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From: "steve lawson" <steve@steve-lawson.co.uk>
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Subject: Re: MPX-G2 MIDI Synch?
Date: Sat, 1 Apr 2000 09:38:06 +0100
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>Hey, thanks for the advice.  I'll start saving my pennies!  I think I'll
>probably go with an Echoplex as a second looper (if they ever get here!)
and
>keep my Digitech 2112 for a while.  It's a pretty good unit for the money.
One
>question though, with the g2, can you have multipal effects with the 20 sec
>looping?  That would be good.


Yes you can - with the G2, each effect takes up a certain amount of memory,
so so long as you stay below the maximum of 200 you can add anything. I
can't remember what the value for the looper is, but it's not huge...

Is the Echoplex available in the UK? Is that what Eberhard Weber uses?

cheers

Steve
http://www.steve-lawson.co.uk - sounds, gig dates, mailing list, article
archive from Bassist magazine.

steve@steve-lawson.co.uk

"I know there's a balance, I see it every time I swing past."
                                                           - John Mellencamp

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Subject: Re: MPX-G2 MIDI Synch?
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In a message dated 30/03/00 11:04:24 GMT Daylight Time, 
steve@steve-lawson.co.uk writes:

> My guess is that it'll be possible, I've just got to look up what the MIDI
>  number is for the 'tap' button on the MPX, and set the JamMan to receive on
>  the same... then I  can set the two lengths the same, and just do
>  interesting things with volume controls to stop my self recording the same
>  thing on both machines...
>  
Connect MPX-G2 midi-out to jamman midi in.
start the MPX looping
now assuming the MPX-G2 is transmitting midi clock **
all you have to do is hit tap on the JamMan and 
it'll record (for the no. of beats specified) and then go into 
play automatically.


Unfortunately  midi clock is nowhere near accurate enough so
you'll always get glitches if you play over the start/end of the jamMan loop.


**if it won't , try it all the other way round.

Andy Butler


 

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From: "David Potter" <papadave55@hotmail.com>
To: loopers-delight@annihilist.com
Subject: DJRND2 arrived from France
Date: Sat, 01 Apr 2000 07:24:40 PST
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                                                      4/1/2000
O.K. guys here's the chance to check out Perille's DJRND2 looper.  I 
received it in the mail.  A few guys are coming over to check it out. Let me 
know if you are interested in seeing it. papadave55@hotmail.com    or call 
831 7249194.  I have about 2 weeks to check it out and see if I or someone 
else can buy it for their rig.  Miko is going to check it out too. We are 
both in Santa Cruz.  OM and Out  Papa Dave
______________________________________________________
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Date: Sat, 1 Apr 2000 09:37:14 -0800 (PST)
From: Stephen <dakshah@yahoo.com>
Subject: PMC10 foot pedal?
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Now that I have my program-pad-less pmc10 foot pedal
working (thanks to a cable from the PC to the unit
providing the ability to flip the state of individual
pins (to set the base channel), and raymond), I'm
looking for expression pedals for it.  I tried my
Yamaha FC7 
(
http://www.yamaha.com/cgi-win/webcgi.exe/DsplyModel/?gEKS00001FC7
)
which works with all my other midi controllers, but I
can't get the pmc10 to recognize it.  I did try all
the 'pedal calibration types'.  The manual says it
should work with any 'common' volume or cv pedal. 
Folks at GC weren't much help - the only thing they
could offer was an empty Roland EV-5 box (where'd dat
pedal go now...)

So...what's a good expression pedal to use with the
pmc10?

thanks,


=====
Stephen

__________________________________________________
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From Loopers-Delight-request@annihilist.com  Sat Apr  1 13:56:46 2000
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Date: Sat, 01 Apr 2000 19:28:44 -0800
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Stephen

the fc7 works indeed with the pmc10 (I have two for that)

but I think I modified them to a mono plug (Its been a long time...)

solder the cable shield to the sleeve of the mono jack than try each of
the two remaining conductors to the tip one of them will be the tip 
hope this can help

Claude

 
Stephen wrote:
> 
> Now that I have my program-pad-less pmc10 foot pedal
> working (thanks to a cable from the PC to the unit
> providing the ability to flip the state of individual
> pins (to set the base channel), and raymond), I'm
> looking for expression pedals for it.  I tried my
> Yamaha FC7
> (
> http://www.yamaha.com/cgi-win/webcgi.exe/DsplyModel/?gEKS00001FC7
> )
> which works with all my other midi controllers, but I
> can't get the pmc10 to recognize it.  I did try all
> the 'pedal calibration types'.  The manual says it
> should work with any 'common' volume or cv pedal.
> Folks at GC weren't much help - the only thing they
> could offer was an empty Roland EV-5 box (where'd dat
> pedal go now...)
> 
> So...what's a good expression pedal to use with the
> pmc10?
> 
> thanks,
> 
> =====
> Stephen
> 
> __________________________________________________
> Do You Yahoo!?
> Talk to your friends online with Yahoo! Messenger.
> http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Sat Apr  1 13:46:05 2000
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From: "steve lawson" <steve@steve-lawson.co.uk>
To: <Loopers-Delight@annihilist.com>
Subject: Re: MPX-G2 MIDI Sync?
Date: Sat, 1 Apr 2000 19:34:10 +0100
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>Connect MPX-G2 midi-out to jamman midi in.
>start the MPX looping
>now assuming the MPX-G2 is transmitting midi clock **
>all you have to do is hit tap on the JamMan and
>it'll record (for the no. of beats specified) and then go into
>play automatically.
>
>Unfortunately  midi clock is nowhere near accurate enough so
>you'll always get glitches if you play over the start/end of the jamMan
loop.


Andy,

thanks for the tip - it works (sort of) - I can get the two to 'talk', and
get the MPX to  set the loop length on the JamMan, but so far only with one
of the presets, and I can't work out what it is about that patch that makes
it work, and not my own sound that I've added JamMan to... I know I could
rebuild all my sounds by copying the working looper across, but I really
can't be arsed... I'm wading through the manual as I write, trying to find
the relevant bits of info...

Once I get this sorted, I hope to be able to record one short loop, and then
put down stuff on top on the 'real' JamMan, with adjacent loops of equal
length that I can switch between for verse and chorus. I already do this on
one tune, using a delay to keep me roughly in time, but it's a little
shaky... have a listen to 'St Luke' on my web-site, if you're interested...

This could work, and if it does, I'm gonna have some serious fun writing new
tunes with the enhanced performance capabilities that I'll have... :o)

cheers

Steve
http://www.steve-lawson.co.uk - subscribe to my new mailing list here.
steve@steve-lawson.co.uk

"I know there's a balance, I see it every time I swing past."
                                                           - John Mellencamp

From Loopers-Delight-request@annihilist.com  Sat Apr  1 20:22:46 2000
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From: "Larry Tremblay" <ltct@concentric.net>
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Subject: Re: DJRND2 arrived from France
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I was interested in aquiring one of Perille's boxes too.
Let know what you think of it. I may be interested
in purchasing one.

Thanks,
- Larry

----- Original Message -----
From: "David Potter" <papadave55@hotmail.com>
To: <loopers-delight@annihilist.com>
Sent: Saturday, April 01, 2000 10:24 AM
Subject: DJRND2 arrived from France


>                                                       4/1/2000
> O.K. guys here's the chance to check out Perille's DJRND2 looper.  I
> received it in the mail.  A few guys are coming over to check it out. Let
me
> know if you are interested in seeing it. papadave55@hotmail.com    or call
> 831 7249194.  I have about 2 weeks to check it out and see if I or someone
> else can buy it for their rig.  Miko is going to check it out too. We are
> both in Santa Cruz.  OM and Out  Papa Dave
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>
>

From Loopers-Delight-request@annihilist.com  Sun Apr  2 00:28:15 2000
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From: "Gary Lehmann" <relay@funtv.com>
To: <Loopers-Delight@annihilist.com>
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Subject: Re: PMC10 foot pedal?
Date: Sat, 1 Apr 2000 21:29:39 -0800
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The Ernie Ball volume pedals work really well.  They are kind of heavy, but
they stay in place when you take your foot off and it's easy to be exacting.
Gary

----- Original Message -----
From: Stephen <dakshah@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, April 01, 2000 9:37 AM
Subject: PMC10 foot pedal?
>
> So...what's a good expression pedal to use with the
> pmc10?
>
> thanks,
>
>
> =====
> Stephen


From Loopers-Delight-request@annihilist.com  Sun Apr  2 13:39:22 2000
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From: "Sean Witters" <seanwitters@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Motu PCI-324/2408mII vs. Digi 001
Date: Sun, 02 Apr 2000 10:33:39 PDT
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As usual my comments, hang on the edge of topic appropriatness, but I'm 
considering jumping into outfitting my Powerbook G3 400Mhz (bronze) with a 
Magma chassis and I've determined that the Motu PCI-324/2408mkII and the 
Digi 001 are both within range, however I'm uncertain as to which is the 
better choice.  I like the bang for the buck delivered by MOTU, but I'm also 
thinking about production issues, i.e. being able to integrate seemlessly 
with recording studios for post-recording production work.  I'm planning on 
using this for live recording work with an ensemble project, so the 
multi-tracking is necessitated.  The MOTU would offer cheaper expansion, but 
is it worth more to buy into the Digidesign buy-up scheme (with an eye 
to...sigh a massive Mix@24 system)?  Is ProTools worth it?
	I'm using VisionDSP, but Opcode seems saddly moribund (another Gibson 
victim), can anyone comment on MOTU audio desk, ProTools LE, Cubase VST or 
Logic Audio Platinum (I understand the latency is lowest on Logic Audio).
	I know this is off topic, but I am capturing loops, manipulating them 
crunching them with the intent of proliferating loop influenced music for 
distribution (so it works in terms of loop evangelism).
Thanks, Sean
______________________________________________________
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Subject: Re: Motu PCI-324/2408mII vs. Digi 001
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I faced the same debate.  Got a deal on Digital Performer 2.6.  what to do  
Digi 001 or Motu 1224.. went with Digi 001. nice set up and cheap.  

From Loopers-Delight-request@annihilist.com  Sun Apr  2 15:29:29 2000
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From: "David Potter" <papadave55@hotmail.com>
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Subject: Re: DJRND2 arrived from France
Date: Sun, 02 Apr 2000 12:12:18 PDT
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I am discovering what this loop box does...It is fun and very loopy.  I'm 
not a tech guy but I'm figuring it out...I would like to use it without my 
hands but so far I don't see how...I would like some tech-wiz guys over to 
help me explore.  I haven't decided if I'm buying this the DJRND2 yet.  He 
wants $660 for it.  Feel free to call me or come buy to check it out.  831 
7249194   papadave55@hotmail.com   Santa Cruz
(Hey Miko get over here will you this box is cool)  Om and Out

>From: "Larry Tremblay" <ltct@concentric.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: DJRND2 arrived from France
>Date: Sat, 1 Apr 2000 20:21:37 -0500
>
>I was interested in aquiring one of Perille's boxes too.
>Let know what you think of it. I may be interested
>in purchasing one.
>
>Thanks,
>- Larry
>
>----- Original Message -----
>From: "David Potter" <papadave55@hotmail.com>
>To: <loopers-delight@annihilist.com>
>Sent: Saturday, April 01, 2000 10:24 AM
>Subject: DJRND2 arrived from France
>
>
> >                                                       4/1/2000
> > O.K. guys here's the chance to check out Perille's DJRND2 looper.  I
> > received it in the mail.  A few guys are coming over to check it out. 
>Let
>me
> > know if you are interested in seeing it. papadave55@hotmail.com    or 
>call
> > 831 7249194.  I have about 2 weeks to check it out and see if I or 
>someone
> > else can buy it for their rig.  Miko is going to check it out too. We 
>are
> > both in Santa Cruz.  OM and Out  Papa Dave
> > ______________________________________________________
> > Get Your Private, Free Email at http://www.hotmail.com
> >
> >
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sun Apr  2 15:44:57 2000
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Date: Sun, 2 Apr 2000 12:15:54 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: Re: PMC10 foot pedal?
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Thanks for the mono plug pointer.  I got a
stereo-to-mono converter and now the Yamaha FC7 works.
 Calibrating it, the pedal set it to: Min:2, Max:224,
Type:0x10.  I also created my own converter cable to
experiment, and got it working with a different wiring
at: Min:8, Max:160, Type:0x08.

The reason I made my own cable was that I was getting
very non-linear behavior with the FC7 - On one end it
would cover CC values 0-100 traversing 1/2 the pedal
range (i.e. very quicly), and the 2nd half of the
pedal travel covering 101-127.  This makes fine
adjustments at the low end very difficult (using my
cable, I managed to reverse the problem (dense
hi-end), but not fix it.)  I also diddle quite a bit
with the max & min & types, but did nothing fixed this
problem.  The pedal is quite linear with other midi
gear.

Claude - Do you see this behavior with your FC7's?
Have you ever dumped your settings to raymond and
looked at the settings?

The FC7 is a good pedal (you can gang them together,
has adjustable tilt and a 'spring' adjustment feature
allowing you to set the resting high value at less
than 127 with the rest of the pedal travel being
spring-loaded), but I hesitate to use it with the
pmc10 unless I can somehow clean up it's interaction
with the pmc10.

stephen



--- Claude voit <c.voit@vtx.ch> wrote:
> Stephen
> 
> the fc7 works indeed with the pmc10 (I have two for
> that)
> 
> but I think I modified them to a mono plug (Its been
> a long time...)
> 
> solder the cable shield to the sleeve of the mono
> jack than try each of
> the two remaining conductors to the tip one of them
> will be the tip 
> hope this can help
> 
> Claude
> 


__________________________________________________
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Talk to your friends online with Yahoo! Messenger.
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From Loopers-Delight-request@annihilist.com  Sun Apr  2 15:47:09 2000
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From: Stephen <dakshah@yahoo.com>
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Gary,

Which EB pedals do you use?  I looked at one which had
in & out jacks, so I assumed you sent a signal through
it in line with your gear.  The expression pedals i'm
used to just have male plug...how do you hook it up to
the pmc10 (uh, do I *really* have to appologize for my
ignorance (again :-))

--- Gary Lehmann <relay@funtv.com> wrote:
> The Ernie Ball volume pedals work really well.  They
> are kind of heavy, but
> they stay in place when you take your foot off and
> it's easy to be exacting.
> Gary


=====
Stephen

__________________________________________________
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Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Sun Apr  2 18:08:22 2000
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Date: Sun, 02 Apr 2000 17:54:30 -0400
From: lotusart@cstone.net (John Hunter)
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Subject: Regeneration with Boomerang
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Hi Folks,

Just joined the list after running the Vortex into my new Boomerang. Saw
something god-like for sure!! Just love  that Boomerang!

I have a quick question. I do live sets of ambient/experimental tonal washes,
with found sound samples dropped in. I use a Theremin, various outboard fx, a
Boss 202 sampler,  and 2 dimension beam infrared light controllers (invisible
beams tied to midi continuous controller #'s) on two synths. With a wave of a
hand (or anything else) in the beam, I can call up a tone/phrase of
pre-prepared sounds in the each synth separately, parameter vary it, record
it into the 'rang, layer, etc., etc.

My question seeks a recommendation on how to get the Boomerang to act
regenerative, (or degenerative)  as the more expensive Echoplex might. I've
thought of getting a Boss DD-5 delay stompbox (or similar) and trying to set
regen to various settings. What I want to do is have a real-time variable
regen factor using some kind of foot pedal (as my hands are "in the beams".
Thanks in advance for your help.

John Hunter
Black Lotus Sound

From Loopers-Delight-request@annihilist.com  Sun Apr  2 18:15:00 2000
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From: Nemoguitt@aol.com
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Date: Sun, 2 Apr 2000 17:43:30 EDT
Subject: Re: DJRND2 arrived from France
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In a message dated 4/2/00 6:29:41 PM Mid-Atlantic Daylight Time, 
papadave55@hotmail.com writes:

<<  this box is cool >>

dave......please tell us more......michael

From Loopers-Delight-request@annihilist.com  Sun Apr  2 20:05:01 2000
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From: "Timothy" <wanderlost@crosswinds.net>
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Subject: Re: Regeneration with Boomerang
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As you well know, you can't get the loop to fade out automatically over time.
Not with a boomerang alone.  It will lower the volume of a sample if you you
lay something new over it (using the Stack button), but that's just to make
space for the new layer while the loop itself plays endlessly at the same
volume.

Have you tried branching your sound where one branch of the fresh noise is
going to one output the other branch feeds into the boomerang, then feeding
the boomerang through a plain old volume pedal?

By pressing the little chrome tap button at the top of the boomerang you can
set it to play back only the echo and filter out the new sounds coming in.
This way you can control just the boomeranged effects.

It's low-tech, I know.  But you can do it for the cost of a cheap volume
pedal.  For free, using the setup above you can also adjust that volume roller
on the left side of the Boomerang while it's looping and do the same thing, if
less accurately.

Because to do what you want to do you'd need either (1) a midi-controllable or
automated mixer or similar device that's set to lower the volume in increments
which correspond to the loop length on your boomerang, which is a dubious if
not impossible venture, or (2) a looper with a similar delay time that's
either midi controllable or is degenerative.  In either case, for the same
money you might as well just use an Echoplex DP.

Let me know what you end up doing...

---original message---

My question seeks a recommendation on how to get the Boomerang to act
regenerative, (or degenerative)  as the more expensive Echoplex might. I've
thought of getting a Boss DD-5 delay stompbox (or similar) and trying to set
regen to various settings. What I want to do is have a real-time variable
regen factor using some kind of foot pedal (as my hands are "in the beams".
Thanks in advance for your help..

From Loopers-Delight-request@annihilist.com  Mon Apr  3 04:46:14 2000
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Date: Mon, 03 Apr 2000 03:05:29 -0500
From: "Mikell D.Nelson" <mnelson@dmans.com>
Organization: Boomerang Musical Products
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Hi loopers,
    The Rang attenuates previous layers by 2.3dB, a pretty slow rate. The new
software will offer 7 choices for attenuation or decay rate. The fastest 2 offer
about 4 repeats before it's gone and a single repeat (slapback).

Timothy wrote:

> As you well know, you can't get the loop to fade out automatically over time.
> Not with a boomerang alone.  It will lower the volume of a sample if you you
> lay something new over it (using the Stack button), but that's just to make
> space for the new layer while the loop itself plays endlessly at the same
> volume.
>
> ---original message---
>
> My question seeks a recommendation on how to get the Boomerang to act
> regenerative, (or degenerative)  as the more expensive Echoplex might. I've
> thought of getting a Boss DD-5 delay stompbox (or similar) and trying to set
> regen to various settings. What I want to do is have a real-time variable
> regen factor using some kind of foot pedal (as my hands are "in the beams".
> Thanks in advance for your help..

--
Mike Nelson

Boomerang Musical Products       800-530-4699
PO Box 541595                    214-340-6913, Outside USA
Dallas, TX  75354-1595           214-343-1038, Fax

http://www.boomerangmusic.com    mnelson@dmans.com

"Some products make you sound better;
 the Boomerang Phrase Sampler makes you play better."


From Loopers-Delight-request@annihilist.com  Mon Apr  3 11:04:02 2000
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Regeneration with Boomerang
Date: Mon, 3 Apr 2000 09:27:35 -0500
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Hi John!

>My question seeks a recommendation on how to get the Boomerang to act
>regenerative, (or degenerative)  as the more expensive Echoplex might...

I'll leave other folks to answer your question since I'm not a 'rang user and
I'm sure somebody else can answer it better.  But your performance/set-up caught
my eye...

>...  I use a Theremin, various outboard fx, a
>Boss 202 sampler,  and 2 dimension beam infrared light controllers (invisible
>beams tied to midi continuous controller #'s) on two synths.

Have you recordings?  On-line samples?  I'd like to hear this.  Are you
interested in a sound swap?

Also, what kind of "2 dimension beam infrared light controllers" do you use?
And what do you think of them?

Dennis Leas
-----------------------------
dennis@mdbs.com


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From: "Mike Biffle" <mbiffle@svg.com>
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Subject: Re: DJRND2 arrived from France
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Well... sheeeeeiiitttt mon! I've not been able to even record a
submission to my own freakin' Philter Phrenzy! project over at Chain
Tape Collective... I'm Thinking that maybe I'll shoot for this coming
friday eve? How's that work for your schedule? Anyone else wanna make
it a loop evening?

-Miko

>>> "David Potter" <papadave55@hotmail.com> 04/02 12:28 PM >>>
I am discovering what this loop box does...It is fun and very loopy. 
I'm 
not a tech guy but I'm figuring it out...I would like to use it
without my 
hands but so far I don't see how...I would like some tech-wiz guys
over to 
help me explore.  I haven't decided if I'm buying this the DJRND2
yet.  He 
wants $660 for it.  Feel free to call me or come buy to check it out.
 831 
7249194   papadave55@hotmail.com   Santa Cruz
(Hey Miko get over here will you this box is cool)  Om and Out

>From: "Larry Tremblay" <ltct@concentric.net>
>Reply-To: Loopers-Delight@annihilist.com 
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: DJRND2 arrived from France
>Date: Sat, 1 Apr 2000 20:21:37 -0500
>
>I was interested in aquiring one of Perille's boxes too.
>Let know what you think of it. I may be interested
>in purchasing one.
>
>Thanks,
>- Larry
>
>----- Original Message -----
>From: "David Potter" <papadave55@hotmail.com>
>To: <loopers-delight@annihilist.com>
>Sent: Saturday, April 01, 2000 10:24 AM
>Subject: DJRND2 arrived from France
>
>
> >                                                       4/1/2000
> > O.K. guys here's the chance to check out Perille's DJRND2 looper.
 I
> > received it in the mail.  A few guys are coming over to check it
out. 
>Let
>me
> > know if you are interested in seeing it. papadave55@hotmail.com  
 or 
>call
> > 831 7249194.  I have about 2 weeks to check it out and see if I
or 
>someone
> > else can buy it for their rig.  Miko is going to check it out
too. We 
>are
> > both in Santa Cruz.  OM and Out  Papa Dave
> > ______________________________________________________
> > Get Your Private, Free Email at http://www.hotmail.com 
> >
> >
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com 

From Loopers-Delight-request@annihilist.com  Mon Apr  3 13:14:57 2000
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From: SOTO VALENCIA ANDRESRODOLFO  <smaug@servidor.unam.mx>
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Subject: Re: Regeneration with Boomerang
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    Just waht I was about to say as well John, do you have any recordings,
I'd love to hear your stuff, with that set  up must be something to
hear...

 Andy



On Mon, 3 Apr 2000, Dennis W. Leas wrote:

> Hi John!
> 
> >My question seeks a recommendation on how to get the Boomerang to act
> >regenerative, (or degenerative)  as the more expensive Echoplex might...
> 
> I'll leave other folks to answer your question since I'm not a 'rang user and
> I'm sure somebody else can answer it better.  But your performance/set-up caught
> my eye...
> 
> >...  I use a Theremin, various outboard fx, a
> >Boss 202 sampler,  and 2 dimension beam infrared light controllers (invisible
> >beams tied to midi continuous controller #'s) on two synths.
> 
> Have you recordings?  On-line samples?  I'd like to hear this.  Are you
> interested in a sound swap?
> 
> Also, what kind of "2 dimension beam infrared light controllers" do you use?
> And what do you think of them?
> 
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
> 
> 
> 

From Loopers-Delight-request@annihilist.com  Mon Apr  3 14:10:12 2000
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I have to change an EProm software the Perille sent.  I wanted your help on 
that to do it right.  It looks like the chip we put in the EDP.  I only have 
about 2 weeks with this thing before I have to send it back.  If Friday is 
the soonest then Fri. it is...  Anyone with interest is welcome...guys on 
the list want some feedback about it but as of yet I don't have much.  I'm 
getting it to work...Om stay in touch...  Papa Dave

>From: "Mike Biffle" <mbiffle@svg.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com, papadave55@hotmail.com
>Subject: Re: DJRND2 arrived from France
>Date: Mon, 03 Apr 2000 08:40:21 -0700
>
>Well... sheeeeeiiitttt mon! I've not been able to even record a
>submission to my own freakin' Philter Phrenzy! project over at Chain
>Tape Collective... I'm Thinking that maybe I'll shoot for this coming
>friday eve? How's that work for your schedule? Anyone else wanna make
>it a loop evening?
>
>-Miko
>
> >>> "David Potter" <papadave55@hotmail.com> 04/02 12:28 PM >>>
>I am discovering what this loop box does...It is fun and very loopy.
>I'm
>not a tech guy but I'm figuring it out...I would like to use it
>without my
>hands but so far I don't see how...I would like some tech-wiz guys
>over to
>help me explore.  I haven't decided if I'm buying this the DJRND2
>yet.  He
>wants $660 for it.  Feel free to call me or come buy to check it out.
>  831
>7249194   papadave55@hotmail.com   Santa Cruz
>(Hey Miko get over here will you this box is cool)  Om and Out
>
> >From: "Larry Tremblay" <ltct@concentric.net>
> >Reply-To: Loopers-Delight@annihilist.com
> >To: <Loopers-Delight@annihilist.com>
> >Subject: Re: DJRND2 arrived from France
> >Date: Sat, 1 Apr 2000 20:21:37 -0500
> >
> >I was interested in aquiring one of Perille's boxes too.
> >Let know what you think of it. I may be interested
> >in purchasing one.
> >
> >Thanks,
> >- Larry
> >
> >----- Original Message -----
> >From: "David Potter" <papadave55@hotmail.com>
> >To: <loopers-delight@annihilist.com>
> >Sent: Saturday, April 01, 2000 10:24 AM
> >Subject: DJRND2 arrived from France
> >
> >
> > >                                                       4/1/2000
> > > O.K. guys here's the chance to check out Perille's DJRND2 looper.
>  I
> > > received it in the mail.  A few guys are coming over to check it
>out.
> >Let
> >me
> > > know if you are interested in seeing it. papadave55@hotmail.com
>  or
> >call
> > > 831 7249194.  I have about 2 weeks to check it out and see if I
>or
> >someone
> > > else can buy it for their rig.  Miko is going to check it out
>too. We
> >are
> > > both in Santa Cruz.  OM and Out  Papa Dave
> > > ______________________________________________________
> > > Get Your Private, Free Email at http://www.hotmail.com
> > >
> > >
> >
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Mon Apr  3 15:01:05 2000
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From: lotusart@cstone.net (John Hunter)
Subject: Re: Regeneration with Boomerang
Date: Mon, 3 Apr 2000 18:11:00 GMT
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Hey Dennis,


> Also, what kind of "2 dimension beam infrared light controllers" do you use?
> And what do you think of them?
> 
Flattery will get you everywhere! ;-) Thanks for the pos support. Love those d-beams!!! 
It is interesting even to me how this particular set-up has evolved. I've been through
close to 40 synths 
and god knows how many fx processors. The Theremin was an attempt to 
become more"at one" with the sound. I'm trying to remove as many barriers as possible from
having intuition/idea go more directly into sound. The concept is moving towards a
 what I call a "transparent Interface". The d-beams are videocassette-sized boxes that
emit an 
egg-shaped (user can vary size), infrared (invisible) beam of light. The response to shape
and movement
 in the beams is programmable: you can tie movement to midi cc's number 
(the d-beams have midi in and out).  I try to load certain parameters of the synth 
(filter cut-off, etc) onto the beam's cc# and thereby modulate in real time, those
parameters.
The beams can aso be set to act like a virtual keyboard in space, where individual notes
can be 
triggered on the synth. But I find that much like a Theremin in that it's harder to
control (i.e., predict
what you'll get!) So far though, its fab to simply reach out and "hit" a sound in the air 
in sequence or rhythm
and record it in the 'Rang with beam modulations; makes for some really, really 
strange nuances. In conjunction with the Vortex with expression pedal.....whew! 

> Have you recordings?  On-line samples?  I'd like to hear this.  Are you
> interested in a sound swap?

I haven't put out any work since 94 and that was pre-transparent interface
 work, so unfortunately I only have a few not-too-carefully-recorded concerts.
I will hopefully get  pro video footage thru a friend on Earth Day (the 25th) this month. 
Though I really haven't had the time or chance to tend to the whole sound on-line thing
perhaps I'll get something up soon. Earliest I could send you something would be end of
April. 
Its really heavy concert prep for this upcoming show. I will use the Boomerang though, 
 and hopefully wow 'em with that and the 2 beams, Thermin, Vortex, and sampler, all thru
multi-fx. 
Hope this helps (or at least interesting;-))

John Hunter
Black Lotus Sound
> Hi John!
> 
> >My question seeks a recommendation on how to get the Boomerang to act
> >regenerative, (or degenerative)  as the more expensive Echoplex might...
> 
> I'll leave other folks to answer your question since I'm not a 'rang user and
> I'm sure somebody else can answer it better.  But your performance/set-up caught
> my eye...
> 
> >...  I use a Theremin, various outboard fx, a
> >Boss 202 sampler,  and 2 dimension beam infrared light controllers (invisible
> >beams tied to midi continuous controller #'s) on two synths.
> 
 

> Dennis Leas
> -----------------------------
> dennis@mdbs.com
> 
> 


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From Loopers-Delight-request@annihilist.com  Mon Apr  3 14:50:40 2000
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Date: Mon, 3 Apr 2000 14:24:56 EDT
Subject: get me off  !!!!!!  this  mailing list  !!!!!!!!
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get me off this mailing list.

daniel

From Loopers-Delight-request@annihilist.com  Mon Apr  3 14:46:31 2000
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From: =?iso-8859-1?Q?Jes=FAs=20Turi=F1o?= <j-turino@pop.agri.ch>
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Subject: ensonic sp2 contoller
References: <b5.1dbdf4b.2618e4b1@aol.com> <38E7C194.5108C295@cstone.net> <000901bf9cf9$ea3513c0$a4c918d0@ispchannel.com> <38E850C8.A8A4D63D@dmans.com>
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Dies ist eine mehrteilige Nachricht im MIME-Format.
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hello

i'm just a newbie in all this midi stuff.
i bought a ensonic sp2 and use a alesis sr-16 drummachine/jamman-

now my question - any suggestions for a good footcontroller for the enson=
iq

- i now, there was this discussion right now on LD, but the discussion wa=
s on a
high level, so i didn't really understand, what you were discussing. :( i=
 still
have some "homework" to do, i know.

thanks a lot, jes=FAs


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From Loopers-Delight-request@annihilist.com  Mon Apr  3 14:59:21 2000
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From: lotusart@cstone.net (John Hunter)
Subject: Re: Regeneration with Boomerang
Date: Mon, 3 Apr 2000 18:31:03 GMT
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Hey-yeah Timothy,

Thanks for the reply. I don't have your full text as I am at a remote server but your info
is helpful. I think I also wasn't as clear as I thought too.
What I (think) I'm trying to do is to welly up the regeneration (or take it down) in
real-time. Also increase/decrease the feedback in analog fashion- 
variably. I can see where a volume pedal would help in bring the sound itself in or out of
the mix, though.

John 


Timothy wrote:

  > As you well know, you can't get the loop to fade out automatically over time.
  > Not with a boomerang alone.  It will lower the volume of a sample if you you
  > lay something new over it (using the Stack button), but that's just to make
  > space for the new layer while the loop itself plays endlessly at the same
  > volume.


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From Loopers-Delight-request@annihilist.com  Mon Apr  3 16:08:48 2000
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Date: Mon, 3 Apr 2000 15:21:39 EDT
Subject: Re: MPX-G2 MIDI Synch?
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In a message dated 01/04/00 09:48:14 GMT Daylight Time, 
steve@steve-lawson.co.uk writes:

> Is the Echoplex available in the UK? 
Soon (£550-£800) by Trace Elliot
>Is that what Eberhard Weber uses?
Yes, but he only uses the most basic features.



Andy Butler
Lexicon Vortex Database 
http://members.aol.com/soundfnr/vortex.htm

From Loopers-Delight-request@annihilist.com  Mon Apr  3 15:22:46 2000
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GET YOURSELF OFF!


Loopers-Delight@annihilist.com wrote:
> get me off this mailing list.

daniel


From Loopers-Delight-request@annihilist.com  Mon Apr  3 17:02:08 2000
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as my mom said ... "read the fucking manuals!"

or

I'm sorry, I need to unsubscribe from Looper's Delight. How do I do
that? It's not that I dislike people there or anything, you understand.

To unsubscribe, send mail with the word "unsubscribe" in both the
subject and body, and no sig files or anything else, to:

                      Loopers-Delight-request@annihilist.com

If you are on the digest version of Looper's Delight, send your
unsubscribe request to:

                      Loopers-Delight-d-request@annihilist.com


Don't send your unsubscribe message to the list, or people will make fun
of you and you will feel like a dork.


Diazsanctus@aol.com schrieb:

> >GET YOURSELF OFF!
>
> Now that is unnecessary.  did you take me off?
>
> out
> daniel

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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
as my mom said ... "read the fucking manuals!"
<p>or
<p>I'm sorry, I need to unsubscribe from Looper's Delight. How do I do
that? It's not that I dislike people there or anything, you understand.
<p>To unsubscribe, send mail with the word "unsubscribe" in both the subject
and body, and no sig files or anything else, to:
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Loopers-Delight-request@annihilist.com
<p>If you are on the digest version of Looper's Delight, send your unsubscribe
request to:
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Loopers-Delight-d-request@annihilist.com
<br>&nbsp;
<p><b><font size=+2>Don't send your unsubscribe message to the list, or
people will make fun of you and you will feel like a dork.</font></b>
<br>&nbsp;
<p>Diazsanctus@aol.com schrieb:
<blockquote TYPE=CITE>>GET YOURSELF OFF!
<p>Now that is unnecessary.&nbsp; did you take me off?
<p>out
<br>daniel</blockquote>
</html>

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>GET YOURSELF OFF!

Now that is unnecessary.  did you take me off?

out
daniel

From Loopers-Delight-request@annihilist.com  Mon Apr  3 17:02:37 2000
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I was raised in a barn, and I remember the days when my dear old mom would 
set a trap to get rid of the flies during the summer. She set up a glass jar 
with a funny shaped lid. The idea was that the flies would go in after the 
bait and have no idea how to get out. It was a fairly simple exit, but way 
to complex for fly standards.

Here's the kicker - the top of the lid had a diagram of how to get out. The 
flies would be so excited about getting inside the jar that they never 
stopped to look at the diagram of how to get out.

You know, that's funny, because in Loopers Delight, you have to pass by the 
"unsubscribe" instructions in order to subscribe. I guess this ramble is on 
topic after all! These very simple instructions are also found at this 
section of the LD site.

http://annihilist.com/loop/list/LoopList.html

Matt
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Diazsanctus@aol.com wrote:
> 
> >GET YOURSELF OFF!
> 
> Now that is unnecessary.  did you take me off?

who me ?

no

I can't

why ?

because 

you _only_ can say the sacred word UNSUBSCRIBE at the holy place where
you entered the loopy looper's delight forum with the magic SUBSCRIBE
incantation

the alibaba cavern is located at
http://www.annihilist.com/loop/loop.html

find the mailing list

and do it

but please do not wake brother Kim up 

shhht

Claude

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mr.d go to onelist and do it yourself
Loopers-Delight@annihilist.com wrote:
> >GET YOURSELF OFF!
Now that is unnecessary.  did you take me off?

out
daniel


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Hi Andy,

Yep it is sho' nuff fun, this set-up. It took 10 years to evolve to it though, and I
keep refining it. Usta have walls and walls of gear and didn't have time to learn
most of it well. So now there's just a mini-gig-rig (SKB), 3 fx rack boxes ,and
bunches of pedals controlling the synths (Jp-8080 and Audity 2000 also in the rig)
and controlling the beams. I will probably get a little keyboard controller (again)
just to get, and hold those notes- upper and lower octaves, that are hard to hold
with the beam.  But this list is for looping so I'll try to stay on target.

The 'Rang really has helped me reach another level with fast, intuitive composition
(sequencing, in effect) and so I was able to realize greater usage of potential
especially with the Audity 2000. The randomize function I use to dial up space-ship
loads of new sounds that can then be tweaked to taste. The Boomer then chews these up
in bits and phrases (according to my "hand-whim" in the beam. I now want to run the
Boomer into the vocoder/filter/voice modulator section of the 8080...and then back
into the Boomer layering successive differently filtered layers via 8080. Crazy, huh
?
I really will try to get something up for you cats from this upcoming show. A first
for me!

Btw, do you have any recommendations for the weirdest guitar pedal, particularly fuzz
boxes?? I'm feelin' that urge....;-)


Thanks for the interest. This is a great list. In our small mountain college town,
its not easy to find folks to talk with about Looping. We formed a little Sonic Guild
here- community and university electronic musicians who meet once a month to share
stuff, but loopers are rare.

John
John Hunter
Black Lotus Sound

SOTO VALENCIA ANDRESRODOLFO wrote:

>     Just what I was about to say as well John, do you have any recordings,
> I'd love to hear your stuff, with that set  up must be something to
> hear...
>
>>  Andy
>>
>>      On Mon, 3 Apr 2000, Dennis W. Leas wrote:
>>
>>      > Hi John!
>>      >
>>      > >My question seeks a recommendation on how to get the Boomerang to act
>>      > >regenerative, (or degenerative)  as the more expensive Echoplex might...
>>      >
>>      > I'll leave other folks to answer your question since I'm not a 'rang user and
>>      > I'm sure somebody else can answer it better.  But your performance/set-up
>>      caught
>>      > my eye...
>>      >
>>      > >...  I use a Theremin, various outboard fx, a
>>      > >Boss 202 sampler,  and 2 dimension beam infrared light controllers (invisible
>>      > >beams tied to midi continuous controller #'s) on two synths.
>>      >
>>      > Have you recordings?  On-line samples?  I'd like to hear this.  Are you
>>      > interested in a sound swap?
>>      >
>>      > Also, what kind of "2 dimension beam infrared light controllers" do you use?
>>      > And what do you think of them?
>>      >
>>      > Dennis Leas
>>

From Loopers-Delight-request@annihilist.com  Mon Apr  3 18:22:22 2000
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hi friends

	for plex. users

	can anybody tell me if it's possible 
	to control via MIDI the 7 buttons from
	the front panel plus the feedback using
	a single MIDI pedalboard with onboard 
	expression pedal ?

	if possible, is somebody using this configuration ?

	i'd be loopy-delighted if you may share your
	knowledge with us !

	
	....


	
	

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
	D   o   c   t   o   r           S   a   x            N   e   w   s
                  		     New CD-R Release !
	Price: 3 EUROS (including packing & postage)
        	      or trading for a cd / tape of your music. 
          http://www.dragonet.es/users/d3055/Doctor_Sax_News/
/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
	Raül Bonell Tomàs    <rauboto@dragonet.es> 
	http://www.dragonet.es/users/d3055/slollnoirc
/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

From Loopers-Delight-request@annihilist.com  Mon Apr  3 18:40:59 2000
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I think that is so appropriate--maybe that should be on the T
shirts--"Loopers get themselves off"
G.

----- Original Message -----
From: <magicicada@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, April 03, 2000 1:43 PM
Subject: Re: Re: get me off !!!!!! this mailing list !!!!!!!!


> mr.d go to onelist and do it yourself
> Loopers-Delight@annihilist.com wrote:
> > >GET YOURSELF OFF!
> Now that is unnecessary.  did you take me off?
>
> out
> daniel
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr  3 18:52:09 2000
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Hey,

It's not a fuzz box, but one of the most bizzare pedals I've encountered is the Digitech
Spacestation.  Frankly, unless you hit the bypass, you can't get a normal sound out of it.
On the down side, although there's an expression pedal built in, you can't make up your own
presets.  On the plus side, it comes with 40 wacky presets that are loads of fun.  When put
in front or in back of other effects, loads of  fun can  happen.

What sleepy mountain college town are you from?


--
Mark Sottilaro
Professional Publications, Inc
1250 Fifth Ave, Belmont CA 94002
Multimedia Production
E-mail:  msottilaro@ppi2pass.com


From Loopers-Delight-request@annihilist.com  Mon Apr  3 21:00:39 2000
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Date: Mon, 3 Apr 2000 20:45:25 -0400
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject:  Boomerang
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Is there a web site with the feature set of the Boomerang -- I spend 
more time doing video than music and hadn't heard about this one yet.

"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man.

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@annihilist.com  Mon Apr  3 20:39:02 2000
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Date: Mon, 3 Apr 2000 20:29:25 EDT
Subject: Echoplex vs Boomerang
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Hi, all:

I have itchy fingers. I'm tempted to buy a Boomerang rather than wait for the 
Echoplex's to be delivered to stores. Is the wait worth it? I know the 'plex 
is more full featured than the 'rang, but I'd just like some feedback.

Regards, Paul from the Butch Band

From Loopers-Delight-request@annihilist.com  Mon Apr  3 22:43:15 2000
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"Mikell D.Nelson" wrote:
> 
> Hi loopers,
>     The Rang attenuates previous layers by 2.3dB, a pretty slow rate. The new
> software will offer 7 choices for attenuation or decay rate. The fastest 2 offer
> about 4 repeats before it's gone and a single repeat (slapback).
> 

when for art thou thy new software?

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http://www.boomerangmusic.com/             The Boomerang site

"Emile Tobenfeld (a.k.a Dr. T)" wrote:

> Is there a web site with the feature set of the Boomerang -- I spend
> more time doing video than music and hadn't heard about this one yet.
>

From Loopers-Delight-request@annihilist.com  Tue Apr  4 00:46:44 2000
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Right now I'm using a stereo EB pedal--what you do is plug the output of the
pedal into the expression pedal jack on the PMC.
BTW, does anyone have an idea of when the Jamman modification will be
available?  Will the Oberheim Echoplex be available by then?  Sounds like it
is going to be the ultimate in looping samplers.
G.
----- Original Message -----
From: Stephen <dakshah@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Sent: Sunday, April 02, 2000 12:42 PM
Subject: Re: PMC10 foot pedal?


> Gary,
>
> Which EB pedals do you use?  I looked at one which had
> in & out jacks, so I assumed you sent a signal through
> it in line with your gear.  The expression pedals i'm
> used to just have male plug...how do you hook it up to
> the pmc10 (uh, do I *really* have to appologize for my
> ignorance (again :-))
>
> --- Gary Lehmann <relay@funtv.com> wrote:
> > The Ernie Ball volume pedals work really well.  They
> > are kind of heavy, but
> > they stay in place when you take your foot off and
> > it's easy to be exacting.
> > Gary
>


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From: Nemoguitt@aol.com
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Date: Mon, 3 Apr 2000 23:53:04 EDT
Subject: Re: Regeneration with Boomerang
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In a message dated 4/3/00 6:00:49 PM Mid-Atlantic Daylight Time, 
lotusart@cstone.net writes:

<<  Earliest I could send you something would be end of
 April.  >>

john........count me in.........would love to give a listen..........michael

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From: "Om_Audio" <clifsound@mediaone.net>
To: "Loopers List" <loopers-delight@annihilist.com>
Subject: OT: Octave 
Date: Mon, 3 Apr 2000 21:55:42 -0700
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Hi all-

I am interested in obtaining an octave pedal and would like any input as to
what you all think is good out there- Preferably smooth, more than 1 octave
down, less than $200- - - I checked out the brown Boss model and really was
not impressed- maybe z-vex or other boutique?

Cliff

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From: "Om_Audio" <clifsound@mediaone.net>
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Subject: Original Echoplex is back in prod.
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Click on "The Plex" once you arrive- - - 

http://www.pedalman.com/

Cliff

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From: "Timothy" <wanderlost@crosswinds.net>
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Subject: EDP Availability question
Date: Tue, 4 Apr 2000 01:22:57 -0500
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Oh goodie:  another question about when the EDP is going to be in stores.
Honest, I tried to do my homework.  I searched through the last few months of
archive postings and have been following all the threads since I joined, so
please don't be too mad at me.

But does anyone know when we can expect it?

Thanks
Tim

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Hot damn!  These are the magical posts why I love the LD.  Keep it up, Matt.
Hey, when's that beer?

  | -----Original Message-----
  | From: matt davignon [mailto:mattdavignon@hotmail.com]
  | Sent: Monday 03 April 2000 1:09 PM
  | To: loopers-delight@annihilist.com
  | Subject: Getting off the mailing list
  |
  |
  | I was raised in a barn, and I remember the days when my dear
  | old mom would
  | set a trap to get rid of the flies during the summer. She set
  | up a glass jar
  | with a funny shaped lid. The idea was that the flies would go
  | in after the
  | bait and have no idea how to get out. It was a fairly simple
  | exit, but way
  | to complex for fly standards.
  |
  | Here's the kicker - the top of the lid had a diagram of how to
  | get out. The
  | flies would be so excited about getting inside the jar that they never
  | stopped to look at the diagram of how to get out.
  |
  | You know, that's funny, because in Loopers Delight, you have to
  | pass by the
  | "unsubscribe" instructions in order to subscribe. I guess this
  | ramble is on
  | topic after all! These very simple instructions are also found at this
  | section of the LD site.
  |
  | http://annihilist.com/loop/list/LoopList.html
  |
  | Matt


__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Tue Apr  4 07:56:18 2000
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Om_Audio wrote:

> Click on "The Plex" once you arrive- - -
>
> http://www.pedalman.com/
>
> Cliff

This is the *tape* thingy, isn't it?
Not the digital pro.

Robert

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Subject: Re: Octave 
Date: Tue, 4 Apr 2000 09:37:50 -0400
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> I am interested in obtaining an octave pedal and would like any input as
to
> what you all think is good out there- Preferably smooth, more than 1
octave
> down, less than $200- - - I checked out the brown Boss model and really
was
> not impressed- maybe z-vex or other boutique?

It might be a bit more than $200, but try the Digitech Whammy 1 (WH1)
reissue. I have an original WH1 and it is the smoothest sounding pitch
shifter I've ever used. It can do a wide variety of preset musical intervals
as well as dive-bomb-whammy-pedal-madness.

I've never tried any of the models in between the original WH1 and the
reissue WH1, but I've heard that they used a different (i.e., cheaper to
produce) circuit and were not as smooth (and I don't think this is just
"vintage" BS either.)

Plus, the WH1 is BIG and RED and definitely noticable on stage.

-- Mango --

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From: "David Potter" <papadave55@hotmail.com>
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How about  "Go Loop Yourself"

>I think that is so appropriate--maybe that should be on the T
>shirts--"Loopers get themselves off"
>G.
>
>----- Original Message -----
>From: <magicicada@mindspring.com>
>To: <Loopers-Delight@annihilist.com>
>Sent: Monday, April 03, 2000 1:43 PM
>Subject: Re: Re: get me off !!!!!! this mailing list !!!!!!!!
>
>
> > mr.d go to onelist and do it yourself
> > Loopers-Delight@annihilist.com wrote:
> > > >GET YOURSELF OFF!
> > Now that is unnecessary.  did you take me off?
> >
> > out
> > daniel
> >
> >
> >
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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From: "hideo" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
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Subject: Re: Octave 
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in my experience, if you want a smooth unsullied octave down note that
sticks to your original signal like glue, pedals don't provide it . . . I've
been pretty happy with the pitch shift on my MPX-100 (not to mention it's
other uses as effects/looper/A-D convertor)

if you like mis-tracking and  artifacts to provide a little edge (and maybe
distract people from your lack of musical skill as I do), octave pedals are
indispensable which is why I have a Korg and an Ibanez 10 series

plus if you open them up and bridge the circuit traces with your fingers,
you'll discover hours worth of mesmerising and discordant sounds YUMMY

drone on~~~~~~~~~~~~~~

Tom Lambrecht

hideo@concentric.net
----- Original Message -----
From: Don Pancoe <pancoe@netaxs.com>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 04, 2000 8:37 AM
Subject: Re: Octave


>
> > I am interested in obtaining an octave pedal and would like any input as
> to
> > what you all think is good out there- Preferably smooth, more than 1
> octave
> > down, less than $200- - - I checked out the brown Boss model and really
> was
> > not impressed- maybe z-vex or other boutique

SNIP

From Loopers-Delight-request@annihilist.com  Tue Apr  4 11:52:30 2000
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Message-ID: <002e01bf9e4a$ac152a60$960178d8@gary>
From: "Gary Lehmann" <relay@funtv.com>
To: <Loopers-Delight@annihilist.com>
References: <20000404143116.33806.qmail@hotmail.com>
Subject: Album name (was: get me off!!!!!!)
Date: Tue, 4 Apr 2000 08:30:13 -0700
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Love it!!! I would like permission to use this title for my next release.
Great stuff!!
Gary Lehmann

----- Original Message -----
From: David Potter <papadave55@hotmail.com>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 04, 2000 7:31 AM
Subject: Re: Re: get me off !!!!!! this mailing list !!!!!!!!


> How about  "Go Loop Yourself"
>
> >I think that is so appropriate--maybe that should be on the T
> >shirts--"Loopers get themselves off"
> >G.
> >
> >----- Original Message -----
> >From: <magicicada@mindspring.com>
> >To: <Loopers-Delight@annihilist.com>
> >Sent: Monday, April 03, 2000 1:43 PM
> >Subject: Re: Re: get me off !!!!!! this mailing list !!!!!!!!
> >
> >
> > > mr.d go to onelist and do it yourself
> > > Loopers-Delight@annihilist.com wrote:
> > > > >GET YOURSELF OFF!
> > > Now that is unnecessary.  did you take me off?
> > >
> > > out
> > > daniel
> >

From Loopers-Delight-request@annihilist.com  Tue Apr  4 12:54:57 2000
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Message-ID: <38EA1D56.603D206E@toddreynolds.com>
Date: Tue, 04 Apr 2000 12:50:34 -0400
From: Todd Reynolds <todd@toddreynolds.com>
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To: Loopers-Delight@annihilist.com
Subject: MPX G2 to Echoplex and back.  level problems...
References: <b5.1dbdf4b.2618e4b1@aol.com> <38E7C194.5108C295@cstone.net> <000901bf9cf9$ea3513c0$a4c918d0@ispchannel.com> <38E850C8.A8A4D63D@dmans.com>
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hey y'all.  seeing as how there are a thousand EDP users and some G2
users as well, i as for some support.

i'm sending out from the insert of the g2  to the edp, then to a jamman
and then back again.  i have the input of the oberheim only at 9:00  or
so.  and still only distorted signal.  i have virtually no headroom.  it
would seem simple, wouldn't it?  "your signal is too hot!"  but it seems
as though if i lower the send level, i just get no effect.  can't seem
to get a middle ground.  sorry if i'm being ignorant, but i really need
a hand...  at one point i remember someone else asking a question of kim
re: input levels too hot...

thanks

todd reynolds

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At 11:22 PM -0700 4/3/00, Timothy wrote:
>Oh goodie:  another question about when the EDP is going to be in stores.
>Honest, I tried to do my homework.  I searched through the last few months of
>archive postings and have been following all the threads since I joined, so
>please don't be too mad at me.
>
>But does anyone know when we can expect it?
>
>Thanks
>Tim

as I understood, the first units should be getting to dealers next week or
so. You can contact Gibson to confirm that. The Gibson sales rep for
Echoplex is Gil Pini at gpini@gibson.com, 1-800-544-2766 x217. good luck!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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God damn!  I couldn't even stay on this site long enough to get any
information... I started to turn to stone... the horror!

Om_Audio wrote:

> Click on "The Plex" once you arrive- - -
>
> http://www.pedalman.com/
>
> Cliff

--
Mark Sottilaro
Professional Publications, Inc
1250 Fifth Ave, Belmont CA 94002
Multimedia Production
E-mail:  msottilaro@ppi2pass.com


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Subject: Kim! Get me off this crazy list!
References: <b5.1dbdf4b.2618e4b1@aol.com> <38E7C194.5108C295@cstone.net> <000901bf9cf9$ea3513c0$a4c918d0@ispchannel.com> <38E850C8.A8A4D63D@dmans.com> <38EA1D56.603D206E@toddreynolds.com>
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Hey Kim, (and other loopers)

Maybe if you made the unsubscribe message a bit more memorable people
wouldn't have such a hard time unsubscribing.  My suggestion is, "Jane!
Get me off this crazy thing!"

--
Mark Sottilaro
Professional Publications, Inc
1250 Fifth Ave, Belmont CA 94002
Multimedia Production
E-mail:  msottilaro@ppi2pass.com


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I put my name on Alto's waiting list for the 'April'
shipment - their 'March' shipment waiting list was
already full.  I suspect April to look more like.....?

Jeepers Mister Green Jeans,

stephen

--- Timothy <wanderlost@crosswinds.net> wrote:
> Oh goodie:  another question about when the EDP is
> going to be in stores.


__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Tue Apr  4 14:19:52 2000
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How about putting the unsubscribe instructions in 24pt font right at the top 
of the message with pictures of naked people?  People might remember that.

Or perhaps more practical, a redirect for any message with the words 
'unsubscribe' or 'get me off this list!' in the subject or body.

----- Original Message -----
From: "Mark Sottilaro" <msottilaro@ppi2pass.com>
To: <Loopers-Delight@annihilist.com>
Cc: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 04, 2000 1:36 PM
Subject: Kim! Get me off this crazy list!


>Hey Kim, (and other loopers)
>
>Maybe if you made the unsubscribe message a bit more memorable people
>wouldn't have such a hard time unsubscribing.  My suggestion is, "Jane!
>Get me off this crazy thing!"
>
>--
>Mark Sottilaro
>Professional Publications, Inc
>1250 Fifth Ave, Belmont CA 94002
>Multimedia Production
>E-mail:  msottilaro@ppi2pass.com
>
>
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Remember? I don't drink! Let's make an SF bay area looper get-together 
instead!


>From: "Javier Miranda V." <gnomesis@yahoo.com>

>Date: Mon, 3 Apr 2000 19:48:08 -0700
>
>Hot damn!  These are the magical posts why I love the LD.  Keep it up, 
>Matt.
>Hey, when's that beer?
>
>   | -----Original Message-----
>   | From: matt davignon [mailto:mattdavignon@hotmail.com]
>   | Sent: Monday 03 April 2000 1:09 PM
>   | To: loopers-delight@annihilist.com
>   | Subject: Getting off the mailing list
>   |
>   |
>   | I was raised in a barn, and I remember the days when my dear
>   | old mom would
>   | set a trap to get rid of the flies during the summer. She set
>   | up a glass jar
>   | with a funny shaped lid. The idea was that the flies would go
>   | in after the
>   | bait and have no idea how to get out. It was a fairly simple
>   | exit, but way
>   | to complex for fly standards.
>   |
>   | Here's the kicker - the top of the lid had a diagram of how to
>   | get out. The
>   | flies would be so excited about getting inside the jar that they never
>   | stopped to look at the diagram of how to get out.
>   |
>   | You know, that's funny, because in Loopers Delight, you have to
>   | pass by the
>   | "unsubscribe" instructions in order to subscribe. I guess this
>   | ramble is on
>   | topic after all! These very simple instructions are also found at this
>   | section of the LD site.
>   |
>   | http://annihilist.com/loop/list/LoopList.html
>   |
>   | Matt
>
>
>__________________________________________________
>Do You Yahoo!?
>Talk to your friends online with Yahoo! Messenger.
>http://im.yahoo.com
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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To: Jonathan El-Bizri <jonathan@full-moon.com>,
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Subject: Re: bizarre pedals was Re: Regeneration with Boomerang
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Ha that sounds exactally like me (no stick though)  I'm thinking about a VW Golf...
or maybe just staying home and having people come to me!  Where do you do your
looping?

Jonathan El-Bizri wrote:

> No ring modulation, but it does do reverse delay, and a very usable one. My
> main 'clean lead' tone is a reverse delay; it's very natural sounding. It
> also does a kind of pitch shifted reverse delay, sort of slowed down, but I
> haven't played with that too much. It also does a pedal controlled phaser I
> haven't played with. I've got some cool ring modulation/resonance like
> patches by stacking high feedback phasers.
>
> Taking to gigs! ROFL. I play chapman stick ( www.stick.com ) which has a
> bass and melody side, and trigger samples and loops on an SP-808. I have 2
> 2120s and an SP-808 in a mini gig rig. I'm adding a vortex, BBE, crossover
> and echoplex when I can find the time (and an echoplex :> I also lug around
> stereo combo speakers.
>
> I just went car shopping with the main prerequisite that I could fit all my
> crap in one load. They dealers pretended not to be surprised when I showed
> up with all my gear in tow, and started stuffing it in their shiny metal
> boxes.
>
> The upgrade to 2120 is pretty cheap I believe. I'd totally recommend it -
> you'll be able to use twice as many effect units at once.
>
> Could you post this thread to the list? I'm having posting problems again.
>
> bIz
>
> ----------
> >From: Mark Sottilaro <msottilaro@ppi2pass.com>
> >To: Jonathan El-Bizri <jonathan@full-moon.com>
> >Subject: Re: bizarre pedals was Re: Regeneration with Boomerang
> >Date: Tue, Apr 4, 2000, 10:41 AM
> >
>
> > Hey Jonathan,
> >
> > Thanks for the tip.  I've got a 2112 which I'm pretty happy with, but it's YET
> > ANOTHER THING TO DRAG AROUND TO GIGS.  Does the new software (granted I'm sure
> > I'd  have to do the 2112 to 2120 upgrade too) do all the ring modulation?
> > Backwards delay? (my favorite)  If so, maybe it's time to upgrade my  2112 and
> > sell my Spacestation.
> >
> > Thanks,
> >
> > Mark
> >
> > Jonathan El-Bizri wrote:
> >
> >> Check out the Digitech 2120, with the latest software ( 2.10, I think) you
> >> will probably need to call digitech to get the rom chip - it cost nothing,
> >> but it won't be in stores for a while, if ever.
> >>
> >> Fully programmable, and it does everything the space station does. Of
> >> course, it's about 3 times the price.
> >>
> >> The new software adds reverse, 'slow-gear' style sounds, a leslie, and a 5
> >> sec looper functions, to the whammy, 10 second delays, intelligent
> >> harmonizer and usual sounds effect box stuff. You can get some >really,
> >> really< sick sounds out of it.
> >>
> >> One of my favourite tricks is overloading phasers and flangers until the
> >> digitally distort, and mix this, delayed and chorused, with a more
> >> intelligible lead sound.
> >>
> >> My only niggle is that all delay times are set in hundredths of a second,
> >> instead of beats per minute. This makes synchronizing to a sampler
> >> impossible except at certain specific tempos. (60, 75, 100, 120, 125, 150,
> >> 160 - you get the idea) Damn, I need that echoplex!
> >>
> >> bIz
> >> ----------
> >> >From: Mark Sottilaro <msottilaro@ppi2pass.com>
> >> >To: Loopers-Delight@annihilist.com
> >> >Subject: Re: Regeneration with Boomerang
> >> >Date: Mon, Apr 3, 2000, 3:47 PM
> >> >
> >>
> >> > Hey,
> >> >
> >> > It's not a fuzz box, but one of the most bizzare pedals I've encountered is
> >> > the Digitech
> >> > Spacestation.  Frankly, unless you hit the bypass, you can't get a normal
> >> > sound out of it.
> >> > On the down side, although there's an expression pedal built in, you can't
> >> > make up your own
> >> > presets.  On the plus side, it comes with 40 wacky presets that are loads
> >> > of fun.  When put
> >> > in front or in back of other effects, loads of  fun can  happen.
> >> >
> >> > What sleepy mountain college town are you from?
> >> >
> >> >
> >> > --
> >> > Mark Sottilaro
> >> > Professional Publications, Inc
> >> > 1250 Fifth Ave, Belmont CA 94002
> >> > Multimedia Production
> >> > E-mail:  msottilaro@ppi2pass.com
> >> >
> >> >
> >
> > --
> > Mark Sottilaro
> > Professional Publications, Inc
> > 1250 Fifth Ave, Belmont CA 94002
> > Multimedia Production
> > E-mail:  msottilaro@ppi2pass.com
> >
> >

--
Mark Sottilaro
Professional Publications, Inc
1250 Fifth Ave, Belmont CA 94002
Multimedia Production
E-mail:  msottilaro@ppi2pass.com


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From: lotusart@cstone.net (John Hunter)
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Will do pardner..

John

Nemoguitt@aol.com wrote:

> In a message dated 4/3/00 6:00:49 PM Mid-Atlantic Daylight Time,
> lotusart@cstone.net writes:
>
> <<  Earliest I could send you something would be end of
>  April.  >>
>
> john........count me in.........would love to give a listen..........michael

From Loopers-Delight-request@annihilist.com  Tue Apr  4 18:40:59 2000
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Emile:

The Boomerang was what Ross Hamlin was
using during the last Boston Loopers 
Collective show at the Middle East.
I know he was using it during his vocal
performance--not sure about later, when
he picked up the guitar.  I know he said
he uses it with his guitar though.

Anyway, just so's ya know, you've heard
it live!

Best,
peter koniuto

_____________________________________
_____________________________________


From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>

Is there a web site with the feature set of the Boomerang -- I spend 
more time doing video than music and hadn't heard about this one yet.


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Subject: SOT Loopy transportation, and Location was Re: bizarre pedals was
	 Re: Regeneration with Boomerang
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> Ha that sounds exactally like me (no stick though)  I'm thinking about a VW
Golf...
> or maybe just staying home and having people come to me!  Where do you do your
> looping?


Silicon valley. My room is too full of gear to have people come to me though
:>

I'm getting a Subaru Impreza Outback. The SKB mini rig fits snugly in the
front seat and when you drop the rear seats, they're masses of space. I
could probably fit all my gear in the back, and not use the front seat,
though I haven't tried.

>Remember? I don't drink! Let's make an SF bay area looper get-together
>instead!

I am so up for this, I almost tried to put together a party myself a while
ago, but, pressed for time, I never got it together. Besides, my place is
rather small.

I wanted to invite the people on the main lists I am subscribed to -
Looper's Delight, Taptalk/Stickwire ( http://www.stick.com  players), the
Korg Trinity mailing list, and perhaps the Emagic Logic Audio users group,
and see what happened. Does anyone have a large warehouse with tons of
parking, a loading dock and a clean, industrial strength power supply they
aren't using? :>

bIz

PS  Mark S. I re-subscribed and can post again, as you have noticed. Now to
solve the 'two of every message' problem.

----------
>From: Mark Sottilaro <msottilaro@ppi2pass.com>
>To: Jonathan El-Bizri <jonathan@full-moon.com>,
"Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
>Subject: Re: bizarre pedals was Re: Regeneration with Boomerang
>Date: Tue, Apr 4, 2000, 1:23 PM
>

> Ha that sounds exactally like me (no stick though)  I'm thinking about a VW
Golf...
> or maybe just staying home and having people come to me!  Where do you do your
> looping?
>
> Jonathan El-Bizri wrote:
>
>> No ring modulation, but it does do reverse delay, and a very usable one. My
>> main 'clean lead' tone is a reverse delay; it's very natural sounding. It
>> also does a kind of pitch shifted reverse delay, sort of slowed down, but I
>> haven't played with that too much. It also does a pedal controlled phaser I
>> haven't played with. I've got some cool ring modulation/resonance like
>> patches by stacking high feedback phasers.
>>
>> Taking to gigs! ROFL. I play chapman stick ( www.stick.com ) which has a
>> bass and melody side, and trigger samples and loops on an SP-808. I have 2
>> 2120s and an SP-808 in a mini gig rig. I'm adding a vortex, BBE, crossover
>> and echoplex when I can find the time (and an echoplex :> I also lug around
>> stereo combo speakers.
>>
>> I just went car shopping with the main prerequisite that I could fit all my
>> crap in one load. They dealers pretended not to be surprised when I showed
>> up with all my gear in tow, and started stuffing it in their shiny metal
>> boxes.
>>
>> The upgrade to 2120 is pretty cheap I believe. I'd totally recommend it -
>> you'll be able to use twice as many effect units at once.
>>
>> Could you post this thread to the list? I'm having posting problems again.
>>
>> bIz
>>
>> ----------
>> >From: Mark Sottilaro <msottilaro@ppi2pass.com>
>> >To: Jonathan El-Bizri <jonathan@full-moon.com>
>> >Subject: Re: bizarre pedals was Re: Regeneration with Boomerang
>> >Date: Tue, Apr 4, 2000, 10:41 AM
>> >
>>
>> > Hey Jonathan,
>> >
>> > Thanks for the tip.  I've got a 2112 which I'm pretty happy with, but it's
YET
>> > ANOTHER THING TO DRAG AROUND TO GIGS.  Does the new software (granted I'm
sure
>> > I'd  have to do the 2112 to 2120 upgrade too) do all the ring modulation?
>> > Backwards delay? (my favorite)  If so, maybe it's time to upgrade my  2112
and
>> > sell my Spacestation.
>> >
>> > Thanks,
>> >
>> > Mark
>> >
>> > Jonathan El-Bizri wrote:
>> >
>> >> Check out the Digitech 2120, with the latest software ( 2.10, I think) you
>> >> will probably need to call digitech to get the rom chip - it cost nothing,
>> >> but it won't be in stores for a while, if ever.
>> >>
>> >> Fully programmable, and it does everything the space station does. Of
>> >> course, it's about 3 times the price.
>> >>
>> >> The new software adds reverse, 'slow-gear' style sounds, a leslie, and a 5
>> >> sec looper functions, to the whammy, 10 second delays, intelligent
>> >> harmonizer and usual sounds effect box stuff. You can get some >really,
>> >> really< sick sounds out of it.
>> >>
>> >> One of my favourite tricks is overloading phasers and flangers until the
>> >> digitally distort, and mix this, delayed and chorused, with a more
>> >> intelligible lead sound.
>> >>
>> >> My only niggle is that all delay times are set in hundredths of a second,
>> >> instead of beats per minute. This makes synchronizing to a sampler
>> >> impossible except at certain specific tempos. (60, 75, 100, 120, 125, 150,
>> >> 160 - you get the idea) Damn, I need that echoplex!
>> >>
>> >> bIz
>> >> ----------
>> >> >From: Mark Sottilaro <msottilaro@ppi2pass.com>
>> >> >To: Loopers-Delight@annihilist.com
>> >> >Subject: Re: Regeneration with Boomerang
>> >> >Date: Mon, Apr 3, 2000, 3:47 PM
>> >> >
>> >>
>> >> > Hey,
>> >> >
>> >> > It's not a fuzz box, but one of the most bizzare pedals I've encountered
is
>> >> > the Digitech
>> >> > Spacestation.  Frankly, unless you hit the bypass, you can't get a
normal
>> >> > sound out of it.
>> >> > On the down side, although there's an expression pedal built in, you
can't
>> >> > make up your own
>> >> > presets.  On the plus side, it comes with 40 wacky presets that are
loads
>> >> > of fun.  When put
>> >> > in front or in back of other effects, loads of  fun can  happen.
>> >> >
>> >> > What sleepy mountain college town are you from?
>> >> >
>> >> >
>> >> > --
>> >> > Mark Sottilaro
>> >> > Professional Publications, Inc
>> >> > 1250 Fifth Ave, Belmont CA 94002
>> >> > Multimedia Production
>> >> > E-mail:  msottilaro@ppi2pass.com
>> >> >
>> >> >
>> >
>> > --
>> > Mark Sottilaro
>> > Professional Publications, Inc
>> > 1250 Fifth Ave, Belmont CA 94002
>> > Multimedia Production
>> > E-mail:  msottilaro@ppi2pass.com
>> >
>> >
>
> --
> Mark Sottilaro
> Professional Publications, Inc
> 1250 Fifth Ave, Belmont CA 94002
> Multimedia Production
> E-mail:  msottilaro@ppi2pass.com
>
> 

From Loopers-Delight-request@annihilist.com  Tue Apr  4 19:06:02 2000
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>>> Remember? I don't drink! Let's make an SF bay area looper
get-together instead!

>> I am so up for this, I almost tried to put together a party myself
a while ago, but, pressed for time, I never got it together. Besides,
my place is rather small.

> I wanted to invite the people on the main lists I am subscribed to
- Looper's Delight, Taptalk/Stickwire ( http://www.stick.com 
players), the Korg Trinity mailing list, and perhaps the Emagic Logic
Audio users group, and see what happened. Does anyone have a large
warehouse with tons of parking, a loading dock and a clean, industrial
strength power supply they aren't using? :> bIz

I could rent rehearsal space here in Santa Cruz some evening for a
free-for-all jam / party. It's not very swanky, but I believe it's
electrically sound and big enough for  6-10 of us in a circle
format... We'd HAVE to record it...

-Miko

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From: Jhsidlo@aol.com
Message-ID: <24.3398f3a.261bd883@aol.com>
Date: Tue, 4 Apr 2000 19:45:07 EDT
Subject: Nels Cline "Interstellar Space Revisited" CD
To: loopers-delight@annihilist.com
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    I just got this today. All I can say is...WOW!!!!

                                            James

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From: "Bill Fox" <billfox@fast.net>
To: <Undisclosed.Recipients@post2.fast.net>
Subject: EMUSIC Playlist
Date: Wed, 5 Apr 2000 21:38:45 -0400
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[Best viewed with a fixed spacing font.]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #158                    March 30, 2000.

On this show, I concluded the month-long focus on the seventh annual Alfa
Centauri
music festival in Huizen, The Netherlands.  The Feature CD at Midnight was
Kontinuum by Mind-Flux on the IC/Digit Music label.


ARTIST                  TRACK                    ALBUM (label)
======================= ========================
==============================
11:04 pm
Wendy Carlos            Sheep May Safely Graze   S-O Boxed Set Highlights ++
                                                 (East Side Digital)
VA [Patrick Kosmos]     Birthway                 Gift (Invisible Shadows)
Ian Boddy & Chris Carter  Coriolis               Caged (DiN)
Centrozoon              Sense                    Blast (DiN)
Steve Roach             Hope                     Midnight Moon (Projekt) ++
Rudy Adrian         Towards the White Mountains  Twilight (none)
Cosmic Hoffman          Wanderers of Time        Beyond the Galaxy (Heart
and Mind)

12:00 am
Mind-Flux               Kontinuum                Kontinuum (IC/Digit Music
GmbH)
Mind-Flux               Solar Eclipse 99 Pt I    Kontinuum (IC/Digit Music
GmbH)
Mind-Flux               Solar Eclipse 99 Pt II   Kontinuum (IC/Digit Music
GmbH)
Mind-Flux               Time Invaders            Kontinuum (IC/Digit Music
GmbH)
Mind-Flux               Space Performer          Kontinuum (IC/Digit Music
GmbH)
Mind-Flux               Lunar Sunrise            Kontinuum (IC/Digit Music
GmbH)
Mind-Flux               Zero Gravity             Kontinuum (IC/Digit Music
GmbH)

1:00 am

 * = exerpt
VA = Various Artists (compilation)
++ = This CD will be available as a thank you gift during the up coming WDIY
Membership
     Drive only during EMUSIC on April 6, 2000.  Also available, a variety
of CDs from
     the AdAstra label.

On the next EMUSIC, I'll begin a month-long focus on NEARfest 2000, the
second annual
North East Art Rock Festival in Bethlehem, Pennsylvania.  The feature CD at
midnight
will be "Sideshow" by Iluvitar on the Kinesis label.

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Date: Tue, 04 Apr 2000 21:38:03 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: SOT Loopy transportation, and Location was Re: bizarre
  pedals was Re: Regeneration with Boomerang
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At 03:54 PM 4/4/00 -0700, you wrote:
>>...bay area looper get-together
>>instead!
>... Does anyone have a large warehouse with tons of
>parking, a loading dock and a clean, industrial strength power supply they
>aren't using? :>

With nice weather on the way, that sounds like a great idea, although we're
so spread out, we should try for several regional get-togethers! (Bay area,
Northeast, Midwest, Euroloopers, etc.)

If anyone does succeed in arranging something like that, please be sure to
record the proceedings, as I'm sure many of the rest of us would love to
hear it!

Tim

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Date: Tue, 04 Apr 2000 22:32:11 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Dialing for Echoplexes
To: Loopers-Delight@annihilist.com
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OK folks, set your speed dialer to kill. Due to the wonders of dealer
distribution, there are actually a few Echoplexes landing at dealers that
are not already backordered. Good luck!


>From: Gil Pini <gil.pini@gibson.com>
>To: kflint@annihilist.com
>Subject: edp
>Date: Tue, 4 Apr 2000 13:48:51 -0500
>MIME-Version: 1.0
>
>If you have a couple of close friends who deserve first shot at an
>EDP...have them call Michael at LA Music Services at 805-493-1931
>immediately and arrange a downpayment. I talked Michael into taking 6 and he
>was concerned about customers.
>(He has no idea) The first shipment should be here today and does not come
>close to covering backorders.
>
>Gil Pini
>Trace Elliot America
>Sales/Service Representative
>1-800-5gibson ext 217
>gpini@gibson.com <mailto:gpini@gibson.com>
>
>

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Wed Apr  5 02:09:34 2000
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Subject: RE: Kim! Get me off this crazy list!
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At 11:14 AM -0700 4/4/00, Michael LaMeyer wrote:

>Or perhaps more practical, a redirect for any message with the words
>'unsubscribe' or 'get me off this list!' in the subject or body.

The list server software already does this, with far more permutations. It
works 99% of the time, but some people still find ways to get around it and
successfully post the unsub message to the list..... we can only hope they
are not breeding.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Wed Apr  5 02:29:13 2000
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: beer
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At 12:24 PM -0700 4/4/00, matt davignon wrote:
>Remember? I don't drink! Let's make an SF bay area looper get-together
>instead!
>

I do, and I'd be happy to cover your share of the beer. So is this party
happening or what?

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Wed Apr  5 03:23:02 2000
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When and where-I am there...STANNER

----------
>From: "matt davignon" <mattdavignon@hotmail.com>
>To: loopers-delight@annihilist.com
>Subject: Re: beer
>Date: Tue, Apr 4, 2000, 11:24 AM
>

> Remember? I don't drink! Let's make an SF bay area looper get-together
> instead!
>
>
>>From: "Javier Miranda V." <gnomesis@yahoo.com>
>
>>Date: Mon, 3 Apr 2000 19:48:08 -0700
>>
>>Hot damn!  These are the magical posts why I love the LD.  Keep it up,
>>Matt.
>>Hey, when's that beer?
>>
>>   | -----Original Message-----
>>   | From: matt davignon [mailto:mattdavignon@hotmail.com]
>>   | Sent: Monday 03 April 2000 1:09 PM
>>   | To: loopers-delight@annihilist.com
>>   | Subject: Getting off the mailing list
>>   |
>>   |
>>   | I was raised in a barn, and I remember the days when my dear
>>   | old mom would
>>   | set a trap to get rid of the flies during the summer. She set
>>   | up a glass jar
>>   | with a funny shaped lid. The idea was that the flies would go
>>   | in after the
>>   | bait and have no idea how to get out. It was a fairly simple
>>   | exit, but way
>>   | to complex for fly standards.
>>   |
>>   | Here's the kicker - the top of the lid had a diagram of how to
>>   | get out. The
>>   | flies would be so excited about getting inside the jar that they never
>>   | stopped to look at the diagram of how to get out.
>>   |
>>   | You know, that's funny, because in Loopers Delight, you have to
>>   | pass by the
>>   | "unsubscribe" instructions in order to subscribe. I guess this
>>   | ramble is on
>>   | topic after all! These very simple instructions are also found at this
>>   | section of the LD site.
>>   |
>>   | http://annihilist.com/loop/list/LoopList.html
>>   |
>>   | Matt
>>
>>
>>__________________________________________________
>>Do You Yahoo!?
>>Talk to your friends online with Yahoo! Messenger.
>>http://im.yahoo.com
>>
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>
> 

From Loopers-Delight-request@annihilist.com  Wed Apr  5 06:17:52 2000
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From: PJBMHB@aol.com
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Date: Wed, 5 Apr 2000 05:33:58 EDT
Subject: Re: Nels Cline "Interstellar Space Revisited" CD
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i like this cd too. nels is great. love his playing and his loops. =-) PJ

From Loopers-Delight-request@annihilist.com  Wed Apr  5 07:55:45 2000
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From: SoundFNR@aol.com
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Date: Wed, 5 Apr 2000 07:38:13 EDT
Subject: Re: OT: Octave 
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In a message dated 04/04/00 06:08:57 GMT Daylight Time, 
clifsound@mediaone.net writes:

> I am interested in obtaining an octave pedal and would like any input as to
>  what you all think is good out there- Preferably smooth, more than 1 octave
>  down, less than $200- - - I checked out the brown Boss model and really was
>  not impressed- maybe z-vex or other boutique?
>  
Hi Cliff
  Those old octave pedals, if that's what you want  then of course
there's no substitute.( ie a synthesised note an octave (rarely 2) 
below the ONE note you put in).
A friend of mine used to have an original Electro Harmonix unit.
In it's day it could be quite impressive, but chords would
confuse it (unless the lowest note was played much louder than the rest)
and tracking was always a bit hit and miss. 

 
but there's a lot of cheap multi FX out there with pitch 
functions which will give you an octave or two down no trouble
.....and no tracking problems either. 
what about a Zoom 2100 for instance.(loops too!)



Andy Butler
Lexicon Vortex Database 
http://members.aol.com/soundfnr/vortex.htm

From Loopers-Delight-request@annihilist.com  Wed Apr  5 09:24:56 2000
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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: beer
Date: Wed, 05 Apr 2000 06:05:38 PDT
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I don't drink or use either...Om and Out I'll bring the tea

>From: "matt davignon" <mattdavignon@hotmail.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: loopers-delight@annihilist.com
>Subject: Re: beer
>Date: Tue, 04 Apr 2000 12:24:52 PDT
>
>Remember? I don't drink! Let's make an SF bay area looper get-together
>instead!
>
>
>>From: "Javier Miranda V." <gnomesis@yahoo.com>
>
>>Date: Mon, 3 Apr 2000 19:48:08 -0700
>>
>>Hot damn!  These are the magical posts why I love the LD.  Keep it up,
>>Matt.
>>Hey, when's that beer?
>>
>>   | -----Original Message-----
>>   | From: matt davignon [mailto:mattdavignon@hotmail.com]
>>   | Sent: Monday 03 April 2000 1:09 PM
>>   | To: loopers-delight@annihilist.com
>>   | Subject: Getting off the mailing list
>>   |
>>   |
>>   | I was raised in a barn, and I remember the days when my dear
>>   | old mom would
>>   | set a trap to get rid of the flies during the summer. She set
>>   | up a glass jar
>>   | with a funny shaped lid. The idea was that the flies would go
>>   | in after the
>>   | bait and have no idea how to get out. It was a fairly simple
>>   | exit, but way
>>   | to complex for fly standards.
>>   |
>>   | Here's the kicker - the top of the lid had a diagram of how to
>>   | get out. The
>>   | flies would be so excited about getting inside the jar that they 
>>never
>>   | stopped to look at the diagram of how to get out.
>>   |
>>   | You know, that's funny, because in Loopers Delight, you have to
>>   | pass by the
>>   | "unsubscribe" instructions in order to subscribe. I guess this
>>   | ramble is on
>>   | topic after all! These very simple instructions are also found at 
>>this
>>   | section of the LD site.
>>   |
>>   | http://annihilist.com/loop/list/LoopList.html
>>   |
>>   | Matt
>>
>>
>>__________________________________________________
>>Do You Yahoo!?
>>Talk to your friends online with Yahoo! Messenger.
>>http://im.yahoo.com
>>
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Apr  5 13:47:47 2000
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Message-ID: <38EB7A7A.E25B9F1A@ppi2pass.com>
Date: Wed, 05 Apr 2000 10:40:10 -0700
From: Mark Sottilaro <msottilaro@ppi2pass.com>
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Organization: PPI
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To: Loopers-Delight@annihilist.com
Subject: Re: beer Envite.com?
References: <200004050706.AAA19668@gull.prod.itd.earthlink.net>
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Hey,

A friend of mine uses this web page (it's something like envite.com, but it's
not that and I can't find the page) and it's a pretty good way to coordinate a
group of people to some sort of part or event.  Perhaps the Bay Area Loopers
Contingent should use something like this to get together?  Anyway, whatever we
do, count me in!

--
Mark Sottilaro
Professional Publications, Inc
1250 Fifth Ave, Belmont CA 94002
Multimedia Production
E-mail:  msottilaro@ppi2pass.com


From Loopers-Delight-request@annihilist.com  Wed Apr  5 15:46:35 2000
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Date: Wed, 5 Apr 2000 12:40:16 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Re: the plex
To: Loopers-Delight@annihilist.com
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FYI re the re-issue tube,tape echoplex:

--- pedalman <pedalman@pedalman.com> wrote:
> Date: Wed, 05 Apr 2000 13:37:01 -0400
> From: pedalman <pedalman@pedalman.com>
> To: Bret <echoplex@yahoo.com>
> Subject: Re: the plex
> 
> hi Bret,
> 
> Thank you for your inquiry,
> 
> OUR PRICE on new tube echoplexes is $750 (OVER 30%
> OFF $1095 suggested
> retail price), each unit comes with one new Tape
> Cartridge. Additional
> Tape Cartridges are available for $35 ea., an
> Optional footswitch to
> remotely control The Plex is also available for $33.
> 
> We have had tremendous response all over the world,
> and they are selling
> quickly (first batch has been already sold out,
> second batch is nearly
> sold out already...)
> let us know if you wish to purchase one,
> and we'll email you right back with all the ordering
> info
> 
> -- 
> If there is any other effect pedal You're looking
> for/ anything else we
> can help you with, don't hesitate to email!
> 
> 
> 
> **********************************************
> PEDALMAN at ANATOMY GUITARS ******************
> WEBSITE = http://www.pedalman.com *****************
> EMAIL   = pedalman@pedalman.com *******************
> PHONE   = (212) 802-7279 **************************
> ***************************************************
> THE Source for all the Rare, Vintage, and New *****
> EFFECTS of your dreams. Over 4000 Happy PEDALMAN **
> Customers Served since 1989 ***********************
> we BUY- SELL -TRADE *******************************
> WE SHIP WORLDWIDE EUROPE JAPAN AUSTRALIA **********
> ***************************************************
> 
> 
> Bret wrote:
> > 
> > Per your instructions, I am emailing to ask what
> your
> > selling price is for the plex.
> > thanks,
> > bret
> > 
> > __________________________________________________
> > Do You Yahoo!?
> > Talk to your friends online with Yahoo! Messenger.
> > http://im.yahoo.com
> 

__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Apr  5 17:24:25 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: MP3>AIFF
Date: Wed, 5 Apr 2000 14:15:26 -0700
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Yes. If you intend to do any processing on the sounds at all, it will show
quickly.
bIz


-----Original Message-----
From: eric [mailto:eobertha@inreach.com]
Sent: Wednesday, April 05, 2000 2:01 PM
To: Loopers-Delight@annihilist.com
Subject: Re: MP3>AIFF


Hey - a question:
Do you lose sound quality going back and forth between mp3 and AIFF's?
thanks.
 eobe

Morgan Hamilton Lang wrote:

> Don't know about PC, but on the Mac you would want to use BladeEnc and
> Mpecker. These will get you from aiff to MP3 and back again. Go to
> http://www.benforpresident.org/~kdegraaf/mp3.html for a listing of
> decent Mac free/share ware for doing things with MP3s.
>
> MHL


From Loopers-Delight-request@annihilist.com  Wed Apr  5 17:08:39 2000
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Hey - a question:
Do you lose sound quality going back and forth between mp3 and AIFF's?
thanks.
 eobe

Morgan Hamilton Lang wrote:

> Don't know about PC, but on the Mac you would want to use BladeEnc and
> Mpecker. These will get you from aiff to MP3 and back again. Go to
> http://www.benforpresident.org/~kdegraaf/mp3.html for a listing of
> decent Mac free/share ware for doing things with MP3s.
>
> MHL

From Loopers-Delight-request@annihilist.com  Wed Apr  5 17:43:58 2000
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From: PJBMHB@aol.com
Message-ID: <68.25b0e1a.261d0c28@aol.com>
Date: Wed, 5 Apr 2000 17:37:44 EDT
Subject: Greg Bendian's Interzone: Myriad ( cool cd alert)
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very cool stuff with greg on mallets, nels cline on gtr and sometimes loops, 
alex cline on drums and steuart liebig on bass. good job steuart . you and 
alex are an awesome rhythm section. this cd has a great cover of the 
mahavishnu orchestra tune, sanctuary. and fuzz vibes on one song. what more 
could you ask for in a cd?
=-) PJ

From Loopers-Delight-request@annihilist.com  Wed Apr  5 17:49:31 2000
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thanks!  then do you know of any app that let's you edit mp3 directly so to
avoid the conversions?
eobe

Jonathan El-Bizri wrote:

> Yes. If you intend to do any processing on the sounds at all, it will show
> quickly.
> bIz
>
> -----Original Message-----
> From: eric [mailto:eobertha@inreach.com]
> Sent: Wednesday, April 05, 2000 2:01 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: MP3>AIFF
>
> Hey - a question:
> Do you lose sound quality going back and forth between mp3 and AIFF's?
> thanks.
>  eobe
>
> Morgan Hamilton Lang wrote:
>
> > Don't know about PC, but on the Mac you would want to use BladeEnc and
> > Mpecker. These will get you from aiff to MP3 and back again. Go to
> > http://www.benforpresident.org/~kdegraaf/mp3.html for a listing of
> > decent Mac free/share ware for doing things with MP3s.
> >
> > MHL

From Loopers-Delight-request@annihilist.com  Wed Apr  5 18:04:15 2000
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Subject: RE: MP3>AIFF
Date: Wed, 5 Apr 2000 14:59:56 -0700
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What kind of editing?

bIz


-----Original Message-----
From: eric [mailto:eobertha@inreach.com]
Sent: Wednesday, April 05, 2000 2:26 PM
To: Loopers-Delight@annihilist.com
Subject: Re: MP3>AIFF


thanks!  then do you know of any app that let's you edit mp3 directly so to
avoid the conversions?
eobe

Jonathan El-Bizri wrote:

> Yes. If you intend to do any processing on the sounds at all, it will show
> quickly.
> bIz
>
> -----Original Message-----
> From: eric [mailto:eobertha@inreach.com]
> Sent: Wednesday, April 05, 2000 2:01 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: MP3>AIFF
>
> Hey - a question:
> Do you lose sound quality going back and forth between mp3 and AIFF's?
> thanks.
>  eobe
>
> Morgan Hamilton Lang wrote:
>
> > Don't know about PC, but on the Mac you would want to use BladeEnc and
> > Mpecker. These will get you from aiff to MP3 and back again. Go to
> > http://www.benforpresident.org/~kdegraaf/mp3.html for a listing of
> > decent Mac free/share ware for doing things with MP3s.
> >
> > MHL


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From: eric <eobertha@inreach.com>
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Subject: Re: MP3>AIFF
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really just trimming for starters,
fading and normalizing would be nice too...
eobe

Jonathan El-Bizri wrote:

> What kind of editing?
>
> bIz
>
> -----Original Message-----
> From: eric [mailto:eobertha@inreach.com]
> Sent: Wednesday, April 05, 2000 2:26 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: MP3>AIFF
>
> thanks!  then do you know of any app that let's you edit mp3 directly so to
> avoid the conversions?
> eobe
>
> Jonathan El-Bizri wrote:
>
> > Yes. If you intend to do any processing on the sounds at all, it will show
> > quickly.
> > bIz
> >
> > -----Original Message-----
> > From: eric [mailto:eobertha@inreach.com]
> > Sent: Wednesday, April 05, 2000 2:01 PM
> > To: Loopers-Delight@annihilist.com
> > Subject: Re: MP3>AIFF
> >
> > Hey - a question:
> > Do you lose sound quality going back and forth between mp3 and AIFF's?
> > thanks.
> >  eobe
> >
> > Morgan Hamilton Lang wrote:
> >
> > > Don't know about PC, but on the Mac you would want to use BladeEnc and
> > > Mpecker. These will get you from aiff to MP3 and back again. Go to
> > > http://www.benforpresident.org/~kdegraaf/mp3.html for a listing of
> > > decent Mac free/share ware for doing things with MP3s.
> > >
> > > MHL

From Loopers-Delight-request@annihilist.com  Wed Apr  5 19:17:48 2000
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Date: Wed, 05 Apr 2000 18:44:24 -0400
From: lotusart@cstone.net (John Hunter)
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Folks, please forgive my ignorance, but I've looked around and can't
find any info on this tube component of the Echoplex. And the tape
thing....? Is this the EDP we're talking about ?

Mea Culpa,

John

Bret wrote:

> FYI re the re-issue tube,tape echoplex:
>
> --- pedalman <pedalman@pedalman.com> wrote:
> > Date: Wed, 05 Apr 2000 13:37:01 -0400
> > From: pedalman <pedalman@pedalman.com>
> > To: Bret <echoplex@yahoo.com>
> > Subject: Re: the plex
> >
> > hi Bret,
> >
> > Thank you for your inquiry,
> >
> > OUR PRICE on new tube echoplexes is $750 (OVER 30%
> > OFF $1095 suggested
> > retail price), each unit comes with one new Tape
> > Cartridge. Additional
> > Tape Cartridges are available for $35 ea., an
> > Optional footswitch to
> > remotely control The Plex is also available for $33.
> >
> > We have had tremendous response all over the world,
> > and they are selling
> > quickly (first batch has been already sold out,
> > second batch is nearly
> > sold out already...)
> > let us know if you wish to purchase one,
> > and we'll email you right back with all the ordering
> > info
> >
> > --
> > If there is any other effect pedal You're looking
> > for/ anything else we
> > can help you with, don't hesitate to email!
> >
> >
> >
> > **********************************************
> > PEDALMAN at ANATOMY GUITARS ******************
> > WEBSITE = http://www.pedalman.com *****************
> > EMAIL   = pedalman@pedalman.com *******************
> > PHONE   = (212) 802-7279 **************************
> > ***************************************************
> > THE Source for all the Rare, Vintage, and New *****
> > EFFECTS of your dreams. Over 4000 Happy PEDALMAN **
> > Customers Served since 1989 ***********************
> > we BUY- SELL -TRADE *******************************
> > WE SHIP WORLDWIDE EUROPE JAPAN AUSTRALIA **********
> > ***************************************************
> >
> >
> > Bret wrote:
> > >
> > > Per your instructions, I am emailing to ask what
> > your
> > > selling price is for the plex.
> > > thanks,
> > > bret
> > >
> > > __________________________________________________
> > > Do You Yahoo!?
> > > Talk to your friends online with Yahoo! Messenger.
> > > http://im.yahoo.com
> >
>
> __________________________________________________
> Do You Yahoo!?
> Talk to your friends online with Yahoo! Messenger.
> http://im.yahoo.com

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From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Kim! Get me off this crazy list!
Date: Tue, 4 Apr 2000 23:58:20 -0700
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How about if all people subscribed to the list with the capability to add
filters and automatics to their e-mail program did just such a thing.  The
next time somebody has "unsubscribe" in the subject line, they'll get hit
with 60 e-mails describing how to unsubscribe.  I think that would be a very
good way to take advantage of the power of e-mail.  I'll do mine now.

  | -----Original Message-----
  | From: Michael LaMeyer [mailto:mlameyer@hotmail.com]
  | Sent: Tuesday 04 April 2000 11:14 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: RE: Kim! Get me off this crazy list!
  |
  |
  | How about putting the unsubscribe instructions in 24pt font
  | right at the top
  | of the message with pictures of naked people?  People might
  | remember that.
  |
  | Or perhaps more practical, a redirect for any message with the words
  | 'unsubscribe' or 'get me off this list!' in the subject or body.


__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

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Date: Wed, 05 Apr 2000 20:13:58 +0100
From: Bobdog/Doghouse Audio Laboratory <psbuddha@texas.net>
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where do we get it?

> what more
> could you ask for?
> =-) PJ

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From: "Timothy" <wanderlost@crosswinds.net>
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Subject: Re: MP3>AIFF
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Eric,

The problem isn't with the conversion, it's with decoding and re-encoding of
lossy-compression sound formats like MP3.  By lossy compression I mean that
the encoding algorithm throws away *a lot* of the original sound data when it
compresses a file.  When it comes time to decode the file (for example, when
playing it back) the decoder attempts to guess what the lost data is supposed
to be.  So decoding an MP3 file (and you have to decode it to play or edit the
wave data), and then re-encoding it to another compressed format - even MP3 -
is going to result in more loss, because the encoder has to throw more sound
data away, forcing the decoder to guess again what lost sound was when it
decompresses it.

If an MP3 file is all you have to work with (you don't have the uncompressed
original?) your best bet is probably to decompress it, work with the
decompressed file until you have absolutely no more changes to make, then as a
last step re-encode it back to MP3.  It will still result in loss.  But you
should never decode/re-encode or convert back and forth to and from lossy
formats like MP3 or RealAudio.  Formats like that are really intended for
final production.

hope this helps,
Tim

----- Original Message -----
From: "eric" <eobertha@inreach.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 05, 2000 4:26 PM
Subject: Re: MP3>AIFF


> thanks!  then do you know of any app that let's you edit mp3 directly so to
> avoid the conversions?
> eobe
>
> Jonathan El-Bizri wrote:


From Loopers-Delight-request@annihilist.com  Wed Apr  5 22:09:25 2000
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
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Subject: Re: the plex
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No, the original tape-based Echoplex is an entirely different creature from
the EDP.  I believe the original Echoplex dates to the early 60's and
featured an extremely long (approx. 2-3 minutes?) tape loop, with 2 tape
heads (1 moveable to increase delay time).  There were 2 standard modes:  1)
sound on sound wherein you would record material onto the tape loop, then
play over it, and 2) delay - where you could set the delay time by means of
the moveable tape head.  This delay time was probably about 2 seconds
maximum, but could be drastically tweaked by spooling the tape around a
mike-stand, chair-leg, etc. placed far away from the unit.  A good tool for
the time, but nowhere near the capabilities of the EDP.

I've used both the tape echoplex and the EDP, and if the asking price for
the tape echoplex is US $750.00, I would definitely recommend saving the
money towards the much more versatile EPD.  I'm sure all other users will
agree.

James Pokorny

-----Original Message-----
From: John Hunter <lotusart@cstone.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, April 05, 2000 8:30 PM
Subject: Re: the plex


>Folks, please forgive my ignorance, but I've looked around and can't
>find any info on this tube component of the Echoplex. And the tape
>thing....? Is this the EDP we're talking about ?
>
>Mea Culpa,


From Loopers-Delight-request@annihilist.com  Wed Apr  5 23:25:14 2000
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From: "matt davignon" <mattdavignon@hotmail.com>
To: loopers-delight@annihilist.com
Subject: RE: beer
Date: Wed, 05 Apr 2000 20:10:55 PDT
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That definitely sounds appealing. Either way, I'll finally need to buy 
myself a PA or something with speakers. I wonder if someone on the list in 
the (SF) Bay Area has a public place where they would like to do it?

Matt

>From: "Javier Miranda V." <gnomesis@yahoo.com>
>
>Hot damn!  You're right!  OK, how do we engineer this thing?  I've been
>having the fantasy of getting some pool hall, book shop or café where
>there's basically a stage or empty area to set up a sound system,
>instruments, etc., and whoever gets there goes and plays-- we all take
>turns.  Otherwise, it'll have to be in somebody's backyard or garage.
>
>   | -----Original Message-----
>   | From: matt davignon [mailto:mattdavignon@hotmail.com]
>   |
>   |
>   | Remember? I don't drink! Let's make an SF bay area looper get-together
>   | instead!
>
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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From: Jax1723@aol.com
Message-ID: <7d.32ad5c0.261d58d0@aol.com>
Date: Wed, 5 Apr 2000 23:04:48 EDT
Subject: The Plex: quick review
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There's been some discussion of this unit over the past couple of days and I 
played around with one last night so here it goes:

-It's the best sounding tape delay I've ever used.  No ifs ans or buts.
-It's tubes and extremely warm sounding.
-Way quieter than any other I've used/owned.
-Real controllable as far as overloading it/repeat length (it is analog 
though so I can see it being temperamental).
-It's weighs less than older models (almost vibrated off the amp).
-the one thing it's missing (compared to a solid state one that I use from 
time to time) is that there is no input lights and on/off light which is 
definitely lame.

I used it through three different setups; a les paul through a hot-rodded 
(for johnny winter rumor has it) marshall; a fender bass through a giant 
ampeg rig; and a minimoog straight into a pa.  All setups sounded great.  I 
didn't notice much muddying of the sound which is a problem (among others) 
with my maestro "sirecho" and some roland space echoes I've used.  

My friend who got it and is letting me use it (what a pal) got it directly 
from whomever is making them (I think).  Not sure off the price but I think 
somewhere in the 650-750 usd range.  I'm rehearsing again with it monday so 
if anybody wants some more info I'll see what I can dig up.

All this said it only probably does about a 50th of what the digital one can 
do (still... the sound is amazing).

cheers
jack

ps beer is good.

From Loopers-Delight-request@annihilist.com  Thu Apr  6 00:36:33 2000
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Message-ID: <38EC1498.72CE7A9B@dmans.com>
Date: Wed, 05 Apr 2000 23:37:44 -0500
From: "Mikell D.Nelson" <mnelson@dmans.com>
Organization: Boomerang Musical Products
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Hi,
    I bought one of the Rocktron octave pedals; I think it was called the Purple
Haze. It sounds great on paper: individual controls for 1 octave higher, 1 octave
lower, output, and distortion or drive. However, it was noisy and very
unpredictable. Didn't track well at all.
    On the positive side, I used to have a Lexicon LXP5, and the pitch shifter
tracked as well as any I've heard, but this is probably a little more than $200. I
bet you could find one on a net auction site for $200-$250.
    The best tracking I've ever experienced is my old Roland GR-50 guitar synth,
and the tone is anything you want it to be: bass guitar an octave down, flute an
octave up, etc. Now we're way over $200.

SoundFNR@aol.com wrote:

> In a message dated 04/04/00 06:08:57 GMT Daylight Time,
> clifsound@mediaone.net writes:
>
> > I am interested in obtaining an octave pedal and would like any input as to
> >  what you all think is good out there- Preferably smooth, more than 1 octave
> >  down, less than $200- - - I checked out the brown Boss model and really was
> >  not impressed- maybe z-vex or other boutique?
> >
> Hi Cliff
>   Those old octave pedals, if that's what you want  then of course
> there's no substitute.( ie a synthesised note an octave (rarely 2)
> below the ONE note you put in).
> A friend of mine used to have an original Electro Harmonix unit.
> In it's day it could be quite impressive, but chords would
> confuse it (unless the lowest note was played much louder than the rest)
> and tracking was always a bit hit and miss.
>
>
> but there's a lot of cheap multi FX out there with pitch
> functions which will give you an octave or two down no trouble
> .....and no tracking problems either.
> what about a Zoom 2100 for instance.(loops too!)
>
> Andy Butler
> Lexicon Vortex Database
> http://members.aol.com/soundfnr/vortex.htm

--
Mike Nelson

Boomerang Musical Products       800-530-4699
PO Box 541595                    214-340-6913, Outside USA
Dallas, TX  75354-1595           214-343-1038, Fax

http://www.boomerangmusic.com    mnelson@dmans.com

"Some products make you sound better;
 the Boomerang Phrase Sampler makes you play better."


From Loopers-Delight-request@annihilist.com  Thu Apr  6 01:30:16 2000
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Date: Wed, 5 Apr 2000 22:07:30 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Re: the plex
To: Loopers-Delight@annihilist.com
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John,
Yes, didn't you hear?  

In fact, after Kim found out about this product he
redesigned this mailing list to run on a vacuum tubed,
analog computer, recording this mailing list to a tape
loop, played back via celestion speakers into an
analog voice telephone (circuit tweeked for improved
fidelity).  

There is some detail loss, and distortion added with
each following response to a previous comment, but the
tube regenerations are adding a warmer quality to the
follow ups.  As an additional benefit, the unsubscribe
signals fade smoother and softer than before, with
mostly even harmonics, becoming almost pleasant as
they decay into what seems to be another sound
altogether. 

Regarding the post, John, no it is not the EDP. It is
a reissue of the vintage tube/tape echoplex. 

bret


--- John Hunter <lotusart@cstone.net> wrote:
> Folks, please forgive my ignorance, but I've looked
> around and can't
> find any info on this tube component of the
> Echoplex. And the tape
> thing....? Is this the EDP we're talking about ?
> 
> Mea Culpa,
> 
> John
> 
> Bret wrote:
> 
> > FYI re the re-issue tube,tape echoplex:
> >
> > --- pedalman <pedalman@pedalman.com> wrote:
> > > Date: Wed, 05 Apr 2000 13:37:01 -0400
> > > From: pedalman <pedalman@pedalman.com>
> > > To: Bret <echoplex@yahoo.com>
> > > Subject: Re: the plex
> > >
> > > hi Bret,
> > >
> > > Thank you for your inquiry,
> > >
> > > OUR PRICE on new tube echoplexes is $750 (OVER
> 30%
> > > OFF $1095 suggested
> > > retail price), each unit comes with one new Tape
> > > Cartridge. Additional
> > > Tape Cartridges are available for $35 ea., an
> > > Optional footswitch to
> > > remotely control The Plex is also available for
> $33.
> > >
> > > We have had tremendous response all over the
> world,
> > > and they are selling
> > > quickly (first batch has been already sold out,
> > > second batch is nearly
> > > sold out already...)
> > > let us know if you wish to purchase one,
> > > and we'll email you right back with all the
> ordering
> > > info
> > >
> > > --
> > > If there is any other effect pedal You're
> looking
> > > for/ anything else we
> > > can help you with, don't hesitate to email!
> > >
> > >
> > >
> > > **********************************************
> > > PEDALMAN at ANATOMY GUITARS ******************
> > > WEBSITE = http://www.pedalman.com
> *****************
> > > EMAIL   = pedalman@pedalman.com
> *******************
> > > PHONE   = (212) 802-7279
> **************************
> > >
> ***************************************************
> > > THE Source for all the Rare, Vintage, and New
> *****
> > > EFFECTS of your dreams. Over 4000 Happy PEDALMAN
> **
> > > Customers Served since 1989
> ***********************
> > > we BUY- SELL -TRADE
> *******************************
> > > WE SHIP WORLDWIDE EUROPE JAPAN AUSTRALIA
> **********
> > >
> ***************************************************
> > >
> > >
> > > Bret wrote:
> > > >
> > > > Per your instructions, I am emailing to ask
> what
> > > your
> > > > selling price is for the plex.
> > > > thanks,
> > > > bret
> > > >
> > > >
> __________________________________________________
> > > > Do You Yahoo!?
> > > > Talk to your friends online with Yahoo!
> Messenger.
> > > > http://im.yahoo.com
> > >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Talk to your friends online with Yahoo! Messenger.
> > http://im.yahoo.com
> 
> 

__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Apr  6 04:20:35 2000
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Subject: Re: MP3>AIFF
References: <DCEPILPAMPPOCJDLGIFCEECFCAAA.jonathan@full-moon.com> <38EBAF6B.91B9A923@inreach.com> <005e01bf9f63$9de6f1c0$a4c918d0@ispchannel.com>
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Timothy wrote:

> The problem isn't with the conversion, it's with decoding and re-encoding of
> lossy-compression sound formats like MP3.

Would it be possible then to do rudimentary editing native in the mp3 format -
like trimming and volume fades?
It must be!  Surely!  Could there already be a freeware app out there that does
this... maybe?

eobe

From Loopers-Delight-request@annihilist.com  Thu Apr  6 05:26:20 2000
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From: "Timothy" <wanderlost@crosswinds.net>
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I don't think you can edit MP3 data without decoding it.  There are plenty of
shareware/freeware/cheapware apps that edit sound and that can read MP3 files
but you'll run into the same problem - they decode the MP3 file to wave data
when they load it into memory.

And by the way, if this is off topic, please forgive me!  8(

Tim

----- Original Message -----
From: "eric" <eobertha@inreach.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 06, 2000 3:14 AM
Subject: Re: MP3>AIFF


>
>
> Timothy wrote:
>
> > The problem isn't with the conversion, it's with decoding and re-encoding
of
> > lossy-compression sound formats like MP3.
>
> Would it be possible then to do rudimentary editing native in the mp3
format -
> like trimming and volume fades?
> It must be!  Surely!  Could there already be a freeware app out there that
does
> this... maybe?
>
> eobe

From Loopers-Delight-request@annihilist.com  Thu Apr  6 06:42:42 2000
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From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: SOT Loopy transportation, and Location was Re: bizarre pedalswasRe: Regeneration with Boomerang
Date: Wed, 5 Apr 2000 07:56:50 -0700
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That sounds like a great idea.

  | -----Original Message-----
  | From: Mike Biffle [mailto:mbiffle@svg.com]
  | Sent: Tuesday 04 April 2000 3:35 PM
  | To: loopers-delight@annihilist.com; jonathan@full-moon.com
  | Subject: SOT Loopy transportation, and Location was Re: bizarre
  | pedalswasRe: Regeneration with Boomerang
  | 
  | 
  | I could rent rehearsal space here in Santa Cruz some evening for a
  | free-for-all jam / party. It's not very swanky, but I believe it's
  | electrically sound and big enough for  6-10 of us in a circle
  | format... We'd HAVE to record it...
  | 
  | -Miko
  | 

__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Apr  6 09:08:56 2000
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From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: beer
Date: Wed, 5 Apr 2000 07:56:46 -0700
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Well, do you know a place we could set up some gear and drink some beer?  A
place to take musical turns and let the looping burn?  A place where they
wouldn't mind us, where they would other loopers could find us?

I don't know.  But it would be really cool.

  | -----Original Message-----
  | From: Kim Flint [mailto:kflint@annihilist.com]
  | Sent: Tuesday 04 April 2000 11:05 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: beer
  |
  |
  | At 12:24 PM -0700 4/4/00, matt davignon wrote:
  | >Remember? I don't drink! Let's make an SF bay area looper get-together
  | >instead!
  | >
  |
  | I do, and I'd be happy to cover your share of the beer. So is this party
  | happening or what?
  |
  | kim
  |
  | ______________________________________________________________________
  | Kim Flint                   | Looper's Delight
  | kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
  | http://www.annihilist.com/  |
  |
  |


__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Apr  6 12:05:34 2000
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Date: Thu, 6 Apr 2000 10:51:42 -0500 (CDT)
From: SOTO VALENCIA ANDRESRODOLFO  <smaug@servidor.unam.mx>
To: Loopers-Delight@annihilist.com
Subject: Re: the plex
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   were talking about the echoplex tape ECHO UNIT! not the looper, digital
etc etc...



