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From: Garry Wasyliw <was@dlcwest.com>
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>From: "Steve Lawson" <steve@steve-lawson.co.uk>
>In 'slow' mode, which you can choose before you start recording, you can
record up to >28 seconds of stuff...

Any comments on the fidelity of "slow mode"?  I assume it halves the sample
rate or something? Is it noticible?

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 04:18:10 2000
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Subject: Re: DL4 question
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I don't have specific data, but I use the DL4 a lot, and I do think there is
a difference in sound between the two modes.  But 'slow' still sounds good,
unlike the 'standard' and 'lo fi' modes of my sp202, which imo are crap.
----- Original Message -----
From: "Garry Wasyliw" <was@dlcwest.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 01, 2000 6:09 AM
Subject: DL4 question


> >From: "Steve Lawson" <steve@steve-lawson.co.uk>
> >In 'slow' mode, which you can choose before you start recording, you can
> record up to >28 seconds of stuff...
>
> Any comments on the fidelity of "slow mode"?  I assume it halves the
sample
> rate or something? Is it noticible?
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 05:54:01 2000
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i really don't hear a difference through a gtr amp between the 14 and 28 
second modes. i will try playing it through my mixer and use headphones and 
see if i can hear a difference then. =-) PJ

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 05:59:03 2000
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Why not tour with one roadie who can tune a guitar off stage whil she has one
guitar in her hands and a spare in a stand right next to her.  Three guitars -
all acoustic.  The roadie can't be THAT expensive, making touring unprofitable?
Unless Joni is playing exclusively at 100-seat clubs like Godfrey Daniels in
Bethlehem, PA?

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Personal site: http://www.users.fast.net/~billfox

-----Original Message-----
From: Rik Elswit <rik@well.com>
Subject: Re: OT rant from hell (was: AirFX)


>Dennis Leas writes:
[snip]
>I didn't get that at all.   Back when she was touring extensively, she
>needed a truck, 2 roadies, and 30 guitars (some irreplaceable).   The VG8
>made it worthwhile for her to tour again, even though she isn't selling
>anywhere near as much product as she used to.  She has been heard gushing
>over the VG8 in several magazine interviews, not only for makeing touring
>cost effective again, but also for the creative impetus she gets from using
>some of the more synth-like sounds in it.    The VG8 was a true breakthrough
>instrument, and Line 6, Johnson Millenium, and Yamaha are all following
>Roland on this.
[snip]

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 09:09:53 2000
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> Why not tour with one roadie who can tune a guitar off stage whil she has
one
> guitar in her hands and a spare in a stand right next to her.  . . .

'zactly!

> OK... i'll un-cloak... probably only to incur more wrath by defending
> someone else's right to use, enjoy and be inspired by some random gear....

No wrath here.  It's a great joy to get a new piece of gear and find
yourself in lah-lah land when you play with it.  MUCH better than spending
too much time drooling over catalogs!  Or even worse, NOT playing because
now you NEED that new piece of gear (odd how you never missed it before).

> . . .
> Whew. It's just amazing the inconsequential stuff we get riled about....
> . . .
> So what - they have a self-aggrandizing piece of crap ad-mag . Bottom line
> is -- you can get some specs, and an idea of what is available. period.
> don't stress, man....

Yeah, it really is inconsequential.  But you know when you're out camping?
Groovin' on the outdoors?  Them mosquitos are sure annoying!

And I've probably ranted on too much.  Must be the political season or
something....

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 09:30:44 2000
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I am interested in purchasing your Jam Man. Please respond with an asking 
price. Thank  you.

Mark Burin

mlburin@hotmail.com



_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 10:27:10 2000
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I had my DL4 set up 1/2 speed last night, in my van in the driveway...
for a Halloween sound addition to the lit pumpkins nearby.  After the
groups of costumed kids decided what candy to snatch, I invited them to
speak into the microphone to get on the loop.  In addition to my effects
by playing with the Repeats and Delay knobs, their young voices made for
a sound that was "custom spooky" to Trick or Treaters' ears!   

...as long as I was going to answer that doorbell, it gave me something
fun to do, sharing my "musical" toy!   

||:  David  :||

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 11:19:48 2000
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>  >From: "Steve Lawson" <steve@steve-lawson.co.uk>
>>In 'slow' mode, which you can choose before you start recording, you can
>record up to >28 seconds of stuff...
>
>Any comments on the fidelity of "slow mode"?  I assume it halves the sample
>rate or something? Is it noticible?

When i'm playing live, or have the DL4 going into post processing 
before it hits the board, i can't hear a difference between slow and 
fast looping mode.  i do the same thing...switch it into slow mode 
for 28 seconds of recording time, then you have the access of turning 
your loop up double speed.  in conjunction with another looping unit, 
the DL4 in this mode works great to lay drones and then fade the mix 
back, switch speeds, and mix back up to have nice octaved drone over 
the low tone you have captured on the next looper.

rich

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 11:52:22 2000
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Subject: Re: DL4 question
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> When i'm playing live, or have the DL4 going into post processing
> before it hits the board, i can't hear a difference between slow and
> fast looping mode.  i do the same thing...switch it into slow mode
> for 28 seconds of recording time, then you have the access of turning
> your loop up double speed.  in conjunction with another looping unit,
> the DL4 in this mode works great to lay drones and then fade the mix
> back, switch speeds, and mix back up to have nice octaved drone over
> the low tone you have captured on the next looper.

Sounds good - I'm just trying to work out how to patch my MPX-G2, DL4 and
JamMan so that the JamMan isn't inline with the MPX clean signal (too much
loss of quality) - at the moment, I'm using the G2 in mono mode and have one
output going into a Raven Labs Master Blender, the other going into the
JamMan, then into a volume pedal, and then that into the other side of the
Raven Labs preamp. I've got the blend control on the JamMan fully on 'wet'.

So where do I put the DL4? I've already got an SWR Interstella Overdrive in
the FX loop in the G2, and I'd like to be able to add sounds from the DL4 to
the JamMan loop!! It's all getting very complex...

If you're in London, you can see the results of my search at my solo gig on
November 17th... :o)

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com

***solo gig in London on Nov 17th - see web-site for details***

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Message-ID: <20001101170447.26519.qmail@web206.mail.yahoo.com>
Date: Wed, 1 Nov 2000 09:04:46 -0800 (PST)
From: petr dolak <pepetr@yahoo.com>
Subject: Gig -- Chicago
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Petr Dolak's music and poetry, guitar & looping.  Cafe Luna, 1908
West 103rd Street, South Side.  Saturday, November 4, 2000, 8 PM.  

More info: pepetr@yahoo.com
www.geocities.com/pepetr


=====






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.

__________________________________________________
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Subject: DL4 question
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<< There was an early version that had some=20
<<kind of bug in it that was resolved in a later version of the unit.

I may be a little off here, but I believe the early DL4 bug-scenario was =
that some (not all) version-1 units would sometimes crash when powered =
up in the loop mode, and would then have to be reset.  As far as I know =
that's the only difference between version 1 and later units.  It was =
quickly addressed, and I think if you get in touch with them Line6 will =
install the bug-free software for you free of charge.   =20


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<DIV><FONT face=3DArial size=3D2><FONT size=3D3>&lt;&lt; There was an =
early version=20
that had some <BR>&lt;&lt;kind of bug in it that was resolved in a later =
version=20
of the unit.</FONT></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I may be a little off here, but I =
believe the early=20
DL4 bug-scenario was that some (not all) version-1 units would sometimes =
crash=20
when powered up in the loop mode, and would then have to be reset.&nbsp; =
As far=20
as I know that's the only difference between version 1 and later =
units.&nbsp; It=20
was quickly addressed, and I think if you get in touch with them Line6 =
will=20
install the bug-free software for you free of charge.&nbsp; &nbsp; =
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV></DIV></BODY></HTML>

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We have one in excellent shape for $495. Also have the memory expansion
available for $72.

Dick Michaels
Rogue Music
Check out our new and used gear at http://www.roguemusic.com

Mark Burin wrote:

> I am interested in purchasing your Jam Man. Please respond with an asking
> price. Thank  you.
>
> Mark Burin
>
> mlburin@hotmail.com
>
> _________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
> Share information about yourself, create your own public profile at
> http://profiles.msn.com.

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From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 15:07:21 2000
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I think it's very funny that people are still trying to get almost $100 more
than I paid for a JamMan new, when there are really good looper devices about
to hit the market (Echoplex, Repeater) for not much more cash.  My advise
would be to wait a few more weeks.  JamMans (JamMen?) will probably start
selling for $200-250, as they should.  I would pay no more than $300 tops for
one with the expansion.

Mark

"roguemus@ix.netcom.com" wrote:

> We have one in excellent shape for $495. Also have the memory expansion
> available for $72.
>
> Dick Michaels
> Rogue Music
> Check out our new and used gear at http://www.roguemusic.com
>
> Mark Burin wrote:
>
> > I am interested in purchasing your Jam Man. Please respond with an asking
> > price. Thank  you.
> >
> > Mark Burin
> >
> > mlburin@hotmail.com
> >
> > _________________________________________________________________________
> > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
> >
> > Share information about yourself, create your own public profile at
> > http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 15:45:03 2000
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Date: Wed, 01 Nov 2000 12:42:42 -0800
To: Loopers-Delight@loopers-delight.com
From: "Timoth E. Gard" <tim@col-ed.org>
Subject: Electric Eyes and CV-MIDI Converter
In-Reply-To: <056d01c04027$a6634640$1fab82cc@mdbs.com>
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Dennis,

Thanks for the sonar links! I had done a little nosing around, but was
unsuccessful. Another thing I've been trying to find is some sort of
inexpensive, short-range "homing beacon" that would use radio signal
time-of-flight to calculate distance. That way, you avoid line-of-sight
problems. Then you could also hook up three or more and triangulate your
exact location! And you could adapt this idea to give a beacon to everyone
in the band with a different homing frequency... (btw, GPS is too coarse
and slow to use)

[what follows is a generally-directed explanation of the eyes and such]

This all comes from a desire to be able to capture the performer's location
onstage (X/Y or theta/r). I do a lot of solo playing, and I am trying to
maximize the amount of data I can send back to my rig to affect the
performance. Of course, one of the things I can do is "move around". But
with only a beginner's knowledge of electronics, I had to scale back my
goals accordingly. Thus, the electric eye scenario is a crude solution, but
a beginning nonetheless.

Stated simply, I have two sets of eyes (for starters) in a room. Both beams
criss-cross the room resulting in an X pattern. So if I move from one
quadrant to another, one or both of the eyes is activated. The voltage
generated goes to my CV-MIDI converter and I let Building Blocks "debounce"
the eyes and deal with the data as I see fit. So far, it has been selecting
different loops for the background, or occassionally making one half of the
room the "auto-wah" half. That sort of thing. I do all of my work in the
MIDI environment, but I'm sure this is something that could be adapted for
the EDP and it's ilk.

The sonar systems Dennis recommends give you a continuous response, unlike
the grainy 2x2 grid. So that's an area I want to pursue. If I want any more
detail with the eyes, I must assemble more set of transmitter- receivers
and change the room layout to get 2x3 or 3x3. You can easily see that this
quickly becomes impractical if you want any kind of fine control.

Another important point of all of this is the performance: since I use
MIDI, I drag the cable around with me. If anyone can recommend a wireless
MIDI solution (that isn't out of business), you will be forever praised. A
while back, someone suggested using a digital modem, but again my beginner
electronic knowledge has proved a barrier to handle the data rate
conversions and such. This, of course, is no problem for you analog folks.
But if anyone has any suggestions on such a rate converter, I'm all ears
(or eyes?).

What started this whole crusade? I once saw an episode of 3-2-1 Contact!
where they put a saxophonist in a room and attached a wireless mic to his
chest. Then they fed his pulse into some speakers in the room. First he
played casually with the beat, then ran in place for ten seconds and fired
off bebop riffs. It was really excellent. And then if anybody sees Laurie
Anderson, well, gizmo city!

I hope this answers everyone's questions and generates some interest.

Thanks for the bandwidth,
Tim

http://www.quiltedfish.com/html/tg/tginfo.htm -- for pop music

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 20:55:31 2000
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In a message dated 11/1/00 6:43:09 PM Mid-Atlantic Standard Time, 
tim@col-ed.org writes:

<< [what follows is a generally-directed explanation of the eyes and such] >>

tim.........very interesting.........thanks.........michael

From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 21:28:58 2000
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Is the Repeater available for purchase yet? It's 11/1. Did the group buy
happen yet? Too late for this?

Thanks,
Kevin


From Loopers-Delight-request@loopers-delight.com  Wed Nov  1 22:15:16 2000
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I know that some folks have gotten on "waiting lists" for the Repeater.
I'd be curious as to what price people are being quoted, and where.
Thanks for any info.

Elby

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Yes, I'd be interested in this information as well. C'mon... fess up folks!

K

> -----Original Message-----
> From: Mountain Man [mailto:mtman@cloud9.net]
> Sent: Wednesday, November 01, 2000 7:15 PM
> To: Loopers-Delight@annihilist.com
> Subject: Repeater availability and price
> 
> 
> I know that some folks have gotten on "waiting lists" for the Repeater.
> I'd be curious as to what price people are being quoted, and where.
> Thanks for any info.
> 
> Elby
> 

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 02:35:20 2000
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The Outer Ear Festival of Sound starts today in Chicago and runs through
November 22.  For a complete schedule of performances, installations,
broadcasts, workshops, and artists' roundtable discussions, please visit
the Experimental Sound Studio website at <www.expsoundstudio.org> .

Best regards,
Eric

--

sound thinking: http://pages.ripco.net/~eleon/
upcoming dates: http://pages.ripco.net/~eleon/whatsnew.html


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Hi there ! This is my first post!


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> Leonardo Piras wrote:
> 
> Hi there ! This is my first post!
> 

this is my first pasta

Claudio

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Does anyone know the new TC Electronc D-Two delay?
Is it a valid looping device?


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<DIV><FONT face=3DArial size=3D2>Does anyone know the new TC Electronc =
D-Two=20
delay?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Is it a valid looping =
device?</FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 10:49:06 2000
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Subject: OT - Searching for a Casio DH-100 Digital Horn
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Hi all -

we, the loopy band 'pseudo buddha', that is, are in **desperate need**
of a replacement for our Casio DH-100 Digital Horn with MIDI.

it's one of those silly silver (or occasionally black) plastic toy
saxaphonish-lookin' things.
yes i know it's cheesy, but we like it alot & this is our 3rd one to die
in the last 2 years.

it can be heard on the ct-75: miniatures vol 1 cd on the loop exchange
site
http://www.music.columbia.edu/%7Ececenter/mhl21/ct/ct_75/ct_75.html
track 47: inside the red envelope

if'n you know the whereabouts of one of these little plastic jewels,
please drop me a line.

thanks.

 bobdog

<bobdog@pseudobuddha.com>
<psbuddha@texas.net>

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"Is the Repeater available for purchase yet? It's 11/1. Did the group buy
happen yet? Too late for this?"

Is there a group buy, and if so, how do I get in on it?

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 12:57:46 2000
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Welcome...ciao Leonardo Italo De Angelis -ITALY-


>From: "Leonardo Piras" <webmaster@masaccio.it>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: my first post!
>Date: Thu, 2 Nov 2000 10:49:11 +0100
>
>Hi there ! This is my first post!
>

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From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 13:06:38 2000
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Date: Thu, 2 Nov 2000 16:08:46 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: OT Polyphony (was: rant from hell)
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>The VG8 was a true breakthrough
>instrument, and Line 6, Johnson Millenium, and Yamaha are all following
>Roland on this.    
>
>Roland has a hugely successful marketing arm.   They are simply doing what
>has worked for them in the past.  
>
>Rik Elswit


For 20 years, I am waiting (and helping to) the breakthrough of the 
polyphonic guitar. When the GTMs came out in '84, I thought the time 
had come and invested into polyphonic effects...
Roland must have invested more than earned with it, so far...
Polyphonic pickups are easy, the preamp is not a big deal either, the 
only problem is the cable that is more delicate and more expensive.
And its not possible yet to be wireless.
In compensation, the cable brings controlers into the guitar and you 
get rid of the battery (or of the sound loss, in case you still send 
the pickup signal directly through the wire).
But it takes a better connector than the DIN13, I think.

Gibson proposes GMICS to make it all digital (its on their site)

Isn't that the future of the guitar? How far is it still away?
-- 


          ---> http://Matthias.Grob.org

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Subject: Re: OT rant from hell (was: AirFX)
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>In a message dated 10/31/2000 6:43:50 AM Central Standard Time, torn scrawled:
>
>>  or, maybe music educators will learn to stay closer apace w/'culture
>>  curves',
>>  & begin teaching turntablism (! & looping !) in schools.....
>>
>
>for this to happen, music education graduates would have to learn it... and
>colleges would have to teach it... and people who have learned it would have
>to be willing to actually BE teachers.

...and LOOPERS-Delight starts certifying Loop teachers... :-)
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 13:12:01 2000
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Subject: Re: Repeater availability and price
Date: Thu, 02 Nov 2000 18:09:57 GMT
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>I know that some folks have gotten on "waiting lists" for the Repeater.

www.novamusik.com $599 + $16 (UPS ground) ships Nov 16th (from them)

I called and pre-ordered one electrix repeater.  Their word is that Electrix 
is due to ship stock to them on Nov 12th, to arrive Nov 16th.  They will 
fill all pre-orders at that time.  They need your credit card, but won't 
charge anything until they ship you a unit.  7 day no questions return 
policy too.
bye-
jon
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From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 13:13:14 2000
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Subject: Re: OT Polyphony (was: rant from hell)
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My guitar is already "polyphonic" - what does the system you speak of
actually do?

Cliff

-----Original Message-----
From: Matthias Grob <matthias@grob.org>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Thursday, November 02, 2000 10:06 AM
Subject: Re: OT Polyphony (was: rant from hell)


>>The VG8 was a true breakthrough
>>instrument, and Line 6, Johnson Millenium, and Yamaha are all following
>>Roland on this.
>>
>>Roland has a hugely successful marketing arm.   They are simply doing what
>>has worked for them in the past.
>>
>>Rik Elswit
>
>
>For 20 years, I am waiting (and helping to) the breakthrough of the
>polyphonic guitar. When the GTMs came out in '84, I thought the time
>had come and invested into polyphonic effects...
>Roland must have invested more than earned with it, so far...
>Polyphonic pickups are easy, the preamp is not a big deal either, the
>only problem is the cable that is more delicate and more expensive.
>And its not possible yet to be wireless.
>In compensation, the cable brings controlers into the guitar and you
>get rid of the battery (or of the sound loss, in case you still send
>the pickup signal directly through the wire).
>But it takes a better connector than the DIN13, I think.
>
>Gibson proposes GMICS to make it all digital (its on their site)
>
>Isn't that the future of the guitar? How far is it still away?
>--
>
>
>          ---> http://Matthias.Grob.org
>

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Subject: OT: Klein wood, chambers
Date: Sat, 4 Nov 2000 19:29:17 +0100
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This is a late addition to the Klein thread back in September, which i read
in the archive.
Mine is due to be built any time now--or so I hope--and while I didn't have
any trouble choosing pickups (Bardens) or the TransTrem, i'm still, or yet
again,
wondering about my choice of body wood.  Klein steered me toward solid
basswood, but.....chambered swamp ash beckons--maybe it's only the visual
lure?
To make an informed choice, you'd really have to live with both for a while,
which is of course impossible.
So:
Any comments (on- or off-list) on differences between the two from those in
the know?  recommendations welcome, too.
Thanks in advance--


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Ciao Italo...
.. ti leggo ogni mese su AXE...

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 14:40:04 2000
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Subject: Re: OT: Klein wood, chambers
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> This is a late addition to the Klein thread back in September, which i read in the archive. Mine is due to be built any time now--or so I hope--and while I didn't have any trouble choosing pickups (Bardens) or the TransTrem, i'm still, or yet again, wondering about my choice of body wood.  Klein steered me toward solid basswood, but.....chambered swamp ash beckons--maybe it's only the visual lure?

> To make an informed choice, you'd really have to live with both for a while, which is of course impossible. 

> So: Any comments (on- or off-list) on differences between the two from those in the know?  recommendations welcome, too. Thanks in advance--

I'd like to see this discussion stay online unless there's serious opposition... (I'm considering a Klein purchase if my windfalls all fall in the right direction...)

-Miko

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Matthias, I believe, is describing a true signal separation between the six
strings (hence "hex-pickups").  By combining the outputs of all six strings
into one signal (as we do now), you get IM distortion amongst other things,
as well as the inability to process each string individually (probably most
useful for pitch-shift effects, like digitally "tuning" to open G or
something).

In this sense, "polyphonic" refers to the pickups, not the instrument
itself.

Lindsay



                                                                                              
                    "Clifford@BienA                                                           
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                    <bienappraisers        cc:                                                
                                           Subject:     Re: OT Polyphony (was: rant from      
                    11/02/00 12:17         hell)                                              
                    PM                                                                        
                    Please respond                                                            
                    to                                                                        
                    Loopers-Delight                                                           
                                                                                              
                                                                                              



My guitar is already "polyphonic" - what does the system you speak of
actually do?

Cliff

-----Original Message-----
From: Matthias Grob <matthias@grob.org>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Thursday, November 02, 2000 10:06 AM
Subject: Re: OT Polyphony (was: rant from hell)


>>The VG8 was a true breakthrough
>>instrument, and Line 6, Johnson Millenium, and Yamaha are all following
>>Roland on this.
>>
>>Roland has a hugely successful marketing arm.   They are simply doing
what
>>has worked for them in the past.
>>
>>Rik Elswit
>
>
>For 20 years, I am waiting (and helping to) the breakthrough of the
>polyphonic guitar. When the GTMs came out in '84, I thought the time
>had come and invested into polyphonic effects...
>Roland must have invested more than earned with it, so far...
>Polyphonic pickups are easy, the preamp is not a big deal either, the
>only problem is the cable that is more delicate and more expensive.
>And its not possible yet to be wireless.
>In compensation, the cable brings controlers into the guitar and you
>get rid of the battery (or of the sound loss, in case you still send
>the pickup signal directly through the wire).
>But it takes a better connector than the DIN13, I think.
>
>Gibson proposes GMICS to make it all digital (its on their site)
>
>Isn't that the future of the guitar? How far is it still away?
>--
>
>
>          ---> http://Matthias.Grob.org
>





From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 15:42:35 2000
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Dear Esteem'd Colleagues,

How do I unsubscribe?  I didn't hang on to the instructions for some
reason.

Kind regards,
Jeff

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Whatever happened to posting the Repeater's user manual on the Electrix
site?

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At 11:58 00-11-02 +0100, you wrote: 

>>>>

<excerpt> <bigger>Does anyone know the new TC Electronc D-Two 
delay?</bigger><fontfamily><param>Arial</param><color><param>0606,0000,0000</param>
<bigger>Is it a valid looping device?</bigger>  

</color></fontfamily></excerpt><fontfamily><param>Arial</param><color><param>0606,0000,0000</param>

I don't think you can consider it as a looping device... If you want to
loop with TC Electronic, I think you're better with the 2290 (if you are
rich enough)... The D-2 looks like a great unit though... It is probably
the next thing to buy in my list... I find the "RYTHMIC" delay thing very
appealing.. with the filters to emulate old analog devices... 


And it is quite affordable (500 $ US)...



</color></fontfamily>

Christian

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Date: Thu, 2 Nov 2000 13:57:45 -0800
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Subject: Re: OT: Klein wood, chambers
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At 7:29 PM +0100 11/4/00, Bruce Comens wrote:
>This is a late addition to the Klein thread back in September, which i read
>in the archive.
>Mine is due to be built any time now--or so I hope--and while I didn't have
>any trouble choosing pickups (Bardens) or the TransTrem, i'm still, or yet
>again,
>wondering about my choice of body wood.  Klein steered me toward solid
>basswood, but.....chambered swamp ash beckons--maybe it's only the visual
>lure?

What visible lure: the chambers are invisible. The only chambered 
Klein that I've played had little cracks in the surface where the 
chambers are. This is not meant to be a commentary on the 
workmanship, the guitar had mistreated in other ways. At any rate, 
the chambers didn't seem to make a huge difference in the sound.

My Klein, which I got used, (thanks Keenan) is solid 
basswood/Bardens/TransTrem. I love it. I had been a Steinberger guy 
for several years, not being able to rationalize a solid body guitar 
at the Klein's price point. Suffice it so say that I still 
occasionally use one of my Steinbergers, but only because it has a 
synth pickup built in. The Klein just feels right.

-C

_________________________________________________________
The optimist sees a glass half full...     | Chris Muir
The pessimist sees a glass half empty...   | cbm@well.com
The realist sees a glass twice as big as it needs to be.

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Hi,

Ash gives you a smoother sound with a little more treble than basswood.
Some of the stratocasters and telecasters are made with ash. So, if you're
looking for a more "straty" tone, I think the swamp ash chambered may be a
good option... 

But Lorenzo must be a far better counselor than me!!! 


Christian

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Subject: Re: OT: Klein wood, chambers
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> My Klein, which I got used, (thanks Keenan) is solid basswood/Bardens/TransTrem. I love it. I had been a Steinberger guy for several years, not being able to rationalize a solid body guitar 
at the Klein's price point. Suffice it so say that I still occasionally use one of my Steinbergers, but only because it has a synth pickup built in. The Klein just feels right. - - Chris Muir



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Oops... got trigger happy with the send command...

>> ...chambered swamp ash beckons--maybe it's only the visual lure?

> What visible lure: the chambers are invisible. The only chambered Klein that I've played had little cracks in the surface where the chambers are. This is not meant to be a commentary on the workmanship, the guitar had mistreated in other ways. At any rate, the chambers didn't seem to make a huge difference in the sound.

Methinks he's talking about the grain of the ash... 

> My Klein, which I got used, (thanks Keenan) is solid basswood/Bardens/TransTrem. I love it. I had been a Steinberger guy for several years, not being able to rationalize a solid body guitar 
at the Klein's price point. Suffice it so say that I still occasionally use one of my Steinbergers, but only because it has a synth pickup built in. The Klein just feels right. - - Chris Muir

The size and feel are so right on them... They're really small in their gig bags so it's super easy to take them along wherever. Since the couch is my main noodling area, I yearn for a guitar that just sits in the right position. I'm really tired of propping up the neck of my Strat. Although I've been playing a new swamp ash model with hss Barden config with a sustainiac and it's now my first choice... (and I really love my older Strat a lot). 

-Miko

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Christian Leduc (03:37 PM 11.02.2000) wrote:

>At 11:58 00-11-02 +0100, you wrote:
> >>>>
>>Does anyone know the new TC Electronc D-Two delay? Is it a valid looping 
>>device?
>
>I don't think you can consider it as a looping device... If you want to 
>loop with TC Electronic, I think you're better with the 2290 (if you are 
>rich enough)... The D-2 looks like a great unit though... It is probably 
>the next thing to buy in my list... I find the "RYTHMIC" delay thing very 
>appealing.. with the filters to emulate old analog devices...
>
>And it is quite affordable (500 $ US)...

Yeup, it's a wonderful delay line. Rhythmic delays are as fun as you think 
they would be, it sounds great, it has a wonderful MIDI implementation, the 
UI is cool...

But I don't think you'd classify it as a loopers tool.

Mark

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Date: Thu, 02 Nov 2000 22:32:29 +0000
Subject: Re: OT: Klein wood, chambers
From: Martin Shellard <martins@pwdu.demon.co.uk>
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I have just ordered my Klein (9 months to build!) and I also originally
wanted chambered swamp ash. When I told Lorenzo what I was after tone-wise
was a super sustaining Tele that could also rock out he suggested solid
alder. 
I'm still kind of in two minds, I've always played solid guitars but the
lure of that extra option is strong  :  )

Personally I find Basswood to be rather bland and characterless, though I've
never played a basswood Klein, maybe alder would be good for you too?
What kind of tone are you after?

If you go to www.indoorstorm.com they have real audio samples of a chambered
swamp ash Klein but I think it has P90-style P/Us rather than Barden. They
also have samples of a PRS and Les Paul on a different page, I found it
useful to compare the three. The chambered Klein sounded richer and had a
more compressed dynamic range, overall it sounded both more "hi-fi" and
sweeter than the LP and PRS. The Klein was brighter and fatter in the high
range and more controlled in it's dynamics, in a good way. (imho)

I was also tempted by the Transtrem but a few comments made to me by members
of this list and elsewhere has put me off it for now. The general consensus
is that it loses some tone and sustain and it's a lot of setup/maintainence
work. All the machinery and rollers put me in mind of a Kahler system which
not only robbed tone big time but also screwed up the string tension so I'm
going to pass for now.
dt, of course coud not be parted from his TT and I have to say his tone is
great.
Martin Shellard 


> From: "Bruce Comens" <bcomens@corelli.nexus.it>

> 
> This is a late addition to the Klein thread back in September, which i read
> in the archive.
> Mine is due to be built any time now--or so I hope--and while I didn't have
> any trouble choosing pickups (Bardens) or the TransTrem, i'm still, or yet
> again,
> wondering about my choice of body wood.  Klein steered me toward solid
> basswood, but.....chambered swamp ash beckons--maybe it's only the visual
> lure?
> To make an informed choice, you'd really have to live with both for a while,
> which is of course impossible.
> So:
> Any comments (on- or off-list) on differences between the two from those in
> the know?  recommendations welcome, too.
> Thanks in advance--
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 19:01:19 2000
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OK.  Here's the scoop on the group buy.

It's through Alto Music.  Jon is handling this; you can reach him at
JHKNICKS@aol.com or 845 692 6922.  You'll need to phone to place an
order.  They are selling the Repeater for $488.  They have 50 on order,
and it sounds like they still have some available (at least they still
had enough left for me to order one <g>).  They expect to get them
sometime this month.

Elby

From Loopers-Delight-request@loopers-delight.com  Thu Nov  2 20:06:03 2000
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Subject: midi in looping ?
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Not yet having had my hands on a "real" looper, I'm still trying to
figure out what they let you do <g>   My question of the day is do
looping units typically support recording midi in addition to audio?  Is
this something that some units support and others don't?  Or do you need
to have a separate synced unit (such as a hardware sequencer) to record
the midi?  I think this is a feature I'd really like in a looper
(although it's all just imaginings at this point !  lol), so if there
are specific ones that do and don't (including the yet-to-be-released
Repeater), I'd like to hear about it.

Thanks,
Elby

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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater manual?
Date: Thu, 2 Nov 2000 18:10:21 -0800 
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Hey all,
Repeater ALPHA manual is up on our site. For your eyes only! Just click on
the link and have a read. Remember it is a first draft...
http://www.electrixpro.com/topsecret/repeater.pdf


Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


-----Original Message-----
From: lindsay@pavestone.com [mailto:lindsay@pavestone.com]
Sent: Thursday, November 02, 2000 1:31 PM
To: loopers-delight@loopers-delight.com
Subject: Repeater manual?


Whatever happened to posting the Repeater's user manual on the Electrix
site?

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 03:21:51 2000
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To: <Loopers-Delight@loopers-delight.com>
References: <3.0.32.20001102163749.0068b04c@total.net>
Subject: Re: TC Electronics
Date: Fri, 3 Nov 2000 09:21:30 +0100
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This is a multi-part message in MIME format.

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Unforunately, I'm not rich enough for the wonderful TC 2290...
I thought the D-Two would suit my needs just for the features you =
mentioned...
But do you think a gibson Echoplex Digital Pro is a better start off for =
a looping device?
The Echoplex just loops samples or works even as a delay?

Thank you.
Leonardo.

------=_NextPart_000_003C_01C04577.73965270
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2920.0" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Unforunately, I'm not rich enough for =
the wonderful=20
TC 2290...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I thought the D-Two would suit my needs =
just for=20
the features you mentioned...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>But do you think a gibson Echoplex =
Digital Pro is a=20
better start off for a looping device?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>The Echoplex just loops samples or =
works even as a=20
delay?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thank you.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Leonardo.</FONT></DIV></BODY></HTML>

------=_NextPart_000_003C_01C04577.73965270--

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 03:52:10 2000
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Date: Fri, 03 Nov 2000 09:45:33 -0800
From: Claude Voit <c.voit@vtx.ch>
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> Leonardo Piras wrote:
> 
> Unforunately, I'm not rich enough for the wonderful TC 2290...
> I thought the D-Two would suit my needs just for the features you
> mentioned...
> But do you think a gibson Echoplex Digital Pro is a better start off
> for a looping device?
> The Echoplex just loops samples or works even as a delay?
> 
> Thank you.
> Leonardo.

Leonardo
it works as a delay also but nothing close to the tc D-two
Echoplex is the strongest looper in the place as today it has features
for you to explore for years

get some time to visit the home of the looper
:http://www.loopers-delight.com/

tons of infos about all past and present loopers for all budjets

salut

Claude

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 04:00:27 2000
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International loopers

I will be playing tonight at the Uzine a gaz in Nyon 
free entrance but you leave what you want in the hat
3 sets of 40 mn of accoustic and electronic music

sounds loops melodies grooves humor and beauty 

at presentation of this mail you get a free beer or whatever

I have to pack

seeya

claude

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 04:04:46 2000
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I've visited that site.
One more little question.
Can I pair an Echoplex Digital Pro with my black Rocktron Intellifex on the
same signal chain?
Will the sound quality decay much?

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 06:10:28 2000
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Date: Fri, 3 Nov 2000 03:07:37 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: RE: Repeater manual?
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Show off.

:)

John


--- "Damon Langlois ( Electrix )"
<Damon@Electrixpro.com> wrote:
> Hey all,
> Repeater ALPHA manual is up on our site. For your
> eyes only! Just click on
> the link and have a read. Remember it is a first
> draft...
> http://www.electrixpro.com/topsecret/repeater.pdf
> 
> 
> Respect,
> 
> Damon Langlois
> Creative Director
> Electrix 
> Tel (250) 544-4091 Fax (250) 544-4100
> http://www.electrixpro.com


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
>From homework help to love advice, Yahoo! Experts has your answer.
http://experts.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 06:11:56 2000
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To: <Loopers-Delight@loopers-delight.com>
References: <3.0.32.20001102163749.0068b04c@total.net> <003f01c0456f$15207930$0902a8c0@mercurio.it> <3A02F9BD.FA9881D8@vtx.ch> <007a01c04575$22649080$0902a8c0@mercurio.it>
Subject: Echoplex and PMC-10--the "Undo Bomb" (This is Cool!)
Date: Fri, 3 Nov 2000 03:08:01 -0800
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Hi there, fellow loopers--

The Ztar is getting some little things done to it, so I have been forced to
control the EDP by other means--that includes the PMC-10, and I have written
a few patches in the meanwhile, one of which is a footswitch to send you to
reverse--of course . . .

But the grand prize--it's the Undo bomb!  Simple record the undo button
several times (mine is 6x) on a single footswitch and voila!  Back to square
one in one swell foop!  Especially dramatic on short loops with different
textures--it can't seem to get past reverse however--

Now if I can just get it to work on hangovers--

Gary

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 06:44:09 2000
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Date: Fri, 03 Nov 2000 06:38:14 -0500
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: TC Electronics
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At 10:04 AM 11/3/00 +0100, you wrote:
>I've visited that site.

I think Claude's point is that when you visit "that site" the questions
you're asking are answered in great detail and redundancy in the mailing
list archive...

It's searchable; you'll find huge amounts of information on the EDP.

Also, check out the "Tools of the Trade" section for any questions you may
have about specs, features, manuals, tips & tricks, etc. for any of the
major commercially available looping devices out there. 

You'll find that any questions you may have have probably already been
answered several times over...

Tim

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 06:51:26 2000
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From: KingsleyD@aol.com
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Date: Fri, 3 Nov 2000 06:39:13 EST
Subject: Re: Klein Woods
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I happen to own three Kleins: #1 basswood with a steinberger neck (serial 
#011, one of the "original" steve klein models), #2 chambered swamp ash 
w/Bardens, and #3 solid mahogany with Duncan Seth Lover humbuckers.

The basswood is pretty even sounding, almost clinical with the 'berger neck, 
but then when you turn the amp up some the guitar blossoms and gets richer, 
with more overtones apparent.

The chambered swamp ash has less high end than you might expect -- it ain't a 
Strat -- however, there's more articulation on the attack and at low volumes 
there's more character to the sound than the basswood one. At high volumes it 
can get a little bit "honky" or "woofy" in the lower mids; I think this is a 
result of the chambering. Switching to single coil mode on the Bardens helps. 
I've heard a few tele freaks play this guitar, and it does that Danny Gatton 
thing pretty durn well.

The mahogany one sounds like a Gibson SG or LP jr. Sort of, anyway. The 
Kleins all have a tighter, more focused tone than "traditional" guitars. But 
this one has that distinctive "klang" that all-mahogany guitars tend to have.

Kingsley

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Date: Fri, 03 Nov 2000 14:07:16 +0100
From: Manfred_Bohnhoff@t-online.de (Manfred Bohnhoff)
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Organization: The Buddhas
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Sorry list, may I bother you with a suspected hardware problem?

This does not seem to be covered by the FAQ as my EDP is only 1 1/2 yrs
old  (loop v5.0, RAM maxed)
I recently received a hint that it might be a known issue anyway.

So is anyone on the list able to pass me helpful information?

It would be extremely costy to ship the device abroad for service (me
living in Germany) and slight hardware modifications should not be a
major problem to do for me.

Problem description:
what I experience is that with the feedback control set to full
(meanwhile I hardware bypassed it which didn`t help) the playback volume
of intended infinite loops eventually decreases. The amount of the
decrease is in the order of 50 per cent within 1 or 2 minutes. I found
no way to "safely" reproduce the effect. Sometimes it occurs, and
sometimes not.

Manfred

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 09:08:35 2000
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Date: Fri, 3 Nov 2000 09:06:13 EST
Subject: Re: OT: Klein wood, chambers
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ms,
>I was also tempted by the Transtrem but a few comments made to me by members
>of this list and elsewhere has put me off it for now. The general consensus
>is that it loses some tone and sustain
true, but certainly the sound/tone/sustain-qualities of an el. gtr. are 
interdependently entwined w/*lotsa* otre elements: yer hands, yer 
feel/sweat/electric output, pickups, pre-amp, amp, spkr, signal chain, etc:
the # of interactive factors becoming (naturally) decreased when ya play on 
yer couch, un-plugged.....

>and it's a lot of setup/maintainence work.
nah; *i* don't think so, anyway..... s'no big deal.

>All the machinery and rollers put me in mind of a Kahler system which
>not only robbed tone big time but also screwed up the string tension so
>I'm going to pass for now.
i don't think that the TT is as inefficient as the Kahler sys.; plus, what ya 
git back from the TT is very cool.....

>dt, of course coud not be parted from his TT
well, xcept when i play a: a) mustang, b) es350T, c) veillette baritone/tokai 
strat, d) glissentar, etc.....

>and I have to say his tone is great.
why, thankee, sir!
best,
dt

2 new CD's in stores & online (artist-shop, amazon, tower, cdnow, bn, etc)
1) SPLaTTeRCeLL:::OAH (full-length CD)
2) SPLaTTeRCeLL:::ReMiKSiS:::AH (CD / vinyl);
(65 minute EP--- w/remixes by Charlie Clouser (NiN), Ryuichi Sakamoto, Dan 
the Automator, Carter Burwell, Tim Bowness(NoMan)/SPLaTTeRCeLL, Yoshihiro 
Hanno, Fernando Aponte, & Gareth Williams..... & 1 add'l SPLaTTeRCeLL track)

On CeLLDiviSioN/75Ark: http://www.75ark.com

SPLaTTeRCeLL: http://www.gaalore.com/davidtorn.nsf/Pages/soah
Solid States: http://www.gaalore.com/davidtorn.nsf
List site: http://www.egroups.com/group/davidtorn

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 09:25:42 2000
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From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: Fwd: Re: web cast now and tomorrow 2
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Hi Loopers,

Our webcast info.
Next is tomorrow..

  Sunao

>
>
>>
>>
>>We are streaming electronic live from Japan.
>>Please enjoy our music via RealVideo.
>>http://ds.kobedenshi.ac.jp/dstv/dstv.ram
>>
>>3rd Nov. 10:00-16:00(JST) 1:00-7:00(GMT)
>>4th Nov.  10:00-16:00(JST) 1:00-7:00(GMT)
>>
>
>Some rehearsal photos available, 16 Doepfer A100 3U units included.
>http://low.cavestudio.org/webcast_archive/festival_nov_2000/
>
>  Sunao
>http://www.cavestudio.com

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 09:49:54 2000
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Se vuoi puoi scrivermi direttamente a italoop@usa.net
best  ITALO


>From: "Leonardo Piras" <webmaster@masaccio.it>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: R: my first post!
>Date: Thu, 2 Nov 2000 19:45:23 +0100
>
>Ciao Italo...
>.. ti leggo ogni mese su AXE...
>

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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 10:34:19 2000
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Hi Mike and thank you so far,

Mike McGary wrote:
> 
> > Problem description:
> > what I experience is that with the feedback control set to full
> > (meanwhile I hardware bypassed it which didn`t help) the playback volume
> > of intended infinite loops eventually decreases.
> 
> Does this only happen while overdubbing?  If so, that would be
> expected.  

unfortunately it`s not that simple. All I do is press record twice in
order to record and infinitely loop a one or two bar phrase. 

Manfred

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 10:49:10 2000
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Hi folks,

The information that I posted yesterday about the Repeater group buy was
not correct.  I apologize for any confusion this may have caused.  To
get the correct price and any other details, call Jon at Alto Music:
(845)692-6922.  Again, my apology for not getting this information
straight.

Elby

P.S.  I'll be happy discuss this with anyone *off list*


From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 11:29:55 2000
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List, I have to correct a language mismatch error in line nn:

....
Problem description:
what I experience is that with the feedback control set to full
(meanwhile I hardware bypassed it which didn`t help) the playback volume
of intended infinite loops eventually decreases. 
                           ^^^^^^^^^^
                           sporadically
.....

My apologies.

Manfred

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 12:09:50 2000
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Good luck Claude!

I've been becoming more and more of a fan with each CT contribution you 
make.

Matt


>From: Claude Voit <c.voit@vtx.ch>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
>Subject: Gig in Switzerland
>Date: Fri, 03 Nov 2000 09:54:35 -0800
>
>International loopers
>
>I will be playing tonight at the Uzine a gaz in Nyon
>free entrance but you leave what you want in the hat
>3 sets of 40 mn of accoustic and electronic music
>
>sounds loops melodies grooves humor and beauty
>
>at presentation of this mail you get a free beer or whatever
>
>I have to pack
>
>seeya
>
>claude
>

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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 13:44:57 2000
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Hey,

I went and ordered a Repeater from Alto music (Don't worry Kim, when the
Echoplex comes out I plan to purchase one of those as well!) and was a
little dismayed when my question of, "Does that include the foot
controller?" was answered, "That device doesn't have a foot controller."

Now, I don't seem to have his email available, but I could swear that
Daemon Langlois said that the unit would come with a foot controller.
No?  Didn't we discuss it's proposed features?  Was it all a dream?
Aunty Em was there...

Now, I've got to say that I'd have still purchased the unit, regardless
of foot controller, but what gives?  I've been using a cheesy ADA midi
controller to control my JamMan.  Will I have to purchase yet another
controller?  (I think I need to move into a bigger apt, as I'm rapidly
running out of floor space!)

Yours truly,

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 13:47:35 2000
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Date: Fri, 3 Nov 2000 16:50:07 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: OT Polyphony (was: rant from hell)
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>My guitar is already "polyphonic" - what does the system you speak of
>actually do?
>

have a look at  http://Matthias.Grob.org/pParad/Parad.htm
and  http://Matthias.Grob.org/pEE/Invent.htm
-- 


          ---> http://Matthias.Grob.org

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Date: Fri, 03 Nov 2000 13:36:54 -0500
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Subject: Re: OT: Klein wood, chambers
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>
>>dt, of course coud not be parted from his TT
>well, xcept when i play a: a) mustang, b) es350T, c) veillette
baritone/tokai 
>strat, d) glissentar, etc.....

dt: Just a little OT question about c.. why Veillette/Tokai together?




Christian

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 13:53:36 2000
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From: Mark Pulver <mark@redmoon-music.com>
Subject: Re: Repeater Foot controller?
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Mark Sottilaro (12:39 PM 11.03.2000) wrote:

 >I went and ordered a Repeater from Alto music (Don't worry Kim, when the
 >Echoplex comes out I plan to purchase one of those as well!) and was a
 >little dismayed when my question of, "Does that include the foot
 >controller?" was answered, "That device doesn't have a foot controller."

Right. One does *not* come with it.

I think that the email that you're referring to is this one from Damon:

   Hey loopers,
   Trying to stay true to some of the comments around here I would like
   to request some feedback on a MIDI foot controller for Repeater. I
   posted a very quick concept sketch on our site. Just on click
   http://www.electrixpro.com/topsecret/remi.gif to view it.

   Please leave any feedback in our Electrix forum to avoid annoying
   everyone here. Just go to our site http://www.electrixpro.com and click
   on "views" and then "forum". Just leave your comments in "loop based
   recording"

   Best Regards,

   Damon Langlois
   Creative Director
   Electrix / IVL
   "No Creative Barriers"
   Tel (250) 544-4091 Fax (250) 544-4100
   http://www.electrixpro.com


The forum doesn't seem to be online though.


 >Now, I've got to say that I'd have still purchased the unit, regardless
 >of foot controller, but what gives?  I've been using a cheesy ADA midi
 >controller to control my JamMan.  Will I have to purchase yet another
 >controller?

Repeater will work with a MIDI controller, but will also work with a simple 
footswitch controller. Electrix is looking to bring out a separate MIDI 
based foot controller in the future. That was what the discussion was 
centered around.

 From the website:

   Remote Control

     -Any TRS style 3-button foot controller (like a Digitech FS-300)
     gives foot control over play/stop, record and tap tempo.

     -Repeater can be operated from a MIDI foot controller for
     "Hands Free" use.

     -Full MIDI control also means you can sequence your loops to
     create complete song structures.

     -MIDI keyboard control over the pitch offers real-time
     manipulation over the sample. Experiment with melodic
     variations of the loop.


Mark

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Date: Fri, 03 Nov 2000 18:54:21 +0000
Subject: Re: OT: Klein wood, chambers
From: Martin Shellard <martins@pwdu.demon.co.uk>
To: <Loopers-Delight@loopers-delight.com>
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dt
I remember reading that you're a mustang man, I love my mustangs, for anyone
who's interested they represent the best bang for the buck in the vintage
guitar market, a '65 pre-CBS Mustang can be had for less than $500 and they
sound awesome. Compare that to a mid 60s Strat or Tele  : -0
re: the TT, I may have to reconsider my opinion about that (more is always
more...)

Martin Shellard 


> From: Texture444@aol.com

>> dt, of course coud not be parted from his TT
> well, xcept when i play a: a) mustang, b) es350T, c) veillette baritone/tokai
> strat, d) glissentar, etc.....

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 14:09:36 2000
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From: Christian Leduc <chleduc@total.net>
Subject: Re: TC Electronics
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At 10:04 00-11-03 +0100, you wrote:
>I've visited that site.
>One more little question.
>Can I pair an Echoplex Digital Pro with my black Rocktron Intellifex on the
>same signal chain?
>Will the sound quality decay much?
>
It depends of two things... 1-your guitar/preamp relation  2- How you turn
the different knobs...

My main setup is a Ibanez HD-1000 (delay/pitch shift) and a Deltalab's
Echotron... With a Fender Concert (all-tubes)... It's not the most "quiet"
setup, but with a little time turning knobs.. it sounds great (with good
dynamics) and it is not that noisy....

So, I don't think that an EDP is noisy.. even with your Rocktron...

Your signal will not decay if you put them in the effect loop... after the
preamp...

Best,
Christian

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Date: Fri, 03 Nov 2000 11:09:52 -0800
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From: Harvey Starr <harvey@cts.com>
Subject: Re: OT Polyphony (was: rant from hell)
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May I interject here that each string on the Ztar is fully polyphonic. In
its POLY mode every note you can touch will sound. The real application for
this is when playing tapping style. I"m not aware of a guitar that will do
this.

So, if we wanted to get back on-topic, I might add that you could hold a
chord with one hand, and tap a note higher up on the fingerboard with the
other hand in a zone of keys dedicated to start/stop your EDP. :)

-harveyS

At 04:50 PM 11/3/00 -0300, you wrote:
>>My guitar is already "polyphonic" - what does the system you speak of
>>actually do?
>>
>
>have a look at  http://Matthias.Grob.org/pParad/Parad.htm
>and  http://Matthias.Grob.org/pEE/Invent.htm
>-- 
>
>
>          ---> http://Matthias.Grob.org
>
>
>
http://www.starrlabs.com

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matt davignon wrote:

> Good luck Claude!
>
> I've been becoming more and more of a fan with each CT contribution you
> make.
>
> Matt
>
> >From: Claude Voit <c.voit@vtx.ch>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> >Subject: Gig in Switzerland
> >Date: Fri, 03 Nov 2000 09:54:35 -0800
> >
> >International loopers
> >
> >I will be playing tonight at the Uzine a gaz in Nyon
> >free entrance but you leave what you want in the hat
> >3 sets of 40 mn of accoustic and electronic music
> >
> >sounds loops melodies grooves humor and beauty
> >
> >at presentation of this mail you get a free beer or whatever
> >
> >I have to pack
> >
> >seeya
> >
> >claude
>

great, happy gig, claude. sorry no concorde service to culver city.

but  i would like a free whatever. :-)

lance g.



From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 15:09:33 2000
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Date: Fri, 03 Nov 2000 12:10:33 -0800
Subject: Re: Repeater Foot controller?
From: "Allan Hoeltje" <ahoeltje@best.com>
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You are not dreaming, the Repeater does not come with a foot controler.  But
as the (preliminary) manual says, the back panel has a "footswitch" plug
that is compatable with the Digitech FS-300

-Allan

----------
>From: Mark Sottilaro <sine@zerocrossing.net>
>To: Loopers-Delight@loopers-delight.com
>Subject: Repeater Foot controller?
>Date: Fri, Nov 3, 2000, 10:39 AM
>

> Hey,
>
> I went and ordered a Repeater from Alto music (Don't worry Kim, when the
> Echoplex comes out I plan to purchase one of those as well!) and was a
> little dismayed when my question of, "Does that include the foot
> controller?" was answered, "That device doesn't have a foot controller."
>
> Now, I don't seem to have his email available, but I could swear that
> Daemon Langlois said that the unit would come with a foot controller.
> No?  Didn't we discuss it's proposed features?  Was it all a dream?
> Aunty Em was there...
>
> Now, I've got to say that I'd have still purchased the unit, regardless
> of foot controller, but what gives?  I've been using a cheesy ADA midi
> controller to control my JamMan.  Will I have to purchase yet another
> controller?  (I think I need to move into a bigger apt, as I'm rapidly
> running out of floor space!)
>
> Yours truly,
>
> Mark Sottilaro
>
> 

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 15:29:16 2000
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Date: Fri, 03 Nov 2000 12:16:39 -0800
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: EDP playback volume decreasing bug
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Hi Manfred-

That is a known issue and can easily be repaired by Gibson. there was a
problem with tolerances from a particular part vendor that caused this on
some units, and the fact that it was sporadic made it hard to catch in
production testing. They have the problem nailed now. Getting that part
replaced fixes it.

They can do it for you in the UK, at the trace elliot factory where the
Echoplex is made. I don't know if that is still a problem for you to ship
there. You can contact them at info@trace-elliot.com. Maybe they can just
send you the part if you think you can do it yourself.

Or you can contact Shane Radtke <shane.radtke@gibson.com>, who runs the
service center in the US. He's a good guy and very helpful.

kim


At 5:07 AM -0800 11/3/00, Manfred Bohnhoff wrote:
>Sorry list, may I bother you with a suspected hardware problem?
>
>This does not seem to be covered by the FAQ as my EDP is only 1 1/2 yrs
>old  (loop v5.0, RAM maxed)
>I recently received a hint that it might be a known issue anyway.
>
>So is anyone on the list able to pass me helpful information?
>
>It would be extremely costy to ship the device abroad for service (me
>living in Germany) and slight hardware modifications should not be a
>major problem to do for me.
>
>Problem description:
>what I experience is that with the feedback control set to full
>(meanwhile I hardware bypassed it which didn`t help) the playback volume
>of intended infinite loops eventually decreases. The amount of the
>decrease is in the order of 50 per cent within 1 or 2 minutes. I found
>no way to "safely" reproduce the effect. Sometimes it occurs, and
>sometimes not.
>
>Manfred


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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damon said that you could use a digitech fs300 for three 
functions and the rest would be accessible through midi.
haven't had a chance to look at the manual yet, though...

the fs300 has three buttons and a trs 1/4" jack.
i'm pretty sure it is wired like this:
    one button grounds tip to sleeve.
    one button grounds ring to sleeve.
    one button grounds both tip and sleeve to ground.




----- Original Message ----- 
From: "Mark Sottilaro" <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, November 03, 2000 12:39 PM
Subject: Repeater Foot controller?


> Hey,
> 
> I went and ordered a Repeater from Alto music (Don't worry Kim, when the
> Echoplex comes out I plan to purchase one of those as well!) and was a
> little dismayed when my question of, "Does that include the foot
> controller?" was answered, "That device doesn't have a foot controller."
> 
> Now, I don't seem to have his email available, but I could swear that
> Daemon Langlois said that the unit would come with a foot controller.
> No?  Didn't we discuss it's proposed features?  Was it all a dream?
> Aunty Em was there...
> 
> Now, I've got to say that I'd have still purchased the unit, regardless
> of foot controller, but what gives?  I've been using a cheesy ADA midi
> controller to control my JamMan.  Will I have to purchase yet another
> controller?  (I think I need to move into a bigger apt, as I'm rapidly
> running out of floor space!)
> 
> Yours truly,
> 
> Mark Sottilaro
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 15:50:28 2000
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The manual looks AWESOME!!! Hope Repeater will do all those fireworx!!!
Damon, when will it be available in Italy? That article on Axe, You 
remember!?!?...Anyway it already seems to be a MONSTER ass...
                           ciao...best...Ital@@@@p


>From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: Repeater manual?
>Date: Thu, 2 Nov 2000 18:10:21 -0800
>
>Hey all,
>Repeater ALPHA manual is up on our site. For your eyes only! Just click on
>the link and have a read. Remember it is a first draft...
>http://www.electrixpro.com/topsecret/repeater.pdf
>
>
>Respect,
>
>Damon Langlois
>Creative Director
>Electrix
>Tel (250) 544-4091 Fax (250) 544-4100
>http://www.electrixpro.com
>
>
>-----Original Message-----
>From: lindsay@pavestone.com [mailto:lindsay@pavestone.com]
>Sent: Thursday, November 02, 2000 1:31 PM
>To: loopers-delight@loopers-delight.com
>Subject: Repeater manual?
>
>
>Whatever happened to posting the Repeater's user manual on the Electrix
>site?
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 17:06:44 2000
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Bill Fox" <billfox@fast.net> inquired:



>Why not tour with one roadie who can tune a guitar off stage whil she
has one
>guitar in her hands and a spare in a stand right next to her.  Three
guitars -
>all acoustic.  The roadie can't be THAT expensive, making touring
unprofitable?
>Unless Joni is playing exclusively at 100-seat clubs like Godfrey
Daniels in
>Bethlehem, PA?

