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i want to fuckin unsubscribe you sad bastards



>===== Original Message From Loopers-Delight@loopers-delight.com =====
>Sounds cool, and like you'll fit right
>in here.  Welcome!
>
>> -----Original Message-----
>> From: Ryan D. Supak
>[mailto:rdsupak@hoover-keith.com]
>> Sent: Wednesday, August 30, 2000 5:21 PM
>> To: loopers-delight@loopers-delight.com
>> Subject: a new user
>>
>>
>> hi, im new to the list.  i used to play real 8>
>instruments, but now i
>> just use samplers.  (sometimes i still play
>real 8} instruments as an
>> emergency replacement for friends.)
>>
>> i use (2x)SP-808 by Roland.  it's "technically"
>not a "true"
>> looper, but
>> if you use two of them strung together with a
>scratch mixer, your rig
>> becomes a "true" looper by Looper's Delight
>standards.
>>
>> im primarily involved in live improv with
>people who play real 8]
>> instruments. i run around with a microphone and
>sample them,
>> then i run
>> back to my DJ coffin and do things to the
>sounds, and spit them back
>> out.  i also do "raves".  i tell the bookers
>i'm a DJ >8].
>>
>> just wanted to say "hi", (hopefully it didnt
>bother anyone),
>> and to say
>> i hope i can contribute something unique and
>productive to the list in
>> the future.
>>
>> r.s.
>> (np: "It's a Man's, Man's, Man's World" - James
>Brown)
>>
>
>__________________________________________________
>Do You Yahoo!?
>Yahoo! Mail - Free email you can access from anywhere!
>http://mail.yahoo.com/

Go to http://www.eurekar.com 
The motoring portal

To become a member and a shareholder of our parent company
visit http://www.totalise.net

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 04:13:00 2000
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Are you learning impaired?


--- Charles Tyrer <charlestyrer@totalise.co.uk> wrote:
> i want to fuckin unsubscribe you sad bastards


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Mail - Free email you can access from anywhere!
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> i want to fuckin unsubscribe you sad bastards

Does anyone hold a cherished place in their heart for this cartoonish court
jester of this list, here to remind us of our hubris and human folly?...

   ...'cuz I don't.

Did anyone do outreach work at some point to the "football hooligan
community"?  He is a noisy loop, himself, one that desperately *doesn't*
want to be deleted.

On the subject of looping, I've heard of people integrating the PEavey 1600x
as some sort of step sequencer or loop controller...any leads, tips, dish on
how to do it?
cheeahs, Ben


> From: Charles Tyrer <charlestyrer@totalise.co.uk>
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Fri, 1 Sep 2000 09:00:11 +0100
> To: Loopers-Delight@loopers-delight.com
> Subject: unsub
> Resent-From: Loopers-Delight@loopers-delight.com
> Resent-Date: Fri, 1 Sep 2000 04:04:05 -0400
> 
> i want to fuckin unsubscribe you sad bastards
> 
> 
> 
>> ===== Original Message From Loopers-Delight@loopers-delight.com =====
>> Sounds cool, and like you'll fit right
>> in here.  Welcome!
>> 
>>> -----Original Message-----
>>> From: Ryan D. Supak
>> [mailto:rdsupak@hoover-keith.com]
>>> Sent: Wednesday, August 30, 2000 5:21 PM
>>> To: loopers-delight@loopers-delight.com
>>> Subject: a new user
>>> 
>>> 
>>> hi, im new to the list.  i used to play real 8>
>> instruments, but now i
>>> just use samplers.  (sometimes i still play
>> real 8} instruments as an
>>> emergency replacement for friends.)
>>> 
>>> i use (2x)SP-808 by Roland.  it's "technically"
>> not a "true"
>>> looper, but
>>> if you use two of them strung together with a
>> scratch mixer, your rig
>>> becomes a "true" looper by Looper's Delight
>> standards.
>>> 
>>> im primarily involved in live improv with
>> people who play real 8]
>>> instruments. i run around with a microphone and
>> sample them,
>>> then i run
>>> back to my DJ coffin and do things to the
>> sounds, and spit them back
>>> out.  i also do "raves".  i tell the bookers
>> i'm a DJ >8].
>>> 
>>> just wanted to say "hi", (hopefully it didnt
>> bother anyone),
>>> and to say
>>> i hope i can contribute something unique and
>> productive to the list in
>>> the future.
>>> 
>>> r.s.
>>> (np: "It's a Man's, Man's, Man's World" - James
>> Brown)
>>> 


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<HTML>
<HEAD>
<TITLE>unsub</TITLE>
</HEAD>
<BODY>
<TT>&gt; i want to fuckin unsubscribe you sad bastards</TT><FONT SIZE=3D"1"> =
<BR>
<BR>
</FONT><TT>Does anyone hold a cherished place in their heart for this carto=
onish court jester of this list, here to remind us of our hubris and human f=
olly?...<BR>
<BR>
 &nbsp;&nbsp;&nbsp;...'cuz I don't.<BR>
<BR>
Did anyone do outreach work at some point to the &quot;football hooligan co=
mmunity&quot;? &nbsp;He is a noisy loop, himself, one that desperately *does=
n't* want to be deleted.<BR>
<BR>
On the subject of looping, I've heard of people integrating the PEavey 1600=
x as some sort of step sequencer or loop controller...any leads, tips, dish =
on how to do it?<BR>
cheeahs, Ben<BR>
<BR>
<BR>
&gt; From: Charles Tyrer &lt;<FONT COLOR=3D"#0000FF"><U>charlestyrer@totalise=
.co.uk</U></FONT>&gt;<BR>
&gt; Reply-To: <FONT COLOR=3D"#0000FF"><U>Loopers-Delight@loopers-delight.com=
<BR>
</U></FONT>&gt; Date: Fri, 1 Sep 2000 09:00:11 +0100<BR>
&gt; To: <FONT COLOR=3D"#0000FF"><U>Loopers-Delight@loopers-delight.com<BR>
</U></FONT>&gt; Subject: unsub<BR>
&gt; Resent-From: <FONT COLOR=3D"#0000FF"><U>Loopers-Delight@loopers-delight.=
com<BR>
</U></FONT>&gt; Resent-Date: Fri, 1 Sep 2000 04:04:05 -0400<BR>
&gt; <BR>
&gt; i want to fuckin unsubscribe you sad bastards<BR>
&gt; <BR>
&gt; <BR>
&gt; <BR>
&gt;&gt; =3D=3D=3D=3D=3D Original Message From <FONT COLOR=3D"#0000FF"><U>Loopers-Delig=
ht@loopers-delight.com</U></FONT> =3D=3D=3D=3D=3D<BR>
&gt;&gt; Sounds cool, and like you'll fit right<BR>
&gt;&gt; in here. &nbsp;Welcome!<BR>
&gt;&gt; <BR>
&gt;&gt;&gt; -----Original Message-----<BR>
&gt;&gt;&gt; From: Ryan D. Supak<BR>
&gt;&gt; [<FONT COLOR=3D"#0000FF"><U>mailto:rdsupak@hoover-keith.com</U></FON=
T>]<BR>
&gt;&gt;&gt; Sent: Wednesday, August 30, 2000 5:21 PM<BR>
&gt;&gt;&gt; To: <FONT COLOR=3D"#0000FF"><U>loopers-delight@loopers-delight.c=
om<BR>
</U></FONT>&gt;&gt;&gt; Subject: a new user<BR>
&gt;&gt;&gt; <BR>
&gt;&gt;&gt; <BR>
&gt;&gt;&gt; hi, im new to the list. &nbsp;i used to play real 8&gt;<BR>
&gt;&gt; instruments, but now i<BR>
&gt;&gt;&gt; just use samplers. &nbsp;(sometimes i still play<BR>
&gt;&gt; real 8} instruments as an<BR>
&gt;&gt;&gt; emergency replacement for friends.)<BR>
&gt;&gt;&gt; <BR>
&gt;&gt;&gt; i use (2x)SP-808 by Roland. &nbsp;it's &quot;technically&quot;=
<BR>
&gt;&gt; not a &quot;true&quot;<BR>
&gt;&gt;&gt; looper, but<BR>
&gt;&gt;&gt; if you use two of them strung together with a<BR>
&gt;&gt; scratch mixer, your rig<BR>
&gt;&gt;&gt; becomes a &quot;true&quot; looper by Looper's Delight<BR>
&gt;&gt; standards.<BR>
&gt;&gt;&gt; <BR>
&gt;&gt;&gt; im primarily involved in live improv with<BR>
&gt;&gt; people who play real 8]<BR>
&gt;&gt;&gt; instruments. i run around with a microphone and<BR>
&gt;&gt; sample them,<BR>
&gt;&gt;&gt; then i run<BR>
&gt;&gt;&gt; back to my DJ coffin and do things to the<BR>
&gt;&gt; sounds, and spit them back<BR>
&gt;&gt;&gt; out. &nbsp;i also do &quot;raves&quot;. &nbsp;i tell the booke=
rs<BR>
&gt;&gt; i'm a DJ &gt;8].<BR>
&gt;&gt;&gt; <BR>
&gt;&gt;&gt; just wanted to say &quot;hi&quot;, (hopefully it didnt<BR>
&gt;&gt; bother anyone),<BR>
&gt;&gt;&gt; and to say<BR>
&gt;&gt;&gt; i hope i can contribute something unique and<BR>
&gt;&gt; productive to the list in<BR>
&gt;&gt;&gt; the future.<BR>
&gt;&gt;&gt; <BR>
&gt;&gt;&gt; r.s.<BR>
&gt;&gt;&gt; (np: &quot;It's a Man's, Man's, Man's World&quot; - James<BR>
&gt;&gt; Brown)<BR>
&gt;&gt;&gt; <BR>
</TT>
</BODY>
</HTML>


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From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 09:07:37 2000
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From: "Rainer Straschill" <rainer.straschill@izm-m.fhg.de>
To: <loopers-delight@loopers-delight.com>
Subject: re Looping with synths
Date: Fri, 1 Sep 2000 15:07:32 +0200
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Hi there,

on the ongoing "looping with synths" discussion: has anyone of you =
loopers used/made looping-related use of a Quasimidi Polymorph?

loop ya,

            Rainer

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Hi there,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>on the ongoing &quot;looping with =
synths&quot;=20
discussion: has anyone of you loopers used/made looping-related use of a =

Quasimidi Polymorph?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>loop ya,</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT=20
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;=20
Rainer</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 09:19:29 2000
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From: Tim Nelson <tcn62@ici.net>
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At 09:00 AM 9/1/00 +0100, an angry lobster wrote:
>i want to fuckin unsubscribe you sad bastards

Charles, you obtuse crustacean,

It's really quite easy. Please read this CAREFULLY:

The address to which you need to send your unsub message IS NOT the same as
the one for the mailing list. That means if you do use the one for the
mailing list, you will not only fail to achieve your goal of
unsubscription, but you'll also be the brunt of ridicule and your name will
be forever associated with the cries of gulls and the smell of melted
butter... 

Here, read it for yourself (if you're capable) at 
<http://www.loopers-delight.com/list/LoopList.html>

In case that throws you, the address you want is 
Loopers-Delight-request@loopers-delight.com
and your message must consist of the word "unsubscribe" in both the subject
and body. That's it. It's even simpler than you appear to be. You don't
need colorful adjectives describing a sex act nor witty comments on
peoples' body weights or the marital status of our parents at the time of
our respective conceptions; just spell "unsubscribe" correctly and send it
to the right address.

Before you reply, please re-read the instructions. Print them out if that
will help. We "sad bastards" are merely trying to help you leave.

BTW, Charles, what instrument do you play, if any? All those years of
drummer jokes may have been misdirected...

Tim 

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 09:50:38 2000
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I am a pianist (grade 7 standard) and you !



>===== Original Message From Loopers-Delight@loopers-delight.com =====
>At 09:00 AM 9/1/00 +0100, an angry lobster wrote:
>>i want to fuckin unsubscribe you sad bastards
>
>Charles, you obtuse crustacean,
>
>It's really quite easy. Please read this CAREFULLY:
>
>The address to which you need to send your unsub message IS NOT the same as
>the one for the mailing list. That means if you do use the one for the
>mailing list, you will not only fail to achieve your goal of
>unsubscription, but you'll also be the brunt of ridicule and your name will
>be forever associated with the cries of gulls and the smell of melted
>butter...
>
>Here, read it for yourself (if you're capable) at
><http://www.loopers-delight.com/list/LoopList.html>
>
>In case that throws you, the address you want is
>Loopers-Delight-request@loopers-delight.com
>and your message must consist of the word "unsubscribe" in both the subject
>and body. That's it. It's even simpler than you appear to be. You don't
>need colorful adjectives describing a sex act nor witty comments on
>peoples' body weights or the marital status of our parents at the time of
>our respective conceptions; just spell "unsubscribe" correctly and send it
>to the right address.
>
>Before you reply, please re-read the instructions. Print them out if that
>will help. We "sad bastards" are merely trying to help you leave.
>
>BTW, Charles, what instrument do you play, if any? All those years of
>drummer jokes may have been misdirected...
>
>Tim

Go to http://www.eurekar.com 
The motoring portal

To become a member and a shareholder of our parent company
visit http://www.totalise.net

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 09:56:19 2000
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On Wed, 30 Aug 2000 19:24:32 -0400
Loopers-Delight-d-request@loopers-delight.com writes:

Please Unsubscribe

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 10:15:32 2000
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Subject: OT: Any Klein users here?
From: "Martin Shellard" <martins@pwdu.demon.co.uk>
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I don't intend to start a Klein thread but I'm planning to buy one of these
guitars soon, I haven't played one or seen one I the flesh but it looks to
be just what I want.
Any Klein users wanting to sing the praises of their guitar or otherwise,
please contact me directly so as not to clog the list.
I'm particularly interested in the different bodywoods, Transtrem and
acoustic chambers.

Thanks in advance.
Martin Shellard

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 11:08:27 2000
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Please, clog the list.  Anything has got to be better than the endless 
ridiculous OT unsubbing threads.  Plus I want to hear more about why these 
guitars are so favored by many of the most talented guitarists/loopers...  
What makes them so special besides looking like the mutant offspring of a 
Steinberger and an Ovation Breadwinner.

sm

>From: "Martin Shellard" <martins@pwdu.demon.co.uk>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers Delight <Loopers-Delight@annihilist.com>
>Subject: OT: Any Klein users here?
>Date: Fri, 01 Sep 2000 15:14:43 +0100
>
>I don't intend to start a Klein thread but I'm planning to buy one of these
>guitars soon, I haven't played one or seen one I the flesh but it looks to
>be just what I want.
>Any Klein users wanting to sing the praises of their guitar or otherwise,
>please contact me directly so as not to clog the list.
>I'm particularly interested in the different bodywoods, Transtrem and
>acoustic chambers.
>
>Thanks in advance.
>Martin Shellard
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 11:19:31 2000
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Hi All,


Charles Tyrer seems to be a sad and bitter person, with a lack of
understanding of how to get off this list.  Following Kim's suggestion
that we don't eat up bandwidth by replying to the list regarding
someone like Charles, I decided to mail directly to Charles with the
following message.  I will post this to the list only to encourage that
you all do the same, if that is proper etiquette (oh, screw etiquette).
 Mail him yourself and flood his mailbox with complaints.  He's been
badgering us, so can we return the favor?


Charles' address is:


Charles Tyrer <<charlestyrer@totalise.co.uk>


>

>

Charles,


What is your problem?  You have obviously been given instructions on
how to properly unsubscribe from the Looper's Delight list.  And yet
you continue to send mail to the regular list and berate us.


This is your problem, dude, not ours.  No one here has trapped you into
anything you can't get out of.  Someone (either you or someone who has
access to your computer) signed up for this list somehow...now get off
of it on your own power, ok?  All of the subscribers actually WANT to
be here.  No one wants an unhappy, bitter person like yourself to
participate.


If this is some sort of hobby of yours, to send us inflammatory mails,
then just grow up.  We happen to be a large collective of both
professional and amateur musicians/dj's/producers/engineers, etc. that
find some sort of fascination with the tools and philosophy of Looping.
 If you think that's stupid and sad, so be it.  But i'm sure there's
something you enjoy and hold precious that we could stomp all over for
our entertainment value.  But we don't because that's your perogative
to be into anything you like.  Golden Rule kindof thing here...Get It?


Goodbye and best of luck in the future,


Rich Atkinson

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 11:21:39 2000
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sounds great....if you're ever in ohio and want to jam with a drummer =
and a guitar player give me a call.
    -----Original Message-----
    From: Elias Faingersh <elias@mbox306.swipnet.se>
    To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
    Date: Thursday, August 31, 2000 4:38 PM
    Subject: I'm new here
   =20
   =20
   =20
    I'm new here, just wonted to say hi to every one....HI!
    =20
    I play trombone, alone..
    work a lot with 2 uppdated Jammans, Lexicon MPX 100 and MPX1.
    I give mostly solo recetales, after 10 years playing with a symphony =
orcestra playng alone is a PRADISE!!!=20
    This sommer though I did about 30 gigs with two other guys,
    guitar and drumms. It worked really well.
    =20
    Have a good one every one.
   =20
    Elias Faingersh
    =20
    http://home.swipnet.se/faingersh/
    =20
   =20
   =20
    =20
   =20
    =20


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 =
HTML//EN">
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>sounds great....if you're ever in =
ohio and want=20
to jam with a drummer and a guitar player give me a call.</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
    </B>Elias Faingersh &lt;<A=20
    =
href=3D"mailto:elias@mbox306.swipnet.se">elias@mbox306.swipnet.se</A>&gt;=
<BR><B>To:=20
    </B><A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>&gt;<BR><B>Date:=20
    </B>Thursday, August 31, 2000 4:38 PM<BR><B>Subject: </B>I'm new=20
    here<BR><BR></DIV></FONT>
    <DIV>&nbsp;</DIV>
    <DIV><FONT size=3D2>I'm new here, just wonted to say hi to every=20
    one....HI!</FONT></DIV>
    <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D2>I play trombone, alone..</FONT></DIV>
    <DIV><FONT size=3D2>work a lot with 2 uppdated Jammans, Lexicon MPX =
100 and=20
    MPX1.</FONT></DIV>
    <DIV><FONT size=3D2>I give mostly solo recetales, a<FONT =
size=3D2>fter 10 years=20
    playing with a symphony orcestra playng alone is a=20
    PRADISE!!!&nbsp;</FONT></FONT></DIV>
    <DIV><FONT size=3D2>This sommer though I did about 30 gigs with two =
other=20
    guys,</FONT></DIV>
    <DIV><FONT size=3D2>guitar and drumms. It worked really =
well.</FONT></DIV>
    <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D2>Have a good one every one.</FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT size=3D2>Elias Faingersh</FONT></DIV>
    <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT color=3D#000000 size=3D2><A=20
    =
href=3D"http://home.swipnet.se/faingersh/">http://home.swipnet.se/fainger=
sh/</A></FONT></DIV>
    <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
    <DIV>&nbsp;</DIV>
    <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
    <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 11:24:06 2000
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From: rich <rich@nuvision.com>
Subject: Peavey 1600x
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What is the Peavey 1600x?  tell me more, please?

any URL's to check out?


seeya,


rich


>

>

On the subject of looping, I've heard of people integrating the PEavey
1600x as some sort of step sequencer or loop controller...any leads,
tips, dish on how to do it?

cheeahs, Ben


From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 11:42:02 2000
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Subject: Re: OT: Any Klein users here? Clog the List
Date: Fri, 01 Sep 2000 11:39:37 EDT
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While you guys are at it, I've love to hear any commentary on the K-bass.

Paolo

>Please, clog the list.  Anything has got to be better than the endless
>ridiculous OT unsubbing threads.  Plus I want to hear more about why these
>guitars are so favored by many of the most talented guitarists/loopers...
>What makes them so special besides looking like the mutant offspring of a
>Steinberger and an Ovation Breadwinner.
>
>sm
>
>>From: "Martin Shellard" <martins@pwdu.demon.co.uk>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: Loopers Delight <Loopers-Delight@annihilist.com>
>>Subject: OT: Any Klein users here?
>>Date: Fri, 01 Sep 2000 15:14:43 +0100
>>
>>I don't intend to start a Klein thread but I'm planning to buy one of 
>>these
>>guitars soon, I haven't played one or seen one I the flesh but it looks to
>>be just what I want.
>>Any Klein users wanting to sing the praises of their guitar or otherwise,
>>please contact me directly so as not to clog the list.
>>I'm particularly interested in the different bodywoods, Transtrem and
>>acoustic chambers.
>>
>>Thanks in advance.
>>Martin Shellard
>>
>
>_________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
>Share information about yourself, create your own public profile at
>http://profiles.msn.com.
>

_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 11:48:02 2000
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Subject: Re: OT: Any Klein users here? Clog the List
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me too

----- Original Message -----
From: "space module" <spacemodule@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 01, 2000 10:07 AM
Subject: Re: OT: Any Klein users here? Clog the List


> Please, clog the list.  Anything has got to be better than the endless
> ridiculous OT unsubbing threads.  Plus I want to hear more about why these
> guitars are so favored by many of the most talented guitarists/loopers...
> What makes them so special besides looking like the mutant offspring of a
> Steinberger and an Ovation Breadwinner.
>
> sm


From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 11:49:29 2000
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From: Mark Pulver <mark@redmoon-music.com>
Subject: Re: Peavey 1600x
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rich (10:11 AM 09.01.2000) wrote:


>What is the Peavey 1600x?  tell me more, please?
>any URL's to check out?

It's something that everyone should have at least one of... If you can find 
them. :) This is Dan Nigrin's PC-1600 site which has a ton of info on it:

   http://www.defectiverecords.com/pc1600/pc1600.html


Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 12:17:44 2000
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OK, this was my response

<< 
I got mine in Oct 1997.  
Swamp ash, chambered, standard trem, Joe Barden pickups.  
The TransTrem I liked less: it has less sustain, doesn't work that great IMJ, and the tone is a little poorer for it.  
Get the chambered body, it's full of many different tones.  
I will never need another solid-body guitar.  
This one goes on every gig.  
It DOES change the way I play, like the promo says.  
Lorenzo German is a beautiful cat as well.  
Mine is right now in his hands: needs some fret dressing.  (I've played this 3-6 days per week for 3 years now.)  All normal work is free.  
I'd buy another one, but why?  This is the best axe I've ever played.  I can't understand why you don't see more of them around, except that Lorenzo won't give them away to potential endorsers.  Torn, Frisell, Henry Kaiser: they all had to pay for theirs.  
It's worth every penny.  
When I shipped mine to Klein this week I over-insured it, and I'd much rather have the guitar back than a check for $4K from FedEx should they break it.  
Call Lorenzo German at Klein.  You won't regret it for a second.  
  
Does that help?  
  
Kevin   
(see mine at http://members.aol.com/redroadtheband  
or members.aol.com/kb305/kb305  and go the  page labeled 'g'   >>


From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 12:17:44 2000
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From: KB305@aol.com
Date: Fri, 01 Sep 2000 12:16:04 EDT
Subject: Klein-clogging 1
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OK, this was my response

<< 
I got mine in Oct 1997.  
Swamp ash, chambered, standard trem, Joe Barden pickups.  
The TransTrem I liked less: it has less sustain, doesn't work that great IMJ, and the tone is a little poorer for it.  
Get the chambered body, it's full of many different tones.  
I will never need another solid-body guitar.  
This one goes on every gig.  
It DOES change the way I play, like the promo says.  
Lorenzo German is a beautiful cat as well.  
Mine is right now in his hands: needs some fret dressing.  (I've played this 3-6 days per week for 3 years now.)  All normal work is free.  
I'd buy another one, but why?  This is the best axe I've ever played.  I can't understand why you don't see more of them around, except that Lorenzo won't give them away to potential endorsers.  Torn, Frisell, Henry Kaiser: they all had to pay for theirs.  
It's worth every penny.  
When I shipped mine to Klein this week I over-insured it, and I'd much rather have the guitar back than a check for $4K from FedEx should they break it.  
Call Lorenzo German at Klein.  You won't regret it for a second.  
  
Does that help?  
  
Kevin   
(see mine at http://members.aol.com/redroadtheband  
or members.aol.com/kb305/kb305  and go the  page labeled 'g'   >>


From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 12:17:51 2000
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OK, this was my response

<< 
I got mine in Oct 1997.  
Swamp ash, chambered, standard trem, Joe Barden pickups.  
The TransTrem I liked less: it has less sustain, doesn't work that great IMJ, and the tone is a little poorer for it.  
Get the chambered body, it's full of many different tones.  
I will never need another solid-body guitar.  
This one goes on every gig.  
It DOES change the way I play, like the promo says.  
Lorenzo German is a beautiful cat as well.  
Mine is right now in his hands: needs some fret dressing.  (I've played this 3-6 days per week for 3 years now.)  All normal work is free.  
I'd buy another one, but why?  This is the best axe I've ever played.  I can't understand why you don't see more of them around, except that Lorenzo won't give them away to potential endorsers.  Torn, Frisell, Henry Kaiser: they all had to pay for theirs.  
It's worth every penny.  
When I shipped mine to Klein this week I over-insured it, and I'd much rather have the guitar back than a check for $4K from FedEx should they break it.  
Call Lorenzo German at Klein.  You won't regret it for a second.  
  
Does that help?  
  
Kevin   
(see mine at http://members.aol.com/redroadtheband  
or members.aol.com/kb305/kb305  and go the  page labeled 'g'   >>


From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 12:44:28 2000
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Old-Return-Path: <jonathan@full-moon.com>
From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: unsub
Date: Fri, 1 Sep 2000 09:46:29 -0700
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Yes, I can play 7th grade piano. I can play chopsticks, and the Camptown
Ladies and beginning of that symphony thing, of which I forget the name.

bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Charles Tyrer [mailto:charlestyrer@totalise.co.uk]
Sent: Friday, September 01, 2000 6:48 AM
To: Loopers-Delight@loopers-delight.com
Subject: RE: unsub

I am a pianist (grade 7 standard) and you !



>===== Original Message From Loopers-Delight@loopers-delight.com =====
>At 09:00 AM 9/1/00 +0100, an angry lobster wrote:
>>i want to fuckin unsubscribe you sad bastards
>
>Charles, you obtuse crustacean,
>
>It's really quite easy. Please read this CAREFULLY:
>
>The address to which you need to send your unsub message IS NOT the same as
>the one for the mailing list. That means if you do use the one for the
>mailing list, you will not only fail to achieve your goal of
>unsubscription, but you'll also be the brunt of ridicule and your name will
>be forever associated with the cries of gulls and the smell of melted
>butter...
>
>Here, read it for yourself (if you're capable) at
><http://www.loopers-delight.com/list/LoopList.html>
>
>In case that throws you, the address you want is
>Loopers-Delight-request@loopers-delight.com
>and your message must consist of the word "unsubscribe" in both the subject
>and body. That's it. It's even simpler than you appear to be. You don't
>need colorful adjectives describing a sex act nor witty comments on
>peoples' body weights or the marital status of our parents at the time of
>our respective conceptions; just spell "unsubscribe" correctly and send it
>to the right address.
>
>Before you reply, please re-read the instructions. Print them out if that
>will help. We "sad bastards" are merely trying to help you leave.
>
>BTW, Charles, what instrument do you play, if any? All those years of
>drummer jokes may have been misdirected...
>
>Tim

Go to http://www.eurekar.com
The motoring portal

To become a member and a shareholder of our parent company
visit http://www.totalise.net

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 12:56:03 2000
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At 02:48 PM 9/1/00 +0100, you wrote:
>I am a pianist (grade 7 standard) and you !

Grade 7? That's cause for pianist-envy...

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 13:18:21 2000
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> i want to fuckin unsubscribe you sad bastards

Charles, dear Charles,
You have the manners of a primate. You are a person for whom the lowliest
insult is merely a more or less accurate description.
You have insulted myself and other list members whose individual intellects
and funds of knowledge you could never aspire to. You are, in short, a
snivelling, worthless, ignorant piece of canine excrement. Kindly follow the
SIMPLE instructions communicated to you previously or if you 're unable to
concentrate for long enough, ask an ADULT to help, (assuming anyone would
want to) and begone, you wretched, wretched child.

Best wishes,

Gareth


From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 13:56:38 2000
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Re:Unsubscribe!/ EDP Undo function
Date: Fri, 1 Sep 2000 11:00:53 -0700
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lol-

This will be a bit off topic but here goes-

I want to know if anyone on the list is using a GadgetLabs 824 or MOTU
system on their PC- I hear mixed opinions as to having converters on the
card in the box being affected by rf noise and it is better to have them
outside as in the MOTU- obviously the MOTU is a better choice but at $1000
versus $500 for the GadgetLabs it may come down to budget restraints- If
anyone has insight or opinion on PC audio interfaces (24/48 or better only)
please let me know- Maybe off list would be better-

Actually, to be ON topic- how exactly do you undo on the EDP? I get lost as
after I overdub it seems to take numerous presses of the undo at precisely
the start point to clear what I want to clear- which inevitably leads me to
just press undo like MAD until it is all gone- not good-

Cliff

-----Original Message-----
From: whiteoakstudios <whiteoakstudios@supanet.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Friday, September 01, 2000 10:21 AM
Subject: Re:Unsubscribe!


>
>
>
>> i want to fuckin unsubscribe you sad bastards
>
>Charles, dear Charles,
>You have the manners of a primate. You are a person for whom the lowliest
>insult is merely a more or less accurate description.
>You have insulted myself and other list members whose individual intellects
>and funds of knowledge you could never aspire to. You are, in short, a
>snivelling, worthless, ignorant piece of canine excrement. Kindly follow
the
>SIMPLE instructions communicated to you previously or if you 're unable to
>concentrate for long enough, ask an ADULT to help, (assuming anyone would
>want to) and begone, you wretched, wretched child.
>
>Best wishes,
>
>Gareth
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 14:03:12 2000
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Message-ID: <A381159AED22D411B4C1009027EE806A10CFC8@POSTAL>
From: Ben Sharp <bens@bootlegnetworks.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Unsubscribe!
Date: Fri, 1 Sep 2000 10:59:33 -0700 
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Just a thought, but has anyone considered that this kind of person is
actually fishing for responses like this?  It does qualify in
a sick kind of way as "attention"...

$0.02
-Ben Sharp

-----Original Message-----
From: whiteoakstudios [mailto:whiteoakstudios@supanet.com]
Sent: Friday, September 01, 2000 10:19 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re:Unsubscribe!





> i want to fuckin unsubscribe you sad bastards

Charles, dear Charles,
You have the manners of a primate. You are a person for whom the lowliest
insult is merely a more or less accurate description.
You have insulted myself and other list members whose individual intellects
and funds of knowledge you could never aspire to. You are, in short, a
snivelling, worthless, ignorant piece of canine excrement. Kindly follow the
SIMPLE instructions communicated to you previously or if you 're unable to
concentrate for long enough, ask an ADULT to help, (assuming anyone would
want to) and begone, you wretched, wretched child.

Best wishes,

Gareth

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 14:08:54 2000
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Message-ID: <016a01c01440$62ef8260$a37a79a5@cliff>
From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Unsubscribe!
Date: Fri, 1 Sep 2000 11:13:46 -0700
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My suggestion- follow Kim's advice- ignore. Period. We are not in IRC -
there are no kick/bans and a flame will only get hotter if you fan it- no
matter how clever you wave.

Cliff

-----Original Message-----
From: Ben Sharp <bens@bootlegnetworks.com>
To: 'Loopers-Delight@loopers-delight.com'
<Loopers-Delight@loopers-delight.com>
Date: Friday, September 01, 2000 11:05 AM
Subject: RE: Unsubscribe!


>Just a thought, but has anyone considered that this kind of person is
>actually fishing for responses like this?  It does qualify in
>a sick kind of way as "attention"...
>
>$0.02
>-Ben Sharp
>
>-----Original Message-----
>From: whiteoakstudios [mailto:whiteoakstudios@supanet.com]
>Sent: Friday, September 01, 2000 10:19 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re:Unsubscribe!
>
>
>
>
>
>> i want to fuckin unsubscribe you sad bastards
>
>Charles, dear Charles,
>You have the manners of a primate. You are a person for whom the lowliest
>insult is merely a more or less accurate description.
>You have insulted myself and other list members whose individual intellects
>and funds of knowledge you could never aspire to. You are, in short, a
>snivelling, worthless, ignorant piece of canine excrement. Kindly follow
the
>SIMPLE instructions communicated to you previously or if you 're unable to
>concentrate for long enough, ask an ADULT to help, (assuming anyone would
>want to) and begone, you wretched, wretched child.
>
>Best wishes,
>
>Gareth
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 14:13:00 2000
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: Re: Re:Unsubscribe!
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I must admit I do get a laugh from responses like this- :)

Cliff

-----Original Message-----
From: whiteoakstudios <whiteoakstudios@supanet.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Friday, September 01, 2000 10:21 AM
Subject: Re:Unsubscribe!


>
>
>
>> i want to fuckin unsubscribe you sad bastards
>
>Charles, dear Charles,
>You have the manners of a primate. You are a person for whom the lowliest
>insult is merely a more or less accurate description.
>You have insulted myself and other list members whose individual intellects
>and funds of knowledge you could never aspire to. You are, in short, a
>snivelling, worthless, ignorant piece of canine excrement. Kindly follow
the
>SIMPLE instructions communicated to you previously or if you 're unable to
>concentrate for long enough, ask an ADULT to help, (assuming anyone would
>want to) and begone, you wretched, wretched child.
>
>Best wishes,
>
>Gareth
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 14:16:52 2000
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From: Phaedebk@aol.com
Date: Fri, 01 Sep 2000 14:14:24 EDT
Subject: Re: Re:Unsubscribe!/ EDP Undo function
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Cliff,

Hey man, this is just a quick answer to your question.  I've got the MOTU system and am really digging it.  Was originally going to play with the Gadget Labs beastie but I kept hearing about issues in production similiar to Crystal Labs Sound Cards, so I went with the MOTU system instead.  Aparently the one majour difference betwixt the MOTU and everyone else is that the MOTU uses an outboard box to route the info from your PC to the ADAT rather than having to reconfigure the wiring when you're wanting to go from the computer to the ADAT banks.  
Outside of being stuck using Win98 or 95 for MOTU, and having quite a bit more flexibility with the Event and Gadget Labs cards are other things to consider, too...  ;)

Still learning the EDP, myself, and boy does it get finicky over what is a long press vs. a quick press...  More practice...  

L8r on,


Lee

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Thanks- if only MIDI was good in Win2k- it is soooo much better than Win98
in most every other way- especially memory management- too bad MOTU wont do
Win2k- that's too bad- could have used it for audio only things and dsp/dx
plugs.
I am drawn to Gadget as they have GREAT support- I don't even own one and
they respond to questions quickly- that is worth a lot to me but the 824 is
pretty basic compared to the MOTU system-
Happy trails with your EDP-

Cliff

-----Original Message-----
From: Phaedebk@aol.com <Phaedebk@aol.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Friday, September 01, 2000 11:19 AM
Subject: Re: Re:Unsubscribe!/ EDP Undo function


>Cliff,
>
>Hey man, this is just a quick answer to your question.  I've got the MOTU
system and am really digging it.  Was originally going to play with the
Gadget Labs beastie but I kept hearing about issues in production similiar
to Crystal Labs Sound Cards, so I went with the MOTU system instead.
Aparently the one majour difference betwixt the MOTU and everyone else is
that the MOTU uses an outboard box to route the info from your PC to the
ADAT rather than having to reconfigure the wiring when you're wanting to go
from the computer to the ADAT banks.
>Outside of being stuck using Win98 or 95 for MOTU, and having quite a bit
more flexibility with the Event and Gadget Labs cards are other things to
consider, too...  ;)
>
>Still learning the EDP, myself, and boy does it get finicky over what is a
long press vs. a quick press...  More practice...
>
>L8r on,
>
>
>Lee
>

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The general tone of exchanges here is not one of sadness. I would say we
are all pretty happy bastards.

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 15:35:01 2000
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From: Bret <echoplex@yahoo.com>
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--- Phaedebk@aol.com wrote:
> 
> Still learning the EDP, myself, and boy does it get finicky over what
> is a long press vs. a quick press...  More practice...  
> L8r on,
> Lee

Lee,
What do you find finicky on the long vs. short press?  What are the
functions you are trying to use when you have a problem?  I have not
noticed anything finicky regarding long/short press with my echoplexii.
bret

__________________________________________________
Do You Yahoo!?
Yahoo! Mail - Free email you can access from anywhere!
http://mail.yahoo.com/

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From: Michael Clark <mcl451@airmail.net>
Subject: Echoplex - How Do I?
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Hi,

I'm on a learning curve with the Echoplex - a wonderful instrument.

I want to create a soundscape in Loop #1 and Loop Copy it to Loop #2 where
I will add a rhythm.  

The problem is that I press Next Loop and wait for Loop #1 to cycle through
before Loop #2 begins recording - that's OK I suppose.  Since Loop #1 is a
soundscape with no rhythm or click track, I'm late with my rhythm track
when Loop #2 is activated and recording - thus creating a dead space.  So,
I begin playing in Loop #2, then stop recording and let Loop #2 cycle
through.  At the beginning of Loop #2 is the dead space, which makes the
chord progression too erratic, rhythmically.  I want to hit some
button/switch and immediately begin the Loop Copy and Recording process in
Loop #2.  Can I do that?

Thanks,

Michael

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>and a flame will only get hotter if you fan it- no
>matter how clever you wave.

Oh yeah? Well, obviously, you don't know how clever I can get. I'm sucking
in my breath to let out the cleverest quip the world has yet seen and send
all lobster scurrying back under their rocks.


If that doesn't work, in the words of Grandpa Simpson, "I'm going to give
them the frowning of a lifetime."

bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Clifford@BienAppraisers [mailto:bienappraisers@mindspring.com]
Sent: Friday, September 01, 2000 11:14 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Unsubscribe!

My suggestion- follow Kim's advice- ignore. Period. We are not in IRC -
there are no kick/bans

Cliff

-----Original Message-----
From: Ben Sharp <bens@bootlegnetworks.com>
To: 'Loopers-Delight@loopers-delight.com'
<Loopers-Delight@loopers-delight.com>
Date: Friday, September 01, 2000 11:05 AM
Subject: RE: Unsubscribe!


>Just a thought, but has anyone considered that this kind of person is
>actually fishing for responses like this?  It does qualify in
>a sick kind of way as "attention"...
>
>$0.02
>-Ben Sharp
>
>-----Original Message-----
>From: whiteoakstudios [mailto:whiteoakstudios@supanet.com]
>Sent: Friday, September 01, 2000 10:19 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re:Unsubscribe!
>
>
>
>
>
>> i want to fuckin unsubscribe you sad bastards
>
>Charles, dear Charles,
>You have the manners of a primate. You are a person for whom the lowliest
>insult is merely a more or less accurate description.
>You have insulted myself and other list members whose individual intellects
>and funds of knowledge you could never aspire to. You are, in short, a
>snivelling, worthless, ignorant piece of canine excrement. Kindly follow
the
>SIMPLE instructions communicated to you previously or if you 're unable to
>concentrate for long enough, ask an ADULT to help, (assuming anyone would
>want to) and begone, you wretched, wretched child.
>
>Best wishes,
>
>Gareth
>

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----- Original Message -----
From: "Steven Ray Gilbert" <treblig@flash.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 01, 2000 2:59 PM
Subject: Re: Unsubscribe!


>
>
> The general tone of exchanges here is not one of sadness. I would say we
> are all pretty happy bastards.

Yes, we are.  And I'm a lot happier having just added Charles Tyrer's
address to my "Blocked Senders" list.  I mean, I only e-mailed him
instructions on how to unsubscribe twice!  Yeesh.


Peter

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Micheal,

Perhaps "StartPoint" (P. 4-72 EDP User's guide) could help?  I would go
ahead and record in Loop #2, starting wherever, then listen to it, and
select where it now sounds like its beginning is??

||:   David   :||

----------

Michael Clark wrote:
... I'm late with my rhythm track
> when Loop #2 is activated and recording - thus creating a dead space.  So,
> I begin playing in Loop #2, then stop recording and let Loop #2 cycle
> through.  At the beginning of Loop #2 is the dead space, which makes the
> chord progression too erratic, rhythmically.  I want to hit some
> button/switch and immediately begin the Loop Copy and Recording process in
> Loop #2.  Can I do that?
> 
> Thanks,
> 
> Michael

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switch quant is the trick

set it up to off 

and youll enter next loop instant

as you have a soundscape going its just a matter of decision to say Now
is my beat one
while pressing next (auto rec on)


Claude

Michael Clark wrote:
> 
> Hi,
> 
> I'm on a learning curve with the Echoplex - a wonderful instrument.
> 
> I want to create a soundscape in Loop #1 and Loop Copy it to Loop #2 where
> I will add a rhythm.
> 
> The problem is that I press Next Loop and wait for Loop #1 to cycle through
> before Loop #2 begins recording - that's OK I suppose.  Since Loop #1 is a
> soundscape with no rhythm or click track, I'm late with my rhythm track
> when Loop #2 is activated and recording - thus creating a dead space.  So,
> I begin playing in Loop #2, then stop recording and let Loop #2 cycle
> through.  At the beginning of Loop #2 is the dead space, which makes the
> chord progression too erratic, rhythmically.  I want to hit some
> button/switch and immediately begin the Loop Copy and Recording process in
> Loop #2.  Can I do that?
> 
> Thanks,
> 
> Michael

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In a message dated 9/1/00 7:01:56 AM Mid-Atlantic Daylight Time, 
charlestyrer@totalise.co.uk writes:

<< i want to fuckin unsubscribe you sad bastards >>

charles.........please dont unsubscribe me.........ill promise to be 
happy!..........michael

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 18:56:30 2000
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Hi All,

I just had a thought...(oh, dear me!  he's thinking!)
Due to the fact that the LD list is the first i've ever been on, i'm not
sure if this is correct or not.

If i unsubscribed, yet i still have the LD address
(Loopers-Delight@loopers-delight.com), could i not just send messages that
you all would receive, but i wouldn't, since i had 'unsubscribed'?

Everyone's input as to the mental state of Mr. Tyrer (maybe Mr. isn't an
appropriate if he's a child, which i suspect...) made me wonder if he had
already unsubscribed, but decided to send nasty posts just to irritate the
community, but didn't have to suffer the backlash.

...planting the bomb and leaving the scene...

his post regarding the instrument he played this morning made me realize
he's still getting messages, but it would be feasible wouldn't it?

Ok, here's the on topic question for our yet-to-be-seen Repeater.

They say that once you capture the loop, you have control over Tempo and
Pitch.  Is this real-time?  Ala Roland's Variphrase?  It seems like you
would have to have alot of horsepower to record the loop, have it playing
and then adjust pitch or tempo on the fly (Roland says that you have to
'encode' the sample with their proprietary system before you can manipulate
the samples in real-time with the Variphrase).  Also, is it doing
time-stretching?  If i decide to change the pitch, does the tempo change,
or is the loop still locked to it's original length?  If i change the
tempo, does the pitch change?

I really like the idea of the Boomerang update, with 'musical' speed
changes, but it seems that you have to stop the loop, change the speed and
start again.

I wonder how the Repeater is going to do it?  I think it would open up a
pandora's box of harmonic possibilities if you could capture 4 loops and
then start changing pitches into 5ths, 7ths, octaves and such, yet still
keeping the loop length locked.

Another dreamy question...Synching two (or more) EDP's seems to be a very
sweet setup...Can two Repeaters be synched via the midi ports?

rich





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In a message dated 9/1/00 2:16:22 PM Mid-Atlantic Daylight Time, 
THEGREENBEAN@prodigy.net writes:

<< if you're ever in ohio  >>

get out quick!........just kidding........larry, where are you in 
ohio?.........michael

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 19:22:28 2000
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Subject: Seeking Sustainiac Install guide
Date: Fri, 1 Sep 2000 16:21:52 -0700
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No looping content, but I know there's a few sustainiacs on this list.

I just received my sustainiac plus today. Unfortunately it arrived without
any install instructions.  I sent Alan Hoover (sustainiac inventor and
all-around nice guy) an email and left him a voice mail, but I'm guessing
he's gone for the holiday weekend.  Bummer.  I was hoping to use the long
weekend myself retro-fitting a guitar with my new toy.

Does anyone happen to have instructions in electronic format and/or the
ability to scan their instructions and email them to me?

thanks!
Greg

From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 21:44:50 2000
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Date: Fri, 01 Sep 2000 18:42:24 -0700
Subject: Klein
From: Vance Galloway <vanceg@earthlink.net>
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Oooooh, Klein guitars are super sweet.  I LOVE them.  The balance is
terrific.  They feel like they just FIT your body and hands. They are the
most ergonomic, "playable" instrument I have ever held.  Unfortunately, I
have not yet afforded one.
Now, how do I connect this to looping..... Um..... I keep LOOPING back to
wanting one and keep looping around their booth at the NAMM show.

V 

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Date: Fri, 01 Sep 2000 20:15:57 -0700
Subject: Used Kyma
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3050684197_883509_MIME_Part
Content-type: text/plain; charset="US-ASCII"
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Someone wrote:
Subject: Re: used Kyma

Good lourde!

Is that a standard price for it?

Answer:  No, this is quite cheap.

Vance





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<HTML>
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<TITLE>Used Kyma</TITLE>
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<BLOCKQUOTE>Someone wrote:<BR>
<B>Subject: </B>Re: used Kyma<BR>
<BR>
<TT>Good lourde!<BR>
<BR>
Is that a standard price for it?<BR>
<BR>
Answer: &nbsp;No, this is quite cheap.<BR>
<BR>
Vance<BR>
<BR>
<BR>
</TT></BLOCKQUOTE><TT><BR>
</TT>
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From Loopers-Delight-request@loopers-delight.com  Fri Sep  1 23:45:52 2000
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Date: Fri, 1 Sep 2000 23:44:46 EDT
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  I had wanted a Klein for years.  After years of accumulating a vast folder 
of info on all Klein instruments I finally had to give up the ghost and admit 
I could probably never afford one (I am extremely 'budgeted').
The sadly defunct Musician magazine then ran a contest  involving Torns' 
Polytown project.  I couldn't believe it when I actually won!  My prize was a 
Klein guitar, and a  Lexicon Vortex and Jamman!  I nearly had a heart attack!!
-Anyway Kleins are the greatest guitars around.  Mine is the ye olde basic 
model with EMG pickups (which I kinda like because they send a real strong 
and quiet signal through my fx rack).  I also had the TransTrem installed - 
which is not really suggested by the group at Klein for reasons that Kevin 
stated in an earlier post...but I just dig it too much!!
As Kevin also stated earlier, you really could not ask for a nicer person to 
work with then Lorenzo at Klein.
-as for why so many loopers and 'out' artists use Kleins, I believe they just 
have more discerning tastes and are more accepting of such an 'odd' shaped 
instrument.

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 00:46:51 2000
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: OT: Cheery Charles
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At 03:23 PM 9/1/00 -0700, rich wrote:
>...everyone's input as to the mental state of Mr. Tyrer (maybe Mr. isn't
>appropriate if he's a child, which i suspect...) 

No, he sells cars. His secretary must be the articulate one; the quotes
attributed to Mr. Tyrer on the link he keeps sending didn't sound at all
like the tone or vocabulary he uses with us. His manners are better with
potential cu$tomer$, it seems.

I'm not sure if this is the same guy, but there's a keyboard-playing
Charles Tyrer who calls himself Skin Flint (any relation, Kim? :^])
responsible for this: <http://artists.mp3s.com/artists/31/fatboy_tyrer.html>

Is that you Charles? 

Honestly, we would never have flogged this dead lobster for so long, nor
called you those nasty names had you not been so damned belligerant.

Tim

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Date: Sat, 2 Sep 2000 01:41:53 EDT
Subject: Greg Howard Band performances in Virginia and New York
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Greetings,

The drummer in my new band does a lot of looping with an echoplex and a 
d-drum. Jan Wolfkamp was once subscribed to this list so I thought you might 
be interested.
For those interested we have three performance in the eastern U. S. September 
3,4, and 5.

There are live mp3s and quicktime videos of the band at:

http://www.greghoward.com/band

Thanks for your time,
Greg Howard

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 08:09:29 2000
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Date: Sat, 2 Sep 2000 21:07:34 +0900
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From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: Webcast Today
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Hi,

We started Webcast project by RealVideo system.

http://www.cavestudio.com/live_from_far_east/

A trial run is Today,
http://www.cavestudio.com/live_from_far_east/loop_is_life_life_is_loop/
2nd September 2000
25:00 - 27:00(JST) = 16:00-18:00(GMT)

Sunao Inami loopy ambient performance

Using Waldorf Q, PPG wave 2.2. with Lexicon Jamman etc..


  Regards

  Sunao Inami
http://www.cavestudio.com

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 08:44:27 2000
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Bret,

    Thanks again for the response!  Mostly, I think it's a matter of user 
mass than anything else, some majour dense portions usually going on in the 
brain pan.
    The main functions that tend to mess with me the most is when I want to 
get it to take a pair of loops and then have them play sequentially, in 
otherwords Loop 1 (1 repeat) Loop 2 (2 repeats).  Again, it seems to be an 
issue of sitting down with the foot controller and being extremely gentle...  
Know this was something VERY old, but the idea of looping in socky feet seems 
to be a good solution for me thus far, and yes, I laughed at it when I first 
read that thread.  Still chuckle about it, now.  
    Also, many of the multiply functions tend to drive me nuts because 
there's not some form of "shift" key to cycle betwixt them.

    Finally, the one piece of naughtiness that I'd love to get this beastie 
to do, and supposedly it can, is to reverse the direction of the loop on the 
fly!  Haven't figured that one out yet...

    
    Lee



    

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From: "Bill Fox" <billfox@fast.net>
Subject: EMUSIC Playlist #180
Date: Sat, 2 Sep 2000 10:06:01 -0400
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[ Best viewed by a fixed spacing font. ]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #180                    August 31, 2000.

On this show, I concluded the month-long focus on space music pioneer Michael
Stearns.  The feature CD at Midnight was "Spirits of the Voyage" on the
Earth Turtle label.


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Centrozoon              Empire                   Blast (DiN)
VA [Mark Pulver]        Dark Days                Electronic Music Project (none)
Jim Cole & Spectral     Kyrie Eleison            Sky (Spectral Spiral Music)
  Voices
VA [Arcane]             Track #5                 Concerts at Jodrell Bank (Neu
                                                   Harmony)
Otarion                 Second Step              Evolution (Neu Harmony)
Saul Stokes             *                        A Collection of Recordings
(none)

12:00 am
Michael Stearns         The Spirits Blessing     Spirits of the Voyage
                                                   (Earth Turtle)
Michael Stearns         Canoe Haul               SotV (Earth Turtle)
Michael Stearns         On the Sea               SotV (Earth Turtle)
Michael Stearns         The Navigator's Dream    SotV (Earth Turtle)
Michael Stearns         Soft Waves               SotV (Earth Turtle)
Michael Stearns         Remember Me              SotV (Earth Turtle)
Michael Stearns         Ocean Grandeur           SotV (Earth Turtle)
Michael Stearns         Duet                     SotV (Earth Turtle)
Michael Stearns         Memories                 SotV (Earth Turtle)
Michael Stearns         Village Dances           SotV (Earth Turtle)
Michael Stearns         Spirit Realm             SotV (Earth Turtle)
Michael Stearns         Island Maidens           SotV (Earth Turtle)
Michael Stearns         Storm Warning            SotV (Earth Turtle)
Michael Stearns         Lost                     SotV (Earth Turtle)
Michael Stearns         Sumetaw                  SotV (Earth Turtle)
Michael Stearns         Atoll Sunrise *          SotV (Earth Turtle)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll begin a month-long focus on the artists appearing at
the E-Live 2000 festival in Veldhoven, the Netherlands on September 10.  The
feature CD at midnight will be "Beyond the Galaxy" by Cosmic Hoffmann on the
Heart and Mind label.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Personal site: http://www.users.fast.net/~billfox

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Subject: Re: Klein-clogging 1
From: "Martin Shellard" <martins@pwdu.demon.co.uk>
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Thanks Kevin
This is exactly what I want to know, interesting point about the Transtrem,
I kind of planned on getting one but if they don't work and cut tone ....
Martin Shellard


----------
>From: KB305@aol.com

>

> OK, this was my response
>
> <<
> I got mine in Oct 1997.
> Swamp ash, chambered, standard trem, Joe Barden pickups.
> The TransTrem I liked less: it has less sustain, doesn't work that great
> IMJ, and the tone is a little poorer for it.
> Get the chambered body, it's full of many different tones.
> I will never need another solid-body guitar.
> This one goes on every gig.
> It DOES change the way I play, like the promo says.
> Lorenzo German is a beautiful cat as well.
> Mine is right now in his hands: needs some fret dressing.  (I've played
> this 3-6 days per week for 3 years now.)  All normal work is free.
> I'd buy another one, but why?  This is the best axe I've ever played.  I
> can't understand why you don't see more of them around, except that Lorenzo
> won't give them away to potential endorsers.  Torn, Frisell, Henry Kaiser:
> they all had to pay for theirs.
> It's worth every penny.
> When I shipped mine to Klein this week I over-insured it, and I'd much
> rather have the guitar back than a check for $4K from FedEx should they break
it.
> Call Lorenzo German at Klein.  You won't regret it for a second.
>
> Does that help?
>
> Kevin
> (see mine at http://members.aol.com/redroadtheband
> or members.aol.com/kb305/kb305  and go the  page labeled 'g'   >>
>
> 

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 11:34:23 2000
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Date: Sat, 2 Sep 2000 11:32:50 -0400
From: "Betty L. Broyles" <105243.375@compuserve.com>
Subject: EMUSIC Top 20 for July
Sender: "Betty L. Broyles" <105243.375@compuserve.com>
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Please remove this address from your distribution.  

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 12:13:19 2000
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Please look through the @#$%& archives on this.  This has already been
settled.  If you don't like the EMusic post, just delete it.

And because I'm a nice guy this morning, here's the URL:

	http://www.loopers-delight.com/cgi-bin/wilma/LDarchive

Jump right to it!

J.

  | -----Original Message-----
  | From: Betty L. Broyles [mailto:105243.375@compuserve.com]
  | Sent: Saturday 02 September 2000 8:33 AM
  | To: INTERNET:Loopers-Delight@annihilist.com
  | Subject: EMUSIC Top 20 for July
  |
  |
  | Please remove this address from your distribution.
  |
  |

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 12:38:12 2000
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: EMUSIC Top 20 for July
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At 11:32 AM 9/2/00 -0400, Betty wrote:
>Please remove this address from your distribution.  

and Javier answered:
>^%$#%#!!!

Perhaps as a compromise, Mr. Fox could reserve spots on his playlist for
tracks from at least three listmembers per show...

That would guarantee on-topicality for EMUSIC posts! :^D

Tim

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 12:43:06 2000
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> Perhaps as a compromise, Mr. Fox could reserve spots on his playlist for
> tracks from at least three listmembers per show...
>
> That would guarantee on-topicality for EMUSIC posts! :^D

That sounds good to me, where do I send my CD to??? :o)

Steve
web-site - www.steve-lawson.co.uk - album out now. Listen to real audio here
and order it!
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com
SBN - solobassnetwork-subscribe@listbot.com

"I know there's a balance, I see it when I swing past" - John Mellencamp

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 13:32:24 2000
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Has anybody heard about Eliot ?

He is the inventor of the BEATKEEPER made by NUMARK in USA

Quite interesting ...

http://www.BEATKEEPER.com

Emmanuel

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 13:50:22 2000
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is any of his stuff on the web so we might take a listen?

Harry

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 15:32:34 2000
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From: Captain Liberal <captainliberal@cleavage.com>
Subject: Lexicon pcm42 mods...
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Hey,

Finally joined the list here after lurking for quite a while...

I just finished modifying my Lexicon pcm42 MEO per Bob Sellon's MEMX 
instructions.  I can't believe it, but it still works and it now has 19.3 
seconds of delay!

Next up, memory expansion of my Delta Lab ADM-4096.  I figure I should be 
able to up the delay to about 24.5 seconds...maybe more (depending on how 
much room there is inside the box).

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 15:45:39 2000
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Is it possible to enter Multiply mode without recording? I don't think so
but thought I'd ask- I want to Multiply and play on top but not record what
I play while multiplying.- Thanks-

Cliff

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Phaedebk@aol.com wrote:

> ...
>
>     Finally, the one piece of naughtiness that I'd love to get this beastie
> to do, and supposedly it can, is to reverse the direction of the loop on the
> fly!  Haven't figured that one out yet...
>
> ...

set the insert parameter (*insertmode*) to "rev". this will enable you to
immediately reverse a loop with one press of the insert button. check the
looper's delight faq pages, i believe kim has a treatise on various reverse mode
tricks you can try...

have fun!

lance g.

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Date: Sat, 02 Sep 2000 13:20:38 -0700
Subject: Re: Lexicon pcm42 mods...
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Oh God another pcm 42 guy! this unit is my all time go-to looper box in the
world-got mine back in the 80s(modded by B.Sellon) after seeing (hearing)
D.TORN and he called it his '20 sec.looper' even tho' its really 19.2.That
is-3.2 x 3=9.6sec. x 2=19.2sec. Anyway I luv it and use all
parameters-halfing the loop,doubling the loop,using the clock out,VCO, and
especially syncing it up to my EDP which opens a whole 'nother world.Good
Luck...seeya,STANNER 
----------
>From: Captain Liberal <captainliberal@cleavage.com>
>To: Loopers-Delight@annihilist.com
>Subject: Lexicon pcm42 mods...
>Date: Sat, Sep 2, 2000, 12:32 PM
>

>Hey,
>
>Finally joined the list here after lurking for quite a while...
>
>I just finished modifying my Lexicon pcm42 MEO per Bob Sellon's MEMX 
>instructions.  I can't believe it, but it still works and it now has 19.3 
>seconds of delay!
>
>Next up, memory expansion of my Delta Lab ADM-4096.  I figure I should be 
>able to up the delay to about 24.5 seconds...maybe more (depending on how 
>much room there is inside the box).
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 17:40:37 2000
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Subject: Re: EMUSIC Top 20 for July
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In a message dated 9/2/00 3:37:27 PM Mid-Atlantic Daylight Time, 
tcn62@ici.net writes:

<< and Javier answered:
 >^%$#%#!!!
 
 Perhaps as a compromise, Mr. Fox could reserve spots on his playlist for
 tracks from at least three listmembers per show...
  >>

i would love to see "libamentum vocis" on mr. fox's list......i also feel 
that tim took javiers quote out of context only to promote tim's own agenda, 
the above mentioned "compromise"........imho a good 
idea!...........meanwhile, betty.......please take your meds!........your too 
tense..........tee-pee, wigwam..........sorry..........michael

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Date: Sat, 02 Sep 2000 17:43:55 EDT
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"is any of his stuff on the web so we might take a listen?

Harry"

This is the home page for Tibetan Sound Orgy (featuring the now-looping 
trumpeter and sampler player Jonathan Powell):

http://www.groovewell.com/bands/tso/

The audio clips were most likely recorded before Jon got his DL4, though.

Paolo
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
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At 05:39 PM 9/2/00 EDT, michael wrote:
>i would love to see "libamentum vocis" on mr. fox's list...

Me too! For those of you who aren't familiar with that piece, it's by
Javier Miranda himself, and can be heard at <http://www.loopxchange.com> on
a (CT)Project compilation called "Akapella"... Check it out!

>...i also feel that tim took javiers quote out of context only to promote
>tim's own agenda, the above mentioned "compromise".....

I sure did!

Tim

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 18:38:58 2000
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Subject: Win2k and Midi
Date: Sat, 2 Sep 2000 13:42:34 -0000
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>Thanks- if only MIDI was good in Win2k- it is soooo much better than Win98
-
>
>Cliff
>


Could you be more specific please? I just have a win2k cd in front of me
and now i don't know if i should install it? How would for example logic
audio
work?

greetings,

gregor

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Subject: Re: EMUSIC Top 20 for July
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----- Original Message -----
Please look through the @#$%& archives on this.

then:

> In a message dated 9/2/00 3:37:27 PM Mid-Atlantic Daylight Time,
> tcn62@ici.net writes:
>
> << and Javier answered:
>  >^%$#%#!!!
>
<<snip>>i also feel that tim took javiers quote out of context only to
promote
>tim's own agenda, the above mentioned "compromise".....

I sure did!

Tim

misspelled it too
G

PS
I laughed anyway

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 20:13:17 2000
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Subject: RE: EMUSIC Top 20 for July
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I've had a good laugh with everybody's witticisms today, and I want to thank
you all.  That's what I get for not writing English correctly!

And thanks too for the little CT plug on my piece.  Check it out!

	http://www.loopxchange.com
or
	http://www.music.columbia.edu/%7Ececenter/mhl21/ct/works_akapella.html

J.

  | -----Original Message-----
  | From: Gary Lehmann [mailto:relayonemanband@cts.com]
  | Sent: Saturday 02 September 2000 4:57 PM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: Re: EMUSIC Top 20 for July
  |
  |
  |
  | ----- Original Message -----
  | Please look through the @#$%& archives on this.
  |
  | then:
  |
  | > In a message dated 9/2/00 3:37:27 PM Mid-Atlantic Daylight Time,
  | > tcn62@ici.net writes:
  | >
  | > << and Javier answered:
  | >  >^%$#%#!!!
  | >
  | <<snip>>i also feel that tim took javiers quote out of context only to
  | promote
  | >tim's own agenda, the above mentioned "compromise".....
  |
  | I sure did!
  |
  | Tim
  |
  | misspelled it too
  | G
  |
  | PS
  | I laughed anyway
  |
  |

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 21:16:29 2000
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Date: Sat, 02 Sep 2000 21:22:03 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: The Opportunity to Hear Each Others' Loops (Was: EMUSIC Top 20
  for July)
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At 04:57 PM 9/2/00 -0700, Gary wrote:
>misspelled it too

Yeah, I sort of $#*&ing paraphrased, but kept the gist of it! :^)

But anyway, the thread Javier was talking about has come up before, and I'm
sure it will again.

On the one hand, postings promoting local gigs and radio broadcasts that
most of us can't be involved in AREN'T universally appreciated, but all the
same, they can be useful. Even if we can't make it to the show, we can
still keep our thumbs on the pulse of which venues are happening and are
more or less "loop sympatico". Occasionally, listmembers have travelled to
"meet and greet" at such events. Playlists for programs like Bill's can be
a resource for finding out about artists we may not have otherwise known
about. And there's always the "delete" button...

My suggestion that Bill reserve regular spots for us on his playlist was
made with tongue in cheek, but at the same time it only makes sense that a
virtual community based around music makes the most of every opportunity to
hear what its members are doing. The original Looper's Delight Subscriber's
CDs <http://www.loopers-delight.com/cd1/LDCD1.htm> and
<http://www.finleysound.com/loop/> were a start. Since then, LD listmembers
have been involved in a number of spin-off projects such as:
<http://www.loopxchange.com> and <http://www.mp3.com/sourceproduct> and
there are several others in the works.

The Loop Artists of the World page on the LD site 
<http://www.loopers-delight.com/cgi-bin/profiles.cgi> includes a field
where listmembers can supply a link to places where their music can be
heard. However, the site really doesn't have a "Links" page per se;
wouldn't it be cool (Kim?) if there were a page where a bunch of links to
listmember-related projects were assembled in one place? And wouldn't it be
even cooler if more listmembers took advantage of the new technology
(mp3's, home cd burners, etc.) to participate in the sorts of projects that
would allow us to hear each other?

Tim

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 22:05:14 2000
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Subject: Re: The Opportunity to Hear Each Others' Loops (Was: EMUSIC Top 20 for July)
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Hello All,

-----Original Message-----
From: Tim Nelson <tcn62@ici.net>
To: Loopers-Delight@loopers-delight.com <Loopers-Delight@loopers-delight.com>
Date: Saturday, September 02, 2000 9:19 PM
Subject: The Opportunity to Hear Each Others' Loops (Was: EMUSIC Top 20 for
July)


>On the one hand, postings promoting local gigs and radio broadcasts that
>most of us can't be involved in AREN'T universally appreciated, but all the
>same, they can be useful. Even if we can't make it to the show, we can
>still keep our thumbs on the pulse of which venues are happening and are
>more or less "loop sympatico". Occasionally, listmembers have travelled to
>"meet and greet" at such events. Playlists for programs like Bill's can be
>a resource for finding out about artists we may not have otherwise known
>about. And there's always the "delete" button...

Obviously Tim gets it.  I'd like to add that since I play many unknowns in a
backwater genre, my playlists should be considered as encouragement to make
music and taken as evidence that there IS a place where you have a change of
getting airplay.  Looping is only a technique.  But when used to make ambient or
space music (my show's raison d'etre), Loopers know that I'll seriously consider
their music.

>My suggestion that Bill reserve regular spots for us on his playlist was
>made with tongue in cheek, [...]

And it has caused my show to be advertised much more than my weekly playlists
even attempt!  Announcement--  It seems that WDIY, though moving as slow as a
glacier, plans to netcast some day.  Don't hold your breath but if the PD says
so, I believe it!

Cheers,

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Personal site: http://www.users.fast.net/~billfox

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 22:30:44 2000
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: EDP Multiply question
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At 12:44 PM -0700 9/2/00, Om_Audio wrote:
>Is it possible to enter Multiply mode without recording? I don't think so
>but thought I'd ask- I want to Multiply and play on top but not record what
>I play while multiplying.- Thanks-
>
>Cliff

no....but couldn't you just play that bit while the basic thing loops, then
wait to do the multiply when you actually want to record longer phrases on
top of it?

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 22:51:56 2000
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Subject: Re: EDP Multiply question
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At 12:44 PM -0700 9/2/00, Om_Audio wrote:
 >Is it possible to enter Multiply mode without recording? I don't think so
 >but thought I'd ask- I want to Multiply and play on top but not record what
 >I play while multiplying.- Thanks-
 >

You could turn down the input control all the way.
But why?  all multiply without recording would do is
make copies of the original loop which would be the
same as just letting the original loop play, except
the multiple loops would use up more memory.

From Loopers-Delight-request@loopers-delight.com  Sat Sep  2 23:04:33 2000
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At 3:23 PM -0700 9/1/00, rich wrote:
>Hi All,
>
>I just had a thought...(oh, dear me!  he's thinking!)
>Due to the fact that the LD list is the first i've ever been on, i'm not
>sure if this is correct or not.
>
>If i unsubscribed, yet i still have the LD address
>(Loopers-Delight@loopers-delight.com), could i not just send messages that
>you all would receive, but i wouldn't, since i had 'unsubscribed'?

not on this list. Looper's Delight is set such that you have to be
subscribed in order to post. This prevents random spams and such from
getting to the list.

BTW, our friend Charles did finally figure out how to unsubscribe and got
himself off the list yesterday. So you all can shut up about him now....



>Another dreamy question...Synching two (or more) EDP's seems to be a very
>sweet setup...Can two Repeaters be synched via the midi ports?

midi is not accurate enough for sample-level synchronization like the
Echoplex does with BrotherSync. You can get phase problems between the two
units with just midi sync, but whether that is noticeable or not depends on
what you are recording and doing with it. For synchronizing two loops with
relatively different audio, midi works fine.

The other thing about midi is it only goes one direction, so one unit
always has to be the sync master and the others the slaves. If you decide
you want something recorded in a looper down the chain to become the base
for the sync, you're out of luck. That capability is why Matthias called it
"BrotherSync" on the echoplex - there are no masters and slaves, only
brothers. Any of them can create the sync for the rest.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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Subject: Re: EDP Multiply question
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----- Original Message -----

> At 12:44 PM -0700 9/2/00, Om_Audio wrote:
>  >Is it possible to enter Multiply mode without recording? I don't think
so
>  >but thought I'd ask- I want to Multiply and play on top but not record
what
>  >I play while multiplying.- Thanks-
>  >
Then Floyd Miller wrote:

> You could turn down the input control all the way.
> But why?  all multiply without recording would do is
> make copies of the original loop which would be the
> same as just letting the original loop play, except
> the multiple loops would use up more memory.

Here's why--
Sometimes I have a phrase which works as the first part of a phrase, but
needs to be a multiple, i. e., it does not repeat enough times--you know,
like the first 4 bars of the blues, say.
Then I want to insert the next part, but in order to fool the audience into
thinking that it's live (!), I need to keep playing thru the doubling of the
first part while I multiply to get to the proper place in the progression.
See, I'm not using any more than one loop yet.  I haven't needed or wanted
to switch between loops since the Echoplex has such an abundance of power.
Much better to compose the tune and arrange the parts as I go along--then it
will play correctly ''til Kingdom come (or the audience gets ugly).
Unfortunately there is this limitation.  Good to know what the boundaries
are . . .
Gary

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Thanks- I was asking for fellow list member Rich who wants to play over top
of the cycle as it gets multiplied 4x- then copy it to next loop and lay
things on top of the second loop while maintaining a "clean" version in loop
1- make sense? Thanks-

Cliff

----- Original Message -----
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, September 02, 2000 7:27 PM
Subject: Re: EDP Multiply question


> At 12:44 PM -0700 9/2/00, Om_Audio wrote:
> >Is it possible to enter Multiply mode without recording? I don't think so
> >but thought I'd ask- I want to Multiply and play on top but not record
what
> >I play while multiplying.- Thanks-
> >
> >Cliff
>
> no....but couldn't you just play that bit while the basic thing loops,
then
> wait to do the multiply when you actually want to record longer phrases on
> top of it?
>
> kim
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 00:53:17 2000
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Date: Sun, 03 Sep 2000 00:52:42 EDT
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As some may have noticed from my other recent posts to this list, I recently 
bought a Roland Handsonic and have been messing with it ever since.

Perhaps this is a bit early, but I figure I'd ask here since I see at least 
two other Handsonic owners here:

Any interest in a Handsonic mailing list?

It'd be pretty easy to create a new list at eGroups.com.  I moderate a list 
there and overall am satisfied enough to use them again for another new 
list.  Plus they have useful features like a two-step subscription process 
wherein if somebody sends a subscription request, that person receives a 
confirmation email to which he/she MUST reply from his/her OWN email address 
before it will be added.  It's not like LD where I can subscribe my cousin, 
for example, as a prank.

Paolo
_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 00:59:59 2000
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Paolo Valladolid (11:52 PM 09.02.2000) wrote:

 >Perhaps this is a bit early, but I figure I'd ask here since I see at
 >least two other Handsonic owners here:
 >
 >Any interest in a Handsonic mailing list?


Sure... I know that there are a couple of lurkers here with machines as well.

The only personal issue I have with eGroups are the ads at the TOP of the 
message. It drives me nuts.


but... I don't know of a freebie listserver that doesn't have something 
like that.

Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 01:33:16 2000
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At 9:55 PM -0700 9/2/00, Mark Pulver wrote:
>Paolo Valladolid (11:52 PM 09.02.2000) wrote:
>
> >Perhaps this is a bit early, but I figure I'd ask here since I see at
> >least two other Handsonic owners here:
> >
> >Any interest in a Handsonic mailing list?
>
>
>Sure... I know that there are a couple of lurkers here with machines as well.
>
>The only personal issue I have with eGroups are the ads at the TOP of the
>message. It drives me nuts.
>
>
>but... I don't know of a freebie listserver that doesn't have something
>like that.

All you have to do is ask. I can easily set up a list on my server. no ads,
no corporate control, all open source software, totally configurable, run
it any way you want.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 01:36:29 2000
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Happy Birthday Looper's Delight!
To: Loopers-Delight@loopers-delight.com
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The Looper's Delight list is four years old today. How about that?

Happy Birthday to us!

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 01:51:04 2000
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Happy birthday Loopers Delight! Thanks for being here- May you loop a long
life to come-

Cliff

----- Original Message -----
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, September 02, 2000 10:32 PM
Subject: Happy Birthday Looper's Delight!


> The Looper's Delight list is four years old today. How about that?
>
> Happy Birthday to us!
>
> kim
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 01:52:43 2000
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Happy Birthday to you for all the good work you do for all of us 
Its  Father's day  too in Australia today  ( Sunday 3nd September 2000 )
Sunny day and a cold Aussie beer or 3
Thanks
Steven Woods
Australia

----- Original Message ----- 
From: Kim Flint <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, September 03, 2000 3:32 PM
Subject: Happy Birthday Looper's Delight!


> The Looper's Delight list is four years old today. How about that?
> 
> Happy Birthday to us!
> 
> kim
> 
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
> 
> 
> 

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 02:11:34 2000
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Oh yeah? WELL UNSUBSCRIBE ME FROM YOUR LIST, DARTH VADER!

Just kidding...


----- Original Message ----- 
From: Kim Flint <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, September 03, 2000 12:32 AM
Subject: Happy Birthday Looper's Delight!


> The Looper's Delight list is four years old today. How about that?
> 
> Happy Birthday to us!
> 
> kim
> 
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
> 
> 
> 

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>The Looper's Delight list is four years old today. How about that?
>
>Happy Birthday to us!
>
>kim


Glad to hear that, I just subscribed myself 2 weeks ago, hope the list 
continues several years from now too.
Alex.

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From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 03:47:17 2000
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At 9:12 PM -0700 9/2/00, Om_Audio wrote:
>Thanks- I was asking for fellow list member Rich who wants to play over top
>of the cycle as it gets multiplied 4x- then copy it to next loop and lay
>things on top of the second loop while maintaining a "clean" version in loop
>1- make sense? Thanks-
>
>Cliff

ah, I see. That's easy to do anyway, and there is no need to multiply your
clean original before you copy it to another loop!

You see, LoopCopy of the audio is really just like doing a multiply, except
that it goes into a new loop. The copy process lets you create multiples
and overdub on top at the same time, just like Multiply.

So rather than multiplying your "clean" version first in loop 1 with the
Multiply function and then copying that to loop 2, you simply start the
copy with the original when you are ready. It copies into Loop 2 in real
time, letting you add more material on top as it goes. If you let it keep
going, it adds multiples of the original until you tell it to stop, just
like the regular Multiply function. Then Loop 2 has as many multiples as
you like with your longer phrase on top, while loop 1 still has your
"clean" original.

Here's a step-by-step, to be clear:

1. record a 1 bar loop in Loop 1. This is your "clean" original. In
EDP-speak, this is one "cycle".

2. let it loop away, while you play whatever you want along with it.

3. When you are ready to record the longer phrase, start the LoopCopy to
loop 2.

4. When the copy starts, you will see the Loop display saying 2 and the
timer counting up. The multiple display will be showing 1 at that point.
You will hear the Loop 1 audio continue to play seamlessly, although now it
is actually going into Loop 2.

5. Play your long phrase. Everything you play is being overdubbed on top
into Loop 2, along with the copied audio from loop 1. The new stuff and the
copied stuff are mixed together in real time for you, and recorded in Loop
2.

6. When the copying gets to the end of your original cycle, you will see
the Multiple display increment by 1, and the original cycle plays again.
You can keep on playing your longer thing, adding it to the loop in Loop 2.
Your original cycle is still being copied, for as many multiples of it as
you like. You can let it go for as long as you have memory. (all of that is
just as Multiply works).

7. When you've got as many multiples as you want, or you've finished the
longer phrase that is going on top, stop the copy. (you even do this by
pressing Multiply, to keep it familiar with the Multiply function.)

8. the Echoplex stops the copy into Loop 2, and immediately begins playing
back that loop. You'll hear your original cycle repeating for how ever many
cycles you gave it, along with the longer thing you've added on top.

9. Loop 1 of course, is still your original "clean" cycle! Whenever you
want you can go back to that loop, and have the original cycle play. Now
you can easily switch between having the basic loop play clean, and the
multiplied loop with the longer phrase! It will sound just like you are
turning the longer phrase on and off. It's really a pseudo-multitrack
effect, except with a performance oriented interface.

The important thing is, you accomplished all of that seamlessly, in
real-time, with very few button presses, and without any awkward waiting!


This is a bit of an advanced function on the echoplex, but once you get it
there's a lot of power there. We reused concepts like Multiply for this for
a reason. We hope that people learn the basics of the Echoplex while
playing with the simpler functions as they start out. Then as they move on
to deeper functions, they discover that they already know it!

Similarly, there is time copy. This lets you copy the time base of one loop
into another, without the first loop's audio. This one is really just like
Insert! I'll leave it to you to explore that one.

Hope that helps,
kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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At 1:12 PM -0700 9/2/00, lance glover wrote:
>Phaedebk@aol.com wrote:
>
>> ...
>>
>>     Finally, the one piece of naughtiness that I'd love to get this beastie
>> to do, and supposedly it can, is to reverse the direction of the loop on the
>> fly!  Haven't figured that one out yet...
>>
>> ...
>
>set the insert parameter (*insertmode*) to "rev". this will enable you to
>immediately reverse a loop with one press of the insert button. check the
>looper's delight faq pages, i believe kim has a treatise on various
>reverse mode
>tricks you can try...
>


http://www.loopers-delight.com/tools/echoplex/echoplex_reverse.html

in case you didn't find it yet....

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 03:52:22 2000
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Subject: Brasilian Regards.
Date: Sun, 3 Sep 2000 03:23:05 -0300
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>From  Salvador , Brasil ,  long live and long loops for everybody at the
list !!!
julio
----- Original Message -----
From: "steven" <stevenw@comcen.com.au>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, September 03, 2000 3:53 AM
Subject: Re: Happy Birthday Looper's Delight!


> Happy Birthday to you for all the good work you do for all of us
> Its  Father's day  too in Australia today  ( Sunday 3nd September 2000 )
> Sunny day and a cold Aussie beer or 3
> Thanks
> Steven Woods
> Australia
>
> ----- Original Message -----
> From: Kim Flint <kflint@loopers-delight.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Sunday, September 03, 2000 3:32 PM
> Subject: Happy Birthday Looper's Delight!
>
>
> > The Looper's Delight list is four years old today. How about that?
> >
> > Happy Birthday to us!
> >
> > kim
> >
> > ______________________________________________________________________
> > Kim Flint                     | Looper's Delight
> > kflint@loopers-delight.com    | http://www.loopers-delight.com
> >
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 04:09:27 2000
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Echoplex - How Do I?
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At 1:48 PM -0700 9/1/00, Michael Clark wrote:
>Hi,
>
>I'm on a learning curve with the Echoplex - a wonderful instrument.
>
>I want to create a soundscape in Loop #1 and Loop Copy it to Loop #2 where
>I will add a rhythm.
>
>The problem is that I press Next Loop and wait for Loop #1 to cycle through
>before Loop #2 begins recording - that's OK I suppose.  Since Loop #1 is a
>soundscape with no rhythm or click track, I'm late with my rhythm track
>when Loop #2 is activated and recording - thus creating a dead space.  So,
>I begin playing in Loop #2, then stop recording and let Loop #2 cycle
>through.  At the beginning of Loop #2 is the dead space, which makes the
>chord progression too erratic, rhythmically.  I want to hit some
>button/switch and immediately begin the Loop Copy and Recording process in
>Loop #2.  Can I do that?

yes, certainly. I think Claude explained it already.

it is the conflict between quantized and freedom... :-)

You simply need to turn the SwitchQuant parameter off, so loop switching
happens immediately when you hit the Next button instead of waiting to the
end of the loop. Let *you* be in charge of the rhythm, instead of the
machine. play it as an instrument.

Also, set the AutoRecord parameter to On, so it starts recording
immediately when you go to an empty loop.

You will find the Echoplex readily supports both free and quantized
playing, largely due to the differences of it's creators and others who
influenced it's development. Matthias, of course, is the one who supports
the freedem of unquantized, immediate playing.... you will find that
ingrained in the heart of it. I'm always the one insisting on more sync
functions and proper behavior with quantizing, along with Claude....;-)

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 05:18:13 2000
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Re:Unsubscribe!/ EDP Undo function
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At 11:00 AM -0700 9/1/00, Clifford@BienAppraisers wrote:
>Actually, to be ON topic- how exactly do you undo on the EDP? I get lost as
>after I overdub it seems to take numerous presses of the undo at precisely
>the start point to clear what I want to clear- which inevitably leads me to
>just press undo like MAD until it is all gone- not good-

Hi Cliff-

Sounds like you need to learn the difference between a Long-Press Undo and
a Short-Press Undo. Check the manual under "undo", it is explained there.

Basically, a short-press undo removes whatever was overdubbed *after* that
point in the loop. That is useful if you have overdubbed something in the
loop and screwed up at the end. You want to take out that clam without
hearing it again, but you don't want to take out the stuff you played
before it that was right. So as the loop is playing, right before the bad
bit comes you tap undo for a short-press and the overdubbed stuff after
that point is removed. Before that point is kept. Then you could turn
overdub back on and correct it on the next pass or something. Short-press
undo's won't remove the whole layer and take you back to previous versions.

A long-press undo is probably what you are actually trying to do. That is
where you hold the button for half a second and the entire overdub layer is
removed, taking you back to the previous version. If you have enough
memory, you can go all the way back to the original before you started
overdubbing on it.

Also, pay attention to how many layers you have actually overdubbed!
Sometimes you might start an overdub just before the loop end, go all the
way through the loop, then end it just past the startpoint again. Then
you've actually got three layers of overdubs, when you might have thought
you only did one! So it will take three Undo press in that case. When you
understand how Undo works, and what you need to pay attention to, it is
quite easy to control it.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 05:30:39 2000
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Subject: Re: EDP Multiply question
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Thank you so much for the informative response- it really does make sense-
simply make a loop, multiply it if you want to or not- then just use the
loop copy function and play on top as the loop copy is recording new
material as well into the next loop- sweet- Thanks Kim-

Cliff

----- Original Message -----
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, September 03, 2000 12:43 AM
Subject: Re: EDP Multiply question


> At 9:12 PM -0700 9/2/00, Om_Audio wrote:
> >Thanks- I was asking for fellow list member Rich who wants to play over
top
> >of the cycle as it gets multiplied 4x- then copy it to next loop and lay
> >things on top of the second loop while maintaining a "clean" version in
loop
> >1- make sense? Thanks-
> >
> >Cliff
>
> ah, I see. That's easy to do anyway, and there is no need to multiply your
> clean original before you copy it to another loop!
>
> You see, LoopCopy of the audio is really just like doing a multiply,
except
> that it goes into a new loop. The copy process lets you create multiples
> and overdub on top at the same time, just like Multiply.
>
> So rather than multiplying your "clean" version first in loop 1 with the
> Multiply function and then copying that to loop 2, you simply start the
> copy with the original when you are ready. It copies into Loop 2 in real
> time, letting you add more material on top as it goes. If you let it keep
> going, it adds multiples of the original until you tell it to stop, just
> like the regular Multiply function. Then Loop 2 has as many multiples as
> you like with your longer phrase on top, while loop 1 still has your
> "clean" original.
>
> Here's a step-by-step, to be clear:
>
> 1. record a 1 bar loop in Loop 1. This is your "clean" original. In
> EDP-speak, this is one "cycle".
>
> 2. let it loop away, while you play whatever you want along with it.
>
> 3. When you are ready to record the longer phrase, start the LoopCopy to
> loop 2.
>
> 4. When the copy starts, you will see the Loop display saying 2 and the
> timer counting up. The multiple display will be showing 1 at that point.
> You will hear the Loop 1 audio continue to play seamlessly, although now
it
> is actually going into Loop 2.
>
> 5. Play your long phrase. Everything you play is being overdubbed on top
> into Loop 2, along with the copied audio from loop 1. The new stuff and
the
> copied stuff are mixed together in real time for you, and recorded in Loop
> 2.
>
> 6. When the copying gets to the end of your original cycle, you will see
> the Multiple display increment by 1, and the original cycle plays again.
> You can keep on playing your longer thing, adding it to the loop in Loop
2.
> Your original cycle is still being copied, for as many multiples of it as
> you like. You can let it go for as long as you have memory. (all of that
is
> just as Multiply works).
>
> 7. When you've got as many multiples as you want, or you've finished the
> longer phrase that is going on top, stop the copy. (you even do this by
> pressing Multiply, to keep it familiar with the Multiply function.)
>
> 8. the Echoplex stops the copy into Loop 2, and immediately begins playing
> back that loop. You'll hear your original cycle repeating for how ever
many
> cycles you gave it, along with the longer thing you've added on top.
>
> 9. Loop 1 of course, is still your original "clean" cycle! Whenever you
> want you can go back to that loop, and have the original cycle play. Now
> you can easily switch between having the basic loop play clean, and the
> multiplied loop with the longer phrase! It will sound just like you are
> turning the longer phrase on and off. It's really a pseudo-multitrack
> effect, except with a performance oriented interface.
>
> The important thing is, you accomplished all of that seamlessly, in
> real-time, with very few button presses, and without any awkward waiting!
>
>
> This is a bit of an advanced function on the echoplex, but once you get it
> there's a lot of power there. We reused concepts like Multiply for this
for
> a reason. We hope that people learn the basics of the Echoplex while
> playing with the simpler functions as they start out. Then as they move on
> to deeper functions, they discover that they already know it!
>
> Similarly, there is time copy. This lets you copy the time base of one
loop
> into another, without the first loop's audio. This one is really just like
> Insert! I'll leave it to you to explore that one.
>
> Hope that helps,
> kim
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 05:41:13 2000
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Subject: Re: Re:Unsubscribe!/ EDP Undo function
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Wow- this is f*cking great news- how cool! Short press erases anything after
the short press on that particular layer- LONG press erases the entire
layer- and ending an Overdub with Undo simply puts the loop back as if there
was no Overdub action taken-  of course looking in the manual it explains it
there- sorry, I admit I don't use the manual much- A.D.D. in action- I did
use the PDF version on LD site to read the updated SwitchQuant section- PDF
files are great- especially when you use the contents column on the left- so
easy to get where you need to- I really don't understand the layout of the
paper manual, but I am going to be using the PDF as it is so easy to use and
find what you need right away-
Kim, thanks for taking the time to answer my questions- I am so stoked on
the Undo function now! I gotta go try it out right NOW! Bye!

Cliff
----- Original Message -----
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, September 03, 2000 2:13 AM
Subject: Re: Re:Unsubscribe!/ EDP Undo function


> Sounds like you need to learn the difference between a Long-Press Undo and
> a Short-Press Undo. Check the manual under "undo", it is explained there.


From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 05:54:17 2000
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At 9:52 PM -0700 9/2/00, Paolo Valladolid wrote:
>It'd be pretty easy to create a new list at eGroups.com.  I moderate a list
>there and overall am satisfied enough to use them again for another new
>list.

corporate slave!  All your labor and sweat, just makin' money for the man!


haha, just kidding. a little labor day humor there. :-)

...but then, Yahoo owns eGroups now. Who knows what they're gonna do to
it.... but whatever it is, I'd be willing to bet they don't ask your
opinion first....


>Plus they have useful features like a two-step subscription process
>wherein if somebody sends a subscription request, that person receives a
>confirmation email to which he/she MUST reply from his/her OWN email address
>before it will be added.  It's not like LD where I can subscribe my cousin,
>for example, as a prank.

and in four years, something like that has never happened here! amazing, huh?

And if it ever did, I would take that poor soul off right away and there
would be no issue. Or maybe they would just read the new list member
directions they receive at their OWN email address and follow them, and
nobody would ever notice. Of course, once in a while we have somebody get
subscribed because their kid or brother-in-law or one of their alternate
personalities or whoever is using their email account. Sometimes they are
confused about this and ask for help. And when that happens I, an actual
human, help them out as necessary. Little harm is caused to the world.

Seems kinda silly to trouble every single person on a list with all these
extra security steps to save them from things that practically never occur,
and are easily fixed when they do. Personally, I'm getting kinda tired of
being forced to use technology that makes life more complicated instead of
less. "Useless Security Mearsures for Paranoid Internet Users" are about at
the top of my list lately....

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 06:32:23 2000
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From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Happy Birthday Looper's Delight!
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Congrats Kim,

I baked you a cake in the shape of a moebius strip.

I am having trouble getting it out of the pan though.

How do you put candles on this thing?


Thanks for everything!

John


--- Kim Flint <kflint@loopers-delight.com> wrote:
> The Looper's Delight list is four years old today.
> How about that?
> 
> Happy Birthday to us!
> 
> kim
> 
>
______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    |
> http://www.loopers-delight.com
> 
> 


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Mail - Free email you can access from anywhere!
http://mail.yahoo.com/

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Tonight I will reserve and dedicate a personal loop to LD; it is going to be
my first solo-concert.

I think that, beside the "unsub..."  various shows of common insanity, this
list can give a lot to the ones who wants to find.

So happy birthday to LD, and to all of you.


----- Original Message -----
From: Kim Flint <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, September 03, 2000 7:32 AM
Subject: Happy Birthday Looper's Delight!


> The Looper's Delight list is four years old today. How about that?
>
> Happy Birthday to us!
>
> kim
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 08:41:30 2000
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Thanks Cliff and Gary for your explanations of what you are trying to do.
It's cool to hear how people are using (or trying to use) the nuances of
the technology.

Does the EDP keep the recirculating sound data in the digital domain?

If so, and even if not, the use of a volume pedal to control the input level
should work for multiplying a loop without recording new data into the
copies.

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 08:44:24 2000
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Joyeux Anniversaire to all LD loopers

And mostly to you, Kim, for your help

Emmanuel

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 08:49:22 2000
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Loop long and prosper!


From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 09:15:52 2000
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At 03:31 AM 9/3/00 -0700, John wrote:
>... a cake in the shape of a moebius strip...

Which side does the frosting go on?

Congrats Kim! How much memory would a 4 year EDP loop take, anyway?

Tim

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 10:34:13 2000
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Date: Sun, 3 Sep 2000 10:29:46 -0400
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>but... I don't know of a freebie listserver that doesn't have 
>something like that.

if you use Topica, you can turn off ALL the ads...

	/t


...electronic a capella madness  <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 10:53:01 2000
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De-lurking just long enough to say happy birthday, and thanks for such a
wonderful list...
4 years already?     Time is truly a strange beast...............

               joe


Kim Flint wrote:

> The Looper's Delight list is four years old today. How about that?
>
> Happy Birthday to us!
>
> kim
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 12:01:05 2000
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Date: Sun, 03 Sep 2000 10:58:49 -0500
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From: Michael Clark <mcl451@airmail.net>
Subject: Echoplex - How Do I! ----  THANK YOU!
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Hi Everyone,

Thanks for your help on the Echoplex question.

I'm looping away.  Will post some music on the web when I figure out how to
do it.

After years of playing live (off and on), my first all looping gig is
September 16th.  It's a solo performance at a major art opening.  Should be
interesting.  Musical wallpaper stuff.

Michael

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 12:04:37 2000
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Great group!

Thank you for the information and forum in which to ask!

Michael


From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 12:30:23 2000
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Happy Birthday Looper's Delight, and congratulations to Kim for two
tremendous achievements...the co-spawning of the Echoplex Digital Pro...and
this list being as rewarding as it is after four full years!   Thank you
with a great big MULTIPLY.

The Roctologists (aka The LoOpdOctors)


From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 12:42:38 2000
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From: Nemoguitt@aol.com
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Date: Sun, 3 Sep 2000 12:40:41 EDT
Subject: i loves the birthdays
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only 4........ah youth........thanks kim and all LDers...........michael

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 13:18:56 2000
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From: magicicada@mindspring.com
Date: Sun, 03 Sep 2000 13:17:34 -0400
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Subject: mpx 1 mods?
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anybody know of an mpx 1 mod to increase the delay time on that puppy?
c.white
Loopers-Delight@loopers-delight.com wrote:

> Oh God another pcm 42 guy! this unit is my all time go-to looper box in the
world-got mine back in the 80s(modded by B.Sellon) after seeing (hearing)
D.TORN and he called it his '20 sec.looper' even tho' its really 19.2.That
is-3.2 x 3=9.6sec. x 2=19.2sec. Anyway I luv it and use all
parameters-halfing the loop,doubling the loop,using the clock out,VCO, and
especially syncing it up to my EDP which opens a whole 'nother world.Good
Luck...seeya,STANNER 
----------
>From: Captain Liberal 
>To: Loopers-Delight@annihilist.com
>Subject: Lexicon pcm42 mods...
>Date: Sat, Sep 2, 2000, 12:32 PM
>

>Hey,
>
>Finally joined the list here after lurking for quite a while...
>
>I just finished modifying my Lexicon pcm42 MEO per Bob Sellon's MEMX 
>instructions.  I can't believe it, but it still works and it now has 19.3 
>seconds of delay!
>
>Next up, memory expansion of my Delta Lab ADM-4096.  I figure I should be 
>able to up the delay to about 24.5 seconds...maybe more (depending on how 
>much room there is inside the box).
>
>


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Date: Sun, 3 Sep 2000 13:58:26 EDT
Subject: Roland mods?
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hey y'alls...
onct again I am sendink out the question:
does anyone know/remember who it was did the memory mods on the Roland 
SDE3000 delays?...
supposedly there is someone who can up the memory to a minute or so... 
whatever.

specially any of you guys in the UK where I think this person was located...

ok thanks
RA

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Date: Sun, 03 Sep 2000 13:16:49 -0700
From: Tom Lambrecht <hideomo@swbell.net>
Subject: Re: Happy Birthday Looper's Delight!
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not muLch for birthdays, but i sure do appreciate this bunch . . .

even the occasional Charles . . .

drone on~~~~~~~~~~

Tom Lambrecht



From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 16:27:11 2000
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>only 4........ah youth........thanks kim and all LDers...........michael

4 is over 200 years old in Internet years.

Looper's Delight is, in fact, my "best list"!

	/t


...electronic a capella madness  <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

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Subject: Dreaming Under Weather "Cloud Racing Dream Mountain"
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    Newly uploaded on mp3.com, A single from our album in work. Dan 
Tellez-guitar, processing, loops, John Marcell-guitar, string pad and James 
H. Sidlo- guitar, theremin guitar,loops.
    Let me know what you think!  Later, James 

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Subject: Re: Happy Birthday Looper's Delight!
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as a long time list reader....many happy returns of the day!

                                                   b.helm

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Subject: Re: Klein-clogging 1
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Binding a couple OT threads together:

As soon as Photoshop 6 is done, I plan on getting serious about getting a
Klein. The question I've been pondering is whether or not to get a
Sustainiac for it. Has anyone on the list done this?

Mark


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From: Kim Flint <kflint@loopers-delight.com>
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At 5:37 AM -0700 9/3/00, Floyd Miller wrote:
>Thanks Cliff and Gary for your explanations of what you are trying to do.
>It's cool to hear how people are using (or trying to use) the nuances of
>the technology.
>
>Does the EDP keep the recirculating sound data in the digital domain?

yes.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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From: "Paolo Valladolid" <phv40@hotmail.com>
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Kim,

Thanks for continuing to run this list even though it must be a thankless 
job at times.  I've personally benefitted tremendously from all the 
information that flies through here.

Paolo
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 22:54:44 2000
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From: "future perfect" <artists@hazardfactor.com>
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Subject: Echoplex review in GuitarOne
Date: Sun, 3 Sep 2000 22:51:08 -0400
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The Echoplex was reviewed in the new issue of GuitarOne here in the States.
Gear reviews in magazines are pretty bland (something like 'if you are into
looping, you may like this'), but it did mention something about Gibson
working on a new manual. THe reviewer couldn't figure out how to use
'reverse' and didn't like the lack of 1/2 speed loops, but it was a positive
review, and worth checking out.

Dave Eichenberger- guitars.loops.devices
http://www.hazardfactor.com


From Loopers-Delight-request@loopers-delight.com  Sun Sep  3 23:33:38 2000
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Hey Rich,
A few answers....
>Ok, here's the on topic question for our yet-to-be-seen Repeater.

>They say that once you capture the loop, you have control over Tempo and
>Pitch.  Is this real-time?  Ala Roland's Variphrase? 
 
Real time it is.

>It seems like you would have to have alot of horsepower to record the loop,
have it playing
>and then adjust pitch or tempo on the fly (Roland says that you have to
>'encode' the sample with their proprietary system before you can manipulate
>the samples in real-time with the Variphrase). 

We have a few horses under the lid of Repeater. We also have some pretty smart
guys working on the time-stretching and pitch shifting algorithms so no
encoding necessary, just record and tweak. 

>Also, is it doing time-stretching?  If i decide to change the pitch, does the
tempo change,
>or is the loop still locked to it's original length?  If i change the
>tempo, does the pitch change?

Time and pitch can instantly be manipulated real time without effecting each
other. 

>I really like the idea of the Boomerang update, with 'musical' speed
>changes, but it seems that you have to stop the loop, change the speed and
>start again.

>I wonder how the Repeater is going to do it?  I think it would open up a
>pandora's box of harmonic possibilities if you could capture 4 loops and
>then start changing pitches into 5ths, 7ths, octaves and such, yet still
>keeping the loop length locked.

That's the whole idea!

>Another dreamy question...Synching two (or more) EDP's seems to be a very
>sweet setup...Can two Repeaters be synched via the midi ports?

Yep

Damon

From Loopers-Delight-request@loopers-delight.com  Mon Sep  4 01:08:59 2000
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rich <rich@nuvision.com> wrote:

 >I wonder how the Repeater is going to do it?  I think it would open up a
 >pandora's box of harmonic possibilities if you could capture 4 loops and
 >then start changing pitches into 5ths, 7ths, octaves and such, yet still
 >keeping the loop length locked.

Hi Rich;

Lemme springboard something from this...

My partner in crime and I recently wrote an article on loop based 
composition which is currently up online at the Electrix site:

   http://www.electrixpro.com/

   click on "Views" in the top frame

The article is written from the point of view of working with a MIDI 
sequencer, but...

All that we talk about there, can also be done with Repeater. :)


Mark and Amanda
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

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Date: Mon, 04 Sep 2000 00:06:24 -0500
To: Loopers-Delight@loopers-delight.com
From: Mark Pulver <mark@redmoon-music.com>
Subject: Re: Handsonic list?
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Tom Ritchford (09:29 AM 09.03.2000) wrote:

 >>but... I don't know of a freebie listserver that doesn't have something
 >>like that.
 >
 >if you use Topica, you can turn off ALL the ads...

Ummm... then that's a new thing... I run one list now off of Topica (used 
to run a lot more) and one of the recent ads was:

   --- Sponsor's Message --------------------------------------
   *** SAVE BIG on DSL & more with Demandline ***
   blah blah blah... with a Topica URL
   ------------------------------------------------------------

I know that on eGroups (for example) you can pay a fee to have the ads 
removed from your list messages. Is that maybe what you've seen on Topica?

I'll poke around... Thanks Tom!


Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

From Loopers-Delight-request@loopers-delight.com  Mon Sep  4 06:51:54 2000
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From: PaulPokr@aol.com
Message-ID: <bc.9e85b2c.26e4d7ca@aol.com>
Date: Mon, 4 Sep 2000 06:47:38 EDT
Subject: Jamman on eBay
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I posted my Jamman on eBay for anyone interested:

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=427864534

Regards, Paul

From Loopers-Delight-request@loopers-delight.com  Mon Sep  4 14:48:10 2000
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Date: Mon, 4 Sep 2000 14:46:07 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: Re: Handsonic list?
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The illustrious Mark Pulver <mark@redmoon-music.com> writes:

>Tom Ritchford (09:29 AM 09.03.2000) wrote:
>
> >>but... I don't know of a freebie listserver that doesn't have something
> >>like that.
> >
> >if you use Topica, you can turn off ALL the ads...
>
>Ummm... then that's a new thing... I run one list now off of Topica 
>(used to run a lot more) and one of the recent ads was:
>
>  --- Sponsor's Message --------------------------------------
>  *** SAVE BIG on DSL & more with Demandline ***
>  blah blah blah... with a Topica URL
>  ------------------------------------------------------------
>
>I know that on eGroups (for example) you can pay a fee to have the 
>ads removed from your list messages. Is that maybe what you've seen 
>on Topica?

Not so.  You can opt each of your lists out of the ad program and I've done
that for all of my lists...

go to http://topica.com/lists/MarksListNameHere/prefs/advertise.html
and click on the link Marked "leave the network".


And, they split the ad revenue with you if you do keep ads.  A great deal!

	/t


...electronic a capella madness  <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Mon Sep  4 17:59:40 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Cc: <sales@rolandus.com>, <info@rolandus.com>, <rd@rolandus.com>,
        <help@rolandus.com>, <helpdesk@roladnus.com>
Subject: My experiences with the Handsonic (long, reveiw)
Date: Mon, 4 Sep 2000 15:02:10 -0700
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I tried the Handsonic in the store for about a couple of hours or so, read
the manual and thought I'd post a quick review.

Now, since I dearly love the concept of the hand drum controller, my
ulterior motive in writing this is that this review will act as a straw man
that can be pulled down by people with more experience with the toy. My
overall experience suggested that it was designed 'down' for easy
accessibility and instant 'look Ma! I'm playing techno!' gratification,
rather than trying to break new ground or really excite developed musicians.

Designing down and breaking new ground aren't mutually exclusive processes
but for some reason they rarely go hand in hand; they didn't this time
either, for the most part.

1. Control surface

Not being a drummer of any kind, I must confess that my experience with drum
surfaces is very limited. I've screwed around with V-drums, and bang on a
few pots and pans, but that's about it. This thing was really great! You
could mute a pad with one hand, and still bang it with the other, press deep
on it to get pitch bends, or otherwise change the shape of the sound. The
'feel' left something to be desired - it wasn't the nice open bouncy feel
you get from a stretched drum head like a v-drum, but I think it would be
hard to do what this thing does with one.

2. Sounds and fx.

a. This is the unit's biggest let down. Was it just me, or did there seem to
be more >melodic< instruments than drum sets? If I wanted to play the
xylophone, I'd get a piano keyboard! The melodic instruments were less
responsive to controller changes than for example the talking drums or
tabla, and most of them were crap. What filler.

The african talking drums (change the pitch with the light beam controller),
tabla (mutable; play with your fingertips) and other ethnic instruments were
very fun to play, but the dozens of electronic drum emulations and 'techno'
patches, with synth stabs and other early 90s pablisms got old really,
really fast. Sure, you could always add your own sound module, but that
would involve tons of programming to get the sounds to play right, and also
lugging around tons of crap to play it. I don't have the time, and for a
grand, I'd want someone to do a halfway decent job for me already.

The worst part was the fact that no serious programming had been put into
creating new sounds just for this instrument. This is absolute sacrilege.
There was no wavedrum emulation, no attempt to even go in the direction of
new sounds. The pathetic attempt to do so in the form of 'industrial' and
'noise' sets were just crappy noise samples, with no use at all - they just
make very noisy, unmelodic soundscapes. No one's going to hear >anything< in
this box on a cd and say, 'that's that cool Handsonic sound.'

Overall, the sounds had a 'sampled' quality, albeit they were pretty good.
Played in the middle of a loud mix, no-one would know you weren't playing
the instruments live, but play the same note twice in succession, in a quiet
room and no-one will be fooled.

b. The effects were likewise tame, nothing interesting or even very useful
in shaping the sound.. No resonant filters, which the instrument was
practically crying out for. What's up with that? I'm supposed to get excited
over a reverse reverb? Hey! It's not the eighties any more!

Since you only have a single stereo out, you can't add effects after the
fact, except to the whole kit.

3. Programming and midi

a. It really didn't seem all that programmable. You couldn't for example set
up to samples to crossfade on one pad, or do other forms of patch
engineering. All in all it seemed you were expected to use the patches as
they were, perhaps mixing instruments up to make your own 'palette' and
assigning the various controllers to them.
b. The midi implementation, as far as I could see, was adequate. It had
local off, which was my main concern, and

4. Performance use
a. There's an excellent 'roll' feature, which allows continued holding of a
pad to retrigger the pad, instead of working as a damper against further
hits, but the button was hard to toggle while playing, and couldn't be
assigned to specific pads only.

Why didn't they allow this to be assigned to something like a foot pedal, or
make it a bigger button? I got into some kick ass jungle and bhangra style
grooves just banging on the pads with it on, but it wasn't set up in a
logical intelligent way.

b. The 'loop' section was a good step in the right direction, allowing you
to create loops and then assign them to pads for triggering on the fly.
However, the creation wasn't something you could do easily on the stage,
more of a set up presets and then play over them kind of thing. Hey! I can
already do that with a cd player...
c. The knob controllers were a pain to use - they seemed more designed for
tweaking patches, than on the fly performance. The ribbon controllers seem
under utilized in the factory patches, and I didn't have time to program
them.

All in all, it was OK. I'm itching to get one, just because it's the only
game in town and I need to learn to drum and to perform my own drum parts,
but it's definitely marketed to the kiddy crowd, and I know it would proably
be a waste, even though it >so< close to what would excite me, and many
other users.
bIz

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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: RE: Klein-clogging 1
Date: Mon, 4 Sep 2000 15:05:12 -0700
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I have one on my Steindberger. I agree - they cut tone and sustain. I was
advised to replace the brass rollers with steel ones, but I'm not sure if
this would do all that much to solve the problem, which is inherent in the
way a string vibrates off a cylinder. Probalby wouldn't hurt, but I don't
play guitar much any more, any way.

bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Martin Shellard [mailto:martins@pwdu.demon.co.uk]
Sent: Friday, September 01, 2000 4:28 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Klein-clogging 1

Thanks Kevin
This is exactly what I want to know, interesting point about the Transtrem,
I kind of planned on getting one but if they don't work and cut tone ....
Martin Shellard


----------
>From: KB305@aol.com

>

> OK, this was my response
>
> <<
> I got mine in Oct 1997.
> Swamp ash, chambered, standard trem, Joe Barden pickups.
> The TransTrem I liked less: it has less sustain, doesn't work that great
> IMJ, and the tone is a little poorer for it.
> Get the chambered body, it's full of many different tones.
> I will never need another solid-body guitar.
> This one goes on every gig.
> It DOES change the way I play, like the promo says.
> Lorenzo German is a beautiful cat as well.
> Mine is right now in his hands: needs some fret dressing.  (I've played
> this 3-6 days per week for 3 years now.)  All normal work is free.
> I'd buy another one, but why?  This is the best axe I've ever played.  I
> can't understand why you don't see more of them around, except that
Lorenzo
> won't give them away to potential endorsers.  Torn, Frisell, Henry Kaiser:
> they all had to pay for theirs.
> It's worth every penny.
> When I shipped mine to Klein this week I over-insured it, and I'd much
> rather have the guitar back than a check for $4K from FedEx should they
break
it.
> Call Lorenzo German at Klein.  You won't regret it for a second.
>
> Does that help?
>
> Kevin
> (see mine at http://members.aol.com/redroadtheband
> or members.aol.com/kb305/kb305  and go the  page labeled 'g'   >>
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep  4 18:04:11 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Win2k and Midi
Date: Mon, 4 Sep 2000 15:07:24 -0700
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Logic Audio doesn't work with win2k yet. Even 4.5.

bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Gregor Zavcer [mailto:gregor.zavcer@kiss.uni-lj.si]
Sent: Saturday, September 02, 2000 6:43 AM
To: Loopers-Delight@loopers-delight.com
Subject: Win2k and Midi


>Thanks- if only MIDI was good in Win2k- it is soooo much better than Win98
-
>
>Cliff
>


Could you be more specific please? I just have a win2k cd in front of me
and now i don't know if i should install it? How would for example logic
audio
work?

greetings,

gregor

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Thanks Kim!  It's my favourite list.

bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Alejandro Martínez [mailto:alexmartinez7@hotmail.com]
Sent: Saturday, September 02, 2000 11:27 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Happy Birthday Looper's Delight!


>The Looper's Delight list is four years old today. How about that?
>
>Happy Birthday to us!
>
>kim


Glad to hear that, I just subscribed myself 2 weeks ago, hope the list
continues several years from now too.
Alex.

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From Loopers-Delight-request@loopers-delight.com  Mon Sep  4 18:08:51 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Handsonic list?
Date: Mon, 4 Sep 2000 15:10:44 -0700
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>...but then, Yahoo owns eGroups now. Who knows what they're gonna do to
>it.... but whatever it is, I'd be willing to bet they don't ask your
>opinion first....

Especially since everyone realized that Yahoo is seriously
http://www.fuckedcompany.com fodder now.  Be very afraid of greedy, >hungry<
e-entrepreneurs...

bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Kim Flint [mailto:kflint@loopers-delight.com]
Sent: Sunday, September 03, 2000 2:50 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Handsonic list?

At 9:52 PM -0700 9/2/00, Paolo Valladolid wrote:
>It'd be pretty easy to create a new list at eGroups.com.  I moderate a list
>there and overall am satisfied enough to use them again for another new
>list.

corporate slave!  All your labor and sweat, just makin' money for the man!


haha, just kidding. a little labor day humor there. :-)



>Plus they have useful features like a two-step subscription process
>wherein if somebody sends a subscription request, that person receives a
>confirmation email to which he/she MUST reply from his/her OWN email
address
>before it will be added.  It's not like LD where I can subscribe my cousin,
>for example, as a prank.

and in four years, something like that has never happened here! amazing,
huh?

And if it ever did, I would take that poor soul off right away and there
would be no issue. Or maybe they would just read the new list member
directions they receive at their OWN email address and follow them, and
nobody would ever notice. Of course, once in a while we have somebody get
subscribed because their kid or brother-in-law or one of their alternate
personalities or whoever is using their email account. Sometimes they are
confused about this and ask for help. And when that happens I, an actual
human, help them out as necessary. Little harm is caused to the world.

Seems kinda silly to trouble every single person on a list with all these
extra security steps to save them from things that practically never occur,
and are easily fixed when they do. Personally, I'm getting kinda tired of
being forced to use technology that makes life more complicated instead of
less. "Useless Security Mearsures for Paranoid Internet Users" are about at
the top of my list lately....

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep  4 18:56:22 2000
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Date: Mon, 4 Sep 2000 18:50:50 -0400
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From: Tom Ritchford <tom@swirly.com>
Subject: Re: My experiences with the Handsonic (long, reveiw)
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>I tried the Handsonic in the store for about a couple of hours or so, read
>the manual and thought I'd post a quick review.
>
>Now, since I dearly love the concept of the hand drum controller, my
>ulterior motive in writing this is that this review will act as a straw man
>that can be pulled down by people with more experience with the toy. My
>overall experience suggested that it was designed 'down' for easy
>accessibility and instant 'look Ma! I'm playing techno!' gratification,
>rather than trying to break new ground or really excite developed musicians.

oh-oh...

>The worst part was the fact that no serious programming had been put into
>creating new sounds just for this instrument. This is absolute sacrilege.
>There was no wavedrum emulation, no attempt to even go in the direction of
>new sounds. The pathetic attempt to do so in the form of 'industrial' and
>'noise' sets were just crappy noise samples, with no use at all - they just
>make very noisy, unmelodic soundscapes. No one's going to hear >anything< in
>this box on a cd and say, 'that's that cool Handsonic sound.'

oh, drat.  and there's no wayto upgrade the sounds I assume...



>b. The effects were likewise tame, nothing interesting or even very useful
>in shaping the sound.. No resonant filters, which the instrument was
>practically crying out for. What's up with that? I'm supposed to get excited
>over a reverse reverb? Hey! It's not the eighties any more!
>
>Since you only have a single stereo out, you can't add effects after the
>fact, except to the whole kit.

arg!  I live off effects!



>3. Programming and midi
>
>a. It really didn't seem all that programmable. You couldn't for example set
>up to samples to crossfade on one pad, or do other forms of patch
>engineering. All in all it seemed you were expected to use the patches as
>they were, perhaps mixing instruments up to make your own 'palette' and
>assigning the various controllers to them.
>b. The midi implementation, as far as I could see, was adequate. It had
>local off, which was my main concern, and

... and?


All in all, very glad to get this review.  At least if I get it I'll know what
I'm getting!

	/t


...electronic a capella madness  <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

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Date: Mon, 04 Sep 2000 16:06:23 -0700
Subject: Klein/Sustainer
From: Tiktok <tiktok@sprintmail.com>
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I thought Kim had a purple chambered Klein, with the TransTrem and the
Sustainer....

TH

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bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

>>My
>>overall experience suggested that it was designed 'down' for easy
>>accessibility and instant 'look Ma! I'm playing techno!' gratification,
>>rather than trying to break new ground or really excite developed
musicians.
>
>oh-oh...

Well, that's Roland for you, pretty much.

>
>oh, drat.  and there's no wayto upgrade the sounds I assume...
>

Nope. You could control an external sound module, but that kind of kills the
point of having all that stuff on board. From my own point of view, I'm
rather tired of 'lots of programming to get it to do what you want'
instruments.  If I want that, I can use reactor, which is what I'd probably
use the handsonic to control, latency and all.


>>b. The effects were likewise tame, nothing interesting or even very useful
>>in shaping the sound.. No resonant filters, which the instrument was
>>practically crying out for. What's up with that? I'm supposed to get
excited
>>over a reverse reverb? Hey! It's not the eighties any more!
>>
>>Since you only have a single stereo out, you can't add effects after the
>>fact, except to the whole kit.
>
>arg!  I live off effects!
It's pretty much a less than run-of-the-mill drum machine, with >excellent<
hand drum sounds, tied to an cool controller surface but with a something to
be desired UI and set up, and an unflexible architecture. It's still a lot
of fun, but don't expect to be excited by anything but the hand
drum/percussion emulations.


>>b. The midi implementation, as far as I could see, was adequate. It had
>>local off, which was my main concern, and
>
>... and?
Sorry, I forgot. I think I was going to say something about external
controllers, but you can midi all that in.

>All in all, very glad to get this review.  At least if I get it I'll know
what
>I'm getting!