On Wed, 5 Apr 2000, John Hunter wrote:

> Folks, please forgive my ignorance, but I've looked around and can't
> find any info on this tube component of the Echoplex. And the tape
> thing....? Is this the EDP we're talking about ?
> 
> Mea Culpa,
> 
> John
> 
> Bret wrote:
> 
> > FYI re the re-issue tube,tape echoplex:
> >
> > --- pedalman <pedalman@pedalman.com> wrote:
> > > Date: Wed, 05 Apr 2000 13:37:01 -0400
> > > From: pedalman <pedalman@pedalman.com>
> > > To: Bret <echoplex@yahoo.com>
> > > Subject: Re: the plex
> > >
> > > hi Bret,
> > >
> > > Thank you for your inquiry,
> > >
> > > OUR PRICE on new tube echoplexes is $750 (OVER 30%
> > > OFF $1095 suggested
> > > retail price), each unit comes with one new Tape
> > > Cartridge. Additional
> > > Tape Cartridges are available for $35 ea., an
> > > Optional footswitch to
> > > remotely control The Plex is also available for $33.
> > >
> > > We have had tremendous response all over the world,
> > > and they are selling
> > > quickly (first batch has been already sold out,
> > > second batch is nearly
> > > sold out already...)
> > > let us know if you wish to purchase one,
> > > and we'll email you right back with all the ordering
> > > info
> > >
> > > --
> > > If there is any other effect pedal You're looking
> > > for/ anything else we
> > > can help you with, don't hesitate to email!
> > >
> > >
> > >
> > > **********************************************
> > > PEDALMAN at ANATOMY GUITARS ******************
> > > WEBSITE = http://www.pedalman.com *****************
> > > EMAIL   = pedalman@pedalman.com *******************
> > > PHONE   = (212) 802-7279 **************************
> > > ***************************************************
> > > THE Source for all the Rare, Vintage, and New *****
> > > EFFECTS of your dreams. Over 4000 Happy PEDALMAN **
> > > Customers Served since 1989 ***********************
> > > we BUY- SELL -TRADE *******************************
> > > WE SHIP WORLDWIDE EUROPE JAPAN AUSTRALIA **********
> > > ***************************************************
> > >
> > >
> > > Bret wrote:
> > > >
> > > > Per your instructions, I am emailing to ask what
> > > your
> > > > selling price is for the plex.
> > > > thanks,
> > > > bret
> > > >
> > > > __________________________________________________
> > > > Do You Yahoo!?
> > > > Talk to your friends online with Yahoo! Messenger.
> > > > http://im.yahoo.com
> > >
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Talk to your friends online with Yahoo! Messenger.
> > http://im.yahoo.com
> 
> 

From Loopers-Delight-request@annihilist.com  Thu Apr  6 14:39:18 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: MP3>AIFF
Date: Thu, 6 Apr 2000 11:19:51 -0700
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I have seen codec for Sound Forge that allow it to edit mp3s, and Vegas can
do it. However, I have not seen any freeware apps that allow this porcess.

bIz


-----Original Message-----
From: eric [mailto:eobertha@inreach.com]
Sent: Thursday, April 06, 2000 1:15 AM
To: Loopers-Delight@annihilist.com
Subject: Re: MP3>AIFF




Timothy wrote:

> The problem isn't with the conversion, it's with decoding and re-encoding
of
> lossy-compression sound formats like MP3.

Would it be possible then to do rudimentary editing native in the mp3
format -
like trimming and volume fades?
It must be!  Surely!  Could there already be a freeware app out there that
does
this... maybe?

eobe


From Loopers-Delight-request@annihilist.com  Thu Apr  6 15:17:48 2000
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Date: Thu, 06 Apr 2000 15:13:22 -0400
To: Loopers-Delight@annihilist.com
From: murkie <murkie@panther.middlebury.edu>
Subject: OT: Steve Reich & Musicians
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i was lucky enough to have in my concert hall (well the one i manage at
Middlebury College, anyway) a performance by Steve Reich and his company of
musicians.  it was a remarkable evening made even more enjoyable by meeting
a fellow looper's-d contributor, Todd Reynolds.  geek talk was kept to a
relative minimum, though how to unsubscribe was touched upon.

the program was:

Clapping Music
New York Counterpoint
Drumming, pt 1
Nagoya Marimbas
Different Trains

it's one thing to hear recordings of Reich's works and a totally different
thing to be in the room while the musicans are performing.  really
inspirational!  the only downside was my looping rig wasn't up and running
when i finally got home.  that's okay though.  hearing Different Trains
made me head for my sampler instead.

Mr. Reich also spoke at the beginning of the concert and dedicated that
evenings performance to four Middlebury College students who were killed at
the beginning of the week in an auto accident.  a very nice gesture.

'scuse me, i gotta go practice now.

m

p.s. - another highlight?  watching Reich do some of the house sound mix
himself.

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Thu Apr  6 15:03:33 2000
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: OT: Octave
Date: Thu, 6 Apr 2000 14:55:04 -0400 
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octave pedals, a subject near and dear to my heart. i've been borrowing an
ebs octa-bass from a friend and it's pretty nice. maybe a little better than
the boss. can get some nice artifacts out of it too. tracks pretty well,
doesn't have the second octave down that the boss has (boss has one and two
down if i remember correctly).


i've been trying to get one of the boutique pedal manufacturers to make a
low octave (or one and two octave) pedal that will also do the fuzz thang.
i'd like them to make it so that the fuzz and octave are discrete and
blendable versus the original signal. so far no takers. anyone else think
that this would be useful? it would be kinda cool if we could get a
grassroots thing that would make one of these people interested in filling a
niche that isn't being met yet. ideas?????

someone mentioned the interzone cd; thanks for the nice words. alex is
really easy to play with (a total mofo too i might add).

steve lawson, welcome to ld. now we're on two lists together . . . 

stig

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Subject: RE: SOT Loopy transportation, and Location was Re: bizarre
	pedalswasRe: Regeneration with Boomerang
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I'll call the hall manager and find an evening slot. I'll TRY to get a
friday or saturday, and I'll book it for 7:00pm until ??? Maybe
midnite? I'll report the available times in a call for players
probably early next week. I'd venture that it will be at least a month
away at the earliest...

-Miko

>>> "Javier Miranda V." <gnomesis@yahoo.com> 04/06 3:41 AM >>>
That sounds like a great idea.

  | -----Original Message-----
  | From: Mike Biffle [mailto:mbiffle@svg.com] 
  | Sent: Tuesday 04 April 2000 3:35 PM
  | To: loopers-delight@annihilist.com; jonathan@full-moon.com 
  | Subject: SOT Loopy transportation, and Location was Re: bizarre
  | pedalswasRe: Regeneration with Boomerang
  | 
  | 
  | I could rent rehearsal space here in Santa Cruz some evening for
a
  | free-for-all jam / party. It's not very swanky, but I believe
it's
  | electrically sound and big enough for  6-10 of us in a circle
  | format... We'd HAVE to record it...
  | 
  | -Miko
  | 

__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
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From: "steve lawson" <steve@steve-lawson.co.uk>
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Subject: Re: OT: Octave
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>i've been trying to get one of the boutique pedal manufacturers to make a
>low octave (or one and two octave) pedal that will also do the fuzz thang.
>i'd like them to make it so that the fuzz and octave are discrete and
>blendable versus the original signal. so far no takers. anyone else think
>that this would be useful? it would be kinda cool if we could get a
>grassroots thing that would make one of these people interested in filling
a
>niche that isn't being met yet. ideas?????

Might be worth e-mail Ashdown about this - their amps have a fantastic built
in sub-octave thingie. I've got a 1x0 combo (300W!!!) and the sub on it is
great... There's no reason what they shouldn't do what you've just said, if
they can be convinced there's a market for it...

>someone mentioned the interzone cd; thanks for the nice words. alex is
>really easy to play with (a total mofo too i might add).

Where can I hear some of this stuff?? ?

>steve lawson, welcome to ld. now we're on two lists together . . .


Thanks! Any other bassists on here?

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Subject: Re: OT: Octave
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We received this from you.  I wish that we receive no more articles or
e-mail from you.


-----Original Message-----
From: Liebig, Steuart A. <LiebigSA@Maritz.com>
To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
Date: Thursday, April 06, 2000 3:54 PM
Subject: RE: OT: Octave


>octave pedals, a subject near and dear to my heart. i've been borrowing an
>ebs octa-bass from a friend and it's pretty nice. maybe a little better
than
>the boss. can get some nice artifacts out of it too. tracks pretty well,
>doesn't have the second octave down that the boss has (boss has one and two
>down if i remember correctly).
>
>
>i've been trying to get one of the boutique pedal manufacturers to make a
>low octave (or one and two octave) pedal that will also do the fuzz thang.
>i'd like them to make it so that the fuzz and octave are discrete and
>blendable versus the original signal. so far no takers. anyone else think
>that this would be useful? it would be kinda cool if we could get a
>grassroots thing that would make one of these people interested in filling
a
>niche that isn't being met yet. ideas?????
>
>someone mentioned the interzone cd; thanks for the nice words. alex is
>really easy to play with (a total mofo too i might add).
>
>steve lawson, welcome to ld. now we're on two lists together . . .
>
>stig
>

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TAKE US OFF OF YOUR LIST IMMEDIATELY!!!!!!!!
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From Loopers-Delight-request@annihilist.com  Thu Apr  6 16:20:31 2000
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From: Tara Key <tk10@columbia.edu>
Sender: tk10@columbia.edu
To: Loopers-Delight@annihilist.com
Subject: northeast looping: anticlockwise
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I am posting this for a friend who is really loop-o-rific!

---------- Forwarded message ----------

anti:clockwise

is

robert of tono-bungay in a solo/improv/uglient presentation, 
roaming the northeast:

thurs. 4/13  MOVIE NITE!!!
flywheel collective 
2 Holyoke Street
Easthampton MA

fri. 4/14
bennington college

sat. 4/15  1:30 am LATE SET (after bikini kill)
Fort Thunder
75 Eagle St. #1
Providence, RI  


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From: "Mike Bruggeman" <bruggemn@bright.net>
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Subject: Re: Steve Reich & Musicians
Date: Thu, 6 Apr 2000 15:59:40 -0400
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PLEASE DO NOT SEND US ANY MORE E-MAIL  I WISH THAT IT WOULD STOP!




-----Original Message-----
From: murkie <murkie@panther.middlebury.edu>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, April 06, 2000 3:50 PM
Subject: OT: Steve Reich & Musicians


>
>i was lucky enough to have in my concert hall (well the one i manage at
>Middlebury College, anyway) a performance by Steve Reich and his company of
>musicians.  it was a remarkable evening made even more enjoyable by meeting
>a fellow looper's-d contributor, Todd Reynolds.  geek talk was kept to a
>relative minimum, though how to unsubscribe was touched upon.
>
>the program was:
>
>Clapping Music
>New York Counterpoint
>Drumming, pt 1
>Nagoya Marimbas
>Different Trains
>
>it's one thing to hear recordings of Reich's works and a totally different
>thing to be in the room while the musicans are performing.  really
>inspirational!  the only downside was my looping rig wasn't up and running
>when i finally got home.  that's okay though.  hearing Different Trains
>made me head for my sampler instead.
>
>Mr. Reich also spoke at the beginning of the concert and dedicated that
>evenings performance to four Middlebury College students who were killed at
>the beginning of the week in an auto accident.  a very nice gesture.
>
>'scuse me, i gotta go practice now.
>
>m
>
>p.s. - another highlight?  watching Reich do some of the house sound mix
>himself.
>
>=====================================================================
>=                                                                   =
>=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
>=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
>=                  internet: murkie@middlebury.edu                  =
>=          http://www.middlebury.edu/~mchriste/murkie.html          =
>=                                                                   =
>=====================================================================
>

From Loopers-Delight-request@annihilist.com  Thu Apr  6 16:09:57 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: SOT Loopy transportation, and Location was Re: bizarrepedalswasRe: Regeneration with Boomerang
Date: Thu, 6 Apr 2000 13:03:26 -0700
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How many people are thinking of showing up? Perhaps a list of the equipment
(not too detailed!! please!!) you play so we can get an idea of what kind of
line up/format we would have would be good.

Could we/would we want to all go into one mixer, rather than dealing with
separate amplifications, since there will probably be enough headaches and
extension cables from all the gear as it is. This is especially the case if
we intend to record it. I can bring a DATMAN, and lots of tape.

As previously mentioned, I play chapman stick, and trigger percussive loops
on a SP-808, so I get a bass/lead/rhythm/ambient/percussion kind of thing
going.

bIz

-----Original Message-----
From: Mike Biffle [mailto:mbiffle@svg.com]
Sent: Thursday, April 06, 2000 12:05 PM
To: Loopers-Delight@annihilist.com; gnomesis@yahoo.com
Subject: RE: SOT Loopy transportation, and Location was Re:
bizarrepedalswasRe: Regeneration with Boomerang


I'll call the hall manager and find an evening slot. I'll TRY to get a
friday or saturday, and I'll book it for 7:00pm until ??? Maybe
midnite? I'll report the available times in a call for players
probably early next week. I'd venture that it will be at least a month
away at the earliest...

-Miko

>>> "Javier Miranda V." <gnomesis@yahoo.com> 04/06 3:41 AM >>>
That sounds like a great idea.

  | -----Original Message-----
  | From: Mike Biffle [mailto:mbiffle@svg.com]
  | Sent: Tuesday 04 April 2000 3:35 PM
  | To: loopers-delight@annihilist.com; jonathan@full-moon.com
  | Subject: SOT Loopy transportation, and Location was Re: bizarre
  | pedalswasRe: Regeneration with Boomerang
  |
  |
  | I could rent rehearsal space here in Santa Cruz some evening for
a
  | free-for-all jam / party. It's not very swanky, but I believe
it's
  | electrically sound and big enough for  6-10 of us in a circle
  | format... We'd HAVE to record it...
  |
  | -Miko
  |

__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

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-----Original Message-----
From: Jonathan El-Bizri <jonathan@full-moon.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, April 06, 2000 3:17 PM
Subject: RE: MP3>AIFF


>I have seen codec for Sound Forge that allow it to edit mp3s, and Vegas can
>do it. However, I have not seen any freeware apps that allow this porcess.
>
>bIz
>
>
>-----Original Message-----
>From: eric [mailto:eobertha@inreach.com]
>Sent: Thursday, April 06, 2000 1:15 AM
>To: Loopers-Delight@annihilist.com
>Subject: Re: MP3>AIFF
>
>
>
>
>Timothy wrote:
>
>> The problem isn't with the conversion, it's with decoding and re-encoding
>of
>> lossy-compression sound formats like MP3.
>
>Would it be possible then to do rudimentary editing native in the mp3
>format -
>like trimming and volume fades?
>It must be!  Surely!  Could there already be a freeware app out there that
>does
>this... maybe?
>
>eobe
>
>

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From Loopers-Delight-request@annihilist.com  Thu Apr  6 16:10:00 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <3.0.5.32.20000406151322.007c6960@panther.middlebury.edu>
Subject: Re: Steve Reich & Musicians
Date: Thu, 6 Apr 2000 16:09:32 -0400
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You lucky dog! I saw Clapping Music performed live
once and was absolutely spellbound and impressed by
way they built up their interlocking patterns and
polyrhythms. Drumming is beautiful too.

I hope he comes to my area soon. Very inspirational.


- Larry
----- Original Message -----
From: "murkie" <murkie@panther.middlebury.edu>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 06, 2000 3:13 PM
Subject: OT: Steve Reich & Musicians


>
> i was lucky enough to have in my concert hall (well the one i manage at
> Middlebury College, anyway) a performance by Steve Reich and his company
of
> musicians.  it was a remarkable evening made even more enjoyable by
meeting
> a fellow looper's-d contributor, Todd Reynolds.  geek talk was kept to a
> relative minimum, though how to unsubscribe was touched upon.
>
> the program was:
>
> Clapping Music
> New York Counterpoint
> Drumming, pt 1
> Nagoya Marimbas
> Different Trains
>
> it's one thing to hear recordings of Reich's works and a totally different
> thing to be in the room while the musicans are performing.  really
> inspirational!  the only downside was my looping rig wasn't up and running
> when i finally got home.  that's okay though.  hearing Different Trains
> made me head for my sampler instead.
>
> Mr. Reich also spoke at the beginning of the concert and dedicated that
> evenings performance to four Middlebury College students who were killed
at
> the beginning of the week in an auto accident.  a very nice gesture.
>
> 'scuse me, i gotta go practice now.
>
> m
>
> p.s. - another highlight?  watching Reich do some of the house sound mix
> himself.
>
> =====================================================================
> =                                                                   =
> =         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
> =     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
> =                  internet: murkie@middlebury.edu                  =
> =          http://www.middlebury.edu/~mchriste/murkie.html          =
> =                                                                   =
> =====================================================================
>
>

From Loopers-Delight-request@annihilist.com  Thu Apr  6 16:42:09 2000
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Hi Mike! Weeeelcome, you're here to stay, lol!
    PedrOOrdeP
   =20
    -----Original Message-----
    From: Mike Bruggeman <bruggemn@bright.net>
    To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
    Date: Thursday, April 06, 2000 3:23 PM
   =20
   =20
    TAKE US OFF OF YOUR LIST IMMEDIATELY!!!!!!!!
    I HAVE NEVER GOT SO MUCH E-MAIL THAT WAS WORTHLESS TO US.  WE HAVE =
GOOTEN OVER 4 E-MAILS TODAY FROM JUST YOUR SITE.  WE ARE NOT INTERESTED.

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    Mike! Weeeelcome, you're here to stay, lol!</FONT></DIV>
    <DIV><FONT color=3D#000000 size=3D2></FONT><FONT =
size=3D2>PedrOOrdeP</FONT></DIV>
    <DIV><FONT face=3DArial size=3D2><B></B></FONT>&nbsp;</DIV>
    <DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
    </B>Mike Bruggeman &lt;<A=20
    =
href=3D"mailto:bruggemn@bright.net">bruggemn@bright.net</A>&gt;<BR><B>To:=
=20
    </B><A=20
    =
href=3D"mailto:loopers-delight@annihilist.com">loopers-delight@annihilist=
.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:loopers-delight@annihilist.com">loopers-delight@annihilist=
.com</A>&gt;<BR><B>Date:=20
    </B>Thursday, April 06, 2000 3:23 PM<BR><BR>&nbsp;</DIV></FONT>
    <DIV><FONT color=3D#000000 size=3D2>TAKE US OFF OF YOUR LIST=20
    IMMEDIATELY!!!!!!!!</FONT></DIV>
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    WORTHLESS TO US.&nbsp; WE HAVE GOOTEN OVER 4 E-MAILS TODAY FROM JUST =
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From Loopers-Delight-request@annihilist.com  Thu Apr  6 17:00:06 2000
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From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, jonathan@full-moon.com
Subject: RE: SOT Loopy transportation >>> Santa Cruz Loop JAM
	logistics...
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> How many people are thinking of showing up? Perhaps a list of the
equipment (not too detailed!! please!!) you play so we can get an idea
of what kind of line up/format we would have would be good.

Hi Jonathan... I've left a message at the rehearsal space asking for
available friday or saturday eve times... When I get a call back, I'll
post that to the list with a call to arms from interested players. 

There's a GOOD amount of floor space at this place as well as a
stage. Not using the stage and fanning out in a circle setup would
probably accomodate 6-10 people with a fair amount of floor equipment.
I'm talking about 4' x 6' sort of space per player... speakers might
need to be elevated or added to the space equation...

SIDE NOTE: Tomorrow night, Friday 4-7, I'm heading down to David
Potter's studio to check out Perille's DJRND2. If anyone else is
interested in seeing this unit and testing it, please speak up today
so we can get you dialed in on the directions to David's house etc.
We're going to get started around 7:00pm.

> Could we/would we want to all go into one mixer, rather than
dealing with separate amplifications, since there will probably be
enough headaches and extension cables from all the gear as it is. This
is especially the case if we intend to record it. I can bring a
DATMAN, and lots of tape.

There is a fairly large pa there which we could all give stereo feeds
to... Sometimes it becomes really hairy with monitoring for
individuals though... If we ALL get feeds to the main board and
provide our own monitors that would work. House monitoring would
probably be a mess...

I've found it simpler sometimes to put out a pair of stereo mics in
the room (or possibly more) and let everyone take care of their own
speaker placement. It also localizes the various players sounds in the
stereo field... I know that isn't the full-on stereo treatment most of
us are used to, but it's not percieved as full mono either. It's a
compromise which sometimes sounds great.

-Miko

> As previously mentioned, I play chapman stick, and trigger
percussive loops on a SP-808, so I get a
bass/lead/rhythm/ambient/percussion kind of thing going. bIz



-----Original Message-----
From: Mike Biffle [mailto:mbiffle@svg.com] 
Sent: Thursday, April 06, 2000 12:05 PM
To: Loopers-Delight@annihilist.com; gnomesis@yahoo.com 
Subject: RE: SOT Loopy transportation, and Location was Re:
bizarrepedalswasRe: Regeneration with Boomerang

I'll call the hall manager and find an evening slot. I'll TRY to get
a friday or saturday, and I'll book it for 7:00pm until ??? Maybe
midnite? I'll report the available times in a call for players
probably early next week. I'd venture that it will be at least a month
away at the earliest...

-Miko

>>> "Javier Miranda V." <gnomesis@yahoo.com> 04/06 3:41 AM >>>
That sounds like a great idea.

Subject: SOT Loopy transportation, and Location was Re: bizarre
pedalswasRe: Regeneration with Boomerang

Miko
I could rent rehearsal space here in Santa Cruz some evening for a
free-for-all jam / party. It's not very swanky, but I believe it's
electrically sound and big enough for  6-10 of us in a circle
format... We'd HAVE to record it...  -Miko



From Loopers-Delight-request@annihilist.com  Thu Apr  6 17:02:34 2000
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Date: Thu, 6 Apr 2000 13:44:07 -0700
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: OT: Octave --> wish list
Cc: "Mike Bruggeman" <bruggemn@bright.net>
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I received this from you.  I wish for a wisdom-consciousness society based
on justice for all individuals, nonviolent problem-solving, a healing and
self-sustaining relationship with the environment and each other, and
freedom of choice.


>We received this from you.  I wish that we receive no more articles or
>e-mail from you.
>
>
>-----Original Message-----
>From: Liebig, Steuart A. <LiebigSA@Maritz.com>
>To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
>Date: Thursday, April 06, 2000 3:54 PM
>Subject: RE: OT: Octave
>
>
>>octave pedals, a subject near and dear to my heart. i've been borrowing an
>>ebs octa-bass from a friend and it's pretty nice. maybe a little better
>than
>>the boss. can get some nice artifacts out of it too. tracks pretty well,
>>doesn't have the second octave down that the boss has (boss has one and two
>>down if i remember correctly).
>>
>>
>>i've been trying to get one of the boutique pedal manufacturers to make a
>>low octave (or one and two octave) pedal that will also do the fuzz thang.
>>i'd like them to make it so that the fuzz and octave are discrete and
>>blendable versus the original signal. so far no takers. anyone else think
>>that this would be useful? it would be kinda cool if we could get a
>>grassroots thing that would make one of these people interested in filling
>a
>>niche that isn't being met yet. ideas?????
>>
>>someone mentioned the interzone cd; thanks for the nice words. alex is
>>really easy to play with (a total mofo too i might add).
>>
>>steve lawson, welcome to ld. now we're on two lists together . . .
>>
>>stig
>>

From Loopers-Delight-request@annihilist.com  Thu Apr  6 16:51:53 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <001b01bfa002$a5efd400$a11cc9d8@bruggeman>
Subject: Re: Steve Reich & Musicians
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> PLEASE DO NOT SEND US ANY MORE E-MAIL  I WISH THAT IT WOULD STOP!
>
Chill out. Only *YOU* can stop the mail.

To unsubscribe, send mail with the word "unsubscribe"
in both the subject and body, and no sig files or anything
else, to:

Loopers-Delight-request@annihilist.com


----- Original Message -----
From: "Mike Bruggeman" <bruggemn@bright.net>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 06, 2000 3:59 PM
Subject: Re: Steve Reich & Musicians


>
>
>
> -----Original Message-----
> From: murkie <murkie@panther.middlebury.edu>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Thursday, April 06, 2000 3:50 PM
> Subject: OT: Steve Reich & Musicians
>
>
> >
> >i was lucky enough to have in my concert hall (well the one i manage at
> >Middlebury College, anyway) a performance by Steve Reich and his company
of
> >musicians.  it was a remarkable evening made even more enjoyable by
meeting
> >a fellow looper's-d contributor, Todd Reynolds.  geek talk was kept to a
> >relative minimum, though how to unsubscribe was touched upon.
> >
> >the program was:
> >
> >Clapping Music
> >New York Counterpoint
> >Drumming, pt 1
> >Nagoya Marimbas
> >Different Trains
> >
> >it's one thing to hear recordings of Reich's works and a totally
different
> >thing to be in the room while the musicans are performing.  really
> >inspirational!  the only downside was my looping rig wasn't up and
running
> >when i finally got home.  that's okay though.  hearing Different Trains
> >made me head for my sampler instead.
> >
> >Mr. Reich also spoke at the beginning of the concert and dedicated that
> >evenings performance to four Middlebury College students who were killed
at
> >the beginning of the week in an auto accident.  a very nice gesture.
> >
> >'scuse me, i gotta go practice now.
> >
> >m
> >
> >p.s. - another highlight?  watching Reich do some of the house sound mix
> >himself.
> >
> >=====================================================================
> >=                                                                   =
> >=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
> >=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
> >=                  internet: murkie@middlebury.edu                  =
> >=          http://www.middlebury.edu/~mchriste/murkie.html          =
> >=                                                                   =
> >=====================================================================
> >
>
>

From Loopers-Delight-request@annihilist.com  Thu Apr  6 16:41:21 2000
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 <4495C77AB577D31199120008C756D0C413039A@migarexch01.maritz.com>
Date: Thu, 6 Apr 2000 13:32:52 -0700
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: RE: OT: Octave
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stig wrote:

>i've been trying to get one of the boutique pedal manufacturers to make a
>low octave (or one and two octave) pedal that will also do the fuzz thang.
>i'd like them to make it so that the fuzz and octave are discrete and
>blendable versus the original signal. so far no takers. anyone else think
>that this would be useful? it would be kinda cool if we could get a
>grassroots thing that would make one of these people interested in filling a
>niche that isn't being met yet. ideas?????


Yeah...i really like doing leads with the fat tone from an octaver and fuzz
together.  Reminds me of early Crimson (although i can't think of a
particular song that has this) or some of the crazy leads from Hatfield &
the North's albums.

I've (also) been using the EBS octabass into a Lovetone meatball (trigger
off, so it is a static filter) with a fuzz (big muff deluxe: fuzz &
compression) on the meatball's fx loop.  this is FAT! and sustains forever.

 I think E-H had a great idea to combine a compressor w/ the fuzz, cause
that fuzz tone sounds sooooo sweet for leads, when it sustains forever...
The filter from the meatball is also nice, for additional tone control.

So how about a pedal with these features:

Compression, Fuzz, Octaver (1/2 octave low), Filter (Lopass/Bandpass/Hipass
-- static or if possible, dynamic)

This would be one funky pedal!!   Perhaps Lovetone would be willing to
adventure in this arena......They already make a GREAT fuzz and filter
pedal...and are a small enough company to actually listen to its
customers...

- Chris

From Loopers-Delight-request@annihilist.com  Thu Apr  6 16:56:03 2000
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Date: Thu, 06 Apr 2000 13:51:19 -0700
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Hey,

This might be a good way of managing all the gear and people:

http://www.excite.com/Info/invite/splash.html

You can could me, my JamMan, Steinberger, Spacestation, and Line6 Spyder to be
there.  If we're doing the mixer deal (good idea Jon) I'll  lug my Digitech
2112 out for it's decent amp simulation/preamp qualities.

Mark

Jonathan El-Bizri wrote:

> How many people are thinking of showing up? Perhaps a list of the equipment
> (not too detailed!! please!!) you play so we can get an idea of what kind of
> line up/format we would have would be good.
>
> Could we/would we want to all go into one mixer, rather than dealing with
> separate amplifications, since there will probably be enough headaches and
> extension cables from all the gear as it is. This is especially the case if
> we intend to record it. I can bring a DATMAN, and lots of tape.
>
> As previously mentioned, I play chapman stick, and trigger percussive loops
> on a SP-808, so I get a bass/lead/rhythm/ambient/percussion kind of thing
> going.
>
> bIz
>
> -----Original Message-----
> From: Mike Biffle [mailto:mbiffle@svg.com]
> Sent: Thursday, April 06, 2000 12:05 PM
> To: Loopers-Delight@annihilist.com; gnomesis@yahoo.com
> Subject: RE: SOT Loopy transportation, and Location was Re:
> bizarrepedalswasRe: Regeneration with Boomerang
>
> I'll call the hall manager and find an evening slot. I'll TRY to get a
> friday or saturday, and I'll book it for 7:00pm until ??? Maybe
> midnite? I'll report the available times in a call for players
> probably early next week. I'd venture that it will be at least a month
> away at the earliest...
>
> -Miko
>
> >>> "Javier Miranda V." <gnomesis@yahoo.com> 04/06 3:41 AM >>>
> That sounds like a great idea.
>
>   | -----Original Message-----
>   | From: Mike Biffle [mailto:mbiffle@svg.com]
>   | Sent: Tuesday 04 April 2000 3:35 PM
>   | To: loopers-delight@annihilist.com; jonathan@full-moon.com
>   | Subject: SOT Loopy transportation, and Location was Re: bizarre
>   | pedalswasRe: Regeneration with Boomerang
>   |
>   |
>   | I could rent rehearsal space here in Santa Cruz some evening for
> a
>   | free-for-all jam / party. It's not very swanky, but I believe
> it's
>   | electrically sound and big enough for  6-10 of us in a circle
>   | format... We'd HAVE to record it...
>   |
>   | -Miko
>   |
>
> __________________________________________________
> Do You Yahoo!?
> Talk to your friends online with Yahoo! Messenger.
> http://im.yahoo.com

--
Mark Sottilaro
Professional Publications, Inc
1250 Fifth Ave, Belmont CA 94002
Multimedia Production
E-mail:  msottilaro@ppi2pass.com


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Bruggeman - NOTE the different email address for 
unsubscribing. (Sheeesh..)

To unsubscribe, send mail with the word "unsubscribe"
in both the subject and body, and no sig files or 
anything else, to:

--> Loopers-Delight-request@annihilist.com

----- Original Message ----- 
From: "Mike Bruggeman" <bruggemn@bright.net>
To: <loopers-delight@annihilist.com>
Sent: Thursday, April 06, 2000 4:04 PM
Subject: UNSUBSCRIBE


UNSUBSCRIBE


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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: Loop friendly places to play
Date: Thu, 6 Apr 2000 14:08:15 -0700
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I'd like to put together a list of loop and improv friendly places to play
in the SF bay area. Does anyone one have any good suggestions/experiences?

bIz

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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
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Subject: RE: Steve Reich & Musicians
Date: Thu, 6 Apr 2000 16:27:21 -0500 
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why doesn't this bonehead just unsubscribe....what a moron...

-----Original Message-----
From: Larry Tremblay [mailto:ltct@concentric.net]
Sent: Thursday, April 06, 2000 3:45 PM
To: Loopers-Delight@annihilist.com
Subject: Re: Steve Reich & Musicians



> PLEASE DO NOT SEND US ANY MORE E-MAIL  I WISH THAT IT WOULD STOP!
>
Chill out. Only *YOU* can stop the mail.

To unsubscribe, 

From Loopers-Delight-request@annihilist.com  Thu Apr  6 17:17:46 2000
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Please send me as much steve reich mail as possible.

Peter

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From: SketchyJoe@aol.com
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Subject: Re: OT: Octave (and other weird noises)
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As far as pedals are concerned, try contacting 3ms (I think).  They are a 
small operation based out of St. Louis.  They have some absolutely insane 
pedals and will customize anything they make.  They even barter for various 
goods and services.  I would think that they would do at least some 
interesting variation on an octave pedal.  Plus, I think anyone interested in 
fun noises should check them out.

Later!
Joe

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> i've been trying to get one of the boutique pedal manufacturers to make a
> low octave (or one and two octave) pedal that will also do the fuzz thang.
> i'd like them to make it so that the fuzz and octave are discrete and
> blendable versus the original signal

EH microsynth does this.

From Loopers-Delight-request@annihilist.com  Thu Apr  6 18:14:00 2000
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'pwiley@sirius.com'" <pwiley@sirius.com>, Loopers-Delight@annihilist.com
Subject: RE: OT: Octave RE: OT: Octave RE: OT: Octave
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WEll I use pitch shifters to do a smilar thing, though it isn't perfect.

 
Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com


> i've been trying to get one of the boutique pedal manufacturers to make a
> low octave (or one and two octave) pedal that will also do the fuzz thang.
EH microsynth does this.

From Loopers-Delight-request@annihilist.com  Thu Apr  6 17:49:11 2000
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From: "luca" <lucafeed@tin.it>
To: <Loopers-Delight@annihilist.com>
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Subject: R: the plex
Date: Thu, 6 Apr 2000 23:48:27 +0200
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So, if you are looking for giving tube sound to the Edp, why don't you take
a look to www.advancetubech.com (or ".it"  I don't remember).
They are producing a tube mixer that I think is the best complement for Edp:
it permits to work on it in parallel keeping two lines free (one dry and
another one effected), giving to the mixed sound tube richness through
valves before the main outputs.
When I have seen this had been invented I have been soooo happy.
 Bye,
Luca
----- Original Message -----
From: James Pokorny <j.pokorny@worldnet.att.net>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 06, 2000 4:00 AM
Subject: Re: the plex


> No, the original tape-based Echoplex is an entirely different creature
from
> the EDP.  I believe the original Echoplex dates to the early 60's and
> featured an extremely long (approx. 2-3 minutes?) tape loop, with 2 tape
> heads (1 moveable to increase delay time).  There were 2 standard modes:
1)
> sound on sound wherein you would record material onto the tape loop, then
> play over it, and 2) delay - where you could set the delay time by means
of
> the moveable tape head.  This delay time was probably about 2 seconds
> maximum, but could be drastically tweaked by spooling the tape around a
> mike-stand, chair-leg, etc. placed far away from the unit.  A good tool
for
> the time, but nowhere near the capabilities of the EDP.
>
> I've used both the tape echoplex and the EDP, and if the asking price for
> the tape echoplex is US $750.00, I would definitely recommend saving the
> money towards the much more versatile EPD.  I'm sure all other users will
> agree.
>
> James Pokorny
>
> -----Original Message-----
> From: John Hunter <lotusart@cstone.net>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Wednesday, April 05, 2000 8:30 PM
> Subject: Re: the plex
>
>
> >Folks, please forgive my ignorance, but I've looked around and can't
> >find any info on this tube component of the Echoplex. And the tape
> >thing....? Is this the EDP we're talking about ?
> >
> >Mea Culpa,
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Apr  6 17:34:17 2000
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The word "request" in the email address is the key. If you send the mail to 
"loopers-delight@annihilist.com" or hit reply, you're just posting for the 
other list members to read.

Please, Mr. Bruggeman, don't be angry with us. Somebody who has access to 
your email address (probably a family member or housemate) deliberately 
subscribed to this list. It's just about impossible to do it by mistake. Nor 
would any of us particularly want to send you email you don't want.

Unsubscribe instructions are printed below.

Matt Davignon


>From: "Larry Tremblay" <ltct@concentric.net>

>Chill out. Only *YOU* can stop the mail.
>
>To unsubscribe, send mail with the word "unsubscribe"
>in both the subject and body, and no sig files or anything
>else, to:
>
>Loopers-Delight-request@annihilist.com

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Apr  6 19:10:33 2000
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Date: Thu, 6 Apr 2000 16:04:52 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: OT: was Octave, is design and prototyping
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stig wrote:

>i've been trying to get one of the boutique pedal 
manufacturers to make a
>low octave (or one and two octave) pedal that will 
also do the fuzz thang.
>i'd like them to make it so that the fuzz and octave 
are discrete and
>blendable versus the original signal. so far no 
takers. anyone else think
>that this would be useful? it would be kinda cool if 
we could get a
>grassroots thing that would make one of these people 
interested in filling a
>niche that isn't being met yet. ideas?????

I just got off the phone with the owner of a company
that distributes electronic parts and components, and
does prototype engineering and manufacturing.  He is
willing to talk to you about products or projects that
you would like to develop.  

Obviously prototyping involves Non recurring
engineering costs that may make some projects cost
prohibitive if you only want to build 1 unit. 
However, if there are many people that want the same
device these costs could be spread over the volume of
units built.  Some of his designs that I have seen
(and heard) are tube audio amplifiers, pentode audio
preamps, triode audio preamps, low cost high power rf
broadcast transmitters, and very high current variable
power supplies.  I have also seen some of his
restoration work on vintage shortwave receivers and
transceivers and his work is immaculate.  

The company is Frontier Engineering, in Longmont
Colorado.  Their web page is at:
http://www.freng.com/
The owner is Dave Wilson.  Their phone number is    
voice: 303 776-6242 Fax: 303 776-6080.  E-mail:
sales@freng.com, Technical inquiries: eng@freng.com.

They are distributors for Maplin Electronics, a UK
firm. Frontier sells all kinds of parts, tools,
supplies, devices (rf, audio, video....) and some cool
electronic kits.  I noticed some interesting sound
making chips in the catalog.  The Frontier web page
only shows a small amount of what is in the catalog,
so request a catalog if you like to build, fix or
modify electronic devices.

I have no affiliation with Frontier Electronics.  I
just recently visited their showroom, and development
facility and was impressed by Dave, both his
personality and abilities.  Turns out he and I worked
at the same disk drive manufacturer a while back (no
wonder he looked familiar).  

Hope this helps,
bret moreland

__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

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>>> "Jonathan El-Bizri" <jonathan@full-moon.com> 04/06 2:10 PM >>>
I'd like to put together a list of loop and improv friendly places to
play in the SF bay area. Does anyone one have any good
suggestions/experiences? bIz

Hi Biz...

These two URL's combined lead you to a variety of other resources
which might uncover places you're not familiar with yet. While not
necessarily loop oriented, they lean towards real-time improv and
beyond. Neither of these address the South Bay or Santa Cruz area...

Bay Improviser 
http://www.bayimproviser.com/default.htm

Bay Area Creative Music Calendar...
http://www.slip.net/~wedge/gigs.html#start

It's interesting that when I run across a list of "creative" music
venues... SF usually leads the pack in quantity... until you realize
that 60% of the listed places have either quit hosting players or gone
belly up. Sad but true. 

Best,
-Miko

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From: "Om_Audio" <clifsound@mediaone.net>
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References: <a9.3d841a3.261c7fa5@aol.com> <38EC1498.72CE7A9B@dmans.com>
Subject: Re: OT: Octave
Date: Thu, 6 Apr 2000 16:20:07 -0700
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How well does that synth handle bends?

Cliff

----- Original Message -----
From: "Mikell D.Nelson" <mnelson@dmans.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 05, 2000 9:37 PM
Subject: Re: OT: Octave


> Hi,
>     I bought one of the Rocktron octave pedals; I think it was called the
Purple
> Haze. It sounds great on paper: individual controls for 1 octave higher, 1
octave
> lower, output, and distortion or drive. However, it was noisy and very
> unpredictable. Didn't track well at all.
>     On the positive side, I used to have a Lexicon LXP5, and the pitch
shifter
> tracked as well as any I've heard, but this is probably a little more than
$200. I
> bet you could find one on a net auction site for $200-$250.
>     The best tracking I've ever experienced is my old Roland GR-50 guitar
synth,
> and the tone is anything you want it to be: bass guitar an octave down,
flute an
> octave up, etc. Now we're way over $200.
>
> SoundFNR@aol.com wrote:
>
> > In a message dated 04/04/00 06:08:57 GMT Daylight Time,
> > clifsound@mediaone.net writes:
> >
> > > I am interested in obtaining an octave pedal and would like any input
as to
> > >  what you all think is good out there- Preferably smooth, more than 1
octave
> > >  down, less than $200- - - I checked out the brown Boss model and
really was
> > >  not impressed- maybe z-vex or other boutique?
> > >
> > Hi Cliff
> >   Those old octave pedals, if that's what you want  then of course
> > there's no substitute.( ie a synthesised note an octave (rarely 2)
> > below the ONE note you put in).
> > A friend of mine used to have an original Electro Harmonix unit.
> > In it's day it could be quite impressive, but chords would
> > confuse it (unless the lowest note was played much louder than the rest)
> > and tracking was always a bit hit and miss.
> >
> >
> > but there's a lot of cheap multi FX out there with pitch
> > functions which will give you an octave or two down no trouble
> > .....and no tracking problems either.
> > what about a Zoom 2100 for instance.(loops too!)
> >
> > Andy Butler
> > Lexicon Vortex Database
> > http://members.aol.com/soundfnr/vortex.htm
>
> --
> Mike Nelson
>
> Boomerang Musical Products       800-530-4699
> PO Box 541595                    214-340-6913, Outside USA
> Dallas, TX  75354-1595           214-343-1038, Fax
>
> http://www.boomerangmusic.com    mnelson@dmans.com
>
> "Some products make you sound better;
>  the Boomerang Phrase Sampler makes you play better."
>
>

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To: "Looper's Delight" <Loopers-Delight@annihilist.com>
Subject: RE: Loop friendly places to play
Date: Thu, 6 Apr 2000 16:38:12 -0700
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>These two URL's combined lead you to a variety of other resources
>which might uncover places you're not familiar with yet. While not
>necessarily loop oriented, they lean towards real-time improv and
>beyond. Neither of these address the South Bay or Santa Cruz area...

Excellent!

>It's interesting that when I run across a list of "creative" music
>venues... SF usually leads the pack in quantity... until you realize
>that 60% of the listed places have either quit hosting players or gone
>belly up. Sad but true. 

It's probably the same everywhere though. Isn't it?

bIz

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In a message dated 4/3/0 11:09:49 AM, papadave55@hotmail.com writes:

>I only have 
>about 2 weeks with this thing before I have to send it back.  If Friday
>is 
>the soonest then Fri. it is...

Dang, guys, sounds like a great excuse to come up, but I'm such a working 
stiff these days - I was supposed to have Friday off, but everything changes. 
I might take next week off... feeling whimsical... We're talkin what - 5 
hours L.A. to Scruz?

eric p
echo park

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In a message dated 4/6/0 12:28:14 PM, mbiffle@svg.com writes:

>I'll TRY to get a
>friday or saturday, and I'll book it for 7:00pm until ???

You KNOW I'm down with that!!

eric p
echo park

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Hey stig - 
>i've been trying to get one of the boutique pedal manufacturers to make a
>low octave (or one and two octave) pedal that will also do the fuzz thang.
>i'd like them to make it so that the fuzz and octave are discrete and
>blendable versus the original signal. so far no takers. anyone else think
>that this would be useful? it would be kinda cool if we could get a
>grassroots thing that would make one of these people interested in filling
>a niche that isn't being met yet. ideas?????

...in the meantime, have you tried the old EH Deluxe octave multiplexer? 
There's a 5 knob one with a blend for the octave and a switch (but no blend I 
think) for the fuzz. Pretty Dang Mean on gtr, don't know about bass...

Any local gigs?

eric p
echo park

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	logistics...
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Miko, I will also add that a Saturday is probably best for those of us well 
outside the Bay Area, and probably be a nicer commute for Bay people anyway 
at 7PM!

eric p
echo park

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In a message dated 4/6/0 2:00:18 PM, mbiffle@svg.com writes:

>I've found it simpler sometimes to put out a pair of stereo mics in
>the room (or possibly more) and let everyone take care of their own
>speaker placement. It also localizes the various players sounds in the
>stereo field... I know that isn't the full-on stereo treatment most of
>us are used to, but it's not percieved as full mono either. It's a
>compromise which sometimes sounds great.

I'm thinking this is the way to go, also, even though I don't have my dream 
speaker cabs yet (what are they?) Less time wasted trying to get a mix and I 
find that loopers are often pretty good about there own levels.  Besides, if 
we *were* to spend some time getting all wired up - how about a MIDI chain!  
Each of us can opt in to the sync loop when desired, and/or play/loop freely.

My loop art is mostly of the ambient guitar variety. I'd probably bring Boss 
GT-5, MicroSynth, DL-4, and JamMan. Oh and I s'pose a couple of Ampeg 
Jet-sized amps.
 
I often pack a sampler/drum box, but hopefully a true rhythmitist will be 
there. 

eric p
echo park
>

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From: Echoechoparkpark@aol.com
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Date: Thu, 6 Apr 2000 23:19:26 EDT
Subject: Re: RE: Loop friendly places to play
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In a message dated 4/6/0 4:42:10 PM, jonathan@full-moon.com writes:

>>SF usually leads the pack in quantity... until you realize
>>that 60% of the listed places have either quit hosting players or gone
>>belly up. Sad but true. 
>

>It's probably the same everywhere though. Isn't it?

We've lost a few, too, in the last few years.  But things are looking up.  
L.A. people should try  The Smell, and The Lab, both downtown. We are also 
getting a genuine Knitting Factory!  Yay!   It's been a good year so far...

eric p
echo park

From Loopers-Delight-request@annihilist.com  Fri Apr  7 06:02:12 2000
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Date: Fri, 7 Apr 2000 05:41:57 EDT
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are knitting factories going to become like hardrock cafes? i want my 
knitting factory, london tee-shirt! =-) PJ

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Date: Fri, 7 Apr 2000 02:57:17 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re:Octave
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Here's something new............


http://purpleaudio.com/eyeball.html


I saw a brief mention of it in Keyboard. I think
the list price is around $600.




=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

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Date: Fri, 07 Apr 2000 08:54:31 -0700
From: "Mike Biffle" <mbiffle@svg.com>
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	JAMlogistics...
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Ok guys... it's not the best news... the studio is pretty much spoken
for friday and saturday eves unless there's a cancellation. 

Sundays are pretty much open though. I'm game to book a sunday and
open discussion of which particular sunday would be best for us... We
could make it earlier on sunday. Say 2pm - 8pm? 

Thoughts?
-Miko

>>> <Echoechoparkpark@aol.com> 04/06 8:40 PM >>>
Miko, I will also add that a Saturday is probably best for those of
us well 
outside the Bay Area, and probably be a nicer commute for Bay people
anyway 
at 7PM!

eric p
echo park

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Subject: RE: OT: Octave --> wish list
Date: Thu, 6 Apr 2000 23:40:13 -0700
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I received this from you.  I wish the Echoplex would come out already so all
these starved musicians can get to play already.  I also wish they would
shut up about the Cuban kid, forgive the third-world debt, that it would be
the Fall already so I can buy the new Beatles book, that I could have enough
money to buy all the CDs I want, that I could have enough money (and talent)
to support five beautiful wives, that I had a great record deal with a rich
record company, that I could afford to buy a new car, that I could afford to
go to Europe on vacations twice a year instead of every two years, that the
English left Northern Ireland, etc., etc., but why mention it.

By the way, I love the LD list.  Keep the nutty posts happening!  More!
More!

  | -----Original Message-----
  | From: Chris Chovit [mailto:cho@newdream.net]
  | Sent: Thursday 06 April 2000 1:44 PM
  | To: Loopers-Delight@annihilist.com
  | Cc: Mike Bruggeman
  | Subject: Re: OT: Octave --> wish list
  |
  |
  | I received this from you.  I wish for a wisdom-consciousness
  | society based
  | on justice for all individuals, nonviolent problem-solving, a
  | healing and
  | self-sustaining relationship with the environment and each other, and
  | freedom of choice.
  |
  |
  | >We received this from you.  I wish that we receive no more articles or
  | >e-mail from you.
  | >
  | >
  | >-----Original Message-----
  | >From: Liebig, Steuart A. <LiebigSA@Maritz.com>
  | >To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
  | >Date: Thursday, April 06, 2000 3:54 PM
  | >Subject: RE: OT: Octave
  | >
  | >
  | >>octave pedals, a subject near and dear to my heart. i've been
  | borrowing an
  | >>ebs octa-bass from a friend and it's pretty nice. maybe a
  | little better
  | >than
  | >>the boss. can get some nice artifacts out of it too. tracks
  | pretty well,
  | >>doesn't have the second octave down that the boss has (boss
  | has one and two
  | >>down if i remember correctly).
  | >>
  | >>
  | >>i've been trying to get one of the boutique pedal
  | manufacturers to make a
  | >>low octave (or one and two octave) pedal that will also do
  | the fuzz thang.
  | >>i'd like them to make it so that the fuzz and octave are discrete and
  | >>blendable versus the original signal. so far no takers.
  | anyone else think
  | >>that this would be useful? it would be kinda cool if we could get a
  | >>grassroots thing that would make one of these people
  | interested in filling
  | >a
  | >>niche that isn't being met yet. ideas?????
  | >>
  | >>someone mentioned the interzone cd; thanks for the nice words. alex is
  | >>really easy to play with (a total mofo too i might add).
  | >>
  | >>steve lawson, welcome to ld. now we're on two lists together . . .
  | >>
  | >>stig
  | >>
  |


__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

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> Dang, guys, sounds like a great excuse to come up, but I'm such a
working stiff these days - I was supposed to have Friday off, but
everything changes. I might take next week off... feeling whimsical...
We're talkin what - 5 hours L.A. to Scruz? eric p echo park

I guess Dave's going to have it at least through next week. Not sure
how much time he has nightly to play with it... I'll check it out
tonight! My couch is your couch Eric!

-Miko

From Loopers-Delight-request@annihilist.com  Fri Apr  7 12:10:46 2000
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>i've been trying to get one of the boutique pedal manufacturers to make a
>low octave (or one and two octave) pedal that will also do the fuzz thang.
>i'd like them to make it so that the fuzz and octave are discrete and
>blendable versus the original signal. so far no takers. anyone else think
>that this would be useful? it would be kinda cool if we could get a
>grassroots thing that would make one of these people interested in filling
>a niche that isn't being met yet. ideas?????


Have you tried the MXR Blue Box (Jimmy Page guitar solo on "Fool in the Rain"),
or it's perverse
cousing, the DOD Buzz Box?  The latter has distortion, double-octave-below, tone
 control and effect
level.  With a minor tweak (adding a resistor internally), the double-octave
level can be tamed somewhat
to make it actually musically useful.  Works great on trumpet.

See the Harmony-Central reviews.

Paul Camann


From Loopers-Delight-request@annihilist.com  Fri Apr  7 12:15:00 2000
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Message-ID: <38EDE865.D58753A0@toddreynolds.com>
Date: Fri, 07 Apr 2000 09:53:42 -0400
From: Todd Reynolds <todd@toddreynolds.com>
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is there more here already that i missed in this thread?

todd

Echophazer@aol.com wrote:

> Please send me as much steve reich mail as possible.
>
> Peter

-- NOTE NEW CONTACT INFORMATION BELOW!!!
==========================================
-------------------------------------------------------------------------------------------------------

The Unexamined Life is Not Worth Living  --   Plato

Todd Reynolds
42-09 47th Ave.  Apt. 1C
Sunnyside, NY  11104
718 392-3773     phone
917 576-6166     cell phone
419 781-5502     fax
todd@toddreynolds.com              http://www.toddreynolds.com

Paint As You Like, and Die Happy...  -- Henry Miller




From Loopers-Delight-request@annihilist.com  Fri Apr  7 12:32:28 2000
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From: kamlapati.khalsa@philips.com
To: <Loopers-Delight@annihilist.com>
Subject: Santa Cruz Jam Logistics
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Date: Fri, 7 Apr 2000 11:26:59 -0500
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All,

Wow! I live in Sunnyvale and would happily travel to S.C. on a SUnday afternoon, or anywhere in N. California on almost any day, for a loop jam. 

FYI, I am a guitarist, with EDP, holding my ground half way between traditional jazz chord solos and ambient.

I am looking forward to meeting you all. Sign me up.

Kamlapati Khalsa

From Loopers-Delight-request@annihilist.com  Fri Apr  7 12:41:40 2000
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
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Subject: Re: Re:OT: Octave
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     I want to thank all who responded so far to my inquiry re Octave units-
I certainly have plenty to seek out and try now- I suppose the EH Microsynth
is one that stands out and the Blue Box is something I need to hear although
I really would like 100% clean option with solid tracking- which the Blue
Box is clearly NOT supposed to do by design-
     I will also want to check out the Digitech whammy as having dynamic
foot control over the octave effect would be great- this does bring into
mind looking into all-in-ones ie GT-3/GT5 etc but I am more fond of
individuals- but you sure cant program em the way you can a multi....hmmm-
getting more interesting pondering all the time... there just seems to
always be a trade off when you look into all-in ones- - -
     Does anyone know if any of these have a programmable 1/4" out whereby
you could have certain patches where the expression pedal would be
controlling the EDP feedback?

Thanks again all-
Cliff


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Date: Sat, 08 Apr 2000 02:39:00 +1000
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John Tidwell wrote:
> 
> Here's something new............
> 
> http://purpleaudio.com/eyeball.html
> 
> I saw a brief mention of it in Keyboard. I think
> the list price is around $600.
> 

and some way useful specs!  my distortion is already bad .. i wonder
what this would do?

From Loopers-Delight-request@annihilist.com  Fri Apr  7 12:39:35 2000
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Subject: volume pedal help
Date: Fri, 7 Apr 2000 12:26:58 -0400
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------=_NextPart_000_0040_01BFA08C.9131F860
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I just got a used ernie ball volume pedal--my first volume pedal--and =
find it produces a very slight, gradual increase until the last 1/2" of =
travel, when it suddenly goes through the entire usable range--as if =
it's logarithmic rather than linear.  I'm finding it hard to use =
effectively for anything but full on-full off shifts, when what I want =
is the ability to modulate volume more subtly.  So my question:  is this =
normal?  Do I just need to work on my technique, or is there something =
I'm missing?  another pedal that might work better for my needs? =20
thanks for any and all help--
Bruce Comens

------=_NextPart_000_0040_01BFA08C.9131F860
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2314.1000" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>
<DIV><FONT size=3D2>I just got a used ernie ball volume pedal--my first =
volume=20
pedal--and find it produces a very slight, gradual increase until the =
last 1/2"=20
of travel, when it suddenly goes through the entire usable range--as if =
it's=20
logarithmic rather than linear.&nbsp; I'm finding it&nbsp;hard to use=20
effectively for anything but full on-full off shifts, when what I want =
is the=20
ability to modulate&nbsp;volume more subtly.&nbsp; So my question:&nbsp; =
is this=20
normal?&nbsp; Do I just need to work on my technique, or is there =
something I'm=20
missing?&nbsp; another pedal that might work better for my needs?&nbsp;=20
</FONT></DIV>
<DIV><FONT size=3D2>thanks for any and all help--</FONT></DIV>
<DIV><FONT size=3D2>Bruce Comens</FONT></DIV></FONT></DIV></BODY></HTML>

------=_NextPart_000_0040_01BFA08C.9131F860--

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I hate to contribute to the unsubscribe thread, but at least this is a =
different problem: =20
Having set up a new email account in the US, I've been trying to =
unsubscribe from my old account in Italy.  But the message keeps getting =
rejected by the server because the destination isn't accepted.  It's the =
right destination (Loopers-Delight-request@annihilist.com) and it =
obviously worked when i signed on--also when I signed on thru my new =
account.  So I'm now getting double mailings, and would like to get rid =
of the echo.  any suggestions?   Kim??
Bruce Comens

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</HEAD>
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<DIV><FONT size=3D2>
<DIV><FONT size=3D2>I hate to contribute to the unsubscribe thread, but =
at least=20
this is a different problem:&nbsp;&nbsp;</FONT></DIV>
<DIV><FONT size=3D2>Having set up a new email account in the US, I've =
been trying=20
to unsubscribe from my old account in Italy.&nbsp; But the message keeps =
getting=20
rejected by the server because the destination isn't accepted.&nbsp; =
It's the=20
right destination (<A=20
href=3D"mailto:Loopers-Delight-request@annihilist.com">Loopers-Delight-re=
quest@annihilist.com</A>)=20
and it obviously worked when i signed on--also when I signed on thru my =
new=20
account.&nbsp; So I'm now getting double mailings, and would like to get =
rid=20
of&nbsp;the echo.&nbsp; any suggestions?&nbsp;&nbsp; Kim??</FONT></DIV>
<DIV>Bruce Comens</DIV></FONT></DIV></BODY></HTML>

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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
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Subject: Re: volume pedal help
Date: Fri, 7 Apr 2000 10:21:26 -0700
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These paedals are great- sounds like yours is in need of adjustment or =
repair- your description does not sound normal for these-  you might try =
adjusting the position of the pot if possible- otherwise you can send it =
to Ernie Ball direct and they will overhaul it for $45 - they can also =
make it stereo and can also place the jacks on the back instead of the =
sides- for more $ of course.

Cliff

    -----Original Message-----
    From: become2@fast.net <become2@fast.net>
    To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
    Date: Friday, April 07, 2000 9:57 AM
    Subject: volume pedal help
   =20
   =20
    I just got a used ernie ball volume pedal--my first volume =
pedal--and find it produces a very slight, gradual increase until the =
last 1/2" of travel, when it suddenly goes through the entire usable =
range--as if it's logarithmic rather than linear.  I'm finding it hard =
to use effectively for anything but full on-full off shifts, when what I =
want is the ability to modulate volume more subtly.  So my question:  is =
this normal?  Do I just need to work on my technique, or is there =
something I'm missing?  another pedal that might work better for my =
needs? =20
    thanks for any and all help--
    Bruce Comens

------=_NextPart_000_0018_01BFA07B.082DBCE0
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
Transitional//EN">
<META content=3D'"MSHTML 4.72.3612.1706"' name=3DGENERATOR>
<STYLE></STYLE>

</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>These paedals are great- sounds like =
yours is in=20
need of adjustment or repair- your description does not sound normal for =

these-&nbsp; you might try adjusting the position of the pot if =
possible-=20
otherwise you can send it to Ernie Ball direct and they will overhaul it =
for $45=20
- they can also make it stereo and can also place the jacks on the back =
instead=20
of the sides- for more $ of course.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Cliff</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
    </B><A href=3D"mailto:become2@fast.net">become2@fast.net</A> &lt;<A=20
    href=3D"mailto:become2@fast.net">become2@fast.net</A>&gt;<BR><B>To: =
</B><A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>&gt;<BR><B>Date:=20
    </B>Friday, April 07, 2000 9:57 AM<BR><B>Subject: </B>volume pedal=20
    help<BR><BR></DIV></FONT>
    <DIV><FONT size=3D2>
    <DIV><FONT size=3D2>I just got a used ernie ball volume pedal--my =
first volume=20
    pedal--and find it produces a very slight, gradual increase until =
the last=20
    1/2&quot; of travel, when it suddenly goes through the entire usable =

    range--as if it's logarithmic rather than linear.&nbsp; I'm finding=20
    it&nbsp;hard to use effectively for anything but full on-full off =
shifts,=20
    when what I want is the ability to modulate&nbsp;volume more =
subtly.&nbsp;=20
    So my question:&nbsp; is this normal?&nbsp; Do I just need to work =
on my=20
    technique, or is there something I'm missing?&nbsp; another pedal =
that might=20
    work better for my needs?&nbsp; </FONT></DIV>
    <DIV><FONT size=3D2>thanks for any and all help--</FONT></DIV>
    <DIV><FONT size=3D2>Bruce=20
Comens</FONT></DIV></FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_0018_01BFA07B.082DBCE0--

From Loopers-Delight-request@annihilist.com  Fri Apr  7 13:42:19 2000
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From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, kamlapati.khalsa@philips.com
Subject: Re: Santa Cruz Jam Logistics
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Hi Kamlapati... Nice to hear from you!

I'm saving replies to this thread and will wait a while longer, then
book a sunday and see what happens... I'll notify the list with the
date in the next couple weeks. It will probably be in may or june.

Best,
-Miko

>>> <kamlapati.khalsa@philips.com> 04/07 9:31 AM >>>
All,

Wow! I live in Sunnyvale and would happily travel to S.C. on a SUnday
afternoon, or anywhere in N. California on almost any day, for a loop
jam. 

FYI, I am a guitarist, with EDP, holding my ground half way between
traditional jazz chord solos and ambient.

I am looking forward to meeting you all. Sign me up.

Kamlapati Khalsa

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Om  Go Loop yourself

>From: "Mike Bruggeman" <bruggemn@bright.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <loopers-delight@annihilist.com>
>Date: Thu, 6 Apr 2000 16:03:29 -0400
>
>TAKE US OFF OF YOUR LIST IMMEDIATELY!!!!!!!!
>I HAVE NEVER GOT SO MUCH E-MAIL THAT WAS WORTHLESS TO US.  WE HAVE GOOTEN 
>OVER 4 E-MAILS TODAY FROM JUST YOUR SITE.  WE ARE NOT INTERESTED.

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: RE: SOT Loopy transportation >>> Santa Cruz Loop JAM logistics...
Date: Fri, 07 Apr 2000 10:39:03 PDT
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Hey Miko I'm looking forward to seeing you at 6:30pm???or 7pm at my house.  
Should I unhook the DJRND2 and have you loop it into your rig???  I want you 
to be able to have at it with a free reign.  Om and Loop and Out             
    Papa Dave

>From: "Mike Biffle" <mbiffle@svg.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com, jonathan@full-moon.com
>Subject: RE: SOT Loopy transportation >>> Santa Cruz Loop JAM logistics...
>Date: Thu, 06 Apr 2000 13:52:30 -0700
>
> > How many people are thinking of showing up? Perhaps a list of the
>equipment (not too detailed!! please!!) you play so we can get an idea
>of what kind of line up/format we would have would be good.
>
>Hi Jonathan... I've left a message at the rehearsal space asking for
>available friday or saturday eve times... When I get a call back, I'll
>post that to the list with a call to arms from interested players.
>
>There's a GOOD amount of floor space at this place as well as a
>stage. Not using the stage and fanning out in a circle setup would
>probably accomodate 6-10 people with a fair amount of floor equipment.
>I'm talking about 4' x 6' sort of space per player... speakers might
>need to be elevated or added to the space equation...
>
>SIDE NOTE: Tomorrow night, Friday 4-7, I'm heading down to David
>Potter's studio to check out Perille's DJRND2. If anyone else is
>interested in seeing this unit and testing it, please speak up today
>so we can get you dialed in on the directions to David's house etc.
>We're going to get started around 7:00pm.
>
> > Could we/would we want to all go into one mixer, rather than
>dealing with separate amplifications, since there will probably be
>enough headaches and extension cables from all the gear as it is. This
>is especially the case if we intend to record it. I can bring a
>DATMAN, and lots of tape.
>
>There is a fairly large pa there which we could all give stereo feeds
>to... Sometimes it becomes really hairy with monitoring for
>individuals though... If we ALL get feeds to the main board and
>provide our own monitors that would work. House monitoring would
>probably be a mess...
>
>I've found it simpler sometimes to put out a pair of stereo mics in
>the room (or possibly more) and let everyone take care of their own
>speaker placement. It also localizes the various players sounds in the
>stereo field... I know that isn't the full-on stereo treatment most of
>us are used to, but it's not percieved as full mono either. It's a
>compromise which sometimes sounds great.
>
>-Miko
>
> > As previously mentioned, I play chapman stick, and trigger
>percussive loops on a SP-808, so I get a
>bass/lead/rhythm/ambient/percussion kind of thing going. bIz
>
>
>
>-----Original Message-----
>From: Mike Biffle [mailto:mbiffle@svg.com]
>Sent: Thursday, April 06, 2000 12:05 PM
>To: Loopers-Delight@annihilist.com; gnomesis@yahoo.com
>Subject: RE: SOT Loopy transportation, and Location was Re:
>bizarrepedalswasRe: Regeneration with Boomerang
>
>I'll call the hall manager and find an evening slot. I'll TRY to get
>a friday or saturday, and I'll book it for 7:00pm until ??? Maybe
>midnite? I'll report the available times in a call for players
>probably early next week. I'd venture that it will be at least a month
>away at the earliest...
>
>-Miko
>
> >>> "Javier Miranda V." <gnomesis@yahoo.com> 04/06 3:41 AM >>>
>That sounds like a great idea.
>
>Subject: SOT Loopy transportation, and Location was Re: bizarre
>pedalswasRe: Regeneration with Boomerang
>
>Miko
>I could rent rehearsal space here in Santa Cruz some evening for a
>free-for-all jam / party. It's not very swanky, but I believe it's
>electrically sound and big enough for  6-10 of us in a circle
>format... We'd HAVE to record it...  -Miko
>
>
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Apr  7 13:56:12 2000
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From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, papadave55@hotmail.com
Subject: Re: DJRND2 in Santa Cruz tonight! (at David Potter's)
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Maybe wait and see... It should be pretty easy to repatch if we want
to juggle around. It may be just as easy to test it using your rig...
Let's just figure it out then. See ya around 6:30-ish!

-Miko

>>> "David Potter" <papadave55@hotmail.com> 04/07 10:43 AM >>>
Hey Miko I'm looking forward to seeing you at 6:30pm???or 7pm at my
house.  
Should I unhook the DJRND2 and have you loop it into your rig???  I
want you 
to be able to have at it with a free reign.  Om and Loop and Out     
       
    Papa Dave

From Loopers-Delight-request@annihilist.com  Fri Apr  7 15:16:24 2000
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>,
        papadave55@hotmail.com
Subject: RE: DJRND2 in Santa Cruz tonight! (at David Potter's)
Date: Fri, 7 Apr 2000 13:55:16 -0500 
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Hmmm....yes, maybe I can fly in from indiana....not

-----Original Message-----
From: Mike Biffle [mailto:mbiffle@svg.com]
Sent: Friday, April 07, 2000 12:50 PM
To: Loopers-Delight@annihilist.com; papadave55@hotmail.com
Subject: Re: DJRND2 in Santa Cruz tonight! (at David Potter's)


Maybe wait and see... It should be pretty easy to repatch if we want
to juggle around. It may be just as easy to test it using your rig...
Let's just figure it out then. See ya around 6:30-ish!

From Loopers-Delight-request@annihilist.com  Fri Apr  7 15:32:14 2000
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Message-ID: <4495C77AB577D31199120008C756D0C41303A5@migarexch01.maritz.com>
From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject:  Front BC, Lynn Johnston, stinson/liebig/berardi @ No Future Cafe
	  
Date: Fri, 7 Apr 2000 14:39:39 -0400 
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sorry for the late notice.

stinson/liebig/berardi@

The address is 1500 E. Walnut (cross-street: Harkness), Pasadena  91106. USA

Apparently, they only have a pay-phone at the cafe.

There is a website at: www.greenheart.com/pfc/nofuture 

(we are supposed to play at 10 p.m.)

g.e. stinson: guitars, implements, loopage, etc.
steuart liebig: basses, applied technology, loopage
joe berardi: drumset/percussion ++ ??



with Front BC, Lynn Johnston @ No Future Cafe 

Date: Friday, April 7, 2000 
Time: 8:00PM - 12:00AM PDT (GMT-07:00) 

Front BC -
Brian Christopherson - dr
Gardo Ramirez - gt, bs
Jeremy Keller - gt
Rich - kbd
In Pasadena
Will update w/ address, phone# 

 

From Loopers-Delight-request@annihilist.com  Fri Apr  7 15:23:58 2000
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Message-ID: <38EE314D.652A@earthlink.net>
Date: Fri, 07 Apr 2000 12:04:45 -0700
From: scott kungha drengsen <kungha@earthlink.net>
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Hi Miko,
I'm very interested in getting together and Sun.usually works great for
me too. Please keep me in mind.
Scott Kungha Drengsen
http://www.basscapes.com

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> I will also want to check out the Digitech whammy

A friend and I just tried it this afternoon (he has the original).  It's
built like a tank, but they've changed the components.  I was unimpressed
with the reissue and would not recommend it-the original is much superior in
my opinion.  Something to consider...

~dp

____________________________
A disciplined mind brings happiness.


From Loopers-Delight-request@annihilist.com  Fri Apr  7 16:15:30 2000
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Message-ID: <38EE3DA1.688A@club-internet.fr>
Date: Fri, 07 Apr 2000 21:57:21 +0200
From: PERILLE <perille@club-internet.fr>
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> -----Original Message-----
> From: Mike Biffle [mailto:mbiffle@svg.com]
> Sent: Friday, April 07, 2000 12:50 PM
> To: Loopers-Delight@annihilist.com; papadave55@hotmail.com
> Subject: Re: DJRND2 in Santa Cruz tonight! (at David Potter's)
> 
> 
> Maybe wait and see... It should be pretty easy to repatch if we want
> to juggle around. It may be just as easy to test it using your rig...
> Let's just figure it out then. See ya around 6:30-ish!
> 
> Hmmm....yes, maybe I can fly in from indiana....not

I am even ready to lend it a bit longer to Dave if you wanna check it
out coming from Indiana

Emmanuel

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From: Nemoguitt@aol.com
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Date: Fri, 7 Apr 2000 18:31:19 EDT
Subject: Re: DJRND2/west coast beer loop love fest sunday tea.......
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In a message dated 4/7/00 3:08:55 PM Mid-Atlantic Daylight Time, 
mbiffle@svg.com writes:

<<  My couch is your couch Eric! >>

i think theres a song in here someplace..............or is it one of those 
"west coast" things.............i  hope that you all do get together and put 
out a set of cds...........that would be great..............the whole world 
is watchin...............:)...............michael

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deatils of show announced yesterday
on list somewhat below accurate.


re:
anti:clockwise at ft. thunder sat. 4/15

for "bikini kill" read "le tigre"

sorry for error


a:c










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Date: Fri, 07 Apr 2000 21:05:58 -0400
From: David Beardsley <xouoxno@virtulink.com>
Organization: SSI
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> Mike Bruggeman wrote:
> 
> TAKE US OFF OF YOUR LIST IMMEDIATELY!!!!!!!!
> I HAVE NEVER GOT SO MUCH E-MAIL THAT WAS WORTHLESS TO US.  WE HAVE
> GOOTEN OVER 4 E-MAILS TODAY FROM JUST YOUR SITE.  WE ARE NOT
> INTERESTED.

4 whole emailz? I get about 100 - 200 a day from
various lists. Big deal.


-- 
* D a v i d         B e a r d s l e y
*           xouoxno@virtulink.com
*
* 49/32  R a d i o "all microtonal, all the time"
* M E L A  v i r t u a l  d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

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Date: Sat, 8 Apr 2000 05:55:46 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: volume pedal help
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Re: volume pedal help</title></head><body>
<blockquote type="cite" cite><font size="-1">I just got a used ernie
ball volume pedal--my first volume pedal--and find it produces a very
slight, gradual increase until the last 1/2&quot; of travel, when it
suddenly goes through the entire usable range--as if it's logarithmic
rather than linear.&nbsp; I'm finding it&nbsp;hard to use effectively
for anything but full on-full off shifts, when what I want is the
ability to modulate&nbsp;volume more subtly.&nbsp; So my
question:&nbsp; is this normal?&nbsp; Do I just need to work on my
technique, or is there something I'm missing?&nbsp; another pedal
that might work better for my needs?</font></blockquote>
<blockquote type="cite" cite><font size="-1">thanks for any and all
help--</font></blockquote>
<blockquote type="cite" cite><font size="-1">Bruce
Comens</font></blockquote>
<div><br></div>
<div>This can also happen if you connect the pedal to a lower
impedance that its potentiomenter is.</div>

<div><br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ---&gt;
http://Matthias.Grob.org</div>
</body>
</html>

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Subject: Re: OT: Octave
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In a message dated 06/04/00 20:33:18 GMT Daylight Time, 
steve@steve-lawson.co.uk writes:

> Thanks! Any other bassists on here?
It's my first instrument.(Fender jazz fretless)
Though lately I've been playing more guitar, especially
for looping.

Andy Butler

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From: Echophazer@aol.com
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Date: Sat, 8 Apr 2000 10:09:10 EDT
Subject: Re: eyeball ... was Re: Octave
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$600 and specs that lead me to believe half the signal out is noise? What 
justifies the price? It must be those googley eyes on the knobs!

From Loopers-Delight-request@annihilist.com  Sat Apr  8 11:04:49 2000
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From: SoundFNR@aol.com
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Subject: Re: volume pedal help
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In a message dated 07/04/00 17:39:33 GMT Daylight Time, become2@fast.net 
writes:

> I just got a used ernie ball volume pedal--my first volume pedal--and find 
it 
> produces a very slight, gradual increase until the last 1/2" of travel, 
when 
> it suddenly goes through the entire usable range--as if it's logarithmic 
> rather than linear. 
most vol peds are log.
as someone else mentioned your most likely suffering from the low impedance 
of one of the devices connected.

The solution
Swap round the input and output jacks on the vol ped, it may work.




Andy Butler
Lexicon Vortex Database 
http://members.aol.com/soundfnr/vortex.htm

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In a message dated 4/7/0 3:02:19 AM, PJBMHB@aol.com writes:

>are knitting factories going to become like hardrock cafes? i want my 
>knitting factory, london tee-shirt! =-) PJ

Now that's a kind of corporate world-domination strategy I could live with.
How about Knitting Factory Las Vegas!  I think it'd be a whole new market for 
adventurous musicians - I just don't get enough ambient guitar gigs for drunk 
old gamblers and tourists these days.

eric p
echo park

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SoundFNR@aol.com wrote:
> 
> In a message dated 06/04/00 20:33:18 GMT Daylight Time,
> steve@steve-lawson.co.uk writes:
> 
> > Thanks! Any other bassists on here?
> It's my first instrument.(Fender jazz fretless)
> Though lately I've been playing more guitar, especially
> for looping.
 
> Andy Butler
I play 6-string fretless,6 string EUB,(Day Job and looping)acoustic bass
guitar and upright bass(very occasional day job,never looped yet)
Even as I write this,a 12 string fretless is coming into being that I
anticipate will be my main looping bass.
What's up Stig? Jesus? Bobdog(with your basslike thingies:)and,(please
forgive me for not knowing your contact info(I've been meaning to find
you)the man who loops upright electric electric bass bowed w/computer
software he writes himself !!   
Scott Kungha Drengsen
http://www.basscapes.com

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In a message dated 4/7/0 9:42:24 AM, bienappraisers@mindspring.com writes:

>I suppose the EH Microsynth
> is one that stands out and the Blue Box is something I need to hear although
>I really would like 100% clean option with solid tracking- 

The Micro SYnth is definitely worth investigating, but it doesn't pass the 
cleanest direct signal, either, especially when you have a filter sweep or 
cut dialed in, the guitar signal is also affected.

When trying it out, I suggest setting the filters (start and stop freqs.) all 
the way up, the resonance all the way down, and Rate all the way down. This 
should pass the cleanest guitar signal. You'll want to start with thw Guitar 
level all the way up. Then dial in your octaves (one up and one down) and 
square wave (which is a cool distortion/fuzz). I like to bring the start/stop 
freq. filters down to temper the fizz a bit, but unfortunately the trade-off 
is that you'll be cutting the direct guitar's highs, too.  But you might find 
a happy medium. Great pedal. Try the Bass version, too it has a warmer, 
thicker filter section. These can be had for about $240, I bought one at cost 
for $190 I think.

>     I will also want to check out the Digitech whammy as having dynamic
>foot control over the octave effect would be great- this does bring into
>mind looking into all-in-ones ie GT-3/GT5 etc but I am more fond of
>individuals- but you sure cant program em the way you can a multi....hmmm-
>getting more interesting pondering all the time... there just seems to
>always be a trade off when you look into all-in ones- - -

I am very much a pedal guy, I love working with them like little modules and 
arranging them however I please each night, always trying new/old stuff...
...BUT...  I picked up a GT-5 because it was great deal ($250 used, but never 
used!), AND... it's really great!  I'm having a great time and the OCTAVES 
are, I believe VERY GOOD. Combining the octaves with 
compressor/preamp/eq/filtered reverb, etc.  really makes for some good, 
solid, tones. I have dialed natural sounding octaves both one and two below 
or above and the tracking is impressive. But I also have more extreme 
sizzling/throbbing high and low stuff going on.  It DEFINITELY takes some 
considerate tweaking to make a good pitch shift - don't be turned off by the 
factory presets, they are almost all very lame. I have a very easy time 
programming the GT, I've only glanced at the manual a coule of times to learn 
out to arrange effect order, etc.  If buying new, it seems the newer, smaller 
GT-3 is the bargain unit, but I prefer the 5. I don't think I'd pay full 
price for a new one, though, they should really drop the price on them. 

>
>     Does anyone know if any of these have a programmable 1/4" out whereby
>you could have certain patches where the expression pedal would be
>controlling the EDP feedback?

Not via 1/4", but I believe you could assign the EXP pedal to a MIDI cc# if 
the plex will do feedback control via MIDI. The myriad possibilities of 
implementing the GT's pedal is really cool.

Hey Miko - am I right about this?  Miko and LD'er David Coffin are long time 
GT-5 users.

eric p
echo park

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From: "steve lawson" <steve@steve-lawson.co.uk>
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>I play 6-string fretless,6 string EUB,(Day Job and looping)acoustic bass
>guitar and upright bass(very occasional day job,never looped yet)
>Even as I write this,a 12 string fretless is coming into being that I
>anticipate will be my main looping bass.
>What's up Stig? Jesus? Bobdog(with your basslike thingies:)and,(please
>forgive me for not knowing your contact info(I've been meaning to find
>you)the man who loops upright electric electric bass bowed w/computer
>software he writes himself !!
>Scott Kungha Drengsen
>http://www.basscapes.com


Sounds good - I'll have to check out your page..

Andy, it's interesting that you choose guitar over bass for looping - why's
that? I find that the range of sounds that I can get with a bass is more
than I could with a guitar (that's not to say that there aren't guitarists
doing interesting loop stuff, just that I can't imagine bass being so
limited as to have to switch to guitar for looping stuff...)

I use a 6 string fretless, 4 string fretted and 5 string 'amplicoustic'
bass, and get a pretty wide range of sounds... Have a listen to the real
audio on my site, if you like! :o)

cheers

Steve
http://www.steve-lawson.co.uk - subscribe to my new mailing list here.
steve@steve-lawson.co.uk

"I know there's a balance, I see it every time I swing past."
                                                           - John Mellencamp

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In a message dated 4/8/0 7:14:38 AM, Echophazer@aol.com writes:

>$600 and specs that lead me to believe half the signal out is noise? What
>justifies the price? It must be those googley eyes on the knobs!

I played with it at NAMM - it's pretty cool. One of the easier filter things 
I've tried, yet still unpredictable in a fun way. Sort of a Meatball in a 
rack,  and actually has pretty darn good fidelity from what I remember. But 
the Meatball being a pedal is so easy to take around, it's very handy for me. 
 Is that list price?  Getting into Sherman Filterbank territory, and to me 
that's the best sounding one I've heard.  Interesting times for filter fans - 
Filter Factory is very cool and does MIDI sync! They have a new Stereo Filter 
Queen, too.  I guess we can thank the modern DJ/dance music crowd for all 
this!

eric p
echo park

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From: "Timothy" <wanderlost@crosswinds.net>
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Subject: Looking for Drum Loops
Date: Sat, 8 Apr 2000 12:52:34 -0500
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I'm searching for some good samples of drum beats for used with some
loop-based music I'm doing.  I bought some of the "loops for acid" cds and a
steinberg "sounds & cycles" cd.  They have some funky segments but I'd still
like more, more more!!!!!

<wiping drool from chin>

Basically I need .WAV files of drum beats and riffs that I can loop.  Does
anyone know of or have any resources they can tell me about?  The styles I'm
interested in are organic drum sounds (i.e. actual drums, not rhythms done by
layering tweaked analog synth sounds or vocal percussion) funk / house /
groove / and hard rock.

From Loopers-Delight-request@annihilist.com  Sat Apr  8 14:37:48 2000
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To: Loopers-Delight@annihilist.com
From: improv@peak.org (Dave Trenkel)
Subject: Re: OT:bassists
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My job has put me into deep-lurk mode on this list lately, but I loop
6-string bass and 5-string piccolo bass, my live pedal-board has a Line-6
DL4 and a boomerang, plus I also have a JamMan, a Vortex and a number of
cheap analog and digital delays I've acquired over the years. I also loop
keyboards, modular synth, tapes, and just about anything else that makes a
noise. One recent strategy has been to fill a boss SP202 with sounds from
the gig, ambient noise, opening bands, etc, and through that into the mix.
In a few weeks, we'll be debuting minus+, which is us plus monster bassist
Fred Chalenor, we'll be playing and recording in Seattle soon.

>>I play 6-string fretless,6 string EUB,(Day Job and looping)acoustic bass
>>guitar and upright bass(very occasional day job,never looped yet)
>>Even as I write this,a 12 string fretless is coming into being that I
>>anticipate will be my main looping bass.
>>What's up Stig? Jesus? Bobdog(with your basslike thingies:)and,(please
>>forgive me for not knowing your contact info(I've been meaning to find
>>you)the man who loops upright electric electric bass bowed w/computer
>>software he writes himself !!
>>Scott Kungha Drengsen
>>http://www.basscapes.com
>
>
>Sounds good - I'll have to check out your page..
>
>Andy, it's interesting that you choose guitar over bass for looping - why's
>that? I find that the range of sounds that I can get with a bass is more
>than I could with a guitar (that's not to say that there aren't guitarists
>doing interesting loop stuff, just that I can't imagine bass being so
>limited as to have to switch to guitar for looping stuff...)
>
>I use a 6 string fretless, 4 string fretted and 5 string 'amplicoustic'
>bass, and get a pretty wide range of sounds... Have a listen to the real
>audio on my site, if you like! :o)
>
>cheers
>
>Steve
>http://www.steve-lawson.co.uk - subscribe to my new mailing list here.
>steve@steve-lawson.co.uk
>
>"I know there's a balance, I see it every time I swing past."
>                                                           - John Mellencamp

____________________________________________
Dave Trenkel : improv@peak.org
Minus Web Site: http://listen.to/minusmusic
Minus MP3's: http://www.mp3.com/-minus-
____________________________________________


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From: Echoechoparkpark@aol.com
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In a message dated 4/7/0 6:23:51 PM, xouoxno@virtulink.com writes:

>> Mike Bruggeman wrote:
>> 
>> TAKE US OFF OF YOUR LIST IMMEDIATELY!!!!!!!!
>> I HAVE NEVER GOT SO MUCH E-MAIL THAT WAS WORTHLESS TO US.  WE HAVE
>> GOOTEN OVER 4 E-MAILS TODAY FROM JUST YOUR SITE.  WE ARE NOT
>> INTERESTED.


>4 whole emailz? I get about 100 - 200 a day from
>various lists. Big deal.

No, No.  You don't understand the problem. He said OVER 4 E-MAILS!  Now 
*that's* impressive!

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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <a6.2bb582c.2620d1ea@aol.com>
Subject: Re: eyeball ...and other Filters
Date: Sat, 8 Apr 2000 14:53:58 -0400
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Also worth checking out is Paula Perry's Frostwave pedal.
It's based on the same circuitry as the old Korg MS-20
analog synth. In the same vein, are the analog filter
modules from Synthtech.

And for the price of of an Eyeball you could get one of
each, with a little left over for McDonalds. :)

- Larry
----- Original Message -----
From: <Echoechoparkpark@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, April 08, 2000 2:18 PM
Subject: Re: eyeball ...


>
> In a message dated 4/8/0 7:14:38 AM, Echophazer@aol.com writes:
>
> >$600 and specs that lead me to believe half the signal out is noise? What
> >justifies the price? It must be those googley eyes on the knobs!
>
> I played with it at NAMM - it's pretty cool. One of the easier filter
things
> I've tried, yet still unpredictable in a fun way. Sort of a Meatball in a
> rack,  and actually has pretty darn good fidelity from what I remember.
But
> the Meatball being a pedal is so easy to take around, it's very handy for
me.
>  Is that list price?  Getting into Sherman Filterbank territory, and to me
> that's the best sounding one I've heard.  Interesting times for filter
fans -
> Filter Factory is very cool and does MIDI sync! They have a new Stereo
Filter
> Queen, too.  I guess we can thank the modern DJ/dance music crowd for all
> this!
>
> eric p
> echo park
>
>

From Loopers-Delight-request@annihilist.com  Sat Apr  8 15:01:42 2000
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Subject: Re: Looking for Drum Loops
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Go to Yahoo!, search for "Drum Loops" (include quotes)
and there ya go. also, try "Drum samples".

One of the best sources is SampleNet. Thousands of loops
and sounds for free.

- Larry T

----- Original Message -----
From: "Timothy" <wanderlost@crosswinds.net>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, April 08, 2000 1:52 PM
Subject: Looking for Drum Loops


> I'm searching for some good samples of drum beats for used with some
> loop-based music I'm doing.  I bought some of the "loops for acid" cds and
a
> steinberg "sounds & cycles" cd.  They have some funky segments but I'd
still
> like more, more more!!!!!
>
> <wiping drool from chin>
>
> Basically I need .WAV files of drum beats and riffs that I can loop.  Does
> anyone know of or have any resources they can tell me about?  The styles
I'm
> interested in are organic drum sounds (i.e. actual drums, not rhythms done
by
> layering tweaked analog synth sounds or vocal percussion) funk / house /
> groove / and hard rock.
>
>

From Loopers-Delight-request@annihilist.com  Sat Apr  8 15:52:26 2000
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Subject: Re: Looking for Drum Loops
Date: Sat, 08 Apr 2000 12:35:36 PDT
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There's a drummer on mp3.com named david goode who makes stuff specifically 
for sampling:

http://artists.mp3s.com/artists/27/free_drum_loopzzz.html

Matt

>From: "Timothy" <wanderlost@crosswinds.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Looking for Drum Loops
>Date: Sat, 8 Apr 2000 12:52:34 -0500
>
>I'm searching for some good samples of drum beats for used with some
>loop-based music I'm doing.  I bought some of the "loops for acid" cds and 
>a
>steinberg "sounds & cycles" cd.  They have some funky segments but I'd 
>still
>like more, more more!!!!!
>
><wiping drool from chin>
>
>Basically I need .WAV files of drum beats and riffs that I can loop.  Does
>anyone know of or have any resources they can tell me about?  The styles 
>I'm
>interested in are organic drum sounds (i.e. actual drums, not rhythms done 
>by
>layering tweaked analog synth sounds or vocal percussion) funk / house /
>groove / and hard rock.
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Apr  8 16:02:13 2000
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Date: Sat, 08 Apr 2000 15:48:44 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Re:OT: Octave
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At 01:58 PM 4/8/00 EDT, you wrote:
...(regarding) the EH Microsynth...
>>  Try the Bass version, too it has a warmer, 
>thicker filter section.

There's something akin to an urban legend circulating about the regular and
Bass Microsynths.

Supposedly, according to a statement attributed to someone involved with
EH's design team, the only difference between the two units is the graphics
screened onto the sheet metal case; the electronics inside are identical.
(Did you once mention this, Javier, or was it someone else?)

On the other hand, I've heard from several people who have owned and used
both versions and claim that there IS an audible difference.

Does anyone have any privileged info about this that they'd care to share?

Tim

 

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Subject: Re: Re:OT: Octave
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Thanks Eric- very helpful response- breaking out my EDP manual later-
although if using midi for the feedback control any drum syncing is out- but
then again I need to hook up with a real drummer anyway- Thanks again-

P.S. I'm in L.A.- let me know the next time you are playing around here-
would be nice-

Cliff
----- Original Message -----
From: <Echoechoparkpark@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, April 08, 2000 10:58 AM
Subject: Re: Re:OT: Octave


>
> In a message dated 4/7/0 9:42:24 AM, bienappraisers@mindspring.com writes:
>
> >I suppose the EH Microsynth
> > is one that stands out and the Blue Box is something I need to hear
although
> >I really would like 100% clean option with solid tracking-
>
> The Micro SYnth is definitely worth investigating, but it doesn't pass the
> cleanest direct signal, either, especially when you have a filter sweep or
> cut dialed in, the guitar signal is also affected.
>
> When trying it out, I suggest setting the filters (start and stop freqs.)
all
> the way up, the resonance all the way down, and Rate all the way down.
This
> should pass the cleanest guitar signal. You'll want to start with thw
Guitar
> level all the way up. Then dial in your octaves (one up and one down) and
> square wave (which is a cool distortion/fuzz). I like to bring the
start/stop
> freq. filters down to temper the fizz a bit, but unfortunately the
trade-off
> is that you'll be cutting the direct guitar's highs, too.  But you might
find
> a happy medium. Great pedal. Try the Bass version, too it has a warmer,
> thicker filter section. These can be had for about $240, I bought one at
cost
> for $190 I think.
>
> >     I will also want to check out the Digitech whammy as having dynamic
> >foot control over the octave effect would be great- this does bring into
> >mind looking into all-in-ones ie GT-3/GT5 etc but I am more fond of
> >individuals- but you sure cant program em the way you can a
multi....hmmm-
> >getting more interesting pondering all the time... there just seems to
> >always be a trade off when you look into all-in ones- - -
>
> I am very much a pedal guy, I love working with them like little modules
and
> arranging them however I please each night, always trying new/old stuff...
> ...BUT...  I picked up a GT-5 because it was great deal ($250 used, but
never
> used!), AND... it's really great!  I'm having a great time and the OCTAVES
> are, I believe VERY GOOD. Combining the octaves with
> compressor/preamp/eq/filtered reverb, etc.  really makes for some good,
> solid, tones. I have dialed natural sounding octaves both one and two
below
> or above and the tracking is impressive. But I also have more extreme
> sizzling/throbbing high and low stuff going on.  It DEFINITELY takes some
> considerate tweaking to make a good pitch shift - don't be turned off by
the
> factory presets, they are almost all very lame. I have a very easy time
> programming the GT, I've only glanced at the manual a coule of times to
learn
> out to arrange effect order, etc.  If buying new, it seems the newer,
smaller
> GT-3 is the bargain unit, but I prefer the 5. I don't think I'd pay full
> price for a new one, though, they should really drop the price on them.
>
> >
> >     Does anyone know if any of these have a programmable 1/4" out
whereby
> >you could have certain patches where the expression pedal would be
> >controlling the EDP feedback?
>
> Not via 1/4", but I believe you could assign the EXP pedal to a MIDI cc#
if
> the plex will do feedback control via MIDI. The myriad possibilities of
> implementing the GT's pedal is really cool.
>
> Hey Miko - am I right about this?  Miko and LD'er David Coffin are long
time
> GT-5 users.
>
> eric p
> echo park
>

From Loopers-Delight-request@annihilist.com  Sat Apr  8 17:16:34 2000
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 have an idea

a simple mod (resistors and a switch?) that could be done to a pedal that would allow you to switch between modes/resistances

(I have a Zoom FP01 and would like to use it with Vortex and Echoplex but it has the short-range problem..)

or an adapter that is male at one end and female at the other (or female-female etc..) and has a switch that lets you select different impedances and/or resistances or somethings so that different expression/volume pedals can be used interchangeably with different equipment.

Ben



----
>>I just got a used ernie ball volume pedal--my first volume pedal--and find it produces a very >>slight, gradual increase until the last 1/2" of travel, when it suddenly goes through the >>entire usable range--as if it's logarithmic rather than linear.  I'm finding it hard to use >>effectively for anything but full on-full off shifts, when what I want is the ability to >>modulate volume more subtly.  So my question:  >>is this normal?  Do I just need to work on my technique, or is there something I'm missing?  >>another pedal that might work better for my needs?
>>thanks for any and all help--
Bruce Comens
>>

>This can also happen if you connect the pedal to a lower impedance that its potentiomenter is.
>

>         ---> http://Matthias.Grob.org






What are you N2?  Choose from 150 free e-mail addresses.
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From Loopers-Delight-request@annihilist.com  Sat Apr  8 22:15:35 2000
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From: Jax1723@aol.com
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Date: Sat, 8 Apr 2000 22:09:11 EDT
Subject: Re: DJRND2 in Santa Cruz tonight!
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In a message dated 4/8/2000 2:39:41 PM Eastern Daylight Time, 
Loopers-Delight-d-request@annihilist.com writes:

> Re: DJRND2 in Santa Cruz tonight!

So what's the verdict???  My understanding is that it was primarily designed 
to be used in a dj setup...  how does it translate in other (guitar, bass, 
percussion, etc.) setups?
just curious
jack

From Loopers-Delight-request@annihilist.com  Sat Apr  8 23:25:14 2000
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yep, i'm a loopin' bottom dweller as well :-)  like steve, i play a turner 
renassaince fretless 4 as well as a turner renassaince piccolo fretted 5 
among others...  i also agree with steve on the sonic range of contemporary 
basses. in addition to this, the possibilities are now endless with the 
myriad of pitch effects out there. i use a yamaha spx90 for pitch shifting 
and a boss harmonizer and digitech spacestation for other 'artificial' note 
stuff. really tho', whichever instrument allows to you express your ideas 
the best is cool with me :-)

i really dug your ren tracks steve! wonder if the loopers will think you're 
cute too (an inside bottom line joke)   :-)

tony

ps - i'll be in socal for good in 3 weeks. can't wait to catch all the 
action! see you soon eric!
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Apr  8 23:35:12 2000
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From: "Daniel D. Ferguson" <breakz@hom.net>
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Subject: Re: eyeball ...and other Filters
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Loopers or Larry,
Is there a URL for his Frostwave pedal?
Does it sound pretty close to the MS-20 or sound unique?
How much do they sell for?

thanks,
Daniel



>Also worth checking out is Paula Perry's Frostwave pedal.
>It's based on the same circuitry as the old Korg MS-20
>analog synth. In the same vein, are the analog filter
>modules from Synthtech.
>
>- Larry

From Loopers-Delight-request@annihilist.com  Sun Apr  9 01:57:33 2000
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From: ENAT21213@aol.com
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Date: Sun, 9 Apr 2000 01:52:54 EDT
Subject: loopers with pods?
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anyone out there looping with a pod in there rig?
i just picked one up today.....pretty neat piece
the one thing thats bugging me though is the latency between program 
changes........seem like it could be potentially annoying in live situations.

i'm using a midi pedal to switch from sound to sound.

anyone else experiencing this problem?

anyone know if the line 6 pedal board makes the pod react the same?

thanks for any advice in advance!
brian
ebnoise

From Loopers-Delight-request@annihilist.com  Sun Apr  9 03:33:58 2000
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Subject: Re: Looking for Drum Loops
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How ingenious.  Boy do I feel dumb.

FYI:  when I tried it, SampleNet's URL didn't work.  But they sound bitchin'.

Thanks,
Tim

----- Original Message ----- 
From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, April 08, 2000 2:02 PM
Subject: Re: Looking for Drum Loops


> Go to Yahoo!, search for "Drum Loops" (include quotes)
> and there ya go. also, try "Drum samples".
> 
> One of the best sources is SampleNet. Thousands of loops
> and sounds for free.
> 
> - Larry T

From Loopers-Delight-request@annihilist.com  Sun Apr  9 06:54:29 2000
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Thanks all for the responses--
 I'm running the vol pedal into a dl4 (in the amp effects loop), which
doesn't seem very esoteric, but swapping the input and output made a big
improvement--still not what I'd like, but definitely usable.  I'll also try
a stereo pedal when I get a chance, to see if that improves things even
more.


From Loopers-Delight-request@annihilist.com  Sun Apr  9 08:33:08 2000
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From: "steve lawson" <steve@steve-lawson.co.uk>
To: "Loop List" <Loopers-Delight@annihilist.com>
Subject: Re: OT:bassists
Date: Sun, 9 Apr 2000 12:08:19 +0100
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>yep, i'm a loopin' bottom dweller as well :-)  like steve, i play a turner
>renassaince fretless 4 as well as a turner renassaince piccolo fretted 5
>among others...

Piccolo Renassaince? What a great concept - have you got any sound files?
What strings do you have on it.. I actually find looping the Ren a bit of a
challenge as the sound is so full that it's difficult to find space on top
of it... hence the long solo introduction on 'conversation'... One thing
I've learnt from looping is the ability to 'arrange' on the fly... if I'm
playing in a band now, I'm constantly listening for where my line fits in
the scheme of things, the same as adding another layer to a loop... My
emphasis has gone away from the chops and flash stuff that I was into at
college all those years ago, onto melody and texture and vibe. I guess
that's why I'm so into Bill Frisell - he's got amazing technique, but
applies it to tone and sound, not speed and pyrotechnics...

> i also agree with steve on the sonic range of contemporary
>basses. in addition to this, the possibilities are now endless with the
>myriad of pitch effects out there. i use a yamaha spx90 for pitch shifting
>and a boss harmonizer and digitech spacestation for other 'artificial' note
>stuff. really tho', whichever instrument allows to you express your ideas
>the best is cool with me :-)

I don't even think that the pitch shift is 'needed', though it is a cool
effect... Harmonics on a bass, whether false or natural, are such a great
sound, and work so well for looping and layering...

>i really dug your ren tracks steve! wonder if the loopers will think you're
>cute too (an inside bottom line joke)   :-)

LOL - I'm glad you like the tunes. :o)

Steve
http://www.steve-lawson.co.uk - subscribe to my new mailing list here.
steve@steve-lawson.co.uk

"I know there's a balance, I see it every time I swing past."
                                                           - John Mellencamp


From Loopers-Delight-request@annihilist.com  Sun Apr  9 10:25:37 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: "Daniel D. Ferguson" <breakz@hom.net>, <Loopers-Delight@annihilist.com>
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Subject: Re: eyeball ...and other Filters
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Paul's site for the Frostwave and other great
products - nice ring modulator called Blue 
Ringer - can be found at www.frostwave.com.

The Frostwave pedal is a clone of the MS-20 
resonant filter - it self-oscillates and 
everything - it's switchable between high-pass
and lowpass too. 

Highly recommended. About $167.00 USD.

There's a demo and info at:
http://www.frostwave.com/oldindex.html

- Larry

----- Original Message ----- 
From: "Daniel D. Ferguson" <breakz@hom.net>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, April 08, 2000 11:17 PM
Subject: Re: eyeball ...and other Filters


> Loopers or Larry,
> Is there a URL for his Frostwave pedal?
> Does it sound pretty close to the MS-20 or sound unique?
> How much do they sell for?
> 
> thanks,
> Daniel
> 
> 
> 
> >Also worth checking out is Paula Perry's Frostwave pedal.
> >It's based on the same circuitry as the old Korg MS-20
> >analog synth. In the same vein, are the analog filter
> >modules from Synthtech.
> >
> >- Larry
> 
> 

From Loopers-Delight-request@annihilist.com  Sun Apr  9 10:21:48 2000
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Subject: Re: Looking for Drum Loops
Date: Sun, 9 Apr 2000 10:22:31 -0400
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The whole FutureNet site seems to be down.

Phatso's place has 100's of drum loop samples
with WAV previews. Annoted with sources too.
Excellent.

http://www.2xtreme.net/mhat/drums.html

Try also: Analog Samples - great source for
analog synth and drum sounds.

http://www.analoguesamples.com/

There's a billion sites, really...

- Larry

----- Original Message -----
From: "Timothy" <wanderlost@crosswinds.net>
To: <Loopers-Delight@annihilist.com>
Sent: Sunday, April 09, 2000 3:25 AM
Subject: Re: Looking for Drum Loops


> How ingenious.  Boy do I feel dumb.
>
> FYI:  when I tried it, SampleNet's URL didn't work.  But they sound
bitchin'.
>
> Thanks,
> Tim
>
> ----- Original Message -----
> From: "Larry Tremblay" <ltct@concentric.net>
> To: <Loopers-Delight@annihilist.com>
> Sent: Saturday, April 08, 2000 2:02 PM
> Subject: Re: Looking for Drum Loops
>
>
> > Go to Yahoo!, search for "Drum Loops" (include quotes)
> > and there ya go. also, try "Drum samples".
> >
> > One of the best sources is SampleNet. Thousands of loops
> > and sounds for free.
> >
> > - Larry T
>
>

From Loopers-Delight-request@annihilist.com  Sun Apr  9 12:50:39 2000
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From: SketchyJoe@aol.com
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Date: Sun, 9 Apr 2000 12:44:24 EDT
Subject: dl-4 question
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I'm assuming that this has been discussed before, but how much of an effect 
does the unit have on tone.  I'm seriously considering ditching my digitech 
unit in favor of a device that loops as transparently as possible.  Thank you 
kindly.

Later!
Joe

From Loopers-Delight-request@annihilist.com  Sun Apr  9 13:00:41 2000
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Date: Sun, 09 Apr 2000 12:59:15 -0400
Subject: Any new EDPs yet?
From: Doug Miller <dmiller3@columbus.rr.com>
To: <Loopers-Delight@annihilist.com>
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Has anyone gotten one of the new batch of EDPs yet?
 
______________________________________
Doug Miller
Illustrator/graphic designer
http://home.columbus.rr.com/dougmiller

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Yeah, I said something about this before.  I have several EH things, and
until 1991 I had both MS and BMS (my BMS was stolen from my car).  Mike
Matthews, owner and designer of a lot of EH stuff, told me years ago that
the only difference was the design on the box, since they were the same
price, inside they were the same.  Even so, I noticed the difference between
my MS and my BMS.  The BMS had more bottom, more presence.  I think Mike's
argument was that there was a slight difference in the manufacturing of
several electronic parts, and that they all sounded a little bit different.
So, the theory goes, you could also end up somewhere comparing an MS and a
BMS where the MS had a lot more bottom.
	But I always had some EQ down the line from the MS, so I made up for the
difference after my BMS was gone; but I miss that unit.  I once saw a cover
band from Lancaster, Pennsylvania, playing Zappa's "Zoot Allures," and the
guitarist, all of 16 years-old, I think, was using the EH "Equalizer,"
whatever it was called, full blast on a lot of frequencies, and he rocked.
His tone was incredible.  EQ alone is a great help.  Another great EH unit
was the "Graphic Fuzz," which had variable fuzz with an 8-band EQ built in--
that was great, especially if you could feedback through an amp.
	I don't know if the next-generation EH MS and BMS are designed the same way
as before; I assume they are, since Matthews wants to cash in on the
"vintage" craze.  In that case, even now the MS and BMS are the same inside
but painted different outside.
	Who knows?  Maybe the whole confusion is psychosomatic, where we "want" the
BMS to sound fatter than the MS, and so it does.

  | -----Original Message-----
  | From: Tim Nelson [mailto:tcn62@ici.net]
  | Sent: Saturday 08 April 2000 12:49 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Re:OT: Octave
  |
  |
  | At 01:58 PM 4/8/00 EDT, you wrote:  ...(regarding) the EH Microsynth...
>>  Try the Bass version, too it has a warmer,  >thicker filter section.
  |
  | There's something akin to an urban legend circulating about the regular
and Bass Microsynths.
  |
  | Supposedly, according to a statement attributed to someone involved with
EH's design team, the only difference between the two units is the graphics
screened onto the sheet metal case; the electronics inside are identical.
(Did you once mention this, Javier, or was it someone else?)
  |
  | On the other hand, I've heard from several people who have owned and
usedboth versions and claim that there IS an audible difference.
  |
  | Does anyone have any privileged info about this that they'd care to
share?
  |
  | Tim


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From Loopers-Delight-request@annihilist.com  Sun Apr  9 14:04:13 2000
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Date: Sun, 9 Apr 2000 13:59:42 -0400 (EDT)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: OT:bassists
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I mainly loop with my basses and cello.  I haven't tried using my fretless
for looping, but I do a lot of looping with my 4 and 8 string basses and
my five string electric cello.  I'm constantly fooling around with my
set-up, but I've put some of my favorite gear arrangements on my web
pages:
http://www.intonarumori.com/Equipment/index.html

Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/


From Loopers-Delight-request@annihilist.com  Sun Apr  9 14:26:36 2000
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Date: Sun, 09 Apr 2000 11:22:01 -0700
Subject: Re: EH Microsynth differences
From: Tiktok <tiktok@sprintmail.com>
To: <Loopers-Delight@annihilist.com>
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You're looking for a source more privileged than someone from the EH design
team...?
My own recollection is that several of the chorus-type units were the same
except for the external graphics (this was from a Guitar Shop interview with
Mike Matthews).

I'm sure you can find people who hear an audible difference in Microsynths
(or any gear) of the same model.  And then there's Eric Johnson, now
claiming he hears a difference in his Fuzz Face if he secures the bottom
plate with a rubber band instead of a screw.

TravisH

> 
> Supposedly, according to a statement attributed to someone involved with
> EH's design team, the only difference between the two units is the graphics
> screened onto the sheet metal case; the electronics inside are identical.
> (Did you once mention this, Javier, or was it someone else?)
> 
> On the other hand, I've heard from several people who have owned and used
> both versions and claim that there IS an audible difference.
> 
> Does anyone have any privileged info about this that they'd care to share?

From Loopers-Delight-request@annihilist.com  Sun Apr  9 15:02:40 2000
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Date: Sun, 09 Apr 2000 14:38:56 -0400
From: Darcy Clark <darcyc@engin.umich.edu>
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this looks pretty cool - it's basically a free version of Logic Audio
that is capable of sharing audio and midi projects with other users
around the world in essentially real-time. I think this would be a fun
thing to use for online looper collaborations....maybe even a weekly
online loop session. Please post to the list if you think this could
work and we'll try to get something going.

http://www.harmony-central.com/Rocket/

cheers,

Darcy

From Loopers-Delight-request@annihilist.com  Sun Apr  9 16:09:14 2000
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Date: Sun, 09 Apr 2000 22:05:48 +0200
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Subject: Mede Mede !!!
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Mede Mede !!!

missing in action : Dave Potter and Mike Biffle

Have they been swallowed by the french looper ?

Will they survive from the alien machine ?

We will probably know it ... or never

Same loop time, same loop channel

From Loopers-Delight-request@annihilist.com  Sun Apr  9 16:09:53 2000
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That's not true, is it?  Where did you hear that?  I'll secure his bottom
plate with a screw...