I don't think having to have a roady maintain the guitars was the sole
issue.  Also at play were the potential neck problems caused by the
non-standard tensions that occur when one employs altered tunings.  The
VG8 solves that issue, and provides a "guitar" that stays in tune and
stable regardless of what tunings are employed.

Obviously she went on to discover the broadened tonal pallette the VG8
provides over and above the tunings, and that has certainly had a
positive impact on her art.

As one who owns a VG8 and adores it, it was particularly impressive
catching her live and hearing what she is doing with it.  She's been a
favorite artist of mine for a long time, and I would never have had the
opportunity to catch her live if it weren't for the VG8.

I think it is one of the greatest music technology achievements of the
last century.

--
Tonefully yours...

Lee Sebel•Cool Music Gear You Can't Live Without•888-487-2166
  Representing Innovative Instruments of Impeccable Quality
           >>> Check out my original music at <<<
                   http://www.mp3.com/voltz


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I have recently purchased a second Gibson EDP so I can use one for each side 
in my guitar rig. The second unit has a level that is 40 percent lower than 
the other. I know it is the second EDP because when I bypass it my levels 
are equal. I am using this one as my master to brother sync the other one 
(using a stereo TRS cable and a midi cable). Could this have anything to do 
with it? I can't imagine that there would be such a wide range of tolerances 
in the design of the components used in the EDP. All other devices in my rig 
are set equally. Thanks in advance for any replies.
_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 18:02:39 2000
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Kim has talked about this before : the very old and new EDPs have a diffenernt gain structures.

I have a '95 Oberheim unit in parallel with an '00 Gibson unit and the levels are the same. However,
the positions of the input and output level knobs are definitely not the same. USe your eyes and ears
 (input LED and output levels) to set the knobs. I think it works.

Brother K







harmonic1@hotmail.com on 11/03/2000 02:10:54 PM
Please respond to Loopers-Delight@loopers-delight.com@SMTP 
To:	Loopers-Delight@loopers-delight.com@SMTP
cc:	 
Subject:	Level Setting of 2 EDPs
Classification:	

I have recently purchased a second Gibson EDP so I can use one for each side
in my guitar rig. The second unit has a level that is 40 percent lower than
the other. I know it is the second EDP because when I bypass it my levels
are equal. I am using this one as my master to brother sync the other one
(using a stereo TRS cable and a midi cable). Could this have anything to do
with it? I can't imagine that there would be such a wide range of tolerances
in the design of the components used in the EDP. All other devices in my rig
are set equally. Thanks in advance for any replies.
_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 18:31:58 2000
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Thank you very much, Kim.

This definitely sounds helpful.

Manfred

Kim Flint wrote:
> 
> Hi Manfred-
> 
> That is a known issue and can easily be repaired by Gibson. there was a
> problem with tolerances from a particular part vendor that caused this on
> some units, and the fact that it was sporadic made it hard to catch in
> production testing. They have the problem nailed now. Getting that part
> replaced fixes it.
> 
> They can do it for you in the UK, at the trace elliot factory where the
> Echoplex is made. I don't know if that is still a problem for you to ship
> there. You can contact them at info@trace-elliot.com. Maybe they can just
> send you the part if you think you can do it yourself.
> 
> Or you can contact Shane Radtke <shane.radtke@gibson.com>, who runs the
> service center in the US. He's a good guy and very helpful.
> 
> kim

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 18:56:37 2000
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Date: Fri, 3 Nov 2000 21:57:36 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Echoplex and PMC-10--the "Undo Bomb" (This is Cool!)
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>Hi there, fellow loopers--
>
>The Ztar is getting some little things done to it, so I have been forced to
>control the EDP by other means--that includes the PMC-10, and I have written
>a few patches in the meanwhile, one of which is a footswitch to send you to
>reverse--of course . . .

right... in the upgrade, there will be a simple MIDI command to do this.

>
>But the grand prize--it's the Undo bomb!  Simple record the undo button
>several times (mine is 6x) on a single footswitch and voila!  Back to square
>one in one swell foop!

hey, thats a great idea, Gary!

>Especially dramatic on short loops with different
>textures--it can't seem to get past reverse however--

no, thats not possible...

-- 


          ---> http://Matthias.Grob.org

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Date: Fri, 3 Nov 2000 21:57:36 -0300
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I also had a look at those devices, thank you, Dennis.

Since I play sitting, the range they work is rather too big.
I often thought about other ways to express my self in paramters than 
by foot controlled faders... so I would rather need distance metering 
in the 2-20cm range to measure knee, elbow and head positions, 
maybe...
did you find such, too?
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 18:56:44 2000
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Subject: Re: OT rant from hell (was: AirFX)
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>Why not tour with one roadie who can tune a guitar off stage whil she has one
>guitar in her hands and a spare in a stand right next to her.  Three guitars -
>all acoustic.  The roadie can't be THAT expensive, making touring 
>unprofitable?
>Unless Joni is playing exclusively at 100-seat clubs like Godfrey Daniels in
>Bethlehem, PA?

ok, there are also people like Richard Thompson or Paul Jones that 
use only one guitar and tell some story while they change tuning...
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 19:15:03 2000
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Date: Fri, 3 Nov 2000 22:17:56 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: OT Polyphony (was: rant from hell)
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>May I interject here that each string on the Ztar is fully polyphonic. In
>its POLY mode every note you can touch will sound. The real application for
>this is when playing tapping style. I"m not aware of a guitar that will do
>this.
>
>So, if we wanted to get back on-topic, I might add that you could hold a
>chord with one hand, and tap a note higher up on the fingerboard with the
>other hand in a zone of keys dedicated to start/stop your EDP. :)

oh, you can put out several notes simultaneously on the same string?
Thats amazing... but the instrument does not create any audio output, 
so it would not make sense to use audio effects, since you can create 
any MIDI sound on any string, right?

Can you automatically select the lowest *played* string and put a 
bass note only on that, as Polysubbass does?

>
>At 04:50 PM 11/3/00 -0300, you wrote:
>>>My guitar is already "polyphonic" - what does the system you speak of
>>>actually do?
>>>
>>
>>have a look at  http://Matthias.Grob.org/pParad/Parad.htm
>>and  http://Matthias.Grob.org/pEE/Invent.htm
>>--
>>
>>
>>           ---> http://Matthias.Grob.org
>>
>>
>>
>http://www.starrlabs.com

-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 19:22:26 2000
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Date: Fri, 3 Nov 2000 16:20:56 -0800 (PST)
From: Bret <echoplex@yahoo.com>
Subject: Re: EDP playback volume decreasing bug
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Kim,
For our edification, what part is it?
bret
--- Kim Flint <kflint@loopers-delight.com> wrote:
> Hi Manfred-
> 
> That is a known issue and can easily be repaired by Gibson. there was
> a
> problem with tolerances from a particular part vendor that caused
> this on
> some units, and the fact that it was sporadic made it hard to catch
> in
> production testing. They have the problem nailed now. Getting that
> part
> replaced fixes it.
> 
> They can do it for you in the UK, at the trace elliot factory where
> the
> Echoplex is made. I don't know if that is still a problem for you to
> ship
> there. You can contact them at info@trace-elliot.com. Maybe they can
> just
> send you the part if you think you can do it yourself.
> 
> Or you can contact Shane Radtke <shane.radtke@gibson.com>, who runs
> the
> service center in the US. He's a good guy and very helpful.
> 
> kim
> 
> 
> At 5:07 AM -0800 11/3/00, Manfred Bohnhoff wrote:
> >Sorry list, may I bother you with a suspected hardware problem?
> >
> >This does not seem to be covered by the FAQ as my EDP is only 1 1/2
> yrs
> >old  (loop v5.0, RAM maxed)
> >I recently received a hint that it might be a known issue anyway.
> >
> >So is anyone on the list able to pass me helpful information?
> >
> >It would be extremely costy to ship the device abroad for service
> (me
> >living in Germany) and slight hardware modifications should not be a
> >major problem to do for me.
> >
> >Problem description:
> >what I experience is that with the feedback control set to full
> >(meanwhile I hardware bypassed it which didn`t help) the playback
> volume
> >of intended infinite loops eventually decreases. The amount of the
> >decrease is in the order of 50 per cent within 1 or 2 minutes. I
> found
> >no way to "safely" reproduce the effect. Sometimes it occurs, and
> >sometimes not.
> >
> >Manfred
> 
> 
>
______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
> 
> 


__________________________________________________
Do You Yahoo!?
>From homework help to love advice, Yahoo! Experts has your answer.
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From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 20:01:24 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater price
Date: Fri, 3 Nov 2000 16:59:24 -0800 
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Hey loopers,
I have a general appeal to everyone interested in buying Repeater. Be
suspicious of anyone offering it for much less than $599. Our suggested
Retail is $749 US so a discount to $599 would be an amazing deal. Repeater
is priced very fairly and we did not leave much room to discount it. All of
our products have the best price possible without huge margins. I can't
imagine why someone would basically give Repeater away but if there is an
asking price of $488 we will have some major problems.

Setting a price precedence of $488 forces our other dealers to try and match
this price. Unfortunately this price doesn't give the dealer enough margin
to stay in business (in fact $488 is almost no margin at all). This
inevitably results in other dealers not even stocking the product. If no one
else stocks the product we go out of business.  

We are committed to offering cool, unique products that have a high degree
of innovation, quality and affordable prices. At $488 Repeater is devalued
far bellow a reasonable price putting our ability to do the above at great
risk. It also just depreciates the value of the product in general.

Bottom Line is if Repeater sells for $488 It ruins other retailers chances
for sales therefore ruining our chances at sales therefore no more Electrix.

Of course you are going to want to negotiate the best price possible and I
realize it seems insane to say "actually, that price is too low. Let me pay
more".  This is just a warning that whoever sells it at that price is making
no money at all and why would they do that? Also, Please consider that
promoting this price (if it exists) can damage our ability to survive and
continue to even produce Repeaters.

O.K. I'm off my soap box now.
 
Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 20:08:41 2000
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I've experimented with midi guitars for a few years now, and never really been
happy.  OK, OK, I'll admit my midi guitars were the Real Casio, the cheeseball
plastic Casio and the Ibanez IMG.

I've heard the Ztar name being thrown around every now and again.  On paper, the
idea seems great.  Is it worth it, or has hex pickup-midi technology gotten good
enough in the last decade to think about installing one on my Steinberger?  If
so, which is the "best".  I really wouldn't mind a total departure from guitar
sounds, if the tracking was great and the response to subtle technique was good.

Mark

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Date: Fri, 03 Nov 2000 20:31:49 -0500
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From: Floyd Miller <floyd@studiodust.com>
Subject: Re: OT MIDI Guitar/Controllers
In-Reply-To: <3A03610C.94A8D0BE@zerocrossing.net>
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At 05:06 PM 11/3/00 -0800, Mark Sottilaro wrote:
>......... I really wouldn't mind a total departure from guitar
>sounds, if the tracking was great and the response to subtle technique was 
>good.

I don't think we'll ever see great response to subtle technique in
a Midi Guitar controller.  Even the term, subtle technique, itself
is up for interpretation.  What is important is what you expect out
of the MID conversion process and whether or not you are willing
to make use of the technology for what it can do.

I'm using a GR-50 which is probably about 10 years old technology
by now.  I think it's better than the Casio, and Yanaha IMG and
I think about the same as the newer Roland models.  Probably the
newer Axon units that have come out in the past 2 or 3 years are
better.  I haven't been able to find a place to go try one out
and compare.

Mind you, I'm not interested in the internal sound modules of any
of these, my main concern is their ability to convert and send midi
to the sound modules I choose to buy on their own merits.

I get best results when combining the actual guitar sound with the
synthesizer sounds.  It helps fill in the missed conversions and
mask the glitches while allowing the synthesizers to augment the
overall sound.  I find great use of the synths for building
loops of organized sound  - got some loop content in here :-}

Having said all this, I would suggest you subscribe to the digital
guitar mailing list at http://www.egroups.com/group/digital-guitar
It's not such a busy list but is more geared for this topic.

************************ Floyd Miller
   ***************** floyd@studiodust.com
     ************ http://www.studiodust.com
      ******** http://www.studiodust.com/~floyd
       *****   palace://studiodust.com:9998
        ** TPV: http://www.thepalace.com:8000/perl/palentry.pl?ID=WD9S7VM2

From Loopers-Delight-request@loopers-delight.com  Fri Nov  3 22:58:54 2000
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Date: Fri, 03 Nov 2000 21:52:57 -0800
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Subject: Re: cheap looper Zoom 508 FS on Harmony
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NOT MINE
DON"T KNOW THE SELLER
DON'T E-MAIL ME

drone on~~~~~~~~~~~~~
Tom




ZOOM 508 DELAY PEDAL
Asking Price: US$N/A
Condition: Excellent
Age: N/A
Description:
I have a Zoom 508 delay pedal in great condition w/box and power supply. I
will take $65 for the two and buyer pays shipping. This has many great
sounding programmable delays, tap tempo input jack, built in tuner, and 25
user presets. It can be used stereo via "y" cable connector. Look it up on
the Zoom site!

Thanks and God bless,

C.N.
Seller: Chad Nabors,
E-mail: cnabors@tnaccess.com (Profile)
Location: COOKEVILLE, TN
Post Date: 11/3/2000


From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 08:28:14 2000
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Date: Sat, 4 Nov 2000 08:25:00 EST
Subject: Re: OT: Klein wood, chambers
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m,
>re: the TT, I may have to reconsider my opinion about that (more is always
>more...
why not test-drive a TT, for yerself, first?
best,
dt / SPLaTTeRgeek

In stores & online (artist-shop, amazon, tower, cdnow, bn, etc)
SPLaTTeRCeLL:::OAH (full-length CD)

SPLaTTeRCeLL:::ReMiKSiS:::AH
(CD / vinyl; 65 minute EP--- remixes by Charlie Clouser (NiN), Ryuichi 
Sakamoto, Dan the Automator, Carter Burwell, Tim Bowness(NoMan)/SPLaTTeRCeLL, 
Yoshihiro Hanno, Fernando Aponte, & Gareth Williams..... & 1 add'l 
SPLaTTeRCeLL track)

On CeLLDiviSioN/75Ark: http://www.75ark.com

SPLaTTeRCeLL: http://www.gaalore.com/davidtorn.nsf/Pages/soah
Solid States: http://www.gaalore.com/davidtorn.nsf
List site: http://www.egroups.com/group/davidtorn

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 09:21:53 2000
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From: "Bill Fox" <billfox@fast.net>
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Subject: Re: Repeater price
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As an engineer who has worked at Lucent Technologies in Microelectronics and now
in Wireless Network Systems, I understand quite well Damon's plight of ever
decreasing margins.  However, the market drives everything manufacturers do.
Sometimes they are driven to lower manufacturing costs, driven to drive
suppliers to lower their costs, driven to lay off employees, driven to
streamline processes, driven to live more modestly, or sometimes just driven out
of business.  And this situation is much more difficult for the small fry
company.

All I can say, Damon, is best of luck to you.  I hope market forces treat you
kindly.  Folks, if you want a $488 Repeater, please be aware that if Damon wants
dealers to stock them, he may have to lower his profit in order to give the
dealers the margin they need/demand in order to survive.  This will either drive
Damon to reduce costs or go out of business.  To reduce costs, Damon can push
back on his suppliers (who may not budge for a small company), cheapen the
product (ruining his reputation), redesign the product (so it costs less to
produce), live much more frugally (who wants to do THAT?), or find/invent less
expensive manufacturing processes (NOT an easy task, but doable... sometimes).
Customers drive the market - economics are currently good (at least in the
USA) - you decide what you want to do.

Knowledge is power.

Best regards to all,

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Personal site: http://www.users.fast.net/~billfox

-----Original Message-----
From: Damon Langlois ( Electrix ) <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com <Loopers-Delight@loopers-delight.com>
Date: Friday, November 03, 2000 8:06 PM
Subject: RE: Repeater price


>Hey loopers,
>I have a general appeal to everyone interested in buying Repeater. Be
>suspicious of anyone offering it for much less than $599. Our suggested
>Retail is $749 US so a discount to $599 would be an amazing deal. Repeater
>is priced very fairly and we did not leave much room to discount it. All of
>our products have the best price possible without huge margins. I can't
>imagine why someone would basically give Repeater away but if there is an
>asking price of $488 we will have some major problems.
>
>Setting a price precedence of $488 forces our other dealers to try and match
>this price. Unfortunately this price doesn't give the dealer enough margin
>to stay in business (in fact $488 is almost no margin at all). This
>inevitably results in other dealers not even stocking the product. If no one
>else stocks the product we go out of business.
>
>We are committed to offering cool, unique products that have a high degree
>of innovation, quality and affordable prices. At $488 Repeater is devalued
>far bellow a reasonable price putting our ability to do the above at great
>risk. It also just depreciates the value of the product in general.
>
>Bottom Line is if Repeater sells for $488 It ruins other retailers chances
>for sales therefore ruining our chances at sales therefore no more Electrix.
>
>Of course you are going to want to negotiate the best price possible and I
>realize it seems insane to say "actually, that price is too low. Let me pay
>more".  This is just a warning that whoever sells it at that price is making
>no money at all and why would they do that? Also, Please consider that
>promoting this price (if it exists) can damage our ability to survive and
>continue to even produce Repeaters.
>
>O.K. I'm off my soap box now.
>
>Respect,
>
>Damon Langlois
>Creative Director
>Electrix
>Tel (250) 544-4091 Fax (250) 544-4100
>http://www.electrixpro.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 09:56:46 2000
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Date: Sat, 04 Nov 2000 14:56:03 +0000
Subject: Re: OT: Klein wood, chambers
From: Martin Shellard <martins@pwdu.demon.co.uk>
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t,
Well unfortunately I live on an Island (UK) where guitar hardware with that
many moving parts is viewed with great suspicion  :  ) Also a guitar with no
headstock is probably the most unfashionable thing to be seen with over
here, so the stores don't stock them. My chances of finding a TT available
for demo are pretty slim.

Martin Shellard 



> why not test-drive a TT, for yerself, first?
> best,
> dt / SPLaTTeRgeek
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 09:56:50 2000
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Date: Sat, 04 Nov 2000 09:54:52 -0500
Subject: Re: Repeater price
From: Doug Miller <dmiller3@columbus.rr.com>
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Damon, Bill is exactly right. With all due respect I say: That is your
problem. Find a way to make 'em cheaper. From what I've read in your PDF
manual you have an incredibly awesome product (if it works :^). Now you need
an incredibly awesome price. Maybe you'll actually make money selling them
"skins" for the front cover, or service, or software upgrades or...
_________________________________
Doug Miller
Illustrator / Graphic Designer
http://home.columbus.rr.com/dougmiller

> All I can say, Damon, is best of luck to you.  I hope market forces treat you
> kindly.  Folks, if you want a $488 Repeater, please be aware that if Damon
> wants
> dealers to stock them, he may have to lower his profit in order to give the
> dealers the margin they need/demand in order to survive.  This will either
> drive
> Damon to reduce costs or go out of business.

>>Setting a price precedence of $488 forces our other dealers to try and match
>>this price. Unfortunately this price doesn't give the dealer enough margin
>>to stay in business (in fact $488 is almost no margin at all).

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 10:05:54 2000
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Subject: Re: OT: Klein wood, chambers
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> Well unfortunately I live on an Island (UK) where guitar hardware with
that
> many moving parts is viewed with great suspicion  :  ) Also a guitar with
no
> headstock is probably the most unfashionable thing to be seen with over
> here, so the stores don't stock them. My chances of finding a TT available
> for demo are pretty slim.

I write for a Guitar mag and have never come across one for sale in the
UK...

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com

***solo gig in London on Nov 17th - see web-site for details***

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Subject: Re: Repeater price {OT}
Date: Sat, 4 Nov 2000 15:05:51 -0000
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> Damon, Bill is exactly right. With all due respect I say: That is your
> problem. Find a way to make 'em cheaper. From what I've read in your PDF
> manual you have an incredibly awesome product (if it works :^). Now you
need
> an incredibly awesome price. Maybe you'll actually make money selling them
> "skins" for the front cover, or service, or software upgrades or...

Well, yes, ultimately it is Damon's problem, but by forcing prices down like
this, we end up with inferior product, manufactured in conditions that non
of us would want out families working in. It's this kind of hard bargaining
that has in part contributed to manufacturing being moved to countries that
have fewer health and safety regulations, thus saving money for the
companies, but contributing to the problems in a lot of countries in the far
east. Quite a few music equipment manufacturers are making stuff in China
now, where much of the factory labour is prison based, often people who are
wrongly imprisoned for 'political crimes', who are then forced to work in
inhumane conditions to make profit for the Chinese government and to
increase the profit margins for western companies who are heading towards
more and more price and quality cuts...

It's the logical concequence of share-holder as opposed to stake-holder
economics, and requires everyone who cares to do their bit.

I've no idea what Damon's stance is on ethical trading, but by driving the
street price lower and lower, more and more pressure will be on him to cut
prices, and cheap labour is one way of doing that, though the lack of
training involved in the work situation also means that quality suffers. If
I buy a Repeater I'd much rather know that it's been made and checked by
someone qualified, getting paid a sensible wage with all the health and
safety issues that we take for granted in most of the west being looked out
for...

cheers

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com

***solo gig in London on Nov 17th - see web-site for details***


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Subject: EMUSIC Playlist #189
Date: Sat, 4 Nov 2000 10:04:41 -0500
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[ Best viewed with a fixed spacing font. ]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #189                    November 2, 2000.

On this show, I started a month-long focus on Groove compilation CDs.  The
feature CD at Midnight was "Out There Lies the Truth" the first of four CDs
of music inspired by the X Files television series and released when Groove
was called Cue.

I played the music of Vidna Obmana in anticipation of his upcoming November
4 performance at the Gathering.  I also played the music of Music For
Isolation Tanks (a.k.a. David Talento) to promote his upcoming show in our
own back yard on Friday, November 10 at the Borders Bookstore in Whitehall.

Groove Unlimited
http://wdiyfm.org/emusic/playlists/2000/focus00.html#nov
The Gatherings                http://www.thegatherings.org/29gather.html
Music For Isolation Tanks     http://www.voicenet.com/~legion/


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Music for Isolation Tanks    Track 7             Live at Electrolust (Help
Wanted)
Vidna Obmana            The First Coil           The Surreal Sanctuary (Hypnos)
VA [Paul Nagle]         Track 2                  Concerts from Jodrell Bank (Neu
Harmony)
Robert Scott Thompson   Effulence                Blue Day (Aucourant)
Robert Carty            That Desert Feel Part 1  The Inexplicable (Deep Sky)
Remy                    Image One                The Art of Imagination
(Groove/AKH)

12:00 am
VA [Boots & Hemisphere] X-truders                Out There Lies the Truth
(Groove)
VA [Muns & Marselje]    Beyond                   Out There Lies the Truth
(Groove)
VA [Boots & Aerts]      Superficial Analysis of  Out There Lies the Truth
(Groove)
                          the Unsound Mind
VA [Van Engelen &       Borderline               Out There Lies the Truth
(Groove)
    Marselje]
VA [Eric & Harold       High Speed X-ing         Out There Lies the Truth
(Groove)
    Van Der Heijden]
VA [Ron Boots & Eric    The Machine *            Out There Lies the Truth
(Groove)
    Van Der Heijden]

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll continue the month-long focus on compilation discs
from the Dutch label Groove Unlimited.  Next week's feature CD at midnight will
be "The Truth Is Twisted."  I will also play the music of Music For Isolation
Tanks in anticipation of the show at the Borders Bookstore in Whitehall on
November 10.  See the events page for details.
http://wdiyfm.org/emusic/events.html

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 10:36:10 2000
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Date: Sat, 4 Nov 2000 13:39:20 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Repeater price
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>Damon, Bill is exactly right. With all due respect I say: That is your
>problem. Find a way to make 'em cheaper. From what I've read in your PDF
>manual you have an incredibly awesome product (if it works :^). Now you need
>an incredibly awesome price.

Why would he? Let them make some money for the developpment, the 
price is low for what you get and there is nothing similar out.
I was impressed by the manual, I must say...
-- 


          ---> http://Matthias.Grob.org

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Matt lance 

thanks a lot


It went very well 
100 people sofas and couches everywhere....
excellent PA
great listening 
lot of compliments
good pay
the rest is difficult to explain in english for me 

nobody from the list showed up...

bah next time

Claude

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Subject: Re: Repeater price {OT}
Date: Sat, 4 Nov 2000 08:14:51 -0800
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Interesting discussion on market economics.

>From another angle, I was under the impression that the special group buy
price was actually endorsed by Electrix, exclusively for Loopers-Delight
members, as the group provided feedback, support, and enthusiasm as the
product developed.

Neil


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In a message dated 11/04/2000 8:55:47 AM Central Standard Time, 
martins@pwdu.demon.co.uk writes:


> My chances of finding a TT available
> for demo are pretty slim.
> 
> 

Martin:

If you were thinking of buying a Klein (which is where this thread started), 
you might call Lorenzo at Klein and ask if he can send you one of his demo 
models.  Three years ago, he sent me one: it was blue, and had the old 
composite neck rather than the current rosewood, but it did have a TT, and it 
was fun to play... this required my making a deposit, but, hey, who would 
send a nice guitar like that to someone without one?

I even took it out on a gig on the night of its arrival here... it drew some 
funny looks...

Once I played it, I was hooked... and the guitar you actually can buy is so 
superior to the demo...

kevin

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<HTML><FONT  SIZE=2 FAMILY="FIXED" FACE="OCRB" LANG="0">In a message dated 11/04/2000 8:55:47 AM Central Standard Time, <BR>martins@pwdu.demon.co.uk writes:
<BR>
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">My chances of finding a TT available
<BR>for demo are pretty slim.
<BR>
<BR></BLOCKQUOTE>
<BR></FONT><FONT  COLOR="#000000" SIZE=2 FAMILY="FIXED" FACE="OCRB" LANG="0">
<BR>Martin:
<BR>
<BR>If you were thinking of buying a Klein (which is where this thread started), <BR>you might call Lorenzo at Klein and ask if he can send you one of his demo <BR>models. &nbsp;Three years ago, he sent me one: it was blue, and had the old <BR>composite neck rather than the current rosewood, but it did have a TT, and it <BR>was fun to play... this required my making a deposit, but, hey, who would <BR>send a nice guitar like that to someone without one?
<BR>
<BR>I even took it out on a gig on the night of its arrival here... it drew some <BR>funny looks...
<BR>
<BR>Once I played it, I was hooked... and the guitar you actually can buy is so <BR>superior to the demo...
<BR>
<BR>kevin</FONT></HTML>

--part1_5b.d817293.2735959c_boundary--

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 11:41:36 2000
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Last spring I purchased a line 6 delay modeler and
since then I've been working with the looping feature.
I'm finding it somewhat limited, althought I have
worked out a two hour performance with this pedal, a
wha-wha, and an octave pedal. Anyhow, someone
recomended puchasing an Oberhiem/echoplex. I've been
to the gibson/oberhiem site, but I'm having a hard
time finding a place to buy one. Any suggestions.

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one Place.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 12:33:57 2000
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Date: Sat, 4 Nov 2000 12:23:57 -0500
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Subject: Re: Repeater price {OT}
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"Steve Lawson" <steve@steve-lawson.co.uk> wrote:

> > Damon, Bill is exactly right. With all due respect I say: That is your
> > problem. Find a way to make 'em cheaper. From what I've read in your PDF
> > manual you have an incredibly awesome product (if it works :^). Now you
>need
> > an incredibly awesome price. Maybe you'll actually make money selling them
> > "skins" for the front cover, or service, or software upgrades or...
>
>Well, yes, ultimately it is Damon's problem, but by forcing prices down like
>this, we end up with inferior product, manufactured in conditions that non
>of us would want out families working in.

Absolutely.  When it comes down to it, I think that we'd all rather get
a Repeater as described that worked perfectly for $600 than an unreliable
unit for $400.

	/t


...bunker:extreme (11/07)        <http://extremeNY.com/bunker>..
...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 12:38:36 2000
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Subject: Re: Repeater price {OT}
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I think Steve got it right! As Matthias points out Repeater's price is 
surprisingly LOW, just reading all the promises in its manual.
Loopers in USA, in Europe we payed the same money for a Jamman, WITHOUT 
memory expansion, 5 or 6 years ago ! ! !  So I can't really consider that 
price high. All the worst experiences I've had in 15 years of equipment 
buying come from cheap marketing choices: When Lexicon LXP5 came out in 
1989, I got one of the very first 5 in Hollywood Guitar Center, being in Los 
Angeles to attend GIT. Well...the first stock missed all factory presets! ! 
! They had to retire the LXPs and put some stuff back into...those boxes 
were made in the far East. My first AND last MPXG2 was terribly 
F.....Up...the second worked...again made in the same area. Problems in the 
Soldano SP77 preamps made over there.
When a factory tries to squeeze prices TOO MUCH, chances are buyers are 
going to get big crap, bad labour, software bugs, poor hardware breaking up 
very soon and tons of other unexpected surprises.
Sometimes 30 or 50 bucks can make a huge difference in terms of reliability 
and quality, so let's just see how the "new thing" worx and...if the promise 
has been kept...well, you tell how the story will end... best Italoooop


>From: "Steve Lawson" <steve@steve-lawson.co.uk>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: Repeater price {OT}
>Date: Sat, 4 Nov 2000 15:05:51 -0000
>
> > Damon, Bill is exactly right. With all due respect I say: That is your
> > problem. Find a way to make 'em cheaper. From what I've read in your PDF
> > manual you have an incredibly awesome product (if it works :^). Now you
>need
> > an incredibly awesome price. Maybe you'll actually make money selling 
>them
> > "skins" for the front cover, or service, or software upgrades or...
>
>Well, yes, ultimately it is Damon's problem, but by forcing prices down 
>like
>this, we end up with inferior product, manufactured in conditions that non
>of us would want out families working in. It's this kind of hard bargaining
>that has in part contributed to manufacturing being moved to countries that
>have fewer health and safety regulations, thus saving money for the
>companies, but contributing to the problems in a lot of countries in the 
>far
>east. Quite a few music equipment manufacturers are making stuff in China
>now, where much of the factory labour is prison based, often people who are
>wrongly imprisoned for 'political crimes', who are then forced to work in
>inhumane conditions to make profit for the Chinese government and to
>increase the profit margins for western companies who are heading towards
>more and more price and quality cuts...
>
>It's the logical concequence of share-holder as opposed to stake-holder
>economics, and requires everyone who cares to do their bit.
>
>I've no idea what Damon's stance is on ethical trading, but by driving the
>street price lower and lower, more and more pressure will be on him to cut
>prices, and cheap labour is one way of doing that, though the lack of
>training involved in the work situation also means that quality suffers. If
>I buy a Repeater I'd much rather know that it's been made and checked by
>someone qualified, getting paid a sensible wage with all the health and
>safety issues that we take for granted in most of the west being looked out
>for...
>
>cheers
>
>Steve
>web-site - www.steve-lawson.co.uk
>e-mail - steve@steve-lawson.co.uk
>mailing list - steve-lawson-subscribe@listbot.com
>
>***solo gig in London on Nov 17th - see web-site for details***
>
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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  until now that was the only thing I lacked to see in this group; a product
destroyed by people who want to buy it cheap... burdens of capitalism :-D








At 08:14 a.m. 04/11/00 -0800, you wrote:
>Interesting discussion on market economics.
>
>From another angle, I was under the impression that the special group buy
>price was actually endorsed by Electrix, exclusively for Loopers-Delight
>members, as the group provided feedback, support, and enthusiasm as the
>product developed.
>
>Neil
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 13:24:33 2000
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Claude Voit wrote:

> Matt lance
>
> thanks a lot
>
> It went very well
> 100 people sofas and couches everywhere....
> excellent PA
> great listening
> lot of compliments
> good pay
> the rest is difficult to explain in english for me
>
> nobody from the list showed up...
>
> bah next time
>
> Claude

and you got paid?

i'm movin'  :-)

lance g.

ps did it get recorded?

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 13:39:02 2000
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Date: Sat, 4 Nov 2000 13:36:48 EST
Subject: Re: TC Electronics
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In a message dated 11/2/00 6:07:47 AM, webmaster@masaccio.it writes:

>Does anyone know the new TC Electronc D-Two delay?
>
>Is it a valid looping device?
I have one, and it can certainly loop, once you add foot controls: either a 
volume pedal in front or a footswitch to bypass, so you can play over your 
loop, plus a MIDI footpedal to control feedback. It's a very interesting 
piece...
David

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Thanks for the info.
What about the dynamic and rhythm delay features?


From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 14:55:55 2000
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Date: Sat, 04 Nov 2000 11:36:59 -0800
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From: Harvey Starr <harvey@cts.com>
Subject: Re: OT Polyphony (was: rant from hell)
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I'm sorry I never saw the 'rant from hell' that generated this thread.
Anyway...

t 10:17 PM 11/3/00 -0300, you wrote:
>>May I interject here that each string on the Ztar is fully polyphonic. In
>>its POLY mode every note you can touch will sound. The real application for
>>this is when playing tapping style. I"m not aware of a guitar that will do
>>this.
>>
>>So, if we wanted to get back on-topic, I might add that you could hold a
>>chord with one hand, and tap a note higher up on the fingerboard with the
>>other hand in a zone of keys dedicated to start/stop your EDP. :)
>
>oh, you can put out several notes simultaneously on the same string?
>Thats amazing... but the instrument does not create any audio output, 
>so it would not make sense to use audio effects, since you can create 
>any MIDI sound on any string, right?

Right. It's a MIDI controller. We've put sound cards onboard, if that
helps. It's naturally possible to loop the audio output from the synth.
Also, we've built some MIDI looping features into another similar device we
make for the Kurzweil company, the EventStation percussion controller. It
can capture MIDI events, loop them, build one them, change tempo, stuff
like that. That software isn't in our guitar controllers yet, though. :(
>
>Can you automatically select the lowest *played* string and put a 
>bass note only on that, as Polysubbass does?
>
Never thought of that! It wouldn't be hard to add a routine to do that in
MIDI. Interesting idea. If you add your bass note in the audio, do you have
any control over the timbre or voice-selection?
thanks,
harveyS

>>
>>At 04:50 PM 11/3/00 -0300, you wrote:
>>>>My guitar is already "polyphonic" - what does the system you speak of
>>>>actually do?
>>>>
>>>
>>>have a look at  http://Matthias.Grob.org/pParad/Parad.htm
>>>and  http://Matthias.Grob.org/pEE/Invent.htm
>>>--
>>>
>>>
>>>           ---> http://Matthias.Grob.org
>>>
>>>
>>>
>>http://www.starrlabs.com
>
>-- 
>
>
>          ---> http://Matthias.Grob.org
>
>
>
http://www.starrlabs.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 15:18:35 2000
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>Kim,
>For our edification, what part is it?
>bret

sorry...the crystals used to clock the system.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 15:30:39 2000
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Date: Sat, 4 Nov 2000 15:29:01 -0500
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Subject: looping gig, 11/07, Knitting Factory
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11/07: bunker: extreme with tr, Planetary Commission

<http://extremeNY.com/bunker>


The ongoing Bunker: extreme series continues with an evening of
live electronic music featuring The Planetary Commission and
your faithful host, Tom Ritchford.

This might be my *last show of the millennium* (which ends in a few
weeks as we move into 2001 and the real start of the twenty-first
century) as I have nothing else booked and many other projects to finish.


The Planetary Commission is spacey, compelling beats in a luminous
atmosphere of sound.

<http://supergrecords.com/electronica/theplancom.htm>


I'm voice, MIDI wind, MIDI hand-drum and many loops and effects,

you know...

all live and no samples or sequences.


The show's on Tuesday, November 7 at 10pm.

It's in the KnitActive Soundstage in the Knitting Factory
(74 Leonard St, NY, NY) and the cost is an affordable $5.

The Planetary Commission will have the first set, I'm second and
we'll end up the evening with a third set of group improvisation.

b there  ||  b**2

	/t

...bunker:extreme (11/07)        <http://extremeNY.com/bunker>..
...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 17:20:10 2000
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Date: Sat, 04 Nov 2000 23:17:51 CET
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Leo, you can download D2's manual at www.tcelectronic.com...it might be 
useful for you....best Italo


>From: "Leonardo Piras" <webmaster@masaccio.it>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: R: TC Electronics
>Date: Sat, 4 Nov 2000 20:05:36 +0100
>
>Thanks for the info.
>What about the dynamic and rhythm delay features?
>
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
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From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 18:14:36 2000
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Subject: Repeater Price.
Date: Sun, 5 Nov 2000 09:10:12 -0800
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Hey folks! In australia,  We are gonna pay $1400 for 1.
How about them apples. Cam.

------=_NextPart_000_0036_01C04708.345D15C0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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</HEAD>
<BODY bgColor=3D#c8e0d8>
<DIV><FONT size=3D2>Hey folks! In australia,&nbsp; We are gonna pay =
$1400 for=20
1.</FONT></DIV>
<DIV><FONT size=3D2>How about them apples. =
Cam.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0036_01C04708.345D15C0--

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 18:16:45 2000
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italo de angelis (04:17 PM 11.04.2000) wrote:

 >Leo, you can download D2's manual at www.tcelectronic.com...it might be
 >useful for you....best Italo

If you have problems with T.C.'s site (they had issues for a while) then I 
have the manual available as well:

   http://www.midiwall.com/synths/docs/


Mark

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Subject: Repeater price.
Date: Sun, 5 Nov 2000 09:19:00 -0800
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Don't you guy's think it would be decent
to pay a little bit more, just to support a=20
great company like "Electrix". For developing
such a great product. Maybe not $1400.
These guy's need money to develope new
product like, maybe a Repeater mark 2.
Cam.

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<DIV><FONT size=3D2>Don't you guy's think it would be =
decent</FONT></DIV>
<DIV><FONT size=3D2>to pay a little bit more, just to support a =
</FONT></DIV>
<DIV><FONT size=3D2>great company like "Electrix". For =
developing</FONT></DIV>
<DIV><FONT size=3D2>such a great product. Maybe not $1400.</FONT></DIV>
<DIV><FONT size=3D2>These guy's need money to develope new</FONT></DIV>
<DIV><FONT size=3D2>product like, maybe a Repeater mark 2.</FONT></DIV>
<DIV><FONT size=3D2>Cam.</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 19:50:34 2000
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Date: Sat, 04 Nov 2000 18:45:24 -0800
From: Tom Lambrecht <hideomo@swbell.net>
Subject: Re: Repeater Price.
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yeah, but you get your bloody didjeridus for a song . . .

%^)

drone on~~~~~~~~~~~~

Tom Lambrecht


  From: cameron street=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Sunday, November 05, 2000 9:10 AM
  Subject: Repeater Price.


  Hey folks! In australia,  We are gonna pay $1400 for 1.
  How about them apples. Cam.

------=_NextPart_000_002C_01C0468F.6480BC80
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#c8e0d8>
<DIV><FONT face=3DArial size=3D2>yeah, but you get your bloody =
didjeridus for a song=20
. . .</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>%^)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>drone on~~~~~~~~~~~~</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Tom Lambrecht</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Dc_jas@optusnet.com.au =
href=3D"mailto:c_jas@optusnet.com.au">cameron=20
  street</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Sunday, November 05, 2000 =
9:10=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Repeater Price.</DIV>
  <DIV><BR></DIV>
  <DIV><FONT size=3D2>Hey folks! In australia,&nbsp; We are gonna pay =
$1400 for=20
  1.</FONT></DIV>
  <DIV><FONT size=3D2>How about them apples.=20
Cam.</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_002C_01C0468F.6480BC80--

From Loopers-Delight-request@loopers-delight.com  Sat Nov  4 21:17:21 2000
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Subject: Re: OT: Klein wood, chambers
From: Martin Shellard <martins@pwdu.demon.co.uk>
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I've already taken the plunge and ordered my klein, it's really just the
transtrem issue that I'm in two or three minds about, although I have kind
of decided to go with the S trem for now.
Since I'm in the UK, shipping a demo is asking a bit much of Lorenzo.

Actually the thread started when someone else asked about Kleins, I'm
happily twiddling my thumbs until mine shows up.

Martin Shellard 



> 
> Martin:
> 
> If you were thinking of buying a Klein (which is where this thread started),
> you might call Lorenzo at Klein and ask if he can send you one of his demo
> models.  Three years ago, he sent me one: it was blue, and had the old
> composite neck rather than the current rosewood, but it did have a TT, and it
> was fun to play... this required my making a deposit, but, hey, who would
> send a nice guitar like that to someone without one?
> 
> I even took it out on a gig on the night of its arrival here... it drew some
> funny looks...
> 
> Once I played it, I was hooked... and the guitar you actually can buy is so
> superior to the demo...
> 
> kevin
> 

From Loopers-Delight-request@loopers-delight.com  Sun Nov  5 08:18:55 2000
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Subject: CENTROZOON : Update 2 (Slightly Off-Topic)
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Here's the latest @ http://www.centrozoon.de. (My apologies for any
cross-posting.)

The public production is gathering momentum, as 'Bibbiboo' begins to find
her form... Producer Derek DiFilippo has now uploaded the first six FULL
LENGTH mixes for public scrutiny. Check them out for free, and join in the
fun...

To aid those of you with slow connections or costly Internet access, Derek
has now provided RealAudio equivalents for streaming / download. (Please
note that the current 'full length' mp3s will be removed after 10th
November.)

Big news! - In the spirit of  this public production CENTROZOON have
announced a free contest to name the (as yet untitled) tracks. The winning
authors will ultimately see their titles displayed on the ensuing 'Cult Of :
Bibbiboo' CD, (in addition to receiving a copy of the band's debut album
'Blast' / plus an official T-shirt.) A dedicated Contest Page will shortly
be set-up, but in the meantime you can register your entries in the Public
Production area.

If you missed my original post and are consequently wondering what the heck
I'm talking about,  then I suggest pointing your browser towards
http://www.centrozoon.de to sample the divine beast :-)

We hope to see you there.

Regards,

Lee Fletcher.

From Loopers-Delight-request@loopers-delight.com  Sun Nov  5 09:52:40 2000
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In a message dated 11/4/00 2:05:06 PM, webmaster@masaccio.it writes:

>What about the dynamic and rhythm delay features?
Well, they work fine, with this caveat: I was expecting that whatever rhythms 
you create would repeat seamlessly when set to high or full feedback, as they 
do on my Korg DL8000 delay. But the D2 appears to be set up primarily for 
one-repeat rhythms; it's not a cross-feedback delay line, so if you want a 
pattern to repeat identically ("da-ditdit-da-ditdit-da-ditdit...," not 
"da-ditdit-ditdit-ditdit-ditdit"), you have to add a da at the end of your 
da-ditdit pattern. Hope that's clear. Also, I find the D2, and its manual, 
pretty opaque whenever you want it to do something its designers didn't plan 
for, but still allow; I've slowly figgered out how to make it do what I want, 
but it ain't the most intuitive device I've encountered. Sounds great, tho!
David

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Date: Sun, 5 Nov 2000 12:47:38 -0300 (ART)
From: =?iso-8859-1?q?Henrique=20Roscoe?= <hhhenrique@yahoo.com.br>
Subject: waldorf 4-pole
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Hi,

I'd just bought a Waldorf 4-pole and it's really
great.

I want to know where I can find patches for it.
Is there a way to edit the sounds by PC?

I'm a guitar player and I'm using the guitar signal as
an analog input.
I'd like to know how can I get these sounds:
- a long sweep sounf
- a string like sound
- a overdrive

Thanks

Henrique Roscoe
(Brazil)

________________________________________________________________________
Do You Yahoo!?
Crie o seu e-mail grátis do Yahoo! Mail com 6 Megabytes livres!
http://mail.yahoo.com.br

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Henrique Roscoe wrote:
> 
> Hi,
> 
> I'd just bought a Waldorf 4-pole and it's really
> great.
it is 
> I want to know where I can find patches for it.
the problem with patches is that you never know what they were intended
for
read the manual again be sure to understand the words and concepts (The
waldorf manual is intended to people that already have experience with
the analog synth world)
more on analog synth in general 
http://www.synthfool.com/
http://www.sonicstate.com/
http://www.synthzone.com/


> Is there a way to edit the sounds by PC?
Sound diver has a librarian and editor that works fine :very graphical
 you have all value in one window and could be a great help to
understand whats going on

> I'm a guitar player and I'm using the guitar signal as
> an analog input.
idem
> I'd like to know how can I get these sounds:

> - a long sweep sound
assign cut off freq modulation to val 1 :LFO
go to lfo select the frequency and vaveshape
> - a string like sound
the original sound is your guitar so....
----violin attack------
vca envellope volume : 64
trigger: audio
create an envellope with a relative long attack
-------tremolo--------
assign volume modulation source to val:1 lfo and
volume modulation to max
go to lfo select the frequency and vaveshape
> - a overdrive
crank the input but its ugly
better put the ditortion before the 4 pole
Aouch

Good luck

claude

> Thanks
> 
> Henrique Roscoe
> (Brazil)
> 
> ________________________________________________________________________
> Do You Yahoo!?
> Crie o seu e-mail grátis do Yahoo! Mail com 6 Megabytes livres!
> http://mail.yahoo.com.br

From Loopers-Delight-request@loopers-delight.com  Sun Nov  5 15:14:00 2000
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Subject: R: R: TC Electronics
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Thanks for the info. That's very kind of you. 
I think i'll get one someday....because the 2290 is way too high priced.
All sources i had about this unit said it was amazingly easy to use....

From Loopers-Delight-request@loopers-delight.com  Sun Nov  5 16:07:08 2000
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Subject: Re: R: R: TC Electronics D-2
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In a message dated 11/5/00 3:11:48 PM, webmaster@masaccio.it writes:

>All sources i had about this unit said it was amazingly easy to use....

Only if you want to do just what the designers THINK you'll want...looping 
with delay rhythms isn't one of those things---but it's not THAT difficult. 
It's certainly a cool delay...
David

From Loopers-Delight-request@loopers-delight.com  Sun Nov  5 17:09:42 2000
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Subject: Re: R: TC Electronics
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Hi david,

Just a little question about the d-2.. What is the maximum delay length? I
didn't find that info on their web site...

I love your "da didit didit" thing!!! :) It reminds me of an indian system
who uses phonetic syllables to "explain" rythm to the fellow musicians.. if
I'm remember correctly, it is the Konnakhol system... Sorry.. off-topic!!!

Best,
Christian

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Date: Mon, 6 Nov 2000 02:29:34 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: OT Polyphony (was: rant from hell)
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harveyS said:
>I'm sorry I never saw the 'rant from hell' that generated this thread.
>Anyway...

Rik Elswit ad written:
>The VG8 was a true breakthrough instrument, and Line 6, Johnson 
>Millenium, and >Yamaha are all following Roland on this.

... and since I had such questions in mind, I reacted... I am sorry...

>
>t 10:17 PM 11/3/00 -0300, you wrote:
>>>May I interject here that each string on the Ztar is fully polyphonic. In
>>>its POLY mode every note you can touch will sound. The real application for
>>>this is when playing tapping style. I"m not aware of a guitar that will do
>>>this.
>>>
>>>So, if we wanted to get back on-topic, I might add that you could hold a
>>>chord with one hand, and tap a note higher up on the fingerboard with the
>>>other hand in a zone of keys dedicated to start/stop your EDP. :)
>>
>>oh, you can put out several notes simultaneously on the same string?
>>Thats amazing... but the instrument does not create any audio output,
>>so it would not make sense to use audio effects, since you can create
>>any MIDI sound on any string, right?
>
>Right. It's a MIDI controller. We've put sound cards onboard, if that
>helps. It's naturally possible to loop the audio output from the synth.
>Also, we've built some MIDI looping features into another similar device we
>make for the Kurzweil company, the EventStation percussion controller. It
>can capture MIDI events, loop them, build one them, change tempo, stuff
>like that. That software isn't in our guitar controllers yet, though. :(
>>
>>Can you automatically select the lowest *played* string and put a
>  >bass note only on that, as Polysubbass does?
>
>Never thought of that! It wouldn't be hard to add a routine to do that in
>MIDI. Interesting idea.

yes, its very handy... I actually have a patent on it :-)

>If you add your bass note in the audio, do you have
>any control over the timbre or voice-selection?

If you want a separate bass to appear, you want to select its sound, 
and MIDI is probably the best.
But if you just want to add the "orchestral" function of a bass 
discretely, you  stick with the guitar sound and add the lower 
fundamental with some third to make it appear. Since the lower octave 
is in phase, it melts with the original string sounds as if they were 
the harmonics.
As for the attack, the original of the guitar is enough, very low 
frequencies in it are just disturbing.
- yes, I have not seen any other octaver work like this...


>thanks,
>harveyS

welcome, tell me how its going...

>http://www.starrlabs.com

this did not work for me, unfortunately all internal links said "not found"...



>  >>At 04:50 PM 11/3/00 -0300, you wrote:
>>>>>My guitar is already "polyphonic" - what does the system you speak of
>>>>>actually do?
>>>>>
>>>>
>>>>have a look at  http://Matthias.Grob.org/pParad/Parad.htm
>  >>>and  http://Matthias.Grob.org/pEE/Invent.htm
>
>
-- 


          ---> http://Matthias.Grob.org

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Hello all,

First of all Damon, THANK You for what promises to be a looper's dream.  I 
have been an avid Jamman user in both live performance and in the studio (5 
CDs) for the past 7 or so years and while the jamman will not be thrown in 
the trash, I am eagerly awaiting the arrival of the Repeater.  In fact I have 
not been this excited by a piece of gear since I found a used Wavedrum.  

Tonight I plan on digging into the beta manual.  (This is also an awesome 
move by a company to build consumer loyalty and support.)  

My question is: Is the Repeater still scheduled to ship mid November?  As in 
a week or two?  I have two on order at a local store.  (Prepaid)

Also I thought I remembered reading on your web sight that the repeater would 
come with a smart media card?  The manual does not mention this?

Next, to every one complaining about and demanding the a lower price...

The Jamman is the result of trying to hit a lower consumer price point.  I 
have heard from some of Jamman's developers that the unit was supposed to 
have more features and hardware and that they were all dropped to keep prices 
down.  This is very common in the market place.  I actually am unsure how you 
packed so much power in the Repeater for it's price.  I also remember the 
MPX-1 was supposed to have some of Jamman's looping features...this never 
materialized either.

Damon, thanks again. I also recently purchased a Filter Factory, and am 
bugging my wife for a MOFX for Christmas.  You guys make awesome, solid stuff.
I hope the Repeaters ship soon.

Paul Vnuk (Ma Ja Le)
Moss Garden Music

From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 04:36:26 2000
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>Thanks for the info. That's very kind of you.
>I think i'll get one someday....because the 2290 is way too high priced.
>All sources i had about this unit said it was amazingly easy to use....

I used one from 85-88 and then found the change to the modified PCM42 
an improvement.
It had a unique sound quality then, but now...
Just look at the functions you get from a "real" looper!
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 06:09:24 2000
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Hi,


the Waldorf 4Pole is a fine external Filtersection,basically thought
for usage in synthesis.It is the Filter of the Microwave.

Eventhough-as standalone device-it can be used also for other
audiorealted work.And it is very flexible.

Use it as Pseudo Ringmodulator,or as Stereo AM,use it as Noisegate,
rudimentary compressor,Touchwah,over Midi as Wah-Wah,envelope
Follower and so on....

The 4Pole can be controled by a PC,recommended in a Sequencer,or just
an Editing Software.

Programms 21 to 24 are especially created for guitar.
Programs 21 to 40 are fixed Presets.1 to 20 are for Userpatches.

Please read the manual again-eventhough it is not a detailed one.

It has no overdrive,nevertheless you can overdrive the Inputsection,
but better not,it sounds not good.
Stringsounds can be realized with the VCA-Envelope.But be aware of the
Triggermode and time.
Controller routing is flexible ! 
Sweepsounds can be realized with slow LFO and Resonance.
The LFO is really great,it reaches from 0,008 Hz to around 241 Hz.
So a kind of Ringmodulation is possible.Really sick ! :-)

If more questions,contact me again


Marty













Henrique Roscoe wrote:
> 
> Hi,
> 
> I'd just bought a Waldorf 4-pole and it's really
> great.
> 
> I want to know where I can find patches for it.
> Is there a way to edit the sounds by PC?
> 
> I'm a guitar player and I'm using the guitar signal as
> an analog input.
> I'd like to know how can I get these sounds:
> - a long sweep sounf
> - a string like sound
> - a overdrive
> 
> Thanks
> 
> Henrique Roscoe
> (Brazil)
> 
> ________________________________________________________________________
> Do You Yahoo!?
> Crie o seu e-mail grátis do Yahoo! Mail com 6 Megabytes livres!
> http://mail.yahoo.com.br

From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 13:35:18 2000
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From: "Paul Buelow" <paul@webms.com>
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Subject: [all] stereo to mono phase problems
Date: Mon, 6 Nov 2000 10:29:36 -0800
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This is a multi-part message in MIME format.

------=_NextPart_000_00FC_01C047DC.75E51AE0
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	charset="iso-8859-1"
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I am looking for help with out of phase or muddy sound. Occasionally, I =
have an "out of phase" problem if I select mix to mono through my mixer =
to the amp and monitors. I understand this problem occurs from incorrect =
or faulty wiring. I tried switching the polarity of one of the speakers =
and vice versa. Could it be that the shielding has broken down in the =
cables from the mixer to the amp? Any ideas about what to watch out for =
to resolve phase problems or suggestions for references. By the way, if =
I record mono channels and use a stereoizer for the final mix I can get =
a good mono signal. I don't really want mono, but I would like t have =
the ability to pan to center without producing muddy sound. Thank you =
for all your assistance. -Paul

------=_NextPart_000_00FC_01C047DC.75E51AE0
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I am looking for help with out of phase =
or muddy=20
sound. Occasionally, I have an "out of phase" problem if I select =
mix&nbsp;to=20
mono through my mixer to the amp and monitors. I understand this problem =
occurs=20
from incorrect or faulty wiring. I tried switching the polarity of one =
of the=20
speakers and vice versa. Could it be that the shielding has broken down =
in the=20
cables from the mixer to the amp? Any ideas about what to watch out for =
to=20
resolve phase problems or suggestions for references. By the way, if I =
record=20
mono channels and use a stereoizer for the final mix I can get a good =
mono=20
signal. I don't really want mono, but I would like t have the ability to =

pan&nbsp;to center without producing muddy sound. Thank you for all your =

assistance. -Paul</FONT></DIV></BODY></HTML>

------=_NextPart_000_00FC_01C047DC.75E51AE0--

From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 13:52:50 2000
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If your problem is one of being out of phase, then switching the polarity
of only one of your monitors would fix the problem only if one entire side
(left or right) is completely out of phase with the other.  What is more
likely happening is that a stereo source coming into the mixer and panned
hard left and right is out of phase with only itself, leaving the rest of
the mix phase-correct.  If this is the case, switching the polarity of one
channel in your amp or monitor will only make the problem worse, as you may
fix one track, but ruin all the rest.

