
> > wave data from repeater Track files and create repeater
> compatible Tracks
> > from your own loops.  this will (hopefully) alleviate the need
> for all the
> > manual loop creation and editing that you have to do to get
> your material
> in
> > and out of the repeater.
> >
> > i'm curious what the interest in a public release of such a
> tool would be.
> > anyone interested?  if so, i can clean it up and make it available.
> >
> > any other things that you'd like a utility like this to do?
> >
> > paul
> >
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Sat May  4 23:19:08 2002
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This would make owning a Repeater much more desireable!
I thought the tone of the 'peater was great, but it is less flexible than
the EDP--
This feature would make a lot of sense for those using loopers as sample
playback units.
Any idea what you will want to charge for this PC software?
Gary
PS  I took back the Repeater and bought a second EDP but would buy another
'peater with this functionality--does that mean I have GAS?
G

From Loopers-Delight-request@loopers-delight.com  Sat May  4 23:40:17 2002
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Subject: Re: OT: Phaser recommend
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I'll second that.

Mark

On Saturday, May 4, 2002, at 05:08  PM, Neil Goldstein wrote:

> The Adrenalinn has a pretty nice phaser on it, with lots of modulation
> sources, incl the 32 step sequencer.
>
>
>
>     _/      _/  _/_/_/  _/  _/
>    _/_/    _/  _/      _/  _/
>   _/  _/  _/  _/_/    _/  _/
>  _/    _/_/  _/      _/  _/
> _/      _/  _/_/_/  _/  _/_/_/
>
>
>> -----Original Message-----
>> From: charmah tiego [mailto:tiegolego@noos.fr]
>> Sent: Saturday, May 04, 2002 1:45 PM
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: OT: Phaser recommend
>>
>>
>>
>>
>> You could get a micromodular and make one yourself out of the modules 
>> ( it
>> may not be possible to have a sixty second phase period one, but you 
>> can
>> have lfos of about fourty secs )
>> It has a 10 or 12 peaks phaser module ready to go anyway, with all the 
>> mod
>> inputs you'd normally want to find.
>> I use mine a lot as an FX unit,  and as it is the size of a  stomp 
>> box, it
>> is in my bakpack.
>>  OK , it is not analog, but you can really approach the feel of one if 
>> you
>> work on it. You find huge amount of example patches on the net
>> And if you are looking for extreme and personal,entirely
>> programmable FX for
>> less than 600 dollars, well...
>>
>> peace.
>> tiego
>>
>

From Loopers-Delight-request@loopers-delight.com  Sat May  4 23:44:17 2002
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Subject: Re: repeater pc import/export software - need comments 
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I think the UNIX should be fine for my Mac needs, as OSX is pretty much 
UNIX.  Would be interesting to try and see.

Mark

On Saturday, May 4, 2002, at 07:46  PM, Paul Weissman wrote:
>
> utility for Windows.  (and Unix for all the freaks who love managing 
> their
> loops on unix)  i don't have a mac, but i can look into what it will 
> take to
> make that happen.

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Subject: Loop IV features vol 2
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All about Nextloop

When you only have one loop (Moreloops=1)
NextLoop now acts as a Retrigger:
it starts the loop from the beginning on each press.

For instant stutter repeats you can hit Record, then
you can move your foot across to "NextLoop".
The first press ends the record, and starts the first playback.
Then each press of NextLoop restarts the loop.
(all this not to be confused with the new Stutter Mode,
which is a different thing entirely)

with multiple loops:-

in loop3 using NextLoop to end a Recording just ends
the record, as if you finished the recording with another press
of the record button.
in Loop4 you can go straight to the next loop, and 
start recording (AutoRecord=On)
This allows you to record all the sections of a piece 
of music at the beginning of the piece.
(or a series of notes to use as samples)



The SwitchQuant parameter has new values which work
in a Quantised way, these  allow you 
to select the loop in advance and confirm when you want to 
go to it, (just like SwitchQuant=Cnf) but the EDP still waits for
the end of the loop(or Cycle) before it changes over to the new 
loop.
This solves the problem of the "lame duck period"
(as it is called in the Loop3 manual)
With Loop 3 if you want the changover to happen exactly
at the end of the loop you need to use Nextloop to select 
the loop, then if you want to use any extra functions 
(like Multiply for instance) you have  to hit that as well.
If the loop is short you don't have time to select the loop
you want to go to and also the function you want to use.

Loop4 solves all this, you get all the time you need and 
still change exactly at the end of the loop.


And when SwitchQuant isn't set to "OFF", a
Long press of NextLoop selects loop number 1.


..........and all that just for one button


andy butler


  


 
 

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Subject: Handsonic
Date: Sun, 5 May 2002 09:07:51 +0100
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Hi guys,
I'm thinking of getting a handsonic particularly for live use - any
comments?

Gareth

From Loopers-Delight-request@loopers-delight.com  Sun May  5 07:35:12 2002
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Subject: RE: Handsonic
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Gareth,

on the John Surman/Jack DeJohnette release "Invisible Nature", Jack
DeJohnette makes ample use of the handsonic, according to liner notes. This
is a live album, so perhaps you can find out whether it sound like you want
to sound it (or whether it sound like that in Mr. DeJohnette hands rather).

	Rainer

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
digital penis expert group - www.dpeg.de
The MoinSound Archives - www.mp3.com/moinlabs


> -----Original Message-----
> From: Gareth Whittock [mailto:gareth@whiteoakstudios.freeserve.co.uk]
> Sent: Sonntag, 5. Mai 2002 10:08
> To: Loopers-Delight@loopers-delight.com
> Subject: Handsonic
>
>
> Hi guys,
> I'm thinking of getting a handsonic particularly for live use - any
> comments?
>
> Gareth
>

From Loopers-Delight-request@loopers-delight.com  Sun May  5 07:49:13 2002
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Subject: zvex looper?
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howdy fellow looping brothers and sisters,
           just read about this. anyone try one yet? seems both pricey and 
intriguing. (don't you hate that combination? why can't it be inexpensive and 
intriguing?) if anyone has any 1st hand experience w/ this device let me know 
what you think. have a wonderful sunday.                                      
                   =-) PJ

From Loopers-Delight-request@loopers-delight.com  Sun May  5 10:26:08 2002
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From: just john <just-john@just-john.com>
Subject: Re: Handsonic
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>Hi guys,
>I'm thinking of getting a handsonic particularly for live use - any
>comments?
>
>Gareth

I have one and enjoy it a lot.  Never played it live, tho.
---
* just-john@just-john.com  http://just-john.com/cn/rfe.shtml *

From Loopers-Delight-request@loopers-delight.com  Sun May  5 11:09:57 2002
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From: Bill Cummings <billcumm@sprynet.com>
Subject: Re: Handsonic
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It's a great unit. Sounds are tremendous, and interface is pretty darn good.
I use it sometimes as a standalone drum kit, playing it with timbale sticks.
Also use it as a supplemental pad/sound source on BALDR setup. Benefits
greatly from a full range sound system with subwoofers. Watch out for the
Z-beam (or whatever they call it) mine's always triggering when I don't want
it to, so I usually try to remember to turn it off.


From Loopers-Delight-request@loopers-delight.com  Sun May  5 11:26:19 2002
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     Hello. I use the HandSonic Live almost everyday. I play for dance 
classes at VCU the Richmond Ballet, and other places as well. I also use it 
for live improvs and with a band that I am currently forming. (Both the 
guitarists in the group have an EDP. One also has a Repeater and a Jamman - 
The HPD is an excellent instrument to use for live looping.) One of it's 
strong points is having 15 pads in a playing surface the size of a conga 
head. It's very intuitve to say the least. It has some nice realtime control 
features as well (2 ribbon controllers, a D-beam, and 4 knobs). 
     I've also been using it a lot in my little studio. It appears quite a 
bit in the two current commission pieces that I am working on for faculty 
choreographers. 
     The internal sound set is a mixed bag. Some of the sounds are really 
nice, but some sounds seem like wasted space (IMHO). It's not Nirvana, but 
for having everything in one compact, intuitive unit (A fairly flexible sound 
set, plenty of realtime control, etc.) it's great. (Do note that not 
everything is implemented the way I wished it was, and that I intially 
rejected the Handsonic as a work in progress)
     My advice is to closely scrutinize at a local music store, or buy it 
from a store that wil allow you return it. If you would like more detailed 
info, feel free to email me directly.
     Take care, Marc 


In a message dated 05/05/2002 1:11:01 AM Pacific Daylight Time, 
gareth@whiteoakstudios.freeserve.co.uk writes:

> Hi guys,
>  I'm thinking of getting a handsonic particularly for live use - any
>  comments?
>  
>  Gareth
>  

From Loopers-Delight-request@loopers-delight.com  Sun May  5 11:54:33 2002
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Andy--
Thanks for sharing--
Lotsa hard work paying off for all concerned--
I look forward to the opportunity to implement some of these new features.
Gary

From Loopers-Delight-request@loopers-delight.com  Sun May  5 11:56:33 2002
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From: "Michael LaMeyer" <m.lameyer@verizon.net>
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        "Evan Meyers" <evanmeyers@yahoo.com>, <repeater-users@yahoogroups.com>
References: <20020505004533.85555.qmail@web20003.mail.yahoo.com>
Subject: Re: midi & repeater (was Re: Ready to dump Repeater) - sorry for the cross post
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you can EITHER send a PC or a CC for most functions.  for the
switchlike functions (on/off), they should work exactly the
same, for some of the other functions, the PC may function as a
switch while the CC w/a value sets something specific.

BIG CAVEAT: i've found that the CC messages work as documented
but the PC messages don't.  this is not necessarily Behringer's
fault, it's due to the PC implementation (there are two types,
one with PC messages starting at '1' and another with PC
messages starting at '0'; apparently the 1010 and the repeater
follow different implementations).  you have to increment the
documented repeater PC messages by +1 in almost all cases when
you program the 1010(except for the actual typo's, such as the
Record PC message, which appears for me to work as documented).

if the CC messages don't work either, check your MIDI
configuration, as they should work.  make sure that the global
MIDI channels you specifiy for the 1010 pedals matches the MIDI
channel selected by the rotary in the back of the repeater.  you
should see the MIDI light on the repeater light up when you send
messages.

fwiw, once i figured out the PC offset problem and discovered
the typo's by trial and error, it was smooth sailing for me.
i'm to the point now where i'm getting pretty comfortable with
basic functions, and now i'm going to try some combo messages
(such as up loop + record) and see how that flys.  i'll also get
around to documenting which messages work for me and describing
the typo's, at some point.

good luck,

mike

----- Original Message -----
From: "Evan Meyers" <evanmeyers@yahoo.com>
To: "Michael LaMeyer" <m.lameyer@verizon.net>
Sent: Saturday, May 04, 2002 8:45 PM
Subject: midi & repeater (was Re: Ready to dump Repeater)


>
> --- Michael LaMeyer <m.lameyer@verizon.net> wrote:
> > have you tried assigning two CC/PC messages to one
> > pedal, one to
> > Up Loop and one to Record/Play?
> >
>
> the replies to the recent threads about the repeater
> receiving pcs and ccs via midi have gotten me a bit
> confused and i was wondering if anyone can clear this
> up for me...
>
> now, the repeater manual gives a chart listing pc's
> and cc's to make various face-plate functions happen.
> i've been trying to use these numbers with a behringer
> fcb1010 unsuceccessfully.  the numbers in the manual
> are off or the behringer unit has some sort of
> different numbering system...but either way what is
> listed is acting funny when programmed and sent to the
> repeater.
>
> do i need to send a pc, cc, and a value to make
> something happen or just a pc or just a cc and a
> value?  the replies i've read make it seem like you
> can use a cc or a pc...i thought you needed to use
> both as a combination to make things work?  can
> someone who uses the repeater and behringer send me
> what they programmed for a few functions to use a
> guideline to get this pedal to work with my repeater?
> maybe send what is programmed for 2 or 3 basic
> functions and 2 or 3 odd functions...i'm just a bit
> confused and can't really find the correct
> implementation chart, and i was under the impression
> that several folks were using the two pieces of gear
> together without problems.  any and all help is mucho
> appreciated!
>
> thanks!
> e va n\s sa b
> evanmeyers@yahoo.com
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Health - your guide to health and wellness
> http://health.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun May  5 13:01:51 2002
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Subject: RE: zvex looper?
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PJ,

 I've not tried the zvex looper, but, I know zach (of zachary vex effects)
and own two other zvex fx (fuzz factory and seek wah), and can vouche(sp?)
for the 'interesting sounds' that his stuff produces... :) They are pricey
because he doesn't sell millions of units (each one is hand made)... But,
I love my zvex fx! 

-cpr

>-- Original Message --
>From: PJBMHB@aol.com
>Date: Sun, 5 May 2002 07:47:02 EDT
>Subject: zvex looper?
>To: Loopers-Delight@loopers-delight.com
>Reply-To: Loopers-Delight@loopers-delight.com
>
>
>howdy fellow looping brothers and sisters,
>           just read about this. anyone try one yet? seems both pricey
and
>
>intriguing. (don't you hate that combination? why can't it be inexpensive
>and 
>intriguing?) if anyone has any 1st hand experience w/ this device let me
>know 
>what you think. have a wonderful sunday.                              
 
>     
>                   =-) PJ
>


From Loopers-Delight-request@loopers-delight.com  Sun May  5 13:07:36 2002
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Subject: Re: midi & repeater (was Re: Ready to dump Repeater) - sorry for the
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At 11:52 AM -0400 5/5/02, Michael LaMeyer wrote:

>it's due to the PC implementation (there are two types,
>one with PC messages starting at '1' and another with PC
>messages starting at '0'

Strictly speaking, there is only one type of Program Change 
implementation, ranging from 0 to 127. However, different 
manufacturers implement the user interface differently, representing 
the 0-127 message values as 1-128. There are also some devices 
(typical of older Roland keyboards) where the programs are organized 
in banks of eight, so that it appears to the user that the program 
change messages run from 11 to 88 when what is actually being sent is 
0-63.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Sun May  5 13:39:18 2002
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Adrian Belew is a big Handsonic user.  I've seen him perform with it 
with King Crimson, and although it was hard to pick out what was coming 
out if him, as opposed to the rest of the band, it sure seemed like he 
was doing stuff.

Also, our very own Ted performed with a gentleman at loopstock in SLO.  
He's only instrument was a Handsonic and it was pretty amazing stuff.  
Made me want to go out and get one, and I'm a guitarist.

Mark

On Sunday, May 5, 2002, at 04:35  AM, Rainer Straschill wrote:

> Gareth,
>
> on the John Surman/Jack DeJohnette release "Invisible Nature", Jack
> DeJohnette makes ample use of the handsonic, according to liner notes. 
> This
> is a live album, so perhaps you can find out whether it sound like you 
> want
> to sound it (or whether it sound like that in Mr. DeJohnette hands 
> rather).
>
> 	Rainer
>
> Rainer Straschill
> Moinlabs GFX and Soundworks - www.moinlabs.de
> digital penis expert group - www.dpeg.de
> The MoinSound Archives - www.mp3.com/moinlabs
>
>
>> -----Original Message-----
>> From: Gareth Whittock [mailto:gareth@whiteoakstudios.freeserve.co.uk]
>> Sent: Sonntag, 5. Mai 2002 10:08
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Handsonic
>>
>>
>> Hi guys,
>> I'm thinking of getting a handsonic particularly for live use - any
>> comments?
>>
>> Gareth
>>
>

From Loopers-Delight-request@loopers-delight.com  Sun May  5 14:22:26 2002
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> Hi guys,
>  I'm thinking of getting a handsonic particularly for live use - any
>  comments?
>  
>  Gareth

Hi Gareth, 
can't you try one of these at that big music shop in Cardiff?
(Crane's isn't it).
I had a go on one, my feeling was that it was 
a very nice interface to play. 
..and the djembe was excellent.

but a most of the sounds were a bit lame,
and wouldn't make the music for their relevant country.
(Roland think a gamelan orchestra has a vibraphone in it).

Watch out for the prerecorded loops, as these have sounds 
that you can't play individually. 

andy butler

From Loopers-Delight-request@loopers-delight.com  Sun May  5 14:27:37 2002
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we still have no "official" release (for those of us 
who couldn't make it to the demonstration), do we?  
just making sure i haven't missed something.

-jim

From Loopers-Delight-request@loopers-delight.com  Sun May  5 15:44:29 2002
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All,

In a message dated 5/5/02 10:37:56 AM, sine@zerocrossing.net writes:

>Also, our very own Ted performed with a gentleman at Loopstock in SLO.
>His only instrument was a Handsonic and it was pretty amazing stuff. 
>Made me want to go out and get one, and I'm a guitarist.

That was Dr. Bob Sterling. He's an amazing drummer . . . and yes he is a 
medical doctor (an ER surgeon in an L.A. hospital). He is also a Repeater 
user. Before the gig I sent him some wave files to load into the Electrix
to jam along with so he'd know a little about some of my ideas before
we played together for the first time in over a year. If it worked at all
on any level I'd say it was more due to his talents than to mine.

Cheers,

TK

From Loopers-Delight-request@loopers-delight.com  Sun May  5 16:52:09 2002
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Subject: Handsonic
From: Tom Roady <tomroady@charter.net>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3103458897_1702398_MIME_Part
Content-type: text/plain; charset="US-ASCII"
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I agree with Marc and Bill that the handsonic is really a very creative tool
and a very playable percussion instrument...I use it every day in the studio
and on the weekends play drumset with it live on gigs... as primarily a hand
percussionist in studios I really love the choices of all the world
instruments available and how great they sound...not to mention using the
internal effects to create totally new sounds.... I've used it on everything
from CNN bumpers to country recordings.

2 MAJOR improvements would make my world a lot easier...pretty simple ones
actually....another pair of assignable stereo outputs so I could send what I
actually play into my EDP without sending the loop itself into it...I
control the timing from the handsonic to the EDP.....and being able to copy
individual sounds from one kit to another would be a great improvement I
feel...I've talked about this with Steve Fischer and Mike Snyder from Roland
and they really can't say what is in store for the next version...bottom
line...I really recommend it to any percussionist / looper  tr


From: Bill Cummings <billcumm@sprynet.com>
Date: Sun, 05 May 2002 11:03:38 -0400
To: Loopers-Delight@loopers-delight.com
Subject: Re: Handsonic

It's a great unit. Sounds are tremendous, and interface is pretty darn good.
I use it sometimes as a standalone drum kit, playing it with timbale sticks.
Also use it as a supplemental pad/sound source on BALDR setup. Benefits
greatly from a full range sound system with subwoofers. Watch out for the
Z-beam (or whatever they call it) mine's always triggering when I don't want
it to, so I usually try to remember to turn it off.

From: RandomLFO@aol.com
Date: Sun, 5 May 2002 11:24:07 EDT
To: Loopers-Delight@loopers-delight.com
Subject: Re: Handsonic

     Hello. I use the HandSonic Live almost everyday. I play for dance
classes at VCU the Richmond Ballet, and other places as well. I also use it
for live improvs and with a band that I am currently forming. (Both the
guitarists in the group have an EDP. One also has a Repeater and a Jamman -
The HPD is an excellent instrument to use for live looping.) One of it's
strong points is having 15 pads in a playing surface the size of a conga
head. It's very intuitve to say the least. It has some nice realtime control
features as well (2 ribbon controllers, a D-beam, and 4 knobs).
    I've also been using it a lot in my little studio. It appears quite a
bit in the two current commission pieces that I am working on for faculty
choreographers. 
    The internal sound set is a mixed bag. Some of the sounds are really
nice, but some sounds seem like wasted space (IMHO). It's not Nirvana, but
for having everything in one compact, intuitive unit (A fairly flexible
sound 
set, plenty of realtime control, etc.) it's great. (Do note that not
everything is implemented the way I wished it was, and that I intially
rejected the Handsonic as a work in progress)
    My advice is to closely scrutinize at a local music store, or buy it
from a store that wil allow you return it. If you would like more detailed
info, feel free to email me directly.
    Take care, Marc




--MS_Mac_OE_3103458897_1702398_MIME_Part
Content-type: text/html; charset="US-ASCII"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Handsonic</TITLE>
</HEAD>
<BODY>
<TT>I agree with Marc and Bill that the handsonic is really a very creative=
 tool and a very playable percussion instrument...I use it every day in the =
studio and on the weekends play drumset with it live on gigs... as primarily=
 a hand percussionist in studios I really love the choices of all the world =
instruments available and how great they sound...not to mention using the in=
ternal effects to create totally new sounds.... I've used it on everything f=
rom CNN bumpers to country recordings.<BR>
<BR>
2 MAJOR improvements would make my world a lot easier...pretty simple ones =
actually....another pair of assignable stereo outputs so I could send what I=
 actually play into my EDP without sending the loop itself into it...I contr=
ol the timing from the handsonic to the EDP.....and being able to copy indiv=
idual sounds from one kit to another would be a great improvement I feel...I=
've talked about this with Steve Fischer and Mike Snyder from Roland and the=
y really can't say what is in store for the next version...bottom line...I r=
eally recommend it to any percussionist / looper &nbsp;tr<BR>
<BR>
<BR>
</TT><B>From: </B>Bill Cummings &lt;<FONT COLOR=3D"#0000FF"><U>billcumm@spryn=
et.com</U></FONT>&gt;<BR>
<B>Date: </B>Sun, 05 May 2002 11:03:38 -0400<BR>
<B>To: </B><FONT COLOR=3D"#0000FF"><U>Loopers-Delight@loopers-delight.com<BR>
</U></FONT><B>Subject: </B>Re: Handsonic<BR>
<BR>
<TT>It's a great unit. Sounds are tremendous, and interface is pretty darn =
good.<BR>
I use it sometimes as a standalone drum kit, playing it with timbale sticks=
.<BR>
Also use it as a supplemental pad/sound source on BALDR setup. Benefits<BR>
greatly from a full range sound system with subwoofers. Watch out for the<B=
R>
Z-beam (or whatever they call it) mine's always triggering when I don't wan=
t<BR>
it to, so I usually try to remember to turn it off.<BR>
<BR>
</TT><B>From: </B><FONT COLOR=3D"#0000FF"><U>RandomLFO@aol.com<BR>
</U></FONT><B>Date: </B>Sun, 5 May 2002 11:24:07 EDT<BR>
<B>To: </B><FONT COLOR=3D"#0000FF"><U>Loopers-Delight@loopers-delight.com<BR>
</U></FONT><B>Subject: </B>Re: Handsonic<BR>
<BR>
<TT> &nbsp;&nbsp;&nbsp;&nbsp;Hello. I use the HandSonic Live almost everyda=
y. I play for dance <BR>
classes at VCU the Richmond Ballet, and other places as well. I also use it=
 <BR>
for live improvs and with a band that I am currently forming. (Both the <BR=
>
guitarists in the group have an EDP. One also has a Repeater and a Jamman -=
 <BR>
The HPD is an excellent instrument to use for live looping.) One of it's <B=
R>
strong points is having 15 pads in a playing surface the size of a conga <B=
R>
head. It's very intuitve to say the least. It has some nice realtime contro=
l <BR>
features as well (2 ribbon controllers, a D-beam, and 4 knobs). <BR>
 &nbsp;&nbsp;&nbsp;&nbsp;I've also been using it a lot in my little studio.=
 It appears quite a <BR>
bit in the two current commission pieces that I am working on for faculty <=
BR>
choreographers. <BR>
 &nbsp;&nbsp;&nbsp;&nbsp;The internal sound set is a mixed bag. Some of the=
 sounds are really <BR>
nice, but some sounds seem like wasted space (IMHO). It's not Nirvana, but =
<BR>
for having everything in one compact, intuitive unit (A fairly flexible sou=
nd <BR>
set, plenty of realtime control, etc.) it's great. (Do note that not <BR>
everything is implemented the way I wished it was, and that I intially <BR>
rejected the Handsonic as a work in progress)<BR>
 &nbsp;&nbsp;&nbsp;&nbsp;My advice is to closely scrutinize at a local musi=
c store, or buy it <BR>
from a store that wil allow you return it. If you would like more detailed =
<BR>
info, feel free to email me directly.<BR>
 &nbsp;&nbsp;&nbsp;&nbsp;Take care, Marc <BR>
<BR>
<BR>
</TT>
</BODY>
</HTML>


--MS_Mac_OE_3103458897_1702398_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Sun May  5 18:03:21 2002
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From: Looping9string@aol.com
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Date: Sun, 5 May 2002 18:01:10 EDT
Subject: silly little CONTEST 
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If you go to www.mp3.com/freakwincing... You can hear a SECRET cover tune... 
Please; DO NOT PLACE THIS ON ANY MP3 STATIONS, it is there for a select group 
of people and I will remove it if and when I get any kind of legal 
attention... I put t up as a treat, not to get rich, so you can enjoy it or 
don't!

The recording came about by chance during a looping solo improv in my garage, 
I feel its kind of novelty enough to show to you all, but not "good" enough 
to be worth the dollars I would have to pay to release a cover tune! 
Especially this cover tune...

And how about this, the first person to write to me and identify the cover 
tune WINS a brand new MORLEY little alligator XL T-shirt.

So download and/or listen until you find it, and then send me an e-mail!

Thanks,
9:
the artist formerly know as:
Gregory Bruce Campbell
http://www.mp3.com/freakwincing

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>If you go to www.mp3.com/freakwincing... You can hear a SECRET cover tune... <B>Please; DO NOT PLACE THIS ON ANY MP3 STATIONS</B>, it is there for a select group of people and I will remove it if and when I get any kind of legal attention... I put t up as a treat, not to get rich, so you can enjoy it or don't!<BR>
<BR>
The recording came about by chance during a looping solo improv in my garage, I feel its kind of <B>novelty</B> enough to show to you all, but not "good" enough to be worth the dollars I would have to pay to release a cover tune! Especially this cover tune...<BR>
<BR>
<I>And how about this, the first person to write to me and identify the cover tune WINS a brand new <B>MORLEY</B> little alligator XL T-shirt.</I><BR>
<BR>
So download and/or listen until you find it, and then send me an e-mail!<BR>
<BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=1 FAMILY="SANSSERIF" FACE="Arial" LANG="0">Thanks,<BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=7 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><B>9:</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=1 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></B><BR>
<I>the artist formerly know as:<BR>
<B>Gregory Bruce Campbell<BR>
</B></I>http://www.mp3.com/freakwincing</FONT></HTML>

--part1_199.6812a96.2a0705a6_boundary--

From Loopers-Delight-request@loopers-delight.com  Sun May  5 20:35:35 2002
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Date: Sun, 05 May 2002 17:35:29 -0700
Subject: Re: Handsonic
From: Mark Hamburg <mark_hamburg@baymoon.com>
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The Handsonic is very high on instant gratification. I've had a number of
non-percussionists sit down at mine and have a lot of fun. (I'm a
non-percussionist as well.)

On the other hand, I have a couple of gripes that seem reflective of much of
my experience with Roland gear in that the operating system always seems to
keep it from living up to its promise. Here are the chief issues that come
to mind:

* The effects are much like the effects from the SP-808 (and other Roland
units) but the provisions for realtime control of the effects are much more
limited. In particular, the unit has 3 knobs purportedly for realtime sound
tweaking but all they really seem to do most of the time is provide a
slightly faster way to edit kits. I really wish I could do things like
assign the knobs to the feedback level on the delay effects, for example.

* The sequencer on board is very weak for loop building and actually isn't
even much of a sequencer. It doesn't let you erase notes. It doesn't let you
switch parts while recording. The Handsonic with some good MIDI looping
software in its OS would be really cool. Even just matching some of what can
be done on things like the MC-505 would be a start. As it is, I end up just
doing my looping in audio which seems somewhat of a waste since MIDI data
ought to be more flexible.

As for the sounds, I don't know whether I prefer it or my Emu Planet Earth.
The latter probably has better sounds but they are harder to get to.

Summary: Fun percussion controller with decent sound sets that falls short
of what it could be by not having an OS that allows much realtime effects
manipulation nor easy loop creation/manipulation.

Mark

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----- Original Message -----
From: <Looping9string@aol.com>
> If you go to www.mp3.com/freakwincing... You can hear a SECRET cover tune...

It's so secret, of the 26 songs on your site, you didn't say which one is the
cover tune.  Unfortunately, I don't have the time to figure out to which one I
should be listening.  Help, please.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Mon May  6 02:48:32 2002
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Hmmm, sounds to me like they mainly expected it to be a performance 
instrument, and the sequencer was a second thought.  I've seen people do 
cool stuff where they seemed to be controlling effects via the d-beam, 
no?

I too have a love/hate relationship with Roland.  They seem to favor a 
billion presets rather than tweakability.  In a way I'm OK with that, as 
a lot are great.  I used to spend hours and hours making sounds on an 
old analog Korg D8000, but I feel I no longer have the time to put into 
sound design, as much as I love it.  There came a time when I just had 
to put more energy into playing.  The short of it is I still wish I had 
the time to do both!

I recently picked up a VX-5050, because the sounds on the GR-30 SUCK.  I 
was plain and simply tired of running them through tons of effects to 
get anything halfway decent out of that  box.  Now it's mainly spitting 
out midi.  Why the hell won't Roland make a guitar synth that's got 
decent sounds?  I just got back from a gig, and my wife said, "You're 
patches sounded great tonight.  I usually cringe a few times because I 
hate the sounds."  I knew exactly which patches she was talking about!

Anyway, I always wanted a  Handsonic.  I've put it in the "if I can get 
a used one for a decent deal" category.  If anyone wants to get rid of 
one cheap, let me know!  (what the hell am I saying?)

Mark Sottilaro


On Sunday, May 5, 2002, at 05:35  PM, Mark Hamburg wrote:

> The Handsonic is very high on instant gratification. I've had a number 
> of
> non-percussionists sit down at mine and have a lot of fun. (I'm a
> non-percussionist as well.)
>
> On the other hand, I have a couple of gripes that seem reflective of 
> much of
> my experience with Roland gear in that the operating system always 
> seems to
> keep it from living up to its promise. Here are the chief issues that 
> come
> to mind:
>
> * The effects are much like the effects from the SP-808 (and other 
> Roland
> units) but the provisions for realtime control of the effects are much 
> more
> limited. In particular, the unit has 3 knobs purportedly for realtime 
> sound
> tweaking but all they really seem to do most of the time is provide a
> slightly faster way to edit kits. I really wish I could do things like
> assign the knobs to the feedback level on the delay effects, for 
> example.
>
> * The sequencer on board is very weak for loop building and actually 
> isn't
> even much of a sequencer. It doesn't let you erase notes. It doesn't 
> let you
> switch parts while recording. The Handsonic with some good MIDI looping
> software in its OS would be really cool. Even just matching some of 
> what can
> be done on things like the MC-505 would be a start. As it is, I end up 
> just
> doing my looping in audio which seems somewhat of a waste since MIDI 
> data
> ought to be more flexible.
>
> As for the sounds, I don't know whether I prefer it or my Emu Planet 
> Earth.
> The latter probably has better sounds but they are harder to get to.
>
> Summary: Fun percussion controller with decent sound sets that falls 
> short
> of what it could be by not having an OS that allows much realtime 
> effects
> manipulation nor easy loop creation/manipulation.
>
> Mark
>

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In a message dated 5/5/02 5:24:18 PM Eastern Daylight Time, ostberg@gmx.net 
writes:


> At last, from Sonoloco Record Review.
> 
> The full text at:
> http://home.swipnet.se/sonoloco9/ct/ctframes.html
> 


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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/5/02 5:24:18 PM Eastern Daylight Time, ostberg@gmx.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">At last, from Sonoloco Record Review.<BR>
<BR>
The full text at:<BR>
http://home.swipnet.se/sonoloco9/ct/ctframes.html<BR>
</BLOCKQUOTE><BR>
<BR>
</FONT></HTML>
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i'm wondering if loop IV will be a little less buggy?
played last night and a recurring bug surfaced once again:
when pressing overdub the signal doubles in volume...once in the loop it's 
twice as quite as it should be.
also had trouble triggering our drum machine............but once i turned the 
edp off then back on it worked fine.
i've gone over all this with shane at gibson and the only thing we could come 
up with is to reboot the edp.....this does the job for about 4 or 5 shows 
then the recurring or another bug appears.....kinda embarrassing........guess 
i should start rebooting before each show?
anyone else experiencing bugs.
thanks,
brian
something about vampires and sluts
http://artists.mp3s.com/artists/382/something_about_vampires_a.html

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">i'm wondering if loop IV will be a little less buggy?<BR>
played last night and a recurring bug surfaced once again:<BR>
when pressing overdub the signal doubles in volume...once in the loop it's twice as quite as it should be.<BR>
also had trouble triggering our drum machine............but once i turned the edp off then back on it worked fine.<BR>
i've gone over all this with shane at gibson and the only thing we could come up with is to reboot the edp.....this does the job for about 4 or 5 shows then the recurring or another bug appears.....kinda embarrassing........guess i should start rebooting before each show?<BR>
anyone else experiencing bugs.<BR>
thanks,<BR>
brian<BR>
something about vampires and sluts</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=3 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0"><BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">http://artists.mp3s.com/artists/382/something_about_vampires_a.html</FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May  6 11:31:10 2002
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From: paulrichard10@attbi.com
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Subject: Re: Handsonic
Date: Mon, 06 May 2002 15:24:06 +0000
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I had (and sold) two Handsonics already. It's a great 
device. I mostly used congas, bongos and wood blocks. I 
never sctratched the surface of that animal: there are 
so many world-beat type of sounds that would make 
composition very interesting (if one had the time).

Someone else noted the annoying D-beam inadvertent 
triggers. Most disconcerting when the sound is a gong!

Since I didn't use it all the time, I found it hard to 
reconcile having a $1000 approx. device sitting around 
doing nothing. I since bought a bonafide pair of congas 
and a wood block. Bongos are next on my list (course one 
needs a good way to mike this stuff).

I DID find that (notwithstanding the broad sound 
pallette available on the HPD-15) real congas are more 
fun to play and are, needless to say, more dynamic.

Although I didn't use it all the time because of 
laziness, the HPD-15 stand is probably a must-have for 
stage use. That thing can really slide around on one's 
lap.

Regards, Butch
> Hmmm, sounds to me like they mainly expected it to be a performance 
> instrument, and the sequencer was a second thought.  I've seen people do 
> cool stuff where they seemed to be controlling effects via the d-beam, 
> no?
> 
> I too have a love/hate relationship with Roland.  They seem to favor a 
> billion presets rather than tweakability.  In a way I'm OK with that, as 
> a lot are great.  I used to spend hours and hours making sounds on an 
> old analog Korg D8000, but I feel I no longer have the time to put into 
> sound design, as much as I love it.  There came a time when I just had 
> to put more energy into playing.  The short of it is I still wish I had 
> the time to do both!
> 
> I recently picked up a VX-5050, because the sounds on the GR-30 SUCK.  I 
> was plain and simply tired of running them through tons of effects to 
> get anything halfway decent out of that  box.  Now it's mainly spitting 
> out midi.  Why the hell won't Roland make a guitar synth that's got 
> decent sounds?  I just got back from a gig, and my wife said, "You're 
> patches sounded great tonight.  I usually cringe a few times because I 
> hate the sounds."  I knew exactly which patches she was talking about!
> 
> Anyway, I always wanted a  Handsonic.  I've put it in the "if I can get 
> a used one for a decent deal" category.  If anyone wants to get rid of 
> one cheap, let me know!  (what the hell am I saying?)
> 
> Mark Sottilaro
> 
> 
> On Sunday, May 5, 2002, at 05:35  PM, Mark Hamburg wrote:
> 
> > The Handsonic is very high on instant gratification. I've had a number 
> > of
> > non-percussionists sit down at mine and have a lot of fun. (I'm a
> > non-percussionist as well.)
> >
> > On the other hand, I have a couple of gripes that seem reflective of 
> > much of
> > my experience with Roland gear in that the operating system always 
> > seems to
> > keep it from living up to its promise. Here are the chief issues that 
> > come
> > to mind:
> >
> > * The effects are much like the effects from the SP-808 (and other 
> > Roland
> > units) but the provisions for realtime control of the effects are much 
> > more
> > limited. In particular, the unit has 3 knobs purportedly for realtime 
> > sound
> > tweaking but all they really seem to do most of the time is provide a
> > slightly faster way to edit kits. I really wish I could do things like
> > assign the knobs to the feedback level on the delay effects, for 
> > example.
> >
> > * The sequencer on board is very weak for loop building and actually 
> > isn't
> > even much of a sequencer. It doesn't let you erase notes. It doesn't 
> > let you
> > switch parts while recording. The Handsonic with some good MIDI looping
> > software in its OS would be really cool. Even just matching some of 
> > what can
> > be done on things like the MC-505 would be a start. As it is, I end up 
> > just
> > doing my looping in audio which seems somewhat of a waste since MIDI 
> > data
> > ought to be more flexible.
> >
> > As for the sounds, I don't know whether I prefer it or my Emu Planet 
> > Earth.
> > The latter probably has better sounds but they are harder to get to.
> >
> > Summary: Fun percussion controller with decent sound sets that falls 
> > short
> > of what it could be by not having an OS that allows much realtime 
> > effects
> > manipulation nor easy loop creation/manipulation.
> >
> > Mark
> >
> 

From Loopers-Delight-request@loopers-delight.com  Mon May  6 11:41:09 2002
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From: Greg House <ghunicycle@yahoo.com>
Subject: Re: Handsonic
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>I'm thinking of getting a handsonic particularly for live use - any
>comments?

I have a friend from another list that used to use one. He said that it
proved too fragile. He finally gave up on it after breaking 2-3 of them
(replaced under warranty, but still a hassle).

Greg


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From Loopers-Delight-request@loopers-delight.com  Mon May  6 12:02:21 2002
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I spent a few hours over the weekend trying to figure out how to program
my PMC-10 as a controller for my newly-upgraded EDP.  I managed to get
record and overdub happening, but I tried to program a reset and didn't
have any luck.  Has anyone gotten this working yet?

Another related question:  I notice in the MIDI chart that there are a
few functions that appear to be similar, i.e. Record and SUSrecord. 
Before I turned the page in the manual and discovered SUSrecord, I
implemented a sustained record by programming a note on (#38) when the
button is pressed and the same note on again when the button is
released.  Could I have done the same thing by using the note number for
SUSrecord, and then sending a note on followed by a note off?  I can see
the advantage to these SUS functions if I were using, for example, a
keyboard.  Is there any advantage to it in my case, using the PMC-10?

Thanks,

-Hans Lindauer

From Loopers-Delight-request@loopers-delight.com  Mon May  6 12:31:11 2002
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From: Bret <echoplex@yahoo.com>
Subject: Re: Loop IV and Loop 3bugs
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Based on my experience with loop 3 and loop IV, this does not sound
like a software problem.  I have never experienced the problems you
mention with either version, on 3 edp.
bret
--- ENAT21213@aol.com wrote:
> i'm wondering if loop IV will be a little less buggy?
> played last night and a recurring bug surfaced once again:
> when pressing overdub the signal doubles in volume...once in the loop
> it's 
> twice as quite as it should be.
> also had trouble triggering our drum machine............but once i
> turned the 
> edp off then back on it worked fine.
> i've gone over all this with shane at gibson and the only thing we
> could come 
> up with is to reboot the edp.....this does the job for about 4 or 5
> shows 
> then the recurring or another bug appears.....kinda
> embarrassing........guess 
> i should start rebooting before each show?
> anyone else experiencing bugs.
> thanks,
> brian
> something about vampires and sluts
> http://artists.mp3s.com/artists/382/something_about_vampires_a.html
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon May  6 12:57:05 2002
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Subject: Re: Loop IV and Loop 3bugs
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At 08:02 AM 5/6/2002, ENAT21213@aol.com wrote:
>i'm wondering if loop IV will be a little less buggy?

?? that's an odd statement.... I think there were only 2 or 3 bugs ever 
found in loopIIIv5.0 in the past 5 years and it took 2 years before anybody 
even found those. Of course Andre insisted that one of them become a 
feature....

>played last night and a recurring bug surfaced once again:
>when pressing overdub the signal doubles in volume...once in the loop it's 
>twice as quite as it should be.

that is a hardware problem, not software. I've seen it before, it usually 
means the VCA needs to be replaced.

>also had trouble triggering our drum machine............but once i turned 
>the edp off then back on it worked fine.

how do you have it set up, and what sort of problem do you have?

LoopIV has a lot of new synchronization features, so there will be all 
sorts of things you can do with a drum machine that are quite exciting. 
However, it's hard to know if it fixes your problem without more specifics 
about what your problem is.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Mon May  6 13:05:59 2002
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Date: Mon, 6 May 2002 19:04:11 +0200
To: Loopers-Delight@loopers-delight.com
From: faisal moro <faisalmoro@mac.com>
Subject: a couple of JamMan for sale
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Seems that JanMan is the most hard-to-find device on the planet when 
you have to buy it, then when you have to sell it nobody wants it :-)

So, again, i have 2 expanded (32 secs) JamMans for sale.
If SERIOUSLY interested please reply off-list.
The're located in Italy, ship everywhere.

Thanks

Doei
Faisal

From Loopers-Delight-request@loopers-delight.com  Mon May  6 13:40:14 2002
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It also fits perfectly in a standard snare cradle.
I did bust one of my outputs once, when it got knocked over by my kids
ruffhousing. It was right after I got it, and the good ol boys at Guitar
Center swapped it out for another unit for me. I've been much more careful
since then, and no further problemos. I would imagine that you'd want to be
careful with it if you were doing alot of live shows with it, not exactly
built like a tank. But I do cherish it for what it is...highly portable and
a lot of fun!!

I use it on gigs occassionally, but mostly it has found a permanent home in
my studio.

----- Original Message -----
From: <paulrichard10@attbi.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 06, 2002 10:24 AM
Subject: Re: Handsonic


> I had (and sold) two Handsonics already. It's a great
> device. I mostly used congas, bongos and wood blocks. I
> never sctratched the surface of that animal: there are
> so many world-beat type of sounds that would make
> composition very interesting (if one had the time).
>
> Someone else noted the annoying D-beam inadvertent
> triggers. Most disconcerting when the sound is a gong!
>
> Since I didn't use it all the time, I found it hard to
> reconcile having a $1000 approx. device sitting around
> doing nothing. I since bought a bonafide pair of congas
> and a wood block. Bongos are next on my list (course one
> needs a good way to mike this stuff).
>
> I DID find that (notwithstanding the broad sound
> pallette available on the HPD-15) real congas are more
> fun to play and are, needless to say, more dynamic.
>
> Although I didn't use it all the time because of
> laziness, the HPD-15 stand is probably a must-have for
> stage use. That thing can really slide around on one's
> lap.
>
> Regards, Butch
> > Hmmm, sounds to me like they mainly expected it to be a performance
> > instrument, and the sequencer was a second thought.  I've seen people do
> > cool stuff where they seemed to be controlling effects via the d-beam,
> > no?
> >
> > I too have a love/hate relationship with Roland.  They seem to favor a
> > billion presets rather than tweakability.  In a way I'm OK with that, as
> > a lot are great.  I used to spend hours and hours making sounds on an
> > old analog Korg D8000, but I feel I no longer have the time to put into
> > sound design, as much as I love it.  There came a time when I just had
> > to put more energy into playing.  The short of it is I still wish I had
> > the time to do both!
> >
> > I recently picked up a VX-5050, because the sounds on the GR-30 SUCK.  I
> > was plain and simply tired of running them through tons of effects to
> > get anything halfway decent out of that  box.  Now it's mainly spitting
> > out midi.  Why the hell won't Roland make a guitar synth that's got
> > decent sounds?  I just got back from a gig, and my wife said, "You're
> > patches sounded great tonight.  I usually cringe a few times because I
> > hate the sounds."  I knew exactly which patches she was talking about!
> >
> > Anyway, I always wanted a  Handsonic.  I've put it in the "if I can get
> > a used one for a decent deal" category.  If anyone wants to get rid of
> > one cheap, let me know!  (what the hell am I saying?)
> >
> > Mark Sottilaro
> >
> >
> > On Sunday, May 5, 2002, at 05:35  PM, Mark Hamburg wrote:
> >
> > > The Handsonic is very high on instant gratification. I've had a number
> > > of
> > > non-percussionists sit down at mine and have a lot of fun. (I'm a
> > > non-percussionist as well.)
> > >
> > > On the other hand, I have a couple of gripes that seem reflective of
> > > much of
> > > my experience with Roland gear in that the operating system always
> > > seems to
> > > keep it from living up to its promise. Here are the chief issues that
> > > come
> > > to mind:
> > >
> > > * The effects are much like the effects from the SP-808 (and other
> > > Roland
> > > units) but the provisions for realtime control of the effects are much
> > > more
> > > limited. In particular, the unit has 3 knobs purportedly for realtime
> > > sound
> > > tweaking but all they really seem to do most of the time is provide a
> > > slightly faster way to edit kits. I really wish I could do things like
> > > assign the knobs to the feedback level on the delay effects, for
> > > example.
> > >
> > > * The sequencer on board is very weak for loop building and actually
> > > isn't
> > > even much of a sequencer. It doesn't let you erase notes. It doesn't
> > > let you
> > > switch parts while recording. The Handsonic with some good MIDI
looping
> > > software in its OS would be really cool. Even just matching some of
> > > what can
> > > be done on things like the MC-505 would be a start. As it is, I end up
> > > just
> > > doing my looping in audio which seems somewhat of a waste since MIDI
> > > data
> > > ought to be more flexible.
> > >
> > > As for the sounds, I don't know whether I prefer it or my Emu Planet
> > > Earth.
> > > The latter probably has better sounds but they are harder to get to.
> > >
> > > Summary: Fun percussion controller with decent sound sets that falls
> > > short
> > > of what it could be by not having an OS that allows much realtime
> > > effects
> > > manipulation nor easy loop creation/manipulation.
> > >
> > > Mark
> > >
> >
>

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Hans Lindauer wrote:
> 
> I spent a few hours over the weekend trying to figure out how to program
> my PMC-10 as a controller for my newly-upgraded EDP.  I managed to get
> record and overdub happening, but I tried to program a reset and didn't
> have any luck.  Has anyone gotten this working yet?
This indeed works enter 9x 3d 7f (x is you midi channel in hex)
use a momentary pedal type on the pmc

reset only resets the current loop see it as a long record press
if you have multiple loops try general reset to reset all the loops (9x
3e 7f)
or if you tweaked params you could also use pg ch 16 wich means reload
(the stored preset replaces the edited preset)

> Another related question:  I notice in the MIDI chart that there are a
> few functions that appear to be similar, i.e. Record and SUSrecord.
> Before I turned the page in the manual and discovered SUSrecord, I
> implemented a sustained record by programming a note on (#38) when the
> button is pressed and the same note on again when the button is
> released.  Could I have done the same thing by using the note number for
> SUSrecord, and then sending a note on followed by a note off?  I can see
> the advantage to these SUS functions if I were using, for example, a
> keyboard.  Is there any advantage to it in my case, using the PMC-10?

youre right its the same but not every body has the pmc unfortunatly
(the pmc allows 2 message being sent in togle or momentary)
the great thing is you can have rec & overdub toggle on the plex fs and
sus on the pmc
besides that there are a lot of sus functions that only exists in the
midicommands
SusReplace SusSubstitute and the very sexy SusReverse and SusHalfSpeed 

Claude

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--=====================_1407659==_.ALT
Content-Type: text/plain; charset="us-ascii"; format=flowed


>ECHOES
>A Nightly Music Soundscape
>Over 170 Radio Stations
>
>FEATURES AND HIGHLIGHTS
>for May 2002
>
>
>Following is a listing of Echoes features and Living Room Concerts that 
>may include yourself or one or more of your artists.  Keep in mind that 
>not all stations run all ten hours of ECHOES produced each week.  Some 
>stations also tape delay their broadcasts, and others swap the sequence of 
>hours.  The 3 to 4 dates you'll see with each listing are the initial 
>broadcast, the following Saturday where many stations tape delay, and the 
>following Sunday, which is the Echoes Sunday feed. Call one of our 170 
>public radio stations for the forthcoming week of ECHOES.
>
>ARTISTS FEATURED THIS MONTH ON ECHOES
>Philip Aaberg, Will Ackerman, Scott August, Patrick Ball, Suzanne Ciani, 
>Alex Cline, Darshan Ambient, Kodo with Mickey Hart, Danny Heines, Lisa 
>Lynne, Bobby McFerrin, Richard Searles, Shaman's Dream, Jane Siberry, 
>Slack Key Trio
>
>
>*  denotes Echoes principal weekday & Sunday feeds.
>** denotes stations' tape delay dates.
>***********************************************************
>
>Wednesday 5/08*
>TOM HEASLEY: AMBIENT TUBA
>"Ambient" is an adjective we toss around a lot on Echoes, but we've never 
>applied it to the tuba until Tom Heasley's album, WHERE THE EARTH MEETS 
>THE SKY (Hypnos).  Heasley, who lives in Palo Alto, Ca, uses extensive 
>electronic processing to turn his tuba into a pod of whales and a galactic 
>transport ship in slow motion, languid soundscapes.  It often sounds 
>electronic, but every sound begins on the tuba.  Heasley recently released 
>a new CD ON THE SENSATIONS OF TONE (Innova). Heasley puffs up and blows 
>when he demonstrates his techniques on Echoes.
>
>
>John Diliberto
>Echoes
>Now On More Than 170 Stations
>150 Park Rd.
>P.O. Box 224
>Eagle, PA 19480
>610-458-0780
>http://www.echoes.org
>


Tom Heasley
NEW CD AVAILABLE (in stores May 14):  On the Sensations of 
Tone,  (www.innova.mu)
ALSO AVAILABLE:  Where the Earth Meets the Sky,  (www.hypnos.com)

http://bayimproviser.com/TomHeasley
427 Alma St., Suite 206
Palo Alto, CA  94301
P:  650.322.3633
F:  419.831.3809
E:  tom@tomheasley.com
WEBSITE COMING SOON:  TOMHEASLEY.COM

Upcoming Solo Concerts:

Saturday, May 18, 2002, 9:00 P.M., Doors at 8
Whitebox VIP Lounge / Drum Machine Museum
1067 Market St.  #1004
Info/Reservations (only 25 V.I.P.):  415.503.0477 OR <mickeyt@drummachine.com>
http://www.drummachine.com/newsite/events/events.htm
also appearing:  Wobbly (@10) and Siren (visuals)
Admission at door: $7.00

Sunday, June 16, 2002  (Father's Day) 7:30 P.M.
First Congregational Church of Berkeley
2345 Channing Way (at Dana)
Tickets at door:  $15.00 General / $10.00 Students, Seniors and Fathers

Autumn 2002 Tour will include:

Roulette, NYC
The BBC, London
--=====================_1407659==_.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<blockquote type=cite class=cite cite>ECHOES<br>
A Nightly Music Soundscape<br>
Over 170 Radio Stations<br><br>
FEATURES AND HIGHLIGHTS<br>
for May 2002<br><br>
<br>
Following is a listing of Echoes features and Living Room Concerts that
may include yourself or one or more of your artists.&nbsp; Keep in mind
that not all stations run all ten hours of ECHOES produced each
week.&nbsp; Some stations also tape delay their broadcasts, and others
swap the sequence of hours.&nbsp; The 3 to 4 dates you'll see with each
listing are the initial broadcast, the following Saturday where many
stations tape delay, and the following Sunday, which is the Echoes Sunday
feed. Call one of our 170 public radio stations for the forthcoming week
of ECHOES.<br><br>
ARTISTS FEATURED THIS MONTH ON ECHOES<br>
Philip Aaberg, Will Ackerman, Scott August, Patrick Ball, Suzanne Ciani,
Alex Cline, Darshan Ambient, Kodo with Mickey Hart, Danny Heines, Lisa
Lynne, Bobby McFerrin, Richard Searles, Shaman's Dream, Jane Siberry,
Slack Key Trio<br><br>
<br>
*&nbsp; denotes Echoes principal weekday &amp; Sunday feeds.<br>
** denotes stations' tape delay dates.<br>
***********************************************************<br><br>
Wednesday 5/08*<br>
TOM HEASLEY: AMBIENT TUBA<br>
&quot;Ambient&quot; is an adjective we toss around a lot on Echoes, but
we've never applied it to the tuba until Tom Heasley's album, WHERE THE
EARTH MEETS THE SKY (Hypnos).&nbsp; Heasley, who lives in Palo Alto, Ca,
uses extensive electronic processing to turn his tuba into a pod of
whales and a galactic transport ship in slow motion, languid
soundscapes.&nbsp; It often sounds electronic, but every sound begins on
the tuba.&nbsp; Heasley recently released a new CD ON THE SENSATIONS OF
TONE (Innova). Heasley puffs up and blows when he demonstrates his
techniques on Echoes.<br><br>
<br>
John Diliberto<br>
Echoes<br>
Now On More Than 170 Stations<br>
150 Park Rd.<br>
P.O. Box 224<br>
Eagle, PA 19480<br>
610-458-0780<br>
<a href="http://www.echoes.org/" eudora="autourl">http://www.echoes.org</a><br><br>
</blockquote>
<x-sigsep><p></x-sigsep>
<font face="Comic Sans MS"><br>
</font><font face="Comic Sans MS" size=4><b><i>Tom Heasley<br>
</b></font><font face="Comic Sans MS">NEW CD AVAILABLE (in stores May
14):&nbsp; <u>On the Sensations of Tone</u>,&nbsp;
(<a href="http://www.innova.mu/" eudora="autourl">www.innova.mu</a>)<br>
ALSO AVAILABLE:&nbsp; <u>Where the Earth Meets the Sky</u>,&nbsp;
(<a href="http://www.hypnos.com/" eudora="autourl">www.hypnos.com</a>)<br><br>
</i></font><font face="Comic Sans MS" color="#0000FF"><u><a href="http://bayimproviser.com/TomHeasley" eudora="autourl">http://bayimproviser.com/TomHeasley</a><br>
</u></font><font face="Comic Sans MS">427 Alma St., Suite 206&nbsp;&nbsp;
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><br>
Palo Alto, CA&nbsp; 94301<br>
P:&nbsp;
650.322.3633<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><br>
F:&nbsp; 419.831.3809<br>
E:&nbsp; tom@tomheasley.com<br>
<i>WEBSITE COMING SOON:&nbsp; TOMHEASLEY.COM<br><br>
Upcoming Solo Concerts:<br><br>
Saturday, May 18, 2002, 9:00 P.M., Doors at 8<br>
Whitebox VIP Lounge / Drum Machine Museum<br>
1067 Market St.&nbsp; #1004<br>
Info/Reservations (only 25 V.I.P.):&nbsp; 415.503.0477 OR
&lt;mickeyt@drummachine.com&gt;<br>
<a href="http://www.drummachine.com/newsite/events/events.htm" eudora="autourl">http://www.drummachine.com/newsite/events/events.htm</a><br>
also appearing:&nbsp; Wobbly (@10) and Siren (visuals)<br>
Admission at door: $7.00<br><br>
Sunday, June 16, 2002&nbsp; (Father's Day) 7:30 P.M.<br>
First Congregational Church of Berkeley<br>
2345 Channing Way (at Dana)<br>
Tickets at door:&nbsp; $15.00 General / $10.00 Students, Seniors and
Fathers<br><br>
Autumn 2002 Tour will include:<br><br>
Roulette, NYC<br>
The BBC, London</font></i></html>

--=====================_1407659==_.ALT--

From Loopers-Delight-request@loopers-delight.com  Mon May  6 14:38:20 2002
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I hear that the Big Briar Phaser whoops a llama's ass, but I haven't 
personally tried it.

http://www.bigbriar.com/cgi-local/SoftCart.100.exe/spec/103.html?L+scstore+ggwp2101ff5c9c5c+1041770651


>From: "Reid, Benjamin" <BReid@about-inc.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "'Loopers-Delight@loopers-delight.com'"  
><Loopers-Delight@loopers-delight.com>
>Subject: OT: Phaser recommend
>Date: Fri, 3 May 2002 15:33:20 -0400
>
>Sorry for OT post but this is a good group to query. Wondering if people
>have a recommend on a dedicated commercial or kit phaser. I am looking for
>one that is already very versitile or can be modded to produce a very long
>phase period (up to 60 seconds). Additionally, a sawtooth waveform would be
>super-cool as well. Most of the commercial pedals I have seen are not
>extreme enough for my purposes; some kits I have found online look
>promising; I have not investigated rackmount units yet.
>
>Any suggestions are appreciated!!
>
>Thanks,
>
>Ben




_________________________________________________________________
Chat with friends online, try MSN Messenger: http://messenger.msn.com

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On Mon, 6 May 2002, Peter Underwood wrote:

> I hear that the Big Briar Phaser whoops a llama's ass, but I haven't 
> personally tried it.

I've got the Big Briar phaser and love it. Its rate control is adjustable 
down to 1 cycle per 100 seconds. It doesn't do a sawtooth, though, to the 
best of my understanding. 

The Big Briar CP-251 Control Processor has a triangular and a square wave 
output from its LFO, and can be used to control the rate on the BBriar 
phaser. While the LFO on the Control Processor has a Rate knob labeled 
from 0.2 cycles/second to 50 cycles/second, the manual reads:
"The LFO frequency can go both lower than the minimum calibration on the 
RATE control by applying a negative control voltage...The minimum 
frequency is less than 0.03 Hz (one cycle every 33 seconds)."

(which is really cool to know, as I hadn't looked at that page before 
today). 

So you can get a sine wave cycle of 100sec, or a triangular of 33 seconds, 
but I don't know how to get a sawtooth waveform with a 60sec cycle. If you 
can find a way to generate a sawtooth coontrol voltage signal of 0-5v 
with a 60 second cycle you can use that to control the rate of the Big 
Briar phaser and get what you're looking for. 

best,
Steve Burnett
burnett@pobox.com


 > 
> http://www.bigbriar.com/cgi-local/SoftCart.100.exe/spec/103.html?L+scstore+ggwp2101ff5c9c5c+1041770651
> 
> 
> >From: "Reid, Benjamin" <BReid@about-inc.com>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: "'Loopers-Delight@loopers-delight.com'"  
> ><Loopers-Delight@loopers-delight.com>
> >Subject: OT: Phaser recommend
> >Date: Fri, 3 May 2002 15:33:20 -0400
> >
> >Sorry for OT post but this is a good group to query. Wondering if people
> >have a recommend on a dedicated commercial or kit phaser. I am looking for
> >one that is already very versitile or can be modded to produce a very long
> >phase period (up to 60 seconds). Additionally, a sawtooth waveform would be
> >super-cool as well. Most of the commercial pedals I have seen are not
> >extreme enough for my purposes; some kits I have found online look
> >promising; I have not investigated rackmount units yet.
> >
> >Any suggestions are appreciated!!
> >
> >Thanks,
> >
> >Ben
> 
> 
> 
> 
> _________________________________________________________________
> Chat with friends online, try MSN Messenger: http://messenger.msn.com
> 
> 



From Loopers-Delight-request@loopers-delight.com  Mon May  6 16:31:55 2002
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on 5/5/02 11:44 PM, Mark Sottilaro at sine@zerocrossing.net wrote:

> I've seen people do
> cool stuff where they seemed to be controlling effects via the d-beam,
> no?

Yes. But the control isn't as deep as on some other Roland boxes and since
the sequencer is poor this means that you've only got one hand available for
playing the drums.

(What I really want in a looping MIDI controller is something that notices
that you seem to be cycling on a particular pattern and takes over playing
that part so that you can do work on top of it. I'd settle, however, for
something that just made it easy to drop parts in and out, replace parts,
write new loops, etc. all live. Put that together with effects oriented
toward live tweaking and it would make for a really cool instrument. I've
contemplated getting a Repeater and using the multitrack and FX loop support
there, but it's only 4-tracks and it feels stupid to have a box with
64-voice polyphony that is basically just delivering a couple of voices into
an audio looper.)

Mark

From Loopers-Delight-request@loopers-delight.com  Mon May  6 17:39:31 2002
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From: "Bill Fox" <billfox@fast.net>
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Subject: EMUSIC Playlist #267
Date: Mon, 6 May 2002 17:36:07 -0400
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[ Best viewed using a fixed spacing font. ]

EMUSIC is an electronic, ambient, and space music show, that airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in Easton,
PA and Phillipsburg, NJ.

                    Show #267                    May 2, 2002.


RECAP:
On this show, I started a month-long focus on Steve Roach and vidnaObmana, who
will be making rare concert appearances together at Projektfest and the
Gathering this coming Memorial Day weekend.  The Featured CD at midnight was
disc one of "Well of Souls" on the Projekt label.

The vinyl show starter was from the LP "Possible Musics" by Jon Hassell and
Brian Eno on the Editions E.G. label.

Steve Roach and vidnaObmana
http://wdiyfm.org/programs/emusic/playlists/2002/focus02.html#may
Projektfest and the Gathering http://wdiyfm.org/programs/emusic/events.html


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Joh Hassell and         Delta Rain Dream         Possible Musics (Editions E.G.)
  Brian Eno
Wendy Carlos            Marche in D Major from   Switched on Bach II (East Side
      Suite from Anna Magdalena Notebook    Digital)
Mark Jenkins            The Stone                Sequencer Loops (AMP)
Mark Jenkins            A Gift for the Darkness  Sequencer Loops (AMP)
VA [Spyra]              Past Train to Bayreuth   First Decade (Manikin)
Ron Boots               Centre of the Sphere     Liquid Structures in Solid
                                                   Form (Groove)
Boots, Aerts, vd Heijden  Take Off               Livelines (Groove)
Rudy Adrian and         Kaleidoscope Imagery     Concerts in New Zealand
  Nick Prosser                                     (Quantum)
Don Slepian             Sea of Bliss *           Sea of Bliss (none)

12:00 am
Roach & Obmana          In the Presence of       Well of Souls (Projekt)
                          Something
Roach & Obmana          In the Realm of Twi-ight Well of Souls (Projekt)
                          light - Outlands One
Roach & Obmana          The Secret Arrival -     Well of Souls (Projekt)
                          Outlands Two
Roach & Obmana          The Gathering            Well of Souls (Projekt)

1:00 am

 * = exerpt
VA = Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on Steve Roach and
vidnaObmana.  The Featured CD at Midnight will be disc two from "Well of Souls"
on the Projekt label.

The vinyl show starter will be from the LP "Nada" by Peter Michael Hamer on the
Wergo Spectrum label.

Bill        billfox@fast.net           http://wdiyfm.org/programs/emusic
===============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, go to
http://groups.yahoo.com/group/emusic-wdiy and click on [Join This Group!]
SOUNDSCAPES Concert Series: http://www.tadream.net/soundscapes

From Loopers-Delight-request@loopers-delight.com  Mon May  6 18:11:22 2002
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: OT: Phaser recommend
Date: Mon, 6 May 2002 18:09:37 -0400 
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exactly what I'm looking for. thanks for the tips!! (now to come up with the
cash...)

-----Original Message-----
From: burnett@pobox.com [mailto:burnett@pobox.com]
Sent: Monday, May 06, 2002 3:40 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: Phaser recommend


On Mon, 6 May 2002, Peter Underwood wrote:

> I hear that the Big Briar Phaser whoops a llama's ass, but I haven't 
> personally tried it.

I've got the Big Briar phaser and love it. Its rate control is adjustable 
down to 1 cycle per 100 seconds. It doesn't do a sawtooth, though, to the 
best of my understanding. 

The Big Briar CP-251 Control Processor has a triangular and a square wave 
output from its LFO, and can be used to control the rate on the BBriar 
phaser. While the LFO on the Control Processor has a Rate knob labeled 
from 0.2 cycles/second to 50 cycles/second, the manual reads:
"The LFO frequency can go both lower than the minimum calibration on the 
RATE control by applying a negative control voltage...The minimum 
frequency is less than 0.03 Hz (one cycle every 33 seconds)."

(which is really cool to know, as I hadn't looked at that page before 
today). 

So you can get a sine wave cycle of 100sec, or a triangular of 33 seconds, 
but I don't know how to get a sawtooth waveform with a 60sec cycle. If you 
can find a way to generate a sawtooth coontrol voltage signal of 0-5v 
with a 60 second cycle you can use that to control the rate of the Big 
Briar phaser and get what you're looking for. 

best,
Steve Burnett
burnett@pobox.com


 > 
>
http://www.bigbriar.com/cgi-local/SoftCart.100.exe/spec/103.html?L+scstore+g
gwp2101ff5c9c5c+1041770651
> 
> 
> >From: "Reid, Benjamin" <BReid@about-inc.com>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: "'Loopers-Delight@loopers-delight.com'"  
> ><Loopers-Delight@loopers-delight.com>
> >Subject: OT: Phaser recommend
> >Date: Fri, 3 May 2002 15:33:20 -0400
> >
> >Sorry for OT post but this is a good group to query. Wondering if people
> >have a recommend on a dedicated commercial or kit phaser. I am looking
for
> >one that is already very versitile or can be modded to produce a very
long
> >phase period (up to 60 seconds). Additionally, a sawtooth waveform would
be
> >super-cool as well. Most of the commercial pedals I have seen are not
> >extreme enough for my purposes; some kits I have found online look
> >promising; I have not investigated rackmount units yet.
> >
> >Any suggestions are appreciated!!
> >
> >Thanks,
> >
> >Ben
> 
> 
> 
> 
> _________________________________________________________________
> Chat with friends online, try MSN Messenger: http://messenger.msn.com
> 
> 


From Loopers-Delight-request@loopers-delight.com  Mon May  6 18:31:06 2002
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I wrote:

> > I spent a few hours over the weekend trying to figure out how to
> program
> > my PMC-10 as a controller for my newly-upgraded EDP.  I managed to
> get
> > record and overdub happening, but I tried to program a reset and
> didn't
> > have any luck.  Has anyone gotten this working yet?

Claude Responded:

> This indeed works enter 9x 3d 7f (x is you midi channel in hex)
> use a momentary pedal type on the pmc
>
> reset only resets the current loop see it as a long record press
> if you have multiple loops try general reset to reset all the loops
> (9x 3e 7f)
> or if you tweaked params you could also use pg ch 16 wich means reload
> (the stored preset replaces the edited preset)

Now I see the difference between Reset and General Reset (another
question I had).  I'm using the umbilical programmer to program the
PMC-10 so I'm not familiar with those hex strings, but I'm guessing that
the first hex value indicates the MIDI channel, the second is the note
value, and the third is the velocity?  I left the velocity at 64 when I
tried it - would that make a difference?  Also, should this be
programmed as a note on/note off combination, or just as a note on?

Thanks Claude!

-Hans Lindauer

From Loopers-Delight-request@loopers-delight.com  Mon May  6 21:05:19 2002
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Mark Hamburg wrote: I'd settle, however, for

> something that just made it easy to drop parts in and out, replace parts,
> write new loops, etc. all live. Put that together with effects oriented
> toward live tweaking and it would make for a really cool instrument.

I bet you could accomplish a lot of that with something from the Roland MC
series, though I've never tried to loop stuff on the fly with my MC-307.  I'll
experiment and let you know.

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Mon May  6 21:46:55 2002
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Great set at the Rio the other night, Tom. Really beautifull soundscapes
you were creating, great work from Dana as well. The visuals behind you
were very supportive of your music and very hypnotic. thanks for the
inspiration.
Bill Walker


From Loopers-Delight-request@loopers-delight.com  Mon May  6 23:13:43 2002
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Subject: Theo Bleckman
Date: Mon, 6 May 2002 20:11:53 -0700
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Hi,
awhile back there was a posting about Theo Bleckman, and extraordinary
vocalist who performs with various effects, instruments etc.

I just received his CD, "Origami". Its really wonderful!  Thanks to the
person who posted info. about him!!
-Qua

From Loopers-Delight-request@loopers-delight.com  Tue May  7 01:43:41 2002
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Date: Mon, 06 May 2002 22:43:42 -0700
Subject: Re: Handsonic
From: Mark Hamburg <mark_hamburg@baymoon.com>
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I've got an MC-505 and it certainly works a bit better than the Handsonic
for editing patterns and doing some stuff on the fly, but it still feels
sort of convoluted for doing much live work -- particularly if I wanted to
use my Handsonic as a controller. If you have much luck with your MC-307 let
me know. It might push me to try harder to make my MC-505 work.

Mark

on 5/6/02 6:03 PM, Mark Sottilaro at sine@zerocrossing.net wrote:

> Mark Hamburg wrote: I'd settle, however, for
> 
>> something that just made it easy to drop parts in and out, replace parts,
>> write new loops, etc. all live. Put that together with effects oriented
>> toward live tweaking and it would make for a really cool instrument.
> 
> I bet you could accomplish a lot of that with something from the Roland MC
> series, though I've never tried to loop stuff on the fly with my MC-307.  I'll
> experiment and let you know.
> 
> Mark Sottilaro
> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue May  7 03:03:08 2002
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i have a ben monder cd w/ theo on it. very cool stuff.                        
       =-) PJ

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#008000" SIZE=4 FAMILY="SANSSERIF" FACE="Copperplate Gothic Light" LANG="0"><B>i have a ben monder cd w/ theo on it. very cool stuff.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =-) PJ</B></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May  7 05:32:51 2002
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Hans

1st, if you have a pc get yourself Raymond the pmc10 editor for windows
at
our LD member Sean's site
http://www.mindspring.com/~sean_/pmc/index.html
it will be much more simpler from there in the same download is a
Midi/hex calculator wich will help you master the hex/midi stuff

for those resets, a note on, on a momentary switch is enough if you want
to put the note off it is ok too
90 3d 7f : midi chan 1, midi note 61, note on (velocity 127)  

claude

Hans Lindauer wrote:
> 
> I wrote:
> 
> > > I spent a few hours over the weekend trying to figure out how to
> > program
> > > my PMC-10 as a controller for my newly-upgraded EDP.  I managed to
> > get
> > > record and overdub happening, but I tried to program a reset and
> > didn't
> > > have any luck.  Has anyone gotten this working yet?
> 
> Claude Responded:
> 
> > This indeed works enter 9x 3d 7f (x is you midi channel in hex)
> > use a momentary pedal type on the pmc
> >
> > reset only resets the current loop see it as a long record press
> > if you have multiple loops try general reset to reset all the loops
> > (9x 3e 7f)
> > or if you tweaked params you could also use pg ch 16 wich means reload
> > (the stored preset replaces the edited preset)
> 
> Now I see the difference between Reset and General Reset (another
> question I had).  I'm using the umbilical programmer to program the
> PMC-10 so I'm not familiar with those hex strings, but I'm guessing that
> the first hex value indicates the MIDI channel, the second is the note
> value, and the third is the velocity?  I left the velocity at 64 when I
> tried it - would that make a difference?  Also, should this be
> programmed as a note on/note off combination, or just as a note on?
> 
> Thanks Claude!
> 
> -Hans Lindauer

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>i have a ben monder cd w/ theo on it. very cool stuff. 
>=-) PJ


What's the name of the CD?  I like Ben Monder's work.

Thanks.
Michael
-- 
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Michael S. Yoder, Ph.D.
Associate Professor of Geography and Urban Studies
Texas A&M International University
Department of Social Sciences
5201 University Blvd.
Laredo, TX  78041
(956) 326-2634   FAX (956) 326-2459
http://www.tamiu.edu/~myoder/

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { padding-top: 0 ; padding-bottom: 0 }
 --></style><title>Re: Theo Bleckman on Ben Monder
CD</title></head><body>
<blockquote type="cite" cite><font face="Copperplate Gothic Light"
size="+1" color="#008000"><b>i have a ben monder cd w/ theo on it.
very cool
stuff.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
></span
>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<span
></span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; =-)
PJ</b></font></blockquote>
<div><br></div>
<div><br></div>
<div>What's the name of the CD?&nbsp; I like Ben Monder's work.</div>
<div><br></div>
<div>Thanks.</div>
<div>Michael</div>

<div>-- <br>
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=<br>
<br>
Michael S. Yoder, Ph.D.<br>
Associate Professor of Geography and Urban Studies<br>
Texas A&amp;M International University<br>
Department of Social Sciences<br>
5201 University Blvd.<br>
Laredo, TX&nbsp; 78041<br>
(956) 326-2634&nbsp;&nbsp; FAX (956) 326-2459<br>
http://www.tamiu.edu/~myoder/<br>
<br>
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=</div>
</body>
</html>
--============_-1191338578==_ma============--

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In a message dated 5/6/02 12:56:13 PM Eastern Daylight Time, 
kflint@loopers-delight.com writes:

> 
> >played last night and a recurring bug surfaced once again:
> >when pressing overdub the signal doubles in volume...once in the loop it's 
> 
> >twice as quite as it should be.
> 
> that is a hardware problem, not software. I've seen it before, it usually 
> means the VCA needs to be replaced.
> 

thanks kim,
this is the first time i've  heard anyone but me seen this problem.......this 
is one of the issues i've been going through with my like 3rd edp(keep 
sending them back to gibson and receiving new ones only to find another 
problem). 


> >also had trouble triggering our drum machine............but once i turned 
> >the edp off then back on it worked fine.
> 
> how do you have it set up, and what sort of problem do you have?
> 
> LoopIV has a lot of new synchronization features, so there will be all 
> sorts of things you can do with a drum machine that are quite exciting. 
> However, it's hard to know if it fixes your problem without more specifics 
> about what your problem is.
> 
> 
press record and the record button again and it generally works 98% of the 
time......but then there's that 2%.
thank you for your help and advice!
brian
something about vampires and sluts
http://artists.mp3s.com/artists/382/something_about_vampires_a.html

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=3 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0">In a message dated 5/6/02 12:56:13 PM Eastern Daylight Time, kflint@loopers-delight.com writes:<BR>
<BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"><BR>
&gt;played last night and a recurring bug surfaced once again:<BR>
&gt;when pressing overdub the signal doubles in volume...once in the loop it's <BR>
&gt;twice as quite as it should be.<BR>
<BR>
that is a hardware problem, not software. I've seen it before, it usually <BR>
means the VCA needs to be replaced.<BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE><BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
thanks kim,<BR>
this is the first time i've&nbsp; heard anyone but me seen this problem.......this is one of the issues i've been going through with my like 3rd edp(keep sending them back to gibson and receiving new ones only to find another problem). </FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=3 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0"><BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">&gt;also had trouble triggering our drum machine............but once i turned <BR>
&gt;the edp off then back on it worked fine.<BR>
<BR>
how do you have it set up, and what sort of problem do you have?<BR>
<BR>
LoopIV has a lot of new synchronization features, so there will be all <BR>
sorts of things you can do with a drum machine that are quite exciting. <BR>
However, it's hard to know if it fixes your problem without more specifics <BR>
about what your problem is.<BR>
<BR>
</BLOCKQUOTE><BR>
press record and the record button again and it generally works 98% of the time......but then there's that 2%.<BR>
thank you for your help and advice!<BR>
brian<BR>
something about vampires and sluts<BR>
http://artists.mp3s.com/artists/382/something_about_vampires_a.html</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=3 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0"><BR>
</FONT></HTML>
--part1_103.14f4c118.2a094df1_boundary--

From Loopers-Delight-request@loopers-delight.com  Tue May  7 12:37:42 2002
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Date: Tue, 07 May 2002 09:29:25 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: SF gig spam - Amy X Neuburg at DIVAfest May 16, 18, 24, 25
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Hi Folks-

Amy X Neuburg sent me this blurb about her upcoming show as part of the 
DIVAfest performance series in San Francisco.

Amy is a really amazing musician and performer. After the LoopIV release 
party she invited us over to her studio the next day to check out her 
looping approach, and I was just blown away by her music. Her entire show 
centers around the EDP, which she uses for looping her voice and 
percussion. On top of that, she is a very entertaining performer and puts 
on a great show. I highly recommend seeing her if you have the chance.

Currently Amy is using the just-about-to-be-released LoopIV software in her 
Echoplex. She is making heavy use of the Tempo Select and Preset features 
so that she can call up a preset tempo for each piece and have that drive 
midi clock to sync all of her other devices before she starts looping. So 
you can check that out too!

from Amy:

***************************************************

Hello Friends!
I, Amy X Neuburg, hereby cordially invite you to get your little diva butts 
on down to EXIT Theatre's DIVAfest -- two weekends (May 16-25) of plays, 
solos, cabarets and comedy celebrating womanhood from minx to matriarch, 
virgin to vamp, and taking place on all four EXIT stages. To read about the 
full line-up of acts, see <http://www.sffringe.org>www.sffringe.org.

My show is called SONGS ABOUT LIFE & DEATH & LOVE & INSECTS and plays as 
follows:
THURSDAY MAY 16, 8 PM
SATURDAY MAY 18, 3 PM matinee
FRIDAY MAY 24, 8 PM
SATURDAY MAY 25, 8 PM
Taking the musical revue form to its quirkiest, this is a theatrical 
setting of my songs for voice, drums and electronics, with projections, 
MIDI-controlled lights (God willing), movement, electronic triggers 
sprinkled about the stage, and groovy sound and visual design by Herb Heinz 
and Dale MacDonald. The Festival is billing it as a "one-woman techno 
circus." Who am I to let them down?
MAY 24 & 25 ONLY: Dancer/choreographer NINA HAFT will take over the stage 
after my show, performing two short but highly diva-esque works, including 
a re-working of "The Ring" -- our collaborative piece in which I sing and 
"dance" wearing a box.

EXIT ON TAYLOR Theatre
277 Taylor Street, San Francisco
$12 - $20 sliding scale
5/18 matinee $10
All-festival pass $55
Tickets available at (415) 673-3847, Tix Bay Area at Union Square, and at 
<http://WWW.TICKETWEB.COM/user/?region=sfbay&query=schedule&venue=exit>Ticketweb.com.
To read about the full line-up of acts, see 
<http://www.sffringe.org>www.sffringe.org.

Hope to see you! Love and xx - a

*****************************************
P.S. This FRIDAY MAY 10, 10-11 PM, I'll be performing live on KFJC 89.7 FM 
(Los Altos Hills, CA), or tune in on the web at 
<http://www.kfjc.org/netcast.html>kfjc.org.
-- 
++++++++++++++++++++++++
+++  Amy X Neuburg
+++  http://www.isproductions.com/amy
++++++++++++++++++++++++









______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Tue May  7 13:04:11 2002
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I asked a contact at Big Briar who replied (in response to your question):

"Piece of cake if you have a CP-251 control processor. Turn the LFO rate 
all the way down, patch the square wave into the Rate input, and the 
waveform at the triangle wave output will be a falling sawtooth wave of 
1/60 Hz (actually the one I measured came in at 55 seconds/cycle - pretty 
dang close). If you want a rising sawtooth, run it through the mixer and 
use the inverting output."

Use the above CV to control the Rate on the Big Briar phaser and you are 
set. Now that I know how to do this, and since I have both pieces of gear 
here, I'm going to have to try it out :). Kudos to Big Briar for cool gear 
and tech support. 

obLoop: so if I do give this a try and like it, the only item I've got 
here that'll loop 60seconds is the Repeater. Maybe try it in reverse 
and use the 60secsawtoothphaser as a kind of "paragraph" delimiter to 
modulate a shorter loop "sentence". 

best,
Steve Burnett
burnett@pobox.com

On Mon, 6 May 2002, Reid, Benjamin wrote:

> exactly what I'm looking for. thanks for the tips!! (now to come up with the
> cash...)
> 
> -----Original Message-----
> From: burnett@pobox.com [mailto:burnett@pobox.com]
> Sent: Monday, May 06, 2002 3:40 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: OT: Phaser recommend
> 
> 
> On Mon, 6 May 2002, Peter Underwood wrote:
> 
> > I hear that the Big Briar Phaser whoops a llama's ass, but I haven't 
> > personally tried it.
> 
> I've got the Big Briar phaser and love it. Its rate control is adjustable 
> down to 1 cycle per 100 seconds. It doesn't do a sawtooth, though, to the 
> best of my understanding. 
> 
> The Big Briar CP-251 Control Processor has a triangular and a square wave 
> output from its LFO, and can be used to control the rate on the BBriar 
> phaser. While the LFO on the Control Processor has a Rate knob labeled 
> from 0.2 cycles/second to 50 cycles/second, the manual reads:
> "The LFO frequency can go both lower than the minimum calibration on the 
> RATE control by applying a negative control voltage...The minimum 
> frequency is less than 0.03 Hz (one cycle every 33 seconds)."
> 
> (which is really cool to know, as I hadn't looked at that page before 
> today). 
> 
> So you can get a sine wave cycle of 100sec, or a triangular of 33 seconds, 
> but I don't know how to get a sawtooth waveform with a 60sec cycle. If you 
> can find a way to generate a sawtooth coontrol voltage signal of 0-5v 
> with a 60 second cycle you can use that to control the rate of the Big 
> Briar phaser and get what you're looking for. 
> 
> best,
> Steve Burnett
> burnett@pobox.com
> 
> 
>  > 
> >
> http://www.bigbriar.com/cgi-local/SoftCart.100.exe/spec/103.html?L+scstore+g
> gwp2101ff5c9c5c+1041770651
> > 
> > 
> > >From: "Reid, Benjamin" <BReid@about-inc.com>
> > >Reply-To: Loopers-Delight@loopers-delight.com
> > >To: "'Loopers-Delight@loopers-delight.com'"  
> > ><Loopers-Delight@loopers-delight.com>
> > >Subject: OT: Phaser recommend
> > >Date: Fri, 3 May 2002 15:33:20 -0400
> > >
> > >Sorry for OT post but this is a good group to query. Wondering if people
> > >have a recommend on a dedicated commercial or kit phaser. I am looking
> for
> > >one that is already very versitile or can be modded to produce a very
> long
> > >phase period (up to 60 seconds). Additionally, a sawtooth waveform would
> be
> > >super-cool as well. Most of the commercial pedals I have seen are not
> > >extreme enough for my purposes; some kits I have found online look
> > >promising; I have not investigated rackmount units yet.
> > >
> > >Any suggestions are appreciated!!
> > >
> > >Thanks,
> > >
> > >Ben
> > 
> > 
> > 
> > 
> > _________________________________________________________________
> > Chat with friends online, try MSN Messenger: http://messenger.msn.com
> > 
> > 
> 
> 
> 



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Subject: OT:Insect swarming inspires jazz software 
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http://www.newscientist.com/news/news.jsp?id=ns99992242

  Not really looping, but still interesting to this group i'll wager.

From Loopers-Delight-request@loopers-delight.com  Tue May  7 13:35:54 2002
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Subject: Re: OT:Insect swarming inspires jazz software 
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Here are some audio samples of this software.  U gotta love abstract music
to dig this :)

http://www.timblackwell.com/

----- Original Message -----
From: "Greg Kucharo" <telecaster@mac.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 07, 2002 10:04 AM
Subject: OT:Insect swarming inspires jazz software


> http://www.newscientist.com/news/news.jsp?id=ns99992242
>
>   Not really looping, but still interesting to this group i'll wager.
>

From Loopers-Delight-request@loopers-delight.com  Tue May  7 16:00:24 2002
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Date: Tue, 7 May 2002 12:56:19 -0700 (PDT)
From: Pedro Felix <pfelix28@yahoo.com>
Subject: Gig Spam - NYC
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Hey all - 

reminder for my weekly Thursday gig at Chama, 332 East
4th Street, bwt. C/D at 9:30 p.m.

please be sure and say 'allo if you can make it.

best regards, Pedro Felix - NYC 2002



__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue May  7 16:20:56 2002
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> besides that there are a lot of sus functions that only exists in the
>  midicommands
>  SusReplace SusSubstitute and the very sexy SusReverse and SusHalfSpeed 
>  
>  Claude

Hey Claude, what version you got there??
Replace and Substitute are both SUStain functions
when called from the Insert button.
(they only operate for as long as the button is held down)

andy butler 

From Loopers-Delight-request@loopers-delight.com  Tue May  7 16:36:25 2002
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From: "angelo valadon" <juniorfats@hotmail.com>
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Subject: basic loops
Date: Tue, 07 May 2002 13:34:07 -0700
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please help!
	i am just getting into looping and i have a very basic question: i want to 
loop a normal audio cassette tape, but i can't figure out how to provide the 
necessary tension/friction to make the tape spin. once detached from the 
wheel the wheels of course just
turn without moving the tape. any comments would be greatly appreciated..    
       please post or respond to juniorfats@hotmail.com



_________________________________________________________________
Join the world’s largest e-mail service with MSN Hotmail. 
http://www.hotmail.com

From Loopers-Delight-request@loopers-delight.com  Tue May  7 16:45:26 2002
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Subject: Re: OT:Insect swarming inspires jazz software
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At 10:30 AM -0700 5/7/02, Bob Campbell wrote:
>Here are some audio samples of this software.  U gotta love abstract music
>to dig this :)
>
>http://www.timblackwell.com/
>
>  > http://www.newscientist.com/news/news.jsp?id=ns99992242

Tim Blackwell states, "Swarm Music is believed to be the first 
application of swarm intelligence to music."

At least one prior example is Eric Singer's "boids" object for Max 
http://www.ericsinger.com/Downloads/Boids.1.51.sea.hqx, an 
implementation of Craig Reynolds' 1987 algorithm of the same name 
http://www.red3d.com/cwr/boids/
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Tue May  7 16:55:23 2002
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Subject: Re: basic loops
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At 1:34 PM -0700 5/7/02, angelo valadon wrote:
>i want to loop a normal audio cassette tape, but i can't figure out 
>how to provide the necessary tension/friction to make the tape spin. 
>once detached from the wheel the wheels of course just turn without 
>moving the tape.

Loop cassettes are available in various lengths. These will work in 
any cassette deck, with the proviso that they are "single sided" - 
that is the cassette is constructed to run in one direction only and 
you can't flip it over or rewind it.

In my experience with loop cassettes I've found that there is 
invariably a dropout at the punch in/out point. Perhaps someone else 
has developed some techniques to circumvent this?
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Tue May  7 17:05:00 2002
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Subject: RE: OT:Insect swarming inspires jazz software
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I don't know guys, it sounds to me like that software is full of bugs. 

Waka Waka Waka

-----Original Message-----
From: Richard Zvonar [mailto:zvonar@zvonar.com] 
Sent: Tuesday, May 07, 2002 4:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT:Insect swarming inspires jazz software

At 10:30 AM -0700 5/7/02, Bob Campbell wrote:
>Here are some audio samples of this software.  U gotta love abstract music
>to dig this :)
>
>http://www.timblackwell.com/
>
>  > http://www.newscientist.com/news/news.jsp?id=ns99992242

Tim Blackwell states, "Swarm Music is believed to be the first 
application of swarm intelligence to music."

At least one prior example is Eric Singer's "boids" object for Max 
http://www.ericsinger.com/Downloads/Boids.1.51.sea.hqx, an 
implementation of Craig Reynolds' 1987 algorithm of the same name 
http://www.red3d.com/cwr/boids/
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Tue May  7 17:09:17 2002
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Subject: Re: basic loops
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my guess is that the dropout is from the little metal strip on the splice which in the
original context of the tape would trigger the answering machine to stop playing the outgoing
message. you could probably de-splice, pull it off, and resplice with some tape to create a
more seamless loop. try to do it without taking the cassette apart though, trust me. i had to
give up after opening one once.

Jon

> In my experience with loop cassettes I've found that there is
> invariably a dropout at the punch in/out point. Perhaps someone else
> has developed some techniques to circumvent this?
> --


From Loopers-Delight-request@loopers-delight.com  Tue May  7 17:11:59 2002
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oh yeah angelo, btw, check in your local radio shack type store. if you're lucky, they'll
have the cassettes laying around in lengths from 15 seconds to 5 minutes. should be near the
phones.  you'll also find splicing tape and a splicing block there. if you're *really* lucky
they'll be clearing them out for like 50 cents apiece. if you can't find them at radio shack,
look for old answering machines in thrift stores. have fun!

Jon
----- Original Message -----
From: Richard Zvonar <zvonar@zvonar.com>
To: <Loopers-Delight@loopers-delight.com>
Cc: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 07, 2002 4:49 PM
Subject: Re: basic loops


> At 1:34 PM -0700 5/7/02, angelo valadon wrote:
> >i want to loop a normal audio cassette tape, but i can't figure out
> >how to provide the necessary tension/friction to make the tape spin.
> >once detached from the wheel the wheels of course just turn without
> >moving the tape.
>
> Loop cassettes are available in various lengths. These will work in
> any cassette deck, with the proviso that they are "single sided" -
> that is the cassette is constructed to run in one direction only and
> you can't flip it over or rewind it.
>
> In my experience with loop cassettes I've found that there is
> invariably a dropout at the punch in/out point. Perhaps someone else
> has developed some techniques to circumvent this?
> --
>
> ______________________________________________________________
> Richard Zvonar, PhD
> (818) 788-2202
> http://www.zvonar.com
> http://RZCybernetics.com
> http://www.cybmotion.com/aliaszone
> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
>

From Loopers-Delight-request@loopers-delight.com  Tue May  7 17:21:23 2002
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Subject: Gig spam may 16th at Galapagos
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Greetings to the list!!!

This gig ALWAYS features plenty of looping, this time including phil kline,
analog looper of death...  And my own rig, AND a laptop guy who processes my
loops...  
If you want to hear sound, go to http://www.toddreynolds.com/music.html

Here is the press release...


==========================

Violinist and Composer Todd Reynolds presents:

Still Life With Microphone
Version 3.0

Todd Reynolds assembles three very different and powerful artistic voices,
downtown genre-destroying band GUTBUCKET, composer and boombox maestro PHIL
KLINE, and laptopist DJ JESSE STILES, for an innovative evening of feature
performances and interactive explorations.