----- Original Message -----
> And then there's Eric Johnson, now
> claiming he hears a difference in his Fuzz Face if he secures the bottom
> plate with a rubber band instead of a screw.
>
> TravisH

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From: DanKoontz@webtv.net (Dan Koontz)
Date: Sun, 9 Apr 2000 14:52:39 -0700 (PDT)
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From: DanKoontz@webtv.net (Dan Koontz)
Date: Sun, 9 Apr 2000 02:20:43 -0700 (PDT)
To: Loopersdelight@annihilist.com
Subject: Akai S2000 looping
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I have a question for any experienced S2000 users: when I set a loop
within a sample, how do I trim all the sound before the sample starts,
so when I trigger the sample, it starts on the loop. What I tried doing
was setting te "trim start" and "trim end" points where I wanted the
loop to start and end. Then, I would calculate the space between these
two numbers (trim end minus trim start), and have that number be the
"loop length", but it doesn't let me set a length that long. I haven't
found anything in the manual that shows how to do just a loop, no extra
sound, I hope the answer isn't too obvious so I look like a jackass,
thanks in advance for any advice.    - Dan 


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From Loopers-Delight-request@annihilist.com  Sun Apr  9 20:53:18 2000
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steve lawson made a good point about the use of 'artificial' harmonics in 
extending the bass sonic range in the 'bassist' thread (on the loopers 
list). i have a vague idea of how to execute this and have certainly heard 
it on all the obvious jaco stuff. so would anyone care to elaborate on this 
technique? i've always been intrigued by it but only lately have been in the 
position to actually use it. so, time to woodshed for a bit :-)  thanks for 
any advice!

tony
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Hey, I downloaded it.  I'll be doing some reading then; can we experiment
later on this week?  This looks pretty cool.  Thanks for the tip!

  | -----Original Message-----
  | From: Darcy Clark [mailto:darcyc@engin.umich.edu]
  | Sent: Sunday 09 April 2000 11:39 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: online audio/midi collaboration network

  | this looks pretty cool - it's basically a free version of Logic Audio
  | that is capable of sharing audio and midi projects with other users
  | around the world in essentially real-time. I think this would be a fun
  | thing to use for online looper collaborations....maybe even a weekly
  | online loop session. Please post to the list if you think this could
  | work and we'll try to get something going.
  | http://www.harmony-central.com/Rocket/
  | cheers,
  | Darcy


__________________________________________________
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Talk to your friends online with Yahoo! Messenger.
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From Loopers-Delight-request@annihilist.com  Mon Apr 10 02:34:20 2000
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what's this about looping basslike thingies?

i loop basslike thingies; a 4 string fender fretless tuned bead; a weird
kramer fretless ( what used to be a bass)  baritone  tuned  cgcf with
extra drones tuned ccg; fretless tenor tuned cgcf; fretless guitar tuned
cgcgcf; & lotsa different soprano rangee thingies.

a coupla tune that feature this kinda stuff can be found at:
http://www.pseudobuddha.com/nuShell.html
or
http://www.pseudobuddha.com/player.html
if you want to go directly to the sounds.
you'll need flashplayer to dig it & realaudio to hear it.

my favorite of late hasn't been a bass thing though, it's been a
srinivas guitar thingie: a hondo chiquita 1/2  size guitar w/a 7th
string added, tuned chikari cc melody cgcgc (like subramanium's violin)
in an upper octave; it makes for a great contrast with the more bass
oriented stuff tamberwise.

where is this going? you guys all kick ass...

bobdog

From Loopers-Delight-request@annihilist.com  Mon Apr 10 03:23:00 2000
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i had a pod for a coupla weeks; i found the noise floor on the clean
channels to make it  unusable.
i sold it & bought a dl4.

yay for me.

bobdog

From Loopers-Delight-request@annihilist.com  Mon Apr 10 05:53:10 2000
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>steve lawson made a good point about the use of 'artificial' harmonics in
>extending the bass sonic range in the 'bassist' thread (on the loopers
>list). i have a vague idea of how to execute this and have certainly heard
>it on all the obvious jaco stuff. so would anyone care to elaborate on this
>technique? i've always been intrigued by it but only lately have been in
the
>position to actually use it. so, time to woodshed for a bit :-)  thanks for
>any advice!

Practice, is about the only sensible way to tackle it. I can honestly say
that I don't think I've ever seen two people do this the same. I pick with
him index (and sometimes middle) finger nail, using my thumb for the node
point. I've also seen people use the tip of their index finger for the node
and their thumb nail for picking. Using your nails brings out the sound
more.

If you listen to the sound clips on my page, there are some false harmonics
on 6 string fretless on 'The Inner Game', and some rock-tastic distorted
ones on 'The Virtue Of The Small'. The distortion does make them much
easier...

cheers

Steve
http://www.steve-lawson.co.uk - subscribe to my new mailing list here.
steve@steve-lawson.co.uk

"I know there's a balance, I see it every time I swing past."
                                                           - John Mellencamp

From Loopers-Delight-request@annihilist.com  Mon Apr 10 06:17:41 2000
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the dl4 seems pretty transparent to me. i like mine a lot. having the 800ms 
of predelay is great too. i use about 300ms w/ just a touch of modulation. 
sounds very good, especially w/ clean gtr tones. 
                                                        good luck, =-) PJ

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In a message dated 08/04/00 22:16:32 GMT Daylight Time, sop@n2mail.com writes:

> a simple mod (resistors and a switch?) that could be done to a pedal that 
> would allow you to switch between modes/resistances
>  
if you're serious about doing a bit of experimentation 
which may or may not pay off I could send some suggestions
(if that's what you,d like)
Andy Butler

PS and the Zoom peds are Log. Pots. so won't work well for  a Vortex.

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> Andy, it's interesting that you choose guitar over bass for looping - why's
>  that? I find that the range of sounds that I can get with a bass is more
>  than I could with a guitar 
Hi Steve.
Well it's perhaps to do with the type of bass sound that I like use.
Trying to get the sort of depth of tone that would come from an acoustic 
double bass, although I also like enough HF for harmonics.
I find that the bass sound gets a bit murky after 3 layers, but 
then my unlooped technique quite often has 2 or 3 layers already
so to loop it seems a bit superfluous. Usually I find the bass is 
'enough' without looping it.
What you say makes me think though, as I too can probably 
get a few more different sounds out of the bass than I can a guitar.
Sometimes I'm trying to produce a 'drum kit'  out of guitar 
noises ( so far.... wood blocks, tabla-ish, bass drum, shakers, cuica) for
a loop rhythm, probably should try bass for this.   

What I'm really into is audio morphing the guitar with 
a Lexicon Vortex, combined (usually)with longer loops 
from (currently) a JamMan. I'm also working on integrating
a rack full of other FX.

Also combining different delays (+FX) to produce a sort of  fractal image 
from the input, aiming at looping without obvious repetition.

Somehow the guitar sound just seems to turn into something 
new and exciting, I reckon it's all those high frequencies that aren't there
in my bass.   I'm still working on the possibilities.

Guess I'll get round to trying loop bass again sooner or later though.
(...and other stuff of course)

Andy Butler.  



 

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From: "r. dennis" <tonobung@panix.com>
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Subject: knit uber alles
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'scuse me...

but is that "knitting factoryland"...
"six flags over downtown"...
"pedro's south of the step across the border"?


crackin myself up,

a:c


On Sat, 8 Apr 2000 Echoechoparkpark@aol.com wrote:

> 
> In a message dated 4/7/0 3:02:19 AM, PJBMHB@aol.com writes:
> 
> >are knitting factories going to become like hardrock cafes? i want my 
> >knitting factory, london tee-shirt! =-) PJ
> 
> Now that's a kind of corporate world-domination strategy I could live with.
> How about Knitting Factory Las Vegas!  I think it'd be a whole new market for 
> adventurous musicians - I just don't get enough ambient guitar gigs for drunk 
> old gamblers and tourists these days.
> 
> eric p
> echo park
> 
> 

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From: "Larry Tremblay" <ltct@concentric.net>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
Subject: FYI: Digitech RDS-8000 8-sec Sampling Delay on eBay
Date: Mon, 10 Apr 2000 12:05:28 -0400
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** NOT mine so do not e-mail me **

For your information: 

Digitech RDS-8000 8-sec Sampling Delay
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=303781642

- Larry T


From Loopers-Delight-request@annihilist.com  Mon Apr 10 12:14:00 2000
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From: kamlapati.khalsa@philips.com
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Subject: Re: dl-4 question
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I think the DL4 is as clean as can be. It is my favorite delay and it is cool as a looper. Did you know that if you hook up the expression pedal you can actually fade a lop in and out and back in again. I use it in front of my EDP and two loops a little 
out of synce will build a great sound wash.

Kamlapati

From Loopers-Delight-request@annihilist.com  Mon Apr 10 12:22:02 2000
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From: Rich <rich@nuvision.com>
Subject: Re: loopers with pods?
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I've been using a POD for about a year now, and IMHO, i think it's one of
the best things since sliced bread... I haven't been using it in my live
rig too much, since i switched bands and moved to bass about 6 months ago.
Recording is really where the POD shines, but lots of folks use it live as
well, running it into the power amp section of their amps, or getting a
transparent power amp and full range speaker setup.  Check out the LUP on
line6's website and go to the POD presets section.  There are alot of
threads there on almost all things POD.

www.line6.com

As far as the switching latency, well, it's the nature of the beast.  What
we are dealing with here is a digital 'model' of amplification circuitry.
When you switch patches, the POD must flush the previous 'model', and load
the new one.  It does take some time, and the floorboard will make no
difference.  Actually, this really frustrated me live, since i wanted to
eliminate my stompboxes if i could, but no go.  There is a POD Pro model on
the way, as well as a POD II.  Line6 claims the switching speed is improved
on both of those. 

rich



 At 01:52 AM 4/9/00 EDT, you wrote:
>anyone out there looping with a pod in there rig?
>i just picked one up today.....pretty neat piece
>the one thing thats bugging me though is the latency between program 
>changes........seem like it could be potentially annoying in live situations.
>
>i'm using a midi pedal to switch from sound to sound.
>
>anyone else experiencing this problem?
>
>anyone know if the line 6 pedal board makes the pod react the same?
>
>thanks for any advice in advance!
>brian
>ebnoise
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 10 12:39:46 2000
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From: Rich <rich@nuvision.com>
Subject: Re: dl-4 question
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The dl4 in looper mode is pretty transparent.  You've got a 24 bit signal
path. Some of the delay modes color the sound dramatically, but that's what
they are supposed to do to mimic the old 'classic' delays.

rich

At 12:44 PM 4/9/00 EDT, you wrote:
>I'm assuming that this has been discussed before, but how much of an effect 
>does the unit have on tone.  I'm seriously considering ditching my digitech 
>unit in favor of a device that loops as transparently as possible.  Thank
you 
>kindly.
>
>Later!
>Joe
>
>

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Date: Mon, 10 Apr 2000 12:41:06 -0400
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cool....I am definitely interested in trying this out later on this
week. I tried it on the weekend and, while it did crash badly once, I
did get into a 'virtual studio' and was able to share mixed audio/midi
project with a bunch of other people. The version of Logic Audio looks
cutback a bit but seems entirely useable for basic audio/midi
sequencing. Keep in mind that if the project contains audio, then you'd
better have a bunch of bandwidth (DSL would be a minumum I would think). 

For those that still don't get what we are talking about here, it is
like a online version of the Logic (a sequencer like CakeWalk, Cubase,
Digital Performer etc...) that allows you to share a project with other
online users. This could be a more immediate way to accomplish
collaborations between users on this list. I certainly would like to get
you guys to help with some of my projects....for instance I usually suck
bad at getting decent bass and percussion loops going.

bye fow now,

Darcy

"Javier Miranda V." wrote:
> 
> Hey, I downloaded it.  I'll be doing some reading then; can we experiment
> later on this week?  This looks pretty cool.  Thanks for the tip!
> 
>   | -----Original Message-----
>   | From: Darcy Clark [mailto:darcyc@engin.umich.edu]
>   | Sent: Sunday 09 April 2000 11:39 AM
>   | To: Loopers-Delight@annihilist.com
>   | Subject: online audio/midi collaboration network
> 
>   | this looks pretty cool - it's basically a free version of Logic Audio
>   | that is capable of sharing audio and midi projects with other users
>   | around the world in essentially real-time. I think this would be a fun
>   | thing to use for online looper collaborations....maybe even a weekly
>   | online loop session. Please post to the list if you think this could
>   | work and we'll try to get something going.
>   | http://www.harmony-central.com/Rocket/
>   | cheers,
>   | Darcy
> 
> __________________________________________________
> Do You Yahoo!?
> Talk to your friends online with Yahoo! Messenger.
> http://im.yahoo.com

-- 
---------------------------------------------------
Ph: (734) 764 3377 
Email: darcyc@engin.umich.edu
URL: http://www-personal.engin.umich.edu/~darcyc/
---------------------------------------------------

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PERILLE writes...
> Mede Mede !!! missing in action : Dave Potter and Mike Biffle Have
they been swallowed by the french looper ? Will they survive from the
alien machine ? We will probably know it ... or never... Same loop
time, same loop channel...

Jack writes...
> So what's the verdict???  My understanding is that it was primarily
designed to be used in a dj setup...  how does it translate in other
(guitar, bass, percussion, etc.) setups? just curious, jack

Hi gang...

I'm expecting possibly a more in-depth review from our buddy David
Potter, but I had a chance to check out the unit and formed a few
quick impressions which I'll list below. I have to apologize to
Perille for not really digging in and trying to understand the unit
better. (more on that below...)

It's housed in a cool tabletop setup much like many of the tabletop
samplers we're familiar with. It had a nice blue cloud like mist hand
sprayed on it and the word "PAPA" on the lcd screen in honor of Mr.
Potter...

This baby is full stereo for each of it's 14 channels!!! (If I'm not
mistaken). Which makes it unique in our world of mono boxes... That
alone is worth tons...

It seems like it ** REALLY IS ** set up to audition pre-recorded bits
into it, DJ style... from a sampler or cd or??? Anyway... you arm
record, then press the channel button and recording begins... Once
it's in the unit you can "gearwheel" the loop around to sync it up as
well as trim the tempo etc. It looks to be really capable in this
regard... No midi, but I'm pretty sure most dj's are ignoring midi and
doing incredible things... 

Being a guitarist, (David's one as well) we were both sort of at a
loss to figure out a way to arm the recording process in a way that
would allow us to seamlessly record our bits into the unit. So it was
hard to really PLAY and work with the unit. So I'll leave it to
someone else to discover it's fidelity with various instruments and
sounds.

If the loop select buttons could be simply triggered with a
footswitch, that would allow a real-time player "hands-free" access to
this critical step, making this unit FAR more desirable to many of us
here on the list, and expanding it's scope to include a much larger
market. The lack of this feature made it hard for me to continue
testing, as I only had a few hours, and wanted to definitely spend a
good portion of that actually playing... which a footswitch would have
allowed. 

As for it's capability as a DJ tool, or for experimental layering of
pre-recorded segments, it looks to be really great. Quicker than a
sampler, (but volatile memory). Possibly more flexible... The more I
think about it though, the more I ask myself, what are it's essential
differences from, say an SP808 or MPC 2000? Those require more careful
inputing of the sounds, but have added processors and filters,
tap-tempo, midi sync, etc... although it might be fairer to compare it
to a sampler in it's price range of $600-$700.

Adding that one extra footswitch feature for the START RECORD
function could differentiate it from a sampler, and make if waaaayyyy
more desirable to a lot of us, hopefully without increasing the cost
of the unit much. I could certainly find a use for a 14 loop stereo
machine if I could perform hands-free recording with it!

Best,
-Miko

From Loopers-Delight-request@annihilist.com  Mon Apr 10 15:25:29 2000
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From: "luca" <lucafeed@tin.it>
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Cc: <bass@magpie.com>
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Subject: R: 'artificial' harmonics
Date: Mon, 10 Apr 2000 20:18:04 +0200
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A while ago I found a basic interesting file on Harmony Central, the author
was:"Slehman@harmony-central.com"
Anyway I am also interested in following this path, keep me involved.
Luca
----- Original Message -----
From: tony moore <moorelab@hotmail.com>
To: <Loopers-Delight@annihilist.com>
Cc: <bass@magpie.com>
Sent: Monday, April 10, 2000 1:47 AM
Subject: 'artificial' harmonics


> steve lawson made a good point about the use of 'artificial' harmonics in
> extending the bass sonic range in the 'bassist' thread (on the loopers
> list). i have a vague idea of how to execute this and have certainly heard
> it on all the obvious jaco stuff. so would anyone care to elaborate on
this
> technique? i've always been intrigued by it but only lately have been in
the
> position to actually use it. so, time to woodshed for a bit :-)  thanks
for
> any advice!
>
> tony
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>

From Loopers-Delight-request@annihilist.com  Mon Apr 10 15:56:41 2000
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Date: Mon, 10 Apr 2000 11:18:27 -0700
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Hey,

I also downloaded the software, but have yet to check it out.  It seems like it
could be a great way to do some group projects.   Count me in!
--
Mark Sottilaro
Professional Publications, Inc
1250 Fifth Ave, Belmont CA 94002
Multimedia Production
E-mail:  msottilaro@ppi2pass.com
Phone: (650) 593-9119 ext. 29


From Loopers-Delight-request@annihilist.com  Mon Apr 10 16:20:12 2000
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Date: Mon, 10 Apr 2000 16:13:30 EDT
Subject: Re: 'artificial' harmonics
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Hey there, Tony,

    Just to reiterate what Steve was saying, is to "fret" a note, say an "A" 
(second fret of the G - string, not hers, play on your own bass!) and then 
use either your first finger or middle finger to be placed either 7, 9 or 12 
frets up the neck on the same string and use your thumb to pluck the string.  
I think that there's a few others out there which go a bit higher up in 
pitch, want to say 17 half steps or so, but haven't tried it myself.  Totally 
agree that using a pick, or your nails gives a much better tone.

    Then there's the tapping method which also works for Stick players and 
that's to do roughly the same thing, except you're going to tap directly on 
the fret in question.  Funk fingers is one way to really make this method 
work!  Using a pick like Steve Hackett, or just your fingers also work in 
decreasing modes of tone.

    Another thing which is great and basically along this thread is to use an 
E-Bow which gives out a few new tones to your Bass.  

    L8r on and loop out,


        Lee-ohki.

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Me three - I wanna!

----- Original Message -----
From: "Mark Sottilaro" <msottilaro@ppi2pass.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, April 10, 2000 1:18 PM
Subject: Re: online audio/midi collaboration network


> Hey,
>
> I also downloaded the software, but have yet to check it out.  It seems like
it
> could be a great way to do some group projects.   Count me in!
> --
> Mark Sottilaro
> Professional Publications, Inc
> 1250 Fifth Ave, Belmont CA 94002
> Multimedia Production
> E-mail:  msottilaro@ppi2pass.com
> Phone: (650) 593-9119 ext. 29
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 10 16:40:49 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <s8f1acdd.083@svg.com>
Subject: Re: Mede Mede!!! >> DJRND2 in Santa Cruz tonight!
Date: Mon, 10 Apr 2000 16:37:59 -0400
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Miko, thanks for the overview.

I was already under the impression that the DJRND2
was intended as a DJ-oriented real-time loop machine.
Even without a footswitch for arming the RECORD, it 
sounds like it would make a great montage/layering
looper in a studio environment. As a big fan of the 
RDS 7.6 Time Machines, something along the lines of 
their ARM/TRIGGER footswitch controls would be perfect.

I'd really like to know more about the sound quality, 
especially with 14 stereo channels blazing at once. :)

Got any comments about the sound quality, Miko?

TIA,
- Larry

----- Original Message ----- 
From: "Mike Biffle" <mbiffle@svg.com>
To: <Loopers-Delight@annihilist.com>; <Jax1723@aol.com>
Sent: Monday, April 10, 2000 1:28 PM
Subject: Re: Mede Mede!!! >> DJRND2 in Santa Cruz tonight!


> PERILLE writes...
> > Mede Mede !!! missing in action : Dave Potter and Mike Biffle Have
> they been swallowed by the french looper ? Will they survive from the
> alien machine ? We will probably know it ... or never... Same loop
> time, same loop channel...
> 
> Jack writes...
> > So what's the verdict???  My understanding is that it was primarily
> designed to be used in a dj setup...  how does it translate in other
> (guitar, bass, percussion, etc.) setups? just curious, jack
> 
> Hi gang...
> 
> I'm expecting possibly a more in-depth review from our buddy David
> Potter, but I had a chance to check out the unit and formed a few
> quick impressions which I'll list below. I have to apologize to
> Perille for not really digging in and trying to understand the unit
> better. (more on that below...)
> 
> It's housed in a cool tabletop setup much like many of the tabletop
> samplers we're familiar with. It had a nice blue cloud like mist hand
> sprayed on it and the word "PAPA" on the lcd screen in honor of Mr.
> Potter...
> 
> This baby is full stereo for each of it's 14 channels!!! (If I'm not
> mistaken). Which makes it unique in our world of mono boxes... That
> alone is worth tons...
> 
> It seems like it ** REALLY IS ** set up to audition pre-recorded bits
> into it, DJ style... from a sampler or cd or??? Anyway... you arm
> record, then press the channel button and recording begins... Once
> it's in the unit you can "gearwheel" the loop around to sync it up as
> well as trim the tempo etc. It looks to be really capable in this
> regard... No midi, but I'm pretty sure most dj's are ignoring midi and
> doing incredible things... 
> 
> Being a guitarist, (David's one as well) we were both sort of at a
> loss to figure out a way to arm the recording process in a way that
> would allow us to seamlessly record our bits into the unit. So it was
> hard to really PLAY and work with the unit. So I'll leave it to
> someone else to discover it's fidelity with various instruments and
> sounds.
> 
> If the loop select buttons could be simply triggered with a
> footswitch, that would allow a real-time player "hands-free" access to
> this critical step, making this unit FAR more desirable to many of us
> here on the list, and expanding it's scope to include a much larger
> market. The lack of this feature made it hard for me to continue
> testing, as I only had a few hours, and wanted to definitely spend a
> good portion of that actually playing... which a footswitch would have
> allowed. 
> 
> As for it's capability as a DJ tool, or for experimental layering of
> pre-recorded segments, it looks to be really great. Quicker than a
> sampler, (but volatile memory). Possibly more flexible... The more I
> think about it though, the more I ask myself, what are it's essential
> differences from, say an SP808 or MPC 2000? Those require more careful
> inputing of the sounds, but have added processors and filters,
> tap-tempo, midi sync, etc... although it might be fairer to compare it
> to a sampler in it's price range of $600-$700.
> 
> Adding that one extra footswitch feature for the START RECORD
> function could differentiate it from a sampler, and make if waaaayyyy
> more desirable to a lot of us, hopefully without increasing the cost
> of the unit much. I could certainly find a use for a 14 loop stereo
> machine if I could perform hands-free recording with it!
> 
> Best,
> -Miko
> 
> 

From Loopers-Delight-request@annihilist.com  Mon Apr 10 17:10:15 2000
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Subject: Re: Eric Johnson's bat-like ears
From: Tiktok <tiktok@sprintmail.com>
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It's in this month's Guitar Player.

TH

> From: Loopers-Delight-d-request@annihilist.com
> Reply-To: Loopers-Delight@annihilist.com
> Date: Mon, 10 Apr 2000 16:47:43 -0400
> To: Loopers-Delight-d@annihilist.com
> Subject: Loopers-Delight-d Digest V00 #106
> 
> From: "Timothy" <wanderlost@crosswinds.net>
> Date: Sun, 9 Apr 2000 15:05:38 -0500
> To: <Loopers-Delight@annihilist.com>
> Subject: Re: EH Microsynth differences
> 
> That's not true, is it?  Where did you hear that?  I'll secure his bottom
> plate with a screw...
> 
> ----- Original Message -----
>> And then there's Eric Johnson, now
>> claiming he hears a difference in his Fuzz Face if he secures the bottom
>> plate with a rubber band instead of a screw.
>> 

From Loopers-Delight-request@annihilist.com  Mon Apr 10 17:21:17 2000
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Subject: Re: Mede Mede!!! >> DJRND2 in Santa Cruz tonight!
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> Miko, thanks for the overview.

> I was already under the impression that the DJRND2 was intended as
a DJ-oriented real-time loop machine. Even without a footswitch for
arming the RECORD, it sounds like it would make a great
montage/layering looper in a studio environment. As a big fan of the 
RDS 7.6 Time Machines, something along the lines of  their ARM/TRIGGER
footswitch controls would be perfect.

It could be awesome... But give me that footswitch and I'll get back
to ya!

> I'd really like to know more about the sound quality, especially
with 14 stereo channels blazing at once. :) Got any comments about the
sound quality, Miko?

Since it's not living with me, I didn't really get a good chance to
really audition it in that way. I'm hoping David will do exactly
that... load various samples into each track and play them back... Mr.
DAVE?

Best,
-Miko

From Loopers-Delight-request@annihilist.com  Mon Apr 10 17:47:40 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: RE: DJRND2 in Santa Cruz tonight!
Date: Mon, 10 Apr 2000 14:44:54 -0700
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My personal verdict was - the traffic to Santa Cruz on a Friday was to much
for me :>

I got to Highway 17, watched the miles and miles of cars standing still off
into the distance for a few minute, then turned around. Ahh well, I hope
there's a next time soon. Is there any other way through the mountains?

bIz



-----Original Message-----
From: Jax1723@aol.com [mailto:Jax1723@aol.com]
Sent: Saturday, April 08, 2000 7:09 PM
To: Loopers-Delight@annihilist.com
Subject: Re: DJRND2 in Santa Cruz tonight!


In a message dated 4/8/2000 2:39:41 PM Eastern Daylight Time,
Loopers-Delight-d-request@annihilist.com writes:

> Re: DJRND2 in Santa Cruz tonight!

So what's the verdict???  My understanding is that it was primarily designed
to be used in a dj setup...  how does it translate in other (guitar, bass,
percussion, etc.) setups?
just curious
jack


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   Does anybody has the chance the compare the Frostwave resonant filter VS
the moogerfooger Low pass filter? are they the same? reactions? comments?

From Loopers-Delight-request@annihilist.com  Mon Apr 10 18:09:26 2000
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Subject: Re: RE: DJRND2 in Santa Cruz tonight!
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You could come down the coast!

>>> "Jonathan El-Bizri" <jonathan@full-moon.com> 04/10 2:46 PM >>>
My personal verdict was - the traffic to Santa Cruz on a Friday was
to much
for me :>

I got to Highway 17, watched the miles and miles of cars standing
still off
into the distance for a few minute, then turned around. Ahh well, I
hope
there's a next time soon. Is there any other way through the
mountains?

bIz

From Loopers-Delight-request@annihilist.com  Mon Apr 10 20:44:40 2000
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From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Video with the Looper's Collective @ AS220, Providence 4.15.00
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It is my pleasure to  announce that I will be performing video 
improvisations with one of my favorite rotating ensembles, The Boston 
Looper's Collective, at one the most pleasant performances spaces in 
the known universe, AS/220, in Providence.

The Loopers Collective will be taking its trippy, loopy, dancey and ambient
sounds to Providence, RI
and performing this Saturday at AS/220 and invited to the Am*be*thang (4)
banner and hosted by Sign.
Sonic moments commence with The Saturnalia String Trio around 9-ish, TLC
around 10-ish to closing.
This marks the fifth outing for the TLC team.
Collective V features:

*	DJ Flack			Turntables, Grooves & Regularities
*	DJ C			Turntables, Pulses & Tempofications
*	roSS Hamlin		Guitussion, Wordifications & Observations
*	TG Noyes			Guitar Synth, Washes & Measurements
*	David Kirkdorffer/UNDO	Unguitar, Layerings & Pattern-Making
*	Dr. T			Projected Visuals & Wonderment

AS/220 info can be had here: http://www.as220.org/calendar.html

As always, please bring your consciousness however you will (or at least
however you can).

"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man.

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@annihilist.com  Mon Apr 10 21:05:08 2000
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From: murkie <murkie@panther.middlebury.edu>
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At 04:13 PM 4/10/00 EDT, you wrote:
>Hey there, Tony,
>
>    Just to reiterate what Steve was saying, is to "fret" a note, say an "A" 
>(second fret of the G - string, not hers, play on your own bass!) and then 
>use either your first finger or middle finger to be placed either 7, 9 or 12 
>frets up the neck on the same string and use your thumb to pluck the
string.  

or you can do like Jaco and use your igh thumb to "fret" the harmonic and
your index finger to pluck the note.  with a little practice, it gets
pretty easy.

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Tue Apr 11 00:00:45 2000
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Date: Mon, 10 Apr 2000 23:57:56 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Link to Oakley filter schematics
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Anyone tried building this?

<http://aupe.phys.andrews.edu/diy_archive/schematics/oakley/filter.html>

I'd like to try soldering together a filter unit, but recognize that for
best results (i.e., one that actually works as opposed to sputtering sparks
and crackly farting noises, at least the unwanted ones) the project had
better be pretty simple. And cheap, too...

Do any of you have any experience building the Craig Anderton Dual Filter
Voicing Unit (Project #10 in Electronic Projects for Musicians, pc board
available at <http://www.paia.com>)? Is it at all useful?

Tim

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From: "L. Stafford" <r4c@winternet.com>
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The filters in the Dual Filter Voicing Unit are geared more towards the 
guitar range but w/ some minor component substitutions it performs 
admirably for other uses as well.  The DFVU is primarily an overdrive/clean 
boost w/ 2 active filters in the overdrive section.  Being an overdrive, it 
will sound best driving the front end of a tube amp, overdriving the tubes 
to create distortion.  It sounds pretty good, but if you're looking for a 
conventional filter w/ a wide frequency range, this will probably 
disappoint.    OTOH, it's cheap and easy to build.  I would say go for 
it.  I would recommend picking up a copy of Electronic Projects For 
Musicians if you don't already have one (not just for this, but it is a 
really good reference for music electronics in general).

L.

At 11:57 PM 4/10/00 -0400, you wrote:
>Anyone tried building this?
>
><http://aupe.phys.andrews.edu/diy_archive/schematics/oakley/filter.html>
>
>I'd like to try soldering together a filter unit, but recognize that for
>best results (i.e., one that actually works as opposed to sputtering sparks
>and crackly farting noises, at least the unwanted ones) the project had
>better be pretty simple. And cheap, too...
>
>Do any of you have any experience building the Craig Anderton Dual Filter
>Voicing Unit (Project #10 in Electronic Projects for Musicians, pc board
>available at <http://www.paia.com>)? Is it at all useful?
>
>Tim

You have not yet reached the height of your depravity. 

From Loopers-Delight-request@annihilist.com  Tue Apr 11 04:10:14 2000
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Date: Tue, 11 Apr 2000 01:04:56 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: looper collective show
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posted for David Kirkdorffer:

0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0
o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o

The Loopers Collective will be taking its trippy, loopy, dancey and ambient
sounds to Providence, RI.

TLC is performing this Saturday April 15th at AS/220 as part of Am*be*thang
(4) and hosted by Sign.

Sonic moments commence with The Saturnalia String Trio around 9-ish, TLC
around 10-ish to closing.
This marks the fifth outing for the TLC team.
Collective V features:

*	DJ Flack			Turntables, Grooves & Regularities
*	DJ C				Turntables, Pulses & Tempofications
*	roSS Hamlin			Guitussion, Wordifications &
Observations
*	TG Noyes			Guitar Synth, Washes & Measurements
*	David Kirkdorffer/UNDO	Unguitar, Layerings & Pattern-Making
*	Dr. T				Projected Visuals & Wonderment

AS/220 info can be had here: http://www.as220.org/calendar.html

As always, please bring your consciousness however you will (or at least
however you can).

David Kirkdorffer
UNDO

P.S. UNDO will also be featured in The Reverend Keith's congregation at The
Lizard Lounge in Cambridge Thursday April 27
	12 - The Medveds
	11 - Zola Turn
	10 - David Kirkdorffer/UNDO
	09 - Jed Parish from The Gravel Pit

o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o
0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0o0

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Tue Apr 11 04:21:11 2000
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From: Simon <simon@dynamite.com.au>
Subject: Re: FROSTWAVE VS MOOGERFOOGER
Cc: smaug@servidor.unam.mx
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>   Does anybody has the chance the compare the Frostwave resonant filter VS
>the moogerfooger Low pass filter? are they the same? reactions? comments?

Totally different - in many ways.

Simon
Canberra
AUSTRALIA


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hi all .... 

has anyone tried the Chandler Tone-X pot?  

it's a on-board guitar wah-in-yer-tone-pot kind of thing (i like the
idea of having something more useful than my never-used tone pot and am
seriously thinking of forking out for one) ... apparently it is shipped
with the Chandler 555 series guitars ...

specifically,  my barrage of questions is ... 

according to the Chandler website it is a push/pull pot (i would guess
with some circuitage + 9V battery) ... is the push/pull for bypass of
the wah effect or the 16db boost ... that is,  is the wah always "on" or
can it be bypassed?  if so is it true (or at least clean) bypass?  if it
can be bypassed,  in which position is it bypassed (pot "up" or pot
"down")?  can the listed 16db gain be adjusted?  (maybe a screw-pot
somewhere?) ... how easy would it be to make one of these anyway?

sorry for throwing this at the list, but Chandler hasn't responded ...

btw i can't just get a wah pedal 'coz all my feet are used up and i like
the idea of volume pot type swells but on the wah axis.  

thanks in advance,  brad

From Loopers-Delight-request@annihilist.com  Tue Apr 11 11:35:55 2000
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From: "Larry Tremblay" <ltct@concentric.net>
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Subject: Re: FROSTWAVE VS MOOGERFOOGER
Date: Tue, 11 Apr 2000 11:31:17 -0400
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> Totally different - in many ways.

Yes, totally different. Really no comparison.
Neither is necessarily better than the other
but for my money the Frostwave is a better
deal. You get both HP and LP, and intense
self-occillation, with the Frostwave.

- Larry

----- Original Message -----
From: "Simon" <simon@dynamite.com.au>
To: <Loopers-Delight@annihilist.com>
Cc: <smaug@servidor.unam.mx>
Sent: Tuesday, April 11, 2000 4:13 AM
Subject: Re: FROSTWAVE VS MOOGERFOOGER


> >   Does anybody has the chance the compare the Frostwave resonant filter
VS
> >the moogerfooger Low pass filter? are they the same? reactions? comments?
>
>
> Simon
> Canberra
> AUSTRALIA
>
>
>

From Loopers-Delight-request@annihilist.com  Tue Apr 11 13:57:21 2000
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> according to the Chandler website it is a push/pull pot (i would
guess with some circuitage + 9V battery) ... 

yep...

> is the push/pull for bypass of the wah effect or the 16db boost ...
that is,  is the wah always "on" or can it be bypassed?  

It bypasses the wah... I don't remember setting a trimpot for boost
adjustment, but it was quite a while back. 

> if so is it true (or at least clean) bypass?  

I seem to remember it being double pole - double throw... so I think
it was true bypass... tone seemed fine in bypass mode. This guitar was
my "go to a jam and plug straight in" guitar... and it never failed to
astound people how I got those tones... fun.

> if it can be bypassed,  in which position is it bypassed (pot "up"
or pot "down")?  

Mine was down, but you may be able to just reverse the wiring scheme
on the pot... 

> can the listed 16db gain be adjusted?  (maybe a screw-pot
somewhere?) ... how easy would it be to make one of these anyway?

Don't remember?!

If there's not already a bunch of batteries and active electronics in
your axe... definitely put a Tone-X in there! It's just a pot and some
wiring... no other mods...

-Miko

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Okay... let him have it...
 
 
 
 -----Original Message-----
From: petertparka [mailto:peterparka@btinternet.com]
Sent: Tuesday, April 11, 2000 2:12 PM
To: Loopers-Delight@annihilist.com
Subject: unsubscribe



peterparka@btinternet.com <mailto:peterparka@btinternet.com> 


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<DIV><FONT color=#0000ff face=Arial size=2><SPAN 
class=200582219-11042000>Okay... let him have it...</SPAN></FONT></DIV>
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From Loopers-Delight-request@annihilist.com  Tue Apr 11 15:41:41 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Xy2k@aol.com>, "Looper's Delight" <Loopers-Delight@annihilist.com>
References: <72.2d6200f.2624d2b7@aol.com>
Subject: Re: Detailed info on creating analog effects for a beginner??? Also,hello from NJ.
Date: Tue, 11 Apr 2000 15:25:21 -0400
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Try the DIY archive links page:
http://aupe.phys.andrews.edu/diy_archive/links.html

Literally hundreds of devices and schematics.

Lots of great projects and clones of various pedals.
Also, take a look at Craig Anderton's Electronics
Projects books. You can get plans, parts and the
books at PAIA Electronics:
http://www.paia.com/

- Larry T

----- Original Message -----
From: <Xy2k@aol.com>
To: <ltct@concentric.net>
Sent: Tuesday, April 11, 2000 3:10 PM
Subject: Detailed info on creating analog effects for a beginner???
Also,hello from NJ.


> Hello all,
> My names Chris and I'm new to this list.  I am an aspiring inventor/artist
> from New Jersey with a desire to make my own effects units.  If anyone can
> tell me where the best place is to start, it'd be much appreciated.  Also,
I
> want to relocate to San Diego...anybody reside out that way?
>
> Ciao,
>      Chris Garrett
>

From Loopers-Delight-request@annihilist.com  Tue Apr 11 16:37:11 2000
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Hi Peter, you'll be here for a while, eh.......
PedrOOrdeP
-----Original Message-----
    From: petertparka <peterparka@btinternet.com>
    To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
    Date: Tuesday, April 11, 2000 2:41 PM
    Subject: unsubscribe
   =20
   =20
    peterparka@btinternet.com

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<DIV><FONT color=3D#000000 size=3D2>Hi Peter, you'll be here for a =
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    <DIV><FONT face=3DArial size=3D2><B>-----Original =
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t;<BR><B>To:=20
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From Loopers-Delight-request@annihilist.com  Tue Apr 11 17:19:08 2000
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People, please don't punish the rest of us when someone tries to
unsubsubscribe by mailing a message to the list.  Just write back to
the person who did it.  The rest of us don't need to see those replies.

From Loopers-Delight-request@annihilist.com  Tue Apr 11 17:19:09 2000
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To: Loopers-Delight@annihilist.com
From: Simon <simon@dynamite.com.au>
Subject: Re: FROSTWAVE VS MOOGERFOOGER
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>> >   Does anybody has the chance the compare the Frostwave resonant filter
>VS
>> >the moogerfooger Low pass filter? are they the same? reactions? comments?
>> Totally different - in many ways.
>
>Yes, totally different. Really no comparison.
>Neither is necessarily better than the other
>but for my money the Frostwave is a better
>deal. You get both HP and LP, and intense
>self-occillation, with the Frostwave.

The Moogerfoger is LPF only, has an envelope follower, overdrive and
extensive external CV control.

Also, the Moog has much better packaging and overall build quality.


Simon
Canberra
AUSTRALIA


From Loopers-Delight-request@annihilist.com  Tue Apr 11 21:20:44 2000
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Date: Tue, 11 Apr 2000 19:47:18 -0500
To: Loopers-Delight@annihilist.com
From: "L. Stafford" <r4c@winternet.com>
Subject: Re: Detailed info on creating analog effects for a beginner???
  Also,hello from NJ.
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http://www.surf.to/stompbox/
http://www.muzique.com/
http://www.geofex.com/

All have very good information, faqs & tutorials on DIY effects boxes.

Lorren


At 03:25 PM 4/11/00 -0400, you wrote:
>Try the DIY archive links page:
>http://aupe.phys.andrews.edu/diy_archive/links.html
>
>Literally hundreds of devices and schematics.
>
>Lots of great projects and clones of various pedals.
>Also, take a look at Craig Anderton's Electronics
>Projects books. You can get plans, parts and the
>books at PAIA Electronics:
>http://www.paia.com/
>
>- Larry T
>
>----- Original Message -----
>From: <Xy2k@aol.com>
>To: <ltct@concentric.net>
>Sent: Tuesday, April 11, 2000 3:10 PM
>Subject: Detailed info on creating analog effects for a beginner???
>Also,hello from NJ.
>
>
> > Hello all,
> > My names Chris and I'm new to this list.  I am an aspiring inventor/artist
> > from New Jersey with a desire to make my own effects units.  If anyone can
> > tell me where the best place is to start, it'd be much appreciated.  Also,
>I
> > want to relocate to San Diego...anybody reside out that way?
> >
> > Ciao,
> >      Chris Garrett
> >

Lorren Stafford
Richard For Cerebellum/A Most Happy Sound
http://www.mp3.com/r4c
http://www.winternet.com/~r4c
http://www.futureperfect.org/art/happy.html

"We ask ourselves whether truly this is the beginning
of a new world or whether perhaps the world...is about
to perish.  There are people who earnestly and seriously
fear this, where music becomes the slave of the machine..."

From Loopers-Delight-request@annihilist.com  Wed Apr 12 00:00:44 2000
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Date: Wed, 12 Apr 2000 13:07:34 +1000
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Mike Biffle wrote:
> 
> If there's not already a bunch of batteries and active electronics in
> your axe... definitely put a Tone-X in there! It's just a pot and some
> wiring... no other mods...
> 
> 

thanks for the info, Mike!

From Loopers-Delight-request@annihilist.com  Wed Apr 12 01:57:04 2000
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From: "Bill Fox" <billfox@fast.net>
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Subject: EMUSIC Playlist
Date: Thu, 13 Apr 2000 01:27:27 -0400
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[Best viewed with a fixed spacing font.]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #159                    April 6, 2000.

On this show, I began a month-long focus on the second annual NEARfest,
North
East Art Rock Festival in Bethlehem, Pennsylvania.  The Feature CD at
Midnight
was Sideshow by Iluvatar on the Kinesis label.


ARTIST                  TRACK                    ALBUM (label)
======================= ========================
==============================
11:04 pm
VA [Tranquillity]       Cosmo Poly Tone          Gift (Invisible Shadows)
Rober Rich live phone interview underscored by two Humidity tracks:
Robert Rich             Beyond Part 1            Humidity (Hypnos)
Robert Rich             Beyond Part 2            Humidity (Hypnos)
Keller & Schonwalder    Beam me up...            More Loops (Manilin)%
Jeff Pearce             A Fading                 To the Shores of Heaven
(Hypnos)
VA [Saul Stokes]        Ivaneer                  Voyager (AdAstra) ++
Steve Roach             Midnight Loom            Midnight Moon (Projekt) ++

12:00 am
Iluvatar                Cracker                  Sideshow (Kinesis)
Iluvatar                New Found Key            Sideshow (Kinesis)
Iluvatar                All We Are               Sideshow (Kinesis)
Iluvatar                Marionette               Sideshow (Kinesis)
Iluvatar                Emperor's New Clothes    Sideshow (Kinesis)
Iluvatar                Funk Massage             Sideshow (Kinesis)
Iluvatar                Sparks                   Sideshow (Kinesis)
Iluvatar                Eye Next to Glass        Sideshow (Kinesis)

1:00 am

 * = exerpt
VA = Various Artists (compilation)
++ = This CD will be available as a thank you gift during the up coming WDIY
Membership
     Drive only during EMUSIC on April 6, 2000.  Also available, a variety
of CDs from
     the AdAstra label.
%  = By request of Glyn Morton in Ireland who's trying to start an EM
programme.

On the next EMUSIC, I'll continue the month-long focus on the second annual
NEARfest,
The feature CD at midnight will be a compilation provided by NEARfest
organizers.

From Loopers-Delight-request@annihilist.com  Wed Apr 12 01:44:56 2000
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Date: Tue, 11 Apr 2000 21:53:55 -0700
To: Loopers-Delight@annihilist.com
From: Mark Hamburg <mhamburg@Adobe.COM>
Subject: OT: GP-100 v Line 6
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I'm contemplating replacing my GP-100 with a Line 6 Flextone II and I
wondered if anyone on this list had any comments in this regard.

The pros and cons I can list without much experience with the Flextones...

Pros: More direct controls. More amp models. Easily able to use it outside
of my studio. (This last one is the big selling point. I'm tired of not
having a guitar amp.)

Cons: Obviously less powerful in terms of range of effects and in terms of
the control over the effects.

Has anyone done a comparison of the sound quality of the GP-100 v. the
various Line 6 products? Or, if I were to stick with what I've got, does
anyone have any recommendations on a reasonable amp to use with the GP-100
so that I would have some mobility.

Thanks.
Mark

P.S. And of course, if you've been hoping someone would sell a GP-100 in
good condition, now is your opportunity to wax effusive about Line 6's
products...


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References: <s8f302ae.006@svg.com> <v03130303b519b03e87f0@[153.32.18.221]>
Subject: Re: GP-100 v Line 6
Date: Wed, 12 Apr 2000 00:08:20 -0700
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Make sure you look at Yamaha's amps- they are real nice and you can store
and share patches on your computer-

Cliff

----- Original Message -----
From: "Mark Hamburg" <mhamburg@Adobe.COM>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 11, 2000 9:53 PM
Subject: OT: GP-100 v Line 6


> I'm contemplating replacing my GP-100 with a Line 6 Flextone II and I
> wondered if anyone on this list had any comments in this regard.
>
> The pros and cons I can list without much experience with the Flextones...
>
> Pros: More direct controls. More amp models. Easily able to use it outside
> of my studio. (This last one is the big selling point. I'm tired of not
> having a guitar amp.)
>
> Cons: Obviously less powerful in terms of range of effects and in terms of
> the control over the effects.
>
> Has anyone done a comparison of the sound quality of the GP-100 v. the
> various Line 6 products? Or, if I were to stick with what I've got, does
> anyone have any recommendations on a reasonable amp to use with the GP-100
> so that I would have some mobility.
>
> Thanks.
> Mark
>
> P.S. And of course, if you've been hoping someone would sell a GP-100 in
> good condition, now is your opportunity to wax effusive about Line 6's
> products...
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 12 06:52:05 2000
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From: "Steven  Woods" <swoods@comcen.com.au>
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Subject: Re: GP-100 v Line 6
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Mark
Perhaps you should consider the new Fender amp which uses tubes and DSP to
give the sound of 100 top amp tones, it will be released at Namm.
There is comment at www.fenderforum.com by Ritchie Fliegler about it.
A public statement is to be released in June.
It is claimed to be far superior to Line 6 type products
There is a Fender email list unclebill@fender.com by Morgan Ringworld
and I saw another Fender one today www.fender.com
Steven Woods
Australia
stevenw@comcen.com.au
----- Original Message -----
From: "Mark Hamburg" <mhamburg@Adobe.COM>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 12, 2000 2:53 PM
Subject: OT: GP-100 v Line 6


> I'm contemplating replacing my GP-100 with a Line 6 Flextone II and I
> wondered if anyone on this list had any comments in this regard.
>
> The pros and cons I can list without much experience with the Flextones...
>
> Pros: More direct controls. More amp models. Easily able to use it outside
> of my studio. (This last one is the big selling point. I'm tired of not
> having a guitar amp.)
>
> Cons: Obviously less powerful in terms of range of effects and in terms of
> the control over the effects.
>
> Has anyone done a comparison of the sound quality of the GP-100 v. the
> various Line 6 products? Or, if I were to stick with what I've got, does
> anyone have any recommendations on a reasonable amp to use with the GP-100
> so that I would have some mobility.
>
> Thanks.
> Mark
>
> P.S. And of course, if you've been hoping someone would sell a GP-100 in
> good condition, now is your opportunity to wax effusive about Line 6's
> products...
>
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 12 09:22:29 2000
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From: Wjguitar@aol.com
Message-ID: <74.2ad6415.2625ce25@aol.com>
Date: Wed, 12 Apr 2000 09:03:33 EDT
Subject: Re: amps
To: Loopers-Delight@annihilist.com
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Ive heard that the Yamaha DG-80-212 is supposed to be something special!

For acoustic "clean" guitar sounds....check out the UltraSound amps....brand 
new, and catching on like wild fire!  Best sounding acoustic guitar amp I've 
ever heard.  <A HREF="http://www.ultrasoundamps.com/">Click here: 
UltraSoundAmps.com..</A> 

I use the Ultrasound amps in a stereo mode with RMC pickups, fanout box for 
panning each of the six strings in a different position in the stereo 
field...I also use a GR-1 and GR-30 midi'd together, and a pair of EDP's and 
a Jam Man, and a tap guitar which I designed which is a flamenco guitar with 
19 midi triggers for drum's on the face and rim of the instrument...ideal for 
looping....sounds like an orchestra.

Regards, Wayne

From Loopers-Delight-request@annihilist.com  Wed Apr 12 10:04:34 2000
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: amps
Date: Wed, 12 Apr 2000 08:47:40 -0500
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Wayne,

OK!  We need evidence of what your gear sounds like!  And we will accept nothing
less than audio recordings!  (Please?)  Of course, we COULD see a live show IF
we knew where.  So where?  In a pinch, I suppose MP3s or the like will do.

Dennis Leas
-----------------------------
dennis@mdbs.com


-----Original Message-----
From: Wjguitar@aol.com <Wjguitar@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, April 12, 2000 8:36 AM
Subject: Re: amps


>Ive heard that the Yamaha DG-80-212 is supposed to be something special!
>
>For acoustic "clean" guitar sounds....check out the UltraSound amps....brand
>new, and catching on like wild fire!  Best sounding acoustic guitar amp I've
>ever heard.  <A HREF="http://www.ultrasoundamps.com/">Click here:
>UltraSoundAmps.com..</A>
>
>I use the Ultrasound amps in a stereo mode with RMC pickups, fanout box for
>panning each of the six strings in a different position in the stereo
>field...I also use a GR-1 and GR-30 midi'd together, and a pair of EDP's and
>a Jam Man, and a tap guitar which I designed which is a flamenco guitar with
>19 midi triggers for drum's on the face and rim of the instrument...ideal for
>looping....sounds like an orchestra.
>
>Regards, Wayne
>

From Loopers-Delight-request@annihilist.com  Wed Apr 12 10:20:19 2000
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Date: Wed, 12 Apr 2000 15:56:27 -0700
From: Claude voit <c.voit@vtx.ch>
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Wjguitar@aol.com wrote:
snipped

and a tap guitar which I designed which is a flamenco guitar with
> 19 midi triggers for drum's on the face and rim of the instrument...ideal for
> looping....sounds like an orchestra.

very very interested 

can you please elaborate a litle on the triggers brand and audio-midi
conversion of the triggs

the very percussive acc. guitar banger Claude

From Loopers-Delight-request@annihilist.com  Wed Apr 12 11:51:20 2000
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Date: Wed, 12 Apr 2000 08:32:57 -0700
To: Loopers-Delight@annihilist.com
From: Rich <rich@nuvision.com>
Subject: Re: GP-100 v Line 6
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With the new Flextone II, you can do this as well, or you can always get a
POD (for your studio work), and run it through a transparent power amp and
cabinet (for live).  POD settings and now the Flex II settings can be
stored and shared via the computer and line6 website.

rich


At 12:08 AM 4/12/00 -0700, you wrote:
>Make sure you look at Yamaha's amps- they are real nice and you can store
>and share patches on your computer-
>
>Cliff
>
>----- Original Message -----
>From: "Mark Hamburg" <mhamburg@Adobe.COM>
>To: <Loopers-Delight@annihilist.com>
>Sent: Tuesday, April 11, 2000 9:53 PM
>Subject: OT: GP-100 v Line 6
>
>
>> I'm contemplating replacing my GP-100 with a Line 6 Flextone II and I
>> wondered if anyone on this list had any comments in this regard.
>>
>> The pros and cons I can list without much experience with the Flextones...
>>
>> Pros: More direct controls. More amp models. Easily able to use it outside
>> of my studio. (This last one is the big selling point. I'm tired of not
>> having a guitar amp.)
>>
>> Cons: Obviously less powerful in terms of range of effects and in terms of
>> the control over the effects.
>>
>> Has anyone done a comparison of the sound quality of the GP-100 v. the
>> various Line 6 products? Or, if I were to stick with what I've got, does
>> anyone have any recommendations on a reasonable amp to use with the GP-100
>> so that I would have some mobility.
>>
>> Thanks.
>> Mark
>>
>> P.S. And of course, if you've been hoping someone would sell a GP-100 in
>> good condition, now is your opportunity to wax effusive about Line 6's
>> products...
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 12 12:00:29 2000
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Subject: Re: EMUSIC Playlist
Date: Wed, 12 Apr 2000 09:49:53 -0600
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Please remove me from your list.

----- Original Message -----
From: Bill Fox <billfox@fast.net>
To: <Undisclosed.Recipients@post2.fast.net>
Sent: Wednesday, April 12, 2000 11:27 PM
Subject: EMUSIC Playlist


[Best viewed with a fixed spacing font.]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #159                    April 6, 2000.

On this show, I began a month-long focus on the second annual NEARfest,
North
East Art Rock Festival in Bethlehem, Pennsylvania.  The Feature CD at
Midnight
was Sideshow by Iluvatar on the Kinesis label.


ARTIST                  TRACK                    ALBUM (label)
======================= ========================
==============================
11:04 pm
VA [Tranquillity]       Cosmo Poly Tone          Gift (Invisible Shadows)
Rober Rich live phone interview underscored by two Humidity tracks:
Robert Rich             Beyond Part 1            Humidity (Hypnos)
Robert Rich             Beyond Part 2            Humidity (Hypnos)
Keller & Schonwalder    Beam me up...            More Loops (Manilin)%
Jeff Pearce             A Fading                 To the Shores of Heaven
(Hypnos)
VA [Saul Stokes]        Ivaneer                  Voyager (AdAstra) ++
Steve Roach             Midnight Loom            Midnight Moon (Projekt) ++

12:00 am
Iluvatar                Cracker                  Sideshow (Kinesis)
Iluvatar                New Found Key            Sideshow (Kinesis)
Iluvatar                All We Are               Sideshow (Kinesis)
Iluvatar                Marionette               Sideshow (Kinesis)
Iluvatar                Emperor's New Clothes    Sideshow (Kinesis)
Iluvatar                Funk Massage             Sideshow (Kinesis)
Iluvatar                Sparks                   Sideshow (Kinesis)
Iluvatar                Eye Next to Glass        Sideshow (Kinesis)

1:00 am

 * = exerpt
VA = Various Artists (compilation)
++ = This CD will be available as a thank you gift during the up coming WDIY
Membership
     Drive only during EMUSIC on April 6, 2000.  Also available, a variety
of CDs from
     the AdAstra label.
%  = By request of Glyn Morton in Ireland who's trying to start an EM
programme.

On the next EMUSIC, I'll continue the month-long focus on the second annual
NEARfest,
The feature CD at midnight will be a compilation provided by NEARfest
organizers.



From Loopers-Delight-request@annihilist.com  Wed Apr 12 12:39:51 2000
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Date: Wed, 12 Apr 2000 09:28:57 -0700
From: Alan Barnard <e-drums@pacbell.net>
Subject: RE: EMUSIC Playlist
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This is getting a little absurd... :)

> -----Original Message-----
> From: Russell [mailto:russell@mamasutra.com]
> Sent: Wednesday, April 12, 2000 8:50 AM
> To: Loopers-Delight@annihilist.com
> Subject: Re: EMUSIC Playlist
>
>
> Please remove me from your list.
>
> ----- Original Message -----
> From: Bill Fox <billfox@fast.net>
> To: <Undisclosed.Recipients@post2.fast.net>
> Sent: Wednesday, April 12, 2000 11:27 PM
> Subject: EMUSIC Playlist
>
>
> [Best viewed with a fixed spacing font.]
>
> EMUSIC, an electronic, ambient, and space music show, airs each Thursday
> at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
> Easton, PA and Phillipsburg, NJ.
>
>                     Show #159                    April 6, 2000.
>
> On this show, I began a month-long focus on the second annual NEARfest,
> North
> East Art Rock Festival in Bethlehem, Pennsylvania.  The Feature CD at
> Midnight
> was Sideshow by Iluvatar on the Kinesis label.
>
>
> ARTIST                  TRACK                    ALBUM (label)
> ======================= ========================
> ==============================
> 11:04 pm
> VA [Tranquillity]       Cosmo Poly Tone          Gift (Invisible Shadows)
> Rober Rich live phone interview underscored by two Humidity tracks:
> Robert Rich             Beyond Part 1            Humidity (Hypnos)
> Robert Rich             Beyond Part 2            Humidity (Hypnos)
> Keller & Schonwalder    Beam me up...            More Loops (Manilin)%
> Jeff Pearce             A Fading                 To the Shores of Heaven
> (Hypnos)
> VA [Saul Stokes]        Ivaneer                  Voyager (AdAstra) ++
> Steve Roach             Midnight Loom            Midnight Moon
> (Projekt) ++
>
> 12:00 am
> Iluvatar                Cracker                  Sideshow (Kinesis)
> Iluvatar                New Found Key            Sideshow (Kinesis)
> Iluvatar                All We Are               Sideshow (Kinesis)
> Iluvatar                Marionette               Sideshow (Kinesis)
> Iluvatar                Emperor's New Clothes    Sideshow (Kinesis)
> Iluvatar                Funk Massage             Sideshow (Kinesis)
> Iluvatar                Sparks                   Sideshow (Kinesis)
> Iluvatar                Eye Next to Glass        Sideshow (Kinesis)
>
> 1:00 am
>
>  * = exerpt
> VA = Various Artists (compilation)
> ++ = This CD will be available as a thank you gift during the up
> coming WDIY
> Membership
>      Drive only during EMUSIC on April 6, 2000.  Also available, a variety
> of CDs from
>      the AdAstra label.
> %  = By request of Glyn Morton in Ireland who's trying to start an EM
> programme.
>
> On the next EMUSIC, I'll continue the month-long focus on the
> second annual
> NEARfest,
> The feature CD at midnight will be a compilation provided by NEARfest
> organizers.
>
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 12 13:15:41 2000
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From: McCullaghJ@Logica.com
Subject: EMUSIC Playlist: the Phantom Menace
To: Loopers-Delight@annihilist.com
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What's the deal with that EMUSIC playlist? I have an automatic filter set
up to keep all LD mails in one folder, but that playlist isn't tagged as
being from LD .. it arrives each time saying
"<Undisclosed.Recipients@post2.fast.net>" .. anyone else getting this? Any
idea why it's exempt from the normal routing niceties?

As for folks being unable to get removed from the list, this would never
have happened with HAL from 2001 .. he'd have had you outta there in a
jiffy, and cut off your air supply for no extra charge.

From Loopers-Delight-request@annihilist.com  Wed Apr 12 13:40:42 2000
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From: "Judson Crane" <jcrane@mindspring.com>
To: <Loopers-Delight@annihilist.com>
References: <003901bfa4a4$cb8a6620$b87279a5@cliff>
Subject: Re: EMUSIC Playlist: the Phantom Menace
Date: Wed, 12 Apr 2000 13:34:37 -0400
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 Same here.

> Yeah- I get the same thing with the playlist- it's like spam to me-
> automated and annoying-
>
> Cliff
>
> -----Original Message-----
> From: McCullaghJ@Logica.com <McCullaghJ@Logica.com>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Wednesday, April 12, 2000 10:20 AM
> Subject: EMUSIC Playlist: the Phantom Menace
>
>
> >
> >
> >What's the deal with that EMUSIC playlist? I have an automatic filter set
> >up to keep all LD mails in one folder, but that playlist isn't tagged as
> >being from LD .. it arrives each time saying
> >"<Undisclosed.Recipients@post2.fast.net>" .. anyone else getting this?
Any
> >idea why it's exempt from the normal routing niceties?
> >
> >As for folks being unable to get removed from the list, this would never
> >have happened with HAL from 2001 .. he'd have had you outta there in a
> >jiffy, and cut off your air supply for no extra charge.
> >
>

From Loopers-Delight-request@annihilist.com  Wed Apr 12 13:31:27 2000
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: EMUSIC Playlist: the Phantom Menace
Date: Wed, 12 Apr 2000 10:30:24 -0700
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Yeah- I get the same thing with the playlist- it's like spam to me-
automated and annoying-

Cliff

-----Original Message-----
From: McCullaghJ@Logica.com <McCullaghJ@Logica.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, April 12, 2000 10:20 AM
Subject: EMUSIC Playlist: the Phantom Menace


>
>
>What's the deal with that EMUSIC playlist? I have an automatic filter set
>up to keep all LD mails in one folder, but that playlist isn't tagged as
>being from LD .. it arrives each time saying
>"<Undisclosed.Recipients@post2.fast.net>" .. anyone else getting this? Any
>idea why it's exempt from the normal routing niceties?
>
>As for folks being unable to get removed from the list, this would never
>have happened with HAL from 2001 .. he'd have had you outta there in a
>jiffy, and cut off your air supply for no extra charge.
>

From Loopers-Delight-request@annihilist.com  Wed Apr 12 13:48:03 2000
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Date: Wed, 12 Apr 2000 10:38:41 -0700
From: eric <eobertha@inreach.com>
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To: Loopers-Delight@annihilist.com
Subject: looping mp3 files
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Helloop,
I'm just going ape-shit over this mp3 thing.  I'm using SoundJam for the
mac which is, i hear, the state of the art (for mac at least).  BUT it
can't do a lot of things that i want:  cross fade automatically between
tracks in a playlist, or even LOOPING.  Even just the simplest looping
function would be so much fun to play around with.  Does anybody know of
any software like this?
Thanks!
eobe


From Loopers-Delight-request@annihilist.com  Wed Apr 12 14:43:00 2000
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Message-ID: <016901bfa4ae$69dfc280$3f5dadc7@Douglas>
From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
To: <Loopers-Delight@annihilist.com>, <Loopers-Delight-d@annihilist.com>
Subject: Re: OT: Chandler Tone-X
Date: Wed, 12 Apr 2000 14:37:18 -0400
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Howdy, "B" (may I call you "b"?)
    Chandler Tone-X is cool. Got one in an Ibanez Musician, had it in there
for five years or more. Answers to yer q's:
>according to the Chandler website it is a push/pull pot (i would guess
>with some circuitage + 9V battery)

Correct, and the battery lasts a very long time (months), which is nice.

... is the push/pull for bypass of
>the wah effect or the 16db boost ... that is,  is the wah always "on" or
>can it be bypassed?

The push-pull bypasses the wah effect, and when in the "down" position, the
knob does nothing at all. The 16db boost is kinda automatically part of the
wah effect, just like most wah pedals.

if so is it true (or at least clean) bypass?

I believe it is true bypass.

if it
>can be bypassed,  in which position is it bypassed (pot "up" or pot
>"down")?

Bypassed in "down" position. See above.

can the listed 16db gain be adjusted?  (maybe a screw-pot
>somewhere?)

The unit is dirt simple, and so nothing can be tweaked. In fact, I believe
it's a tiny circuit board epoxied to the push-pull pot. But a cool
interaction happens with a normal tone control in tandem with the Tone-X>
When you roll the normal tone pot back, it "tames" the Tone-X output. A real
hard-to-control, ragged-ass midrange hump can be calmed into a mild
resonance this way.

... how easy would it be to make one of these anyway?
Probably dirt simple as the circuit, but you'd spend more money on parts and
TIME than buying the prefab unit.

Hope this helps. Altho this is off topic for loopers, I had to post it with
the group because my private e-mail to you was rejected. Hmmm... do I stink
of spam?

Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us





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From: "Bailey, Jim" <JBailey@corporate.southam.ca>
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Subject: RE: EMUSIC Playlist: the Phantom Menace
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> -----Original Message-----
> From: Clifford@BienAppraisers [mailto:bienappraisers@mindspring.com]
> Sent: Wednesday, April 12, 2000 1:30 PM
> 
> Yeah- I get the same thing with the playlist- it's like spam to me-
> automated and annoying-
> 
> -----Original Message-----
> From: McCullaghJ@Logica.com <McCullaghJ@Logica.com>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> >
> >What's the deal with that EMUSIC playlist? I have an 
> automatic filter set
> >up to keep all LD mails in one folder, but that playlist 
> isn't tagged as
> >being from LD .. it arrives each time saying
> >"<Undisclosed.Recipients@post2.fast.net>" .. anyone else 
> getting this? Any

et al.,

Let's think about this. Filter keeps all LD mail in one folder; playlist is
tagged "unknown recipients;" you get it anyway. Seems to me that one of
those "unknown recipients" is the LD list. Perhaps that's why I get it with
the digest also (but then, as such, I have the option of reading it or not).


But why would he send it to the list? Could it be that several LD members
have sent Bill material for his programme and they like to know when he
plays something?

That's my view of it.

Jim Bailey

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From: Simon <simon@dynamite.com.au>
Subject: Unsub yourself you fuckin idiot! Re: fuckin unsubscribe me
Cc: peterparka@btinternet.com
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>    unsubscribe my arse you stupid muthafuckerz unless you want me  to
>spam that ass. peterparka@btinternet.com

I'm just a list member here, I don't need these threats turning up in my inbox!

How in hell did you get here, you would think you could work out how to get
off of the list yourself, or are you too fuckin stupid.

If you didn't keep the welcome message when you first subbed, and you can't
find the home page on the web with the unsub info, then too fuckin' bad
loozer!


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From: "petertparka" <peterparka@btinternet.com>
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Subject: fuckin unsubscribe me
Date: Wed, 12 Apr 2000 19:18:31 +0100
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This is a multi-part message in MIME format.

------=_NextPart_000_0046_01BFA4B3.E3CFA240
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	charset="iso-8859-1"
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unsubscribe my arse you stupid muthafuckerz unless you want me to spam =
that ass.
peterparka@btinternet.com

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Dwindows-1252" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>unsubscribe my arse you stupid muthafuckerz unless =
you want me=20
to spam that ass.</FONT></DIV>
<DIV><FONT size=3D2><A=20
href=3D"mailto:peterparka@btinternet.com">peterparka@btinternet.com</A></=
FONT></DIV></BODY></HTML>

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From: "Om_Audio" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
References: <l03130304b51b0cffb9ad@[202.139.70.40]>
Subject: Re: Unsub yourself you fuckin idiot! Re: fuckin unsubscribe me
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Simon- send this type of response directly to the sender- not the list-

Cliff

----- Original Message -----
From: "Simon" <simon@dynamite.com.au>
To: <Loopers-Delight@annihilist.com>
Cc: <peterparka@btinternet.com>
Sent: Wednesday, April 12, 2000 12:45 PM
Subject: Unsub yourself you fuckin idiot! Re: fuckin unsubscribe me


> >    unsubscribe my arse you stupid muthafuckerz unless you want me  to
> >spam that ass. peterparka@btinternet.com
>
> I'm just a list member here, I don't need these threats turning up in my
inbox!
>
> How in hell did you get here, you would think you could work out how to
get
> off of the list yourself, or are you too fuckin stupid.
>
> If you didn't keep the welcome message when you first subbed, and you
can't
> find the home page on the web with the unsub info, then too fuckin' bad
> loozer!
>
>

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Date: Wed, 12 Apr 2000 16:13:28 -0700 (PDT)
From: Aaron Schindler <aaron_sorghum@yahoo.com>
Subject: Re: Unsub yourself you fuckin idiot! Re: fuckin unsubscribe me
To: Loopers-Delight@annihilist.com
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could you please send your reply to his resonse to the
first request directly to him - not the list. : )

--- Om_Audio <clifsound@mediaone.net> wrote:
> Simon- send this type of response directly to the
> sender- not the list-
> 
> Cliff
> 
> ----- Original Message -----
> From: "Simon" <simon@dynamite.com.au>
> To: <Loopers-Delight@annihilist.com>
> Cc: <peterparka@btinternet.com>
> Sent: Wednesday, April 12, 2000 12:45 PM
> Subject: Unsub yourself you fuckin idiot! Re: fuckin
> unsubscribe me
> 
> 
> > >    unsubscribe my arse you stupid muthafuckerz
> unless you want me  to
> > >spam that ass. peterparka@btinternet.com
> >
> > I'm just a list member here, I don't need these
> threats turning up in my
> inbox!
> >
> > How in hell did you get here, you would think you
> could work out how to
> get
> > off of the list yourself, or are you too fuckin
> stupid.
> >
> > If you didn't keep the welcome message when you
> first subbed, and you
> can't
> > find the home page on the web with the unsub info,
> then too fuckin' bad
> > loozer!
> >
> >
> 
> 

__________________________________________________
Do You Yahoo!?
Send online invitations with Yahoo! Invites.
http://invites.yahoo.com

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From: Simon <simon@dynamite.com.au>
Subject: Apologies...Re: Unsub yourself you etc. etc.
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Yes, sorry apologies to the list, I should have sent this private.

Sorry to have offended anyone (except the person it was intended for)

Simon
Canberra
AUSTRALIA


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To: opcode-users@topica.com, Loopers-Delight@annihilist.com,
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From: Doug Wyatt <doug@sonosphere.com>
Subject: Mother Mallard/Washington DC
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I'm performing with Mother Mallard, the world's first performing 
synthesizer ensemble, in Washington DC, this coming Saturday, April 
15th, at the American History museum.

For details:

http://www.mothermallard.cornell.edu

Doug

-- 
Doug Wyatt                             doug@sonosphere.com
http://www.sonosphere.com/

From Loopers-Delight-request@annihilist.com  Wed Apr 12 20:45:57 2000
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   How about fucking spam your arse??? I could flood you with mail for the
rest of your life if you keep saying things like that, if you don´t know how
to fucking unsuscribe, then sure you deserve to be spamed...

 it´s up to you buddy...





 At 05:45 a.m. 13/04/00 +1000, you wrote:
>>    unsubscribe my arse you stupid muthafuckerz unless you want me  to
>>spam that ass. peterparka@btinternet.com
>
>I'm just a list member here, I don't need these threats turning up in my inbox!
>
>How in hell did you get here, you would think you could work out how to get
>off of the list yourself, or are you too fuckin stupid.
>
>If you didn't keep the welcome message when you first subbed, and you can't
>find the home page on the web with the unsub info, then too fuckin' bad
>loozer!
>
>
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 12 21:01:17 2000
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Date: Wed, 12 Apr 2000 18:53:51 -0500
From: "Ben Porter" <azrix@n2music.com>
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 Well, I've never tried either of those units, so I cant't help you there. But, there are several things you could do about amplifying the GP-100. The easiest to carry would be a "mini PA combo amp"; i.e. an acoustic guitar amplifier or a keyboard amp. There are lots of these out there. My favorite would have to be the Fender SFX acoustic and keyboard amps. There are also powered PA speakers out now by JBL and Mackie. 

You could also buy a power amp and some speakers. You could get guitar or PA speakers. Or, you could get a powered mixer. It doesn't really matter. If you are using to GP-100 direct and just want something to amplify the sound your getting with it, pretty much anything in the way of PA equipment would probably work. Any amp with the words "keyboard" or "acoustic" used to describe them could also work, as well.

Now, I have a question for you. I have been looking at the GP-100 to use purely as an effects processor for the guitar. I can't find any info about the GP-100 being used like this and was wondering if you would answer some questions of mine aobut it (off the list, of course)? Thanks. 

Over and out.

Ben Porter.

--

On Tue, 11 Apr 2000 21:53:55   Mark Hamburg wrote:
>I'm contemplating replacing my GP-100 with a Line 6 Flextone II and I
>wondered if anyone on this list had any comments in this regard.
>
>The pros and cons I can list without much experience with the Flextones...
>
>Pros: More direct controls. More amp models. Easily able to use it outside
>of my studio. (This last one is the big selling point. I'm tired of not
>having a guitar amp.)
>
>Cons: Obviously less powerful in terms of range of effects and in terms of
>the control over the effects.
>
>Has anyone done a comparison of the sound quality of the GP-100 v. the
>various Line 6 products? Or, if I were to stick with what I've got, does
>anyone have any recommendations on a reasonable amp to use with the GP-100
>so that I would have some mobility.
>
>Thanks.
>Mark
>
>P.S. And of course, if you've been hoping someone would sell a GP-100 in
>good condition, now is your opportunity to wax effusive about Line 6's
>products...
>
>
>


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@annihilist.com  Wed Apr 12 21:12:19 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>, <opcode-users@topica.com>,
        <spacemusic@onelist.com>
References: <v0422081db51abf4c8726@[10.9.8.81]>
Subject: Re: Mother Mallard/Washington DC
Date: Wed, 12 Apr 2000 21:12:45 -0400
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Hey Doug, Will Mother Mallard get down this way,
in Charlotte, NC? We're the New South, you know, and
need some Kulture.

- Larry

----- Original Message -----
From: "Doug Wyatt" <doug@sonosphere.com>
To: <opcode-users@topica.com>; <Loopers-Delight@annihilist.com>;
<spacemusic@onelist.com>
Sent: Wednesday, April 12, 2000 8:19 PM
Subject: Mother Mallard/Washington DC


> I'm performing with Mother Mallard, the world's first performing
> synthesizer ensemble, in Washington DC, this coming Saturday, April
> 15th, at the American History museum.
>
> For details:
>
> http://www.mothermallard.cornell.edu
>
> Doug
>
> --
> Doug Wyatt                             doug@sonosphere.com
> http://www.sonosphere.com/
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 12 23:23:42 2000
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From: "Bill Fox" <billfox@fast.net>
To: "Allan Hoeltje" <ahoeltje@best.com>
Cc: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Re: REMOVE : EMUSIC Playlist
Date: Thu, 13 Apr 2000 23:08:20 -0400
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Dear Allan,

You are not on my list, Loopers Delight is.  As a member of LD, I have the
right to post to the list.  LD members who have received airplay on my show
haven't considered my playlists spam.  Same goes for LD members who didn't
know a show like mine existed, are looking for an outlet for their music,
and have submitted music to me for airplay consideration as a result.  Since
you miss the point of my posts, it is no wonder that they disturb you.  I am
sorry for that.  It is rather pointless to try to get listeners from outside
of the Lehigh Valley so that is obviously not the point of posting my
playlists.  I have been doing this for years so all I can recommend is that
you discuss this with our list owner.  By request of a list owner, I have
taken EMUSIC-L off my distribution.  I continue to post to SYNTH-L, owned by
the same people who own EMUSIC-L.  I will honor Kim's wishes, should he make
them known, though he has never mentioned anything to me in the several
months (nealy a year?) I've been an LD member.

I am copying this to the list as there seems to be an uproar starting about
my posts.  I send them to Loopers-Delight@annihilist.com as the digest
header explains.  Why my playlists show up in any other than the prescribed
manner is beyond my control and understanding.  I see that my Subject shows
up in the digest's header just like everyone else's posts do so I have had
no indication until now that anything was amiss.  Kim, please state the LD
rules of engagement which I will gladly follow, of course.

Best regards to all,

Bill         billfox@fast.net            http://wdiyfm.org
============================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay
consideration.

-----Original Message-----
From: Allan Hoeltje <ahoeltje@best.com>
To: billfox@fast.net <billfox@fast.net>
Date: Wednesday, April 12, 2000 3:30 PM
Subject: REMOVE : EMUSIC Playlist


>Will you please take me off your list?  Or are you just spamming everyone
on
>Loopers-Delight@annihilist.com and not just me?  Even though I would
probably
>like the music you play on your radio station, the fact that I do not live
even
>remotely near PA or NJ means I have no way to listen.  Basically, I think
your
>approach to getting listeners is exploitive and it really bothers me that I
have
>to delete your mail on an all too regular basis!
>
>Get me off your list.
>
>Get Loopers-Delight off your list.
>
>Thank you.

From Loopers-Delight-request@annihilist.com  Wed Apr 12 23:23:36 2000
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 <012101bfa4e5$613ae920$44310140@concentric.net>
Date: Wed, 12 Apr 2000 23:16:52 -0400
To: Loopers-Delight@annihilist.com
From: Doug Wyatt <doug@sonosphere.com>
Subject: Re: Mother Mallard/Washington DC
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At 21:12 -0400 4/12/00, Larry Tremblay wrote:
>Hey Doug, Will Mother Mallard get down this way,
>in Charlotte, NC? We're the New South, you know, and
>need some Kulture.

Hi Larry,

I joined the group in 1998 and this is only our third concert since then.

I imagine we'd play anywhere as long as we didn't lose too much money 
on the deal (which isn't easy when there are 9 people in the band and 
a mix engineer).

Doug


-- 
Doug Wyatt                             doug@sonosphere.com
http://www.sonosphere.com/

From Loopers-Delight-request@annihilist.com  Wed Apr 12 23:48:26 2000
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Date: Wed, 12 Apr 2000 20:38:03 -0700
From: Alan Barnard <e-drums@pacbell.net>
Subject: RE: REMOVE : EMUSIC Playlist
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I, for one, am perfectly happy receiving Bill's posts.

Best regards,   Alan Barnard.
________________________________
Alan Barnard
Digital Drummer/Percussionist
e-drums@pacbell.net
http://www.kiene.com/epercussion

> -----Original Message-----
> From: Bill Fox [mailto:billfox@fast.net]
> Sent: Thursday, April 13, 2000 8:08 PM
> To: Allan Hoeltje
> Cc: Loopers Delight
> Subject: Re: REMOVE : EMUSIC Playlist
>
>
> Dear Allan,
>
> You are not on my list, Loopers Delight is.  As a member of LD, I have the
> right to post to the list.  LD members who have received airplay
> on my show
> haven't considered my playlists spam.  Same goes for LD members who didn't
> know a show like mine existed, are looking for an outlet for their music,
> and have submitted music to me for airplay consideration as a
> result.  Since
> you miss the point of my posts, it is no wonder that they disturb
> you.  I am
> sorry for that.  It is rather pointless to try to get listeners
> from outside
> of the Lehigh Valley so that is obviously not the point of posting my
> playlists.  I have been doing this for years so all I can
> recommend is that
> you discuss this with our list owner.  By request of a list owner, I have
> taken EMUSIC-L off my distribution.  I continue to post to
> SYNTH-L, owned by
> the same people who own EMUSIC-L.  I will honor Kim's wishes,
> should he make
> them known, though he has never mentioned anything to me in the several
> months (nealy a year?) I've been an LD member.
>
> I am copying this to the list as there seems to be an uproar
> starting about
> my posts.  I send them to Loopers-Delight@annihilist.com as the digest
> header explains.  Why my playlists show up in any other than the
> prescribed
> manner is beyond my control and understanding.  I see that my
> Subject shows
> up in the digest's header just like everyone else's posts do so I have had
> no indication until now that anything was amiss.  Kim, please state the LD
> rules of engagement which I will gladly follow, of course.
>
> Best regards to all,
>
> Bill         billfox@fast.net            http://wdiyfm.org
> ============================================================
> Host of EMUSIC, an electronic, ambient, and space music show.
> Thursdays at
> 11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
> Phillipsburg.  Email me if you wish to submit music for airplay
> consideration.
>
> -----Original Message-----
> From: Allan Hoeltje <ahoeltje@best.com>
> To: billfox@fast.net <billfox@fast.net>
> Date: Wednesday, April 12, 2000 3:30 PM
> Subject: REMOVE : EMUSIC Playlist
>
>
> >Will you please take me off your list?  Or are you just spamming everyone
> on
> >Loopers-Delight@annihilist.com and not just me?  Even though I would
> probably
> >like the music you play on your radio station, the fact that I
> do not live
> even
> >remotely near PA or NJ means I have no way to listen.  Basically, I think
> your
> >approach to getting listeners is exploitive and it really
> bothers me that I
> have
> >to delete your mail on an all too regular basis!
> >
> >Get me off your list.
> >
> >Get Loopers-Delight off your list.
> >
> >Thank you.
>

From Loopers-Delight-request@annihilist.com  Thu Apr 13 00:09:37 2000
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Date: Wed, 12 Apr 2000 19:56:41 -0500
From: "Ben Porter" <azrix@n2music.com>
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Well, I've never tried either of those units, so I cant't help you there. But, there are several things you could do about amplifying the GP-100. The easiest to carry would be a "mini PA combo amp"; i.e. an acoustic guitar amplifier or a keyboard amp. There are lots of these out there. My favorite would have to be the Fender SFX acoustic and keyboard amps. There are also powered PA speakers out now by JBL and Mackie. 

You could also buy a power amp and some speakers. You could get guitar or PA speakers. Or, you could get a powered mixer. It doesn't really matter. If you are using to GP-100 direct and just want something to amplify the sound your getting with it, pretty much anything in the way of PA equipment would probably work. Any amp with the words "keyboard" or "acoustic" used to describe them could also work, as well.

Now, I have a question for you. I have been looking at the GP-100 to use purely as an effects processor for the guitar. I can't find any info about the GP-100 being used like this and was wondering if you would answer some questions of mine aobut it (off the list, of course)? Thanks. 

Over and out.

Ben Porter.

--

On Tue, 11 Apr 2000 21:53:55   Mark Hamburg wrote:
>I'm contemplating replacing my GP-100 with a Line 6 Flextone II and I
>wondered if anyone on this list had any comments in this regard.
>
>The pros and cons I can list without much experience with the Flextones...
>
>Pros: More direct controls. More amp models. Easily able to use it outside
>of my studio. (This last one is the big selling point. I'm tired of not
>having a guitar amp.)
>
>Cons: Obviously less powerful in terms of range of effects and in terms of
>the control over the effects.
>
>Has anyone done a comparison of the sound quality of the GP-100 v. the
>various Line 6 products? Or, if I were to stick with what I've got, does
>anyone have any recommendations on a reasonable amp to use with the GP-100
>so that I would have some mobility.
>
>Thanks.
>Mark
>
>P.S. And of course, if you've been hoping someone would sell a GP-100 in
>good condition, now is your opportunity to wax effusive about Line 6's
>products...
>
>
>


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@annihilist.com  Thu Apr 13 00:44:33 2000
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Date: Wed, 12 Apr 2000 21:28:19 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: fuckin unsubscribe me (or the Green Goblin gets it!)
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Who would have thought that Spiderman could have so
much trouble with a web-site?

--- petertparka <peterparka@btinternet.com> wrote:
> unsubscribe my arse you stupid muthafuckerz unless
> you want me to spam that ass.
> peterparka@btinternet.com
> 

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Send online invitations with Yahoo! Invites.
http://invites.yahoo.com

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Date: Wed, 12 Apr 2000 22:53:40 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: REMOVE : EMUSIC Playlist
In-reply-to: <010d01bfa5be$b17a1300$65aa5cd1@->
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At 8:08 PM -0700 4/13/00, Bill Fox wrote:
> I will honor Kim's wishes, should he make
>them known, though he has never mentioned anything to me in the several
>months (nealy a year?) I've been an LD member.
>

My wish is that I not have to be list dictator. You, the community that is
Looper's Delight, should work together to figure out how to solve problems
that come up.

It's anarchy: everybody's equally in charge.

My *opinion* is that Bill's posts seem reasonably on topic. They certainly
don't bug me the way posts about guitar amps and string gauges bug me. :-)


>I am copying this to the list as there seems to be an uproar starting about
>my posts.  I send them to Loopers-Delight@annihilist.com as the digest
>header explains.  Why my playlists show up in any other than the prescribed
>manner is beyond my control and understanding.  I see that my Subject shows
>up in the digest's header just like everyone else's posts do so I have had
>no indication until now that anything was amiss.  Kim, please state the LD
>rules of engagement which I will gladly follow, of course.

People probably need to set their mail filters to check "any header". When
the list address is in the bcc field, fitering on the to: field won't catch
it. When mail comes through the list there will be a variety of headers
added with the list address.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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From: L.Angulo@t-online.de (Luis Angulo)
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Subject: Re: GP-100 v Line 6
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Hello there,
The GP 100 is actually a very nice preamp a lot of pros(fripp,gun,etc.) are
using this unit. Quite complex but fairly easy to use.I tried the POD and is
also very nice,portable and easy to use but i heard the midi capabilities
are not as complex.It depends on what your looking for.
Luis






> With the new Flextone II, you can do this as well, or you can always get a
> POD (for your studio work), and run it through a transparent power amp and
> cabinet (for live).  POD settings and now the Flex II settings can be
> stored and shared via the computer and line6 website.
>
> rich
>
>
> At 12:08 AM 4/12/00 -0700, you wrote:
> >Make sure you look at Yamaha's amps- they are real nice and you can store
> >and share patches on your computer-
> >
> >Cliff
> >
> >----- Original Message -----
> >From: "Mark Hamburg" <mhamburg@Adobe.COM>
> >To: <Loopers-Delight@annihilist.com>
> >Sent: Tuesday, April 11, 2000 9:53 PM
> >Subject: OT: GP-100 v Line 6
> >
> >
> >> I'm contemplating replacing my GP-100 with a Line 6 Flextone II and I
> >> wondered if anyone on this list had any comments in this regard.
> >>
> >> The pros and cons I can list without much experience with the
Flextones...
> >>
> >> Pros: More direct controls. More amp models. Easily able to use it
outside
> >> of my studio. (This last one is the big selling point. I'm tired of not
> >> having a guitar amp.)
> >>
> >> Cons: Obviously less powerful in terms of range of effects and in terms
of
> >> the control over the effects.
> >>
> >> Has anyone done a comparison of the sound quality of the GP-100 v. the
> >> various Line 6 products? Or, if I were to stick with what I've got,
does
> >> anyone have any recommendations on a reasonable amp to use with the
GP-100
> >> so that I would have some mobility.
> >>
> >> Thanks.
> >> Mark
> >>
> >> P.S. And of course, if you've been hoping someone would sell a GP-100
in
> >> good condition, now is your opportunity to wax effusive about Line 6's
> >> products...
> >>
> >>
> >
> >
>

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From: "Devious D_MasterMixer" <dj_devious_d@hotmail.com>
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Subject: Re: looping mp3 files
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YEA !!!!
Cool Edit Pro 2000, with the Studio Preview (or pliugin).
But, I am not sure if it's for the MAC.....

----Original Message Follows----
From: eric <eobertha@inreach.com>
Reply-To: Loopers-Delight@annihilist.com
To: Loopers-Delight@annihilist.com
Subject: looping mp3 files
Date: Wed, 12 Apr 2000 10:38:41 -0700

Helloop,
I'm just going ape-shit over this mp3 thing.  I'm using SoundJam for the
mac which is, i hear, the state of the art (for mac at least).  BUT it
can't do a lot of things that i want:  cross fade automatically between
tracks in a playlist, or even LOOPING.  Even just the simplest looping
function would be so much fun to play around with.  Does anybody know of
any software like this?
Thanks!
eobe



______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Date: Thu, 13 Apr 2000 02:02:51 -0500
From: "Mikell D.Nelson" <mnelson@dmans.com>
Organization: Boomerang Musical Products
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Hi,
    I bought a Flextone with 2 10" speakers and the companion floorboard
controller. The master volume pedal was designed wrong in my opinion. It
reduces the signal before the pre amp or distortion producing part of the amp
when it should reduce the signal after this stage. If you have a great
overdrive tone, reducing the volume cleans the tone up, exactly like turning
down the volume knob on your guitar. It should keep the same tone, but just
reduce the volume.
    Also, the tones were one dimensional. For example, I found a great SRV
type tone, but it only worked on my neck pickup and only for single note
leads. It just lost its appeal when backing off the volume a little to play
chords or double stop licks. Also switching to another pickup didn't produce a
very good tone. The Flex was too particular for my tastes.
    And finally, it just didn't have the feel and rich tone of my tube amps.
If it was 80% of the way there I'd still have it, maybe even 70%... but it
went back to the store. For reference I have a VHT Pittbull combo with 1 12",
a VHT Pittbull head with a 2 12" cabinet, and a Crate VC3112; all tube amps.

Mark Hamburg wrote:

> I'm contemplating replacing my GP-100 with a Line 6 Flextone II and I
> wondered if anyone on this list had any comments in this regard.
>
> The pros and cons I can list without much experience with the Flextones...
>
> Pros: More direct controls. More amp models. Easily able to use it outside
> of my studio. (This last one is the big selling point. I'm tired of not
> having a guitar amp.)
>
> Cons: Obviously less powerful in terms of range of effects and in terms of
> the control over the effects.
>
> Has anyone done a comparison of the sound quality of the GP-100 v. the
> various Line 6 products? Or, if I were to stick with what I've got, does
> anyone have any recommendations on a reasonable amp to use with the GP-100
> so that I would have some mobility.
>
> Thanks.
> Mark
>
> P.S. And of course, if you've been hoping someone would sell a GP-100 in
> good condition, now is your opportunity to wax effusive about Line 6's
> products...

--
Mike Nelson

Boomerang Musical Products       800-530-4699
PO Box 541595                    214-340-6913, Outside USA
Dallas, TX  75354-1595           214-343-1038, Fax

http://www.boomerangmusic.com    mnelson@dmans.com

"Some products make you sound better;
 the Boomerang Phrase Sampler makes you play better."


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From: McCullaghJ@Logica.com
Subject: Re: REMOVE : EMUSIC Playlist
To: Loopers-Delight@annihilist.com
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> I am copying this to the list as there seems to be
> an uproar starting about my posts.

Oh, not at all Bill .. I for one certainly don't mind getting the mail
(although I can't receive the station, unfortunately). I'll alter my
filtering rule as Kim explained, and no one need flame, spam or die ;-)

I was just asking to see if I had gotten added to some other mailing list
accidently. I had an idea that LD was a member of the EMUSIC mailing list,
and that was the case. But I certainly don't mind, and didn't wish to
contribute to this list turning into the UnsubscribeMeNowOrTheBunnyGetsIt
list.

best rgds,
John

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compationate commumication...what the world needs more of....????????

>From: "petertparka" <peterparka@btinternet.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: fuckin unsubscribe me
>Date: Wed, 12 Apr 2000 19:18:31 +0100
>
>unsubscribe my arse you stupid muthafuckerz unless you want me to spam that 
>ass.
>peterparka@btinternet.com

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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From: "Dennis W. Leas" <dennis@mdbs.com>
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-----Original Message-----
From: Bill Fox <billfox@fast.net>

>I am copying this to the list as there seems to be an uproar starting about
>my posts.


I enjoy your posts to LD, Bill.  If we're voting, I'm for you to continue
posting.

Dennis Leas
-----------------------------
dennis@mdbs.com


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hahaha...now that is funny...

-----Original Message-----
Fr


Who would have thought that Spiderman could have so
much trouble with a web-site?

--- petertparka <peterparka@btinternet.com> wrote:
>

From Loopers-Delight-request@annihilist.com  Thu Apr 13 11:13:19 2000
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From: larry.peterson@autodesk.com
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Subject: OT:  Stick for sale
Date: Thu, 13 Apr 2000 07:03:56 -0700
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This is Emmett's Grand Stick prototype.

    Oak w/green trapeziodal fret markers
    Green pickup housing - no volume controls
    Emmett etched his name onto the tension rod
    Fixed bridge - 7 melody, 5 bass

I've had it for over 5 years.  It's been
played live in a number of situations and
I've used it in my own recordings.  There
are very few scratches or other markings.

Asking $1000 or best offer

From Loopers-Delight-request@annihilist.com  Thu Apr 13 11:10:10 2000
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Date: Wed, 12 Apr 2000 18:35:57 -0500
From: "Ben Porter" <azrix@n2music.com>
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Well, I've never tried either of those units, so I cant't help you there. But, there are several things you could do about amplifying the GP-100. The easiest to carry would be a "mini PA combo amp"; i.e. an acoustic guitar amplifier or a keyboard amp. There are lots of these out there. My favorite would have to be the Fender SFX acoustic and keyboard amps. There are also powered PA speakers out now by JBL and Mackie. 

You could also buy a power amp and some speakers. You could get guitar or PA speakers. Or, you could get a powered mixer. It doesn't really matter. If you are using to GP-100 direct and just want something to amplify the sound your getting with it, pretty much anything in the way of PA equipment would probably work. Any amp with the words "keyboard" or "acoustic" used to describe them could also work, as well.

Now, I have a question for you. I have been looking at the GP-100 to use purely as an effects processor for the guitar. I can't find any info about the GP-100 being used like this and was wondering if you would answer some questions of mine aobut it (off the list, of course)? Thanks. 

Over and out.

Ben Porter.

--

On Tue, 11 Apr 2000 21:53:55   Mark Hamburg wrote:
>I'm contemplating replacing my GP-100 with a Line 6 Flextone II and I
>wondered if anyone on this list had any comments in this regard.
>
>The pros and cons I can list without much experience with the Flextones...
>
>Pros: More direct controls. More amp models. Easily able to use it outside
>of my studio. (This last one is the big selling point. I'm tired of not
>having a guitar amp.)
>
>Cons: Obviously less powerful in terms of range of effects and in terms of
>the control over the effects.
>
>Has anyone done a comparison of the sound quality of the GP-100 v. the
>various Line 6 products? Or, if I were to stick with what I've got, does
>anyone have any recommendations on a reasonable amp to use with the GP-100
>so that I would have some mobility.
>
>Thanks.
>Mark


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

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List community, indeed! I also think Bill's postings are ON topic as
well... I like knowing when looping in general or one of our list
members is actually getting the airplay they deserve. Bill seems to be
a HUGE supporter of creative music in general and I'd certainly think
it would be a loss to have him leave or ignore this fertile group of
creative and industrious individuals because of some senseless pissing
match.

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Date: Thu, 13 Apr 2000 08:58:06 -0700
From: scott kungha drengsen <kungha@earthlink.net>
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I enjoy the lists as well.And because they often include list members I
consider them an asset to our community.
Scott Kungha Drengsen
http://www.basscapes.com

From Loopers-Delight-request@annihilist.com  Thu Apr 13 13:52:22 2000
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The only problem for me is that the show cannot be heard by 99% of
listmembers.  If Bill can get on internet radio, that is a different thing.
Any possibility, Bill?

>I enjoy the lists as well.And because they often include list members I
>consider them an asset to our community.
>Scott Kungha Drengsen


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    -----Original Message-----
    From: petertparka <peterparka@btinternet.com>
    To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
    Date: Wednesday, April 12, 2000 2:26 PM
    Subject: fuckin unsubscribe me
   =20
   =20
    unsubscribe my arse you stupid muthafuckerz unless you want me to =
spam that ass.
    peterparka@btinternet.com

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    <DIV><FONT face=3DArial size=3D2><B>-----Original =
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    </B>petertparka &lt;<A=20
    =
href=3D"mailto:peterparka@btinternet.com">peterparka@btinternet.com</A>&g=
t;<BR><B>To:=20
    </B><A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>&gt;<BR><B>Date:=20
    </B>Wednesday, April 12, 2000 2:26 PM<BR><B>Subject: </B>fuckin =
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    me<BR><BR></DIV></FONT>
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From Loopers-Delight-request@annihilist.com  Thu Apr 13 15:09:36 2000
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From: "David Potter" <papadave55@hotmail.com>
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Date: Thu, 13 Apr 2000 11:46:27 PDT
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Bill Has said that if I send him a tape he'd tape some of the looping stuff 
and send it to me.  Maybe he could assemble a looping greatest hits tape and 
make it available.  I'd love one  HHHHHHHHHHhhmmmmmmm Bill???   Om and Out   
Papa Dave

>From: David Myers <dmgraph@pulsewidth.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: REMOVE : EMUSIC Playlist
>Date: Mon, 27 Aug 1956 20:59:21 -0500
>
>The only problem for me is that the show cannot be heard by 99% of
>listmembers.  If Bill can get on internet radio, that is a different thing.
>Any possibility, Bill?
>
> >I enjoy the lists as well.And because they often include list members I
> >consider them an asset to our community.
> >Scott Kungha Drengsen
>
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Apr 13 15:18:09 2000
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From: "David Potter" <papadave55@hotmail.com>
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Subject: Re: Re : Mede Mede
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Below is an explaination of why I didn't get back about the DJRND2.  A 
vocalist is coming over today to test of this looper.  It is for a DJ set 
up.  A vocalist with his hands free could have a ball.  I do toning and 
Oming and vocal sound sculpture and this is great for it.  The sound quality 
is great.  Emmanuel is into letting some one else try it out.  Does anyone 
know a DJ list that I could email to?   I have an EDP, 2 jamman, a 
boomerang, DL4, an MPX 1 amongst other stuff as well so I will pass on this 
looper for now.  Miko's description of this looper was a good one for most 
of us that use out hands on instruments.  With a few inovations and a 
control pedal we would be all over it.   Let me know if you want to try it 
out.  The condition is sending it back to Perille in France.  Om and Out   
Papa Dave

>From: PERILLE <perille@club-internet.fr>
>Reply-To: perille@club-internet.fr
>To: papadave55@hotmail.com
>Subject: Re : Mede Mede
>Date: Wed, 12 Apr 2000 17:46:29 +0200
>
> > Hi Emmanuel,  Sorry but I've been out of town.  Miko came last Fri.  We 
>love
> > the looper but as you said it is probably for a DJ guy.  My son Jeremy 
>came
> > back from his travel through India, Tailand, Laos,Indonesia,Bali and
> > Australia.  H was gone a year and a half.  We were spending time 
>together at
> > hot springs mineral bathes at Harbin Hot Springs... Tres magnific.  I'll
> > send the looper back or make it available to any one else that you 
>decide
> > may be able to work it in to their rig.  It just wasn't usable because I 
>am
> > playing the guitar.
> >     Let me know what you want me to do.  Om and Out  Papa Dave
> >
>
>Hi Papa Dave,
>
>If you eventually know some one else who could be interested in using it
>as a homestudio, please let him play with it. Sound engineers ? pros ?
>
>You can keep it for a few days longer before sending it back home if you
>feel some next opportunities.
>
>Thanks
>
>Emmanuel
>
>P.S did you checked out the polyphony audio quality for Larry Tremblay ?

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Apr 13 15:48:35 2000
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We just want to make art.  Is that so wrong?



Saturday April 15th, 8 PM
G.E. Stinson and Inner Ear present:

Peter Kowald - bassist extraordinaire from Germany
Anna Homler - mistress of sonic alchemy


** kowald is a legendary freejazz/improvising bassist; homler is the
mistress of sonic alchemy" - - hard to describe but intriguing


also...

G.E. Stinson - electric guitars and implements
Steuart Liebig - electric basses
Christopher Garcia - drums, percussion, funny toy thing

** ge and i also do the loopage thang - - for that on-topic twist


$10 at the door

Conjunctive Points Dance Studio
3631 Hayden Ave. in Culver City,
South of Washington Bl. between National and Higuera Streets.
There's plenty of free parking in the public lot on Warner Drive.

Go to http://www.inner-ear.com for more info and a map.


http://www.cryptogramophone.com
http://www.cryptoradio.com
http://www.inner-ear.com


From Loopers-Delight-request@annihilist.com  Thu Apr 13 15:46:24 2000
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From: "future perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: REMOVE : EMUSIC Playlist
Date: Thu, 13 Apr 2000 15:26:43 -0400
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Agreed, although I do think I'd be lots more sympathetic towards Bill's
postings if I saw *my* songs on there...hehe. I do think I sent Bill a CD or
2 before.

Dave Eichenberger- guitars/loops/devices
http://home1.gte.net/artmusic/dave

'Future Perfect' - art music
http://home1.gte.net/artmusic/



>
> The only problem for me is that the show cannot be heard by 99% of
> listmembers.  If Bill can get on internet radio, that is a
> different thing.
> Any possibility, Bill?


From Loopers-Delight-request@annihilist.com  Thu Apr 13 15:53:13 2000
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From: Echoechoparkpark@aol.com
Message-ID: <26.4436ba4.2627797a@aol.com>
Date: Thu, 13 Apr 2000 15:26:50 EDT
Subject: Re: EH Microsynth differences
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In a message dated 4/9/0 11:26:45 AM, tiktok@sprintmail.com writes:

>You're looking for a source more privileged than someone from the EH design
>team...?

EH has a legendary '70's stoner stigma-reputation, and there were so many 
variations on circuits and packaging that  anyone who survived a rock guitar 
lifestyle from those times looks back at these pedals in confusion. Even Mike 
Matthews was unable to recall key aspects of some 1980 EH pedals I found.

I've also been surprised at electronic engineers/designers in general with 
respect to how they remember circuits relative to how they really were/are!  
They've seen way too many circuits...

>My own recollection is that several of the chorus-type units were the same
>except for the external graphics (this was from a Guitar Shop interview
>with
>Mike Matthews).

Polychorus=Polyflange, and some people say also = Echoflanger. I have not 
tried the Echoflanger, so cannot say.

>I'm sure you can find people who hear an audible difference in Microsynths
>(or any gear) of the same model. 

There are definite differences between the filter sets on the Micro and Bass 
Micro Synths. On a guitar, the Bass model imparts a warm, organ like filtered 
tone, where as the Micro's is perhaps a more reed-y oboe-like thing when 
dialed the same way and used with the same guitar.
I have an old Micro and a reissue Bass, and the difference is useful enough 
to me to justify not getiing rid of either one!  If you play bass, I would 
definitely recommend the Bass model over the Micro.

eric p
echo park

From Loopers-Delight-request@annihilist.com  Thu Apr 13 15:55:19 2000
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From: KRosser414@aol.com
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Date: Thu, 13 Apr 2000 15:25:34 EDT
Subject: Re: GP-100 vs. Line 6
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In a message dated 4/12/00 11:42:00 PM Pacific Daylight Time, 
Loopers-Delight-d-request@annihilist.com writes:

<< >I'm contemplating replacing my GP-100 with a Line 6 Flextone II and I
 >wondered if anyone on this list had any comments in this regard. >>

I don't own either but have used them both in the studio.  IMHO, the Boss has 
the superior sounding (and more exhaustive selection of) effects, and the 
Line 6 has the (far, far) superior sounding amp models.  If I did a ton of 
studio work, I'd invest in GP-100 as well as a POD and take both.    

As far as live applications go, I think the Flextone II (or even the previous 
Flextone) sounds great, but is much more useful live if you replace the 
speaker with a Celestion or something similar that fattens the mids and warms 
it up a bit.  A  Vintage 30 or Black Shadow can usually be found for around 
$100 brand new and each handles the 60 watts easily.  I'm very seriously 
considering doing this myself as we speak.  I've experimented with someone 
else's and was pretty pleased with the results.  Using the GP-100 live 
depends a lot on the kind of power amp and speakers you choose, but my 
personal taste with the preamp section and amp models is that they're pretty 
poor sounding.  It does sound great, however, if you just bypass the preamp 
section entirely and use it as a programmable multi-effect.  I have owned a 
GX-700 and did exactly that with excellent results.  However, I sold the 
GX-700 when the Line 6 pedals came out.

FWIW

Ken R

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From: Echoechoparkpark@aol.com
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Date: Thu, 13 Apr 2000 16:10:59 EDT
Subject: Hey Stig
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Are you playing with GE Stinson on Saturday?

eric p
echo park

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From: Echoechoparkpark@aol.com
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Date: Thu, 13 Apr 2000 16:18:01 EDT
Subject: Re: shameless gig spam! so-cal style
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How did you answer my question before I asked it?  Impressive.  I'll 
definitely have to see this ESP communication at work on Saturday at 
Conjunctive.

Come on, L.A. loopers - I'll see you there.

eric p
echo park


In a message dated 4/13/0 12:48:42 PM, LiebigSA@Maritz.com writes:

>We just want to make art.  Is that so wrong?
>
>

From Loopers-Delight-request@annihilist.com  Thu Apr 13 16:27:41 2000
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From: Echoechoparkpark@aol.com
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Date: Thu, 13 Apr 2000 16:09:09 EDT
Subject: Nels Cline playing with Mark Isham tonite
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Good fun to be had tonight with Nels on gtr and FX looping with EH 16.
Mark Isham's SIlent Way project (you know - MILES influenced).
Will Peter Maunu be playing, too? Hope so.

The Mint in West Los Angeles. 9:30 PM

From Loopers-Delight-request@annihilist.com  Thu Apr 13 16:52:48 2000
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From: Echophazer@aol.com
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Date: Thu, 13 Apr 2000 16:32:37 EDT
Subject: Re: REMOVE : EMUSIC Playlist
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I support the playlist. I enjoy the type of music on his show (looping or 
otherwise). Even though I'm far from being in the broadcast range I still 
find his list valuable for finding new music (and old) that I haven't heard 
yet. Keep up the good work Bill.

Thanks,
Peter B



From Loopers-Delight-request@annihilist.com  Thu Apr 13 16:54:46 2000
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
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si

-----Original Message-----
From: Echoechoparkpark@aol.com [mailto:Echoechoparkpark@aol.com]
Sent: Thursday, April 13, 2000 13:11
To: Loopers-Delight@annihilist.com
Subject: Hey Stig


Are you playing with GE Stinson on Saturday?

eric p
echo park

From Loopers-Delight-request@annihilist.com  Thu Apr 13 17:12:38 2000
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Message-ID: <002001bfa58d$161f8740$7387abd4@h2v6p1>
From: "luca" <lucafeed@tin.it>
To: <Loopers-Delight@annihilist.com>
References: <75.3046048.2627792e@aol.com>
Subject: R: GP-100 vs. Line 6
Date: Thu, 13 Apr 2000 23:09:43 +0200
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.... Boss Gx 700 ....
I think I could hardly sell mine; I think it is a real nice tool for two
distant uses:
noises, distorted noises that can come alive using the modulation tools
(ring modulator) and the automatic wahs (in inverted sensitiveness).
dry, transistor preamplified, sounds. A clear attack and a creamy and
defined tone.
IMHO it is one of those processors that has a real sense of being, if
compared to the price.
I use it in parallel with an Eventide Gtr 4000, a Digitech Gsp 2101 and an
Edp.
I feed it through an Advance Tube Technology tube mixer feeded by a Mesa
Studio Preamp.

I am just waiting to give the new Boss VF-1 a try and  I suggest you to do
the same before choosing.
It is son of the "V" family (...VG-8) and has several emulations beside the
effects.

Ciao,
Luca

From Loopers-Delight-request@annihilist.com  Thu Apr 13 17:55:16 2000
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 <4495C77AB577D31199120008C756D0C41303DA@migarexch01.maritz.com>
Date: Thu, 13 Apr 2000 14:41:15 -0700
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: shameless gig spam! so-cal style
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Oh no:  An LA loop gig (posted before the fact) and I have plans......Sorry
to have to miss it.  Thanks for letting us know, and I hope I'll catch the
next one.

Any other LA area loop gigs upcoming?

- Chris




>We just want to make art.  Is that so wrong?
>
>
>
>Saturday April 15th, 8 PM
>G.E. Stinson and Inner Ear present:
>
>Peter Kowald - bassist extraordinaire from Germany
>Anna Homler - mistress of sonic alchemy
>
>
>** kowald is a legendary freejazz/improvising bassist; homler is the
>mistress of sonic alchemy" - - hard to describe but intriguing
>
>
>also...
>
>G.E. Stinson - electric guitars and implements
>Steuart Liebig - electric basses
>Christopher Garcia - drums, percussion, funny toy thing
>
>** ge and i also do the loopage thang - - for that on-topic twist
>
>
>$10 at the door
>
>Conjunctive Points Dance Studio
>3631 Hayden Ave. in Culver City,
>South of Washington Bl. between National and Higuera Streets.
>There's plenty of free parking in the public lot on Warner Drive.
>
>Go to http://www.inner-ear.com for more info and a map.
>
>
>http://www.cryptogramophone.com
>http://www.cryptoradio.com
>http://www.inner-ear.com

From Loopers-Delight-request@annihilist.com  Thu Apr 13 18:08:54 2000
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From: Todd Madson <crash@waste.org>
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Subject: Mac Audio Loopers
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Someone (maybe it was dj devious) asked about Mac loopers.

I have links to both looper 1.5 and procrastination at my loop page.
I didn't write 'em, I just use 'em:

http://www.waste.org/~crash/loopage.html

Enjoy them, and than their authors with goodies and such.

-t



From Loopers-Delight-request@annihilist.com  Thu Apr 13 18:13:38 2000
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
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dunno about really soon. there may be some stuff in may (not necessarily me,
also something in big sur), june maybe, august for sure (possible sf and
santa cruz as well). 

that's it from me . . . others???


s

-----Original Message-----
From: Chris Chovit [mailto:cho@newdream.net]
Sent: Thursday, April 13, 2000 14:41
To: Loopers-Delight@annihilist.com
Subject: Re: shameless gig spam! so-cal style


Oh no:  An LA loop gig (posted before the fact) and I have plans......Sorry
to have to miss it.  Thanks for letting us know, and I hope I'll catch the
next one.

Any other LA area loop gigs upcoming?