Many mixers have a "phase invert" function on the individual channels.  I
suspect that you may have inadvertently activated this function on only a
single input.  If that's not the case, then perhaps there's a similar
function further up the signal chain?  You need to isolate the instrument
or track that is sounding "muddy" (and often times the out-of-phase sound
is better described as "hollow" or "thin"--maybe we don't even have the
right diagnosis?), and track it's signal.

If the shielding in your speaking or amp cables is faulty, the likelihood's
is that you'd get a short, and not any out-of-phase problems.  I doubt this
is a concern.

This is my absolutely amateur analysis.



                                                                                            
                    "Paul Buelow"                                                           
                    <paul@webms.c        To:     <cubase@eGroups.com>,                      
                    om>                  <Loopers-Delight@loopers-delight.com>              
                                         cc:                                                
                    11/06/00             Subject:     [all] stereo to mono phase problems   
                    12:29 PM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



I am looking for help with out of phase or muddy sound. Occasionally, I
have an "out of phase" problem if I select mix to mono through my mixer to
the amp and monitors. I understand this problem occurs from incorrect or
faulty wiring. I tried switching the polarity of one of the speakers and
vice versa. Could it be that the shielding has broken down in the cables
from the mixer to the amp? Any ideas about what to watch out for to resolve
phase problems or suggestions for references. By the way, if I record mono
channels and use a stereoizer for the final mix I can get a good mono
signal. I don't really want mono, but I would like t have the ability to
pan to center without producing muddy sound. Thank you for all your
assistance. -Paul



From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 14:30:14 2000
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Can someone forward me the email with the number to call about the repeater
group buy?  I somehow managed to lose it.

Thanks,
Jonathan

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Subject: Re: [all] stereo to mono phase problems
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what is the nature of the source program material?

a:c

On Mon, 6 Nov 2000, Paul Buelow wrote:

> I am looking for help with out of phase or muddy sound. Occasionally, I have an "out of phase" problem if I select mix to mono through my mixer to the amp and monitors. I understand this problem occurs from incorrect or faulty wiring. I tried switching the polarity of one of the speakers and vice versa. Could it be that the shielding has broken down in the cables from the mixer to the amp? Any ideas about what to watch out for to resolve phase problems or suggestions for references. By the way, if I record mono channels and use a stereoizer for the final mix I can get a good mono signal. I don't really want mono, but I would like t have the ability to pan to center without producing muddy sound. Thank you for all your assistance. -Paul
> 

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Hey.

Welcome to the real world folks.  As a veteran of many retail music
stores and consumer electronics stores I can say that this kind of "Loss
leader" is not unheard of.  In fact, it is very common.  Sure, I get a
nice piece of gear near cost.  Result?  I have a nice pleasant warm
fuzzy feeling in my left toe when I think of Alto music.  Has Electrix
suffered?  Of course not.  They are selling lots of units.  Maybe they
give a bit of a volume discount to Alto music, but they're not getting
hurt at all, in fact I can't believe that Daemon is complaining.  The
retail price has changed, the wholesale price hasn't. (maybe a tiny bit)

Now, I know a bit about markups in the business, (and by the business I
mean the industry) and where stores make their big margins is in
accessories.  Am I going to be happy with the on board memory in my
Repeater?  No.  I'm going to want more.  Who will I go to?  Possibly the
store I have a warm fuzzy feeling for.  There is a huge markup in
accessories.  Frankly, I was so happy with my nice low price that I am
buying a Mo-FX as well.  If I like the Repeater I'll also become a
Repeater evangelist, as I was a JamMan evangelist.  On my advice, I had
3 other people go out and buy JamMans.  Due to the social nature of
music making Electrix knows full well the power of word of mouth,
especially when it is very hard to demo gear in music stores.

I think we all are aware that this is a special "Looper's Delight deal"
too.  A group buy, so to speak.  I can't imagine moving more than a half
dozen of this type of processor during it's first week out.  So I take
in say, $600 gross profit, minus what I have to pay my sales people to
talk the customers into the purchase.  Alto music may only be taking in
$10 per unit, but they've sold 50 units before they even hit their
stockroom.  So they may have grossed only $500, but they didn't have as
much overhead AND they've formed 50 really good relationships.  As far
as I can tell, it sounds like a win/win situation for everyone, so
what's all the shouting?  We'll have no trouble here!  This is a local
shop!

bye bye

Mark Sottilaro

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Subject: Re: [all] stereo to mono phase problems
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> what is the nature of the source program material?
>
I've experienced the phase problem with a variety of sources and isolated it
to a problem  between the mixer and the amp + speakers. The mixer is an
Alesis32. Monitoring through the mixers headphone output does not exhibit
the same muddy result when panning to center.

I have ruled out the source as the problem. The source is fine when patched
directly to the amp (hence no panning to center). Is panning to center
inherently going ot cause a phase problem. Could it be the room or speaker
position causing a problem? The source is either mono tracks from a digital
multitrack deck, CDs, DJ-600 mixer output or mic input.

It appears to be a problem with the relationship between my cabling and/or
monitor wiring.


> a:c
>
> On Mon, 6 Nov 2000, Paul Buelow wrote:
>
> > I am looking for help with out of phase or muddy sound. Occasionally, I
have an "out of phase" problem if I select mix to mono through my mixer to
the amp and monitors. I understand this problem occurs from incorrect or
faulty wiring. I tried switching the polarity of one of the speakers and
vice versa. Could it be that the shielding has broken down in the cables
from the mixer to the amp? Any ideas about what to watch out for to resolve
phase problems or suggestions for references. By the way, if I record mono
channels and use a stereoizer for the final mix I can get a good mono
signal. I don't really want mono, but I would like t have the ability to pan
to center without producing muddy sound. Thank you for all your
assistance. -Paul
> >
>

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Hmmmm.

Source material:
   Multitrack channels:         mono
   CD player:                   stereo
   DJ-600 mixer:                stereo
      (mixing stereo sources?)
   Mic:                         mono

The above are not likely to come from the source out-of-phase.  Next step:
investigate individual mixer channels.

Alesis Studio 32: phase invert not available (at least I can't find it
listed in Alesis' on-line documentation).  So rule that out.

Next: cabling from mixer to amp.  Main outs are 1/4" TRS (balanced or
unbalanced).  If I remember right, the phase-inverted signal of a balanced
output is on the ring part of the TRS cable.  I doubt that your mixer's
wiring could be that screwed up to have the tip and ring switched on one
output.  However, there is the slightest possibility, so try avoiding the
main outs from your mixer--you've got control room outs as well as group
and aux outs; mix down to a pair of those and see if you still have the
"muddy" problem.  If so, then there's your problem--the main outs.  If not,
well...

I doubt the problem is in the cabling itself--if it was a cabling problem
(as in faulty cable), then you'd have the same problem all the time, not
just when panned to center.

The amp?  Man, I can't think that the amp is the problem.  But, as a test,
get some 1/4" to RCA cables and run them from your mixer's main outs and to
your home stereo's tape or CD in.  Listen to your mix through your stereo.
Does the problem persist?  Actually, this test would rule out everything
downstream of your mixer: the cables, the amp, the speaker wire and the
monitors.  Try this out.

If the above test fails to reproduce the problem, then it has to be
downstream of the mixer.  Check the polarity of all your wiring.  Make sure
it's consistent for both sides.  Actually, you've probably done this
already a thousand times.  So, confident that the wiring to and from the
amp is correct--and that the problem still persists--switch the polarity of
the leads coming into only one speaker.  We're now deliberately out of
phase with the other speaker.  Still have the problem?  At this point, I
doubt phase is the issue.  Move your speakers to a new position.  Maybe you
just have one wickedly bad sounding room (though this should be evident in
the stereo mixes, too).  I can't think of anything else, and I've already
been long-winded enough.


                                                                                            
                    "Paul Buelow"                                                           
                    <paul@webms.c        To:     <Loopers-Delight@loopers-delight.com>      
                    om>                  cc:                                                
                                         Subject:     Re: [all] stereo to mono phase        
                    11/06/00             problems                                           
                    01:51 PM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



> what is the nature of the source program material?
>
I've experienced the phase problem with a variety of sources and isolated
it
to a problem  between the mixer and the amp + speakers. The mixer is an
Alesis32. Monitoring through the mixers headphone output does not exhibit
the same muddy result when panning to center.

I have ruled out the source as the problem. The source is fine when patched
directly to the amp (hence no panning to center). Is panning to center
inherently going ot cause a phase problem. Could it be the room or speaker
position causing a problem? The source is either mono tracks from a digital
multitrack deck, CDs, DJ-600 mixer output or mic input.

It appears to be a problem with the relationship between my cabling and/or
monitor wiring.



From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 15:52:48 2000
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Subject: Re: [all] stereo to mono phase problems
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Hi Paul,

> I've experienced the phase problem with a variety of sources and isolated
it
> to a problem  between the mixer and the amp + speakers. The mixer is an
> Alesis32. Monitoring through the mixers headphone output does not exhibit
> the same muddy result when panning to center.

If you're convinced it's your mixer-to-speakers connections you can
certainly check them for correct phasing.  Depending on your amp and
speakers, it's relatively simple to check them.

First, get a ohmmeter or continuity checker (or something that functions
like one).

Next, confirm that the left and right mixer-to-amp cables are wired
identically.  For example, for 1/4" phone plugs confirm that if the left
cable goes tip-to-tip and shield-to-shield, then the right cable does also.
Note that for correct phasing, the absolute pin-to-pin connections do not
matter, but the cables must be identical.  That is, the left cable could be
tip-to-shield so long as the right cable does too.

Third, perform the same check on the speaker cables.

If the cables check out, you might want to check for improperly wired
speakers.  The cheapest way to do this is with a battery and a resistor (to
limit the current).  I usually use my ohmmeter.  It's possible to zap your
speakers so be careful.  Remove the speaker grill so you can see or feel the
cone or tweeter.  BRIEFLY tap the speaker connections with the
battery/resistor and note the direction of cone/tweeter travel (in or out).
Repeat with the same polarity on the other speaker.  The travel direction
must be the same.

If everything checks out, that leaves phase reversal in the amp.  This is
not very likely in a commercial amp.  However, some amps have phase
inversions switches for bridging and other purposes.  Check for such
switches.

> I have ruled out the source as the problem. The source is fine when
patched
> directly to the amp (hence no panning to center). Is panning to center
> inherently going ot cause a phase problem. Could it be the room or speaker
> position causing a problem? The source is either mono tracks from a
digital
> multitrack deck, CDs, DJ-600 mixer output or mic input.

If I'm understanding you correctly, you patched a stereo source directly to
the amp.  This will not show up the phasing problems you described.  If you
have a source-to-mixer phasing problem (by far the likeliest culprit) the
problem will show up when you electrically combine the left and right
channels.  I would not expect to hear it when the stereo source is patched
directly to the amp inputs.

Also, if the signal goes through an effect loop, that can mess with the
phase as well.

Hope this helps.

Dennis Leas
-------------------
dennis@mdbs.com


From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 16:03:58 2000
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Bingo Mark. My point exactly. I only wish I could have waited a bit longer
and not gotten the EDP... but it was there and I had the $s, so...

> As far
> as I can tell, it sounds like a win/win situation for everyone, so
> what's all the shouting?

From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 16:11:42 2000
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Subject: Re: [all] stereo to mono phase problems
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Wow, Excellent Lindsay. Thank you.

I will do some thorough testing now with this info. It's a very helpful at
approach to use to resolve the muddy mono monitor sound problem (thought it
doesn't affect recording or headphones).

I am using phono to RCA adapters on the control room outs which are plugged
into the TRS balanced phono outs. Aha? could be poorly wired +/- adapters.

In considering the best cable for main outs or control outs, I wonder what
type of cables to use if cabling from the balanced TRS phono outs to a
non-balanced input such as a tape deck.

non balanced cables or TRS phono balanced to non-balanced?


----- Original Message -----
From: <lindsay@pavestone.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 06, 2000 12:25 PM
Subject: OT: [all] stereo to mono phase problems


>
> Hmmmm.
>
> Source material:
>    Multitrack channels:         mono
>    CD player:                   stereo
>    DJ-600 mixer:                stereo
>       (mixing stereo sources?)
>    Mic:                         mono
>
> The above are not likely to come from the source out-of-phase.  Next step:
> investigate individual mixer channels.
>
> Alesis Studio 32: phase invert not available (at least I can't find it
> listed in Alesis' on-line documentation).  So rule that out.
>
> Next: cabling from mixer to amp.  Main outs are 1/4" TRS (balanced or
> unbalanced).  If I remember right, the phase-inverted signal of a balanced
> output is on the ring part of the TRS cable.  I doubt that your mixer's
> wiring could be that screwed up to have the tip and ring switched on one
> output.  However, there is the slightest possibility, so try avoiding the
> main outs from your mixer--you've got control room outs as well as group
> and aux outs; mix down to a pair of those and see if you still have the
> "muddy" problem.  If so, then there's your problem--the main outs.  If
not,
> well...
>
> I doubt the problem is in the cabling itself--if it was a cabling problem
> (as in faulty cable), then you'd have the same problem all the time, not
> just when panned to center.
>
> The amp?  Man, I can't think that the amp is the problem.  But, as a test,
> get some 1/4" to RCA cables and run them from your mixer's main outs and
to
> your home stereo's tape or CD in.  Listen to your mix through your stereo.
> Does the problem persist?  Actually, this test would rule out everything
> downstream of your mixer: the cables, the amp, the speaker wire and the
> monitors.  Try this out.
>
> If the above test fails to reproduce the problem, then it has to be
> downstream of the mixer.  Check the polarity of all your wiring.  Make
sure
> it's consistent for both sides.  Actually, you've probably done this
> already a thousand times.  So, confident that the wiring to and from the
> amp is correct--and that the problem still persists--switch the polarity
of
> the leads coming into only one speaker.  We're now deliberately out of
> phase with the other speaker.  Still have the problem?  At this point, I
> doubt phase is the issue.  Move your speakers to a new position.  Maybe
you
> just have one wickedly bad sounding room (though this should be evident in
> the stereo mixes, too).  I can't think of anything else, and I've already
> been long-winded enough.
>
>
>
>                     "Paul Buelow"
>                     <paul@webms.c        To:
<Loopers-Delight@loopers-delight.com>
>                     om>                  cc:
>                                          Subject:     Re: [all] stereo to
mono phase
>                     11/06/00             problems
>                     01:51 PM
>                     Please
>                     respond to
>                     Loopers-Delig
>                     ht
>
>
>
>
>
> > what is the nature of the source program material?
> >
> I've experienced the phase problem with a variety of sources and isolated
> it
> to a problem  between the mixer and the amp + speakers. The mixer is an
> Alesis32. Monitoring through the mixers headphone output does not exhibit
> the same muddy result when panning to center.
>
> I have ruled out the source as the problem. The source is fine when
patched
> directly to the amp (hence no panning to center). Is panning to center
> inherently going ot cause a phase problem. Could it be the room or speaker
> position causing a problem? The source is either mono tracks from a
digital
> multitrack deck, CDs, DJ-600 mixer output or mic input.
>
> It appears to be a problem with the relationship between my cabling and/or
> monitor wiring.
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 16:33:18 2000
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Subject: RE: [all] stereo to mono phase problems
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Concerning phasing problems:

You may have a speaker which is internally wired incorrectly.  If the woofer
and tweeter are out-of-phase on one side, then the pair won't sound right
which ever way the cabling from the amp to the speakers is phased.  Hook up
a battery to the speaker terminals to get the woofers properly in-phase.  As
far as the tweeters go, you probably won't be able to see any excursion with
the battery test (and you are more likely to fry them).  Looking at the
color of the wires going to the terminals will tell you if the two speakers
are wired differently.  

If you have a pro audio house in town they can rent you a phase tester
(often referred to as a "cricket"), which is very handy for tracking down
phasing problems.

For cables from your mixer to amp, you should probably use 1/4" unbalanced
-> RCA cables.  Try to keep adapters to a minimum; all those connections
aren't good for your signal.

-Hans

From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 16:37:24 2000
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Subject: OT: [all] stereo to mono phase problems
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Ok--wait, what?  Let's clarify your cabling:

Your mixer has 1/4" and XLR ins, balanced or unbalanced 1/4" outs.  For
source input purposes:

>From multitrack: should be 1/4" TRS (if the multitrack has balanced outs)
to 1/4" TRS.  Use regular 1/4" TS if the multitrack has only unbalanced
outs.
>From the CD players: you've probably got RCA outs from the CD player, so
either, use the RCA to 1/4" TS adaptors I think you're talking about, or go
invest $15 in a pair a good RCA to 1/4" cables.
>From the DJ mixer: again, probably RCA outs.  Use the above cable solution.
If by chance the mixer has 1/4" outs, they will definitely not be balanced,
so use regular 1/4" TS cables.

For outputs:
To the amp: your mixer provides balanced outs, so if your amp does, use
1/4" TRS, else stick with basic 1/4" TS.
To the speakers: use the thickest gauge you can fit into your speakers'
binding posts (or whatever connector they might have--banana, 1/4",
whatever...)
To the tape player: I'd use the same 1/4" TS to RCA cables mentioned above
to run the CR out to the tape deck (or CD burner, or DAT, or whatever your
stereo mixdown destination is).

I agree with Hans: avoid the adapters.



                                                                                            
                    "Paul Buelow"                                                           
                    <paul@webms.c        To:     <Loopers-Delight@loopers-delight.com>      
                    om>                  cc:                                                
                                         Subject:     Re: [all] stereo to mono phase        
                    11/06/00             problems                                           
                    03:07 PM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



Wow, Excellent Lindsay. Thank you.

I will do some thorough testing now with this info. It's a very helpful at
approach to use to resolve the muddy mono monitor sound problem (thought it
doesn't affect recording or headphones).

I am using phono to RCA adapters on the control room outs which are plugged
into the TRS balanced phono outs. Aha? could be poorly wired +/- adapters.

In considering the best cable for main outs or control outs, I wonder what
type of cables to use if cabling from the balanced TRS phono outs to a
non-balanced input such as a tape deck.

non balanced cables or TRS phono balanced to non-balanced?


----- Original Message -----
From: <lindsay@pavestone.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 06, 2000 12:25 PM
Subject: OT: [all] stereo to mono phase problems


>
> Hmmmm.
>
> Source material:
>    Multitrack channels:         mono
>    CD player:                   stereo
>    DJ-600 mixer:                stereo
>       (mixing stereo sources?)
>    Mic:                         mono
>
> The above are not likely to come from the source out-of-phase.  Next
step:
> investigate individual mixer channels.
>
> Alesis Studio 32: phase invert not available (at least I can't find it
> listed in Alesis' on-line documentation).  So rule that out.
>
> Next: cabling from mixer to amp.  Main outs are 1/4" TRS (balanced or
> unbalanced).  If I remember right, the phase-inverted signal of a
balanced
> output is on the ring part of the TRS cable.  I doubt that your mixer's
> wiring could be that screwed up to have the tip and ring switched on one
> output.  However, there is the slightest possibility, so try avoiding the
> main outs from your mixer--you've got control room outs as well as group
> and aux outs; mix down to a pair of those and see if you still have the
> "muddy" problem.  If so, then there's your problem--the main outs.  If
not,
> well...
>
> I doubt the problem is in the cabling itself--if it was a cabling problem
> (as in faulty cable), then you'd have the same problem all the time, not
> just when panned to center.
>
> The amp?  Man, I can't think that the amp is the problem.  But, as a
test,
> get some 1/4" to RCA cables and run them from your mixer's main outs and
to
> your home stereo's tape or CD in.  Listen to your mix through your
stereo.
> Does the problem persist?  Actually, this test would rule out everything
> downstream of your mixer: the cables, the amp, the speaker wire and the
> monitors.  Try this out.
>
> If the above test fails to reproduce the problem, then it has to be
> downstream of the mixer.  Check the polarity of all your wiring.  Make
sure
> it's consistent for both sides.  Actually, you've probably done this
> already a thousand times.  So, confident that the wiring to and from the
> amp is correct--and that the problem still persists--switch the polarity
of
> the leads coming into only one speaker.  We're now deliberately out of
> phase with the other speaker.  Still have the problem?  At this point, I
> doubt phase is the issue.  Move your speakers to a new position.  Maybe
you
> just have one wickedly bad sounding room (though this should be evident
in
> the stereo mixes, too).  I can't think of anything else, and I've already
> been long-winded enough.
>
>
>
>                     "Paul Buelow"
>                     <paul@webms.c        To:
<Loopers-Delight@loopers-delight.com>
>                     om>                  cc:
>                                          Subject:     Re: [all] stereo to
mono phase
>                     11/06/00             problems
>                     01:51 PM
>                     Please
>                     respond to
>                     Loopers-Delig
>                     ht
>
>
>
>
>
> > what is the nature of the source program material?
> >
> I've experienced the phase problem with a variety of sources and isolated
> it
> to a problem  between the mixer and the amp + speakers. The mixer is an
> Alesis32. Monitoring through the mixers headphone output does not exhibit
> the same muddy result when panning to center.
>
> I have ruled out the source as the problem. The source is fine when
patched
> directly to the amp (hence no panning to center). Is panning to center
> inherently going ot cause a phase problem. Could it be the room or
speaker
> position causing a problem? The source is either mono tracks from a
digital
> multitrack deck, CDs, DJ-600 mixer output or mic input.
>
> It appears to be a problem with the relationship between my cabling
and/or
> monitor wiring.
>
>
>





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what is this "repeater" thing i've been reading about?

is there a website or specs about it?
-- 


++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
 "The music business is a cruel and shallow money trench, a long 
 plastic hallway where thieves and pimps run free, and good men 
 die like dogs... There's also a negative side." - Hunter S. Thompson

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rb (03:45 AM 11.06.2000) wrote:

 >what is this "repeater" thing i've been reading about?
 >is there a website or specs about it?

   http://www.electrixpro.com/

   Click on "Products" in the top frame
   Click on "Repeater" in the left frame


There is also a lot of information in the archives of this list... I've 
been talking about it since July.

   http://www.loopers-delight.com/cgi-bin/wilma/LDarchive


Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

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From: "David O" <loopers@oleniacz.com>
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Subject: Ibanez EPP400 Effect Patching Programmer available on EBAY
Date: Mon, 6 Nov 2000 17:59:07 -0500
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Loopers
Get your guitar or keyboard effects organized with this very powerful unit!

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=485883852

Ibanez EPP-400 Effect Patching Programmer

2 inputs, 2 outputs, 5 effects loops, 1 sub output

128 separate programmable patches

Within each patch program you have: effect on/off, effect order, input
assign, output assign, sub output assign.

8-digit, 7-LED readout displays all important functions.

Multiple remote program selection features, including user assignable MIDI
channel capability

Separate remote bypass ability.

Input jacks for Program shift and Bypass

Midi out

Input jack for optional IFC60 Intelligent foot controller.

I have scanned the manual and have made it available on Ebay
for you to see exactly what you can do with this powerful unit.


From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 18:58:19 2000
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Date: Tue, 07 Nov 2000 00:51:39 -0800
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Subject: Re: Ibanez EPP400 Effect Patching Programmer available on EBAY
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David O wrote:

----SNIP-----

David its the second time we see that
Its getting soon too much

please no Ebay spam on LD
if we like Ebay we go there
if you want to sell specially to our fellow looper make your add here
before Ebay
etc etc

Merci

Claude

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Subject: RE: Ibanez EPP400 Effect Patching Programmer available on EBAY
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Claude

I'm sorry that you didn't care for my email.

I didn't believe posting the same message twice
in 7 days constituted a flood.

I was just trying to inform the fellow loopers about 
something I'm selling that may be of interest to them.

Sorry to anyone who lost their bid on my PMC-10.

DavidO

-----Original Message-----
From: Claude Voit [mailto:c.voit@vtx.ch]
Sent: Tuesday, November 07, 2000 3:52 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Ibanez EPP400 Effect Patching Programmer available on EBAY


David O wrote:

----SNIP-----

David its the second time we see that
Its getting soon too much

please no Ebay spam on LD
if we like Ebay we go there
if you want to sell specially to our fellow looper make your add here
before Ebay
etc etc

Merci

Claude

From Loopers-Delight-request@loopers-delight.com  Mon Nov  6 23:47:06 2000
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Subject: Re: TC Electronics
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umm, what did you do w/ your modded pcm42? if this is on a need to know
basis-i need to know,ya know?...stanner
----------
>From: Matthias Grob <matthias@grob.org>
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: TC Electronics
>Date: Mon, Nov 6, 2000, 3:39 AM
>

>>Thanks for the info. That's very kind of you.
>>I think i'll get one someday....because the 2290 is way too high priced.
>>All sources i had about this unit said it was amazingly easy to use....
>
>I used one from 85-88 and then found the change to the modified PCM42 
>an improvement.
>It had a unique sound quality then, but now...
>Just look at the functions you get from a "real" looper!
>-- 
>
>
>          ---> http://Matthias.Grob.org
>
>

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Date: Mon, 06 Nov 2000 20:55:48 -0800
Subject: Looping gig in Seattle (WA, USA): Electrochakra at the Hurricane,
	11/8/00
From: Tiktok <tiktok@sprintmail.com>
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€   Wednesday, November 8
    Hurricane Beach (2230 7th Avenue)
    6PM-midnight
    No cover
    Happy hour from 4-8PM

The owner of the Hurricane is adamant that I emphasize that FREE NACHOS will
be available during the show.  That's right, you'll save an ENTIRE DOLLAR if
you're nacho-enclined by attending this show.  My head is swimming at the
thought of it--hungry hordes of music fans descending on the Hurricane like
a plague of locusts, knocking each other aside in a Riverside Stadium-like
pandemonium to get at the melted cheese wonder of FREE NACHOS!!!

Oh yeah--the music will also kick ass.  And it's free too.

Be seeing you,

Travis Hartnett
Electrochakra

P.S. That's right--those NACHOS are FREE.
-- 
MP3's and calendar of upcoming shows available at:

www.mp3.com/electrochakra

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Date: Mon, 6 Nov 2000 20:58:01 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Repeater questions
To: Loopers Delight <Loopers-Delight@loopers-delight.com>
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In the Repeater manual, on the page showing midi cc
assignments, there is a function called UNFOLD LOOP.

Can anyone explain what this is?

Is anyone else besides me trying to figure out how to
connect 8 or more exp. pedals to this thing?

Are you guys at Electrix going to be generous with
the exp pedal inputs on your midi foot controller?

I'm sure a lot of folks will want to use pedals for
the track volumes & panning.

John

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one Place.
http://shopping.yahoo.com/

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UNSUBSCRIBE

Tiktok wrote:

> €   Wednesday, November 8
>     Hurricane Beach (2230 7th Avenue)
>     6PM-midnight
>     No cover
>     Happy hour from 4-8PM
>
> The owner of the Hurricane is adamant that I emphasize that FREE NACHOS will
> be available during the show.  That's right, you'll save an ENTIRE DOLLAR if
> you're nacho-enclined by attending this show.  My head is swimming at the
> thought of it--hungry hordes of music fans descending on the Hurricane like
> a plague of locusts, knocking each other aside in a Riverside Stadium-like
> pandemonium to get at the melted cheese wonder of FREE NACHOS!!!
>
> Oh yeah--the music will also kick ass.  And it's free too.
>
> Be seeing you,
>
> Travis Hartnett
> Electrochakra
>
> P.S. That's right--those NACHOS are FREE.
> --
> MP3's and calendar of upcoming shows available at:
>
> www.mp3.com/electrochakra

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 01:41:55 2000
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Suddenly, Doug was struck by the realization that no
matter how much he looped, he was not, nor would he
ever be, a "nacho man".

John

--- Doug Foster <fosterda@citytel.net> wrote:
> UNSUBSCRIBE
> 
> Tiktok wrote:
> 
> > €   Wednesday, November 8
> >     Hurricane Beach (2230 7th Avenue)
> >     6PM-midnight
> >     No cover
> >     Happy hour from 4-8PM
> >
> > The owner of the Hurricane is adamant that I
> emphasize that FREE NACHOS will
> > be available during the show.  That's right,
> you'll save an ENTIRE DOLLAR if
> > you're nacho-enclined by attending this show.

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one Place.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 05:06:35 2000
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References: <004401c0474c$7d36bdc0$51f78ec6@mpx.com.au> <3A0707FB.A1107761@zerocrossing.net>
Subject: Re : Gentlemen (OT)
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Say, got any of the special stuff?

Jan 
----- Original Message ----- 
From: "Mark Sottilaro" <sine@zerocrossing.net>

> what's all the shouting?  We'll have no trouble here!  This is a local
 shop!<


From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 08:39:27 2000
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From: thereeve <thereeve@bellsouth.net>
Subject: Music + oppurtunity for others to hear your music due to current DJ Mixes being of all popular (in stores) music (except me & U?)) 
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NOTE: You are reading this note because your email program does not
support messages in multi-part "MIME" format (you can see the plain
text version of the message, but the HTML version is garbled).  The 
best solution to this problem is to upgrade to an email program that
supports MIME.  If you can't do that, then just ignore the part
of this message that is improperly displayed by your current email
program.

--==========_ALT_1451519089_=====
Content-Type: text/plain; charset=us-ascii


I just discovered an exciting new way to share music! At myplay.com, I create a mix of my favorite tracks, and then I posted that mix on myplay's DJ Mixes page. I hope you enjoy it. All you have to do is click on the link below to begin listening.
This is basically BS but more to come---arounf 45 hours more of my original....lemme know whatcha think.
this is a form letter to keep in lucks goof graces foward to 3 of your friends...if not...then,,,,,,
DRAT!

loopy warning presides....

"When I hear music, I fear no danger.
I am invunerable.I see no foe. I am related to the earliest tines,
and to the latest."
Henry David Thoteau (1817-1862)

http://www.myplay.com/mp/playlist/now_playing.jsp?plid=314283&start=1




--------------------------------------------------------
If you like this playlist, check out hundreds of others
at www.myplay.com  Myplay is easy to use, and it's FREE!


--------------------------------------------------------
Having problems listening? Run our Sound 
Check at 
http://www.myplay.com/mp/ac/schk_inter.jsp


--==========_ALT_1451519089_=====
Content-Type: text/html; charset=us-ascii

<HTML>
<head><title>www.myplay.com</title></head>

<body bgcolor='#ffffff' text='#000000' link='#0000ff' vlink='#0000ff' alink='#ff0000' marginheight=0 marginwidth=0 topmargin=0 leftmargin=0>
<form action='http://www.myplay.com/mp/reg/registration.jsp' method='GET' ENCTYPE='application/x-www-form-urlencoded'>

<blockquote>
<table border=0 cellpadding=0 cellspacing=0 width=534 bgcolor=#ffffff>
<tr>
	<td align=right nowrap><a href='http://www.myplay.com/'><img src='http://www.myplay.com/gifs/mp_logo_email.gif' width=175 height=85 align=bottom border=0></a></td>
	<td width=359><img src='http://www.myplay.com/gifs/clr_email.gif' width=359 height=85 align=bottom border=0></td>
</tr></table>
<table border=0 cellpadding=0 cellspacing=0 width=534 height=25>
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		<td bgcolor='#ff6600' valign=top width=20><a href='http://www.myplay.com/'><img src='http://www.myplay.com/gifs/locker_c_email.gif' width=32 height=25 border=0></a></td>
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<a href='http://www.myplay.com/'><font face='verdana,geneva,arial,helvetica' size=2 color='#ffffff'><b>

            </b></font></a></td>
		<td bgcolor='#ff6600' valign='top' align='right' width=10><img src='http://www.myplay.com/gifs/top_cnr1_email.gif' width=10 height=25 border=0></td>
		
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		<font face=verdana,geneva size=-2 color=#ffcc00>&nbsp;</font>
		</font>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp<img src='http://www.myplay.com/gifs/top_cnr2_email.gif' width=10 height=1 border=0>
		<a href='http://www.myplay.com/mphelp/html/fs_index.html'>
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</table>
<table cellpadding=0 cellspacing=0 border=0 width=534 bgcolor=#ffffff>
        <tr><td rowspan=4 width=10><img src='http://www.myplay.com/gifs/clr_email.gif' width=10 height=1></td></tr>
                <td colspan=3 height=10><img src='http://www.myplay.com/gifs/clr_email.gif' width=1 height=10></td>
                <td rowspan=4 width=10><img src='http://www.myplay.com/gifs/clr_email.gif' width=10 height=1></td></tr>
        <tr><td colspan=3><font face=verdana,geneva size=3><b>Music + oppurtunity for others to hear your music due to current DJ Mixes being of all popular (in stores) music (except me & U?)) </b></font><br><img src='http://www.myplay.com/gifs/greyline_email.gif' width=515 height=1 vspace=5></td></tr>
        <tr><td width=334 valign=top>

<TABLE width=300 cellpadding=2 cellspacing =0 border=0>
<TR>
<TD>
<font face=verdana,geneva size=2>

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</TD></TR></TABLE>
</td>
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                <td width=170 valign=top>

                        <table cellpadding=7 cellspacing=0 border=0 width=170>
                        <tr><td width='170' bgcolor='#FFFF99' height='202'>

<IMG SRC='http://www.myplay.com/gifs/mpintro_email.gif' width=170 height=150 border=0><BR>
<font size='2'>
Email address: 
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<input type='image' src='http://www.myplay.com/gifs/join_now_email.gif' width=121 height=39 border=0 vspace=5 name='image'>
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                                </table>
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                </td></tr>
        <tr><td colspan=3><img src='http://www.myplay.com/gifs/clr_email.gif' width=1 height=30></td></tr>
</table>
</td></tr>
</table>

<BR><BR>
<table border=0 cellpadding=0 cellspacing=0 width=534 bgcolor='#000000'>
	<tr>
	<td  bgcolor=#ff6600 height=3><img src='http://www.myplay.com/gifs/clr_email.gif' border=0 
	    height=3 width=1></td></tr>
	<tr>
	<td align=left><font face='verdana,geneva,arial,helvetica' size=2 
	    color='#ffffff'><blockquote>
If you like this playlist, check out hundreds of others at
</font><A HREF='http://www.myplay.com/'><font face='verdana,geneva,arial,helvetica' size=2 
	    color='#ff6600'>www.myplay.com</A></font><font face='verdana,geneva,arial,helvetica' size=2 
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</table>
<br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><br><table border=0 cellpadding=0 cellspacing=0 width=534>
    <blockquote>
<input type='hidden' name='ret' value='1'><input type='hidden' name='sv' value='001-05-23'>
<input type='hidden' name='extern' value='1'>
<input type='hidden' name='formName' value='login'>
    </blockquote>
</table>
</form>
</body>
</HTML>

--==========_ALT_1451519089_=====--

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 11:39:58 2000
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From: "Mike Biffle" <Mbiffle@svg.com>
To: <Loopers-Delight@loopers-delight.com>, <wedgehed@yahoo.com>
Subject: Re: Repeater questions
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> John Tidwell wrote... In the Repeater manual, on the page showing midi cc assignments, there is a function called UNFOLD LOOP. Can anyone explain what this is?

This intrigues me as well...???

> Is anyone else besides me trying to figure out how to connect 8 or more exp. pedals to this thing? 

The Paia MIDI Brain kit looks pretty promising. They have 2 configurations: One has 8 ExPed inputs... the other has 8 finger pads allowing the finger drummer to trigger whatever 8 items they please... I've thought about putting the finger pads/triggers into a guitar body so I could tap beats whenever I got the urge... Now if you add a Kurzweill Even Station you're getting into some serious hairbrained midi mayhem here...

http://209.52.185.39/midibrn.htm

The more I think of this the more awesome it seems! One for the floor so you get 8 expeds and another in the geetar for finger drumming! WOW! Get your soldering irons out gang...

> Are you guys at Electrix going to be generous with the exp pedal inputs on your midi foot controller? I'm sure a lot of folks will want to use pedals for the track volumes & panning.

Probably doubtful, but we can hope eh? The Roland FC-200 has 8 expression pedal inputs, but I believe they are hard coded with specific cc values... meaning that for something like the Waldorf 4-pole your stuck cause that baby's hard coded as well.

There always the Peavey PC 1600x Midi controller with 16 faders and 16 buttons all assignable to various midi functions. It also has inputs for exped and footswitch control, but not in the quantities we're talking...(4 and up) The good thing is that you can assign the pedal or footswitch to control MULTIPLE midi events with different scaling etc. all in all, a very powerful tabletop tool. 

http://www.peavey.com/mi/pc_1600x.html

I'm finding that if I'm gonna use midi tweakers on the floor OR table, I usually want to scale them to fine tune things. If the controller is not scalable, you lose fair amount of control. Many modules allow you to do the scaling in their box, but it's nice (and I believe more convenient) to be able to do it from the controller as well.

Best,
-Miko

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 11:48:19 2000
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From: "Matthias Grob" <matthias@grob.org>
> I also had a look at those devices, thank you, Dennis.

You're welcome!

> ... so I would rather need distance metering
> in the 2-20cm range to measure knee, elbow and head positions,
> maybe...
> did you find such, too?

No, I did not.  2-20 cm is not very much.  It's probably too small for sonar
techniques (affordable techniques) to work reliably.

I know we've mentioned the I-Cube system before (
http://www.infusionsystems.com/ ).  Have you ever tried one?  I've wanted to
for some time but never have.  After the initial cost, addition sensors
seems quite reasonable.

Dennis Leas
-------------------
dennis@mdbs.com


From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 13:19:44 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater questions
Date: Tue, 7 Nov 2000 10:16:22 -0800 
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Unfold loop is actually loop multiply. Press it and the loop will replicate
it self so you can overdub longer phrases on top of it. It is just labeled
wrong in the manual. (Alpha manual) Thanks for catching that!

We are planning on developing a MIDI foot controller for Repeater based on
user feedback (from Repeater users). Lots of expression pedal inputs would
be very cool on our controller! Feel free to email me your foot controller
wish lists.


Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


-----Original Message-----
From: John Tidwell [mailto:wedgehed@yahoo.com]
Sent: Monday, November 06, 2000 8:58 PM
To: Loopers Delight
Subject: Repeater questions


In the Repeater manual, on the page showing midi cc
assignments, there is a function called UNFOLD LOOP.

Can anyone explain what this is?

Is anyone else besides me trying to figure out how to
connect 8 or more exp. pedals to this thing?

Are you guys at Electrix going to be generous with
the exp pedal inputs on your midi foot controller?

I'm sure a lot of folks will want to use pedals for
the track volumes & panning.

John

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one Place.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 15:19:54 2000
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From: "Jon Wagner" <jondrums@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater questions
Date: Tue, 07 Nov 2000 20:15:52 GMT
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Forgive me if this was supposed to be obvious, but I have a question about 
the repeater's loop multiply command.

>From the looks of the manual, the repeater only allows a multiply by 2, is 
it possible to configure the repeater to multiply by other fractional 
amounts like 1.5, or .5?
bye-
jon


_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 16:35:11 2000
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Date: Tue, 7 Nov 2000 19:37:06 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: RE: Ibanez EPP400 Effect Patching Programmer available on EBAY
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>please no Ebay spam on LD
>if we like Ebay we go there

hmmm... I find it interesting to know about related offers here...

>if you want to sell specially to our fellow looper make your add here
>before Ebay

thats a point...
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 16:35:40 2000
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Date: Tue, 7 Nov 2000 19:38:42 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Repeater questions
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>
>There always the Peavey PC 1600x Midi controller with 16 faders and 
>16 buttons all assignable to various midi functions. It also has 
>inputs for exped and footswitch control, but not in the quantities 
>we're talking...(4 and up) The good thing is that you can assign the 
>pedal or footswitch to control MULTIPLE midi events with different 
>scaling etc. all in all, a very powerful tabletop tool.
>
>http://www.peavey.com/mi/pc_1600x.html
>
>I'm finding that if I'm gonna use midi tweakers on the floor OR 
>table, I usually want to scale them to fine tune things. If the 
>controller is not scalable, you lose fair amount of control. Many 
>modules allow you to do the scaling in their box, but it's nice (and 
>I believe more convenient) to be able to do it from the controller 
>as well.
>
>Best,
>-Miko

I have a 1600x for table operation and recently bought another 
mainboard (no display, no faders, no transformer) as spare part. The 
idea is to program it in the table version and build it into the 
pedal, with foot operatable faders. Once the program is made, the 
display is not necessary...
...but I did not find time yet to do it.
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 17:38:21 2000
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>>> matthias@grob.org 11/07/00 01:34PM >>>
> I have a 1600x for table operation and recently bought another mainboard (no display, no faders, no transformer) as spare part. The idea is to program it in the table version and build it into the pedal, with foot operatable faders. Once the program is made, the display is not necessary.....but I did not find time yet to do it.

Pretty wacky Matthias! I'd love to see you finish that project... Sounds like it would provide awesome flexibility.

-Miko

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 17:43:41 2000
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From: "Mike Biffle" <Mbiffle@svg.com>
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Subject: RE: Repeater questions
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Hi Damon... 

Here's my top few items for a foot controller.

* Multiple (at least 8) scalable cc values assignable to either buttons or expression pedals. Buttons can send a midi string a and a midi string b. Configured to be sent as a momentary (press/release) Toggle, (press/press) or Exit (press patch to send A and press any other patch to send B) (like the PMC-10 can do) I'd be happy to send you a manual of the PMC-10 for your reference Damon... It's really a cool pedal although not very robust.

* Road worthy construction and NO WALL WART... with a removeable ac cable so we can make a nice SHORT one for our pedal boards.

* Multiple note on / note off values assignable to any button.

* At least 4 expression pedal inputs.

These are my main operating requirements, although I'm sure I'd welcome more! 8-)

Thanks for actually soliciting input for something as important to us as this...

Best,
-Miko Biffle

>>> Damon@Electrixpro.com 11/07/00 10:16AM >>>
Unfold loop is actually loop multiply. Press it and the loop will replicate
it self so you can overdub longer phrases on top of it. It is just labeled
wrong in the manual. (Alpha manual) Thanks for catching that!

We are planning on developing a MIDI foot controller for Repeater based on
user feedback (from Repeater users). Lots of expression pedal inputs would
be very cool on our controller! Feel free to email me your foot controller
wish lists.


Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com 


-----Original Message-----
From: John Tidwell [mailto:wedgehed@yahoo.com] 
Sent: Monday, November 06, 2000 8:58 PM
To: Loopers Delight
Subject: Repeater questions


In the Repeater manual, on the page showing midi cc
assignments, there is a function called UNFOLD LOOP.

Can anyone explain what this is?

Is anyone else besides me trying to figure out how to
connect 8 or more exp. pedals to this thing?

Are you guys at Electrix going to be generous with
the exp pedal inputs on your midi foot controller?

I'm sure a lot of folks will want to use pedals for
the track volumes & panning.

John

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one Place.
http://shopping.yahoo.com/ 


From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 21:00:07 2000
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My usual way of posting is to cut and paste from the digest.  This HTML
form advertisment thingy, totally screwed me up - I couldn't cut and
paste because of the HTML table.  I'd like to ask that people not post
such things (besides, are advertisements really appropriate here ?)

From Loopers-Delight-request@loopers-delight.com  Tue Nov  7 21:03:22 2000
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Well, speaking of peavey PC1600x's and soldering guns, here's an
interesting looking mod to add 16 external controllers:

http://music.columbia.edu/~douglas/pc1600mod/pc1600mod.html

Just having gotten my new PC1600x, and not being handy with a soldering
iron, I think I'm going to hold off of this one, but I sure does make me
drool :)

Elby


> > John Tidwell wrote... In the Repeater manual, on the page showing
> midi cc
> assignments, there is a function called UNFOLD LOOP. Can anyone
> explain what this
> is?
>
> This intrigues me as well...???
>
> > Is anyone else besides me trying to figure out how to connect 8 or
> more exp.
> pedals to this thing?
>
> The Paia MIDI Brain kit looks pretty promising. They have 2
> configurations: One has
> 8 ExPed inputs... the other has 8 finger pads allowing the finger
> drummer to trigger
> whatever 8 items they please... I've thought about putting the finger
> pads/triggers
> into a guitar body so I could tap beats whenever I got the urge... Now
> if you add a
> Kurzweill Even Station you're getting into some serious hairbrained
> midi mayhem
> here...
>
> http://209.52.185.39/midibrn.htm
>
> The more I think of this the more awesome it seems! One for the floor
> so you get 8
> expeds and another in the geetar for finger drumming! WOW! Get your
> soldering irons
> out gang...
>
> > Are you guys at Electrix going to be generous with the exp pedal
> inputs on your
> midi foot controller? I'm sure a lot of folks will want to use pedals
> for the track
> volumes & panning.
>
> Probably doubtful, but we can hope eh? The Roland FC-200 has 8
> expression pedal
> inputs, but I believe they are hard coded with specific cc values...
> meaning that
> for something like the Waldorf 4-pole your stuck cause that baby's
> hard coded as
> well.
>
> There always the Peavey PC 1600x Midi controller with 16 faders and 16
> buttons all
> assignable to various midi functions. It also has inputs for exped and
> footswitch
> control, but not in the quantities we're talking...(4 and up) The good
> thing is that
> you can assign the pedal or footswitch to control MULTIPLE midi events
> with
> different scaling etc. all in all, a very powerful tabletop tool.
>
> http://www.peavey.com/mi/pc_1600x.html
>
> I'm finding that if I'm gonna use midi tweakers on the floor OR table,
> I usually
> want to scale them to fine tune things. If the controller is not
> scalable, you lose
> fair amount of control. Many modules allow you to do the scaling in
> their box, but
> it's nice (and I believe more convenient) to be able to do it from the
> controller as
> well.
>
> Best,
> -Miko

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Mountain Manand other militia,
I realized that I broke protocol with this post .
For that I apologize.
Advertising is truely most retrograde to my desire!!!
I have nothing to gain here....ezcept that you may comment on my music...
I was just stoked to a place where I can upload 3gigs of mp3s for Notta.
Since my good friend's house just burned to the core ,
including all his scores , ALL and more!
I realized that  I need to have a safety copies of my music in another
location.
So to summarize:
spam bad
3gigs free space good.
backup good.
hamburger good
I only want to pass the good on my man.
Reeve


My usual way of posting is to cut and paste from the digest.  This HTML

> form advertisment thingy, totally screwed me up - I couldn't cut and
> paste because of the HTML table.  I'd like to ask that people not post
> such things (besides, are advertisements really appropriate here ?)

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 20:06:02 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater ship date
Date: Wed, 8 Nov 2000 17:02:29 -0800 
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Hey loopers,
There has been some questions recently about the ship date of Repeater. We
are waiting for the necessary certification of a new, swanky, power supply.
This unfortunately has caused a delay in shipping somewhere between 30 to 45
days.  The upside is that this new supply is way more compact and
lightweight than the previous model so it should be well worth the wait. I
know this is a pain in the butt...but we want you to be satisfied with
Repeaters quality when it does ship. 


Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 20:11:21 2000
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I knew it was too good to be true.

"Damon Langlois ( Electrix )" wrote:

> Hey loopers,
> There has been some questions recently about the ship date of Repeater. We
> are waiting for the necessary certification of a new, swanky, power supply.
> This unfortunately has caused a delay in shipping somewhere between 30 to 45
> days.  The upside is that this new supply is way more compact and
> lightweight than the previous model so it should be well worth the wait. I
> know this is a pain in the butt...but we want you to be satisfied with
> Repeaters quality when it does ship.
>
> Respect,
>
> Damon Langlois
> Creative Director
> Electrix
> Tel (250) 544-4091 Fax (250) 544-4100
> http://www.electrixpro.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 20:36:45 2000
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At 05:02 PM 11/8/00 -0800, Damon Langlois wrote:
>...a new, swanky, power supply.

Please tell me it's not a WALL WART.

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Disappointed here. Real disappointed. Why don't you ship what you have now,
and offer us the option to upgrade the power supply direct, later, for
$10-15 more? If you don't already have some units boxed and ready to go at
this late date, then there are other problems we don't yet know about.

With all due respect and not wanting to be too harsh, is this why they call
you the "creative" director, Damon?

I guess I'm just very disappointed. I'm closing up a difficult project on
11/17 and looked at getting the Repeater as sort of a reward for a job well
done. The original ship date was October; now you're telling us January? :-(

Why don't you just use a power supply that's already certified? I don't care
about "new, swanky" power supplies. I just want one that works.

Kevin

> -----Original Message-----
> From: Damon Langlois ( Electrix ) [mailto:Damon@Electrixpro.com]
> Sent: Wednesday, November 08, 2000 5:02 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Repeater ship date
>
>
> Hey loopers,
> There has been some questions recently about the ship date of Repeater. We
> are waiting for the necessary certification of a new, swanky,
> power supply.
> This unfortunately has caused a delay in shipping somewhere
> between 30 to 45
> days.  The upside is that this new supply is way more compact and
> lightweight than the previous model so it should be well worth the wait. I
> know this is a pain in the butt...but we want you to be satisfied with
> Repeaters quality when it does ship.
>
>
> Respect,
>
> Damon Langlois
> Creative Director
> Electrix
> Tel (250) 544-4091 Fax (250) 544-4100
> http://www.electrixpro.com
>

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Damon Langlois wrote:

>Hey loopers,
>There has been some questions recently about the ship date of Repeater. We
>are waiting for the necessary certification of a new, swanky, power supply.
>This unfortunately has caused a delay in shipping somewhere between 30 to 45
>days.  The upside is that this new supply is way more compact and
>lightweight than the previous model so it should be well worth the wait. I
>know this is a pain in the butt...but we want you to be satisfied with
>Repeaters quality when it does ship.

and a lot of people complained.

come on, folks, it's really hard to actually design and build production
things.  and no one *really* needs a looper "this instant".

give 'em a break!

	/t


...bunker:extreme (11/07)        <http://extremeNY.com/bunker>..
...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

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In a message dated 11/5/00 5:08:35 PM, chleduc@total.net writes:

>What is the maximum delay length? I
10 sec mono; 5 sec stereo...enjoy!
david

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References: <FBFDDCD15C6DD311B8B500508B4ABE3D457946@IVLMAIL> <v04205500b62fc640e00f@[207.38.245.79]>
Subject: Re: Repeater ship date
Date: Wed, 8 Nov 2000 19:28:07 -0800
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<< come on, folks, it's really hard to actually design and build production
things.  and no one *really* needs a looper "this instant". >>

If you're saying this because "need" only really has to do with things like
air, water, food, etc... then you're right.

I do want to point out that I for one, do "need" to get my looper as soon as
possible, as I'd planned it to be an integral part of the live rig I'm
trying to work up... without it, my planned setup will be "crippled".

I'm not complaining about it... the Repeater seems like its going to be a
great product and worth the wait, but the delay is going to affect me
adversely.

phalen

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 22:43:42 2000
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Subject: Re: Repeater ship date
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Damon, thanks very much for the heads-up about the slip in ship dates. I
have to admit I was starting to count the days, so I'd much rather know know
than be surprised 2-3 weeks from now.

No doubt there are many others like myself who have participated in product
development and been sorry to see something go out the door before it was
done right because of external issues. I'm really pleased that Electrix can
make a decision like this based on concerns about quality of the product.

And I'm very grateful for the candor to which this list is being treated. It
is great to be able to express our feedback to somebody in a position to use
the information and with a stated interest in having the feedback. And
frankly its just fun to hear a few tidbits about the product.

One of my personal beefs about the design process in general is that it is
very very common for an individual or a small team to conceive of a product
concept and just run with it all the way to production without ever exposing
themselves to critique by their peers. It is an arrogant and stupid
approach, and the landfill is overflowing with the 'not quite right' designs
of the past.  It appears Electrix is making an effort to use external
critique to some good purpose, despite no doubt taking a few knocks on the
way.

I think we all need to remember that is a minor miracle this product is
being developed at all! Whether it turns out to be exactly what any
particular individual wants it to be, it is absolutely great that an
additional company is joining the ranks of the other wonderful contributors
to our looping toolkits.

Bob


----- Original Message -----
From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 08, 2000 5:02 PM
Subject: RE: Repeater ship date


> Hey loopers,
> There has been some questions recently about the ship date of Repeater. We
> are waiting for the necessary certification of a new, swanky, power
supply.
> This unfortunately has caused a delay in shipping somewhere between 30 to
45
> days.  The upside is that this new supply is way more compact and
> lightweight than the previous model so it should be well worth the wait. I
> know this is a pain in the butt...but we want you to be satisfied with
> Repeaters quality when it does ship.
>
>
> Respect,
>
> Damon Langlois
> Creative Director
> Electrix
> Tel (250) 544-4091 Fax (250) 544-4100
> http://www.electrixpro.com
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 22:49:50 2000
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From: "Peter Shindler" <shindler@mediaone.net>
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Subject: Re: Repeater ship date
Date: Wed, 8 Nov 2000 22:47:49 -0500
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Amen!

Damon, take your time and make this thing the right way.


Peter


----- Original Message -----
From: "Bob Campbell" <rcc@nwlink.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 08, 2000 10:38 PM
Subject: Re: Repeater ship date


> Damon, thanks very much for the heads-up about the slip in ship dates. I
> have to admit I was starting to count the days, so I'd much rather know
know
> than be surprised 2-3 weeks from now.
>
> No doubt there are many others like myself who have participated in
product
> development and been sorry to see something go out the door before it was
> done right because of external issues. I'm really pleased that Electrix
can
> make a decision like this based on concerns about quality of the product.
>
> And I'm very grateful for the candor to which this list is being treated.
It
> is great to be able to express our feedback to somebody in a position to
use
> the information and with a stated interest in having the feedback. And
> frankly its just fun to hear a few tidbits about the product.
>
> One of my personal beefs about the design process in general is that it is
> very very common for an individual or a small team to conceive of a
product
> concept and just run with it all the way to production without ever
exposing
> themselves to critique by their peers. It is an arrogant and stupid
> approach, and the landfill is overflowing with the 'not quite right'
designs
> of the past.  It appears Electrix is making an effort to use external
> critique to some good purpose, despite no doubt taking a few knocks on the
> way.
>
> I think we all need to remember that is a minor miracle this product is
> being developed at all! Whether it turns out to be exactly what any
> particular individual wants it to be, it is absolutely great that an
> additional company is joining the ranks of the other wonderful
contributors
> to our looping toolkits.
>
> Bob
>
>
> ----- Original Message -----
> From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, November 08, 2000 5:02 PM
> Subject: RE: Repeater ship date
>
>
> > Hey loopers,
> > There has been some questions recently about the ship date of Repeater.
We
> > are waiting for the necessary certification of a new, swanky, power
> supply.
> > This unfortunately has caused a delay in shipping somewhere between 30
to
> 45
> > days.  The upside is that this new supply is way more compact and
> > lightweight than the previous model so it should be well worth the wait.
I
> > know this is a pain in the butt...but we want you to be satisfied with
> > Repeaters quality when it does ship.
> >
> >
> > Respect,
> >
> > Damon Langlois
> > Creative Director
> > Electrix
> > Tel (250) 544-4091 Fax (250) 544-4100
> > http://www.electrixpro.com
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov  8 23:15:10 2000
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Date: Wed, 08 Nov 2000 23:15:37 -0500
From: Legion <legion@voicenet.com>
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Subject: Live Show Friday Nov 10th - Allentown PA
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Music For Isolation Tanks, my electronic/avant alter ego, will be
playing a free show this Friday night at the Borders Bookstore in
Allentown Pa.