Thursday, May 16, 2002, 8:00pm
Galapagos Art Space
70 N 6th St., Williamsburg, Brooklyn
718.782.5188
(Bedford stop on L train)
www.galapagosartspace.com € www.toddreynolds.com


April 30, New York On Thursday, May 16, violinist and composer Todd Reynolds
continues to redefine łconcert performance˛ with the third installment of
Still Life With Microphone at Galapagos Art Space.

The previous two incarnations of Still Life... unified a range of
performance disciplines and content: composed music by Todd Reynolds, the
ensemble members and others; improvised music; improvised text; and
spontaneously directed movement in the space, all orchestrated in real time
using a conducting/composing system called Sound Painting, a gesture-based
medium for structured improvisation developed by composer Walter Thompson
that directs individual and ensemble actions in real time.

While continuing the all-over stylistic and staging effect found in the
previous versions of Still LifeŠ, Todd Reynolds is viewing Version 3.0 from
a curatorąs perspective, bringing together three very different and powerful
artistic voices to perform their own material, interact with each other, and
integrate their audiences in a collaborative art event.  Each łvoice˛ is
indeed distinct and unique and includes downtown genre-destroying quartet
Gutbucket, post-Minimalist composer Phil Kline with his battery of boomboxes
and looping gear in tow, and laptopist DJ Jesse Stiles utilizing the
performative software MAX/MSP with Reynolds himself, who The New Yorker
calls łNew Yorkąs leading classical/jazz violinist˛, on amplified and
digitized violin.

The music will seamlessly flow between the component voices, developed and
directed by Reynolds using Sound Painting.  The performance will be
structured in two 50-60 minute sets with a short break between them, with
all three groups performing throughout the evening, both alone and in
situations with others, sometimes orchestrated, sometimes spontaneous.


Still Life With Microphone Version 3.0 takes place in the rapturous confines
of Williamsburgąs preeminent performing art space, Galapagos. The New York
Times describes it as having ła truly sublime reflecting pool, an expansive
cathedral-like interior, brilliant spotlightingŠ˛ and as an łever-growing
cultural oasis.˛  Please join Todd Reynolds and company for this visionary
and innovative musical event.

The following is a brief description of the Still Life With Microphone
series by Todd Reynolds:

łStill Life with Microphone grows out of a desire to bring my varied
interests and modes of artistic expression under one roof.  It allows me to
piece together my love of theatre, improvisation, conducting and directing,
editing and organizing ideas, and of performing.  A typical Still LifeŠ
event involves a cast of 5 to 8 performers across disciplines, composed
music, improvised music, theater, video, and movement, creating a seamless
magic carpet ride for the audience through events, styles, and genres.˛


More information about Todd:

Violinist and composer Todd Reynolds is one of the most active musicians on
the contemporary music scene.  He is a founding member of New Yorkąs hottest
string quartet, Ethel.  He explores composing and improvising in his
music-based performance art project Still Life With Mic.  Todd is violinist
for the Bang On A Can All Stars and Yo Yo Maąs Silk Road Project.  He a
frequent guest artist with the Chamber Music Society of Lincoln Center and
recently appeared as soloist with Yo Yo Ma in Tan Dun's Water Passion after
St. Matthew at the Barbican Center in London.  He acts as assistant
conductor and violinist for Steve Reich and Musicians and the Walter
Thompson Orchestra.

Todd has premiered an immense number of compositions by composers including
Michael Gordon, John King, Steve Reich, Elliot Sharp, Julia Wolfe, and
Randall Wolff, As an improvisor and solo interpreter of new musics from
classical to jazz and pop, and has appeared and/or recorded with such
artists as Anthony Braxton, Uri Caine, John Cale, Steve Coleman, Joe
Jackson, Dave Liebman, Graham Nash, Greg Osby, Steve Reich, Marcus Roberts,
Wayne Shorter and Cassandra Wilson.

Reynolds has recorded for Nonesuch, CRI, and Atlantic Records and can also
be heard on Tan Dun's soundtrack for the film Fallen, starring Denzel
Washington. On Broadway, he originated the role of "The Fiddler", playing
and dancing on stage in the Tony Award-winning revival of Irving Berlin's
Annie, Get Your Gun, starring Bernadette Peters and Reba McEntire. Currently
he tours as part of the Mahavishnu Project, a five-piece jazz-fusion band
which centers around the music of John McLaughlin's Mahavishnu Orchestra,
performs often with The Betty Buckley Band, alongside Kenny Werner, Billy,
Tony Marino, Jamey Haddad, and, of course, Ms. Buckley herself.


For further information, and to arrange interviews please contact
Christopher McIntyre at 917.676.4585, cmacartserv@mindspring.com, or visit:
www.toddreynolds.com


Christopher McIntyre
C Mac Artist Services
917.676.4585 contact
212.725.5940 office/fax
cmacartserv@mindspring.com
---------------


From Loopers-Delight-request@loopers-delight.com  Tue May  7 17:26:43 2002
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I presume we are talking about the answering machine message cassette
tapes ?
They have a foil strip at the splice point which triggers the winders to
stop at the
"head" of the tape.  One possible way to bypass this (if you are
surgically inclined)
is to cut out the foil section and reconnect the two ends by butting
them up to each
other (not overlapping) and putting a piece of splice tape on the back
side.  If you don't
have professional splicing tape, then use regular 3M or whatever, but
just make sure that
there are no rough edges exposed.
--
gary
@friendlyspider.com


Richard Zvonar wrote:

> At 1:34 PM -0700 5/7/02, angelo valadon wrote:
> >i want to loop a normal audio cassette tape, but i can't figure out
> >how to provide the necessary tension/friction to make the tape spin.
> >once detached from the wheel the wheels of course just turn without
> >moving the tape.
>
> Loop cassettes are available in various lengths. These will work in
> any cassette deck, with the proviso that they are "single sided" -
> that is the cassette is constructed to run in one direction only and
> you can't flip it over or rewind it.
>
> In my experience with loop cassettes I've found that there is
> invariably a dropout at the punch in/out point. Perhaps someone else
> has developed some techniques to circumvent this?
> --
>
> ______________________________________________________________
> Richard Zvonar, PhD
> (818) 788-2202
> http://www.zvonar.com
> http://RZCybernetics.com
> http://www.cybmotion.com/aliaszone
> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz





From Loopers-Delight-request@loopers-delight.com  Tue May  7 17:42:51 2002
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Subject: vortex rotary encoder screwy
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Date: Tue, 07 May 2002 17:39:56 -0400 (EDT)
From: Eric Williamson <erwill@suitandtieguy.com>
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the Preset encoder on my vortex is acting screwy ... presets 1,2,3,4, and 8 are 
unusable (replaced with 15 and 16).

does this happen alot?

Eric Williamson
www.suitandtieguy.com

From Loopers-Delight-request@loopers-delight.com  Tue May  7 17:48:44 2002
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I have had 2 encoders go bad on my Vortex-
c

----- Original Message -----
From: "Eric Williamson" <erwill@suitandtieguy.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 07, 2002 2:39 PM
Subject: vortex rotary encoder screwy


> the Preset encoder on my vortex is acting screwy ... presets 1,2,3,4, and
8 are
> unusable (replaced with 15 and 16).
>
> does this happen alot?
>
> Eric Williamson
> www.suitandtieguy.com
>
>


From Loopers-Delight-request@loopers-delight.com  Tue May  7 18:04:54 2002
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From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: basic loops
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At 5:05 PM -0400 5/7/02, skincage wrote:
>my guess is that the dropout is from the little metal strip on the 
>splice which in the original context of the tape would trigger the 
>answering machine to stop playing the outgoing message. you could 
>probably de-splice, pull it off, and resplice with some tape to 
>create a more seamless loop.

That's what I used to think, but I believe you get a punch in/out 
dropout in any case.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Tue May  7 18:04:56 2002
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At 5:08 PM -0400 5/7/02, skincage wrote:
>you'll also find splicing tape and a splicing block there. if you're 
>*really* lucky they'll be clearing them out for like 50 cents apiece.

I never saw a cassette splicing block. I always have had to make do 
with a regular block and a steady hand. Ever had to splice at DAT 
tape?
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Tue May  7 18:14:56 2002
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To: Loopers-Delight@loopers-delight.com, emusic@candiru.com
From: Brenda Hutchinson <brendah@exo.net> (by way of Richard Zvonar)
Subject: Grand Buddah Marching Band
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Hello Everyone!

If you have received this invitation, it is because you are either already
involved in the big celebration for Pauline Oliveros' 70th birthday or you
might want to be. This will be a very fun event and the final celebration
of the weekend long festivities honoring Pauline Oliveros on the occasion
of her 70th birthday. For a description of the events and times and
locations of the performances check out: http://www.pofba.org/Retrospective/

     ***********************    THIS INVITATION    ***********************

Everyone is invited to come to a pot luck picnic and to participate in a
performance of the GRAND BUDDAH MARCHING BAND by Pauline Oliveros. For
detailed instructions about the piece itself, please refer to the *GRAND
BUDDAH SCORE.PO* which is attached to this email [Actually it wasn't 
attached, so e-mail Brenda if you want it - RZ]. Most things in the 
invitation are explained in the *SCORE*. However, if you  have any 
questions, please ask. In the meantime, some specifics:

DATE:		Sunday, June 2
TIME:		1:00 to 5:00
WHERE:		Dolores Park
located  between 18th and 20th Streets and between Dolores and Church in
San Francisco
WHAT TO BRING:	yourself, your friends and family and something to eat- to
share or not.
WHAT TO DO:	We will begin by gathering in the park at 1:00. Eat and meet.

At 2:30 PM we will take our positions around the *SPIRAL* (see score). At a
*SIGNAL* (score) from the *DRUM MAJOR* (score), we will begin.

When the march is finished, we will decorate and eat a large BIRTHDAY CAKE
and continue to celebrate in what will hopefully be a lovely, sunny
afternoon.

     *****************   PLEASE PASS THIS INVITATION ALONG    *****************

So, please come. Regular updates will follow this initial invitation.
For instance: What does the DRUM MAJOR look like? For those of you who know
Tom Bickley, this is no problem. (Thank you Tom!)
What will he be wearing? A question of interest to all concerned.
What is the *SIGNAL* for beginning the march? Etc. etc.

SO please ask questions about the score or the event or anything else that
needs clarifying. I would like everyone to feel comfortable and have a
sense that they know what is happening that day at any given time. It would
also be nice to be able to explain what is happening to anyone walking by
and to invite him or her to join in the celebration.

If you are not interested in hearing anymore about this, please let me
know, and I will not send any more mail to you.

From Loopers-Delight-request@loopers-delight.com  Tue May  7 19:12:47 2002
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Date: Tue, 7 May 2002 16:10:16 -0700
To: Loopers-Delight@loopers-delight.com, skincage <skincage@infin8ty.com>
From: Alex Stahl <alex@pixar.com>
Subject: Re: basic loops
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At 2:54 PM -0700 5/7/02, Richard Zvonar wrote:
>At 5:05 PM -0400 5/7/02, skincage wrote:
>>my guess is that the dropout is from the little metal strip on the 
>>splice which in the original context of the tape would trigger the 
>>answering machine to stop playing the outgoing message. you could 
>>probably de-splice, pull it off, and resplice with some tape to 
>>create a more seamless loop.
>
>That's what I used to think, but I believe you get a punch in/out 
>dropout in any case.
>--


Another source of dropout is the distance between the record/play 
head and the erase head. Fancy ATR's have timing circuits to 
facilitate seamless punches, but I doubt any cassette decks ever 
bothered. In fact, some cassette decks don't even have erase heads, 
just little magnets on a lever.

-Alex S.

From Loopers-Delight-request@loopers-delight.com  Tue May  7 19:16:28 2002
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Subject: Re: vortex rotary encoder screwy
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I've also had an intermittent problem with my Vortex where it will begin to 
just rapidly switch to random presets on its own. Is this also a rotary 
encoder problem?

If it is, is this an easy enough problem to fix?

-p

Sorry if this has been brought up before. I didn't have time to check the 
archive and I figured "hey, someone else brought a similiar problem up 
first..."


>From: "Clifford Novey" <om@om-studios.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: vortex rotary encoder screwy
>Date: Tue, 7 May 2002 14:46:31 -0700
>
>I have had 2 encoders go bad on my Vortex-
>c
>
>----- Original Message -----
>From: "Eric Williamson" <erwill@suitandtieguy.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Tuesday, May 07, 2002 2:39 PM
>Subject: vortex rotary encoder screwy
>
>
> > the Preset encoder on my vortex is acting screwy ... presets 1,2,3,4, 
>and
>8 are
> > unusable (replaced with 15 and 16).
> >
> > does this happen alot?
> >
> > Eric Williamson
> > www.suitandtieguy.com
> >
> >
>
>




_________________________________________________________________
MSN Photos is the easiest way to share and print your photos: 
http://photos.msn.com/support/worldwide.aspx

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Date: Tue, 7 May 2002 16:20:33 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: basic loops
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--- Richard Zvonar <zvonar@zvonar.com> wrote:

> I never saw a cassette splicing block. 

I'm pretty sure I've seen a cassette splicing block, a looong time ago.
I've never had the pleasure of working with one though.

> Ever had to splice at DAT tape?

Yeah. What a pain. I didn't trust the splice to actually play over the
heads, just used it to get the tape back together enough to copy off
the material beyond the point it was mangled by a malfunctioning
machine. I figured the tape I used to splice it would create a very
nice gummy mess on the heads...

Greg


__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue May  7 20:18:21 2002
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Date: Tue, 7 May 2002 17:15:42 -0700
To: Loopers-Delight@loopers-delight.com, skincage <skincage@infin8ty.com>
From: Alex Stahl <alex@pixar.com>
Subject: Re: basic loops
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>
>>you'll also find splicing tape and a splicing block there. if 
>>you're *really* lucky they'll be clearing them out for like 50 
>>cents apiece.
>
>I never saw a cassette splicing block. I always have had to make do 
>with a regular block and a steady hand. Ever had to splice at DAT 
>tape?
>--

Yeah, in desperation I once spliced a DAT with scotch tape and a 
knife, a few hours before the tape was needed for playback in a live 
performance. But my splicing heroics award vote goes to my friend who 
made a four-second crossfade between songs on an analog LP master 
tape. At 15ips. That's a five-foot diagonal cut across a 1/4" tape 
width. This was back in the pre automated-mixing, 
pre-lossless-copying days, when the mix tape was a unique record of a 
performance at the console. He spent all night doing this one splice. 
I forget which record it was, but I'm pretty sure it's something 
you've all heard. The stereo wipe effect during the fade was a cool 
bonus.

-Alex S.

From Loopers-Delight-request@loopers-delight.com  Tue May  7 20:31:31 2002
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Date: Tue, 7 May 2002 20:14:27 -0400
To: Loopers-Delight@loopers-delight.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Re: vortex rotary encoder screwy
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I had the same problem with my JamMan  and it proved to be a 
nightmare to fix. Bob Sellon (bless his soul) has to build a rom to 
bypass the rotary control.  Luckily, I got him interested in adding 
some delay capabilities, so I should get a better instrument out of 
it.
-- 

Visit "Before the Fall -- Images of the World Trade Center" at 
http://www.foryourhead.com

"There were so many things there that are not anywhere else in the 
world. There were millions of people, the strange reflective bars of 
the buildings and the shiny and shimmering towers that seemed like a 
fairy tale"   -- David-Michael Cook

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Tue May  7 20:46:49 2002
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From: skincage <skincage@infin8ty.com>
Subject: Re: basic loops
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i think there's a little "brass" one at radio shack with slots for 1/4 and 1/8 inch tape. for
whatever reason, the splicing tape they sell is 1/2 inch. who knows? i guess they figure
since maybe .05 of the population has even seen a reel to reel at this point they don't need
to bother. they do still have blank reel tape though, so hm.

jon
----- Original Message -----
From: Richard Zvonar <zvonar@zvonar.com>
To: skincage <skincage@infin8ty.com>; <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 07, 2002 5:56 PM
Subject: Re: basic loops


> At 5:08 PM -0400 5/7/02, skincage wrote:
> >you'll also find splicing tape and a splicing block there. if you're
> >*really* lucky they'll be clearing them out for like 50 cents apiece.
>
> I never saw a cassette splicing block. I always have had to make do
> with a regular block and a steady hand. Ever had to splice at DAT
> tape?
> --
>
> ______________________________________________________________
> Richard Zvonar, PhD
> (818) 788-2202
> http://www.zvonar.com
> http://RZCybernetics.com
> http://www.cybmotion.com/aliaszone
> http://www.live365.com/cgi-bin/directory.cgi?autostart=rz
>

From Loopers-Delight-request@loopers-delight.com  Tue May  7 20:48:59 2002
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From: "Om_Audio" <Om-Studios@Om-Studios.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: vortex rotary encoder screwy
Date: Tue, 7 May 2002 17:46:51 -0700
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On the flip side of that experience, the last Vortex encoder I replaced
was a pretty simple job- and only cost about $15 to get the part from
Lexicon.

C

-----Original Message-----
From: Emile Tobenfeld (a.k.a Dr. T) [mailto:emile@foryourhead.com] 
Sent: Tuesday, May 07, 2002 5:14 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: vortex rotary encoder screwy

I had the same problem with my JamMan  and it proved to be a 
nightmare to fix. Bob Sellon (bless his soul) has to build a rom to 
bypass the rotary control.  Luckily, I got him interested in adding 
some delay capabilities, so I should get a better instrument out of 
it.
-- 

Visit "Before the Fall -- Images of the World Trade Center" at 
http://www.foryourhead.com

"There were so many things there that are not anywhere else in the 
world. There were millions of people, the strange reflective bars of 
the buildings and the shiny and shimmering towers that seemed like a 
fairy tale"   -- David-Michael Cook

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com



From Loopers-Delight-request@loopers-delight.com  Tue May  7 20:59:05 2002
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From: skincage <skincage@infin8ty.com>
Subject: Re: vortex rotary encoder screwy
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anyone have an idea of how hard this kind of thing would be to do with repeater? gravity ate
my tempo knob.

thanks!

Jon
----- Original Message -----
From: Om_Audio <Om-Studios@Om-Studios.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 07, 2002 8:46 PM
Subject: RE: vortex rotary encoder screwy


> On the flip side of that experience, the last Vortex encoder I replaced
> was a pretty simple job- and only cost about $15 to get the part from
> Lexicon.
>
> C


From Loopers-Delight-request@loopers-delight.com  Tue May  7 22:08:05 2002
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I been real b-z, haven't had a chance to voice my dual lincolns on th phaser
issue. But yes, the Big Briar Phaser is wickedly good and stupidly
versatile - input jacks for every knob on the dang thing, so's you can sweep
it with a pedal, or trigger inputs, or any waveform generator that's
compatable. The mind boggles.
    But I must also crow about the excellent phaser in the Boss GT-3 and
GT-6 multi-fx pedals. Time goes up to 16 seconds for a cycle (maybe more,
like 30! Okay, it's not 60, but...) and the GT-6 has MIDI clock in, so you
can sweep to the beat.
Also, it has the way cool "step phaser" setting, where it moves stepwise
instead of in a smooth sine or triangle wave. AND it has the over-the-top
"random step" pattern, where it just leaps about from resonance to
resonance, kinda like Zappa's "Ship Ahoy" solo. The GT-3 has an "internal
wave" (Sine, Triangle, or Saw) which can vary any parameter you choose, so
you can drive that phaser with a saw if you wish. Along with all the other
features in the GT pedals (including a VERY versatile delay which can do
infinite looping which you can either play over or add to) they are a steal!
One GT-6 will run you just over what one Big Briar goes for. Food for
thought.
Douglas Baldwin, Coyote-in-Residence
dbaldwin@suffolk.lib.ny.us

> I hear that the Big Briar Phaser whoops a llama's ass, but I haven't
> personally tried it.
>
>
http://www.bigbriar.com/cgi-local/SoftCart.100.exe/spec/103.html?L+scstore+g
gwp2101ff5c9c5c+1041770651
>
>
> >From: "Reid, Benjamin" <BReid@about-inc.com>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: "'Loopers-Delight@loopers-delight.com'"
> ><Loopers-Delight@loopers-delight.com>
> >Subject: OT: Phaser recommend
> >Date: Fri, 3 May 2002 15:33:20 -0400
> >
> >Sorry for OT post but this is a good group to query. Wondering if people
> >have a recommend on a dedicated commercial or kit phaser. I am looking
for
> >one that is already very versitile or can be modded to produce a very
long
> >phase period (up to 60 seconds). Additionally, a sawtooth waveform would
be
> >super-cool as well. Most of the commercial pedals I have seen are not
> >extreme enough for my purposes; some kits I have found online look
> >promising; I have not investigated rackmount units yet.
> >
> >Any suggestions are appreciated!!
> >
> >Thanks,
> >
> >Ben
>
>
>
>
> _________________________________________________________________
> Chat with friends online, try MSN Messenger: http://messenger.msn.com
>


From Loopers-Delight-request@loopers-delight.com  Wed May  8 01:38:17 2002
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From: Bradley Fish <bradleyfishmusic@yahoo.com>
Subject: EDP Next Loop Confusion
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Hi fellow EDP'ers!!! 
Something that used to work on my EDP isn't happening anymore - My <next loop> function is no longer working. Any suggestions??? 
Ok...I am using the loop 3 software, with my drum brain synced with MIDI to the EDP. 
1)I turn on the EDP unit with a long press of the <paramater> button.
2) I set <more loops> to 3
3) I set <switch quant> to CYC
4) I set <loop copy> to OFF
5) I press <record>,  play a riff, press <record> again  
6) The drum brain kicks in on time without complaining, asking for beer, or hitting on my girlfriend, and and my riff repeats nicely.  
7) I press <next loop> and nothing changes, I try again over and over - I stay on loop 1!!! 
Any Idea where I may be going wrong?? I used to get to change into loops 2 and 3 with no problem. 
Thanks!!!!!
Bradley Fish



---------------------------------
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
--0-1930994662-1020836185=:90835
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<P>&nbsp;<BR>Hi fellow EDP'ers!!! 
<P>Something that used to work on my EDP isn't happening anymore - My &lt;next loop&gt; function is no longer working. Any suggestions???&nbsp;
<P>Ok...I am&nbsp;using the loop 3 software, with my drum brain synced with MIDI to the EDP. 
<P>1)I turn on the EDP unit with a long press of the &lt;paramater&gt; button.
<P>2) I set &lt;more loops&gt; to 3
<P>3) I set &lt;switch quant&gt; to CYC
<P>4) I set &lt;loop copy&gt; to OFF
<P>5) I press &lt;record&gt;, &nbsp;play a riff, press &lt;record&gt; again&nbsp; 
<P>6)&nbsp;The drum&nbsp;brain kicks in&nbsp;on time&nbsp;without complaining, asking for beer, or hitting on&nbsp;my girlfriend,&nbsp;and and my riff repeats nicely. &nbsp;
<P>7) I press &lt;next loop&gt; and nothing changes, I try again over and over&nbsp;- I&nbsp;stay on loop 1!!!&nbsp;
<P>Any Idea where I may be going wrong?? I used to get to change into loops 2 and&nbsp;3 with no problem.&nbsp;
<P>Thanks!!!!!
<P>Bradley Fish</P><p><br><hr size=1><b>Do You Yahoo!?</b><br>
<a href="http://rd.yahoo.com/welcome/*http://health.yahoo.com">Yahoo! Health</a> - your guide to health and wellness
--0-1930994662-1020836185=:90835--

From Loopers-Delight-request@loopers-delight.com  Wed May  8 01:52:23 2002
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Yea, I'm about to try one out but wanted to benefit from the combined
experience of this group. Thanks for all the comments guys! I'll et you know
how I get on.

Gareth

>
> Hi Gareth,
> can't you try one of these at that big music shop in Cardiff?
> (Crane's isn't it).
> I had a go on one, my feeling was that it was
> a very nice interface to play.
> ..and the djembe was excellent.
>
> but a most of the sounds were a bit lame,
> and wouldn't make the music for their relevant country.
> (Roland think a gamelan orchestra has a vibraphone in it).
>
> Watch out for the prerecorded loops, as these have sounds
> that you can't play individually.
>
> andy butler
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May  8 07:33:54 2002
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Hi, all.
Is this list archived somewhere?  If so, could someone send me the URL?

Thanks,
Jeff



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Jeff,

http://www.loopers-delight.com/cgi-bin/wilma/LDarchive


--- Jeffrey Lomas <jeff.lomas@oasis-open.org> wrote:
> Hi, all.
> Is this list archived somewhere?  If so, could
> someone send me the URL?
> 
> Thanks,
> Jeff
> 
> 
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness
http://health.yahoo.com

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Hi Bradley,

Try this.  Set AutoRecord to ON.  Now, when you say NextLoop it does not =
go to the empty loop because the loop has not been recorded yet.  But if =
you have AutoRecord ON and the other settings as described, if the next =
loop is empty it will go into record at the end of the current loop.  =
You can get an electronic copy of the EDP manual at the Loopers Delight =
site at:

http://www.loopers-delight.com/tools/echoplex/Echoplex_Manual.pdf

Good luck!

I am having a different problem with my EDP.  I have LoopCopy OFF, =
AutoRecord ON and SwitchQuant CYC.  I record loop #1.  Then I press =
NextLoop and record loop #2, but I fluff it.  In order to recover I do a =
long press on Record, which clears loop #2.  But when I record loop #2 =
again there is a gap of silence at the end.  I think what is going on is =
that the length of loop #2 is not getting erased, and I am playing =
slightly faster the second time I record.  When I end the recording it =
is not ending the loop at that point, but instead at the original later =
end point.  If I do a long press on Record followed by a long press on =
Multiply (which clears all loops) I do not have this problem, but I lose =
loop #1.  Is this ringing any bells for anyone?

-Vance
  ----- Original Message -----=20
  From: Bradley Fish=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Tuesday, May 07, 2002 10:36 PM
  Subject: EDP Next Loop Confusion



  Hi fellow EDP'ers!!!=20

  Something that used to work on my EDP isn't happening anymore - My =
<next loop> function is no longer working. Any suggestions??? =20

  Ok...I am using the loop 3 software, with my drum brain synced with =
MIDI to the EDP.=20

  1)I turn on the EDP unit with a long press of the <paramater> button.=20

  2) I set <more loops> to 3=20

  3) I set <switch quant> to CYC=20

  4) I set <loop copy> to OFF=20

  5) I press <record>,  play a riff, press <record> again =20

  6) The drum brain kicks in on time without complaining, asking for =
beer, or hitting on my girlfriend, and and my riff repeats nicely.  =20

  7) I press <next loop> and nothing changes, I try again over and over =
- I stay on loop 1!!! =20

  Any Idea where I may be going wrong?? I used to get to change into =
loops 2 and 3 with no problem. =20

  Thanks!!!!!=20

  Bradley Fish





-------------------------------------------------------------------------=
-----
  Do You Yahoo!?
  Yahoo! Health - your guide to health and wellness

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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Bradley,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Try this.&nbsp; Set AutoRecord to =
ON.&nbsp; Now,=20
when you say NextLoop it does not go to the empty loop because the loop =
has not=20
been recorded yet.&nbsp; But if you have AutoRecord ON and the other =
settings as=20
described, if the next loop is empty it will go into record at the end =
of the=20
current loop.&nbsp; You can get an electronic copy of the EDP manual at =
the=20
Loopers Delight site at:</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.loopers-delight.com/tools/echoplex/Echoplex_Manual.pdf=
">http://www.loopers-delight.com/tools/echoplex/Echoplex_Manual.pdf</A></=
FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Good luck!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I am having a different problem with my =
EDP.&nbsp;=20
I have LoopCopy OFF, AutoRecord ON&nbsp;and SwitchQuant =
CYC.&nbsp;&nbsp;I record=20
loop #1.&nbsp; Then I press NextLoop and&nbsp;record loop #2, but I =
fluff=20
it.&nbsp; In order to recover I do a long press on Record, which clears =
loop=20
#2.&nbsp; But when I record loop #2 again there is a gap of silence at =
the=20
end.&nbsp; I think what is going on is that the length of loop #2 is not =
getting=20
erased, and I am playing slightly faster the second time I record.&nbsp; =
When I=20
end the recording it is not ending the loop at that point, but instead =
at the=20
original later end point.&nbsp; If I do a long press on Record followed =
by a=20
long press on Multiply (which clears all loops) I do not have this =
problem, but=20
I lose loop #1.&nbsp; Is this ringing any bells for anyone?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>-Vance</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dbradleyfishmusic@yahoo.com=20
  href=3D"mailto:bradleyfishmusic@yahoo.com">Bradley Fish</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Tuesday, May 07, 2002 =
10:36=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> EDP Next Loop =
Confusion</DIV>
  <DIV><BR></DIV>
  <P><BR>Hi fellow EDP'ers!!!=20
  <P>Something that used to work on my EDP isn't happening anymore - My =
&lt;next=20
  loop&gt; function is no longer working. Any suggestions???&nbsp;=20
  <P>Ok...I am&nbsp;using the loop 3 software, with my drum brain synced =
with=20
  MIDI to the EDP.=20
  <P>1)I turn on the EDP unit with a long press of the &lt;paramater&gt; =
button.=20

  <P>2) I set &lt;more loops&gt; to 3=20
  <P>3) I set &lt;switch quant&gt; to CYC=20
  <P>4) I set &lt;loop copy&gt; to OFF=20
  <P>5) I press &lt;record&gt;, &nbsp;play a riff, press &lt;record&gt;=20
  again&nbsp;=20
  <P>6)&nbsp;The drum&nbsp;brain kicks in&nbsp;on time&nbsp;without =
complaining,=20
  asking for beer, or hitting on&nbsp;my girlfriend,&nbsp;and and my =
riff=20
  repeats nicely. &nbsp;=20
  <P>7) I press &lt;next loop&gt; and nothing changes, I try again over =
and=20
  over&nbsp;- I&nbsp;stay on loop 1!!!&nbsp;=20
  <P>Any Idea where I may be going wrong?? I used to get to change into =
loops 2=20
  and&nbsp;3 with no problem.&nbsp;=20
  <P>Thanks!!!!!=20
  <P>Bradley Fish</P>
  <P><BR>
  <HR SIZE=3D1>
  <B>Do You Yahoo!?</B><BR><A=20
  href=3D"http://rd.yahoo.com/welcome/*http://health.yahoo.com">Yahoo! =
Health</A>=20
  - your guide to health and wellness</BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed May  8 16:16:39 2002
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To: Loopers-Delight@loopers-delight.com
Subject: WAY OT: digital transfers from 78's
References: <KOEGKJJAKHONCDOOHNMDKEHFCFAA.exalted@easystreet.com>
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just a query to any LA list members who know of a local facility that is
able to make cd's from old vinyl- 78's, to be exact.

please respond off-list, if you prefer...

thanks in advance!

lance g.
baumhaus@earthlink.net


From Loopers-Delight-request@loopers-delight.com  Wed May  8 23:03:32 2002
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Date: Wed, 8 May 2002 19:56:30 -0700 (PDT)
From: Chris Richards <kohntarkosz@yahoo.com>
Subject: Re: Zappa 
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<<In another Zappa sighting, Watermelon In Easter

  Hay (from Joe's Garage) is in the soundtrack of
the new movie Y Tu Mama Tambien. (Spanish
language with English subtitles.  Pretty good
story about how two wild college freshmen take an
older woman on a road trip.)  Though he does not
use loops in the piece, the band just repeats a
phrase over and 
over.  FZ manages to keep it interesting both in
the parts with a guitar melody, and the
improvised solo sections even though the
background never 
changes.>>

Actually, the background does evolve throughout
the piece. Though that ostinato runs through the
entire piece, the way it is orchestrated changes,
you hear different percussion instruments come in
and out. It starts off with just a guitar playing
the ostinato, but it's later doubled by an
electric sitar, and so on.

=====
May you never thirst!
The Scuba Diver Presently Known As Chris

"What do you get when you give a yo-yo to a flock of flamingos?"-James Earl Jones

__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Mother's Day is May 12th!
http://shopping.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu May  9 02:09:51 2002
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From: "Luigi Meloni" <Luigimeloni74@libero.it>
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References: <KOEGKJJAKHONCDOOHNMDKEHFCFAA.exalted@easystreet.com> <3CD9863E.B3E72C1E@earthlink.net>
Subject: Re: WAY OT: digital transfers from 78's
Date: Thu, 9 May 2002 08:01:59 +0200
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Hi Lance. Don't Know there in L.A. but here I found a good Numark vinyl
player (the TTX model, I think) that has the capacity to play 33 1/3, 45 and
78, even in reverse mode, and has line and digital outs. I just ordered one
for my studio. Probably you could find one for rent and do the work
yourself. It is even cheaper than the ubiquitous Technics 1210 (way cheaper
here in Italy).

Peace
Luigi
----- Original Message -----
From: "lance glover" <baumhaus@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 08, 2002 10:15 PM
Subject: WAY OT: digital transfers from 78's


> just a query to any LA list members who know of a local facility that is
> able to make cd's from old vinyl- 78's, to be exact.
>
> please respond off-list, if you prefer...
>
> thanks in advance!
>
> lance g.
> baumhaus@earthlink.net
>
>
>


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From: "Luigi Meloni" <Luigimeloni74@libero.it>
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Subject: Re: WAY OT: digital transfers from 78's
Date: Thu, 9 May 2002 08:05:18 +0200
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Messaggio in formato MIME composto da piů parti.

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Hi Lance. Don't Know there in L.A. but here I found a good Numark vinyl
player (the TTX model, I think) that has the capacity to play 33 1/3, 45 =
and
78, even in reverse mode, and has line and digital outs. I just ordered =
one
for my studio. Probably you could find one for rent and do the work
yourself. It is even cheaper than the ubiquitous Technics 1210 (way =
cheaper
here in Italy).

Peace
Luigi
----- Original Message -----
From: "lance glover" <baumhaus@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 08, 2002 10:15 PM
Subject: WAY OT: digital transfers from 78's


> just a query to any LA list members who know of a local facility that =
is
> able to make cd's from old vinyl- 78's, to be exact.
>
> please respond off-list, if you prefer...
>
> thanks in advance!
>
> lance g.
> baumhaus@earthlink.net
>
>
>


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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"Times New Roman" =
size=3D3>Hi Lance. Don't=20
Know there in L.A. but here I found a good Numark vinyl<BR>player (the =
TTX=20
model, I think) that has the capacity to play 33 1/3, 45 and<BR>78, even =
in=20
reverse mode, and has line and digital outs. I just ordered one<BR>for =
my=20
studio. Probably you could find one for rent and do the =
work<BR>yourself. It is=20
even cheaper than the ubiquitous Technics 1210 (way cheaper<BR>here in=20
Italy).<BR><BR>Peace<BR>Luigi<BR>----- Original Message -----<BR>From: =
"lance=20
glover" &lt;</FONT><A href=3D"mailto:baumhaus@earthlink.net"><FONT=20
face=3D"Times New Roman" size=3D3>baumhaus@earthlink.net</FONT></A><FONT =

face=3D"Times New Roman" size=3D3>&gt;<BR>To: &lt;</FONT><A=20
href=3D"mailto:Loopers-Delight@loopers-delight.com"><FONT face=3D"Times =
New Roman"=20
size=3D3>Loopers-Delight@loopers-delight.com</FONT></A><FONT=20
face=3D"Times New Roman" size=3D3>&gt;<BR>Sent: Wednesday, May 08, 2002 =
10:15=20
PM<BR>Subject: WAY OT: digital transfers from 78's<BR><BR><BR>&gt; just =
a query=20
to any LA list members who know of a local facility that is<BR>&gt; able =
to make=20
cd's from old vinyl- 78's, to be exact.<BR>&gt;<BR>&gt; please respond =
off-list,=20
if you prefer...<BR>&gt;<BR>&gt; thanks in advance!<BR>&gt;<BR>&gt; =
lance=20
g.<BR>&gt; </FONT><A href=3D"mailto:baumhaus@earthlink.net"><FONT=20
face=3D"Times New Roman" =
size=3D3>baumhaus@earthlink.net</FONT></A><BR><FONT=20
face=3D"Times New Roman"=20
size=3D3>&gt;<BR>&gt;<BR>&gt;</FONT><BR></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May  9 04:22:01 2002
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Subject: Rebirth question
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Hi,

can anybody help me out with the system requirements (Mac) for Rebirth? 
Mine's an old 68k (Quadra 840)....

Thanks, Andreas

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Date: Thu, 9 May 2002 04:33:03 EDT
Subject: Re: basic loops
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> i think there's a little "brass" one at radio shack with slots for 1/4 and 
1/
> 8 inch tape. for
>  whatever reason, the splicing tape they sell is 1/2 inch. who knows? i 
guess 
> they figure

In UK there's a chain off retail outlets called Tandy.
I think they're very closely related to Radio Shack in the US.
I refer to them as "Tandy, where nothing works".

Anyway, many years ago bought an editing block there for 
1/8 in and 1/4 in.
An extruded aluminium item.
the 1/4 in. slot was too thick by about 1/32 of an inch
causing bad edits, before I took it back to Tandy to be told
point blank that it was fully functional and I couldn't have a refund.
...so beware cheap edit blocks (although some are fine)

Cassette editing doesn't work well at all (from experience)
you always get a dropout on the edit due to the stiffness 
of the splicing tape, which  reduces the tape head contact. 
I'd suggest a 90 degree edit angle, and as little splice tape
as possible.

Home made short cassette loops do actually work, but if you 
try to record on to them there's always a dropout due to the 
distance between the record and erase heads. 

andy butler      

From Loopers-Delight-request@loopers-delight.com  Thu May  9 10:05:50 2002
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Date: Thu, 09 May 2002 07:00:08 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: basic loops
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At 4:33 AM -0400 5/9/02, SoundFNR@aol.com wrote:

>Home made short cassette loops do actually work, but if you try to 
>record on to them there's always a dropout due to the distance 
>between the record and erase heads.

This may not apply to Portastudio decks, since they're designed to 
allow punching in and out. I haven't tried this myself, though.

It's possible to defeat the erase head. This might eliminate the 
dropout but will replace it with a "drop-in" as new material is 
recorded over the old without erasure. I might be an interesting 
effect, though (if you're into an analog glitch aesthetic).
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu May  9 10:25:38 2002
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Date: Thu, 9 May 2002 07:23:54 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: basic loops
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At 4:33 AM -0400 5/9/02, SoundFNR@aol.com wrote:

>Home made short cassette loops do actually work, but if you try to 
>record on to them there's always a dropout due to the distance 
>between the record and erase heads.

I wonder if you could make a spacer to push the tape away from the
erase head so that it's effect was diminished (not eliminated
completely) to make a loop that gradually fades over time?

Greg


__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Mother's Day is May 12th!
http://shopping.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu May  9 10:46:47 2002
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Subject: Re: basic loops
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>I wonder if you could make a spacer to push the tape away from the
>erase head


.. or if you're not too worried about the erase head, try putting some layers of
adhesive tape over the erase head itself (or card taped on or similar) for
precision
control of fade time... I've never tried it but it sounds plausable :-)


Cheers,
            Robin.




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From Loopers-Delight-request@loopers-delight.com  Thu May  9 10:47:37 2002
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Date: Thu, 9 May 2002 15:46:08 +0100
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Remembering back 20 years or so, I remember that one of the problems with
tape splicing was the static charge on the blade used or something, such
that a pop would occur at the splice-point.

----- Original Message -----
From: "Greg House" <ghunicycle@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 09, 2002 15:23 PM
Subject: Re: basic loops


> At 4:33 AM -0400 5/9/02, SoundFNR@aol.com wrote:
>
> >Home made short cassette loops do actually work, but if you try to
> >record on to them there's always a dropout due to the distance
> >between the record and erase heads.
>
> I wonder if you could make a spacer to push the tape away from the
> erase head so that it's effect was diminished (not eliminated
> completely) to make a loop that gradually fades over time?
>
> Greg
>
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! Shopping - Mother's Day is May 12th!
> http://shopping.yahoo.com
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu May  9 10:59:52 2002
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At 3:46 PM +0100 5/9/02, Stephen P. Goodman wrote:
>Remembering back 20 years or so, I remember that one of the problems with
>tape splicing was the static charge on the blade used or something, such
>that a pop would occur at the splice-point.

I suspect that may have been magnetization of the blade. You can 
degauss the blade or just use a new one.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Thu May  9 11:43:00 2002
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance Cambridge, MA  5.11.02
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Hi folks,

As some of you may not have heard, the Zeitgeist Gallery has been put 
out of action by a fire. Rob Chalfen has found an alternate location 
for his subconsciouscafe, series, and I will be performing there on 
Saturday.

Much thanks to Rob and all the other good folks who put in so much 
energy to give people like me a place to play!

>
>
>ZEITGEIST IN EXILE PRESENTS:
>
>subconsciouscafe @ BOSTON DANCE CENTER
>550 Mass Ave, Central Sq., 3rd fl.
>Next to Dance Complex,
>Above BookMarx bookstore
>
>Saturday, 11 May '02
>
>
>9:00 pm -
>FROM NYC:
>FREE RANGE RAT!
>
>JOHN CARLSON - trumpet
>ERIC HIPP - tenor
>GEORGE SCHULLER - drums & percussion
>SHAWN MCGLOIN - bass
>
>A real working band of seasoned EITHER/ORCHESTRA vets & other transplanted
>local terrors work out on SUN RA charts, originals, maybe some Ellington.
>
>Video improv by Dr. T
>
>Plus Special Guests
>
>After a desperate week of strife & angst subconsciouscafe has landed 
>in a groovy space in Central Square. We plan to present our entire 
>schedual as closely as possible...Why not come up to our inaugural 
>show and dig some great new sounds?
>
>Suggested: a mere $10 or b/o
>Central Square Redline T
>All Ages
><http://www.zeitgeist-gallery.org> for updates
><robchalfen@hotmail.com>
>info: 617.876.0860
>
>_________________________________________________________________
>Send and receive Hotmail on your mobile device: http://mobile.msn.com


-- 

Visit "Before the Fall -- Images of the World Trade Center" at 
http://www.foryourhead.com

"There were so many things there that are not anywhere else in the 
world. There were millions of people, the strange reflective bars of 
the buildings and the shiny and shimmering towers that seemed like a 
fairy tale"   -- David-Michael Cook

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu May  9 13:34:53 2002
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Date: Thu, 9 May 2002 10:32:57 -0700 (PDT)
From: Bradley Fish <bradleyfishmusic@yahoo.com>
Subject: Re: EDP Next Loop -- Messed up???
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 Hi,
I tried all 3 settings (Send, OFF, "t i") for <Autorecord> but My EDP will no longer switch loops!!! It used to work fine. It's a 4 month old unit but I'm afraid its subtly broken somehow.  Kim? Matthias? Is there something I'm missing or should I send this baby in for warrantee? 
Thanks!!!
BF
 
  Vance Gloster <vgloster@microvault.com> wrote: Hi Bradley, Try this.  Set AutoRecord to ON.  Now, when you say NextLoop it does not go to the empty loop because the loop has not been recorded yet.  But if you have AutoRecord ON and the other settings as described, if the next loop is empty it will go into record at the end of the current loop.  You can get an electronic copy of the EDP manual at the Loopers Delight site at: http://www.loopers-delight.com/tools/echoplex/Echoplex_Manual.pdf Good luck! I am having a different problem with my EDP.  I have LoopCopy OFF, AutoRecord ON and SwitchQuant CYC.  I record loop #1.  Then I press NextLoop and record loop #2, but I fluff it.  In order to recover I do a long press on Record, which clears loop #2.  But when I record loop #2 again there is a gap of silence at the end.  I think what is going on is that the length of loop #2 is not getting erased, and I am playing slightly faster the second time I record.  When I end the recording it is not ending the loop at that point, but instead at the original later end point.  If I do a long press on Record followed by a long press on Multiply (which clears all loops) I do not have this problem, but I lose loop #1.  Is this ringing any bells for anyone? -Vance----- Original Message ----- From: Bradley Fish To: Loopers-Delight@loopers-delight.com Sent: Tuesday, May 07, 2002 10:36 PMSubject: EDP Next Loop Confusion


Hi fellow EDP'ers!!! 
Something that used to work on my EDP isn't happening anymore - My <next loop> function is no longer working. Any suggestions???  
Ok...I am using the loop 3 software, with my drum brain synced with MIDI to the EDP. 
1)I turn on the EDP unit with a long press of the <paramater> button. 
2) I set <more loops> to 3 
3) I set <switch quant> to CYC 
4) I set <loop copy> to OFF 
5) I press <record>,  play a riff, press <record> again  
6) The drum brain kicks in on time without complaining, asking for beer, or hitting on my girlfriend, and and my riff repeats nicely.   
7) I press <next loop> and nothing changes, I try again over and over - I stay on loop 1!!!  
Any Idea where I may be going wrong?? I used to get to change into loops 2 and 3 with no problem.  
Thanks!!!!! 
Bradley Fish



---------------------------------
Do You Yahoo!?
Yahoo! Health - your guide to health and wellness


---------------------------------
Do You Yahoo!?
Yahoo! Shopping - Mother's Day is May 12th!
--0-1507281787-1020965577=:58146
Content-Type: text/html; charset=us-ascii

<P> Hi,
<P>I tried all&nbsp;3 settings (Send, OFF, "t i") for &lt;Autorecord&gt;&nbsp;but My EDP will no longer switch loops!!! It used to work fine. It's a&nbsp;4 month old unit but I'm afraid its subtly broken somehow. &nbsp;Kim? Matthias? Is there something I'm missing or should&nbsp;I send this baby in for warrantee?&nbsp;
<P>Thanks!!!
<P>BF
<P>&nbsp;
<P>&nbsp; <B><I>Vance Gloster &lt;vgloster@microvault.com&gt;</I></B> wrote: 
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">
<META content="MSHTML 5.50.4134.600" name=GENERATOR>
<STYLE></STYLE>

<DIV><FONT face=Arial size=2>Hi Bradley,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Try this.&nbsp; Set AutoRecord to ON.&nbsp; Now, when you say NextLoop it does not go to the empty loop because the loop has not been recorded yet.&nbsp; But if you have AutoRecord ON and the other settings as described, if the next loop is empty it will go into record at the end of the current loop.&nbsp; You can get an electronic copy of the EDP manual at the Loopers Delight site at:</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2><A href="http://www.loopers-delight.com/tools/echoplex/Echoplex_Manual.pdf">http://www.loopers-delight.com/tools/echoplex/Echoplex_Manual.pdf</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>Good luck!</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>I am having a different problem with my EDP.&nbsp; I have LoopCopy OFF, AutoRecord ON&nbsp;and SwitchQuant CYC.&nbsp;&nbsp;I record loop #1.&nbsp; Then I press NextLoop and&nbsp;record loop #2, but I fluff it.&nbsp; In order to recover I do a long press on Record, which clears loop #2.&nbsp; But when I record loop #2 again there is a gap of silence at the end.&nbsp; I think what is going on is that the length of loop #2 is not getting erased, and I am playing slightly faster the second time I record.&nbsp; When I end the recording it is not ending the loop at that point, but instead at the original later end point.&nbsp; If I do a long press on Record followed by a long press on Multiply (which clears all loops) I do not have this problem, but I lose loop #1.&nbsp; Is this ringing any bells for anyone?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV><FONT face=Arial size=2>-Vance</FONT></DIV>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> <A title=bradleyfishmusic@yahoo.com href="mailto:bradleyfishmusic@yahoo.com">Bradley Fish</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=Loopers-Delight@loopers-delight.com href="mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loopers-delight.com</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, May 07, 2002 10:36 PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> EDP Next Loop Confusion</DIV>
<DIV><BR></DIV>
<P><BR>Hi fellow EDP'ers!!! 
<P>Something that used to work on my EDP isn't happening anymore - My &lt;next loop&gt; function is no longer working. Any suggestions???&nbsp; 
<P>Ok...I am&nbsp;using the loop 3 software, with my drum brain synced with MIDI to the EDP. 
<P>1)I turn on the EDP unit with a long press of the &lt;paramater&gt; button. 
<P>2) I set &lt;more loops&gt; to 3 
<P>3) I set &lt;switch quant&gt; to CYC 
<P>4) I set &lt;loop copy&gt; to OFF 
<P>5) I press &lt;record&gt;, &nbsp;play a riff, press &lt;record&gt; again&nbsp; 
<P>6)&nbsp;The drum&nbsp;brain kicks in&nbsp;on time&nbsp;without complaining, asking for beer, or hitting on&nbsp;my girlfriend,&nbsp;and and my riff repeats nicely. &nbsp; 
<P>7) I press &lt;next loop&gt; and nothing changes, I try again over and over&nbsp;- I&nbsp;stay on loop 1!!!&nbsp; 
<P>Any Idea where I may be going wrong?? I used to get to change into loops 2 and&nbsp;3 with no problem.&nbsp; 
<P>Thanks!!!!! 
<P>Bradley Fish</P>
<P><BR>
<HR SIZE=1>
<B>Do You Yahoo!?</B><BR><A href="http://rd.yahoo.com/welcome/*http://health.yahoo.com">Yahoo! Health</A> - your guide to health and wellness</BLOCKQUOTE></BLOCKQUOTE><p><br><hr size=1><b>Do You Yahoo!?</b><br>
<a href="http://rd.yahoo.com/welcome/*http://shopping.yahoo.com">Yahoo! Shopping</a> - Mother's Day is May 12th!
--0-1507281787-1020965577=:58146--

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Is it possible to relocate it to San Francisco?  There sure does seem to be a
lot of cool stuff that happens there that I miss.

Mark

"Emile Tobenfeld (a.k.a Dr. T)" wrote:

> Hi folks,
>
> As some of you may not have heard, the Zeitgeist Gallery has been put
> out of action by a fire. Rob Chalfen has found an alternate location
> for his subconsciouscafe, series, and I will be performing there on
> Saturday.
>
> Much thanks to Rob and all the other good folks who put in so much
> energy to give people like me a place to play!
>
> >
> >
> >ZEITGEIST IN EXILE PRESENTS:
> >
> >subconsciouscafe @ BOSTON DANCE CENTER
> >550 Mass Ave, Central Sq., 3rd fl.
> >Next to Dance Complex,
> >Above BookMarx bookstore
> >
> >Saturday, 11 May '02
> >
> >
> >9:00 pm -
> >FROM NYC:
> >FREE RANGE RAT!
> >
> >JOHN CARLSON - trumpet
> >ERIC HIPP - tenor
> >GEORGE SCHULLER - drums & percussion
> >SHAWN MCGLOIN - bass
> >
> >A real working band of seasoned EITHER/ORCHESTRA vets & other transplanted
> >local terrors work out on SUN RA charts, originals, maybe some Ellington.
> >
> >Video improv by Dr. T
> >
> >Plus Special Guests
> >
> >After a desperate week of strife & angst subconsciouscafe has landed
> >in a groovy space in Central Square. We plan to present our entire
> >schedual as closely as possible...Why not come up to our inaugural
> >show and dig some great new sounds?
> >
> >Suggested: a mere $10 or b/o
> >Central Square Redline T
> >All Ages
> ><http://www.zeitgeist-gallery.org> for updates
> ><robchalfen@hotmail.com>
> >info: 617.876.0860
> >
> >_________________________________________________________________
> >Send and receive Hotmail on your mobile device: http://mobile.msn.com
>
> --
>
> Visit "Before the Fall -- Images of the World Trade Center" at
> http://www.foryourhead.com
>
> "There were so many things there that are not anywhere else in the
> world. There were millions of people, the strange reflective bars of
> the buildings and the shiny and shimmering towers that seemed like a
> fairy tale"   -- David-Michael Cook
>
>                 Emile Tobenfeld, Ph. D.
> Video Producer                  Image Processing Specialist
> Video for your HEAD!                    Boris FX
> http://www.foryourhead.com              http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu May  9 15:53:54 2002
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Date: Thu, 09 May 2002 15:51:55 -0400
From: David Beardsley <db@biink.com>
Subject: NYC - upcoming microtonal gtr shows
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Just back from the  2002 Los Angeles World Out Of Tune Festival...

  DAVID BEARDSLEY

  Microtonal Just Intonation guitar, fretless guitar,
  echoes, loops, drones and minimalism.

Sunday, May 12, 2002
Undercity @ Halcyon, 227 Smith St, Brooklyn, NY, starts at 7:00 pm., free.

    07: Hazmaat
    08: Mercy_killaH
    09: David Beardsley -- LIVE
    10: Instruction Shuttle -- LIVE
    11: Clark ov Saturn

Saturday, May 18, 2002

  Evening set at Three Jewels Buddhist bookstore/coffee shop on=20
  211 East 5th Street, East Village, NYC. Time TBA.

"Microtonal GOD"
Downtown Music Gallery, NYC.

"Phenomenal is one thought. Deep modern meditational tool is another."=20
Pat Pagano, dir. Southeast Just Intonation Society, Gainesville, Fl.


http://biink.com

* David Beardsley
* http://biink.com
* http://mp3.com/davidbeardsley



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<BODY bgColor=#ffffff>
<DIV><FONT face="Arial MT" size=2>Just back from the&nbsp; 2002 Los Angeles 
World Out Of Tune Festival...<BR><BR>&nbsp; DAVID BEARDSLEY<BR><BR>&nbsp; 
Microtonal Just Intonation guitar, fretless guitar,<BR>&nbsp; echoes, loops, 
drones and minimalism.<BR><BR>Sunday, May 12, 2002<BR>Undercity @ Halcyon, 227 
Smith St, Brooklyn, NY, starts at 7:00 pm., free.</FONT></DIV>
<DIV><FONT face=Arial><FONT><BR><FONT face="Arial MT" size=2>&nbsp;&nbsp;&nbsp; 
07: Hazmaat<BR>&nbsp;&nbsp;&nbsp; 08: Mercy_killaH<BR>&nbsp;&nbsp;&nbsp; 09: 
David Beardsley -- LIVE<BR>&nbsp;&nbsp;&nbsp; 10: Instruction Shuttle -- 
LIVE<BR>&nbsp;&nbsp;&nbsp; 11: Clark ov Saturn<BR><BR>Saturday, May 18, 
2002<BR><BR>&nbsp; Evening set at Three Jewels Buddhist bookstore/coffee shop 
on=20<BR>&nbsp; 211 East 5th Street, East Village, NYC. Time 
TBA.<BR><BR>"Microtonal GOD"<BR>Downtown Music Gallery, NYC.<BR><BR>"Phenomenal 
is one thought. Deep modern meditational tool is another."=20<BR>Pat Pagano, 
dir. Southeast Just Intonation Society, Gainesville, 
Fl.<BR><BR><BR></FONT></FONT><A href="http://biink.com"><FONT face="Arial MT" 
size=2>http://biink.com</FONT></A><BR><BR><FONT face="Arial MT" size=2>* David 
Beardsley<BR>* </FONT><A href="http://biink.com"><FONT face="Arial MT" 
size=2>http://biink.com</FONT></A><BR><FONT face="Arial MT" size=2>* </FONT><A 
href="http://mp3.com/davidbeardsley"><FONT face="Arial MT" 
size=2>http://mp3.com/davidbeardsley</FONT></A><BR><BR></DIV><A 
href="http://mp3.com/davidbeardsley"></A></FONT></BODY></HTML>

--Boundary_(ID_w7QltiPYlgh1oi19gn6auw)--

From Loopers-Delight-request@loopers-delight.com  Thu May  9 17:43:09 2002
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Date: Thu,  9 May 2002 14:41:16 -0700
From: Greg Kucharo <telecaster@mac.com>
Subject: my edp is here!
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  Just arrived. God help me..
  
  Now where do I get the Loop4 stuff....

From Loopers-Delight-request@loopers-delight.com  Thu May  9 18:06:27 2002
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Subject: Re: my edp is here!
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----- Original Message -----
From: "Greg Kucharo" <telecaster@mac.com>
>   Just arrived. God help me..
>
>   Now where do I get the Loop4 stuff....

Nowhere yet.  But any day now it should be available.  Lots of us are
waiting with bated breath.  If we hold it a little longer it may end up
smelling more like baited breath.  In any case, we know the Loop guys are
working hard to make it available ASAP.

-Vance



From Loopers-Delight-request@loopers-delight.com  Thu May  9 18:46:36 2002
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Date: Thu, 9 May 2002 18:30:48 -0400
To: Loopers-Delight@loopers-delight.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Coast to Coast was Re: Video Performance Cambridge, MA  5.11.02
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At 10:37 AM -0700 5/9/02, Mark Sottilaro wrote:
>Is it possible to relocate it to San Francisco?  There sure does seem to be a
>lot of cool stuff that happens there that I miss.

and I thought San Francisco was the king of the cool-:) Guess the 
grass is always greener on the other coast.

I'm sure if someone could come up with plane fare, gear cartage and a 
reasonable performance fee, something could be arranged. 
Unfortunately, that seems unlikely -- its not like we make any money 
doing this in Boston-:)

>
>Mark
>
>"Emile Tobenfeld (a.k.a Dr. T)" wrote:
>
>>  Hi folks,
>>
>>  As some of you may not have heard, the Zeitgeist Gallery has been put
>>  out of action by a fire. Rob Chalfen has found an alternate location
>>  for his subconsciouscafe, series, and I will be performing there on
>>  Saturday.
>>
>>  Much thanks to Rob and all the other good folks who put in so much
>>  energy to give people like me a place to play!
>>
>>  >
>>  >
>>  >ZEITGEIST IN EXILE PRESENTS:
>>  >
>>  >subconsciouscafe @ BOSTON DANCE CENTER
>>  >550 Mass Ave, Central Sq., 3rd fl.
>>  >Next to Dance Complex,
>>  >Above BookMarx bookstore
>>  >
>>  >Saturday, 11 May '02
>>  >
>>  >
>>  >9:00 pm -
>>  >FROM NYC:
>>  >FREE RANGE RAT!
>>  >
>>  >JOHN CARLSON - trumpet
>>  >ERIC HIPP - tenor
>>  >GEORGE SCHULLER - drums & percussion
>>  >SHAWN MCGLOIN - bass
>>  >
>>  >A real working band of seasoned EITHER/ORCHESTRA vets & other transplanted
>>  >local terrors work out on SUN RA charts, originals, maybe some Ellington.
>>  >
>>  >Video improv by Dr. T
>>  >
>>  >Plus Special Guests
>>  >
>>  >After a desperate week of strife & angst subconsciouscafe has landed
>>  >in a groovy space in Central Square. We plan to present our entire
>>  >schedual as closely as possible...Why not come up to our inaugural
>>  >show and dig some great new sounds?
>>  >
>>  >Suggested: a mere $10 or b/o
>>  >Central Square Redline T
>>  >All Ages
>>  ><http://www.zeitgeist-gallery.org> for updates
>>  ><robchalfen@hotmail.com>
>>  >info: 617.876.0860
>>  >
>>  >_________________________________________________________________
>>  >Send and receive Hotmail on your mobile device: http://mobile.msn.com
>>
>>  --
>>
>>  Visit "Before the Fall -- Images of the World Trade Center" at
>>  http://www.foryourhead.com
>>
>>  "There were so many things there that are not anywhere else in the
>>  world. There were millions of people, the strange reflective bars of
>>  the buildings and the shiny and shimmering towers that seemed like a
>>  fairy tale"   -- David-Michael Cook
>>
>>                  Emile Tobenfeld, Ph. D.
>>  Video Producer                  Image Processing Specialist
>>  Video for your HEAD!                    Boris FX
>  > http://www.foryourhead.com              http://www.borisfx.com


-- 

Visit "Before the Fall -- Images of the World Trade Center" at 
http://www.foryourhead.com

"There were so many things there that are not anywhere else in the 
world. There were millions of people, the strange reflective bars of 
the buildings and the shiny and shimmering towers that seemed like a 
fairy tale"   -- David-Michael Cook

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu May  9 20:54:06 2002
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Date: Thu, 09 May 2002 20:50:00 -0400
From: skincage <skincage@infin8ty.com>
Subject: repeater/mofx/kaoss pad midi control
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okay, sorry for the crosspost but i'm curious about something and thus must call about thee
wise loop gurus.  i'm honestly lost whenever i try to read midi implementation charts. is
there any way for me to use either the mofx or kaoss pad to control pitch on the repeater?
or, is there a way to control the mofx with the kaoss? i have a kaoss on the insert of my
mofx, it'd be pretty neat if i could produce a weird symbiotic effect by controlling mofx
with the kaoss.

thanks!

jon

From Loopers-Delight-request@loopers-delight.com  Thu May  9 21:13:35 2002
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Subject: Fwd: fun for all the family
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i do not know what to say.

--_===1760141====dc-mxdb08.cluster1.charter.net===_
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To: h3o-o3h@www.god-emil.dk
From: h3o <h3o@veda.is>
Subject: fun for all the family
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I have been diagnosed with Hepatitis B, which at the present time of 
writing is incurable. the treatment I need is unobtainable without 
money. due to the machinations of the people I have worked for, who 
will not recognise the state I am in, I'm forced to accept this 
situation, and make alternative arrangements. the prognosis it 3 
months from now. the end. how sad. never mind.

in order to attempt provide a modicum of support to my three 
children, I am offering my extensive h3o archive for sale. any 
interested parties please email me as soon as as is convenient.

in dulce jubilo

/a


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From Loopers-Delight-request@loopers-delight.com  Thu May  9 21:22:21 2002
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Date: Thu, 09 May 2002 20:17:44 -0500
From: Richard Holland <rjholland@students.wisc.edu>
Subject: Re: Fwd: fun for all the family
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WTF?

At 09:17 PM 5/9/02 -0400, you wrote:
>i do not know what to say.
>
>
>Return-path: <h3o-owner@www.god-emil.dk>
>Received: from [208.234.0.16] (HELO magicicada.com)
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>  09 May 2002 10:31:47 -0400
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>Date: Thu, 09 May 2002 14:26:04 +0200
>From: h3o <h3o@veda.is>
>Subject: fun for all the family
>Sender: h3o-owner@www.god-emil.dk
>To: h3o-o3h@www.god-emil.dk
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>  h3o-owner@www.god-emil.dk using -f
>
>I have been diagnosed with Hepatitis B, which at the present time of 
>writing is incurable. the treatment I need is unobtainable without money. 
>due to the machinations of the people I have worked for, who will not 
>recognise the state I am in, I'm forced to accept this situation, and make 
>alternative arrangements. the prognosis it 3 months from now. the end. how 
>sad. never mind.
>
>in order to attempt provide a modicum of support to my three children, I 
>am offering my extensive h3o archive for sale. any interested parties 
>please email me as soon as as is convenient.
>
>in dulce jubilo
>
>/a
>
>
>----------------------------------------------------------------------
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>
>         h3o-request@www.god-emil.dk
>
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>
>         unsubscribe
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From Loopers-Delight-request@loopers-delight.com  Fri May 10 00:28:31 2002
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Date: Fri, 10 May 2002 00:22:46 -0400
Subject:  Shrub Monkeys live at BWAC pier show 10, this Sunday 5/12 in
	Redhook, Brooklyn, NYC
From: Paul Sullivan <paulsull@gis.net>
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Yes, it's true, lurking list members and loopers Paul Sullivan (guitars,
boomerang, dl-4, echo plus, etc.) and David Weeks (saxophones, repeater,
dl-4, etc.) together with percussionist Brad Wentworth, collectively known
as Shrub Monkeys, will be playing at the Brooklyn Working Artists Coalition
pier show opening weekend this Sunday, May 12, from 2 to 4 pm. The music is
original ambient and jazz, with lots of improvisation and loopage.

This is the 10th year of the BWAC pier show, where hundreds of local artists
exhibit their work in a huge civil-war era warehouse on the waterfront in
Red Hook, Brooklyn. Come early to check out the artwork as well as the
scenic vistas from the promenade (with a birds-eye view of the Statue of
Liberty), and stay for the music, food and drink, and general ambience.
Admission is free. For directions and more info, go to <http://bwac.org/> or
email me. Hope to see you there!


From Loopers-Delight-request@loopers-delight.com  Fri May 10 01:21:49 2002
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From: "Jimmy Fowler" <jimfowler@prodigy.net>
To: <Loopers-Delight@loopers-delight.com>
References: <f4.1b14714c.2a063cc4@aol.com>
Subject: re: fun for the whole family
Date: Fri, 10 May 2002 00:13:45 +0100
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no, seriously...what the hell is that all about?!  not that i'm offended or
anything...maybe i should be...nonetheless, i have no idea what that forward
was about.

perpetually confused,

-jim


From Loopers-Delight-request@loopers-delight.com  Fri May 10 01:42:18 2002
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Subject: Re: fun for the whole family
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i am sorry.i should explain. it is a letter that andrew 
mckenzie posted today concerning his health. he is the 
founding member of hafler trio. which in turn is a group 
who has had a huge effect on many electronic types of this 
era.

From Loopers-Delight-request@loopers-delight.com  Fri May 10 05:20:20 2002
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From: SoundFNR@aol.com
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Date: Fri, 10 May 2002 05:16:22 EDT
Subject: Re: basic loops
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> >Home made short cassette loops do actually work, but if you try to 
>  >record on to them there's always a dropout due to the distance 
>  >between the record and erase heads.
>  
>  This may not apply to Portastudio decks, since they're designed to 
>  allow punching in and out. I haven't tried this myself, though.

Not the ones I've seen, they still have the erase head in the same place.
...but if they run at double speed (most do) the problem is halved.  

>  
>  It's possible to defeat the erase head. This might eliminate the 
>  dropout but will replace it with a "drop-in" as new material is 
>  recorded over the old without erasure. I might be an interesting 
>  effect, though (if you're into an analog glitch aesthetic).
>  -- 

Yes, I've heard of that being made to work for reel to reels.
(and for the Roland Space Echo)

andy butler

From Loopers-Delight-request@loopers-delight.com  Fri May 10 05:23:39 2002
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From: SoundFNR@aol.com
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Date: Fri, 10 May 2002 05:19:34 EDT
Subject: Re: basic loops
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> >Home made short cassette loops do actually work, but if you try to 
>  >record on to them there's always a dropout due to the distance 
>  >between the record and erase heads.
>  
>  I wonder if you could make a spacer to push the tape away from the
>  erase head so that it's effect was diminished (not eliminated
>  completely) to make a loop that gradually fades over time?

:-) hmmm. wish I'd said that.

......but you need a 3 head deck, otherwise you can't record and playback at 
the same time.

andy butler 

From Loopers-Delight-request@loopers-delight.com  Fri May 10 05:31:41 2002
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Date: Fri, 10 May 2002 05:27:49 EDT
Subject: Re: EDP NextLoop problem (Bradley)
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> Hi,
>  I tried all 3 settings (Send, OFF, "t i") for <Autorecord> but My EDP will 
> no longer switch loops!!! It used to work fine. It's a 4 month old unit but 
I'
> m afraid its subtly broken somehow.  Kim? Matthias? Is there

Are you using the footswitch, or the front panel.
Just the footswitch may be faulty, in which case it's an
easy fix.
...but if you can't get the function from the front panel either,
then I suspect it's more serious.

andy butler 

From Loopers-Delight-request@loopers-delight.com  Fri May 10 07:08:23 2002
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Date: Fri, 10 May 2002 21:04:53 +1000
Subject: My EPD, here soon
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My EPD is 2 weeks away, I'm lay-buying one of the very few that made it to australia, at a very good price[rare]
 It was great, except, i could'nt work out how to stop a loop.
I'm from the headrush and dl4 world, and i feel i'm entering a new exciting galaxy!

From Loopers-Delight-request@loopers-delight.com  Fri May 10 07:19:58 2002
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From: "Om_Audio" <Om-Studios@Om-Studios.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Repeater tempo lock method- metronome is key.
Date: Fri, 10 May 2002 04:16:24 -0700
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Hi all- 

 

I just wanted to let you know how to set a tempo on the Repeater, record
a loop, and have the tempo stay EXACTLY where you set it originally. 

 

You simply turn the metronome on, turn its volume to zero, and create
your first loop- 

The start point will get re-triggered (which is the one drawback) but
the tempo will NOT change which I myself find very useful at times.

 

Om

 

http://www.om-studios.com <http://www.om-studios.com/> 

 


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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Hi </span></font><font size=3D2 face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'>ll- =
</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I just w</span></font><font size=3D2 =
face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'>nted to =
let you
know how to set </span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:
 10.0pt;font-family:Arial'>a</span></font><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'> tempo on the =
Repe</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>ter, record =
</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> loop, </span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>nd h</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>ve the tempo
st</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
 font-family:Arial'>a</span></font><font size=3D2 face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>y EXACTLY where you set it =
origin</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>lly. </span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>You simply turn the metronome on, turn its volume to =
zero, </span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>nd cre</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>te your
first loop- </span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>The st</span></font><font size=3D2 face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'>rt point =
will get
re-triggered (which is the one dr</span></font><font size=3D2 =
face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
size=3D2
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>wb</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>ck) but the
tempo will NOT ch</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:
 10.0pt;font-family:Arial'>a</span></font><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>nge which I myself find =
very useful </span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>t times.</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
 font-family:Arial'>Om</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><a =
href=3D"http://www.om-studios.com/">http://www.om-studios.com</a></span><=
/font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;</span></font></p>

</div>

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i've been using longish (1.5min) loops of my beehive for more than a year :)
(i installed a stereo mic pair when i built it).

deknow
----- Original Message -----
From: Richard Zvonar <zvonar@zvonar.com>
>
> At least one prior example is Eric Singer's "boids" object for Max
> http://www.ericsinger.com/Downloads/Boids.1.51.sea.hqx, an
> implementation of Craig Reynolds' 1987 algorithm of the same name
> http://www.red3d.com/cwr/boids/


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Subject: RE: OT:Insect swarming inspires jazz software
Date: Fri, 10 May 2002 04:26:41 -0700
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I want some!

:)

Cliff

-----Original Message-----
From: deknow [mailto:deknow@deknow.com] 
Sent: Friday, May 10, 2002 7:37 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT:Insect swarming inspires jazz software

i've been using longish (1.5min) loops of my beehive for more than a
year :)
(i installed a stereo mic pair when i built it).

deknow
----- Original Message -----
From: Richard Zvonar <zvonar@zvonar.com>
>
> At least one prior example is Eric Singer's "boids" object for Max
> http://www.ericsinger.com/Downloads/Boids.1.51.sea.hqx, an
> implementation of Craig Reynolds' 1987 algorithm of the same name
> http://www.red3d.com/cwr/boids/




From Loopers-Delight-request@loopers-delight.com  Fri May 10 07:43:26 2002
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Subject: Robert Rich concert in San Francisco this Sunday
Date: Fri, 10 May 2002 07:42:28 -0400
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A little reminder for you Californians that Robert Rich
is performing this Sunday in the Cowell Theatre at
Fort Mason Center in San Francisco, which I understand
is fairly large - so it's likely not sold out yet. When Robert
played here in Toronto, I spotted an EDP, Repeater and
Line 6 floor and rack mount loopers besides his MOTR
modular synth, steel guitar, synths, flutes etc...

All the show details are at the Dub Beautiful site:
http://www.dub-beautiful.org

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com


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At 7:36 AM -0700 5/10/02, deknow wrote:
>i've been using longish (1.5min) loops of my beehive for more than a year :)
>(i installed a stereo mic pair when i built it).

I've used the sounds of bees and other insects in several pieces, 
most notably in my theater piece OX (1987) where I mixed them with 
short wave radio sounds. I got the bee recordings from an artist in 
Oakland who was doing an installation piece in which he used to sit 
for hours on end with his head and shoulders inside a glass-walled 
beehive. The bees build their honeycombs around him without incident. 
OX also had an olfactory element; the piece ended with the lighting 
of a large beeswax candle in the shape of Icarus, with wicks embedded 
in his wings. During a narration of the story of his flight too near 
the sun, the wings of the wax figure melted down and filled the 
theater with the aroma of beeswax.
-- 
______________________________________________________________________________
Richard Zvonar					(818) 788-2202 voice
zvonar@zvonar.com				(818) 788-2203 fax
http://www.zvonar.com

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Hi all,

I've decided it's time to stop collecting gear for a while and actually
learn to use the gear I have.  I have an old PA, built like a tank and as
heavy as one, whit a built in tape echo unit.  It is made by FBT, and the
model is Personal 2004t.  It never came with the tape mechanism though, so
I've always just improvised with a basic loop.  Does anybody know anything
about these and the tape mechanism they utilise?

Secondly, I have an 8mm film splicer, and was wondering if this might be put
to good use on reel to reel tape.  If so, anybody got any idea how to use
it?

Any other Australians lurching on this list?

regards,
michael noble

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From: todd reynolds <toddreynolds@rcn.com>
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Greetings to the list!!!

This gig ALWAYS features plenty of looping, this time including phil kline,
analog looper of death...  And my own rig, AND a laptop guy who processes my
loops...  
If you want to hear sound, go to http://www.toddreynolds.com/music.html

Here is the press release...


==========================

Violinist and Composer Todd Reynolds presents:

Still Life With Microphone
Version 3.0

Todd Reynolds assembles three very different and powerful artistic voices,
downtown genre-destroying band GUTBUCKET, composer and boombox maestro PHIL
KLINE, and laptopist DJ JESSE STILES, for an innovative evening of feature
performances and interactive explorations.

Thursday, May 16, 2002, 8:00pm
Galapagos Art Space
70 N 6th St., Williamsburg, Brooklyn
718.782.5188
(Bedford stop on L train)
www.galapagosartspace.com € www.toddreynolds.com


April 30, New York On Thursday, May 16, violinist and composer Todd Reynolds
continues to redefine łconcert performance˛ with the third installment of
Still Life With Microphone at Galapagos Art Space.

The previous two incarnations of Still Life... unified a range of
performance disciplines and content: composed music by Todd Reynolds, the
ensemble members and others; improvised music; improvised text; and
spontaneously directed movement in the space, all orchestrated in real time
using a conducting/composing system called Sound Painting, a gesture-based
medium for structured improvisation developed by composer Walter Thompson
that directs individual and ensemble actions in real time.

While continuing the all-over stylistic and staging effect found in the
previous versions of Still LifeŠ, Todd Reynolds is viewing Version 3.0 from
a curatorąs perspective, bringing together three very different and powerful
artistic voices to perform their own material, interact with each other, and
integrate their audiences in a collaborative art event.  Each łvoice˛ is
indeed distinct and unique and includes downtown genre-destroying quartet
Gutbucket, post-Minimalist composer Phil Kline with his battery of boomboxes
and looping gear in tow, and laptopist DJ Jesse Stiles utilizing the
performative software MAX/MSP with Reynolds himself, who The New Yorker
calls łNew Yorkąs leading classical/jazz violinist˛, on amplified and
digitized violin.

The music will seamlessly flow between the component voices, developed and
directed by Reynolds using Sound Painting.  The performance will be
structured in two 50-60 minute sets with a short break between them, with
all three groups performing throughout the evening, both alone and in
situations with others, sometimes orchestrated, sometimes spontaneous.


Still Life With Microphone Version 3.0 takes place in the rapturous confines
of Williamsburgąs preeminent performing art space, Galapagos. The New York
Times describes it as having ła truly sublime reflecting pool, an expansive
cathedral-like interior, brilliant spotlightingŠ˛ and as an łever-growing
cultural oasis.˛  Please join Todd Reynolds and company for this visionary
and innovative musical event.

The following is a brief description of the Still Life With Microphone
series by Todd Reynolds:

łStill Life with Microphone grows out of a desire to bring my varied
interests and modes of artistic expression under one roof.  It allows me to
piece together my love of theatre, improvisation, conducting and directing,
editing and organizing ideas, and of performing.  A typical Still LifeŠ
event involves a cast of 5 to 8 performers across disciplines, composed
music, improvised music, theater, video, and movement, creating a seamless
magic carpet ride for the audience through events, styles, and genres.˛


More information about Todd:

Violinist and composer Todd Reynolds is one of the most active musicians on
the contemporary music scene.  He is a founding member of New Yorkąs hottest
string quartet, Ethel.  He explores composing and improvising in his
music-based performance art project Still Life With Mic.  Todd is violinist
for the Bang On A Can All Stars and Yo Yo Maąs Silk Road Project.  He a
frequent guest artist with the Chamber Music Society of Lincoln Center and
recently appeared as soloist with Yo Yo Ma in Tan Dun's Water Passion after
St. Matthew at the Barbican Center in London.  He acts as assistant
conductor and violinist for Steve Reich and Musicians and the Walter
Thompson Orchestra.

Todd has premiered an immense number of compositions by composers including
Michael Gordon, John King, Steve Reich, Elliot Sharp, Julia Wolfe, and
Randall Wolff, As an improvisor and solo interpreter of new musics from
classical to jazz and pop, and has appeared and/or recorded with such
artists as Anthony Braxton, Uri Caine, John Cale, Steve Coleman, Joe
Jackson, Dave Liebman, Graham Nash, Greg Osby, Steve Reich, Marcus Roberts,
Wayne Shorter and Cassandra Wilson.

Reynolds has recorded for Nonesuch, CRI, and Atlantic Records and can also
be heard on Tan Dun's soundtrack for the film Fallen, starring Denzel
Washington. On Broadway, he originated the role of "The Fiddler", playing
and dancing on stage in the Tony Award-winning revival of Irving Berlin's
Annie, Get Your Gun, starring Bernadette Peters and Reba McEntire. Currently
he tours as part of the Mahavishnu Project, a five-piece jazz-fusion band
which centers around the music of John McLaughlin's Mahavishnu Orchestra,
performs often with The Betty Buckley Band, alongside Kenny Werner, Billy,
Tony Marino, Jamey Haddad, and, of course, Ms. Buckley herself.


For further information, and to arrange interviews please contact
Christopher McIntyre at 917.676.4585, cmacartserv@mindspring.com, or visit:
www.toddreynolds.com


Christopher McIntyre
C Mac Artist Services
917.676.4585 contact
212.725.5940 office/fax
cmacartserv@mindspring.com
---------------


From Loopers-Delight-request@loopers-delight.com  Fri May 10 10:32:50 2002
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Subject: Re: learn to use the gear I have.
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(was: basic loops)
----- Original Message ----- 
From: "omjn" <eightohm@iinet.net.au>

> Hi all,
> 
> I've decided it's time to stop collecting gear for a while and actually
> learn to use the gear I have.  

WHAT A NOVEL CONCEPT ;-)


From Loopers-Delight-request@loopers-delight.com  Fri May 10 10:47:05 2002
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Amen brother! Some friends are bugging me to pick up the Repeater, DL4 etc 
etc but I’m still learning & exploring w/ the EDP & even w/ my trusty old 
Echo+ petal too. :)


>From: Bill Cummings <billcumm@sprynet.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: learn to use the gear I have.
>Date: Fri, 10 May 2002 10:31:02 -0400
>
>(was: basic loops)
>----- Original Message -----
>From: "omjn" <eightohm@iinet.net.au>
>
> > Hi all,
> >
> > I've decided it's time to stop collecting gear for a while and actually
> > learn to use the gear I have.
>
>WHAT A NOVEL CONCEPT ;-)
>
>


_________________________________________________________________
MSN Photos is the easiest way to share and print your photos: 
http://photos.msn.com/support/worldwide.aspx

From Loopers-Delight-request@loopers-delight.com  Fri May 10 11:16:34 2002
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From: "Michael LaMeyer" <m.lameyer@verizon.net>
To: "skincage" <skincage@infin8ty.com>, <Loopers-Delight@loopers-delight.com>
Cc: <repeater-users@yahoogroups.com>
References: <002101c1f7bc$9d99cfe0$63483144@nrockv01.md.comcast.net>
Subject: Re: repeater/mofx/kaoss pad midi control
Date: Fri, 10 May 2002 11:11:45 -0400
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short answer, yes.  long answer, you really won't be able to do
this without taking some time to learn a bit about MIDI.  don't
be too intimidated, just search the web for "midi introduction"
and you should get some useful stuff.  you need to understand
(in order of importance for what you're trying to do, IMO):

midi channels
continuous contol messages
program control messages
note ons/offs & velocity

then read your manuals again.  don't try to take in midi
implementation charts all at once, start at the top and try to
figure out what the very first line means.  then go to the next
line, ect.  learn one line of the chart per day and in a month
you'll be golden.  slow but steady amigo, just patience and some
attention.

then see if there are any forums dedicated to the kaoss pad, and
ask those folks about specifics.

good hunting,

mike

----- Original Message -----
From: "skincage" <skincage@infin8ty.com>
To: <Loopers-Delight@loopers-delight.com>
Cc: <repeater-users@yahoogroups.com>
Sent: Thursday, May 09, 2002 8:50 PM
Subject: repeater/mofx/kaoss pad midi control


> okay, sorry for the crosspost but i'm curious about something
and thus must call about thee
> wise loop gurus.  i'm honestly lost whenever i try to read
midi implementation charts. is
> there any way for me to use either the mofx or kaoss pad to
control pitch on the repeater?
> or, is there a way to control the mofx with the kaoss? i have
a kaoss on the insert of my
> mofx, it'd be pretty neat if i could produce a weird symbiotic
effect by controlling mofx
> with the kaoss.
>
> thanks!
>
> jon
>
>

From Loopers-Delight-request@loopers-delight.com  Fri May 10 11:27:15 2002
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> short answer, yes.  long answer, you really won't be able to do
> this without taking some time to learn a bit about MIDI.  don't
> be too intimidated, just search the web for "midi introduction"
> and you should get some useful stuff. . . .

Harmony Central has some good info/links:
http://www.harmony-central.com/MIDI/Doc/doc.html

Dennis Leas
-------------------
dennis@mdbs.com

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Has anyone heard anything about the DigiTech GNX3?  The ad says it has an 8 
track digital recorder / looper built in and that the looper is a JamMan. Is 
it like  the origional Lexicon JamMan?





_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri May 10 11:41:20 2002
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Subject: Soundscapes #2
Date: Fri, 10 May 2002 11:38:50 -0400
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The Ministry of Inside Things will perform their special brand of spacemusic at
the second installment of the Soundscapes Concert Series.  The concert will take
place at the City of Bethlehem's IceHouse on Sand Island, Saturday, June 22, at
8:00 pm.  Doors open at 7:30 pm for a free buffet dinner provided by Chef Jeff.
Those who attended Soundscapes #1 will recall a memorable evening of great music
and food.  Soundscapes #2 promises to be just as enjoyable, as well as being the
only source of live spacemusic in the Lehigh Valley.  Admission at the door will
be $15.  Full time Students with valid ID and members of WDIY and WMUH will
receive a $5 discount.  Advance tickets will be $10 (no discounts), availability
to be announced.

The Ministry Of Inside Things consists of electric guitarist Art Cohen and
synthesist Chuck van Zyl.   Considered among the most innovative of electronic
musicians in the U.S. today, the members of MoIT are influenced by the early
music of Tangerine Dream, Klaus Schulze and Ash Ra Tempel.   Their spacemusic
has been described as linear because it leads the listener across many sonic
terrains.   Based on improvisation, The Ministry Of Inside Things creates
electronic realizations that flow from theme to theme, often for two hours at a
stretch.   Through the use of textures and atmospheres as well as harmony,
rhythm and melody, the group transports the audience on an internal sonic
excursion.

Chuck van Zyl has been recording electronic music and performing in public for
over 15 years.   Van Zyl originally worked under the name Xisle, but is best
known for hosting one of the country's most successful radio shows of electronic
music, STAR'S END, for over 20 years.   Van Zyl has released two CDs of
spacemusic on the Centaur label, Celestial Mechanics and The Relic.   The Sound
Museum with Peter Gulch and D. Andrew Rath was released on the Groove label in
2001.   A collaborative effort with Peter Gulch, Regeneration Mode, was released
on their own Synkronos label.

Art Cohen has been pushing the limits of the electric guitar in the studio and
in live performance for well over 15 years.   He uses processing to enhance the
space around his guitar and loops his live sound to create lush layers to create
soundworlds of immense depth and beauty.

The Ministry Of Inside Things has performed at Art & Technology, The
Philadelphia Museum of Art, First Night Wilmington, the Wild Talents opening
reception at the ICA, Gate To Moon Base Alpha, the Boyertown Planetarium,
Gathering Concert Series, on the 01.28.01 broadcast of STAR'S END, and on the
07.12.01 broadcast of EMUSIC.

Soundscapes #2 is coproduced by WDS Productions and Wooden Shoe Music.

Bill
billfox@fast.net
SOUNDSCAPES Concert Series: http://www.tadream.net/soundscapes
Wooden Shoe Music: http://woodenshoemusic.com/

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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
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pheh.

you'll be back at the dealer for your fix soon enuff ;)

we should have a gear 12-step yahoogroup.

-----Original Message-----
From: Louis Rossi [mailto:tarbit@hotmail.com]
Sent: Friday, May 10, 2002 10:45 AM
To: Loopers-Delight@loopers-delight.com
Subject: learn to use the gear YOU have.


Amen brother! Some friends are bugging me to pick up the Repeater, DL4 etc 
etc but I'm still learning & exploring w/ the EDP & even w/ my trusty old 
Echo+ petal too. :)


>From: Bill Cummings <billcumm@sprynet.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: learn to use the gear I have.
>Date: Fri, 10 May 2002 10:31:02 -0400
>
>(was: basic loops)
>----- Original Message -----
>From: "omjn" <eightohm@iinet.net.au>
>
> > Hi all,
> >
> > I've decided it's time to stop collecting gear for a while and actually
> > learn to use the gear I have.
>
>WHAT A NOVEL CONCEPT ;-)
>
>


_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri May 10 11:55:54 2002
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All,
Do you think it would be possible to include more specific geographical
information regarding where your gigs are when you post to the list? 
Some of us have trouble keeping track of where we are, let alone where
the rest of you people are.  

Example of confusing information:
"The concert will take place at the City of Bethlehem's IceHouse on Sand
Island, Saturday, June 22, at 8:00 pm"

Somehow I have this notion that he isn't referring to the disputed
territory in Palestine, but I can't confirm that.

Thanks,
Jeff

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Date: Fri, 10 May 2002 10:36:02 -0700 (PDT)
From: Bradley Fish <bradleyfishmusic@yahoo.com>
Subject: Re: EDP NextLoop problem (Thanks Andy!)
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 Sure enough-bad footswitch button...I'm guessing Gibson will fix it. I'll probably buy a backup in the meantime... 
  SoundFNR@aol.com wrote: > Hi,
> I tried all 3 settings (Send, OFF, "t i") for but My EDP will 
> no longer switch loops!!! It used to work fine. It's a 4 month old unit but 
I'
> m afraid its subtly broken somehow. Kim? Matthias? Is there

Are you using the footswitch, or the front panel.
Just the footswitch may be faulty, in which case it's an
easy fix.
...but if you can't get the function from the front panel either,
then I suspect it's more serious.

andy butler 



---------------------------------
Do You Yahoo!?
Yahoo! Shopping - Mother's Day is May 12th!
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<P> Sure enough-bad footswitch button...I'm guessing Gibson&nbsp;will fix it. I'll probably buy a backup in the meantime...&nbsp;
<P>&nbsp; <B><I>SoundFNR@aol.com</I></B> wrote: 
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">&gt; Hi,<BR>&gt; I tried all 3 settings (Send, OFF, "t i") for <AUTORECORD>but My EDP will <BR>&gt; no longer switch loops!!! It used to work fine. It's a 4 month old unit but <BR>I'<BR>&gt; m afraid its subtly broken somehow. Kim? Matthias? Is there<BR><BR>Are you using the footswitch, or the front panel.<BR>Just the footswitch may be faulty, in which case it's an<BR>easy fix.<BR>...but if you can't get the function from the front panel either,<BR>then I suspect it's more serious.<BR><BR>andy butler <BR></BLOCKQUOTE><p><br><hr size=1><b>Do You Yahoo!?</b><br>
<a href="http://rd.yahoo.com/welcome/*http://shopping.yahoo.com">Yahoo! Shopping</a> - Mother's Day is May 12th!
--0-1393208108-1021052162=:56642--

From Loopers-Delight-request@loopers-delight.com  Fri May 10 14:58:21 2002
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From: "Clifford Novey" <om@Om-Studios.com>
To: <Loopers-Delight@loopers-delight.com>
References: <p05100306b90165bb159f@[63.195.210.50]>
Subject: Re: OT:Insect swarming inspires jazz software
Date: Fri, 10 May 2002 11:56:03 -0700
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This topic brings to mind that wonderful film "Cremaster 2" by Matthew
Barney- so much crazy bee imagery- and there is nothing like watching a rock
singer perform death metal while covered with bees!

Cliff
----- Original Message -----
From: "Richard Zvonar" <zvonar@zvonar.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 10, 2002 4:55 AM
Subject: Re: OT:Insect swarming inspires jazz software


> At 7:36 AM -0700 5/10/02, deknow wrote:
> >i've been using longish (1.5min) loops of my beehive for more than a year
:)
> >(i installed a stereo mic pair when i built it).
>
> I've used the sounds of bees and other insects in several pieces,
> most notably in my theater piece OX (1987) where I mixed them with
> short wave radio sounds. I got the bee recordings from an artist in
> Oakland who was doing an installation piece in which he used to sit
> for hours on end with his head and shoulders inside a glass-walled
> beehive. The bees build their honeycombs around him without incident.
> OX also had an olfactory element; the piece ended with the lighting
> of a large beeswax candle in the shape of Icarus, with wicks embedded
> in his wings. During a narration of the story of his flight too near
> the sun, the wings of the wax figure melted down and filled the
> theater with the aroma of beeswax.
> --
>
____________________________________________________________________________
__
> Richard Zvonar (818) 788-2202 voice
> zvonar@zvonar.com (818) 788-2203 fax
> http://www.zvonar.com
>
>



From Loopers-Delight-request@loopers-delight.com  Fri May 10 17:51:43 2002
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From: pnyboer@slambassador.com (peter nyboer)
Subject: [ad] Girl loop mixing for the mac
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Hi all,

There's been some serious updating and upgrading for the Girl loop mixing
software (Mac os9 only, built in Max/MSP) going on.  Take a look:
http://girl.yowstar.com

and some girl produced tracks are here:
http://girl.yowstar.com/music.html

Peace,

Peter.