	Like most Roland products, it struck me as lots of fun on the showroom
floor, but after really banging it, I came up against dissapointment
quickly. All I really wanted, apart from the usable control surface and the
hand drum emulations, was some new sounds. It didn't deliver, unfortunately.
I might get one anyway, especially if I can find one used, just to use as a
controller in the studio.  It doesn't seem like the kind of tool that will
become replaced with newer ones soon.
	Definitely give it a good work out before you buy it, and remember what
$1000 can buy you, outside of musical gear.
	As I said before, anyone who has one who can give me a different opinion
>please< do so. I really want to hear from someone who's 'woken up with it
in the morning' as it were.

bIz

From Loopers-Delight-request@loopers-delight.com  Mon Sep  4 20:48:37 2000
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Date: Mon, 04 Sep 2000 17:42:04 -0700
From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Klein/Sustainer
In-reply-to: <B5D978FF.21D3%tiktok@sprintmail.com>
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>I thought Kim had a purple chambered Klein, with the TransTrem and the
>Sustainer....
>

no sustainer.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Mon Sep  4 21:12:31 2000
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Date: Mon, 4 Sep 2000 21:11:14 EDT
Subject: Re: My experiences with the Handsonic
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I agree almost completely with Jonathan's Handsonic review.  I heard about 
them at the NAMM show in LA last January and have been drooling and waiting 
in anticipation for their release ever since.

That was until July when I had a chance to play one for about a half hour at 
the Nashville summer NAMM.  

Jonathan nailed it perfectly THE SOUNDS ARE A HUGE DISAPPOINTMENT!!!

Now, I own a Korg wavedrum and was hoping that this would be a great 
"compliment" to it.  Not even close.  The Wave drum inspires me to play it 
and program new and unheard of sounds.  This is not possible on the 
Handsonic.  I thought the samples were very run of the mill and vanilla.  The 
programmability was virtually nil.  Do not plan on tweaking and twisting the 
sounds into something new and exciting.  I was at least hoping for the same 
type of editability as the V-Drum brain. No such luck.

I am usually a big fan of Roland product (the new XV 3080 kicks serious ass), 
but the handsonic left me very cold.  What good is a great controller (which 
it is) when the sound set sucks?

- Paul Vnuk (Ma Ja Le)

From Loopers-Delight-request@loopers-delight.com  Mon Sep  4 21:54:23 2000
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Date: Tue, 5 Sep 2000 10:52:39 +0900
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I just update Realserver software,just now LD2 stuff is not work ..
I will fix this problem soon, I am fighting a lot of English texts now..

   keep in  touch

   Sunao Inami
http://www.cavestudio.com


From Loopers-Delight-request@loopers-delight.com  Mon Sep  4 22:15:35 2000
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Hi,

My webcat is Today.
http://ds.kobedenshi.ac.jp/dstv/9_5.html
6:30 - 7:30(GMT)

   Sunao
http://www.cavestudio.com


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In a message dated 9/4/00 5:57:14 PM, 
Loopers-Delight-d-request@loopers-delight.com writes:

<< I tried the Handsonic in the store for about a couple of hours or so, read
the manual and thought I'd post a quick review.
 >>

I anxiously awaited the release of the Handsonic too.  I plan to use it live 
with Loopers.  It was explained to me as being the "Hand" version of V-Drums, 
and that is exactly what it is.  A really good playing interface with some 
pretty good, adequate sounds.  I'll still probably get one, but my Unity DS-1 
(Steve Reid) percussion samples are MUCH better than Roland's.  I'll use it 
to program too....
John

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 02:10:42 2000
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Looper's Delight Sells Out!
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Well, not completely. We didn't get bought out by Microsoft or anything. :-)

If you have been to the List Archives at the Looper's Delight site
recently, you've probably seen that I now have ad banners on the top of the
page. ewwwwww! For example:

http://www.loopers-delight.com/LDarchive/200008/


The fact is, Looper's Delight does cost money to operate. As the site grows
and becomes more and more popular, the operating costs are going up too.
Proceeds from the two Looper's Delight cd's contributed a tiny bit, and
every now and then I get a whopping $4.95 check for being a Sonic Foundry
affiliate. But for the most part it's all paid for by me, and it ain't
getting any cheaper. So I'm going to seriously attempt to get the site
financially self-sufficient. Time for our baby to grow up and support
itself! :-)

The ads rotating on the site now are more or less a trial run. I've got a
couple of banners for the Looper's Delight CD projects on there, and a few
of those lame affiliate programs I signed up for. The banner rotating
scripts all seem to be functional, so I'm now going to start for real.
(hopefully a few more cd's got sold recently. :-)  In general I plan to
only accept ads that are relevant to the LD community. So hopefully it
won't be too horrifying.


Now for the good news!

The community of people here is what makes LD what it is. Without all of
you, the site will be pretty lame. And these ads will be plastered at the
top of all your babbling. :-)

So!

I'm going to have a Special Offer for list members! Anybody who has been a
Looper's Delight mailing list subscriber for more than 1 month will get a
ridiculously low, low price on Looper's Delight ad space for your own
personal projects. That's right folks, your ad, splashed in front of the
whole looper universe day in and day out, bringing you fame and fortune at
a tiny fraction of the regular price! Advertise your cd, your band, a music
book you wrote, your availabilty for gigs, a webcast, a gig, etc.!

If you want more details, please email me. I'm not going to publish
specifics on the list because I don't want people coming to me years from
now demanding the same deal. :-)

I think this will be a great way for people in this community publicize
their projects to the people most likely to be interested. And I think, the
ads we are all most interested in seeing will be the ones from people just
like us! So hopefully this is a good addition to the site. Also, for those
generous folks who would like to help out a little bit, this gives you a
nice, clean way to support LD and it's future.

And you *can* get a lot of publicity from this. The Looper's Delight
Mailing List Archives section got about 140,000 hits last month, and it
continues to rise! The site has about 50,000 unique user sessions per
month. That's a lot of eyeballs for our crazy little niche in the world!

Looking forward, I will try to always reserve some percentage of space for
LD members. You're the community that makes this place, you should always
get access.

Again, remember the requirements for the Special Offer:

a) you must be a list member, subscribed for more than one month.

b) the advertisement is for your *own personal project*. This is not a
    way for you to get cheap advertising for the company you work for
    and get brownie points with the boss!

If you are interested, email me!

If you do work for a company that would like to advertise on Looper's
Delight, let me know. I'm going to start selling ads for that too. (and
this is an excellent opportunity for some of you to clear your corporate
consciences and pony up for all the free publicity you get here. :-)


Thanks!
kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 03:37:04 2000
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Subject: AW: Dreaming Under Weather "Cloud Racing Dream Mountain"
Date: Tue, 5 Sep 2000 09:32:24 +0200
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hi James,

> James H. Sidlo- guitar, theremin guitar, loops.

... I think we all want to know what a theremin guitar is. 


=	michael peters
=	electronic music & strange attractors
=	http://www.mpeters.de/mpeweb


From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 10:04:27 2000
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Just back from a Labor Day holiday.  Just read the birthday news!

H A P P Y    B I R T H D A Y     L O O P E R ' S    D E L I G H T ! ! ! !

Kim, you have made a real contribution to the art of the loop by setting up and
managing the LD site!  And managing it with real class, too!

Dennis Leas
-----------------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 10:30:24 2000
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Hey thanks for the link!  I don't have one of these yet, but it's near the top
of my "things to get" list.

Dennis Leas
-----------------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 11:18:48 2000
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Date: Wed, 6 Sep 2000 00:17:07 +0900
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From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: fixed (Re: LD2 RA)
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Hi,

I just fixed streaming problem for LD2 Real Audio.
Please try to hear again:
http://www.cavestudio.com/S+V/LD2_RA.html

   Regards

   Sunao Inami
http://www.cavestudio.com




From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 11:59:08 2000
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Tom Wrote (concerning Topica vs eGroups):

"Not so.  You can opt each of your lists out of the ad program and I've done
that for all of my lists...

go to http://topica.com/lists/MarksListNameHere/prefs/advertise.html
and click on the link Marked "leave the network".


And, they split the ad revenue with you if you do keep ads.  A great deal!"

Tom,

Does Topica have an uploadable Files section and a member-updatable Database 
section?  eGroups has both of these features.  The former is used 
extentively by the Tuning list for MIDI files, scale lattice charts, etc.  
The latter could be used for a FAQ, contact list, etc.

I don't mean to turn this into a Topica vs eGroups debate.  Just trying to 
do a feature comparison.

Thanks,
Paolo
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 13:00:41 2000
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Subject: FC200 'n' stuff
Date: Tue, 5 Sep 2000 18:51:03 +0200
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Hi all,

Just when I was considering buying a foot pedal, I read that it was
discontinued.  I live near the Benelux Roland centre, and they still have it
in their catalogue.  It seems the most affordable decent one to me.  Can I
program chords under  pedals, so I can play chord changes via the fc on my
synth?
Something else, how do you feel about Behringer?  I'm very budget
restricted, and use the Virtualizer and Modulizer as well as a mixer.  My
DL4 is in an aux path, so I can send my guitar, fx and synth signals through
it.  All pretty cheap stuff, but lotsa fun, and it even sounds good!  Though
I haven't played through TC and EDP's ofcourse.
Ta ,
Jan

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From: "Paolo Valladolid" <phv40@hotmail.com>
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Subject: Re: My experiences with the Handsonic (long, reveiw)
Date: Tue, 05 Sep 2000 13:23:04 EDT
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"My
overall experience suggested that it was designed 'down' for easy
accessibility and instant 'look Ma! I'm playing techno!' gratification,
rather than trying to break new ground or really excite developed 
musicians."

I find this true of virtually every Roland product. :)

"2. Sounds and fx.

a. This is the unit's biggest let down. Was it just me, or did there seem to
be more >melodic< instruments than drum sets? If I wanted to play the
xylophone, I'd get a piano keyboard! The melodic instruments were less
responsive to controller changes than for example the talking drums or
tabla, and most of them were crap. What filler."

I am still trying to sort out which sounds, if any, are physically modeled 
and which are samples.  There is no mention of COSM or physical modeling 
anywhere in the manual or the advertisements I have seen for the Handsonic.  
Can _all_ the sounds be programmed to respond to positional sensing, 
pressure, muting, etc. or just some of them?  I'm still researching this 
when I have the time.

"The african talking drums (change the pitch with the light beam 
controller),
tabla (mutable; play with your fingertips) and other ethnic instruments were
very fun to play, but the dozens of electronic drum emulations and 'techno'
patches, with synth stabs and other early 90s pablisms got old really,
really fast. Sure, you could always add your own sound module, but that
would involve tons of programming to get the sounds to play right, and also
lugging around tons of crap to play it. I don't have the time, and for a
grand, I'd want someone to do a halfway decent job for me already."

The only module I am thinking of adding right now is the Emu Xtreme Lead or 
Proteus 2000 as these modules have global microtonal tuning tables, decent 
scale resolution, and are not too expensive.

"The worst part was the fact that no serious programming had been put into
creating new sounds just for this instrument. This is absolute sacrilege."

I suspect _all_ the sounds are sample-based (no physical modeling) and the 
editing facilities are limited.

"b. The effects were likewise tame, nothing interesting or even very useful
in shaping the sound.. No resonant filters, which the instrument was
practically crying out for. What's up with that? I'm supposed to get excited
over a reverse reverb? Hey! It's not the eighties any more!"

I thought there is programmable filter resonance, but as part of the sound 
editing architecture rather than the effects section.  I remember reading it 
in the "Editing sounds" section of the manual.

"b. The midi implementation, as far as I could see, was adequate. It had
local off, which was my main concern, and"

The manual seems to indicate that it transmits polyphonic aftertouch, a 
feature you can't even find on 99% of the keyboard controllers out there.
This is definitely one area I need to investigate further.

"b. The 'loop' section was a good step in the right direction, allowing you
to create loops and then assign them to pads for triggering on the fly.
However, the creation wasn't something you could do easily on the stage,
more of a set up presets and then play over them kind of thing. Hey! I can
already do that with a cd player..."

You can also do that with a cheap phrase sampler. :) I get your point, 
though.  I figure if I want to do live looping with it, I either have to use 
an audio looper (which I do plan to do) or the internal sequencer.  Using 
the audio looper and the sequencer together could be messy.  Or maybe I 
could just trigger a sequence, loop that with the audio looper, turn off the 
sequence, play "live" and loop that, etc.  I'm sure there's a workaround 
somewhere...

"c. The knob controllers were a pain to use - they seemed more designed for
tweaking patches, than on the fly performance. The ribbon controllers seem
under utilized in the factory patches, and I didn't have time to program
them."

I agree in that I've only used the knobs to try to adjust the pitch of the 
Indonesian gongs to get a more authentic pelog or slendro tuning.  The extra 
controllers (ribbons, D-beam) in general are underutilized.  For example, 
for one preset the D-Beam triggers a loud gong no matter what hand motion I 
use.  It _can_ be set up to respond more dynamically to hand speed and 
distance, but it more often than not is not set up that way in the presets.  
I only found one preset where the D-Beam actually varied in response to my 
hand position for a Theremin-like effect.

"All in all, it was OK. I'm itching to get one, just because it's the only
game in town and I need to learn to drum and to perform my own drum parts,
but it's definitely marketed to the kiddy crowd, and I know it would proably
be a waste, even though it >so< close to what would excite me, and many
other users."

The Handsonic is not perfect, but I have no regrets in my impulse buy of the 
display unit at the store.  I saw it as a lower cost alternative to the 
Zendrum, an admittedly cool-looking $1400+ retail unit which probably has 
better MIDI implementation, but no built in sounds, D-beam, ribbons, 
internal sequencer (which _does_ support odd-time signatures, thank the 
Lord), etc. and no aftertouch.  There are folks like Ikue Mori doing some 
amazing, creative stuff with lesser quality devices like Ikue's home-made 
drum machine controller - I'd love to hear her get her hands on a Handsonic.

Paolo
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From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 14:07:39 2000
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Date: Tue, 5 Sep 2000 14:05:43 -0400
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>Does Topica have an uploadable Files section and a member-updatable 
>Database section?  eGroups has both of these features.  The former 
>is used extentively by the Tuning list for MIDI files, scale lattice 
>charts, etc.  The latter could be used for a FAQ, contact list, etc.

No, and these are nice features.  Plus, I think eGroups has a calendar facility
though not a very good one.

Topica's worked very because all I want is text and mailing lists and 
no ads (and
reliability of course.)

	/t


...electronic a capella madness  <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

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Subject: Re: My experiences with the Handsonic (long, reveiw)
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boy, would I love to get a copy of the manual for this.

of course, Roland being Roland, there are no .pdf files on
the complicated and uninformative <http://www.rolandus.com>

	/t

...electronic a capella madness  <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 14:20:50 2000
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From: "Paolo Valladolid" <phv40@hotmail.com>
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Subject: RE: My experiences with the Handsonic (long, reveiw) 
Date: Tue, 05 Sep 2000 14:18:50 EDT
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">
>oh, drat.  and there's no wayto upgrade the sounds I assume...
>

Nope. You could control an external sound module, but that kind of kills the
point of having all that stuff on board. From my own point of view, I'm
rather tired of 'lots of programming to get it to do what you want'
instruments.  If I want that, I can use reactor, which is what I'd probably
use the handsonic to control, latency and all."

I am mainly interested in using an external module for the microtunability.  
I have not been able to tune any of the internal sounds in steps smaller 
than 50 cents (a quarter-tone).  You can only program a 24-ET scale, which 
is severely limiting.

"It's pretty much a less than run-of-the-mill drum machine, with >excellent<
hand drum sounds, tied to an cool controller surface but with a something to
be desired UI and set up, and an unflexible architecture. It's still a lot
of fun, but don't expect to be excited by anything but the hand
drum/percussion emulations."

This is a fair assessment, which I agree with.  There are still a number of 
things which I need to investigate further, such as if _all_ the internal 
sounds are samples, or if some of them are physically modeled.  If the 
former, then conceivably, _any_ of the sounds can be set up to be controlled 
with muting, palm heel pressure, positional sensing, etc. and other 
techniques afforded by the V-Drum type triggering technology.  More 
significantly, can the V-Drum-type triggering be made to work with external 
MIDI sounds?  How about the D-Beam and ribbons?  If yes, that would be 
majorly cool in my book.  If not, I'm satisfied with the internal sounds 
that _are_ V-controllable.

Speaking of the hand percussion emulations, I must say I like the manual's 
little section on how to play like a conga drummer.  If sections were added 
to explain simple udu, talking drum, and tabla techniques (as played on 
Handsonic) that alone would make the manual a lot better.  Fortunately, I 
did have some tabla instruction...

Keep in mind all my comments have been posted without the benefit of having 
seen the Handsonic demo video, which I did order from Roland.

Bottom line is, YOU as the customer need to decide if the Handsonic is right 
for YOUR needs for the asking price.  The closest thing out there is the 
Zendrum and it is several hundred dollars more expensive without the V-drum 
technology (for muting, pressure sensitivity, etc.), the extra controllers 
(D-Beam, ribbons), built-in sounds, or sequencer.  I know for what I want to 
do, the answer was "yes".

Hopefully the posts on these threads have been of assistance.

Paolo

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Subject: RE: My experiences with the Handsonic (long, reveiw)
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Find a store near you that has one to try out (you'll need that too, since
despite all the criticism I've been heaping on it, I'm still undecided) if
they have one on show, they usually have a manual nearby, too :>

bIz


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1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Tom Ritchford [mailto:tom@swirly.com]
Sent: Tuesday, September 05, 2000 11:13 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: My experiences with the Handsonic (long, reveiw)

boy, would I love to get a copy of the manual for this.

of course, Roland being Roland, there are no .pdf files on
the complicated and uninformative <http://www.rolandus.com>

        /t

...electronic a capella madness  <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 14:42:04 2000
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>I am still trying to sort out which sounds, if any, are physically modeled
>and which are samples.  There is no mention of COSM or physical modeling
>anywhere in the manual or the advertisements I have seen for the Handsonic.
>Can _all_ the sounds be programmed to respond to positional sensing,
>pressure, muting, etc. or just some of them?  I'm still researching this
>when I have the time.

They are >all< multi-samples, as far as I could tell. Take the most
intricate, such as the tabla or talking drum. Hit it twice in succession at
the same level; same sample. Pretty good multisampling though.

>
>The only module I am thinking of adding right now is the Emu Xtreme Lead or
>Proteus 2000 as these modules have global microtonal tuning tables, decent
>scale resolution, and are not too expensive.

Right now he says... right now... just wait till tomorrow, when the new toys
arrive :>

>>"The worst part was the fact that no serious programming had been put into
>>creating new sounds just for this instrument. This is absolute sacrilege."
>
>I suspect _all_ the sounds are sample-based (no physical modeling) and the
>editing facilities are limited.

Sounded that way to me :< The manual was mainly concerned with assigning
controllers - there was little more you could do with a sound.

>>"b. The effects were likewise tame, nothing interesting or even very
useful
>>in shaping the sound.. No resonant filters, which the instrument was
>>practically crying out for. What's up with that? I'm supposed to get
excited
>>over a reverse reverb? Hey! It's not the eighties any more!"
>
>I thought there is programmable filter resonance, but as part of the sound
>editing architecture rather than the effects section.  I remember reading
it
>in the "Editing sounds" section of the manual.
>

That's a step in the right direction, though I don't think I heard any
really heavy use of it in the factory presets. I was hoping for screaming,
howling, squelching drum kits...

>"b. The midi implementation, as far as I could see, was adequate. It had
>local off, which was my main concern, and"
>
>The manual seems to indicate that it transmits polyphonic aftertouch, a
>feature you can't even find on 99% of the keyboard controllers out there.
>This is definitely one area I need to investigate further.

It is a percussion controller, so one would assume this was more necessary
than on a keyboard.

>>"b. The 'loop' section was a good step in the right direction, allowing
you
>>to create loops and then assign them to pads for triggering on the fly.
>>However, the creation wasn't something you could do easily on the stage,
>>more of a set up presets and then play over them kind of thing. Hey! I can
>>already do that with a cd player..."
>
>You can also do that with a cheap phrase sampler. :) I get your point,
>though.  I figure if I want to do live looping with it, I either have to
use
>an audio looper (which I do plan to do) or the internal sequencer.  Using
>the audio looper and the sequencer together could be messy.  Or maybe I
>could just trigger a sequence, loop that with the audio looper, turn off
the
>sequence, play "live" and loop that, etc.  I'm sure there's a workaround
>somewhere...

Being able to trigger patterns and fills is a good thing on it's own for use
rhythmically challenged, even if you can't set them up on the fly. Too bad
that most of the drums are so unexciting. I can't believe they didn't
include a junglist set.

>>"c. The knob controllers were a pain to use - they seemed more designed
for
>>tweaking patches, than on the fly performance. The ribbon controllers seem
>>under utilized in the factory patches, and I didn't have time to program
>>them."
>
>I agree in that I've only used the knobs to try to adjust the pitch of the
>Indonesian gongs to get a more authentic pelog or slendro tuning.  The
extra
>controllers (ribbons, D-beam) in general are underutilized.  For example,
>for one preset the D-Beam triggers a loud gong no matter what hand motion I
>use.  It _can_ be set up to respond more dynamically to hand speed and
>distance, but it more often than not is not set up that way in the presets.
>I only found one preset where the D-Beam actually varied in response to my
>hand position for a Theremin-like effect.

Good point. Those controllers could really make the toy shine, especially
when combined with pattern based loop or trigger playback, so you can have
stuff going on and pitch them in real time. It's not all bad :>

bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Paolo Valladolid [mailto:phv40@hotmail.com]
Sent: Tuesday, September 05, 2000 10:23 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: My experiences with the Handsonic (long, reveiw)

http://profiles.msn.com.

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To: Loopers-Delight@loopers-delight.com
From: Mark Pulver <mark@redmoon-music.com>
Subject: RE: My experiences with the Handsonic (long, reveiw)
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Jonathan El-Bizri (01:45 PM 09.05.2000) wrote:

 >>I am still trying to sort out which sounds, if any, are physically modeled
 >>and which are samples.  There is no mention of COSM or physical modeling
 >>anywhere in the manual or the advertisements I have seen for the Handsonic.
 >
 >They are >all< multi-samples, as far as I could tell. Take the most
 >intricate, such as the tabla or talking drum. Hit it twice in succession at
 >the same level; same sample. Pretty good multisampling though.

If you can stand the Roland site long enough, you'll find this statement:

   The HPD-15 HandSonic is an electronic hand percussion multi-pad with
   triggering capabilities derived from breakthrough V-drums technology.
   Divided into 15 parts, the HPD-15 allows hand percussionists to play up
   to 300 realistic acoustic and electronic percussion sounds -- 15
   simultaneously -- with all the sensitivity that the Roland V-drums are
   famous for.

So, this sounds like the _triggers_ may of come from the V-Drum boxes, but 
that the sounds may not of.

I coulda' sworn though that Roland was claiming V-Drum modeling in the 
sounds as well.

None-the-less. I do like mine!

Mark

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Hey guys,
Just wanted to post this, in case anyone was interested in seeing a fellow 
looper.
Thanks!

Matt

**Thursday - September 21
"An evening of the ironic, the pre-ironic, and the post-ironic," curated
by Steev Hise

8pm Detroit-residing, Bob Boster (audio collage, sound processing)
This performance includes work a new work of collage which moves the trope 
into a surprising new transmission vector. "manage(s) to achieve a sublimely 
disorienting collage that stands alone as mind-expanding experimental 
music." --Charlie Bertsch

9pm Matt Davignon (audio equipment and a crate of thrift store records and 
CDs)
In this show Matt will be playing Turntable and CD player with loopers.

10pm M3t@ (recursive conceptualizing)
At this event M3t@ will be presenting a brief site-specific time-based
work entitled "Luggage Store Site-Specific Time-Based Work."
"Uh, Meta? No, haven't heard of them."  -Greil Marcus

THE LUGGAGE STORE GALLERY 1007 Market Street (2nd Floor) at 6th St., one
block from Powell Street BART, San Francisco. It is a non-profit
corporation funded by the City of San Francisco, grants, and your
contribuitions. We ask that you contribute 6-10 dollars. All Ages
welcome, no one refused for lack of funds. Info: 415.255.5971 or 
luggagestore@hotmail.com
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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>Logic Audio doesn't work with win2k yet. Even 4.5.
>
>bIz
>
>


bah, what's better in win2k then??:)) looks like a step back...:)))

greetings,

gregor

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Date: Tue, 5 Sep 2000 12:43:19 -0700 (PDT)
From: abduction scene <abduction_scene@yahoo.com>
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Hi all:

Apologies for the OT post.

Any recommendations for a good, sturdy
tremolo pedal, reasonably priced, that
i can use for either electric bass or
electric guitar (or anything else, for
that matter).  I'm looking for something
that isn't going to lop off the bottom
end of the bass sound, but will also
sound good on other instruments.

I just want some direction before i walk
into a Mars or GC or somewhere, since i
can barely stand to be in those places for
more than 15 minutes.  Thought i'd ask what
fellow loopers use.

Thanks,

-abduction-



__________________________________________________
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Yahoo! Mail - Free email you can access from anywhere!
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Subject: Re: OT: tremolo pedal
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If you are interested in a used one, try finding a Boss PN-2 Tremelo/Pan.
I've used mine for nearly 10 years without a hitch...Great tremelo with
settings more extreme than many others.  A bit noisy, especially when on AC
power.  Should be able to find one floating around the $100 range?

If you want to spend some dollars, check out Electrix's MO-FX, which has a
tremelo that can synch to midi clock, band-selection, and a variety of
waveform shapes.  Also, for the price you get delay, flange, distortion and
insert jacks to boot.

As for your loathing of giant corporate music stores...Be Strong...and
remember, practice makes perfect.  The more you go, the more you can stand
it.  Like perfecting a callous.  Hell, i can spend hours in there
now...even when i know more about the product than the spikey haired,
chained wallet, tongue pierced salesdude who can't quite figure out how
this damned thing works..."uhhhh, lemme get the manager".

apologies to any spikey haired, chained wallet, tongue pierced salesdudes
on the list...

rich




>Hi all:
>
>Apologies for the OT post.
>
>Any recommendations for a good, sturdy
>tremolo pedal, reasonably priced, that
>i can use for either electric bass or
>electric guitar (or anything else, for
>that matter).  I'm looking for something
>that isn't going to lop off the bottom
>end of the bass sound, but will also
>sound good on other instruments.
>
>I just want some direction before i walk
>into a Mars or GC or somewhere, since i
>can barely stand to be in those places for
>more than 15 minutes.  Thought i'd ask what
>fellow loopers use.
>
>Thanks,
>
>-abduction-
>
>
>
>__________________________________________________
>Do You Yahoo!?
>Yahoo! Mail - Free email you can access from anywhere!
>http://mail.yahoo.com/



From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 16:39:06 2000
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Any recommendations for a good, sturdy
tremolo pedal, reasonably priced, that
i can use for either electric bass or
electric guitar (or anything else, for
that matter).  I'm looking for something
that isn't going to lop off the bottom
end of the bass sound, but will also
sound good on other instruments.

** i think that the fulltone supa-trem is quite nice used for 6-string
bass). you may want to try the pres. elec. throb or some voodoo labs as
well.


stig

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 16:48:07 2000
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Date: Tue, 5 Sep 2000 13:34:10 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: Re: Handsonic list?
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I vote yes for creating a handsonic list...I almost
got around to starting one on egroups.com last week,
but burning man prep and shrinking work timelines got
in the way....i already moderate an mc-80 list there. 
I imagine folks here at loopers delight can only
tolerate so much handsonic discussion, since it's not
really a looping gizmo.

paolo, you want to set it up or should I?  is there a
consensus on egroups.com?

--- Paolo Valladolid <phv40@hotmail.com> wrote:
> Any interest in a Handsonic mailing list?


=====
Stephen

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From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 16:49:22 2000
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Date: Tue, 5 Sep 2000 13:44:36 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: RE: My experiences with the Handsonic (long, reveiw) 
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Where did you find a handsonic video?  i've searched
both rolandus.com sites and couldn't find it.  How
long is it, do you know?

thanks

stephen

> Keep in mind all my comments have been posted
> without the benefit of having 
> seen the Handsonic demo video, which I did order
> from Roland.


=====
Stephen

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Hello Kim,
How are you? I would like to purchase banner space to support my projects. 
Pleas emai me with a price.
Thanks,
Jeremiah


>From: Kim Flint <kflint@loopers-delight.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Looper's Delight Sells Out!
>Date: Mon, 04 Sep 2000 23:06:12 -0700
>
>
>Well, not completely. We didn't get bought out by Microsoft or anything. 
>:-)
>
>If you have been to the List Archives at the Looper's Delight site
>recently, you've probably seen that I now have ad banners on the top of the
>page. ewwwwww! For example:
>
>http://www.loopers-delight.com/LDarchive/200008/
>
>
>The fact is, Looper's Delight does cost money to operate. As the site grows
>and becomes more and more popular, the operating costs are going up too.
>Proceeds from the two Looper's Delight cd's contributed a tiny bit, and
>every now and then I get a whopping $4.95 check for being a Sonic Foundry
>affiliate. But for the most part it's all paid for by me, and it ain't
>getting any cheaper. So I'm going to seriously attempt to get the site
>financially self-sufficient. Time for our baby to grow up and support
>itself! :-)
>
>The ads rotating on the site now are more or less a trial run. I've got a
>couple of banners for the Looper's Delight CD projects on there, and a few
>of those lame affiliate programs I signed up for. The banner rotating
>scripts all seem to be functional, so I'm now going to start for real.
>(hopefully a few more cd's got sold recently. :-)  In general I plan to
>only accept ads that are relevant to the LD community. So hopefully it
>won't be too horrifying.
>
>
>Now for the good news!
>
>The community of people here is what makes LD what it is. Without all of
>you, the site will be pretty lame. And these ads will be plastered at the
>top of all your babbling. :-)
>
>So!
>
>I'm going to have a Special Offer for list members! Anybody who has been a
>Looper's Delight mailing list subscriber for more than 1 month will get a
>ridiculously low, low price on Looper's Delight ad space for your own
>personal projects. That's right folks, your ad, splashed in front of the
>whole looper universe day in and day out, bringing you fame and fortune at
>a tiny fraction of the regular price! Advertise your cd, your band, a music
>book you wrote, your availabilty for gigs, a webcast, a gig, etc.!
>
>If you want more details, please email me. I'm not going to publish
>specifics on the list because I don't want people coming to me years from
>now demanding the same deal. :-)
>
>I think this will be a great way for people in this community publicize
>their projects to the people most likely to be interested. And I think, the
>ads we are all most interested in seeing will be the ones from people just
>like us! So hopefully this is a good addition to the site. Also, for those
>generous folks who would like to help out a little bit, this gives you a
>nice, clean way to support LD and it's future.
>
>And you *can* get a lot of publicity from this. The Looper's Delight
>Mailing List Archives section got about 140,000 hits last month, and it
>continues to rise! The site has about 50,000 unique user sessions per
>month. That's a lot of eyeballs for our crazy little niche in the world!
>
>Looking forward, I will try to always reserve some percentage of space for
>LD members. You're the community that makes this place, you should always
>get access.
>
>Again, remember the requirements for the Special Offer:
>
>a) you must be a list member, subscribed for more than one month.
>
>b) the advertisement is for your *own personal project*. This is not a
>     way for you to get cheap advertising for the company you work for
>     and get brownie points with the boss!
>
>If you are interested, email me!
>
>If you do work for a company that would like to advertise on Looper's
>Delight, let me know. I'm going to start selling ads for that too. (and
>this is an excellent opportunity for some of you to clear your corporate
>consciences and pony up for all the free publicity you get here. :-)
>
>
>Thanks!
>kim
>
>______________________________________________________________________
>Kim Flint                     | Looper's Delight
>kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>

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Date: Tue, 05 Sep 2000 17:40:24 EDT
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huh!
i really enjoy the TransTrem; it does indeed 'work', for me!; predictable, consistent pitchbending being the focus of my TransTrem useage.
for the last few years, the materials that the bridges were made from *do* tend to suck a bit of tone, yeah, but:
not *that* much.
the Klein TransTrem guitars are still my mainstays, after more than 10 years.
best,
dt

From: Martin Shellard [mailto:martins@pwdu.demon.co.uk]
Sent: Friday, September 01, 2000 4:28 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Klein-clogging 1

Thanks Kevin
This is exactly what I want to know, interesting point about the Transtrem,
I kind of planned on getting one but if they don't work and cut tone ....
Martin Shellard


----------
>From: KB305@aol.com

>

> OK, this was my response
>
> <<
> I got mine in Oct 1997.
> Swamp ash, chambered, standard trem, Joe Barden pickups.
> The TransTrem I liked less: it has less sustain, doesn't work that great
> IMJ, and the tone is a little poorer for it.
> Get the chambered body, it's full of many different tones.
> I will never need another solid-body guitar.
> This one goes on every gig.
> It DOES change the way I play, like the promo says.
> Lorenzo German is a beautiful cat as well.
> Mine is right now in his hands: needs some fret dressing.  (I've played
> this 3-6 days per week for 3 years now.)  All normal work is free.
> I'd buy another one, but why?  This is the best axe I've ever played.  I
> can't understand why you don't see more of them around, except that
Lorenzo
> won't give them away to potential endorsers.  Torn, Frisell, Henry Kaiser:
> they all had to pay for theirs.
> It's worth every penny.
> When I shipped mine to Klein this week I over-insured it, and I'd much
> rather have the guitar back than a check for $4K from FedEx should they
break
it.
> Call Lorenzo German at Klein.  You won't regret it for a second.
>
> Does that help?
>
> Kevin
> (see mine at http://members.aol.com/redroadtheband
> or members.aol.com/kb305/kb305  and go the  page labeled 'g'   >>
>
>

 >>


From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 17:53:42 2000
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On Tue, 5 Sep 2000, abduction scene wrote:
  
> I just want some direction before i walk
> into a Mars or GC or somewhere, since i
> can barely stand to be in those places for
> more than 15 minutes.  Thought i'd ask what
> fellow loopers use.

I haven't found a pedal that produces the range of tremolo sounds I'm
happy with.  I've tried (and owned) most of the current production models,
including the Boss and Voodoo Labs, and just wasn't happy with what they
put out. 

Thankfully, one of the fellow loopers here sold me an ancient
Yamaha REX-50 desktop/amptop unit that fills that role admirably.  The
stereo pan is decent, with total control over filters and modulation, and
I discovered that if you tweak a chorus patch (probably will work on other
units) past the range of 'musically useful' that it starts generating a
very nice vibrato sound.  

For live use, it's either that or the built-in trem on my Sunn Solos II
combo.

93/156

the Reverend Rob
http://www.mp3.com/thereverendrob : feedback and echo mp3s 

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 17:59:50 2000
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From: "Cody Davis" <codyda@ecpi.com>
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Subject: loops from instruments in a classical symphony
Date: Tue, 5 Sep 2000 16:56:49 -0500
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Where can I locate royalty-free music loops from instruments in a classical
symphony. What I want to do is put together a dramatic film score by looping
if that is possible. All I have seen is funky guitar and drum loops plus
sound effects.
Cody Davis

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 18:03:39 2000
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From: Tim Nelson <tcn62@ici.net>
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I use a Boss TR-2 which is okay, but if you can find the older,
discontinued PN-2, it's way better. Check the archives for a pretty
exhaustive thread on tremolo units last October...

Tim

At 12:43 PM 9/5/00 -0700, you wrote:
>Any recommendations for a good, sturdy
>tremolo pedal...

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 18:43:09 2000
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Date: Tue, 05 Sep 2000 18:36:57 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: loops from instruments in a classical symphony
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Big Fish Audio makes CD-ROMs in various formats. Titles include Orchestra
Gold, Orchestral Strings and Orchestral Collection.

East-West has Advanced Orchestra, Orchestra, Orchestral Colors, Scoring
Tools and one you might like called Film Collection.

>From Emu-Ensoniq there's Peter Siedlaczek's Advanced Orchestra.

Ilio/Synclaver has Synclavier Orchestral.

Sweetwater Sound offers Classical Instruments and various Power Translators
to allow you to use Roland format discs such as Brass Sections, Orchestral
Percussion, Orchestral Winds and String Sections.

I'm not sure which of these are still in production or what format you're
looking for (audio cd, cd-rom, mixed-mode, floppy, patches/samples for your
particular synth or sampler, etc.), but on the other hand, I'm sure there
are lots of others I didn't list.

Tim

At 04:56 PM 9/5/00 -0500, you wrote:
>Where can I locate royalty-free music loops from instruments in a classical
>symphony. What I want to do is put together a dramatic film score by looping
>if that is possible. All I have seen is funky guitar and drum loops plus
>sound effects.
>Cody Davis
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 18:55:10 2000
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> Any recommendations for a good, sturdy tremolo pedal, reasonably priced,
> that
> i can use for either electric bass or electric guitar (or anything else,
> for that matter).

Dunlop TS1 Tremolo is *the* best made, most flexible, tremolo I have ever
seen. Adjustable waveform balance, Stereo or mono configurations, built
like a tank, Big juicy silver knobs which are easy to use in any
environment, and runs quiet nicely on a single 9VT even with multiple LEDs
and such.



____________________________________________________________________
      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
  "Bringing you the best in Organic Electronic music since we started..."

  Home of the Unusual Instrument and Recording Gallery with pictures and
  info of Tube recorders, Omnichords, weird guitars, Casios, and more.


From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 18:56:22 2000
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As a SURFZOID-LOOPER I am super dependent on a quality trem unit w/ clean
on-off sound of the note(s) so I recommend the PN-2(stay away from the
TR-2-not even similar!). They are kinda hard to find ,but well worth it-and
being a BOSS they can take a kickin' IMHO...seeya,STANNER
----------
>From: Tim Nelson <tcn62@ici.net>
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: OT: tremolo pedal
>Date: Tue, Sep 5, 2000, 3:08 PM
>

>I use a Boss TR-2 which is okay, but if you can find the older,
>discontinued PN-2, it's way better. Check the archives for a pretty
>exhaustive thread on tremolo units last October...
>
>Tim
>
>At 12:43 PM 9/5/00 -0700, you wrote:
>>Any recommendations for a good, sturdy
>>tremolo pedal...
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 18:56:51 2000
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Subject: loops from instruments in a classical symphony (alternate method)
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another method is to go find old classical records in thrift stores.  in
many cases, these records are from extremely defunct record companies,
so you're off the royalty hook if you play it smart.

another advantage to this is that, timbrally speaking, your sounds are
going to be pretty darn unique, compared to the Year 2000 production
standard.

r.s.
(np: "Atlantis" - Donovan)

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 19:27:31 2000
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Date: Tue, 05 Sep 2000 23:38:25 +0100
Subject: Re: Klein-clogging 1
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Thanks for the info dt.
The transtrem looks intriguing but I'm not really sure what I'd do with it.
What kind of musical applications would you say it has?

----------
>From: Texture444@aol.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: RE: Klein-clogging 1
>Date: Tue, Sep 5, 2000, 10:40 pm
>

> huh!
> i really enjoy the TransTrem; it does indeed 'work', for me!; predictable,
> consistent pitchbending being the focus of my TransTrem useage.
> for the last few years, the materials that the bridges were made from *do*
> tend to suck a bit of tone, yeah, but:
> not *that* much.
> the Klein TransTrem guitars are still my mainstays, after more than 10 years.
> best,
> dt

From Loopers-Delight-request@loopers-delight.com  Tue Sep  5 19:33:17 2000
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Subject: Re: OT: tremolo pedal
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>>I just want some direction before i walk
>into a Mars or GC or somewhere, since i
>can barely stand to be in those places for
>more than 15 minutes.  Thought i'd ask what
>fellow loopers use.

And i felt compelled to tell you my most recent GC story, involving my
tremelo (to keep it on topic about an off topic discussion).  Boss has an
independent repair service that does all of the repair work brought into
Guitar Center in Southern California.  You drop off your product at GC, the
repair center picks it up, fixes it, and drops it off back at GC where you
come and fetch it.

I had reason to call this repair center about fixing my Boss Tuner, which
failed while under warranty.  While i was on the phone, i asked the helpful
gentleman on the phone..."Hey, i've got a old Boss PN-2 tremelo/pan that's
had alot of miles on it...could i get the input and output jacks replaced?
They are getting a little scratchy."  His reply was "Sure!  Hell, it's the
same design, we can do that for you!  Just take it in to Guitar Center,
we're down there every thursday for pickups and dropoffs".

So, i finally get around to doing just that, and i walk in to Guitar Center
(where i have to wait in line to have the serial number of my stompbox
listed....oooh gosh, that guy that shops here all the time is stealing a
discontinued pedal!!!) and i proceed to the accessories counter.  The
salesmen is pretty confused already when i say i want to repair my pedal
that still works by replacing the input and output jacks via the repair
center.  So, after much prodding, he has to look up the pedal, so he can
make a repair receipt.  (insert lots of waiting here)

The Boss PN-2 is no longer manufactured, and thus, is no longer listed as
an item on Guitar Center's computers.  He looked and looked and couldn't
find the pedal.  What to do?  He gets another guy to help to no avail.
(insert more waiting here).

Finally, i say "what's the problem?  i've already spoken to the repair
center and they said it was cool.."

Conclusion?  Because GC cannot find a SKU of my pedal, they actually CAN'T
check it in on a repair reciept.  Even though i had my little green baby
right in my hands in front of them, they couldn't do a damn thing...

So i suggest "Do i just need to send it to the repair center myself?"

"Yeah, dude, that's what you should do"

Service...what service.  When you have access to the WalMart of musical
instruments, i guess we're shoppin' for price and not too much else.

seeya all later, and Kim?  HAPPY BIRTHDAY FOR LOOPERS DELIGHT!  I have
learned so much here... Thanks to all.

rich


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From: jordanpease@webtv.net (Jordan Pease)
Date: Tue, 5 Sep 2000 16:43:21 -0700 (PDT)
To: Loopers-Delight@loopers-delight.com
Subject: Dusty Burning Man
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Fellow Loopers-

As a first-timer to Burning man; I was hesitant to bring my looping gear
(or ANYTHING of value for that matter) because of stories about the dust
storms...

WHAT A GOOD DECISION THAT TURNED OUT TO BE !!!

To say it's an extremely dusty environment only begins to describe the
adverse conditions that exists there.

I really had a great time... it was so much more elaborate than I
expected... SO much creativity there... I probably only saw 10% of it
too.

Next year I would really like to bring some gear and am curious how
others managed. 

-Jordan

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Probably not going to be able to locate a CD of orchestral _loops_, though I
have seen
orchestral sample collections. Perhaps get one of those and start sampling,
and tweaking..
adjusting.. to make your own loops from it, or better yet.. go to your local
thrift store and
nick some loops off .10 classical LPs..


********************
Any day now - the year of the Diamond Dogs.. "This ain't Rock n' Roll...
this is Genocide."
BOWIE '74


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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
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Subject: RE: loops from instruments in a classical symphony
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Brian,

>or better yet.. go to your local thrift store and
>nick some loops off .10 classical LPs..

You will be happy to note that Repeater has a built in phono preamp for that
very purpose!

Best Regards,

Damon Langlois
Creative Director
Electrix / IVL 
"No Creative Barriers"
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com




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In a message dated 9/5/00 1:00:20 PM, soundmind@pandora.be writes:

>Can I
>program chords under  pedals, so I can play chord changes via the fc on
>my
>synth?
You can send MIDI note-on messages, so if you can program your synth to play 
chords, or retune sequences via single note messages, this should be 
possible. There are also a selection MIDI Machine Control messages, but I 
haven't explored this aspect of teh pedal, or MIDI, for that matter...I enjoy 
my FC-200, but use it in a pretty conventioonal way--good luck!
David

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"They are >all< multi-samples, as far as I could tell. Take the most
intricate, such as the tabla or talking drum. Hit it twice in succession at
the same level; same sample. Pretty good multisampling though."

I tried playing around with the sound programming; tweaking and stuff while 
digging into the manual.   However for all my effort tonight, I could not 
verify my hypothesis that to achieve the position-sensing effect (regular 
drum sound except around the edges, the "edge" drum sound closer to the 
edges) they assigned two samples and crossfade by position.  I just could 
not find mention of such things in the manual.  It could be that at least 
_some_ sounds are physically modeled.  But in typical Roland fashion, it's 
just not mentioned in the manual.  Maybe its because the modeled sounds are 
not any more editable than the sampled sounds.

">
>The only module I am thinking of adding right now is the Emu Xtreme Lead or
>Proteus 2000 as these modules have global microtonal tuning tables, decent
>scale resolution, and are not too expensive.

Right now he says... right now... just wait till tomorrow, when the new toys
arrive :>"

After what I just found out, not likely.  Besides I bought my allotment of 
new toys already last week (Handsonic, DL4, and Maui Xaphoon). :)

And what did I just find out?  That the sounds _are_ microtunable, with 1 
cent resolution.  I was fooled by the "quick edit" knobs which have a coarse 
50 cent resolution.  You have to go into full edit mode to access the fine 
tuning.  The whole purpose of getting that Emu was for the microtonality and 
this discovery just killed it. :)

I was wrong though about the filter programming.  For some reason I was 
thinking it had a synth-like architecture, but it's more rudimentary.  
There's no filtering for the sound itself, just for the LFO.  The effects 
section is the most confusing part of the manual.  There's effects like 
distortion and overdrive but I couldn't figure out how to add either of 
them.  I guess I'll need another month for those. :) I want my fuzzed out 
tabla sound, dammit!!! :) :) :)

I bet this thing would be killer combined with a Repeater.  There, I said 
something on topic!

Paolo

_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 03:23:45 2000
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Date: Wed, 6 Sep 2000 03:21:57 EDT
Subject: Re: Klein-clogging 1
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-on the subject of what a TransTrem is capable of producing as far as 
'musical' results, I can think of no better example then the tracks 'Point A' 
and 'Point B' on Michael Hedges '90 release Taproot.  I believe these two 
pieces were written specifically for the TransTrem and are very clear and 
direct as far as recording goes.
-I also can't help but think that it would be neat to experiment with a 
TransTrem and a unit like the Sustainiac that sustains all strings at once.  
The sound shifting possibilities seem intriguing.

From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 03:56:49 2000
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Hi abduction,

I use a cheap (I bought it for 100 DM,, must be $50 or 60) Nobels Tremolo
Pedal for years and found it a good deal. Besides the usual speed and
intensity pots you can switch wave forms in 4 stages, a tone poti keeps the
high register out of processing and a level poti makes sure that you have
the right balance (you can abuse it to preset a boosted the tremolo sound
for cool surf sounds.)

regards

Stephan 
www.stephanneetenbeek.de

-----Ursprüngliche Nachricht-----
Von: abduction scene [mailto:abduction_scene@yahoo.com]
Gesendet: Dienstag, 5. September 2000 20:43
An: Loopers-Delight@loopers-delight.com
Betreff: OT: tremolo pedal


Hi all:

Apologies for the OT post.

Any recommendations for a good, sturdy
tremolo pedal, reasonably priced, that
i can use for either electric bass or
electric guitar (or anything else, for
that matter).  I'm looking for something
that isn't going to lop off the bottom
end of the bass sound, but will also
sound good on other instruments.

I just want some direction before i walk
into a Mars or GC or somewhere, since i
can barely stand to be in those places for
more than 15 minutes.  Thought i'd ask what
fellow loopers use.

Thanks,

-abduction-



__________________________________________________
Do You Yahoo!?
Yahoo! Mail - Free email you can access from anywhere!
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From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 06:14:27 2000
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the rocktron surf tremelo is a good tremelo pedal that has 2 different 
waveforms and built-in compression and noise reduction. might be worth giving 
a listen. i like it a lot.
                                                                        =-) PJ

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Subject: Re: loops from instruments in a classical symphony
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Have you found any loops on the net to be shared?

_thank you_     Spooky Christopher  www.spookylotus.cjb.net 

From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 09:27:46 2000
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Subject: OT Re: Klein-clogging 1
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pitchbending (w/the TT) is consistent, from string-to-string; s'great ifya do wads o'that kinda playing.
(irreplaceable, for me).
pedal-steel type effects.
the most reliable return-to-pitch-after-wildvibrato/violentpitchbending that i've experienced.

w/a well-maintained TT, a limited number of 'locked' (ie, no vibrato-useage, in this mode) parallel key-transpositions are possible.
yeah.....
dt

"Martin Shellard" <martins@pwdu.demon.co.uk> writes:
<< Thanks for the info dt.
The transtrem looks intriguing but I'm not really sure what I'd do with it.
What kind of musical applications would you say it has?

----------
>From: Texture444@aol.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: RE: Klein-clogging 1
>Date: Tue, Sep 5, 2000, 10:40 pm
>

> huh!
> i really enjoy the TransTrem; it does indeed 'work', for me!; predictable,
> consistent pitchbending being the focus of my TransTrem useage.
> for the last few years, the materials that the bridges were made from *do*
> tend to suck a bit of tone, yeah, but:
> not *that* much.
> the Klein TransTrem guitars are still my mainstays, after more than 10 years.
> best,
> dt

 >>


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Subject: RE: free loops sites
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For free sample loops go to http://www.sonicfoundry.com/Loop_Libraries/.
Another interesting place is
http://www.thefreesite.com/Free_Sounds/Free_WAVs/index.html free wavs make
your own loops.
Try this for a few free loops. http://www.musicloops.com/Cart/
If you know of anyplace on the net with any free loops please post.
If you know of any single orchestral instrument loops in .wav or other
computer formats. Please send them (or the place to get them) to me at
codyda@ecpi.com. I use a computer program like Acid Pro or Cool Edit Pro in
an attempt to create film score type music (if I can get the right loops)

-----Original Message-----
From: Christopher and Michelle [mailto:4athena@gte.net]
Sent: Wednesday, September 06, 2000 8:12 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: loops from instruments in a classical symphony


Have you found any loops on the net to be shared?

_thank you_     Spooky Christopher  www.spookylotus.cjb.net


From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 09:41:36 2000
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Subject: OT Re: sustainer/Klein-clogging 1
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i'll check out those Micahel Hedges tracks; the TT *is* 'capable' of lotsa nuancing..... in conjunction w/yer *own* physical techniques & a modicum of imagination.

also:
i had ---on loan, in 1988/89--- a steinberger TT w/a polyphonic 'infinite sustain' feature: built by ned steinberger, bob wolstein & rick turner, it ummmmmm..... rocked. twas never produced, though.
each string had its own on/off switch & 'drive-control' for the sustain feature. if i remember correctly, the team also had a mod that'd allow for the 'sweeping-through' of the natural harmonic series.
i used that instrument on a mark isham recording; maybe i used guitar that on the soundtrack to 'the beast', as well.
just for y'all's info.....
dt
dt


THusken@aol.com writes:
<< -on the subject of what a TransTrem is capable of producing as far as 
'musical' results, I can think of no better example then the tracks 'Point A' 
and 'Point B' on Michael Hedges '90 release Taproot.  I believe these two 
pieces were written specifically for the TransTrem and are very clear and 
direct as far as recording goes.
-I also can't help but think that it would be neat to experiment with a 
TransTrem and a unit like the Sustainiac that sustains all strings at once.  
The sound shifting possibilities seem intriguing.

 >>


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excuse me mr. electrix guy, but is there an in-depth description/article
of the repeater anywhere on the internet?

thanks,
r.s.
(np: "Flim" - Aphex Twin)

(...Camera pans in on Ryan.  He has a frustrated look on his face.  He
faces the camera and says, "If only there was a way to time-synchronize
these 4 loops...in Real Time!"
Suddenly, Captain Electrix appears in a puff of smoke. ...)

From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 10:06:03 2000
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Subject: Re: OT: tremolo pedal
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The purple 'Jim Dunlop' tremelo is cool.
You can ajust the in-ternal perameters,
 on the curcuit board, Very versatile,
it's also stereo. Cam.

----- Original Message -----
From: rich <rich@nuvision.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 05, 2000 12:54 PM
Subject: Re: OT: tremolo pedal


> If you are interested in a used one, try finding a Boss PN-2 Tremelo/Pan.
> I've used mine for nearly 10 years without a hitch...Great tremelo with
> settings more extreme than many others.  A bit noisy, especially when on
AC
> power.  Should be able to find one floating around the $100 range?
>
> If you want to spend some dollars, check out Electrix's MO-FX, which has a
> tremelo that can synch to midi clock, band-selection, and a variety of
> waveform shapes.  Also, for the price you get delay, flange, distortion
and
> insert jacks to boot.
>
> As for your loathing of giant corporate music stores...Be Strong...and
> remember, practice makes perfect.  The more you go, the more you can stand
> it.  Like perfecting a callous.  Hell, i can spend hours in there
> now...even when i know more about the product than the spikey haired,
> chained wallet, tongue pierced salesdude who can't quite figure out how
> this damned thing works..."uhhhh, lemme get the manager".
>
> apologies to any spikey haired, chained wallet, tongue pierced salesdudes
> on the list...
>
> rich
>
>
>
>
> >Hi all:
> >
> >Apologies for the OT post.
> >
> >Any recommendations for a good, sturdy
> >tremolo pedal, reasonably priced, that
> >i can use for either electric bass or
> >electric guitar (or anything else, for
> >that matter).  I'm looking for something
> >that isn't going to lop off the bottom
> >end of the bass sound, but will also
> >sound good on other instruments.
> >
> >I just want some direction before i walk
> >into a Mars or GC or somewhere, since i
> >can barely stand to be in those places for
> >more than 15 minutes.  Thought i'd ask what
> >fellow loopers use.
> >
> >Thanks,
> >
> >-abduction-
> >
> >
> >
> >__________________________________________________
> >Do You Yahoo!?
> >Yahoo! Mail - Free email you can access from anywhere!
> >http://mail.yahoo.com/
>
>
>
>

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References: <DCEPILPAMPPOCJDLGIFCAEJMDFAA.jonathan@full-moon.com>
Subject: Re: My experiences with the Handsonic (long, reveiw)
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Anyone have a patch list or link to one? Are there any electronic sounds
onboard? I think that would be pretty neat..


********************
Any day now - the year of the Diamond Dogs.. "This ain't Rock n' Roll...
this is Genocide."
BOWIE '74



----- Original Message -----
From: Jonathan El-Bizri <jonathan@full-moon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 05, 2000 2:28 PM
Subject: RE: My experiences with the Handsonic (long, reveiw)


> Find a store near you that has one to try out (you'll need that too, since
> despite all the criticism I've been heaping on it, I'm still undecided) if
> they have one on show, they usually have a manual nearby, too :>
>
> bIz
>
>
> Tellme. News. Stock quotes. Movies. Excellent.
> 1.800.555.Tell
> biz's house of fun is temporaily unavailable. In the meantime, say
> 'extensions' and '76255' to get to biz's secret Tellme game.
>
> -----Original Message-----
> From: Tom Ritchford [mailto:tom@swirly.com]
> Sent: Tuesday, September 05, 2000 11:13 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: My experiences with the Handsonic (long, reveiw)
>
> boy, would I love to get a copy of the manual for this.
>
> of course, Roland being Roland, there are no .pdf files on
> the complicated and uninformative <http://www.rolandus.com>
>
>         /t
>
> ...electronic a capella madness  <http://volectrix.com>.........
> ...extreme internet radio        <http://extremeNY.com/radio>...
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 10:26:57 2000
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From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: webcast flashback and next
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Hi,

I made flashback for my webcast page..
http://www.cavestudio.com/live_from_far_east/flashback.html
you can hear the digest.

Also my next webcast is 14th and 15th Sept.
Details:
http://www.cavestudio.com/liveinformation/

   keep in touch

   Sunao Inami
http://www.cavestudio.com


From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 10:58:54 2000
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Subject: switchblade
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... anyone experienced with new Sound Sculpture's "Switchblade 8" ?

thanks,
luca

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<DIV><FONT face=3DArial size=3D2>... anyone experienced with new Sound =
Sculpture's=20
"Switchblade 8" ?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>thanks,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>luca</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 12:28:37 2000
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Subject: RE: My experiences with the Handsonic (long, reveiw)
Date: Wed, 06 Sep 2000 12:26:51 EDT
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>Where did you find a handsonic video?  i've searched
>both rolandus.com sites and couldn't find it.  How
>long is it, do you know?
>
>thanks
>
>stephen

I ordered it from http://www.rolandus.com/superstore.asp.  Click "Product 
Videos".  Unfortunately, I don't any more than what the website says.

Paolo
_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 13:07:47 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: loops from instruments in a classical symphony
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lol...(puff of smoke) we will be posting more info on the site after the AES
show in late September.  


Best Regards, (puff of smoke)

Damon Langlois
Creative Director
Electrix / IVL 
"No Creative Barriers"
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


>-----Original Message-----
>From: Ryan D. Supak [mailto:rdsupak@hoover-keith.com]
>Sent: Wednesday, September 06, 2000 6:52 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: loops from instruments in a classical symphony


>excuse me mr. electrix guy, but is there an in-depth description/article
>of the repeater anywhere on the internet?

>thanks,
>r.s.
>(np: "Flim" - Aphex Twin)

>(...Camera pans in on Ryan.  He has a frustrated look on his face.  He
>faces the camera and says, "If only there was a way to time-synchronize
>these 4 loops...in Real Time!"
>Suddenly, Captain Electrix appears in a puff of smoke. ...)

From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 14:17:34 2000
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Date: Wed, 6 Sep 2000 11:13:13 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: Re: Dusty Burning Man
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yes, a bit dusty, wasn't it :-)

I didn't bring any electrogizmology to burning man,
although I had fantasies of bringing the handsonic but
didn't get it together to do that.  The three
challenges I see would be power (battery, quiet
generator?), dust (how to seal against dust and still
allow cooling), and security (everyone I met there
seemed trustworthy, but ya never know.)

Have you gotten any electronic gear survival tips yet?

A looooooping camp sounds enticing......

stephen

--- Jordan Pease <jordanpease@webtv.net> wrote:
> To say it's an extremely dusty environment only
> begins to describe the
> adverse conditions that exists there.
> Next year I would really like to bring some gear and
> am curious how
> others managed. 


=====
Stephen

__________________________________________________
Do You Yahoo!?
Yahoo! Mail - Free email you can access from anywhere!
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Subject: Re: OT Re: Klein-clogging 1
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Once again thanks for the info. I'm just gonna have to try one for myself.
Martin Shellard


----------
>From: Texture444@aol.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: OT Re: Klein-clogging 1
>Date: Wed, Sep 6, 2000, 2:25 pm
>

> pitchbending (w/the TT) is consistent, from string-to-string; s'great ifya
> do wads o'that kinda playing.
> (irreplaceable, for me).
> pedal-steel type effects.
> the most reliable return-to-pitch-after-wildvibrato/violentpitchbending
> that i've experienced.
>
> w/a well-maintained TT, a limited number of 'locked' (ie, no
> vibrato-useage, in this mode) parallel key-transpositions are possible.
> yeah.....
> dt
> 

From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 20:02:20 2000
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I sent my Echoplex to John Leimseider of MusicTek (Hollywood, CA) in March for repair under warranty (no-one else would respond at the time ..)     The main problem was that parts of the readout were staying half-lit always (making it difficult to tell what the numbers are..) .  and it was making loud popping when turn on .
I just got it back .   It has the basically the same problem it had when I sent it (the same places of the readout going out) and now another part of the readout looks like they might be doing that.  Pops/surges when turned on or off.  [ It was returned to me without the clamshell case I had sent it in, which I had requested (more than once) to be saved and returned to me in.    also the middle front screw is missing.. ]  The service report only says:  "Straighten panel, reseat simms (bet that was tough), run diagnostics, c/o .  All O.K."       This is what I waited half a year for  ?   this took them 5-6 months to do?  It actually seems to be in worse shape than when I sent it in.    
 I dont know what to do now , this is terrible.   I really dont want to send it back to MusicTek .  Can I send it somwhere else now for warranty repair that was not done right   ???     I dont know what to do

help


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

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Subject: Re: *%cked up Echoplex "repair" (rip off?)  what now?  Help
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sock s (06:59 PM 09.06.2000) wrote:

 >diagnostics, c/o .  All O.K."       This is what I waited half a year for  ?
 > this took them 5-6 months to do?  It actually seems to be in worse shape
 >than when I sent it in.

JL is usually very good at a host of things, but MusicTek is basically 
*always* swamped hence the timeline. I know that JL has things on the floor 
there that have been around for a LONG time - much longer than you waited.


Given the list of things he did, you may want to try the same... i.e., open 
it up, reseat the SIMMs, walk all the connectors... It may clear up; you 
may have a flaky socket or SIMM that won't stay put and the pop is coming 
from the machine reading junk (since the SIMM isn't seated) out of the 
address space.

As for the screw and clamshell... You'll have to push back on MusicTek to 
get those dealt with.

Mark

From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 21:36:28 2000
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From: "Brian Mulvey" <bdmulvey@earthlink.net>
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Subject: dream box
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I have a dream box.. maybe tho, it's possible with hardware i have yet =
to come across.

But anyway, what I'd like.

Long loop time... (single loop is ok.. but up to 5 mins) should be =
alright.
The ability to control the pitch (with a knob) and speed (same) at any =
point in the loop.. and be able to record with those changes,
much like the Line 6 lets you record backwards and half speed.. but with =
more control.
And finally, and most importantly.. the ability to loop smaller points =
of the larger loop, and overdub over those.

Hmm.. any ideas folks?


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<DIV><FONT face=3DArial size=3D2>I have a dream box.. maybe tho, it's =
possible with=20
hardware i have yet to come across.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>But anyway, what I'd like.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Long loop time... (single loop is ok.. =
but up to 5=20
mins) should be alright.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>The ability to control the pitch (with =
a knob) and=20
speed (same) at any point in&nbsp;the loop.. and be able to record with =
those=20
changes,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>much like the Line 6 lets you record =
backwards and=20
half speed.. but with more control.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>And finally, and most importantly.. the =
ability to=20
loop smaller points of the larger loop, and overdub over =
those.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Hmm.. any ideas=20
folks?<BR></DIV></FONT></BODY></HTML>

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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: RE: dream box
Date: Wed, 6 Sep 2000 18:47:27 -0700
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I wouldn’t know myself, but I bet Kyma could do it.

bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Brian Mulvey [mailto:bdmulvey@earthlink.net]
Sent: Wednesday, September 06, 2000 6:35 PM
To: Loopers-Delight@annihilist.com
Subject: dream box

I have a dream box.. maybe tho, it's possible with hardware i have yet to
come across.

But anyway, what I'd like.

Long loop time... (single loop is ok.. but up to 5 mins) should be alright.
The ability to control the pitch (with a knob) and speed (same) at any point
in the loop.. and be able to record with those changes,
much like the Line 6 lets you record backwards and half speed.. but with
more control.
And finally, and most importantly.. the ability to loop smaller points of
the larger loop, and overdub over those.

Hmm.. any ideas folks?

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<body bgcolor=3Dwhite lang=3DEN-US style=3D'tab-interval:.5in'>

<div class=3DSection1>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dnavy face=3DArial><span
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial'>I =
wouldn&#8217;t
know myself, but I bet Kyma could do =
it.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle15><font size=3D2 =
color=3Dnavy face=3DArial><span
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial'><!=
[if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoAutoSig><!--[if supportFields]><span =
class=3DEmailStyle15><font=20
size=3D2 color=3Dnavy face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:
12.0pt;font-family:Arial'><span =
style=3D'mso-element:field-begin'></span><span=20
style=3D"mso-spacerun: yes">&nbsp;</span>AUTOTEXTLIST \s &quot;E-mail=20
Signature&quot; <span =
style=3D'mso-element:field-separator'></span></span></font></span><![endi=
f]--><font
color=3Dnavy face=3D"Arial Narrow"><span style=3D'font-family:"Arial =
Narrow";
color:navy'>bIz</span></font><font color=3Dnavy face=3D"Arial =
Narrow"><span
style=3D'font-family:"Arial =
Narrow";color:navy;mso-color-alt:windowtext'><o:p></o:p></span></font></p=
>

<p class=3DMsoAutoSig><font size=3D3 color=3Dgreen face=3D"Arial =
Narrow"><span
style=3D'font-size:12.0pt;font-family:"Arial Narrow";color:green'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D3 color=3Dgreen face=3D"Arial =
Narrow"><span
style=3D'font-size:12.0pt;font-family:"Arial Narrow";color:green'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D3 color=3Dgreen face=3D"Arial =
Narrow"><span
style=3D'font-size:12.0pt;font-family:"Arial =
Narrow";color:green'>Tell</span></font><font
color=3D"#ff9900" face=3D"Arial Narrow"><span =
style=3D'font-family:"Arial Narrow";
color:#FF9900'>me. </span></font><font color=3Dnavy face=3D"Arial =
Narrow"><span
style=3D'font-family:"Arial Narrow";color:navy'>News. Stock quotes. =
Movies.
Excellent.</span></font><font color=3Dnavy face=3D"Arial Narrow"><span
style=3D'font-family:"Arial =
Narrow";color:navy;mso-color-alt:windowtext'><o:p></o:p></span></font></p=
>

<p class=3DMsoAutoSig><font size=3D2 color=3Dnavy face=3D"Arial =
Black"><span
style=3D'font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:"Arial =
Black";
color:navy'>1.800.555.</span></font><font size=3D2 color=3Dgreen =
face=3D"Arial Black"><span
style=3D'font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:"Arial =
Black";
color:green'>Tell</span></font><font size=3D2 color=3Dnavy face=3D"Arial =
Black"><span
style=3D'font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:"Arial =
Black";
color:navy;mso-color-alt:windowtext'><o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D1 color=3Dnavy face=3D"Arial =
Narrow"><span
style=3D'font-size:8.0pt;mso-bidi-font-size:12.0pt;font-family:"Arial =
Narrow";
color:navy'>biz's house of fun is temporaily unavailable. In the =
meantime, say
'extensions' and '76255' to get to biz's secret Tellme =
game.</span></font><font
size=3D1 color=3Dnavy face=3D"Arial Narrow"><span =
style=3D'font-size:8.0pt;mso-bidi-font-size:
12.0pt;font-family:"Arial =
Narrow";color:navy;mso-color-alt:windowtext'><o:p></o:p></span></font></p=
>

<p class=3DMsoNormal><!--[if supportFields]><span =
class=3DEmailStyle15><font=20
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12.0pt;font-family:Arial'><span =
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span
class=3DEmailStyle15><font size=3D2 color=3Dnavy face=3DArial><span =
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10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DTahoma><span =
style=3D'font-size:10.0pt;font-family:Tahoma;color:black'>-----Original
Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> Brian Mulvey
[mailto:bdmulvey@earthlink.net]<br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Wednesday, =
September 06,
2000 6:35 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> =
Loopers-Delight@annihilist.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> dream =
box</span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
face=3D"Times New Roman"><span
style=3D'font-size:12.0pt'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>I have
a dream box.. maybe tho, it's possible with hardware i have yet to come =
across.</span></font><font
color=3Dblack><span =
style=3D'color:black;mso-color-alt:windowtext'><o:p></o:p></span></font><=
/p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
color=3Dblack
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;color:black'>&nbsp;</span></font><font
color=3Dblack><span =
style=3D'color:black;mso-color-alt:windowtext'><o:p></o:p></span></font><=
/p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>But
anyway, what I'd like.</span></font><font color=3Dblack><span =
style=3D'color:black;
mso-color-alt:windowtext'><o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
color=3Dblack
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;color:black'>&nbsp;</span></font><font
color=3Dblack><span =
style=3D'color:black;mso-color-alt:windowtext'><o:p></o:p></span></font><=
/p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>Long
loop time... (single loop is ok.. but up to 5 mins) should be =
alright.</span></font><font
color=3Dblack><span =
style=3D'color:black;mso-color-alt:windowtext'><o:p></o:p></span></font><=
/p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>The
ability to control the pitch (with a knob) and speed (same) at any point
in&nbsp;the loop.. and be able to record with those =
changes,</span></font><font
color=3Dblack><span =
style=3D'color:black;mso-color-alt:windowtext'><o:p></o:p></span></font><=
/p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>much
like the Line 6 lets you record backwards and half speed.. but with more
control.</span></font><font color=3Dblack><span =
style=3D'color:black;mso-color-alt:
windowtext'><o:p></o:p></span></font></p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>And
finally, and most importantly.. the ability to loop smaller points of =
the
larger loop, and overdub over those.</span></font><font =
color=3Dblack><span
style=3D'color:black;mso-color-alt:windowtext'><o:p></o:p></span></font><=
/p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D3 =
color=3Dblack
face=3D"Times New Roman"><span =
style=3D'font-size:12.0pt;color:black'>&nbsp;</span></font><font
color=3Dblack><span =
style=3D'color:black;mso-color-alt:windowtext'><o:p></o:p></span></font><=
/p>

<p class=3DMsoNormal style=3D'margin-left:.5in'><font size=3D2 =
color=3Dblack
face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial;color:black'>Hmm..
any ideas folks?</span></font><font size=3D2 color=3Dblack =
face=3DArial><span
style=3D'font-size:10.0pt;font-family:Arial;color:black;mso-color-alt:win=
dowtext'><o:p></o:p></span></font></p>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep  6 22:40:15 2000
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	Wed, 6 Sep 2000 22:39:38 -0400
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Old-Return-Path: <RA336@aol.com>
From: RA336@aol.com
Message-ID: <ad.3e26e0.26e859a1@aol.com>
Date: Wed, 6 Sep 2000 22:38:25 EDT
Subject: fave tremolo
To: Loopers-Delight@loopers-delight.com
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um.. here's my 2 cents worth re: tremelo pedals:
I like evry much and use the Throb made ny Prescription Electronics...
2 speeds, 2 waveforms
- no waiting.

merry loopage to all,
Robby Aceto

From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 01:37:32 2000
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Date: Wed, 6 Sep 2000 22:35:18 -0700
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From: Alex Stahl <alex@pixar.com>
Subject: Re: dream box
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At 9:34 PM -0400 9/6/00, Brian Mulvey wrote:
>I have a dream box.. maybe tho, it's possible with hardware i have 
>yet to come across.


Are you vehemently against using a laptop computer as your hardware? 
If not, I might be able to help, assuming your dream is durable 
enough to be reasonably patient.

>
>But anyway, what I'd like.
>
>Long loop time... (single loop is ok.. but up to 5 mins) should be alright.

No problem there...


>The ability to control the pitch (with a knob) and speed (same) at 
>any point in the loop.. and be able to record with those changes,

I am not sure what you are asking exactly. An example will clarify: 
imagine you play into the loop, then twist the pitch knob until 
you're hearing the stuff you just played at half speed. Then you 
continue overdubbing into the loop. Finally you crank the knob back 
up to "normal". Does the last stuff you recorded now play at 
double-speed? Or do you mean, you'd like to record the gestures you 
make with the knobs also?

Also, when you have the knob at half-speed (or 3/4 or 17/19 or 
2.17281728 or whatever), would you want the "old" material to  keep 
shifting further and further away with every regeneration, or just 
play back at the same fixed varispeed setting indefinitely?


>much like the Line 6 lets you record backwards and half speed.. but 
>with more control.
>And finally, and most importantly.. the ability to loop smaller 
>points of the larger loop, and overdub over those.

Ah yes, this is a tricky one, because when you stop looping the 
sub-loop an d go back to a longer loop, you might end up with clicks 
at the edges of the sub-loop. I have been trying to solve that 
problem with little crossfades at either end of the sub-loop, but I 
want to be able to keep playing the larger loop while recording into 
the sub-loop also, and haven't quite figured out how to keep the 
crossfades perfect at all times. I was ready to bail on this feature 
but it's cool to hear that someone else has thought it would be 
useful, so I'll try and get back into it.

>Hmm.. any ideas folks?

Please let me know if you would be philosophically, pragmatically, 
spiritually, nutritionally or legally open to a software solution. I 
can't promise a release yet but I am taking the looper I have been 
working on for the past three years a wee bit more seriously lately, 
since there seems to be more people interested in live radical 
loop-munging then I previously would have guessed. I think the 
hardware products are great for what they do, and they do a lot, but 
I do not know of any that let you overdub simultaneously into 
multiple backwards varispeed loops, while playing complex sequences 
of subsegments of other loops, in 5.1 surround, and that's the sort 
of sonic mess I like to make.

-Alex S.














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At 9:34 PM -0400 9/6/00, Brian Mulvey wrote:

<excerpt><fontfamily><param>Arial</param>I have a dream box.. maybe
tho, it's possible with hardware i have yet to come across.

</fontfamily></excerpt><fontfamily><param>Arial</param>


</fontfamily>Are you vehemently against using a laptop computer as your
hardware? If not, I might be able to help, assuming your dream is
durable enough to be reasonably patient.


<excerpt> 

<fontfamily><param>Arial</param>But anyway, what I'd like.

 

Long loop time... (single loop is ok.. but up to 5 mins) should be
alright.

</fontfamily></excerpt><fontfamily><param>Arial</param>

</fontfamily>No problem there...



<excerpt><fontfamily><param>Arial</param>The ability to control the
pitch (with a knob) and speed (same) at any point in the loop.. and be
able to record with those changes,

</fontfamily></excerpt><fontfamily><param>Arial</param>

</fontfamily>I am not sure what you are asking exactly. An example will
clarify: imagine you play into the loop, then twist the pitch knob
until you're hearing the stuff you just played at half speed. Then you
continue overdubbing into the loop. Finally you crank the knob back up
to "normal". Does the last stuff you recorded now play at double-speed?
Or do you mean, you'd like to record the gestures you make with the
knobs also?


Also, when you have the knob at half-speed (or 3/4 or 17/19 or
2.17281728 or whatever), would you want the "old" material to  keep
shifting further and further away with every regeneration, or just play
back at the same fixed varispeed setting indefinitely?



<excerpt><fontfamily><param>Arial</param>much like the Line 6 lets you
record backwards and half speed.. but with more control.

And finally, and most importantly.. the ability to loop smaller points
of the larger loop, and overdub over those.

</fontfamily></excerpt><fontfamily><param>Arial</param>

</fontfamily>Ah yes, this is a tricky one, because when you stop
looping the sub-loop an d go back to a longer loop, you might end up
with clicks at the edges of the sub-loop. I have been trying to solve
that problem with little crossfades at either end of the sub-loop, but
I want to be able to keep playing the larger loop while recording into
the sub-loop also, and haven't quite figured out how to keep the
crossfades perfect at all times. I was ready to bail on this feature
but it's cool to hear that someone else has thought it would be useful,
so I'll try and get back into it.


<excerpt><fontfamily><param>Arial</param>Hmm.. any ideas folks?

</fontfamily></excerpt><fontfamily><param>Arial</param>

</fontfamily>Please let me know if you would be philosophically,
pragmatically, spiritually, nutritionally or legally open to a software
solution. I can't promise a release yet but I am taking the looper I
have been working on for the past three years a wee bit more seriously
lately, since there seems to be more people interested in live radical
loop-munging then I previously would have guessed. I think the hardware
products are great for what they do, and they do a lot, but I do not
know of any that let you overdub simultaneously into multiple backwards
varispeed loops, while playing complex sequences of subsegments of
other loops, in 5.1 surround, and that's the sort of sonic mess I like
to make.


-Alex S.













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Date: Wed, 06 Sep 2000 22:52:55 -0700
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Subject: Re: *%cked up Echoplex "repair" (rip off?)  what now?  Help
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At 4:59 PM -0700 9/6/00, sock s wrote:
>I sent my Echoplex to John Leimseider of MusicTek (Hollywood, CA) in March
>for repair under warranty (no-one else would respond at the time ..)
>The main problem was that parts of the readout were staying half-lit
>always (making it difficult to tell what the numbers are..) .  and it was
>making loud popping when turn on .
>I just got it back .   It has the basically the same problem it had when I
>sent it (the same places of the readout going out) and now another part of
>the readout looks like they might be doing that.  Pops/surges when turned
>on or off.  [ It was returned to me without the clamshell case I had sent
>it in, which I had requested (more than once) to be saved and returned to
>me in.    also the middle front screw is missing.. ]  The service report
>only says:  "Straighten panel, reseat simms (bet that was tough), run
>diagnostics, c/o .  All O.K."       This is what I waited half a year for
>?   this took them 5-6 months to do?  It actually seems to be in worse
>shape than when I sent it in.
> I dont know what to do now , this is terrible.   I really dont want to
>send it back to MusicTek .  Can I send it somwhere else now for warranty
>repair that was not done right   ???     I dont know what to do
>

I don't know about the MusicTek place, but Gibson now has a nice service
facility in the US that handles Echoplex. Contact Shane Radtke
<sradtke@gibson.com>, 1-800-544-2766 x206 or (847) 741-7315 x206.  Shane is
a great guy, he'll fix you right up.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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Subject: Worst repair department ever? [MusicTek]
From: Tiktok <tiktok@sprintmail.com>
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Five month turnaround time?  They have that much repair work and they didn't
think to hire more repair folks, field the stuff out or give you the option
of taking it somewhere else?  And then it's returned NTF?  Falling asteroids
can't pound that place into a smoking crater fast enough.

TH

>[horrific non-repair story]
 >This is what I waited half a year for  ?
 > this took them 5-6 months to do?  It actually seems to be in worse shape
 >than when I sent it in.

>>JL is usually very good at a host of things, but MusicTek is basically
>>*always* swamped hence the timeline. I know that JL has things on the floor
>>there that have been around for a LONG time - much longer than you waited.


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Date: Thu, 7 Sep 2000 02:08:16 EDT
Subject: Subject: fave tremolo
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In a message dated 9/7/00 12:38:11 AM, 
Loopers-Delight-d-request@loopers-delight.com writes:

<< Subject: fave tremolo >>

Matchless made a Tube Tremolo Box, that in true Matchless fom was beutiful, 
great-sounding and too expensive, and too large....and LOOPERS sound great 
through it (on topic!)
John

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Subject: Re: dream box
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    Yes, you can do this sort of thing in Kyma. You could even shuffle =
your small loop back and fore in the large loop or time stretch =
/compress loops using granular options - nice:)

    Gareth

    much like the Line 6 lets you record backwards and half speed.. but =
with more control.
    And finally, and most importantly.. the ability to loop smaller =
points of the larger loop, and overdub over those.


  Ah yes, this is a tricky one, because when you stop looping the =
sub-loop an d go back to a longer loop, you might end up with clicks at =
the edges of the sub-loop. I have been trying to solve that problem with =
little crossfades at either end of the sub-loop, but I want to be able =
to keep playing the larger loop while recording into the sub-loop also, =
and haven't quite figured out how to keep the crossfades perfect at all =
times. I was ready to bail on this feature but it's cool to hear that =
someone else has thought it would be useful, so I'll try and get back =
into it.


    Hmm.. any ideas folks?


  Please let me know if you would be philosophically, pragmatically, =
spiritually, nutritionally or legally open to a software solution. I =
can't promise a release yet but I am taking the looper I have been =
working on for the past three years a wee bit more seriously lately, =
since there seems to be more people interested in live radical =
loop-munging then I previously would have guessed. I think the hardware =
products are great for what they do, and they do a lot, but I do not =
know of any that let you overdub simultaneously into multiple backwards =
varispeed loops, while playing complex sequences of subsegments of other =
loops, in 5.1 surround, and that's the sort of sonic mess I like to =
make.

  -Alex S.













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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
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<BODY bgColor=3D#ffffff>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <BLOCKQUOTE>
    <DIV><FONT size=3D2><FONT face=3DArial>Yes, you can do this sort of =
thing in=20
    Kyma. You could even shuffle your small loop back and fore in the =
large loop=20
    or time stretch /compress loops using granular options -=20
    nice:)</FONT></FONT></DIV>
    <DIV><FONT size=3D2><FONT face=3DArial></FONT></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D2><FONT=20
    face=3DArial>Gareth<?fontfamily><?param Arial></FONT></FONT></DIV>
    <DIV>&nbsp;</DIV>
    <DIV>much like the Line 6 lets you record backwards and half speed.. =
but=20
    with more control.<BR>And finally, and most importantly.. the =
ability to=20
    loop smaller points of the larger loop, and overdub over =
those.<BR></DIV><?/fontfamily></BLOCKQUOTE><BR><?/fontfamily>Ah yes, =
this is a=20
  tricky one, because when you stop looping the sub-loop an d go back to =
a=20
  longer loop, you might end up with clicks at the edges of the =
sub-loop. I have=20
  been trying to solve that problem with little crossfades at either end =
of the=20
  sub-loop, but I want to be able to keep playing the larger loop while=20
  recording into the sub-loop also, and haven't quite figured out how to =
keep=20
  the crossfades perfect at all times. I was ready to bail on this =
feature but=20
  it's cool to hear that someone else has thought it would be useful, so =
I'll=20
  try and get back into it.<BR><BR>
  <BLOCKQUOTE><?fontfamily><?param Arial>Hmm.. any ideas =
folks?<BR><?/fontfamily></BLOCKQUOTE><?fontfamily><?param =
Arial><BR><?/fontfamily>Please=20
  let me know if you would be philosophically, pragmatically, =
spiritually,=20
  nutritionally or legally open to a software solution. I can't promise =
a=20
  release yet but I am taking the looper I have been working on for the =
past=20
  three years a wee bit more seriously lately, since there seems to be =
more=20
  people interested in live radical loop-munging then I previously would =
have=20
  guessed. I think the hardware products are great for what they do, and =
they do=20
  a lot, but I do not know of any that let you overdub simultaneously =
into=20
  multiple backwards varispeed loops, while playing complex sequences of =

  subsegments of other loops, in 5.1 surround, and that's the sort of =
sonic mess=20
  I like to make.<BR><BR>-Alex=20
S.<BR><BR><BR><BR><BR><BR><BR><BR><BR><BR><BR><BR></BLOCKQUOTE></BODY></H=
TML>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 05:24:12 2000
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: Can any one guide me along the bumpy road from Acid to Cubass ...
Date: Thu, 7 Sep 2000 10:22:31 +0100 
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I am currently trying to make the transition from Acid to Cubass. After
crossing the first hurdle of realising how to import .wavs from Acid so that
the audio tracks remain at the same tempo, I am now left with another
problem to overcome. How do you, while viewing the sample in Cubass, take
bits of it and cut and paste. One would be led to believe that you use the
most obvious Ctrl + C or Ctrl + V, but this, naturally does nothing. Can
anyone help? I am going mad...

Also, once you have more than one audio track playing in Cubass, is there
anywhere within the program where you can use faders to fade them in and out
individually?

If anyone can shed some light, I would be most grateful. 

Jonathan

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Subject: I just want to share this with you...
Date: Thu, 7 Sep 2000 15:45:02 +0200 
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Loopers link of the mounth?
http://www.pianographique.com

Maybe a birthday present for Loopers delight.

have fun!
If you do not speak french: use your keyboard to play.

stephan
www.stephanneetenbeek.de

From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 10:14:55 2000
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Subject: Re: Subject: fave tremolo
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I'm sold on the Flip "Vintage Tremolo" made by Guyatone. It to is tube and 
sounds awesome. You should be able to find one for around $200 new.

Later,
Scott

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And you're waiting for us to take time to digest the manuals for you
for so simple stuff 

come on ! : read the manuals


or were they trashed by the dog ?



anyway this is a better place to ask for cubase stuff
http://WWW.cubase.net/transmissions.html
for acid
http://www.sonicfoundry.com/Forums/

god luck

Claude

Jonathan O'Riordan wrote:
> 
> I am currently trying to make the transition from Acid to Cubass. After
> crossing the first hurdle of realising how to import .wavs from Acid so that
> the audio tracks remain at the same tempo, I am now left with another
> problem to overcome. How do you, while viewing the sample in Cubass, take
> bits of it and cut and paste. One would be led to believe that you use the
> most obvious Ctrl + C or Ctrl + V, but this, naturally does nothing. Can
> anyone help? I am going mad...
> 
> Also, once you have more than one audio track playing in Cubass, is there
> anywhere within the program where you can use faders to fade them in and out
> individually?
> 
> If anyone can shed some light, I would be most grateful.
> 
> Jonathan

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Hi all:

Thanks everyone for indulging an OT inquiry
re trem pedals.  Your responses have all been
very helpful.

Y'all came through, as usual!

Seeyaz,
-abduction-

__________________________________________________
Do You Yahoo!?
Yahoo! Mail - Free email you can access from anywhere!
http://mail.yahoo.com/

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Subject: Re: dream box
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Brian - I love your dreams.  Keep dreaming!  (And better start saving =
$!)

I think both Kyma and MAX/MSP provide solutions.  This is cool!  =
[Sometimes I feel that, if I'm into this "looper religion" thing, then =
Kyma is like my denomination. :)  That makes the MAX/MSP folks (and =
Orville users, etc.) like a different denomination; same religion, they =
just use different words to mean about the same thing!]

>>Ah yes, this is a tricky one, because when you stop looping the =
sub-loop an d go back to a longer loop, you >>might end up with clicks =
at the edges of the sub-loop. I have been trying to solve that problem =
with little >>crossfades at either end of the sub-loop, but I want to be =
able to keep playing the larger loop while recording >>into the sub-loop =
also, and haven't quite figured out how to keep the crossfades perfect =
at all times. I was >>ready to bail on this feature but it's cool to =
hear that someone else has thought it would be useful, so I'll try >>and =
get back into it.

>        Hmm.. any ideas folks?

(Brainstorming here, haven't completely thought this out) Seems like the =
trick might be to record it initially without clicks. In other words, =
clean it up on the way into the loop memory instead of on the way out =
(at playback).  Sort of like a "smart overdub".  It would delay the =
recording by a few sample points until an appropriate zero-crossing, =
then delay the "punch-out" until it saw a matching zero-crossing =
(indicated by the first derivative).  You might need do double-buffer =
the baby.  I.e., put the overdub into a working buffer, trim it neatly, =
then shuflle it into the main loop memory.

Of course, if you put it into a trim/clean-up buffer, you could trim it =
via fades (appearing as cross-fades in the loop) instead of =
zero-crossings.  In general, I prefer the zero-crossing idea because I =
think it can be less audible (less artifacts), but it is more work.

>I think the hardware products are great for what they do, and they do a =
lot, but I do not know of any that let you >overdub simultaneously into =
multiple backwards varispeed loops, while playing complex sequences of =
>subsegments of other loops, in 5.1 surround, and that's the sort of =
sonic mess I like to make.

Yes!  The hardware products are the best for that "out of the box" =
experience, but for ultimate flexibility/customizability, I think a =
software solution (I include Kyma here) is necessary.

Dennis Leas
-----------------------------
dennis@mdbs.com


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<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 5.50.4134.600" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Brian - I love your dreams.&nbsp; Keep =
dreaming!&nbsp; (And=20
better start saving $!)</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I think both Kyma and MAX/MSP provide =
solutions.&nbsp; This is=20
cool!&nbsp; [Sometimes I feel that, if I'm into this "looper religion" =
thing,=20
then Kyma is like my denomination. :)&nbsp; That makes the MAX/MSP folks =
(and=20
Orville users, etc.) like a different denomination; same religion, they =
just use=20
different words to mean about the same thing!]</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT size=3D3>&gt;&gt;Ah yes, this is a tricky one, =
because=20
when you stop looping the sub-loop an d go back to a longer loop, you=20
&gt;&gt;might end up with clicks at the edges of the sub-loop. I have =
been=20
trying to solve that problem with little &gt;&gt;crossfades at either =
end of the=20
sub-loop, but I want to be able to keep playing the larger loop while =
recording=20
&gt;&gt;into the sub-loop also, and haven't quite figured out how to =
keep the=20
crossfades perfect at all times. I was &gt;&gt;ready to bail on this =
feature but=20
it's cool to hear that someone else has thought it would be useful, so =
I'll try=20
&gt;&gt;and get back into it.</FONT></FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT =
size=3D3>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
</FONT>Hmm.. any ideas=20
folks?<BR></DIV><?/fontfamily><?fontfamily><?param Arial></FONT>
<DIV><FONT size=3D2>(Brainstorming here, haven't completely thought this =
out)=20
Seems like the trick might be to record it initially&nbsp;without=20
clicks.&nbsp;In other words, clean it up on the way into the loop=20
memory&nbsp;instead of on the way out =
(at&nbsp;playback).&nbsp;&nbsp;Sort of=20
like a "smart overdub".&nbsp; It would delay the recording by a few =
sample=20
points until an appropriate zero-crossing, then delay the "punch-out" =
until it=20
saw a matching zero-crossing (indicated by the first derivative).&nbsp; =
You=20
might need do double-buffer the baby.&nbsp; I.e., put the overdub into a =
working=20
buffer, trim it neatly, then shuflle it into the main loop =
memory.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Of course, if you put it into a trim/clean-up =
buffer, you=20
could trim it via fades (appearing as cross-fades in the =
loop)&nbsp;instead of=20
zero-crossings.&nbsp; In general, I prefer the zero-crossing idea =
because I=20
think it can be&nbsp;less audible (less artifacts), but it is more=20
work.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT size=3D3>&gt;I think the hardware products are =
great for=20
what they do, and they do a lot, but I do not know of any that let you=20
&gt;overdub simultaneously into multiple backwards varispeed loops, =
while=20
playing complex sequences of &gt;subsegments of other loops, in 5.1 =
surround,=20
and that's the sort of sonic mess I like to =
make.</FONT><BR></FONT></DIV>
<DIV><FONT size=3D2>Yes!&nbsp; The hardware products are the best for =
that "out of=20
the box" experience, but for ultimate flexibility/customizability, I =
think a=20
software solution (I include Kyma here) is necessary.</DIV></FONT>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV>Dennis Leas<BR>-----------------------------<BR><A=20
href=3D"mailto:dennis@mdbs.com">dennis@mdbs.com</A></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 12:06:15 2000
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Subject: Re: I just want to share this with you...
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Didn't we have a thread last year about a similar german site?  Electrik or
something?  These sites fascinate me for about 5 minutes and then i've had
it, but leave a lingering icky feeling in my stomach...don't know
why...just getting old?

they seem like music/art kiosks that wow you with the graphics but have
about as much substance as cotton candy.  "here kids...look...you can play
music!  techno is easy!  collage is easy! see?  just push the button and
something happens!"  Rauschenberg?  Jasper Johns?  phooey!  i can do better
than that right here!  thanks flash and shockwave!

do you need to make music if you don't have a song in your heart?


rich






>Loopers link of the mounth?
>http://www.pianographique.com
>
>Maybe a birthday present for Loopers delight.
>
>have fun!
>If you do not speak french: use your keyboard to play.
>
>stephan
>www.stephanneetenbeek.de



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Subject: while we're sharing...loop of the day mailing list
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blah, I'll go ahead and tell you about something else that's pretty cool. I
started a mailing list where I send a royalty-free loop to everyone on a
daily basis. It's called Loop Of The Day and you can join @
http://www.egroups.com/community/loopoftheday

I've also got a website for it @ http://www.beyond-earth.net/loopoftheday
but it's not updated daily.. (i'm no web programmer) however, currently
under construction is ModPlug will be hosting it for us in the future, where
it'll have a database which can track stats on individual loops, sortable,
searchable, etc.

I'm looking for people to submit loops, so far all of them have been made by
me..

Joshua

Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8
http://www.beyond-earth.net
http://users.ticnet.com/jkersey
----- Original Message -----
From: "rich" <rich@nuvision.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 07, 2000 10:51 AM
Subject: Re: I just want to share this with you...


> Didn't we have a thread last year about a similar german site?  Electrik
or
> something?  These sites fascinate me for about 5 minutes and then i've had
> it, but leave a lingering icky feeling in my stomach...don't know
> why...just getting old?
>
> they seem like music/art kiosks that wow you with the graphics but have
> about as much substance as cotton candy.  "here kids...look...you can play
> music!  techno is easy!  collage is easy! see?  just push the button and
> something happens!"  Rauschenberg?  Jasper Johns?  phooey!  i can do
better
> than that right here!  thanks flash and shockwave!
>
> do you need to make music if you don't have a song in your heart?
>
>
> rich
>
>
>
>
>
>
> >Loopers link of the mounth?
> >http://www.pianographique.com
> >
> >Maybe a birthday present for Loopers delight.
> >
> >have fun!
> >If you do not speak french: use your keyboard to play.
> >
> >stephan
> >www.stephanneetenbeek.de
>
>
>
>

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Date: Thu, 7 Sep 2000 09:22:05 -0700
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From: Alex Stahl <alex@pixar.com>
Subject: Re: dream box
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[Sometimes I feel that, if I'm into this "looper religion" thing, 
then Kyma is like my denomination. :)  That makes the MAX/MSP folks 
(and Orville users, etc.) like a different denomination; same 
religion, they just use different words to mean about the same thing!]

Yeah, there used to be a sign up in the maintenance closet at a 
studio I worked in: One World One Love One Piece of Gear.


>
>(Brainstorming here, haven't completely thought this out) Seems like 
>the trick might be to record it initially without clicks. In other 
>words, clean it up on the way into the loop memory instead of on the 
>way out (at playback).  Sort of like a "smart overdub".  It would 
>delay the recording by a few sample points until an appropriate 
>zero-crossing, then delay the "punch-out" until it saw a matching 
>zero-crossing (indicated by the first derivative).  You might need 
>do double-buffer the baby.  I.e., put the overdub into a working 
>buffer, trim it neatly, then shuflle it into the main loop memory.

Yeah I think we're on the same track more or less...but let's say you 
wanted to lay in a thick drone in a 10 sec. sub-loop. While laying 
that in, I'd want to hear a seamless loop just the same as if the 
total loop length was 10 sec. No problem there with the incoming 
audio at least. But then when I "zoom out" I'd want to hear that 10 
seconds in its entirety, but the ends are now "unrolled", so the 
drone would start very suddenly in the context of the master loop. So 
I was thinking of copying a little bit of the end of the subloop to 
before its beginning, and vice versa, with adjustable fades in and 
out.

And vice versa, assuming there was pre-existing sound at the 
boundaries of the 10 second segment, when I "zoom in" and start 
sub-looping, the pre-existing sound might click but that's where what 
you describe should work just fine. Or, if the new material is going 
into a working buffer, the master loop might use an overlap-crossfade 
playback method instead of searching for zero-crossings, I'm not sure 
which would be better. This is about where I usually get a headache.

I hadn't resorted to double-buffering in previous attempts, but now 
it seems likely it's the way to go. Thanks for the collaborative 
brainstorming!

-Alex

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Nah, I woudn't need anything so complex. Hmm.. I'll try an analogy.

A looping reel of tape. Obviously you can affect the pitch of stuff by =
using a dial or simply grabbing the reel while recording. And likewise, =
backwards could be accomplished by flipping the reel over. That kind of =
control.. but I must clarify, I only would want one loop total. The =
overdubbing could be on top of the main loop in its entirety, such as =
the line 6, or you could overdub a small section of the main loop, while =
keeping everything else on the loop the same.=20

Recording of the knob gestures I think, would not need to be a virtual =
process, rather, would just affect the audio from the loop (once it got =
around to that section again). I would like a pitch and key control.. =
since I see that alot on digital gear nowadays, but to be perfectly =
honest just the pitch control would do.

And no, I'm not opposed to this being done in software.. it's just that =
I have all kinds of PC software that can do all kinds of processing, but =
I always go back to trying new things in the Line 6.

The click thing probably would be an issue.. I wasn't even thinking that =
technically about it until now. But I wanna emphasize that it need not =
be a seperate loop in synch with the main one, but more as a way to just =
to plain ol' overdubbing onto a smaller area.. like a skipping record.=20

Whew.. now I'm confused!
  Ah yes, this is a tricky one, because when you stop looping the =
sub-loop an d go back to a longer loop, you might end up with clicks at =
the edges of the sub-loop. I have been trying to solve that problem with =
little crossfades at either end of the sub-loop, but I want to be able =
to keep playing the larger loop while recording into the sub-loop also, =
and haven't quite figured out how to keep the crossfades perfect at all =
times. I was ready to bail on this feature but it's cool to hear that =
someone else has thought it would be useful, so I'll try and get back =
into it.


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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Nah, I woudn't need anything so =
complex. Hmm.. I'll=20
try an analogy.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>A looping reel of tape. Obviously you =
can affect=20
the pitch of stuff by using a dial or simply grabbing the reel while =
recording.=20
And likewise, backwards could be accomplished by flipping the reel over. =
That=20
kind of control.. but I must clarify, I only would want one loop total. =
The=20
overdubbing could be on top of the main loop in its entirety, such as =
the line=20
6, or you could overdub a small section of the main loop, while keeping=20
everything else on the loop the same. </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Recording of the knob gestures I think, =
would not=20
need to be a virtual process, rather, would just affect the audio from =
the loop=20
(once it got around to that section again). I would like a pitch and key =

control.. since I see that alot on digital gear nowadays, but to be =
perfectly=20
honest just the pitch control would do.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>And no, I'm not opposed to this being =
done in=20
software.. it's just that I have all kinds of PC software that can do =
all kinds=20
of processing, but I always go back to trying new things in the Line=20
6.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The click thing probably would be an =
issue.. I=20
wasn't even thinking that technically about it until now. But I wanna =
emphasize=20
that it need not be a seperate loop in synch with the main one, but more =
as a=20
way to just to plain ol' overdubbing onto a smaller area.. like&nbsp;a =
skipping=20
record. </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Whew.. now I'm confused!</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">Ah=20
  yes, this is a tricky one, because when you stop looping the sub-loop =
an d go=20
  back to a longer loop, you might end up with clicks at the edges of =
the=20
  sub-loop. I have been trying to solve that problem with little =
crossfades at=20
  either end of the sub-loop, but I want to be able to keep playing the =
larger=20
  loop while recording into the sub-loop also, and haven't quite figured =
out how=20
  to keep the crossfades perfect at all times. I was ready to bail on =
this=20
  feature but it's cool to hear that someone else has thought it would =
be=20
  useful, so I'll try and get back into =
it.<BR></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 13:51:52 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
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Subject: RE: dream box
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(puff of smoke) 
Hey Brian,
Let me include Repeater in this discussion.
 
>Long loop time... (single loop is ok.. but up to 5 mins) should be alright.
 
Repeater will be around 12 mins. (with a 64 MB compact flash card)
 
>The ability to control the pitch (with a knob) and speed (same) at any
point in the loop.. and be able to record with those changes,
 
But of course.
 
>much like the Line 6 lets you record backwards and half speed.. but with
more control.
 
Record backwards..... sure
Repeater has full tempo control so you can record a loop at 120 BPM then
slow it down to 100 BPM and overdub a new part. Then you could then speed it
back up to 120 BPM. We can receive MIDI clock, tap tempo, manual input or
beat detection as beat information. 
 
>And finally, and most importantly. the ability to loop smaller points of
the larger loop, and overdub over those.
 
hmmmm. Repeater has full trim capability that is nondestructive until you
commit. unfortunately I think overdubbing might be committing. 
 
Check out our site. Right now we really only have front and back panel
illustrations and a photo but late in September we will be posting more
info. Right now we are in Alpha test so the time is not right for officially
published specs.
 
(puff of smoke)


Best Regards, 

Damon Langlois 
Creative Director 
Electrix / IVL 
"No Creative Barriers" 
Tel (250) 544-4091 Fax (250) 544-4100 
http://www.electrixpro.com <http://www.electrixpro.com/>  


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</HEAD>
<BODY bgColor=#ffffff>
<DIV>
<DIV><FONT size=2><FONT color=#0000ff><FONT face=Arial><SPAN 
class=795383817-07092000></SPAN></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT size=2><FONT color=#0000ff><FONT face=Arial><SPAN 
class=795383817-07092000>(puff of smoke) </SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT size=2><FONT color=#0000ff><FONT face=Arial><SPAN 
class=795383817-07092000>Hey Brian,</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT size=2><FONT color=#0000ff><FONT face=Arial><SPAN 
class=795383817-07092000>Let me include Repeater in this 
discussion.</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT size=2><FONT color=#0000ff><FONT face=Arial><SPAN 
class=795383817-07092000>&nbsp;</SPAN></FONT></FONT></FONT></DIV>
<DIV><FONT size=2><FONT color=#0000ff><FONT face=Arial>&gt;Long loop time... 
(single loop is ok.. but up to 5 mins) should be 
alright.</FONT></FONT></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=795383817-07092000>Repeater will be around 12 mins. (with a 64 MB compact 
flash card)</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=795383817-07092000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT size=2><FONT color=#0000ff><FONT face=Arial><SPAN 
class=795383817-07092000></SPAN>&gt;The ability to control the pitch (with a 
knob) and speed (same) at any point in&nbsp;the loop.. and be able to record 
with those changes,</FONT></FONT></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=795383817-07092000>But of 
course.</SPAN></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=2><FONT color=#0000ff><FONT face=Arial><SPAN 
class=795383817-07092000></SPAN>&gt;much like the Line 6 lets you record 
backwards and half speed.. but with more control.</FONT></FONT></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=795383817-07092000>Record 
backwards..... sure</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=795383817-07092000>Repeater has full tempo control so you can record a 
loop at 120 BPM then slow it down to 100 BPM and overdub a new part. Then you 
could then speed it back up to 120 BPM. We can receive MIDI clock, tap tempo, 
manual input or beat detection as&nbsp;beat information.  </SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=795383817-07092000>&nbsp;</SPAN></FONT></DIV>
<DIV><FONT size=2><FONT color=#0000ff><FONT face=Arial><SPAN 
class=795383817-07092000></SPAN>&gt;And finally, and most importantly. the 
ability to loop smaller points of the larger loop, and overdub over 
those.</FONT></FONT></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=795383817-07092000>hmmmm. 
Repeater has full trim capability that is nondestructive until you commit. 
unfortunately I think overdubbing might be committing. </SPAN></FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=795383817-07092000>Check 
out our site. Right now we really only have front and back panel illustrations 
and a photo but late in September we will be posting more info. Right now we are 
in Alpha test so the time is not right for officially published 
specs.</SPAN></FONT></DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=795383817-07092000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=#0000ff face=Arial size=2><SPAN class=795383817-07092000>(puff 
of smoke)</SPAN></FONT></DIV></DIV><BR>
<P><FONT face=Arial size=2>Best Regards,</FONT> </P>
<P><FONT face=Arial size=2>Damon Langlois</FONT> <BR><FONT face=Arial 
size=2>Creative Director</FONT> <BR><FONT face=Arial size=2>Electrix / IVL 
</FONT><BR><FONT face=Arial size=2>"No Creative Barriers"</FONT> <BR><FONT 
face=Arial size=2>Tel (250) 544-4091 Fax (250) 544-4100</FONT> <BR><FONT 
face=Arial size=2><A href="http://www.electrixpro.com/" 
target=_blank>http://www.electrixpro.com</A></FONT> </P></BODY></HTML>

------_=_NextPart_001_01C018F4.1119F6D8--

From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 14:11:42 2000
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> Brian Mulvey wrote:
> 
> I have a dream box.. maybe tho, it's possible with hardware i have yet
> to come across.
snip

> And finally, and most importantly.. the ability to loop smaller points
> of the larger loop, and overdub over those.
> 
> Hmm.. any ideas folks?
Brian

I can do that with an echoplex and a sequencer
by moving the start point of the loop and retrig it from there with the
sequencer 

lets say 1 min loop 
you set start point where your "smaller loop" should begin
you want a "smaller loop" of 12sec 
fire your sequencer with a midi sequence that sends a trig to your plex
every 12 sec to restart the loop
overdub, insert, reverse etc....

if you want to go further in the long loop
mute the sequenced triggs
the long loop loops
set another strt point 

etc...

etc...


Claude

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> > And finally, and most importantly.. the ability to loop smaller points
> > of the larger loop, and overdub over those.

I do this w/EPD and Jamman in sequence.

From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 14:48:24 2000
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Date: Thu, 7 Sep 2000 14:25:52 -0400
To: Loopers-Delight@loopers-delight.com, <Loopers-Delight@annihilist.com>
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
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My dream box would be a looper for video -- something as simple as a 
jamman would be a great start.

Alas, there are a lot more audio loopers out there than video.



"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man."

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 15:08:33 2000
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Subject: OT: Video capture/Flash
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Anyone here have reccomendationsof good video capture cards for the pc? I
would love to begin working with video and audio together but am a newbie to
the video end of the game- Also- price is somewhat of an issue- I won't be
getting a $500 capture card if you know what I mean- but quality is
extremely important.

Regarding signal chains- I am curious about the possibility of making a
Flash program/page that would provide objects and a stage to create your own
signal path and store it or submit it as a form to a web based collection-
the conversation on sub-loops and my recent signal chain mods pikes my
interest in other's setups- I need to learn more about action scripting in
Flash etc but if any Flash guru here knows if this idea is possible let me
know-

Cliff

-----Original Message-----
From: Emile Tobenfeld (a.k.a Dr. T) <emile@foryourhead.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>; Loopers-Delight@annihilist.com
<Loopers-Delight@annihilist.com>
Date: Thursday, September 07, 2000 11:50 AM
Subject: Re: dream box


>My dream box would be a looper for video -- something as simple as a
>jamman would be a great start.
>
>Alas, there are a lot more audio loopers out there than video.
>
>
>
>"The reasonable man adapts himself to the world. The unreasonable man
>persists in adapting the world to himself. Therefore, all progress
>depends on the unreasonable man."
>
>--  George Bernard Shaw
>
> Emile Tobenfeld, Ph. D.
>Video Producer Image Processing Specialist
>Video for your HEAD! Boris FX
>http://www.foryourhead.com http://www.borisfx.com
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 15:34:00 2000
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I have heard the Matrox for about $1300 is great. The person telling me has
won video awards and has had at least 4 video cards in 5 years.  I don't
know the model name. He uses Adobe Premiere 5.1 RT also.

-----Original Message-----
From: Clifford@BienAppraisers [mailto:bienappraisers@mindspring.com]
Sent: Thursday, September 07, 2000 2:13 PM
To: Loopers-Delight@loopers-delight.com
Subject: OT: Video capture/Flash


Anyone here have reccomendationsof good video capture cards for the pc? I
would love to begin working with video and audio together but am a newbie to
the video end of the game- Also- price is somewhat of an issue- I won't be
getting a $500 capture card if you know what I mean- but quality is
extremely important.

Regarding signal chains- I am curious about the possibility of making a
Flash program/page that would provide objects and a stage to create your own
signal path and store it or submit it as a form to a web based collection-
the conversation on sub-loops and my recent signal chain mods pikes my
interest in other's setups- I need to learn more about action scripting in
Flash etc but if any Flash guru here knows if this idea is possible let me
know-

Cliff

-----Original Message-----
From: Emile Tobenfeld (a.k.a Dr. T) <emile@foryourhead.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>; Loopers-Delight@annihilist.com
<Loopers-Delight@annihilist.com>
Date: Thursday, September 07, 2000 11:50 AM
Subject: Re: dream box


>My dream box would be a looper for video -- something as simple as a
>jamman would be a great start.
>
>Alas, there are a lot more audio loopers out there than video.
>
>
>
>"The reasonable man adapts himself to the world. The unreasonable man
>persists in adapting the world to himself. Therefore, all progress
>depends on the unreasonable man."
>
>--  George Bernard Shaw
>
> Emile Tobenfeld, Ph. D.
>Video Producer Image Processing Specialist
>Video for your HEAD! Boris FX
>http://www.foryourhead.com http://www.borisfx.com
>


From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 16:10:59 2000
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From: Kim Flint <kflint@ati.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Video capture/Flash
Date: Thu, 7 Sep 2000 13:02:42 -0700 
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> Anyone here have reccomendationsof good video capture cards 
> for the pc? I
> would love to begin working with video and audio together but 
> am a newbie to
> the video end of the game- Also- price is somewhat of an 
> issue- I won't be
> getting a $500 capture card if you know what I mean- but quality is
> extremely important.

shameless plug:

ATI All-In-Wonder. :-)  Great video performance, costs you way way less than
$500! the new Radeon all-in-wonders are just coming out.

___________________________________________________________
Kim Flint                               
Manager, System Engineering             kflint@ati.com
ATI Research, Inc.                      http://www.ati.com

From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 16:32:12 2000
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Date: Thu, 07 Sep 2000 15:35:31 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: Video capture/Flash
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is this the first official ld ad?


> shameless plug:
>
> ATI All-In-Wonder. :-)  Great video performance, costs you way way less
than
> $500! the new Radeon all-in-wonders are just coming out.
>


From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 21:06:15 2000
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From: Nemoguitt@aol.com
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Date: Thu, 7 Sep 2000 21:03:28 EDT
Subject: Re: dream box
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In a message dated 9/7/00 4:51:51 PM Mid-Atlantic Daylight Time, 
Damon@Electrixpro.com writes:

<< (with a 64 MB compact flash card) >>

damon.........would you please explain what this 
is.........thanks.........michael

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From: Nemoguitt@aol.com
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Date: Thu, 7 Sep 2000 21:37:22 EDT
Subject: boomerang upgrade
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anyone get it yet?..........on tuesday i sent my rang to mike nelson for the 
big fix...........it was like giving up my main loopslave..........ill keep 
you posted if i dont jump off a bridge.........what a crazy 
addiction............meds dont fail me now!.............:)......michael

From Loopers-Delight-request@loopers-delight.com  Thu Sep  7 23:35:48 2000
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Date: Thu, 07 Sep 2000 22:30:24 -0500
To: Loopers-Delight@loopers-delight.com
From: Mark Pulver <mark@redmoon-music.com>
Subject: Re: dream box
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Nemoguitt@aol.com (08:03 PM 09.07.2000) wrote:

 >In a message dated 9/7/00 4:51:51 PM Mid-Atlantic Daylight Time,
 >Damon@Electrixpro.com writes:
 >
 ><< (with a 64 MB compact flash card) >>
 >
 >damon.........would you please explain what this
 >is.........thanks.........michael

I'm not Damon, but I can answer this...

There are various types of "removable memory" these days. The "solid state" 
types such as SmartCard, CompactFlash, SmartMedia, etc. and the "rotating 
spindle type" such as MicroDrive. Each has plusses and minuses to their usage.

For example, You will commonly see SmartMedia used in space critical 
applications such as digital still cameras since the casing is _very_ thin 
and the overall package is fairly small. SmartCard is used in applications 
where you need special security and smarts _on_ the card, since it has an 
onboard processor that can be (somewhat) dynamically loaded with custom code.

CompactFlash is used in applications where the media may be handled a bit 
rough due to the casing being thick and much more resistive to bending as 
when you might sit on the media package that you left in your back pocket.

There are other differences in the media types such as access speed, 
maximum practical storage limits, etc.

There was a thread here on the list a bit ago where folks were discussing 
the finer details of the speed of CompactFlash versus SmartMedia. That 
thread would be available in the archives if you wanted more info.


Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

From Loopers-Delight-request@loopers-delight.com  Fri Sep  8 01:47:47 2000
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Subject: Re: Video capture/Flash
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Do I get a Looper's discount? Or is it free? ;)

Cliff

----- Original Message -----
From: "Kim Flint" <kflint@ati.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 07, 2000 1:02 PM
Subject: RE: Video capture/Flash


>
>
> > Anyone here have reccomendationsof good video capture cards
> > for the pc? I
> > would love to begin working with video and audio together but
> > am a newbie to
> > the video end of the game- Also- price is somewhat of an
> > issue- I won't be
> > getting a $500 capture card if you know what I mean- but quality is
> > extremely important.
>
> shameless plug:
>
> ATI All-In-Wonder. :-)  Great video performance, costs you way way less
than
> $500! the new Radeon all-in-wonders are just coming out.
>
> ___________________________________________________________
> Kim Flint
> Manager, System Engineering             kflint@ati.com
> ATI Research, Inc.                      http://www.ati.com
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep  8 02:19:33 2000
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Subject: RE: Video capture/Flash
Date: Fri, 8 Sep 2000 02:16:02 -0400
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	Another card out there to check out is the Voodoo 3 3500.  The only downer
with this card is that it is VERY heat sensitive.  So you may want to make
sure that your system has very good respiration.  The ATI All-In-Wonder Pro
is also pretty nice, and it does have a slightly better frame rate.

	Also really matters upon what you're trying to do with the capture board...
The two cards above are really more for the quick scene of a movie vs. above
10 minutes.  Highly recommend the Targa Boards if you're looking for
something a bit more heavy duty, but there is a catch...  You'll need to
dedicate a single OS/function box to this cause to keep it up and happy.


	LeeohkinoWired




-----Original Message-----
From: Om_Audio [mailto:clifsound@mediaone.net]
Sent: Friday, September 08, 2000 1:46 AM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Video capture/Flash


Do I get a Looper's discount? Or is it free? ;)

Cliff

----- Original Message -----
From: "Kim Flint" <kflint@ati.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 07, 2000 1:02 PM
Subject: RE: Video capture/Flash


>
>
> > Anyone here have reccomendationsof good video capture cards
> > for the pc? I
> > would love to begin working with video and audio together but
> > am a newbie to
> > the video end of the game- Also- price is somewhat of an
> > issue- I won't be
> > getting a $500 capture card if you know what I mean- but quality is
> > extremely important.
>
> shameless plug:
>
> ATI All-In-Wonder. :-)  Great video performance, costs you way way less
than
> $500! the new Radeon all-in-wonders are just coming out.
>
> ___________________________________________________________
> Kim Flint
> Manager, System Engineering             kflint@ati.com
> ATI Research, Inc.                      http://www.ati.com
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep  8 06:56:48 2000
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To: "'loopers-delight@loopers-delight.com'"
	 <loopers-delight@loopers-delight.com>
Subject: Sharks Lungs in Haggis
Date: Fri, 8 Sep 2000 11:52:29 +0100 
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Claude, 

Thank you for your rude and abrupt response. It is refreshing to know that
when someone asks a simple question regarding software to a group of people
fluent in its workings, that rather than getting a helping hand, you get a
rude response. That is exactly what I joined this mailing list for, not in
fact to share thoughts and information about electronic recording and
performance with those who of similar interestes (a rare thing these days),
but have people shout me down for daring to ask such a question. AS far as I
knew when I was introduced to this mailing list it was for free movement of
information between like-minded people.  I got the response I needed from
another source and it took three short sentences to explain it. Next time, I
would prefer if you would either reply with some helpful comments or not at
all. What was the point in putting effort in replying with a smart-ass
response. All it did was waste my time and make you look petty. 

Regards, 

Jonathan

	From:	Claude Voit [SMTP:c.voit@vtx.ch]
	Sent:	08 September 2000 19:41
	To:	Jonathan O'Riordan
	Subject:	Re: Can any one guide me along the bumpy road from
Acid to Cubass...