'dA FACTS:

Who: Music For Isolation Tanks
When:     This Friday,  Nov. 10th, 2000,  8-10 PM
Where:   Borders Books and Music, 1937 Whitehall Mall Allentown, PA
18052
Contact: 610.432.5520 (Maps at http://www.bordersstores.com/stores/345/
)


Description:
----------------------------------------------
This will be the most advanced show I've done in years and will serve as
a bit of a retrospective on all the phases I've played live and recorded
with as Music For Isolation Tanks in the past 8-10 years.  There will be
straight ahead ambient floating dirges, there will be minimal technoish
tweaking, and there will be all out avant cut-up live word and sound
manipulation. Sometimes all of this will happen at the same time.

Looping will be provided by an Oberheim Digital Echoplex, a Korg Kaoss
pad and various stomp delays. The Kaoss pad will serve double duty as
the mixer effects send and will be supplemented by such weird effects as
a DOD Gonkulator, EH Microsynth, and other nonsense.

Instruments range from TR606 and ER1 drum machines, to some classic
analog synths, a theremin, L.I.F.E., and a C78 Library of Congress pitch
shifting tape deck.

Etc.

I know a couple people road tripping up after work Friday night from
Phila Pa (Hell, *I'm* road tripping up after work Friday night :)) I
probably won't be doing this kind of show again for quite some time so
if you're in the neighborhood and ever wanted to see the stuff I do I
encourage you to catch this set.

There are some live MP3s up at www.mp3.com/mfit but expect much much
more at the show. I'll be selling a number of CDs and tapes between the
sets and will have free Help Wanted catalogs as well.

Hope to see you there!

___________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."





From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 00:22:11 2000
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From: David Beardsley <xouoxno@virtulink.com>
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Subject: NYC Live Microtonal Music: Ataraxya + AFMM Microthon 2000
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Hello friends,

On Saturday November 11, 2000 I will be performing with 
violinist Pat Pagano (South East Just Intonation Society)
at the American Festival of Microtonal Music in NYC.
We will be premiering our improvisation Ataraxia for Ebo Lapp 
Steel Guitar, Violin, Pre-recorded CD, echos (aka looping), and 
video sometime in the afternoon after 1pm. Come to hear us but I 
really recommend coming to the hear the whole day.

AFMM:
http://www.echonyc.com/~jhhl/AFMM/

MICROTHON 2000
Saturday, November 11, 2000
Quaker Meeting House
(15th/16th street between 2nd and 3rd Avenues)
1:00 pm - 9:00 pm

Ataraxya on the net:
http://www.screwmusicforever.com/SHREESWIFT/

nada brahma,
db

-- 
* D a v i d         B e a r d s l e y
* 49/32  R a d i o "all microtonal, all the time"
* http://www.virtulink.com/immp/lookhere.htm

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 00:41:30 2000
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Date: Wed, 8 Nov 2000 21:40:09 -0800 (PST)
From: Bret <echoplex@yahoo.com>
Subject: RE: Repeater ship date
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There's that old saying:

You want something good?
You want something cheap?
You want something soon?

Pick any 2.
bret

__________________________________________________
Do You Yahoo!?
Thousands of Stores.  Millions of Products.  All in one Place.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 01:53:12 2000
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Subject: Anticipation (was Repeater ship date)
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----- Original Message ----- 
From: "Bret" <echoplex@yahoo.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, November 08, 2000 9:40 PM
Subject: RE: Repeater ship date


> There's that old saying:
> 
> You want something good?
> You want something cheap?
> You want something soon?
> 
> Pick any 2.
> bret


Or my personal favorite:
You want it bad?  You get it bad

AND

the worse you want it
the worse you get it

Gary

PS  If it's good it's worth waitin' for
G

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> At 05:02 PM 11/8/00 -0800, Damon Langlois wrote:
> >...a new, swanky, power supply.
> 
> Please tell me it's not a WALL WART.
> 


amen!


os.

os@collective.co.uk
http://www.collective.co.uk/



From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 04:36:48 2000
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hi folks
 Been away for a bit but looking forward to reading your loop rants again for 
a bit.
This repeater device looks interesting.

Well just to say I'm still waiting for the UK echoplex from Trace.
Apparently they still haven't sorted the CE ( ECC certification).
Got 'the guy at the music shop to phoe them'
they said " It'll be ready before Christmas"
...so some time next year then.

maybe this "repeater" device is a better option.

 



Andy Butler
<A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex Database
</A> 

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Ewwwww ... you're going to miss the holiday buying season ?   That's *really* gotta hurt.   Hope there'll be something good in your stockings, while you folks folks struggle with this.  Good luck to you, Damon and crew!

As a software developer, I certainly understand slipped ship dates.  Slipping delivery 3 months is not at all unusual, not irresponsible, it's the way things work in the "real" world.  We've all seen many, many manufacturers slip their ship dates.  Doesn't mean they're uncaring, means that things do come up that cause unavoidable delays, particularly if trying to produce quality goods.  Lighten up folks !

Elby
(who reluctantly sets back his Repeater clock)


> ------------------------------------------------------------------------
>
> Subject: RE: Repeater ship date
> Date: Wed, 8 Nov 2000 17:02:29 -0800
> From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
> To: Loopers-Delight@loopers-delight.com
>
> Hey loopers,
> There has been some questions recently about the ship date of Repeater. We
> are waiting for the necessary certification of a new, swanky, power supply.
> This unfortunately has caused a delay in shipping somewhere between 30 to 45
> days.  The upside is that this new supply is way more compact and
> lightweight than the previous model so it should be well worth the wait. I
> know this is a pain in the butt...but we want you to be satisfied with
> Repeaters quality when it does ship.
>
> Respect,
>
> Damon Langlois
> Creative Director
> Electrix
> Tel (250) 544-4091 Fax (250) 544-4100
> http://www.electrixpro.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 09:14:15 2000
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From: "Dennis Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
References: <200010210438.AAA02497@hemlock.violacea.com> <39F1275A.CB7061A1@cruzio.com> <3.0.6.32.20001023145002.007f4650@col-ed.org> <3.0.6.32.20001024105927.007cb670@col-ed.org> <3.0.6.32.20001025154559.00839470@col-ed.org> <3.0.6.32.20001101124242.00812120@col-ed.org> <p05001901b62902f5c933@[200.194.254.17]>
Subject: Re: Electric Eyes and CV-MIDI Converter
Date: Thu, 9 Nov 2000 08:55:36 -0500
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From: "Matthias Grob" <matthias@grob.org>
>...so I would rather need distance metering
> in the 2-20cm range to measure knee, elbow and head positions,
> maybe...
> did you find such, too?

Hey Matthias!  You must be living right!

Yesterday I wandered into our local Barnes and Noble bookstore to browse and
found this book:
"Programming and Customing the Basic Stamp Computer" by Scott Edwards (see
http://www.amazon.com/exec/obidos/ASIN/0079136842/qid%3D973777809/105-857084
8-9842301 )

He's got a hardware/software project for short-range sonar.  He states that
it's most accurate in the 2-7" range.  That'd be 5-18 cm when operated
outside the US.

Dennis Leas
-------------------
dennis@mdbs.com


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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: I'm back
Date: Thu, 9 Nov 2000 10:04:48 -0800
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Welcome back Andy-

As for Repeater as "better" option.... look over recent posts and their
website and you will see they are 2 different animals- I can certainly see
both occupying my rack space in the future- - - along with my Vortex! ;)

Cliff

-----Original Message-----
From: SoundFNR@aol.com <SoundFNR@aol.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Thursday, November 09, 2000 1:36 AM
Subject: I'm back


>hi folks
> Been away for a bit but looking forward to reading your loop rants again
for
>a bit.
>This repeater device looks interesting.
>
>Well just to say I'm still waiting for the UK echoplex from Trace.
>Apparently they still haven't sorted the CE ( ECC certification).
>Got 'the guy at the music shop to phoe them'
>they said " It'll be ready before Christmas"
>...so some time next year then.
>
>maybe this "repeater" device is a better option.
>
>
>
>
>
>Andy Butler
><A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex
Database
></A>
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 13:02:24 2000
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From: "italo de angelis" <italoop@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater ship date
Date: Thu, 09 Nov 2000 18:57:37 CET
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No President yet...Repeater delayed a month or more ????
What's happening to AMERICA????
let's keep cool! Damon, Electrix will loose Xmas sales...too sad!
            best   Ital@@@P


>From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: Repeater ship date
>Date: Wed, 8 Nov 2000 17:02:29 -0800
>
>Hey loopers,
>There has been some questions recently about the ship date of Repeater. We
>are waiting for the necessary certification of a new, swanky, power supply.
>This unfortunately has caused a delay in shipping somewhere between 30 to 
>45
>days.  The upside is that this new supply is way more compact and
>lightweight than the previous model so it should be well worth the wait. I
>know this is a pain in the butt...but we want you to be satisfied with
>Repeaters quality when it does ship.
>
>
>Respect,
>
>Damon Langlois
>Creative Director
>Electrix
>Tel (250) 544-4091 Fax (250) 544-4100
>http://www.electrixpro.com
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 13:05:29 2000
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Date: Thu, 9 Nov 2000 10:10:26 -0800
To: Loopers-Delight@loopers-delight.com
From: landman@wco.com (Mark Landman)
Subject: Repeater sample start
Cc: Damon@Electrixpro.com
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A question for fellow Loopers and Damon at Electrix;

Do many of you use the audio-triggered sample/record start on the Echoplex?

I've had my EDP set up this way a long time, and enjoy the functionality of
"arming" the loop by pressing record, then actually starting recording by
playing.

Looking thru the Repeater manual I didn't notice this, is this available or
possible on Repeater, Damon? Asked as a concerned user, as I'm pre-ordered
for 2 Repeaters :)

Best-

Mark


From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 13:06:19 2000
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From: lindsay@pavestone.com
Subject: RE: Repeater ship date
To: Loopers-Delight@loopers-delight.com
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Electrix isn't based out of Florida by any chance, is it?

L



                                                                                            
                    "italo de                                                               
                    angelis"             To:     Loopers-Delight@loopers-delight.com        
                    <italoop@hotm        cc:                                                
                    ail.com>             Subject:     RE: Repeater ship date                
                                                                                            
                    11/09/00                                                                
                    11:57 AM                                                                
                    Please                                                                  
                    respond to                                                              
                    Loopers-Delig                                                           
                    ht                                                                      
                                                                                            
                                                                                            



No President yet...Repeater delayed a month or more ????
What's happening to AMERICA????
let's keep cool! Damon, Electrix will loose Xmas sales...too sad!
            best   Ital@@@P


From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 13:10:43 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater ship date
Date: Thu, 9 Nov 2000 10:05:39 -0800 
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>Please tell me it's not a WALL WART.
Nope, it's not a wall wart. It's an international switching line lump stile
PSU. Laptop style. It's nice and small, so no worries.  


Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


-----Original Message-----
From: Tim Nelson [mailto:tcn62@ici.net]
Sent: Wednesday, November 08, 2000 5:37 PM
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater ship date


At 05:02 PM 11/8/00 -0800, Damon Langlois wrote:
>...a new, swanky, power supply.

Please tell me it's not a WALL WART.

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 13:16:06 2000
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From: jimmy <jimmy@loadhandler.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Repeater sample start
Date: Thu, 9 Nov 2000 11:41:45 -0600 
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what is this 'repeater'? please steer me in an informative direction. has
anyone witnessed the new v2 upgrade for the boomerang yet?

thanks,
jimmy george

-----Original Message-----
From: landman@wco.com [mailto:landman@wco.com]
Sent: Thursday, November 09, 2000 12:10 PM
To: Loopers-Delight@loopers-delight.com
Cc: Damon@Electrixpro.com
Subject: Repeater sample start


A question for fellow Loopers and Damon at Electrix;

Do many of you use the audio-triggered sample/record start on the Echoplex?

I've had my EDP set up this way a long time, and enjoy the functionality of
"arming" the loop by pressing record, then actually starting recording by
playing.

Looking thru the Repeater manual I didn't notice this, is this available or
possible on Repeater, Damon? Asked as a concerned user, as I'm pre-ordered
for 2 Repeaters :)

Best-

Mark

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 14:00:10 2000
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Date: Thu, 09 Nov 2000 10:58:14 -0800
Subject: Re: Repeater ship date
From: "Allan Hoeltje" <ahoeltje@best.com>
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Who needs a president anyway, we could be self governing, like the internet.
(only joking!)

If it isn't ready for Xmas why not make it a New Year's gift?

You Repeater folks should stop complaining - I am still on the wait list for
my next EDP.  Good products ARE worth waiting for!

-Allan

----------
>From: "italo de angelis" <italoop@hotmail.com>
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: Repeater ship date
>Date: Thu, Nov 9, 2000, 10:57 AM
>

> No President yet...Repeater delayed a month or more ????
> What's happening to AMERICA????
> let's keep cool! Damon, Electrix will loose Xmas sales...too sad!
>             best   Ital@@@P

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 14:10:14 2000
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To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Repeater ship date
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..the nature of loopers- keep repeating same things over and over and
over......

c

-----Original Message-----
From: Allan Hoeltje <ahoeltje@best.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Thursday, November 09, 2000 10:58 AM
Subject: Re: Repeater ship date


>Who needs a president anyway, we could be self governing, like the
internet.
>(only joking!)
>
>If it isn't ready for Xmas why not make it a New Year's gift?
>
>You Repeater folks should stop complaining - I am still on the wait list
for
>my next EDP.  Good products ARE worth waiting for!
>
>-Allan
>
>----------
>>From: "italo de angelis" <italoop@hotmail.com>
>>To: Loopers-Delight@loopers-delight.com
>>Subject: RE: Repeater ship date
>>Date: Thu, Nov 9, 2000, 10:57 AM
>>
>
>> No President yet...Repeater delayed a month or more ????
>> What's happening to AMERICA????
>> let's keep cool! Damon, Electrix will loose Xmas sales...too sad!
>>             best   Ital@@@P
>

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 15:15:57 2000
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Yup , got it myself.

Well worth the money.

Huge improvement!

Zing

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 18:52:19 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: looping question
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Hey loopers,
If anyone wants to help us (Electrix) with future loopy developments and
maybe some marketing rigmarole send me an answer to the question:
 
Why are you passionate about loop-based music production?

Please send it to my personnel email so it doesn't irritate the rest of the
list. mailto:damon@electrixpro.com

Respect,

Damon Langlois
Creative Director
Electrix
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 19:57:02 2000
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From: jim palmer <jimp@pobox.com>
Subject: Re: Repeater ship date
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those actually seem a bit more problematic than wall warts to me.
sure, wall-warts take up lots of space on an outlet strip, but with
the inline, once you rack the thing, the power supply is hanging loose...

-me

----- Original Message ----- 
From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, November 09, 2000 12:05 PM
Subject: RE: Repeater ship date


> >Please tell me it's not a WALL WART.
> Nope, it's not a wall wart. It's an international switching line lump stile
> PSU. Laptop style. It's nice and small, so no worries.  
> 
> 
> Respect,
> 
> Damon Langlois
> Creative Director
> Electrix 
> Tel (250) 544-4091 Fax (250) 544-4100
> http://www.electrixpro.com
> 
> 
> -----Original Message-----
> From: Tim Nelson [mailto:tcn62@ici.net]
> Sent: Wednesday, November 08, 2000 5:37 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: RE: Repeater ship date
> 
> 
> At 05:02 PM 11/8/00 -0800, Damon Langlois wrote:
> >...a new, swanky, power supply.
> 
> Please tell me it's not a WALL WART.
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 20:23:22 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater power supply
Date: Thu, 9 Nov 2000 17:20:19 -0800 
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>those actually seem a bit more problematic than wall warts to me.
>sure, wall-warts take up lots of space on an outlet strip, but with
>the inline, once you rack the thing, the power supply is hanging loose...

Now you understand why we are waiting for the ultra small one. It is very
light and streamlined so this won't be a problem. 

Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com



From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 20:29:22 2000
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Subject: RE: Repeater power supply
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Damon,

You are starting to sound a little TOO much like a marketing guy. Is that what Creative Director really means?

Brother K






Damon@Electrixpro.com on 11/09/2000 05:25:40 PM
Please respond to Loopers-Delight@loopers-delight.com@SMTP 
To:	Loopers-Delight@loopers-delight.com@SMTP
cc:	 
Subject:	RE: Repeater power supply
Classification:	

>those actually seem a bit more problematic than wall warts to me.
>sure, wall-warts take up lots of space on an outlet strip, but with
>the inline, once you rack the thing, the power supply is hanging loose...

Now you understand why we are waiting for the ultra small one. It is very
light and streamlined so this won't be a problem.

Respect,

Damon Langlois
Creative Director
Electrix
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com






From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 21:09:46 2000
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Repeater ship date
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I've found it pretty easy to attach the line lumps to the inside wall of
the rack, especially behind a unit that isn't very deep, like all of the
Electrix stuff. If you've got a power conditioner or a powerstrip in the
rack, at least the line lump doesn't cover up two or three spaces the way a
wall wart would.

An easy way to keep the lump in place is to staple a piece of nylon strap
to the inside of the rack, with a little strategically-placed Velcro...

-t

At 06:56 PM 11/9/00 -0600, you wrote:
>those actually seem a bit more problematic than wall warts to me.
>sure, wall-warts take up lots of space on an outlet strip, but with
>the inline, once you rack the thing, the power supply is hanging loose...


From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 21:27:45 2000
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Date: Thu, 09 Nov 2000 21:23:04 -0500
To: Loopers-Delight@annihilist.com
From: Ken <kenzo@free-music.com>
Subject: * warning: ken's last ever radio extravaganza sat 11/11 9-10am
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(you will almost certainly receive this twice. such was not my intention. mail server problems. i apologize. this copy should arrive first, and another copy, not bearing this notice, will arrive later. sorry.)

* ken's last ever radio extravaganza
saturday 11/11 9am-10am
wfmu (radio waves and internet)

* live improvisation
means
what will be aired will be determined
at the time it is aired
forecasting noise and density
slight possibility of confusion through political texts
chance of rhythmic looping by late morning
scheduled so as not to interfere with other activities
studies reveal use of lowercase in promotions
increases overall enjoyment of event
live contributions may very well be accepted
201-200-9368 during the show
please subvert
boredom not accepted

* read about the ongoing project
ken's last ever radio extravaganza
http://free-music.com/ken/extrav/

* listen to the show
- via internet (please see <http://free-music.com/ken/extrav/wfmulive.shtml>)
- 91.1FM new york city area  (requires fm radio or better)
- 90.1FM somewhere above new york city
- find it somewhere between channels 5 and 6 on your tv
- listen in your doctor's waiting room
- read closed captioning text simulcast, where available

* complain
ken
kenzo@free-music.com

* order cd's of any of past 239 shows
http://free-music.com/ken/extrav/

* thanks to
wfmu
free-form radio

* people are more important than
corporations

* ken's last ever radio extravaganza
http://free-music.com/ken/extrav/ 

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 21:30:35 2000
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* ken's last ever radio extravaganza
saturday 11/11 9am-10am
wfmu (radio waves and internet)

* live improvisation
means
what will be aired will be determined
at the time it is aired
forecasting noise and density
slight possibility of confusion through political texts
chance of rhythmic looping by late morning
scheduled so as not to interfere with other activities
studies reveal use of lowercase in promotions
increases overall enjoyment of event
live contributions may very well be accepted
201-200-9368 during the show
please subvert
boredom not accepted

* read about the ongoing project
ken's last ever radio extravaganza
http://free-music.com/ken/extrav/

* listen to the show
(note: direct links to all these things will probably be available on http://free-music.com/ken/extrav/ by airtime)
-1- 91.1FM new york city area  (requires fm radio or better)
-2- 90.1FM somewhere above new york city
-3- evil realaudio modem speed:
http://www.wfmu.org/wfmu.ram
-4- even more evil media player modem speed:
http://playlist.broadcast.com/makeplaylist.dll?id=437124&s=78016005:G&encad=2F6164732F6D61726B6574696E672F686F75736561645F313132353938    (i'm not kidding)
-5- not especially evil mp3 stream modem speed: (you must enter this directly into a program like winamp, NOT from your browser)
http://216.32.166.79:21694/ (copy and paste into winamp)
-6- also not too evil super-high-bandwidth mp3 stream: (head to work on saturday morning and use their t1. sounds like the real thing!)
http://wfmu.oven.com:8000/listen.pls
-7- find it somewhere between channels 5 and 6 on your tv
-8- listen in your doctor's waiting room
-9- read closed captioning text simulcast, where available

* complain
ken
kenzo@free-music.com

* order cd's of any of past 239 shows
http://free-music.com/ken/extrav/

* thanks to
wfmu
free-form radio

* people are more important than
corporations

* ken's last ever radio extravaganza
http://free-music.com/ken/extrav/

From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 21:42:22 2000
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Damon,
Will this power supply work with othe relectrix supply? Also do you have the 
vaguest of date for when the repeater MIDi foot controller will be for sale?
Thanks,
Jeremiah


>From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: Repeater power supply
>Date: Thu, 9 Nov 2000 17:20:19 -0800
>
> >those actually seem a bit more problematic than wall warts to me.
> >sure, wall-warts take up lots of space on an outlet strip, but with
> >the inline, once you rack the thing, the power supply is hanging loose...
>
>Now you understand why we are waiting for the ultra small one. It is very
>light and streamlined so this won't be a problem.
>
>Respect,
>
>Damon Langlois
>Creative Director
>Electrix
>Tel (250) 544-4091 Fax (250) 544-4100
>http://www.electrixpro.com
>
>
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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From Loopers-Delight-request@loopers-delight.com  Thu Nov  9 21:52:43 2000
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how much was the group price on it?

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To the folks at Electrixpro.com..
please correct the writing "comin fall 2000" on your website.
You cannot continue to illude us :o))

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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: The dirty Job
Date: Fri, 10 Nov 2000 10:58:22 -0800
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>You are starting to sound a little TOO much like a marketing guy. Is that
what Creative Director really means?

It comes with the territory. My biggest Joy with what I do at Electrix is
Industrial Design (Product design, looks, UI, etc). But I am also Involved
with the marketing end of things as well (small company kinda thing). So as
it turns out I have been producing a lot of our "copy" for ads and other
marketing bits (Jamie Drouin does our Graphic and web design) so yes,
sometimes I have to put on the --marketing guy-- hat. It's a dirty job ...
but someone's gotta do it.

Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 15:38:01 2000
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Subject: [ot?] making looping avi's or mov's
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Hi.

I wondered if anyone has any tips for creation and playback of looping
video.

I'm on PC for this project and have Adobe Premiere 5.1 at my disposal.


thanks,
os.



os@scee.sony.co.uk
http://www.mp3.com/carbonboy/
http://www.mp3.com/darkroomuk/
http://www.collective.co.uk/

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> My biggest Joy with what I do at Electrix is
> Industrial Design (Product design, looks, UI, etc).

I can tell. Repeater looks AWESOME! Blows the EDP UI away!

_________________________________
Doug Miller
Graphic Designer / Illustrator
http://home.columbus.rr.com/dougmiller
http://www.dispatch.com

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maybe it's prettier, but we designed in a rugged internal power supply that
works anywhere in the world with an ordinary cable you can get anywhere. ;-)


kim


> -----Original Message-----
> From: Doug Miller [mailto:dmiller3@columbus.rr.com]
> Sent: Friday, November 10, 2000 1:28 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: The dirty Job
> 
> 
> > My biggest Joy with what I do at Electrix is
> > Industrial Design (Product design, looks, UI, etc).
> 
> I can tell. Repeater looks AWESOME! Blows the EDP UI away!
> 
> _________________________________
> Doug Miller
> Graphic Designer / Illustrator
> http://home.columbus.rr.com/dougmiller
> http://www.dispatch.com
> 

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 17:07:24 2000
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That is a definite plus! I _do_ like not having _another_ wart or bulge
power cable. By the way... my EDP is pretty awesome too!

Vanilla is one of my favorite flavors.

> maybe it's prettier, but we designed in a rugged internal power supply that
> works anywhere in the world with an ordinary cable you can get anywhere. ;-)
> 
>>> My biggest Joy with what I do at Electrix is
>>> Industrial Design (Product design, looks, UI, etc).
>> 
>> I can tell. Repeater looks AWESOME! Blows the EDP UI away!

_________________________________
Doug Miller
Graphic Designer / Illustrator
http://home.columbus.rr.com/dougmiller
http://www.dispatch.com 

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 17:16:34 2000
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Doug Miller (04:04 PM 11.10.2000) wrote:

 >> maybe it's prettier, but we designed in a rugged internal power supply that
 >> works anywhere in the world with an ordinary cable you can get 
anywhere. ;-)
 >
 >That is a definite plus! I _do_ like not having _another_ wart or bulge
 >power cable. By the way... my EDP is pretty awesome too!

True. But, doing an internal supply can also cause delays in certification, 
increased costs in design, heat issues in the chassis...

Many times it's just "easier and cheaper" for a company to go with an 
external supply solution. This allows the design budget and time to be 
focused on the specific product workings.

Electrix is a Canadian company, that may also have some issues in 
regulatory blessings.

Mark

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In a message dated 11/10/00 8:14:52 PM Mid-Atlantic Standard Time, 
mark@redmoon-music.com writes:

<< Electrix is a Canadian company >>

does the exchange rate play into the pricing at all?...........i like 
canadians..........:)...........michael

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Nemoguitt@aol.com (05:40 PM 11.10.2000) wrote:

 >mark@redmoon-music.com writes:
 >
 ><< Electrix is a Canadian company >>
 >
 >does the exchange rate play into the pricing at all?...........i like
 >canadians..........:)...........michael

Sure...

If the Repeater listed for US $700 (I'm not implying it does) then that 
would be about $1081 CAD (given today's rates). :)

   http://www.xe.net/ucc/convert.cgi

Mark - being a smartass. :)

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I would take a less expensive, smaller, lighter machine with an external
line bulge transformer over a costlier, heavier, larger, hotter running
machine with an internal supply any day. Just personal preference, not a
slam on the EDP. I don't understand what the rage against the wall wart is
all about when you factor in cost, noise, heat and weight versus
convenience.

I'm back, btw. Sorry to all who mailed repeater@braincramp to no avail,
I've been too busy to do anything at all (a common conundrum).

-><-

On Fri, 10 Nov 2000, Kim Flint wrote:

> 
> maybe it's prettier, but we designed in a rugged internal power supply that
> works anywhere in the world with an ordinary cable you can get anywhere. ;-)
> 
> 
> kim
> 
> 
> > -----Original Message-----
> > From: Doug Miller [mailto:dmiller3@columbus.rr.com]
> > Sent: Friday, November 10, 2000 1:28 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: The dirty Job
> > 
> > 
> > > My biggest Joy with what I do at Electrix is
> > > Industrial Design (Product design, looks, UI, etc).
> > 
> > I can tell. Repeater looks AWESOME! Blows the EDP UI away!
> > 
> > _________________________________
> > Doug Miller
> > Graphic Designer / Illustrator
> > http://home.columbus.rr.com/dougmiller
> > http://www.dispatch.com
> > 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Nov 10 19:29:55 2000
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----- Original Message ----- 
From: "noah" <fishmong@braincramp.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, November 10, 2000 2:49 AM
Subject: RE: The dirty Job


> 
> I would take a less expensive, smaller, lighter machine

It's not smaller--looks to be two rack spaces.

BTW, also looks like a contender!

Gary

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 02:11:23 2000
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Subject: OT Recording Question - Roland VS 840
Date: Sat, 11 Nov 2000 02:07:45 -0500
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Hey gang,

I'm working with my friend's Roland VS 840 digital recorder, and I've hit a
snag.  Say I record a drum loop on track 1, then overdub a guitar part on
track 2.  When I play track 2 back by itself, I get the drum loop AND the
guitar together, and no apparent way to separate them.  If I then record
something else to track 3, then that track contains the new signal plus
what's on tracks 1 and 2.  I'm following the instructions carefully, but I
assume I'm doing something wrong.  Any ideas?

Incidentally, it seems like a nice enough piece of equipment, once you get
over the usual Roland quirks like the awful documentation and the "why have
one button when you can have twenty?" syndrome.  Certainly a step up from my
old Yamaha 4-track.

Thanks.


Peter


From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 04:51:47 2000
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Date: Sat, 11 Nov 2000 04:49:59 EST
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i'm not sure myself.  i have the groove sampler, and i know that if i don't 
have the track buttons off, they'll still play.  on mine, if it's lit green, 
it plays, if it's lit red, it records on that track, and if it's orange, it 
will bounce the track to another track.  but if there's no light on for that 
track, it doesn't play.  hope this helps, Roland is a great company.  by the 
way, groove sampler is made by Roland in case you didn't know.

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 18:40:57 2000
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Hello,
My name is Jeremiah Runnels. I was wondeing are you still doing the group 
buy thing, or is Alto music going to be our best price.
THanks,
Jeremiah

>From: noah <fishmong@braincramp.org>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "'Loopers-Delight@loopers-delight.com'" 
><Loopers-Delight@loopers-delight.com>
>Subject: RE: The dirty Job
>Date: Fri, 10 Nov 2000 05:49:47 -0500 (EST)
>
>
>I would take a less expensive, smaller, lighter machine with an external
>line bulge transformer over a costlier, heavier, larger, hotter running
>machine with an internal supply any day. Just personal preference, not a
>slam on the EDP. I don't understand what the rage against the wall wart is
>all about when you factor in cost, noise, heat and weight versus
>convenience.
>
>I'm back, btw. Sorry to all who mailed repeater@braincramp to no avail,
>I've been too busy to do anything at all (a common conundrum).
>
>-><-
>
>On Fri, 10 Nov 2000, Kim Flint wrote:
>
> >
> > maybe it's prettier, but we designed in a rugged internal power supply 
>that
> > works anywhere in the world with an ordinary cable you can get anywhere. 
>;-)
> >
> >
> > kim
> >
> >
> > > -----Original Message-----
> > > From: Doug Miller [mailto:dmiller3@columbus.rr.com]
> > > Sent: Friday, November 10, 2000 1:28 PM
> > > To: Loopers-Delight@loopers-delight.com
> > > Subject: Re: The dirty Job
> > >
> > >
> > > > My biggest Joy with what I do at Electrix is
> > > > Industrial Design (Product design, looks, UI, etc).
> > >
> > > I can tell. Repeater looks AWESOME! Blows the EDP UI away!
> > >
> > > _________________________________
> > > Doug Miller
> > > Graphic Designer / Illustrator
> > > http://home.columbus.rr.com/dougmiller
> > > http://www.dispatch.com
> > >
> >
>

_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 19:03:15 2000
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From: "Om_Audio" <clifsound@mediaone.net>
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Subject: OT: Acid-like prog for Mac?
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Anyone know of a prog for Mac that is similar to Acid?

Cliff


From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 22:46:34 2000
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Subject: Re: OT: Acid-like prog for Mac?
From: Martin Shellard <martins@pwdu.demon.co.uk>
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Bitheadz Phrazer is the Mac equivalent, it is either out or about to ship.
www.bitheadz.com

Martin Shellard 


> From: "Om_Audio" <clifsound@mediaone.net>
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Sat, 11 Nov 2000 16:02:17 -0800
> To: "Loopers List" <loopers-delight@annihilist.com>
> Subject: OT: Acid-like prog for Mac?
> Resent-From: Loopers-Delight@loopers-delight.com
> Resent-Date: Sat, 11 Nov 2000 19:01:43 -0500
> 
> Anyone know of a prog for Mac that is similar to Acid?
> 
> Cliff
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 11 23:49:19 2000
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I am/was simply collecting the list of buyers for the fine folks at Alto.
they'll be the folks to talk to, ultimately, but if you whack an email out
to repeater@braincramp.org I'll send you the info and add your name to the
list.

-><-

On Sat, 11 Nov 2000, George Washington wrote:

> 
> Hello,
> My name is Jeremiah Runnels. I was wondeing are you still doing the group 
> buy thing, or is Alto music going to be our best price.
> THanks,
> Jeremiah
> 
> >From: noah <fishmong@braincramp.org>
> >Reply-To: Loopers-Delight@loopers-delight.com
> >To: "'Loopers-Delight@loopers-delight.com'" 
> ><Loopers-Delight@loopers-delight.com>
> >Subject: RE: The dirty Job
> >Date: Fri, 10 Nov 2000 05:49:47 -0500 (EST)
> >
> >
> >I would take a less expensive, smaller, lighter machine with an external
> >line bulge transformer over a costlier, heavier, larger, hotter running
> >machine with an internal supply any day. Just personal preference, not a
> >slam on the EDP. I don't understand what the rage against the wall wart is
> >all about when you factor in cost, noise, heat and weight versus
> >convenience.
> >
> >I'm back, btw. Sorry to all who mailed repeater@braincramp to no avail,
> >I've been too busy to do anything at all (a common conundrum).
> >
> >-><-
> >
> >On Fri, 10 Nov 2000, Kim Flint wrote:
> >
> > >
> > > maybe it's prettier, but we designed in a rugged internal power supply 
> >that
> > > works anywhere in the world with an ordinary cable you can get anywhere. 
> >;-)
> > >
> > >
> > > kim
> > >
> > >
> > > > -----Original Message-----
> > > > From: Doug Miller [mailto:dmiller3@columbus.rr.com]
> > > > Sent: Friday, November 10, 2000 1:28 PM
> > > > To: Loopers-Delight@loopers-delight.com
> > > > Subject: Re: The dirty Job
> > > >
> > > >
> > > > > My biggest Joy with what I do at Electrix is
> > > > > Industrial Design (Product design, looks, UI, etc).
> > > >
> > > > I can tell. Repeater looks AWESOME! Blows the EDP UI away!
> > > >
> > > > _________________________________
> > > > Doug Miller
> > > > Graphic Designer / Illustrator
> > > > http://home.columbus.rr.com/dougmiller
> > > > http://www.dispatch.com
> > > >
> > >
> >
> 
> _________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
> 
> Share information about yourself, create your own public profile at 
> http://profiles.msn.com.
> 

From Loopers-Delight-request@loopers-delight.com  Sun Nov 12 02:27:42 2000
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References: <B633C2A0.A4E%martins@pwdu.demon.co.uk>
Subject: Re: OT: Acid-like prog for Mac?
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Thanks- thats the one I've been looking for-

c

----- Original Message -----
From: "Martin Shellard" <martins@pwdu.demon.co.uk>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, November 11, 2000 7:45 PM
Subject: Re: OT: Acid-like prog for Mac?


> Bitheadz Phrazer is the Mac equivalent, it is either out or about to ship.
> www.bitheadz.com
>
> Martin Shellard
>
>
> > From: "Om_Audio" <clifsound@mediaone.net>
> > Reply-To: Loopers-Delight@loopers-delight.com
> > Date: Sat, 11 Nov 2000 16:02:17 -0800
> > To: "Loopers List" <loopers-delight@annihilist.com>
> > Subject: OT: Acid-like prog for Mac?
> > Resent-From: Loopers-Delight@loopers-delight.com
> > Resent-Date: Sat, 11 Nov 2000 19:01:43 -0500
> >
> > Anyone know of a prog for Mac that is similar to Acid?
> >
> > Cliff
> >
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Nov 12 05:44:29 2000
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From: "Gregor Zavcer" <gregor.zavcer@kiss.uni-lj.si>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: The dirty Job
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This is a multi-part message in MIME format.

------=_NextPart_000_0018_01C04CA5.82042B40
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	charset="iso-8859-1"
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Hey,

i was wondering what is wrong with being the "marketing guy"? just a =
reminder: damon is all the time being "the marketing guy". Marketing =
doesn't mean promotion. It means identifying potential customers needs, =
gathering input, following the happenings on the target markets, public =
relationships, etc. all i can say is, damon, you're making your job as a =
marketing guy very well.

IMO one of the most dirties jobs is to play commercial cheesy covers to =
a bunch of drunks. that's dirty.:))))

greetings,

gregor

p.s.: damon any chance that it'll be possible to try out ANY of the =
electrix products in Slovenia? will you have any distributors here? are =
you interested in any?




>>You are starting to sound a little TOO much like a marketing guy. Is =
that
>what Creative Director really means?


------=_NextPart_000_0018_01C04CA5.82042B40
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY>
<DIV><FONT face=3D"" size=3D2></FONT><FONT color=3D#000000 =
size=3D2>Hey,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>i was wondering what is wrong with being the =
&quot;marketing=20
guy&quot;? just a reminder: damon is all the time being &quot;the =
marketing=20
guy&quot;. Marketing doesn't mean promotion. It means identifying =
potential=20
customers needs, gathering input, following the happenings on the target =

markets, public relationships, etc. all i can say is, damon, you're =
making your=20
job as a marketing guy very well.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>IMO one of the most dirties jobs is to play =
commercial cheesy=20
covers to a bunch of drunks. that's dirty.:))))</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>greetings,</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>gregor</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>p.s.: damon any chance that it'll be possible to try =
out ANY=20
of the electrix products in Slovenia? will you have any distributors =
here? are=20
you interested in any?</FONT></DIV>
<DIV><FONT face=3D"" size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV><FONT face=3D"" size=3D2></FONT>
<DIV><FONT face=3DArial size=3D2><FONT face=3D"" =
size=3D2><BR></FONT>&nbsp;</DIV><FONT=20
size=3D2></FONT></FONT><FONT size=3D2>&gt;&gt;You are starting to sound =
a little TOO=20
much like a marketing guy. Is that<BR>&gt;what Creative Director really=20
means?<BR></FONT></BODY></HTML>

------=_NextPart_000_0018_01C04CA5.82042B40--

From Loopers-Delight-request@loopers-delight.com  Sun Nov 12 08:59:08 2000
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From: "italo de angelis" <italoop@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Repeater question 4 DAMON
Date: Sun, 12 Nov 2000 14:55:49 CET
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Hello Damon...waiting for the "thing" coming out, brains keep mumble around 
on its abilities. My question is...can Repeater work as 4 different delay 
lines at the same time, with DIFFERENT delay times and feedback set so that 
new layers will replace old ones, fading in the backgound?...kind of 
"Soundscaping" like Fripp does with those TC2290s.
Or maybe just 2 indipendent mono lines? Or 2 stereo ones?
     ....thanx....italoop
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From Loopers-Delight-request@loopers-delight.com  Sun Nov 12 11:48:50 2000
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Date: Sun, 12 Nov 2000 18:00:53 +0100
To: Loopers-Delight@annihilist.com
From: "R.MUTT" <rauboto@dragonet.es>
Subject: FS: Roland GP-100
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fi friends !

	i have this item for sale:

	Roland GP-100 preamp / multieffects

	it's in excellent condition !
		
	don't know how much to ask for it, but
	i remember i bought it new for 150000 pts (aprox. $800 ?)
	can anybody tell me ?
	
	if interested send an e-mail to
	rauboto@dragonet.es
	and we can negotiate a reasonable price.

	
cheers !
R.MUTT

	





///////////////////////////////////////////////////////////////////////////
Tapeadores  <tapeadores@drgnet.com>
http://www.dragonet.es/users/d3055/tap
///////////////////////////////////////////////////////////////////////////

From Loopers-Delight-request@loopers-delight.com  Sun Nov 12 15:27:05 2000
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Peter,
Check the 'input' setting for each of these tracks.  If I understand
what you are saying, you are getting a 'mix' of the 3 tracks on the 3rd
track, a mix of the first 2 tracks on the second track, and just the
first instrument on the first track.  This is symptomatic of you
recording the 'mix' on tracks 2 and 3 instead of a discreet input
channel, such as 'input 1'.  If this 840 is like the 880 you should be
able to got to 'shift' 'input' and scroll (via the shuttle wheel) to
'input 1' or 'input 2' for the channel that you want to record the
discreet input.
bret
--- Peter Shindler <shindler@mediaone.net> wrote:
> Hey gang,
> 
> I'm working with my friend's Roland VS 840 digital recorder, and I've
> hit a
> snag.  Say I record a drum loop on track 1, then overdub a guitar
> part on
> track 2.  When I play track 2 back by itself, I get the drum loop AND
> the
> guitar together, and no apparent way to separate them.  If I then
> record
> something else to track 3, then that track contains the new signal
> plus
> what's on tracks 1 and 2.  I'm following the instructions carefully,
> but I
> assume I'm doing something wrong.  Any ideas?
> 
> Incidentally, it seems like a nice enough piece of equipment, once
> you get
> over the usual Roland quirks like the awful documentation and the
> "why have
> one button when you can have twenty?" syndrome.  Certainly a step up
> from my
> old Yamaha 4-track.
> 
> Thanks.
> 
> 
> Peter
> 
> 


__________________________________________________
Do You Yahoo!?
Yahoo! Calendar - Get organized for the holidays!
http://calendar.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 09:13:35 2000
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 Apparently Austalians are going to pay $1700 retail, for the repeater.
And will be here at the end of november.  cool banananas.

------=_NextPart_000_000B_01C04DCE.BBC92FE0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#c8e0d8>
<DIV><FONT size=3D2>&nbsp;Apparently Austalians are going to pay $1700 =
retail, for=20
the repeater.</FONT></DIV>
<DIV><FONT size=3D2>And will be here at the end of november.&nbsp; cool=20
banananas.</FONT></DIV></BODY></HTML>

------=_NextPart_000_000B_01C04DCE.BBC92FE0--

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 13:39:51 2000
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Subject: New Live track online and Credit cards!
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I'm slowly revamping the Help Wanted Productions web site. As of now you
can order any CD (including the Looper's Delight Vol 1 or The L.I.F.E.
Album) via credit card using Paypal either form the US or
internationally. All the other CDs and tapes in the catalog range from
$4 to $10 including US postage (add $1 per time for canada or foreign) .

I can't say enough about how proud I am of this catalog from the single
CDs, to live albums, to compilations. Give the MP3s a shot and if you're
interested order online or via snail mail. A few orders go a long way
and  help me keep this music going.

Http://www.voicenet.com/~legion/catalog.html

As a special thank you to the people that showed up at my show this
weekend and have supported HWP in the past I've put a free 15 minute MP3
of the recent live show on our download page. It contains everything
from analog drum machines and synths, to a Korg Kaoss pad, digital
synths, processed pitch shifted tape loops, and unusual stomp boxes.

I don't know how to describe this so I'll leave that up to you. It has
some beats, industrial noise, etc., and is 100% live with no
pre-sequenced or processed parts (outside of the beats in the drum
machines which were altered and mixed live). No midi (other than midi
sync) and no DAT, backup tape, or laptops were used. This is what I do
with a pile of machines and effects on a regular basis.

Links to the MP3.com pages and direct MP3s from here:
Http://www.voicenet.com/~legion/samples.html

If you enjoy this, drop me an email so I at least know someone out there
is getting to this stuff. HWP is 100% word of mouth oriented so if ya
dig it please buy a CD and/or tell somebody else.

Enjoy and Thanks!

__________________________________________________________________
HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.


From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 18:21:10 2000
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Hi Damon, After my last nights solo guitar looping I remembered your question stated here and it occurred to me that 
every time I make audio loops, they are always very different and never the same. 
They allow me to be me, may it be my best, or my worst their always fun and exciting knowing its for the moment.
I like that a lot and that feeds my soul. Keeps me coming back for more, "never the same and always different"
Currently my set up includes a tube amp through an Allan Holdsworth Harness which converts the tube speaker output to a line level 
which then gets eq'ed then goes through many processors and in which hopefully my DL4 will get traded in 4 the Repeater.
Cheers~
Tim Sanz


>>> Damon@Electrixpro.com 11/09 3:47 PM >>>
Hey loopers,
If anyone wants to help us (Electrix) with future loopy developments and
maybe some marketing rigmarole send me an answer to the question:
 
Why are you passionate about loop-based music production?

Please send it to my personnel email so it doesn't irritate the rest of the
list. mailto:damon@electrixpro.com 

Respect,

Damon Langlois
Creative Director
Electrix
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com 


From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 18:48:29 2000
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ok since we're ot(sposed to be personal email,but i  think people  want to
hear the answers to your q, or will they be posted damon...?) what tube amp
and what power amp at the end of your chain?...sounds like a great set-up
for loopin to me...stanner(also where you giggin @?)
----------
>From: "Tim Sanz" <tsanz@svg.com>
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: looping question
>Date: Mon, Nov 13, 2000, 4:17 PM
>

>Hi Damon, After my last nights solo guitar looping I remembered your 
>question stated here and it occurred to me that 
>every time I make audio loops, they are always very different and never the same. 
>They allow me to be me, may it be my best, or my worst their always fun and 
>exciting knowing its for the moment.
>I like that a lot and that feeds my soul. Keeps me coming back for more, 
>"never the same and always different"
>Currently my set up includes a tube amp through an Allan Holdsworth Harness 
>which converts the tube speaker output to a line level 
>which then gets eq'ed then goes through many processors and in which 
>hopefully my DL4 will get traded in 4 the Repeater.
>Cheers~
>Tim Sanz
>
>
>>>> Damon@Electrixpro.com 11/09 3:47 PM >>>
>Hey loopers,
>If anyone wants to help us (Electrix) with future loopy developments and
>maybe some marketing rigmarole send me an answer to the question:
> 
>Why are you passionate about loop-based music production?
>
>Please send it to my personnel email so it doesn't irritate the rest of the
>list. mailto:damon@electrixpro.com 
>
>Respect,
>
>Damon Langlois
>Creative Director
>Electrix
>Tel (250) 544-4091 Fax (250) 544-4100
>http://www.electrixpro.com 
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 13 19:01:41 2000
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Subject: SPG in the UK...
Date: Mon, 13 Nov 2000 23:50:30 -0000
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Well, I'm here in London, and finally settled in enough to be able to start
reposting to MP3 again... so, is there anyone else in the vicinity that'd
have me play with them?  I'd enjoy doing washes for backgrounds at least,
and I don't have much hardware to truck around (thank God, there's no car
here but I wonder what it'll be like on the tubes with it, hm?  Well,
perhaps a cab huh?)

Ironic that, just as I was functionally ready to play publicly, along comes
my marriage and the move out of LA.  (Sorry folks, she wins on this one
[rolling eyes]).

I've read that there's a killer "jazz" scene here... but also don't know
where any of this stuff is.  Does this encompass also experimental music?
After all, wasn't Miles thought by some as the same, and "not jazz"?

Looking forward to hearing from yez.  By the way I've also released some new
material on MP3, at the address below, and can use the money...!

Stephen Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!
020 7602 2243


From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 06:13:42 2000
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> If anyone wants to help us (Electrix) with future loopy developments and
> maybe some marketing rigmarole send me an answer to the question:
>
> Why are you passionate about loop-based music production?

I think as an on-topic discussion, I'd like to see the answers on list...

my reason is that I see any loop device as an instrument in its own right -
I've tried multi-tracking myself in the studio, but without the instant
feedback and chance element that comes with looping, I need to enter a
completely different head-space, one that I don't particularly want to
inhabit, which is why I released a live album...

I also love the feeling of all that noise being just from me! being bass,
harmony, melody and rhythm all at once and being totally in control,
completely responsible and not having to worry about what the other musos
might do...

If anyone in London is interested in hearing this, I've got a seriously
loop-heavy gig this Friday night, in a church in Holloway just up from
Caledonian Road tube station - doors 7.30, £5 on the door, I'll be doing an
hour solo set, then an hour with my trio feat. cello and percussion, and the
set will include video loops, instillations and other arty stuff... should
be great. see web-site for more details

cheers

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com

***solo gig in London on Nov 17th - see web-site for details***

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 06:39:18 2000
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> Well, I'm here in London, and finally settled in enough to be able to
start
> reposting to MP3 again... so, is there anyone else in the vicinity that'd
> have me play with them?  I'd enjoy doing washes for backgrounds at least,
> and I don't have much hardware to truck around (thank God, there's no car
> here but I wonder what it'll be like on the tubes with it, hm?  Well,
> perhaps a cab huh?)

getting around in London without a car is OK so long as you don't try and
carry a big amp on the tube, or try to do it during rush-hour... :o)

> Ironic that, just as I was functionally ready to play publicly, along
comes
> my marriage and the move out of LA.  (Sorry folks, she wins on this one
> [rolling eyes]).

There are plenty of places to play in London, it's just a matter of meeting
the right people...

> I've read that there's a killer "jazz" scene here... but also don't know
> where any of this stuff is.  Does this encompass also experimental music?
> After all, wasn't Miles thought by some as the same, and "not jazz"?

There is a bit of an experimental scene - the Vortex in Stoke Newington has
some really cool gigs on, as do some of the bigger venues, and there's the
London Musicians Collective, or something like that, who organise a lot of
stuff that I've not yet managed to get to... Spitz in Spittalfields is
another good venue for weird shit...

and then there's my gig on Friday... :o)

Let me know if you're playing...

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com

***solo gig in London on Nov 17th - see web-site for details***


From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 06:54:47 2000
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> There is a bit of an experimental scene - the Vortex in Stoke Newington
has
> some really cool gigs on, as do some of the bigger venues, and there's the
> London Musicians Collective, or something like that, who organise a lot of
> stuff that I've not yet managed to get to... Spitz in Spittalfields is
> another good venue for weird shit...

Don't get me started on the LMC... for a supposedly avant-garde organization
they have the most ruthless thought police ever - improv not free enough?
not real music. improv too free? not real music. too many guitar pedals?
you're an old hippy with too much cash.  I kid you not.


os.


From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 07:05:49 2000
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From: "Steve Lawson" <steve@steve-lawson.co.uk>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: SPG in the UK...
Date: Tue, 14 Nov 2000 12:03:09 -0000
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> Don't get me started on the LMC... for a supposedly avant-garde
organization
> they have the most ruthless thought police ever - improv not free enough?
> not real music. improv too free? not real music. too many guitar pedals?
> you're an old hippy with too much cash.  I kid you not.

That doesn't sound too good - I'm not into being forced to be unmelodic...
It's a problem with marketing broad music - people expect you to be either
experimental or ambient, or jazzy or harsh or whatever, and I cross these
boundaries fairly regularly within one tune... I guess that's why Bill
Frisell is so inspiring - he seems to have no boundaries.

Did anyone else go and see him play in London on Sunday night? What an
unbelieveable evening's music, and some serious DL4 useage too...

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com

***solo gig in London on Nov 17th - see web-site for details***

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Subject: RE: SPG in the UK...
Date: Tue, 14 Nov 2000 07:28:50 -0800
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Oh, you saw Frisell too...

I know another Englishman who went to see Frisell.  He was really impressed.
He's number 22 towards the middle of the page, here:
http://www.music.columbia.edu/%7Ececenter/mhl21/ct/ct_75/ct_75.html

  | -----Original Message-----
  | From: Steve Lawson [mailto:steve@steve-lawson.co.uk]
  | Sent: Tuesday 14 November 2000 4:03 AM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: Re: SPG in the UK...
  |
  |
  | boundaries fairly regularly within one tune... I guess that's why Bill
  | Frisell is so inspiring - he seems to have no boundaries.
  |
  | Did anyone else go and see him play in London on Sunday night? What an
  | unbelieveable evening's music, and some serious DL4 useage too...
  |
  | Steve
  | web-site - www.steve-lawson.co.uk
  | e-mail - steve@steve-lawson.co.uk
  | mailing list - steve-lawson-subscribe@listbot.com
  |
  | ***solo gig in London on Nov 17th - see web-site for details***

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 10:43:37 2000
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Date: Tue, 14 Nov 2000 07:39:22 -0800
From: "Tim Sanz" <tsanz@svg.com>
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Subject: Re: looping question
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whoops. was in a rush and forgot to send it directly to the man.
TS

>>> stanitarium@earthlink.net 11/13 3:35 PM >>>
ok since we're ot(sposed to be personal email,but i  think people  want to
hear the answers to your q, or will they be posted damon...?) what tube amp
and what power amp at the end of your chain?...sounds like a great set-up
for loopin to me...stanner(also where you giggin @?)
----------
>From: "Tim Sanz" <tsanz@svg.com>
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: looping question
>Date: Mon, Nov 13, 2000, 4:17 PM
>

>Hi Damon, After my last nights solo guitar looping I remembered your 
>question stated here and it occurred to me that 
>every time I make audio loops, they are always very different and never the same. 
>They allow me to be me, may it be my best, or my worst their always fun and 
>exciting knowing its for the moment.
>I like that a lot and that feeds my soul. Keeps me coming back for more, 
>"never the same and always different"
>Currently my set up includes a tube amp through an Allan Holdsworth Harness 
>which converts the tube speaker output to a line level 
>which then gets eq'ed then goes through many processors and in which 
>hopefully my DL4 will get traded in 4 the Repeater.
>Cheers~
>Tim Sanz
>
>
>>>> Damon@Electrixpro.com 11/09 3:47 PM >>>
>Hey loopers,
>If anyone wants to help us (Electrix) with future loopy developments and
>maybe some marketing rigmarole send me an answer to the question:
> 
>Why are you passionate about loop-based music production?
>
>Please send it to my personnel email so it doesn't irritate the rest of the
>list. mailto:damon@electrixpro.com 
>
>Respect,
>
>Damon Langlois
>Creative Director
>Electrix
>Tel (250) 544-4091 Fax (250) 544-4100
>http://www.electrixpro.com 
>
>
>


From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 13:21:04 2000
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From: "Tim Sanz" <tsanz@svg.com>
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Subject: Harness 2 loop setup
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what tube amp and what power amp at the end of your chain?...sounds like a great set-up
for loopin to me...stanner(also where you giggin @?)
----------
one of the setups I use that I love is this: 

charvellle / warmouth / paf neck/ emg bridge/ compresser/ fz-2 /voodoo 1/ carvin nomad/
ah harness II / ashley mono para./ intellifex xl / dl 4 / volume/ board/ aux 1 send L > vortex 1 > aux 2 send R vortex 2 / vol./
back to board/ volocity 120 byamped for mids adcom 555II for highs / vmps 2a's / for home use and for live just the volocity and two 12'' cabs.

At the moment not giging, last gig was with Miko Biffle doing the j.z. cobra. Other then that working on a cd with Kev Delgadio drums and Richard Rhodes guitar, I'm based in santa cruz ca. 

-ts

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I can attest,Tim Sanz sounds great!!!:)

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 15:06:17 2000
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Subject: Re: SPG in the UK...
Date: Tue, 14 Nov 2000 20:01:26 -0000
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must be something in the air....another list member here recently relocated
to London - this one from Melbourne, Australia though. Would also like to
hear about what's happening in this city unknown to me.....

Cheers

Simon Kean
______________________________

Ulcerate - Dark Alternative project
listen in at http://mp3.com/ulcerate
----- Original Message -----
From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 13, 2000 11:50 PM
Subject: SPG in the UK...