From Loopers-Delight-request@loopers-delight.com  Fri May 10 23:43:31 2002
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I downloaded the manual from Digitech and took a look at the thing.  I don't
honestly think that the Jamman (trademark) feature has much to do its Lexicon
predecessor.  As far as I can tell, they have an eight track digital recorder
set up so you can create a loop on one track and then overdub (and remove) stuff
on the other seven tracks.  I think that's about the extent of it.  I'm sure its
got the backwards features and the like but as far as being a looper I think its
very limited in its idea of what you can do with a loop; play something, loop
it, play some stuff on top of it, remove some of that stuff.

Its probably great if you want to have one portable unit that does everything,
effects processing (pretty extensive), recording and then some rudimentary
looping.  However, if you want to get really creative with the loops, I think
you might burn this out pretty quickly.  It does have a lot of time available
for loops though.

That's just my impression from a quick read through of the manual though, I
haven't played one or anything like that.

Kevin

Jim Hendrix wrote:

> Has anyone heard anything about the DigiTech GNX3?  The ad says it has an 8
> track digital recorder / looper built in and that the looper is a JamMan. Is
> it like  the origional Lexicon JamMan?
>
> _________________________________________________________________
> Send and receive Hotmail on your mobile device: http://mobile.msn.com


From Loopers-Delight-request@loopers-delight.com  Sat May 11 04:25:47 2002
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Subject: Handsonic - bass strings on guitars
Date: Fri, 10 May 2002 06:54:39 +0100
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Just spent an hour trying one out - absolutely hated it!
It felt like a dead thing  in my hands  -  nice sounds and everything and
the ribbon controllers are cool but very little in the way of sonic nuance.
Lots of crap samples that have nothing to do with percussion either - crappy
electric guitars and GM sounds - yuk.
To cap it all, (and even though I was prepared for it) it looks like a
dalek's handbag!

Any one using a Zendrum?

Gareth.

Oh, I ended up buying a bass guitar E string for my crappy but sonically
beautiful secondhand, machettied electric guitar- it works a treat - I can
now lay down some deep bass under my loops without carrying another
instrument with me - anyone else doing this ? I was thinking of looking at
some 7 stringers to get my old bottom E back.

From Loopers-Delight-request@loopers-delight.com  Sat May 11 06:57:18 2002
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
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Subject: Re: Handsonic - bass strings on guitars
Date: Sat, 11 May 2002 11:17:14 +0100
Organization: EarthLight Productions
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"Gareth Whittock" <gareth@whiteoakstudios.freeserve.co.uk> gave me a good
morning chuckle...

> Just spent an hour trying one out - absolutely hated it!
> It felt like a dead thing  in my hands  -  nice sounds and everything and
> the ribbon controllers are cool but very little in the way of sonic
nuance.
> Lots of crap samples that have nothing to do with percussion either -
crappy
> electric guitars and GM sounds - yuk.
> To cap it all, (and even though I was prepared for it) it looks like a
> dalek's handbag!

Don't think too much about what a Dalek's handbag looks like unless you've
seen "Dr. Who", folks.  Of course I've not seen a Handsonic, so the mind
boggles.  I think of Hilary Rosen of the RIAA as a kind of Dalek, going on
and on and on and on chanting "Adjudicate!  Adjudicate!  Kill the indies!"
:)

> Oh, I ended up buying a bass guitar E string for my crappy but sonically
> beautiful secondhand, machettied electric guitar- it works a treat - I can
> now lay down some deep bass under my loops without carrying another
> instrument with me - anyone else doing this ? I was thinking of looking at
> some 7 stringers to get my old bottom E back.

I asked someone about doing something like this years ago - a bass player -
and he told me that one should not put too much of a guage of bass string on
one side of the neck, as it can cause gradual damage to the base of the
neck.  I asked about solid bodies, and he said that at some point even those
would succumb, and one day you'd end up with an unexpected sitar twang
coming out of the first and second strings.  While this might be pretty
cool-sounding initially, I was told that it's the first sign that some
bending is happening to the neck.  My friend back then said that, if the
guage isn't too extreme, one might be able to get away with it.

Now I wish I had my old $49.99 Sam Goody Special Sekova around to experiment
on.  It had already earned the title "Frankenguitar" some years before I
finally hunkered down and bought my beloved Strat, "Cthulhu".

By the way, I got to go see Ian Hunter and the "Rant Band" last night here
in London - my editor's in town and bought the tix for us! - and it was
outstanding.  And not just a trip back in time for an old geezer either!
Really worth seeing if you love Mott the Hoople's stuff at least.

Stephen P. Goodman
EarthLight Productions
*
http://www.earthlight.net/Studios - The Free Loop of the Week!
http://www.earthlight.net/Gallery_Front.html - Cartoons!
http://www.earthlight.net/HiddenTrack.html - More Cartoons!

From Loopers-Delight-request@loopers-delight.com  Sat May 11 08:30:32 2002
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From: "Luigi Meloni" <Luigimeloni74@libero.it>
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Subject: Re: Handsonic - bass strings on guitars
Date: Sat, 11 May 2002 14:28:37 +0200
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Well, if you want some bassy sounds from a 7 stringer you can try with
flatwound jazz strings. I use a Schecter C7 guitar with flatwounds - gauge
011 to 060 with a fixed bridge. A bit hard at first, but now I can't play
without them.
To get an even bassier sound I tune EBGDADA bottom to top.

Peace
Luigi

> > Oh, I ended up buying a bass guitar E string for my crappy but sonically
> > beautiful secondhand, machettied electric guitar- it works a treat - I
can
> > now lay down some deep bass under my loops without carrying another
> > instrument with me - anyone else doing this ? I was thinking of looking
at
> > some 7 stringers to get my old bottom E back.
>


From Loopers-Delight-request@loopers-delight.com  Sat May 11 11:55:05 2002
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From: BILLYBUDDHA@webtv.net (William Mcallister)
Date: Sat, 11 May 2002 08:52:59 -0700 (PDT)
To: Loopers-Delight@loopers-delight.com
Subject: Re: Handsonic - bass strings on guitars
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Gareth, did you check out the Roland SPD 20, pecussion pad. Its got
twice as many sounds, and extra-outs if you want to add more pads. I
added a the V-drum bass drum trigger so I play things standing up. and
you can put any sound or effect you want on the pad, and all the
"canned' sounds are totally tweakable. fully midi, and half the price.
Bill/Las Vegas 

From Loopers-Delight-request@loopers-delight.com  Sat May 11 19:26:37 2002
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Subject: OT: expression pedal with all access
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for those of use using the rocktron all access, which 
pedal do you use for expression?

thanks.

-jim

From Loopers-Delight-request@loopers-delight.com  Sat May 11 19:57:27 2002
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Date: Sat, 11 May 2002 19:56:01 -0500
Subject: cable direction!!!  just kidding, but you should check this out...
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go here for a good laugh:

http://gallery.consumerreview.com/audio/gallery/files/o
pus-mm.asp

From Loopers-Delight-request@loopers-delight.com  Sat May 11 20:23:29 2002
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Subject: Re: Gig Postings
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----- Original Message -----
From: "Jeffrey Lomas" <jeff.lomas@oasis-open.org>
> Do you think it would be possible to include more specific geographical
> information regarding where your gigs are when you post to the list?
> Some of us have trouble keeping track of where we are, let alone where
> the rest of you people are.
>
> Example of confusing information:
> "The concert will take place at the City of Bethlehem's IceHouse on Sand
> Island, Saturday, June 22, at 8:00 pm"

Oops.  Pennsylvania.  The Lehigh Valley, Allentown, Bethlehem, WDIY, etc. are in
SE Pennsylvania about 1.25 hours north of Philadelphia.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sat May 11 22:10:41 2002
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Subject: Re: cable direction!!!  just kidding, but you should check this out...
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Oh, it's clear to see which direction the signal on those cables was 
meant to go in...

STRAIGHT TO HELL!!!!!!!!!!!!! AH HAHHAH HAHHHAHAHAHHHAMWA MWAAH AH!

On Saturday, May 11, 2002, at 05:56  PM, JIMFOWLER@prodigy.net wrote:

> http://gallery.consumerreview.com/audio/gallery/files/o
> pus-mm.asp

From Loopers-Delight-request@loopers-delight.com  Sat May 11 22:18:37 2002
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Subject: The Ambient Ping presents Planet Of The Loops
Date: Sat, 11 May 2002 22:18:55 -0400
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THE AMBiENT PiNG   http://www.theambientping.com
Every Tuesday Night - doors open at 9pm - 1st set at 9:30
@ club nia / C'est What - 19 Church St. at Front St. - Toronto
        3 blocks east of the Union Station subway.
        map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday May 14th 2002 - Planet Of The Loops

This edition of Planet Of The Loops presents 3 veteran loopers.
Kurt Swinghammer is well known as a singer/songwriter, an
ace guitarist and a visual artist in a variety of media - but he
is also an experimental musician and performed at the very 1st
Planet Of The Loops concert in 1998. Guitarist Andrew Aldridge
also performed at that first show as he is the founder of this
floating ensemble of improvisers and an inspiring example
of a looping performer. Trumpet player Wally Jericho has
been a regular player with the Planet for years and was the
first performer at The Ambient Ping in 1999. Don't miss
this trip into the unknown with a well-seasoned crew.

Wally Jericho - http://www.wallyjericho.com
Kurt Swinghammer - http://www.swinghammer.com
Andrew Aldridge -
http://www.geocities.com/energymadeaudible/homepage.html
Planet Of The Loops -
http://www.geocities.com/energymadeaudible/planet.html

Between sets - "The Spirit Molecule" Anomalous Disturbances
Guitar-based ambient looping CD by Vancouver's Terry Obien.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and
the club's impressive beer, wine and whiskey selection.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming May 21st 2002 - Sara Ayers and Mara's Torment
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


From Loopers-Delight-request@loopers-delight.com  Sun May 12 02:07:28 2002
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From: Miko Biffle <biffoz@pacbell.net>
Subject: Re: learn to use the gear YOU have.
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I sorta have a retro-thing going on too... I've taken to playing with just a
pedalboard and mono amp (which is REALLY retro for me...)

But sitting in the corner was my old Pearce G2r rackmount amp. I've sold off
some really bitchin' high-end Lex and Korg stuff and have just my EDP and a
Vortex left. My funky 15 watt tube amp decided to start humming and blowing
tubes so I just racked up the Pearce, EDP, Vortex and just had a wonderful
night looping with it. I've had that Pearce since the late 80's. (Probably
needs caps).

I've been able to incorporate my pedal board as well by patching all the
distortions before the Pearce and the wet stuff at the preamp output into
the EDP and Vortex. (There's a Fuzz Probe and a Lovetone ? Flanger on it, so
it can make some pretty wack sounds...)

> From: Louis Rossi [mailto:tarbit@hotmail.com]
>>  Amen brother! Some friends are bugging me to pick up the Repeater, DL4
etc etc but I'm still learning & exploring w/ the EDP & even w/ my trusty
old Echo+ petal too. :)

> > > I've decided it's time to stop collecting gear for a while and
actually learn to use the gear I have.


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Subject: Re: Handsonic - bass strings on guitars
Date: Sat, 11 May 2002 22:34:59 +0100
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Thanks for the feedback guys. I'll check this SPD 20 thing out too.
I think I'll buy myself another "real" drum. This of course still leaves me
with the problem of live mic'ing - I've been using an SM58, I've just manged
to get hold of a used AKG D12 - what does the group make of these little AKG
rock drum mics - I'm obsessed with getting my live rig as portable as
possible!

Hwyl,

Gareth


> Gareth, did you check out the Roland SPD 20, pecussion pad. Its got
> twice as many sounds, and extra-outs if you want to add more pads. I
> added a the V-drum bass drum trigger so I play things standing up. and
> you can put any sound or effect you want on the pad, and all the
> "canned' sounds are totally tweakable. fully midi, and half the price.
> Bill/Las Vegas
>
>

From Loopers-Delight-request@loopers-delight.com  Sun May 12 14:26:58 2002
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Does anyone know about this looping tool ?

http://www.pawfal.org/SpiralLoops/

I wonder if loops can be BPM synced

Emmanuel


From Loopers-Delight-request@loopers-delight.com  Sun May 12 18:35:31 2002
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> > Hi all,
> > 
> > I've decided it's time to stop collecting gear for
> a while and actually
> > learn to use the gear I have.  
> 
> WHAT A NOVEL CONCEPT ;-)
> 
> 

agreed, and not only that, but a concept i've posed to
the group in the past.  be careful though, some folks
are touchy about what the gear is used for whether it
be for show or actually for making music or better
yet, sounds (i don't think that the word sound can be
interpretted nearly as much as the word music, so i
think it is safe to write it)...i'm still impressed by
the lights and nobs though, and don't forget switches,
gotta have switches!



__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun May 12 19:21:59 2002
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Hello,
Being new to the looping world(although I have been a
fan of looping based music for a while), I have purchased
a good(I hope so!!) set of stuff with which to make
loop-based noise. However, I find myself almost overwhelmed
by the possibilities that I know my gear is capable of.
I suppose taking small steps may have been the right way
to go, but I dove into the deep end instead.

I'd like to ask the members of the list what approach
you took to making loop-based music when just starting out?
Sincerely,
Chris Olden



_________________________________________________________________
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp.

From Loopers-Delight-request@loopers-delight.com  Sun May 12 22:28:55 2002
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mess with stuff!  woohoo!!

mike

----- Original Message -----
From: "Chris Olden" <chrisolden@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, May 12, 2002 7:20 PM
Subject: Re: learn to use the gear I have.(going OT)


>
>
>
> Hello,
> Being new to the looping world(although I have been a
> fan of looping based music for a while), I have purchased
> a good(I hope so!!) set of stuff with which to make
> loop-based noise. However, I find myself almost overwhelmed
> by the possibilities that I know my gear is capable of.
> I suppose taking small steps may have been the right way
> to go, but I dove into the deep end instead.
>
> I'd like to ask the members of the list what approach
> you took to making loop-based music when just starting out?
> Sincerely,
> Chris Olden
>
>
>
>
________________________________________________________________
_
> Get your FREE download of MSN Explorer at
http://explorer.msn.com/intl.asp.
>

From Loopers-Delight-request@loopers-delight.com  Mon May 13 00:43:20 2002
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From: "Qua and Vishara Veda" <exalted@easystreet.com>
To: "Loopers-Delight@loopers-delight. com" <Loopers-Delight@loopers-delight.com>
Subject: RE: emmersive sound
Date: Sun, 12 May 2002 21:41:13 -0700
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I'd like to thank everyone for their input on this thread, and report that
I've come up with a sound system that I feel works very well.  Briefly there
are 2 integrated system.

1) The 'core sound' is monoral, but split high/low frequencies,  into a
high-quality amp/cabs (for my Stick or bass, or other fullrange sounds).
The core sound is split high freq/low freq. using a Rane DC-24
comp/lim.(which has a very cool crossover feature!). So the core sound can
have effects added, or can be bi-amped.

2) The 'ambient sound' is stereo and/or dual mono. I use this for a wet FX
mix (stereo reverb, chorus, spacey) and separate treatment of the
bass/melody sides of my Stick).  I play this through relatively inexpensive,
small speakrs at low volumes.

This system produces lots of ability to dial in the sound quality, and
creates a very detailed high-definition sound and lots of 'space' and
emmersion through the stereo mix.  By using 3-4 different cabs/amps,
Left/Right, High/Low, the possibilities are really wonderful. This saved me
from buying two high-end amp/cabs and provides even more sonic
possibilities.

Routing:  Bass/Melody into 2channel RaneSP-13preamp. Use AuxSends after EQ
to route the channels to effects, and into channels of a mackie mixer.  The
"Mono" mode of the SP-13 sums the Bass/Melody channels at the Outputs.  One
of the  summed outputs is fed into the RaneDC-24 comp/lim in its "crossover"
mode, highs/lows are treated as desired and OutputA ->highs, OutputB->lows.
These can be sent to mixer, or to a premap for the core sound.

thanks everyone for sharing your ideas,
-Qua

-----Original Message-----
From: Jazwell Wankerl [mailto:duckbill@fastmail.fm]
Sent: Tuesday, April 23, 2002 10:41 AM
To: LD
Subject: RE: emmersive sound


Wow, some cool ideas. My band has wanted to play around with surround sound
someday. (We look forward to
be able to release a 5.1 audio DVD when we can afford to do such things.)

Anyway, this thread made me think of the Behringer Edison. I have never used
it so I cant speak from
experience but it claims to be able to process a stereo image to create a
'3D' sound field by generating
a controllable virtual 3rd center speaker.
Maybe not applicable to Qua's needs but someone might have fun with such a
device.


---Jazwell Wankerl
phone: 715.833.2290
cell: 920.980.8311
jaz@iwonderasiwander.net

'Duckbill Glass'
Synths * Samples
Effects * Engineering

I Wonder as I Wander...

$$$$$$'$$$$$$
"He was born with the gift of laughter
and a sense that the world was mad."
-R Sabatini
$$$$$$'$$$$$$


From Loopers-Delight-request@loopers-delight.com  Mon May 13 01:04:39 2002
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hey,

I guess this was part of my question too, but I never included in the text, 
which would make it hard to answer since technically it wasn't asked.  But 
now that you've let the cat out - how do, or did, you infinitely experienced 
loopers go about starting your music-making?  personally, pre-aquisition 
stage, I've always jammed with loops in mind, or tried to auralise just what 
whatever it is I'm playing would sound like being repeated.  Unfortunately, 
my mind doesn't work too well with overdub, and that's why I require all these 
pseudo cybernetic extensions of what I feel are intrinsic human looping 
capabilities.

at the moment, my approach largely does consist of the mess with stuff! 
approach as advocated by mike, but I would like to start incorporating a little 
more structure in with the mayhem.  Is looping, in all practicalities, largely 
depepndent on emergent phenomenon  arising from the mess with stuff! 
approach?  What other possibilities lie in the loop?

-michael
> I'd like to ask the members of the list what approach
> you took to making loop-based music when just starting out?
> Sincerely,
> Chris Olden
> 
> 
> 
> _________________________________________________________________
> Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp.
> 
> 


From Loopers-Delight-request@loopers-delight.com  Mon May 13 02:03:06 2002
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But what happens when you want new gear?


On Sunday, May 12, 2002, at 03:33  PM, Evan Meyers wrote:

>>> Hi all,
>>>
>>> I've decided it's time to stop collecting gear for
>> a while and actually
>>> learn to use the gear I have.
>>
>> WHAT A NOVEL CONCEPT ;-)
>>
>>
>
> agreed, and not only that, but a concept i've posed to
> the group in the past.  be careful though, some folks
> are touchy about what the gear is used for whether it
> be for show or actually for making music or better
> yet, sounds (i don't think that the word sound can be
> interpretted nearly as much as the word music, so i
> think it is safe to write it)...i'm still impressed by
> the lights and nobs though, and don't forget switches,
> gotta have switches!
>
>
>
> __________________________________________________
> Do You Yahoo!?
> LAUNCH - Your Yahoo! Music Experience
> http://launch.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Mon May 13 08:52:23 2002
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Date: Mon, 13 May 2002 05:50:48 -0700 (PDT)
From: Pedro Felix <pfelix28@yahoo.com>
Subject: Re: learn to use the gear I have.
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snips
--- Evan Meyers <evanmeyers@yahoo.com> wrote:
> > >
> 
> agreed, and not only that, but a concept i've posed
> to> the group in the past.  be careful though, some
> folks> are touchy about what the gear is used for
whether> it> be for show or actually for making music
or better> yet, sounds (i don't think that the word
sound can> be> interpretted nearly as much as the word
music, so i> think it is safe to write it)...i'm still
impressed> by
> the lights and nobs though, and don't forget
> switches,
> gotta have switches!
> 

Evan, et al. -

most of us (all of us?) don't like to think we're on
the wrong road, thus the touchiness.
but ya know I agree with you.
If someone has talent then their gear will not get in
the way, and if they are lacking in that regard, well
their gear won't hide it either.

best, Pedro

hey, did you get to Chama on Sat.?

__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

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From: Pedro Felix <pfelix28@yahoo.com>
Subject: Re: learn to use the gear I have.(going OT)
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snips~
--- Chris Olden <chrisolden@hotmail.com> wrote:
> I'd like to ask the members of the list what
> approach> you took to making loop-based music when
just> starting out?
> Sincerely,
> Chris Olden
> 

Chris - 

I first looped with a Rockman delay of some sort or
other at 14 years of age.
Therefater I looped with an Alesis Quadraverb (I shite
you not) and other multieffect processors that have
delay programs that I liked (Lexicon MPX500 and LXP15,
Rocktron Intellifex, Digitech 33B)
The first delay unit that I used for looping was a
Digitech RDS8000.
my advice: try out gear beforehand and don't be shy at
music stores, ask all the annoying questions and spend
all day with the gear. it is after all your money.

best regards, Pedro Felix - NYC 2002

__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

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snips
--- not8ohm@iinet.net.au wrote:
> hey,
>  how do, or did,> you infinitely experienced 
> loopers go about starting your music-making? 
> personally, pre-aquisition 
> stage, I've always jammed with loops in mind, or
> tried to auralise just what 
> whatever it is I'm playing would sound like being
> repeated. 

interesting. I was, and am, a heavy motif type player
also. looping came pretty quickly to me and made
sense.

 
> at the moment, my approach largely does consist of
> the mess with stuff! 
> approach as advocated by mike, but I would like to
> start incorporating a little 
> more structure in with the mayhem.  Is looping, in
> all practicalities, largely 
> depepndent on emergent phenomenon  arising from the
> mess with stuff! 
> approach?  What other possibilities lie in the loop?
> 
> -michael

i'm an improvosational musician in most ways and am
very honest about my limitations on my instrument. I
loop what I can to a good affect if possible. I'm also
a good (or at least getting there) instrumentalist, so
when I have nothing good to loop I simply play. works
out pretty well and when I hear something I know I can
wreck people's minds with, I go there.

best regards, Pedro Felix - NYC 2002

__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

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Subject: Re: Loopers-Delight-d Digest V02 #293
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I agree with "mess with stuff".
Another good thing to try is to isolate elements and use only those.  E>G> I
have 2 synths, vocals, 2 edps and a headrush -- so sometimes I just use the
headrush and one synth and play for an hour, sometimes only vocals and edps.
>> 
>> I'd like to ask the members of the list what approach
>> you took to making loop-based music when just starting out?
>> Sincerely,
>> Chris Olden
>> 

From Loopers-Delight-request@loopers-delight.com  Mon May 13 10:10:52 2002
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From: jim palmer <jimp@pobox.com>
Subject: Re: expression pedal with all access
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i modified my moogerfooger controllers for this.
(requires switching the connections at the pot)
i don't think i would recommend buying them for this purpose,
they are kind of expensive for the plastic things they are
(i had them already when i decided to do this)

i think i will eventually get some ernie balls but this will
require changing the pot to a linear taper...
unless you want a log taper 
(if that's your taste, times being what they are)


> for those of use using the rocktron all access, which 
> pedal do you use for expression?
> 
> thanks.
> 
> -jim
> 

From Loopers-Delight-request@loopers-delight.com  Mon May 13 11:13:34 2002
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right. essentially, by 'mess with stuff' i was attempting to
imply that just about any approach you could come up with has
the potential to further your looping development.  basically,
just dig in and start doing it.

fwiw, i started out with long delay times, high feedback
(classic).  then, i started manipulating the feedback with a
pedal, then i started messing with delay times and/or feedback
and/or other parameters, then i tried out feeding two delays
into each other, manipulating feedback and delay times between
them & playing with crossfading, then i went back to simply long
delay times and high feedback, but tried out things with my
instruments that i hadn't done before like running the delays
with no sync, then i got REAL wack and started modulating as
many elements of my signal chain as possible just to see wtf
would happen (running one delay through some crazy processing
and the other one through something else, preferrably some kind
of vocal-based modulation a la vocorder/talkbox, WHILE splitting
the output signal from both delays and feeding the "dry" delays
into each like before but with a crossfade pedal to control
amount/feedback), then i got a repeater and now i've got two
delays/modulators and a 4-track sampling looper going and things
rapidly get out of hand  ....

whatever you do, just pay attention and you'll learn all about
it ... ;-)

mike

----- Original Message -----
From: "Steve Sandberg" <stevesandberg@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 13, 2002 10:05 AM
Subject: Re: Loopers-Delight-d Digest V02 #293


> I agree with "mess with stuff".
> Another good thing to try is to isolate elements and use only
those.  E>G> I
> have 2 synths, vocals, 2 edps and a headrush -- so sometimes I
just use the
> headrush and one synth and play for an hour, sometimes only
vocals and edps.
> >>
> >> I'd like to ask the members of the list what approach
> >> you took to making loop-based music when just starting out?
> >> Sincerely,
> >> Chris Olden
> >>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon May 13 11:47:28 2002
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Subject: feedback pedal for the Echoplex?
From: Peter Einhorn <petereinhorn@mac.com>
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Hi- I'm new to the group. I have a question about a feedback pedal for the
Echoplex.
Can any of you folks reccomend a light pedal that has a pretty even spread
of values?
I'm a guitar player and gtr vol. pedals don't work. [not line level]. Kim
sez get the Boss FV-50L. This is a big stereo pedal w/ tons of I/O. I'm
looking for something simple. Any ideas?
Thanks for your help.
Peter

From Loopers-Delight-request@loopers-delight.com  Mon May 13 12:41:04 2002
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Subject: RE: learn to use the gear I have.(going OT)
Date: Mon, 13 May 2002 18:39:19 +0200
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Chris,


> loop-based noise. However, I find myself almost overwhelmed
> by the possibilities that I know my gear is capable of.

Wait until you reach that point when you're overwhelmed by the possibilities
that you don't know your gear is capable of! And of course, a large setup, a
few devices you don't understand at all, an unmarked patchbay, a
"distributed set" of equipment (i.e. you have to take a few steps across the
performance stage to get from device A to device B and from both points,
can't see device C) all help in this part of the looping experience!

Joking aside, my first experiences with looping as a "passive looper"
(audient) came from "classical" music. Beethoven Symphony No.7, 3rd mov, or
better still J.S. Bach, Passacaglia in c-minor for Organ BWV 582 (actually,
I did a loop piece based on the passive theme of this composition contained
on my mp3.com location, but it's not a great example of loop showmanship).
First experiences with own looping: a composition of mine for big percussion
ensemble, piano, synth and winds based on the idea of repeating patterns of
different length (a concept which in various approaches can be found in the
music of Terry Riley btw).

The first idea to "do it yourself" using electronic means came from the King
Crimson internet newsletter via the work of Robert Fripp. Although I didn't
like his stuff, I started out with a few delays and a sequencer running in
loop (also found in the examples on my page from the "A Blessing of Beers"
album). "Real" looping started with the DL4, and since then, while sonic
quality, complexity and of course routine has grown, I did not really
progress into new (for me) uncharted territority. Perhaps this will happen
if and when I do better understand my gear and (next to my live band
project, a demanding job and my activities in sports) find time to simply
think more about making loop-based music.

Currently, my main rig (which I use for my weirdstuff music) incorporates
with regards to looping a Repeater, a Vortex, a D Two and a Headrush (you
Headrushers out there: have you ever tried plugging the different outs of
the headrush tape echo into different effect processors ?). My "normal" rig
contains loopwise a DL4 and a RDS2001 (both device are normally not used for
looping, though, this rig is used for my concerts with my improvised
contemporary dance crossover group "Eclectic Blah").

All the best wishes for your looping carreer - welcome to the club, and keep
us posted.

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
digital penis expert group - www.dpeg.de
The MoinSound Archives - www.mp3.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Mon May 13 13:34:44 2002
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> Hi- I'm new to the group. I have a question about a feedback pedal for the
> Echoplex.
> Can any of you folks reccomend a light pedal that has a pretty even spread
> of values?
> I'm a guitar player and gtr vol. pedals don't work. [not line level]. Kim
> sez get the Boss FV-50L. This is a big stereo pedal w/ tons of I/O. I'm
> looking for something simple. Any ideas?
> Thanks for your help.
> Peter

This was discussed not long ago on the list. Please search the archives.
Some pedals were recommended but I cannot recall any details.

Best wishes

Per Boysen
________________
http://loopboy.tk
www.boysen.se
www.upsweden.com
www.fuzz.se

From Loopers-Delight-request@loopers-delight.com  Mon May 13 14:48:45 2002
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On the other hand, sometimes you have gear that doesn't quite do what
you want it to.  For instance, I've always been very into synthesis, but
not keyboard playing.  I've always just liked the guitar as my main
sound making interface.  Get a guitar synth, right?  Sure.  Money being
an issue, I ended up with a GR-30.  At the time they were being blown
out due to the GR-33.  For a long time I thought, "Huh, this think kind
of sucks in the sound dept."  I blamed myself for not spending enough
time getting into it and tweaking the sounds.  I resisted getting
another sounds source because I thought I had to "learn to use the gear
I have."

Well, I finally learned that the GR-30's sounds (IMO) SUCK.  No amount
of knowledge about how to tweak that box is going to make it what I
wanted.  This seems to be a pitfall of modern gear.  It comes with
presets.  They can be good or bad.  Sometimes, bad, but with great
potential.  Sometimes bad with no potential.  How do you know?  My knee
jerk reaction is to blame myself, as how could an old and respected
manufacturer put out anything less than stellar?  Most synth
manufacturers are making "ROMplers" where there isn't very much
tweakability in the sound, not compared with analog (or analog modeled)
synths.  My advise is that with modern gear, if the presets aren't doing
it for you, don't waste your time with a piece of gear.

Anyway, the end of the story is, I did some more shopping and ended up
purchasing a dedicated synth module.  Ironically, I went with another
Roland product, the VX-5050.  Straight out of the box, I found a ton of
very usable sounds, and most of my tweaking involved setting the pitch
bend of each patch I liked to match the pitch bend of the GR-30 and
getting the effects synched to my midi clock (having no way to globally
do this sure did suck!)  The end result of all this is that I'm SO much
happier with my setup.  My wife instantly remarked at how much better
the overall sound was, and she tend to be very critical in this
department.

So the lesson learned?  I'm not sure there is one, but beware for poorly
designed gear.  Since quality of sounds is totally subjective, be
prepared to hunt for your tools.  Be prepared to make some mistakes.  Be
prepared to evolve.  Most importantly, be prepared to give up on a piece
of gear that's too complex to do what you want easily.  If a piece of
gear is so hard to figure out, maybe it's not worth it.  Someone once
gave me a Brother (right, the word processor company) MIDI sequencer.
It had tons of features, but was a disaster in UI design.  I spent HOURS
and HOURS trying to make what should have taken minutes.  Again, I
blamed myself.  When I purchased my Ensoniq TS-10, I realized that it
wasn't me, it was the gear.  Even though it had the features I wanted,
it was unusable.  The TS-10 was a dream to use.  I was very quickly
doing exactly what I wanted.  Sometimes a design flaw can be exploited
to make great music.  Sometimes, it's just a pain in the ass.

Mark Sottilaro

Pedro Felix wrote:

> snips
> --- Evan Meyers <evanmeyers@yahoo.com> wrote:
> > > >
> >
> > agreed, and not only that, but a concept i've posed
> > to> the group in the past.  be careful though, some
> > folks> are touchy about what the gear is used for
> whether> it> be for show or actually for making music
> or better> yet, sounds (i don't think that the word
> sound can> be> interpretted nearly as much as the word
> music, so i> think it is safe to write it)...i'm still
> impressed> by
> > the lights and nobs though, and don't forget
> > switches,
> > gotta have switches!
> >
>
> Evan, et al. -
>
> most of us (all of us?) don't like to think we're on
> the wrong road, thus the touchiness.
> but ya know I agree with you.
> If someone has talent then their gear will not get in
> the way, and if they are lacking in that regard, well
> their gear won't hide it either.
>
> best, Pedro
>
> hey, did you get to Chama on Sat.?
>
> __________________________________________________
> Do You Yahoo!?
> LAUNCH - Your Yahoo! Music Experience
> http://launch.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon May 13 15:03:40 2002
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Date: Mon, 13 May 2002 12:02:16 -0700 (PDT)
From: Chris Richards <kohntarkosz@yahoo.com>
Subject: My music
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Well, I'm making my first tenative steps towards
making my music available to the public. I've
finally hooked my tape decks back up to the
stereo, so I'm able to make tape dubs of the
various recordings I've done so far. I'm dubbing
tapes to pass around to friends and a few
college/public radio affiliated individuals who
have expressed interest in what I'm doing. 

While I don't really consider the recordings I've
made so far to be "definitive", in terms of what
I can and/or want to do, I think it's time that I
make some efforts towards raising my public
profile, as it were. I would tend to think of
what I'm doing now as "bedroom demos" more so
than the actual "album" that I plan to record in
the near future (as soon as I get some kind of
multi track gear...still haven't made up my mind
if I want a four track, or if I should go ahead
and spring for one of those digital 8 or 16 track
machines they have at Sam Ash). 

Anyway, the reason I'm posting this hear is, if
anyone is interested in hearing what I'm doing,
please e-mail me off list, and perhaps we can
make arrangements in that direction. I'm not sure
what to charge, but I'm thinking it can't be much
more than 2 or 3 bucks, since I'm just making
tapes using my home stereo (and hence, the
quality won't be audiophile, as such), and the
packaging will be pretty bare bones (ie no real
artwork). 

=====
May you never thirst!
The Scuba Diver Presently Known As Chris

"What do you get when you give a yo-yo to a flock of flamingos?"-James Earl Jones

__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

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Nice Anecdote, Mark.

My own experience with the whole gear vs. proficiency thread came into
vivid focus upon purchasing a Stick.  I removed my technical foundation
(guitar) by switching instruments, and the processing that I still owned
seemed unnecessary or even "dangerous" because it could interfere with
the establishment of a new foundation, or voice if you will - on a
different instrument.

Now that I've begun to discover/formulate a voice/approach on the
instrument, my thoughts are drifting back toward processing options and
issues again, including looping.  Once my confidence level improves to a
point where I consider myself fairly reliable on the Stick, I'll try to
throw looping into the mix and see what comes out.   I dink around with
all of the blinkenlichten aglow - sure, but I try to limit my discovery
fronts to one area.  *For me*, significant improvements in one area
provide more momentum than many smaller improvements.  The sustaining of
momentum and focus are major issues in my musical life.

So my advice for anyone who wishes a direct experience with this issue
is to buy a Stick ;)

-K

>>> sine@zerocrossing.net 05/13/02 01:45PM >>>
On the other hand, sometimes you have gear that doesn't quite do what
you want it to.  For instance, I've always been very into synthesis,
but
not keyboard playing.  I've always just liked the guitar as my main
sound making interface.  Get a guitar synth, right?  Sure.  Money
being
an issue, I ended up with a GR-30.  At the time they were being blown
out due to the GR-33.  For a long time I thought, "Huh, this think
kind
of sucks in the sound dept."  I blamed myself for not spending enough
time getting into it and tweaking the sounds.  I resisted getting
another sounds source because I thought I had to "learn to use the
gear
I have."

Well, I finally learned that the GR-30's sounds (IMO) SUCK.  No amount
of knowledge about how to tweak that box is going to make it what I
wanted.  This seems to be a pitfall of modern gear.  It comes with
presets.  They can be good or bad.  Sometimes, bad, but with great
potential.  Sometimes bad with no potential.  How do you know?  My
knee
jerk reaction is to blame myself, as how could an old and respected
manufacturer put out anything less than stellar?  Most synth
manufacturers are making "ROMplers" where there isn't very much
tweakability in the sound, not compared with analog (or analog
modeled)
synths.  My advise is that with modern gear, if the presets aren't
doing
it for you, don't waste your time with a piece of gear.

Anyway, the end of the story is, I did some more shopping and ended up
purchasing a dedicated synth module.  Ironically, I went with another
Roland product, the VX-5050.  Straight out of the box, I found a ton
of
very usable sounds, and most of my tweaking involved setting the pitch
bend of each patch I liked to match the pitch bend of the GR-30 and
getting the effects synched to my midi clock (having no way to
globally
do this sure did suck!)  The end result of all this is that I'm SO
much
happier with my setup.  My wife instantly remarked at how much better
the overall sound was, and she tend to be very critical in this
department.

So the lesson learned?  I'm not sure there is one, but beware for
poorly
designed gear.  Since quality of sounds is totally subjective, be
prepared to hunt for your tools.  Be prepared to make some mistakes. 
Be
prepared to evolve.  Most importantly, be prepared to give up on a
piece
of gear that's too complex to do what you want easily.  If a piece of
gear is so hard to figure out, maybe it's not worth it.  Someone once
gave me a Brother (right, the word processor company) MIDI sequencer.
It had tons of features, but was a disaster in UI design.  I spent
HOURS
and HOURS trying to make what should have taken minutes.  Again, I
blamed myself.  When I purchased my Ensoniq TS-10, I realized that it
wasn't me, it was the gear.  Even though it had the features I wanted,
it was unusable.  The TS-10 was a dream to use.  I was very quickly
doing exactly what I wanted.  Sometimes a design flaw can be exploited
to make great music.  Sometimes, it's just a pain in the ass.

Mark Sottilaro

Pedro Felix wrote:

> snips
> --- Evan Meyers <evanmeyers@yahoo.com> wrote:
> > > >
> >
> > agreed, and not only that, but a concept i've posed
> > to> the group in the past.  be careful though, some
> > folks> are touchy about what the gear is used for
> whether> it> be for show or actually for making music
> or better> yet, sounds (i don't think that the word
> sound can> be> interpretted nearly as much as the word
> music, so i> think it is safe to write it)...i'm still
> impressed> by
> > the lights and nobs though, and don't forget
> > switches,
> > gotta have switches!
> >
>
> Evan, et al. -
>
> most of us (all of us?) don't like to think we're on
> the wrong road, thus the touchiness.
> but ya know I agree with you.
> If someone has talent then their gear will not get in
> the way, and if they are lacking in that regard, well
> their gear won't hide it either.
>
> best, Pedro
>
> hey, did you get to Chama on Sat.?
>
> __________________________________________________
> Do You Yahoo!?
> LAUNCH - Your Yahoo! Music Experience
> http://launch.yahoo.com 

From Loopers-Delight-request@loopers-delight.com  Mon May 13 15:40:15 2002
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Subject: simple sampler
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Hello-

I'm looking for a simple footswitch-triggered sampler for use in a band.
We don't have a dedicated person, so it would be great to be able to trigger
samples by footswitch; ideally one click would be sample one, another switch
would trigger sample two, etc.

Any machines out there that fit this bill?

Thanks
Paul

From Loopers-Delight-request@loopers-delight.com  Mon May 13 16:02:08 2002
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Something like the Boss Dr. Sample (SP-303) would work with a footpedal like
the Behringer FCP1010.  I just sold on on eBay for $247.  You might even find
the SP-202 for less, and it could do the trick.

paul@brainvirus.org wrote:

> Hello-
>
> I'm looking for a simple footswitch-triggered sampler for use in a band.
> We don't have a dedicated person, so it would be great to be able to trigger
> samples by footswitch; ideally one click would be sample one, another switch
> would trigger sample two, etc.
>
> Any machines out there that fit this bill?
>
> Thanks
> Paul

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--=====================_2691586==_.ALT
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At 06:50 PM 5/6/02, you wrote:
>Great set at the Rio the other night, Tom. Really beautifull soundscapes
>you were creating, great work from Dana as well. The visuals behind you
>were very supportive of your music and very hypnotic. thanks for the
>inspiration.
>Bill Walker

Thanks, Bill.  Your wife Nancy's performance was also quite elegant and 
engaging.

Tom
--=====================_2691586==_.ALT
Content-Type: text/html; charset="us-ascii"

<html>
At 06:50 PM 5/6/02, you wrote:<br>
<blockquote type=cite class=cite cite>Great set at the Rio the other
night, Tom. Really beautifull soundscapes<br>
you were creating, great work from Dana as well. The visuals behind
you<br>
were very supportive of your music and very hypnotic. thanks for 
the<br>
inspiration.<br>
Bill Walker</blockquote><br>
Thanks, Bill.&nbsp; Your wife Nancy's performance was also quite elegant
and engaging.  <br><br>
Tom</html>

--=====================_2691586==_.ALT--

From Loopers-Delight-request@loopers-delight.com  Mon May 13 16:09:18 2002
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the other good option to a footpedal, is to get superballs (the small,
bouncy ones), cut them in half, and glue them to the sampler buttons...makes
it easy to trigger via foot.

deknow


----- Original Message -----
From: Mark Sottilaro <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 13, 2002 1:00 PM
Subject: Re: simple sampler


> Something like the Boss Dr. Sample (SP-303) would work with a footpedal
like
> the Behringer FCP1010.  I just sold on on eBay for $247.  You might even
find
> the SP-202 for less, and it could do the trick.
>
> paul@brainvirus.org wrote:
>
> > Hello-
> >
> > I'm looking for a simple footswitch-triggered sampler for use in a band.
> > We don't have a dedicated person, so it would be great to be able to
trigger
> > samples by footswitch; ideally one click would be sample one, another
switch
> > would trigger sample two, etc.
> >
> > Any machines out there that fit this bill?
> >
> > Thanks
> > Paul
>
>

From Loopers-Delight-request@loopers-delight.com  Mon May 13 16:14:17 2002
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Ahhhh....verrry clever idea!

I've just seen a lot of very inexpensive samplers around (most notable Gemini)
and the footswitch adaptability is about the only hurdle I have to overcome-


Thanks
Paul


>
>
>the other good option to a footpedal, is to get superballs (the small,
>bouncy ones), cut them in half, and glue them to the sampler buttons...makes
>it easy to trigger via foot.
>
>deknow


From Loopers-Delight-request@loopers-delight.com  Mon May 13 16:18:10 2002
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Or I once found these semi-spherical black rubber washers that fit on a
Digitech RPS8000 knob that allowed me to tweak the knob with my foot as I
played.

deknow wrote:

> the other good option to a footpedal, is to get superballs (the small,
> bouncy ones), cut them in half, and glue them to the sampler buttons...makes
> it easy to trigger via foot.
>
> deknow
>
> ----- Original Message -----
> From: Mark Sottilaro <sine@zerocrossing.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, May 13, 2002 1:00 PM
> Subject: Re: simple sampler
>
> > Something like the Boss Dr. Sample (SP-303) would work with a footpedal
> like
> > the Behringer FCP1010.  I just sold on on eBay for $247.  You might even
> find
> > the SP-202 for less, and it could do the trick.
> >
> > paul@brainvirus.org wrote:
> >
> > > Hello-
> > >
> > > I'm looking for a simple footswitch-triggered sampler for use in a band.
> > > We don't have a dedicated person, so it would be great to be able to
> trigger
> > > samples by footswitch; ideally one click would be sample one, another
> switch
> > > would trigger sample two, etc.
> > >
> > > Any machines out there that fit this bill?
> > >
> > > Thanks
> > > Paul
> >
> >

From Loopers-Delight-request@loopers-delight.com  Mon May 13 18:34:37 2002
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Subject: Re: expression pedal with all access
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i think the ernie ball mono pedal will work fine....although i'm told i'll
have to build a special cable for it...we'll see.

-jim


From Loopers-Delight-request@loopers-delight.com  Mon May 13 18:34:38 2002
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i'm not sure you can find something more "simple" than a volume pedal,
regardless of make and manufacture.  plus, the boss units are pretty cheap
on ebay (less than 40 bucks).  if you decide you don't want to use it as an
echoplex pedal, you'll still have a nice stereo volume pedal (although i
prefer e.b. for volume needs).

check rolandus.com and browse, but i think you should abide by kim's
suggestion.  you could always build your own, but that sounds like more
trouble than it's worth considering the cost of used volume pedals.

-jim


From Loopers-Delight-request@loopers-delight.com  Mon May 13 18:53:12 2002
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you can use the ernie ball as-is with a standard insert cable, but you 
get a log curve - the middle position of the pedal does not 
translate to the middle of the control range.
in other words: if you set your control range to 0-127 (default),
the middle pos of the pedal will not result in a cc of 64...
in order to get this behavior, you have to replace the audio taper
pot with a linear taper pot...

> i think the ernie ball mono pedal will work fine....although i'm told i'll
> have to build a special cable for it...we'll see.
> 
> -jim
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon May 13 18:58:34 2002
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hi, semi-ot.

someone had been looking for moog taurus pedals a while back. 

i just ran into this ad.

*** this is not me, contact person in the ad**

FOR SALE: MOOG TAURUS PEDALS
Posted: : 05/13/2002
Category: Bass Accessory
Condition: Excellent
Age: 15 Years
Asking Price: $1295

Original Series "1" MOOG Taurus Pedals. 100% original synthesizer foot
pedals in perfect working condition. Includes Anvil-style road case. $1295.
Pics available.

FULL NAME: randy Fields
PHONE: please email first
CITY, STATE: wichita KS 67213
EMAIL: MrRandyF@hotmail.com 

------_=_NextPart_001_01C1FAD1.91E92890
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<HTML>
<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2653.12">
<TITLE>someone had been looking for something like this</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>hi, semi-ot.</FONT>
</P>

<P><FONT SIZE=3D2>someone had been looking for moog taurus pedals a =
while back. </FONT>
</P>

<P><FONT SIZE=3D2>i just ran into this ad.</FONT>
</P>

<P><FONT SIZE=3D2>*** this is not me, contact person in the ad**</FONT>
</P>

<P><FONT SIZE=3D2>FOR SALE: MOOG TAURUS PEDALS</FONT>
<BR><FONT SIZE=3D2>Posted: : 05/13/2002</FONT>
<BR><FONT SIZE=3D2>Category: Bass Accessory</FONT>
<BR><FONT SIZE=3D2>Condition: Excellent</FONT>
<BR><FONT SIZE=3D2>Age: 15 Years</FONT>
<BR><FONT SIZE=3D2>Asking Price: $1295</FONT>
</P>

<P><FONT SIZE=3D2>Original Series &quot;1&quot; MOOG Taurus Pedals. =
100% original synthesizer foot pedals in perfect working condition. =
Includes Anvil-style road case. $1295. Pics available.</FONT></P>

<P><FONT SIZE=3D2>FULL NAME: randy Fields</FONT>
<BR><FONT SIZE=3D2>PHONE: please email first</FONT>
<BR><FONT SIZE=3D2>CITY, STATE: wichita KS 67213</FONT>
<BR><FONT SIZE=3D2>EMAIL: MrRandyF@hotmail.com </FONT>
</P>

</BODY>
</HTML>
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From Loopers-Delight-request@loopers-delight.com  Mon May 13 20:34:57 2002
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Subject: Re: expression pedal with all access
From: Peter Einhorn <petereinhorn@mac.com>
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I ordered a' Proel Internal Ctrl Mono/Stereo Kybrd Volume Pedal' 20k ohm.
Could't find out about audio or linear taper. Guess I'll find out. Thx for
help!

-peter 


> you can use the ernie ball as-is with a standard insert cable, but you
> get a log curve - the middle position of the pedal does not
> translate to the middle of the control range.
> in other words: if you set your control range to 0-127 (default),
> the middle pos of the pedal will not result in a cc of 64...
> in order to get this behavior, you have to replace the audio taper
> pot with a linear taper pot...
> 
>> i think the ernie ball mono pedal will work fine....although i'm told i'll
>> have to build a special cable for it...we'll see.
>> 
>> -jim
>> 
>> 
> 
> 

My email will soon be ONLY   petereinhorn@mac.com
Please update your address book.

From Loopers-Delight-request@loopers-delight.com  Mon May 13 21:14:27 2002
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Subject: OT: paremetric eq (rackmount) suggestions
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any suggestions for a nice rackmount parametric 
eq...mono, one unit space...for post preamp 
equalization in ye olde guitar rack.

thanks.

-jim

From Loopers-Delight-request@loopers-delight.com  Mon May 13 22:07:03 2002
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Hi Jim,
Try a Furman PQ-3; I've heard mucho good things about
'em. The bass player in a band I was in used one in
his rack and swore by it.
Chris Olden

>any suggestions for a nice rackmount parametric
>eq...mono, one unit space...for post preamp
>equalization in ye olde guitar rack.
>
>thanks.
>
>-jim
>




_________________________________________________________________
MSN Photos is the easiest way to share and print your photos: 
http://photos.msn.com/support/worldwide.aspx

From Loopers-Delight-request@loopers-delight.com  Mon May 13 22:19:16 2002
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The Ernie Ball 25K Stereo pedal #6167 costs a slightly more but has linear 
taper pots.

-Hans Lindauer
-hans@ernieball.com ;)


At 15:51 13/05/2002, you wrote:
>you can use the ernie ball as-is with a standard insert cable, but you
>get a log curve - the middle position of the pedal does not
>translate to the middle of the control range.
>in other words: if you set your control range to 0-127 (default),
>the middle pos of the pedal will not result in a cc of 64...
>in order to get this behavior, you have to replace the audio taper
>pot with a linear taper pot...
>
> > i think the ernie ball mono pedal will work fine....although i'm told i'll
> > have to build a special cable for it...we'll see.
> >
> > -jim
> >
> >

From Loopers-Delight-request@loopers-delight.com  Mon May 13 22:55:49 2002
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yeah i love it and swear by it-well, really in back of it.
s

> The Ernie Ball 25K Stereo pedal #6167 costs a slightly more but has linear
> taper pots.
> 
> -Hans Lindauer
> -hans@ernieball.com ;)
> 
> 
> At 15:51 13/05/2002, you wrote:
>> you can use the ernie ball as-is with a standard insert cable, but you
>> get a log curve - the middle position of the pedal does not
>> translate to the middle of the control range.
>> in other words: if you set your control range to 0-127 (default),
>> the middle pos of the pedal will not result in a cc of 64...
>> in order to get this behavior, you have to replace the audio taper
>> pot with a linear taper pot...
>> 
>>> i think the ernie ball mono pedal will work fine....although i'm told i'll
>>> have to build a special cable for it...we'll see.
>>> 
>>> -jim
>>> 
>>> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue May 14 03:08:37 2002
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I tell ya, all this talk about learning to use the gear you have is 
starting to make me a little sick.

So here's my deal.  I'm looking for the "perfect" processor to put in 
the stereo effects loop of my Repeater.  Since I know "perfect" doesn't 
exist, I'll settle for less.  I'm thinking of the Lexicon MPX500.  
Anyone with experience with that baby?

Here's some of what I'd like to see:

Stereo ins and outs a must.

Line level operation a must.  (getting the levels right for the Vortex 
was a bitch)

MIDI synchable effects.  I really liked the Lexicon Vortex for synched 
effects, but having to deal with that tap tempo all the time drove me 
nuts.  Need to keep my hands on my guitar!

Some good meat and potato effects and some wacky stuff.  Ping Ponging 
delays of maddness.  Nice sweep filters.

A SINGLE rack space.  (it's all I have left and I will not go back to 
two racks!)

Good sound quality.  Hell, it's replacing a Digitech DSP128, so if it's 
as good or better than that I'm set.  I guess my priorities lie with 
loop *manglege*

So that's it.  I've had thoughts about waiting for the KAOSS pad II 
(anyone have an inkling as to when this is going to be released?), but 
would like to keep it in the rack as much as I can.

From Loopers-Delight-request@loopers-delight.com  Tue May 14 11:27:56 2002
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Anyone got a hold of a Zoom MRS-4 4 track recorder ?
It's their newer portable guy that uses compact flash media.
They look like a super deal at $230 online....but they record
at 32kHz, 20 bit encoding....  (I don't know how many bits
the audio is actually stored as)  But besides the 4 tracks there
are 8 virtual tracks per track, it syncs to MIDI and it comes with
software to transfer audio to a Mac or PC.  You can also set
up markers and do A-B looping.  (To keep OT)  (as well as
auto punch-in) I can't find any reviews yet...but it is on the shelf.

Yeah....I still have a lot to learn with my old gear....  like my
Chroma Polaris, DSS1, DSM, Matrix 6, TX, DX, QV, JamMan....
(anybody got patches to swap?)
But none of my old technology will let me hike into the woods
and record multitrack in an abandoned mine.....
--
gary
@friendlyspider.com


From Loopers-Delight-request@loopers-delight.com  Tue May 14 11:59:18 2002
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Subject: Time-code sync issues...(help!!)
From: todd reynolds <toddreynolds@rcn.com>
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Two quick questions... If y'all would indulge...

1.  Is there a controller number or note number for Start Point which I
could send from MAX/MSP?  And the same for changing 8th/beat on the fly?

2.  Is anyone else using Time Code to drive their Obie from a computer?  I'm
having a REAL tough time resolving syncing issues... There is drift, not
exact record triggering, yada yada...  Any advice or known difficulties
would be appreciated...

Thanks all...

todd

From Loopers-Delight-request@loopers-delight.com  Tue May 14 12:08:18 2002
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On 5/14/02 at 11:57 AM, toddreynolds@rcn.com (todd reynolds) wrote:

> Two quick questions... If y'all would indulge...
> 
> 1.  Is there a controller number or note number for Start Point which I
> could send from MAX/MSP?  And the same for changing 8th/beat on the fly?
> 
> 2.  Is anyone else using Time Code to drive their Obie from a computer?  I'm
> having a REAL tough time resolving syncing issues... There is drift, not
> exact record triggering, yada yada...  Any advice or known difficulties
> would be appreciated...
> 
> Thanks all...
> 
> todd


Maybe Dr Zvonar will be able to sort this out, isn't 250 the raw MIDI number for
start? Try the example ".phasor~-to-midi sync"  in the MAX/MSP examples. Sorry I
don't know anything about the Obie.

Apart from that, if you're trying to get accurate MIDI sync going from OMS, be
prepared for a fairly underwhelming experience.

Cheers

Andrew

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Re: RC-20 review----- Original Message -----
From: Mark Smart
To: Loopers-Delight@loopers-delight.com
Sent: Wednesday, May 01, 2002 8:32 AM
Subject: Re: RC-20 review


> Like I was saying in my intro note...I like the RC-20 and use two of 'em!
> The only other looping device I've used is the  Oberheim Echoplex, so
> that's the only thing I can compare it to. I'd say that function-wise, two
> cascaded RC-20s are > almost as cool as an Echoplex (and still cheaper),
> because you can do the multiply function. I also like to use one RC-20 to
> record a background for the head of the tune, and the second to record a
> background for soloing over, then go back to the head background at the
> end (this is good for Monk's Dream, with a stop-time background on the
> head). I THINK you can do this on the Echoplex using the Next Loop pedal,
> although I never figured out how when I was borrowing one.


(Re-opening an old topic...)

I'm building an RC-20 emulation with my Looper Construction Kit for Kyma.  I
figure I can simultaneously emulate 4 to 9 RC-20s on a 4 DSP Kyma.  They can
be interconnected in any fashion (series or parallel).  I'll know more as I
get into it.

I don't have a real RC-20 so I have to do this from the manual description.
I'll probably make several RC-20 emulations or at least a full-featured one
and an "RC-20 Lite" that is less filling and with fewer calories.

In the meantime, my question to you multiple RC-20 owners is, "What features
do you use?"  and conversely, "What features do you NOT use?"

Dennis Leas
-------------------
dennis@mdbs.com


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Subject: Re: Time-code sync issues...(help!!)
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> 1.  Is there a controller number or note number for Start Point which I
> could send from MAX/MSP?  And the same for changing 8th/beat on the fly?

Remember that anything that you can adjust via the front panel buttons is
also accessable via MIDI.  But it requires several MIDI messages.

So to access Start Point from MIDI, send the same sequence as
1) one press/release of Parameter
2) one press/release of Next Loop (now functioning as Start Point)
3) one long press/release of Parameter (to return to normal mode) OR four
short press/releases

You can record this sequence and replay it or capture it with a "MIDI
Sniffer" program like MIDI-OX et al but basically, it is a series of
NoteOn/Off commands (or CC commands depending on the ControlSource value).

> 2.  Is anyone else using Time Code to drive their Obie from a computer?
I'm
> having a REAL tough time resolving syncing issues... There is drift, not
> exact record triggering, yada yada...  Any advice or known difficulties
> would be appreciated...

I've used MIDI Sync (the one byte MIDI timing clock message) with good
results.

But in my case, Kyma is generating the MIDI Sync.  Do you have a way to
check the stability of your MIDI sync?  Even with the dedicated processors
in Kyma, I observe a bit of jitter.  I'd expect quite a bit more with a
regular computer.  If you have a drum machine try making a metronome driven
by the MIDI from MAX/MSP.  Then listen for jitter and drift.


Hope this helps...

And remember the mantra, "All this is easier in Loop IV!"

Dennis Leas
-------------------
dennis@mdbs.com

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Date: Tue, 14 May 2002 09:36:43 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Time-code sync issues...(help!!)
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At 08:57 AM 5/14/2002, todd reynolds wrote:
>Two quick questions... If y'all would indulge...
>
>1.  Is there a controller number or note number for Start Point which I
>could send from MAX/MSP?  And the same for changing 8th/beat on the fly?

such things are coming in the new LoopIV software, about to be released....

>2.  Is anyone else using Time Code to drive their Obie from a computer?  I'm
>having a REAL tough time resolving syncing issues... There is drift, not
>exact record triggering, yada yada...  Any advice or known difficulties
>would be appreciated...

for starters, make sure you are using MIDI clock instead of MIDI time code.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

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>
>Anyone got a hold of a Zoom MRS-4 4 track recorder ?
>It's their newer portable guy that uses compact flash media.
>it syncs to MIDI and it comes with
>software to transfer audio to a Mac or PC.  You can also set
>up markers and do A-B looping.
>gary


Wow,  I guess the question is: would the looping have any time 
glitch, or would it be smooth (seamless)?

If no glitch, this could indeed be a useful tool!

Anybody tried one out?

Thanks.
Michael


-- 
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Michael S. Yoder, Ph.D.
Associate Professor of Geography and Urban Studies
Texas A&M International University
Department of Social Sciences
5201 University Blvd.
Laredo, TX  78041
(956) 326-2634   FAX (956) 326-2459
http://www.tamiu.edu/~myoder/

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

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On 5/14/02 at 11:57 AM, toddreynolds@rcn.com (todd reynolds) wrote:
>  > 1.  Is there a controller number or note number for Start Point which I
>  > could send from MAX/MSP?  And the same for changing 8th/beat on the fly?

At 9:06 AM -0700 5/14/02, andrew pask wrote:
>
>Maybe Dr Zvonar will be able to sort this out, isn't 250 the raw 
>MIDI number for start?

Correct. Start = 250 decimal, FA Hex, 11111010 binary


Here's the whole MIDI spec:

CHANNEL VOICE MESSAGES
======================

1000nnnn	8N	128-143	0kkkkkkk	Note Off event
				0vvvvvvv	vvvvvvv: note off velocity

1001nnnn	9N	144-159	0kkkkkkk	Note On event (middle C = 60)
				0vvvvvvv	vvvvvvv: note on velocity

1010nnnn	AN	160-175	0kkkkkkk	Polyphonic key pressure/after
						touch
				0vvvvvvv	vvvvvvv: pressure value

1011nnnn	BN	176-191	0ccccccc	Control Change
				0vvvvvvv	ccccccc: control #(0-121)
						vvvvvvv: control value
						0-31 continuous MSB, 32-63 LSB
						64-95 switches, 
96-121 undefined
						ccccccc: 122-127 reserved

1100nnnn	CN	192-207	0ppppppp	Program Change
						ppppppp: program number (0-127)

1101nnnn	DN	208-223	0vvvvvvv	Channel pressure/after touch
						vvvvvvv: pressure value

1110nnnn	EN	224-239	0vvvvvvv	Pitch wheel change LSB
				0vvvvvvv	Pitch wheel change MSB

CHANNEL MODE MESSAGES
=====================

1011nnnn	BN	176-191	0ccccccc	Selects Channel Mode
				0vvvvvvv
						ccccccc = 122:	Local Control
						vvvvvvv =  0:	Local 
Control OFF
						vvvvvvv = 127:	Local 
Control ON

						ccccccc = 123:	All Notes OFF
						vvvvvvv =  0

						ccccccc = 124:	Omni Mode OFF
								(All Notes OFF)
						vvvvvvv =  0:

						ccccccc = 125:	Omni Mode ON
								(All Notes OFF)
						vvvvvvv =  0

						ccccccc = 126:	Mono Mode ON
								(Poly Mode OFF,
								All Notes OFF)
						vvvvvvv = M	(M=number of
								channels)
						vvvvvvv = 0	(number of
								channels =
 
	number of voices
								in receiver)

						ccccccc = 127:	Poly Mode ON
								(All Notes OFF)
						vvvvvvv =  0


SYSTEM COMMON MESSAGES
======================

11110000	F0	240			Start of System Exclusive

11110001	F1	241			MTC  Quarter Frame

11110010	F2	242			Song Position Pointer
				0lllllll	lllllll: LSB
				0hhhhhhh	hhhhhhh: MSB

11110011	F3	243	0sssssss	Song Select
						sssssss: Song #

11110100	F4	244			Undefined

11110101	F5	245			Undefined

11110110	F6	246			Tune Request

11110111	F7	247			End of System Exclusive


SYSTEM REAL TIME MESSAGES
=========================

11111000	F8	248			Timing Clock
11111001	F9	249			Undefined
11111010	FA	250			Start
11111011	FB	251			Continue
11111100	FC	252			Stop
11111101	FD	253			Undefined
11111110	FE	254			Active Sensing
11111111	FF	255			System Reset
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Lexicon MPX500=good loop mangler?
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I've used the Sherman Filterbank 2 for about 4 months now. Hard to beat for
sheer sonic destruction. Actually a nice complement to the MPX500 since the
500 has more traditional effects and the Sherman is just nutty (it doesn't
get nice).

Ben

-----Original Message-----
From: Mark Sottilaro [mailto:sine@zerocrossing.net]
Sent: Tuesday, May 14, 2002 3:06 AM
To: Loopers-Delight@loopers-delight.com
Subject: Lexicon MPX500=good loop mangler?


I tell ya, all this talk about learning to use the gear you have is 
starting to make me a little sick.

So here's my deal.  I'm looking for the "perfect" processor to put in 
the stereo effects loop of my Repeater.  Since I know "perfect" doesn't 
exist, I'll settle for less.  I'm thinking of the Lexicon MPX500.  
Anyone with experience with that baby?

Here's some of what I'd like to see:

Stereo ins and outs a must.

Line level operation a must.  (getting the levels right for the Vortex 
was a bitch)

MIDI synchable effects.  I really liked the Lexicon Vortex for synched 
effects, but having to deal with that tap tempo all the time drove me 
nuts.  Need to keep my hands on my guitar!

Some good meat and potato effects and some wacky stuff.  Ping Ponging 
delays of maddness.  Nice sweep filters.

A SINGLE rack space.  (it's all I have left and I will not go back to 
two racks!)

Good sound quality.  Hell, it's replacing a Digitech DSP128, so if it's 
as good or better than that I'm set.  I guess my priorities lie with 
loop *manglege*

So that's it.  I've had thoughts about waiting for the KAOSS pad II 
(anyone have an inkling as to when this is going to be released?), but 
would like to keep it in the rack as much as I can.

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charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2653.12">
<TITLE>RE: Lexicon MPX500=3Dgood loop mangler?</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>I've used the Sherman Filterbank 2 for about 4 months =
now. Hard to beat for sheer sonic destruction. Actually a nice =
complement to the MPX500 since the 500 has more traditional effects and =
the Sherman is just nutty (it doesn't get nice).</FONT></P>

<P><FONT SIZE=3D2>Ben</FONT>
</P>

<P><FONT SIZE=3D2>-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>From: Mark Sottilaro [<A =
HREF=3D"mailto:sine@zerocrossing.net">mailto:sine@zerocrossing.net</A>]<=
/FONT>
<BR><FONT SIZE=3D2>Sent: Tuesday, May 14, 2002 3:06 AM</FONT>
<BR><FONT SIZE=3D2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>Subject: Lexicon MPX500=3Dgood loop mangler?</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>I tell ya, all this talk about learning to use the =
gear you have is </FONT>
<BR><FONT SIZE=3D2>starting to make me a little sick.</FONT>
</P>

<P><FONT SIZE=3D2>So here's my deal.&nbsp; I'm looking for the =
&quot;perfect&quot; processor to put in </FONT>
<BR><FONT SIZE=3D2>the stereo effects loop of my Repeater.&nbsp; Since =
I know &quot;perfect&quot; doesn't </FONT>
<BR><FONT SIZE=3D2>exist, I'll settle for less.&nbsp; I'm thinking of =
the Lexicon MPX500.&nbsp; </FONT>
<BR><FONT SIZE=3D2>Anyone with experience with that baby?</FONT>
</P>

<P><FONT SIZE=3D2>Here's some of what I'd like to see:</FONT>
</P>

<P><FONT SIZE=3D2>Stereo ins and outs a must.</FONT>
</P>

<P><FONT SIZE=3D2>Line level operation a must.&nbsp; (getting the =
levels right for the Vortex </FONT>
<BR><FONT SIZE=3D2>was a bitch)</FONT>
</P>

<P><FONT SIZE=3D2>MIDI synchable effects.&nbsp; I really liked the =
Lexicon Vortex for synched </FONT>
<BR><FONT SIZE=3D2>effects, but having to deal with that tap tempo all =
the time drove me </FONT>
<BR><FONT SIZE=3D2>nuts.&nbsp; Need to keep my hands on my =
guitar!</FONT>
</P>

<P><FONT SIZE=3D2>Some good meat and potato effects and some wacky =
stuff.&nbsp; Ping Ponging </FONT>
<BR><FONT SIZE=3D2>delays of maddness.&nbsp; Nice sweep filters.</FONT>
</P>

<P><FONT SIZE=3D2>A SINGLE rack space.&nbsp; (it's all I have left and =
I will not go back to </FONT>
<BR><FONT SIZE=3D2>two racks!)</FONT>
</P>

<P><FONT SIZE=3D2>Good sound quality.&nbsp; Hell, it's replacing a =
Digitech DSP128, so if it's </FONT>
<BR><FONT SIZE=3D2>as good or better than that I'm set.&nbsp; I guess =
my priorities lie with </FONT>
<BR><FONT SIZE=3D2>loop *manglege*</FONT>
</P>

<P><FONT SIZE=3D2>So that's it.&nbsp; I've had thoughts about waiting =
for the KAOSS pad II </FONT>
<BR><FONT SIZE=3D2>(anyone have an inkling as to when this is going to =
be released?), but </FONT>
<BR><FONT SIZE=3D2>would like to keep it in the rack as much as I =
can.</FONT>
</P>

</BODY>
</HTML>
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Parts Express has replacement linear pots for about $4.

-----Original Message-----
From: Peter Einhorn [mailto:petereinhorn@mac.com]
Sent: Monday, May 13, 2002 8:39 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: expression pedal with all access


I ordered a' Proel Internal Ctrl Mono/Stereo Kybrd Volume Pedal' 20k ohm.
Could't find out about audio or linear taper. Guess I'll find out. Thx for
help!

-peter 


> you can use the ernie ball as-is with a standard insert cable, but you
> get a log curve - the middle position of the pedal does not
> translate to the middle of the control range.
> in other words: if you set your control range to 0-127 (default),
> the middle pos of the pedal will not result in a cc of 64...
> in order to get this behavior, you have to replace the audio taper
> pot with a linear taper pot...
> 
>> i think the ernie ball mono pedal will work fine....although i'm told
i'll
>> have to build a special cable for it...we'll see.
>> 
>> -jim
>> 
>> 
> 
> 

My email will soon be ONLY   petereinhorn@mac.com
Please update your address book.

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<TITLE>RE: expression pedal with all access</TITLE>
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<P><FONT SIZE=2>Parts Express has replacement linear pots for about $4.</FONT>
</P>

<P><FONT SIZE=2>-----Original Message-----</FONT>
<BR><FONT SIZE=2>From: Peter Einhorn [<A HREF="mailto:petereinhorn@mac.com">mailto:petereinhorn@mac.com</A>]</FONT>
<BR><FONT SIZE=2>Sent: Monday, May 13, 2002 8:39 PM</FONT>
<BR><FONT SIZE=2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=2>Subject: Re: expression pedal with all access</FONT>
</P>
<BR>

<P><FONT SIZE=2>I ordered a' Proel Internal Ctrl Mono/Stereo Kybrd Volume Pedal' 20k ohm.</FONT>
<BR><FONT SIZE=2>Could't find out about audio or linear taper. Guess I'll find out. Thx for</FONT>
<BR><FONT SIZE=2>help!</FONT>
</P>

<P><FONT SIZE=2>-peter </FONT>
</P>
<BR>

<P><FONT SIZE=2>&gt; you can use the ernie ball as-is with a standard insert cable, but you</FONT>
<BR><FONT SIZE=2>&gt; get a log curve - the middle position of the pedal does not</FONT>
<BR><FONT SIZE=2>&gt; translate to the middle of the control range.</FONT>
<BR><FONT SIZE=2>&gt; in other words: if you set your control range to 0-127 (default),</FONT>
<BR><FONT SIZE=2>&gt; the middle pos of the pedal will not result in a cc of 64...</FONT>
<BR><FONT SIZE=2>&gt; in order to get this behavior, you have to replace the audio taper</FONT>
<BR><FONT SIZE=2>&gt; pot with a linear taper pot...</FONT>
<BR><FONT SIZE=2>&gt; </FONT>
<BR><FONT SIZE=2>&gt;&gt; i think the ernie ball mono pedal will work fine....although i'm told i'll</FONT>
<BR><FONT SIZE=2>&gt;&gt; have to build a special cable for it...we'll see.</FONT>
<BR><FONT SIZE=2>&gt;&gt; </FONT>
<BR><FONT SIZE=2>&gt;&gt; -jim</FONT>
<BR><FONT SIZE=2>&gt;&gt; </FONT>
<BR><FONT SIZE=2>&gt;&gt; </FONT>
<BR><FONT SIZE=2>&gt; </FONT>
<BR><FONT SIZE=2>&gt; </FONT>
</P>

<P><FONT SIZE=2>My email will soon be ONLY&nbsp;&nbsp; petereinhorn@mac.com</FONT>
<BR><FONT SIZE=2>Please update your address book.</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Tue May 14 14:19:28 2002
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From: "Louis Rossi" <tarbit@hotmail.com>
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Does anyone know if they are still making the Sherman Filterbank ?
Thanks
Lou



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From: Pedro Felix <pfelix28@yahoo.com>
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snips~

Jim -

TC 1140
Rocktron Pro Q

best regards, Pedro Felix NYC 2002
--- JIMFOWLER@prodigy.net wrote:
> any suggestions for a nice rackmount parametric 
> eq...mono, one unit space...for post preamp 
> equalization in ye olde guitar rack.
> 
> thanks.
> 
> -jim
> 



__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue May 14 14:42:36 2002
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dunno, but i think www.zzounds.com still has some.

-----Original Message-----
From: Louis Rossi [mailto:tarbit@hotmail.com]
Sent: Tuesday, May 14, 2002 2:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Sherman Filterbank


Does anyone know if they are still making the Sherman Filterbank ?
Thanks
Lou



_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue May 14 14:43:47 2002
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Hi Jim

FYI, I spotted a TC1140 used at:

http://www.broadway-music.com/catg/FXEQ.html

It's a good piece & in the past I've seen one in Alan Holdsworth's rack & 
Fripp use to have the former stereo version too. I love my TC Sustain EQ 
petal for the NS Stick :)

Cheers. LOU


>From: Pedro Felix <pfelix28@yahoo.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: OT: paremetric eq (rackmount) suggestions
>Date: Tue, 14 May 2002 11:28:43 -0700 (PDT)
>
>snips~
>
>Jim -
>
>TC 1140
>Rocktron Pro Q


_________________________________________________________________
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That goes away from my dream of keeping it in a single rack space, but
it does bring up a good point.  Would a filter box, like the Line6 pro
be "more bang for the buck"?  Would I miss the reverbs?  I'm using the
DSP128 exclusivly for a very long 100% wet reverb, for when things need
to get DEEP.  I guess I'm kind of asking for the mpx500 and a filter
modeler in one single rack space box, and I'm probably not going to get
it.

Mark

"Reid, Benjamin" wrote:

>
>
> I've used the Sherman Filterbank 2 for about 4 months now. Hard to
> beat for sheer sonic destruction. Actually a nice complement to the
> MPX500 since the 500 has more traditional effects and the Sherman is
> just nutty (it doesn't get nice).
>
> Ben
>
> -----Original Message-----
> From: Mark Sottilaro [mailto:sine@zerocrossing.net]
> Sent: Tuesday, May 14, 2002 3:06 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Lexicon MPX500=good loop mangler?
>
> I tell ya, all this talk about learning to use the gear you have is
> starting to make me a little sick.
>
> So here's my deal.  I'm looking for the "perfect" processor to put in
> the stereo effects loop of my Repeater.  Since I know "perfect"
> doesn't
> exist, I'll settle for less.  I'm thinking of the Lexicon MPX500.
> Anyone with experience with that baby?
>
> Here's some of what I'd like to see:
>
> Stereo ins and outs a must.
>
> Line level operation a must.  (getting the levels right for the Vortex
>
> was a bitch)
>
> MIDI synchable effects.  I really liked the Lexicon Vortex for synched
>
> effects, but having to deal with that tap tempo all the time drove me
> nuts.  Need to keep my hands on my guitar!
>
> Some good meat and potato effects and some wacky stuff.  Ping Ponging
> delays of maddness.  Nice sweep filters.
>
> A SINGLE rack space.  (it's all I have left and I will not go back to
> two racks!)
>
> Good sound quality.  Hell, it's replacing a Digitech DSP128, so if
> it's
> as good or better than that I'm set.  I guess my priorities lie with
> loop *manglege*
>
> So that's it.  I've had thoughts about waiting for the KAOSS pad II
> (anyone have an inkling as to when this is going to be released?), but
>
> would like to keep it in the rack as much as I can.

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Hello,

I will be performing my music this Friday in celebration of my second solo 
CD, which hits the stores today.  Music for tuba, didjeridu, throat 
singing, live processing and looping/sampling.

Please come to this rare full-length bay area performance, enjoy the Meyer 
sound system (left and right sub-woofers!) and judge for yourself.

CD Release Concert
Friday, May 17, 2002, 8:15 P.M.
Noe Valley Ministry
1021 Sanchez St. at 23rd St.
San Francisco, CA
Info/Reservations:  415.282.2317 OR
nvmin@mindspring.com
www.noevalleyministry.org
Tickets at the door:  $10.00


Tom Heasley
NEW CD AVAILABLE (in stores May 14):  On the Sensations of 
Tone,  (www.innova.mu)
ALSO AVAILABLE:  Where the Earth Meets the Sky,  (www.hypnos.com)

http://bayimproviser.com/TomHeasley
427 Alma St., Suite 206
Palo Alto, CA  94301
P:  650.322.3633
F:  419.831.3809
E:  tom@tomheasley.com
WEBSITE COMING SOON:  TOMHEASLEY.COM

Upcoming Solo Concerts:

Saturday, May 18, 2002, 9:00 P.M., Doors at 8
Whitebox VIP Lounge / Drum Machine Museum
1067 Market St.  #1004
San Francisco, CA
Info/Reservations (only 25 V.I.P.):  415.503.0477 OR <mickeyt@drummachine.com>
http://www.drummachine.com/newsite/events/events.htm
also appearing:  Wobbly (@10) and Siren (visuals)
Admission at door: $7.00
--=====================_3923135==_.ALT
Content-Type: text/html; charset="us-ascii"

<html>
Hello,<br><br>
I will be performing my music this Friday in celebration of my second
solo CD, which hits the stores today.&nbsp; Music for tuba, didjeridu,
throat singing, live processing and looping/sampling.<br><br>
Please come to this rare full-length bay area performance, enjoy the
Meyer sound system (left and right sub-woofers!) and judge for
yourself.<br><br>
CD Release Concert<br>
Friday, May 17, 2002, 8:15 P.M.<br>
Noe Valley Ministry<br>
1021 Sanchez St. at 23rd St.<br>
San Francisco, CA<br>
Info/Reservations:&nbsp; 415.282.2317 OR<br>
nvmin@mindspring.com<br>
<a href="http://www.noevalleyministry.org/" eudora="autourl">www.noevalleyministry.org</a><br>
Tickets at the door:&nbsp; $10.00<br><br>
<br>
<font face="Comic Sans MS" size=4><b><i>Tom Heasley<br>
</b></font><font face="Comic Sans MS">NEW CD AVAILABLE (in stores May
14):&nbsp; <u>On the Sensations of Tone</u>,&nbsp;
(<a href="http://www.innova.mu/" eudora="autourl">www.innova.mu</a>)<br>
ALSO AVAILABLE:&nbsp; <u>Where the Earth Meets the Sky</u>,&nbsp;
(<a href="http://www.hypnos.com/" eudora="autourl">www.hypnos.com</a>)<br><br>
</i></font><font face="Comic Sans MS" color="#0000FF"><u><a href="http://bayimproviser.com/TomHeasley" eudora="autourl">http://bayimproviser.com/TomHeasley</a><br>
</u></font><font face="Comic Sans MS">427 Alma St., Suite 206&nbsp;&nbsp;
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><br>
Palo Alto, CA&nbsp; 94301<br>
P:&nbsp;
650.322.3633<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><br>
F:&nbsp; 419.831.3809<br>
E:&nbsp; tom@tomheasley.com<br>
<i>WEBSITE COMING SOON:&nbsp; TOMHEASLEY.COM<br><br>
Upcoming Solo Concerts:<br><br>
Saturday, May 18, 2002, 9:00 P.M., Doors at 8<br>
Whitebox VIP Lounge / Drum Machine Museum<br>
1067 Market St.&nbsp; #1004<br>
San Francisco, CA<br>
Info/Reservations (only 25 V.I.P.):&nbsp; 415.503.0477 OR
&lt;mickeyt@drummachine.com&gt;<br>
<a href="http://www.drummachine.com/newsite/events/events.htm" eudora="autourl">http://www.drummachine.com/newsite/events/events.htm</a><br>
also appearing:&nbsp; Wobbly (@10) and Siren (visuals)<br>
Admission at door: $7.00</font></i></html>

--=====================_3923135==_.ALT--

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<<I guess I'm kind of asking for the mpx500 and a filter
modeler in one single rack space box>>

Check out a Korg AM8000 if you can...has cool filters and reverbs that can
run in series or parallel, with foot-pedal control.
David

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Subject: Re: Lexicon MPX500=good loop mangler?
Date: Tue, 14 May 2002 14:51:46 +0100
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no experience with the lexicon unit, but for single-space applications, you
might want to consider the eventide eclipse.

-jim


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RE: Lexicon MPX500=3Dgood loop mangler?oh yes...the sherman is indeed on =
mean little machine.  if you're looking for a good mangler, the sherman =
is your man.

my only gripe is that it simple does not fit in a rack very easily.  it =
could've been built like the mutator to occupy 2 spaces but to have all =
the knobs accessible from the front of the rack, it has to be mounted so =
that it takes up 4 spaces.  that's the only complaint i have.

i wonder if i can alter it myself?  anybody tried that?

-jim

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>RE: Lexicon MPX500=3Dgood loop mangler?</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2600.0" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>oh yes...the sherman is indeed on mean little =
machine.&nbsp;=20
if you're looking for a good mangler, the sherman is your =
man.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>my only gripe is that it simple does not fit in a =
rack very=20
easily.&nbsp; it could've been built like the mutator to occupy 2 spaces =
but to=20
have all the knobs accessible from the front of the rack, it has to be =
mounted=20
so that it takes up 4 spaces.&nbsp; that's the only complaint i=20
have.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>i wonder if i can alter it myself?&nbsp; anybody =
tried=20
that?</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>-jim</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May 14 16:02:26 2002
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Subject: Re: Sherman Filterbank 
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they are still in production.  go to www.sherman.be for some info.  i think
the sherman 1 and the quad filter are the only units not in production.

-jim


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Subject: NUBUS Macintosh as sampler?
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Is anyone Mac as a sampler/looper? If so, what are the external triggering
options; (I think Back To Basics uses the actual keyboard!) I assume MIDI,
is a footswitch somehow applicable here? Is the built in audio output suitable
to go to a mixer from?

Thanks
Paul Sherman

From Loopers-Delight-request@loopers-delight.com  Tue May 14 16:11:23 2002
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Subject: Re: OT: paremetric eq (rackmount) suggestions
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i've got a raven labs semi-parametric that i do like, but it's a half-rack
wide and 1.5 units tall, so it doesn't fit at all.  that and it's not fully
parametric.

thanks for the tips.  i was curious about the tc unit.

-jim


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I really like the behringer. They also make a valve fully parametric eq, but
it is stereo and two units tall, so it is also out... By the way it is also
really cheap for a valve unit... Here it is sold for 250 Euro (near 220 Us
Dollars).
----- Original Message -----
From: "Jimmy Fowler" <jimfowler@prodigy.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 14, 2002 4:09 PM
Subject: Re: OT: paremetric eq (rackmount) suggestions


> i've got a raven labs semi-parametric that i do like, but it's a half-rack
> wide and 1.5 units tall, so it doesn't fit at all.  that and it's not
fully
> parametric.
>
> thanks for the tips.  i was curious about the tc unit.
>
> -jim
>
>


From Loopers-Delight-request@loopers-delight.com  Tue May 14 16:26:15 2002
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...i have several audiomedia 2 cards kicking around (very high quality audio in/out for nubus)...i'm not looking to toss them, but might consider a trade for one.

deknow

From Loopers-Delight-request@loopers-delight.com  Tue May 14 16:30:16 2002
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At 12:22 PM -0700 5/14/02, Tom Heasley wrote:

>Noe Valley Ministry

Have a great gig. If Ramon Sender is there, say hello for me.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Tue May 14 16:35:47 2002
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I'm fixing to install Ableton's Live (interactive loop/sequencing app)
on a G4.....  It might run on your machine....check them out on the web:
http://www.ableton.com/
I'm sure your sound manager outputs would be OK for most applications,
particularly live.  There is generally a bit of low-level buzzing in the
circuitry,
but if you maintain a high signal level.....
Ableton can handle all kinds of MIDI control....it is designed to be used as
a performance tool as well as real time loop tweaking....
--
gary
@friendlyspider.com


paul@brainvirus.org wrote:

> Is anyone Mac as a sampler/looper? If so, what are the external triggering
> options; (I think Back To Basics uses the actual keyboard!) I assume MIDI,
> is a footswitch somehow applicable here? Is the built in audio output suitable
> to go to a mixer from?
>
> Thanks
> Paul Sherman




From Loopers-Delight-request@loopers-delight.com  Tue May 14 17:41:12 2002
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test

From Loopers-Delight-request@loopers-delight.com  Tue May 14 17:41:13 2002
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Finkle and einhorn, einhorn and finkle, finkle and Einhorn, einhorn finkle
finkle einhorn

Got your test.

-----Original Message-----
From: Peter Einhorn [mailto:petereinhorn@mac.com] 
Sent: Tuesday, May 14, 2002 5:34 PM
To: Loopers-Delight@loopers-delight.com
Subject: test

test

From Loopers-Delight-request@loopers-delight.com  Tue May 14 18:16:14 2002
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>> MIDI spec:

I love this place.

Dan Ash

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Subject: Re: expression pedal with all access
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Thx Ben-
well I got the 20k ohm Proel pedal. [didn't Kim say 20k ohm is what we
want?].
It won't open the feedback line all the way [enabling an infinite loop],
which is no good. 
If I  replace it with a 25k ohm linear pot, will it go to Max. value for
feedback when in the down position? What do I need to do to accomplish
this.?

Thx 
peter

Parts Express has replacement linear pots for about $4.

-----Original Message-----
From: Peter Einhorn [mailto:petereinhorn@mac.com]
Sent: Monday, May 13, 2002 8:39 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: expression pedal with all access

I ordered a' Proel Internal Ctrl Mono/Stereo Kybrd Volume Pedal' 20k ohm.
Could't find out about audio or linear taper. Guess I'll find out. Thx for
help! 

-peter 

> you can use the ernie ball as-is with a standard insert cable, but you
> get a log curve - the middle position of the pedal does not
> translate to the middle of the control range.
> in other words: if you set your control range to 0-127 (default),
> the middle pos of the pedal will not result in a cc of 64...
> in order to get this behavior, you have to replace the audio taper
> pot with a linear taper pot...
> 
>> i think the ernie ball mono pedal will work fine....although i'm told i'll
>> have to build a special cable for it...we'll see.
>> 
>> -jim 
>> 
>> 
> 
> 

My email will soon be ONLY   petereinhorn@mac.com
Please update your address book.


My email will soon be ONLY   petereinhorn@mac.com
Please update your address book.


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<TITLE>Re: expression pedal with all access</TITLE>
</HEAD>
<BODY>
Thx Ben-<BR>
well I got the 20k ohm Proel pedal. [didn't Kim say 20k ohm is what we want=
?].<BR>
 It won't open the feedback line all the way [enabling an infinite loop], w=
hich is no good. <BR>
If I &nbsp;replace it with a 25k ohm linear pot, will it go to Max. value f=
or feedback when in the down position? What do I need to do to accomplish th=
is.?<BR>
<BR>
Thx <BR>
peter<BR>
<BLOCKQUOTE><BR>
<FONT SIZE=3D"2">Parts Express has replacement linear pots for about $4.</FON=
T> <BR>
<BR>
<FONT SIZE=3D"2">-----Original Message-----</FONT> <BR>
<FONT SIZE=3D"2">From: Peter Einhorn [mailto:petereinhorn@mac.com]</FONT> <BR=
>
<FONT SIZE=3D"2">Sent: Monday, May 13, 2002 8:39 PM</FONT> <BR>
<FONT SIZE=3D"2">To: Loopers-Delight@loopers-delight.com</FONT> <BR>
<FONT SIZE=3D"2">Subject: Re: expression pedal with all access</FONT> <BR>
<BR>
<FONT SIZE=3D"2">I ordered a' Proel Internal Ctrl Mono/Stereo Kybrd Volume Pe=
dal' 20k ohm.</FONT> <BR>
<FONT SIZE=3D"2">Could't find out about audio or linear taper. Guess I'll fin=
d out. Thx for</FONT> <BR>
<FONT SIZE=3D"2">help!</FONT> <BR>
<BR>
<FONT SIZE=3D"2">-peter <BR>
</FONT><BR>
<FONT SIZE=3D"2">&gt; you can use the ernie ball as-is with a standard insert=
 cable, but you</FONT> <BR>
<FONT SIZE=3D"2">&gt; get a log curve - the middle position of the pedal does=
 not</FONT> <BR>
<FONT SIZE=3D"2">&gt; translate to the middle of the control range.</FONT> <B=
R>
<FONT SIZE=3D"2">&gt; in other words: if you set your control range to 0-127 =
(default),</FONT> <BR>
<FONT SIZE=3D"2">&gt; the middle pos of the pedal will not result in a cc of =
64...</FONT> <BR>
<FONT SIZE=3D"2">&gt; in order to get this behavior, you have to replace the =
audio taper</FONT> <BR>
<FONT SIZE=3D"2">&gt; pot with a linear taper pot...</FONT> <BR>
<FONT SIZE=3D"2">&gt; <BR>
&gt;&gt; i think the ernie ball mono pedal will work fine....although i'm t=
old i'll</FONT> <BR>
<FONT SIZE=3D"2">&gt;&gt; have to build a special cable for it...we'll see.</=
FONT> <BR>
<FONT SIZE=3D"2">&gt;&gt; <BR>
&gt;&gt; -jim</FONT> <BR>
<FONT SIZE=3D"2">&gt;&gt; <BR>
&gt;&gt; <BR>
&gt; <BR>
&gt; <BR>
</FONT><BR>
<FONT SIZE=3D"2">My email will soon be ONLY &nbsp;&nbsp;petereinhorn@mac.com<=
/FONT> <BR>
<FONT SIZE=3D"2">Please update your address book.</FONT> <BR>
</BLOCKQUOTE><BR>
<BR>
My email will soon be ONLY &nbsp;&nbsp;petereinhorn@mac.com<BR>
Please update your address book.<BR>
</BODY>
</HTML>


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A friend of mine got an audiomedia nubus card cheap, threw it into an early
Powermac he got for nothing, and he was on his way!  RAM for such machines aren't
quite as cheap as modern RAM, but he was able to do quite a bit with that little
machine.

Mark



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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: expression pedal with all access
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really not the right guy to ask. do know that the log pots most guitars use
are 250K but would love to be corrected by somebody on the list who has more
experience with these things! I assume they are equivalent...

-----Original Message-----
From: Peter Einhorn [mailto:petereinhorn@mac.com]
Sent: Tuesday, May 14, 2002 6:18 PM
To: Loopers-Delight@loopers-delight.com; BReid@about-inc.com
Subject: Re: expression pedal with all access


Thx Ben-
well I got the 20k ohm Proel pedal. [didn't Kim say 20k ohm is what we
want?].
It won't open the feedback line all the way [enabling an infinite loop],
which is no good. 
If I  replace it with a 25k ohm linear pot, will it go to Max. value for
feedback when in the down position? What do I need to do to accomplish
this.?

Thx 
peter



Parts Express has replacement linear pots for about $4. 

-----Original Message----- 
From: Peter Einhorn [mailto:petereinhorn@mac.com] 
Sent: Monday, May 13, 2002 8:39 PM 
To: Loopers-Delight@loopers-delight.com 
Subject: Re: expression pedal with all access 

I ordered a' Proel Internal Ctrl Mono/Stereo Kybrd Volume Pedal' 20k ohm. 
Could't find out about audio or linear taper. Guess I'll find out. Thx for 
help! 