	Jonathan O'Riordan wrote:
	> 
	> They don't have manuals when you are using pirated software.

	Thats what I understood

	ask the ones that pirated the software for help 

	I wont

	have a nice day

	Claude

From Loopers-Delight-request@loopers-delight.com  Fri Sep  8 07:00:27 2000
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Date: Fri, 8 Sep 2000 06:55:40 EDT
Subject: Re: Sharks Lungs in Haggis....Group HUG!!
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come on now. group hug everyone....feel the love. there, don't we all feel 
better?

                                                                        =-) PJ

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[PJ:]
> come on now. group hug everyone....feel the love.
> there, don't we all feel better?

I'm not sure how I feel about strangers hugging me .. 8-)

but to get back to the original question .. I'd also be interested in
knowing if anyone is using ACiD/Cubase for live performace, as opposed to
pre-sequencing material, and if so what their thoughts are on the
suitability of the respective apps.

jm

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Subject: Re: Sharks Lungs in Haggis....Group HUG!!
Date: Fri, 8 Sep 2000 22:44:23 +1000
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Can you tell us how this crap is musically useful or beneficial to the list?
or do you enjoy filling people's inbox's with your selfindulgent comments?
Steven
----- Original Message -----
From: <PJBMHB@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 08, 2000 8:55 PM
Subject: Re: Sharks Lungs in Haggis....Group HUG!!


> come on now. group hug everyone....feel the love. there, don't we all feel
> better?
>
>
=-) PJ
>
>

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How do you move the start point of a loop on the Echoplex?
----- Original Message ----- 

> > Brian Mulvey wrote:
> > 
> > I have a dream box.. maybe tho, it's possible with hardware i have yet
> > to come across.
> snip
> 
> > And finally, and most importantly.. the ability to loop smaller points
> > of the larger loop, and overdub over those.
> > 
> > Hmm.. any ideas folks?
> Brian
> 
> I can do that with an echoplex and a sequencer
> by moving the start point of the loop and retrig it from there with the
> sequencer 
> 
> lets say 1 min loop 
> you set start point where your "smaller loop" should begin
> you want a "smaller loop" of 12sec 
> fire your sequencer with a midi sequence that sends a trig to your plex
> every 12 sec to restart the loop
> overdub, insert, reverse etc....
> 
> if you want to go further in the long loop
> mute the sequenced triggs
> the long loop loops
> set another strt point 
> 
> etc...
> 
> etc...
> 
> 
> Claude
> 
> 

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From: StephanN <neetenbeek@pixelpark.com>
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Subject: not cool enough?
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hi rich,

I'm sorry the pianographique wasn't cool enough for you. What I can't
understand is the aggression it evokes. I think it's a very nice application
with excellent art-work and really relaxing toy.
what's wrong in playing? why do you think it gives kid the idea they would
be composers (btw, the manufacturers of the tools discussed in this mailing
group often do!)
Why not just enjoy it?
And what's wrong in sharing things you like?
...things are serious enough...

regards
(poor) stephan


-----Ursprüngliche Nachricht-----
Von: rich [mailto:rich@nuvision.com]
Gesendet: Donnerstag, 7. September 2000 16:51
An: Loopers-Delight@loopers-delight.com
Betreff: Re: I just want to share this with you...


Didn't we have a thread last year about a similar german site?  Electrik or
something?  These sites fascinate me for about 5 minutes and then i've had
it, but leave a lingering icky feeling in my stomach...don't know
why...just getting old?

they seem like music/art kiosks that wow you with the graphics but have
about as much substance as cotton candy.  "here kids...look...you can play
music!  techno is easy!  collage is easy! see?  just push the button and
something happens!"  Rauschenberg?  Jasper Johns?  phooey!  i can do better
than that right here!  thanks flash and shockwave!

do you need to make music if you don't have a song in your heart?


rich






>Loopers link of the mounth?
>http://www.pianographique.com
>
>Maybe a birthday present for Loopers delight.
>
>have fun!
>If you do not speak french: use your keyboard to play.
>
>stephan
>www.stephanneetenbeek.de

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I think rich has missed the point.

I sometimes create installations similar to the site described in real
life, with old keyboards, effects, doll parts and dead things. They're
easily playable by just about anyone, and no matter what you do to them,
they sound good. That's the point. It's an installation, it's art, it's a
toy, it's interactive, it's fun. It's NOT a musical instrument. I'm not
inventing a new way for professionals to get the music in their heads and
hearts out into the world, I'm not creating a new paradigm in composition,
I'm just integrating two things I really like to do: music and sculpture.
I think these flash sites are in the same vein.

-><-

On Fri, 8 Sep 2000, StephanN wrote:

> hi rich,
> 
> I'm sorry the pianographique wasn't cool enough for you. What I can't
> understand is the aggression it evokes. I think it's a very nice application
> with excellent art-work and really relaxing toy.
> what's wrong in playing? why do you think it gives kid the idea they would
> be composers (btw, the manufacturers of the tools discussed in this mailing
> group often do!)
> Why not just enjoy it?
> And what's wrong in sharing things you like?
> ...things are serious enough...
> 
> regards
> (poor) stephan
> 
> 
> -----Ursprüngliche Nachricht-----
> Von: rich [mailto:rich@nuvision.com]
> Gesendet: Donnerstag, 7. September 2000 16:51
> An: Loopers-Delight@loopers-delight.com
> Betreff: Re: I just want to share this with you...
> 
> 
> Didn't we have a thread last year about a similar german site?  Electrik or
> something?  These sites fascinate me for about 5 minutes and then i've had
> it, but leave a lingering icky feeling in my stomach...don't know
> why...just getting old?
> 
> they seem like music/art kiosks that wow you with the graphics but have
> about as much substance as cotton candy.  "here kids...look...you can play
> music!  techno is easy!  collage is easy! see?  just push the button and
> something happens!"  Rauschenberg?  Jasper Johns?  phooey!  i can do better
> than that right here!  thanks flash and shockwave!
> 
> do you need to make music if you don't have a song in your heart?
> 
> 
> rich
> 
> 
> 
> 
> 
> 
> >Loopers link of the mounth?
> >http://www.pianographique.com
> >
> >Maybe a birthday present for Loopers delight.
> >
> >have fun!
> >If you do not speak french: use your keyboard to play.
> >
> >stephan
> >www.stephanneetenbeek.de
> 

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Subject: Re: Moving the Start Point on the EDP (was:dream box)
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> How do you move the start point of a loop on the Echoplex?

You access it via the Parameters key so it take a couple of keystrokes:
1) PARAMETER key press (accesses Timing row buttons)
2) NEXTLOOP key press (now functioning as the StartPoint button).  From the
manual, "Pressing this button makes the instant of the press the new StartPoint
for the loop."

After setting the new StartPoint, you'll probably want to exit "parameter set"
mode.  This is probably easiest via a long press on PARAMETER button.

Of course, all of the above can be accomplished via MIDI.

Dennis Leas
-----------------------------
dennis@mdbs.com

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Subject: Very OT: Sharks Lungs and Pianographique
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Regarding the 'shark lungs' thread:

I didn't follow this thread closely, but IMO, the original sender asked a
pretty basic question, that could have been addressed by reading the manual
and experimenting a bit.  I work in a graphics environment amongst
Photoshop professionals.  Whenever we have a 'newbie', we try to strike a
balance between teaching and giving out handy tricks (and there are plenty
in Photoshop, much like the 'tip of the iceberg' learning curve of the
EDP), but also stressing that the person needs to dedicate a certain amount
fo their time to try it themselves and dig down deep, rather than just
looking over their shoulder and saying "hey, how do you do this?".

Perhaps the lull in our threads for the last week or so has got us all
jumpy and agitated...?

and that moves me on to the 'Pianographique':

Thanks for your responses to my post.  I agree, i am a bit aggressive about
sites such as those.  They are fun.  And there's nothing wrong with
that...i gots to remember to have more fun!

Some of my aggression stems from my relationship with the Web.  I have
discovered recently where my distaste stems from.  Almost any form of
production, art, music, or any other methodology that we use computers as
tools to create can be experienced WITHOUT the computer.  I can go watch a
movie that has amazing digital effects, or i can listen to a cool cd
created exclusively on a computer, or look at an incredible landscape
painting that isn't real, it's Bryce, or (god forbid) i could even print
out my email and look at it at home.

On the web however, it's designed on the computer, delivered by the
computer, and must be viewed on the computer.  That bothers me a bit.  And
yes, i'm a silicon junkie too...i love my toys, and even the t.v or a cd
player is something of a computer, i guess.  But the computer, when used as
entertainment, is only a slightly less vegetative experience than
television, in that you use something more than your thumb.

So, thanks again, and forgive me for my bitterness (we haven't heard from
Larry Tremblay recently, maybe i'm covering for him?), but i do stand on my
"as much substance as cotton candy" statement.  I would much rather see an
"installation" such as Noah described, with tactile elements that is well
done, easily playable and 'interactive' than gaga over someone's Flash
skills.

best regards,

rich


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Subject: Re: Moving the Start Point on the EDP (was:dream box)
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Oh yeah, I forgot, "RTFM".
Thanks for not making me look it up!
Gary
----- Original Message -----
From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 08, 2000 8:09 AM
Subject: Re: Moving the Start Point on the EDP (was:dream box)


> > How do you move the start point of a loop on the Echoplex?
>
> You access it via the Parameters key so it take a couple of keystrokes:
> 1) PARAMETER key press (accesses Timing row buttons)
> 2) NEXTLOOP key press (now functioning as the StartPoint button).  From
the
> manual, "Pressing this button makes the instant of the press the new
StartPoint
> for the loop."
>
> After setting the new StartPoint, you'll probably want to exit "parameter
set"
> mode.  This is probably easiest via a long press on PARAMETER button.
>
> Of course, all of the above can be accomplished via MIDI.
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
>
>

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Jonathan

get the real programs with the real manuals or ask anything that hasn't
to do with cracked software and you'll get my happy answers or comments
to any question or thoughts
untill then you will get ruder reactions on this "warez" issue in a lot
of mailing lists/newsgroups where experienced users hang around 
specially if this is your first post after just signing in

anyway lets stop that, its of no interest 

and dont feel offended it wasnt my point


please stay around check the Loopers delight site to get a grasp of how
and why we are here

Salut

Claude
 








Jonathan O'Riordan wrote:

> 
> Claude,
> 
> Thank you for your rude and abrupt response. It is refreshing to know that
> when someone asks a simple question regarding software to a group of people
> fluent in its workings, that rather than getting a helping hand, you get a
> rude response. That is exactly what I joined this mailing list for, not in
> fact to share thoughts and information about electronic recording and
> performance with those who of similar interestes (a rare thing these days),
> but have people shout me down for daring to ask such a question. AS far as I
> knew when I was introduced to this mailing list it was for free movement of
> information between like-minded people.  I got the response I needed from
> another source and it took three short sentences to explain it. Next time, I
> would prefer if you would either reply with some helpful comments or not at
> all. What was the point in putting effort in replying with a smart-ass
> response. All it did was waste my time and make you look petty.
> 
> Regards,
> 
> Jonathan
> 
>         From:   Claude Voit [SMTP:c.voit@vtx.ch]
>         Sent:   08 September 2000 19:41
>         To:     Jonathan O'Riordan
>         Subject:        Re: Can any one guide me along the bumpy road from
> Acid to Cubass...
> 
>         Jonathan O'Riordan wrote:
>         >
>         > They don't have manuals when you are using pirated software.
> 
>         Thats what I understood
> 
>         ask the ones that pirated the software for help
> 
>         I wont
> 
>         have a nice day
> 
>         Claude

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A question for anyone who's had a chance to use the
new Boomerang software (Mike, this is probably only
you):

I know that several options are available for
switching from one loop to the other while playing. 
What about recording?  Can I, for example, move
seamlessly from playing loop A to recording loop B on
the fly, or do I have to stop the current loop?  My
current loopisms are rather aggressive
(Buckethead/Blind Idiot God-esque), and I'd like to be
able to construct A/B sections without sacrificing an
ongoing groove.  Any chance we'll see the manual on
the website soon?

Thanks,
Scott Martin
coirbidh_99@yahoo.com


__________________________________________________
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Yahoo! Mail - Free email you can access from anywhere!
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--------------BC578385DD0F7AF23DAAE30A
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> A question for anyone who's had a chance to use the
> new Boomerang software (Mike, this is probably only
> you):
>
> I know that several options are available for
> switching from one loop to the other while playing.
> What about recording?  Can I, for example, move
> seamlessly from playing loop A to recording loop B on
> the fly, or do I have to stop the current loop?

    While recording A, pressing the A/B (ONCE) button concludes
recording of A and immediately begins recording B. Recording A erases B;
the reverse is not true.
    While playing A, and if B does not exist, pressing the A/B (ONCE)
button arms the Rang to do the following: at the end of A the Rang
immediately starts recording B.
    While playing A, and if both loops exist, pressing the A/B (ONCE)
button arms the Rang to do the following: at the end of A the Rang
immediately starts playing B. If you were stacking (adding parts or
layers) in A, then you'll be stacking in B.
    If you're recording B (A must exist), pressing the A/B (ONCE) button
concludes recording B and immediately plays A.
    In addition, there's a mode called AB1. A single press of the A/B
(ONCE) button arms the Rang to do the following: at the end of A the
Rang plays B once, then returns to playing A continuously.
    Each loop can have it's own decay rate.

> Any chance we'll see the manual on the website soon?

    Yes. Very soon.
--
Mike Nelson

Boomerang Musical Products       800-530-4699
PO Box 541595                    214-340-6913, Outside USA
Dallas, TX  75354-1595           214-343-1038, Fax

http://www.boomerangmusic.com    mnelson@dmans.com

"Some products make you sound better;
 the Boomerang Phrase Sampler makes you play better."


--------------BC578385DD0F7AF23DAAE30A
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit

<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>

<blockquote TYPE=CITE>A question for anyone who's had a chance to use the
<br>new Boomerang software (Mike, this is probably only
<br>you):
<p>I know that several options are available for
<br>switching from one loop to the other while playing.
<br>What about recording?&nbsp; Can I, for example, move
<br>seamlessly from playing loop A to recording loop B on
<br>the fly, or do I have to stop the current loop?</blockquote>
&nbsp;&nbsp;&nbsp; While <u>recording</u> A, pressing the A/B (ONCE) button
concludes recording of A and immediately begins <u>recording</u> B. Recording
A erases B; the reverse is not true.
<br>&nbsp;&nbsp;&nbsp; While <u>playing</u> A, and if B does not exist,
pressing the A/B (ONCE) button arms the Rang to do the following: at the
end of A the Rang immediately starts <u>recording</u> B.
<br>&nbsp;&nbsp;&nbsp; While <u>playing</u> A, and if both loops exist,
pressing the A/B (ONCE) button arms the Rang to do the following: at the
end of A the Rang immediately starts <u>playing</u> B. If you were stacking
(adding parts or layers) in A, then you'll be stacking in B.
<br>&nbsp;&nbsp;&nbsp; If you're <u>recording</u> B (A must exist), pressing
the A/B (ONCE) button concludes recording B and immediately <u>plays</u>
A.
<br>&nbsp;&nbsp;&nbsp; In addition, there's a mode called AB1. A single
press of the A/B (ONCE) button arms the Rang to do the following: at the
end of A the Rang plays B once, then returns to playing A continuously.
<br>&nbsp;&nbsp;&nbsp; Each loop can have it's own decay rate.
<blockquote TYPE=CITE>Any chance we'll see the manual on the website soon?</blockquote>
&nbsp;&nbsp;&nbsp; Yes. Very soon.
<br>--
<br>Mike Nelson
<p>Boomerang Musical Products&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 800-530-4699
<br>PO Box 541595&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
214-340-6913, Outside USA
<br>Dallas, TX&nbsp; 75354-1595&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
214-343-1038, Fax
<p><A HREF="http://www.boomerangmusic.com">http://www.boomerangmusic.com</A>&nbsp;&nbsp;&nbsp; mnelson@dmans.com
<p>"Some products make you sound better;
<br>&nbsp;the Boomerang Phrase Sampler makes you play better."
<br>&nbsp;</html>

--------------BC578385DD0F7AF23DAAE30A--

From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 05:11:05 2000
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From: "Gregor Zavcer" <gregor.zavcer@kiss.uni-lj.si>
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Subject: Warez (was Sharks Lungs in Haggis)
Date: Sat, 9 Sep 2000 11:06:22 +0200
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>
>get the real programs with the real manuals or ask anything that hasn't
>to do with cracked software and you'll get my happy answers or comments
>to any question or thoughts
>untill then you will get ruder reactions on this "warez" issue in a lot
>of mailing lists/newsgroups where experienced users hang around
>specially if this is your first post after just signing in
>


hi,

I just wanted to say that it shouldn't matter if somebody bought the
software or just got it from a warez site. I think there are quite some
facts that speak for warez. The first point would be that a lot of people
couldn't make music if there wouldn't be cracked software. I'm not capable
to buy all the programs i use because the prices are just to high. So, if i
would stick to the stuff i could buy, guess then i would have to use that
piano site for making music (and we really don't want that, do we?:)))
The other thing is that we have the possibility to test things. I think
software in general is sort of a user phenomenom. Most of the software has a
lot of bugs. Would anybody buy a t-shirt with a hole or a car which could
have general protection fault?:))
What I don't agree with is, that pirates are making profit with selling the
software. That's were IMO the stealing lies. In china they copy and print
the cds which look like the original and they sell it as an original!! that
is wrong. The software companies all in all don't want to get bothered with
a bedroom musician. If I copy a program, I don't cause any damage to anyone,
because I wouldn't buy it anyway (because of the reasons mentioned earlier).
So if we put in a little of economic science, the society net wealth curve
would be higher as I would feel better and no one would be damages. "the
allocation" would be pareto efficient. (sorry got carried away because of
the exams).

greetings,

gregor


From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 05:45:18 2000
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On Sat, 9 Sep 2000, Gregor Zavcer wrote:

> I just wanted to say that it shouldn't matter if somebody bought the
> software or just got it from a warez site. I think there are quite some
> facts that speak for warez. The first point would be that a lot of people
> couldn't make music if there wouldn't be cracked software. I'm not capable
> to buy all the programs i use because the prices are just to high. So, if i
> would stick to the stuff i could buy, guess then i would have to use that
> piano site for making music (and we really don't want that, do we?:)))

I make music with what I can obtain within my means. I would have a hard
time respecting myself as a musician if I believed that I needed tons of
expensive software to create art. When I was a kid, I made instruments out
of rubber bands and buckets and bits of electronic toys. I then got a 386,
discovered the demo scene, and started tracking samples in Scream Tracker,
all of which I found on the 'net in the public domain or sampled through
my horrid mono 8-bit original sound blaster. At least sixty percent of all
my musical effort, for as long as I can remember, has been doing my
damnedest to push the equipment I have to the absolute limit and making it
do things outside the original specifications.

I have a hard time respecting the "electronic musicians" of the Techno Era
with their phrase samplers, time-warping sequencers with instant aphex
twin buttons built in, spending a couple hundred bucks more so they can
wow the crowds with the newest roland beat-mangler that sounds like
nothing else until everyone else can afford it. Fuck That. Ripping a
drumloop off a sample CD, running it through ReCycle, whipping up a
nonsensical 303 bassline in ReBirth and topping it off with VST or Digital
Performer sequence tricks is not good music.

Wow, I'm bitter. Pardon me. I've just come back from a very bad rave, and
I had one too many drinks. My point is, if you can't afford the software,
innovate. Use Buzz, Csound, and Impulse Tracker. Go to paia.com and learn
to solder. Be creative and work around your limitations instead of
stealing software and hiking prices for the rest of us.

</cynical snob>

-><-


From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 09:01:48 2000
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From: "Luca" <lucafeed@tin.it>
To: "Loop" <Loopers-delight@loopers-delight.com>,
        "Roberto Zorzi" <rzorzi@adacta.it>,
        "Andrew Paine" <tbrozof1@twcny.rr.com>
Subject: audio file problems-IMPORTANT
Date: Sat, 9 Sep 2000 14:57:23 +0200
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This is a multi-part message in MIME format.

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Hi everybody,
here in Italy some people has found problems after downloading audio =
files such as mp3, real audio,...
They have found some of they audio and jpeg files were starting to fade =
from memory.
There was something that is not recognized as a virus, that copies the =
original audio and video files in .wbg and, once it has finished this =
procedure, starts to attack the original files breaking them.
The concrete suspect is that this problem has been imported from audio =
file downloading.
To check if your pc has been infected you can start a search of files =
with *.wbg extension.
Pcs have often files with such extension but, if you find that some of =
the files you have saved as mp3, real, jpeg etc. have a copy one as =
.wpg, it may be that you can have been in touch with that problem.
Hope this could be helpful.
Personally, I don't have found any of these .wbg on my Pc, hope for you =
it could be the same.
Luca


------=_NextPart_000_0006_01C01A6E.42DBCE00
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial>Hi everybody,</FONT></DIV>
<DIV><FONT face=3DArial>here in Italy some people has found problems =
after=20
downloading audio files such as mp3, real audio,...</FONT></DIV>
<DIV><FONT face=3DArial>They have found some of they audio and jpeg =
files were=20
starting to fade from memory.</FONT></DIV>
<DIV><FONT face=3DArial>There was something that is not recognized as a =
virus,=20
that copies the original audio and video files in <STRONG>.wbg =
</STRONG>and,=20
once it has finished this procedure, starts to attack the original files =

breaking them.</FONT></DIV>
<DIV><FONT face=3DArial>The concrete suspect is that this problem has =
been=20
imported from audio file downloading.</FONT></DIV>
<DIV><FONT face=3DArial>To check if your pc has been infected you can =
start a=20
search of files with <STRONG>*.wbg </STRONG>extension.</FONT></DIV>
<DIV><FONT face=3DArial>Pcs have often files with such extension but, if =
you find=20
that some of the files you have saved as mp3, real, jpeg etc. have a =
copy one as=20
.wpg, it may be that you can have been in touch with that =
problem.</FONT></DIV>
<DIV><FONT face=3DArial>Hope this could be helpful.</FONT></DIV>
<DIV><FONT face=3DArial>Personally, I don't have found any of these .wbg =
on my Pc,=20
hope for you it could be the same.</FONT></DIV>
<DIV><FONT face=3DArial>Luca</FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_0006_01C01A6E.42DBCE00--

From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 09:46:09 2000
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References: <Pine.LNX.4.04.10009081559440.4298-100000@aint-got-nothin.mit.edu>
Subject: Re: Warez (was Sharks Lungs in Haggis)
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Whoa, wait a second...  some good music has been made with all of the stuff
that you just listed, as well as a lot of crap.  And I'm sure that some of
the people who are using a new Roland synth or one of the programs you
mentioned are "pushing them to their absolute limits and making them do
things outside their original specifications," as you say.  I'm sure most of
them are doing pretty cheezy stuff without much merit, but it seems like
you're needlessly slamming on a lot of people there.

Or try this, your second paragraph slightly rephrased:

I have a hard time respecting the "rock musicians" with their electric
guitars, distortion pedals with instant Jimi Hendrix settings built in,
spending a couple hundred bucks more so they can wow the crowds with the
newest amp that sounds like nothing else until everyone else can afford it.
Fuck That. Coming up with a I-IV-V chord progression, playing it as a bunch
of power chords, whipping up some distortion, and topping it off with a
blues-based solo is not good music.

Sound ok?  It's not what you got, it's what ya do with it.



Peter

----- Original Message -----
From: "noah" <fishmong@braincramp.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 08, 2000 4:22 PM
Subject: Re: Warez (was Sharks Lungs in Haggis)

> I make music with what I can obtain within my means. I would have a hard
> time respecting myself as a musician if I believed that I needed tons of
> expensive software to create art. When I was a kid, I made instruments out
> of rubber bands and buckets and bits of electronic toys. I then got a 386,
> discovered the demo scene, and started tracking samples in Scream Tracker,
> all of which I found on the 'net in the public domain or sampled through
> my horrid mono 8-bit original sound blaster. At least sixty percent of all
> my musical effort, for as long as I can remember, has been doing my
> damnedest to push the equipment I have to the absolute limit and making it
> do things outside the original specifications.
>
> I have a hard time respecting the "electronic musicians" of the Techno Era
> with their phrase samplers, time-warping sequencers with instant aphex
> twin buttons built in, spending a couple hundred bucks more so they can
> wow the crowds with the newest roland beat-mangler that sounds like
> nothing else until everyone else can afford it. Fuck That. Ripping a
> drumloop off a sample CD, running it through ReCycle, whipping up a
> nonsensical 303 bassline in ReBirth and topping it off with VST or Digital
> Performer sequence tricks is not good music.
>
> Wow, I'm bitter. Pardon me. I've just come back from a very bad rave, and
> I had one too many drinks. My point is, if you can't afford the software,
> innovate. Use Buzz, Csound, and Impulse Tracker. Go to paia.com and learn
> to solder. Be creative and work around your limitations instead of
> stealing software and hiking prices for the rest of us.
>
> </cynical snob>
>
> -><-
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 11:50:44 2000
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Are you saying that you would pay for software if it didn't have bugs?

Are you saying that you are making use of this software even though it is
buggy, but won't pay for it because it is buggy, but not so buggy that you
can't be productive with it?

I shouldn't ask questions like that.  I regularly go to the local 7-11 and
take doughnuts without paying for them.  They aren't fresh after all, so
why pay for them?



At 11:06 AM 9/9/2000 +0200, someone wrote:
>Most of the software has a
>lot of bugs. Would anybody buy a t-shirt with a hole or a car which could
>have general protection fault?:))

From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 11:59:41 2000
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Subject: EMUSIC Playlist #181
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[ Best viewed by a fixed spacing font. ]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #181                    September 7, 2000.

On this show, I began a month-long focus on the E-Live 2000 festival.  The
feature CD at Midnight was "Beyond the Galaxy" by Cosmic Hoffmann on his Heart
and Mind label.

I also played the music of Dweller at the Threshold and Synthetic Block who
will be performing at the next Gathering.

E-Live 2000 festival   http://wdiyfm.org/emusic/playlists/2000/focus00.html#sep
The Gathering  http://wdiyfm.org/emusic/events.html


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Vangelis                Main Titles              Blade Runner (Atlantic)
Vangelis                Blush Response           Blade Runner (Atlantic)
Synthetic Block         Ping                     Synthetic Block (Mindspore)
Dweller at the          Generation               Gerneration, Transmission,
  Threshold               (Parts 1, 2, & 3)        Illumination (Eurock)
Kent Sparling           In a Mumbling Sky        Under New Manna (Jicama Salad
Co.)
Steve Lawson            Pillow Mountain          ...And Nothing But the Bass
(Pillow
                                                   Mountain Records)
Ian Boddy &             Trace the Memory         Distant Rituals (DiN)
  Markus Reuter
Steve Roach             Underground Clouds       Atmospheric Conditions
(Timeroom)
                          Over a Secret Grotto *

12:00 am
Cosmic Hoffmann         Beyond the Galaxy        Beyond the Galaxy (Heart and
Mind)
Cosmic Hoffmann         The Gates of Jahore Pt1  Beyond the Galaxy (Heart and
Mind)
Cosmic Hoffmann         Howling Wolves           Beyond the Galaxy (Heart and
Mind)
Cosmic Hoffmann         The Gates of Jahore Pt2  Beyond the Galaxy (Heart and
Mind)
Cosmic Hoffmann         Wanderers of Time *      Beyond the Galaxy (Heart and
Mind)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll continue the month-long focus on the the E-Live 2000
festival in Veldhoven, the Netherlands on September 10.  The feature CD at
midnight
will be "Energy" by Elektronische Maschine.

From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 12:39:01 2000
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speaking of (and to) cynical snobs:

I play the guitar and write tunes for my trio.  I've played the guitar for 30 
of my 39 years.  I have a degree in music.

And I have to compete for ear-time with people who make their music on 
computers, who know software rather than harmony, who judge a 303 as a 
standard for time-keeping, instead of a good bass player.  Or with people who 
stand up with a cheap acoustic and their clinical diagnosis and sing 
four-chord songs about it.

Am I angry or bitter?  Despite my tone, no.  (Complaining even a little is 
really fun sometimes, it's why I'm writing today.  I like being a smartass.)  
My audience is small, but perfectly formed, and larger than it was last year. 
 That's all I need today.

And let's face it, we all have to compete for ear-time with Britney Spears 
and the Back Street Boys and Mariah Carey and the usual.  If John Coltrane  
came back to earth and landed in your town, how many people would show up to 
see him?  More than would go see Blink 182?  I bet not.

I use the best tools I can afford.  I don't pirate software and I don't steal 
guitars or other tools.  I sometimes cop a lick off of other people's 
records, but I've never heard anyone say 'don't steal my licks!'  And I have 
used many of the same notes and chords other great musicians have used, but 
not in the same order or tempo.

If someone out there wants to justify or rationalize themselves because they 
can't afford software, and hates being labeled a pirate, well, my empathy 
lies elsewhere.  

Like with the former student of mine who went off to college and discovered 
that his new guitar lessons suck.  

I'd rather hear him play than Gregor, though he may be less skilled.


Mituyake oyasin,

Kevin

http://redroad.iuma.com

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>  If John Coltrane came back to earth and landed in your town, how many people
> would show up to see him?  More than would go see Blink 182?  I bet not.

As much as you might claim that the listening audience has changed you should
consider this- In his own day would more of the general listening public have
gone to see Coltrane or Ricky Nelson?

From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 14:06:40 2000
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On Sat, 9 Sep 2000, Peter Shindler wrote:
> Whoa, wait a second...  some good music has been made with all of the stuff
> that you just listed, as well as a lot of crap.  And I'm sure that some of
> the people who are using a new Roland synth or one of the programs you
> mentioned are "pushing them to their absolute limits and making them do
> things outside their original specifications," as you say.  I'm sure most of
> them are doing pretty cheezy stuff without much merit, but it seems like
> you're needlessly slamming on a lot of people there.

I won't argue that some excellent music has come out of SP-808s, MC-505s
and their ilk. Hell, if I had the cash I wouldn't turn down a good deal on
one. I'm not arguing against the systems, I'm arguing against the growing
trend of synth manufacturers catering to people who don't know or care how
to get beyond the presets.

This is all purely selfish. I'm just annoyed that every new piece of gear
that comes out is geared toward dance music, either sample-based or
virtual analog, and sacrifices depth for ease of use to a staggering
degree. Sure, there's Kyma, Csound, Max, all of these things are
wonderful, but they don't have the userbase and support that major synth
companies bring to the table. The kind of gear I lust after is stuff like
the Kawai K5000.

> Or try this, your second paragraph slightly rephrased:
> I have a hard time respecting the "rock musicians" with their electric
> guitars, distortion pedals with instant Jimi Hendrix settings built in,
> spending a couple hundred bucks more so they can wow the crowds with the
> newest amp that sounds like nothing else until everyone else can afford it.
> Fuck That. Coming up with a I-IV-V chord progression, playing it as a bunch
> of power chords, whipping up some distortion, and topping it off with a
> blues-based solo is not good music.

That's almost just as valid as my original paragraph. The difference here
is that guitars don't come with presets and cookie-cutter dance loops.
Also, rock music has an extensive history, with a lot of material to draw
on. Who ever heard of a techno cover band?

> Sound ok?  It's not what you got, it's what ya do with it.

Precisely my point. :)

-><-

> 
> ----- Original Message -----
> From: "noah" <fishmong@braincramp.org>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Friday, September 08, 2000 4:22 PM
> Subject: Re: Warez (was Sharks Lungs in Haggis)
> 
> > I make music with what I can obtain within my means. I would have a hard
> > time respecting myself as a musician if I believed that I needed tons of
> > expensive software to create art. When I was a kid, I made instruments out
> > of rubber bands and buckets and bits of electronic toys. I then got a 386,
> > discovered the demo scene, and started tracking samples in Scream Tracker,
> > all of which I found on the 'net in the public domain or sampled through
> > my horrid mono 8-bit original sound blaster. At least sixty percent of all
> > my musical effort, for as long as I can remember, has been doing my
> > damnedest to push the equipment I have to the absolute limit and making it
> > do things outside the original specifications.
> >
> > I have a hard time respecting the "electronic musicians" of the Techno Era
> > with their phrase samplers, time-warping sequencers with instant aphex
> > twin buttons built in, spending a couple hundred bucks more so they can
> > wow the crowds with the newest roland beat-mangler that sounds like
> > nothing else until everyone else can afford it. Fuck That. Ripping a
> > drumloop off a sample CD, running it through ReCycle, whipping up a
> > nonsensical 303 bassline in ReBirth and topping it off with VST or Digital
> > Performer sequence tricks is not good music.
> >
> > Wow, I'm bitter. Pardon me. I've just come back from a very bad rave, and
> > I had one too many drinks. My point is, if you can't afford the software,
> > innovate. Use Buzz, Csound, and Impulse Tracker. Go to paia.com and learn
> > to solder. Be creative and work around your limitations instead of
> > stealing software and hiking prices for the rest of us.
> >
> > </cynical snob>
> >
> > -><-
> >
> >
> 

From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 14:13:54 2000
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Warez (was Hawk's Dung in Jello)
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I don't remember who said it, but a couple of weeks ago, someone made a
very good point: the kind of software we're talking about tends to be
fairly non-mainstream and as such doesn't have a real high profit margin.
The guys who write this sort of soft often as not do it for the love of it,
and aren't usually making much from it. When we make it even harder for
them to get by, pretty soon those "warez" dry up. (I'm talking about the
little guys who're writing cool, specialized apps, not the big guys with
the corporate headquarters, but let's not get into defining where the line
should be drawn between them...)

Stealing is not good. This applies to either end; illegal dupes (usually)
rip off the software writer, and overpriced product rips off the consumer.
One exacerbates the other in a vicious circle. (Had to get a looping
reference in there somewhere!)

Tim

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Subject: the olde Socratic Discourse (was: Warez, Arf Bungin' Magnets, etc.)
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In a message dated 09/09/2000 12:07:55 PM Central Daylight Time, 
switters@earthlink.net writes:

<< As much as you might claim that the listening audience has changed you 
should consider this- In his own day would more of the general listening 
public have
 gone to see Coltrane or Ricky Nelson? >>

Survey says: Ricky Nelson, that crack-smoking oldies-touring plane-burner.

I never suggested the listening audience has changed... it's just that 
quality, once defined, was and is very often an elitist thing.  There are 
exceptions, but they are usually just exceptions.  (Frank Sinatra, in the era 
referenced above, leapt to mind.  For a time, he was both 'good' by most 
definitions, and popular.)  

Instead of Trane, I could have spoken of someone alive today, but that brings 
up judgments about current artists.  (Can we all agree on someone alive today 
that is unquestionably 'good'?  I bet it would be tough.)

Otherwise, logic suggests that the Big Mac is haute cuisine based on its 
'figures'.  We all know better.  As Pat Metheny ranted recently, 'We ignore 
this at our own peril.'

And to be sure, my earlier rant was not anti-technology.  My current rig 
includes an EDP and a brand-new TC Electronic G-Force.  But I don't think 
it's wise to learn how to run Photoshop without learning to draw first, nor 
to compose via MIDI and Mac without learning how to play well with the 
drummer, or spell chords, or direct the audience by using silence, for 
instance.

kb

From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 15:46:33 2000
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sorry to ask off topic but where is that Pat Metheny rant? I had it and lost
it but it was and is a great read!Also it contains some REAL nasty gritiness
that I wish were present in his(present) music IMHO.THANX...seeya,STANNER
----------
>From: KB305@aol.com
>To: loopers-delight@loopers-delight.com
>Subject: the olde Socratic Discourse (was: Warez, Arf Bungin' Magnets, etc.)
>Date: Sat, Sep 9, 2000, 11:55 AM
>

>In a message dated 09/09/2000 12:07:55 PM Central Daylight Time, 
>switters@earthlink.net writes:
>
><< As much as you might claim that the listening audience has changed you 
>should consider this- In his own day would more of the general listening 
>public have
> gone to see Coltrane or Ricky Nelson? >>
>
>Survey says: Ricky Nelson, that crack-smoking oldies-touring plane-burner.
>
>I never suggested the listening audience has changed... it's just that 
>quality, once defined, was and is very often an elitist thing.  There are 
>exceptions, but they are usually just exceptions.  (Frank Sinatra, in the era 
>referenced above, leapt to mind.  For a time, he was both 'good' by most 
>definitions, and popular.)  
>
>Instead of Trane, I could have spoken of someone alive today, but that brings 
>up judgments about current artists.  (Can we all agree on someone alive today 
>that is unquestionably 'good'?  I bet it would be tough.)
>
>Otherwise, logic suggests that the Big Mac is haute cuisine based on its 
>'figures'.  We all know better.  As Pat Metheny ranted recently, 'We ignore 
>this at our own peril.'
>
>And to be sure, my earlier rant was not anti-technology.  My current rig 
>includes an EDP and a brand-new TC Electronic G-Force.  But I don't think 
>it's wise to learn how to run Photoshop without learning to draw first, nor 
>to compose via MIDI and Mac without learning how to play well with the 
>drummer, or spell chords, or direct the audience by using silence, for 
>instance.
>
>kb
>
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 16:10:29 2000
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I'd also like to know where that bit from Metheny is.  In the meantime,
check out this awesome interview with Zawinul:

	http://www.innerviews.org/inner/zawinul.html

J.

  | -----Original Message-----
  | From: stanitarium@earthlink.net [mailto:stanitarium@earthlink.net]
  | Sent: Saturday 09 September 2000 12:46 PM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: Re: the olde Socratic Discourse (was: Warez, Arf Bungin'
  | Magnets, etc.)
  |
  |
  | sorry to ask off topic but where is that Pat Metheny rant? I
  | had it and lost
  | it but it was and is a great read!Also it contains some REAL
  | nasty gritiness
  | that I wish were present in his(present) music
  | IMHO.THANX...seeya,STANNER

From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 21:07:46 2000
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>speaking of (and to) cynical snobs:
>
>I play the guitar and write tunes for my trio.  I've played the guitar for
30
>of my 39 years.  I have a degree in music.


I play the guitar and write tunes for my trio.  I've played the guitar for
15
of my 22 years.  I have a degree in music.

>And I have to compete for ear-time with people who make their music on
>computers, who know software rather than harmony, who judge a 303 as a
>standard for time-keeping, instead of a good bass player.  Or with people
who
>stand up with a cheap acoustic and their clinical diagnosis and sing
>four-chord songs about it.


So, do i.

>And let's face it, we all have to compete for ear-time with Britney Spears
>and the Back Street Boys and Mariah Carey and the usual.  If John Coltrane
>came back to earth and landed in your town, how many people would show up
to
>see him?  More than would go see Blink 182?  I bet not.


agree.

>I use the best tools I can afford.  I don't pirate software and I don't
steal
>guitars or other tools.  I sometimes cop a lick off of other people's
>records, but I've never heard anyone say 'don't steal my licks!'  And I
have
>used many of the same notes and chords other great musicians have used, but
>not in the same order or tempo.


well, didn't use any licks other ppl played, did sample some other stuff:))

>If someone out there wants to justify or rationalize themselves because
they
>can't afford software, and hates being labeled a pirate, well, my empathy
>lies elsewhere.


I don't care if i'm labeled as a pirate, criminal or whatever. i just wanted
to point that there's also other side of warez IMO. Even Bill Gates supports
what i said. In one interview he sad that microsoft is not interested in
illegal copies of microsoft's software which is being used at homes. what
bothers the software companies is that other companies don't buy the
software and they're making money with it.

>Like with the former student of mine who went off to college and discovered
>that his new guitar lessons suck.
>
>I'd rather hear him play than Gregor, though he may be less skilled.


That's like being homophobic and saying that you rather like to listen to
straight ppl that to gay. All it matters is the music, IMO.

>
>Mituyake oyasin,
>
>Kevin


Gregor

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hi,

I don't think that i have to use all the software there is, but you'll sure
agree that some software could be described as essential. to me this
software is mostly sound forge, waves native power pack, logic and acid. i
can't afford this software.
a friend of mine recently showed me buzz. buzz has a completly different
approach to amking music as i'm used to. still i'm probably going to use it
in the future as i really liked some features. still sound forge and
mastering tools are necessary. i've heard songs made in buzz and i heard
same songs remastered in the programs i just mentioned. while buzz is great
for puting the song together it still needs help from the "outside". if i
would "release" my song directly from buzz, that would be for me the same
thing as going to the store wearing only underwear.


gregor

>I make music with what I can obtain within my means. I would have a hard
>time respecting myself as a musician if I believed that I needed tons of
>expensive software to create art. When I was a kid, I made instruments out
>of rubber bands and buckets and bits of electronic toys. I then got a 386,
>discovered the demo scene, and started tracking samples in Scream Tracker,
>all of which I found on the 'net in the public domain or sampled through
>my horrid mono 8-bit original sound blaster. At least sixty percent of all
>my musical effort, for as long as I can remember, has been doing my
>damnedest to push the equipment I have to the absolute limit and making it
>do things outside the original specifications.
>
>I have a hard time respecting the "electronic musicians" of the Techno Era
>with their phrase samplers, time-warping sequencers with instant aphex
>twin buttons built in, spending a couple hundred bucks more so they can
>wow the crowds with the newest roland beat-mangler that sounds like
>nothing else until everyone else can afford it. Fuck That. Ripping a
>drumloop off a sample CD, running it through ReCycle, whipping up a
>nonsensical 303 bassline in ReBirth and topping it off with VST or Digital
>Performer sequence tricks is not good music.
>
>Wow, I'm bitter. Pardon me. I've just come back from a very bad rave, and
>I had one too many drinks. My point is, if you can't afford the software,
>innovate. Use Buzz, Csound, and Impulse Tracker. Go to paia.com and learn
>to solder. Be creative and work around your limitations instead of
>stealing software and hiking prices for the rest of us.
>
></cynical snob>
>
>-><-
>
>

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Subject: Re: Warez (was Sharks Lungs in Haggis)
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>Are you saying that you would pay for software if it didn't have bugs?
>
>Are you saying that you are making use of this software even though it is
>buggy, but won't pay for it because it is buggy, but not so buggy that you
>can't be productive with it?
>


No, i just think that the attitude of the software developers is pretty
arogant and that the prices of the software are overpriced. First you have
the beta, that you get to the release candidate, then it's a new beta out...

>I shouldn't ask questions like that.  I regularly go to the local 7-11 and
>take doughnuts without paying for them.  They aren't fresh after all, so
>why pay for them?


if i steal a doughnut then i'm causing damage to the retail store and the
manufacturer; they had to pay for the ingridients. sure, you could say that
developers had a lot of costs with r&d. true. but the main difference is
that if i copy a program i'm not causing any direct damage to the producer,
because if i wouldn't copy it i just wouldn't have, the developer wouldn't
get any money from me anyway. so at the end, the only difference is the
state of my satisfaction. also for example, if i copy some piece of software
this might help to produce a couple of cool tunes which could influence my
future cashflows. the first thing i would do when i had the money is to buy
all the software i use and i would buy the software which i liked in the
"testing" phase.

anybody who's "generating" money with software should buy it.

gregor

>
>
>At 11:06 AM 9/9/2000 +0200, someone wrote:
>>Most of the software has a
>>lot of bugs. Would anybody buy a t-shirt with a hole or a car which could
>>have general protection fault?:))
>

From Loopers-Delight-request@loopers-delight.com  Sat Sep  9 22:11:08 2000
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Alright. Well, I'm not one to flame but the email below gets me as close to
that feeling as I think I can go...

Nonetheless, here are my non-flame, hopefully rational, comments... (and
sorry for their length)...

I DISAGREE STRONGLY WITH THE ATTITUDES THAT SUGGEST THAT IT'S OKAY TO STEAL
SOFTWARE.

Please allow me to make my case... let's take Gregor's comments below in
turn.

He says a lot of folks couldn't make music if it weren't for free software.
My response is that we always get those things we truly want... you'd pay
for the software if you *had to* because you love making music. You'd *find*
a way to buy it or "coerce" someone into buying it for you. :-) The
temptation is software that is very easy to steal - and the reality is that
we simply *justify* not paying money for it because it's easy to do so and
we want to keep that money for ourselves. That's really what's happening...
I wonder how many of you are fully taking in that deep thought? If Gregor
couldn't steal software like he can't steal hardware, he'd find a way to buy
what he needed if he loved music enough. He found a way to buy the hardware
right? So, it's that simple. C'mon folks - we are not talking thousands of
dollars here! Is there anyone who would disagree with this?

Then he says he wants to test the software and that justifies piracy. Well,
okay, I don't entirely disagree with this idea of testing... I've been
ripped off by software (and hardware) that didn't do what it promised. And
because we live in an age where retail stores won't even let you return
opened software, we're stuck. I say there should be some protection for us
as consumers. OTOH, how long is an appropriate testing period? My guess is
that Gregor has probably been "testing" some of his software for years. I
definitely don't think that's right. I think there comes a time, usually
about a month or so down the road, when you realize that you *like* this
software and you know you're going to continue to use it. That's the time to
pay.

Gregor says that the folks who make and sell pirated software are the ones
who are stealing. Let me tell you something, Gregor... stealing is when you
take something for your own that doesn't belong to you. Now, I don't deny
that the commercial pirates are stealing, but I say to you point blank --
*YOU* are stealing too! The difference between you and them is one of
degree, not of kind.

Let me tell all of you something: *People* create software. *People* who
have kids, and mortgages, and bills to pay. Good people. *People* you'd like
if you ever met them. *People* like you. They may love what they do, as Tim
noted in another email, but is this a reason to pay them any less? I don't
think so. If they love what they do, so much the better, because they'll
likely create better products. If anything, we should be paying them more!
But, my gosh, let's not penalize them just because they do their job well!
Can you see that this is, effectively, what you're doing? I challenge you to
take a moment and think about this now.

Gregor argues that he's a "bedroom musician" and so his theft doesn't hurt
anybody. But if no one paid then there wouldn't be any software right? So
somebody has to pay. Who gave any of you theives out there the right not to
have to pay, while I have to? What makes you better than me? Aren't we all
fundamentally equal as human beings? It's a selfish, arrogant person who
steals.

Software piracy is such a big problem that software prices have to be higher
to compensate for the lost revenues resulting from piracy. In this sense,
Gregor, you and the others are not only stealing from the software
companies, you are *also* stealing from those of us who pay money for the
software, because we're paying more than we would otherwise have to. You're
stealing from your fellow musicians. Did that ever occur to you? I don't
know about the rest of you, but I don't like being put in this position.

To those of you who use pirated "warez" on a regular basis, I say this to
you: I question your ethics. What you are doing is wrong and, if you carry
it through to it's logical conclusion, it inevitably leads to a double
standard too - another ethical issue. Who wants to be mired in all this
crap? Let me give you an extreme example: let's imagine for a moment that
Gregor writes a song and it becomes a #1 hit worldwide. However, Gregor
doesn't make one red cent off of his incredibly good fortune because
everyone pirates his song and no one pays for it. Can anyone honestly say to
me that Gregor is going to happy with this? Is it going to be okay because
individuals did the theft and not some deep-pocket corporation? Of course
not! Gregor's going to be screaming bloody blue murder for his money! He
will definitely want to be paid, won't he? And wouldn't you? And yet... how
is this different from the software piracy issue? The only thing that's
different is that little Gregor is now losing some money. You know, in this
situation, the tune he will sing will be different from that espoused in the
email below.

Remember also that software developers expect to be paid for their work,
just like *we* do. And it's fair to exchange something of value with each
other right? You do it every time you drop into a McDonalds, buy a car or go
see a movie. So why shouldn't the developers be paid? I say to you all:
what's wrong with caring about these people too? Are we all so concerned
with ourselves and our needs that we simply can't do the right thing? Taking
anything without paying for it is stealing, plain and simple... and that's a
fact!

I have found that a life without some sense of personal integrity is an
unsatisfying life. We only pass this way once, and other human beings,
including software developers, have such an incredible capacity to enrich
the lives we lead and make them more meaningful. For all of you on this
list, your own lives are made more enjoyable because of the music you play
and the software you use.

But how can you write honest music if you are not an honest person?

Where is the *artiste* in you folks? Wouldn't you feel a little better if
your music wasn't tainted through it's creation with stolen software? I
suggest that the good feeling you get from doing the right thing can improve
your music... can you, too, see how it could become more joyful, more
honest, more "in tune" because you yourself are? Isn't it inevitable?

Moreover, I'll also suggest that it's when the money is hardest to come by
that you stand to make the largest deposit to your personal integrity
account by buying the software you use to do that which you love. You'll be
repaid tenfold by the terrific boost in self-esteem you'll get - and you can
legally use the software too. For some of you, the difference in your music
might be night and day...

I remember when I got my first Macintosh in 1984. I went to a user group
meeting expecting to find out more about this wonderful new computer I had.
Instead, I found a bunch of guys sitting around copying software as fast as
they could. The second meeting I went to I brought a bunch of disks too and
I made my copies. Sometime after that, I actually sat down and thought about
what I was doing. I mean, folks, I *actually sat down and thought about
this*. I realized that what I was doing was wrong.

I hope at least one of you will sit down and think about this as I did. I
mean... just get off by yourself in some quiet section of your home and
think about this for a few minutes. Do it now. And if you do - if you are
honest with yourself and have some sense of personal integrity - you'll
reach the same conclusion I have. I suggest that there is only one logical
result to be had:

* Stealing is an ethical and a legal issue... and stealing is wrong.
* When you *use* software that you have have not paid for, you are stealing.

I ask each of you: How do you want to live your life? What kind of person -
and musician - do you want to be?

Kevin



> hi,
>
> I just wanted to say that it shouldn't matter if somebody bought the
> software or just got it from a warez site. I think there are quite some
> facts that speak for warez. The first point would be that a lot of people
> couldn't make music if there wouldn't be cracked software. I'm not capable
> to buy all the programs i use because the prices are just to
> high. So, if i
> would stick to the stuff i could buy, guess then i would have to use that
> piano site for making music (and we really don't want that, do we?:)))
> The other thing is that we have the possibility to test things. I think
> software in general is sort of a user phenomenom. Most of the
> software has a
> lot of bugs. Would anybody buy a t-shirt with a hole or a car which could
> have general protection fault?:))
> What I don't agree with is, that pirates are making profit with
> selling the
> software. That's were IMO the stealing lies. In china they copy and print
> the cds which look like the original and they sell it as an
> original!! that
> is wrong. The software companies all in all don't want to get
> bothered with
> a bedroom musician. If I copy a program, I don't cause any damage
> to anyone,
> because I wouldn't buy it anyway (because of the reasons
> mentioned earlier).
> So if we put in a little of economic science, the society net wealth curve
> would be higher as I would feel better and no one would be damages. "the
> allocation" would be pareto efficient. (sorry got carried away because of
> the exams).
>
> greetings,
>
> gregor
>
>

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>Or try this, your second paragraph slightly rephrased:
>
>I have a hard time respecting the "rock musicians" with their electric
>guitars, distortion pedals with instant Jimi Hendrix settings built in,
>spending a couple hundred bucks more so they can wow the crowds with the
>newest amp that sounds like nothing else until everyone else can afford it.
>Fuck That. Coming up with a I-IV-V chord progression, playing it as a bunch
>of power chords, whipping up some distortion, and topping it off with a
>blues-based solo is not good music.
>
>Sound ok?  It's not what you got, it's what ya do with it.
>
>
>
>Peter


Excellent response!
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From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 00:29:41 2000
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Subject: Warez (was Sharks Lungs in Haggis)
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Hi!

My 2 cents.

I've played on shows with The Doors, Jimi Hendrix (a nice guy), The Byrds,
The 13th Floor Elevators, Spirit, The Jefferson Airplane and many, many
more acts.  I've been fortunate, I guess. I am one of those people who was
there - in the 60's and 70's at least.  Here are some things that I learned
from being around the aforementioned people and scene:  

Forget ear-time, computers, stolen software - or any of that stuff.

Concentrate on your thing, make it the best your soul and your spirit will
let you bring it to be, be who you are.  Forget about the rest.  Who cares?
 You are what is important - your music, your voice, what you bring to the
sonic universe.  Let others find their path, concentrate on yours.  The
groups I mentioned above did just that.  They used everything the could
buy, beg, borrow, steal or con.  Was it "right?"  I really don't care.  I'm
out of that argument.  Do what works.  Just make your music.  That's Really
what you care about ...... isn't it?

I do.

Michael
"Long live whatever it is that supposed to live long.  Meanwhile.."

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  I was wondering if anyone could tell me, are there any programs that are
equivalent to Acid for Mac users? I am looking for a simple easy way to loop
and sync beats,sounds etc.....  Any suggestions?

Thanks, M

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Subject: so I got a Handsonic.....
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I bought a Handsonic yesterday, and I REALLY like it now.  Like most Roland 
Gear, you have to undo alot of damage in the presets.  Someone had mentioned 
earlier how the retriggered samples sounded fake.  The BEST feature of this 
unit is that it encourages you to play more than one sample at a time.  THAT 
is what makes it sound 'real'.  Anyway, for me the Handsonic will inspire 
lots of new grooves.  I still enjoy playing the real versions of these 
instruments (Tabla and Udu are REAL hard to fake) but making quick loops and 
changing sounds quickly for overdubs is really fun...kind of a solitary drum 
circle (next album name?).
john

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Hello gang.

I've been crazy busy lately and have been lurking, but not much else.
Including playing music.  Things have finally calmed down for me, and I
decided to kick off my return to looping with a good old fashion sugar
cube and a room full of guitars, synths computers and my trusty JamMan.

I called this event Burning Mark, and it was a great success.

However, there were a few snags.  Most based on user interface issues.
First, my bass (a steinberger) was giving me no output.  Could I have
been so stupid as to not make sure the preamp battery was good?  Yes I
could.  Damn, a dead battery.  And in my state I had to remove 6 tiny
screws to get to that little nine volt.  What the hell?   Who the hell
designed that little feature? (btw: I LOVE the bass other than that)
Even in my total right mind if I were at a gig and the bass died, this
would have been far more than reasonable for a timely return to the
performance.

Later, my Alesis S4 plus no longer seemed to be receiving MIDI commands
from my MIDI guitar.  What the hell?  It was working fine a moment...
Oh.  That's it.  They put the MIDI channel change button right next to
the program change button.  Same size and look for each button.  D'oh!

So where am I going with this?  Here:  PLEASE DESIGN YOUR GEAR WITH ONE
THING IN MIND: THE USER WILL MOST LIKELY BE USING YOUR PRODUCT UNDER THE
INFLUENCE OF DRUGS OR HEAVY STRESS AND A CONFUSING Environment.

Now, I'm not recommending LSD for my patients who chew gum, but it does
give a good benchmark for usability.  I've been dealing with electronic
music since the late 70s and worked in a music shop for a lot of those
years.  Even learned myself how to program a DX7.  How about that?  I'm
pretty damn good at figuring out how to use gear without a manual (as
many used pieces come into a music store), so if it's hard for me, how
must it be for a not to tech savvy musician?  Here me KORG and Roland!
I've had just about enough out of you!  Same hold true for software.  I
thought that Cubase was so cool at first, but I've switched back to
Metro, because it isn't a slave to the "virtual studio" interface and is
more useable because of this.  Let's stop adding useless features like a
billion presets, and let's just make things easier to use.

OK, I'm done now.  Bye bye.

Marklar

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Sorry, but I've got to say something here.

>And I have to compete for ear-time with people who make their music on 
>computers, who know software rather than harmony, who judge a 303 as a 
>standard for time-keeping, instead of a good bass player.  Or with people who 
>stand up with a cheap acoustic and their clinical diagnosis and sing 
>four-chord songs about it.
>
>And let's face it, we all have to compete for ear-time with Britney Spears 
>and the Back Street Boys and Mariah Carey and the usual.  If John Coltrane  
>came back to earth and landed in your town, how many people would show up to 
>see him?  More than would go see Blink 182?  I bet not.

It is very unlikely that you would have to compete with anyone who makes music on their computer or with the Britney Spear's and Mariah Carey's of the world. You compete with people who make music that is probably almost exactly like yours. 

A person who would be into techno or something ("made with a computer") and know something about the scene would not also be into the blues-rock scene enough to know about anyone that doesn't get a lot of press or who isn't a local act. So, the people who would go to a blues-rock show because they know of and like the band, are not going to go to a rave because they know of and like whoever is going to be DJing (or whatnot). 

And for competing with Britney Spears or the Backstreet Boys or Blink 182, these people are being "marketed" to kids that are about eight to sixteen years old. Kids are generally more easily persuaded by advertising (MTV) and the "bandwagon" marketing scheme. Most of that music is listened to because their friends listen to it and because they are told, through advertising, etc., that that is what is *cool* to listen to. 

As you get older, your listening tastes mature and it doen't matter as much what your friends listen to or what anyone thinks about what you listen too. And you go and find other, "underground" things to listen to. So, you can then move into stranger and more ecelctic music styles and bands like King Crimson, Rush, Primus, David Torn, Miles Davis, Michael Hedges, Tengerine Dream etc.

As for John Coltrane vs. Blink 182, there wouldn't be 16,000 screeming teenage girls at a John Coltrane concert, but would you really want them there? I think you are confusing what is visible with what would be considered good and that you are confused with music as art versus music as commerce. Big difference there. Which is why you will never see someone like Negitivland on TV trying to sell hamburgers.

So, I find it very difficult to believe that the person who would listen to Mariah Carey and the Backstreet Boys would listen to anything else, even if you exposed them to it. 

One last thing. I always have to laugh or cringe when someone calls up a radio station requesting an N'Sync song and the announcer asks the caller why they want to hear N'Sync and the person on the other end of the line always says "because they are good dancers".

Ben Porter.


What are you N2?  Choose from 150 free e-mail addresses.
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Well all this talk of warez and such fails to recognize a simple idea: economics and how that applies to the software industry. 

Lets first look at physical products that you go and buy, like cars. What kind of car do you think is a better car a top of the line Mercedes or a Honda Civic? I'm willing to bet most people would think the Mercedes a better car. Why? Because it cost more. It's a pretty simple idea. If something costs more it is generally seen as being "better".

Apply this idea to software. I'll use Adobe for example. They have various versions of Photoshop available. They range in price from, I think, $40 for a consumer level version to about $800 for a professional version. Now the two versions are different, but the Pro version is not going to be 2000% better than the consumer level version as the price difference would indicate. 

Now, lets look at manufacturing costs. A software company has to manufacture a CD, a manual, and a display box. Go look at how much it costs to get some CD's printed. This "manufacturing" can't cost more than about $3 a unit to produce. A fraction of what it would cost to actually manufacture an actual hardware product.

But, you could argue about R&D costs. Well, any hardware manufacturer is probably going to have to pay as much, if not more, than any software manufacturer. With software you've got programmers, more programmers and management. With hardware, you've got design team engineers, manufacturing engineers, production workers, etc. and management. So, your R&D can't cost very much when all your company does is programming.

So, then there is support. I think this is what you are paying for when you buy software. If you want support, you buy the software. If you don't need support and can live with your conscience, then you can use the cranked versions. Which is why people get mad when someone asks them some simple question answered in the manual. They would be giving you free support for something they paid their own good money for. 

To me it is hard to argue that software is worth what it costs. Companies like the above mentioned Adobe sell bundled software packages for up to half of what it costs for the individual pieces of software. They can't be losing any kind of money for this, so why don't they just sell all of there software for half the cost? 

>Let me tell all of you something: *People* create software. *People* who
>have kids, and mortgages, and bills to pay. Good people. *People* you'd like
>if you ever met them. *People* like you. They may love what they do, as Tim
>noted in another email, but is this a reason to pay them any less? I don't
>think so. If they love what they do, so much the better, because they'll
>likely create better products. If anything, we should be paying them more!
>But, my gosh, let's not penalize them just because they do their job well!
>Can you see that this is, effectively, what you're doing? I challenge you to
>take a moment and think about this now.

Higher prices don't create better products. Just ask Microsoft. Competition creates better products, which usually creates lower prices.

>Gregor argues that he's a "bedroom musician" and so his theft doesn't hurt
>anybody. But if no one paid then there wouldn't be any software right? So
>somebody has to pay. >

Well, no. There is plenty of freeware and shareware software out there. It costs absolutely nothing to use. So, even if no one paid there would still be software. Ever heard of Linux?

>Software piracy is such a big problem that software prices have to be higher
>to compensate for the lost revenues resulting from piracy. In this sense,
>Gregor, you and the others are not only stealing from the software
>companies, you are *also* stealing from those of us who pay money for the
>software, because we're paying more than we would otherwise have to. You're
>stealing from your fellow musicians. Did that ever occur to you? I don't
>know about the rest of you, but I don't like being put in this position.
 
He is *not* stealing from you. If anything *you* are stealing from *you*. Even if people were not "stealing" software like you say, the software companies would still charge as much as they could. The software companies operate under the principles of supply and demand. The software companies will charge whatever the market will allow. So, as long as you still pay those high prices, you are only stealing from yourself by not holding software companies accountable for charging such high prices for software in the first place. 

>To those of you who use pirated "warez" on a regular basis, I say this to
>you: I question your ethics. What you are doing is wrong and, if you carry
>it through to it's logical conclusion, it inevitably leads to a double
>standard too - another ethical issue. Who wants to be mired in all this
>crap? Let me give you an extreme example: let's imagine for a moment that
>Gregor writes a song and it becomes a #1 hit worldwide. However, Gregor
>doesn't make one red cent off of his incredibly good fortune because
>everyone pirates his song and no one pays for it. Can anyone honestly say to
>me that Gregor is going to happy with this? Is it going to be okay because
>individuals did the theft and not some deep-pocket corporation? Of course
>not! Gregor's going to be screaming bloody blue murder for his money! He
>will definitely want to be paid, won't he? And wouldn't you? And yet... how
>is this different from the software piracy issue? The only thing that's
>different is that little Gregor is now losing some money. You know, in this
>situation, the tune he will sing will be different from that espoused in the
>email below.

Your logic about any hit song if very flawed. He could not have a hit song without a contract to some big corporation. He could never make much money off of that song due to the way the recording industry and copyright laws work right now and so you are right back to the fact that if anyone *stole* his song (a highly arguable statement) it would only be hurting the big corporation that he has that contract with and he would never feel much of a pinch unless he already was a huge, overbloated act, like Metallica and U2.

>Remember also that software developers expect to be paid for their work,
>just like *we* do. And it's fair to exchange something of value with each
>other right? You do it every time you drop into a McDonalds, buy a car or go
>see a movie. So why shouldn't the developers be paid? I say to you all:
>what's wrong with caring about these people too? Are we all so concerned
>with ourselves and our needs that we simply can't do the right thing? Taking
>anything without paying for it is stealing, plain and simple... and that's a
>fact!
 
And these people are paid. It's called a salary. And, well, you don't exchange something of value, you exchange money. You can't trade a year's worth of mowing someone's lawn for a piece of software. So, what if you really don't have the money? Do you used a cracked copy and rationalize it, or do you use something else that costs next to nothing and probably does the same? 

>* Stealing is an ethical and a legal issue... and stealing is wrong.

But so is speeding, running red lights, not wearing your seat belt, carrying concealed weapons, viewing pornographic material if you are under eighteen years of age, drinking if you are under twenty-one, etc. Does that stop anyone? 

>* When you *use* software that you have have not paid for, you are stealing.

Well, I could argue "use" easily, so instead, I'll argue "paid for". Do you 'pay' for using the library? Did the Pilgrims 'pay' for the land they took? Do logging companies 'pay' for the trees they cut down in National Parks? Do you 'pay' for the oxygen your car burns? Do oil companies 'pay' for the damage their spilled tankers create? Do you 'pay' for using your friends swimming pool? Do you 'pay' for listening to the radio? Do I need to go on?  

I'm not saying anything either way about using or not using cranked software. It is a murky area when talking about right and wrong. I just hate when people give out condemning, all mighty judgements about something that is, now, as trivial as warez. It sounds an awful lot like the fire and brimstone preachers of the Puritans talking about going to hell and putting the "fear of God" in you.

Ben Porter.






What are you N2?  Choose from 150 free e-mail addresses.
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Audio-Genetics Alkali should do the trick

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>
>He says a lot of folks couldn't make music if it weren't for free software.
>My response is that we always get those things we truly want... you'd pay
>for the software if you *had to* because you love making music. You'd
*find*
>a way to buy it or "coerce" someone into buying it for you. :-) The
>temptation is software that is very easy to steal - and the reality is that
>we simply *justify* not paying money for it because it's easy to do so and
>we want to keep that money for ourselves. That's really what's happening...
>I wonder how many of you are fully taking in that deep thought? If Gregor
>couldn't steal software like he can't steal hardware, he'd find a way to
buy
>what he needed if he loved music enough. He found a way to buy the hardware
>right? So, it's that simple. C'mon folks - we are not talking thousands of
>dollars here! Is there anyone who would disagree with this?


My Hardware (and what i paid for):

Juno 106 - 200$
Alesis quadraverb - 150$
Yamaha SU700 - 1200 $
AWE32 - 50$

It took me 4 years to put this together. If you sum up logic, sound forge,
acid and waves npp for example you get a figure which is higher. It would
take me more then 4 years to get the software i need. we don't need to talk
about thousands of $, just one thousand $. Microsoft recently had a special
offer here. Students could buy a licensed copy of visual studio for around
10$. Before that lots of students used a pirated copy. I don't know anybody
now who doesn't have a licensed one. The reason why they bought visual
studio (although they already had a pirated one) is that they could afford
it and that they knew the software.



>Gregor says that the folks who make and sell pirated software are the ones
>who are stealing. Let me tell you something, Gregor... stealing is when you
>take something for your own that doesn't belong to you. Now, I don't deny
>that the commercial pirates are stealing, but I say to you point blank --
>*YOU* are stealing too! The difference between you and them is one of
>degree, not of kind.


True, if there wouldn't be a demand for it, there wouldn't be ppl who would
sell pirated stuff.

>Let me tell all of you something: *People* create software.
>Can you see that this is, effectively, what you're doing? I challenge you
to
>take a moment and think about this now.

I understand your point. The problem here is described as a "freerider
problem" in the economic science. There are people who pay for the bus and
there are others who sneak past the driver i.e. freeriders. Yes, i'm a
freerider in the software department, but I pay for the bus:)) what I wanted
to stress here is that we sort of have a financial threshold. well, mine is
lower then yours obviously.


>Gregor argues that he's a "bedroom musician" and so his theft doesn't hurt
>anybody. But if no one paid then there wouldn't be any software right? So
>somebody has to pay. Who gave any of you theives out there the right not to
>have to pay, while I have to? What makes you better than me? Aren't we all
>fundamentally equal as human beings? It's a selfish, arrogant person who
>steals.


That's also one of the problems which occur with freeriding. Eventually the
group who's paying becomes unsatisfied. They ask themselves: why do i need
to pay if others aren't? why do i have to cover other ppl's expenses? that
trully is a problem because eventually no one would pay for the software and
software companies could only file in for bankruptcy.
One answer could be that buying software is actually a progressive consume
tax. That would sort of justify my actions. But i'm not sticking behind it
as i don't agree with that.
Other answer or solution could be that software companies would do a little
bit of research, tried to investigate the actual demand, etc... This could
probably result in lower prices, but higher revenues. the highest price tag
doesn't always mean the highest net income. I would also be prepared to sign
a deal with music software developers which would guarantee them royalties
from "my possible hits". If one in million lands a great hit and the
software companies would get some royalties, wouldn't that make them richer,
a lot richer?

>Let me give you an extreme example: let's imagine for a moment that
>Gregor writes a song and it becomes a #1 hit worldwide. However, Gregor
>doesn't make one red cent off of his incredibly good fortune because
>everyone pirates his song and no one pays for it. Can anyone honestly say
to
>me that Gregor is going to happy with this?

No, i wouldn't be happy. I admit it. But OTOH, I had some concerts. I mostly
played in places which are trying to survive from one day to another. They
offered me a fee, but i always played for free. So, I could roughly say that
I didn't pay for the tools, so i didn't charge the work. I can't say what
would happen "on a higher level". all i can say is a speculation.

>But how can you write honest music if you are not an honest person?


Can you explain me how can you tell if the music is honest when you hit play
on the CD?

greetings,

gregor

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Hi,

Excellent. I agree 100%.

Gregor



>Hi!
>
>My 2 cents.
>
>I've played on shows with The Doors, Jimi Hendrix (a nice guy), The Byrds,
>The 13th Floor Elevators, Spirit, The Jefferson Airplane and many, many
>more acts.  I've been fortunate, I guess. I am one of those people who was
>there - in the 60's and 70's at least.  Here are some things that I learned
>from being around the aforementioned people and scene:
>
>Forget ear-time, computers, stolen software - or any of that stuff.
>
>Concentrate on your thing, make it the best your soul and your spirit will
>let you bring it to be, be who you are.  Forget about the rest.  Who cares?
> You are what is important - your music, your voice, what you bring to the
>sonic universe.  Let others find their path, concentrate on yours.  The
>groups I mentioned above did just that.  They used everything the could
>buy, beg, borrow, steal or con.  Was it "right?"  I really don't care.  I'm
>out of that argument.  Do what works.  Just make your music.  That's Really
>what you care about ...... isn't it?
>
>I do.
>
>Michael
>"Long live whatever it is that supposed to live long.  Meanwhile.."
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 10:16:27 2000
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From: jordanpease@webtv.net (Jordan Pease)
Date: Sun, 10 Sep 2000 07:15:22 -0700 (PDT)
To: Loopers-Delight@loopers-delight.com
Subject: Integrity
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Way to go Kevin !

Thank-you for reminding us all about taking the 'higher road' when
thinking about stealing software. 

Gregor sounds like he's convinced himself that what he's doing is OK,
and unfortunately there's always going to be those among us who take the
path of expediency instead of integrity. After all, the music business
isn't exactly known for its high ethics !

Thank-you for admitting your past transgressions thereby encouraging
others to 'sit and think' about their own decisions and possibly make a
better choice. (I've been in the same boat too, and like you
pointed-out; the net benefit in self-esteem boost is something you can't
buy :-) ! ) 

The bottom line is mercilessly clear: If you're using software that
others paid for; you stole it. Steeling is wrong and you know it, so
don't rationalize. Do the right thing and then reap the benefits !!

-Jordan Pease

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 10:29:59 2000
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From: jordanpease@webtv.net (Jordan Pease)
Date: Sun, 10 Sep 2000 07:28:58 -0700 (PDT)
To: Loopers-Delight@loopers-delight.com
Subject: Am I a fool ?
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Dear fellow lopers,

My voice is a little shaky as I timidly ask:

Am I a fool to sell my brand new Echoplexes now with the expectation
that the Electrix Repeater is going to be a superior product ?

I've been looping with a Jamman (synced to a drum machine) for years and
was really excited about finally getting an Echoplex, but am actually
disappointed now. 

Maybe it's just me, but I think it's hard to use and not as stable as
the Jamman. The user's manual is one of the worst I've seen (I was the
one who started the discussion about 'EDP tutorial video' several months
ago).

Anyway, I'm going to a music swap-meet next weekend (Zone Music in
Sonoma Co. California) and thinking about bringing my two Echoplexes. 

Am I nuts, or what ?

Thanks for your feedback,

Jordan Pease

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 12:47:06 2000
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Jordan Pease (09:28 AM 09.10.2000) wrote:

 >Am I a fool to sell my brand new Echoplexes now with the expectation
 >that the Electrix Repeater is going to be a superior product ?

While I have a simple "one word-two letter" answer all prepped and waiting 
to spring off of my fingers for you, it would benefit anyone in this 
position to wait a couple of more weeks for Electrix to post more 
information about the Repeater on their web site.

They will be releasing more feature and spec data after the AES show.


Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 13:06:52 2000
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From: improv@peak.org (Dave Trenkel)
Subject: Re: Am I a fool ?
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>Dear fellow lopers,
>
>My voice is a little shaky as I timidly ask:
>
>Am I a fool to sell my brand new Echoplexes now with the expectation
>that the Electrix Repeater is going to be a superior product ?
>
>I've been looping with a Jamman (synced to a drum machine) for years and
>was really excited about finally getting an Echoplex, but am actually
>disappointed now.
>
>Maybe it's just me, but I think it's hard to use and not as stable as
>the Jamman. The user's manual is one of the worst I've seen (I was the
>one who started the discussion about 'EDP tutorial video' several months
>ago).
>
>Anyway, I'm going to a music swap-meet next weekend (Zone Music in
>Sonoma Co. California) and thinking about bringing my two Echoplexes.
>
>Am I nuts, or what ?
>
How long have you had the echoplexes? I don't own one, but a friend let me
borrow his for a month, and my first impression was much like yours. But,
after a while, I was finding that there was some very cool things that
could be done with it. My advice would be to hold on them until the
repeater is actually available, and if you're still not satisfied with
them, sell them then. One thing I've learned about both the musical
instrument and computer industries is to never NEVER trust your future to a
piece of gear that isn't actually shipping yet, no offense to Electrix, but
until I know for sure I can lay my hands on a physical unit, I'm not going
to consider one.

____________________________________________
Dave Trenkel : improv@peak.org
Minus Web Site: http://listen.to/minusmusic
Minus MP3's: http://www.mp3.com/-minus-
____________________________________________


From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 14:01:57 2000
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From: Sean <sean_@mindspring.com>
Subject: Re: WAY OT: Warez - A Rebuttal
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At 04:46 AM 9/10/2000 -0500, someone argued:
>Lets first look at physical products that you go and buy, like cars. What
kind 
>of car do you think is a better car a top of the line Mercedes or a Honda 
>Civic? I'm willing to bet most people would think the Mercedes a better car. 
>Why? Because it cost more. It's a pretty simple idea. If something costs
more 
>it is generally seen as being "better".
>
>Apply this idea to software. I'll use Adobe for example. They have various 
>versions of Photoshop available. They range in price from, I think, $40
for a 
>consumer level version to about $800 for a professional version. Now the two 
>versions are different, but the Pro version is not going to be 2000% better 
>than the consumer level version as the price difference would indicate. 

Sounds like you're saying that the cost of physical products is justified
because they're physical.  But, point taken - you don't think the pricing
of software is justified.


>Higher prices don't create better products. Just ask Microsoft. Competition 
>creates better products, which usually creates lower prices.

No one made the argument that higher prices create better products (except
possibly yourself in regard to cars or, at least, the perception of quality
in cars).


>Well, no. There is plenty of freeware and shareware software out there. It 
>costs absolutely nothing to use. So, even if no one paid there would still
be 
>software. Ever heard of Linux?

shareware wouldn't survive if some people didn't pay.


>>* Stealing is an ethical and a legal issue... and stealing is wrong.
>
>But so is speeding, running red lights, not wearing your seat belt, carrying 
>concealed weapons, viewing pornographic material if you are under eighteen 
>years of age, drinking if you are under twenty-one, etc. Does that stop
anyone? 

Does it stop anyone? yeah it does.  Does it stop everyone? no.  so what?
Lots of people steal, therefore it's ok?


>>* When you *use* software that you have have not paid for, you are stealing.
>
>Well, I could argue "use" easily, so instead, I'll argue "paid for". Do you 
>'pay' for using the library? Did the Pilgrims 'pay' for the land they
took? Do 
>logging companies 'pay' for the trees they cut down in National Parks? Do
you 
>'pay' for the oxygen your car burns? Do oil companies 'pay' for the damage 
>their spilled tankers create? Do you 'pay' for using your friends swimming 
>pool? Do you 'pay' for listening to the radio? Do I need to go on?  

Sounds like you're nitpicking the statement.  Maybe that should have been
written: when you install, keep and extensively use commercial software
that has been cracked (or you have an illegally obtained password/key), and
do so without paying for it through the proper channels (legal distributor,
outlet or direct), you are stealing. (I threw in 'extensively use' to allow
for the gray area of demoing a cracked product for which no demo is available)

and besides, tax payers pay for the library whether they use it or not;
radio is advertising paid for - you just put up with the commercials.
In the other cases you mention, there is either charity involved (using
your friend's pool), injustice or something else that I'm not sure how to
describe (in the case of oxygen burning).

Are you trying to imply that because the north american continent was
invaded by europeans, anything goes?  Or that because the pilgrims
inhabited the land stealing is ok?


From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 14:36:05 2000
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Subject: Re: Warez - A Rebuttal
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Here's a situation that may strike a chord closer to home with some of the
readers of this list.  When people "steal" and distribute "stolen" copies of
an application, that application's profitability goes down.  It is not a
direct loss as in stealing a more physical commodity, but potential profits
have been eliminated.  This is a similar claim to what many record companies
are making against MP3 distributors.  The less revenue that a company is
taking in, the smaller the staff they can employ.  In a software development
company the low people on the totem pole are the actual code writers.  These
guys are much more likely to get laid off as a result of software piracy
than any administrator or executive.  I'm a musician and a software
developer and I can tell you from my aspect that I would love to be writing
music oriented applications rather than the work I do at my current job.
For that reason I'd suspect a larger than average portion of the software
developers at companies which are making music based software are musicians.
It is then reasonable to suspect that "stealing" of music software is likely
to hurt --- MUSICIANS!  When a big fat corporation's profits fall they don't
just grin and bear it.  They struggle to survive and more often than not
this will result in layoffs.  Many of these
code-writer-by-day-amatuer-musician-by-night will be the guys to get the
pink slip.  And when an amatuer musician loses his/her job expenses on
non-essentials such as new gear and matienance to old gear is one of the
first thing to go.  Knowing that this situation is possible is enough to
keep myself from using illegal copies of software.  I don't feel that I have
the right to enhance my music making abilities at the cost of another
musicians.

----- Original Message -----
From: Kevin Mulvihill <kmulvihill@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Saturday, September 09, 2000 10:11 PM
Subject: Warez - A Rebuttal


> Alright. Well, I'm not one to flame but the email below gets me as close
to
> that feeling as I think I can go...
>
> Nonetheless, here are my non-flame, hopefully rational, comments... (and
> sorry for their length)...
>
> I DISAGREE STRONGLY WITH THE ATTITUDES THAT SUGGEST THAT IT'S OKAY TO
STEAL
> SOFTWARE.
>
> Please allow me to make my case... let's take Gregor's comments below in
> turn.
>
> He says a lot of folks couldn't make music if it weren't for free
software.
> My response is that we always get those things we truly want... you'd pay
> for the software if you *had to* because you love making music. You'd
*find*
> a way to buy it or "coerce" someone into buying it for you. :-) The
> temptation is software that is very easy to steal - and the reality is
that
> we simply *justify* not paying money for it because it's easy to do so and
> we want to keep that money for ourselves. That's really what's
happening...
> I wonder how many of you are fully taking in that deep thought? If Gregor
> couldn't steal software like he can't steal hardware, he'd find a way to
buy
> what he needed if he loved music enough. He found a way to buy the
hardware
> right? So, it's that simple. C'mon folks - we are not talking thousands of
> dollars here! Is there anyone who would disagree with this?
>
> Then he says he wants to test the software and that justifies piracy.
Well,
> okay, I don't entirely disagree with this idea of testing... I've been
> ripped off by software (and hardware) that didn't do what it promised. And
> because we live in an age where retail stores won't even let you return
> opened software, we're stuck. I say there should be some protection for us
> as consumers. OTOH, how long is an appropriate testing period? My guess is
> that Gregor has probably been "testing" some of his software for years. I
> definitely don't think that's right. I think there comes a time, usually
> about a month or so down the road, when you realize that you *like* this
> software and you know you're going to continue to use it. That's the time
to
> pay.
>
> Gregor says that the folks who make and sell pirated software are the ones
> who are stealing. Let me tell you something, Gregor... stealing is when
you
> take something for your own that doesn't belong to you. Now, I don't deny
> that the commercial pirates are stealing, but I say to you point blank --
> *YOU* are stealing too! The difference between you and them is one of
> degree, not of kind.
>
> Let me tell all of you something: *People* create software. *People* who
> have kids, and mortgages, and bills to pay. Good people. *People* you'd
like
> if you ever met them. *People* like you. They may love what they do, as
Tim
> noted in another email, but is this a reason to pay them any less? I don't
> think so. If they love what they do, so much the better, because they'll
> likely create better products. If anything, we should be paying them more!
> But, my gosh, let's not penalize them just because they do their job well!
> Can you see that this is, effectively, what you're doing? I challenge you
to
> take a moment and think about this now.
>
> Gregor argues that he's a "bedroom musician" and so his theft doesn't hurt
> anybody. But if no one paid then there wouldn't be any software right? So
> somebody has to pay. Who gave any of you theives out there the right not
to
> have to pay, while I have to? What makes you better than me? Aren't we all
> fundamentally equal as human beings? It's a selfish, arrogant person who
> steals.
>
> Software piracy is such a big problem that software prices have to be
higher
> to compensate for the lost revenues resulting from piracy. In this sense,
> Gregor, you and the others are not only stealing from the software
> companies, you are *also* stealing from those of us who pay money for the
> software, because we're paying more than we would otherwise have to.
You're
> stealing from your fellow musicians. Did that ever occur to you? I don't
> know about the rest of you, but I don't like being put in this position.
>
> To those of you who use pirated "warez" on a regular basis, I say this to
> you: I question your ethics. What you are doing is wrong and, if you carry
> it through to it's logical conclusion, it inevitably leads to a double
> standard too - another ethical issue. Who wants to be mired in all this
> crap? Let me give you an extreme example: let's imagine for a moment that
> Gregor writes a song and it becomes a #1 hit worldwide. However, Gregor
> doesn't make one red cent off of his incredibly good fortune because
> everyone pirates his song and no one pays for it. Can anyone honestly say
to
> me that Gregor is going to happy with this? Is it going to be okay because
> individuals did the theft and not some deep-pocket corporation? Of course
> not! Gregor's going to be screaming bloody blue murder for his money! He
> will definitely want to be paid, won't he? And wouldn't you? And yet...
how
> is this different from the software piracy issue? The only thing that's
> different is that little Gregor is now losing some money. You know, in
this
> situation, the tune he will sing will be different from that espoused in
the
> email below.
>
> Remember also that software developers expect to be paid for their work,
> just like *we* do. And it's fair to exchange something of value with each
> other right? You do it every time you drop into a McDonalds, buy a car or
go
> see a movie. So why shouldn't the developers be paid? I say to you all:
> what's wrong with caring about these people too? Are we all so concerned
> with ourselves and our needs that we simply can't do the right thing?
Taking
> anything without paying for it is stealing, plain and simple... and that's
a
> fact!
>
> I have found that a life without some sense of personal integrity is an
> unsatisfying life. We only pass this way once, and other human beings,
> including software developers, have such an incredible capacity to enrich
> the lives we lead and make them more meaningful. For all of you on this
> list, your own lives are made more enjoyable because of the music you play
> and the software you use.
>
> But how can you write honest music if you are not an honest person?
>
> Where is the *artiste* in you folks? Wouldn't you feel a little better if
> your music wasn't tainted through it's creation with stolen software? I
> suggest that the good feeling you get from doing the right thing can
improve
> your music... can you, too, see how it could become more joyful, more
> honest, more "in tune" because you yourself are? Isn't it inevitable?
>
> Moreover, I'll also suggest that it's when the money is hardest to come by
> that you stand to make the largest deposit to your personal integrity
> account by buying the software you use to do that which you love. You'll
be
> repaid tenfold by the terrific boost in self-esteem you'll get - and you
can
> legally use the software too. For some of you, the difference in your
music
> might be night and day...
>
> I remember when I got my first Macintosh in 1984. I went to a user group
> meeting expecting to find out more about this wonderful new computer I
had.
> Instead, I found a bunch of guys sitting around copying software as fast
as
> they could. The second meeting I went to I brought a bunch of disks too
and
> I made my copies. Sometime after that, I actually sat down and thought
about
> what I was doing. I mean, folks, I *actually sat down and thought about
> this*. I realized that what I was doing was wrong.
>
> I hope at least one of you will sit down and think about this as I did. I
> mean... just get off by yourself in some quiet section of your home and
> think about this for a few minutes. Do it now. And if you do - if you are
> honest with yourself and have some sense of personal integrity - you'll
> reach the same conclusion I have. I suggest that there is only one logical
> result to be had:
>
> * Stealing is an ethical and a legal issue... and stealing is wrong.
> * When you *use* software that you have have not paid for, you are
stealing.
>
> I ask each of you: How do you want to live your life? What kind of
person -
> and musician - do you want to be?
>
> Kevin
>
>
>
> > hi,
> >
> > I just wanted to say that it shouldn't matter if somebody bought the
> > software or just got it from a warez site. I think there are quite some
> > facts that speak for warez. The first point would be that a lot of
people
> > couldn't make music if there wouldn't be cracked software. I'm not
capable
> > to buy all the programs i use because the prices are just to
> > high. So, if i
> > would stick to the stuff i could buy, guess then i would have to use
that
> > piano site for making music (and we really don't want that, do we?:)))
> > The other thing is that we have the possibility to test things. I think
> > software in general is sort of a user phenomenom. Most of the
> > software has a
> > lot of bugs. Would anybody buy a t-shirt with a hole or a car which
could
> > have general protection fault?:))
> > What I don't agree with is, that pirates are making profit with
> > selling the
> > software. That's were IMO the stealing lies. In china they copy and
print
> > the cds which look like the original and they sell it as an
> > original!! that
> > is wrong. The software companies all in all don't want to get
> > bothered with
> > a bedroom musician. If I copy a program, I don't cause any damage
> > to anyone,
> > because I wouldn't buy it anyway (because of the reasons
> > mentioned earlier).
> > So if we put in a little of economic science, the society net wealth
curve
> > would be higher as I would feel better and no one would be damages. "the
> > allocation" would be pareto efficient. (sorry got carried away because
of
> > the exams).
> >
> > greetings,
> >
> > gregor
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 15:15:06 2000
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... but potential profits have been eliminated...

I didn't eliminate any potential profit, because there's no potential profit
from my side at the moment. I took warez from an anonymous ftp and so i
didn't pay the pirates (actually i don't even know a pirate with music
applications). so blaming me for people getting fired is as blaiming me for
the holocaust.

also to sum up and perhaps conclude this debate. i didn't come up with this
warez talk to find out if it's right or wrong. it started because one list
member got a negative response because he has an illegal copy. i don't think
ppl should be judged and helped based on the fact if they bought the
program. I DO NOT say that warez is OK, but just wanted to point that
there's also the other side of the story.
Also, stating that somebody is immoral because he/she is using pirated
software is an act which i'd really think about before doing it.

greetings,

gregor

p.s.: the tools i use don't boost my self-confidence, the things I create
with the tools do.

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 16:37:18 2000
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Getting ready to finish off (for now) the building of my looping rig,
with the purchase of a mixer.  I'm almost positive that I'll be getting
a Behringer 2642A Eurorack, because at $400 (from Musician's Friend) I
haven't seen anything with comparable features (in particular the 6
auxes).  To the questions:

1.  Has anyone had experience with this mixer, or one of its close kin,
that can give a quick review?
2.  Two things I'm planning on doing with it, that I want to make sure
are possible (and don't have easier ways of doing them):
	a.  I plan on using one aux (say aux5) to send into a long delay (set
100% wet) and then use another (say aux6) to send to my se-70 for pitch
shifting the delayed signal which will then be fed back to
aux5...outside of being very careful with levels, this should work,
right?  Is there an easier way that might not take up so many mixer
channels?

	b.  I recently got a used Vortex and want to be able to send just some
of the signals to it (instead of the whole mix).  According to the info
at the Behringer site, there are inserts on the main outputs, but not on
the subgroup outputs.  My thought, then is to route the signals I want
going to the Vortex into a pair of subgroups (say 1&2), feed sub outs
1&2 into mixer inputs that are assigned to subgroups 3&4.  If I then do
not assign subs 1&2 to main, but do assign 3&4 to main, it should be a
roundabout way of doing what the insert would do...right?

If these are foregone conclusions with using a mixer with auxes and
subs, I hope you don't flame me too much---this will be my first
experience dealing with a mixer (beyond the three inputs on my peavey
kb-100).


As an aside, I switched ISPs a couple days ago, and lo and behold was
able to unsubscribe the old e-mail address and subscribe the new e-mail
address all by myself...


Cheers,

Jon Southwood
gamut@mcleodusa.net

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In a message dated 9/10/00 9:13:27 AM Central Daylight Time, 
gregor.zavcer@kiss.uni-lj.si writes:

<< If you sum up logic, sound forge,
 acid and waves npp for example you get a figure which is higher. It would
 take me more then 4 years to get the software i need. >>

Need? 

Right now, I happen to have at my disposal a 16 track ADAT system, a ton of 
outboard gear, two computers for the studio, and wads of audio software to 
cut, splice, tweak and burn anything I might record. 

Do I NEED all this? 
No. Years ago, I wrote and recorded songs on regular cassette decks, using 
nothing more than the "line out" from my 10 watt Crate guitar amp. I recorded 
several demos from several different bands I was in using a $200 Peavey 8 
channel mixer and a Tascam Porta 05 ($300 at the time). And I can still do it 
- I took some pedals and my second hand Porta 01 ($150 a few months ago) to 
work a few weeks ago when I worked a graveyard shift, and recorded some songs 
at my workplace during an idle 10pm-7am stint. 

"Need" is a slippery slope. I know lots of people with decent gear who "need" 
this or that magic box to do their work. And the work never gets done. On the 
flipside, the band Man Is The Bastard managed a reasonable world-wide 
audience and put out dozens of records while recording in their practice 
space on a four-track, using the built-in mixer and one mic. 

If you want to make it happen, you will. It might not sound perfect, but I'd 
wager that there is a way to get what you want with a little extra work, 
instead of having a preset do it for you. 

just my two cents. 
- Bill 
- Crossedout@aol.com

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From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 17:41:16 2000
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I believe Bitheadz (or maybe NI) is bringing out a program called Phrazer 
that is similar to ACID for the mac platform.

Martin Shellard


----------
>From: "michele wortman&guy aitchison" <hyperspacestudios@earthlink.net>
>To: Loopers-Delight@loopers-delight.com
>Subject: Acid for Mac users
>Date: Sun, Sep 10, 2000, 6:29 am
>

>
>   I was wondering if anyone could tell me, are there any programs that are
> equivalent to Acid for Mac users? I am looking for a simple easy way to loop
> and sync beats,sounds etc.....  Any suggestions?
>
> Thanks, M
> 

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 17:41:31 2000
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At 7:28 AM -0700 9/10/00, Jordan Pease wrote:
>Dear fellow lopers,
>
>My voice is a little shaky as I timidly ask:
>
>Am I a fool to sell my brand new Echoplexes now with the expectation
>that the Electrix Repeater is going to be a superior product ?

There isn't really much information about the Repeater out yet. But from
what little there is, it appears the feature sets between the two are
fairly different. It seems to me you are considering trading an apple for
an orange. Before you do that, you may want to spend some time thinking
about what it is you actually want.



>I've been looping with a Jamman (synced to a drum machine) for years and
>was really excited about finally getting an Echoplex, but am actually
>disappointed now.
>
>Maybe it's just me, but I think it's hard to use and not as stable as
>the Jamman. The user's manual is one of the worst I've seen (I was the
>one who started the discussion about 'EDP tutorial video' several months
>ago).

You've made this complaint in the past, and every time somebody on the list
says, "Jordan, we can help you. All you need to do is ask a question about
whatever is confusing you and somebody on the list will try to answer."
But you never ask anything!

So Jordan, once again: What is it you are confused about? What is it you
would like us to teach you to do with your Echoplex?

Even if we make a video, how would we know what will help you if you don't
tell us? If we try to improve the manual, what would be useful for you? It
already goes through every single function and more-or-less accurately
describes it. Things that are not explained well there are mostly taken up
in the Echoplex FAQ that has been created on the Looper's Delight site. If
that is not good enough, what would you rather have it do?

The Echoplex is a musical instrument. It was created such that the basic
techniques are fairly simple for the beginner to learn and enjoy very
quickly. But there is much more depth to explore and master and add to your
looping repertoire.  You won't learn everything in one afternoon, but you
should be having a good time with it right away. As you learn to play it
and become an expert, you will find much more underneath to enable you to
use it in your own unique way. This takes some time and practice, and it
takes you to figure out what your own way is. There is a huge amount of
flexibility that you can take in numerous directions for your own style of
looping. As with any other instrument, no manual or video is going to get
you there - ultimately it is you.

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 17:49:54 2000
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First, what I meant by "potential profits" is the revenue that would have
been generated for the software company had the software been purchased.
Once a free copy of the software has been attained it's not likely that the
user will purchase an additional copy from the company.  Therefore the
potential for profit from that software user has been lost. I know that some
people do use "illegal" copies of software as a demo before purchasing the
software, so my argument doesn't hold up under all circumstances.

And secondly, I hope that no-one here felt I was placing any blame or
calling any one immoral.  I'm not perfect and don't ever want to be.  I was
just following the conversation (or what it had become ...) and thought I'd
give my 2 cents on how I came to my decision on the subject.  If I offended
anyone I truly am sorry.

----- Original Message -----
From: Gregor Zavcer <gregor.zavcer@kiss.uni-lj.si>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, September 10, 2000 3:09 PM
Subject: Re: Warez - A Rebuttal


>
>
>
>
> ... but potential profits have been eliminated...
>
> I didn't eliminate any potential profit, because there's no potential
profit
> from my side at the moment. I took warez from an anonymous ftp and so i
> didn't pay the pirates (actually i don't even know a pirate with music
> applications). so blaming me for people getting fired is as blaiming me
for
> the holocaust.
>
> also to sum up and perhaps conclude this debate. i didn't come up with
this
> warez talk to find out if it's right or wrong. it started because one list
> member got a negative response because he has an illegal copy. i don't
think
> ppl should be judged and helped based on the fact if they bought the
> program. I DO NOT say that warez is OK, but just wanted to point that
> there's also the other side of the story.
> Also, stating that somebody is immoral because he/she is using pirated
> software is an act which i'd really think about before doing it.
>
> greetings,
>
> gregor
>
> p.s.: the tools i use don't boost my self-confidence, the things I create
> with the tools do.
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 18:56:32 2000
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Below:

  | -----Original Message-----
  | From: Christopher Vereb [mailto:cjv8793@ritvax.isc.rit.edu]
  | Sent: Sunday 10 September 2000 2:56 PM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: Re: Warez - A Rebuttal
  |
  |
  | First, what I meant by "potential profits" is the revenue that
  | would have
  | been generated for the software company had the software been purchased.
  | Once a free copy of the software has been attained it's not
  | likely that the
  | user will purchase an additional copy from the company.  Therefore the
  | potential for profit from that software user has been lost. I

I think this is a misguided assumption.  Who says "it's not likely"?  Have
you scientific studies to determine "it's not likely"?  Have they made any
laws for "it's not likely"?  Personally, I will buy software that I find
useful, smart, gets the job done efficiently and quickly, is stable,
software that I know how to make it work.  I don't buy software that is
bloated, crappy, unstable or useless.  If I ever got my hands on some warez
I'm not familiar with, will I try it out?  Hell yes, I will!  If it benefits
me, my business, my career, etc., to have technical support and the full
backing of the software company, will I buy it?  Absolutely!  Anybody who
has ever bought software knows the absolute necessity to have access to
updates, upgrades, their technical database, their telephone number, etc.,
etc.  My computer will be outdated in a couple of years.  If I have software
I love, I'll upgrade it with my computer.

Software companies have been under the gun lately because of their fine
print anyway.  The want to be held totally unaccountable for some of their
shitty software.  If I buy bad software, I want to have the opportunity to
get my money back.  Some of these companies want to get over and not be
accountable.  I say if some of those companies get hurt by warez, well, they
had it coming!  But, personally, I don't think they get hurt.  The more
people out there are using their software, legally or illegally, the more
likely users will buy a license in the future.

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 18:56:33 2000
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HA HA HA  That's like the cowboy's self-confidence being boosted because
he's got a big gun!  You're right.  The music is the important thing here.

  | -----Original Message-----
  | From: Gregor Zavcer [mailto:gregor.zavcer@kiss.uni-lj.si]
  | Sent: Sunday 10 September 2000 12:10 PM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: Re: Warez - A Rebuttal
  |
  | greetings,
  |
  | gregor
  |
  | p.s.: the tools i use don't boost my self-confidence, the
  | things I create
  | with the tools do.
  |
  |

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Folks,

The Handsonic list has been set up.  Please visit the following web page to 
subscribe yourself:

http://www.egroups.com/group/handsonic

Thanks,
Paolo
_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 20:13:37 2000
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Subject: zoom 2100 revisited
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not having my rang made me turn to the zoom 2100 for my loops........what 
good cheap fun.........it made the "big" noise.........michael

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 21:00:14 2000
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From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 21:07:42 2000
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Anyone here use Digital Performer's Polar looper? Any pro's and con's
would be appreciated.

Thanks.

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 22:07:19 2000
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Hey gang.  The recent OT thread of "finding new ways of using your current
equipment instead of giving in to the 'I'll be great when I can afford a
VG-8/EDP/Kyma/etc'-neurosis" inspired me to get busy with my 2 DOD DFX4
pedals instead of staring at my calendar waiting for the Repeater to go into
production.  Not surprisingly, I found a few new tricks!  If you've got 2
cheap samplers, try these:

- set one sampler to a short loop length and the other to a longer length.
Then play something into 'em and set them up to repeat.  Then slow the short
one down so it's an octave below the longer one.  It should sound very
different then it did at the original length, and hopefully super-cool.  For
extra kicks, try messing with the length of the other loop too.  For
instance, try getting them a major second or sixth apart for some
interestingly-consonant sounds.  Obviously this only works if you've got a
sampler that changes the loop's pitch when you adjust its length.

- open the loop, play a note into it and sustain the note while twisting and
turning the knob that controls the delay length, then close the loop.  You
should end up with some multi-octave whammy dives that would make Adrian
Belew jealous (though I'm pretty sure he did the same trick back in the 80s
on some King Crimson or Talking Heads tune).

- try stringing 2 samplers together.  On my Boss GT3 (get one!), I set up a
patch with a 1-second delay with infinite layering.  I like to build up a
densely-packed loop, then dump it over to the DFX all at once.  Then clear
out the 1-second delay and do it all over again.  Since the DFX can only
hold a few layers at a time, this is sort of a cheating way to stuff it with
much more than it could normally handle.

- set the 2 samplers for sample times that are close, but not quite the
same, say 4 seconds vs 3.25 seconds.  Then play some ambient volume-swell
stuff into both of them at the same time.  The slight difference in the
delay times will cause the two loops to go in and out of sync in a very nice
manner.


Sorry if these ideas might be too specific to devices that work like the
ever-wonderful DOD DFX4, but hopefully someone might get inspired.  Besides,
we haven't talked much about looping lately!


Peter

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 22:30:40 2000
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In a message dated 09/10/2000 9:13:27 AM Central Daylight Time, 
gregor.zavcer@kiss.uni-lj.si writes:

<< Can you explain me how can you tell if the music is honest when you hit 
play
 on the CD? >>

I don't know about anyone else, but I know I can tell, and yet I don't know 
how to quantify that judgment.

And, it may simply be honest about how fucked up it is, too.  Things are 
revealed in music that are not revealed in direct, person-to-person 
experience.

And every musical event involves two: the musician and the listener.  Each 
brings his/her own frames of reference to the event.  (Most American frames 
of reference are shaped by that BSb/Britney mentality, and it has always been 
so.  Pop culture is what it is.  This makes 'art' more difficult.  Somewhere 
there are gray areas, too, and those who wish to subvert this paradigm.)

Can you tell when another person is lying to you?  It's the same question, 
really...

I'm glad this thread has erupted this way... how it gets around to looping, I 
don't know, but these are things musicians should think about, loopers or 
not.  

All of the above is my judgment (IMFA).

Kevin

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From: jordanpease@webtv.net (Jordan Pease)
Date: Sun, 10 Sep 2000 19:41:19 -0700 (PDT)
To: Loopers-Delight@loopers-delight.com
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Dear Kim-

Thanks for responding.

It isn't easy for me to compose a simple question to other Echoplex
users about what I'm not exactly getting the hang of ...

I'm so accustomed to the Jamman that I'm having a hard time expanding my
horizon I guess...

One thing that really bugs me is that sometimes if I erase a loop and
start again several times in a row, I loose sync with the drum machine.
This is especially troubling when I already have a loop going that I'm
overdubbing onto. That has NEVER happened with the Jamman. (I've got two
Echoplexes hooked-up in a stereo configuration).

One of the features that the Jamman lacks that I was excited to have on
the Echoplex was the UNDO function.  I find that it doesn't work as I
would expect it to...
 
I have seen the FAQs on the Looper's Delight website and they're GREAT !
Thank you again for maintaining such a tremendous resource for this
community.

I admit that I've been easily frustrated by the thing and have not
really sat down with the printed manual enough to be complaining about
it yet I guess... Again, I'd love to watch someone like you [Kim]
operate it and get a better feel for how to "play" it. What ever
happened to the Tutorial Video idea, anyway ? It sounded like it had
some support ! 

Does anybody else think that a videotape of Kim showing-off his baby
would be helpful, if not just plain interesting and worth thirty bucks
or so ?  

Any thoughts ?

Thanks,

Jordan

PS- Does anybody know if there is a Jamman upgrade higher than Vrs. 2.08
that Bob Sellon has made available which includes an UNDO function ?

For that matter, does anybody know how to contact Bob Sellon ?

From Loopers-Delight-request@loopers-delight.com  Sun Sep 10 23:32:05 2000
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In a message dated 9/10/00 10:41:50 PM Eastern Daylight Time, 
jordanpease@webtv.net writes:

<< One thing that really bugs me is that sometimes if I erase a loop and
 start again several times in a row, I loose sync with the drum machine.
 This is especially troubling when I already have a loop going that I'm
 overdubbing onto. That has NEVER happened with the Jamman. (I've got two
 Echoplexes hooked-up in a stereo configuration).
 
 One of the features that the Jamman lacks that I was excited to have on
 the Echoplex was the UNDO function.  I find that it doesn't work as I
 would expect it to... >>

I also just started using an Echoplex  (migrating from the Jamman 
environment) and observed the above as well. The UNDO function doesn't always 
seem to undo. I'm not sure if this is a configuration issue or just the way 
the UNDO function works (or rather doesn't).

I've also noticed an intermittent problem with losing sync to a drum machine. 
Ultimately, I guess, I was trying to use the Echoplex  in a similar fashion 
as I had used the Jamman (which is, needless to say, not optimizing the 
Echoplex's capabilities) and I moved away from that setup. Rather, I've been 
entering drum/percussion directly into the Echoplex using a Hart percussion 
pad to trigger an Alesis DM5. Then, I've been adding guitar rhythm or bass 
patterns, building up several fuller loops then recording the whole mess to 
my Roland VS840EX. Once, I have some good backgrounds prepared, I solo over 
the whole shebang and record, again, via the VS840EX.

Later.....Paul from "the Butch Band"

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 01:34:10 2000
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Subject: Re: WAY OT: Warez - A Rebuttal
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At 2:46 AM -0700 9/10/00, Ben Porter wrote:
>Well all this talk of warez and such fails to recognize a simple idea:
>economics and how that applies to the software industry.
>
>Lets first look at physical products that you go and buy, like cars. What
>kind of car do you think is a better car a top of the line Mercedes or a
>Honda Civic? I'm willing to bet most people would think the Mercedes a
>better car. Why? Because it cost more. It's a pretty simple idea. If
>something costs more it is generally seen as being "better".
>
>Apply this idea to software. I'll use Adobe for example. They have various
>versions of Photoshop available. They range in price from, I think, $40
>for a consumer level version to about $800 for a professional version. Now
>the two versions are different, but the Pro version is not going to be
>2000% better than the consumer level version as the price difference would
>indicate.

Photoshop LE is about $99. The full version of Photoshop is about $609.
That's roughly a factor of 6.

Is the full version 6 times better? That depends on what you need. Do you
need CMYK editing for pre-press? Do you need extensive web optimization
options? If so, then arguably the full version is infinitely better since
it meets your needs and LE doesn't. Want something more concrete? Extensis
MaskPro sells for about $199. The full version of Photoshop also includes
professional masking tools -- not identical to those in MaskPro but
competitive or better -- and those features aren't in LE.

Is the full version of Photoshop's price out of line? A lot of prosumer
digital cameras sell for more. (Let's not even talk about professional
digital cameras.) Those cameras will probably be obsolete in a couple years
and you won't be able to buy an upgrade for them.

Now, yes, those cameras cost more to produce per unit than do boxes of
Photoshop. The camera manufacturers probably aren't living that close to
the edge yet, however, since this hasn't become a commodity market. (Even
in the commodity PC market, it's just the systems assemblers that are
getting squeezed. Intel still enjoys quite high margins per chip.)

>
>Now, lets look at manufacturing costs. A software company has to
>manufacture a CD, a manual, and a display box. Go look at how much it
>costs to get some CD's printed. This "manufacturing" can't cost more than
>about $3 a unit to produce. A fraction of what it would cost to actually
>manufacture an actual hardware product.
>
>But, you could argue about R&D costs. Well, any hardware manufacturer is
>probably going to have to pay as much, if not more, than any software
>manufacturer. With software you've got programmers, more programmers and
>management. With hardware, you've got design team engineers, manufacturing
>engineers, production workers, etc. and management. So, your R&D can't
>cost very much when all your company does is programming.

That argues that hardware probably has more R & D to recoop. It doesn't
really argue that software has a small amount of R & D. Most software sells
relatively few copies relative to hardware in the computer industry. A lot
of software titles don't make all that much money once one factors in R &
D. The broad successes like Photoshop pay for the more narrow products.

The narrower the niche, and music is pretty narrow, the more important it
becomes for people to pay for the software because there aren't other
sources of revenue available to the software developer.

>To me it is hard to argue that software is worth what it costs. Companies
>like the above mentioned Adobe sell bundled software packages for up to
>half of what it costs for the individual pieces of software. They can't be
>losing any kind of money for this, so why don't they just sell all of
>there software for half the cost?

I think the hope is to be able to say, "If you want Photoshop, can we
entice you to buy X, Y, and Z as well for a discount."

>Well, no. There is plenty of freeware and shareware software out there. It
>costs absolutely nothing to use. So, even if no one paid there would still
>be software. Ever heard of Linux?

Where would Linux be if it hadn't had Unix to copy? Where would GIMP be if
it hadn't had Photoshop to copy?

Yes, there would probably be software even if no one paid, but it would
probably be quite different from what you encounter right now.

Or to put it in a music related context, there are a lot of musicians who
perform on the street hoping for donations. Some of them are actually
reasonably good. Would the range of music that exists be different if no
one ever paid musicians or all that musicians could get was donations for
performing on the street?

>Your logic about any hit song if very flawed. He could not have a hit song
>without a contract to some big corporation. He could never make much money
>off of that song due to the way the recording industry and copyright laws
>work right now and so you are right back to the fact that if anyone
>*stole* his song (a highly arguable statement) it would only be hurting
>the big corporation that he has that contract with and he would never feel
>much of a pinch unless he already was a huge, overbloated act, like
>Metallica and U2.

So, this automobile manufacturer is looking for some cool electronic music
to put behind an ad and stumbles across a loopers tune on the web. Does the
automobile manufacturer have the right to just use it? After all, the
musician probably didn't really expect to make any money from it anyway.

Another analogy: An awful lot of artwork goes for prices a lot higher than
the cost of the canvas. This is also true for lots of reproductions,
photographic prints, etc. which don't have any benefit of uniqueness. Do
you have the right to walk into a photography gallery, steal a print, and
leave cash for the cost of goods? Go paint your own pictures, take your own
photographs, ... write your own software. Or find someone who is willing to
do it for you at a price you are willing to pay.

In summary, with respect to warez, Napster, etc.: It's the copyright
holder's right to decide how the work gets reproduced and distributed. The
copyright holder can decided to give something away or to charge a price
for it.

Mark


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You're in luck.....checkout "Phrazer" at <A HREF="http://bitheadz.com/">Welcom
e to BitHeadz, Inc.</A>  I saw a preview of it at the NAMM show...these guys 
are really cool, and I use alot of their products already (Unity DS-1, Voodoo 
etc...) I am anxiously awaiting the release of this software! (or maybe it'll 
be on a WAREZ disc ;)
john

In a message dated 9/10/00 4:49:59 AM, 
Loopers-Delight-d-request@loopers-delight.com writes:

<< I was wondering if anyone could tell me, are there any programs that are
equivalent to Acid for Mac users? I am looking for a simple easy way to loop
and sync beats,sounds etc.....  Any suggestions?

Thanks, M >>

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From: Bret <echoplex@yahoo.com>
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--- Jordan Pease <jordanpease@webtv.net> wrote:
> One thing that really bugs me is that sometimes if I erase a loop and
> start again several times in a row, I loose sync with the drum
> machine.
Jordan,
I believe I can explain what is happening here.  I noticed a similar
effect using brothersync and midi, and studied when and why sync was
lost.  I think that the loss of sync occurs when you erase a loop that
was synced to your drum machine.  Before yor re-record the loop, you
need to wait for the sync pulse light to show on your EDP display.  If
you wait to see that pulse, your next recorded loop will sync properly.
 I assume you are running your drum machine the whole time, so that the
sync pulses are incoming always.
> 
> One of the features that the Jamman lacks that I was excited to have
> on
> the Echoplex was the UNDO function.  I find that it doesn't work as I
> would expect it to...

Undo seems simple on the surface, but much deeper and variable once you
dig into its nature.  Both Kim and Mathias have written details on the
behavior on undo, long press vs. short, and when in the cycle that you
press undo.  Also, remember the effect that the loop length and
remaining memory have on undo (undo only goes as deep as the leftover
memory). Check the archives for more details, or ask specific questions
about undo.
Keep exploring the edp, it's worth the effort.

bret

__________________________________________________
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Yahoo! Mail - Free email you can access from anywhere!
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Date: Mon, 11 Sep 2000 01:51:15 EDT
Subject: Re: EDP Tutorial and WAREZ
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Kim,
I think it would be a good idea for you to copy this WAREZ thread to use it 
as an example of how to use the MULTIPLY function to take what was an 
originally very short phrase, multiply it to be a longer phrase, overdub on 
it until you have alot of variations on your original theme....THEN let it 
loop for eternity until your audience walks out on you...
john

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--- Jordan Pease <jordanpease@webtv.net> wrote:
> Dear fellow lopers,
> 
> My voice is a little shaky as I timidly ask:
> 
> Am I a fool to sell my brand new Echoplexes now with the expectation
> that the Electrix Repeater is going to be a superior product ?

Jordan, 
you are the wise one, leading the pack.  I forsee the Echoplexes
becoming near worthless as soon as the repeater hits the market.  My
crystal ball says that if you can get $500 for the pair of EDPs you are
doing great.  I care about you so I am willing to send $600 for the
pair of EDPs.  

We all know a new bird in the bush is worth 2 in the hand.

Do you want paypal or money order?  
bret ;-)


__________________________________________________
Do You Yahoo!?
Yahoo! Mail - Free email you can access from anywhere!
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 05:04:08 2000
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Subject: Re: Mixer Questions
Date: Mon, 11 Sep 2000 10:53:33 +0200
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I own a Behringer 2642, and as a budget minded amateur, I'm very happy with
it.  For the price, you can't get that features on any other.  I've got it
three years now, and it still works fine.  Mind you, it almost never left
the house.  A friend of mine moved it regurarly, and has had problems with
his one.
> 2.  Two things I'm planning on doing with it, that I want to make sure
> are possible (and don't have easier ways of doing them):
> a.  I plan on using one aux (say aux5) to send into a long delay (set
> 100% wet) and then use another (say aux6) to send to my se-70 for pitch
> shifting the delayed signal which will then be fed back to
> aux5...outside of being very careful with levels, this should work,
> right?  Is there an easier way that might not take up so many mixer
> channels?

There are aux sends on fX returns that will do the job.

> b.  I recently got a used Vortex and want to be able to send just some
> of the signals to it (instead of the whole mix).  According to the info
> at the Behringer site, there are inserts on the main outputs, but not on
> the subgroup outputs.  My thought, then is to route the signals I want
> going to the Vortex into a pair of subgroups (say 1&2), feed sub outs
> 1&2 into mixer inputs that are assigned to subgroups 3&4.  If I then do
> not assign subs 1&2 to main, but do assign 3&4 to main, it should be a
> roundabout way of doing what the insert would do...right?

I would go straight into the Vortex from the sub outs

Jan

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 05:23:32 2000
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Subject: Re: EMUSIC Playlist #181
Date: Mon, 11 Sep 2000 10:21:59 +0100
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Bill,

public thanks for playing my music - I really appreciate it. If anyone wants
to hear the track in question, or anything else off my solo album, it's all
on my web-site - www.steve-lawson.co.uk

are there any other LD people in the play list? Any of you got links to .ra
or mp3 files?

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com
SBN - solobassnetwork-subscribe@listbot.com

"I know there's a balance, I see it when I swing past" - John Mellencamp



> ARTIST                  TRACK                    ALBUM (label)
> ======================= ========================
==============================
> 11:04 pm
> Vangelis                Main Titles              Blade Runner (Atlantic)
> Vangelis                Blush Response           Blade Runner (Atlantic)
> Synthetic Block         Ping                     Synthetic Block
(Mindspore)
> Dweller at the          Generation               Gerneration,
Transmission,
>   Threshold               (Parts 1, 2, & 3)        Illumination (Eurock)
> Kent Sparling           In a Mumbling Sky        Under New Manna (Jicama
Salad
> Co.)
> Steve Lawson            Pillow Mountain          ...And Nothing But the
Bass
> (Pillow
>                                                    Mountain Records)
> Ian Boddy &             Trace the Memory         Distant Rituals (DiN)
>   Markus Reuter
> Steve Roach             Underground Clouds       Atmospheric Conditions
> (Timeroom)
>                           Over a Secret Grotto *
>
> 12:00 am
> Cosmic Hoffmann         Beyond the Galaxy        Beyond the Galaxy (Heart
and
> Mind)
> Cosmic Hoffmann         The Gates of Jahore Pt1  Beyond the Galaxy (Heart
and
> Mind)
> Cosmic Hoffmann         Howling Wolves           Beyond the Galaxy (Heart
and
> Mind)
> Cosmic Hoffmann         The Gates of Jahore Pt2  Beyond the Galaxy (Heart
and
> Mind)
> Cosmic Hoffmann         Wanderers of Time *      Beyond the Galaxy (Heart
and
> Mind)
>
> 1:00 am
>
>  * = exerpt
> VA = Various Artists (compilation)
>
> On the next EMUSIC, I'll continue the month-long focus on the the E-Live
2000
> festival in Veldhoven, the Netherlands on September 10.  The feature CD at
> midnight
> will be "Energy" by Elektronische Maschine.
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 05:39:13 2000
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Hi,

I understood what you meant by potential profits. Still, like I said there
are no potential profits from me at the moment as the only question that is
is whether to have it or not.