> Well, I'm here in London, and finally settled in enough to be able to
start
> reposting to MP3 again... so, is there anyone else in the vicinity that'd
> have me play with them?  I'd enjoy doing washes for backgrounds at least,
> and I don't have much hardware to truck around (thank God, there's no car
> here but I wonder what it'll be like on the tubes with it, hm?  Well,
> perhaps a cab huh?)
>
> Ironic that, just as I was functionally ready to play publicly, along
comes
> my marriage and the move out of LA.  (Sorry folks, she wins on this one
> [rolling eyes]).
>
> I've read that there's a killer "jazz" scene here... but also don't know
> where any of this stuff is.  Does this encompass also experimental music?
> After all, wasn't Miles thought by some as the same, and "not jazz"?
>
> Looking forward to hearing from yez.  By the way I've also released some
new
> material on MP3, at the address below, and can use the money...!
>
> Stephen Goodman
> http://www.earthlight.net/Studios * The free Loop of the Week!
> http://www.mp3.com/StephenGoodman * New MP3 Releases!
> 020 7602 2243
>
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 18:50:39 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater question 4 DAMON
Date: Tue, 14 Nov 2000 15:47:44 -0800
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You will be able to set your own custom feedback level on Repeater. This
means you would be able to operate Repeater like a mono or stereo delay
line. However it would not accommodate different delay times for each track.
The loop would have one loop time. Repeater can record two tracks at a time.
The feedback is also global. 
Very cool ideas though. per-track feedback and per-track loop times.
Recording to 4 tracks at a time. hmmmm. Maybe version 2?  


Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


-----Original Message-----
From: italo de angelis [mailto:italoop@hotmail.com]
Sent: Sunday, November 12, 2000 6:56 AM
To: Loopers-Delight@loopers-delight.com
Subject: Repeater question 4 DAMON


Hello Damon...waiting for the "thing" coming out, brains keep mumble around 
on its abilities. My question is...can Repeater work as 4 different delay 
lines at the same time, with DIFFERENT delay times and feedback set so that 
new layers will replace old ones, fading in the backgound?...kind of 
"Soundscaping" like Fripp does with those TC2290s.
Or maybe just 2 indipendent mono lines? Or 2 stereo ones?
     ....thanx....italoop
_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 18:55:16 2000
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Italo,

Multiple delay lines with different delay times and feedbacks......hmmmm......


Isn't this what the Orville is for? 







Damon@Electrixpro.com on 11/14/2000 03:53:48 PM
Please respond to Loopers-Delight@loopers-delight.com@SMTP 
To:	Loopers-Delight@loopers-delight.com@SMTP
cc:	 
Subject:	RE: Repeater question 4 DAMON
Classification:	

You will be able to set your own custom feedback level on Repeater. This
means you would be able to operate Repeater like a mono or stereo delay
line. However it would not accommodate different delay times for each track.
The loop would have one loop time. Repeater can record two tracks at a time.
The feedback is also global.
Very cool ideas though. per-track feedback and per-track loop times.
Recording to 4 tracks at a time. hmmmm. Maybe version 2?


Respect,

Damon Langlois
Creative Director
Electrix
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


-----Original Message-----
From: italo de angelis [mailto:italoop@hotmail.com]
Sent: Sunday, November 12, 2000 6:56 AM
To: Loopers-Delight@loopers-delight.com
Subject: Repeater question 4 DAMON


Hello Damon...waiting for the "thing" coming out, brains keep mumble around
on its abilities. My question is...can Repeater work as 4 different delay
lines at the same time, with DIFFERENT delay times and feedback set so that
new layers will replace old ones, fading in the backgound?...kind of
"Soundscaping" like Fripp does with those TC2290s.
Or maybe just 2 indipendent mono lines? Or 2 stereo ones?
     ....thanx....italoop
_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 19:07:16 2000
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Subject: RE: Repeater question 4 DAMON
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>Italo,
>
>Multiple delay lines with different delay times and feedbacks......hmmmm......
>
>Isn't this what the Orville is for?

here we go again...loop on.

rich

From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 20:44:43 2000
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From: "mamaSutra" <russell@mamasutra.com>
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Subject: looping in LA
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I have been on this list for about a year and rarely write... but read
daily.

I just want those of you in the LA area to know that my band mamaSutra is
playing the Martini Lounge in Hollywood tomorrow night (Wednesday the 15th)
at 11:00pm. We play funk. I play my Sax through a GT-5... you'll be
surprised how well it works. I do quite a bit of looping for stacked
harmonies as well as auto wah and octive down, among others. I also play
guitar through a VG-8 and a boomerang.
Please check out our website if you'd like... www.mamasutra.com

Thanks for all the great tips and insights, and I hope to see some of you
tomorrow.

Peace
Russell

p.s.  If any of you come out, please say hello!


From Loopers-Delight-request@loopers-delight.com  Tue Nov 14 22:48:53 2000
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From: improv@peak.org (Dave Trenkel)
Subject: Re: looping in LA
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>I have been on this list for about a year and rarely write... but read
>daily.
>
>I just want those of you in the LA area to know that my band mamaSutra is
>playing the Martini Lounge in Hollywood tomorrow night (Wednesday the 15th)
>at 11:00pm. We play funk. I play my Sax through a GT-5... you'll be
>surprised how well it works. I do quite a bit of looping for stacked
>harmonies as well as auto wah and octive down, among others. I also play
>guitar through a VG-8 and a boomerang.
>Please check out our website if you'd like... www.mamasutra.com
>
You and Travis Hartnett should get your bands together: MamaLectroChakraSutra!
Imagine the possibilities!

But seriously, looped and processed sax sounds very cool. Were I a few
thousand miles closer, I'd be there.

____________________________________________
Dave Trenkel : improv@peak.org
Minus Web Site: http://listen.to/minusmusic
Minus MP3's: http://www.mp3.com/-minus-
____________________________________________


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>
>getting around in London without a car is OK so long as you don't try and
>carry a big amp on the tube, or try to do it during rush-hour... :o)
>

oh yes, I made that brilliant experience when I visited Trace Elliot in June:
I came from Brasil with 50kg and had to change tube twice at rush hour...
... and there was the culture shock of all the silently reading 
passengers and then the reward with the best beer in the world...

Thanks to the list I had the contact to PhD Michael Pycraft Hughes, 
who came to help me explain them everything about looping. At the end 
of the day, Paul (who does the tube amps for Trace) picked a guitar 
and built a briliant smooth rocky loop - the first of his life was 
ripe for stage!
...and every evening two pints of two new kinds of interesting beer...

On the way back there was the irish music festival in a park. The 
most musical people in europe, for my taste, and very well mixed with 
oriental inluences...
...and some more... not to become drunk or tired or with a headache, 
just for the taste and some certain lightness...

Back in Brasil I did not like the beer any more :-)

I always loved english people. I hope they invite me again I manage 
to have another some with Stephen and Steve in the LOOPUB
-- 


          ---> http://Matthias.Grob.org

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>  > If anyone wants to help us (Electrix) with future loopy developments and
>>  maybe some marketing rigmarole send me an answer to the question:
>>
>>  Why are you passionate about loop-based music production?
>
>I think as an on-topic discussion, I'd like to see the answers on list...

Very right. I didnt have the curage to say it, but I did not 
understand this private support for the "marketing guy" either... :-)
What you all write him?

Unfortunately, I said it in so many ways and places that I dont know 
what to say now... well, my back pain woke me up every morning. After 
the first year of SDE3000 looping to energize my therapy the back did 
not hurt any more.
But its not really cured, working on LOOP soft is no good for it :-)

I recently explained to an outsider:
My instrument does not play by itself, but it continues by itself...
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 03:50:10 2000
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Subject: RE: Repeater question 4 DAMON
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Damon Langlois said
>Very cool ideas though. per-track feedback and per-track loop times.
>Recording to 4 tracks at a time. hmmmm. Maybe version 2?  
>Respect,
>Damon Langlois

which makes me think of a question, will the repeater "updateable" for new
versions in a similar way to the EDP,IE: chuck in a new chip, or would it
involve buying "repeaterII" or "Son of repeater"

MArk Red

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 09:24:00 2000
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Yes Kamlapati, sure you can do it with Orville...and much more...at the same 
time. Hope you have your pc working in tandem with your Eventide, my 
friend...check out Orville's new software V2.705, downloadable from 
www.eventide.com/oupdate...very COOL! If you've never updated your machine 
I'll be glad to help you!
Back to your question: sometimes you're performing and a new idea pops up 
and you might be frustrated because you don't have a preset in your dsp 
based multi-processor...shit!!! That's one of the main good points of a 
dedicated unit, looper/delay like these, hoping they are reliable!
This is the reason why I asked that question. Besides that imagine that you 
come to a point in a quad soundscaping sassion where you REALLY like what's 
comin' out of the speaker...so lock those 4 delays up, save the cake and 
start the icing...editing, reversing, transposing and what else you might 
like...could be great if Repeater can behave like a quad motherlooper from 
hell, can't it?......soon ItalOOOp


>From: kamlapati.khalsa@philips.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: RE: Repeater question 4 DAMON
>Date: Tue, 14 Nov 2000 17:55:22 -0600
>
>Italo,
>
>Multiple delay lines with different delay times and 
>feedbacks......hmmmm......
>
>
>Isn't this what the Orville is for?
>
>
>
>
>
>
>
>Damon@Electrixpro.com on 11/14/2000 03:53:48 PM
>Please respond to Loopers-Delight@loopers-delight.com@SMTP
>To:	Loopers-Delight@loopers-delight.com@SMTP
>cc:
>Subject:	RE: Repeater question 4 DAMON
>Classification:
>
>You will be able to set your own custom feedback level on Repeater. This
>means you would be able to operate Repeater like a mono or stereo delay
>line. However it would not accommodate different delay times for each 
>track.
>The loop would have one loop time. Repeater can record two tracks at a 
>time.
>The feedback is also global.
>Very cool ideas though. per-track feedback and per-track loop times.
>Recording to 4 tracks at a time. hmmmm. Maybe version 2?
>
>
>Respect,
>
>Damon Langlois
>Creative Director
>Electrix
>Tel (250) 544-4091 Fax (250) 544-4100
>http://www.electrixpro.com
>
>
>-----Original Message-----
>From: italo de angelis [mailto:italoop@hotmail.com]
>Sent: Sunday, November 12, 2000 6:56 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Repeater question 4 DAMON
>
>
>Hello Damon...waiting for the "thing" coming out, brains keep mumble around
>on its abilities. My question is...can Repeater work as 4 different delay
>lines at the same time, with DIFFERENT delay times and feedback set so that
>new layers will replace old ones, fading in the backgound?...kind of
>"Soundscaping" like Fripp does with those TC2290s.
>Or maybe just 2 indipendent mono lines? Or 2 stereo ones?
>      ....thanx....italoop
>_________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
>Share information about yourself, create your own public profile at
>http://profiles.msn.com.
>
>
>
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 11:37:41 2000
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In a message dated 11/15/00 5:17:01 AM Mid-Atlantic Standard Time, 
matthias@grob.org writes:

<< LOOPUB >>

matthias.....i may be wrong but a loo in england is a 
bathroom...........:)............remember, you just rent beer, you dont buy 
it..............just a reminder, please stop over at www.loopxchange.com and 
give a listen, more tunes are poppin up all the time..........kim, did you 
ever get your copy of BLUEZETTE?.........let me know, if it got lost ill send 
you another..........michael

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> << LOOPUB >>
>
> matthias.....i may be wrong but a loo in england is a
> bathroom...........:)............remember, you just rent beer, you dont
buy
> it..............

It appears that all the UK contingent chose to take Matthias' comment in the
spirit in which it was intended, rather than comment on the possible
lavatorial mis-reading! :o)

Let us know next time you're over, Matthias...

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com

***solo gig in London on Nov 17th - see web-site for details***

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In a message dated 11/15/00 2:49:43 PM Mid-Atlantic Standard Time, 
steve@steve-lawson.co.uk writes:

<< rather than comment on the possible
 lavatorial mis-reading! :o)
 >>

ohhhhh.......pardon me........im just a cras american........but we may soon 
have a KING WILLIAM THE CLINTON and be just like you 
guys..........:)............michael

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thanks mang!

>>> kungha@earthlink.net 11/14 10:53 AM >>>
I can attest,Tim Sanz sounds great!!!:)


From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 13:54:51 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
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I didn't mean to hoard the discussion for myself. I just thought it might
have been irritating for everyone but myself. Obviously I was wrong. So...no
need to email me personally on the "looping question". Fire off your
responses to the group!


Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 14:08:42 2000
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Damon-

It just struck me that the Repeater may be able to be used as a quadraphonic
looper.

It looks possible, but please confirm:  Can the main outs and FX sends on
the Repeater be configured to each put out one of the four loops?

Also, I understand that it is possible to record (or, I assume, overdub) two
loops at a time.  Can these be assigned to any two of the four, or only 1/2
or 3/4?  How about all four at once?

This thing just keeps better and better.


Thanks in advance,

-Hans


Hans Lindauer
Engineer, Music Man R&D
Ernie Ball, Inc.

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 14:14:34 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Repeater question 4 DAMON
Date: Wed, 15 Nov 2000 11:09:38 -0800
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>which makes me think of a question, will the repeater "updateable" for new
>versions in a similar way to the EDP,IE: chuck in a new chip, or would it
>involve buying "repeaterII" or "Son of repeater"

We designed Repeater to be very easy to upgrade. Insert a compact flash card
(CFC) that has upgrade software on it and Repeater will automatically detect
the upgrade software on the card and upgrade itself. You won't even have to
touch a screw driver. If you have purchased a Sandisk Imagemate you will be
able to see the CFC as a disk on your computer's desktop. You will then be
able to download the upgrade from our site, drag and drop it on the CFC,
stick it in Repeater and your upgraded!  

Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com

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From: "Mike Biffle" <Mbiffle@svg.com>
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Subject: RE: looping question
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I loop out of the desparate need for human conact! *-) So what if it's just me comin' back at me?!*#@... I still reap the rewards of musical interaction. 8-) 

Live with other players, looping provides instant segueway material and allows me to lean more in the electronic musician direction, manipulating and further processing my loops. Frequently this gets done fairly quietly while I'm actually playing a much louder live guitar part... and then appears as a "new" surprise when the group quiets down, or I turn the looper up. Quite fun!

And finally... Our recently "uncloaked" list member Tim Sanz was ripping last night with my trio NGI! Great fun... 

Best
-Miko

>>> Damon@Electrixpro.com 11/15/00 10:47AM >>>
I didn't mean to hoard the discussion for myself. I just thought it might
have been irritating for everyone but myself. Obviously I was wrong. So...no
need to email me personally on the "looping question". Fire off your
responses to the group!


Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com 


From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 14:18:32 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
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>It looks possible, but please confirm:  Can the main outs and FX sends on
>the Repeater be configured to each put out one of the four loops?

You got it.

>Also, I understand that it is possible to record (or, I assume, overdub)
two
>loops at a time.  Can these be assigned to any two of the four, or only 1/2
>or 3/4?  How about all four at once?

Only 1/2, 3/4. Only two at one time. It's a bandwidth thing.


Enough fun...back to work.

Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 14:45:23 2000
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i loop because nobody knows what i'm doin(esecially me!) and to quote
groucho "i would never join a group that would have  me as a member"(except
loopers delight)...stanner
----------
>From: "Mike Biffle" <Mbiffle@svg.com>
>To: <Damon@Electrixpro.com>, <Loopers-Delight@loopers-delight.com>
>Subject: RE: looping question
>Date: Wed, Nov 15, 2000, 12:11 PM
>

>I loop out of the desparate need for human conact! *-) So what if it's just 
>me comin' back at me?!*#@... I still reap the rewards of musical interaction. 8-) 
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 17:08:05 2000
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Date: Wed, 15 Nov 2000 16:58:51 -0500
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Gig announcement!

This one features the telephone.  All performers will have cell phones to
communicate with each other and audience members.  Care to call and
contribute to a loop?  Drop me a message and I'll give you the phone number.
Participation limited to five callers.
===============================
"It's for You"

an evening of devious invention and surprise at the

Wells Community Cultural Center
638 North Street, Lafayette, Indiana, USA
7:30 PM  Sunday  November 19, 2000
Doors open at 7:00

Audience members are encouraged to bring their cell phones and/or pagers.
Admission $5 in advance and $6 at the door.

Tickets will be available at Von's Records and the Wells Community Cultural
Center  starting November 1, 2000.
===============================
See also www.transsonicmusic.com for more details.

Dennis Leas
-------------------
dennis@mdbs.com

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From: "Luca" <lucafeed@tin.it>
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Subject: back to Kleins / body woods
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Going back to Kleins (also if the concept can be viewed on all solid =
bodies),
does anyone know how the light weight of the body affects : =
dynamic,harmonic response and content, and general balance of the sound =
?
I am considering the idea to have a very light bodied (no chambers) =
Klein.

Thanks
Luca.

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D3>Going back to Kleins (also if the =
concept can be=20
viewed on all solid bodies),</FONT></DIV>
<DIV><FONT face=3DArial>does anyone know how the light weight of the =
body=20
affects&nbsp;: dynamic,harmonic response and content, and general =
balance of the=20
sound ?</FONT></DIV>
<DIV><FONT face=3DArial>I&nbsp;am considering the idea to have a very =
light bodied=20
(no chambers) Klein.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial>Thanks</FONT></DIV>
<DIV><FONT face=3DArial>Luca.</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 19:08:20 2000
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J. Miranda V. pointed out

>Oh, you saw Frisell too...
>
>I know another Englishman who went to see Frisell.  He was really impressed.
>He's number 22 towards the middle of the page, here:
>http://www.music.columbia.edu/%7Ececenter/mhl21/ct/ct_75/ct_75.html
>

I guess that would be me, and so in response to Steve Lawson's question:
>  |
>  | Did anyone else go and see him play in London on Sunday night? What an
>  | unbelieveable evening's music, and some serious DL4 useage too...
>  |


Yes I did, and it was a great evening. As with his solo shows here back
in March, (which BTW was the gig that inspired the track mentioned
above) the DL4 certainly seems to be taking centre stage in Bill's
set-up, although he's be no means abandoned the Digitech pedal either.
He seemed to be using one of the real-time backwards settings on the DL4
at one point and reversing loops too, but I was near the back so I'm
going from what I heard rather than what little I could see. Great
mixture of material from fuzz thrash through to acoustic delicacy. Crazy
bass and drums too from Tony Scherr and Kenny Wooleson.

For further evidence of my long term interest in Mr Frisell's oeuvre,
please see:
http://www.geocities.com/BourbonStreet/Delta/2495/bill_frz.htm

On Monday, I saw the Finnish accordion player Kimmo Pohjonen, who make
quite extensive use of loops and delays and makes a pretty intriguing
racket! Interesting use of lighting and visuals, too, though perhaps
nothing ground breaking. Should be on Jools Holland's Later (UK BBC2)
this weekend or next, apparently.

And London - well I've just moved to Wales, that's all you need to know
about living and working in London(!) No - its fine til you need to buy
a house somewhere close to a good school and then you sunk (must be all
this rain)

Cheers

David
<http://www.davidcooperorton.co.uk>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 19:20:12 2000
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Subject: Re: back to Kleins / body woods
From: Martin Shellard <martins@pwdu.demon.co.uk>
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Yes! Yes! This would be a great idea.
I've always had a passion for very thin/light bodied solid guitars like
Fender Mustangs and Gibson Firebirds and SGs. Sonically they sound very
dynamic and "snappy" with a little trade-off in the harmonic density. They
can sound "plain" to some people but not to me.
Compared to say a Les Paul with a dense mahogany body and maple top the LP
will have a smoother transient and richer harmonic content but will lose
some of the "snap and snarl" factor. Heavy guitars sound more restrained and
polite to my ears. 
I have found that a denser body tends to compress the difference in level
between the strings making it more even string to string both level wise and
timbrally.
I have never noticed a big difference in sustain between heavy and light
guitars. 
Interestingly I recently played a friend's beautiful sounding, original '57
Les Paul and compared to modern day LPs it was as light as a feather. I did
some research and found out that Gibson used much less dense wood in the
50's than they do now, which I believe is a big part of the early LPs great
sound.
What body wood were you thinking of having? I'm waiting for my Klein to be
built, I ordered solid Alder for the reasons I listed above, I wanted snappy
attack and sustain for days, Lorenzo made the suggestion.



Martin Shellard 


> From: "Luca" <lucafeed@tin.it>
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Thu, 16 Nov 2000 00:09:39 +0100
> To: "Loop" <Loopers-delight@loopers-delight.com>
> Subject: back to Kleins / body woods
> Resent-From: Loopers-Delight@loopers-delight.com
> Resent-Date: Wed, 15 Nov 2000 18:23:51 -0500
> 
> Going back to Kleins (also if the concept can be viewed on all solid bodies),
> does anyone know how the light weight of the body affects : dynamic,harmonic
> response and content, and general balance of the sound ?
> I am considering the idea to have a very light bodied (no chambers) Klein.
> 
> Thanks
> Luca.
> 

From Loopers-Delight-request@loopers-delight.com  Wed Nov 15 20:10:30 2000
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New site up, for those interested.  Loop stuff, sound samples, personal
crapola....

pulsewidth.com

--David Myers

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How many rack spaces and will any midi pedal work with the product?

Zing

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Scott Winzinger (11:12 PM 11.15.2000) wrote:


 >How many rack spaces and will any midi pedal work with the product?

Repeater is two spaces tall and, from the website:

Remote Control

   - Any TRS style 3-button foot controller (like a Digitech FS-300)
     gives foot control over play/stop, record and tap tempo.

   - Repeater can be operated from a MIDI foot controller for
     "Hands Free" use.

   - Full MIDI control also means you can sequence your loops to
     create complete song structures.

   - MIDI keyboard control over the pitch offers real-time
     manipulation over the sample. Experiment with melodic
     variations of the loop.


Mark

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Subject: Re: [ot?] making looping avi's or mov's
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The simplest way to make  a true loop out of live action footage is to
buttsplice a piece of footage to a reversed copy. Glass-Falls-Smashes is
buttspliced to sehsamS-sllaF-ssalG. This procedure makes sure that the
frame 1 can cleanly/logically/visually  lead into both frame 2 OR frame N.
(Am I making sense?) 

Unlike audio, where crossfades between 2 audio sources can sound like a
sound in itself, a video crossfade is perceived as dramatically different
from live footage.

If you're doing animation, you're freer,and your loops don't have to have
the ABC...CBA mirror structure. 

Hope this helps-

Tad

----------
> From: Os <os@scee.sony.co.uk>
> To: Loopers-Delight <Loopers-Delight@loopers-delight.com>
> Subject: [ot?] making looping avi's or mov's
> Date: Friday, November 10, 2000 10:08 PM
> 
> Hi.
> 
> I wondered if anyone has any tips for creation and playback of looping
> video.
> 
> I'm on PC for this project and have Adobe Premiere 5.1 at my disposal.
> 
> 
> thanks,
> os.
> 
> 
> 
> os@scee.sony.co.uk
> http://www.mp3.com/carbonboy/
> http://www.mp3.com/darkroomuk/
> http://www.collective.co.uk/

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> Yes I did, and it was a great evening. As with his solo shows here back
> in March, (which BTW was the gig that inspired the track mentioned
> above) the DL4 certainly seems to be taking centre stage in Bill's
> set-up, although he's be no means abandoned the Digitech pedal either.
> He seemed to be using one of the real-time backwards settings on the DL4
> at one point and reversing loops too, but I was near the back so I'm
> going from what I heard rather than what little I could see. Great
> mixture of material from fuzz thrash through to acoustic delicacy. Crazy
> bass and drums too from Tony Scherr and Kenny Wooleson.

I think he had the Digitech and the DL4 in two separate effects loops - I
can't be certain, but it looked like he was setting up loops, and then
switching them in and out with a different pedal... The Digitech seemed to
be many used for the real-time manipulation stuff, while the DL4 was the
backwards madness box... :o)

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com

***solo gig in London on Nov 17th - see web-site for details***

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I heard about the Digitech 3 button foot controller but how can I get a
foot controller that will allow me to also be able to have an undo
button as well as a seperate loop 2 button.

Is there such a foot controller as  a say  5 button:

Record, Stop, Undo, Loop A , Loop B,

I'm a solo acoustic guitar player and would like these functions to be
accessed by my feet.

Zing

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From: =?windows-1250?Q?"Gregor =8Eavcer" ?=<gregor.zavcer@kiss.uni-lj.si>
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Subject: Radio Show: CT Bluezette
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Hi,

sorry, i couldn't mail the info earlier. IN about 30 min i'll start a 2 hour radio show presenting ct-bluezette and the whole loopers delight. i'll also play some laswell, eno and fripp.

for those who are going to read this soon enough you can tune in to:

www.radiostudent.si

there's a link called Live

Loop Da Bluez , Radiostudent, 16.11. 8pm gmt+1

greetings,

gregor
____________________________________________________________________
krvarice at http://mail.kiss.uni-lj.si/

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Subject: Re: Looping in Wales
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You're welcome to see some live looping at Chapter Arts' Centre, Cardiff,
Wales on the  last Wednesday of November around 8.30 in the downstairs bar.
LAST time  ...well lets just say there were some unforeseen technical
difficulties : }
THIS time I'm recording it for posting as MP3. I think we should post up
more recordings of live events just so we can get a better idea of what
others are up to and what it actually sounds like. I just sit here reading
and wondering, - you know? And what about a photo or two of the gig to
complete the archive?


Gareth

> And London - well I've just moved to Wales, that's all you need to know
> about living and working in London(!) No - its fine til you need to buy
> a house somewhere close to a good school and then you sunk (must be all
> this rain)
>
> Cheers
>
> David
> <http://www.davidcooperorton.co.uk>
>

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Listening to it now- LOL-sounds like the studio is in a steel ship hull-
massive reverb on a foreign language, then "Oberheim Echoplex Digital Pro"
then more foreign language... :) (to me an exclusive English speaker)

Thanks for the show-
Cliff

-----Original Message-----
From: Gregor Žavcer <gregor.zavcer@kiss.uni-lj.si>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Thursday, November 16, 2000 10:41 AM
Subject: Radio Show: CT Bluezette


>Hi,
>
>sorry, i couldn't mail the info earlier. IN about 30 min i'll start a 2
hour radio show presenting ct-bluezette and the whole loopers delight. i'll
also play some laswell, eno and fripp.
>
>for those who are going to read this soon enough you can tune in to:
>
>www.radiostudent.si
>
>there's a link called Live
>
>Loop Da Bluez , Radiostudent, 16.11. 8pm gmt+1
>
>greetings,
>
>gregor
>____________________________________________________________________
>krvarice at http://mail.kiss.uni-lj.si/
>

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From: Andy Soto <smaug@servidor.unam.mx>
Subject: Re: myers/arcane device site
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   A must see, man your feedback workstation looks gorgeous!! you should
print some more pics of it,great great great! this guy makes loopers proud :-)


smaug.



At 08:07 p.m. 15/11/00 -0500, you wrote:
>New site up, for those interested.  Loop stuff, sound samples, personal
>crapola....
>
>pulsewidth.com
>
>--David Myers
>
>
>

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 I agree, wOw !!!  
David, the MP3's are excellent too!
-ts



>>> smaug@servidor.unam.mx 11/16 1:38 PM >>>

   A must see, man your feedback workstation looks gorgeous!! you should
print some more pics of it,great great great! this guy makes loopers proud :-)


smaug.



At 08:07 p.m. 15/11/00 -0500, you wrote:
>New site up, for those interested.  Loop stuff, sound samples, personal
>crapola....
>
>pulsewidth.com
>
>--David Myers
>
>
>


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hear, hear!  agreed...nice site, well laid out, informative and 
inspiring.  take a look!  thanks david...

rich

>    A must see, man your feedback workstation looks gorgeous!! you should
>print some more pics of it,great great great! this guy makes loopers proud :-)
>
>
>smaug.
>
>
>
>At 08:07 p.m. 15/11/00 -0500, you wrote:
>>New site up, for those interested.  Loop stuff, sound samples, personal
>>crapola....
>>
>>pulsewidth.com
>>
>>--David Myers
>>
>>
>>

From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 17:38:48 2000
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Nice looking overhaul to the site!

How about some more information about the current "processor"
looping/feedback system?

best-

Mark


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I agree with everyone else.  Excellent work, I'm impressed.

So David, how many pre-orders would it take to convince you to remaster 
"Engines of Myth" so you could burn CDRs of it?

Engines of Myth is a classic Feedback/looping album from the 80's that 
should be in everyone's collection.  A friend of mine loaned it to me about 
10 years ago, I taped it and since have worn out the tape.  Need a new copy, 
desperately.

Thanks again for the great site and excellent music.

Nick Wilson aka spacemodule



New site up, for those interested.  Loop stuff, sound samples, personal
crapola....

pulsewidth.com

--David Myers


_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
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From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 18:06:04 2000
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From: "Dennis Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: gig
Date: Thu, 16 Nov 2000 17:59:03 -0500
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I haven't had too many takers on my offer so I'm reposting it with more
explanation...

At this gig I'll have a phone connected to the PA.  (CAUTION: Fidelity is
poor.)  Between 9:00 and 9:30 PM EST (not EDT) we'll be doing an improv in
which you can call us.  We will answer the phone.  After hearing what we're
up to (hopefully the phone equip will cooperate enough), you can contribute
something.  I'll grab it in my looper and away we go.

To prevent total chaos (that's for another gig), I'd like only a few
contributors.

Anybody who is interested, reply to me and I'll give you the phone number.

Dennis Leas
-------------------
dennis@mdbs.com


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Date: Thu, 16 Nov 2000 15:41:12 -0800
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Don't think i've got the time to participate, but if any folks want 
to push audio over the phone lines with a certain degree of fidelity, 
check out:

http://www.negativland.com/teletext2.html

those wacky boys from negativland have instructions here on how to 
push hi-fi mono signals over the phones using just a few pieces 
available at your local Radio Shack...

rich




>I haven't had too many takers on my offer so I'm reposting it with more
>explanation...
>
>At this gig I'll have a phone connected to the PA.  (CAUTION: Fidelity is
>poor.)  Between 9:00 and 9:30 PM EST (not EDT) we'll be doing an improv in
>which you can call us.  We will answer the phone.  After hearing what we're
>up to (hopefully the phone equip will cooperate enough), you can contribute
>something.  I'll grab it in my looper and away we go.
>
>To prevent total chaos (that's for another gig), I'd like only a few
>contributors.
>
>Anybody who is interested, reply to me and I'll give you the phone number.
>
>Dennis Leas
>-------------------
>dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 19:56:47 2000
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I'm interested in the Lexicon Vortex, but have never had an opportunity
to hear one in action (and obviously, I can't go down to my local music
store and try one out !)  Are there audio clips online anywhere that
will give me an idea of what the Vortex effects do?  Any pointers much
appreciated :)

Elby

From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 19:59:01 2000
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OK.  Now that we know how high it is, I want to know how deep it is
<g>   I'm trying to figure out whether the repeater will fit in my
"shortie" SKB 3-space, or will I need to make other arrangements ?

Thanks,
Elby

From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 20:08:42 2000
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Date: Thu, 16 Nov 2000 17:06:55 -0800
Subject: Looping shows in Seattle (Washington, USA) this weekend
From: Tiktok <tiktok@sprintmail.com>
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Electrochakra (loop-heavy instrumental trio) will be playing at the
following times and locations:

Friday, November 17th
The Old Peculiar (2217 NW. Market)
9PM

Saturday, November 18th
Second Avenue Pizza
9PM

Sunday, November 19th
Hana's Lounge (1914 8th Avenue)
3PM 


Be seeing you,

Travis Hartnett
Electrochakra

-- 
MP3's and calendar of upcoming shows available at:
www.mp3.com/electrochakra



From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 20:18:38 2000
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Date: Thu, 16 Nov 2000 17:13:17 -0800
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From: rich <rich@nuvision.com>
Subject: Re: vortex sounds
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All in jest...and there will definitely be some who disagree, but 
IMHO, it makes the same sound as beating your head against the wall. 
That's the only sound i heard...because i kept beating my head 
against the wall trying to make the damn thing work!!!

Seriously, some folks say it does magical things, and it does sound 
like nothing else sometimes.  I just found it incredibly frustrating 
trying to fine tune or create my own patches.  You just keep turning 
the dials until ya hit something, and then go "....oh, ok, i guess 
that's how feedback #1 set at 32 on 'Cycloid' sounds...", or 
something like that.  Good luck trying to 'recreate' a sound if you 
didn't save the patch.

Have you found one and are deciding on whether to buy or not, or are 
you just curious and want to hear one?  Where are you located?  In 
Southern California, they are quite common...they pop up in the 
Recycler often and the used/trade/rent music stores or pawn shops 
often have one or two that they've been sitting on for a couple of 
years.

If you're ok with the UI, you're set...

rich



>I'm interested in the Lexicon Vortex, but have never had an opportunity
>to hear one in action (and obviously, I can't go down to my local music
>store and try one out !)  Are there audio clips online anywhere that
>will give me an idea of what the Vortex effects do?  Any pointers much
>appreciated :)
>
>Elby

From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 20:19:43 2000
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Date: Thu, 16 Nov 2000 17:14:41 -0800
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvision.com>
Subject: Re: another Repeater size question
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It looks like it's the same depth as their other units, which are 
very 'short'.  Your SKB unit should work just fine.

rich

>OK.  Now that we know how high it is, I want to know how deep it is
><g>   I'm trying to figure out whether the repeater will fit in my
>"shortie" SKB 3-space, or will I need to make other arrangements ?
>
>Thanks,
>Elby

From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 20:27:22 2000
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I just got a message from http://www.gotham.ch/ ... they sell their last
new lexicon vortex (... stock cleaning).
The price is about 480 swiss Francs (+/- $300). Don't mail back to my
Adress, I've nothing to do with this company.

Jesús



From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 20:38:31 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Another Repeater question (Foot controllers) 
Date: Thu, 16 Nov 2000 17:36:59 -0800
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MIDI! MIDI! MIDI!


Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


-----Original Message-----
From: Scott Winzinger [mailto:zing@sigecom.net]
Sent: Thursday, November 16, 2000 7:06 AM
To: Loopers Delight
Subject: Another Repeater question (Foot controllers) 


I heard about the Digitech 3 button foot controller but how can I get a
foot controller that will allow me to also be able to have an undo
button as well as a seperate loop 2 button.

Is there such a foot controller as  a say  5 button:

Record, Stop, Undo, Loop A , Loop B,

I'm a solo acoustic guitar player and would like these functions to be
accessed by my feet.

Zing

From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 20:38:59 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: another Repeater size question
Date: Thu, 16 Nov 2000 17:36:20 -0800
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Repeater is enclosed in our custom rack-mount table-top design which is 3"
deep from the back of the rack ears. 

Respect,

Damon Langlois
Creative Director
Electrix 
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


-----Original Message-----
From: Mountain Man [mailto:mtman@cloud9.net]
Sent: Thursday, November 16, 2000 4:59 PM
To: Loopers-Delight@loopers-delight.com
Subject: another Repeater size question


OK.  Now that we know how high it is, I want to know how deep it is
<g>   I'm trying to figure out whether the repeater will fit in my
"shortie" SKB 3-space, or will I need to make other arrangements ?

Thanks,
Elby

From Loopers-Delight-request@loopers-delight.com  Thu Nov 16 23:18:39 2000
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Your post no say, so I ask: What night is this thing?  I'm interested, if I 
can align my chakras with your schedule.

k

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<HTML><FONT  SIZE=2 FAMILY="FIXED" FACE="OCRB" LANG="0">Your post no say, so I ask: What night is this thing? &nbsp;I'm interested, if I <BR>can align my chakras with your schedule.
<BR>
<BR>k</FONT></HTML>

--part1_58.368a4c7.27460a8d_boundary--

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 05:56:59 2000
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Hmmmm .... not very encouraging.  Yes, I'm in the "found one (on the
internet) and deciding to buy" category.  And it's not possible to go
try it out.  Here on the East coast they seem to be much more of a
rarity (along with used/trade/rent music stories and pawn shops - at
least where I live.  Damn!)   Anyone else with an opinion? (and perhaps
some sound samples? <g>)

Thanks very much for your opinion, Rich  :)

Elby


                 All in jest...and there will definitely be some who
disagree, but
                 IMHO, it makes the same sound as beating your head
against the wall.
                 That's the only sound i heard...because i kept beating
my head
                 against the wall trying to make the damn thing work!!!

                 Seriously, some folks say it does magical things, and
it does sound
                 like nothing else sometimes.  I just found it
incredibly frustrating
                 trying to fine tune or create my own patches.  You just
keep turning
                 the dials until ya hit something, and then go "....oh,
ok, i guess
                 that's how feedback #1 set at 32 on 'Cycloid'
sounds...", or
                 something like that.  Good luck trying to 'recreate' a
sound if you
                 didn't save the patch.

                 Have you found one and are deciding on whether to buy
or not, or are
                 you just curious and want to hear one?  Where are you
located?  In
                 Southern California, they are quite common...they pop
up in the
                 Recycler often and the used/trade/rent music stores or
pawn shops
                 often have one or two that they've been sitting on for
a couple of
                 years.

                 If you're ok with the UI, you're set...

                 rich

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From: Mark Francombe <mark.francombe@mogul.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: vortex
Date: Fri, 17 Nov 2000 12:41:18 +0100
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To put in my 2 pence worth... The Vortex is frustrating in a couple of ways,
as in the delay speed are ONLY tappable and not dial-in-able which can be
annoying for some situations, you DO tend to sit WITH the instructions at
all time cos each "patch" has a unique signal flow and some controls change
their use dependant on the patch, BUT and its a HUGE BUTT... the
possibilities for new and interesting sounds are phenomenal! Strangly the
"preset" are all rather mild and its up to you to tweak them to really find
mangled stuff, but its all there! The three "KEY" features that make it
stand out from any other box I have are... 
1)ENVELOPE FOLLOWER: every patch has a parameter that is dependent on the
strength of the input signal (IE: a tremelo/pan that speeds up (or slows
down) as the sound dies away, or... (this is great) a delay where the
feedback level is dependant on signal level...dont gettit? OK you play...
you hear NO delays, you stop playing...delays appear and continue
looping(yes) till you play, therfore you can play an 8 note sequence and
then on the loop play OVER the second half, erasing what was there, but
keeping the second half!)
2)MORPH: Any patch can be made to morph into another
3)PEDAL CONTROL: Any parameter can be put under pedal control, including
morph, so you can stop half way thru the morph!!! ...or simulate the
"Fatboyslim" speeding up loop thing... just play intrument...stop playing...
it loops... whammy the old pedal and...
 check it out now your a funk soul brothera funk soul brothera funk soul
brothera funk soul brothera funk soul brothera funk soul brothersoul
brothersoul brothersoul
brotherbrotherbrotherbrotherbrobrobrobrobbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb
bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb
bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb

er...buy it!

hope this helps


Mark


-----Original Message-----
From: Mountain Man [mailto:mtman@cloud9.net]
Sent: 17. november 2000 11:55
To: Loopers-Delight@loopers-delight.com
Subject: Re: vortex


Hmmmm .... not very encouraging.  Yes, I'm in the "found one (on the
internet) and deciding to buy" category.  And it's not possible to go
try it out.  Here on the East coast they seem to be much more of a
rarity (along with used/trade/rent music stories and pawn shops - at
least where I live.  Damn!)   Anyone else with an opinion? (and perhaps
some sound samples? <g>)

Thanks very much for your opinion, Rich  :)

Elby


                 All in jest...and there will definitely be some who
disagree, but
                 IMHO, it makes the same sound as beating your head
against the wall.
                 That's the only sound i heard...because i kept beating
my head
                 against the wall trying to make the damn thing work!!!

                 Seriously, some folks say it does magical things, and
it does sound
                 like nothing else sometimes.  I just found it
incredibly frustrating
                 trying to fine tune or create my own patches.  You just
keep turning
                 the dials until ya hit something, and then go "....oh,
ok, i guess
                 that's how feedback #1 set at 32 on 'Cycloid'
sounds...", or
                 something like that.  Good luck trying to 'recreate' a
sound if you
                 didn't save the patch.

                 Have you found one and are deciding on whether to buy
or not, or are
                 you just curious and want to hear one?  Where are you
located?  In
                 Southern California, they are quite common...they pop
up in the
                 Recycler often and the used/trade/rent music stores or
pawn shops
                 often have one or two that they've been sitting on for
a couple of
                 years.

                 If you're ok with the UI, you're set...

                 rich

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 09:00:21 2000
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I aggree the vortex can sound cool but is too impractical in use, then
again there are people who love it.
if your real curious, make sure you get it cheap enough that you can
resell it online quickly, sometimes you just have to get it and try it. 
I tried it and passed it on quickly

stever

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 10:15:41 2000
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Subject: Vortex
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Man, I have to say the Vortex is an anomalous beast. I found a couple of 
great sounds from the pre's but I have yet to hear a lot of differentiation 
from the presets (maybe it's broke!). I bought it on eBay and it mostly just 
sits in my rack. Unconnected. I have to try it out again one of these days. 

Any Vortex experts out there that can provide suggestions as to using the 
Vortex?

Regards, Paul (the Butch Band)

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 10:18:21 2000
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Subject: Re: gig
Date: Fri, 17 Nov 2000 10:00:28 -0500
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Hi k!

Thanks for your interest!

The performance date is Sunday, November 19.  The "long distance improv" =
is
scheduled from 9:00 to 9:30 PM Eastern Standard Time.  Currently, our =
time
agrees with the U.S. east coast and is one hour ahead of Chicago.

Some more details can be found at: www.transsonicmusic.com .

The magic telno is 765-423-2787.

Hope to hear from you!


Dennis Leas
-------------------
dennis@mdbs.com
  ----- Original Message -----=20
  From: KB305@aol.com=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Thursday, November 16, 2000 11:14 PM
  Subject: Re: gig


  Your post no say, so I ask: What night is this thing?  I'm interested, =
if I=20
  can align my chakras with your schedule.=20

  k=20

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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi k!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for your interest!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>The performance date =
is Sunday,=20
November 19.&nbsp; The "long distance improv" is<BR>scheduled from 9:00 =
to 9:30=20
PM Eastern Standard Time.&nbsp; Currently, our time<BR>agrees with the =
U.S. east=20
coast and is one hour ahead of Chicago.<BR><BR>Some more details can be =
found=20
at: <A =
href=3D"http://www.transsonicmusic.com">www.transsonicmusic.com</A>=20
.<BR><BR>The magic telno is 765-423-2787.<BR><BR>Hope to hear from =
you!<BR>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Dennis Leas<BR>-------------------<BR><A=20
href=3D"mailto:dennis@mdbs.com">dennis@mdbs.com</A></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3DKB305@aol.com =
href=3D"mailto:KB305@aol.com">KB305@aol.com</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3DLoopers-Delight@loopers-delight.com=20
  =
href=3D"mailto:Loopers-Delight@loopers-delight.com">Loopers-Delight@loope=
rs-delight.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Thursday, November 16, =
2000 11:14=20
  PM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Re: gig</DIV>
  <DIV><BR></DIV><FONT lang=3D0 face=3DOCRB size=3D2 =
FAMILY=3D"FIXED">Your post no say,=20
  so I ask: What night is this thing? &nbsp;I'm interested, if I <BR>can =
align=20
  my chakras with your schedule. <BR><BR>k</FONT> =
</BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 10:26:51 2000
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Well...I just managed to post a message to the entire group when I meant =
it only for KB305@aol.com .  Sorry 'bout that!  (More coffee is =
indicated...)

Dennis Leas
-------------------
dennis@mdbs.com

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<DIV><FONT face=3DArial size=3D2>Well...</FONT><FONT face=3DArial =
size=3D2>I just=20
managed to post a message to the entire group when I meant it only for =
<A=20
title=3DKB305@aol.com href=3D"mailto:KB305@aol.com">KB305@aol.com</A> =
.&nbsp; Sorry=20
'bout that!&nbsp; (More coffee is indicated...)</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>Dennis Leas<BR>-------------------<BR><A=20
href=3D"mailto:dennis@mdbs.com">dennis@mdbs.com</A></DIV></BODY></HTML>

------=_NextPart_000_0617_01C0507F.1DB58D40--

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 10:36:23 2000
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From: Todd Quincy <tquincy@sayhhi.com>
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Vortex
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howdy folks

I use patch 10 (multi echo and some flange or something)  on my vortex for
vocals and guitars and that's about it. The conveince of Tap echo is great
to match the echo to the tune. I often think of selling it but I bet I'd
miss patch 10. The other patches are cool for final mixing but not worth the
trouble of re-routing cables for the ear candy.
 

Todd Quincy							
BC Rich, Kustom, PowerWerks, Davitt & Hanser	          



From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 10:53:00 2000
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> Dennis Leas wrote:
> 
> Well...I just managed to post a message to the entire group when I
> meant it only for KB305@aol.com .  Sorry 'bout that!  (More coffee is
> indicated...)
> 
> Dennis Leas
> -------------------
> dennis@mdbs.com

Yeah we're all going to call you to say hello 

too late to cancel

WHU HAHAHHAHAHAHAHAHAHAHAHAA

Calude

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Hi Elby,

How much are they asking? I'd find one in the $180 - $225 range and just buy and try... you can ALWAYS resell it on Harmony Central for ~ the same amount.

I've owned 3 of 'em and find that while there's a certain amount of distrust in your ability to get back to sounds you like, it's only your own fault if you don't store them. 

Bypassed they DO seem to change the frequency response of your amp, so if you don't put it on a mixer or loop selector, you may find it a problem. Despite my use of other really nice dsp's, I find myself missing the Vortex quite frequently. I'll probably have one around again soon...

Best,
-Miko

>>> mtman@cloud9.net 11/17/00 02:54AM >>>
Hmmmm .... not very encouraging.  Yes, I'm in the "found one (on the
internet) and deciding to buy" category.  And it's not possible to go
try it out.  Here on the East coast they seem to be much more of a
rarity (along with used/trade/rent music stories and pawn shops - at
least where I live.  Damn!)   Anyone else with an opinion? (and perhaps
some sound samples? <g>)

Thanks very much for your opinion, Rich  :)

Elby


                 All in jest...and there will definitely be some who
disagree, but
                 IMHO, it makes the same sound as beating your head
against the wall.
                 That's the only sound i heard...because i kept beating
my head
                 against the wall trying to make the damn thing work!!!

                 Seriously, some folks say it does magical things, and
it does sound
                 like nothing else sometimes.  I just found it
incredibly frustrating
                 trying to fine tune or create my own patches.  You just
keep turning
                 the dials until ya hit something, and then go "....oh,
ok, i guess
                 that's how feedback #1 set at 32 on 'Cycloid'
sounds...", or
                 something like that.  Good luck trying to 'recreate' a
sound if you
                 didn't save the patch.

                 Have you found one and are deciding on whether to buy
or not, or are
                 you just curious and want to hear one?  Where are you
located?  In
                 Southern California, they are quite common...they pop
up in the
                 Recycler often and the used/trade/rent music stores or
pawn shops
                 often have one or two that they've been sitting on for
a couple of
                 years.

                 If you're ok with the UI, you're set...

                 rich


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Todd Quincy wrote:
> 
> howdy folks
> 
> I use patch 10 (multi echo and some flange or something)  on my vortex for
> vocals and guitars and that's about it. The conveince of Tap echo is great
> to match the echo to the tune. I often think of selling it but I bet I'd
> miss patch 10. The other patches are cool for final mixing but not worth the
> trouble of re-routing cables for the ear candy.
> 
> 
> Todd Quincy
> BC Rich, Kustom, PowerWerks, Davitt & Hanser

and you can get the vortex delay time to be "tapped" by the beat sync
out of an Echoplex
here is the mod by Matthias Grob
It works great

Claude

-------------------
>Matthias Grob wrote:
>
>>  Make a cable with any diode in series and a 2 MF cap to
ground:
>>
>>                   |   |
>>                   |  /|
>  >              -   | / |  +
>  > EDP   ----------|/  |---------------------  VORTEX
>>                   |\  |        |
>>                   | \ |        |
>>                   |  \|        |    +
>>                   |   |     -------
>>                           -----------
>>                                |
>  >                               |          -
>  >                               |
>>                                | /
>>                                |/
>>                                /
>>                               /
>>
>>  The parts fit into an ordinary 1/4" connector.
>
>sorry Mathias
>
>I can solder but thats all...
>
>can you comment on the parts (cap type ; microF or miliF and
where are
>the + & -  on the diagram

no problem:
MiliFarad is not used, and would be m, so MF is microFarad.
To fit into the connector, it take its an electrolytic. Thats why
(by 
some standard) one line is longer than the other - the negative
pole, 
going to ground.
Its voltage can be as low as 6,3V, but higher is ok, just makes
the 
part bigger.
There are also Tantal caps of this size. I dont use them because
I 
made the experience that they die sooner, but I may be wrong, its
an 
interesting option since you may not use that cable more than 5
years 
:-).

The diode is a standard like 1N4148 and on one side of its glass 
housing there is a line which corresponds to the negative side,
the 
line in its symbol, on the left in the drawing.

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 12:40:27 2000
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I'll just say that I enjoyed my first Vortex so much that I bought three more.

John McIntyre
Physics - Astronomy Domine Dept
Michigan State University
mcintyre@pa.msu.edu

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>  I'm interested in the Lexicon Vortex, but have never had an opportunity
>  Are there audio clips online anywhere 

hi Elby
You're in luck. 

Andy Butler
<A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex Database
</A> 

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 12:50:47 2000
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The biggest gripe I have with mine is that it's pretty noisy.  Apart from
that, it's lacking certain convenience features like midi patch changes and
so on.  But it does sound really freaky.  If I can get up the gumption, I'll
post.

Mike

----- Original Message -----
From: "Mark Francombe" <mark.francombe@mogul.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, November 17, 2000 6:41 AM
Subject: RE: vortex


> To put in my 2 pence worth... The Vortex is frustrating in a couple of
ways,
> as in the delay speed are ONLY tappable and not dial-in-able which can be
> annoying for some situations, you DO tend to sit WITH the instructions at
> all time cos each "patch" has a unique signal flow and some controls
change
> their use dependant on the patch, BUT and its a HUGE BUTT... the
> possibilities for new and interesting sounds are phenomenal! Strangly the
> "preset" are all rather mild and its up to you to tweak them to really
find
> mangled stuff, but its all there! The three "KEY" features that make it
> stand out from any other box I have are...
> 1)ENVELOPE FOLLOWER: every patch has a parameter that is dependent on the
> strength of the input signal (IE: a tremelo/pan that speeds up (or slows
> down) as the sound dies away, or... (this is great) a delay where the
> feedback level is dependant on signal level...dont gettit? OK you play...
> you hear NO delays, you stop playing...delays appear and continue
> looping(yes) till you play, therfore you can play an 8 note sequence and
> then on the loop play OVER the second half, erasing what was there, but
> keeping the second half!)
> 2)MORPH: Any patch can be made to morph into another
> 3)PEDAL CONTROL: Any parameter can be put under pedal control, including
> morph, so you can stop half way thru the morph!!! ...or simulate the
> "Fatboyslim" speeding up loop thing... just play intrument...stop
playing...
> it loops... whammy the old pedal and...
>  check it out now your a funk soul brothera funk soul brothera funk soul
> brothera funk soul brothera funk soul brothera funk soul brothersoul
> brothersoul brothersoul
>
brotherbrotherbrotherbrotherbrobrobrobrobbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb
>
bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb
> bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb
>
> er...buy it!
>
> hope this helps
>
>
> Mark
>
>
> -----Original Message-----
> From: Mountain Man [mailto:mtman@cloud9.net]
> Sent: 17. november 2000 11:55
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: vortex
>
>
> Hmmmm .... not very encouraging.  Yes, I'm in the "found one (on the
> internet) and deciding to buy" category.  And it's not possible to go
> try it out.  Here on the East coast they seem to be much more of a
> rarity (along with used/trade/rent music stories and pawn shops - at
> least where I live.  Damn!)   Anyone else with an opinion? (and perhaps
> some sound samples? <g>)
>
> Thanks very much for your opinion, Rich  :)
>
> Elby
>
>
>                  All in jest...and there will definitely be some who
> disagree, but
>                  IMHO, it makes the same sound as beating your head
> against the wall.
>                  That's the only sound i heard...because i kept beating
> my head
>                  against the wall trying to make the damn thing work!!!
>
>                  Seriously, some folks say it does magical things, and
> it does sound
>                  like nothing else sometimes.  I just found it
> incredibly frustrating
>                  trying to fine tune or create my own patches.  You just
> keep turning
>                  the dials until ya hit something, and then go "....oh,
> ok, i guess
>                  that's how feedback #1 set at 32 on 'Cycloid'
> sounds...", or
>                  something like that.  Good luck trying to 'recreate' a
> sound if you
>                  didn't save the patch.
>
>                  Have you found one and are deciding on whether to buy
> or not, or are
>                  you just curious and want to hear one?  Where are you
> located?  In
>                  Southern California, they are quite common...they pop
> up in the
>                  Recycler often and the used/trade/rent music stores or
> pawn shops
>                  often have one or two that they've been sitting on for
> a couple of
>                  years.
>
>                  If you're ok with the UI, you're set...
>
>                  rich
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 13:06:43 2000
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Holy cow!