-peter 

> you can use the ernie ball as-is with a standard insert cable, but you 
> get a log curve - the middle position of the pedal does not 
> translate to the middle of the control range. 
> in other words: if you set your control range to 0-127 (default), 
> the middle pos of the pedal will not result in a cc of 64... 
> in order to get this behavior, you have to replace the audio taper 
> pot with a linear taper pot... 
> 
>> i think the ernie ball mono pedal will work fine....although i'm told
i'll 
>> have to build a special cable for it...we'll see. 
>> 
>> -jim 
>> 
>> 
> 
> 

My email will soon be ONLY   petereinhorn@mac.com 
Please update your address book. 




My email will soon be ONLY   petereinhorn@mac.com
Please update your address book.



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<TITLE>Re: expression pedal with all access</TITLE>

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<BODY>
<DIV><SPAN class=444175122-14052002><FONT face=Arial color=#0000ff size=2>really 
not the right guy to ask. do know that the log pots most guitars use are 250K 
but would love to be corrected by somebody on the list who has more experience 
with these things! I assume they are equivalent...</FONT></SPAN></DIV>
<BLOCKQUOTE>
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Peter Einhorn 
  [mailto:petereinhorn@mac.com]<BR><B>Sent:</B> Tuesday, May 14, 2002 6:18 
  PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com; 
  BReid@about-inc.com<BR><B>Subject:</B> Re: expression pedal with all 
  access<BR><BR></FONT></DIV>Thx Ben-<BR>well I got the 20k ohm Proel pedal. 
  [didn't Kim say 20k ohm is what we want?].<BR>It won't open the feedback line 
  all the way [enabling an infinite loop], which is no good. <BR>If I 
  &nbsp;replace it with a 25k ohm linear pot, will it go to Max. value for 
  feedback when in the down position? What do I need to do to accomplish 
  this.?<BR><BR>Thx <BR>peter<BR>
  <BLOCKQUOTE><BR><FONT size=2>Parts Express has replacement linear pots for 
    about $4.</FONT> <BR><BR><FONT size=2>-----Original Message-----</FONT> 
    <BR><FONT size=2>From: Peter Einhorn [mailto:petereinhorn@mac.com]</FONT> 
    <BR><FONT size=2>Sent: Monday, May 13, 2002 8:39 PM</FONT> <BR><FONT 
    size=2>To: Loopers-Delight@loopers-delight.com</FONT> <BR><FONT 
    size=2>Subject: Re: expression pedal with all access</FONT> <BR><BR><FONT 
    size=2>I ordered a' Proel Internal Ctrl Mono/Stereo Kybrd Volume Pedal' 20k 
    ohm.</FONT> <BR><FONT size=2>Could't find out about audio or linear taper. 
    Guess I'll find out. Thx for</FONT> <BR><FONT size=2>help!</FONT> 
    <BR><BR><FONT size=2>-peter <BR></FONT><BR><FONT size=2>&gt; you can use the 
    ernie ball as-is with a standard insert cable, but you</FONT> <BR><FONT 
    size=2>&gt; get a log curve - the middle position of the pedal does 
    not</FONT> <BR><FONT size=2>&gt; translate to the middle of the control 
    range.</FONT> <BR><FONT size=2>&gt; in other words: if you set your control 
    range to 0-127 (default),</FONT> <BR><FONT size=2>&gt; the middle pos of the 
    pedal will not result in a cc of 64...</FONT> <BR><FONT size=2>&gt; in order 
    to get this behavior, you have to replace the audio taper</FONT> <BR><FONT 
    size=2>&gt; pot with a linear taper pot...</FONT> <BR><FONT size=2>&gt; 
    <BR>&gt;&gt; i think the ernie ball mono pedal will work fine....although 
    i'm told i'll</FONT> <BR><FONT size=2>&gt;&gt; have to build a special cable 
    for it...we'll see.</FONT> <BR><FONT size=2>&gt;&gt; <BR>&gt;&gt; 
    -jim</FONT> <BR><FONT size=2>&gt;&gt; <BR>&gt;&gt; <BR>&gt; <BR>&gt; 
    <BR></FONT><BR><FONT size=2>My email will soon be ONLY 
    &nbsp;&nbsp;petereinhorn@mac.com</FONT> <BR><FONT size=2>Please update your 
    address book.</FONT> <BR></BLOCKQUOTE><BR><BR>My email will soon be ONLY 
  &nbsp;&nbsp;petereinhorn@mac.com<BR>Please update your address 
book.<BR></BLOCKQUOTE></BODY></HTML>

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Subject: Re: OT: paremetric eq (rackmount) suggestions
Date: Tue, 14 May 2002 18:02:37 +0100
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regarding the behringer, does anybody know of the "PEQ2200" which is
non-tube, single-space, mono unit...five bands, fully parametric?

-jim


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--=====================_1972339==_.ALT
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>
>       THE ELECTRIC ARTS ALLIANCE OF ATLANTA
>                     PRESENTS
>Meet The Artist v.1.0: Richard Zvonar and Dan Walsh
>
>      8 pm AT EYEDRUM, MONDAY, MAY 20, 2002
>
>The Electric Arts Alliance of Atlanta (EAAA) is proud to present the
>first of its Meet The Artist series at Eyedrum with presentations by two
>dynamic electric artists, Richard Zvonar and Dan Walsh, at 8:00 p.m. on
>Monday, May 20th, 2002.  Richard Zvonar is a composer and intermedia artist
>living in Los Angeles, California and will discuss his work by drawing from
>his 30 years of experience in the fields of intermedia perfomance,
>electroacoustic improvisation, and multichannel
>spatialization. Dan Walsh is a new media artist living in Atlanta,
>Georgia and will present and discuss his current work developing
>software for interactive audio / video performance in the programming
>environments NATO and Max/MSP.
>
>Richard Zvonar is a composer and intermedia artist whose works include
>pieces for voice, acoustic and electronic instruments, tape, film,
>installations, music theater and intermedia performance.  Zvonar
>received a PhD in Composition and Music Technology in 1982 from UC San
>Diego, where he was a Research Assistant at the Computer Audio Research
>Lab (CARL) and a Fellow at the Center for Music Experiment (CME).
>Performances of electroacoustic music, featuring computer controlled
>processing of acoustic sounds, include an ongoing project with bassist
>Robert Black (Real Art Ways, PASS, Experimental Intermedia Foundation,
>Composers' Forum), Hex (1987) with the ensemble Relache in Philadelphia, and
>several years touring and recording with avant-diva Diamanda Galas. Most
>recently, Zvonar has been developing his own performance control software
>using the Max programming environment.  For more information on Richard
>Zvonar please visit his website at http://www.zvonar.com.
>
>John Daniel Walsh is a new media artist living in Atlanta. He has
>produced audio recordings, videos, audio / video installations, and
>custom audio / video software, most recently at Solomon Projects gallery.
>He is the winner of the 2000 Emerging Artist's Award from the
>City of Atlanta, Bureau of Cultural Affairs, and his work has been
>featured in exhibitions in Georgia and nationwide.  He is currently the
>Visiting Artist in Residence at the Atlanta College of Art in the video
>department.  Walsh is currently working on the creation of audio and
>video software for display and performance in the Max/Nato programming
>environment.
>
>A $3 donation is requested for admission.  For more info please contact:
>Electric_Arts_Alliance@yahoo.com or visit http://www.eyedrum.org
>
>Eyedrum, Suite 8, 290 MLK, Jr. DR, Atlanta, GA 30312
>
>The Electric Arts Alliance of Atlanta (EAAA)
>Electric_Arts_Alliance@yahoo.com
>Electric_Arts_Alliance-subscribe@yahoogroups.com

--=====================_1972339==_.ALT
Content-Type: text/html; charset="us-ascii"

<html>
<blockquote type=cite class=cite cite><br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; THE ELECTRIC ARTS ALLIANCE OF 
ATLANTA<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
PRESENTS<br>
Meet The Artist v.1.0: Richard Zvonar and Dan Walsh<br><br>
&nbsp;&nbsp;&nbsp;&nbsp; 8 pm AT EYEDRUM, MONDAY, MAY 20, 2002<br><br>
The Electric Arts Alliance of Atlanta (EAAA) is proud to present 
the<br>
first of its Meet The Artist series at Eyedrum with presentations by
two<br>
dynamic electric artists, Richard Zvonar and Dan Walsh, at 8:00 p.m.
on<br>
Monday, May 20th, 2002.&nbsp; Richard Zvonar is a composer and intermedia
artist<br>
living in Los Angeles, California and will discuss his work by drawing
from<br>
his 30 years of experience in the fields of intermedia perfomance,<br>
electroacoustic improvisation, and multichannel<br>
spatialization. Dan Walsh is a new media artist living in Atlanta,<br>
Georgia and will present and discuss his current work developing<br>
software for interactive audio / video performance in the
programming<br>
environments NATO and Max/MSP.<br><br>
Richard Zvonar is a composer and intermedia artist whose works
include<br>
pieces for voice, acoustic and electronic instruments, tape, film,<br>
installations, music theater and intermedia performance.&nbsp;
Zvonar<br>
received a PhD in Composition and Music Technology in 1982 from UC
San<br>
Diego, where he was a Research Assistant at the Computer Audio
Research<br>
Lab (CARL) and a Fellow at the Center for Music Experiment (CME).<br>
Performances of electroacoustic music, featuring computer 
controlled<br>
processing of acoustic sounds, include an ongoing project with
bassist<br>
Robert Black (Real Art Ways, PASS, Experimental Intermedia
Foundation,<br>
Composers' Forum), Hex (1987) with the ensemble Relache in Philadelphia,
and<br>
several years touring and recording with avant-diva Diamanda Galas.
Most<br>
recently, Zvonar has been developing his own performance control
software<br>
using the Max programming environment.&nbsp; For more information on
Richard<br>
Zvonar please visit his website at
<a href="http://www.zvonar.com/" eudora="autourl">http://www.zvonar.com</a>.<br><br>
John Daniel Walsh is a new media artist living in Atlanta. He has<br>
produced audio recordings, videos, audio / video installations, and<br>
custom audio / video software, most recently at Solomon Projects
gallery.<br>
He is the winner of the 2000 Emerging Artist's Award from the<br>
City of Atlanta, Bureau of Cultural Affairs, and his work has been<br>
featured in exhibitions in Georgia and nationwide.&nbsp; He is currently
the<br>
Visiting Artist in Residence at the Atlanta College of Art in the
video<br>
department.&nbsp; Walsh is currently working on the creation of audio
and<br>
video software for display and performance in the Max/Nato
programming<br>
environment.<br><br>
A $3 donation is requested for admission.&nbsp; For more info please
contact:<br>
Electric_Arts_Alliance@yahoo.com or visit
<a href="http://www.eyedrum.org/" eudora="autourl">http://www.eyedrum.org</a><br>
<br>
Eyedrum, Suite 8, 290 MLK, Jr. DR, Atlanta, GA 30312<br><br>
The Electric Arts Alliance of Atlanta (EAAA)<br>
Electric_Arts_Alliance@yahoo.com<br>
Electric_Arts_Alliance-subscribe@yahoogroups.com</blockquote></html>

--=====================_1972339==_.ALT--

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Date: Tue, 14 May 2002 16:48:03 -0700 (PDT)
From: Pedro Felix <pfelix28@yahoo.com>
Subject: Re: OT: paremetric eq (rackmount) suggestions
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yeap. they are very well made. i had it bad for the
stereo model. then AH built me a Harness but I didn't
want to cop his thing so I got a Pro Q and ended up
abandoning each for the Juice Extractor that the
Brewer designed.

TC stuff is well built, I have a nicely aged Booster
meself!

Pedro
--- Louis Rossi <tarbit@hotmail.com> wrote:
> Hi Jim
> 
> FYI, I spotted a TC1140 used at:
> 
> http://www.broadway-music.com/catg/FXEQ.html
> 
> It's a good piece & in the past I've seen one in
> Alan Holdsworth's rack & 
> Fripp use to have the former stereo version too. I
> love my TC Sustain EQ 
> petal for the NS Stick :)
> 
> Cheers. LOU
> 
> 
> >From: Pedro Felix <pfelix28@yahoo.com>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight@loopers-delight.com
> >Subject: Re: OT: paremetric eq (rackmount)
> suggestions
> >Date: Tue, 14 May 2002 11:28:43 -0700 (PDT)
> >
> >snips~
> >
> >Jim -
> >
> >TC 1140
> >Rocktron Pro Q
> 
> 
>
_________________________________________________________________
> Get your FREE download of MSN Explorer at
> http://explorer.msn.com/intl.asp.
> 


__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

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Date: Tue, 14 May 2002 20:13:59 -0400
From: Lee Barnes <PhaedeBack@comcast.net>
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But was it a "Test for Echo?"
^_^


Lee
-----Original Message-----
From: Peter Einhorn [mailto:petereinhorn@mac.com]
Sent: Tuesday, May 14, 2002 5:34 PM
To: Loopers-Delight@loopers-delight.com
Subject: test


test

From Loopers-Delight-request@loopers-delight.com  Tue May 14 21:08:29 2002
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Subject: Re: Time-code sync issues...(help!!)
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THANKS!!!!  that's why I love this list too... Richard, you're great...

T.

On 5/14/02 1:27 PM, "Richard Zvonar" <zvonar@zvonar.com> wrote:

> On 5/14/02 at 11:57 AM, toddreynolds@rcn.com (todd reynolds) wrote:
>>> 1.  Is there a controller number or note number for Start Point which I
>>> could send from MAX/MSP?  And the same for changing 8th/beat on the fly?
> 
> At 9:06 AM -0700 5/14/02, andrew pask wrote:
>> 
>> Maybe Dr Zvonar will be able to sort this out, isn't 250 the raw
>> MIDI number for start?
> 
> Correct. Start = 250 decimal, FA Hex, 11111010 binary
> 
> 
> Here's the whole MIDI spec:
> 
> CHANNEL VOICE MESSAGES
> ======================
> 
> 1000nnnn    8N    128-143    0kkkkkkk    Note Off event
> 0vvvvvvv    vvvvvvv: note off velocity
> 
> 1001nnnn    9N    144-159    0kkkkkkk    Note On event (middle C = 60)
> 0vvvvvvv    vvvvvvv: note on velocity
> 
> 1010nnnn    AN    160-175    0kkkkkkk    Polyphonic key pressure/after
> touch
> 0vvvvvvv    vvvvvvv: pressure value
> 
> 1011nnnn    BN    176-191    0ccccccc    Control Change
> 0vvvvvvv    ccccccc: control #(0-121)
> vvvvvvv: control value
> 0-31 continuous MSB, 32-63 LSB
> 64-95 switches, 
> 96-121 undefined
> ccccccc: 122-127 reserved
> 
> 1100nnnn    CN    192-207    0ppppppp    Program Change
> ppppppp: program number (0-127)
> 
> 1101nnnn    DN    208-223    0vvvvvvv    Channel pressure/after touch
> vvvvvvv: pressure value
> 
> 1110nnnn    EN    224-239    0vvvvvvv    Pitch wheel change LSB
> 0vvvvvvv    Pitch wheel change MSB
> 
> CHANNEL MODE MESSAGES
> =====================
> 
> 1011nnnn    BN    176-191    0ccccccc    Selects Channel Mode
> 0vvvvvvv
> ccccccc = 122:    Local Control
> vvvvvvv =  0:    Local
> Control OFF
> vvvvvvv = 127:    Local
> Control ON
> 
> ccccccc = 123:    All Notes OFF
> vvvvvvv =  0
> 
> ccccccc = 124:    Omni Mode OFF
> (All Notes OFF)
> vvvvvvv =  0:
> 
> ccccccc = 125:    Omni Mode ON
> (All Notes OFF)
> vvvvvvv =  0
> 
> ccccccc = 126:    Mono Mode ON
> (Poly Mode OFF,
> All Notes OFF)
> vvvvvvv = M    (M=number of
> channels)
> vvvvvvv = 0    (number of
> channels =
> 
> number of voices
> in receiver)
> 
> ccccccc = 127:    Poly Mode ON
> (All Notes OFF)
> vvvvvvv =  0
> 
> 
> SYSTEM COMMON MESSAGES
> ======================
> 
> 11110000    F0    240            Start of System Exclusive
> 
> 11110001    F1    241            MTC  Quarter Frame
> 
> 11110010    F2    242            Song Position Pointer
> 0lllllll    lllllll: LSB
> 0hhhhhhh    hhhhhhh: MSB
> 
> 11110011    F3    243    0sssssss    Song Select
> sssssss: Song #
> 
> 11110100    F4    244            Undefined
> 
> 11110101    F5    245            Undefined
> 
> 11110110    F6    246            Tune Request
> 
> 11110111    F7    247            End of System Exclusive
> 
> 
> SYSTEM REAL TIME MESSAGES
> =========================
> 
> 11111000    F8    248            Timing Clock
> 11111001    F9    249            Undefined
> 11111010    FA    250            Start
> 11111011    FB    251            Continue
> 11111100    FC    252            Stop
> 11111101    FD    253            Undefined
> 11111110    FE    254            Active Sensing
> 11111111    FF    255            System Reset

From Loopers-Delight-request@loopers-delight.com  Tue May 14 22:25:05 2002
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Hopefully, this thread will drift away like "Vapor Trails."

>:-D


> But was it a "Test for Echo?"
> ^_^
> 
> 
> Lee
> -----Original Message-----
> From: Peter Einhorn [mailto:petereinhorn@mac.com]
> Sent: Tuesday, May 14, 2002 5:34 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: test
> 
> 
> test
> 

From Loopers-Delight-request@loopers-delight.com  Tue May 14 23:07:58 2002
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Subject: Re: OT: paremetric eq (rackmount) suggestions
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Raven Labs makes a nice half rack parametric, there stuff is really clean
and not too expensive.
Bill


From Loopers-Delight-request@loopers-delight.com  Wed May 15 00:29:22 2002
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Yo Loopers


I'm playing saxophones, Orville and MAX/MSP with Digital Cutup Lounge, featuring
the usual asortment of highly dodgy nonsense this Friday.

Come along and put some money on the bet that I won't have to reset my Parameter
RAM in public!


Cheers

Andrew









Digital Cutup Lounge cut and cut to the ruptures and the strokes, using
computers to mix dance tracks, ambient noise, jazz solos, Internet radio
broadcasts and music from all over the globe, following a massive
multicultural collision course with our hyperaccelerated future...

Digital Cutup Lounge will be playing this week at
FOLD at the Derby [4500 Los Feliz Blvd]
this Friday night
May 17
doors open at 8pm
$10
21+

lineup:
  KID606 <http://www.brainwashed.com/kid606/>
  CRACK (We Are Rock) <http://www.fcute.com/crackpage/>
  SEKSU ROBA <http://www.seksuroba.com>
  ELECTRIC COMPANY
  UPROCK
  NAUSEOUS JOOKBHOX - in the Judy Garland Room
  DIGITAL CUTUP LOUNGE <http://www.digitalcutuplounge.com> - in the Judy
Garland Room

Advance tickets for this event are now available online at
Virtuous.com:
http://www.virtuous.com/search/events_venue.php?venueid=DRB*7

--

NOTES:

Beginning in the fall of 1999, the first "digital cut up lounge"
sessions at live music clubs in Hong Kong. Inspiration of William S.
Burroughs method.

Dimly lit voice-overs and a radio news announcement in a foreign
language…high-powered beats blare out of the speakers and the band tries
hard to keep up with the momentum of the beats per minute.

Programmed drum patterns, virtual tape loops and unlimited palettes of
sonic DNA mutation.

Crossing the vinyl frontier? The cursor has replaced the stylus in the
role of sample splicing and beat juggling.

It's music. But when? How much longer? How much longer?

They'll creep right onto the stage for a recent concert that means doing
the stylus in the middle, he said. One more hour.

Crazy kind of sample splicing and hit the digital stir-fry treatment.

It's jazz, but not as far as we know it, I whispered. He shrugged and
beat juggling.

Then he shouted, suddenly seemed so traditional. He shrugged. Unlimited
sound effects may be old hat when it comes to take the handiwork. So
traditional.

Techno, skins and fortune currently visited on adrenalin reserves --
shareware will collide with me on the crash.

EN ESPANOL:

Comenzando en la caída de 1999, las primeras "corte digital encima
sesiones del salón" en los clubs vivos de la música en Hong Kong.
Inspiración del método de William S. Burroughs.

Encendió dévil voz-overs y un aviso de radio de las noticias en un
language. High-powered extranjero bate fragor fuera de los altavoces y
la venda intenta difícilmente continuar con el ímpetu de los golpes por
minuto.

Patrones programados del tambor, lazos virtuales de la cinta y gamas de
colores ilimitadas de la mutación acústica de la DNA.

żCruzar la frontera del vinilo? El cursor ha substituido la aguja en el
papel de la muestra que empalmaba y el hacer juegos malabares del golpe.

Es música. żPero cuándo? żCuánto más largo? żCuánto más largo?

Se arrastrarán a la derecha sobre la etapa para un concierto reciente
que signifique hacer la aguja en el centro, él dijeron. Una más hora. La
clase loca de muestra que empalma y golpeada el digital revolver-fri'e
el tratamiento.

Es jazz, pero no por lo que lo sabemos, susurré. Él encogieron y el
hacer juegos malabares del golpe. Entonces él gritó, parecido
repentinamente tan tradicional. Él encogió.

Los efectos sonoros ilimitados pueden ser viejo sombrero cuando viene
tomar la obra. Tan tradicional.

Techno, pieles y fortuna visitada actualmente en reservas de la
adrenalina -- el shareware chocará con mí en el desplome.

--

From Loopers-Delight-request@loopers-delight.com  Wed May 15 00:33:21 2002
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Subject: Re: OT: paremetric eq (rackmount) suggestions
Date: Tue, 14 May 2002 23:31:01 +0100
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yeah...i've got the raven labs unit and it is nice BUT it's not really
convenient in a rack...1/2 wide 1.5 high so it doesn't mount easily.  i had
to build this little in-the-back-on-the-side slot for it and it's a pain
since i have to reach around to fix the sound.  plus, the q is fixed and i
think i'd like to have a fully parametric unit.  the raven labs true blue is
semi-parametric.

-jim


From Loopers-Delight-request@loopers-delight.com  Wed May 15 00:50:37 2002
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Subject: Re: OT: paremetric eq (rackmount) suggestions
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anybody using the rane units, pe-15 and -17?

just happened across them...

-jim


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I am very happy to announce to my fellow gear junkies that I ordered my 
second Warrior Nine string bass today!

It will be the long lost twin to my current Warrior fretted Nine string, only 
this "twin" will be a fretless version!

If you want to see the bass I already have, go to: 
http://www.warriorinstruments.com/artists.asp
click my name, Gregory Bruce Campbell...

I am overly anxious! I have 6 to 8 weeks of nauseating anxiety ahead...

Did you hear that? UPS? oh it was just the wind...

Did you hear that? UPS? oh it was the neighbors...

Did you hear that? UPS? damn, it was the wind again...

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Subject: Re: OT: paremetric eq (rackmount) suggestions
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It is basically the same design as the tube one...The tube one is derived
from the PEQ2200. That was the one I was talking aobut. I tried it in a
studio and I think it is a good unit.
----- Original Message -----
From: "Jimmy Fowler" <jimfowler@prodigy.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 14, 2002 7:02 PM
Subject: Re: OT: paremetric eq (rackmount) suggestions


> regarding the behringer, does anybody know of the "PEQ2200" which is
> non-tube, single-space, mono unit...five bands, fully parametric?
>
> -jim
>
>


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Boy am I ever jonesin' for this here spiffy long awaited LoopIV thingee
(sorry, just read gig spam from BKFresno)
Anyway, uh, isn't it loop yet?
Estimated Date of Release?
.pdf of uncompleted manual?
Boy do I wish I coulda gone to Oakland . . .
Yours in misery,
Gary

From Loopers-Delight-request@loopers-delight.com  Wed May 15 03:10:30 2002
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 <001101c1fb97$083180e0$01f8c440@g0wn7>
Date: Wed, 15 May 2002 09:06:32 +0200
To: Loopers-Delight@loopers-delight.com
From: faisal moro <faisalmoro@mac.com>
Subject: Re: OT: paremetric eq (rackmount) suggestions
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The TC 1140 or 2240 are great, even used as preamp. Pedal version (TC 
DPE) is cool too, as it can handles studio level devices too. Again, 
the TC SPE offers one band of parametric EQ + sustain control.
Nothing comparable to TC products when talking about sound quality IMHO.

HTH

doei!
Faisal

From Loopers-Delight-request@loopers-delight.com  Wed May 15 10:17:19 2002
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Subject: Re: expression pedal with all access
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using 20k is supposed to insure more than enough to get 100% feedback.
maybe you have it connected wrong?
the output of the pedal should be connected to the feedback input on the edp.
also, maybe there is an adjustment on the pedal to set the min/max?
make sure the cable is good...
if you can get a multitester, you can test to make sure the output resistance of 
the pedal is correct...
if all this checks out, maybe something is wrong with the edp itself?

check this out from the ld archives:
http://www.loopersdelight.com/cgi-bin/wilma_hiliter/LDarchive/199805/msg00305.html?line=34#hilite


> Thx Ben-
> well I got the 20k ohm Proel pedal. [didn't Kim say 20k ohm is what we
> want?].
> It won't open the feedback line all the way [enabling an infinite loop],
> which is no good. 
> If I  replace it with a 25k ohm linear pot, will it go to Max. value for
> feedback when in the down position? What do I need to do to accomplish
> this.?
> 
> Thx 
> peter
> 


From Loopers-Delight-request@loopers-delight.com  Wed May 15 10:52:54 2002
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From: "Bill Fox" <billfox@fast.net>
To: "emusic-wdiy Mailing List" <emusic-wdiy@yahoogroups.com>
Subject: EMUSIC Playlist #268
Date: Wed, 15 May 2002 10:41:50 -0400
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[ Best viewed using a fixed spacing font. ]

EMUSIC is an electronic, ambient, and space music show, that airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in Easton,
PA and Phillipsburg, NJ.

                    Show #268                    May 9, 2002.


RECAP:
On this show, I continued the month-long focus on Steve Roach and vidnaObmana,
who will be making rare concert appearances together at Projektfest and the
Gathering this coming Memorial Day weekend.  The Featured CD at midnight was
disc two of "Well of Souls" on the Projekt label.

The vinyl show starter was from the LP "Nada" by Peter Michael Hamer on the
Wergo Spectrum label.

Steve Roach and vidnaObmana
http://wdiyfm.org/programs/emusic/playlists/2002/focus02.html#may
The Gathering and Projektfest http://wdiyfm.org/programs/emusic/events.html


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Peter Michael Hamer     Nada                     Nada (Wergo Spectrum)
Saul Stokes             Iris... My Observatory   Preview CDR of Fields (Binary)
Robert Carty            Arriving Light           Light Dreaming (Deep Sky Music)
Roach & Obmana          InnerZone                InnerZone (Projekt)

12:00 am
Roach & Obmana          Deep Hours               Well of Souls disc 2 (Projekt)
Roach & Obmana          Well of Souls            Well of Souls disc 2 (Projekt)
Roach & Obmana          The Quiet Companion      Well of Souls disc 2 (Projekt)

1:00 am

 * = exerpt
VA = Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on Steve Roach and
vidnaObmana.  The Featured CD at Midnight will be "InnerZone" on the
Projekt label.

The vinyl show starter will be from the LP "White Eagle" by Tangerine Dream on
the Virgin label.


Bill        billfox@fast.net           http://wdiyfm.org/programs/emusic
===============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, go to
http://groups.yahoo.com/group/emusic-wdiy and click on [Join This Group!]
SOUNDSCAPES Concert Series: http://www.tadream.net/soundscapes

From Loopers-Delight-request@loopers-delight.com  Wed May 15 14:32:55 2002
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Subject: Re: expression pedal with all access
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Probably the problem is in the structure of the pedal itself. I have had a
pair of those proels, and found the same problem on both...
----- Original Message -----
From: "jim palmer" <jimp@pobox.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 15, 2002 4:14 PM
Subject: Re: expression pedal with all access


> using 20k is supposed to insure more than enough to get 100% feedback.
> maybe you have it connected wrong?
> the output of the pedal should be connected to the feedback input on the
edp.
> also, maybe there is an adjustment on the pedal to set the min/max?
> make sure the cable is good...
> if you can get a multitester, you can test to make sure the output
resistance of
> the pedal is correct...
> if all this checks out, maybe something is wrong with the edp itself?
>
> check this out from the ld archives:
>
http://www.loopersdelight.com/cgi-bin/wilma_hiliter/LDarchive/199805/msg0030
5.html?line=34#hilite
>
>
> > Thx Ben-
> > well I got the 20k ohm Proel pedal. [didn't Kim say 20k ohm is what we
> > want?].
> > It won't open the feedback line all the way [enabling an infinite loop],
> > which is no good.
> > If I  replace it with a 25k ohm linear pot, will it go to Max. value for
> > feedback when in the down position? What do I need to do to accomplish
> > this.?
> >
> > Thx
> > peter
> >
>
>
>


From Loopers-Delight-request@loopers-delight.com  Wed May 15 16:25:51 2002
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Date: Wed, 15 May 2002 16:22:19 EDT
Subject: see what? by c voit
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i have had the good fortune to hear claude's work over the last few years on 
the ct-collective's projects and his songs have never failed to knock me 
out.....imagine an entire 63:30 of these oh so tasty bits.....thoughts of 
"how's he doin that" are blown away by the beauty of the beat and 
melody.....and let me tell you, there's pleanty of beat.....hows he doin 
that?.....yipes!.....and then its whap ya upside the head with melodic 
counterpointed loveliness.....how's he doin that?......"see what?" is an 
excellent melding of knowing the cababilites of your instrument (acoustic 
guitar into a whole bunch-o-stuff) "sequencers, loopers, analog and digital 
processes, midi automations/processes, midi pickups, slides, needles, bows 
etc... were used and triggered by hand and feets." and a heart and head that 
know and love music.....pardon the pun but i want to see what ? mr voit is 
doing when he creates his tunes, ill bet its a treat.....an excellent 
listen.....thanks claude.....michael

From Loopers-Delight-request@loopers-delight.com  Wed May 15 17:15:59 2002
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Subject: RE: see what? by c voit
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I second this--Mr. Voit shared a copy with me (which was stolen with my car
stereo--oh man) and it was quite meaty--Hey Michael can't you fly free to
Switzerland?
Gary

-----Original Message-----
From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
Sent: Wednesday, May 15, 2002 1:22 PM
To: Loopers-Delight@loopers-delight.com
Subject: see what? by c voit


i have had the good fortune to hear claude's work over the last few years on
the ct-collective's projects and his songs have never failed to knock me
out.....imagine an entire 63:30 of these oh so tasty bits.....thoughts of
"how's he doin that" are blown away by the beauty of the beat and
melody.....and let me tell you, there's pleanty of beat.....hows he doin
that?.....yipes!.....and then its whap ya upside the head with melodic
counterpointed loveliness.....how's he doin that?......"see what?" is an
excellent melding of knowing the cababilites of your instrument (acoustic
guitar into a whole bunch-o-stuff) "sequencers, loopers, analog and digital
processes, midi automations/processes, midi pickups, slides, needles, bows
etc... were used and triggered by hand and feets." and a heart and head that
know and love music.....pardon the pun but i want to see what ? mr voit is
doing when he creates his tunes, ill bet its a treat.....an excellent
listen.....thanks claude.....michael

From Loopers-Delight-request@loopers-delight.com  Wed May 15 18:40:03 2002
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Date: Wed, 15 May 2002 15:38:13 -0700 (PDT)
From: Pedro Felix <pfelix28@yahoo.com>
Subject: Gigging in NYC/ Gig Talk
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hello all-

reminder for my weekly gig Thursday, May 16, 2002 at
Chama, 332 East 4th Street, betwixt Avenue C and D.

I begin ~9:30 pm and have been playing just past
midnight. Check archives for quasi-reviews.

ahh now last week was lovely:

i'd set my rig up, two Digitech delays and an EDP.
But, the EDP was quite non-functional. I decided to do
the gig sans EDP (hey I can improvise). An LD member
comes in just after I decide not to use the EDP. We
talk for a bit and I decide to triple check the EDP
and find my problem was a feedback pedal plugged
improperly (in the footswitch). So once again an LD
member unwittingly saves the day. The gig went well
thereafter. Thanks Reinaldo!

best regards, Pedro Felix - NYC 2002

__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed May 15 19:33:40 2002
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Date: Wed, 15 May 2002 19:34:57 -0400
From: David Beardsley <db@biink.com>
Subject: Re: Gigging in NYC/ Gig Talk
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Check it out folks. Good sh*t. Uh....very good sh*t.

I'll try to make it.



* David Beardsley
* http://biink.com
* http://mp3.com/davidbeardsley


From Loopers-Delight-request@loopers-delight.com  Wed May 15 22:59:07 2002
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Subject: Brooklyn - NYC Gig Posting!
From: kenn lowy <klowy@wrinklemuzik.com>
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wrinklemuzik*
Sunday May 19th @ 8 pm sharp
Freddy's
485 Dean Street (off 6th Ave)
2 - 3 train to Bergen Street

http://artists.mp3s.com/artists/22/wrinklemuzik.html

wrinklemuzik is kenn lowy (ebow, vocals, loops and more loops)
wrinklemuzik's first EP "A move to the right" was selected by Trouser Press
as one of the Top 10 Indy Releases of the year. The year being 1982. kenn
has been playing with loops for a long, long time.

this performance is part of a fund raising event for Kenn Lowy for NY State
Assembly. Admission is free, but a donation is requested.



From Loopers-Delight-request@loopers-delight.com  Wed May 15 23:45:38 2002
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From: Evan Meyers <evanmeyers@yahoo.com>
Subject: Re: learn to use the gear I have.
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> most of us (all of us?) don't like to think we're on
> the wrong road, thus the touchiness.

this is a concept that that whole discussion made me
think about.  "the wrong road"  what exactly is the
wrong road anyway?  despite whatever you are doing, as
long as you are taking the steps to fill whatever
vision it is you have, then you can't be on the wrong
road.  i would say that the only time that you are on
the wrong road is when you are trying to fool yourself
(in anything).  with music, and especially looping, i
always find that the direction that i lean towards is
the path less traveled.  it's one thing to stand on
the shoulders of giants, it is entirely different to
be a giant (not claiming to be a giant of any kind,
but wouldn't it be amazing to one day be?)

> but ya know I agree with you.
> If someone has talent then their gear will not get
> in
> the way, and if they are lacking in that regard,
> well
> their gear won't hide it either.
> 

it also all depends on where the talent is.  if you
are talented with gear and really know what your
vision is, then lack of musical ability on a specific
instrument will be made up for in technical ability. 
i hear really crappy music get dressed up really nice
to the point that it sounds good on the radio on a
daily basis.  and i've also heard amazing music sound
like garbage due to bad sound.

> hey, did you get to Chama on Sat.?

unfortunately not.  i've been jamming with others on
the weekends, including some list members (dan and
bill...werd up!)

__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu May 16 00:56:10 2002
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Date: Thu, 16 May 2002 00:00:31 -0500
Subject: Re: expression pedal with all access
From: Peter Einhorn <petereinhorn@mac.com>
To: <Loopers-Delight@loopers-delight.com>
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Thanks for responding. Should I just return it? What's a pedal that one can
use? The Ernie Balls don't seem to be shipping anymore.

Thanks again ,
Peter

> Probably the problem is in the structure of the pedal itself. I have had a
> pair of those proels, and found the same problem on both...
> ----- Original Message -----
> From: "jim palmer" <jimp@pobox.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, May 15, 2002 4:14 PM
> Subject: Re: expression pedal with all access
> 
> 
>> using 20k is supposed to insure more than enough to get 100% feedback.
>> maybe you have it connected wrong?
>> the output of the pedal should be connected to the feedback input on the
> edp.
>> also, maybe there is an adjustment on the pedal to set the min/max?
>> make sure the cable is good...
>> if you can get a multitester, you can test to make sure the output
> resistance of
>> the pedal is correct...
>> if all this checks out, maybe something is wrong with the edp itself?
>> 
>> check this out from the ld archives:
>> 
> http://www.loopersdelight.com/cgi-bin/wilma_hiliter/LDarchive/199805/msg0030
> 5.html?line=34#hilite
>> 
>> 
>>> Thx Ben-
>>> well I got the 20k ohm Proel pedal. [didn't Kim say 20k ohm is what we
>>> want?].
>>> It won't open the feedback line all the way [enabling an infinite loop],
>>> which is no good.
>>> If I  replace it with a 25k ohm linear pot, will it go to Max. value for
>>> feedback when in the down position? What do I need to do to accomplish
>>> this.?
>>> 
>>> Thx
>>> peter
>>> 
>> 
>> 
>> 
> 
> 
> 

My email will soon be ONLY   petereinhorn@mac.com
Please update your address book.

From Loopers-Delight-request@loopers-delight.com  Thu May 16 02:04:30 2002
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From: "Luigi Meloni" <Luigimeloni74@libero.it>
To: <Loopers-Delight@loopers-delight.com>
References: <B908A71E.943A%petereinhorn@mac.com>
Subject: Re: expression pedal with all access
Date: Thu, 16 May 2002 08:02:27 +0200
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Currently I'm using the Boss FV300L, it's all metal, it is not too heavy and
works well. I've also tried the old Korg expression pedals and I think they
are good, too, plus you can find them used for cheap. Don't try Bespeco,
since they are almost the same thing as the Proel (I think they are even
produced in the same factory here in Italy). The only advice I can give you
is to try to find metal expression pedals, since they seem to work better
and be more reliable in the value excursion.

Peace
Luigi
----- Original Message -----
From: "Peter Einhorn" <petereinhorn@mac.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 16, 2002 7:00 AM
Subject: Re: expression pedal with all access


> Thanks for responding. Should I just return it? What's a pedal that one
can
> use? The Ernie Balls don't seem to be shipping anymore.
>
> Thanks again ,
> Peter
>
> > Probably the problem is in the structure of the pedal itself. I have had
a
> > pair of those proels, and found the same problem on both...
> > ----- Original Message -----
> > From: "jim palmer" <jimp@pobox.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Wednesday, May 15, 2002 4:14 PM
> > Subject: Re: expression pedal with all access
> >
> >
> >> using 20k is supposed to insure more than enough to get 100% feedback.
> >> maybe you have it connected wrong?
> >> the output of the pedal should be connected to the feedback input on
the
> > edp.
> >> also, maybe there is an adjustment on the pedal to set the min/max?
> >> make sure the cable is good...
> >> if you can get a multitester, you can test to make sure the output
> > resistance of
> >> the pedal is correct...
> >> if all this checks out, maybe something is wrong with the edp itself?
> >>
> >> check this out from the ld archives:
> >>
> >
http://www.loopersdelight.com/cgi-bin/wilma_hiliter/LDarchive/199805/msg0030
> > 5.html?line=34#hilite
> >>
> >>
> >>> Thx Ben-
> >>> well I got the 20k ohm Proel pedal. [didn't Kim say 20k ohm is what we
> >>> want?].
> >>> It won't open the feedback line all the way [enabling an infinite
loop],
> >>> which is no good.
> >>> If I  replace it with a 25k ohm linear pot, will it go to Max. value
for
> >>> feedback when in the down position? What do I need to do to accomplish
> >>> this.?
> >>>
> >>> Thx
> >>> peter
> >>>
> >>
> >>
> >>
> >
> >
> >
>
> My email will soon be ONLY   petereinhorn@mac.com
> Please update your address book.
>


From Loopers-Delight-request@loopers-delight.com  Thu May 16 04:13:15 2002
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Date: Thu, 16 May 2002 01:10:13 -0700 (PDT)
From: Bradley Fish <bradleyfishmusic@yahoo.com>
Subject: Re: OT: paremetric eq (rackmount) suggestions
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 For acoustic guitar You can't beat the Pendulum Audio stuff. I use the SPS-1 which is stereo but they have a mono one, too. I've used mine on hundreds of gigs with Chinese Zither, dulcimer and Acoustic Guitar...Recently I've used it for my Roland drum brain and even vocals. I'm sure it wiould be nice on an electric as well. The parametric EQ lets you eliminate feedback and shape your sound. 
Ther stereo one will send your pickup/mic blend to the house and your pickup only to the monitor to avoid feedback.
Makes acoustic stuff sound orgasmic. hmmm...maybe that's why the SPS-1 was $1,100. 
Good Luck!
Bradley Fish
  faisal moro <faisalmoro@mac.com> wrote: The TC 1140 or 2240 are great, even used as preamp. Pedal version (TC 
DPE) is cool too, as it can handles studio level devices too. Again, 
the TC SPE offers one band of parametric EQ + sustain control.
Nothing comparable to TC products when talking about sound quality IMHO.

HTH

doei!
Faisal



---------------------------------
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
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<P> For acoustic guitar You can't beat the Pendulum Audio stuff. I use the SPS-1 which is stereo but they have a mono one, too. I've used&nbsp;mine on hundreds of gigs with Chinese Zither, dulcimer and Acoustic Guitar...Recently I've used it for my Roland drum brain and even vocals. I'm sure it wiould be nice on an electric as well.&nbsp;The parametric EQ&nbsp;lets you eliminate feedback and shape your sound.&nbsp;
<P>Ther stereo one will send your pickup/mic blend to the house and your pickup only to the monitor to avoid feedback.
<P>Makes acoustic stuff sound&nbsp;orgasmic. hmmm...maybe that's why&nbsp;the SPS-1 was&nbsp;$1,100. 
<P>Good Luck!
<P>Bradley Fish
<P>&nbsp; <B><I>faisal moro &lt;faisalmoro@mac.com&gt;</I></B> wrote: 
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">The TC 1140 or 2240 are great, even used as preamp. Pedal version (TC <BR>DPE) is cool too, as it can handles studio level devices too. Again, <BR>the TC SPE offers one band of parametric EQ + sustain control.<BR>Nothing comparable to TC products when talking about sound quality IMHO.<BR><BR>HTH<BR><BR>doei!<BR>Faisal<BR></BLOCKQUOTE><p><br><hr size=1><b>Do You Yahoo!?</b><br>
<a href="http://rd.yahoo.com/welcome/*http://launch.yahoo.com">LAUNCH</a> - Your Yahoo! Music Experience
--0-120739755-1021536613=:12071--

From Loopers-Delight-request@loopers-delight.com  Thu May 16 04:45:47 2002
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Date: Thu, 16 May 2002 04:42:40 EDT
Subject: Re: Lexicon MPX500=good loop mangler?
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> I guess I'm kind of asking for the mpx500 and a filter
>  modeler in one single rack space box, and I'm probably not going to get
>  it.

If you don't need to use all those things simultaneously
then checkout the Behringer DSP2024 Virtualizer,
which has reverb and filters.(+much more)

not as good as the individual boxes, and you need a MIDI controller 
to really mangle in real time.
...but if cost is a consideration, this undercuts the others by a factor
of about 4. 

andy butler

From Loopers-Delight-request@loopers-delight.com  Thu May 16 11:38:03 2002
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Subject: Re: expression pedal with all access
Date: Thu, 16 May 2002 10:34:22 +0100
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ernie ball not shipping anymore?  hmmm...i would think they're very much
still in production.

have you tried places like musicians friend and sam ash?  if all else fails
and you want an e.b., just try ebay.  every time i look there are
approximately 10+ units being sold...and pretty cheap.

-jim


From Loopers-Delight-request@loopers-delight.com  Thu May 16 11:39:06 2002
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i looked up the pendulum unit...is the mono version still in production? =
=20

my guitar is soon to be an 8-string archtop, so an "acoustic" eq might =
not be such a bad idea.

-jim

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<STYLE></STYLE>
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<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>i looked up the pendulum unit...is the mono version =
still in=20
production?&nbsp; </FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>my guitar is soon to be an 8-string archtop, so an =
"acoustic"=20
eq might not be such a bad idea.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>-jim</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 16 11:45:34 2002
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Subject: Re: expression pedal with all access
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RE: expression pedal with all accesson the topic of all access, what =
have those of you that own one done about the 5-to-7 pin midi cable =
business?  make your own?  order from rocktron?

is anything transmitted on pins 4 and 5, anyhow?

-jim

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<HTML><HEAD><TITLE>RE: expression pedal with all access</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<DIV><FONT size=3D2>on the topic of all access, what have those of you =
that own=20
one done about the 5-to-7 pin midi cable business?&nbsp; make your =
own?&nbsp;=20
order from rocktron?</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>is anything transmitted on pins 4 and 5, =
anyhow?</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>-jim</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 16 11:52:08 2002
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Who is building your archtop? Can you please post the builder's website link 
if possible?
Cheers
Lou


>From: "Jimmy Fowler" <jimfowler@prodigy.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: OT: paremetric eq (rackmount) suggestions
>Date: Thu, 16 May 2002 10:36:22 +0100
>
>i looked up the pendulum unit...is the mono version still in production?
>
>my guitar is soon to be an 8-string archtop, so an "acoustic" eq might not 
>be such a bad idea.
>
>-jim


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Date: Thu, 16 May 2002 11:07:36 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: expression pedal with all access
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References: 
 <D1415DC80DA23448AAC727BA8F410F95C8B34E@PRM-NYC-1440EX1.1440Resource.Corp.About.Com>
 <005901c1fcbe$10f2add0$0bf8c440@g0wn7>
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you don't have to use a 7 pin cable, unless you have a device that
sends 9vac power to the fs. (rocktron preamps do).
i'm using a 5 pin cable and running power via the barrel connector on the fs...
rocktron is using the other pins to send data to the fs, btw...

seems like i have seen several music instrument dealers selling 7 pin cables..

how do you like the 900lb buttons?
kechuuunk

>on the topic of all access, what have those of you that own one done about the 5-to-7 pin midi cable business?  make your >own?
order from rocktron?
>
>is anything transmitted on pins 4 and 5, anyhow?
>
>-jim


From Loopers-Delight-request@loopers-delight.com  Thu May 16 12:29:32 2002
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From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
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Subject: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop mangler?)
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andy butler recommended:

<snips>  the Behringer DSP2024 Virtualizer,
which has reverb and filters.(+much more)

not as good as the individual boxes, and you need a MIDI controller
to really mangle in real time.
...but if cost is a consideration, this undercuts the others by a factor
of about 4.

Are these units shipping in the US yet?  There's one on eBay--what's list?
What's a good price?

Thanks,
Gary

From Loopers-Delight-request@loopers-delight.com  Thu May 16 12:51:25 2002
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Date: Thu, 16 May 2002 17:49:40 +0100
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Subject: MIDI syncing JamMan and EDP?
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Howdy all... 

What's the scoop on MIDI syncing EDP and JamMan? I'd love to be able to use the 
JamMan for laying down a bass line, and then use the DL4 with the feedback down a bit 
to have a shifting layered thing over the top - is that possible without resorting to a MIDI 
mapper at all? I haven't got any space in my rack for more gear (am trying to shrink it 
down a bit as it is, though it may still end up having to grow a bit)... At the moment I've 
got the JamMan in a side chain (using a Raven Labs DI to send sound out to it in its FX 
loop)... 

On the news front, I've been rather busy with promotional stuff relating to my new CD 
(sending out copies to radio and for review, doing the occasional interview, and lining up 
gigs etc.) and getting to know my EDP for my soon to be recorded new completely solo 
album. I've been using it on some recordings with a London-based keyboardist/guitarist 
called Patrick Wood, and have been discovering some of what this unbelievably 
maleable, flexible, intuitive box can do!!! Unbelieveable! I'm really excited about the 
possibilities for my next CD - hopefully I'll have some preview stuff up there in a month 
or so (at least for those who've bought my CDs before... :o) 

Thanks to all those of you who've bought 'Conversations' - the sooner this one breaks 
even, the sooner I can get working on the next solo one! :o) 

cheers

Steve 
www.steve-lawson.co.uk 
www.pillowmountainrecords.co.uk 

From Loopers-Delight-request@loopers-delight.com  Thu May 16 12:51:26 2002
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Date: Thu, 16 May 2002 09:45:16 -0700
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To: Loopers-Delight@loopers-delight.com
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Au contraire, mon frere - we're making them right now.  Other than a
late shipment from the anodizer which set us back a day last week, we've
been cranking out a steady stream.  The 25K stereo pedal (#6167) is not
made in nearly the same numbers as the mono pedal, so it may be that you
just need to search around to find a dealer who has one.

You may be thinking of the Rocktron Taboo pedal, which was a controller
pedal we made maybe 500 units of for them, four or five years ago.

-Hans Lindauer

http://www.ernieball.com/product/hardware/pedals/index.html


> The Ernie Balls don't seem to be shipping anymore.
> 
> Thanks again ,
> Peter

From Loopers-Delight-request@loopers-delight.com  Thu May 16 12:55:33 2002
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Date: Thu, 16 May 2002 17:56:19 +0100
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Subject: essential loop recordings?
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Just been browsing the LD website - what's happening with the essential loop 
recordings pages? Is Michael Peters still around to update things (or perhaps too busy 
touring now that the Alarm are back together... :o) If not, is someone else up for taking it 
on? What are your essential loop recordings??? anyone got any faves? faves relating to 
certain pieces of gear? 

For me, it's Andre's EDP+guitar solo stuff from the end on last year - amazing stuff, 
hugely inspiring, entertaining and innovative - never all that far from my CD player, and 
one of the main reasons I bought an EDP... 

Also Frisell's latest CD with Elvin and Dave Holland - some great useage of loopage in a 
band setting there - beautifully integrated. Don't know how much of it was in real time, 
but still very loopalicious. 

ta ta

Steve 
www.steve-lawson.co.uk 
www.pillowmountainrecords.co.uk 

From Loopers-Delight-request@loopers-delight.com  Thu May 16 12:57:51 2002
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From: "Luigi Meloni" <Luigimeloni74@libero.it>
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References: <DKELLDBJGHDDEALPDEODEEDAFKAA.healthquestrecruiter@earthlink.net>
Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop mangler?)
Date: Thu, 16 May 2002 18:56:20 +0200
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I think you could find one for about 180 US Dollars,  since here in Italy I
have found one for 190 Euro... Obviously we're talking about the new
Virtualizer...

Peace
Luigi
----- Original Message -----
From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 16, 2002 6:28 PM
Subject: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop
mangler?)


> andy butler recommended:
>
> <snips>  the Behringer DSP2024 Virtualizer,
> which has reverb and filters.(+much more)
>
> not as good as the individual boxes, and you need a MIDI controller
> to really mangle in real time.
> ...but if cost is a consideration, this undercuts the others by a factor
> of about 4.
>
> Are these units shipping in the US yet?  There's one on eBay--what's list?
> What's a good price?
>
> Thanks,
> Gary
>


From Loopers-Delight-request@loopers-delight.com  Thu May 16 13:47:28 2002
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From: paulrichard10@attbi.com
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Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop mangler?)
Date: Thu, 16 May 2002 17:45:23 +0000
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H:

I saw them in a local Pittsburgh Music store for $149.00.

Regards, Paul
> I think you could find one for about 180 US Dollars,  since here in Italy I
> have found one for 190 Euro... Obviously we're talking about the new
> Virtualizer...
> 
> Peace
> Luigi
> ----- Original Message -----
> From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, May 16, 2002 6:28 PM
> Subject: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop
> mangler?)
> 
> 
> > andy butler recommended:
> >
> > <snips>  the Behringer DSP2024 Virtualizer,
> > which has reverb and filters.(+much more)
> >
> > not as good as the individual boxes, and you need a MIDI controller
> > to really mangle in real time.
> > ...but if cost is a consideration, this undercuts the others by a factor
> > of about 4.
> >
> > Are these units shipping in the US yet?  There's one on eBay--what's list?
> > What's a good price?
> >
> > Thanks,
> > Gary
> >
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu May 16 14:07:56 2002
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Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop mangler?)
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Is it the new one, presented this year at the frankfurt musik messe? or is
it the old one?

----- Original Message -----
From: <paulrichard10@attbi.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 16, 2002 7:45 PM
Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop
mangler?)


> H:
>
> I saw them in a local Pittsburgh Music store for $149.00.
>
> Regards, Paul
> > I think you could find one for about 180 US Dollars,  since here in
Italy I
> > have found one for 190 Euro... Obviously we're talking about the new
> > Virtualizer...
> >
> > Peace
> > Luigi
> > ----- Original Message -----
> > From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Thursday, May 16, 2002 6:28 PM
> > Subject: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop
> > mangler?)
> >
> >
> > > andy butler recommended:
> > >
> > > <snips>  the Behringer DSP2024 Virtualizer,
> > > which has reverb and filters.(+much more)
> > >
> > > not as good as the individual boxes, and you need a MIDI controller
> > > to really mangle in real time.
> > > ...but if cost is a consideration, this undercuts the others by a
factor
> > > of about 4.
> > >
> > > Are these units shipping in the US yet?  There's one on eBay--what's
list?
> > > What's a good price?
> > >
> > > Thanks,
> > > Gary
> > >
> >
> >
>
>


From Loopers-Delight-request@loopers-delight.com  Thu May 16 14:52:05 2002
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Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop mangler?)
Date: Thu, 16 May 2002 18:49:50 +0000
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Hi, Luigi:

It's the new DSP whatever. The old one is being sold at 
a $119.00 USD price point. Looks like the newer unit has 
more knobs and a red LCD screen. The old one looked a 
little cooler to me, but not as many knobs.

I've been toying with getting the new Virtualizer Pro. 
Does the unit have decent sound quality? I need a new 
general reverb unit for miscellaneous uses. Plus, the 
Virtualizer has other pretty-cool-looking features.

Boy, not to blow Behringer's horn, but some of their 
latest products ARE awesome from the price/performance 
standpoint. I bought a Behringer mixer recently (MX2842 
I believe-not a newer product) and the quality is 
impressive for the price. As well as the sonic 
capabilities.

I've been eye-balling the new Behringer digital mixer. 
Man, that is one impressive looking piece of gear. It 
looks like its made very well. And the features are 
again, impressive. I would definitely like to get one of 
those babies.

Even some of the small ticket items are decent. I picked 
up one of the cable testers for $34.00 at Guitar Center. 
It's a pretty nice unit for the money. With all the 
money I have invested in cables, it seemed like a good 
idea to get a tester.

Regards, Paul
> Is it the new one, presented this year at the frankfurt musik messe? or is
> it the old one?
> 
> ----- Original Message -----
> From: <paulrichard10@attbi.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, May 16, 2002 7:45 PM
> Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop
> mangler?)
> 
> 
> > H:
> >
> > I saw them in a local Pittsburgh Music store for $149.00.
> >
> > Regards, Paul
> > > I think you could find one for about 180 US Dollars,  since here in
> Italy I
> > > have found one for 190 Euro... Obviously we're talking about the new
> > > Virtualizer...
> > >
> > > Peace
> > > Luigi
> > > ----- Original Message -----
> > > From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
> > > To: <Loopers-Delight@loopers-delight.com>
> > > Sent: Thursday, May 16, 2002 6:28 PM
> > > Subject: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop
> > > mangler?)
> > >
> > >
> > > > andy butler recommended:
> > > >
> > > > <snips>  the Behringer DSP2024 Virtualizer,
> > > > which has reverb and filters.(+much more)
> > > >
> > > > not as good as the individual boxes, and you need a MIDI controller
> > > > to really mangle in real time.
> > > > ...but if cost is a consideration, this undercuts the others by a
> factor
> > > > of about 4.
> > > >
> > > > Are these units shipping in the US yet?  There's one on eBay--what's
> list?
> > > > What's a good price?
> > > >
> > > > Thanks,
> > > > Gary
> > > >
> > >
> > >
> >
> >
> 
> 

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Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop 
 mangler?)
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They're selling for $149 on musiciansfriend.com (The Guitar Center's Web
retailer, so you could probably pick one up there for the same)

It's *almost* the exact box I'm looking for (and so damn cheap!)... sans  MIDI
synch.  Not even a tap tempo for delays.  Seems such a shame these days to
overlook this feature.  The line6 pro stuff all has it, but seems too expensive
for what they do.  If they made a Delay/Mod/Filter Pro model in that price
range, it would be a clear winner.  The Electrix stuff fit this bill too, but
the double rackspace design seems an incredable waste of space.  (they're only
like 5 inches deep!)

So much for the dream of a single rack!

Another box that looks promising is the (currently non existant) Alesis Akira.
Anyone with inside info on that box?  Will it have MIDI synchable effects?  I
guess it was shown at the Winter NAMM show.  I called Alesis, and they said,
"What we know is on the web page."

Oh boy.

Mark Sottilaro

Luigi Meloni wrote:

> I think you could find one for about 180 US Dollars,  since here in Italy I
> have found one for 190 Euro... Obviously we're talking about the new
> Virtualizer...
>
> Peace
> Luigi
> ----- Original Message -----
> From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, May 16, 2002 6:28 PM
> Subject: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop
> mangler?)
>
> > andy butler recommended:
> >
> > <snips>  the Behringer DSP2024 Virtualizer,
> > which has reverb and filters.(+much more)
> >
> > not as good as the individual boxes, and you need a MIDI controller
> > to really mangle in real time.
> > ...but if cost is a consideration, this undercuts the others by a factor
> > of about 4.
> >
> > Are these units shipping in the US yet?  There's one on eBay--what's list?
> > What's a good price?
> >
> > Thanks,
> > Gary
> >

From Loopers-Delight-request@loopers-delight.com  Thu May 16 15:01:44 2002
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Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop 
 mangler?)
References: <20020516184950.IPFP12519.rwcrmhc53.attbi.com@rwcrwbc58>
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yeah, Behringer seems to be doing things right of the most part.  I'm extreamly
impressed with the FCP1010, and the V-amp is well worth $129 for doing direct
recording.

Mark

paulrichard10@attbi.com wrote:

> Hi, Luigi:
>
> It's the new DSP whatever. The old one is being sold at
> a $119.00 USD price point. Looks like the newer unit has
> more knobs and a red LCD screen. The old one looked a
> little cooler to me, but not as many knobs.
>
> I've been toying with getting the new Virtualizer Pro.
> Does the unit have decent sound quality? I need a new
> general reverb unit for miscellaneous uses. Plus, the
> Virtualizer has other pretty-cool-looking features.
>
> Boy, not to blow Behringer's horn, but some of their
> latest products ARE awesome from the price/performance
> standpoint. I bought a Behringer mixer recently (MX2842
> I believe-not a newer product) and the quality is
> impressive for the price. As well as the sonic
> capabilities.
>
> I've been eye-balling the new Behringer digital mixer.
> Man, that is one impressive looking piece of gear. It
> looks like its made very well. And the features are
> again, impressive. I would definitely like to get one of
> those babies.
>
> Even some of the small ticket items are decent. I picked
> up one of the cable testers for $34.00 at Guitar Center.
> It's a pretty nice unit for the money. With all the
> money I have invested in cables, it seemed like a good
> idea to get a tester.
>
> Regards, Paul
> > Is it the new one, presented this year at the frankfurt musik messe? or is
> > it the old one?
> >
> > ----- Original Message -----
> > From: <paulrichard10@attbi.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Thursday, May 16, 2002 7:45 PM
> > Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop
> > mangler?)
> >
> >
> > > H:
> > >
> > > I saw them in a local Pittsburgh Music store for $149.00.
> > >
> > > Regards, Paul
> > > > I think you could find one for about 180 US Dollars,  since here in
> > Italy I
> > > > have found one for 190 Euro... Obviously we're talking about the new
> > > > Virtualizer...
> > > >
> > > > Peace
> > > > Luigi
> > > > ----- Original Message -----
> > > > From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
> > > > To: <Loopers-Delight@loopers-delight.com>
> > > > Sent: Thursday, May 16, 2002 6:28 PM
> > > > Subject: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop
> > > > mangler?)
> > > >
> > > >
> > > > > andy butler recommended:
> > > > >
> > > > > <snips>  the Behringer DSP2024 Virtualizer,
> > > > > which has reverb and filters.(+much more)
> > > > >
> > > > > not as good as the individual boxes, and you need a MIDI controller
> > > > > to really mangle in real time.
> > > > > ...but if cost is a consideration, this undercuts the others by a
> > factor
> > > > > of about 4.
> > > > >
> > > > > Are these units shipping in the US yet?  There's one on eBay--what's
> > list?
> > > > > What's a good price?
> > > > >
> > > > > Thanks,
> > > > > Gary
> > > > >
> > > >
> > > >
> > >
> > >
> >
> >

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From: "Rainer Straschill" <rs@moinlabs.de>
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Subject: Behringer DSP 2024 prices
Date: Thu, 16 May 2002 21:04:32 +0200
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suggested retail price for Europe (according to www.behringer.de): €160 +
sales tax
one example for an end-user price (www.thomann.de): €159 incl.
suggested retail price for North America (according to www.behringer.de):
TBA

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
digital penis expert group - www.dpeg.de
The MoinSound Archives - www.mp3.com/moinlabs

From Loopers-Delight-request@loopers-delight.com  Thu May 16 15:14:38 2002
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From: "Luigi Meloni" <Luigimeloni74@libero.it>
To: <Loopers-Delight@loopers-delight.com>
References: <20020516184950.IPFP12519.rwcrmhc53.attbi.com@rwcrwbc58>
Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop mangler?)
Date: Thu, 16 May 2002 21:11:10 +0200
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Well, I've used Behringer products for some years, now, and I find that the
audio quality is good enough for my home studio and my rack. Currently I'm
setting up a studio around their DDX3216 digital mixer and an RME soundcard.
I already use a 2004a mixer (basically a rip-off of the mackie pre-vlz 1604)
as the centre of my guitar/looping system, and have used both the old
version of the Virtualizer and various compressors/limiters (the composer,
the multicom, etc.) for studio work, and I find them really good. I really
like the sound of the Virtualizer (good reverb section and nice choruses and
phasers), and I'm getting one of their valve pre-amps, compressors and
parametric equalizers for my studio in the near future. I've tried them and
I find the sound to be really good (great for guitar and vocals, and I've
used one of them on the violin of my fellow musician/dj for some recording
sessions with great results).

Peace
Luigi
----- Original Message -----
From: <paulrichard10@attbi.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 16, 2002 8:49 PM
Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop
mangler?)


> Hi, Luigi:
>
> It's the new DSP whatever. The old one is being sold at
> a $119.00 USD price point. Looks like the newer unit has
> more knobs and a red LCD screen. The old one looked a
> little cooler to me, but not as many knobs.
>
> I've been toying with getting the new Virtualizer Pro.
> Does the unit have decent sound quality? I need a new
> general reverb unit for miscellaneous uses. Plus, the
> Virtualizer has other pretty-cool-looking features.
>
> Boy, not to blow Behringer's horn, but some of their
> latest products ARE awesome from the price/performance
> standpoint. I bought a Behringer mixer recently (MX2842
> I believe-not a newer product) and the quality is
> impressive for the price. As well as the sonic
> capabilities.
>
> I've been eye-balling the new Behringer digital mixer.
> Man, that is one impressive looking piece of gear. It
> looks like its made very well. And the features are
> again, impressive. I would definitely like to get one of
> those babies.
>
> Even some of the small ticket items are decent. I picked
> up one of the cable testers for $34.00 at Guitar Center.
> It's a pretty nice unit for the money. With all the
> money I have invested in cables, it seemed like a good
> idea to get a tester.
>
> Regards, Paul
> > Is it the new one, presented this year at the frankfurt musik messe? or
is
> > it the old one?
> >
> > ----- Original Message -----
> > From: <paulrichard10@attbi.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Thursday, May 16, 2002 7:45 PM
> > Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good
loop
> > mangler?)
> >
> >
> > > H:
> > >
> > > I saw them in a local Pittsburgh Music store for $149.00.
> > >
> > > Regards, Paul
> > > > I think you could find one for about 180 US Dollars,  since here in
> > Italy I
> > > > have found one for 190 Euro... Obviously we're talking about the new
> > > > Virtualizer...
> > > >
> > > > Peace
> > > > Luigi
> > > > ----- Original Message -----
> > > > From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
> > > > To: <Loopers-Delight@loopers-delight.com>
> > > > Sent: Thursday, May 16, 2002 6:28 PM
> > > > Subject: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good
loop
> > > > mangler?)
> > > >
> > > >
> > > > > andy butler recommended:
> > > > >
> > > > > <snips>  the Behringer DSP2024 Virtualizer,
> > > > > which has reverb and filters.(+much more)
> > > > >
> > > > > not as good as the individual boxes, and you need a MIDI
controller
> > > > > to really mangle in real time.
> > > > > ...but if cost is a consideration, this undercuts the others by a
> > factor
> > > > > of about 4.
> > > > >
> > > > > Are these units shipping in the US yet?  There's one on
eBay--what's
> > list?
> > > > > What's a good price?
> > > > >
> > > > > Thanks,
> > > > > Gary
> > > > >
> > > >
> > > >
> > >
> > >
> >
> >
>
>


From Loopers-Delight-request@loopers-delight.com  Thu May 16 15:24:59 2002
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Subject: ROLAND M-120 
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Does anyone use this mixer? I have the rane splitter/mixer that I want to 
replace with another 1 space that has more inputs. Also notice that the m120 
has 2 aux sends as well.

Cheers
LOU

_________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Thu May 16 17:09:14 2002
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References: <200205161545.LAA28934@hemlock.violacea.com> <3CE3E21C.22EF126F@ernieball.com>
Subject: Re: expression pedal with all access
Date: Thu, 16 May 2002 16:06:31 +0100
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this list has a nasty habit of coming up with "i don't think they're making
product X anymore" tales...

where this information comes from, i don't know.

-jim


From Loopers-Delight-request@loopers-delight.com  Thu May 16 17:13:18 2002
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Subject: Re: OT: paremetric eq (rackmount) suggestions
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sal giardina...sorry no website, but if you'd like to look at a guitar he
built, go to www.astralproject.com and look for steve masakowski's axe.
mine won't be much like his, but this is the guy.  he's located in new
orleans, la which isn't too far from my home.

-jim


From Loopers-Delight-request@loopers-delight.com  Thu May 16 17:17:22 2002
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References:  <D1415DC80DA23448AAC727BA8F410F95C8B34E@PRM-NYC-1440EX1.1440Resource.Corp.About.Com> <005901c1fcbe$10f2add0$0bf8c440@g0wn7> <00a101c1fcf3$cbbdf180$080210ac@jpalmer>
Subject: Re: expression pedal with all access
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...but, doesn't the all access receive power on pins 6 and 7?  i will need a
7 pin to get into the all access and i can come from a 5 pin.

of course, rocktron builds the 5-to-7 converter cable.  it can be yours for
24 bucks and what i've heard to be a very long wait.

-jim


From Loopers-Delight-request@loopers-delight.com  Thu May 16 18:01:05 2002
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From: jim palmer <jimp@pobox.com>
Subject: Re: expression pedal with all access
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it also has a barrel connector for power, which is what i am using.
you only need their converter cable if you want to power it through the midi cable...

i think it uses pin 1 and 7 on the midi cable for 9vac.
i'm thinking pin 2 of a 7pin matches pin 1 of a 5pin because the 
alignment notch is in the center...



> ...but, doesn't the all access receive power on pins 6 and 7?  i will need a
> 7 pin to get into the all access and i can come from a 5 pin.
> 
> of course, rocktron builds the 5-to-7 converter cable.  it can be yours for
> 24 bucks and what i've heard to be a very long wait.
> 
> -jim
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu May 16 18:31:36 2002
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Date: Thu, 16 May 2002 18:30:08 -0400
Subject: Brooklyn - NYC Gig Posting!
From: kenn lowy <klowy@wrinklemuzik.com>
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wrinklemuzik*
Sunday May 19th @ 8 pm sharp
Freddy's
485 Dean Street (off 6th Ave)
2 - 3 train to Bergen Street

http://artists.mp3s.com/artists/22/wrinklemuzik.html

wrinklemuzik is kenn lowy (ebow, vocals, loops and more loops)
wrinklemuzik's first EP "A move to the right" was selected by Trouser Press
as one of the Top 10 Indy Releases of the year. The year being 1982. kenn
has been playing with loops for a long, long time.

this performance is part of a fund raising event for Kenn Lowy for NY State
Assembly. Admission is free, but a donation is requested.



From Loopers-Delight-request@loopers-delight.com  Thu May 16 18:43:30 2002
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From: "timothy crowe" <seemso@directvinternet.com>
Subject: custom rc-20 for sale
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hey loopers.


i have a boss rc-20 for sale.

this is the unit that Matthias configured to speak to
his echoplex.  the phrase jack (1/4") has been hijacked
for this purpose as the metronome sends a syncable out.

$225 or trade for . . .

of course you loopers get first crack before craigslist
or ebay.

thanks,
tim


From Loopers-Delight-request@loopers-delight.com  Thu May 16 18:45:59 2002
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From: "Scott McGregor Moore" <scott@dreamstate.to>
To: <Loopers-Delight@loopers-delight.com>
References: <F148BSZ75Y6jbcCVxhe000209e6@hotmail.com>
Subject: Re: ROLAND M-120 
Date: Thu, 16 May 2002 18:46:03 -0400
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> Does anyone use this mixer? I have the rane splitter/mixer that I want to 
> replace with another 1 space that has more inputs. Also notice that the m120 
> has 2 aux sends as well.

With the 2 sends and pan in 1 rack space it's very space efficient.
The S/N ratio is good but not outstanding. The headroom is adequate
though nowhere near that of a Mackie. The headphone out is
excessively loud - leading to a lot of noise in the headphones.
I wired in some small resistors in series and the headphones
are now quiet while still more than loud enough.

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com

From Loopers-Delight-request@loopers-delight.com  Thu May 16 18:47:29 2002
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To: <Loopers-Delight@loopers-delight.com>
References:  <D1415DC80DA23448AAC727BA8F410F95C8B34E@PRM-NYC-1440EX1.1440Resource.Corp.About.Com> <005901c1fcbe$10f2add0$0bf8c440@g0wn7> <00a101c1fcf3$cbbdf180$080210ac@jpalmer> <005601c1fceb$b7559d40$01f8c440@g0wn7> <011b01c1fd24$8e19a5a0$080210ac@jpalmer>
Subject: Re: expression pedal with all access
Date: Thu, 16 May 2002 17:45:14 +0100
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"i think it uses pin 1 and 7 on the midi cable for 9vac"

i'll need to double-check the manual, but i believe it's pin 6 and 7 that
carry the power.

what i've done so far is buy a standard 5 pin cable and a 7 pin end.  i'll
cut and solder as i need, leaving 4 and 5 (on the 7 pin plug) unattached.
sound good?

-jim



From Loopers-Delight-request@loopers-delight.com  Thu May 16 19:52:40 2002
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Subject: Weird emails from the list
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Hey,

All of the sudden, I'm getting lot's of strange emails from people on this
list with no body and subjects like "entertainment"  Seems that someone, or
maybe a bunch of you have some virus issues.  Might want to check and see.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu May 16 20:14:06 2002
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Old-Return-Path: <jeff.lomas@oasis-open.org>
Subject: Noisy EDP
From: Jeffrey Lomas <jeff.lomas@oasis-open.org>
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I recently added an EDP to my rig.  Since I have had serious noise
problems.  Anyone else seen this before and/or have recommendations?

Thanks,
Jeff


From Loopers-Delight-request@loopers-delight.com  Thu May 16 20:16:24 2002
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Subject: RE: Weird emails from the list
Date: Thu, 16 May 2002 20:11:43 -0400
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fyi, there's worms/viruses out there that will scan the addresses in the
emails of the victim's software and set the From field to that person's
address.  could be anybody.

good luck,

mike

-----Original Message-----
From: Mark Sottilaro [mailto:sine@zerocrossing.net]
Sent: Thursday, May 16, 2002 7:51 PM
To: Loopers-Delight@loopers-delight.com
Subject: Weird emails from the list


Hey,

All of the sudden, I'm getting lot's of strange emails from people on this
list with no body and subjects like "entertainment"  Seems that someone, or
maybe a bunch of you have some virus issues.  Might want to check and see.

Mark


From Loopers-Delight-request@loopers-delight.com  Thu May 16 20:22:02 2002
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Date: Thu, 16 May 2002 19:20:45 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: expression pedal with all access
To: Loopers-Delight@loopers-delight.com
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 <D1415DC80DA23448AAC727BA8F410F95C8B34E@PRM-NYC-1440EX1.1440Resource.Corp.About.Com>
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checked the manual and it does say pins 6 and 7...
i think the pins might be numbered so that 6 and 7 are the "extra" outside pins...
i have been using a standard 5pin midi cable since i got mine...

i was thinking midi info was sent on pins 2 and 4, but not sure...


> "i think it uses pin 1 and 7 on the midi cable for 9vac"
> 
> i'll need to double-check the manual, but i believe it's pin 6 and 7 that
> carry the power.
> 
> what i've done so far is buy a standard 5 pin cable and a 7 pin end.  i'll
> cut and solder as i need, leaving 4 and 5 (on the 7 pin plug) unattached.
> sound good?
> 
> -jim
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu May 16 23:08:57 2002
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Date: Thu, 16 May 2002 20:06:52 -0700
Subject: Klez
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Hey Kids,

I'm fairly sure that at least one, and probably a bunch, of you have the 
Klez virus, and it's sending out emails to everyone in your address 
book, as well as people you've sent things to before and have copies of 
those emails in your sent folder.

you can get a removal tool here:

http://securityresponse.symantec.com/avcenter/venc/data/w32.klez.removal.tool.
html

I know it's not me, as I'm mac only and this virus can only get sent to 
me, but I can't send it out unless I fwd it.

Mark

From Loopers-Delight-request@loopers-delight.com  Thu May 16 23:33:35 2002
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From: "Jimmy Fowler" <jimfowler@prodigy.net>
To: <Loopers-Delight@loopers-delight.com>
References: <1021579791.3590.10.camel@localhost.localdomain>
Subject: Re: Noisy EDP
Date: Thu, 16 May 2002 22:31:04 +0100
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what kind of noise?  hum, hiss, white noise-ish stuff, etc?

-jim


From Loopers-Delight-request@loopers-delight.com  Thu May 16 23:35:32 2002
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From: "JAMES R FOWLER, III" <jimfowler@prodigy.net>
To: <Loopers-Delight@loopers-delight.com>
References: <22FE8CAC-6943-11D6-9E3D-00039313A494@zerocrossing.net>
Subject: Re: Klez
Date: Thu, 16 May 2002 22:32:59 +0100
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i'm getting klez-infected files at least once a day...sometimes twice.  i
sure do wish everybody would clean up their p.c.'s...

-jim


From Loopers-Delight-request@loopers-delight.com  Fri May 17 03:34:46 2002
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Date: Fri, 17 May 2002 03:31:35 EDT
Subject: Re: Behringer DSP2024 Virtualizer(was RE: Lexicon MPX500=good loop mangler?)
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In a message dated 16/05/02 22:18:33 GMT Daylight Time, 
Loopers-Delight-d-request@loopers-delight.com writes:

> <snips>  the Behringer DSP2024 Virtualizer,
>  which has reverb and filters.(+much more)
>  
>  not as good as the individual boxes, and you need a MIDI controller
>  to really mangle in real time.
>  ...but if cost is a consideration, this undercuts the others by a factor
>  of about 4.
>  
>  Are these units shipping in the US yet?  There's one on eBay--what's list?
>  What's a good price?
>  
>  Thanks,
>  Gary

Not yet it seems.
Currently the price is TBA,
 <A 
HREF="http://www.behringer.com/05_support/_pricelist/USpricelist.cfm?mid=2&smi

d=8&lang=eng">Click here: BEHRINGER : Price List
</A>
price will, I think, be $159 
if you go ebay, make sure you go for the exact model number
 

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Subject: Re: Behringer DSP2024 Virtualizer
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 Re: Behringer DSP2024 Virtualizer

Sound quality is pretty good, and way beyond
what you'd expect for the price.

Slight physical hum from the transformer.

Reverbs are very thick, kind of pea soup fog.
Rather overdone on the presets.
....but very tweakable, so no problems.

There are a number of filters.
Generally these are OK, but if you've ever played
with a top of the range studio filter there's quite 
a bit of difference to the clarity.
The filters with envelope control get quite distorted
if the amount of envelope control is turned up.
Low pass filter frequency won't go right down to 
nothing (like it did on the Modulizer DSP 1200P),
100Hz is the low limit.

Haven't spent a lot of time with the 2024, but 
already got sounds I never had before.
(like a full electro drum kit from modded guitar sounds!)
...and most effects are highly tweakable 

Tap time delays are possible using the 
FCB1010 footpedal, which has a feature to 
make any MIDI controlled delay tappable.
(but only up to 1.2s)


andy butler  


From Loopers-Delight-request@loopers-delight.com  Fri May 17 08:22:47 2002
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Subject: Re: Noisy EDP
From: Peter Einhorn <petereinhorn@mac.com>
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yea, they are kinda noisy. {i assume you meant to put a comma after
'since'). Why I've been considering the new electrix one. [name escapees
me]. I find it good for live, bad for studio.

> I recently added an EDP to my rig.  Since I have had serious noise
> problems.  Anyone else seen this before and/or have recommendations?
> 
> Thanks,
> Jeff
> 
> 
> 


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From: Claude Voit <c.voit@vtx.ch>
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One important thing you get with any looper is that you add noize at
each overdub pass not because of the looper but because your  signal is
always noizy .
even if the signal you send to the looper seems clean the noize
component (as small it can be) in your signal being timbrally the same
so it ads up at each pass .
the solution and I've been fighting it too remove all noizy component
and do proper gain staging

after that the edp is not noizy at all.

Claude


Peter Einhorn wrote:
> 
> yea, they are kinda noisy. {i assume you meant to put a comma after
> 'since'). Why I've been considering the new electrix one. [name escapees
> me]. I find it good for live, bad for studio.
> 
> > I recently added an EDP to my rig.  Since I have had serious noise
> > problems.  Anyone else seen this before and/or have recommendations?
> >
> > Thanks,
> > Jeff
> >
> >
> >

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From: "M. Steven Ginn" <sginn@airmail.net>
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Subject: RE: Noisy EDP
Date: Fri, 17 May 2002 09:33:10 -0500
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I would sure be interested in learning the best/proper way to do this so
that I can have the optimal signal path.  Any suggestions?  Reading
material?  I am also still trying to decide on the best signal path for
effects.  For example should reverb be applied to the overall loop'ed
sound or should it be applied to each overdub/layer of the loop?  Do you
set it up with Reverb/effects on Aux 1 & EDP on Aux 2 or some other
series type of fashion?

Thanks,
Steve

> 
> One important thing you get with any looper is that you add 
> noize at each overdub pass not because of the looper but 
> because your  signal is always noizy . even if the signal you 
> send to the looper seems clean the noize component (as small 
> it can be) in your signal being timbrally the same so it ads 
> up at each pass . the solution and I've been fighting it too 
> remove all noizy component and do proper gain staging
> 
> after that the edp is not noizy at all.
> 
> Claude
> 
> 
> Peter Einhorn wrote:
> > 
> > yea, they are kinda noisy. {i assume you meant to put a comma after 
> > 'since'). Why I've been considering the new electrix one. [name 
> > escapees me]. I find it good for live, bad for studio.
> > 
> > > I recently added an EDP to my rig.  Since I have had 
> serious noise 
> > > problems.  Anyone else seen this before and/or have 
> recommendations?
> > >
> > > Thanks,
> > > Jeff
> > >
> > >
> > >
> 

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From: "Bill Fox" <billfox@fast.net>
To: "emusic-wdiy Mailing List" <emusic-wdiy@yahoogroups.com>
Subject: EMUSIC Playlist #269
Date: Fri, 17 May 2002 11:08:01 -0400
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[ Best viewed using a fixed spacing font. ]

EMUSIC is an electronic, ambient, and space music show, that airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in Easton,
PA and Phillipsburg, NJ.

                    Show #269                    May 16, 2002.


RECAP:
On this show, I continued the month-long focus on Steve Roach and vidnaObmana,
who will be making rare concert appearances together at Projektfest and the
Gathering this coming Memorial Day weekend.  The Featured CD at midnight was
their new CD "InnerZone" on the Projekt label.

The vinyl show starter was from the LP "White Eagle" by Tangerine Dream on the
Wergo Spectrum label.

I played the music of Jim Cole who, with Spectral Voices, will be singing at
Friends Meeting House in New York City on Friday, May 17.  I also played the
music of The Ministry of Inside Things who will be performing at the next event
in the Soundscapes Concert Series on June 22.  Details can be seen on the
Events page.

Steve Roach & vidnaObmana
http://wdiyfm.org/programs/emusic/playlists/2002/focus02.html#may
Jim Cole/Spectral Voices/MOIT http://wdiyfm.org/programs/emusic/events.html


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Tangerine Dream         White Eagle              White Eagle (Virgin)
Wendy Carlos            Allegro from JSB's       Switched-On Brandenburgs
                          Brandenburg Concerto     (East Side Digital)
                          #1 in F Major
Synergy                 Orbit 5                  Reconstructed Artifacts (Third
                                                   Contact)
Synergy                 Ancestors                Reconstructed Artifacts (Third
                                                   Contact)
VA [Rolf Trostel]       Kyrie 777                First Decade (Manikin)
Ministry of Inside      Function Four            Live on EMUSIC (Synkronos)
  Things
Cassiel                 Zoo Station Transit      Listen/Move (Atomic City)
Ricochet Musos          Tannic Tonic             Okefenokee Dreams 2001 (Neu
                                                   Harmony/Quantum)
Robert Rich and         Last Outpost             Outpost (DiN)
  Ian Boddy
Jim Cole                Perseverance             Godspace (Spectral Spiral)
Jim Cole                Rapt Bliss *             Godspace (Spectral Spiral)

12:00 am
Roach & Obmana          At the Edge of           InnerZone (Projekt)
                          Everything
Roach & Obmana          Strands                  InnerZone (Projekt)
Roach & Obmana          Cloud Space              InnerZone (Projekt)
Roach & Obmana          Encounter Passage        InnerZone (Projekt)
Roach & Obmana          Isolation                InnerZone (Projekt)
Roach & Obmana          InnerZone *              InnerZone (Projekt)

1:00 am

 * = exerpt
VA = Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on Steve Roach and
vidnaObmana.  The Featured CD at Midnight will be "Live Archive" on the
Groove label.

The vinyl show starter will be from the LP "Delux" by Harmonia on the Brain
label.


Bill        billfox@fast.net           http://wdiyfm.org/programs/emusic
===============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, go to
http://groups.yahoo.com/group/emusic-wdiy and click on [Join This Group!]
SOUNDSCAPES Concert Series: http://www.tadream.net/soundscapes

From Loopers-Delight-request@loopers-delight.com  Fri May 17 11:18:52 2002
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Subject: RE: Weird emails from the list
Date: Fri, 17 May 2002 17:16:51 +0200
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I did not get this kind of mail, neither in the past when this was discussed
here, nor now. Does this mean I'm infected ?

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
digital penis expert group - www.dpeg.de
The MoinSound Archives - www.mp3.com/moinlabs


> -----Original Message-----
> From: Mark Sottilaro [mailto:sine@zerocrossing.net]
> Sent: Freitag, 17. Mai 2002 01:51
> To: Loopers-Delight@loopers-delight.com
> Subject: Weird emails from the list
>
>
> Hey,
>
> All of the sudden, I'm getting lot's of strange emails from
> people on this
> list with no body and subjects like "entertainment"  Seems
> that someone, or
> maybe a bunch of you have some virus issues.  Might want to
> check and see.
>
> Mark
>

From Loopers-Delight-request@loopers-delight.com  Fri May 17 11:40:27 2002
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Subject: OT: Weird emails from the list
Date: Fri, 17 May 2002 11:35:19 -0400
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probably not, make sure your anti-virus software is up to date and scan your
system.  you could also go to www.sarc.com or mcafee's site, search for klez
info, and use that info to first verify that you do or do not have it, and
removal instructions if you need them.

but up to date anti-virus software is easier ...

mike

-----Original Message-----
From: Rainer Straschill [mailto:rs@moinlabs.de]
Sent: Friday, May 17, 2002 11:17 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Weird emails from the list


I did not get this kind of mail, neither in the past when this was discussed
here, nor now. Does this mean I'm infected ?

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
digital penis expert group - www.dpeg.de
The MoinSound Archives - www.mp3.com/moinlabs


> -----Original Message-----
> From: Mark Sottilaro [mailto:sine@zerocrossing.net]
> Sent: Freitag, 17. Mai 2002 01:51
> To: Loopers-Delight@loopers-delight.com
> Subject: Weird emails from the list
>
>
> Hey,
>
> All of the sudden, I'm getting lot's of strange emails from
> people on this
> list with no body and subjects like "entertainment"  Seems
> that someone, or
> maybe a bunch of you have some virus issues.  Might want to
> check and see.
>
> Mark
>

From Loopers-Delight-request@loopers-delight.com  Fri May 17 11:59:58 2002
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From: Michael Clark <mcl451@airmail.net>
Subject: RE: Noisy EDP
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Re: Reverb.  My suggestion is to be a bit careful in adding reverb with
every overdub.  Can get a bit muddy sounding.  But, that may be an effect
you want for a certain piece.

Re:  Optimal signal path.  What I found is that the confusion ended when i
got really clear as to how i wanted to use the EDP.  Before that, I was
confused as to what to plug into what.  Now, i've turned my confusion to
other more confusing things.

Oh, make sure you have the "unity gain" thing down pat.  If not, you won't
really get a good listen to the current routing.

M...



>I would sure be interested in learning the best/proper way to do this so
>that I can have the optimal signal path.  Any suggestions?  Reading
>material?  I am also still trying to decide on the best signal path for
>effects.  For example should reverb be applied to the overall loop'ed
>sound or should it be applied to each overdub/layer of the loop?  Do you
>set it up with Reverb/effects on Aux 1 & EDP on Aux 2 or some other
>series type of fashion?
>
>Thanks,
>Steve
>
>> 
>> One important thing you get with any looper is that you add 
>> noize at each overdub pass not because of the looper but 
>> because your  signal is always noizy . even if the signal you 
>> send to the looper seems clean the noize component (as small 
>> it can be) in your signal being timbrally the same so it ads 
>> up at each pass . the solution and I've been fighting it too 
>> remove all noizy component and do proper gain staging
>> 
>> after that the edp is not noizy at all.
>> 
>> Claude
>> 
>> 
>> Peter Einhorn wrote:
>> > 
>> > yea, they are kinda noisy. {i assume you meant to put a comma after 
>> > 'since'). Why I've been considering the new electrix one. [name 
>> > escapees me]. I find it good for live, bad for studio.
>> > 
>> > > I recently added an EDP to my rig.  Since I have had 
>> serious noise 
>> > > problems.  Anyone else seen this before and/or have 
>> recommendations?
>> > >
>> > > Thanks,
>> > > Jeff
>> > >
>> > >
>> > >
>> 
>
>

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Yeah. I really need to change my signal path too & that's why I want to get 
a new  mixer. I have the rane splitter one & would like to get one w/ a 
send/return or maybe 2 sends.  I have been stacking things i.e.

                  Echo+>voretx>lxp-1>
stompboxes>PSA-1>                      rane sm26 mixer
                  EDP>PCM80>


Not to happy with the results but :(


>From: "M. Steven Ginn" <sginn@airmail.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: RE: Noisy EDP
>Date: Fri, 17 May 2002 09:33:10 -0500
>
>I would sure be interested in learning the best/proper way to do this so
>that I can have the optimal signal path.  Any suggestions?  Reading
>material?  I am also still trying to decide on the best signal path for
>effects.  For example should reverb be applied to the overall loop'ed
>sound or should it be applied to each overdub/layer of the loop?  Do you
>set it up with Reverb/effects on Aux 1 & EDP on Aux 2 or some other
>series type of fashion?
>
>Thanks,
>Steve


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From Loopers-Delight-request@loopers-delight.com  Fri May 17 13:34:16 2002
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Steve and all,

http://www.rane.com/ranegain.html

This link details the procedure used by audio pros to optimize signal to noise
ratio in audio systems. Rane sells a handy little gizmo that I recommend to loopers in general and anyone with a recording setup.

Henry

"M. Steven Ginn" wrote:
> 
> I would sure be interested in learning the best/proper way to do this so
> that I can have the optimal signal path.  Any suggestions?  Reading
> material?  I am also still trying to decide on the best signal path for
> effects.  For example should reverb be applied to the overall loop'ed
> sound or should it be applied to each overdub/layer of the loop?  Do you
> set it up with Reverb/effects on Aux 1 & EDP on Aux 2 or some other
> series type of fashion?
> 
> Thanks,
> Steve
> 
> >
> > One important thing you get with any looper is that you add
> > noize at each overdub pass not because of the looper but
> > because your  signal is always noizy . even if the signal you
> > send to the looper seems clean the noize component (as small
> > it can be) in your signal being timbrally the same so it ads
> > up at each pass . the solution and I've been fighting it too
> > remove all noizy component and do proper gain staging
> >
> > after that the edp is not noizy at all.
> >
> > Claude
> >
> >
> > Peter Einhorn wrote:
> > >
> > > yea, they are kinda noisy. {i assume you meant to put a comma after
> > > 'since'). Why I've been considering the new electrix one. [name
> > > escapees me]. I find it good for live, bad for studio.
> > >
> > > > I recently added an EDP to my rig.  Since I have had
> > serious noise
> > > > problems.  Anyone else seen this before and/or have
> > recommendations?
> > > >
> > > > Thanks,
> > > > Jeff
> > > >
> > > >
> > > >
> >

From Loopers-Delight-request@loopers-delight.com  Fri May 17 14:38:01 2002
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SoundFNR@aol.com wrote:

>  Re: Behringer DSP2024 Virtualizer
>
> Sound quality is pretty good, and way beyond
> what you'd expect for the price.
>
> Slight physical hum from the transformer.