And no, I'm not offended. I actually enjoyed the thread a lot:))) I got some
new ideas in which I'll fill you in the next days. Right now, I'm a little
bit to busy.:)))

greetings,

gregor

----- Original Message -----

First, what I meant by "potential profits" is the revenue that would have
been generated for the software company had the software been purchased.
Once a free copy of the software has been attained it's not likely that the
user will purchase an additional copy from the company.  Therefore the
potential for profit from that software user has been lost. I know that some
people do use "illegal" copies of software as a demo before purchasing the
software, so my argument doesn't hold up under all circumstances.

And secondly, I hope that no-one here felt I was placing any blame or
calling any one immoral.  I'm not perfect and don't ever want to be.  I was
just following the conversation (or what it had become ...) and thought I'd
give my 2 cents on how I came to my decision on the subject.  If I offended
anyone I truly am sorry.



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I agree with you up to a point. That is, I can hear whether the music was
made as a resultat of creativity or if it was made with financial goals in
mind. That's were I distingiush "honest music" from other stuff. This
doesn't necessarly mean that there's same distinction between good and bad.
actually, i'm trying to look as music as "likeable and non-likeable". But
there's no way you can hear if the author used a warezed copy.:))

greetings,

gregor

><< Can you explain me how can you tell if the music is honest when you hit
>play
> on the CD? >>
>
>I don't know about anyone else, but I know I can tell, and yet I don't know
>how to quantify that judgment.
>
>And, it may simply be honest about how fucked up it is, too.  Things are
>revealed in music that are not revealed in direct, person-to-person
>experience.
>
>And every musical event involves two: the musician and the listener.  Each
>brings his/her own frames of reference to the event.  (Most American frames
>of reference are shaped by that BSb/Britney mentality, and it has always
been
>so.  Pop culture is what it is.  This makes 'art' more difficult.
Somewhere
>there are gray areas, too, and those who wish to subvert this paradigm.)
>
>Can you tell when another person is lying to you?  It's the same question,
>really...
>
>I'm glad this thread has erupted this way... how it gets around to looping,
I
>don't know, but these are things musicians should think about, loopers or
>not.
>
>All of the above is my judgment (IMFA).
>
>Kevin
>

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Hahaha, good one:)) Or it can demostrate that a song can be made from very
little. You only have to stick to it for a while:))

greetings,

gregor


>Kim,
>I think it would be a good idea for you to copy this WAREZ thread to use it
>as an example of how to use the MULTIPLY function to take what was an
>originally very short phrase, multiply it to be a longer phrase, overdub on
>it until you have alot of variations on your original theme....THEN let it
>loop for eternity until your audience walks out on you...
>john
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 06:00:09 2000
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At 8:30 PM -0700 9/10/00, PaulPokr@aol.com wrote:
>In a message dated 9/10/00 10:41:50 PM Eastern Daylight Time,
>jordanpease@webtv.net writes:
>
><< One thing that really bugs me is that sometimes if I erase a loop and
> start again several times in a row, I loose sync with the drum machine.
> This is especially troubling when I already have a loop going that I'm
> overdubbing onto. That has NEVER happened with the Jamman. (I've got two
> Echoplexes hooked-up in a stereo configuration).
>
> One of the features that the Jamman lacks that I was excited to have on
> the Echoplex was the UNDO function.  I find that it doesn't work as I
> would expect it to... >>
>
>I also just started using an Echoplex  (migrating from the Jamman
>environment) and observed the above as well. The UNDO function doesn't always
>seem to undo. I'm not sure if this is a configuration issue or just the way
>the UNDO function works (or rather doesn't).

Mostly, you need to understand how Undo works in the Echoplex in order to
use it to its fullest. It is a powerful feature with several options. Once
you understand it a little better, you will find it is not difficult to use
at all. Just practice it a bit, experiment some, and you will have it.  But
if you have not yet learned about such things as the differences between
short-press Undo and long-press Undo, and how the memory is used, you may
find it a little confusing.

Undo is explained reasonably in the Echoplex manual, I encourage you to
read the manual section called "Undo".

Also, this was discussed on the list just last week, you may wish to reread
those postings:

http://www.loopers-delight.com/LDarchive/200009/msg00082.html
http://www.loopers-delight.com/LDarchive/200009/msg00084.html


and a quick mailing list archive search reveals many more informative posts:

http://www.loopers-delight.com/LDarchive/199707/msg00310.html
http://www.loopers-delight.com/LDarchive/199708/msg00009.html
http://www.loopers-delight.com/LDarchive/199709/msg00275.html
http://www.loopers-delight.com/LDarchive/199802/msg00706.html
http://www.loopers-delight.com/LDarchive/199802/msg00728.html
http://www.loopers-delight.com/LDarchive/199806/msg00209.html
http://www.loopers-delight.com/LDarchive/199806/msg00219.html
http://www.loopers-delight.com/LDarchive/199811/msg00329.html
http://www.loopers-delight.com/LDarchive/199903/msg00152.html
http://www.loopers-delight.com/LDarchive/199903/msg00170.html
http://www.loopers-delight.com/LDarchive/200005/msg00254.html
http://www.loopers-delight.com/LDarchive/200005/msg00270.html


there were many many many others. The list archive are an enormous
resource. Answers to so many questions are there, you just need to look. So
USE IT!

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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At 10:51 PM -0700 9/10/00, JohnFlem@aol.com wrote:
>Kim,
>I think it would be a good idea for you to copy this WAREZ thread to use it
>as an example of how to use the MULTIPLY function to take what was an
>originally very short phrase, multiply it to be a longer phrase, overdub on
>it until you have alot of variations on your original theme....THEN let it
>loop for eternity until your audience walks out on you...

It's more like the Insert function. Quote the entire previous post, but add
a little section to the top or in the middle or at the end. Keep doing that
and watch it get longer and longer and longer and longer.....

kim



______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 06:28:54 2000
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Subject: RE: Mixer Questions - Behringer MX2642A
Date: Mon, 11 Sep 2000 12:30:36 +0200
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Hi Jon,

I owned a Behringer MX2642 (the old model) for four years now (I got it when
I didn't want to use my Fostex 280 Multitrack anymore), when it was still
expensive (paid DM1200, now ~ $580, back then about $800), and when I
assembled my live rack and realized that my Mackie 1202 VLZ Pro was way too
small, I got a MX2642A for ~ $300 used, mint condition.

Yes, you are right, the Behringer is without competition in its price range,
and although many people attack Behringer for stealing technological
concepts (which is true, look for example at the appearance of the Mute/Alt
1/2 button on the new generation of the Behringer 2802).

technical rundown:
noise levels and frequency response are well above the comparable Mackie
products for example. People always go on about eq's and their respective
quality, "warmth" et al, all I have to say is I get along with them. The
idea to use a 4-band graphic eq instead of the 3-band semiparametric for the
stereo channels is something one could argue about - in my case, the stereo
channels are mostly used for synths, so there isn't the need for that much
eq correction. The four additional stereo ins (channel 17-24) only have two
aux sends available each (1&3 for channel A and B, 2&4 for channel C and D),
so some planning might be useful when connecting your equipment.

connections:
I use the console together with Behringer Ultramizer (Mastering Processor),
Digitech Studio4 (Multifx), Sony HR-GP5 (Guitar MultiFX), Digitech RDS2001
(oldschool delay/chorus/flanger), MAM RS3 (analogue filter), E-Mu ESi-32
(Sampler), Behringer Composer (Compressor/Gate), Yamaha SY85 (Synth
Workstation), Korg Prophecy (Synth), Quasimidi Sirius (Techno workstation),
Line6 DL4 (delay modeler/looper), Akai Headrush (delay/looper), Korg AX1000G
(guitar floorboard).
Tricky Stuff: Aux 1&3->Studio4, Aux 2->Sony, Aux 4->Headrush, Aux 5->RS3,
Aux 6->RDS2001, Sub 1&2->DL4, Sub 3&4->ESi-32, Control Out -> Sirius Carrier
(used for Vocoder and for Beat recognition system), Direct out of channel 2
(vocals) -> Sirius Analyze (for Vocoder). The Composer is inserted in
channel 1&2 (vocals and trombone/sax). The effects use the additional stereo
inputs (A->Studio4, B->RS3, C->Studio4, D->Sony) while the loop-based
devices are fed to "normal" channels to allow for extensive effects
treatment. The output feeds the Ultramizer, which in turn feeds the PA (via
its XLR outputs). The Main insert is used as a direct out for tape
recording.

philsosophy:
using the control output of the console for the Sirius Carrier in, anything
can function as a vocoder carrier or as a source for the beat recognition
system (important to synchronize the Sirius' step sequencer to a running
loop, and in turn syncing any MIDI gear like synced delays to the loop).
Also, as everything can be routed to the subs, so can everything be looped
into the dl4 or sampled with the ESi-32. There are some limitations with the
aux-connected effects, as channels A-D can only feed two specific auxes (see
above), and channel 1-16 can only feed either aux 3&4 or 5&6. For this, I
tried to connect only devices to Channel A-D that normally don't need
extensive effects treatment (as the multieffects). Aux 1&2 are used for the
most flexible multi-fx, while the pairs 3&4 and 5&6 each have one
loop-oriented effect in the pair (Headrush re RDS2001).


I constructed this setup only a short time ago (july), but had considerable
success using it so far. The Behringer functions great in its role, as does
my old Behringer MX 2642...

Cheers,

		Rainer


Rainer Straschill
Moinlabs GFX and Soundworks
www.moinlabs.de

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Jan and Rainer,

Thanks for the replies.  I'm a little concerned about Jan's comment
about his friend having troubles with the mixer when he moved it a lot. 
I plan on using it for both home studio and live use (though in Eastern
Iowa, there aren't many opportunities for live looping performances--so
it probably won't get moved too often).

> > the subgroup outputs.  My thought, then is to route the signals I want
> > going to the Vortex into a pair of subgroups (say 1&2), feed sub outs
> > 1&2 into mixer inputs that are assigned to subgroups 3&4.  If I then do
> > not assign subs 1&2 to main, but do assign 3&4 to main, it should be a
> > roundabout way of doing what the insert would do...right?
> 
> I would go straight into the Vortex from the sub outs
> 

Oops...I meant to say: "feed sub outs 1&2 into the Vortex, from the
Vortex outs into mixer inputs that are assigned to subgroups 3&4." 
Basically, I can only really deal with two final outputs from the mixer,
so I wanted to pump the Vortex mix back into the mixer so that it could
be mixed with the non-Vortex mix to come out the main L and R outputs. 
Given the complexity of Rainer's setup, I think I'm only scratching the
surface with my proposed use.

Rainer, are you only using the single output from the Headrush or have
you implemented the four "tape-delay" outputs as well?  I shudder when I
think of all the craziness I could invoke with the edp, headrush, and
vortex each doing their own things...

Thanks again.  If there are others out there who have experience with
this mixer in a looping rig I'd love to hear about them, both positive
and negative.

Cheers,

Jon Southwood

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> 
> Jordan, 
> you are the wise one, leading the pack.  I forsee the Echoplexes
> becoming near worthless as soon as the repeater hits the market.  My
> crystal ball says that if you can get $500 for the pair of EDPs you are
> doing great.  I care about you so I am willing to send $600 for the
> pair of EDPs.  
> 
> We all know a new bird in the bush is worth 2 in the hand.
> 
> Do you want paypal or money order?  
> bret ;-)
> 
> 
Jordan,
As a lurker to this group, I agree with you. Without even going to 
the Repeater site, I think they will be the next bigh thing. Huge! I 
also agree with Bret, that a machine in development is worth much 
more than the machines that you actually have in your possesion.

With that in mind and an apology to Bret, I would be more than 
happy to pay $700 for your two EDP's. PayPal or Money Order.
Louis Hesselt-van-Dinter

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 10:36:29 2000
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From: Scott Martin <coirbidh_99@yahoo.com>
Subject: Echoplex sighting in concert
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I caught the Trey Gunn Band in Detroit on Saturday
night, and Trey's rack included, among other things,
two Echoplexi (both an Oberheim and a Gibson).  I
didn't notice any obvious looping during the show,
although some of the atmospheric stuff might have been
looped.  I was too busy goggling at the amazing
technique and sensitivity displayed by this band.  If
you get a chance, check them out - watching Trey play
a solo by tapping on the Warr with a Smokey amp, or
holding it behind the neck for sustain, is alone worth
the price of admission.

Scott Martin
coirbidh_99@yahoo.com


__________________________________________________
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Yahoo! Mail - Free email you can access from anywhere!
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 10:37:58 2000
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Good rebuttal, Kevin.  I agree with you (mostly...say 95%).

Dennis Leas
-----------------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 10:41:27 2000
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Subject: Bill Frisell video available
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The Bill Frisell instructional video is once again
available.  I believe it was shot in the early 90s; it
features Bill with the Kermit Driscoll/Joey Baron
rhythm section, playing live ("When We Go", "Strange
Meeting", "Days of Wine and Roses"), and several
instructional "chapters" in which he discusses his
playing and composing.  The equipment section
highlights BF's use of the Digitech Echo Plus for
looping.  You can order the video from
www.musicdispatch.com.

Scott Martin
coirbidh_99@yahoo.com



__________________________________________________
Do You Yahoo!?
Yahoo! Mail - Free email you can access from anywhere!
http://mail.yahoo.com/

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From: "Gregor Zavcer" <gregor.zavcer@kiss.uni-lj.si>
> And no, I'm not offended. I actually enjoyed the thread a lot:))) I got some
> new ideas in which I'll fill you in the next days. Right now, I'm a little
> bit to busy.:)))

Wow!  A reasonable, interesting, informative discussion.  Wait!  Am I REALLY on
the web?  :)

Dennis Leas
-----------------------------
dennis@mdbs.com

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To: "'Peter Shindler'" <shindler@mediaone.net>,
        Loopers-Delight@loopers-delight.com
Subject: AW: making the most of cheap equipment
Date: Mon, 11 Sep 2000 17:29:41 +0200
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Hi Peter, hi loopers,

thank you for your funny applications for "unperfected" equipment.

here is one out of my trick-box (I have an old (13 years) Ibanez 4-seconds
delay which is in a state o decomposing but still fun)

while looping, try to tap the "hold" pedal as much as you like or process
the ready loop by doing the same. this will chop your loop to pieces.

My delay has a switch to preset the delay times in 4 stages. when I loop in
one of this stages, the other ram is only partially overwritten. this means,
when switching between stages I get a collage of the different loops I
recorded before - mysterious :-) and amazing.

I don't really know the DOD-pedal you describe. I allways liked the things
Bill Frisell did with his pedal. some of the effects you describe (the
octave and pitching thing) sound like what he does. he does reverse-effects
to. can the dod do that and is it still available (I cannot find it in the
tools section of looper's delight)

Please have mercy if I ask totally stupid basic question. I have been out of
processing for years. I remembered my old Ibanez when I could not find
someone to do that electro-stuff in a project I just started. As I found it
difficult to create in-time-loops I searched the web for tools and found the
list. 

regards

stephan

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Subject: Re: Warez - A Rebuttal's rebuttal
Date: Mon, 11 Sep 2000 11:30:35 -0400
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Before this thread dies -- one more point to consider about "warezing" in
general.

Warezing is simply another word for a mass distribution paradigm that is
only recently being understood by the marketplace.  Those who are beginning
to understand it give out their products in slightly crippled - but
functional - version that entices the user to want to buy it without forcing
them to find a warezed version.  By electing to make available a freely
distributable, nearly fully featured, version of their software - the
company shortcuts 90% of the pirate scene by making it easier to get their
copy than to search the sites looking for a rip/warezed version.

These new companies of the new digital millenia understand that the more
computers their software resides on, the more chance they have of touching
on the "select few" who are willing to buy their software in the first
place.  The unlimited distribution mechanism of the internet actually gives
companies and software writers the ability to earn MORE by undercutting
their expensive over the counter, shrink-wrap and ship methods which reach
very few people in comparison.

As an analogy - let's use Stephen King's new novella which did not appear in
print.  He decided to only distribute it over the Internet in segments.  He
also made note that if enough people did not purchase the first installment,
there would be no follow-up installments.  On the first day of it's release,
it was everywhere - all over the warez scene and on everyone's computer.  It
was distributed everywhere instantly by everybody.  The point?  Even though
it was pirated more than any other book in history, he also made more in
sales on that first volume than he made on all other books he ever wrote
because the people who cared payed for it.  Think it through, chew on it.
Taste the flavor of the new paradigm. THAT is the power of the internet
distribution methodology. THAT is the truth of the future staring at us in
the face which must be embraced.

The same goes for music - MP3's and the like.  Give it away easily in a
slightly denatured format (22k for instance), and let those who care enough
pay for it.  Give incentives (cover art, extra tracks, hidden trick PC
stuff, 44k high-fidelity sound vs 22k MP3's).  Put YOUR copies of the MP3's
in the warez scene.. Put YOUR copies on Napster and on MP3.com.. Make YOUR
versions with YOUR copyright in tact (and a link to your web site to buy the
real thing) available to the world.  Make it easier to get your versions
than looking for one in the warez scene, and then those who care will pay,
those who don't will end up deleting it anyway.

The fact is that there will ALWAYS be those who won't pay for it no matter
WHAT scheme you come up with to protect your "interests".  It is simply
impossible to control the distribution of anything digital with a
far-reaching digital network like the Internet.  Instead of fighting the
tidal wave, grab a surf board and enjoy the ride.  For the first time in the
history of mankind, the world is at our fingertips and I'll be damned if I'm
not going to have my work be everywhere, all the time, and still profit from
it.

Good luck to you all.

Ken Melms
Programmer/Musician/Internet Guru


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From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 12:30:16 2000
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From: rich <rich@nuvision.com>
Subject: Re: Am I a fool ?
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>While I have a simple "one word-two letter" answer all prepped and waiting
>to spring off of my fingers for you, it would benefit anyone in this
>position to wait a couple of more weeks for Electrix to post more
>information about the Repeater on their web site.
>
>They will be releasing more feature and spec data after the AES show.

I would agree here...I might jump on the repeater as fast as i can (tried
to put in an advance order with my locat GC, but the pro audio manager just
said "oh, well let me take your number and i'll give you a call when i hear
something...yeah right), but i'm still going to wait until i see the thing
in front of me.

This box promises to be something sweet, IMO, but don't sell your EDP's
just yet!  My experience with the Electrix products has been that they are
super fun, and repond EXTREMELY well, interface-wise.  If this box does
what they say it will, look out!  But considering their other boxes, this
is a venture into new territory.

MoFx - great interface, but it's still a tremelo, flanger, distortion and
delay with eq band-pass interface.
Warp Factory - digitally controlled vococoder
Filter Factory - Analogue filter
Filter Queen - scaled down analogue filter
EQKiller - aggressive eq band killer

Awesome products...no doubt (i sat at a Mars music this weekend with the
Korg analog modeling synth hooked up to a MoFx and a Warp factory...i
played for almost an hour...tons of fun) but all of these things have been
done before...Electrix has just packaged it better than the average bear,
IMO.

The Repeater, however...hmmm, totally new beast altogether.  Keeping my
fingers crossed.

rich


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rich (11:16 AM 09.11.2000) wrote:

 >MoFx - great interface, but it's still a tremelo, flanger, distortion and
 >delay with eq band-pass interface.
 >Warp Factory - digitally controlled vococoder
 >Filter Factory - Analogue filter
 >Filter Queen - scaled down analogue filter
 >EQKiller - aggressive eq band killer
 >
 >Awesome products...no doubt (i sat at a Mars music this weekend with the
 >Korg analog modeling synth hooked up to a MoFx and a Warp factory...i
 >played for almost an hour...tons of fun) but all of these things have been
 >done before...Electrix has just packaged it better than the average bear,
 >IMO.

The root functionality of these products (delays, filters, etc) have been 
done before, but look a little deeper into the products for special 
touches. e.g., the EQ Killer can actually cut to infinity; the distortion 
on the MoFx can be switched to show up in front of the other 3 effects; the 
Warp Factory is performing some great harmonic magic that I haven't heard 
in any other vocoder...

It's kinda' like looking at all the phaser products that have come and gone 
through the years. Phasing is a concept that's been done, done and done for 
a long time; but there are solid stand-out products along the way that push 
the concept just a bit off the edge, like the Mutron BiPhase or the 
original Moog 12 stage (and the MF-103 from Big Briar!).

Electrix has a good handle on what makes something music *and* useful in a 
production environment. I have a ton of delay lines, but I gotta say that 
I've been having the most fun with the MoFx. The combination of neat little 
touches  and the presentation packaging makes the box just a joy to use.


 >The Repeater, however...hmmm, totally new beast altogether.  Keeping my
 >fingers crossed.

Actually.. It's not all that different for them. I know what you're saying, 
but you have to remember who Electrix is.

Electrix is a division of IVL:

   http://www.ivl.com/main.htm

IVL has been doing _premier_ work in pitch shifting, time slicing and other 
DSP laden functionality for a LONG time. They license their DSP code to a 
number of _major_ manufacturers.

Electrix knows a LOT about DSP in general, and pitch/time mangling in 
specific. They're well poised to make a killer looping box. :)


Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

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>Electrix has a good handle on what makes something music *and* useful in a
>production environment. I have a ton of delay lines, but I gotta say that
>I've been having the most fun with the MoFx. The combination of neat little
>touches  and the presentation packaging makes the box just a joy to use.

agreed.  did it seem like i was slagging on the company?  gee wilikers,
i've feel like i've been going over the top talking about their products...

it's just that what the Repeater is claiming to do is quite complex, and
implementation of complex dsp doesn't always come in the simplest user
interface, as some EDP users can attest, as well as the Max/Kyma/Orville
contingency.

Electrix products, IMO, shine through simple, well designed user interface...

So we shall see how this puppy pans out.  My biggest question is:  why are
they not releasing the footpedal at the same time as the unit?  They
mention the 3-button footswitch for their other products that has never
surfaced.  Is there potential for the same thing to happen to the Repeater?

rich


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rich (11:51 AM 09.11.2000) wrote:

 >>Electrix has a good handle on what makes something music *and* useful in a
 >>production environment. I have a ton of delay lines, but I gotta say that
 >>I've been having the most fun with the MoFx. The combination of neat little
 >>touches  and the presentation packaging makes the box just a joy to use.
 >
 >agreed.  did it seem like i was slagging on the company?  gee wilikers,
 >i've feel like i've been going over the top talking about their products...

Nah, sorry... I was aiming for my own clarification on what you may of 
meant by saying that the products were "packaged" better. I wanted to push 
that line out farther and say that it's not just a _physical_ packaging 
issue (which is what I thought you were talking about).


 >it's just that what the Repeater is claiming to do is quite complex, and
 >implementation of complex dsp doesn't always come in the simplest user
 >interface, as some EDP users can attest, as well as the Max/Kyma/Orville
 >contingency.

Yeup, I agree. I think they have it right though. Because...

 >Electrix products, IMO, shine through simple, well designed user interface...

...they don't want to screw up people being able to make this statement. :)


 >So we shall see how this puppy pans out.  My biggest question is:  why are
 >they not releasing the footpedal at the same time as the unit?  They
 >mention the 3-button footswitch for their other products that has never
 >surfaced.  Is there potential for the same thing to happen to the Repeater?

Dunno.

But Damon has said that _everything_ on the Repeater is available to MIDI, 
so there may be something more than a 3-button in the works.


Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 13:20:28 2000
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Date: Mon, 11 Sep 2000 13:18:02 EDT
Subject: Re: Echoplex sighting in concert
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I saw TG in Omaha last Sunday, the tour opener.  I saw the Echoplexes light 
up once, but the loop was pretty low-level.  Great band!!

Kevin

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"Sharks Lungs in Haggis" sounds like a perfect title for a new King Crimson
tune.  I wonder how it would go?  Probably lots of discord and a 5/8 over 7/8
meter to evoke contrary motion.  Would it also utilize looping?  Hope so!

:-)
Allan
(p.s. my edp still works)


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On Mon, 11 Sep 2000, Allan Hoeltje wrote:

> "Sharks Lungs in Haggis" sounds like a perfect title for a new King Crimson
> tune.  



isn't that the LP before _Starkist and Tribal Hack_?

rbrt

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 14:10:51 2000
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There are still a few copies of Looper's Delight CD#1 for sale directly
form Help Wanted Productions. Due to the effort put into the re-release
and our current sales I have decided this will be the last full run of
CD#1 including the original full color graphics inserts (which are quite
something). When this shipment are sold out LDCD#1 will only be
available as a CDr with a generic cover.

The good news is we have also finally broken even on sales so all
purchases from now on will turn around immediate royalties to the LD
website and help Kim keep the LD list and site going. The last royalty
payment was in January folks, so show your looping colors and get some
$$ into his hands while getting a great cd at the same time!

If you've ever wanted to get a copy of this fantastic CD now is the time
to buy. We have about 24 copies left and they will be sold on a first
come first serve basis. Here is the full ordering info and links to
artist and track listings:

The Looper's Delight - Subscriber's CD #1 - $12.00
Brought to you by the Looper's Delight web page and mailing list this CD
contains 15 tracks of loop based music. Ranging
from polished and multi-tracked acoustic and ambient excursions to lofi
reel-to-reel nonsense this CD is a great introduction to
a group of musicians from around the world who like to loop.

To Order this CD:

Send $12 (in the US) or $13 (from canada and the rest of the World)
payable in US funds to:
Help Wanted Productions - PO Box 2205, Phila., Pa 19103


Web page with links to artists and reviews:
http://www.voicenet.com/~legion/ldcd1.htm
Full LD page on CD#1: http://www.loopers-delight.com/cd1/LDCD1.htm

Thanks for your interest.


________________________________________________
      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
  "Bringing you the best in Organic Electronic music since we
started..."

  Home of the Unusual Instrument and Recording Gallery with pictures and

  info of Tube recorders, Omnichords, weird guitars, Casios, and more.


From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 14:25:11 2000
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	 <Loopers-Delight@loopers-delight.com>
Subject: gig spam for san francisco, usa
Date: Mon, 11 Sep 2000 14:11:59 -0400
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hi,

 as part of the cmj festivities a night at bruno's in san francisco:

saturday, 16 september 2000

10 p.m.: alex cline (drumset/percussion), ge stinson
(guitars/loopage/implements), jeff gauthier (violins/loopage) 

11 p.m.: nels cline (guitars/loopage) trio (with steuart liebig,
basses/loopage/stuff, and alex cline)

12 midnight: alex cline (drumset/percussion), ge stinson
(guitars/loopage/implements), jeff gauthier (violins/loopage)

1 a.m.: nels cline (guitars/loopage) trio (with steuart liebig,
basses/loopage/stuff, and alex cline)


Bruno's
2389 Mission Street   (between 19th and 20th)   
415 648-7701.  

Their website is http://www.brunoslive.com/club/index.html



a gig we decided to do since we'll all be in the same city for a change . .
. 

sunday, 17 september 2000

7 p.m.: stinkbug scott amendola (drumset), nels cline (guitars/loopage),
steuart liebig (basses/loopage/stuff), ge stinson
(guitars/loopage/implements)

at hotel utah

(which i think is here:
Hotel Utah
500 4th St.
(4th @ Bryant)
phone: 415.546.6300)

stig 

p.s. miko lost yer e-mail!!!

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 14:36:14 2000
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Am I a fool ?
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At 9:41 AM -0700 9/11/00, Mark Pulver wrote:

> >The Repeater, however...hmmm, totally new beast altogether.  Keeping my
> >fingers crossed.
>
>Actually.. It's not all that different for them. I know what you're saying,
>but you have to remember who Electrix is.
>
>Electrix is a division of IVL:
>
>   http://www.ivl.com/main.htm
>
>IVL has been doing _premier_ work in pitch shifting, time slicing and other
>DSP laden functionality for a LONG time. They license their DSP code to a
>number of _major_ manufacturers.
>
>Electrix knows a LOT about DSP in general, and pitch/time mangling in
>specific. They're well poised to make a killer looping box. :)


interesting, except that looping is inherently not a DSP algorithm. It is
nice to add the digital processing into the mix, but all the primary
looping functions are about controlling existing data, not about processing
it. You have to get that data control/loop function stuff right first.

If you look at all the major looping boxes of the past, none of them were
based on DSP.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 14:44:34 2000
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Subject: Re: Am I a fool ?
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Kim Flint (12:58 PM 09.11.2000) wrote:

 >>Electrix is a division of IVL:
 >>
 >>   http://www.ivl.com/main.htm
 >>
 >>IVL has been doing _premier_ work in pitch shifting, time slicing and other
 >>DSP laden functionality for a LONG time. They license their DSP code to a
 >>number of _major_ manufacturers.
 >>
 >>Electrix knows a LOT about DSP in general, and pitch/time mangling in
 >>specific. They're well poised to make a killer looping box. :)
 >
 >interesting, except that looping is inherently not a DSP algorithm.

Right, we've talked about this. :)

The point is that part of the Repeater's market edge is the real-time pitch 
shifting and time mashing which is wrapped up within DSP fun, and is a lot 
of what will set this box off from other things out here.


Mark

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Damn, wish I could be there- Alex is amazing- and of course Nels, well, need
I say more?

Cliff

-----Original Message-----
From: Liebig, Steuart A. <Steuart.Liebig@maritz.com>
To: 'Loopers-Delight@loopers-delight.com'
<Loopers-Delight@loopers-delight.com>
Date: Monday, September 11, 2000 11:26 AM
Subject: gig spam for san francisco, usa


>hi,
>
> as part of the cmj festivities a night at bruno's in san francisco:
>
>saturday, 16 september 2000
>
>10 p.m.: alex cline (drumset/percussion), ge stinson
>(guitars/loopage/implements), jeff gauthier (violins/loopage)
>
>11 p.m.: nels cline (guitars/loopage) trio (with steuart liebig,
>basses/loopage/stuff, and alex cline)
>
>12 midnight: alex cline (drumset/percussion), ge stinson
>(guitars/loopage/implements), jeff gauthier (violins/loopage)
>
>1 a.m.: nels cline (guitars/loopage) trio (with steuart liebig,
>basses/loopage/stuff, and alex cline)
>
>
>Bruno's
>2389 Mission Street   (between 19th and 20th)
>415 648-7701.
>
>Their website is http://www.brunoslive.com/club/index.html
>
>
>
>a gig we decided to do since we'll all be in the same city for a change . .
>.
>
>sunday, 17 september 2000
>
>7 p.m.: stinkbug scott amendola (drumset), nels cline (guitars/loopage),
>steuart liebig (basses/loopage/stuff), ge stinson
>(guitars/loopage/implements)
>
>at hotel utah
>
>(which i think is here:
>Hotel Utah
>500 4th St.
>(4th @ Bryant)
>phone: 415.546.6300)
>
>stig
>
>p.s. miko lost yer e-mail!!!
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 15:43:11 2000
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Although it is very very nice that someone new is working on a major looping product, IMHO opinion you would definitely
have to be a nut to sell two (you lucky do you!) of the coolest looping tools ever in anticipation of a tool that is not out yet.

The EDP may not be perfect, but I've yet to see anyhting that has matched it for real time, performance based, high quality audio.
It is easy to use immediately and still has features to learn after months of practice. 

Most of all, the EDP has that mystical quality : it is musical. I have lot's of experience buying something that looked cool on
paper only to find that it hindered real music production more than it assisted it.

Here's to Kim and Co.!

Yr brothr in looping,
K

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Date: Mon, 11 Sep 2000 13:31:00 -0700
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Subject: Re: Am I a fool ?
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>interesting, except that looping is inherently not a DSP algorithm. It is
>nice to add the digital processing into the mix, but all the primary
>looping functions are about controlling existing data, not about processing
>it. You have to get that data control/loop function stuff right first.

Good point (esp. good because it's arguable, imho), and many 
historical DSP architectures were not optimized for addressing the 
huge data memories as needed for looping.

>If you look at all the major looping boxes of the past, none of them were
>based on DSP.

True, but if you look at the major DSP boxes of the past, few of them 
were based on DSP either. :-)

-Alex

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 18:08:09 2000
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Right on! Thanks for the hot tip. Simplicity is key when you are a beginer
like me! M

----------
>From: JohnFlem@aol.com
>To: Loopers-Delight@loopers-delight.com
>Subject: RE:  Acid for Mac Users
>Date: Mon, Sep 11, 2000, 12:38 AM
>

> You're in luck.....checkout "Phrazer" at <A HREF="http://bitheadz.com/">Welcom
> e to BitHeadz, Inc.</A>  I saw a preview of it at the NAMM show...these guys
> are really cool, and I use alot of their products already (Unity DS-1, Voodoo
> etc...) I am anxiously awaiting the release of this software! (or maybe it'll
> be on a WAREZ disc ;)
> john
>
> In a message dated 9/10/00 4:49:59 AM,
> Loopers-Delight-d-request@loopers-delight.com writes:
>
> << I was wondering if anyone could tell me, are there any programs that are
> equivalent to Acid for Mac users? I am looking for a simple easy way to loop
> and sync beats,sounds etc.....  Any suggestions?
>
> Thanks, M >>
>
> 

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 19:06:57 2000
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Subject: Construkction Of Light 
From: Mark Sottilaro <sine@zerocrossing.net>
To: <Loopers-Delight@loopers-delight.com>
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Hey,

was there a thread about this new and wonderful album from our looping pals
in the big time?  I picked it up last weekend and was blown away (I was a
bit disappointed by Thrak) but I don't remember anywone talking about this
little gem of an album.

Anyway, if you're so inclined, pick it up.  It's more along the lines of the
three 80s era albums, but a little meaner.

Mark Sottilaro

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 21:15:46 2000
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Subject: Re: Construkction Of Light 
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If you think this cd kicks ass (and it certainly does) then you owe it to
yourself to pick up the Projeckts 4 cd box set....music that is so good it
defies description.....

-----Original Message-----
From: Mark Sottilaro <sine@zerocrossing.net>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Monday, September 11, 2000 7:14 PM
Subject: Construkction Of Light


>Hey,
>
>was there a thread about this new and wonderful album from our looping pals
>in the big time?  I picked it up last weekend and was blown away (I was a
>bit disappointed by Thrak) but I don't remember anywone talking about this
>little gem of an album.
>
>Anyway, if you're so inclined, pick it up.  It's more along the lines of
the
>three 80s era albums, but a little meaner.
>
>Mark Sottilaro
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 22:17:46 2000
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Subject: Re: Construkction Of Light 
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...and if you think the Projekct box set is incredible, go to
http://www.disciplineglobalmobile.com and order the Projekct X album "Heaven
and Earth," the best thing that King Crimson's ever done, period.  (I think)


Peter

----- Original Message -----
From: "LARRY M FEINSTEIN" <THEGREENBEAN@prodigy.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, September 11, 2000 9:08 PM
Subject: Re: Construkction Of Light


> If you think this cd kicks ass (and it certainly does) then you owe it to
> yourself to pick up the Projeckts 4 cd box set....music that is so good it
> defies description.....
>
> -----Original Message-----
> From: Mark Sottilaro <sine@zerocrossing.net>
> To: Loopers-Delight@loopers-delight.com
> <Loopers-Delight@loopers-delight.com>
> Date: Monday, September 11, 2000 7:14 PM
> Subject: Construkction Of Light
>
>
> >Hey,
> >
> >was there a thread about this new and wonderful album from our looping
pals
> >in the big time?  I picked it up last weekend and was blown away (I was a
> >bit disappointed by Thrak) but I don't remember anywone talking about
this
> >little gem of an album.
> >
> >Anyway, if you're so inclined, pick it up.  It's more along the lines of
> the
> >three 80s era albums, but a little meaner.
> >
> >Mark Sottilaro
> >
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 22:40:12 2000
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Subject: Re: making the most of cheap equipment
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----- Original Message -----
From: "StephanN" <neetenbeek@pixelpark.com>
To: "'Peter Shindler'" <shindler@mediaone.net>;
<Loopers-Delight@loopers-delight.com>
Sent: Monday, September 11, 2000 11:29 AM
Subject: AW: making the most of cheap equipment


> Hi Peter, hi loopers,
>
> thank you for your funny applications for "unperfected" equipment.

There's more where that came from!


> I don't really know the DOD-pedal you describe. I allways liked the things
> Bill Frisell did with his pedal. some of the effects you describe (the
> octave and pitching thing) sound like what he does. he does
reverse-effects
> to. can the dod do that and is it still available (I cannot find it in the
> tools section of looper's delight)

The DOD DFX4 has been out of production for at least 4 years, which is a
shame, for I haven't found a comparably-priced pedal that does the same
things this one does.  It retailed for about $180, but I got both of mine
for about half of that.  They turn up on Ebay now and then.  The sound
quality is surprisingly good, the controls are very intuitive, and it's also
the smallest and most-easily-transported looper in existence.  On the
downside, it doesn't have any reverse-effects, it eats batteries like a sick
MF on crack, and the only other way to power it is with a 10-volt adapter
(that's right, ten) which apparently only DOD makes.  And it maxes out at 4
seconds, it can only hold 10 or so layers at once, and there's no way to add
more memory.

Still, anyone looking for a pretty cheap and simple entry into looping would
do well to try one of these little babies out.


Peter

From Loopers-Delight-request@loopers-delight.com  Mon Sep 11 22:49:15 2000
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What a moron...

I just bothered to look at the unit whose praises I've been singing, and
noticed that it's a DOD DFX94, not DFX4.  Sorry for any confusion that this
may have caused.  Really, I'm terribly embarrassed.


Peter

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I got it and will blow it's mind shortly. :)

Nemoguitt@aol.com wrote:

> anyone get it yet?..........on tuesday i sent my rang to mike nelson for the
> big fix...........it was like giving up my main loopslave..........ill keep
> you posted if i dont jump off a bridge.........what a crazy
> addiction............meds dont fail me now!.............:)......michael

--
Mike Nelson

Boomerang Musical Products       800-530-4699
PO Box 541595                    214-340-6913, Outside USA
Dallas, TX  75354-1595           214-343-1038, Fax

http://www.boomerangmusic.com    mnelson@dmans.com

"Some products make you sound better;
 the Boomerang Phrase Sampler makes you play better."


From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 04:02:51 2000
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Okay. Now my attempt to defend statements I made late at night in a sleepy haze ;-).
 
On Sun, 10 Sep 2000 11:10:40   Sean wrote:
>At 04:46 AM 9/10/2000 -0500, someone argued:
>>Lets first look at physical products that you go and buy, like cars. What
>kind 
>>of car do you think is a better car a top of the line Mercedes or a Honda 
>>Civic? I'm willing to bet most people would think the Mercedes a better car. 
>>Why? Because it cost more. It's a pretty simple idea. If something costs
>more 
>>it is generally seen as being "better".
>>
>>Apply this idea to software. I'll use Adobe for example. They have various 
>>versions of Photoshop available. They range in price from, I think, $40
>for a 
>>consumer level version to about $800 for a professional version. Now the two 
>>versions are different, but the Pro version is not going to be 2000% better 
>>than the consumer level version as the price difference would indicate. 
>
>Sounds like you're saying that the cost of physical products is justified
>because they're physical.  But, point taken - you don't think the pricing
>of software is justified.

I was also trying to say that certain people *percieve* certain versions of software to be good or better than the competition for the simple fact that they cost more than the others. I know. I've also fallen into this more$$$ = better product fantasy before.
 
>
>>Higher prices don't create better products. Just ask Microsoft. Competition 
>>creates better products, which usually creates lower prices.
>
>No one made the argument that higher prices create better products (except
>possibly yourself in regard to cars or, at least, the perception of quality
>in cars).
>
>
>>Well, no. There is plenty of freeware and shareware software out there. It 
>>costs absolutely nothing to use. So, even if no one paid there would still
>be 
>>software. Ever heard of Linux?
>
>shareware wouldn't survive if some people didn't pay.
>
>
>>>* Stealing is an ethical and a legal issue... and stealing is wrong.
>>
>>But so is speeding, running red lights, not wearing your seat belt, carrying 
>>concealed weapons, viewing pornographic material if you are under eighteen 
>>years of age, drinking if you are under twenty-one, etc. Does that stop
>anyone? 
>
>Does it stop anyone? yeah it does.  Does it stop everyone? no.  so what?
>Lots of people steal, therefore it's ok?

No, it's not okay to steal. But all of those things that I mentioned are also "ethical and legal issues" and as such are also "wrong". But, I've never heard any "righteous" person going around telling everyone how *wrong* it is to speed. And I think we all know what happened when such said "righteous" people convinced the American government that drinking was *wrong*.

I'm not condoning any part of warez, I just have a really big problem with anyone going around espousing some overly righteous view of right and wrong. Some people don't see a problem with it. Others do. So who's right? Err... Well... Ummm... The good guys? Please just leave it at that.

>>>* When you *use* software that you have have not paid for, you are stealing.
>>
>>Well, I could argue "use" easily, so instead, I'll argue "paid for". Do you 
>>'pay' for using the library? Did the Pilgrims 'pay' for the land they
>took? Do 
>>logging companies 'pay' for the trees they cut down in National Parks? Do
>you 
>>'pay' for the oxygen your car burns? Do oil companies 'pay' for the damage 
>>their spilled tankers create? Do you 'pay' for using your friends swimming 
>>pool? Do you 'pay' for listening to the radio? Do I need to go on?  
>
>Sounds like you're nitpicking the statement.  Maybe that should have been
>written: when you install, keep and extensively use commercial software
>that has been cracked (or you have an illegally obtained password/key), and
>do so without paying for it through the proper channels (legal distributor,
>outlet or direct), you are stealing. (I threw in 'extensively use' to allow
>for the gray area of demoing a cracked product for which no demo is available)
>
>and besides, tax payers pay for the library whether they use it or not;
>radio is advertising paid for - you just put up with the commercials.
>In the other cases you mention, there is either charity involved (using
>your friend's pool), injustice or something else that I'm not sure how to
>describe (in the case of oxygen burning).
>
>Are you trying to imply that because the north american continent was
>invaded by europeans, anything goes?  Or that because the pilgrims
>inhabited the land stealing is ok?
>
No, I'm merely trying to point out the fact that by the definition that if you use something that you havn't paid for that you are stealing, then there are lots of things that have and are being done that would constitute "stealing". Again, I'm not trying to defend warez, I'm just trying to refute this rather silly and unneeded rebuttal on warez.

And as for 'extensive use', well, when does using warez cease being a 'demo' and become 'stealing'? 

Ben Porter.


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 04:13:35 2000
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Jon,

I can't comment on Jan's (2nd hand) experiences with moving the mixer
around. Apart from my first MX2642, which has resided immobile at home since
I bought it, the second one has seen some moving around mounted in a rack. i
didn't have any problems so far, but I only had it since July, and only
played a few gigs with it, so this isn't really what you'd consider a lot of
mobile experience...

Adressing your questing re the Headrush. No, I haven't used the individual
outputs, simply because I haven't a console that large. Of course, I could
feed the four individual E1 outs into the Mackies mono inputs, reroute two
of the stereo ins of the Behringer into the Mackie and connect the 1/2 and
3/4 outs of the Mackie into the Behringer - but then, I'd need another rack
(which I need anyway sooner or later, the current crap takes up 16HU in my
20HU rack, and planning already in a 1HU aplifier (a really weird thing a
friend of mine designed, blowing out 2x200 watts sinus in a 1HU case with
6mm thick casing, and delivering 162dB SNR...I'm currently trying to
convince this dude to design a looping device) and the repeater, there's not
that much place left) and then I'll get a 7-string fretless bass guitar, a
14-string Phalanx Warr guitar, a soprillo saxophone, a soprano sax with
extension to low G and duodecime key...:-)

...but I mainly use the Headrush as a looper, not for the tape echo effects,
but I sure think it might sound funny treating the four outputs with
different effects (not to speak of using it with a surrund console - re "The
Seasick Looper", as mentioned in the Looper's Delight Archive).

I'm really curious for the Repeater. If it only offers half the
functionality everyone here is hoping for, it will open up a new world for
me. Syncing loops via MIDI (an important feat for me), having loops in
non-volatile memory (up to 50 minutes per interchangeable memory card), four
polyphonic loops. This might open up the way for some feats currently
available only using several independent loopers or a sampler. I recently
played a live looping rendition of J.S. Bach "Passacaglia c-Minor" for Organ
(BWV 582), where I put the bass line into the headrush, then sampled
remaining melody parts into the ESi, which I could then trigger and stop
during the performance. Of course a slight problem was the "user interface"
of the sampler, obviously not optimized for live real-time sampling, which
forced me to start and stop any loop with open strings. I hope with the
Repeater this will come of easier...time to dream.

Coming back to your Vortex question: I still don't understand what you're
trying to accomplish. Did I get it right that you want to route your entire
mix (or most of it) into the vortex, then feed the vortex back into the
mixer and send the mix plus vortex to the PA or tape? If you want to send
everything through the vortex, then why don't you use the main inserts?

Cheers,

	Rainer

Rainer Straschill
Moinlabs GFX and Soundworks
www.moinlabs.de

> Oops...I meant to say: "feed sub outs 1&2 into the Vortex, from the
> Vortex outs into mixer inputs that are assigned to subgroups 3&4."
> Basically, I can only really deal with two final outputs from
> the mixer,
> so I wanted to pump the Vortex mix back into the mixer so
> that it could
> be mixed with the non-Vortex mix to come out the main L and R
> outputs.
> Given the complexity of Rainer's setup, I think I'm only
> scratching the
> surface with my proposed use.

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Kim,

> nice to add the digital processing into the mix, but all the primary
> looping functions are about controlling existing data, not
> about processing
> it. You have to get that data control/loop function stuff right first.

and part of the stuff a DSP can do is control existing data - look i.e. at
the cyclic adressing scheme most DSPs I know of implement, which allow you
to implement a simple looper on a DSP platform in no time and with minimum
amount of code, including the Echoplex-style copy/append loop stuff, and if
you're a bit tricky even slicing a loop in half and playing the two halves
simultaneously, without mixing them, i.e. with "total recall" as they call
it...

mfg,

	Rainer

Rainer Straschill
Moinlabs GFX and Soundworks
www.moinlabs.de

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it is a great video. my local sam trash usually has it in stock. =-) PJ

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Well, since this was sent from someone with an '@adobe.com' mail address, I'm sorry if you took this personally. Maybe I should of picked on Microsoft :-). And, another sorry for keeping this OT going.

>
>Photoshop LE is about $99. The full version of Photoshop is about $609.
>That's roughly a factor of 6.
>
>Is the full version 6 times better? That depends on what you need. Do you
>need CMYK editing for pre-press? Do you need extensive web optimization
>options? If so, then arguably the full version is infinitely better since
>it meets your needs and LE doesn't. Want something more concrete? Extensis
>MaskPro sells for about $199. The full version of Photoshop also includes
>professional masking tools -- not identical to those in MaskPro but
>competitive or better -- and those features aren't in LE.
>
>Is the full version of Photoshop's price out of line? A lot of prosumer
>digital cameras sell for more. (Let's not even talk about professional
>digital cameras.) Those cameras will probably be obsolete in a couple years
>and you won't be able to buy an upgrade for them.
>
>Now, yes, those cameras cost more to produce per unit than do boxes of
>Photoshop. The camera manufacturers probably aren't living that close to
>the edge yet, however, since this hasn't become a commodity market. (Even
>in the commodity PC market, it's just the systems assemblers that are
>getting squeezed. Intel still enjoys quite high margins per chip.)
>

Okay, I'll back pedal a little here. I don't think that software prices are out of line. I do, though, think that they are excessive for the apparent development and production costs of the software. As for Photoshop, I hardly believe that the Pro version is 6x times better than the LE version. Unless you are working at business that happens to use all of the extra features it seems rather extreme. What if you only happen to need one of those extra features? Your stuck paying the higher cost whether you like it or not.

>
>That argues that hardware probably has more R & D to recoop. It doesn't
>really argue that software has a small amount of R & D. Most software sells
>relatively few copies relative to hardware in the computer industry. A lot
>of software titles don't make all that much money once one factors in R &
>D. The broad successes like Photoshop pay for the more narrow products.
 
Which narrow products and produced by whom? Adobe doesn't give any money to Steinberg to pay for their 'narrow' product of Cubase VST.

>The narrower the niche, and music is pretty narrow, the more important it
>becomes for people to pay for the software because there aren't other
>sources of revenue available to the software developer.

But doesn't that also apply to those who actually crack software? I've never actually been to a warez site, but I would think that the people who crack software would pretty much only be interested in the software that sells in large amounts. So, music software being such a narrow niche, that there wouldn't be a whole lot of cracked music software out there in the first place.

>
>Where would Linux be if it hadn't had Unix to copy? Where would GIMP be if
>it hadn't had Photoshop to copy?
>
>Yes, there would probably be software even if no one paid, but it would
>probably be quite different from what you encounter right now.

Yes. I agree. It would be different. But, as long as there were computers, there would be software. And where would any of this be without the pioneers working with room-sized vacuum tube computers and programming with actual binary (which was and is free)?

>Or to put it in a music related context, there are a lot of musicians who
>perform on the street hoping for donations. Some of them are actually
>reasonably good. Would the range of music that exists be different if no
>one ever paid musicians or all that musicians could get was donations for
>performing on the street?

Yes. I would argue that the range would actually be greater because then there are no economic reasons for playing any particular type of music. This list is a prime example.  

>
>So, this automobile manufacturer is looking for some cool electronic music
>to put behind an ad and stumbles across a loopers tune on the web. Does the
>automobile manufacturer have the right to just use it? After all, the
>musician probably didn't really expect to make any money from it anyway.

I don't understand this. How would this apply to a large group of people "stealing" a *hit* song? And how would that be different from the big record company ripping someone off? You don't make much money from a small number of record sales when you are on a big label. You may not even make much money from a large number of records sales. Just ask Johnny Reznick of the Goo Goo Dolls. *You* are just changing out the entity that is doing the ripping off  from a big record label to a big automobile manufacturer.

>Another analogy: An awful lot of artwork goes for prices a lot higher than
>the cost of the canvas. This is also true for lots of reproductions,
>photographic prints, etc. which don't have any benefit of uniqueness. Do
>you have the right to walk into a photography gallery, steal a print, and
>leave cash for the cost of goods? Go paint your own pictures, take your own
>photographs, ... write your own software. Or find someone who is willing to
>do it for you at a price you are willing to pay.

I get the feeling you're mad at me...

Well, no. You don't have the right to go and take someones artwork and pay for the cost of goods. But, you can go and buy a book filled with pictures of that same artwork or those same photographs. Does that mean that artwork printed in coffee table books and textbooks lacks uniqueness because it has been copied? 

You see the book, like any software, would be a commercial product. Any true art could not be considered a "commercial product" in most definitions of that word. When was the last time you heard of someone refer to a piece of software as *ART*?

Thank you. I will go and paint my own paintings, take my own photographs, write my own software, *and* find someone who is willing to do it at a price I'm willing to pay, too.

>In summary, with respect to warez, Napster, etc.: It's the copyright
>holder's right to decide how the work gets reproduced and distributed. The
>copyright holder can decided to give something away or to charge a price
>for it.

Yes and no. But what I'm going the very long and highly arguable way around the fact that the copyright laws do not protect the individual, but the big corporations and that does not fit in with the ideals of a Democratic Society, but with the ideas of an autocracy. And you, along with many other people, have bought into the propoganda given to us by these corporations.

Most contracts with big record labels make you sign away your rights to them. Then, the record label owns the copyrights to the music, not the artists. And so what do you think they are going to do, give it away, or charge a price for it?

One of my favorite artists is Andy Warhol. He made "paintings" by manipulating very identifiable objects in the popular culture. Under today's copyright laws, I don't believe that Mr.Warhol would have been allowed to continue in the way that he did because his subjects would have been copyrighted and he would have had the pants sued off of him after his first and very controversial opening. I believe that he and myself, among others, would argue that once you actually release anything out into the world, it no longer becomes something that you can claim exclusive ownership to. It becomes part of the indicernible ether known as culture. And as such, by releasing *anything* to a wide audience, you are giving up any rights to any "copyright" that you would have.

Ben Porter.



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From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 07:45:44 2000
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> I caught the Trey Gunn Band in Detroit on Saturday
> night, and Trey's rack included, among other things,
> two Echoplexi (both an Oberheim and a Gibson).  I
> didn't notice any obvious looping during the show,
> although some of the atmospheric stuff might have been
> looped.  I was too busy goggling at the amazing
> technique and sensitivity displayed by this band.  If
> you get a chance, check them out - watching Trey play
> a solo by tapping on the Warr with a Smokey amp, or
> holding it behind the neck for sustain, is alone worth
> the price of admission.

Ahhhh, so that's what the box was! I saw him play at the Last Day Saloon in
SF in Jan/Feb this year, and saw the box but didn't know what it was - also
on was Michael Manring, looping like a mad man with his two JamMans...

Steve
web-site - www.steve-lawson.co.uk
e-mail - steve@steve-lawson.co.uk
mailing list - steve-lawson-subscribe@listbot.com
SBN - solobassnetwork-subscribe@listbot.com

"I know there's a balance, I see it when I swing past" - John Mellencamp


From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 08:25:14 2000
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> There are still a few copies of Looper's Delight CD#1 for sale directly
> form Help Wanted Productions. If you've ever wanted to get a copy 
> of this fantastic CD now is the time to buy. 

it's truly a fantastic loop CD. I think everybody on the list should own a copy!


=	michael peters
=	electronic music & strange attractors
=	http://www.mpeters.de/mpeweb


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i'm thinking of dumping the plex and getting another jamman with the fancy chip... someone talk me out of it... or into it...

ric hordinski

monk

monkmusic.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 10:11:24 2000
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> i'm thinking of dumping the plex and getting another jamman with the fancy
chip... someone talk me out of it... or into it...

Keep the 'plex AND get another jamman...

Dennis Leas
-----------------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 10:16:50 2000
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The Burning Man experience was about the most amazing thing that I've ever 
been involved with.  Those that make judgements without experiencing it 
first hand are missing out.  Burning Man does not need any of them.  There 
were artists, inventers, pranksters and muscians of all kinds.  It's way to 
vast even to try to explain.  I felt at home...in my village and with my 
tribe.  But OOOOOOOhhhhhhhh the dust!!!  I did take a jamman a line 6 DL4 
some delay pedals a boomerang a vortex.  I did a set in the Cafe at night 
for a whole lot of people. I looped for an hour to great reviews and 
reflection from the crowd.
I didn't have any prepared material I just looped and cut loose and let the 
crowd play me.
    I also looped with some musicians in the Black Light District one night 
and had a great time.
    I rigged up a milk crate on the back of my bike and stuck my Dl4 and a 
delay pedal there as well.  I had a battery powered tambora dronning along 
as I rode too.  I carried a mike in my hand as I cruzed about the Playa.  I 
put the DL4 on loop/delay and sampled and looped the citizens of Black Rock 
City making all sorts of random ambient sounds and noises much to their 
delight.  To those that were interested I explained what looping was.
     Some of the gear got really dusted and I fell over once on my bike.  
The battery powered tambora is tweaked a little and the amps' battery case 
came loose.  When the big dust storms hit I put stuff into suitcases then 
into garbage bags and locked it in the truck.(dust still gets into a sealed 
locked truck but not into the garbage bagged stuff.)
     I cleaned and dusted everything when I got back and it all works.
I'll rethink what I will take next year but I will take some stuff and I 
will go for sure.  A looping village sounds great.  A big problem was 
hauling the gear around the city by strapping it to a dolly and hauling it a 
mile and a half each way to the cafe.  That stopped me from doing more 
looping demos.
     I heard one other guy in the cafe with a computer and a bunch of  
looping gear try to get it going but had to many gear problems and a big 
dust storm was hitting.  He was from back east somewhere.
     Any comments from the Black Rock City Loopers?  Send to 
papadave55@hotmail.com

            Wildest most fun time I ever had!!!!  Om and Out
                                   Papa Dave

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>From: "Dennis W. Leas" <dennis@mdbs.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: help
>Date: Tue, 12 Sep 2000 09:05:31 -0500
>
> > i'm thinking of dumping the plex and getting another jamman with the 
>fancy
>chip... someone talk me out of it... or into it...
>
>Keep the 'plex AND get another jamman...
>
>Dennis Leas


>...or just wait another couple of months and THE REPEATER will cut down 
>this crappy dicothomy Plex/Jamman...hopefully being WAY MUCH BETTER THAN 
>BOTH...more reliable than the first and more powerful than the 
>second...with incredible new possibilities...hope they'll make it good as 
>it looks from thei plain words!!!! ITALOOP

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regarding this ephemeral chip, all i've seen is comments on how buggy and
unstable it is...some even pulling it and going back to the original.

i'm all for equipment that does some whacked out stuff, just not when you
don't expect it, or want it.  seems like the original jamman chip, for all
of it's limitations, is pretty rock-solid.  i've never had a problem with
either of mine (although i just recently sold one of them).

and just try getting ahold of Bob Sellon if you have any problems.  that's
a chore in itself, it seems.

rich

we have threads of people desperately wanting the EDP's, and now we get
folks wanting to dump 'em.  wierd.



>i'm thinking of dumping the plex and getting another jamman with the fancy
>chip... someone talk me out of it... or into it...
>
>ric hordinski
>
>monk
>
>monkmusic.com



From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 11:20:12 2000
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Which could be the  value of a 32 sec. Jam Man with original pedal ?

----- Original Message -----
From: <Merseybeet@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 12, 2000 4:00 PM
Subject: help


> i'm thinking of dumping the plex and getting another jamman with the fancy
chip... someone talk me out of it... or into it...
>
> ric hordinski
>
> monk
>
> monkmusic.com
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 11:41:30 2000
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>>...or just wait another couple of months and THE REPEATER will cut down
>>this crappy dicothomy Plex/Jamman...hopefully being WAY MUCH BETTER THAN
>>BOTH...more reliable than the first and more powerful than the
>>second...with incredible new possibilities...hope they'll make it good as
>>it looks from thei plain words!!!! ITALOOP

I haven't seen a product that will satisfy every human being on the Earth 
and I doubt I ever will.  There will always be somebody who will want some 
seemingly obscure feature that isn't there.

Anyway, having the Repeater join the party is a good thing, IMHO.  It will 
bring more competition to the table.

Paolo
_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 11:47:55 2000
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Hi Kim,
Did I send all this?
Plain text is checked on my outlook express!

Gareth

At 8:05 PM -0700 9/10/00, whiteoakstudios wrote:
><html><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META content="text/html; charset=iso-8859-1" http-equiv=Content-Type>
><META content="MSHTML 5.00.2919.6307" name=GENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=#ffffff>
><BLOCKQUOTE
>style="BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT:
>0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
>  <DIV><FONT face=Arial size=2>John,</FONT></DIV>
>  <DIV><FONT face=Arial size=2>Take your signature off and you will be
>  unsubscribed. Capital letters may also confuse the computer too - so take
>  those off&nbsp; - just to be sure!</FONT></DIV>
>  <DIV>&nbsp;</DIV>
>  <DIV><FONT face=Arial size=2>Gareth</FONT></DIV>
>  <DIV>&nbsp;</DIV>
>  <DIV><FONT face=Arial size=2>UNSUBSCRIBE</FONT></DIV>
>  <DIV><FONT face=Arial size=2>--<BR>John
>Stevens</FONT></DIV></BLOCKQUOTE></BODY></HTML>
>
></html>


another idea might be, quit using badly formatted HTML code to send your
emails. ;-)

kim

______________________________________________________________________


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well..there was that one that was in the beginning of the movie
Gremlins..with the razor and toothpaste dispenser...but even it had
problems...

Joshua

Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8
http://www.beyond-earth.net
http://users.ticnet.com/jkersey
----- Original Message -----
From: "Paolo Valladolid" <phv40@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Tuesday, September 12, 2000 10:40 AM
Subject: Re: help


> >>...or just wait another couple of months and THE REPEATER will cut down
> >>this crappy dicothomy Plex/Jamman...hopefully being WAY MUCH BETTER THAN
> >>BOTH...more reliable than the first and more powerful than the
> >>second...with incredible new possibilities...hope they'll make it good
as
> >>it looks from thei plain words!!!! ITALOOP
>
> I haven't seen a product that will satisfy every human being on the Earth
> and I doubt I ever will.  There will always be somebody who will want some
> seemingly obscure feature that isn't there.
>
> Anyway, having the Repeater join the party is a good thing, IMHO.  It will
> bring more competition to the table.
>
> Paolo
> _________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
> Share information about yourself, create your own public profile at
> http://profiles.msn.com.
>
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 14:03:07 2000
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Date: Tue, 12 Sep 2000 11:01:55 -0700
Subject: Re: Construkction Of Light 
From: Mark Sottilaro <sine@zerocrossing.net>
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Ha!  I did buy the ProjecKt box set, same time I bought The ConstruKtion of
Light.  I did not get the ProjecKt X album, but I think I may now,

Mark



on 9/11/00 7:16 PM, Peter Shindler at shindler@mediaone.net wrote:

> ....and if you think the Projekct box set is incredible, go to
> http://www.disciplineglobalmobile.com and order the Projekct X album "Heaven
> and Earth," the best thing that King Crimson's ever done, period.  (I think)
> 
> 
> Peter
> 
> ----- Original Message -----
> From: "LARRY M FEINSTEIN" <THEGREENBEAN@prodigy.net>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Monday, September 11, 2000 9:08 PM
> Subject: Re: Construkction Of Light
> 
> 
>> If you think this cd kicks ass (and it certainly does) then you owe it to
>> yourself to pick up the Projeckts 4 cd box set....music that is so good it
>> defies description.....
>> 
>> -----Original Message-----
>> From: Mark Sottilaro <sine@zerocrossing.net>
>> To: Loopers-Delight@loopers-delight.com
>> <Loopers-Delight@loopers-delight.com>
>> Date: Monday, September 11, 2000 7:14 PM
>> Subject: Construkction Of Light
>> 
>> 
>>> Hey,
>>> 
>>> was there a thread about this new and wonderful album from our looping
> pals
>>> in the big time?  I picked it up last weekend and was blown away (I was a
>>> bit disappointed by Thrak) but I don't remember anywone talking about
> this
>>> little gem of an album.
>>> 
>>> Anyway, if you're so inclined, pick it up.  It's more along the lines of
>> the
>>> three 80s era albums, but a little meaner.
>>> 
>>> Mark Sottilaro
>>> 
>> 
> 

From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 14:06:17 2000
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Subject: Groovemaker
From: Mark Sottilaro <sine@zerocrossing.net>
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hey

Has anyone on the list used Groovemaker software for the Mac OS?  Looks like
it's a bit hipper than MixMan, but I'd love to hear some feedback from a
real user.

Mark

From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 15:25:02 2000
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>The Burning Man experience was about the most amazing thing that I've ever
>been involved with.  Those that make judgements without experiencing it
>first hand are missing out.  Burning Man does not need any of them.  There
>were artists, inventers, pranksters and muscians of all kinds.  It's way to
>vast even to try to explain.  I felt at home...in my village and with my
>tribe.  But OOOOOOOhhhhhhhh the dust!!!  I did take a jamman a line 6 DL4
>some delay pedals a boomerang a vortex.  I did a set in the Cafe at night
>for a whole lot of people. I looped for an hour to great reviews and
>reflection from the crowd.
>I didn't have any prepared material I just looped and cut loose and let the
>crowd play me.
>    I also looped with some musicians in the Black Light District one night
>and had a great time.
>    I rigged up a milk crate on the back of my bike and stuck my Dl4 and a
>delay pedal there as well.  I had a battery powered tambora dronning along
>as I rode too.  I carried a mike in my hand as I cruzed about the Playa.  I
>put the DL4 on loop/delay and sampled and looped the citizens of Black Rock
>City making all sorts of random ambient sounds and noises much to their
>delight.  To those that were interested I explained what looping was.
>     Some of the gear got really dusted and I fell over once on my bike.
>The battery powered tambora is tweaked a little and the amps' battery case
>came loose.  When the big dust storms hit I put stuff into suitcases then
>into garbage bags and locked it in the truck.(dust still gets into a sealed
>locked truck but not into the garbage bagged stuff.)
>     I cleaned and dusted everything when I got back and it all works.
>I'll rethink what I will take next year but I will take some stuff and I
>will go for sure.  A looping village sounds great.  A big problem was
>hauling the gear around the city by strapping it to a dolly and hauling it 
>a
>mile and a half each way to the cafe.  That stopped me from doing more
>looping demos.
>     I heard one other guy in the cafe with a computer and a bunch of
>looping gear try to get it going but had to many gear problems and a big
>dust storm was hitting.  He was from back east somewhere.
>     Any comments from the Black Rock City Loopers?  Send to
>papadave55@hotmail.com
>
>            Wildest most fun time I ever had!!!!  Om and Out
>                                   Papa Dave
>
>_________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
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>http://profiles.msn.com.
>

_________________________________________________________________________
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From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 17:24:11 2000
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Subject: GTR4000 Footpedals?
Date: Tue, 12 Sep 2000 17:30:31 -0400
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hmm.. I actually expected a flame on my last post.. I don't know wether to
be glad or saddened by the lack of interest in the content - but everyone
was probably burned out on the thread before I entered it anyhow..

Anyone out there use a GTR4000, or a DSP4000?  I'm looking for a good
footpedal to go with mine, I bought a simple MIDI footpedal, but it doesn't
send proper note on/note off toggles.

Ken


From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 17:38:38 2000
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Hi,

In a message dated 09/12/00 10:05:40 AM, sine@zerocrossing.net writes:

>Has anyone on the list used Groovemaker software for the Mac OS?

I've been playing with the demo version some--and rather like it. But you 
better have a more recent, faster Mac to run it on. It's none too fun on 
older Power PCs. But works fine on a G3 or better.

TK

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In a message dated 9/12/00 3:27:40 AM Mid-Atlantic Daylight Time, 
mnelson@dmans.com writes:

<< I got it and will blow it's mind shortly. :) >>

first off, dont call me 
shortly.........:)..........secondly..........YIPEE!.........michael

From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 18:49:26 2000
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My Rocktron has CC control, which I think the Eventide stuff can use, as least the Orville can, which I have poured over 
the manual.

I am awaiting delivery of an Orville. Anyone else out there that wants to excahnge patches?







wgold@mecasw.com on 09/12/2000 02:26:33 PM
Please respond to Loopers-Delight@loopers-delight.com@SMTP 
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cc:	 
Subject:	GTR4000 Footpedals?
Classification:	

hmm.. I actually expected a flame on my last post.. I don't know wether to
be glad or saddened by the lack of interest in the content - but everyone
was probably burned out on the thread before I entered it anyhow..

Anyone out there use a GTR4000, or a DSP4000?  I'm looking for a good
footpedal to go with mine, I bought a simple MIDI footpedal, but it doesn't
send proper note on/note off toggles.

Ken





From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 18:52:53 2000
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At 06:48 AM 9/12/00 +0100, whiteoakstudios@supanet.com wrote:
>Hi Kim,
>Did I send all this?
>Plain text is checked on my outlook express!

Lookout Express doesn't always do what you think it will or
should do.

Dump it and get Eudora.


From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 19:01:27 2000
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> hello-
the eventides are pretty midi intensive 
probably second to max in this respect -many midi modules now in softwaere used 
as tools for control  --i used a pcm 10 (which was great )
but any pedal that sends notes,sys ex,pgrm changes -ccs 
will work 
i currently use a peavey 1600 and dimension beam and 
find the application & results are amazing 

im currently waiting on Orville delivery myself 
love to trade patches -

anyone try the yamaha pedal mfc or something like that ?


of course now they have the eve network controller 

K


> My Rocktron has CC control, which I think the Eventide stuff can use, as 
least the Orville
can, which I have poured over 
> the manual.
> 
> I am awaiting delivery of an Orville. Anyone else out there that wants to 
excahnge
patches?
> 
> 
> 
> 
> 
> 
> 
> wgold@mecasw.com on 09/12/2000 02:26:33 PM
> Please respond to Loopers-Delight@loopers-delight.com@SMTP 
> To:	Loopers-Delight@loopers-delight.com@SMTP
> cc:	 
> Subject:	GTR4000 Footpedals?
> Classification:	
> 
> hmm.. I actually expected a flame on my last post.. I don't know wether to
> be glad or saddened by the lack of interest in the content - but everyone
> was probably burned out on the thread before I entered it anyhow..
> 
> Anyone out there use a GTR4000, or a DSP4000?  I'm looking for a good
> footpedal to go with mine, I bought a simple MIDI footpedal, but it doesn't
> send proper note on/note off toggles.
> 
> Ken
> 
> 
> 
> 
> 
> 




From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 19:12:51 2000
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Forgive my adding to this off topic post, but i've been having the same
problem...some of the emails from LD, clients, and also some from friends
comes up just blank in the body.  Poor me, i can't respond with my razor
wit to posts i cant read! (dammit...where's my flame protection suit?  i
had it here somewhere...)

Does anybody know which settings to either turn on or turn off on Outlook
Express?  I've told my buddy to turn off HTML text, but his mails are still
turning up blank.  As for my clients sending me email, i can't exactly tell
them "Dump it and get Eudora", however valid that may be.

I'm running Eudora 4.0 on Mac.  Is there a setting i can switch?  or do i
need to jump to Eudora 5.0?

So, flog me with tape loops for veering so far off topic.

any help would be appreciated.

rich



>At 06:48 AM 9/12/00 +0100, whiteoakstudios@supanet.com wrote:
>>Hi Kim,
>>Did I send all this?
>>Plain text is checked on my outlook express!
>
>Lookout Express doesn't always do what you think it will or
>should do.
>
>Dump it and get Eudora.



From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 20:13:51 2000
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From: jordanpease@webtv.net (Jordan Pease)
Date: Tue, 12 Sep 2000 17:11:29 -0700 (PDT)
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I was really disappointed with the "D2 V0.4" Jamman upgrade chip.
Defiantly not ready for public consumption in my opinion. I went back to
the stock ROM and still wish there was an UNDO function.

____________

Thanks to Papa Dave for his Burning Man report. I echo the dust concerns
! Are there any other observations from people who brought gear and can
share their experiences ?

_____________

Musician's Friend is not yet taking orders for the Electrix Repeater,
but they took my name and said they'd call when they start. What's this
I hear about no foot pedal with it ? Wouldn't it be pretty useless to a
looping guitar player without one ?

_____________

Thanks to those who made [really low] offers on my two Echoplexes, but I
think I'll take one of them to the Zone Music swap meet this weekend and
see what happens there.

_____________

Thanks again to Kim for all he's done for us and his commitment to
keeping this list going for so long. 
 
______________

I'm still holding-out hope for some kind of looping tutorial /
show-and-tell video... I wish more of you guys would chime in and
support the idea. About a year ago there seemed to be quite a bit of
interest....

-Jordan Pease

From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 20:32:28 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
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Subject: RE: Repeater and foot control
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Hey Jordan,

There are plans in the works to make a 3 button foot switch that will work
with all the Electrix products in the very near future.

A Digitech FS-300 (a 3 button TRS foot switch) will work with Repeater's
footswitch input. There are also a number of MIDI foot controllers that will
work with Repeater's MIDI implementation.  

We are definitely into making a our own MIDI foot controller but we want to
wait until we get input from Repeater owners before we embark on such a
project. So in the mean time you will have to augment Repeater with someone
else's controller. 




>Musician's Friend is not yet taking orders for the Electrix Repeater,
>but they took my name and said they'd call when they start. What's this
>I hear about no foot pedal with it ? Wouldn't it be pretty useless to a
>looping guitar player without one?



Best Regards,

Damon Langlois
Creative Director
Electrix / IVL 
"No Creative Barriers"
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 20:32:54 2000
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Subject: Re: Jamman mods (was Help, Etc.)
Date: Tue, 12 Sep 2000 17:29:44 -0700
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> I was really disappointed with the "D2 V0.4" Jamman upgrade chip.
> Defiantly not ready for public consumption in my opinion. I went back to
> the stock ROM and still wish there was an UNDO function.

I've got the V0.2 version from a year or so ago.  I've never had any
problems, and I can't imagine losing the 'fade' feature.  I did dig up a
Digitech FS300 3 button footswitch  for it which make it more convenient.

What did you not like about the mods?

-Bob


From Loopers-Delight-request@loopers-delight.com  Tue Sep 12 23:45:08 2000
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Date: Tue, 12 Sep 2000 23:42:54 EDT
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Thats right,     from the folks who brought you 20 minutes of the same 
thing:)

They Must Be Mad  has done it again!!

Our latest @ http://artists.mp3s.com/artists/116/they_must_be_mad.html

Improvisation #840984638

New & much more exciting!

Thanks for listening!

Pete
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 04:03:47 2000
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>Forgive my adding to this off topic post, but i've been having the same
>problem...some of the emails from LD, clients, and also some from friends
>comes up just blank in the body.  Poor me, i can't respond with my razor
>wit to posts i cant read! (dammit...where's my flame protection suit?  i
>had it here somewhere...)
>
>Does anybody know which settings to either turn on or turn off on Outlook
>Express?  I've told my buddy to turn off HTML text, but his mails are still
>turning up blank.  As for my clients sending me email, i can't exactly tell
>them "Dump it and get Eudora", however valid that may be.
>
>I'm running Eudora 4.0 on Mac.  Is there a setting i can switch?  or do i
>need to jump to Eudora 5.0?

I remember 4.0 had some trouble, while 4.2 is perfect!
Selection is under Special - Settings - Styled Text.


          ---> http://Matthias.Grob.org

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Hi Keenan & Kamlapati, Italo here!! I'm working with Eventide DSP4000 and 
Orville since 6 years, doing some beta.testing and intensive presets design 
with these SUPREME PROCESSORS!!!
Hope you guys get your Orvilles very, very soon, download VSig at 
www.eventide.com, install it on your PC...(Mac is a problem, sorry) and 
start working on the monster...this will allow us all to swap patches on the 
net as e-mails attachments or simple copy and paste text...really easy as it 
looks!!! Orville is amazing and you both will enjoy timeless satisfaction 
and an outstanding knowledge growth in audio processing...I'm organazing a 
users network on the Net...so you are welcome!!!
If you prefer private contact: italoop@hotmail.com

                                          ITALO


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Hi Ken, try to be more specific on what you wat to do with midi and the 
GTR4000. What midi board did you get?
As far as midi note messages there are not so many pedalboards sending them, 
and most are expensive...using a good one with a Lexicon Midi Remote 
Controller (the old and now cheap MRC) or the mighty Peavey PC1600x will 
translate any midi message into any other...so even basic messages like 
program chenges can become midi notes ...plus you can do much, much more. 
After 6 years with a DSP4000, I'm now working on Orville and my midi setup 
includes a Rocktron MIDIMATE and a Lexi MRC. I turn loops on/off on orville 
and my Emu sampler in real time, while playing and looping live!!! Plus you 
can do much, much more!!!
Let's talk about it!   ciao  italo








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From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 10:08:59 2000
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Date: Wed, 13 Sep 2000 23:06:39 +0900
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From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: my next web cast
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Hi,

My next web cast info:

14th September 2000
AM6:30 - 7:30(GMT)

15th September 2000
AM8:00-10:00(GMT)

more details:
http://www.cavestudio.com/liveinformation
or
http://www.cavestudio.com/live_from_far_east/

keep in touch

  Sunao Inami
http://www.cavestudio.com


From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 11:12:14 2000
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From: rich <rich@nuvision.com>
Subject: RE: Repeater and foot control
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>A Digitech FS-300 (a 3 button TRS foot switch) will work with Repeater's
>footswitch input. There are also a number of MIDI foot controllers that will
>work with Repeater's MIDI implementation.

Damon,

Could you tell us what each button of the FS-300 will do on the Repeater?
I have one for my Filter Queen, and would like to know if i will use it on
the Repeater as well.

Also, do you know if the Repeater will support the Rolls RFX MidiWizard?
Is there a current list of Midi Pedals that is available?

rich


From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 11:50:47 2000
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Hello Damon,

> We are definitely into making a our own MIDI foot controller but we want to
> wait until we get input from Repeater owners before we embark on such a
> project. So in the mean time you will have to augment Repeater with someone
> else's controller.

Good news!  I'd follow your own modus operandi (sp?) and search the LD archives
(and others) as well.  Based on past messages I've seen, there seems to be a
large market for a PMC-10 type of foot controller, i.e., a very general purpose
controller able to send note on/off, etc.  I'll bet you could sell such a
beastie to alot of current EDP owners as well as those future Repeater owners.

Dennis Leas
-----------------------------
dennis@mdbs.com

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Anybody on this list checked out Joseph Arthur's live show yet? He 
is on tour with David Gray at the moment and will be opening up 
for The The on the East coast later this week.
Amazing show, well worth catching. Really good use of the famed 
Lexicon Jamman and a stunning array of sounds from his 
extensive pedals. All this coupled with great lyrics and melodies, 
got to be worth a visit right?
See you all there,
G.

; name=""
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DQotLS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tNjU1MjM0NjA4ODM1OTMx

--webexpress-3.1.f-083488--

From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 12:16:31 2000
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Date: Tue, 12 Sep 2000 13:17:22 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Repeater and foot control
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>Hello Damon,
>
>>  We are definitely into making a our own MIDI foot controller but we want to
>>  wait until we get input from Repeater owners before we embark on such a
>>  project. So in the mean time you will have to augment Repeater with someone
>>  else's controller.
>
>Good news!  I'd follow your own modus operandi (sp?) and search the 
>LD archives
>(and others) as well.  Based on past messages I've seen, there seems to be a
>large market for a PMC-10 type of foot controller, i.e., a very 
>general purpose
>controller able to send note on/off, etc.  I'll bet you could sell such a
>beastie to alot of current EDP owners as well as those future Repeater owners.
>

Thats a good point!
And I could contribute some hints about the mechanics so the switch 
action is time acurate!


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 12:17:33 2000
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From: "Cody Davis" <codyda@ecpi.com>
To: "Loopers-Delight@loopers-delight. com" <Loopers-Delight@loopers-delight.com>
Subject: Orchestral loops
Date: Wed, 13 Sep 2000 11:13:42 -0500
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I have connections with a local orchestra and recording studio. I would like
to get some feedback on if anyone thinks that there would be a decent market
out there for a CD with orchestral instrument loops. Each instrument
(strings, horns, woodwinds, percussion) playing notes for 5 secs each, doing
the scales and with chords (strings). All royalty free .wav files and maybe
duplicates for the Mac. If there is a demand, what price should this be
offered. Acid loop CDs sell for about $60.
Thanks in advance for your feedback.

From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 12:25:42 2000
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Subject: RE: Joseph Arthur...
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Uhh, the East coast of where?

> -----Original Message-----
> From: Graham Pattison [mailto:pentlandcrown@u.genie.co.uk]
> Sent: Wednesday, September 13, 2000 1:09 PM
> To: "Loopers Delight"@u.genie.co.uk; loopers-Delight@annihilist.com
> Subject: Joseph Arthur...
> 
> 
> Anybody on this list checked out Joseph Arthur's live show yet? He 
> is on tour with David Gray at the moment and will be opening up 
> for The The on the East coast later this week.
> Amazing show, well worth catching. Really good use of the famed 
> Lexicon Jamman and a stunning array of sounds from his 
> extensive pedals. All this coupled with great lyrics and melodies, 
> got to be worth a visit right?
> See you all there,
> G.
> 
> ; name=""
> Content-Transfer-Encoding: BASE64
> 
> DQotLS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tNjU1MjM0NjA4ODM1OTMx
> 

____________________________________________________________________
Get free email and a permanent address at http://www.netaddress.com/?N=1

From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 14:02:33 2000
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Matthias Grob wrote:

> 
> Thats a good point!
> And I could contribute some hints about the mechanics so the switch
> action is time acurate!

beware of Mathias he dont likes sequencers... so.... speaking of time
accuracy ????

:=):=):=)

welcome back to the list

Claude

From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 14:09:57 2000
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Subject: Re: Orchestral loops
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There are plenty out there already- mostly Akai-

Cliff

-----Original Message-----
From: Cody Davis <codyda@ecpi.com>
To: Loopers-Delight@loopers-delight. com
<Loopers-Delight@loopers-delight.com>
Date: Wednesday, September 13, 2000 9:19 AM
Subject: Orchestral loops


>I have connections with a local orchestra and recording studio. I would
like
>to get some feedback on if anyone thinks that there would be a decent
market
>out there for a CD with orchestral instrument loops. Each instrument
>(strings, horns, woodwinds, percussion) playing notes for 5 secs each,
doing
>the scales and with chords (strings). All royalty free .wav files and maybe
>duplicates for the Mac. If there is a demand, what price should this be
>offered. Acid loop CDs sell for about $60.
>Thanks in advance for your feedback.
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 15:12:24 2000
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To: <Loopers-Delight@loopers-delight.com>
References: <F246QTkFB9DNBo7UzsU0000a998@hotmail.com>
Subject: Re: ORVILLE OWNERS(now and future)
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Yeah - I have VSig and have written a few patches already for it.. It's a
monster, and a little bit of a bear to learn - but once you do its
flexibility is awesome..  I have troubles sometimes getting simple patches
to work, it says "Can not segment processor" or some such nonsense when I
attempt to upload something trivial, but other more arcane patches seem to
be fine...

I was looking for a resource to get / trade patches for a year now - so if
anyone is interested in starting a mailing list or something of the like to
exchange patches for the DSP/GTR4000 sign me up!

Ken

----- Original Message -----
From: "italo de angelis" <italoop@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 13, 2000 6:19 AM
Subject: ORVILLE OWNERS(now and future)


> Hi Keenan & Kamlapati, Italo here!! I'm working with Eventide DSP4000 and
> Orville since 6 years, doing some beta.testing and intensive presets
design
> with these SUPREME PROCESSORS!!!
> Hope you guys get your Orvilles very, very soon, download VSig at
> www.eventide.com, install it on your PC...(Mac is a problem, sorry) and
> start working on the monster...this will allow us all to swap patches on
the
> net as e-mails attachments or simple copy and paste text...really easy as
it
> looks!!! Orville is amazing and you both will enjoy timeless satisfaction
> and an outstanding knowledge growth in audio processing...I'm organazing a
> users network on the Net...so you are welcome!!!
> If you prefer private contact: italoop@hotmail.com
>
>                                           ITALO
>
>
> _________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
> Share information about yourself, create your own public profile at
> http://profiles.msn.com.
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 15:16:57 2000
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Another thing I've noticed with the patches I write is that they have a REAL
bad tendency to feedback my rig.  I have yet to figure out what I'm doing
wrong, I'm sure it's just that I stink at writing the patches so far and am
missing some basic steps.. Even though I'm a goo computer programmer, and
I've downloaded many internal patches from the unit itself to use as a
guideline.

I'd be real happy to send my patches to someone who could look them over and
explain to me what I'm doing wrong..  Mentor, master, or guide... I need
something.

Ken

----- Original Message -----
From: "Ken M" <wgold@mecasw.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 13, 2000 3:16 PM
Subject: Re: ORVILLE OWNERS(now and future)


> Yeah - I have VSig and have written a few patches already for it.. It's a
> monster, and a little bit of a bear to learn - but once you do its
> flexibility is awesome..  I have troubles sometimes getting simple patches
> to work, it says "Can not segment processor" or some such nonsense when I
> attempt to upload something trivial, but other more arcane patches seem to
> be fine...
>
> I was looking for a resource to get / trade patches for a year now - so if
> anyone is interested in starting a mailing list or something of the like
to
> exchange patches for the DSP/GTR4000 sign me up!
>
> Ken
>
> ----- Original Message -----
> From: "italo de angelis" <italoop@hotmail.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Wednesday, September 13, 2000 6:19 AM
> Subject: ORVILLE OWNERS(now and future)
>
>
> > Hi Keenan & Kamlapati, Italo here!! I'm working with Eventide DSP4000
and
> > Orville since 6 years, doing some beta.testing and intensive presets
> design
> > with these SUPREME PROCESSORS!!!
> > Hope you guys get your Orvilles very, very soon, download VSig at
> > www.eventide.com, install it on your PC...(Mac is a problem, sorry) and
> > start working on the monster...this will allow us all to swap patches on
> the
> > net as e-mails attachments or simple copy and paste text...really easy
as
> it
> > looks!!! Orville is amazing and you both will enjoy timeless
satisfaction
> > and an outstanding knowledge growth in audio processing...I'm organazing
a
> > users network on the Net...so you are welcome!!!
> > If you prefer private contact: italoop@hotmail.com
> >
> >                                           ITALO
> >
> >
> >
_________________________________________________________________________
> > Get Your Private, Free E-mail from MSN Hotmail at
http://www.hotmail.com.
> >
> > Share information about yourself, create your own public profile at
> > http://profiles.msn.com.
> >
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 15:19:47 2000
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Subject: Re: GTR4000 Footpedals?
Date: Wed, 13 Sep 2000 15:26:50 -0400
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I'm - for now - simply trying to use a single footswitch press to turn
on/off segments of the currently running program, as well as allow me to
cycle programs easily.  The Digitech (not at home, don't know model) MIDI
controller foot pedal I bought for $100 doesn't work properly.  I need to
step on the switches TWICE to get the GTR4000 to recognize that I did
anything.. VERY annoying.

I called Eventide about it, REAL nice guys there, and they said the
footpedal I have now is not correctly sending note on/note off messages, it
instead toggles note on/note off per stomp which causes the trouble.  Of
course, this was months ago and I forget the hardware they suggested in the
fog of time.

I don't (yet) have the looping module for it.. I was contemplating this, but
having already spent $2k on the unit, and $500 in upgrades for it I'm rather
a bit hesitant to put another $1000 into it for looping if I could sell this
one and upgrade to the Orville for nearly the same price tag.  (The Eventide
site doesn't list a price so I'm guessing $4k.).

Any help is generously accepted.

Ken

----- Original Message -----
From: "italo de angelis" <italoop@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 13, 2000 6:27 AM
Subject: Re: GTR4000 Footpedals?


>
> Hi Ken, try to be more specific on what you wat to do with midi and the
> GTR4000. What midi board did you get?
> As far as midi note messages there are not so many pedalboards sending
them,
> and most are expensive...using a good one with a Lexicon Midi Remote
> Controller (the old and now cheap MRC) or the mighty Peavey PC1600x will
> translate any midi message into any other...so even basic messages like
> program chenges can become midi notes ...plus you can do much, much more.
> After 6 years with a DSP4000, I'm now working on Orville and my midi setup
> includes a Rocktron MIDIMATE and a Lexi MRC. I turn loops on/off on
orville
> and my Emu sampler in real time, while playing and looping live!!! Plus
you
> can do much, much more!!!
> Let's talk about it!   ciao  italo
>
>
>
>
>
>
>
>
> _________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
> Share information about yourself, create your own public profile at
> http://profiles.msn.com.
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 15:52:34 2000
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Subject: Re: WAY OT: Warez - A Rebuttal
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At 3:23 AM -0700 9/12/00, Ben Porter wrote:
>>Another analogy: An awful lot of artwork goes for prices a lot higher than
>>the cost of the canvas. This is also true for lots of reproductions,
>>photographic prints, etc. which don't have any benefit of uniqueness. Do
>>you have the right to walk into a photography gallery, steal a print, and
>>leave cash for the cost of goods? Go paint your own pictures, take your own
>>photographs, ... write your own software. Or find someone who is willing to
>>do it for you at a price you are willing to pay.
>
>I get the feeling you're mad at me...

I'm not particularly mad at you, but see my last paragraph for why I it
bothers me so much to see this sort of attitude amongst musicians.

>
>Well, no. You don't have the right to go and take someones artwork and pay
>for the cost of goods. But, you can go and buy a book filled with pictures
>of that same artwork or those same photographs. Does that mean that
>artwork printed in coffee table books and textbooks lacks uniqueness
>because it has been copied?

The artist generally had control over whether such a book existed. If the
artist signed the rights over to the gallery, then it was the gallery that
made the decision. But the point is that the decision to distribute in this
form is the right of the copyright holder. That's the essential notion of
copyright.

>
>You see the book, like any software, would be a commercial product. Any
>true art could not be considered a "commercial product" in most
>definitions of that word. When was the last time you heard of someone
>refer to a piece of software as *ART*?

Frequently, actually. And from people who aren't in the software business.

One of the most respected books on computer programming is Donald Knuth's
_The Art of Computer Programming_.

You seem to imply that anything that has as one of its goals making money
can't be considered "true art". Michaelangelo did plenty of work for hire.
Are you saying that none of that could be considered "true art".

>Yes and no. But what I'm going the very long and highly arguable way
>around the fact that the copyright laws do not protect the individual, but
>the big corporations and that does not fit in with the ideals of a
>Democratic Society, but with the ideas of an autocracy. And you, along
>with many other people, have bought into the propoganda given to us by
>these corporations.

Copyright protects the copyright holders. Yes, corporations hold copyrights
on a lot of material. So do a lot of individuals. And it's totalitarian
systems that frequently devalue intellectual property, so don't go spouting
nonsense about the "ideals of a Democratic Society".

>Most contracts with big record labels make you sign away your rights to
>them. Then, the record label owns the copyrights to the music, not the
>artists. And so what do you think they are going to do, give it away, or
>charge a price for it?

Musicians are arguably foolish for signing such contracts. You can
distribute your work without a big record company. It can be a lot more
work, but it's possible.

Aimee Mann is no fan of big record companies, but she has also been quite
vocal about not wanting people passing her music around for free on the
Internet.

Professional musicians make their living by selling their music or
performances in some form or another. Going through a record company can be
a highly inefficient way of making the sale and a good chunk of the money
will probably end up going to the record company. It isn't the listener's
decision, however, to decide that the deal is unfair to the musician and
hence it's okay to steal the music.

Commercial software is written with the expectation that there will be
financial compensation for it. That's the same whether it's an individual,
a small company or a large one. Somehow you've got to pay the electricity
bills, pay for the computers, etc..

There is plenty of software written by people and given away for free, but
this is generally written by people who aren't trying to do it for a living
or are working in state sponsored positions. If you don't want to pay for
software, use these products. Don't steal from the people who are producing
software for a living.

I don't know how many people on this list actually manage to make music for
a living. How many people on this list would like to be able to get paid
for making music instead of whatever it is you do to pay the bills? I
suspect a lot. Making a living making music requires having people pay for
the music. The same goes for software.

When you steal a computer program, you are in effect saying that you feel
it is worth zero and hence that the programmers deserve no compensation for
their work. You probably didn't steal the computer you are running it on
because the opportunity wasn't readily available. Just because the
opportunity is available to steal software doesn't make it right.

Finally, I find it particularly ironic that people who do work in an area
where intellectual property protection matters -- e.g., music -- can be so
disinclined to appreciating intellectual property protection in other
areas. Musicians aren't alone in this, of course. I've been to forums in
which professional photographer's expressed concern about protecting their
copyrights while running slide shows accompanied by commercial music that
they haven't paid to use.

Mark

P.S. Semi-loop related content: I'll bet that Line 6 spent a lot more on
the R & D software for the DL4 than they did on the hardware. The hardware
while necessary to achieve anything, has the benefit for Line 6 of also
serving as copy protection for the software.


From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 16:07:24 2000
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Subject: Re: GTR4000 Footpedals?
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> ...The Digitech (not at home, don't know model) MIDI
> controller foot pedal I bought for $100 doesn't work properly.  I need to
> step on the switches TWICE to get the GTR4000 to recognize that I did
> anything.. VERY annoying....
> I called Eventide about it, REAL nice guys there, and they said the
> footpedal I have now is not correctly sending note on/note off messages, it
> instead toggles note on/note off per stomp which causes the trouble.

Do you have a MIDI interface for your computer?  If so, I'd recommend using
MIDI-OX ( http://www.midiox.com/ ) to sniff them MIDI messages!  If not, I'd get
one, even a cheapie, so you can check your input.

MIDI-OX is PC based but there's other similiar Mac utilities to be found at (
http://www.harmony-central.com/MIDI/#sof ).  Once you know your input, it's a
lot easier to tell what's going on.  GIGO, after all.


> From: "italo de angelis" <italoop@hotmail.com>
>. . .
> > After 6 years with a DSP4000, I'm now working on Orville and my midi setup
> > includes a Rocktron MIDIMATE and a Lexi MRC. I turn loops on/off on orville
> > and my Emu sampler in real time, while playing and looping live!!! Plus you
> > can do much, much more!!!

Sounds like a great set-up, Italo!  Can you describe it some more?  Maybe a
diagram?

Dennis Leas
-----------------------------
dennis@mdbs.com

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Hello

A few of you who have subscribed to this list for some time may recall a
collaborative venture between myself and James H Sidlo which we invited
you to listen to some while back.

We have now pieced together some more audio montages, and interested
parties can catch these at:
<http://www.mp3.com/recooperation>
the items in question being:

Delayed in traffic
Garage gamelan
Time to spare

I thank you

David
<http://www.mp3.com/davidcooperorton>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 16:20:37 2000
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Subject: Re: GTR4000 Footpedals?
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Dennis:
I do have a PC/MIDI interface yes... I use it to up/download presets via
MIDI to my GTR4000.  I'll check MIDI-OX out tonight when I get home.
Tonight is band practice, so I'll set it up on my laptop and kick the
triggers to see what I have/don't have going on.

Talked to Eventide again - they say "Get the DMC Ground Control" if I want
one that's built for my purposes.  Going to e-bay to see if there's any on
sale now.

Thanks for the link!

Ken

----- Original Message -----
From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 13, 2000 4:02 PM
Subject: Re: GTR4000 Footpedals?


> > ...The Digitech (not at home, don't know model) MIDI
> > controller foot pedal I bought for $100 doesn't work properly.  I need
to
> > step on the switches TWICE to get the GTR4000 to recognize that I did
> > anything.. VERY annoying....
> > I called Eventide about it, REAL nice guys there, and they said the
> > footpedal I have now is not correctly sending note on/note off messages,
it
> > instead toggles note on/note off per stomp which causes the trouble.
>
> Do you have a MIDI interface for your computer?  If so, I'd recommend
using
> MIDI-OX ( http://www.midiox.com/ ) to sniff them MIDI messages!  If not,
I'd get
> one, even a cheapie, so you can check your input.
>
> MIDI-OX is PC based but there's other similiar Mac utilities to be found
at (
> http://www.harmony-central.com/MIDI/#sof ).  Once you know your input,
it's a
> lot easier to tell what's going on.  GIGO, after all.
>
>
> > From: "italo de angelis" <italoop@hotmail.com>
> >. . .
> > > After 6 years with a DSP4000, I'm now working on Orville and my midi
setup
> > > includes a Rocktron MIDIMATE and a Lexi MRC. I turn loops on/off on
orville
> > > and my Emu sampler in real time, while playing and looping live!!!
Plus you
> > > can do much, much more!!!
>
> Sounds like a great set-up, Italo!  Can you describe it some more?  Maybe
a
> diagram?
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 17:04:33 2000
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Three people at my work place just came back from the Burning Man
festival and I am now infected with the dust from Black Rock.  This
means that I must go to next year's Man - and bring an exhibit. So, I am
thinking up a delightful looping thing.  What I had in mind will require
at least three loopers, more if I can afford it.

Since I do not want to risk taking my beloved EDP to the 120 degree
stinking desert I am looking for cheaper substitutes, preferably
something that could run off batteries.

All I need is 10 to 28 seconds delay with overdub and feedback level
control.  I do not need undo, multiply, or insert.  My DL/6 almost works
for this but it does not have the feedback control.

Is there anything that fits this description?  I've looked at the
Headrush and it seems to be a likely choice.  Any other suggestions?

My idea is to have 7 or 8 bells (made from old oxygen canisters) tuned
to a Just scale of some sort.  These are then miked and fed to
individual loops, maybe two or three per loop, depending on $$.  The
loops are mixed to one signal which is split: one going to minimal
stereo effects and amp, the other to a Sustainiac Model B which is fed
back to each bell with a physically attached transducer.  My hope is
that a few whacks with a rubber mallet will regenerate into a beautiful
undulating harmonic soundscape, bring peace to the world, and cure
cancer.  Well, at least make a cool noise!  I've got access to two bells
now and hope to test out the concept with my EDP soon.

Anyone here with suggestions?  I live in Oakland, California, if there
is anyone in the Bay Area who is interested in collaborating I'd love to
hear from you.

-Allan






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September 
15th Boston, MA           Axis
18th Pittsburgh, PA     Metropol
19th New York, NY      Bowery Ballroom
20th New York, NY      Bowery Ballroom
22nd Detroit, MI            St. Andrews Hall
23rd Chicago, IL          The Vic Theatre

; name=""
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DQotLS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tLS0tMzk5NTcxMTE0NjM3MzQ5

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 13 23:16:51 2000
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Date: Wed, 13 Sep 2000 22:11:48 -0500
To: Loopers-Delight@loopers-delight.com
From: Michael Clark <mcl451@airmail.net>
Subject: Re: Burning Loopy Idea
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Cool idea.

Michael

At 01:59 PM 9/13/00 -0700, you wrote:
>Three people at my work place just came back from the Burning Man
>festival and I am now infected with the dust from Black Rock.  This
>means that I must go to next year's Man - and bring an exhibit. So, I am
>thinking up a delightful looping thing.  What I had in mind will require
>at least three loopers, more if I can afford it.
>
>Since I do not want to risk taking my beloved EDP to the 120 degree
>stinking desert I am looking for cheaper substitutes, preferably
>something that could run off batteries.
>
>All I need is 10 to 28 seconds delay with overdub and feedback level
>control.  I do not need undo, multiply, or insert.  My DL/6 almost works
>for this but it does not have the feedback control.
>
>Is there anything that fits this description?  I've looked at the
>Headrush and it seems to be a likely choice.  Any other suggestions?
>
>My idea is to have 7 or 8 bells (made from old oxygen canisters) tuned
>to a Just scale of some sort.  These are then miked and fed to
>individual loops, maybe two or three per loop, depending on $$.  The
>loops are mixed to one signal which is split: one going to minimal
>stereo effects and amp, the other to a Sustainiac Model B which is fed
>back to each bell with a physically attached transducer.  My hope is
>that a few whacks with a rubber mallet will regenerate into a beautiful
>undulating harmonic soundscape, bring peace to the world, and cure
>cancer.  Well, at least make a cool noise!  I've got access to two bells
>now and hope to test out the concept with my EDP soon.
>
>Anyone here with suggestions?  I live in Oakland, California, if there
>is anyone in the Bay Area who is interested in collaborating I'd love to
>hear from you.
>
>-Allan
>
>
>
>
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 00:25:32 2000
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From: "Javier Miranda V." <gnominus@earthling.net>
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Subject: RE: Joseph Arthur...
Date: Wed, 13 Sep 2000 20:26:31 -0700
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Right.  The east coast of Florida, or Newfoundland, or Cape Cod, or Cuba, or
Mexico, or Panama, or Baja California, or Lake Erie, or Bermuda, or Spain,
or England, or Denmark, or Italy, or France, or somewhere in Greece, or
Japan, Australia, Hawaii, ...fill in the blank.  I love those generic names.
Especially out on the Web.  People think everybody else out there knows
their little neck of the woods, or what's worse, that they HAVE to know.

  | -----Original Message-----
  | From: p koniuto [mailto:koniuto@usa.net]
  | Sent: Wednesday 13 September 2000 9:24 AM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: RE: Joseph Arthur...
  |
  |
  |
  | Uhh, the East coast of where?
  |
  | > -----Original Message-----
  | > From: Graham Pattison [mailto:pentlandcrown@u.genie.co.uk]
  | > Sent: Wednesday, September 13, 2000 1:09 PM
  | > To: "Loopers Delight"@u.genie.co.uk; loopers-Delight@annihilist.com
  | > Subject: Joseph Arthur...
  | >
  | >
  | > Anybody on this list checked out Joseph Arthur's live show yet? He
  | > is on tour with David Gray at the moment and will be opening up
  | > for The The on the East coast later this week.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 04:45:01 2000
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Date: Wed, 13 Sep 2000 05:45:46 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: RE: Joseph Arthur...
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>Right.  The east coast of Florida, or Newfoundland, or Cape Cod, or Cuba, or
>Mexico, or Panama, or Baja California, or Lake Erie, or Bermuda, or Spain,
>or England, or Denmark, or Italy, or France, or somewhere in Greece, or
>Japan, Australia, Hawaii, ...fill in the blank.  I love those generic names.

East coast of France??


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 05:34:20 2000
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Date: Wed, 13 Sep 2000 06:35:18 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Repeater and foot control
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>Matthias Grob wrote:
>
>  > Thats a good point!
>>  And I could contribute some hints about the mechanics so the switch
>>  action is time acurate!
>
>beware of Mathias he dont likes sequencers... so.... speaking of time
>accuracy ????
>

No? gime a chance to change... the last nights I spent in creating 
drum patterns for my new (well, used) QY20 slave so it shall put some 
gas into the loops I will support that art bar with tomorrow...


When I say time accuracy, I relate to the delay you get on most 
switches between touching it and actually closing the contact. Those 
you have to press with some foot velocity which then again may 
disturb playing.
The Oberheim one is better than many others, but PARADIS still had the best...



Did you actually tell the list about our final meeting and lakeshore 
sundown to moonup show?


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 05:39:03 2000
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Date: Wed, 13 Sep 2000 06:35:18 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Xfade vs. zeroX / HW vs SW  (was: dream box)
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Re: Xfade vs. zeroX / HW vs SW  (was: dream
box)</title></head><body>
<blockquote type="cite" cite><br></blockquote>
<blockquote type="cite" cite><font size="-1">I think both Kyma and
MAX/MSP provide solutions.&nbsp; This is cool!&nbsp; [Sometimes I
feel that, if I'm into this &quot;looper religion&quot; thing, then
Kyma is like my denomination. :)&nbsp; That makes the MAX/MSP folks
(and Orville users, etc.) like a different denomination; same
religion, they just use different words to mean about the same
thing!]</font></blockquote>
<div><br></div>
<div>please let me be member of such denomination!</div>
<div><br></div>
<blockquote type="cite" cite>&nbsp;&gt;&gt;Ah yes, this is a tricky
one, because when you stop looping the sub-loop an d go back to a
longer loop, you &gt;&gt;might end up with clicks at the edges of the
sub-loop. I have been trying to solve that problem with little
&gt;&gt;crossfades at either end of the sub-loop, but I want to be
able to keep playing the larger loop while recording &gt;&gt;into the
sub-loop also, and haven't quite figured out how to keep the
crossfades perfect at all times. I was &gt;&gt;ready to bail on this
feature but it's cool to hear that someone else has thought it would
be useful, so I'll try &gt;&gt;and get back into it.</blockquote>
<blockquote type="cite" cite>&nbsp;</blockquote>
<blockquote type="cite"
cite>&gt;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <font
size="-1">Hmm.. any ideas folks?</font><br>
<font size="-1"></font></blockquote>
<blockquote type="cite" cite><font size="-1">(Brainstorming here,
haven't completely thought this out) Seems like the trick might be to
record it initially&nbsp;without clicks.&nbsp;In other words, clean
it up on the way into the loop memory&nbsp;instead of on the way out
(at&nbsp;playback).&nbsp;&nbsp;Sort of like a &quot;smart
overdub&quot;.&nbsp; It would delay the recording by a few sample
points until an appropriate zero-crossing, then delay the
&quot;punch-out&quot; until it saw a matching zero-crossing
(indicated by the first derivative).&nbsp; You might need do
double-buffer the baby.&nbsp; I.e., put the overdub into a working
buffer, trim it neatly, then shuflle it into the main loop
memory.</font></blockquote>
<div><br></div>
<div>Even EDP does fading at the input AND the output, depending on
function.</div>
<div>In this case, your &quot;smart overdub&quot; idea makes sense to
me!</div>
<div><br></div>
<blockquote type="cite" cite>&nbsp;<font size="-1">Of course, if you
put it into a trim/clean-up buffer, you could trim it via fades
(appearing as cross-fades in the loop)&nbsp;instead of
zero-crossings.&nbsp; In general, I prefer the zero-crossing idea
because I think it can be&nbsp;less audible (less artifacts), but it
is more work.</font></blockquote>
<div><br></div>
<div>Doesnt the audibility depend on the sound material?</div>
<div>Roughly: For percussive sound, the zero crossing is great but
for sustained sound, cross fade is necessary, otherwhise you hear a
new attack which can be about as annoying as a click.</div>
<div>In a future HW solution such fades will be available and
probably controllable.</div>
<div>The sound material could be analyzed to define
characteristic.</div>
<div><br></div>
<blockquote type="cite" cite>&nbsp;&gt;I think the hardware products
are great for what they do, and they do a lot, but I do not know of
any that let you &gt;overdub simultaneously into multiple backwards
varispeed loops, while playing complex sequences of &gt;subsegments
of other loops, in 5.1 surround, and that's the sort of sonic mess I
like to make.<br>
</blockquote>
<blockquote type="cite" cite><font size="-1">Yes!&nbsp; The hardware
products are the best for that &quot;out of the box&quot; experience,
but for ultimate flexibility/customizability, I think a software
solution (I include Kyma here) is necessary.</font></blockquote>
<div><br></div>
<div>Shure, HW is for the road and SW for the studio.</div>
<div>I might try to use a notebook for a show, but then again, clicks
are less audible there, so we really need more parameters and quality
in the studio and therefore a bigger display and time to operate - it
fits together.</div>
<div>All I am concerned with is that the HW and SW systems are not
too different so the user can use the same foot pedal with the same
basic functions to create the same music.</div>

<div><br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ---&gt;
http://Matthias.Grob.org</div>
</body>
</html>

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From: "Craig Sinclair" <stratboy@home.com>
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Subject: Newbie Questions
Date: Thu, 14 Sep 2000 09:29:00 -0500
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Hi,
I want to start incorporating loops in my bands live performances. The =
only experience I've had with loops was doing a sideman guitar stint =
with
an artist who used loops on a couple of tunes. I really enjoyed the =
overall feel that these loops added to the music. So as I get ready to =
dive into looping, I'm a little overwhelmed with the possibilities.
I am planning on using Acid Pro 2.0 to create the loops, are there any =
other software packages that anyone would recommend over Acid?

The big question I have is how to actually incorporate the loops into =
the live performances. Presently our keyboard player doesn't have any =
sampling devices in his rig. We have been doing a couple of tunes where =
we use his Ensonic Fizmo's arpeggiator to do some "loop-type" =
performances. This has been good practice in playing with a set time =
source. The only problem is I would like a little more variety with the =
loops.
Here is how I want to use the loops on stage. Once the loops are =
created, I plan on burning them down to CD and using a CD player live =
and feed that through the monitors for the "click track"  Am I on the =
right track with this plan?  If so, does anyone know of any CD players =
that come with a footswitch for starting and stopping?
Thanks for any advice on this subject
Craig

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I want to start incorporating loops in =
my bands=20
live performances. The only experience I've had with loops was doing a =
sideman=20
guitar stint with</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>an artist who used loops on a couple of =
tunes. I=20
really enjoyed the overall feel that these loops added to the music. So =
as I get=20
ready to dive into looping, I'm a little overwhelmed with the=20
possibilities.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I am planning on using Acid Pro 2.0 to =
create the=20
loops, are there any other software packages that anyone would recommend =
over=20
Acid?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>The big question I have is how to =
actually=20
incorporate the loops into the live performances. Presently our keyboard =
player=20
doesn't have any sampling devices in his rig. We have been doing a =
couple of=20
tunes where we use his Ensonic Fizmo's arpeggiator to do some =
"loop-type"=20
performances. This has been good practice in playing with a set time =
source. The=20
only problem is I would like a little more variety with the =
loops.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Here is how I want to use the loops on =
stage. Once=20
the loops&nbsp;are created, I plan on burning them down to CD and using =
a CD=20
player live and feed that through the monitors for the "click =
track"&nbsp; Am I=20
on the right track with this plan?&nbsp; If so, does anyone know of any =
CD=20
players that come with a footswitch for starting and =
stopping?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for any advice on this =
subject</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Craig</FONT></DIV></BODY></HTML>

------=_NextPart_000_0031_01C01E2E.3720CFC0--

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 10:55:08 2000
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On Wed, 13 Sep 2000, Matthias Grob wrote:
> >Matthias Grob wrote:
> >
> >  > Thats a good point!
> >>  And I could contribute some hints about the mechanics so the switch
> >>  action is time acurate!
> >
> When I say time accuracy, I relate to the delay you get on most 
> switches between touching it and actually closing the contact. Those 
> you have to press with some foot velocity which then again may 
> disturb playing.
> The Oberheim one is better than many others, but PARADIS still had the best...

	I've noticed this when trying to sync my dl4 and vortex. I'll get
a polyrhythmic loopy echo thing going on the vortex, throw a couple bars
into the dl4, and move on. Thing is, when closing the loop on the dl4
(kaCHUNK) the industrial switches make it hard to get the timing just
right, and the dl4 doesn't seem quite as forgiving about such things. It's
becoming obvious I need to replace the much-hated lexicon footswitch (tap
tap tap tap click arrgh!) but does anyone have any suggestions on maybe
'loosening up' the feel of the dl4? Anyone suggest a good double pedal for
the vortex? Bueller?

-><-

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 11:23:07 2000
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From: jim palmer <jimp@pobox.com>
Subject: Re: Repeater and foot control
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does the paridis controller have those little plastic buttons?
i have found the ones on the oberheim to be too finicky.
i modified a digitech fc300 (though i only get three functions this way)
and it seems a lot more positive.

i am thinking of making my own full controller for the edp using the
same buttons as the fc300, but they are kind of expensive.

i also considered making a bunch of individual footswitches, each with
one button, one resistor, and a parrallel out so they could be
daisy-chained.
this would allow me to (for example) put the record button under my heel
while playing congas. this could get out of hand, though with all the
buttons
and cables causing a big spagetti mess...

then again, maybe i should just go with a midi controller?

i am a beginner with the edp so i would love to hear some recomendations...

----- Original Message -----
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 13, 2000 4:35 AM
Subject: Re: Repeater and foot control


> >Matthias Grob wrote:
> >
> >  > Thats a good point!
> >>  And I could contribute some hints about the mechanics so the switch
> >>  action is time acurate!
> >
> >beware of Mathias he dont likes sequencers... so.... speaking of time
> >accuracy ????
> >
>
> No? gime a chance to change... the last nights I spent in creating
> drum patterns for my new (well, used) QY20 slave so it shall put some
> gas into the loops I will support that art bar with tomorrow...
>
>
> When I say time accuracy, I relate to the delay you get on most
> switches between touching it and actually closing the contact. Those
> you have to press with some foot velocity which then again may
> disturb playing.
> The Oberheim one is better than many others, but PARADIS still had the
best...
>
>
>
> Did you actually tell the list about our final meeting and lakeshore
> sundown to moonup show?
>
>
>           ---> http://Matthias.Grob.org
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 11:38:32 2000
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I am a newbie as well. I don't think you can create loops in Acid, only
assemble them. You need a audio program like Goldwave (shareware) or Cool
Edit Pro (much better but costs as much as Acid) to create loops. Cool Edit
Pro does not give you the ease of assembling that Acid does. Acid does key
and tempo change anywhere within your composition as well as there is volume
control within the loop that is graphically editable. You may even bring the
same loop in and change its key and use it as a separate track. I hope I
have been help.
  -----Original Message-----
  From: Craig Sinclair [mailto:stratboy@home.com]
  Sent: Thursday, September 14, 2000 9:29 AM
  To: Loopers Delight
  Subject: Newbie Questions


  Hi,
  I want to start incorporating loops in my bands live performances. The
only experience I've had with loops was doing a sideman guitar stint with
  an artist who used loops on a couple of tunes. I really enjoyed the
overall feel that these loops added to the music. So as I get ready to dive
into looping, I'm a little overwhelmed with the possibilities.
  I am planning on using Acid Pro 2.0 to create the loops, are there any
other software packages that anyone would recommend over Acid?