- Chris




>We just want to make art.  Is that so wrong?
>
>
>
>Saturday April 15th, 8 PM
>G.E. Stinson and Inner Ear present:
>
>Peter Kowald - bassist extraordinaire from Germany
>Anna Homler - mistress of sonic alchemy
>
>
>** kowald is a legendary freejazz/improvising bassist; homler is the
>mistress of sonic alchemy" - - hard to describe but intriguing
>
>
>also...
>
>G.E. Stinson - electric guitars and implements
>Steuart Liebig - electric basses
>Christopher Garcia - drums, percussion, funny toy thing
>
>** ge and i also do the loopage thang - - for that on-topic twist
>
>
>$10 at the door
>
>Conjunctive Points Dance Studio
>3631 Hayden Ave. in Culver City,
>South of Washington Bl. between National and Higuera Streets.
>There's plenty of free parking in the public lot on Warner Drive.
>
>Go to http://www.inner-ear.com for more info and a map.
>
>
>http://www.cryptogramophone.com
>http://www.cryptoradio.com
>http://www.inner-ear.com

From Loopers-Delight-request@annihilist.com  Thu Apr 13 18:58:17 2000
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Date: Thu, 13 Apr 2000 15:58:58 -0700
Subject: Re: Nels Cline playing with Mark Isham tonite
From: Andrew Pask <andrew@kaleidacousticon.com>
To: <Loopers-Delight@annihilist.com>
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Where where where?
I wanna go.

Where's the Mint?

Cheers



Andrew

> From: Echoechoparkpark@aol.com
> Reply-To: Loopers-Delight@annihilist.com
> Date: Thu, 13 Apr 2000 16:09:09 EDT
> To: Loopers-Delight@annihilist.com
> Subject: Nels Cline playing with Mark Isham tonite
> Resent-From: Loopers-Delight@annihilist.com
> Resent-Date: Thu, 13 Apr 2000 16:27:27 -0400
> 
> Good fun to be had tonight with Nels on gtr and FX looping with EH 16.
> Mark Isham's SIlent Way project (you know - MILES influenced).
> Will Peter Maunu be playing, too? Hope so.
> 
> The Mint in West Los Angeles. 9:30 PM
> 

From Loopers-Delight-request@annihilist.com  Thu Apr 13 19:04:01 2000
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Date: Thu, 13 Apr 2000 15:53:01 -0700
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From: improv@peak.org (Dave Trenkel)
Subject: Re: shameless gig spam! so-cal style
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>We just want to make art.  Is that so wrong?
>
>
>
>Saturday April 15th, 8 PM
>G.E. Stinson and Inner Ear present:
>
>Peter Kowald - bassist extraordinaire from Germany

While Stig and Co. are bound to be great, Kowald is not to be missed! Some
years ago, a few friends of mine & I were trying to come up with the
"World's Greatest Improvising Musician", I know, stupid idea, but Kowald
was the only person we all agreed on as deserving the title.

It really SUCKS that his current US tour seems to be going everywhere in
the country except the Northwest!

____________________________________________
Dave Trenkel : improv@peak.org
Minus Web Site: http://listen.to/minusmusic
Minus MP3's: http://www.mp3.com/-minus-
____________________________________________


From Loopers-Delight-request@annihilist.com  Thu Apr 13 19:28:09 2000
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Date: Thu, 13 Apr 2000 16:29:41 -0700
Subject: Re: shameless gig spam! so-cal style
From: Andrew Pask <andrew@kaleidacousticon.com>
To: <Loopers-Delight@annihilist.com>
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I would like to second third and 4th that notion.
This guy is a MONSTER.
These creative Euro jazz people don't make it to LA much, enjoy it while you
can.(I've got an unsubscribing gig, probably my only one this month,
unsubscribe it)

> From: improv@peak.org (Dave Trenkel)
> Reply-To: Loopers-Delight@annihilist.com
> Date: Thu, 13 Apr 2000 15:53:01 -0700
> To: Loopers-Delight@annihilist.com
> Subject: Re: shameless gig spam! so-cal style
> Resent-From: Loopers-Delight@annihilist.com
> Resent-Date: Thu, 13 Apr 2000 19:03:55 -0400
> 
>> We just want to make art.  Is that so wrong?
>> 
>> 
>> 
>> Saturday April 15th, 8 PM
>> G.E. Stinson and Inner Ear present:
>> 
>> Peter Kowald - bassist extraordinaire from Germany
> 
> While Stig and Co. are bound to be great, Kowald is not to be missed! Some
> years ago, a few friends of mine & I were trying to come up with the
> "World's Greatest Improvising Musician", I know, stupid idea, but Kowald
> was the only person we all agreed on as deserving the title.
> 
> It really SUCKS that his current US tour seems to be going everywhere in
> the country except the Northwest!
> 
> ____________________________________________
> Dave Trenkel : improv@peak.org
> Minus Web Site: http://listen.to/minusmusic
> Minus MP3's: http://www.mp3.com/-minus-
> ____________________________________________
> 
> 

From Loopers-Delight-request@annihilist.com  Thu Apr 13 19:36:57 2000
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Nels Cline playing with Mark Isham tonite
Date: Thu, 13 Apr 2000 19:03:32 -0400
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it's on pico near fairfax in beautiful west los angeles (thas a joke son)


s

-----Original Message-----
From: Andrew Pask [mailto:andrew@kaleidacousticon.com]
Sent: Thursday, April 13, 2000 15:59
To: Loopers-Delight@annihilist.com
Subject: Re: Nels Cline playing with Mark Isham tonite


Where where where?
I wanna go.

Where's the Mint?

Cheers



Andrew

> From: Echoechoparkpark@aol.com
> Reply-To: Loopers-Delight@annihilist.com
> Date: Thu, 13 Apr 2000 16:09:09 EDT
> To: Loopers-Delight@annihilist.com
> Subject: Nels Cline playing with Mark Isham tonite
> Resent-From: Loopers-Delight@annihilist.com
> Resent-Date: Thu, 13 Apr 2000 16:27:27 -0400
> 
> Good fun to be had tonight with Nels on gtr and FX looping with EH 16.
> Mark Isham's SIlent Way project (you know - MILES influenced).
> Will Peter Maunu be playing, too? Hope so.
> 
> The Mint in West Los Angeles. 9:30 PM
> 

From Loopers-Delight-request@annihilist.com  Thu Apr 13 19:27:38 2000
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
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Kowald is not to be missed! Some
years ago, a few friends of mine & I were trying to come up with the
"World's Greatest Improvising Musician", I know, stupid idea, but Kowald
was the only person we all agreed on as deserving the title.

It really SUCKS that his current US tour seems to be going everywhere in
the country except the Northwest!

** time for that drive down south dave! maybe you could fit disneyland in as
well. kowald playing sf??

stig

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Date: Thu, 13 Apr 2000 16:44:19 -0700
Subject: Re: Nels Cline playing with Mark Isham tonite
From: Andrew Pask <andrew@kaleidacousticon.com>
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> it's on pico near fairfax in beautiful west los angeles (thas a joke son)
> 
That's my neighbourhood, don't knock it, you know, it's really flat down
there ;)

From Loopers-Delight-request@annihilist.com  Thu Apr 13 20:15:46 2000
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
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Subject: RE: Nels Cline playing with Mark Isham tonite
Date: Thu, 13 Apr 2000 19:58:02 -0400
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no, no i like that neighbourhood . . . honest.
s

-----Original Message-----
From: Andrew Pask [mailto:andrew@kaleidacousticon.com]
Sent: Thursday, April 13, 2000 16:44
To: Loopers-Delight@annihilist.com
Subject: Re: Nels Cline playing with Mark Isham tonite




> it's on pico near fairfax in beautiful west los angeles (thas a joke son)
> 
That's my neighbourhood, don't knock it, you know, it's really flat down
there ;)

From Loopers-Delight-request@annihilist.com  Thu Apr 13 20:28:32 2000
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Message-ID: <00a101bfa670$fb233600$feab5cd1@->
From: "Bill Fox" <billfox@fast.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: REMOVE : EMUSIC Playlist
Date: Fri, 14 Apr 2000 20:24:35 -0400
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I'm blushing!  Thanks for the support.  I certainly don't intend to be
obnoxious with my playlists and there are only 52 per year... plus twelve
monthly reports to NAV.  ;-)  That's not too many pressings of the delete
button when compared to normal volumes of email.

I'll try to respond to some of the points raised.  But the digest comes as
individual attachments, making it hard to include snippets of posts.

>UnsubscribeMeNowOrTheBunnyGetsIt
ROTFLMAO!!!

>Bill seems to be
>a HUGE supporter of creative music in general and I'd certainly think
>it would be a loss to have him leave or ignore this fertile group of
>creative and industrious individuals because of some senseless pissing
>match.
Even if the consensus turns out to be "no more playlists," I'd comply but
still hang with you folks.  My headrush wouldn't forgive me if I left the
fold!  And I wouldn't abandon the space/electronic/ambient artists who are
looking for an outlet for their creativity.  They make my show special!

>The only problem for me is that the show cannot be heard by 99% of
>listmembers.  If Bill can get on internet radio, that is a different thing.
>Any possibility, Bill?
I'd love it if WDIY were netcasting but it isn't in the cards.  Potential
audience = potential members = better finances for a public radio station as
far as I can tell.  Hey!  I could record a show on DAT, send it to one of
you who would then send it to another and another...  At least some of you
could get a taste that way.  And one of you could transcribe the DAT to MD
and cassette and start a couple more EMUSIC chains, er, um, I mean loops,
yeah, that's it!

>I enjoy the type of music on his show (looping or
>otherwise). Even though I'm far from being in the broadcast range I still
>find his list valuable for finding new music (and old) that I haven't heard
yet.
DingDingDingDing!!!  We have a winner here folks.  This is precisely why I
post playlists.  Give the man a great big (virtual) stuffed toy for his
lady.

Cheers y'all!

Bill         billfox@fast.net            http://wdiyfm.org
============================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay
consideration.
Visit http://www.crosswinds.net/~shadowplay for the ShadowPlay site.

PS Due to life, I will be off line for about a week right after I, yup! you
guessed it! post tonight's playlist.  See you on or about the 24th!

From Loopers-Delight-request@annihilist.com  Thu Apr 13 20:55:16 2000
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Date: Thu, 13 Apr 2000 20:50:17 -0400
Subject: Re: Mac Audio Loopers
From: Ken Mistove <kmistove@bellatlantic.net>
To: <Loopers-Delight@annihilist.com>
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Todd (and all others interested),

I just switched ISP's (640k ADSL is great - yeah I know, speed kills). My
new web site is: http://members.bellatlantic.net/~kmistove/ (the old
eclipse.net site is up for about two more weeks).

You can get "procrastination" from there (still and always free  - NOTE: new
Max and MSP revisions are now available + Great news: Max is now Gibson free
and officially in the hands of cycling74).

One of these days I'll update/improve that ridiculously simple creation of
mine, "procrastination"...

Have fun!

Ken

> I have links to both looper 1.5 and procrastination at my loop page.
> I didn't write 'em, I just use 'em:
> 
> http://www.waste.org/~crash/loopage.html
> 
> Enjoy them, and than their authors with goodies and such.

From Loopers-Delight-request@annihilist.com  Thu Apr 13 21:08:08 2000
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Subject: RE: REMOVE : EMUSIC Playlist
Date: Thu, 13 Apr 2000 17:53:20 -0700
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>>The only problem for me is that the show cannot be heard by 99% of
>>listmembers.  If Bill can get on internet radio, that is a different
>thing.
>>Any possibility, Bill?
>I'd love it if WDIY were netcasting but it isn't in the cards.
>Potential audience = potential members = better finances for a public radio
station >as far as I can tell.  Hey!  I could record a show on DAT, send it
to one of
>you who would then send it to another and another..

Or record it to Dat and send it to someone who could encode it and broadcast
it.

bIz

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Message-ID: <005401bfa5b3$b8f5aaa0$3b310140@concentric.net>
From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <20000413185816.50245.qmail@hotmail.com>
Subject: Re: Re : Mede Mede
Date: Thu, 13 Apr 2000 21:49:49 -0400
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David,
I'd be interested in giving the DJRND2 a workout and give a
comprehensive review of it's capabilities.

I do a lot of musique concrete/kulture jammin audio 'art'
and think the DJRND2 is right up my alley.

And I agree to return the device to Emmanuel in France.

Thanks,
- Larry T
----- Original Message -----
From: "David Potter" <papadave55@hotmail.com>
To: <loopers-delight@annihilist.com>
Sent: Thursday, April 13, 2000 2:58 PM
Subject: Re: Re : Mede Mede


> Below is an explaination of why I didn't get back about the DJRND2.  A
> vocalist is coming over today to test of this looper.  It is for a DJ set
> up.  A vocalist with his hands free could have a ball.  I do toning and
> Oming and vocal sound sculpture and this is great for it.  The sound
quality
> is great.  Emmanuel is into letting some one else try it out.  Does anyone
> know a DJ list that I could email to?   I have an EDP, 2 jamman, a
> boomerang, DL4, an MPX 1 amongst other stuff as well so I will pass on
this
> looper for now.  Miko's description of this looper was a good one for most
> of us that use out hands on instruments.  With a few inovations and a
> control pedal we would be all over it.   Let me know if you want to try it
> out.  The condition is sending it back to Perille in France.  Om and Out
> Papa Dave
>
> >From: PERILLE <perille@club-internet.fr>
> >Reply-To: perille@club-internet.fr
> >To: papadave55@hotmail.com
> >Subject: Re : Mede Mede
> >Date: Wed, 12 Apr 2000 17:46:29 +0200
> >
> > > Hi Emmanuel,  Sorry but I've been out of town.  Miko came last Fri.
We
> >love
> > > the looper but as you said it is probably for a DJ guy.  My son Jeremy
> >came
> > > back from his travel through India, Tailand, Laos,Indonesia,Bali and
> > > Australia.  H was gone a year and a half.  We were spending time
> >together at
> > > hot springs mineral bathes at Harbin Hot Springs... Tres magnific.
I'll
> > > send the looper back or make it available to any one else that you
> >decide
> > > may be able to work it in to their rig.  It just wasn't usable because
I
> >am
> > > playing the guitar.
> > >     Let me know what you want me to do.  Om and Out  Papa Dave
> > >
> >
> >Hi Papa Dave,
> >
> >If you eventually know some one else who could be interested in using it
> >as a homestudio, please let him play with it. Sound engineers ? pros ?
> >
> >You can keep it for a few days longer before sending it back home if you
> >feel some next opportunities.
> >
> >Thanks
> >
> >Emmanuel
> >
> >P.S did you checked out the polyphony audio quality for Larry Tremblay ?
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>
>

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Date: Thu, 13 Apr 2000 19:41:58 -0700 (PDT)
From: Haitch Cee <hcee@vcn.bc.ca>
To: Loopers-Delight@annihilist.com
Subject: looping segments tonight on the show
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http://plutonia.org/pressrelease.html

=)
rich

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
haitch c soundcraft   /   sinesite:  http://sinusoidal.com
s i n u s o i d a l   \   email:       info@sinusoidal.com
records / bc.canada   /   artists. mp3s. realaudio. forums.
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
plutonian nights radio show    - + -    http://plutonia.org

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From: "Javier Miranda V." <gnomesis@yahoo.com>
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Subject: RE: REMOVE : EMUSIC Playlist
Date: Thu, 13 Apr 2000 19:58:24 -0700
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That's right, he could have a Web page every week somewhere for free with a
giant Real Audio file you could stream at 128 Kbps or 56Kbps.  That would be
wonderful.

  | -----Original Message-----
  | From: Jonathan El-Bizri [mailto:jonathan@full-moon.com]
  | Sent: Thursday 13 April 2000 5:53 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: RE: REMOVE : EMUSIC Playlist
  |
  |
  | >>The only problem for me is that the show cannot be heard by 99% of
  | >>listmembers.  If Bill can get on internet radio, that is a different
  | >thing.
  | >>Any possibility, Bill?
  | >I'd love it if WDIY were netcasting but it isn't in the cards.
  | >Potential audience = potential members = better finances for a
  | public radio
  | station >as far as I can tell.  Hey!  I could record a show on
  | DAT, send it
  | to one of
  | >you who would then send it to another and another..
  |
  | Or record it to Dat and send it to someone who could encode it
  | and broadcast
  | it.
  |
  | bIz
  |


__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

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And now for something completely different - a non-gear question! =)

For those of you who perform solo improv gigs, just you and a mountain (or
molehill) of electronics: how do you go about creating a composition in
real time?  It's great to sit in the basement and endlessly tweak those
loops, but you can't get away with that in front of an audience.  Or can
you?  Please expound on your technical, philosophical, etc. approaches to
this situation.  Essays will be graded for clarity and originality, as well
as gratuitous use of the words "Belgium", "unsubscribe", and "mutherfuckaz".



Scott Martin
Morrigan Records
scott@morriganrecords.com
http://www.morriganrecords.com



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From: "Larry Tremblay" <ltct@concentric.net>
To: <gnomesis@yahoo.com>, <Loopers-Delight@annihilist.com>
References: <LOBBJCEICBFKLACEKDADCELFCEAA.gnomesis@yahoo.com>
Subject: Re: REMOVE : EMUSIC Playlist
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Great idea Javier.

I'm those who don't mind receiving the Emusic Playlist. It'd
be fantastic if it were an Internet Radio program. I'd even
help put it together, if you'd like.

Give me a holler, Bill.

- Larry T


----- Original Message -----
From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 13, 2000 10:58 PM
Subject: RE: REMOVE : EMUSIC Playlist


> That's right, he could have a Web page every week somewhere for free with
a
> giant Real Audio file you could stream at 128 Kbps or 56Kbps.  That would
be
> wonderful.
>
>   | -----Original Message-----
>   | From: Jonathan El-Bizri [mailto:jonathan@full-moon.com]
>   | Sent: Thursday 13 April 2000 5:53 PM
>   | To: Loopers-Delight@annihilist.com
>   | Subject: RE: REMOVE : EMUSIC Playlist
>   |
>   |
>   | >>The only problem for me is that the show cannot be heard by 99% of
>   | >>listmembers.  If Bill can get on internet radio, that is a different
>   | >thing.
>   | >>Any possibility, Bill?
>   | >I'd love it if WDIY were netcasting but it isn't in the cards.
>   | >Potential audience = potential members = better finances for a
>   | public radio
>   | station >as far as I can tell.  Hey!  I could record a show on
>   | DAT, send it
>   | to one of
>   | >you who would then send it to another and another..
>   |
>   | Or record it to Dat and send it to someone who could encode it
>   | and broadcast
>   | it.
>   |
>   | bIz
>   |
>
>
> __________________________________________________
> Do You Yahoo!?
> Talk to your friends online with Yahoo! Messenger.
> http://im.yahoo.com
>
>

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From: the Reverend Rob <reverendrob@realm-of-shade.com>
Subject: Re: Performing solo loop improvisations
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On or around 11:09 PM 4/13/00 -0700, Scott A. Martin said:

>For those of you who perform solo improv gigs, just you and a mountain (or
>molehill) of electronics: how do you go about creating a composition in
>real time? 

I just play; there isn't a grand science to it.  I use the same exact setup
at home as I do live, and handle it identically.  In all honesty, if I have
to think about "how to do it", I wouldn't be out playing live or
considering doing the same.  After a time, especially in solo gigs, the
looping comes automatically.  After five years of playing with anything
from a glorious 600 ms to my current multi-unit setup that nets me 14+
seconds in three discreet controllable rigs, I haven't even really thought
about the actual process in the longest time.  It's why I haven't run out
to grab a DL-4 or an EDP or any of the "impressive" loop tools; I know my
toys, what they do, and they interact in a seamless manner with what I do,
without me having to worry about things.  I tried a JamMan; I've played
with an EDP; they're nice units, but I'm just a simple looping guy who was
perfectly happy with a tape echoplex and primitive RDS series delays for
the longest time.  Call me a looping luddite.

> It's great to sit in the basement and endlessly tweak those
>loops, but you can't get away with that in front of an audience.  Or can
>you? 

Sure you can.  It all depends on how well you can construct pieces in
real-time and improvise appropriately.   I'm personally happiest just
getting lost in the creative process, and generally my audiences have been
very appreciative.  I don't expect lighter-waving bastards trying to get
laid in the middle of my set, and lo! and behold, they haven't ever
appeared.  I try to find venues suitable for what I do, in that the
audience is willing to listen to a variety of styles, influences, and be
part of the creation of the moment.  

Sometimes, I loop like a fiend; other times, I don't hit the 'hold' button
for the whole show, as sacrilegious as that sentiment is here.  It all
depends on the moment, the venue, the mood, and how things transpire. 

> Please expound on your technical, philosophical, etc. approaches to
>this situation.  Essays will be graded for clarity and originality, as well
>as gratuitous use of the words "Belgium", "unsubscribe", and "mutherfuckaz".

I generally just do it, while thinking that the mutherfuckaz from Belgium
should all unsubscribe their 60-cycle hum from my grounded loop. 

==
the Reverend Rob      ICQ: 1280871  
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.reverendrob.com : feedback and echo MP3s

 

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Subject: Fw:software multilooper
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repost from the max list to loopers delight ..

in short, a mac-based multi-looper with multiple independent loops
synchronized with variable length [not necessarily linked], with tracking to
an external timesource. automated subdivision of loop and corresponding
metronome output. will soon implement rhythm detection on an incoming audio
signal, automated fading and crossfading between loops, tracker-like
interface...  rapid development, currently at t+3 weeks. free. opensource
for the tweakers. currently requires max. creative input highly desired.
work in progress. not tied to industrial notions of progress or linear
notions of time. not designed to be culturally imitative nor deliberately
radical. designation; robust. fractally minimalist. unfettered.

a beos port could also manifest.

-j

-----Original Message-----
From: Jan P <jan@gomotech.com>
To: MAX - Interactive Music/Multimedia Standard Environments
<MAX@LISTS.MCGILL.CA>
Date: Thursday, April 13, 2000 9:39 PM
Subject: updates


>;
>
>updates
>
>my fripp~ looper external has been updated and now supports sampleaccurate
>synchronization between multiple fripp~ arbitrarylength loops, tracking to
>an external tempo source [0-1 ramp signal], adjustable metronome
subdividing
>loops as a reference point. Each fripp~ loop can be recorded to any length,
>independent of all other fripp~ objects or quantized to some multiple of a
>master fripp~-- for polyrhythmic bliss. After I'm done assimilating
research
>on tempo tracking, I intend to implement a tracker that takes audio in and
>puts out a 0-1 syncsignal, which could then be used to synchronize a whole
>mess of real-time-generated loops to an external groove.
>
>To be implemented--
>
>undo-ing loop overdubs
>controllable loop fades and crossfades, linking of loops to form rhythmic
>modulator-carrier relationships
>independent control of pitch and tempo using low-artifact algorithms
>collaborative networked [UDP?-- matt?] loop performances mind multiplicity
>working together
>
>my intention is to create a pattern-oriented loop-tracker similar to
>fasttracker and numerous others only driven by liveloops which can be
>created and dubbed into and manipulated as the track is evolving. drawing
on
>inspiration from LLOOPP, fripp fanatics, echoplex/jamman/other groovetools,
>various granulators and other efforts to create MAX rhythmic mayhem::L: to
>bridge gaps between conventional DJ [aka grooveholding] culture, live
>performance, new electro-acoustic instrument designs [research on creating
>sensorbased USB performance instruments cypress USB development station
>pending], and traditional forms of devotional music with traditional
>methods.
>
>mind has been mostly withdrawn from corporate infrastructure using much
>weedling and freelance techniques leaving majority of week clear for sonic
>exploration and channeling attunement. all developments to be shared
>opensource, openarms.
>
>happy gyrations
>-j
>

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From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Performing solo loop improvisations
Date: Thu, 13 Apr 2000 22:21:19 -0700
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As for myself, I have a repertory of "ideas," which include fingering
tricks, harmonic constructs, and plain old tunes.  These serve as a "bed"
where the lively improvisational action takes place, pardon the imagery.
Improvisation has no rules, I think.  With enough "ideas" and lively sound
sources, I have enough for a good while of playing for people, and it makes
for a lot of variety.

  | -----Original Message-----
  | From: Scott A. Martin [mailto:scott@morriganrecords.com]
  | Sent: Thursday 13 April 2000 11:10 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Performing solo loop improvisations
  |
  | For those of you who perform solo improv gigs, just you and a
  | mountain (or
  | molehill) of electronics: how do you go about creating a composition in
  | real time?  It's great to sit in the basement and endlessly tweak those


__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

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Date: Thu, 13 Apr 2000 23:18:10 -0700
Subject: Re: software multilooper
From: Andrew Pask <andrew@kaleidacousticon.com>
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Yeah, I meant to ask you on the max list when you posted this-
how are you getting along with the pulse recognition ("rhythm detection")
Tricky one that one.

How do you see it implemented in a solo looping environment?
Does the app follow your time as you play?
Is there a kind of "sample first aid" which stretches loops to fit neatly
over the nearest "important" pulse point?

I'm not much of a looper, what sort of "dream functions" does the ultimate
looping app have?


(apart from one button unsubscription)

Good luck with it anyway.

You got any beta patches yet?







> From: "Jan P" <jan@gomotech.com>
> Reply-To: Loopers-Delight@annihilist.com
> Date: Thu, 13 Apr 2000 21:52:27 -0700
> To: <Loopers-Delight@annihilist.com>
> Subject: Fw:software multilooper
> Resent-From: Loopers-Delight@annihilist.com
> Resent-Date: Fri, 14 Apr 2000 01:16:44 -0400
> 
> repost from the max list to loopers delight ..
> 
> in short, a mac-based multi-looper with multiple independent loops
> synchronized with variable length [not necessarily linked], with tracking to
> an external timesource. automated subdivision of loop and corresponding
> metronome output. will soon implement rhythm detection on an incoming audio
> signal, automated fading and crossfading between loops, tracker-like
> interface...  rapid development, currently at t+3 weeks. free. opensource
> for the tweakers. currently requires max. creative input highly desired.
> work in progress. not tied to industrial notions of progress or linear
> notions of time. not designed to be culturally imitative nor deliberately
> radical. designation; robust. fractally minimalist. unfettered.
>

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From: "Bill Fox" <billfox@fast.net>
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Subject: EMUSIC #160 Playlist
Date: Sat, 15 Apr 2000 02:18:23 -0400
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[Best viewed with a fixed spacing font.]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #160                    April 13, 2000.

On this show, I continued  the month-long focus on the second annual
NEARfest, North
East Art Rock Festival in Bethlehem, Pennsylvania.  The Feature CD at
Midnight
was a sampler CD-R provided by NEARfest.  The music of Ian Boddy was played
in support of his upcoming concert at The Gathering on May 6, 2000.

            NEARfest
http://wdiyfm.org/emusic/playlists/2000/focus00.html#apr
            Ian Boddy            http://www.din.org.uk
            The Gathering     http://www.thegatherings.org


ARTIST                  TRACK                    ALBUM (label)
======================= ========================
==============================
11:04 pm
Navigator               Mellotrain               Northern Consequence
(Invisible Shadows)
Team Metlay             The Hinge of Fate        Bandwidth (Atomic City)
Pryamid Peak            Secret                   Random Elements (Invisible
Shadows)
Dome                    The Glistening           The Dream Furious EP
(Cursor Club)
Foreigh Spaces          Artificial Encounter     Phaeton (Invisible Shadows)
VA [Doug Michael]       Trance                   Loopers Delight Volume 1
(none)
Ramp                    Sacrilege at Noon        CD-R from Ramp (none)
Ian Boddy               Beta 4                   Continuum (Something Else)
Ian Boddy               Beta 5 *                 Continuum (Something Else)

12:00 am
Priam                   Labyrinth                NEARfest 2000 CDR
Sampler(none)
Priam                Signs Beyond the Euphrates  NEARfest 2000 CDR
Sampler(none)
North Star              Feel the Cold            NEARfest 2000 CDR
Sampler(none)
DFA                     Caleidoscopio            NEARfest 2000 CDR
Sampler(none)
Iluvatar                Better Days              NEARfest 2000 CDR
Sampler(none)
Anekdoten               Karelia                  NEARfest 2000 CDR
Sampler(none)
Anekdoten               From Within              NEARfest 2000 CDR
Sampler(none)
Happy the Man           Starborne                NEARfest 2000 CDR
Sampler(none)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll continue the month-long focus on the second annual
NEARfest,
The feature CD at midnight will be As the World by Echolyn on the SONY 550
Music label.

Bill         billfox@fast.net            http://wdiyfm.org
============================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay
consideration.

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I have news from Argentina tonight about a famous looper making an
appearance in a new record there.

I've translated two passages from tonight's article and have posted it here
if you're interested.

http://www.gnominus.org/misc/epumer.htm


__________________________________________________
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-----Original Message-----
From: Jonathan El-Bizri <jonathan@full-moon.com>
To: Loopers-Delight@annihilist.com
Date: Thursday, April 13, 2000 8:53 PM
Subject: RE: REMOVE : EMUSIC Playlist


>Or record it to Dat and send it to someone who could encode it and
broadcast
>it.

I'll keep that in mind.  If anyone would like to do this or knows someone
who can do this, please let me know.

Bill         billfox@fast.net            http://wdiyfm.org
============================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay
consideration.

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From: "Steven  Woods" <swoods@comcen.com.au>
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Subject: Fw: EMUSIC #160 Playlist
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To: <Loopers-Delight@annihilist.com>

Subject: Re: EMUSIC #160 Playlist


> Hello
> Is it possible to not receive these emails for people on Loopers Delight?
> I dont want to receive them
> I didnt subscribe to receive this.
>
> Thank you
> Steven
> Loopers Delight and Boogie Talk is 90% crap and self indulgent waffle at
> present.
>
> ----- Original Message -----
> From: "Bill Fox" <billfox@fast.net>
> To: <Undisclosed.Recipients@post3.fast.net>
> Sent: Saturday, April 15, 2000 4:18 PM
> Subject: EMUSIC #160 Playlist
>
>
> > [Best viewed with a fixed spacing font.]
> >
> > EMUSIC, an electronic, ambient, and space music show, airs each Thursday
> > at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
> > Easton, PA and Phillipsburg, NJ.
> >
> >                     Show #160                    April 13, 2000.
> >
> > On this show, I continued  the month-long focus on the second annual
> > NEARfest, North
> > East Art Rock Festival in Bethlehem, Pennsylvania.  The Feature CD at
> > Midnight
> > was a sampler CD-R provided by NEARfest.  The music of Ian Boddy was
> played
> > in support of his upcoming concert at The Gathering on May 6, 2000.
> >
> >             NEARfest
> > http://wdiyfm.org/emusic/playlists/2000/focus00.html#apr
> >             Ian Boddy            http://www.din.org.uk
> >             The Gathering     http://www.thegatherings.org
> >
> >
> > ARTIST                  TRACK                    ALBUM (label)
> > ======================= ========================
> > ==============================
> > 11:04 pm
> > Navigator               Mellotrain               Northern Consequence
> > (Invisible Shadows)
> > Team Metlay             The Hinge of Fate        Bandwidth (Atomic City)
> > Pryamid Peak            Secret                   Random Elements
> (Invisible
> > Shadows)
> > Dome                    The Glistening           The Dream Furious EP
> > (Cursor Club)
> > Foreigh Spaces          Artificial Encounter     Phaeton (Invisible
> Shadows)
> > VA [Doug Michael]       Trance                   Loopers Delight Volume
1
> > (none)
> > Ramp                    Sacrilege at Noon        CD-R from Ramp (none)
> > Ian Boddy               Beta 4                   Continuum (Something
> Else)
> > Ian Boddy               Beta 5 *                 Continuum (Something
> Else)
> >
> > 12:00 am
> > Priam                   Labyrinth                NEARfest 2000 CDR
> > Sampler(none)
> > Priam                Signs Beyond the Euphrates  NEARfest 2000 CDR
> > Sampler(none)
> > North Star              Feel the Cold            NEARfest 2000 CDR
> > Sampler(none)
> > DFA                     Caleidoscopio            NEARfest 2000 CDR
> > Sampler(none)
> > Iluvatar                Better Days              NEARfest 2000 CDR
> > Sampler(none)
> > Anekdoten               Karelia                  NEARfest 2000 CDR
> > Sampler(none)
> > Anekdoten               From Within              NEARfest 2000 CDR
> > Sampler(none)
> > Happy the Man           Starborne                NEARfest 2000 CDR
> > Sampler(none)
> >
> > 1:00 am
> >
> >  * = exerpt
> > VA = Various Artists (compilation)
> >
> > On the next EMUSIC, I'll continue the month-long focus on the second
> annual
> > NEARfest,
> > The feature CD at midnight will be As the World by Echolyn on the SONY
550
> > Music label.
> >
> > Bill         billfox@fast.net            http://wdiyfm.org
> > ============================================================
> > Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays
> at
> > 11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
> > Phillipsburg.  Email me if you wish to submit music for airplay
> > consideration.
> >
> >
>

From Loopers-Delight-request@annihilist.com  Fri Apr 14 05:21:34 2000
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Subject: Re: software multilooper
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hi andrew!-

>Yeah, I meant to ask you on the max list when you posted this-
>how are you getting along with the pulse recognition ("rhythm detection")
>Tricky one that one.


I haven't started on that bit yet. As a reference, I have The Computer Music
Tutorial. I imagine I will form a kind of pulse-time chart, which sorts the
distances between significant pulses and looks for integer harmonics as
clues to tempo. The output will be a sync ramp from 0-1 over 1 bar.

>How do you see it implemented in a solo looping environment?
>Does the app follow your time as you play?


I more see its utility when the looper is being slaved to some external
audio-- a drummer laying groove, a DJ, handclaps, whatever. In solo I would
probably just let the loops go at their own time and not force the computer
to do a messy task like tempo track.

>Is there a kind of "sample first aid" which stretches loops to fit neatly
>over the nearest "important" pulse point?


Something like this is already in place in the fripp~ object. Given any 0-1
ramp signal as a reference input, the loop records, plays, overdubs
syncronized to that signal. If the signal changes its rate, the loop speed
changes. There is currently a corresponding rate-pitch shift, but I hope to
use some fancy freq-domain methods to negate that.

Currently, this can be used to synchronize multiple fripp~ loops together.
And, if I were able to create a tempotrack object that spat out 0-1 ramps
synchronized to patterns in an incoming audio signal, I would then have me a
synchronized looper.

>I'm not much of a looper, what sort of "dream functions" does the ultimate
>looping app have?


Who knows! Very individual, I think. For me, I'm interested in being able to
build up a part and come back to it later-- in a session, or by cuing up
loop mixes from disk. I'm interested in being able to have the computer help
me conduct the session-- puter, fade my bass loop out over 4 bars. Puter,
bring in that drumloop I recorded last time. Puter, we are switching all
melodic parts up 3 semitones. Puter, cue up these loops on just the monitor
mix so I can work with them before spitting them out. Puter, Jim just played
in some amazing shit. Let's timestrech that into the current loop. Only,
unlike an 'arranger' like Cubase, its a sonic continuum, it never stops. Its
created with that spirit.

For me its a way to bunk the traditional process of arranging music. I like
to work in the moment, and for me I've never really taken to assembling
pieces of my work and listening and relistening and tweaking. I'm interested
in expanding the loop analogy to be flexible enough to work with more
elaborate pieces-- where things get so dynamic, you might be surprised that
looping was a central totem to the process. So I'm trying to expand the
notion of looping to the point where the performer's role is less one of
holding groove or holding space and more one of imagining and directing the
flow of the space, and being a physical channel into that space. yields;
Building a piece so that you give the computer enough information as you
build it that it understands how your piece is structured, and it can
project the piece forwards in time as you continue to manipulate it.

This conjures some scary notions of inhuman music mediated by monotone
robots, but, as I see it, this can only liberate the performers to expand
the flow, rather than hold it. But then, that has been said about technology
in general== powerful tools definitely own their users as much as the
reverse is true. Oh, those inorganic beings!

All of this is somewhat rooted in a desire to dissolve the notion of a
'finished product' and to expose the whole process of creation as the
creation itself... and to empower the listener to become a creator by making
that process visible and available. I grew up improvising on piano and stuff
comes out, it needs to be channeled out, so I sit for hours and it just
bubbles up-- and in my visions I imagine communicating my intention for a
part and having the part build up by itself. Now my first reaction is that
seems a little ala Terrence McKenna machine elves, but then I stop and look
again and somehow 'bringing objects into existence by singing them into
existence' seems like a rational thing to shoot for.

>You got any beta patches yet?


Absolutely! They are messy, but if you can deal with that, I would love to
send you the whole thing, source & all. Then we could resonate together. tee
hee.

-jan


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From: "Pedro Felix" <PedroFelix@worldnet.att.net>
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Subject: Re: Performing solo loop improvisations
Date: Fri, 14 Apr 2000 11:33:18 -0500
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>For those of you who perform solo improv gigs, just you and a mountain (or
>molehill) of electronics: how do you go about creating a composition in
>real time?  It's great to sit in the basement and endlessly tweak those
>loops, but you can't get away with that in front of an audience.  Or can
>you?  Please expound on your technical, philosophical, etc. approaches to
>this situation.
>Scott Martin

My audiences have thus far been quite appreciative of my tweaking,....I
tried (at least at the outset of performing loop based music) to construct a
nice 20-30 minutes of looping on one of my loopers and taking my risks with
my other two looping devices. That worked well for a while, but felt a bit
safe. Of course after once encountering an EDP that read OO mid-performance
I quickly realized that I can't count on eveything that I thought might work
at home to work on the gig. So now I tweak and tweak and turn knobs and
occasinally give total silence (quite righteous as an effect, almost forgot
about it!). I find that there is no substitute to knowing your gear well, so
I try my best to put myself through my paces beforehand and let myself loose
at the gig.
I've mainly played for mixed audiences (poets, performance artists,
musicians and patrons),...seems that the poets like that I use a hand held
recorder with my poems, the performace artis like that i'm dancing on all
those foot switches, the musicians are usually a bit dumbfounded-which I
take as a compliment,....I get quite a bit of "man, that's a lot of gear"
before the gig and a lot of "whoa, you really use all those things, huh?"
after the smoke clears. So something tells me i'm on the right road.
PedrOOrdeP



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Date: Fri, 14 Apr 2000 08:54:29 -0700
Subject: Re: software multilooper
From: Andrew Pask <andrew@kaleidacousticon.com>
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Most cool news indeed about the progress.

I would be into checking out what you have gotten yourself into
but alas I know no C, I guess this is what you're writing it in.
Any Max patches, fire them over.
I'm really interested in the pulse detection part.
I have a couple of patches which concern themselves with
"listening" to what is going on around them and reacting with similar
"busyness" to what it hears.The problem for pulse detection is that even if
a patch only listens to the front of every note, which is hardly suitable in
a playing situation, it still is very easy to bog it down with information
if you're trying to decipher it all at the same time.And mike placement for
acoustic sound is a pain in the ass too.
In order for a patch to recognise its own output, a significant amount of
time has to be taken up during which it can't recognise anybody else.This
amounts to any pulse detection of acoustic playing being deaf for part of
the time, hardly suitable.
So my workarounds are currently going in the following directions.

First, I'm using a dedicated "pulse time" channel into MAX.I've stopped
trying to get Max to listen to everything, and am using one thing, a sound,
or a certain note, to be the source for the pulse detecting.Then it can
extrapolate away from there until it recieves another bang or two and
"gracefully and delicately" shifts itself to where the new time may be.
Maybe it can work as a footswitchable "tempo learning time" so that you can
set up things relative to what's going on around you.Pretty hard to play,
whichever way you cut it.

Next, and this is where I'm stuck, I'm trying to implement the idea of
sudivided beat into the patch. Say you're banging away at 1/4 note = 132 and
all of a sudden Max hears a triplet out of the gloom, it doesn't switch the
tempo to 1/4 note = 396, it knows you're playing over a swung pulse and
doesn't lose it.Actually I think this whole area is a complete nightmare,
and I'm not surprised there aren't any tempo following externals.Maybe later
when we all have G6s or something.......
If you have any algorithms for pulse detection I'd be glad to try and
implement them in Max.

I left this on the list in case it might stir any thoughts in the other Max
loopers I know are out there, maybe we can develop an outline of a useful
looping app on this list (and get someone else to write it of
course,hehehehehe)

L8r

Andrew

From Loopers-Delight-request@annihilist.com  Fri Apr 14 12:26:03 2000
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Hi all-

Just wanted to comment on last night's show- wow! Fantastic- Nels Cline was
incredible, and was using his newly repaired vintage tape Echoplex! I was
also taken by his use of a red Digitech Whammy pedal that had pitch shifting
features- it sparked my interest in a big way as I had a foot controllable
octave device in mind lately-
Along with Niles were Mark Isham on effected horn- it looked like a white
Miles really- sans the stylish attire that Miles did so well-standing and
directing the other members when to break and change sections with hand
signals while his back to the audience-  He had an EMU sampler I think- with
a controller on a stand next to him- along with a rack of effects including
a Jam Man, VC3, a T.C. Elec. multi box, Ground Control controller- He used
delay a nd hold functions with great success and with discretion- also voice
samples including some from a Miles album called Evil/Live-
The bass player was great and had a beautiful Zion bass with a black
fingerboard that looked like it was made of glass-
Drummer used electronic drums - I could not see the module tho-
The music was great with many tracks containing fast tempo break beat/house/
techno drums with slow melody lines on top- very nice grooves!
Keyboard player had a Rhodes and a korg and was great too-
They did a Miles cover from either Evil/Live, Big Fun, or Bitches Brew- i'll
have to check- but it was great to hear Nels on this one- pulling out some
mcLaughlin-esque riffs with his own style-
I have to go to work so I must end this now!

Cheers-
Cliff

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Andrew Pask wrote:

> ...maybe we can develop an outline of a useful
> looping app on this list (and get someone else to write it of
> course,hehehehehe)

I'm definitely interested in this idea.  I probably know less about C and Max
than any of you, but I do know what I'd want in a software looper.  I have
already posted a little bit about my desires; they mostly concern MIDI and MP3
files.  If anyone is interested I'd be happy to make a another summarizing post
listing my ideas.

Cheers,
eobe

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Subject: Re: Performing solo loop improvisations
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>For those of you who perform solo improv gigs, just you and a mountain (or
>molehill) of electronics: how do you go about creating a composition in
>real time?

I have two rules when I do a solo looping gig: 1) all acoustic instruments, 2)
every sound generated live (no prerecorded stuff).  Probably silly rules but
they work for me.  I'm a percussionist so I use a lot of instruments (twin
peaks - one mountain of electronics, one of instruments).  I put the board/FX
out front so folks see me knob-frobbing, just like it was another instrument.

Originally, I got into looping so I could play Celtic music on my marimba and
accompany myself.  I still do but I've really gotten into the soundscape thing,
hence the mound of instruments (i.e., sonic textures).  The Celtic stuff is
probably only 10% of a show nowadays.

Most of the pieces (songs?  tunes? compositions?  what do you call them?) that I
play out are structured.  I do alot of experimenting at home but not generally
in front of an audience.  Chicken?  Yeah, probably both me and the audience.
One of these days...

When I say "structured" it's a "bones only" kind of thing.  The "flesh" is added
during the performance and is always variable.  So the outcome is always
different even with the same bones.  I work alot with this idea of "bones"
(apriori structure) and "flesh" (in the moment improv) combined in performance.
One characteristic is that, if you're successful, the audience never sees the
bones or at least they don't get in the way.  But you have something to hang
improvs onto.  This helps the improvs to be distinct from each other.  Being a
percussionist, I don't generally have chord progressions like the jazzers.

I use this idea with group improvisations also.  Here is part of a "script" from
a performance recently with three musicians (guitar, keyboard, percussion), two
voices, and two dancers.  "Audience volunteers" are people from the audience who
volunteered to participate.  The performance was entitled "Seven in a Sack",
hence the use of fast-food sacks.  This piece was probably the boniest of the
performance.

----------------------------------------- beginning of script
clip ---------------------------------
7:50 - 8:10 PM INTERMISSION
The Stage Manager herds the audience volunteers into a room.  The volunteers are
given seven fast-food sacks containing “idea” cards.  The cards are culled from
Brian Eno’s Oblique Strategies cards.  Written on the cards are such things as
“Emphasize Repetitions” and “Water”.  By whatever process they mutually agree
upon, the volunteers arrange the “idea” cards.  From a total of 21 cards, they
select a “hand” for each performer of three cards.  Each hand is placed in a
fast-food sack.  If desired, the volunteers may designate a hand for a
particular performer by writing the performer’s name on the sack.

8:10 – 9:00 PM SECOND SET

A. Card Game * (20 minutes) – a collective improvisation guided by “idea” cards

Lights are up.  The Stage Manager gives each performer a fast-food sack.  Each
sack contains a “hand” of three idea cards in a stack.  The performer places the
stack in their easel and doesn’t know beforehand which cards are in their stack.
Only the top card of each stack is visible to all the performers and the
audience.  Each performer starts whenever they want and bases their
improvisation on their top card.  At any time a performer can remove the top
card, exposing a new card.  Further improvisation is based on the new card.
During this piece, each performer independently works their way through all of
their cards.  If desired, a performer may exchange their entire stack with
another performer.  However, the cards in a stack cannot be separated;
individual cards cannot be exchanged.  To end it, the Stage Manager enters and
begins taking-up the cards and putting them in a fast-food sack.  As the Stage
Manager picks up a performer’s cards, that performer stops (“No tickee, no
playee”) and begins following the Stage Manager forming a line of “stopped”
performers.  The Stage Manager randomly chooses the stopping order.  Eventually,
all performers are stopped and the Stage Manager, with the performers “in tow”,
exits the stage.
------------------------------- end of script
clip ---------------------------------------------------------------------

Hope you find this interesting.

Dennis Leas
-----------------------------
dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Fri Apr 14 14:45:01 2000
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Date: Fri, 14 Apr 2000 14:38:29 -0400
From: Darcy Clark <darcyc@engin.umich.edu>
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Subject: online audio/midi collab. revisited
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returning to the idea of trying out this new online audio/midi
collaboration software :
http://www.harmony-central.com/Rocket/

Is anyone up for trying it out this Sunday morning ? If there is
interest, then we can arrange a time and a particular 'virtual studio'
to meet in. I don't expect any masterpieces to come out of it, but I at
least want to try it out - if it works then maybe a weekly online loop
session could be fun !

cheers,

Darcy
---------------------------------------------------
Ph: (734) 764 3377 
Email: darcyc@engin.umich.edu
URL: http://www-personal.engin.umich.edu/~darcyc/
---------------------------------------------------

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From: "future perfect" <artmusic@gte.net>
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Subject: RE: Performing solo loop improvisations
Date: Fri, 14 Apr 2000 14:54:26 -0400
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> I try to find venues suitable for what I do, in that the
> audience is willing to listen to a variety of styles, influences, and be
> part of the creation of the moment.
>

Amen! This is really important- there is nothing worse than performing when
all you can think about is 'these people are hating this, why did I even get
a gig here'. There are many places suitable for knob-tweakung music, and
most of them are not the traditional bars 'where they like both kinds of
music'. Check out art galleries, museums, aquariums, planetariums,
coffeehouses, bookstores, etc. Lots of these places may not feature music
regularly, but are very happily suprised at the end of the gig when they
realize how much the people there liked it.
good luck


Dave Eichenberger- guitars/loops/devices
http://home1.gte.net/artmusic/dave

'Future Perfect' - art music
http://home1.gte.net/artmusic/




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Ok, I'm jumping into this conversation with both feet, and hoping I don't land
on my face 'cuz both are in my mouth.

I have a Kyma system and I've been planning on making rhythm recognizers and
such with it.  It has alot of sound analysis tools, expandability, and real-time
processing power.  I 'd like to create an "adaptive looper".  Feed it samples
and it mutates them according to some plan.  The plan may be extracted from the
sound, of course.  So I'm quite interested in what you're doing.  I don't speak
MAX so can you translate to more general terms?  I plan on getting MAX when the
PC version becomes available (June, I understand) but until then I ask your
indulgence.

BTW: I'm not familiar with "The Computer Music Tutorial".  The info on
amazon.com is quite intriguing.  Comments?

Dennis Leas
-----------------------------
dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Fri Apr 14 18:57:36 2000
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> Kowald is not to be missed! Some
> years ago, a few friends of mine & I were trying to come up with the
> "World's Greatest Improvising Musician", I know, stupid idea, but Kowald
> was the only person we all agreed on as deserving the title.
> 
> It really SUCKS that his current US tour seems to be going everywhere in
> the country except the Northwest!
> 
> ** time for that drive down south dave! maybe you could fit disneyland in as
> well. kowald playing sf??
> 
> stig

as there seems to be a bit of interest in Peter Kowald here, I thought
I'd pass
this on from the bay area new music list:
----------------------------
hi,
 i'm trying to put together a string/improvisation workshop for the
great german doublebassist peter kowald,it will be late april in oakland
it will cost $30,there is no one playing creative music in the bay area
who wouldn't learn something from this true master,he has worked with
brotzmann,don cherry,bill dixon,cecil taylor,frank wright,butch
morris,kosugi,fred frith,evan parker,william parker,wadada leo
smith,conducted/played in the globe unity orch. ect,.and has been a part
of many landmark events that have altered the course of creative
music,not to mention the double bass! ,.email ,or call 510-597-1769.for
peters bio/info go to <www.kowald.de>
thanks damon

From Loopers-Delight-request@annihilist.com  Fri Apr 14 20:41:50 2000
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From: PMimlitsch@aol.com
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Date: Fri, 14 Apr 2000 20:09:18 EDT
Subject: Re: Performing solo loop improvisations
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Basically use a "throwing paint against a canvas" approach,  then work off 
the resultant tectures/ pulses/ rythmns.  Throughout a set (an hour give or 
take) "compositions" (pre conceived ideas) will show up or things will get 
"nudged" so that they can. 

From Loopers-Delight-request@annihilist.com  Sat Apr 15 07:24:30 2000
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Subject: Re: Performing solo loop improvisations
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In a message dated 14/04/00 04:12:13 GMT Daylight Time, 
scott@morriganrecords.com writes:

> For those of you who perform solo improv gigs, just you and a mountain (or
>  molehill) of electronics: how do you go about creating a composition in
>  real time? 
By the time I get to perform (rare as anything) I've decided what
FX /loopers to use in what arrangement( I use a med size mixer), and what
patches those FX will have.
 I'll also have a general idea about what I'm going to play into the rig,
with a couple of set piece items.
In performance I'll have a guitar, a vol ped , a couple of footswitches, and
an expression pedal. If unavoidable I might have to change a mixer setting 
on the fly, or tweak a couple of FX parameters.
This all fits in with my current 'improvising within a stated framework' 
interests. Well I reckon all improv has a set of rules, it's just that the 
rules aren't always acknowledged.
The best improvisors seem to be those who can change the rules as
they go.
So ideally I'd like to make the FX more interactive, currently
I think any audience would get a bit impatient as
I rummaged through the manuals.

Andy Butler.  

From Loopers-Delight-request@annihilist.com  Sat Apr 15 11:40:36 2000
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Subject: electrica
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Anybody know if the cool "electrica" interactive sound site (spoken of here
a couple months ago) is still up somewhere?  My old bookmark (
http://www.leonid.de/electrica/) is coming up 404.  Thanks.


From Loopers-Delight-request@annihilist.com  Sat Apr 15 12:23:30 2000
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From: "steve lawson" <steve@steve-lawson.co.uk>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Performing solo loop improvisations
Date: Sat, 15 Apr 2000 12:56:43 +0100
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>For those of you who perform solo improv gigs, just you and a mountain (or
>molehill) of electronics: how do you go about creating a composition in
>real time?  It's great to sit in the basement and endlessly tweak those
>loops, but you can't get away with that in front of an audience.  Or can
>you?  Please expound on your technical, philosophical, etc. approaches to
>this situation.

I tend to gig with a mixture of composed pieces, shell ideas and free
improv. The most important aspect in the free improv, for me, is control of
the equipment. If I wasn't in control of the JamMan, then I couldn't loop
things on the fly, or restart loops when a bit is being recorded that I
don't like or whatever.

It's possible to practice improv. Just do at home what you would do on
stage, and when you get to the point where a significant majority of what
you come up with is worth listening to, try it in front of an audience. I
normally do one ambient 'soundscape' type tune in my set, sometimes of the
back of another tune - there are two in Real Audio form on my web-site.

Try setting yourself boundaries when practicing - as I think Robert Fripp
once said, it's not 'practice unless you set yourself limitations' - improv
around a feeling or a mood or a tonal centre, or using a certain technique,
or with invervallic limitations, or using specific effects... try sounds
that you have no real command of and then react in real time to what comes
out... tape your practices, listen and evaluate.

I find that my mental state when in front of an audience is so different
from at home - I'm much more alert and acutely aware of the possibility that
this could be very dull! At, I've hand loops running for up to 7 or 8 hours,
on stage the longest so far is about 8 minutes. If I had an EDP, perhaps my
horizons would expand!!

New question - does anyone on here us a Protools set up live? Is there
anyway of starting and stopping Protools loops with a foot control? If it
was, it would surely be the ultimate live looping device, with almost
limitless stackable loops, no discernible degradation in sound quality,
total separation of layers.... I can't afford a Mac G4 at the moment, but
one day, maybe...

cheers

Steve
http://www.steve-lawson.co.uk - subscribe to my new mailing list here.
steve@steve-lawson.co.uk

"I know there's a balance, I see it every time I swing past."
                                                           - John Mellencamp

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They disappeared - can't find anyone that knows the story.


At 09:41 PM 8/27/1970 -0500, you wrote:
>Anybody know if the cool "electrica" interactive sound site (spoken of here
>a couple months ago) is still up somewhere?  My old bookmark (
>http://www.leonid.de/electrica/) is coming up 404.  Thanks.
>
>

From Loopers-Delight-request@annihilist.com  Sat Apr 15 17:00:01 2000
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From: "Larry Tremblay" <ltct@concentric.net>
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Subject: Re: electrica
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I think the page you're talking about was somehow associated
with the Beatnik player (a Thomas Dolby company).

Anyway, both leonid.de and electrica.de are inactive
domains (for now?).

- Larry

----- Original Message -----
From: "David Myers" <dmgraph@pulsewidth.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, August 27, 1956 10:41 PM
Subject: electrica


> Anybody know if the cool "electrica" interactive sound site (spoken of
here
> a couple months ago) is still up somewhere?  My old bookmark (
> http://www.leonid.de/electrica/) is coming up 404.  Thanks.
>
>
>

From Loopers-Delight-request@annihilist.com  Sat Apr 15 18:31:37 2000
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From: "Pedro Felix" <PedroFelix@worldnet.att.net>
To: <Loopers-Delight@annihilist.com>
Subject: EDP/LoopIII v5.0/Undo/problem?
Date: Sat, 15 Apr 2000 18:10:30 -0500
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C'mon  guys this is the reason I subscribe to this particular newsletter:
I own and operate am EDP with maxed out memory which had v3.2 loaded. I
ordered the v5.0 upgrade from Kim and received same today. I installed the
new EPROM's per the instructions and reset the EDP.
Now for the problem?: When I hit record the Undo led does not light up in
yellow as i've grown accustomed to AND when I finish my loop and hit record
again (to let the loop play on and on), the loop begins to fade with each
successive pass and the Undo led glows green. The only way to restore the
volume of the loop is to hit Undo after each loop. I read through the new
instructions and fact sheet and don't know what I am doing wrong. I've
checked every parameter setting and have set and reset each one as before
and still no luck. I have another EDP at home so I checked the settings
there which are identical save for the ddd under the Midi-Dump Undo
parameter feature which is not coming up at all on my new upgraded EDP.
Kim, gang, anyone please share some wisdom and insight.....
PedrOOrdeP
PostScript: I am not using any midi function that I know of and am only
triggering the EDP with the footswitch.

From Loopers-Delight-request@annihilist.com  Sun Apr 16 09:21:35 2000
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Date: Sun, 16 Apr 2000 08:47:24 -0500
From: Darrell Jones <djones01@columbus.rr.com>
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Where's your Feed Back button sat @?

Pedro Felix wrote:

> C'mon  guys this is the reason I subscribe to this particular newsletter:
> I own and operate am EDP with maxed out memory which had v3.2 loaded. I
> ordered the v5.0 upgrade from Kim and received same today. I installed the
> new EPROM's per the instructions and reset the EDP.
> Now for the problem?: When I hit record the Undo led does not light up in
> yellow as i've grown accustomed to AND when I finish my loop and hit record
> again (to let the loop play on and on), the loop begins to fade with each
> successive pass and the Undo led glows green. The only way to restore the
> volume of the loop is to hit Undo after each loop. I read through the new
> instructions and fact sheet and don't know what I am doing wrong. I've
> checked every parameter setting and have set and reset each one as before
> and still no luck. I have another EDP at home so I checked the settings
> there which are identical save for the ddd under the Midi-Dump Undo
> parameter feature which is not coming up at all on my new upgraded EDP.
> Kim, gang, anyone please share some wisdom and insight.....
> PedrOOrdeP
> PostScript: I am not using any midi function that I know of and am only
> triggering the EDP with the footswitch.

From Loopers-Delight-request@annihilist.com  Sun Apr 16 15:31:06 2000
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Date: Sun, 16 Apr 2000 15:02:17 -0400
From: Jeff Yost <yostie@ezworks.net>
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Organization: Zerone Audio Labs/DigiMete Arts/GigSwaP
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I hope this isn't too off topic, but I am curious if anyone may know the
best (and most economical) route to take to get one's MP3s encoded with
copy protection.

(Please cc me or write my personal e-mail)

thank you,
jeff yost
yostie@ezworks.net

From Loopers-Delight-request@annihilist.com  Sun Apr 16 16:54:39 2000
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Date: Sun, 16 Apr 2000 15:33:20 -0500 (CDT)
From: Dave Onnen <skyeklad@skyeklad.com>
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Subject: Live horn looping
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If anyone else is from the Seattle area they should check out a band
called Ota Prota, if they haven't already. They remind me a little of the
Miles Davis Bitches Brew stuff. The reason that I bring this up is that
the trumpet player is really good at using his Akai Headrush live. He does
not do a lot of looping with it exactly, but more for sampling something
in time with the song and playing over it. He will sometimes resample it
with some overdubs and also trigger a stored loop at interesting moments.
Since I just picked on of these pedals up in Tokyo I found this very
interesting. 

Another fun thing I picked up the other day is a DigiTech PDS2000
Sampler/Delay pedal. I really like these things and I have been looking
for one since my old pedal died. The thing I like about these is that it
lets you sample something, and then tweak the delay time to raise or lower
the pitch with no glitches. Does anyone know of any other delay units that
will allow you to do this?

This brings me to my actual question. I have been getting into running my
effects in parallel instead of all in line like I used to. Does anyone
know of a good way to split a signal from an instrument into many lines
(6?) to run parallel effects, which then get input into the trusty Mackie
1202 and mixed live? I am also interested in being able to mute the imput
to certain lines so that the existing loops do not get messed up.

Thanks

___________________________________________________________
Dave Onnen
skyeklad@skyeklad.com
___________________________________________________________


From Loopers-Delight-request@annihilist.com  Sun Apr 16 17:25:58 2000
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Date: Sun, 16 Apr 2000 15:03:15 -0600
To: Loopers-Delight@annihilist.com
From: the Reverend Rob <reverendrob@realm-of-shade.com>
Subject: Re: Live horn looping
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At or around 03:33 PM 4/16/00 -0500, Dave Onnen wrote:
>Another fun thing I picked up the other day is a DigiTech PDS2000
>Sampler/Delay pedal. I really like these things and I have been looking
>for one since my old pedal died. The thing I like about these is that it
>lets you sample something, and then tweak the delay time to raise or lower
>the pitch with no glitches. Does anyone know of any other delay units that
>will allow you to do this?

Any of the Digitech RDS rackmounts will do the same, or do non-destructive
modulation of the looped signal.


==
the Reverend Rob      ICQ: 1280871  
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.reverendrob.com : feedback and echo MP3s

From Loopers-Delight-request@annihilist.com  Sun Apr 16 18:27:30 2000
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From: Phaedebk@aol.com
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Date: Sun, 16 Apr 2000 18:03:22 EDT
Subject: Re: Performing solo loop improvisations
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Scott-man,

    Hey there, it matters upon how you use your looper(s) and then what you 
are trying to do with whatever musical style you're playing that night.  In 
my case, I'll use my Boomerang to generate different drones and sometimes 
chord changes over top of these drones, or vice versa.  The big thing is 
hoping against hope that none of your equipment goes south on you...  Also 
trying to sparse down your road gear is something to consider, especially if 
you have a stomp box or rack unit that's a bit fragile.  Had an active volume 
pedal take a dive on me, and the nice thing was that I was able to disconnect 
it, take it out of the circuit without the performance really getting 
interrupted.  Audience got to hear the same lines over and over and over, 
again...  
    One thing which is implied in your question is that these loops are all 
made on the fly, during the performance.  There are some people out there, 
and yes even myself who use a few pre-made loops (well sequences in my case) 
and use these.  Just need to snag a drum machine and then things'll be 
better.  Have to agree with Denis on his view of an audience's perception of 
a player and his/her speed without a drum machine.

    Not that I've played in Belgium, or lost track of my towel at any point, 
but this isn't exactly a non-gear question, really...  Now if only I had a 
really hot cup of tea...


        Lee-ohki.

    
    
    

From Loopers-Delight-request@annihilist.com  Mon Apr 17 02:43:06 2000
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From: "Robert Eberwein" <robert_eberwein@hotmail.com>
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Subject: vocals
Date: Sun, 16 Apr 2000 23:32:42 PDT
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Does anyone know a good way to remove vocals from CD's? I know there is lots 
of potential for rip-offs in this- but I just want to put new tracks in, and 
loop it. Somebody, please?
Thanks, robb
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Mon Apr 17 11:08:00 2000
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From: Phil Petrocelli <philpet@microsoft.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Live horn looping
Date: Mon, 17 Apr 2000 07:47:19 -0700
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Also check out Radio Chong Ching here in Seattle.  Leslie Dalaba is a
trumpet player and she utilizes two JamMan's.  I believe their
percussionist, Greg Gilmore, uses two JamMan's as well.  Same style of
stuff, altho not as aggressive as Ota Prota.  Both bands are quite good.

Phil

-----Original Message-----
From: Dave Onnen [mailto:skyeklad@skyeklad.com]
Sent: Sunday, April 16, 2000 1:33 PM
To: Loopers-Delight@annihilist.com
Subject: Live horn looping


If anyone else is from the Seattle area they should check out a band
called Ota Prota, if they haven't already. They remind me a little of the
Miles Davis Bitches Brew stuff. The reason that I bring this up is that
the trumpet player is really good at using his Akai Headrush live. He does
not do a lot of looping with it exactly, but more for sampling something
in time with the song and playing over it. He will sometimes resample it
with some overdubs and also trigger a stored loop at interesting moments.
Since I just picked on of these pedals up in Tokyo I found this very
interesting. 

Another fun thing I picked up the other day is a DigiTech PDS2000
Sampler/Delay pedal. I really like these things and I have been looking
for one since my old pedal died. The thing I like about these is that it
lets you sample something, and then tweak the delay time to raise or lower
the pitch with no glitches. Does anyone know of any other delay units that
will allow you to do this?

This brings me to my actual question. I have been getting into running my
effects in parallel instead of all in line like I used to. Does anyone
know of a good way to split a signal from an instrument into many lines
(6?) to run parallel effects, which then get input into the trusty Mackie
1202 and mixed live? I am also interested in being able to mute the imput
to certain lines so that the existing loops do not get messed up.

Thanks

___________________________________________________________
Dave Onnen
skyeklad@skyeklad.com
___________________________________________________________

From Loopers-Delight-request@annihilist.com  Mon Apr 17 11:57:21 2000
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From: kamlapati.khalsa@philips.com
To: <Loopers-Delight@annihilist.com>
Subject: EDP Malfunction Question
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All,

The RECORD button on my EDP foot controller stopped working yesterday. I am in a panic! Sometimes the switch does nothing, sometimes a single tap sends two taps to the the box. Does anyone know where spare switched can be found? Does anyone have 
expereince with Gibson customer service / repair? Are there other ways to get my baby repaired?

Any help would be appreciated.

Thanks,

Kamlapati

From Loopers-Delight-request@annihilist.com  Mon Apr 17 12:25:48 2000
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From: Mike McGary <mcgary@metronet.com>
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> The RECORD button on my EDP foot controller stopped working 
> yesterday.

Here's a quick fix for you.  Take one of the buttons you don't use
very often and switch it with the bad one.  This will keep you in 
business until you can find a replacement switch.  Once you open it
up you will see that it's a no-brainer to switch them.  

        -Mike McGary

From Loopers-Delight-request@annihilist.com  Mon Apr 17 13:11:30 2000
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Subject: RE: EDP/LoopIII v5.0/Undo/problem?
Date: Mon, 17 Apr 2000 09:44:53 -0700
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Pedro,

As Darrell suggests, it seems definitely the "feed back button".
If you are reaching for infinite loop, and it seems that you
are, then turn the feed back button all the way up.

MIDI Dump Undo Parameter feature or what ever you are describing
has nothing to do with the feed back loop dissipating, if that's
what you are trying to correlate the problem to.

As for "C'mon guys this is the reason I subscribe...", no one's
paying us.  Your subscription to this "wonderful and informative"
forum is a priviledge, in my opinion.

Have fun looping.

Curbie

-----Original Message-----
From: Pedro Felix [mailto:PedroFelix@worldnet.att.net]
Sent: Saturday, April 15, 2000 4:11 PM
To: Loopers-Delight@annihilist.com
Subject: EDP/LoopIII v5.0/Undo/problem?


C'mon  guys this is the reason I subscribe to this particular newsletter:
I own and operate am EDP with maxed out memory which had v3.2 loaded. I
ordered the v5.0 upgrade from Kim and received same today. I installed the
new EPROM's per the instructions and reset the EDP.
Now for the problem?: When I hit record the Undo led does not light up in
yellow as i've grown accustomed to AND when I finish my loop and hit record
again (to let the loop play on and on), the loop begins to fade with each
successive pass and the Undo led glows green. The only way to restore the
volume of the loop is to hit Undo after each loop. I read through the new
instructions and fact sheet and don't know what I am doing wrong. I've
checked every parameter setting and have set and reset each one as before
and still no luck. I have another EDP at home so I checked the settings
there which are identical save for the ddd under the Midi-Dump Undo
parameter feature which is not coming up at all on my new upgraded EDP.
Kim, gang, anyone please share some wisdom and insight.....
PedrOOrdeP
PostScript: I am not using any midi function that I know of and am only
triggering the EDP with the footswitch.


From Loopers-Delight-request@annihilist.com  Mon Apr 17 13:09:59 2000
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From: "luca" <lucafeed@tin.it>
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Subject: R: Live horn looping
Date: Mon, 17 Apr 2000 18:47:55 +0200
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>
> This brings me to my actual question. I have been getting into running my
> effects in parallel instead of all in line like I used to. Does anyone
> know of a good way to split a signal from an instrument into many lines
> (6?) to run parallel effects, which then get input into the trusty Mackie
> 1202 and mixed live? I am also interested in being able to mute the imput
> to certain lines so that the existing loops do not get messed up.

I also use my set up on parallel processing, I have found a solution using
the Advance Mus. Tech. "Missing Link".
It allows you to send the "mother signal" out from 2 couples of stereo sends
and receive from 2 couples of stereo returns.
Consider that the master out passes through a couple of tubes (there are
several combinations), so that the digital processing gains warmness and
harmonics lost during the digital conversion.
I found it really useful.
I also know of something like that (with no tubes) from Digital Music Co.
but I have been told of quality losses in the signal.

Luca.

From Loopers-Delight-request@annihilist.com  Mon Apr 17 14:13:00 2000
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From: "Pedro Felix" <PedroFelix@worldnet.att.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: EDP/LoopIII v5.0/Undo/problem?
Date: Mon, 17 Apr 2000 13:36:14 -0500
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Curbie,

>As Darrell suggests, it seems definitely the "feed back button"...
as I mentioned the feedback knob is all the way up, the problem wasn't
there, I ended up checking and changing the Mute midi FeedbackCont paramter
from 1 to 127 and that fixed the problem, though that is not how I have my
other EDP set so it was new to me. So yeah I guess the midi paramter had
something to do with it after all. Don't know why and a part of me doesn't
care so long as I can loop on and on.

>As for "C'mon guys this is the reason I subscribe...", no one's
>paying us.  Your subscription to this "wonderful and informative"
>forum is a priviledge, in my opinion.

as to your last comment I could do without it, I meant by "C'mon guys..."
that everyone here shares information and that's what I dig about it. When
something new is mentioned I try to check it out. I know and understand that
no one is being paid for the information given. So save it...
PedrOOrdeP

From Loopers-Delight-request@annihilist.com  Mon Apr 17 14:12:37 2000
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 <Pine.LNX.3.96.1000416151803.1201E-100000@verdi.siteprotect.com>
Date: Mon, 17 Apr 2000 10:52:14 -0700
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: EDP Power-on problem
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Arrrgh!  One of my EDP's appeared to have died on me: it won't power up --
no lights, nothing!  It is as if it wasn't even plugged in  (but it is, of
course).  Anyone else ever have this problem?  I am figuring it could  be a
bad power cord jack, power switch, or power transformer......any idas
and/or recommendations of repair shops would be greatly appreciated.

Thanks,
Chris

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From: "future perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: EDP Power-on problem
Date: Mon, 17 Apr 2000 14:36:01 -0400
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Yes, this has happened to me- if I turn it off, and back on in a minute it
works- go figure.

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave


>
> Arrrgh!  One of my EDP's appeared to have died on me: it won't power up --
> no lights, nothing!  It is as if it wasn't even plugged in  (but it is, of
> course).  Anyone else ever have this problem?  I am figuring it
> could  be a
> bad power cord jack, power switch, or power transformer......any idas
> and/or recommendations of repair shops would be greatly appreciated.
>
> Thanks,
> Chris
>

From Loopers-Delight-request@annihilist.com  Mon Apr 17 15:11:41 2000
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: EDP flu?
Date: Mon, 17 Apr 2000 13:58:47 -0500
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What's going on with EDPs?  It seems to communicable.  A virus?  Is it the flu?
A summer cold?  Allergies?  I'm afraid to go home and check mine!  :)

Perhaps this is a sign that Trace-Elliot models are on the market?

Dennis Leas
-----------------------------
dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Mon Apr 17 15:11:40 2000
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Date: Mon, 17 Apr 2000 11:42:48 -0700
To: Loopers-Delight@annihilist.com
From: bets@she-bop.org (Betsey Biggs)
Subject: Top Ten
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Hi all,

I'm a music student (keyboard/percussion/synth) and just getting into
looping, still sorting out my gear, etc. I'm also wanting to listen to some
examples of the genre... I've looked at the website discography and browsed
through the archives, but I'm still looking for listening suggestions. I'm
currently writing a paper on the use of loops in modern music and wanted to
solicit a top ten list, of the top ten looping albums of all time. Okay, it
doesn't have to be ten, but you get the idea.

You can either post to the list or reply to me personally, and I'll post
the final list. Book/article/website suggestions would be great, too.

Looking forward to hearing from you!

Betsey Biggs

        *       *       *       *       *       *       *       *       *

          Listening is forgetting the name of the thing one hears.
                            -- Lawrence Weschler

        *       *       *       *       *       *       *       *       *


From Loopers-Delight-request@annihilist.com  Mon Apr 17 15:08:34 2000
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Subject: Seen one??
Date: Mon, 17 Apr 2000 14:18:10 -0400
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So has anyone on this list *seen* a new Echoplex? I am curious if they
changed the colors. Even if the electronics are the same, I am sure in a few
years, people will say the 'beige face' ones are much better. :)

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave



From Loopers-Delight-request@annihilist.com  Mon Apr 17 15:25:35 2000
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Date: Mon, 17 Apr 2000 14:52:03 -0400
To: Loopers-Delight@annihilist.com
From: murkie <murkie@panther.middlebury.edu>
Subject: Re: EDP Power-on problem
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you could buy a jamman...

just kidding!!!!

(zipping up flame retardant suit)

m

At 10:52 AM 4/17/00 -0700, you wrote:
>Arrrgh!  One of my EDP's appeared to have died on me: it won't power up --
>no lights, nothing!  It is as if it wasn't even plugged in  (but it is, of
>course).  Anyone else ever have this problem?  I am figuring it could  be a
>bad power cord jack, power switch, or power transformer......any idas
>and/or recommendations of repair shops would be greatly appreciated.
>
>Thanks,
>Chris
>

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Mon Apr 17 15:25:33 2000
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From: "luca" <lucafeed@tin.it>
To: <Loopers-Delight@annihilist.com>
Subject: EDP questions. Check its conditions.
Date: Mon, 17 Apr 2000 21:25:11 +0200
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This is a multi-part message in MIME format.

------=_NextPart_000_001A_01BFA8B3.69DA74C0
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	charset="iso-8859-1"
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I have received my Edp back from a warranty fixing and I would like to =
check if everything is ok.
I have some doubts about this:

1- after an hour playing it has gone in "tilt" and I have had to reboot =
it, after having switched on the write "loop 5" came out for more time =
than usual, went out and then came back another time. Then the machine =
was set up alright.=20
2- I think I hear more "hum" noise than usual when I  overdub.  (that I =
can remember, I have stayied without it for so long). I can find this =
also with no signal in it: hit record, close the loop and then hit =
overdub for 2 or three lenghts.
3-When I switched it on the last time it was displaying full lights, =
number and letters on.

 No midi cables are connected, after the firsts problem I did the reset.

thanks for sharing your comments, before go back gigging with it I would =
like to check if this problems are usual for the Edp or not.

Luca

------=_NextPart_000_001A_01BFA8B3.69DA74C0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I have received my Edp back from a =
warranty fixing=20
and I would like to check if everything is ok.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I have some doubts about =
this:</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>1- after an hour playing it has gone in =
"tilt" and=20
I have had to reboot it, after having switched on the write "loop 5" =
came out=20
for more time than usual, went out and then came back another time. Then =
the=20
machine was set up alright. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>2- I think I&nbsp;hear more "hum" noise =
than usual=20
when I&nbsp; overdub.&nbsp; (that I can remember, I have stayied without =
it for=20
so long). I can find this also with no signal in it: hit record, close =
the loop=20
and then hit overdub for 2 or three lenghts.</FONT></DIV>
<DIV>3-When I switched it on the last time it was displaying full =
lights, number=20
and letters on.
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;<FONT face=3DArial size=3D2>No midi cables are connected, =
after the=20
firsts problem I did the reset.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>thanks for sharing your comments, =
before go back=20
gigging with it I would like to check if this problems are usual for the =
Edp or=20
not.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Luca</FONT></DIV></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Mon Apr 17 15:38:11 2000
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Date: Mon, 17 Apr 2000 14:26:40 -0500
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From: Travis Weller <tcweller@spiraco.com>
Subject: RE: EDP Power-on problem
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i've experienced this as well. it acutally happens pretty often, but since
it's  intermittant, i haven't felt compelled to send it off for repairs.
i'd be interested to hear if anyone has seen this problem get worse and
worse until it never turns on again...

-travis

>Yes, this has happened to me- if I turn it off, and back on in a minute it
>works- go figure.

>> Arrrgh!  One of my EDP's appeared to have died on me: it won't power up --
>> no lights, nothing!  It is as if it wasn't even plugged in  (but it is, of
>> course).  Anyone else ever have this problem?  I am figuring it
>> could  be a
>> bad power cord jack, power switch, or power transformer......any idas
>> and/or recommendations of repair shops would be greatly appreciated.


From Loopers-Delight-request@annihilist.com  Mon Apr 17 15:43:40 2000
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From: "Kim Vicente" <kvicente@prodigy.net>
To: <Loopers-Delight@annihilist.com>
Subject: Is the Gibson Echoplex Digital Pro....
Date: Mon, 17 Apr 2000 15:18:45 -0400
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...going to come with Loop III v.5? Or is that another upgrade you have =
to get after the fact?

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<DIV><FONT color=3D#000000 size=3D2>...going to come with Loop III v.5? =
Or is that=20
another upgrade you have to get after the =
fact?</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Mon Apr 17 15:53:47 2000
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Date: Mon, 17 Apr 2000 12:38:39 -0700
To: <Loopers-Delight@annihilist.com>
From: Chris Chovit <cho@newdream.net>
Subject: RE: EDP Power-on problem
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Hmmm. I'm not so lucky....maybe if i wait a day.....

- Chris

>Yes, this has happened to me- if I turn it off, and back on in a minute it
>works- go figure.
>
>Dave Eichenberger- guitars.loops.devices
>http://home1.gte.net/artmusic/dave
>
>
>>
>> Arrrgh!  One of my EDP's appeared to have died on me: it won't power up --
>> no lights, nothing!  It is as if it wasn't even plugged in  (but it is, of
>> course).  Anyone else ever have this problem?  I am figuring it
>> could  be a
>> bad power cord jack, power switch, or power transformer......any idas
>> and/or recommendations of repair shops would be greatly appreciated.
>>
>> Thanks,
>> Chris
>>

From Loopers-Delight-request@annihilist.com  Mon Apr 17 15:52:33 2000
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Date: Mon, 17 Apr 2000 11:32:16 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Re: EDP Power-on problem
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First check the internal fuse (unplug power cord
first).  I have had these blow in more than one EDP. 
I ended up putting in a slightly larger value fuse
after replacing the fuse several times after just a
few power cycles.  For my EDPs, the stock value fuse
is marginal.  I checked the current draw on 3 EDP,
finding no difference in them, installed a fuse that
carried about 1/4 amp more current.  This seems to
have remedied the power on current surge blowing
fuses.
bret

--- Chris Chovit <cho@newdream.net> wrote:
> Arrrgh!  One of my EDP's appeared to have died on
> me: it won't power up --
> no lights, nothing!  It is as if it wasn't even
> plugged in  (but it is, of
> course).  Anyone else ever have this problem?  I am
> figuring it could  be a
> bad power cord jack, power switch, or power
> transformer......any idas
> and/or recommendations of repair shops would be
> greatly appreciated.
> 
> Thanks,
> Chris
> 
> 

__________________________________________________
Do You Yahoo!?
Send online invitations with Yahoo! Invites.
http://invites.yahoo.com

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Date: Mon, 17 Apr 2000 12:56:07 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Re: EDP questions. Check its conditions.
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Luca,

1.  The only time my edps have gone "tilt" is when I
zapped their footpedals with static electricity.  I
live in a dry environment with high static charge
buildup.  I fixed this by adding a rubber gromment
around the footpedal jack (to insulate the jack's
ground from the footpedal housing).  This was at Kim's
advice, and it resolved the "tilt" problem for me.  I
have not seen the reboot sequence you mention.

2. Hum should not be audible from the EDP.  
3. Again, I have only seen such odd behavior when I
zapped the footpedal with static discharge.
bret 
--- luca <lucafeed@tin.it> wrote:
> I have received my Edp back from a warranty fixing
> and I would like to check if everything is ok.
> I have some doubts about this:
> 
> 1- after an hour playing it has gone in "tilt" and I
> have had to reboot it, after having switched on the
> write "loop 5" came out for more time than usual,
> went out and then came back another time. Then the
> machine was set up alright. 
> 2- I think I hear more "hum" noise than usual when I
>  overdub.  (that I can remember, I have stayied
> without it for so long). I can find this also with
> no signal in it: hit record, close the loop and then
> hit overdub for 2 or three lenghts.
> 3-When I switched it on the last time it was
> displaying full lights, number and letters on.
> 
>  No midi cables are connected, after the firsts
> problem I did the reset.
> 
> thanks for sharing your comments, before go back
> gigging with it I would like to check if this
> problems are usual for the Edp or not.
> 
> Luca
> 

__________________________________________________
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Send online invitations with Yahoo! Invites.
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From Loopers-Delight-request@annihilist.com  Mon Apr 17 16:21:48 2000
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From: Echoechoparkpark@aol.com
Message-ID: <99.390c765.262cc81a@aol.com>
Date: Mon, 17 Apr 2000 16:03:38 EDT
Subject: Peter Kowald...    God is coming to SF, Portland, Chicago
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Hi Peter W, Stig, fellow loopers,

Cynthia and I went to Conjunctive Points (very beautiful huge dance space) 
and Peter Kowald really  affected us with the depth and humanity of his 
playing. You know those rare moments in music where you catch your breath and 
listen much further in - there were a few of those for sure. Also, we were 
the ones laughing, too. We weren't the only ones, but those moments are 
really interesting because the music is clearly coming from a place of such 
depth and reverence for the soul, yet a given sound at that moment resonates 
my funny bone and I don't want to hold back the laughter. I don't have a 
problem with this other than some folks just didn't think it was funny and 
glanced over at us disapprovingly!  When talking with Peter afterward, we 
brought this up. He concurred. He takes his music very seriously, and he 
strives to relate to humanity through it and delights in the tickley moments 
just as well as the more soulful resonances. Speaking with him, gosh, what 
can I say, he's an amazing man!

Kudos to Stig for forging on through a set with GE Stinson afterward despite 
his 100+ degree fever!!  You guys might have felt like the following act 
after the Beatles on the Ed Sullivan show, but my interest was held 
throughout and I'm excited to see your next gig. I feel like I only got a 
tasty sampling of what you guys are about.

...So we had to blow off our Sun. night class and go see Peter with Nels and 
others down in San Pedro (Saint Peter!). Maybe it was partially the double 
espresso mochaccino sacred cow w/a scoop of vanilla, but again I was 
transported. It seems this guy never fails to make music right off the bat 
with people he's never met before.

LA people don't be FOOLS!!  Peter is playing tonight at 8pm (Monday) at the 
Ace Gallery  5514 Wilshire  323-255-5395.  Vinny Golia on reeds/flutes. 
AND....dance (yay!) from Cheryl Banks-Smith.

Also Tuesday at 12 noon at CalArts 24700 McBean Parkway, Valencia.  I don't 
know, but being CalArts, this might be more of a seminar type thing which 
would be so cool and this performance is FREE!

>> It really SUCKS that his current US tour seems to be going everywhere in
>> the country except the Northwest!

Peter said he'd be going up to San Fran next then onto PORTLAND - stay alert!
Also Chicago he mentioned...

www.kowald.de

eric p
echo park

From Loopers-Delight-request@annihilist.com  Mon Apr 17 16:45:41 2000
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From: Allan Hoeltje <ahoeltje@best.com>
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Not yet, but I will tonight.  According to FED EX tracking:

             Delivered To : Recipient
                        Delivery Location : OAKLAND CA
                        Delivery Date : 04/17
                        Delivery Time : 11:12
                        Signed For By : J.G.
                        Scan Activity     Delivered EMERYVILLE CA 04/17 11:12
                             Placed on Van EMERYVILLE CA 04/17 07:45
                             Arrived at FedEx Destination Location EMERYVILLE
                             CA 04/17 06:43
                             Left FedEx Sort Facility OAKLAND CA 04/15 08:54
                             Arrived at Sort Facility OAKLAND CA 04/15 07:44
                             Left FedEx Sort Facility NEWARK NJ 04/15 02:00
                             Left FedEx Sort Facility NEWARK NJ 04/14 10:45
                             Left FedEx Ramp NEWBURGH NY 04/13 23:45
                             Left FedEx Origin Location NEWBURGH NY 04/13
                             21:00
                             Picked up NEWBURGH NY 04/13 18:01

And according to email just in from my spouse:

    Subject:  big big box
       Date:  Mon, 17 Apr 2000 11:13:22 -0700
       From:  JG <>
         To:   ahoeltje@best.com

    I didn't know you were buying moretoys........Anyway Fedex delivered it.
    What color?

    xoj

Uh, oh, it was so long ago that I ordered it from Alto Music I forgot to tell
her!!  Funny, she wants to know what color it is too!  Thank you Alto Music!

:-))  Allan




future perfect wrote:

> So has anyone on this list *seen* a new Echoplex? I am curious if they
> changed the colors. Even if the electronics are the same, I am sure in a few
> years, people will say the 'beige face' ones are much better. :)
>
> Dave Eichenberger- guitars.loops.devices
> http://home1.gte.net/artmusic/dave

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Subject: RE: Seen one??
Date: Mon, 17 Apr 2000 13:38:40 -0700
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Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes!!!

If your's came, then mine must have too.

bIz


-----Original Message-----
From: Allan Hoeltje [mailto:ahoeltje@best.com]
Sent: Monday, April 17, 2000 1:23 PM
To: Loopers-Delight@annihilist.com
Subject: Re: Seen one??


Not yet, but I will tonight.  According to FED EX tracking:

             Delivered To : Recipient
                        Delivery Location : OAKLAND CA
                        Delivery Date : 04/17
                        Delivery Time : 11:12
                        Signed For By : J.G.
                        Scan Activity     Delivered EMERYVILLE CA 04/17
11:12
                             Placed on Van EMERYVILLE CA 04/17 07:45
                             Arrived at FedEx Destination Location
EMERYVILLE
                             CA 04/17 06:43
                             Left FedEx Sort Facility OAKLAND CA 04/15 08:54
                             Arrived at Sort Facility OAKLAND CA 04/15 07:44
                             Left FedEx Sort Facility NEWARK NJ 04/15 02:00
                             Left FedEx Sort Facility NEWARK NJ 04/14 10:45
                             Left FedEx Ramp NEWBURGH NY 04/13 23:45
                             Left FedEx Origin Location NEWBURGH NY 04/13
                             21:00
                             Picked up NEWBURGH NY 04/13 18:01

And according to email just in from my spouse:

    Subject:  big big box
       Date:  Mon, 17 Apr 2000 11:13:22 -0700
       From:  JG <>
         To:   ahoeltje@best.com

    I didn't know you were buying moretoys........Anyway Fedex delivered it.
    What color?

    xoj

Uh, oh, it was so long ago that I ordered it from Alto Music I forgot to
tell
her!!  Funny, she wants to know what color it is too!  Thank you Alto Music!

:-))  Allan




future perfect wrote:

> So has anyone on this list *seen* a new Echoplex? I am curious if they
> changed the colors. Even if the electronics are the same, I am sure in a
few
> years, people will say the 'beige face' ones are much better. :)
>
> Dave Eichenberger- guitars.loops.devices
> http://home1.gte.net/artmusic/dave

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I saw 3 at Namm- exactly the same but for a large and unattractive Gibson
logo-

Cliff

----- Original Message -----
From: "future perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, April 17, 2000 11:18 AM
Subject: Seen one??


> So has anyone on this list *seen* a new Echoplex? I am curious if they
> changed the colors. Even if the electronics are the same, I am sure in a
few
> years, people will say the 'beige face' ones are much better. :)
>
> Dave Eichenberger- guitars.loops.devices
> http://home1.gte.net/artmusic/dave
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 17 17:24:43 2000
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From: "r. dennis" <tonobung@panix.com>
To: "looper's delight" <Loopers-Delight@annihilist.com>
Subject: seattle/oly show assist?
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hey yall

this is robert of tono-bungay.

i'm looking to set up a gig for my
solo/improv/uglient side project
called anti:clockwise in 
seattle or olympia on

tuesday night may 23.

i have a gig in portland the next
night (milk bar; in area? pleeze cum...)
& i would love to NOT have a night
off with nowhere to play.

time's growing tight and it would
be great to get something going on
so if you got any ideas, advice,
expertise or impeccably heavy connects
in those towns please don't hesitate to share.

house parties ok ('cept that
it's a toosday), pa not necessary,
representative sampling of the act
available on cassette or MD if
needed for purposes of introduction
(t. key has vouched for me in the past - 
thanks tara!) replies off-list, natch.

quoth The Fly: "help me! help me!"
(but i'm saying "PLEASE!!)

end of transmission,

robert

From Loopers-Delight-request@annihilist.com  Mon Apr 17 17:42:04 2000
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From: "Matrix" <unimatrix2000@netzero.net>
To: <Loopers-Delight@annihilist.com>
Subject: Roland G-707 / GR-700 Cable pin out
Date: Mon, 17 Apr 2000 16:28:36 -0500
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I've got a Roland G-707 guitar (from the GR series) with a GR-700 guitar
synth - Unfortunately the Pawn shop I bought it from did not have the 24 pin
cable that connects the two devices together. Roland told me that they no
longer carry cables for the G707 / GR700 set-up. Does Anyone know where I
can purchase a 24pin cable that will work or what the pin-out of the cable
is so that I can build one? PLEASE Help. Unimatrix2000@netzero.net

~Dave

_____________________________________________
NetZero - Defenders of the Free World
Click here for FREE Internet Access and Email
http://www.netzero.net/download/index.html

From Loopers-Delight-request@annihilist.com  Mon Apr 17 17:47:44 2000
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From: "future perfect" <artmusic@gte.net>
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Date: Mon, 17 Apr 2000 17:45:04 -0400
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> Uh, oh, it was so long ago that I ordered it from Alto Music I
> forgot to tell
> her!!  Funny, she wants to know what color it is too!  Thank you
> Alto Music!
>
> :-))  Allan

 Get a picture of that thing to post somewhere- lets see how unattractive
that large Gibson logo is!

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave



From Loopers-Delight-request@annihilist.com  Mon Apr 17 18:26:20 2000
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We definitely need Looper's delight logo's to stick on our looping gear.

bIz


-----Original Message-----
From: future perfect [mailto:artmusic@gte.net]
Sent: Monday, April 17, 2000 2:45 PM
To: Loopers-Delight@annihilist.com
Subject: RE: Seen one??



> Uh, oh, it was so long ago that I ordered it from Alto Music I
> forgot to tell
> her!!  Funny, she wants to know what color it is too!  Thank you
> Alto Music!
>
> :-))  Allan

 Get a picture of that thing to post somewhere- lets see how unattractive
that large Gibson logo is!

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave



From Loopers-Delight-request@annihilist.com  Mon Apr 17 18:45:18 2000
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 <v04020a00b520ff0e6bbd@[192.168.11.10]>
Date: Mon, 17 Apr 2000 15:31:33 -0700
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: RE: EDP Power-on problem
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It was the internal fuse (I didn't know they had one)....Whew!!

Thanks to Shane Radtke at Gibson for the quick solution.

- Chris



>Hmmm. I'm not so lucky....maybe if i wait a day.....
>
>- Chris
>
>>Yes, this has happened to me- if I turn it off, and back on in a minute it
>>works- go figure.
>>
>>Dave Eichenberger- guitars.loops.devices
>>http://home1.gte.net/artmusic/dave
>>
>>
>>>
>>> Arrrgh!  One of my EDP's appeared to have died on me: it won't power up --
>>> no lights, nothing!  It is as if it wasn't even plugged in  (but it is, of
>>> course).  Anyone else ever have this problem?  I am figuring it
>>> could  be a
>>> bad power cord jack, power switch, or power transformer......any idas
>>> and/or recommendations of repair shops would be greatly appreciated.
>>>
>>> Thanks,
>>> Chris
>>>

From Loopers-Delight-request@annihilist.com  Mon Apr 17 19:39:20 2000
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Date: Mon, 17 Apr 2000 19:06:34 -0400 (EDT)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Performing solo loop improvisations
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Personally,

	I like to change my set-up for every gig, using either a different
instrument or different order of effects or whatever.  This helps me to
avoid falling into old habits and keep what I'm doing fresh.  I practice
with the set up I'm going to use for a couple of nights before the gig so
I can get a couple good ideas to fall back on in case of writer's block
and then I just go and do it.  I have a very textural approach usually, so
it works a lot off of my current mood and a lot less around melodic or
rhythmic lines.  This seems to work pretty well for me, but I think each
performer has to work out their situation themselves.

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/


From Loopers-Delight-request@annihilist.com  Mon Apr 17 20:09:54 2000
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Subject: Re: Live horn looping
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hello dave, i don't have a direct answer to your questions other than to
recommend the mo-fx rack from electrix. from what you're describing,
this would seem to be more or less suited to your setup.

i've been using this for the last coupla months and i'm really enjoying
it. it provides you with parallel access to distortion, flanger,
(autopan) tremolo and a (pin-pong) delay - each of which has selectable
filter bands and momentary switches! the possibilities are very
interesting - you know, autopan the mids while delaying just the highs
and hitting momentary blasts of distortion etc. 

the delay time control can be used for pitch shifting effects and with
the feedback at 100%, the whole delay section can be used as a LOOPER!
very interesting loops can be created by "dropping in" sound using the
momentary switch and pitch-warping it up/down using the delay time
control. not to mention, that all of this can be done in MIDI SYNC!

read ya later,
rob

Dave Onnen wrote:
> The thing I like about these is that it
> lets you sample something, and then tweak the delay time to raise or lower
> the pitch with no glitches. Does anyone know of any other delay units that
> will allow you to do this?
> 
> This brings me to my actual question. I have been getting into running my
> effects in parallel instead of all in line like I used to. Does anyone
> know of a good way to split a signal from an instrument into many lines
> (6?) to run parallel effects, which then get input into the trusty Mackie
> 1202 and mixed live? I am also interested in being able to mute the imput
> to certain lines so that the existing loops do not get messed up.

From Loopers-Delight-request@annihilist.com  Mon Apr 17 22:13:58 2000
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From: Kuehnle@aol.com
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Date: Mon, 17 Apr 2000 21:52:47 EDT
Subject: Re: Live horn looping
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>Dave Onnen wrote:
>> The thing I like about these is that it
>> lets you sample something, and then tweak the delay time to raise or
>lower
>> the pitch with no glitches. Does anyone know of any other delay units
>that
>> will allow you to do this?

The Boss DM-2 is discontinued but it worked like this.  Of course, the Line 6 
DL-4 has a DM-2 model!  Line 6 calls it  "Analog Echo" I believe.  Plus, it 
works in stereo...

-Eric

From Loopers-Delight-request@annihilist.com  Mon Apr 17 22:40:15 2000
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Date: Mon, 17 Apr 2000 22:33:49 -0400
From: Jeff Yost <yostie@ezworks.net>
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(i'm looking to set up a gig for my
solo/improv/uglient side project
called anti:clockwise in 
seattle or olympia on

tuesday night may 23.)

Robert- why don't you try COLOURBOX if it's still there in Pioneer
Square. They were good to me when I was touring.

jeff yost

From Loopers-Delight-request@annihilist.com  Mon Apr 17 22:37:50 2000
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Date: Mon, 17 Apr 2000 22:18:37 EDT
Subject: Re: RE: Live horn looping
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    Leslie Dalaba, who plays with Jeff Grienke's Land? Are there any group 
buys on the Oberheim EDP? How's that new analog Echoplex? Worth $700?

                                    James

From Loopers-Delight-request@annihilist.com  Tue Apr 18 00:19:35 2000
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From: ENAT21213@aol.com
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i've been on the alto waiting list for over a year and today i received my 
edp!
so i plug the power cord in and the lights are glowing....i was so 
excited!!!!!!!
i go to plug a cord into the input jack and the input light lights 
up.......then..........the thing dies on me!!!!!!!!
arrrrrrrrrrrrrrrrgggggggggggggg!!!!!!!!!!!!!!!!!!!!!!!!!!!!
seems i'm not the only one
brian
electric bird noise

From Loopers-Delight-request@annihilist.com  Tue Apr 18 00:19:38 2000
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Subject: Re: Live horn looping
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----- Original Message -----
From: Dave Onnen <skyeklad@skyeklad.com>
To: <Loopers-Delight@annihilist.com>
Sent: Sunday, April 16, 2000 4:33 PM
Subject: Live horn looping



> Another fun thing I picked up the other day is a DigiTech PDS2000
> Sampler/Delay pedal. I really like these things and I have been looking
> for one since my old pedal died. The thing I like about these is that it
> lets you sample something, and then tweak the delay time to raise or lower
> the pitch with no glitches. Does anyone know of any other delay units that
> will allow you to do this?

My trusty DOD DFX 94 can do that.  Of course it maxes out at 4 seconds,
doesn't give you more than about 10 layers, and DOD hasn't made it for at
least 3 years.  But if you see one on ebay, don't hesitate (and don't pay
more than $100).


Peter

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Date: Mon, 17 Apr 2000 21:39:43 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Re: EDP Power-on problem
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Check the (internal) fuse brother, and have a cup of
tea.
bret

--- ENAT21213@aol.com wrote:
> i've been on the alto waiting list for over a year
> and today i received my 
> edp!
> so i plug the power cord in and the lights are
> glowing....i was so 
> excited!!!!!!!
> i go to plug a cord into the input jack and the
> input light lights 
> up.......then..........the thing dies on me!!!!!!!!
>
arrrrrrrrrrrrrrrrgggggggggggggg!!!!!!!!!!!!!!!!!!!!!!!!!!!!
> seems i'm not the only one
> brian
> electric bird noise
> 
> 

__________________________________________________
Do You Yahoo!?
Send online invitations with Yahoo! Invites.
http://invites.yahoo.com

From Loopers-Delight-request@annihilist.com  Tue Apr 18 01:22:57 2000
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Date: Mon, 17 Apr 2000 22:11:57 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: EDP Malfunction Question
In-reply-to: <0056910004597343000002L132*@MHS>
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At 8:39 AM -0700 4/17/00, kamlapati.khalsa@philips.com wrote:
>All,
>
>The RECORD button on my EDP foot controller stopped working yesterday. I
>am in a panic! Sometimes the switch does nothing, sometimes a single tap
>sends two taps to the the box. Does anyone know where spare switched can
>be found?

you can replace it with any momentary switch, really. The actual switches
Gibson uses can be bought from Mouser, http://www.mouser.com. It's very
easy to fix yourself, the pedal is quite simple. (you need some nominal
soldering skills, though.)

>Does anyone have
>expereince with Gibson customer service / repair? Are there other ways to
>get my baby repaired?

Gibson has a repair operation set up for the echoplex now, and they seem
quite capable and friendly to me. Contact Shane Radtke
<sradtke@gibson.com>, 1-800-544-2766 x206 or (847) 741-7315 x206. I think
Shane is on the list.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Tue Apr 18 01:27:25 2000
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Date: Tue, 18 Apr 2000 01:24:14 -0400 (EDT)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: seattle/oly show assist?
In-Reply-To: <38FBC98B.4C6D@ezworks.net>
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> Robert- why don't you try COLOURBOX if it's still there in Pioneer
> Square. They were good to me when I was touring.
> 
The Colourbox is gone.  Robert, I've forwarded your mail to some friends
who gig more often than I do, hopefully, you should get a nibble.  Tuesday
is a very unfortunate night to play this kind of music in Seattle.  Your
best bet may be the Rainbow, but I don't have contact info, sorry.

	Kevin

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Date: Tue, 18 Apr 2000 00:11:21 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: RE: EDP Power-on problem
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At 12:26 PM -0700 4/17/00, Travis Weller wrote:
>i've experienced this as well. it acutally happens pretty often, but since
>it's  intermittant, i haven't felt compelled to send it off for repairs.
>i'd be interested to hear if anyone has seen this problem get worse and
>worse until it never turns on again...
>
>-travis
>
>>Yes, this has happened to me- if I turn it off, and back on in a minute it
>>works- go figure.
>

there was a batch of units that went out a year or so ago where I think
some of them had this problem. It took a while to figure out why, but it is
understood now. It's a pretty easy repair. If it's bugging you, contact
Shane Radtke at Gibson, he should be able to take care of it.
(sradtke@gibson.com, 1-800-544-2766 x206 or (847) 741-7315 x206.)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Tue Apr 18 03:26:22 2000
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Date: Tue, 18 Apr 2000 00:19:41 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Seen one??
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At 11:18 AM -0700 4/17/00, future perfect wrote:
>So has anyone on this list *seen* a new Echoplex? I am curious if they
>changed the colors. Even if the electronics are the same, I am sure in a few
>years, people will say the 'beige face' ones are much better. :)
>
>Dave Eichenberger- guitars.loops.devices
>http://home1.gte.net/artmusic/dave

Clearly, the ones that say Oberheim are worth more now. :-)  I have a
prototype unit mistakenly made with a black face and white type. I think
it's a bit ugly, and it certainly doesn't sound any different to me. But
hey, don't people sell prototype flying-V's for absurd amounts of money
now?  I figure this guy will be my early retirement. It's certainly a
better bet than the nasdaq.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Tue Apr 18 03:50:52 2000
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Date: Tue, 18 Apr 2000 03:37:15 -0400
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> 
> there was a batch of units that went out a year or so ago where I think
> some of them had this problem. It took a while to figure out why, 
> but it is
> understood now. It's a pretty easy repair. If it's bugging you, contact
> Shane Radtke at Gibson, he should be able to take care of it.
> (sradtke@gibson.com, 1-800-544-2766 x206 or (847) 741-7315 x206.)
> 
> kim
 
Is this a repair that can be done at home?? Or do I have to send it in?

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave

 

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Date: Tue, 18 Apr 2000 00:33:18 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Top Ten
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At 11:42 AM -0700 4/17/00, Betsey Biggs wrote:
>Hi all,
>
>I'm a music student (keyboard/percussion/synth) and just getting into
>looping, still sorting out my gear, etc. I'm also wanting to listen to some
>examples of the genre... I've looked at the website discography and browsed
>through the archives, but I'm still looking for listening suggestions. I'm
>currently writing a paper on the use of loops in modern music and wanted to
>solicit a top ten list, of the top ten looping albums of all time. Okay, it
>doesn't have to be ten, but you get the idea.

I think Looping is more of a musical technique and not a genre at all. You
could use it anywhere, really. Recommending top looping albums seems rather
like recommending the "top 10 percussion albums" or something.

But I think you could start with "Looper's Delight Vol. 1", and then go for
"Looper's Delight Vol. 2". All made from people on the list, past and
present. You can find out how to order them from the web site. From there,
check out all the other recordings people on this list have made. You'll
hear all sorts of great music from people right here! If you go to the
Profiles section on the LD pages you'll find links to people's pages where
many have their stuff online.

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Tue Apr 18 08:01:22 2000
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Date: Tue, 18 Apr 2000 13:45:20 -0700
From: Claude voit <c.voit@vtx.ch>
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salut

With my pmc 10 I'm handling my edp's feedback through 5 switches on the
pmc's top row

those five switches send 5 different cc values that give me instant
feedback value inc/decrease presets

I really like the way it works but it takes 5 switches of the pmc only
for that 

Was thinking: 

how a bout a simple circuit that would replace the edp feedback
expression pedal
with  a set of 5 switches that would emulate 5 fixed values 
the 5 values would be preset with trim pots and the switches would
toggle through the values

a 6th switch could repatch a real vol pedal for fades etc...

If all this is possible I would drill holes on my edp footswitch to
implement those feedback preset switches 2-3 cm over the existing ones

the example here is for the edp but i could imagine a lot of situation
where this "preset expression pedal" could be very useful (Effects, just
before the amp for guitarists ,etc..)

The main problem is I'm not an electronic engineer so I hav'nt a clue of
how and if this could be done

what do you think?
can anybody help?
a newsgroup where this could be suggested?

have a nice day

Claude

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From: SoundFNR@aol.com
Message-ID: <77.31a0a8c.262daf5e@aol.com>
Date: Tue, 18 Apr 2000 08:30:22 EDT
Subject: Re: R: Live horn looping
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> > This brings me to my actual question. I have been getting into running my
>  > effects in parallel instead of all in line like I used to. Does anyone
>  > know of a good way to split a signal from an instrument into many lines
>  > (6?) to run parallel effects, which then get input into the trusty Mackie
>  > 1202 and mixed live? I am also interested in being able to mute the imput
>  > to certain lines so that the existing loops do not get messed up.

the ultimate solution would be a mixer with enough outputs to cover
your requirements (FX sends or Group Outs)
Otherwise you could run a number of FX from each Aux out of your mixer,
which would be much better than a passive split before the mixer.
how about putting 6 pots (100K log?) in a box so you could
control i/p to each FX separately. Because you'd be 
using the mixer out you wouldn't need any active electronics
to get a high quality result.

Andy Butler
        

From Loopers-Delight-request@annihilist.com  Tue Apr 18 10:06:39 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
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Subject: Re: R: Live horn looping
Date: Tue, 18 Apr 2000 09:37:59 -0400
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To split your source signal, you could use a patchbay instead.
Just create a 6-way mult (one-in/six-out), and patch your FX
into the patchbay, then send any mult to any effect you want.

- Larry

----- Original Message -----
From: <SoundFNR@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 18, 2000 8:30 AM
Subject: Re: R: Live horn looping


> > > This brings me to my actual question. I have been getting into running
my
> >  > effects in parallel instead of all in line like I used to. Does
anyone
> >  > know of a good way to split a signal from an instrument into many
lines
> >  > (6?) to run parallel effects, which then get input into the trusty
Mackie
> >  > 1202 and mixed live? I am also interested in being able to mute the
imput
> >  > to certain lines so that the existing loops do not get messed up.
>
> the ultimate solution would be a mixer with enough outputs to cover
> your requirements (FX sends or Group Outs)
> Otherwise you could run a number of FX from each Aux out of your mixer,
> which would be much better than a passive split before the mixer.
> how about putting 6 pots (100K log?) in a box so you could
> control i/p to each FX separately. Because you'd be
> using the mixer out you wouldn't need any active electronics
> to get a high quality result.
>
> Andy Butler
>
>
>

From Loopers-Delight-request@annihilist.com  Tue Apr 18 10:44:11 2000
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From: "David Potter" <papadave55@hotmail.com>
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Subject: Re: Re : Mede Mede
Date: Tue, 18 Apr 2000 07:37:30 PDT
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Hi Larry, sorry for the delay.  Others have been checking out the DJRND2.  
If Emmanuel OK's it I will send you the DJRND2.  He is on the list and will 
see this message.  Om and Out  Papa DAVe

>From: "Larry Tremblay" <ltct@concentric.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: Re : Mede Mede
>Date: Thu, 13 Apr 2000 21:49:49 -0400
>
>David,
>I'd be interested in giving the DJRND2 a workout and give a
>comprehensive review of it's capabilities.
>
>I do a lot of musique concrete/kulture jammin audio 'art'
>and think the DJRND2 is right up my alley.
>
>And I agree to return the device to Emmanuel in France.
>
>Thanks,
>- Larry T
>----- Original Message -----
>From: "David Potter" <papadave55@hotmail.com>
>To: <loopers-delight@annihilist.com>
>Sent: Thursday, April 13, 2000 2:58 PM
>Subject: Re: Re : Mede Mede
>
>
> > Below is an explaination of why I didn't get back about the DJRND2.  A
> > vocalist is coming over today to test of this looper.  It is for a DJ 
>set
> > up.  A vocalist with his hands free could have a ball.  I do toning and
> > Oming and vocal sound sculpture and this is great for it.  The sound
>quality
> > is great.  Emmanuel is into letting some one else try it out.  Does 
>anyone
> > know a DJ list that I could email to?   I have an EDP, 2 jamman, a
> > boomerang, DL4, an MPX 1 amongst other stuff as well so I will pass on
>this
> > looper for now.  Miko's description of this looper was a good one for 
>most
> > of us that use out hands on instruments.  With a few inovations and a
> > control pedal we would be all over it.   Let me know if you want to try 
>it
> > out.  The condition is sending it back to Perille in France.  Om and Out
> > Papa Dave
> >
> > >From: PERILLE <perille@club-internet.fr>
> > >Reply-To: perille@club-internet.fr
> > >To: papadave55@hotmail.com
> > >Subject: Re : Mede Mede
> > >Date: Wed, 12 Apr 2000 17:46:29 +0200
> > >
> > > > Hi Emmanuel,  Sorry but I've been out of town.  Miko came last Fri.
>We
> > >love
> > > > the looper but as you said it is probably for a DJ guy.  My son 
>Jeremy
> > >came
> > > > back from his travel through India, Tailand, Laos,Indonesia,Bali and
> > > > Australia.  H was gone a year and a half.  We were spending time
> > >together at
> > > > hot springs mineral bathes at Harbin Hot Springs... Tres magnific.
>I'll
> > > > send the looper back or make it available to any one else that you
> > >decide
> > > > may be able to work it in to their rig.  It just wasn't usable 
>because
>I
> > >am
> > > > playing the guitar.
> > > >     Let me know what you want me to do.  Om and Out  Papa Dave
> > > >
> > >
> > >Hi Papa Dave,
> > >
> > >If you eventually know some one else who could be interested in using 
>it
> > >as a homestudio, please let him play with it. Sound engineers ? pros ?
> > >
> > >You can keep it for a few days longer before sending it back home if 
>you
> > >feel some next opportunities.
> > >
> > >Thanks
> > >
> > >Emmanuel
> > >
> > >P.S did you checked out the polyphony audio quality for Larry Tremblay 
>?
> >
> > ______________________________________________________
> > Get Your Private, Free Email at http://www.hotmail.com
> >
> >
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Tue Apr 18 11:59:12 2000
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hey kevin

thanks very much for the assistance.
tuesdays are tough anywhere in clubland,
i'm not really expecting much this time
out - i'd just always rather play than
not-play.

dear loopers-delight:
pardon my bandwidth - i'm using the
"reply-to?" option (kevin, i assume
that's what you preferred)

thanks to everyone who has kindly 
weighed in w/ advice, please keep those cards
and letters coming - if i luck into
a gig, will let yall know when i post
complete west coast itin.

bye

rbrt


On Tue, 18 Apr 2000, Unit Circle Media wrote:

> > Robert- why don't you try COLOURBOX if it's still there in Pioneer
> > Square. They were good to me when I was touring.
> > 
> The Colourbox is gone.  Robert, I've forwarded your mail to some friends
> who gig more often than I do, hopefully, you should get a nibble.  Tuesday
> is a very unfortunate night to play this kind of music in Seattle.  Your
> best bet may be the Rainbow, but I don't have contact info, sorry.
> 
> 	Kevin
> 
> 

From Loopers-Delight-request@annihilist.com  Tue Apr 18 11:50:43 2000
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Subject: Re: Live horn looping
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>Dave Onnen wrote: >> The thing I like about these is that it lets you
sample something, and then tweak the delay time to raise or lower the
pitch with no glitches. Does anyone know of any other delay units that
will allow you to do this?