Really?  That's not good.  I don't get hum from my AirFX, seems weird
that they couldn't deal with that.  Ground issue maybe?

> Reverbs are very thick, kind of pea soup fog.
> Rather overdone on the presets.
> ....but very tweakable, so no problems.

I'm looking for Pea Soup, so that's right up my alley.  I also like a
nice cream of mushroom.  Main course?  Lark's Tounge in Aspic, of course

> There are a number of filters.
> Generally these are OK, but if you've ever played
> with a top of the range studio filter there's quite
> a bit of difference to the clarity.

I'm happy enough with the quality of the filters that are on the Alesis
AirFX, so if there at least as good as that, I'm happy.  For the studio
I do it all in software anyway.

>
> The filters with envelope control get quite distorted
> if the amount of envelope control is turned up.
> Low pass filter frequency won't go right down to
> nothing (like it did on the Modulizer DSP 1200P),
> 100Hz is the low limit.

Here's my question:  how about filter sweeps?  How hard is it to set the
sweep duration to a specific time?  Can this be done via tap tempo in
some way?  I'm thinking that for the price, It might be worth it to just
program a bunch of patches that corraspond to the BMP of each of the
pieces we play live.  The fact that the filter doesn't start at the
begining of the sequence isn't really that big of a deal, could even
make things more interesting.

>
>
> Haven't spent a lot of time with the 2024, but
> already got sounds I never had before.
> (like a full electro drum kit from modded guitar sounds!)
> ...and most effects are highly tweakable

you're tempting me!

> Tap time delays are possible using the
> FCB1010 footpedal, which has a feature to
> make any MIDI controlled delay tappable.
> (but only up to 1.2s)

Is that only for delays, or can you set this to control any mod time?

> andy butler

Thanks Andy, you're a pal.

Mark


From Loopers-Delight-request@loopers-delight.com  Fri May 17 15:00:44 2002
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Klez is a sneaky virus by the way. Even if your computer hasn't been doing 
funny, I'd suggest downloading that thing from Symantec. It turns out I had 
the virus for 6 months before my computer crapped out last year. Now, all 
the backup CDR's I made from that time are heavily infected, and since CDR's 
can't be altered, they're stuck there.
Grrr.



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Well, it's not me--I tested clean (what a relief--see ER last night?)
I too have been receiving strange emails--numbers in the subject line, Spice
girls vocal concert, pictures of my girl friend, bla bla bla--so I guess
there's a bunch of people seeking to cause non-musical havoc.  Best of luck
to all--but it's not me!
Gary

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Hi all

I want to thank you guys for the heads up on the Klez virus. I don't know
how I got it, but I checked out my system and sure enough it was there! I
reccommend to everyone to download the file  to check for it at symantec the
URL is

http://securityresponse.symantec.com/avcenter/venc/data/w32.klez.removal.too
l.html

Not only do you all help with Looping but with saving my system !

Thanks

Kevin


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Date: Fri, 17 May 2002 15:15:42 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: Behringer DSP2024 Virtualizer
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--- SoundFNR@aol.com wrote:
>  Re: Behringer DSP2024 Virtualizer

> Tap time delays are possible using the 
> FCB1010 footpedal, which has a feature to 
> make any MIDI controlled delay tappable.
> (but only up to 1.2s)

Really! Can you tell us more about how this works? 

This idea makes me want to get a FCB1010 even more. Might make some
older gear seem a lot more contemporary.

Greg


__________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri May 17 18:49:36 2002
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I'll take full credit ;)

you're welcome.

Mark Sottilaro

mommama wrote:

> Hi all
>
> I want to thank you guys for the heads up on the Klez virus. I don't know
> how I got it, but I checked out my system and sure enough it was there! I
> reccommend to everyone to download the file  to check for it at symantec the
> URL is
>
> http://securityresponse.symantec.com/avcenter/venc/data/w32.klez.removal.too
> l.html
>
> Not only do you all help with Looping but with saving my system !
>
> Thanks
>
> Kevin

From Loopers-Delight-request@loopers-delight.com  Fri May 17 20:25:22 2002
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From: skincage <skincage@infin8ty.com>
Subject: trs plugs
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does anyone just happen to have a good bulk source for 1/4" TRS plugs? i need to get with the
re-cabling. thanks!

jon/skincage

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I think what  he's talking about is that the FCB1010 has both MIDI out
and "Switch" out.  By switch, they mean the type of foot switch that
many keyboards use as sustain pedals, and the JamMan and Vortex use for
functions.  Just a basic momentary non latching switch, I believe.
Anyway, you can program any of the FCB1010's switches to send this info
with or without a MIDI signal.  The unit you're sending it to would have
to have a "tap tempo" input, like the Vortex does.

Mark Sottilaro

Greg House wrote:

> --- SoundFNR@aol.com wrote:
> >  Re: Behringer DSP2024 Virtualizer
>
> > Tap time delays are possible using the
> > FCB1010 footpedal, which has a feature to
> > make any MIDI controlled delay tappable.
> > (but only up to 1.2s)
>
> Really! Can you tell us more about how this works?
>
> This idea makes me want to get a FCB1010 even more. Might make some
> older gear seem a lot more contemporary.
>
> Greg
>
> __________________________________________________
> Do You Yahoo!?
> LAUNCH - Your Yahoo! Music Experience
> http://launch.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sat May 18 04:43:43 2002
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Subject: Live webcast
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Hi all, I'm doing a live webcast today between 2.30 and 3pm British Summer
Time. It's part of a 12 hour time-based art exhibition. Wish me luck!
Here's the address - www.uwic.ac.uk/csad/timebased/2-12/index.htm It's
around there somewhere. Needless to say  lots of loopage, Bizzarre guitarre,
Normal guitar with malfunctioning sustainiac - unstable moog synth & stuff -
rather eastern in flavour.

Gareth

From Loopers-Delight-request@loopers-delight.com  Sat May 18 05:27:45 2002
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From: "Rainer Straschill" <rs@moinlabs.de>
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Subject: RE: Behringer DSP2024 Virtualizer
Date: Sat, 18 May 2002 11:26:18 +0200
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Mark, Greg,

first, there are the two switch outputs, which can be set when calling up
any patch or by dedicated footswitches (which double as bank up/down
switches). These are latching switches, which can be used fine for
controlling a guitar amp, but (without reprogramming or rewiring) I don't
see any possibility to control a tap tempo in (vortex-like).

Then there's the possibility to send note-on information in time with your
tapping to tap a tempo (does anybody know of a delay which can be tapped by
note-ons?), and then there's the "tap tempo". This works like this: You
specify a maximum delay time for your delay device divided by 10 (with the
forementioned maximum value of 1270), and then you specify the controller
number for controlling the delay time of your effect and the controller
value corresponding to the maximum delay time specified. When you tap the
corresponding footswitch, what happens is that the FCB performs a
vortex-like algorithm for downscaling the delay time until it falls below
the "maximum delay time", then sends the controller value so the delay is
tap synced.

	Rainer

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
digital penis expert group - www.dpeg.de
The MoinSound Archives - www.mp3.com/moinlabs


> -----Original Message-----
> From: Mark Sottilaro [mailto:sine@zerocrossing.net]
> Sent: Samstag, 18. Mai 2002 02:38
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Behringer DSP2024 Virtualizer
>
>
> I think what  he's talking about is that the FCB1010 has both MIDI out
> and "Switch" out.  By switch, they mean the type of foot switch that
> many keyboards use as sustain pedals, and the JamMan and
> Vortex use for
> functions.  Just a basic momentary non latching switch, I believe.
> Anyway, you can program any of the FCB1010's switches to send
> this info
> with or without a MIDI signal.  The unit you're sending it to
> would have
> to have a "tap tempo" input, like the Vortex does.
>
> Mark Sottilaro
>
> Greg House wrote:
>
> > --- SoundFNR@aol.com wrote:
> > >  Re: Behringer DSP2024 Virtualizer
> >
> > > Tap time delays are possible using the
> > > FCB1010 footpedal, which has a feature to
> > > make any MIDI controlled delay tappable.
> > > (but only up to 1.2s)
> >
> > Really! Can you tell us more about how this works?
> >
> > This idea makes me want to get a FCB1010 even more. Might make some
> > older gear seem a lot more contemporary.
> >
> > Greg
> >
> > __________________________________________________
> > Do You Yahoo!?
> > LAUNCH - Your Yahoo! Music Experience
> > http://launch.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Sat May 18 13:21:30 2002
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I stand corrected, but you're explanation as  to the control of delay 
time using note messages went right over my just woke up in the morning 
brain.  I'll have to re read it later.

However, I pretty much realize that, although a great value, the DSP2024 
probably isn't going to scratch my itch.  What I seemingly want is a 
Line 6 Mod Pro and Filter Pro in one single rackspace box with some nice 
reverb on top.  Is that too much to ask for?

You're pal,

Mark

On Saturday, May 18, 2002, at 02:26  AM, Rainer Straschill wrote:

> Mark, Greg,
>
> first, there are the two switch outputs, which can be set when calling 
> up
> any patch or by dedicated footswitches (which double as bank up/down
> switches). These are latching switches, which can be used fine for
> controlling a guitar amp, but (without reprogramming or rewiring) I 
> don't
> see any possibility to control a tap tempo in (vortex-like).
>
> Then there's the possibility to send note-on information in time with 
> your
> tapping to tap a tempo (does anybody know of a delay which can be 
> tapped by
> note-ons?), and then there's the "tap tempo". This works like this: You
> specify a maximum delay time for your delay device divided by 10 (with 
> the
> forementioned maximum value of 1270), and then you specify the 
> controller
> number for controlling the delay time of your effect and the controller
> value corresponding to the maximum delay time specified. When you tap 
> the
> corresponding footswitch, what happens is that the FCB performs a
> vortex-like algorithm for downscaling the delay time until it falls 
> below
> the "maximum delay time", then sends the controller value so the delay 
> is
> tap synced.
>
> 	Rainer
>
> Rainer Straschill
> Moinlabs GFX and Soundworks - www.moinlabs.de
> digital penis expert group - www.dpeg.de
> The MoinSound Archives - www.mp3.com/moinlabs
>
>
>> -----Original Message-----
>> From: Mark Sottilaro [mailto:sine@zerocrossing.net]
>> Sent: Samstag, 18. Mai 2002 02:38
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: Behringer DSP2024 Virtualizer
>>
>>
>> I think what  he's talking about is that the FCB1010 has both MIDI out
>> and "Switch" out.  By switch, they mean the type of foot switch that
>> many keyboards use as sustain pedals, and the JamMan and
>> Vortex use for
>> functions.  Just a basic momentary non latching switch, I believe.
>> Anyway, you can program any of the FCB1010's switches to send
>> this info
>> with or without a MIDI signal.  The unit you're sending it to
>> would have
>> to have a "tap tempo" input, like the Vortex does.
>>
>> Mark Sottilaro
>>
>> Greg House wrote:
>>
>>> --- SoundFNR@aol.com wrote:
>>>>  Re: Behringer DSP2024 Virtualizer
>>>
>>>> Tap time delays are possible using the
>>>> FCB1010 footpedal, which has a feature to
>>>> make any MIDI controlled delay tappable.
>>>> (but only up to 1.2s)
>>>
>>> Really! Can you tell us more about how this works?
>>>
>>> This idea makes me want to get a FCB1010 even more. Might make some
>>> older gear seem a lot more contemporary.
>>>
>>> Greg
>>>
>>> __________________________________________________
>>> Do You Yahoo!?
>>> LAUNCH - Your Yahoo! Music Experience
>>> http://launch.yahoo.com
>>
>

From Loopers-Delight-request@loopers-delight.com  Sat May 18 17:04:31 2002
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Subject: The Ambient Ping presents Sara Ayers and Mara's Torment
Date: Sat, 18 May 2002 17:04:43 -0400
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THE AMBiENT PiNG   http://www.theambientping.com
Every Tuesday Night - doors open at 9pm - 1st set at 9:30
@ club nia / C'est What - 19 Church St. at Front St. - Toronto
        3 blocks east of the Union Station subway.
        map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday May 21st - Sara Ayers and Mara's Torment

Visiting us from Albany New York, Sara Ayers unleashes her
sampled, looped and layered vocals with occasional guitar washes
and warm noise...ethereal atmospheres, dense memories of dreams
and sparkling fragments of stories conveyed by a voice that shifts
from guttural lows to silvery, trilling highs in the space of a heartbeat.

Click below to hear one of Sara's haunting voicescapes:
Mp3 - http://www.saraayers.com/mp3/strandofpearls.m3u
RealAudio - http://www.saraayers.com/real/strandofpearls.ram

More from Sara Ayers - http://www.saraayers.com/newcd.htm

Inspired by falling rain, subway cars, white noise, and of course his 
increasingly vocal cat, rik maclean returns to The Ambient Ping
for another set of songs inspired by absence and the burdens of
geography. Playing songs from his forthcoming CD "The Last Night
is the Hardest" along with the dreaded Ambient-Ozzy medley,
Mara's Torment set will cover a broad range of human emotions
and don't be surprised if you see a collaboration with Sara.

Mara's Torment -  http://www.corpusnet.com/torment

Between sets CD - "Low" (Side 2) by David Bowie (RCA/Ryko)
Influenced by Brian Eno & German electronic musings, these
sparce moody instrumentals from 1977, anticipated many
ambient-related directions in music for the next two decades.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and
the club's impressive beer, wine and whiskey selection.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming May 28th 2002 - Random Act
http://www.mp3.com/Random_Act
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be
interested in live ambient and experimental performances.



From Loopers-Delight-request@loopers-delight.com  Sat May 18 17:20:04 2002
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THE AMBiENT PiNG   http://www.theambientping.com
Every Tuesday Night - doors open at 9pm - 1st set at 9:30
@ club nia / C'est What - 19 Church St. at Front St. - Toronto
        3 blocks east of the Union Station subway.
        map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday May 21st - Sara Ayers and Mara's Torment

Visiting us from Albany New York, Sara Ayers unleashes her
sampled, looped and layered vocals with occasional guitar washes
and warm noise...ethereal atmospheres, dense memories of dreams
and sparkling fragments of stories conveyed by a voice that shifts
from guttural lows to silvery, trilling highs in the space of a heartbeat.

Click below to hear one of Sara's haunting voicescapes:
Mp3 - http://www.saraayers.com/mp3/strandofpearls.m3u
RealAudio - http://www.saraayers.com/real/strandofpearls.ram

More from Sara Ayers - http://www.saraayers.com/newcd.htm

Inspired by falling rain, subway cars, white noise, and of course his 
increasingly vocal cat, rik maclean returns to The Ambient Ping
for another set of songs inspired by absence and the burdens of
geography. Playing songs from his forthcoming CD "The Last Night
is the Hardest" along with the dreaded Ambient-Ozzy medley,
Mara's Torment set will cover a broad range of human emotions
and don't be surprised if you see a collaboration with Sara.

Mara's Torment -  http://www.corpusnet.com/torment

Between sets CD - "Low" (Side 2) by David Bowie (RCA/Ryko)
Influenced by Brian Eno & German electronic musings, these
sparce moody instrumentals from 1977, anticipated many
ambient-related directions in music for the next two decades.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and
the club's impressive beer, wine and whiskey selection.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Coming May 28th 2002 - Random Act
http://www.mp3.com/Random_Act
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be
interested in live ambient and experimental performances.




From Loopers-Delight-request@loopers-delight.com  Sat May 18 18:33:24 2002
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Does anybody have a line on a portable (battery powered)
mixer for remote recording ?
Requirements:
Minimum 2 XLR mic inputs....stereo operation
Phantom power at 48 Volts.
-10 line level output OK
Battery powered with optional AC adapter.

I know Sure and some other companies have offerings
in the $800 plus range....  I'd like to spend under $200.
Behringer has a portable guy but it only puts out 18V for phantom
powering....and that won't cut it.  Now it I could retrofit it for phantom
at 48V somehow.......
--
gary
@friendlyspider.com


From Loopers-Delight-request@loopers-delight.com  Sat May 18 19:10:04 2002
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From: ArsOcarina@aol.com
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Date: Sat, 18 May 2002 19:08:18 EDT
Subject: OT -- USB audio interfaces
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Hi all,

I'm trying to put together a little portable system 
using my G3 iBook to make live recordings. I've been
looking at the Edirol UA-1A USB Audio Interface,
which seems simple enough to suit my purposes 
(if it does in fact work). That, a couple of decent 
mics and ProTools and I'll be good to go . . . I think.
Anyone out there with experience with a UA-1A?
Got any other USB audio interface suggestions?

Thanks,

Ted Killian

From Loopers-Delight-request@loopers-delight.com  Sat May 18 20:22:04 2002
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I'd take a hard look at the Tascam US-224 and compare
it to the Edirol.....you can download a pdf from Tascam....
--
gary
@friendlyspider.com


ArsOcarina@aol.com wrote:

> Hi all,
>
> I'm trying to put together a little portable system
> using my G3 iBook to make live recordings. I've been
> looking at the Edirol UA-1A USB Audio Interface,
> which seems simple enough to suit my purposes
> (if it does in fact work). That, a couple of decent
> mics and ProTools and I'll be good to go . . . I think.
> Anyone out there with experience with a UA-1A?
> Got any other USB audio interface suggestions?
>
> Thanks,
>
> Ted Killian




From Loopers-Delight-request@loopers-delight.com  Sun May 19 02:54:38 2002
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Hi. I would steer away from usb audio interfaces. The ones I have tried
seemed to be really unreliable and cpu-heavy. To make live recordings I'm
actually buying a RME Hammerfall (it is a cardbus device + external
half/rack module). It gives me the possibility to record at a really high
quality up to 24 tracks on three adat In and Outs, with the Digiface module,
and I know that there is the Multiface module that has balanced I/O + adat
I/O + SP/DIF and midi. It is really reliable and it has Asio2.0 drivers for
a real low latency. Plus, if you want you can connect with a PCI card the
same modules to your desktop, too. For informations you can take a look on
the www.RME.com site. It is cheaper than the various MOTU devices.
Or, if you have a firewire interface, you could take a look to www.motu.com
, since they have various Firewire devices.

Peace
Luigi
----- Original Message -----
From: <ArsOcarina@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, May 19, 2002 1:08 AM
Subject: OT -- USB audio interfaces


> Hi all,
>
> I'm trying to put together a little portable system
> using my G3 iBook to make live recordings. I've been
> looking at the Edirol UA-1A USB Audio Interface,
> which seems simple enough to suit my purposes
> (if it does in fact work). That, a couple of decent
> mics and ProTools and I'll be good to go . . . I think.
> Anyone out there with experience with a UA-1A?
> Got any other USB audio interface suggestions?
>
> Thanks,
>
> Ted Killian
>


From Loopers-Delight-request@loopers-delight.com  Sun May 19 06:37:37 2002
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Subject: Possibly OT: Theremin Question
Date: Sun, 19 May 2002 11:35:58 +0100
Organization: EarthLight Productions
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Hey Ho Looperinos,

I've a question about the Theremin: Has anyone made a MIDI controller out of
one, such that movement in a sector of space might represent, say, a volume
or color change?  Thanks.

Stephen P. Goodman
EarthLight Productions
*
http://www.earthlight.net/Studios - The Free Loop of the Week!
http://www.earthlight.net/Gallery_Front.html - Cartoons!
http://www.earthlight.net/HiddenTrack.html - More Cartoons!

From Loopers-Delight-request@loopers-delight.com  Sun May 19 06:45:32 2002
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Subject: RE: Possibly OT: Theremin Question
Date: Sun, 19 May 2002 12:44:19 +0200
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Stephen,

there is the Doepfer Audiosystem, a modular "oldskool" synthesizer system,
for which CV-to-MIDI and Theremin modules are available. Check their website
at www.doepfer.de.

	Rainer

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
digital penis expert group - www.dpeg.de
The MoinSound Archives - www.mp3.com/moinlabs


> -----Original Message-----
> From: Stephen P. Goodman [mailto:spgoodman@earthlight.net]
> Sent: Sonntag, 19. Mai 2002 12:36
> To: Loopers-Delight@loopers-delight.com
> Subject: Possibly OT: Theremin Question
>
>
> Hey Ho Looperinos,
>
> I've a question about the Theremin: Has anyone made a MIDI
> controller out of
> one, such that movement in a sector of space might represent,
> say, a volume
> or color change?  Thanks.
>
> Stephen P. Goodman
> EarthLight Productions
> *
> http://www.earthlight.net/Studios - The Free Loop of the Week!
> http://www.earthlight.net/Gallery_Front.html - Cartoons!
> http://www.earthlight.net/HiddenTrack.html - More Cartoons!
>

From Loopers-Delight-request@loopers-delight.com  Sun May 19 10:49:55 2002
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On Sun, 19 May 2002, Stephen P. Goodman wrote:

> Hey Ho Looperinos,
> 
> I've a question about the Theremin: Has anyone made a MIDI controller out of
> one, such that movement in a sector of space might represent, say, a volume
> or color change?  Thanks.

The BigBriar Ethervox has MIDI out. 
http://www.bigbriar.com/

Click on Products, then theremins, then the Ethervox is about halfway 
down the page, if the absurdly long URL below doesn't work directly: 
http://www.bigbriar.com/cgi-local/SoftCart.100.exe/spec/ethervox.html?L+scstore+rmrl2311ff024502+1047024912

Fullerton in the UK makes a theremin MIDI/CV Interface. 
http://www.fullerton.demon.co.uk/page5.html

best,
Steve
-- 
Steve Burnett    burnett@pobox.com   http://www.pobox.com/~burnett/



From Loopers-Delight-request@loopers-delight.com  Sun May 19 14:54:00 2002
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Subject: Re: OT -- USB audio interfaces
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My experience with the Tascam 428 running along with an 500 mhz imac and 
a fast 7500 ibm hardrive, has been excellent.

I've repeatedly read about the horrors of the USB audio interface.  
Bottom line, the 428 has proved to be an excellent product for digital 
recording, and the USB interface on my Mac has worked very well.

Best,
Kevin

On Saturday, May 18, 2002, at 11:52 PM, Luigi Meloni wrote:

> Hi. I would steer away from usb audio interfaces. The ones I have tried
> seemed to be really unreliable and cpu-heavy. To make live recordings 
> I'm
> actually buying a RME Hammerfall (it is a cardbus device + external
> half/rack module). It gives me the possibility to record at a really 
> high
> quality up to 24 tracks on three adat In and Outs, with the Digiface 
> module,
> and I know that there is the Multiface module that has balanced I/O + 
> adat
> I/O + SP/DIF and midi. It is really reliable and it has Asio2.0 drivers 
> for
> a real low latency. Plus, if you want you can connect with a PCI card 
> the
> same modules to your desktop, too. For informations you can take a look 
> on
> the www.RME.com site. It is cheaper than the various MOTU devices.
> Or, if you have a firewire interface, you could take a look to 
> www.motu.com
> , since they have various Firewire devices.
>
> Peace
> Luigi
> ----- Original Message -----
> From: <ArsOcarina@aol.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, May 19, 2002 1:08 AM
> Subject: OT -- USB audio interfaces
>
>
>> Hi all,
>>
>> I'm trying to put together a little portable system
>> using my G3 iBook to make live recordings. I've been
>> looking at the Edirol UA-1A USB Audio Interface,
>> which seems simple enough to suit my purposes
>> (if it does in fact work). That, a couple of decent
>> mics and ProTools and I'll be good to go . . . I think.
>> Anyone out there with experience with a UA-1A?
>> Got any other USB audio interface suggestions?
>>
>> Thanks,
>>
>> Ted Killian
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun May 19 16:59:40 2002
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 ********
Music may be seen as a vehicle,
as a window,
or a bunch of guys driving a vehicle through a window.
                                 - Phrazz
 

From Loopers-Delight-request@loopers-delight.com  Sun May 19 18:55:30 2002
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Hi:

I have a Tascam USB 428 unit, also. It's a pretty decent gizmo. I have had
good results with Cubase VST/32, Reason and ACID Pro.

Regards, Paul
----- Original Message -----
From: "Luigi Meloni" <Luigimeloni74@libero.it>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, May 19, 2002 2:52 AM
Subject: Re: OT -- USB audio interfaces


> Hi. I would steer away from usb audio interfaces. The ones I have tried
> seemed to be really unreliable and cpu-heavy. To make live recordings I'm
> actually buying a RME Hammerfall (it is a cardbus device + external
> half/rack module). It gives me the possibility to record at a really high
> quality up to 24 tracks on three adat In and Outs, with the Digiface
module,
> and I know that there is the Multiface module that has balanced I/O + adat
> I/O + SP/DIF and midi. It is really reliable and it has Asio2.0 drivers
for
> a real low latency. Plus, if you want you can connect with a PCI card the
> same modules to your desktop, too. For informations you can take a look on
> the www.RME.com site. It is cheaper than the various MOTU devices.
> Or, if you have a firewire interface, you could take a look to
www.motu.com
> , since they have various Firewire devices.
>
> Peace
> Luigi
> ----- Original Message -----
> From: <ArsOcarina@aol.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, May 19, 2002 1:08 AM
> Subject: OT -- USB audio interfaces
>
>
> > Hi all,
> >
> > I'm trying to put together a little portable system
> > using my G3 iBook to make live recordings. I've been
> > looking at the Edirol UA-1A USB Audio Interface,
> > which seems simple enough to suit my purposes
> > (if it does in fact work). That, a couple of decent
> > mics and ProTools and I'll be good to go . . . I think.
> > Anyone out there with experience with a UA-1A?
> > Got any other USB audio interface suggestions?
> >
> > Thanks,
> >
> > Ted Killian
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Sun May 19 19:00:06 2002
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No Kidding, I never even tried, did you need to get special drivers?

At 06:51 PM 5/19/02 -0400, you wrote:
>Hi:
>
>I have a Tascam USB 428 unit, also. It's a pretty decent gizmo. I have had
>good results with Cubase VST/32, Reason and ACID Pro.
>
>Regards, Paul
>----- Original Message -----
>From: "Luigi Meloni" <Luigimeloni74@libero.it>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Sunday, May 19, 2002 2:52 AM
>Subject: Re: OT -- USB audio interfaces
>
>
> > Hi. I would steer away from usb audio interfaces. The ones I have tried
> > seemed to be really unreliable and cpu-heavy. To make live recordings I'm
> > actually buying a RME Hammerfall (it is a cardbus device + external
> > half/rack module). It gives me the possibility to record at a really high
> > quality up to 24 tracks on three adat In and Outs, with the Digiface
>module,
> > and I know that there is the Multiface module that has balanced I/O + adat
> > I/O + SP/DIF and midi. It is really reliable and it has Asio2.0 drivers
>for
> > a real low latency. Plus, if you want you can connect with a PCI card the
> > same modules to your desktop, too. For informations you can take a look on
> > the www.RME.com site. It is cheaper than the various MOTU devices.
> > Or, if you have a firewire interface, you could take a look to
>www.motu.com
> > , since they have various Firewire devices.
> >
> > Peace
> > Luigi
> > ----- Original Message -----
> > From: <ArsOcarina@aol.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Sunday, May 19, 2002 1:08 AM
> > Subject: OT -- USB audio interfaces
> >
> >
> > > Hi all,
> > >
> > > I'm trying to put together a little portable system
> > > using my G3 iBook to make live recordings. I've been
> > > looking at the Edirol UA-1A USB Audio Interface,
> > > which seems simple enough to suit my purposes
> > > (if it does in fact work). That, a couple of decent
> > > mics and ProTools and I'll be good to go . . . I think.
> > > Anyone out there with experience with a UA-1A?
> > > Got any other USB audio interface suggestions?
> > >
> > > Thanks,
> > >
> > > Ted Killian
> > >
> >
> >

From Loopers-Delight-request@loopers-delight.com  Mon May 20 00:21:40 2002
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Date: Mon, 20 May 2002 00:19:32 EDT
Subject: fruity loops sampling question...
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--part1_40.1df3aa72.2a19d354_boundary
Content-Type: text/plain; charset="US-ASCII"
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Fruity loops, 

How do I record my bass and create a wave file to import into fruity loops?





Random comment: 
GIBSON's EDP tech support is impossible to reach... I'm about to fix this EDP 
with a big ol hammer!

--part1_40.1df3aa72.2a19d354_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=3><B>Fruity loops, <BR>
<BR>
How do I record my bass and create a wave file to import into fruity loops?</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></B><BR>
<BR>
<BR>
<BR>
<BR>
<BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=1 FAMILY="SANSSERIF" FACE="Arial" LANG="0">Random comment: <BR>
GIBSON's EDP tech support is impossible to reach... I'm about to fix this EDP with a big ol hammer!</FONT></HTML>

--part1_40.1df3aa72.2a19d354_boundary--

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I've heard good things about both the Hammerfall devices and the MOTU stuff,
but I think you're wrong about the Hammerfall being cheaper. E.g. at
audiomidi.com:
MOTU 828 - $699
Hammerfall DSP cardbus+multiface - $1040


cheers,
os.

----- Original Message -----
From: "Luigi Meloni" <Luigimeloni74@libero.it>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, May 19, 2002 7:52 AM
Subject: Re: OT -- USB audio interfaces


> Hi. I would steer away from usb audio interfaces. The ones I have tried
> seemed to be really unreliable and cpu-heavy. To make live recordings I'm
> actually buying a RME Hammerfall (it is a cardbus device + external
> half/rack module). It gives me the possibility to record at a really high
> quality up to 24 tracks on three adat In and Outs, with the Digiface
module,
> and I know that there is the Multiface module that has balanced I/O + adat
> I/O + SP/DIF and midi. It is really reliable and it has Asio2.0 drivers
for
> a real low latency. Plus, if you want you can connect with a PCI card the
> same modules to your desktop, too. For informations you can take a look on
> the www.RME.com site. It is cheaper than the various MOTU devices.
> Or, if you have a firewire interface, you could take a look to
www.motu.com
> , since they have various Firewire devices.
>
> Peace
> Luigi
> ----- Original Message -----
> From: <ArsOcarina@aol.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, May 19, 2002 1:08 AM
> Subject: OT -- USB audio interfaces
>
>
> > Hi all,
> >
> > I'm trying to put together a little portable system
> > using my G3 iBook to make live recordings. I've been
> > looking at the Edirol UA-1A USB Audio Interface,
> > which seems simple enough to suit my purposes
> > (if it does in fact work). That, a couple of decent
> > mics and ProTools and I'll be good to go . . . I think.
> > Anyone out there with experience with a UA-1A?
> > Got any other USB audio interface suggestions?
> >
> > Thanks,
> >
> > Ted Killian
> >
>

From Loopers-Delight-request@loopers-delight.com  Mon May 20 05:40:41 2002
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From: "Luigi Meloni" <Luigimeloni74@libero.it>
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Subject: Re: OT -- USB audio interfaces
Date: Mon, 20 May 2002 11:37:49 +0200
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I was relating the Rme digiface to the Motu 2408 mkII which has almost the
same potentiality. And here in Italy the RME is a lot cheaper than the Motu,
even the 828. Plus the RME should be 24/96, so you should compare its price
with the motu 896.

Peace
Luigi

----- Original Message -----
From: "Os" <lists@collective.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 20, 2002 10:26 AM
Subject: Re: OT -- USB audio interfaces


> I've heard good things about both the Hammerfall devices and the MOTU
stuff,
> but I think you're wrong about the Hammerfall being cheaper. E.g. at
> audiomidi.com:
> MOTU 828 - $699
> Hammerfall DSP cardbus+multiface - $1040
>
>
> cheers,
> os.
>
> ----- Original Message -----
> From: "Luigi Meloni" <Luigimeloni74@libero.it>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, May 19, 2002 7:52 AM
> Subject: Re: OT -- USB audio interfaces
>
>
> > Hi. I would steer away from usb audio interfaces. The ones I have tried
> > seemed to be really unreliable and cpu-heavy. To make live recordings
I'm
> > actually buying a RME Hammerfall (it is a cardbus device + external
> > half/rack module). It gives me the possibility to record at a really
high
> > quality up to 24 tracks on three adat In and Outs, with the Digiface
> module,
> > and I know that there is the Multiface module that has balanced I/O +
adat
> > I/O + SP/DIF and midi. It is really reliable and it has Asio2.0 drivers
> for
> > a real low latency. Plus, if you want you can connect with a PCI card
the
> > same modules to your desktop, too. For informations you can take a look
on
> > the www.RME.com site. It is cheaper than the various MOTU devices.
> > Or, if you have a firewire interface, you could take a look to
> www.motu.com
> > , since they have various Firewire devices.
> >
> > Peace
> > Luigi
> > ----- Original Message -----
> > From: <ArsOcarina@aol.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Sunday, May 19, 2002 1:08 AM
> > Subject: OT -- USB audio interfaces
> >
> >
> > > Hi all,
> > >
> > > I'm trying to put together a little portable system
> > > using my G3 iBook to make live recordings. I've been
> > > looking at the Edirol UA-1A USB Audio Interface,
> > > which seems simple enough to suit my purposes
> > > (if it does in fact work). That, a couple of decent
> > > mics and ProTools and I'll be good to go . . . I think.
> > > Anyone out there with experience with a UA-1A?
> > > Got any other USB audio interface suggestions?
> > >
> > > Thanks,
> > >
> > > Ted Killian
> > >
> >
>
>


From Loopers-Delight-request@loopers-delight.com  Mon May 20 05:59:33 2002
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Date: Mon, 20 May 2002 05:57:27 EDT
Subject: Re: Behringer DSP2024 Virtualizer
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> >  Re: Behringer DSP2024 Virtualizer
>  > Slight physical hum from the transformer.
>  
>  Really?  That's not good.  I don't get hum from my AirFX, seems weird
>  that they couldn't deal with that.  Ground issue maybe?

It's audible hum, not sent out electrically.
The transformer creates a magnetic field, which
vibrates the metal casing.
Happens quite often with boxes that have no wall wart.

>  
>  Here's my question:  how about filter sweeps?  How hard is it to set the
>  sweep duration to a specific time?

dial in the no. of Hz
 
>  > Tap time delays are possible using the
>  > FCB1010 footpedal, which has a feature to
>  > make any MIDI controlled delay tappable.
>  > (but only up to 1.2s)
>  
>  Is that only for delays, or can you set this to control any mod time?

I haven't done any of this yet, but looks like a very powerful function.
Any MIDI delay can be tap time, provided that
the delay times are on a linear scale. 
Be sure and look over Rainer's excellent description.

What is actually sent is not Note-Ons, or switches, but a Controller value.
The CC number is specified, and the value sent is derived from
the time delay between 2 button presses. 
You define the max delay time(max of 1.2s), and the range of values 
that the device uses.(eg, 0-127, or 0-63)
...so if you wanted you could control longer delay times 
by telling the FCB1010 the there was a fraction of the actual delay
time (say an eighth).
Then you could tap a quarter note and get 2 bars of 4/4
(or whatever).
..or tap the whole 2 bars, and probably still get the right time,
as the FCB1010 divides the time by 2 until its small enough.

Unfortunately, filter sweep times generally have their controls
the  "wrong way round" to be able to tap the sweep time.
...a higher value is a faster sweep.

So the faster you tap, the slower the sweep. 


andy butler

From Loopers-Delight-request@loopers-delight.com  Mon May 20 06:47:40 2002
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Date: Mon, 20 May 2002 03:46:03 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Lexicon MPX500=good loop mangler?
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Mark,

Did you ever check out the Lexicon MPX-1?

http://www.sospubs.co.uk/sos/1997_articles/jan97/lexiconmpx1.html

It seems to be your best bet this side of an
Eventide.

John


--- Mark Sottilaro <sine@zerocrossing.net> wrote:
> 
> So here's my deal.  I'm looking for the "perfect"
> processor to put in 
> the stereo effects loop of my Repeater.  Since I
> know "perfect" doesn't 
> exist, I'll settle for less.  I'm thinking of the
> Lexicon MPX500.  
> Anyone with experience with that baby?
> 
> Here's some of what I'd like to see:
> 
> Stereo ins and outs a must.
> 
> Line level operation a must.  (getting the levels
> right for the Vortex 
> was a bitch)
> 
> MIDI synchable effects.  I really liked the Lexicon
> Vortex for synched 
> effects, but having to deal with that tap tempo all
> the time drove me 
> nuts.  Need to keep my hands on my guitar!
> 
> Some good meat and potato effects and some wacky
> stuff.  Ping Ponging 
> delays of maddness.  Nice sweep filters.
> 
> A SINGLE rack space.  (it's all I have left and I
> will not go back to 
> two racks!)
> 
> Good sound quality.  Hell, it's replacing a Digitech
> DSP128, so if it's 
> as good or better than that I'm set.  I guess my
> priorities lie with 
> loop *manglege*
> 
> So that's it.  I've had thoughts about waiting for
> the KAOSS pad II 
> (anyone have an inkling as to when this is going to
> be released?), but 
> would like to keep it in the rack as much as I can.
> 




=====
John Tidwell




__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon May 20 08:49:21 2002
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Hi,

I'm looking for a Lexicon Vortex in a good technical and optical condition.
Anyone to sell?
Shipping to Germany needed though.

Regards

Herbie

-- 
GMX - Die Kommunikationsplattform im Internet.
http://www.gmx.net

From Loopers-Delight-request@loopers-delight.com  Mon May 20 09:00:30 2002
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>Random comment: 
>GIBSON's EDP tech support is impossible to reach... I'm about to fix this EDP with a big ol hammer!


this is the place, there is more EDP know how here than anywhere on the
planet

and there is also 10's of edp pages here
http://www.loopers-delight.com/tools/echoplex/echoplex.html

welcome

Claude

From Loopers-Delight-request@loopers-delight.com  Mon May 20 09:09:49 2002
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Has anybody checked out the Mbox?
thanks
Lou

_________________________________________________________________
MSN Photos is the easiest way to share and print your photos: 
http://photos.msn.com/support/worldwide.aspx

From Loopers-Delight-request@loopers-delight.com  Mon May 20 10:35:29 2002
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From Loopers-Delight-request@loopers-delight.com  Mon May 20 10:41:54 2002
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Yes i do have a vortex that i just took out off my rack, i wasn't planning to 
sell it but,
if you make me an offer i cant refuse  i will change my mind.

Pietro  

From Loopers-Delight-request@loopers-delight.com  Mon May 20 11:02:20 2002
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$150.00 shipping included within continental US.

Includes manual, box, *excellent* condition. Racked, never gigged.

I would like to trade toward a Boss GT-5 or comparable
preamp/multieffects unit.

Thanks

-K

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From: BILLYBUDDHA@webtv.net (William Mcallister)
Date: Mon, 20 May 2002 08:06:42 -0700 (PDT)
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A GOOD hammer can fix anything. Bill

From Loopers-Delight-request@loopers-delight.com  Mon May 20 11:15:01 2002
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Date: Mon, 20 May 2002 11:12:29 EDT
Subject: Re: OT -- USB audio interfaces
To: Loopers-Delight@loopers-delight.com
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     I have heard many mixed reviews of the USB audio interfaces. It is very 
good that someone using the Tascam has replied. It's really dependant on what 
one's needs are. From what I understand, the USB interfaces will only allow 2 
ins & 2 outs simlutaneously. This will actually be quite fine for many live 
performance situations. If you only needed to record one stereo track at a 
time, then you woud be fine on the recording side too. I don't know if there 
are any monitoring latency issues to deal with though. A big plus to the 
Tascam is the fact that it has the 8 user assignable faders. Make sure that 
your software will work with any interface you want to buy. I think that the 
USB interfaces are mostly focused on ASIO applications for now. I am also 
wondering if any of the current USB interfaces will be upwardly compatible 
with the newer USB 2.0 spec.
     A very important question is, how much CPU power does the particular 
interface you are interested in take to run? On paper, it looks like the best 
interface available for Laptops is the RME Multiface. They claim that they 
are transparent to the CPU. They also allow the user to send ASIO out ports 
1&2, GSIF out ports 3&4, MME out 5&6... (port assignments are not fixed). The 
RME is more expensive than the MOTU 828, but less expensive than the 896. 
>From using a MOTU 2408 on a PC, I feel that the MOTU is really meant for a 
Mac setup. As previously mentioned, the standard price for the 828 is 
$699.00, but I have seen it for $679.00 at MIDI Classics. Most retailers are 
selling The Echo Layla and Mona Laptop interfaces for $799.00, but they can 
be purchased from 8thStreet for $695.00. 
     I just purchased an Echo Audio Layla24 Laptop interface. I actually 
wanted to buy an RME Multiface, but none were available. From talking to a 
dozen or so retailers (US), it looked like it would be a month or two before 
anyone would have one in stock. So when they become available again, I might 
trade-in my Layla for a Multiface. I might also find that I am perfectly 
happy with the Layla. 
     Marc


In a message dated 05/20/2002 1:27:04 AM Pacific Daylight Time, 
lists@collective.co.uk writes:

> I've heard good things about both the Hammerfall devices and the MOTU stuff,
>  but I think you're wrong about the Hammerfall being cheaper. E.g. at
>  audiomidi.com:
>  MOTU 828 - $699
>  Hammerfall DSP cardbus+multiface - $1040
>  
>  
>  cheers,
>  os.

From Loopers-Delight-request@loopers-delight.com  Mon May 20 11:56:22 2002
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From: jim palmer <jimp@pobox.com>
Subject: Re: trs plugs
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i think mouser electronics had a good price on neutriks.
but you should also check digikey, allied, newark, etc...

switchcraft are also good and a bit cheaper, but i like the neutriks...

> does anyone just happen to have a good bulk source for 1/4" TRS plugs? i need to get with the
> re-cabling. thanks!
> 
> jon/skincage
> 

From Loopers-Delight-request@loopers-delight.com  Mon May 20 12:03:29 2002
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From: Greg House <ghunicycle@yahoo.com>
Subject: Re: trs plugs
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Last time I shopped for plugs, the best price I found was from
Markertek. They beat the electronics places by a large margin at that
point in time.

I also prefer Neutriks, especially for TRS plugs. They are MUCH easier
to solder into. Switchcraft TRS's are tedious. I like the Neutrik
strain reliefs better too. The only downside to Neutrik 1/4" plugs is
that the body is slightly larger, so they might not fit if you had a
tight connection. 

Greg


--- jim palmer <jimp@pobox.com> wrote:
> i think mouser electronics had a good price on neutriks.
> but you should also check digikey, allied, newark, etc...
> 
> switchcraft are also good and a bit cheaper, but i like the
> neutriks...
> 
> > does anyone just happen to have a good bulk source for 1/4" TRS
> plugs? i need to get with the
> > re-cabling. thanks!
> > 
> > jon/skincage
> > 
> 


__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon May 20 12:08:50 2002
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Subject: RE: trs plugs
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I've ordered from partsexpress.com with some success. can't compare price
with other mentioned but for items I know the price for they were
competetive. and they shipped hella fast.

-----Original Message-----
From: Greg House [mailto:ghunicycle@yahoo.com]
Sent: Monday, May 20, 2002 12:02 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: trs plugs


Last time I shopped for plugs, the best price I found was from
Markertek. They beat the electronics places by a large margin at that
point in time.

I also prefer Neutriks, especially for TRS plugs. They are MUCH easier
to solder into. Switchcraft TRS's are tedious. I like the Neutrik
strain reliefs better too. The only downside to Neutrik 1/4" plugs is
that the body is slightly larger, so they might not fit if you had a
tight connection. 

Greg


--- jim palmer <jimp@pobox.com> wrote:
> i think mouser electronics had a good price on neutriks.
> but you should also check digikey, allied, newark, etc...
> 
> switchcraft are also good and a bit cheaper, but i like the
> neutriks...
> 
> > does anyone just happen to have a good bulk source for 1/4" TRS
> plugs? i need to get with the
> > re-cabling. thanks!
> > 
> > jon/skincage
> > 
> 


__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Mon May 20 12:17:41 2002
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Subject: RE: Possibly OT: Theremin Question
Date: Mon, 20 May 2002 12:15:33 -0400
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and Paia.com has something similar for a fraction the price: The Theremax
which has CV out and a CV to midi converter kit.

-----Original Message-----
From: burnett@pobox.com [mailto:burnett@pobox.com]
Sent: Sunday, May 19, 2002 10:50 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Possibly OT: Theremin Question


On Sun, 19 May 2002, Stephen P. Goodman wrote:

> Hey Ho Looperinos,
> 
> I've a question about the Theremin: Has anyone made a MIDI controller out
of
> one, such that movement in a sector of space might represent, say, a
volume
> or color change?  Thanks.

The BigBriar Ethervox has MIDI out. 
http://www.bigbriar.com/

Click on Products, then theremins, then the Ethervox is about halfway 
down the page, if the absurdly long URL below doesn't work directly: 
http://www.bigbriar.com/cgi-local/SoftCart.100.exe/spec/ethervox.html?L+scst
ore+rmrl2311ff024502+1047024912

Fullerton in the UK makes a theremin MIDI/CV Interface. 
http://www.fullerton.demon.co.uk/page5.html

best,
Steve
-- 
Steve Burnett    burnett@pobox.com   http://www.pobox.com/~burnett/



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charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2653.12">
<TITLE>RE: Possibly OT: Theremin Question</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>and Paia.com has something similar for a fraction the =
price: The Theremax which has CV out and a CV to midi converter =
kit.</FONT></P>

<P><FONT SIZE=3D2>-----Original Message-----</FONT>
<BR><FONT SIZE=3D2>From: burnett@pobox.com [<A =
HREF=3D"mailto:burnett@pobox.com">mailto:burnett@pobox.com</A>]</FONT>
<BR><FONT SIZE=3D2>Sent: Sunday, May 19, 2002 10:50 AM</FONT>
<BR><FONT SIZE=3D2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=3D2>Subject: Re: Possibly OT: Theremin Question</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>On Sun, 19 May 2002, Stephen P. Goodman wrote:</FONT>
</P>

<P><FONT SIZE=3D2>&gt; Hey Ho Looperinos,</FONT>
<BR><FONT SIZE=3D2>&gt; </FONT>
<BR><FONT SIZE=3D2>&gt; I've a question about the Theremin: Has anyone =
made a MIDI controller out of</FONT>
<BR><FONT SIZE=3D2>&gt; one, such that movement in a sector of space =
might represent, say, a volume</FONT>
<BR><FONT SIZE=3D2>&gt; or color change?&nbsp; Thanks.</FONT>
</P>

<P><FONT SIZE=3D2>The BigBriar Ethervox has MIDI out. </FONT>
<BR><FONT SIZE=3D2><A HREF=3D"http://www.bigbriar.com/" =
TARGET=3D"_blank">http://www.bigbriar.com/</A></FONT>
</P>

<P><FONT SIZE=3D2>Click on Products, then theremins, then the Ethervox =
is about halfway </FONT>
<BR><FONT SIZE=3D2>down the page, if the absurdly long URL below =
doesn't work directly: </FONT>
<BR><FONT SIZE=3D2><A =
HREF=3D"http://www.bigbriar.com/cgi-local/SoftCart.100.exe/spec/ethervox=
.html?L+scstore+rmrl2311ff024502+1047024912" =
TARGET=3D"_blank">http://www.bigbriar.com/cgi-local/SoftCart.100.exe/spe=
c/ethervox.html?L+scstore+rmrl2311ff024502+1047024912</A></FONT>
</P>

<P><FONT SIZE=3D2>Fullerton in the UK makes a theremin MIDI/CV =
Interface. </FONT>
<BR><FONT SIZE=3D2><A =
HREF=3D"http://www.fullerton.demon.co.uk/page5.html" =
TARGET=3D"_blank">http://www.fullerton.demon.co.uk/page5.html</A></FONT>=

</P>

<P><FONT SIZE=3D2>best,</FONT>
<BR><FONT SIZE=3D2>Steve</FONT>
<BR><FONT SIZE=3D2>-- </FONT>
<BR><FONT SIZE=3D2>Steve Burnett&nbsp;&nbsp;&nbsp; =
burnett@pobox.com&nbsp;&nbsp; <A =
HREF=3D"http://www.pobox.com/~burnett/" =
TARGET=3D"_blank">http://www.pobox.com/~burnett/</A></FONT>
</P>
<BR>

</BODY>
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From Loopers-Delight-request@loopers-delight.com  Mon May 20 12:18:37 2002
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Subject: Re: trs plugs
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thanks everyone, now i've got some good places to start. i appreciate it!

btw, kinda dumb question here but:

is the spacing any different between 1/4" TRS plugs and 1/4" stereo plugs? i assume not but i
wanted to make sure first, i've seen some good deals on "stereo" plugs and i've been
wondering if it's close enough to just use them as trs mono.

thanks again

jon/skincage

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Yeah, that does look perfect... I'm not sure I can swing the $700 US for
one right now though.  Maybe if I save up...

Mark

John Tidwell wrote:

> Mark,
>
> Did you ever check out the Lexicon MPX-1?
>
> http://www.sospubs.co.uk/sos/1997_articles/jan97/lexiconmpx1.html
>
> It seems to be your best bet this side of an
> Eventide.
>
> John
>
> --- Mark Sottilaro <sine@zerocrossing.net> wrote:
> >
> > So here's my deal.  I'm looking for the "perfect"
> > processor to put in
> > the stereo effects loop of my Repeater.  Since I
> > know "perfect" doesn't
> > exist, I'll settle for less.  I'm thinking of the
> > Lexicon MPX500.
> > Anyone with experience with that baby?
> >
> > Here's some of what I'd like to see:
> >
> > Stereo ins and outs a must.
> >
> > Line level operation a must.  (getting the levels
> > right for the Vortex
> > was a bitch)
> >
> > MIDI synchable effects.  I really liked the Lexicon
> > Vortex for synched
> > effects, but having to deal with that tap tempo all
> > the time drove me
> > nuts.  Need to keep my hands on my guitar!
> >
> > Some good meat and potato effects and some wacky
> > stuff.  Ping Ponging
> > delays of maddness.  Nice sweep filters.
> >
> > A SINGLE rack space.  (it's all I have left and I
> > will not go back to
> > two racks!)
> >
> > Good sound quality.  Hell, it's replacing a Digitech
> > DSP128, so if it's
> > as good or better than that I'm set.  I guess my
> > priorities lie with
> > loop *manglege*
> >
> > So that's it.  I've had thoughts about waiting for
> > the KAOSS pad II
> > (anyone have an inkling as to when this is going to
> > be released?), but
> > would like to keep it in the rack as much as I can.
> >
>
> =====
> John Tidwell
>
> __________________________________________________
> Do You Yahoo!?
> LAUNCH - Your Yahoo! Music Experience
> http://launch.yahoo.com

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Hi Pietro,

at Monday, 20. May 2002, 16:40 you wrote:

Sac> Yes i do have a vortex that i just took out off my rack, i wasn't planning to 
Sac> sell it but,
Sac> if you make me an offer i cant refuse  i will change my mind.
I assume an offer of USD 75,-- won't change your mind...

Herbie

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Date: Mon, 20 May 2002 19:34:43 +0100
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Hi Greg,
sorry you're having problems contacting Shane @ Gibson service.
shane.radtke@gibson.com
What's the problem with your EDP? maybe I can help,
Andy
  -----Original Message-----
  From: Looping9string@aol.com [mailto:Looping9string@aol.com]
  Sent: 20 May 2002 05:20
  To: loopers-delight@loopers-delight.com
  Subject: fruity loops sampling question...


  Fruity loops,

  How do I record my bass and create a wave file to import into fruity
loops?





  Random comment:
  GIBSON's EDP tech support is impossible to reach... I'm about to fix this
EDP with a big ol hammer!

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<BODY>
<DIV><SPAN class=3D010003218-20052002><FONT face=3DArial color=3D#0000ff =
size=3D2>Hi=20
Greg,</FONT></SPAN></DIV>
<DIV><SPAN class=3D010003218-20052002><FONT face=3DArial color=3D#0000ff =
size=3D2>sorry=20
you're having problems contacting Shane @ Gibson service. <A=20
href=3D"mailto:shane.radtke@gibson.com">shane.radtke@gibson.com</A>=20
</FONT></SPAN></DIV>
<DIV><SPAN class=3D010003218-20052002><FONT face=3DArial color=3D#0000ff =
size=3D2>What's=20
the problem with your EDP? maybe I can help,</FONT></SPAN></DIV>
<DIV><SPAN class=3D010003218-20052002><FONT face=3DArial color=3D#0000ff =

size=3D2>Andy</FONT></SPAN></DIV>
<BLOCKQUOTE>
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> =
Looping9string@aol.com=20
  [mailto:Looping9string@aol.com]<BR><B>Sent:</B> 20 May 2002=20
  05:20<BR><B>To:</B> =
loopers-delight@loopers-delight.com<BR><B>Subject:</B>=20
  fruity loops sampling question...<BR><BR></FONT></DIV><FONT=20
  face=3Darial,helvetica><FONT size=3D3><B>Fruity loops, <BR><BR>How do =
I record my=20
  bass and create a wave file to import into fruity loops?</FONT><FONT =
lang=3D0=20
  style=3D"BACKGROUND-COLOR: #ffffff" face=3DArial color=3D#000000 =
size=3D2=20
  FAMILY=3D"SANSSERIF"></B><BR><BR><BR><BR><BR><BR></FONT><FONT lang=3D0 =

  style=3D"BACKGROUND-COLOR: #ffffff" face=3DArial color=3D#000000 =
size=3D1=20
  FAMILY=3D"SANSSERIF">Random comment: <BR>GIBSON's EDP tech support is =
impossible=20
  to reach... I'm about to fix this EDP with a big ol hammer!</FONT>=20
</FONT></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May 20 15:08:19 2002
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From: Hans Lindauer <hans@ernieball.com>
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Apparently the problem had to do with my Record command in the PMC,
because when I use the SUSRecord DirectMIDI command instead of the
regular Record MIDI command, everything works perfectly.

But now I have to wonder, what was I doing wrong with the Record
command?  I have it programmed as a Note On/Channel 1/Note 38/Velocity
127.  It works fine as a Record command, but for some reason it screws
up Reset.  Any ideas?

Also, I have the PMC-10 manual v1.0 but a v2.0 PMC-10.  What does the
"Enhanced" switching mode do?

Thanks,

-Hans

P.S. I have Raymond now - but the MIDI interface I got had no drivers
for Windows XP :(  I'm getting fast with the PMC programmer, though.


> Hans
> 
> 1st, if you have a pc get yourself Raymond the pmc10 editor for windows
> at our LD member Sean's site
> http://www.mindspring.com/~sean_/pmc/index.html
> it will be much more simpler from there in the same download is a
> Midi/hex calculator wich will help you master the hex/midi stuff
> 
> for those resets, a note on, on a momentary switch is enough if you want
> to put the note off it is ok too
> 90 3d 7f : midi chan 1, midi note 61, note on (velocity 127)  
> 
> claude
> 
> Hans Lindauer wrote:
> > 
> > I wrote:
> > 
> > > > I spent a few hours over the weekend trying to figure out how to
> > > program
> > > > my PMC-10 as a controller for my newly-upgraded EDP.  I managed to
> > > get
> > > > record and overdub happening, but I tried to program a reset and
> > > didn't
> > > > have any luck.  Has anyone gotten this working yet?
> > 
> > Claude Responded:
> > 
> > > This indeed works enter 9x 3d 7f (x is you midi channel in hex)
> > > use a momentary pedal type on the pmc
> > >
> > > reset only resets the current loop see it as a long record press
> > > if you have multiple loops try general reset to reset all the loops
> > > (9x 3e 7f)
> > > or if you tweaked params you could also use pg ch 16 wich means reload
> > > (the stored preset replaces the edited preset)
> > 
> > Now I see the difference between Reset and General Reset (another
> > question I had).  I'm using the umbilical programmer to program the
> > PMC-10 so I'm not familiar with those hex strings, but I'm guessing that
> > the first hex value indicates the MIDI channel, the second is the note
> > value, and the third is the velocity?  I left the velocity at 64 when I
> > tried it - would that make a difference?  Also, should this be
> > programmed as a note on/note off combination, or just as a note on?
> > 
> > Thanks Claude!
> > 
> > -Hans Lindauer

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Subject: Scot Ray Quintet@ Rocco's/l.a., ca, usa gig spam!!
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Scot Ray Quintet @ Rocco's (6320 Santa Monica Blvd.)
Tuesday May 21st,  9:30pm!!!!!  9:30 pm!!!!!


Nels Cline - guitar, loopage
Jeff Gauthier - violin
Steuart Liebig - bass, loopage
Alex Cline - drums/percussion
Scot Ray - trombone/compositions


An evening of extreme-jazz, avant-funk, 
liquid-americana, and skronk-blues experimentation.


Rocco's / 6320 Santa Monica Blvd.
http://www.roccoinla.com/entert.html
9:30pm!!!!


<font size="1">Confidentiality Warning:  This e-mail contains information intended only for the use of the individual or entity named above.  If the reader of this e-mail is not the intended recipient or the employee or agent responsible for delivering it to the intended recipient, any dissemination, publication or copying of this e-mail is strictly prohibited. The sender does not accept any responsibility for any loss, disruption or damage to your data or computer system that may occur while using data contained in, or transmitted with, this e-mail.   If you have received this e-mail in error, please immediately notify us by return e-mail.  Thank you.


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<P><FONT SIZE=2>Scot Ray Quintet @ Rocco's (6320 Santa Monica Blvd.)</FONT>
<BR><FONT SIZE=2>Tuesday May 21st,&nbsp; 9:30pm!!!!!&nbsp; 9:30 pm!!!!!</FONT>
</P>
<BR>

<P><FONT SIZE=2>Nels Cline - guitar, loopage</FONT>
<BR><FONT SIZE=2>Jeff Gauthier - violin</FONT>
<BR><FONT SIZE=2>Steuart Liebig - bass, loopage</FONT>
<BR><FONT SIZE=2>Alex Cline - drums/percussion</FONT>
<BR><FONT SIZE=2>Scot Ray - trombone/compositions</FONT>
</P>
<BR>

<P><FONT SIZE=2>An evening of extreme-jazz, avant-funk, </FONT>
<BR><FONT SIZE=2>liquid-americana, and skronk-blues experimentation.</FONT>
</P>
<BR>

<P><FONT SIZE=2>Rocco's / 6320 Santa Monica Blvd.</FONT>
<BR><FONT SIZE=2><A HREF="http://www.roccoinla.com/entert.html" TARGET="_blank">http://www.roccoinla.com/entert.html</A></FONT>
<BR><FONT SIZE=2>9:30pm!!!!</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Mon May 20 16:02:51 2002
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Subject: Re: Scot Ray Quintet@ Rocco's/l.a., ca, usa gig spam!!
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Scot Ray Quintet@ Rocco's/l.a., ca, usa gig spam!!Damn man- can you give =
more notice next time? I'd love to see this lineup again- but plans =
tomorrow will prevent-=20
Cliff
  ----- Original Message -----=20
  From: Liebig, Steuart A.=20
  To: Looper's Delight (E-mail)=20
  Sent: Monday, May 20, 2002 12:56 PM
  Subject: Scot Ray Quintet@ Rocco's/l.a., ca, usa gig spam!!





  Scot Ray Quintet @ Rocco's (6320 Santa Monica Blvd.)=20
  Tuesday May 21st,  9:30pm!!!!!  9:30 pm!!!!!=20



  Nels Cline - guitar, loopage=20
  Jeff Gauthier - violin=20
  Steuart Liebig - bass, loopage=20
  Alex Cline - drums/percussion=20
  Scot Ray - trombone/compositions=20



  An evening of extreme-jazz, avant-funk,=20
  liquid-americana, and skronk-blues experimentation.=20



  Rocco's / 6320 Santa Monica Blvd.=20
  http://www.roccoinla.com/entert.html=20
  9:30pm!!!!=20



  Confidentiality Warning: This e-mail contains information intended =
only for the use of the individual or entity named above. If the reader =
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spam!!</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Damn man- can you give more notice next time? I'd =
love to see=20
this lineup again- but plans tomorrow will prevent- </FONT></DIV>
<DIV><FONT size=3D2>Cliff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DSteuart.Liebig@maritz.com=20
  href=3D"mailto:Steuart.Liebig@maritz.com">Liebig, Steuart A.</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Looper's Delight=20
  (E-mail)</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Monday, May 20, 2002 =
12:56 PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Scot Ray Quintet@ =
Rocco's/l.a.,=20
  ca, usa gig spam!!</DIV>
  <DIV><BR></DIV><BR><BR>
  <P><FONT size=3D2>Scot Ray Quintet @ Rocco's (6320 Santa Monica =
Blvd.)</FONT>=20
  <BR><FONT size=3D2>Tuesday May 21st,&nbsp; 9:30pm!!!!!&nbsp; 9:30 =
pm!!!!!</FONT>=20
  </P><BR>
  <P><FONT size=3D2>Nels Cline - guitar, loopage</FONT> <BR><FONT =
size=3D2>Jeff=20
  Gauthier - violin</FONT> <BR><FONT size=3D2>Steuart Liebig - bass,=20
  loopage</FONT> <BR><FONT size=3D2>Alex Cline - drums/percussion</FONT> =
<BR><FONT=20
  size=3D2>Scot Ray - trombone/compositions</FONT> </P><BR>
  <P><FONT size=3D2>An evening of extreme-jazz, avant-funk, =
</FONT><BR><FONT=20
  size=3D2>liquid-americana, and skronk-blues experimentation.</FONT> =
</P><BR>
  <P><FONT size=3D2>Rocco's / 6320 Santa Monica Blvd.</FONT> <BR><FONT =
size=3D2><A=20
  href=3D"http://www.roccoinla.com/entert.html"=20
  target=3D_blank>http://www.roccoinla.com/entert.html</A></FONT> =
<BR><FONT=20
  size=3D2>9:30pm!!!!</FONT> </P><CODE><FONT size=3D3><BR><BR><FONT=20
  size=3D1>Confidentiality Warning: This e-mail contains information =
intended only=20
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publication or=20
  copying of this e-mail is strictly prohibited. The sender does not =
accept any=20
  responsibility for any loss, disruption or damage to your data or =
computer=20
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with, this=20
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notify=20
  us by return e-mail. Thank=20
you.<BR></BLOCKQUOTE></FONT></CODE></FONT></BODY></HTML>

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Subject: RE: Scot Ray Quintet@ Rocco's/l.a., ca, usa gig spam!!
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yeah, i screwed up - - crazy busy - - sorry!!
 
stig

-----Original Message-----
From: Clifford Novey [mailto:om@Om-Studios.com]
Sent: Monday, May 20, 2002 1:01 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Scot Ray Quintet@ Rocco's/l.a., ca, usa gig spam!!


Damn man- can you give more notice next time? I'd love to see this lineup
again- but plans tomorrow will prevent- 
Cliff

----- Original Message ----- 
From: Liebig, Steuart A. <mailto:Steuart.Liebig@maritz.com>  
To: Looper's Delight (E-mail) <mailto:Loopers-Delight@loopers-delight.com>  
Sent: Monday, May 20, 2002 12:56 PM
Subject: Scot Ray Quintet@ Rocco's/l.a., ca, usa gig spam!!




Scot Ray Quintet @ Rocco's (6320 Santa Monica Blvd.) 
Tuesday May 21st,  9:30pm!!!!!  9:30 pm!!!!! 


Nels Cline - guitar, loopage 
Jeff Gauthier - violin 
Steuart Liebig - bass, loopage 
Alex Cline - drums/percussion 
Scot Ray - trombone/compositions 


An evening of extreme-jazz, avant-funk, 
liquid-americana, and skronk-blues experimentation. 


Rocco's / 6320 Santa Monica Blvd. 
http://www.roccoinla.com/entert.html <http://www.roccoinla.com/entert.html>

9:30pm!!!! 



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<font size="1">Confidentiality Warning:  This e-mail contains information intended only for the use of the individual or entity named above.  If the reader of this e-mail is not the intended recipient or the employee or agent responsible for delivering it to the intended recipient, any dissemination, publication or copying of this e-mail is strictly prohibited. The sender does not accept any responsibility for any loss, disruption or damage to your data or computer system that may occur while using data contained in, or transmitted with, this e-mail.   If you have received this e-mail in error, please immediately notify us by return e-mail.  Thank you.


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<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=492190420-20052002>yeah, 
i screwed up - - crazy busy - - sorry!!</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=492190420-20052002></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=492190420-20052002>stig</SPAN></FONT></DIV>
<BLOCKQUOTE style="MARGIN-RIGHT: 0px">
  <DIV align=left class=OutlookMessageHeader dir=ltr><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Clifford Novey 
  [mailto:om@Om-Studios.com]<BR><B>Sent:</B> Monday, May 20, 2002 1:01 
  PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: 
  Scot Ray Quintet@ Rocco's/l.a., ca, usa gig spam!!<BR><BR></DIV></FONT>
  <DIV><FONT size=2>Damn man- can you give more notice next time? I'd love to 
  see this lineup again- but plans tomorrow will prevent- </FONT></DIV>
  <DIV><FONT size=2>Cliff</FONT></DIV>
  <BLOCKQUOTE 
  style="BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
    <DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
    <DIV 
    style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
    <A href="mailto:Steuart.Liebig@maritz.com" 
    title=Steuart.Liebig@maritz.com>Liebig, Steuart A.</A> </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    href="mailto:Loopers-Delight@loopers-delight.com" 
    title=Loopers-Delight@loopers-delight.com>Looper's Delight (E-mail)</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, May 20, 2002 12:56 
    PM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> Scot Ray Quintet@ 
    Rocco's/l.a., ca, usa gig spam!!</DIV>
    <DIV><BR></DIV><BR><BR>
    <P><FONT size=2>Scot Ray Quintet @ Rocco's (6320 Santa Monica Blvd.)</FONT> 
    <BR><FONT size=2>Tuesday May 21st,&nbsp; 9:30pm!!!!!&nbsp; 9:30 
    pm!!!!!</FONT> </P><BR>
    <P><FONT size=2>Nels Cline - guitar, loopage</FONT> <BR><FONT size=2>Jeff 
    Gauthier - violin</FONT> <BR><FONT size=2>Steuart Liebig - bass, 
    loopage</FONT> <BR><FONT size=2>Alex Cline - drums/percussion</FONT> 
    <BR><FONT size=2>Scot Ray - trombone/compositions</FONT> </P><BR>
    <P><FONT size=2>An evening of extreme-jazz, avant-funk, </FONT><BR><FONT 
    size=2>liquid-americana, and skronk-blues experimentation.</FONT> </P><BR>
    <P><FONT size=2>Rocco's / 6320 Santa Monica Blvd.</FONT> <BR><FONT size=2><A 
    href="http://www.roccoinla.com/entert.html" 
    target=_blank>http://www.roccoinla.com/entert.html</A></FONT> <BR><FONT 
    size=2>9:30pm!!!!</FONT> </P><CODE><FONT size=3><BR><BR><FONT 
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you.<BR></BLOCKQUOTE></BLOCKQUOTE></FONT></CODE></FONT><CODE><FONT SIZE=3><BR>
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From Loopers-Delight-request@loopers-delight.com  Mon May 20 16:07:04 2002
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> "Liebig, Steuart A." wrote:
> 
> Scot Ray Quintet @ Rocco's (6320 Santa Monica Blvd.)
> Tuesday May 21st,  9:30pm!!!!!  9:30 pm!!!!!
> 
> Nels Cline - guitar, loopage
> Jeff Gauthier - violin
> Steuart Liebig - bass, loopage
> Alex Cline - drums/percussion
> Scot Ray - trombone/compositions
> 
> An evening of extreme-jazz, avant-funk,
> liquid-americana, and skronk-blues experimentation.
> 
My god, M feeling lost in casual Switzerland

we'll surely have to wait 10 years before this appears here

till then

Good luck

:-] 

Claude

> 
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> us by return e-mail. Thank you.

youre welcome

From Loopers-Delight-request@loopers-delight.com  Mon May 20 16:10:52 2002
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My god, M feeling lost in casual Switzerland

we'll surely have to wait 10 years before this appears here

** unless we get to willisau fest or something ;-) (i can dream can't i?)

we'll be recording this band on friday/saturday and it should be coming out
in september or so . . . 

stig

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<P><FONT SIZE=2>My god, M feeling lost in casual Switzerland</FONT>
</P>

<P><FONT SIZE=2>we'll surely have to wait 10 years before this appears here</FONT>
</P>

<P><FONT SIZE=2>** unless we get to willisau fest or something ;-) (i can dream can't i?)</FONT>
</P>

<P><FONT SIZE=2>we'll be recording this band on friday/saturday and it should be coming out in september or so . . . </FONT>
</P>

<P><FONT SIZE=2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Mon May 20 16:23:43 2002
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> "Liebig, Steuart A." wrote:
> 
> My god, M feeling lost in casual Switzerland
> 
> we'll surely have to wait 10 years before this appears here
> 
> ** unless we get to willisau fest or something ;-) (i can dream can't
> i?)

oh yeah I went (as public) there for 4-5 times like 20 years ago 

great shredding happened there wow 

we called that "la tuée de cochons" "the pig killing"  

wild

Claude


> we'll be recording this band on friday/saturday and it should be
> coming out in september or so . . .
> 
> stig

From Loopers-Delight-request@loopers-delight.com  Mon May 20 16:28:14 2002
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oh yeah I went (as public) there for 4-5 times like 20 years ago 

** played there in 84 or so. very nice.

stig


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<P><FONT SIZE=2>oh yeah I went (as public) there for 4-5 times like 20 years ago </FONT>
</P>

<P><FONT SIZE=2>** played there in 84 or so. very nice.</FONT>
</P>

<P><FONT SIZE=2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Mon May 20 18:07:51 2002
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Subject: EPD footpedal dimensions please
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I'll have my new EPD in hand in a few weeks, i'm sorting
pedal board things.

Can i have the lenth of the EFC-7 footpedal please?
thanks!

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<DIV><FONT face=3DArial size=3D2>I'll have my new EPD in hand in a few =
weeks, i'm=20
sorting</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>pedal board things.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Can i have the lenth of the EFC-7 =
footpedal=20
please?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>thanks!</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May 20 19:05:03 2002
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I have been thinking about getting an Eventide Eclipse which looks
amazing, but I am wondering what anyones thoughts are about whether or
not it is worth it for the price?

I recently saw a TC Electronics M2000 for about $700 and was wondering
if maybe that might be comparable to the Eclipse and save me some money
in the mean time?

Thanks,
Steve

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The Oberhiem EFC-7 is 17 5/16 inches. I'm not sure if the Gibson is the 
same.

> Can i have the lenth of the EFC-7 footpedal please?
..................................................................
Doug Miller
<artist class="web">

http://www.dispatch.com
http://www.columbusnow.com
http://www.cccn.org
http://home.columbus.rr.com/dougmiller

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The Oberhiem EFC-7 is 17 5/16 inches. I'm not sure if the Gibson is
the same.


<excerpt><fontfamily><param>Arial</param><smaller>Can i have the lenth
of the EFC-7 footpedal please?</smaller></fontfamily>

</excerpt><fontfamily><param>Arial</param><smaller><smaller>..................................................................

</smaller></smaller></fontfamily><bold><fontfamily><param>Arial Black</param><smaller><smaller>Doug
Miller</smaller></smaller></fontfamily></bold><fontfamily><param>Arial</param><smaller><smaller>

<<artist class="web">


http://www.dispatch.com

http://www.columbusnow.com

http://www.cccn.org

http://home.columbus.rr.com/dougmiller</smaller></smaller></fontfamily>
--Apple-Mail-1-682174217--

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Subject: Re: Effects units
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as an eventide owner (DSP7000), i can only say that 
after i spent the $$$ to get mine, i felt pretty 
bad...until it arrived and i plugged that baby in.  
then, i actually felt like i hadn't spent enough!

right behind my edp, it's the most indespensible part 
of my rig.  and i've only begun to scratch the 
surface, having owned it for a few months only.

i do know that the eclipse isn't as "open-ended" as 
the other eventide units, be they more or less 
expensive.  for example, you can edit to the same 
degree on the eclipse as you can on, say, my unit for 
example.  however, much of the factory presets can be 
edited...you just can't build you own in vsig (to the 
best of my knowledge).

if you'd like more details, drop by the eventide yahoo 
group and ask as many questions as you want.  
everybody there is helpful and usually very willing to 
offer advice, especially if you're 
considering "joining the converted" so to speak.

-jim

From Loopers-Delight-request@loopers-delight.com  Mon May 20 22:46:52 2002
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From: S V G <vsyevolod@yahoo.com>
Subject: CFC card
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     Thought y'all'd be interested...

     For the Electrix Repeater, Simple Tech 128 MB CFC card is $99.99 at Amazon, $94.99 at
Costco.com (though you have to be a member or they stick it to you for 5%).

     I sprung for the 256MB card ($250.00 at Costco).  Jason at Electrix told me that the Repeater
has a greater chance of working smoother with the higher sized cards.

     I'll let the list here know how I like it once it arrives.

     There was a bad batch of Simple Tech cards a while back.  If you have batch number
90000-40414-000, you might want to send it back if you haven't already.

     Cheers,

         SVG

__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

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Best Buy had them for a little over $50.00 not too long ago.

Paul

----- Original Message -----
From: "S V G" <vsyevolod@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 20, 2002 10:45 PM
Subject: CFC card


>
>      Thought y'all'd be interested...
>
>      For the Electrix Repeater, Simple Tech 128 MB CFC card is $99.99 at
Amazon, $94.99 at
> Costco.com (though you have to be a member or they stick it to you for
5%).
>
>      I sprung for the 256MB card ($250.00 at Costco).  Jason at Electrix
told me that the Repeater
> has a greater chance of working smoother with the higher sized cards.
>
>      I'll let the list here know how I like it once it arrives.
>
>      There was a bad batch of Simple Tech cards a while back.  If you have
batch number
> 90000-40414-000, you might want to send it back if you haven't already.
>
>      Cheers,
>
>          SVG
>
> __________________________________________________
> Do You Yahoo!?
> LAUNCH - Your Yahoo! Music Experience
> http://launch.yahoo.com
>
>

From Loopers-Delight-request@loopers-delight.com  Mon May 20 23:01:08 2002
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Subject: Kaoss Pad and others... ?
Date: Mon, 20 May 2002 20:02:00 -0700
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Hey, do any of you use the Korg Kaoss pad for your live performances?

Just wondering a) if you like it and b) if there are any other interesting
alternatives?

Thanks,
Paul

From Loopers-Delight-request@loopers-delight.com  Mon May 20 23:14:34 2002
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Subject: Re: Kaoss Pad and others... ?
Date: Mon, 20 May 2002 23:14:19 -0400
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> Hey, do any of you use the Korg Kaoss pad for your live performances?
> 
> Just wondering a) if you like it and b) if there are any other interesting
> alternatives?
> 
> Thanks,
> Paul

I use both a Kaoss Pad and an Alesis Air FX
I'd give up the Alesis before the Kaoss - which
I've grown quite addicted to for twisting up my
synth sounds spontaniously. There's a version 2
Kaoss Pad coming out eventually.

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com

From Loopers-Delight-request@loopers-delight.com  Mon May 20 23:45:00 2002
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Hi Jim,

Thanks for the info.  I read about the Eclipse in Sound on Sound and for
the most part have decided to sell my MPX1 which will be replaced most
likely by the Eclipse.  I wish I could consider one of the other
Eventide units but they are more expensive and take 2 spaces instead of
one, and with the rest of the gear I have, space is a premium.

Thanks,
Steve

> 
> as an eventide owner (DSP7000), i can only say that 
> after i spent the $$$ to get mine, i felt pretty 
> bad...until it arrived and i plugged that baby in.  
> then, i actually felt like i hadn't spent enough!
> 
> right behind my edp, it's the most indespensible part 
> of my rig.  and i've only begun to scratch the 
> surface, having owned it for a few months only.
> 
> i do know that the eclipse isn't as "open-ended" as 
> the other eventide units, be they more or less 
> expensive.  for example, you can edit to the same 
> degree on the eclipse as you can on, say, my unit for 
> example.  however, much of the factory presets can be 
> edited...you just can't build you own in vsig (to the 
> best of my knowledge).
> 
> if you'd like more details, drop by the eventide yahoo 
> group and ask as many questions as you want.  
> everybody there is helpful and usually very willing to 
> offer advice, especially if you're 
> considering "joining the converted" so to speak.
> 
> -jim
> 

From Loopers-Delight-request@loopers-delight.com  Tue May 21 01:03:13 2002
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me!

i've had one a few years and i love it. it could use a few changes but for the most part it's
really fun. i'm not sure what else is out there that has a similar control system, maybe
alesis airfx? i've never played with one of those though. it is a very flexible and creative
effects processor. i'd say you could easily consider it an instrument of sorts!

as far as kaoss in a looping context, what i like to do lately is this:

repeater loop going
mo-fx in repeater fx loop
kaoss in mo-fx insert loop

with the fx loop engaged i can use the kaoss's sampling presets to catch bits from the
current loop and then create loops of different lengths, direction etc by using the hold
button and changing parameters with finger motion. the kaoss pad's output overrides the
repeater's in this mode, so i can go back and forth between the original loop and the kaoss
loop just by pressing the fx loop engage button on repeater. it's a little clumsy but a lot
of fun. this plus the resampling on the repeater can lead to serious mutation.

this is just one way to use it of course. another way would be to feed the kp from aux sends
of a mixer and return the output to a stereo pair of channels on the same mixer (with the
auxes muted). then you could have things play as normal but then bring in the effects when
you wanted them more gradually than the pad's fx on/off switch. some experimenting could lead
to interesting feedback loops.

finally another fun thing is just to feed it stereo  with fx on but hold off, then you only
get audio when you press the pad. this can be fun too. see if you can find one to play with
before you decide, but i think you'll be happy with it.

as scott mentioned there's going to be a version 2 kaoss pad and it seems to have addressed
most of the problems (minor) that i have with the first one. namely, being able to sample AND
effect instead at the same time instead of one or the other. looks like you can save finger
motions on the new one too, which would be slick.


----- Original Message -----
From: Paul Weissman <paul@nioterra.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, May 20, 2002 11:02 PM
Subject: Kaoss Pad and others... ?


>
> Hey, do any of you use the Korg Kaoss pad for your live performances?
>
> Just wondering a) if you like it and b) if there are any other interesting
> alternatives?
>
> Thanks,
> Paul
>

From Loopers-Delight-request@loopers-delight.com  Tue May 21 01:23:31 2002
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I do really like the KAOSS pad, but have given it to my wife.  My one 
main issue is that it's not set up to deal with a true line level 
signal, and the output of my Repeater distorts it's input, unless I turn 
the imput gain down.  Then the problem is a significant reduction in 
gain even when I'm passing dry signal through it.  It kind of makes it 
unusable to me.  I hope they change that in the next iteration.  It's 
also going to have synchable effects.  Either to it's own beat 
detection, or to a MIDI clock.  Yum.

Mark

On Monday, May 20, 2002, at 09:57  PM, skincage wrote:

> me!
>
> i've had one a few years and i love it. it could use a few changes but 
> for the most part it's
> really fun. i'm not sure what else is out there that has a similar 
> control system, maybe
> alesis airfx? i've never played with one of those though. it is a very 
> flexible and creative
> effects processor. i'd say you could easily consider it an instrument 
> of sorts!
>
> as far as kaoss in a looping context, what i like to do lately is this:
>
> repeater loop going
> mo-fx in repeater fx loop
> kaoss in mo-fx insert loop
>
> with the fx loop engaged i can use the kaoss's sampling presets to 
> catch bits from the
> current loop and then create loops of different lengths, direction etc 
> by using the hold
> button and changing parameters with finger motion. the kaoss pad's 
> output overrides the
> repeater's in this mode, so i can go back and forth between the 
> original loop and the kaoss
> loop just by pressing the fx loop engage button on repeater. it's a 
> little clumsy but a lot
> of fun. this plus the resampling on the repeater can lead to serious 
> mutation.
>
> this is just one way to use it of course. another way would be to feed 
> the kp from aux sends
> of a mixer and return the output to a stereo pair of channels on the 
> same mixer (with the
> auxes muted). then you could have things play as normal but then bring 
> in the effects when
> you wanted them more gradually than the pad's fx on/off switch. some 
> experimenting could lead
> to interesting feedback loops.
>
> finally another fun thing is just to feed it stereo  with fx on but 
> hold off, then you only
> get audio when you press the pad. this can be fun too. see if you can 
> find one to play with
> before you decide, but i think you'll be happy with it.
>
> as scott mentioned there's going to be a version 2 kaoss pad and it 
> seems to have addressed
> most of the problems (minor) that i have with the first one. namely, 
> being able to sample AND
> effect instead at the same time instead of one or the other. looks like 
> you can save finger
> motions on the new one too, which would be slick.
>
>
> ----- Original Message -----
> From: Paul Weissman <paul@nioterra.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, May 20, 2002 11:02 PM
> Subject: Kaoss Pad and others... ?
>
>
>>
>> Hey, do any of you use the Korg Kaoss pad for your live performances?
>>
>> Just wondering a) if you like it and b) if there are any other 
>> interesting
>> alternatives?
>>
>> Thanks,
>> Paul
>>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 21 01:46:59 2002
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     Doh!  I forgot to take my socks off when I wrote that last post... just multiply all the MB
by 2 and you'll get the message I intended.  It should read:

     For the Electrix Repeater, Simple Tech 256MB CFC card is $99.99 at Amazon, $94.99 at
Costco.com (though you have to be a member or they stick it to you for 5%).  It's around $125 to
$130 at most other places.

     I sprung for the 512MB card ($250.00 at Costco).  Jason at Electrix told me that the Repeater
has a greater chance of working smoother with the higher sized cards.

-------
     Thanks for catching that one...


------------- 

>>Best Buy had them for a little over $50.00 not too long ago.

>>Paul



>>>>>>>>>>>

>      Thought y'all'd be interested...
>
>      For the Electrix Repeater, Simple Tech 128 MB CFC card is $99.99 at
Amazon, $94.99 at
> Costco.com (though you have to be a member or they stick it to you for
5%).
>
>      I sprung for the 256MB card ($250.00 at Costco).  Jason at Electrix
told me that the Repeater
> has a greater chance of working smoother with the higher sized cards.



__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

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Hi Steve
Eclipse is the only 1 space rack unit on the market today working 
24bit/96KHz. It has a full array of analog/digital spdif-aesebu-optical-
adat inputs/outputs. The unit has a collection of about 90 algorithms, 
with more to come on next OS releases and CF card libraries. Eclipse is 
a dual engine unit that can run 2 algorithms at the same time. It's 
about 5/6 times more powerful than the legendary industry standard 
H3000. It features 40 seconds delay, hi-quality verbs, granular 
plexverbs, reverse delays, up to 8 voice Eventide pitch shifting, crazy 
preamps, multiband distortion, polyfuzzes, ring modulators, multi voice 
chorus/flanger/delays/shifters, multiband delays, phaser, parametric 
eqs, comb delays, resonators, oscillators, reverse shifters, looping 
and much more... you can run the 2 engines in different routings. The 
unit has a ModBlock that can be used to patch parameters to modulators, 
being midi controllers, tap tempo, Lfo, input dynamics, adsr, envelope 
follower, etc.
You cannot edit Eclipse algorithms to level structure or build your 
own: this is something you can only do on DSP7000/7500/Orville monsters.
Nevertheless 90 algorithms that can be combined in pairs with full 
editable parameters, make Eclipse the most open box in the "close 
structure" boxes market. We just released a new operative system, with 
new features and more presets. User patches can be saved internally or 
on a CFC card. Patches can be sent/received over the Internet.
OS updates are downloadable from the Net...for free.
Get a chance to give Eclipse a careful listening...you'll be surprised.
Here are its manuals and info literature:
http://www.eventide.com/eclipse/eclipse.htm
We have a support area/forum with many users, Eventide Helps, at:
http://groups.yahoo.com/group/eventidehelps/
lots of info, tutorials, patches, mp3s!
Join it...

all the best
Italo De Angelis










> I have been thinking about getting an Eventide Eclipse which looks
> amazing, but I am wondering what anyones thoughts are about whether or
> not it is worth it for the price?
> 
> I recently saw a TC Electronics M2000 for about $700 and was wondering
> if maybe that might be comparable to the Eclipse and save me some mone
y
> in the mean time?
> 
> Thanks,
> Steve
> 
> 

___________________________________________
Italo De Angelis
Preset Design Engineer - Audio Division
italo@eventide.com
EVENTIDE AUDIO CUSTOMERS SUPPORT
http://groups.yahoo.com/group/eventidehelps/

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Subject: Re: Effects units
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ummm...yeah...what italo said...that's what i meant to say.

regarding price: recently i've seen a few 7K's on ebay going for under 2500
and i think the eclipse is 2000 from musicians friend (although you can
inevitably find it cheaper somewhere else).

which ever unit you pick, i'm sure you won't regret it.  you will not need
another "effects box".  period.  the only other sound mangler i have is the
sherman and even that could be replaced by some of the filters in the 7K.

-jim


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Manuals, schematics, informations advises and so on about EVANS SUPERECHO TAPE ECHO needed.

Please help

Luca

-----------------------------------------------------
Compra e vendi su eBay: registrati gratis!
http://www.ebay.it/registrazione.html

messaggio inviato con Freemail by www.superEva.it
-----------------------------------------------------

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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: expression pedal with all access
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sorry to exhume thread but I got a new piece of gear and i'm a bit confused.

I got the CP-251, which is a control voltage mixer/controller. It references
it's own expression pedal which has a single line out of the thing. Does
anyone have experience with this and can they offer a suggestion on whether
I need to buy this or can jerry-rig something else?

My guess is that it's just a TRS line which could be duplicated through my
Ernie Ball mono pedal using a TRS breakout cable. Anyone know if this is
true? I am reluctant to experiment with the thing and short it out by
accident. Log range is OK.

Thanks in advance,

Ben

PS my application is controlling the Sherman which I monkey'd with last
night and it is just wicked. But I'd like to get a VCO kit too...

-----Original Message-----
From: jim palmer [mailto:jimp@pobox.com]
Sent: Monday, May 13, 2002 6:51 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: expression pedal with all access


you can use the ernie ball as-is with a standard insert cable, but you 
get a log curve - the middle position of the pedal does not 
translate to the middle of the control range.
in other words: if you set your control range to 0-127 (default),
the middle pos of the pedal will not result in a cc of 64...
in order to get this behavior, you have to replace the audio taper
pot with a linear taper pot...

> i think the ernie ball mono pedal will work fine....although i'm told i'll
> have to build a special cable for it...we'll see.
> 
> -jim
> 
> 

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You might try schematicheaven.com


-----Original Message-----
From: luketherocker@supereva.it [mailto:luketherocker@supereva.it]
Sent: Tuesday, May 21, 2002 6:17 AM
To: Loopers-Delight@loopers-delight.com
Subject: help



Manuals, schematics, informations advises and so on about EVANS SUPERECHO
TAPE ECHO needed.

Please help

Luca

-----------------------------------------------------
Compra e vendi su eBay: registrati gratis!
http://www.ebay.it/registrazione.html

messaggio inviato con Freemail by www.superEva.it
-----------------------------------------------------

From Loopers-Delight-request@loopers-delight.com  Tue May 21 10:56:31 2002
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Subject: Re: expression pedal with all access
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i don't have the 251, but i have several moogerfooger pedals and i'm sure it 
works the same way.  moog made the control inputs so they could take 
either a trs expression pedal in or a mono cv input. it's a pretty clever idea,
he feeds a 5v source to the ring, which is shorted to ground when a mono cable is
inserted. it's current limited so nothing fries when this happens.
the expression pedal acts as a voltage divider so you get a 0-5v signal at the tip.

so you connect the ring to the high side of the pot
(this will be the tip of the input on the eb pedal)
the sleeve goes to the sleeve of either jack on the eb.
the tip goes to the tip of the output of the eb pedal.
you can use a standard insert cable or rewire the eb with a trs jack.

this is not the way most trs expression pedal inputs are wired.
for example the rocktron all-access has the tip and ring switched.
but then, it can't take a mono cv input...

----- Original Message ----- 
From: "Reid, Benjamin" <BReid@about-inc.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 21, 2002 8:42 AM
Subject: RE: expression pedal with all access


> sorry to exhume thread but I got a new piece of gear and i'm a bit confused.
> 
> I got the CP-251, which is a control voltage mixer/controller. It references
> it's own expression pedal which has a single line out of the thing. Does
> anyone have experience with this and can they offer a suggestion on whether
> I need to buy this or can jerry-rig something else?
> 
> My guess is that it's just a TRS line which could be duplicated through my
> Ernie Ball mono pedal using a TRS breakout cable. Anyone know if this is
> true? I am reluctant to experiment with the thing and short it out by
> accident. Log range is OK.
> 
> Thanks in advance,
> 
> Ben
> 
> PS my application is controlling the Sherman which I monkey'd with last
> night and it is just wicked. But I'd like to get a VCO kit too...
> 
> -----Original Message-----
> From: jim palmer [mailto:jimp@pobox.com]
> Sent: Monday, May 13, 2002 6:51 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: expression pedal with all access
> 
> 
> you can use the ernie ball as-is with a standard insert cable, but you 
> get a log curve - the middle position of the pedal does not 
> translate to the middle of the control range.
> in other words: if you set your control range to 0-127 (default),
> the middle pos of the pedal will not result in a cc of 64...
> in order to get this behavior, you have to replace the audio taper
> pot with a linear taper pot...
> 
> > i think the ernie ball mono pedal will work fine....although i'm told i'll
> > have to build a special cable for it...we'll see.
> > 
> > -jim
> > 
> > 
> 

From Loopers-Delight-request@loopers-delight.com  Tue May 21 11:10:31 2002
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JAMES R FOWLER, III wrote:
> 
 you will not need
> another "effects box".  period.  