  The big question I have is how to actually incorporate the loops into the
live performances. Presently our keyboard player doesn't have any sampling
devices in his rig. We have been doing a couple of tunes where we use his
Ensonic Fizmo's arpeggiator to do some "loop-type" performances. This has
been good practice in playing with a set time source. The only problem is I
would like a little more variety with the loops.
  Here is how I want to use the loops on stage. Once the loops are created,
I plan on burning them down to CD and using a CD player live and feed that
through the monitors for the "click track"  Am I on the right track with
this plan?  If so, does anyone know of any CD players that come with a
footswitch for starting and stopping?
  Thanks for any advice on this subject
  Craig

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<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D080112815-14092000>I am a=20
newbie as well. I don't think you can create loops in Acid, only =
assemble them.=20
You need a audio program like Goldwave (shareware) or Cool Edit Pro =
(much=20
better&nbsp;but costs as much as Acid) to create loops. Cool Edit Pro =
does not=20
give you the ease of assembling that Acid does. Acid does key and tempo =
change=20
anywhere within&nbsp;your composition as well as there is volume control =
within=20
the loop that is&nbsp;graphically editable. You may even bring the same =
loop in=20
and change its key and use it as a separate track. I hope I have been=20
help.</SPAN></FONT></DIV>
<BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px">
  <DIV align=3Dleft class=3DOutlookMessageHeader dir=3Dltr><FONT =
face=3DTahoma=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Craig Sinclair=20
  [mailto:stratboy@home.com]<BR><B>Sent:</B> Thursday, September 14, =
2000 9:29=20
  AM<BR><B>To:</B> Loopers Delight<BR><B>Subject:</B> Newbie=20
  Questions<BR><BR></DIV></FONT>
  <DIV><FONT face=3DArial size=3D2>Hi,</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I want to start incorporating loops =
in my bands=20
  live performances. The only experience I've had with loops was doing a =
sideman=20
  guitar stint with</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>an artist who used loops on a couple =
of tunes. I=20
  really enjoyed the overall feel that these loops added to the music. =
So as I=20
  get ready to dive into looping, I'm a little overwhelmed with the=20
  possibilities.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>I am planning on using Acid Pro 2.0 =
to create the=20
  loops, are there any other software packages that anyone would =
recommend over=20
  Acid?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2>The big question I have is how to =
actually=20
  incorporate the loops into the live performances. Presently our =
keyboard=20
  player doesn't have any sampling devices in his rig. We have been =
doing a=20
  couple of tunes where we use his Ensonic Fizmo's arpeggiator to do =
some=20
  "loop-type" performances. This has been good practice in playing with =
a set=20
  time source. The only problem is I would like a little more variety =
with the=20
  loops.</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Here is how I want to use the loops =
on stage.=20
  Once the loops&nbsp;are created, I plan on burning them down to CD and =
using a=20
  CD player live and feed that through the monitors for the "click =
track"&nbsp;=20
  Am I on the right track with this plan?&nbsp; If so, does anyone know =
of any=20
  CD players that come with a footswitch for starting and =
stopping?</FONT></DIV>
  <DIV><FONT face=3DArial size=3D2>Thanks for any advice on this=20
subject</FONT></DIV>
  <DIV><FONT face=3DArial =
size=3D2>Craig</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 11:46:24 2000
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It's obvious an apology for my vagueness is needed regarding the 
East Coast comment.
Didn't realise I was being so egocentric by trying to switch you 
guys onto something new.
Well at least it's all sorted out now and we can all move on wiser 
from this experience. Thanks.

; name=""
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From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 12:05:23 2000
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On Wed, 13 Sep 2000, noah wrote:

> (kaCHUNK) the industrial switches make it hard to get the timing just
> right, and the dl4 doesn't seem quite as forgiving about such things. It's
> becoming obvious I need to replace the much-hated lexicon footswitch (tap
> tap tap tap click arrgh!) but does anyone have any suggestions on maybe
> 'loosening up' the feel of the dl4? Anyone suggest a good double pedal for
> the vortex? Bueller?
> 

Not that it helps any, but I'd like to note how much I LOVE the
Boomerang's pedals.  Short throw, instantaneous switching, and built like
a tank.

Hey, here's an idea for Mike Nelson...How about making killer pedals for
all the other gear floating around out there?  I'd immediately buy two for
my Vortex. :)

(and BTW, don't the Lexicon switches go squish, squish, squish, click
arrg! and not tap, tap...?  ;) )

---
"If the doors of perception were cleansed everything would appear
 to man as it is, infinite."  -- William Blake

Todd Pafford   galen@erols.com 

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 12:12:47 2000
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Acid Pro works fine for recording and creating loops. I've even used it as
a pretty capable multitrack recording system. Two fx inserts per track,
and pretty decent timing and editing for something that wasn't really
intended as a pro mutitrack. I do strongly approve of Cool Edit Pro,
however. The interface is by far the easiest to deal with of all the pro
or semi-pro level recording packages, though flexibility and features are
definately compromised. 

WaveSurgeon or ReCycle are best for taking some of the agony out of the
process. They have good peak and rhythym detecting algorithms, and put cut
points in where they should be. Wavesurgeon is shareware, and recycle
isn't terribly expensive. Hope all this helps...

-><-

On Thu, 14 Sep 2000, Cody Davis wrote:

> I am a newbie as well. I don't think you can create loops in Acid, only
> assemble them. You need a audio program like Goldwave (shareware) or Cool
> Edit Pro (much better but costs as much as Acid) to create loops. Cool Edit
> Pro does not give you the ease of assembling that Acid does. Acid does key
> and tempo change anywhere within your composition as well as there is volume
> control within the loop that is graphically editable. You may even bring the
> same loop in and change its key and use it as a separate track. I hope I
> have been help.
>   -----Original Message-----
>   From: Craig Sinclair [mailto:stratboy@home.com]
>   Sent: Thursday, September 14, 2000 9:29 AM
>   To: Loopers Delight
>   Subject: Newbie Questions
> 
> 
>   Hi,
>   I want to start incorporating loops in my bands live performances. The
> only experience I've had with loops was doing a sideman guitar stint with
>   an artist who used loops on a couple of tunes. I really enjoyed the
> overall feel that these loops added to the music. So as I get ready to dive
> into looping, I'm a little overwhelmed with the possibilities.
>   I am planning on using Acid Pro 2.0 to create the loops, are there any
> other software packages that anyone would recommend over Acid?
> 
>   The big question I have is how to actually incorporate the loops into the
> live performances. Presently our keyboard player doesn't have any sampling
> devices in his rig. We have been doing a couple of tunes where we use his
> Ensonic Fizmo's arpeggiator to do some "loop-type" performances. This has
> been good practice in playing with a set time source. The only problem is I
> would like a little more variety with the loops.
>   Here is how I want to use the loops on stage. Once the loops are created,
> I plan on burning them down to CD and using a CD player live and feed that
> through the monitors for the "click track"  Am I on the right track with
> this plan?  If so, does anyone know of any CD players that come with a
> footswitch for starting and stopping?
>   Thanks for any advice on this subject
>   Craig
> 

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 12:26:06 2000
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I subscribed to Loopers delight for a while last year.
I intend to set up an internal, email-based mail list for a theatre =
company I work with.

Can you give me any tips on how to set one up? Is it the same as a =
forum/newsgroup?

I've just re-subscribed to your list, so if you can't help, I'll post =
this enquiry to the list.

Cheers,


Colin Seddon

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<DIV><FONT color=3D#000000 size=3D2>I subscribed to Loopers delight for =
a while last=20
year.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>I intend to set up an internal, =
email-based mail=20
list for a theatre company I work with.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Can you give me any tips on how to set one up? Is it =
the same=20
as a forum/newsgroup?</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I've just re-subscribed to your list, so if you =
can't help,=20
I'll post this enquiry to the list.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Cheers,</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Colin Seddon</FONT></DIV></BODY></HTML>

------=_NextPart_000_000D_01C01E72.7B6FBF80--

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 13:06:50 2000
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Graham Pattison wrote:

> It's obvious an apology for my vagueness is needed regarding the
> East Coast comment.
> Didn't realise I was being so egocentric by trying to switch you
> guys onto something new.
> Well at least it's all sorted out now and we can all move on wiser
> from this experience. Thanks.

ouch! javier's point is well taken, this IS an international forum, but
i think most of us can look past these things. thanks for the show info.
i'm still pondering the east coast of france, myself...

:-)

lance g.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 13:18:29 2000
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hey Ken

saw your post re: looking for midi controller pedals, with a bit better
than note on/off etc.

i thought digitech also had a pretty good one a buncha years back..??
 
i actually have a pretty comprehensive midi pedal on auction at ebay, a
MITIGATOR, which does a whole bunch of deep midi commands - you can program
the thing all the way down to hexadecimal language:

http://search.ebay.com/search/search.dll?MfcISAPICommand=GetResult&ht=1&Sort
Property=MetaEndSort&query=mitigator

good luck in yer search
JFK's LSD UFO  -loopique concrete, experimental- hear realaudio/MP3s at
http://www.ufomusic.com		
Project Object - performing The Music of FRANK ZAPPA  -
http://www.projectobject.com


From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 13:21:37 2000
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----- Original Message -----
From: "Allan Hoeltje" <ahoeltje@best.com>
To: "Loopers-Delight" <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 13, 2000 4:59 PM
Subject: Burning Loopy Idea

> My idea is to have 7 or 8 bells (made from old oxygen canisters) tuned
> to a Just scale of some sort.  These are then miked and fed to
> individual loops, maybe two or three per loop, depending on $$.  The
> loops are mixed to one signal which is split: one going to minimal
> stereo effects and amp, the other to a Sustainiac Model B which is fed
> back to each bell with a physically attached transducer.  My hope is
> that a few whacks with a rubber mallet will regenerate into a beautiful
> undulating harmonic soundscape, bring peace to the world, and cure
> cancer.  Well, at least make a cool noise!  I've got access to two bells
> now and hope to test out the concept with my EDP soon.


An interesting idea.  Try and post some sound files somewhere when you're up
and running!


Peter

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 13:39:30 2000
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Date: Thu, 14 Sep 2000 10:40:40 -0700
To: Loopers-Delight@loopers-delight.com
From: James Musser <peaceland@earthlink.net>
Subject: Deltalab style infinite repeat?
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I'm looking for units that allow you to begin a feedback loop... get a nice
groove going... then hit the "infinite button" like on the old deltalabs,
and it just continues to play back whatever was in the loop at that time...

VS.

Hit record... then hit stop.

Suggestions?

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 13:46:56 2000
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Subject: Re: Deltalab style infinite repeat?
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On or around 10:40 AM 9/14/00 -0700, James Musser said:
>I'm looking for units that allow you to begin a feedback loop... get a nice
>groove going... then hit the "infinite button" like on the old deltalabs,
>and it just continues to play back whatever was in the loop at that time...

Almost any of the 80s rackmount digitals will do just that, from the
Digitech RDS series to the Boss DE-200 to some of the Ibanez units I've
taken a gander at.


==
the Reverend Rob      ICQ: 1280871  
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.reverendrob.com : feedback and echo MP3s

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From: James Musser <peaceland@earthlink.net>
Subject: Re: Deltalab style infinite repeat?
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At 11:38 AM 9/14/00 -0600, you wrote:
>On or around 10:40 AM 9/14/00 -0700, James Musser said:
>>I'm looking for units that allow you to begin a feedback loop... get a nice
>>groove going... then hit the "infinite button" like on the old deltalabs,
>>and it just continues to play back whatever was in the loop at that time...
>
>Almost any of the 80s rackmount digitals will do just that, from the
>Digitech RDS series to the Boss DE-200 to some of the Ibanez units I've
>taken a gander at.

What about the TC2290?

BTW, what do vintage Deltalab units go for these days? I have a 1024 and a
4096.

Peace
jam

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 14:05:45 2000
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Subject: Re: Deltalab style infinite repeat?
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Of course, you can do this with an EDP and a feedback pedal :

Hit record and stop to set the loop lenth, then overdub with the feedback set to less than infinite. When
you like the groove, you increase the feedback to infinite...done.

Brother K






peaceland@earthlink.net on 09/14/2000 10:59:00 AM
Please respond to Loopers-Delight@loopers-delight.com@SMTP 
To:	Loopers-Delight@loopers-delight.com@SMTP
cc:	 
Subject:	Re: Deltalab style infinite repeat?
Classification:	

At 11:38 AM 9/14/00 -0600, you wrote:
>On or around 10:40 AM 9/14/00 -0700, James Musser said:
>>I'm looking for units that allow you to begin a feedback loop... get a nice
>>groove going... then hit the "infinite button" like on the old deltalabs,
>>and it just continues to play back whatever was in the loop at that time...
>
>Almost any of the 80s rackmount digitals will do just that, from the
>Digitech RDS series to the Boss DE-200 to some of the Ibanez units I've
>taken a gander at.

What about the TC2290?

BTW, what do vintage Deltalab units go for these days? I have a 1024 and a
4096.

Peace
jam




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From: the Reverend Rob <reverendrob@realm-of-shade.com>
Subject: Re: Deltalab style infinite repeat?
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On or around 10:59 AM 9/14/00 -0700, James Musser said:

>What about the TC2290?

No idea; the TC stuff is a bit pricey for what I would use it for.

>BTW, what do vintage Deltalab units go for these days? I have a 1024 and a
>4096.

Looks to be around $100 or so for the 1024s on ebay; when I've seen the
4096, it's gone for about the same.
==
the Reverend Rob      ICQ: 1280871  
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.reverendrob.com : feedback and echo MP3s

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 14:14:17 2000
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Subject: Re: Deltalab style infinite repeat?
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I'm kinda ignorant on how the old Deltalabs operated.  How's it different than
loopers like DL4, Headrush, Jamman, EDP, etc.?

Dennis Leas
-----------------------------
dennis@mdbs.com

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Date: Thu, 14 Sep 2000 11:17:01 -0700
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At 01:06 PM 9/14/00 -0500, you wrote:
>Of course, you can do this with an EDP and a feedback pedal :

What is an EDP?

>Hit record and stop to set the loop lenth, then overdub with the feedback
set to less than infinite. When
>you like the groove, you increase the feedback to infinite...done.

Why set a loop length... don't you just set the tempo of the delays? Who
cares how long it is?

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


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peaceland@earthlink.net on 09/14/2000 11:17:52 AM
Please respond to Loopers-Delight@loopers-delight.com@SMTP 
To:	Loopers-Delight@loopers-delight.com@SMTP
cc:	 
Subject:	Re: Deltalab style infinite repeat?
Classification:	

At 01:06 PM 9/14/00 -0500, you wrote:
>Of course, you can do this with an EDP and a feedback pedal :

What is an EDP? Echoplex Digital Pro

>Hit record and stop to set the loop lenth, then overdub with the feedback
set to less than infinite. When
>you like the groove, you increase the feedback to infinite...done.

Why set a loop length... don't you just set the tempo of the delays? Who
cares how long it is?

Used in the way I describe, in loop mode, the loop lenght is the same as the delay time. 


Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards





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Subject: Repeater Info Online
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Electrix has posted up a TON of info about Repeater.

Head for:

   http://www.electrixpro.com/

   Click on the Repeater pics on the front page
   Click on "Repeater" at the top of the left frame

   Get your Visa cards ready.

:)


Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

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Subject: Re: Xfade vs. zeroX / HW vs SW  (was: dream box)
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Re: Xfade vs. zeroX / HW vs SW (was: dream box)----- Original Message -----
From: Matthias Grob

>>I think both Kyma and MAX/MSP provide solutions.  This is cool!  [Sometimes I
feel that, if I'm into this "looper >>religion" thing, then Kyma is like my
denomination. :)  That makes the MAX/MSP folks (and Orville users, etc.) >>like
a different denomination; same religion, they just use different words to mean
about the same thing!]

>please let me be member of such denomination!

I always thought you were one of the founders!  One of the "fathers of the
revolution"!!!  Viva la Loop!!!!!!  :)

>Doesnt the audibility depend on the sound material?
>Roughly: For percussive sound, the zero crossing is great but for sustained
sound, cross fade is necessary, >otherwhise you hear a new attack which can be
about as annoying as a click.
>In a future HW solution such fades will be available and probably controllable.
>The sound material could be analyzed to define characteristic.

Interesting...
Yes, I think the audibility depends on the sound material, but I would say just
the opposite!  I.e., I'd use zeroX for sustained sounds.  Here's my experience:
I wrote a zero-crossing adjuster for Kyma recently.  To test it, I created a
short loop by humming a continuous tone into the mic and punching in/out.  Sure
enough, I heard a click at the loop point.  After being zero-adjusted, the click
completely disappeared.  But perhaps with other sounds, the zeroX would leave
artifacts.

My zero-crossing adjuster alters the loop length, even if by only a tiny amount.
It advances the start point and retreats the end point until a zero-crossing
splice is achieved (with the same signal slope on each side).  The nice thing
about Xfade is that the loop length can remain EXACTLY the same.  In thinking
about Alex's original question some more, I think maybe a cross-fade for the
sub-loop to eliminate clicks but trim the new material with a zero-crossing
adjustment.

I like your idea of selectable/controllable fades.

>Shure, HW is for the road and SW for the studio.
>I might try to use a notebook for a show, but then again, clicks are less
audible there, so we really need more >parameters and quality in the studio and
therefore a bigger display and time to operate - it fits together.
>All I am concerned with is that the HW and SW systems are not too different so
the user can use the same >foot pedal with the same basic functions to create
the same music.

Yes!  Convergence!

Dennis Leas
-----------------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 14:55:53 2000
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Date: Thu, 14 Sep 2000 11:41:52 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvision.com>
Subject: Re: Repeater Info Online
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>Electrix has posted up a TON of info about Repeater.


And a picture of my current live rig setup...which i sent to Damon a 
while back (in their 'gear spotted' page).  Meanwhile, my head has 
swelled to such enormous proportions that my coworkers are 
complaining when i get stuck in the doorways!

thanks Damon, and the info on the Repeater is very sweet.

rich

ps.  Damon, is Chris Vrenna a guy or a girl?




>

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rich (01:41 PM 09.14.2000) wrote:

 >>Electrix has posted up a TON of info about Repeater.
 >
 >And a picture of my current live rig setup...which i sent to Damon a while
 >back (in their 'gear spotted' page).  Meanwhile, my head has swelled to
 >such enormous proportions that my coworkers are complaining when i get stuck
 >in the doorways!

:)


(and don't forget to read that new article in the "views" section! :)


 >ps.  Damon, is Chris Vrenna a guy or a girl?

Chris is a guy. Outside of the male pronouns used in the text, you can 
(usually) tell by someone's hands. But, I also know that Chris is a guy.


Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 15:08:14 2000
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Chris Vrenna...from NiN fame?

Joshua

Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8
http://www.beyond-earth.net
http://users.ticnet.com/jkersey
----- Original Message -----
From: "Mark Pulver" <mark@redmoon-music.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 2:00 PM
Subject: Re: Repeater Info Online


> rich (01:41 PM 09.14.2000) wrote:
>
>  >>Electrix has posted up a TON of info about Repeater.
>  >
>  >And a picture of my current live rig setup...which i sent to Damon a
while
>  >back (in their 'gear spotted' page).  Meanwhile, my head has swelled to
>  >such enormous proportions that my coworkers are complaining when i get
stuck
>  >in the doorways!
>
> :)
>
>
> (and don't forget to read that new article in the "views" section! :)
>
>
>  >ps.  Damon, is Chris Vrenna a guy or a girl?
>
> Chris is a guy. Outside of the male pronouns used in the text, you can
> (usually) tell by someone's hands. But, I also know that Chris is a guy.
>
>
> Mark
> _______________________________________________________
> |_) _  _||\/| _  _ ._          evolutionary electronica
> | \(/_(_||  |(_)(_)| |            www.redmoon-music.com
> _______________________________________________________
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 15:12:10 2000
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Pulse 8 (02:14 PM 09.14.2000) wrote:

 >Chris Vrenna...from NiN fame?

Yeup.

There's a pic of him up on the Electrix site and he's looking a little fair 
skinned and pale. :)


Mark

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 15:27:26 2000
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i was under the impression that the four loops were
independant (unless linked stereo). the current text:
"Repeater can have up to 99 loops with 4 tracks per loop"
seems to indicate that maybe the loop times are the same.

is this true?  is time-stretch and pitch shift independantly
applied per track or does it effect the whole set?
i'm hoping this is just terminology confusion like the 
different ways synth manufacturers refer to a "patch"

dreaming of four different loops phasing or
polyrhythmicly bouncing...


----- Original Message ----- 
From: "Mark Pulver" <mark@redmoon-music.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 1:39 PM
Subject: Repeater Info Online


> 
> Electrix has posted up a TON of info about Repeater.
> 
> Head for:
> 
>    http://www.electrixpro.com/
> 
>    Click on the Repeater pics on the front page
>    Click on "Repeater" at the top of the left frame
> 
>    Get your Visa cards ready.
> 
> :)
> 
> 
> Mark
> _______________________________________________________
> |_) _  _||\/| _  _ ._          evolutionary electronica
> | \(/_(_||  |(_)(_)| |            www.redmoon-music.com
> _______________________________________________________
> 
> 

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>
>is this true?  is time-stretch and pitch shift independantly
>applied per track or does it effect the whole set?
>i'm hoping this is just terminology confusion like the
>different ways synth manufacturers refer to a "patch"
>

Jim-

The 4 tracks all must be the same length. Tempo control is also "global",
effecting all 4 tracks. For "phasing", you can independently timeslip each
track. The tracks can be independently pitchshifted, however.

I was told that this was more an issue of keeping control and user
interface simple than technological difficulty.

Of course, you could buy two, and have independent midiclocked linked
polyrhythms...

Needless to say, I'm really looking forward to this unit...

Mark



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>Pulse 8 (02:14 PM 09.14.2000) wrote:
>
>>Chris Vrenna...from NiN fame?
>
>Yeup.
>
>There's a pic of him up on the Electrix site and he's looking a 
>little fair skinned and pale. :)
>
>
>Mark


And that hairdo!  man oh man...

rich

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Maybe I'm missing something... but there's no delay line on this thing...
just a sampler, basically? or is the delay issue just inherent in these things?

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


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Subject: Re: Repeater Info Online
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James Musser (03:21 PM 09.14.2000) wrote:

 >Maybe I'm missing something... but there's no delay line on this thing...
 >just a sampler, basically? or is the delay issue just inherent in these 
things?

No, Repeater isn't a delay line. "Basically" it's a 4 track memory based 
sampler/recorder with looping capabilities. Beyond the basics, it can do 
time and pitch mangling in real time, with overdubbing on all tracks, all 
under MIDI control.

And a lot more.

Mark

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I'd reccomend spending some time on the Looper's Delight website reading about all the "Tools of the Trade."

The lines between looper / sampler / and delay are a little fuzzy. Each acts like the others under certain conditions.

Loop Bro,
K







peaceland@earthlink.net on 09/14/2000 01:21:33 PM
Please respond to Loopers-Delight@loopers-delight.com@SMTP 
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Classification:	

Maybe I'm missing something... but there's no delay line on this thing...
just a sampler, basically? or is the delay issue just inherent in these things?

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards





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Date: Thu, 14 Sep 2000 16:28:20 -0400
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From: Christian Leduc <chleduc@total.net>
Subject: Re: Deltalab style infinite repeat?
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At 13:08 00-09-14 -0500, you wrote:
>I'm kinda ignorant on how the old Deltalabs operated.  How's it different
than
>loopers like DL4, Headrush, Jamman, EDP, etc.?

It works like a standard delay pedal with a delay up to 4096 msecs. When
you like your groove, you hit the "infinite repeats" button (or a
footswitch). The thing will be running until you release the button and it
will decay at the level of feedback you indicated on the unit. When you are
on the "infinite repeats" mode, you can do things over that don't go in the
loop.

The DL4 doesn't have this feature. And for the Headrush, I actually don't
remember if it's got an infinite repeat button. If I remember correctly, it
doesn't.

What is great with the Deltalab's Echotron is the two kinds of feedback on
the same knob.

Clockwise= Hard feedback (like digital units)
Counter clockwise= Soft feedback (like older, analog units)
Center= No feedback

It's a very old unit but I think it sounds great. Better than most digital
units like the DL4 or BOSS delays. I even think it sounds better than my
IBanez analog delay. But for the looping options, it's a little prehistoric. :)
Christian

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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
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James,
You could use Repeater like a delay line by setting an initial loop length
and then just leaving it in record mode with the overdub regeneration set to
your desired amount. This means you could have a 190 second delay with the
memory that ships with Repeater.

Jim,
Yes, the 4 tracks are of the same length. They are essentially 4 parts to
the loop. Things you can do on a per track basis:
Pitch shift
Track position (good for phasing and composing)
FX send
Level
Resample/bounce
Record
Overdub

Hope this helps to clarify things.

Best Regards,

Damon Langlois
Creative Director
Electrix / IVL 
"No Creative Barriers"
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 16:42:19 2000
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Subject: Re: Repeater Info Online/The Year 2000
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>No, Repeater isn't a delay line. "Basically" it's a 4 track memory based 
>sampler/recorder with looping capabilities. Beyond the basics, it can do 
>time and pitch mangling in real time, with overdubbing on all tracks, all 
>under MIDI control.

It amazes me how year after year... things will come out... yet, folks
still drool over the cool things in boxes from 1980s...

Where are people's minds? I know if I were a manufacturer, I would be
lining up users and milking them for every suggestion I could find...

I beta for a bunch of companies... do they listen? Rarely. What is it?
Where are people's minds...

In other words... why can't we have it all? There's always something about
one of these boxes that pisses people off... why do they do that to us? Why
not just make the thing right from the beginning? So we have to upgrade?
And we always move halfway closer to the goal?

We need a new company... GODBOX, that has everything you ever wanted and
more (because they listen to end users). Has all the freedom, flexibility,
sonic quality, I/O freedom... midi control that works... and software to
easily program these things... realtime and preset control, and interfaces
flawlessly with everything else you have, and doesn't screw up! ... and of
course lets you save everything to disk on computer somehow...

Is it really that difficult?

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


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From: Tom Lambrecht <hideomo@swbell.net>
Subject: Re: zoom 2100 revisited
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it is  a tripper for the $$--I just sold my remaining Jamman to concentrate
on my short duration (10 second and less) loopers (also for the $$)

I really like the fact that you can do some nicely strange effects (e.g
comp-wah  c4 with an expresssion pedal to LFO the signal) ahead of your loop
in a small unit--you Burning Hair guys oughtto score a couple and put 'em in
Ziplocs for next year

drone on~~~~~~~~~~~~~

Tom Lambrecht

hideomo@swbell.net
----- Original Message -----
From: <Nemoguitt@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Sunday, September 10, 2000 5:10 PM
Subject: zoom 2100 revisited


> not having my rang made me turn to the zoom 2100 for my loops........what
> good cheap fun.........it made the "big" noise.........michael
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 16:45:49 2000
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From: James Musser <peaceland@earthlink.net>
Subject: Re: Deltalab style infinite repeat?
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>It works like a standard delay pedal with a delay up to 4096 msecs. When
>you like your groove, you hit the "infinite repeats" button (or a
>footswitch). 

Everything else being correct, from what I remember, the 4096 had one
problem... it only registered things after you hit the infinite button...
in other words you had to turn the loop on, then hit infinite... which sucked.

The 1024 was not that way... it kept whatever you wanted in the loop... it
was awesome... but noisy... that's my only complaint. Otherwise... killer unit.

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


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From: James Musser <peaceland@earthlink.net>
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At 01:37 PM 9/14/00 -0700, you wrote:
>You could use Repeater like a delay line by setting an initial loop length
>and then just leaving it in record mode with the overdub regeneration set to
>your desired amount. This means you could have a 190 second delay with the
>memory that ships with Repeater.

It sounds like an interesting tool, of course... but why was the delay left
off?

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


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unsubscribe

----------
>From: Tom Lambrecht <hideomo@swbell.net>
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: zoom 2100 revisited
>Date: Thu, Sep 14, 2000, 5:27 PM
>

> it is  a tripper for the $$--I just sold my remaining Jamman to concentrate
> on my short duration (10 second and less) loopers (also for the $$)
>
> I really like the fact that you can do some nicely strange effects (e.g
> comp-wah  c4 with an expresssion pedal to LFO the signal) ahead of your loop
> in a small unit--you Burning Hair guys oughtto score a couple and put 'em in
> Ziplocs for next year
>
> drone on~~~~~~~~~~~~~
>
> Tom Lambrecht
>
> hideomo@swbell.net
> ----- Original Message -----
> From: <Nemoguitt@aol.com>
> To: <Loopers-Delight@annihilist.com>
> Sent: Sunday, September 10, 2000 5:10 PM
> Subject: zoom 2100 revisited
>
>
>> not having my rang made me turn to the zoom 2100 for my loops........what
>> good cheap fun.........it made the "big" noise.........michael
>>
>
> 

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 17:25:55 2000
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Subject: group buy?
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I remember a year or so ago somebody organanized a group edp buy through
Alto.

Any chance of that happening with Repeater?  Im sure *many* of the first
batch of shipping units will end up in the hands of list members. Can we
leverage that?

Bob



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>It sounds like an interesting tool, of course... but why was the delay left
>off?

Because it's a Loop Based Digital Recorder :)  
We wanted to do the best we possibly could at that job. This is one of the
reasons we included a very flexible FX insert so you could integrate your
favorite delay into Repeater, like say....a MoFX (insert groan).


Best Regards,

Damon Langlois
Creative Director
Electrix / IVL 
"No Creative Barriers"
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


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count me in

----- Original Message ----- 
From: "Bob Campbell" <rcc@nwlink.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 4:21 PM
Subject: group buy?


> I remember a year or so ago somebody organanized a group edp buy through
> Alto.
> 
> Any chance of that happening with Repeater?  Im sure *many* of the first
> batch of shipping units will end up in the hands of list members. Can we
> leverage that?
> 
> Bob
> 
> 
> 
> 

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Me too!  Let's do this!



----- Original Message -----
From: "jim palmer" <jimp@pobox.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 5:56 PM
Subject: Re: group buy?


> count me in
>
> ----- Original Message -----
> From: "Bob Campbell" <rcc@nwlink.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, September 14, 2000 4:21 PM
> Subject: group buy?
>
>
> > I remember a year or so ago somebody organanized a group edp buy through
> > Alto.
> >
> > Any chance of that happening with Repeater?  Im sure *many* of the first
> > batch of shipping units will end up in the hands of list members. Can we
> > leverage that?
> >
> > Bob
> >
> >
> >
> >
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 17:57:57 2000
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Subject: Re: group buy?
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>count me in

me 2.

	/t


...electronic a capella madness  <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

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From: Mark Pulver <mark@redmoon-music.com>
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James Musser (03:44 PM 09.14.2000) wrote:

 >We need a new company... GODBOX, that has everything you ever wanted and
 >more (because they listen to end users). Has all the freedom, flexibility,
 >sonic quality, I/O freedom... midi control that works... and software to
 >easily program these things... realtime and preset control, and interfaces
 >flawlessly with everything else you have, and doesn't screw up! ... and of
 >course lets you save everything to disk on computer somehow...
 >
 >Is it really that difficult?

Not to launch into a business course here, but...

What are you willing to pay for your dream box? And do you think that 
someone else will pay for it as well? Will 1,000 people pay for it? Will 
30,000 people pay for it?

You can't please everyone in features *and* please them in price *and* make 
a return on the investment from a business perspective.

For example... Probably the single most expensive piece of gear in a large 
format pro studio is the console.

Even though, *anyone* can sit in front of a Euphonix System 5, (or SSL 
Axiom or or or) and find _something_ that they would have different. Given 
the price point at that end of the scale and the amount of time that reps 
will spend with a client that's about to drop $1mil on a bunch of sliders 
and blinky lights, the client STILL will not get what they _want_ and 
someone will be talked into making a concession.

At the other end of the mixing desk scale are the low end of the lines from 
folks like Mackie, Soundcraft, Behringer, etc. These guys ares used to 
environments where there is no pre-sales support, no pre-sales feedback, 
and often times the consumer doesn't even look at the board before they buy it.

But, the end result is the same... The consumer will no doubt find 
themselves in a point where they have to make a concession about something 
regarding that board.

My point is here that it's not a function of cash that will change the 
feature set of a product.


You mention beta testing. I beta test a lot as well... Music gear, 
operating systems, protocol stacks, compilers, computer equipment, various 
things.

As a _beta_ tester, you are rarely in a position that you can shape the 
final product _dramatically_.

I was in a test for a piece of hardware that I would LOVED to have been in 
the original design meetings TWO YEARS prior - because I thought that the 
product had a much steeper learning curve than necessary just to deal with 
the physical UI.

But, there's no way that anything I said during the beta could of changed 
the fact that the cosmetics, silkscreen, manuals, manufacturing line, etc. 
were all tooled and ready to run.

As a beta tester, I'm was looking for bugs in the OS and, I did have a 
voice in giving feedback about how the software side of the UI was running 
and offer-up ideas for change. But even those wouldn't of seen the light of 
day until the second major rev of the code.

Beta testing is just too late...

If you're lucky enough to hit on an _alpha_ test and working on a simulator 
(i.e., before the hardware tooling is complete) then you're in a better 
spot to shape the world.

For the most part, in this day and age, the timeline from beta test to 
production was decided on paper a year ago. It was also long ago decided 
that the physical product out for test wouldn't be changed.


Another part is trolling during the "I got an idea" stage.. For a company 
to _actively_ poll a user base for ideas can be horrendous. Once a company 
comes out with the questions, "the jig is up" and the company is basically 
showing it's cards to the world on what it's thinking.

The market in the music world is cut throat. The time to turn-around a 
design is very short in the grand scheme of things, and the time is even 
shorter for the *competition* to turn a design.

Say someone comes here and says "what do you want in a MIDI pedal board", 
they will undoubtedly get a slew of answers. If that person is John Smith 
(i.e., not affiliated with a company) then _someone_ might take note, but 
for the most part folks will think that he's an independent with a dream 
and wish him luck.

But, if a named company comes public with questions about a new idea, you 
can bet that people figure that something is up, and they will take a bit 
more notice. In fact, "they" may be another manufacturer listening in on 
the ensuing conversation. And... They may take enough notice of the 
conversation to start down a similar development path themselves. In fact, 
they may BEAT the first company to market.

That's competition, and all the companies deal with it all the time. But, 
that's a _form_ of competition also breeds methods of combating against it. 
For example, you camp out on a mailing list and watch the comments of folks 
about various topics; you drop in as a private user and ask questions; you 
look to the outside world, tap a working musician on the shoulder and say 
"hey, can I talk to you for a minute?". But _rarely_ do you come out in 
public showing your cards.

Most companies these days keep their ideas and thinking process under 
tighter control than their schematics or source code. The money is in 
tomorrow's idea, but they have to sell yesterday's in order to pay for it.

If you have an unlimited bankroll, then in this case you can certainly get 
what you want. You can always have something custom built.

But in the meantime, there's the rest of us out that generally have to look 
at the market and decide which of someone else's ideas best suits our needs. :)


Yikes... I soapboxed.

Sorry... Thanks for reading. :)

Mark

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Subject: Re: hold the me-toos!  (was group buy?)
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oops - let's not have 200 'count me in' msgs!!!
I think we already know this isn't an idea falling on deaf ears. lol.

any concrete suggestions on how to do this?

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 18:10:21 2000
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Subject: R: group buy?
Date: Fri, 15 Sep 2000 00:09:44 +0200
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me 4
Luca
----- Original Message -----
From: Peter Shindler <shindler@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 11:56 PM
Subject: Re: group buy?


> Me too!  Let's do this!
>
>
>
> ----- Original Message -----
> From: "jim palmer" <jimp@pobox.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, September 14, 2000 5:56 PM
> Subject: Re: group buy?
>
>
> > count me in
> >
> > ----- Original Message -----
> > From: "Bob Campbell" <rcc@nwlink.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Thursday, September 14, 2000 4:21 PM
> > Subject: group buy?
> >
> >
> > > I remember a year or so ago somebody organanized a group edp buy
through
> > > Alto.
> > >
> > > Any chance of that happening with Repeater?  Im sure *many* of the
first
> > > batch of shipping units will end up in the hands of list members. Can
we
> > > leverage that?
> > >
> > > Bob
> > >
> > >
> > >
> > >
> >
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 18:30:31 2000
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Subject: Re: hold the me-toos!  (was group buy?)
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hey, man
i thought you had it all going on.
how did the people you were referring to
set it up?

damon, any chance of a direct purchase?

----- Original Message ----- 
From: "Bob Campbell" <rcc@nwlink.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 5:05 PM
Subject: Re: hold the me-toos! (was group buy?)


> oops - let's not have 200 'count me in' msgs!!!
> I think we already know this isn't an idea falling on deaf ears. lol.
> 
> any concrete suggestions on how to do this?
> 
> 

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 18:40:14 2000
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Subject: RE: Repeater Info Online
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>At 01:37 PM 9/14/00 -0700, you wrote:
>>You could use Repeater like a delay line by setting an initial loop length
>>and then just leaving it in record mode with the overdub regeneration set to
>>your desired amount. This means you could have a 190 second delay with the
>>memory that ships with Repeater.
>
>It sounds like an interesting tool, of course... but why was the delay left
>off?

That is a delay, is it not?  With all that the Repeater is offering, 
i would hope that us crazy loopers would be able to figure out how to 
mangle things up to our satisfaction.  What Damon is saying is that 
the unit is flexible, like the 'feedback' control of the EDP.  This 
seems better than the old delay units with the infinite repeat, in 
that you don't have to guess the length of the delay to catch the 
infinite repeat if you had a long setting (catching a rythmic loop on 
a Digitech 8-second was a bitch).

You just tap in the loop length and let it decay off with however 
many repeats you want.  Then turn record off, turn the regeneration 
up and your in 'loop' mode.  am i right here?

With the pitch shifting capabilities, i am hoping i can use this 
beast as a 'melting' of my two favored tools....Lexicon Jamman and 
Digitech PDS pedals, without the limitations of each.

Setting loop lengths and tapping in delay times ala Jamman, and being 
able to twist pitches around ala the digitechs, and being able to go 
from 'delay' mode into 'infinite repeat' and back like the digi's.

A question, though, while i'm thinking about the digitechs...If you 
start changing the tempo on a specific loop, could you have it where 
it actually did affect the pitch?  Like turning the delay time knob 
on the digitechs?  I really do wish to alter tempo and keep the pitch 
the same at times, but one of the cool things on the digi's was to 
have the regeneration fairly low, catch an infinite repeat and start 
mangling with the delay time knob, and then cut the infinite repeat 
out and go into 'delay' mode and your warped signal faded fairly 
quickly because of the low regen setting.  Nice for 'doppler' kind of 
effects.

rich



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|: me too :|

- is anybody counting?  what is critical mass? What is
the question to the answer 42?

stephen

> me 4
> > > count me in


=====
Stephen

__________________________________________________
Do You Yahoo!?
Yahoo! Mail - Free email you can access from anywhere!
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: hold the me-toos!  (was group buy?)
Date: Thu, 14 Sep 2000 15:41:10 -0700
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We just had a quick huddle here at Electrix. Here is how I would suggest a
group buy could work. Organize how many Repeaters everyone will want. Then
contact one of our e-dealers (a list is on our site). If they know in
advance how many units are required they can place a larger order so we can
provide them with a discount that should be passed on to you. letting them
know in advance is also key because our initial production run is limited
and there won't be another run until January. 
Any dealer should respond favorably to a group buy discount. 

We unfortunately cannot sell direct without upsetting our network of
distributors. 

Best Regards,

Damon Langlois
Creative Director
Electrix / IVL 
"No Creative Barriers"
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com

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Stephen (05:36 PM 09.14.2000) wrote:

 >What is the question to the answer 42?

   "What is the meaning of life"

   From _Hitchhiker's Guide to the Galaxy_.


Mark

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4 tracks all the same length?  Bummer.

The Repeater is probably a nice piece of equipment, but I'll take my EDP -
make it two.

Michael

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How much does flash ram cost these days, again?


bIz
(sizing up the space left in his rack)


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Michael Clark [mailto:mcl451@airmail.net]
Sent: Thursday, September 14, 2000 4:00 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Repeater Info Online

4 tracks all the same length?  Bummer.

The Repeater is probably a nice piece of equipment, but I'll take my EDP -
make it two.

Michael

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 19:07:35 2000
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alex trebek: ah, sorry. you forgot to phrase your answer as a question

anyway the answer and the question cannot both be known.
this allows philosophers to continue to make a living.
how many roads must a man walk down?
42.

plus if it were so easy,  the mice would not have had to build the earth...

----- Original Message ----- 
From: "Mark Pulver" <mark@redmoon-music.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 5:41 PM
Subject: Re: R: group buy?


> Stephen (05:36 PM 09.14.2000) wrote:
> 
>  >What is the question to the answer 42?
> 
>    "What is the meaning of life"
> 
>    From _Hitchhiker's Guide to the Galaxy_.
> 
> 
> Mark
> 
> 

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I am about to create a filter for any mail with the word "Repeater" in it-
56 posts? No thanks-

Cliff

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Jonathan El-Bizri (06:08 PM 09.14.2000) wrote:

 >How much does flash ram cost these days, again?

CompactFlash is about $2/mb on the street:


http://www.us.buy.com/retail/searchresults.asp?search_store=1&qu=compactflash+sandisk



Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 19:24:42 2000
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don't forget that these are four simultaneously playing tracks.
the thing has 9 minutes of space for non-simultaneous loops.

who knows how easy it will be to access these loops in real time, though.

one reason i will be keeping my (recently acquired) edp is
that i think it will be easier to construct songs on the fly
because of loop copy and multiply.
it looks like the electrix only has a double function.

we shall see.

----- Original Message -----
From: "Michael Clark" <mcl451@airmail.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 6:00 PM
Subject: Re: Repeater Info Online


> 4 tracks all the same length?  Bummer.
>
> The Repeater is probably a nice piece of equipment, but I'll take my EDP -
> make it two.
>
> Michael
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 19:27:18 2000
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me 5

-----Original Message-----
From: Luca [mailto:lucafeed@tin.it]
Sent: Thursday, September 14, 2000 5:10 PM
To: Loopers-Delight@loopers-delight.com
Subject: R: group buy?


me 4
Luca
----- Original Message -----
From: Peter Shindler <shindler@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 11:56 PM
Subject: Re: group buy?


> Me too!  Let's do this!
>
>
>
> ----- Original Message -----
> From: "jim palmer" <jimp@pobox.com>
> To: <Loopers-Delight@loopers-delight.com>
> Sent: Thursday, September 14, 2000 5:56 PM
> Subject: Re: group buy?
>
>
> > count me in
> >
> > ----- Original Message -----
> > From: "Bob Campbell" <rcc@nwlink.com>
> > To: <Loopers-Delight@loopers-delight.com>
> > Sent: Thursday, September 14, 2000 4:21 PM
> > Subject: group buy?
> >
> >
> > > I remember a year or so ago somebody organanized a group edp buy
through
> > > Alto.
> > >
> > > Any chance of that happening with Repeater?  Im sure *many* of the
first
> > > batch of shipping units will end up in the hands of list members. Can
we
> > > leverage that?
> > >
> > > Bob
> > >
> > >
> > >
> > >
> >
>

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<P><FONT SIZE=2>me 5</FONT>
</P>

<P><FONT SIZE=2>-----Original Message-----</FONT>
<BR><FONT SIZE=2>From: Luca [<A HREF="mailto:lucafeed@tin.it">mailto:lucafeed@tin.it</A>]</FONT>
<BR><FONT SIZE=2>Sent: Thursday, September 14, 2000 5:10 PM</FONT>
<BR><FONT SIZE=2>To: Loopers-Delight@loopers-delight.com</FONT>
<BR><FONT SIZE=2>Subject: R: group buy?</FONT>
</P>
<BR>

<P><FONT SIZE=2>me 4</FONT>
<BR><FONT SIZE=2>Luca</FONT>
<BR><FONT SIZE=2>----- Original Message -----</FONT>
<BR><FONT SIZE=2>From: Peter Shindler &lt;shindler@mediaone.net&gt;</FONT>
<BR><FONT SIZE=2>To: &lt;Loopers-Delight@loopers-delight.com&gt;</FONT>
<BR><FONT SIZE=2>Sent: Thursday, September 14, 2000 11:56 PM</FONT>
<BR><FONT SIZE=2>Subject: Re: group buy?</FONT>
</P>
<BR>

<P><FONT SIZE=2>&gt; Me too!&nbsp; Let's do this!</FONT>
<BR><FONT SIZE=2>&gt;</FONT>
<BR><FONT SIZE=2>&gt;</FONT>
<BR><FONT SIZE=2>&gt;</FONT>
<BR><FONT SIZE=2>&gt; ----- Original Message -----</FONT>
<BR><FONT SIZE=2>&gt; From: &quot;jim palmer&quot; &lt;jimp@pobox.com&gt;</FONT>
<BR><FONT SIZE=2>&gt; To: &lt;Loopers-Delight@loopers-delight.com&gt;</FONT>
<BR><FONT SIZE=2>&gt; Sent: Thursday, September 14, 2000 5:56 PM</FONT>
<BR><FONT SIZE=2>&gt; Subject: Re: group buy?</FONT>
<BR><FONT SIZE=2>&gt;</FONT>
<BR><FONT SIZE=2>&gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt; count me in</FONT>
<BR><FONT SIZE=2>&gt; &gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt; ----- Original Message -----</FONT>
<BR><FONT SIZE=2>&gt; &gt; From: &quot;Bob Campbell&quot; &lt;rcc@nwlink.com&gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt; To: &lt;Loopers-Delight@loopers-delight.com&gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt; Sent: Thursday, September 14, 2000 4:21 PM</FONT>
<BR><FONT SIZE=2>&gt; &gt; Subject: group buy?</FONT>
<BR><FONT SIZE=2>&gt; &gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt; I remember a year or so ago somebody organanized a group edp buy</FONT>
<BR><FONT SIZE=2>through</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt; Alto.</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt; Any chance of that happening with Repeater?&nbsp; Im sure *many* of the</FONT>
<BR><FONT SIZE=2>first</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt; batch of shipping units will end up in the hands of list members. Can</FONT>
<BR><FONT SIZE=2>we</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt; leverage that?</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt; Bob</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt; &gt;</FONT>
<BR><FONT SIZE=2>&gt; &gt;</FONT>
<BR><FONT SIZE=2>&gt;</FONT>
</P>

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yes me as well!
Loopers-Delight@loopers-delight.com wrote:
> me 4
Luca
----- Original Message -----
From: Peter Shindler 
To: 
Sent: Thursday, September 14, 2000 11:56 PM
Subject: Re: group buy?


> Me too!  Let's do this!
>
>
>
> ----- Original Message -----
> From: "jim palmer" 
> To: 
> Sent: Thursday, September 14, 2000 5:56 PM
> Subject: Re: group buy?
>
>
> > count me in
> >
> > ----- Original Message -----
> > From: "Bob Campbell" 
> > To: 
> > Sent: Thursday, September 14, 2000 4:21 PM
> > Subject: group buy?
> >
> >
> > > I remember a year or so ago somebody organanized a group edp buy
through
> > > Alto.
> > >
> > > Any chance of that happening with Repeater?  Im sure *many* of the
first
> > > batch of shipping units will end up in the hands of list members. Can
we
> > > leverage that?
> > >
> > > Bob
> > >
> > >
> > >
> > >
> >
>


From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 19:32:19 2000
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>>is this true?  is time-stretch and pitch shift independantly
>applied per track or does it effect the whole set?
>i'm hoping this is just terminology confusion like the
>>different ways synth manufacturers refer to a "patch">Jim-

>The 4 tracks all must be the same length. Tempo control is also "global",
effecting all 4 tracks. For "phasing", you can independently timeslip each
track. The tracks can be independently pitchshifted, however.
I was told that this was more an issue of keeping control and user
interface simple than technological difficulty.
>


hey 
how about a:  "wacko / use at your own risk/confusioin" mode that lets you use the four tracks totally independently (at the loss of other features while in that mode, if it must be)    Independent loops is/was the main point of interested for me in the Repeater.


multiply can only be used on all tracks together at once ?


I think it would be good if it could send MIDI messages for "synced recording"    so that you can instantly put exact loops onto a sampler... 
(way more practical than MIDI dump..)   (so start of loop cycle can trigger record start on the sampler , and end of loop cycle can trigger record stop on the sampler (or phrase recorder) ..)
Can this already be done with the Echoplex very easily ? (or could it with a software upgrade?)
(or is there a way to do this with anything like from the start and end cycle of a drum machine.. ?)




What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 19:38:21 2000
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From: Tim Nelson <tcn62@ici.net>
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At 06:18 PM 9/14/00 -0500, you wrote:
>one reason i will be keeping my (recently acquired) edp is
>that i think it will be easier to construct songs on the fly
>because of loop copy and multiply.
>it looks like the electrix only has a double function.

I didn't see on the site any info about what happens if you use the
"double" function twice; does it quadruple, memory allowing?

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 19:40:11 2000
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Tim Nelson (06:44 PM 09.14.2000) wrote:

 >>one reason i will be keeping my (recently acquired) edp is
 >>that i think it will be easier to construct songs on the fly
 >>because of loop copy and multiply.
 >>it looks like the electrix only has a double function.
 >
 >I didn't see on the site any info about what happens if you use the
 >"double" function twice; does it quadruple, memory allowing?

Don't miss the "copy" button above the record button.

:)


Mark

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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
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>I didn't see on the site any info about what happens if you use the
>"double" function twice; does it quadruple, memory allowing?

Keep doubling as long as your memory holds out.


Best Regards,

Damon Langlois
Creative Director
Electrix / IVL 
"No Creative Barriers"
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com



From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 20:09:01 2000
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> Don't miss the "copy" button above the record button.

you may be right.
and i have little doubt the thing is going to be cool.
but i think it will be an addition to my toolset.
rather than a replacement.


From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 20:15:05 2000
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Hi-This is Jon from Alto Music.I'm the guy who has delivered several hundred 
echoplexes to this group.I will see what I can do to arrange a group buy for 
the Repeater.For anyone wondering I still have loads of Echoplexes on order 
and plan on honoring all of my prior commitments as well as any new ones that 
I can.Production on those should ramp back up sometime in the fall-Thats all 
I know for now.Email-altomusic@altomusic.com
Thanks

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 20:17:10 2000
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> but i think [Repeater] will be an addition to my toolset.
> rather than a replacement.

"...the buy, sell and trade approach (where a relatively capable person
scores a great piece of gear or two, but somehow gets
                  caught up in the never-ending cycle of what might be
better. Consequently selling and trading their equipment all the time in
hopes of one day attaining the
                  "perfect" setup...these types , while often amassing a
great deal of gear, never seem to produce a drop of music.) ..."

--quoted from Sunshine Jones's "A Beginner's Guide to home Studio
Recording"

r.s.
np: "Come On, Come Over" - Jaco Pastorius feat. Sam and Dave

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 20:26:52 2000
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Okay. Anyone who wants to join the repeater mass purchase program, send
one email to:

repeater@braincramp.org 

with your name, and I'll tally it up and update to the list. Sound like a
deal?

-><-

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 20:34:23 2000
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Hello there, Loopaires:

I belong to a group, the CT Collective, that formed through LD a long
time ago in a galaxy far away. We make compilations of our loopesque
music by volunteering labor and collectively producing the work. 

I'm organizing 2 new theme-based projects that people might be
interested in. The first, OBJECT, goes like this: take an object not
ordinarily thought to posess any musical characteristics. Make music
with it by looping it, multitracking, adding effects, and so on. The
second, VIDEO GAME, goes like this: make a fun piece of music using only
video game or computer game noises in a new and exciting way.

A few of our CD's are MP3'd our website at http://www.loopxchange.com ,
in case you'd like to hear what we've been up to. We have a few other
projects that are nearing completion, so keep your ears tuned. 

If you think you might be interested in submitting something for either
of these projects, let me know soon. The deadline is only 1 month away.

Thanks,

Morgan Hamilton Lang
http://www.loopxchange.com

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True, some gear fetishists produce little to no music, but on the other hand 
if you have the technical ability and the imagination, having a "Better" 
tool will expand your vistas of creativity.  Also if you have invested many 
hours learning how to use a device and are happy with the results you 
create, why dump it for something new and better.  I have rarely ever seen a 
new piece of kit that has duplicated all of the feature set of previously 
made gear. Something always get's left behind.  I buy new gear from time to 
time, but rarely replace anything.  I still have to complete my Studio and 
PA.

sm

1st...
> > but i think [Repeater] will be an addition to my toolset.
> > rather than a replacement.
>



Then...
>"...the buy, sell and trade approach (where a relatively capable person
>scores a great piece of gear or two, but somehow gets
>                   caught up in the never-ending cycle of what might be
>better. Consequently selling and trading their equipment all the time in
>hopes of one day attaining the
>                   "perfect" setup...these types , while often amassing a
>great deal of gear, never seem to produce a drop of music.) ..."
>
>--quoted from Sunshine Jones's "A Beginner's Guide to home Studio
>Recording"
>
>r.s.

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 21:06:13 2000
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Yes.  We'll see.  Loop copy, multiply and the many other functions are very
important relative to how I compose real time.

I haven't written it off.  I'm just not as excited.

Michael

At 06:18 PM 9/14/00 -0500, you wrote:
>don't forget that these are four simultaneously playing tracks.
>the thing has 9 minutes of space for non-simultaneous loops.
>
>who knows how easy it will be to access these loops in real time, though.
>
>one reason i will be keeping my (recently acquired) edp is
>that i think it will be easier to construct songs on the fly
>because of loop copy and multiply.
>it looks like the electrix only has a double function.
>
>we shall see.
>
>----- Original Message -----
>From: "Michael Clark" <mcl451@airmail.net>
>To: <Loopers-Delight@loopers-delight.com>
>Sent: Thursday, September 14, 2000 6:00 PM
>Subject: Re: Repeater Info Online
>
>
>> 4 tracks all the same length?  Bummer.
>>
>> The Repeater is probably a nice piece of equipment, but I'll take my EDP -
>> make it two.
>>
>> Michael
>>
>>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 21:10:24 2000
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> if you have the technical ability and the imagination, having a > "Better"
> tool will expand your vistas of creativity.

agreed, agreed...  moderation is certainly in order here.

r.s.
np: "Satan Dub" - Lee "Scratch" Perry

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 21:26:35 2000
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Date: Thu, 14 Sep 2000 20:24:05 -0500
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Subject: My Offer To Our Group
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Hi!

Yes numerous questions about the Repeater.

Everyone has been very kind in answering my looping/equipment questions -
here's a way I can return the favor.

Here's my offer:  I have a bridge line that accommodates 30 people at one
time, i.e. 30 people can be on the call at once.  It's like a large
conference call.  No charge other than whatever you pay for LD.  It's a 702
area code.  You call in at a pre-determined time and join 29 other people.

I will set up a call with Damon as the representative of the Repeater (if
he wants to - haven't contacted him) and as many as 28 list members who
have questions about the product.  I'll moderate the discussion.  The
discussion/questions will last 1 hour.

Let me know.  This offer is exclusive to the loopers on this group.

Michael

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 21:29:50 2000
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From: jim palmer <jimp@pobox.com>
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i think the real problem with "gearism" is when
creativity is replaced with the process of acquisition
or when creativity is postponed while waiting to
"complete" a setup.

i don't think my setup will ever be complete in that way.
in the same sense, i don't think my musical style will ever
be complete

sometimes a simple approach is best and a minimal setup
frees the creative mind from technical considerations;
and sometimes a more complex array of tools is necessary
to say what needs to be said.

----- Original Message -----
From: "space module" <spacemodule@hotmail.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 7:58 PM
Subject: Re: in support of conservatism


> True, some gear fetishists produce little to no music, but on the other
hand
> if you have the technical ability and the imagination, having a "Better"
> tool will expand your vistas of creativity.  Also if you have invested
many
> hours learning how to use a device and are happy with the results you
> create, why dump it for something new and better.  I have rarely ever seen
a
> new piece of kit that has duplicated all of the feature set of previously
> made gear. Something always get's left behind.  I buy new gear from time
to
> time, but rarely replace anything.  I still have to complete my Studio and
> PA.
>
> sm
>
> 1st...
> > > but i think [Repeater] will be an addition to my toolset.
> > > rather than a replacement.
> >
>
>
>
> Then...
> >"...the buy, sell and trade approach (where a relatively capable person
> >scores a great piece of gear or two, but somehow gets
> >                   caught up in the never-ending cycle of what might be
> >better. Consequently selling and trading their equipment all the time in
> >hopes of one day attaining the
> >                   "perfect" setup...these types , while often amassing a
> >great deal of gear, never seem to produce a drop of music.) ..."
> >
> >--quoted from Sunshine Jones's "A Beginner's Guide to home Studio
> >Recording"
> >
> >r.s.
>
> _________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
> Share information about yourself, create your own public profile at
> http://profiles.msn.com.
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 21:34:55 2000
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good points, all; i certainly don't espouse gear conservatism as a
black/white issue, otherwise all anybody could use is their voices and
whatever percussive sounds they could get by hitting themselves.

r.s.
n.p. "Soul Makossa" - Manu Dibango

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 22:20:57 2000
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->
>Frequently, actually. And from people who aren't in the software business.
>
>One of the most respected books on computer programming is Donald Knuth's
>_The Art of Computer Programming_.
>
>You seem to imply that anything that has as one of its goals making money
>can't be considered "true art". Michaelangelo did plenty of work for hire.
>Are you saying that none of that could be considered "true art".
>


A couple of years ago I downloaded a book called The art of lockpicking
(really, i'm not joking).
Does this mean that lockpicking is an art? that burglaries should be
copyrighted? etc...

And yes, something with a financial goal in mind isn't art. somebody who's
primary goal is to earn money with his "art" isn't an artist nor is his work
art. It's not wrong if a piece of art gets well paid. The force behind the
creation counts, IMO. so, computer hackers and freeware coders are artists.
also those who first got the idea and then started with "marketing".

greetings,

gregor

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 22:26:01 2000
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Date: Thu, 14 Sep 2000 22:18:28 -0400
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Subject: Re: in support of conservatism
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Well, I agree with all your points.

What I don't like with the gear cycle (I want these effects and these and
these) is that when you've got a lot of things in the path of your tube amp
(for guitar), you loose the quality of the tone and to reaching again this
quality, you put compressor, noise gate and so on...

I personnally prefer the simplest setup possible. Even if I have a couple
of effects, my normal and preferred setting is Guitar-Amp-Delay. It's so
simple, but I think I can do enough with it even if sometimes I use chorus,
wah or these kinds of things.

I know a guy who thinks the EQ on his amp is an unecessary tool and that it
is too much sophisticated. I'm not such a purist. :) Only a question of
judgment (What is really necessary in my setup?). One thing sure, EQ is..
:) But it is also true that we can do a lot more than we think with the
volume and tone controls on the guitar.

Best,
Christian

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 22:47:45 2000
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----- Original Message -----
From: "Christian Leduc" <chleduc@total.net>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 10:18 PM
Subject: Re: in support of conservatism



> I know a guy who thinks the EQ on his amp is an unecessary tool and that
it
> is too much sophisticated. I'm not such a purist. :) Only a question of
> judgment (What is really necessary in my setup?). One thing sure, EQ is..
> :) But it is also true that we can do a lot more than we think with the
> volume and tone controls on the guitar.

Which reminds me, I recently plugged my guitar straight into the amp for the
first time in years.  I could still make most of the funny noises and weirdo
sounds that I normally rely on my processing gear for.  What a surprise to
find that I still sounded like myself, without my Boss GT3, Zoom 9002, and
EH Microsynth to help me!

Incidentally, I am looking forward to acquiring either an EDP or Repeater by
year-end.  However, I'm glad that I've spent the past 5 years using the very
limited 4-second sampler pedal that I've got; I think I'll appreciate my new
toy and its capabilities that much more.

A useful exercise for me recently has been listening to traditional Japanese
shakuhachi music.  A skilled player can get a positively astonishing variety
of sounds out of this simple bamboo flute.  It makes me feel sort of silly
to think that I need lots of extra equipment to do the same thing.


Peter

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 22:47:51 2000
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Date: Thu, 14 Sep 2000 22:40:16 -0400
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From: Christian Leduc <chleduc@total.net>
Subject: Re: Deltalab style infinite repeat?
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Well, I think it is a question of using the "infinite repeats" button and
to turn the feedback knob at 100%. But I'm not sure I understand your
point. What was the main difference on the 1024 unit?

About the noise: I prefer a little more noise and more dynamic and, i don't
know how to call it, let's say "LIFE". My older delay (Digitech) had 3,5
seconds of delay ability (which is close of the echotron), but it was too
perfect and dead. I say older, but in a certain way, it was recent. The
Echotron is older, but I bought it more recently. :)

Peace...
Christian

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 23:22:07 2000
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Organization: Angular Momentum CD's
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Hello,
  Where is the best place/price for a new Boomerang?  Any leads?  I'm
ready to buy one......
     Thanks,
  Doug Michael

From Loopers-Delight-request@loopers-delight.com  Thu Sep 14 23:26:38 2000
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Subject: loopslave in search of the GODBOX
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In a message dated 9/14/00 7:41:25 PM Mid-Atlantic Daylight Time, 
hideomo@swbell.net writes:

<< it is  a tripper for the $$ >>

i must thank my rang for going away to go under the knife with DR.NELSON and 
letting me get to know my zoom 2100 better.......i dont see them in the music 
rags (mf etc) anymore....... does this mean they are now 
collectable......:)........i do believe that the GODBOX will be very borglike 
and not just a singleton.........michael

p.s. please join morgan and the gang over at the CT-COLLECTIVE........2 new 
projects afoot and there was even talk of women hanging out 
there...........:)..............several CT-Projects are finishing up, there 
will be 5 new cds coming out soon, i cant wait!.............we will keep you 
posted...........till then, get your copy of "LD 1" an excellent 
listen................."after all, its about the 
music".............www.loopxchange.com




From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 03:00:54 2000
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Subject: Re: Deltalab style infinite repeat?
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At 11:08 AM -0700 9/14/00, Dennis W. Leas wrote:
>I'm kinda ignorant on how the old Deltalabs operated.  How's it different than
>loopers like DL4, Headrush, Jamman, EDP, etc.?
>
>Dennis Leas
>-----------------------------
>dennis@mdbs.com


There is a DeltaLab page on the LD site. There is a schematic there, and a
few links that should help you find out more:

http://www.loopers-delight.com/tools/deltalabs/deltalabs.html


I'd like to have more there. If any DeltaLab users have a manual they could
scan, or can send a photo or write a review, I would appreciate it!

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 03:08:08 2000
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Date: Fri, 15 Sep 2000 00:09:46 -0700
To: Loopers-Delight@loopers-delight.com
From: James Musser <peaceland@earthlink.net>
Subject: Re: Repeater Info Online/The Year 2000
In-Reply-To: <4.3.2.7.2.20000914161720.02c2bab0@mail.redmoon-music.com>
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>But, if a named company comes public with questions about a new idea, you 
>can bet that people figure that something is up, and they will take a bit 
>more notice. In fact, "they" may be another manufacturer listening in on 
>the ensuing conversation. And... They may take enough notice of the 
>conversation to start down a similar development path themselves. In fact, 
>they may BEAT the first company to market.

Uh huh... and this, instead of keeping things at the MINIMUM would open the
doors for CREATIVE COMPETITION, as well as business competition...

In other words... they really would have to have a better box, because
having the same thing wouldn't really be any better... this would force
companies to actually seek out better ideas even MORE to compete.

Besides... how many really "new" ideas are out there these days... wouldn't
that be a poll... see why not pool the entire internet on a website and
call it NEWIDEAS.COM and have the "end user Joe Shmoe" put up every friggin
idea they can... so that the folks with the $$$ can look at it (since
they're too busy watching the books to have good ideas), and freely pick
and choose from the gargantuan list of KILLER IDEAS that the end users
continually provide?

Don't get me wrong, I understand competition and I understand manufacturing
difficulties... that's why we have patents and copyrights, etc., to protect
people with new ideas.

I have an awesome new invention for guitarists, but I can't get anyone to
manufacture it, and I can't afford to do it myself. I've had it for nearly
8 years, but can't find a way to get it to the public... it's not always
easy, even though every person who sees this thing says "BANK, dude!"

I guess all the companies can cry "lack of funds", just like me... but I
think it's a little different when you actually have the ability to create
something and don't, just to chince a little more profit out of the deal,
than when you actually cannot pull together the means in the first place to
get started.

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 03:28:54 2000
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Deltalab style infinite repeat?
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>>On or around 10:40 AM 9/14/00 -0700, James Musser said:
>>>I'm looking for units that allow you to begin a feedback loop... get a nice
>>>groove going... then hit the "infinite button" like on the old deltalabs,
>>>and it just continues to play back whatever was in the loop at that time...
>>
>>Almost any of the 80s rackmount digitals will do just that, from the
>>Digitech RDS series to the Boss DE-200 to some of the Ibanez units I've
>>taken a gander at.


At 11:06 AM -0700 9/14/00, kamlapati.khalsa@philips.com wrote:
>Of course, you can do this with an EDP and a feedback pedal :
>
>Hit record and stop to set the loop lenth, then overdub with the feedback
>set to less than infinite. When
>you like the groove, you increase the feedback to infinite...done.
>
>Brother K

The echoplex actually has a Delay mode that lets it operate like the old
delays. Your delay line input is always open, so new material is always
going in. The Feedback can be set anywhere you like, so it can decay away
as you wish. Then, when you have something you like, you press "Hold" to
keep it going. (the overdub button becomes the "hold" button in delay
mode...)   Just as with the old delays, when in "hold" the feedback becomes
100% and the input to the delay is closed to new material.

This way you can effectively grab what's in the delay line and make it a
loop. It is subtly different from operating in the standard "loop" mode
with overdub and feedback control. A lot of people who used the old delays
appreciate this feature a lot and always have the echoplex set to "delay"
mode.

The JamMan also has a delay mode, although it is not so easy to control the
feedback setting. It seems a lot of people use that setting on the JamMan
too.

This is pretty much how looping was done through the 80's. Devices like the
echoplex and jamman came from that mold, so it was natural to maintain that
traditional feature.

kim




______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 03:47:36 2000
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Date: Fri, 15 Sep 2000 07:45:50 GMT
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Hi, I subscribed myself to this list like a month ago and I´ve read some 
complaints about sometimes getting too much emails in their inboxes about 
this list and I also think that sometimes having to read through 60-70 
emails everyday is kind of hard to do, I said "having" ´cause I find many of 
the posts very useful but I only have the chance to access my inbox once a 
day that´s why I found so many emails there, even using filters in my inbox 
it would be the same ´cause you can´t know if the content will be of 
interest just by reading the subjet line, my suggestion is this: I think it 
will be a
good idea to make the posting through a Bulletin Board type of page inside 
the Looper´s Delight web site like the BBs that are on pages like Ampage 
http://www.ampage.org/ or Vintage guitar online 
http://www.vintage-guitar.com:8080/forums/ , I think it would be easier to 
just click on a topic´s name and have access to read all the responses to 
that particular topic instead of going through all the emails in the inbox, 
also in that way you eliminate the need of putting filters to emails that 
may have a point of interest: if you´re not interested on that particular 
subject you just don´t click on it anymore, also you eliminate the need of 
unsbscribing when out for some days or not liking the list anymore yet you 
still need to be subscribed to post anything, also people who aren´t 
subscribed can still read the posts and I think that would make the Lopper´s 
Delight web page to have more hits per day and that´s benefical ´cause more 
people would see the advertisings on the banners that now Kim is starting to 
include which I think is a good idea to make the site autosufficient.
I know all of this could mean "ending this list" but I don´t think so, I 
think it would be of benefit for both the users and the site itself.
Thanks.
Alex.

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 05:15:00 2000
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From: "Jonathan O'Riordan" <Jonathan.ORiordan@swiftcall.com>
To: "'Morgan Hamilton Lang'" <mhl21@columbia.edu>,
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Subject: RE: Join in projects w/the CT Collective
Date: Fri, 15 Sep 2000 10:13:20 +0100
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I really like the sound of that. Is it a purist/minimalist approach? For
instance, for OBJECTS, can you have the object in question as melody on
which an actual, fully-fledged song is based. Or is it being true to the
actual object, and using only variations of sound emitted by the objects
themselves. The reason I ask is I too have made similar explorations,
believe music to come form the most mundane of objects (and animals). IS
this an open forum, or is it a private affair?

I am very intersted...

Jon

> -----Original Message-----
> From:	Morgan Hamilton Lang [SMTP:mhl21@columbia.edu]
> Sent:	11 April 1908 16:19
> To:	Loopers-Delight@loopers-delight.com
> Subject:	Join in projects w/the CT Collective
> 
> Hello there, Loopaires:
> 
> I belong to a group, the CT Collective, that formed through LD a long
> time ago in a galaxy far away. We make compilations of our loopesque
> music by volunteering labor and collectively producing the work. 
> 
> I'm organizing 2 new theme-based projects that people might be
> interested in. The first, OBJECT, goes like this: take an object not
> ordinarily thought to posess any musical characteristics. Make music
> with it by looping it, multitracking, adding effects, and so on. The
> second, VIDEO GAME, goes like this: make a fun piece of music using only
> video game or computer game noises in a new and exciting way.
> 
> A few of our CD's are MP3'd our website at http://www.loopxchange.com ,
> in case you'd like to hear what we've been up to. We have a few other
> projects that are nearing completion, so keep your ears tuned. 
> 
> If you think you might be interested in submitting something for either
> of these projects, let me know soon. The deadline is only 1 month away.
> 
> Thanks,
> 
> Morgan Hamilton Lang
> http://www.loopxchange.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 05:32:32 2000
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Om_Audio wrote:
> 
> I am about to create a filter for any mail with the word "Repeater" in it-
> 56 posts? No thanks-
> 
> Cliff

yes me too me too me oo ma to g

<GG>

Claude

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 05:34:54 2000
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From: StephanN <neetenbeek@pixelpark.com>
To: "'Christian Leduc'" <chleduc@total.net>,
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Subject: AW: in support of conservatism
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:) But it is also true that we can do a lot more than we think with the
volume and tone controls on the guitar.

Best,
Christian

and think about what you can do with your fingers, and the way you arrange
chords.
Man, amazing...

;-)
stephan

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 05:53:08 2000
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From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Suggestion to the LD mailing list
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Alejandro-

I've never used hotmail so I don't know if this
would work for you, but...

Set up a filter using "looper" as the keyword so that
everything from LD goes to its own folder. Delete the
contents of the folder as often as you like. Go to
the LD archives to actually read the posts that
interest you. You can sort them by date, thread, or
author.

John


=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Yahoo! Mail - Free email you can access from anywhere!
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From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 07:23:36 2000
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Hello Loopers,

I´ve just signed on to this mailing list.  I see it´s a hot one.

Would some of you who have worked with or tested both Gibson Echoplex
Digital Pro and Eventide Orville please share with us you experience?
Seen from a live-looping musician standpoint.

I talked to a algorithm-programmer at Eventide who claimed that there is
nothing Orville can´t do compared to the Echoplex.

:-o allan


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From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 08:46:48 2000
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>From: "Schreier, Steven (Steven)" <schreier@avaya.com>
>To: "'italoop@hotmail.com'" <italoop@hotmail.com>
>Subject: Eventide
>Date: Wed, 13 Sep 2000 10:44:07 -0600
>Italo,
>I own a DSP4000 and have used Vsig for a bit.  Nothing as deep as you but I
>do enjoy the unit--a fasicinating box of joy.
>Have you had a chance to dive into the DSP7000 or heard any great things
>about it??
>Steven
>Hi Steven
DSP7000 is basically one of the two Orville’s DSPs….exactly the same 
thing…same OS same everything. The two units are totally compatible, so 
users can swap programs. The only differences are that DSP7000 is not 
quadriphonic, so it has two ins and 2 outs; orville has 4!
So 7000 users will not be allowed to use internel modules like QuadMixers. 
You can actually download Orville and DSP7000 manuals, which are almost 
identical, in PDF format at www.eventide.com, on the first page of the site 
at the bottom…it’s worth reading what kind of “bastards” are these two 
guys!!! One more difference: Orville has a sampler board with 173 seconds 
memory that can be used for sampling AND/OR delay time. The 7000 hasn’t such 
module but it can be installed as an options. Eventide will soon release a 
DSP7500 which is a 7000 plus the sampler board. The standard delay memory is 
43 sec at 48KHz sampling rate.
Now if you get the sampler you’ll have 43 + 173 seconds totally divisible 
into how many samplers and delay lines you like: for example you can build a 
program in which you put a mono delay/looper with 20 sec, a stereo one of 20 
sec (20+20) a sampler with 60 seconds and even a reverse looper/shifter with 
32 seconds PLUS add pre and post processing 
(Choruses/flangers/Shifters/Verbs etc…) and vol.pedals and mixers to 
organize the whole thing. Everything under total midi control…is that 
enough??? …and the sound, man!!! THE sound!!!
I really think that one of these units linked to a Repeater will be the most 
incredible & rliable looping/sampling and audio mangling station in the 
universe. Just add a Peavey PC1600x or a Lexicon MRC to get full power midi 
remote controlling and you’ll be on a starship to planet Zargon, at 150 
light years from Earth….fast and SAFE!!!
                                                                             
                  Italo


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From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 08:58:51 2000
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From: "italo de angelis" <italoop@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: EVENTIDE users (Now & Future)
Date: Fri, 15 Sep 2000 14:56:48 CEST
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Hello everybody...I read your posts...let's get into presets swapping...get 
VSIG editor for 4000/4500/7000/Orville on the factory site, update your 
Orville to V.2.620 on www.eventide.com/oupdate. They'll have a new software, 
new manual and some of my presets on next release in October 2000. Straight 
contact is italoop@hotmail.com
              bye everybody  ITALO
PS: Doesn't REPEATER thrill you all like me ???
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From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 10:40:45 2000
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: EVENTIDE users (Now & Future)
Date: Fri, 15 Sep 2000 07:36:16 -0700
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No, Italo, sorry.  You don't thrill me like the Repeater thrills me.

  | -----Original Message-----
  | From: italo de angelis [mailto:italoop@hotmail.com]
  | Sent: Friday 15 September 2000 7:57 AM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: EVENTIDE users (Now & Future)
  | 
  |               bye everybody  ITALO
  | PS: Doesn't REPEATER thrill you all like me ???

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 10:48:50 2000
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From: noah <fishmong@braincramp.org>
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To: loopers-delight@loopers-delight.com
Subject: *Repeater Group Buy Update*
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Remember, to join the Repeater Group Purchase program, send email to

repeater@braincramp.org

with your name.

Okay. So far we have 7 people:
Phil Erb
Bob Campbell
Stephen Nizyborski
Tri Tran
Neil Goldstein
Javier Miranda
Eric Zang
and (cash willing) Me.

The more people join this thing, (hopefully) the lower the price for
everyone...

Anyone have suggestions on a vendor we should hit up once the list gets
big? Zzounds has always been good to me... Any suggestions, Damon?

-><-

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 11:01:49 2000
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Suggestion to the LD mailing list
Date: Fri, 15 Sep 2000 07:32:19 -0700
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Your e-mail client, whatever it is, should have a feature to sort e-mail
display in any folder by "conversation," or "thread," which is the "Subject"
line in the e-mail.  This should help you get really choosy about what to
read.  But it would work best if you filter out all LD e-mail to go to its
own folder.  You could select a whole conversation and delete it!

But a very peculiar problem to LD subscribers is that they can't leave the
Subject line enough alone.  They're always adding little bits to it,
combining Subjects, etc., and for a lot of threads, this kills the purpose
of having a Subject to group e-mails.  So it won't work some times.

  | -----Original Message-----
  | From: Alejandro Martínez [mailto:alexmartinez7@hotmail.com]
  | Sent: Friday 15 September 2000 12:46 AM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: Suggestion to the LD mailing list
  |
  | interest just by reading the subjet line, my suggestion is
  | this: I think it
  | will be a
  | good idea to make the posting through a Bulletin Board type of
  | page inside
  | the Looper´s Delight web site like the BBs that are on pages
  | like Ampage
  | http://www.ampage.org/ or Vintage guitar online
  | http://www.vintage-guitar.com:8080/forums/ , I think it would
  | be easier to
  | just click on a topic´s name and have access to read all the
  | responses to
  | that particular topic instead of going through all the emails
  | in the inbox,
  | also in that way you eliminate the need of putting filters to
  | emails that
  | may have a point of interest: if you´re not interested on that
  | particular
  | subject you just don´t click on it anymore, also you eliminate
  | the need of
  | unsbscribing when out for some days or not liking the list
  | anymore yet you

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 11:05:49 2000
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Date: Fri, 15 Sep 2000 10:09:23 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: *Repeater Group Buy Update*
To: Loopers-Delight@loopers-delight.com
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> Anyone have suggestions on a vendor we should hit up once the list gets
> big? Zzounds has always been good to me... Any suggestions, Damon?

jon at alto music said:

>Hi-This is Jon from Alto Music.I'm the guy who has delivered several
hundred
>echoplexes to this group.I will see what I can do to arrange a group buy
for
>the Repeater.For anyone wondering I still have loads of Echoplexes on order
>and plan on honoring all of my prior commitments as well as any new ones
that
>I can.Production on those should ramp back up sometime in the fall-Thats
all
>I know for now.Email-altomusic@altomusic.com
>Thanks


From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 11:08:01 2000
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Date: Fri, 15 Sep 2000 08:05:40 -0700
Subject: Gear Dweebs
From: Tiktok <tiktok@sprintmail.com>
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>i think the real problem with "gearism" is when
>creativity is replaced with the process of acquisition
>or when creativity is postponed while waiting to
>"complete" a setup.


I'm all in favor of people who buy every bit of new gear, even if they never
make any music.  They subsidize the rest of us.  If musical equipment
manufacturers were dependent only on sales to working musicians, the market
would be much, much, much smaller.

Travis Hartnett

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 11:14:56 2000
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Eventide4 S.Schreirer
Date: Fri, 15 Sep 2000 10:08:46 -0500
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> I really think that one of these units linked to a Repeater will be the most
> incredible & rliable looping/sampling and audio mangling station in the
> universe. Just add a Peavey PC1600x or a Lexicon MRC to get full power midi
> remote controlling and you’ll be on a starship to planet Zargon, at 150
> light years from Earth….fast and SAFE!!!

I am REALLY big on the idea of integrating loopers.  Low-cost, stompbox loopers
certainly have their place, but I really like loopers that "play well with
others".

Jamdudes, EDPs, and (hopefully) the Repeater are ideal input devices.  This is
where low-latency is critical and the you want a looper-style user interface.
When you get a loop (or loops) to your liking, you can transfer it to a Kyma,
Orville, DSP7000, MAX/MSP, or CSound based system.  Once there, you can
spatialize, pitch-shift, mangle, save, etc.  The number of loops is basically
unlimited.  If you like, you could transfer a loop back to the Jamdude, EDP, or
Repeater for further manipulation.

Once you get the loop out of the box, you can REALLY play with it.  This is
where MIDI controllers like the PC1600x or alternative one like I-Cube, etc. can
be used.

Add an ethernet card...maybe loop across the Internet...Italo would have a loop
going, I'd have a loop going, Mathias would have a loop...I could grab part of
Italo's loop and part of Mathias'...they could grab the result...Zargon here we
come!

It's Friday!  I gots to dream big on Friday!!

Dennis Leas
-----------------------------
dennis@mdbs.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 11:18:52 2000
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I like your idea Alejandro and totally agree. Can this be done by the
webmasters?

-----Original Message-----
From: Alejandro Martínez [mailto:alexmartinez7@hotmail.com]
Sent: Friday, September 15, 2000 2:46 AM
To: Loopers-Delight@loopers-delight.com
Subject: Suggestion to the LD mailing list


Hi, I subscribed myself to this list like a month ago and I´ve read some
complaints about sometimes getting too much emails in their inboxes about
this list and I also think that sometimes having to read through 60-70
emails everyday is kind of hard to do, I said "having" ´cause I find many of
the posts very useful but I only have the chance to access my inbox once a
day that´s why I found so many emails there, even using filters in my inbox
it would be the same ´cause you can´t know if the content will be of
interest just by reading the subjet line, my suggestion is this: I think it
will be a
good idea to make the posting through a Bulletin Board type of page inside
the Looper´s Delight web site like the BBs that are on pages like Ampage
http://www.ampage.org/ or Vintage guitar online
http://www.vintage-guitar.com:8080/forums/ , I think it would be easier to
just click on a topic´s name and have access to read all the responses to
that particular topic instead of going through all the emails in the inbox,
also in that way you eliminate the need of putting filters to emails that
may have a point of interest: if you´re not interested on that particular
subject you just don´t click on it anymore, also you eliminate the need of
unsbscribing when out for some days or not liking the list anymore yet you
still need to be subscribed to post anything, also people who aren´t
subscribed can still read the posts and I think that would make the Lopper´s
Delight web page to have more hits per day and that´s benefical ´cause more
people would see the advertisings on the banners that now Kim is starting to
include which I think is a good idea to make the site autosufficient.
I know all of this could mean "ending this list" but I don´t think so, I
think it would be of benefit for both the users and the site itself.
Thanks.
Alex.

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From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 11:24:21 2000
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From: "Kevin Mulvihill" <kmulvihill@mediaone.net>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: *Repeater Group Buy Update*
Date: Fri, 15 Sep 2000 08:22:41 -0700
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Well, we should get quotes from multiple vendors. I have contacts at Guitar
Center, Sam Ash and West L.A. Music and can check at each once a number of
units has been decided.

Question is: how many do we need? Whoever's keeping the list can put me down
for one...

Kevin

> -----Original Message-----
> From: jim palmer [mailto:jimp@pobox.com]
> Sent: Friday, September 15, 2000 8:09 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: *Repeater Group Buy Update*
>
>
> > Anyone have suggestions on a vendor we should hit up once the list gets
> > big? Zzounds has always been good to me... Any suggestions, Damon?
>
> jon at alto music said:
>
> >Hi-This is Jon from Alto Music.I'm the guy who has delivered several
> hundred
> >echoplexes to this group.I will see what I can do to arrange a group buy
> for
> >the Repeater.For anyone wondering I still have loads of
> Echoplexes on order
> >and plan on honoring all of my prior commitments as well as any new ones
> that
> >I can.Production on those should ramp back up sometime in the fall-Thats
> all
> >I know for now.Email-altomusic@altomusic.com
> >Thanks
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 11:25:10 2000
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>  >But, if a named company comes public with questions about a new idea, you
>>can bet that people figure that something is up, and they will take a bit
>>more notice. In fact, "they" may be another manufacturer listening in on
>>the ensuing conversation. And... They may take enough notice of the
>>conversation to start down a similar development path themselves. In fact,
>>they may BEAT the first company to market.
>
>Uh huh... and this, instead of keeping things at the MINIMUM would open the
>doors for CREATIVE COMPETITION, as well as business competition...
>
>I have an awesome new invention for guitarists, but I can't get anyone to
>manufacture it, and I can't afford to do it myself. I've had it for nearly
>8 years, but can't find a way to get it to the public... it's not always
>easy, even though every person who sees this thing says "BANK, dude!"


James, since opening up ideas and sharing them to everyone would, in 
your opinion, open up the doors for creative competition and make for 
better products...

would you share what your awesome new invention for guitarists is?

there are a number of folks here who have taken ideas from concept to 
completion (such as our host, mr. flint).  maybe we can help in some 
fashion?

you don't have a GODBOX up your sleeve, do you?


best regards,

rich

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 11:47:57 2000
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From: "Colin Bradley" <colin@dual.co.uk>
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Date: Fri, 15 Sep 2000 16:42:27 +0100
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Hello
sorry for the crossposts, just a last minute reminder for the upcoming Dual
gigs...
Colin Bradley
Dual


2nd Gen
(novamute-ed electronics)

Dual
(polyrhythmic percussive & textural glitched guitar ambience)

OO
(ultra minimal massed drones)

Bajina
(disjointed wireless emissions)

with musical interludes from the likes of:
Coil, Autocreation, Deutsch Nepal, Biosphere, Disjecta,
NWW, Vladisvlav Delay, Seefeel, Oval, NON, Aphex Twin,
Ether, Cyclobe, Thomas Koner, Whitehouse, TAGC, Faust,
Residents, Raison d'être, Maeror Tri, Einsturzende Neubauten,
Arovane, Vidna Obmana, Pan Sonic, Body Lovers & many more

8pm-2am
Saturday 16th September
The Red Rose Club
129 Seven Sisters Road
Finsbury Park
London N7
020 7281 3051
£5 on the door
more info:
info@dual.co.uk
www.dual.co.uk



Under The City - Launch Party
Dual
Giddyfish
Recognized

A night of A-Eye Digital Distribution artists plus special guest DJ's INSONIK
Doors: (tbc)
Thursday 21st September
Bar 5
St. Ann's Square
Manchester
More info: http://www.underthecity.co.uk
Email: mark@spoil.org



---

Checked by AVG anti-virus system (http://www.grisoft.com).
Version: 6.0.166 / Virus Database: 79 - Release Date: 20/06/00



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Date: Fri, 15 Sep 2000 08:54:24 -0700
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From: James Musser <peaceland@earthlink.net>
Subject: MusserRings
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>would you share what your awesome new invention for guitarists is?
>
>there are a number of folks here who have taken ideas from concept to 
>completion (such as our host, mr. flint).  maybe we can help in some 
>fashion?
>
>you don't have a GODBOX up your sleeve, do you?

Sure, I filed for the patent... so I don't have a problem. That's why you
do that.

It's called the MusserRing. It fits between the 1st and 2nd knuckle of the
fingers of the hand that do the fingering on the guitar... it is a flat
ring for playing slide. It has a particular shape which allows you to turn
it and adjust the sizing so that you can bend your finger, play slide and
still have ALL your fingertips available for your favorite uther stuff...

It is ridiculously simple... hard to believe the other slide manufacturers
haven't solved this problem a long time ago. The problem is sizing. There's
one guy who came up with something adjustable, but it does not have the
shape of the Mussering, and therefore is not adjustable in terms of how the
finger bends... also, his design is too thick and prevents the fingers from
being close together up high on the neck.

I noticed on the Dunlop website (who I showed these things to), they have a
thing called a shy slide... which is very close to what is in the drawings
on my patent filing... but so far have never seen one in a store.

Anyways... I paid $50 each for mine... maybe folks would be happy to pay
the price, but seems steep... problem again is getting the correct sizing
for each persons hand. I use 4 of them, one on each finger, and you can do
things you've never heard before with these things.

Well, that's it. If anyone has any ideas, I would appreciate it.

I will be on vacation until next Friday... enjoying the list... will return
soon.

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 12:02:25 2000
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James Musser (02:09 AM 09.15.2000) wrote:

 >>But, if a named company comes public with questions about a new idea, you
 >>can bet that people figure that something is up, and they will take a bit
 >>more notice. In fact, "they" may be another manufacturer listening in on
 >>the ensuing conversation. And... They may take enough notice of the
 >>conversation to start down a similar development path themselves. In fact,
 >>they may BEAT the first company to market.
 >
 >Uh huh... and this, instead of keeping things at the MINIMUM would open the
 >doors for CREATIVE COMPETITION, as well as business competition...

Right.

Competition for the user base is a wonderful thing because, as you say, we 
as users will benefit from the companies battling it out over 
price/features/performance etc.

But, the whole point of my soapbox was to try to show why companies do 
_not_ come public with their ideas.

It's one thing for Company B to get wind of a new product coming out from 
Company A a couple of months before it ships; it's quite another thing for 
Company B to get wind while Company A is still in design stage.


 >In other words... they really would have to have a better box, because
 >having the same thing wouldn't really be any better... this would force
 >companies to actually seek out better ideas even MORE to compete.

Yeup.


 >Besides... how many really "new" ideas are out there these days... wouldn't
 >that be a poll... see why not pool the entire internet on a website and
 >call it NEWIDEAS.COM and have the "end user Joe Shmoe" put up every friggin
 >idea they can... so that the folks with the $$$ can look at it (since
 >they're too busy watching the books to have good ideas), and freely pick
 >and choose from the gargantuan list of KILLER IDEAS that the end users
 >continually provide?

It's a great idea, but you would need folks to understand up front that the 
ideas that hey are submitting are falling into the public domain and that 
they will NOT be paid for them.

I think that once you point something like that out to folks, they may shy 
away from it.

A small example of this type of things comes from my online patch database 
for a number of synths. I can't remember the last time that I had someone 
submit a patch to any of them. NO ONE wants to share their work/ideas for 
fear that someone else will come along and make money from it.


 >Don't get me wrong, I understand competition and I understand manufacturing
 >difficulties... that's why we have patents and copyrights, etc., to protect
 >people with new ideas.

Right. But going back to addressing the public disclosure of an idea at an 
early stage, a copyright/patent/trademark will only protect that to a 
point. You can't get so general such that you stop the potential for 
competition in a class of product.

If we come back around to the MIDI pedal question, I can't protect the idea 
of creating a MIDI pedal such that someone else couldn't come along and 
also build one. But, I can protect the firmware that's driving the pedal, 
unique things about how the pedal works, and specific design/feature points 
if they are new technology/algorithms/implementations.


 >I have an awesome new invention for guitarists, but I can't get anyone to
 >manufacture it, and I can't afford to do it myself. I've had it for nearly
 >8 years, but can't find a way to get it to the public... it's not always
 >easy, even though every person who sees this thing says "BANK, dude!"

Yeups... This is where you need to hit up a trade show (NAMM probably - 
'specially the Nashville show) and start talking to folks that have access 
to manufacturing facilities. Do you have a prototype or mock-up?

We can talk more about this off-line if you'd like.


 >I guess all the companies can cry "lack of funds", just like me... but I
 >think it's a little different when you actually have the ability to create
 >something and don't, just to chince a little more profit out of the deal,
 >than when you actually cannot pull together the means in the first place to
 >get started.

Yeup. There are also private investors/venture capital firms out and about 
that will sit down and listen to you. You need to get a business 
connection, and that's part of what can happen on the show floor at NAMM.

I don't want to move from a soapbox to a NAMM commercial, but ... :) NAMM 
as an organization does welcome folks shopping ideas. A NAMM show isn't 
JUST about looking at all the new blinky lights, there are a ton of folks 
walking the floors looking for help getting ideas to market, just like you are.

Just a thought... :)


Mark

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LOL

that's right.  we must keep the worker bees in line.
maybe this isn't so off topic after all.
|: find new gear. talk about gear. buy gear. :|
multiply.

----- Original Message -----
From: "Tiktok" <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
Sent: Friday, September 15, 2000 10:05 AM
Subject: Gear Dweebs


> >i think the real problem with "gearism" is when
> >creativity is replaced with the process of acquisition
> >or when creativity is postponed while waiting to
> >"complete" a setup.
>
>
> I'm all in favor of people who buy every bit of new gear, even if they
never
> make any music.  They subsidize the rest of us.  If musical equipment
> manufacturers were dependent only on sales to working musicians, the
market
> would be much, much, much smaller.
>
> Travis Hartnett
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 13:07:05 2000
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Subject: Re: Alto Music
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I might also add that Jon was extremely helpful in setting up our group buy
of DL4s last December.

Jon -- sign me up for a repeater!

----- Original Message -----
From: <JHKNICKS@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 14, 2000 5:13 PM
Subject: Alto Music


> Hi-This is Jon from Alto Music.I'm the guy who has delivered several
hundred
> echoplexes to this group.I will see what I can do to arrange a group buy
for
> the Repeater.For anyone wondering I still have loads of Echoplexes on
order
> and plan on honoring all of my prior commitments as well as any new ones
that
> I can.Production on those should ramp back up sometime in the fall-Thats
all
> I know for now.Email-altomusic@altomusic.com
> Thanks
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 13:18:51 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
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Hey Michael and group,

We now have a Forum on our website so we could hold forum discussions and a
live Electrix one at a certain time and date. Go the Electrix site
http://www.electrixpro.com click on "views" then "forum" and you're there.
This could also relieve some of the Repeater "babble" from the rest of the
group.

I like the phone call as well so if you get the interest I'll se what I can
do. 

Best Regards,

Damon Langlois
Creative Director
Electrix / IVL 
"No Creative Barriers"
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com


>-----Original Message-----
>From: Michael Clark [mailto:mcl451@airmail.net]
>Sent: Thursday, September 14, 2000 6:24 PM
>To: Loopers-Delight@loopers-delight.com
>Subject: My Offer To Our Group


>Hi!

>Yes numerous questions about the Repeater.

>Everyone has been very kind in answering my looping/equipment questions -
>here's a way I can return the favor.

>Here's my offer:  I have a bridge line that accommodates 30 people at one
>time, i.e. 30 people can be on the call at once.  It's like a large
>conference call.  No charge other than whatever you pay for LD.  It's a 702
>area code.  You call in at a pre-determined time and join 29 other people.

>I will set up a call with Damon as the representative of the Repeater (if
>he wants to - haven't contacted him) and as many as 28 list members who
>have questions about the product.  I'll moderate the discussion.  The
>discussion/questions will last 1 hour.

>Let me know.  This offer is exclusive to the loopers on this group.

>Michael

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"Dennis W. Leas" wrote:

> ...Once you get the loop out of the box, you can REALLY play with it.  This is
> where MIDI controllers like the PC1600x or alternative one like I-Cube, etc. can
> be used.
>
> Add an ethernet card...maybe loop across the Internet...Italo would have a loop
> going, I'd have a loop going, Mathias would have a loop...I could grab part of
> Italo's loop and part of Mathias'...they could grab the result...Zargon here we
> come!

dennis, you be out there today! head swim now...must rest.

:-)

lance g.

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Alllrighty then. We've got 13 people and counting on the repeater list,
and the majority suggestion is going with Alto Music for the purchase.
Could someone at Alto Music get in contact with me at noah@braincramp.org
so we can work out details?

Once again, mail repeater@braincramp.org to get on the list.

So far:
Phil Erb
Bob Campbell
Stephen Nizyborski
Tri Tran
Neil Goldstein
Javier Miranda
Eric Zang
Jason Fink
Travis Hartnett
Ben Vance
Jim Palmer
Lee Barnes
Jason Martin (possibly 2!)
and, cash willing, me.

woo!

-><-


From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 14:28:52 2000
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Date: Thu, 14 Sep 2000 15:28:45 -0300
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Subject: Re: Repeater and foot control
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Matthias:
>  > When I say time accuracy, I relate to the delay you get on most
>>  switches between touching it and actually closing the contact. Those
>>  you have to press with some foot velocity which then again may
>>  disturb playing.
>>  The Oberheim one is better than many others, but PARADIS still had the
>best...

Jim:
>does the paridis controller have those little plastic buttons?

Paradis starts from italian plastic parts that apparently Roland uses 
for their foot switches, too. But the inside is modified with a disc 
kind of contact.

>i have found the ones on the oberheim to be too finicky.
>i modified a digitech fc300 (though i only get three functions this way)
>and it seems a lot more positive.
>
>i am thinking of making my own full controller for the edp using the
>same buttons as the fc300, but they are kind of expensive.

sorry, I am not aware what the fc300 is...

>i also considered making a bunch of individual footswitches, each with
>one button, one resistor, and a parrallel out so they could be
>daisy-chained.
>this would allow me to (for example) put the record button under my heel
>while playing congas. this could get out of hand, though with all the
>buttons
>and cables causing a big spagetti mess...

this is very helpfull, I think!
I have Overdub on my right big toe, two Paradis switches for Record 
and Multiply on the left foot and some smaller switches for the other 
functions that I use less and are not time critical.

>then again, maybe i should just go with a midi controller?

I plan to operate a PC1600 with the said keys, but time...





          ---> http://Matthias.Grob.org

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Date: Thu, 14 Sep 2000 15:28:45 -0300
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sop@n2mail.com said:

>
>I think it would be good if it could send MIDI messages for "synced 
>recording"    so that you can instantly put exact loops onto a 
>sampler...
>(way more practical than MIDI dump..)   (so start of loop cycle can 
>trigger record start on the sampler , and end of loop cycle can 
>trigger record stop on the sampler (or phrase recorder) ..)
>Can this already be done with the Echoplex very easily ? (or could 
>it with a software upgrade?)
>(or is there a way to do this with anything like from the start and 
>end cycle of a drum machine.. ?)
>

thats a nice point

Since Version 2 we had a MIDI signal going out at the start of every cycle.

To transfer, you would need one each loop. We had planned to include 
that to the upgrade for other use...

would that resolve your problem? Can your sampler understand a simple 
MIDI note beeing played each time the loop starts as start AND stop?

I also thought this note could be helpfull to trigger samples...


          ---> http://Matthias.Grob.org

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Date: Thu, 14 Sep 2000 15:28:45 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Deltalab style infinite repeat?
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>Of course, you can do this with an EDP and a feedback pedal :
>
>Hit record and stop to set the loop lenth, then overdub with the 
>feedback set to less than infinite. When
>you like the groove, you increase the feedback to infinite...done.

there is actually a specific function for this (no need for FB pedal):
Terminate Record with Insert and you get "Rehearse": All you play 
gets repeated once. As soon as you like it, press either Insert again 
too freeze what you last played) or Overdubb (to go on overdubbing).

>
>
>peaceland@earthlink.net on 09/14/2000 10:59:00 AM
>Please respond to Loopers-Delight@loopers-delight.com@SMTP
>To:	Loopers-Delight@loopers-delight.com@SMTP
>cc:
>Subject:	Re: Deltalab style infinite repeat?
>Classification:
>
>At 11:38 AM 9/14/00 -0600, you wrote:
>>On or around 10:40 AM 9/14/00 -0700, James Musser said:
>>>I'm looking for units that allow you to begin a feedback loop... get a nice
>>>groove going... then hit the "infinite button" like on the old deltalabs,
>>>and it just continues to play back whatever was in the loop at that time...
>>
>>Almost any of the 80s rackmount digitals will do just that, from the
>>Digitech RDS series to the Boss DE-200 to some of the Ibanez units I've
>>taken a gander at.
>
>What about the TC2290?
>
>BTW, what do vintage Deltalab units go for these days? I have a 1024 and a
>4096.
>
>Peace
>jam



          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 14:45:24 2000
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hi Italo-

At 7:43 AM -0700 9/15/00, italo de angelis wrote:
> One more difference: Orville has a sampler board with 173 seconds
>memory that can be used for sampling AND/OR delay time.

I understood from eventide that it can only do sampling OR delay/looping.
You can't use both functions at once for the same chunk of audio. So things
you create using the looper interface you can't start triggering as with a
sampler.


>I really think that one of these units linked to a Repeater will be the most
>incredible & rliable looping/sampling and audio mangling station in the
>universe.

hey, you keep telling us you can do everything with Orville! Why would you
need to add a repeater? Can't Orville do all that by itself? :-)

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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>
> At 7:43 AM -0700 9/15/00, italo de angelis wrote:
> > One more difference: Orville has a sampler board with 173 seconds
> >memory that can be used for sampling AND/OR delay time.
>
> I understood from eventide that it can only do sampling OR delay/looping.
> You can't use both functions at once for the same chunk of audio. So
things
> you create using the looper interface you can't start triggering as with a
> sampler.
>

Ok.. I re-read your post.. I thought you were saying it couldn't delay AND
loop at the same time, but you were referring to sampling and looping which
may be true since they are completely different kinds of memory access... I
would still be surprised, but much less so.

Ken


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> I understood from eventide that it can only do sampling OR delay/looping.
> You can't use both functions at once for the same chunk of audio. So
things
> you create using the looper interface you can't start triggering as with a
> sampler.

This has to be untrue.. Even the old H3000 series could use loop memory for
delay memory at will.  I would find it incredible that they decided to do
this in the current model.  Perhaps the loop memory is seperate from the
internal "delay" memory, which is about 13 seconds on a DSP4000 model, but
I'm under the impression this isn't the case.  Eventide has always tried to
ensure the maximum flexibility for audio processing...

Just my $.02, without calling Eventide for answers.


Ken




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> >i have found the ones on the oberheim to be too finicky.
> >i modified a digitech fc300 (though i only get three functions this way)
> >and it seems a lot more positive.
> >
> >i am thinking of making my own full controller for the edp using the
> >same buttons as the fc300, but they are kind of expensive.
> 
> sorry, I am not aware what the fc300 is...

sorry, i looked at it again and it is an fs300.
it came with a digitech dsp128 i bought in the eighties.
it is a small footswitch with three of the
tall metal buttons like bob bradshaw used to use.

they do seem a little too tall, but the tactile feedback
is very positive. 

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>>I understood from eventide that it can only do sampling OR delay/looping.
>>You can't use both functions at once for the same chunk of audio. So
things
>>you create using the looper interface you can't start triggering as with a
>>sampler.
> 
>This has to be untrue.. Even the old H3000 series could use loop memory for
> delay memory at will.  I would find it incredible that they decided to do
> this in the current model.  Perhaps the loop memory is seperate from the
> internal "delay" memory, which is about 13 seconds on a DSP4000 model, but
> I'm under the impression this isn't the case.  Eventide has always tried
to
> ensure the maximum flexibility for audio processing...
> 
> Just my $.02, without calling Eventide for answers.

hmmm???  read what I said again, I think you missed the point. With the
sampler module, you can configure it as a "Sampler" or as a "delay/looper".
But it can't do both things at once on the same bit of audio. So you miss
all sorts of interesting applications combining the two approaches. For
example, using the looping mode of the sampler module to create a variety of
interesting looping grooves on the fly which you then edit and trigger from
a sequencer with the sampler mode functions of the module.

even Scott pointed this out as an architectural limit they have that he
wished they could change.

kim

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Somehow my second post ended up coming through first.. I retracted what I
said but the retraction is before the initial message which is what you
replied to ;)

Ken

>
> hmmm???  read what I said again, I think you missed the point. With the
> sampler module, you can configure it as a "Sampler" or as a
"delay/looper".
> But it can't do both things at once on the same bit of audio. So you miss
> all sorts of interesting applications combining the two approaches. For
> example, using the looping mode of the sampler module to create a variety
of
> interesting looping grooves on the fly which you then edit and trigger
from
> a sequencer with the sampler mode functions of the module.
>
> even Scott pointed this out as an architectural limit they have that he
> wished they could change.
>
> kim
>

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Subject: Re: Deltalab style infinite repeat?
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> There is a DeltaLab page on the LD site. There is a schematic there, and a
> few links that should help you find out more:

Thanks, Kim!

If I'm reading that schematic right, it looks like the "soft" feedback is a
first order RC low-pass filter set at about 1600 Hz?

Dennis Leas
-----------------------------
dennis@mdbs.com


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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
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Hey loopers,
Trying to stay true to some of the comments around here I would like to
request some feedback on a MIDI foot controller for Repeater. I posted a
very quick concept sketch on our site. Just on click
http://www.electrixpro.com/topsecret/remi.gif to view it. 

Please leave any feedback in our Electrix forum to avoid annoying everyone
here. Just go to our site http://www.electrixpro.com and click on "views"
and then "forum". Just leave your comments in "loop based recording"

Best Regards,

Damon Langlois
Creative Director
Electrix / IVL 
"No Creative Barriers"
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 22:11:03 2000
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Kim,

About the Echotron 4096, I will try to take a picture of it and find a good
scanner out there... I can also write a review about it when I'll have 2
minutes.  I've put one on Harmony Central, so maybe you can put a link.

Best,
Christian

From Loopers-Delight-request@loopers-delight.com  Fri Sep 15 23:22:36 2000
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Rainer Straschill wrote:
> 
> Jon,
> 
> Coming back to your Vortex question: I still don't understand what you're
> trying to accomplish. Did I get it right that you want to route your entire
> mix (or most of it) into the vortex, then feed the vortex back into the
> mixer and send the mix plus vortex to the PA or tape? If you want to send
> everything through the vortex, then why don't you use the main inserts?
> 

Let's say I've got synth, vg-8 guitar, bass, drum machine, headrush, and
edp ('cause I do).  Then let's say that I want a mix of only the loopers
going through the vortex while the rest goes through to the amp...or
only drum machine (un looped) and bass (un
looped)...or some other combination that is not the full mix.  Since,
the Vortex prefers to be used as an insert rather than in an fx-loop, I
wanted to have a sub-mix with an insert.


This is what I love about this group:  people on this list will actually
take time out from off-topic discussions to answer questions of a
marginally-on-topic nature.


BTW, speaking of the vortex, mine just started to act up.  Last night I
started noticing that the levels would drop and return intermittently. 
After some investigation, I discovered that if I lightly tapped the side
of the Input pot, I could force it to happen (with a slight crackle) and
if I turned the Input pot I would get a lot of crackle and the levels
vary a lot.  Is this a problem that requires significant work or can any
idiot with a can of compressed air and some wd-40 (that'd be me) fix it?

Cheers,

Jon Southwood

From Loopers-Delight-request@loopers-delight.com  Sat Sep 16 02:39:43 2000
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At 7:18 PM -0700 9/14/00, Gregor Zavcer wrote:
>And yes, something with a financial goal in mind isn't art. somebody who's
>primary goal is to earn money with his "art" isn't an artist nor is his work
>art. It's not wrong if a piece of art gets well paid. The force behind the
>creation counts, IMO. so, computer hackers and freeware coders are artists.
>also those who first got the idea and then started with "marketing".

But Michaelangelo, Frank Lloyd Wright, and William Shakespeare were not
artists. Or so your statement indicates.

Mark


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Subject: R: Eventide4 S.Schreirer
Date: Sat, 16 Sep 2000 10:06:17 +0200
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On 4000 w/o sampler card you can configure a delay line and a loop/delay
line in parallel, with switches to open one or other's inputs or outputs;
control each one volume through cc....
You can not start/stop the loop or have undo functions on it.
That is the limit.
Don't know with Orville and 7000.
Luca



From: Kim Flint
With the
> sampler module, you can configure it as a "Sampler" or as a
"delay/looper".
> But it can't do both things at once on the same bit of audio. So you miss
> all sorts of interesting applications combining the two approaches. For
> example, using the looping mode of the sampler module to create a variety
of
> interesting looping grooves on the fly which you then edit and trigger
from
> a sequencer with the sampler mode functions of the module.
>
> even Scott pointed this out as an architectural limit they have that he
> wished they could change.
>
> kim
>
>

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>From: Kim Flint <kflint@ati.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "'Loopers-Delight@loopers-delight.com'"  
><Loopers-Delight@loopers-delight.com>
>Subject: RE: Eventide4 S.Schreirer
>Date: Fri, 15 Sep 2000 13:05:03 -0700
> >>I understood from eventide that it can only do sampling OR 
>delay/looping.
> >>You can't use both functions at once for the same chunk of audio. >kim
>Ok KIM let me try to show you and all LD people  how an Eventide 
>4000/7000/Orville works:
when you start making a program from scratch, via the on board patch editor 
and display or with the much better, faster and more comfy VSIG on a windows 
PC, you see ONLY input and outputs modules ; they have 2 ins/2outs on 
4000/7000s and 4ins/4outs on Orville. Then you can start importing modules 
from the huge and costantly growing library. This is divided in 3 different 
categories, AUDIO – CONTROL – MATH.
AUDIO : this has the following libraries, Delay modules, Dynamic Modules, 
Filter Modules, Mixer Modules, Pitchshift Modules, Oscillator modules, 
Detector Modules and Reverb Modules. Here you find things likeall pass 
filters, modulation delays, micro delays, reverse delays, samplers, multi 
tap ddl, pitch shifters, diatonic ones,  parametric eqs, harmonics 
extractors, phasers, mono & stereo mixers with up to 100 channels, FIR 
filters, different quality verbs,
white noise generators and oscillators to build any kind of sinth and post 
production noise like storms, airplanes, ambients and you name it… detectors 
that can understand the input notes as pitches (note, frequency, period) and 
its level, useful for incredible dynamic control of events, like starting a 
looped sample only when you hit a C5 and  read it backwards when you play 
F#3 on you gtr or via midi, if you want, or read it at different speeds that 
go from 1% to 400%, 100% being the original speed, or transpose the sample 
without affecting the pitch and way much more.
CONTROL: here you get these libraries, Bridge Modules, Control Process 
Modules, External Modules, Interface Modules, Miscellaneous Mod. These boxes 
, perform many different tasks, they can convert audio into control signals 
or vice versa, changing their sample rates, perform switching, selecting and 
manipulation of control signals, insert external controllers like pedals 
footswitches , midi controllers, midi clock, midi note number etc, they can 
also totally customize the user interface…the way the unit and the display 
look and feel; so users can build screens with different ways of displaying 
parameters, like numeric knobs, text knobs, analog style vertical or 
horizontal faders, knobs, vu meters, numeric and text monitors , menupages 
in which put parameters, graphics on which user can make wavw shapes of 
audio signals generators, control behaviours and tons of other things.Add 
spectrum analyzers, Oscilloscopes even sequencers of  of control or 
modulation signals…check this thing about sequencer : while recording a cd 
at the Rhythmic Music conservatory in Copenhagen , last May…the project was 
the use of advanced signal processing techniques on music, both acoustic & 
electric. We had this beautiful singer, Astrid, that played a nice chord 
progression on the piano…I heard it and said that it would have been even 
nicer if we had a choir singing the chords…so I built this preset in my 
Orville: mono input>digital mic preamp>4band param.eq>sampler>4 voice 
shifter>hi quality verb (better than a Lexi pcm90)> stereo mixer to have 
verb in parallel. Then put an external switch and 4 sequencers with a table 
of 56 steps each: every step was an interval for each shifter, and the 
overall number depended on how many chords were in the progression. So 
astrid sang a root tone, sampled it and started improvising on top of HER 
choir, changing the chords at will, just by pushing a footswitch, with eq, 
verb and levels all under control…real time…and I have to tell you…the tune 
came out simply MERAVIGLIOSO!!! And all this happened in just one of the two 
Orville processors.
Sorry if I’m getting lenghty but wonders deserve words when you have nothing 
better to describe them…back on track.
MATH : libraries include Control Math Mod., Math Mod, things that perform 
mathematics on audio, control and modulation signals, the 3 kind of signals 
users can work on into Eventides. Here you have functions like logical Or, 
logical AND, log. TRUE/FALSE, sontol sine/cosine, freq>pitch converters and 
viceversa, linear to dB converters and vicv, audio gain multiply, bit 
quantizers, log functions, amplitude modulators and other dozens of usefuand 
often rarely user controllable functions in any other unit on the market.
Now if you know how to do it( 1000 presets are a great school to learn it!) 
you can put together boxes out of the 220 resident in the libraries, connect 
them, customize your interface, set up almost unlimited external control, 
working on modulation, control and audio signals like nowhere else…I’m sure 
you’ll agree, Kim.
Now LET’S GET TO LOOPING AND SAMPLING:
4000s have only 10,5 seconds of delay memory, 7000 has 43sec, Orville has 
43sec in dspA, 43 in dspB AND a sampler board with 173 sec at 48KHz/24 bit. 
The same sampler board can be added to 4000 (like a 4500) and to 7000 (…the 
upcoming 7500). When you ad this option you get a few new modules in the 
library, Sampler module and Long delay module, which is a delay line that 
ONLY uses the sampler memory, so it can go up to 173 sec.
Now, when you make a program you can put many modules of the same kind into 
it; for example you can put 6 Longdelay modules into the same program, each 
addressing 25 seconds od memory.
What follows is the memory that delay and sampler modules can address that 
is freely selectable by users:
MODULE               4000 units         7000/Orville
Delay…………………………………..1ms>660ms…………………....1ms>32500ms
Microdelay…………………………….0ms>660ms…………………….0ms>1360ms
Moddelay………………………………0ms>660ms……………………...0ms>10920ms
Reversedelay…………………7000/orville ONLY……..5ms>32500ms
Reverseshifter……………………1ms>660ms……………………1ms>32500ms
Delaysampler…………………………7500/orville ONLY………………5000ms>325000ms
         This module uses delay Memory, not sampler board memory.
Sampler………………………1000ms>173000ms***..……….1000.ms>173000ms
***: 4000s have 2 different optional sampler boards.  One has max delay of 
87 sec, the top other has 173 sec.
By the way, Orville and 7000 manuals and Vsig editor are downloadable at 
www.eventide.com, for those who want to get deeper and fuller knowledge of 
this all.
When you program you can choose how much delay memory you have in each of 
these modules, up to the max allowance of the table and/or how much memory 
others modules have already allocated. Reverbs, pitchshifters and some eqs 
need some of this memory, very little. You can strip 2 or more modules of 
the same (or different) kind to get more audio memory: in the standard 4000 
you’d have to put a 2 ch mixer in front of a line of 10 delays modules, take 
the output of the last one back to input 2 of the mixer to have a feedback 
line, all just to have a simple 6600 ms delay line, with infinite repeat 
(=100%) feedback, controlling input with an ext.pedal…cumbersome!!! this 
shows how mandatory is the sampler board to loop audio on 4000s. 7000s and 
Orville can address memory in the delay/sampling modules.So you can bulid 
programs with different mix and flavours of delayloopers and sampleloopers 
at the same time, with pre and post processing that can be dedicated to 
different lines or common. I wish Eventide would add saving audio to 
external medias like a Zip, a flash card or whatever the computer industry 
is making good and cheap today.
The looping features DO NOT have undo, copy, multiply and other features of 
the Echoplex, even though Scott Gilfix has done nice programs in which you 
can undo and double loop length by using buffer delays.
YES Kim, you cannot do looping and sampling on the same audio chunk, meaning 
that a sampler module does sampling,editing and looping of the sample and a 
delay module does delay style looping…BUT you can put both in the same 
program and get both flavors of power…does it hurt anybody? Like it?
Looping in the Eventides is more delay based style, without access to the 
datas in the memory, as you ,Kim, correctly pointed out; but still extremely 
powerful. The sampler allows time stretch/expansion without pitch change and 
pitchshift without time alterations, all in real time; samples can be edited 
with start and end points, reversed and looped and their parameters  
modulated by anything…imagine a 10 sec.looped sample of an E string, down a 
5th, read at 50% speed with its pitch and readingspeed modulated by pedals, 
midi controllers, a midi sequencer, a drum machine beat or even the pitches 
or dynamics of a guitar player’s touch? Where else and of such a quality in 
a dedicated hardware processor?
I personally did programs with delay loopers and samplers mixed together 
(into the same program), with different memory amounts and dedicated 
pre/post processing…things that before were costing like 3 Orvilles at 
least; think of how many delay, looping, sampling and processing units you 
did need to do a program like these, not counting mixers and cables and 
weight to carry around, different manuals to read and so on…
Now you can do it all at a MUCH lower price, better audio quality 
(24bit/96Khz: the max delay/ looping/sampling times cut in half when you use 
sampling rates higher than 48KHz!!!), save your audio artwork on cd or pc 
for further use, program the unit on a confortable pc with its free VSIG 
editor,  control the unit with any kind/any style of remote box, including 
their new EveNet remote. Plus the factory still produces H3000s, from almost 
15 years!!! Nobody does that in the digital market. This means update 
softwares coming out in the years = units that grow with you. As a former 
H300D/SX and DSP4000 user I would swer by this, considering how bigger and 
more powerful a 7000 or the monster Orville is; but still they make 4000s 
and new software for them, like the Ultrashifter algorithm derived from 
Orville that is a “must hear” real time formant resynthesis tool…no more 
Mickey  Mouse crap out of your instruments, or you can still do that if you 
want. With such a care I wouldn’t be surprised if in some time these units 
will have new softwares that will allow dedicated looping features like an 
Echoplex, Jamman or Repeater, including those 2 millions other features that 
nothing else has.
Kim I said that an Orville and a Repeater , if hopefully the second will  
definitely do what they say on paper, make up the best 
looping/sampling/processing and audio mangling hardware workstation in the 
universe and I swear by this, because:
1) saving audio on cards or recording it on a digital standard media via 
s/pdif and AES/EBU should be mandatory in year 2000.
2) trust a reliable software and hardware should be easy  in year 2000, when 
you’re on stage, improvising and looping in front of people that pay tickets 
to be there ….I’m a musician that does live and studio work, being the first 
very inner resources demanding, especially when you use these toys.
3) see a product come to life and growing with updates that implement new 
and exciting functions, killing old bugs and keeping the box up to the 
users’ demands , dropping prices even if this means totally changing the 
unit from almost scratch…
All this and more I don’t see from Gibson!!! And believe me, I have nothing 
personal with you! I think you did a wonderful job with Eds and still doing 
it, including keeping this awesome place open on the Net. You are an 
invaluable human and tech resource to any interested human looper cat, but 
you have to agrre that in 10 years companies have been doing incredible 
boxes and cheaper than before…isn’t it time to update old boxes a bit?
What about a super ED with some more features? I know it’s hard to have 
companies listening to you and us but still the question remains. Last 
November i’ve been again in Denmark for a factory tour at TC Electronic, you 
know them for sure! When I asked them about having more delay memory in a 
G-Force or a Fireworx to do looping, you know what was their dumb answer? 
“We don’t see why people would need that! We still make the outstanding 
TC2290 that can go up to 64 sec!”…yes…blah blah blah for almost the price 
tag of an Orville you get a miserable mono delay line with impossible to 
find memory to reach max power!!! We already know this crap. Right?
Don’t misunderstand me…I’m honest…when I write a product rewievs on “AXE”, 
here in Italy, I will say that a product sucks just because it sucks, man! 
And I payed for all my equipment!!! No sponsors, no endorsements no fucking 
help!!! Damon, you’d better to put out something good…we’re all waiting for 
it and sure we know what we need for the money we pay!!!
Sorry to have been this long and probably boring but maybe this could be 
useful to somebody…
My best regards to Kim (no fight, sorry for my old posting) and to everybody 
here on Loopers Delight….ITALO



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From Loopers-Delight-request@loopers-delight.com  Sat Sep 16 12:01:02 2000
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Hi Loop People!
Just finished Italo's paen to Orville, and some thoughts are starting to
form.  I have struggled with integrating technology into my live
performances for quite a while, and I can appreciate what he says about
unreliable stuff--let's face it, it only has to fail once in front of an
audience to be untrustworthy.  I think that there is a way to go on from
equipment failure, however, altho it pays to have redundant systems in place
for just such an occasion.
The complexity which is part of having tremendous control can make being
graceful under fire much more difficult.  It's nice to have an interface
that you don't have to think too much about since the brain get confused.
It's all about control.
Perhaps we can agree that great music can be achieved with outdated tools if
the vision is intact and the control is in place.  I believe that my
performance past is littered with huge amounts of time programming and
learning to use tools which were subsequently discarded in favor of the
latest technology.
So what's my point?  Before you buy that new box, make sure of what your
needs are and that the requirements of the new item won't distract you from
your ultimate goal of getting chicks (uh, I mean expressing yourself).  I
just wonder if the Orville is easier to program than it sounds.  I also
wonder about Kyma.  The Echoplex may have  hidden functions of which I am
not aware yet, but its appearance is very straightforward and it took very
little time to get comfortable with the interface.
Perhaps my point is that I am waiting for the arrival of a doubleneck Starr
Labs controller ( http://www.starrlabs.com/specials.html ) with which to
control the EDP.  Has anyone had any success triggering and controlling
loops from such an instrument?
And I am curious--Italo, any recordings of you and the Orville available
online?
Gary

From Loopers-Delight-request@loopers-delight.com  Sat Sep 16 12:44:01 2000
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From: "italo de angelis" <italoop@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Learning To Use Your New Box
Date: Sat, 16 Sep 2000 18:42:20 CEST
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>From: "Gary Lehmann" <relayonemanband@cts.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Learning To Use Your New Box
>Date: Sat, 16 Sep 2000 08:58:41 -0700
>
>And I am curious--Italo, any recordings of you and the Orville available
>online?
>Gary
>
Hello Gary, I'm sorry but the cds are only self-distributed (...by me...) so 
guess what?
nice considerations in your posting...ciao italo

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From Loopers-Delight-request@loopers-delight.com  Sat Sep 16 12:54:09 2000
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Date: Sun, 17 Sep 2000 01:52:39 +0900
To: Loopers-Delight@loopers-delight.com
From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: loopin' web radio idea
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Hi Loopers,

Today I did trial run my real audio based virtual radio station broadcast.
http://www.cavestudio.com/live_from_far_east/radio_cave/
or some details of my webcast:
http://www.cavestudio.com/live_from_far_east/


I have a idea,
24hours (1day running.) streaming for 1 artist from my server.
for example, every Sunday playing music for 24 hours,total 4 artists per 
months.
It playing by CD or CDR repeat play. it will loopin' about 12times..