The Boss GT-5 is a monster for this sort of delay time tweaking... I
have several patches with different combinations of regen - delay time
parameters. The built in expression pedal allows you to scale time and
regen in very precise ways. Great fun!

-Miko

From Loopers-Delight-request@annihilist.com  Tue Apr 18 11:56:26 2000
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> Hi Larry, sorry for the delay.  Others have been checking out the DJRND2.  
> If Emmanuel OK's it I will send you the DJRND2.  He is on the list and will 
> see this message.  Om and Out  Papa DAVe

Ok Papa Dave

Emmanuel

From Loopers-Delight-request@annihilist.com  Tue Apr 18 11:53:18 2000
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Subject: Re: RE: EDP Power-on problem
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I had this sort of intermittent problem when I first received my
EDP... It finally died and did the "lights out" thing. It turned out
to be the system clock dying. I was lucky to have it repaired *just*
before the Obie - Trace Elliot changeover. Whew... still a little
nervous about it happening again. Good luck!

-m

>>> "future perfect" <artmusic@gte.net> 04/17 12:04 PM >>>

Yes, this has happened to me- if I turn it off, and back on in a
minute it
works- go figure.

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave 


>
> Arrrgh!  One of my EDP's appeared to have died on me: it won't
power up --
> no lights, nothing!  It is as if it wasn't even plugged in  (but it
is, of
> course).  Anyone else ever have this problem?  I am figuring it
> could  be a
> bad power cord jack, power switch, or power transformer......any
idas
> and/or recommendations of repair shops would be greatly
appreciated.
>
> Thanks,
> Chris
>

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From: "Mike Biffle" <mbiffle@svg.com>
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Subject: Re: R: Live horn looping
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Well... if we're getting into "Ultimate Mixer" territory here... the
Allen and Heath Wizard model... (don't know the exact numbers at the
moment) have 6!!! aux sends, with two post fader sends, two pre-fader
sends and two configurable sends... Also dsp effects onboard. This
baby goes for about $1100 US buckolas, but looks to be really
versatile for us looper types... The reports are that it's a great
SOUNDING mixer as well...

Best,
-Miko

>>> <SoundFNR@aol.com> 04/18 5:33 AM >>>
> > This brings me to my actual question. I have been getting into
running my
>  > effects in parallel instead of all in line like I used to. Does
anyone
>  > know of a good way to split a signal from an instrument into
many lines
>  > (6?) to run parallel effects, which then get input into the
trusty Mackie
>  > 1202 and mixed live? I am also interested in being able to mute
the imput
>  > to certain lines so that the existing loops do not get messed
up.

the ultimate solution would be a mixer with enough outputs to cover
your requirements (FX sends or Group Outs)
Otherwise you could run a number of FX from each Aux out of your
mixer,
which would be much better than a passive split before the mixer.
how about putting 6 pots (100K log?) in a box so you could
control i/p to each FX separately. Because you'd be 
using the mixer out you wouldn't need any active electronics
to get a high quality result.

Andy Butler
        

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Subject: R: EDP Power-on problem, new unit
Date: Tue, 18 Apr 2000 11:07:39 -0400
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My new new edp (dated 03/03/00!) has this intermittent power-on problem--the
lights flash, then go dark, though the input led will light if I feed it
something.  But
I'm much too happy playing with it to send it away at the moment, as it
seems to
fire up properly after a couple of tries.   Is it likely to get worse?

Also, sometimes the feedback control just won't go to 100%--the loop
gradually fades even though it's all the way to the right.  Restarting the
machine seems to solve the problem, but that's obviously not a great
solution.  Is there a quick
fix?

> there was a batch of units that went out a year or so ago where I think
> some of them had this problem. It took a while to figure out why, but it
is
> understood now. It's a pretty easy repair. If it's bugging you, contact
> Shane Radtke at Gibson, he should be able to take care of it.
> (sradtke@gibson.com, 1-800-544-2766 x206 or (847) 741-7315 x206.)






From Loopers-Delight-request@annihilist.com  Tue Apr 18 13:29:25 2000
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>i've been on the alto waiting list for over a year and today i received my
>edp!
>so i plug the power cord in and the lights are glowing....i was so
>excited!!!!!!!
>i go to plug a cord into the input jack and the input light lights
>up.......then..........the thing dies on me!!!!!!!!
>arrrrrrrrrrrrrrrrgggggggggggggg!!!!!!!!!!!!!!!!!!!!!!!!!!!!
>seems i'm not the only one
>brian
>electric bird noise

Mine blew up too last night after a few minutes of use too, only in a
potentially less quick fixable manner; I hope it was your fuse. Kim
graciously pointed me in the direction of Gibson's repair shop already. I
would assume it's still under warranty :> (Now the race to be first to get
an order in for an EDP is over, it's time to start the race to get it in the
shop first :>)

Mine works fine for a few minutes, then something inside reaches it's
critical boiling point and start spewing digital distortion. A cooling off
period is then in order. I think someone else on the list had mentioned
having problems like this. Anyone?

The distortion doesn't seem to be something overloading as much as it is
noise, though if you listen very carefuly, you can sometimes hear the
semblance of the original signal in the background. Could it be the memory
going caput? That would make me very happy since I intend to pull it out
anyway. Hmm...

I did get to play around with it, for a few minutes at a time, and it is the
wondrous beast I've been waiting for.

bIz

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Hi :

  I'm relativly new to this group, but with all the talk of esoteric
boxes such as the EDP and the like, I wonder how many of you have used
the MPX-100 as a looper ? I didn't realize that this could be done until
recently, and with an expression pedal controlling the feedback and a
footswitch controlling the delay, you can have all sorts of fun on a
budget. Set the unit on infinite delay (FX 15). With the adjust (pedal)
fully on, you get an infinite repeat (as far as I can see after 30mins).
Layering can be done by backing off the pedal a little, play, then
return to infinite repeat. Cheap looping fun...

John


From Loopers-Delight-request@annihilist.com  Tue Apr 18 14:01:42 2000
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Date: Tue, 18 Apr 2000 12:55:44 -0500 (CDT)
From: Dave Onnen <skyeklad@skyeklad.com>
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First I would like to say thanks for all the helpful information that this
list provides!

<snip>
this is robert of tono-bungay.

i'm looking to set up a gig for my
solo/improv/uglient side project
called anti:clockwise in 
seattle or olympia on

tuesday night may 23.
</snip>
I would suggest checking out the Tentacle Calendar at:
http://www.tentacle.org/calendar.html

This should give you some ideas for places to play. It is also a wonderful
resource in general. 

<snip>
My trusty DOD DFX 94 can do that.  Of course it maxes out at 4 seconds,
doesn't give you more than about 10 layers, and DOD hasn't made it for at
least 3 years.  But if you see one on ebay, don't hesitate (and don't pay
more than $100).
</snip>
Cool, thanks. Didn't they also make a DFX 98 at one point with double the
delay time?

<snip>
The Boss DM-2 is discontinued but it worked like this.  Of course, the
Line 6 
DL-4 has a DM-2 model!  Line 6 calls it  "Analog Echo" I believe.  Plus,
it 
works in stereo...
</snip>
Thanks, yeah the DL-4 will be my next purchase!

<snip>
hello dave, i don't have a direct answer to your questions other than to
recommend the mo-fx rack from electrix. from what you're describing,
this would seem to be more or less suited to your setup.
</snip>
I will definately have to check this out. I have tried their other effects
and have found them to be a bit Fisher-Price. This one looks very
interesting however. 

Ok I'll shut up now...

___________________________________________________________
Dave Onnen
dave@skyeklad.com
___________________________________________________________


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Date: Tue, 18 Apr 2000 11:00:25 -0700
To: Loopers-Delight@annihilist.com
From: Rich <rich@nuvision.com>
Subject: Re: R: EDP Power-on problem, new unit
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I was forced to cancel my order with Alto on the new EDP's, but this is
wierd that brand new units are having problems like this.  Wasn't one of
the reasons for the most recent delays in shipping these units was that
Trace Elliot was doing extensive testing to assure everyone that these new
units were up to snuff?

I envy everyone that is going to receive their new babies, but maybe i
might be at an advantage by waiting for the next batch...

anybody got any info on what's going on?

rich



At 11:07 AM 4/18/00 -0400, you wrote:
>My new new edp (dated 03/03/00!) has this intermittent power-on problem--the
>lights flash, then go dark, though the input led will light if I feed it
>something.  But
>I'm much too happy playing with it to send it away at the moment, as it
>seems to
>fire up properly after a couple of tries.   Is it likely to get worse?
>
>Also, sometimes the feedback control just won't go to 100%--the loop
>gradually fades even though it's all the way to the right.  Restarting the
>machine seems to solve the problem, but that's obviously not a great
>solution.  Is there a quick
>fix?
>
>> there was a batch of units that went out a year or so ago where I think
>> some of them had this problem. It took a while to figure out why, but it
>is
>> understood now. It's a pretty easy repair. If it's bugging you, contact
>> Shane Radtke at Gibson, he should be able to take care of it.
>> (sradtke@gibson.com, 1-800-544-2766 x206 or (847) 741-7315 x206.)
>
>
>
>
>
>
>

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To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Frisell recommendations
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OK, I'll confess: I've never listened to Bill Frisell.

But I'd like to remedy that; any recommendations? (I'd like to start with
an album that showcases looping content and improvisation...)

Tim

From Loopers-Delight-request@annihilist.com  Tue Apr 18 19:11:44 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <perille@club-internet.fr>, <Loopers-Delight@annihilist.com>
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Subject: Re: Mede mede
Date: Tue, 18 Apr 2000 18:58:12 -0400
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Hi Emmanuel,

I'd appreciate some time with your machine.

Thanks,
- Larry T


----- Original Message -----
From: "PERILLE" <perille@club-internet.fr>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 18, 2000 11:23 AM
Subject: Re : Mede mede


> > Hi Larry, sorry for the delay.  Others have been checking out the
DJRND2.
> > If Emmanuel OK's it I will send you the DJRND2.  He is on the list and
will
> > see this message.  Om and Out  Papa DAVe
>
> Ok Papa Dave
>
> Emmanuel
>
>

From Loopers-Delight-request@annihilist.com  Tue Apr 18 19:18:08 2000
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Date: Tue, 18 Apr 2000 15:45:50 -0700
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, tcn62@ici.net
Subject: Re: Frisell recommendations
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Frissell mostly pops loops out as intros, outros or segues... He
rarely loops large segments of songlike structure... One fave rave of
mine is "Where In The World"... Unsung Heroes is absolutey amazing
improvisation. Most of the improvisation is over structured forms
though... no free-improv. Some really beautiful Terje Rypdal like long
atmospheric pieces on there as well...

-Miko

>>> Tim Nelson <tcn62@ici.net> 04/18 3:33 PM >>>
OK, I'll confess: I've never listened to Bill Frisell.

But I'd like to remedy that; any recommendations? (I'd like to start
with
an album that showcases looping content and improvisation...)

Tim

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Date: Tue, 18 Apr 2000 18:15:15 -0700
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Subject: Re: EDP Power-on problem, new unit
References: <LPBBLAJOIGMACCACNBBKIEBECCAA.artmusic@gte.net><v04020a00b520ff0e6bbd@[192.168.11.10]> <v03102807b521ba109aeb@[63.192.37.242]> <006c01bfa957$4f6dad60$16125cd1@become>
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We hate being a pioneer for Gibson. The new EDP won't take more then a
couple of turn ons and offs before blowing a fuse.

Grrrrrrrrrrr.

Also, they did make it uglier and it still has the lousy manual.

On the plus side, the new big rubber knobs are an improvement.

Best,
The Roctologists

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Subject: Sequencer question
Date: Tue, 18 Apr 2000 21:13:37 -0500
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I think I need a MIDI sequencer:  I think that's what they call them.  What I
need is a machine to feed MIDI signals to these things concurrently:  a drum
sampler, two EDPs, a MIDI channel switcher, and two MIDI-controlled effects
units (a Roland VG8 and I'm researching the second one).  It would have to be
able to store enough data to send an entire rhythm score to the drum sampler:
the looping, channel, and effects signals would be relatively minor.

Is that what a sequencer does?  If not, what do I need?  And what's the price
range?  I suppose I could do it with my laptop computer and some of the
software I have but that seems a little too precarious for live performance,
what with people throwing beer cans and other liquid-bearing objects at me
trying to get me and all my loser equipment off the stage.

However, it'd be real nice to be able to program all the changes on my desktop
computer, then download that data to the sequencer.

Thanks in advance,
Tim

From Loopers-Delight-request@annihilist.com  Wed Apr 19 00:30:30 2000
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From: Kriist@aol.com
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Date: Wed, 19 Apr 2000 00:13:12 EDT
Subject: LDCD1?!?
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i couldve sworn i ordered this cd quite a while ago(i mailed an order in)
i took a look on the help wanted page but couldnt find an email address
does anybody have contact info for them?
i want to find out if they got my order(i could swear i ordered it(ive been 
ordering alot of stuff lately))
are they normally slow in getting the cds out to people?

thanks

rodrigo

From Loopers-Delight-request@annihilist.com  Wed Apr 19 03:50:11 2000
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Date: Wed, 19 Apr 2000 00:23:13 -0700
Subject: Re: Sequencer question
From: Andrew Pask <andrew@kaleidacousticon.com>
To: Timothy <loopers-delight@annihilist.com>
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> I suppose I could do it with my laptop computer and some of the
> software I have but that seems a little too precarious for live performance,
> what with people throwing beer cans and other liquid-bearing objects at me
> trying to get me and all my loser equipment off the stage.

Ah, so you're a performing musician ;)

What sort of laptop do you have?
Do you know how to connect a MIDI patchbay to it?
A sequencer will certainly do what you want, send all the sys ex messages
and do your drum parts etc.You'll probably even be able to get a free one
off the net, I think some versions of Cakewalk are free (PC).Just do a
search for them.Whatever you do, you'll probably end up using the same
machine to write the sequence and play it, that way you'll know it works,
and you get to fine tune your MIDI rig (i.e. find out what happens when it
all blows up in your face).

Good luck.

Andrew

From Loopers-Delight-request@annihilist.com  Wed Apr 19 06:12:43 2000
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From: PJBMHB@aol.com
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Date: Wed, 19 Apr 2000 06:09:07 EDT
Subject: Re: Frisell recommendations
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the live cd has lots of whacky loops as does both buster keaton soundtracks. 
=-) PJ

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Date: Wed, 19 Apr 2000 06:08:01 EDT
Subject: Re: MPX-100 looping
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i use this very patch for little loops. fun, fun, fun. this box is awesome. 
great sound and very affordable. =-) PJ

From Loopers-Delight-request@annihilist.com  Wed Apr 19 08:55:57 2000
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Date: Wed, 19 Apr 2000 08:52:01 EDT
Subject: Re: R: Live horn looping
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In a message dated 18/04/00 16:58:53 GMT Daylight Time, mbiffle@svg.com 
writes:

> Well... if we're getting into "Ultimate Mixer" territory here... the
>  Allen and Heath Wizard model... (don't know the exact numbers at the
>  moment) have 6!!! aux sends, with two post fader sends, two pre-fader
>  sends and two configurable sends... Also dsp effects onboard. This
>  baby goes for about $1100 US buckolas, but looks to be really
>  versatile for us looper types... The reports are that it's a great
>  SOUNDING mixer as well...
Or the Behringer MX2642
6  Aux Sends , 
also 4 group outs which I use as stereo FX sends
+Direct outs on 8 of the inputs .
getting cheaper all the time

I originally got this for recording, somehow it's ended up on top 
of my FX rack.
Allows for very complex processing.

Andy Butler

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In a message dated 18/04/00 19:03:57 GMT Daylight Time, jmcleod@pacific.net 
writes:

> I wonder how many of you have used
>  the MPX-100 as a looper ? 
me too. 
It also MIDI syncs to the jamman (etc?), although
I've found the loop eventually degrades rather nastily when used like 
this.
Current fave is Delay,Echo 8 with longest delay time
(not that easy to get,but can be saved) and 'adjust' full clockwise for 
long regen. 

Andy Butler  


  

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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: Sequencer question
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Slightly OT: What kind of MIDI channel switcher are you using?

Dennis Leas
-----------------------------
dennis@mdbs.com


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In a message dated 4/19/00 3:30:48 AM Pacific Daylight Time, 
Loopers-Delight-d-request@annihilist.com writes:

<< OK, I'll confess: I've never listened to Bill Frisell.
 
 But I'd like to remedy that; any recommendations? (I'd like to start with
 an album that showcases looping content and improvisation...) >>

Frisell is a great person to listen to to hear someone drop loops in and out 
of real-time pieces in a totally organic way.  "Live", as someone mentioned, 
has some great bits, as does Power Tools' "Strange Meeting".  But, for 
looping content I couldn't recommend anything more highly than his brand new 
"Ghost Town", a solo-with overdubs record that is probably his most 
loop-heavy record to date.

Ken R

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To: Timothy <loopers-delight@annihilist.com>
Subject: Re: Sequencer question
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Timothy wrote:
> 
> I think I need a MIDI sequencer:  I think that's what they call them.  What I
> need is a machine to feed MIDI signals to these things concurrently:  a drum
> sampler, two EDPs, a MIDI channel switcher, and two MIDI-controlled effects
> units (a Roland VG8 and I'm researching the second one).  It would have to be
> able to store enough data to send an entire rhythm score to the drum sampler:
> the looping, channel, and effects signals would be relatively minor.
> 
> Is that what a sequencer does?  If not, what do I need?  And what's the price
> range?  I suppose I could do it with my laptop computer and some of the
> software I have but that seems a little too precarious for live performance,
> what with people throwing beer cans and other liquid-bearing objects at me
> trying to get me and all my loser equipment off the stage.
> 
> However, it'd be real nice to be able to program all the changes on my desktop
> computer, then download that data to the sequencer.
> 
> Thanks in advance,
> Tim

Timothy

I'm using the yamaha rm1x with a lot of joy .this is a pattern based seq
with maximum live tweakability (pattern switch, track mutes ) so its
very well suited for our cyclic needs

Sorry I have no time to make you a review but here is a link
to all the rm1x stuff on the net

http://www.markarber.freeserve.co.uk/menu.htm

Come back after that and be my guest for some questions

Claude

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From: Legion <legion@voicenet.com>
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Subject: Negativland on tour...
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I saw Negativland's current True/False tour last night at the TLA in
Philadelphia. All I can say is if anyone has *ever* had an interest in
Negativland, looping, or audio and video manipulation you will hate
yourself if you do not see this show.

There was a team of about 8-10 members either running things offstage or
on. they used multiple film projectors, a bank of four radio carts, dual
cd players (playing custom sounds), a turntable (processed at times),
and sprinkled guitar, bass, thermin, synths, and more over the top.

The stage setup had a TV monitor for an extended talking head bit (which
was 100% coordinated by the band onstange in realtime maniacally
flipping video and audio loops as the video projection told the story).
The background was a huge white screen which they used for projecting
all the stage video as well as three machines from the audience.

The did a bit of old stuff (the encore was a very clever and fun (and
copyright free!) rendition of their most infamous single), and had a ton
of new stuff broken down into two complete sets for a total of a 2.5
hour showtime.

I have been doing tape manipulation and found/noise collage stuff for
years and have never seen a group work so hard in such a coordinated
manner in my life. The sheer magnitude and set up of this show is only
matched by the fact that they are using archaic technology along with
bits and pieces of new stuff to make their point even more entertaining
and true. The final loop segment in set two was an achingly beautiful
reminder of how an artist can capitalize on old technology and turn it
into something  unique.

Did I mention they had a  puppet show and chopped up the Sound of Music
into the most perverse song Julie Andrews never uttered?

Trust me, if you've ever been the least bit curious of what multimedia
manipulation can be in it's rawest and more polished form you do*not*
want to miss this show. Forget the hype of them as media masters, this
show is fun as hell on top of everything else.

Full info at:     http://www.negativland.com/

This next part of the tour is not completely solid yet, but will be
starting it on the 3rd of May.

 Wed. May 03 '00 --- NYC --- Irving Plaza
 Thu. May 04 '00 --- Washington DC --- 9:30 Club
 Fri. May 05 '00 --- Poughkeepsie, NY --- Bard College : Multipurpose
Room
 Sat. May 06 '00 --- Boston --- Copley Theater
 Mon. May 08 '00 --- Chapel Hill, NC --- Carrboro Arts Center
 Wed. May 10 '00 --- Atlanta --- Variety Playhouse
 Fri. May 12 '00 --- Clearwater, FL --- Club More
 Sun. May 14 '00 --- New Orleans --- Howlin' Wolf
 Mon. May 15 '00 --- Houston --- Rice University: Hammond Hall
 Tue. May 16 '00 --- Austin --- Stubb's BBQ
 Thu. May 18 '00 --- Tulsa --- The Other Side
 Sat. May 20 '00 --- Denver --- Bluebird
 May '00 --- San Diego --- TBA
 Wed. May 24 '00 --- Los Angeles --- El Rey
 Sat. May 27 '00 --- San Francisco --- Palace of Fine Arts
 May '00 --- Palo Alto --- TBA

-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.


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From: Crossedout@aol.com
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Date: Wed, 19 Apr 2000 10:40:31 EDT
Subject: Re: Sequencer question
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In a message dated 4/18/00 9:29:38 PM Central Daylight Time, 
wanderlost@crosswinds.net writes:

<< I suppose I could do it with my laptop computer and some of the
 software I have but that seems a little too precarious for live performance, 
>>

scavenge around. I just got a 486/33 laptop with 16Mb RAM for free, I just 
had to find a power suppy ($10) and a mouse ($5) for it. If it gets roached, 
I'm out $15. And it's powerful enough to run a sequencer - I happened to have 
an older copy of Cakewalk that it took just fine, and I have a MOTU 2in/2out 
Midi box that will hook to the parallel port (which I already had, but that 
was only $50), so I'm set as far as a portable sequencer. 

good luck. 
- Crossedout

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From: "Larry Tremblay" <ltct@concentric.net>
To: "Legion" <legion@voicenet.com>, <Loopers-Delight@annihilist.com>,
        <analogue@hyperreal.org>
References: <38FDC3FA.A03D7494@voicenet.com>
Subject: Re: [AH] Negativland on tour...
Date: Wed, 19 Apr 2000 11:09:41 -0400
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Thanks Legion.

I love these guys too and have always wanted to see 
them perform their mayhem. It was NegativeLand that 
got me back into exploring tape manipulation and 
collage/plunderphonics.

They're masters of their medium (and funny f*ckers, too :)

I'll check 'em out when they come to Chapel Hill, NC
(that's as close as they get to Charlotte, I guess).

- Larry T

----- Original Message ----- 
From: "Legion" <legion@voicenet.com>
To: <Loopers-Delight@annihilist.com>; <analogue@hyperreal.org>
Sent: Wednesday, April 19, 2000 10:34 AM
Subject: [AH] Negativland on tour...


> I saw Negativland's current True/False tour last night at the TLA in
> Philadelphia. All I can say is if anyone has *ever* had an interest in
> Negativland, looping, or audio and video manipulation you will hate
> yourself if you do not see this show.
> 
> There was a team of about 8-10 members either running things offstage or
> on. they used multiple film projectors, a bank of four radio carts, dual
> cd players (playing custom sounds), a turntable (processed at times),
> and sprinkled guitar, bass, thermin, synths, and more over the top.
> 
> The stage setup had a TV monitor for an extended talking head bit (which
> was 100% coordinated by the band onstange in realtime maniacally
> flipping video and audio loops as the video projection told the story).
> The background was a huge white screen which they used for projecting
> all the stage video as well as three machines from the audience.
> 
> The did a bit of old stuff (the encore was a very clever and fun (and
> copyright free!) rendition of their most infamous single), and had a ton
> of new stuff broken down into two complete sets for a total of a 2.5
> hour showtime.
> 
> I have been doing tape manipulation and found/noise collage stuff for
> years and have never seen a group work so hard in such a coordinated
> manner in my life. The sheer magnitude and set up of this show is only
> matched by the fact that they are using archaic technology along with
> bits and pieces of new stuff to make their point even more entertaining
> and true. The final loop segment in set two was an achingly beautiful
> reminder of how an artist can capitalize on old technology and turn it
> into something  unique.
> 
> Did I mention they had a  puppet show and chopped up the Sound of Music
> into the most perverse song Julie Andrews never uttered?
> 
> Trust me, if you've ever been the least bit curious of what multimedia
> manipulation can be in it's rawest and more polished form you do*not*
> want to miss this show. Forget the hype of them as media masters, this
> show is fun as hell on top of everything else.
> 
> Full info at:     http://www.negativland.com/
> 
> This next part of the tour is not completely solid yet, but will be
> starting it on the 3rd of May.
> 
>  Wed. May 03 '00 --- NYC --- Irving Plaza
>  Thu. May 04 '00 --- Washington DC --- 9:30 Club
>  Fri. May 05 '00 --- Poughkeepsie, NY --- Bard College : Multipurpose
> Room
>  Sat. May 06 '00 --- Boston --- Copley Theater
>  Mon. May 08 '00 --- Chapel Hill, NC --- Carrboro Arts Center
>  Wed. May 10 '00 --- Atlanta --- Variety Playhouse
>  Fri. May 12 '00 --- Clearwater, FL --- Club More
>  Sun. May 14 '00 --- New Orleans --- Howlin' Wolf
>  Mon. May 15 '00 --- Houston --- Rice University: Hammond Hall
>  Tue. May 16 '00 --- Austin --- Stubb's BBQ
>  Thu. May 18 '00 --- Tulsa --- The Other Side
>  Sat. May 20 '00 --- Denver --- Bluebird
>  May '00 --- San Diego --- TBA
>  Wed. May 24 '00 --- Los Angeles --- El Rey
>  Sat. May 27 '00 --- San Francisco --- Palace of Fine Arts
>  May '00 --- Palo Alto --- TBA
> 
> -----------------------------------------------------------------------
>      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
> "Bringing you the best in Organic Electronic music since we started..."
> 
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.
> 
> 
> 

From Loopers-Delight-request@annihilist.com  Wed Apr 19 11:23:10 2000
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From: "Ken Melms" <wgold@mecasw.com>
To: <yostie@ezworks.net>
Cc: <loopers-delight@annihilist.com>
Subject: Re: protective encoding. (AKA The New Digital Realm)
Date: Wed, 19 Apr 2000 11:22:57 -0400
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(I thought this germain to the digital realm so I copied the LD list on this
reply, hope not too OT)

Well, Jeff..

It means setting up a web site, marketing your product - and giving away
free samples at a lower sample rate than a CD.. That's a good start... 22k
MP3's sound good enough to give people a taste of the music's flavor..
(Think about it - that's radio quality, not CD quality..  People have been
taping off the radio since personal recorders came about - did it hinder
tapes from being bought?!  I argue it advanced their distribution by
creating a needy market..)

Now, say you sell the CD's (44k) on your site, and stream the 22k MP3's as
samples.   If you market well you can make a living off of the digital
front.  It won't stop people from making real MP3's from your CD's, but it
will at least give them an avenue to purchase your work.

You guys (i've been in music 27 years, programming for 20) are just starting
to feel the burn that software programmers have been feeling forever.
People have been copying and distributing pirated copies of software since
it was possible to duplicate.  Does this mean that software companies went
out of business?  No! - it means they had to change their 1:1 product:money
ratio mentality.  Now companies offer crippled versions of software (IE:
lower sample rates)  Free trials of their software, that expire (not yet
implemented for music).  And simply GIVING away the software, (MP3 Shoutcast
/ RADIO / etc.) knowing full well that 80% of the copies that are on the
market are going to be pirated, but the fact that their product is being
distributed, talked about, and wanted by those who are in the know means
that those who can't/won't copy/steal will get caught up in the frenzy and
BUY a copy.  These companies SUBSIST on the other 20% of the populace who
buy the product, causing income to actually be generated by a pirate
distribution methodology.  These are the companies that will survive in the
future.

Nothing is stacked against anybody.. The biggest hurdle in any artistic race
is to be the one with the biggest audience, right?  The bigger the audience,
the bigger the revenue - no matter WHAT.. If you get caught thinking that
the only way to survive is to sell each and every CD you press for $10.00,
then you've lost the game already.  Giving away art is the best way to get
it heard.  Once you're heard, you're known.  Once you're known, you're
gigging.  Once you're gigging, you're generating REAL revenue based on REAL
effort, not a snapshot of art (CD's), which is always pale in comparison to
the true stage of the artform.

Now imagine that your MP3's are distributed (pirated) across the world, and
millions of people (who you think unfortunate because they didn't pay for
the initial recording) liked your work.  Now some of these people WILL pay
to go see your gig.  WILL pay to buy your t-shirts.. WILL pay to get a copy
of the limited edition release with your signiature, and have a much higher
probability of buying your next CD to own a real copy etc etc etc...

We can't allow ourselves to be boxed in by the feeding frenzy of the modern
capitalist world.  We must allow music to flow freely, and as the artist who
is creating these ever changing realms of music and altering the mood and
minds of the listeners - we must not throw spite at those who can't afford
to buy.  We must focus on those who CAN.

That's just my .02 on the matter.. (please keep the flames private)

Ken

-----Original Message-----
From: Jeff Yost <yostie@ezworks.net>
To: Ken M <wgold@mecasw.com>
Date: Tuesday, April 18, 2000 8:06 PM
Subject: Re: protective encoding...


>Hi Ken-
> So what does this do to those of us who would like to make a living by
>selling our creations via digital media?
>
> Other people seem to be able to make a living by practicing their
>trades, why is it the artistic folks always have so much stacked against
>them...?
>
>jeff
>
>
>Ken Melms wrote:
>>
>> You can't.
>> The fact is - once something is played on a computer, the person playing
it
>> can simply setup a sound recorder to dump it back to a .wav file, and
then
>> encode it again to MP3 without the protection blocks.  Anything that
>> advertises as a "copy protection" scheme for MP3's is preying on the
>> uninformed.
>>
>> Welcome to the powerful world of FREE FLOWING information.  People have
to
>> get over the thought of personal ownership of data, and begin doing the
work
>> to copyright and legally protect the ideas, not the media it's printed
on.
>>
>> K
>>
>> -----Original Message-----
>> From: Jeff Yost <yostie@ezworks.net>
>> To: jeff_yost@musician.org <jeff_yost@musician.org>
>> Date: Sunday, April 16, 2000 3:43 PM
>> Subject: protective encoding...
>>
>> >I hope this isn't too off topic, but I am curious if anyone may know the
>> >best (and most economical) route to take to get one's MP3s encoded with
>> >copy protection.
>> >
>> >(Please cc me or write my personal e-mail)
>> >
>> >thank you,
>> >jeff yost
>> >yostie@ezworks.net
>> >

From Loopers-Delight-request@annihilist.com  Wed Apr 19 11:43:10 2000
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> Or the Behringer MX2642
> 6  Aux Sends , 
> also 4 group outs which I use as stereo FX sends
> +Direct outs on 8 of the inputs .
> getting cheaper all the time
> Andy Butler

Wow... I'll look into that, cause it will be quite awhile before I
can afford the Allen and Heath stuff...
-Miko

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From: rich <rich@nuvision.com>
Subject: Re: Negativland on tour...
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Thanks Legion for the Negativland info.  I haven't seen them for about 8
years, but i would have to concur with your sentiments regarding the sheer
magnitude of what these guys do.  I will definitely try to check out the LA
show.

I am having trouble remembering the magazine, but the best interview i read
was when this mag was interviewing The Edge from U2, during their ZooTV
tour, where they were culling, cutting, pasting, and manipulating TV
signals during their live show.  Edge was going off on how cool it was that
they were able to extrapolate raw material from the mass media and use it
to their own ends and make something creative out of it.  After that, they
pressed him about the legal issues with Negativland and the single.  Edge
kindof had to backpedal real quick, especially when he realized that one of
the interviewers was a member of Negativland, and U2/Island had slammed
them with a lawsuit for essentially doing the same thing!

seeya,

rich



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Subject: Re: Negativland on tour...
Date: Wed, 19 Apr 2000 09:59:26 -0700
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I believe it was Musician magazine - I remember seeing the same interview.
Two takes on U2, if I might...

I erased a lot of pieces composed in the early 80s, because they sounded (to
me) like someone elses' work.  Then I saw U2 making scads of money making
music that sounded like someone elses' work.  I don't throw away ANYTHING
anymore.

In the article-in-question, I found a good deal of dark humor in the
non-mentioning of the fact that it was ENO that came up with the whole idea
with the TV screens/satellite access and all, and Bono who came up with the
name for it.  Again, credit placed where not deserved.  Perhaps a lesson for
us as performers, if a cautionary one - make diagrams or some note regarding
the idea/composition, even if on a napkin, date it, show it to others, and
put it away for safe keeping (or, in this so-called digital age, scan it,
but keep the paper).

Stephen Goodman
EarthLight Productions * http://www.earthlight.net

"rich" <rich@nuvision.com> put forth:


> I am having trouble remembering the magazine, but the best interview i
read
> was when this mag was interviewing The Edge from U2, during their ZooTV
> tour, where they were culling, cutting, pasting, and manipulating TV
> signals during their live show.  Edge was going off on how cool it was
that
> they were able to extrapolate raw material from the mass media and use it
> to their own ends and make something creative out of it.  After that, they
> pressed him about the legal issues with Negativland and the single.  Edge
> kindof had to backpedal real quick, especially when he realized that one
of
> the interviewers was a member of Negativland, and U2/Island had slammed
> them with a lawsuit for essentially doing the same thing!
>
> seeya,
>
> rich
>
>
>

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From: "Larry Tremblay" <ltct@concentric.net>
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Subject: Re: Negativland on tour...
Date: Wed, 19 Apr 2000 13:16:23 -0400
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> I am having trouble remembering the magazine, but the best interview i
read
> was when this mag was interviewing The Edge from U2, during their ZooTV
> tour, where they were culling, cutting, pasting, and manipulating TV
> signals during their live show.

I think it was an old issue of Mondo 2000. Excellent!

- Larry T

----- Original Message -----
From: "rich" <rich@nuvision.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 19, 2000 12:26 PM
Subject: Re: Negativland on tour...


> Thanks Legion for the Negativland info.  I haven't seen them for about 8
> years, but i would have to concur with your sentiments regarding the sheer
> magnitude of what these guys do.  I will definitely try to check out the
LA
> show.
>
> I am having trouble remembering the magazine, but the best interview i
read
> was when this mag was interviewing The Edge from U2, during their ZooTV
> tour, where they were culling, cutting, pasting, and manipulating TV
> signals during their live show.  Edge was going off on how cool it was
that
> they were able to extrapolate raw material from the mass media and use it
> to their own ends and make something creative out of it.  After that, they
> pressed him about the legal issues with Negativland and the single.  Edge
> kindof had to backpedal real quick, especially when he realized that one
of
> the interviewers was a member of Negativland, and U2/Island had slammed
> them with a lawsuit for essentially doing the same thing!
>
> seeya,
>
> rich
>
>
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 19 13:47:13 2000
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> > I am having trouble remembering the magazine, but the best interview i read
> > was when this mag was interviewing The Edge from U2, during their ZooTV
> > tour, where they were culling, cutting, pasting, and manipulating TV

The magazine was called Mondo 2000 and indeed the main interviewer was a member
of Negatviland. To be fair as I recall "The Edge" agreed with Negativland's
viewpoint on the issue, it was Island records who stomped the living f*ck out of
the band and SST their label who passed on the penalty. The band has said often
they don't have a problem with the band (the Just say Bo-No Tshirt pic was SST's
idea) although I'm sure they wished the band would have stepped in and tried to
help out a bit with all the posturing of the labels and such.

Copies of the article appear in one of their books (either "Fair Use" or "The
Numeral U and the Number 2")  both of which are semi-entertaining in their own
right.

And Ok I'll spill the beans, for the encore (after a very involved two and a
half hour set) the full  band came back and fired up an overhead projector onto
the main backdrop screen. On this they placed full text slides of the entire
Casey Casem tirade that appeared on the single and the band, it's tech crew, and
the entire audience followed the bouncing ball (actually a pen one of the guy's
used ) and read the words in unison. It was so simple and yet one of the most
hilarious and clever "performances" I've taken part in. Everyone was falling
down laughing and losing their place as we all cried out "This guy's from
England and who give a s*it" etc. just like Casey. And best of all they couldn't
be sued :)

For anyone interested the original "U2" single that started the whole mess and
was banned is now freely available in numerous formats on the web.
http://www.negativland.com/teletext2.html

I'm still reeling (no pun intended) from the best loop oriented show I've ever
seen...


----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."

Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.


From Loopers-Delight-request@annihilist.com  Wed Apr 19 14:17:51 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: New EDP works fine after replacing the memory
Date: Wed, 19 Apr 2000 11:00:05 -0700
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Hey guys!

	I switched out the memory in my new EDP and it looped fine all night.
Wohoo! I switched the old memory back in (which was obviously used memory -
the writing had faded out on the rightmost chip of one card, where one's
thumb would go to pull it out, and they had some gooey resiny stuff sticking
to them, like they were lying around when someone was putting together the
circuitboard) and it started crapping out within seconds. Excellent!! I was
going to dump the old stuff anyway.

	Then I left it looping continously for about four hours while I did other
stuff, and it didn't start farting, so I'm pretty sure the memory was bad.

	So, as far as I have heard, the only problems with the units have been
fuses and, in my case memory. I'll wager that someone at Trace Elliot put
the wrong memory in the unit while they were testing it/putting it together.
I'm off to call Shane Radtke To tell him that it's working now.

Wohoo!

bIz

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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: New EDP works fine after replacing the memory
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Good!

That reminds me...I've got the original memory from my two EDPs, if any of you
new owners want it, let me know.  It's been sitting around since I upgraded.
(Maybe I should send it to Trace Elliot?)

Dennis Leas
-----------------------------
dennis@mdbs.com


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Chris Baime, MIS 
Allied Utility Equipment, Inc.
www.execpc.com/~allied


----- Original Message ----- 
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Sent: Wednesday, April 19, 2000 3:29 AM
Subject: Loopers-Delight-d Digest V00 #116



From Loopers-Delight-request@annihilist.com  Wed Apr 19 18:12:07 2000
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From: "hideo" <hideo@concentric.net>
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I know how you can make it up to all those with metered e-mail and Web . . .

not to mention those of us who drool over every list you dangle in front of
us . . .
stream that baby .. . or shoutcast it . . . whatever . . . if some of you
techies can get Bill started, I'll be planted next to my computor speakers

drone on~~~~~~~~~~~~

Tom Lambrecht

hideo@concentric.net
----- Original Message -----
From: Bill Fox <billfox@fast.net>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 14, 2000 7:24 PM
Subject: Re: REMOVE : EMUSIC Playlist


> I'm blushing!  Thanks for the support.  I certainly don't intend to be
> obnoxious with my playlists and there are only 52 per year... plus twelve
> monthly reports to NAV.  ;-)

From Loopers-Delight-request@annihilist.com  Wed Apr 19 18:19:19 2000
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From: "matt davignon" <mattdavignon@hotmail.com>
To: loopers-delight@annihilist.com
Subject: Negativland/U2 Interview
Date: Wed, 19 Apr 2000 13:42:36 PDT
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There's been a lot of excitement about that Mondo 2000 interview in which 
Negativland put The Edge of U2 on the spot.

The interview can be found on this page:

http://www.negativland.com/edge.html


Matt Davignon
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Apr 19 19:58:33 2000
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Date: Wed, 19 Apr 2000 16:26:55 -0700
To: loopers-delight@annihilist.com
From: Alex Stahl <alex@pixar.com>
Subject: Re: Negativland/U2 Interview
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The best part is, it's all a hoax in classic mondo/negativland style.




At 1:42 PM -0700 4/19/00, matt davignon wrote:
>There's been a lot of excitement about that Mondo 2000 interview in 
>which Negativland put The Edge of U2 on the spot.
>
>The interview can be found on this page:
>
>http://www.negativland.com/edge.html
>
>
>Matt Davignon
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Apr 19 20:59:26 2000
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Date: Wed, 19 Apr 2000 20:41:07 -0400 (EDT)
From: ";-Peter ;-Prisekin aka ;-Dusty ;-Chalk" <dusty@patriot.net>
To: Loopers-Delight@annihilist.com
Subject: Re: Negativland/U2 Interview
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Well, yes, but...that really happened.
--
I remain,
:-Peter aka :-Dusty :-Chalk

On Wed, 19 Apr 2000, Alex Stahl wrote:

> The best part is, it's all a hoax in classic mondo/negativland style.
> 
> At 1:42 PM -0700 4/19/00, matt davignon wrote:
> >There's been a lot of excitement about that Mondo 2000 interview in 
> >which Negativland put The Edge of U2 on the spot.
> >
> >The interview can be found on this page:
> >
> >http://www.negativland.com/edge.html

From Loopers-Delight-request@annihilist.com  Wed Apr 19 21:54:26 2000
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Date: Wed, 19 Apr 2000 21:48:27 EDT
Subject: Bill Frisell
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How is his newest solo album sound?  James

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Yep... 

----- Original Message ----- 
From: "Alex Stahl" <alex@pixar.com>
To: <loopers-delight@annihilist.com>
Sent: Wednesday, April 19, 2000 7:26 PM
Subject: Re: Negativland/U2 Interview


> The best part is, it's all a hoax in classic mondo/negativland style.
> 
> 
> 
> 
> At 1:42 PM -0700 4/19/00, matt davignon wrote:
> >There's been a lot of excitement about that Mondo 2000 interview in 
> >which Negativland put The Edge of U2 on the spot.
> >
> >The interview can be found on this page:
> >
> >http://www.negativland.com/edge.html
> >
> >
> >Matt Davignon
> >______________________________________________________
> >Get Your Private, Free Email at http://www.hotmail.com
> 
> 

From Loopers-Delight-request@annihilist.com  Wed Apr 19 22:39:45 2000
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Date: Wed, 19 Apr 2000 22:22:28 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Negativland/U2 Interview
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Thanks for the link, Matt! I really enjoyed the interview.

Tim

At 01:42 PM 4/19/00 PDT, you wrote:
>http://www.negativland.com/edge.html

From Loopers-Delight-request@annihilist.com  Thu Apr 20 00:15:46 2000
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From: ENAT21213@aol.com
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Date: Thu, 20 Apr 2000 00:07:50 EDT
Subject: Re: New EDP works fine after replacing the memory
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In a message dated 4/19/00 2:17:29 PM Eastern Daylight Time, 
jonathan@full-moon.com writes:

> So, as far as I have heard, the only problems with the units have been
>  fuses and, in my case memory.

first it was the fuse thing for me.......replaced it......turned on 
fine.......plugged it into an amp and the echoplex lights dim and the the amp 
went huuuuuuuuuuuummmmmmm......unplug the cord and the echoplex restarts
so i called shane and it's off for repairs
looks like were the ginnie pigs

my question is has anyone received and edp that works 100% out of the box 

brian
ebnoise

From Loopers-Delight-request@annihilist.com  Thu Apr 20 00:43:07 2000
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To: <Loopers-Delight@annihilist.com>
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Subject: Re: Sequencer question
Date: Wed, 19 Apr 2000 17:38:12 -0500
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You can store MIDI data and send that data to MIDI devices with this?  That
brings up another question:  I'm confused about units like the RM1x and the
Roland 505 Groovebox:  they call themselves sequencers, but I thought a
sequencer was just a box that holds MIDI data to send to other equipment.  The
505 clearly has its own synth unit and bunch of tweaking knobs to adjust the
sound.  Is it really a sequencer or is sequencing just a small part of what it
does?  I think I just need a sequencer with none of the other cool things on
it.

----- Original Message -----
From: "Claude voit" <c.voit@vtx.ch>
To: "Timothy" <loopers-delight@annihilist.com>
Sent: Wednesday, April 19, 2000 5:40 PM
Subject: Re: Sequencer question

> I'm using the yamaha rm1x with a lot of joy .this is a pattern based seq
> with maximum live tweakability (pattern switch, track mutes ) so its
> very well suited for our cyclic needs
>
> Sorry I have no time to make you a review but here is a link
> to all the rm1x stuff on the net
>
> http://www.markarber.freeserve.co.uk/menu.htm
>
> Come back after that and be my guest for some questions
>
> Claude
>

From Loopers-Delight-request@annihilist.com  Thu Apr 20 01:02:11 2000
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From: "Alan Imberg" <alan_i@sprynet.com>
To: <Loopers-Delight@annihilist.com>
References: <3.0.5.32.20000418183203.007bd300@pop.ici.net>
Subject: Re: Frisell recommendations
Date: Wed, 19 Apr 2000 21:52:05 -0700
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His latest, "Ghost Town" has looping galore. In fact, it is an entirely solo
affair (no band). "Nashville" is one of my favorites and has subtle looping
in a "rootsy" context. Have a Little Faith has great cover versions though
not loop oriented.

----- Original Message -----
From: Tim Nelson <tcn62@ici.net>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 18, 2000 3:32 PM
Subject: Frisell recommendations


> OK, I'll confess: I've never listened to Bill Frisell.
>
> But I'd like to remedy that; any recommendations? (I'd like to start with
> an album that showcases looping content and improvisation...)
>
> Tim
>


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Subject: Re: Negativland on tour...
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>non-mentioning of the fact that it was ENO that came up with the >whole
idea with the TV screens/satellite access and all, Again, credit >placed
where not deserved.

Hmmmm.  Not sure I agree.  U2 has quite often given credit to Eno for the
initial concept of that tour (even in the tour program).  Certainly the band
were the "directors" of the production whereas Eno was the one who wrote the
1st draft of the script (sorry for the analogy).  I'm not sure it's fair to
suggest that it was Eno's baby and U2 were just along for the ride.

>Then I saw U2 making scads of money making music that sounded >like someone
elses' work

Just out of curiosity, other than the rootsier Joshua Tree/Rattle and Hum
period, who do you find them to be imitating???  Again, just curious.

MikeH


From Loopers-Delight-request@annihilist.com  Thu Apr 20 10:29:01 2000
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Subject: Re: Sequencer question
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In my opinion, drum machines were the first popular sequencers, using drum
synth audio.  So I feel that sequencers are *allowed* to have tone modules.
As far as bare bones, the Alesis Datadisk is a sysx storage device which as
serves as a sequencer/player--no editing, and no module!  There's just a
whole lot of options when it comes to electronic equipment these days, and
that's just the way I like it!  I'm using a laptop with Cakewalk 9--works
pretty good.
Gary

----- Original Message -----
From: Timothy <wanderlost@crosswinds.net>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 19, 2000 3:38 PM
Subject: Re: Sequencer question


> You can store MIDI data and send that data to MIDI devices with this?
That
> brings up another question:  I'm confused about units like the RM1x and
the
> Roland 505 Groovebox:  they call themselves sequencers, but I thought a
> sequencer was just a box that holds MIDI data to send to other equipment.
The
> 505 clearly has its own synth unit and bunch of tweaking knobs to adjust
the
> sound.  Is it really a sequencer or is sequencing just a small part of
what it
> does?  I think I just need a sequencer with none of the other cool things
on
> it.
>
> ----- Original Message -----
> From: "Claude voit" <c.voit@vtx.ch>
> To: "Timothy" <loopers-delight@annihilist.com>
> Sent: Wednesday, April 19, 2000 5:40 PM
> Subject: Re: Sequencer question
>
> > I'm using the yamaha rm1x with a lot of joy .this is a pattern based seq
> > with maximum live tweakability (pattern switch, track mutes ) so its
> > very well suited for our cyclic needs
> >
> > Sorry I have no time to make you a review but here is a link
> > to all the rm1x stuff on the net
> >
> > http://www.markarber.freeserve.co.uk/menu.htm
> >
> > Come back after that and be my guest for some questions
> >
> > Claude
> >
>
>

From Loopers-Delight-request@annihilist.com  Thu Apr 20 11:02:53 2000
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Subject: Re: Sequencer question
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get an akai mpc2000 (discontinued, get used one) and ditch the drum
sampler 'cause this will do that for ya 2!

rob

Timothy schrieb:
> 
> 
> 
> I think I need a MIDI sequencer:  I think that's what they call them.  What I
> need is a machine to feed MIDI signals to these things concurrently:  a drum
> sampler, two EDPs, a MIDI channel switcher, and two MIDI-controlled effects
> units (a Roland VG8 and I'm researching the second one).  It would have to be
> able to store enough data to send an entire rhythm score to the drum sampler:
> the looping, channel, and effects signals would be relatively minor.

From Loopers-Delight-request@annihilist.com  Thu Apr 20 11:53:49 2000
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From: "Michael LaMeyer" <mlameyer@hotmail.com>
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Subject: Re: Sequencer question
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Does anyone have recommendations for a sequencer well suited for looping on 
the fly?  I'd like to be able to easily generate, queue and loop sequenced 
phrases from sysex.  Starting and stopping looped sequences might be fairly 
straightforward, but idealy I would like to see something operate like an 
EDP where you can copy an idea to a new 'slot' and overdub, then queue up 
another to start after the current one is finished, etc.  Theoretically I 
suppose this could be done entirely with sysex and a sequencer that supports 
sysex control of these parameters, has anyone done this?

I might not be up on what's out there, but taking a cursory look around I 
found mainly software sequencers for composing, and the hardware 
sequencer/tone generator sort.  Fun toys all, but just looking for something 
more specifically suited for me.

Thanks!

Mike

----- Original Message -----
From: "Gary Lehmann" <relay@funtv.com>
To: "Timothy" <loopers-delight@annihilist.com>
Sent: Thursday, April 20, 2000 9:57 AM
Subject: Re: Sequencer question


>In my opinion, drum machines were the first popular sequencers, using drum
>synth audio.  So I feel that sequencers are *allowed* to have tone modules.
>As far as bare bones, the Alesis Datadisk is a sysx storage device which as
>serves as a sequencer/player--no editing, and no module!  There's just a
>whole lot of options when it comes to electronic equipment these days, and
>that's just the way I like it!  I'm using a laptop with Cakewalk 9--works
>pretty good.
>Gary
>
>----- Original Message -----
>From: Timothy <wanderlost@crosswinds.net>
>To: <Loopers-Delight@annihilist.com>
>Sent: Wednesday, April 19, 2000 3:38 PM
>Subject: Re: Sequencer question
>
>
> > You can store MIDI data and send that data to MIDI devices with this?
>That
> > brings up another question:  I'm confused about units like the RM1x and
>the
> > Roland 505 Groovebox:  they call themselves sequencers, but I thought a
> > sequencer was just a box that holds MIDI data to send to other 
>equipment.
>The
> > 505 clearly has its own synth unit and bunch of tweaking knobs to adjust
>the
> > sound.  Is it really a sequencer or is sequencing just a small part of
>what it
> > does?  I think I just need a sequencer with none of the other cool 
>things
>on
> > it.
> >
> > ----- Original Message -----
> > From: "Claude voit" <c.voit@vtx.ch>
> > To: "Timothy" <loopers-delight@annihilist.com>
> > Sent: Wednesday, April 19, 2000 5:40 PM
> > Subject: Re: Sequencer question
> >
> > > I'm using the yamaha rm1x with a lot of joy .this is a pattern based 
>seq
> > > with maximum live tweakability (pattern switch, track mutes ) so its
> > > very well suited for our cyclic needs
> > >
> > > Sorry I have no time to make you a review but here is a link
> > > to all the rm1x stuff on the net
> > >
> > > http://www.markarber.freeserve.co.uk/menu.htm
> > >
> > > Come back after that and be my guest for some questions
> > >
> > > Claude
> > >
> >
> >
>
>
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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From: "Stuart Sovatsky" <stuartcs@jps.net>
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Subject: sfbay-looper/vortex chanting jam
Date: Thu, 20 Apr 2000 08:35:19 -0700
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Any East Bay Loopers have time & interest to try experimental jamming =
with the mantric vocalist (me) of the little-known trance ensemble, Axis =
Mundi? I chant Sanskrit mantras mixed in with favorite rock lyrics into =
a Vortex and a Digitech Vocalist Harmonizer to create live mantra events =
with drummers and didge. Looking to either mess around with a looper for =
fun and maybe even do some projects together.  stuart sovatsky     =
www.jps.net/stuartcs=20

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<DIV><FONT color=3D#000000 size=3D2>Any East Bay Loopers have time &amp; =
interest to=20
try experimental jamming with the mantric vocalist (me) of the =
little-known=20
trance ensemble, Axis Mundi? I chant Sanskrit mantras mixed in with =
favorite=20
rock lyrics into a Vortex and a Digitech Vocalist Harmonizer to create =
live=20
mantra events with drummers and didge. Looking to either mess around =
with a=20
looper for fun and maybe even do some projects together.&nbsp; stuart=20
sovatsky&nbsp;&nbsp;&nbsp;&nbsp; <A=20
href=3D"http://www.jps.net/stuartcs">www.jps.net/stuartcs</A>=20
</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Thu Apr 20 12:02:36 2000
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Date: Thu, 20 Apr 2000 08:42:52 -0700
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, ew37@bellsouth.net
Subject: Re: Negativland on tour...
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>>> "X-ray" <ew37@bellsouth.net> 04/19 11:34 PM >>>
>>non-mentioning of the fact that it was ENO that came up with the
whole idea with the TV screens/satellite access and all, Again, credit
placed where not deserved.

> Hmmmm.  Not sure I agree.  U2 has quite often given credit to Eno
for the initial concept of that tour (even in the tour program). 
Certainly the band were the "directors" of the production whereas Eno
was the one who wrote the 1st draft of the script (sorry for the
analogy).  I'm not sure it's fair to
suggest that it was Eno's baby and U2 were just along for the ride.

I remember Bono saying something like... "We finally have enough
money to do such a bloated grandiose thing... Why not? If not us, then
who?" I think he's correct in that statement... they were huge, had
the capability, so they went for it and staged an incredible, very
successful production. For it's sheer scope, it was certainly the most
modern and hi-tech I've seen to date. Sure beats the Stones bloated
retro machine...

>>Then I saw U2 making scads of money making music that sounded like
someone elses' work

> Just out of curiosity, other than the rootsier Joshua Tree/Rattle
and Hum period, who do you find them to be imitating???  Again, just
curious.

I think it became popular to disinherit U2 due to their tremendous
success... The Edge managed to assemble several existing simple guitar
techniques into a cohesive style... and has continued to experiment
far more than your average rock star type does... His stuff on Pop is
really cool... Great sounds... it is ROCK music... If you can't hack
rock, then sure... they probably suck for you. But I think U2 is a
great ROCK band... They benefitted a lot from their association with
Eno.

-Miko

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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: sfbay-looper/vortex chanting jam
Date: Thu, 20 Apr 2000 09:25:33 -0700
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Question: How do you like the Digitech Vocalist? Is it smooth? Does it =
track well? Also- have you ever tried plugging any other instruments =
into it to see how it sounded? Curious-=20

Cliff
    -----Original Message-----
    From: Stuart Sovatsky <stuartcs@jps.net>
    To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
    Date: Thursday, April 20, 2000 8:59 AM
    Subject: sfbay-looper/vortex chanting jam
   =20
   =20
    Any East Bay Loopers have time & interest to try experimental =
jamming with the mantric vocalist (me) of the little-known trance =
ensemble, Axis Mundi? I chant Sanskrit mantras mixed in with favorite =
rock lyrics into a Vortex and a Digitech Vocalist Harmonizer to create =
live mantra events with drummers and didge. Looking to either mess =
around with a looper for fun and maybe even do some projects together.  =
stuart sovatsky     www.jps.net/stuartcs=20

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 =
HTML//EN">
<META content=3D'"MSHTML 4.72.3612.1706"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Question: How do you like the =
Digitech Vocalist?=20
Is it smooth? Does it track well? Also- have you ever tried plugging any =
other=20
instruments into it to see how it sounded? Curious- </FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Cliff</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
    </B>Stuart Sovatsky &lt;<A=20
    href=3D"mailto:stuartcs@jps.net">stuartcs@jps.net</A>&gt;<BR><B>To: =
</B><A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>&gt;<BR><B>Date:=20
    </B>Thursday, April 20, 2000 8:59 AM<BR><B>Subject: =
</B>sfbay-looper/vortex=20
    chanting jam<BR><BR></DIV></FONT>
    <DIV><FONT color=3D#000000 size=3D2>Any East Bay Loopers have time =
&amp;=20
    interest to try experimental jamming with the mantric vocalist (me) =
of the=20
    little-known trance ensemble, Axis Mundi? I chant Sanskrit mantras =
mixed in=20
    with favorite rock lyrics into a Vortex and a Digitech Vocalist =
Harmonizer=20
    to create live mantra events with drummers and didge. Looking to =
either mess=20
    around with a looper for fun and maybe even do some projects =
together.&nbsp;=20
    stuart sovatsky&nbsp;&nbsp;&nbsp;&nbsp; <A=20
    href=3D"http://www.jps.net/stuartcs">www.jps.net/stuartcs</A>=20
</FONT></DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Thu Apr 20 12:13:09 2000
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To: Loopers-Delight@annihilist.com
From: bets@she-bop.org (Betsey Biggs)
Subject: Re: sfbay-looper/vortex chanting jam
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hi Stuart,

I am brand new to looping (in fact not even: I am purchasing a DL4 within
the next couple of weeks) but I would be into jamming once I have used the
equipment a bit. I'm a keyboard/synth/percussion player, and really looking
forward to getting more into the whole looping thing. THing is, I'm just
finishing up school (Mills) and things are kind of crazy for the next
couple of weeks. But after mid-May, I'd be into getting together.

Let me know... I'm actually thinking of studying table and voice at the Ali
Akbar Khan school soon, too. Do you know much about that program? And/or do
you know any tabla teachers in the East Bay?

Thanks,

Betsey


>Any East Bay Loopers have time & interest to try experimental jamming with
>the mantric vocalist (me) of the little-known trance ensemble, Axis Mundi?
>I chant Sanskrit mantras mixed in with favorite rock lyrics into a Vortex
>and a Digitech Vocalist Harmonizer to create live mantra events with
>drummers and didge. Looking to either mess around with a looper for fun
>and maybe even do some projects together.  stuart sovatsky
>www.jps.net/stuartcs
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
><HTML>
><HEAD>
>
><META content=text/html;charset=iso-8859-1 http-equiv=Content-Type>
><META content='"MSHTML 4.72.3110.7"' name=GENERATOR>
></HEAD>
><BODY bgColor=#ffffff>
><DIV><FONT color=#000000 size=2>Any East Bay Loopers have time &amp;
>interest to
>try experimental jamming with the mantric vocalist (me) of the little-known
>trance ensemble, Axis Mundi? I chant Sanskrit mantras mixed in with favorite
>rock lyrics into a Vortex and a Digitech Vocalist Harmonizer to create live
>mantra events with drummers and didge. Looking to either mess around with a
>looper for fun and maybe even do some projects together.&nbsp; stuart
>sovatsky&nbsp;&nbsp;&nbsp;&nbsp; <A
>href="http://www.jps.net/stuartcs">www.jps.net/stuartcs</A>
></FONT></DIV></BODY></HTML>

        *       *       *       *       *       *       *       *       *

          Listening is forgetting the name of the thing one hears.
                            -- Lawrence Weschler

        *       *       *       *       *       *       *       *       *


From Loopers-Delight-request@annihilist.com  Thu Apr 20 13:15:31 2000
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: OT - Negativland/U2 Interview
Date: Thu, 20 Apr 2000 10:01:30 -0700
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Anyone know if Edge ever loaned them the money?  :)

Cliff

-----Original Message-----
From: matt davignon <mattdavignon@hotmail.com>
To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
Date: Wednesday, April 19, 2000 3:29 PM
Subject: Negativland/U2 Interview


>There's been a lot of excitement about that Mondo 2000 interview in which 
>Negativland put The Edge of U2 on the spot.
>
>The interview can be found on this page:
>
>http://www.negativland.com/edge.html
>
>
>Matt Davignon
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>

From Loopers-Delight-request@annihilist.com  Thu Apr 20 13:21:17 2000
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Date: Thu, 20 Apr 2000 18:52:03 -0700
From: Claude voit <c.voit@vtx.ch>
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Timothy wrote:
> 
> I think I need a MIDI sequencer:  I think that's what they call them.  What I
> need is a machine to feed MIDI signals to these things concurrently:  a drum
> sampler, two EDPs, a MIDI channel switcher, and two MIDI-controlled effects
> units (a Roland VG8 and I'm researching the second one).  It would have to be
> able to store enough data to send an entire rhythm score to the drum sampler:
> the looping, channel, and effects signals would be relatively minor.
> 
> Is that what a sequencer does?  If not, what do I need?  And what's the price
> range?  I suppose I could do it with my laptop computer and some of the
> software I have but that seems a little too precarious for live performance,
> what with people throwing beer cans and other liquid-bearing objects at me
> trying to get me and all my loser equipment off the stage.
> 
> However, it'd be real nice to be able to program all the changes on my desktop
> computer, then download that data to the sequencer.
> 
> Thanks in advance,
> Tim

Timothy

I'm using the yamaha rm1x with a lot of joy .this is a pattern based seq
with maximum live tweakability (pattern switch, track mutes ) so its
very well suited for our cyclic needs

Sorry I have no time to make you a review but here is a link
to all the rm1x stuff on the net

http://www.markarber.freeserve.co.uk/menu.htm

Come back after that and be my guest for some questions

Claude

From Loopers-Delight-request@annihilist.com  Thu Apr 20 13:16:13 2000
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From: kamlapati.khalsa@philips.com
To: <Loopers-Delight@annihilist.com>
Subject: Re: sfbay-looper/vortex chanting jam
Message-ID: <0056910004665164000002L142*@MHS>
Date: Thu, 20 Apr 2000 11:58:03 -0500
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I live in the South Bay and I am interested in connecting. I play guitar, with EDP and DL4, and soon a SP-808EX. I have been making music for a long time but I am just a beginner too. Let's make contact.

Love the Looper's mailing list!

Kamlapati

home : (408)530-8309






bets@she-bop.org on 04/20/2000 09:35:51 AM
Please respond to Loopers-Delight@annihilist.com@SMTP 
To:	Loopers-Delight@annihilist.com@SMTP
cc:	 
Subject:	Re: sfbay-looper/vortex chanting jam
Classification:	Restricted
hi Stuart,

I am brand new to looping (in fact not even: I am purchasing a DL4 within
the next couple of weeks) but I would be into jamming once I have used the
equipment a bit. I'm a keyboard/synth/percussion player, and really looking
forward to getting more into the whole looping thing. THing is, I'm just
finishing up school (Mills) and things are kind of crazy for the next
couple of weeks. But after mid-May, I'd be into getting together.

Let me know... I'm actually thinking of studying table and voice at the Ali
Akbar Khan school soon, too. Do you know much about that program? And/or do
you know any tabla teachers in the East Bay?

Thanks,

Betsey


>Any East Bay Loopers have time & interest to try experimental jamming with
>the mantric vocalist (me) of the little-known trance ensemble, Axis Mundi?
>I chant Sanskrit mantras mixed in with favorite rock lyrics into a Vortex
>and a Digitech Vocalist Harmonizer to create live mantra events with
>drummers and didge. Looking to either mess around with a looper for fun
>and maybe even do some projects together.  stuart sovatsky
>www.jps.net/stuartcs
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
><HTML>
><HEAD>
>
><META content=text/html;charset=iso-8859-1 http-equiv=Content-Type>
><META content='"MSHTML 4.72.3110.7"' name=GENERATOR>
></HEAD>
><BODY bgColor=#ffffff>
><DIV><FONT color=#000000 size=2>Any East Bay Loopers have time &amp;
>interest to
>try experimental jamming with the mantric vocalist (me) of the little-known
>trance ensemble, Axis Mundi? I chant Sanskrit mantras mixed in with favorite
>rock lyrics into a Vortex and a Digitech Vocalist Harmonizer to create live
>mantra events with drummers and didge. Looking to either mess around with a
>looper for fun and maybe even do some projects together.&nbsp; stuart
>sovatsky&nbsp;&nbsp;&nbsp;&nbsp; <A
>href="http://www.jps.net/stuartcs">www.jps.net/stuartcs</A>
></FONT></DIV></BODY></HTML>

        *       *       *       *       *       *       *       *       *

          Listening is forgetting the name of the thing one hears.
                            -- Lawrence Weschler

        *       *       *       *       *       *       *       *       *





From Loopers-Delight-request@annihilist.com  Thu Apr 20 13:27:03 2000
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Message-ID: <00fe01bfaae9$a8688ff0$5d310140@concentric.net>
From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>, <ew37@bellsouth.net>
References: <s8fec355.059@svg.com>
Subject: Re: Negativland on tour...ENO and U2
Date: Thu, 20 Apr 2000 12:58:30 -0400
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First of all let me say I like much of U2's music.
But for the record, Eno saved U2's floundering career.
This is a well-documented historical fact.

U2's association with Eno was *Eno's idea* - he heard something 
he liked that he knew could be B-I-G with the right amount of 
coaxing.

Regarding the Edge's guitar style, I remember reading 
an interview in Guitar Player or somewhere with one 
of those dime-a-dozen Satriani/Vai/<insert lame 
sound-alike speed-virtuosi here> geetarists. The 
interviewer played a little U2/Edge music and asked 
him what he thought about his style. The trog said,
"I don't hear it" (TRANSLATION: Where are the 500 mph
Mixilodian scales, ProCo distorto-box, and erzatz-Halen
power-dives? ANSWER: Up your myopic dinosaur ass.)

For the 'youngins' out there, The Edge was once considered a 
neo-psychedelia reverb-monger (a good thing at the time)
along the lines of Echo & the Bunnymen and Teardrop 
Explodes.

So..., it took a visionary like Eno to bring U2, and the 
Edge, to where they are today, commercially and technically.

-Larry T

----- Original Message ----- 
From: "Mike Biffle" <mbiffle@svg.com>
To: <Loopers-Delight@annihilist.com>; <ew37@bellsouth.net>
Sent: Thursday, April 20, 2000 11:42 AM
Subject: Re: Negativland on tour...


> >>> "X-ray" <ew37@bellsouth.net> 04/19 11:34 PM >>>
> >>non-mentioning of the fact that it was ENO that came up with the
> whole idea with the TV screens/satellite access and all, Again, credit
> placed where not deserved.
> 
> > Hmmmm.  Not sure I agree.  U2 has quite often given credit to Eno
> for the initial concept of that tour (even in the tour program). 
> Certainly the band were the "directors" of the production whereas Eno
> was the one who wrote the 1st draft of the script (sorry for the
> analogy).  I'm not sure it's fair to
> suggest that it was Eno's baby and U2 were just along for the ride.
> 
> I remember Bono saying something like... "We finally have enough
> money to do such a bloated grandiose thing... Why not? If not us, then
> who?" I think he's correct in that statement... they were huge, had
> the capability, so they went for it and staged an incredible, very
> successful production. For it's sheer scope, it was certainly the most
> modern and hi-tech I've seen to date. Sure beats the Stones bloated
> retro machine...
> 
> >>Then I saw U2 making scads of money making music that sounded like
> someone elses' work
> 
> > Just out of curiosity, other than the rootsier Joshua Tree/Rattle
> and Hum period, who do you find them to be imitating???  Again, just
> curious.
> 
> I think it became popular to disinherit U2 due to their tremendous
> success... The Edge managed to assemble several existing simple guitar
> techniques into a cohesive style... and has continued to experiment
> far more than your average rock star type does... His stuff on Pop is
> really cool... Great sounds... it is ROCK music... If you can't hack
> rock, then sure... they probably suck for you. But I think U2 is a
> great ROCK band... They benefitted a lot from their association with
> Eno.
> 
> -Miko
> 
> 

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Date: Thu, 20 Apr 2000 10:25:52 -0700
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> >non-mentioning of the fact that it was ENO that came up with the >whole
> idea with the TV screens/satellite access and all, Again, credit >placed
> where not deserved.
>
> Hmmmm.  Not sure I agree.  U2 has quite often given credit to Eno for the
> initial concept of that tour (even in the tour program).  Certainly the
band
> were the "directors" of the production whereas Eno was the one who wrote
the
> 1st draft of the script (sorry for the analogy).  I'm not sure it's fair
to
> suggest that it was Eno's baby and U2 were just along for the ride.

Look back to Eno's work with multiple monitors as display method back in the
70s and 80s, and note that not all of them were "installations" as such.
These were processes-in-progress that, once he was basically content with
them, stayed as such.  From my viewpoint, the name "ZooTV" seems to have
been the sole input of the band/Bono; the soft-pedaling of Eno's input was
admittedly partially a function of his preferred mode of "ambient producer",
in that it was more important for the band's music to be heard than whom was
producing it.  While this is going to be argued for a long time, I read an
awful lot of hokey at the time about how the Band came up with it as a kind
of smoky collective process.  The main audience at the time had never seen
anything like it, since they'd not even been born at the time such video
displays were being pioneered by Eno and a lot of others; U2 did nothing to
discourage their thinking that it was something noone had ever seen before,
which was not inconsistent with their marketing strategy.  Which, alas,
worked.

> >Then I saw U2 making scads of money making music that sounded >like
someone
> elses' work
>
> Just out of curiosity, other than the rootsier Joshua Tree/Rattle and Hum
> period, who do you find them to be imitating???  Again, just curious.

[chuckle] "Rootsier"?  As "Joshua Tree" is the only U2 album I ever bought,
I must ask, in comparison with what?  U2 owes the entire sound they've grown
into to Eno's input - this is no different than his input to the Talking
Heads' work, Devo, you name it.  If Miko was referring to the slide playing
on the JT album, which IMNSHO was no more sophisticated than the kind of
playing one does when first discovering bottleneck blues, I can say, only in
an academic sense.  The blues, alas, did NOT come from Ireland.

I then fade back to the quote (paraphrased) from Keith Richard back in a
Musician interview in '82: "The only passion that band has is in their
Marshall amps."

Stephen Goodman
EarthLight Productions * http://www.earthlight.net

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oops, sorry, that was supposed to be a private post. my apologies.

        *       *       *       *       *       *       *       *       *

          Listening is forgetting the name of the thing one hears.
                            -- Lawrence Weschler

        *       *       *       *       *       *       *       *       *


From Loopers-Delight-request@annihilist.com  Thu Apr 20 13:47:00 2000
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Michael,

I've had a moderate degree of success using a Roland
MC-80 hardware sequencer for on-the-fly looping.  It's
not perfect (nor cheap), but does allow you to set up
a loop, drop in and out of record mode, switch and
mute channels (16) in real-time better than SW
sequencers I looked at. One problem is that I've not
found a way to do these things via sysex - no info on
it in their scanty midi implimentation documentation,
but i haven't hit Roland's tech support very hard for
it yet.  So you need to fondle the box to do most of
this, although there are a couple of foot pedal inputs
which can be assigned to various functions.

There is also pattern-based sequencing available which
allows patterns of various lengths to be started,
looped & stopped via midi note on / note off messages,
with control as to when the pattern starts
(immediately, on next beat, start of next measure),
but these more or less have to be precomposed rather
than created on the fly.

I think something like MAX might off the most
possibilities.

stephen

--- Michael LaMeyer <mlameyer@hotmail.com> wrote:
> Does anyone have recommendations for a sequencer
> well suited for looping on 
> the fly?  

=====
Stephen

__________________________________________________
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Claude,

It's heard that the rm1x doesn't allow real-time
recording of patterns which can then be manipulated
without stopping the sequencer, nor does it allow
dropping in & out of record mode.  Is this true?

stephen

> I'm using the yamaha rm1x with a lot of joy .this is
> a pattern based seq
> with maximum live tweakability (pattern switch,
> track mutes ) so its
> very well suited for our cyclic needs


=====
Stephen

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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: RE: sfbay-looper/vortex chanting jam
Date: Thu, 20 Apr 2000 11:02:16 -0700
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Me too.

Somewhat similar setup. Definitely up to jam, and trying to set up something
permanent.

bIz

415.706.7376

-----Original Message-----
From: kamlapati.khalsa@philips.com [mailto:kamlapati.khalsa@philips.com]
Sent: Thursday, April 20, 2000 9:58 AM
To: Loopers-Delight@annihilist.com
Subject: Re: sfbay-looper/vortex chanting jam


I live in the South Bay and I am interested in connecting. I play guitar,
with EDP and DL4, and soon a SP-808EX. I have been making music for a long
time but I am just a beginner too. Let's make contact.

Love the Looper's mailing list!

Kamlapati

home : (408)530-8309






bets@she-bop.org on 04/20/2000 09:35:51 AM
Please respond to Loopers-Delight@annihilist.com@SMTP
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cc:
Subject:	Re: sfbay-looper/vortex chanting jam
Classification:	Restricted
hi Stuart,

I am brand new to looping (in fact not even: I am purchasing a DL4 within
the next couple of weeks) but I would be into jamming once I have used the
equipment a bit. I'm a keyboard/synth/percussion player, and really looking
forward to getting more into the whole looping thing. THing is, I'm just
finishing up school (Mills) and things are kind of crazy for the next
couple of weeks. But after mid-May, I'd be into getting together.

Let me know... I'm actually thinking of studying table and voice at the Ali
Akbar Khan school soon, too. Do you know much about that program? And/or do
you know any tabla teachers in the East Bay?

Thanks,

Betsey


>Any East Bay Loopers have time & interest to try experimental jamming with
>the mantric vocalist (me) of the little-known trance ensemble, Axis Mundi?
>I chant Sanskrit mantras mixed in with favorite rock lyrics into a Vortex
>and a Digitech Vocalist Harmonizer to create live mantra events with
>drummers and didge. Looking to either mess around with a looper for fun
>and maybe even do some projects together.  stuart sovatsky
>www.jps.net/stuartcs
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
><HTML>
><HEAD>
>
><META content=text/html;charset=iso-8859-1 http-equiv=Content-Type>
><META content='"MSHTML 4.72.3110.7"' name=GENERATOR>
></HEAD>
><BODY bgColor=#ffffff>
><DIV><FONT color=#000000 size=2>Any East Bay Loopers have time &amp;
>interest to
>try experimental jamming with the mantric vocalist (me) of the little-known
>trance ensemble, Axis Mundi? I chant Sanskrit mantras mixed in with
favorite
>rock lyrics into a Vortex and a Digitech Vocalist Harmonizer to create live
>mantra events with drummers and didge. Looking to either mess around with a
>looper for fun and maybe even do some projects together.&nbsp; stuart
>sovatsky&nbsp;&nbsp;&nbsp;&nbsp; <A
>href="http://www.jps.net/stuartcs">www.jps.net/stuartcs</A>
></FONT></DIV></BODY></HTML>

        *       *       *       *       *       *       *       *       *

          Listening is forgetting the name of the thing one hears.
                            -- Lawrence Weschler

        *       *       *       *       *       *       *       *       *





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        ew37@bellsouth.net
Subject: RE: Negativland on tour...ENO and U2
Date: Thu, 20 Apr 2000 13:31:57 -0500
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-
yes, and they are right where they should be .....atop the shit
heap...hahaha Kidding, actually I like the edge's playing a lot and U2 has
doen some really good things.Brian eno does some cool stuff but alwasy seems
to sap his stuff in one way or another. 
dt

So..., it took a visionary like Eno to bring U2, and the 
Edge, to where they are today, commercially and technically.

-Larry T

--

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Subject: Negativland becomes U2 becomes Eno
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Hi All,

I'm not too terribly interested in U2's work anymore, although IMHO, The
Unforgettable Fire is by far their best work, shows off Eno's input more
than the others, and is much more of an 'ambient' album (admitted by the
band themselves).  Also, it seems to be the last album before the egos
began to swell.

However, I do disagree with the statement made by Mr. Goodman:

> U2 owes the entire sound they've grown into to Eno's input - this is no
>different than his input to the Talking Heads' work, Devo, you name it.


These bands do have their own sound and creativity outside of Mr. Eno.
Yes, he's a brilliant artist, and a wonderful producer, but U2, the Heads,
and for chrissakes Devo all have made cool albums outside of the influence
of Eno.

Duty Now For The Future and Freedom of Choice still sound like Devo, don't
they?  They didn't just flop over and go "please Mr. Eno, come back!"

Aren't David Byrne and Mark Mothersbaugh considered extremely prolific and
creative people in their own right?

just my 2 cents,

rich





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Subject: RE: sfbay-looper/vortex chanting jam
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I'm interested!  I'm on the penninsula, play(?) ztar
w/ midi looping & breath-controlled yamaha VL-1
diddling.  I'm waiting for an EDP to arrive to try
looping various Indian percussion insruments (ghatam,
mridangam, tabla, kanjira, dholak), among other
things.  I've also studied Sanskrit for 12 years, &
know something about the 'mantra chanting thing'.

Re: Ali Akbar school - I've never taken classes there,
but have heard only good things about it.  Also check
out India Currents
http://www.indiacurrents.com/200004/classlst.htm - it
looks like there is someone who teaches in fremont. 
The printed copy might have more east-bay teachers. 
Your best bet might for an east-bay hindustani music
teacher might be to post a query to
rec.music.indian.classical.

stephen

> Let me know... I'm actually thinking of studying
> table and voice at the Ali
> Akbar Khan school soon, too. Do you know much about
> that program? And/or do
> you know any tabla teachers in the East Bay?

....

> >I chant Sanskrit mantras mixed in with favorite
> rock lyrics into a Vortex
> >and a Digitech Vocalist Harmonizer to create live
> mantra events with
> >drummers and didge. 

__________________________________________________
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From Loopers-Delight-request@annihilist.com  Thu Apr 20 16:14:53 2000
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Subject: Re: Negativland becomes U2 becomes Eno
Date: Thu, 20 Apr 2000 13:04:28 -0700
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I have to recall comments written by Robert Palmer in the NY Times, right
about the period of "Remain In Light" coming out, that quite possibly Eno's
work with Talking Heads might very well be the end of them.  Whether this
was part of the ultimate breakup of Byrne with the remaining 'Heads will no
doubt be argued for some time (the issues regarding Byrne's attachment to
Santeria [sp] were also an element of course).  But at the time, Palmer
postulated that, having attained a unique Sound all their own with Eno's
help, it was inevitable that change of some kind would occur - with the most
easily predictable event being breakup, if not also after a period of
stylistic stasis.

One might theorize that only some have the creative drive to ascend above
the plateau of work achieved in this way, such that "the work is done," and
it's time to move onto the next project or level of work; undoubtedly all
the members of Talking Heads, Material, Penguin Cafe, and Devo have
experienced this effect.  It just remains to be seen as to how long one
attempts to perpetuate the plateau effect, whether for artistic or marketing
purposes, or whatever.

David Byrne and Mark Mothersbaugh are excellent examples of artists who
appear to have not only learned from Eno during working together, but take
what they learned forward, to explore more sonic landscapes, and provide us
also with new territory, to peruse or explore as we see fit.  It might be
several years before we see this effect on a financial juggernaut like U2,
but I would estimate that it WILL occur.

So let me then rephrase slightly my comment amongst many, to say that Eno
created for U2 an environment wherein they could achieve a sound unlike
others', that might not have occurred otherwise.

Stephen Goodman
EarthLight Productions * http://www.earthlight.net

"rich" <rich@nuvision.com> put forth:

> However, I do disagree with the statement made by Mr. Goodman:
>
> > U2 owes the entire sound they've grown into to Eno's input - this is no
> >different than his input to the Talking Heads' work, Devo, you name it.
>
> These bands do have their own sound and creativity outside of Mr. Eno.
> Yes, he's a brilliant artist, and a wonderful producer, but U2, the Heads,
> and for chrissakes Devo all have made cool albums outside of the influence
> of Eno.
>
> Duty Now For The Future and Freedom of Choice still sound like Devo, don't
> they?  They didn't just flop over and go "please Mr. Eno, come back!"
>
> Aren't David Byrne and Mark Mothersbaugh considered extremely prolific and
> creative people in their own right?

(I now remember another comment by Robert Palmer in the NYT, when "Fear of
Music" came out, that "David Byrne's guitar playing has improved greatly
since the last album," which, at the time, seemed like a swipe, but in
retrospective, makes a good deal of sense.)

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Subject: Re: Negativland on tour...ENO and U2
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Loop content:  If you can, check out the "Captive" soundtrack ('86 I think)
by the Edge and Michael Brook.  I believe there may be some loop usage
there.  Certainly fits the ambient category.

Non-loop content follows:

> it took a visionary like Eno .....

and Paul McGuiness, and Daniel Lanois, and Steve Lillywhite, and even a
little Michael Brook, and Gavin Friday, and Dick Evans, and lots o' "Lady
Luck", and...

> ........to bring U2, and the
> Edge, to where they are today, commercially and technically.

Let's not over-simplify.  Admittedly Eno's influence was likely the most
critical for certain issues.

Also, I tend to think that the Rattle and Hum period of over-fascination
with America was a bit of a reaction against the previously mentioned
"ambient" direction Eno/Unforgettable Fire was taking the band.  Too bad
(from my taste perspective).  I rather enjoyed a few instrumental 12"
singles and B-sides that were released around U. Fire.

Ireland and "the Blues": Blues certainly can trace some of it's origins to
Ireland (Celtic folk -> country -> blues).

Other U2:
Yesterday I was channel surfing during the commute home.  Hit "New Year's
Day" and left it.  The on came the Eagles' "Peaceful easy feeling".  Found
out I was listening to a classic rock station.  Got home -- yep, more gray
hair in the mirror.

Speaking of "classic" -- I just found U2 songs redone by string ensembles:
http://www.cdnow.com/cgi-bin/mserver/SID=848922941/pagename=/RP/CDN/FIND/alb
um.html/artistid=VA-STRUNG+OUT+ON+U2-STRING+QUA/itemid=1167978




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>Ireland and "the Blues": Blues certainly can trace some of it's origins to
>Ireland (Celtic folk -> country -> blues).

i'm not sure if this lineage is entirely accurate ... the guitar itself, of 
course, came from Europe, primarily central and western Europe where the 
lute was popular.  with the guitar came a playing tradtion along with the 
folk songs of Europe, so certainly that had some stylistic impact on the 
Blues, but that style of music itself (in relation to the guitar) came 
primarily from the attempt to imitate the African slaves' singing style 
using a slide (the melodies of the slaves' spirituals and 'working chants' 
relied heavily on gliding notes and quarter-step intervals).  this original 
'blues' music is quite different from what came about in the earlier 20th 
century that was called 'the blues', which used more principles from 
European music, including the I - IV - V progression, which, for some 
reason, seemed to fit with the African-ish melodies very well.  It's out of 
*this* 'country blues' tradition that the original 'country' music came (as 
well as jazz), and, from this, rock-n-roll.  to simplify, i think that 
diagram would go something like this:       European folk\
                          orig. blues-'country blues'-country
African acapella singing /

>Other U2:
>Yesterday I was channel surfing during the commute home.  Hit "New Year's
>Day" and left it.  The on came the Eagles' "Peaceful easy feeling".  Found
>out I was listening to a classic rock station.  Got home -- yep, more gray
>hair in the mirror.

man, i'm only 20, and everytime I hear Tears For Fears songs in the "retro" 
slots on the radio, i feel like an old codger:P

zach:)
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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I finally got a chance to play with my new EDP last night.  It worked 100% out of
the box.  But let me tell you, after hearing all the sad stories here on the LD
list, I was _expecting_ the worst.  I haven't tried any of the obscure parameter
options, just the record, overdub, insert, multiply, undo, but that is at least
95% of what I want.

One thing that is strange about it is it makes a rather loud "thunk" sound when I
turn the power on - kind of like a hammer sound.  This is not coming from my amp,
this is inside the EDP.  Is it normal for it to make this sound or is it a sign
that the infamous fuse is a few electrons short of blowing?

No one has mentioned the color yet.  It is the same color as the old ones from
what I can tell from the LD web page.  It is missing the cool Oberhiem logo but
the Gibson logo isn't that bad, big, or ugly.

-Allan


ENAT21213@aol.com wrote:

> In a message dated 4/19/00 2:17:29 PM Eastern Daylight Time,
> jonathan@full-moon.com writes:
>
> > So, as far as I have heard, the only problems with the units have been
> >  fuses and, in my case memory.
>
> first it was the fuse thing for me.......replaced it......turned on
> fine.......plugged it into an amp and the echoplex lights dim and the the amp
> went huuuuuuuuuuuummmmmmm......unplug the cord and the echoplex restarts
> so i called shane and it's off for repairs
> looks like were the ginnie pigs
>
> my question is has anyone received and edp that works 100% out of the box
>
> brian
> ebnoise

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Betsey Biggs wrote:

> oops, sorry, that was supposed to be a private post. my apologies.
>
>         *       *       *       *       *       *       *       *       *
>
>           Listening is forgetting the name of the thing one hears.
>                             -- Lawrence Weschler
>
>         *       *       *       *       *       *       *       *       *

didn't he write that book about robert irwin called "seeing is forgetting
the name of the thing one sees"?

er...senses working overtime?

:-)

lance g.

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Subject: Re: Negativland becomes U2 becomes Eno
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Rich-

You are absoloutly right- both byrne and esp the Mothersbaugh bunch were
prolific and very talented before their meeting Eno- I have to jump in b/c
Devo is one of my all time fav bands-
An interesting note is how Devo got their start- I have a boot that WB
rejected in the early days- apparently a girl/groupie friend of the band was
back stage with Bowie or Eno and Iggy Pop just before they went to Germany-
she found a way to slip a cassette into Bowie's bag- or was it Eno's bag-
shit- anyway- they had tons of music and were always popping a tape in to
listen- while in Germany they played the Devo tape and both loved it- found
out who they were and before you know it they were in the studio with Eno-
very cool- the collaboration helped them to refine some of their sound esp
with access to state of the art synths etc but it was just that- a
collaboration-  Most of the members of Devo work at their own prod company
in Hollywood- I'm tempted to ask Mark M. about his view on how Eno
influenced their development- certainly a good excuse to try to contact an
old idol of mine!

Cliff

----- Original Message -----
From: "rich" <rich@nuvision.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 20, 2000 11:46 AM
Subject: Negativland becomes U2 becomes Eno


> Hi All,
>
> I'm not too terribly interested in U2's work anymore, although IMHO, The
> Unforgettable Fire is by far their best work, shows off Eno's input more
> than the others, and is much more of an 'ambient' album (admitted by the
> band themselves).  Also, it seems to be the last album before the egos
> began to swell.
>
> However, I do disagree with the statement made by Mr. Goodman:
>
> > U2 owes the entire sound they've grown into to Eno's input - this is no
> >different than his input to the Talking Heads' work, Devo, you name it.
>
>
> These bands do have their own sound and creativity outside of Mr. Eno.
> Yes, he's a brilliant artist, and a wonderful producer, but U2, the Heads,
> and for chrissakes Devo all have made cool albums outside of the influence
> of Eno.
>
> Duty Now For The Future and Freedom of Choice still sound like Devo, don't
> they?  They didn't just flop over and go "please Mr. Eno, come back!"
>
> Aren't David Byrne and Mark Mothersbaugh considered extremely prolific and
> creative people in their own right?
>
> just my 2 cents,
>
> rich
>
>
>
>
>

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"Taaffe, Denis G" wrote:

> -
> yes, and they are right where they should be .....atop the shit
> heap...hahaha Kidding, actually I like the edge's playing a lot and U2 has
> doen some really good things.Brian eno does some cool stuff but alwasy seems
> to sap his stuff in one way or another.
> dt
>
> So..., it took a visionary like Eno to bring U2, and the
> Edge, to where they are today, commercially and technically.
>
> -Larry T
>
> --

what means "sap his stuff"?

is this maybe a new looping tool for the mac? :)

lance g.

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Well said. I agree. I remember the Robert Palmer article
(and I beleive Christgau too, in the Village Voice) predicting
their imminent implosion. In the case of Talking Heads and
Devo, there was also some hostility, too: in the case of
Devo's Are We Not Men sessions, while Motherbaugh learned
and assimilated a lot from Eno, they butted heads quite
often. Note the huge difference between "Are We Not Men"
and "Duty Now.." on the guitar and treatments.

In the Talking Heads case, Tina and and the other Heads
felt a bit pushed aside by Eno and Byrne - of not being
given the credit due them in their own right. This was
Tina's Wordy Rappinghood period, when solo projects were
pursued.

It's illustrative to note that the leap from the Eno-less
"Talking Head's '77" LP to "More Songs about Buildings and
Food". At first the Talking Heads were an arty NY punk band,
Eno put them on track to becoming a viable commercial entity.

And of course, the first Ultravox album. Yet another example
of the Eno touch, and the uncertain aftershocks each protege
experiences thereafter. Ultravox was HUGE, then John Fox left
the band, etc.

> So let me then rephrase slightly my comment amongst many, to say that Eno
> created for U2 an environment wherein they could achieve a sound unlike
> others', that might not have occurred otherwise.

I agree with this exactly.

- Larry T

----- Original Message -----
From: "Stephen P. Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 20, 2000 4:04 PM
Subject: Re: Negativland becomes U2 becomes Eno


> I have to recall comments written by Robert Palmer in the NY Times, right
> about the period of "Remain In Light" coming out, that quite possibly
Eno's
> work with Talking Heads might very well be the end of them.  Whether this
> was part of the ultimate breakup of Byrne with the remaining 'Heads will
no
> doubt be argued for some time (the issues regarding Byrne's attachment to
> Santeria [sp] were also an element of course).  But at the time, Palmer
> postulated that, having attained a unique Sound all their own with Eno's
> help, it was inevitable that change of some kind would occur - with the
most
> easily predictable event being breakup, if not also after a period of
> stylistic stasis.
>
> One might theorize that only some have the creative drive to ascend above
> the plateau of work achieved in this way, such that "the work is done,"
and
> it's time to move onto the next project or level of work; undoubtedly all
> the members of Talking Heads, Material, Penguin Cafe, and Devo have
> experienced this effect.  It just remains to be seen as to how long one
> attempts to perpetuate the plateau effect, whether for artistic or
marketing
> purposes, or whatever.
>
> David Byrne and Mark Mothersbaugh are excellent examples of artists who
> appear to have not only learned from Eno during working together, but take
> what they learned forward, to explore more sonic landscapes, and provide
us
> also with new territory, to peruse or explore as we see fit.  It might be
> several years before we see this effect on a financial juggernaut like U2,
> but I would estimate that it WILL occur.
>
> So let me then rephrase slightly my comment amongst many, to say that Eno
> created for U2 an environment wherein they could achieve a sound unlike
> others', that might not have occurred otherwise.
>
> Stephen Goodman
> EarthLight Productions * http://www.earthlight.net
>
> "rich" <rich@nuvision.com> put forth:
>
> > However, I do disagree with the statement made by Mr. Goodman:
> >
> > > U2 owes the entire sound they've grown into to Eno's input - this is
no
> > >different than his input to the Talking Heads' work, Devo, you name it.
> >
> > These bands do have their own sound and creativity outside of Mr. Eno.
> > Yes, he's a brilliant artist, and a wonderful producer, but U2, the
Heads,
> > and for chrissakes Devo all have made cool albums outside of the
influence
> > of Eno.
> >
> > Duty Now For The Future and Freedom of Choice still sound like Devo,
don't
> > they?  They didn't just flop over and go "please Mr. Eno, come back!"
> >
> > Aren't David Byrne and Mark Mothersbaugh considered extremely prolific
and
> > creative people in their own right?
>
> (I now remember another comment by Robert Palmer in the NYT, when "Fear of
> Music" came out, that "David Byrne's guitar playing has improved greatly
> since the last album," which, at the time, seemed like a swipe, but in
> retrospective, makes a good deal of sense.)
>
>

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>Note the huge difference between "Are We Not Men"
and "Duty Now.." on the guitar and treatments.

why would you agree that Eno created the environment for bands to achieve a
certain 'sound', and that their subsequent career/sonic trajectory was
somehow inextricable from Eno's initial imprint, and then point out the
differences between albumms where Eno was producing and where he was not?

Just Curious...

perhaps i am underestimating the role of a producer?  when i listen to
Devo, i hear Devo, not Eno.  when i listen to the first Velvet's record, i
hear Cale and Reed, not Andy Warhol.  Teo Macero was intrumental to Miles'
sound in the studio, but i like Miles, not Teo...and the Unforgettable Fire
is still 4 white guys in a rock band, even if God is producing them, IHMO.

OT, you bet.

rich


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Zach Lawrence wrote:
> 
> 
> *this* 'country blues' tradition that the original 'country' music came from (as
> well as jazz), and, from this, rock-n-roll.  to simplify, i think that
> diagram would go something like this:       European folk\
>                           orig. blues-'country blues'-country
> African acapella singing /


Check out Francis Davis book THE HISTORY OF THE BLUES in paperback and
published by Hyperion books to get a very interesting, carefully argued,
respectful and challenging account of the lineage of "the blues."  One
common assumption you repeat in your post is that "country blues"
spawned jazz.  Davis argues and provides ample evidence that the two
evolved from the same root of anglo/African/American music, but after
that, all bets are off.  One irrefutable fact, jazz recordings and
published music predates by as much as 30 years much of what we think of
as classic "country blues."   King Oliver wasn't listening to "country
blues," and neither was Louis Armstrong! But they were both on record
well before Charlie Patton or Robert Johnson. 

In short, Davis does a good job of rearranging your musical and
historical sensibilities.

Best,
The Roctologists

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Subject: Re: Negativland on tour...ENO and U2
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>U2's association with Eno was *Eno's idea* - he heard something
>he liked that he knew could be B-I-G with the right amount of
>coaxing.


I'm going to have to completely disagree here.  When it came time start work
on the Unforgettable Fire album, it was U2 who wanted Eno.  Being Bowie
fans, it was they who sought him out.  Eno had not heard ANY of their
previous work, and was not interested in working with them at the time...his
excuse being that he was devoting most of his time and energy in those days
to video/multimedia arts.  Eno then referred them to Daniel Lanois who
coproduced the album, and with further prodding Eno joined the team and
played ball.  U2 were fans of his, and not the other way around.  U2 were
actually on their way to becoming "big" with the more straightforward,
rock'n roll-ier sounds of the previous album and tour.  As I recall, when
the semi-ambient, ambiguous Unforgettable Fire album was first released it
was not warmly recieved.
I do agree that through the music they made with Eno, U2 have become what
they are today commercially, technically, etc.  I just don't buy the whole
"Eno Master Plan" thing at all.

MikeH




From Loopers-Delight-request@annihilist.com  Thu Apr 20 20:32:24 2000
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Subject: Re: Non-loop content: musicology
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Now that we've migrated into some sort of historical OT musicology, i was
wondering if someone could answer a question for me...


I have a couple of "hawaiian/polynesian" records from what looks like early
60's(?).  They are from that period where 'stereo' records were being
produced and the whole focus was on Stereo, not the image of the band
themselves.  Actually, it's hard to find the name of the band on these
records, it all just 'polynesian percussion' and 'island moods' stuff, with
big, big, STEREO SOUND icons on it.

Anyway, listening to these records reminds me so much of traditional
country/folk music.  Does anyone know any historical connection between
these two styles?  My musical history is less than stellar...

Sorry for the OT.  If you have any info, contact me off list.

thanks,

rich





>>Ireland and "the Blues": Blues certainly can trace some of it's origins to
>>Ireland (Celtic folk -> country -> blues).
>
>i'm not sure if this lineage is entirely accurate ... the guitar itself, of
>course, came from Europe, primarily central and western Europe where the
>lute was popular.  with the guitar came a playing tradtion along with the
>folk songs of Europe, so certainly that had some stylistic impact on the
>Blues, but that style of music itself (in relation to the guitar) came
>primarily from the attempt to imitate the African slaves' singing style
>using a slide (the melodies of the slaves' spirituals and 'working chants'
>relied heavily on gliding notes and quarter-step intervals).  this original
>'blues' music is quite different from what came about in the earlier 20th
>century that was called 'the blues', which used more principles from
>European music, including the I - IV - V progression, which, for some
>reason, seemed to fit with the African-ish melodies very well.  It's out of
>*this* 'country blues' tradition that the original 'country' music came (as
>well as jazz), and, from this, rock-n-roll.  to simplify, i think that
>diagram would go something like this:       European folk\
>                          orig. blues-'country blues'-country
>African acapella singing /
>
>>Other U2:
>>Yesterday I was channel surfing during the commute home.  Hit "New Year's
>>Day" and left it.  The on came the Eagles' "Peaceful easy feeling".  Found
>>out I was listening to a classic rock station.  Got home -- yep, more gray
>>hair in the mirror.
>
>man, i'm only 20, and everytime I hear Tears For Fears songs in the "retro"
>slots on the radio, i feel like an old codger:P
>
>zach:)
>________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com



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From: "luca" <lucafeed@tin.it>
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Subject: R: New EDP works fine after replacing the memory
Date: Fri, 21 Apr 2000 02:10:03 +0200
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Mine worked at its best conditions before crashing completely.
I have sended it to Shane who fixed it and now it is working regularly
 after a couple indecisions).
I have to tell you all that my experience with Shane has been the most
satsfying I could hope to have.
We are in good (and really kind) in hands.

Luca
----- Original Message -----
From: <ENAT21213@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 20, 2000 6:07 AM
Subject: Re: New EDP works fine after replacing the memory


> In a message dated 4/19/00 2:17:29 PM Eastern Daylight Time,
> jonathan@full-moon.com writes:
>
> > So, as far as I have heard, the only problems with the units have been
> >  fuses and, in my case memory.
>
> first it was the fuse thing for me.......replaced it......turned on
> fine.......plugged it into an amp and the echoplex lights dim and the the
amp
> went huuuuuuuuuuuummmmmmm......unplug the cord and the echoplex restarts
> so i called shane and it's off for repairs
> looks like were the ginnie pigs
>
> my question is has anyone received and edp that works 100% out of the box
>
> brian
> ebnoise
>
>

From Loopers-Delight-request@annihilist.com  Thu Apr 20 20:59:16 2000
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Subject: The Price is Right
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Hello all you loopy people--having owned and enjoyed the Jamman after seeing
it at the NAMM show the year it came out ('93?), I am now ready to step up
to the big time and invest in the new EDP.  That being determined, how much
should I expect to play from my local retailer?  Price are usually pretty
low here in San Diego, but this is probably a special order.  Comments?
Gary
PS  Bye the bye, memory is usually pretty low here
(http://store.yahoo.com/thechipmerchant/ is a local firm), so if anybody
cares to post the specs on the upgrade, I'll be one step ahead on that.
Hope they are still shipping!


From Loopers-Delight-request@annihilist.com  Thu Apr 20 22:31:27 2000
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> Now that we've migrated into some sort of historical OT musicology, i was
> wondering if someone could answer a question for me...
>
>
> I have a couple of "hawaiian/polynesian" records from what looks like
early
> 60's(?).  They are from that period where 'stereo' records were being
> produced and the whole focus was on Stereo, not the image of the band
> themselves.  Actually, it's hard to find the name of the band on these
> records, it all just 'polynesian percussion' and 'island moods' stuff,
with
> big, big, STEREO SOUND icons on it.
>
> Anyway, listening to these records reminds me so much of traditional
> country/folk music.  Does anyone know any historical connection between
> these two styles?  My musical history is less than stellar...
>

Yes, actually the connection you point is, in particular, the
"coutry blues" aspect was introduced to Country music via
lap steel 'hawaiian' guitar by none othe than Marty Robbins!

Marty Robbins himself embarked on a spiritual quest for the
roots of county music with an exploration of Gun Fighter
Ballads and Trail songs in the '60s too. Excellent LP's btw.

I'm suyrprised Malcolm McClaren's name hasn't come up yet. He
ventured to Africa, the Kentucky Appalachian mountains, the
Missippi Delta and the burned out tenements of the Bronx in
search of rock-n-roll's roots. The resulting album was an album
containing the pioneering Buffalo Gals LP. Malcolm 'discovered'
the World Famous Supreme Team and the origins of scratching
and rapping and is responsible for bringing them to the
attention of the mainstream way back in the early-80'.

Malcolm's influence on Popular Culture is hard to understate.
He's the man who brought us Punk and the Sex Pistols, infused
the aesthetic of 'appropriation' into the mainstream via his
connection with the Situationists, AND brought Hip-Hop from
the streets to our radios and MTV. Quite an achievement.

- Larry T
>
> >>Ireland and "the Blues": Blues certainly can trace some of it's origins
to
> >>Ireland (Celtic folk -> country -> blues).
> >
> >i'm not sure if this lineage is entirely accurate ... the guitar itself,
of
> >course, came from Europe, primarily central and western Europe where the
> >lute was popular.  with the guitar came a playing tradtion along with the
> >folk songs of Europe, so certainly that had some stylistic impact on the
> >Blues, but that style of music itself (in relation to the guitar) came
> >primarily from the attempt to imitate the African slaves' singing style
> >using a slide (the melodies of the slaves' spirituals and 'working
chants'
> >relied heavily on gliding notes and quarter-step intervals).  this
original
> >'blues' music is quite different from what came about in the earlier 20th
> >century that was called 'the blues', which used more principles from
> >European music, including the I - IV - V progression, which, for some
> >reason, seemed to fit with the African-ish melodies very well.  It's out
of
> >*this* 'country blues' tradition that the original 'country' music came
(as
> >well as jazz), and, from this, rock-n-roll.  to simplify, i think that
> >diagram would go something like this:       European folk\
> >                          orig. blues-'country blues'-country
> >African acapella singing /
> >
> >>Other U2:
> >>Yesterday I was channel surfing during the commute home.  Hit "New
Year's
> >>Day" and left it.  The on came the Eagles' "Peaceful easy feeling".
Found
> >>out I was listening to a classic rock station.  Got home -- yep, more
gray
> >>hair in the mirror.
> >
> >man, i'm only 20, and everytime I hear Tears For Fears songs in the
"retro"
> >slots on the radio, i feel like an old codger:P
> >
> >zach:)
> >________________________________________________________________________
> >Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
>
>
>
>

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Subject: Re: Negativland on tour...ENO and U2
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Perhaps I'm mistaken about who contacted who first.
Nevertheless, Eno heard something in U2 that was not
there before that made him take on the project. Eno's
talent for transmuting raw 'potential' and redirecting
it into more interesting channels is the main point
I wanted to make. Just as Bowie never could have come up
with the Heroes-era trilogy of albums without Eno, so too
U2 would never have arrived at Forgettable Fire, or their
transmutation of America roots music later, on their
follow-up albums.

- Larry

----- Original Message -----
From: "X-ray" <ew37@bellsouth.net>
To: "Larry Tremblay" <ltct@concentric.net>; <Loopers-Delight@annihilist.com>
Sent: Thursday, April 20, 2000 6:28 PM
Subject: Re: Negativland on tour...ENO and U2


> >U2's association with Eno was *Eno's idea* - he heard something
> >he liked that he knew could be B-I-G with the right amount of
> >coaxing.
>
>
> I'm going to have to completely disagree here.  When it came time start
work
> on the Unforgettable Fire album, it was U2 who wanted Eno.  Being Bowie
> fans, it was they who sought him out.  Eno had not heard ANY of their
> previous work, and was not interested in working with them at the
time...his
> excuse being that he was devoting most of his time and energy in those
days
> to video/multimedia arts.  Eno then referred them to Daniel Lanois who
> coproduced the album, and with further prodding Eno joined the team and
> played ball.  U2 were fans of his, and not the other way around.  U2 were
> actually on their way to becoming "big" with the more straightforward,
> rock'n roll-ier sounds of the previous album and tour.  As I recall, when
> the semi-ambient, ambiguous Unforgettable Fire album was first released it
> was not warmly recieved.
> I do agree that through the music they made with Eno, U2 have become what
> they are today commercially, technically, etc.  I just don't buy the whole
> "Eno Master Plan" thing at all.
>
> MikeH
>
>
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Apr 20 22:49:51 2000
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> >Note the huge difference between "Are We Not Men"
> and "Duty Now.." on the guitar and treatments.
>
> why would you agree that Eno created the environment for bands to achieve
a
> certain 'sound', and that their subsequent career/sonic trajectory was
> somehow inextricable from Eno's initial imprint, and then point out the
> differences between albumms where Eno was producing and where he was not?
>
> Just Curious...