'tis true,my Eclipse cured me me of gear lust regarding effects..Now I
just lust after Italo's looping programs:)

From Loopers-Delight-request@loopers-delight.com  Tue May 21 11:58:15 2002
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> 'tis true,my Eclipse cured me me of gear lust regarding effects..Now I
> just lust after Italo's looping programs:)

...on their way, Scott!

soon
Italoop

___________________________________________
Italo De Angelis
Preset Design Engineer - Audio Division
italo@eventide.com
EVENTIDE AUDIO CUSTOMERS SUPPORT
http://groups.yahoo.com/group/eventidehelps/

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Subject: RE: EPD footpedal dimensions please
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Latest Gibson EFC-7 is 17 5/16 long, 4 inches wide, 1 7/8 inches height at
the back and 7/8 inch high at the front. I don't think they've ever changed
as we used original drawings to make them,
Andy
  -----Original Message-----
  From: Doug Miller [mailto:dmiller3@columbus.rr.com]
  Sent: 21 May 2002 00:57
  To: Loopers-Delight@loopers-delight.com
  Subject: Re: EPD footpedal dimensions please


  The Oberhiem EFC-7 is 17 5/16 inches. I'm not sure if the Gibson is the
same.


    Can i have the lenth of the EFC-7 footpedal please?

  ..................................................................
  Doug Miller
  <artist class="web">

  http://www.dispatch.com
  http://www.columbusnow.com
  http://www.cccn.org
  http://home.columbus.rr.com/dougmiller

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Dus-ascii">
<META content=3D"MSHTML 6.00.2715.400" name=3DGENERATOR></HEAD>
<BODY>
<DIV><SPAN class=3D780262318-21052002><FONT face=3DArial color=3D#0000ff =

size=3D2></FONT></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D780262318-21052002><FONT face=3DArial color=3D#0000ff =
size=3D2>Latest=20
Gibson EFC-7 is 17 5/16 long, 4 inches wide, 1 7/8 inches height at the =
back and=20
7/8 inch high at the front. I don't think they've ever changed as we =
used=20
original drawings to make them,</FONT></SPAN></DIV>
<DIV><SPAN class=3D780262318-21052002><FONT face=3DArial color=3D#0000ff =

size=3D2>Andy</FONT></SPAN></DIV>
<BLOCKQUOTE>
  <DIV class=3DOutlookMessageHeader dir=3Dltr align=3Dleft><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Doug Miller=20
  [mailto:dmiller3@columbus.rr.com]<BR><B>Sent:</B> 21 May 2002=20
  00:57<BR><B>To:</B> =
Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re:=20
  EPD footpedal dimensions please<BR><BR></FONT></DIV>The Oberhiem EFC-7 =
is 17=20
  5/16 inches. I'm not sure if the Gibson is the same.<BR><BR>
  <BLOCKQUOTE><?fontfamily><?param Arial><?smaller>Can i have the lenth =
of the=20
    EFC-7 footpedal =
please?<?/smaller><?/fontfamily><BR></BLOCKQUOTE><?fontfamily><?param =
Arial><?smaller><?smaller>...............................................=
...................<BR><?/smaller><?/smaller><?/fontfamily><B><?fontfamil=
y><?param Arial Black><?smaller><?smaller>Doug=20
  Miller<?/smaller><?/smaller><?/fontfamily></B><?fontfamily><?param =
Arial><?smaller><?smaller><BR>&lt;artist=20
  =
class=3D"web"&gt;<BR><BR>http://www.dispatch.com<BR>http://www.columbusno=
w.com<BR>http://www.cccn.org<BR>http://home.columbus.rr.com/dougmiller<?/=
smaller><?/smaller><?/fontfamily></BLOCKQUOTE></BODY></HTML>

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Subject: FS: Casio MG500 midi guitar...
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Casio MG500 Midi guitar in good shape with tremolo bar and hardshell
case - $400

I recently picked up a Casio PG380 so I no longer need my flagship midi
guitar. I am selling a Casio Model  MG500 in while with black pick guard
and Rosewood neck.  When I got it I had it set up by a local guitar tech
who also installed a special wood jam in the tremolo bridge. This bridge
limits the whammy bend so the unit stays in tune better and it's easily
removable if you don't want it to make back to factory spec.

The guitar itself was made by Ibanez (Hoshino for those in the know) in
the 80s and it a 5 position three single coil strat type design with the
third pickup also acting as a humbucker (with a dedicated switch). It is
an *incredibly* nice and playable guitar in it's own right and is the
BEST all-in-one midi guitar unit IMO thanks to Casio's unique design
with includes all electronics in the guitar body itself. there is a
single Midi out jack near the 1/4" out. There is no rack unit and no
special pickup required. It spits velocity sensitive midi out right from
the box including volume and program info.

I'd give the guitar an 8 on a scale of 10 only because it is missing one
screw and two rubber pads on the back. The dip switches all work 100%
(one has the tip taken off but it's easily switchable with a screwdriver
or pencil which you have to use anyway since they are so small). It is
the weird spaceship MG500 design, much rarer than the standard Strat
body MG510, and I have never seen another one in white (most are black).
It has a nice weight and everything (including the midi out) works 100%.
Collectable, playable, and just damn nice.

I have one picture of the actual guitar here:
http://www.helpwantedproductions.com/mg500.jpg
(I can take more pictures if you'd like, just ask)

More info on the capabilities of this guitar can be found at:
http://jpsongs.com/troubadortech/casmgtr.htm

It comes with a hardshell case (not insignificant as it doesn't fit most
case designs due to it's weird shape) and I'm sure I have a copy of the
manual and dip switch settings which allow you to do stuff like set each
string to send a different midi channel etc.

I will be posting this at a different price to the 'net at large so if
you're interested please be sure to mention you're a member of LD.

Price is firm but I will consider trades as well. Buyer pays shipping
and any other fees (I accept paypal or USPS MO) Pickup in Phila PA also
welcome.

Thanks!

____________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.HelpWantedProductions.com
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.



From Loopers-Delight-request@loopers-delight.com  Tue May 21 17:03:21 2002
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From: "Rainer Straschill" <rs@moinlabs.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Effects units
Date: Tue, 21 May 2002 23:01:10 +0200
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Steve,

I recently acquired a TC Electronics Fireworx I got used for ?1000, and
although I only found the time to barely check through the presets, I'm
convinced that this is THE device:

The great thing about the Fireworx is the the great combination of
"traditional" high quality effects (reverbs, pitch shifter, delay), flexible
routing, parameter tweaking and realtime control and the addition of several
extremely weird algorithms. If you absolutely need the best pitch shifter
available - go for Eventide, for the best reverb in town, Lexicon might be
the address, but for my use (I don't need reverbs that sound like a real
room found anywhere on earth, anyway), the Fireworx does the trick as the
"all-in-one single rackspace" machine several people have asked for on this
list recently.

A few highlights (mentioned partially with regard to ongoing threads here):
the best distortion I found so far in a device that was not made exclusively
for distortion, including digital sampling artifacts generator. A fine
vocoder. A monophonic synth, which can be controlled by a pitch tracker, so
you can have a synth that tracks your voice and sends the corresponding MIDI
notes at the same time. The great "modifier matrix" concept. The filters are
the bomb!

Back to the discussion which had been ongoing here re: "How many loop
manglers does one need ?": I could live with just the Fireworx as a loop
mangler, plus a second Fireworx for the non-loop stuff, and then I'd be
ready to extremely strip my rack down, getting rid of the Sony GR-MP5, the
Digitech StudioQuad (a great device for its price BTW, the V2 version is
going for below ?125 on ebay recently), the Vortex, the DL4 and the Filter
Factory and just keep the Fireworxes plus a compressor...

	Rainer

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
digital penis expert group - www.dpeg.de
The MoinSound Archives - www.mp3.com/moinlabs


> -----Original Message-----
> From: M. Steven Ginn [mailto:sginn@airmail.net]
> Sent: Dienstag, 21. Mai 2002 01:03
> To: Loopers-Delight@loopers-delight.com
> Subject: Effects units
>
>
> I have been thinking about getting an Eventide Eclipse which looks
> amazing, but I am wondering what anyones thoughts are about whether or
> not it is worth it for the price?
>
> I recently saw a TC Electronics M2000 for about $700 and was wondering
> if maybe that might be comparable to the Eclipse and save me
> some money
> in the mean time?
>
> Thanks,
> Steve
>

From Loopers-Delight-request@loopers-delight.com  Tue May 21 18:08:08 2002
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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Effects units
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It's funny... I just unracked my Fireworx due to lack of use.  It's probably
going to get sold.

I know software may not be everyone's choice on this list, but since I got
Reaktor, using the Fireworx has seemed like such a bother.  I guess
Reaktor's not so good if you don't want to bring a laptop out to a gig, but
outside of that it's great.

Paul





> -----Original Message-----
> From: Rainer Straschill [mailto:rs@moinlabs.de]
> Sent: Tuesday, May 21, 2002 2:01 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Effects units
>
>
> Steve,
>
> I recently acquired a TC Electronics Fireworx I got used for ?1000, and
> although I only found the time to barely check through the presets, I'm
> convinced that this is THE device:
>
> The great thing about the Fireworx is the the great combination of
> "traditional" high quality effects (reverbs, pitch shifter,
> delay), flexible
> routing, parameter tweaking and realtime control and the addition
> of several
> extremely weird algorithms. If you absolutely need the best pitch shifter
> available - go for Eventide, for the best reverb in town, Lexicon might be
> the address, but for my use (I don't need reverbs that sound like a real
> room found anywhere on earth, anyway), the Fireworx does the trick as the
> "all-in-one single rackspace" machine several people have asked
> for on this
> list recently.
>
> A few highlights (mentioned partially with regard to ongoing
> threads here):
> the best distortion I found so far in a device that was not made
> exclusively
> for distortion, including digital sampling artifacts generator. A fine
> vocoder. A monophonic synth, which can be controlled by a pitch
> tracker, so
> you can have a synth that tracks your voice and sends the
> corresponding MIDI
> notes at the same time. The great "modifier matrix" concept. The
> filters are
> the bomb!
>
> Back to the discussion which had been ongoing here re: "How many loop
> manglers does one need ?": I could live with just the Fireworx as a loop
> mangler, plus a second Fireworx for the non-loop stuff, and then I'd be
> ready to extremely strip my rack down, getting rid of the Sony GR-MP5, the
> Digitech StudioQuad (a great device for its price BTW, the V2 version is
> going for below ?125 on ebay recently), the Vortex, the DL4 and the Filter
> Factory and just keep the Fireworxes plus a compressor...
>
> 	Rainer
>
> Rainer Straschill
> Moinlabs GFX and Soundworks - www.moinlabs.de
> digital penis expert group - www.dpeg.de
> The MoinSound Archives - www.mp3.com/moinlabs
>
>
> > -----Original Message-----
> > From: M. Steven Ginn [mailto:sginn@airmail.net]
> > Sent: Dienstag, 21. Mai 2002 01:03
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Effects units
> >
> >
> > I have been thinking about getting an Eventide Eclipse which looks
> > amazing, but I am wondering what anyones thoughts are about whether or
> > not it is worth it for the price?
> >
> > I recently saw a TC Electronics M2000 for about $700 and was wondering
> > if maybe that might be comparable to the Eclipse and save me
> > some money
> > in the mean time?
> >
> > Thanks,
> > Steve
> >
>

From Loopers-Delight-request@loopers-delight.com  Tue May 21 22:53:48 2002
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Date: Tue, 21 May 2002 21:56:53 -0500
Subject: expression pedal for EP Pro
From: Peter Einhorn <petereinhorn@mac.com>
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Has anyone tried the Boss EV-5 exp pedal as a direct input feeback pedal
into the EP Pro? 
The Line 6 ex 1?
Thx
peter

From Loopers-Delight-request@loopers-delight.com  Wed May 22 00:01:40 2002
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http://www.copyright.gov/carp/webcasting-rates-order.html

From Loopers-Delight-request@loopers-delight.com  Wed May 22 11:17:09 2002
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Date: Tue, 21 May 2002 12:46:33 -0700
Subject: RE: [lvjambandsociety] 'Copy-proof' CDs cracked with marker pen
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nice one!  "yo-ho yo-ho a pirate's life for me!!!!!!!"
geo

  -----Original Message-----
  From: Mark Vavrick [mailto:M_Vavrick@hotmail.com]
  Sent: Tuesday, May 21, 2002 12:15 PM
  To: lvjambandsociety@yahoogroups.com
  Subject: [lvjambandsociety] 'Copy-proof' CDs cracked with marker pen


  'Copy-proof' CDs cracked with marker pen
  May 21, 2002 Posted: 2:03 PM EDT (1803 GMT)




  LONDON (Reuters) -- Technology buffs have cracked music publishing giant
Sony Music's elaborate disc copy-protection technology with a decidedly
low-tech method: scribbling around the rim of a disk with a felt-tip marker.

  Internet newsgroups have been circulating news of the discovery for the
past week, and in typical newsgroup style, users have pilloried Sony for
deploying "hi-tech" copy protection that can be defeated by paying a visit
to a stationery store.

  "I wonder what type of copy protection will come next?" one posting on
alt.music.prince read. "Maybe they'll ban markers."

  Sony did not immediately return calls seeking comment.

  Major music labels, including Sony and Universal Music, have begun selling
the "copy-proof" discs as a means of tackling the rampant spread of music
piracy, which they claim is eating into sales.

  The new technology aims to prevent consumers from copying, or "burning,"
music onto recordable CDs or onto their computer hard drives, which can then
be shared with other users over file-sharing Internet services such as Kazaa
or Morpheus MusicCity.

  Sony aggressive anti-piracy push
  Monday, Reuters obtained an ordinary copy of Celine Dion's newest release
"A New Day Has Come," which comes embedded with Sony's "Key2Audio"
technology.

  After an initial attempt to play the disc on a PC resulted in failure, the
edge of the shiny side of the disc was blackened out with a felt tip marker.
The second attempt with the marked-up CD played and copied to the hard drive
without a hitch.

  Internet postings claim that tape or even a sticky note can also be used
to cover the security track, typically located on the outer rim of the disc.
And there are suggestions that copy protection schemes used by other music
labels can also be circumvented in a similar way.

  Sony's proprietary technology, deployed on many recent releases, works by
adding a track to the copy-protected disc that contains bogus data.

  Because computer hard drives are programmed to read data files first, the
computer will continuously try to play the bogus track first. It never gets
to play the music tracks located elsewhere on the compact disc.

  The effect is that the copy-protected disc will play on standard CD
players but not on computer CD-Rom drives, some portable devices and even
some car stereo systems.

  Some Apple Macintosh users have reported that playing the disc in the
computer's CD drive causes the computer to crash. The cover of the
copy-protected discs contain a warning that the album will not play on
Macintoshes or other personal computers.

  Apple has since posted a warning on its website at:
http://kbase.info.apple.com/cgi-bin/WebObjects/kbase.woa/wa/query?searchMode
-Assisted&type-id&val-KC.106882.

  Sony Music Europe has taken the most aggressive anti-piracy stance in the
business. Since last fall, the label has shipped more than 11 million
copy-protected discs in Europe, with the largest proportion going to
Germany, a market label executives claim is rife with illegal CD-burning.



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<DIV><SPAN class=893584419-21052002><FONT face="Lucida Sans Unicode" 
color=#000080><STRONG><EM>nice one!&nbsp; "yo-ho yo-ho a pirate's life for 
me!!!!!!!"</EM></STRONG></FONT></SPAN></DIV>
<DIV><SPAN class=893584419-21052002><STRONG><EM><FONT face="Lucida Sans Unicode" 
color=#000080>geo</FONT></EM></STRONG></SPAN></DIV>
<DIV><SPAN class=893584419-21052002><STRONG><EM><FONT face="Lucida Sans Unicode" 
color=#000080></FONT></EM></STRONG></SPAN>&nbsp;</DIV>
<BLOCKQUOTE>
  <DIV class=OutlookMessageHeader dir=ltr align=left><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Mark Vavrick 
  [mailto:M_Vavrick@hotmail.com]<BR><B>Sent:</B> Tuesday, May 21, 2002 12:15 
  PM<BR><B>To:</B> lvjambandsociety@yahoogroups.com<BR><B>Subject:</B> 
  [lvjambandsociety] 'Copy-proof' CDs cracked with marker 
  pen<BR><BR></FONT></DIV>
  <DIV>
  <DIV>
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  <P class=Small>May 21, 2002 Posted: 2:03 PM EDT (1803 GMT)<BR></P><!-- /date -->
  <TABLE cellSpacing=0 cellPadding=3 width=220 align=left border=0>
    <TBODY>
    <TR>
      <TD><!--startclickprintexclude--><!--===========IMAGE============--><IMG 
        height=168 alt="'Copy-proof' CDs cracked with marker pen" 
        src="http://i.cnn.net/cnn/2002/TECH/industry/05/21/bc.media.cd.piracy.reut.reut/story.cd.stack.jpg" 
        width=220 align=left border=0 NOSEND="1"> <!--===========/IMAGE===========--><!--endclickprintexclude--></TD></TR>
    <TR>
      <TD></TD></TR></TBODY></TABLE>
  <P><B>LONDON (Reuters) --</B> <B>Technology buffs have cracked music 
  publishing giant Sony Music's elaborate disc copy-protection technology with a 
  decidedly low-tech method: scribbling around the rim of a disk with a felt-tip 
  marker.</B> </P>
  <P>Internet newsgroups have been circulating news of the discovery for the 
  past week, and in typical newsgroup style, users have pilloried Sony for 
  deploying "hi-tech" copy protection that can be defeated by paying a visit to 
  a stationery store. </P>
  <P>"I wonder what type of copy protection will come next?" one posting on 
  alt.music.prince read. "Maybe they'll ban markers." </P>
  <P>Sony did not immediately return calls seeking comment. </P>
  <P>Major music labels, including Sony and Universal Music, have begun selling 
  the "copy-proof" discs as a means of tackling the rampant spread of music 
  piracy, which they claim is eating into sales. </P>
  <P>The new technology aims to prevent consumers from copying, or "burning," 
  music onto recordable CDs or onto their computer hard drives, which can then 
  be shared with other users over file-sharing Internet services such as Kazaa 
  or Morpheus MusicCity. </P><A name=1></A>
  <H3>Sony aggressive anti-piracy push</H3>
  <P>Monday, Reuters obtained an ordinary copy of Celine Dion's newest release 
  "A New Day Has Come," which comes embedded with Sony's "Key2Audio" technology. 
  </P>
  <P>After an initial attempt to play the disc on a PC resulted in failure, the 
  edge of the shiny side of the disc was blackened out with a felt tip marker. 
  The second attempt with the marked-up CD played and copied to the hard drive 
  without a hitch. </P>
  <P>Internet postings claim that tape or even a sticky note can also be used to 
  cover the security track, typically located on the outer rim of the disc. And 
  there are suggestions that copy protection schemes used by other music labels 
  can also be circumvented in a similar way. </P>
  <P>Sony's proprietary technology, deployed on many recent releases, works by 
  adding a track to the copy-protected disc that contains bogus data. </P>
  <P>Because computer hard drives are programmed to read data files first, the 
  computer will continuously try to play the bogus track first. It never gets to 
  play the music tracks located elsewhere on the compact disc. </P>
  <P>The effect is that the copy-protected disc will play on standard CD players 
  but not on computer CD-Rom drives, some portable devices and even some car 
  stereo systems. </P>
  <P>Some Apple Macintosh users have reported that playing the disc in the 
  computer's CD drive causes the computer to crash. The cover of the 
  copy-protected discs contain a warning that the album will not play on 
  Macintoshes or other personal computers. </P>
  <P>Apple has since posted a warning on its website at: 
  http://kbase.info.apple.com/cgi-bin/WebObjects/kbase.woa/wa/query?searchMode-Assisted&amp;type-id&amp;val-KC.106882. 
  </P>
  <P>Sony Music Europe has taken the most aggressive anti-piracy stance in the 
  business. Since last fall, the label has shipped more than 11 million 
  copy-protected discs in Europe, with the largest proportion going to Germany, 
  a market label executives claim is rife with illegal CD-burning. 
  </P></DIV></DIV><BR clear=all>
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--WebTV-Mail-18638-149--

From Loopers-Delight-request@loopers-delight.com  Wed May 22 11:20:49 2002
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From: "Bill Fox" <billfox@fast.net>
To: "emusic-wdiy Mailing List" <emusic-wdiy@yahoogroups.com>,
        "spacemusic" <spacemusic@yahoogroups.com>,
        "ElectronicMusic" <ElectronicMusic@yahoogroups.com>,
        "beyond_em" <beyond_em@yahoogroups.com>,
        "AIMusic" <AIMusic@yahoogroups.com>,
        "The Ambient Way" <the_ambient_way@yahoogroups.com>
Subject: Soundscapes #2 - Advance Ticket Information
Date: Wed, 22 May 2002 11:10:28 -0400
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The Ministry of Inside Things will perform their special brand of spacemusic at
the second installment of the Soundscapes Concert Series.  The concert will take
place at the City of Bethlehem's IceHouse on Sand Island, Saturday, June 22, at
8:00 pm.  Doors open at 7:30 pm for a free dinner buffet provided by Chef Jeff.
Those who attended Soundscapes #1 will recall a memorable evening of great music
and food.  Soundscapes #2 promises to be just as enjoyable, as well as being the
only source of live spacemusic in the Lehigh Valley (southeastern Pennsylvania).
Admission at the door will be $15.  Full time Students with valid ID and members
of WDIY and WMUH will receive a $5 discount.  Advance tickets will be $10 (no
discounts), and are available at these fine outlets:

Compact Disc Center
1365 Easton Ave.
near Linden and Elizabeth in Bethlehem, Pa
610-864-3070

Speedy's Record Shop
1001 Union Blvd
east of Airport Rd. in Allentown, Pa
610-432-8386

The Ministry Of Inside Things, based in the Philadelphia area, consists of
electric guitarist Art Cohen and synthesist Chuck van Zyl.   Considered among
the most innovative of electronic musicians in the U.S. today, the members of
MoIT are influenced by the early music of Tangerine Dream, Klaus Schulze and Ash
Ra Tempel.   Their spacemusic has been described as linear because it leads the
listener across many sonic terrains.   Based on improvisation, The Ministry Of
Inside Things creates electronic realizations that flow from theme to theme,
often for two hours at a stretch.   Through the use of textures and atmospheres
as well as harmony, rhythm and melody, the group transports the audience on an
internal sonic excursion.

Chuck van Zyl has been recording electronic music and performing in public for
over 15 years.   Van Zyl originally worked under the name Xisle, but is best
known for hosting one of the country's most successful radio shows of electronic
music, STAR'S END, for over 20 years.   Van Zyl has released two CDs of
spacemusic on the Centaur label, Celestial Mechanics and The Relic.   The Sound
Museum with Peter Gulch and D. Andrew Rath was released on the Groove label in
2001.   A collaborative effort with Peter Gulch, Regeneration Mode, was released
on their own Synkronos label.

Art Cohen has been pushing the limits of the electric guitar in the studio and
in live performance for well over 15 years.   He uses processing to enhance the
space around his guitar and loops his live sound to create lush layers to create
soundworlds of immense depth and beauty.

The Ministry Of Inside Things has performed at Art & Technology, The
Philadelphia Museum of Art, First Night Wilmington, the Wild Talents opening
reception at the ICA, Gate To Moon Base Alpha, the Boyertown Planetarium,
Gathering Concert Series, on the 01.28.01 broadcast of STAR'S END, and on the
07.12.01 broadcast of EMUSIC.

Soundscapes #2 is coproduced by WDS Productions and Wooden Shoe Music.

Bill
billfox@fast.net
SOUNDSCAPES Concert Series: http://www.tadream.net/soundscapes
Wooden Shoe Music: http://woodenshoemusic.com/

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Subject: gig spam pittsburgh
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friday 6-9 @ gems of the world, carson st. south side pittsburgh, 
412-432-0300.....more loops than you can stand.....loop content at least 
91%.....you wont be sayin "where's da loops?".....there will also be an "art" 
show and "ort" (little bits of food) show i.e. "free eats".....this is enuf 
warning, you can get here from anywhere on the planet in time for M 
KLOBUCHAR'S LOOP CIRQUS' COME AND WONDER TOUR CONTINUATION.....see ya 
there.....michael

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Nemoguitt@aol.com wrote:

> friday 6-9 @ gems of the world, carson st. south side pittsburgh,
> 412-432-0300.....more loops than you can stand.....loop content at leastm
> 91%.....you wont be sayin "where's da loops?".....there will also be an "art"
> show and "ort" (little bits of food) show i.e. "free eats".....this is enuf
> warning, you can get here from anywhere on the planet in time for M
> KLOBUCHAR'S LOOP CIRQUS' COME AND WONDER TOUR CONTINUATION.....see ya
> there.....michael

man,

this sounds cool. like the title. will there be freaks?

best w/ it

lance g.


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Date: Wed, 22 May 2002 10:59:37 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Lex MPX-1
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--- Mark Sottilaro <sine@zerocrossing.net> wrote:
> Yeah, that does look perfect... I'm not sure I can swing the $700 US
> for one right now though.  Maybe if I save up...

How well does this thing do all this stuff in practice? So far, I have
yet to use an "all in one" box that was really satisfying. Sure would
be nice to find one, from a standpoint of saving one's back, but it
seems pretty unlikely.

Any of you using the MPX-1? What are your comments on it?

Greg


__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

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Subject: Re: Lex MPX-1
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--=====================_4345445==_.ALT
Content-Type: text/plain; charset="us-ascii"; format=flowed

At 10:59 AM 5/22/02, you wrote:
>Any of you using the MPX-1? What are your comments on it?

I use it mostly for pitch programs in tandem with a D-TWO and a DL4.  I 
like it.


Tom Heasley
NEW CD AVAILABLE:  On the Sensations of Tone,  (www.innova.mu)
ALSO AVAILABLE:  Where the Earth Meets the Sky,  (www.hypnos.com)

http://bayimproviser.com/TomHeasley
427 Alma St., Suite 206
Palo Alto, CA  94301
P:  650.322.3633
F:  419.831.3809
E:  tom@tomheasley.com
WEBSITE COMING SOON:  TOMHEASLEY.COM

Upcoming Solo Concerts / Appearances:

Sunday, June 16, 2002  (Father's Day) 7:30 P.M.
First Congregational Church of Berkeley
2345 Channing Way (at Dana)
Tickets at door:  $15.00 General / $10.00 Students, Seniors and Fathers

Friday, June 21, 2002
The Now Festival
Goat Hall, San Francisco


Autumn 2002 Tour will include:

Rensselaer Polytechnic Institute, Troy, NY (10/3)
Kalvos and Damian's New Music Bazaar, VT (10/5)
Roulette, NYC
The BBC, London, England
--=====================_4345445==_.ALT
Content-Type: text/html; charset="us-ascii"

<html>
At 10:59 AM 5/22/02, you wrote:<br>
<blockquote type=cite class=cite cite>Any of you using the MPX-1? What
are your comments on it?</blockquote><br>
I use it mostly for pitch programs in tandem with a D-TWO and a
DL4.&nbsp; I like it.<br><br>
<x-sigsep><p></x-sigsep>
<font face="Comic Sans MS" size=4><b><i>Tom Heasley<br>
</b></font><font face="Comic Sans MS">NEW CD AVAILABLE:&nbsp; <u>On the
Sensations of Tone</u>,&nbsp;
(<a href="http://www.innova.mu/" eudora="autourl">www.innova.mu</a>)<br>
ALSO AVAILABLE:&nbsp; <u>Where the Earth Meets the Sky</u>,&nbsp;
(<a href="http://www.hypnos.com/" eudora="autourl">www.hypnos.com</a>)<br><br>
</i></font><font face="Comic Sans MS" color="#0000FF"><u><a href="http://bayimproviser.com/TomHeasley" eudora="autourl">http://bayimproviser.com/TomHeasley</a><br>
</u></font><font face="Comic Sans MS">427 Alma St., Suite 206&nbsp;&nbsp;
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><br>
Palo Alto, CA&nbsp; 94301<br>
P:&nbsp;
650.322.3633<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><br>
F:&nbsp; 419.831.3809<br>
E:&nbsp; tom@tomheasley.com<br>
<i>WEBSITE COMING SOON:&nbsp; TOMHEASLEY.COM<br><br>
Upcoming Solo Concerts / Appearances:<br><br>
Sunday, June 16, 2002&nbsp; (Father's Day) 7:30 P.M.<br>
First Congregational Church of Berkeley<br>
2345 Channing Way (at Dana)<br>
Tickets at door:&nbsp; $15.00 General / $10.00 Students, Seniors and
Fathers<br><br>
Friday, June 21, 2002<br>
The Now Festival<br>
Goat Hall, San Francisco<br><br>
<br>
Autumn 2002 Tour will include:<br><br>
Rensselaer Polytechnic Institute, Troy, NY (10/3)<br>
Kalvos and Damian's New Music Bazaar, VT (10/5)<br>
Roulette, NYC<br>
The BBC, London, England</font></i></html>

--=====================_4345445==_.ALT--

From Loopers-Delight-request@loopers-delight.com  Wed May 22 16:08:01 2002
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Subject: FS: Symetrix 606 delay/FX  thingie
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I have finally come to the conclusion I'm going to use my Line 6 DL4 a
lot more than I'll use this live so it's up for sale.

Symetrix 606 Delay/FX - $300. Single rack unit with power cord and a
copy of the manual.

Excellent condition delay with filter and looping capabilities. VERY
programmable with many knobs and settings etc. True stereo  (or dual
mono) pro delay unit that can mimic old tape delays, offer insane and
painful regeneration, or sound crystal clear. Loop or use LFOs to make
it a midi syncable monster with even more flavor than the good ol'
Lexicon Vortex. Or just use it in realtime tweaking knobs like an old
Digitech Time machine on steroids.

Some User reviews at:
http://www.harmony-central.com/Effects/Data/Symetrix/606_Delay_FX-01.html

Asking $300 plus shipping. Will accept USPS MO or Paypal from verified
members  (you pay the fees and get immediate shipment). Trades possible.

Will sell the the first person to confirm the deal via phone so send a #
to speed things up.

Thanks!



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Subject: Re: Lex MPX-1
Date: Wed, 22 May 2002 22:27:58 +0200
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I've been using MPX1 for a year now.
Very solid mashine, great effects.
Pretty complicated though, takes some time to
get used to.

E.F.

----- Original Message ----- 
From: "Greg House" <ghunicycle@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 22, 2002 7:59 PM
Subject: Lex MPX-1


> 
> --- Mark Sottilaro <sine@zerocrossing.net> wrote:
> > Yeah, that does look perfect... I'm not sure I can swing the $700 US
> > for one right now though.  Maybe if I save up...
> 
> How well does this thing do all this stuff in practice? So far, I have
> yet to use an "all in one" box that was really satisfying. Sure would
> be nice to find one, from a standpoint of saving one's back, but it
> seems pretty unlikely.
> 
> Any of you using the MPX-1? What are your comments on it?
> 
> Greg
> 
> 
> __________________________________________________
> Do You Yahoo!?
> LAUNCH - Your Yahoo! Music Experience
> http://launch.yahoo.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed May 22 17:21:01 2002
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> I use it mostly for pitch programs in tandem with a D-TWO and a DL4. 
> I like it.

Tom,

If the MPX-1 does everything it claims, why would you also need the
D-Two (and/or DL4)? More (varied) delays at the same time?

Greg


__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Wed May 22 17:54:49 2002
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From: "M. Steven Ginn" <sginn@airmail.net>
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Subject: RE: Effects units
Date: Wed, 22 May 2002 16:53:08 -0500
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Hi Italo,

Thanks for the info.  You just pushed me over the edge and today I put
my order in for one (and a new Akai Z8).  I am really looking forward to
using this processor to bring my sound capabilities up to a new level.

Thanks,
Steve


> 
> 
> Hi Steve
> Eclipse is the only 1 space rack unit on the market today working 
> 24bit/96KHz. It has a full array of analog/digital 
> spdif-aesebu-optical- adat inputs/outputs. The unit has a 
> collection of about 90 algorithms, 
> with more to come on next OS releases and CF card libraries. 
> Eclipse is 
> a dual engine unit that can run 2 algorithms at the same time. It's 
> about 5/6 times more powerful than the legendary industry standard 
> H3000. It features 40 seconds delay, hi-quality verbs, granular 
> plexverbs, reverse delays, up to 8 voice Eventide pitch 
> shifting, crazy 
> preamps, multiband distortion, polyfuzzes, ring modulators, 
> multi voice 
> chorus/flanger/delays/shifters, multiband delays, phaser, parametric 
> eqs, comb delays, resonators, oscillators, reverse shifters, looping 
> and much more... you can run the 2 engines in different routings. The 
> unit has a ModBlock that can be used to patch parameters to 
> modulators, 
> being midi controllers, tap tempo, Lfo, input dynamics, adsr, 
> envelope 
> follower, etc.
> You cannot edit Eclipse algorithms to level structure or build your 
> own: this is something you can only do on 
> DSP7000/7500/Orville monsters. Nevertheless 90 algorithms 
> that can be combined in pairs with full 
> editable parameters, make Eclipse the most open box in the "close 
> structure" boxes market. We just released a new operative 
> system, with 
> new features and more presets. User patches can be saved 
> internally or 
> on a CFC card. Patches can be sent/received over the 
> Internet. OS updates are downloadable from the Net...for 
> free. Get a chance to give Eclipse a careful 
> listening...you'll be surprised. Here are its manuals and 
> info literature: http://www.eventide.com/eclipse/eclipse.htm
> We have a support area/forum with many users, Eventide Helps, 
> at: http://groups.yahoo.com/group/eventidehelps/
> lots of info, tutorials, patches, mp3s!
> Join it...
> 
> all the best
> Italo De Angelis
> 
> 
> 
> 
> 
> 
> 
> 
> 
> 
> > I have been thinking about getting an Eventide Eclipse which looks 
> > amazing, but I am wondering what anyones thoughts are about 
> whether or 
> > not it is worth it for the price?
> > 
> > I recently saw a TC Electronics M2000 for about $700 and 
> was wondering 
> > if maybe that might be comparable to the Eclipse and save 
> me some mone
> y
> > in the mean time?
> > 
> > Thanks,
> > Steve
> > 
> > 
> 
> ___________________________________________
> Italo De Angelis
> Preset Design Engineer - Audio Division
> italo@eventide.com
> EVENTIDE AUDIO CUSTOMERS SUPPORT 
> http://groups.yahoo.com/group/eventidehelps> /
> 

From Loopers-Delight-request@loopers-delight.com  Wed May 22 18:26:32 2002
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Subject: Re: Lex MPX-1
Date: Wed, 22 May 2002 18:26:53 -0400
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> > I use it mostly for pitch programs in tandem with a D-TWO and a DL4. 
> > I like it.
> 
> Tom,
> 
> If the MPX-1 does everything it claims, why would you also need the
> D-Two (and/or DL4)? More (varied) delays at the same time?
> 
> Greg

It has 2 chips. With one you can always get reverb.
With the other you have to cook up all your other effects.
Some algorthyms use up a lot of this processor so that
you cannot build a chain of treatments. You sacrifice here
to gain there. It also will only loop 2 seconds - therefore Tom's DL4.

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com


From Loopers-Delight-request@loopers-delight.com  Wed May 22 20:02:02 2002
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I've not heard a mention of the Line 6 products.  Anyone here using the Mod Pro
or the Filter Pro for loop mangeling?

Mark

Rainer Straschill wrote:

> Steve,
>
> I recently acquired a TC Electronics Fireworx I got used for ?1000, and
> although I only found the time to barely check through the presets, I'm
> convinced that this is THE device:
>
> The great thing about the Fireworx is the the great combination of
> "traditional" high quality effects (reverbs, pitch shifter, delay), flexible
> routing, parameter tweaking and realtime control and the addition of several
> extremely weird algorithms. If you absolutely need the best pitch shifter
> available - go for Eventide, for the best reverb in town, Lexicon might be
> the address, but for my use (I don't need reverbs that sound like a real
> room found anywhere on earth, anyway), the Fireworx does the trick as the
> "all-in-one single rackspace" machine several people have asked for on this
> list recently.
>
> A few highlights (mentioned partially with regard to ongoing threads here):
> the best distortion I found so far in a device that was not made exclusively
> for distortion, including digital sampling artifacts generator. A fine
> vocoder. A monophonic synth, which can be controlled by a pitch tracker, so
> you can have a synth that tracks your voice and sends the corresponding MIDI
> notes at the same time. The great "modifier matrix" concept. The filters are
> the bomb!
>
> Back to the discussion which had been ongoing here re: "How many loop
> manglers does one need ?": I could live with just the Fireworx as a loop
> mangler, plus a second Fireworx for the non-loop stuff, and then I'd be
> ready to extremely strip my rack down, getting rid of the Sony GR-MP5, the
> Digitech StudioQuad (a great device for its price BTW, the V2 version is
> going for below ?125 on ebay recently), the Vortex, the DL4 and the Filter
> Factory and just keep the Fireworxes plus a compressor...
>
>         Rainer
>
> Rainer Straschill
> Moinlabs GFX and Soundworks - www.moinlabs.de
> digital penis expert group - www.dpeg.de
> The MoinSound Archives - www.mp3.com/moinlabs
>
> > -----Original Message-----
> > From: M. Steven Ginn [mailto:sginn@airmail.net]
> > Sent: Dienstag, 21. Mai 2002 01:03
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Effects units
> >
> >
> > I have been thinking about getting an Eventide Eclipse which looks
> > amazing, but I am wondering what anyones thoughts are about whether or
> > not it is worth it for the price?
> >
> > I recently saw a TC Electronics M2000 for about $700 and was wondering
> > if maybe that might be comparable to the Eclipse and save me
> > some money
> > in the mean time?
> >
> > Thanks,
> > Steve
> >

From Loopers-Delight-request@loopers-delight.com  Wed May 22 22:23:17 2002
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Hey, I'll try to be there.

'gards, Paul
----- Original Message -----
From: <Nemoguitt@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 22, 2002 1:19 PM
Subject: gig spam pittsburgh


> friday 6-9 @ gems of the world, carson st. south side pittsburgh,
> 412-432-0300.....more loops than you can stand.....loop content at least
> 91%.....you wont be sayin "where's da loops?".....there will also be an
"art"
> show and "ort" (little bits of food) show i.e. "free eats".....this is
enuf
> warning, you can get here from anywhere on the planet in time for M
> KLOBUCHAR'S LOOP CIRQUS' COME AND WONDER TOUR CONTINUATION.....see ya
> there.....michael
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 22 23:06:51 2002
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look forward to seeing ya.....m

From Loopers-Delight-request@loopers-delight.com  Thu May 23 00:28:04 2002
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I know this is off topic, but does anyone have any advice on what the
cheapest soundcard with SPDIF capacities might be (used, bare bones,
etc.)?  I have to admit that I'm fairly clueless about hard disc
recording due largely to some kind of irrational block, but I'm trying
to get over it.

Any advice greatly appreciated.

Kevin (a freshly minted Repeater user)


From Loopers-Delight-request@loopers-delight.com  Thu May 23 08:41:02 2002
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Subject: RE: Soundcard options
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If you aren't too concerned about having great analog to digital
converters, the Midiman audiophile 24/96 is not to bad and I believe
sells for about $149 at Guitar Center.  It will handle Midi, Analog
Audio & SPIDF.

Steve

> 
> 
> I know this is off topic, but does anyone have any advice on 
> what the cheapest soundcard with SPDIF capacities might be 
> (used, bare bones, etc.)?  I have to admit that I'm fairly 
> clueless about hard disc recording due largely to some kind 
> of irrational block, but I'm trying to get over it.
> 
> Any advice greatly appreciated.
> 
> Kevin (a freshly minted Repeater user)
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu May 23 09:25:17 2002
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M- Audio 2496 is pretty loaded and comes in sub-$200. Cross platform.

Midi and Spdif and analog I/O

downside is i think their drivers a little wonky but that's probably true
for a lot of manus out there. also audio connectors are RCA which is lame.

Im using it successfully for the most part.

midiman.com


Ben

-----Original Message-----
From: Kevin Cheli-Colando [mailto:kevin@minds-eye.org]
Sent: Thursday, May 23, 2002 12:25 AM
To: loop
Subject: OT: Soundcard options


I know this is off topic, but does anyone have any advice on what the
cheapest soundcard with SPDIF capacities might be (used, bare bones,
etc.)?  I have to admit that I'm fairly clueless about hard disc
recording due largely to some kind of irrational block, but I'm trying
to get over it.

Any advice greatly appreciated.

Kevin (a freshly minted Repeater user)

From Loopers-Delight-request@loopers-delight.com  Thu May 23 09:41:34 2002
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Subject: sightings
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in the latest "guitar palayer": a short review of ted killian's "flux 
aeterna", very very cool.....congrats ted.....and a short albeit useless 
review of the electrix repeater.....michael

From Loopers-Delight-request@loopers-delight.com  Thu May 23 11:20:53 2002
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Mike, et al,

In a message dated 5/23/02 6:39:21 AM, Nemoguitt@aol.com writes:

>in the latest "guitar palayer": a short review of ted killian's "flux 
>aeterna", very very cool.....congrats ted.....and a short albeit useless
>review of the electrix repeater.....michael

There's a somewhat longer (and much nicer) review of Steve Lawson's 
"Conversations" CD in the latest Bass Player mag. Check that out too.
His disc is much more deserving IMHO. Those of you who have not
heard it yet are realy missing something.

On the page facing the repeater review (in GP) is an "advert" for my CD 
too (right next to the one for Ten Years After). But don't be confused 
if the ad calls it a "new" CD. Yes, I know it's over 10 months old now. 
When neither you nor the label has a lot of moolah it takes a while to 
get around to doing some things . . . like advertising. 

The ad is an experiment of sorts. If it works . . . we may be able to get 
rid of a few CDs and help set things up for making (and marketing, to 
some extent) the next one. Yeah . . . silly idea isn't it? Why do I do
these things? I dunno.

Anywho . . . Mike, thanks for noticing. Maybe others will as well.


Best,

Ted

From Loopers-Delight-request@loopers-delight.com  Thu May 23 11:55:18 2002
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Thanks for the valuable input, all.  

Signal path is definitely a concern of mine that I've been trying to
resolve.  

I have a stereo acoustic guitar rig and I run my soundhole pickup into
the EDP after it comes out of the TCElectronic GMajor.  Both the EDP and
the TC are on the send/return path of my preamp. 
Left Channel: TC>EDP
Right Channel: TC only

This works great for when I use the octaver to create bass loops and
then switch to another effect for another part.

After some more playing and geeking out on my end I'll let you all know
what I find.

Thanks again,
Jeff

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Subject: best Brasil Loop Percussionist in NY!
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Giba Conceicao, um dos melhores percussionistas de Salvador, Brasil, 
e uma pessoa muito agradavel e alegre, will visit NY the next two 
weeks.
He does not only know all brasilian rhythms but plays some tabla and 
darabuca and marimba... His speciality are quica, pandeiro, caxixi.

He uses an EDP, but probably will not bring it.

Could anyone suggest how he could make some $ in this time?

I suppose there is the loopers meeting he could participate...

Anyone wants to learn from him?

Thank you
-- 


          ---> http://Matthias.Grob.org

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Subject: Re: best Brasil Loop Percussionist in NY!
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In a message dated 5/23/02 12:18:56 PM Eastern Daylight Time, 
matthias@grob.org writes:


> Giba Conceicao, um dos melhores percussionistas de Salvador, Brasil, 
> e uma pessoa muito agradavel e alegre, will visit NY the next two 
> weeks.
> 

He should try to get over to the Iridium in NYC....on Monday Nights is Les 
Paul night.....He can meet many artists there and perhaps sit in.

If he gets any NYC gigs...have him let me know, I'd like to come see 
him...Wjguitar@aol.com

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">In a message dated 5/23/02 12:18:56 PM Eastern Daylight Time, matthias@grob.org writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Giba Conceicao, um dos melhores percussionistas de Salvador, Brasil, <BR>
e uma pessoa muito agradavel e alegre, will visit NY the next two <BR>
weeks.<BR>
</BLOCKQUOTE><BR>
<BR>
He should try to get over to the Iridium in NYC....on Monday Nights is Les Paul night.....He can meet many artists there and perhaps sit in.<BR>
<BR>
If he gets any NYC gigs...have him let me know, I'd like to come see him...Wjguitar@aol.com</FONT></HTML>

--part1_2f.27b890ef.2a1e79ab_boundary--

From Loopers-Delight-request@loopers-delight.com  Thu May 23 13:09:36 2002
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Subject: Field Effects 4 - Friday, May 31 8:30 pm
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---------[ Quiet American presents at 964 Natoma ]--------------------

Field Effects 4: a night of beauty made by the world

Friday, May 31st

Doors 8pm, performance 8:30pm

$6-10 sliding, no one turned away for lack of funds

----> Event Description <-----------------------------------------------

The world makes music, remember to listen.

Field Effects 4 offers a night of field recording sound art performance.

The fourth in an ongoing series of concerts showcasing sound artists
who work with found and quiet sounds, Field Effects 4 offers a unique
opportunity to hear delicate work performed in a comfortable environment.

Come out for a night of communal deep listening!

Field Effects 4 features work by artists:

   albert ortega & mitchell brown (LA)

    The focus of albert & mitchell's collaboration is exploring the
    acoustic effects of environmental sounds as they travel through
    different spaces and times. Chosen locations include a cave in
    the Mojave Desert, an abandoned watertower in Malibu, and a manmade
    tunnel in  Mt. Washington. Our chosen tools: a chime and a monitor
    device that uses contact mics. The result is a circular coelescence
    of natural occurances (distant birds, footsteps, speech, monitor
    feedback) interacting with the resonant qualities of each location.
    Each location yields a harmonically different recording; implicit
    fluctuating intervals and beat patterns are examined by the live use
    of a low frequency oscillator.

    Mitchell Brown creates intricate sound collages from pre-recorded
    materials integrated with real-time loop units, contact microphones,
    tone generators, etc. He hosts a weekly sound collage radio program.
    One of his current projects is AralinaPing, a trio showcasing the
    intuitive talents of two developmentally disabled children.

    Albert Ortega uses his surroundings as an instrument to capture the
    sounds of his handbuilt creations, or is it the other way around?
    His recent LA River installation coerced some bystanders to pick up
    and hang trash on an amplified wire.  He also performs in several
    experimental groups such as Consolidated Lint and Klaxon Hooves.


   coelacanth (SF)

    Loren Chasse and Jim Haynes actively pursue evocation, empathy, and
    transcendence through sound under the moniker Coelacanth. Initially,
    Coelacanth's quest may have been to engage the drone supreme; but
    the duo is distracted by the minutae of sound itself, the sudden
    revelation of the history of decay, the sublime beauty of nature...
    The drone goes on, but its course may be quite circuitous.
    Coelacanth has previously invoked creakingly creepy submariner
    ambience as if the oxidization process itself had been amplified
    within the realm of the audible. Spiked electrical surges and
    controlled feedback oscillations, a symphony of tiny whirring
    machines, gritty textual striations, blissful tone float of dense
    bell reverberations and oceanic washes of shortwave...
    Chasse and Haynes make concerted efforts to actively develop their
    performances into extrordinary visual displays, with elaborate sets
    of shattered Christmas bulbs, piles of rusted metal, surplus
    scientific gear, and massive piles of branches.

    Coelacanth has performed extensively in the Bay Area and released
    the acclaimed "The Chronograph" on Jef Cantu's Partition label.

    Loren Chasse is a veteran of the "lowercase" school of quiet
    minimalism with a handful of poetically created solo albums of
    processed field recording, and makes contributions to Id Battery
    with Brandon LaBelle, and the hazy psychedelics with Thuja,
    The Blithe Sons, The Knit Separates, and The Child Readers.

    Jim Haynes is an artist who describes his work through the phrase:
    "I rust things." He also writes for The Wire and happily toils
    at Aquarius Records in San Francisco.

    http://www.23five.org/lchasse/


   dajuin yao (Berkeley)

    "I have been seriously recording that place since 1997 - not its
    natural environments at all, but the sounds of its people, culture -
    the humanistic. Sounds were captured at various important sites, from
    the 1200-year-old, once private and forbidden seplucher of a young
    princess 50 feet underground, to a modern metropolitan subway station
    where a blind woman sings... all in different architectural and
    acoustic spaces. Presented out of context, and without pages of
    transcription & footnotes, they might be appreciated as no more than
    "objet sonore"; yet to this listener at least, they are full of the
    pungent smells of history and culture, of people's lives, of tears
    and laughters... These then are my "inner sites."

    For this program, I have no interests in any prescribed mode of
    listening (e.g., the "reduced listening" mode a la Pierre Schaeffer,
    or the much needed cultural mode of listening), or even the MAX/MSPing
    of the sound files into artwork; I believe in the power and magic
    inherent in them, as is. My interest here is experimenting with
    multiple modes of listening, the possibilities in listening ..."

    http://www.sinologic.com/yao/


   kaveh soofi (SF)

    Wayang Formations is a new piece based on recorded Balinese music and
    field recordings captured while honeymooning last year in Indonesia.
    Intended as an homage to Balinese visual and aural culture, this piece
    uses manipulated sound and video to expressing the sophistication of
    the Wayang Kulit, or shadow puppet performance.  Bouncing between
    interactive montage and audio-tourism, Wayang Formations attempts to
    re-mediate a fraction of the visual delight of this ancient,
    compelling art form.

    Kaveh Soofi is a visual artist working and studying in San Francisco.

    http://www.invisiblemindeater.net


The Field Effects series showcases artists who are interested in framing
the hidden beauty of the everyday world: beauty on the surface, awaiting
our attention. Beauty that must be delicately extracted. And beauty in
potential, awaiting juxtaposition, collage, repetition and mutilation.

Field recordings are made out in the world, not the studio. Fair game:
machines, animals, weather, vehicles, buskers, hawkers, hawks, preachers, 
telephones, taxis, and the mad. (Things have voices: do you hear?)

Seating mostly on futons to encourage comfortable deep listening.

Depending on weather, hot or cold drinks will be available.
Baked delights by Diane Peter.

----> Venue Info <------------------------------------------------------

964 Natoma
San Francisco, CA, USA

between Mission and Howard, 10th and 11th street, south of market.

A few blocks from Civic Center BART. One block from Market & Van Ness.

Bike parking inside.

----> Additional Info <-------------------------------------------------

ghede@well.com



_________________________________________________________________
Join the world’s largest e-mail service with MSN Hotmail. 
http://www.hotmail.com

From Loopers-Delight-request@loopers-delight.com  Thu May 23 14:36:45 2002
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Yo loopers!

What strategies do people use to know when a loop ends
when adding overdubs?  Ie, how do you know when to stop
adding the overdub because the length of the base loop
is almost up, so you don't overlap the overdub with itself.

Some thoughts I have are:

Play a certain number of beats on the first dub and
count beats on the following overdubs

Put in a musical signal to mark the end of the loop,
eg break, double beat, different note...

Make the contents of the first loop unique so you can
follow it easily so you always know where you are in
the loop

Some of my question may derive from the facts that
I am primarily a percussionist, and I use the one
track Boss RC-20.


Yours in rhythm,
Steve



__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu May 23 14:36:46 2002
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References: <p05100307b911918f3122@[200.254.236.86]>
Subject: Re: best Brasil Loop Percussionist in NY (tell him to check this out if he's around tonight!!)
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Well if he's in town tonight, Mino Cinelu is playing at The Cutting Room, 19
W. 24th (6th & B'way), New York, NY 10010, TEL: (212) 691-1900
with his Trio. I know he's got a DJ in the group too, and would not be
suprised if there was some looping going on. (Certainly will be plenty of
World-Class percussion and improvisation going on). It's a 10 o'clock hit.

----- Original Message -----
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 23, 2002 11:18 AM
Subject: best Brasil Loop Percussionist in NY!


> Giba Conceicao, um dos melhores percussionistas de Salvador, Brasil,
> e uma pessoa muito agradavel e alegre, will visit NY the next two
> weeks.
> He does not only know all brasilian rhythms but plays some tabla and
> darabuca and marimba... His speciality are quica, pandeiro, caxixi.
>
> He uses an EDP, but probably will not bring it.
>
> Could anyone suggest how he could make some $ in this time?
>
> I suppose there is the loopers meeting he could participate...
>
> Anyone wants to learn from him?
>
> Thank you
> --
>
>
>           ---> http://Matthias.Grob.org
>

From Loopers-Delight-request@loopers-delight.com  Thu May 23 14:40:54 2002
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Subject: Re: Mino Cinelu at the CUTTING ROOM tonight
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oh yea, if you want to check out  a page about Mino, go here:
http://www.vervemusicgroup.com/bluethumb/artist.asp?aid=2783

if you want to access the home page for The Cutting Room, it's here:
http://www.thecuttingroomnyc.com/livestuf.html

----- Original Message -----
From: "Bill Cummings" <billcumm@sprynet.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 23, 2002 2:35 PM
Subject: Re: best Brasil Loop Percussionist in NY (tell him to check this
out if he's around tonight!!)


> Well if he's in town tonight, Mino Cinelu is playing at The Cutting Room,
19
> W. 24th (6th & B'way), New York, NY 10010, TEL: (212) 691-1900
> with his Trio. I know he's got a DJ in the group too, and would not be
> suprised if there was some looping going on. (Certainly will be plenty of
> World-Class percussion and improvisation going on). It's a 10 o'clock hit.
>
> ----- Original Message -----
> From: "Matthias Grob" <matthias@grob.org>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, May 23, 2002 11:18 AM
> Subject: best Brasil Loop Percussionist in NY!
>
>
> > Giba Conceicao, um dos melhores percussionistas de Salvador, Brasil,
> > e uma pessoa muito agradavel e alegre, will visit NY the next two
> > weeks.
> > He does not only know all brasilian rhythms but plays some tabla and
> > darabuca and marimba... His speciality are quica, pandeiro, caxixi.
> >
> > He uses an EDP, but probably will not bring it.
> >
> > Could anyone suggest how he could make some $ in this time?
> >
> > I suppose there is the loopers meeting he could participate...
> >
> > Anyone wants to learn from him?
> >
> > Thank you
> > --
> >
> >
> >           ---> http://Matthias.Grob.org
> >
>

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To: "Looper's Delight (E-mail)" <Loopers-Delight@loopers-delight.com>
Subject: totally ot . . . 
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sorry, but you all are a great resource.

does anybody out there know of any good places to find hard-to-get or used
20t/21st-century ("contemporary") "classical" music? 

mailorder or web-based merchandising is cool.

i'm thinking of a place like downtown music gallery or wayside, except they
do that other stuff. 

thanks,

stig

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<P><FONT SIZE=3D2>sorry, but you all are a great resource.</FONT>
</P>

<P><FONT SIZE=3D2>does anybody out there know of any good places to =
find hard-to-get or used 20t/21st-century (&quot;contemporary&quot;) =
&quot;classical&quot; music? </FONT></P>

<P><FONT SIZE=3D2>mailorder or web-based merchandising is cool.</FONT>
</P>

<P><FONT SIZE=3D2>i'm thinking of a place like downtown music gallery =
or wayside, except they do that other stuff. </FONT>
</P>

<P><FONT SIZE=3D2>thanks,</FONT>
</P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Thu May 23 14:54:20 2002
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totally ot . . .what about e-bay? My brother buys TONS of used cds there =
all the time (as well as DVD's, Videos & Lazer-Discs)
  ----- Original Message -----=20
  From: Liebig, Steuart A.=20
  To: Looper's Delight (E-mail)=20
  Sent: Thursday, May 23, 2002 1:46 PM
  Subject: totally ot . . .=20


  sorry, but you all are a great resource.=20

  does anybody out there know of any good places to find hard-to-get or =
used 20t/21st-century ("contemporary") "classical" music?=20

  mailorder or web-based merchandising is cool.=20

  i'm thinking of a place like downtown music gallery or wayside, except =
they do that other stuff.=20

  thanks,=20

  stig=20


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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>what about e-bay? My brother buys TONS =
of used cds=20
there all the time (as well as DVD's, Videos &amp; =
Lazer-Discs)</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DSteuart.Liebig@maritz.com=20
  href=3D"mailto:Steuart.Liebig@maritz.com">Liebig, Steuart A.</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Looper's Delight=20
  (E-mail)</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, May 23, 2002 =
1:46=20
PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> totally ot . . . =
</DIV>
  <DIV><BR></DIV>
  <P><FONT size=3D2>sorry, but you all are a great resource.</FONT> </P>
  <P><FONT size=3D2>does anybody out there know of any good places to =
find=20
  hard-to-get or used 20t/21st-century ("contemporary") "classical" =
music?=20
  </FONT></P>
  <P><FONT size=3D2>mailorder or web-based merchandising is cool.</FONT> =
</P>
  <P><FONT size=3D2>i'm thinking of a place like downtown music gallery =
or=20
  wayside, except they do that other stuff. </FONT></P>
  <P><FONT size=3D2>thanks,</FONT> </P>
  <P><FONT size=3D2>stig</FONT> </P></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu May 23 15:07:46 2002
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To: Loopers-Delight@loopers-delight.com
Subject: RE: totally ot . . . 
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www.newworldrecords.org <http://www.newworldrecords.org/>  

 

Is a label that specializes in American music not otherwise represented in
the commercial marketplace. Heavy emphasis on "contemporary" 20th century
classical & Avant Garde Jazz.

 

They get grants to fund recordings from the NEA, Lila Wallace, Rockefeller
Foundation, etc.  So the recordings they put out are usually very high
quality.

 

I used to work there and have most of the catalog from 5-years ago back to
the company's inception. So let me know if you have any questions about an
older release.

 

Hope that helps,

 

Carl

 

 

 

 

-----Original Message-----
From: Liebig, Steuart A. [mailto:Steuart.Liebig@maritz.com] 
Sent: Thursday, May 23, 2002 2:46 PM
To: Looper's Delight (E-mail)
Subject: totally ot . . . 

 

sorry, but you all are a great resource. 

does anybody out there know of any good places to find hard-to-get or used
20t/21st-century ("contemporary") "classical" music? 

mailorder or web-based merchandising is cool. 

i'm thinking of a place like downtown music gallery or wayside, except they
do that other stuff. 

thanks, 

stig 


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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><a href="http://www.newworldrecords.org/">www.newworldrecords.org</a>
</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Is a label that specializes in American music
not otherwise represented in the commercial marketplace. Heavy emphasis on "contemporary"
20<sup>th</sup> century classical &amp; Avant Garde Jazz.</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>They get grants to fund recordings from
the NEA, Lila Wallace, Rockefeller Foundation, etc.&nbsp; So the recordings
they put out are usually very high quality.</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>I used to work there and have most of the
catalog from 5-years ago back to the company's inception. So let me know
if you have any questions about an older release.</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Hope that helps,</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Carl</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>&nbsp;</span></font></p>

<p class=MsoNormal style='margin-left:.5in'><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'>-----Original Message-----<br>
<b><span style='font-weight:bold'>From:</span></b> Liebig, Steuart A.
[mailto:Steuart.Liebig@maritz.com] <br>
<b><span style='font-weight:bold'>Sent:</span></b> Thursday, May 23, 2002 2:46
PM<br>
<b><span style='font-weight:bold'>To:</span></b> Looper's Delight (E-mail)<br>
<b><span style='font-weight:bold'>Subject:</span></b> totally ot . . . </span></font></p>

<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'>&nbsp;</span></font></p>

<p style='margin-left:.5in'><font size=2 face="Times New Roman"><span
style='font-size:10.0pt'>sorry, but you all are a great resource.</span></font>
</p>

<p style='margin-left:.5in'><font size=2 face="Times New Roman"><span
style='font-size:10.0pt'>does anybody out there know of any good places to find
hard-to-get or used 20t/21st-century (&quot;contemporary&quot;)
&quot;classical&quot; music? </span></font></p>

<p style='margin-left:.5in'><font size=2 face="Times New Roman"><span
style='font-size:10.0pt'>mailorder or web-based merchandising is cool.</span></font>
</p>

<p style='margin-left:.5in'><font size=2 face="Times New Roman"><span
style='font-size:10.0pt'>i'm thinking of a place like downtown music gallery or
wayside, except they do that other stuff. </span></font></p>

<p style='margin-left:.5in'><font size=2 face="Times New Roman"><span
style='font-size:10.0pt'>thanks,</span></font> </p>

<p style='margin-left:.5in'><font size=2 face="Times New Roman"><span
style='font-size:10.0pt'>stig</span></font> </p>

</div>

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References: <5F558325FAAED51190EF00508BBE34D00148CC50@mitorexch01.maritz.com>
Subject: Re: totally ot . . . 
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totally ot . . .There is that great vinyl shop that was on Melrose by =
Paramount studios- they moved down near Fairfax still on Melrose- c----- =
Original Message -----=20
  From: Liebig, Steuart A.=20
  To: Looper's Delight (E-mail)=20
  Sent: Thursday, May 23, 2002 11:46 AM
  Subject: totally ot . . .=20


  sorry, but you all are a great resource.=20

  does anybody out there know of any good places to find hard-to-get or =
used 20t/21st-century ("contemporary") "classical" music?=20

  mailorder or web-based merchandising is cool.=20

  i'm thinking of a place like downtown music gallery or wayside, except =
they do that other stuff.=20

  thanks,=20

  stig=20


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<DIV><FONT size=3D2>There is that great vinyl shop that was on Melrose =
by=20
Paramount studios- they moved down near Fairfax still on Melrose- =
c</FONT>-----=20
Original Message ----- </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DSteuart.Liebig@maritz.com=20
  href=3D"mailto:Steuart.Liebig@maritz.com">Liebig, Steuart A.</A> =
</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com">Looper's Delight=20
  (E-mail)</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, May 23, 2002 =
11:46=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> totally ot . . . =
</DIV>
  <DIV><BR></DIV>
  <P><FONT size=3D2>sorry, but you all are a great resource.</FONT> </P>
  <P><FONT size=3D2>does anybody out there know of any good places to =
find=20
  hard-to-get or used 20t/21st-century ("contemporary") "classical" =
music?=20
  </FONT></P>
  <P><FONT size=3D2>mailorder or web-based merchandising is cool.</FONT> =
</P>
  <P><FONT size=3D2>i'm thinking of a place like downtown music gallery =
or=20
  wayside, except they do that other stuff. </FONT></P>
  <P><FONT size=3D2>thanks,</FONT> </P>
  <P><FONT size=3D2>stig</FONT> </P></BLOCKQUOTE></BODY></HTML>

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	 <Loopers-Delight@loopers-delight.com>
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cool. 
 
or course the amoeba store in hollywood is pretty good as well. 
 
stig

-----Original Message-----
From: Clifford Novey [mailto:om@Om-Studios.com]
Sent: Thursday, May 23, 2002 11:56 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: totally ot . . . 


There is that great vinyl shop that was on Melrose by Paramount studios-
they moved down near Fairfax still on Melrose- c----- Original Message -----


From: Liebig, Steuart A. <mailto:Steuart.Liebig@maritz.com>  
To: Looper's Delight (E-mail) <mailto:Loopers-Delight@loopers-delight.com>  
Sent: Thursday, May 23, 2002 11:46 AM
Subject: totally ot . . . 


sorry, but you all are a great resource. 

does anybody out there know of any good places to find hard-to-get or used
20t/21st-century ("contemporary") "classical" music? 

mailorder or web-based merchandising is cool. 

i'm thinking of a place like downtown music gallery or wayside, except they
do that other stuff. 

thanks, 

stig 


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<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=150231419-23052002>cool. 
</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=150231419-23052002></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=150231419-23052002>or 
course the amoeba store in hollywood is pretty good as well. 
</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=150231419-23052002></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=150231419-23052002>stig</SPAN></FONT></DIV>
<BLOCKQUOTE dir=ltr style="MARGIN-RIGHT: 0px">
  <DIV align=left class=OutlookMessageHeader dir=ltr><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> Clifford Novey 
  [mailto:om@Om-Studios.com]<BR><B>Sent:</B> Thursday, May 23, 2002 11:56 
  AM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> Re: 
  totally ot . . . <BR><BR></DIV></FONT>
  <DIV><FONT size=2>There is that great vinyl shop that was on Melrose by 
  Paramount studios- they moved down near Fairfax still on Melrose- 
  c</FONT>----- Original Message ----- </DIV>
  <BLOCKQUOTE dir=ltr 
  style="BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
    <DIV 
    style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B> 
    <A href="mailto:Steuart.Liebig@maritz.com" 
    title=Steuart.Liebig@maritz.com>Liebig, Steuart A.</A> </DIV>
    <DIV style="FONT: 10pt arial"><B>To:</B> <A 
    href="mailto:Loopers-Delight@loopers-delight.com" 
    title=Loopers-Delight@loopers-delight.com>Looper's Delight (E-mail)</A> 
    </DIV>
    <DIV style="FONT: 10pt arial"><B>Sent:</B> Thursday, May 23, 2002 11:46 
    AM</DIV>
    <DIV style="FONT: 10pt arial"><B>Subject:</B> totally ot . . . </DIV>
    <DIV><BR></DIV>
    <P><FONT size=2>sorry, but you all are a great resource.</FONT> </P>
    <P><FONT size=2>does anybody out there know of any good places to find 
    hard-to-get or used 20t/21st-century ("contemporary") "classical" music? 
    </FONT></P>
    <P><FONT size=2>mailorder or web-based merchandising is cool.</FONT> </P>
    <P><FONT size=2>i'm thinking of a place like downtown music gallery or 
    wayside, except they do that other stuff. </FONT></P>
    <P><FONT size=2>thanks,</FONT> </P>
    <P><FONT size=2>stig</FONT> </P></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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thanks, i'm hip to them. i'm looking for clearing houses/shops of many
labels. 
 
stig

-----Original Message-----
From: CarlJacobson@cakewalk.com [mailto:CarlJacobson@cakewalk.com]
Sent: Thursday, May 23, 2002 12:05 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: totally ot . . . 



www.newworldrecords.org <http://www.newworldrecords.org/>  

 

Is a label that specializes in American music not otherwise represented in
the commercial marketplace. Heavy emphasis on "contemporary" 20th century
classical & Avant Garde Jazz.

 

They get grants to fund recordings from the NEA, Lila Wallace, Rockefeller
Foundation, etc.  So the recordings they put out are usually very high
quality.

 

I used to work there and have most of the catalog from 5-years ago back to
the company's inception. So let me know if you have any questions about an
older release.

 

Hope that helps,

 

Carl

 

 

 

 

-----Original Message-----
From: Liebig, Steuart A. [mailto:Steuart.Liebig@maritz.com] 
Sent: Thursday, May 23, 2002 2:46 PM
To: Looper's Delight (E-mail)
Subject: totally ot . . . 

 

sorry, but you all are a great resource. 

does anybody out there know of any good places to find hard-to-get or used
20t/21st-century ("contemporary") "classical" music? 

mailorder or web-based merchandising is cool. 

i'm thinking of a place like downtown music gallery or wayside, except they
do that other stuff. 

thanks, 

stig 



<font size="1">Confidentiality Warning:  This e-mail contains information intended only for the use of the individual or entity named above.  If the reader of this e-mail is not the intended recipient or the employee or agent responsible for delivering it to the intended recipient, any dissemination, publication or copying of this e-mail is strictly prohibited. The sender does not accept any responsibility for any loss, disruption or damage to your data or computer system that may occur while using data contained in, or transmitted with, this e-mail.   If you have received this e-mail in error, please immediately notify us by return e-mail.  Thank you.


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<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=447531319-23052002>thanks, i'm hip to them. i'm looking for clearing 
houses/shops of many labels. </SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=447531319-23052002></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=447531319-23052002>stig</SPAN></FONT></DIV>
<BLOCKQUOTE style="MARGIN-RIGHT: 0px">
  <DIV align=left class=OutlookMessageHeader dir=ltr><FONT face=Tahoma 
  size=2>-----Original Message-----<BR><B>From:</B> CarlJacobson@cakewalk.com 
  [mailto:CarlJacobson@cakewalk.com]<BR><B>Sent:</B> Thursday, May 23, 2002 
  12:05 PM<BR><B>To:</B> Loopers-Delight@loopers-delight.com<BR><B>Subject:</B> 
  RE: totally ot . . . <BR><BR></DIV></FONT>
  <DIV class=Section1>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt"><A 
  href="http://www.newworldrecords.org/">www.newworldrecords.org</A> 
  </SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">&nbsp;</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">Is a label that 
  specializes in American music not otherwise represented in the commercial 
  marketplace. Heavy emphasis on "contemporary" 20<SUP>th</SUP> century 
  classical &amp; Avant Garde Jazz.</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">&nbsp;</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">They get grants to 
  fund recordings from the NEA, Lila Wallace, Rockefeller Foundation, etc.&nbsp; 
  So the recordings they put out are usually very high 
quality.</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">&nbsp;</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">I used to work there 
  and have most of the catalog from 5-years ago back to the company's inception. 
  So let me know if you have any questions about an older 
  release.</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">&nbsp;</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">Hope that 
  helps,</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">&nbsp;</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">Carl</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">&nbsp;</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">&nbsp;</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">&nbsp;</SPAN></FONT></P>
  <P class=MsoNormal><FONT color=navy face=Arial size=2><SPAN 
  style="COLOR: navy; FONT-FAMILY: Arial; FONT-SIZE: 10pt">&nbsp;</SPAN></FONT></P>
  <P class=MsoNormal style="MARGIN-LEFT: 0.5in"><FONT face=Tahoma size=2><SPAN 
  style="FONT-FAMILY: Tahoma; FONT-SIZE: 10pt">-----Original 
  Message-----<BR><B><SPAN style="FONT-WEIGHT: bold">From:</SPAN></B> Liebig, 
  Steuart A. [mailto:Steuart.Liebig@maritz.com] <BR><B><SPAN 
  style="FONT-WEIGHT: bold">Sent:</SPAN></B> Thursday, May 23, 2002 2:46 
  PM<BR><B><SPAN style="FONT-WEIGHT: bold">To:</SPAN></B> Looper's Delight 
  (E-mail)<BR><B><SPAN style="FONT-WEIGHT: bold">Subject:</SPAN></B> totally ot 
  . . . </SPAN></FONT></P>
  <P class=MsoNormal style="MARGIN-LEFT: 0.5in"><FONT face="Times New Roman" 
  size=3><SPAN style="FONT-SIZE: 12pt">&nbsp;</SPAN></FONT></P>
  <P style="MARGIN-LEFT: 0.5in"><FONT face="Times New Roman" size=2><SPAN 
  style="FONT-SIZE: 10pt">sorry, but you all are a great resource.</SPAN></FONT> 
  </P>
  <P style="MARGIN-LEFT: 0.5in"><FONT face="Times New Roman" size=2><SPAN 
  style="FONT-SIZE: 10pt">does anybody out there know of any good places to find 
  hard-to-get or used 20t/21st-century ("contemporary") "classical" music? 
  </SPAN></FONT></P>
  <P style="MARGIN-LEFT: 0.5in"><FONT face="Times New Roman" size=2><SPAN 
  style="FONT-SIZE: 10pt">mailorder or web-based merchandising is 
  cool.</SPAN></FONT> </P>
  <P style="MARGIN-LEFT: 0.5in"><FONT face="Times New Roman" size=2><SPAN 
  style="FONT-SIZE: 10pt">i'm thinking of a place like downtown music gallery or 
  wayside, except they do that other stuff. </SPAN></FONT></P>
  <P style="MARGIN-LEFT: 0.5in"><FONT face="Times New Roman" size=2><SPAN 
  style="FONT-SIZE: 10pt">thanks,</SPAN></FONT> </P>
  <P style="MARGIN-LEFT: 0.5in"><FONT face="Times New Roman" size=2><SPAN 
  style="FONT-SIZE: 10pt">stig</SPAN></FONT> </P></DIV></BLOCKQUOTE><CODE><FONT SIZE=3><BR>
<BR>
<font size="1">Confidentiality Warning:  This e-mail contains information intended only for the use of the individual or entity named above.  If the reader of this e-mail is not the intended recipient or the employee or agent responsible for delivering it to the intended recipient, any dissemination, publication or copying of this e-mail is strictly prohibited. The sender does not accept any responsibility for any loss, disruption or damage to your data or computer system that may occur while using data contained in, or transmitted with, this e-mail.   If you have received this e-mail in error, please immediately notify us by return e-mail.  Thank you.<BR>
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From Loopers-Delight-request@loopers-delight.com  Thu May 23 15:22:46 2002
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Try Atomic Records in Burbank. I've purchased some real gems there. But be 
warned, they are not cheap when it comes to rarities/collectables, but the 
quality is excellent.

Terry
www.anomalousdisturbances.com

>From: "Liebig, Steuart A." <Steuart.Liebig@maritz.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "Looper's Delight (E-mail)" <Loopers-Delight@loopers-delight.com>
>Subject: totally ot . . .
>Date: Thu, 23 May 2002 14:46:05 -0400
>
>sorry, but you all are a great resource.
>
>does anybody out there know of any good places to find hard-to-get or used
>20t/21st-century ("contemporary") "classical" music?
>
>mailorder or web-based merchandising is cool.
>
>i'm thinking of a place like downtown music gallery or wayside, except they
>do that other stuff.
>
>thanks,
>
>stig


_________________________________________________________________
Join the world’s largest e-mail service with MSN Hotmail. 
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From Loopers-Delight-request@loopers-delight.com  Thu May 23 18:41:20 2002
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Date: Thu, 23 May 2002 23:39:28 +0100
Subject: re: Sightings and Advertising
From: Steve Lawson <steve@steve-lawson.co.uk>
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>>>There's a somewhat longer (and much nicer) review of Steve Lawson's
"Conversations" CD in the latest Bass Player mag. Check that out too.
His disc is much more deserving IMHO. Those of you who have not
heard it yet are realy missing something.<<<

Ted, 

thanks very much for that! It is a rather nice review, posted below for
those who haven't seen it...

    "STEVE LAWSON & JEZ CARR
    Conversations 
    (Pillow Mountain: www.steve-lawson.co.uk)
    Bassist: Lawson
    Instrument: Fretless Modulus OB6
    Lawson's second release, a  totally improvised
    collection features pianist Jez Carr. Lawson's
    penchant for capturing the moment always
    leaves room for fun surprises. recorded
    live without "studio trickery," Lawson's
    fretless (played through Line6 DL4 delay
    pedal) conjures a massive range of tender,
    brutal and sometimes hilarious emotions. (EF)"

There are sound clips on both the websites listed below...

>>>On the page facing the repeater review (in GP) is an "advert" for my CD
too (right next to the one for Ten Years After). But don't be confused
if the ad calls it a "new" CD. Yes, I know it's over 10 months old now.
When neither you nor the label has a lot of moolah it takes a while to
get around to doing some things . . . like advertising. <<<

I really hope you get some good sales out of it Ted. Where else have people
advertised their music, and what levels of success have you had with it?

I've just put both of my CDs up for sale at www.cdbaby.com which looks like
a great site. Clear listings, good search facilities, and a good financial
deal... we'll see what happens with sales...

cheers

Steve 
www.steve-lawson.co.uk
www.pillowmountainrecords.co.uk 

From Loopers-Delight-request@loopers-delight.com  Thu May 23 19:15:26 2002
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Subject: re: 20th Century / contemporary CD mailorder
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Aquarius Records in SF has a website where you can hear samples and place 
mailorders:

www.aquariusrecordssf.com

You might also like www.forcedexposure.com, which is a great resource for 
all sorts of non-mainstream music.

_________________________________________________________________
MSN Photos is the easiest way to share and print your photos: 
http://photos.msn.com/support/worldwide.aspx

From Loopers-Delight-request@loopers-delight.com  Thu May 23 19:23:24 2002
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Subject: BSP: armatronix w/ zachary stowasser & d.funk
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To: Armatronix <armatronix@charter.net>, Kevin Menton <purefool@netzero.net>,
        Funky@ernieball.com, Greg Wuller <gwuller@dreamworks.com>,
        Miles Brown <milesdbrown@yahoo.com>,
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        Nathan Daly <natedaly76@hotmail.com>,
        Alison Rule <alisonrule@hotmail.com>,
        Daniel Seymour <dsseymour@hotmail.com>,
        Shane Stoneman <shanestoneman@hotmail.com>,
        Johnee Ganga <johneeganga@hotmail.com>,
        Catharsis <catharsis@egregious.net>,
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        Mark Diel <markdiel@hotmail.com>,
        Loopers Delight <Loopers-Delight@loopers-delight.com>,
        Zachary Stowasser <zach@stillwaterrecords.com>,
        Ryan McLain <ryrymc@hotmail.com>, ccraves <ccraves@ccraves.org>,
        Ben Korman <benkorman@yahoo.com>, cory paul <locoryp@hotmail.com>,
        Ali Brown <maliciamai@hotmail.com>, Robert Batty <bjbatty@yahoo.com>,
        Crystal Taub <crystaltaub@hotmail.com>, DJ semaJ <djsemaj@djsemaj.com>,
        Chris Peck <pozo@znet.com>, Nicole Kissam <n_kissam@yahoo.com>,
        Joel <jpancoas@calpoly.edu>, Dan Ernst <dernst69@hotmail.com>,
        Zachary Park <bigfootboy@hotmail.com>,
        Armatronix <armatronix@charter.net>
From: Hans Lindauer <hans@ernieball.com>
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Hello again,

Time for another installment of the ol' obligatory Blatant Self
Promotion.  If you're getting sick of these, please write me a polite
note and I'll be happy to remove you from the List.

Once again, this Friday May 24th, armatronix will grace the historic
stage of Sweet Springs Saloon, Los Osos' finest drinking and dining
establishment.

For your dancing pleasure, I'm honored to share the bill this time with
DJs Zachary Stowasser and D.Funk.  Diji-D is in Costa Rica, so I'll be
flying solo during armatronix' set.

I'm also happy to announce our new partnership with Red Bull, makers of
fine energy beverages.  While they last, Red Bull and vodka will be the
same price as a shot of vodka.  So come down early and tie one on!

The show will start around 9:30 pm and last until 1:30 am, and the cover
is only $3!  Sorry kids, 21 and over only.  And if you're not there I
hope you have a good excuse this time. :)

Your pal,

-Hans Lindauer

From Loopers-Delight-request@loopers-delight.com  Fri May 24 00:19:45 2002
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From: skincage <skincage@infin8ty.com>
Subject: diy isobox
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for the computer-based folks (since i imagine there are a lot of you):

has anyone come up with a cheap but decent way of cutting down on fan noise that retains safe
ventilation? fan noise didn't use to get to me but now it's really starting to. i've
considered using extension cables, but then i'd have to go to another room to put in CDRs or
cold boot. surely there's a better way without dropping a grand on a professional isolation
cabinet.

thanks!

jon/skincage

From Loopers-Delight-request@loopers-delight.com  Fri May 24 10:39:12 2002
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From: "Bill Fox" <billfox@fast.net>
To: <pantonio@pacbell.net>
Cc: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Fw: Spice girls' vocal concert
Date: Fri, 24 May 2002 10:36:38 -0400
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Dear Anthony,

Your computer possibly has a virus and has either sent it directly to me or via
Loopers Delight (hence the copy to the list).  The three files the virus sent
are:
<snoopy.exe> 88.3 KB
<ATT00117.txt> 0 bytes
<ADV$500-$800PRWKOPPORTUNITYGUANTEE!.txt> 12.6 KB
Please check/disinfect your PC and good luck!

Dear Kim,

Do you have the capability to block all attachments from being retransmitted to
list members?  I feel it's a wise choice to do so if possible, for obvious
reasons.

Cheers,

Bill
================
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From: douglas <douglas@idealab.com>
Subject: Spice girls' vocal concert
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----- Original Message -----
From: "douglas" <douglas@idealab.com>
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Sent: Thursday, May 23, 2002 11:09 PM
Subject: Spice girls' vocal concert


>

From Loopers-Delight-request@loopers-delight.com  Fri May 24 11:13:17 2002
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From: "Bill Fox" <billfox@fast.net>
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Subject: EMUSIC Playlist $270
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[ Best viewed using a fixed spacing font. ]

EMUSIC is an electronic, ambient, and space music show, that airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in Easton,
PA and Phillipsburg, NJ.

                    Show #270                    May 23, 2002.


RECAP:
On this show, I continued the month-long focus on Steve Roach and vidnaObmana,
who will be making rare concert appearances together at Projektfest and the
Gathering this coming Memorial Day weekend.  The Featured CD at midnight was
"Live Archive" on the Groove label.

The vinyl show starter was from the LP "Deluxe" by Harmonia on the Brain label.

I played the music of The Ministry of Inside Things who will be performing at
the next event in the Soundscapes Concert Series on June 22.  Details can be
seen on the Events page.

Steve Roach and vidnaObmana
http://wdiyfm.org/programs/emusic/playlists/2002/focus02.html#may
The Ministry of Inside Things http://wdiyfm.org/programs/emusic/events.html


PLAYLIST:

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Harmonia                Notre Dame               Deluxe (Brain)
John Rose               O.B.E.                   Cosmogenesis (Space for Music)
Darshan Ambient         Worm Asleep              Darshan Ambient (none)
Klangwelt               Metallino                Weltweit (Spheric Music)
Terra Ambient           The Breathing Earth      The Darker Space (none)
Ministry of Inside      While the Rest of the    Live at the ICA (Synkronos)
  Things                  World Sleeps
Chris Short and         Quest for Paradise       The Yellow House (In the
  Vir Unis                                         Bubble Music)
Tom Heasley             Prelude *                On the Sensastions of Tone
                                                   (Innova)
Roach & Obmana          Verucchio Invocation     Live Archive (Groove)

12:00 am
Roach & Obmana          Common Ground            Live Archive (Groove)
Roach & Obmana          Two Reptiles             Live Archive (Groove)
Roach & Obmana          Dreampipe Dialogue       Live Archive (Groove)
Roach & Obmana          Soundworld Collage       Live Archive (Groove)
Roach & Obmana          Ascension                Live Archive (Groove)
Roach & Obmana          Tribal Perspective       Live Archive (Groove)
Roach & Obmana          Divine Innermission      Live Archive (Groove)

1:00 am

 * = exerpt
VA = Various Artists (compilation)


NEXT SHOW:
On the next EMUSIC, I'll continue the month-long focus on Steve Roach and
vidnaObmana.  The Featured CD at Midnight will be "Circles and Artifacts"
on the Contemporary Harmonic label.

The vinyl show starter will be from the LP "Planeten Sit-In" by the Cosmic
Jokers on the Ohr label.

Bill        billfox@fast.net           http://wdiyfm.org/programs/emusic
===============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Radio Station Home Page: http://wdiyfm.org
Personal site: http://www.users.fast.net/~billfox
To subscribe to the EMUSIC on WDIY list, go to
http://groups.yahoo.com/group/emusic-wdiy and click on [Join This Group!]
SOUNDSCAPES Concert Series: http://www.tadream.net/soundscapes

From Loopers-Delight-request@loopers-delight.com  Fri May 24 12:21:26 2002
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Date: Fri, 24 May 2002 09:17:53 -0700
To: Loopers-Delight@loopers-delight.com
From: armatronix <armatronix@charter.net>
Subject: Re: sightings (Gary Hall)
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While we're on the topic of press, I noticed an article by our friend, 
looping hardware pioneer Gary Hall, in the June Electronic Musician 
magazine - the one with the "Endless Loops" cover:

MASTER CLASS: THE MAX FACTOR
The designer of Lexicon's classic PCM42 digital delay reveals how he 
created a virtual PCM42 with updated features, including surround outputs, 
using Cycling '74's powerful Max/MSP programming environment. Learn all the 
steps you need to know to build your own signal-processing devices.
by Gary S. Hall

Check it out!

-Hans Lindauer


At 08:16 23/05/2002, you wrote:
>Mike, et al,
>
>In a message dated 5/23/02 6:39:21 AM, Nemoguitt@aol.com writes:
>
> >in the latest "guitar palayer": a short review of ted killian's "flux
> >aeterna", very very cool.....congrats ted.....and a short albeit useless
> >review of the electrix repeater.....michael
>
>There's a somewhat longer (and much nicer) review of Steve Lawson's
>"Conversations" CD in the latest Bass Player mag. Check that out too.
>His disc is much more deserving IMHO. Those of you who have not
>heard it yet are realy missing something.

From Loopers-Delight-request@loopers-delight.com  Fri May 24 12:23:14 2002
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Date: Fri, 24 May 2002 09:20:55 -0700
To: Loopers-Delight@loopers-delight.com
From: Hans Lindauer <armatronix@charter.net>
Subject: Tape Op Conference
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Is anybody else planning on attending the Tape Op Conference next weekend 
in Sacramento (California, USA)?

-Hans Lindauer

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From: Hans Lindauer <armatronix@charter.net>
Subject: Am I the virus guy?
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Hello all-

Has anyone else gotten a virus (or bullshit SPAM other than armatronix 
self-promotion) that appears to be from my work e-mail address 
(hans@ernieball.com)?  I ran Norton Antivirus and came up clean, but I'm 
still not convinced.

Thanks,

-Hans Lindauer

From Loopers-Delight-request@loopers-delight.com  Fri May 24 12:30:48 2002
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From: Nemoguitt@aol.com
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Date: Fri, 24 May 2002 12:29:04 EDT
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In a message dated 5/24/02 12:18:07 PM Eastern Daylight Time, 
armatronix@charter.net writes:


> Nemoguitt@aol.com writes:
> 
> > in the latest "guitar palayer": <

thats right, im a guitar palayer, whatcha goina do about it?.....:).....m

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/24/02 12:18:07 PM Eastern Daylight Time, armatronix@charter.net writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Nemoguitt@aol.com writes:<BR>
<BR>
&gt; in the latest "guitar palayer": &lt;</BLOCKQUOTE><BR>
<BR>
thats right, im a guitar palayer, whatcha goina do about it?.....:).....m</FONT></HTML>

--part1_169.e17b31e.2a1fc450_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri May 24 12:44:29 2002
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Date: Fri, 24 May 2002 09:37:30 -0700
To: Loopers-Delight@loopers-delight.com
From: armatronix <armatronix@charter.net>
Subject: Re: confession
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Now, that's original - trying to start a flame war with yourself! :)

-Hans


At 09:29 24/05/2002, you wrote:
>In a message dated 5/24/02 12:18:07 PM Eastern Daylight Time, 
>armatronix@charter.net writes:
>
>
>>Nemoguitt@aol.com writes:
>>
>> > in the latest "guitar palayer": <
>
>
>thats right, im a guitar palayer, whatcha goina do about it?.....:).....m

From Loopers-Delight-request@loopers-delight.com  Fri May 24 13:05:37 2002
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From: "Reid, Benjamin" <BReid@about-inc.com>
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	 <Loopers-Delight@loopers-delight.com>
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really wanted to go but schedules didn't permit.

anyone goes, think we'd all be curious your take on the experience.

Ben

-----Original Message-----
From: Hans Lindauer [mailto:armatronix@charter.net]
Sent: Friday, May 24, 2002 12:21 PM
To: Loopers-Delight@loopers-delight.com
Subject: Tape Op Conference


Is anybody else planning on attending the Tape Op Conference next weekend 
in Sacramento (California, USA)?

-Hans Lindauer

From Loopers-Delight-request@loopers-delight.com  Fri May 24 13:58:21 2002
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From: Mark Sottilaro <sine@zerocrossing.net>
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Yes, I've been getting a ton from you and other addresses at Ernieball,
though none yesterday or today. I'm thinking it the windows worm Klez which
is supposed to send something random to all the people in your address
book, and to people in your sent folder.  Maybe the Norton worked, because
there seems to be a lull for the moment.  Initally, I was sending people
warnings back, but I just got tired and figured eventually people would
clean their machines off.

Mark

Hans Lindauer wrote:

> Hello all-
>
> Has anyone else gotten a virus (or bullshit SPAM other than armatronix
> self-promotion) that appears to be from my work e-mail address
> (hans@ernieball.com)?  I ran Norton Antivirus and came up clean, but I'm
> still not convinced.
>
> Thanks,
>
> -Hans Lindauer

From Loopers-Delight-request@loopers-delight.com  Fri May 24 14:12:00 2002
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Old-Return-Path: <zebu@mindspring.com>
From: "Jim Poppen" <zebu@mindspring.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: diy isobox
Date: Fri, 24 May 2002 11:11:58 -0700
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This is a common complaint for DAWers. I've done a little research on
"quiet" power supplies and came up with this:
http://www.pcpowercooling.com/home.htm
and this:
http://www.quietpcusa.com/
but that link is dead on my end.

PC Power and Cooling makes an "ultra quiet" PS that some have raved about
and some have shrugged at (these "some" are usenet posters). I think
Antec(?) makes cases and supplies that are thought to be quiet too.

Even though I haven't tried one of these supplies myself, I've given up on
the idea of quiet fans solving the problem -- they can never be quiet
enough. I've yet to find a solution myself besides getting as far away from
the box as possible when mic recording.