I would like to offer for public subscription,
any suggestions?
someone have good idea for this project?

   Regards

  Sunao Inami
http://www.cavestudio.com


From Loopers-Delight-request@loopers-delight.com  Sat Sep 16 13:10:06 2000
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Date: Fri, 15 Sep 2000 14:11:14 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Gear Dweebs
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>  >i think the real problem with "gearism" is when
>>creativity is replaced with the process of acquisition
>>or when creativity is postponed while waiting to
>>"complete" a setup.
>
>
>I'm all in favor of people who buy every bit of new gear, even if they never
>make any music.  They subsidize the rest of us.  If musical equipment
>manufacturers were dependent only on sales to working musicians, the market
>would be much, much, much smaller.
>
>Travis Hartnett

True.
But there is another side: Through popularization, tools that do not 
really serve for a working musician may override serious products on 
the market. Suddenly shops are full of guitars out of overpainted 
irregular woods and sell and more expensive instruments have no space 
and serious enterprises die. Maybe more even so on the synth market 
where cheap instruments with bad sounding converters killed 
enterprises like Fairlight, Sequencial Cirquits and Oberheim (the 
original one).

MIDI is another example: Sequencial Cirquits defined the connector to 
be either a XLR or the DIN we have now. Working musicians probably 
would love to pay a few bucks more for a solid XLR, but it did not 
make it.

It does not really help me that there are guitars for under 300 US$. 
I use the same one guitar for 12 years and can use it another long 
time, and since its fundamental to me I dont mind so much how much it 
costs. I spend much more in car and rent anyway.
The same goes for a Lexicon Reverb ;-)

I may be totally wrong.


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sat Sep 16 13:10:15 2000
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Date: Fri, 15 Sep 2000 14:11:31 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Xfade vs. zeroX / HW vs SW  (was: dream box)
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>  >>I think both Kyma and MAX/MSP provide solutions.  This is cool!
>  >>[Sometimes I feel that, if I'm into this "looper religion" thing, 
>then Kyma is like my denomination. :)  That makes the MAX/MSP folks 
>(and Orville users, etc.) like a different denomination; same 
>religion, they just use different words to mean about the same 
>thing!]
>
>>please let me be member of such denomination!
>
>I always thought you were one of the founders!  One of the "fathers of the
>revolution"!!!  Viva la Loop!!!!!!  :)

hmm, I hope it will not turn into revolution, but a peacefull evolution. :-)
I contributed with the currage to launch the first dedicated loop unit.
But looping has a much longer story.
So as I undertood your picture, I am the father of the EDP denomination.
And I feel that this dificults my participation / contribution in the 
others, just like in real religions: If you are strong in one tribe 
the members of the others keep distance.
The SW looper specialists may fear that I grab all ideas while in 
fact the oposit is happening lately!

>  >Doesnt the audibility depend on the sound material?
>>Roughly: For percussive sound, the zero crossing is great but for sustained
>  >sound, cross fade is necessary, otherwhise you hear a new attack which can
>  >be about as annoying as a click.
>  >In a future HW solution such fades will be available and probably 
>controllable.
>>The sound material could be analyzed to define characteristic.
>
>Interesting...
>Yes, I think the audibility depends on the sound material, but I 
>would say just
>the opposite!  I.e., I'd use zeroX for sustained sounds.  Here's my 
>experience:
>I wrote a zero-crossing adjuster for Kyma recently.  To test it, I created a
>short loop by humming a continuous tone into the mic and punching 
>in/out.  Sure
>enough, I heard a click at the loop point.  After being 
>zero-adjusted, the click
>completely disappeared.  But perhaps with other sounds, the zeroX would leave
>artifacts.

shure, the click goes away, but couldnt you hear some bump, like as 
if an new such hum tone would start? I had that a lot when editing 
sound files on the Mac.
The only way to get rid of it is a slow Xfade.
The savest place to cut is an attack. I started cutting tape: Roll 
backwards and forewards until you locate the beginning of a note and 
cut there. Shure, the diagonal tape splice also corresponds to a 
cross fade...

So instead of searching for a zero-crossing, you may search for an 
attack. Usually the musician starts a loop with a new note :-)
Cutting at the last zero cross before the attack, you probably dont 
have to care about the end point, because the click will be 
overrolled by the attack, right?

If there is no attack, we need a Xfade, and it can be a long one.

>My zero-crossing adjuster alters the loop length, even if by only a 
>tiny amount.
>It advances the start point and retreats the end point until a zero-crossing
>splice is achieved (with the same signal slope on each side).  The nice thing
>about Xfade is that the loop length can remain EXACTLY the same.  In thinking
>about Alex's original question some more, I think maybe a cross-fade for the
>sub-loop to eliminate clicks but trim the new material with a zero-crossing
>adjustment.

In the worst case, you have to go back almost a phase of say a 33Hz 
note, which is 30ms. If it happens on both ends, its 60... couldnt 
you correct backwards on both ends, so you can do it in real time and 
the error would subtract instead of adding?
With the attack method, you have to correct more, maybe, but usually 
only the entry point. The original loop length can stay untouched, 
unless there is exactly another attack at the end, which is quite 
likely. But in this case you can move the end point to the attack and 
hope that its played more acurately than the musicians foot action, 
so you actually improve loop length.

Ask IVL, they must know a lot about this stuff!


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Sat Sep 16 13:27:26 2000
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From: "italo de angelis" <italoop@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Orville's sampler module manual
Date: Sat, 16 Sep 2000 19:25:25 CEST
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Somebody might find this interesting or maybe useful
enjoy        italo
SAMPLER                                GROUP: DELAY
Audio Recorder rec
The module is capable of recording and playing mono or stereo samples with 
varying pitch and time scale. Up to 16 sound samples may be stored in
memory so that various drum hits or vocal takes can be easily accessed. You 
can loop a sample, step through multiple samples on successive triggers,
and trigger the sample from audio.
Presets using this module may only run on DSP A on Orville.
Audio recording:
To begin recording, trigger the record input. Recording will begin 
immediately and will continue until stop is triggered or all memory is used 
up.
Another way to begin record is to trigger the triggered record. Recording 
will start when audio exceeds record threshold. There is a pre-trigger 
capture,
causing a small section of audio preceding the trigger event to be recorded. 
For each new recording, the audio is stored into a new sample location.
This can be done until all the available memory is used up.
Audio Playback:
A trigger to play causes the current sample to be played until the stop or 
pause inputs are triggered or the stop time is reached. You can have an 
audio
signal trigger the playback by triggering triggered play.
The particular sample to be played back is controlled by the play select 
control. After recording, this control will be automatically set to the new
sample. If a new play trigger is received while the current sample is 
playing, the new sample will begin playing immediately. The old sample will
continue playing for the length of time set in the overlap control. By 
changing the nextplaymode setting, the playback can step through consecutive
samples. The samples to be stepped through are controlled by the playmin and 
playmax controls. If looping is set to enabled, the sample will
automatically repeat, and the end of the sample will be crossfaded to the 
beginning.
Editing:
Change start and stop to single out what part of the sample you want. If 
start is after stop the sample will be played in reverse. When adjusting, 
you
have a choice of either a tape recorder scrub emulation, or pitchscrub mode 
where the sound at the point will be played looped. Fadein and fadeout
allow you to adjust how the sound is turned off and on. Use pitchamt to 
adjust the pitch of the sample and timeamt to adjust how fast the sample is
played back.
Saving Samples:
To save the recorded data, simply set save audio to yes and then save the 
current program as a preset from the PROGRAM menus.. This means that
your preset can be quite large and may exceed the available PROGRAM memory 
space. To exclude the sound data from being saved, press clear
before saving the preset, deleting the audio, or set save audio to no 
(default). To recall a saved sample, load the sampler preset with which the 
sample
was saved.
The sound data will remain in memory even after you go to other presets 
unless a preset uses the memory. If you load a sampler preset that was saved
without sound data, that preset will use the sound data (if any) that is 
found in memory.
Special parameters:
A number of control signals can be altered by the sampler itself. This can 
cause confusion if you connect a KNOB to the control signal input. You can
turn the knob, but the value the sampler uses is something else. These 
control signals have associated userobjects which can be attached to your
menupages. There are also associated control signal outputs to let you know 
what the real value is. The inputs should only be used for special effects
where you must change the value from the outside.
Certain parameters are stored with each sample. When you change a sample, 
these parameters will change. In addition, when you load an empty
sampler preset, these parameters are updated from the sample in memory. The 
information stored with a sample is: start time, stop time, fade in time,
fade out time, overlap, loop xfade time, record mode, sample rate, pitch 
amount, pitch mod amount, time amount, time mod amount, and delay range.
signal min max description
Specifiers:
maxtime 1 720 seconds. Specifies the maximum delay desired for this module. 
This may not be what you
get, depending on how big a sampler card is present. The output totaltime 
can tell you how
much time you actually got.
Audio inputs:
recinl left record input
recinr right recorder inputs
Audio outputs:
recoutl left channel monitor of what is being recorded. This output is 
enabled only during recording
recoutr right channel monitor of what is being recorded. This output is 
enabled only during recording
playoutl The left channel output of sample being played. These outputs are 
only enabled during playback.
playoutr The right channel output of sample being played. These outputs are 
only enabled during playback.
playmonl A mix of the recording monitor and the playback, left channel.
playmonr A mix of the recording monitor and the playback, right channel
Mod inputs:
rectrigger The presence of audio on this input can cause the sampler to 
begin to record. You must arm this function by
triggering trigrec. Triggering stop will cancel.
playtrigger The presence of audio on this input can cause the sampler to 
begin play. To arm this operation, you must
trigger trigplay. Triggering stop will bring you back to normal.
pitchmod Input for dynamically changing the playback pitch. The control 
signal pitchmodamt controls how
much pitchmod affects the pitch.
timemod Input for dynamically changing the playback time. The control signal 
timemodamt controls how much
timemod affects the pitch.
Mod outputs:
playouttime Sweeps from 0 to 1 as the sample is played. This is guaranteed 
to be zero for at least 1 mod sample before
playback even when playing samples next to each other. You can use this as a 
mark of the beginning of a
playback.
samp Which sample is being played at this moment. The value is determined by 
taking the sample number,
subtracting one, and dividing by 100. For example, sample number 3 is .03. 
Sample number 1 is the first.
This output can be used to redirect the output of the sampler so different 
sounds can be modified by different
effects. A value of 0 means that no samples are stored in memory.
signal min max description
Control inputs:
play 0 1 A zero to one transition causes the sample to be played out. This 
is a trigger type control
signal input.
trigplay 0 1 A control signal trigger causes the playtrigger input to be 
active.
stop 0 1 A control signal trigger causes the sampler to stop whatever it is 
doing. This includes
recording and playing.
pause 0 1 A control signal trigger causes the sampler to pause wherever it 
is during the playback. A
trigger one play causes the sample to be played from where it’s left off.
record 0 1 A control signal trigger causes the sampler to begin recording.
trigrec 0 1 A control signal trigger causes the rectrigger input to be 
active.
clear 0 1 A control signal trigger causes the sampler to remove the 
currently selected sample.
clearall 0 1 A control signal trigger causes the sampler to clear the entire 
memory. This will remove all
samples
recordmode 0 1 Selects whether the next sample recorded will be in stereo or 
mono. 0 for mono, 1 for stereo.
loopmode 0 1 Selects whether the sample loop around when done playing. The 
sample will start playing
after being triggered and will loop until stop is pressed. 0 for disabled, 1 
for enabled.
editmode 0 2 Selects how the sampler helps the user when the start and stop 
points are being adjusted.
0 - none. No help.
1 - pitchscrub. Plays the sound at the point.
2 - tapescrub. Mimics tape across heads as you jog the reels.
recthresh -100 0 dB. The threshold at which the signal level at trigrec 
should be for the sampler to start
recording.
pretrigtime 0 5 How much should be recorded before the command to record is 
triggered.
playthresh -100 0 dB. The threshold at which the signal level at trigplay 
should be for the sampler to start
playing.
playhyst 0 20 After the signal at trigplay has started playing back, the 
sampler needs to know when to
trigger again. The signal at trigplay has to reach playhyst lower than 
playthresh before the
sampler is armed for another play trigger.
playselect 0 num of samples. Selects which stored sample will be played. 
This control input will change an
internal value which can also be changed by the sampler. A control output of 
the internal
value is available. For simplicity, use the select userobject.
nextplay After a sample is played, does the sampler stay at the same sample 
(simple) or go to another
sample (rotate)? Each sample has a number. Rotate will go to the next 
highest number
unless the next number is larger than playmax. In that case, the next sample 
will be at
playmin.
playmin 0 249 The sample at the bottom of the list of rotated samples.
playmax 0 249 The sample at the top of the list of rotated samples. This 
number can be larger than the
number of samples in which case the real playmax is the top of the list.
starttime 0 maxtime seconds. Where in the sample we start playing. This is 
in seconds and zero is at pretrigtime
before recording started. The internal value can be changed. It is set to 
zero each time a
new sample is recorded. This value is saved with the sample so if you change 
the current
sample, this value will revert to the saved value. A userobject and a 
current value output are
available.
stoptime 0 maxtime seconds. Where in the sample we stop playing. This is in 
seconds and the internal value can
be changed. If you adjust above the actual sample length, the value is 
brought back. It is set
to the end of the sample each time a new sample is recorded. This value is 
saved with the
sample so if you change the current sample, this value will revert to the 
saved value. A
userobject and a current value output are available.
pitchamt -4800 2400 cents. The amount the sample is pitch shifted. This is 
in cents and the internal value can be
changed. This value is saved with the sample so if you change the current 
sample, this value
will revert to the saved value. If the sample was recorded at a sample rate 
that is different
from the current sample rate, the range will be limited. A userobject and a 
current value
output are available.
pitchmodamt -4800 2400 cents. The amount the sample is pitch shifted when 
pitchmod is at 1 is added to pitchamt.
This value is saved with the sample so if you change the current sample, 
this value will
revert to the saved value. A userobject and a current value output are 
available.
timeamt 0 4 The amount the sample is time stretched. A 1 will play the 
sample at normal rate. A 2 will
be twice as fast. A .5 will be twice as slow. Zero will stop the playing. 
The autoknob for this
actually shows a percentage. This value is saved with the sample so if you 
change the
current sample, this value will revert to the saved value. If the sample was 
recorded at a
sample rate that is different from the current sample rate, the range will 
be limited. A
userobject and a current value output are available.
pitchmodamt -1 1 The amount the sample is time stretched when timemod is at 
1 added to timeamt. The
autoknob will show a percentage of time stretching. This value is saved with 
the sample so
if you change the current sample, this value will revert to the saved value. 
A userobject and
a current value output are available.
fadeintime 0 1000 milliseconds. When the sample is started, the output is 
turned on slowly. This parameter
governs how long it takes to fade in the sample. This value is saved with 
the sample so if
you change the current sample, this value will revert to the saved value. A 
userobject and a
current value output is available.
fadeouttime 0 1000 Just before the sample stops, the output is turned off 
slowly. This parameter governs how
long it takes to fade out the sample. This value is saved with the sample so 
if you change the
current sample, this value will revert to the saved value. A userobject and 
a current value
output is available.
loopxfade 0 1000 milliseconds. In loop mode, the end of the sample is faded 
out while the beginning of the
sample is faded in. This parameter governs how long it takes to perform the 
crossfade. This
value is saved with the sample a userobject and a current value output is 
available.
overlaptime 0 1000 When a sample is to be played while another is still 
playing, There is a point where both
samples are playing at the same time. This parameter governs how much the 
sample will
overlap. This value is saved with the sample and a userobject and a current 
value output is
available.
delayrange 10 71 milliseconds. This is usually an expert parameter where it 
helps to know what type of
material you want to shift or stretch. A long delayrange is good for low 
notes, chords, and
program material but can be choppy. Decreasing delayrange will smooth the 
playback if
you have a single note source but can get glitchy if it’s too small. This 
value is saved with
the sample and a userobject and a current value output is available.
saveMode 0 1 Determines whether recorded audio is saved when a preset is 
saved. Set to 1 to save, 0 to not
save (default).
Control outputs
Currentmode What mode the sampler is current in. This is an integer number 
representing:
0 - stop: The sampler is stopping the sample.
1 - pause: Paused in the middle of playing a sample.
2 - fill: The sampler is busy.
3 - ready: Ready and waiting to do something
4 - play: Playing a sample.
5 - decay: The end of the sample is being ramped down.
6 - trigready: Waiting for an audio trigger.
7 - trigplay: Playing a sample that was triggered.
8 - trigdecay: Ending a sample that was triggered.
9 - record: Recording a sample.
10 - recordinit: Getting ready to record.
11 - trigrecord: Recording a sample that was triggered.
12 - trigrecordinit: Getting ready to record triggered.
13 - trigfill: The sampler is busy.
14 - pscrubinit: Getting ready to pitch scrub.
15 - tscrubinit: Getting ready to tape scrub.
16 - pitchscrub: Finding endpoint in pitchscrub mode.
17 - tapescrub: Finding endpoint in tapescrub mode.
18 - recorddone: Finished recording, tying up loose ends.
19 - file I/O 1: Internal sampler mode.
20 - file I/O 2: Internal sampler mode.
21 - file I/O 3: Internal sampler mode.
22 - file I/O 4: Internal sampler mode.
23 - initialize1: Internal sampler mode.
24 - initialize2: Internal sampler mode.
25 - initialize3: Internal sampler mode.
26 - initialize4: Internal sampler mode.
27 - null: The sampler is doing nothing at all.
Currenttime The current position in the sample in seconds. The sample 
beginning is at 0.0 and is the first recorded
moment. This is at the pretrigtime.
Currentsample The current sample being played. If no samples are in memory, 
this is zero.
Recordrate What the sample rate was when the current sample was recorded. 
This is in kilohertz.
playmode How was the sample recorded: 0 mono, 1 stereo
numbersamples Current number of samples in memory.
processstatus This is an indicator of where the analyzer is at in the 
sample. Before a sample can be played back, the sample
needs to be analyzed. This happens while recording and is usually done when 
recording is finished.
However, there may be some modules that may slow down the analysis process. 
This output is provided to
inform the user this is happening. This value is in seconds.
endtime How large the current sample is in seconds.
totaltime The total time available to the sampler. This will depend on the 
size of the big memory card. Maxtime will
ask for an amount of time, where totaltime tells you how much you actually 
have.
playselect_out Current value of playselect
starttime_out Current value of starttime
stoptime_out Current value of stoptime
pitchamt_out Current value of pitchamt
pitchmodamt_out Current value of pitchmodamt
timeamt_out Current value of timeamt
timemodamt_out Current value of timemodamt
fadein_out Current value of fadein
fadeout_out Current value of fadeout
loopxfade_out Current value of loopxfadeout
overlap_out Current value of overlapout
Userobjects
obj All of the parameters arranged in menupages.
start The starttime knob.
rec The record trigger
ply The play trigger
stp The stop trigger
stop The stoptime knob.
select The playselect knob.
pitch The pitchamt knob.
pitchmod The pitchmodamt knob.
time The timeamt knob.
timemod The timemodamt knob.
fadein The fadeinttime knob.
fadeout The fadeouttime knob.
xfade The loopxfade knob.
overlap The overlaptime knob.
Order
SAMPLER, modulename, maxtime, recinl, recinr, rectrigger, playtrigger, 
pitchmod, timemod, play, trigplay, stop, pause, record, trigrec, clear,
clearall, recordmode, loopmode, editmode, recthresh, pretrigtime, 
playthresh, playhyst, playselect, nextplay, playmin, playmax, saveMode,
starttime, stoptime, pitchamt, pitchmodamt, timeamt, timemodamt, fadeintime, 
fadeouttime, loopxfade, overlaptime, delayrange
HARMONIZER ® MODULES
Modules Manual Page 82 of 97 Release 1.3



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From Loopers-Delight-request@loopers-delight.com  Sat Sep 16 14:03:16 2000
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From: landman@wco.com (Mark Landman)
Subject: Repeater Track Length Workaround
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Some of us were recently bemoaning the fact Repeater's 4 tracks are all the
same length, compared to being able to switch between different length
loops on the good ol' EDP. Personally it doesn't strike me as a big
problem, but something occurred to me...

I notice Repeater holds lots of loops on it's memory card, and this memory
card is the main memory (besides a 8 meg RAM "buffer").

Depending how quickly Repeater is able to switch loops, you should be able
to switch to different length loops on the fly, allowing us to mimic the
multiple loop set-up on the EDP, with the addition of 4 separate tracks,
pitch change, scrubbing, mixing, etc. And since everything is under MIDI
control, you could sequence this...

How about it, Damon? Can Repeater switch loops quickly enough to do this?

On the same subject, I'd like to suggest this loop switching work the way
Electribe pattern switching does (yeah, I love them electribes...), that if
a loop is running, the change to the new selected loop doesn't occur until
the end of the currently running loop. If the loop is "stopped" (I guess
muted actually), the change happens asap.

Mark





From Loopers-Delight-request@loopers-delight.com  Sat Sep 16 16:24:08 2000
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From: jim palmer <jimp@pobox.com>
Subject: Re: Repeater Track Length Workaround
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> Some of us were recently bemoaning the fact Repeater's 4 tracks are all
the
> same length, compared to being able to switch between different length
> loops on the good ol' EDP. Personally it doesn't strike me as a big
> problem, but something occurred to me...
>
> I notice Repeater holds lots of loops on it's memory card, and this memory
> card is the main memory (besides a 8 meg RAM "buffer").
>
> Depending how quickly Repeater is able to switch loops, you should be able
> to switch to different length loops on the fly, allowing us to mimic the
> multiple loop set-up on the EDP, with the addition of 4 separate tracks,
> pitch change, scrubbing, mixing, etc. And since everything is under MIDI
> control, you could sequence this...

that's what i was pointing out earlier.
but what i was hoping for was simultaeously playing loops of different
length
right now you nead an edp for each loop to do this
and setting up the ratios seems a bit wierd to me (haven't done it myself,
yet)

From Loopers-Delight-request@loopers-delight.com  Sat Sep 16 18:44:04 2000
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Subject: Repeater Sound Samples
Date: Sat, 16 Sep 2000 15:44:02 -0700
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Hi all,

I know the Repeater folks are on here, so I have a suggestion for them...

I'm sure you've built a prototype or two of the Repeater, so presumably you
have a working device.

Why don't you make some sound demos and put them up on the web site? Not
only would this solidify the purchases of many who are thinking of buying,
but I also think it help corral new purchases for you too. In short, a great
idea.

Question is: will you do this? And, if so, when?

Kevin

P.S. If there are sound samples up, could someone share the URL?

From Loopers-Delight-request@loopers-delight.com  Sat Sep 16 20:55:54 2000
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At 1:35 PM -0700 9/15/00, Dennis W. Leas wrote:
>> There is a DeltaLab page on the LD site. There is a schematic there, and a
>> few links that should help you find out more:
>
>Thanks, Kim!
>
>If I'm reading that schematic right, it looks like the "soft" feedback is a
>first order RC low-pass filter set at about 1600 Hz?
>

looks like it, yep. interestingly, the "hard" feedback also has a low-pass,
with a cutoff at 7.2KHz.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Sep 17 01:22:03 2000
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Subject: Live looping sighting
Date: Sun, 17 Sep 2000 01:20:12 EDT
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I just got back from a concert featuring:

Hariprasad Chauraisa - bansuri (Indian bamboo flute)
Egberto Gismonti - piano, 10- and 14-string guitars
Vijay Ghate - tabla
Siva Mani - assorted percussion

First up was the trio of Chauraisa, Ghate, and Mani performing Indian 
classical music.  Chauraisa chose a raag that is common to both North and 
South Indian traditions, with Ghate coming from the North and Mani from the 
South.  Mani's setup looks a lot like Trilok Gurtu's and uses a lot of the 
same instruments that Gurtu is known for (Gurtu's snare drum designed to sit 
on the floor, Gurtu's tom set mounted in a somewhat triangular frame, 
Gurtu's spring drums for sound effects, a bucket of water for dipping a 
gong, etc).  It could be that like Gurtu, he prefers to play sitting on a 
rug instead of on a drum throne.  However, he also uses other percussion 
instruments such as a monstrous bass drum and an udu.  I don't know much 
about his background, but I got the impression he has training in Indian 
classical music - he was always right in sync with Ghate and Chauraisa even 
through all the precisely timed stops and starts and intricate rhythms that 
Indian classical is known for.  He made his unique array of instruments fit 
into the classical context.

Then Gismonti did a solo set.

Then the four played together.  They were really having a lot of fun, which 
showed in the interplay, particularly with lots of call-response between 
bansuri and piano and between tabla and multi-percussion.

Now for the looping part.  Towards the end of the show, Mani was given the 
green light to cut loose with an impresive display of humor-laced theatrics 
and sheer virtuosic musicianship.  There were several places during his solo 
that he looped a phrase and played on top of it.

I understand these guys are touring.  They're definitely worth seeing live.

Paolo
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From Loopers-Delight-request@loopers-delight.com  Sun Sep 17 01:45:40 2000
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Subject: Another live looping experience
Date: Sun, 17 Sep 2000 01:44:27 EDT
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Have any of you heard of HIM?
Yes "HIM"
Wonderful jazz based band, from Chicago I think.
Anyway-way cool stuff.
Check em out if they come to a town near you.
They came to Detroit last night with Isotope 217.
They are not to be missed!

Pete.

*@*@*Always have fun, especially if it pisses someone off!*@*@*

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From Loopers-Delight-request@loopers-delight.com  Sun Sep 17 04:17:37 2000
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Date: Sun, 17 Sep 2000 17:15:26 +0900
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From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: Re: loopin' web radio idea +
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Hi,

I extend my idea..
It use 2 sounds(2 CDs) by different artists.
The artists send textures, fragmented sounds,drone etc,
And 2 sounds(2 CDs) mixing for Realaudio broadcast.
It will be make good sounds by a chance factor..
Also 2CDs are repeat playing per each by different loop points(different 
repeat time. for exsample, one is 60min, another one is 46min), Then the 
sounds is not repeat same sounds, it always changing..
And 2CDs looping in 24 hours on Realaudio broadcast for worldwide.

It Internet loopy session by chance.
I want to hear someone interest about it..

  Sunao

>
>
>Today I did trial run my real audio based virtual radio station broadcast.
>http://www.cavestudio.com/live_from_far_east/radio_cave/
>or some details of my webcast:
>http://www.cavestudio.com/live_from_far_east/
>
>
>I have a idea,
>24hours (1day running.) streaming for 1 artist from my server.
>for example, every Sunday playing music for 24 hours,total 4 artists per 
>months.
>It playing by CD or CDR repeat play. it will loopin' about 12times..
>
>I would like to offer for public subscription,
>any suggestions?
>someone have good idea for this project?
>
>  Regards
>
> Sunao Inami
>http://www.cavestudio.com



From Loopers-Delight-request@loopers-delight.com  Sun Sep 17 04:22:44 2000
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Sounds intersting. Where did you see this?

Gareth

> I just got back from a concert featuring:
> 
> Hariprasad Chauraisa - bansuri (Indian bamboo flute)
> Egberto Gismonti - piano, 10- and 14-string guitars
> Vijay Ghate - tabla
> Siva Mani - assorted percussion


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whiteoakstudios wrote:

> Sounds intersting. Where did you see this?
>
> Gareth
>
> > I just got back from a concert featuring:
> >
> > Hariprasad Chauraisa - bansuri (Indian bamboo flute)
> > Egberto Gismonti - piano, 10- and 14-string guitars
> > Vijay Ghate - tabla
> > Siva Mani - assorted percussion

i second that. haven't heard anything very recent from gismonte, but
have fond memories of some of his earlier work. love to catch all of
these guys live...

lance g.

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Hey folks:

Here's the Gismonti/Chaurasia tour itinerary, from a post on
rec.music.indian.classical:

"Music Without Boundaries 2000"

A Grand U.S. Concert Tour
Featuring The Inimitable
Pandit Hari Prasad Chaurasia (bansuri)
Egberto Gismonti (guitar & piano)
Siva Mani - Percussion
Vijay Ghate - Tabla

U. S. Tour Dates: September 8, 2000 - October 8, 2000

Sep. 8 - Portland, OR

Sep. 9 - San Francisco CA

Sep. 15 - Edison, NJ

Sep. 16 - Tampa, FL

Sep. 22 - Detroit, MI

Sep. 23 - Chicago, IL

Sep. 24 - Houston, TX

Sep. 26 - Storrs, CT

Oct. 1 - Kansas City, MO

http://www.ebolla.com/ebolla/shopping/raag/index.html

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Subject: EMUSIC Playlist #182
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[ Best viewed with a fixed spacing font. ]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #182                    September 14, 2000.

On this show, I continued the month-long focus on the E-Live 2000 festival.  The
feature CD at Midnight was "Energy" by Elektronische Maschine.

I also played the music of Dweller at the Threshold and Synthetic Block who
will be performing at the next Gathering.

E-Live 2000        http://wdiyfm.org/emusic/playlists/2000/focus00.html#sep
The Gathering    http://wdiyfm.org/emusic/events.html


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Lambert                 Light Sky                Essential (Spheric Music)
Synthetic Block         Arc                      The Opposite of Staring Into
                                                 Space (Ironing Board
Recordings)
Dweller at the          No Boundary Conditions   No Boundary Conditions (Eurock)
  Threshold              o Invisible Geometries
                         o Event Horizon
                         o Over a Fractal Landscape
ARC                     Radio Sputnik            Radio Sputnik (DiN)
Kubesschnitt            Ra                       The Cube (Neu Harmony)
Steve Roach             Midnight Look            Midnight Moon (Projekt)

12:00 am
Elektronische Maschine  Energy                   Energy (none)
Elektronische Maschine  Power/Machine            Energy (none)
Elektronische Maschine  Analog/Digital (dance)   Energy (none)
Elektronische Maschine  Retrospection            Energy (none)
Elektronische Maschine  Tanzen Mit Computer      Energy (none)
Elektronische Maschine  Dance Floor              Energy (none)
Elektronische Maschine  Elek-Tec                 Energy (none)
Elektronische Maschine  E-Motion                 Energy (none)
Elektronische Maschine  Analog/Digital           Energy (none)
Elektronische Maschine  The Seduction            Energy (none)
Elektronische Maschine  Dance 86 (remix)         Energy (none)
Elektronische Maschine  Hypnosis                 Energy (none)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll continue the month-long focus on the the E-Live 2000
festival in Veldhoven, the Netherlands.  The feature CD at midnight will be
"Pointless Reminder" by Free System Projekt (Marcel Engels).

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Personal site: http://www.users.fast.net/~billfox

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Subject: Re: loopin' web radio idea +
Date: Sun, 17 Sep 2000 11:03:06 -0400
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That sounds like an interesting idea.  Seems that something creative could
be done.

Mike

----- Original Message -----
From: "Sunao Inami" <cave@pop1.osk.3web.ne.jp>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, September 17, 2000 4:15 AM
Subject: Re: loopin' web radio idea +


> Hi,
>
> I extend my idea..
> It use 2 sounds(2 CDs) by different artists.
> The artists send textures, fragmented sounds,drone etc,
> And 2 sounds(2 CDs) mixing for Realaudio broadcast.
> It will be make good sounds by a chance factor..
> Also 2CDs are repeat playing per each by different loop points(different
> repeat time. for exsample, one is 60min, another one is 46min), Then the
> sounds is not repeat same sounds, it always changing..
> And 2CDs looping in 24 hours on Realaudio broadcast for worldwide.
>
> It Internet loopy session by chance.
> I want to hear someone interest about it..
>
>   Sunao
>
> >
> >
> >Today I did trial run my real audio based virtual radio station
broadcast.
> >http://www.cavestudio.com/live_from_far_east/radio_cave/
> >or some details of my webcast:
> >http://www.cavestudio.com/live_from_far_east/
> >
> >
> >I have a idea,
> >24hours (1day running.) streaming for 1 artist from my server.
> >for example, every Sunday playing music for 24 hours,total 4 artists per
> >months.
> >It playing by CD or CDR repeat play. it will loopin' about 12times..
> >
> >I would like to offer for public subscription,
> >any suggestions?
> >someone have good idea for this project?
> >
> >  Regards
> >
> > Sunao Inami
> >http://www.cavestudio.com
>
>
>

From Loopers-Delight-request@loopers-delight.com  Sun Sep 17 12:13:35 2000
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>At 7:18 PM -0700 9/14/00, Gregor Zavcer wrote:
>>And yes, something with a financial goal in mind isn't art. somebody who's
>>primary goal is to earn money with his "art" isn't an artist nor is his
work
>>art. It's not wrong if a piece of art gets well paid. The force behind the
>>creation counts, IMO. so, computer hackers and freeware coders are
artists.
>>also those who first got the idea and then started with "marketing".
>
>But Michaelangelo, Frank Lloyd Wright, and William Shakespeare were not
>artists. Or so your statement indicates.
>
>Mark
>


When you got ordered to do something, then it's not art, it's craft.

gregor

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gregor wrote:

> >At 7:18 PM -0700 9/14/00, Gregor Zavcer wrote:
> >>And yes, something with a financial goal in mind isn't art. somebody who's
> >>primary goal is to earn money with his "art" isn't an artist nor is his
> work
> >>art. It's not wrong if a piece of art gets well paid. The force behind the
> >>creation counts, IMO. so, computer hackers and freeware coders are
> artists.
> >>also those who first got the idea and then started with "marketing".
> >
> >But Michaelangelo, Frank Lloyd Wright, and William Shakespeare were not
> >artists. Or so your statement indicates.
> >
> >Mark
> >
>
> When you got ordered to do something, then it's not art, it's craft.
>
> gregor

can you explain the difference between an order and a commission, gregor? can
art can be commissioned, but not ordered?

if the initial impetus behind the creation of a work is to feed one's self, yet
in the process the creator encounters a deeper order of inspiration, does then
the fact that one needs to eat disappear? did the creator find the deeper
inspiration without first this basic impulse? and would it be brought to the
light of day for others to experience if the drive to eat, i.e. survive, not
compel it?

i think these are significant questions that cannot be brushed aside by simple
rhetoric.

lance g.






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----- Original Message -----
From: "Gregor Zavcer" <gregor.zavcer@kiss.uni-lj.si>
To: <Loopers-Delight@loopers-delight.com>
Sent: Sunday, September 17, 2000 11:10 AM
Subject: Re: WAY OT: Warez - A Rebuttal


>
> >At 7:18 PM -0700 9/14/00, Gregor Zavcer wrote:
> >>And yes, something with a financial goal in mind isn't art. somebody
who's
> >>primary goal is to earn money with his "art" isn't an artist nor is his
> work
> >>art. It's not wrong if a piece of art gets well paid. The force behind
the
> >>creation counts, IMO. so, computer hackers and freeware coders are
> artists.
> >>also those who first got the idea and then started with "marketing".
> >
> >But Michaelangelo, Frank Lloyd Wright, and William Shakespeare were not
> >artists. Or so your statement indicates.
> >
> >Mark
> >
>
>
> When you got ordered to do something, then it's not art, it's craft.
>
> gregor
>
Hogwash...... I suppose the Mona Lisa and all the other great portraits
painted on commision are "craft"??  As well as the Sistine Chapel?? Etc....

drfuzz

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> Depending how quickly Repeater is able to switch loops, you should be able
> to switch to different length loops on the fly, allowing us to mimic the
> multiple loop set-up on the EDP, with the addition of 4 separate tracks,
> pitch change, scrubbing, mixing, etc. And since everything is under MIDI
> control, you could sequence this...

Exactly. And yes, Repeater will change loops fast enough. 

>Why don't you make some sound demos and put them up on the web site? Not
>only would this solidify the purchases of many who are thinking of buying,
>but I also think it help corral new purchases for you too. In short, a great
>idea.

>Question is: will you do this? And, if so, when?

We will definitely do this.  
We are exhibiting at AES next week so we are a little busy. I'd say by the end
of September we should get some demos going on our site. I'll post to the
group as soon as they are up.  

Damon

From Loopers-Delight-request@loopers-delight.com  Sun Sep 17 16:05:55 2000
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Sorry that I usually only uncloak to post gear for sale, loopers, but what
with all the Electrix talk I figured somebody here might use a Mo-FX or two,
which I'm selling for $235 pickup in NYC or $245 shipped if prepaid.  Only a
few hours use at home!

Thanx.  Now, "back to the shadows again..."

From Loopers-Delight-request@loopers-delight.com  Mon Sep 18 02:54:43 2000
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Subject: Re: Repeater Track Length Workaround
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At 11:14 AM -0700 9/16/00, Mark Landman wrote:
>Some of us were recently bemoaning the fact Repeater's 4 tracks are all the
>same length, compared to being able to switch between different length
>loops on the good ol' EDP. Personally it doesn't strike me as a big
>problem, but something occurred to me...
>

you seem to be confusing what a track is vs. what a loop is..... I
understood the repeater let you have some large number of different loops
of whatever length, but the tracks in each had to be the same length.


>On the same subject, I'd like to suggest this loop switching work the way
>Electribe pattern switching does (yeah, I love them electribes...), that if
>a loop is running, the change to the new selected loop doesn't occur until
>the end of the currently running loop. If the loop is "stopped" (I guess
>muted actually), the change happens asap.

On the Echoplex we let you choose, by way of the SwitchQuant parameter.
Either it always switches immediately when you hit the button, or it is
quantized to the next cycle point as you want here. (and the next software
version will give the option of switching loops at the next loop point, for
those interested...)   You will find you want different methods of loop
switching depending on the application.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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From: Kim Flint <kflint@loopers-delight.com>
Subject: RE: Eventide4 KIM
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At 7:53 AM -0700 9/16/00, italo de angelis wrote:

>>Ok KIM let me try to show you and all LD people  how an Eventide
>>4000/7000/Orville works:

thank you for all of the great details Italo. by the way, do you mind if I
use some of your postings on the Eventide section of Looper's Delight?
I've been waiting forever for somebody to show up here who actually used
eventides for looping and had something to say about it. you more than fit
that description. :-)


>The looping features DO NOT have undo, copy, multiply and other features of
>the Echoplex, even though Scott Gilfix has done nice programs in which you
>can undo and double loop length by using buffer delays.

well, he has a way to do one layer of undo, not multiple undos like the
echoplex...:-)


>YES Kim, you cannot do looping and sampling on the same audio chunk, meaning
>that a sampler module does sampling,editing and looping of the sample and a
>delay module does delay style loopingÖBUT you can put both in the same
>program and get both flavors of powerÖdoes it hurt anybody? Like it?

it hurt us....we were looking at orville as a place to protoype new ideas.
but it became clear some of its limitations prevented us from doing many of
our basic concepts that we implemented in the echoplex long ago. no hope
for the new ideas....

don't get me wrong, orville is clearly a very powerful signal processor.
(with a very powerful price. :-)  but for all the types of standard looping
functions that are not DSP based, it seems rather limited. If what you need
is very powerful DSP features to use with rather simple loop creation,
orville may be for you.




>2) trust a reliable software and hardware should be easy  in year 2000, when
>youíre on stage, improvising and looping in front of people that pay tickets
>to be there Ö.Iím a musician that does live and studio work, being the first
>very inner resources demanding, especially when you use these toys.
>3) see a product come to life and growing with updates that implement new
>and exciting functions, killing old bugs and keeping the box up to the
>usersí demands , dropping prices even if this means totally changing the
>unit from almost scratchÖ
>All this and more I donít see from Gibson!!! And believe me, I have nothing
>personal with you! I think you did a wonderful job with Eds and still doing
>it, including keeping this awesome place open on the Net. You are an
>invaluable human and tech resource to any interested human looper cat,

sorry, but I don't think your accusations are at all fair to Matthias, or
me, or even Gibson. The reason you don't see bugs in the software for the
Echoplex is because we fixed them all already. We produced the updates and
got them to users who needed it, and we did that long ago. And now, we are
about to release a major new software version for the Echoplex that will do
many exciting new things that nobody has ever seen before. Much of it is
based on extensive interactions we've had with users on this list and
otherwise.  And you know what? this upgrade doesn't mean changing the whole
thing from scratch. Everybody who has already paid their hard-earned
dollars for the hardware can get it updated for a much smaller price. They
don't have to throw away everything they already bought and get something
new. I consider that a feature, not a problem!

And we've steadily worked with Gibson all through the years to improve the
hardware. We've fixed problems as they've come up, helped them improve
their production, deal with vendors changing components, etc. Gibson has
even invested in putting together a whole new production operation for the
echoplex. The work on this has never stopped, and I find it quite
frustrating that you keep accusing us of doing nothing. I don't think you
know what you are talking about. There are not many companies who stick to
a product for so long as this.


>but
>you have to agrre that in 10 years companies have been doing incredible
>boxes and cheaper than beforeÖisnít it time to update old boxes a bit?
>What about a super ED with some more features? I know itís hard to have
>companies listening to you and us but still the question remains.

sorry, I think that attitude is bullshit. why do perfectly useful things
need to be upgraded so often? Especially with music, where so many songs
are composed around particular instruments and so much time goes into
learning how to perform with a particular setup so you can make it musical.
Why would you want to keep changing and starting over all the time?

however, I must admit I'm very happy that you and others like you think
this way. Since I work in the PC industry these days making 3d graphics
chips, my nice salary is paid by people who think just like this. Every six
months we put out new stuff, and market the hell out of it to convince you
of how pathetic and inadequate the thing you just bought already is. The
new one is faster! more memory! more features! you need it now! And people
believe us and keep tossing out their old stuff and buying the new stuff
even though the old thing worked just fine for them! do many people really
need 1.2GHz CPUs, 60GB discs, and 180 frames per second in Quake? well, I
sure don't, but my wallet is not complaining as long as the rest of you
think you do. :-)

now, do you really want that same scene for musical instruments?

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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Hi Damon!

> Trying to stay true to some of the comments around here I would like to
> request some feedback on a MIDI foot controller for Repeater.
>...

I really appreciate your efforts AND requesting our feedback but what I would
find most helpful is a manual, even a beta manual, describing the Repeater.  I
find it hard to make intelligent comments when I don't know what I'm talking
about!  :)  (Wait, this IS an election year...  :D )

Dennis Leas
-----------------------------
dennis@mdbs.com

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>
>  > When you got ordered to do something, then it's not art, it's craft.
>>
>>  gregor
>>
>Hogwash...... I suppose the Mona Lisa and all the other great portraits
>painted on commision are "craft"??  As well as the Sistine Chapel?? Etc....
>
>drfuzz


but dr.fuzz... sure the Mona Lisa is great and all, but does it 
really compare to the pure artistry of computer hackers?  And the 
Sistine?  Geez, there are tons of software crackers out there who 
could do something like that without even breaking a sweat...:)

rich




From Loopers-Delight-request@loopers-delight.com  Mon Sep 18 13:05:17 2000
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Right then. We've got 26 people so far, and the kind folks at Alto Music
have offered to support our orgy of consumerism. Remember, if you want in,
email

repeater@braincramp.org

with your Full Name, and an amusing comment (not required, but
appreciated.)

-><-

From Loopers-Delight-request@loopers-delight.com  Mon Sep 18 13:58:58 2000
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Right on, Kim.  If it ain't broke, don't fix it!  Whereas I can imagine in my
head what a super EDP would be like (and it's price tag), the current model is
pretty damn perfect.  The fact that the EDP can be (and has been) incrementally
improved with software upgrades shows that the hardware was well designed.

-Allan


Kim Flint wrote:

> Everybody who has already paid their hard-earned
> dollars for the hardware can get it updated for a much smaller price. They
> don't have to throw away everything they already bought and get something
> new. I consider that a feature, not a problem!

From Loopers-Delight-request@loopers-delight.com  Mon Sep 18 14:34:14 2000
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Yes, and of course this begs the question:

The new software upgrade for the EDP will be
released approximately when?

As i understand it, with the upgrade one will be
able to drop their loop an octave (doubling the
loop length), correct?  

-abduction-

> -----Original Message-----
> From: Allan Hoeltje [mailto:ahoeltje@best.com]
> Sent: Monday, September 18, 2000 1:53 PM
> To: Loopers-Delight@loopers-delight.com
> Subject: Re: Eventide4 KIM
> 
> 
> Right on, Kim.  If it ain't broke, don't fix
it!  Whereas I 
> can imagine in my
> head what a super EDP would be like (and it's
price tag), the 
> current model is
> pretty damn perfect.  The fact that the EDP can
be (and has 
> been) incrementally
> improved with software upgrades shows that the
hardware was 
> well designed.
> 
> -Allan
> 
> 
> Kim Flint wrote:
> 
> > Everybody who has already paid their
hard-earned
> > dollars for the hardware can get it updated
for a much 
> smaller price. They
> > don't have to throw away everything they
already bought and 
> get something
> > new. I consider that a feature, not a
problem!
> 

__________________________________________________
Do You Yahoo!?
Yahoo! Mail - Free email you can access from anywhere!
http://mail.yahoo.com/

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I want one! What is it?
Doug Miller

> Right then. We've got 26 people so far, and the kind folks at Alto Music
> have offered to support our orgy of consumerism. Remember, if you want in,
> email
> 
> repeater@braincramp.org
> 
> with your Full Name, and an amusing comment (not required, but
> appreciated.)

From Loopers-Delight-request@loopers-delight.com  Mon Sep 18 14:47:36 2000
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Kim Flint wrote:

> we were looking at orville as a place to protoype new ideas.
> but it became clear some of its limitations prevented us from doing many of
> our basic concepts that we implemented in the echoplex long ago. no hope
> for the new ideas....

Kim, I can only assume you prefer working w/ hardware, but have you
considered prototyping new loopers as VST or MAS plugins? C code
is much faster to write than 56K Assembler -- and in many cases
more direct than using a higher-level toolkit.  Once you've settled
on new features, you could re-write and optimise for an embedded
chip, or perhaps someone will put out a stand-alone hardware
box that runs VST plugins. ;)


Jim

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>From: Kim Flint <kflint@loopers-delight.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: Eventide4 KIM
>Date: Mon, 18 Sep 2000 02:22:48 -0700
>
>At 7:53 AM -0700 9/16/00, italo de angelis wrote:
>
> >>Ok KIM let me try to show you and all LD people  how an Eventide
> >>4000/7000/Orville works:
>
>thank you for all of the great details Italo. by the way, do you mind if I
>use some of your postings on the Eventide section of Looper's Delight?
>I've been waiting forever for somebody to show up here who actually used
>eventides for looping and had something to say about it. you more than fit
>that description. :-)
>You're welcome,Kim..You can use that and post it wherever you like on 
>LD...it's good for anybody, I hope.
>
> >The looping features DO NOT have undo, copy, multiply and other features 
>of
> >the Echoplex, even though Scott Gilfix has done nice programs in which 
>you
> >can undo and double loop length by using buffer delays.
>
>well, he has a way to do one layer of undo, not multiple undos like the
>echoplex...:-)
>CORRECT!!!
>
> >YES Kim, you cannot do looping and sampling on the same audio chunk, 
>meaning
> >that a sampler module does sampling,editing and looping of the sample and 
>a
> >delay module does delay style loopingÖBUT you can put both in the same
> >program and get both flavors of powerÖdoes it hurt anybody? Like it?
>
>it hurt us....we were looking at orville as a place to protoype new ideas.
>but it became clear some of its limitations prevented us from doing many of
>our basic concepts that we implemented in the echoplex long ago. no hope
>for the new ideas....
>It depends on what you WANT to consider as a STANDARD looper...to me it's 
>anything that has memory, audio input, feedback and overlay...heard what 
>awesome music Torn has being doing with a "miserable" PCM42 for so long, 
>right! Anything! I'm open..ddls, Jammen,EDPs, TC2290 (fripp), EH (Frisell), 
>H3000, DSP4000/7000, Orvilles, Repeaters...they all fit for me...some are 
>different from others, some are more reliable...and that counts for a stage 
>performer, some are just easy and poor in functions, but work 
>great...people has superprocessors or computers to do all sorts of mangling 
>on loops, so it's hard to say what a REAL looper should be...it depends on 
>each user.

>don't get me wrong, orville is clearly a very powerful signal processor.
>(with a very powerful price. :-)  but for all the types of standard looping
>functions that are not DSP based, it seems rather limited. If what you need
>is very powerful DSP features to use with rather simple loop creation,
>orville may be for you.
>
>I don't think that Orville is that expensive! In USA you can get it for the 
>price of 3 EDPs and one of its pedalboards...but what you can do is way 
>over beyond anything else...even boxes that cost 9 or 15 grands, like TC 
>6000 or Lexi 960L.
You know haow much is an EDP from Gibson here in Italy? littel more than 
1000 dollars, on custom order and no pedalboard...is that cheap?
>
>
> >2) trust a reliable software and hardware should be easy  in year 2000, 
>when
> >youíre on stage, improvising and looping in front of people that pay 
>tickets
> >to be there Ö.Iím a musician that does live and studio work, being the 
>first
> >very inner resources demanding, especially when you use these toys.
> >3) see a product come to life and growing with updates that implement new
> >and exciting functions, killing old bugs and keeping the box up to the
> >usersí demands , dropping prices even if this means totally changing the
> >unit from almost scratchÖ
> >All this and more I donít see from Gibson!!! And believe me, I have 
>nothing
> >personal with you! I think you did a wonderful job with Eds and still 
>doing
> >it, including keeping this awesome place open on the Net. You are an
> >invaluable human and tech resource to any interested human looper cat,
>
>sorry, but I don't think your accusations are at all fair to Matthias, or
>me, or even Gibson. The reason you don't see bugs in the software for the
>Echoplex is because we fixed them all already. We produced the updates and
>got them to users who needed it, and we did that long ago. And now, we are
>about to release a major new software version for the Echoplex that will do
>many exciting new things that nobody has ever seen before. Much of it is
>based on extensive interactions we've had with users on this list and
>otherwise.  And you know what? this upgrade doesn't mean changing the whole
>thing from scratch. Everybody who has already paid their hard-earned
>dollars for the hardware can get it updated for a much smaller price. They
>don't have to throw away everything they already bought and get something
>new. I consider that a feature, not a problem!
>GREAT, KIM!!! This is the time to let us know what it can do...Repeater is 
>really setting up a hot desire...this is the time, man!!!
>And we've steadily worked with Gibson all through the years to improve the
>hardware. We've fixed problems as they've come up, helped them improve
>their production, deal with vendors changing components, etc. Gibson has
>even invested in putting together a whole new production operation for the
>echoplex. The work on this has never stopped, and I find it quite
>frustrating that you keep accusing us of doing nothing. I don't think you
>know what you are talking about. There are not many companies who stick to
>a product for so long as this.
>
>Great, Kim but still the box is the same and the price tag higher...you 
>fixed what was supposed to be right since long time...talking about hard 
>earned money...why price is almost double than before?
> >but
> >you have to agrre that in 10 years companies have been doing incredible
> >boxes and cheaper than beforeÖisnít it time to update old boxes a bit?
> >What about a super ED with some more features? I know itís hard to have
> >companies listening to you and us but still the question remains.
>
>sorry, I think that attitude is bullshit. why do perfectly useful things
>need to be upgraded so often? Especially with music, where so many songs
>are composed around particular instruments and so much time goes into
>learning how to perform with a particular setup so you can make it musical.
>Why would you want to keep changing and starting over all the time?
>
>however, I must admit I'm very happy that you and others like you think
>this way. Since I work in the PC industry these days making 3d graphics
>chips, my nice salary is paid by people who think just like this. Every six
>months we put out new stuff, and market the hell out of it to convince you
>of how pathetic and inadequate the thing you just bought already is. The
>new one is faster! more memory! more features! you need it now! And people
>believe us and keep tossing out their old stuff and buying the new stuff
>even though the old thing worked just fine for them! do many people really
>need 1.2GHz CPUs, 60GB discs, and 180 frames per second in Quake? well, I
>sure don't, but my wallet is not complaining as long as the rest of you
>think you do. :-)
>
>now, do you really want that same scene for musical instruments?
>
>kim
>
>You're right Kim!!! I still use Atari 520stfm computer W/1MB ram and a 
>Pentium 166MMX windows 95 PC...I agree that companies make believe people 
>all that shit, turning bullshit into needs. I didn't mean changing boxes 
>every 6 or 60 months...but evolving them for sure.Harware when it needs and 
>software to respect people's money.
16 years from an H3000 to todays Orville/7000 is a long long time...and 
things have been growing & improving, even changing a lot...doesn't it look 
like a very long time for you for a digital product?...and respectful to any 
user? I think you misunderstood my last words...anyway when something works 
fine and sounds good, it doesn't matter to me how old it is, as long as it's 
reliable...now how long did it take to make EDP such? And did you get there 
at the end? I've friends that had to shake their brand new EDP to make it 
work...does it take it so long to make it happen?
and this is definitely a Gibson fault! They have the power to fix this all, 
right?
nice to talk to you about this all...ciao   ITALO
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 18 16:20:56 2000
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Subject: Gismonti/Chauraisa/Ghate/Mani Tour
Date: Mon, 18 Sep 2000 16:12:14 EDT
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Gareth/Lance,

I saw the concert in Clearwater (across the bay from Tampa), Florida.

James,

Thanks for posting the tour dates.

Paolo
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From Loopers-Delight-request@loopers-delight.com  Mon Sep 18 17:10:17 2000
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Just giving a "heads up to" all that there is a Jamman in exfellent
shape posted on EBay, but hurry the auction ends tomorrow!

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Paolo Valladolid wrote:

> Gareth/Lance,
>
> I saw the concert in Clearwater (across the bay from Tampa), Florida.
>
> James,
>
> Thanks for posting the tour dates.
>
> Paolo
>

hey, i've been to clearwater!

it's odd they're not coming to southern california. they would get a good
reception here, i'm thinking...

lance g.


From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 05:18:38 2000
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From: "Alejandro Martínez" <alexmartinez7@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Suggestion to the LD mailing list. (UPDATED)
Date: Tue, 19 Sep 2000 09:14:37 GMT
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>
>-----Original Message-----
>From: Alejandro Martínez [mailto:alexmartinez7@hotmail.com]
>Sent: Friday, September 15, 2000 2:46 AM
>To: Loopers-Delight@loopers-delight.com
>Subject: Suggestion to the LD mailing list

my suggestion is this: I think it
>will be a
>good idea to make the posting through a Bulletin Board type of page inside
>the Looper´s Delight web site


>From: "Cody Davis" <codyda@ecpi.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: RE: Suggestion to the LD mailing list
>Date: Fri, 15 Sep 2000 10:16:11 -0500
>
>I like your idea Alejandro and totally agree. Can this be done by the
>webmasters?


Thanks Cody, that´s what I would like to know also, it seems that the idea 
didn´t get much interest on the list users or it wasn´t understood at all, I 
want to explain it again clearly, also I want to clarify and I thought I did 
it before that this isn´t a matter of using email filters (which I already 
did) ´cause even having all the LD emails delivered to a specific folder we 
still sometimes receive too many emails on a daily basis and using words to 
block certain emails like the guy on this list who was planning to put a 
filter to the word "Repeater" is not a solution ´cause maybe one of the 
replies to that topic may have something of interest.
I would like that people on this list would have some minutes to check out 
the Bulletin Boards that I mentioned before: Ampage: http://www.ampage.org/ 
or Vintage guitar online: http://www.vintage-guitar.com:8080/forums/ to see 
what I´m talking about, I guess many of you have used a Bulletin Board 
service before but for those who haven´t please check those ´cause I really 
think that if this list moves to a BB format it will be more benefical for 
both users and the LD site itself ´cause the Lopper´s Delight web page will 
have more hits per day and that´s good ´cause more people would see the 
advertising banners that now Kim is starting to include which I think is a 
good idea to make the site autosufficient and that autosufficiency is 
something that Kim himself mentioned on the "LD sells out" email.
I know that if I don´t want to have my inbox fill of LD messages I just can 
unsubscribe myself and check the LD archives but what if I want to reply to 
some topic or post a new one?: I need to subscribe again (and later 
unsubscribe, and later subscribe again and...).
Wouldn´t be easier that we could actually post a reply or a new topic 
directly to the LD archives pages? (it´s OK if you need to be subscribed to 
do that!), I mean, the way the archives are organized in the "Thread" mode 
are almost the ideal way for a BB page, the ideal way would be that the page 
could be divided in two like the BB on AMPAGE so we can click on a topic´s 
name and on the right side of the screen we can read ALL the responses to 
that topic and also POST a reply directly on there too!, here are some more 
benefits:

* The hard drive space that the list uses now on the server will be reduced 
´cause we wouldn´t need to leave or quote the original message in every 
respose to that topic, actually if you now check the posts on the LD 
archives they are like the original emails: every response has a copy of the 
original message and in many cases a copy of some of the responses, in a BB 
format the original message will be ONLY on the top and below will be every 
response in cronological order, isn´t that easier?.
* You eliminate the need of unsubscribing when you´re out of your home for 
some days or not liking the list anymore, and no more "unsubscribe me or 
I´ll sue" type of emails with their corresponding and useless responses.
* You can have categories sorted like for example: Echoplex D.P., Jamman, 
Kyma, Repeater, Upcoming shows by area, etc., and actually this option is 
useful for the guy who wated to create a Roland´s Handsonic mailing list 
too.
* You can post long topics without worrying to use too much bandwidth and 
filling other´s inboxes and actually the posts would be benefited with 
contributions of other people which didn´t read the original´s topic email 
in the first time ´cause they were unsubscribed at that time or they thought 
it wasn´t interesting enough to read it originally.
* You can check the topics, POST a new one or REPLY to them even if you´re 
on vacation, on tour or in some place where you can´t have access to your 
regular email account but you still have access to the Internet and just by 
accesing the LD web page you can do all that, isn´t that more useful?.

Maybe the list has grown too much and it´s time to move to a bigger home, 
imagine if all the users on the list would make a post per day, that´s a lot 
of emails in your inbox I think, why not use the already avalible space on 
the LD archives pages?, and as I told you before I don´t spend too much time 
on the Internet on a daily basis and just check my inbox once a day, I think 
some users on this list also do that too that´s why I think it would be 
easier to check the posts, REPLY to them and POST new ones whenever you have 
the time on a BB.
I would like that Kim Flint who is the owner of this list and other users 
would comment something on this idea.
Thanks.
Alex.

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 05:32:38 2000
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Subject: Update on web address I mentioned... 
Date: Tue, 19 Sep 2000 09:30:18 GMT
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Hi, after sending my email about the idea for a BB I noticed that the link 
for AMPAGE I gave you wasn´t working, you can try this one in that case: 
http://venus.aros.net/~tboy/ampage/
Thanks!
Alex.

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 09:17:37 2000
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From: Todd Pafford <galen@erols.com>
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Subject: RE: Suggestion to the LD mailing list. (UPDATED)
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On Tue, 19 Sep 2000, Alejandro Martínez wrote:
> what I´m talking about, I guess many of you have used a Bulletin Board 
> service before but for those who haven´t please check those ´cause I really 
> think that if this list moves to a BB format it will be more benefical for 
> both users and the LD site itself ´cause the Lopper´s Delight web page will 
> have more hits per day and that´s good ´cause more people would see the 
> advertising banners that now Kim is starting to include which I think is a 
> good idea to make the site autosufficient and that autosufficiency is 
> something that Kim himself mentioned on the "LD sells out" email.

Let me just put in my vote against a web based BBoard by saying: Ugh.  I
can't stand those things.  They're an inefficient way to deliver text.
My advice is to get a decent mail client that'll sort by threads, filter
messages, and shuttle the mail off into various folders accordingly.  The
Looper's Delight really doesn't have /that/ much traffic.

Having said that, I do like newsgroups and BBoards in general.  My problem
is the web interface.  Not everything works well when webified, but
apparently all those webmasters out there think so.  The hypertext
transfer protocol is simply inefficient at delivering hundreds of short
messages.  For example, let's say I'm browsing my local usenet news
server.  My connection to that server is maintained while I read the
groups.  On the contrary, every time I fetch a page from an http server, I
have to reestablish the connection to the server.  Often, with short
messages, the connection process takes longer than actually delivering the
message.  For a small number of messages, this really isn't a big deal,
but for a moderate to large sized list, the reconnection time compounds
into one giant waste of time.  (Of course, the problem with usenet is the
signal to noise ratio, spammers, etc.)

Enough for now.

How 'bout a little loop content:
I saw Phish on sunday and was delighted to hear Trey (guitar) using his
two Boomerangs to full effect.  Some very nice ambient and textural loop
work during a few of the jams.

Loop On...and on...and on...and on...and on....

---
"If the doors of perception were cleansed everything would appear
 to man as it is, infinite."  -- William Blake

Todd Pafford   galen@erols.com 

From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 09:29:03 2000
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From: Mark Pulver <mark@redmoon-music.com>
Subject: RE: Suggestion to the LD mailing list. (UPDATED)
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Todd Pafford (08:13 AM 09.19.2000) wrote:

 >On Tue, 19 Sep 2000, Alejandro Martínez wrote:
 >> what I´m talking about, I guess many of you have used a Bulletin Board
 >> service before but for those who haven´t please check those ´cause I 
really
 >> think that if this list moves to a BB format it will be more benefical for
 >> both users and the LD site itself...
 >
 >Let me just put in my vote against a web based BBoard by saying: Ugh.  I
 >can't stand those things.  They're an inefficient way to deliver text.
 >My advice is to get a decent mail client that'll sort by threads, filter
 >messages, and shuttle the mail off into various folders accordingly.  The
 >Looper's Delight really doesn't have /that/ much traffic.

Yeup...

With a good mail client you can all still easily filter out my babbling. :)

I'm subbed to 31 different mailing lists, and easily pull 500+ pieces of 
mail a day. Each one goes into it's own folder where I can easily scan 
subject headers, read each piece, or delete a whole list's worth of content 
at a glance.

The only way that I could ever handle that level of volume is if it's all 
in one spot, and not sitting up on a web site somewhere that I have to make 
a conscious decision and movement to go visit.

There's also the pure UI and usage issues with web based mail...

Each click of the mouse makes you wait on a something out of your control. 
You're at the mercy of everything between your local computer and the 
remote server (n number of routers, hubs, firewalls) and the remote machine 
itself in order to see the result of your click.

One thing that I have seen work is that a traditional mailing list is 
mirrored by a web based interface (or, vice-versa). The Topica and eGroups 
lists run this way, as well as some individual mailing lists.


Just don't take my text away! :)

Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
Cc: <Damon@Electrixpro.com>
References: <004001c0186b$c7926000$0101a8c0@pavilion> <v04220804b5dcd41e3883@[138.72.120.49]> <000101c0189b$144f1b20$ac936fd4@y5w2s5> <00c101c018d9$fcd3e950$1fab82cc@mdbs.com> <v04220800b5e4e69b3391@[200.194.254.187]> <008d01c01e7b$e9cdc040$1fab82cc@mdbs.com> <v04220805b5e710447963@[200.194.253.216]>
Subject: Re: Xfade vs. zeroX / HW vs SW  (was: dream box)
Date: Tue, 19 Sep 2000 09:18:08 -0500
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>. . .
> So as I undertood your picture, I am the father of the EDP denomination.
> And I feel that this dificults my participation / contribution in the
> others, just like in real religions: If you are strong in one tribe
> the members of the others keep distance.
> . . .

As with real religions, we must concentrate on unity and not division!  And
celebrate different views as additions.  Like in physics, "Is light a wave or a
particle?"  Embracing both views increases our understanding.  Holding one view
is limiting.

>. . .
> shure, the click goes away, but couldnt you hear some bump, like as
> if an new such hum tone would start? I had that a lot when editing
> sound files on the Mac.
> The only way to get rid of it is a slow Xfade.
> The savest place to cut is an attack. I started cutting tape: Roll
> backwards and forewards until you locate the beginning of a note and
> cut there. Shure, the diagonal tape splice also corresponds to a
> cross fade...
>
> So instead of searching for a zero-crossing, you may search for an
> attack. Usually the musician starts a loop with a new note :-)
> Cutting at the last zero cross before the attack, you probably dont
> have to care about the end point, because the click will be
> overrolled by the attack, right?
>
> If there is no attack, we need a Xfade, and it can be a long one.

It probably does depends on the audio material.  I haven't heard a click or bump
when I test with humming, but I haven't tried many other kinds of audio yet.
Perhaps we could trade small sound files?  That way we could hear/see the
different atrifacts.  For example, I could send you before and after files.  If
you're interested, I'd suggest an uncompressed format like AIFF or WAV.

BTW: How slow is the Xfade?

> >My zero-crossing adjuster alters the loop length, even if by only a
> >tiny amount.
>>. . .
> In the worst case, you have to go back almost a phase of say a 33Hz
> note, which is 30ms. If it happens on both ends, its 60... couldnt
> you correct backwards on both ends, so you can do it in real time and
> the error would subtract instead of adding?
> With the attack method, you have to correct more, maybe, but usually
> only the entry point. The original loop length can stay untouched,
> unless there is exactly another attack at the end, which is quite
> likely. But in this case you can move the end point to the attack and
> hope that its played more acurately than the musicians foot action,
> so you actually improve loop length.

Yes, I'm concerned about the low tones.  60 ms gets significant!  I like the
idea of "correcting" the same direction on both ends so as to minimize the
length changes.  Seems like the best action is to quantize the recording to
zero-crossing points.  Right now, my zero-crossing adjuster works on sound
already recorded into wavetable memory.

> Ask IVL, they must know a lot about this stuff!

Ah!  The Electrix / IVL folks!

Hey Damon!  How does the Repeater handle loop splice points?  Zero-crossing?
Cross-fade?  Both?  Other?  Adjustable?

[ I'll cc Damon this message.  Hope you don't mind, Damon.  I'm really
interested in how the Repeater does this. ]

Dennis Leas
-----------------------------
dennis@mdbs.com


----- Original Message -----
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 15, 2000 12:11 PM
Subject: Re: Xfade vs. zeroX / HW vs SW (was: dream box)


> >  >>I think both Kyma and MAX/MSP provide solutions.  This is cool!
> >  >>[Sometimes I feel that, if I'm into this "looper religion" thing,
> >then Kyma is like my denomination. :)  That makes the MAX/MSP folks
> >(and Orville users, etc.) like a different denomination; same
> >religion, they just use different words to mean about the same
> >thing!]
> >
> >>please let me be member of such denomination!
> >
> >I always thought you were one of the founders!  One of the "fathers of the
> >revolution"!!!  Viva la Loop!!!!!!  :)
>
> hmm, I hope it will not turn into revolution, but a peacefull evolution. :-)
> I contributed with the currage to launch the first dedicated loop unit.
> But looping has a much longer story.
> So as I undertood your picture, I am the father of the EDP denomination.
> And I feel that this dificults my participation / contribution in the
> others, just like in real religions: If you are strong in one tribe
> the members of the others keep distance.
> The SW looper specialists may fear that I grab all ideas while in
> fact the oposit is happening lately!
>
> >  >Doesnt the audibility depend on the sound material?
> >>Roughly: For percussive sound, the zero crossing is great but for sustained
> >  >sound, cross fade is necessary, otherwhise you hear a new attack which can
> >  >be about as annoying as a click.
> >  >In a future HW solution such fades will be available and probably
> >controllable.
> >>The sound material could be analyzed to define characteristic.
> >
> >Interesting...
> >Yes, I think the audibility depends on the sound material, but I
> >would say just
> >the opposite!  I.e., I'd use zeroX for sustained sounds.  Here's my
> >experience:
> >I wrote a zero-crossing adjuster for Kyma recently.  To test it, I created a
> >short loop by humming a continuous tone into the mic and punching
> >in/out.  Sure
> >enough, I heard a click at the loop point.  After being
> >zero-adjusted, the click
> >completely disappeared.  But perhaps with other sounds, the zeroX would leave
> >artifacts.
>
> shure, the click goes away, but couldnt you hear some bump, like as
> if an new such hum tone would start? I had that a lot when editing
> sound files on the Mac.
> The only way to get rid of it is a slow Xfade.
> The savest place to cut is an attack. I started cutting tape: Roll
> backwards and forewards until you locate the beginning of a note and
> cut there. Shure, the diagonal tape splice also corresponds to a
> cross fade...
>
> So instead of searching for a zero-crossing, you may search for an
> attack. Usually the musician starts a loop with a new note :-)
> Cutting at the last zero cross before the attack, you probably dont
> have to care about the end point, because the click will be
> overrolled by the attack, right?
>
> If there is no attack, we need a Xfade, and it can be a long one.
>
> >My zero-crossing adjuster alters the loop length, even if by only a
> >tiny amount.
> >It advances the start point and retreats the end point until a zero-crossing
> >splice is achieved (with the same signal slope on each side).  The nice thing
> >about Xfade is that the loop length can remain EXACTLY the same.  In thinking
> >about Alex's original question some more, I think maybe a cross-fade for the
> >sub-loop to eliminate clicks but trim the new material with a zero-crossing
> >adjustment.
>
> In the worst case, you have to go back almost a phase of say a 33Hz
> note, which is 30ms. If it happens on both ends, its 60... couldnt
> you correct backwards on both ends, so you can do it in real time and
> the error would subtract instead of adding?
> With the attack method, you have to correct more, maybe, but usually
> only the entry point. The original loop length can stay untouched,
> unless there is exactly another attack at the end, which is quite
> likely. But in this case you can move the end point to the attack and
> hope that its played more acurately than the musicians foot action,
> so you actually improve loop length.
>
> Ask IVL, they must know a lot about this stuff!
>
>
>           ---> http://Matthias.Grob.org
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 10:29:12 2000
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Date: Tue, 19 Sep 2000 10:26:22 EDT
Subject: OT:davidtorn/SPLaTTeRCeLL for sale
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folks,
....just thought i'd letyall know:

the first of the SPLaTTeRCeLL discs/vinyl are available as of today. (amazon/cdnow/artistshop/etc etc; roughly US$9.).
while these websites have the first set listed as:
SPLaTTeRCeLL: Is Love,
the actual title is:
SPLaTTeRCeLL:ReMiKSiS:AH.
(somebody goofed)

thisall premiere release is a 65min mostly-remix'EP', including these titles:
is love: SPLaTTeRCeLL (album track)
cutting: Automator
multisplat: Charlie Clouser (NiN)
chrysanthemum: Fernando Aponte
romance refined: Tim Bowness (NoMan)/SPLaTTeRCeLL
was love: Gareth Williams
double 'u' slash space: Yoshihiro Hanno
bang romantik: Carter Burwell
a dozen breaks to brook the fall: Ryuichi Sakamoto
kinda: SPLaTTeRCeLL (non-album, extra track)

the full-length cd,
SPLaTTeRCeLL:::OAH,
will be released on October 3rd, also on
CeLLDiViSioN/75ARK.

to those of you who get this stuff: hope ya dig;
more looping than ever before:
n many ways.
best,
david torn

List site: http://www.egroups.com/group/davidtorn
Solid States: http://www.gaalore.com/davidtorn.nsf
SPLaTTeRCeLL: http://www.gaalore.com/davidtorn.nsf/Pages/soah


From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 10:33:21 2000
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Date: Tue, 19 Sep 2000 10:33:56 -0700
From: Jake Stout <jstout@plant.uoguelph.ca>
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Hey.... doin a bit of a delurk here.  I'm kinda new to the whole loop
thang, but have been makin the big noise in my basement for years.
So... I need a decent looper.  However, I'm one of those starving grad
student types... and thus am a bit limited.  The Zoom looks good for a
budget, but how much is the repeater going to be on this group buy (alot
more, I know... but I'm willing to shuck out more bucks for more
features)??

Thanks,
Jake

--
M.Sc. Student.
University of Guelph, Canada
519 824-4120 X8182
jstout@plant.uoguelph.ca

"It's tough to find something when you don't know what you're looking
for...."
Cop, Plan 9 From Outer Space


From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 13:54:57 2000
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From: "Damon Langlois ( Electrix )" <Damon@Electrixpro.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: Xfade vs. zeroX / HW vs SW  (was: dream box)
Date: Tue, 19 Sep 2000 10:51:30 -0700
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>Hey Damon!  How does the Repeater handle loop splice points?
Zero-crossing?
>Cross-fade?  Both?  Other?  Adjustable?

>[ I'll cc Damon this message.  Hope you don't mind, Damon.  I'm really
>interested in how the Repeater does this. ]

I can't go into to much detail about this yet. We (Electrix) have deemed
this particular subject (as well as a few others) as "classified" until we
are closer to our release date. We have some pretty smart people on it so
hold on to this question.  

Best Regards,

Damon Langlois
Creative Director
Electrix / IVL 
"No Creative Barriers"
Tel (250) 544-4091 Fax (250) 544-4100
http://www.electrixpro.com

From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 14:10:00 2000
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From: Dave Onnen <skyeklad@skyeklad.com>
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I subscribe to the digest version of LD and it really helps organize your
inbox. One big email a day instead of multiple emails. Just a suggestion.

I just picked up a Line6 Delay and I like it a lot. The modulated delay
and the auto-volume delay are lots of fun. I haven't had a chance to play
with the looper setting very much yet. I am looking forward to using this
in parallel with my HeadRush. I also like the runaway feedback you can get
going on the Space Echo preset.

___________________________________________________________
Dave Onnen
dave@skyeklad.com
___________________________________________________________


From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 20:25:51 2000
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Subject: I have a question
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This is my first time posting on this list , and although I don't know a 
whole lot ( actually not 90%) of what you guys are sayin' , it's nice to know 
that if I do have a question about equiupment that you guys'll be able to 
answer them . So I'll ask....

About a month ago I invested a little on the SP-808 Groove Sampler by Roland 
. I bought this machine without know a damned thing about sampling and was 
wondering if it was worth it or not ? I've never been on any other type of 
sampler . Does anyone have any tips on how to make this machine do what I 
want it to do  , or do I upgrade .

P.S. I have it connecting to an MC-505 , what else would you guys add , I 
have no idea

Thanx               The Groove-Kidd

From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 20:33:57 2000
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Grv Kd,

Several of us have SP-808s. My comments :

I liked the SP-808 for "music production" sorts of things, as opposed to "real time looping" things which are
more my forte.

To complement the SP808, I highly recommend a PC with a compatible ZIP drive. That way you can easily
 import samples from many other environoments, and you can even transfer back and forth from ACID to 808
and so forth.

Brother K






OdysseyFX3@aol.com on 09/19/2000 05:28:13 PM
Please respond to Loopers-Delight@loopers-delight.com@SMTP 
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cc:	 
Subject:	I have a question
Classification:	

This is my first time posting on this list , and although I don't know a
whole lot ( actually not 90%) of what you guys are sayin' , it's nice to know
that if I do have a question about equiupment that you guys'll be able to
answer them . So I'll ask....

About a month ago I invested a little on the SP-808 Groove Sampler by Roland
. I bought this machine without know a damned thing about sampling and was
wondering if it was worth it or not ? I've never been on any other type of
sampler . Does anyone have any tips on how to make this machine do what I
want it to do  , or do I upgrade .

P.S. I have it connecting to an MC-505 , what else would you guys add , I
have no idea

Thanx               The Groove-Kidd




From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 20:54:04 2000
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Go, Go, Go!

Don't be fooled by us crazies and our constant gear lust!  you've got 
a couple of great tools there...If you don't know a damned thing 
about it, just make some music on it and see what you have.  I think 
some of the more prolific contributors to this list have pushed their 
gear hard and learned what it can and can't do.  That's where the 
gear lust comes in.  "ooooh, that new thing can do THAT?"

As far as your question...you're a bit vague.  What exactly is it 
that you want the Groove Sampler to do?  If you're not sure, then ANY 
sampler is going to be a headache.  I'd love to have one of those 
beasts, but my gear lust wanders in different fields at the moment...

best of luck, i hope we can be of some help....

rich



>This is my first time posting on this list , and although I don't know a
>whole lot ( actually not 90%) of what you guys are sayin' , it's nice to know
>that if I do have a question about equiupment that you guys'll be able to
>answer them . So I'll ask....
>
>About a month ago I invested a little on the SP-808 Groove Sampler by Roland
>. I bought this machine without know a damned thing about sampling and was
>wondering if it was worth it or not ? I've never been on any other type of
>sampler . Does anyone have any tips on how to make this machine do what I
>want it to do  , or do I upgrade .
>
>P.S. I have it connecting to an MC-505 , what else would you guys add , I
>have no idea
>
>Thanx               The Groove-Kidd

From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 21:35:27 2000
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To: Loopers-Delight@loopers-delight.com
Subject: Re: I have a question
Date: Tue, 19 Sep 2000 20:31:57 CDT
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Hey there Groove Kid,

You got some cool tools!  You should learn how to use them as best as you 
can by recording/sequencing songs on them and then use the real time 
controls to play along or tweak the mixes/arrangements that you 
pre-assembled .

I use my SP-808 as a loop archive for my JamMan.  This way I can improvise 
w/my 6-string electric violin and other instruments - capture some good 
loops - sample these - create arrangements and further mangle the sounds.  I 
also like to play along with the sampled loops and create more loop layers 
w/the JamMan to layer on top of the SP-808.  I even play the D-Beams with 
the Head of my Ax or with the bow.  It's fun to control Panning or Filter 
Cutoff Frequency or Resonance this way.  These are just some of the tricks 
that I use.  Over time you will discover your own bag of tricks.

Too Much Fun!

You should check out SP-808USERS@egroups.com for more ideas.

Best Regards,

sm



>From: OdysseyFX3@aol.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: I have a question
>Date: Tue, 19 Sep 2000 20:21:36 EDT
>
>This is my first time posting on this list , and although I don't know a
>whole lot ( actually not 90%) of what you guys are sayin' , it's nice to 
>know
>that if I do have a question about equiupment that you guys'll be able to
>answer them . So I'll ask....
>
>About a month ago I invested a little on the SP-808 Groove Sampler by 
>Roland
>. I bought this machine without know a damned thing about sampling and was
>wondering if it was worth it or not ? I've never been on any other type of
>sampler . Does anyone have any tips on how to make this machine do what I
>want it to do  , or do I upgrade .
>
>P.S. I have it connecting to an MC-505 , what else would you guys add , I
>have no idea
>
>Thanx               The Groove-Kidd
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Tue Sep 19 22:19:19 2000
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Date: Tue, 19 Sep 2000 21:08:54 -0700
From: Tom Lambrecht <hideomo@swbell.net>
Subject: Re: Sellon Jamman upgrade ROM for trade
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not using this since my second and last Jamman left the premises last week,
on it's way to a new home in Michigan . . .

first person who offers me a cassette, minidisc, LP (no DATs--see following
post), wire reel or whatever of their own creative output gets it

v 0.2--documentation is online on Bob Sellon's site--I didn't have the nerve
or time install it on either of mine so please don't ask me for
hints--definitely keep in mind that Bob did this on his own time and that
you're going to have to work out it's bugs on your own

drone on~~~~~~~~~~~~~~~~~~
Tom Lambrecht

hideomo@swbell.net

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Date: Tue, 19 Sep 2000 21:22:11 -0700
From: Tom Lambrecht <hideomo@swbell.net>
Subject: FS Sony PCM-2500 DAT deck (OFFF TOPIC)
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before i stick it on Harmony-Central:

selling this guy which is an older pro model "portable" DAT deck--means it
runs off of a rechargable video battery, but it ain't a walkman--it weighs 9
pounds

it is built like a brick shithouse with separate motors for play/record and
rapid tape transport--NEVER ate a tape while I had it (unlike the Sony DAT
Walkman)

for all you production people, does time code (LTC) in and out--also word
sync in

records at
44.056, 44.1, 48 from analog, also 32 digitally.  AES/EBU digital, balanced
analog mic inputs w/phantom power


retailed for about $6000 (according ot the DAT Heads equipment FAQ)  new way
back when--I bought it from an audiophile who was using it with a separate
D/A convertor

works great--heads in good shape


includes heavy duty production video grade outboard power supply, operations
manual and I'll throw in about 17 new Maxell DAT tapes

jpegs on request

$ 575

Tom Lambrecht

hideomo@swbell.net

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From: "Bill Fox" <billfox@fast.net>
Subject: EMUSIC Top 20 Report for September, 2000
Date: Tue, 19 Sep 2000 23:24:48 -0400
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WDIY 88.1 FM "EMUSIC" Top 20 report to
New Age Voice and CD Revolutions for September, 2000.
Shows #179 to #182; 24-August-2000 to 14-September-2000
Reported in non-ranked order.
Compiled by Bill Fox, billfox@fast.net

CONTACT:   billfox@fast.net

ARTIST - ALBUM TITLE - LABEL
============================
ARC - Radio Sputnik - DiN
Artemiy Artemiev & Peter Frohmader - Space Icon - Electroshock
Ash Ra Tempel - Friendship - Manikin
Centrozoon - Blast - DiN
Cosmic Hoffmann - Beyond the Galaxy - Heart and Mind
Cyber Zen Sound Engine - Moonscapes: Enlightened - N-Light-N
Dweller at the Threshold - No Boundary Conditions - Eurock
Dweller at Threshold - Gerneration, Transmission, Illumination - Eurock
Elektronische Maschine - Energy - none
Ian Boddy & Markus Reuter -  Distant Rituals - DiN
Kubusschnitt - The Cube - Neu Harmony
Lambert - Essential - Spheric Music
Michael Stearns - Spirits of the Voyage - Earth Turtle
Michael Stearns - Within the Nine Dimensions - Earth Turtle
Otarion - Evolution - Neu Harmony
Saul Stokes - A Collection of Recordings - none
Steve Roach - Atmospheric Conditions - Timeroom
Steve Roach - Midnight Moon - Projekt
Synthetic Block - The Opposite of Staring Into Space - Ironing Board Recordings
Various - Concerts at Jodrell Bank - Neu Harmony

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Personal site: http://www.users.fast.net/~billfox

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 02:40:08 2000
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Date: Tue, 19 Sep 2000 23:31:52 -0700
From: Kim Flint <kflint@loopers-delight.com>
Subject: Oberheim Echoplex for sale
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Note, this is NOT me! send replies to this guy:

>From: "MARK FRANO" <mfrano@plainfield.bypass.com>
>Subject: Echoplex For Sale
>Date: Tue, 19 Sep 2000 23:16:48 -0400
>
> I have
>stumbled  on to a used Echoplex that I know many subscribers would be
>interested in. If  you feel it is appropriate, would you forward this
>message to the list. I was  going to post it myself but until I work out
>the problem with my mail, I  can't.   Oberheim Echoplex Digital Pro for
>Sale. 5.0 version, 198  seconds memory, no footswitch. mint condition.
>best offer.  
>Thank you,   Mark Frano

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 02:47:24 2000
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Date: Wed, 20 Sep 2000 02:46:16 EDT
Subject: Organizing Looping Festivals
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I'm wondering if people want to do Looping festivals in their area?

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 03:22:55 2000
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From: DanKoontz@webtv.net (Dan Koontz)
Date: Wed, 20 Sep 2000 00:21:34 -0700 (PDT)
To: Loopers-Delight@annihilist.com
Subject: OT:  David Keane book
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Hi,
I'm looking for the person on this list who was going to sell me David
Kean's "Tape Music Composition, will that person please e-mail me, I
lost your email address.
 
(I apologize to everyone else on this list whom this message doesn't
concern.)  

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 07:34:00 2000
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From: Tom Lambrecht <hideomo@swbell.net>
Subject: Re: Sellon Jamman upgrade for trade
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it's GONE, guys

thanks
Tom Lambrecht

hideomo@swbell.net

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 08:56:17 2000
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Paia Fatman and Blacet Synths for sale

Blacets modulars come in a frac rac the 2 synths  are dark star chaos and a klaangwerks ring modulator

Fatman comes with fine tuning knob to get to those inbetween notes

will trade for looper,m partial trade on a mackie 1604 or make offer

regards,
c.white

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 09:14:49 2000
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From: "Rainer Straschill" <rainer.straschill@izm-m.fhg.de>
To: <Loopers-Delight@loopers-delight.com>
Subject: software a la MusicBox (extremely old DOS sw)
Date: Wed, 20 Sep 2000 15:13:19 +0200
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This is a multi-part message in MIME format.

------=_NextPart_000_00A0_01C02315.4F9B7F50
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	charset="iso-8859-1"
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Greetings Loopers,

is there anyone remembering a software product (public domain I think) =
that existed about ten years ago, ran on MS-DOS PCs down to the =
traditional 4,77MHz XT and was a MIDI application where you could =
assemble different modules to form a more or less complex network to =
control MIDI devices with statistical, semistatistical, =
realtime-influenced or whatever stuff (actually, you could also output =
to the printer or whatever, but that's another story).

My question: is there any software still available that does something =
similair, and if its great, does also implement realtime audio content? =
Think of something like an AudioMulch for MIDI, but about 173 times more =
complex?

        Rainer

------=_NextPart_000_00A0_01C02315.4F9B7F50
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Greetings Loopers,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>is there anyone remembering a =
software product=20
(public domain I think) that existed about ten years ago, ran on MS-DOS =
PCs down=20
to the traditional 4,77MHz XT and was a MIDI application where you could =

assemble different modules to form a more or less complex network to =
control=20
MIDI devices with statistical, semistatistical, realtime-influenced or =
whatever=20
stuff (actually, you could also output to the printer or whatever, but =
that's=20
another story).</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>My question: is there any software =
still=20
available that does something similair, and if its great, does also =
implement=20
realtime audio content? Think of something like an AudioMulch for MIDI, =
but=20
about 173 times more complex?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 =
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Rainer</FONT></DIV></BODY></HTML>

------=_NextPart_000_00A0_01C02315.4F9B7F50--

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 10:16:29 2000
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
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Subject: Re: Organizing Looping Festivals
Date: Wed, 20 Sep 2000 09:10:11 -0500
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What do you have in mind?

Dennis Leas
-----------------------------
dennis@mdbs.com


----- Original Message ----- 
From: <SussieRegina@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, September 20, 2000 1:46 AM
Subject: Organizing Looping Festivals


> I'm wondering if people want to do Looping festivals in their area?
> 

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Sure.

M.

At 02:46 AM 9/20/00 EDT, you wrote:
>I'm wondering if people want to do Looping festivals in their area?
>
>

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> I just picked up a Line6 Delay and I like it a lot. The modulated delay
> and the auto-volume delay are lots of fun. I haven't had a chance to play
> with the looper setting very much yet. I am looking forward to using this
> in parallel with my HeadRush.

... try to use it in line with the headrush ... much more fun

jesús

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I had an SP-808 for two days an I took it back!  Not because it wasn't good, 
but because i 'thinks' differently than I do.  I have lots of experience with 
different samplers (Akai MPC-2000 mostly) and Hard Disk recording (I bought 
one of the first Roland DM-80's...$15k ouch).  And the SP-808 is a strange 
combination of the two ("don't understand it? wanna kill it...").  I really 
like the MC-505.  The most obvious addition to your rig would be a REPEATER.  
You would be able to sample "LIVE" while in sync with your 505 and 808, the 
loop gets stored to the memory card, and anytime you wish you could 'fly' 
your Repeater loops over to the 808.  Personally I would rather have the 
REPEATER alongside a regular hard Disk recorder (VS-1680 etc...).  I have a 
computer-based system now, and I intend to use te Repeater for loop 
construction while synced to my MAC.
hope that helps,
John
In a message dated 9/20/00 9:17:47 AM, 
Loopers-Delight-d-request@loopers-delight.com writes:

<< About a month ago I invested a little on the SP-808 Groove Sampler by 
Roland 
. I bought this machine without know a damned thing about sampling and was 
wondering if it was worth it or not ? I've never been on any other type of 
sampler . Does anyone have any tips on how to make this machine do what I 
want it to do  , or do I upgrade . >>

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Hi all,

if there are any roland sp202 owners out there : do you have =
alternatives for the pretty pricey roland smartmedia card?
Tips and tricks would be welcomed as well.

salu,

Jan=20

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<DIV><FONT face=3DArial size=3D2>Hi all,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>if there are any roland sp202 owners =
out there : do=20
you have alternatives for the pretty pricey roland smartmedia =
card?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tips and tricks would be welcomed as=20
well.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>salu,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Jan </FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 13:00:45 2000
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> if there are any roland sp202 owners out there : do you have
> alternatives for the pretty pricey roland smartmedia card?Tips and
> tricks would be welcomed as well.

I use a SP202 for loops exclusively so this is even on topic :)

You can use any 2 mg or 4mg 5vt Smart Media card.  I've successfully
used a couple different brands with no problem at all. The one issue
might be finding 5vt smart cards in that small a size. Most places no
longer stock 5vt cards at all (5VT seem to be the standard and these
will *not* work with the SP202). Also most places don't carry cards as
small as 2 or 4 mgs either.  If you do find them I suggest buying a few
of them. Try www.pricewatch.com and do some searches for various memory
companies., you might get a hit that way.



____________________________________________________________________
      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
  "Bringing you the best in Organic Electronic music since we
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 13:37:58 2000
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> You can use any 2 mg or 4mg 5vt Smart Media card.  I've successfully used
> a couple different brands with no problem at all. The one issue might be
> finding 5vt smart cards in that small a size. Most places no longer stock
> 5vt cards at all (5VT seem to be the standard and these will *not* work
> with the SP202).

Error in my post!

The above should read (3 VT cards seem to be the standard and these will
*not* work with the SP202)
                                    ^^^^

____________________________________________________________________
      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
  "Bringing you the best in Organic Electronic music since we started..."

  Home of the Unusual Instrument and Recording Gallery with pictures and
  info of Tube recorders, Omnichords, weird guitars, Casios, and more.


From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 14:08:42 2000
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Subject: Re: Organizing Looping Festivals
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I'm all for it, let me know when it hits the detroit-metro area!!

Pete.

>From: SussieRegina@aol.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@annihilist.com
>Subject: Organizing Looping Festivals
>Date: Wed, 20 Sep 2000 02:46:16 EDT
>
>I'm wondering if people want to do Looping festivals in their area?
>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 14:18:37 2000
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<html><P>Hello folks, this is the infamous DJ Devious D, and I have a observation. I have been reading through these post for some time, and I have noticed a disturbing trend... These post are not catagorized by any means. "What do you mean by that?", you say. These things should be broken down in catagories, of equipment, Loop experience, specific technical support type post. I have a ZooM Sample Trak 234, with a 16 Meg smartmedia card (I edit my samples on my PC, then upload them to the sampler. I use a bunch of different software to do&nbsp;this including Sound Forge 4.5, Cool Edit Pro and Recycle, but I have the darnest time working the dabnabbit thing. It drives me insane to sequence a series of samples to create a song (I need HALP!!!). So, are there any ZooM SampleTrak users out there, that are having a GOOD OLE time using the device? (I got mine from Sam Ash, for about 279.00, so the price was cool, but it's not as easy as my BOSS&nbsp;SP202, or even my ROLAND&nbsp;MS1, to operate).</P>
<P>Any suggestions?</P>
<P>&nbsp;</P>
<P>&nbsp;</P>
<P><BR><BR>&nbsp;</P><p><hr>Get Your Private, Free E-mail from MSN Hotmail at <a href="http://www.hotmail.com">http://www.hotmail.com</a>.<p>Share information about yourself, create your own public profile at <a href="http://profiles.msn.com">http://profiles.msn.com </a>.<br></p></html>

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Subject: Re: software a la MusicBox (extremely old DOS sw)
Date: Wed, 20 Sep 2000 14:24:47 -0400
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There's a few programs that do this.. Building Blocks which crashes alot =
on my PC, and a couple other ones I found on shareware music machine =
that aren't very fun or crash too.

But the best one I've used is called A Musical Generator and it is most =
likely on SMM as well. It lets you work with all forms of data and math =
functions, and assign it to notes/duration etc of specific scales/modes. =
It's pretty ghetto compared to a real commerical program, but that's the =
charm.

b
  ----- Original Message -----=20
  From: Rainer Straschill=20
  To: Loopers-Delight@loopers-delight.com=20
  Sent: Wednesday, September 20, 2000 9:13 AM
  Subject: software a la MusicBox (extremely old DOS sw)


  Greetings Loopers,
  =20
  is there anyone remembering a software product (public domain I think) =
that existed about ten years ago, ran on MS-DOS PCs down to the =
traditional 4,77MHz XT and was a MIDI application where you could =
assemble different modules to form a more or less complex network to =
control MIDI devices with statistical, semistatistical, =
realtime-influenced or whatever stuff (actually, you could also output =
to the printer or whatever, but that's another story).
  =20
  My question: is there any software still available that does something =
similair, and if its great, does also implement realtime audio content? =
Think of something like an AudioMulch for MIDI, but about 173 times more =
complex?
  =20
          Rainer

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<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>There's a few programs that do this.. Building Blocks which crashes =
alot on=20
my PC, and a couple other ones I found on shareware music machine that =
aren't=20
very fun or crash too.</DIV>
<DIV>&nbsp;</DIV>
<DIV>But the best one I've used is called A Musical Generator and it is =
most=20
likely on SMM as well. It lets you work with all forms of data and math=20
functions, and assign it to&nbsp;notes/duration etc of specific =
scales/modes.=20
It's pretty ghetto compared to a real commerical program, but that's the =

charm.</DIV>
<DIV>&nbsp;</DIV>
<DIV>b</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:rainer.straschill@izm-m.fhg.de"=20
  title=3Drainer.straschill@izm-m.fhg.de>Rainer Straschill</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@loopers-delight.com"=20
  =
title=3DLoopers-Delight@loopers-delight.com>Loopers-Delight@loopers-delig=
ht.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, September 20, =
2000 9:13=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> software a la MusicBox =

  (extremely old DOS sw)</DIV>
  <DIV><BR></DIV>
  <DIV><FONT color=3D#000000 size=3D2>Greetings Loopers,</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000000 size=3D2>is there anyone remembering a =
software product=20
  (public domain I think) that existed about ten years ago, ran on =
MS-DOS PCs=20
  down to the traditional 4,77MHz XT and was a MIDI application where =
you could=20
  assemble different modules to form a more or less complex network to =
control=20
  MIDI devices with statistical, semistatistical, realtime-influenced or =

  whatever stuff (actually, you could also output to the printer or =
whatever,=20
  but that's another story).</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000000 size=3D2>My question: is there any software =
still=20
  available that does something similair, and if its great, does also =
implement=20
  realtime audio content? Think of something like an AudioMulch for =
MIDI, but=20
  about 173 times more complex?</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000000 =
size=3D2>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
  Rainer</FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0035_01C0230E.875CE3E0--

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 14:39:16 2000
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To: "looper's delight" <Loopers-Delight@loopers-delight.com>
Cc: robert dennis <rdennis@royal-oak.org>
Subject: nyc psych gig alert
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not loop specific, perhaps, but pretty
loopy nonetheless:


monday 9/25
at brownies

169 avenue a (duh...)
improv/psych trio

tono-bungay (10 pm)


but also on this bill:

circle (from finland)
up on in
tungsten 74

see you there?




From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 15:08:15 2000
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From: JohnMameli@aol.com
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Date: Wed, 20 Sep 2000 15:04:31 EDT
Subject: Echo-plex repair
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    I have three or four Echo-plex machines that need repair; can anyone help 
me?                                                               
Please~!!!!!!!!!!

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 15:43:16 2000
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Date: Wed, 20 Sep 2000 15:41:20 -0400
To: Loopers-Delight@loopers-delight.com
From: Tom Ritchford <tom@swirly.com>
Subject: MUSICAL LOOPS: I'm playing Sunday 24 September w/Lukas Ligeti
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Special performance: "Musical Loops": improvised electronic music with Lukas
Ligeti and Tom Ritchford

Venue: PARKER'S BOX, 193 Grand Street (between Bedford and Driggs),
Williamsburg, Brooklyn
Time: Sunday 24th September, 5-8pm

Lukas has given the name "Musical Loops" to this performance, to coincide with
"Modular Loops", the name of the visual art show we are performing
'within' at the gallery, comprising work by three artists - Tim Laun (New
York), Stefan Sehler (Berlin) & Gerard Williams (London).

There is no admission charge for this performance.


This is part of the Elsewhere: Williamsburg weekend event - with 33
Williamsburg and Greenpoint galleries putting on shows.


This is my first (public) performance with Lukas, a noted drummer
of great talent, and we'll be trotting out all sorts of new material.

This is a chance to check out my stuff for free!

	/t

...electronic a capella madness  <http://volectrix.com>.........
...extreme internet radio        <http://extremeNY.com/radio>...

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 17:03:54 2000
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Subject: Re: Synths for sale
From: "Skza" <skza@nabi.net>
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Hey do you stillhave the blacet stuff? I really really want it, and was 
about to buy it from blacet! if you have it still let me know!!!

thanks!

Skye

----------
>From: magicicada@mindspring.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Synths for sale
>Date: Wed, Sep 20, 2000, 7:54 AM
>

>
>
> Paia Fatman and Blacet Synths for sale
>
> Blacets modulars come in a frac rac the 2 synths  are dark star chaos and a
> klaangwerks ring modulator
>
> Fatman comes with fine tuning knob to get to those inbetween notes
>
> will trade for looper,m partial trade on a mackie 1604 or make offer
>
> regards,
> c.white
> 

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 17:05:51 2000
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> THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3052307428_227715_MIME_Part
Content-type: text/plain; charset="US-ASCII"
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Look around in little computer stores that sell digital cameras & shit-

I have seen lots for like 13 dollars...   The brand I got was called
"digital film"
or something like that... IF you get a non roland brand they're cheap as
hell!
Good luck-

Skye

----------
From: "Sound Mind" <soundmind@pandora.be>
To: <Loopers-Delight@loopers-delight.com>
Subject: sp202 memory
Date: Wed, Sep 20, 2000, 11:12 AM


Hi all,

if there are any roland sp202 owners out there : do you have alternatives
for the pretty pricey roland smartmedia card?
Tips and tricks would be welcomed as well.

salu,

Jan


--MS_Mac_OE_3052307428_227715_MIME_Part
Content-type: text/html; charset="US-ASCII"
Content-transfer-encoding: quoted-printable

<HTML>
<HEAD>
<TITLE>Re: sp202 memory</TITLE>
</HEAD>
<BODY BGCOLOR=3D"#FFFFFF">
Look around in little computer stores that sell digital cameras &amp; shit-=
<BR>
<BR>
I have seen lots for like 13 dollars... &nbsp;&nbsp;The brand I got was cal=
led &quot;digital film&quot;<BR>
or something like that... IF you get a non roland brand they're cheap as he=
ll!<BR>
Good luck-<BR>
<BR>
Skye<BR>
<BR>
----------<BR>
From: &quot;Sound Mind&quot; &lt;soundmind@pandora.be&gt;<BR>
To: &lt;Loopers-Delight@loopers-delight.com&gt;<BR>
Subject: sp202 memory<BR>
Date: Wed, Sep 20, 2000, 11:12 AM<BR>
<BR>
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2"><FONT FACE=3D"Arial">Hi all,<BR>
</FONT></FONT>&nbsp;<BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">if there are any roland sp202 owners out =
there : do you have alternatives for the pretty pricey roland smartmedia car=
d?<BR>
Tips and tricks would be welcomed as well.<BR>
</FONT></FONT>&nbsp;<BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">salu,<BR>
</FONT></FONT>&nbsp;<BR>
<FONT SIZE=3D"2"><FONT FACE=3D"Arial">Jan <BR>
</FONT></FONT><BR>
</BLOCKQUOTE>
</BODY>
</HTML>

--MS_Mac_OE_3052307428_227715_MIME_Part--

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 17:08:08 2000
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Send them to Gibson.

M.

At 03:04 PM 9/20/00 EDT, you wrote:
>    I have three or four Echo-plex machines that need repair; can anyone
help 
>me?                                                               
>Please~!!!!!!!!!!
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 18:19:00 2000
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Date: Wed, 20 Sep 2000 18:16:12 EDT
Subject: Re: Echo-plex repair
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    Thank you!!!!!!!!!!!!!

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 18:32:47 2000
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Date: Thu, 21 Sep 2000 00:25:54 CEST
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ehi Kim...weren't we talking about reliability??? Now it's not me!!!
Sorry John, ask Gibson...they ARE SUPPOSED to help you. Italoop.

>From: JohnMameli@aol.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@annihilist.com
>Subject: Echo-plex repair
>Date: Wed, 20 Sep 2000 15:04:31 EDT
>
>     I have three or four Echo-plex machines that need repair; can anyone 
>help
>me?
>Please~!!!!!!!!!!
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 18:36:15 2000
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Date: Wed, 20 Sep 2000 16:36:15 -0600 (MDT)
From: the Reverend Rob <reverendrob@realm-of-shade.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Echo-plex repair
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On Thu, 21 Sep 2000, italo de angelis wrote:

> ehi Kim...weren't we talking about reliability??? Now it's not me!!!
> Sorry John, ask Gibson...they ARE SUPPOSED to help you. Italoop.    

Gibson may not be able to help here; the original question never stated
whether it was an original tape Echoplex or the EDP model.

==
the Reverend Rob
http://www.mp3.com/thereverendrob

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 18:46:30 2000
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	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Echo-plex repair
Date: Wed, 20 Sep 2000 18:33:34 -0400
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wondering if the original guy meant TAPE echoplexi . . . 


stig

-----Original Message-----
From: italo de angelis [mailto:italoop@hotmail.com]
Sent: Wednesday, September 20, 2000 5:26 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Echo-plex repair


ehi Kim...weren't we talking about reliability??? Now it's not me!!!
Sorry John, ask Gibson...they ARE SUPPOSED to help you. Italoop.

>From: JohnMameli@aol.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@annihilist.com
>Subject: Echo-plex repair
>Date: Wed, 20 Sep 2000 15:04:31 EDT
>
>     I have three or four Echo-plex machines that need repair; can anyone 
>help
>me?
>Please~!!!!!!!!!!
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 18:49:21 2000
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From: JohnMameli@aol.com
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Date: Wed, 20 Sep 2000 18:31:59 EDT
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    Thank-you for writting back.........Pull up my web site; sing my book; 
I'll send you a t-shirt or hat......(www.mameli.com) Later!

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 20:14:30 2000
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Subject: NYC only! [Fwd: The Dream House 2000-2001]
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This is a multi-part message in MIME format.
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Looking for help at the La Monte Young & Marian Zazeelas Dream House.

Forgive the cross post!


-- 
* D a v i d         B e a r d s l e y
* 49/32  R a d i o "all microtonal, all the time"
* http://www.virtulink.com/immp/lookhere.htm
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From: "mela foundation" <melafoundation@rcn.com>
To: <melafoundation@rcn.com>
Subject: The Dream House 2000-2001 
Date: Sun, 17 Sep 2000 19:51:34 -0400
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Dear All,

You're receiving this email either because you are/have been a Dream =
House monitor or you're an ongoing friend and supporter of the Dream =
House and MELA Foundation.=20

We want to let you know that Saturday, September 23, marks the opening =
of the 2000-2001 Dream House season! =20

This year we are happy to announce some exciting news.  First of all, =
MELA Foundation has succeeded in securing a lease on the Dream House =
space for another eight years, insuring that the sounds and sights of La =
Monte Young and Marian Zazeela will continue to be experienced for the =
better part of the coming decade. =20

Also, the Dream House has been newly renovated with wall to wall carpet, =
new white paint, fix-ups and general reorganization.  Little by little =
we're trying to make it a better experience for visitors and monitors!

One of the most important aspects of the Dream House is the volunteer =
monitor system - even if you have never been a monitor before, we invite =
you to consider it this year - it's a great way to experience the Dream =
House and it plays an invaluable role in keeping the Dream House alive. =
Or, if you can't be a monitor, please tell anyone you know who might be =
interested in participating as a monitor to get in touch with us (by =
phone 212-925-8270, by email melafoundation@rcn.com).

Hope your summer was excellent and we look forward to seeing you at the =
Dream House this season.

Warm regards,=20

Michelle Dorvillier
MELA Foundation




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http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>Dear All,</DIV>
<DIV>&nbsp;</DIV>
<DIV>You're receiving this email either because you are/have been a =
Dream House=20
monitor or you're an ongoing friend and supporter of the Dream House and =
MELA=20
Foundation.&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>We want to let you know that Saturday, September 23, marks the =
opening of=20
the 2000-2001 Dream House season!&nbsp; </DIV>
<DIV>&nbsp;</DIV>
<DIV>This year we are happy to announce some exciting news.&nbsp; First =
of all,=20
MELA Foundation has succeeded in securing a lease on the Dream House =
space for=20
another eight years, insuring that the sounds and sights of La Monte =
Young and=20
Marian Zazeela will continue to be experienced for&nbsp;the better part =
of the=20
coming decade.&nbsp; </DIV>
<DIV>&nbsp;</DIV>
<DIV>Also, the Dream House has been newly renovated with wall to wall =
carpet,=20
new white paint, fix-ups and general reorganization.&nbsp; Little by =
little=20
we're trying to make it a better experience for visitors and =
monitors!</DIV>
<DIV>&nbsp;</DIV>
<DIV>One of the most important aspects of the Dream House&nbsp;is the =
volunteer=20
monitor system - even if you have never been a monitor before, we invite =
you to=20
consider it this year - it's a great way to experience the Dream House =
and it=20
plays an invaluable role in keeping the Dream House alive. Or, if you =
can't be a=20
monitor, please tell anyone you know who might be interested in =
participating as=20
a monitor to get in touch with us (by phone 212-925-8270, by email <A=20
href=3D"mailto:melafoundation@rcn.com">melafoundation@rcn.com</A>).</DIV>=

<DIV>&nbsp;</DIV>
<DIV>Hope your summer was excellent and we look forward to seeing you at =
the=20
Dream House this season.</DIV>
<DIV>&nbsp;</DIV>
<DIV>Warm regards, </DIV>
<DIV>&nbsp;</DIV>
<DIV>Michelle Dorvillier</DIV>
<DIV>MELA Foundation</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 20:23:28 2000
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Subject: way OT  (NYC only! [Fwd: The Dream House 2000-2001])
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John Cale's new bio, What's Welsh For Zen, says some interesting things about 
working with LaMonte Young (Cale worked with him in the 60's).  I recommend 
it.

Kevin

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 21:52:15 2000
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my MONSTER RANG has returned from texas........DR NELSON has done his 
work.........im going to plug it in now..........im 
shakin!............:)..............but first, i will read the 20 page manual, 
i like (need) manuals...........ill report back later.........michael

From Loopers-Delight-request@loopers-delight.com  Wed Sep 20 23:59:16 2000
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    A couple of days ago I posted on this list and asked about the sp-808 . I 
want to use this machine for vocals and sound-fx mostly but I have no idea 
where to get samples at . Are those loopzilla CD,s worth it at all ? Or do 
you guys know where I can download vocal samples from (i.e. Napstar maybe) ? 
And what's the price range on a REPEATER ?

Thanx,
     The Groove-Kidd

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 00:01:30 2000
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OdysseyFX3@aol.com (10:56 PM 09.20.2000) wrote:

 >And what's the price range on a REPEATER ?

It will list for US $699.


Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 01:59:36 2000
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Subject: Re: Organizing Looping Festivals
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YES!

Gareth

Incidentally, I'm playing live with Kyma and my new , (secondhand) laptop on
27th September at Chapter Arts' Centre, Wales, UK at the Diggers' club. I
know most of you can't make the necessary transatlantic journey  - maybe I
should record it, (It's sort of freeform world jazz stuff.)
Anyone who makes it gets a free pint form me!
Hey, this is starting to sound desperate :)

G

----- Original Message -----
From: <SussieRegina@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, September 20, 2000 7:46 AM
Subject: Organizing Looping Festivals


> I'm wondering if people want to do Looping festivals in their area?
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 03:08:48 2000
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At 3:36 PM -0700 9/20/00, the Reverend Rob wrote:
>On Thu, 21 Sep 2000, italo de angelis wrote:
>
>> ehi Kim...weren't we talking about reliability??? Now it's not me!!!
>> Sorry John, ask Gibson...they ARE SUPPOSED to help you. Italoop.
>
>Gibson may not be able to help here; the original question never stated
>whether it was an original tape Echoplex or the EDP model.
>

right.

John, if you are talking about the Gibson/Oberheim Echoplex Digital Pro,
then you can contact Shane Radtke at Gibson,  <sradtke@gibson.com>,
1-800-544-2766 x206 or (847) 741-7315 x206.  He'll fix you right up.

But if you are talking about the old Echoplex tape delays, I have no idea.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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Thanks for the tips.
BTW, I was going to use the sp to sample some loops made on the dl 4, =
but now I've heard the cd that came along with the sp, I'll be using =
that a lot too.  Boy, am I going to need memory cards!

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<DIV><FONT face=3DArial size=3D2>Thanks for the tips.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>BTW, I was going to use the sp to =
sample some loops=20
made on the dl 4, but now I've heard the cd that came along with the sp, =
I'll be=20
using that a lot too.&nbsp; Boy, am I going to need memory=20
cards!</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 07:04:20 2000
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At 12:00 AM 9/21/00 -0700, you wrote:
>But if you are talking about the old Echoplex tape delays, I have no idea.