Because some artists walked away from the experiences with
lessons learned, while others did not. I think Devo didn't
learned very much (mainly the Casales)- their output was
miserable after Eno. On the other hand, Mark Mothersbaugh
on his own is a highly creative and inventive guy with or
without Eno.

- Larry

>
> perhaps i am underestimating the role of a producer?  when i listen to
> Devo, i hear Devo, not Eno.  when i listen to the first Velvet's record, i
> hear Cale and Reed, not Andy Warhol.  Teo Macero was intrumental to Miles'
> sound in the studio, but i like Miles, not Teo...and the Unforgettable
Fire
> is still 4 white guys in a rock band, even if God is producing them, IHMO.
>
> OT, you bet.
>
> rich
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Apr 20 22:55:28 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <perille@club-internet.fr>, <Loopers-Delight@annihilist.com>
References: <38FC7DEA.5B4A@club-internet.fr>
Subject: Re: DJRND2 - Mede mede - Hey Papa Dave
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Papa Dave,

Let me know when you want to ship the DJRND2.

My address is:
Larry Tremblay
12824 Diamond Drive
Pineville, NC 28134

Thanks,
- Larry

----- Original Message -----
From: "PERILLE" <perille@club-internet.fr>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 18, 2000 11:23 AM
Subject: Re : Mede mede


> > Hi Larry, sorry for the delay.  Others have been checking out the
DJRND2.
> > If Emmanuel OK's it I will send you the DJRND2.  He is on the list and
will
> > see this message.  Om and Out  Papa DAVe
>
> Ok Papa Dave
>
> Emmanuel
>
>

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Isn't that 'scratching' on Edgar Winter's "Frankinstein" from...what
year was it...?
jeff

Larry Tremblay wrote:

> 
> I'm suyrprised Malcolm McClaren's name hasn't come up yet. He
> ventured to Africa, the Kentucky Appalachian mountains, the
> Missippi Delta and the burned out tenements of the Bronx in
> search of rock-n-roll's roots. The resulting album was an album
> containing the pioneering Buffalo Gals LP. Malcolm 'discovered'
> the World Famous Supreme Team and the origins of scratching
> and rapping and is responsible for bringing them to the
> attention of the mainstream way back in the early-80'.

From Loopers-Delight-request@annihilist.com  Fri Apr 21 00:19:47 2000
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From: "Zach Lawrence" <zachl42@hotmail.com>
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>Check out Francis Davis book THE HISTORY OF THE BLUES in paperback and
>published by Hyperion books to get a very interesting, carefully argued,
>respectful and challenging account of the lineage of "the blues."  One
>common assumption you repeat in your post is that "country blues"
>spawned jazz.  Davis argues and provides ample evidence that the two
>evolved from the same root of anglo/African/American music, but after
>that, all bets are off.  One irrefutable fact, jazz recordings and
>published music predates by as much as 30 years much of what we think of
>as classic "country blues."   King Oliver wasn't listening to "country
>blues," and neither was Louis Armstrong! But they were both on record
>well before Charlie Patton or Robert Johnson.
>
>In short, Davis does a good job of rearranging your musical and
>historical sensibilities.

i think that you and Davis both make a good point, that folk-style blues and 
jazz both evolved in a parallel fashion.  it should be said, though, that 
the primary reasons that country blues recordings/sheet music weren't around 
is not that it didn't pre-date original jazz, but that, first, the 
performers were primarily poor slaves who weren't thought of as profitable 
outside of their value as plantation workers (a sad human rights reality in 
the old South), and second, that it was commonly believed that African/blues 
music was so foreign to traditional musical concepts that most music 
scholars didn't believe that it could be notated or written down.  
personally, i think that, contrary to what Davis says, it's very possible 
that the early jazzmen were influenced heavily by blues, but through live, 
in-person performances.

any corrections to my historical understanding are of course welcomed ... 
i'm an English major, not a musicology student:)

best,
zach:)
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Apr 21 00:38:01 2000
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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: DJRND2 - Mede mede - Hey Papa Dave
Date: Thu, 20 Apr 2000 21:33:19 PDT
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Sorry for the delay Larry,  I've had a friend here that is checking it out 
in depth and is serious about buying it. I do need a responce from him 
though so I can move it on and finish the business with Emmanuel.  I'll keep 
you posted.  Om and Out   Papa Dave


>From: "Larry Tremblay" <ltct@concentric.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <perille@club-internet.fr>, <Loopers-Delight@annihilist.com>
>Subject: Re: DJRND2 - Mede mede - Hey Papa Dave
>Date: Thu, 20 Apr 2000 22:55:44 -0400
>
>Papa Dave,
>
>Let me know when you want to ship the DJRND2.
>
>My address is:
>Larry Tremblay
>12824 Diamond Drive
>Pineville, NC 28134
>
>Thanks,
>- Larry
>
>----- Original Message -----
>From: "PERILLE" <perille@club-internet.fr>
>To: <Loopers-Delight@annihilist.com>
>Sent: Tuesday, April 18, 2000 11:23 AM
>Subject: Re : Mede mede
>
>
> > > Hi Larry, sorry for the delay.  Others have been checking out the
>DJRND2.
> > > If Emmanuel OK's it I will send you the DJRND2.  He is on the list and
>will
> > > see this message.  Om and Out  Papa DAVe
> >
> > Ok Papa Dave
> >
> > Emmanuel
> >
> >
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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Date: Fri, 21 Apr 2000 00:09:51 -0400
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At 9:37 PM -0400 4/20/00, Larry Tremblay wrote:
>  > Now that we've migrated into some sort of historical OT musicology, i was
>  > wondering if someone could answer a question for me...
>  >
>  >
>  > I have a couple of "hawaiian/polynesian" records from what looks like
>early
>  > 60's(?).  They are from that period where 'stereo' records were being
>  > produced and the whole focus was on Stereo, not the image of the band
>  > themselves.  Actually, it's hard to find the name of the band on these
>  > records, it all just 'polynesian percussion' and 'island moods' stuff,
>with
>  > big, big, STEREO SOUND icons on it.
>  >
>  > Anyway, listening to these records reminds me so much of traditional
>  > country/folk music.  Does anyone know any historical connection between
>  > these two styles?  My musical history is less than stellar...
>  >
>
>Yes, actually the connection you point is, in particular, the
>"coutry blues" aspect was introduced to Country music via
>lap steel 'hawaiian' guitar by none othe than Marty Robbins!


The Hawaiian guitar then migrated across the Atlantic, to be used by 
King Sunny Ade's bands.
>


"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man.

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@annihilist.com  Fri Apr 21 00:57:32 2000
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Hi Zach:

We are not musicologists either!  But if you get a chance, check out
Davis'book. 

By the way you make a good point by saying that no one with certainty
can be sure that Jazz guys in New Orleans weren't exposed to country
folk playing their music.  But it is safe to say that because of the
economics and history of blacks and Creole's in New Orleans, a kind of
African American music devloped that was different from the music that
grew out of the much poorer and rural areas of Mississippi or the
Piedmont region of the southeast (where there was another set of
historic/economic circumstances for African Americans).

Best,
The Roctologists



Zach Lawrence wrote:
> 
> >Check out Francis Davis book THE HISTORY OF THE BLUES in paperback and
> >published by Hyperion books to get a very interesting, carefully argued,
> >respectful and challenging account of the lineage of "the blues."  One
> >common assumption you repeat in your post is that "country blues"
> >spawned jazz.  Davis argues and provides ample evidence that the two
> >evolved from the same root of anglo/African/American music, but after
> >that, all bets are off.  One irrefutable fact, jazz recordings and
> >published music predates by as much as 30 years much of what we think of
> >as classic "country blues."   King Oliver wasn't listening to "country
> >blues," and neither was Louis Armstrong! But they were both on record
> >well before Charlie Patton or Robert Johnson.
> >
> >In short, Davis does a good job of rearranging your musical and
> >historical sensibilities.
> 
> i think that you and Davis both make a good point, that folk-style blues and
> jazz both evolved in a parallel fashion.  it should be said, though, that
> the primary reasons that country blues recordings/sheet music weren't around
> is not that it didn't pre-date original jazz, but that, first, the
> performers were primarily poor slaves who weren't thought of as profitable
> outside of their value as plantation workers (a sad human rights reality in
> the old South), and second, that it was commonly believed that African/blues
> music was so foreign to traditional musical concepts that most music
> scholars didn't believe that it could be notated or written down.
> personally, i think that, contrary to what Davis says, it's very possible
> that the early jazzmen were influenced heavily by blues, but through live,
> in-person performances.
> 
> any corrections to my historical understanding are of course welcomed ...
> i'm an English major, not a musicology student:)
> 
> best,
> zach:)
> ________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Apr 21 01:13:24 2000
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No. It was done with modular synthesizers. Mid-70's.

- Larry T
----- Original Message ----- 
From: "Jeff Yost" <yostie@ezworks.net>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 20, 2000 11:06 PM
Subject: Re: Non-loop content: musicology


> Isn't that 'scratching' on Edgar Winter's "Frankinstein" from...what
> year was it...?
> jeff
> 
> Larry Tremblay wrote:
> 
> > 
> > I'm suyrprised Malcolm McClaren's name hasn't come up yet. He
> > ventured to Africa, the Kentucky Appalachian mountains, the
> > Missippi Delta and the burned out tenements of the Bronx in
> > search of rock-n-roll's roots. The resulting album was an album
> > containing the pioneering Buffalo Gals LP. Malcolm 'discovered'
> > the World Famous Supreme Team and the origins of scratching
> > and rapping and is responsible for bringing them to the
> > attention of the mainstream way back in the early-80'.
> 
> 

From Loopers-Delight-request@annihilist.com  Fri Apr 21 01:54:15 2000
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There's actually a great tabla teacher in East Oakland.  His name is Tim 
Witter and he also teaches at the Ali Akbar school.  If you give me your info 
I will forward it to him.  I'm not sure he'd want me giving out his info at 
random.

-Eric

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   talk about off topic!! :-)





At 12:09 a.m. 21/04/00 -0400, you wrote:
>At 9:37 PM -0400 4/20/00, Larry Tremblay wrote:
>>  > Now that we've migrated into some sort of historical OT musicology, i was
>>  > wondering if someone could answer a question for me...
>>  >
>>  >
>>  > I have a couple of "hawaiian/polynesian" records from what looks like
>>early
>>  > 60's(?).  They are from that period where 'stereo' records were being
>>  > produced and the whole focus was on Stereo, not the image of the band
>>  > themselves.  Actually, it's hard to find the name of the band on these
>>  > records, it all just 'polynesian percussion' and 'island moods' stuff,
>>with
>>  > big, big, STEREO SOUND icons on it.
>>  >
>>  > Anyway, listening to these records reminds me so much of traditional
>>  > country/folk music.  Does anyone know any historical connection between
>>  > these two styles?  My musical history is less than stellar...
>>  >
>>
>>Yes, actually the connection you point is, in particular, the
>>"coutry blues" aspect was introduced to Country music via
>>lap steel 'hawaiian' guitar by none othe than Marty Robbins!
>
>
>The Hawaiian guitar then migrated across the Atlantic, to be used by 
>King Sunny Ade's bands.
>>
>
>
>"The reasonable man adapts himself to the world. The unreasonable man 
>persists in adapting the world to himself. Therefore, all progress 
>depends on the unreasonable man.
>
>--  George Bernard Shaw
>
>		Emile Tobenfeld, Ph. D.
>Video Producer			Image Processing Specialist
>Video for your HEAD!			Boris FX
>http://www.foryourhead.com		http://www.borisfx.com
>
>
>

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From: "Stuart Sovatsky" <stuartcs@jps.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: sfbay-looper/vortex chanting jam
Date: Thu, 20 Apr 2000 22:59:16 -0700
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dear b -- let me know when you might have a few hrs to jam and i will try to
get free to join you here in oakland. I have met and played with several ali
akbar students. sometimes their formal training limits their jamability, but
it is a grteat place to learn classical style tabla etc.  i will keep an ear
open re: local teachers for you.  stuart
-----Original Message-----
From: Betsey Biggs <bets@she-bop.org>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, April 20, 2000 9:50 AM
Subject: Re: sfbay-looper/vortex chanting jam


>hi Stuart,
>
>I am brand new to looping (in fact not even: I am purchasing a DL4 within
>the next couple of weeks) but I would be into jamming once I have used the
>equipment a bit. I'm a keyboard/synth/percussion player, and really looking
>forward to getting more into the whole looping thing. THing is, I'm just
>finishing up school (Mills) and things are kind of crazy for the next
>couple of weeks. But after mid-May, I'd be into getting together.
>
>Let me know... I'm actually thinking of studying table and voice at the Ali
>Akbar Khan school soon, too. Do you know much about that program? And/or do
>you know any tabla teachers in the East Bay?
>
>Thanks,
>
>Betsey
>
>
>>Any East Bay Loopers have time & interest to try experimental jamming with
>>the mantric vocalist (me) of the little-known trance ensemble, Axis Mundi?
>>I chant Sanskrit mantras mixed in with favorite rock lyrics into a Vortex
>>and a Digitech Vocalist Harmonizer to create live mantra events with
>>drummers and didge. Looking to either mess around with a looper for fun
>>and maybe even do some projects together.  stuart sovatsky
>>www.jps.net/stuartcs
>>
>><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
>><HTML>
>><HEAD>
>>
>><META content=text/html;charset=iso-8859-1 http-equiv=Content-Type>
>><META content='"MSHTML 4.72.3110.7"' name=GENERATOR>
>></HEAD>
>><BODY bgColor=#ffffff>
>><DIV><FONT color=#000000 size=2>Any East Bay Loopers have time &amp;
>>interest to
>>try experimental jamming with the mantric vocalist (me) of the
little-known
>>trance ensemble, Axis Mundi? I chant Sanskrit mantras mixed in with
favorite
>>rock lyrics into a Vortex and a Digitech Vocalist Harmonizer to create
live
>>mantra events with drummers and didge. Looking to either mess around with
a
>>looper for fun and maybe even do some projects together.&nbsp; stuart
>>sovatsky&nbsp;&nbsp;&nbsp;&nbsp; <A
>>href="http://www.jps.net/stuartcs">www.jps.net/stuartcs</A>
>></FONT></DIV></BODY></HTML>
>
>        *       *       *       *       *       *       *       *       *
>
>          Listening is forgetting the name of the thing one hears.
>                            -- Lawrence Weschler
>
>        *       *       *       *       *       *       *       *       *
>
>
>

From Loopers-Delight-request@annihilist.com  Fri Apr 21 02:22:50 2000
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From: "Stuart Sovatsky" <stuartcs@jps.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: sfbay-looper/vortex chanting jam
Date: Thu, 20 Apr 2000 23:06:16 -0700
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Cliff -- the vocalist is quirky, even jumpy, even tho it has various =
sensitivity gates, thus it can do things to my vocal input that i am not =
expecting and that can be fun, but not always melodic. i have sent my =
electric bagpipe through it, but not enuf to draw any conclusions. since =
i got my VH (1996),  digitech has come out with these much cheaper vocal =
boxes $300-$500, that have about 1/2 of the 1000's of choices the VH has =
but at $750, one would have to NEED all the tweakers that jump up its =
price.  stuart =20
   =20
   =20
    Question: How do you like the Digitech Vocalist? Is it smooth? Does =
it track well? Also- have you ever tried plugging any other instruments =
into it to see how it sounded? Curious-=20
    =20
    Cliff


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 =
HTML//EN"><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Cliff -- the vocalist is quirky, =
even jumpy,=20
even tho it has various sensitivity gates, thus it can do things to my =
vocal=20
input that i am not expecting and that can be fun, but not always =
melodic. i=20
have sent my electric bagpipe through it, but not enuf to draw any =
conclusions.=20
since i got my VH (1996),&nbsp; digitech has come out with these much =
cheaper=20
vocal boxes $300-$500, that have about 1/2 of the 1000's of choices the =
VH has=20
but at $750, one would have to NEED all the tweakers that jump up its=20
price.&nbsp; stuart&nbsp; </FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><BR>&nbsp;</DIV></FONT>
    <DIV><FONT color=3D#000000 size=3D2>Question: How do you like the =
Digitech=20
    Vocalist? Is it smooth? Does it track well? Also- have you ever =
tried=20
    plugging any other instruments into it to see how it sounded? =
Curious-=20
    </FONT></DIV>
    <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
    <DIV><FONT size=3D2>Cliff</FONT></DIV>
    <BLOCKQUOTE=20
    style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; =
PADDING-LEFT: 5px">
        <DIV>&nbsp;</DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Fri Apr 21 02:25:06 2000
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From: "Stuart Sovatsky" <stuartcs@jps.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: sfbay-looper/vortex chanting jam
Date: Thu, 20 Apr 2000 23:08:25 -0700
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dear j -- i have a bunch of time on 4/28 and 4/30, stuart
-----Original Message-----
From: Jonathan El-Bizri <jonathan@full-moon.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, April 20, 2000 11:48 AM
Subject: RE: sfbay-looper/vortex chanting jam


>Me too.
>
>Somewhat similar setup. Definitely up to jam, and trying to set up
something
>permanent.
>
>bIz
>
>415.706.7376
>
>-----Original Message-----
>From: kamlapati.khalsa@philips.com [mailto:kamlapati.khalsa@philips.com]
>Sent: Thursday, April 20, 2000 9:58 AM
>To: Loopers-Delight@annihilist.com
>Subject: Re: sfbay-looper/vortex chanting jam
>
>
>I live in the South Bay and I am interested in connecting. I play guitar,
>with EDP and DL4, and soon a SP-808EX. I have been making music for a long
>time but I am just a beginner too. Let's make contact.
>
>Love the Looper's mailing list!
>
>Kamlapati
>
>home : (408)530-8309
>
>
>
>
>
>
>bets@she-bop.org on 04/20/2000 09:35:51 AM
>Please respond to Loopers-Delight@annihilist.com@SMTP
>To: Loopers-Delight@annihilist.com@SMTP
>cc:
>Subject: Re: sfbay-looper/vortex chanting jam
>Classification: Restricted
>hi Stuart,
>
>I am brand new to looping (in fact not even: I am purchasing a DL4 within
>the next couple of weeks) but I would be into jamming once I have used the
>equipment a bit. I'm a keyboard/synth/percussion player, and really looking
>forward to getting more into the whole looping thing. THing is, I'm just
>finishing up school (Mills) and things are kind of crazy for the next
>couple of weeks. But after mid-May, I'd be into getting together.
>
>Let me know... I'm actually thinking of studying table and voice at the Ali
>Akbar Khan school soon, too. Do you know much about that program? And/or do
>you know any tabla teachers in the East Bay?
>
>Thanks,
>
>Betsey
>
>
>>Any East Bay Loopers have time & interest to try experimental jamming with
>>the mantric vocalist (me) of the little-known trance ensemble, Axis Mundi?
>>I chant Sanskrit mantras mixed in with favorite rock lyrics into a Vortex
>>and a Digitech Vocalist Harmonizer to create live mantra events with
>>drummers and didge. Looking to either mess around with a looper for fun
>>and maybe even do some projects together.  stuart sovatsky
>>www.jps.net/stuartcs
>>
>><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
>><HTML>
>><HEAD>
>>
>><META content=text/html;charset=iso-8859-1 http-equiv=Content-Type>
>><META content='"MSHTML 4.72.3110.7"' name=GENERATOR>
>></HEAD>
>><BODY bgColor=#ffffff>
>><DIV><FONT color=#000000 size=2>Any East Bay Loopers have time &amp;
>>interest to
>>try experimental jamming with the mantric vocalist (me) of the
little-known
>>trance ensemble, Axis Mundi? I chant Sanskrit mantras mixed in with
>favorite
>>rock lyrics into a Vortex and a Digitech Vocalist Harmonizer to create
live
>>mantra events with drummers and didge. Looking to either mess around with
a
>>looper for fun and maybe even do some projects together.&nbsp; stuart
>>sovatsky&nbsp;&nbsp;&nbsp;&nbsp; <A
>>href="http://www.jps.net/stuartcs">www.jps.net/stuartcs</A>
>></FONT></DIV></BODY></HTML>
>
>        *       *       *       *       *       *       *       *       *
>
>          Listening is forgetting the name of the thing one hears.
>                            -- Lawrence Weschler
>
>        *       *       *       *       *       *       *       *       *
>
>
>
>
>
>

From Loopers-Delight-request@annihilist.com  Fri Apr 21 02:13:22 2000
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From: "Stuart Sovatsky" <stuartcs@jps.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: sfbay-looper/vortex chanting jam
Date: Thu, 20 Apr 2000 23:10:29 -0700
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dear s -- let me know whenever you have are in the e bay and have a few hrs
to jam and i will try to get free to host & join you.   stuart
-----Original Message-----
From: Stephen <dakshah@yahoo.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, April 20, 2000 12:18 PM
Subject: RE: sfbay-looper/vortex chanting jam


>I'm interested!  I'm on the penninsula, play(?) ztar
>w/ midi looping & breath-controlled yamaha VL-1
>diddling.  I'm waiting for an EDP to arrive to try
>looping various Indian percussion insruments (ghatam,
>mridangam, tabla, kanjira, dholak), among other
>things.  I've also studied Sanskrit for 12 years, &
>know something about the 'mantra chanting thing'.
>
>Re: Ali Akbar school - I've never taken classes there,
>but have heard only good things about it.  Also check
>out India Currents
>http://www.indiacurrents.com/200004/classlst.htm - it
>looks like there is someone who teaches in fremont.
>The printed copy might have more east-bay teachers.
>Your best bet might for an east-bay hindustani music
>teacher might be to post a query to
>rec.music.indian.classical.
>
>stephen
>
>> Let me know... I'm actually thinking of studying
>> table and voice at the Ali
>> Akbar Khan school soon, too. Do you know much about
>> that program? And/or do
>> you know any tabla teachers in the East Bay?
>
>....
>
>> >I chant Sanskrit mantras mixed in with favorite
>> rock lyrics into a Vortex
>> >and a Digitech Vocalist Harmonizer to create live
>> mantra events with
>> >drummers and didge.
>
>__________________________________________________
>Do You Yahoo!?
>Send online invitations with Yahoo! Invites.
>http://invites.yahoo.com
>
>

From Loopers-Delight-request@annihilist.com  Fri Apr 21 06:28:39 2000
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Reply-To: <rs@moinlabs.de>
From: "Rainer Straschill" <rs@moinlabs.de>
To: "Looper's Delight Mailing List \(E-mail\)" <Loopers-Delight@annihilist.com>
Subject: Looping using endless cassettes
Date: Fri, 21 Apr 2000 12:26:08 +0200
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Hi there,

does anyone here have any experience he might report on with looping using
endless cassettes (the kind you use in really old answering machines) and
fourtracks ?

greetings,

                Rainer

Rainer Straschill
Moinlabs GFX and Soundworks
www.moinlabs.de


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<META content=3D"MSHTML 5.00.2920.0" name=3DGENERATOR></HEAD>
<BODY>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D957402410-21042000>Hi=20
there,</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D957402410-21042000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D957402410-21042000>does =
anyone here=20
have any experience he might report on with looping using endless =
cassettes (the=20
kind you use in really old answering machines) and fourtracks=20
?</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D957402410-21042000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D957402410-21042000>greetings,</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D957402410-21042000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D957402410-21042000>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbs=
p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;=20
Rainer</SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D957402410-21042000></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Rainer Straschill</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Moinlabs GFX and =
Soundworks</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><A=20
href=3D"http://www.moinlabs.de/">www.moinlabs.de</A></FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Fri Apr 21 07:26:38 2000
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Date: Fri, 21 Apr 2000 07:07:35 -0400 (EDT)
From: Stew Benedict <stewb@earthlink.net>
To: Rainer Straschill <rs@moinlabs.de>
cc: "Looper's Delight Mailing List (E-mail)" <Loopers-Delight@annihilist.com>
Subject: Re: Looping using endless cassettes
In-Reply-To: <000201bfab7c$04f199a0$0301a8c0@SATAN>
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Yes, that's how I got my start in looping.  A Fostex 4 track and endless
cassettes.  Big fun when your record a track and flip the tape over.

Stew Benedict

On Fri, 21 Apr 2000, Rainer Straschill wrote:

> Hi there,
> 
> does anyone here have any experience he might report on with looping using
> endless cassettes (the kind you use in really old answering machines) and
> fourtracks ?
> 
> greetings,
> 
>                 Rainer
> 
> Rainer Straschill
> Moinlabs GFX and Soundworks
> www.moinlabs.de
> 
> 

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Stephen wrote:
> 
> Claude,
> 
> It's heard that the rm1x doesn't allow real-time
> recording of patterns which can then be manipulated
> without stopping the sequencer, nor does it allow
> dropping in & out of record mode.  Is this true?
> 
> stephen

Stephen

Yes this is true you can't

but it works very well in non fixed/open achitecture songs, jams in sync
with plexes

it can do the more usual play song from the top to bottom also though

Claude

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From: "Brian Thomson, Dublin IE" <bnt@email.com>
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Oh yes indeed, this was my start in looping before I got hold of my Korg DL-8000. I was playing with these ideas over a few years, and then dug through a pile of tapes and found I had well over an hour of material. I copied them to PC, burned them to CD, and I really should dig them out and upload them as MP3s to give you lot a laugh

I used various cassettes, including TDK and "British Telecom" brands, in my Fostex X-30 4-track (the short-lived model that used sliders for all functions). I modified the speed control by adding a double-speed switch - the speed control is the only real way of modifying the loop length. I also tried disabling the erase head to see if that resulted in sound layering, but the only result was layers of noise!

As for synchronising your playing to the loop... well  in the end I wrote a little QBasic program on my laptop that drew a "bouncing ball" on screen, with the ability to adjust the loop length incrementally. I did a similar thing with Visual Basic years later, which I still have if anyone's interested in more laughs...

Anyway, if I can present some of the results online, I'll let y'all know. My biggest single looping influence then was David Sylvian's "Gone To Earth", the Bill Nelson / Robert Fripp loop tracks that appeared there, if that's any guide.

Cheers,
Brian Thomson, Dublin IE
bnt@email.com

(ceci n'est pas un .sig)

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hello mark, i think i can a yer q's:

btw: i'll cross-post this to the list since this is about LOOPING.

> does the delay feedback indefinitly without decay or overloading? 

yes, pretty much. in fact, you can't overload it like an old-fashioned
delay. it seems to have some intelligent buffering circuitry which
monitors the signal when feedback=100%. i have found that the signal
starts to degrade VERY slowly while looping. however, this is actually
quite a musical effect.

> Can I then change delay times without destroying the loop material?

yes/no. the loopage is pitch-warped to the new delay time. this is what
you want, isn't it?

> Will the delay time lock to divisions of midiclock as I cahnge it? 

yes. if i remember correctly, the time divisions are 1:8, 1:4, 1:2 ,
1:1, 1.5:1, 2:1 and 4:1. the pitch-warped loop locks to each of these
divisions as you turn through them - i believe this is the first looper
that can do this.

> How long is the max delay time?

i'll have to check on this and post back later. i believe the max.
looping time is around 4 sec. - but i'll have to check.

> the unit is wired in parallel? 

yes. all of the fx (distortion, flanger, tremolo, delay) are in
parallel! the distortion can also be used in series, i.e. at the top of
the signal chain. PLUS: you can plug any fx of your own into an insert
at the back of the distortion section. this is then controlled using the
distortion controls, either with or without the distortion! pretty nice
idea from them electrix people, huh?

> And lastly, what sort of deal did you get on the unit?

i paid approx. DM 800 in berlin, germany for demo units.

one last opinion. i think these electrix units are destined to become
classics. they're probably a bit expensive for your average dj or
bedroom jammer, so i hope they survive.

read ya l8ter,
rob


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To: Loopers-Delight@annihilist.com
Subject: Re: Non-loop content: ENO and U2
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sorry people, i don't dig all this musicology nonsense. imo, this is all
very old-fashioned. :-)

is there really anything to gain by trying to draw straight lines
through history? connect the dots from sidney bechet to kid creole to
louis armstrong to larry tremblay ;-) 

mr. tremblay bla-blas about choas theory books in one post while in the
next he's trying to tell us about how various white males have
single-handedly determined the course of music "HIS-STORY" (flavor
flav). huh? malcolm mclaren as the GREAT WHITE discoverer of hip-hop?
talk about bollocks ...

i would suggest thomas pynchon (another white male) as a describer of
LIVING history. ain't no straight lines for ya there baby. history is
relative, it depends on where you are and the state of awareness.

sorry for antagonistic tone,
rob


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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
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well eno always has some cool insumentation then saps it with crusty vocals
or a weak synth part heheh he must use a mac for those 8-)

 
Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com


what means "sap his stuff"?

is this maybe a new looping tool for the mac? :)

lance g.

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i'm using them live in both my bands....
they come in ultra-handy. specially the
ones that actually WERE used in answering
machines!

never could figure out why a 30 second piece of lo-bias
crap costs twice as much as 90 minutes of type II...

one of life's little mysteries, i guess - prob. goes along
with the reason dthat TL mics cost more than the ones
that have 'em.





On Fri, 21 Apr 2000, Brian Thomson, Dublin IE wrote:

> Oh yes indeed, this was my start in looping before I got hold of my Korg DL-8000. I was playing with these ideas over a few years, and then dug through a pile of tapes and found I had well over an hour of material. I copied them to PC, burned them to CD, and I really should dig them out and upload them as MP3s to give you lot a laugh
> 
> I used various cassettes, including TDK and "British Telecom" brands, in my Fostex X-30 4-track (the short-lived model that used sliders for all functions). I modified the speed control by adding a double-speed switch - the speed control is the only real way of modifying the loop length. I also tried disabling the erase head to see if that resulted in sound layering, but the only result was layers of noise!
> 
> As for synchronising your playing to the loop... well  in the end I wrote a little QBasic program on my laptop that drew a "bouncing ball" on screen, with the ability to adjust the loop length incrementally. I did a similar thing with Visual Basic years later, which I still have if anyone's interested in more laughs...
> 
> Anyway, if I can present some of the results online, I'll let y'all know. My biggest single looping influence then was David Sylvian's "Gone To Earth", the Bill Nelson / Robert Fripp loop tracks that appeared there, if that's any guide.
> 
> Cheers,
> Brian Thomson, Dublin IE
> bnt@email.com
> 
> (ceci n'est pas un .sig)
> 
> -----------------------------------------------
> FREE! The World's Best Email Address @email.com
> Reserve your name now at http://www.email.com
> 
> 
> 

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Subject: Re: Non-loop content: ENO and U2
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Suggestion: Try reading "The People's History of the United States" by
Howard Zinn- it will give you an appreciation for the truth in historical
recollection- and I don't know what ethnicity he is-

Cliff
----- Original Message -----
From: "cummings" <r_t_cummings@compuserve.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 21, 2000 6:00 AM
Subject: Re: Non-loop content: ENO and U2


> sorry people, i don't dig all this musicology nonsense. imo, this is all
> very old-fashioned. :-)
>
> is there really anything to gain by trying to draw straight lines
> through history? connect the dots from sidney bechet to kid creole to
> louis armstrong to larry tremblay ;-)
>
> mr. tremblay bla-blas about choas theory books in one post while in the
> next he's trying to tell us about how various white males have
> single-handedly determined the course of music "HIS-STORY" (flavor
> flav). huh? malcolm mclaren as the GREAT WHITE discoverer of hip-hop?
> talk about bollocks ...
>
> i would suggest thomas pynchon (another white male) as a describer of
> LIVING history. ain't no straight lines for ya there baby. history is
> relative, it depends on where you are and the state of awareness.
>
> sorry for antagonistic tone,
> rob
>
>

From Loopers-Delight-request@annihilist.com  Fri Apr 21 11:32:14 2000
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Subject: Re: Non-loop content: ENO and U2
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At 03:00 PM 4/21/00 +0200, you wrote:
>is there really anything to gain by trying to draw straight lines
>through history? connect the dots from sidney bechet to kid creole to
>louis armstrong to larry tremblay ;-) 

I agree that when trying to chart a linear progression in the development
of a musical style or genre, it tends to oversimplify the matter due to the
difficulty (or impossibility) of accounting for all of the factors that
influenced the musicians along the way, many of which weren't even
conscious to them. To me "straight lines through history" don't work; a
closer analogy would be the branches of a tree, but even with this more
complex model there's the danger of seeing a style as being a composite of
other known, visible influences. There are also other things to consider,
like geography, socio-economic factors, fortuitous timing, and so forth, so
musical evolution can be  a very complex thing to try to trace, and it's
not really an exact science.

But on the other hand, this sort of analysis has often made it possible for
me to hear some great music by little-known artists that I'd never have
otherwise heard of. (Remember those "Family Tree of British Progressive
Music" posters that charted the spin-offs and different lineups of various
groups?) I've often found investigating the musicians that influenced some
of the more well-known players, and in turn exploring THEIR influences to
be a very fruitful source of enjoyable tunes. A good example of this would
be Jimmy Page; I enjoy what he's done, particularly in the early days when
he was experimenting with interesting recording techniques, but I wouldn't
consider myself a big Led Zeppelin fan, and I don't listen to him/them very
much these days. However, reading interviews with Page over the years in
which he's talked about the musicians HE listens to has led me to
appreciate stuff as diverse as Bert Jansch, TransGlobal Underground, Nigel
Eaton, Scotty Moore, Link Wray, etc., and checking these players out has in
turn led me to discover OTHER music I might otherwise never have known about.

So, while the musicological approach to the appreciation of music may not
be complete in and of itself, it can have its positive aspects as well.
Without historians, we forget what's happened in the past.

Tim

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... and somewhere in the middle lies the truth ... i think that this is 
probably pretty close to what really happened.  amazing what can happen when 
great minds collaborate, eh?:)  <bg>

zach:)

>Hi Zach:
>
>We are not musicologists either!  But if you get a chance, check out
>Davis'book.
>
>By the way you make a good point by saying that no one with certainty
>can be sure that Jazz guys in New Orleans weren't exposed to country
>folk playing their music.  But it is safe to say that because of the
>economics and history of blacks and Creole's in New Orleans, a kind of
>African American music devloped that was different from the music that
>grew out of the much poorer and rural areas of Mississippi or the
>Piedmont region of the southeast (where there was another set of
>historic/economic circumstances for African Americans).
>
>Best,
>The Roctologists
>
>
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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Hi, I'm Narendra in Santa Cruz.  I loop guitar with many looping devices.  I 
do chanting and toning.  I am a student of Baba Hari Dass from Mt Madonna 
Center.  I do theatre and music for the center.  I am interested to see what 
would happen in a jam.  Om and Out

>From: "Stuart Sovatsky" <stuartcs@jps.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: sfbay-looper/vortex chanting jam
>Date: Thu, 20 Apr 2000 08:35:19 -0700
>
>Any East Bay Loopers have time & interest to try experimental jamming with 
>the mantric vocalist (me) of the little-known trance ensemble, Axis Mundi? 
>I chant Sanskrit mantras mixed in with favorite rock lyrics into a Vortex 
>and a Digitech Vocalist Harmonizer to create live mantra events with 
>drummers and didge. Looking to either mess around with a looper for fun and 
>maybe even do some projects together.  stuart sovatsky     
>www.jps.net/stuartcs

________________________________________________________________________
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Subject: Negativland concert review...
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Gee... I hate to get this thread on Negativland away from cultural
relativism and pissy ENO/U2/DEVO who-did-what comments but for anyone
interested here's the review from the Philadelphia Inquirer about the
recent tour:

http://www.phillynews.com/inquirer/2000/Apr/20/magazine/NEGA20.htm

A writer from Spin magazine was also there and I spoke with him a bit.
He said his article will appear in about 3 months probably in the Live
Concert review section.



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From: "Om_Audio" <clifsound@mediaone.net>
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Subject: Re: Live horn looping
Date: Fri, 21 Apr 2000 08:27:41 -0700
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All well and done but what piece of equipment are you referring to might I
ask? Sounds interesting-

Cliff
----- Original Message -----
From: "cummings" <r_t_cummings@compuserve.com>
To: "Mark Landman" <landman@wco.com>
Cc: "Loopers Delight" <Loopers-Delight@annihilist.com>
Sent: Friday, April 21, 2000 5:20 AM
Subject: Re: Live horn looping


> hello mark, i think i can a yer q's:
>
> btw: i'll cross-post this to the list since this is about LOOPING.
>
> > does the delay feedback indefinitly without decay or overloading?
>
> yes, pretty much. in fact, you can't overload it like an old-fashioned
> delay. it seems to have some intelligent buffering circuitry which
> monitors the signal when feedback=100%. i have found that the signal
> starts to degrade VERY slowly while looping. however, this is actually
> quite a musical effect.
>
> > Can I then change delay times without destroying the loop material?
>
> yes/no. the loopage is pitch-warped to the new delay time. this is what
> you want, isn't it?
>
> > Will the delay time lock to divisions of midiclock as I cahnge it?
>
> yes. if i remember correctly, the time divisions are 1:8, 1:4, 1:2 ,
> 1:1, 1.5:1, 2:1 and 4:1. the pitch-warped loop locks to each of these
> divisions as you turn through them - i believe this is the first looper
> that can do this.
>
> > How long is the max delay time?
>
> i'll have to check on this and post back later. i believe the max.
> looping time is around 4 sec. - but i'll have to check.
>
> > the unit is wired in parallel?
>
> yes. all of the fx (distortion, flanger, tremolo, delay) are in
> parallel! the distortion can also be used in series, i.e. at the top of
> the signal chain. PLUS: you can plug any fx of your own into an insert
> at the back of the distortion section. this is then controlled using the
> distortion controls, either with or without the distortion! pretty nice
> idea from them electrix people, huh?
>
> > And lastly, what sort of deal did you get on the unit?
>
> i paid approx. DM 800 in berlin, germany for demo units.
>
> one last opinion. i think these electrix units are destined to become
> classics. they're probably a bit expensive for your average dj or
> bedroom jammer, so i hope they survive.
>
> read ya l8ter,
> rob
>
>

From Loopers-Delight-request@annihilist.com  Fri Apr 21 12:01:54 2000
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From: "Larry Tremblay" <ltct@concentric.net>
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Subject: Re: Non-loop content: ENO and U2
Date: Fri, 21 Apr 2000 11:38:10 -0400
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Come on, Bob, I said Malcolm "DISCOVERED"  (quote, unquote)
Hip-Hop in the sense that he brought it to the attention of 
the great unwashed (mainly WHITE) masses, who were either 
too busy playing PAC-Man and Donkey Kong while listening 
to Styx and REO Speedwagon at the time, or otherwise too 
immersed in their own whitebread KUTCHA to get some "new 
science" (also Flava Flav). BTW, Public Enemy were so 
*late* on scene.

Everyone knows (or should) that it was folks like Kurtis 
Blow, Sugar Hill Gang, the Furious Five, Last Poets, 
et al, who originated the Hip-Hop/Rap genre. Geez...

Musicology is like history (not be confused with 
post-structuralist or marxist 'her-story'). Those 
who are ignorant of it are doomed to repeat it.
Or attempt to revise it for their own ends (ala
Stalin, Hitler, Farrakhan, Flava Flav).

The revisionists secret weapon is to never offer
proofs, or logical arguments. Right, Bob.

Sorry if it seems antagonistic, I'm just setting the 
record straight. As with all rational debate, please 
offer some hard evidence to the contrary. Prove it's 
"bollocks", if you can. Note: it may require some actual
experience and research. ;)

- Larry T
----- Original Message ----- 
From: "cummings" <r_t_cummings@compuserve.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 21, 2000 9:00 AM
Subject: Re: Non-loop content: ENO and U2


> sorry people, i don't dig all this musicology nonsense. imo, this is all
> very old-fashioned. :-)
> 
> is there really anything to gain by trying to draw straight lines
> through history? connect the dots from sidney bechet to kid creole to
> louis armstrong to larry tremblay ;-) 
> 
> mr. tremblay bla-blas about choas theory books in one post while in the
> next he's trying to tell us about how various white males have
> single-handedly determined the course of music "HIS-STORY" (flavor
> flav). huh? malcolm mclaren as the GREAT WHITE discoverer of hip-hop?
> talk about bollocks ...
> 
> i would suggest thomas pynchon (another white male) as a describer of
> LIVING history. ain't no straight lines for ya there baby. history is
> relative, it depends on where you are and the state of awareness.
> 
> sorry for antagonistic tone,
> rob
> 
> 
> 

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From: "David Potter" <papadave55@hotmail.com>
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Subject: Re: DJRND2 - Mede mede - Hey Papa Dave
Date: Fri, 21 Apr 2000 09:43:18 PDT
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Hi Larry, the DJRND2 is sold.  Please contact Emmanuel to get one shipped 
over to you.  I may get another one for the west coast when he can send one. 
  Om and Out   Papa Dave


>From: "Larry Tremblay" <ltct@concentric.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <perille@club-internet.fr>, <Loopers-Delight@annihilist.com>
>Subject: Re: DJRND2 - Mede mede - Hey Papa Dave
>Date: Thu, 20 Apr 2000 22:55:44 -0400
>
>Papa Dave,
>
>Let me know when you want to ship the DJRND2.
>
>My address is:
>Larry Tremblay
>12824 Diamond Drive
>Pineville, NC 28134
>
>Thanks,
>- Larry
>
>----- Original Message -----
>From: "PERILLE" <perille@club-internet.fr>
>To: <Loopers-Delight@annihilist.com>
>Sent: Tuesday, April 18, 2000 11:23 AM
>Subject: Re : Mede mede
>
>
> > > Hi Larry, sorry for the delay.  Others have been checking out the
>DJRND2.
> > > If Emmanuel OK's it I will send you the DJRND2.  He is on the list and
>will
> > > see this message.  Om and Out  Papa DAVe
> >
> > Ok Papa Dave
> >
> > Emmanuel
> >
> >
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Apr 21 12:52:57 2000
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Date: Fri, 21 Apr 2000 09:55:37 -0700
To: cummings <r_t_cummings@compuserve.com>
From: landman@wco.com (Mark Landman)
Subject: Mo-Fx, was Live horn looping
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Hi Rob-

Thanks for the reply, I have to admit I'm impressed with the "on-the-fly"
midiclock sync features and "longish" delay times (around 4 seconds is
pretty good for non-loop oriented device).

>> Can I then change delay times without destroying the loop material?
>
>yes/no. the loopage is pitch-warped to the new delay time. this is what
>you want, isn't it?

Yes, the pitch warpage is cool, but I was wondering if the signal is
"degraded" by flipping it through different delay times. Some units I'm
familiar with (Eventide H3000 DSX, Digitech RDS 7.6) will "chew up" the
audio significantly... So does the Mo-FX keep the original audio quality of
the loop when you turn back to the 1/1 speed?

And another very relative question, how does the flanger sound, typical
digital cheap rack/fllor box quality, or better?

Best-

Mark


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Date: Fri, 21 Apr 2000 13:41:47 -0400
From: Dick Michaels <roguemus@ix.netcom.com>
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Got a DL4 on Consignment for $225, excellent shape COD or credit card..

Dick Michaels
Rogue Music NYC
http://www.roguemusic.com

From Loopers-Delight-request@annihilist.com  Fri Apr 21 13:56:07 2000
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From: Allan Hoeltje <ahoeltje@best.com>
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I am interested in looping acoustic sounds but don't know much about
microphones.  Specifically, I am really itching to set up a few wine
glasses on a resonating surface and sending the sound to my Mackie 1202,
FX, and EDP.  Can I use a contact mike like the kind used with acoustic
guitar?  What characteristics/specifications do I look for in such a
mike?  Will it need a pre-amp?  Brand names?  Prices?

-Allan

From Loopers-Delight-request@annihilist.com  Fri Apr 21 14:34:35 2000
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> Got a DL4 on Consignment for $225, excellent shape COD or credit card..
> Dick Michaels
> Rogue Music NYC
> http://www.roguemusic.com

While I like Rogue and have bought/sold stuff there before, isn't this a
high price? They are still $200 NEW from a couple sources including the
online Loopers Delight buy. On top of that $225 is above the standard sales
price for a new DL4 from any number of dealers 8th street begin one of
them. You could get a DL4 plus the Line6 PS for around $220 plus shipping.

I know some places list them higher but has anyone actually purchased one
at $225 or higher? Has the priced changed recently?





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From: "Daniel Pezzotti" <daniel.pezzotti@span.ch>
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Allan,
regarding contact microphones, I often use the GLM-100 from CROWN.......a
miniature omnidirectional microphone which sounds really great!
And its cheap.....don't remember the price, but its not more than 100-150
dollars...thats for sure!
I use it for violoncello, percussion and percussion "tools" like bottles
etc. etc.
There might be a webpage, but in any case here is the complete address of
CROWN:
Crown International Inc.
P.O. Box 1000
Elkhart, IN 46515-1000
Tel: 219/294-8000
Fax: 219/294-8FAX

P.S. no need for a preamp, but needs phantom power supply (no problem with
Mackie1202)

See you,
Daniel
----- Original Message -----
From: Allan Hoeltje <ahoeltje@best.com>
To: Loopers-Delight <Loopers-Delight@annihilist.com>
Sent: Friday, April 21, 2000 7:51 PM
Subject: Contact Microphones


> I am interested in looping acoustic sounds but don't know much about
> microphones.  Specifically, I am really itching to set up a few wine
> glasses on a resonating surface and sending the sound to my Mackie 1202,
> FX, and EDP.  Can I use a contact mike like the kind used with acoustic
> guitar?  What characteristics/specifications do I look for in such a
> mike?  Will it need a pre-amp?  Brand names?  Prices?
>
> -Allan
>

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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
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>>
>>         *       *       *       *       *       *       *       *       *
>>
>>           Listening is forgetting the name of the thing one hears.
>>                             -- Lawrence Weschler
>>
>>         *       *       *       *       *       *       *       *       *
>
>didn't he write that book about robert irwin called "seeing is forgetting
>the name of the thing one sees"?


Sounds like Alzheimer's disease to me... which is somewhat like looping,
where, even though you are hearing the same thing over and over, it keeps
sounding new.
    Bonus points to me for bringing this thread back on topic, eh?
Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us


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From: "matt davignon" <mattdavignon@hotmail.com>
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Subject: Re: Contact Microphones
Date: Fri, 21 Apr 2000 13:34:40 PDT
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One thing about contact mics that I think warrants mentioning is that they 
can keep the resonating surface from resonating. You need to find a spot on 
the "instrument" where it will pick up the resonating sounds without 
interfering with them. This might be hard with wine glasses. I'm not sure 
how much of the sound would transfer to the base.

Depending on your amplification setup, it might be better just to set up a 
few real microphones and isolate them from the speaker output.

As far as contact mics go, I paid $80 a Dean Markley one once and thought it 
blew pretty hard. It made everything sound boxy. I then found one called 
"The Cap" (shaped like a bottle cap) made by EPM in Canada and used it until 
the sticky stuff would stick no more.

Matt Davignon



>From: Allan Hoeltje <ahoeltje@best.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight <Loopers-Delight@annihilist.com>
>Subject: Contact Microphones
>Date: Fri, 21 Apr 2000 10:51:21 -0700
>
>I am interested in looping acoustic sounds but don't know much about
>microphones.  Specifically, I am really itching to set up a few wine
>glasses on a resonating surface and sending the sound to my Mackie 1202,
>FX, and EDP.  Can I use a contact mike like the kind used with acoustic
>guitar?  What characteristics/specifications do I look for in such a
>mike?  Will it need a pre-amp?  Brand names?  Prices?
>
>-Allan
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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From: Crossedout@aol.com
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Question for the more sequencer-savvy - 

I am working with a laptop running Cakewalk (version 4.5, just to be 
specific, but I can upgrade to version 8 or 9 if neccessary) and trying to 
run sequences into an EMU Orbit. 

The question is, I've heard about messages that are sent at the beginning of 
a track that would tell the Orbit what patches to use on each channel (i.e. 
bass on channel 1, drums on channel 2, etc.). What are these messages called, 
and how does one implement them? 

Thanks much - the more in depth I get with midi, the more I regret not 
starting to investigate it when I had access to lots of midi-heads to answer 
stupid questions like this!!!

- Bill
Crossedout@aol.com

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Date: Fri, 21 Apr 2000 16:10:55 -0400
From: Dick Michaels <roguemus@ix.netcom.com>
Organization: Auctionsoup
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The unit was like new in the box and had the optional power supply, Hadn't
realized that. It is sold now.

Dick Michaels
Rogue Music NYC

Legion wrote:

> > Got a DL4 on Consignment for $225, excellent shape COD or credit card..
> > Dick Michaels
> > Rogue Music NYC
> > http://www.roguemusic.com
>
> While I like Rogue and have bought/sold stuff there before, isn't this a
> high price? They are still $200 NEW from a couple sources including the
> online Loopers Delight buy. On top of that $225 is above the standard sales
> price for a new DL4 from any number of dealers 8th street begin one of
> them. You could get a DL4 plus the Line6 PS for around $220 plus shipping.
>
> I know some places list them higher but has anyone actually purchased one
> at $225 or higher? Has the priced changed recently?

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References: <39009519.544F8615@best.com> <000701bfabc3$406fbba0$0100a8c0@urso>
Subject: Re: Contact Microphones
Date: Fri, 21 Apr 2000 14:15:39 -0700
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Musicyo has some great prices on Shadow contact pickups.
The other week I got one of models listed here:
http://www.musicyo.com/product.asp?dept%5Fid=10&pf%5Fid=283

I used it on my dobro-copy and it sounds fine.  Cost is under $40.  Same
pickup was runing for $69+ on other web-sites.

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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
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Subject: Re: Contact Microphones
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Although not contact mics- I have enjoyed my tiny pair of binaural mics from
Core Sound- stereo and very nice- you will need to use a pre of some sort
though-

Cliff

-----Original Message-----
From: matt davignon <mattdavignon@hotmail.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, April 21, 2000 2:18 PM
Subject: Re: Contact Microphones


>One thing about contact mics that I think warrants mentioning is that they
>can keep the resonating surface from resonating. You need to find a spot on
>the "instrument" where it will pick up the resonating sounds without
>interfering with them. This might be hard with wine glasses. I'm not sure
>how much of the sound would transfer to the base.
>
>Depending on your amplification setup, it might be better just to set up a
>few real microphones and isolate them from the speaker output.
>
>As far as contact mics go, I paid $80 a Dean Markley one once and thought
it
>blew pretty hard. It made everything sound boxy. I then found one called
>"The Cap" (shaped like a bottle cap) made by EPM in Canada and used it
until
>the sticky stuff would stick no more.
>
>Matt Davignon
>
>
>
>>From: Allan Hoeltje <ahoeltje@best.com>
>>Reply-To: Loopers-Delight@annihilist.com
>>To: Loopers-Delight <Loopers-Delight@annihilist.com>
>>Subject: Contact Microphones
>>Date: Fri, 21 Apr 2000 10:51:21 -0700
>>
>>I am interested in looping acoustic sounds but don't know much about
>>microphones.  Specifically, I am really itching to set up a few wine
>>glasses on a resonating surface and sending the sound to my Mackie 1202,
>>FX, and EDP.  Can I use a contact mike like the kind used with acoustic
>>guitar?  What characteristics/specifications do I look for in such a
>>mike?  Will it need a pre-amp?  Brand names?  Prices?
>>
>>-Allan
>>
>
>________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
>

From Loopers-Delight-request@annihilist.com  Fri Apr 21 18:29:22 2000
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Subject: Re: Non-loop content: ENO and U2
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In a message dated 4/21/00 2:32:24 PM Mid-Atlantic Daylight Time, 
tcn62@ici.net writes:

<< Without historians, we forget what's happened in the past. >>

and the only historians i will trust are the ones who can 
loop...........michael

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Hmm, I never met one of those, but I did have an old history teacher in high
school that repeasted himself a lot. Does that count?

bIz

-----Original Message-----
From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
Sent: Friday, April 21, 2000 3:25 PM
To: Loopers-Delight@annihilist.com
Subject: Re: Non-loop content: ENO and U2


In a message dated 4/21/00 2:32:24 PM Mid-Atlantic Daylight Time,
tcn62@ici.net writes:

<< Without historians, we forget what's happened in the past. >>

and the only historians i will trust are the ones who can
loop...........michael


From Loopers-Delight-request@annihilist.com  Fri Apr 21 19:39:25 2000
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Date: Fri, 21 Apr 2000 19:21:59 EDT
Subject: Re: different sequencer question
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Thanks to everybody who replied (and damn, that was quick!!)
Now I know what I'm looking for, I just have to figure out how to do it. 

If there is anyone who is familiar with Cakewalk specifically, please drop me 
a line. 

Thanks again. 
- Bill
Crossedout@aol.com

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Subject: Re: Mo-Fx, was Live horn looping
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hello mark (i'll cc this to the list if you don't mind),

> ... but I was wondering if the signal is
> "degraded" by flipping it through different delay times. Some units I'm
> familiar with (Eventide H3000 DSX, Digitech RDS 7.6) will "chew up" the
> audio significantly... So does the Mo-FX keep the original audio quality of
> the loop when you turn back to the 1/1 speed?

yes, unfortunately there is no option to disenable the pitch warpage and
audio garbling when the delay time is changed. i personally like this
effect but i understand that you may not always want to have it. in
general, i would consider the mo-fx to be more of a delay than a looper,
in other words its more of a "processor" than a "storage" unit.

> And another very relative question, how does the flanger sound, typical
> digital cheap rack/fllor box quality, or better?

the flanger sounds very clean and "scientific". i've never owned a
flanger before so i can't directly compare it ... but i would say that
this is a pretty unique flanger. it can go from very extreme to very
subtle. PLUS it allows you to do "manual flanging" by disengaging the
midi sync and setting the sweep time to infinity. you need your hands to
do this, of course.

ba-ba,
rob


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ok, larry this is my last post on this one ... 
i'm not a musicologist.
if musicology is your field, then more power to you.
besides, my "research" time is devoted to actually making music.

i'm provoking you mr. tremblay: do you actually make music?
you're full of opinions but i never read any posts from you concerning
the actual creation of music. maybe they're on the way ... :-)

situation for anybody: you're at a friends place and he puts on a new
cd. can you sit and listen to it without asking to see the liner notes?
or do you read the liner notes while the music is playing? do you need
to know that the bass player used to play with so-and-so and that the
producer brought out three country albums in the 60's?

sorry fellow listers for having lost my composure and engaging this
know-it-all. i really should NOT have known better myself!

anyway, this is not a list for bad philosophy.

rob


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that's the electrix mo-fx, sorry about cutting that bit out in trying to
save the bandwidth.

rob

Om_Audio schrieb:
> 
> 
> All well and done but what piece of equipment are you referring to might I
> ask? Sounds interesting-


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From: "Petr Dolak" <pepetr@crnet.net>
To: <Loopers-Delight@annihilist.com>
Subject: Looping in South Ohio
Date: Fri, 21 Apr 2000 20:02:58 -0400
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a quiet concert with looping content

SLOWness: celebration of a slower life
by Petr Dolak, guitars, percussion, sound making stuff, looping

ATHENS    April 22, 8 pm 
Unitarian Fellowship of Athens
184 Longview Heights Road, Athens OH

BELLAIRE (near St. Clairsville)  April 29, 7 pm
Unitarian Universalist Church of the Ohio Valley
66166 Kirkwood Heights Road, Bellaire, OH

questions?  email pepetr@crnet.net

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Subject: Re: Non-loop content: ENO and U2
References: <20000421040150.90836.qmail@hotmail.com> <38FFDB74.EA8DFC60@home.com> <390050F6.891F64E8@compuserve.com> <001d01bfaba7$9a46e9d0$1a310140@concentric.net>
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your name belongs at the end of that list.

rob

Larry Tremblay schrieb:

> Musicology is like history (not be confused with
> post-structuralist or marxist 'her-story'). Those
> who are ignorant of it are doomed to repeat it.
> Or attempt to revise it for their own ends (ala
> Stalin, Hitler, Farrakhan, Flava Flav).

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From: "tb" <tainote@ozemail.com.au>
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Date: Sat, 22 Apr 2000 09:22:50 +1000
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hello I have the opportunity to buy an echoplex with foot pedal for =
aus$2000
Is it still the best live looping tool?
Whats the story with support and developments ?
are people still writing for it casue I remember that there were some =
buttons on it that had not yet received funtions?

thanks

trevor=20
bondi beach
Australia


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>hello I have the opportunity to buy =
an echoplex=20
with foot pedal for aus$2000</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Is it still the best live looping=20
tool?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Whats the story with support and =
developments=20
?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>are people still writing for it =
casue I remember=20
that there were some buttons on it that had not yet received=20
funtions?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>thanks</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>trevor </FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>bondi beach</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Australia</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Fri Apr 21 20:51:21 2000
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From: "Stuart Sovatsky" <stuartcs@jps.net>
To: <Loopers-Delight@annihilist.com>
Subject: list etiquette
Date: Fri, 21 Apr 2000 17:34:17 -0700
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looper etiquette squad:  is posting one's own upcoming gigs on this list
considered bad taste, or welcomed heartily by all?   thnx for an answer

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Couldn't you buy it from Alto in NY for much cheaper? Sounds like a lot =
of dough but I don't know exchange rates so...
but yes- the EDP is THE looper to have IMO although the joy of looping =
can be had in MANY pieces of less sophisticated gear- i.e. Jam Man, PDS =
8000, multi pedals by Zoom etc.

Cliff

  ----- Original Message -----=20
  From: tb=20
  To: Loopers-Delight@annihilist.com=20
  Sent: Friday, April 21, 2000 4:22 PM


  hello I have the opportunity to buy an echoplex with foot pedal for =
aus$2000
  Is it still the best live looping tool?
  Whats the story with support and developments ?
  are people still writing for it casue I remember that there were some =
buttons on it that had not yet received funtions?
  =20
  thanks
  =20
  trevor=20
  bondi beach
  Australia
  =20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.3013.2600" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Couldn't you buy it from Alto in NY for =
much=20
cheaper? Sounds like a lot of dough but I don't know exchange rates=20
so...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>but yes- the EDP is THE looper to have =
IMO although=20
the joy of looping can be had in MANY pieces of less sophisticated gear- =
i.e.=20
Jam Man, PDS 8000, multi pedals by Zoom etc.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Cliff</FONT></DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
  <DIV style=3D"FONT: 10pt arial">----- Original Message ----- </DIV>
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A href=3D"mailto:tainote@ozemail.com.au" =
title=3Dtainote@ozemail.com.au>tb</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  href=3D"mailto:Loopers-Delight@annihilist.com"=20
  =
title=3DLoopers-Delight@annihilist.com>Loopers-Delight@annihilist.com</A>=
 </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Friday, April 21, 2000 =
4:22=20
PM</DIV>
  <DIV><BR></DIV>
  <DIV><FONT color=3D#000000 size=3D2>hello I have the opportunity to =
buy an=20
  echoplex with foot pedal for aus$2000</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2>Is it still the best live looping=20
  tool?</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2>Whats the story with support and =
developments=20
  ?</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2>are people still writing for it =
casue I=20
  remember that there were some buttons on it that had not yet received=20
  funtions?</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000000 size=3D2>thanks</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000000 size=3D2>trevor </FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2>bondi beach</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2>Australia</FONT></DIV>
  <DIV><FONT color=3D#000000 =
size=3D2></FONT>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Fri Apr 21 20:50:28 2000
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From: "Om_Audio" <clifsound@mediaone.net>
To: "Loopers List" <loopers-delight@annihilist.com>
Subject: Request for next version of EDP software
Date: Fri, 21 Apr 2000 17:45:27 -0700
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This is mainly intended to be a message for Kim and Andres but I thought I'd
better post some Loop related content to the list before I get flamed! ;)

I am wondering if there would be a way to have an indicator of tempo or
somehow make smaller divisions of the loop signal indicator light-
For instance when I have a long loop going it would be nice to have the
light flash more than just at the beginning of the loop- to somehow make it
flash in even divisions of the loop or to flash 3 times before it flashes
the One- or maybe have it just count 10 flashes before 1 irrespective of the
loop length- like 1 second intervals 10x and 10 is the beginning again-

Thanks and I hope you are not pulling your hair out with EDP repair
questions- I somehow think you've done plenty of that as of late-

Cliff

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From: "Om_Audio" <clifsound@mediaone.net>
To: "Loopers List" <loopers-delight@annihilist.com>
Subject: EDP soft request
Date: Fri, 21 Apr 2000 17:52:55 -0700
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...while I'm requesting- - -

Could there be a way to have midi sync on the fly? like if you were to plug
in a drum machine with a loop going and then start a drum pattern and have
it synch to the EDP loop? That would be sweet-

Cliff

From Loopers-Delight-request@annihilist.com  Fri Apr 21 21:22:49 2000
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From: "Bill Dickson" <musicmtn@jps.net>
To: <Loopers-Delight@annihilist.com>
Subject: Echoplex
Date: Fri, 21 Apr 2000 18:10:16 -0700
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Hello,

I've just joined the list, and this past week became a new owner of the =
Gibson Echoplex Digital Pro.
Could someone find the answer to my problem.  When I've set: Moreloops =
to 2, AutoRecord to ON, LoopCopy-OFF, SwitchQuant-CYC, =
LoopTrig-48,Velocity-ON,SampleStyle to RUN, and the MuteMode to StA, and =
I'm sampling a "AABA" tune, what happens is:  the first A part records =
fine (as I want it to repeat) and plays again, but when I use NEXTLOOP =
to record the "B" (bridge), and punch Record to end that, it always =
plays the bridge twice. When I end that same Loop trying to use the =
NextLoop key to end it, it gives me L1/2 things that I don't understand.
Any help wood sure me before I try to put this in Live Use.
Thank you

Bill

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Hello,</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>I've just joined the list, and this past week became =
a new=20
owner of the Gibson Echoplex Digital Pro.</FONT></DIV>
<DIV><FONT size=3D2>Could someone find the answer to my problem.&nbsp; =
When I've=20
set: Moreloops to 2, AutoRecord to ON, LoopCopy-OFF, SwitchQuant-CYC,=20
LoopTrig-48,Velocity-ON,SampleStyle to RUN, and the MuteMode to StA, and =
I'm=20
sampling a "AABA" tune, what happens is:&nbsp; the first A part records =
fine (as=20
I want it to repeat) and plays again, but when I use NEXTLOOP to record =
the "B"=20
(bridge), and punch Record to end that, it always plays the bridge =
twice. When I=20
end that same Loop trying to use the NextLoop key to end it, it gives me =
L1/2=20
things that I don't understand.</FONT></DIV>
<DIV><FONT size=3D2>Any help wood sure me before I try to put this in =
Live=20
Use.</FONT></DIV>
<DIV><FONT size=3D2>Thank you</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>Bill</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Fri Apr 21 21:16:10 2000
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Date: Fri, 21 Apr 2000 21:09:20 -0400 (EDT)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: list etiquette
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As a rule, I don't post my gigs to lists that aren't local in nature.  I
don't care if you do, just make sure that the city name and PROMO appear
in the subject so that the 99% of us who aren't within 100s of miles of
your gig can delete your message immediately.

	Kevin



Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

On Fri, 21 Apr 2000, Stuart Sovatsky wrote:

> looper etiquette squad:  is posting one's own upcoming gigs on this list
> considered bad taste, or welcomed heartily by all?   thnx for an answer
> 

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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: EDP soft request
Date: Fri, 21 Apr 2000 19:08:23 -0700
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It does synch if you start it up and then stop it and start it again. I've
done this a number of times with songs on my SP-808.

bIz




-----Original Message-----
From: Om_Audio [mailto:clifsound@mediaone.net]
Sent: Friday, April 21, 2000 5:53 PM
To: Loopers List
Subject: EDP soft request


...while I'm requesting- - -

Could there be a way to have midi sync on the fly? like if you were to plug
in a drum machine with a loop going and then start a drum pattern and have
it synch to the EDP loop? That would be sweet-

Cliff


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"start it up and then stop it and start it again"

please clarify- I'm using and old DR-5

Cliff

----- Original Message -----
From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 21, 2000 7:08 PM
Subject: RE: EDP soft request


> It does synch if you start it up and then stop it and start it again. I've
> done this a number of times with songs on my SP-808.
>
> bIz
>
>
>
>
> -----Original Message-----
> From: Om_Audio [mailto:clifsound@mediaone.net]
> Sent: Friday, April 21, 2000 5:53 PM
> To: Loopers List
> Subject: EDP soft request
>
>
> ...while I'm requesting- - -
>
> Could there be a way to have midi sync on the fly? like if you were to
plug
> in a drum machine with a loop going and then start a drum pattern and have
> it synch to the EDP loop? That would be sweet-
>
> Cliff
>
>

From Loopers-Delight-request@annihilist.com  Sat Apr 22 00:25:54 2000
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From: "future perfect" <artmusic@gte.net>
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Subject: RE: list etiquette
Date: Sat, 22 Apr 2000 00:10:40 -0400
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 Me either, considering there are maybe 2 people on this list who are
remotely close by. Maybe a better idea would be to find out which loopers
are in your area (somehow) and invite them privately.

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave


>
> As a rule, I don't post my gigs to lists that aren't local in nature.  I
> don't care if you do, just make sure that the city name and PROMO appear
> in the subject so that the 99% of us who aren't within 100s of miles of
> your gig can delete your message immediately.
>
> 	Kevin
>
>
>
> Kevin Goldsmith				kevin@unitcircle.com
> Unit Circle Media			http://www.unitcircle.com/
>
>
>

From Loopers-Delight-request@annihilist.com  Sat Apr 22 00:52:19 2000
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Message-ID: <002501bfac11$14d86250$51310140@concentric.net>
From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <20000421040150.90836.qmail@hotmail.com> <38FFDB74.EA8DFC60@home.com> <390050F6.891F64E8@compuserve.com> <001d01bfaba7$9a46e9d0$1a310140@concentric.net> <3900E403.3A2197C4@compuserve.com>
Subject: Re: Non-loop content: ENO and U2 : OK, whatever...
Date: Sat, 22 Apr 2000 00:13:13 -0400
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> your name belongs at the end of that list.
> 
> rob

Rob - 
Throw a wider net. You'll catch more fish.
- Larry

----- Original Message ----- 
From: "cummings" <r_t_cummings@compuserve.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 21, 2000 7:28 PM
Subject: Re: Non-loop content: ENO and U2


> your name belongs at the end of that list.
> 
> rob
> 
> Larry Tremblay schrieb:
> 
> > Musicology is like history (not be confused with
> > post-structuralist or marxist 'her-story'). Those
> > who are ignorant of it are doomed to repeat it.
> > Or attempt to revise it for their own ends (ala
> > Stalin, Hitler, Farrakhan, Flava Flav).
> 
> 

From Loopers-Delight-request@annihilist.com  Sat Apr 22 02:50:17 2000
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Subject: Re:  . . . and U2--BUY the sound! (commercial post-Bono would NOTapprove)
Date: Sat, 22 Apr 2000 01:50:13 -0500
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ahem . . .

couldn't resist posting this crass commercial announcement on the heels of
this riveting thread . . .

Korg SDD-3300 for sale or trade--two rack space triple digital
delay/sampler unit with ~500ms of delay time for delay and ~1000ms of
sampling time (each delay functions as a sampling unit as well--somehat hard
to come by. The glory
of this baby is that the SDD has an internal mixer which allows any or all
of the delays to be modulated by each other as well as mixing their audio
together. Each delay also has its own separate input and output on the back
panel, plus two internal LFOs , independent high and low-pass filters and
the phase of the modulation is invertable. Mindf*ck possibilities. The unit
also responds to sysex
messages for various control over midi. Used by the Edge of U2, if you care.

see Harmony Central for user raves
http://www.harmony-central.com/Effects/Data/Korg/SDD_3300-01.html

I've other toys that I need to sell to pay for . . . what else . . .   more
gear :)

Arp monosynths, Marantz portable cassette deck, effects pedals, MIDI boxes
etc

e-mail privately for a list


end of capitalist transmission . . . back to lurk


Tom Lambrecht

hideo@concentric.net
----- Original Message -----
From: Larry Tremblay <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>; <ew37@bellsouth.net>
Sent: Thursday, April 20, 2000 11:58 AM
Subject: Re: Negativland on tour...ENO and U2


> First of all let me say I like much of U2's music.
> But for the record, Eno saved U2's floundering career.
> This is a well-documented historical fact.
>
> U2's association with Eno was *Eno's idea* - he heard something
> he liked that he knew could be B-I-G with the right amount of
> coaxing.
>
> Regarding the Edge's guitar style, I remember reading
> an interview in Guitar Player or somewhere with one
> of those dime-a-dozen Satriani/Vai/<insert lame
> sound-alike speed-virtuosi here> geetarists. The
> interviewer played a little U2/Edge music and asked
> him what he thought about his style. The trog said,
> "I don't hear it" (TRANSLATION: Where are the 500 mph
> Mixilodian scales, ProCo distorto-box, and erzatz-Halen
> power-dives? ANSWER: Up your myopic dinosaur ass.)
>
> For the 'youngins' out there, The Edge was once considered a
> neo-psychedelia reverb-monger (a good thing at the time)
> along the lines of Echo & the Bunnymen and Teardrop
> Explodes.
>
> So..., it took a visionary like Eno to bring U2, and the
> Edge, to where they are today, commercially and technically.
>
> -Larry T
>
> ----- Original Message -----
> From: "Mike Biffle" <mbiffle@svg.com>
> To: <Loopers-Delight@annihilist.com>; <ew37@bellsouth.net>
> Sent: Thursday, April 20, 2000 11:42 AM
> Subject: Re: Negativland on tour...
>
>
> > >>> "X-ray" <ew37@bellsouth.net> 04/19 11:34 PM >>>
> > >>non-mentioning of the fact that it was ENO that came up with the
> > whole idea with the TV screens/satellite access and all, Again, credit
> > placed where not deserved.
> >
> > > Hmmmm.  Not sure I agree.  U2 has quite often given credit to Eno
> > for the initial concept of that tour (even in the tour program).
> > Certainly the band were the "directors" of the production whereas Eno
> > was the one who wrote the 1st draft of the script (sorry for the
> > analogy).  I'm not sure it's fair to
> > suggest that it was Eno's baby and U2 were just along for the ride.
> >
> > I remember Bono saying something like... "We finally have enough
> > money to do such a bloated grandiose thing... Why not? If not us, then
> > who?" I think he's correct in that statement... they were huge, had
> > the capability, so they went for it and staged an incredible, very
> > successful production. For it's sheer scope, it was certainly the most
> > modern and hi-tech I've seen to date. Sure beats the Stones bloated
> > retro machine...
> >
> > >>Then I saw U2 making scads of money making music that sounded like
> > someone elses' work
> >
> > > Just out of curiosity, other than the rootsier Joshua Tree/Rattle
> > and Hum period, who do you find them to be imitating???  Again, just
> > curious.
> >
> > I think it became popular to disinherit U2 due to their tremendous
> > success... The Edge managed to assemble several existing simple guitar
> > techniques into a cohesive style... and has continued to experiment
> > far more than your average rock star type does... His stuff on Pop is
> > really cool... Great sounds... it is ROCK music... If you can't hack
> > rock, then sure... they probably suck for you. But I think U2 is a
> > great ROCK band... They benefitted a lot from their association with
> > Eno.
> >
> > -Miko
> >
> >
>
>

From Loopers-Delight-request@annihilist.com  Sat Apr 22 03:09:36 2000
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From: Kim Flint <kflint@annihilist.com>
Subject: RE: list etiquette
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Don't forget, we have the performances section of the LD website where you
can post your upcoming gigs:

http://www.annihilist.com/loop/gigs/performances.html


kim

> Me either, considering there are maybe 2 people on this list who are
>remotely close by. Maybe a better idea would be to find out which loopers
>are in your area (somehow) and invite them privately.
>
>Dave Eichenberger- guitars.loops.devices
>http://home1.gte.net/artmusic/dave
>
>
>>
>> As a rule, I don't post my gigs to lists that aren't local in nature.  I
>> don't care if you do, just make sure that the city name and PROMO appear
>> in the subject so that the 99% of us who aren't within 100s of miles of
>> your gig can delete your message immediately.
>>
>> 	Kevin
>>
>>
>>
>> Kevin Goldsmith				kevin@unitcircle.com
>> Unit Circle Media			http://www.unitcircle.com/
>>
>>
>>


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Sat Apr 22 03:19:28 2000
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Date: Sat, 22 Apr 2000 00:12:59 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Request for next version of EDP software
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At 5:45 PM -0700 4/21/00, Om_Audio wrote:
>This is mainly intended to be a message for Kim and Andres
                                                     ^^^^^^

you mean Matthias. :-)


>I am wondering if there would be a way to have an indicator of tempo or
>somehow make smaller divisions of the loop signal indicator light-
>For instance when I have a long loop going it would be nice to have the
>light flash more than just at the beginning of the loop- to somehow make it
>flash in even divisions of the loop or to flash 3 times before it flashes
>the One- or maybe have it just count 10 flashes before 1 irrespective of the
>loop length- like 1 second intervals 10x and 10 is the beginning again-

and:

>...while I'm requesting- - -
>
>Could there be a way to have midi sync on the fly? like if you were to plug
>in a drum machine with a loop going and then start a drum pattern and have
>it synch to the EDP loop? That would be sweet-

We're waaaaay ahead of you Cliff. You're going to be a happy guy. :-)


>Thanks and I hope you are not pulling your hair out with EDP repair
>questions- I somehow think you've done plenty of that as of late-

my hair doesn't come out so much as turn gray. I think I may be able to
pass for the senior rate at the movie theater now.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Sat Apr 22 04:02:32 2000
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Date: Sat, 22 Apr 2000 00:38:34 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Echoplex
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At 6:10 PM -0700 4/21/00, Bill Dickson wrote:
>    Hello,   I've just joined the list, and this past week became a new
>owner of the Gibson Echoplex Digital Pro. Could someone find the answer to
>my problem.  When I've  set: Moreloops to 2, AutoRecord to ON,
>LoopCopy-OFF, SwitchQuant-CYC,  LoopTrig-48,Velocity-ON,SampleStyle to
>RUN, and the MuteMode to StA, and I'm  sampling a "AABA" tune, what
>happens is:  the first A part records fine (as  I want it to repeat) and
>plays again, but when I use NEXTLOOP to record the "B"  (bridge), and
>punch Record to end that, it always plays the bridge twice. When I  end
>that same Loop trying to use the NextLoop key to end it, it gives me L1/2
>things that I don't understand. Any help wood sure me before I try to put
>this in Live  Use. Thank you   Bill

Hello Bill, welcome.

Your question is answered in the Echoplex FAQ:

http://www.annihilist.com/loop/tools/echoplex/FAQ.html

There is a whole section just for multiple loops and loop switching. (FAQ
page 9.) This question is down towards the bottom, but you will undoubtedly
find many other answers and helpful tips in there.

I'd answer here, but I think you will learn a lot more if I force you to go
check out all the other info on the web page. ;-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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Subject: Re: ...ENO and U2 (slightly OT)
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when U2 was touring the states immediately following the first album (and
pretty much unknown outside of college radio where I was spending my free
time as promotions manager), I brought them to Washington University's
Graham Chapel where they played all the soungs on the album and then
REPEATED several of them for encores--word was that they could barely play
their instruments at that point in their career)

this to a packed house of about 100 students

I fondly think back to that tiem of innocence whenever I see them playing
Wembley or Madison Square Garden or whatever . . .

and of course my intro to Eno was as the chameleonish sound-wash man in Roxy
Music . . .


Tom Lambrecht

hideo@concentric.net

From Loopers-Delight-request@annihilist.com  Sat Apr 22 05:38:57 2000
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From: "Jan P" <jan@gomotech.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Request for next version of EDP software
Date: Sat, 22 Apr 2000 02:19:02 -0700
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>I am wondering if there would be a way to have an indicator of tempo or
>somehow make smaller divisions of the loop signal indicator light-
>For instance when I have a long loop going it would be nice to have the
>light flash more than just at the beginning of the loop- to somehow make it

Yea, the ability to subdivide looptimes imho important if you are working in
rhythmic material not purely soundscape. This is why my fripp~ multichannel
variablespeed looper external [ding] for the max platform... has a metronome
output. Once I get off the skateboard to return to the uppermind [time
linearities aside], I think I'll package a version with maxplay for people
who have a mac and want to do live arbitrarylength looping. will post again.
thanks for makin me feel like we're on a collective groove.


PS I'm also interested in bay area jams. as media im sitting with piano
improv, voice, didje and electronics ]1
owerbook[ emersonlakepalmer/kingcrimson/pinkfloyd/rageagainstmachine/
3eb/deep forest/angelique kidjo/orbital circa 1990/beheadtheprophet ..
mishmash style unimportant. hearing silent voices . unmanifest. they demand
incarnation.

PPS www.indymedia.org

in lake'ch
-jan

-----Original Message-----
From: Om_Audio <clifsound@mediaone.net>
To: Loopers List <loopers-delight@annihilist.com>
Date: Friday, April 21, 2000 5:49 PM
Subject: Request for next version of EDP software


>This is mainly intended to be a message for Kim and Andres but I thought
I'd
>better post some Loop related content to the list before I get flamed! ;)
>
>I am wondering if there would be a way to have an indicator of tempo or
>somehow make smaller divisions of the loop signal indicator light-
>For instance when I have a long loop going it would be nice to have the
>light flash more than just at the beginning of the loop- to somehow make it
>flash in even divisions of the loop or to flash 3 times before it flashes
>the One- or maybe have it just count 10 flashes before 1 irrespective of
the
>loop length- like 1 second intervals 10x and 10 is the beginning again-
>
>Thanks and I hope you are not pulling your hair out with EDP repair
>questions- I somehow think you've done plenty of that as of late-
>
>Cliff
>

From Loopers-Delight-request@annihilist.com  Sat Apr 22 05:46:46 2000
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From: "Jan P" <jan@gomotech.com>
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Subject: Re: EDP soft request
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... great ideas.. they would require either realtime pitchshiftablerecord or
a realtime timestretch, neither of which is going to be easy to implement in
DSP code [EDP]. Advantage- Max platform & 3 weeks of nonlinear development
yielded me your idea in software-- slave synchronizable looping. I can feel
the collective need for this kind of expression, where the composer becomes
the conductor and the collaborator in a live orchestra with many inputminds.
Without becoming too focussed on the tools, I'm moving in this direction. Of
course, all tools will be shared opensource w/ caveats this is not
industrially driven.. does not conform to notions of linear time or
nonsustainable economic progress.

anyway, i'm heading for the woods ;shortmountain; to celebrate
roots;beltane;.

thanks again for more inspiration to continue on this confusing path.
blessings.
jan

-----Original Message-----
From: Om_Audio <clifsound@mediaone.net>
To: Loopers List <loopers-delight@annihilist.com>
Date: Friday, April 21, 2000 5:53 PM
Subject: EDP soft request


>...while I'm requesting- - -
>
>Could there be a way to have midi sync on the fly? like if you were to plug
>in a drum machine with a loop going and then start a drum pattern and have
>it synch to the EDP loop? That would be sweet-
>
>Cliff
>

From Loopers-Delight-request@annihilist.com  Sat Apr 22 11:53:51 2000
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From: "future perfect" <artmusic@gte.net>
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Subject: RE: EDP soft request
Date: Sat, 22 Apr 2000 11:30:21 -0400
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 While we are talking about the software update again, is the half-speed
option in there? It has been awhile since some of the updates were
discussed, so I don't remember if that was going to be in the update. And
whats the ETA, anyway?

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave



From Loopers-Delight-request@annihilist.com  Sat Apr 22 12:27:31 2000
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>  While we are talking about the software update again, is the half-speed
>option in there?

yes!




          ---> http://Matthias.Grob.org

From Loopers-Delight-request@annihilist.com  Sat Apr 22 12:48:23 2000
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From: "Om_Audio" <clifsound@mediaone.net>
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Hot Damn! Now I'm excited! Apologies to Mattias~
Thanks Kim- 

Cliff

P.S. You ever heard of "Just For Men"?

;)
----- Original Message ----- 
From: "Kim Flint" <kflint@annihilist.com>
> We're waaaaay ahead of you Cliff. You're going to be a happy guy. :-)

> my hair doesn't come out so much as turn gray. I think I may be able to
> pass for the senior rate at the movie theater now.
> 
> kim
> 
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | 
> 
> 

From Loopers-Delight-request@annihilist.com  Sat Apr 22 14:31:50 2000
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Ooooh boy- I am all hot and bothered- is there a rough ETA on these babies?

Cliff

----- Original Message -----
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, April 22, 2000 9:16 AM
Subject: RE: EDP soft request


> >  While we are talking about the software update again, is the half-speed
> >option in there?
>
> yes!
>
>
>
>
>           ---> http://Matthias.Grob.org
>

From Loopers-Delight-request@annihilist.com  Sat Apr 22 21:56:49 2000
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From: APerson7531@aol.com
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Date: Sat, 22 Apr 2000 21:24:50 EDT
Subject: hi
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Happy to join your "Looping" community
Does anyone have anything special to say?  
Peace to everyone
MOtley

From Loopers-Delight-request@annihilist.com  Sun Apr 23 09:47:02 2000
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How do you manifest your loopage?   Om and Out


>From: APerson7531@aol.com
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: hi
>Date: Sat, 22 Apr 2000 21:24:50 EDT
>
>Happy to join your "Looping" community
>Does anyone have anything special to say?
>Peace to everyone
>MOtley
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sun Apr 23 11:57:36 2000
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From: "Udayan Choudhury" <uday@gw1.vsnl.net.in>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Different Sequencer question
Date: Sun, 23 Apr 2000 20:54:29 +0530
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Hello Mr. Bill,

I am a very humble music enthusiast from North-East India and I know very
little about the stuffs which are discussed here but I think you are
probably talking about 'system exclusive messages'. You should find
information about implementation of this messages in the manual of your
sound source- in this case, the orbit. (Sorry! I am hearing that name for
the first time and would like to know more about it) In Cakewalk, you can
also store this messages in the system exclusive banks which are provided
just for this purpose.

regards to all,
Uday.

-----Original Message-----
From: Crossedout@aol.com <Crossedout@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, April 22, 2000 3:27 AM
Subject: OT: Different Sequencer question


>Question for the more sequencer-savvy -
>
>I am working with a laptop running Cakewalk (version 4.5, just to be
>specific, but I can upgrade to version 8 or 9 if neccessary) and trying to
>run sequences into an EMU Orbit.
>
>The question is, I've heard about messages that are sent at the beginning
of
>a track that would tell the Orbit what patches to use on each channel (i.e.
>bass on channel 1, drums on channel 2, etc.). What are these messages
called,
>and how does one implement them?
>
>Thanks much - the more in depth I get with midi, the more I regret not
>starting to investigate it when I had access to lots of midi-heads to
answer
>stupid questions like this!!!
>
>- Bill
>Crossedout@aol.com
>
>


From Loopers-Delight-request@annihilist.com  Sun Apr 23 13:33:54 2000
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From: "Bill Fox" <billfox@fast.net>
To: <Undisclosed.Recipients@post2.fast.net>
Cc: <webmaster@crocodilerockcafe.com>
Subject: EMUSIC Playlist #161
Date: Mon, 24 Apr 2000 13:06:50 -0400
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[ Best viewed with a fixed spacing font. ]

EMUSIC, an electronic, ambient, and space music show, airs each Thursday
at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.

                    Show #161                    April 20, 2000.

On this show, I continued  the month-long focus on the second annual
NEARfest, North
East Art Rock Festival in Bethlehem, Pennsylvania.  The Feature CD at
Midnight
was As the World by Echolyn on the SONY 550 Music label.  Echolyn, along
with Priam,
will be performing on Preview Night at Crockodile Rock on Friday, June 16.

The music of Ian Boddy was played in support of his upcoming concert at The
Gathering on May 6, 2000.

    NEARfest
http://wdiyfm.org/emusic/playlists/2000/focus00.html#apr
    Crockodile Rock    http://www.crocodilerockcafe.com
    Ian Boddy                http://www.din.org.uk
    The Gathering        http://www.thegatherings.org


ARTIST                  TRACK                    ALBUM (label)
======================= ========================
==============================
11:04 pm
Ramp                    Damage                   Frozen Radios (none)
VA [Navigator]          Third Rail Floating      Gift (Invisible Shadows)
Intelligentsia          The Grand Design         Federation (Groove)
Meg Bowles              Shapeshifter             From the Dark Earth
(Kumatone)
Ian Boddy & Chris Carter  Disembodied            Caged (DiN)
Robert Carty            Spiral Nebula            Pleteaus of Ether (Deep
Sky)
Chuck Wild              Unity                    Liquid Mind IV: Unity (CWR)

12:00 am
Echolyn                 All Ways the Same        As the World (SONY 550
Music)
Echolyn                 As the World             As the World (SONY 550
Music)
Echolyn                 Uncle                    As the World (SONY 550
Music)
Echolyn                 How Long I Have Waited   As the World (SONY 550
Music)
Echolyn                 Best Regards             As the World (SONY 550
Music)
Echolyn                 The Cheese Stands Alone  As the World (SONY 550
Music)
Echolyn                 Prose                    As the World (SONY 550
Music)
Echolyn                 A Short Essay            As the World (SONY 550
Music)
Echolyn                 My Dear Wormwood         As the World (SONY 550
Music)
Echolyn                 Entry 11/19/93           As the World (SONY 550
Music)
Echolyn                 One for the Show         As the World (SONY 550
Music)
Echolyn                 The Wiblet               As the World (SONY 550
Music)
Echolyn                 Audio Verite             As the World (SONY 550
Music)
Echolyn                 Settled Land             As the World (SONY 550
Music)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I'll conclude the month-long focus on the second annual
NEARfest,
The feature CD at midnight will be a compilation disc of NEARfest artists
supplied
by NEARfest president, Rob LaDuca.

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Udayan Choudhury wrote:

> I am a very humble music enthusiast from North-East India.

Hello to Udayan!
Glad you're with us.
I love India.
Cheers,
eobe


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From: "Petr Dolak" <pepetr@crnet.net>
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Subject: Re: list etiquette (from the guilty one)                 
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I am sorry if I was crossed over the line.  I saw announcements of various
gigs on the list many times before, so I did it too.  I thought the line is
whether the gig is about looping or not.  If I caused "bad taste" to anyone,
I apologize.

petr

From Loopers-Delight-request@annihilist.com  Sun Apr 23 21:53:57 2000
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From: "David Potter" <papadave55@hotmail.com>
To: loopers-delight@annihilist.com
Subject: tape cartridge for Roland RE 201?
Date: Sun, 23 Apr 2000 18:50:56 PDT
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I am still looking for a tape cartridge for a Roland Space Echo RE 201.
I tried several sites but no luck.  Any one have a clue as to where I could 
get one to get this puppy up and looping.   Om and out  Papa Dave



>From: "swol" <juergenkeim@swol.de>
>Reply-To: "swol" <juergenkeim@swol.de>
>To: "papadave55@hotmail.com" <papadave55@hotmail.com>
>CC: "juju" <jkeim@ibm.net>
>Subject: Re: Request to Musicians-Gear
>Date: Sun, 23 Apr 2000 22:34:03 +0200
>
>On Sat, 22 Apr 2000 23:10:17 +0200 (CEST), papadave55@hotmail.com wrote:
>
> >
> >Email    papadave55@hotmail.com
> >Name     Dave Potter
> >         Repairs
> >
> >I need a tape cartridge for a Roland Space Echo RE201.  Do you have it?  
>Om and Out Papa Dave
> >
>sorry, cannot help
>
>Best Regards, Nicolas Keim
>
>
>Currency(Money)-Converter
>for all countries at : http://www.oanda.com/converter/classic?lang=en
>
>Import Guide at: http://www.musicians-gear.com/exp/impguid.htm
>Voltage Guide at: http://www.musicians-gear.com/exp/voltagegu.htm
>Warranty Guide at: http://www.musicians-gear.com/exp/warranty.htm
>
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sun Apr 23 21:55:26 2000
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From: jordanpease@webtv.net (Jordan Pease)
Date: Sun, 23 Apr 2000 18:38:40 -0700 (PDT)
To: Loopers-Delight@annihilist.com
Subject: Instructional video
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I just received my new Echoplex, and as a former Jamman user am very
excited about this powerful new tool. However, the manual is
disappointing. I asked Kim if an instructional video is/will be
available. Anybody else got any ideas ? Thanks.

From Loopers-Delight-request@annihilist.com  Sun Apr 23 22:51:14 2000
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Petr Dolak wrote:

> I am sorry if I was crossed over the line.  I saw announcements of various
> gigs on the list many times before, so I did it too.  I thought the line is
> whether the gig is about looping or not.  If I caused "bad taste" to anyone,
> I apologize.
>
> petr

gee, i usually enjoy seeing people's gigs announced. tho it probably would be
good to indicate in the subject line that it's a (how does it go?) shameless
self-promotion so those who aren't interested can trash & continue...

my 2 cents

lance g.

From Loopers-Delight-request@annihilist.com  Sun Apr 23 23:30:26 2000
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From: "kameleyon" <kameleyon@hotmail.com>
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Subject: Echoplex, etc, on Ebay
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Hello all, since I live/work on a cruise ship and don't really use it 
anymore, my Echoplex is up on Ebay for any interested partys.

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=316454254

Also, my Beheringer Autocom, Behringer Virtualizer, Lexicon MPX-100, and 
Sabine Rack tuner are all up on Ebay, starting tonight. All in excellent 
condition and barely used.

Thanks all...

_________________________________
Joshua D. Pickenpaugh
Bassist, Composer, Teacher
http://www.chameleonsound.net

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sun Apr 23 23:39:08 2000
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From: Jax1723@aol.com
Message-ID: <a9.4a55ca3.26351794@aol.com>
Date: Sun, 23 Apr 2000 23:20:52 EDT
Subject: tape cartridge for Roland RE 201?
To: Loopers-Delight@annihilist.com
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My understanding is that they are not available... you either have to find a 
broken 201 somewhere and hopefully salvage the cartridge from it; or if it's 
just that the tape itself is worn out you can try splicing together a fresh 
bit of  1/4in. tape (just make sure you cut it on an angle).  if I'm wrong 
and they are still available please let me know (I'd also really like to find 
a cartridge for the maestro sirecho but I won't hold my breath on that one).
good luck
jack

>I am still looking for a tape cartridge for a Roland Space Echo RE 201.
>I tried several sites but no luck.  Any one have a clue as to where I could 
>get one to get this puppy up and looping.   Om and out  Papa Dave

From Loopers-Delight-request@annihilist.com  Sun Apr 23 23:57:15 2000
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From: "Steven Woods" <swoods@comcen.com.au>
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Subject: Re: EMUSIC Playlist #161
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Bill Fox,
  Can you unsubscribe me from this spam

I don't live in USA and I don't want to receive this.
 2nd request.
I suscribed to Kims list BUT not yours.
Steven
----- Original Message -----
From: "Bill Fox" <billfox@fast.net>
To: <Undisclosed.Recipients@post2.fast.net>
Cc: <webmaster@crocodilerockcafe.com>
Sent: Tuesday, April 25, 2000 3:06 AM
Subject: EMUSIC Playlist #161


> [ Best viewed with a fixed spacing font. ]
>
> EMUSIC, an electronic, ambient, and space music show, airs each Thursday
> at 11:04 pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
> Easton, PA and Phillipsburg, NJ.
>
>                     Show #161                    April 20, 2000.
>
> On this show, I continued  the month-long focus on the second annual
> NEARfest, North
> East Art Rock Festival in Bethlehem, Pennsylvania.  The Feature CD at
> Midnight
> was As the World by Echolyn on the SONY 550 Music label.  Echolyn, along
> with Priam,
> will be performing on Preview Night at Crockodile Rock on Friday, June 16.
>
> The music of Ian Boddy was played in support of his upcoming concert at
The
> Gathering on May 6, 2000.
>
>     NEARfest
> http://wdiyfm.org/emusic/playlists/2000/focus00.html#apr
>     Crockodile Rock    http://www.crocodilerockcafe.com
>     Ian Boddy                http://www.din.org.uk
>     The Gathering        http://www.thegatherings.org
>
>
> ARTIST                  TRACK                    ALBUM (label)
> ======================= ========================
> ==============================
> 11:04 pm
> Ramp                    Damage                   Frozen Radios (none)
> VA [Navigator]          Third Rail Floating      Gift (Invisible Shadows)
> Intelligentsia          The Grand Design         Federation (Groove)
> Meg Bowles              Shapeshifter             From the Dark Earth
> (Kumatone)
> Ian Boddy & Chris Carter  Disembodied            Caged (DiN)
> Robert Carty            Spiral Nebula            Pleteaus of Ether (Deep
> Sky)
> Chuck Wild              Unity                    Liquid Mind IV: Unity
(CWR)
>
> 12:00 am
> Echolyn                 All Ways the Same        As the World (SONY 550
> Music)
> Echolyn                 As the World             As the World (SONY 550
> Music)
> Echolyn                 Uncle                    As the World (SONY 550
> Music)
> Echolyn                 How Long I Have Waited   As the World (SONY 550
> Music)
> Echolyn                 Best Regards             As the World (SONY 550
> Music)
> Echolyn                 The Cheese Stands Alone  As the World (SONY 550
> Music)
> Echolyn                 Prose                    As the World (SONY 550
> Music)
> Echolyn                 A Short Essay            As the World (SONY 550
> Music)
> Echolyn                 My Dear Wormwood         As the World (SONY 550
> Music)
> Echolyn                 Entry 11/19/93           As the World (SONY 550
> Music)
> Echolyn                 One for the Show         As the World (SONY 550
> Music)
> Echolyn                 The Wiblet               As the World (SONY 550
> Music)
> Echolyn                 Audio Verite             As the World (SONY 550
> Music)
> Echolyn                 Settled Land             As the World (SONY 550
> Music)
>
> 1:00 am
>
>  * = exerpt
> VA = Various Artists (compilation)
>
> On the next EMUSIC, I'll conclude the month-long focus on the second
annual
> NEARfest,
> The feature CD at midnight will be a compilation disc of NEARfest artists
> supplied
> by NEARfest president, Rob LaDuca.
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 00:18:53 2000
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From: Simon <simon@dynamite.com.au>
Subject: Re: tape cartridge for Roland RE 201?
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Have you asked your local Roland dealer, they should be able to order one
from Roland for you.

Simon
Canberra
AUSTRALIA


>I am still looking for a tape cartridge for a Roland Space Echo RE 201.
>I tried several sites but no luck.  Any one have a clue as to where I could
>get one to get this puppy up and looping.   Om and out  Papa Dave
>
>
>
>>From: "swol" <juergenkeim@swol.de>
>>Reply-To: "swol" <juergenkeim@swol.de>
>>To: "papadave55@hotmail.com" <papadave55@hotmail.com>
>>CC: "juju" <jkeim@ibm.net>
>>Subject: Re: Request to Musicians-Gear
>>Date: Sun, 23 Apr 2000 22:34:03 +0200
>>
>>On Sat, 22 Apr 2000 23:10:17 +0200 (CEST), papadave55@hotmail.com wrote:
>>
>> >
>> >Email    papadave55@hotmail.com
>> >Name     Dave Potter
>> >         Repairs
>> >
>> >I need a tape cartridge for a Roland Space Echo RE201.  Do you have it?
>>Om and Out Papa Dave
>> >
>>sorry, cannot help
>>
>>Best Regards, Nicolas Keim
>>
>>
>>Currency(Money)-Converter
>>for all countries at : http://www.oanda.com/converter/classic?lang=en
>>
>>Import Guide at: http://www.musicians-gear.com/exp/impguid.htm
>>Voltage Guide at: http://www.musicians-gear.com/exp/voltagegu.htm
>>Warranty Guide at: http://www.musicians-gear.com/exp/warranty.htm
>>
>>
>
>________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com



From Loopers-Delight-request@annihilist.com  Mon Apr 24 01:01:56 2000
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Steven Woods wrote:

> Bill Fox,
>   Can you unsubscribe me from this spam
>
> I don't live in USA and I don't want to receive this.
>  2nd request.
> I suscribed to Kims list BUT not yours.
> Steven
>

apologies for barging in, but i hope you understand that bill fox emails his
playlist to the looper's delight list. it is not a separate list. you are not
personally being singled out for spamming. everyone on this list gets a copy of
it; some like it, some don't. in the interest of free speech (and since the
music bill promotes is likely more on topic than a lot of what gets posted
here) i'd recommend you simply use a filter if you don't wish to see it in your
mail.

more of my 2 cents.

lance g.

From Loopers-Delight-request@annihilist.com  Mon Apr 24 01:04:40 2000
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From: Crossedout@aol.com
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Date: Mon, 24 Apr 2000 00:58:16 EDT
Subject: Re: Different Sequencer question
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Sorry for that post - I didn't realize it was going to the whole list. 

shoot me now, Kim. 

- Bill
Crossedout@aol.com

From Loopers-Delight-request@annihilist.com  Mon Apr 24 00:54:37 2000
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From: "Steven Woods" <swoods@comcen.com.au>
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Subject: Re: tape cartridge for Roland RE 201?
Date: Mon, 24 Apr 2000 14:34:14 +1000
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Maybe you should try vintage supply dealers Roland hasnt made tape echo's
for many years
Steven
Good to see a fellow Australian
----- Original Message -----
From: "Simon" <simon@dynamite.com.au>
To: <Loopers-Delight@annihilist.com>
Cc: <papadave55@hotmail.com>
Sent: Monday, April 24, 2000 2:12 PM
Subject: Re: tape cartridge for Roland RE 201?


> Have you asked your local Roland dealer, they should be able to order one
> from Roland for you.
>
> Simon
> Canberra
> AUSTRALIA
>
>
> >I am still looking for a tape cartridge for a Roland Space Echo RE 201.
> >I tried several sites but no luck.  Any one have a clue as to where I
could
> >get one to get this puppy up and looping.   Om and out  Papa Dave
> >
> >
> >
> >>From: "swol" <juergenkeim@swol.de>
> >>Reply-To: "swol" <juergenkeim@swol.de>
> >>To: "papadave55@hotmail.com" <papadave55@hotmail.com>
> >>CC: "juju" <jkeim@ibm.net>
> >>Subject: Re: Request to Musicians-Gear
> >>Date: Sun, 23 Apr 2000 22:34:03 +0200
> >>
> >>On Sat, 22 Apr 2000 23:10:17 +0200 (CEST), papadave55@hotmail.com wrote:
> >>
> >> >
> >> >Email    papadave55@hotmail.com
> >> >Name     Dave Potter
> >> >         Repairs
> >> >
> >> >I need a tape cartridge for a Roland Space Echo RE201.  Do you have
it?
> >>Om and Out Papa Dave
> >> >
> >>sorry, cannot help
> >>
> >>Best Regards, Nicolas Keim
> >>
> >>
> >>Currency(Money)-Converter
> >>for all countries at : http://www.oanda.com/converter/classic?lang=en
> >>
> >>Import Guide at: http://www.musicians-gear.com/exp/impguid.htm
> >>Voltage Guide at: http://www.musicians-gear.com/exp/voltagegu.htm
> >>Warranty Guide at: http://www.musicians-gear.com/exp/warranty.htm
> >>
> >>
> >
> >________________________________________________________________________
> >Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
>
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 01:11:22 2000
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Date: Sun, 23 Apr 2000 22:14:07 -0700
From: lance glover <baumhaus@earthlink.net>
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Jordan Pease wrote:

> I just received my new Echoplex, and as a former Jamman user am very
> excited about this powerful new tool. However, the manual is
> disappointing. I asked Kim if an instructional video is/will be
> available.

and he said...?

> Anybody else got any ideas ? Thanks.

have you tried the faq pages in the looper's site? they're at:

http://www.annihilist.com/loop/tools/echoplex/FAQ.html


also, ranting at this list can often bring positive results :-)


lance g.

From Loopers-Delight-request@annihilist.com  Mon Apr 24 01:25:22 2000
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From: Crossedout@aol.com
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Date: Mon, 24 Apr 2000 00:56:26 EDT
Subject: Re: Different Sequencer question
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In a message dated 4/23/00 10:57:46 AM Central Daylight Time, 
uday@gw1.vsnl.net.in writes:

<< You should find
 information about implementation of this messages in the manual of your
 sound source- in this case, the orbit. (Sorry! I am hearing that name for
 the first time and would like to know more about it) >>

The Orbit is an EMU sound module, they have put out 5 that I know of in a 
series, the first three were the Orbit, Planet Phatt and Carnival, each of 
which have 600+ patches optimized for techno/dance, hiphop and Latin styles, 
respectively. 

Recently they came out with an upgraded Planet Phatt called the Mo'Phatt, and 
another one that's more techno style patches, the name of which escapes me. 
But you should be able to find them on the web, just search for an EMU web 
site. The Orbit and Planet Phatt seemed pretty similar, I just needed some 
good sounds and the place I was shopping at had a demo model of the Orbit 
that I could afford!! But it's packed with good stuff.....

<<In Cakewalk, you can
 also store this messages in the system exclusive banks which are provided
 just for this purpose. >>


I know it'll do it, I just am having a problem finding out how to do it in 
the manual. I'm not super familiar with Midi and sequencing, I'm coming from 
a guitar background instead of a keyboard background, so it's a little tough 
for me, as well as the fact that different manufacturers write their manuals 
in totally different ways, using different phrases and words to acheive the 
same ends.... it gets frustrating sometimes!

Anyway, thanks much for your input. If you have any other questions about the 
Orbit, let me know and I'll try to answer!!
- Bill
Crossedout@aol.com

From Loopers-Delight-request@annihilist.com  Mon Apr 24 01:41:32 2000
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To: Loopers-Delight@annihilist.com
From: Simon <simon@dynamite.com.au>
Subject: Re: tape cartridge for Roland RE 201?
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They havn't made tape echos for many years, but they still might stock the
tapes as spare parts, I'm not really sure though.

If not, couldn't you just use any tape that is the same width? Just splice
the ends together into a loop.

The Roland tapes come in a little plastic 'cartridge', but the tape is just
loaded into the machine and the plastic 'cartridge' isn't used after that.

Simon
Canberra
AUSTRALIA


>Maybe you should try vintage supply dealers Roland hasnt made tape echo's
>for many years
>Steven
>Good to see a fellow Australian

>> Have you asked your local Roland dealer, they should be able to order one
>> from Roland for you.
>>
>> Simon
>> Canberra
>> AUSTRALIA

>> >I am still looking for a tape cartridge for a Roland Space Echo RE 201.
>> >I tried several sites but no luck.  Any one have a clue as to where I
>could
>> >get one to get this puppy up and looping.   Om and out  Papa Dave

>> >> >I need a tape cartridge for a Roland Space Echo RE201.  Do you have
>it?
>> >>Om and Out Papa Dave


>> >>sorry, cannot help
>> >>
>> >>Best Regards, Nicolas Keim


From Loopers-Delight-request@annihilist.com  Mon Apr 24 01:40:00 2000
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From: lance glover <baumhaus@earthlink.net>
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To: Loopers-Delight@annihilist.com
Subject: Re: open reel deck looping?
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anyone?

i just inherited a fostex model 20 1/4" open reel deck. looping tool or
bookend? (it looks nice enough, and i've got  room in my studio to have it
just sit there, but if i could make it earn its keep somehow when i 'm tired
of checking the edp faqs for simple answers to stupid questions, it would be
nice).

(just don't say "well, if it was a revox...")

lance g.

From Loopers-Delight-request@annihilist.com  Mon Apr 24 01:50:55 2000
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From: SketchyJoe@aol.com
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Date: Mon, 24 Apr 2000 01:34:32 EDT
Subject: DT recomendation, was: Instructional video
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For anybody on the list who has not seen the video, I do highly recommend 
Meister Torn's instructional video "Painting with the Guitar".  For some 
people, it will be a great explanation of many concepts that we all deal 
with.  I've sprung this video on my less experimental musician friends, who 
have since realized the potential of sound, looped or not.
 
 Thank you Mr. Torn, and I patiently await my check :-).
 
 Also, as less of revenant point, I recommend Bill Frisell's video, if at 
least for the entertainment value of watching an amazing musician 
simultaneously explain looping and feel completely uncomfortable in front of 
a camera at the same time.  Haven't we all been there in one sense or another?
 
 Later!
 Joe

P.S. : sorry Lance for sending this message to you twice (hit the wrong 
button at the wrong time)

From Loopers-Delight-request@annihilist.com  Mon Apr 24 02:58:52 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <baumhaus@earthlink.net>, <Loopers-Delight@annihilist.com>
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Subject: Re: open reel deck looping?
Date: Mon, 24 Apr 2000 03:00:32 -0400
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You an use any reel to reel for looping. The Revox is
just a *nice to have* for it's simplicity and quality.

I still prefer the sound and tactile simplicity of analog
looping over digital.

Gino wong - who's an LD member - sent me a spare loop arm
he had lying around which is very useful for setting up
loops of varying length. I imagine these can be salvaged
from broken recorders.

Check the archives under "loop arm". November 1999, I
think.

BTW, Gino - I figured out the mic clip thing for holding
the loop arm. Works like a charm! I have a few new ideas for
an adjustable tapeloop device based on David Keane's excellent
book, "Tape Music Composition" (1980).

- Larry

> anyone?
>
> i just inherited a fostex model 20 1/4" open reel deck. looping tool or
> bookend? (it looks nice enough, and i've got  room in my studio to have it
> just sit there, but if i could make it earn its keep somehow when i 'm
tired
> of checking the edp faqs for simple answers to stupid questions, it would
be
> nice).
>
> (just don't say "well, if it was a revox...")
>
> lance g.
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 03:00:34 2000
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Subject: Re: tape cartridge for Roland RE 201?
Date: Mon, 24 Apr 2000 02:47:23 -0400
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Note that the 1/4" (nearly) tape used for the 201 is the
lubricated type. Normal "dry" tape will not work.

- Larry T
----- Original Message -----
From: "Simon" <simon@dynamite.com.au>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, April 24, 2000 1:38 AM
Subject: Re: tape cartridge for Roland RE 201?


> They havn't made tape echos for many years, but they still might stock the
> tapes as spare parts, I'm not really sure though.
>
> If not, couldn't you just use any tape that is the same width? Just splice
> the ends together into a loop.
>
> The Roland tapes come in a little plastic 'cartridge', but the tape is
just
> loaded into the machine and the plastic 'cartridge' isn't used after that.
>
> Simon
> Canberra
> AUSTRALIA
>
>
> >Maybe you should try vintage supply dealers Roland hasnt made tape echo's
> >for many years
> >Steven
> >Good to see a fellow Australian
>
> >> Have you asked your local Roland dealer, they should be able to order
one
> >> from Roland for you.
> >>
> >> Simon
> >> Canberra
> >> AUSTRALIA
>
> >> >I am still looking for a tape cartridge for a Roland Space Echo RE
201.
> >> >I tried several sites but no luck.  Any one have a clue as to where I
> >could
> >> >get one to get this puppy up and looping.   Om and out  Papa Dave
>
> >> >> >I need a tape cartridge for a Roland Space Echo RE201.  Do you have
> >it?
> >> >>Om and Out Papa Dave
>
>
> >> >>sorry, cannot help
> >> >>
> >> >>Best Regards, Nicolas Keim
>
>
>

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To: Loopers-Delight@annihilist.com
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Subject: Re: open reel deck looping?
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A friend of mine uses a couple of reel-to-reels for all his music
sequencing/recording, he can't afford a sampler and/or computer.