Jim

> -----Original Message-----
> From: skincage [mailto:skincage@infin8ty.com]
> Sent: Thursday, May 23, 2002 9:14 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: diy isobox
>
>
> for the computer-based folks (since i imagine there are a lot of you):
>
> has anyone come up with a cheap but decent way of cutting down on
> fan noise that retains safe
> ventilation? fan noise didn't use to get to me but now it's
> really starting to. i've
> considered using extension cables, but then i'd have to go to
> another room to put in CDRs or
> cold boot. surely there's a better way without dropping a grand
> on a professional isolation
> cabinet.
>
> thanks!
>
> jon/skincage
>

From Loopers-Delight-request@loopers-delight.com  Fri May 24 14:14:23 2002
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Date: Fri, 24 May 2002 11:12:43 -0700 (PDT)
From: Evan Meyers <evanmeyers@yahoo.com>
Subject: RE: Tape Op Conference
To: Loopers-Delight@loopers-delight.com
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Just got my first issue a day or two ago and I must
say that it is one of the most impressive rags i've
ever seen.  it is really great to see a magazine
geared at exactly what i'm interested in.  all of the
other gear porn that i read is great, but this is all
about the diyers!  thanks list!  appreciate the heads
up on this as well as the link to the free
subscription!

e va n|s sa b
--- "Reid, Benjamin" <BReid@about-inc.com> wrote:
> really wanted to go but schedules didn't permit.
> 
> anyone goes, think we'd all be curious your take on
> the experience.
> 
> Ben
> 
> -----Original Message-----
> From: Hans Lindauer [mailto:armatronix@charter.net]
> Sent: Friday, May 24, 2002 12:21 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Tape Op Conference
> 
> 
> Is anybody else planning on attending the Tape Op
> Conference next weekend 
> in Sacramento (California, USA)?
> 
> -Hans Lindauer
> 


__________________________________________________
Do You Yahoo!?
LAUNCH - Your Yahoo! Music Experience
http://launch.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Fri May 24 15:17:13 2002
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Date: Fri, 24 May 2002 12:16:56 -0700
To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Fw: Spice girls' vocal concert
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At 07:36 AM 5/24/2002, Bill Fox wrote:
>Dear Kim,
>
>Do you have the capability to block all attachments from being 
>retransmitted to
>list members?  I feel it's a wise choice to do so if possible, for obvious
>reasons.


Bill, as far as I know these viruses are not going through the list. The 
message header you pasted below indicates that pretty clearly. The virus 
forges random email addresses in the from: field, so what you see in from 
is not where the virus really came from. That seems to confuse a lot of 
people, and some have thought a virus came from the list when it did not. 
You have to look at the received: fields in the message header. If you ever 
do see something like that go through the list, let me know.

The LD list does reject posts based on file size, which would stop most of 
these things if somehow they were directed to the list. The list also 
doesn't allow posting unless the sender is subscribed to the list. I see 
the list rejecting  virus and spam mails this way all the time. I've long 
planned to reject attachments also, but haven't gotten around to it.

thanks,
kim


>================
>Return-Path: <pantonio@pacbell.net>
>Delivered-To: billfox@fast.net
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>Date: Thu, 23 May 2002 20:09:34 -0700 (PDT)
>Date-warning: Date header was inserted by mta5.snfc21.pbi.net
>From: douglas <douglas@idealab.com>
>Subject: Spice girls' vocal concert
>To: billfox@fast.net
>Message-id: <0GWL00GOKI3YOE@mta5.snfc21.pbi.net>
>MIME-version: 1.0
>Content-type: multipart/alternative;
>  boundary="Boundary_(ID_xRXPRqjApT1C9Qrepv+ALw)"
>----- Original Message -----
>From: "douglas" <douglas@idealab.com>
>To: <billfox@fast.net>
>Sent: Thursday, May 23, 2002 11:09 PM
>Subject: Spice girls' vocal concert
>
>
> >

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Fri May 24 16:33:30 2002
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From: "Bill Fox" <billfox@fast.net>
To: "emusic-wdiy Mailing List" <emusic-wdiy@yahoogroups.com>
Subject: Re: Soundscapes #2 - Advance Ticket Information
Date: Fri, 24 May 2002 16:27:23 -0400
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A typo creeped into a phone number:

----- Original Message ----- 
From: "Bill Fox" <billfox@fast.net>
> Advance tickets will be $10 (no
> discounts), and are available at these fine outlets:
> Compact Disc Center

610-868-3070 is their correct number.  Sorry for the hassle.

Bill
billfox@fast.net
SOUNDSCAPES Concert Series: http://www.tadream.net/soundscapes
Wooden Shoe Music: http://woodenshoemusic.com

From Loopers-Delight-request@loopers-delight.com  Fri May 24 17:48:15 2002
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From: "Gary Lehmann" <healthquestrecruiter@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Fw: Spice girls' vocal concert
Date: Fri, 24 May 2002 14:46:47 -0700
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Hey Knowledgeable Ones--
I also received this and deleted it--what else should be done with
suspicious emails?  I have been receving my fair share, and am using Outlook
2000 with Norton Antivirus--if I don't open these emails, can I get
infected?
Gary

-----Original Message-----
From: Kim Flint [mailto:kflint@loopers-delight.com]
Sent: Friday, May 24, 2002 12:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Fw: Spice girls' vocal concert


At 07:36 AM 5/24/2002, Bill Fox wrote:
>Dear Kim,
>
>Do you have the capability to block all attachments from being
>retransmitted to
>list members?  I feel it's a wise choice to do so if possible, for obvious
>reasons.


Bill, as far as I know these viruses are not going through the list. The
message header you pasted below indicates that pretty clearly. The virus
forges random email addresses in the from: field, so what you see in from
is not where the virus really came from. That seems to confuse a lot of
people, and some have thought a virus came from the list when it did not.
You have to look at the received: fields in the message header. If you ever
do see something like that go through the list, let me know.

The LD list does reject posts based on file size, which would stop most of
these things if somehow they were directed to the list. The list also
doesn't allow posting unless the sender is subscribed to the list. I see
the list rejecting  virus and spam mails this way all the time. I've long
planned to reject attachments also, but haven't gotten around to it.

thanks,
kim


>================
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>Delivered-To: billfox@fast.net
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>Received: from newmx1.fast.net ([209.92.1.31]) (envelope-sender <>)
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>           for <>; 24 May 2002 03:09:46 -0000
>Delivered-To: CLUSTERHOST newmx1.fast.net billfox@fast.net
>Received: (qmail 1700 invoked from network); 24 May 2002 03:09:45 -0000
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>  with SMTP id <0GWL00GOII3YOE@mta5.snfc21.pbi.net> for billfox@fast.net;
Thu,
>  23 May 2002 20:09:45 -0700 (PDT)
>Date: Thu, 23 May 2002 20:09:34 -0700 (PDT)
>Date-warning: Date header was inserted by mta5.snfc21.pbi.net
>From: douglas <douglas@idealab.com>
>Subject: Spice girls' vocal concert
>To: billfox@fast.net
>Message-id: <0GWL00GOKI3YOE@mta5.snfc21.pbi.net>
>MIME-version: 1.0
>Content-type: multipart/alternative;
>  boundary="Boundary_(ID_xRXPRqjApT1C9Qrepv+ALw)"
>----- Original Message -----
>From: "douglas" <douglas@idealab.com>
>To: <billfox@fast.net>
>Sent: Thursday, May 23, 2002 11:09 PM
>Subject: Spice girls' vocal concert
>
>
> >

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Fri May 24 18:16:07 2002
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Date: Fri, 24 May 2002 23:15:18 +0100
Subject: how to be your own booking agent? 
From: Steve Lawson <steve@steve-lawson.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Message-ID: <B9147A06.5C64%steve@steve-lawson.co.uk>
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has anyone got the book 'how to be your own booking agent'? Is it any
good/worth the money? did it get you gigs? :o)

I know that Rick Walker could WRITE the book, but since he hasn't got round
to it yet, and his remarkable network of contacts is fuelled by over 20
years of great drumming and exceedingly positive vibes, I'm up for reading
this book while I work on the vibes bit... :o)

cheers

Steve 
www.steve-lawson.co.uk
www.pillowmountainrecords.co.uk 

From Loopers-Delight-request@loopers-delight.com  Fri May 24 19:12:21 2002
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To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Fw: Spice girls' vocal concert
Date: Fri, 24 May 2002 19:05:54 -0400
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if you use the preview pane, and outlook is configured to display (and
therefore run) html content, you may.

otherwise, it's ok .... for now. :-(

-----Original Message-----
From: Gary Lehmann [mailto:healthquestrecruiter@earthlink.net]
Sent: Friday, May 24, 2002 5:47 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Fw: Spice girls' vocal concert


Hey Knowledgeable Ones--
I also received this and deleted it--what else should be done with
suspicious emails?  I have been receving my fair share, and am using Outlook
2000 with Norton Antivirus--if I don't open these emails, can I get
infected?
Gary

From Loopers-Delight-request@loopers-delight.com  Fri May 24 19:31:53 2002
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got this from another list i'm on, hope it helps...


> Yeah there is a lot of information out there... water cooling, as someone
> mentioned previously, is the ultimate for peace and quiet. If that's too
> expensive for you or you just don't want to go there, I can share some
> experiences with you, in order of what generally makes the most difference
> in noise levels:
> 
> Power Supply
> --------------
> Two basic choices:
> 
> Replace completely. The most popular choices are Q Technologies from
> http://www.quietpc.com or Zalman available at http://www.chillblast.com. The
> Enermax 'whisper quiet' PSUs are popular too but in my experience aren't
> really that quiet - they are available in higher wattages (350W+) though for
> dual rigs / power hungry systems.
> 
> - OR -
> 
> Swap the fan(s) in the PSU for something quieter. Never been tempted to do
> this myself but it is possible. Most PSUs run either an 80mm or 92mm fan.
> Make sure you know what you are doing before attempting as danger lurks
> within a PSU !
> 
> 
> CPU Cooler
> -------------
> Fan:
> 
> Go for a heatsink that can take an 80mm fan. Why ? Bigger fan = can run at
> lower rpm = lower noise with same air flow (usually) as more traditional
> 60mm heatsink fans. Papst fans are acknowledged to be the best and I
> personally run the 12db and 19db models in the systems i have built. Very
> quiet. You can get these from http://www.overclockers.co.uk or
> http://www.overclockingstore.co.uk . Panaflos are also recommended.
> 
> Heatsink:
> 
> The highest regarded manufacturers are Alpha and Swiftech, with Thermalright
> also coming up with some good designs too now. Recommended Heatsinks:
> 
> P3: Radial Fin cooler from QuietPC
> P4: Alpha 8492, Swiftech MCX478
> Athlon XP: Alpha 8045, Swiftech MCX462
> 
> You can get most of these from Overclockers UK
> 
> Beware - these heatsinks are performance-oriented, and as such are quite
> often sold with very high rpm, high-noise fans. Buy without the fan and add
> one of your choice - easy to fit, usually just screws on.
> 
> The Zalman 'Flower Cooler' is touted as a great silent CPU cooler. it *is*
> quiet, no doubt, but is nowhere near as effective as any of the Athlon/P4
> coolers mentioned above and also not as quiet if you run them with a < 20db
> fan.
> 
> 
> Hard Drive
> -----------
> Two choices:
> 
> Get a quiet hard drive. The quietest performance (7200rpm) ide drive is the
> Seagate Barracuda ATA IV. The 40GB model is a little quieter than the higher
> capacity ones. You can find these almost anywhere.
> 
> - OR -
> 
> Use a Silent Drive sleeve. I used a few of these with IBM 7200rpm drives,
> and they definitely made a big difference. However, I then got a couple of
> Seagate Barracudas when they came out and they were *as* quiet as the IBM
> drive in the sleeve. You can get the sleeve from QuietPC.
> 
> 
> Graphics Card
> ---------------
> Try and get one without a fan. If you are not into gaming on your PC that
> isnt a problem as you can get the Matrox cards which are great for 2D and
> fanless.
> 
> Unfortunately, if you are into gaming - going fanless means ruling out the
> most high performance models, but you can get a low-end GeForce 4 with
> passive cooling which still has relatively decent 3d performance. Zalman do
> a large heatsink that can supposedly replace a fan/heatsink on a graphics
> card - from what I have seen it works sometimes but doesn't offer enough
> cooling for the really high end Geforce 3 / Geforce 4 / Radeon 8500 models.
> Zalman themselves recommend you use an additional fan/bracket if you are
> replacing the fan on one of these cards.
> 
> 
> Case
> -----
> Try and get an aluminum case like a Coolermaster or Lian-Li. The case will
> actually conduct some heat and help keep things cool, but it can also help
> reduce noise as these have great build quality compared to a cheapo case
> which can rattle and resonate more raising the overall noise level. Plus
> they look cool :) You can but damping materials to line your case with but
> these can raise the temps a lil bit so it's really suck it and see im
> afraid.
> 
> 
> Here are a few links that are good sources for some more info:
> 
> http://www.silentpcreview.com/
> http://groups.yahoo.com/group/Silent-PC/
> http://www.zalman.co.kr/english/intro.htm
> http://forums.overclockers.co.uk

From Loopers-Delight-request@loopers-delight.com  Fri May 24 19:55:06 2002
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I am looking for schematics for the delta labs effectron I & II adm 1024
one works and the other doesn't so I need to get it fixed

any help will be appreciated

thanx!

From Loopers-Delight-request@loopers-delight.com  Fri May 24 20:57:33 2002
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Date: Fri, 24 May 2002 20:58:36 -0400
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From: just john <just-john@just-john.com>
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>I am looking for schematics for the delta labs effectron I & II adm 1024
>one works and the other doesn't so I need to get it fixed
>
>any help will be appreciated
>
>thanx!

Crikey!  I have an Effectron II, and the documentation may have just what
you need!  And I may have the documentation, somewhere!

Estimated time needed to locate it:  Several days.

But I'll give it a shot.
---
* just-john@just-john.com  http://just-john.com/cn/rfe.shtml *

From Loopers-Delight-request@loopers-delight.com  Fri May 24 21:41:41 2002
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on 5/24/2002 8:58 PM, just john at just-john@just-john.com wrote:

>> I am looking for schematics for the delta labs effectron I & II adm 1024
>> one works and the other doesn't so I need to get it fixed
>> 
>> any help will be appreciated
>> 
>> thanx!
> 
> Crikey!  I have an Effectron II, and the documentation may have just what
> you need!  And I may have the documentation, somewhere!
> 
> Estimated time needed to locate it:  Several days.
> 
> But I'll give it a shot.
> ---
> * just-john@just-john.com  http://just-john.com/cn/rfe.shtml *
> 
I thought it was CriMey!
the one that is broken is the effectron I but anything will help
send it whenever you can

From Loopers-Delight-request@loopers-delight.com  Sat May 25 11:58:37 2002
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From: "Bill Fox" <billfox@fast.net>
To: "GoldTri" <goldtri@aracnet.com>,
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Subject: Fw: Steve Roach + Vidna Obmana at the Gathering 26 May 2002
Date: Sat, 25 May 2002 11:55:28 -0400
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I hope you don't mind the cross post, but this is an important event that I
think many of you will be interested in.

Bill

----- Original Message -----
From: "c_vanzyl" <chuckv@starsend.org>
To: <spacemusic@yahoogroups.com>
Sent: Thursday, May 23, 2002 8:00 PM
Subject: [SPACEMUSIC] Steve Roach + Vidna Obmana at the Gathering 26 May 2002


> Steve Roach & Vidna Obmana are scheduled to perform together live at
> the Gathering in Philadelphia on Sunday 26 May 2002 with shows at
> 7:30pm & 9:30pm in the church sanctuary of St. Mary's Hamilton
> Village, 3916 Locust Walk on the Penn campus in University City.
> These performances are presented in association with ProjektFest, the
> Projekt label 3-Day Memorial Day WeekEnd festival.
>
> The Gathering's ticket allotment at TicketWeb has sold out, but we
> expect that there will still be tickets at the door. Those who
> purchased the 3-day ProjektFest package have first priority for
> admission; if there is room, walk-ups will be admitted. If (by some
> chance) the 7:30pm concert is full, there is also a 9:30pm show.
>
> In either case it is important to arrive early as admission and
> seating will be on a first-come first-served basis; once the concert
> begun, seating will be at the discretion of the house manager.
>
> For details, pleaae access the website at:
> http://www.thegatherings.org
>
> Thanks for your attention! See you at the Gathering this weekend!
>
> -chuckv

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--=====================_2516047==_.ALT
Content-Type: text/plain; charset="us-ascii"; format=flowed

Stig,

The American Music Center (NYC) has a pretty extensive library of 
recordings, which members can borrow through the 
mail.  www.amc.org.  They'll even put together a work list for you, for 
instance, if you wanted new music with electric bass only, or bass w/ 
electronics, etc.

Tom

At 11:46 AM 5/23/02, you wrote:
>sorry, but you all are a great resource.
>does anybody out there know of any good places to find hard-to-get or used 
>20t/21st-century ("contemporary") "classical" music?
>mailorder or web-based merchandising is cool.
>i'm thinking of a place like downtown music gallery or wayside, except 
>they do that other stuff.
>thanks,
>stig


Tom Heasley
NEW CD AVAILABLE:  On the Sensations of Tone,  (www.innova.mu)
ALSO AVAILABLE:  Where the Earth Meets the Sky,  (www.hypnos.com)

http://bayimproviser.com/TomHeasley
427 Alma St., Suite 206
Palo Alto, CA  94301
P:  650.322.3633
F:  419.831.3809
E:  tom@tomheasley.com
WEBSITE COMING SOON:  TOMHEASLEY.COM

Upcoming Solo Concerts / Appearances:

Sunday, June 9, 2002, 10:00 P.M.
Radio Interview with Dean Suzuki
KPFA - FM  94.1
Berkeley, CA
www.kpfa.org

Sunday, June 16, 2002  (Father's Day) 7:30 P.M.
Solo Concert
First Congregational Church of Berkeley
2345 Channing Way (at Dana)
Tickets at door:  $15.00 General / $10.00 Students, Seniors and Fathers

Friday, June 21, 2002
The Now Festival
Goat Hall, San Francisco

Saturday, July 20, 2002
Solo Concert
TUVA Space
3192 Adeline
Berkeley, CA
Info:  510.655.9755


Autumn 2002 Tour will include:

Rensselaer Polytechnic Institute, Troy, NY (10/3)
Kalvos and Damian's New Music Bazaar, VT (10/5)
Roulette, NYC
The BBC, London, England
--=====================_2516047==_.ALT
Content-Type: text/html; charset="us-ascii"

<html>
Stig,<br><br>
The American Music Center (NYC) has a pretty extensive library of
recordings, which members can borrow through the mail.&nbsp;
<a href="http://www.amc.org/" eudora="autourl">www.amc.org</a>.&nbsp;
They'll even put together a work list for you, for instance, if you
wanted new music with electric bass only, or bass w/ electronics, etc.
<br><br>
Tom<br><br>
At 11:46 AM 5/23/02, you wrote:<br>
<blockquote type=cite class=cite cite><font size=2>sorry, but you all are
a great resource.</font> <br>
<font size=2>does anybody out there know of any good places to find
hard-to-get or used 20t/21st-century (&quot;contemporary&quot;)
&quot;classical&quot; music? <br>
mailorder or web-based merchandising is cool.</font> <br>
<font size=2>i'm thinking of a place like downtown music gallery or
wayside, except they do that other stuff. <br>
thanks,</font> <br>
<font size=2>stig</font> </blockquote>
<x-sigsep><p></x-sigsep>
<font face="Comic Sans MS"><br>
</font><font face="Comic Sans MS" size=4><b><i>Tom Heasley<br>
</b></font><font face="Comic Sans MS">NEW CD AVAILABLE:&nbsp; <u>On the
Sensations of Tone</u>,&nbsp;
(<a href="http://www.innova.mu/" eudora="autourl">www.innova.mu</a>)<br>
ALSO AVAILABLE:&nbsp; <u>Where the Earth Meets the Sky</u>,&nbsp;
(<a href="http://www.hypnos.com/" eudora="autourl">www.hypnos.com</a>)<br><br>
</i></font><font face="Comic Sans MS" color="#0000FF"><u><a href="http://bayimproviser.com/TomHeasley" eudora="autourl">http://bayimproviser.com/TomHeasley</a><br>
</u></font><font face="Comic Sans MS">427 Alma St., Suite 206&nbsp;&nbsp;
<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><br>
Palo Alto, CA&nbsp; 94301<br>
P:&nbsp;
650.322.3633<x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><x-tab>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</x-tab><br>
F:&nbsp; 419.831.3809<br>
E:&nbsp; tom@tomheasley.com<br>
<i>WEBSITE COMING SOON:&nbsp; TOMHEASLEY.COM<br><br>
Upcoming Solo Concerts / Appearances:<br><br>
Sunday, June 9, 2002, 10:00 P.M.<br>
Radio Interview with Dean Suzuki<br>
KPFA - FM&nbsp; 94.1<br>
Berkeley, CA<br>
<a href="http://www.kpfa.org/" eudora="autourl">www.kpfa.org</a><br><br>
Sunday, June 16, 2002&nbsp; (Father's Day) 7:30 P.M.<br>
Solo Concert<br>
First Congregational Church of Berkeley<br>
2345 Channing Way (at Dana)<br>
Tickets at door:&nbsp; $15.00 General / $10.00 Students, Seniors and
Fathers<br><br>
Friday, June 21, 2002<br>
The Now Festival<br>
Goat Hall, San Francisco<br><br>
Saturday, July 20, 2002<br>
Solo Concert<br>
TUVA Space<br>
3192 Adeline<br>
Berkeley, CA<br>
Info:&nbsp; 510.655.9755<br><br>
<br>
Autumn 2002 Tour will include:<br><br>
Rensselaer Polytechnic Institute, Troy, NY (10/3)<br>
Kalvos and Damian's New Music Bazaar, VT (10/5)<br>
Roulette, NYC<br>
The BBC, London, England</font></i></html>

--=====================_2516047==_.ALT--

From Loopers-Delight-request@loopers-delight.com  Sat May 25 13:02:14 2002
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Oh yeah, scores available from them - AMC - also.


--=====================_2631047==_.ALT
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<html>
Oh yeah, scores available from them - AMC - also.<br><br>
</html>

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From Loopers-Delight-request@loopers-delight.com  Sat May 25 13:59:41 2002
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At 02:17 PM 5/22/02, you wrote:
> > I use it mostly for pitch programs in tandem with a D-TWO and a DL4.
> > I like it.
>Tom,
>If the MPX-1 does everything it claims, why would you also need the
>D-Two (and/or DL4)? More (varied) delays at the same time?

Hey, Greg,

Wow, usually people remark on how few pieces of gear I have - maybe I don't 
"need" anything else!  But I sure thought I missed my DL4 when it was down 
for almost two months - those concerts weren't nearly as much fun to play! 
(or listen to, I imagine)...I'm sure there are untapped (by me, so far) 
resources in the Lexicon - such as (I think) having two very 
different/separate effects coming from either channel; however, in the case 
of pitch and delay programs, they both tend to eat up enough memory to make 
it impossible to combine some of the kinds of things that I would want 
to.  There was a time that the MPX1 was the only thing I had or used - that 
was all I "needed" for awhile.  Long reverbs pretty much sufficed in some 
of my early forays into live tuba processing and composing.  In the studio 
recording the first album, I had longer loops running on the EDP, while the 
DL4 was running it's shorter ones - maybe not "needed", but the engineer's 
idea, and it seemed to work nicely.

By the way, perhaps worth mentioning - each time I've had my rig at Robert 
Rich's studio, he has detected "hash" or grit in the signal chain, which he 
has always said was coming from the MPX1.  It isn't an issue with live 
playing, but something to be aware of.

You do know that it is the G2, not the MPX1, that has a JamMan program, 
right? - not sure what you think the MPX1 claims to be able to do that 
would obviate the need for a DL4, EDP or other looper, with which to do 
live multi-tracking.  I'd love nothing better than to only have to haul 
around one piece of processing gear.  Hopefully some day in the not too 
distant future, I can accomplish this with a laptop...

Best,

Tom

--=====================_6044627==_.ALT
Content-Type: text/html; charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<html>
At 02:17 PM 5/22/02, you wrote:<br>
<blockquote type=3Dcite class=3Dcite cite>&gt; I use it mostly for pitch
programs in tandem with a D-TWO and a DL4. <br>
&gt; I like it.<br>
Tom,<br>
If the MPX-1 does everything it claims, why would you also need the<br>
D-Two (and/or DL4)? More (varied) delays at the same
time?</blockquote><br>
Hey, Greg,<br><br>
Wow, usually people remark on how few pieces of gear I have - maybe I
<u>don't</u> &quot;need&quot; anything else!&nbsp; But I sure thought I
missed my DL4 when it was down for almost two months - those concerts
weren't nearly as much fun to play! (or listen to, I imagine)...I'm sure
there are untapped (by me, so far) resources in the Lexicon - such as (I
think) having two very different/separate effects coming from either
channel; however, in the case of pitch and delay programs, they both tend
to eat up enough memory to make it impossible to combine some of the
kinds of things that I would want to.&nbsp; There was a time that the
MPX1 was the only thing I had or used - that was all I &quot;needed&quot;
for awhile.&nbsp; Long reverbs pretty much sufficed in some of my early
forays into live tuba processing and composing.&nbsp; In the studio
recording the first album, I had longer loops running on the EDP, while
the DL4 was running it's shorter ones - maybe not &quot;needed&quot;, but
the engineer's idea, and it seemed to work nicely.&nbsp; <br><br>
By the way, perhaps worth mentioning - each time I've had my rig at
Robert Rich's studio, he has detected &quot;hash&quot; or grit in the
signal chain, which he has always said was coming from the MPX1.&nbsp; It
isn't an issue with live playing, but something to be aware of.<br><br>
You do know that it is the G2, not the MPX1, that has a JamMan program,
right? - not sure what you think the MPX1 claims to be able to do that
would obviate the need for a DL4, EDP or other looper, with which to do
live multi-tracking.&nbsp; I'd love nothing better than to only have to
haul around one piece of processing gear.&nbsp; Hopefully some day in the
not too distant future, I can accomplish this with a laptop...<br><br>
Best,<br><br>
Tom&nbsp; <br>
</html>

--=====================_6044627==_.ALT--

From Loopers-Delight-request@loopers-delight.com  Sat May 25 14:29:17 2002
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Date: Sat, 25 May 2002 11:27:49 -0700
Subject: MPX-1 $425 BLOWOUT! (Re: Lex MPX-1)
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From: Mark Sottilaro <sine@zerocrossing.net>
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--Apple-Mail-1--1053086525
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Hey boys and girls,

while I coveted the MPX-1 (it had pretty much the exact feature set I=20
was looking for, mod, verb and filter effects, with midi clock synchable=20=

bionic action all in a single rack space) I realized I couldn't afford=20=

it, and decided to get the MPX-500, because of a recommendation from=20
Rick Walker.  Well, I got it, and it is a great little processor, though=20=

I still wished for the expanded feature set of the MPX-1.

SO, while I was at the Concord Guitar Center (SF E. Bay Area) buying=20
midi cables for the MPX500, I saw that they were selling a demo of the=20=

MPX-1 for $425!  Only $24 more than I paid for the MPX500!  So I picked=20=

it up.  There's another (they had two demo models for some reason) for=20=

someone who wants one, but has been waiting.  They usually do not sell=20=

the demos, but I was told that the MPX-1 is no more, and that is the=20
reason for the blow out price.  I bet if you went to any local dealer=20
with this knowledge, you could probably negotiate a similar price.

good luck,

Mark Sottilaro

On Saturday, May 25, 2002, at 10:57  AM, Tom Heasley wrote:

> At 02:17 PM 5/22/02, you wrote:
>
> > I use it mostly for pitch programs in tandem with a D-TWO and a DL4.
> > I like it.
> Tom,
> If the MPX-1 does everything it claims, why would you also need the
> D-Two (and/or DL4)? More (varied) delays at the same time?
>
>
> Hey, Greg,
>
> Wow, usually people remark on how few pieces of gear I have - maybe I=20=

> don't "need" anything else!=A0 But I sure thought I missed my DL4 when =
it=20
> was down for almost two months - those concerts weren't nearly as much=20=

> fun to play! (or listen to, I imagine)...I'm sure there are untapped=20=

> (by me, so far) resources in the Lexicon - such as (I think) having =
two=20
> very different/separate effects coming from either channel; however, =
in=20
> the case of pitch and delay programs, they both tend to eat up enough=20=

> memory to make it impossible to combine some of the kinds of things=20
> that I would want to.=A0 There was a time that the MPX1 was the only=20=

> thing I had or used - that was all I "needed" for awhile.=A0 Long =
reverbs=20
> pretty much sufficed in some of my early forays into live tuba=20
> processing and composing.=A0 In the studio recording the first album, =
I=20
> had longer loops running on the EDP, while the DL4 was running it's=20
> shorter ones - maybe not "needed", but the engineer's idea, and it=20
> seemed to work nicely.=A0
>
> By the way, perhaps worth mentioning - each time I've had my rig at=20
> Robert Rich's studio, he has detected "hash" or grit in the signal=20
> chain, which he has always said was coming from the MPX1.=A0 It isn't =
an=20
> issue with live playing, but something to be aware of.
>
> You do know that it is the G2, not the MPX1, that has a JamMan =
program,=20
> right? - not sure what you think the MPX1 claims to be able to do that=20=

> would obviate the need for a DL4, EDP or other looper, with which to =
do=20
> live multi-tracking.=A0 I'd love nothing better than to only have to =
haul=20
> around one piece of processing gear.=A0 Hopefully some day in the not =
too=20
> distant future, I can accomplish this with a laptop...
>
> Best,
>
> Tom=A0

--Apple-Mail-1--1053086525
Content-Transfer-Encoding: quoted-printable
Content-Type: text/enriched;
	charset=ISO-8859-1

Hey boys and girls,


while I coveted the MPX-1 (it had pretty much the exact feature set I
was looking for, mod, verb and filter effects, with midi clock
synchable bionic action all in a single rack space) I realized I
couldn't afford it, and decided to get the MPX-500, because of a
recommendation from Rick Walker.  Well, I got it, and it is a great
little processor, though I still wished for the expanded feature set
of the MPX-1.


SO, while I was at the Concord Guitar Center (SF E. Bay Area) buying
midi cables for the MPX500, I saw that they were selling a demo of the
MPX-1 for $425!  Only $24 more than I paid for the MPX500!  So I
picked it up.  There's another (they had two demo models for some
reason) for someone who wants one, but has been waiting.  They usually
do not sell the demos, but I was told that the MPX-1 is no more, and
that is the reason for the blow out price.  I bet if you went to any
local dealer with this knowledge, you could probably negotiate a
similar price.


good luck,


Mark Sottilaro


On Saturday, May 25, 2002, at 10:57  AM, Tom Heasley wrote:


<excerpt>At 02:17 PM 5/22/02, you wrote:


> I use it mostly for pitch programs in tandem with a D-TWO and a DL4.

> I like it.

Tom,

If the MPX-1 does everything it claims, why would you also need the

D-Two (and/or DL4)? More (varied) delays at the same time?



Hey, Greg,


Wow, usually people remark on how few pieces of gear I have - maybe I
<underline>don't</underline> "need" anything else!=A0 But I sure thought
I missed my DL4 when it was down for almost two months - those
concerts weren't nearly as much fun to play! (or listen to, I
imagine)...I'm sure there are untapped (by me, so far) resources in
the Lexicon - such as (I think) having two very different/separate
effects coming from either channel; however, in the case of pitch and
delay programs, they both tend to eat up enough memory to make it
impossible to combine some of the kinds of things that I would want
to.=A0 There was a time that the MPX1 was the only thing I had or used -
that was all I "needed" for awhile.=A0 Long reverbs pretty much sufficed
in some of my early forays into live tuba processing and composing.=A0
In the studio recording the first album, I had longer loops running on
the EDP, while the DL4 was running it's shorter ones - maybe not
"needed", but the engineer's idea, and it seemed to work nicely.=A0


By the way, perhaps worth mentioning - each time I've had my rig at
Robert Rich's studio, he has detected "hash" or grit in the signal
chain, which he has always said was coming from the MPX1.=A0 It isn't an
issue with live playing, but something to be aware of.


You do know that it is the G2, not the MPX1, that has a JamMan
program, right? - not sure what you think the MPX1 claims to be able
to do that would obviate the need for a DL4, EDP or other looper, with
which to do live multi-tracking.=A0 I'd love nothing better than to only
have to haul around one piece of processing gear.=A0 Hopefully some day
in the not too distant future, I can accomplish this with a laptop...


Best,


Tom=A0

</excerpt>=

--Apple-Mail-1--1053086525--

From Loopers-Delight-request@loopers-delight.com  Sat May 25 15:17:58 2002
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>on 5/24/2002 8:58 PM, just john at just-john@just-john.com wrote:
>
>>> I am looking for schematics for the delta labs effectron I & II adm 1024
>>> one works and the other doesn't so I need to get it fixed
>>>
>>> any help will be appreciated
>>>
>>> thanx!
>>
>> Crikey!  I have an Effectron II, and the documentation may have just what
>> you need!  And I may have the documentation, somewhere!
>>
>> Estimated time needed to locate it:  Several days.
>>
>> But I'll give it a shot.
>> ---
>> * just-john@just-john.com  http://just-john.com/cn/rfe.shtml *
>>
>I thought it was CriMey!


That's the river, as in:  Crimey, a river ...



>the one that is broken is the effectron I but anything will help
>send it whenever you can

I'm completely flabbergasted that I found the Effectron II documentation!
It was in the same storage bin as the documentation for my Casio KX-101 and
other bits ot 80s memorabilia.

Anyway, what I have is the "Owner's Manual  ADM 256/ADM 1024."  It doesn't
have any genuine schematics in it.   The closest it comes is what they call
a Block Diagram, which looks like somebody used an electronics template --
y'know, squiggly lines with a branch line to indicate a potentiometer's
function, boxes for LFOs and VCOs -- to describe the signal flow.

The difference between this graphic and what I'd call a schematic is that
it doesn't have part numbers or specifications.  For instance, the
potentiometer functions it mentions don't mention ohms.  No voltages are
mentioned anywhere.

It's a weird document, and I'm guessing it's not what you need, 'cuz
anybody used to using the box already knows the processing flow.

Here's the sort of document I suspect you want:
http://www.loopers-delight.com/tools/deltalabs/echotron.jpg (for a
different device)   What I have is so high-level that the digital/audio
conversion is represented as a small box with "D/A" in it.

So, d'ya think it's worth my time to (finally) unpack my scanner and set it
up and scan it?

---
* just-john@just-john.com  http://just-john.com/cn/rfe.shtml *

From Loopers-Delight-request@loopers-delight.com  Sat May 25 17:01:01 2002
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Date: Sat, 25 May 2002 16:59:48 -0400
Subject: Loopers in Charleston (Steve Reich premier)
From: todd reynolds <toddreynolds@rcn.com>
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I'll be in Charleston next week with Steve Reich... We're premiering his
three tales... Just got the charts and midi stuff in the mail, and it sounds
SMOKIN'!   any loopers in the area please be in touch...

Best,

Todd Reynolds

From Loopers-Delight-request@loopers-delight.com  Sat May 25 17:09:00 2002
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no chance steve reich will be performing in 
hattiesburg, ms huh?  anywhere closer to mississippi 
(new orleans, atlanta, memphis, etc.)?

-jim

From Loopers-Delight-request@loopers-delight.com  Sat May 25 17:09:06 2002
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This has been mentioned before but...

Please all list members- place the dates, times, places, etc for your
gig posts in the beginning and with complete info- it seems quite a few
hide the city or state etc- Thanks- Cliff



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Date: Sat, 25 May 2002 14:40:18 -0700
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At 2:46 PM -0400 5/23/02, Liebig, Steuart A. wrote:
>does anybody out there know of any good places to find hard-to-get 
>or used 20t/21st-century ("contemporary") "classical" music?

http://www.cdemusic.org/
http://www.oodiscs.com/
http://www.experimentalintermedia.org/xi/
http://www.electrocd.com/cat.list.e/label.imed.cat.html
http://www.deeplistening.org/dlc/
http://www.mode.com/
http://www.newalbion.com/
http://www.innovarecordings.com/
http://www.centaurrecords.com/default.asp
http://www.composersrecordings.com/enter.html

-- 
______________________________________________________________________________
Richard Zvonar					(818) 788-2202 voice
zvonar@zvonar.com				(818) 788-2203 fax
http://www.zvonar.com

From Loopers-Delight-request@loopers-delight.com  Sat May 25 19:44:29 2002
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Date: Sat, 25 May 2002 19:42:54 -0500
Subject: OT: speaker frequency response - technical stuff
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this is a basic issue but one to which i never found 
an answer so here goes: could somebody please discuss 
frequency response regarding speakers? for example, 
low E on a bass is about 41Hz right? so the 
fundamental will be that same measurement, right? why 
or how is it that i see plenty of bass cabs rated 50Hz-
XkHz? doesn't speaker X need to be rated at least as 
low as the fundamental of the lowest note produced on 
instrument Y?

just some clarification, if you would...

thanks.

-jim 



From Loopers-Delight-request@loopers-delight.com  Sun May 26 00:37:22 2002
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From: Chris Richards <kohntarkosz@yahoo.com>
Subject: Re:American Music Center
To: Loopers-Delight@loopers-delight.com
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<<The American Music Center (NYC) has a pretty
extensive library of recordings, which members
can borrow through the mail.  www.amc.org. 
They'll even put together a work list for you,
for instance, if you wanted new music with
electric
bass only, or bass w/ electronics, etc. >>

Uh, the link in the above message directed me to
the AMC Cancer Research Center. You want to check
to make sure you posted the correct link? 

=====
May you never thirst!
The Scuba Diver Presently Known As Chris

"What do you get when you give a yo-yo to a flock of flamingos?"-James Earl Jones

__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun May 26 00:41:51 2002
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Date: Sat, 25 May 2002 21:40:46 -0700 (PDT)
From: Gary Worsham <faultline1989@yahoo.com>
Subject: FA: Doepfer Pocket Control MIDI surface 16 knobs
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http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=876495708

Doepfer Pocket Control

A compact & highly flexible desktop MIDI controller.
16 control knobs with medium, smooth feel.
MIDI IN automatically merges with controller messages
- put it in-line with 
your keyboard controller for MAD power live!
Use with hardware & software synths, MIDI mixers,
sequencers… supports 
SoundBlaster/AWE, GM/GS/XG, Rebirth, Yamaha CS1X,
Waldorf Pulse, Ensoniq 
ASR-X, Doepfer MAQ, Kawai K5000, Yamaha 01v.
Send MIDI controllers, mono/poly aftertouch, pitch
bend, RPN/NRPN, XG-
Sysex, GS/XG controllers, program change, even note
on/off.  Use a 
different MIDI channel per knob or the master channel
for all knobs.

__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun May 26 00:51:22 2002
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Subject: Re: speaker frequency response - technical stuff
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----- Original Message -----
From: <JIMFOWLER@prodigy.net>
> why
> or how is it that i see plenty of bass cabs rated 50Hz-
> XkHz? doesn't speaker X need to be rated at least as
> low as the fundamental of the lowest note produced on
> instrument Y?

Frequency response is often specified from the half power points; -3dB down at
the low and high ends of the audio spectrum.  Unless otherwise specified.  (CD
players might specify 20-20kHz +/- 0.1Hz for example.)  A response that is down
by 3dB at 50 Hz means that at 41 Hz the response has dropped off a little more,
but it's still there.  There will be a response at 20Hz, too.  But if the
response is falling at 6dB per octave (10dB per decade), that means the response
is half that of 40Hz, given equal levels at the input.

Cheers,

Bill

From Loopers-Delight-request@loopers-delight.com  Sun May 26 00:56:38 2002
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From: Chris Richards <kohntarkosz@yahoo.com>
Subject: Boomerang
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Well, today I got my Boomerang in the mail. I won
it on E-bay, with the shipping and gig bag, the
whole package cost me $399! As far as looping
concerned, this thing totally buries my DL-4.
Obviously, the loop time is longer, and in what
I've done with it so far, I've yet to have the
loop end before I was done putting my initial
idea that I want to start with. Also, when you go
into reverse mode, there's no glitch, like on the
DL-4, ah the luxury of not having the direction
button share it's function with something else.
:-) 

I'm still using the DL-4 for delay effects,
though. I feel the DL-4's tape and analog delay
models are way better than the delay that's
available in the loop/sampler mode, which is
another bonus of having a seperate looping
device. 

I'm still working with it, I haven't played
around with the alternate sampling rates or
anythign like that, I've just used it as it is
straight out of the box. I had to play with the
level controls a bit to get a good sounding
signal, but that's about it. Until I get the cash
together to get more loopers, the Boomerang's
gonna be my main looping device. I may continue
to use the DL-4 for running two loops
simutaneously, but in my initial experiments, the
way I have everything set up (I have everything
running in one signal path straight into my amp),
it seems difficult to keep the live guitar plus
two loops balanced so nothing's overwhelming
anything else. Once I get a a mixer and a cuople
more loopers, I think that kind of thing will be
a little easier to do properly. 

For now, though, I'm quite happy with the
Boomerang. 

=====
May you never thirst!
The Scuba Diver Presently Known As Chris

"What do you get when you give a yo-yo to a flock of flamingos?"-James Earl Jones

__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Sun May 26 01:14:53 2002
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Subject: RE: speaker frequency response - technical stuff
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another thing to keep in mind, although i'm not sure how much this comes
into play here, are psycho acoustic effects based on harmonics.

as may be already more than apparent to you, when you play a low E on a bass
you not only have energy at your fundamental frequency, 41hz, but tons of
different energy levels at multiples of the fundamental frequency that are
based on the modes of the plucked bass string.  these will be at integer
multiples of the fundamental... 41, 82, 123, 164, 205, etc.  the
distribution and attack/decay behavior of the energy at each of these
harmonic frequencies is what gives the bass it's signature tone.  pardon me
if i'm boring you.

so what happens if you completely remove energy from the first fundamental?
(so instead of the series starting off with 41, the sequences begins 82,
123, 164, 205, ...)   well, even if there is no energy present at the first
fundamental, your brain does a sort of interpolation of the frequencies that
are present and gives you a sense that you're hearing the missing
fundamental, allowing you to perceive the starting point of the complete
harmonic series.  you can try it with any synth that has a few sine
oscillators... it's neat.

and then there's also the fact that speakers have response below what they
are 'rated', just not as accurate a response.

hope that made sense...

paul








> -----Original Message-----
> From: Bill Fox [mailto:billfox@fast.net]
> Sent: Saturday, May 25, 2002 9:50 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: speaker frequency response - technical stuff
>
>
> ----- Original Message -----
> From: <JIMFOWLER@prodigy.net>
> > why
> > or how is it that i see plenty of bass cabs rated 50Hz-
> > XkHz? doesn't speaker X need to be rated at least as
> > low as the fundamental of the lowest note produced on
> > instrument Y?
>
> Frequency response is often specified from the half power points;
> -3dB down at
> the low and high ends of the audio spectrum.  Unless otherwise
> specified.  (CD
> players might specify 20-20kHz +/- 0.1Hz for example.)  A
> response that is down
> by 3dB at 50 Hz means that at 41 Hz the response has dropped off
> a little more,
> but it's still there.  There will be a response at 20Hz, too.  But if the
> response is falling at 6dB per octave (10dB per decade), that
> means the response
> is half that of 40Hz, given equal levels at the input.
>
> Cheers,
>
> Bill
>

From Loopers-Delight-request@loopers-delight.com  Sun May 26 01:26:59 2002
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At 9:35 PM -0700 5/25/02, Chris Richards wrote:

>Uh, the link in the above message directed me to the AMC Cancer 
>Research Center. You want to check to make sure you posted the 
>correct link?


As my 11th grade English teacher used to say, "Honestly, people!"

It's http://www.amc.net
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Sun May 26 04:37:43 2002
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Subject: Ultimate MIDI Controller ?
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I stumbled upon this today, and thought it might be of 
interest:  http://www.infusionsystems.com/

-Hans


From Loopers-Delight-request@loopers-delight.com  Sun May 26 09:53:58 2002
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Subject: The Ambient Ping presents Random Act
Date: Sun, 26 May 2002 09:54:41 -0400
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THE AMBiENT PiNG   http://www.theambientping.com
Every Tuesday Night - doors open at 9pm - 1st set at 9:30
@ club nia / C'est What - 19 Church St. at Front St. - Toronto
        3 blocks east of the Union Station subway.
        map - http://www.cestwhat.com/map.html
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

This Tuesday May 28th 2002 - Random Act

Returning for their first 2002 performance at The Ambient Ping,
Random Act ensemble: Eric Hopper, Joe Galifi (aka Styrohead)
& instrument creator/sound artist Alan Bloor (aka Knurl & Pholde)
collaborate to spin their synth, guitar, rhythmic & metal-sonic webs. 
Prepare for an evening of expansive metallic washes and enveloping
atmospheres from the dark to the beautiful and the spaces between.

Watch for Random Act's new CD "Illusions Of Light" coming soon
on James Johnson's Zero Music label. http://www.zeromusic.net

Eric Hopper (Random Act) - http://www.mp3.com/Random_Act
Joe G (Styrohead) - http://www.mp3.com/Styrohead
Alan Bloor (Knurl) - http://www.alien8recordings.com/knurl.php3
  (Pholde) - http://www.theambientping.com/pholde/home.html

Between sets CD - "les landes" by The Widening Gyre (2002)
Gentle topographical tonescapes from Toronto's Ryan Hagerman.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Ambient Ping presents free live performances by Toronto's
finest ambient, chillout and experimental music artists plus
performers from across the continent, every Tuesday at club nia
(aka C'est What) featuring a comfortable lower stage area, perfect
for attentive listening, plus a higher level with a bar, back room
and more seating that's great for conversation, good food and
the club's impressive beer, wine and whiskey selection.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Please forward this e-mail to any friends who may be
interested in live ambient and experimental performances.

From Loopers-Delight-request@loopers-delight.com  Sun May 26 12:11:15 2002
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Date: Sun, 26 May 2002 12:08:16 EDT
Subject: Re: Loopers in Charleston (Steve Reich premier)
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In a message dated 5/25/02 4:59:57 PM Eastern Daylight Time, 
toddreynolds@rcn.com writes:


> I'll be in Charleston next week with Steve Reich... We're premiering his
> three tales... Just got the charts and midi stuff in the mail, and it 
> sounds
> SMOKIN'!   any loopers in the area please be in touch...
> 
> Best,
> 
> Todd Reynolds
> 
> 

charleston s.c?????????????
if so i'm in myrtle beach.....an hour and a half away.
brian
electric bird noise
something about vampires and sluts
http://artists.mp3s.com/artists/382/something_about_vampires_a.html

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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=3 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0">In a message dated 5/25/02 4:59:57 PM Eastern Daylight Time, toddreynolds@rcn.com writes:<BR>
<BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">I'll be in Charleston next week with Steve Reich... We're premiering his<BR>
three tales... Just got the charts and midi stuff in the mail, and it sounds<BR>
SMOKIN'!&nbsp;&nbsp; any loopers in the area please be in touch...<BR>
<BR>
Best,<BR>
<BR>
Todd Reynolds<BR>
<BR>
</BLOCKQUOTE><BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=3 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0"><BR>
</FONT><FONT  COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">charleston s.c?????????????<BR>
if so i'm in myrtle beach.....an hour and a half away.<BR>
brian<BR>
electric bird noise<BR>
something about vampires and sluts<BR>
http://artists.mp3s.com/artists/382/something_about_vampires_a.html</FONT></HTML>

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Date: Sun, 26 May 2002 10:13:44 -0700
From: Richard Zvonar <zvonar@zvonar.com>
Subject: Re: Ultimate MIDI Controller ?
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At 1:35 AM -0700 5/26/02, Hans Lindauer wrote:
>I stumbled upon this today, and thought it might be of interest: 
>http://www.infusionsystems.com/

See also:

STEIM Sensorlab
http://www.steim.nl/sensor.html

IRCAM AToMIC Pro
http://www.ircam.fr/produits/technologies/atomic/Atomic-e.html


A comprehensive set of controller links is at:

http://www.notam02.no/icma/interactivesystems/interface_links.html
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

From Loopers-Delight-request@loopers-delight.com  Sun May 26 14:38:44 2002
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Date: Sun, 26 May 2002 11:41:52 -0700
To: Loopers-Delight@loopers-delight.com
From: Mark Landman <mlandman@sonic.net>
Subject: Re: Ultimate MIDI Controller ?
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>I stumbled upon this today, and thought it might be of interest: 
>http://www.infusionsystems.com/
>
>-Hans

Speaking of interesting controllers, has anyone seen or worked with 
this one yet?

http://www.midiman.net/products/midiman/surfaceone.php


It reminds me more than a little of a Don Buchla design, and this is 
a good thing...

Best-

Mark

From Loopers-Delight-request@loopers-delight.com  Sun May 26 15:48:00 2002
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Date: Sun, 26 May 2002 12:46:48 -0700
From: Greg Kucharo <telecaster@mac.com>
Subject: Re: Ultimate MIDI Controller ?
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  Mark how dare you post this before me! I was just going to inquire
about this device when you did. From the looks of the Midiman website,
this should be shipping already but i'll be damned if anyone is actually
carrying it. It does remind me of the old Buchla Thunder, which piqued
my interest in it. I'd love to get one when or if they come out.

-Greg


on 5/26/02 Mark Landman wrote:

>>I stumbled upon this today, and thought it might be of interest: 
>>http://www.infusionsystems.com/
>>
>>-Hans
>
>Speaking of interesting controllers, has anyone seen or worked with 
>this one yet?
>
>http://www.midiman.net/products/midiman/surfaceone.php
>
>
>It reminds me more than a little of a Don Buchla design, and this is 
>a good thing...
>
>Best-
>
>Mark
>
------------------------------------------
Greg Kucharo-                                 
www.mutantaudio.com


From Loopers-Delight-request@loopers-delight.com  Sun May 26 16:39:32 2002
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From: "Jukka Andersson" <vi8mjuan@kyamk.fi>
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References: <r01050100-1014-5188300270E111D687F60003937B76DC@[10.0.1.11]>
Subject: DIY midicontroller
Date: Sun, 26 May 2002 23:37:44 +0300
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What is best choice for temporary DIY midicontroller project?
I have no money right now and no knowledge enought what I need for my
"real" midicontroller. I have  been thinking about getting Doepfer
pocketdial or
similar but since for example my Korg 01/W I need just basic controller with
some knobs or faders. Perhaps 4-6 is just enought.

Something easy to build and easy to get parts.

.jukka andersson
 rihmasto.

www.rihmasto.n3.net


From Loopers-Delight-request@loopers-delight.com  Sun May 26 21:44:21 2002
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http://matthias.grob.org/Giba.htm

-- 


          ---> http://Matthias.Grob.org

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 Hi all,
I love my EDP, but find myself wishing that each overdub could be on a seperate track for mixing down later, and even tweaking the mix on the spot. 
Any suggestions for software/(and hardware?) that would behave like an EDP but put everything on a seperate track?
Thanks!
Bradley Fish
 
 
 
 
 
 
 



---------------------------------
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
--0-882892905-1022482648=:59395
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<P>&nbsp;Hi all,
<P>I love my EDP, but find myself wishing that each&nbsp;overdub could be on a seperate track for mixing down later, and even tweaking the mix on the spot. 
<P>Any suggestions for software/(and hardware?) that would behave like an EDP but put everything on a seperate track?
<P>Thanks!
<P>Bradley Fish
<P>&nbsp;
<P>&nbsp;
<P>&nbsp;
<P>&nbsp;
<P>&nbsp;
<P>&nbsp;
<P>&nbsp;</P><p><br><hr size=1><b>Do You Yahoo!?</b><br>
<a href="http://rd.yahoo.com/welcome/*http://fifaworldcup.yahoo.com">Yahoo!</a> - Official partner of 2002 FIFA World Cup
--0-882892905-1022482648=:59395--

From Loopers-Delight-request@loopers-delight.com  Mon May 27 10:30:53 2002
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Subject: RE: Live Multitrack Laptop Looping Suggestions?!
Date: Mon, 27 May 2002 09:29:25 -0500
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Get a Repeater, then you can program everything so you can turn on the
Repeater when you want to transfer an EDP loop to one of Repeaters
tracks, which can then be saved to the CFC card for later use.
 
Steve 

I love my EDP, but find myself wishing that each overdub could be on a
seperate track for mixing down later, and even tweaking the mix on the
spot. 


Any suggestions for software/(and hardware?) that would behave like an
EDP but put everything on a seperate track? 


Thanks! 


Bradley Fish 








 




  _____  

Do You Yahoo!?
Yahoo! <http://rd.yahoo.com/welcome/*http://fifaworldcup.yahoo.com>  -
Official partner of 2002 FIFA World Cup


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	charset="US-ASCII"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Dus-ascii">
<TITLE>Message</TITLE>

<META content=3D"MSHTML 6.00.2716.2200" name=3DGENERATOR></HEAD>
<BODY>
<DIV class=3DOutlookMessageHeader lang=3Den-us dir=3Dltr =
align=3Dleft><FONT face=3DTahoma=20
size=3D2></FONT></DIV>
<DIV><SPAN class=3D700082814-27052002><FONT face=3DArial color=3D#0000ff =
size=3D2>Get a=20
Repeater, then you can program everything so you can turn on the =
Repeater when=20
you want to transfer an EDP loop to one of Repeaters tracks, which can =
then be=20
saved to the CFC card for later use.</FONT></SPAN></DIV>
<DIV><SPAN class=3D700082814-27052002></SPAN>&nbsp;</DIV>
<DIV><SPAN class=3D700082814-27052002></SPAN><SPAN =
class=3D700082814-27052002><FONT=20
face=3DArial color=3D#0000ff size=3D2>Steve</FONT></SPAN>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px">
  <P>I love my EDP, but find myself wishing that each&nbsp;overdub could =
be on a=20
  seperate track for mixing down later, and even tweaking the mix on the =
spot.=20
  <P>Any suggestions for software/(and hardware?) that would behave like =
an EDP=20
  but put everything on a seperate track?=20
  <P>Thanks!=20
  <P>Bradley Fish=20
  <P>=20
  <P>=20
  <P>=20
  <P>=20
  <P>=20
  <P>=20
  <P>&nbsp;</P>
  <P><BR>
  <HR SIZE=3D1>
  <B>Do You Yahoo!?</B><BR><A=20
  =
href=3D"http://rd.yahoo.com/welcome/*http://fifaworldcup.yahoo.com">Yahoo=
!</A> -=20
  Official partner of 2002 FIFA World Cup</BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May 27 11:14:15 2002
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Subject: OT: Zoom MRS1044CD
Date: Mon, 27 May 2002 11:10:58 -0400
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MessageNot to wax messianic, but I just took receipt of a Zoom MRS1044CD =
10 track digital recorder. This thing is awesome for the price. It only =
has two inputs so it's only appropriate for one-man-band home studio use =
mostly but I was really impressed with the end product. This unit has a =
really elegant interface notwithstanding the comparatively small LCD. =
It's about the easist unit I've used in this price range (e.g. Tascam =
788, Roland VS840ex). The recording procedure is very simple. The =
Mastering procedure and burn CD procedure is simple as well. It allows =
one to place more emphasis on playing rather than messing with technical =
issues. If anyone's in the market for this type of unit, check it out.

Regards, Butch

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Message</TITLE>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Not to wax messianic, but I just took =
receipt of a=20
Zoom MRS1044CD 10 track digital recorder. This thing is awesome for the =
price.=20
It only has two inputs so it's only appropriate for one-man-band home =
studio use=20
mostly but I was really impressed with the end product. This unit has a =
really=20
elegant interface notwithstanding the comparatively small LCD. It's =
about the=20
easist unit I've used in this price range (e.g. Tascam 788, Roland =
VS840ex). The=20
recording procedure is very simple. The Mastering procedure and burn CD=20
procedure is simple as well. It allows one to place more emphasis on =
playing=20
rather than messing with technical issues. If anyone's in the market for =
this=20
type of unit, check it out.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Regards, =
Butch</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Mon May 27 13:46:01 2002
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You need to check out Ableton's Live....for Mac or PC.....
http://www.ableton.com/
I was going to pick up the Repeater...my current looping tool
is a JamMan.....  but I opted for software and the Roland BR532
portable digital 4 track.  I wanted something that was deadly quiet-
no hard drive noise, could run on batteries, and that I could transfer
tracks digitally into Live and Performer.  Plus it has 32 tracks if you
count the 8 virtual per 4 tracks.
Now I'm still looking for an inexpensive compact mixer for a couple
of Audix condensers (SCX25) that require 48v phantom.  I've got
a couple of Stewart phantom boxes that take care of the juice....
and I actually get a clean signal using transformers in front of a Radio

Shack hi z 4 input cheapo mic mixer.  But I'd like to do a bit better
and still keep my tight-wad reputation.  Any body got a suggestion?
--
gary
@friendlyspider.com

Bradley Fish wrote:

>  Hi all,
>
> I love my EDP, but find myself wishing that each overdub could be on a
> seperate track for mixing down later, and even tweaking the mix on the
> spot.
>
> Any suggestions for software/(and hardware?) that would behave like an
> EDP but put everything on a seperate track?
>
> Thanks!
>
> Bradley Fish

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Subject: Re: Live Multitrack Laptop Looping Suggestions?!
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From: Mark Sottilaro <sine@zerocrossing.net>
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--Apple-Mail-1--882173995
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	format=flowed

I agree, this is probably the only way to go.  I'm still pretty sure=20
that no software/computer setup can do looping in real time, without=20
additional hardware.

On that note, has anyone checked out the new box from Digitech?  The=20
floor pedal with the multitrack "JamMan" simulation built in?  GNX3 I=20
think it achieves this by having a small on board direct to disk=20
multitrack recorder.  It might be what you're looking for.

Mark


On Monday, May 27, 2002, at 07:29  AM, M. Steven Ginn wrote:

>
> Get a Repeater, then you can program everything so you can turn on the=20=

> Repeater when you want to transfer an EDP loop to one of Repeaters=20
> tracks, which can then be saved to the CFC card for later use.
> =A0
> Steve=A0
>
> I love my EDP, but find myself wishing that each=A0overdub could be on =
a=20
> seperate track for mixing down later, and even tweaking the mix on the=20=

> spot.
>
> Any suggestions for software/(and hardware?) that would behave like an=20=

> EDP but put everything on a seperate track?
>
> Thanks!
>
> Bradley Fish
>
>
>
>
>
>
>
>
>
>
>
>
>
> =A0
>
>
>

>
> Do You Yahoo!?
> Yahoo! - Official partner of 2002 FIFA World Cup
>

--Apple-Mail-1--882173995
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	charset=ISO-8859-1

I agree, this is probably the only way to go.  I'm still pretty sure
that no software/computer setup can do looping in real time, without
additional hardware.


On that note, has anyone checked out the new box from Digitech?  The
floor pedal with the multitrack "JamMan" simulation built in?  GNX3 I
think it achieves this by having a small on board direct to disk
multitrack recorder.  It might be what you're looking for.


Mark=20



On Monday, May 27, 2002, at 07:29  AM, M. Steven Ginn wrote:


<excerpt>

=
<fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param><small=
er>Get
a Repeater, then you can program everything so you can turn on the
Repeater when you want to transfer an EDP loop to one of Repeaters
tracks, which can then be saved to the CFC card for later =
use.</smaller></color></fontfamily>

=A0

=
<fontfamily><param>Arial</param><color><param>0000,0000,FFFF</param><small=
er>Steve</smaller></color></fontfamily>=A0


I love my EDP, but find myself wishing that each=A0overdub could be on a
seperate track for mixing down later, and even tweaking the mix on the
spot.


Any suggestions for software/(and hardware?) that would behave like an
EDP but put everything on a seperate track?


Thanks!


Bradley Fish














=A0




</excerpt>=20

<excerpt>

<bold>Do You Yahoo!?

=
</bold><underline><color><param>1999,1999,FFFF</param>Yahoo!</color></unde=
rline>
- Official partner of 2002 FIFA World Cup


</excerpt>=

--Apple-Mail-1--882173995--

From Loopers-Delight-request@loopers-delight.com  Mon May 27 14:07:59 2002
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on 5/25/2002 3:21 PM, just john at just-john@just-john.com wrote:

>> on 5/24/2002 8:58 PM, just john at just-john@just-john.com wrote:
>> 
>>>> I am looking for schematics for the delta labs effectron I & II adm 1024
>>>> one works and the other doesn't so I need to get it fixed
>>>> 
>>>> any help will be appreciated
>>>> 
>>>> thanx!
>>> 
>>> Crikey!  I have an Effectron II, and the documentation may have just what
>>> you need!  And I may have the documentation, somewhere!
>>> 
>>> Estimated time needed to locate it:  Several days.
>>> 
>>> But I'll give it a shot.
>>> ---
>>> * just-john@just-john.com  http://just-john.com/cn/rfe.shtml *
>>> 
>> I thought it was CriMey!
> 
> 
> That's the river, as in:  Crimey, a river ...
> 
> 
> 
>> the one that is broken is the effectron I but anything will help
>> send it whenever you can
> 
> I'm completely flabbergasted that I found the Effectron II documentation!
> It was in the same storage bin as the documentation for my Casio KX-101 and
> other bits ot 80s memorabilia.
> 
> Anyway, what I have is the "Owner's Manual  ADM 256/ADM 1024."  It doesn't
> have any genuine schematics in it.   The closest it comes is what they call
> a Block Diagram, which looks like somebody used an electronics template --
> y'know, squiggly lines with a branch line to indicate a potentiometer's
> function, boxes for LFOs and VCOs -- to describe the signal flow.
> 
> The difference between this graphic and what I'd call a schematic is that
> it doesn't have part numbers or specifications.  For instance, the
> potentiometer functions it mentions don't mention ohms.  No voltages are
> mentioned anywhere.
> 
> It's a weird document, and I'm guessing it's not what you need, 'cuz
> anybody used to using the box already knows the processing flow.
> 
> Here's the sort of document I suspect you want:
> http://www.loopers-delight.com/tools/deltalabs/echotron.jpg (for a
> different device)   What I have is so high-level that the digital/audio
> conversion is represented as a small box with "D/A" in it.
> 
> So, d'ya think it's worth my time to (finally) unpack my scanner and set it
> up and scan it?
> 
> ---
> * just-john@just-john.com  http://just-john.com/cn/rfe.shtml *
> 
it's cool....cuz I think my tech would need the specs anyway to get parts
....but if you find anything let me know!!

thanx!

From Loopers-Delight-request@loopers-delight.com  Mon May 27 14:28:52 2002
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Subject: Oh Say, Have You Scene - found on Electronic Musician
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...."I've just returned from Loopstock, a one-day concert and minifestival
where barely three dozen people converged on a small dance studio warehouse
in San Luis Obispo, California, from points as far-flung as Oregon, Boston,
and Brazil. They came to perform, to listen, and to discuss a variety of
takes on looping - from a three-piece synth band to DSP Demon Richard Zvonar
mangling snippets of recorded music to a solo tuba player - all working with
long delay loops. Probably over half the attendees were performing."....



http://industryclick.com/magazinearticle.asp?magazineid=33&releaseid=10101&m
agazinearticleid=146673&siteid=15

From Loopers-Delight-request@loopers-delight.com  Mon May 27 15:00:40 2002
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Subject: OT a bit, synching mod rates on a lexicon mpx1
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so, I picked up one of these bad boys, and boy is it unlike the simple, 
"I'm seeing midi synch, so I'll synch any synchable parameters to it" 
style of the mpx500.  I've got it to see and synch to a midi clock, but 
I'm having issues trying to get it to change rates regardless of if it's 
looking at an 8th note, or a hole note.  What am I not getting?  Anyone 
find any good resources for this box?

Thanks,

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Mon May 27 15:15:07 2002
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Date: Mon, 27 May 2002 15:13:04 EDT
Subject: oh say, have you seen
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"The looping scene should have a long time to grow before it becomes 
co-opted, corrupted, or otherwise brought low.".....itwo LARRY THE O

thank goodness.....i didnt want the party to end just because i showed 
up:).....michael

    
    
    

From Loopers-Delight-request@loopers-delight.com  Tue May 28 09:50:51 2002
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From: "Dennis Leas" <dennis@mdbs.com>
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Subject: Re: DIY midicontroller
Date: Tue, 28 May 2002 08:47:41 -0500
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Check out:
http://www.paia.com/midibrn.htm

Probably the most economical DIY MIDIController I've seen.  Disclaimer: I've
never built one myself but I've built many PAIA projects with no complaints.

Dennis Leas
-------------------
dennis@mdbs.com


----- Original Message -----
From: "Jukka Andersson" <vi8mjuan@kyamk.fi>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, May 26, 2002 3:37 PM
Subject: DIY midicontroller


> What is best choice for temporary DIY midicontroller project?
> I have no money right now and no knowledge enought what I need for my
> "real" midicontroller. I have  been thinking about getting Doepfer
> pocketdial or
> similar but since for example my Korg 01/W I need just basic controller
with
> some knobs or faders. Perhaps 4-6 is just enought.
>
> Something easy to build and easy to get parts.
>
> .jukka andersson
>  rihmasto.
>
> www.rihmasto.n3.net
>
>

From Loopers-Delight-request@loopers-delight.com  Tue May 28 10:20:49 2002
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Date: Tue, 28 May 2002 10:20:52 -0700
To: Loopers-Delight@loopers-delight.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: Live Multitrack Laptop Looping Suggestions?!
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Gary Phillips wrote:

>You need to check out Ableton's Live....for Mac or PC.....
>http://www.ableton.com/
>I was going to pick up the Repeater...my current looping tool
>is a JamMan.....  but I opted for software and the Roland BR532
>portable digital 4 track.  I wanted something that was deadly quiet-
>no hard drive noise, could run on batteries, and that I could transfer
>tracks digitally into Live and Performer.  Plus it has 32 tracks if you
>count the 8 virtual per 4 tracks.

How do you get the data digitally from the BR532 to the computer?  Do you
just transfer the smart media cards to a reader on your computer, or do you
use the MIDI ports?  What digital format is the music in?

Thanks,
Chris

From Loopers-Delight-request@loopers-delight.com  Tue May 28 10:42:15 2002
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>> They usually do not sell the demos, but I was told that 

I was at the local Sam Ash Music store the other day and overheard the
salesman responding to a question about whether a guy could get a
discount for the 'floor model'.  The new response is "80% our stock is
on the floor so there's no such thing as a 'floor model' anymore".

Kinda strange seeing as most of the gear (including instruments) are so
often banged up or otherwise not cared for.

Anyway I thought I would pass this along, whether it's a real policy or
just the pat answer for the usual concern about buying off the floor. My
new attitude is 'Give me an unopened box' - I guess I'll take my chances
with the quality control at the manufacturer.  Web purchases are looking
more attractive than ever these days.  It's not like the sales people at
these mega stores are familiar with the equipment.  

It's not hard to know more than these guys about almost any new gear if
you do a little research on the web.  Another salesperson, when I asked
about the Mackie powered mixer gave me a blank look for a second, then
said "Oh  - Mack-kee! yes I've heard of them..."

Sorry - I didn't mean to turn this into a rant.  But I do miss the days
where a local music store could distinguish themselves with knowledgable
staff and a limited but decent selecion.  And an occasional bargain
hopefully.  

Dan Ash

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Subject: Gigging in NYC - Thursday May 30, 2002 at 9:30 pm
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hello all-

reminder for my weekly gig Thursday, May 30, 2002 at
Chama, 332 East 4th Street, betwixt Avenues C and D in
New York City, NY. 646-654-6472

I begin ~9:30 pm and have been playing just past
midnight. Check archives for quasi-reviews.

tales from last week's gig:

eh, none actually. I was actually hopped up to play,
but the proprietor asked if he could have the evening
to work on some items. thus, the gig was cancelled. I
used the time and weekend to work on some sound ideas
I plan on debuting this Thursday. Kind of a
hyper-techno sound.

best regards, Pedro Felix - NYC 2002 

__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com

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Subject: Re: Oh Say, Have You Scene - found on Electronic Musician
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Sounds like a concept that could be duplicated locally/regionally. 
Something like a loopers-delight open mic.

Jeff

On Mon, 2002-05-27 at 08:23, luca wrote:
> ...."I've just returned from Loopstock, a one-day concert and minifestival
> where barely three dozen people converged on a small dance studio warehouse
> in San Luis Obispo, California, from points as far-flung as Oregon, Boston,
> and Brazil. They came to perform, to listen, and to discuss a variety of
> takes on looping - from a three-piece synth band to DSP Demon Richard Zvonar
> mangling snippets of recorded music to a solo tuba player - all working with
> long delay loops. Probably over half the attendees were performing."....
> 
> 
> 
> http://industryclick.com/magazinearticle.asp?magazineid=33&releaseid=10101&m
> agazinearticleid=146673&siteid=15
> 
> 


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----- Original Message ----- 
From: "Jeffrey Lomas" <jeff.lomas@oasis-open.org>

> Sounds like a concept that could be duplicated locally/regionally. 
> Something like a loopers-delight open mic.

It's been happening in NYC for a few months now....



* David Beardsley
* http://biink.com
* http://mp3.com/davidbeardsley

From Loopers-Delight-request@loopers-delight.com  Tue May 28 11:30:02 2002
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Any more mid-westers? Detroit has some interesting venues that would 
certainly be up for some looping.

Nick Schillace
In Door Park

_________________________________________________________________
Chat with friends online, try MSN Messenger: http://messenger.msn.com

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Subject: music stores (was MPX-1 $425 blowout)
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For me, the worst part of playing music for years was dealing with music
store salesman. Now that I have groups like this for my research and on-line
sites who don't mind a full return before one month, I haven't been to a
music store for months.

The last time I was- was  in Sam Ash in New York on the infamous 48th st. It
took 10 minutes to get anyone's attention, then when I finally got what I
wanted, I waited in line for another 5-7 minutes just to get a check out
slip, then I waited another 10 minutes to pay for it, only then to wait
another 3 minutes for the security guard to check everone out as they were
leaving. Not one of the people I delt with were friendly or kind. Think I'll
be going there again? I don't think so.

Best Wishes

Kevin

http://artists.mp3s.com/artists/319/kevin_r_gallagher.html

From Loopers-Delight-request@loopers-delight.com  Tue May 28 12:19:42 2002
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Nick Schillace wrote:

> Any more mid-westers? Detroit has some interesting venues that would
> certainly be up for some looping.

I'm in Lansing.  There's an art gallery here that hosts musical events on
Friday evenings, but it's free admission and you have to arrange your own
publicity.
Also, the events are from 7 PM to 9 PM as they want it to be a
"pre-hours" thing.

John McIntyre
Physics - Astronomy Domine Dept
Michigan State University
mcintyre@pa.msu.edu

From Loopers-Delight-request@loopers-delight.com  Tue May 28 12:26:40 2002
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Subject: Re: Gigging in NYC - Thursday May 30, 2002 at 9:30 pm
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Hi Pedro!
I'll be in NYC from tomorrow on...probably I'll join your show.
What instruments are you playing?

Take care
Daniel
(celloplayer from Zurich/Switzerland)

----- Original Message ----- 
From: "Pedro Felix" <pfelix28@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 28, 2002 5:05 PM
Subject: Gigging in NYC - Thursday May 30, 2002 at 9:30 pm


hello all-

reminder for my weekly gig Thursday, May 30, 2002 at
Chama, 332 East 4th Street, betwixt Avenues C and D in
New York City, NY. 646-654-6472

I begin ~9:30 pm and have been playing just past
midnight. Check archives for quasi-reviews.

tales from last week's gig:

eh, none actually. I was actually hopped up to play,
but the proprietor asked if he could have the evening
to work on some items. thus, the gig was cancelled. I
used the time and weekend to work on some sound ideas
I plan on debuting this Thursday. Kind of a
hyper-techno sound.

best regards, Pedro Felix - NYC 2002 

__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com



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At 11:28 AM -0400 5/28/02, Nick Schillace wrote:
>Any more mid-westers? Detroit has some interesting venues that would 
>certainly be up for some looping.

Of course the obvious city for Midwestern loop activity is Chicago. ;-)
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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I'm a Chicago looper and regularly play at The Uncommon Ground (small
Coffeehouse venue). The venue lends itself to the singer-songwriter one
guitar, one voice thing but I have always been well received. It is a
great
sounding room as well, the only downside is that they have a small
Mackie board (12 channel) so you can't get too wild with stereo loops. 

Richard Lynch is the booking agent, nice fellow. For more info check
out:
www.uncommonground.com

Kevin McPeak
www.brothersean.com


-----Original Message-----
From: Richard Zvonar [mailto:zvonar@zvonar.com] 
Sent: Tuesday, May 28, 2002 11:27 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Oh Say, Have You Scene - found on Electronic Musician

At 11:28 AM -0400 5/28/02, Nick Schillace wrote:
>Any more mid-westers? Detroit has some interesting venues that would 
>certainly be up for some looping.

Of course the obvious city for Midwestern loop activity is Chicago. ;-)
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz


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Subject: REVERB (somewhere between low budget and high budget)
Date: Tue, 28 May 2002 12:02:15 +0100
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i searched the archives for reverb and only came up with "inexpensive" or
"low-budget" so i'm asking for advice regarding middle-budget reverbs.

i want a unit that is reverb and only reverb as this will probably stay on
all the time just to add a touch of...well...reverb.

-jim


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What's your "mid-budget" idea in term of $$$, then?

Italo


> i searched the archives for reverb and only came up with "inexpensive"
 or
> "low-budget" so i'm asking for advice regarding middle-budget reverbs.
> 
> i want a unit that is reverb and only reverb as this will probably sta
y on
> all the time just to add a touch of...well...reverb.
> 
> -jim
> 
> 
> 

___________________________________________
Italo De Angelis
Preset Design Engineer - Audio Division
italo@eventide.com
EVENTIDE AUDIO CUSTOMERS SUPPORT
http://groups.yahoo.com/group/eventidehelps/

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Subject: Re: REVERB (somewhere between low budget and high budget)
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Jim -

If you can find one, the recently-discontinued Roland SRV-3030D runs about
$270, is time-delay effects only, with nice reverbs and a few delays. You
can probably still find one through online & mail-order houses.

Richard
--
Richard J. Roberts / ZERO OHMS
  http://members.safepages.com/zeroohms/
  spaceformusic.com/zeroohms
  zeroohms@surfbest.net




> From: "Jimmy Fowler" <jimfowler@prodigy.net>
> Organization: Prodigy Internet
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Tue, 28 May 2002 12:02:15 +0100
> To: <Loopers-Delight@loopers-delight.com>
> Subject: REVERB (somewhere between low budget and high budget)
> Resent-From: Loopers-Delight@loopers-delight.com
> Resent-Date: Tue, 28 May 2002 13:05:45 -0400
> 
> i searched the archives for reverb and only came up with "inexpensive" or
> "low-budget" so i'm asking for advice regarding middle-budget reverbs.
> 
> i want a unit that is reverb and only reverb as this will probably stay on
> all the time just to add a touch of...well...reverb.
> 
> -jim
> 
> 
> 

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Subject: Re: REVERB (somewhere between low budget and high budget)
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Check out the used lexicons on ebay
ie. LXP-1 are goiing for 100-150 & they sound really good
cheers


>From: "Jimmy Fowler" <jimfowler@prodigy.net>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: REVERB (somewhere between low budget and high budget)
>Date: Tue, 28 May 2002 12:02:15 +0100
>
>i searched the archives for reverb and only came up with "inexpensive" or
>"low-budget" so i'm asking for advice regarding middle-budget reverbs.
>
>i want a unit that is reverb and only reverb as this will probably stay on
>all the time just to add a touch of...well...reverb.
>
>-jim
>
>


_________________________________________________________________
Join the world’s largest e-mail service with MSN Hotmail. 
http://www.hotmail.com

From Loopers-Delight-request@loopers-delight.com  Tue May 28 14:01:41 2002
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Subject: Re: music stores (was MPX-1 $425 blowout)
References: <200205261948.PAA14785@hemlock.violacea.com> <3CF396F5.7A6C2130@attglobal.net> <OE44QrjZGN4sFQ9NZVH000082ed@hotmail.com>
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It's true, I don't want people to think I'm endorsing The Guitar Center.
Mostly I avoid it like the plague.  However, when I need something small, or
quickly, it's almost my only choice, and for sure the most convenient.  Even if
you don't shop there, the fact that they're blowing the MPX1 out cheap could at
the very least be a bargaining chip for you at your favorite store.

Knowledge is power.

Mark Sottilaro

mommama wrote:

> For me, the worst part of playing music for years was dealing with music
> store salesman. Now that I have groups like this for my research and on-line
> sites who don't mind a full return before one month, I haven't been to a
> music store for months.
>
> The last time I was- was  in Sam Ash in New York on the infamous 48th st. It
> took 10 minutes to get anyone's attention, then when I finally got what I
> wanted, I waited in line for another 5-7 minutes just to get a check out
> slip, then I waited another 10 minutes to pay for it, only then to wait
> another 3 minutes for the security guard to check everone out as they were
> leaving. Not one of the people I delt with were friendly or kind. Think I'll
> be going there again? I don't think so.
>
> Best Wishes
>
> Kevin
>
> http://artists.mp3s.com/artists/319/kevin_r_gallagher.html

From Loopers-Delight-request@loopers-delight.com  Tue May 28 14:02:28 2002
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Subject: Re: REVERB (somewhere between low budget and high budget)
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I've seen the Roland SRV-3030D  for below $230 at stores- I may check one
out- the dynamics based delays sound interesting-

Also- for $350 there is the TC M-One which is good for reverbs and more-
very flexible and easy to use.

Cliff

----- Original Message -----
From: "Richard J. Roberts" <zeroohms@surfbest.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, May 28, 2002 10:24 AM
Subject: Re: REVERB (somewhere between low budget and high budget)


> Jim -
>
> If you can find one, the recently-discontinued Roland SRV-3030D runs about
> $270, is time-delay effects only, with nice reverbs and a few delays. You
> can probably still find one through online & mail-order houses.
>
> Richard
> --
> Richard J. Roberts / ZERO OHMS
>   http://members.safepages.com/zeroohms/
>   spaceformusic.com/zeroohms
>   zeroohms@surfbest.net
>
>
>
>
> > From: "Jimmy Fowler" <jimfowler@prodigy.net>
> > Organization: Prodigy Internet
> > Reply-To: Loopers-Delight@loopers-delight.com
> > Date: Tue, 28 May 2002 12:02:15 +0100
> > To: <Loopers-Delight@loopers-delight.com>
> > Subject: REVERB (somewhere between low budget and high budget)
> > Resent-From: Loopers-Delight@loopers-delight.com
> > Resent-Date: Tue, 28 May 2002 13:05:45 -0400
> >
> > i searched the archives for reverb and only came up with "inexpensive"
or
> > "low-budget" so i'm asking for advice regarding middle-budget reverbs.
> >
> > i want a unit that is reverb and only reverb as this will probably stay
on
> > all the time just to add a touch of...well...reverb.
> >
> > -jim
> >
> >
> >
>
>
>


From Loopers-Delight-request@loopers-delight.com  Tue May 28 14:04:56 2002
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the Lexicon MPX500 might be the box for you.  Cheap and pretty good sounding,
in my opinion.  Does a bunch more than just Reverb too.

Mark

Jimmy Fowler wrote:

> i searched the archives for reverb and only came up with "inexpensive" or
> "low-budget" so i'm asking for advice regarding middle-budget reverbs.
>
> i want a unit that is reverb and only reverb as this will probably stay on
> all the time just to add a touch of...well...reverb.
>
> -jim

From Loopers-Delight-request@loopers-delight.com  Tue May 28 14:17:36 2002
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Chris....
There is software for the Mac & Win (I had to really hunt down the
Mac software, but I found it after Googling for a couple of hours)
that lets you read the smartmedia cards -you must have an
inexpensive card reader - and transfer standard AIFF (Mac) and
WAV (Win) into the format the BR532 wants and vice versa.....
You can select any of the virtual tracks to download or upload.
The BR532 also has optical digital outs....I found a good price
on a C02 optical to coax SPDIF box.  The BR532 records at
full 44.1 kHz ......  There is no indication that any compression
schemes are being used.......  in any case, it sounds very good !
The built-in effects are not stellar by any means....so I will generally
record clean..  using the internal effects in monitor mode only.
There is only one XLR mic input, so you can either use the guitar
input with a transformer for a second mic, or, better yet, use the
RCA line inputs with an external mixer.  I have a Behringer MX602A
which is a superb value given that it has 48v phantom....  but
it does not run on batteries.

There is rhythm track info stored on the smartmedia cards as well....
The BR532 comes with a bunch of preset patterns that you can
steal snippets off of and recreate your own patterns....it is not
as good as a programmable rhythm box...but it is much better
than a metronome click.  I'm checking into the Zoom MRT-3 to use
as a proigrammable rhythm box ....it is very compact, runs on batteries,
has velocity sensitive pads, and takes external MIDI control....and is
under $100....  Zoom is really giving new meaning to "bang for the buck".
--
gary
@friendlyspider.com

Chris Chovit wrote:

> Gary Phillips wrote:
>
> >You need to check out Ableton's Live....for Mac or PC.....
> >http://www.ableton.com/
> >I was going to pick up the Repeater...my current looping tool
> >is a JamMan.....  but I opted for software and the Roland BR532
> >portable digital 4 track.  I wanted something that was deadly quiet-
> >no hard drive noise, could run on batteries, and that I could transfer
> >tracks digitally into Live and Performer.  Plus it has 32 tracks if you
> >count the 8 virtual per 4 tracks.
>
> How do you get the data digitally from the BR532 to the computer?  Do you
> just transfer the smart media cards to a reader on your computer, or do you
> use the MIDI ports?  What digital format is the music in?
>
> Thanks,
> Chris




From Loopers-Delight-request@loopers-delight.com  Tue May 28 14:51:05 2002
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sorry for the late notice . . . 
 

 
Come out this Wednesday to The Smell and check a great show of improvised
music.

First up is the cooperative trio of:

Jeff Kaiser: trumpet/electronics/loopage/ voice 
G.E. Stinson: guitars/electronics/loopage 
Steuart Liebig: basses/electronics/loopage  

and second is:

SherpaCo: 
Vince Meghrouni - Fiendhorns 
Dan Clucas - trumpet, flute, suds
Joe Baiza - guitar 
Jeremy Keller - guitar
Eric Sbar - Euphonium, Valve Trombone 
Wayne Griffith - Drums

Wednesday, May 29 @ 9:00pm
The Smell
247 South Main (between 2nd and 3rd)
[enter + parking in alley around back]
Downtown Los Angeles
$5 admission



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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META HTTP-EQUIV="Content-Type" CONTENT="text/html; charset=US-ASCII">
<TITLE>Improvised Music at the Smell May 29</TITLE>

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<BODY>
<DIV align=left class=OutlookMessageHeader dir=ltr><FONT color=#0000ff 
face=Arial size=2><SPAN class=935274818-28052002>sorry for the late notice . . . 
</SPAN></FONT></DIV>
<DIV align=left class=OutlookMessageHeader dir=ltr><FONT face=Tahoma 
size=2></FONT>&nbsp;</DIV>
<DIV align=left class=OutlookMessageHeader dir=ltr><FONT face=Tahoma 
size=2><BR>&nbsp;</DIV></FONT><FONT face="Times New Roman">Come out this 
Wednesday to The Smell and check a great show of improvised 
music.<BR><B><BR></B>First up is the cooperative trio of:<BR><BR>Jeff Kaiser: 
trumpet/electronics/<SPAN class=935274818-28052002><FONT color=#0000ff 
face=Arial size=2>loopage/&nbsp;</FONT></SPAN>voice <BR>G.E. Stinson: 
guitars/electronics<FONT size=2><FONT color=#0000ff><FONT face=Arial><SPAN 
class=935274818-28052002>/</SPAN><SPAN 
class=935274818-28052002>loopage</SPAN></FONT></FONT></FONT> <BR>Steuart Liebig: 
basses/electronics<SPAN class=935274818-28052002><FONT color=#0000ff face=Arial 
size=2>/<SPAN class=935274818-28052002><FONT color=#0000ff face=Arial 
size=2>loopage</FONT></SPAN>&nbsp;</FONT></SPAN> <BR><B><BR></B>and second 
is:<BR><B><BR></B>SherpaCo: <BR>Vince Meghrouni - Fiendhorns <BR>Dan Clucas - 
trumpet, flute, suds<BR>Joe Baiza - guitar <BR>Jeremy Keller - guitar<BR>Eric 
Sbar - Euphonium, Valve Trombone <BR>Wayne Griffith - Drums<BR><BR>Wednesday, 
May 29 @ 9:00pm<BR><B>The Smell<BR></B>247 South Main (between 2nd and 
3rd)<BR>[enter + parking in alley around back]<BR>Downtown Los Angeles<BR>$5 
admission<BR><BR></FONT></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue May 28 14:51:27 2002
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Hey,

I just thought of something.  When I bought the Lexicon MPX1, it was to replace
a Digitech DSP128.  I only used it for reverb, but it also does all the usual
time based effects.  The case is scratched up (but not the faceplate), as I
think the previous owner used it without racking it, but it works fine.  He also
had someone install two switch jacks in the back for patch up and down control.
It's a single rack space unit.

Make me an offer and pay for shipping, and it's yours.  I'm more interested in
having it find a nice home than money.  One of my pet peevs is having any
functional gear that's not being used.

Mark Sottilaro

Mark Sottilaro wrote:

> the Lexicon MPX500 might be the box for you.  Cheap and pretty good sounding,
> in my opinion.  Does a bunch more than just Reverb too.
>
> Mark
>
> Jimmy Fowler wrote:
>
> > i searched the archives for reverb and only came up with "inexpensive" or
> > "low-budget" so i'm asking for advice regarding middle-budget reverbs.
> >
> > i want a unit that is reverb and only reverb as this will probably stay on
> > all the time just to add a touch of...well...reverb.
> >
> > -jim

From Loopers-Delight-request@loopers-delight.com  Tue May 28 15:59:13 2002
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Hello Charlestonians!,
   I live in Charleston, W.V., Are there any other loopers in Charley town?

Weg


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Subject: Re: Loopers in Charleston (Steve Reich premier)
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In a message dated 5/25/02 4:59:57 PM Eastern Daylight Time,
toddreynolds@rcn.com writes:


 > I'll be in Charleston next week with Steve Reich... We're premiering his
 > three tales... Just got the charts and midi stuff in the mail, and it
 > sounds
 > SMOKIN'!   any loopers in the area please be in touch...
 >
 > Best,
 >
 > Todd Reynolds
 >
 >

charleston s.c?????????????
if so i'm in myrtle beach.....an hour and a half away.
brian
electric bird noise
something about vampires and sluts
http://artists.mp3s.com/artists/382/something_about_vampires_a.html





Weg


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thanks to all who responded . . . 

much of what came back was thought-provoking and informational - - even if
it wasn't what i was looking for!

thanks again,

stig


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<P><FONT SIZE=2>thanks to all who responded . . . </FONT>
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<P><FONT SIZE=2>much of what came back was thought-provoking and informational - - even if it wasn't what i was looking for!</FONT>
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<P><FONT SIZE=2>thanks again,</FONT>
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<P><FONT SIZE=2>stig</FONT>
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From: "Brother Sean" <info@brothersean.com>
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Subject: Repeater Remote Control
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I have been capturing loops with my repeater via a Fatar PS-100 foot
switch. This is just a simple
on/off footswitch. It does a fine job of capturing the loop when
directly plugged into the footswitch jack of the
Repeater. The problem is once I capture the loop I then have to hit play
on the repeater's front panel to engage it. This
never was a problem when I used my FCB1010 to capture loops they just
automatically started playing after
I captured them.
 
I would like to steer clear of midi control if possible though.
Do any of you who use the digitech FS300 for capturing loops have
similar issues (of course you could just hit play on the footswitch but
do you have to hit play at all) or is it just my PS100 switch?
 
Thanks lots!
Kevin McPeak
www.brothersean.com <http://www.brothersean.com/> 
 

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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I have been capturing loops with my repeater via a =
<span
class=3DSpellE>Fatar</span> PS-100 foot switch. This is just a =
simple<o:p></o:p></span></font></p>

<p class=3DMsoNormal><span class=3DGramE><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>on/off</span></font></span><=
font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> footswitch.
It does a fine job of capturing the loop when directly plugged into the
footswitch jack of the<o:p></o:p></span></font></p>

<p class=3DMsoNormal><span class=3DGramE><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>Repeater.</span></font></spa=
n><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> The problem
is once I capture the loop I then have to hit play on the =
repeater&#8217;s
front panel to engage it. This<o:p></o:p></span></font></p>

<p class=3DMsoNormal><span class=3DGramE><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>never</span></font></span><f=
ont
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> was a
problem when I used my FCB1010 to capture loops they just automatically =
started
playing after<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I captured them.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>I would like to steer clear of midi control if =
possible
though.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Do any of you who use the <span =
class=3DSpellE>digitech</span>
FS300 for capturing loops have similar issues (of course you could just =
hit
play on the footswitch but do you have to hit play at all) or is it just =
my
PS100 switch?<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Thanks lots!<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Kevin McPeak<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><a =
href=3D"http://www.brothersean.com/">www.brothersean.com</a><o:p></o:p></=
span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

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The FS300 has three footswitches that control (from left to right) Undo,
Stop/Start, Record.  Hitting record once to start the loop, and a second
time to end the loop does not stop the loop at all.  I don't know how
the FS300 is wired, but it seems very simple.  Easy to reverse engineer.