<http://www.fuzzorama.com/> claims to specialize in tape 'plexi...

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 08:48:51 2000
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Subject: Experimental Musical Instruments
From: David Myers <dmgraph@earthlink.net>
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Since several members of the list were interested in the 'Gravikord,
Whirlies and Pyrophones' and 'Orbitones, Spoon Harps & Bellowphones'
material, I want to pass on info about Experimental Musical Instruments,
long a magazine and cassette tape champion of weird instruments and sounds.
The GWP and OSH&B CDs are available at their website, and (most
importantly!) there is a new CD, 'Experimental Musical Instruments-Early
Years' which presents quite a variety of strange and beautiful sounds from
1985-1992.  It is completely irrelevant that yours truly has contributed one
of the 19 tracks!!  Check it out at

http://www.windworld.com/emi/index.htm

Enjoy!

david lee myers

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Re: Experimental Musical Instruments.... 
go to <A HREF="http://www.catalog.com/starrlab/">Starr Labs</A>   custom 
controllers   see Tap Guitar (Pat.Appl.for)...

Regards, Wayne Wesley Johnson



More info about WWJ, Ruben Romero & Wannadu,LLC:

<A HREF="http://www.cdbaby.com/view/wwjrr">CD Baby: WAYNE WESLEY JOHNSON & 
RUBEN ROMERO: Hypnotic Safari - hear and buy it</A> 

<A 
HREF="http://spiderontheweb.com/Merchant2/merchant.mv?Screen=PROD&Store_Code%2
0=1&Product_Code=WWJO1">Independent Music Showcase: Wayne Wesley Johnson & 
Ruben Romero - Hypnotic Safari</A>

 <A HREF="http://www.guitar9.com/hypnoticsafari.html"> Guitar Nine Records - 
Johnson/Romero "Hypnotic Safari"</A>

 <A 
HREF="http://publish.hometown.aol.com/_cqr/qp/qp.adp?time=960868217&cc=english
&prompt=index">Wayne Wesley Johnson's Home Page</A> 
 <A HREF="http://rubenromero.com/">Ruben Romero's Website</A> 

Wannadu, LLC
P.O. Box 212
Oldwick, New Jersey 08858-0212

phone: 908.236.2900
fax: 908.236.2985
email:  Wjguitar@aol.com
website:   <A HREF="http://wannadu.com/">http://www.wannadu.com</A>
Member AFIM / NAMM






From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 09:06:18 2000
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In a message dated 9/21/00 8:46:08 AM Eastern Daylight Time, 
dmgraph@earthlink.net writes:

<< http://www.windworld.com/emi/index.htm >>

I happened to see the Pick-up the World products being offered in the catalog 
section of this website.....

It just so happens I received samples of these pickups last evening and tried 
them out....they are exceptional in tone / sound.  Easy to install, they 
truly reproduce the acoustic sounds of the instrument..in my case a flamenco 
or classical guitar.  I understand that they can also be used on an archtop 
guitar, between the bridge and saddle.  

I would recommend the use of a tube preamp between the pickup and 
mixer/amplifier, to boost level, and provide that warm natural sound.  Other 
than that, it appears to be a very fine product.  I'll use them.

Regards, Wayne 


More info about WWJ, Ruben Romero & Wannadu,LLC:

<A HREF="http://www.cdbaby.com/view/wwjrr">CD Baby: WAYNE WESLEY JOHNSON & 
RUBEN ROMERO: Hypnotic Safari - hear and buy it</A> 

<A 
HREF="http://spiderontheweb.com/Merchant2/merchant.mv?Screen=PROD&Store_Code%2
0=1&Product_Code=WWJO1">Independent Music Showcase: Wayne Wesley Johnson & 
Ruben Romero - Hypnotic Safari</A>

 <A HREF="http://www.guitar9.com/hypnoticsafari.html"> Guitar Nine Records - 
Johnson/Romero "Hypnotic Safari"</A>

 <A 
HREF="http://publish.hometown.aol.com/_cqr/qp/qp.adp?time=960868217&cc=english
&prompt=index">Wayne Wesley Johnson's Home Page</A> 
 <A HREF="http://rubenromero.com/">Ruben Romero's Website</A> 

Wannadu, LLC
P.O. Box 212
Oldwick, New Jersey 08858-0212

phone: 908.236.2900
fax: 908.236.2985
email:  Wjguitar@aol.com
website:   <A HREF="http://wannadu.com/">http://www.wannadu.com</A>
Member AFIM / NAMM






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sorry.....it was a 10 page manual, not 20......didnt want to get everyone 
excited........michael

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noah wrote:
> 
> Right then. We've got 26 people so far, and the kind folks at Alto Music
> have offered to support our orgy of consumerism. Remember, if you want in,
> email
> 
> repeater@braincramp.org
> 
> with your Full Name, and an amusing comment (not required, but
> appreciated.)
> 
> -><-

boys
If you only knew whats in the next plex upgrade

hu hu hu

Claude

8=)


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Subject: performance at Chapter Arts' Centre
Date: Thu, 21 Sep 2000 09:51:45 -0500
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Gareth,

> Incidentally, I'm playing live with Kyma and my new , (secondhand) laptop
on...
>...maybe I
> should record it, (It's sort of freeform world jazz stuff.)
>...

Please do!  If you're interested, I'll trade recordings.  I don't have any
current looping performances (been too busy writing looper code lately) but I
have an improv performance (with some looping) from my group "Trans-Sonic
Music".

Dennis Leas
-----------------------------
dennis@mdbs.com

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Come on...  The next Echoplex upgrade for sure is only software and it will
not cost $700.  ...Right, Kim?

  | -----Original Message-----
  | From: Claude Voit [mailto:c.voit@vtx.ch]
  | Sent: Monday 18 September 2000 8:01 PM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: Re: Repeater Group Buy
  |
  |
  | noah wrote:
  | >
  | > Right then. We've got 26 people so far, and the kind folks at
  | Alto Music...

  | boys
  | If you only knew whats in the next plex upgrade
  |
  | hu hu hu
  |
  | Claude

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well let's hear it.
what's in the next edp upgrade?


----- Original Message -----
From: "Claude Voit" <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, September 18, 2000 10:00 PM
Subject: Re: Repeater Group Buy


> noah wrote:
> >
> > Right then. We've got 26 people so far, and the kind folks at Alto Music
> > have offered to support our orgy of consumerism. Remember, if you want
in,
> > email
> >
> > repeater@braincramp.org
> >
> > with your Full Name, and an amusing comment (not required, but
> > appreciated.)
> >
> > -><-
>
> boys
> If you only knew whats in the next plex upgrade
>
> hu hu hu
>
> Claude
>
> 8=)
>
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 12:48:42 2000
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>From: jim palmer <jimp@pobox.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Repeater Group Buy
>Date: Thu, 21 Sep 2000 10:46:39 -0500
>
>well let's hear it.
>what's in the next edp upgrade?
>
>
>>What's really irritating is keeping to get some dark & misterious little 
>>chunls of info on what EDP is supposed to become! ! !
So way these smart engineers don't tell us more about this "mutation"?
Damon teaches! ! !  That's the way to go...we're waiting!  ITALO

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 14:15:16 2000
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I can confidently say it is software and will not cost $700. ;-)

but Claude does have good reason to be excited.
kim

>Come on...  The next Echoplex upgrade for sure is only software and it will
>not cost $700.  ...Right, Kim?
>
>  | -----Original Message-----
>  | From: Claude Voit [mailto:c.voit@vtx.ch]
>  | Sent: Monday 18 September 2000 8:01 PM
>  | To: Loopers-Delight@loopers-delight.com
>  | Subject: Re: Repeater Group Buy
>  |
>  |
>  | noah wrote:
>  | >
>  | > Right then. We've got 26 people so far, and the kind folks at
>  | Alto Music...
>
>  | boys
>  | If you only knew whats in the next plex upgrade
>  |
>  | hu hu hu
>  |
>  | Claude


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 14:47:21 2000
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At 11:43 AM -0700 9/21/00, italo de angelis wrote:
>>From: jim palmer <jimp@pobox.com>
>>well let's hear it.
>>what's in the next edp upgrade?
>>
>>
>What's really irritating is keeping to get some dark & misterious little
>chunls of info on what EDP is supposed to become! ! !
>So way these smart engineers don't tell us more about this "mutation"?
>Damon teaches! ! !  That's the way to go...we're waiting!  ITALO

well Italo, do you always sneak in and open your presents before it is time?

We've been teaching you for years, and we've dropped soooo many hints. Were
you not paying attention?

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 15:02:10 2000
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Date: Thu, 21 Sep 2000 13:42:07 -0500
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comon.
what?
when?
why the top secret agent prisoner village routine?
we want information.

-#6

----- Original Message -----
From: "Kim Flint" <kflint@loopers-delight.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 21, 2000 12:44 PM
Subject: RE: Repeater Group Buy


> I can confidently say it is software and will not cost $700. ;-)
>
> but Claude does have good reason to be excited.
> kim
>
> >Come on...  The next Echoplex upgrade for sure is only software and it
will
> >not cost $700.  ...Right, Kim?
> >
> >  | -----Original Message-----
> >  | From: Claude Voit [mailto:c.voit@vtx.ch]
> >  | Sent: Monday 18 September 2000 8:01 PM
> >  | To: Loopers-Delight@loopers-delight.com
> >  | Subject: Re: Repeater Group Buy
> >  |
> >  |
> >  | noah wrote:
> >  | >
> >  | > Right then. We've got 26 people so far, and the kind folks at
> >  | Alto Music...
> >
> >  | boys
> >  | If you only knew whats in the next plex upgrade
> >  |
> >  | hu hu hu
> >  |
> >  | Claude
>
>
> ______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>
>

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From: "Luca" <lucafeed@tin.it>
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Subject: NY & SF live perfomances 
Date: Thu, 21 Sep 2000 21:13:56 +0200
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Hi everybody,
To those who may be interested I will be in U.S. with the  friend =
Roberto Zorzi  who is going to have one gig in NY and one in SF.
Roberto is a deep improvvisational guitarist using loops (see his =
biography on LD's  "LOOPERS OF THE WORLD")

New York:=20
Wednesday, sept. 27 - at 8 & 10:00pm, $10=20
at TONIC CLUB

Elliott Sharp,=20
Roberto Zorzi,=20
Joey Baron.

"On the eve of their recording session for the Auditorium label, join =
Joey Baron and Elliott Sharp for an improvised meeting with Italian =
guitarist Roberto Zorzi. Zorzi's most recent recording was a duo session =
with Henry Kaiser. His previous group, NAD, released one CD with guests =
Fred Frith, Sonny Sharrock, Christian Marclay, Kaiser, Zeena Parkins, =
and E#.=20
Tonic is located at 107 Norfolk Street between Delancey and Rivington in =
Manhattan's Lower East Side. You can take the F train to Delancey Street =
or the J/M/Z trains to Essex Street. Walk along Delancey towards the =
Williamsburg bridge and take your first left onto Norfolk. "=20



San Francisco:=20
Sunday, oct. 1 - 8.00 pm.=20
Free Concert
at WOODY WOODNAN'S FINGER PLACE
903 Cedar St., Berkeley, CA.
=20
Gregg Goodman, piano
Henry Kaiser, guitar
Roberto Zorzi, guitar


Happy to see you there.
Luca

=20

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D3>Hi everybody,</FONT></DIV>
<DIV><FONT face=3DArial size=3D3>To those who may be interested I will =
be in U.S.=20
with&nbsp;the&nbsp; friend Roberto Zorzi  who is going to have one gig =
in NY and=20
one in SF.</FONT></DIV>
<DIV><FONT size=3D3>Roberto is a deep improvvisational guitarist using =
loops (see=20
his biography on LD's  "LOOPERS OF THE WORLD")</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial><STRONG><FONT size=3D3>New York: =
</FONT></STRONG>
<DIV><STRONG><FONT face=3DArial size=3D3>Wednesday, sept. 27 - at 8 =
&amp; 10:00pm,=20
$10 </FONT></STRONG></DIV>
<DIV><FONT face=3DArial size=3D3><STRONG>at TONIC =
CLUB</STRONG></FONT></DIV>
<DIV>&nbsp;</DIV></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D3>Elliott Sharp, =
</FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D3>Roberto Zorzi, =
</FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D3>Joey Baron.</FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D3><BR>"On the eve of their =
recording session=20
for the Auditorium label, join Joey Baron and Elliott Sharp for an =
improvised=20
meeting with Italian guitarist Roberto Zorzi. Zorzi's most recent =
recording was=20
a duo session with Henry Kaiser. His previous group, NAD, released one =
CD with=20
guests Fred Frith, Sonny Sharrock, Christian Marclay, Kaiser, Zeena =
Parkins, and=20
E#. </FONT></DIV>
<DIV><FONT face=3DArial>
<P><FONT size=3D3>Tonic is located at 107 Norfolk Street between =
Delancey and=20
Rivington in Manhattan's Lower East Side. You can take the F train to =
Delancey=20
Street or the J/M/Z trains to Essex Street. Walk along Delancey towards =
the=20
Williamsburg bridge and take your first left onto Norfolk. " </FONT>
<P>&nbsp;</P></FONT></DIV></FONT>
<DIV><STRONG><FONT size=3D3><FONT face=3DArial>San Francisco:=20
</FONT></FONT></STRONG></DIV>
<DIV><STRONG><FONT face=3DArial size=3D3>Sunday, oct. 1 - 8.00 pm.=20
</FONT></STRONG></DIV>
<DIV><STRONG><FONT face=3DArial size=3D3>Free Concert<BR>at WOODY =
WOODNAN'S FINGER=20
PLACE<BR>903 Cedar St., Berkeley, CA.</FONT></STRONG></DIV>
<DIV><FONT size=3D+0><STRONG>&nbsp;</STRONG></FONT></DIV>
<DIV><FONT face=3DArial size=3D3>Gregg Goodman, piano<BR>Henry Kaiser,=20
guitar</FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D3>Roberto Zorzi, =
guitar</FONT></FONT></DIV>
<DIV><FONT face=3DArial><FONT size=3D3><BR>&nbsp;</DIV></FONT></FONT>
<DIV><FONT face=3DArial size=3D3>Happy&nbsp;to see you =
there.</FONT></DIV>
<DIV><FONT face=3DArial size=3D3>Luca</FONT></DIV>
<DIV><FONT face=3DArial><BR><FONT=20
size=3D3><STRONG>&nbsp;</STRONG></FONT></DIV></FONT></FONT></DIV></FONT><=
/DIV></BODY></HTML>

------=_NextPart_000_002F_01C02410.DA0F8220--

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 15:22:31 2000
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Kim Flint wrote:

> well Italo, do you always sneak in and open your presents before it is time?
> 
> We've been teaching you for years, and we've dropped soooo many hints. Were
> you not paying attention?
> 

do not forget that as R is not out yet the only people you heard
speaking of the R
have a good reasons to have biased opinions (with a lot of respect of
what Electric does) they are as Kim tied to the absolute secret of their
holly Quest...

now the reason of my provocative post is the fact that 26 people have
already decided to spend almost 700$ on a product nobody that can speak
has seen, heard, used.
I did that once; never again. Thats also a reason I took on my free time
the EDP wagon; by firing ideas and beta testing. So it'll be like I and
you can use it without a glitch for any stupid,crazy,creative, way you
like.

I'll wait
and play

Claude

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 15:26:37 2000
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Italo,

You really should look up "patience" in "Bartlett's Familiar
Quotations." Here's one entry, said by De Buffon: "Genius is nothing but
a greater aptitude for patience." Or how about what the "patience of
Job" can teach us? :-)

There has been plenty of talk on this list about some of the new
features we'll see in the next EDP upgrade, granted most of this was a
while ago. Use the list's search engine to find those new features, at
http://www.loopers-delight.com/cgi-bin/wilma/LDarchive 
or maybe someone with a better memory than me can do a recap.

Kim is one of the better "teachers" I've ever come across and was the
one, along with Matthais, who "teaches" us what the EDP *can* do and
some of what the upgrade *will* do. 

Italo, I guess i'm mostly curious about this: Why do you have such
frenzied enthusiasm for a piece of gear that hasn't even shipped yet?
The Repeater looks like it's gonna be a cool tool for some applications,
but that's all I can say right now because not one Repeater has been
sold yet (at least not to my knowledge, Damon. :-)).

Jim



italo de angelis wrote:
 >
> >well let's hear it.
> >what's in the next edp upgrade?
> >
> >
> >>What's really irritating is keeping to get some dark & misterious little
> >>chunls of info on what EDP is supposed to become! ! !
> So way these smart engineers don't tell us more about this "mutation"?
> Damon teaches! ! !  That's the way to go...we're waiting!  ITALO
> 
> _________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
> 
> Share information about yourself, create your own public profile at
> http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 15:33:52 2000
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jim palmer wrote:
> 
> comon.
> what?
> when?
> why the top secret agent prisoner village routine?
> we want information.
> 
> -#6
> 
the 2 Eprom chip have 28 legs 

in the mean time try that

some original EDP upgrade code

S004000048B3
S10500020000F8
S10500000000FA
S1130800F900907C00CE7CFFF4FC00FF00FC00FFAC
S1130810ECFC00FFF2FCD0B9003C3C1441F856005B
S1130820F900FF00045E75B90064B900CCB900900A
S11308305E755600F900FFEC045E75005071082ED9
S1130840FC8786024146FC755600E7FEFC9F02A029
S1130850FC0002C0FC000240FC2502A03C083CCB8A
S113086071CEFCFC0D02A0CFECFC9902A07C020628

wait somebody entered the garden

NOOOOOOOOOoooooooooo

c.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 15:35:42 2000
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Claude Voit (11:20 PM 09.21.2000) wrote:

 >Kim Flint wrote:
 >
 >> well Italo, do you always sneak in and open your presents before it is
 >> time?
 >>
 >> We've been teaching you for years, and we've dropped soooo many hints. Were
 >> you not paying attention?
 >
 >do not forget that as R is not out yet the only people you heard
 >speaking of the R
 >have a good reasons to have biased opinions (with a lot of respect of
 >what Electric does) they are as Kim tied to the absolute secret of their
 >holly Quest...

but...

Electrix has published a good amount of information on what Repeater is 
spec'd to do. All in one place, and without having to deduce the projected 
feature set from hints.

As someone that's been pushing, supporting and even defending Repeater 
since late July, I'd like to know at least the spec'd feature set for EDP 
++. :)


 >now the reason of my provocative post is the fact that 26 people have
 >already decided to spend almost 700$ on a product nobody that can speak
 >has seen, heard, used.

Yeup. It's a bunch of folks jumping in on faith. I buy probably 97% of my 
gear sight unseen. I've been burned too, but I've gotten smarter and have 
developed a better sense of reading between the lines.

People are different... But, folks are also asking for more up-front 
information on what EDP ++ will be... Maybe they _will_ wait and see what 
comes of it. Or, maybe they won't.

But they are in fact trying to be informed impulse buyers. :)


Mark

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 15:43:05 2000
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Subject: edp upgrade?
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well as one of the very few echoplex endorsers... i am interested in the repeater because my echoplex has ben totally unreliable and gibson's repair policy is so incredibly lame... there is no certified repair station except their own and your are completely at their mercy.  no offence, but i don't play in my basement (although i hear many folks make great music there...) but doing a live radio show being broadcast on 250 radios stations and having the plex decide that today is not a working day... well... it just don't cut it.
   i'm interested in anything that i can fly  (in a very expensive shock mount flight case) around the world and have it actually work when i get there. is that so wrong?

monk

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 15:47:17 2000
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Subject: Re: edp upgrade? and annuder thing
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one more little piece of sand in the ointment.  as an endorser of the EDP, i would have thought that i would have been polled about my experience with it, it's shortcomings and strengths... but i wasn't... was anyone else?


peace


monk

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 16:19:36 2000
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One of the most important marketing rules is that no product can exist until
potential customers are informed about it and its power is in direct
proportion to the information.
I understand the attraction of being subversive to rules but, please Kim,
resist to this temptation.
Or, at least, tell us a date where the magic potion will be revealed.
I cannot play  hide and seek at my age.

lu

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> monk
is this Rich or another monk

Todd Quincy							
BC Rich, Kustom, PowerWerks, Davitt & Hanser	          




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> why the top secret agent prisoner village routine?
> we want information.
(etc.)

Headline: Pending Product Release Prompts Prodigious Promises, Pries Other
Tongues Loose

Hmmmm, an emerging pattern here...the bigger the promise, the less the
information....

Damon Langlois -
    REPEATER: Product sounds great!
    talks a lot, lot of pictures

Kim Flint
    EDP: Claude implies great, great things; as does Kim
    talks little, no pix

Dennis Leas (yes, I plan to offer some toys for Kyma)
    ??: incredible stuff, believe me (nod, nod, wink, wink)
    talked once (like now), no pix

my friend Joe
    ?: ? - something so, good, he never says ANYTHING to anybody, not even to
me!
    no talk, no pix

my other friend
    ?: ? - must be the ultimate, soo good, he never even THINKS about it
    no talk , no pix, no thought

What did somebody post about patience?

(And what did John Drake say in The Prisoner?  "I am not a number!  I am a
sample!"  :)

Dennis (it oughta be Friday) Leas
-----------------------------
dennis@mdbs.com

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Subject: RE: monk? was edp upgrade?
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it's rich..  errr.. why?

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Subject: OT: Re: NY & SF live perfomances
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luca,
i may be working in nyc, myself ---working on joe henry's new record--- for 
that performance @ tonic.
you gonna be there?
let me know.
best,
dt

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From: "italo de angelis" <italoop@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Repeater Group Buy
Date: Fri, 22 Sep 2000 01:32:28 CEST
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Sorry Kim, you never did teach me much in these years, but some snobbish 
engineer attitude...keep talking about loopers, forgetting the reason of it 
all...where is music here? Did we forget about it? or it's only about boxes' 
features...others though did teach me in schools and privately, S.Henderson, 
J. Diorio, M. Goodrick, M.Stern, J.Abercrombie, W.Krantz, B. Connors, S. 
Khan. T.Greene, C.Banacos...no Flint!!!
                           take care   Italo


>From: Kim Flint <kflint@loopers-delight.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Repeater Group Buy
>Date: Thu, 21 Sep 2000 11:14:25 -0700
>
>At 11:43 AM -0700 9/21/00, italo de angelis wrote:
> >>From: jim palmer <jimp@pobox.com>
> >>well let's hear it.
> >>what's in the next edp upgrade?
> >>
> >>
> >What's really irritating is keeping to get some dark & misterious little
> >chunls of info on what EDP is supposed to become! ! !
> >So way these smart engineers don't tell us more about this "mutation"?
> >Damon teaches! ! !  That's the way to go...we're waiting!  ITALO
>
>well Italo, do you always sneak in and open your presents before it is 
>time?
>
>We've been teaching you for years, and we've dropped soooo many hints. Were
>you not paying attention?
>
>kim
>
>______________________________________________________________________
>Kim Flint                     | Looper's Delight
>kflint@loopers-delight.com    | http://www.loopers-delight.com
>
>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 19:45:20 2000
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Jim I have no "frenzied enthusiasm" for anything that I didn't put my ears 
and hands on yet!  In the very last postings I did mention that 
Electrixpro'd better do their homework right, 'cause if it sucks, lots of 
people will know it, also thru my personal rewiev on press...maybe we all 
don't trust companies that much anymore! Maybe because of boxes that have 
been showing lots of problems to lots of users in the last 8 years!...
Can you name ONE of that kind? I have a good one for you...do you want to 
know it?     ciao  Italo

>From: Jim Poppen <zebu@mindspring.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Repeater Group Buy
>Date: Thu, 21 Sep 2000 12:26:02 -0700
>
>Italo,
>
>You really should look up "patience" in "Bartlett's Familiar
>Quotations." Here's one entry, said by De Buffon: "Genius is nothing but
>a greater aptitude for patience." Or how about what the "patience of
>Job" can teach us? :-)
>
>There has been plenty of talk on this list about some of the new
>features we'll see in the next EDP upgrade, granted most of this was a
>while ago. Use the list's search engine to find those new features, at
>http://www.loopers-delight.com/cgi-bin/wilma/LDarchive
>or maybe someone with a better memory than me can do a recap.
>
>Kim is one of the better "teachers" I've ever come across and was the
>one, along with Matthais, who "teaches" us what the EDP *can* do and
>some of what the upgrade *will* do.
>
>Italo, I guess i'm mostly curious about this: Why do you have such
>frenzied enthusiasm for a piece of gear that hasn't even shipped yet?
>The Repeater looks like it's gonna be a cool tool for some applications,
>but that's all I can say right now because not one Repeater has been
>sold yet (at least not to my knowledge, Damon. :-)).
>
>Jim
>
>
>
>italo de angelis wrote:
>  >
> > >well let's hear it.
> > >what's in the next edp upgrade?
> > >
> > >
> > >>What's really irritating is keeping to get some dark & misterious 
>little
> > >>chunls of info on what EDP is supposed to become! ! !
> > So way these smart engineers don't tell us more about this "mutation"?
> > Damon teaches! ! !  That's the way to go...we're waiting!  ITALO
> >
> > 
>_________________________________________________________________________
> > Get Your Private, Free E-mail from MSN Hotmail at 
>http://www.hotmail.com.
> >
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> > http://profiles.msn.com.
>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 19:49:13 2000
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That's right, Mark...yours are words of wisdom. ITALO


>From: Mark Pulver <mark@redmoon-music.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: EDP update Group Buy
>Date: Thu, 21 Sep 2000 14:33:38 -0500
>
>Claude Voit (11:20 PM 09.21.2000) wrote:
>
> >Kim Flint wrote:
> >
> >> well Italo, do you always sneak in and open your presents before it is
> >> time?
> >>
> >> We've been teaching you for years, and we've dropped soooo many hints. 
>Were
> >> you not paying attention?
> >
> >do not forget that as R is not out yet the only people you heard
> >speaking of the R
> >have a good reasons to have biased opinions (with a lot of respect of
> >what Electric does) they are as Kim tied to the absolute secret of their
> >holly Quest...
>
>but...
>
>Electrix has published a good amount of information on what Repeater is
>spec'd to do. All in one place, and without having to deduce the projected
>feature set from hints.
>
>As someone that's been pushing, supporting and even defending Repeater
>since late July, I'd like to know at least the spec'd feature set for EDP
>++. :)
>
>
> >now the reason of my provocative post is the fact that 26 people have
> >already decided to spend almost 700$ on a product nobody that can speak
> >has seen, heard, used.
>
>Yeup. It's a bunch of folks jumping in on faith. I buy probably 97% of my
>gear sight unseen. I've been burned too, but I've gotten smarter and have
>developed a better sense of reading between the lines.
>
>People are different... But, folks are also asking for more up-front
>information on what EDP ++ will be... Maybe they _will_ wait and see what
>comes of it. Or, maybe they won't.
>
>But they are in fact trying to be informed impulse buyers. :)
>
>
>Mark
>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 19:52:00 2000
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Need the same me too, monk! right on there! ciao italo


>From: Merseybeet@aol.com
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: edp upgrade?
>Date: Thu, 21 Sep 2000 15:40:25 EDT
>
>well as one of the very few echoplex endorsers... i am interested in the 
>repeater because my echoplex has ben totally unreliable and gibson's repair 
>policy is so incredibly lame... there is no certified repair station except 
>their own and your are completely at their mercy.  no offence, but i don't 
>play in my basement (although i hear many folks make great music there...) 
>but doing a live radio show being broadcast on 250 radios stations and 
>having the plex decide that today is not a working day... well... it just 
>don't cut it.
>    i'm interested in anything that i can fly  (in a very expensive shock 
>mount flight case) around the world and have it actually work when i get 
>there. is that so wrong?
>
>monk
>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 19:55:38 2000
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Cool set-up Dennis! Thanx for the diagrams and for, again, your wise 
words...italo


>From: "Dennis W. Leas" <dennis@mdbs.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: Repeater Group Buy
>Date: Thu, 21 Sep 2000 15:30:16 -0500
>
> > why the top secret agent prisoner village routine?
> > we want information.
>(etc.)
>
>Headline: Pending Product Release Prompts Prodigious Promises, Pries Other
>Tongues Loose
>
>Hmmmm, an emerging pattern here...the bigger the promise, the less the
>information....
>
>Damon Langlois -
>     REPEATER: Product sounds great!
>     talks a lot, lot of pictures
>
>Kim Flint
>     EDP: Claude implies great, great things; as does Kim
>     talks little, no pix
>
>Dennis Leas (yes, I plan to offer some toys for Kyma)
>     ??: incredible stuff, believe me (nod, nod, wink, wink)
>     talked once (like now), no pix
>
>my friend Joe
>     ?: ? - something so, good, he never says ANYTHING to anybody, not even 
>to
>me!
>     no talk, no pix
>
>my other friend
>     ?: ? - must be the ultimate, soo good, he never even THINKS about it
>     no talk , no pix, no thought
>
>What did somebody post about patience?
>
>(And what did John Drake say in The Prisoner?  "I am not a number!  I am a
>sample!"  :)
>
>Dennis (it oughta be Friday) Leas
>-----------------------------
>dennis@mdbs.com
>

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 20:25:47 2000
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>Sorry Kim, you never did teach me much in these years, but some 
>snobbish engineer attitude...keep talking about loopers, forgetting 
>the reason of it all...where is music here? Did we forget about it? 
>or it's only about boxes' features...others though did teach me in 
>schools and privately, S.Henderson, J. Diorio, M. Goodrick, M.Stern, 
>J.Abercrombie, W.Krantz, B. Connors, S. Khan. T.Greene, 
>C.Banacos...no Flint!!!
>                           take care   Italo


you're both snobs, IMO.  what does this little bitch fight really 
accomplish?  y'all sound like schoolgirls...

italo, slamming kim about "it's only about boxes' features..." is 
definitely calling the kettle black.  you and your Orville posts are 
dripping with feature-laden techno-babble.

and name dropping your 'who's who' list to take another stab isn't 
exactly endearing...

all this over the Repeater?  (just another 'box', right?..."where's 
the music here?")

cmon, Damon, wanna join in the mudfight?  yeeeahaaa!

rich

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sometimes you have to do this lame job, too.
What instrument do you play, rich?
curious,,,italo


>From: rich <rich@nuvision.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Repeater Group Buy
>Date: Thu, 21 Sep 2000 17:23:26 -0700
>
>>Sorry Kim, you never did teach me much in these years, but some
>>snobbish engineer attitude...keep talking about loopers, forgetting
>>the reason of it all...where is music here? Did we forget about it?
>>or it's only about boxes' features...others though did teach me in
>>schools and privately, S.Henderson, J. Diorio, M. Goodrick, M.Stern,
>>J.Abercrombie, W.Krantz, B. Connors, S. Khan. T.Greene,
>>C.Banacos...no Flint!!!
>>                           take care   Italo
>
>
>you're both snobs, IMO.  what does this little bitch fight really
>accomplish?  y'all sound like schoolgirls...
>
>italo, slamming kim about "it's only about boxes' features..." is
>definitely calling the kettle black.  you and your Orville posts are
>dripping with feature-laden techno-babble.
>
>and name dropping your 'who's who' list to take another stab isn't
>exactly endearing...
>
>all this over the Repeater?  (just another 'box', right?..."where's
>the music here?")
>
>cmon, Damon, wanna join in the mudfight?  yeeeahaaa!
>
>rich
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 20:53:33 2000
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Date: Thu, 21 Sep 2000 17:50:59 -0700
Subject: Looping Gig in Seattle (Tiktok), 9/24/00
From: Tiktok <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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I'll be doing a solo looping gig this Sunday (the 24th) between 9 and 11PM
at Cafe Venus (609 Eastlake Avenue), in Seattle, Washington.
There's no cover charge, and they serve excellent soup (for which there is a
charge).

Be seeing you,

Travis Hartnett
Tiktok


-- 
Tiktok, Seattle's premier one-man improvisational band.

homepage:  
    http://home.sprintmail.com/~tiktok/index.html
    www.mp3.com/tiktok



From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 21:02:07 2000
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Date: Thu, 21 Sep 2000 18:00:58 -0700
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From: rich <rich@nuvision.com>
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>sometimes you have to do this lame job, too.
>What instrument do you play, rich?
>curious,,,italo

No, i don't understand.  What 'lame job' are you referring to that i 
'have to do'?

Guitar is my primary instrument, but I consider myself a songwriter 
and soundscape generator mostly.  so i also sing and play some bass, 
keys, hammered dulcimer, drum patterns/songs via drum machines, and a 
bit of found sound/sampling more recently, as well as considering 
looping and sound processing 'instruments' to a degree.


rich

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In a message dated 9/21/00 11:52:08 PM Mid-Atlantic Daylight Time, 
tiktok@sprintmail.com writes:

<< they serve excellent soup >>

whats this got to do with the edp/repeater wars?.........:).........good luck 
travis!......are you going to record the gig?............michael

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 21:16:35 2000
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Subject: Re: performance at Chapter Arts' Centre
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Gareth
I live near Chapter, would it be ok if I came to the gig on the 27th and had
a look at your Kyma system?

Martin Shellard


----------
>From: "Dennis W. Leas" <dennis@mdbs.com>
>To: <Loopers-Delight@loopers-delight.com>
>Subject: performance at Chapter Arts' Centre
>Date: Thu, Sep 21, 2000, 3:51 pm
>

> Gareth,
>
>> Incidentally, I'm playing live with Kyma and my new , (secondhand) laptop
> on...
>>...maybe I
>> should record it, (It's sort of freeform world jazz stuff.)
>>...
>
> Please do!  If you're interested, I'll trade recordings.  I don't have any
> current looping performances (been too busy writing looper code lately) but I
> have an improv performance (with some looping) from my group "Trans-Sonic
> Music".
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
> 

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 21:30:26 2000
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Subject: Re: EDP update Group Buy [Claude Voit vs. The Repeater]
From: Tiktok <tiktok@sprintmail.com>
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Claude says:

>now the reason of my provocative post is the fact that 26 people have
>already decided to spend almost 700$ on a product nobody that can speak
>has seen, heard, used.
>I did that once; never again. Thats also a reason I took on my free time
>the EDP wagon; by firing ideas and beta testing. So it'll be like I and
>you can use it without a glitch for any stupid,crazy,creative, way you
>like.

>I'll wait
>and play

>Claude

As one of the 26 who's decided to spend *considerably* less than $700
(that's why they call it a group buy *discount*, call Alto yourself if you
want the details), I have no fear of being burnt.  If the thing's a
worthless piece of shit, I'll send it back and get my money back.  I can't
imagine it being massively flawed.  I've used the other Electrix stuff, and
it's solid gear.

I've owned all of the main loopers from the last decade or so (except the
JamMan, but I know many people who own them), and I'm unaware of any of them
which would qualify as critically flawed.  They do what they're designed to
do by any reasonable standards.  Offhand, the most major glitch I can think
of was the first version of the EDP software, which had a tendency to add a
"pop" sound after a loop had been reversed for a while.  There were some
other minor bugs, but those (and the reverse glitch) were addressed in the
updated software which has been shipping and available as a retrofit for
YEARS now.  

All of these devices were bought without me having played through them
first.  You can't figure out much by doinking on something in a music store
for fifteen minutes anyway.


Travis Hartnett
-- 
Tiktok, Seattle's premier one-man improvisational band.

homepage:  
    http://home.sprintmail.com/~tiktok/index.html
    www.mp3.com/tiktok



From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 21:40:37 2000
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we miss tiktiok in tekxas.

xxxoo

bobdog

From Loopers-Delight-request@loopers-delight.com  Thu Sep 21 21:57:50 2000
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Subject: The Repeater
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There is a very cool ad on the Repeater in the November 2000 Guitar Player.
It looks very impressive indeed. I will be checking this out when it comes
out for sure!
_________________________________
Doug Miller
Illustrator / Graphic Designer
http://home.columbus.rr.com/dougmiller 

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a few quick observations:
1) the sound quality at 24KHz is very nice, i had always liked the sound at 
the original 16KHz, there is more happening at 24, a little less muddy, more 
highs and a bit crisper.......its nice to have both!
2) the latching stack button.........what more needs to be said about 
that!.......i dont have to clone a new foot
3) likewise disableing the record button is very cool, no more lost loops
4) being able to go down a 2nd, 4th, 5th, 7th, and octave is nice, i havent 
figured out if i can record a loop then drop it a 2nd and then stack a new 
loop on top then go back to the original speed the drop all of that down say 
a 4th...........does that make any sense?..........
5) infinite delay indeed nice (no attenuation) but having the option to pick 
20-12-9-6-4 or 1 delay is a treat........
i havent yet investigated the A/B loop stuff ........... a report will be 
forthcoming........in all, i am a bit frustrated not knowing all the moves 
yet (its only been one nite) the old rang was second nature, the up-grade 
makes it a different beast........add to that the new stuff i picked up with 
the zoom 2100 plus the joy of having my rang back, i was not being a good 
reporter, i got caught up in making the really "big" noise............i have 
a good bit of learning to do, i hope some other rang folk take the plunge and 
we can share notes..........im sure i will have some questions...........i 
would like to thank MIKE NELSON and the folks at BOOMERANG MUSICAL PRODUCTS 
for making an excellent instument even better...........michael

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 00:01:05 2000
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Date: Thu, 21 Sep 2000 22:54:08 -0500
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From: Mark Pulver <mark@redmoon-music.com>
Subject: Re: Repeater Group Buy
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rich (07:23 PM 09.21.2000) wrote:

 >cmon, Damon, wanna join in the mudfight?  yeeeahaaa!

Just an FYI in all this...

Damon (and most of the rest of Electrix) is/are in Los Angeles from now 
through Monday at the AES convention.

So if anyone is looking for input from Damon into this banter, or for 
anything else, hang on... They're a bit busy showing off the state of Repeater.

:)

Mark

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 00:19:19 2000
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James Musser GODBOX idea fascinates me. The thing that does everything...

The GOODLOOP would be the starting point. Maybe we can make a machine 
that can do everything related to looping, in some years...

But we dont want it just to loop. Once it has a DSP it shall do all 
kinds of effects and once it can record loops, it should be able to 
record everithing and thus should be able to mix and to add MIDI 
sounds and an analog synth maybe and it should have fingers to play 
guitar loops on some strings while we play solo on others and once it 
turns into a robot it will be able to tune the guitar and change the 
strings and build the guitar and thus build anything, evoluting 
beyond the GODBOX, slowly aproximating GOD...

wew, so much work to do...


          ---> http://Matthias.Grob.org

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> But we dont want it just to loop. Once it has a DSP it shall do all
> kinds of effects and once it can record loops, it should be able to
> record everithing and thus should be able to mix and to add MIDI
> sounds and an analog synth maybe and it should have fingers to play
> guitar loops on some strings while we play solo on others and once it
> turns into a robot it will be able to tune the guitar and change the
> strings and build the guitar and thus build anything, evoluting
> beyond the GODBOX, slowly aproximating GOD...
> 
....and as we finally reach the end of all our years of research and toil we
shall end up creating the ultimate musical device, the greatest intsrument
ever built by man, part Echoplex,Jamman,Eventide ,kyma, max, a little bit of
Stratocaster- whatever, this baby is gonna blow them all away.In mind I can
see it now, a musical instrument so perfect that it plays itself perfectly,
the most perfect piece of music ever played.I can almost feel the plastic
wrap float away as I wrench it out of the box it comes in to plug it into
the wall socket and fire it up.Through the crystal ball of time I can see my
hand reach out to the start button and push it..........

and it plays "Stairway to Heaven".

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 00:55:00 2000
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Take your attitude somewhere else Italo...Rant on!!!


>From: "italo de angelis" <italoop@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Repeater Group Buy
>Date: Fri, 22 Sep 2000 01:32:28 CEST
>
>Sorry Kim, you never did teach me much in these years, but some snobbish
>engineer attitude...keep talking about loopers, forgetting the reason of it
>all...where is music here? Did we forget about it? or it's only about 
>boxes'
>features...others though did teach me in schools and privately, 
>S.Henderson,
>J. Diorio, M. Goodrick, M.Stern, J.Abercrombie, W.Krantz, B. Connors, S.
>Khan. T.Greene, C.Banacos...no Flint!!!
>                           take care   Italo
>
>
>>From: Kim Flint <kflint@loopers-delight.com>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Re: Repeater Group Buy
>>Date: Thu, 21 Sep 2000 11:14:25 -0700
>>
>>At 11:43 AM -0700 9/21/00, italo de angelis wrote:
>> >>From: jim palmer <jimp@pobox.com>
>> >>well let's hear it.
>> >>what's in the next edp upgrade?
>> >>
>> >>
>> >What's really irritating is keeping to get some dark & misterious little
>> >chunls of info on what EDP is supposed to become! ! !
>> >So way these smart engineers don't tell us more about this "mutation"?
>> >Damon teaches! ! !  That's the way to go...we're waiting!  ITALO
>>
>>well Italo, do you always sneak in and open your presents before it is
>>time?
>>
>>We've been teaching you for years, and we've dropped soooo many hints. 
>>Were
>>you not paying attention?
>>
>>kim
>>
>>______________________________________________________________________
>>Kim Flint                     | Looper's Delight
>>kflint@loopers-delight.com    | http://www.loopers-delight.com
>>
>>
>
>_________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
>Share information about yourself, create your own public profile at
>http://profiles.msn.com.
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
http://profiles.msn.com.

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To: "'whiteoakstudios'" <whiteoakstudios@supanet.com>,
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Subject: AW: Organizing Looping Festivals
Date: Fri, 22 Sep 2000 09:40:06 +0200
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Hi,

that would be a nice idea. actually I know some places in cologne, germany,
europe (my homebase) where this could happen - maybe could arrange things in
brussels, belgium and berlin too. I have some expirience in promoting
concerts. I think most list members are living and working in the states, so
logistics may be a problem. maybe it's possible to raise some money from the
city.

my idea is to organize events around the world, in all the list members
resident countries - everybody plays everywhere. 
everybody please stand up and tell the list about your possibilities in your
homebase - let's do the networking thing... :-)(cool name for a 21st century
dance, isn't it?) and promote each other.

I'm applying for my own brand new group (still unnamed but ready to take of
in about a mounth or so), improvisation based, danceable kind of music

looking forward to hear from you

stephan
www.stephanneetenbeek.de

-----Ursprüngliche Nachricht-----
Von: whiteoakstudios [mailto:whiteoakstudios@supanet.com]
Gesendet: Mittwoch, 20. September 2000 23:13
An: Loopers-Delight@loopers-delight.com
Betreff: Re: Organizing Looping Festivals


YES!

Gareth

Incidentally, I'm playing live with Kyma and my new , (secondhand) laptop on
27th September at Chapter Arts' Centre, Wales, UK at the Diggers' club. I
know most of you can't make the necessary transatlantic journey  - maybe I
should record it, (It's sort of freeform world jazz stuff.)
Anyone who makes it gets a free pint form me!
Hey, this is starting to sound desperate :)

G

----- Original Message -----
From: <SussieRegina@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, September 20, 2000 7:46 AM
Subject: Organizing Looping Festivals


> I'm wondering if people want to do Looping festivals in their area?
>

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From: "Bill Fox" <billfox@fast.net>
Subject: EMUSIC Playlist #183
Date: Fri, 22 Sep 2000 07:58:57 -0400
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[ Best viewed with a fixed spacing font. ]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #183                    September 21, 2000.

On this show, I continued the month-long focus on the E-Live 2000 festival.
The feature CD at Midnight was "Pointless Reminder" by Free System Projekt
(a.k.a. Marcel Engels) on the Quantum label.

I also played the music of Dweller at the Threshold and Synthetic Block who
will be performing at the next Gathering.

E-Live 2000         http://wdiyfm.org/emusic/playlists/2000/focus00.html#sep
The Gathering       http://wdiyfm.org/emusic/events.html


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:04 pm
Synthetic Block         Eardrum                  Synthetic Block (Mindspore)
Dave Fulton             Particle Reversal        Hard Particles (Eurock)
Dave Fulton             Discarded Time           Hard Particles (Eurock)
Dave Fulton             Neutrons at Rest         Hard Particles (Eurock)
Mychael Danna and       Hyenas                   Another Sun (Chacra
Alternative)
  Tim Clement
Michael Stearns and     Flyers                   Sorcerer (Spotted Peccary)
  Ron Sunsinger
ARC                     Relay                    Radio Sputnik (DiN)
Lambert                 Soaring Flight           Mirror of Motions (Spheric)

12:00 am
Free System Projekt     Substance                Pointless Reminder (Quantum)
Free System Projekt     Amalthea                 Pointless Reminder (Quantum)
Free System Projekt     Coal Sack                Pointless Reminder (Quantum)
Free System Projekt     Faraday                  Pointless Reminder (Quantum)
Free System Projekt     Distance                 Pointless Reminder (Quantum)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll conclude the month-long focus on the the E-Live
2000 festival in Veldhoven, the Netherlands.  The feature CD at midnight
will be "Vine, Bark & Spore" by Steve Roach and Jorge Reyes on the
Timeroom Editions label.

Bill         billfox@fast.net
http://wdiyfm.org/schedule/s_emusic.html
============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
Personal site: http://www.users.fast.net/~billfox

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On Thu, 21 Sep 2000 Nemoguitt@aol.com wrote:

> a few quick observations: ...


Hey, thanks for the report and keep them coming.  I'm itching to upgrade
my 'Rang, but in the meantime I'd like to hear opinions. :)

---
"If the doors of perception were cleansed everything would appear
 to man as it is, infinite."  -- William Blake

Todd Pafford   galen@erols.com 

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Subject: Re: performance at Chapter Arts' Centre
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Of course - I'd like to think you'd want to listen to some music too :) -
(damn, does that mean I have to buy you a pint? - and there was I,
confidently NOT expecting anyone to show up :)
Seriously though you're very welcome. Just ask for the diggers' club at
reception and open your mind for some pretty bizzarre goings on! It starts
about 8 - 8.30 ish so get there earlier so I can show you the system.

Gareth

> Gareth
> I live near Chapter, would it be ok if I came to the gig on the 27th and
had
> a look at your Kyma system?
>
> Martin Shellard
>
>
> ----------
> >From: "Dennis W. Leas" <dennis@mdbs.com>
> >To: <Loopers-Delight@loopers-delight.com>
> >Subject: performance at Chapter Arts' Centre
> >Date: Thu, Sep 21, 2000, 3:51 pm
> >
>
> > Gareth,
> >
> >> Incidentally, I'm playing live with Kyma and my new , (secondhand)
laptop
> > on...
> >>...maybe I
> >> should record it, (It's sort of freeform world jazz stuff.)
> >>...
> >
> > Please do!  If you're interested, I'll trade recordings.  I don't have
any
> > current looping performances (been too busy writing looper code lately)
but I
> > have an improv performance (with some looping) from my group
"Trans-Sonic
> > Music".
> >
> > Dennis Leas
> > -----------------------------
> > dennis@mdbs.com
> >
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 11:51:42 2000
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On Thu, 21 Sep 2000, Mark Pulver wrote:

> rich (07:23 PM 09.21.2000) wrote:
> 
>  >cmon, Damon, wanna join in the mudfight?  yeeeahaaa!
> 
> Just an FYI in all this...
> 
> Damon (and most of the rest of Electrix) is/are in Los Angeles from now 
> through Monday at the AES convention.
> 
> So if anyone is looking for input from Damon into this banter, or for 
> anything else, hang on... They're a bit busy showing off the state of Repeater.

Could someone record the look on Damon's face as he scrolls through all
the 'repeater' messages and witnesses the puerile catfights and
mudslinging? Italo sounds like some semicephalic hyperrepublican
propagandist from hell... but he has a point. 

Kim, if you've got something incredible in store for us with the EDP
upgrade, please let us know what it is!! I just organized a group purchase
of over 30 repeaters, and we're all sitting here with our <wallets> in our
hands waiting for the ultimate looping tool. If the EDP2 spanks the
repeater to pieces, I don't want to be sitting here with a blinky
sculptured rackmount doohickey wishing it had the word "oberheim" on it.

-><-

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 12:39:20 2000
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Subject: Repeater vs EDP plus a little philosophy...
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Please take the mudslinging offline Italo...

Just a few opinions about looper hardware.

I've used the JamMan, JamMan w/Bob Sellon mods, EDP, Line6 DL4 and had the opportunity to test drive the Boomerang and Perille's DJRND2. I'm a fairly long term delay abuser and looper.

My thought is this...

The Repeater seems to most closely follow the architecture of Bob Sellon's ideal JamMan and in fact directly uses his "4 track" looping, panning and volume scheme. It looks like they've added the bonuses of a nice user i/f as well as their speciality of time stretch / pitch shift features as well as STOREABLE LOOPS and VERY LONG LOOPING TIME. 

All of these imply the potential for this to be a very desirable and powerful box and I'm certainly interested in it's features at a fairly nice price point.

I'd go on to add though that I've rarely EVER lived with just one loop box. I've always had a dedicated looper such as JamMan or EDP as well as other delays for "cloud looping" or shorter sample / hold style looping, and passing loops back and forth between loopers.

The EDP's s/w adds DEEP functionality which no other looper has at this point and probably will not in the near future. It's DIFFERENT in the way it allows you to compose, overlay, delete, insert and multiply musical passages. NOTHING does what it does. Admittedly Gibson has had many setbacks in delivering seamless and prompt availability and support to this GREAT PRODUCT.

I'd add that I'm not a champion of the EDP... I'm totally stoked the Repeater is coming and will maybe get one to COMPLIMENT what I can do with the EDP. These two loopers might actually be great FRIENDS to cavort musically with... Why is there so much ridiculous dickering about who's a fucking engineer, who's musical etc? We ALL have tech requirements, AND we all have musical, spiritual issuses which inform our art / craft as well. Such mutual exclusion only leads to a form of musical fundamentalism where everyone besides yourself is WRONG. Please drop these petty arguments and realize that at any particular time in our community here, we might have discussions of ANY of these aspects and it's all part of our concerns vis-a-vis looping.

Once again. Thanks Kim for your kind, ongoing admin of our large looping community. I appreciate your attempts to inform us technically about a deep and complicated product in the face of childish and emotional attacks on your reputation. Good luck!

Sincerely,
-Miko Biffle

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> I don't want to be sitting here with a blinky
> sculptured rackmount doohickey wishing it had the word "oberheim" on it.

hey, what's wrong with blinky, scuptured, rackmount doohickeys?
i made a rackmount box that does nothing but flash leds.
i love it when soundmen see it, then double take, then scrutinize, then fall
over laughing.

ok, so it's not sculptured...
(hmmm, maybe in the retail version...)


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Okay, it's taken me a lot of time to get ready for this venture and will
take even longer to produce it but I'm ready for the task.

About 2 months ago I through out the idea of creating a loopers gigging
guide and eventually volunteered to be the HTML gate keeper and code writer
for the information.

This archive will hopefully allow us to coordinate small tours, both
together and separately. It will also help us find gigs and get paid more
often for our craft so we can afford every new piece of looping gear without
having to sacrifice our latest piece of equipment. Lastly it will help put
our community into the community and build the acceptance of all loop-based
music.

Before we actually being submitting the names of venues I would like to hear
suggestions of what info should or shouldn't be sought.

My initial idea is to ask question about and obtain info concerning

name of venue
address city state, country!!! 
phone, fax, 
email, Web site
owners name, 
booker's name
hours
pay
perks
room (atmosphere)
audience 
how you came to know the place
capacity
needs (surge protection!, dolly, extension cords, monitors, etc) 
sound system
sound man supplied
load in
lighting
directions from (perhaps a link to map quest)
jpg image of outside and inside
develop a rating scale (would you play there again)
national acts who have played there
style of music mostly performed there
gig promotion tips

 
If you have any other thoughts about relevant and non relevant questions
please respond in the next 3-4 weeks. Please use the LD list to continue the
brainstorm or feel free to email me directly.

I look forward to meeting all of you someday on stage or at least in the
audience!!!


Work	tquincy@sayhhi.com
home	openjam@aol.com


Todd Quincy							
BC Rich, Kustom, PowerWerks, Davitt & Hanser	          


From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 13:14:58 2000
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I've gotten together with the SF, California, US looping contingency for a looping jam (along with a little "Cobra like" game playing) and we had a blast. 

I'd be willing to book a public performance in the early spring time frame here in Santa Cruz, Ca. US. It's a 65 seat theater environment with pa and nice lighting which would probably be a perfect venue for our stuff. I believe we'd see a fair turnout as well. 

There's also the open invitation to do a show for CH27 public access tv in their studio with decent sound and mixing facilities. I would record the proceedings at either event as well.

There's probably some upper limit to participants for either scenario... The other question is whether we'd want the opportunity to play together - solo - both? Let's discuss the logistics of this.

Best...
-Miko

>>> neetenbeek@pixelpark.com 09/22/00 12:39AM >>>
Hi,

that would be a nice idea. actually I know some places in cologne, germany,
europe (my homebase) where this could happen - maybe could arrange things in
brussels, belgium and berlin too. I have some expirience in promoting
concerts. I think most list members are living and working in the states, so
logistics may be a problem. maybe it's possible to raise some money from the
city.

my idea is to organize events around the world, in all the list members
resident countries - everybody plays everywhere. 
everybody please stand up and tell the list about your possibilities in your
homebase - let's do the networking thing... :-)(cool name for a 21st century
dance, isn't it?) and promote each other.

I'm applying for my own brand new group (still unnamed but ready to take of
in about a mounth or so), improvisation based, danceable kind of music

looking forward to hear from you

stephan
www.stephanneetenbeek.de 

-----Ursprüngliche Nachricht-----
Von: whiteoakstudios [mailto:whiteoakstudios@supanet.com] 
Gesendet: Mittwoch, 20. September 2000 23:13
An: Loopers-Delight@loopers-delight.com 
Betreff: Re: Organizing Looping Festivals


YES!

Gareth

Incidentally, I'm playing live with Kyma and my new , (secondhand) laptop on
27th September at Chapter Arts' Centre, Wales, UK at the Diggers' club. I
know most of you can't make the necessary transatlantic journey  - maybe I
should record it, (It's sort of freeform world jazz stuff.)
Anyone who makes it gets a free pint form me!
Hey, this is starting to sound desperate :)

G

----- Original Message -----
From: <SussieRegina@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, September 20, 2000 7:46 AM
Subject: Organizing Looping Festivals


> I'm wondering if people want to do Looping festivals in their area?
>


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Matthias,

Will your new looper have an internal power supply or, like most new
boxes these days, one of those detestable "wall warts"?  I also want
foot switches that anticipate my tap so I don't actually have to do the
tap itself.  This should be easy to do with the new QSP (Quantum Signal
Processor) chip.

:-)

Patiently waiting for the next EDP software upgrade and whatever new
jewels it may contain,

Allan


Matthias Grob wrote:
> 
> James Musser GODBOX idea fascinates me. The thing that does everything...
> 
> The GOODLOOP would be the starting point. Maybe we can make a machine
> that can do everything related to looping, in some years...
> slowly aproximating GOD...
> 
> wew, so much work to do...

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>boys
>If you only knew whats in the next plex upgrade
>
Of course by the time that starts shipping in bulk, we'll be able to take our flying cars to the Guitar Center Megaplex on Pluto to pick them up.

Kevin

--
-------------------------------------------------------------
Kevin Goldsmith                          kevin@unitcircle.com
Unit Circle Media                   http://www.unitcircle.com
--

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 14:20:26 2000
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we could just inject some dna into an earthlike planet,
wait for intelligent life to develop, and then have them
play the loops for us...

-me

----- Original Message ----- 
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 21, 2000 11:20 PM
Subject: GOODLOOP


> James Musser GODBOX idea fascinates me. The thing that does everything...
> 
> The GOODLOOP would be the starting point. Maybe we can make a machine 
> that can do everything related to looping, in some years...
> 
> But we dont want it just to loop. Once it has a DSP it shall do all 
> kinds of effects and once it can record loops, it should be able to 
> record everithing and thus should be able to mix and to add MIDI 
> sounds and an analog synth maybe and it should have fingers to play 
> guitar loops on some strings while we play solo on others and once it 
> turns into a robot it will be able to tune the guitar and change the 
> strings and build the guitar and thus build anything, evoluting 
> beyond the GODBOX, slowly aproximating GOD...
> 
> wew, so much work to do...
> 
> 
>           ---> http://Matthias.Grob.org
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 14:25:23 2000
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Great going, Todd!  This will be a significant contribution to Loopers!

My USD$0.02 -
* Include a "last updated mm/dd/yy" item on the pieces of information.
* gig promotion tips - should include looper friendly radio stations (if any),
local newspaper contact info

Dennis Leas
-----------------------------
dennis@mdbs.com

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> we could just inject some dna into an earthlike planet,
> wait for intelligent life to develop, and then have them
> play the loops for us...

I think that's been done already...

Dennis Leas
-----------------------------
dennis@mdbs.com

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This loop friendly gig list and talk of festivals got the ol' noggin
whirring....

Are there enough loopers in Boston to present a venue with a
loopstravaganza? I'd be glad to hunt down a venue and organize whatever
needs ot be organized to make this happen. I have the feeling the Middle
East or TT's would book something like this... maybe not a weekend, but if
it goes well...?

Anyway, come see me at the Zeitgeist gallery on Sept. 30th. Lots of other
fantastic acts, too. This will be the debut of my looping rig!

-><-

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Noah wrote:

> This loop friendly gig list and talk of
festivals got the ol' noggin
> whirring....
> 
> Are there enough loopers in Boston to present a
venue with a
> loopstravaganza?

David Kirkdorffer (often on this list) has been
producing, in conjunction with Open Faucet's
Genre Pool, the Boston Loopers' Collective doing
just this.  Open Faucet's season just started
again.  Most of these shows happen at the Middle
East downstairs every few months.  They've been
pretty impressive so far--quite experimental at
times.  

More collective loopin' fun couldn't hurt though!


> Anyway, come see me at the Zeitgeist gallery on
Sept. 30th. 
> Lots of other
> fantastic acts, too. This will be the debut of
my looping rig!

On the same bill as Indra Loka?  And the
inimitable Lauri des Marais (who, i understand,
has studied with Pauline Oliveros)???

Rumor has it that Indra Loka are dabbling with
looping a little bit...  That's just what i've
heard.  Des Marais is just awesome to hear. 
Don't know if she does any live looping--not when
i've seen her.  It seems a natural move for her. 
Somebody lend her a looper!

-abduction-

__________________________________________________
Do You Yahoo!?
Send instant messages & get email alerts with Yahoo! Messenger.
http://im.yahoo.com/

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ah yes, the elusive looper content.
is life bracketed by repeat signs?

|: me :|

----- Original Message ----- 
From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 22, 2000 1:21 PM
Subject: Re: GOODLOOP


> > we could just inject some dna into an earthlike planet,
> > wait for intelligent life to develop, and then have them
> > play the loops for us...
> 
> I think that's been done already...
> 
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 16:10:29 2000
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i think daimon has been so helpful in presentation of his product-the echoplex seems like an unreal dream to me-no pics ever posted-no specs-nada-and now the secrets-i prefer the openess of electrix about what they have to offer-no offense to anyone on the list-because tis is a wonderful resource-most of the people are nice and informative-we do not need flame wars on opinions-lets all have a big frenchie in the back of a chevy now-ok?
c

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> i think daimon has been so helpful in presentation of his 
> product-the echoplex seems like an unreal dream to me-no pics 
> ever posted-no specs-nada-and now the secrets

Ooops.  I must be on the wrong list.  I thought this was a 
Looping list...not a marketing and product experts tribunal.
Now I know where to come when I need advice on my company's
marketing and product strategies.

I will not attack or defend any of the products being
scrutinized...but I would like to ask that the signal-to-noise
ratio improve a bit around here.

I appreciate all of the discussion of the features and specs
and wishlists pertaining to all of the products 
mentioned: past, current, and future.
But can we let the companies and their respective employees 
run their businesses the way they see fit?

     Mike McGary

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 17:40:30 2000
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Date: Fri, 22 Sep 2000 14:38:14 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: Re: Repeater vs EDP plus a little philosophy...
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well said. I too am looking forward to seeing how my
EPD and (future) Repeater compliment each other.

stephen


--- Mike Biffle <Mbiffle@svg.com> wrote:
> I'm
> totally stoked the Repeater is coming and will maybe
> get one to COMPLIMENT what I can do with the EDP.
> These two loopers might actually be great FRIENDS to
> cavort musically with... 

__________________________________________________
Do You Yahoo!?
Send instant messages & get email alerts with Yahoo! Messenger.
http://im.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 17:59:02 2000
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Subject: Re: Boston Loopers Unite!?
Date: Fri, 22 Sep 2000 17:56:58 -0400
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From: "noah" <fishmong@braincramp.org>
To: <loopers-delight@loopers-delight.com>
Sent: Friday, September 22, 2000 1:40 AM
Subject: Boston Loopers Unite!?


>
> This loop friendly gig list and talk of festivals got the ol' noggin
> whirring....
>
> Are there enough loopers in Boston to present a venue with a
> loopstravaganza? I'd be glad to hunt down a venue and organize whatever
> needs ot be organized to make this happen. I have the feeling the Middle
> East or TT's would book something like this... maybe not a weekend, but if
> it goes well...?
>
> Anyway, come see me at the Zeitgeist gallery on Sept. 30th. Lots of other
> fantastic acts, too. This will be the debut of my looping rig!


Hey, count me in, although I'm probably light-years behind most of the other
loopers here.


Peter


From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 18:35:39 2000
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At 01:40 AM 9/22/00 -0400, Noah wrote:
>Anyway, come see me at the Zeitgeist gallery on Sept. 30th. Lots of other
>fantastic acts, too. This will be the debut of my looping rig!

That's at 312 Broadway Street, Cambridge, MA, right?

What time does it start and what time are you on?

Tim

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 20:18:21 2000
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Date: Fri, 22 Sep 2000 21:18:58 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: edp upgrade? and annuder thing
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>one more little piece of sand in the ointment.  as an endorser of 
>the EDP, i would have thought that i would have been polled about my 
>experience with it, it's shortcomings and strengths... but i 
>wasn't... was anyone else?
>
>peace
>
>monk

Yes, thats what I thought... I did not even know we had endorsers.
Does endorsing mean to get the product for free and speak positively 
about it in public and critically to the manufacturer? ;-)

Of course I want to hear you critics and ideas for functionality!
LD is a good place to discuss them, and I reply every private mail...

The complaints about manufacturing quality, please send to Gibson.
Be aware that the next machines will be made in England, with gold 
contacts, a regulator that does not produce heat and some other 
improved details.
Good hope the relyability problems of the last batch that was still 
stuffed in US will be over.

I just looked under Loopers of the World and could not find you...

On the mailing archive it seems that you posted the first time this 
month, saying:

i'm thinking of dumping the plex and getting another jamman with the 
fancy chip... someone talk me out of it... or into it...

So you stayed with the contract?
Sorry if you are famous and I did not hear of you...


          ---> http://Matthias.Grob.org

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Subject: Re: edp upgrade?
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>well as one of the very few echoplex endorsers... i am interested in 
>the repeater because my echoplex has ben totally unreliable and 
>gibson's repair policy is so incredibly lame... there is no 
>certified repair station except their own and your are completely at 
>their mercy.  no offence, but i don't play in my basement (although 
>i hear many folks make great music there...) but doing a live radio 
>show being broadcast on 250 radios stations and having the plex 
>decide that today is not a working day... well... it just don't cut 
>it.
>    i'm interested in anything that i can fly  (in a very expensive 
>shock mount flight case) around the world and have it actually work 
>when i get there. is that so wrong?
>

you are prefectly right.

But the upgrade we were talking about is not related to HW.


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 20:38:40 2000
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Date: Fri, 22 Sep 2000 21:39:45 -0300
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Subject: Re: EDP update Group Buy
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I dont see any relation between EDP upgrade and Repeater release.

We are working on many details and functions that make things easy 
and colourfull.
Dont expect simultaneous loops or pitch shifting or flash cards.
It continues a live tool that is strong for intuitive free playing 
and/or composition.
The upgrade improvements are mainly related to MIDI/syncing.
And you get the low octave...

The quality we look for is not expressable in a few ASCII lines. We 
have to work out the manual that explains all improvements and it 
does not make sense to do it before we are finished.

No need to make all that noise!

>
>
>Electrix has published a good amount of information on what Repeater 
>is spec'd to do. All in one place, and without having to deduce the 
>projected feature set from hints.
>
>As someone that's been pushing, supporting and even defending 
>Repeater since late July, I'd like to know at least the spec'd 
>feature set for EDP ++. :)
>
>
>>now the reason of my provocative post is the fact that 26 people have
>>already decided to spend almost 700$ on a product nobody that can speak
>>has seen, heard, used.
>
>Yeup. It's a bunch of folks jumping in on faith. I buy probably 97% 
>of my gear sight unseen. I've been burned too, but I've gotten 
>smarter and have developed a better sense of reading between the 
>lines.
>
>People are different... But, folks are also asking for more up-front 
>information on what EDP ++ will be... Maybe they _will_ wait and see 
>what comes of it. Or, maybe they won't.
>
>But they are in fact trying to be informed impulse buyers. :)
>
>
>Mark



          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Fri Sep 22 23:30:59 2000
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Hi folks,

Just went down to AES here in LaLa land for a bit of a look-see.
I could only be there for about half an hour today 'cos I had some other
stuff to take care of.
Spoke to the guy at Yamaha about mLan.
He said the "8p?"(can't remember the designation) would go into production
in Japan in October, 12 channels of audio (didn't check SR/bit rate, damn)
32 channels of MIDI, looks like it's PowerMacs only (!!!!!!!), he "expected"
full compatability with PCMCIA firewire cards for those of you with
Wallstreets and Lombards, ASIO drivers, mixing software, he had it running
with Cubase and the ASIO driver.$1495 list maybe, they'll be coming over
from Japan by sea!
Digidesign is going to be giving out its free version of Protools over the
internet in couple of weeks, 8 channels of audio, 48 MIDI, Mac and Win 98.

Had a quick chat with Mr David Z at the Cycling74 hilarious "modular" stand
complete with woolly shag pile rug.He showed me MSP 2, some VERY cool things
happening there, the DSP window can now send its data to a patch, inputs and
outputs can be rerouted by a patch on the fly, some cool new display
options.MSP is now Directconnect and Rewire capable with 512 virtual audio
channels.It will be coming out (maybe December) at the same time as Max 4.0,
which has this new functionality so that patches can create new patches, set
up objects, configure windows, connect cords, the lot.Way far out.
Windows version of Max/MSP expected at the beginning of next year he
reckoned.He actually seemed more positive about that than I've previously
seen.

I long since ran out of fingers that I haven't crossed for all this shit to
happen though.

Lots of weird noises coming out of the Electrix stand, didn't see the
Repeater, I have to admit I didn't have time to look very hard,hopefully
I'll get back there over the weekend.The stand with the most whacked out
sounds was the Eventide one, a guy with a Strat, a volume pedal and a couple
of Orvilles giving it large portions through a 4 speaker setup, he seemed
pretty happy with life.I want one.

L8r

A

From Loopers-Delight-request@loopers-delight.com  Sat Sep 23 01:33:52 2000
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Date: Sat, 23 Sep 2000 01:31:44 -0400
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From: Ken <kenzo@free-music.com>
Subject: NYC loops: ken's last ever radio extravaganza 9/24/00
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ken's last ever radio extravaganza
hypnosis, brain expansion, freedom, torture, through sound
loopy repetition is always a given

elsewhere festival
usa:nyc:brooklyn:williamsburg

sunday sept 24 2000
5:30pm - 7pm
very approximately

live at momenta art
72 berry st
brooklyn
very live

broadcasting on free103point9
williamsburg
(performance not netcast, but will be archived)

callers might be able to participate
via phone during set
to be determined later

details of 6 1/2 years of k.l.e.r.e.
http://free-music.com/ken/extrav/
compelling reading indeed

downloadable audio from past 237 extravaganzas
starting to appear
like a great advancing glacier
follow "Download" link

cd's of past shows finally on sale
at cost

ken's last ever radio extravaganza
contact and further info: kenzo@free-music.com
no contact and further info: http://free-music.com/ken/extrav/

insert coin

(warning: k.l.e.r.e. has no idea at all what will happen during this performance.  user disclaims artist from all liability, including, but not limited to, time lost, inner ear damage, state of confusion, unexpected inspiration or motivation, pleasant euphoria, meeting of new people, questioning of one's own beliefs, 8 free issues) 

From Loopers-Delight-request@loopers-delight.com  Sat Sep 23 02:12:59 2000
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Date: Fri, 22 Sep 2000 23:13:38 -0700
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From: James Musser <peaceland@earthlink.net>
Subject: Godbox II
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Godbox II is the all-new super-enhanced version... 

Whereas the original Godbox only evoked visions of mechanical madness and
stiff and unfeeling meandery...

Godbox II promises to evoke only the deepest of inspiration and heartfelt
expression. Open in it's architecture, promises to incorporate all upgrades
directly into the new malleoware (the perfect compromise between hardware
and software, which allows advances in both areas).

Whereas the original Godbox was thought to "Do-In" the competition...
Godbox II is designed to bring-in the competition and rewards all
contributors with both enhancements and compensation for their additions.

Godbox II features every feature anyone has ever asked for, including
instant adaptomizer, which immediately implements the ability to do
whatever your mind can think of.

Ships with an Infinobyte of memory which allows you to store every
loop/sequence you've ever done, and with the new patented
"Totallycoolloopdetectoware" automatically detects the coolest sections and
categorizes them according to speed, size, and beat structure, as well as
harmonic content. With the all new "Harmonofigure" feature, it also
suggests a myriad of totally cool scales and chords with which to
superimpose to your hearts content...

Also comes with the new "Toostifftobecool" software which lets you know
whenever your loops are cold, lifeless and dull (or feature really lame
cheeseball crudtone or endlessly out of tune sequences)... and flashes red,
blue and purple until you begin "feeling more" with your Godbox II.

The RETUNE feature has been purposely left out, because if it's too lame to
be favorably in tune in the first place... then it doesn't belong in a
Godbox. Bad sounding music is automatically routed to the "Burninhell"
feature which is a really cool endlessly smoldering twist (You'll love it!!!)

Along with the Infinobyte of ram that ships with the unit, it also comes
with a Neverlose Infigabyte hard disk system that automatically stores as
you go, including the fabulous new "Alreadymirrored" system to triple your
protect (if you don't have it in 3 places... then you don't have it).

The final feature of the Godbox II is that it is compassionately priced
according to your personal budget. Submit your personal budget, and a
Godbox II will arrive priced to perfection... (fully featured, of
course)... unless you lie.... then you receive only the "burninhell"
module... which is cool... but nowhere near the Heavens of...

					G O D B O X   I   I

Enjoy!

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


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From: James Musser <peaceland@earthlink.net>
Subject: Deltalab repairs?
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Anyone work on Deltalab stuff?

I have 2 with problems.

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


From Loopers-Delight-request@loopers-delight.com  Sat Sep 23 03:02:25 2000
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aw hell. I just can't.

-><-

From Loopers-Delight-request@loopers-delight.com  Sat Sep 23 07:43:42 2000
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Andrew- can you get me in?

:)

Cliff

----- Original Message ----- 
From: "Andrew Pask" <andrew@kaleidacousticon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Friday, September 22, 2000 8:31 PM
Subject: AES


> 
> 
> Hi folks,
> 
> Just went down to AES here in LaLa land for a bit of a look-see.
> I could only be there for about half an hour today 'cos I had some other
> stuff to take care of.

From Loopers-Delight-request@loopers-delight.com  Sat Sep 23 11:30:50 2000
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Date: Sat, 23 Sep 2000 17:26:54 -0700
From: Claude Voit <c.voit@vtx.ch>
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Subject: Pmc10 remote fix 
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hello

here is a little trick that will fix any bad contacts of the remote
controler buttons of the pmc10

1-get yourself some graphite paint that is used by TV reparators to
re-shield tv tubes (I used a leftover from a graphite spray can that
once served me to shield the control cavity of my electric guitars)
2- open the remote with care
3- with a towel or q tips and some 90% alcool clean the contact surface
of the rubber buttons and the pcb 
3-spray some graphite on a piece of paper
4-take a litle stick and apply some paint on each of the recessed discs
that are inside the rubber buttons 
5-I did it a second time after it has dried
6-close the remote
8-Its works like new
9-send me a friendly note

easy ?!

claude

From Loopers-Delight-request@loopers-delight.com  Sat Sep 23 17:01:11 2000
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Date: Sat, 23 Sep 2000 14:00:51 -0700
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From: James Musser <peaceland@earthlink.net>
Subject: Re: Godbox Group Buy List
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Sorry... not available yet... there's the catch...

We're still waiting on the Infinihz processor... could be years...

	This way we can guarantee to screw up the competition however, cuz just
knowing that the Godbox II is "ontheway" is advertising enuf to wipe out
all competitors for God knows how long...

Fun&Games!

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


From Loopers-Delight-request@loopers-delight.com  Sat Sep 23 20:53:57 2000
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Improvising

----- Original Message -----
From: "Claude Voit" <c.voit@vtx.ch>
To: "Loopers-Delight" <Loopers-Delight@annihilist.com>
Sent: Saturday, September 23, 2000 5:26 PM
Subject: Pmc10 remote fix


> hello
>
> here is a little trick that will fix any bad contacts of the remote
> controler buttons of the pmc10
>
> 1-get yourself some graphite paint that is used by TV reparators to
> re-shield tv tubes (I used a leftover from a graphite spray can that
> once served me to shield the control cavity of my electric guitars)

or shave the graphite off a #2 pencil with a single edge razor blade

> 2- open the remote with care

8 screws--pretty easy

> 3- with a towel or q tips and some 90% alcool clean the contact surface
> of the rubber buttons and the pcb

or determine that since you don't have any and skip this step

> 3-spray some graphite on a piece of paper
> 4-take a litle stick and apply some paint on each of the recessed discs
> that are inside the rubber buttons
> 5-I did it a second time after it has dried

or decide that the pencil dust is useless and apply the pencil directly to
the discs

> 6-close the remote
> 8-Its works like new
> 9-send me a friendly note

yup--much improved--I also used the eraser on the contacts

>
> easy ?!
>
> claude
>


Thank you Claude
Gary

From Loopers-Delight-request@loopers-delight.com  Sun Sep 24 01:06:51 2000
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From: Kim Flint <kflint@loopers-delight.com>
Subject: Re: Repeater vs EDP plus a little philosophy...
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At 9:33 AM -0700 9/22/00, Mike Biffle wrote:
>I'd add that I'm not a champion of the EDP... I'm totally stoked the
>Repeater is coming and will maybe get one to COMPLIMENT what I can do with
>the EDP. These two loopers might actually be great FRIENDS to cavort
>musically with... Why is there so much ridiculous dickering about who's a
>fucking engineer, who's musical etc? We ALL have tech requirements, AND we
>all have musical, spiritual issuses which inform our art / craft as well.
>Such mutual exclusion only leads to a form of musical fundamentalism where
>everyone besides yourself is WRONG. Please drop these petty arguments and
>realize that at any particular time in our community here, we might have
>discussions of ANY of these aspects and it's all part of our concerns
>vis-a-vis looping.

well said Miko.


>Once again. Thanks Kim for your kind, ongoing admin of our large looping
>community. I appreciate your attempts to inform us technically about a
>deep and complicated product in the face of childish and emotional attacks
>on your reputation. Good luck!
>

thanks for your kind words.

I must confess I have very, very little patience for people who use public
forums like this in a negative way, trying to bring harm onto others with
baseless accusations, rumors, exaggerated complaints, etc. Positive results
don't come from such negative efforts. Good things in the future will come
from working together to make it good, not from tearing down the people who
may one day help you.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sun Sep 24 04:20:40 2000
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Date: Sun, 24 Sep 2000 01:19:09 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Re: Repeater vs EDP plus a little philosophy...
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Well said Kim, I agree.
bret
--- Kim Flint <kflint@loopers-delight.com> wrote:
> 
> I must confess I have very, very little patience for people who use
> public
> forums like this in a negative way, trying to bring harm onto others
> with
> baseless accusations, rumors, exaggerated complaints, etc. Positive
> results
> don't come from such negative efforts. Good things in the future will
> come
> from working together to make it good, not from tearing down the
> people who
> may one day help you.
> 
> kim
> 
>
______________________________________________________________________
> Kim Flint                     | Looper's Delight
> kflint@loopers-delight.com    | http://www.loopers-delight.com
> 
> 


__________________________________________________
Do You Yahoo!?
Send instant messages & get email alerts with Yahoo! Messenger.
http://im.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Sun Sep 24 13:42:55 2000
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Date: Sun, 24 Sep 2000 13:45:52 -0700
From: Jake Stout <jstout@plant.uoguelph.ca>
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Hey all...  I just picked up a Simmons Midi-Trigger-Midi module for tres
cheap cuz I thought triggering samples or synths with my guitar would be
fun.  Of course, it didn't come with a manual, and I can't for the life
of me figure out the beast due to it's crude interface.  Do any of you
have any experience with one of these, or better yet have a manual on
hand that you could copy??  Of course, I'll pay for your time and the
copying fees.  Other than that, some basic pointers would be cool.

If not... I guess it's off to the manual manor.

Thanks!

Jake

--
M.Sc. Student.
University of Guelph, Canada
519 824-4120 X8182
jstout@plant.uoguelph.ca

"It's tough to find something when you don't know what you're looking
for...."
Cop, Plan 9 From Outer Space


From Loopers-Delight-request@loopers-delight.com  Sun Sep 24 15:33:26 2000
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Date: Sun, 24 Sep 2000 12:34:20 -0700
Subject: Re: Repeater vs EDP plus a little philosophy...
From: Kevin <hideaway53@home.com>
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.

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Content-type: text/plain; charset="US-ASCII"
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Hi Kim:

You wrote:

 I must confess I have very, very little patience for people who use public
> forums like this in a negative way, trying to bring harm onto others with
> baseless accusations, rumors, exaggerated complaints, etc.

Just wanted to say that we think patience is always a virtue.  We've learned
that over seven months trying to get an operating Gibson Echoplex .
Finally, thanks to Shane Radtke's serious attention, our original "bad dog"
Echoplex bought last winter has been replaced and Shane was kind enough to
upgrade the memory as well.

Incidentally, we has posted here intending that our experience with Gibson
be left as a record and critique for other potential buyers of the Gibson
Echoplex, as well as feedback for management at Gibson.  Hopefully they can
improve their production schedule, and get more Echoplex into the pipeline.
One side note, Shane Radtke in Gibson/Trace Elliot support has by now had a
great deal of experience with the Echoplex and it's sometimes quirks.  In
the last few weeks he has impressed us with his attention to details, and
his thoughtful responses to our descriptions of our troubled machine.  In
short, he gets looping.

We genuinely look forward to the Electrix Repeater.  It sounds very
interesting indeed.  As Miko pointed out, the more loopers the merrier
(We've found Digital Performers POLAR computer studio looper pretty
interesting of late, and there is good Quicktime video
tutorial/demonstration of the Polar software.  It might be available as a
download on the MOTU web sight, and it would be worth emailing the folks at
MOTU to find out). 

But if you have an Echoplex Digital Pro, you have a remarkable live
performance looping device created by people with a passion for musical
exploration (thank you Matthias Grob and Kim!).  If you are willing to put
in the time to study the beast, nothing out there that we have read about is
going to supplant it.  That's why we bought one of the originals from
Oberheim, and that's why we got on the Gibson waiting list year.   And
that's why we will continue to watch closely Gibson's handling of this
remarkable product.

The virtues of patience.

Best,
Kevin Cooney
Roctologists
(aka LoOpdOctOrs)


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<HTML>
<HEAD>
<TITLE>Re: Repeater vs EDP plus a little philosophy...</TITLE>
</HEAD>
<BODY>
Hi Kim:<BR>
<BR>
You wrote:<BR>
<BR>
 &nbsp;<TT>I must confess I have very, very little patience for people who =
use public<BR>
&gt; forums like this in a negative way, trying to bring harm onto others w=
ith<BR>
&gt; baseless accusations, rumors, exaggerated complaints, etc.<BR>
</TT><BR>
Just wanted to say that we think patience is always a virtue. &nbsp;We've l=
earned that over seven months trying to get an operating Gibson Echoplex . &=
nbsp;Finally, thanks to Shane Radtke's serious attention, our original &quot=
;bad dog&quot; Echoplex bought last winter has been replaced and Shane was k=
ind enough to upgrade the memory as well.<BR>
<BR>
Incidentally, we has posted here intending that our experience with Gibson =
be left as a record and critique for other potential buyers of the Gibson Ec=
hoplex, as well as feedback for management at Gibson. &nbsp;Hopefully they c=
an improve their production schedule, and get more Echoplex into the pipelin=
e. &nbsp;One side note, Shane Radtke in Gibson/Trace Elliot support has by n=
ow had a great deal of experience with the Echoplex and it's sometimes quirk=
s. &nbsp;In the last few weeks he has impressed us with his attention to det=
ails, and his thoughtful responses to our descriptions of our troubled machi=
ne. &nbsp;In short, he gets looping.<BR>
<BR>
We genuinely look forward to the Electrix Repeater. &nbsp;It sounds very in=
teresting indeed. &nbsp;As Miko pointed out, the more loopers the merrier (W=
e've found Digital Performers POLAR computer studio looper pretty interestin=
g of late, and there is good Quicktime video tutorial/demonstration of the P=
olar software. &nbsp;It might be available as a download on the MOTU web sig=
ht, and it would be worth emailing the folks at MOTU to find out). &nbsp;<BR=
>
<BR>
But if you have an Echoplex Digital Pro, you have a remarkable live perform=
ance looping device created by people with a passion for musical exploration=
 (thank you Matthias Grob and Kim!). &nbsp;If you are willing to put in the =
time to study the beast, nothing out there that we have read about is going =
to supplant it. &nbsp;That's why we bought one of the originals from Oberhei=
m, and that's why we got on the Gibson waiting list year. &nbsp;&nbsp;And th=
at's why we will continue to watch closely Gibson's handling of this remarka=
ble product.<BR>
<BR>
The virtues of patience.<BR>
<BR>
Best,<BR>
Kevin Cooney<BR>
Roctologists<BR>
(aka LoOpdOctOrs)<BR>
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From Loopers-Delight-request@loopers-delight.com  Sun Sep 24 16:01:48 2000
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Date: Sun, 24 Sep 2000 17:03:07 -0300
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From: Matthias Grob <matthias@grob.org>
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Jim suggests:
>we could just inject some dna into an earthlike planet,
>wait for intelligent life to develop, and then have them
>play the loops for us...

great... would your DNA be good enough?

and also:
>ah yes, the elusive looper content.
>is life bracketed by repeat signs?
>
>|: me :|

I liked this one. It certainly does not just repeat. Overdub is on.
Undo does not work quite right, they say...

Alan asked:
>Will your new looper have an internal power supply or, like most new
>boxes these days, one of those detestable "wall warts"?

It will be shit-driven. The methane that comes out of it feeds one of 
those "alternative" energy cells.

>I also want foot switches that anticipate my tap so I don't actually 
>have to do the tap itself.

I am not shure whether you are serious about this one, but GODBOX 
certainly likes your music and thus selects the right phrases to be 
looped.
And you can get rid of the critizizing meat public.

>This should be easy to do with the new QSP (Quantum Signal
>Processor) chip.

Oh great, can you send me its URL privately? :-)

>Patiently waiting for the next EDP software upgrade and whatever new
>jewels it may contain,
>

ok, let me go back to work...

While this: Why dont you play with what really exists in material 
world and with what allways comes from beyond to anyone with an open 
"third ear"...

By the way: I started mounting a page with rare brasilian music and 
translations of the words at: 
http://matthias.grob.org/pMusic/BrasExE.htm
The second song of Zeca Baleiro: "Heavy Metall of the Lord" sounds 
great, is fun and somewhat related... (no loops, though)

>
>Matthias Grob wrote:
>>
>>  James Musser GODBOX idea fascinates me. The thing that does everything...
>>
>>  The GOODLOOP would be the starting point. Maybe we can make a machine
>>  that can do everything related to looping, in some years...
>>  slowly aproximating GOD...
>>
>>  wew, so much work to do...



          ---> http://Matthias.Grob.org

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Hey there:

> > Anyway, come see me at the Zeitgeist gallery on
>Sept. 30th.
> > Lots of other
> > fantastic acts, too. This will be the debut of
>my looping rig!
>
>On the same bill as Indra Loka?  And the
>inimitable Lauri des Marais (who, i understand,
>has studied with Pauline Oliveros)???
>
>Rumor has it that Indra Loka are dabbling with
>looping a little bit...  That's just what i've

I've been working with Indra Loka in the studio on their debut
release.  There *will* be a decent dose of loopage on this record.
I'm not entirely sure what they'll be doing loop-wise live, but they
have expressed interest in going more in that direction.

And i agree, des Marais's work is quite stunning.  There is an
article in today's (Sunday) Boston Globe about her.

Should be an interesting show this Saturday.  Noah, just what
kind of craziness will you be bringing to the Zeitgeist?


-pjk

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At 12:40 PM -0700 9/21/00, Merseybeet@aol.com wrote:
>well as one of the very few echoplex endorsers...

I'm afraid I have no idea who you are either, although it can be difficult
to tell from an email address. you do have an interesting approach to
endorsing a product...:-)

You are definitely not one of the "very few", as there were many endorsers
signed up years ago. Not much was done with it though, since there wasn't
much need to put a lot of effort into marketing when every one they make
gets sold anyway.


>i am interested in the
>repeater because my echoplex has ben totally unreliable and gibson's
>repair policy is so incredibly lame... there is no certified repair
>station except their own and your are completely at their mercy.

Gibson used to have that "authorized service center" policy with the
echoplex. It did not appear to go very well at all. I've heard many stories
now of people having terrible problems with these authorized service
centers - getting it back months later, not fixed at all, no explanation. I
spent quite some time advising one of those places in hollywood. I sent
them documentation, explained the operation and the service proceedures to
them, gave them several phone numbers to contact me anytime for help if
they needed it, etc. They never called me and never asked for help, even
though they were obviously failing to service echoplexes properly. Clearly,
that was the lame repair policy!

So Gibson abandoned that strategy earlier this year. They set up their own
facility, headed up by Shane Radtke. Shane is a great guy, and by all
accounts he has been very effective at taking care of any echoplex
servicing. Why don't you contact him and get whatever your problem is taken
care of? You will have much better luck getting it corrected that way than
by moaning about on a mailing list. Shane is  sradtke@gibson.com,
1-800-544-2766 x206 or (847) 741-7315 x206.

I fail to see why this is a lame policy when it works and people are happy
with the results.


>no
>offence, but i don't play in my basement (although i hear many folks make
>great music there...) but doing a live radio show being broadcast on 250
>radios stations and having the plex decide that today is not a working
>day... well... it just don't cut it.
>   i'm interested in anything that i can fly  (in a very expensive shock
>mount flight case) around the world and have it actually work when i get
>there. is that so wrong?

No, that is not wrong. And there are many people who do tour with
echoplexes without problems. Rather than sitting there stewing about it,
why don't you go get it fixed?

kim


______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


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Off topic, but I know this list has a number of FC-200 wizards on it....

Problem:
The FC-200 can be used to control the GP-100 or, in my case, the Boss GX-700
in "manual" mode.  That is, each pedal on the FC-200 toggles a specific
effect on and off.  My GX-700 manual doesn't cover the MIDI implementation
of this.  Does anyone know how to program the PCM-10 to do this -- or know
how I might find out?

thanks!
Greg

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> And i agree, des Marais's work is quite stunning.  There is an
> article in today's (Sunday) Boston Globe about her.
> 
> Should be an interesting show this Saturday.  Noah, just what
> kind of craziness will you be bringing to the Zeitgeist?

Improvisational ambientish semichaos. Textures using reality on a laptop
and odd little melodies from my esq-1. Sometimes I'll yoink a drumloop
from Reality with the dl-4 and get a bit jazz, but the mood hasn't struck
me recently. This is 'braincramp', a project I haven't submitted to public
ears yet, so I'm hoping it goes over well.

-><-

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thank you!

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 02:09:04 2000
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At 5:56 PM -0400 9/22/00, Peter Shindler wrote:
>From: "noah" <fishmong@braincramp.org>
>To: <loopers-delight@loopers-delight.com>
>Sent: Friday, September 22, 2000 1:40 AM
>Subject: Boston Loopers Unite!?
>
>
>  >
>  > This loop friendly gig list and talk of festivals got the ol' noggin
>  > whirring....
>  >
>  > Are there enough loopers in Boston to present a venue with a
>  > loopstravaganza? I'd be glad to hunt down a venue and organize whatever
>  > needs ot be organized to make this happen. I have the feeling the Middle
>  > East or TT's would book something like this... maybe not a weekend, but if
>  > it goes well...?
>  >
>  > Anyway, come see me at the Zeitgeist gallery on Sept. 30th. Lots of other
>  > fantastic acts, too. This will be the debut of my looping rig!
>
>
>Hey, count me in, although I'm probably light-years behind most of the other
>loopers here.
>
>
>Peter

David Kirkdorffer (dkirkdorffer@netmorf.com) has orgainized a number 
of looping events in Boston over the last couple of years. I've had 
the pleasure of doing video projections at them, and would be 
interested in doing projections at other loop based events in Boston.




"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man."

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

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>At 12:40 PM -0700 9/21/00, Merseybeet@aol.com wrote:
>>well as one of the very few echoplex endorsers...
>>no
>>offence, but i don't play in my basement (although i hear many folks make
>>great music there...) but doing a live radio show being broadcast on 250
>>radios stations and having the plex decide that today is not a working
>>day... well... it just don't cut it.
>>   i'm interested in anything that i can fly  (in a very expensive shock
>>mount flight case) around the world and have it actually work when i get
>>there. is that so wrong?
m-beet,
nothing wrong w/that.
but, just to add from my own experience, as i think that i'm an 
EDP-'endorser', too.
my (very early edition) EDP has *many, many* miles on it, & seems to perform 
just fine..... all the time: i depend upon that.
best,
dt / SPLaTTeRCeLL

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From: ENAT21213@aol.com
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Date: Mon, 25 Sep 2000 11:15:00 EDT
Subject: Re: edp upgrade?
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In a message dated 9/25/00 7:50:04 AM Eastern Daylight Time, 
Texture444@aol.com writes:

> 
>  >At 12:40 PM -0700 9/21/00, Merseybeet@aol.com wrote:
>  >>well as one of the very few echoplex endorsers...
>  >>no
>  >>offence, but i don't play in my basement (although i hear many folks make
>  >>great music there...) but doing a live radio show being broadcast on 250
>  >>radios stations and having the plex decide that today is not a working
>  >>day... well... it just don't cut it.
>  >>   i'm interested in anything that i can fly  (in a very expensive shock
>  >>mount flight case) around the world and have it actually work when i get
>  >>there. is that so wrong?
>  m-beet,
>  nothing wrong w/that.
>  but, just to add from my own experience, as i think that i'm an 
>  EDP-'endorser', too.
>  my (very early edition) EDP has *many, many* miles on it, & seems to 
perform 
> 
>  just fine..... all the time: i depend upon that.
>  best,
>  dt / SPLaTTeRCeLL

mine's going back to the repair shop for the fourth time.
brian
electric bird noise

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Subject: Echoplex Reliability and "Repair Looping"
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<<snip>>
Merseybeet@aol.com wrote:
i'm interested in anything that i can fly  (in a very expensive shockmount
flight case) around the world and have it actually work when i get there. is
that so wrong?
 m-beet,

That Torn guy sez:

nothing wrong w/that.  but, just to add from my own experience, as i think
that i'm an EDP-'endorser', too.
my (very early edition) EDP has *many, many* miles on it, & seems to perform
just fine..... all the time: i depend upon that.
best,
dt / SPLaTTeRCeLL

And then ENAT21213@aol.com confesses:

mine's going back to the repair shop for the fourth time.
brian
electric bird noise

And I just wonder--back to Gibson?  For the fourth time?
Gary

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 11:49:23 2000
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i would like to never recieve mail from loopers again!!!!!


i hope i am clear!


ieme de haan
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

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From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 12:05:30 2000
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	 <Loopers-Delight@loopers-delight.com>
Subject: from loopers again!!!!!
Date: Mon, 25 Sep 2000 12:08:14 -0400
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> i would like to never recieve mail from loopers again!!!!!
> i hope i am clear!
> 
	And I thought it was just me and my overly repetitive music style
that drove people mad!!! 

	And I thought it was just me and my overly repetitive music style
that drove people mad!!! 

	And I thought it was just me and my overly repetitive music style
that drove people mad!!! 

	And I thought it was just me and my overly repetitive music style
that drove people mad!!! 

	And I thought it was just me and my overly repetitive music style
that drove people mad!!! 
	  



From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 12:35:36 2000
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Date: Mon, 25 Sep 2000 11:21:06 -0500
From: jim palmer <jimp@pobox.com>
Subject: Re: GOODLOOP and the Third Ear
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From: "Matthias Grob" <matthias@grob.org>


> Jim suggests:
> >we could just inject some dna into an earthlike planet,
> >wait for intelligent life to develop, and then have them
> >play the loops for us...
> 
> great... would your DNA be good enough?

i am new enough to the current great loop experiment
that i have not yet tried the multiply function :)

> and also:
> >ah yes, the elusive looper content.
> >is life bracketed by repeat signs?
> >
> >|: me :|
> 
> I liked this one. It certainly does not just repeat. Overdub is on.
> Undo does not work quite right, they say...

lol
add undo to the GOODLOOP device and you have time travel...
this power must only be used for good!
of course, we are usually travelling through time (mostly forward)



From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 13:19:51 2000
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Subject: More Spanish Spam?
Date: Mon, 25 Sep 2000 10:17:41 -0700
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Is it just me or has there been a huge increase in the amount of Spanish
Language Spam being received?  I would like to hope that it's not because of
being on this list, which I continue to find informative if not
entertaining...

Stephen & Sarah Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 13:24:58 2000
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Add me in to this...i've been getting it alot lately.  is this coming 
through LD?

rich



>Is it just me or has there been a huge increase in the amount of Spanish
>Language Spam being received?  I would like to hope that it's not because of
>being on this list, which I continue to find informative if not
>entertaining...
>
>Stephen & Sarah Goodman
>http://www.earthlight.net/Studios * The free Loop of the Week!
>http://www.mp3.com/StephenGoodman * New MP3 Releases!

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> i would like to never recieve mail from loopers again!!!!!
>
> i hope i am clear!

use clerasil


From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 13:43:07 2000
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g716 wrote:
> 
> Off topic, but I know this list has a number of FC-200 wizards on it....
> 
> Problem:
> The FC-200 can be used to control the GP-100 or, in my case, the Boss GX-700
> in "manual" mode.  That is, each pedal on the FC-200 toggles a specific
> effect on and off.  My GX-700 manual doesn't cover the MIDI implementation
> of this.  Does anyone know how to program the PCM-10 to do this -- or know
> how I might find out?
> 
> thanks!
> Greg

Greg 

you definitely need to find the midi implementation of your boss device
first 
then if you have problems with PMC I can help

concerning the PMC : Sean, one of our list member has made RAYMOND the
ultimate and only PMC10 editor: get it for free at
http://www.mindspring.com/~sean_/pmc/index.html

claude

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Date: Mon, 25 Sep 2000 14:41:06 EDT
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In a message dated 9/25/00 11:28:33 AM Eastern Daylight Time, 
relayonemanband@cts.com writes:

> 
>  <<snip>>
>  Merseybeet@aol.com wrote:
>  i'm interested in anything that i can fly  (in a very expensive shockmount
>  flight case) around the world and have it actually work when i get there. 
is
>  that so wrong?
>   m-beet,
>  
>  That Torn guy sez:
>  
>  nothing wrong w/that.  but, just to add from my own experience, as i think
>  that i'm an EDP-'endorser', too.
>  my (very early edition) EDP has *many, many* miles on it, & seems to 
perform
>  just fine..... all the time: i depend upon that.
>  best,
>  dt / SPLaTTeRCeLL
>  
>  And then ENAT21213@aol.com confesses:
>  
>  mine's going back to the repair shop for the fourth time.
>  brian
>  electric bird noise
>  
>  And I just wonder--back to Gibson?  For the fourth time?
>  Gary
>  
i think shane and the gang at gibson are trying hard to get all the bugs 
worked out.......very friendly and understanding.....were else could i send 
it? 
to me the logical choice is the people that are making the suckers. 
four times is quite a lot though.....they even sent me a new one on the third 
try.
brian
electric bird noise

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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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I'm getting it too...

bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Stephen P. Goodman [mailto:sgoodman@earthlight.net]
Sent: Monday, September 25, 2000 10:18 AM
To: Loopers-Delight@loopers-delight.com
Subject: More Spanish Spam?

Is it just me or has there been a huge increase in the amount of Spanish
Language Spam being received?  I would like to hope that it's not because of
being on this list, which I continue to find informative if not
entertaining...

Stephen & Sarah Goodman
http://www.earthlight.net/Studios * The free Loop of the Week!
http://www.mp3.com/StephenGoodman * New MP3 Releases!

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 15:31:08 2000
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Please don't go!!!!!! please oh please!!!!!


>From: "ieme wieger de haan" <iemedehaan@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: unsubscribe
>Date: Mon, 25 Sep 2000 15:46:11 GMT
>
>i would like to never recieve mail from loopers again!!!!!
>
>
>i hope i am clear!
>
>
>ieme de haan
>_________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
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>http://profiles.msn.com.
>

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From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 15:42:50 2000
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Andrew Pask wrote:

> Hi folks,
>
> Just went down to AES here in LaLa land for a bit of a look-see.
> I could only be there for about half an hour today 'cos I had some other
> stuff to take care of.
> Spoke to the guy at Yamaha about mLan.
> He said the "8p?"(can't remember the designation) would go into production
> in Japan in October, 12 channels of audio (didn't check SR/bit rate, damn)
> 32 channels of MIDI, looks like it's PowerMacs only (!!!!!!!), he "expected"
> full compatability with PCMCIA firewire cards for those of you with
> Wallstreets and Lombards, ASIO drivers, mixing software, he had it running
> with Cubase and the ASIO driver.$1495 list maybe, they'll be coming over
> from Japan by sea!

That must be the mLan8P -- stereo analog in/out, stereo S/PDIF
in/out (optical and coax), 1 MIDI in, 2 MIDI out, 12 channel internal
mixer w/ FX, approx 1/2 rack unit in size, but w/ controls on top.  If
they expect to sell this for anywhere near $1000, they must be on drugs --
hell, you can get an O1V for about $1500 street price.  $495 list
is more like it, otherwise they've got the most expensive 4 channel
computer interface ever, and will only sell to deparate powerbook
users.  I'd rather spring for a Magma Chassis for my 2408 than
drop that kinda dough for that thing. *sigh*, perhaps some other
enterprising young company will get the clue.  Either that or Yamaha
may kill the mLan before it even get's a chance.  They also screwed
up by not offering mini-YGDAI mLan cards for the O1V, AW4416, etc.
Typical Yamaha: They get so many things right, and then screw up
on some petty item that makes everything else worthless.

Jim

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 16:52:11 2000
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I haven't gotten one peice of Spanish spam. Just for the record.

Jim

Jonathan El-Bizri wrote:
> 
> I'm getting it too...
> 
> bIz
> 
> Tellme. News. Stock quotes. Movies. Excellent.
> 1.800.555.Tell
> biz's house of fun is temporaily unavailable. In the meantime, say
> 'extensions' and '76255' to get to biz's secret Tellme game.
> 
> -----Original Message-----
> From: Stephen P. Goodman [mailto:sgoodman@earthlight.net]
> Sent: Monday, September 25, 2000 10:18 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: More Spanish Spam?
> 
> Is it just me or has there been a huge increase in the amount of Spanish
> Language Spam being received?  I would like to hope that it's not because of
> being on this list, which I continue to find informative if not
> entertaining...
> 
> Stephen & Sarah Goodman
> http://www.earthlight.net/Studios * The free Loop of the Week!
> http://www.mp3.com/StephenGoodman * New MP3 Releases!

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 17:42:12 2000
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I'm getting almost one a day from argentina (.ar)
the 2-3 unreadable chinese one's plus
1-2 incredible biuisysness oportunitiyes
from America

I guess its fame

seems that only "the older" LD member got scanned 

anyway the recent members have enough problem with unsub or flame wars

kind of spam too

say yo na rra

Calude


     
Jim Poppen wrote:
> 
> I haven't gotten one peice of Spanish spam. Just for the record.
> 
> Jim
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 17:56:37 2000
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From: "Pulse 8" <ozone@ticnet.com>
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References: <DCEPILPAMPPOCJDLGIFCCEPKDGAA.jonathan@full-moon.com> <39CFBB16.F4448856@mindspring.com>
Subject: Re: More Spanish Spam?
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me neither :)
niH!

Joshua

Pulse 8 - aim:jkerseyvcso
http://www.mp3.com/pulse8
http://www.beyond-earth.net
http://users.ticnet.com/jkersey
----- Original Message -----
From: "Jim Poppen" <zebu@mindspring.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, September 25, 2000 3:52 PM
Subject: Re: More Spanish Spam?


> I haven't gotten one peice of Spanish spam. Just for the record.
>
> Jim
>
> Jonathan El-Bizri wrote:
> >
> > I'm getting it too...
> >
> > bIz
> >
> > Tellme. News. Stock quotes. Movies. Excellent.
> > 1.800.555.Tell
> > biz's house of fun is temporaily unavailable. In the meantime, say
> > 'extensions' and '76255' to get to biz's secret Tellme game.
> >
> > -----Original Message-----
> > From: Stephen P. Goodman [mailto:sgoodman@earthlight.net]
> > Sent: Monday, September 25, 2000 10:18 AM
> > To: Loopers-Delight@loopers-delight.com
> > Subject: More Spanish Spam?
> >
> > Is it just me or has there been a huge increase in the amount of Spanish
> > Language Spam being received?  I would like to hope that it's not
because of
> > being on this list, which I continue to find informative if not
> > entertaining...
> >
> > Stephen & Sarah Goodman
> > http://www.earthlight.net/Studios * The free Loop of the Week!
> > http://www.mp3.com/StephenGoodman * New MP3 Releases!
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 18:47:40 2000
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References: 
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Date: Mon, 25 Sep 2000 18:10:09 -0400
To: <Loopers-Delight@loopers-delight.com>
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Re: More Spanish Spam?
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At 10:17 AM -0700 9/25/00, Stephen P. Goodman wrote:
>Is it just me or has there been a huge increase in the amount of Spanish
>Language Spam being received?  I would like to hope that it's not because of
>being on this list, which I continue to find informative if not
>entertaining...
>
>Stephen & Sarah Goodman
>http://www.earthlight.net/Studios * The free Loop of the Week!
>http://www.mp3.com/StephenGoodman * New MP3 Releases!


I'm getting a few a day, of course I have no idea whether this list 
is involved.




"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man."

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 18:54:55 2000
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Date: Mon, 25 Sep 2000 17:36:01 -0700
From: Tom Lambrecht <hideomo@swbell.net>
Subject: Re: loopers FS NOT MINE
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posted on Harmony Central--not my gear, don't know the guy, DON'T e-mail me

Asking Price: US$N/A
Condition: Mint
Age: N/A
Description:
Getting married and unloading some of the very best effects.
Check these out; they will go Quick!!!

Barber Burn Unit - $185
Barber Tone Pump - $185
ZVex Super Hard on - $150
ZVex Volume Probe - $250 (discontinued)
Oberheim Echoplex
Digital Pro - $750
Echoplex EP3 SS - $400 * (new tape & serviced) Ex++
Space Echo RE-201 - $400 * (new tape & serviced) Ex++
Line6 "DL4" - $230 (Echo Modeler)
Boss Harmonizer HR-2 - $150
EBOW Plus - $110
Visual Sound Volume Pdl - $90
BBE-100 Sonic Mazimizer - $90
Art Tube MP - $90

* All effects are mint except where noted.

Buyer pays shipping. Certified check. Serious inquiries only.

Charlie Sexton
317-816-4184 (H)
317-510-6856 (W)
charles.sexton@dfas.mil
gtrmansexton@cs.com
Seller: Charlie Sexton, 317-510-6856
E-mail: charles.sexton@dfas.mil (Profile)
Location: INDIANAPOLIS, IN
Post Date: 9/25/2000

----------------------------------------------------------------------------
----

Tom Lambrecht

hideomo@swbell.net

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 18:56:59 2000
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To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: More Spanish Spam?
Date: Mon, 25 Sep 2000 18:50:44 -0400
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personally i would feel left out and bored if i didn't get a bunch of
spanish-language ads for making money at home, new printers, viagra or
what-have-you. luckily i do and now can spend most of my day trying to
translate them. finally something to take my mind off of "important
matters."

stig

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 18:57:05 2000
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Tom Lambrecht wrote:
> 
> I've been around for awhile and haven't seen any of this . . .
> 
> you guys haven't been sniffing at the Christine Aguillera photo site, have
> you?

is she from Argentina ?

calude

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 18:57:19 2000
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Date: Mon, 25 Sep 2000 17:34:23 -0700
From: Tom Lambrecht <hideomo@swbell.net>
Subject: Re: More Spanish Spam?
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I've been around for awhile and haven't seen any of this . . .

you guys haven't been sniffing at the Christine Aguillera photo site, have
you?

;)


Tom Lambrecht

hideomo@swbell.net
----- Original Message -----
From: Claude Voit <c.voit@vtx.ch>
To: <Loopers-Delight@loopers-delight.com>
Sent: Monday, September 25, 2000 11:39 PM
Subject: Re: More Spanish Spam?


> I'm getting almost one a day from argentina (.ar)
> the 2-3 unreadable chinese one's plus
> 1-2 incredible biuisysness oportunitiyes
> from America
>
> I guess its fame
>
> seems that only "the older" LD member got

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 19:08:17 2000
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Date: Mon, 25 Sep 2000 19:00:40 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: More Spanish Spam?
In-Reply-To: <39D0553C.9E0E0720@vtx.ch>
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Her father's Ecuadoran, I hear, and I'm completely embarrassed that I know
that.

Yeah, I've been getting mucho Argentine spammage as well...

Tim

At 12:50 AM 9/26/00 -0700, you wrote:
>> you guys haven't been sniffing at the Christine Aguillera photo site, have
>> you?
>
>is she from Argentina ?


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unsubscribe

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 19:08:59 2000
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Date: Tue, 26 Sep 2000 01:03:14 +0200
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solo hoy-

se vende echoplex s/n serial por solo $8'000
se traspasa jamman 198 sec por solo $6'999
se vende viagra en cajas de 100 unidades
se traspasa newsgroup ld por solo $1.89

solo hoy ... que esperas?

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 19:11:10 2000
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ladys and boyzzzz - the realtime unsubscribe loop

> unsubscribe

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 19:18:43 2000
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Jesús Turiño wrote:
> 
> ladys and boyzzzz - the realtime unsubscribe loop
> 
> > unsubscribe

Jesús

its a bit late

I'm unsubscribing you all
because I just subscri-->bed

night

cla-u-de

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 19:50:05 2000
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Usted es muy chistoso, senor!

-----Original Message-----
From: Jesús Turiño <jesus@turino.ch>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Monday, September 25, 2000 7:29 PM
Subject: Spanish Spam


>solo hoy-
>
>se vende echoplex s/n serial por solo $8'000
>se traspasa jamman 198 sec por solo $6'999
>se vende viagra en cajas de 100 unidades
>se traspasa newsgroup ld por solo $1.89
>
>solo hoy ... que esperas?
>
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 20:41:28 2000
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From: magicicada@mindspring.com
Date: Mon, 25 Sep 2000 20:33:19 -0400
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Subject: Line 6 Dl4 questions and concerns
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Hey all-mind if i pick your brain-just bought a line 6-having a few problems one being of my own doing and the other of line 6-
1. i want the alt 3/4 out on my mixer to run through my line 6 however i cannot seem to get a sound to go through it..i am using a 1402 mackie mixer-any ideas-

2. when i use the dl4 on my quiet ambient pieces (no i do not use it with guitar as i do not play it) like with waterphone or minidisc i get this click on the loop around it is there all the time-sometimes it is quieter than others-it drives me crazy-any ideas on that-
(no i am not riding the level hard at all)
if this pedal is not up to this task ia m not sure what i will do- i may go back to quadraverb2 or something that can rotate my sound without clicks and the like-thanks in advance
c.white

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 21:01:29 2000
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Old-Return-Path: <jonathan@full-moon.com>
From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: More Spanish Spam?
Date: Mon, 25 Sep 2000 18:04:07 -0700
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I would guess it's the LD archives, rather than the LD list.



bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Claude Voit [mailto:c.voit@vtx.ch]
Sent: Monday, September 25, 2000 11:40 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: More Spanish Spam?

I'm getting almost one a day from argentina (.ar)
the 2-3 unreadable chinese one's plus
1-2 incredible biuisysness oportunitiyes
from America

I guess its fame

seems that only "the older" LD member got scanned

anyway the recent members have enough problem with unsub or flame wars

kind of spam too

say yo na rra

Calude



Jim Poppen wrote:
>
> I haven't gotten one peice of Spanish spam. Just for the record.
>
> Jim
>

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 21:02:18 2000
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Date: Mon, 25 Sep 2000 18:00:40 -0700
Subject: Re: EDP reliability
From: Tiktok <tiktok@sprintmail.com>
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I have three of the devices, two for several years.  I've carried them
around in cheap racks and shock-mount cases, and they've yet to break on me.
One took a fall (in a shock-mount rack) onto the concrete during load out
just last week with no ill effects.

You may have a bum unit, you may be hard on gear, or you may be unlucky, but
I don't think there's any hard data to support the idea that the EDP is
mechanically unsound.

TH

> From: Loopers-Delight-d-request@loopers-delight.com
> Reply-To: Loopers-Delight@loopers-delight.com
> Date: Mon, 25 Sep 2000 20:41:28 -0400
> To: Loopers-Delight-d@loopers-delight.com
> Subject: Loopers-Delight-d Digest V00 #318
> 
>>> well as one of the very few echoplex endorsers...
>>> no
>>> offence, but i don't play in my basement (although i hear many folks make
>>> great music there...) but doing a live radio show being broadcast on 250
>>> radios stations and having the plex decide that today is not a working
>>> day... well... it just don't cut it.
>>> i'm interested in anything that i can fly  (in a very expensive shock
>>> mount flight case) around the world and have it actually work when i get
>>> there. is that so wrong?

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 21:28:13 2000
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From: "Kevin Goldsmith" <kevin@mail.unitcircle.com>
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Subject: Re: Line 6 Dl4 questions and concerns
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>Hey all-mind if i pick your brain-just bought a line 6-having a few problems one being of my own doing and the other of line 6-
>1. i want the alt 3/4 out on my mixer to run through my line 6 however i cannot seem to get a sound to go through it..i am using a 1402 mackie mixer-any ideas-
>
I do this all the time with my Mackie 1202.  Are you sure you are sending signal to it?  You have to "mute" the tracks you want to send through the alt bus (at least on my 1202 and 1602).

>2. when i use the dl4 on my quiet ambient pieces (no i do not use it with guitar as i do not play it) like with waterphone or minidisc i get this click on the loop around it is there all the time-sometimes it is quieter than others-it drives me crazy-any ideas on that-
>(no i am not riding the level hard at all)
>
I do mostly ambient stuff and I haven't noticed a click at all in the loop.

Maybe you have a bum unit?

   Kevin

--
-------------------------------------------------------------
Kevin Goldsmith                          kevin@unitcircle.com
Unit Circle Media                   http://www.unitcircle.com
--

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 23:05:53 2000
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Date: Tue, 26 Sep 2000 00:07:21 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Echoplex Reliability and "Repair Looping"
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
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>
>  >  mine's going back to the repair shop for the fourth time.
>>   brian
>>   electric bird noise
>> 
>>   And I just wonder--back to Gibson?  For the fourth time?
>>   Gary
>> 
>i think shane and the gang at gibson are trying hard to get all the bugs
>worked out.......very friendly and understanding.....were else could i send
>it?
>to me the logical choice is the people that are making the suckers.
>four times is quite a lot though.....they even sent me a new one on the third
>try.
>brian
>electric bird noise

this is horryfull loop really...
But please consider that the ones that made the boards of the last 
Oberheim and first Gibson units are out of business. Shure you can 
blame Gibson as a whole for it, but noone that works on the units now.
In other words, as you probably understood before:
Please dont throw more shit than necessary on Shane or Trace, simply 
insist on perfectly working repair or replacement (which is sad since 
there are none, at the moment :-( ).


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 23:05:59 2000
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References: <DCEPILPAMPPOCJDLGIFCCEPKDGAA.jonathan@full-moon.com>
 <39CFBB16.F4448856@mindspring.com> <39D044BD.4A2AA0B2@vtx.ch>
Date: Tue, 26 Sep 2000 00:07:21 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: More Spanish Spam?
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
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>I'm getting almost one a day from argentina (.ar)
>the 2-3 unreadable chinese one's plus
>1-2 incredible biuisysness oportunitiyes
>from America
>
>I guess its fame
>
>seems that only "the older" LD member got scanned

so why dont you unsub and resub? I dont get any .ar stuff!


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 23:06:08 2000
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 <39CF8A55.DAEE72C5@turino.ch>
Date: Tue, 26 Sep 2000 00:07:21 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: humor is back
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I had some good loud laughs today:

>Description:
>Getting married and unloading some of the very best effects.


>  > i would like to never recieve mail from loopers again!!!!!
>>
>>  i hope i am clear!
>
>Please don't go!!!!!! please oh please!!!!!


>use clerasil

I dont even know whats funny about it but I could hardly stop laughing...

>solo hoy-
>
>se vende echoplex s/n serial por solo $8'000
>se traspasa jamman 198 sec por solo $6'999
>se vende viagra en cajas de 100 unidades
>se traspasa newsgroup ld por solo $1.89
>
>solo hoy ... que esperas?