Cliff

-----Original Message-----
From: John McIntyre <mcintyre@pa.msu.edu>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Friday, November 17, 2000 9:40 AM
Subject: Re: Vortex


>I'll just say that I enjoyed my first Vortex so much that I bought three
more.
>
>John McIntyre
>Physics - Astronomy Domine Dept
>Michigan State University
>mcintyre@pa.msu.edu
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 13:06:55 2000
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My biggest gripe is the coloration of sound when it is in bypass- but I love
mine- I personally think using an expression pedal with it is a
requirerment- I have 2 patches that I "play" and create great pitch swoops
like pre-bends on the guitar-

It has some great possibilities- but if you are not willing to fine tune the
patches you will find many are similar- but dig in a bit and it can reward
you- not to mention that if you dont like it it wont be terribly difficult
to re-sell-

Cliff

-----Original Message-----
From: Michael LaMeyer <mlameyer@rcn.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Friday, November 17, 2000 9:52 AM
Subject: Re: vortex


>The biggest gripe I have with mine is that it's pretty noisy.  Apart from
>that, it's lacking certain convenience features like midi patch changes and
>so on.  But it does sound really freaky.  If I can get up the gumption,
I'll
>post.
>
>Mike
>
>----- Original Message -----
>From: "Mark Francombe" <mark.francombe@mogul.com>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Friday, November 17, 2000 6:41 AM
>Subject: RE: vortex
>
>
>> To put in my 2 pence worth... The Vortex is frustrating in a couple of
>ways,
>> as in the delay speed are ONLY tappable and not dial-in-able which can be
>> annoying for some situations, you DO tend to sit WITH the instructions at
>> all time cos each "patch" has a unique signal flow and some controls
>change
>> their use dependant on the patch, BUT and its a HUGE BUTT... the
>> possibilities for new and interesting sounds are phenomenal! Strangly the
>> "preset" are all rather mild and its up to you to tweak them to really
>find
>> mangled stuff, but its all there! The three "KEY" features that make it
>> stand out from any other box I have are...
>> 1)ENVELOPE FOLLOWER: every patch has a parameter that is dependent on the
>> strength of the input signal (IE: a tremelo/pan that speeds up (or slows
>> down) as the sound dies away, or... (this is great) a delay where the
>> feedback level is dependant on signal level...dont gettit? OK you play...
>> you hear NO delays, you stop playing...delays appear and continue
>> looping(yes) till you play, therfore you can play an 8 note sequence and
>> then on the loop play OVER the second half, erasing what was there, but
>> keeping the second half!)
>> 2)MORPH: Any patch can be made to morph into another
>> 3)PEDAL CONTROL: Any parameter can be put under pedal control, including
>> morph, so you can stop half way thru the morph!!! ...or simulate the
>> "Fatboyslim" speeding up loop thing... just play intrument...stop
>playing...
>> it loops... whammy the old pedal and...
>>  check it out now your a funk soul brothera funk soul brothera funk soul
>> brothera funk soul brothera funk soul brothera funk soul brothersoul
>> brothersoul brothersoul
>>
>brotherbrotherbrotherbrotherbrobrobrobrobbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb
b
>>
>bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb
b
>> bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb
>>
>> er...buy it!
>>
>> hope this helps
>>
>>
>> Mark
>>
>>
>> -----Original Message-----
>> From: Mountain Man [mailto:mtman@cloud9.net]
>> Sent: 17. november 2000 11:55
>> To: Loopers-Delight@loopers-delight.com
>> Subject: Re: vortex
>>
>>
>> Hmmmm .... not very encouraging.  Yes, I'm in the "found one (on the
>> internet) and deciding to buy" category.  And it's not possible to go
>> try it out.  Here on the East coast they seem to be much more of a
>> rarity (along with used/trade/rent music stories and pawn shops - at
>> least where I live.  Damn!)   Anyone else with an opinion? (and perhaps
>> some sound samples? <g>)
>>
>> Thanks very much for your opinion, Rich  :)
>>
>> Elby
>>
>>
>>                  All in jest...and there will definitely be some who
>> disagree, but
>>                  IMHO, it makes the same sound as beating your head
>> against the wall.
>>                  That's the only sound i heard...because i kept beating
>> my head
>>                  against the wall trying to make the damn thing work!!!
>>
>>                  Seriously, some folks say it does magical things, and
>> it does sound
>>                  like nothing else sometimes.  I just found it
>> incredibly frustrating
>>                  trying to fine tune or create my own patches.  You just
>> keep turning
>>                  the dials until ya hit something, and then go "....oh,
>> ok, i guess
>>                  that's how feedback #1 set at 32 on 'Cycloid'
>> sounds...", or
>>                  something like that.  Good luck trying to 'recreate' a
>> sound if you
>>                  didn't save the patch.
>>
>>                  Have you found one and are deciding on whether to buy
>> or not, or are
>>                  you just curious and want to hear one?  Where are you
>> located?  In
>>                  Southern California, they are quite common...they pop
>> up in the
>>                  Recycler often and the used/trade/rent music stores or
>> pawn shops
>>                  often have one or two that they've been sitting on for
>> a couple of
>>                  years.
>>
>>                  If you're ok with the UI, you're set...
>>
>>                  rich
>>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 13:14:08 2000
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I would encourage all Vortex users to visit Andy Butler's Vortex web pages
and submit 1 or more of their favorite patches or morph-
http://members.aol.com/soundfnr/vortex.htm

Cliff

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Whoever said that they've seen a lot of Vortex' used/at discount in the LA
area, can you email me off-list with some places I could check?

Thanks!

phalen

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Well I must add--->:@)  I was really  blown away by them when I heard Miko Biffle use them at my studio where we recorded together and he seem to be able to have his vortex obey his every wicked command, it just about make you sea sick especially when I had my headphones on. 
Needless to say I went on line and bought two of them, one  for 175.00 and the other 200.00 
I tried several different paths but found you can not put em in line with everything because the bypass mode totally screws with the phase, and you also have to set the input very carefully cause they clip way too easy. 
But once you have it set there is really nothen like em that I know of. 
I put them on an aux send to a volume pedal and when you want your vortex you kick em in. A pre send switching in, is best so you get the full vortex sound.
Also you definitely have to use an expression pedal to get the most out of em as well as to program faster.
With two of them together I like to set the first one on 5 and the second one on 14 and morph around with 5 into 14. 
Also try 15 with heavy faux ring mod into 14 too! 

Cheer's
--Ts


From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 14:45:01 2000
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Electric guitar gig bag available, just for postage.  It's new, with
a Fernandes logo on it.

Email me: pepetr@yahoo.com

=====






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.

__________________________________________________
Do You Yahoo!?
Yahoo! Calendar - Get organized for the holidays!
http://calendar.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 15:08:47 2000
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Subject: Re: 2 vortex's
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I think of mine almost like a super pedal than a rack.  I agree that the
expression pedal is a must or you're not really acratching the surface.

How is everyone else's noise levels through these?

----- Original Message -----
From: "Tim Sanz" <tsanz@svg.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, November 17, 2000 2:19 PM
Subject: Re: 2 vortex's


>
> Well I must add--->:@)  I was really  blown away by them when I heard Miko
Biffle use them at my studio where we recorded together and he seem to be
able to have his vortex obey his every wicked command, it just about make
you sea sick especially when I had my headphones on.
> Needless to say I went on line and bought two of them, one  for 175.00 and
the other 200.00
> I tried several different paths but found you can not put em in line with
everything because the bypass mode totally screws with the phase, and you
also have to set the input very carefully cause they clip way too easy.
> But once you have it set there is really nothen like em that I know of.
> I put them on an aux send to a volume pedal and when you want your vortex
you kick em in. A pre send switching in, is best so you get the full vortex
sound.
> Also you definitely have to use an expression pedal to get the most out of
em as well as to program faster.
> With two of them together I like to set the first one on 5 and the second
one on 14 and morph around with 5 into 14.
> Also try 15 with heavy faux ring mod into 14 too!
>
> Cheer's
> --Ts
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 15:15:43 2000
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Hello,
Can anyone recommend to me the best, most full-featured application for
looping in MIDI on the Mac?
Thanks!
eo

--
eric oberthaler
http://www.soundsliketree.com
(music within)



From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 16:38:48 2000
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What's a good expression pedal to use with the Vortex?

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 17:16:42 2000
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Go to Andy's page- there is good info there-

c

-----Original Message-----
From: PaulPokr@aol.com <PaulPokr@aol.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Friday, November 17, 2000 1:34 PM
Subject: VORTEX


>What's a good expression pedal to use with the Vortex?
>

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 17:24:00 2000
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Subject: Re: VORTEX and Expression Pedals
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Roland / Boss EV-5 seems to be the most used. Never had problems with mine. The cheaper Proel midi volume pedal available in the AMS catalog also seems to substitute well where the EV-5 works in my system. Don't know about others.

Best,
-Miko

>>> bienappraisers@mindspring.com 11/17/00 02:14PM >>>
Go to Andy's page- there is good info there-

c

-----Original Message-----
From: PaulPokr@aol.com <PaulPokr@aol.com>
To: Loopers-Delight@loopers-delight.com 
<Loopers-Delight@loopers-delight.com>
Date: Friday, November 17, 2000 1:34 PM
Subject: VORTEX


>What's a good expression pedal to use with the Vortex?
>


From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 17:35:15 2000
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Subject: RE: VORTEX and Expression Pedals
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how about the passive ernie ball volume pedal?

From Loopers-Delight-request@loopers-delight.com  Fri Nov 17 22:22:20 2000
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The expression pedal really makes the box tweak and squeal in a most 
satisfying
fashion.
                               b helm

From Loopers-Delight-request@loopers-delight.com  Sat Nov 18 10:38:01 2000
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Subject: Re: myers/arcane device site
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Thanks to all who responded with such enthusiasm to my pulsewidth.com site.
To answer a few of questions which came up:

1. Presently I use a feedback setup consisting of four Korg Kaoss pads and
the expected feedback matrix mixer, with a little help from an ER-1 rhythm
synthesizer.  This is rare in that I've hardly ever used 'foreign' input.  A
little crazy trying to 'play' four pads at once, but with all the possible
variation I'm getting wild stuff fer sure.  I don't go into this on the
site, but may in the future.  Gotta keep *something* for the imagination....

2. I do have a schematic of a feedback mixer (jpeg) which I can email on
request.

3. I migt do a CDR of 'Engines of Myth' if a lot of people asked for it, or
I found myself with a lot of time, or something.  My original tapes are Beta
HiFi!  Anyone know a repair place in NYC that does Beta?  My player sits in
the corner with an old Monty Python tape jammed in it....

DLM

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   Put me in for a cdr!!!!

smaug



At 10:32 a.m. 18/11/00 -0500, you wrote:
>Thanks to all who responded with such enthusiasm to my pulsewidth.com site.
>To answer a few of questions which came up:
>
>1. Presently I use a feedback setup consisting of four Korg Kaoss pads and
>the expected feedback matrix mixer, with a little help from an ER-1 rhythm
>synthesizer.  This is rare in that I've hardly ever used 'foreign' input.  A
>little crazy trying to 'play' four pads at once, but with all the possible
>variation I'm getting wild stuff fer sure.  I don't go into this on the
>site, but may in the future.  Gotta keep *something* for the imagination....
>
>2. I do have a schematic of a feedback mixer (jpeg) which I can email on
>request.
>
>3. I migt do a CDR of 'Engines of Myth' if a lot of people asked for it, or
>I found myself with a lot of time, or something.  My original tapes are Beta
>HiFi!  Anyone know a repair place in NYC that does Beta?  My player sits in
>the corner with an old Monty Python tape jammed in it....
>
>DLM
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Nov 18 17:58:13 2000
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Vote tallied!!!!
> 
> Put me in for a cdr!!!!
> 
> smaug

From Loopers-Delight-request@loopers-delight.com  Sun Nov 19 03:32:16 2000
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Hello,
 About a year ago I saw a guitarist do some excelent live
looping named Keller Williams (sometimes plays with The
String Cheese Incident) and became quite interested in such
techniques. I have not found what he was using.
 I am a solo acustic guitarist and I am looking to do some
live looping and layering myself. I currently have a Boss
DD5 digital delay pedal which is an excelent delay and
reverb type unit but it can only record a 2 second loop and
cannot layer at all. The one nice thing about its record
feature is its hold down record button. Instead of clicking
on/off switches several times, you just hold down the pedal
for the period of time you are recording. When you release
its stops recording and imeadiately begins to play back.
 Today I tried the new DL4 delay unit from Line 6. It is
decent but the only part I want is the loop sampler part. I
dont like the other effects too much and I dont want to pay
for them. Does anyone know of a loop sampler pedal that I
can use live and records at least 10 seconds.
 I have read some reviews of the Akai E1 Headrush and I am
considering trying it out, but I dont know how its looping
compares to the DL4.

 I am also trying to get a good internal mic setup for my
acustic. I am not interested in pickups, installed mics, or
anything I have to take my strings on and off for. I recall
trying a lav mic a while back and it sounded great. I wish I
remembered who made it. It reproduced the guitar's sound
well and dropped in and out of the sound hole easily. Has
anyone tried this, or know anything about such micing
techniques? Any other ideas?

Thanks.

-Jono

--
"When you are walking down the street you gotta send those
good vibes out." - Illyria


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the headrush has something like a 28.5 second looper, but it can only layer 
11 second loops

From Loopers-Delight-request@loopers-delight.com  Sun Nov 19 11:50:44 2000
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Hi, I don't remember address for contacting guys for boomerang update, =
anyone with a stronger memory ?



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<DIV><FONT face=3DArial size=3D2>Hi, I don't remember address for =
contacting guys=20
for boomerang update, anyone with a stronger memory ?</FONT></DIV>
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From Loopers-Delight-request@loopers-delight.com  Sun Nov 19 12:20:41 2000
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In a message dated 11/19/00 2:49:25 PM Mid-Atlantic Standard Time, 
lucafeed@tin.it writes:

<<  contacting guys for boomerang update >>

mnelson@dmans.com

From Loopers-Delight-request@loopers-delight.com  Sun Nov 19 12:53:27 2000
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The best I have found for the money and quality is the Line 6.


Zing



RobbCappelletto@aol.com wrote:

> the headrush has something like a 28.5 second looper, but it can only layer
> 11 second loops

From Loopers-Delight-request@loopers-delight.com  Sun Nov 19 13:51:26 2000
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Subject: Re: NYC show  (Mon)
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Interactive arts peformance series. 
Monday November 20 ,2000 8PM@NYU
Frederick Loewe Theater

Miller Puckette/Kathy Supove/Lisa Cella
http://www.nyu.edu/education/music/mtech/web_site/home.html
 (click on Events)
Free Admission






__________________________________________________
Do You Yahoo!?
Yahoo! Calendar - Get organized for the holidays!
http://calendar.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sun Nov 19 15:31:38 2000
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re: possible VORTEX problems
1) noise? it's a very quiet pedal, maybe the problem is that it's hard to 
turn down 
   the output volume (you'd have to change it for each patch) , especially 
with the                                           
   presets. Maybe the case is that if you just plug & go you have to turn the 
I/P
   volume down to stop the amp overloading (= extra noise).  

2) Phase problems. I can't comment from personal experience (yet) but
   apparently many mixers have a phase inversion on the FX return, which may 
   or may not be the culprit.
   Best to use Vortex as 'in-line' if this is a problem.

3) Boring presets? It's more that many of them are a bit subtle, so yes they 
do
   mostly come across as being similar. They don't begin to show what the box 
is               
   capable of .  Actually I don't often find presets acceptable anyway.

4) Hard Manual? well let's call it challenging. 


Vortex 'Good Points'
Excellent sound, it even distorts nice when you overload the I/P. Very 
tweakable.
Extreme modulation. Infinite repeats without degradation (on some settings).
The Audio morphing facility lets you set up any 2 sounds and switch or pedal
seamlessly between them. This can either give you the ultimate in pedal 
control
(eg modulation depth & frequency & resonance all at the same time) or allow 
access to the bizarreness  half way between 2 totally different patches.
With a bit of effort some the possibilities are pretty astounding, I remember 
when talk of the Vortex first started on LD. People were pretty knocked out by
it's ability to create sustained textures

  
 

Andy Butler
<A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex Database
</A> 

From Loopers-Delight-request@loopers-delight.com  Sun Nov 19 19:29:53 2000
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #190                    November 9, 2000.

On this show, the month-long focus on Groove compilation CDs continued.  The
feature CD at Midnight was "The Truth Is Twisted" the second of four CDs of
music inspired by the X Files television series and released when Groove was
called Cue.

The music of Music For Isolation Tanks (a.k.a. David Talento) was played
to promote his show in our own back yard on Friday, November 10 at the
Borders Bookstore in Whitehall.

Groove Unlimited
http://wdiyfm.org/emusic/playlists/2000/focus00.html#nov
Music For Isolation Tanks     http://www.voicenet.com/~legion/
Borders Bookstore        http://www.bordersstores.com/stores/345/


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
VA [Thom Brennan]       The Path Not Taken       Collected Works 1995 (Amplexus)
Laocoon                 Molecular Streams        Immersion (Parnassus Nump)
Robert Rich & Steve Roach  Blood Music           Soma (Hearts of Space)
Music For Isolation Tanks   The Light of Darkness  Electronic Music Project
(none)
Jean Michel Jarre       Last Rendezvous          Rendezvous (Dreyfus)
VA [Vidna Obmana]       The Transcending Quest   Collected Works 1995 (Amplexus)

12:00 am
VA [Kees Aerts &     The Sensation of the Vorte  The Truth Is Twisted (Groove)
    Ron Boots]
VA [Jean Paul van Engelen   We've X-ed the Line  The Truth Is Twisted (Groove)
    & Robert Marselje]
VA [Kees Aerts &        Asylum                   The Truth Is Twisted (Groove)
    Harold van der Heijden]
VA [Eric van der Heijden  Cryogenic Hypersleep   The Truth Is Twisted (Groove)
    & Robert Marselje]
VA [Ron Boots &       The Tears from the Insane  The Truth Is Twisted (Groove)
    Harold Teunissen]  Bounce Like Bullets Off My Brain
VA [Volker Rapp &       The Last Busstop         The Truth Is Twisted (Groove)
    Ron Boots]
VA [Kees Aerts &        Alien Artifacts of Ice   The Truth Is Twisted (Groove)
    Alpha Wave Movement]
VA [Rene De Vreng &     Current                  The Truth Is Twisted (Groove)
    Johannes Munz]

1:00 am

 * = exerpt
VA = Various Artists (compilation)

Thanks to Ira Faro for filling in for me and hosting this show in my time of
need.

From Loopers-Delight-request@loopers-delight.com  Sun Nov 19 19:34:33 2000
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[Sorry for posting twice - I just discovered that when you want to start
a new tread you can't just reply to a random message and change the
subject header.  Here it is as a new thread (I hope!).]


Hello,
Can anyone recommend to me the best, most full-featured application for
looping in MIDI on the Mac?
Thanks!
eo

--
eric oberthaler
http://www.soundsliketree.com
(music within)


From Loopers-Delight-request@loopers-delight.com  Sun Nov 19 19:40:09 2000
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #191                    November 16, 2000.

On this show, I continued the month-long focus on Groove compilation CDs.  The
feature CD at Midnight was "Truth or Dare" the third of four CDs
of music inspired by the X Files television series and released when Groove
was called Cue.

This show was dedicated to the loving memory of Elaine Fox.

Groove Unlimited
http://wdiyfm.org/emusic/playlists/2000/focus00.html#nov


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Tranzit                 E-Drive                  Tranzversal (Groove)
Robert Rich             Dervish Dreamtime        Sunyata (Hypnos)
VA [Ashok]              Again to Ricochet        Sequences No. 24 (none)
Vir Unis                Particle Path            Aeonian Glow (Green House)
James Johnson           Riding the Fog Line      Linger (Space for Music)

12:00 am
VA [Ron Boots &         The Fugitive             Truth or Dare (Groove)
    John Dyson]
VA [Kees Aerts &        Crossing the Road        Truth or Dare (Groove)
    Air Sculpture]
VA [Robert Marselje &   The Borders of Believe   Truth or Dare (Groove)
    Jean Paul van Engelen]
VA [Syndromeda &        The Secret of the Tribe  Truth or Dare (Groove)
    Harold van der Heijden]
VA [Johannes Munz &     Limits of Investigation  Truth or Dare (Groove)
    Rene De Vreng]
VA [James J. Clent &    Surfacing from Beyond    Truth or Dare (Groove)
    Kees Aerts]
VA [Ron Boots, Harold   Aliennation              Truth or Dare (Groove)
    van der Heijden, Mario Schonwalder & Detlef Keller]

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll continue the month-long focus on compilation discs
from the Dutch label Groove Unlimited.  Next week's feature CD at midnight will
be "Four the Truth."

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Personal site: http://www.users.fast.net/~billfox

From Loopers-Delight-request@loopers-delight.com  Sun Nov 19 20:41:19 2000
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Date: Mon, 20 Nov 2000 01:38:56 +0000
Subject: Re: loop pedal and acustic guitar (mini DL-4 review)
From: Martin Shellard <martins@pwdu.demon.co.uk>
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I just got a line 6 DL-4 and for the money it's great, way, way better thean
the Headrush (which I also have).
The Akai does 22 secs (I think) but without o/dubbing. If you want to o/dub
you're limited to 11 secs. The UI is clunky.
The DL-4 does 14 secs full bandwidth but if you record at 1/2 speed you get
28 secs and you can still overdub.
I also like the fact that you can record at 1/2 speed and backwards and
combine forwards and backwards stuff.
You also have a 800ms delay in front of the loop so you can delay stuff on
the way in which when you reverse sounds great. You can attach a pedal to
control the delay (not loop) functions for extra sonic mangling into the
loop.
For the money this is a great deal for the looper alone and the delays are
cool too.

Martin Shellard 


> From: Scott Winzinger <zing@sigecom.net>

> The best I have found for the money and quality is the Line 6.
> 
> 
> Zing
> 
> 
> 
> RobbCappelletto@aol.com wrote:
> 
>> the headrush has something like a 28.5 second looper, but it can only layer
>> 11 second loops
> 

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Subject: Ebtech Hum Eliminator - Crispy Or Extra Crispy?
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Hi,

Been doing a bit of looping live - Oberheim EDP, Vortex, etc.

Occasionally run into electrical problems at some venues.

Not an electronics expert.  

Been thinking about buying the Ebtech rack mount Hum Eliminator.  I
understand it eliminates the Ground, and as a result, Ground Loops.

Is this dangerous?  Could my equipment, and perhaps me, turn into an
impromptu light show?

thanks,

Michael

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Subject: Re: Ebtech Hum Eliminator - Crispy Or Extra Crispy?
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Hi Michael,

> Occasionally run into electrical problems at some venues.

What kind of problems?

Dennis Leas
-------------------
dennis@mdbs.com
 

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 16:09:17 2000
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From: landman@wco.com (Mark Landman)
Subject: ER-1 into Feedback Matrix
Cc: dmgraph@earthlink.net
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David Myers wrote:

>1. Presently I use a feedback setup consisting of four Korg Kaoss pads and
>the expected feedback matrix mixer, with a little help from an ER-1 rhythm
>synthesizer.  This is rare in that I've hardly ever used 'foreign' input.  A
>little crazy trying to 'play' four pads at once, but with all the possible
>variation I'm getting wild stuff fer sure.  I don't go into this on the
>site, but may in the future.  Gotta keep *something* for the imagination....

David-

You've probably already thought of this (being the "Feedback King"), but it
might work very well to feed the ER-1's two "audio in" patterns with sends
from the feedback matrix, then fed back into the matrix on their own
channels.

You'd get all the rythmmic possibilities, and have the delay and ring mod
effects as a bonus...

Best-

Mark


From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 16:15:31 2000
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greetings:

I just ordered myself an echoplex, does anyone know when Gibson will
have these things available to ship?

so far I've heard it could be oh, anywhere from 60 days to a year.

thanks

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 16:26:54 2000
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Subject: Re: ER-1 into Feedback Matrix
From: David Myers <dmgraph@earthlink.net>
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Thanks Mark.  The "King" has indeed thought of this, but has not yet tried
it.  Such a wealth of shit is happening already that it's a handful.  Rather
minor use of the ER-1 to date.  Have you tried those inputs?

DLM

> David Myers wrote:
> 
>> 1. Presently I use a feedback setup consisting of four Korg Kaoss pads and
>> the expected feedback matrix mixer, with a little help from an ER-1 rhythm
>> synthesizer.  This is rare in that I've hardly ever used 'foreign' input.  A
>> little crazy trying to 'play' four pads at once, but with all the possible
>> variation I'm getting wild stuff fer sure.  I don't go into this on the
>> site, but may in the future.  Gotta keep *something* for the imagination....
> 
> David-
> 
> You've probably already thought of this (being the "Feedback King"), but it
> might work very well to feed the ER-1's two "audio in" patterns with sends
> from the feedback matrix, then fed back into the matrix on their own
> channels.
> 
> You'd get all the rythmmic possibilities, and have the delay and ring mod
> effects as a bonus...
> 
> Best-
> 
> Mark
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 17:04:12 2000
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Are the gates on the ER1s inputs opened as a gate effect of the midi
pattern, or by surpassing an internal audio threshold? Does the ring
modulator, delay affect the input signal? I want to use these effects
without using the internal sounds on the ER-1. For example- I am using a
turn table 1 and I want to sync the beat to the ER-1 (tap tempo or dial it
in) hit play in time then use the gate to send through sounds from turntable
2 gated to the beat. Any opinions here?


----- Original Message -----
From: David Myers <dmgraph@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 20, 2000 1:24 PM
Subject: Re: ER-1 into Feedback Matrix


> Thanks Mark.  The "King" has indeed thought of this, but has not yet tried
> it.  Such a wealth of shit is happening already that it's a handful.
Rather
> minor use of the ER-1 to date.  Have you tried those inputs?
>
> DLM
>
> > David Myers wrote:
> >
> >> 1. Presently I use a feedback setup consisting of four Korg Kaoss pads
and
> >> the expected feedback matrix mixer, with a little help from an ER-1
rhythm
> >> synthesizer.  This is rare in that I've hardly ever used 'foreign'
input.  A
> >> little crazy trying to 'play' four pads at once, but with all the
possible
> >> variation I'm getting wild stuff fer sure.  I don't go into this on the
> >> site, but may in the future.  Gotta keep *something* for the
imagination....
> >
> > David-
> >
> > You've probably already thought of this (being the "Feedback King"), but
it
> > might work very well to feed the ER-1's two "audio in" patterns with
sends
> > from the feedback matrix, then fed back into the matrix on their own
> > channels.
> >
> > You'd get all the rythmmic possibilities, and have the delay and ring
mod
> > effects as a bonus...
> >
> > Best-
> >
> > Mark
> >
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 17:07:28 2000
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From: "Filacchione, Alex (ISSAtlanta)" <alexf@iss.net>
To: "'rich'" <rich@nuvision.com>, Loopers-Delight@loopers-delight.com
Subject: Good Cheap Vol. pedal for DMC Grnd Ctrl?
Date: Mon, 20 Nov 2000 17:04:15 -0500
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Anyone know of a good CHEAP volume pedal that works with the DMC Ground
Control?

The Earnie Balls are a little expensive at $70-$100.

I tried a used Morley mini-volume pedal, but that didn't work right.  I set
it up so it would work w/ teh pitch shifter functionality on my ART unit.
At the lowest setting it was at -12 (1 octave down).  At teh highest setting
it was SUPPOSED to be at +12 (1 octave up), but what it really ended up
being set to was -12, w/ 0 being the halfway point of the volume pedal's
travel range.

So....  who knows what works correctly that is cheap (new or used I don't
care)?

Also, anyone know the best place to get a cheap GCX switcher?  I rarely see
them on eBay, and always seem to miss them on Harmony-Central and digibid.

Thanks,

Alex F/Brain21

<--------========b21========-------->
Brain21 - www.brain21.net
www.mp3.com/Brain21
Buy individual songs @
http://www.nrmmusic.com/customcds.htm
<--------========b21========-------->

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 17:30:10 2000
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Subject: RE: Good Cheap Vol. pedal for DMC Grnd Ctrl?
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get the ernie ball. it is well worth it.

-----Original Message-----
From: Filacchione, Alex (ISSAtlanta) [mailto:alexf@iss.net]
Sent: Monday, November 20, 2000 4:04 PM
To: 'rich'; Loopers-Delight@loopers-delight.com
Subject: Good Cheap Vol. pedal for DMC Grnd Ctrl?


Anyone know of a good CHEAP volume pedal that works with the DMC Ground
Control?

The Earnie Balls are a little expensive at $70-$100.

I tried a used Morley mini-volume pedal, but that didn't work right.  I set
it up so it would work w/ teh pitch shifter functionality on my ART unit.
At the lowest setting it was at -12 (1 octave down).  At teh highest setting
it was SUPPOSED to be at +12 (1 octave up), but what it really ended up
being set to was -12, w/ 0 being the halfway point of the volume pedal's
travel range.

So....  who knows what works correctly that is cheap (new or used I don't
care)?

Also, anyone know the best place to get a cheap GCX switcher?  I rarely see
them on eBay, and always seem to miss them on Harmony-Central and digibid.

Thanks,

Alex F/Brain21

<--------========b21========-------->
Brain21 - www.brain21.net
www.mp3.com/Brain21
Buy individual songs @
http://www.nrmmusic.com/customcds.htm
<--------========b21========-------->

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 17:39:50 2000
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From: landman@wco.com (Mark Landman)
Subject: Re: ER-1 into Feedback Matrix
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Paul-

The gates are open as a gate effect of the midi pattern. Gate time is
controllable. Two separate channels (mono in, stereo out) per pattern. The
effects can work on external sounds just like they do with internal ones.
Also a channel of global "accent" to play with.

The ER-1 should do the cutting you want with the turntable, with the
typical problem of tap tempo-ing not being as accurate over time as
midiclock...

Best-

Mark



>Are the gates on the ER1s inputs opened as a gate effect of the midi
>pattern, or by surpassing an internal audio threshold? Does the ring
>modulator, delay affect the input signal? I want to use these effects
>without using the internal sounds on the ER-1. For example- I am using a
>turn table 1 and I want to sync the beat to the ER-1 (tap tempo or dial it
>in) hit play in time then use the gate to send through sounds from turntable
>2 gated to the beat. Any opinions here?
>


From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 18:45:01 2000
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Subject: Re: ER-1 into Feedback Matrix
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<< Are the gates on the ER1s inputs opened as a gate effect of the midi
pattern, or by surpassing an internal audio threshold? Does the ring
modulator, delay affect the input signal? I want to use these effects
without using the internal sounds on the ER-1. For example- I am using a
turn table 1 and I want to sync the beat to the ER-1 (tap tempo or dial it
in) hit play in time then use the gate to send through sounds from turntable
2 gated to the beat. Any opinions here? >>

The audio inputs on the electribe series (i have the ES-1, which is the
sampler version) can act as gate inputs or just go straight through (with
FX).  There is a gate "part" which you can program to play in pattern with
the built-in step-sequencer or with a MIDI sequencer, so to have the audio
in from turntable 2 gated to the beat you'd have to program the desired
beat-pattern using the gate/audio-in "part", which will be very easy if you
are just wanting four on the floor.

You can set the effects on the audio in part the same way that you would any
other part on the Es, except the "reverse" option won't work and I don't
think that the "roll" one will either,  though i'm not sure.

As far as I can tell, the Es don't offer the oppurtunity to control the gate
time based on any parameter of the audio input.

User guides to each electribe are availabel in PDF from korg.com... here's
the ER-1 guide: http://www.korg.com/downloads/pdf/ELT_Guide.pdf

best,
phalen



From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 18:48:19 2000
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Oooh I just looked at the manual online and only the delays and things like
level/pan work on the audio in part with the ER-1.

Jonathan

----- Original Message -----
From: "Paul Buelow" <paul@webms.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 20, 2000 1:59 PM
Subject: Re: ER-1 into Feedback Matrix


Are the gates on the ER1s inputs opened as a gate effect of the midi
pattern, or by surpassing an internal audio threshold? Does the ring
modulator, delay affect the input signal? I want to use these effects
without using the internal sounds on the ER-1. For example- I am using a
turn table 1 and I want to sync the beat to the ER-1 (tap tempo or dial it
in) hit play in time then use the gate to send through sounds from turntable
2 gated to the beat. Any opinions here?


----- Original Message -----
From: David Myers <dmgraph@earthlink.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 20, 2000 1:24 PM
Subject: Re: ER-1 into Feedback Matrix


> Thanks Mark.  The "King" has indeed thought of this, but has not yet tried
> it.  Such a wealth of shit is happening already that it's a handful.
Rather
> minor use of the ER-1 to date.  Have you tried those inputs?
>
> DLM
>
> > David Myers wrote:
> >
> >> 1. Presently I use a feedback setup consisting of four Korg Kaoss pads
and
> >> the expected feedback matrix mixer, with a little help from an ER-1
rhythm
> >> synthesizer.  This is rare in that I've hardly ever used 'foreign'
input.  A
> >> little crazy trying to 'play' four pads at once, but with all the
possible
> >> variation I'm getting wild stuff fer sure.  I don't go into this on the
> >> site, but may in the future.  Gotta keep *something* for the
imagination....
> >
> > David-
> >
> > You've probably already thought of this (being the "Feedback King"), but
it
> > might work very well to feed the ER-1's two "audio in" patterns with
sends
> > from the feedback matrix, then fed back into the matrix on their own
> > channels.
> >
> > You'd get all the rythmmic possibilities, and have the delay and ring
mod
> > effects as a bonus...
> >
> > Best-
> >
> > Mark
> >
> >
> >
>


From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 18:51:37 2000
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And I just double-checked the ES-1 manual online and you can use the FX on
the ES-1 with the audio-in.

So.... get the ES-1 and be cool like me ;)

Jonathan
aka phalen180

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 19:24:25 2000
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Loopers,

The ES looks the coolest of the series. Besides using the gate, I hoped the
ER knobs could be used as a real time midi control interface to map to midi
continuous controller info or even note on/off on another midi device? For
example use the controllers to map to resonance and LFO cutoff on another
sampler, I use Cubase and an MusicQuest 8port midi interface so I assume I
need to build a simple controller map in software such as Cubase and
configure the devices appropriately?  I read the manual about the Korg
continuos controller messages and Roland manual about CC messages but it's
not clear how to make it connect. I used to use Opcode Studio 5LX with
studio patches which was very powerful. I hope that either Cubase or another
tool will help with my mapping. the musicquest midi device is excellent but
limited in patching. I would also like to use programs for windows similar
to macintosh apps M, Max, and MSP?

I use mainly computers and
Roland S-760 sampler,
Ensoniq Mirage sampler
Pioneer DJ-600 mixer with a built-in lil' sampler looper
Technics 1200 MKII turntables
Sequential Circuits 6-trak
Kawai K1
Korg Trident
Korg ER-1


----- Original Message -----
From: phalen orion <phalen180@infin8ty.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 20, 2000 3:43 PM
Subject: Re: ER-1 into Feedback Matrix


> And I just double-checked the ES-1 manual online and you can use the FX on
> the ES-1 with the audio-in.
>
> So.... get the ES-1 and be cool like me ;)
>
> Jonathan
> aka phalen180
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 19:25:47 2000
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Date: Mon, 20 Nov 2000 18:21:50 -0600
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From: Michael Clark <mcl451@airmail.net>
Subject: Re: Ebtech Hum Eliminator - Crispy Or Extra Crispy?
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Hum or buzz sound.  

I played at an art opening recently.  after completing the arduous task of
setting everything up, I fire it up and B....u.....z.....z....  Way too
loud to even attempt doing the soundscapes and atmospheres.

I decided to plug into a different outlet about 30 feet away from the first
- worked great.  I'd like to have the equipment on board so I don't have to
worry about anything but my performance - or turning into a human volt.

Hope that helps!

Thanks!

Michael



At 03:19 PM 11/20/00 -0500, you wrote:
>Hi Michael,
>
>> Occasionally run into electrical problems at some venues.
>
>What kind of problems?
>
>Dennis Leas
>-------------------
>dennis@mdbs.com
> 
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 20:17:10 2000
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Date: Mon, 20 Nov 2000 20:11:19 -0500
To: Loopers-Delight@loopers-delight.com
From: Floyd Miller <floyd@studiodust.com>
Subject: Re: Ebtech Hum Eliminator - Crispy Or Extra Crispy?
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At 06:21 PM 11/20/00 -0600, Michael Clark wrote:
>
>
>I decided to plug into a different outlet about 30 feet away from the first
>- worked great.  I'd like to have the equipment on board so I don't have to
>worry about anything but my performance - or turning into a human volt.

The Ebtech works great in my studio to eliminate hum caused by ground loops.
I know, there shouldn't be any ground loops in a properly wired studio.
Well I did my best and the Ebtech takes care of what little residual
there was between my mixer and power amp.

I'm not sure exactly how the Ebtech works.  It is not just lifting grounds.
It uses some method of signal balancing - perhaps transformers.
Anyway, I don't think the Ebtech would do much in a situation where the
electrical wiring is faulty such as swapped hot and neutral lines.
And I sure wouldn't trust it or anything else to keep the juice from
flowing through your body in a situation like that.

Better to get an AC circuit tester to check for proper outlet wiring
before you plug your equipment and yourself in to it.

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 21:35:32 2000
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From: Jhsidlo@aol.com
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Date: Mon, 20 Nov 2000 21:27:34 EST
Subject: Ebtech Hum Eliminator
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Hello,
    Where can I find out about the Ebtech? How much are they? Are they 
rackmount? How effective are they?

                                     Thanks, James

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 21:55:29 2000
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Date: Mon, 20 Nov 2000 21:53:41 -0500
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From: Floyd Miller <floyd@studiodust.com>
Subject: Re: Ebtech Hum Eliminator
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At 09:27 PM 11/20/00 -0500, you wrote:
>Hello,
>     Where can I find out about the Ebtech? How much are they? Are they
>rackmount? How effective are they?

Try going to www.americanmusicsupply.com and search for Ebtech.

They are not rackmount at least not the models that they show.
They are about $60 per unit. Each unit has a pair of channels.
1/4" TRS jacks for input and output.

They are pretty effective with what I've used them for.  I'm sure
mileage will vary depending on how severe your hum problem is.

If $60 doesn't squeeze your budget too much I recommend getting one
and trying it out.  All you have to loose is $60 :)





************************ Floyd Miller
   ***************** floyd@studiodust.com
     ************ http://www.studiodust.com
      ******** http://www.studiodust.com/~floyd
       *****   palace://studiodust.com:9998
        ** TPV: http://www.thepalace.com:8000/perl/palentry.pl?ID=WD9S7VM2

From Loopers-Delight-request@loopers-delight.com  Mon Nov 20 23:11:52 2000
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Date: Mon, 20 Nov 2000 20:09:32 -0800
Subject: Re: Humming and Buzzing (Ebtech Hum Eliminator)
From: Tiktok <tiktok@sprintmail.com>
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> 
> I played at an art opening recently.  after completing the arduous task of
> setting everything up, I fire it up and B....u.....z.....z....  Way too
> loud to even attempt doing the soundscapes and atmospheres.
> 
> I decided to plug into a different outlet about 30 feet away from the first
> - worked great.  I'd like to have the equipment on board so I don't have to
> worry about anything but my performance - or turning into a human volt.

I've run into the same problem, and I have the Ebtech box, and it's not a
magic bullet solution.  I've found the most common culprits to be neon signs
and dimmer switches.  If you're using single-coil pickups, just give up at
this point.  And even well-shielded guitars (humbuckers with sheilded
control cavities) will allow hum and buzz if they're feeding a compressor
and/or distortion box going into your rig.  Sometimes plugging into a
different outlet fixes it, but many times it doesn't.

TravisH
-- 
Tiktok, Seattle's premier one-man improvisational band.

homepage:  
    http://home.sprintmail.com/~tiktok/index.html
    www.mp3.com/tiktok


From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 00:48:30 2000
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Date: Tue, 21 Nov 2000 03:48:00 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: echoplex
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>greetings:
>
>I just ordered myself an echoplex, does anyone know when Gibson will
>have these things available to ship?
>
>so far I've heard it could be oh, anywhere from 60 days to a year.

:-)
Since the first 10 have been made successfully at Trace, it could 
even take less than 60 days... then again, I dont know how many back 
orders there are...
-- 


          ---> http://Matthias.Grob.org

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unsubscribe


________________________________________
Surfree.com - nationwide internet access
http://www.surfree.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 10:08:25 2000
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Subject: Re: Humming and Buzzing (Ebtech Hum Eliminator)
Date: Tue, 21 Nov 2000 09:53:49 -0500
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I suspect the Ebtech will only fix problems where you have two or more racks
(or other boxes) plugged into different AC outlets.  That's assuming that
each rack does not have internal problems.  I'd check out your racks to be
sure.

Ground loops can be hard to find, but at least they always involve a copper
connection.  Air borne interference is notoriously hard to eliminate because
there's no physical connection.  ("Here, play in this Faraday cage.")

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 14:44:35 2000
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Subject: RE: Vortex
Date: Tue, 21 Nov 2000 11:46:24 -0800
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Are you using it with a stringed instrument, like a guitar?

It isn't really all that spectacular on a straight guitar sound, though you 
can get some nice effects, if you use it on a loop, especially if the 
looped sound is heavily processed. In my stick rig, I have mine set up 
after my my echoplex.

bIz


-----Original Message-----
From:	PaulPokr@aol.com [SMTP:PaulPokr@aol.com]
Sent:	Friday, November 17, 2000 7:10 AM
To:	Loopers-Delight@loopers-delight.com
Subject:	Vortex

Man, I have to say the Vortex is an anomalous beast. I found a couple of
great sounds from the pre's but I have yet to hear a lot of differentiation 
from the presets (maybe it's broke!). I bought it on eBay and it mostly 
just
sits in my rack. Unconnected. I have to try it out again one of these days. 

Any Vortex experts out there that can provide suggestions as to using the
Vortex?

Regards, Paul (the Butch Band)

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 14:50:08 2000
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Subject: Vortex Expression Pedals
Date: Tue, 21 Nov 2000 11:50:53 -0800
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I just got my Vortex last weekend and I was wondering whether anyone knows
specs on how I'd build my own homebrew expression controller?  (I'd like to
use photocell resistors and not a pot)

phalen

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 15:00:40 2000
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Date: Tue, 21 Nov 2000 13:57:50 -0600
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From: Michael Clark <mcl451@airmail.net>
Subject: Ebtech Home Page
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Hi Loopers,

Here is the URL for Ebtech.

Just so you know, I have no financial interest in the site or the products.

I'm just into the anti-buzz/hum movement.

http://www.oktava.com/ebtech.html

Michael

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Hi Michael!

> I'm just into the anti-buzz/hum movement.

Hey, brother, count me in too!  I'll march in that parade!

Thanks for the URL.  Here's my contribution:
http://www.jensen-transformers.com/

Some good info in their white papers for DIYers.

And, likewise, I have no financial interest in the site or the products.

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 15:57:36 2000
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Subject: new looping device :) 
Date: Tue, 21 Nov 2000 15:49:12 -0500
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As part of a gig this weekend, all eight participants had digital cell
phones.  (These were kindly provided by the local Cellular One office.)  I'd
never played around with so many cell phones before and I discovered a
property that other loopers might be interested in.

When I phoned other participants in the same room, I quickly noticed a
significant delay when speaking on the phone.  I didn't measure it but it
was probably 1/2 to 1 second in length.  So I took two phones and held them
in a "69" position :).  This created a feedback loop of about 1 to 2
seconds.  I amplified the set-up with a tiny "tie-clip" style mic and sent
it to the PA.  You could whistle, speak, etc into the phones and generate a
decaying or sustaining signal, depending on how close together you held the
phones.  Quite awkward, but fun!

Dennis Leas
-------------------
dennis@mdbs.com


From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 19:18:43 2000
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Date: Tue, 21 Nov 2000 18:14:24 -0600
From: "Mikell D.Nelson" <mnelson@dmans.com>
Organization: Boomerang Musical Products
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Hi Luca,
	Here we are, and here's a letter describing the V2 upgrade.

--
       Any and all Rangs can be upgraded by replacing the current
microprocessor with the 2.0 Module.  Older units have an additional
part that needs to be changed.  If your AD/DA converter is an 1848,
you
will have to upgrade it to the newer 1845.  The new software will not
recognize the old converter.  In this case, your Rang will have to
make a trip home to Texas because it takes a special tool to remove 
this part.
        To check this out, remove the 4 front screws & 10 bottom
ones; then
place the Rang on its face with the roller to the right and remove
the
bottom cover.  You’ll be looking at the circuit board in all its
glory.
The AD/DA converter is made by Analog Devices, is one of the larger
parts and is the only square one.  The part number information is
printed on the part and reads like AD1845JP.  The important piece of
info is the 4 digits.  If it says 1848, then it’s got to be replaced
if
you want the new software.
        Also, some of the early Rangs were sold with 1Mbyte of
memory.  This
provided 32 seconds of recording on normal speed and 64 seconds on
half
speed.  If you have a 1Mbyte Rang, this is a good time to upgrade the
memory to 4Mbytes as the increased sample rate of the new software
will
reduce the normal speed record time to 21 seconds.
        Until recently Rangs came with 2 x 275 op amps and 1 x 283.
They’re
small 8 pin chips that reside in sockets.  The objectionable pop,
that
can occur when pressing the thru mute switch, is related to these
parts.  If you’ve noticed this problem, it can be fixed by replacing
one of the 275’s with a 2134 op amp.
        And finally, there will be a sliding scale for the price of
the 2.0
Module.  This is a move to avoid the "my new toy is obsolete" blues.
As you might expect, proof of purchase is required if you didn’t send
in
a dated warranty card.  If you purchased your Rang in June 2000 or
later, then the module will cost $39; May 2000, $49; April 2000, $59;
March 2000, $69.  February 2000 and older Rangs will pay $79.

V2.0 Module with 2.0 User Manual, $39-$79
AD1845 Converter, $19
4Mbyte SIMM (memory), $23
2134 Op Amp, $3
Shipping on any combination of above parts, $3
Rang Gig Bag, $39 (shipping $5)
Return shipping (if Rang is sent to us), $9

        "So, what do I get for my money?" you ask.  Good question.
Here’s
what’s in store.

*   Version 2.0 has 2 independent loops; this is like having 2
original Rangs side by side. There are a couple of modes for moving
between the loops. One mode, called AB1, smoothly transitions to loop
B,
plays it once, then goes back to playing loop A, all with one button
press.
*   A higher sample rate has been added; original max was 16KHz, new
max
rate is 24KHz. While this drops the sample time to 1 minute 27
seconds
(with 4Mbytes of memory), the Rang now captures a lot more highs and
sounds a lot crisper.
*   The STACK button can be programmed to be either latching or
momentary.
*   You can go directly from recording to stacking. Press RECORD to
start recording, then press STACK to conclude recording, start
playback and enter stack mode.
*   There are 7 selectable decay rates. On the original the decay
rate was fixed at about 2.3dB. The new rates are as follows: 1 is no
decay, 2 is the original rate (about 20-25 repeats), 3-6 are
progressively quicker decays and are great when using the Rang as a
pure
delay, and 7 is slapback (1 full volume repeat). The new decay rates
&
latching STACK button make the Rang a great sounding digital delay
with
tap tempo. The foot roller becomes the delay level when used like
this. 
Each loop, A and B, has its own decay rate.
*   The RECORD button can be programmed to behave as it does now or
be
disabled during playback. Some folks didn't want to worry about
hitting it while adjusting the foot roller.
*   The half speed concept has been replaced by slow speed, and you
have your choice of five. All are musically related to "normal"
speed.
The choices are: down a 2nd, 4th, 5th, 7th or octave. Playback tempo
is
slowed similarly to the current software.
*   This one is small, but an improvement. Originally, if you pressed
ONCE, the next press of PLAY(STOP) would stop the loop. Now you can
transition between "continuous" play and play once mode. Confusing?
Here's what you can do that you couldn't before. Start an existing
loop
with several stutters or re-starts and then smoothly transition into
playing the loop repeatedly.
*   There are improvements on clicks that occasionally occur at loop
boundaries, particularly when using the Rang in continuous reverse
mode (live reverse lead playing).
*   And finally, we extended the button behavior so that it is more
consistent. For example, in the original, if you were stacking, the
REVERSE button didn't do anything. Now you can be stacking additional
parts and freely reverse direction or go into play once mode.

        All the new features are ADDITIONS. That is, no original
features, even
the lower sampling rates, have been omitted or replaced. The ONCE
button
shares duty as the loop A/B button. Either the REVERSE or STACK
button
is held down to enter one of the two program modes.
-- 

Mike Nelson

Boomerang Musical Products       800-530-4699 
PO Box 541595                    214-340-6913, Outside USA
Dallas, TX  75354-1595           214-343-1038, Fax

http://www.boomerangmusic.com    mnelson@dmans.com

"Some products make you sound better;
 the Boomerang Phrase Sampler makes you play better."

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 19:44:00 2000
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: boomerang update
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Hey Kim,

Mikell's V.2 info would make a great addition to the 'rang section of Tools
of the Trade, wouldn't it? It's a one-stop shop of answers to all the
'rang-related FAQs of the past several months!

Tim (no relation!)

At 06:14 PM 11/21/00 -0600, you wrote:
>	Here we are, and here's a letter describing the V2 upgrade.
(much useful 'rang info followed...)

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 22:16:28 2000
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Date: Tue, 21 Nov 2000 19:08:48 -0800
Subject: Looping Gig: Electrochakra at the Hurricane (Seattle, WA, USA)
	11/22/00
From: Tiktok <tiktok@sprintmail.com>
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The loop-happy Electrochakra (guitar/guitar/bass/sampler/various loopers)
will once again brave the always unpredictable Hurricane (7th and Bell)
between 6PM and midnight, this Wednesday the 22nd.

You don't have to go to work the next day, so no whining.  Attendance will
be taken.

And those nachos are available at no charge.

Be seeing you,

Travis Hartnett
Electrochakra

-- 
MP3's and calendar of upcoming shows available at:

www.mp3.com/electrochakra



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Date: Tue, 21 Nov 2000 19:21:04 -0800
Subject: Acoustic guitar looping gigs: Triptych @ Zoka's & Starbucks
	(Seattle, WA, USA)
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The acoustic guitar frenzy of Triptych will soldier bravely on (augmented by
sync'ed Echoplexi) despite the unavoidable (temporary) absence of founding
member Minnesota Steve Enstad this weekend at two dens of java depravity:

€ Zoka's Coffee Roaster and Tea Co.
(2200 N 56th St, Seattle)
Friday, 11/24
9-11PM

€ Starbucks 
(606 NE 106th, Bellevue)
Saturday, 11/25
8-11PM


Admission is free.  They charge for the coffee.


Be seeing you,

Travis Hartnett
Triptych

From Loopers-Delight-request@loopers-delight.com  Tue Nov 21 23:51:27 2000
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From: "Bill Fox" <billfox@fast.net>
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Subject: Re: new looping device :) 
Date: Tue, 21 Nov 2000 23:46:07 -0500
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With eight phones, why didn't you daisy-chain them all together in a big loop
with a mic at each junction for a multi-tap effect?  Ain't hind sight grand?

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Personal site: http://www.users.fast.net/~billfox

-----Original Message-----
From: Dennis Leas <dennis@mdbs.com>
To: Loopers-Delight@loopers-delight.com <Loopers-Delight@loopers-delight.com>
Date: Tuesday, November 21, 2000 4:02 PM
Subject: new looping device :)


>As part of a gig this weekend, all eight participants had digital cell
>phones.  (These were kindly provided by the local Cellular One office.)  I'd
>never played around with so many cell phones before and I discovered a
>property that other loopers might be interested in.
>
>When I phoned other participants in the same room, I quickly noticed a
>significant delay when speaking on the phone.  I didn't measure it but it
>was probably 1/2 to 1 second in length.  So I took two phones and held them
>in a "69" position :).  This created a feedback loop of about 1 to 2
>seconds.  I amplified the set-up with a tiny "tie-clip" style mic and sent
>it to the PA.  You could whistle, speak, etc into the phones and generate a
>decaying or sustaining signal, depending on how close together you held the
>phones.  Quite awkward, but fun!

From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 00:41:58 2000
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Subject: Re: new looping device :) 
From: David Myers <dmgraph@earthlink.net>
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Ah hah!  Looping device or Feedback device?  I've argued for years that they
are really the same animal....

As for "69"ing phones, sounds like you're something of a cunning linguist,
Dennis :) ....

> As part of a gig this weekend, all eight participants had digital cell
> phones.  (These were kindly provided by the local Cellular One office.)  I'd
> never played around with so many cell phones before and I discovered a
> property that other loopers might be interested in.
> 
> When I phoned other participants in the same room, I quickly noticed a
> significant delay when speaking on the phone.  I didn't measure it but it
> was probably 1/2 to 1 second in length.  So I took two phones and held them
> in a "69" position :).  This created a feedback loop of about 1 to 2
> seconds.  I amplified the set-up with a tiny "tie-clip" style mic and sent
> it to the PA.  You could whistle, speak, etc into the phones and generate a
> decaying or sustaining signal, depending on how close together you held the
> phones.  Quite awkward, but fun!
> 
> Dennis Leas
> -------------------
> dennis@mdbs.com
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Wed Nov 22 02:45:39 2000
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To: loopers-delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: FW: Monday 27 November, Cambridge, MA: Middle-East Down: The
 Loopers' Collective VI -  http://www.openfaucet.com/loop.html
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forwarded for David Kirkdorffer:


>From: "Kirkdorffer, David" <dkirkdorffer@netmorf.com>
>To: "'contactLD@loopers-delight.com'" <contactLD@loopers-delight.com>
>Subject: Monday 27 November: Middle-East Down: The Loopers' Collective VI
>	 -    http://www.openfaucet.com/loop.html
>Date: Tue, 21 Nov 2000 17:19:12 -0500
>MIME-Version: 1.0
>
>Kim -
>
>May I ask a favor of you?  Could you post this message to the
>loopers-delight elist, as I'm not a subscriber at this time (new job!)?
>
>Many thanks in advance.
>
>David Kirkdorffer
>
>Round and Round Productions is proud to present
>
>The Loopers' Collective - VI
>live
>The Middle East (downstairs)
>Cambridge, MA
>Monday, November 27, 2000
>@ 8pm (doors at 7:30)
>
>$7/$5 students &/or with a print out of this eMail
>18+
>
>Return of THE LOOPERS' COLLECTIVE! http://www.openfaucet.com/loop.html
>Courtesy of rosS Hamlin and OpenFaucet Enterprises, this is part six of a
>long and loopy collaboration. This time out it's guitar-ing loopers only.
>The concept is this: each musician will do a short solo set, followed later
>by small groups and an eventual all-in scrum.  The music is circular,
>meaning that each musician has the ability to real-time layer numerous parts
>with new tracks entering the mix all the time.
>The style leans towards the ambient and trippy, and with live video mixing
>(courtesy of video virtuoso, Dr. T.), you can be sure of trippiness galore.
>
>TLC VI will feature six Boston-based six-string slingers blazing a trail
>into the nether reaches of your mind:
>*	Scott Dakota (of Moors fame) - roland space echo
>*	Frank Gerace (of Dreamchild fame) - edp & jamman
>*	rosS Hamlin - boomerang
>*	T.G. Noyes - digitech
>*	2KJB (aka Plastic Razor Protector) - digitech
>*	UNDO (aka David Kirkdorffer) - edp
>
>As always, please bring your awareness how you will.
>David Kirkdorffer
>http://www.openfaucet.com/loop.html
>

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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sure, I'd be happy to add it. Does somebody want to spiff it up into a nice
looking web page?

kim


At 4:44 PM -0800 11/21/00, Tim Nelson wrote:
>Hey Kim,
>
>Mikell's V.2 info would make a great addition to the 'rang section of Tools
>of the Trade, wouldn't it? It's a one-stop shop of answers to all the
>'rang-related FAQs of the past several months!
>
>Tim (no relation!)
>
>At 06:14 PM 11/21/00 -0600, you wrote:
>>	Here we are, and here's a letter describing the V2 upgrade.
>(much useful 'rang info followed...)


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 01:38:00 2000
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ok,  the boomerang v2 stuff is on the web site:

http://www.loopers-delight.com/tools/boomerang/rang2features.html

thanks to Steve Burnett for quickly whipping up the html!