Mark

Brother Sean wrote:

> I have been capturing loops with my repeater via a Fatar PS-100 foot
> switch. This is just a simple
>
> on/off footswitch. It does a fine job of capturing the loop when
> directly plugged into the footswitch jack of the
>
> Repeater. The problem is once I capture the loop I then have to hit
> play on the repeaterís front panel to engage it. This
>
> never was a problem when I used my FCB1010 to capture loops they just
> automatically started playing after
>
> I captured them.
>
> I would like to steer clear of midi control if possible though.
>
> Do any of you who use the digitech FS300 for capturing loops have
> similar issues (of course you could just hit play on the footswitch
> but do you have to hit play at all) or is it just my PS100 switch?
>
> Thanks lots!
>
> Kevin McPeak
>
> www.brothersean.com
>

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losing your way was never this loud:

at the homey and ultra-discreet free103point9 fm:

at the frree103point9
tono-bungay
primordial undermind
davis radfrod triad

97 south 6th st - williamsburg

doors open @ 8
it's over by 12
admission: $5.88


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--- Brother Sean <info@brothersean.com> wrote:
> Do any of you who use the digitech FS300 for capturing loops have
> similar issues (of course you could just hit play on the footswitch
> but do you have to hit play at all) or is it just my PS100 switch?

I also use the FS300 with a Repeater. As Mark said, when you press
record the second time to exit record mode, it immediately starts
looping what you recorded. 

The FS300 is a combination of 3 switches on a TRS connection to the
Repeater, the three switchs have resistors associated with them. I once
saw a schematic for one on a web page somewhere, if you don't want to
buy one, you could build it yourself without much trouble.

Greg


__________________________________________________
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--- Tom Heasley <tom@tomheasley.com> wrote:
> At 02:17 PM 5/22/02, you wrote:
> > > I use it mostly for pitch programs in tandem with a D-TWO and a
> DL4.
> > > I like it.
> >Tom,
> >If the MPX-1 does everything it claims, why would you also need the
> >D-Two (and/or DL4)? More (varied) delays at the same time?

> You do know that it is the G2, not the MPX1, that has a JamMan
> program, 
> right? - not sure what you think the MPX1 claims to be able to do
> that 
> would obviate the need for a DL4, EDP or other looper, with which to
> do live multi-tracking.  

I wasn't questioning why you'd want something else for looping, that's
obvious to me. 

It just seemed that the MPX-1 and D-2 were kind of redundant, which
made me wonder if the MPX-1 had some inherent performance issues, or if
you used the D-2 for something additional it offered.

> I'd love nothing better than to only have to haul 
> around one piece of processing gear.  

That would be a dream. I guess some of the high end Eventide boxes are
probably there, but are expensive and complex.

> Hopefully some day in the not
> too distant future, I can accomplish this with a laptop...

That has a lot of potential, but presents a lot of different potential
problems. 

Greg


__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Tue May 28 18:25:01 2002
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Subject: Re: REVERB (somewhere between low budget and high budget)
Date: Tue, 28 May 2002 17:22:07 +0100
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mid-budget...something between 250-750...preferably around 500, though since
i'll only be using the reverbs.

-jim


From Loopers-Delight-request@loopers-delight.com  Tue May 28 19:33:50 2002
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Date: Tue, 28 May 2002 17:28:06 -0700
Subject: echoplex new software
From: Tom De Vries <tdevries@shop.westworld.ca>
To: <Loopers-Delight@loopers-delight.com>
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Hello, I just recently subscribed to the list, sorry if this is a lame
question.  I did check the archives but didn't see anything recent.  The new
software for the Echoplex has been in development and just recently
showcased .  Is there any further word on release date?

Thanks for any info,

Tom De Vries
Alberta, Canada 

From Loopers-Delight-request@loopers-delight.com  Wed May 29 13:55:56 2002
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Is this thing on?  I can't imagine not a single peep out of the loopers last
night or today.

Mark

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--- Mark Sottilaro <sine@zerocrossing.net> wrote:
> Is this thing on?  I can't imagine not a single peep out of the
> loopers last night or today.

I've gotten a couple of msgs, but not many. Guess everyone's quiet
today.

Greg


__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com

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the rain stopped


Claude

Mark Sottilaro wrote:
> 
> Is this thing on?  I can't imagine not a single peep out of the loopers last
> night or today.
> 
> Mark

From Loopers-Delight-request@loopers-delight.com  Wed May 29 14:04:51 2002
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On Wednesday 29 May 2002 19:52, Mark Sottilaro wrote:
> Is this thing on?  I can't imagine not a single peep out of the
> loopers last night or today.

I got my Repeater today.

- Robert

From Loopers-Delight-request@loopers-delight.com  Wed May 29 14:09:42 2002
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Subject: OT: sherman filterbank 2 FOR SALE
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i'm selling my sherman filterbank 2.  it's in great shape...i just don't use
it much.

if you're interested, email me off the list (jimfowler@prodigy.net) and
we'll discuss a price.

-jim


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Subject: OT: raven labs true blue eq FOR SALE
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upgrading to a fully parametric eq.

email off the list for details (jimfowler@prodigy.net)


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Nope, sorry... Believe me, I wish we got around more, too...




> no chance steve reich will be performing in
> hattiesburg, ms huh?  anywhere closer to mississippi
> (new orleans, atlanta, memphis, etc.)?
> 
> -jim
> 

From Loopers-Delight-request@loopers-delight.com  Wed May 29 15:10:39 2002
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<html><div style='background-color:'>
<DIV></DIV>
<DIV></DIV>
<P>My side project Earthly Delights (I usually play bass and Warr Guitar in Uncle Sammy) will be playing at Emily's in Bostonon Thursday, 5/30. Emily's is located on Winter Street right off of the Park Street T stop. Earthly Delights incorporates influences of world, trip hop, jazz and your basic old fasion american experimentalism. The instrumentation includes Warr Guitar (stick), bass, processed trumpet, drums, loops and samples. So come on down and enjoy some new music in Boston and check out a great little club with a nice vibe.<BR></P>
<P>Emily's website: <A href="http://www.weseatyou.com/restaurants/700/emilys/intronet.htm">http://www.weseatyou.com/restaurants/700/emilys/intronet.htm</A><BR><BR><HTML></P>
<DIV></DIV>
<DIV>Brian O'Connell </DIV>
<DIV></DIV>
<DIV>1128 Commonwealth Ave. #6</DIV>
<DIV></DIV>
<DIV>Allston, MA 02134</DIV>
<DIV></DIV>
<DIV>617-277-2431</DIV>
<DIV></DIV>
<DIV><A href="mailto:brian@unclesammy.com">brian@unclesammy.com</A></DIV>
<DIV></DIV>
<DIV><A href="http://www.unclesammy.com/">www.unclesammy.com</A></DIV>
<DIV></DIV></div><br clear=all><hr>MSN Photos is the easiest way to share and print your photos: <a href='http://g.msn.com/1HM305401/46'>Click Here</a><br></html>

From Loopers-Delight-request@loopers-delight.com  Wed May 29 15:40:49 2002
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Subject: Mutator anybody?
Date: Wed, 29 May 2002 14:38:52 -0500
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I finally after 6 months of wait received my Mutator yesterday. I can't
wait to use this thing on some of my loops!

Anybody out there using one of these?

Kevin McPeak
www.brothersean.com


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hiya how r u all?

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#ff80ff" SIZE=2 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0"><B>hiya how r u all?</B></FONT></HTML>

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i'm not quiet!! I never really shut up !! Lol

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#ff80ff" SIZE=2 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0"><B>i'm not quiet!! I never really shut up !! Lol</B></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed May 29 15:48:42 2002
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Nope i don't use one ........well maybe i do i aint got a clue what ur goin 
on bout !! :o)

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<HTML><FONT FACE=arial,helvetica><FONT  COLOR="#ff80ff" SIZE=2 FAMILY="SCRIPT" FACE="Comic Sans MS" LANG="0"><B>Nope i don't use one ........well maybe i do i aint got a clue what ur goin on bout !! :o)</B></FONT></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed May 29 16:02:34 2002
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Yes!  Do tell.  What's a Mutator?

Dennis Leas
-------------------
dennis@mdbs.com


----- Original Message ----- 
From: "Brother Sean" <info@brothersean.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 29, 2002 2:38 PM
Subject: Mutator anybody?


> I finally after 6 months of wait received my Mutator yesterday. I can't
> wait to use this thing on some of my loops!
> 
> Anybody out there using one of these?
> 
> Kevin McPeak
> www.brothersean.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed May 29 16:13:06 2002
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Please! Please somebody! Anybody! Please reply to my 
message re: the MRS1044 Digital Recorder! I love the 
thing!
> Is this thing on?  I can't imagine not a single peep out of the loopers last
> night or today.
> 
> Mark
> 

From Loopers-Delight-request@loopers-delight.com  Wed May 29 16:13:31 2002
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Dennis I could go on and on but here is Mutronic's web page with sound
clips of what the Mutator can do. It is similar to a Sherman Filterbank
but I believe a little sexier.

http://www.mutronics.co.uk/html/mutator.htm

enjoy,
Kevin
www.brothersean.com


-----Original Message-----
From: Dennis Leas [mailto:dennis@mdbs.com] 
Sent: Wednesday, May 29, 2002 3:00 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mutator anybody?

Yes!  Do tell.  What's a Mutator?

Dennis Leas
-------------------
dennis@mdbs.com


----- Original Message ----- 
From: "Brother Sean" <info@brothersean.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 29, 2002 2:38 PM
Subject: Mutator anybody?


> I finally after 6 months of wait received my Mutator yesterday. I
can't
> wait to use this thing on some of my loops!
> 
> Anybody out there using one of these?
> 
> Kevin McPeak
> www.brothersean.com
> 
> 


From Loopers-Delight-request@loopers-delight.com  Wed May 29 16:15:17 2002
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Is someone trying to tap tempo into their Repeater
remotely using email ?


On another note.....
I've mentioned Ableton's "Live" in several posts...
Am I the only one who's discovered this looping
software for live and studio use ?
--
gary
@friendlyspider.com


From Loopers-Delight-request@loopers-delight.com  Wed May 29 16:16:53 2002
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On Wednesday 29 May 2002 22:00, Dennis Leas wrote:
> Yes!  Do tell.  What's a Mutator?

It's a beautiful stereo analog filter by Mutronics, with optional 
MIDI control. I heard the demos...very smooth.

- Robert

From Loopers-Delight-request@loopers-delight.com  Wed May 29 16:47:55 2002
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yet another cool device i wish i had money to blow on...
way cool demo's...
totally nipple.



> Dennis I could go on and on but here is Mutronic's web page with sound
> clips of what the Mutator can do. It is similar to a Sherman Filterbank
> but I believe a little sexier.
> 
> http://www.mutronics.co.uk/html/mutator.htm
> 
> enjoy,
> Kevin
> www.brothersean.com
> 
> 
> 
> Yes!  Do tell.  What's a Mutator?
> 
> Dennis Leas
> -------------------
> dennis@mdbs.com
> 
> 


From Loopers-Delight-request@loopers-delight.com  Wed May 29 19:34:36 2002
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References: <B9196EA6.2593%tdevries@mail2.westworld.ca> <3CF51558.CF4C4564@zerocrossing.net>
Subject: Re: Tap tap tap
Date: Thu, 30 May 2002 00:32:16 +0100
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Hey, I've been at DVD Europe through the end of the week. :)

----- Original Message -----
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 29, 2002 18:52 PM
Subject: Tap tap tap


> Is this thing on?  I can't imagine not a single peep out of the loopers
last
> night or today.
>
> Mark
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Wed May 29 20:18:19 2002
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Date: Wed, 29 May 2002 20:16:14 EDT
Subject: AKASH brings you "The Rev. Johnny Hell Theme Song
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AKASH: "The World's Most Erotic Band"
Features members who have played with God Lives Underwater, Cecil 
Taylor, GONG and Dee-Lite, drops a "drop kick" Drum n' Bass 
tune: "THE REV. JOHNNY HELL THEME SONG"

The Rev. Johnny Hell, AKASH's minister of "Fire and Perverted 
Information" needs no formal introduction to those of you near to 
Philly or those of you in the "know" who have witnessed AKASH LIVE 
while touring thru your Hometown.

But definitely - DO - Download This New Song:
<A HREF="http://artists.mp3s.com/artist_song/2465/2465399.html">http://artists.mp3s.com/artist_song/2465/2465399.html</A>

Warm Regards, 
JP/AKASH
"The World's Most Erotic Band" 
<A HREF="http://www.mp3.com/akashmusic">http://www.mp3.com/akashmusic</A>





    
    


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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">AKASH: "The World's Most Erotic Band"<BR>
Features members who have played with God Lives Underwater, Cecil <BR>
Taylor, GONG and Dee-Lite, drops a "drop kick" Drum n' Bass <BR>
tune: "THE REV. JOHNNY HELL THEME SONG"<BR>
<BR>
The Rev. Johnny Hell, AKASH's minister of "Fire and Perverted <BR>
Information" needs no formal introduction to those of you near to <BR>
Philly or those of you in the "know" who have witnessed AKASH LIVE <BR>
while touring thru your Hometown.<BR>
<BR>
But definitely - DO - Download This New Song:<BR>
<A HREF="http://artists.mp3s.com/artist_song/2465/2465399.html">http://artists.mp3s.com/artist_song/2465/2465399.html</A><BR>
<BR>
Warm Regards, <BR>
JP/AKASH<BR>
"The World's Most Erotic Band" <BR>
<A HREF="http://www.mp3.com/akashmusic">http://www.mp3.com/akashmusic</A><BR>
<BR>
<BR>
<BR>
<BR>
<BR>
    <BR>
    <BR>
<BR>
</FONT></HTML>
--part1_197.7aa8502.2a26c94e_boundary--

From Loopers-Delight-request@loopers-delight.com  Wed May 29 23:58:24 2002
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Subject: The Silence is Deafening
Date: Wed, 29 May 2002 20:57:24 -0700
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Not being overly cautious, let me be the first to point out the obvious wait
for the other shoe to drop with regard to the Echoplex Upgrade.  It's been a
while since the first batch was distributed to those who were in attendance
at the Pre-Release Showcase--over a month by my reckoning.  Heck, it was
over a month ago that Kim predicted the Loop IV software would be ready to
ship in a week.
Hey, don't get me wrong--I can be as patient as the next manual-lovin'
technophile.  Actually, this IS me being patient (if still tweaked that I
couldn't be at Loopstock OR the Oakland party).  I am simply giving voice to
the (obviously) silent majority who are waiting to see what years of hard
work will mean to EDP owners.
In the meantime, any San Diego loopers out there?  I'm in the 92064 area--
Gary

From Loopers-Delight-request@loopers-delight.com  Thu May 30 00:48:27 2002
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performance @ MIT Museum 5.31.02, 5:30 PM
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Hi folks,

I'll be performing video improvisation accompanying live electronic 
music at the MIT Museum, at the opening reception for a show that 
will include some very impressive microprocessor and robotics based 
art.

C3 -- COLLISION 3 IN SUPER 3D
a celebration of art and technology

may 31 from 5-8pm
june 1-2 from 12-5pm
opening reception may 31 2002

MIT Museum
265 mass ave cambridge ma 02139

featured artists: jonathan bachrach,
aaron edsinger, holly gates,henry kaufman,
brian knep, ryan mckinley, dan paluska,
ben piper, john powell, casey reas,
fran trainor, david webber, jeff weber,
margaret weigel

presented by atat, the collision collective,
and the mit museum

http://web.mit.edu/at/www
http://www.collisioncollective.org
http://web.mit.edu/museum
-- 

Visit "Before the Fall -- Images of the World Trade Center" at 
http://www.foryourhead.com

"There were so many things there that are not anywhere else in the 
world. There were millions of people, the strange reflective bars of 
the buildings and the shiny and shimmering towers that seemed like a 
fairy tale"   -- David-Michael Cook

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu May 30 00:51:53 2002
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References: 
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Date: Thu, 30 May 2002 13:50:43 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <cave@osk.3web.ne.jp>
Subject:  OT: [web cast spam] Live from Far East Vol.1
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Hello,

This is information of our series Internet broadcast live gig,
it called "Live from Far East"

1st gig is 2nd June.
You can see our gig via Real Player.
Please visit below:
http://www.cavestudio.org/cue/live_from_far_east
or
http://www.cavestudio.org/cue/live_from_far_east/broadcast


Live from Far East Vol.1

When:
2nd June 2002
9:00-11:00 GMT
(18:00$B!](B20:00 JST)

Performance:
Sunao Inami (Powerbook G4)
http://www.cavestudio.com
Kazuya Ishigami (Powerbook G4)
http://www.neus318.com
Emi Makino (Dance)

Where:
http://www.cavestudio.org/cue/live_from_far_east
(Real Player G2 or higher required)
from Kobe,Japan


More Info:
C.U.E.
http://www.cavestudio.org/cue
cue@cavestudio.org


______________________

  sorry for spam..


  Sunao Inami
http://www.cavestudio.com


From Loopers-Delight-request@loopers-delight.com  Thu May 30 00:53:49 2002
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Date: Wed, 29 May 2002 21:51:40 -0700
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From: armatronix <armatronix@charter.net>
Subject: Re: The Silence is Deafening
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While you wait, I'll share my favorite Loop4 feature so far: SyncRecord.

SyncRecord is a record mode which is active when Sync=In and 
Quantize=Off.  If you're like me, you always use the EDP synced to an 
outside MIDI source.  In Loop3, in order for your Loops to be in sync with 
the drum machine(s), you have to keep Quantize=On, in which case recording 
will only start at the StartPoint.  This can cause difficulties if you have 
a pickup note before the one, or if you lose track of the one altogether, 
as I often do.  Of course, you can redefine your start point, but that may 
interfere with the Mating Dance.

With SyncRecord, recording starts immediately upon pressing the Record 
button and rounds to the next cycle upon releasing it.  If you wish to have 
your loop unsynced (with Sync=In), you can press Overdub while in the Reset 
state, and sync will be ignored for the next Record.  The EDP must receive 
one full measure of sync to figure out the cycle time, after which it 
displays that time on the screen.  If you press Record before that happens, 
you won't be in sync.

That reminds me of another cool pair of additions, Quantize=Loop and 
Quantize=8th.  In Loop3, you have Quantize=Off or Quantize=On, in which 
case your button presses sync to your cycle length.  Now, Quantize=Loop 
quantizes button presses to the length of the entire loop (i.e. multiple 
cycles), while Quantize=8th quantizes to the nearest 8th note.

That's all for now.  Believe me, even though I already have the new 
software, I can't wait for it to be released either.  I'm looking forward 
to some other list members getting their feet wet, so that we can have some 
discussion and try to figure out what all of these new features actually 
do, and how to use them!  The beta test guys must either be sworn to 
silence or else they just have everything figured out already ;), because I 
notice that they're keeping tight-lipped.

In case anybody in the know is still reading this:  Are presets the proper 
way to drop in and out of quantize?  I notice that there are no DirectMIDI 
commands listed for quantize settings.  Now that I've programmed the PMC-10 
to perform the basic functions, and I'm really digging the unquantized SUS 
functions, I realize that I'd like for HalfSpeed and Reverse to remain 
quantized.  I haven't figured out how to store and recall presets yet, but 
it seems like you could possibly add a preset call to a button press to 
control the quantization of a given function; for example, to have an 8th 
note Replace or a cycle-length Insert. ???

-Hans Lindauer


At 20:57 29/05/2002, you wrote:
>Not being overly cautious, let me be the first to point out the obvious wait
>for the other shoe to drop with regard to the Echoplex Upgrade.  It's been a
>while since the first batch was distributed to those who were in attendance
>at the Pre-Release Showcase--over a month by my reckoning.  Heck, it was
>over a month ago that Kim predicted the Loop IV software would be ready to
>ship in a week.
>Hey, don't get me wrong--I can be as patient as the next manual-lovin'
>technophile.  Actually, this IS me being patient (if still tweaked that I
>couldn't be at Loopstock OR the Oakland party).  I am simply giving voice to
>the (obviously) silent majority who are waiting to see what years of hard
>work will mean to EDP owners.
>In the meantime, any San Diego loopers out there?  I'm in the 92064 area--
>Gary


From Loopers-Delight-request@loopers-delight.com  Thu May 30 01:10:58 2002
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On Wednesday, May 29, 2002, at 09:51  PM, armatronix wrote:

> That's all for now.  Believe me, even though I already have the new 
> software, I can't wait for it to be released either.

Wait... I'm not a EDP owner, but I'm confused.  There was a release 
party, and Hans (and others) have it... so isn't it out?  I imagine it's 
just burning the eproms... no?

Mark

From Loopers-Delight-request@loopers-delight.com  Thu May 30 03:11:54 2002
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From: "Om_Audio" <Om-Studios@Om-Studios.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Mark Isham looping in L.A.
Date: Thu, 30 May 2002 00:07:42 -0700
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I just got home from a Mark Isham show here in L.A. Just like the time I
saw him a few years ago it was fantastic. And of course I got there
late- naps take precedence! ;) He was using an E-Mu Esx sampler with a
Buchla Thunder controller- and also a Ground Controller for I don=92t =
know
what. A new addition was a Repeater- it was on top of a Korg Trinity
which was on top of a Fender 78 Rhodes. Repeater controlled by a FS-300-
mainly catching keyboard riffs- midi synced to a Mac laptop running
Logic- which had a Oxygen 2oct controller hooked up as well.=20

=20

Nels Cline on guitar- always awesome- always looping-=20

Drummer/Percussionist

DJ/Computer operator

Singer

=20

Looping is here to stay.  Yay.

=20

Cliff

=20

http://www.om-studios.com <http://www.om-studios.com/>=20

=20


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<body lang=3DEN-US link=3Dblue vlink=3Dpurple>

<div class=3DSection1>

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 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
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style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
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style=3D'font-size:10.0pt;font-family:Arial'>s </span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> Repe</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>ter- it =
w</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>s on top of =
</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> Korg Trinity
which w</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
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 size=3D2 face=3DArial><span =
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size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> Fender 78
Rhodes. Repe</span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
 font-family:Arial'>a</span></font><font size=3D2 face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>ter controlled by =
</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> FS-300- =
m</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>inly c</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>tching =
keybo</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>rd riffs-
midi synced to </span></font><font size=3D2 face=3DArial><span =
style=3D'font-size:
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face=3DArial><span
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style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
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style=3D'font-size:10.0pt;font-family:Arial'>c l</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>ptop running
Logic- which h</span></font><font size=3D2 face=3DArial><span =
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size=3D2
 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> Oxygen 2oct
controller hooked up </span></font><font size=3D2 face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'>s well. =
</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Nels Cline on guit</span></font><font size=3D2 =
face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'>r- =
</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>lw</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>ys </span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>wesome- </span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>lw</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>ys looping- =
</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Drummer/Percussionist</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>DJ/Computer oper</span></font><font size=3D2 =
face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
size=3D2
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>tor</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Singer</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Looping is here to st</span></font><font size=3D2 =
face=3DArial><span
 style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font =
size=3D2
face=3DArial><span style=3D'font-size:10.0pt;font-family:Arial'>y. =
&nbsp;Y</span></font><font
 size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>a</span></font><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>y.</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Cliff</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>&nbsp;</span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><a =
href=3D"http://www.om-studios.com/">http://www.om-studios.com</a></span><=
/font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
12.0pt'>&nbsp;</span></font></p>

</div>

</body>

</html>

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From Loopers-Delight-request@loopers-delight.com  Thu May 30 03:47:33 2002
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Date: Thu, 30 May 2002 08:42:28 +0200
From: Claude Voit <c.voit@vtx.ch>
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To: Loopers-Delight@loopers-delight.com
Subject: Re: The Silence is Deafening
References: <DKELLDBJGHDDEALPDEODIENPGGAA.healthquestrecruiter@earthlink.net>
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Gary

here is some genuine EDP loop4 code to help you stop whining
please open the loop 3 eeprom with a cutter and insert the code gently 

you will have the boot intro screen in 32 millions of colors with some
André Lafosse music
(the crrcksdff when the display flashes in violet)


dont close the prom definitly yet as more will follow 

Claude

snip here.......

S00400004DAE
S10500020010E8
S10500000100F9
S11308004E007200079D2A00E3130000A8130000A5
S1130810A8130000A8130000A8130000E0130000B0
S1130820E0130000E0130000E0130000E1130000F7
S1130830E1130000E1130000E1130000E1130000E4
S1130840E1130000E1130000E2130000E2130000D2
S1130850E3130000E3130000E346074E00103000EA
S11308604E604E00080000A8674E4E4E00114E0028
S11308704D4E00674E006E4E00BF4E001F4E00638B
S11308804E00724E00114E00BF4E00674E004D4E9A
S1130890001F4E4E4E00080000A8674E4E603C4EAE
S11308A00000000000000000000000000000000044
S11308B00000000000000000000000000000000034
S11308C00000000000000000000000000000000024
S11308D00000000000000000000000000000000014
S11308E00000000000000000000000000000000004
S11308F0FF00FFFFFF0000000000000000000000F8
S1130900000000FF030303030302020202020202C7
S113091002010101010101010101010101010101C2
S113092001010101010101010101010000000000B8
S113093000000000000000000000000000000000B3
S113094000000000000000000000000000000000A3
S11309500000000000000000000000000000000093
S11309600000000000000000000000000000000083
S11309700000000000000000000000000000000073
S11309800000000000000000000103060C0000004D
snip here.......



Gary Lehmann wrote:
> 
> Not being overly cautious, let me be the first to point out the obvious wait
> for the other shoe to drop with regard to the Echoplex Upgrade.  It's been a
> while since the first batch was distributed to those who were in attendance
> at the Pre-Release Showcase--over a month by my reckoning.  Heck, it was
> over a month ago that Kim predicted the Loop IV software would be ready to
> ship in a week.
> Hey, don't get me wrong--I can be as patient as the next manual-lovin'
> technophile.  Actually, this IS me being patient (if still tweaked that I
> couldn't be at Loopstock OR the Oakland party).  I am simply giving voice to
> the (obviously) silent majority who are waiting to see what years of hard
> work will mean to EDP owners.
> In the meantime, any San Diego loopers out there?  I'm in the 92064 area--
> Gary

From Loopers-Delight-request@loopers-delight.com  Thu May 30 09:42:38 2002
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From: "Louis Rossi" <tarbit@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mark Isham looping in L.A.
Date: Thu, 30 May 2002 09:39:15 -0400
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Hi Cliff,
That line up sounds cool. I got to see Isham in NYC a few years back . It 
was during the "silent way project" He was using a Vox wah, Jam Man & TC 
Electronic G-force. Great sounds off the trumpet & the band were great too. 
I hope he returns here again soon.

Cheers
LOU



>From: "Om_Audio" <Om-Studios@Om-Studios.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Mark Isham looping in L.A.
>Date: Thu, 30 May 2002 00:07:42 -0700
>
>I just got home from a Mark Isham show here in L.A. Just like the time I
>saw him a few years ago it was fantastic. And of course I got there
>late- naps take precedence! ;) He was using an E-Mu Esx sampler with a
>Buchla Thunder controller- and also a Ground Controller for I don’t know
>what. A new addition was a Repeater- it was on top of a Korg Trinity
>which was on top of a Fender 78 Rhodes. Repeater controlled by a FS-300-
>mainly catching keyboard riffs- midi synced to a Mac laptop running
>Logic- which had a Oxygen 2oct controller hooked up as well.
>
>
>
>Nels Cline on guitar- always awesome- always looping-
>
>Drummer/Percussionist
>
>DJ/Computer operator
>
>Singer
>
>
>
>Looping is here to stay.  Yay.
>
>
>
>Cliff
>
>
>
>http://www.om-studios.com <http://www.om-studios.com/>
>
>
>


_________________________________________________________________
MSN Photos is the easiest way to share and print your photos: 
http://photos.msn.com/support/worldwide.aspx

From Loopers-Delight-request@loopers-delight.com  Thu May 30 09:49:16 2002
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Subject: Re: The Silence is Deafening: there is some sort of problem
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-it seems that there is some sort of problem. I'd call this a reasonable
assumption at this point. But,  What about those who were at the release
party and got the upgrade. What say you?
> 
> 
> Gary Lehmann wrote:
>> 
>> Not being overly cautious, let me be the first to point out the obvious wait
>> for the other shoe to drop with regard to the Echoplex Upgrade.  It's been a
>> while since the first batch was distributed to those who were in attendance
>> at the Pre-Release Showcase--over a month by my reckoning.  Heck, it was
>> over a month ago that Kim predicted the Loop IV software would be ready to
>> ship in a week.
>> Hey, don't get me wrong--I can be as patient as the next manual-lovin'
>> technophile.  Actually, this IS me being patient (if still tweaked that I
>> couldn't be at Loopstock OR the Oakland party).  I am simply giving voice to
>> the (obviously) silent majority who are waiting to see what years of hard
>> work will mean to EDP owners.
>> In the meantime, any San Diego loopers out there?  I'm in the 92064 area--
>> Gary
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu May 30 10:51:17 2002
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From: "Reid, Benjamin" <BReid@about-inc.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: OT: Stuff for sale
Date: Thu, 30 May 2002 10:48:53 -0400
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This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

------_=_NextPart_001_01C207E9.1DF38C30
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Sorry for OT post. I have a few things for sale. Contact me off-list if
interested. Prices listed but all offers considered.


Zoom 9002 Digital Multi-effects unit. A classic. Battery is dead and cannot
be replaced but adaptor works fine. $90

Peavey Backstage Plus Guitar Amp. 35 watts but quite loud. 1x12; solid
state. Great crunch metal/punk sound. $100

Peavey Bandit Guitar Amp. Not sure watts but most likely 70+. Tube emulating
solid state. $150.

M-Audio Dio2448 Audio Card. This card does not handle analog conversion or
have analog jacks FYI. $50
http://midiman.com/products/m-audio/dio2448.php


For those in NYC, I could meet you to save on shipping.

Sorry for the spam and thanks for the consideration,

Ben

------_=_NextPart_001_01C207E9.1DF38C30
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 3.2//EN">
<HTML>
<HEAD>
<META HTTP-EQUIV=3D"Content-Type" CONTENT=3D"text/html; =
charset=3Diso-8859-1">
<META NAME=3D"Generator" CONTENT=3D"MS Exchange Server version =
5.5.2653.12">
<TITLE>OT: Stuff for sale</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>Sorry for OT post. I have a few things for sale. =
Contact me off-list if interested. Prices listed but all offers =
considered.</FONT></P>
<BR>

<P><FONT SIZE=3D2>Zoom 9002 Digital Multi-effects unit. A classic. =
Battery is dead and cannot be replaced but adaptor works fine. =
$90</FONT>
</P>

<P><FONT SIZE=3D2>Peavey Backstage Plus Guitar Amp. 35 watts but quite =
loud. 1x12; solid state. Great crunch metal/punk sound. $100</FONT>
</P>

<P><FONT SIZE=3D2>Peavey Bandit Guitar Amp. Not sure watts but most =
likely 70+. Tube emulating solid state. $150.</FONT>
</P>

<P><FONT SIZE=3D2>M-Audio Dio2448 Audio Card. This card does not handle =
analog conversion or have analog jacks FYI. $50</FONT>
<BR><FONT SIZE=3D2><A =
HREF=3D"http://midiman.com/products/m-audio/dio2448.php" =
TARGET=3D"_blank">http://midiman.com/products/m-audio/dio2448.php</A></F=
ONT>
</P>
<BR>

<P><FONT SIZE=3D2>For those in NYC, I could meet you to save on =
shipping.</FONT>
</P>

<P><FONT SIZE=3D2>Sorry for the spam and thanks for the =
consideration,</FONT>
</P>

<P><FONT SIZE=3D2>Ben</FONT>
</P>

</BODY>
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------_=_NextPart_001_01C207E9.1DF38C30--

From Loopers-Delight-request@loopers-delight.com  Thu May 30 11:27:09 2002
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Date: Thu, 30 May 2002 10:25:36 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: The Silence is Deafening
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and here's a bit of the source code if you want to recompile:

10 GoSub TastyGroove
20 go to 10



> Gary
>
> here is some genuine EDP loop4 code to help you stop whining
> please open the loop 3 eeprom with a cutter and insert the code gently
>
> you will have the boot intro screen in 32 millions of colors with some
> André Lafosse music
> (the crrcksdff when the display flashes in violet)
>
>
> dont close the prom definitly yet as more will follow
>
> Claude
>
> snip here.......
>
> S00400004DAE
> S10500020010E8
> S10500000100F9
> S11308004E007200079D2A00E3130000A8130000A5
> S1130810A8130000A8130000A8130000E0130000B0
> S1130820E0130000E0130000E0130000E1130000F7
> S1130830E1130000E1130000E1130000E1130000E4
> S1130840E1130000E1130000E2130000E2130000D2
> S1130850E3130000E3130000E346074E00103000EA
> S11308604E604E00080000A8674E4E4E00114E0028
> S11308704D4E00674E006E4E00BF4E001F4E00638B
> S11308804E00724E00114E00BF4E00674E004D4E9A
> S1130890001F4E4E4E00080000A8674E4E603C4EAE
> S11308A00000000000000000000000000000000044
> S11308B00000000000000000000000000000000034
> S11308C00000000000000000000000000000000024
> S11308D00000000000000000000000000000000014
> S11308E00000000000000000000000000000000004
> S11308F0FF00FFFFFF0000000000000000000000F8
> S1130900000000FF030303030302020202020202C7
> S113091002010101010101010101010101010101C2
> S113092001010101010101010101010000000000B8
> S113093000000000000000000000000000000000B3
> S113094000000000000000000000000000000000A3
> S11309500000000000000000000000000000000093
> S11309600000000000000000000000000000000083
> S11309700000000000000000000000000000000073
> S11309800000000000000000000103060C0000004D
> snip here.......
>
>
>
> Gary Lehmann wrote:
> >
> > Not being overly cautious, let me be the first to point out the obvious wait
> > for the other shoe to drop with regard to the Echoplex Upgrade.  It's been a
> > while since the first batch was distributed to those who were in attendance
> > at the Pre-Release Showcase--over a month by my reckoning.  Heck, it was
> > over a month ago that Kim predicted the Loop IV software would be ready to
> > ship in a week.
> > Hey, don't get me wrong--I can be as patient as the next manual-lovin'
> > technophile.  Actually, this IS me being patient (if still tweaked that I
> > couldn't be at Loopstock OR the Oakland party).  I am simply giving voice to
> > the (obviously) silent majority who are waiting to see what years of hard
> > work will mean to EDP owners.
> > In the meantime, any San Diego loopers out there?  I'm in the 92064 area--
> > Gary
>

From Loopers-Delight-request@loopers-delight.com  Thu May 30 11:43:22 2002
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Date: Thu, 30 May 2002 08:42:01 -0700 (PDT)
From: Greg House <ghunicycle@yahoo.com>
Subject: Re: The Silence is Deafening
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More like:

10 goto 10

It -is- a looper, after all...

gh


--- jim palmer <jimp@pobox.com> wrote:
> and here's a bit of the source code if you want to recompile:
> 
> 10 GoSub TastyGroove
> 20 go to 10


__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu May 30 11:52:21 2002
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From: "Reid, Benjamin" <BReid@about-inc.com>
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Mutator anybody?
Date: Thu, 30 May 2002 11:50:01 -0400
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Similar in cost? Also seems MUCH smoother than the Sherman which (at least
the way I use it) seems hellbent on destruction ;)

Double LFOs is *nice*

-----Original Message-----
From: Brother Sean [mailto:info@brothersean.com]
Sent: Wednesday, May 29, 2002 4:12 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Mutator anybody?


Dennis I could go on and on but here is Mutronic's web page with sound
clips of what the Mutator can do. It is similar to a Sherman Filterbank
but I believe a little sexier.

http://www.mutronics.co.uk/html/mutator.htm

enjoy,
Kevin
www.brothersean.com


-----Original Message-----
From: Dennis Leas [mailto:dennis@mdbs.com] 
Sent: Wednesday, May 29, 2002 3:00 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mutator anybody?

Yes!  Do tell.  What's a Mutator?

Dennis Leas
-------------------
dennis@mdbs.com


----- Original Message ----- 
From: "Brother Sean" <info@brothersean.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, May 29, 2002 2:38 PM
Subject: Mutator anybody?


> I finally after 6 months of wait received my Mutator yesterday. I
can't
> wait to use this thing on some of my loops!
> 
> Anybody out there using one of these?
> 
> Kevin McPeak
> www.brothersean.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu May 30 11:55:49 2002
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Subject: Re: The Silence is Deafening
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sure, if you want to loop nothing.
if that's your taste,
times being what they are...

what is the sound of nothing looping?
ahh the subject begins to take another meaning...

it's this kind of flexibility that next gen loopers like the againinator will excel at.

> More like:
> 
> 10 goto 10
> 
> It -is- a looper, after all...
> 
> gh
> 
> 
> --- jim palmer <jimp@pobox.com> wrote:
> > and here's a bit of the source code if you want to recompile:
> > 
> > 10 GoSub TastyGroove
> > 20 go to 10
> 
> 
> __________________________________________________
> Do You Yahoo!?
> Yahoo! - Official partner of 2002 FIFA World Cup
> http://fifaworldcup.yahoo.com
> 

From Loopers-Delight-request@loopers-delight.com  Thu May 30 12:07:22 2002
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Date: Thu, 30 May 2002 11:05:25 -0500
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For Rick and others interested in purchasing a Mutator I bought mine
from www.NovaMusik.com <http://www.novamusik.com/>  . The fellow I spoke
with is Tony. Novamusik.com is in WI and they buy them from England
directly. I payed $800 for mine and it includes the midi feature (didn't
have to pay for shipping from England or WI). But I guess the price just
went up to around $1000. 
 
Hope this helps and be prepared to wait awhile.
 
Kevin McPeak
www.brothersean.com <http://www.brothersean.com/> 
 

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<body lang=3DEN-US link=3Dblue vlink=3Dpurple =
style=3D'tab-interval:.5in'>

<div class=3DSection1>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>For Rick and others interested in purchasing a <span
class=3DSpellE>Mutator</span> I bought mine from <a
href=3D"http://www.novamusik.com/">www.NovaMusik.com</a> . The fellow I =
spoke<o:p></o:p></span></font></p>

<p class=3DMsoNormal><span class=3DGramE><font size=3D2 =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'>with</span></font></span><fo=
nt
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> is Tony. Novamusik.com
is in WI and they buy them from =
</span></font><st1:country-region><st1:place><font
  size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>England</span></font></st1:p=
lace></st1:country-region><font
size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'> directly. <span
class=3DGramE>I <span class=3DSpellE>payed</span> $800 for mine and it =
includes the
midi feature (didn&#8217;t have to pay for shipping from =
</span></span></font><st1:country-region><st1:place><span
  class=3DGramE><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:
  =
Arial'>England</span></font></span></st1:place></st1:country-region><span=

class=3DGramE><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:
Arial'> or WI).</span></font></span><font size=3D2 face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial'> But I guess the price just =
went up
to around $1000. <o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Hope this helps and be prepared to wait =
awhile&#8230;<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Kevin McPeak<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><a =
href=3D"http://www.brothersean.com/">www.brothersean.com</a><o:p></o:p></=
span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

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</body>

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From Loopers-Delight-request@loopers-delight.com  Thu May 30 12:10:39 2002
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From: "Candace Meyer" <healthquestrecruiter@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: The Silence is Deafening
Date: Thu, 30 May 2002 09:07:47 -0700
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Typical looper list stuff
Start with perfectly good whining and end up with philosophy
Not Candace--Gary--still whining--but glad for discussion

-----Original Message-----
From: jim palmer [mailto:jimp@pobox.com]
Sent: Thursday, May 30, 2002 8:54 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: The Silence is Deafening


sure, if you want to loop nothing.
if that's your taste,
times being what they are...

what is the sound of nothing looping?
ahh the subject begins to take another meaning...

it's this kind of flexibility that next gen loopers like the againinator
will excel at.

> More like:
>
> 10 goto 10
>
> It -is- a looper, after all...
>
> gh
>
>
> --- jim palmer <jimp@pobox.com> wrote:
> > and here's a bit of the source code if you want to recompile:
> >
> > 10 GoSub TastyGroove
> > 20 go to 10
>
>
> __________________________________________________
> Do You Yahoo!?
> Yahoo! - Official partner of 2002 FIFA World Cup
> http://fifaworldcup.yahoo.com
>

From Loopers-Delight-request@loopers-delight.com  Thu May 30 12:51:32 2002
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Date: Thu, 30 May 2002 09:49:21 -0700 (PDT)
From: Evan Meyers <evanmeyers@yahoo.com>
Subject: Re: Earthly Delights-Boston-5/30
To: Loopers-Delight@loopers-delight.com
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you are in uncle sammy?  no kidding, you guys are
great!

i discovered you guys through addison groove project!

--- Brian O'Connell <vinniechops@hotmail.com> wrote:

<HR>
<html><div style='background-color:'>
<DIV></DIV>
<DIV></DIV>
<P>My side project Earthly Delights (I usually play
bass and Warr Guitar in Uncle Sammy) will be playing
at Emily's in Bostonon Thursday, 5/30. Emily's is
located on Winter Street right off of the Park Street
T stop. Earthly Delights incorporates influences of
world, trip hop, jazz and your basic old fasion
american experimentalism. The instrumentation includes
Warr Guitar (stick), bass, processed trumpet, drums,
loops and samples. So come on down and enjoy some new
music in Boston and check out a great little club with
a nice vibe.<BR></P>
<P>Emily's website: <A
href="http://www.weseatyou.com/restaurants/700/emilys/intronet.htm">http://www.weseatyou.com/restaurants/700/emilys/intronet.htm</A><BR><BR><HTML></P>
<DIV></DIV>
<DIV>Brian O'Connell </DIV>
<DIV></DIV>
<DIV>1128 Commonwealth Ave. #6</DIV>
<DIV></DIV>
<DIV>Allston, MA 02134</DIV>
<DIV></DIV>
<DIV>617-277-2431</DIV>
<DIV></DIV>
<DIV><A
href="mailto:brian@unclesammy.com">brian@unclesammy.com</A></DIV>
<DIV></DIV>
<DIV><A
href="http://www.unclesammy.com/">www.unclesammy.com</A></DIV>
<DIV></DIV></div><br clear=all><hr>MSN Photos is the
easiest way to share and print your photos: <a
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Here</a><br></html>



__________________________________________________
Do You Yahoo!?
Yahoo! - Official partner of 2002 FIFA World Cup
http://fifaworldcup.yahoo.com

From Loopers-Delight-request@loopers-delight.com  Thu May 30 14:24:26 2002
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From: "Luigi Meloni" <Luigimeloni74@libero.it>
To: <Loopers-Delight@loopers-delight.com>
Subject: Fernandez Sustainer guitars
Date: Thu, 30 May 2002 20:20:49 +0200
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Messaggio in formato MIME composto da piů parti.

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Hi all. Is anyone of you using the fernandez sustainer guitars? I've =
found one used (the revolver pro 7 string) and was wondering if the =
system attack time could be somehow modified via some trimmer or in some =
other way (I like the kind of works Michael Brook does with his infinite =
guitar system and his sustain attack time seems to be way shorter than =
that of the fernandez guitar). I already like the sound of the guitar, =
but being able to set the attack time would be an added value to the =
sustainer system, I think.
thanx in advance for your replies.

Peace
Luigi

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi all. Is anyone of you using the =
fernandez=20
sustainer guitars? I've found one used (the revolver pro 7 string) and =
was=20
wondering if the system attack time could be somehow modified via some =
trimmer=20
or in some other way (I like the kind of works Michael Brook does with =
his=20
infinite guitar system and&nbsp;his sustain attack time seems to be way =
shorter=20
than that of the fernandez guitar). I already like the sound of the =
guitar, but=20
being able to set the attack time would be an added value to the =
sustainer=20
system, I think.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>thanx in advance for your =
replies.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Peace</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Luigi</FONT></DIV></BODY></HTML>

------=_NextPart_000_0011_01C20817.7D1E4140--


From Loopers-Delight-request@loopers-delight.com  Thu May 30 16:33:56 2002
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Subject: 1-Person band show at 21 Grand Sun. 6/2
Date: Thu, 30 May 2002 13:31:43 -0700
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MULTI-INSTRUMENTALISTS GALORE! RUBE GOLDBERG TACTICS! ETC!

Radio Shock- disco-democore from toys, archaic keyboards, from NYC!

Qoqol- sometimes viewed as figurehead for hedonistic/zionistic tendencies 
and shit

Autis Toole- one-woman circus of music and noise

Tape Recorder- field recordings re-collaged into strange new information!

Here are the details:

Sunday, June 2nd - 7pm
21 Grand
449 B 23rd St. (btw. Broadway & Telegraph)
Oakland, CA
$5-10
List of performers: Radio Shock | Tape Recorder | Autis Toole | qoqol

I hope to see you there!

-Jason
http://efmm.org | http://www.mp3.com/qoqol
Map:
http://maps.yahoo.com/py/maps.py?BFCat=&Pyt=Tmap&newFL=Use+Address+Below&addr=449+23rd+St.&csz=oakland%2C+ca&Country=us&Get%A0Map=Get+Map



_________________________________________________________________
Join the world’s largest e-mail service with MSN Hotmail. 
http://www.hotmail.com

From Loopers-Delight-request@loopers-delight.com  Thu May 30 16:58:42 2002
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Subject: Re: The Silence is Deafening
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How strange...

Usually this list is all too happy about the prospect of "long delay times."

...ahem.

(LoopIV is right around the corner...  Seriously.)

--Andre LaFosse
http://www.altruistmusic.com

From Loopers-Delight-request@loopers-delight.com  Thu May 30 18:55:41 2002
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> 
> (LoopIV is right around the corner...  Seriously.)
> 

Of a city block, or the Cape of Good Hope?...just kidding


From Loopers-Delight-request@loopers-delight.com  Thu May 30 19:30:08 2002
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Subject: The Upgrade is Coming--Although Some Enjoy it Already
Date: Thu, 30 May 2002 16:28:41 -0700
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See, I knew I could count on the voices of the technologically hungry!
I know everything that can be done is being done--heck, there's money due
for years of work invested in this upgrade, and it WILL be sold--I just
wanted to point out that there is a certain anticipation reflected in the
lack of posts on this list.
I appreciate what information has been shared thus far, and look forward to
further enlightenment.
Gary

-----Original Message-----
From: Neil Goldstein [mailto:ngold@attbi.com]
Sent: Thursday, May 30, 2002 3:41 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: The Silence is Deafening




>
> (LoopIV is right around the corner...  Seriously.)
>

Of a city block, or the Cape of Good Hope?...just kidding


From Loopers-Delight-request@loopers-delight.com  Thu May 30 21:56:15 2002
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Hey gang,

I've been doing small shows with a pair of Peavey KB60 keyboard amps.
They actually seem to do a pretty good job, and they were very
inexpensive at a time when I was very broke.  I've played a few gigs
lately where they were using the Mackie SRM 450s, and each time I've
thought to my self, "gee those sound damn good."  Are they really worth
it?

So here's my question, are they the best deal around?  I'm hoping for
nothing bigger, and the polycarbonate cabs will probably do wonders for
my back (the Peavey's would make wonderful boat anchors)  At $700 a
piece, they're a bit pricey.  I see the JBL Eon 15 going for $400/per.
Has anyone done a comparison?  If the main issues are wattage, I'm more
interested in quality.  The 60w Peaveys have been fine for the small
places I tend to play (cafes, parties)

Yamaha and Behringer also have similar products in the $400 range.  Any
opinions?

I just have a feeling I'll have a hard time at a music shop trying to
make comparisons over the din of Stairway to Halen and I know this bunch
is pretty discerning when it comes to sound quality.

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Thu May 30 22:50:19 2002
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Subject: Re: Powered PA speakers?
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Hi Mark,

I've had a pair of SRM 450s for three years now. I paid $625 each.  They
replaced two Eon 15s. I think I can say without reservation that they're one
of the best investments I've made in gear. I don't expect I'll need to
replace them for a long, long time.  Singing through them is such a joy,
they're so transparent.  I've used them for synths, acoustic guitar and
vocals in small venues..
Ciao,

Marc Roche
----- Original Message -----
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, May 30, 2002 6:54 PM
Subject: Powered PA speakers?


> Hey gang,
>
> I've been doing small shows with a pair of Peavey KB60 keyboard amps.
> They actually seem to do a pretty good job, and they were very
> inexpensive at a time when I was very broke.  I've played a few gigs
> lately where they were using the Mackie SRM 450s, and each time I've
> thought to my self, "gee those sound damn good."  Are they really worth
> it?
>
> So here's my question, are they the best deal around?  I'm hoping for
> nothing bigger, and the polycarbonate cabs will probably do wonders for
> my back (the Peavey's would make wonderful boat anchors)  At $700 a
> piece, they're a bit pricey.  I see the JBL Eon 15 going for $400/per.
> Has anyone done a comparison?  If the main issues are wattage, I'm more
> interested in quality.  The 60w Peaveys have been fine for the small
> places I tend to play (cafes, parties)
>
> Yamaha and Behringer also have similar products in the $400 range.  Any
> opinions?
>
> I just have a feeling I'll have a hard time at a music shop trying to
> make comparisons over the din of Stairway to Halen and I know this bunch
> is pretty discerning when it comes to sound quality.
>
> Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Thu May 30 23:27:40 2002
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Thanks for the info.  I stopped at a nearby Guitar Center (why not 
change the name to music center?) in hopes of a/b comparing them (Mackie 
SRM 450) against the Eon 15s, and I came to the exact same conclusion 
that you did!  So much better, not even a contest.  And that with a pair 
of metal guitarists finding the volume output of a Marshall amp.   You 
can always count on some things.

$625/ea?  where did you get that price?  It's better than I've seen 
anywhere.

Thanks,

Mark Sottilaro

On Thursday, May 30, 2002, at 07:48  PM, Marc Roche wrote:

> Hi Mark,
>
> I've had a pair of SRM 450s for three years now. I paid $625 each.  They
> replaced two Eon 15s. I think I can say without reservation that 
> they're one
> of the best investments I've made in gear. I don't expect I'll need to
> replace them for a long, long time.  Singing through them is such a joy,
> they're so transparent.  I've used them for synths, acoustic guitar and
> vocals in small venues..
> Ciao,
>
> Marc Roche
> ----- Original Message -----
> From: "Mark Sottilaro" <sine@zerocrossing.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, May 30, 2002 6:54 PM
> Subject: Powered PA speakers?
>
>
>> Hey gang,
>>
>> I've been doing small shows with a pair of Peavey KB60 keyboard amps.
>> They actually seem to do a pretty good job, and they were very
>> inexpensive at a time when I was very broke.  I've played a few gigs
>> lately where they were using the Mackie SRM 450s, and each time I've
>> thought to my self, "gee those sound damn good."  Are they really worth
>> it?
>>
>> So here's my question, are they the best deal around?  I'm hoping for
>> nothing bigger, and the polycarbonate cabs will probably do wonders for
>> my back (the Peavey's would make wonderful boat anchors)  At $700 a
>> piece, they're a bit pricey.  I see the JBL Eon 15 going for $400/per.
>> Has anyone done a comparison?  If the main issues are wattage, I'm more
>> interested in quality.  The 60w Peaveys have been fine for the small
>> places I tend to play (cafes, parties)
>>
>> Yamaha and Behringer also have similar products in the $400 range.  Any
>> opinions?
>>
>> I just have a feeling I'll have a hard time at a music shop trying to
>> make comparisons over the din of Stairway to Halen and I know this 
>> bunch
>> is pretty discerning when it comes to sound quality.
>>
>> Mark Sottilaro
>

From Loopers-Delight-request@loopers-delight.com  Fri May 31 00:06:25 2002
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Subject: Re: Powered PA speakers?
Date: Thu, 30 May 2002 21:04:50 -0700
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> $625/ea?  where did you get that price?  It's better than I've seen
> anywhere.
I got them at my local Musicians Friend (Eugene OR) which became Guitar
center.  I had to hassel them...you know how it goes.  You shouldn't have
any trouble to get them down to $650 each.  Good luck.

Marc Roche

From Loopers-Delight-request@loopers-delight.com  Fri May 31 05:54:58 2002
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Subject: re:  Powered Speakers
Date: Fri, 31 May 2002 02:47:29 -0700
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Dear Mark,and everybody,

I own a pair of the Mackie powered monitors (with only 12" woofers) and I
can honestly say, they have changed my life.
They are so accurate that you can mix a recording with impunity on them.

We used them as the only P.A. during our World's First Bass Looping Tour
with Michael Manring and l.d.ers  Steve Lawson and
Max Valentino, including a gig at the 700 seat and cavernous Rio Theatre in
Santa Cruz.

I have A-Bed them with the JBL Eons and the difference is night and
day...........you truly do get what you pay for.
The Mackies' are considerably more accurate.   The Eons are a little louder,
but I have never turned my Mackies up past
12 o'clock and that was blisteringly loud.

I can't say enough positive things about these speakers.

Hell, yes I can................... ;-)

They are lightweight, compact, made of durable plastic (the exteriors) and
you don't have to lug around a 500 watt amplifier................the
difference I've notice to my back alone makes them worth the price of
admission.

I have to say, also, that I do not miss the subwoofer at
all.............they go to 40 cycles with a lot of clarity.


Thumbs up,  Mark................buy 'em!!!!

yours,  Rick

From Loopers-Delight-request@loopers-delight.com  Fri May 31 11:30:23 2002
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Subject: Re: Powered PA speakers?
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> inexpensive at a time when I was very broke.  I've played a few gigs
> lately where they were using the Mackie SRM 450s, and each time I've

I have to second Rick's posting of joy.  After doing the first ever mountain
view looping festival with Rick (who brought his SRM450's) I knew that this
was just what I needed.  When I had the money, I bought one and I can
honestly say that this speaker is a true innovation.   I've actually found
the one mono SRM450 to sound clearer and more accurate than my roommate's
expensive living room stereo system!  Most people wouldn't believe that you
could do an accurate mix on a PA speaker, but these speakers really are good
enough (not for a high end studio quality mix - duh). In terms of sound
quality, I've found that the mackies have two things that I have never heard
in other PA's in the price range:  wide dispersion angle, and equal phasing
across the freq. spectrum.  This makes a huge differnence - especially in
difficult rooms.  anyway, enough, you get the picture.

Jon

From Loopers-Delight-request@loopers-delight.com  Fri May 31 11:41:00 2002
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Date: Fri, 31 May 2002 11:38:52 EDT
Subject: Re: Powered PA speakers?
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hey mark.....i use the mackie srm 450s and i have been very pleased with 
them, their weight is directly proportionate to my age.....i got them for 
both playing gigs and to use as my studio (stereo) speakers, in the studio 
they have to be played a bit too loud to get to their true range (turn it 
down dad!).....to my ear they are pretty colorless so they are great for 
mixing, you get what you hear.....i like em!.....i can not compare them to 
other speakers out there, when they were mentioned on the list in the past, 
they were given fairly excellent reports so i just bought them sight unheard 
(no comparisons).....they seem extreemly sturdy so i feel very relaxed about 
giging with them.....good luck in your hunt.....michael

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Has anyone attempted using either Motion Sound's KBR-3D or the new
KP200s?  They seem to be an interesting possible all-in-one stereo
solution.  (although they do seem a bit heavy per the specs).

-K 

>>> Nemoguitt@aol.com 05/31/02 10:38AM >>>
hey mark.....i use the mackie srm 450s and i have been very pleased
with 
them, their weight is directly proportionate to my age.....i got them
for 
both playing gigs and to use as my studio (stereo) speakers, in the
studio 
they have to be played a bit too loud to get to their true range (turn
it 
down dad!).....to my ear they are pretty colorless so they are great
for 
mixing, you get what you hear.....i like em!.....i can not compare them
to 
other speakers out there, when they were mentioned on the list in the
past, 
they were given fairly excellent reports so i just bought them sight
unheard 
(no comparisons).....they seem extreemly sturdy so i feel very relaxed
about 
giging with them.....good luck in your hunt.....michael

From Loopers-Delight-request@loopers-delight.com  Fri May 31 11:50:45 2002
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Oh man!  You're killing me guys! ;^)  Why don't you just pick me up and 
drag me to a music shop? WHY DON'T'CHA?

but more importantly, thank you all for your advise.  I sure do hate it 
when the cheap thing isn't as good as the expensive thing.

Mark Checking To See if His IRS Refund Got Direct Deposited Sottilaro

On Friday, May 31, 2002, at 02:47  AM, Rick Walker/Loop.pooL wrote:

> Dear Mark,and everybody,
>
> I own a pair of the Mackie powered monitors (with only 12" woofers) 
> and I
> can honestly say, they have changed my life.
> They are so accurate that you can mix a recording with impunity on them.
>
> We used them as the only P.A. during our World's First Bass Looping Tour
> with Michael Manring and l.d.ers  Steve Lawson and
> Max Valentino, including a gig at the 700 seat and cavernous Rio 
> Theatre in
> Santa Cruz.
>
> I have A-Bed them with the JBL Eons and the difference is night and
> day...........you truly do get what you pay for.
> The Mackies' are considerably more accurate.   The Eons are a little 
> louder,
> but I have never turned my Mackies up past
> 12 o'clock and that was blisteringly loud.
>
> I can't say enough positive things about these speakers.
>
> Hell, yes I can................... ;-)
>
> They are lightweight, compact, made of durable plastic (the exteriors) 
> and
> you don't have to lug around a 500 watt amplifier................the
> difference I've notice to my back alone makes them worth the price of
> admission.
>
> I have to say, also, that I do not miss the subwoofer at
> all.............they go to 40 cycles with a lot of clarity.
>
>
> Thumbs up,  Mark................buy 'em!!!!
>
> yours,  Rick
>

From Loopers-Delight-request@loopers-delight.com  Fri May 31 11:57:31 2002
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Subject: Power Amps...
Date: Fri, 31 May 2002 11:55:47 -0400
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Can someone suggest a clean power amp for my chapman stick setup please? 
Looking for 50-75 watts per channel

Thanks
LOU




_________________________________________________________________
Join the world’s largest e-mail service with MSN Hotmail. 
http://www.hotmail.com

From Loopers-Delight-request@loopers-delight.com  Fri May 31 12:13:27 2002
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is there anything quite as cool as ACID for mac? Is there someone who has
magicly ported it to mac? OS 9 or Xim going crazy becaus eim broke and im
tired of being unable to get anything good for free.

please help!

From Loopers-Delight-request@loopers-delight.com  Fri May 31 12:21:22 2002
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Date: Fri, 31 May 2002 18:20:04 +0200
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Fellow loopers,

triggered by the bunch of response (both on and offlist) re Loopstock, I
began to wonder whether there would be interest to hold a "Loopstock clone"
in Germany? This question is, of course, primarily targeted at possible
performers. I actually do have a possible location in mind in München
(t-u-b-e, www.t-u-b-e.de), but before enquiring with the managers in detail,
I'd like to know if anyone would perform besides me...

If I did completely oversleep similair activities and we do in fact have a
German loopstock already, please let me know.

Thanks,

	Rainer

Rainer Straschill
Moinlabs GFX and Soundworks - www.moinlabs.de
digital penis expert group - www.dpeg.de
The MoinSound Archives - www.mp3.com/moinlabs

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> 
> 
> is there anything quite as cool as ACID for mac? Is there someone who has
> magicly ported it to mac? OS 9 or Xim going crazy becaus eim broke and im
> tired of being unable to get anything good for free.

Live! Live! (in voice of George from Seinfeld :)

www.ableton.com

From Loopers-Delight-request@loopers-delight.com  Fri May 31 12:52:17 2002
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Subject: OT: A little French and some other recent reviews
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Hi neighbors,

Ah yes, time again for one of those tiresome review posts of 
mine. This time I have a request for any of you French speakers 
out there -- could you possibly translate the first one for me?
Good, bad or indifferent it'd be nice to know the gist of what 
they said (last time it was a real pain to find a affordable 
translator for Lithuanian . . . no I am not kidding).

Since the CD has been out for 10 months already . . . that's
in itself a sort of a testimony as to how very long it takes 
for things to get around when you are just another oddball 
geek with a guitar and none too well connected (or talented) 
either . . . I doubt if there will be any more of these kind of 
posts from me until I put out another CD (whenever the heck 
that'll be). At least that is my sincere hope. Time to put it 
to rest chucko.

See you on the funway!

Ted Killian

-----------------------------------------------------------------------

Review 1 (in French) from Jazzosphere:

Ted Killian - Flux Aeterna - 1 CD pfMentum CD 007

pfMentum s'impose depuis plusieurs annĂ©es maintenant 
comme la structure Ă  suivre dans le milieu des musiques 
crĂ©atives. Label d'oĂą sont sorti quelques opus majeurs 
(Ganz Andere, Hear. or what, Asphalt Buddhas ou Pith Balls 
and Inclined Planes), pfMentum propose aussi de pĂ©nĂ©trer 
plus largement dans cet univers particulier par l'intermĂ©diaire 
d'un site web (www.newcreativemusic.com) qui regroupe tout 
un ensemble de textes, interviews ou essais qui facilitent 
l'accĂ¨s de l'auditeur Ă  cette musique. Ted Killian est sans 
doute peu connu en Europe. Guitariste-poĂ¨te, sa musique 
impose un rythme et un souffle d'une grande fraĂ®cheur. 
Sur cet album le musicien rĂ©unit dix de ses compositions 
qui participent toutes Ă  la construction d'un espace sombre 
fait de questionnements et de rĂ©flexion mais dont l'issue 
reste l'espoir. 

http://membres.lycos.fr/jazzosphere/cdnew.htm

-----------------------------------------------------------------------

Review 2 from Guitar 9:

Ted Killian -- Experimental Explorations On Electric Guitar

If you're looking for guitar music where you'll be searching 
for a stylistic reference point, but will come up empty handed, 
check out Ted Killian's CD Flux Aeterna. Imagine an Uli Jon 
Roth or Jimi Hendrix within a sonic landscape not cohabited 
by bass and drums, but simply with guitars and amps set to 
feedback mercilessly (oh yeah, and add a heaping helping of 
samples, loops and other sonic mayhem). Creativity with a 
capital 'C' is what we've got here, but it won't peak everyone's 
interest of course. That may not be the artist's desire though. 
Killian is walking his own path with these ten instrumentals; 
within the structure of what he's established however, he 
does do his job with conviction, tenacity and confidence, which 
are important elements to have in order to enjoy work that's 
constantly breaking down your preconceptions and shattering 
barriers. The highly overdriven tones on songs such as "Cauterant 
Baptism" and "Hubble" may frighten children and small rodents, 
but others will find it just what Dr. Ted Nugent ordered (if this 
reference escapes you, look for late '70s footage of Nugent 
bowing before a wildly out-of-control amp). 

Born and raised in sunny Southern California, Ted has played 
guitar for over 38 years and has never managed to learn how 
to do it correctly. But, as it turns out, this may have turned 
out to be a pretty good thing. Without necessarily having set 
out to do so, Ted has found his own unique "voice" on an 
instrument that is nearly ubiquitous in modern popular music. 
Killian began playing and experimenting early on, but (in terms 
of public performance) bloomed late. Beginning in the late 1980s, 
he began performing his original music in conjunction with the 
Ventura New Music Concert Series (Southern California) - aided 
by close friend and colleague, avant-jazz trumpeter, Jeff Kaiser. 
So began a long series of ever-changing concerts and presentations 
all around Southern California. Ted has been interviewed as a 
featured composer on "Music of the Americas" on KPFK radio in 
Los Angeles. Since the debut of Flux Aeterna his music has been 
played on literally dozens of radio stations around the globe and 
has garnered critical praise in as many publications internationally. 

In recent years, Killian has composed music for ballet, "fixed" 
gallery installations, multi-disciplinary art performances, large 
ensembles and small groups. And, after all of this, he has still 
somehow managed to avoid having ever been in anything 
resembling a "band."

http://www.guitar9.com/undiscov37c.html

-----------------------------------------------------------------------

Review 3 from Rent Romus, Bay Area Improvisors Network:

Guitarists are a dime a dozen in the pop world, but when you go 
further out into exploration like Ted Killian, commonality is replaced 
with unique sound. Thus said, I was happy to receive this new CD 
from Ventura rebel label pfMentum. It's great to hear another 
voice in the world of experimental electric guitar done so well. 
Killian utilizes both his superb skills as a musician on electronics 
as well as guitar.

He interfaces the two seamlessly to create a powerful and unique 
voice to the known fair we've come to expect from other players 
such as Nels Cline. This CD has made it quite clear that rock is not 
dead it just got cloned and reconstructed before it's original was 
gutted by the music industry. Killian creates a full musical adventure 
with ten cuts of thematic tunes ranging from rhythmic scream 
sessions to all out grooves digging deep into the history of the guitar.

He even makes an interesting musical reference to a famous Jimi 
Hendrix performance one summer in the late sixties, and I would 
swear I hear some Sun Ra in there as well (though I may be tripping).

What I love about the improvised scene growing throughout the 
world is the abolishment of specific styles that continue to eat 
away at the artistic status quo. I'd say if you have an open ear 
to electric guitar exploration with appreciation for the hard core, 
you'd want to get this one. Flux Aeterna is another nail in the 
coffin of pop sensibilities, and I thank Mr. Killian for that.

http://www.bayimproviser.com/interviewdetail.asp?interview_id=12

-----------------------------------------------------------------------

Review 4 from Matt Borghi, All Music Guide:

Ted Killian's Flux Aeterna begins with a eerily apocalyptic electric 
guitar solo that in places seems to quote parts of Jimi Hendrix' 
by now world-famous rendition of "The Star-Spangled Banner" 
from 1969's Woodstock Music Festival. With the first track as 
a point of departure, Killian moves through a series of compositions 
where the guitar plays the main role, while surrounded by a variety 
of synthesized harmonic tapestries. For the most part, though, 
the guitar is the primary melodic instrument on Flux Aeterna, 
and really shows Killian experimenting with it in a lot of new ways. 
In places, this recording sounds like the work of Robert Fripp and 
King Crimson, and in other places there's strangely experimental 
work going on that's reminiscent of Brian Eno, and even some of 
John Cage's work. However, one thing is certain: Ted Killian has 
created a fantastic disc that truly creates a new harmonic 
vocabulary both for the guitar and for the guitar as background 
and foreground instrument. Guitar players in particular should pay 
special attention to this recording, but if you're looking for a 
recording that seems to be slightly -- very slightly -- tinged with 
an 1980s synthesizer sound (as well as a very unique guitar sound), 
then this is certainly a fantastic recording. 

http://www.allmusic.com/cg/amg.dll?p=amg&sql=A5ho7gjvr36ib

-----------------------------------------------------------------------

Review 5 from Guitar Player's Matt Blackett:

Ted Killian, Flux Aeterna. Feedback shreiks and EBow howls over 
hypnotic grooves add up to a great soundtrack for a ba dream. 
pfMetum -- MB

July 2002 issue "Quick Hits" (p.104)

-----------------------------------------------------------------------

Hard to believe, but there are actually radio stations playing 
â€ťFlux Aeternaâ€ť from time to time (in the wee hour I'll bet).

KUCI.88.9 FM        Irvine,CAâ€”USA
KCSB 91.9 FM        Santa Barbara, CAâ€”USA
KZSU 90.1 FM        Stanford, CAâ€”USA
KDVS 90.3 FM        Davis, CAâ€”USA
KFJC  89.7 FM       Los Altos Hills, CAâ€”USA
WPKN 89.5 FM        Bridgeport, CTâ€”USA
WHUS 91.7   FM      Storrs, CTâ€”USA
WOMR 92.1 FM        Provincetown, MAâ€”USA
WXYC 89.3 FM        Chapel Hill, NCâ€”USA
WNCW 88.7 FM        Spindale NCâ€”USA
KDSU 91.9 FM        Fargo, NDâ€”USA
WSIA 88.9 FM        Staten Island, NYâ€”USA
KLCC 89.7 FM        Eugene ORâ€”USA
KTRU 91.7 FM        Houston, TXâ€”USA
KBCS 91.3 FM        Bellevue, WAâ€”USA
WSUM 91.7 FM        Madison, WIâ€”USA
WORT-FM 89.9        Madison WIâ€”USA
CKUT 90.3 FM        Montreal, Quebecâ€”Canada
CFLX 95.5 FM        Sherbrooke, QuĂ©becâ€”Canada
CJAM 91.5 FM        Windsor, Ontarioâ€”Canada
CIUT 89.5 FM        Toronto, Ontarioâ€”Canada
3D Radio 93.7FM Adelaideâ€”Australia
RTR 92.1 FM     Perthâ€”Western Australia
FRK 105.8 FM        Kasselâ€”Germany  
RCV 99 FM           Lilleâ€”France
90.1 FM         Sensâ€”France
RCV 100.4 FM        Barcelonaâ€”Spain
RF 91.5 FM          Barcelonaâ€”Spain
KAPSAI FM 100.2 Marijampoleâ€”Lithuania

Anywho, thanks for your time. Over and out . . .

From Loopers-Delight-request@loopers-delight.com  Fri May 31 13:01:14 2002
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try the vht 2/502 and 2/90/2

i use the 2/90/2 and i play super clean.  it's right up my alley...all tube,
not too big (2u) and PLENTY loud.

i got mine for a grand brand new but i'm sure you can get one for a couple
hundred less one ebay.

-jim


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> ...
> Ah yes, time again for one of those tiresome review posts of 
> mine. This time I have a request for any of you French speakers 
> out there -- could you possibly translate the first one for me?
>...

have you tried here?
http://www.freetranslation.com/

far from perfect, but you can get the gist anyway...



From Loopers-Delight-request@loopers-delight.com  Fri May 31 13:08:53 2002
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Subject: RE: Mark Isham looping in L.A.
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Mark Isham (The trumpet player right?) uses a DJ?

This is inspiring to me, since my aspiration is to get integrated with a
live band, as opposed to doing solo scratch-loop compositions.

Any other Jazz based folks out there using DJs?

D

Thanks and best regards,

Dylan DeAnda
dylan@loudcloud.com
703-653-6883
"What is it men cannot be made to believe!"
-Thomas Jefferson




-----Original Message-----
From: Louis Rossi [mailto:tarbit@hotmail.com] 
Sent: Thursday, May 30, 2002 9:39 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Mark Isham looping in L.A.

Hi Cliff,
That line up sounds cool. I got to see Isham in NYC a few years back .
It 
was during the "silent way project" He was using a Vox wah, Jam Man & TC

Electronic G-force. Great sounds off the trumpet & the band were great
too. 
I hope he returns here again soon.

Cheers
LOU



>From: "Om_Audio" <Om-Studios@Om-Studios.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Mark Isham looping in L.A.
>Date: Thu, 30 May 2002 00:07:42 -0700
>
>I just got home from a Mark Isham show here in L.A. Just like the time
I
>saw him a few years ago it was fantastic. And of course I got there
>late- naps take precedence! ;) He was using an E-Mu Esx sampler with a
>Buchla Thunder controller- and also a Ground Controller for I don't
know
>what. A new addition was a Repeater- it was on top of a Korg Trinity
>which was on top of a Fender 78 Rhodes. Repeater controlled by a
FS-300-
>mainly catching keyboard riffs- midi synced to a Mac laptop running
>Logic- which had a Oxygen 2oct controller hooked up as well.
>
>
>
>Nels Cline on guitar- always awesome- always looping-
>
>Drummer/Percussionist
>
>DJ/Computer operator
>
>Singer
>
>
>
>Looping is here to stay.  Yay.
>
>
>
>Cliff
>
>
>
>http://www.om-studios.com <http://www.om-studios.com/>
>
>
>


_________________________________________________________________
MSN Photos is the easiest way to share and print your photos: 
http://photos.msn.com/support/worldwide.aspx

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Ted requested a translation of the following:
--------------------------------------------------------------------
Ted Killian - Flux Aeterna - 1 CD pfMentum CD 007

pfMentum s'impose depuis plusieurs annĂ©es maintenant 
comme la structure Ă  suivre dans le milieu des musiques 
crĂ©atives. Label d'oĂą sont sorti quelques opus majeurs 
(Ganz Andere, Hear. or what, Asphalt Buddhas ou Pith Balls 
and Inclined Planes), pfMentum propose aussi de pĂ©nĂ©trer 
plus largement dans cet univers particulier par l'intermĂ©diaire 
d'un site web (www.newcreativemusic.com) qui regroupe tout 
un ensemble de textes, interviews ou essais qui facilitent 
l'accĂ¨s de l'auditeur Ă  cette musique. Ted Killian est sans 
doute peu connu en Europe. Guitariste-poĂ¨te, sa musique 
impose un rythme et un souffle d'une grande fraĂ®cheur. 
Sur cet album le musicien rĂ©unit dix de ses compositions 
qui participent toutes Ă  la construction d'un espace sombre 
fait de questionnements et de rĂ©flexion mais dont l'issue 
reste l'espoir. 

http://membres.lycos.fr/jazzosphere/cdnew.htm
-----------------------------------------------------------------------


My French is not the best, but here goes:

"Ted Killian - Flux Aeterna - 1 CD pfMentum CD 007

pfMentum asserts itself now after several years as a format to follow in creative music.  The label where the kind of great works such as Ganz Andere, Hear. or what, Asphalt Buddhas or Pith Balls 
and Inclined Planes have been released, pfMentum wishes also to penetrate deeper into that particular universe through a web site, (www.newcreativemusic.com) which gathers together a collection of texts, interviews and essays that make this music more accessible to the listener. 

Ted Killian is without a doubt little known in Europe.  A guitarist-poet, his music offers a rhythm and a great breath of freshness.  In this album the musician presents ten of his compositions which combine to create a gloomy space of questions and reflection, but where there's also a window of hope."

Congratulations, Ted, on the very nice review(s)!  Let me know when you get one in Hindi and I'll be happy to give it a go ;-)

James

From Loopers-Delight-request@loopers-delight.com  Fri May 31 13:41:05 2002
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At 11:11 AM -0600 5/31/02, Daniel Garfinkel wrote:
>is there anything quite as cool as ACID for mac? Is there someone who has
>magicly ported it to mac? OS 9 or Xim going crazy becaus eim broke and im
>tired of being unable to get anything good for free.

Check out the latest Electronic Musician for a comparison of seven 
loop sequencers for Mac and PC:

http://industryclick.com/magazinearticle.asp?magazineid=33&releaseid=10207&magazinearticleid=149006&siteid=15

Also a review of Ableton Live 1.1:

http://industryclick.com/magazinearticle.asp?magazineid=33&releaseid=10207&magazinearticleid=149011&siteid=15



The price of high-performance Mac loopdom is around $300. RadiaL from 
Cycling74 will be about $200, but it hasn't been released yet.
-- 

______________________________________________________________
Richard Zvonar, PhD
(818) 788-2202
http://www.zvonar.com
http://RZCybernetics.com
http://www.cybmotion.com/aliaszone
http://www.live365.com/cgi-bin/directory.cgi?autostart=rz

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--part1_e6.28c7ce1e.2a290f95_boundary
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In a message dated 5/31/02 12:51:05 PM Eastern Daylight Time, 
ArsOcarina@aol.com writes:


> Ted Killian est sans 
> doute peu connu en Europe. 

i couldnt agree more!.....huh?.....great stuff ted.....michael

--part1_e6.28c7ce1e.2a290f95_boundary
Content-Type: text/html; charset="US-ASCII"
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<HTML><FONT FACE=arial,helvetica><FONT  SIZE=2>In a message dated 5/31/02 12:51:05 PM Eastern Daylight Time, ArsOcarina@aol.com writes:<BR>
<BR>
<BR>
<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Ted Killian est sans <BR>
doute peu connu en Europe. </BLOCKQUOTE><BR>
<BR>
i couldnt agree more!.....huh?.....great stuff ted.....michael</FONT></HTML>

--part1_e6.28c7ce1e.2a290f95_boundary--

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Subject: Re: A little French and some other recent reviews
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Jim,

In a message dated 5/31/02 10:01:46 AM, jimp@pobox.com writes:

>http://www.freetranslation.com/

No, I hadn't. But I will. 

Thanks!

Ted

From Loopers-Delight-request@loopers-delight.com  Fri May 31 14:30:13 2002
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Hi!

Sounds like a good idea to me, I would be interestedin performing. By the way, I´m new to the list. I use a repeater and a line6. I play a lot of different perrcussion, indian, persian, brasilien, cuban...I study music in the netherlands and in loop shows I also use a lot of "sounds" from anything which is around. I work a lot with modern dance. Nice to be part of the list...


All the best,

David Kuckhermann



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Welcome, David!

There are several percussionists here.  Good to have another one!

[Can you tell I'm one too?]

Dennis Leas
-------------------
dennis@mdbs.com


----- Original Message -----
From: "David Kuckhermann" <david.kuck@web.de>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 31, 2002 1:31 PM
Subject: re:Loop im Park - German Loopstock? and self introduction


> Hi!
>
> Sounds like a good idea to me, I would be interestedin performing. By the
way, I´m new to the list. I use a repeater and a line6. I play a lot of
different perrcussion, indian, persian, brasilien, cuban...I study music in
the netherlands and in loop shows I also use a lot of "sounds" from anything
which is around. I work a lot with modern dance. Nice to be part of the
list...
>
>
> All the best,
>
> David Kuckhermann
>
>
>

From Loopers-Delight-request@loopers-delight.com  Fri May 31 16:13:32 2002
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I like my Hafler TA1600.....no fan, stays cool with heat sinks....
I use it with acoustic guitar and general PA....Excellent price.....
--
gary
@friendlyspider.com


Louis Rossi wrote:

> Can someone suggest a clean power amp for my chapman stick setup please?
> Looking for 50-75 watts per channel
>
> Thanks
> LOU
>
> _________________________________________________________________
> Join the world’s largest e-mail service with MSN Hotmail.
> http://www.hotmail.com




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Any other Jazz based folks out there using DJs?


** i think dave douglas (trumpet/composer) has used a dj on one or two of
his projects.

there are probably others. i seem to remember a few things on the knitting
factory works label that might qualify. also, john zorn has done some work
with christian marclay, though he may be more of a "turntablist" than a dj .
. . 

i play in a band,splinter group, headed by guitarist g.e. stinson that has a
vocalist and dj-type in it. the dj guy does beats, textures and a wee bit o'
scratching. the band is not exactly "jazz" per se - - more like free-range
improv. 

g.e.'s cd vapor (ecstatic peace/smells like record) has two cuts by this
band on it (it may also have a trumpet player on it, fuzzy memory here).
he's currently mixing a complete album of the same band for release by a
small label within the year. 

stig


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<P><FONT SIZE=3D2>Any other Jazz based folks out there using DJs?</FONT>
</P>
<BR>

<P><FONT SIZE=3D2>** i think dave douglas (trumpet/composer) has used a dj =
on one or two of his projects.</FONT>
</P>

<P><FONT SIZE=3D2>there are probably others. i seem to remember a few thing=
s on the knitting factory works label that might qualify. also, john zorn h=
as done some work with christian marclay, though he may be more of a &quot;=
turntablist&quot; than a dj . . . </FONT></P>

<P><FONT SIZE=3D2>i play in a band,splinter group, headed by guitarist g.e.=
 stinson that has a vocalist and dj-type in it. the dj guy does beats, text=
ures and a wee bit o' scratching. the band is not exactly &quot;jazz&quot; =
per se - - more like free-range improv. </FONT></P>

<P><FONT SIZE=3D2>g.e.'s cd vapor (ecstatic peace/smells like record) has t=
wo cuts by this band on it (it may also have a trumpet player on it, fuzzy =
memory here). he's currently mixing a complete album of the same band for r=
elease by a small label within the year. </FONT></P>

<P><FONT SIZE=3D2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Fri May 31 17:25:20 2002
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Subject: An introduction to myself
From: Stuart Wyatt <stuart@solostring.com>
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Hi,

I've just joined the list, and would like to introduce myself.

My name is Stuart Wyatt, and I'm an English electric violinist living in 
Paris. I play solo, live, and use an Electrix Repeater, Line6 DL4 and 
also various delays (when I have them working) to improvise my music.

If you'd like to hear what I am up to, check out the most recent 
recording at http://mapage.noos.fr/swyatt/ThursdayPiece.mp3

I've been looping now for about two years, often performing on the 
street with just the DL4 pedal. Its my job... and I like it :)

Whilst I know a fair bit about looping from my own experiences, I also 
have a lot to learn. Hence, this is why I am here. To learn, and also to 
share.

For more info about what I do, please feel free to visit 
http://www.solostring.com

So here I am :)

- Stuart

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Subject: Re: Mark Isham looping in L.A.
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RE: Mark Isham looping in L.A.Mark Isham will be at the Mint again in =
June- don't have the date but it is first or second week in June-=20

Cliff

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<DIV><FONT size=3D2>Mark Isham will be at the Mint again in June- don't =
have the=20
date but it is first or second week in June- </FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Cliff</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri May 31 18:18:37 2002
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Subject: Re: re:Loop im Park - German Loopstock? and self introduction
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>list. I use a repeater and a line6. I play a lot of different perrcussion,
indian, persian, brasilien,
>cuban...I study music in the netherlands and in loop shows I also use a lot
of "sounds" from

Welcome!  there's lots of us percussionists here.  There's not a whole lot
of percussion discussion (hmm, percussion discussion - not a bad song title)
here but I've learned a lot from the extremely varied topics anyway!  I'm
sure we'll all learn a few things from you, so don't be shy - we could use
some more emails about drums to balance out the "which guitar pickup is best
with XXY amplifier and YYX pedal" discussions :)
Jon
ps. please note that I truly don't mind the "which guitar pickup is best
with XXY amplifier and YYX pedal" discussions, as long as no-one else minds
if we ever get into an in-depth discussion of which species of lizard
produces the best skin for a Kanjira with brass jingles ...  speaking of
which, anyone know of a source for such a thing, I heard a rumor that the
best skins are now illegal in the states?



From Loopers-Delight-request@loopers-delight.com  Fri May 31 18:20:17 2002
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i remember that this thing exists which is basically just an extender cable for wall warts so
you can plug more things into one power strip, but i can't remember the proper term or where
you can get them. help, anyone? thanks!

jon

From Loopers-Delight-request@loopers-delight.com  Fri May 31 18:29:55 2002
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I've got some Dr. Ferd's Wall Wart Removers from Guitar Center.  They're kind of expensive for what they are though.


   KEvin

--
-------------------------------------------------------------
Kevin Goldsmith                          kevin@unitcircle.com
Unit Circle Media                   http://www.unitcircle.com
--

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Subject: RE: re:Loop im Park - German Loopstock? and self introduction
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Think it would be benefit to everyone. My nutty drummer is constantly
explaining percussion/rhythmic elements to me which ends up in things I play
and I'd love to hear from other percussionists!

-----Original Message-----
From: Jon Wagner [mailto:jondrums@hotmail.com]
Sent: Friday, May 31, 2002 6:18 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: re:Loop im Park - German Loopstock? and self introduction


>list. I use a repeater and a line6. I play a lot of different perrcussion,
indian, persian, brasilien,
>cuban...I study music in the netherlands and in loop shows I also use a lot
of "sounds" from

Welcome!  there's lots of us percussionists here.  There's not a whole lot
of percussion discussion (hmm, percussion discussion - not a bad song title)
here but I've learned a lot from the extremely varied topics anyway!  I'm
sure we'll all learn a few things from you, so don't be shy - we could use
some more emails about drums to balance out the "which guitar pickup is best
with XXY amplifier and YYX pedal" discussions :)
Jon
ps. please note that I truly don't mind the "which guitar pickup is best
with XXY amplifier and YYX pedal" discussions, as long as no-one else minds
if we ever get into an in-depth discussion of which species of lizard
produces the best skin for a Kanjira with brass jingles ...  speaking of
which, anyone know of a source for such a thing, I heard a rumor that the
best skins are now illegal in the states?


From Loopers-Delight-request@loopers-delight.com  Fri May 31 18:41:40 2002
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Radio Shack sells cheap little 6" extension cords that let me plug a couple
of wall warts's in each socket on the power strip.  The local stores have em
sometimes, the salesfolk never know about em.


----- Original Message -----
From: "skincage" <skincage@infin8ty.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, May 31, 2002 3:16 PM
Subject: wall wart defeater


> i remember that this thing exists which is basically just an extender
cable for wall warts so
> you can plug more things into one power strip, but i can't remember the
proper term or where
> you can get them. help, anyone? thanks!
>
> jon
>

From Loopers-Delight-request@loopers-delight.com  Fri May 31 18:59:26 2002
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Hi, Steward!

First of all, welcome (but I also just joined). I´m a little bit into street music also, but usually with another pecussionist. How do you manage to use the line 6 out there? with the power and speaker and so on?

All the best,
David

*********** REPLY SEPARATOR  ***********

On 31.05.02 at 23:19 Stuart Wyatt wrote:

>Hi,
>
>I've just joined the list, and would like to introduce myself.
>
>My name is Stuart Wyatt, and I'm an English electric violinist living in 
>Paris. I play solo, live, and use an Electrix Repeater, Line6 DL4 and 
>also various delays (when I have them working) to improvise my music.
>
>If you'd like to hear what I am up to, check out the most recent 
>recording at http://mapage.noos.fr/swyatt/ThursdayPiece.mp3
>
>I've been looping now for about two years, often performing on the 
>street with just the DL4 pedal. Its my job... and I like it :)
>
>Whilst I know a fair bit about looping from my own experiences, I also 
>have a lot to learn. Hence, this is why I am here. To learn, and also to 
>share.
>
>For more info about what I do, please feel free to visit 
>http://www.solostring.com
>
>So here I am :)
>
>- Stuart



From Loopers-Delight-request@loopers-delight.com  Fri May 31 19:02:21 2002
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Hi!

Jup, not only in the states, also in india the lizards which where hunted for the kanjira skin are protected now. It´s already quite difficult to get kanjiras and I decided to go for the remo one, which has a plastic skin, but of course doesnt sound as good as a real one. 


All the best,
David

*********** REPLY SEPARATOR  ***********

which species of lizard
>produces the best skin for a Kanjira with brass jingles ...  speaking of
>which, anyone know of a source for such a thing, I heard a rumor that the
>best skins are now illegal in the states?



From Loopers-Delight-request@loopers-delight.com  Fri May 31 19:38:43 2002
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Subject: RE: An introduction to myself
Date: Fri, 31 May 2002 18:37:11 -0500
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Welcome Stuart ...

Any part of your influence coming from Jean Luc Ponty?  :-)

Steve


> 
> Hi,
> 
> I've just joined the list, and would like to introduce myself.
> 
> My name is Stuart Wyatt, and I'm an English electric 
> violinist living in 
> Paris. I play solo, live, and use an Electrix Repeater, Line6 DL4 and 
> also various delays (when I have them working) to improvise my music.
> 
> If you'd like to hear what I am up to, check out the most recent 
> recording at http://mapage.noos.fr/swyatt/ThursdayPiece.mp3
> 
> I've been looping now for about two years, often performing on the 
> street with just the DL4 pedal. Its my job... and I like it :)
> 
> Whilst I know a fair bit about looping from my own 
> experiences, I also 
> have a lot to learn. Hence, this is why I am here. To learn, 
> and also to 
> share.
> 
> For more info about what I do, please feel free to visit 
> http://www.solostring.com
> 
> So here I am :)
> 
> - Stuart
> 

From Loopers-Delight-request@loopers-delight.com  Fri May 31 19:42:49 2002
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i noticed that you're playing a 7-string violin??? what's the tuning?

can you describe what you do musically? tonal, non-tonal; improv, written,
combination thereof . . .

stig

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<P><FONT SIZE=2>i noticed that you're playing a 7-string violin??? what's the tuning?</FONT>
</P>

<P><FONT SIZE=2>can you describe what you do musically? tonal, non-tonal; improv, written, combination thereof . . .</FONT>
</P>

<P><FONT SIZE=2>stig</FONT>
</P>

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From Loopers-Delight-request@loopers-delight.com  Fri May 31 21:24:09 2002
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hey thanks! i just cleaned out the RS down the street. 3 for under $5. not bad! might not be
the best but hey, i'm doing noise, who am i kidding about fidelity hairsplitting?

one last thing, is it safe to plug two transformers in per extender? i don't know enough
about AC, and i really don't want to be pushing it.

much obliged to everyone who offered suggestions!

jon


> Radio Shack sells cheap little 6" extension cords that let me plug a couple
> of wall warts's in each socket on the power strip.  The local stores have em
> sometimes, the salesfolk never know about em.
>


From Loopers-Delight-request@loopers-delight.com  Fri May 31 21:33:39 2002
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Subject: Would it be unforgivably crass of me ...
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... if I mentioned here that a couple hours ago I discovered an album of
mine (with looping content, naturally) made the Canadian college radio
charts?



See

http://www.earshot-online.com/charts/2002/4-200.html


Scroll down to 127.


---
* just-john@just-john.com  http://just-john.com/cn/rfe.shtml *

From Loopers-Delight-request@loopers-delight.com  Fri May 31 22:20:20 2002
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A great discovery for me was a BELKIN power bar
with 10 AC inputs, all spaced for wall warts with
a metal case and a 15 ft. cord (which is handy but
takes up much more room in the suitcase).
I buy them here in Toronto at the Home Depot.

Cheers,
Scott M2

http://www.dreamSTATE.to
ambientelectronicsoundscapes
http://www.THEAMBiENTPiNG.com

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Subject: Kanjira; was Re: re:Loop im Park - German Loopstock? and self introduction
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>Jup, not only in the states, also in india the lizards which where hunted
for the kanjira skin are
>protected now. It´s already quite difficult to get kanjiras and I decided
to go for the remo one,
>which has a plastic skin, but of course doesnt sound as good as a real one.

Believe it or not, I found a real one this weekend fopr a crazy nice price,
which is why I asked about the skins.  I've been religously protecting it
from elements and being tender playing it, but I'm about to be even more
careful, based on what you said:)  I have to say, though, that nothing
matches the ability to tune a real skin head with water and/or heat!  I
guess with a remo you never have to tune it, but what's fun with that?

Jon