>add undo to the GOODLOOP device and you have time travel...
>this power must only be used for good!
>of course, we are usually travelling through time (mostly forward)

and more...

Hey I am happy fun is back.
Isnt it amazing how such a spread group of crazy guys develop a 
dynamic as it they were all in the same pub - or even more :-)
Since peace is back, the virtual pub offered Champaigne today...


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 23:13:16 2000
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>
>>2. when i use the dl4 on my quiet ambient pieces (no i do not use 
>>it with guitar as i do not play it) like with waterphone or 
>>minidisc i get this click on the loop around it is there all the 
>>time-sometimes it is quieter than others-it drives me crazy-any 
>>ideas on that-
>>(no i am not riding the level hard at all)
>>
>
>I do mostly ambient stuff and I haven't noticed a click at all in the loop.
>

I am not shure what you mean by hard level, but dont you open the mic 
for the waterphone a lot so you end up recording the mechanical click 
of the pedal (sorry if this sounds ridiculous for you, but it 
happens...)


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 23:21:24 2000
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hey mathias-
not ridicculous at all-i found out it was a bad wire- i could not hear it
when i was monitoring until the loop came in-odd stuff-btw i close mic the
waterphone-the actual mic is in the aperture as per richard waters
instructions so the only sound i get outta that beauty is pure waterphone
bliss- i really apperciate your help though-
regards,
c.white
-----Original Message-----
From: Matthias Grob [mailto:matthias@grob.org]
Sent: Monday, September 25, 2000 11:15 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Line 6 Dl4 questions and concerns


>
>>2. when i use the dl4 on my quiet ambient pieces (no i do not use
>>it with guitar as i do not play it) like with waterphone or
>>minidisc i get this click on the loop around it is there all the
>>time-sometimes it is quieter than others-it drives me crazy-any
>>ideas on that-
>>(no i am not riding the level hard at all)
>>
>
>I do mostly ambient stuff and I haven't noticed a click at all in the loop.
>

I am not shure what you mean by hard level, but dont you open the mic
for the waterphone a lot so you end up recording the mechanical click
of the pedal (sorry if this sounds ridiculous for you, but it
happens...)


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 23:24:01 2000
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From: Nemoguitt@aol.com
Message-ID: <64.6d431fb.27016fe1@aol.com>
Date: Mon, 25 Sep 2000 23:20:01 EDT
Subject: swimming in the "LOOP POOL"
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just received howlin rick walkers "LOOP POOL" today, thanks 
rick!!........what great music........ great recording chops, im more that 
envious........really a wonderful cd.........get a copy!............michael

From Loopers-Delight-request@loopers-delight.com  Mon Sep 25 23:34:28 2000
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Subject: Re: Echoplex Reliability and "Repair Looping"
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With all due respect to this marvelous unit (the EDP)--
four times is truly three times too many.
And you are having to return the brand new unit they gave you to replace the
lemon?
And this could happen to me when I least expect it?
Guess I better plan an escape route from whatever loop I paint myself into .
. .
Gary

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 00:04:55 2000
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In a message dated 9/25/00 11:05:14 PM Eastern Daylight Time, 
matthias@grob.org writes:

> 
>  >  >  mine's going back to the repair shop for the fourth time.
>  >>   brian
>  >>   electric bird noise
>  >> 
>  >>   And I just wonder--back to Gibson?  For the fourth time?
>  >>   Gary
>  >> 
>  >i think shane and the gang at gibson are trying hard to get all the bugs
>  >worked out.......very friendly and understanding.....were else could i 
send
>  >it?
>  >to me the logical choice is the people that are making the suckers.
>  >four times is quite a lot though.....they even sent me a new one on the 
> third
>  >try.
>  >brian
>  >electric bird noise
>  
>  this is horryfull loop really...
>  But please consider that the ones that made the boards of the last 
>  Oberheim and first Gibson units are out of business. Shure you can 
>  blame Gibson as a whole for it, but noone that works on the units now.
>  In other words, as you probably understood before:
>  Please dont throw more shit than necessary on Shane or Trace, simply 
>  insist on perfectly working repair or replacement (which is sad since 
>  there are none, at the moment :-( ).
>  

thank god i have a jamman to work with till i get a 100% working edp
i love you shane(i know your listening)........please lift the curse
brian
electric bird noise

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 00:08:31 2000
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In a message dated 9/25/00 11:33:32 PM Eastern Daylight Time, 
relayonemanband@cts.com writes:

> 
>  With all due respect to this marvelous unit (the EDP)--
>  four times is truly three times too many.
>  And you are having to return the brand new unit they gave you to replace 
the
>  lemon?
>  And this could happen to me when I least expect it?
>  Guess I better plan an escape route from whatever loop I paint myself into 
.

i suggest many hours just the man and machine.......
please lift the curse,
brian
electric bird noise 

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-that Charlie Sexton fellow selling the gear....you don't suppose that's 
'the' Charlie Sexton?!  -anyone know?  -just curious.         
                                                    Todd

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 02:35:17 2000
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I just wanted to let everybody know that by far this is one of the funniest
e-mails I've gotten in a long time...

Good for you, Ieme!  Keep up the good work.  I wish you were more vocal
about it too.

J.

  | -----Original Message-----
  | From: ieme wieger de haan [mailto:iemedehaan@hotmail.com]
  | Sent: Monday 25 September 2000 8:46 AM
  | To: Loopers-Delight@loopers-delight.com
  | Subject: Re: unsubscribe
  |
  |
  | i would like to never recieve mail from loopers again!!!!!
  |
  |
  | i hope i am clear!
  |
  |
  | ieme de haan
  | ________________________________________________________________
  | _________
  | Get Your Private, Free E-mail from MSN Hotmail at
  | http://www.hotmail.com.
  |
  | Share information about yourself, create your own public profile at
  | http://profiles.msn.com.
  |
  |

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 02:44:38 2000
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Date: Mon, 25 Sep 2000 23:45:54 -0700
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From: James Musser <peaceland@earthlink.net>
Subject: Re: Deltalab repairs?
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At 11:14 PM 9/22/00 -0700, you wrote:
>Anyone work on Deltalab stuff?
>I have 2 with problems.

So, no one knows of someone who does repairs on these guys, eh?

Thanks...

Peace, Love, & Music
James Musser
peaceland@earthlink.net

Lessons at:  http://home.earthlink.net/~peaceland/peaceland.htm
Underwater Traffic:  http://members.aol.com/utjam/ut.htm
Top 100 Unsigned Bands in L.A. '99 - Music Connection
Nominations:  Best South Bay Band '97 - Rock City News
Best Guitar '97 & Best L.A. Band '96 - LA Music Awards


From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 02:52:46 2000
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From: "Om_Audio" <clifsound@mediaone.net>
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Subject: OT: LapTop interfaces- 
Date: Mon, 25 Sep 2000 23:51:32 -0700
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Just got some info from AES on a nifty interface for the laptop users on the
list (of which I am not a part)- it is called the WaMi Box-
http://egosys.net/eng/egosys.html

I have been comparing audio interfaces for my PC and am inundated- clearly
leaning towards the MOTU 2408 but the Digi 001 has some nice features and
now I see the WaMi offering for full size PC...

Cliff

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 03:31:13 2000
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Metric Halo announced a firewire based 1 rack unit interface
w/ 8 channels analog i/o, 2 channels digital (AES or S/PDIF)
and internal DSP.  The version w/ 1 DSP is estimated to be $1500 list,
one w/ 2 chips is at $2500.  I spoke to a salesman on the phone
today, but he didn't know what the latency would be for host-based
processing, or if they were mLan compatible (I assume not, though
the press release says that the rack box software is "upgradeable").
ETA is dec/january.  There's some info on it at harmony central in
their AES news section.

BTW: I've had a 2408 for a couple years and have found
it to be amazingly flexible -- but if the Metric Halo
box works, and Apple can get a G4 powerbook out, I'm
gonna chuck the 2408.

Jim

Om_Audio wrote:

> Just got some info from AES on a nifty interface for the laptop users on the
> list (of which I am not a part)- it is called the WaMi Box-
> http://egosys.net/eng/egosys.html
>
> I have been comparing audio interfaces for my PC and am inundated- clearly
> leaning towards the MOTU 2408 but the Digi 001 has some nice features and
> now I see the WaMi offering for full size PC...
>
> Cliff

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>From: "Kevin Goldsmith" <kevin@mail.unitcircle.com>
>Reply-To: <kevin@mail.unitcircle.com>
>To: <Loopers-Delight@loopers-delight.com>
>Subject: Re: Repeater Group Buy
>Date: Fri, 22 Sep 2000 14:03:20 -0400
>
> >boys
> >If you only knew whats in the next plex upgrade
> >
>Of course by the time that starts shipping in bulk, we'll be able to take 
>our flying cars to the Guitar Center Megaplex on Pluto to pick them up.
>
>Kevin
>
>--
>-------------------------------------------------------------
>Kevin Goldsmith                          kevin@unitcircle.com
>Unit Circle Media                   http://www.unitcircle.com
>--

Now, here´s the humor, good one Kevin!
Alex.


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From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 04:57:54 2000
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From: "Alejandro Martínez" <alexmartinez7@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: My suggestion, About Italo, The Spam, etc...  
Date: Tue, 26 Sep 2000 08:55:36 GMT
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Hi, it seems that nobody was interested even in reading my last post about 
creating a Bullentin Board inside of LD web page for posting instead of this 
list, and to the only 2 guys who responded to that post (Todd Pafford & Mark 
Pulver)  you didn´t even taked the time to read it well ´cause I don´t know 
in which language to put this again but here it´s for the 4th time: IT´S NOT 
ABOUT EMAIL FILTERS !!!, and I quote my previous email again: "I want to 
clarify and I thought I did it before that this isn´t a matter of using 
email filters (which I already did) ´cause even having all the LD emails 
delivered to a specific folder we still sometimes receive too many emails on 
a daily basis and using words to block certain emails like the guy on this 
list who was planning to put a filter to the word "Repeater" is not a 
solution ´cause maybe one of the replies to that topic may have something of 
interest.", again: I DO have a filter in my inbox to send all the LD list 
emails to a specific folder, the main reason for proposing a BB was that I 
think is a more efficient way to share important info, I´ll send again that 
post in case someone has the time to read it well and think about that 
proposal, of course now I´ll resend it with a catchy title like one that it 
seems to be one of the favourites on this list.
The sad part was that I tried to make a long and well explanation about my 
idea and the only 2 responses I got were: "Let me just put in my vote 
against a web based BBoard by saying: Ugh." (Todd Pafford), and: "Yeup... 
With a good mail client you can all still easily filter out my babbling." 
(Mark Pulver), Mark: not everybody is subscribed to 31 mailing lists like 
you said you were and some of us doesn´t spend most of our day in front of a 
computer.
I think one of the most important reasons why I proposed that was that if 
you´re a working musician it´s a much better way if you can check the 
topics, POST a new one or REPLY to them even if you´re on tour, on vacation 
or in some place where you can´t have access to your regular email account 
but you still have access to the Internet and just by accesing the LD web 
page you could do all that, isn´t that more useful?, now I guess the answer 
is NO if you anyways spend most of your day online.
Funny thing is that in this last week we have received a bunch of emails 
that wouldn´t exist if we were using a BB : again those useless responses to 
the "unsubscribe" emails and to the Spam thing, actually for those who are 
afraid of receiving Spam ´cause of this list that´s another good reason for 
changing to a BB.
About the emails of Italo de Angelis I think he made a good point specially 
at this: "keep talking about loopers, forgetting the reason of it 
all...where is music here? Did we forget about it? or it's only about boxes' 
features...", and what´s the point of the guy who said on this list "get 
your Visa ready" & "we are sitting here with our wallets open..." both for 
the Electrix Repeater?, at least this guy should practice his playing while 
waiting for the Repeater, too much about gear and impulse buying, too little 
about music here.
And last but not least, about the guy who said he was an endorser for the 
EDP and was having troubles with it, I don´t think his complaints should be 
taken with reserve ´cause he´s not famous, everybody who payed the cash to 
get some gear deserves a quality unit like the official sponsors regardless 
of the intended use on that unit.
Time to unsubscribe now, or better yet: unsubscribe me or I´ll sue!, 
(laughs).
Alex.

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 05:07:22 2000
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From: "Alejandro Martínez" <alexmartinez7@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: More Spanish Spam!!... 
Date: Tue, 26 Sep 2000 09:04:45 GMT
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Here´s my post again now with a catchy title!, seriously read it if you have 
the time, no joke about it:

>From: "Alejandro Martínez" <alexmartinez7@hotmail.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: Loopers-Delight@loopers-delight.com
>Subject: RE: Suggestion to the LD mailing list. (UPDATED)
>Date: Tue, 19 Sep 2000 09:14:37 GMT
>
>>
>>-----Original Message-----
>>From: Alejandro Martínez [mailto:alexmartinez7@hotmail.com]
>>Sent: Friday, September 15, 2000 2:46 AM
>>To: Loopers-Delight@loopers-delight.com
>>Subject: Suggestion to the LD mailing list
>
>my suggestion is this: I think it
>>will be a
>>good idea to make the posting through a Bulletin Board type of page inside
>>the Looper´s Delight web site
>
>
>>From: "Cody Davis" <codyda@ecpi.com>
>>Reply-To: Loopers-Delight@loopers-delight.com
>>To: <Loopers-Delight@loopers-delight.com>
>>Subject: RE: Suggestion to the LD mailing list
>>Date: Fri, 15 Sep 2000 10:16:11 -0500
>>
>>I like your idea Alejandro and totally agree. Can this be done by the
>>webmasters?
>
>
Thanks Cody, that´s what I would like to know also, it seems that the idea 
didn´t get much interest on the list users or it wasn´t understood at all, I 
want to explain it again clearly, also I want to clarify and I thought I did 
it before that this isn´t a matter of using email filters (which I already 
did) ´cause even having all the LD emails delivered to a specific folder we 
still sometimes receive too many emails on a daily basis and using words to 
block certain emails like the guy on this list who was planning to put a 
filter to the word "Repeater" is not a solution ´cause maybe one of the 
replies to that topic may have something of interest.
I would like that people on this list would have some minutes to check out 
the Bulletin Boards that I mentioned before: Ampage: http://www.ampage.org/ 
or Vintage guitar online: http://www.vintage-guitar.com:8080/forums/ to see 
what I´m talking about, I guess many of you have used a Bulletin Board 
service before but for those who haven´t please check those ´cause I really 
think that if this list moves to a BB format it will be more benefical for 
both users and the LD site itself ´cause the Lopper´s Delight web page will 
have more hits per day and that´s good ´cause more people would see the 
advertising banners that now Kim is starting to include which I think is a 
good idea to make the site autosufficient and that autosufficiency is 
something that Kim himself mentioned on the "LD sells out" email.
I know that if I don´t want to have my inbox fill of LD messages I just can 
unsubscribe myself and check the LD archives but what if I want to reply to 
some topic or post a new one?: I need to subscribe again (and later 
unsubscribe, and later subscribe again and...).
Wouldn´t be easier that we could actually post a reply or a new topic 
directly to the LD archives pages? (it´s OK if you need to be subscribed to 
do that!), I mean, the way the archives are organized in the "Thread" mode 
are almost the ideal way for a BB page, the ideal way would be that the page 
could be divided in two like the BB on AMPAGE so we can click on a topic´s 
name and on the right side of the screen we can read ALL the responses to 
that topic and also POST a reply directly on there too!, here are some more 
benefits:

* The hard drive space that the list uses now on the server will be reduced 
´cause we wouldn´t need to leave or quote the original message in every 
respose to that topic, actually if you now check the posts on the LD 
archives they are like the original emails: every response has a copy of the 
original message and in many cases a copy of some of the responses, in a BB 
format the original message will be ONLY on the top and below will be every 
response in cronological order, isn´t that easier?.
* You eliminate the need of unsubscribing when you´re out of your home for 
some days or not liking the list anymore, and no more "unsubscribe me or 
I´ll sue" type of emails with their corresponding and useless responses.
* You can have categories sorted like for example: Echoplex D.P., Jamman, 
Kyma, Repeater, Upcoming shows by area, etc., and actually this option is 
useful for the guy who wated to create a Roland´s Handsonic mailing list 
too.
* You can post long topics without worrying to use too much bandwidth and 
filling other´s inboxes and actually the posts would be benefited with 
contributions of other people which didn´t read the original´s topic email 
in the first time ´cause they were unsubscribed at that time or they thought 
it wasn´t interesting enough to read it originally.
* You can check the topics, POST a new one or REPLY to them even if you´re 
on vacation, on tour or in some place where you can´t have access to your 
regular email account but you still have access to the Internet and just by 
accesing the LD web page you can do all that, isn´t that more useful?.

Maybe the list has grown too much and it´s time to move to a bigger home, 
imagine if all the users on the list would make a post per day, that´s a lot 
of emails in your inbox I think, why not use the already avalible space on 
the LD archives pages?, and as I told you before I don´t spend too much time 
on the Internet on a daily basis and just check my inbox once a day, I think 
some users on this list also do that too that´s why I think it would be 
easier to check the posts, REPLY to them and POST new ones whenever you have 
the time on a BB.
I would like that Kim Flint who is the owner of this list and other users 
would comment something on this idea.
Thanks.
Alex.

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From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 07:41:42 2000
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From: Texture444@aol.com
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Date: Tue, 26 Sep 2000 07:39:23 EDT
Subject: Re: swimming in the "LOOP POOL"
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hey!
whaddya mean 'loop pool'?
tha's been the name of my studio, since '93.....
8-)
dt

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 08:39:57 2000
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Date: Tue, 26 Sep 2000 08:38:06 -0400
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From: Floyd Miller <floyd@studiodust.com>
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Alex makes a good point for moving to a WEB=based format, especially
keen is the point about directing people right to the LD WEB site
where the answers to many questions can be found.  And it would at
least stop ubiquitous topic of unsubscribing.

I have one problem with that type of forum...  forums I have moved
to WEB-only (which egroups gives you the option to do) have gone
way to the back burner.  The out-of-sigh, out-of-mind syndrome.
At first I would log on everyday and read posts, then less often
to the point where there would be too many posts to even bother
reading all the subject lines.

This is just a case of my personal WEB habits, but perhaps a consideration
for others.



************************ Floyd Miller
   ***************** floyd@studiodust.com
     ************ http://www.studiodust.com
      ******** http://www.studiodust.com/~floyd
       *****   palace://studiodust.com:9998
        ** TPV: http://www.thepalace.com:8000/perl/palentry.pl?ID=WD9S7VM2

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 10:46:56 2000
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Date: Tue, 26 Sep 2000 09:42:04 -0500
To: Loopers-Delight@loopers-delight.com
From: Mark Pulver <mark@redmoon-music.com>
Subject: Re: My suggestion, About Italo, The Spam, etc...  
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Alejandro Martínez (03:55 AM 09.26.2000) wrote:

 >Hi, it seems that nobody was interested even in reading my last post about
 >creating a Bullentin Board inside of LD web page for posting instead of
 >this list, and to the only 2 guys who responded to that post (Todd Pafford &
 >Mark Pulver)  you didn´t even taked the time to read it well ´cause I don´t
 >know in which language to put this again but here it´s for the 4th time:
 >IT´S NOT ABOUT EMAIL FILTERS !!!

I know it's not about email filters. Very little of my response to you had 
to do with filtering.


Mark

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Subject: Korg Kaoss manual now online...
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NOTE: Please do not reply to these lists, it is cross posted.

The Korg Kaoss pad manual is now available online. It is only two pages
and contains the full  preset list as well as some basic midi info.

Grab it at:
http://machines.hyperreal.org/manufacturers/Korg/KAOSS/




From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 12:05:11 2000
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Subject: Re: loopers FS NOT MINE
Date: Tue, 26 Sep 2000 07:46:53 +0100
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He'll be sorry!
Gareth

> Getting married and unloading some of the very best effects.
> Check these out; they will go Quick!!!
>
> Barber Burn Unit - $185
> Barber Tone Pump - $185
> ZVex Super Hard on - $150
> ZVex Volume Probe - $250 (discontinued)
> Oberheim Echoplex
> Digital Pro - $750
> Echoplex EP3 SS - $400 * (new tape & serviced) Ex++
> Space Echo RE-201 - $400 * (new tape & serviced) Ex++
> Line6 "DL4" - $230 (Echo Modeler)
> Boss Harmonizer HR-2 - $150
> EBOW Plus - $110
> Visual Sound Volume Pdl - $90
> BBE-100 Sonic Mazimizer - $90
> Art Tube MP - $90
>
> * All effects are mint except where noted.
>
> Buyer pays shipping. Certified check. Serious inquiries only.
>
> Charlie Sexton
> 317-816-4184 (H)
> 317-510-6856 (W)
> charles.sexton@dfas.mil
> gtrmansexton@cs.com
> Seller: Charlie Sexton, 317-510-6856
> E-mail: charles.sexton@dfas.mil (Profile)
> Location: INDIANAPOLIS, IN
> Post Date: 9/25/2000
>
> --------------------------------------------------------------------------
--
> ----
>
> Tom Lambrecht
>
> hideomo@swbell.net
>

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 12:08:20 2000
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If you don't want to get spam in your "real" home or work account, I would 
recommend obtaining one of those free email accounts such as Hotmail, 
unsubscribing from your "real" account, and resubscribing yourself from your 
free account.

The reason is that the Looper's Delight mailing list archives are easily 
accessible to spam bots - software that scans web sites for email addresses 
and harvests them for spamming.  It's not just Looper's Delight, many list 
archives that are accessible from the Web are vulnerable to this as well 
such as L-soft, Listserv, etc.  So this email list alone is not to blame - 
if you are on other mailing lists, you may have exposed your email address 
through there as well.

eGroups archives require a password before you can access them and even if 
you do the email addresses have "-"s inserted or overwritten over certain 
characters.  Dunno about Topica.

Anyway, in general, don't use your "real" account for mailing lists or 
posting to the Net in general.

Paolo
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 12:22:58 2000
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Subject: Big Sur Looping Festival 2000, Oct.1,2:00pm@Henry Miller Library
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3 looping artists,The Listen House Project(Peter Coates),Loop.pooL(Rick 
Walker) and Totally Looped(Gary Regina)will each be doing 3/45minute sets 
starting at 2pm,Oct. 1 @The Henry Miller Library in Big 
Sur,California,outside under the Redwood trees.Each will have their own cd's 
for sale.This will be the first of many festivals planned for the Northern 
Calif.area.I (gary regina) would love to get people outside this area to open 
shows here and I'd love to go to your area and open shows there.I think we 
can really get this music off the ground.Please e-mail me 
@garyregina@hotmail.com if this sounds interesting!Thanks,and please check 
out this show,it's going to be great!!!Gary

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 12:32:18 2000
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> Metric Halo announced a firewire based 1 rack unit interface
> w/ 8 channels analog i/o, 2 channels digital (AES or S/PDIF)
> and internal DSP.  The version w/ 1 DSP is estimated to be $1500 list,
> one w/ 2 chips is at $2500.  I spoke to a salesman on the phone
> today, but he didn't know what the latency would be for host-based
> processing, or if they were mLan compatible (I assume not, though
> the press release says that the rack box software is "upgradeable").
> ETA is dec/january.  There's some info on it at harmony central in
> their AES news section.
> 

I don't know if it'll matter too much if it's not mLan compatible,
they're including both native drivers and ASIO drivers, hopefully it'll work
straight out of the box with most of our apps.

http://www.mhlabs.com/mobileio/mobile_IO.html

L8r

Andrew

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 12:33:00 2000
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At 2:04 AM -0700 9/26/00, Alejandro MartÌnez wrote:
>Here¥s my post again now with a catchy title!, seriously read it if you have
>the time, no joke about it:

please stop posting this over and over again. everybody saw it the first time.




>>my suggestion is this: I think it
>>>will be a
>>>good idea to make the posting through a Bulletin Board type of page inside
>>>the Looper¥s Delight web site
>>

thanks for the suggestion, but I have no intention of converting the LD
list to a web bulletin board format. The purpose of LD is to build a
community of people following this looping idea, and over the years I've
found that the mailing list format does an excellent job of that. Bulletin
boards do not work nearly so well in that regard, instead I find them to be
rather random and discourage the formation of community.


If you really prefer a web interface, than just use the list archives!
There are many people who do this, in fact. The archive is automatically
updated throughout the day, and it allows you to view posts by thread,
author, or date, or search for whatever you want. So the archive is
practically a BB and can serve the purposes you are looking for.

kim

______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 12:59:35 2000
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From: "Liebig, Steuart A." <Steuart.Liebig@maritz.com>
To: "'Loopers-Delight@loopers-delight.com'"
	 <Loopers-Delight@loopers-delight.com>
Subject: RE: Big Sur Looping Festival 2000, Oct.1,2:00pm@Henry Miller Libr
	ary
Date: Tue, 26 Sep 2000 12:54:37 -0400
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** sounds cool. i can't be there Playing that eve in l.a.), but i do want to
tel people that the henry miller library is a wonderful place to play and
listen to music (i did so back in may at the big sur experimental music
fest). nothing like looking up at trees that are several hundred feet tall
while playing. 

have fun.


stig

3 looping artists,The Listen House Project(Peter Coates),Loop.pooL(Rick 
Walker) and Totally Looped(Gary Regina)will each be doing 3/45minute sets 
starting at 2pm,Oct. 1 @The Henry Miller Library in Big 
Sur,California,outside under the Redwood trees.Each will have their own cd's

for sale.This will be the first of many festivals planned for the Northern 
Calif.area.I (gary regina) would love to get people outside this area to
open 
shows here and I'd love to go to your area and open shows there.I think we 
can really get this music off the ground.Please e-mail me 
@garyregina@hotmail.com if this sounds interesting!Thanks,and please check 
out this show,it's going to be great!!!Gary

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 13:20:58 2000
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Date: Tue, 26 Sep 2000 12:18:08 -0500
From: "Mikell D.Nelson" <mnelson@dmans.com>
Organization: Boomerang Musical Products
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> 4) being able to go down a 2nd, 4th, 5th, 7th, and octave is nice, i havent
> figured out if i can record a loop then drop it a 2nd and then stack a new
> loop on top then go back to the original speed then drop all of that down say
> a 4th...........does that make any sense?..........

    Yes, yes, yes. Any order, forward or reverse stacking at any speed. I haven't
even tried what you are talking about, but the Rang can certainly support that
type of looping madness.

> would like to thank MIKE NELSON and the folks at BOOMERANG MUSICAL PRODUCTS
> for making an excellent instument even better...........michael

    Thanks for the kind words, Michael.

--
Mike Nelson

Boomerang Musical Products       800-530-4699
PO Box 541595                    214-340-6913, Outside USA
Dallas, TX  75354-1595           214-343-1038, Fax

http://www.boomerangmusic.com    mnelson@dmans.com

"Some products make you sound better;
 the Boomerang Phrase Sampler makes you play better."


From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 13:38:16 2000
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>>seems that only "the older" LD member got scanned

> so why dont you unsub and resub? I dont get any .ar stuff!

I thought of doing that as well... but aren't wa ALREADY on their list? They'll just keep sending it to my email address... I'm thinking that a filter to a spam folder is probably the best bet.

-Miko

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"Liebig, Steuart A." wrote:

> ** sounds cool. i can't be there Playing that eve in l.a.), but i do want to
> tel people that the henry miller library is a wonderful place to play and
> listen to music (i did so back in may at the big sur experimental music
> fest). nothing like looking up at trees that are several hundred feet tall
> while playing.
>
> have fun.
>
> stig
>
> 3 looping artists,The Listen House Project(Peter Coates),Loop.pooL(Rick
> Walker) and Totally Looped(Gary Regina)will each be doing 3/45minute sets
> starting at 2pm,Oct. 1 @The Henry Miller Library in Big
> Sur,California,outside under the Redwood trees.Each will have their own cd's
>
> for sale.This will be the first of many festivals planned for the Northern
> Calif.area.I (gary regina) would love to get people outside this area to
> open
> shows here and I'd love to go to your area and open shows there.I think we
> can really get this music off the ground.Please e-mail me
> @garyregina@hotmail.com if this sounds interesting!Thanks,and please check
> out this show,it's going to be great!!!Gary

alas i will miss it also, but must second steuart's opinion re the henry miller
library. amazing venue (and you can get a killer breakfast down the road at
deetjen's!)

steuart, where be you playin' at? this the stinkbug crew?

lance g.


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Date: Tue, 26 Sep 2000 15:29:07 EDT
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In a message dated 9/26/00 2:58:43 PM Mid-Atlantic Standard Time, 
Steuart.Liebig@maritz.com writes:

<< nothing like looking up at trees that are several hundred feet tall
 while playing. 
  >>

that would freak me out, id rather look at my bed...........:)...........also 
dt, you will find h.r.walker playin at this gig and you can tell him about 
"loop pool", its a small world after all..............glad to 
help.............:)..............rick, thanks again, great cd........michael

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	 <Loopers-Delight@loopers-delight.com>
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The Jeff Kaiser Trio
Jeff Kaiser, trumpet and electronics, loopage (DL-4)
Steuart Liebig. bass and electronics, loopage (EH-16, akai headrush)
Woody Aplanalp, guitars and electronics, loopage (boomerang) 

with 
Phil Haines/Vinny Golia Duo
Phil Haines, drums
Vinny Golia, woodwinds

Sunday, October 1, 7 pm, $10 
Eagle Rock Community Center
The corner of Colorado Blvd. and Eagle Rock in Eagle Rock. 

For Directions: http://www.mapblast.com/

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 17:39:04 2000
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From: Nemoguitt@aol.com
Message-ID: <20.be88d80.2702708d@aol.com>
Date: Tue, 26 Sep 2000 17:35:09 EDT
Subject: boomerang upgrade
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loop a / loop b..........what fun, and so intuative..........at first i 
thought the upgrade made the rang more complex, not so! and the rewards are 
very nice.........to have a bridge or whatever with your first loop is a gas 
and to be able to bring it in and take it out in real time is very 
sweet.........also, i was used to the octave drop/rise prior to the upgrade, 
the 2nd 4th etc. are very subtle and a nice way to spice things up (this is 
not a real time feature) but still nice...........more later...........must 
play...........michael

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 21:15:55 2000
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Date: Wed, 27 Sep 2000 12:11:46 +1000
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So am I
Steven

----- Original Message -----
From: Jonathan El-Bizri <jonathan@full-moon.com>
To: Loopers <Loopers-Delight@annihilist.com>
Sent: Tuesday, September 26, 2000 4:58 AM
Subject: RE: More Spanish Spam?


> I'm getting it too...
>
> bIz
>
>
> Tellme. News. Stock quotes. Movies. Excellent.
> 1.800.555.Tell
> biz's house of fun is temporaily unavailable. In the meantime, say
> 'extensions' and '76255' to get to biz's secret Tellme game.
>
> -----Original Message-----
> From: Stephen P. Goodman [mailto:sgoodman@earthlight.net]
> Sent: Monday, September 25, 2000 10:18 AM
> To: Loopers-Delight@loopers-delight.com
> Subject: More Spanish Spam?
>
> Is it just me or has there been a huge increase in the amount of Spanish
> Language Spam being received?  I would like to hope that it's not because
of
> being on this list, which I continue to find informative if not
> entertaining...
>
> Stephen & Sarah Goodman
> http://www.earthlight.net/Studios * The free Loop of the Week!
> http://www.mp3.com/StephenGoodman * New MP3 Releases!
>
>

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References: <v03102800b5f678b495cc@[63.192.37.242]>
Date: Tue, 26 Sep 2000 22:22:32 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: BB interface
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>
>If you really prefer a web interface, than just use the list archives!
>There are many people who do this, in fact. The archive is automatically
>updated throughout the day, and it allows you to view posts by thread,
>author, or date, or search for whatever you want. So the archive is
>practically a BB and can serve the purposes you are looking for.

I started this for and find it great exept that I was not allowed to answer...
Could there be some kind of a "Archive Subscription" where you dont 
get the mails but are allowed to post to the list?


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 21:21:36 2000
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Date: Tue, 26 Sep 2000 22:22:32 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: swimming in the "LOOP POOL"
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
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>hey!
>whaddya mean 'loop pool'?
>tha's been the name of my studio, since '93.....
>8-)
>dt

actually, it has been the name of my news letter about looping in 
'92, the precursor of Loopers Delight !

its just too obvious, Dave...


          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 21:30:26 2000
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Date: Tue, 26 Sep 2000 18:26:38 -0700
From: Rick Walker <GLOBAL@cruzio.com>
Organization: Loop.pooL
X-Mailer: Mozilla 4.72 [en] (Win98; I)
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To: Loopers-Delight@loopers-delight.com
Subject: re: the use of  Loop.pooL
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Dear David  (and in the last 15 minutes.........Matthew),
    My name is Rick Walker.   I am a solo looping/abstract electronica
artist who has been performing for the last five years using the moniker
Loop.pooL in Northern California.
    My friend Miko B told me about the letter you wrote to this site
regarding the moniker Loop.pooL and  about the fact that you have called
your
studios Looppool since 1993.  First I want apologize because I have
never known this and in no way, intentionally, stole the name from
you.   It was sheer ignorance on my part.
    Secondly, because you are not using this name as a band name or an
album project, it doesn't seem that there is a huge conflict here.    I
am a regional artist with my first CD out.  I have sold all of 120
copies of it (because I am burning them myself and distributing
themselves whilst supporting myself as a touring/recording drummer/
percussionist/producer).   I am very, very small time compared to your
illustrious career.  The style of my music precludes me from ever
getting very big (although I have the feeling that you might appreciate
it yourself).
    In 1989, I started a band called Worlds Collide which was a world
fusion band.
A year after we released our first CD we became aware that a punk band
in Southern California had started to use the same name (also,
unbeknownst to them that there was a 'conflict').   We figured that if
we were in the face of losing millions of dollars and competing with the
band for MTV airtime that we might have to resolve the issue, but we let
it ride and there never was a conflict.
    In !982 I had a very theatrical new wave band called Tao Chemical.
We found out after the fact that Gordon Mumma (the noted
electronic/avante garde composer) had been using that name (again,
unbeknowsnt to us) as his publishing company moniker.
We asked him to come down and see us, which he did and afterwords he
gave us his blessing to go ahead and use the name.
    I would like to ask you the same thing.   I would like to send you
my C.D., have you hear it and ask you for the blessing to use the name
as a band name only!
It is not in my spritual being to be exploitive, of that you can be
sure.   I also have
several hundred fans in this region (the Santa Cruz/Monterey bay area)
many of whom, I'm sure are familiar with your work.  Not one of them has
ever noticed that there was a duplication of this name in the last five
years.   I just don't think there is a conflict.  I know that my use of
this moniker will never deprive you of a single penny of income.   I
hope you see it that way, too.
    I look forward to hearing from you, and , again, my sincerest
apologies for causing you any consternation.
    Yours, in the ever elusive search for the muse,   Rick Walker

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 21:39:56 2000
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Old-Return-Path: <jonathan@full-moon.com>
From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: the use of  Loop.pooL
Date: Tue, 26 Sep 2000 18:42:09 -0700
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Ack! Unsubscribe! Unsubscribe! No more Spanish spam!





<not really>

bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Rick Walker [mailto:GLOBAL@cruzio.com]
Sent: Tuesday, September 26, 2000 6:27 PM
To: Loopers-Delight@loopers-delight.com
Subject: re: the use of Loop.pooL

Dear David  (and in the last 15 minutes.........Matthew),
    My name is Rick Walker.   I am a solo looping/abstract electronica
artist who has been performing for the last five years using the moniker
Loop.pooL in Northern California.
    My friend Miko B told me about the letter you wrote to this site
regarding the moniker Loop.pooL and  about the fact that you have called
your
studios Looppool since 1993.  First I want apologize because I have
never known this and in no way, intentionally, stole the name from
you.   It was sheer ignorance on my part.
    Secondly, because you are not using this name as a band name or an
album project, it doesn't seem that there is a huge conflict here.    I
am a regional artist with my first CD out.  I have sold all of 120
copies of it (because I am burning them myself and distributing
themselves whilst supporting myself as a touring/recording drummer/
percussionist/producer).   I am very, very small time compared to your
illustrious career.  The style of my music precludes me from ever
getting very big (although I have the feeling that you might appreciate
it yourself).
    In 1989, I started a band called Worlds Collide which was a world
fusion band.
A year after we released our first CD we became aware that a punk band
in Southern California had started to use the same name (also,
unbeknownst to them that there was a 'conflict').   We figured that if
we were in the face of losing millions of dollars and competing with the
band for MTV airtime that we might have to resolve the issue, but we let
it ride and there never was a conflict.
    In !982 I had a very theatrical new wave band called Tao Chemical.
We found out after the fact that Gordon Mumma (the noted
electronic/avante garde composer) had been using that name (again,
unbeknowsnt to us) as his publishing company moniker.
We asked him to come down and see us, which he did and afterwords he
gave us his blessing to go ahead and use the name.
    I would like to ask you the same thing.   I would like to send you
my C.D., have you hear it and ask you for the blessing to use the name
as a band name only!
It is not in my spritual being to be exploitive, of that you can be
sure.   I also have
several hundred fans in this region (the Santa Cruz/Monterey bay area)
many of whom, I'm sure are familiar with your work.  Not one of them has
ever noticed that there was a duplication of this name in the last five
years.   I just don't think there is a conflict.  I know that my use of
this moniker will never deprive you of a single penny of income.   I
hope you see it that way, too.
    I look forward to hearing from you, and , again, my sincerest
apologies for causing you any consternation.
    Yours, in the ever elusive search for the muse,   Rick Walker

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 21:47:49 2000
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Old-Return-Path: <nihilist>
User-Agent: Microsoft-Outlook-Express-Macintosh-Edition/5.02.2022
Date: Tue, 26 Sep 2000 18:44:51 -0700
Subject: Electrochakra @ Hana's Lounge (Seattle looping show) 10/1/00
From: Tiktok <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
CC: Tiktok <tiktok@sprintmail.com>
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Electrochakra, a loop-heavy instrumental improvising unit
(gtr/gtr/bass/samples) will be playing this Sunday at Hana's Lounge (1914th
8th Avenue, Seattle, Washington), starting between 6 and 9PM (call the venue
[206-977-2625] the day of the show for "precise" starting time--while you're
at it, ask them what the cover may or may not be, since we have no idea at
this time, but probably free).
  
A fine array of flashing lights and groovy sounds will be deployed for your
listening and gear-gawking pleasure.

Be seeing you,

Travis Hartnett
Electrochakra

--
www.mp3.com/electrochakra

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 22:38:54 2000
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From: "space module" <spacemodule@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: RE: the use of Loop.pooL
Date: Tue, 26 Sep 2000 21:35:25 CDT
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>Ack! Unsubscribe! Unsubscribe! No more Spanish spam!

How does this spanish spam taste?  Is it an acquired taste? Is it good with 
Huevos Rancheros?  How does it compare to Chorizo (sp?)?  Any recipes you 
can recommend?

¡Muy Bueno!

sm
_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Tue Sep 26 23:28:43 2000
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X-Sender: tcn62@pop.ici.net
X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.5 (32)
Date: Tue, 26 Sep 2000 23:20:00 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: BB interface
In-Reply-To: <v0422080eb5f6a7e32b6e@[200.194.252.56]>
References: <v03102800b5f678b495cc@[63.192.37.242]>
 <v03102800b5f678b495cc@[63.192.37.242]>
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Maybe if you set up one of those free accounts like Hotmail or Yahoo and
ONLY used it for a list subscription... (Just periodically delete your
whole queue.) That way you could read the archives, and if you chose to
post, you'd be subscribed with an address that you wouldn't have to spend
any time checking.

At 10:22 PM 9/26/00 -0300, you wrote:
>>
>>If you really prefer a web interface, than just use the list archives!
>>There are many people who do this, in fact. The archive is automatically
>>updated throughout the day, and it allows you to view posts by thread,
>>author, or date, or search for whatever you want. So the archive is
>>practically a BB and can serve the purposes you are looking for.
>
>I started this for and find it great exept that I was not allowed to
answer...
>Could there be some kind of a "Archive Subscription" where you dont 
>get the mails but are allowed to post to the list?
>
>
>          ---> http://Matthias.Grob.org
>
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 01:36:28 2000
Return-Path: <Loopers-Delight-request@loopers-delight.com>
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Mime-Version: 1.0
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References: <v03102800b5f678b495cc@[63.192.37.242]>
 <v03102800b5f678b495cc@[63.192.37.242]>
 <3.0.5.32.20000926232000.007c1dc0@pop.ici.net>
Date: Wed, 27 Sep 2000 02:36:12 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: BB interface
Content-Type: text/plain; charset="us-ascii" ; format="flowed"
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Tims Solution:
>Maybe if you set up one of those free accounts like Hotmail or Yahoo and
>ONLY used it for a list subscription... (Just periodically delete your
>whole queue.) That way you could read the archives, and if you chose to
>post, you'd be subscribed with an address that you wouldn't have to spend
>any time checking.

ah right, this was meant in some other mail before and I did not 
quite understand, right?
Thank you !

>
>At 10:22 PM 9/26/00 -0300, you wrote:
>>>
>>>If you really prefer a web interface, than just use the list archives!
>>>There are many people who do this, in fact. The archive is automatically
>>>updated throughout the day, and it allows you to view posts by thread,
>>>author, or date, or search for whatever you want. So the archive is
>>>practically a BB and can serve the purposes you are looking for.
>>
>>I started this for and find it great exept that I was not allowed to
>answer...
>>Could there be some kind of a "Archive Subscription" where you dont
>>get the mails but are allowed to post to the list?
>>
>>
>>           ---> http://Matthias.Grob.org
>>
>>
>



          ---> http://Matthias.Grob.org

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 01:39:19 2000
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Old-Return-Path: <echoplex@yahoo.com>
Message-ID: <20000927053734.2213.qmail@web114.yahoomail.com>
Date: Tue, 26 Sep 2000 22:37:34 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: WorldWide Spam
To: Loopers-Delight@loopers-delight.com
MIME-Version: 1.0
Content-Type: text/plain; charset=us-ascii
Resent-Message-ID: <2TKMGB.A.KYG.jeY05@hemlock.violacea.com>
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I cannot speak about Spanish spam, but I have had fried spam in
Singapore and it was just as wonderful as USA Spam.  I think the
formula and quality control of spam are beyond country borders. What I
mean to say is that the properties of spam are the same throughout the
universe.
bret
--- space module <spacemodule@hotmail.com> wrote:
> 
> 
> 
> >Ack! Unsubscribe! Unsubscribe! No more Spanish spam!
> 
> How does this spanish spam taste?  Is it an acquired taste? Is it
> good with 
> Huevos Rancheros?  How does it compare to Chorizo (sp?)?  Any recipes
> you 
> can recommend?
> 
> ¡Muy Bueno!
> 
> sm
>
_________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at
> http://www.hotmail.com.
> 
> Share information about yourself, create your own public profile at 
> http://profiles.msn.com.
> 


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From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 01:45:21 2000
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References: <39D14CCE.83887F1F@cruzio.com>
Date: Wed, 27 Sep 2000 02:47:06 -0300
To: Loopers-Delight@loopers-delight.com
From: Matthias Grob <matthias@grob.org>
Subject: re: the use of  Loop.pooL
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Rick
You suffer with your bands names, huh?

For me I dont see any problem, since there were only two issues of 
looppool and the site was not called like it. I dont remember wheter 
it was because Kim did not like it or because we knew about Davids 
studio :-)

Now, a famous studio and a famous band with the same name? - not my business.

There might be another 6 things in the world with this name...



          ---> http://Matthias.Grob.org

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okay, okay.....
i gonna change it, now.....
best,
dt
>>hey!
>>whaddya mean 'loop pool'?
>>tha's been the name of my studio, since '93.....
>>8-)
>>dt
>
>actually, it has been the name of my news letter about looping in 
>'92, the precursor of Loopers Delight !
>
>its just too obvious, Dave...
>
>
>          ---> http://Matthias.Grob.org
>
>
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 07:25:00 2000
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rw,
no, don't worry, really!
as matthias pointed-out:
*he* used that name on his newsletter, in '92!
s'all good;
i'm gonna change the name of my studio..... not that difficult, as it's not a 
*commercial* joint, anyway.
best,
dt

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  Working perfectly, very good cosmetic looks, price:$550, shipping´s on me.


  Andy

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 07:57:42 2000
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>okay, okay.....
>i gonna change it, now.....
>best,
>dt
>>>hey!
>>>whaddya mean 'loop pool'?
>>>tha's been the name of my studio, since '93.....
>>>8-)
>>>dt
>>
>>actually, it has been the name of my news letter about looping in
>>'92, the precursor of Loopers Delight !
>>
>
>  >its just too obvious, Dave...

I just typed www.looppool.com and there is a nice loopy graphics but 
no link. Is it one of yours?

I then thought: what would the world expect to find at Looppool? 
Probably a collection of loops, uploaded by loopers for anyone to 
enrich his music (I mean: not just drum loops :-)

Today it seems that the de facto owner of a brand is the one who 
registered brand.com, no?


          ---> http://Matthias.Grob.org

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>Today it seems that the de facto owner of a brand is the one who 
>registered brand.com, no?
or:
brand.cc, brand.net, brand.etc.....
8-)
d

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 09:08:32 2000
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MG:
> I just typed www.looppool.com and there is a nice loopy
> graphics but no link.

click in the centre of the "O" .. very odd site .. a bit slow in places.


as for owning the .com .net etc .. yes, the .com owner is sorta the "real"
brand .. but you can always find an obscure one to get :-) Christmas
Islands (.CX) or. my personal favourite, .FM .. the Federated States of
Micronesia. The country that has .MD is trying to encourage doctors to buy
into their virtual real-estate ..

it's a weird world web.

J

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 11:06:34 2000
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I heard some bird sing about a repeater-special-offer?

Some information, please (I have just subscribed recently).

From
Jon meinild: jon_meinild@hotmail.com
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 11:33:31 2000
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McCullaghJ@Logica.com writes:
>it's a weird world web.
hai, dozo.....

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 11:59:27 2000
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I have a Vortex unit that I'm quite fond of except for one thing, it seems 
to contribute a lot of noise to my signal (a fairly high level of hiss that 
is present when the unit is on and even perhaps a bit louder when the unit 
is bypassed).  Can anyone tell me if the Vortex is generally a noisy box or 
would you think its just something about my particular Vortex?

If you think I'm just one of the fortunate ones, then does anyone have any 
ideas of a cause or fix (I know I can send it to Lexicon but the $75 fee is 
a bit steep for me at this point you know).

Thanks in advance

KMC
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From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 12:21:07 2000
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Subject: RE: Vortex question
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   	Can anyone tell me if the Vortex is generally a noisy box or 
> would you think its just something about my particular Vortex?
> 
	[Todd Quincy]  Mine offers a nice bit of hiss as well. Try other
presets I think you'll see the level of hiss varies from program to program.
I'm not sure which parameter is the main culprit though.

	tq
	openjam.com
	(my studio, web site, newsletter, nickname, live show, next album,
etc..)
	I did think looppool was ingenious though!!! Hat's off to everyone
who thought of it!  

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 13:04:21 2000
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$75? Try $95- unless the unlikely possibility has occured and they have
lowered their repair fee-

My unit adds plenty of noise, and colors the sound terribly in bypass- but I
loves it jes the same-

C

-----Original Message-----
From: K. Michael Odnaloc <billowhead@hotmail.com>
To: Loopers-Delight@loopers-delight.com
<Loopers-Delight@loopers-delight.com>
Date: Wednesday, September 27, 2000 8:59 AM
Subject: Vortex question


>I have a Vortex unit that I'm quite fond of except for one thing, it seems
>to contribute a lot of noise to my signal (a fairly high level of hiss that
>is present when the unit is on and even perhaps a bit louder when the unit
>is bypassed).  Can anyone tell me if the Vortex is generally a noisy box or
>would you think its just something about my particular Vortex?
>
>If you think I'm just one of the fortunate ones, then does anyone have any
>ideas of a cause or fix (I know I can send it to Lexicon but the $75 fee is
>a bit steep for me at this point you know).
>
>Thanks in advance
>
>KMC
>_________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
>
>Share information about yourself, create your own public profile at
>http://profiles.msn.com.
>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 13:12:52 2000
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I thought the same thing for the first months I owned mine. After much
tweaking of the mix and output parameters on each patch, and carefully
adjusting the input level and aux send controls on my mixer, I can record
straight to DAT with no hiss, clicks or pops.

-><-

On Wed, 27 Sep 2000, K. Michael Odnaloc wrote:

> I have a Vortex unit that I'm quite fond of except for one thing, it seems 
> to contribute a lot of noise to my signal (a fairly high level of hiss that 
> is present when the unit is on and even perhaps a bit louder when the unit 
> is bypassed).  Can anyone tell me if the Vortex is generally a noisy box or 
> would you think its just something about my particular Vortex?
> 
> If you think I'm just one of the fortunate ones, then does anyone have any 
> ideas of a cause or fix (I know I can send it to Lexicon but the $75 fee is 
> a bit steep for me at this point you know).
> 
> Thanks in advance
> 
> KMC
> _________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
> 
> Share information about yourself, create your own public profile at 
> http://profiles.msn.com.
> 

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 14:24:40 2000
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Rick Walker wrote:

> Dear David  (and in the last 15 minutes.........Matthew),
>     My name is Rick Walker.   I am a solo looping/abstract electronica
> artist who has been performing for the last five years using the moniker
> Loop.pooL in Northern California....

hey rick

just so ya don't feel too bad, there's not one, not two, but three
companies with the name treehouse (the design studio i share with my wife)
not just in the state of california, but right here on the west side of
lost angeles...we thought it was kinda original back in 1994; tho i think
we've been here the longest, i gotta say i'm losing no sleep over it.

lance g.

ps if we decide to change the name, you'll be the first person i call for
input :-)





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hey noah -

got some hints for the rest of us?

noah wrote:

> I thought the same thing for the first months I owned mine. After much
> tweaking of the mix and output parameters on each patch, and carefully
> adjusting the input level and aux send controls on my mixer, I can record
> straight to DAT with no hiss, clicks or pops.

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 16:38:00 2000
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I just tried the link www.looppool.com and received an error message
telling me to check the server or some such, so I suppose as far as my
ISPs' concerned, the site has fallen through the loophole. And I didn't
even necessarily need the whole loop, either.

But the mp3 moments from Mr T's upcoming Splattercell CD
<http://www.geocities.com/splattercell/> sound like he pooled some fine
loops..

...No - that's really quite enough

Cheers

David
<http://www.davidcooperorton.co.uk>

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 20:47:52 2000
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Hi,
	I've been looking everywhere for a novation bass station manual, but can't
find one. I really need it! Could someone help me?

      Sam.

From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 21:20:43 2000
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Date: Wed, 27 Sep 2000 21:17:09 -0400 (EDT)
From: Steve Burnett <sburnett@webslingerz.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Big Briar News - CP-251!!
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On Thu, 10 Aug 2000, Mark Pulver wrote:

> Steve Burnett (05:21 PM 08.10.2000) wrote:
> 
>  >On Thu, 10 Aug 2000, Mark Pulver wrote:
>  >
>  >> The MF-104s are coming. Know that they sound *great*. It's simply the
>  >> smoothest delay line that I have ever heard. It's very warm and full of
>  >> character.
>  >>
>  >> Hang in there!
>  >
>  >Oh, I am - have my MF-104 order in already, and am eagerly looking
>  >forward to having it to play with. I'm not upset over the delayed delay,
>  >just eager. In the meantime since yesterday's post, I've been getting into
>  >the CP-251 more and more: it delivers as advertised. Cool. Very cool.

I received my Moogerfooger MF-104 analog delay box from Big Briar this
afternoon, and have spent about half an hour making noises through it. It
is awesome. Don't have much else to say about it yet. Using it with a
theremin, I'm getting some fantastic washes of sound. Can't wait to see
what my Chapman Stick sounds like through it. May write more soon, but if
delays are somethign you like, I'd recommend checking this out. 

Company site:
http://www.bigbriar.com/

ridiculously long URL to the MF-104 in the newly redesigned site
(use the main page above and go find it if the one below doesn't work):
http://www.bigbriar.com/cgi-local/SoftCart.100.exe/spec/104.html?L+scstore+rpvb0608ff6c056c+974129522

Wow. 

best,
Steve Burnett
 -- 
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com 
             http://www.webslingerz.com/sburnett 


From Loopers-Delight-request@loopers-delight.com  Wed Sep 27 21:28:23 2000
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Steve Burnett (08:17 PM 09.27.2000) wrote:

 >I received my Moogerfooger MF-104 analog delay box from Big Briar this
 >afternoon, and have spent about half an hour making noises through it. It
 >is awesome. Don't have much else to say about it yet. Using it with a
 >theremin, I'm getting some fantastic washes of sound. Can't wait to see
 >what my Chapman Stick sounds like through it. May write more soon, but if
 >delays are somethign you like, I'd recommend checking this out.

Glad to hear you like it Steve!


If you have some bandwidth and would like to hear a bit of the box, I did 
some messing around and let a recorder run for a while. The page or sounds 
certainly won't win any awards, but...

    http://www.midiwall.com/synths/mf-104.html

The files are huge... it ended up being a 6 minute slice. But I really 
think that keeping it all together helps to show that you can have a lot of 
fun with the box outside of "just" an echo device.

Mark
_______________________________________________________
|_) _  _||\/| _  _ ._          evolutionary electronica
| \(/_(_||  |(_)(_)| |            www.redmoon-music.com
_______________________________________________________

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 00:22:33 2000
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I don't know very much about the Big Briar's Delay? What about the sound?
If you use a stick, I assume you can use it with a guitar (1/4" jacks)?

Best,
Christian

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 00:48:02 2000
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On Thu, 28 Sep 2000, Christian Leduc wrote:

> I don't know very much about the Big Briar's Delay? What about the sound?
> If you use a stick, I assume you can use it with a guitar (1/4" jacks)?

Go follow the link to http://www.bigbriar.com/ where there's nice info and
diagrams for lots of details. For the sound, there's Mark's previous
message about the big sound file he created with the delay pedal. And yes,
it has 1/4" in and out jacks.

regards,
Steve Burnett
-- 
----------------------------------------------------------------
Steve Burnett    Admin, webslingerZ     sburnett@webslingerz.com 
             http://www.webslingerz.com/sburnett 


From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 00:54:04 2000
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In a message dated 9/27/00 7:23:18 AM Eastern Daylight Time, 
Texture444@aol.com writes:

> 
>  rw,
>  no, don't worry, really!
>  as matthias pointed-out:
>  *he* used that name on his newsletter, in '92!
>  s'all good;
>  i'm gonna change the name of my studio..... not that difficult, as it's 
not 
> a 
>  *commercial* joint, anyway.
>  best,
>  dt

awesome! i've finally found a name for my studio now that your not gonna use 
it anymore and all.
lift the curse,
brian
electric bird noise

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 07:29:24 2000
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Date: Thu, 28 Sep 2000 07:26:16 EDT
Subject: Re: Novation Bass Station
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>   I've been looking everywhere for a novation bass station manual, but can't
>find one. I really need it! Could someone help me?
>      Sam.
whydontcha order one, from novation?
d

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 07:41:50 2000
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>i've finally found a name for my studio now that your not gonna use 
>it anymore and all.
>lift the curse,
>brian
you got it.....
*-)

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 07:57:40 2000
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Date: Thu, 28 Sep 2000 07:55:16 EDT
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mark,
>Glad to hear you like it Steve!
did you design/make this box?
best,
dt

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Texture444@aol.com (06:55 AM 09.28.2000) wrote:

 >mark,
 >>Glad to hear you like it Steve!
 >
 >did you design/make this box?

I had a hand in it for feature selection during the prototyping stage and 
hooked up Bob with a parts supplier for the delay lines when his couldn't 
come up with quantity.


If you get to play with the phaser (MF-103), or the CP-251, I had similar 
roles with those.


Mark

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From: Texture444@aol.com
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Date: Thu, 28 Sep 2000 11:15:07 EDT
Subject: Re: Big Briar News - CP-251!!
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>>did you design/make this box?
>I had a hand in it for feature selection during the prototyping stage and
>hooked up Bob with a parts supplier for the delay lines when his couldn't
>come up with quantity.
cool, cool. ( i have a BB ringmodulator).
wouldya tell bob m. that i said 'hey', ifya speak w/him?
he was my 'next door' neighbor in trumansburg ny, many years ago..... he came 
to hear my band ---zobofunnband--- a few times, & usedta stop by our 
farmhouse for coffee.
thanks!
best,
david torn

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Subject: Re: Big Briar News - CP-251!!
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Texture444@aol.com (10:15 AM 09.28.2000) wrote:

 >>>did you design/make this box?
 >
 >>I had a hand in it for feature selection during the prototyping stage and
 >>hooked up Bob with a parts supplier for the delay lines when his couldn't
 >>come up with quantity.
 >
 >cool, cool. ( i have a BB ringmodulator).
 >wouldya tell bob m. that i said 'hey', ifya speak w/him?
 >he was my 'next door' neighbor in trumansburg ny, many years ago..... he 
came
 >to hear my band ---zobofunnband--- a few times, & usedta stop by our
 >farmhouse for coffee.
 >thanks!

:) Bob's a totally cool guy, I talk to him a couple of times a week. It's 
fun to pick up the phone at work and find him on the other end with a new 
idea. :)

... wait until you see the new synth ... :)


I'll tell him you said "hey!" David!

Mark

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Date: Thu, 28 Sep 2000 11:38:05 EDT
Subject: OT:Re: Big Briar News - CP-251!!
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>... wait until you see the new synth ... :)
ha!
>I'll tell him you said "hey!" David!
thanks, dooooood!
best,
dt

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Subject: ---zobofunnband--- 
Date: Thu, 28 Sep 2000 11:48:22 -0400
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> ---zobofunnband--- 
> 
	 hey that's my band's name!

	tq 
	openjam.com

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At 11:48 AM 9/28/00 -0400, you wrote:
>> ---zobofunnband--- 
>> 
>	 hey that's my band's name!

and the name of my studio!

serriously, the zobo band rocked!  DT:  was there ever any official
recording planned by youse guys?  that woulda been somthing to hear!

also:  any recollection to what yer rig was like back in the day?  

when you shined... you dazzled.

m


"The funny thing about enlightenment is that it's like you're searching for
something - say your hat - and you're tearing the house apart and suddenly
you look in a mirror and you see it sitting on top of your head.  Music is
where I've experienced that."    - Vernon Reid


From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 12:39:29 2000
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As a long time resident of Ithaca NY, I regret never having experienced the
zobofunnband, I'd love to hear a recording as well.

has anyone on the list heard the band Jaws?  They started out in Ithaca and
moved out to SF (where they broke up)  Amazing band.

murkie wrote:

> At 11:48 AM 9/28/00 -0400, you wrote:
> >> ---zobofunnband---
> >>
> >        hey that's my band's name!
>
> and the name of my studio!
>
> serriously, the zobo band rocked!  DT:  was there ever any official
> recording planned by youse guys?  that woulda been somthing to hear!
>
> also:  any recollection to what yer rig was like back in the day?
>
> when you shined... you dazzled.
>
> m
>
> "The funny thing about enlightenment is that it's like you're searching for
> something - say your hat - and you're tearing the house apart and suddenly
> you look in a mirror and you see it sitting on top of your head.  Music is
> where I've experienced that."    - Vernon Reid

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 13:59:25 2000
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From: Texture444@aol.com
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Date: Thu, 28 Sep 2000 13:54:34 EDT
Subject: OT: very: Re: ---zobofunnband---
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pretty off-topic, i'd say; there *is* a dt-chatgroup for this kinda shite, 
nah?
(see sigfile, at bottom)
8-II
but, briefly & inconclusively:

>>> ---zobofunnband--- 
>>   hey that's my band's name!
aargh.......

>and the name of my studio!
bleep........

>serriously, the zobo band rocked!  DT:  was there ever any official
>recording planned by youse guys?
planned? yeah, there was an official 'indie'-release on vinyl; terrible, 
really.
also, there're a coupla 'official' cassettes, and scads of live 'boots', 
available.
where? i forget: online, somewhere, i'm sure.

>also:  any recollection to what yer rig was like back in the day?  
oh, yeah: lotsa different stuff!
too OT, for this list, i think.....
>when you shined... you dazzled.
thanks, dude.
best,
dt / SPLaTTeRCeLL

SPLaTTeRCeLL release dates:
In stores & online NOW:
ReMiKSiS:::AH
(CD & vinyl; 65 minute EP--- includes REMIXES of SPLaTTeRCeLL ::: OAH by 
Charlie Clouser (NiN), Ryuichi Sakamoto, Dan the Automator, Carter Burwell, 
SPLaTTeRCeLL feat. Tim Bowness (of NoMan), Yoshihiro Hanno, Fernando Aponte, 
& Gareth Williams..... PLUS one extra SPLaTTeRCeLL track)

Oct. 3rd
SPLaTTeRCeLL:::OAH (!!!the full-length CD!!!)

All On CeLLDiviSioN/75Ark: http://www.75ark.com

SPLaTTeRCeLL: http://www.gaalore.com/davidtorn.nsf/Pages/soah
Solid States: http://www.gaalore.com/davidtorn.nsf
List site: http://www.egroups.com/group/davidtorn

CeLLDiViSioNReCoRDS = uncontrolled substance

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Date: Thu, 28 Sep 2000 15:08:03 -0300
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>  >Today it seems that the de facto owner of a brand is the one who
>>registered brand.com, no?
>or:
>brand.cc, brand.net, brand.etc.....
>8-)
>d

yes, its nice we have this exit.

For example, Vollenweider.com is in the hands of someone that does 
not use it and wants to sell it.
The only one interested probably is Andreas Vollenweider who does not 
have as much money as some years ago and built his beautifull site at 
Vollenweider.net.
And everyone hates the owner of Vollenweider.com :-)


          ---> http://Matthias.Grob.org

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Well I bit the BS bullet and posted my Clap Track on Ebay. The unit is
New Old Stock and comes complete with the box, manual, original
(untouched) warranty card, and a copy of EH's own 'zine "Guitar World"
which has an interview with Adrian Belew and some notes of the 16 Sec
and other delays.  Best condition vintage  pedal I have seen.

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=452504161

No reserve for a collector's item but better yet a cool ass and unique
analog box. There are pics and samples up there for anyone simply
interested in seeing what this unit is all about.

Thanks!



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not about loopin but talkin w/ dtorn what aint? i've heard nothin but great
things over the yrs concerning ---zobofunnband--- so where da records,tapes
etc-maybe someone knows,...thanx stanner
----------
>From: Texture444@aol.com
>To: Loopers-Delight@loopers-delight.com
>Subject: Re: Big Briar News - CP-251!!
>Date: Thu, Sep 28, 2000, 8:15 AM
>

>>>did you design/make this box?
>>I had a hand in it for feature selection during the prototyping stage and
>>hooked up Bob with a parts supplier for the delay lines when his couldn't
>>come up with quantity.
>cool, cool. ( i have a BB ringmodulator).
>wouldya tell bob m. that i said 'hey', ifya speak w/him?
>he was my 'next door' neighbor in trumansburg ny, many years ago..... he came 
>to hear my band  a few times, & usedta stop by our 
>farmhouse for coffee.
>thanks!
>best,
>david torn
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 15:23:11 2000
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Legion wrote:
> 
> Well I bit the BS bullet and posted my Clap Track on Ebay. The unit is
> New Old Stock and comes complete with the box, manual, original
> (untouched) warranty card, and a copy of EH's own 'zine "Guitar World"

It's a review from Harris Publications magazine Guitar World.

db

-- 
* D a v i d         B e a r d s l e y
* 49/32  R a d i o "all microtonal, all the time"
* http://www.virtulink.com/immp/lookhere.htm

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> 	I've been looking everywhere for a novation bass station 
> manual, but can't
> find one. I really need it! Could someone help me?

I have the bass station (keyboard...not rackmount) and have
the manual in some form around here somewhere.  Is there something
particular you need?  

Ooops...nevermind.  The http://www.novationusa.com/ web
site was unreachable this morning...but it looks like it
is reachable again.  They have all of the manuals in pdf format
(look under 'downloads').

        Mike McGary

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 17:19:28 2000
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From: murkie <murkie@panther.middlebury.edu>
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At 01:54 PM 9/28/00 EDT, you wrote:
>pretty off-topic, i'd say; there *is* a dt-chatgroup for this kinda shite, 
>nah?


argh!  i thought i WAS replying to a message on the Torn list.  big time
appollogies to everyone!  i'll look closer next time.

m


"The funny thing about enlightenment is that it's like you're searching for
something - say your hat - and you're tearing the house apart and suddenly
you look in a mirror and you see it sitting on top of your head.  Music is
where I've experienced that."    - Vernon Reid


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"The funny thing about enlightenment is that it's like you're searching for
something - say your hat - and you're tearing the house apart and suddenly
you look in a mirror and you see it sitting on top of your head.  Music is
where I've experienced that."    - Vernon Reid

Can someone tell me what the big deal with Vernon Reid is? I've never found
any of his work remotely interesting. I'm honestly curious, since he seems
to pop up in so many places.

bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: murkie [mailto:murkie@panther.middlebury.edu]
Sent: Thursday, September 28, 2000 2:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: OT: very: Re: ---zobofunnband---

At 01:54 PM 9/28/00 EDT, you wrote:
>pretty off-topic, i'd say; there *is* a dt-chatgroup for this kinda shite,
>nah?


argh!  i thought i WAS replying to a message on the Torn list.  big time
appollogies to everyone!  i'll look closer next time.

m


"The funny thing about enlightenment is that it's like you're searching for
something - say your hat - and you're tearing the house apart and suddenly
you look in a mirror and you see it sitting on top of your head.  Music is
where I've experienced that."    - Vernon Reid

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 17:56:27 2000
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Vernon has been involved in many cool projects...one of the more recent being 
GTR OBLQ with David Torn and Elliott Sharp on Knitting Factory.  The music I 
enjoy most that Vernon has been involved with was a lot of the 'Ronald 
Shannon Jackson's Decoding Society' material - much of which has just been 
re-released on the Knitting Factorys Knit Classics label.

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 18:20:09 2000
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Date: Thu, 28 Sep 2000 18:08:26 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: ---zobofunnband--- 
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 com>
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Actually, that's the name of my pet galopagos tortoise. He's 214 years old,
and both his father and his grandfather before him were named Zobofunnband
too, so it goes back quite a while. None of them were quite sure how to
spell "galopagos" either...

Back on-topic (sort of), the newest compilation cd from the CT-Collective
will be available for y'all in just a short couple of weeks. It's called
"Bluezette" and features 20 new tunes in which members of this here looping
community offer their varied loopy interpretations of "da bloooz"... (Keep
an eye on <http://www.loopxchange.com> for details!)

Anyway, one of the tracks on Bluezette is from Howlin' Rick Walker (aka
Loop.pooL), so in the "special thanks" section of the liner notes, our hat
is tipped to mr. torn!

Well, gotta go find a new name for my tortoise...

Tim

At 11:48 AM 9/28/00 -0400, you wrote:
>> ---zobofunnband--- 
>> 
>	 hey that's my band's name!
>
>	tq 
>	openjam.com
>
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 18:55:47 2000
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Date: Thu, 28 Sep 2000 18:42:58 EDT
Subject: NJ Gig Fri.
To: STICKWIRE-L@home.ease.lsoft.com, taptalk@progrock.net,
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"Adelante" will be doing their part at a benefit 
concert to help raise funds and food supplies 
for "The Roots of Love" project in
Rawanda, Africa. This is a very worthy project focused
on assisting children that have have lost both parents
to AIDS.  Featuring guest speakers, poets, and musical acts.

"Adelante" is:
 J.Jody Janetta-Drums/Percussion
 Paul Mimlitsch- Chapman Stick SB8®, Loops/Textures
 Tony Mascara Jr.-Vibes/Percussion
 
Location:
Overcoming Victory Church
111 N. Laurel Street
Bridegeton, NJ 08302

Time: Starts around 7:00pm, we're scheduled for the 8:30 to 9:30 slot.
Friday Sept. 29th

Admission:Donation and/or non-perishable food items
For more info: contact Edwin Street
               (856)563-2711
               aebnet@acninc.net
               http://home.acninc.net/~aebnet

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 19:13:34 2000
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From: "Om_Audio" <clifsound@mediaone.net>
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Subject: Roland VP9000
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Damn yall, this is one bas ass box- I saw it at AES and just watched the
demo video-

How about loading 6 different loops and adjusting the tempo but not the key-
or the key but not the tempo-
or how about using a midi keyboard to "play" a loop without altering the
tempo? There is much more- just wanted to let you people know about what I
think is a kick ass tool-

http://209.144.99.11/vp9000/vp9000.htm

Cliff

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 19:28:39 2000
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Subject: RE: Roland VP9000
Date: Thu, 28 Sep 2000 16:30:46 -0700
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I've demo'd this unit and presented a report to my boss and my conclusion
was that it was waste of good plastic, so your mileage can (and does) vary.


bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Om_Audio [mailto:clifsound@mediaone.net]
Sent: Thursday, September 28, 2000 4:12 PM
To: Loopers List
Subject: Roland VP9000

Damn yall, this is one bas ass box- I saw it at AES and just watched the
demo video-

How about loading 6 different loops and adjusting the tempo but not the key-
or the key but not the tempo-
or how about using a midi keyboard to "play" a loop without altering the
tempo? There is much more- just wanted to let you people know about what I
think is a kick ass tool-

http://209.144.99.11/vp9000/vp9000.htm

Cliff

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 19:43:34 2000
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Subject: Re: Roland VP9000
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Obviously some elaboration on your part would be appreciated-

C

----- Original Message -----
From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 28, 2000 4:30 PM
Subject: RE: Roland VP9000


> I've demo'd this unit and presented a report to my boss and my conclusion
> was that it was waste of good plastic, so your mileage can (and does)
vary.
>
>
> bIz
>
>
> Tellme. News. Stock quotes. Movies. Excellent.
> 1.800.555.Tell
> biz's house of fun is temporaily unavailable. In the meantime, say
> 'extensions' and '76255' to get to biz's secret Tellme game.
>
> -----Original Message-----
> From: Om_Audio [mailto:clifsound@mediaone.net]
> Sent: Thursday, September 28, 2000 4:12 PM
> To: Loopers List
> Subject: Roland VP9000
>
> Damn yall, this is one bas ass box- I saw it at AES and just watched the
> demo video-
>
> How about loading 6 different loops and adjusting the tempo but not the
key-
> or the key but not the tempo-
> or how about using a midi keyboard to "play" a loop without altering the
> tempo? There is much more- just wanted to let you people know about what I
> think is a kick ass tool-
>
> http://209.144.99.11/vp9000/vp9000.htm
>
> Cliff
>

From Loopers-Delight-request@loopers-delight.com  Thu Sep 28 20:22:14 2000
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Subject: RE: Roland VP9000
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>Obviously some elaboration on your part would be appreciated-

Sure thing:

- The amount of time/pitch stretch is rather limited, you can't get anything
all that extreme, and even moderate stretching will cause artifacts and
problems.
- Setting up files to be stretch is a rather lengthy button pushing affair,
involving loading files and then allowing the system to 'process' them. It's
not an 'instant' gratification thing, and you can't 'batch process' files.
- The quality of the pitch/time stretch isn't very good - better than Sound
Forge, smoother than Acid (it's better than Acid for voice and other complex
natural instruments), about on par with Protools, but nowhere near as
realistic as Prosoniq's Time Factory.
- It only works with pre looped audio - despite what they say about 'riding
the gain' for VOR work, I couldn't imagine using it for this, (that's
probably of little interest to music makers, but for sound design, and
experimental music, it's yet another reason to avoid it.)
- It has those 'Roland tubbiness' D/A converters. (Don't get me wrong,
that's not always bad, but in this case, it's reason enough to avoid it.
- The UI stunk. The effects section was awful. Who puts an FX section in a
$3000 beat stretching tool? Who want's another stomp box sounding
chorus/delay/flanger?

At 3 grand (!) it's pretty obvious that they want to keep all the units for
themselves. I have no idea who would find this unit useful; there are >way<
cheaper, and better sounding alternatives. The only nifty trick it could do
was change a beat to triplets time. It's a flashy trick, but it's not
something I need to do every day, or ever. Apart from that, there were
absolutely no tools for modifying a sample, other than adding the afore
mentioned cheapo effects.


bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Om_Audio [mailto:clifsound@mediaone.net]
Sent: Thursday, September 28, 2000 4:42 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Roland VP9000

C

----- Original Message -----
From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Thursday, September 28, 2000 4:30 PM
Subject: RE: Roland VP9000


> I've demo'd this unit and presented a report to my boss and my conclusion
> was that it was waste of good plastic, so your mileage can (and does)
vary.
>
>
> bIz
>
>
> Tellme. News. Stock quotes. Movies. Excellent.
> 1.800.555.Tell
> biz's house of fun is temporaily unavailable. In the meantime, say
> 'extensions' and '76255' to get to biz's secret Tellme game.
>
> -----Original Message-----
> From: Om_Audio [mailto:clifsound@mediaone.net]
> Sent: Thursday, September 28, 2000 4:12 PM
> To: Loopers List
> Subject: Roland VP9000
>
> Damn yall, this is one bas ass box- I saw it at AES and just watched the
> demo video-
>
> How about loading 6 different loops and adjusting the tempo but not the
key-
> or the key but not the tempo-
> or how about using a midi keyboard to "play" a loop without altering the
> tempo? There is much more- just wanted to let you people know about what I
> think is a kick ass tool-
>
> http://209.144.99.11/vp9000/vp9000.htm
>
> Cliff
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 08:01:18 2000
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Subject: Echoplex Multiply Function and Building an Elegant Blues
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I've just discovered something interesting on the Echoplex that I want to
share with the other EDP users on this list.  This has to do with the
multiply function.  What I've discovered is that I can end the multiply
function by hitting insert and then immediately return to the multiply
function to generate a blues progression rather elegantly.  However, some of
the subsequent behavior is puzzling me, so I want to give this specific
example.  FYI, I have quantize on.
The song I am constructing is a blues.  I play a figure for the first
phrase, the "I" chord, which is one bar in length.  I allow it to play one
additional time (now playing bar 2).  I hit multiply, and the "song" begins.
After the fourth cycle begins and bar 4 of the "song" is playing, I hit
insert and when bar 5 begins, I am in insert mode and I play the "IV" chord
for two bars.  Around bar 6 or so I hit multiply again and when bar 7
arrives, I am treated to two bars of "I", as created by the original
multiply.  I allow this to continue through bar 8--I press insert during bar
8, and when bar 9 arrives, I play the "V" chord for two bars, pressing
multiply during bar 10.  When bar 10 arrives, it again delivers two bars of
"I", and during bar 12 I hit either multiply or record.  This completes the
"song" in 12 bars.  This is what I discovered.
Now to the part I don't fully understand.  Let's alter the chord
progression.  We start with the same figure for the first phrase, the "I"
chord, which is one bar in length.  I allow it to play one additional time
(now playing bar 2).  I hit multiply, and the "song" begins.  After the
second cycle begins and bar 2 of the "song" is playing, I hit insert and
when bar 3 begins, I am in insert mode and I play the "IV" chord for two
bars.  Around bar 4 or so I hit multiply again and when bar 5 arrives, I am
treated to two bars of "I", as created by the original multiply.  During bar
6, I hit insert and play the "V" chord for two bars (bars 7 and 8).  During
bar 8 I hit multiply.  When bar 9 arrives, I expect two bars of the "I"
chord.  Instead I am jarred by one bar of "I" and one bar of "IV".  What
gives?  Or to put it more clearly--with which cycle does the multiply begin?
BTW the second progression corresponds to the harmonic progression for "Boil
That Cabbage Down" or it would if I could get that far  :=(
Gary

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 11:48:19 2000
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Date: Fri, 29 Sep 2000 08:45:23 -0700
To: Loopers-Delight@loopers-delight.com
From: rich <rich@nuvision.com>
Subject: RE: Roland VP9000
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>At 3 grand (!) it's pretty obvious that they want to keep all the units for
>themselves. I have no idea who would find this unit useful; there are >way<
>cheaper, and better sounding alternatives.
>
>bIz


At the LA Namm show last year, the VP9000 was definitely being 
promoted to engineers and producers as a sonic surgical tool, IMO. 
They were demo'ing how useful it would be in the studio to 'fix' 
problems, like singers going flat at the end of a phrase.  So they 
would demo how to bring the flat section back up into pitch.  Also, 
they had demo's of how to do realistic background vocals and other 
fix-it tricks, in order to speed up studio time and cut costs.  An 
engineer with that box, Protools and an Antares Autotune box could 
cover for a serious lack of talent in the studio!

I was really excited about it at first, but choked on the pricetag, 
and tried to understand the UI at a local Guitar Center.  Finally 
gave up...

Maybe they'll flop and we can pick them up used for a couple hundred 
bucks in a few years.

rich

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 13:07:20 2000
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From: "Jason Porter" <JasonP@localmusic.com>
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Subject: Sentient Six Guitar Processor
Date: Fri, 29 Sep 2000 10:01:35 -0700
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I am thinking of buying a used piece of MIDI equipment. It is from 1989 and
the only info I have is what it says on the casing. That it is a PASSAC
Sentient Six Guitar Processor. I wont have the manuals and I am wondering if
anyone can advise me on what it does and just how to use it. Thanks.

JasonP@localmusic.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 13:23:59 2000
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Dude!  Don't buy it.  When the Passac Six Guitar processor started developing
out of control, it finally became sentient.  It developed too fast and was not
ready to handle emotions.  It turned on it's owners and had to be driven out of
town by torch wielding peasants (I've had this happen to me and trust me it
sucks).  Beware!

Mark Sottilaro

Jason Porter wrote:

> I am thinking of buying a used piece of MIDI equipment. It is from 1989 and
> the only info I have is what it says on the casing. That it is a PASSAC
> Sentient Six Guitar Processor. I wont have the manuals and I am wondering if
> anyone can advise me on what it does and just how to use it. Thanks.
>
> JasonP@localmusic.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 14:47:55 2000
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you also have to regester brandsucks.com
among others...



----- Original Message ----- 
From: <Texture444@aol.com>
To: <Loopers-Delight@loopers-delight.com>
Sent: Wednesday, September 27, 2000 7:04 AM
Subject: Re: swimming in the "LOOP POOL"


> >Today it seems that the de facto owner of a brand is the one who 
> >registered brand.com, no?
> or:
> brand.cc, brand.net, brand.etc.....
> 8-)
> d
> 
> 

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 16:47:35 2000
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Mark Sottilaro wrote:

> ...When the Passac Six Guitar processor started developing
> out of control, it finally became sentient.  It developed too fast and was not
> ready to handle emotions.  It turned on it's owners and had to be driven out of
> town by torch wielding peasants...

lol!

lance g.

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 16:56:50 2000
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From: "Jason Porter" <JasonP@localmusic.com>
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Subject: RE: Sentient Six Guitar Processor
Date: Fri, 29 Sep 2000 13:51:57 -0700
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Ok guys I am really without a clue(and not afraid to admit it). See I am
just starting out doing the Midi thing. I have a computer and been working
on some stuff with just a drum machine and non midi keyboard. Not ideal but
I made do. I am trying to build up my system and one of the things that is
available to me through a friend is this Passac thingamajigiebob. I wouldnt
have to pay hardly anything I am just wondering what exactly is the best use
for it? I dont know if it is actually a sequencer itself or what. I dont
need a machine that handles any more emotions then I already put out through
my analog self. Thank you.


-----Original Message-----
From: lance glover [mailto:baumhaus@earthlink.net]
Sent: Friday, September 29, 2000 1:48 PM
To: Loopers-Delight@annihilist.com
Subject: Re: Sentient Six Guitar Processor




Mark Sottilaro wrote:

> ...When the Passac Six Guitar processor started developing
> out of control, it finally became sentient.  It developed too fast and was
not
> ready to handle emotions.  It turned on it's owners and had to be driven
out of
> town by torch wielding peasants...

lol!

lance g.


From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 17:26:32 2000
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Date: Fri, 29 Sep 2000 16:56:07 -0400
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
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At 10:21 AM -0700 9/29/00, Mark Sottilaro wrote:
>Dude!  Don't buy it.  When the Passac Six Guitar processor started developing
>out of control, it finally became sentient.  It developed too fast and was not
>ready to handle emotions.  It turned on it's owners and had to be 
>driven out of
>town by torch wielding peasants (I've had this happen to me and trust me it
>sucks).  Beware!
>
>Mark Sottilaro


Sounds like a promising piece of gear. Does it work on synths and 
samplers too-:)

>
>Jason Porter wrote:
>
>  > I am thinking of buying a used piece of MIDI equipment. It is from 1989 and
>  > the only info I have is what it says on the casing. That it is a PASSAC
>  > Sentient Six Guitar Processor. I wont have the manuals and I am 
>wondering if
>  > anyone can advise me on what it does and just how to use it. Thanks.
>  >
>  > JasonP@localmusic.com




"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man."

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 17:38:20 2000
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From: Pratt Winkle <prattwink2@yahoo.com>
Subject: Akai MPC 2000 vs. EDP (echoplex)
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I would like an MPC 2000, but I would have to sell my
EDP to get it.
  Are there things in the MPC that will allow cool
looping like the EDP. For example: listening to a
sample and recording at the same time. Then the
ability to play them together (just as you sampled
them)? Building on a sample through many layers.
I hope this question is not to abstact.  

__________________________________________________
Do You Yahoo!?
Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free!
http://photos.yahoo.com/

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 18:12:54 2000
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While I'm not personally versed in the MPC 2000, I've gotta tell ya... we've all been dissecting the specifications of many samplers here for a few years now... and the answer is that MOST of them have precious little ability to do much of anything IN REAL TIME other than trigger pre-recorded loops... and possibly process them through their own dsp fx. 

This doesn't mean there's not one out there, but believe me when I say WE'VE ALL BEEN ASKING FOR SOMETHING LIKE THIS FOR A LONG TIME! The EDP (which I own) and possibly the forthcoming Electrix Repeater and the Boomerang all have traits unavailable on any other boxes... Admittedly, the Repeater is vaporware at this point so there's not much to choose from that's very deep. There's a slightly larger variety of dumbed-down (to use Kim Flint's phrase) boxes... the Line6 DL4... Lexicon JamMan... Akai Headrush... Zoom floor multi-fx... as well as a number of plain old delay lines which we're all using for real time stuff. 

WE ALL WANT AND NEED SAMPLERS WITH REAL TIME RECORD, OVERDUB, DSP PROCESSING, TIME WARPING / PITCH TRANSPOSE... If they then liscensed the Aurisis Loop s/w and implemented it into such a box and added memory registers, upgradeable dsp memory, upgradeable sampling memory, a glass interface... WE'D ALL FALL OVER IN DISBELIEF THAT SOMEONE ACTUALLY LISTENED! 

In a nutshell... Don't sell the EDP thinking you're going to do 1/50th of that stuff on a sampler. In fact... you're probably gonna have a hard time just recording and getting it to loop in real time without extra button hits. Something which should be in EVERY sampler.

Samplers are cool, but they haven't come up with a good hybrid of both concepts yet. Don't hold your breath either. The Repeater ad copy seems to imply that you will be able to store loops, each containing 4 tracks, and then overdub, pitch transpose w/time stretching to keep in sync... If that works correctly I'd say that it will be on of the first of the hybridized hardware  boxes available.

Best regards,
-Miko

>>> prattwink2@yahoo.com 09/29/00 02:35PM >>>
I would like an MPC 2000, but I would have to sell my
EDP to get it.
  Are there things in the MPC that will allow cool
looping like the EDP. For example: listening to a
sample and recording at the same time. Then the
ability to play them together (just as you sampled
them)? Building on a sample through many layers.
I hope this question is not to abstact.  

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From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 18:40:46 2000
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From: Crossedout@aol.com
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Date: Fri, 29 Sep 2000 18:27:15 EDT
Subject: Re: Akai MPC 2000 vs. EDP (echoplex)
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In a message dated 9/29/00 4:35:48 PM Central Daylight Time, 
prattwink2@yahoo.com writes:

<<  Are there things in the MPC that will allow cool
 looping like the EDP. For example: listening to a
 sample and recording at the same time. Then the
 ability to play them together (just as you sampled
 them)? Building on a sample through many layers.
 I hope this question is not to abstact.   >>

Short answer is no. If you need a good sequencer and drum machine that also 
has SOME sampling functions, get the MPC. If you need a realtime looper, 
don't. In my opinion, even though I love and swear by the Akai MPC 2000, I 
think it is mis-marketed - it is not a sampler with a drum machine, it's a 
drum machine and sequencer first, sampler second. It doesn't have many of the 
controls or parameters that most dedicated samplers have (i.e. the filter 
controls are limited, there is no provisions for external controllers to be 
used with the samples, etc.)

Check akai's website and download a manual for the MPC. 
www.akaipro.com

good luck. 
- Crossedout@aol.com

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 19:50:38 2000
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To: Loopers-Delight@loopers-delight.com
Subject: Re: Sentient Six Guitar Processor
References: <NEBBLBDOOKLIFJIOPGAECECICCAA.JasonP@localmusic.com>
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Jason Porter wrote:

> I am thinking of buying a used piece of MIDI equipment. It is from 1989 and
> the only info I have is what it says on the casing. That it is a PASSAC
> Sentient Six Guitar Processor. I wont have the manuals and I am wondering if
> anyone can advise me on what it does and just how to use it. Thanks.
>
> JasonP@localmusic.com

It is probably a effects processor of some sort.  If you don't know what
it is, and there is no manual, then I'd recommend staying away from it.
If you want effects, check out line6.com or digitech.com or boss.com.
For cheap used effects, get analog stomp boxes.

Jim

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 20:25:43 2000
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Date: Fri, 29 Sep 2000 20:17:18 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Sentient Six Guitar Processor
In-Reply-To: <39D52A03.E92BB393@jguru.com>
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The Passac Sentient Six was a rackmount guitar MIDI controller/hex pickup
system. From what I remember hearing about them (I didn't own one), they
didn't track too well. I'm not sure if it can be used with a hex pickup
other than the proprietry one or not; if the pickup doesn't come with it
and you can't try it out to see if it even works, you'd probably be better
off passing on it, unless it's REALLY cheap and you think you'll be able to
find a pickup for it someday.

Here's what it looked like:
<http://www.keyboardmuseum.org/pic/p/pasc/sent.jpg>

Tim

At 05:47 PM 9/29/00 -0600, you wrote:
>Jason Porter wrote:
>
>> I am thinking of buying a used piece of MIDI equipment. It is from 1989 and
>> the only info I have is what it says on the casing. That it is a PASSAC
>> Sentient Six Guitar Processor. I wont have the manuals and I am
wondering if
>> anyone can advise me on what it does and just how to use it. Thanks.
>>
>> JasonP@localmusic.com
>
>It is probably a effects processor of some sort.  If you don't know what
>it is, and there is no manual, then I'd recommend staying away from it.
>If you want effects, check out line6.com or digitech.com or boss.com.
>For cheap used effects, get analog stomp boxes.
>
>Jim
>
>

From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 20:49:45 2000
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From: "Jason Porter" <JasonP@localmusic.com>
To: <Loopers-Delight@loopers-delight.com>
Subject: RE: Sentient Six Guitar Processor
Date: Fri, 29 Sep 2000 17:44:48 -0700
Message-ID: <NEBBLBDOOKLIFJIOPGAEMECLCCAA.JasonP@localmusic.com>
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Thanks very much for that info! I didnt realize that I would need a specific
pickup in order for it to work. Thanks again.

-----Original Message-----
From: Tim Nelson [mailto:tcn62@ici.net]
Sent: Friday, September 29, 2000 5:17 PM
To: Loopers-Delight@loopers-delight.com
Subject: Re: Sentient Six Guitar Processor


The Passac Sentient Six was a rackmount guitar MIDI controller/hex pickup
system. From what I remember hearing about them (I didn't own one), they
didn't track too well. I'm not sure if it can be used with a hex pickup
other than the proprietry one or not; if the pickup doesn't come with it
and you can't try it out to see if it even works, you'd probably be better
off passing on it, unless it's REALLY cheap and you think you'll be able to
find a pickup for it someday.

Here's what it looked like:
<http://www.keyboardmuseum.org/pic/p/pasc/sent.jpg>

Tim

At 05:47 PM 9/29/00 -0600, you wrote:
>Jason Porter wrote:
>
>> I am thinking of buying a used piece of MIDI equipment. It is from 1989
and
>> the only info I have is what it says on the casing. That it is a PASSAC
>> Sentient Six Guitar Processor. I wont have the manuals and I am
wondering if
>> anyone can advise me on what it does and just how to use it. Thanks.
>>
>> JasonP@localmusic.com
>
>It is probably a effects processor of some sort.  If you don't know what
>it is, and there is no manual, then I'd recommend staying away from it.
>If you want effects, check out line6.com or digitech.com or boss.com.
>For cheap used effects, get analog stomp boxes.
>
>Jim
>
>


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Answer me privately if you did and I’ll post the results to the list.



bIz


Tellme. News. Stock quotes. Movies. Excellent.
1.800.555.Tell
biz's house of fun is temporaily unavailable. In the meantime, say
'extensions' and '76255' to get to biz's secret Tellme game.

-----Original Message-----
From: Honda Porta [mailto:correo@hondaporta.com.ar]
Sent: Friday, September 29, 2000 6:42 PM
To: jonathan@full-moon.com
Subject: Tené tu HONDA (todos los modelos)

www.hondaporta.com.ar <http://www.hondaporta.com.ar/>
Todos los modelos
HONDA 2000 <http://www.hondaporta.com.ar>

Motos, cuatriciclos,scooters,
 productos de fuerza

www.hondaporta.com.ar <http://www.hondaporta.com.ar>
Aquí <http://www.hondaporta.com.ar>
Más información haga click aquí <http://www.hondaporta.com.ar/>
o comuníquese a: info@hondaporta.com.ar <mailto:info@hondaporta.com.ar>
remove@hondaporta.com.ar <mailto:info@hondaporta.com.ar>

 Como consecuencia de algunos reclamos queremos dejar establecido que el
envío de ésta información se realiza únicamente por suscripción. Si Ud. no
LO SOLICITÓ por favor enviar un email a esta dirección
remove@hondaporta.com.ar <mailto:info@hondaporta.com.ar>  . Tenga en cuenta
que muchas veces hay personas que dejan su dirección SIN SU CONOCIMIENTO. No
es nuestra intención enviar información NO SOLICITADA.


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<p class=3DMsoNormal><span class=3DEmailStyle18><font size=3D2 =
color=3Dwhite
face=3DArial><span =
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
Arial;color:white'>Answer me privately if you did and I&#8217;ll post =
the results to
the list.<o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle18><font size=3D2 =
color=3Dnavy face=3DArial><span
style=3D'font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial'><!=
[if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><span class=3DEmailStyle18><font size=3D2 =
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<p class=3DMsoNormal><span class=3DEmailStyle18><font size=3D2 =
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<p class=3DMsoAutoSig><!--[if supportFields]><span =
class=3DEmailStyle18><font=20
size=3D2 color=3Dwhite face=3DArial><span =
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12.0pt;font-family:Arial;color:white'><span =
style=3D'mso-element:field-begin'></span><span=20
style=3D"mso-spacerun: yes">&nbsp;</span>AUTOTEXTLIST \s &quot;E-mail=20
Signature&quot; <span =
style=3D'mso-element:field-separator'></span></span></font></span><![endi=
f]--><font
color=3Dwhite face=3D"Arial Narrow"><span style=3D'font-family:"Arial =
Narrow";
color:white'>bIz<o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D3 color=3Dwhite face=3D"Arial =
Narrow"><span
style=3D'font-size:12.0pt;font-family:"Arial Narrow";color:white'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D3 color=3Dwhite face=3D"Arial =
Narrow"><span
style=3D'font-size:12.0pt;font-family:"Arial Narrow";color:white'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D3 color=3Dwhite face=3D"Arial =
Narrow"><span
style=3D'font-size:12.0pt;font-family:"Arial =
Narrow";color:white'>Tellme. News.
Stock quotes. Movies. Excellent.<o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D2 color=3Dwhite face=3D"Arial =
Black"><span
style=3D'font-size:11.0pt;mso-bidi-font-size:12.0pt;font-family:"Arial =
Black";
color:white'>1.800.555.Tell<o:p></o:p></span></font></p>

<p class=3DMsoAutoSig><font size=3D1 color=3Dwhite face=3D"Arial =
Narrow"><span
style=3D'font-size:8.0pt;mso-bidi-font-size:12.0pt;font-family:"Arial =
Narrow";
color:white'>biz's house of fun is temporaily unavailable. In the =
meantime, say
'extensions' and '76255' to get to biz's secret Tellme =
game.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><!--[if supportFields]><span =
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span
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10.0pt;mso-bidi-font-size:12.0pt;font-family:Arial'><![if =
!supportEmptyParas]>&nbsp;<![endif]><o:p></o:p></span></font></span></p>

<p class=3DMsoNormal><font size=3D2 color=3D"#2d322c" =
face=3DTahoma><span
style=3D'font-size:10.0pt;font-family:Tahoma;color:#2D322C'>-----Original=

Message-----<br>
<b><span style=3D'font-weight:bold'>From:</span></b> Honda Porta
[mailto:correo@hondaporta.com.ar]<br>
<b><span style=3D'font-weight:bold'>Sent:</span></b> Friday, September =
29, 2000
6:42 PM<br>
<b><span style=3D'font-weight:bold'>To:</span></b> =
jonathan@full-moon.com<br>
<b><span style=3D'font-weight:bold'>Subject:</span></b> Ten=E9 tu HONDA =
(todos los
modelos)</span></font></p>

<p class=3DMsoNormal><font size=3D3 face=3D"Times New Roman"><span =
style=3D'font-size:
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<table border=3D0 cellspacing=3D0 cellpadding=3D0 width=3D529 =
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  style=3D'text-decoration:none;text-underline:none'><img border=3D0 =
width=3D311
  height=3D186 id=3D"_x0000_i1025"
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  alt=3Dwww.hondaporta.com.ar></span></a></span></font><font size=3D2
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style=3D'width:177.0pt;padding:0in 0in 0in 0in;
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  face=3DVerdana><span =
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  font-weight:bold;font-style:italic'>Todos los =
modelos</span></font></i></b><font
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style=3D'font-size:10.0pt;font-family:
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</p>
  <p align=3Dcenter style=3D'text-align:center'><font size=3D2 =
color=3Dwhite
  face=3DVerdana><span =
style=3D'font-size:10.0pt;font-family:Verdana;color:white'><a
  href=3D"http://www.hondaporta.com.ar"><span =
style=3D'text-decoration:none;
  text-underline:none'><img border=3D0 width=3D250 height=3D82 =
id=3D"_x0000_i1026"
  src=3D"http://www.hondaporta.com.ar/mail/h_2000.jpg" alt=3D"HONDA =
2000"></span></a></span></font><b><i><font
  color=3D"#209ce8" face=3DVerdana><span =
style=3D'font-family:Verdana;color:#209CE8;
  font-weight:bold;font-style:italic'><br>
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face=3DVerdana><span
  =
style=3D'font-size:10.0pt;font-family:Verdana;color:#209CE8;font-weight:b=
old;
  font-style:italic'>Motos, cuatriciclos,scooters,<br>
  &nbsp;productos de fuerza</span></font></i></b><font size=3D2 =
color=3D"#2d322c"
  face=3DVerdana><span =
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style=3D'text-align:center'><b><font size=3D2
  color=3Dwhite face=3DVerdana><span =
style=3D'font-size:10.0pt;font-family:Verdana;
  color:white;font-weight:bold'>M=E1s informaci=F3n haga =
click</span></font></b><b><font
  size=3D2 color=3D"#209ce8" face=3DVerdana><span =
style=3D'font-size:10.0pt;font-family:
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style=3D'text-align:center'><b><font size=3D2
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style=3D'font-size:10.0pt;font-family:Verdana;
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  =
href=3D"mailto:info@hondaporta.com.ar">info@hondaporta.com.ar</a></span><=
/font></b><font
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New Roman"><span
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  size=3D2 face=3DVerdana><span =
style=3D'font-size:10.0pt;font-family:Verdana;
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</span></font><font
  size=3D2 color=3D"#2d322c" face=3DVerdana><span =
style=3D'font-size:10.0pt;font-family:
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</table>

<p class=3DMsoNormal><font size=3D2 color=3Dgray face=3DArial><span =
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color=3D"#2d322c"><span =
style=3D'color:#2D322C;mso-color-alt:windowtext'><o:p></o:p></span></font=
></p>

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font><font
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style=3D'font-size:10.0pt;font-family:Arial;
  color:gray'>Como consecuencia de algunos reclamos queremos dejar =
establecido
  que el env=EDo de =E9sta informaci=F3n se realiza =FAnicamente por =
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  Ud. no LO SOLICIT=D3 por favor enviar un email a esta direcci=F3n =
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From Loopers-Delight-request@loopers-delight.com  Fri Sep 29 23:42:24 2000
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From: JohnFlem@aol.com
Message-ID: <c0.9cf2c9c.2706ba75@aol.com>
Date: Fri, 29 Sep 2000 23:39:33 EDT
Subject: Re:Akai MPC 2000 vs. EDP (echoplex)
To: Loopers-Delight@loopers-delight.com
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 I have used the MPC 2000 extensively.  No you cannot sample while listening 
to another sample or sequence.  You can play samples forward and Backwards.  
Saples can be One Shot, Looped, Played all the way to the end with One press, 
or played until you release a pad.  The same sample can be mapped to 
different pads with different tunings, envelope settings playback mode etc... 
 There are NO real-time sample/Loop functions.  I used to build tracks by 
making a loop, recording it to DAT and then make another loop while 
monitoring the DAT so on and so on.  The MPC is the definative Hip Hop box, 
but it kind of stops there.  I have recorded whole albums using just the 
sampler and sequencer (32 megs RAM).  DON"T sell your EDP to get one BUT they 
are really cool together.  I also used to sample Loops from my EDP and Jam 
Man into the MPC for storage and assembly on the sequencer.  Being able to 
start and stop and stutter samples causes different musical 'happenings' than 
you get with an EDP alone (an oft-abused technique in Hip Hop).


In a message dated 9/29/00 9:45:47 PM, 
Loopers-Delight-d-request@loopers-delight.com writes:

<< I would like an MPC 2000, but I would have to sell my
EDP to get it.
  Are there things in the MPC that will allow cool
looping like the EDP.  >>

From Loopers-Delight-request@loopers-delight.com  Sat Sep 30 01:45:18 2000
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Date: Fri, 29 Sep 2000 22:42:59 -0700 (PDT)
From: Pratt Winkle <prattwink2@yahoo.com>
Subject: EDP serial numbers since last problems?
To: Loopers-Delight@loopers-delight.com
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Has there ever been a "serial number since last
problems" research? I would like to know if I have a
potential lemon. (I got my GIBSON EDP in March-April
2000)
  One problem I had was, while creating and playing
playing a loop for about 30 min. it reset itself
(well, it was on but no function). The display showed
a "0". I turned it on and off to no avail. I came back
five minutes later and everything works again. I
assume it just over heated since it was rather warm in
my Florida studio. Any Ideas?
  That is really my only problem so far, I love the
machine but I am keeping my eye out for recalls since
I did pay over 700 bucks for it.

__________________________________________________
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Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free!
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From Loopers-Delight-request@loopers-delight.com  Sat Sep 30 02:37:43 2000
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From: "Michael LaMeyer" <mlameyer@rcn.com>
To: <Loopers-Delight@loopers-delight.com>
References: <s9d4afdb.082@mailhub.svg.com>
Subject: Re: Akai MPC 2000 vs. EDP (echoplex)
Date: Sat, 30 Sep 2000 02:32:00 -0400
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> This doesn't mean there's not one out there, but believe me when I say
WE'VE ALL BEEN ASKING FOR SOMETHING LIKE THIS FOR A LONG TIME!

lol *cry* lol *cry* lol

From Loopers-Delight-request@loopers-delight.com  Sat Sep 30 04:08:20 2000
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Date: Sat, 30 Sep 2000 01:06:49 -0700 (PDT)
From: Pratt Winkle <prattwink2@yahoo.com>
Subject: EDP more loops on the fly?
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   Lets say you made a loop and did not think about
making other loops before hand, but the loop you have
now is so cool you must have a copy of it to riff on
and one for playback. How do you make a copy on the
fly with out destroying the original? When I do "loop
copy", nothing happens. When I make another loop in
the "more loops" parameter it starts over with
silence.
  Note:once your mind thinks it knows how this thing
works, it's hard to bend your thoughs in to seeing it
any other way. I can't seem to get the flow of the lay out.

__________________________________________________
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Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free!
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From Loopers-Delight-request@loopers-delight.com  Sat Sep 30 04:21:55 2000
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Subject: Re: EDP more loops on the fly?
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Pratt Winkle wrote:
> 
>    Lets say you made a loop and did not think about
> making other loops before hand, but the loop you have
> now is so cool you must have a copy of it to riff on
> and one for playback. How do you make a copy on the
> fly with out destroying the original? When I do "loop
> copy", nothing happens. When I make another loop in
> the "more loops" parameter it starts over with
> silence.
>   Note:once your mind thinks it knows how this thing
> works, it's hard to bend your thoughs in to seeing it
> any other way. I can't seem to get the flow of the lay out.
> 

you have to set the more loop  before recording (divide the memory to
the nb of loops you want)

then do not forget the loop copy parameter for defining if you want it
to copy the sound, the time or no copy (new loop)

when youre happy with you original loop press nextloop and play untill
tomorrow

Claude

From Loopers-Delight-request@loopers-delight.com  Sat Sep 30 05:38:02 2000
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Subject: Re: Hey guys anyone get this? FW: =?iso-8859-1?Q?Ten=E9?= tu HONDA
 (todos l 	os modelos)
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At 7:45 PM -0700 9/29/00, Jonathan El-Bizri wrote 17KB of this amazing html
code in order to say one sentence:


><html><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><!-- saved from url=(0035)file://C:\WINDOWS\TEMP\ATT00034.htm --><!--
>saved from url=(0022)http://internet.e-mail -->
><html xmlns:v="urn:schemas-microsoft-com:vml"
>xmlns:o="urn:schemas-microsoft-com:office:office"
>xmlns:w="urn:schemas-microsoft-com:office:word"
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>
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><![endif]-->
><title>Mail Honda 2000</title>
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> <o:OfficeDocumentSettings>
>  <o:DoNotRelyOnCSS/>
> </o:OfficeDocumentSettings>
></xml><![endif]--><!--[if gte mso 9]><xml>
> <w:WordDocument>
>  <w:Zoom>0</w:Zoom>
>  <w:DocumentKind>DocumentEmail</w:DocumentKind>
>  <w:EnvelopeVis/>
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><p class=MsoNormal><span class=EmailStyle18><font size=2 color=white
>face=Arial><span
>style='font-size:10.0pt;mso-bidi-font-size:12.0pt;font-family:
>Arial;color:white'>Answer me privately if you did and I&#8217;ll post the
>results to
>the list.<o:p></o:p></span></font></span></p>
>


[snipping out the remaining 12KB of it]


I didn't receive it. (and if anybody is going to get spam related to LD, it
is me...)


...but I do keep getting these whiny emails from people complaining about
spam! I suspect they are somehow coming the Looper's Delight list!! Can
this be possible??!? This is so unkewl! Is anybody else getting these??
Send me private mail and I will post the results to the list!

kim







______________________________________________________________________
Kim Flint                     | Looper's Delight
kflint@loopers-delight.com    | http://www.loopers-delight.com


From Loopers-Delight-request@loopers-delight.com  Sat Sep 30 09:56:30 2000
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From: "space module" <spacemodule@hotmail.com>
To: Loopers-Delight@loopers-delight.com
Subject: Re: Hey guys anyone get this? FW: Tené tu HONDA (todos los modelos)
Date: Sat, 30 Sep 2000 08:53:08 CDT
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Well I got it now.  How do you make loops with this thing?
I guess by driving in a circle or figure 8 endlessly...

Seriously, do we have to hear about every single piece of Spanish Spam?  The 
unsubscribe notices are bad enough.  The conversation has really degraded in 
the past month.

Maybe someone could start an unsubscribe list or a spanish spam list.

sm



>From: "Jonathan El-Bizri" <jonathan@full-moon.com>
>Reply-To: Loopers-Delight@loopers-delight.com
>To: "Loopers" <Loopers-Delight@annihilist.com>
>Subject: Hey guys anyone get this? FW: Tené tu HONDA (todos los modelos)
>Date: Fri, 29 Sep 2000 19:45:53 -0700
>
>Answer me privately if you did and I’ll post the results to the list.
>
>
>
>bIz
>
>
>Tellme. News. Stock quotes. Movies. Excellent.
>1.800.555.Tell
>biz's house of fun is temporaily unavailable. In the meantime, say
>'extensions' and '76255' to get to biz's secret Tellme game.
>
>-----Original Message-----
>From: Honda Porta [mailto:correo@hondaporta.com.ar]
>Sent: Friday, September 29, 2000 6:42 PM
>To: jonathan@full-moon.com
>Subject: Tené tu HONDA (todos los modelos)
>
>www.hondaporta.com.ar <http://www.hondaporta.com.ar/>
>Todos los modelos
>HONDA 2000 <http://www.hondaporta.com.ar>
>
>Motos, cuatriciclos,scooters,
>  productos de fuerza
>
>www.hondaporta.com.ar <http://www.hondaporta.com.ar>
>Aquí <http://www.hondaporta.com.ar>
>Más información haga click aquí <http://www.hondaporta.com.ar/>
>o comuníquese a: info@hondaporta.com.ar <mailto:info@hondaporta.com.ar>
>remove@hondaporta.com.ar <mailto:info@hondaporta.com.ar>
>
>  Como consecuencia de algunos reclamos queremos dejar establecido que el
>envío de ésta información se realiza únicamente por suscripción. Si Ud. no
>LO SOLICITÓ por favor enviar un email a esta dirección
>remove@hondaporta.com.ar <mailto:info@hondaporta.com.ar>  . Tenga en cuenta
>que muchas veces hay personas que dejan su dirección SIN SU CONOCIMIENTO. 
>No
>es nuestra intención enviar información NO SOLICITADA.
>

_________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.

Share information about yourself, create your own public profile at 
http://profiles.msn.com.

From Loopers-Delight-request@loopers-delight.com  Sat Sep 30 11:12:31 2000
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Message-ID: <000d01c02af0$922fd5e0$46bcd8cc@gary>
From: "Gary Lehmann" <relayonemanband@cts.com>
To: <Loopers-Delight@loopers-delight.com>
References: <7b.a2d7c64.27052372@aol.com> <001001c02a0c$8fbee380$cda0d8cc@gary>
Subject: Got Those Echoplex Multiply Blues
Date: Sat, 30 Sep 2000 08:10:28 -0700
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Loneliness is replying to your own online postings

> I've just discovered something interesting on the Echoplex that I want to
> share with the other EDP users on this list.  This has to do with the
> multiply function.  What I've discovered is that I can end the multiply
> function by hitting insert and then immediately return to the multiply
> function to generate a blues progression rather elegantly.  However, some
of
> the subsequent behavior is puzzling me, so I want to give this specific
> example.  FYI, I have quantize on.
> The song I am constructing is a blues.  I play a figure for the first
> phrase, the "I" chord, which is one bar in length.  I allow it to play one
> additional time (now playing bar 2).  I hit multiply, and the "song"
begins.
> After the fourth cycle begins and bar 4 of the "song" is playing, I hit
> insert and when bar 5 begins, I am in insert mode and I play the "IV"
chord
> for two bars.  Around bar 6 or so I hit multiply again and when bar 7
> arrives, I am treated to two bars of "I", as created by the original
> multiply.  I allow this to continue through bar 8--I press insert during
bar
> 8, and when bar 9 arrives, I play the "V" chord for two bars, pressing
> multiply during bar 10.  When bar 10 arrives, it again delivers two bars
of
> "I", and during bar 12 I hit either multiply or record.  This completes
the
> "song" in 12 bars.  This is what I discovered.
> Now to the part I don't fully understand.  Let's alter the chord
> progression.  We start with the same figure for the first phrase, the "I"
> chord, which is one bar in length.  I allow it to play one additional time
> (now playing bar 2).  I hit multiply, and the "song" begins.  After the
> second cycle begins and bar 2 of the "song" is playing, I hit insert and
> when bar 3 begins, I am in insert mode and I play the "IV" chord for two
> bars.  Around bar 4 or so I hit multiply again and when bar 5 arrives, I
am
> treated to two bars of "I", as created by the original multiply.  During
bar
> 6, I hit insert and play the "V" chord for two bars (bars 7 and 8).
During
> bar 8 I hit multiply.  When bar 9 arrives, I expect two bars of the "I"
> chord.  Instead I am jarred by one bar of "I" and one bar of "IV".  What
> gives?  Or to put it more clearly--with which cycle does the multiply
begin?

Well Gary, the answer is, cycle two--at least in bars 11 and 12 of the first
example.
Gee I wonder why?
G

PS--Viva El Puerco Espanol!

From Loopers-Delight-request@loopers-delight.com  Sat Sep 30 11:34:14 2000
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Date: Sat, 30 Sep 2000 10:36:16 -0400
From: Scott Winzinger <zing@sigecom.net>
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Subject: I need a better sounding sampler than a Boomerang!
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I started to incorporate sampling into my solo acoustic act.

Got a Boomerang that I'm getting ready to sell due to the poor quality
of the loop.

Are these other devices(Jamman, Echoplex) that much better?

Can you hear the difference in quality with these other devices?

Scott

From Loopers-Delight-request@loopers-delight.com  Sat Sep 30 12:23:42 2000
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Date: Sat, 30 Sep 2000 12:15:27 -0400
To: Loopers-Delight@loopers-delight.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: I need a better sounding sampler than a Boomerang!
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At 10:36 AM 9/30/00 -0400, you wrote:
>Are these other devices(Jamman, Echoplex) that much better (than the
Boomerang)?
>Can you hear the difference in quality with these other devices?

It all depends on what you want to do with it. Check the specs in the Tools
of the Trade section of the LD site, and you can compare the respective
sampling rates. You'll find that the Boomerang is one of the lowest in
terms of sampling rate (hence your complaints with the sound quality), yet
is quite flexible and has a nice long loop time. (The upgraded version is
even more flexible.) On the other end of the spectrum, the Akai Headrush
has an excellent sampling rate and sounds great, but is severely limited in
loop time and functionality. Yes, you CAN hear a difference in sound
quality between many of these units, but again, depending on what you want
to do with your looper(s) the other features may be the deciding factor.
They've all got pros and cons; the EDP arguably blows away most of the
competition in terms of depth and features, but it can be hard to get one;
reports of service and reliability issues are probably grossly inflated,
but they're there nonetheless. Lexicon bailed on the Jamman long ago, so
you'll be hunting for an overpriced used one. The Line6 DL4 is loved or
hated, depending on who you ask. Check out the Tools of the Trade section,
and compare the user reviews and overall features (sampling rate, overdub
capability, loop time, upgradeability, user interface differences,
rackmount v.s. floor, MIDI features or the lack thereof, cost/value, et
cetera) and you'll get a better feel for which one is most appropriate for
your needs. Also, the list archive is LOADED with user reactions; search
around the time each new box or upgrade came out and you'll find tons of
answers to your questions.

Tim 

From Loopers-Delight-request@loopers-delight.com  Sat Sep 30 17:17:52 2000
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Date: Sat, 30 Sep 2000 16:19:15 -0400
From: Scott Winzinger <zing@sigecom.net>
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Thanks Tim for the excellent advise.

Take care,

Scott



Tim Nelson wrote:

> At 10:36 AM 9/30/00 -0400, you wrote:
> >Are these other devices(Jamman, Echoplex) that much better (than the
> Boomerang)?
> >Can you hear the difference in quality with these other devices?
>
> It all depends on what you want to do with it. Check the specs in the Tools
> of the Trade section of the LD site, and you can compare the respective
> sampling rates. You'll find that the Boomerang is one of the lowest in
> terms of sampling rate (hence your complaints with the sound quality), yet
> is quite flexible and has a nice long loop time. (The upgraded version is
> even more flexible.) On the other end of the spectrum, the Akai Headrush
> has an excellent sampling rate and sounds great, but is severely limited in
> loop time and functionality. Yes, you CAN hear a difference in sound
> quality between many of these units, but again, depending on what you want
> to do with your looper(s) the other features may be the deciding factor.
> They've all got pros and cons; the EDP arguably blows away most of the
> competition in terms of depth and features, but it can be hard to get one;
> reports of service and reliability issues are probably grossly inflated,
> but they're there nonetheless. Lexicon bailed on the Jamman long ago, so
> you'll be hunting for an overpriced used one. The Line6 DL4 is loved or
> hated, depending on who you ask. Check out the Tools of the Trade section,
> and compare the user reviews and overall features (sampling rate, overdub
> capability, loop time, upgradeability, user interface differences,
> rackmount v.s. floor, MIDI features or the lack thereof, cost/value, et
> cetera) and you'll get a better feel for which one is most appropriate for
> your needs. Also, the list archive is LOADED with user reactions; search
> around the time each new box or upgrade came out and you'll find tons of
> answers to your questions.
>
> Tim

From Loopers-Delight-request@loopers-delight.com  Sat Sep 30 18:42:46 2000
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From: Nemoguitt@aol.com
Message-ID: <c3.9a2dc22.2707c5e3@aol.com>
Date: Sat, 30 Sep 2000 18:40:35 EDT
Subject: I dont need a better sounding sampler than a Boomerang!
To: Loopers-Delight@loopers-delight.com
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In a message dated 9/30/00 2:21:36 PM Mid-Atlantic Standard Time, someone 
writes:

<< Can you hear the difference in quality with these other devices? >>

you can hear the difference between the old and up-graded rang in sound 
quality.........but i have other questions about the up-grade that i will ask 
late................michael