If any corrections are needed, let me know.

kim


>sure, I'd be happy to add it. Does somebody want to spiff it up into a nice
>looking web page?
>
>kim
>
>
>At 4:44 PM -0800 11/21/00, Tim Nelson wrote:
>>Hey Kim,
>>
>>Mikell's V.2 info would make a great addition to the 'rang section of Tools
>>of the Trade, wouldn't it? It's a one-stop shop of answers to all the
>>'rang-related FAQs of the past several months!
>>
>>Tim (no relation!)
>>
>>At 06:14 PM 11/21/00 -0600, you wrote:
>>>	Here we are, and here's a letter describing the V2 upgrade.
>>(much useful 'rang info followed...)
>
>
>______________________________________________________________________
>Kim Flint                     | Looper's Delight
>kflint@loopers-delight.com    | http://www.loopers-delight.com


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 01:54:01 2000
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Hello list,
Another was to use phone to sort of loop is....
Well first you need a phone with three way and you have to have call notes 
or some other autonated anwsering service.
Then
1. Call the number that your call notes works with and when call notes picks 
up sing, whilstle, sqeak a straw in asoft drink whatever into the reciever. 
Then Hang up
2. Call you messaging service and play the message a few times to get a feel 
for it so you have an idea what to preform with it and the lenght is.
3. Now with call notes(or whatever) in the state where you can cue up the 
message by pressing a number, call the phone number that picks up call notes 
agian. After the beep trigger the fist message and then preform new sound 
and this will be layered on the fist message an form a new message.
I do this at work all the time and I am thinking of releasing a cd of all 
inprovised call noted compositions. I work in a mall and I was thinking it 
would be cool to put a picture of me on the phone through the storefront 
window on the front of the cd case, and my time sheet and check on the back 
where the song titles go. At any rate I hope this give somebody out there a 
laught at the boring do nothing jobs( that is if you are un/lucky enought to 
have one of them) This really sustained me while my Edp was in the Shop(and 
still is).
Thanks,
J






_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 07:18:07 2000
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regarding Dennis Leas post about the cell phone experiment:

What a great idea!!! Thanks for sharing it.

    Along similar lines, I have gotten pretty good at controlling the
feedback from two toy walkie talkies, facing them at different angles
while turning the mic on.   I have one of those old red digitech whammy
pedals that has a two octave up/down capability.  In the two octave up
mode, the sweep up is a continuous pitch.
Consequently, I can play the feedback into the solo and once I land on a
controllable pitch
I can play the octave pedal like a 'fretless' feedback.   It is not as
precise as, say, a slide guitar solo (especially considering that I
can't even play a chord on a guitar, being a percussionist at
heart...............that's right, the drool comes out equally on both
sides of my cheeks when the stage is level) but I find that if I slowly
come up or down to pitch that I can get pretty cogent melodic
solos..........more Eno than Malmsteen, of course.  I used to do a
similar trick by whistling into am RE 501 Chorus echo, getting it to
feedback at a continuous volume and then playing the tape speed to
change the pitch (wow, that dates me!!).

BTW, did you just brazenly approach the cell phone people to ask them
for the loan of the
cell phones?  Also,  did you have the conference calling feature?  That
might increase the delay of your 'loop'

Thanks for the creativity, Dennis!     I get so inspired by Loopers
Delight!

                                            Rick Walker (a.k.a.
Loop.pooL)

From Loopers-Delight-request@loopers-delight.com  Thu Nov 23 16:29:59 2000
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From: landman@wco.com (Mark Landman)
Subject: Red Sound Federation Pro
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Happy Turkey Day, Fellow Looping People-

A quick, "gear frenzy" related question for you all-

Anyone heard/played with the Federation Pro effects unit from Red Sound?

I'm planning for a nice BPM driven unit to go in my Repeaters effex loop,
and I'm interested in the feature set on this unit, the problem is I
haven't heard it, and dealers are limited at this point...

I have read the review in Sound on Sound.

Thanks to all!

Mark


From Loopers-Delight-request@loopers-delight.com  Fri Nov 24 04:42:58 2000
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Date: Fri, 24 Nov 2000 04:39:35 EST
Subject: Re: Vortex controller
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In a message dated 23/11/00 06:38:50 GMT Standard Time, 
Loopers-Delight-d-request@loopers-delight.com writes:

> I just got my Vortex last weekend and I was wondering whether anyone knows
>  specs on how I'd build my own homebrew expression controller?  (I'd like to
>  use photocell resistors and not a pot)
>  
>  phalen
> 
It's a 10kOhms linear pot. 
The wiper on the pot connects to the Ring of the jack I/P.

Good luck with the photocells.
  


Andy Butler
<A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex Database
</A> 

From Loopers-Delight-request@loopers-delight.com  Sat Nov 25 10:20:56 2000
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From: "john schau" <terje@dragonsworn.com>
To: Loopers-Delight@loopers-delight.com
Subject: digitech pds 1002/8000
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Hello everyone I'm new to the list and figure I should introduce myself before asking questions.

I've been a musician for a number of years, mostly playing bass and messing with computer created industrial/ambient stuff.  Recently I switched over to playing around with guitar effects a fair bit.

I recently came accross a delay/sampler pedal a friend of mine has been using for a few years now and desperately want to find one.

If anyone on the list knows where I could pick up a digitech pds 1002 or 8000 for a reasonable price please email me privately.

Thanks,

terje



------------------------------------------------------------
DragonSworn Free Email Services - http://www.dragonsworn.com


From Loopers-Delight-request@loopers-delight.com  Sat Nov 25 13:26:05 2000
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Date: Sat, 25 Nov 2000 12:53:08 -0500
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: rather OT: getting barcodes for a CD
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terribly sorry for this off-topicism but having been a contributory
member and considering you all family...

I am putting out several limited edition CDs of various live shows mostly
(it IS heavily loopy so does that count?)

In order to list these anywhere important I need to get a UPC barcode
for each of them... and the cheap, efficient but no-frills duplicator
that I use doesn't supply them and the UPC people want $300/year for
10,000 barcode numbers!

any leads would be greatly appreciated!

	/t

...bunker:extreme (11/07)        <http://extremeNY.com/bunker>..
...electronic a cappella madness <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Sat Nov 25 18:36:31 2000
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Date: Sat, 25 Nov 2000 15:34:37 -0800
To: Loopers-Delight@loopers-delight.com
From: improv@peak.org (Dave Trenkel)
Subject: Re: rather OT: getting barcodes for a CD
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>terribly sorry for this off-topicism but having been a contributory
>member and considering you all family...
>
>I am putting out several limited edition CDs of various live shows mostly
>(it IS heavily loopy so does that count?)
>
>In order to list these anywhere important I need to get a UPC barcode
>for each of them... and the cheap, efficient but no-frills duplicator
>that I use doesn't supply them and the UPC people want $300/year for
>10,000 barcode numbers!
>
>any leads would be greatly appreciated!
>
I too am wondering about this, so please respond to the list if you have an
answer. Maybe we ought to start a bar code coop?

____________________________________________
Dave Trenkel : improv@peak.org
Minus Web Site: http://listen.to/minusmusic
Minus MP3's: http://www.mp3.com/-minus-
____________________________________________


From Loopers-Delight-request@loopers-delight.com  Sat Nov 25 22:34:39 2000
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video Performances  (Cambridge, MA) 11.27.00 and 11.30.00
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Hi,

I'll be doing video improvisation with two of my favorite bands next 
week, working with The Looper's Collective at the Middle East on 
11.27 , and with Urban Ambience at the Zeitgeist Gallery on 11.30.

On Monday

Round and Round Productions is proud to present

The Loopers' Collective - VI
live
The Middle East (downstairs)
Monday, November 27, 2000
@ 8pm (doors at 7:30)

$7/$5 students &/or with a print out of this eMail
18+

Return of THE LOOPERS' COLLECTIVE! http://www.openfaucet.com/loop.html
Courtesy of rosS Hamlin and OpenFaucet Enterprises, this is part six of a
long and loopy collaboration. This time out it's guitar-ing loopers only.
The concept is this: each musician will do a short solo set, followed later
by small groups and an eventual all-in scrum with everyone. The music is
circular, meaning that each musician has the ability to real-time layer
numerous parts with new tracks entering the mix all the time.
The style leans towards the ambient and trippy, and with live video mixing
(courtesy of video virtuoso, Dr. T.), you can be sure of trippiness galore.

TLC VI will feature six Boston-based six-string slingers blazing a trail
into the nether reaches of your mind:
*	Scott Dakota (of Moors fame)
*	Frank Gerace (of Dreamchild fame)
*	rosS Hamlin
*	T.G. Noyes
*	2KJB (aka Plastic Razor Protector)
*	UNDO (aka David Kirkdorffer)



On Thursday at the Zeitgeist Gallery  (312
Broadway, Cambridge, MA) @ 7:30PM  with Urban Ambience headlining, 
and Reian Bennett
improvised Shakuhachi (Japanese bamboo flute) and T. G. Noyes, Zen 
Guitar opening.

Suggested donation $5.00.


-- 



"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man."

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Sat Nov 25 22:59:40 2000
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To: Loopers-Delight@loopers-delight.com
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: bluezette
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At 8:27 AM -0800 11/15/00, Nemoguitt@aol.com wrote:
>..........kim, did you
>ever get your copy of BLUEZETTE?.........let me know, if it got lost ill send
>you another..........michael


Yes, I got it! sorry for the slow reply, I've been quite busy lately. The
Bluezette cd is great fun. I also recently got the Philter Phrenzy cd from
Miko. In fact, I have a whole collection of CT Project cds now! There sure
is a lot creative stuff on these discs, I've really enjoyed listening to
them. you guys are doing a great job with these projects, keep it up!

the rest of you should check this out too, either listen or contribute your
own stuff. I think the web site for it is http://www.loopxchange.com

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 04:20:25 2000
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Date: Sat, 25 Nov 2000 01:11:18 -0800
From: Rick Walker <GLOBAL@cruzio.com>
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The first president of our country wrote:

I am thinking of releasing a cd of all
inprovised call noted compositions. I work in a mall and I was thinking
it
would be cool to put a picture of me on the phone through the storefront

window on the front of the cd case, and my time sheet and check on the
back
where the song titles go. At any rate I hope this give somebody out
there a
laught at the boring do nothing jobs( that is if you are un/lucky
enought to
have one of them)

Rick Walker wrote back:

    I, for one would be interested in purchasing that CD should you ever
decide to release it.
Please keep my e-mail address just in case.

Your message also reminds me of something I was involved in, here while
back. A student of mine, knowing that I was interested in overtone
singing called my answering machine to tell me that a Mongolian musician
was overtone singing on NPR (hoping that I was there and would pick
up).   Frustrated, she finally just put the radio up to the phone and
the Mongolian was transported onto my answering machine (an old Radio
Shack cassette version).   I had, just that very day,  purchased the
Casio watch that has a cheap little 30 second sampler in it , so I
played my answering machince back and recorded the Mongolian onto my
watch.   I then called my student back and played my watch's recording
onto her equally crummy answering machine (she not being there).
As you can imagine, by this time the singer's overtone singing had
seriously degraded and by this time sounded like a rhythm track off of
an Aphex Twin or Autrechre recording.
I took the resultant recording and looped it into my Lexicon JamPerson
(I live in PC country in Santa Cruz, California) and used it in a
performance that night.
It was looping, just the most convoluted and lo fi kind.

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 06:58:04 2000
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
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References: <p05001901b64630156860@[209.67.232.73]>
Subject: Re: Video Performances  (Cambridge, MA) 11.27.00 and 11.30.00
Date: Sun, 26 Nov 2000 11:55:04 -0000
Organization: EarthLight Productions
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Ah, for a moment I thought it was in Cambridge, UK.  Any chances of you
getting over here?

Stephen Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

----- Original Message -----
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
To: <Recipient List Suppressed:>
Sent: 26 November 2000 03:19 AM
Subject: Video Performances (Cambridge, MA) 11.27.00 and 11.30.00


> Hi,
>
> I'll be doing video improvisation with two of my favorite bands next
> week, working with The Looper's Collective at the Middle East on
> 11.27 , and with Urban Ambience at the Zeitgeist Gallery on 11.30.
>
> On Monday
>
> Round and Round Productions is proud to present
>
> The Loopers' Collective - VI
> live
> The Middle East (downstairs)
> Monday, November 27, 2000
> @ 8pm (doors at 7:30)
>
> $7/$5 students &/or with a print out of this eMail
> 18+
>
> Return of THE LOOPERS' COLLECTIVE! http://www.openfaucet.com/loop.html
> Courtesy of rosS Hamlin and OpenFaucet Enterprises, this is part six of a
> long and loopy collaboration. This time out it's guitar-ing loopers only.
> The concept is this: each musician will do a short solo set, followed
later
> by small groups and an eventual all-in scrum with everyone. The music is
> circular, meaning that each musician has the ability to real-time layer
> numerous parts with new tracks entering the mix all the time.
> The style leans towards the ambient and trippy, and with live video mixing
> (courtesy of video virtuoso, Dr. T.), you can be sure of trippiness
galore.
>
> TLC VI will feature six Boston-based six-string slingers blazing a trail
> into the nether reaches of your mind:
> * Scott Dakota (of Moors fame)
> * Frank Gerace (of Dreamchild fame)
> * rosS Hamlin
> * T.G. Noyes
> * 2KJB (aka Plastic Razor Protector)
> * UNDO (aka David Kirkdorffer)
>
>
>
> On Thursday at the Zeitgeist Gallery  (312
> Broadway, Cambridge, MA) @ 7:30PM  with Urban Ambience headlining,
> and Reian Bennett
> improvised Shakuhachi (Japanese bamboo flute) and T. G. Noyes, Zen
> Guitar opening.
>
> Suggested donation $5.00.
>
>
> --
>
>
>
> "The reasonable man adapts himself to the world. The unreasonable man
> persists in adapting the world to himself. Therefore, all progress
> depends on the unreasonable man."
>
> --  George Bernard Shaw
>
> Emile Tobenfeld, Ph. D.
> Video Producer Image Processing Specialist
> Video for your HEAD! Boris FX
> http://www.foryourhead.com http://www.borisfx.com
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 07:11:45 2000
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From: Claude Voit <c.voit@vtx.ch>
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Kim Flint wrote:
> 
> At 8:27 AM -0800 11/15/00, Nemoguitt@aol.com wrote:
> >..........kim, did you
> >ever get your copy of BLUEZETTE?.........let me know, if it got lost ill send
> >you another..........michael
> 
> Yes, I got it! sorry for the slow reply, I've been quite busy lately. The
> Bluezette cd is great fun. I also recently got the Philter Phrenzy cd from
> Miko. In fact, I have a whole collection of CT Project cds now! There sure
> is a lot creative stuff on these discs, I've really enjoyed listening to
> them. you guys are doing a great job with these projects, keep it up!
> 
> the rest of you should check this out too, either listen or contribute your
> own stuff. I think the web site for it is http://www.loopxchange.com
> 
Kim
thank you
but
you didnt go there lately as http://www.loopxchange.com _is_ the "online
for you to enjoy" site
where you can listen, download, most of our Chain Tape projects 

also a great start for our LD newbies, to get a grasp of what music this
or this smart ass you meet here plays.

should I mention that you, as our host smart ass, should definitly
contribute once to one of our projects

is your music somewhere on the net

You're welcome

Claude

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In a message dated 11/26/00 10:09:07 AM Mid-Atlantic Standard Time, 
c.voit@vtx.ch writes:

<< should I mention that you, as our host smart ass, should definitly
 contribute once to one of our projects >>

kim.......first off thank, you very much for the kind words, secondly, as mr 
claude candy man voit put it, please join us for one of our get togethers and 
dont give us that ol "im too busy" nonsense, i work 24 hours 8 days a 
week.............:)..............www.loopxchange.com spells out all one needs 
to know to get involved with the CHAIN TAPE-COLLECTIVE, also at the site you 
can find out how to get our cds .........an excellent source of loopy 
maddness and bliss for all...........michael
n.p. Aliensporebomb........"VIGNETTE"

From Loopers-Delight-request@loopers-delight.com  Sun Nov 26 14:18:04 2000
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Date: Sun, 26 Nov 2000 11:14:04 -0800 (PST)
From: Pratt Winkle <prattwink2@yahoo.com>
Subject: www.synthrepairshop.com
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Check out the www.synthrepairshop.com for fast,
reasonable and reliable electronics repair.
Midi retro-fits for monosynths $139.00

__________________________________________________
Do You Yahoo!?
Yahoo! Shopping - Thousands of Stores. Millions of Products.
http://shopping.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 10:04:26 2000
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Subject: Re: Using Phones to loop
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----- Original Message -----
From: "George Washington" <jeremiah266@hotmail.com>
> Another was to use phone to sort of loop is....
> . . .
> have one of them) This really sustained me while my Edp was in the
Shop(and
> still is).

What a great idea!

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 10:04:29 2000
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Subject: Re: new looping device :)
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> BTW, did you just brazenly approach the cell phone people to ask them
> for the loan of the
> cell phones?  Also,  did you have the conference calling feature?  That
> might increase the delay of your 'loop'

Yes!  In return, we mentioned them in all advertising (we had a radio
interview on the local NPR station, an article in the local paper, etc.).

Nope, no conf calling features.  That would have been fun!

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 10:16:19 2000
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From: Darcy  Clark <darcyc@engin.umich.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Vortex - midi mods ?
Date: Mon, 27 Nov 2000 10:11:59 -0500
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Has anyone on the list heard of any midi mods to the vortex ? I'd love to be
tweak all those cool effects and parameters via midi...cheers,

Darcy

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not sure what you could change via midi, but what I would like is to synch
the tap VIA MIDI Ive seen the edp to vortex mod, but any ideas how to come
straight from a midi clock anyone????

-----Original Message-----
From: Darcy Clark [mailto:darcyc@engin.umich.edu]
Sent: 27. november 2000 16:12
To: 'Loopers-Delight@loopers-delight.com'
Subject: RE: Vortex - midi mods ?


Has anyone on the list heard of any midi mods to the vortex ? I'd love to be
tweak all those cool effects and parameters via midi...cheers,

Darcy

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 10:30:08 2000
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Subject: Re: Vortex - midi mods ?
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I've had this thought too.

Here's some possible approaches:

1) use some kits like from PAIA et al to retro-fit MIDI into the Vortex.

2) Ok, Orville or Kyma owners (myself included)!  You've been boasting about
how flexible these units are.  Make a Vortex emulation!  After all, we've
got block diagrams in the Vortex manual to start with.

Dennis Leas
-------------------
dennis@mdbs.com

----- Original Message -----
From: "Darcy Clark" <darcyc@engin.umich.edu>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 27, 2000 10:11 AM
Subject: RE: Vortex - midi mods ?


> Has anyone on the list heard of any midi mods to the vortex ? I'd love to
be
> tweak all those cool effects and parameters via midi...cheers,
>
> Darcy
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 10:43:29 2000
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Subject: Re: Vortex - midi mods ?
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the midijack might work for it (i don't know anything about the vortex..is
it CV controlled?)

check http://www.synchouse.com

Joshua

Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 - Pulse 8 Music Project
http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
http://users.ticnet.com/jkersey - Personal Home Page
----- Original Message -----
From: "Dennis Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 27, 2000 9:20 AM
Subject: Re: Vortex - midi mods ?


> I've had this thought too.
>
> Here's some possible approaches:
>
> 1) use some kits like from PAIA et al to retro-fit MIDI into the Vortex.
>
> 2) Ok, Orville or Kyma owners (myself included)!  You've been boasting
about
> how flexible these units are.  Make a Vortex emulation!  After all, we've
> got block diagrams in the Vortex manual to start with.
>
> Dennis Leas
> -------------------
> dennis@mdbs.com
>
> ----- Original Message -----
> From: "Darcy Clark" <darcyc@engin.umich.edu>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, November 27, 2000 10:11 AM
> Subject: RE: Vortex - midi mods ?
>
>
> > Has anyone on the list heard of any midi mods to the vortex ? I'd love
to
> be
> > tweak all those cool effects and parameters via midi...cheers,
> >
> > Darcy
> >
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 11:35:48 2000
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Subject: Re: Vortex - midi mods ?
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Hey Joshua!

> check http://www.synchouse.com

I get "Can't find server".  Spelling?

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 11:57:54 2000
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Subject: Re: Vortex - midi mods ?
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oops..my bad...

now my good :)

http://www.synhouse.com/ (confirmed before I sent this)


Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 - Pulse 8 Music Project
http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
http://users.ticnet.com/jkersey - Personal Home Page
----- Original Message ----- 
From: "Dennis Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 27, 2000 10:23 AM
Subject: Re: Vortex - midi mods ?


> Hey Joshua!
> 
> > check http://www.synchouse.com
> 
> I get "Can't find server".  Spelling?
> 
> Dennis Leas
> -------------------
> dennis@mdbs.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 13:12:13 2000
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From: Darcy  Clark <darcyc@engin.umich.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Vortex - midi mods ?
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Thanks for the website [http://www.synhouse.com/] - their MidiJack might do
the job, but I am not sure it can handle the whole range of midi controller
data (I'm a bit of a midi neophyte really) From their website they list
(among other things) that the MidiJack can :

Receive MIDI Note On messages (full range, MIDI notes 0-127) 
Receive MIDI Note Off messages (full range, MIDI notes 0-127) 
Receive MIDI sustain pedal (controller number 64) 

I guess I will contact them for more info. My dream would be to have
simultaneous control over multiple parameters in a vortex patch via Midi
(probably via Opcode Max). My suspicion is that this maybe impossible even
with the MidiJack.

cheers,

darcy

> -----Original Message-----
> From: Pulse 8 [mailto:ozone@ticnet.com]
> Sent: Monday, November 27, 2000 12:04 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Vortex - midi mods ?
> 
> 
> oops..my bad...
> 
> now my good :)
> 
> http://www.synhouse.com/ (confirmed before I sent this)
> 
> 
> Pulse 8 - aim:jkerseyvcso
> http://www.mp3.com/pulse8 - Pulse 8 Music Project
> http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
> http://www.egroups.com/community/sampleoftheday - Free Sample 
> Of The Day
> http://users.ticnet.com/jkersey - Personal Home Page
> ----- Original Message ----- 
> From: "Dennis Leas" <dennis@mdbs.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, November 27, 2000 10:23 AM
> Subject: Re: Vortex - midi mods ?
> 
> 
> > Hey Joshua!
> > 
> > > check http://www.synchouse.com
> > 
> > I get "Can't find server".  Spelling?
> > 
> > Dennis Leas
> > -------------------
> > dennis@mdbs.com
> > 
> > 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 13:52:08 2000
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Subject: Echoplex Software update (and reliability); also gate-checking
Date: Mon, 27 Nov 2000 10:47:36 -0800
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Hi all--
Just back from a job in Reno where we shared the bill with George Svoboda
and Fred Benedetti, a classical guitar duo from here in San Diego.  I was
surprised to see they both had Oberheim EDPs!  And they use them for some
segments of their show (the improvised part) . . . I am sure that they could
benefit from an update of their software, so I told them about this mail
list and the Gibson/Trace Elliot connection.
How close is the brand new update?  Must be right around the corner . . .
Also they raved about the reliability of their loopers, having travelled the
globe with their music.  That being said, I observed Fred being careful with
his rack on the plane (he took it onboard and stowed it under the seat), so
consider the difference between classic guitarist/professor and, oh, say,
yer normal loop crazed electric guitarist.  Certainly baggage handlers can't
be trusted . . . I think they delight in the opportunity to test the
durability of items checked.  In fact, one of our travellers had his bag
damaged on this trip--he got a piece of luggage back with a broken zipper,
items stuffed hastily back in--so the lesson is, if you care about your
equipment, handle it yourself.  In fact, I gate-checked my Taylor for the
first time (on Fred's advise) and was surprised at the degree of
cooperation--was anyone else aware that this procedure is supported
(carrying instruments onto the plane)?  On the first leg of the journey
(Reno to Las Vegas) I actually was able to stow the guitar overhead!
Gary

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 14:37:56 2000
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Gary Lehmann wrote:

> Hi all--
> Just back from a job in Reno where we shared the bill with George Svoboda
> and Fred Benedetti, a classical guitar duo from here in San Diego.  I was
> surprised to see they both had Oberheim EDPs!  And they use them for some
> segments of their show (the improvised part) . . . I am sure that they could
> benefit from an update of their software, so I told them about this mail
> list and the Gibson/Trace Elliot connection.
> How close is the brand new update?  Must be right around the corner . . .
> Also they raved about the reliability of their loopers, having travelled the
> globe with their music.  That being said, I observed Fred being careful with
> his rack on the plane (he took it onboard and stowed it under the seat), so
> consider the difference between classic guitarist/professor and, oh, say,
> yer normal loop crazed electric guitarist.  Certainly baggage handlers can't
> be trusted . . . I think they delight in the opportunity to test the
> durability of items checked.  In fact, one of our travellers had his bag
> damaged on this trip--he got a piece of luggage back with a broken zipper,
> items stuffed hastily back in--so the lesson is, if you care about your
> equipment, handle it yourself.  In fact, I gate-checked my Taylor for the
> first time (on Fred's advise) and was surprised at the degree of
> cooperation--was anyone else aware that this procedure is supported
> (carrying instruments onto the plane)?  On the first leg of the journey
> (Reno to Las Vegas) I actually was able to stow the guitar overhead!
> Gary

what airline was this? i've had good and bad experiences with guitars onboard,
ranging from being able to stow it myself to gate-checking to just plain
checking (first and last time, luckily just the case was damaged and not the
guitar). when i've travelled with electronics, i've always managed to carry
them and stow them myself. i'd be curious how they handle gate-checking at
different airlines (do they just toss it on the stack in the luggage hold, or
did they actually find some spot in the passenger compartment for it?). i
always sweat with trepidation upon approaching the airport with musical
instrument cases in hand...

funny (or tragic) anecdotes?

lance g.

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Hi There. . .

Regarding EDP reliability:
I got one of the first batch of the new Trace Elliot units.  I have had
no problems so far with mild usage.  I am going into some heavy usage
and gigging now, and am concerned vis-a-vis the large number of problems
people have had with these things.  My question:

Do we have a sense of what % of these new ones are unstable?  Are the
bad ones bad from the get-go or do they deteriorate?  Have the hardware
problems been pinpointed?  In short - should I be wary of building my
set around a potentially unstable unit considering I have had no
problems thus far?

Any advice appreciated.
Thanks,
eo

--
eric oberthaler
http://www.soundsliketree.com
(music within)


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Yes Dennis, I did many rebuild of my "old" Vortex into DSP4000 AND 
Orville...some of them work fine some don't. I think that those diagrams in 
the Vortex manual are pretty general layouts, not very specific and 
explanatory of what really happens into the little dsp.
Maybe we can swap some Orville programs if you use the PC editor Vsig.
BTW, have you downloaded software V2.705 from oupdate internet site?
            ..best ITALOOP

>From: "Dennis Leas" <dennis@mdbs.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: Vortex - midi mods ?
>Date: Mon, 27 Nov 2000 10:20:12 -0500
>
>I've had this thought too.
>
>Here's some possible approaches:
>
>1) use some kits like from PAIA et al to retro-fit MIDI into the Vortex.
>
>2) Ok, Orville or Kyma owners (myself included)!  You've been boasting 
>about
>how flexible these units are.  Make a Vortex emulation!  After all, we've
>got block diagrams in the Vortex manual to start with.
>
>Dennis Leas
>-------------------
>dennis@mdbs.com
>
>----- Original Message -----
>From: "Darcy Clark" <darcyc@engin.umich.edu>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Monday, November 27, 2000 10:11 AM
>Subject: RE: Vortex - midi mods ?
>
>
> > Has anyone on the list heard of any midi mods to the vortex ? I'd love 
>to
>be
> > tweak all those cool effects and parameters via midi...cheers,
> >
> > Darcy
> >
>

_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

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From: Jimmy George <jimmy@loadhandler.com>
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I have two concert sized acoustics that have always came onboard with me to
go in the overheads. They both reside inside their trusty reunion blues gig
bags which easily fits into the small onboard plane compartments. dozens of
flights have allowed this when approached with a smile.

best wishes,
Jimmy George

-----Original Message-----
From: lance glover [mailto:baumhaus@earthlink.net]
Sent: Monday, November 27, 2000 1:42 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: gate-checking




Gary Lehmann wrote:

> Hi all--
> Just back from a job in Reno where we shared the bill with George Svoboda
> and Fred Benedetti, a classical guitar duo from here in San Diego.  I was
> surprised to see they both had Oberheim EDPs!  And they use them for some
> segments of their show (the improvised part) . . . I am sure that they
could
> benefit from an update of their software, so I told them about this mail
> list and the Gibson/Trace Elliot connection.
> How close is the brand new update?  Must be right around the corner . . .
> Also they raved about the reliability of their loopers, having travelled
the
> globe with their music.  That being said, I observed Fred being careful
with
> his rack on the plane (he took it onboard and stowed it under the seat),
so
> consider the difference between classic guitarist/professor and, oh, say,
> yer normal loop crazed electric guitarist.  Certainly baggage handlers
can't
> be trusted . . . I think they delight in the opportunity to test the
> durability of items checked.  In fact, one of our travellers had his bag
> damaged on this trip--he got a piece of luggage back with a broken zipper,
> items stuffed hastily back in--so the lesson is, if you care about your
> equipment, handle it yourself.  In fact, I gate-checked my Taylor for the
> first time (on Fred's advise) and was surprised at the degree of
> cooperation--was anyone else aware that this procedure is supported
> (carrying instruments onto the plane)?  On the first leg of the journey
> (Reno to Las Vegas) I actually was able to stow the guitar overhead!
> Gary

what airline was this? i've had good and bad experiences with guitars
onboard,
ranging from being able to stow it myself to gate-checking to just plain
checking (first and last time, luckily just the case was damaged and not the
guitar). when i've travelled with electronics, i've always managed to carry
them and stow them myself. i'd be curious how they handle gate-checking at
different airlines (do they just toss it on the stack in the luggage hold,
or
did they actually find some spot in the passenger compartment for it?). i
always sweat with trepidation upon approaching the airport with musical
instrument cases in hand...

funny (or tragic) anecdotes?

lance g.

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 15:05:31 2000
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References: <4036A094D96A9549A6D6CCD979F1F363295185@engin-mail2.ad.engin.umich.edu> <001001c058a2$83a5c7c0$b39ed8cc@gary> <3A22B8FE.DCBC0159@soundsliketree.com>
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while I can't speak directly to the EDP, I can make a general
observation about trace construction, not great.  that said I think the
problems are more assembly than design issues, my experience with thier
amps is that having a tech go thru it and tighten this and that, secure
poorly mounted boards, tie wrap, hot glue, tighten, touchup and in
general do the QC that should have already been done can be helpful in
improving longevity and service w/o failures.

maybe it would help ease your mind to do a little pre-emptive
service/maintenance, take it to a good tech and ask him to give it a
good go over, most tech's will know what to do

a really silly loose peripheral part knocking around can frequently be
taken care of for very little money before it turns into a larger and
more expensive and frustrating issue, many future deep problems start as
small physical issues

peace,  stever

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 <Loopers-Delight@loopers-delight.com>
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I'm still searching for a MIDI software looper for the Mac.  Anybody?
If there's nothing out there better than the looping capabililties of -
say - Digital Performer then I gather Max is the option that's left.
I heard mention of a Max list - anybody have info?
Anyone have any Max MIDI looping patches they might want to throw my
way?
Thanks a bunch!
eo

--
eric oberthaler
http://www.soundsliketree.com
(music within)


From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 15:18:59 2000
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From: Michael Clark <mcl451@airmail.net>
Subject: OT: gate-checking
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I have a friend who works for, uh .... a major airline ..... and he says
that checking a guitar, or anvil style road cases, is asking for trouble.
Some of the baggage handlers take delight in consciously being abusive to
the instrument or equipment.  They do this stuff On Purpose.

Many airlines will allow you to carry on a guitar.  The big deal is that it
must fit in the overhead.  Must be a padded/soft case.

I actually saw someone carry on a bass viola.  No, it didn't fit in the
overhead, but the stewardess put it in the back of the plane.  I think the
grave look of concern and being a bit teary eyed helped.

The Fabulous Thunderbirds had so much trouble with trashed equipment that
they actually had 3 different set-ups warehoused at different points around
the country.  Imagine opening up your anvil case and seeing your Super
Reverb or Bassman with tubes falling out.  Hey, that qualifies as a hate
crime!  Doesn't it?

Michael

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 15:19:17 2000
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From: Darcy  Clark <darcyc@engin.umich.edu>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: MAX and MIDI and Looping
Date: Mon, 27 Nov 2000 15:14:37 -0500
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http://www.redmoon-music.com/products/maxWerk/

is the only product in the area of midi looping that I know of, so there may
well be others. From my limited (to date) use of Max I think it might not be
that hard to code a rudimentary midi looper from scratch. Here are some
previous messages to the list of this topic :

http://www.loopers-delight.com/LDarchive/199707/msg00249.html
http://www.loopers-delight.com/LDarchive/199707/msg00276.html

hope this helps,

Darcy

> -----Original Message-----
> From: eric oberthaler [mailto:eric@soundsliketree.com]
> Sent: Monday, November 27, 2000 3:02 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: MAX and MIDI and Looping
> 
> 
> I'm still searching for a MIDI software looper for the Mac.  Anybody?
> If there's nothing out there better than the looping 
> capabililties of -
> say - Digital Performer then I gather Max is the option that's left.
> I heard mention of a Max list - anybody have info?
> Anyone have any Max MIDI looping patches they might want to throw my
> way?
> Thanks a bunch!
> eo
> 
> --
> eric oberthaler
> http://www.soundsliketree.com
> (music within)
> 
> 

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 <4036A094D96A9549A6D6CCD979F1F363295185@engin-mail2.ad.engin.umich.edu>
 <001001c058a2$83a5c7c0$b39ed8cc@gary> <3A22B87C.47EE679B@earthlink.net>
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Subject: Re: OT: gate-checking
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>funny (or tragic) anecdotes?
>
>lance g.


just one...travelling to Seattle to meet a friend (and ex-band mate), 
so we decide we will 'jam' when i arrive.  I bring my then looper 
pedal box.  2 digitech 2000's and a digitech 8000, all in line with 
power strip, power supplies, and patch cords all there.  just plug it 
in, put in your input and output cords and off ya go...all in a 
sturdy wood box with latches.

put that one through the x-ray, and the operator's eyes bulged...i 
think rudimentary circuit boards with battery supplied power spells 
'bomb' in their training manual, so they saw it and immediately made 
me open it.  i kept telling them, they are music pedals, for electric 
guitar...see?...you put the cable there and it goes out 
there...understand?  music...yes...they are for music.  the power 
strip?  that's for the power...yes...music.....what do they do? 
ummmmm.....
...yes...music....uh huh....

i had to go through 3 or 4 people coming over to investigate, with 
each successive person not wanting to deal with it and deferring to 
someone with more authority.  finally got the go ahead after 20 
minutes or so...had to do that on departure from both LA and Seattle. 
loads of fun!

rich


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Subject: EMUSIC Playlist #192
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EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #192                    November 23, 2000.

On this show, I continued the month-long focus on Groove compilation CDs.
The feature CD at Midnight was "Four the Truth," the fourth of four CDs
of music inspired by the X Files television series.

Groove Unlimited    http://wdiyfm.org/emusic/playlists/2000/focus00.html#nov


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Paul Ellis              Appears to Vanish Pt 1   Appears to Vanish (Neu Harmony)
Max Corbacho            Primigenial Frontier     Far Beyond the Immobile Point
(none)
Fanger & Kersten        Black Hole               Interkosmos (Manikin)
Surface 10              Epheral                  In Vitro Tide (DiN)
Steve Roach &           Serpent Clan             The Serpent's Lair (Projekt)
  Byron Metcalf
Steve Roach &           Beating Heart of the     The Serpent's Lair (Projekt)
  Byron Metcalf           Dragon Mother
Larry Gaabe             The Rise of Reason       History All At Once (Morphosis
Music)
M. Griffin & D. Fulton  Quadrature - phase 1     The Most Distant Point Known
(Hypnos)

12:00 am
VA [Rapp, Boots &       Alien Bug Hunt           Four the Truth (Groove)
    E.v.d.Heijden]
VA [Keller, Schonwalder Synapsys Struggle of     Four the Truth (Groove)
    H.v.d.Heijden]        Life's Recordings
VA [Marselje & Munz]    Who Is It?               Four the Truth (Groove)
VA [Boots & Obmana]     Acknowledged Contact     Four the Truth (Groove)
VA [Boddy & Boots]      Gross Misconduct         Four the Truth (Groove)
VA [R.Guyt, M.Guyt,     The Relativity of        Four the Truth (Groove)
    Bliekendaal]          Reality
VA [E.v.d.Heijden & Boots]  Bare Score           Four the Truth (Groove)
VA [Aerts & Clent]      Straight Ahead           Four the Truth (Groove)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll conclude the month-long focus on compilation discs
from the Dutch label Groove Unlimited.  Next week's feature CD at midnight
will be "World Wide Kind."

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 16:16:52 2000
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From: "Stephen P. Goodman" <spgoodman@earthlight.net>
To: <Loopers-Delight@loopers-delight.com>
References:  <4036A094D96A9549A6D6CCD979F1F363295185@engin-mail2.ad.engin.umich.edu> <001001c058a2$83a5c7c0$b39ed8cc@gary> <3A22B87C.47EE679B@earthlink.net> <p04330100b64871634776@[192.168.0.24]>
Subject: Re: OT: gate-checking
Date: Mon, 27 Nov 2000 21:11:14 -0000
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I was told by the cargo folks at LAX that batteries are the particular items
that trigger off the Concern Flag with the people who scan the x-ray
machines.  As it is with cargo, you have to remove ALL batteries from
whatever you're shipping, no matter what.  I didn't tell them about the
disk-battery in my PC of course, screw 'em.  But the 9V's are a sure-fire
trouble spot that the security people are trained to look for - and the
moment they see it, it's a @#$ bomb unless you can prove otherwise.

Funny thing though, my Digitech DDS 7.6 and the QuadraVerb were packed in
bubble wrap, in a duffle bag - and didn't even get opened.  No batteries,
folks.

Stephen Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

> >funny (or tragic) anecdotes?
> >
> >lance g.
>
>
> just one...travelling to Seattle to meet a friend (and ex-band mate),
> so we decide we will 'jam' when i arrive.  I bring my then looper
> pedal box.  2 digitech 2000's and a digitech 8000, all in line with
> power strip, power supplies, and patch cords all there.  just plug it
> in, put in your input and output cords and off ya go...all in a
> sturdy wood box with latches.
>
> put that one through the x-ray, and the operator's eyes bulged...i
> think rudimentary circuit boards with battery supplied power spells
> 'bomb' in their training manual, so they saw it and immediately made
> me open it.  i kept telling them, they are music pedals, for electric
> guitar...see?...you put the cable there and it goes out
> there...understand?  music...yes...they are for music.  the power
> strip?  that's for the power...yes...music.....what do they do?
> ummmmm.....
> ...yes...music....uh huh....
>
> i had to go through 3 or 4 people coming over to investigate, with
> each successive person not wanting to deal with it and deferring to
> someone with more authority.  finally got the go ahead after 20
> minutes or so...had to do that on departure from both LA and Seattle.
> loads of fun!
>
> rich
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 16:32:37 2000
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Subject: Re: Echoplex Reliability
Date: Tue, 28 Nov 2000 10:20:05 +0100
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I agree with you.

and those input/output control knobs are extremely sensitive.
mine doesnt operate properly at this moment.

is it possible to buy such potentiometers anywhere?

a/d

----- Original Message ----- 
From: T <iyam@bellsouth.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, November 27, 2000 8:03 PM
Subject: Re: Echoplex Reliability


> while I can't speak directly to the EDP, I can make a general
> observation about trace construction, not great.  that said I think the
> problems are more assembly than design issues, my experience with thier
> amps is that having a tech go thru it and tighten this and that, secure
> poorly mounted boards, tie wrap, hot glue, tighten, touchup and in
> general do the QC that should have already been done can be helpful in
> improving longevity and service w/o failures.
> 
> maybe it would help ease your mind to do a little pre-emptive
> service/maintenance, take it to a good tech and ask him to give it a
> good go over, most tech's will know what to do
> 
> a really silly loose peripheral part knocking around can frequently be
> taken care of for very little money before it turns into a larger and
> more expensive and frustrating issue, many future deep problems start as
> small physical issues
> 
> peace,  stever
> 

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 17:03:30 2000
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Subject: Re: OT: gate-checking
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One thing I can recommend that might seem a bit silly at first is the
following:

When I went from North Carolina to Seattle to play a show at a friend's
anniversary party, I took a lot of equipment, and had nowhere near the kind
of money one needs for flight cases. I already had a pretty sturdy case from
an old Korg I bought years back, and it already had foam in it, so I used
this one to store my more delicate instruments. For the more hardy stuff,
like my Mackie CFX-12 (they accurately call it throw proof, btw), I went to
a thrift store and bought a huge hard plastic locking case for $5. I then
went to Big Lots and bought a crappy chair made of foam. I cut the chair up
into foam strips and packed the Mackie in firmly, then filled the blank
space with cables and other relatively unbreakable items. For my effects
units, these were wrapped in my clothes packed in my regular suitcase, which
also had some foam in it. The final step was spray painting the mixer case
in horrible colors so no one would ever want to steal it. The only damage
was a bit of the metal edge that bent on the crappy case, but hey it was
only 5 bucks. With some of the money I saved on buying a case I bought hasps
and locks, and added these to both cases so I could feel safer about letting
strangers handle them.

A bit of extra work certainly, and maybe kind of a backwoods way to do it,
but it worked!

So in short: Buying and adapting a lot of disposable crap can end up getting
the job done for a lot less money.

Hopefully that helps somebody out.

Jon
www.mp3.com/skincage



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On 27/11/00 at 15:14, Darcy  Clark <darcyc@engin.umich.edu> wrote:

> > say - Digital Performer then I gather Max is the option that's left.
> > I heard mention of a Max list - anybody have info?


FWIW,

The Max list is at 

http://www.cycling74.com

If I were you I'd set it up so that you don't have to put up with all the
rubbish that gets sent to that list from antiorp.
There are a few looping apps out there I think.
Josh Kit Clayton has written one, you can find out about a lot of that stuff
from the cycling 74 site.

In my experience it is difficult to achieve a high degree of timing accuracy
within MAX. Hopefully the next version will go some way towards ironing that
out. That seems to be the only real problem though (!!!!!!!!!!!!)
Apart from that you can do pretty much anything you like with MIDI in a MAX
patch.

L8r

A

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Subject: Top 20 for November 2000 as Reported to NAV and CD Revolutions
Date: Mon, 27 Nov 2000 17:50:03 -0500
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WDIY 88.1 FM "EMUSIC" Top 20 report to
New Age Voice and CD Revolutions for October, 2000.
Shows #187 to #191; 19-October-2000 to 16-November-2000
Reported in non-ranked order.
Compiled by Bill Fox, billfox@fast.net

CONTACT:   billfox@fast.net

ARTIST - ALBUM TITLE - LABEL
============================
Free System Projekt & Dave Brewer - Okefenokee Dreams - Groove
James Johnson - Linger - Space for Music
Mike Griffin & Dave Fulton - The Most Distant Point Known - Hypnos
Remy - The Art of Imagination - Groove/AKH
Robert Carty - The Inexplicable - Deep Sky
Robert Rich - Sunyata - Hypnos
Robert Scott Thompson - Blue Day - Aucourant
Ron Boots - Close, But Not Touching - Groove
Rudy Adrian - The Healing Lake - White Cloud
Steve Roach & Byron Metcalf - The Serpent's Lair - Projekt
Steve Roach & Vidna Obmana - Circles & Artifacts - The Contemporary Harmonic
Tangerine Dream - Poland - Jive Electro
Tangerine Dream - Stratosphere - Virgin
Tranzit - Tranzversal - Groove
Various Artists - Out There Lies the Truth - Groove
Various Artists - The Truth Is Twisted - Groove
Various Artists - Truth or Dare - Groove
Various Artists - World Wide Kind - Groove
Vidna Obmana - The Surreal Sanctuary - Hypnos
Vir Unis - Aeonian Glow - Green House

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 18:23:10 2000
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greetings flyers!

funny how much it varies...
i managed to cram all my 9v pedals + boomerang into
one of those roll-y flight attendant style things for a couple
of trips to the left coast this year.


sometimes you get stopped - sometimes not.
yes, the chip in the boomerang will give the
snooper a bit of a hard on.
 
i did learn about a magical little item called
the "SPECIAL HANDLING" tag, but they generally
won't give you one if you ask for it. this get
slapped onto bags that are being checked at the gate
rather than at checkin- along with stuff like strollers.

i did have to wonder how "special" the handling would be...

watch out for short legs especially. aircraft like
the increasingly popular "canadair regional jet" have
NO o/h bins! then again... they only seat 48 passengers...
but it goes to show that you can't always count on certain
common amenities... on a leg i flew from newark/columbus 
they looked at my roll-yand said "you'll have to check that item", 
and then pointed out the window at a plane that was scarcely as big a
suburban!

in the past i've UPS'd a bunch of stuff ahead to the 
home or work of an understanding individual at the first
city on the tour, then taken the rest aboard & gone
pot luck on borrowed/rented amps & axes.

which is no way to run an airline, let me tell you.


rbrt


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The short answer to the MIDI'd Vortex, as far as I can tell, is Not Bloody
Likely. All of these MIDI retrofit kits assume that your device runs (at
least internally) on standard CV. The Vortex does not. Without major major
major hacking (and hours with a clipboard and ohmmeter) I don't see a way
to do this. Which is poopy. I would love my vortex so much more...

-><-

On Mon, 27 Nov 2000, Darcy  Clark wrote:

> Thanks for the website [http://www.synhouse.com/] - their MidiJack might do
> the job, but I am not sure it can handle the whole range of midi controller
> data (I'm a bit of a midi neophyte really) From their website they list
> (among other things) that the MidiJack can :
> 
> Receive MIDI Note On messages (full range, MIDI notes 0-127) 
> Receive MIDI Note Off messages (full range, MIDI notes 0-127) 
> Receive MIDI sustain pedal (controller number 64) 
> 
> I guess I will contact them for more info. My dream would be to have
> simultaneous control over multiple parameters in a vortex patch via Midi
> (probably via Opcode Max). My suspicion is that this maybe impossible even
> with the MidiJack.
> 
> cheers,
> 
> darcy
> 
> > -----Original Message-----
> > From: Pulse 8 [mailto:ozone@ticnet.com]
> > Sent: Monday, November 27, 2000 12:04 PM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: Re: Vortex - midi mods ?
> > 
> > 
> > oops..my bad...
> > 
> > now my good :)
> > 
> > http://www.synhouse.com/ (confirmed before I sent this)
> > 
> > 
> > Pulse 8 - aim:jkerseyvcso
> > http://www.mp3.com/pulse8 - Pulse 8 Music Project
> > http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
> > http://www.egroups.com/community/sampleoftheday - Free Sample 
> > Of The Day
> > http://users.ticnet.com/jkersey - Personal Home Page
> > ----- Original Message ----- 
> > From: "Dennis Leas" <dennis@mdbs.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Monday, November 27, 2000 10:23 AM
> > Subject: Re: Vortex - midi mods ?
> > 
> > 
> > > Hey Joshua!
> > > 
> > > > check http://www.synchouse.com
> > > 
> > > I get "Can't find server".  Spelling?
> > > 
> > > Dennis Leas
> > > -------------------
> > > dennis@mdbs.com
> > > 
> > > 
> > 
> 

From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 18:50:33 2000
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From: improv@peak.org (Dave Trenkel)
Subject: RE: Vortex - midi mods ?
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>not sure what you could change via midi, but what I would like is to synch
>the tap VIA MIDI Ive seen the edp to vortex mod, but any ideas how to come
>straight from a midi clock anyone????
>
It seems like you coule use a MIDI to control voltage converter that has a
clock output, then send the clock to a clock divider. I might try this and
see is it works.

____________________________________________
Dave Trenkel : improv@peak.org
Minus Web Site: http://listen.to/minusmusic
Minus MP3's: http://www.mp3.com/-minus-
____________________________________________


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hello echoplex users,

can you manipulate the delay time/tempo/pitch of a loop in real time?  that 
is, can you record a loop and then slow it down or speed it up?

are you happy with your echoplex?  i'm thinking about buying one.

would a used jamman be a better bet?  what about a boomerang?

thanks,

lou
_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

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>Yes Dennis, I did many rebuild of my "old" Vortex into DSP4000 AND 
>Orville...some of them work fine some don't. I think that those diagrams in 
>the Vortex manual are pretty general layouts, not very specific and 
>explanatory of what really happens into the little dsp.
>Maybe we can swap some Orville programs if you use the PC editor Vsig.

I'd like to start egroups lists for Eventide programmers and users, but
don't know if there are enough people to make it worthwhile.  What
sayest thou?  Other than here and rec.audio.pro where would you announce
it?

If you want to reply to me only, do so at rpeck@rpeck.com.

----------------------------------------------------------------------
"The noose tightens so slowly you never realize you're dead." - rpeck

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>I'm still searching for a MIDI software looper for the Mac.  Anybody?

You can easily build what you want with Reaktor.  I built a nice
4-channel stereo looper that used either time or tempo/bars/beats to
specify the loop times. Independant length, level and feedback on each
loop.  Imagine my surprise when I found that the Eventide looper
programs worked the same way. . .

Any other Reaktor programmers here?

----------------------------------------------------------------------
"Don't let laziness get in the way of greatness." - anon.

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Being the owner of 2 Echoplexs and a Lexicon Jamman I will state what I 
believe to be the pros and cons of each unit. Bear in mind that I am a 
guitar player and use each of these units in an extensive guitar rig.
Jamman (Pros):
1) Clean sounding with no clipping/distortion problems.
2) Because I run my rig in stereo I can run both sides of my rig with one 
unit.
3) All functions are easy to use.
Cons:
1) Only 32 seconds of maximum delay time.
2) Triggering seems to vary in consistency.
Echoplex (Pros):
1) 192 seconds of delay time.
2) Consistent loops.
3) All functions are consistent and smooth. Even with the 2 units 
"brother-synced" together.
Cons:
1) Difficult to use at first (not very "musician friendly").
2) To run in stereo you have to use 2 units.
3) Inconsistency in the input and output sections from unit to unit. Both of 
the units I have were made this year lass than 6 months apart. Yet I have to 
set the input of one of my units 40 percent lower than the other.
4) Clips and distorts very easy. Levels seem to need to be set way to low.
            Well, thats my opinion on each of these units based on my 
experience. Hope this information helps with your decision.


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From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 20:44:21 2000
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lou asked:

are you happy with your echoplex?  i'm thinking about buying one.

would a used jamman be a better bet?  what about a boomerang?

thanks,

lou


I only have a Jamman (32 seconds) but I would say that all of them are nice 
pieces.  The EDP is obviously the king of the heap, but the other 2 have 
their good points also. The The woes of obtaining an EDP have been discussed 
greatly before on this list.  Boomerang is the easyist to get a hold of, you 
can buy them from a store or a catalog new.  The JamMan has seen wild 
fluctuations in price - I've seen them as cheap as $75.00 in Pawnshops to as 
expensive as $500 on the web.  If I was paying $500 for one I would want the 
memory expansion and both the pedals w/cables in dead mint condition. The 
best thing is to have 2 loopers in line for really crazy stacking and 
layering.  So get them all...


Nick


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From Loopers-Delight-request@loopers-delight.com  Mon Nov 27 20:49:01 2000
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Subject: Re: Vortex - midi mods ? -- Moog to Vortex works so far ...
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My favourite Vortex CV source is my Moog Liberation. The Vortex is the dedicated
processer for it, and the CV out of the goes into the pedal input. Turn the
range and scale knobs up on the Liberation power supply, and you get a range of
value 22 at the low F and 63 at high C.

My next thing to do is figure out a way to use the shorting-trigger from the
Moog to control something else on the Vortex.

I don't see why one of you hawdcaw cuircit benders couldn't rig a Kenton thingie
into the Vortex.

Eric Williamson
www.suitandtieguy.com

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space module wrote:

> lBoomerang is the easyist to get a hold of, you
> can buy them from a store or a catalog new.

Who makes the Boomerang?  URL?
Thanks,
eo


--
eric oberthaler
http://www.soundsliketree.com
(music within)


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Dude, any chance you might share that 4-channel software looper?  How would
that work on my end?  Do I need Reaktor too?

  | -----Original Message-----
  | From: Ray Peck [mailto:rpeck-l@rpeck.com]
  | Sent: Monday 27 November 2000 5:16 PM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: RE: MAX and MIDI and Looping
  |
  |
  |
  | >I'm still searching for a MIDI software looper for the Mac.  Anybody?
  |
  | You can easily build what you want with Reaktor.  I built a nice
  | 4-channel stereo looper that used either time or tempo/bars/beats to
  | specify the loop times. Independant length, level and feedback on each
  | loop.  Imagine my surprise when I found that the Eventide looper
  | programs worked the same way. . .
  |
  | Any other Reaktor programmers here?
  |
  | ----------------------------------------------------------------------
  | "Don't let laziness get in the way of greatness." - anon.

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 02:32:50 2000
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hey,

thanks for replying.

one feature that seems important to me is real time manipulation/modulation 
of the tempo of the loop.  in "delay pedal" terms this would be like 
manipulating delay time.  in "midi" terms this would be like manipulating 
the pitch of a loop (or time stretch, if you sampler is new-fangled).

what i want to do is record loops on stage and then slow them down and/or 
speed them up.  if the echoplex cannot do this are there other units that 
can?  the jamman?  the "jamman" inside of the lexicon rackmount thing?  the 
boomerang?  eventide?  anything?

thanks,
lou


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From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 02:35:15 2000
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yo,

what about the jamman vs. the "jamman" inside the lexican guitar rackmount 
FX thing?  just as good?

what about the eventide (upgradable to 200 sec. of delay time)?  does anyone 
use this thing for real time looping?

lou
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Hi Ray
I personally think it's a VERY GOOD idea! As far as numbers I know at least 
5 people on LD that have Eventide units, plus I know about another dozen 
here in Italy that have, use & program these boxes...sure they would be 
interested...we already talked about this issue.
I do presets design and beta testing for the factory so I'm in touch with 
Gilfix and personally with lots of users to do "customers support"...this 
means immediate communication of any new issue regarding Eventides...please 
man, GO AHEAD!!!
BTW, what model do you use? My direct e-mail: italoop@hotmail.com
                  ciao  Italo De Angelis
>From: Ray Peck <rpeck-l@rpeck.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Eventide programming list?  (was Re: Vortex - midi mods ?)
>Date: Mon, 27 Nov 2000 17:12:28 -0800 (PST)
>
> >Yes Dennis, I did many rebuild of my "old" Vortex into DSP4000 AND
> >Orville...some of them work fine some don't. I think that those diagrams 
>in
> >the Vortex manual are pretty general layouts, not very specific and
> >explanatory of what really happens into the little dsp.
> >Maybe we can swap some Orville programs if you use the PC editor Vsig.
>
>I'd like to start egroups lists for Eventide programmers and users, but
>don't know if there are enough people to make it worthwhile.  What
>sayest thou?  Other than here and rec.audio.pro where would you announce
>it?
>
>If you want to reply to me only, do so at rpeck@rpeck.com.
>
>----------------------------------------------------------------------
>"The noose tightens so slowly you never realize you're dead." - rpeck
>

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This seems the most likely mod possible for the vortex, I would be VERY
interested if you manage to get it to work, Do you know what kinda signal
the tap input actually is??? I have a midi to cv converter, however its
outputs are only CV and gate, is the clock output you talk about the type of
pulse that would have triggered old analog sequencers? There are some old
drum machines (probably very cheap now that were manufactured on the overlap
of CV/gate and midi technologies that had this trigger out AND had midi
in... maybe these would work???