He sequences by cutting up individual notes and drum hits on the tape, and
then joins them together into loops. These loops are his sequences.

To keep things in time he draws a graph on a piece of paper so that he
knows how long each note/beat/sequence/etc. should be, showing him where to
cut the tape.

His reel-to-reel has an old telescopic radio antenna attached to the front,
with something on top of the antenna for the tape to 'roll' over, and he
extends the antenna upwards to hold the loop tight.

He runs these loops on a two track reel-to-reel and then records them onto
a 4 track reel-to-reel to allow layering/multi-tracking of multiple
loops/sequences.

He has 'racks' on the wall with all his tape loops hanging on them.

Total lo-fi sampling/looping, it's really amazing what he does with it.

It really gives a loose feel, seemingly more 'organic' and 'real' than
computer based sequencing.

Simon
Canberra
AUSTRALIA




>You an use any reel to reel for looping. The Revox is
>just a *nice to have* for it's simplicity and quality.
>
>I still prefer the sound and tactile simplicity of analog
>looping over digital.
>
>Gino wong - who's an LD member - sent me a spare loop arm
>he had lying around which is very useful for setting up
>loops of varying length. I imagine these can be salvaged
>from broken recorders.
>
>Check the archives under "loop arm". November 1999, I
>think.
>
>BTW, Gino - I figured out the mic clip thing for holding
>the loop arm. Works like a charm! I have a few new ideas for
>an adjustable tapeloop device based on David Keane's excellent
>book, "Tape Music Composition" (1980).
>
>- Larry
>
>> anyone?
>>
>> i just inherited a fostex model 20 1/4" open reel deck. looping tool or
>> bookend? (it looks nice enough, and i've got  room in my studio to have it
>> just sit there, but if i could make it earn its keep somehow when i 'm
>tired
>> of checking the edp faqs for simple answers to stupid questions, it would
>be
>> nice).
>>
>> (just don't say "well, if it was a revox...")
>>
>> lance g.
>>
>>



From Loopers-Delight-request@annihilist.com  Mon Apr 24 04:20:59 2000
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Subject: Re: open reel deck looping?
Date: Mon, 24 Apr 2000 04:07:45 -0400
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> A friend of mine uses a couple of reel-to-reels for all his music
> sequencing/recording, he can't afford a sampler and/or computer.
>
Yep, one of the origins of sampling and sequencing, and it still
works great. Sounds better, too, IMHO.

> He sequences by cutting up individual notes and drum hits on the tape, and
> then joins them together into loops. These loops are his sequences.

Does anyone remember the pre-digital era records called Drum Drops?
This series of LP's contained real cheesy studio-recorded drum
tracks of *realdrums* in a variety of styles. They were called
Drum Drops because you basically 'dropped them into the rhythm
track' on tape, building up a complete drum track 2 to 4 measures
at a time, i.e., a sequence of drum samples.

> To keep things in time he draws a graph on a piece of paper so that he
> knows how long each note/beat/sequence/etc. should be, showing him where
to
> cut the tape.
>
> His reel-to-reel has an old telescopic radio antenna attached to the
front,
> with something on top of the antenna for the tape to 'roll' over, and he
> extends the antenna upwards to hold the loop tight.
>
> He runs these loops on a two track reel-to-reel and then records them onto
> a 4 track reel-to-reel to allow layering/multi-tracking of multiple
> loops/sequences.
>
> He has 'racks' on the wall with all his tape loops hanging on them.
>
> Total lo-fi sampling/looping, it's really amazing what he does with it.
>
> It really gives a loose feel, seemingly more 'organic' and 'real' than
> computer based sequencing.
>

I agree. Tape is still one of the most rewarding, if time consuming,
methods of looping and sampling. Some things are actually easier
to do with tape.

- Larry T
>
>
>
> >You an use any reel to reel for looping. The Revox is
> >just a *nice to have* for it's simplicity and quality.
> >
> >I still prefer the sound and tactile simplicity of analog
> >looping over digital.
> >
> >Gino wong - who's an LD member - sent me a spare loop arm
> >he had lying around which is very useful for setting up
> >loops of varying length. I imagine these can be salvaged
> >from broken recorders.
> >
> >Check the archives under "loop arm". November 1999, I
> >think.
> >
> >BTW, Gino - I figured out the mic clip thing for holding
> >the loop arm. Works like a charm! I have a few new ideas for
> >an adjustable tapeloop device based on David Keane's excellent
> >book, "Tape Music Composition" (1980).
> >
> >- Larry
> >
> >> anyone?
> >>
> >> i just inherited a fostex model 20 1/4" open reel deck. looping tool or
> >> bookend? (it looks nice enough, and i've got  room in my studio to have
it
> >> just sit there, but if i could make it earn its keep somehow when i 'm
> >tired
> >> of checking the edp faqs for simple answers to stupid questions, it
would
> >be
> >> nice).
> >>
> >> (just don't say "well, if it was a revox...")
> >>
> >> lance g.
> >>
> >>
>
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 04:15:34 2000
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To: <Loopers-Delight@annihilist.com>
References: <20000424015056.46807.qmail@hotmail.com>
Subject: Re: tape cartridge for Roland RE 201?
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Howdy Dave.
I just sold 17 tape cartrigdes,
I threw in two  RE.501's for
comedy reasons. Anyway.
I have 1 cartridge left.
The catch is, I live in Australia.
They call it down under cause
it's the arse end.
Where the hell are you.
I can send it to u if u  want.
You sound in despirate need.


----- Original Message -----
From: David Potter <papadave55@hotmail.com>
To: <loopers-delight@annihilist.com>
Sent: Sunday, April 23, 2000 6:50 PM
Subject: tape cartridge for Roland RE 201?


> I am still looking for a tape cartridge for a Roland Space Echo RE 201.
> I tried several sites but no luck.  Any one have a clue as to where I
could
> get one to get this puppy up and looping.   Om and out  Papa Dave
>
>
>
> >From: "swol" <juergenkeim@swol.de>
> >Reply-To: "swol" <juergenkeim@swol.de>
> >To: "papadave55@hotmail.com" <papadave55@hotmail.com>
> >CC: "juju" <jkeim@ibm.net>
> >Subject: Re: Request to Musicians-Gear
> >Date: Sun, 23 Apr 2000 22:34:03 +0200
> >
> >On Sat, 22 Apr 2000 23:10:17 +0200 (CEST), papadave55@hotmail.com wrote:
> >
> > >
> > >Email    papadave55@hotmail.com
> > >Name     Dave Potter
> > >         Repairs
> > >
> > >I need a tape cartridge for a Roland Space Echo RE201.  Do you have it?
> >Om and Out Papa Dave
> > >
> >sorry, cannot help
> >
> >Best Regards, Nicolas Keim
> >
> >
> >Currency(Money)-Converter
> >for all countries at : http://www.oanda.com/converter/classic?lang=en
> >
> >Import Guide at: http://www.musicians-gear.com/exp/impguid.htm
> >Voltage Guide at: http://www.musicians-gear.com/exp/voltagegu.htm
> >Warranty Guide at: http://www.musicians-gear.com/exp/warranty.htm
> >
> >
>
> ________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 04:59:06 2000
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From: DanKoontz@webtv.net (Dan Koontz)
Date: Mon, 24 Apr 2000 01:55:19 -0700 (PDT)
To: Loopers-Delight@annihilist.com
Subject: Re: open reel deck looping?
Message-ID: <504-39040BF7-8860@storefull-163.iap.bryant.webtv.net>
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Where or how did your friend learn how to do analog tape sequencing /
looping? 
Thanks, 
       Dan

From Loopers-Delight-request@annihilist.com  Mon Apr 24 05:48:59 2000
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From: "Udayan Choudhury" <uday@gw1.vsnl.net.in>
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My sincere thanks to Eric !

Uday.

-----Original Message-----
From: eric <eobertha@inreach.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, April 24, 2000 4:58 AM
Subject: Re: Different Sequencer question


>
>
>Udayan Choudhury wrote:
>
>> I am a very humble music enthusiast from North-East India.
>
>Hello to Udayan!
>Glad you're with us.
>I love India.
>Cheers,
>eobe
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 06:00:39 2000
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>Where or how did your friend learn how to do analog tape sequencing /
>looping?
>Thanks,
>       Dan


Not sure, I'll ask him next time I catch up with him.

He's really creative anyway, he probably read about the technique somewhere
and just taught himself through the need/desire to get something going dirt
cheap.

Simon
Canberra
AUSTRALIA


From Loopers-Delight-request@annihilist.com  Mon Apr 24 08:30:45 2000
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From: Texture444@aol.com
Message-ID: <b2.43c0258.26359453@aol.com>
Date: Mon, 24 Apr 2000 08:13:07 EDT
Subject: Re: DT recomendation, was: Instructional video
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sketchy,
thanks for the endorsement of me (now old, i'm afraid) video;
personally, i really wish it had been more loop-comprehensive/focussed--- & i 
wish that it hadn't been shot all in one day, a day... by the by... on which 
i was recovering from the type of seizure to which i's occasionally subjected:
i was feelin' *really* funky.....
also:
some time back, there was some chitchat twixt kim, gibson & meself
re: producing an EDP instructavid;
obviously, it never happened.
while i still haven't plumbed the plumbable depths of the *current* EDP 
software:
--(i'm sure that many of y'all take much deeper advantage of the beast's 
capabilities)--
i'd still be interested in such an event-production, esp. if it were in 
collaboration w/a more knowledgeable sort than i; ie, kim or someone else.
ruminating: as usual.
dt

>For anybody on the list who has not seen the video, I do highly recommend
>Meister Torn's instructional video "Painting with the Guitar".  For some
>people, it will be a great explanation of many concepts that we all deal
>with.  I've sprung this video on my less experimental musician friends,
>who have since realized the potential of sound, looped or not.
> 
> Thank you Mr. Torn, and I patiently await my check :-).

From Loopers-Delight-request@annihilist.com  Mon Apr 24 09:58:07 2000
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: tape cartridge for Roland RE 201?
Date: Mon, 24 Apr 2000 08:44:59 -0500
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I used to own one these puppies and, as I recall, I cut my own tapes loops using
regular "dry" tapes.  They seemed to work OK.  I'd give it a try; tape is cheap.
As Simon says, just splice it at an angle.  Try a short loop first.

>Note that the 1/4" (nearly) tape used for the 201 is the
>lubricated type. Normal "dry" tape will not work.

Dennis Leas
-----------------------------
dennis@mdbs.com


-----Original Message-----
From: Larry Tremblay <ltct@concentric.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, April 24, 2000 2:02 AM
Subject: Re: tape cartridge for Roland RE 201?


>
>- Larry T
>----- Original Message -----
>From: "Simon" <simon@dynamite.com.au>
>To: <Loopers-Delight@annihilist.com>
>Sent: Monday, April 24, 2000 1:38 AM
>Subject: Re: tape cartridge for Roland RE 201?
>
>
>> They havn't made tape echos for many years, but they still might stock the
>> tapes as spare parts, I'm not really sure though.
>>
>> If not, couldn't you just use any tape that is the same width? Just splice
>> the ends together into a loop.
>>
>> The Roland tapes come in a little plastic 'cartridge', but the tape is
>just
>> loaded into the machine and the plastic 'cartridge' isn't used after that.
>>
>> Simon
>> Canberra
>> AUSTRALIA
>>
>>
>> >Maybe you should try vintage supply dealers Roland hasnt made tape echo's
>> >for many years
>> >Steven
>> >Good to see a fellow Australian
>>
>> >> Have you asked your local Roland dealer, they should be able to order
>one
>> >> from Roland for you.
>> >>
>> >> Simon
>> >> Canberra
>> >> AUSTRALIA
>>
>> >> >I am still looking for a tape cartridge for a Roland Space Echo RE
>201.
>> >> >I tried several sites but no luck.  Any one have a clue as to where I
>> >could
>> >> >get one to get this puppy up and looping.   Om and out  Papa Dave
>>
>> >> >> >I need a tape cartridge for a Roland Space Echo RE201.  Do you have
>> >it?
>> >> >>Om and Out Papa Dave
>>
>>
>> >> >>sorry, cannot help
>> >> >>
>> >> >>Best Regards, Nicolas Keim
>>
>>
>>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 10:09:59 2000
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: list etiquette
Date: Mon, 24 Apr 2000 08:56:45 -0500
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>looper etiquette squad:  is posting one's own upcoming gigs on this list
>considered bad taste, or welcomed heartily by all?   thnx for an answer

I, speaking only for myself, welcome all gig announcements.  Even if I can't
road-trip to a fellow loopist's gig, it's encouraging to hear about them.  It
motivates me and maybe other players to get out of the basement and DO IT!
Besides, there's so few announcements that it consumes little bandwidth.

Dennis Leas
-----------------------------
dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Mon Apr 24 10:01:16 2000
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I'm fortunate to have a copy of Petr's CD and I can atest to it's fineness.
Highly enjoyable!
Good gigging, Petr!  Wish I could be there!

Dennis Leas
-----------------------------
dennis@mdbs.com



-----Original Message-----
From: Petr Dolak <pepetr@crnet.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, April 21, 2000 7:26 PM
Subject: Looping in South Ohio


>a quiet concert with looping content
>
>SLOWness: celebration of a slower life
>by Petr Dolak, guitars, percussion, sound making stuff, looping
>
>ATHENS    April 22, 8 pm
>Unitarian Fellowship of Athens
>184 Longview Heights Road, Athens OH
>
>BELLAIRE (near St. Clairsville)  April 29, 7 pm
>Unitarian Universalist Church of the Ohio Valley
>66166 Kirkwood Heights Road, Bellaire, OH
>
>questions?  email pepetr@crnet.net
>

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Date: Mon, 24 Apr 2000 10:28:56 -0400 (EDT)
From: "r. dennis" <tonobung@panix.com>
To: Loopers-Delight@annihilist.com
Subject: Re: tape cartridge for Roland RE 201?
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yo.
i've heard differing opinions re: the 
type of tape used. some say 1/4". some
say "same as 8 track carts"... anyone
got the real skinny?

rolling yr own wld seem to be the way to go.


rbrt
On Mon, 24 Apr 2000, Simon wrote:

> They havn't made tape echos for many years, but they still might stock the
> tapes as spare parts, I'm not really sure though.
> 
> If not, couldn't you just use any tape that is the same width? Just splice
> the ends together into a loop.
> 
> The Roland tapes come in a little plastic 'cartridge', but the tape is just
> loaded into the machine and the plastic 'cartridge' isn't used after that.
> 
> Simon
> Canberra
> AUSTRALIA
> 
> 
> >Maybe you should try vintage supply dealers Roland hasnt made tape echo's
> >for many years
> >Steven
> >Good to see a fellow Australian
> 
> >> Have you asked your local Roland dealer, they should be able to order one
> >> from Roland for you.
> >>
> >> Simon
> >> Canberra
> >> AUSTRALIA
> 
> >> >I am still looking for a tape cartridge for a Roland Space Echo RE 201.
> >> >I tried several sites but no luck.  Any one have a clue as to where I
> >could
> >> >get one to get this puppy up and looping.   Om and out  Papa Dave
> 
> >> >> >I need a tape cartridge for a Roland Space Echo RE201.  Do you have
> >it?
> >> >>Om and Out Papa Dave
> 
> 
> >> >>sorry, cannot help
> >> >>
> >> >>Best Regards, Nicolas Keim
> 
> 
> 

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Subject: Re: tape cartridge for Roland RE 201?
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i got a cart for my sre 555 
at dr. sound in nyc - they were making
them but may have stopped now.

when is someone gonna manufacture
a space-echo re-ish? with contemp.
componants they'd clean up!  ;)


rbrt
On Sun, 23 Apr 2000, David Potter wrote:

> I am still looking for a tape cartridge for a Roland Space Echo RE 201.
> I tried several sites but no luck.  Any one have a clue as to where I could 
> get one to get this puppy up and looping.   Om and out  Papa Dave
> 
> 
> 
> >From: "swol" <juergenkeim@swol.de>
> >Reply-To: "swol" <juergenkeim@swol.de>
> >To: "papadave55@hotmail.com" <papadave55@hotmail.com>
> >CC: "juju" <jkeim@ibm.net>
> >Subject: Re: Request to Musicians-Gear
> >Date: Sun, 23 Apr 2000 22:34:03 +0200
> >
> >On Sat, 22 Apr 2000 23:10:17 +0200 (CEST), papadave55@hotmail.com wrote:
> >
> > >
> > >Email    papadave55@hotmail.com
> > >Name     Dave Potter
> > >         Repairs
> > >
> > >I need a tape cartridge for a Roland Space Echo RE201.  Do you have it?  
> >Om and Out Papa Dave
> > >
> >sorry, cannot help
> >
> >Best Regards, Nicolas Keim
> >
> >
> >Currency(Money)-Converter
> >for all countries at : http://www.oanda.com/converter/classic?lang=en
> >
> >Import Guide at: http://www.musicians-gear.com/exp/impguid.htm
> >Voltage Guide at: http://www.musicians-gear.com/exp/voltagegu.htm
> >Warranty Guide at: http://www.musicians-gear.com/exp/warranty.htm
> >
> >
> 
> ________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
> 
> 

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From: KILLINFO@aol.com
Message-ID: <e1.37140f8.2635b6ec@aol.com>
Date: Mon, 24 Apr 2000 10:40:44 EDT
Subject: Bill Frisell's video?
To: Loopers-Delight@annihilist.com
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Questions., questions.

What video might that be? 

Who puts it out. 

Where might it be available...

...and for how much? 

Thanks,

T Killian

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From: "Stuart Sovatsky" <stuartcs@jps.net>
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Subject: No Calif live/loop gig announcemt
Date: Mon, 24 Apr 2000 07:51:07 -0700
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-
For loopers who want to know --  otherwise, last chance to hit delete -- =
 thanx  stuart


AXiS MUNDi
TranceFusion Chant Band
invites you to=20
First-Press Prana - Rites of Spring
Live Music - Dancing - Kundalini Yoga - Visuals=20
Saturday,  April 29th
8:00 pm   $12.00
TUVA Performance Space    510-655-9755
3192 Adeline St.  Berkeley  Ashby Exit onto Ashby-Right onto
Martin Luther King- Corner Bldg.@1st Light where MLK becomes Adeline.

Based on Devotional Yearning and Spontaneously Arising Sound,=20
AXIS MUNDI takes the ancient Kundalini Chant tradition into quantum=20
dimensions with Sonic-Shamanic effects as the human voice explores the
Wisdom Beyond Language and merges with a pulsing trance-rhythm stream.
This unique music creates a Resonant Energy Field for Ecstatic =
Experience.
Join us to participate in the COHERENT SQUEEZE as we=20
Celebrate The Rebirth of The Light.  Wear your Dancing Shoes=20
and Festive MayDay Attire, and be prepared to BE IN SPIN.
=20
axis Mundi
Stuart Sovatsky - Sonic Chant
Sondra Slade - Producer/Percussion
Susie Goldenstein - Percussion
Travis Wernet - Didjeridoo
Cathryn Calderon - Ecstatic Dance
with
INTERACTIVE MEDIA by Uncle Puzzle
Sacred Space by Auntie Matter=20
=20
Contact, Booking & Info:   axismundi@jps.net    415-826-8644
=20

=20
=20
=20
=20
=20
=20
=20

=20

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
Transitional//EN">
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><B>-</B></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT><FONT color=3D#000000 =
size=3D2>For loopers who=20
want to know --&nbsp; otherwise, last chance to hit delete --&nbsp; =
thanx&nbsp;=20
stuart</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><BR>&nbsp;</DIV></FONT>
<DIV align=3Dcenter><FONT face=3DAlgerian size=3D7><SPAN =
class=3D000175903-30032000>AXiS=20
MUNDi</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Black" size=3D5><SPAN=20
class=3D000175903-30032000>TranceFusion Chant Band</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold" size=3D5><SPAN=20
class=3D000175903-30032000>invites you to</SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3DForte size=3D6><SPAN =
class=3D000175903-30032000><FONT=20
size=3D7>First</FONT>-<FONT size=3D7>Press</FONT> <FONT =
size=3D7>Prana</FONT> - Rites=20
of Spring</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3DForte size=3D5><SPAN =
class=3D000175903-30032000>Live=20
Music - Dancing - Kundalini Yoga - Visuals</SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold" size=3D5><SPAN=20
class=3D000175903-30032000>Saturday,&nbsp;<SPAN =
class=3D020311305-02042000>=20
</SPAN>April 29th</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold" size=3D5><SPAN=20
class=3D020311305-02042000>8:00 pm&nbsp;&nbsp; =
$12.00</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT size=3D5><FONT face=3D"Arial Rounded MT =
Bold"><SPAN=20
class=3D000175903-30032000>TUVA Performance Space<SPAN=20
class=3D020311305-02042000>&nbsp;&nbsp;=20
&nbsp;510-655-9755</SPAN></SPAN></FONT></FONT></DIV>
<DIV align=3Dcenter><FONT size=3D5><FONT face=3D"Arial Rounded MT =
Bold"><SPAN=20
class=3D000175903-30032000>3192 Adeline St.<SPAN =
class=3D020311305-02042000>&nbsp;=20
Berkeley&nbsp; <FONT size=3D4>Ashby&nbsp;Exit onto Ashby-Right=20
onto</FONT></SPAN></SPAN></FONT></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold" size=3D4><SPAN=20
class=3D020311305-02042000>Martin Luther King- Corner Bldg.@1st Light =
where MLK=20
becomes Adeline.</SPAN></FONT></DIV>
<DIV align=3Dcenter>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000>Based on Devotional Yearning and =
Spontaneously Arising=20
Sound, </SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000><FONT face=3DAlgerian size=3D4>AXIS</FONT> =
<FONT=20
face=3DAlgerian size=3D4>MUNDI</FONT>&nbsp;takes the ancient Kundalini =
Chant=20
tradition into quantum </SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000>dimensions with Sonic-Shamanic effects as the =
human=20
voice explores the</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000>Wisdom Beyond Language and merges with a =
pulsing=20
trance-rhythm stream.</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000>This unique&nbsp;music creates a Resonant =
Energy Field=20
for Ecstatic Experience.</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000>Join us to participate in the COHERENT =
SQUEEZE as we=20
</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000><EM>Celebrate The Rebirth of The Light.&nbsp; =
</EM>Wear=20
your Dancing Shoes </SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000>and Festive MayDay Attire, and be prepared to =

<EM><STRONG><FONT size=3D4>BE</FONT></STRONG> <FONT size=3D4>IN</FONT> =
<STRONG><FONT=20
size=3D4>SPIN</FONT></STRONG>.</EM></SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000></SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3DAlgerian size=3D4><SPAN=20
class=3D000175903-30032000><U><FONT size=3D5>axis</FONT></U> <FONT=20
size=3D5><U>Mundi</U></FONT></SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold" size=3D4><SPAN=20
class=3D000175903-30032000>Stuart Sovatsky - Sonic =
Chant</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold" size=3D4><SPAN=20
class=3D000175903-30032000>Sondra Slade - =
Producer/Percussion</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold" size=3D4><SPAN=20
class=3D000175903-30032000>Susie Goldenstein - =
Percussion</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold" size=3D4><SPAN=20
class=3D000175903-30032000>Travis Wernet - =
Didjeridoo</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold" size=3D4><SPAN=20
class=3D000175903-30032000>Cathryn Calderon - Ecstatic =
Dance</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000><EM>with</EM></SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000><FONT size=3D4>INTERACTIVE</FONT> <FONT=20
size=3D4>MEDIA</FONT> by<EM> <FONT size=3D4>Uncle=20
Puzzle</FONT></EM></SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000>Sacred Space by <EM>Auntie=20
Matter</EM></SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000></SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold" size=3D2><SPAN=20
class=3D000175903-30032000>Contact, Booking &amp; Info:&nbsp;&nbsp; <A=20
href=3D"mailto:axismundi@jps.net">axismundi@jps.net</A>&nbsp;&nbsp;&nbsp;=
=20
415-826-8644</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3DAlgerian size=3D4><SPAN=20
class=3D000175903-30032000></SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000></SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000></SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000></SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000></SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000></SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold"><SPAN=20
class=3D000175903-30032000>&nbsp;</SPAN></FONT></DIV>
<DIV align=3Dcenter><FONT face=3D"Arial Rounded MT Bold" size=3D5><SPAN=20
class=3D000175903-30032000></SPAN></FONT>&nbsp;</DIV>
<DIV align=3Dcenter>&nbsp;</DIV>
<DIV align=3Dcenter><FONT face=3D"Harlow Solid Italic" size=3D6><SPAN=20
class=3D000175903-30032000></SPAN></FONT>&nbsp;</DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Mon Apr 24 11:55:49 2000
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Date: Mon, 24 Apr 2000 08:35:07 -0700
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Keep posting them... It's nice to get a feel for the various venues
which welcome this type of music. I save postings with venues which
might be of interest to me either as a performer or audient.

Best,
-Miko

>>> lance glover <baumhaus@earthlink.net> 04/23 7:50 PM >>>


Petr Dolak wrote:

> I am sorry if I was crossed over the line.  I saw announcements of
various
> gigs on the list many times before, so I did it too.  I thought the
line is
> whether the gig is about looping or not.  If I caused "bad taste"
to anyone,
> I apologize.
>
> petr

gee, i usually enjoy seeing people's gigs announced. tho it probably
would be
good to indicate in the subject line that it's a (how does it go?)
shameless
self-promotion so those who aren't interested can trash &
continue...

my 2 cents

lance g.

From Loopers-Delight-request@annihilist.com  Mon Apr 24 12:16:49 2000
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References: <022001bfadf3$487b46c0$1fab82cc@testserver.mdbs.com>
Subject: Re: tape cartridge for Roland RE 201?
Date: Mon, 24 Apr 2000 12:03:43 -0400
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"Dry tape" may work, too. But I was advised against it many
years ago when I originally bought my RE-201.

I hear too that the old 8-track tape gauge works
well. It may even be more compatible than regular
1/4" AND it's the lubricated type of tape used by the
201.

- Larry T

----- Original Message -----
From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, April 24, 2000 9:44 AM
Subject: Re: tape cartridge for Roland RE 201?


> I used to own one these puppies and, as I recall, I cut my own tapes loops
using
> regular "dry" tapes.  They seemed to work OK.  I'd give it a try; tape is
cheap.
> As Simon says, just splice it at an angle.  Try a short loop first.
>
> >Note that the 1/4" (nearly) tape used for the 201 is the
> >lubricated type. Normal "dry" tape will not work.
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
>
>
> -----Original Message-----
> From: Larry Tremblay <ltct@concentric.net>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Monday, April 24, 2000 2:02 AM
> Subject: Re: tape cartridge for Roland RE 201?
>
>
> >
> >- Larry T
> >----- Original Message -----
> >From: "Simon" <simon@dynamite.com.au>
> >To: <Loopers-Delight@annihilist.com>
> >Sent: Monday, April 24, 2000 1:38 AM
> >Subject: Re: tape cartridge for Roland RE 201?
> >
> >
> >> They havn't made tape echos for many years, but they still might stock
the
> >> tapes as spare parts, I'm not really sure though.
> >>
> >> If not, couldn't you just use any tape that is the same width? Just
splice
> >> the ends together into a loop.
> >>
> >> The Roland tapes come in a little plastic 'cartridge', but the tape is
> >just
> >> loaded into the machine and the plastic 'cartridge' isn't used after
that.
> >>
> >> Simon
> >> Canberra
> >> AUSTRALIA
> >>
> >>
> >> >Maybe you should try vintage supply dealers Roland hasnt made tape
echo's
> >> >for many years
> >> >Steven
> >> >Good to see a fellow Australian
> >>
> >> >> Have you asked your local Roland dealer, they should be able to
order
> >one
> >> >> from Roland for you.
> >> >>
> >> >> Simon
> >> >> Canberra
> >> >> AUSTRALIA
> >>
> >> >> >I am still looking for a tape cartridge for a Roland Space Echo RE
> >201.
> >> >> >I tried several sites but no luck.  Any one have a clue as to where
I
> >> >could
> >> >> >get one to get this puppy up and looping.   Om and out  Papa Dave
> >>
> >> >> >> >I need a tape cartridge for a Roland Space Echo RE201.  Do you
have
> >> >it?
> >> >> >>Om and Out Papa Dave
> >>
> >>
> >> >> >>sorry, cannot help
> >> >> >>
> >> >> >>Best Regards, Nicolas Keim
> >>
> >>
> >>
> >
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 12:37:55 2000
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From: "hideo" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
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Subject: Re: list etiquette
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with all due respect for those of you who are e-mail-overwhelmed . . .

DITTO . . . noone has really clogged the list with gig plugs anyway and I
truly like to hear what people are doing with bowed guitaars and
contact-miced children's toys

and man, I wish I had a magic carpet so I could zip to the East Coast and LA
and Ohio and even Lafayette, Indiana FGS and catch these gigs--not to
mention get within radio range of Bill's radio program (Bill, how's the Web
rebroadcast thing going anyway . . . HINT,HINT   ;)

my two centavos

drone on~~~~~~~~~~~~~~~~~
Tom Lambrecht

hideo@concentric.net


----- Original Message -----
From: Dennis W. Leas <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, April 24, 2000 8:56 AM
Subject: Re: list etiquette


> >looper etiquette squad:  is posting one's own upcoming gigs on this list
> >considered bad taste, or welcomed heartily by all?   thnx for an answer
>
> I, speaking only for myself, welcome all gig announcements.  Even if I
can't
> road-trip to a fellow loopist's gig, it's encouraging to hear about them.
It
> motivates me and maybe other players to get out of the basement and DO IT!
> Besides, there's so few announcements that it consumes little bandwidth.
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 12:30:56 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <Pine.NEB.4.21.0004241024560.19957-100000@panix3.panix.com>
Subject: Re: tape cartridge for Roland RE 201?
Date: Mon, 24 Apr 2000 12:11:12 -0400
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> when is someone gonna manufacture
> a space-echo re-ish? with contemp.
> componants they'd clean up!  ;)
>
Unlikely, I think. The standard answer to questions of
this type about clasic gear is that it would be too
expensive and the end result would be disappointing
anyway.

Part of the "classic sound" is due to the original analog
components used in the first place. Also recall that an
RE-201, for instance, cost damn near $1000 (new) in 1980's
dollars. A comparable machine would cost at least that
much. You're better off picking up a mint one for a few
hundred, IMO.

- LArry

>
> rbrt
> On Sun, 23 Apr 2000, David Potter wrote:
>
> > I am still looking for a tape cartridge for a Roland Space Echo RE 201.
> > I tried several sites but no luck.  Any one have a clue as to where I
could
> > get one to get this puppy up and looping.   Om and out  Papa Dave
> >
> >
> >
> > >From: "swol" <juergenkeim@swol.de>
> > >Reply-To: "swol" <juergenkeim@swol.de>
> > >To: "papadave55@hotmail.com" <papadave55@hotmail.com>
> > >CC: "juju" <jkeim@ibm.net>
> > >Subject: Re: Request to Musicians-Gear
> > >Date: Sun, 23 Apr 2000 22:34:03 +0200
> > >
> > >On Sat, 22 Apr 2000 23:10:17 +0200 (CEST), papadave55@hotmail.com
wrote:
> > >
> > > >
> > > >Email    papadave55@hotmail.com
> > > >Name     Dave Potter
> > > >         Repairs
> > > >
> > > >I need a tape cartridge for a Roland Space Echo RE201.  Do you have
it?
> > >Om and Out Papa Dave
> > > >
> > >sorry, cannot help
> > >
> > >Best Regards, Nicolas Keim
> > >
> > >
> > >Currency(Money)-Converter
> > >for all countries at : http://www.oanda.com/converter/classic?lang=en
> > >
> > >Import Guide at: http://www.musicians-gear.com/exp/impguid.htm
> > >Voltage Guide at: http://www.musicians-gear.com/exp/voltagegu.htm
> > >Warranty Guide at: http://www.musicians-gear.com/exp/warranty.htm
> > >
> > >
> >
> > ________________________________________________________________________
> > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
> >
> >
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 12:34:58 2000
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Subject: Re: list etiquette (from the guilty one)
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This idea may not be feasible, but has anyone 
considered a Looperpalooza-type tour of friendly 
venues, cable access TV and indie radio? 

It's my feeling that the looper idea has permeated 
the mainstream enough that it's become a significant 
sub-culture. I mean, fewer music store salesguys look 
at me sideways now when I mention looping to them. 

Anyone think this is a good idea?

- Larry T

----- Original Message ----- 
From: "Mike Biffle" <mbiffle@svg.com>
To: <Loopers-Delight@annihilist.com>; <baumhaus@earthlink.net>
Sent: Monday, April 24, 2000 11:35 AM
Subject: Re: list etiquette (from the guilty one)


> Keep posting them... It's nice to get a feel for the various venues
> which welcome this type of music. I save postings with venues which
> might be of interest to me either as a performer or audient.
> 
> Best,
> -Miko
> 
> >>> lance glover <baumhaus@earthlink.net> 04/23 7:50 PM >>>
> 
> 
> Petr Dolak wrote:
> 
> > I am sorry if I was crossed over the line.  I saw announcements of
> various
> > gigs on the list many times before, so I did it too.  I thought the
> line is
> > whether the gig is about looping or not.  If I caused "bad taste"
> to anyone,
> > I apologize.
> >
> > petr
> 
> gee, i usually enjoy seeing people's gigs announced. tho it probably
> would be
> good to indicate in the subject line that it's a (how does it go?)
> shameless
> self-promotion so those who aren't interested can trash &
> continue...
> 
> my 2 cents
> 
> lance g.
> 
> 

From Loopers-Delight-request@annihilist.com  Mon Apr 24 12:47:58 2000
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In a message dated 4/24/00 6:33:41 AM Mid-Atlantic Daylight Time, 
simon@dynamite.com.au writes:

<< He has 'racks' on the wall with all his tape loops hanging on them.
 
 Total lo-fi sampling/looping, it's really amazing what he does with it.
  >>

simon.........how do we hear this fellows work?............michael

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In a message dated 4/24/00 1:05:47 PM Mid-Atlantic Daylight Time, 
dennis@mdbs.com writes:

<< I, speaking only for myself, welcome all gig announcements.  >>

i must agree.......michael

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        baumhaus@earthlink.net
Subject: Re: list etiquette >> Loop venues and Santa Cruz Loop Jam
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Well... I'm putting together a looper jam in Santa Cruz, California,
tentatively scheduled Sunday, June 25th, from 2:00pm - 8pm-ish...
maybe later... hoping to record the proceedings. Please respond if
this is of interest to any of you. I'll send out invitations shortly!

This is a continuation of the networking we all do by announcing
gigs, philosophy and basically having dialog about all aspects of our
musical lives revolving around our common interest in looping.

Best regards,
-Miko

>>> "Larry Tremblay" <ltct@concentric.net> 04/24 9:30 AM >>>
This idea may not be feasible, but has anyone considered a
Looperpalooza-type tour of friendly 
venues, cable access TV and indie radio? 

It's my feeling that the looper idea has permeated the mainstream
enough that it's become a significant 
sub-culture. I mean, fewer music store salesguys look at me sideways
now when I mention looping to them. Anyone think this is a good idea?
- Larry T

----- Original Message ----- 
From: "Mike Biffle" <mbiffle@svg.com>
> Keep posting them... It's nice to get a feel for the various venues
which welcome this type of music. I save postings with venues which
might be of interest to me either as a performer or audient. Best,
-Miko

From Loopers-Delight-request@annihilist.com  Mon Apr 24 13:37:20 2000
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--------------642601FF5711DCCACFEEE386
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Nooooo!  Wait! They're back in production, I've seen one! They're
selling (but limited so far) for US $700 or so.

tb wrote:

>  hello I have the opportunity to buy an echoplex with foot pedal for
> aus$2000Is it still the best live looping tool?Whats the story with
> support and developments ?are people still writing for it casue I
> remember that there were some buttons on it that had not yet received
> funtions? thanks trevorbondi beachAustralia

--
Mark Sottilaro
Professional Publications, Inc
1250 Fifth Ave, Belmont CA 94002
Multimedia Production
E-mail:  msottilaro@ppi2pass.com
Phone: (650) 593-9119 ext. 29


--------------642601FF5711DCCACFEEE386
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit

<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
<body bgcolor="#FFFFFF">
Nooooo!&nbsp; Wait! They're back in production, I've seen one! They're
selling (but limited so far) for US $700 or so.
<p>tb wrote:
<blockquote TYPE=CITE>&nbsp;<font color="#000000"><font size=-1>hello I
have the opportunity to buy an echoplex with foot pedal for aus$2000</font></font><font color="#000000"><font size=-1>Is
it still the best live looping tool?</font></font><font color="#000000"><font size=-1>Whats
the story with support and developments ?</font></font><font color="#000000"><font size=-1>are
people still writing for it casue I remember that there were some buttons
on it that had not yet received funtions?</font></font>&nbsp;<font color="#000000"><font size=-1>thanks</font></font>&nbsp;<font color="#000000"><font size=-1>trevor</font></font><font color="#000000"><font size=-1>bondi
beach</font></font><font color="#000000"><font size=-1>Australia</font></font>&nbsp;</blockquote>

<p>--
<br>Mark Sottilaro
<br>Professional Publications, Inc
<br>1250 Fifth Ave, Belmont CA 94002
<br>Multimedia Production
<br>E-mail:&nbsp; msottilaro@ppi2pass.com
<br>Phone: (650) 593-9119 ext. 29
<br>&nbsp;
</body>
</html>

--------------642601FF5711DCCACFEEE386--

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Subject: RE: list etiquette (from the guilty one)
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Well, we could do something like that on cable access.

They put the most ridiculosu stuff on that channel.

bIz


-----Original Message-----
From: Larry Tremblay [mailto:ltct@concentric.net]
Sent: Monday, April 24, 2000 9:31 AM
To: Loopers-Delight@annihilist.com; baumhaus@earthlink.net
Subject: Re: list etiquette (from the guilty one)


This idea may not be feasible, but has anyone 
considered a Looperpalooza-type tour of friendly 
venues, cable access TV and indie radio? 

It's my feeling that the looper idea has permeated 
the mainstream enough that it's become a significant 
sub-culture. I mean, fewer music store salesguys look 
at me sideways now when I mention looping to them. 

Anyone think this is a good idea?

- Larry T

----- Original Message ----- 
From: "Mike Biffle" <mbiffle@svg.com>
To: <Loopers-Delight@annihilist.com>; <baumhaus@earthlink.net>
Sent: Monday, April 24, 2000 11:35 AM
Subject: Re: list etiquette (from the guilty one)


> Keep posting them... It's nice to get a feel for the various venues
> which welcome this type of music. I save postings with venues which
> might be of interest to me either as a performer or audient.
> 
> Best,
> -Miko
> 
> >>> lance glover <baumhaus@earthlink.net> 04/23 7:50 PM >>>
> 
> 
> Petr Dolak wrote:
> 
> > I am sorry if I was crossed over the line.  I saw announcements of
> various
> > gigs on the list many times before, so I did it too.  I thought the
> line is
> > whether the gig is about looping or not.  If I caused "bad taste"
> to anyone,
> > I apologize.
> >
> > petr
> 
> gee, i usually enjoy seeing people's gigs announced. tho it probably
> would be
> good to indicate in the subject line that it's a (how does it go?)
> shameless
> self-promotion so those who aren't interested can trash &
> continue...
> 
> my 2 cents
> 
> lance g.
> 
> 


From Loopers-Delight-request@annihilist.com  Mon Apr 24 15:00:24 2000
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From: "r. dennis" <tonobung@panix.com>
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Subject: 2001 - a space echo odyssey?
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with respect to the below, i opine:

"sounds like a job for evanna manley!"
(it'd prob. even have a tube fron end....)

c'mon, eveanna... don't leave us hangin!

rbrt


originally, i asked:

> > when is someone gonna manufacture
> > a space-echo re-ish? with contemp.
> > componants they'd clean up!  ;)
> >

On Mon, 24 Apr 2000, Larry Tremblay wrote:


> Unlikely, I think. The standard answer to questions of
> this type about clasic gear is that it would be too
> expensive and the end result would be disappointing
> anyway.
> 
> Part of the "classic sound" is due to the original analog
> components used in the first place. Also recall that an
> RE-201, for instance, cost damn near $1000 (new) in 1980's
> dollars. A comparable machine would cost at least that
> much. You're better off picking up a mint one for a few
> hundred, IMO.


From Loopers-Delight-request@annihilist.com  Mon Apr 24 15:24:29 2000
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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
To: "Simon" <simon@dynamite.com.au>, <Loopers-Delight@annihilist.com>
Subject: Re: open reel deck looping?
Date: Mon, 24 Apr 2000 15:08:58 -0400
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I'm surprised no one has mentioned it, but one of the easiest ways to make a
"looping fixture" on an open-reel machine is to simply build a wood face
(probably plywood) around the machine, then use push - pins (y'know, the
ones with the barrel-like upper parts) to extend the tape outwards from the
deck. Least that's how I did it when I was a boy.
Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us



From Loopers-Delight-request@annihilist.com  Mon Apr 24 15:24:34 2000
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From: Echophazer@aol.com
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Date: Mon, 24 Apr 2000 15:05:10 EDT
Subject: Thoughts after gettting gig mail
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Wow another person on the list is doing a show. It's too bad the venue is so 
far. I'd love to see in person the approach they take to it. I could always 
use some new input on how to set up for a live scenario. ::looks around at 
gear:: I have all this cool stuff wired up around me and it sounds great when 
I get it all going. Something is missing though. I know what it is. I've lost 
that feeling of exploration. When I first bought each piece I'd play with it 
for days straight, constantly finding those new ways it can call out aspects 
of my personality in its sound. I buy more and more equipment now to try and 
find that feeling again but each time the sensation is just a faded copy of 
what it was before. All this time I've spent shut in and learning hasn't been 
for nothing though. I just feel I have to move on to the next level soon, let 
what I found interact with the world for once. I should go out and show 
others who I am inside.  Some people will like it and some won't. I could 
find new people to share with and they can share with me. I could use some 
friends. It's good to see that others out there are doing it. I'll try a 
little harder at getting it all together. I can make it happen, I can do it. 
I have to never give up finding new ways to believe in who i am. It's hard at 
times but has anything bad ever came out of trying? 


Just a little closer now,
Peter

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> There *is* a hardware reissue of the original  EP1 Tube echoplex out
> now. It's called the Tubeplex and has some new and imporved hardware
> goodies in it but is based on the original design.



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   There are NEW tape echos being produced over in Japan, a friend of mine
lived there last year and brought back one (really nice looking device in
screaming yellow...) I don´t remember the brand just rightg now, if anyone
interested in specs or just a pic,I could search for one of the brochures he
got for me...


  Andy in Mexico City

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but of course, the tapes
used for the sre's are not the
same spec as the ones required
for the plex's - are they.

leading me to realize, screw
re-manufacturing the echo units themselves,
you'd be doing a public service just making
the tapes available.

people would be glad to give you say $15
for a loop of spliced  ampex... the cottage
industry for the new century, b'god.

rbrt


On Mon, 24 Apr 2000, Legion wrote:

> > There *is* a hardware reissue of the original  EP1 Tube echoplex out
> > now. It's called the Tubeplex and has some new and imporved hardware
> > goodies in it but is based on the original design.
> 
> 
> 
> 

From Loopers-Delight-request@annihilist.com  Mon Apr 24 16:39:59 2000
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Date: Mon, 24 Apr 2000 13:22:17 -0800
Subject: Re: open reel deck looping?Re:DRUMDROPS
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Hey I don't know how many DRUMDROPS records were made but I have (5) of them
and they are "useful" in some context or another...GOINLOOPY...STANNER

----------
>From: "Larry Tremblay" <ltct@concentric.net>
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: open reel deck looping?
>Date: Mon, Apr 24, 2000, 12:07 AM
>

>> A friend of mine uses a couple of reel-to-reels for all his music
>> sequencing/recording, he can't afford a sampler and/or computer.
>>
> Yep, one of the origins of sampling and sequencing, and it still
> works great. Sounds better, too, IMHO.
>
>> He sequences by cutting up individual notes and drum hits on the tape, and
>> then joins them together into loops. These loops are his sequences.
>
> Does anyone remember the pre-digital era records called Drum Drops?
> This series of LP's contained real cheesy studio-recorded drum
> tracks of *realdrums* in a variety of styles. They were called
> Drum Drops because you basically 'dropped them into the rhythm
> track' on tape, building up a complete drum track 2 to 4 measures
> at a time, i.e., a sequence of drum samples.
>
>> To keep things in time he draws a graph on a piece of paper so that he
>> knows how long each note/beat/sequence/etc. should be, showing him where
> to
>> cut the tape.
>>
>> His reel-to-reel has an old telescopic radio antenna attached to the
> front,
>> with something on top of the antenna for the tape to 'roll' over, and he
>> extends the antenna upwards to hold the loop tight.
>>
>> He runs these loops on a two track reel-to-reel and then records them onto
>> a 4 track reel-to-reel to allow layering/multi-tracking of multiple
>> loops/sequences.
>>
>> He has 'racks' on the wall with all his tape loops hanging on them.
>>
>> Total lo-fi sampling/looping, it's really amazing what he does with it.
>>
>> It really gives a loose feel, seemingly more 'organic' and 'real' than
>> computer based sequencing.
>>
>
> I agree. Tape is still one of the most rewarding, if time consuming,
> methods of looping and sampling. Some things are actually easier
> to do with tape.
>
> - Larry T
>>
>>
>>
>> >You an use any reel to reel for looping. The Revox is
>> >just a *nice to have* for it's simplicity and quality.
>> >
>> >I still prefer the sound and tactile simplicity of analog
>> >looping over digital.
>> >
>> >Gino wong - who's an LD member - sent me a spare loop arm
>> >he had lying around which is very useful for setting up
>> >loops of varying length. I imagine these can be salvaged
>> >from broken recorders.
>> >
>> >Check the archives under "loop arm". November 1999, I
>> >think.
>> >
>> >BTW, Gino - I figured out the mic clip thing for holding
>> >the loop arm. Works like a charm! I have a few new ideas for
>> >an adjustable tapeloop device based on David Keane's excellent
>> >book, "Tape Music Composition" (1980).
>> >
>> >- Larry
>> >
>> >> anyone?
>> >>
>> >> i just inherited a fostex model 20 1/4" open reel deck. looping tool or
>> >> bookend? (it looks nice enough, and i've got  room in my studio to have
> it
>> >> just sit there, but if i could make it earn its keep somehow when i 'm
>> >tired
>> >> of checking the edp faqs for simple answers to stupid questions, it
> would
>> >be
>> >> nice).
>> >>
>> >> (just don't say "well, if it was a revox...")
>> >>
>> >> lance g.
>> >>
>> >>
>>
>>
>>
>>
>
> 

From Loopers-Delight-request@annihilist.com  Mon Apr 24 16:27:11 2000
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Date: Mon, 24 Apr 2000 16:06:30 -0400
From: Jeff Yost <yostie@ezworks.net>
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I wonder if we could put together a touring network for loopers?
Something along the lines of a GigSwaP, where we open the doors for
other loopers at places that are looper friendly in our respective
areas.All loopers interested do the same in their areas...

We could present any recordings that fellow loopers might have...the
promo pack- to interested parties and put together an act or two or
three and present a mini tour...?

jeff

From Loopers-Delight-request@annihilist.com  Mon Apr 24 17:03:36 2000
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From: "David Petrozzi" <david97@wharton.upenn.edu>
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Subject: creativity
Date: Mon, 24 Apr 2000 16:53:34 -0400
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> Something is missing though. I know what it is. I've lost
> that feeling of exploration.


I suggest reading about the creative approaches of Brian Eno, John Zorn, and
Iannis Xenakis, respectively.  These three have been very inspirational for
me.  Creativity (maybe paradoxically) is something I read a lot about.  In
an effort to get others creative juices flowing, I suggest we each share
some creative techniques that we regularly employ:

1. graphs
    -when I feel limited in a particular piece I'll often work from a graph.
for instance, my ambient project used to play a chart of stock market
returns over the past 50 years.  very fun!  we would "notate" the graph with
colors for moods (blue=sad, red=intense, green=layered, etc) and indicate
how long (length of time) each section would roughly take.  some great
results with this one.

2. musical personalities
    -each person in the group takes on a musical personality.  e.g. "It is
2030 and you're playing in the hottest reggae-goth club in New York City.
Your fans view you as a cultural icon but you live a reckless and
overindulgent life.  You've been tripping for three years since biologically
altering your DNA in a dark alley surgery--merely on a dare from a friend.
These past couple weeks, you've begun to regret this decision.  Your
childhood hero was Bach and you love playing Perfect 5ths."  This one is a
lot of fun.  I think Eno uses this as well.

3. game pieces: like John Zorn's "Cobra"
    -games give people an excuse to act in a way they normally wouldn't are
perfect for breaking musical habits.  Currently, my project is experimenting
with elaborate signaling according to the rigid rules of Zorn's game pieces.
I think we've grown enormously since we started this one.


Now your turn!
~dp

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From: "James Pokorny" <j.pokorny@worldnet.att.net>
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Subject: Re: Different Sequencer question / New member
Date: Mon, 24 Apr 2000 17:39:46 -0400
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I'll second that!

Namaste, Udayan-ji, aap se milkar bada khushi hui!

Su-swagatam!

James

-----Original Message-----
From: eric <eobertha@inreach.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, April 23, 2000 6:59 PM
Subject: Re: Different Sequencer question


>
>
>Udayan Choudhury wrote:
>
>> I am a very humble music enthusiast from North-East India.
>
>Hello to Udayan!
>Glad you're with us.
>I love India.
>Cheers,
>eobe
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 18:01:16 2000
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Subject: Re: creativity
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i think alban berg used some
stuff like this - spelling out his
friends' names in compositions & the like...

course, you could always simply pick
up an instrument you've never played
before... but you'd have to pretend
you'd never heard it either!

rbrt

On Mon, 24 Apr 2000, David Petrozzi wrote:

> > Something is missing though. I know what it is. I've lost
> > that feeling of exploration.
> 
> 
> I suggest reading about the creative approaches of Brian Eno, John Zorn, and
> Iannis Xenakis, respectively.  These three have been very inspirational for
> me.  Creativity (maybe paradoxically) is something I read a lot about.  In
> an effort to get others creative juices flowing, I suggest we each share
> some creative techniques that we regularly employ:
> 
> 1. graphs
>     -when I feel limited in a particular piece I'll often work from a graph.
> for instance, my ambient project used to play a chart of stock market
> returns over the past 50 years.  very fun!  we would "notate" the graph with
> colors for moods (blue=sad, red=intense, green=layered, etc) and indicate
> how long (length of time) each section would roughly take.  some great
> results with this one.
> 
> 2. musical personalities
>     -each person in the group takes on a musical personality.  e.g. "It is
> 2030 and you're playing in the hottest reggae-goth club in New York City.
> Your fans view you as a cultural icon but you live a reckless and
> overindulgent life.  You've been tripping for three years since biologically
> altering your DNA in a dark alley surgery--merely on a dare from a friend.
> These past couple weeks, you've begun to regret this decision.  Your
> childhood hero was Bach and you love playing Perfect 5ths."  This one is a
> lot of fun.  I think Eno uses this as well.
> 
> 3. game pieces: like John Zorn's "Cobra"
>     -games give people an excuse to act in a way they normally wouldn't are
> perfect for breaking musical habits.  Currently, my project is experimenting
> with elaborate signaling according to the rigid rules of Zorn's game pieces.
> I think we've grown enormously since we started this one.
> 
> 
> Now your turn!
> ~dp
> 
> 

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Date: Mon, 24 Apr 2000 14:58:05 -0700
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From: rich <rich@nuvision.com>
Subject: Re: creativity
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>1. graphs
>    -when I feel limited in a particular piece I'll often work from a graph.
>for instance, my ambient project used to play a chart of stock market
>returns over the past 50 years.  very fun!  we would "notate" the graph with
>colors for moods (blue=sad, red=intense, green=layered, etc) and indicate
>how long (length of time) each section would roughly take.  some great
>results with this one.



I had a couple of interesting performances a few years ago based on this
idea.  The performance was called Kaballah Clocks and it was a half hour
piece, based tonally on the 10 'stations' of the mystical Kaballah.  Each
station has a 'color' associated with it.  Color resonates at a certain
light frequency, and we associated those (angstrom?) frequencies with Hz
frequencies of sound, so each 'station' had a tonal drone that we
improvised within.  Each member of the ensemble had a clock in front of
them and we played in each 'station' for 3 minutes, and then mutated to the
next, and to the next, culminating at the top station of the Kaballah,
associated with Brilliant White light.

Definitely a noisy piece, but what a crescendo!  We were purely
improvising, and made no grandiose pretensions about how good the piece was
going to be.  Afterwards, though, we had people coming up and saying how
amazing it was, and that they had drifted off into some state of meditation
during the piece, even though we had not introduced it in any way...it just
was the end of our set.

Super fun and musically/experimentally/spiritually rewarding



rich


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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <200004242022.NAA00939@goose.prod.itd.earthlink.net>
Subject: Re: open reel deck looping?Re:DRUMDROPS
Date: Mon, 24 Apr 2000 17:42:22 -0400
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> Hey I don't know how many DRUMDROPS records were made but I have (5) of
them
> and they are "useful" in some context or another...GOINLOOPY...STANNER

I think that's it. 5 volumes from Rock to Funk to Latin...
Have you recorded anything using them?

Perfectly muffled 70's drums, no? ;)

- Larry T



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Date: Mon, 24 Apr 2000 19:43:04 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Echoplex learning
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<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Re: Echoplex learning</title></head><body>
<blockquote type="cite" cite><font size="-1">I've just joined the
list, and this past week became a new owner of the Gibson Echoplex
Digital Pro.</font></blockquote>
<blockquote type="cite" cite><font size="-1">Could someone find the
answer to my problem.&nbsp; When I've set: Moreloops to 2, AutoRecord
to ON, LoopCopy-OFF, SwitchQuant-CYC,
LoopTrig-48,Velocity-ON,SampleStyle to RUN, and the MuteMode to StA,
and I'm sampling a &quot;AABA&quot; tune, what happens is:&nbsp; the
first A part records fine (as I want it to repeat) and plays again,
but when I use NEXTLOOP to record the &quot;B&quot; (bridge), and
punch Record to end that, it always plays the bridge twice. When I
end that same Loop trying to use the NextLoop key to end it, it gives
me L1/2 things that I don't understand.</font></blockquote>
<blockquote type="cite" cite><font size="-1">Any help wood sure me
before I try to put this in Live Use.</font></blockquote>
<blockquote type="cite" cite><font size="-1">Thank
you</font></blockquote>
<div>&nbsp;</div>
<div>Wow, <font size="-1">Bill</font>, you went far in the first
week! I thought with Overdub, Multiply and another simple function, a
beginner has work for half a year...</div>
<div>After all there is more music to discover than functions, or
what do you all think?</div>

<div><br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ---&gt;
http://Matthias.Grob.org</div>
</body>
</html>

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Hi

Another "sequencer" question:

We programmed the EDP to send out MIDIclock to drive a sequencer or 
drum machine. We did endless tests to confirm the various clock 
rates, StartSong, StopSong..., but since I rather dislike prerecorded 
or even synthesized sounds in my music, I never used that feature.
... until yesterday: I used an old HR16 drum machine and imagined 
that I could record a bass line on the EDP and then program some drum 
pattern into the HR16, in real time. It did not work. It seams that 
the HR16 only records with internal clock. So I would have to prepare 
the pattern and then start it from the EDP. Thats not my style.
Its not even possible to program something in non real time to fit to 
the running loop and then start it synced (Exept with the not 
finished LOOP4 soft, where MUTE-UNDO also can send a StartSong).
Maybe I should get some newer equipment...

Does someone use a drum machine or stand alone sequencer slaved to 
the MIDIclock out of some Looping device?
Can you program the drum sequence in real time?


          ---> http://Matthias.Grob.org

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From: "Petr Dolak" <pepetr@crnet.net>
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Well, I looked at the list of looping events (provided by LD), and there was
just one.  And if this place is ideally not used for gigs listing, I wonder
where all the looping people play.  Are you playing at home?  Or you don't
want to let others know about what and where you are doing?  I am confused.

I always liked to read about gigs right here, because it's available right
away.  And it gives me a chance to contact the players privately, if I feel
like it.  This list is great also because of that, and I follow it for
several years already.  It is encouraging to see that there are other people
involved in "weird stuff", like looping.  So what's wrong about letting each
other know about our performances?

Commercial music has its own strong vehicles for advertizing, but it's not
mu cup of tea.  I am always looking for contacts and connections with people
who are at least distantly close to my way of playing or so, and it does not
matter to me whether they are playing in DC or CA or Europe or Wherever.  I
don't have to be there in person even though the flying carpet would be
great.

petr dolák

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Date: Mon, 24 Apr 2000 19:43:04 -0300
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>Bill Fox,
>   Can you unsubscribe me from this spam
>
>I don't live in USA and I don't want to receive this.
>  2nd request.
>I suscribed to Kims list BUT not yours.
>Steven

I find this unfriendly, Steven. We discussed it and many wrote in 
favour to Bills posting.
I dont live in US either and there are many anouncements for shows 
that I could never go, but I still find it interesting to know whats 
happening.

So I find Petr's apology rather unnecessary:

>I am sorry if I was crossed over the line.  I saw announcements of various
>gigs on the list many times before, so I did it too.  I thought the line is
>whether the gig is about looping or not.  If I caused "bad taste" to anyone,
>I apologize.

as someone said: Post what you want, but think well about the subject 
you put so we can select what we are going to read...

no violence
Matthias


          ---> http://Matthias.Grob.org

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Date: Mon, 24 Apr 2000 19:43:04 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: DT recomendation, was: Instructional video
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>sketchy,
>thanks for the endorsement of me (now old, i'm afraid) video;
>personally, i really wish it had been more loop-comprehensive/focussed--- & i
>wish that it hadn't been shot all in one day, a day... by the by... on which
>i was recovering from the type of seizure to which i's occasionally subjected:
>i was feelin' *really* funky.....
>also:
>some time back, there was some chitchat twixt kim, gibson & meself
>re: producing an EDP instructavid;
>obviously, it never happened.
>while i still haven't plumbed the plumbable depths of the *current* EDP
>software:
>--(i'm sure that many of y'all take much deeper advantage of the beast's
>capabilities)--
>i'd still be interested in such an event-production, esp. if it were in
>collaboration w/a more knowledgeable sort than i; ie, kim or someone else.
>ruminating: as usual.
>dt

Yes, fine: A couple of different musicians show different methods and 
the over-all impression would be more open: a variety styles, 
instruments, setups, philosophies...
Nowadays, many people have a camera - which does not mean they can do 
good video, but what I have seen from those instructional videos, the 
public is not very demanding is this respect - so it seams possible 
that several musicians film the way they build up their music. Then 
those results could be compiled and completed with some more 
"theoretic" explanations, animated versions of the drawings in the 
manual... I guess Gibson would support such a project.

Anyone into video?


          ---> http://Matthias.Grob.org

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> Well, I looked at the list of looping events (provided by LD), and
there was just one.  And if this place is ideally not used for gigs
listing, I wonder where all the looping people play.  Are you playing
at home?  Or you don't want to let others know about what and where
you are doing?  I am confused.

I don't go to that page to look for gigs and don't believe it would
serve us well... The list is where I look for ALL information other
than user profiles...

> I always liked to read about gigs right here, because it's
available right away.  And it gives me a chance to contact the players
privately, if I feel like it.  This list is great also because of
that, and I follow it for several years already.  It is encouraging to
see that there are other people involved in "weird stuff", like
looping.  So what's wrong about letting each other know about our
performances?

> Commercial music has its own strong vehicles for advertizing, but
it's not mu cup of tea.  I am always looking for contacts and
connections with people who are at least distantly close to my way of
playing or so, and it does not matter to me whether they are playing
in DC or CA or Europe or Wherever.  I
don't have to be there in person even though the flying carpet would
be great.
petr dolak

I'd suggest just posting your gig and let the bitching and moaning
take care of itself... I find the gig listings to be an important
aspect of the list activity and DON'T want to see them disappear. Keep
'em coming guys.

My 2 cents...
-Miko

From Loopers-Delight-request@annihilist.com  Mon Apr 24 19:11:33 2000
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Subject: Re: Looper as MIDIclock master
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I have been trying to record in real time on 3 different drum machines,
with the drum machine either synched to a Jam Man, or to my digital 8-track
recorder that has midi sync (Fostex dmt-8).  I have used an Alesis HR-16,
Boss Dr-660 and Boss Dr. 770.  I have had very little luck, as well.
Recording the drum tracks 'off line' is pretty crappy and not really my
style, either...but i haven't found any way around it.

if anybody knows of a machine that could 'record' in real time and in tempo
synch with a looper or my recorder, i would definitely put it on my
christmas list...

has anybody worked with the akai mpc units like this, or the asr-x (i think
that's what it's called).

rich


>Hi
>
>Another "sequencer" question:
>
>We programmed the EDP to send out MIDIclock to drive a sequencer or
>drum machine. We did endless tests to confirm the various clock
>rates, StartSong, StopSong..., but since I rather dislike prerecorded
>or even synthesized sounds in my music, I never used that feature.
>... until yesterday: I used an old HR16 drum machine and imagined
>that I could record a bass line on the EDP and then program some drum
>pattern into the HR16, in real time. It did not work. It seams that
>the HR16 only records with internal clock. So I would have to prepare
>the pattern and then start it from the EDP. Thats not my style.
>Its not even possible to program something in non real time to fit to
>the running loop and then start it synced (Exept with the not
>finished LOOP4 soft, where MUTE-UNDO also can send a StartSong).
>Maybe I should get some newer equipment...
>
>Does someone use a drum machine or stand alone sequencer slaved to
>the MIDIclock out of some Looping device?
>Can you program the drum sequence in real time?
>
>
>          ---> http://Matthias.Grob.org



From Loopers-Delight-request@annihilist.com  Mon Apr 24 19:14:32 2000
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From: kamlapati.khalsa@philips.com
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Subject: Re: creativity
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Here is my most simple, practical approach :

Lower the output volume of the EDP and create a loop while unable to hear it. 

Go with the randomness.

More comments : Have you ever seen the book, "The Advancing Guitarist"? The whole book is filled with approaches to growing, overcoming barriers. Much of it is instrument independent.

Loopily,
K






rich@nuvision.com on 04/24/2000 03:28:41 PM
Please respond to Loopers-Delight@annihilist.com@SMTP 
To:	Loopers-Delight@annihilist.com@SMTP
cc:	 
Subject:	Re: creativity
Classification:	Restricted
>1. graphs
>    -when I feel limited in a particular piece I'll often work from a graph.
>for instance, my ambient project used to play a chart of stock market
>returns over the past 50 years.  very fun!  we would "notate" the graph with
>colors for moods (blue=sad, red=intense, green=layered, etc) and indicate
>how long (length of time) each section would roughly take.  some great
>results with this one.



I had a couple of interesting performances a few years ago based on this
idea.  The performance was called Kaballah Clocks and it was a half hour
piece, based tonally on the 10 'stations' of the mystical Kaballah.  Each
station has a 'color' associated with it.  Color resonates at a certain
light frequency, and we associated those (angstrom?) frequencies with Hz
frequencies of sound, so each 'station' had a tonal drone that we
improvised within.  Each member of the ensemble had a clock in front of
them and we played in each 'station' for 3 minutes, and then mutated to the
next, and to the next, culminating at the top station of the Kaballah,
associated with Brilliant White light.

Definitely a noisy piece, but what a crescendo!  We were purely
improvising, and made no grandiose pretensions about how good the piece was
going to be.  Afterwards, though, we had people coming up and saying how
amazing it was, and that they had drifted off into some state of meditation
during the piece, even though we had not introduced it in any way...it just
was the end of our set.

Super fun and musically/experimentally/spiritually rewarding



rich





From Loopers-Delight-request@annihilist.com  Mon Apr 24 19:42:09 2000
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I heartily agree with all who have siad, or nearly said, that one of the best things about the LD list is that I can hear about what other loopers are doing!

Keep up the gig posts!

Kamlapati

From Loopers-Delight-request@annihilist.com  Mon Apr 24 19:52:21 2000
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Many drum machines don't alllow real-time, on-the-fly
programming in the manner you intend.

What you may need instead is a sequencer to record the
MIDI data in "free mode" like a tape record does.
Also, make sure your sync resolution and quantizing
between machines is exact and consistent. Some machines
have finer resolutions than others.

Good luck,
- Larry T

----- Original Message -----
From: "rich" <rich@nuvision.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, April 24, 2000 7:03 PM
Subject: Re: Looper as MIDIclock master


> I have been trying to record in real time on 3 different drum machines,
> with the drum machine either synched to a Jam Man, or to my digital
8-track
> recorder that has midi sync (Fostex dmt-8).  I have used an Alesis HR-16,
> Boss Dr-660 and Boss Dr. 770.  I have had very little luck, as well.
> Recording the drum tracks 'off line' is pretty crappy and not really my
> style, either...but i haven't found any way around it.
>
> if anybody knows of a machine that could 'record' in real time and in
tempo
> synch with a looper or my recorder, i would definitely put it on my
> christmas list...
>
> has anybody worked with the akai mpc units like this, or the asr-x (i
think
> that's what it's called).
>
> rich
>
>
> >Hi
> >
> >Another "sequencer" question:
> >
> >We programmed the EDP to send out MIDIclock to drive a sequencer or
> >drum machine. We did endless tests to confirm the various clock
> >rates, StartSong, StopSong..., but since I rather dislike prerecorded
> >or even synthesized sounds in my music, I never used that feature.
> >... until yesterday: I used an old HR16 drum machine and imagined
> >that I could record a bass line on the EDP and then program some drum
> >pattern into the HR16, in real time. It did not work. It seams that
> >the HR16 only records with internal clock. So I would have to prepare
> >the pattern and then start it from the EDP. Thats not my style.
> >Its not even possible to program something in non real time to fit to
> >the running loop and then start it synced (Exept with the not
> >finished LOOP4 soft, where MUTE-UNDO also can send a StartSong).
> >Maybe I should get some newer equipment...
> >
> >Does someone use a drum machine or stand alone sequencer slaved to
> >the MIDIclock out of some Looping device?
> >Can you program the drum sequence in real time?
> >
> >
> >          ---> http://Matthias.Grob.org
>
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 20:09:27 2000
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RE: Creativity & Randomness

In the late-70's/early 80's I was a member of a band called
M.A.D.(Mutual Assured Destruction), which consited of myself
and two others.. On our first recording session each of us
took turns recording a track without being to hear what the
other member recorded previously. The only limitation was
that the next person  to record had to choose an instrument
that wasn't used before. You only got one take and allowed
only one instrument.

This was an adaptation of the surrealists' Atrocity
Exhibition approach as applied to 'music'.

Noisy as hell but a big idea generator. It was interesting
from the perspective that the mind will attempt to impose
order even on the most extreme racket. As a bonus, the happy
accidents also begin to sound intentional. You can then use
these raw materials as inputs to the next stage of the music
process.

- Larry T

> Here is my most simple, practical approach :
>
> Lower the output volume of the EDP and create a loop while unable to hear
it.
>
> Go with the randomness.
>
> More comments : Have you ever seen the book, "The Advancing Guitarist"?
The whole book is filled with approaches to growing, overcoming barriers.
Much of it is instrument independent.
>
> Loopily,
> K
>
>
>
>
>
>
> rich@nuvision.com on 04/24/2000 03:28:41 PM
> Please respond to Loopers-Delight@annihilist.com@SMTP
> To: Loopers-Delight@annihilist.com@SMTP
> cc:
> Subject: Re: creativity
> Classification: Restricted
> >1. graphs
> >    -when I feel limited in a particular piece I'll often work from a
graph.
> >for instance, my ambient project used to play a chart of stock market
> >returns over the past 50 years.  very fun!  we would "notate" the graph
with
> >colors for moods (blue=sad, red=intense, green=layered, etc) and indicate
> >how long (length of time) each section would roughly take.  some great
> >results with this one.
>
>
>
> I had a couple of interesting performances a few years ago based on this
> idea.  The performance was called Kaballah Clocks and it was a half hour
> piece, based tonally on the 10 'stations' of the mystical Kaballah.  Each
> station has a 'color' associated with it.  Color resonates at a certain
> light frequency, and we associated those (angstrom?) frequencies with Hz
> frequencies of sound, so each 'station' had a tonal drone that we
> improvised within.  Each member of the ensemble had a clock in front of
> them and we played in each 'station' for 3 minutes, and then mutated to
the
> next, and to the next, culminating at the top station of the Kaballah,
> associated with Brilliant White light.
>
> Definitely a noisy piece, but what a crescendo!  We were purely
> improvising, and made no grandiose pretensions about how good the piece
was
> going to be.  Afterwards, though, we had people coming up and saying how
> amazing it was, and that they had drifted off into some state of
meditation
> during the piece, even though we had not introduced it in any way...it
just
> was the end of our set.
>
> Super fun and musically/experimentally/spiritually rewarding
>
>
>
> rich
>
>
>
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 20:35:11 2000
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Pre Script: I recommend 'The Advancing Guitarist' wholeheartedly.


o.k.:

Another creative approach that has worked for me: Go into therapy.  Find out 
what I really think.  Deal with it.  Have a midlife/spiritual/psychosexual 
crisis.  Feel completely nuts for a while, and feel scared about it.  Go to a 
men's weekend, bang a drum, whatever.  Go inside yourself, where the demon 
is.  You know its name.  Speak to it.

Then pick up your instrument.  You'll be amazed at what you have to say!!  (I 
still am.)

I'm completely serious.  You can't pour from an empty cup, and you can't fill 
a cup that leaks.  From where does the spirit leak from your cup?  Ask 
yourself that.  THAT is where music comes from when it comes to visit you.  
If you take a little of the mystery out of it (you can't take ALL the mystery 
out of it!), you'll find it easier to dial up.

That's my hallucination anyway.  Yours may be different.


k

Before studying Zen, men are men, and mountains are mountains.

After studying Zen, men are men, and mountains are mountains.

In the middle, things are confused.

From Loopers-Delight-request@annihilist.com  Mon Apr 24 20:37:22 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: uncreativity
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What does one do when one has too much creativity, and not enough
impetus/inspiration to work what one has got into something finished?

I'm really, really good at starting things, bu

From Loopers-Delight-request@annihilist.com  Mon Apr 24 20:49:38 2000
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LIMIT THYSELF!

(I'm one to talk.  I have the same tendency.)

Highly Recommend Book:
"Free Play (The Power of Improvisation in Life and the Arts)"
by Steven Nachmanovitch

Cheers,
eobe


Jonathan El-Bizri wrote:

> What does one do when one has too much creativity, and not enough
> impetus/inspiration to work what one has got into something finished?
>
> I'm really, really good at starting things, bu

From Loopers-Delight-request@annihilist.com  Mon Apr 24 21:00:26 2000
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From: "future perfect" <artmusic@gte.net>
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Date: Mon, 24 Apr 2000 20:30:12 -0400
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 How about something fairly standard in the subject line, like mine would
read...

GIG- Tampa, Florida area

and the subject might say something like, oh I don't know, something like
this...

May 5 & 10
The Hazard Factor (thats my band)
The Pharm (http://www.pharmreport.com)
Dunedin, FL

Hey, I was against this gig posting thing, but its FUN!
loop on and on

Dave Eichenberger- guitars/loops/devices
http://home1.gte.net/artmusic/dave
****************************************************
'Hazard Factor' - spontaneous grooves
http://home1.gte.net/artmusic/hazard

'Future Perfect' - art music
http://home1.gte.net/artmusic/










>
> I heartily agree with all who have siad, or nearly said, that one
> of the best things about the LD list is that I can hear about
> what other loopers are doing!
>
> Keep up the gig posts!
>
> Kamlapati
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 21:18:37 2000
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From: rich <rich@nuvision.com>
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>What does one do when one has too much creativity, and not enough
>impetus/inspiration to work what one has got into something finished?
>
>I'm really, really good at starting things, bu


Limit the scope of your project...work small...get used to the process of
'finishing' and closing the loop.  Practice closure.

I find that the people respond better to a 'finished' project, no matter
how simple or small, rather that an disconnected, unfocused 'work in
progress'.

A child's drawing always seems complete when they hand it to you, doesn't it?



rich


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From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: list etiquette (from the guilty one)                 
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Asking is never crossing the line.  It's good that you asked...

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/


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Subject: Re: uncreativity
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----- Original Message -----
From: Jonathan El-Bizri <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, April 24, 2000 8:23 PM
Subject: uncreativity


> What does one do when one has too much creativity, and not enough
> impetus/inspiration to work what one has got into something finished?
>
> I'm really, really good at starting things, bu

Laughing out loud!

I have the same problem.  Usually, I just leave things unfinished.  Given a
couple of days, I'll almost always realize how lame most of my ideas are.
It's the "pessimistic procrastination" method.


Peter

From Loopers-Delight-request@annihilist.com  Mon Apr 24 21:42:27 2000
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Date: Mon, 24 Apr 2000 21:26:46 -0400 (EDT)
From: Unit Circle Media <unitcirc@unitcircle.com>
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Subject: Re: Playing out?  -- Re: list etiquette 
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I don't think anyone has said "no gig posts."

As I said, I don't care if there are gig posts or not, just be sure to
CLEARLY mark you gig posts as such so that those of us who aren't
interested don't have to read them.

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

From Loopers-Delight-request@annihilist.com  Mon Apr 24 21:45:19 2000
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 <3904EA30.6AF8EC66@inreach.com>
Date: Mon, 24 Apr 2000 21:04:48 -0400
To: Loopers-Delight@annihilist.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Re: uncreativity
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At 5:43 PM -0700 4/24/00, eric wrote:
>LIMIT THYSELF!
>
>(I'm one to talk.  I have the same tendency.)


Me too!!!!

>
>Highly Recommend Book:
>"Free Play (The Power of Improvisation in Life and the Arts)"
>by Steven Nachmanovitch
>
>Cheers,
>eobe


Indeed yes, a WONDERFUL(!!!)  book.

  Also recommended is Derek Bailey's book on Improvised Music, the 
title of which I don't quite recall.

>
>
>Jonathan El-Bizri wrote:
>
>  > What does one do when one has too much creativity, and not enough
>  > impetus/inspiration to work what one has got into something finished?
>  >
>  > I'm really, really good at starting things, bu


"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man.

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@annihilist.com  Mon Apr 24 21:55:26 2000
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From: "Gary Lehmann" <relay@funtv.com>
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References: <v04220805b52a4f5afa38@[200.194.252.171]>
Subject: Re: Looper as MIDIclock master
Date: Mon, 24 Apr 2000 18:51:46 -0700
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Hello Matthias!
I am using the SR16, the big brother to the HR16, and it can record after
synching to MIDI clock.
You just have to be in compose mode.
Gary

----- Original Message -----
From: Matthias Grob <matthias@grob.org>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, April 24, 2000 3:43 PM
Subject: Looper as MIDIclock master


> Hi
>
> Another "sequencer" question:
>
> We programmed the EDP to send out MIDIclock to drive a sequencer or
> drum machine. We did endless tests to confirm the various clock
> rates, StartSong, StopSong..., but since I rather dislike prerecorded
> or even synthesized sounds in my music, I never used that feature.
> ... until yesterday: I used an old HR16 drum machine and imagined
> that I could record a bass line on the EDP and then program some drum
> pattern into the HR16, in real time. It did not work. It seams that
> the HR16 only records with internal clock. So I would have to prepare
> the pattern and then start it from the EDP. Thats not my style.
> Its not even possible to program something in non real time to fit to
> the running loop and then start it synced (Exept with the not
> finished LOOP4 soft, where MUTE-UNDO also can send a StartSong).
> Maybe I should get some newer equipment...
>
> Does someone use a drum machine or stand alone sequencer slaved to
> the MIDIclock out of some Looping device?
> Can you program the drum sequence in real time?
>
>
>           ---> http://Matthias.Grob.org
>
>

From Loopers-Delight-request@annihilist.com  Mon Apr 24 22:28:24 2000
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 <DCEPILPAMPPOCJDLGIFCAEMICCAA.jonathan@full-moon.com>
 <3904EA30.6AF8EC66@inreach.com>
Date: Mon, 24 Apr 2000 21:57:25 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: Re: uncreativity  Bailey title
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>
>  Also recommended is Derek Bailey's book on Improvised Music, the
>title of which I don't quite recall.
>



It is called. Improvisation: It's Nature and Practice in Music. great read.

Patrick
                     Fingerpaint's New Release:

                            IN THE LOOP

      ... an intelligent, stimulating mixture of mimimaist spacebeats and
           obscure samples layered upon a hypnotic illbient backdrop.

                       DIGITAL ARTIFACT # 12

                      http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Mon Apr 24 23:13:49 2000
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I was thinking
I was thinking I was thinking I was thinking
We could loop it
I was thinking I was thinking
We could loop it We could loop it
I was thinking I was thinking
We could loop it I was thinking
I was looping We could think it
I was looping  I was looping I was looping
I was loop it I was loop it I was loop it
thinking thinking
looping thinking looping thinking
I was could it I was could it
looping thinking thinking looping
could it could it 
I was could it it was could I
I was loop it thinking thinking
loop it loop it could I could I
thinking looping looping could I could I
think it  think it looping
looping looping
I was thinking
thinking could I
could I think it
looping thinking
thinking could I
could I loop it
thinking thinking
looping looping
think I think I
loop a looping
think a could I 
loop a thinking
I was looping
looping looping
Think a I was
was a thinking
thinking thinking
loop a I was
looping thinking
thinking I was
looping looping
I was looping
thinking thinking
I was
I was I was
loop
I was 
looping
I was
thinking
I was
could I  could I 
thinking 
I was
loop
I
think I 
was
loop
think
ing
I 
was
was
was 
was
 was
 was
  loop
		loop
loop	
		think
I
		was
think
		loop
was	  
		I
think 		
		loop
could
...		
...		
		...

jeff

rich wrote:
> 
> >1. graphs
> >    -when I feel limited in a particular piece I'll often work from a graph.
> >for instance, my ambient project used to play a chart of stock market
> >returns over the past 50 years.  very fun!  we would "notate" the graph with
> >colors for moods (blue=sad, red=intense, green=layered, etc) and indicate
> >how long (length of time) each section would roughly take.  some great
> >results with this one.
> 
> I had a couple of interesting performances a few years ago based on this
> idea.  The performance was called Kaballah Clocks and it was a half hour
> piece, based tonally on the 10 'stations' of the mystical Kaballah.  Each
> station has a 'color' associated with it.  Color resonates at a certain
> light frequency, and we associated those (angstrom?) frequencies with Hz
> frequencies of sound, so each 'station' had a tonal drone that we
> improvised within.  Each member of the ensemble had a clock in front of
> them and we played in each 'station' for 3 minutes, and then mutated to the
> next, and to the next, culminating at the top station of the Kaballah,
> associated with Brilliant White light.
> 
> Definitely a noisy piece, but what a crescendo!  We were purely
> improvising, and made no grandiose pretensions about how good the piece was
> going to be.  Afterwards, though, we had people coming up and saying how
> amazing it was, and that they had drifted off into some state of meditation
> during the piece, even though we had not introduced it in any way...it just
> was the end of our set.
> 
> Super fun and musically/experimentally/spiritually rewarding
> 
> rich

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Date: Mon, 24 Apr 2000 16:05:03 -0800
Subject: Re: open reel deck looping?Re:DRUMDROPS
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Yeah I've recorded very lo-res cassettes-Lo-Fi xpermentation only-any 
ideas?? I remain, humbly...STANNER

----------
>From: "Larry Tremblay" <ltct@concentric.net>
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: open reel deck looping?Re:DRUMDROPS
>Date: Mon, Apr 24, 2000, 1:42 PM
>

>> Hey I don't know how many DRUMDROPS records were made but I have (5) of
> them
>> and they are "useful" in some context or another...GOINLOOPY...STANNER
>
> I think that's it. 5 volumes from Rock to Funk to Latin...
> Have you recorded anything using them?
>
> Perfectly muffled 70's drums, no? ;)
>
> - Larry T
>
>
>
> 

From Loopers-Delight-request@annihilist.com  Mon Apr 24 23:36:03 2000
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From: THusken@aol.com
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Date: Mon, 24 Apr 2000 23:14:19 EDT
Subject: Re: Bill Frisell's video?
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The Bill Frisell video "The Guitar Artistry of..." by Rittor music is fairly 
easy to order I believe.  It is available through Warner Home Video.  Happy 
hunting!

From Loopers-Delight-request@annihilist.com  Tue Apr 25 00:16:29 2000
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To: Loopers-Delight@annihilist.com,
        "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>,
        ", Simon" <simon@dynamite.com.au>
Subject: open reel deck looping?
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I use a telescoping aluminum arm that has a spare guide from the machine
I am using.  For longer loops I use a microphone stand with a guide
affixed to the top.
Using a replacement guide is easier on the machine and tape and gives
more consistent results.

G. Wong 

I'm surprised no one has mentioned it, but one of the easiest ways to
make a
"looping fixture" on an open-reel machine is to simply build a wood face
(probably plywood) around the machine, then use push - pins (y'know, the
ones with the barrel-like upper parts) to extend the tape outwards from the
deck. Least that's how I did it when I was a boy.
Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us

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Date: Mon, 24 Apr 2000 21:00:36 -0700
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one becomes an improviser, and fucks repertoire.

-----Original Message-----
From: Jonathan El-Bizri <jonathan@full-moon.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, April 24, 2000 5:30 PM
Subject: uncreativity


>What does one do when one has too much creativity, and not enough
>impetus/inspiration to work what one has got into something finished?
>
>I'm really, really good at starting things, bu
>

From Loopers-Delight-request@annihilist.com  Tue Apr 25 02:12:09 2000
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Date: Tue, 25 Apr 2000 03:15:56 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: No Calif live/loop gig announcemt
Cc: Kim Flint <kflint@annihilist.com>
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Hey, this must be in the same block as Kim lives!


>
>
>AXiS MUNDi
>TranceFusion Chant Band
>invites you to
>First-Press Prana - Rites of Spring
>Live Music - Dancing - Kundalini Yoga - Visuals
>Saturday,  April 29th
>8:00 pm   $12.00
>TUVA Performance Space    510-655-9755
>3192 Adeline St.  Berkeley  Ashby Exit onto Ashby-Right onto
>Martin Luther King- Corner Bldg.@1st Light where MLK becomes Adeline.
>
>Based on Devotional Yearning and Spontaneously Arising Sound,
>AXIS MUNDI takes the ancient Kundalini Chant tradition into quantum
>dimensions with Sonic-Shamanic effects as the human voice explores the
>Wisdom Beyond Language and merges with a pulsing trance-rhythm stream.
>This unique music creates a Resonant Energy Field for Ecstatic Experience.
>Join us to participate in the COHERENT SQUEEZE as we
>Celebrate The Rebirth of The Light.  Wear your Dancing Shoes
>and Festive MayDay Attire, and be prepared to BE IN SPIN.
>
>axis Mundi
>Stuart Sovatsky - Sonic Chant
>Sondra Slade - Producer/Percussion
>Susie Goldenstein - Percussion
>Travis Wernet - Didjeridoo
>Cathryn Calderon - Ecstatic Dance
>with
>INTERACTIVE MEDIA by Uncle Puzzle
>Sacred Space by Auntie Matter
>
>Contact, Booking & Info: 
><mailto:axismundi@jps.net>axismundi@jps.net    415-826-8644
>
>
>
>
>
>
>
>
>
>
>



          ---> http://Matthias.Grob.org
--============_-1255479130==_ma============
Content-Type: text/html; charset="us-ascii"

<!doctype html public "-//W3C//DTD W3 HTML//EN">
<html><head><style type="text/css"><!--
blockquote, dl, ul, ol, li { margin-top: 0 ; margin-bottom: 0 }
 --></style><title>Re: No Calif live/loop gig
announcemt</title></head><body>
<div>Hey, this must be in the same block as Kim lives!</div>
<div><br></div>
<div><br></div>
<blockquote type="cite" cite><font face="Arial"
size="-1"><br></font></blockquote>
<blockquote type="cite" cite><font face="Arial"
size="-1"><br></font></blockquote>
<blockquote type="cite" cite align="center"><font size="+4">AXiS
MUNDi</font></blockquote>
<blockquote type="cite" cite align="center"><font face="Arial Black"
size="+2">TranceFusion Chant Band</font></blockquote>
<blockquote type="cite" cite align="center"><font size="+2">invites
you to</font></blockquote>
<blockquote type="cite" cite align="center"><font
size="+4">First</font><font size="+3">-</font><font
size="+4">Press</font><font size="+3"> </font><font
size="+4">Prana</font><font size="+3"> - Rites of
Spring</font></blockquote>
<blockquote type="cite" cite align="center"><font size="+2">Live
Music - Dancing - Kundalini Yoga - Visuals</font></blockquote>
<blockquote type="cite" cite align="center"><font
size="+2">Saturday,&nbsp; April 29th</font></blockquote>
<blockquote type="cite" cite align="center"><font size="+2">8:00
pm&nbsp;&nbsp; $12.00</font></blockquote>
<blockquote type="cite" cite align="center"><font size="+2">TUVA
Performance Space&nbsp;&nbsp; &nbsp;510-655-9755</font></blockquote>
<blockquote type="cite" cite align="center"><font size="+2">3192
Adeline St.&nbsp; Berkeley&nbsp; </font><font
size="+1">Ashby&nbsp;Exit onto Ashby-Right onto</font></blockquote>
<blockquote type="cite" cite align="center"><font size="+1">Martin
Luther King- Corner Bldg.@1st Light where MLK becomes
Adeline.</font></blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center">Based on Devotional
Yearning and Spontaneously Arising Sound,</blockquote>
<blockquote type="cite" cite align="center"><font
size="+1">AXIS</font> <font size="+1">MUNDI</font>&nbsp;takes the
ancient Kundalini Chant tradition into quantum</blockquote>
<blockquote type="cite" cite align="center">dimensions with
Sonic-Shamanic effects as the human voice explores the</blockquote>
<blockquote type="cite" cite align="center">Wisdom Beyond Language
and merges with a pulsing trance-rhythm stream.</blockquote>
<blockquote type="cite" cite align="center">This unique&nbsp;music
creates a Resonant Energy Field for Ecstatic Experience.</blockquote>
<blockquote type="cite" cite align="center">Join us to participate in
the COHERENT SQUEEZE as we</blockquote>
<blockquote type="cite" cite align="center"><i>Celebrate The Rebirth
of The Light.&nbsp; </i>Wear your Dancing Shoes</blockquote>
<blockquote type="cite" cite align="center">and Festive MayDay
Attire, and be prepared to <font size="+1"><i><b>BE</b></i></font><i>
<font size="+1">IN</font> <font
size="+1"><b>SPIN</b></font>.</i></blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center"><font
size="+2"><u>axis</u></font><font size="+1"> </font><font
size="+2"><u>Mundi</u></font></blockquote>
<blockquote type="cite" cite align="center"><font size="+1">Stuart
Sovatsky - Sonic Chant</font></blockquote>
<blockquote type="cite" cite align="center"><font size="+1">Sondra
Slade - Producer/Percussion</font></blockquote>
<blockquote type="cite" cite align="center"><font size="+1">Susie
Goldenstein - Percussion</font></blockquote>
<blockquote type="cite" cite align="center"><font size="+1">Travis
Wernet - Didjeridoo</font></blockquote>
<blockquote type="cite" cite align="center"><font size="+1">Cathryn
Calderon - Ecstatic Dance</font></blockquote>
<blockquote type="cite" cite align="center"><i>with</i></blockquote>
<blockquote type="cite" cite align="center"><font
size="+1">INTERACTIVE</font> <font size="+1">MEDIA</font> by<i> <font
size="+1">Uncle Puzzle</font></i></blockquote>
<blockquote type="cite" cite align="center">Sacred Space by <i>Auntie
Matter</i></blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center"><font size="-1">Contact,
Booking &amp; Info:&nbsp;&nbsp; </font><a
href="mailto:axismundi@jps.net"><font
size="-1">axismundi@jps.net</font></a><font
size="-1">&nbsp;&nbsp;&nbsp; 415-826-8644</font></blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<blockquote type="cite" cite align="center">&nbsp;</blockquote>
<div><br></div>

<div><br>
<br>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; ---&gt;
http://Matthias.Grob.org</div>
</body>
</html>
--============_-1255479130==_ma============--

From Loopers-Delight-request@annihilist.com  Tue Apr 25 02:20:40 2000
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From: "Udayan Choudhury" <uday@gw1.vsnl.net.in>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Different Sequencer question
Date: Tue, 25 Apr 2000 11:33:53 +0530
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Thank You very much, Mr. Bill, for your note on the Orbit. And....sorry! I
felt that rather than helping you, I disturbed you with my 'input'. Perhaps
your email was not intended for the entire list (?) But it will help 'lesser
mortals' like me if you could give more importance to "specifics".

However, I would like to enter a few lines here for the benefit of anybody
who knows what 'sysx messages' and DRMs mean and how to write them but is
completely new to Cakewalk and is wondering how to integrate his/her DRMs
into Cakewalk. Actually. its very simple ! - just paste your DRMs to the
'win.ini' file and save it. But, please be cautious not to disturb other
elements in your win.ini file and keep a back up copy of it before making
any modifications to it. Ofcourse, this means reasonably good familiarity
with the win.ini file. But there's no other way  to make DRMs for a
particular instrument to appear automatically in the Cakewalk
'sysx ->receive -> DRM' dialog box. However, it is just much easier and
simpler for us musicians if the modules we use consist of 'sysx dump'
features. In that case, you could just click on "You start dump on
instrument" in the DRM dialog box and thereafter start dumping  from your
instrument by selecting the relevant menu and pressing the relevant switch
on your module. You need to store each different message, e.g. 'Patch
settings, Performance settings etc.' (available in your sound module) in
different banks and you can then use the 'send' button in the Cakewalk sysk
dialog box to transmit those messages back to your sound module whenever you
need to do so.

Thank you and regards,
Uday.

-----Original Message-----
From: Crossedout@aol.com <Crossedout@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, April 24, 2000 11:29 AM
Subject: Re: Different Sequencer question


>In a message dated 4/23/00 10:57:46 AM Central Daylight Time,
>uday@gw1.vsnl.net.in writes:
>
><< You should find
> information about implementation of this messages in the manual of your
> sound source- in this case, the orbit. (Sorry! I am hearing that name for
> the first time and would like to know more about it) >>
>
>The Orbit is an EMU sound module, they have put out 5 that I know of in a
>series, the first three were the Orbit, Planet Phatt and Carnival, each of
>which have 600+ patches optimized for techno/dance, hiphop and Latin
styles,
>respectively.
>
>Recently they came out with an upgraded Planet Phatt called the Mo'Phatt,
and
>another one that's more techno style patches, the name of which escapes me.
>But you should be able to find them on the web, just search for an EMU web
>site. The Orbit and Planet Phatt seemed pretty similar, I just needed some
>good sounds and the place I was shopping at had a demo model of the Orbit
>that I could afford!! But it's packed with good stuff.....
>
><<In Cakewalk, you can
> also store this messages in the system exclusive banks which are provided
> just for this purpose. >>
>
>
>I know it'll do it, I just am having a problem finding out how to do it in
>the manual. I'm not super familiar with Midi and sequencing, I'm coming
from
>a guitar background instead of a keyboard background, so it's a little
tough
>for me, as well as the fact that different manufacturers write their
manuals
>in totally different ways, using different phrases and words to acheive the
>same ends.... it gets frustrating sometimes!
>
>Anyway, thanks much for your input. If you have any other questions about
the
>Orbit, let me know and I'll try to answer!!
>- Bill
>Crossedout@aol.com
>
>

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Subject: Re: uncreativity/child's drawing 
Date: Tue, 25 Apr 2000 03:37:47 -0300
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> A child's drawing always seems complete when they hand it to you, doesn't
it?

Really nice apreciation !!!

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From: "Steven Woods" <swoods@comcen.com.au>
To: <Loopers-Delight@annihilist.com>
Subject: Fw: undesired posts  and posts of questionable worth     
Date: Tue, 25 Apr 2000 18:28:35 +1000
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This is a multi-part message in MIME format.

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----- Original Message -----
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 25, 2000 6:22 PM
Subject: Re: undesired posts


> Sorry you feel that way but
> I didn't subscribe to Bill Fox's email list.
> I shouldn't have to setup rules to block unsolicited email as a result of
> one list subscription.
>  If many wrote in favour fine they are entitled to their opinion and what
> goes in their inbox.
> I don't consider it unfriendly, it was meant to be assertive not
unfriendly
> and it was my second request.
> Putting the details in the topic is a good idea giving reader's the option
> to read what is of interest or delete.
> See attachment for an example of stuff I can't see the point in sending?
> Steven
>
>
>
> ----- Original Message -----
> From: "Matthias Grob" <matthias@grob.org>
> To: <Loopers-Delight@annihilist.com>
> Sent: Tuesday, April 25, 2000 8:43 AM
> Subject: undesired posts
>
>
> > >Bill Fox,
> > >   Can you unsubscribe me from this spam
> > >
> > >I don't live in USA and I don't want to receive this.
> > >  2nd request.
> > >I suscribed to Kims list BUT not yours.
> > >Steven
> >
> > I find this unfriendly, Steven. We discussed it and many wrote in
> > favour to Bills posting.
> > I dont live in US either and there are many anouncements for shows
> > that I could never go, but I still find it interesting to know whats
> > happening.
> >
> > So I find Petr's apology rather unnecessary:
> >
> > >I am sorry if I was crossed over the line.  I saw announcements of
> various
> > >gigs on the list many times before, so I did it too.  I thought the
line
> is
> > >whether the gig is about looping or not.  If I caused "bad taste" to
> anyone,
> > >I apologize.
> >
> > as someone said: Post what you want, but think well about the subject
> > you put so we can select what we are going to read...
> >
> > no violence
> > Matthias
> >
> >
> >           ---> http://Matthias.Grob.org
> >
> >
>

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Date: Mon, 24 Apr 2000 23:09:42 -0400
From: Jeff Yost <yostie@ezworks.net>
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I was thinking
I was thinking I was thinking I was thinking
We could loop it
I was thinking I was thinking
We could loop it We could loop it
I was thinking I was thinking
We could loop it I was thinking
I was looping We could think it
I was looping  I was looping I was looping
I was loop it I was loop it I was loop it
thinking thinking
looping thinking looping thinking
I was could it I was could it
looping thinking thinking looping
could it could it 
I was could it it was could I
I was loop it thinking thinking
loop it loop it could I could I
thinking looping looping could I could I
think it  think it looping
looping looping
I was thinking
thinking could I
could I think it
looping thinking
thinking could I
could I loop it
thinking thinking
looping looping
think I think I
loop a looping
think a could I 
loop a thinking
I was looping
looping looping
Think a I was
was a thinking
thinking thinking
loop a I was
looping thinking
thinking I was
looping looping
I was looping
thinking thinking
I was
I was I was
loop
I was 
looping
I was
thinking
I was
could I  could I 
thinking 
I was
loop
I
think I 
was
loop
think
ing
I 
was
was
was 
was
 was
 was
  loop
		loop
loop	
		think
I
		was
think
		loop
was	  
		I
think 		
		loop
could
...		
...		
		...

jeff

rich wrote:
> 
> >1. graphs
> >    -when I feel limited in a particular piece I'll often work from a graph.
> >for instance, my ambient project used to play a chart of stock market
> >returns over the past 50 years.  very fun!  we would "notate" the graph with
> >colors for moods (blue=sad, red=intense, green=layered, etc) and indicate
> >how long (length of time) each section would roughly take.  some great
> >results with this one.
> 
> I had a couple of interesting performances a few years ago based on this
> idea.  The performance was called Kaballah Clocks and it was a half hour
> piece, based tonally on the 10 'stations' of the mystical Kaballah.  Each
> station has a 'color' associated with it.  Color resonates at a certain
> light frequency, and we associated those (angstrom?) frequencies with Hz
> frequencies of sound, so each 'station' had a tonal drone that we
> improvised within.  Each member of the ensemble had a clock in front of
> them and we played in each 'station' for 3 minutes, and then mutated to the
> next, and to the next, culminating at the top station of the Kaballah,
> associated with Brilliant White light.
> 
> Definitely a noisy piece, but what a crescendo!  We were purely
> improvising, and made no grandiose pretensions about how good the piece was
> going to be.  Afterwards, though, we had people coming up and saying how
> amazing it was, and that they had drifted off into some state of meditation
> during the piece, even though we had not introduced it in any way...it just
> was the end of our set.
> 
> Super fun and musically/experimentally/spiritually rewarding
> 
> rich


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From: APerson7531@aol.com
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Date: Tue, 25 Apr 2000 05:18:50 EDT
Subject: HI Yall
To: Loopers-Delight@annihilist.com
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Does anybody in this maze of Loopers 
know what is usable for the sole purpose of
saving all the settings and patterns of my drum machines
so I can share them without having to lose the pattern info?
Thank you all

From Loopers-Delight-request@annihilist.com  Tue Apr 25 06:24:52 2000
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Date: Tue, 25 Apr 2000 06:24:41 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Fw: undesired posts  and posts of questionable worth     
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Mr. Woods,

I'm sure I speak for many of us in asking:

Please do not send unsolicited ATTACHMENTS to a mailing list!

Tim

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From: DanKoontz@webtv.net (Dan Koontz)
Date: Tue, 25 Apr 2000 03:59:12 -0700 (PDT)
To: Loopers-Delight@annihilist.com
Subject: Re: Playing out?  -- Re: list etiquette
Message-ID: <4826-39057A80-7578@storefull-166.iap.bryant.webtv.net>
In-Reply-To: "Mike Biffle" <mbiffle@svg.com>'s message of Mon, 24 Apr 2000 15:36:38 -0700
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I support Mike's opinion. I think there's nothing wrong with posting
gigs on this site. This list is for discussing looping: various
techniques, new technology, etc. Listing looper's gigs is a great way
for people to go see how these ideas and the technology is integrated
into actual music / performances, since 99% of the gigs listed on this
site are going to be looping-related. Anyway, that's what I think..    -
Dan

From Loopers-Delight-request@annihilist.com  Tue Apr 25 08:33:09 2000
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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: list etiquette >> Loop venues and Santa Cruz Loop Jam
Date: Tue, 25 Apr 2000 05:16:15 PDT
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I'd love to join in.  How many guy or gals are there room for?  Om and Out   
  Papa Dave


>From: "Mike Biffle" <mbiffle@svg.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com, ltct@concentric.net,        
>baumhaus@earthlink.net
>Subject: Re: list etiquette >> Loop venues and Santa Cruz Loop Jam
>Date: Mon, 24 Apr 2000 10:02:18 -0700
>
>Well... I'm putting together a looper jam in Santa Cruz, California,
>tentatively scheduled Sunday, June 25th, from 2:00pm - 8pm-ish...
>maybe later... hoping to record the proceedings. Please respond if
>this is of interest to any of you. I'll send out invitations shortly!
>
>This is a continuation of the networking we all do by announcing
>gigs, philosophy and basically having dialog about all aspects of our
>musical lives revolving around our common interest in looping.
>
>Best regards,
>-Miko
>
> >>> "Larry Tremblay" <ltct@concentric.net> 04/24 9:30 AM >>>
>This idea may not be feasible, but has anyone considered a
>Looperpalooza-type tour of friendly
>venues, cable access TV and indie radio?
>
>It's my feeling that the looper idea has permeated the mainstream
>enough that it's become a significant
>sub-culture. I mean, fewer music store salesguys look at me sideways
>now when I mention looping to them. Anyone think this is a good idea?
>- Larry T
>
>----- Original Message -----
>From: "Mike Biffle" <mbiffle@svg.com>
> > Keep posting them... It's nice to get a feel for the various venues
>which welcome this type of music. I save postings with venues which
>might be of interest to me either as a performer or audient. Best,
>-Miko
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Tue Apr 25 08:49:57 2000
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Date: Tue, 25 Apr 2000 08:47:18 -0400
From: James Keepnews <keepnews@node.net>
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Organization: > - - node - - <
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> As I said, I don't care if there are gig posts or not, just be sure to
> CLEARLY mark you gig posts as such so that those of us who aren't
> interested don't have to read them.
>

all's fair in love and p.r., up to and including your eminently fair,
clarified request above. so, mea culpa, mea culpa, mea gigabyte culpa, Kevin
and all lovers de la loop, for self-promotion past and very present,
indeed...the press release for my next gig(s) went a little something like
this -- love to see you all/some there, then:

"For Immediate Release:

PEEKSKILL DUB ASSASSINS TO MANIFEST THE FIRST THREE SATURDAYS IN MAY AT ONE
STATION PLAZA IN PEEKSKILL, NY FROM 3 PM ONWARD

April 19 - A loose collective of musical experimenters from a wide variety
of backgrounds will descend upon the musician-run performance space, One
Station Plaza, on the first three Saturdays during the month of May.
Performing under the name Peekskill Dub Assassins, the assemblage will
improvise music informed by the musical continuum between dub and
jungle/drum-'n-bass/ambient music(s), while engaging the sensibilities of
jazz, noise, hardcore, experimental electronic music and the music(s) of
non-Western cultures.

The performances -- convened by Peekskill multimedia artist, James Keepnews
-- will take place every Saturday in May (_EXCEPT_ May 27) beginning at 3 PM

and continuing therefrom. An admission of $3 will be collected at the door.

For more information on the Peekskill Dub Assassins performances, please
call 212.353.6971 or e-mail keepnews@node.net.

One Station Plaza -- founded by the late free-jazz guitar legend, Sonny
Sharrock -- is located at 38 North Division Street in Peekskill, NY. Their
phone number is 914.736.1053."

_______________________________________________________________________

    ~   > -- James Keepnews -- <  "Put oneself into a state of intense
  (.-.)             *               ignorance and curiosity, and yet
 (   \  > - Multimedia Yahoo - <    see things in advance."
    -               *
    "   >   keepnews@node.net  <       -- Robert Bresson (1901-1999)
_______________________________________________________________________


From Loopers-Delight-request@annihilist.com  Tue Apr 25 09:01:54 2000
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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: DT recomendation, was: Instructional video
Date: Tue, 25 Apr 2000 05:58:51 PDT
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I have done home style video shooting for years and would help on a west 
coast shoot.  I am good with the camera and slow panning and capturing the 
moment.  Om and Out Papa Dave


>From: Matthias Grob <matthias@grob.org>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: DT recomendation, was: Instructional video
>Date: Mon, 24 Apr 2000 19:43:04 -0300
>
>>sketchy,
>>thanks for the endorsement of me (now old, i'm afraid) video;
>>personally, i really wish it had been more loop-comprehensive/focussed--- 
>>& i
>>wish that it hadn't been shot all in one day, a day... by the by... on 
>>which
>>i was recovering from the type of seizure to which i's occasionally 
>>subjected:
>>i was feelin' *really* funky.....
>>also:
>>some time back, there was some chitchat twixt kim, gibson & meself
>>re: producing an EDP instructavid;
>>obviously, it never happened.
>>while i still haven't plumbed the plumbable depths of the *current* EDP
>>software:
>>--(i'm sure that many of y'all take much deeper advantage of the beast's
>>capabilities)--
>>i'd still be interested in such an event-production, esp. if it were in
>>collaboration w/a more knowledgeable sort than i; ie, kim or someone else.
>>ruminating: as usual.
>>dt
>
>Yes, fine: A couple of different musicians show different methods and
>the over-all impression would be more open: a variety styles,
>instruments, setups, philosophies...
>Nowadays, many people have a camera - which does not mean they can do
>good video, but what I have seen from those instructional videos, the
>public is not very demanding is this respect - so it seams possible
>that several musicians film the way they build up their music. Then
>those results could be compiled and completed with some more
>"theoretic" explanations, animated versions of the drawings in the
>manual... I guess Gibson would support such a project.
>
>Anyone into video?
>
>
>          ---> http://Matthias.Grob.org
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Tue Apr 25 09:25:20 2000
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From: "Larry Tremblay" <ltct@concentric.net>
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References: <4c.4966023.2636bcfa@aol.com>
Subject: Re: HI Yall
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Depends on the drum machine.

----- Original Message ----- 
From: <APerson7531@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 25, 2000 5:18 AM
Subject: HI Yall


> Does anybody in this maze of Loopers 
> know what is usable for the sole purpose of
> saving all the settings and patterns of my drum machines
> so I can share them without having to lose the pattern info?
> Thank you all
> 
> 

From Loopers-Delight-request@annihilist.com  Tue Apr 25 09:29:39 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>, <emile@foryourhead.com>
References: <DCEPILPAMPPOCJDLGIFCAEMICCAA.jonathan@full-moon.com><3904EA30.6AF8EC66@inreach.com> <v04220808b52a9f6eb140@[209.67.232.73]>
Subject: Re: uncreativity - Paging Dr T :)
Date: Tue, 25 Apr 2000 09:29:26 -0400
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Dr T,

What ever happened to the Algorithmic Composer? I thought it
was a great piece of software. Then I got rid of my C-64 :)

Any plans for a Windows or MAC version of the original
program? Hmmmmm?

Regards,
- Larry T

----- Original Message -----
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, April 24, 2000 9:04 PM
Subject: Re: uncreativity


> At 5:43 PM -0700 4/24/00, eric wrote:
> >LIMIT THYSELF!
> >
> >(I'm one to talk.  I have the same tendency.)
>
>
> Me too!!!!
>
> >
> >Highly Recommend Book:
> >"Free Play (The Power of Improvisation in Life and the Arts)"
> >by Steven Nachmanovitch
> >
> >Cheers,
> >eobe
>
>
> Indeed yes, a WONDERFUL(!!!)  book.
>
>   Also recommended is Derek Bailey's book on Improvised Music, the
> title of which I don't quite recall.
>
> >
> >
> >Jonathan El-Bizri wrote:
> >
> >  > What does one do when one has too much creativity, and not enough
> >  > impetus/inspiration to work what one has got into something finished?
> >  >
> >  > I'm really, really good at starting things, bu
>
>
> "The reasonable man adapts himself to the world. The unreasonable man
> persists in adapting the world to himself. Therefore, all progress
> depends on the unreasonable man.
>
> --  George Bernard Shaw
>
> Emile Tobenfeld, Ph. D.
> Video Producer Image Processing Specialist
> Video for your HEAD! Boris FX
> http://www.foryourhead.com http://www.borisfx.com
>
>

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From: L.Angulo@t-online.de (Luis Angulo)
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WHAT DOES IMHO MEANS?