Mark Red

-----Original Message-----
From: improv@peak.org [mailto:improv@peak.org]
Sent: 28. november 2000 00:48
To: Loopers-Delight@loopers-delight.com
Subject: RE: Vortex - midi mods ?


>not sure what you could change via midi, but what I would like is to synch
>the tap VIA MIDI Ive seen the edp to vortex mod, but any ideas how to come
>straight from a midi clock anyone????
>
It seems like you coule use a MIDI to control voltage converter that has a
clock output, then send the clock to a clock divider. I might try this and
see is it works.

____________________________________________
Dave Trenkel : improv@peak.org
Minus Web Site: http://listen.to/minusmusic
Minus MP3's: http://www.mp3.com/-minus-
____________________________________________

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1) Triggering the Vortex 'tap' electronically is possible. But it would still
drift out of sync. Especially if MIDI was involved.
Syncing the Vortex to a beat is best achieved by tapping over a large
time period (2 bars, 4 bars, 8 bars etc) . The Vortex will divide the 
tap time by 2 until it has enough resources to cope. This might
let you 'sync' for about a minute without noticable drift, depending 
on how accurate (or fussy) you are.

2)The Vortex control pedal could (I think) be replaced by some kind of 
control voltage device.

3) the PARAMETER and REG/PRE knobs are switches configured
to produce a 4 bit binary code, (I don't know about the VALUE knob though) so
presumably these could be replaced by something controllable.

4) As regards Vortex emulations, the manual won't tell you about
what happens when you morph. For instance if you start in ATMOSPHERE B
with a particular value of RES 2 (mod tap a tuning) then as you morph away
to a different preset where RES 2 is used to control something else you'd 
expect the "mod tap a tuning" to stay the same, especially if you'd
set RES 2 to the same value in the other preset.
 However you can hear that this is not the case, the  "mod tap a tuning"
varies very obviously as you morph. This leads me to believe
the Vortex has what you might call 'hidden values' .  For instance
"mod tap a tuning" might be given a value of 64 (or 0, I don't know) in the
ORBIT preset, this would have no effect within the ORBIT preset itself
but would make a difference when you morph from ATMOS B to ORBIT.
I've emailed Lexicon about this, but they (G.Hogan) say that 
  a) the guy who programmed the Vortex is no longer with us.
  b) you can't contact our tech people directly.

So the only way to chart these 'hidden values'  would be to try out every
combination of morphs. 

5)Apologies to 'Almost all list members' for long rambling nonsense post.

6)If anyone wants to send me a copy of the Vortex Service sheet I'll put 
it online. 

Andy Butler
<A HREF="http://members.aol.com/soundfnr/vortex.htm">Lexicon Vortex Database
</A> 

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From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Vortex - midi mods ? -- Moog to Vortex works so far ...
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--- Eric Williamson <erwill@suitandtieguy.com> wrote:
> I don't see why one of you hawdcaw cuircit benders
> couldn't rig a Kenton thingie
> into the Vortex.

>From the archives......
http://www.loopers-delight.com/LDarchive/199702/msg00110.html

Did anyone ever try this?

=====
John Tidwell




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Does anyone know when will the Electrix repeater EXACTLY ship???
I can't help!!!

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<DIV><FONT face=3DArial size=3D2>Does anyone know when will the Electrix =
repeater=20
EXACTLY ship???</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I can't =
help!!!</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 07:28:40 2000
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From: John Tidwell <wedgehed@yahoo.com>
Subject: Vortex, Time Machines, & Midi + Ensign Pulver..Report to the bridge!
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I played around with hooking up a midi/cv converter,
(a JKJ CV-5), with both the Lexicon Vortex & the
Digitech 7.6 Time Machine.

1st the Vortex...

The Vortex tap tempo will respond to a midi note
message via the S-Trig output of the converter. I
suppose this could be useful for controlling the
Vortex from a sequencer. All I had at my disposal for
testing purposes was a midi keyboard,(EVERY key acted
like a tap tempo switch), & my EDP. The EDP sends a
midi note on at the beginning of the loop. Unfortu-
nately, the message is sent too fast for the Vortex
to respond to. This led to my major contribution to
this list to date; which was, asking Kim for help!
Mathias came thru with his sync cable as a result.
I feel honored to be the ignorant bastard who caused
this.

The morph function of the Vortex can be operated via
a cv output from the converter. The cv source could
be an LFO on board the converter or even a pitch
source, ie: midi keyboard.

Since I'm a guitar player, the Vortex/converter
combination has been of little use to me. The LFO
control of the morph would be great; BUT, the LFO on
the JKJ CV-5 only gets down to a slow speed of .2 Hz.
That's a little too fast for my ear.

I've had a lot more fun combining the CV-5 with the
Digi 7.6. I send the converter's LFO to the cv pedal
input of the 7.6. I have an ART X-15 midi foot
controller hooked to the CV-5. The X-15 has two midi
cc pedals. One controls the LFO's speed & the other
the depth. The program change switches on the X-15
can be used to change from one LFO waveform to
another.
I know that a lot of Digi Delay users have fun using
its on board LFO to twist loops in a knot. You can
make all kinds of noise,(I mean that in a nice way),
by having a variety of waveforms at your disposal.
Just of the top of my head...the CV-5 gives you 2 tri,
3 sq, 2 ramp, 1 random, 1 sine, & several 8 step
waveforms. Most of the waveforms will sync to midi
clock. I've just begun working the EDP into the mix
for that purpose.

If Mark Pulver(our resident analogue synth geek &
CV-5 expert) is listening, maybe he can add a couple
of cents toward using the CV-5 for purposes other than
that which it was designed for. It seems like you
ought
to be able to do something with gates & triggers &
portamento, even if you don't own an analogue synth.
Motivate one's cat I suppose. :)

Oh, you can also run audio thru the CV-5 for volume &
panning control.

http://www.midiwall.com/synths/jkjcv5.html



 





=====
John Tidwell




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From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 09:11:36 2000
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Date: Tue, 28 Nov 2000 06:07:52 -0800 (PST)
From: Scott Martin <coirbidh_99@yahoo.com>
Subject: Headrush @ zZounds
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A public service announcement - zZounds has used
Headrush units for $139.

http://www.zzounds.com/love.music?p=p.AKAE1&z=918717784424

Happy shopping,
Scott



__________________________________________________
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Yahoo! Shopping - Thousands of Stores. Millions of Products.
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From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 11:56:49 2000
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From: "Schreier, Steven (Steven)" <schreier@avaya.com>
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	 <Loopers-Delight@loopers-delight.com>
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I would love to contribute to the Eventide programming forum.  Count me in!!

Steven J. Schreier 
AVAYA Communication
Senior Software Associate  
San Diego, California

Voice: 1.858.874.1753 
Fax :     1.858.874.1701 
E-mail:  schreier@avaya.com <mailto:schreier@avaya.com>   


-----Original Message-----
From: italo de angelis [mailto:italoop@hotmail.com]
Sent: Tuesday, November 28, 2000 12:03 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Eventide programming list



Hi Ray
I personally think it's a VERY GOOD idea! As far as numbers I know at least 
5 people on LD that have Eventide units, plus I know about another dozen 
here in Italy that have, use & program these boxes...sure they would be 
interested...we already talked about this issue.
I do presets design and beta testing for the factory so I'm in touch with 
Gilfix and personally with lots of users to do "customers support"...this 
means immediate communication of any new issue regarding Eventides...please 
man, GO AHEAD!!!
BTW, what model do you use? My direct e-mail: italoop@hotmail.com
                  ciao  Italo De Angelis
>From: Ray Peck <rpeck-l@rpeck.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Eventide programming list?  (was Re: Vortex - midi mods ?)
>Date: Mon, 27 Nov 2000 17:12:28 -0800 (PST)
>
> >Yes Dennis, I did many rebuild of my "old" Vortex into DSP4000 AND
> >Orville...some of them work fine some don't. I think that those diagrams 
>in
> >the Vortex manual are pretty general layouts, not very specific and
> >explanatory of what really happens into the little dsp.
> >Maybe we can swap some Orville programs if you use the PC editor Vsig.
>
>I'd like to start egroups lists for Eventide programmers and users, but
>don't know if there are enough people to make it worthwhile.  What
>sayest thou?  Other than here and rec.audio.pro where would you announce
>it?
>
>If you want to reply to me only, do so at rpeck@rpeck.com.
>
>----------------------------------------------------------------------
>"The noose tightens so slowly you never realize you're dead." - rpeck
>

____________________________________________________________________________
_________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 12:26:50 2000
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From: Steve Burnett <sburnett@webslingerz.com>
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Subject: BitHeadz Phrazer now out
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BitHeadz has now released their Phrazer "digital audio loop sequencer for
the Macintosh". Opinions, please.

http://www.harmony-central.com/Newp/2000/Phrazer-Shipping.html
http://www.bitheadz.com/News/phrazernowshipping.html
http://www.bitheadz.com/

regards,
Steve
-- 
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com
             http://www.webslingerz.com/sburnett


From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 12:28:04 2000
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Date: Tue, 28 Nov 2000 15:27:16 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: MAX and MIDI and Looping
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>I'm still searching for a MIDI software looper for the Mac.  Anybody?
>If there's nothing out there better than the looping capabililties of -
>say - Digital Performer then I gather Max is the option that's left.
>I heard mention of a Max list - anybody have info?

so you dont like POLAR? I wanted to see that and I have a crack of 
Performer, but I dont see where POLAR is... a plug in? I dont find it 
on their site either...
Are they ashamed of it?
-- 


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 12:42:56 2000
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I plan on checking it out shortly, you did notice they have a
downloadable demo version?  I have hi hopes

stever

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 13:45:52 2000
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Hello Matthias!

Matthias Grob wrote:

> >I'm still searching for a MIDI software looper for the Mac.  Anybody?
> >If there's nothing out there better than the looping capabililties of -
> >say - Digital Performer then I gather Max is the option that's left.
> >I heard mention of a Max list - anybody have info?
>
> so you dont like POLAR?

Polar is very nice indeed, but it loops audio and not MIDI.  It is a
looping function geared towards recording rather than performing (as is the
meager MIDI memory point looping function as well).  In fact, "Performer"
is a misnomer for this software, IMHO.  It's more of a "Recorder."


> I wanted to see that and I have a crack of
> Performer, but I dont see where POLAR is... a plug in?

It's in the Windows menu.  If you have the tutorials (which are on the CD)
there's a quicktime movie of some MOTU guy showing you how to use it.

eo
--
eric oberthaler
http://www.soundsliketree.com
(music within)


From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 14:14:20 2000
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--------------6345E2E88149766507D74F53
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My guess is that they're having software/hardware issues and we won't
see a product until sometime next year.  I've been involved in product
development before and I just can't buy the power supply story.
Realizing you need to re design a power supply a week before a product
is to ship?  The units should have been boxed up and on route to
retailers by that time.  Basically, I'm not holding my breath.

Until then I'm placating my gear lust with the new software demos;
Reason (from Propellerheads/Steinberg) and Phrazer (from Bitzheadz) and
a GR-30 which Musician's Friend is selling for $399. as the GR-33 is
out. (in case any guitarist's are interested)

Why is the solution to all my problems "more gear?" ;-)

Mark Sottilaro

Leonardo Piras wrote:

> Does anyone know when will the Electrix repeater EXACTLY ship???I
> can't help!!!

--------------6345E2E88149766507D74F53
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
<body bgcolor="#FFFFFF">
My guess is that they're having software/hardware issues and we won't see
a product until sometime next year.&nbsp; I've been involved in product
development before and I just can't buy the power supply story.&nbsp; Realizing
you need to re design a power supply a week before a product is to ship?&nbsp;
The units should have been boxed up and on route to retailers by that time.&nbsp;
Basically, I'm not holding my breath.
<p>Until then I'm placating my gear lust with the new software demos; Reason
(from Propellerheads/Steinberg) and Phrazer (from Bitzheadz) and a GR-30
which Musician's Friend is selling for $399. as the GR-33 is out. (in case
any guitarist's are interested)
<p>Why is the solution to all my problems "more gear?" ;-)
<p>Mark Sottilaro
<p>Leonardo Piras wrote:
<blockquote TYPE=CITE><style></style>
<font face="Arial"><font size=-1>Does
anyone know when will the Electrix repeater EXACTLY ship???</font></font><font face="Arial"><font size=-1>I
can't help!!!</font></font></blockquote>

</body>
</html>

--------------6345E2E88149766507D74F53--

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 14:32:05 2000
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Subject: OT RE: When??
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> 
> Why is the solution to all my problems "more gear?" ;-)
> 

Because you haven't heard of this site:

http://www.geekboyservices.com/


bIz


From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 15:51:48 2000
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oh guys, do check out this site.

think about it.  A grand for a full blown Repeater with memory cards 
and a nice midi foot controller, or a grand to be a hip, techie, san 
francisco scenester, with new shoes to boot?

the blue pill or the red pill?

pet the pelts of possiblility...hmmmm...

rich


>  >
>>  Why is the solution to all my problems "more gear?" ;-)
>>
>
>Because you haven't heard of this site:
>
>http://www.geekboyservices.com/
>
>
>bIz

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 16:07:44 2000
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To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: RE: Vortex - midi mods ?
Date: Tue, 28 Nov 2000 13:09:34 -0800
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I've created a couple on Reaktor, as part of my learning my way around the 
tool. Not identical emulations yet, but they do sound nice.

A full real-time echoplex emulation would be possible in reaktor, but I 
haven't had time to do anything that wasn't related to work in some way.


bIz



On Monday, November 27, 2000 7:20 AM, Dennis Leas [SMTP:dennis@mdbs.com] 
wrote:
> I've had this thought too.
>
> Here's some possible approaches:
>
> 1) use some kits like from PAIA et al to retro-fit MIDI into the Vortex.
>
> 2) Ok, Orville or Kyma owners (myself included)!  You've been boasting 
about
> how flexible these units are.  Make a Vortex emulation!  After all, we've
> got block diagrams in the Vortex manual to start with.
>
> Dennis Leas
> -------------------
> dennis@mdbs.com
>
> ----- Original Message -----
> From: "Darcy Clark" <darcyc@engin.umich.edu>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, November 27, 2000 10:11 AM
> Subject: RE: Vortex - midi mods ?
>
>
> > Has anyone on the list heard of any midi mods to the vortex ? I'd love 
to
> be
> > tweak all those cool effects and parameters via midi...cheers,
> >
> > Darcy
> >

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 16:20:16 2000
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Could you post your ensembles on the net or maybe send them to me? I use
Reaktor myself- awesome program-

Cliff

-----Original Message-----
From: Jonathan@full-moon.com <Jonathan@full-moon.com>
To: 'Loopers-Delight@loopers-delight.com'
<Loopers-Delight@loopers-delight.com>
Date: Tuesday, November 28, 2000 1:08 PM
Subject: RE: Vortex - midi mods ?


>
>I've created a couple on Reaktor, as part of my learning my way around the
>tool. Not identical emulations yet, but they do sound nice.
>
>A full real-time echoplex emulation would be possible in reaktor, but I
>haven't had time to do anything that wasn't related to work in some way.
>
>
>bIz
>
>
>
>On Monday, November 27, 2000 7:20 AM, Dennis Leas [SMTP:dennis@mdbs.com]
>wrote:
>> I've had this thought too.
>>
>> Here's some possible approaches:
>>
>> 1) use some kits like from PAIA et al to retro-fit MIDI into the Vortex.
>>
>> 2) Ok, Orville or Kyma owners (myself included)!  You've been boasting
>about
>> how flexible these units are.  Make a Vortex emulation!  After all, we've
>> got block diagrams in the Vortex manual to start with.
>>
>> Dennis Leas
>> -------------------
>> dennis@mdbs.com
>>
>> ----- Original Message -----
>> From: "Darcy Clark" <darcyc@engin.umich.edu>
>> To: <Loopers-Delight@loopers-delight.com>
>> Sent: Monday, November 27, 2000 10:11 AM
>> Subject: RE: Vortex - midi mods ?
>>
>>
>> > Has anyone on the list heard of any midi mods to the vortex ? I'd love
>to
>> be
>> > tweak all those cool effects and parameters via midi...cheers,
>> >
>> > Darcy
>> >
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 16:21:23 2000
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This weekend sounds good- is Jonas available? Lemme know- - -

Cliff

-----Original Message-----
From: rich <rich@nuvisionsca.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Tuesday, November 28, 2000 12:54 PM
Subject: Re: OT RE: When??


>oh guys, do check out this site.
>
>think about it.  A grand for a full blown Repeater with memory cards
>and a nice midi foot controller, or a grand to be a hip, techie, san
>francisco scenester, with new shoes to boot?
>
>the blue pill or the red pill?
>
>pet the pelts of possiblility...hmmmm...
>
>rich
>
>
>>  >
>>>  Why is the solution to all my problems "more gear?" ;-)
>>>
>>
>>Because you haven't heard of this site:
>>
>>http://www.geekboyservices.com/
>>
>>
>>bIz
>

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 16:46:42 2000
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From: "italo de angelis" <italoop@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Squeeze this into your Orvilles!!!
Date: Tue, 28 Nov 2000 22:43:09 +0100
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Sorry if this is too much for the list space! If anybody out there is 
programming his/her Orville with a pc thru Vsig editor...well, just "copy & 
paste" this text into Vsig then send it to Orville and enjoy this outer 
space music....have fun ITALOOP

HEADM "adc" 2 2 adder1-out adder2-out "GALAXY BORDERS2" "" 4 menupage-obj 
menupage1-obj VERB-obj USER-obj

ADD "add" adc-in1 adc-in2

TEXTKNOB "textknob" "Type1:%s" "" 3 0.0000 "low" "peak" "high"

TEXTKNOB "textknob1" "Type2:%s" "" 3 1.0000 "low" "peak" "high"

TEXTKNOB "textknob2" "Type3:%s" "" 3 2.0000 "low" "peak" "high"

TEXTKNOB "textknob3" "Type4:%s" "" 3 0.0000 "low" "peak" "high"

TEXTKNOB "textknob4" "Type5:%s" "" 3 1.0000 "low" "peak" "high"

TEXTKNOB "textknob5" "Type6:%s" "" 3 1.0000 "low" "peak" "high"

TEXTKNOB "textknob6" "Type7:%s" "" 3 2.0000 "low" "peak" "high"

TEXTLINE "dummy" ""

MENUPAGE "menupage" "7serial EQs Param." "7bandEQ" 32 knob-obj knob1-obj 
knob2-obj knob3-obj knob4-obj knob5-obj knob6-obj dummy-obj knob7-obj 
knob8-obj knob9-obj knob10-obj knob11-obj knob12-obj knob13-obj dummy-obj 
knob14-obj knob15-obj knob16-obj knob17-obj knob18-obj knob19-obj knob20-obj 
dummy-obj textknob-obj textknob1-obj textknob2-obj textknob3-obj 
textknob4-obj textknob5-obj textknob6-obj dummy-obj

MENUPAGE "menupage1" "4 Reverse Shifters P4REVERSE" "4REVERSE" 8 knob21-obj 
knob22-obj knob23-obj knob24-obj knob25-obj knob26-obj knob27-obj knob28-obj

EQ "eq" add-out knob-out knob7-out knob14-out textknob-out

EQ "eq1" eq-out knob1-out knob8-out knob15-out textknob1-out

EQ "eq2" eq1-out knob2-out knob9-out knob16-out textknob2-out

EQ "eq3" eq2-out knob3-out knob10-out knob17-out textknob3-out

EQ "eq4" eq3-out knob4-out knob11-out knob18-out textknob4-out

EQ "eq5" eq4-out knob5-out knob12-out knob19-out textknob5-out

EQ "eq6" eq5-out knob6-out knob13-out knob20-out textknob6-out

KNOB "knob" "Freq1:%5.1fHz" "" 0.0000 20000.0000 0.1000 200.0000

TEXTBLOCK "USER" 5 "Strange outer space texture from the" "4000 spaceship 
days. This version has" "10 seconds for each reverse shifter." "Try it with 
longer delay settings." "Very strange....Sum In/Stereo Out."

KNOB "knob1" "Freq2:%5.1fHz" "" 0.0000 20000.0000 0.1000 1000.0000

KNOB "knob2" "Freq3:%5.1fHz" "" 0.0000 20000.0000 0.1000 3500.0000

KNOB "knob3" "Freq4:%5.1fHz" "" 0.0000 20000.0000 0.1000 200.0000

KNOB "knob4" "Freq5:%5.1fHz" "" 0.0000 20000.0000 0.1000 1250.0000

KNOB "knob5" "Freq6:%5.1fHz" "" 0.0000 20000.0000 0.1000 5500.0000

KNOB "knob6" "Freq7:%5.1fHz" "" 0.0000 20000.0000 0.1000 3500.0000

KNOB "knob25" "Pitch1:%4.0fcents" "" -4800.0002 4800.0002 1.0000 710.0000

KNOB "knob26" "Pitch2:%4.0fcents" "" -4800.0002 4800.0002 1.0000 -1010.0000

KNOB "knob27" "Pitch3:%4.0fcents" "" -4800.0002 4800.0002 1.0000 493.0000

KNOB "knob28" "Pitch4:%4.0fcents" "" -4800.0002 4800.0002 1.0000 -704.0000

REVERSE "reverse" 10000 eq6-out 10.0000 knob21-out knob25-out 0.0000

KNOB "knob21" "Length1:%5.0fms" "" 0.0000 10000.0000 1.0000 5800.0002

KNOB "knob22" "Length2:%5.0fms" "" 0.0000 10000.0000 1.0000 8000.0000

KNOB "knob23" "Length3:%5.0fms" "" 0.0000 10000.0000 1.0000 10000.0000

KNOB "knob24" "Length4:%5.0fms" "" 0.0000 10000.0000 1.0000 3500.0000

REVERSE "reverse1" 10000 eq6-out 10.0000 knob22-out knob26-out 0.0000

REVERSE "reverse2" 10000 eq6-out 10.0000 knob23-out knob27-out 0.0000

REVERSE "reverse3" 10000 eq6-out 10.0000 knob24-out knob28-out 0.0000

REVERB_C "VERB" adder-out adder-out 7.0999 1.0000 12.0000 100.0000 1000.0000 
0.0000 0.0000 3.0000 0.1299 1.0000 1.0000 39.9000 57.6999 38.4999 81.4999 
89.4999 100.0000

ADDER "adder" 4 reverse-out reverse1-out reverse2-out reverse3-out

ADDER "adder1" 3 reverse-out reverse2-out VERB-left

ADDER "adder2" 3 reverse1-out reverse3-out VERB-right

KNOB "knob7" "Q1:%4.1fdB" "" 0.0000 1000.0000 0.1000 1.0000

KNOB "knob8" "Q2:%4.1fdB" "" 0.0000 1000.0000 0.1000 2.0000

KNOB "knob9" "Q3:%4.1fdB" "" 0.0000 1000.0000 0.1000 1.0000

KNOB "knob10" "Q4:%4.1fdB" "" 0.0000 1000.0000 0.1000 2.0000

KNOB "knob11" "Q5:%4.1fdB" "" 0.0000 1000.0000 0.1000 1.3000

KNOB "knob12" "Q6:%4.1fdB" "" 0.0000 1000.0000 0.1000 2.8000

KNOB "knob13" "Q7:%4.1fdB" "" 0.0000 1000.0000 0.1000 1.0000

KNOB "knob14" "Boost1:%2.1fdB" "" -18.0000 18.0000 0.1000 1.0000

KNOB "knob15" "Boost2:%2.1fdB" "" -18.0000 18.0000 0.1000 -9.2000

KNOB "knob16" "Boost3:%2.1fdB" "" -18.0000 18.0000 0.1000 3.2000

KNOB "knob17" "Boost4:%2.1fdB" "" -18.0000 18.0000 0.1000 1.4000

KNOB "knob18" "Boost5:%2.1fdB" "" -18.0000 18.0000 0.1000 -8.0000

KNOB "knob19" "Boost6:%2.1fdB" "" -18.0000 18.0000 0.1000 8.2000

KNOB "knob20" "Boost7:%2.1fdB" "" -18.0000 18.0000 0.1000 4.0000

TAIL "italo de angelis"




_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 16:47:01 2000
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To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: RE: Vortex - midi mods ?
Date: Tue, 28 Nov 2000 13:48:57 -0800
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Sure - they're not complete yet - I have to do a little tidying, but I'll set a deadline for finishing them.

bIz


On Tuesday, November 28, 2000 1:17 PM, Clifford@BienAppraisers [SMTP:bienappraisers@mindspring.com] wrote:
> Could you post your ensembles on the net or maybe send them to me? I use
> Reaktor myself- awesome program-
> 
> Cliff
> 
> -----Original Message-----
> From: Jonathan@full-moon.com <Jonathan@full-moon.com>
> To: 'Loopers-Delight@loopers-delight.com'
> <Loopers-Delight@loopers-delight.com>
> Date: Tuesday, November 28, 2000 1:08 PM
> Subject: RE: Vortex - midi mods ?
> 
> 
> >
> >I've created a couple on Reaktor, as part of my learning my way around the
> >tool. Not identical emulations yet, but they do sound nice.
> >
> >A full real-time echoplex emulation would be possible in reaktor, but I
> >haven't had time to do anything that wasn't related to work in some way.
> >
> >
> >bIz
> >
> >
> >
> >On Monday, November 27, 2000 7:20 AM, Dennis Leas [SMTP:dennis@mdbs.com]
> >wrote:
> >> I've had this thought too.
> >>
> >> Here's some possible approaches:
> >>
> >> 1) use some kits like from PAIA et al to retro-fit MIDI into the Vortex.
> >>
> >> 2) Ok, Orville or Kyma owners (myself included)!  You've been boasting
> >about
> >> how flexible these units are.  Make a Vortex emulation!  After all, we've
> >> got block diagrams in the Vortex manual to start with.
> >>
> >> Dennis Leas
> >> -------------------
> >> dennis@mdbs.com
> >>
> >> ----- Original Message -----
> >> From: "Darcy Clark" <darcyc@engin.umich.edu>
> >> To: <Loopers-Delight@loopers-delight.com>
> >> Sent: Monday, November 27, 2000 10:11 AM
> >> Subject: RE: Vortex - midi mods ?
> >>
> >>
> >> > Has anyone on the list heard of any midi mods to the vortex ? I'd love
> >to
> >> be
> >> > tweak all those cool effects and parameters via midi...cheers,
> >> >
> >> > Darcy
> >> >
> >

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 16:48:10 2000
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To: "'Loopers-Delight@loopers-delight.com'" <Loopers-Delight@loopers-delight.com>
Subject: WOT Toto, we're not in Gattaca any more - was RE: OT RE: When?? 
Date: Tue, 28 Nov 2000 13:50:11 -0800
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Sociological research, or mass behaviour elicitation as art? More sickness 
from the valley of sand:

http://www.amihotornot.com

This was started by a couple of engineers in the building next to my old 
job. To make sure that it classifies as looper material, I must include the 
iterations:

http://www.amigothornot.com

http://www.amipresidentornot.com

There are probably others that I am not aware of. Of course, assign a 
number to the face of a stranger and then repeat does count as a loop.

Should we ask them to start an 'amigasornot' site, where you post pictures 
of your gear?

bIz

On Tuesday, November 28, 2000 12:41 PM, rich [SMTP:rich@nuvisionsca.com] 
wrote:
> oh guys, do check out this site.
>
> think about it.  A grand for a full blown Repeater with memory cards
> and a nice midi foot controller, or a grand to be a hip, techie, san
> francisco scenester, with new shoes to boot?
>
> the blue pill or the red pill?
>
> pet the pelts of possiblility...hmmmm...
>
> rich
>
>
> >  >
> >>  Why is the solution to all my problems "more gear?" ;-)
> >>
> >
> >Because you haven't heard of this site:
> >
> >http://www.geekboyservices.com/
> >
> >
> >bIz

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 17:20:17 2000
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	?? 
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How about http://amiotornot.com ?

-----Original Message-----
From: Jonathan@full-moon.com [mailto:Jonathan@full-moon.com]
Sent: Tuesday, November 28, 2000 1:50 PM
To: 'Loopers-Delight@loopers-delight.com'
Subject: WOT Toto, we're not in Gattaca any more - was RE: OT RE: When??




Sociological research, or mass behaviour elicitation as art? More sickness 
from the valley of sand:

http://www.amihotornot.com

This was started by a couple of engineers in the building next to my old 
job. To make sure that it classifies as looper material, I must include the 
iterations:

http://www.amigothornot.com

http://www.amipresidentornot.com

There are probably others that I am not aware of. Of course, assign a 
number to the face of a stranger and then repeat does count as a loop.

Should we ask them to start an 'amigasornot' site, where you post pictures 
of your gear?

bIz

On Tuesday, November 28, 2000 12:41 PM, rich [SMTP:rich@nuvisionsca.com] 
wrote:
> oh guys, do check out this site.
>
> think about it.  A grand for a full blown Repeater with memory cards
> and a nice midi foot controller, or a grand to be a hip, techie, san
> francisco scenester, with new shoes to boot?
>
> the blue pill or the red pill?
>
> pet the pelts of possiblility...hmmmm...
>
> rich
>
>
> >  >
> >>  Why is the solution to all my problems "more gear?" ;-)
> >>
> >
> >Because you haven't heard of this site:
> >
> >http://www.geekboyservices.com/
> >
> >
> >bIz

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 17:26:34 2000
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From: Ray Peck <rpeck-l@rpeck.com>
To: Loopers-Delight@loopers-delight.com
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>I do presets design and beta testing for the factory so I'm in touch with 
>Gilfix and personally with lots of users to do "customers support"...this 
>means immediate communication of any new issue regarding Eventides...please 
>man, GO AHEAD!!!

OK, great!  Will do.  I'll let the list know when it's set up.

>BTW, what model do you use? My direct e-mail: italoop@hotmail.com

Orville.

Special thanks to JB for turning me on to it!

----------------------------------------------------------------------
"I don't even have an e-mail address.  I have reached an age where my
main purpose is not to receive messages." - Umberto Eco

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Ray...GREAT! Get my preset from the list. BTW, who is JB?
       soon Italoop


>From: Ray Peck <rpeck-l@rpeck.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>CC: rpeck@rpeck.com
>Subject: Re: Eventide programming list
>Date: Tue, 28 Nov 2000 14:21:53 -0800 (PST)
>
> >I do presets design and beta testing for the factory so I'm in touch with
> >Gilfix and personally with lots of users to do "customers support"...this
> >means immediate communication of any new issue regarding 
>Eventides...please
> >man, GO AHEAD!!!
>
>OK, great!  Will do.  I'll let the list know when it's set up.
>
> >BTW, what model do you use? My direct e-mail: italoop@hotmail.com
>
>Orville.
>
>Special thanks to JB for turning me on to it!
>
>----------------------------------------------------------------------
>"I don't even have an e-mail address.  I have reached an age where my
>main purpose is not to receive messages." - Umberto Eco
>

_____________________________________________________________________________________
Get more from the Web.  FREE MSN Explorer download : http://explorer.msn.com

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 18:59:37 2000
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From: Ray Peck <rpeck-l@rpeck.com>
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Subject: looping with Reaktor (was: RE: MAX and MIDI and Looping)
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From: "J. Miranda V." <gnominus@earthling.net>
>Dude, any chance you might share that 4-channel software looper?  How would
>that work on my end?  Do I need Reaktor too?

I believe you need Reaktor to run it, although I haven't looked into
their new Dynamo product; perhaps it will run under Dynamo.  I'd be
happy to go find the patches and share them, if you can use them.

Really, it's trivial to build these things with Reaktor, though. . .
You can build the thing to run however *you* want to work, which is what
I love about contruction kits like Reaktor and the Orville.  If you want
loops in bars/beats, you can do that.  If you want loops in time, you
can do that.  If you want tap tempo, or loops synced to MIDI clock, you
can do that, too.

----------------------------------------------------------------------
"I've had a perfectly wonderful evening... But this wasn't it."
 - Groucho Marx

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 19:06:48 2000
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I've created a group for Eventide users and programmers at egroups.  To
join go to:

http://www.egroups.com/group/eventide-users

I'm hoping for lots of Loopers-related content as it ramps up.

Hope to see you there!

----------------------------------------------------------------------
"'To express myself' is perhaps the most suspect of reasons for the
creation of music or other art.  Those who cite it as their motivation
typically have no real self to express, much less one whose expression
is worth sharing with others." - rpeck, 18feb98

From Loopers-Delight-request@loopers-delight.com  Tue Nov 28 19:51:33 2000
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  the bridge!
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Oh-oh... I've been bad...

I blew right by this message without seeing my name being so viciously 
attacked, shredded and misused! :)

Marbles Away!

If you don't get the marbles reference, you need to see the movie "Ensign 
Pulver". :)


(thanks for pointing this out to me hon! um, not you John, but my better 
half is a lurker on the list)


 >From: John Tidwell <wedgehed@yahoo.com>

HI JOHN!


 >If Mark Pulver(our resident analogue synth geek &
 >CV-5 expert) is listening, maybe he can add a couple
 >of cents toward using the CV-5 for purposes other than
 >that which it was designed for. It seems like you
 >ought
 >to be able to do something with gates & triggers &
 >portamento, even if you don't own an analogue synth.
 >Motivate one's cat I suppose. :)

Personally, I'm all for extended kitty motivation... :)


I basically use my CV-5 with a modular synth rig that other convertors 
wouldn't touch due to it tracking at 1.2v/oct instead of the more normal 
1v/octave.

With the multiple CV outs on the box, then I can do the normal stuff like 
filter sweeps and all that. I can also get control over the sequencer 
tracking speed, LFO speed (on the modular, outside of the CV-5) and misc 
other things.

If you're looking for the exotic, hmmm...

Have you seen Kyle's application notes?

   http://www.tiac.net/users/jkjelec/apps04.htm


The CV-5's LFO can sync to MIDI clock and run on a defined multiples of the 
clock. So, you can do things like get a tap tempo only sync up with a MIDI 
clock.

Or, run through sync'd patch changes. :) This can have limited usefulness, 
since you're only changing in one direction, but having a bank of patches 
loaded in a device which are similar (yet different!) can yield some good 
results.

The LFO has a "balanced square" option where the waveform is centered on 
zero (bipolar). I'm not one to know about patch change circuits, but if a 
positive voltage means up, and a negative voltage means down, then this 
could be fun.

Look at running your sound source through a filter that has CV controllable 
resonance (the Big Briar MF-101 for example), as well as cutoff. Pushing 
resonance along with cutoff via MIDI can add a lot to any performance.

Outside of using a looping device like the EDP or Digitech, look at some of 
the CV'd analog delay lines that are around. The CV-5 can easily drive 
things like delay time, delay mix, regeneration, etc. Yes, you can do a lot 
of these types of things with a MIDI'd delay, but the result in doing them 
with an analog delay is MUCH more "musically pleasant" to my ears.

You have to start thinking in the world of CV and remembering that you have 
a box which will do cyclic CV things in sync with the MIDI world.

As such, look around at edge pushing modules like those from John Blacet:

   http://www.blacet.com

Check the Time Machine (the TM2050). John is a "nut case" when it comes to 
delay lines and there is more CV fun in this box than any other delay line 
I know of. Run the CV-5's sequencer GATE control in the "mod mix". Set the 
sequencer up for 1/8th notes, and play a repeating line. Every 8th note 
will get a full dose of delay. Set up the X-15 to generate MIDI CC #16, 
then run a cable from the C16 output on the CV-5 to the regen control on 
the Time Machine. Mash the pedal full on, and you'll get a line that you 
can bounce over on command.

Check John's Klang Werk which is a ring modulator. The CV inputs let you 
control the pitch of the carrier wave. You can get a _tracking_ ring mod by 
doing this, which is a lot different than your classic ring mod "noize" :). 
btw, if you're into ring modulators, then also check into Big Briar's 
MF-102, and the Frostwave box. The MF-102 is probably the cleanest ring 
modulator I have ever heard, and if you like the concept of a tracking ring 
mod, then this is the best choice.

Back to Blacet... With basically CV control over it's entire world, check 
the Dark Star Chaos. Among other fun, this little module can be an 
INCREDIBLE beats generator - just stuff that you haven't heard before. 
Forget straight beats, you can get them here, but the fun is letting the 
module kinda' run. You can follow it, and using the CV-5 you can sync it. :)


This is the kind of stuff that I use stand-alone MIDI->CV boxes for.


Oh... LFO Speed wise... Drop Kyle a line and mention this... he may be able 
to help you out.

       Kyle Jarger <jkjelec@tiac.net>

Hope that helps some!

Mark 

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 04:27:55 2000
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Pardon my naivite, but what exactly are ORVILLE and DYNAMO?  Where can I
find out
about them?    yours,    Rick Walker  (Loop.pooL)

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 05:14:41 2000
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Subject: Re: OT: gate-checking
Date: Wed, 29 Nov 2000 10:06:06 -0000
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I agree with the UPS method - seems like they actually have some
responsibility - though one has to have friends in the target city to assist
with it.

I find myself remembering a bit in Chuck Berry's (Keith Richards') movie
"Hail Hail Rock n' Roll", where Chuck's walking through St. Louis airport
with just his guitar in a regular case, and he's being asked about what he's
taking with him... He says something to the effect of "change of clothes and
the guitar," then when asked about damage, he says, "Hey, it's a business
expense!" referring of course to his ongoing persecution by the IRS.  Gotta
hand it to him, his "band" is always the local band, and it's THEIR amps and
stuff.  He just brings the guitar and some picks.

Sigh.

Stephen Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!


"r. dennis" <tonobung@panix.com> put forth:

> greetings flyers!
>
> funny how much it varies...
> i managed to cram all my 9v pedals + boomerang into
> one of those roll-y flight attendant style things for a couple
> of trips to the left coast this year.
>
>
> sometimes you get stopped - sometimes not.
> yes, the chip in the boomerang will give the
> snooper a bit of a hard on.
>
> i did learn about a magical little item called
> the "SPECIAL HANDLING" tag, but they generally
> won't give you one if you ask for it. this get
> slapped onto bags that are being checked at the gate
> rather than at checkin- along with stuff like strollers.
>
> i did have to wonder how "special" the handling would be...
>
> watch out for short legs especially. aircraft like
> the increasingly popular "canadair regional jet" have
> NO o/h bins! then again... they only seat 48 passengers...
> but it goes to show that you can't always count on certain
> common amenities... on a leg i flew from newark/columbus
> they looked at my roll-yand said "you'll have to check that item",
> and then pointed out the window at a plane that was scarcely as big a
> suburban!
>
> in the past i've UPS'd a bunch of stuff ahead to the
> home or work of an understanding individual at the first
> city on the tour, then taken the rest aboard & gone
> pot luck on borrowed/rented amps & axes.
>
> which is no way to run an airline, let me tell you.
>

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 07:18:37 2000
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First let me apologise for being slightly off topic.

I play a Yamaha Windsynth with a Lexicon Jamman and a Line 6 DL4. The =
music is best described as a loopy ethnic, jazz fusion. Part of my day =
job involves working with Video..so my next plan for world domination is =
to combine my musical performances and video work together.

Does anyone know of a Windows programme that will give me visual effects =
from a sound source. Something like the colour screens in Music Match =
Jukebox. It would also be nice if the files could be saved a avi files, =
but I expect that is asking too much.

Has anyone else attempted anything like this? I would be interested in =
hearing your experiences.

Cheers

Martin


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<P>First let me apologise for being slightly off topic.</P>
<P>I play a Yamaha Windsynth with a Lexicon Jamman and a Line 6 DL4. The =
music=20
is best described as a loopy ethnic, jazz fusion. Part of my day job =
involves=20
working with Video&#8230;.so my next plan for world domination is to =
combine my=20
musical performances and video work together.</P>
<P>Does anyone know of a Windows programme that will give me visual =
effects from=20
a sound source. Something like the colour screens in Music Match =
Jukebox. It=20
would also be nice if the files could be saved a avi files, but I expect =
that is=20
asking too much.</P>
<P>Has anyone else attempted anything like this? I would be interested =
in=20
hearing your experiences.</P>
<P>Cheers</P>
<P>Martin</P></FONT></DIV></BODY></HTML>

------=_NextPart_000_0015_01C059FD.639E71A0--

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 08:08:57 2000
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Subject: Re: Looping Visual effects?
Date: Wed, 29 Nov 2000 13:02:38 -0000
Organization: EarthLight Productions
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I've used the Psychedelic Screen Saver (http://synthesoft.com) to good
effect on the performances I've put on.  Presently I'm working on some video
tapes using the same, to be broadcast eventually on netthistv.com, which is
friendly to relatively undiscovered folks like myself.

Stephen Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

From: Martin Shakeshaft

Does anyone know of a Windows programme that will give me visual effects
from a sound source. Something like the colour screens in Music Match
Jukebox. It would also be nice if the files could be saved a avi files, but
I expect that is asking too much.
Has anyone else attempted anything like this? I would be interested in
hearing your experiences.
Cheers
Martin

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 09:19:10 2000
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Subject: coming close to closing deal on Kenton Products
Date: Wed, 29 Nov 2000 08:21:43 -0600
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Hello,
I writing about people interested in Kenton products. If you've considered
purchasing a Little MCV by Philip Rees(anywhere from 90$ [used on ebay] to
130$ themselves), the Kenton Pro Solo is a much superior product. I found a
dealer who is doing a special request order for me, specifically for me a
Kenton Pro Solo. We have five people already grouped together for this
order. The deal is if you order 3 kenton products, he'll pay for your import
shipping fees, thus you get them at kenton's suggested price (i've seen the
kenton pro solo as high as 299$ in the us, and the lowest price being 175$
I'm expecting to pay about 130$ for it through this special order from this
authorized dealer.) The way he'll be able to offer these at rock bottom
prices, is by dividing up the shipping fees amongst us, so the more people
we have order, and the more products we order, the cheaper the price. This
might be the cheapest you'll ever be able to buy one of these. Dealer does
accept paypal (I'm trying to get him hooked up with exchangepath too if
you're a user of that). I expect for the order to be placed on Monday.
Please let me know as soon as possible if you're interested. Please e/mail
me at ozone@ticnet.com and I'll provide you with the information to contact
this dealer.



sorry, hope noone takes offense to this and assumes it's spam, i'm hoping to
just be able to pass this deal off to others who would have a serious need
for kenton products (they're excellent, sturdy, and very flexible!)

Thanks,
Joshua


Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 - Pulse 8 Music Project
http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
http://users.ticnet.com/jkersey - Personal Home Page

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Unsubscribe

-----Original Message-----
From: Pulse 8 [mailto:ozone@ticnet.com]
Sent: Wednesday, November 29, 2000 9:22 AM
To: MusiciansDFW@egroups.com; sh-101@egroups.com;
analogue@hyperreal.org; loopoftheday@egroups.com;
Loopers-Delight@loopers-delight.com; IDM-Making@egroups.com
Subject: coming close to closing deal on Kenton Products


Hello,
I writing about people interested in Kenton products. If you've considered
purchasing a Little MCV by Philip Rees(anywhere from 90$ [used on ebay] to
130$ themselves), the Kenton Pro Solo is a much superior product. I found a
dealer who is doing a special request order for me, specifically for me a
Kenton Pro Solo. We have five people already grouped together for this
order. The deal is if you order 3 kenton products, he'll pay for your import
shipping fees, thus you get them at kenton's suggested price (i've seen the
kenton pro solo as high as 299$ in the us, and the lowest price being 175$
I'm expecting to pay about 130$ for it through this special order from this
authorized dealer.) The way he'll be able to offer these at rock bottom
prices, is by dividing up the shipping fees amongst us, so the more people
we have order, and the more products we order, the cheaper the price. This
might be the cheapest you'll ever be able to buy one of these. Dealer does
accept paypal (I'm trying to get him hooked up with exchangepath too if
you're a user of that). I expect for the order to be placed on Monday.
Please let me know as soon as possible if you're interested. Please e/mail
me at ozone@ticnet.com and I'll provide you with the information to contact
this dealer.



sorry, hope noone takes offense to this and assumes it's spam, i'm hoping to
just be able to pass this deal off to others who would have a serious need
for kenton products (they're excellent, sturdy, and very flexible!)

Thanks,
Joshua


Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8 - Pulse 8 Music Project
http://www.egroups.com/community/loopoftheday - Free Loop Of The Day
http://www.egroups.com/community/sampleoftheday - Free Sample Of The Day
http://users.ticnet.com/jkersey - Personal Home Page

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 10:55:52 2000
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To: "Stephen P. Goodman" <spgoodman@earthlight.net>
Cc: "looper's delight" <Loopers-Delight@loopers-delight.com>,
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On Wed, 29 Nov 2000, Stephen P. Goodman wrote:

> Gottahand it to him, his "band" is always the local band, and it's THEIR amps and
> stuff.  He just brings the guitar and some picks.
> 

AND gets paid up front!

re: UPS shipments to taget cities - 

let it also be said that i overinsure like a bastard. having worked a
loading dock or 2 in my time, i've seen what a havoc a
conveyor belt can cause.

in that i do use a tt & several many records in my act it's 
the only way i can get over until i'm more self-mobile.

ok!

rbrt

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 11:53:53 2000
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From: "Mike Biffle" <Mbiffle@svg.com>
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Subject: Re: what are ORVILLE and DYNAMO?
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Hi Rick... The Orville is an Eventide product... their newest, incredibly powerful flagship dsp. We have several Orville evangelists on this list. If you want powerful HARDWARE, you probably can't get much better, although I'm sure there are proponents of other boxes who might want to chime in here. Remember... this is a looping list! 8-)

Dynamo is a software package from the German company Native Instruments. I believe that Dynamo is a smaller version of Reaktor, (please correct me if I'm wrong gang!) which seems to be their main package. They also have a few virtual instruments such as their B4 (Hammond Tone Wheel Organ simulation) and a few others.

Native Instruments Reaktor is a collection of "instruments", many of which are similar (some more so than others) to existing popular synths... There are also many beat generating instruments as well. They say you can design effects in there as well, and it sounds like it came up on this list because someone has been able to design functional loopers in it. 

I don't own any of the NI stuff yet, but believe me... after all I've heard, Reaktor is second on my list (right after the necessary sequencing / audio package... probably Cubase VST). I can't wait to finally have a DAW setup... 

Best,
-Miko

>>> GLOBAL@cruzio.com 11/29/00 01:23AM >>>
Pardon my naivite, but what exactly are ORVILLE and DYNAMO?  Where can I
find out about them?    yours,    Rick Walker  (Loop.pooL)


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Subject: RE: what are ORVILLE and DYNAMO?
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Dynamo is a bunch of software synths built in Reaktor. Reaktor is a virtual 
synthesis development environment - it's like a virtual modular synth, only 
you can build the modules. Dynamo can't do any building however.

bIz





> Dynamo is a software package from the German company Native Instruments. 
I believe that Dynamo is a smaller version of Reaktor, (please correct me 
if I'm wrong gang!) which seems to be their main package. They also have a 
few virtual instruments such as their B4 (Hammond Tone Wheel Organ 
simulation) and a few others.
>
> Native Instruments Reaktor is a collection of "instruments", many of 
which are similar (some more so than others) to existing popular synths... 
There are also many beat generating instruments as well. They say you can 
design effects in there as well, and it sounds like it came up on this list 
because someone has been able to design functional loopers in it.
>
> I don't own any of the NI stuff yet, but believe me... after all I've   
heard, Reaktor is second on my list (right after the necessary sequencing / 
audio package... probably Cubase VST). I can't wait to finally have a DAW 
setup...
>
> Best,
> -Miko
>
> >>> GLOBAL@cruzio.com 11/29/00 01:23AM >>>
> Pardon my naivite, but what exactly are ORVILLE and DYNAMO?  Where can I
> find out about them?    yours,    Rick Walker  (Loop.pooL)
> 

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 14:09:50 2000
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References: <sa24c2a2.090@mailhub.svg.com>
Subject: used Kyma
Date: Wed, 29 Nov 2000 13:58:32 -0500
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(Slightly OT) I saw this used Kyma system on ebay:
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=513079117
Price: $1900 w/ PCI card interface

Dennis Leas
-------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Wed Nov 29 16:23:22 2000
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Subject: Transporting pedals
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Hi

Apologies if this has been covered before - I¹m new to the list and couldn't
find info on the archive. Please don't flame me if this is old ground but I
have an urgent need to get this sorted out.

Squirting into my JamMan/Digitech loopers, I have a pedal board, custom
built with a single power supply. Great at gigs - very quick to set up.
Problem is that the board has been flown (in its flight case) twice in the
past year and each time, the power supply has been trashed.

Does anyone have any tips/experience of really rugged, practical pedal board
solutions? SKB do a board but it looks a bit flimsy to me. Many commercial
boards still have crappy wires/wallwarts to connect to the mains (my board
has a heavy duty mains cable attached to the power supply by an XLR
connector). 

I know that the ideal solution would be to take the electronics into the
plane with me, but I have to take my bass on board (and a small bag
containing my irreplaceable original Whammy pedal). The JamMan and Digitech
loopers go into a SKB flightcase and so far, no problems...(maybe this is a
different post altogether!)

Any ideas?

Thanks
victor

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Hey,

I used to use this software: http://vidvox.net/ but it is for the mac
OS.  Not sure if anything exists for windows.

Mark Sottilaro

Martin Shakeshaft wrote:

> First let me apologise for being slightly off topic.
>
> I play a Yamaha Windsynth with a Lexicon Jamman and a Line 6 DL4. The
> music is best described as a loopy ethnic, jazz fusion. Part of my day
> job involves working with VideoÖ.so my next plan for world domination
> is to combine my musical performances and video work together.
>
> Does anyone know of a Windows programme that will give me visual
> effects from a sound source. Something like the colour screens in
> Music Match Jukebox. It would also be nice if the files could be saved
> a avi files, but I expect that is asking too much.
>
> Has anyone else attempted anything like this? I would be interested in
> hearing your experiences.
>
> Cheers
>
> Martin

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Subject: Re: Transporting pedals
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> Hi
>
> Apologies if this has been covered before - I1m new to the list and couldn't
> find info on the archive. Please don't flame me if this is old ground but I
> have an urgent need to get into a SKB flightcase and so far, no
> problems...(maybe this is a
> different post altogether!)
>
> Any ideas?
>
> Thanks
> victor

=8-)


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Subject: Re: Transporting pedals
From: Martin Shellard <martins@pwdu.demon.co.uk>
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Try www.pedalboard.com, they sell a versatile power supply that should
handle all of your pedals and are designed to endure life on the road.

Martin Shellard 


> From: Victor and Jess <vicnjess@mac.com>

> Hi
> 

> Does anyone have any tips/experience of really rugged, practical pedal board
> solutions? SKB do a board but it looks a bit flimsy to me. Many commercial
> boards still have crappy wires/wallwarts to connect to the mains (my board
> has a heavy duty mains cable attached to the power supply by an XLR
> connector). 
> 

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Subject: Re: Looping Visual effects?
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--------------79ADB267C842B1DFD2DF20E1
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I once did a show using  some wiamp visualizations, one in particular
"geiss", I believe worked quite well.  You just run it on screen save
mode, and there is an option to select either the line in on your
soundcard or for it to run off mp3's on your computer.

We just ran a line from the board into the soundcard and it worked great

Dave

Martin Shakeshaft wrote:

> First let me apologise for being slightly off topic.
>
> I play a Yamaha Windsynth with a Lexicon Jamman and a Line 6 DL4. The
> music is best described as a loopy ethnic, jazz fusion. Part of my day
> job involves working with Video….so my next plan for world domination
> is to combine my musical performances and video work together.
>
> Does anyone know of a Windows programme that will give me visual
> effects from a sound source. Something like the colour screens in
> Music Match Jukebox. It would also be nice if the files could be saved
> a avi files, but I expect that is asking too much.
>
> Has anyone else attempted anything like this? I would be interested in
> hearing your experiences.
>
> Cheers
>
> Martin

--------------79ADB267C842B1DFD2DF20E1
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
<body bgcolor="#FFFFFF">
I once did a show using&nbsp; some wiamp visualizations, one in particular
"geiss", I believe worked quite well.&nbsp; You just run it on screen save
mode, and there is an option to select either the line in on your soundcard
or for it to run off mp3's on your computer.
<p>We just ran a line from the board into the soundcard and it worked great
<p>Dave
<p>Martin Shakeshaft wrote:
<blockquote TYPE=CITE><style></style>
<font face="Arial">First let me apologise
for being slightly off topic.</font>
<p><font face="Arial">I play a Yamaha Windsynth with a Lexicon Jamman and
a Line 6 DL4. The music is best described as a loopy ethnic, jazz fusion.
Part of my day job involves working with Video….so my next plan for world
domination is to combine my musical performances and video work together.</font>
<p><font face="Arial">Does anyone know of a Windows programme that will
give me visual effects from a sound source. Something like the colour screens
in Music Match Jukebox. It would also be nice if the files could be saved
a avi files, but I expect that is asking too much.</font>
<p><font face="Arial">Has anyone else attempted anything like this? I would
be interested in hearing your experiences.</font>
<p><font face="Arial">Cheers</font>
<p><font face="Arial">Martin</font></blockquote>

</body>
</html>

--------------79ADB267C842B1DFD2DF20E1--

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Subject: help with sick Digitech pds2700
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Hello looping friends.  I have a tale of woe that I hope the more
technologically sophisticated among you might be able to help me cope
with.  I have a PDS 2700 which I adore and which is now (temporarily I
hope) silenced by an unknown malady.

It started with loud hum that would suddenly kick in in the middle of my
playing for no apparent reason.  It was loud enough to overpower the
guitar signal.  To get rid of it, I would unplug and replug the adapter
(9 volt, not the recommended 10 volt).  Sometimes it took two or three
such hard resets to get rid of the noise.  Then one day Mr. Green just
stopped putting out any signal at all.  The LEDs still light up as if
everything is fine, but no signal goes through to the amp, not even the
accursed hum.

I opened it up and don't see any loose connections, just a lot of
intimidating integrated circuitry.  One curious item -- the stereo
output appears to have only one lead.

In any event, I am hoping against hope that someone may have suggestions
for repair/troubleshooting.  Could the 9v adapter have caused the
problem?  The unit currently doesn't work with batteries any better than
with an adapter.

Thanks in advance for your looper compassion.

From Loopers-Delight-request@loopers-delight.com  Thu Nov 30 23:47:54 2000
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Date: Wed, 29 Nov 2000 20:38:00 -0800
From: Rick Walker <GLOBAL@cruzio.com>
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Its' extraordinarily cheesy, but Fruity Loops Pro (the greatest,
simplest most intuitive virtual drum machine in the world and I have
programmed most of them over the past 20 years) has a color organ that
goes with it.   If you figure out the BPM of your loop and put the loop
in with just one trigger per measure, the color organ will groove on
down with you.
Seriously,  the drum machine rocks:  it uses any .wav files you have and
has a ton of simple and quick processing options.  I use it with my
looping material a lot.
yours,  Rick Walker
PS  If you discover anything else, will you please e-mail me back with
it?