From Loopers-Delight-request@annihilist.com  Tue Apr 25 09:47:14 2000
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Date: Tue, 25 Apr 2000 15:34:08 +0200
To: Loopers-Delight@annihilist.com
From: =?iso-8859-1?Q?Ra=FCl?= Bonell =?iso-8859-1?Q?Tom=E0s?=
  <rauboto@dragonet.es>
Subject: For Sale: SIMMS for the Plex
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hi guys !

	A friend of mine has given me
	several 30 pins' simms that work for 
	the Echoplex.

	They upbgrade Plex memory 
	in 7 seconds aprox. each one (remember
	that there are four sockets for putting
	them). 

	I've cheked them with my Plex ( that i have
	upgraded to 100 sec.) and it showed
	107 sec. on the plex screen.

	I supose these are 512Kb simms, isn't Kim ?
	With four of them you'll have 25 sec. of looping
	time for the plex.

	Ok., i'd like to sell them since i don't need
	them all. 

	If somebody is interested, contact me privately at,

	rauboto@dragonet.es

	
keep looping,
RBT




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Subject: Re: undesired posts  and posts of questionable worth     
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> See attachment for an example of stuff I can't see the point in sending?

I guess we DO have a wide variety of interests on this list.  I found "I Was
Thinking" so interesting that I forwarded it to members of my improv group.

I'm not questioning that you found the posting a waste of time/bandwidth.  With
all due respect to fellow list members, I find several of our discussion threads
do not interest me.  So what.  That's just me.  I'm sure others find these
posting quite informative.  They should continue, IMHO.

Since we're a community, we live with each other's idiosyncracies, including
help, rants, raves, and rambles.  Tolerance, a meaningful "Subject" line, and a
quick finger on the DELETE key will ease our dialogue (or is it N-logue?).

I don't mean to sound patronizing.  I just want to remind everybody to lighten
up.

Dennis Leas
-----------------------------
dennis@mdbs.com


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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: Negativland becomes U2 becomes Eno
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IMHO - in my humble opinion
IMNSHO - in my not so humble opinion (usually meant humorously)

Dennis Leas
-----------------------------
dennis@mdbs.com


-----Original Message-----
From: Luis Angulo <L.Angulo@t-online.de>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, April 25, 2000 8:34 AM
Subject: Re: Negativland becomes U2 becomes Eno


>WHAT DOES IMHO MEANS?
>
>

From Loopers-Delight-request@annihilist.com  Tue Apr 25 11:04:18 2000
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From: Phaedebk@aol.com
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In a message dated 4/24/00 5:49:49 PM Eastern Daylight Time, 
j.pokorny@worldnet.att.net writes:

<< j.pokorny@worldnet.att.net >>
Namaste, Udayan-ji, aap se milkar bada khushi hui!

Su-swagatam!

James, 

    Hey man, been a while, how goes it?  What's new?  

    What is the translation of the above, if you don't mind?  

    On my end of the spectrum, I finally got the nerve up, went out and got a 
used stick, and have to say that I've been having a serious blast with the 
beast, though getting used to keeping both hands totally independent of one 
another is a majour curve!  
    More towards folk instruments, picked up a great little guitar-necked 
dulcimer from a friend at http://www.ren-music.com  Also got Ken (the husband 
of this family business) totally hooked on the idea of building a similiar 
instrument to my Chapman Stick.  Been buggin' me to bring it the next time I 
visit so he can take a few pictures, and measurements.  LOL!

    Tap on and loop out.
    P'hir milenge,

        
        Lee

From Loopers-Delight-request@annihilist.com  Tue Apr 25 11:44:49 2000
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To: Loopers-Delight@annihilist.com
From: rich <rich@nuvision.com>
Subject: Re: DT recomendation, was: Instructional video
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I work for an Ad Agency (So Cal, Orange County) with a high end digital
photography studio and full design facilities.  We have studio space,
backdrops and HMI flicker-free lighting, which serves well for dig.
photography, film and video.  We have been itching for a doorway into video
for a couple of years now.  I will ask if they are interested in such a
thing, but i doubt if they would go for a low-budjet shoestring sort of
thing.  If Gibson was interested, that might be the trick...

rich



>I have done home style video shooting for years and would help on a west
>coast shoot.  I am good with the camera and slow panning and capturing the
>moment.  Om and Out Papa Dave
>
>
>>From: Matthias Grob <matthias@grob.org>
>>Reply-To: Loopers-Delight@annihilist.com
>>To: Loopers-Delight@annihilist.com
>>Subject: Re: DT recomendation, was: Instructional video
>>Date: Mon, 24 Apr 2000 19:43:04 -0300
>>
>>>sketchy,
>>>thanks for the endorsement of me (now old, i'm afraid) video;
>>>personally, i really wish it had been more loop-comprehensive/focussed---
>>>& i
>>>wish that it hadn't been shot all in one day, a day... by the by... on
>>>which
>>>i was recovering from the type of seizure to which i's occasionally
>>>subjected:
>>>i was feelin' *really* funky.....
>>>also:
>>>some time back, there was some chitchat twixt kim, gibson & meself
>>>re: producing an EDP instructavid;
>>>obviously, it never happened.
>>>while i still haven't plumbed the plumbable depths of the *current* EDP
>>>software:
>>>--(i'm sure that many of y'all take much deeper advantage of the beast's
>>>capabilities)--
>>>i'd still be interested in such an event-production, esp. if it were in
>>>collaboration w/a more knowledgeable sort than i; ie, kim or someone else.
>>>ruminating: as usual.
>>>dt
>>
>>Yes, fine: A couple of different musicians show different methods and
>>the over-all impression would be more open: a variety styles,
>>instruments, setups, philosophies...
>>Nowadays, many people have a camera - which does not mean they can do
>>good video, but what I have seen from those instructional videos, the
>>public is not very demanding is this respect - so it seams possible
>>that several musicians film the way they build up their music. Then
>>those results could be compiled and completed with some more
>>"theoretic" explanations, animated versions of the drawings in the
>>manual... I guess Gibson would support such a project.
>>
>>Anyone into video?
>>
>>
>>          ---> http://Matthias.Grob.org
>>
>
>________________________________________________________________________
>Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com



From Loopers-Delight-request@annihilist.com  Tue Apr 25 11:45:04 2000
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Ugh,...

    Too many hours at work and not enough sleep.

    Gomenasai.

        
        Lee-ohki.

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Subject: RE: uncreativity
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> >What does one do when one has too much creativity, and not enough
> >impetus/inspiration to work what one has got into something finished?
> >
> >I'm really, really good at starting things, bu
> 
> 
> Limit the scope of your project...work small...get used to 
> the process of
> 'finishing' and closing the loop.  Practice closure.

I look for time where I don't have anything scheduled.  For example,
I've got a laptop for work and I've got a copy of Acid(TM) on it.
When I'm at work and using my workstation for some time-intensive
process (building the product takes 15-90 minutes or running a test
cycle takes ~20 miunutes), I can fire up Acid and make some tweaks.
I'm especially looking forward to a flying trip this weekend (anybody
else create music on airplanes?).


- Larry

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From: "Udayan Choudhury" <uday@gw1.vsnl.net.in>
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Aadarniya James-ji,

Dhanyabaad ! Aapkobhi mera namaste aur haardik shubhkaamnaye.

That was really cool ! Well, I am overwhelmed and gratified. Never knew that
India and Indians are loved so much.

Thanks again,
Uday.


-----Original Message-----
From: James Pokorny <j.pokorny@worldnet.att.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, April 25, 2000 4:08 AM
Subject: Re: Different Sequencer question / New member


>I'll second that!
>
>Namaste, Udayan-ji, aap se milkar bada khushi hui!
>
>Su-swagatam!
>
>James
>
>-----Original Message-----
>From: eric <eobertha@inreach.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Sunday, April 23, 2000 6:59 PM
>Subject: Re: Different Sequencer question
>
>
>>
>>
>>Udayan Choudhury wrote:
>>
>>> I am a very humble music enthusiast from North-East India.
>>
>>Hello to Udayan!
>>Glad you're with us.
>>I love India.
>>Cheers,
>>eobe
>>
>>
>>
>
>





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"It's better to be done than satisfied"   Om and Out


>From: "Peter Shindler" <shindler@mediaone.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: uncreativity
>Date: Mon, 24 Apr 2000 21:09:58 -0400
>
>
>----- Original Message -----
>From: Jonathan El-Bizri <jonathan@full-moon.com>
>To: <Loopers-Delight@annihilist.com>
>Sent: Monday, April 24, 2000 8:23 PM
>Subject: uncreativity
>
>
> > What does one do when one has too much creativity, and not enough
> > impetus/inspiration to work what one has got into something finished?
> >
> > I'm really, really good at starting things, bu
>
>Laughing out loud!
>
>I have the same problem.  Usually, I just leave things unfinished.  Given a
>couple of days, I'll almost always realize how lame most of my ideas are.
>It's the "pessimistic procrastination" method.
>
>
>Peter
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Tue Apr 25 16:19:42 2000
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My opinion is:

Postings about local loop-related shows: OK

Postings about weekly loop-related radio programs: OK

Part of subscribing to a forum is that you're going to get at least some 
e-mail that you're not interested in or doesn't particularly pertain to you. 
If you don't want to hear about Bill's weekly show, just delete it. It takes 
about 1/4 of a second to hit the delete button. I think it's on-topic, since 
he often plays tracks from loopers from this list.

If you want, get the digest version of LD e-mail and you'll only get one 
message per day.

Matt




________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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Wow, this sounds like it's going to be great.  Valerie and I are going to make a weekend of it, as I've never really been to Santa Cruz. (East coast posse)  Can anyone recommend a decent but not too expensive place for two people two stay for the weekend?  We're thinking of coming down on friday morning, and leaving after the loopage.

Mark

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Date: Tue, 25 Apr 2000 17:19:00 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: For Sale: SIMMS for the Plex
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>hi guys !
>
>	A friend of mine has given me
>	several 30 pins' simms that work for
>	the Echoplex.
>
>	They upbgrade Plex memory
>	in 7 seconds aprox. each one (remember
>	that there are four sockets for putting
>	them).

They work in pairs

>
>	I've cheked them with my Plex ( that i have
>	upgraded to 100 sec.) and it showed
>	107 sec. on the plex screen.
>
>	I supose these are 512Kb simms, isn't Kim ?
>	With four of them you'll have 25 sec. of looping
>	time for the plex.

No, there are just 256k, 1M and 4M simms. To get 100 sec, you need 
one pair of 4M simms. So I think you got a pair of 4M plus a pair of 
256k.

Test them by pairs in the Bank 0 (indicated between sockets and 
transformer) to find out what you have got, but consider that if you 
put a pair of different size, the indication at startup will depend 
to the smaller one.


          ---> http://Matthias.Grob.org

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 <013e01bfae52$f9d684c0$0100005a@ne.mediaone.net>
Date: Tue, 25 Apr 2000 17:19:00 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: uncreativity
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>Jonathan El-Bizri <jonathan@full-moon.com>:
>
>>  What does one do when one has too much creativity, and not enough
>>  impetus/inspiration to work what one has got into something finished?
>>
>>  I'm really, really good at starting things, bu
>
>Laughing out loud!
>
>I have the same problem.  Usually, I just leave things unfinished.  Given a
>couple of days, I'll almost always realize how lame most of my ideas are.
>It's the "pessimistic procrastination" method.
>
>Peter


hm... its interesting really to give it some time. I usually do the 
edition a while, up to years after the recording, because then I feel 
much more acurate which parts really say something (usually the ones 
I remember having heard before).


          ---> http://Matthias.Grob.org

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Date: Tue, 25 Apr 2000 17:19:00 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: uncreativity
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>
>Limit the scope of your project...work small...get used to the process of
>'finishing' and closing the loop.  Practice closure.
>
>I find that the people respond better to a 'finished' project, no matter
>how simple or small, rather that an disconnected, unfocused 'work in
>progress'.
>
>A child's drawing always seems complete when they hand it to you, doesn't it?
>

I like this a lot.

I must say though, that the limitation can turn into acomodation. For 
15 years I record loop music with the limits:
- no overdubs
- just guitar (many sounds, but no synth) or a partner with another 
instrument also real time
- simple edits, keep the original chronological order

For some time I feel I should open up into one direction.
For example I sometimes record with a partner and use separate tracks 
to edit each instrument separately. This gives me such a lot o new 
ways to edit that I end up not doing the work!
Now imagine if I start recording keyboards over all of my recordings 
or simply allow to mix several recordings - I am AFFRAID OF THE 
DECISIONS TO TAKE!


George Bernard Shaw is great, too: :-)
>"The reasonable man adapts himself to the world.

the principle of Nature

>The unreasonable man persists in adapting the world to himself.

the principle of Culture

>Therefore, all progress depends on the unreasonable man.

A law only change after many had the curage to disrespect it. They 
often pay hard for the progress of the others.

Somebody cites in his signature something like: "Its never a problem 
to get new ideas, but to get rid of the old ones."
Fits well.


          ---> http://Matthias.Grob.org

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Subject: 2 David Torn questions: homepage and video
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1) Is the aforementioned video "Painting with Guitar" still available?  If
so, where?
2) a while back, someone created a DT home page.  What was the address?  LD
archive search didn't prove too helpful.  Simply searching on "David Torn"
produced no results (????).  User error?

3) (I know, I said 2).  I like gig annoucements.  I find them encouraging
and... inspirational.

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From: APerson7531@aol.com
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Date: Tue, 25 Apr 2000 16:46:28 EDT
Subject: Re: open reel deck looping?
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You people who have discovered the key for finding limitless looping for 
rythmns as long as you can possibly imagine are amazing!   What should I get 
first in order to start trying this.   Cuz I really don't like the memory 
limits and bullshit that come with digital.  Anyway I am Motley and I love 
everyone!

From Loopers-Delight-request@annihilist.com  Tue Apr 25 17:10:02 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: uncreativity
Date: Tue, 25 Apr 2000 13:08:16 -0700
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<sexual innuendo deleted>

bIz

-----Original Message-----
From: David Potter [mailto:papadave55@hotmail.com]
Sent: Tuesday, April 25, 2000 11:52 AM
To: Loopers-Delight@annihilist.com
Subject: Re: uncreativity


"It's better to be done than satisfied"   Om and Out


>From: "Peter Shindler" <shindler@mediaone.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: uncreativity
>Date: Mon, 24 Apr 2000 21:09:58 -0400
>
>
>----- Original Message -----
>From: Jonathan El-Bizri <jonathan@full-moon.com>
>To: <Loopers-Delight@annihilist.com>
>Sent: Monday, April 24, 2000 8:23 PM
>Subject: uncreativity
>
>
> > What does one do when one has too much creativity, and not enough
> > impetus/inspiration to work what one has got into something finished?
> >
> > I'm really, really good at starting things, bu
>
>Laughing out loud!
>
>I have the same problem.  Usually, I just leave things unfinished.  Given a
>couple of days, I'll almost always realize how lame most of my ideas are.
>It's the "pessimistic procrastination" method.
>
>
>Peter
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com


From Loopers-Delight-request@annihilist.com  Tue Apr 25 18:45:18 2000
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Subject: Re: 2 David Torn questions: homepage and video
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Howdy people!   
Okay Greg, here it goes.    
    1.)  I think the DT video is still available from Homespun Video 
1-800-33-TAPES  2.)  DT's website was located at 
http://ott-outreach.engin.umich.edu/torn/   
            but I think it's been wiped out for a while now.
    3.)   By the way, I don't mind hearing about gigs either.

From Loopers-Delight-request@annihilist.com  Tue Apr 25 19:16:20 2000
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Subject: Re: open reel deck looping?
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Even though it's digital, the AKI Head Rush can
simulate a 4-head echo machine pretty well, and
it's only about $200.

The Digitech RDS series of rackmount delays are a
good place to start too.

On the other hand, getting your hands on a pair of
cheap 3-head reel-to-reel machines is an infinitely
more flexible and analog approach. Plus you have the
facility to varispeed, edit, splice, and otherwise
mangle your source material anyway you want.

- Larry T
----- Original Message -----
From: <APerson7531@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 25, 2000 4:46 PM
Subject: Re: open reel deck looping?


> You people who have discovered the key for finding limitless looping for
> rythmns as long as you can possibly imagine are amazing!   What should I
get
> first in order to start trying this.   Cuz I really don't like the memory
> limits and bullshit that come with digital.  Anyway I am Motley and I love
> everyone!
>
>

From Loopers-Delight-request@annihilist.com  Tue Apr 25 19:16:10 2000
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APerson7531@aol.com wrote:

> You people who have discovered the key for finding limitless looping for
> rythmns as long as you can possibly imagine are amazing!   What should I get
> first in order to start trying this.   Cuz I really don't like the memory
> limits and bullshit that come with digital.  Anyway I am Motley and I love
> everyone!

wow, sure is nice getting all this free love :-)

digital memory limits aren't such a problem for me (it's my own memory that i
worry about!), but the notion of creating really long tape loops as a
performance element (visually and musically) is somewhat intriguing. i wonder,
of those of you who have done the tape bit, what is the longest loop you have
created?

while on the subject, i wanna thank everyone who's responded to the open reel
looping thread. i haven't had time to work on this yet, but hope to get to it
soon.

lance g.

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> DT's website was located at
> http://ott-outreach.engin.umich.edu/torn/

This one I found, but wasn't the one in question.  Sometime around Dec. or
so I remember an LD member putting up another page that was a little
more.... stylin'.  No slam on the link above.  It's certainly functional.

Maybe more of a fan-page than a true home-page.

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From: "Brian Mulvey" <bdmulvey@earthlink.net>
To: <Loopers-Delight@annihilist.com>, <emile@foryourhead.com>
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Subject: Re: uncreativity - Paging Dr T :)
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I currently use a program called 'A Musical Generator', it's a rather
hacked-together windows
shareware program, that lets you chain together math algo., fractals, data
streams, and the like,
and patch them to notes, etc. on your General MIDI synth. Also lets you set
up keys and modes
and ranges for the notes. It's pretty cool, if a bit buggy.

Look for it on Shareware Music Machine.

bri




> Dr T,
>
> What ever happened to the Algorithmic Composer? I thought it
> was a great piece of software. Then I got rid of my C-64 :)
>
> Any plans for a Windows or MAC version of the original
> program? Hmmmmm?
>
> Regards,
> - Larry T


From Loopers-Delight-request@annihilist.com  Tue Apr 25 20:39:02 2000
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Subject: Re: 2 David Torn questions: homepage and video
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This is one of the better sites i've come across thus far:
http://www.gaalore.com/davidtorn.nsf

PedrOOrdeP

>> DT's website was located at
>> http://ott-outreach.engin.umich.edu/torn/
>
>This one I found, but wasn't the one in question.  Sometime around Dec. or
>so I remember an LD member putting up another page that was a little
>more.... stylin'.  No slam on the link above.  It's certainly functional.
>
>Maybe more of a fan-page than a true home-page.
>
>

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At 03:03 PM 4/25/00 -0700, Lance wrote:
>i wonder,
>of those of you who have done the tape bit, what is the longest loop you have
>created?
>
Back in the early 80's, I had an Akai GX4000D and my roommate had (I think)
a Realistic open-reel that we used to hook together like we were Fripp and
Eno. (I usually had to be Fripp to his Eno, which I assume was because of
my nearsightedness and his thinning hair, but I never really asked...)

One time we put the two machines at the distant ends of our dormitory
hallway, and had a couple of open mics and a BigMuffed/volumepedaled guitar
and a Casio going through a Radio Shack mixer into the first deck. (We
lived in the basement of the dorm, so this hallway only had rooms on one
side of the hall, and doors suddenly opening with people tripping over the
tape wasn't a problem. Plus we usually involved our dorm neighbors in our
lunacy, as long as there was contraband beer involved. They got to belch
into the mics which they really enjoyed.) 

The two decks were about 75 feet apart, so it was a looooooong delay. We
had them connected with long cords and adapters which sort of worked as
non-adjustable lowpass filters in the sense that no high end made it
through. One of the decks ran slightly faster than the other, so it always
had to be the one on the right, but I don't remember which one. It was
pretty cool for a while, but the tape became pretty cruddy pretty quickly
dragging along the dirty tile floor, and eventually there was a big pile of
1/4" tape in the hallway for a couple of days. Ah, college...

Tim

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Tonight Dennis Leas said:
>I don't mean to sound patronizing.  I just want to remind everybody to lighten
>up.
>

AMEN!!!

patrick
                     Fingerpaint's New Release:

                            IN THE LOOP

      ... an intelligent, stimulating mixture of mimimaist spacebeats and
           obscure samples layered upon a hypnotic illbient backdrop.

                       DIGITAL ARTIFACT # 12

                      http://www.fingerpaint.net

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Subject: Re: open reel deck looping?
Date: Tue, 25 Apr 2000 13:12:48 -0300
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Que carajo eram Drum Drops ??? no me acuerdo de eso ....
checha
Pd:  saudades de Vini y Nati  :  )  ... tomara que en Junio pinten unos
discos com Chupacabras Olivetti ....  Quer um cheirinho vei ???
----- Original Message -----
From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, April 24, 2000 5:07 AM
Subject: Re: open reel deck looping?


> > A friend of mine uses a couple of reel-to-reels for all his music
> > sequencing/recording, he can't afford a sampler and/or computer.
> >
> Yep, one of the origins of sampling and sequencing, and it still
> works great. Sounds better, too, IMHO.
>
> > He sequences by cutting up individual notes and drum hits on the tape,
and
> > then joins them together into loops. These loops are his sequences.
>
> Does anyone remember the pre-digital era records called Drum Drops?
> This series of LP's contained real cheesy studio-recorded drum
> tracks of *realdrums* in a variety of styles. They were called
> Drum Drops because you basically 'dropped them into the rhythm
> track' on tape, building up a complete drum track 2 to 4 measures
> at a time, i.e., a sequence of drum samples.
>
> > To keep things in time he draws a graph on a piece of paper so that he
> > knows how long each note/beat/sequence/etc. should be, showing him where
> to
> > cut the tape.
> >
> > His reel-to-reel has an old telescopic radio antenna attached to the
> front,
> > with something on top of the antenna for the tape to 'roll' over, and he
> > extends the antenna upwards to hold the loop tight.
> >
> > He runs these loops on a two track reel-to-reel and then records them
onto
> > a 4 track reel-to-reel to allow layering/multi-tracking of multiple
> > loops/sequences.
> >
> > He has 'racks' on the wall with all his tape loops hanging on them.
> >
> > Total lo-fi sampling/looping, it's really amazing what he does with it.
> >
> > It really gives a loose feel, seemingly more 'organic' and 'real' than
> > computer based sequencing.
> >
>
> I agree. Tape is still one of the most rewarding, if time consuming,
> methods of looping and sampling. Some things are actually easier
> to do with tape.
>
> - Larry T
> >
> >
> >
> > >You an use any reel to reel for looping. The Revox is
> > >just a *nice to have* for it's simplicity and quality.
> > >
> > >I still prefer the sound and tactile simplicity of analog
> > >looping over digital.
> > >
> > >Gino wong - who's an LD member - sent me a spare loop arm
> > >he had lying around which is very useful for setting up
> > >loops of varying length. I imagine these can be salvaged
> > >from broken recorders.
> > >
> > >Check the archives under "loop arm". November 1999, I
> > >think.
> > >
> > >BTW, Gino - I figured out the mic clip thing for holding
> > >the loop arm. Works like a charm! I have a few new ideas for
> > >an adjustable tapeloop device based on David Keane's excellent
> > >book, "Tape Music Composition" (1980).
> > >
> > >- Larry
> > >
> > >> anyone?
> > >>
> > >> i just inherited a fostex model 20 1/4" open reel deck. looping tool
or
> > >> bookend? (it looks nice enough, and i've got  room in my studio to
have
> it
> > >> just sit there, but if i could make it earn its keep somehow when i
'm
> > >tired
> > >> of checking the edp faqs for simple answers to stupid questions, it
> would
> > >be
> > >> nice).
> > >>
> > >> (just don't say "well, if it was a revox...")
> > >>
> > >> lance g.
> > >>
> > >>
> >
> >
> >
> >
>

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Date: Tue, 25 Apr 2000 23:03:31 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: Re: open reel deck looping?
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>>
>Back in the early 80's, I had an Akai GX4000D and my roommate had (I think)
>a Realistic open-reel that we used to hook together like we were Fripp and
>Eno. (I usually had to be Fripp to his Eno, which I assume was because of
>my nearsightedness and his thinning hair, but I never really asked...)
>
>One time we put the two machines at the distant ends of our dormitory
>hallway, and had a couple of open mics and a BigMuffed/volumepedaled guitar
>and a Casio going through a Radio Shack mixer into the first deck. (We
>lived in the basement of the dorm, so this hallway only had rooms on one
>side of the hall, and doors suddenly opening with people tripping over the
>tape wasn't a problem. Plus we usually involved our dorm neighbors in our
>lunacy, as long as there was contraband beer involved. They got to belch
>into the mics which they really enjoyed.)
>
>The two decks were about 75 feet apart, so it was a looooooong delay. We
>had them connected with long cords and adapters which sort of worked as
>non-adjustable lowpass filters in the sense that no high end made it
>through. One of the decks ran slightly faster than the other, so it always
>had to be the one on the right, but I don't remember which one. It was
>pretty cool for a while, but the tape became pretty cruddy pretty quickly
>dragging along the dirty tile floor, and eventually there was a big pile of
>1/4" tape in the hallway for a couple of days. Ah, college...
>
>Tim

wish I had lived in your dorm.....the jocks used to hit golf balls down the
hallway in mine...I'd prefer tripping over your tape....or tripping over
gods.....

patrick

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Date: Wed, 26 Apr 2000 02:13:33 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: open reel deck looping?
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I once said:
>As I understand, this is all with just one machine. So you need to
>invert the direction of tape in order to have the whole loop between
>recording and play back head, right?
>Or do you invert the two heads and switch off the errasing head?


"J.G. Wong" <adaaxs@erols.com> answered:
>It's a simple loop or you can use a reel of tape unlooped.  You can play
>a single pre recorded sound over and over with the machine in 'play'
>mode or you can put the machine in 'play' and push the'record button.
>then the ouput will be sound on sound echo. I have never turned off the
>erase head the tape would oversaturate and sound terrible.

My point is that if you push the record button you only have the tape 
length between the two heads to create a short echo.
If you invert the heads to the sequence Play-Erase-Record, you can 
use the whole long tape loop to acumulate your...
This seams simpler than two tape machines and it may be done on a 
Roland Space Echo, too.

I guess they did that then.


          ---> http://Matthias.Grob.org

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Date: Wed, 26 Apr 2000 02:16:51 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: India
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Uday said:

>That was really cool ! Well, I am overwhelmed and gratified. Never knew that
>India and Indians are loved so much.

Many of us learned from Indian philosphy / spiritual work in some way.

And as a creator of instruments, I find it obvious that India has the 
most developped traditional instruments:
"Tricks" like the weight on the skin of the Tabla, the passive 
strings in the neck of the sitar or the "distortion" at the bridge of 
the sitar you dont find in such elaborated combination in any other 
culture!

As an improvisor, I also observe especially the indian music.

And probably the strongest book about music and its curing power has 
been written by Sufi Hazrat Inayat Khan - not really an indian, but 
raized there.
Sufism is not really an indian philosophy but it survived there.

We had several discussions about indian music and instruments here. 
For example in the beginning of April '99 we had "Asian Instruments", 
"Shruti, Drones, Tanpura". "Loopable Instruments"...


          ---> http://Matthias.Grob.org

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Subject: Re: open reel deck looping? totally off topic.
Date: Wed, 26 Apr 2000 03:03:21 -0300
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Sorry ... lotta pot in my brain.
julio
----- Original Message -----
From: "juliomoreno" <ciego@ig.com.br>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, April 25, 2000 1:12 PM
Subject: Re: open reel deck looping?


> Que carajo eram Drum Drops ??? no me acuerdo de eso ....
> checha
> Pd:  saudades de Vini y Nati  :  )  ... tomara que en Junio pinten unos
> discos com Chupacabras Olivetti ....  Quer um cheirinho vei ???
> ----- Original Message -----
> From: "Larry Tremblay" <ltct@concentric.net>
> To: <Loopers-Delight@annihilist.com>
> Sent: Monday, April 24, 2000 5:07 AM
> Subject: Re: open reel deck looping?
>
>
> > > A friend of mine uses a couple of reel-to-reels for all his music
> > > sequencing/recording, he can't afford a sampler and/or computer.
> > >
> > Yep, one of the origins of sampling and sequencing, and it still
> > works great. Sounds better, too, IMHO.
> >
> > > He sequences by cutting up individual notes and drum hits on the tape,
> and
> > > then joins them together into loops. These loops are his sequences.
> >
> > Does anyone remember the pre-digital era records called Drum Drops?
> > This series of LP's contained real cheesy studio-recorded drum
> > tracks of *realdrums* in a variety of styles. They were called
> > Drum Drops because you basically 'dropped them into the rhythm
> > track' on tape, building up a complete drum track 2 to 4 measures
> > at a time, i.e., a sequence of drum samples.
> >
> > > To keep things in time he draws a graph on a piece of paper so that he
> > > knows how long each note/beat/sequence/etc. should be, showing him
where
> > to
> > > cut the tape.
> > >
> > > His reel-to-reel has an old telescopic radio antenna attached to the
> > front,
> > > with something on top of the antenna for the tape to 'roll' over, and
he
> > > extends the antenna upwards to hold the loop tight.
> > >
> > > He runs these loops on a two track reel-to-reel and then records them
> onto
> > > a 4 track reel-to-reel to allow layering/multi-tracking of multiple
> > > loops/sequences.
> > >
> > > He has 'racks' on the wall with all his tape loops hanging on them.
> > >
> > > Total lo-fi sampling/looping, it's really amazing what he does with
it.
> > >
> > > It really gives a loose feel, seemingly more 'organic' and 'real' than
> > > computer based sequencing.
> > >
> >
> > I agree. Tape is still one of the most rewarding, if time consuming,
> > methods of looping and sampling. Some things are actually easier
> > to do with tape.
> >
> > - Larry T
> > >
> > >
> > >
> > > >You an use any reel to reel for looping. The Revox is
> > > >just a *nice to have* for it's simplicity and quality.
> > > >
> > > >I still prefer the sound and tactile simplicity of analog
> > > >looping over digital.
> > > >
> > > >Gino wong - who's an LD member - sent me a spare loop arm
> > > >he had lying around which is very useful for setting up
> > > >loops of varying length. I imagine these can be salvaged
> > > >from broken recorders.
> > > >
> > > >Check the archives under "loop arm". November 1999, I
> > > >think.
> > > >
> > > >BTW, Gino - I figured out the mic clip thing for holding
> > > >the loop arm. Works like a charm! I have a few new ideas for
> > > >an adjustable tapeloop device based on David Keane's excellent
> > > >book, "Tape Music Composition" (1980).
> > > >
> > > >- Larry
> > > >
> > > >> anyone?
> > > >>
> > > >> i just inherited a fostex model 20 1/4" open reel deck. looping
tool
> or
> > > >> bookend? (it looks nice enough, and i've got  room in my studio to
> have
> > it
> > > >> just sit there, but if i could make it earn its keep somehow when i
> 'm
> > > >tired
> > > >> of checking the edp faqs for simple answers to stupid questions, it
> > would
> > > >be
> > > >> nice).
> > > >>
> > > >> (just don't say "well, if it was a revox...")
> > > >>
> > > >> lance g.
> > > >>
> > > >>
> > >
> > >
> > >
> > >
> >
>

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Date: Wed, 26 Apr 2000 01:37:30 -0400
To: Loopers-Delight@annihilist.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
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At 2:16 AM -0300 4/26/00, Matthias Grob wrote:
>Uday said:
>
>>That was really cool ! Well, I am overwhelmed and gratified. Never knew that
>>India and Indians are loved so much.
>
>Many of us learned from Indian philosphy / spiritual work in some way.
>
>And as a creator of instruments, I find it obvious that India has 
>the most developped traditional instruments:
>"Tricks" like the weight on the skin of the Tabla, the passive 
>strings in the neck of the sitar or the "distortion" at the bridge 
>of the sitar you dont find in such elaborated combination in any 
>other culture!
>
>As an improvisor, I also observe especially the indian music.
>
>And probably the strongest book about music and its curing power has 
>been written by Sufi Hazrat Inayat Khan - not really an indian, but 
>raized there.
>Sufism is not really an indian philosophy but it survived there.
>
>We had several discussions about indian music and instruments here. 
>For example in the beginning of April '99 we had "Asian 
>Instruments", "Shruti, Drones, Tanpura". "Loopable Instruments"...
>
>
>          ---> http://Matthias.Grob.org

What is interesting to me is that when I listen to good Indian 
Classical Music (the performance, and even technical following of a 
performance requiring levels of discipline and ear training I can't 
imagine reaching), the feeling is very similar to the feeling I get 
when listening to good free improv.


"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man.

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@annihilist.com  Wed Apr 26 03:26:16 2000
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 <3.0.5.32.20000425214445.007be100@pop.ici.net>
Date: Wed, 26 Apr 2000 02:16:48 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: open reel deck looping?
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>The two decks were about 75 feet apart, so it was a looooooong delay.

4 minutes at speed 19, right? The EDP does 3 minutes...


          ---> http://Matthias.Grob.org

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References: 
 <DCEPILPAMPPOCJDLGIFCAEMICCAA.jonathan@full-moon.com><3904EA30.6AF8EC66@in
 reach.com> <v04220808b52a9f6eb140@[209.67.232.73]>
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Date: Wed, 26 Apr 2000 01:43:36 -0400
To: "Larry Tremblay" <ltct@concentric.net>, <Loopers-Delight@annihilist.com>
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Re: uncreativity - Paging Dr T :) /Algorithmic
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At 9:29 AM -0400 4/25/00, Larry Tremblay wrote:
>Dr T,
>
>What ever happened to the Algorithmic Composer? I thought it
>was a great piece of software. Then I got rid of my C-64 :)


One of the 3 Alogorithmic programs (the cyclic one), was implemented 
in much more powerful form by me (on Atari) as Fingers, and by Dave 
Ziccarelli (in yet  more powerful form) on Mac as M. M is still 
available from Joel Chadabe at electronic music foundation (emf.com 
or org, if I recall).

Jim Johnson and Jack Deckard   arethe authors of the Alg Composer. 
"Jim Johnson" <jamos@technotoys.com> for Jim, Deckard had some 
patches on a Korg Propehcy web site, you could search him out I am 
sure.


"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man.

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

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Subject: EDP and Multiply fidelity
Date: Wed, 26 Apr 2000 00:35:34 -0700
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GlacierAnyone noticed dramatic fidelity loss when using the Multiply
function? I hit multiply and the audio loses bass and width- is this normal?

Cliff




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From Loopers-Delight-request@annihilist.com  Wed Apr 26 04:13:39 2000
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	 <3.0.5.32.20000425214445.007be100@pop.ici.net> <v0422080db52c26af1b79@[200.194.254.187]>
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Matthias?

Curious about the Polydistortion pedal and Subbass thingy, Just noticed
on your page that it will "do" the roland GR stuff...
Question is, Is this pedal available still? If so where? (thinking of
mail order as I live in Norway) 
Did you ever make a version with BOTH these features (bass and
distortion) 
I am doing EXACTLY the same thing myself, but a cock-assed botch job
method, with two broken pickups, splitting the guitar into 3 strings and
three strings, now I buy a GR 30, and am thinking "if I could use this
pickup...too?

Thanks

Mark Francombe Red

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Has anyone heard about ECHOMATIC, a looped tape based echo machine ?
Is some one on LD list a user ?

Emmanuel

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From: Tim Nelson <tcn62@ici.net>
Subject: Re: open reel deck looping?
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Ah, but this was 1981... I assume the EDP was but a mere gleam in your eye
at that point in ancient history, unless you had access to technology you
weren't allowed to talk about with Earthlings. :-)

Actually, we had better results using shorter loops, as the delay time in
our experiment somewhat exceeded the attention spans of some of our
neighbors who wanted instant gratification in hearing their belches and
monkey noises repeat. 

Tim

At 02:16 AM 4/26/00 -0300, you wrote:
>>The two decks were about 75 feet apart, so it was a looooooong delay.
>
>4 minutes at speed 19, right? The EDP does 3 minutes...

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From: "David Potter" <papadave55@hotmail.com>
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Subject: Re: undesired posts and posts of questionable worth
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New site-com for TV!!  Grumpy Old Loopers!  About  lonely Old men who loop 
their rigs day and night in their basements, so much so that they lose touch 
with their humanity and go insane with technical and mechanical malfunctions 
using the wrong manuels to program their loopers.......til Captain Loopy 
come along and saves the day teaching love and compation and the correct 
manuels to use until... oops... the loopers kill him...prefering to be 
insane....and they lived loopily ever after......the end


>From: Patrick Smith <patrick@his.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: undesired posts  and posts of questionable worth
>Date: Tue, 25 Apr 2000 22:57:24 -0500
>
>Tonight Dennis Leas said:
> >I don't mean to sound patronizing.  I just want to remind everybody to 
>lighten
> >up.
> >
>
>AMEN!!!
>
>patrick
>                      Fingerpaint's New Release:
>
>                             IN THE LOOP
>
>       ... an intelligent, stimulating mixture of mimimaist spacebeats and
>            obscure samples layered upon a hypnotic illbient backdrop.
>
>                        DIGITAL ARTIFACT # 12
>
>                       http://www.fingerpaint.net
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: India
Date: Wed, 26 Apr 2000 06:16:39 PDT
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I love the culture and people from India as well.  I have studied with Baba 
Hari Dass at Mt Madonna Center in Santa Cruz for over 26 years.  He is 
silent and has not spoken in over 40 years.  He writes on a small chalk 
board.  He is a teacher and a hard worker even at 76 years old.  I am one of 
the musicians and actors at the commumity about to bring looping to the 
center using drones,sitar-synth-guitar and more...Om and Out   Papa Dave 
aka...Narendra


>From: Matthias Grob <matthias@grob.org>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: India
>Date: Wed, 26 Apr 2000 02:16:51 -0300
>
>Uday said:
>
>>That was really cool ! Well, I am overwhelmed and gratified. Never knew 
>>that
>>India and Indians are loved so much.
>
>Many of us learned from Indian philosphy / spiritual work in some way.
>
>And as a creator of instruments, I find it obvious that India has the
>most developped traditional instruments:
>"Tricks" like the weight on the skin of the Tabla, the passive
>strings in the neck of the sitar or the "distortion" at the bridge of
>the sitar you dont find in such elaborated combination in any other
>culture!
>
>As an improvisor, I also observe especially the indian music.
>
>And probably the strongest book about music and its curing power has
>been written by Sufi Hazrat Inayat Khan - not really an indian, but
>raized there.
>Sufism is not really an indian philosophy but it survived there.
>
>We had several discussions about indian music and instruments here.
>For example in the beginning of April '99 we had "Asian Instruments",
>"Shruti, Drones, Tanpura". "Loopable Instruments"...
>
>
>          ---> http://Matthias.Grob.org
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Apr 26 10:06:52 2000
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From: Texture444@aol.com
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Date: Wed, 26 Apr 2000 09:37:16 EDT
Subject: Re: 2 David Torn questions: homepage and video
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hey.
*<random snip alert>*
> Okay Greg, here it goes.    
>     1.)  I think the DT video is still available from Homespun Video 
> 1-800-33-TAPES
true! them folks still distribute the vids.

>2.)  DT's website was located at 
> http://ott-outreach.engin.umich.edu/torn/   
that's not *my* site: never was.
to whit:
john mccullagh put this one up:
http://www.gaalore.com/davidtorn.nsf
which i appreciate, & heartily approve thereof.
blrp,
dt

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Date: Wed, 26 Apr 2000 09:24:31 -0400
To: Loopers-Delight@annihilist.com
From: Paul Reisler <zoid@pobox.com>
Subject: echoplex or boomerang to add to jamman setup
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Hi--
I've been using 2 jammen in my live rig, one for looping and one for delay
functions and was thinking about adding another looping device.  Wanted to
see if anyone had an opinion between echoplex and boomerang.   Primarily, i
want longer loops than the maxed out jam and an ability to fine tune the
loops a bit.  I use it primarily with my Schoenberg acoustic guitar
outfitted with RMC pickups and an Axon midi convertor, into a Yamaha O1V
mixer, so there is a fair amount of stuff going on already.  I do need to
be able to sync whatever new unit i get to the axon via midi so that i can
keep loops in time with the arpeggiator in the axon.
>From reading the list, i guess everyone likes the echoplex better, but I'm
concerned about even more complexity .  I've already got 3 volume pedals on
the floor and 3 double footswitches.
Thanks to all of you for the list.  I've enjoyed reading it.



Paul Reisler
Trapezoid
PO Box 38
Washington, VA 22747
540.987.3164
540.987.3166 fax
zoid@pobox.com


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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: EDP and Multiply fidelity
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I've never heard this.  I use MULTIPLY alot.  What are you looping?  Could it be
a phasing thing between the old and new?

Dennis Leas
-----------------------------
dennis@mdbs.com


-----Original Message-----
From: Om_Audio <clifsound@mediaone.net>
To: Loopers List <loopers-delight@annihilist.com>
Date: Wednesday, April 26, 2000 3:04 AM
Subject: EDP and Multiply fidelity


>GlacierAnyone noticed dramatic fidelity loss when using the Multiply
>function? I hit multiply and the audio loses bass and width- is this normal?
>
>Cliff
>
>
>
>

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From: "David Petrozzi" <david97@wharton.upenn.edu>
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Subject: Napster
Date: Wed, 26 Apr 2000 10:32:11 -0400
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This is a multi-part message in MIME format.

------=_NextPart_000_0015_01BFAF6A.AE571500
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	charset="Windows-1252"
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A bit off topic, but I just got Napster from my friend and it is =
spectacular!!  Basically, Napster is a program which establishes a =
network of mp3 users.  Since everyone is sharing, you can get pretty =
much anything!  Completely free, no hassles, search by artist.  It is =
simply amazing.

If anyone wants the program I'd be happy to send it over as an email =
attachment.  The install file is very small, about 644k.

~dp


____________________________
A disciplined mind brings happiness.

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2919.6307" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV>A bit off topic, but I just got Napster from my friend and it is=20
spectacular!!&nbsp; Basically, Napster is a program which establishes a =
network=20
of mp3 users.&nbsp; Since everyone is sharing, you can get pretty much=20
anything!&nbsp; Completely free, no hassles, search by artist.&nbsp; It =
is=20
simply amazing.</DIV>
<DIV>&nbsp;</DIV>
<DIV>If anyone wants the program I'd be happy to send it over as an =
email=20
attachment.&nbsp; The install file is very small, about 644k.</DIV>
<DIV>&nbsp;</DIV>
<DIV>~dp</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>____________________________<BR>A disciplined mind brings=20
happiness.</DIV></BODY></HTML>

------=_NextPart_000_0015_01BFAF6A.AE571500--

From Loopers-Delight-request@annihilist.com  Wed Apr 26 11:10:22 2000
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From: "Dennis W. Leas" <dennis@mdbs.com>
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I think this is a great idea.  But I'm not sure what the next step is.  What I
DO want to do is to organize a small looper show here in beautiful Lafayette.
The only near-local fellow-list loopers I know about are Jim Shepard (Arcadia),
Denis Taaffe (Bloomington) and Jeff Pearce (almost just around the corner).

Is anybody else nearby?

Dennis Leas
-----------------------------
dennis@mdbs.com


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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: echoplex or boomerang to add to jamman setup
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Hi Paul!

Small world!  I did a show with you guys years ago (over ten!!) when I was with
a band called Stone Soup.  It was in Bloomington-Normal IL, I think... Good to
see you on the list!

> ... I do need to
>be able to sync whatever new unit i get to the axon via midi so that i can
>keep loops in time with the arpeggiator in the axon.

Based on this, your Boomerang/EDP decision is simple - Boomerang doesn't have
MIDI capability and the EDP MIDI implementation is pretty good.  You can sync
the EDP to other boxes and vice versa.

Hope this helps!

Dennis Leas
-----------------------------
dennis@mdbs.com


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From: "Larry Tremblay" <ltct@concentric.net>
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Have you been spying on me? ;)


> New site-com for TV!!  Grumpy Old Loopers!  About  lonely Old men who loop
> their rigs day and night in their basements, so much so that they lose
touch
> with their humanity and go insane with technical and mechanical
malfunctions
> using the wrong manuels to program their loopers.......til Captain Loopy
> come along and saves the day teaching love and compation and the correct
> manuels to use until... oops... the loopers kill him...prefering to be
> insane....and they lived loopily ever after......the end
>
>
> >From: Patrick Smith <patrick@his.com>
> >Reply-To: Loopers-Delight@annihilist.com
> >To: Loopers-Delight@annihilist.com
> >Subject: Re: undesired posts  and posts of questionable worth
> >Date: Tue, 25 Apr 2000 22:57:24 -0500
> >
> >Tonight Dennis Leas said:
> > >I don't mean to sound patronizing.  I just want to remind everybody to
> >lighten
> > >up.
> > >
> >
> >AMEN!!!
> >
> >patrick
> >                      Fingerpaint's New Release:
> >
> >                             IN THE LOOP
> >
> >       ... an intelligent, stimulating mixture of mimimaist spacebeats
and
> >            obscure samples layered upon a hypnotic illbient backdrop.
> >
> >                        DIGITAL ARTIFACT # 12
> >
> >                       http://www.fingerpaint.net
> >
>
> ________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
>
>

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From: "steve lawson" <steve@steve-lawson.co.uk>
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Subject: Re: Napster
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>>>A bit off topic, but I just got Napster from my friend and it is
spectacular!!  Basically, Napster is a program which establishes a network
of mp3 users.  Since everyone is sharing, you can get pretty much anything!
Completely free, no hassles, search by artist.  It is simply amazing.<<<

Hey, save yourself the bother - just break into people's houses and steal
their CDs - amounts to the same thing.

If napster catches on, you can say goodbye to anyone making any money out of
recording music, and therefor having any money to invest in getting better..

thanks very much for hammering another nail into the coffin of the
collective careers of all the world's musicians.

Steve


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From: "Stuart Sovatsky" <stuartcs@jps.net>
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Subject: Re: India
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Indian temple cave acoustics (Elephanta is where i am remembering) can
create a loop of decaying echos from a barely whispered chant that gets way
louder than the original before it reverbs on and on and on. how is that
done?   www.jps.net/stuartcs
>

From Loopers-Delight-request@annihilist.com  Wed Apr 26 11:27:35 2000
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Message-ID: <390703BE.85E617C5@minds-eye.org>
Date: Wed, 26 Apr 2000 10:57:02 -0400
From: Kevin Cheli-Colando <kevin@minds-eye.org>
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Anyone know what the current fair use for samples is?  Last I knew it was something
like 2 seconds and under was acceptable and longer samples than that needed
credit/permission, etc.

Thanks

Kevin

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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <024001bfaf8d$d6e14400$1fab82cc@testserver.mdbs.com>
Subject: Re: Looperplalooza, etc. (a next step)
Date: Wed, 26 Apr 2000 11:51:34 -0400
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The next logical step might be to gather a list of
looper-friendly venues together, hopefully including
who to contact at the venue for bookings.

Kim -
Perhaps we could host this "Venue Listing" on
Looper's Delight". I volunteer to create and update
the page.

Ok, list members, who's looper-friendly in your neck
of the woods?

- Larry T

----- Original Message -----
From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 10:43 AM
Subject: Re: Looperplalooza, etc.


> I think this is a great idea.  But I'm not sure what the next step is.
What I
> DO want to do is to organize a small looper show here in beautiful
Lafayette.
> The only near-local fellow-list loopers I know about are Jim Shepard
(Arcadia),
> Denis Taaffe (Bloomington) and Jeff Pearce (almost just around the
corner).
>
> Is anybody else nearby?
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
>
>
>

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From: "Om_Audio" <clifsound@mediaone.net>
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Subject: Re: EDP and Multiply fidelity
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Ahhh- this is possible- I've done this with my vortex before as they run
through a mixer and I get all mixed up sometimes as to where the hell the
signals are going- I will check it out tonight- thanks!

Cliff

----- Original Message -----
From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 7:14 AM
Subject: Re: EDP and Multiply fidelity


> I've never heard this.  I use MULTIPLY alot.  What are you looping?  Could
it be
> a phasing thing between the old and new?
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
>
>
> -----Original Message-----
> From: Om_Audio <clifsound@mediaone.net>
> To: Loopers List <loopers-delight@annihilist.com>
> Date: Wednesday, April 26, 2000 3:04 AM
> Subject: EDP and Multiply fidelity
>
>
> >GlacierAnyone noticed dramatic fidelity loss when using the Multiply
> >function? I hit multiply and the audio loses bass and width- is this
normal?
> >
> >Cliff
> >
> >
> >
> >
>

From Loopers-Delight-request@annihilist.com  Wed Apr 26 12:01:51 2000
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Date: Wed, 26 Apr 2000 11:45:11 -0400 (EDT)
From: sorin <sorin@widomaker.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Sampling copyrights
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Last I herd, we had a law student working at our office ws that 2 seconds
as you say, however he brought a good point up. If you take a sample and
tweak and turn and make it your own so that it is not reconizable then it
is your work...



seAN


--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*
	
Widomaker Communications Services, Inc    
Network Operations Center ( NOC )
Williamsburg Va
(757) 253-7621

	I'm a member of the FVK..  

--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*

On Wed, 26 Apr 2000, Kevin Cheli-Colando wrote:

> Anyone know what the current fair use for samples is?  Last I knew it was something
> like 2 seconds and under was acceptable and longer samples than that needed
> credit/permission, etc.
> 
> Thanks
> 
> Kevin
> 
> 

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Subject: Re: Looperplalooza, etc. (a next step)
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>> "Larry Tremblay" <ltct@concentric.net> 04/26 8:49 AM >>>
> The next logical step might be to gather a list of looper-friendly
venues together, hopefully including
who to contact at the venue for bookings.

This sounds really good to me... 

> Kim - Perhaps we could host this "Venue Listing" on Looper's
Delight". I volunteer to create and update the page. Ok, list members,
who's looper-friendly in your neck of the woods? - Larry T

This would be great Larry... What do you think Kim?

There's a venue here in Santa Cruz which will return to electric
music in the very near future. The booker has actually asked me to
play a couple other events and wants to try to book me there... so
this may become a place which supports our cause... I'll follow up if
things pan out. Otherwise, it's been a slow decline of venues here in
Santa Cruz Ca... I want to try and turn that around...

-Miko

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Subject: Re: Napster (aka: The New Digital Realm)
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Steve:
I'm usually quiet in regards to letting others keep their opinions, but... I
have to say.. This is an outdated, and unfortunate attitude towards
electronic delivery of music..

I'll bet if you were around 50 years ago you would pick up your picket sign
and walk the line in front of the NBC or ABC towers in protest of them
transmitting your music over the AIRWAVES..  Or maybe 20+ years ago when the
home recorder was introduced allowing people to RECORD what they hear over
the radio?! Oh no, how are you going to make money now?!

Listen... This is a new world, and a new thinking has to be accepted or you
will die off like a dinosaur.  Have you realized that with the advent of the
MP3 market - CD sales INCREASED by nearly 20 BILLION DOLLARS last year?!
Anyone who believes that FREE mass distribution is a bad thing should ask
Linus Torvald about how he's doing.  Man this irks me.. Something like the
Internet comes around - offering EVERYONE the same distribution footprint as
the big boys, and all people do is whine about not being able to nickle and
dime their audience.

I'm going to re-post something I sent a couple of weeks ago (to which nobody
replied ), and I hope someone somewhere realizes the change in the
atmosphere of the musician's world.

---------------- insert previous thread ---------------
Jeff asks:
>Hi Ken-
> So what does this do to those of us who would like to make a living by
>selling our creations via digital media?
>
> Other people seem to be able to make a living by practicing their
>trades, why is it the artistic folks always have so much stacked against
>them...?
>
>jeff

Well, Jeff..

It means setting up a web site, marketing your product - and giving away
free samples at a lower sample rate than a CD.. That's a good start... 22k
MP3's sound good enough to give people a taste of the music's flavor..
(Think about it - that's radio quality, not CD quality..  People have been
taping off the radio since personal recorders came about - did it hinder
tapes from being bought?!  I argue it advanced their distribution by
creating a needy market..)

Now, say you sell the CD's (44k) on your site, and stream the 22k MP3's as
samples.   If you market well you can make a living off of the digital
front.  It won't stop people from making real MP3's from your CD's, but it
will at least give them an avenue to purchase your work.

You guys (i've been in music 27 years, programming for 20) are just starting
to feel the burn that software programmers have been feeling forever.
People have been copying and distributing pirated copies of software since
it was possible to duplicate.  Does this mean that software companies went
out of business?  No! - it means they had to change their 1:1 product:money
ratio mentality.  Now companies offer crippled versions of software (IE:
lower sample rates)  Free trials of their software, that expire (not yet
implemented for music).  And simply GIVING away the software, (MP3 Shoutcast
/ RADIO / etc.) knowing full well that 80% of the copies that are on the
market are going to be pirated, but the fact that their product is being
distributed, talked about, and wanted by those who are in the know means
that those who can't/won't copy/steal will get caught up in the frenzy and
BUY a copy.  These companies SUBSIST on the other 20% of the populace who
buy the product, causing income to actually be generated by a pirate
distribution methodology.  These are the companies that will survive in the
future.

Nothing is stacked against anybody.. The biggest hurdle in any artistic race
is to be the one with the biggest audience, right?  The bigger the audience,
the bigger the revenue - no matter WHAT.. If you get caught thinking that
the only way to survive is to sell each and every CD you press for $10.00,
then you've lost the game already.  Giving away art is the best way to get
it heard.  Once you're heard, you're known.  Once you're known, you're
gigging.  Once you're gigging, you're generating REAL revenue based on REAL
effort, not a snapshot of art (CD's), which is always pale in comparison to
the true stage of the artform.

Now imagine that your MP3's are distributed (pirated) across the world, and
millions of people (who you think unfortunate because they didn't pay for
the initial recording) liked your work.  Now some of these people WILL pay
to go see your gig.  WILL pay to buy your t-shirts.. WILL pay to get a copy
of the limited edition release with your signiature, and have a much higher
probability of BUYING your next CD to own a real copy etc etc etc...

We can't allow ourselves to be boxed in by the feeding frenzy of the modern
capitalist world.  We must allow music to flow freely, and as the artist who
is creating these ever changing realms of music and altering the mood and
minds of the listeners - we must not throw spite at those who can't afford
to buy.  We must focus on those who CAN.

That's just my .02 on the matter.. (please keep the flames private)

------------------------- exit previous thread -----------------------

Ken

-----Original Message-----
From: steve lawson <steve@steve-lawson.co.uk>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, April 26, 2000 11:47 AM
Subject: Re: Napster


>>>>A bit off topic, but I just got Napster from my friend and it is
>spectacular!!  Basically, Napster is a program which establishes a network
>of mp3 users.  Since everyone is sharing, you can get pretty much anything!
>Completely free, no hassles, search by artist.  It is simply amazing.<<<
>
>Hey, save yourself the bother - just break into people's houses and steal
>their CDs - amounts to the same thing.
>
>If napster catches on, you can say goodbye to anyone making any money out
of
>recording music, and therefor having any money to invest in getting
better..
>
>thanks very much for hammering another nail into the coffin of the
>collective careers of all the world's musicians.
>
>Steve
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 26 12:23:23 2000
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Date: Wed, 26 Apr 2000 09:24:51 -0700
Subject: Re: uncreativity - Paging Dr T :) /Algorithmic
From: Andrew Pask <andrew@kaleidacousticon.com>
To: <Loopers-Delight@annihilist.com>
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1:09 -0400
> 
> At 9:29 AM -0400 4/25/00, Larry Tremblay wrote:
>> Dr T,
>> 
>> What ever happened to the Algorithmic Composer? I thought it
>> was a great piece of software. Then I got rid of my C-64 :)
> 
> 
> One of the 3 Alogorithmic programs (the cyclic one), was implemented
> in much more powerful form by me (on Atari) as Fingers, and by Dave
> Ziccarelli (in yet  more powerful form) on Mac as M. M is still
> available from Joel Chadabe at electronic music foundation (emf.com
> or org, if I recall).
> 
M has been  re released by DZ's company cycling'74
http://www.cycling74.com
if any of youze are interested in it.

cheers

Andrew

From Loopers-Delight-request@annihilist.com  Wed Apr 26 12:30:14 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <Pine.BSF.3.96.1000426114138.4879B-100000@wilma.widomaker.com>
Subject: Re: Sampling copyrights
Date: Wed, 26 Apr 2000 12:30:22 -0400
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Again, the issue is uniqueness (as defined) and recognition.
It is these factors which determine whether or not the
perpetrator is aggrandizing himself at the expense of an
other's work. It's all about money. Ref: Negativeland,
Plunderphonics, et al.

----- Original Message -----
From: "sorin" <sorin@widomaker.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 11:45 AM
Subject: Re: Sampling copyrights


> Last I herd, we had a law student working at our office ws that 2 seconds
> as you say, however he brought a good point up. If you take a sample and
> tweak and turn and make it your own so that it is not reconizable then it
> is your work...
>
>
>
> seAN
>
>
> --*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--
*
>
> Widomaker Communications Services, Inc
> Network Operations Center ( NOC )
> Williamsburg Va
> (757) 253-7621
>
> I'm a member of the FVK..
>
> --*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--*--
*
>
> On Wed, 26 Apr 2000, Kevin Cheli-Colando wrote:
>
> > Anyone know what the current fair use for samples is?  Last I knew it
was something
> > like 2 seconds and under was acceptable and longer samples than that
needed
> > credit/permission, etc.
> >
> > Thanks
> >
> > Kevin
> >
> >
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 26 12:40:17 2000
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Message-ID: <004a01bfaf9a$283c2d40$70310140@concentric.net>
From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <001001bfaf90$62bd7c80$702cf7c2@abc.zetnet.co.uk>
Subject: Re: Napster
Date: Wed, 26 Apr 2000 12:11:47 -0400
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I'm glad to see the RIAA and the record
companies are getting their Party Line
through to someone. Boo-hoo!

Oh come on, Steve, this is the same thing the
greedy cry-babies whined about when blank cassettes
became available and music-lovers were swapping
compilation of favorite songs with each other.

They claimed "Congress must do something or we'll be
ruined!" Take a look around. Seems the record companies
are thriving more than ever.

See, what happens when people openly copy and trade music
is that it actually promotes new music to millions of folks
who might never consideed buying an album or CD by Artist X.

Napster is a boon to the music industry, just as home
taping was.

Think about it a little deeper next time before spouting
off the "Press Release-approved" agit-prop of your
oppressors. ;)

- Larry T


----- Original Message -----
From: "steve lawson" <steve@steve-lawson.co.uk>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 11:01 AM
Subject: Re: Napster


> >>>A bit off topic, but I just got Napster from my friend and it is
> spectacular!!  Basically, Napster is a program which establishes a network
> of mp3 users.  Since everyone is sharing, you can get pretty much
anything!
> Completely free, no hassles, search by artist.  It is simply amazing.<<<
>
> Hey, save yourself the bother - just break into people's houses and steal
> their CDs - amounts to the same thing.
>
> If napster catches on, you can say goodbye to anyone making any money out
of
> recording music, and therefor having any money to invest in getting
better..
>
> thanks very much for hammering another nail into the coffin of the
> collective careers of all the world's musicians.
>
> Steve
>
>
>

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From: "Larry Tremblay" <ltct@concentric.net>
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References: <024001bfaf8d$d6e14400$1fab82cc@testserver.mdbs.com> <390703BE.85E617C5@minds-eye.org>
Subject: Re: Sampling copyrights
Date: Wed, 26 Apr 2000 12:18:47 -0400
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Acceptable sampling is not based on sample-length -
it's based on recognizable content, usually one or
two measures of a melody or other 'unique' characteristic.
The legal language is intentionally, and inevitably, vague.

Check out the legal sections of BMI, ASCAP or
songwriters and recording associations for specifics.

Common practice dictates that you contact the publisher
of the material you are sampling for clearances from the
artist.

- Larry T

----- Original Message -----
From: "Kevin Cheli-Colando" <kevin@minds-eye.org>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 10:57 AM
Subject: Sampling copyrights


> Anyone know what the current fair use for samples is?  Last I knew it was
something
> like 2 seconds and under was acceptable and longer samples than that
needed
> credit/permission, etc.
>
> Thanks
>
> Kevin
>
>

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http://www.rolandus.com/PRODUCTS/hardware/hpd15.htm

Any heard this thing yet? Vdrum technology, built in sequencer, 15 (!)
pads. looks mighty interesting...



From Loopers-Delight-request@annihilist.com  Wed Apr 26 12:56:54 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: "Ken M" <wgold@mecasw.com>, <Loopers-Delight@annihilist.com>
References: <00c201bfaf97$d4529e50$5a05020a@beelzejuice.mecasw.com>
Subject: Re: Napster (aka: The New Digital Realm) - Bulls-Eye!
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Ken - you nailed it exactly. It is *exactly* the same
as the cassette debacle 25-30 years ago.

FREE music means MORE opportunity not less. The rise of
Alternative music is largely due to the advent of affordable
home recording technology and a network of New Music
enthusiasts SHARING music amongst each other.

I'm sick of so-called "artistes" whining about this
issue too. Besides, if they're in it for the money
and patronage, there are easier ways to make a living.
Scam the NEA, or pimp your talents to the lowest common
denominator. Just stop complaining and then blaming it
all on Big Bad Technology. Geeez...

- Larry T

----- Original Message -----
From: "Ken Melms" <wgold@mecasw.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 11:55 AM
Subject: Re: Napster (aka: The New Digital Realm)


> Steve:
> I'm usually quiet in regards to letting others keep their opinions, but...
I
> have to say.. This is an outdated, and unfortunate attitude towards
> electronic delivery of music..
>
> I'll bet if you were around 50 years ago you would pick up your picket
sign
> and walk the line in front of the NBC or ABC towers in protest of them
> transmitting your music over the AIRWAVES..  Or maybe 20+ years ago when
the
> home recorder was introduced allowing people to RECORD what they hear over
> the radio?! Oh no, how are you going to make money now?!
>
> Listen... This is a new world, and a new thinking has to be accepted or
you
> will die off like a dinosaur.  Have you realized that with the advent of
the
> MP3 market - CD sales INCREASED by nearly 20 BILLION DOLLARS last year?!
> Anyone who believes that FREE mass distribution is a bad thing should ask
> Linus Torvald about how he's doing.  Man this irks me.. Something like the
> Internet comes around - offering EVERYONE the same distribution footprint
as
> the big boys, and all people do is whine about not being able to nickle
and
> dime their audience.
>
> I'm going to re-post something I sent a couple of weeks ago (to which
nobody
> replied ), and I hope someone somewhere realizes the change in the
> atmosphere of the musician's world.
>
> ---------------- insert previous thread ---------------
> Jeff asks:
> >Hi Ken-
> > So what does this do to those of us who would like to make a living by
> >selling our creations via digital media?
> >
> > Other people seem to be able to make a living by practicing their
> >trades, why is it the artistic folks always have so much stacked against
> >them...?
> >
> >jeff
>
> Well, Jeff..
>
> It means setting up a web site, marketing your product - and giving away
> free samples at a lower sample rate than a CD.. That's a good start... 22k
> MP3's sound good enough to give people a taste of the music's flavor..
> (Think about it - that's radio quality, not CD quality..  People have been
> taping off the radio since personal recorders came about - did it hinder
> tapes from being bought?!  I argue it advanced their distribution by
> creating a needy market..)
>
> Now, say you sell the CD's (44k) on your site, and stream the 22k MP3's as
> samples.   If you market well you can make a living off of the digital
> front.  It won't stop people from making real MP3's from your CD's, but it
> will at least give them an avenue to purchase your work.
>
> You guys (i've been in music 27 years, programming for 20) are just
starting
> to feel the burn that software programmers have been feeling forever.
> People have been copying and distributing pirated copies of software since
> it was possible to duplicate.  Does this mean that software companies went
> out of business?  No! - it means they had to change their 1:1
product:money
> ratio mentality.  Now companies offer crippled versions of software (IE:
> lower sample rates)  Free trials of their software, that expire (not yet
> implemented for music).  And simply GIVING away the software, (MP3
Shoutcast
> / RADIO / etc.) knowing full well that 80% of the copies that are on the
> market are going to be pirated, but the fact that their product is being
> distributed, talked about, and wanted by those who are in the know means
> that those who can't/won't copy/steal will get caught up in the frenzy and
> BUY a copy.  These companies SUBSIST on the other 20% of the populace who
> buy the product, causing income to actually be generated by a pirate
> distribution methodology.  These are the companies that will survive in
the
> future.
>
> Nothing is stacked against anybody.. The biggest hurdle in any artistic
race
> is to be the one with the biggest audience, right?  The bigger the
audience,
> the bigger the revenue - no matter WHAT.. If you get caught thinking that
> the only way to survive is to sell each and every CD you press for $10.00,
> then you've lost the game already.  Giving away art is the best way to get
> it heard.  Once you're heard, you're known.  Once you're known, you're
> gigging.  Once you're gigging, you're generating REAL revenue based on
REAL
> effort, not a snapshot of art (CD's), which is always pale in comparison
to
> the true stage of the artform.
>
> Now imagine that your MP3's are distributed (pirated) across the world,
and
> millions of people (who you think unfortunate because they didn't pay for
> the initial recording) liked your work.  Now some of these people WILL pay
> to go see your gig.  WILL pay to buy your t-shirts.. WILL pay to get a
copy
> of the limited edition release with your signiature, and have a much
higher
> probability of BUYING your next CD to own a real copy etc etc etc...
>
> We can't allow ourselves to be boxed in by the feeding frenzy of the
modern
> capitalist world.  We must allow music to flow freely, and as the artist
who
> is creating these ever changing realms of music and altering the mood and
> minds of the listeners - we must not throw spite at those who can't afford
> to buy.  We must focus on those who CAN.
>
> That's just my .02 on the matter.. (please keep the flames private)
>
> ------------------------- exit previous thread -----------------------
>
> Ken
>
> -----Original Message-----
> From: steve lawson <steve@steve-lawson.co.uk>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Wednesday, April 26, 2000 11:47 AM
> Subject: Re: Napster
>
>
> >>>>A bit off topic, but I just got Napster from my friend and it is
> >spectacular!!  Basically, Napster is a program which establishes a
network
> >of mp3 users.  Since everyone is sharing, you can get pretty much
anything!
> >Completely free, no hassles, search by artist.  It is simply amazing.<<<
> >
> >Hey, save yourself the bother - just break into people's houses and steal
> >their CDs - amounts to the same thing.
> >
> >If napster catches on, you can say goodbye to anyone making any money out
> of
> >recording music, and therefor having any money to invest in getting
> better..
> >
> >thanks very much for hammering another nail into the coffin of the
> >collective careers of all the world's musicians.
> >
> >Steve
> >
> >
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 26 12:56:32 2000
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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: Napster (aka: The New Digital Realm)
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Ken, brave soul you!  Risking immolation!

Actually, I read and discussed your original posting.  I found it quite
interesting.  (I probably should have responded to encourage a discussion.)

Like it or not, we are in a new world.

Dennis Leas
-----------------------------
dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Wed Apr 26 12:52:46 2000
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*spider sense is tingling*

Unfortunately, Napster is just the first baby steps of a phenomenon that is 
not going to go away, and is going to dominate eventually - in 2 years, 5 
years, whatever.  As much as I abhor the thought of artists of any ilk not 
getting the credit/profit they deserve (graphics designers are feeling the 
pain too, for other reasons), it's the wonderful Internet we're using right 
now, coupled with increasing bandwidth and new creative implementations of 
distributed computing ideas, that is making things like this possible.

Like any tool, it's not so much the tool that is good/bad (morally), but the 
use the tool is put to.  Stuff like this is going to come out of the 
woodwork that is going to make older physical distribution and profit models 
obsolete.  I'm sorry, I don't think we can avoid it or stop it, we just have 
to adapt to it.  And if Napster scares you, forget it, the cat's way out of 
the bag and it's almost obsolete anyway.

Right now, napster requires a central server to index all of the files the 
various hosts have that are attached to it.  These servers can be shut down, 
or filter the content they index (which can be circumvented through simple 
file renaming, but anyway).  Napster the company can be sued and shut down.  
But what about Gnutella?  This is an open source (i.e. there's no one to 
sue) and completely client based distributed file sharing application (not 
just mp3's, any file).  Unless you want some authoritive entity to attempt 
to monitor all file transfers on the Internet (yeah, right), what are you 
going to do?  Software like Gnutella is so simple to design and implement, 
stuff like this is only going to proliferate.  And there's going to 
eventually be encryption, multiple paths blah, blah, blah.  And there's 
plenty of practical, respectable uses for software of this kind apart from 
music distribution (which is only a subset of the types of files that could 
be shared).  Do you think anyone can stop progress like this?  All you need 
are fat pipes and some common standards and *WHAM* digital media everywhere.

The answer is not going to be to attempt to preserve the decades old 
distributing and profit models that many of us might be comfortable with.  
It's going to be to learn and adapt to the new possiblities that no one is 
going to be able to derail through legislation or lawsuit.

Michael


----- Original Message -----
From: "steve lawson" <steve@steve-lawson.co.uk>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 11:01 AM
Subject: Re: Napster


> >>>A bit off topic, but I just got Napster from my friend and it is
>spectacular!!  Basically, Napster is a program which establishes a network
>of mp3 users.  Since everyone is sharing, you can get pretty much anything!
>Completely free, no hassles, search by artist.  It is simply amazing.<<<
>
>Hey, save yourself the bother - just break into people's houses and steal
>their CDs - amounts to the same thing.
>
>If napster catches on, you can say goodbye to anyone making any money out 
>of
>recording music, and therefor having any money to invest in getting 
>better..
>
>thanks very much for hammering another nail into the coffin of the
>collective careers of all the world's musicians.
>
>Steve
>
>
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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Date: Wed, 26 Apr 2000 12:59:25 -0400
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From: murkie <murkie@panther.middlebury.edu>
Subject: Re: Sampling copyrights
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At 10:57 AM 4/26/00 -0400, you wrote:
>Anyone know what the current fair use for samples is?  Last I knew it was
something
>like 2 seconds and under was acceptable and longer samples than that needed
>credit/permission, etc.

i've been told the "2 seconds" law is pretty much a myth.  if it's
recognizable, it's stolen.  tweak it so it sounds new and it's yours.

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

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Yep, Winter NAMM press release earlier this year.  It's interesting to see 
somebody (anybody) picking up the Korg Wavedrum idea (which I liked better, 
ah vell).

Speaking of which, anybody seen a wavedrum for sale???  Ever??

Mike

----- Original Message -----
From: "Legion" <Legion@voicenet.com>
To: "DH" <digitalhell@resrocket.com>; <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 12:27 PM
Subject: Hell-o!


>http://www.rolandus.com/PRODUCTS/hardware/hpd15.htm
>
>Any heard this thing yet? Vdrum technology, built in sequencer, 15 (!)
>pads. looks mighty interesting...
>
>
>
>
________________________________________________________________________
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I happen to agree with Larry.  I've already gone to the record shop (to my
surprise) and bought a bunch of CDs of people whose music I downloaded off
Napster just to "see what they sound like."  At the Napster Web site they
have links to previous legal battles akin to what's going on right now.
Video tape vs. the movie industry; cassette tape vs. the recording industry;
etc., etc., they all see the end of the world when change happens.  Well, as
someone already said it this morning, if you don't change, you'll die like a
dinosaur.  Actually, that's a bad simile because the dinosaurs were the
masters of change, albeit unconscious.  They were wiped out against their
nature, and they didn't do it to themselves, unlike some other species could
that we all know and love.  The recording industry will be there 200 years
from now, richer than ever.  They know how to take care of themselves.  Just
witness the efforts of people like Bonnie Raitt, bringing to the limelight
the tragedies of all those blues and early-rock folks who were ripped off by
recording companies.  There's some of them who even now still owe money back
to the recording company!  I don't hear anybody complaining about recording
companies like that in our beloved Loopers' Delight.

That's one thing I'm sure of-- if the big bad recording companies die, I
will have a party!

However, the argument about "new music" being promoted through Napster
sounds weak to me.  I can't type "new music" and get a listing.  I only get
listings of artists and songs I already know.  If I don't know it, I won't
likely download it.  I think only if everybody in Napster agrees to share a
folder called "New Music," and put new original stuff in there they want
promoted, and only if folks actually go in those folders to "sample" stuff
(sample like in sampling food), that would be a way new music would get
spread about.

And I'm a Napster addict too.  But don't quote me on that.

Long live Napsterism!

  | -----Original Message-----
  | From: Larry Tremblay [mailto:ltct@concentric.net]
  | Sent: Wednesday 26 April 2000 9:12 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Napster
  |
  |
  | I'm glad to see the RIAA and the record
  | companies are getting their Party Line
  | through to someone. Boo-hoo!
  |
  | Oh come on, Steve, this is the same thing the
  | greedy cry-babies whined about when blank cassettes
  | became available and music-lovers were swapping
  | compilation of favorite songs with each other.
  |
  | They claimed "Congress must do something or we'll be
  | ruined!" Take a look around. Seems the record companies
  | are thriving more than ever.
  |
  | See, what happens when people openly copy and trade music
  | is that it actually promotes new music to millions of folks
  | who might never consideed buying an album or CD by Artist X.
  |
  | Napster is a boon to the music industry, just as home
  | taping was.
  |
  | Think about it a little deeper next time before spouting
  | off the "Press Release-approved" agit-prop of your
  | oppressors. ;)
  |
  | - Larry T
  |
  |
  | ----- Original Message -----
  | From: "steve lawson" <steve@steve-lawson.co.uk>
  | To: <Loopers-Delight@annihilist.com>
  | Sent: Wednesday, April 26, 2000 11:01 AM
  | Subject: Re: Napster
  |
  |
  | > >>>A bit off topic, but I just got Napster from my friend and it is
  | > spectacular!!  Basically, Napster is a program which
  | establishes a network
  | > of mp3 users.  Since everyone is sharing, you can get pretty much
  | anything!
  | > Completely free, no hassles, search by artist.  It is simply
  | amazing.<<<
  | >
  | > Hey, save yourself the bother - just break into people's
  | houses and steal
  | > their CDs - amounts to the same thing.
  | >
  | > If napster catches on, you can say goodbye to anyone making
  | any money out
  | of
  | > recording music, and therefor having any money to invest in getting
  | better..
  | >
  | > thanks very much for hammering another nail into the coffin of the
  | > collective careers of all the world's musicians.
  | >
  | > Steve
  | >
  | >
  | >


__________________________________________________
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Talk to your friends online with Yahoo! Messenger.
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From Loopers-Delight-request@annihilist.com  Wed Apr 26 13:16:10 2000
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At 04:01 PM 4/26/00 +0100, you wrote:
>>>>A bit off topic, but I just got Napster from my friend and it is
>spectacular!!  Basically, Napster is a program which establishes a network
>of mp3 users.  Since everyone is sharing, you can get pretty much anything!
>Completely free, no hassles, search by artist.  It is simply amazing.<<<
>
>Hey, save yourself the bother - just break into people's houses and steal
>their CDs - amounts to the same thing.

actually, it would be more like breaking into your favourite record store...

only i don't think you can get many viruses breaking into record stores.  

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

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	ETAtAhQqjDOY5tXW67RgmMaetTDUD+y8XgIVALnV85YuXxazpd6qLzBCqh9ed6nM 
From: jordanpease@webtv.net (Jordan Pease)
Date: Wed, 26 Apr 2000 10:13:34 -0700 (PDT)
To: Loopers-Delight@annihilist.com
Cc: sellon@mediaone.net
Subject: Instructional Video
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LOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOP

Has anyone seen the David Thorn video mentioned and is it really a
looping tutorial (with emphasis on the Echoplex) ?

I've read some other posts that expressed interest in such a resource.
Wish Kim and Bob Sellon would interject their opinions.

I live in the San Francisco bay area and would get involved in a effort
to produce an amateur one...(if an official one is not
available/forthcoming). I've got some video equipment, two Jammans and
two EDPs; BUT MINIMAL EXPERIENCE USING THEM ! The user's manuals are
disappointing [right ?], so that's why a video is needed. The Looper's
Delight pages are a real gold mine,  but a show-and-tell video would be
so valuable to the whole looping community.

Come on everybody- start lobbying/pestering Gibson. There's an address
on the EDP page at Looper's Delight. It wouldn't be that hard for them
to produce one, and it would be such a wonderful sales tool. Seems like
now would be a good time too since they've just re-introduced the
Echoplex.

LOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOP

From Loopers-Delight-request@annihilist.com  Wed Apr 26 13:18:00 2000
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Subject: Re:fair use for samples
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Length is not the only constraint.  If a lawyer can make a case for it 
being a major part of a song, like the hook from "satisfaction", they could 
still sue you if you're not paying royalties.  As I understand it...

best bet is to have it be not recognizable at all, whatever the length.

MT 

From Loopers-Delight-request@annihilist.com  Wed Apr 26 13:11:36 2000
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Subject: Re: Hell-o! Roland Hand Socic
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Yes, I saw this being demo'd at the LA NAMM show...fantastic!  It wasn't
even fully implemented at the show either, some features were still
missing.  They were suggesting $1200 msrp, however, which is a lot to pay.
However, i the hands of a capable hand drummer...lookout.  My question
would be can you sync to a looper in real time?  Could the drummer set a
sequence that would send a midi clock to the looper?  And then if the
drummer cuts the sequence and plays in real time along with you, could the
HandSonic then record another sequence/loop and drop back in synch with the
looper?

rich

>http://www.rolandus.com/PRODUCTS/hardware/hpd15.htm
>
>Any heard this thing yet? Vdrum technology, built in sequencer, 15 (!)
>pads. looks mighty interesting...



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Subject: RE: Napster
Date: Wed, 26 Apr 2000 09:54:55 -0700
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This is a multi-part message in MIME format.

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An undisciplined mind brings ecstasy.


  ____________________________
  A disciplined mind brings happiness.

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__________________________________________________
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From Loopers-Delight-request@annihilist.com  Wed Apr 26 13:34:01 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <B52C6662.1309%andrew@kaleidacousticon.com>
Subject: Re: uncreativity - Paging Dr T :) /Algorithmic
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Thanks for the info. You too, Dr T. :)
----- Original Message ----- 
From: "Andrew Pask" <andrew@kaleidacousticon.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 12:24 PM
Subject: Re: uncreativity - Paging Dr T :) /Algorithmic


> 
> 
> 1:09 -0400
> > 
> > At 9:29 AM -0400 4/25/00, Larry Tremblay wrote:
> >> Dr T,
> >> 
> >> What ever happened to the Algorithmic Composer? I thought it
> >> was a great piece of software. Then I got rid of my C-64 :)
> > 
> > 
> > One of the 3 Alogorithmic programs (the cyclic one), was implemented
> > in much more powerful form by me (on Atari) as Fingers, and by Dave
> > Ziccarelli (in yet  more powerful form) on Mac as M. M is still
> > available from Joel Chadabe at electronic music foundation (emf.com
> > or org, if I recall).
> > 
> M has been  re released by DZ's company cycling'74
> http://www.cycling74.com
> if any of youze are interested in it.
> 
> cheers
> 
> Andrew
> 
> 

From Loopers-Delight-request@annihilist.com  Wed Apr 26 13:50:13 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: RE: Hell-o!
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The wavedrum sound creation technology has been built into their new OASYS
pci card.

bIz

-----Original Message-----
From: Michael LaMeyer [mailto:mlameyer@hotmail.com]
Sent: Wednesday, April 26, 2000 9:53 AM
To: loopers-delight@annihilist.com
Subject: RE: Hell-o!


Yep, Winter NAMM press release earlier this year.  It's interesting to see
somebody (anybody) picking up the Korg Wavedrum idea (which I liked better,
ah vell).

Speaking of which, anybody seen a wavedrum for sale???  Ever??

Mike

----- Original Message -----
From: "Legion" <Legion@voicenet.com>
To: "DH" <digitalhell@resrocket.com>; <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 12:27 PM
Subject: Hell-o!


>http://www.rolandus.com/PRODUCTS/hardware/hpd15.htm
>
>Any heard this thing yet? Vdrum technology, built in sequencer, 15 (!)
>pads. looks mighty interesting...
>
>
>
>
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com


From Loopers-Delight-request@annihilist.com  Wed Apr 26 14:02:44 2000
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> Yep, Winter NAMM press release earlier this year.  It's interesting to see
> somebody (anybody) picking up the Korg Wavedrum idea (which I liked better,
> ah vell). Speaking of which, anybody seen a wavedrum for sale???  Ever??

My local  music store (8th St Music) had one on display for quite some time. I
played around with it quite a bit and was amazed at it's capabilities but at
the time i didn't have the $$$ for it. Eventually it was discontinued and sold
briefly after that..

What's interesting about this new Roland unit is it has midi OUT. 15 pads, two
ribbon controllers, and the Dream is there as well. This could be a very
interesting alternative controller along the lines of a budget Butler Thunder
(which obviously is a very different creature but the initial triggering issues
are similar).

I don't know *why* Roland is doing this though. How big is the market for such
a creature (priced at $1100 list no less) when the wavedrum died so quickly and
the groovebox romplers  are selling like  hotcakes.

Personally I'm hoping they show up used quickly... :)



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I love the idea too, problem is list price of 1295 USD, a little steep I think. After hearing the price, I just bought an SP808EX.

K

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Subject: Free Music
From: Tiktok <tiktok@sprintmail.com>
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1) Everyone's for free music until it's their music they're not being
*fairly* rewarded for.  One's definition of "fair" varies according to the
perception of how much money is being personally lost.

2) The "music industry" is not a synonymous term for "musicians".
So, statements such as "Napster is a boon to the music industry, just as
home taping was" are probably not cause for musicians to rejoice.
Musicians benefit when they feel transported by playing music.
People who are also musicians can benefit when they get paid for their
music, since the last time I checked there was no Napster equivalent for
gassing up your tour van or buying recording gear.
Making music at anything above the dilettante/hobbyist level requires a lot
of money.

3) The "rise of alternative music" was due to the Music Industry deciding to
promote some Alternative bands, not to home taping.


TH

-- 
"For over half a century rock 'n' roll music has acted as a kind of umbrella
under which the noblest elements of society have gathered. Today, the very
word "rock" is a synonym for everything that's most decent, honorable and
moderate in Western society. The model behavior of both its stars and fans
is eclipsed only by the probity and rectitude of the men and women at the
business end -- that corps of managers, accountants and recording companies
whose transparent honesty and compassion have made the industry such a
pleasant environment for musicians to work in."

--John Perry, from a discussion of the Napster situation


From Loopers-Delight-request@annihilist.com  Wed Apr 26 13:54:23 2000
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Date: Wed, 26 Apr 2000 10:40:38 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: RE: Hell-o!
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i called roland a few months back when it was
announced and they said it should be shipping in May,
if i recall correctly.  There is supposed to be a
clinic featuring this thing in June in LA.

> Speaking of which, anybody seen a wavedrum for
> sale???  Ever??

i did see one for sale / auction online about a year
ago...i forget where.  It had already been sold.



=====
Stephen

__________________________________________________
Do You Yahoo!?
Send online invitations with Yahoo! Invites.
http://invites.yahoo.com

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From: "Bailey, Jim" <JBailey@corporate.southam.ca>
To: "'looppost'" <loopers-delight@annihilist.com>
Subject: RE: open reel deck looping?
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> -----Original Message-----
> From: lance glover [mailto:baumhaus@earthlink.net]
> Sent: Tuesday, April 25, 2000 6:04 PM
> 
> while on the subject, i wanna thank everyone who's responded 
> to the open reel
> looping thread. i haven't had time to work on this yet, but 
> hope to get to it
> soon.

...and before it dies out completely, perhaps I should leap in. Like some
others have said, I prefer this method for its organic, evolutionary type of
sound. There are interactions which occur due to layering and distortion
that I can't imagine happening with digital devices (although lack of funds
denies me the opportunity to test this hypothesis). Setting up the system so
that it works properly can sometimes be tricky, but the results will often
astonish. Hell, I've even got some nice results using a couple of really
cheap portable units (Nagras... no, just kidding! Actually they are the type
you could get from Sears in the 'sixties).

Now, for those who may be hungry, here's some canned luncheon meat:

I'm always interested in trading the LP I made in '86 for whatever others
might have - it doesn't have to be professionally manufactured. There are
three tracks, two with tape delay; one long piece with Mini-Moog as the
source, and a shorter one using electric guitar which is a little bit
Fripp-like (though not good enough to be confused with him). I also do a
weekly college radio show, so you can get airtime too. Let me know if you're
interested.

Jim Bailey

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Date: Wed, 26 Apr 2000 13:23:11 -0400
To: Loopers-Delight@annihilist.com
From: "Emile Tobenfeld (a.k.a Dr. T)" <emile@foryourhead.com>
Subject: Re:fair use for samples
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At 1:02 PM -0400 4/26/00, Michael Tuminello wrote:
>Length is not the only constraint.  If a lawyer can make a case for 
>it being a major part of a song, like the hook from "satisfaction", 
>they could still sue you if you're not paying royalties.  As I 
>understand it...
>
>best bet is to have it be not recognizable at all, whatever the length.
>
>MT

The one who dies with the most lawyers wins(-;

In the one case that reached the supreme court (the 2 Live Crew 
case), both the decision and opinion were firmly in favor of a broad 
view of fair use.  Since few of us can afford lawyers for appeal 
litigation, this has not help the sampling cause anywhere near as 
much as I had hoped.

Personally, I adapt the rule of thumb that if the original producer 
of the source would have a less thagtn 50% chance of catching it 
unprompted, its fair use. How folks like DJ Shadow or Richard Kirk, 
whose thing is based on using a large number of recognizable though 
obscure samples, deal with this is beyond me. (Kirk releases his own 
stuff and, presumably, takes his chances. Shadow hasn't done that 
much lately, perhaps because of this very issue.)


"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man.

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

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From: "Michael LaMeyer" <mlameyer@hotmail.com>
To: loopers-delight@annihilist.com
Subject: RE: Napster
Date: Wed, 26 Apr 2000 14:01:51 EDT
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---- Original Message -----
From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 12:50 PM
Subject: RE: Napster

>I happen to agree with Larry.  I've already gone to the record shop (to my 
>surprise) and bought a bunch of CDs of people whose music I downloaded off 
>Napster just to "see what they sound like."

Hear, hear.  I've already found people I've either not heard of or didn't 
hear enough of to check out.  Now I got the chance and solely because of 
what I've heard on Napster I've bought Ani Difranco, Patty Larkin, Leo 
Kottke (from my home state!  woooohooo!), . . .  even *new* no less!  I used 
to buy used cds predominately.

This is an email from a friend of mine to whom I sent some Ani mp3's to:

   DUDE!!!!!!!!!
   I NEED TO BUY ANI RIGHT NOW.
   which album should i start with ?!!!!!!!!!!!!
   pk

<Ahem> . . . can you spell 'free promotion'?

>However, the argument about "new music" being promoted through Napster
>sounds weak to me.  I can't type "new music" and get a listing.  I only get 
>listings of artists and songs I already know.  If I don't know it, I won't 
>likely download it.  I think only if everybody in Napster agrees to share a 
>folder called "New Music," and put new original stuff in there they want 
>promoted, and only if folks actually go in those folders to "sample" stuff 
>(sample like in sampling food), that would be a way new music would get 
>spread about.

Hey, I'll do that.  *implementing 'New Folder' feature*

Actually, I usually found new stuff by searching for stuff I know, and then 
checking out what people who have this stuff also have.  Anybody with 
'Zappa' in their libraries has got to be worth a look.  I've been pretty 
successful, but the vast, vast majority of songs are by "well-known" artists 
  *sigh*

Mike

"The future will be better tomorrow"  --- Vice President Dan Quayle
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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----- Original Message -----
From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: "Loopers" <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 1:34 PM
Subject: RE: Hell-o!

>The wavedrum sound creation technology has been built into their new OASYS
>pci card.
>
>bIz

Cool!  I didn't know that.  But you can't whap it like a conga, or use 
brushes.  The interface was most of the appeal to me.

Mike

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Apr 26 14:39:29 2000
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Subject: RE: Ins. Vid. :Lobby Gibson
Date: Wed, 26 Apr 2000 11:37:10 -0700
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It's a good idea, but to be frank, I think that getting a doctorate in film
production from A.F.I and spending years as a film intern would be a faster,
cheaper way.


bIz



-----Original Message-----
From: Jordan Pease [mailto:jordanpease@webtv.net]
Sent: Wednesday, April 26, 2000 11:09 AM
To: loopers-delight@annihilist.com
Subject: Ins. Vid. :Lobby Gibson


For those who would like to take action on the 'EDP tutorial video'
issue; please write to Mike Ayers at mayers@gibson.com

Fight the good fight.


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        <Loopers-Delight@annihilist.com>
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Subject: Re: Napster
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>
> If napster catches on, you can say goodbye to anyone making any money out
of
> recording music, and therefor having any money to invest in getting
better..

If? Napster is phenomenally popular at colleges and among people with
DSL/Cable
hookups.


>
> thanks very much for hammering another nail into the coffin of the
> collective careers of all the world's musicians.

*cough* you mean shirt-and-tie record label men?

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From: jordanpease@webtv.net (Jordan Pease)
Date: Wed, 26 Apr 2000 11:08:35 -0700 (PDT)
To: loopers-delight@annihilist.com
Subject: Ins. Vid. :Lobby Gibson
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For those who would like to take action on the 'EDP tutorial video'
issue; please write to Mike Ayers at mayers@gibson.com 

Fight the good fight.

From Loopers-Delight-request@annihilist.com  Wed Apr 26 14:59:05 2000
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From: "future perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Free Music
Date: Wed, 26 Apr 2000 14:47:42 -0400
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I did read an interview with Lars Ulrich from Metallica about Napster who
was very upset it cut into his profits. It seems the music being traded is
the most popular stuff- as someone said, you can't search for 'new music'
and get anything. I doubt Metallica or Britney Spears (2 of the most traded
mp3s) now need to save up for that 4th car due to Napster.
Yes, I've installed Napster, but I can't find music I am interested in.
Yes, Napster offers lots of free music, but the roadside fruit stand offers
a bucket of free fruit too, and most of it is rotten.
It seems Napser 'hurts' the most sucessful artists. What really is obscene
is the ticket prices to a Metallica show, or the fact a new CD cost close to
$18USD. How about the fact that the band sees maybe $1 for every CD sold.
And CDs cost less to make than cassettes.
Napster seems to be a record company problem, not an artist problem.
A portable CD player is like $50, a portable mp3 player is $250+ and there
will always be people who want to take the music with them wherever they go.
To top it of, Lars says: "We take our craft -- whether it be the music, the
lyrics, or the photos and artwork very seriously, as do most artists," "It
is therefore sickening to know that our art is being traded like a commodity
rather than the art that it is."

oh my, maybe this is the end of the music industry as we know it.

(full article here:
http://www.cnn.com/2000/TECH/ptech/04/14/metallica.lawsuit.ap/index.html)

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave




> -----Original Message-----
> From: Tiktok [mailto:tiktok@sprintmail.com]
> Sent: Wednesday, April 26, 2000 1:44 PM
> To: Looper's Delight
> Subject: Free Music
>
>
> 1) Everyone's for free music until it's their music they're not being
> *fairly* rewarded for.  One's definition of "fair" varies according to the
> perception of how much money is being personally lost.
>
> 2) The "music industry" is not a synonymous term for "musicians".
> So, statements such as "Napster is a boon to the music industry, just as
> home taping was" are probably not cause for musicians to rejoice.
> Musicians benefit when they feel transported by playing music.
> People who are also musicians can benefit when they get paid for their
> music, since the last time I checked there was no Napster equivalent for
> gassing up your tour van or buying recording gear.
> Making music at anything above the dilettante/hobbyist level
> requires a lot
> of money.
>
> 3) The "rise of alternative music" was due to the Music Industry
> deciding to
> promote some Alternative bands, not to home taping.
>
>
> TH
>
> --
> "For over half a century rock 'n' roll music has acted as a kind
> of umbrella
> under which the noblest elements of society have gathered. Today, the very
> word "rock" is a synonym for everything that's most decent, honorable and
> moderate in Western society. The model behavior of both its stars and fans
> is eclipsed only by the probity and rectitude of the men and women at the
> business end -- that corps of managers, accountants and recording
> companies
> whose transparent honesty and compassion have made the industry such a
> pleasant environment for musicians to work in."
>
> --John Perry, from a discussion of the Napster situation
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 26 14:55:35 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <B52C78E3.EDB%tiktok@sprintmail.com>
Subject: Re: Free Music
Date: Wed, 26 Apr 2000 14:39:37 -0400
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----- Original Message -----
From: "Tiktok" <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 1:43 PM
Subject: Free Music


> 1) Everyone's for free music until it's their music they're not being
> *fairly* rewarded for.  One's definition of "fair" varies according to the
> perception of how much money is being personally lost.
>

First of all, by  "free" music I meant shared via the Internet or
home recording. This would be in the form of low-res versions. But
for the sake of argument, how many albums are you willing download
over the net? Get real. I can barely tolerate anything beyond 2 megs,
never an album.

No one has addressed the issue of quality. Who wants to
buy an albums-worth of shit if you don't have to? Id this what
so-called artists fear - less than platinum sales on their one-hit
wonder CD?

> 2) The "music industry" is not a synonymous term for "musicians".
> So, statements such as "Napster is a boon to the music industry, just as
> home taping was" are probably not cause for musicians to rejoice.
> Musicians benefit when they feel transported by playing music.
> People who are also musicians can benefit when they get paid for their
> music, since the last time I checked there was no Napster equivalent for
> gassing up your tour van or buying recording gear.
> Making music at anything above the dilettante/hobbyist level requires a
lot
> of money.
>

In today's milieu, - in the context of existing laws and economic
realities - Napster, and the Internet, in general, is a boon to muso's
as well. The opportunities have never been better. For instance, after
listening to a low-res versions of an album by an obscure folky who
lives in Minnesota, I decided to purchase his album. He did NOT have to
tour (frankly, a somewhat over-rated ego-stroking activity for many),
nor did he have to go into debt with his record company.

> 3) The "rise of alternative music" was due to the Music Industry deciding
to
> promote some Alternative bands, not to home taping.
>
Oh, really? If you're talking about *today's* Corporate Alternative
Rock (COR), then I'd agree, but the foundation for this market was
established very gradually in the late-70's through the 80's.
The record companies are just plucking the low-hangin fruit planted
by the likes of Mute, 4AD, Two-tone, and IRS records, among others.

BTW, just what is today's COR and alternative to? ;)

- Larry
>
> --
> "For over half a century rock 'n' roll music has acted as a kind of
umbrella
> under which the noblest elements of society have gathered. Today, the very
> word "rock" is a synonym for everything that's most decent, honorable and
> moderate in Western society. The model behavior of both its stars and fans
> is eclipsed only by the probity and rectitude of the men and women at the
> business end -- that corps of managers, accountants and recording
companies
> whose transparent honesty and compassion have made the industry such a
> pleasant environment for musicians to work in."
>
> --John Perry, from a discussion of the Napster situation
>
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 26 15:23:11 2000
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From: APerson7531@aol.com
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Date: Wed, 26 Apr 2000 15:07:42 EDT
Subject: Porn
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What saves midi settings and machine patterns exclusively and can organize 
and save onto disks?    Please tell me someone, and don't think anyone else 
will if you do know!  I need to know,  anyway hi yall, all yall!  

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References: <6d.308d894.26375e24@aol.com>	
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Date: Wed, 26 Apr 2000 16:11:11 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Hex pickup...(Paradis?) OT
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Mark Francombe Red said:

>Curious about the Polydistortion pedal and Subbass thingy, Just noticed
>on your page that it will "do" the roland GR stuff...
>Question is, Is this pedal available still? If so where? (thinking of
>mail order as I live in Norway)

No, that was before I started the loop thing. It was no success 
because one part of the guitarist expects a hot solo sound from any 
distortion and got disapointed with Polydistortion because its smoth 
and the other part of the guitarist that might like the sound does 
not even test it because they think they hate distortion in general.
The Polysubbass is still arround.

>Did you ever make a version with BOTH these features (bass and
>distortion)

We thought about doing this. And using a roland type DIN13 connector 
since it turned into standard for polyphonic guitars :-(. But so far, 
Paradis is sleeping totally. Rolf was here, he still thinks about 
guitars.

>I am doing EXACTLY the same thing myself, but a cock-assed botch job
>method, with two broken pickups, splitting the guitar into 3 strings and
>three strings, now I buy a GR 30, and am thinking "if I could use this
>pickup...too?

The magnetic polyphonic pickup needs to be mounted near the bridge 
and therefore has very little bass. So it might work but less.


          ---> http://Matthias.Grob.org

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To: Loopers-Delight@annihilist.com
From: rich <rich@nuvision.com>
Subject: RE: Free Music
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Lars says: "We take our craft -- whether it be the music, the
>lyrics, or the photos and artwork very seriously, as do most artists," "It
>is therefore sickening to know that our art is being traded like a commodity
>rather than the art that it is."

poor, poor Lars.  How is he to continue?  If Napster is a thorn in the
sides of successful (read bloated) artists like Metallica and Britney
Spears, so be it.

rich


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From: "matt davignon" <mattdavignon@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Sampling copyrights
Date: Wed, 26 Apr 2000 12:55:19 PDT
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(There are probably a lot of answers to this by now, but)

The last time I read, the amount of time that a sample had to be before it 
was illegal was very small, like 1/4 of a second. The Prodigy probably had 
to pay a large amount of money for using the Art of Noise's "hey" sample in 
"firestarter". Even though the sample itself is very short, it's extremely 
unique and easy to recognize if you've ever heard the Art of Noise song.

My advice would be to sample in a creative way, so that it becomes an actual 
part of the song, and isn't easily spottable as something from a particular 
artist. In other words, don't be Will Smith.

Of course, if you keep your head down, you probably won't get sued for 
anything.

Matt



>From: Kevin Cheli-Colando <kevin@minds-eye.org>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Sampling copyrights
>Date: Wed, 26 Apr 2000 10:57:02 -0400
>
>Anyone know what the current fair use for samples is?  Last I knew it was 
>something
>like 2 seconds and under was acceptable and longer samples than that needed
>credit/permission, etc.
>
>Thanks
>
>Kevin
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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From: "Larry Tremblay" <ltct@concentric.net>
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Subject: Re: Free Music
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Someone give Lars some Kleenex while I tune up
my sympathy violin... ;)

The record companies and the 'artists' who collaborate
with them have been ripping consumers off for decades.

This *is* the end of the major label music industry as
we know it and the star system that supports it.
Good riddens. I haven't bought any major label product
for years, anyway.

Just for the record (no pun intended), major label artists
make most of their money through concerts (another rip-off),
product endorsements and tie-ins, and merchandising.

Lars and his ilk complain that their 'Art ' is being
treated like a commodity, yet, that's exactly what it
is whenever you attempt to mass-market something. Hardly,
a News Flash.

It's the 'Barbie Principle' - giveaway the doll but
soak 'em on the clothes and the Malibu BeachHouse. :)

- Larry T

----- Original Message -----
From: "future perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 2:47 PM
Subject: RE: Free Music


> I did read an interview with Lars Ulrich from Metallica about Napster who
> was very upset it cut into his profits. It seems the music being traded is
> the most popular stuff- as someone said, you can't search for 'new music'
> and get anything. I doubt Metallica or Britney Spears (2 of the most
traded
> mp3s) now need to save up for that 4th car due to Napster.
> Yes, I've installed Napster, but I can't find music I am interested in.
> Yes, Napster offers lots of free music, but the roadside fruit stand
offers
> a bucket of free fruit too, and most of it is rotten.
> It seems Napser 'hurts' the most sucessful artists. What really is obscene
> is the ticket prices to a Metallica show, or the fact a new CD cost close
to
> $18USD. How about the fact that the band sees maybe $1 for every CD sold.
> And CDs cost less to make than cassettes.
> Napster seems to be a record company problem, not an artist problem.
> A portable CD player is like $50, a portable mp3 player is $250+ and there
> will always be people who want to take the music with them wherever they
go.
> To top it of, Lars says: "We take our craft -- whether it be the music,
the
> lyrics, or the photos and artwork very seriously, as do most artists," "It
> is therefore sickening to know that our art is being traded like a
commodity
> rather than the art that it is."
>
> oh my, maybe this is the end of the music industry as we know it.
>
> (full article here:
> http://www.cnn.com/2000/TECH/ptech/04/14/metallica.lawsuit.ap/index.html)
>
> Dave Eichenberger- guitars.loops.devices
> http://home1.gte.net/artmusic/dave
>
>
>
>
> > -----Original Message-----
> > From: Tiktok [mailto:tiktok@sprintmail.com]
> > Sent: Wednesday, April 26, 2000 1:44 PM
> > To: Looper's Delight
> > Subject: Free Music
> >
> >
> > 1) Everyone's for free music until it's their music they're not being
> > *fairly* rewarded for.  One's definition of "fair" varies according to
the
> > perception of how much money is being personally lost.
> >
> > 2) The "music industry" is not a synonymous term for "musicians".
> > So, statements such as "Napster is a boon to the music industry, just as
> > home taping was" are probably not cause for musicians to rejoice.
> > Musicians benefit when they feel transported by playing music.
> > People who are also musicians can benefit when they get paid for their
> > music, since the last time I checked there was no Napster equivalent for
> > gassing up your tour van or buying recording gear.
> > Making music at anything above the dilettante/hobbyist level
> > requires a lot
> > of money.
> >
> > 3) The "rise of alternative music" was due to the Music Industry
> > deciding to
> > promote some Alternative bands, not to home taping.
> >
> >
> > TH
> >
> > --
> > "For over half a century rock 'n' roll music has acted as a kind
> > of umbrella
> > under which the noblest elements of society have gathered. Today, the
very
> > word "rock" is a synonym for everything that's most decent, honorable
and
> > moderate in Western society. The model behavior of both its stars and
fans
> > is eclipsed only by the probity and rectitude of the men and women at
the
> > business end -- that corps of managers, accountants and recording
> > companies
> > whose transparent honesty and compassion have made the industry such a
> > pleasant environment for musicians to work in."
> >
> > --John Perry, from a discussion of the Napster situation
> >
> >
>
>

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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
To: "Michael LaMeyer" <mlameyer@hotmail.com>, <loopers-delight@annihilist.com>
Subject: Re: Hell-o!
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-----Original Message-----
From: Michael LaMeyer <mlameyer@hotmail.com>
To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
Date: Wednesday, April 26, 2000 2:04 PM
Subject: RE: Hell-o!


>----- Original Message -----
>From: "Jonathan El-Bizri" <jonathan@full-moon.com>
>To: "Loopers" <Loopers-Delight@annihilist.com>
>Sent: Wednesday, April 26, 2000 1:34 PM
>Subject: RE: Hell-o!
>
>>The wavedrum sound creation technology has been built into their new OASYS
>>pci card.
>>
>>bIz
>
>Cool!  I didn't know that.  But you can't whap it like a conga, or use
>brushes.  The interface was most of the appeal to me.
>
>Mike
 Oh yes you can. i have the Roland Products demo video, and lots of
hand-technique subtleties come thru. Tho I'm not sure about the brushes, if
you "fingertip" it you get one sound, and if you whack it w/yr fist it goes
BOOOOMMM!
Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us


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My impression was that the 2 Live Crew case had more to do with parody
being protected speech and the fair use implications of that, rather
than a broader interpretation of just what constitutes fair use. There
is some good information available at http://fairuse.stanford.edu/ for
them what's innerested.

George

"Emile Tobenfeld (a.k.a Dr. T)" wrote:
> 
> At 1:02 PM -0400 4/26/00, Michael Tuminello wrote:
> >Length is not the only constraint.  If a lawyer can make a case for
> >it being a major part of a song, like the hook from "satisfaction",
> >they could still sue you if you're not paying royalties.  As I
> >understand it...
> >
> >best bet is to have it be not recognizable at all, whatever the length.
> >
> >MT
> 
> The one who dies with the most lawyers wins(-;
> 
> In the one case that reached the supreme court (the 2 Live Crew
> case), both the decision and opinion were firmly in favor of a broad
> view of fair use.  Since few of us can afford lawyers for appeal
> litigation, this has not help the sampling cause anywhere near as
> much as I had hoped.
> 
> Personally, I adapt the rule of thumb that if the original producer
> of the source would have a less thagtn 50% chance of catching it
> unprompted, its fair use. How folks like DJ Shadow or Richard Kirk,
> whose thing is based on using a large number of recognizable though
> obscure samples, deal with this is beyond me. (Kirk releases his own
> stuff and, presumably, takes his chances. Shadow hasn't done that
> much lately, perhaps because of this very issue.)
> 
> "The reasonable man adapts himself to the world. The unreasonable man
> persists in adapting the world to himself. Therefore, all progress
> depends on the unreasonable man.
> 
> --  George Bernard Shaw
> 
>                 Emile Tobenfeld, Ph. D.
> Video Producer                  Image Processing Specialist
> Video for your HEAD!                    Boris FX
> http://www.foryourhead.com              http://www.borisfx.com

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Subject: R: Bill Frisell's/David Torn's videos?
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Hi.
maybe I can have some problems,
BUT THERE IS NO WAY TO FIND ANY BILL FRISELL'S OR DAVID TORN'S VIDEO IN THE
WEB !!
does anybody find them on-line for buying ?
thanks for the help.

From Loopers-Delight-request@annihilist.com  Wed Apr 26 16:40:20 2000
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From: "matt davignon" <mattdavignon@hotmail.com>
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Subject: RE: Free Music
Date: Wed, 26 Apr 2000 13:34:50 PDT
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>Metallica or Britney Spears (2 of the most traded
>mp3s)

Haha, that's another reason why I support the free music cause. Hopefully, 
when people realize that Metallica and Britney Spears albums are now singles 
with about 80% filler to make a full CD, they'll start to look for artists 
who make "art" rather than "commodity for sale".

>To top it of, Lars says: "We take our craft -- whether it be the music, 
> >the lyrics, or the photos and artwork very seriously, as do most 
> >artists," "It is therefore sickening to know that our art is being traded 
> >like a commodity rather than the art that it is."
>

I remember hearing somewhere that a short while ago, the RIAA was actually 
going to try to start charging radio stations for playing music by 
RIAA-involved artists. After all, the radio stations were profiting off of 
other peoples' art and the "Artists" (Record execs) weren't making one red 
cent from radio airplay.

I was crossing my fingers and hoping that they'd actually do it. That way, 
independent musicians (who still have to earn their fan base) could have 
offered their music to radios for "free", thereby destroying the music 
industry as we know it.

Matt
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Apr 26 16:26:30 2000
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Subject: Re: Free Music
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>From: Tiktok <tiktok@sprintmail.com>

>
>1) Everyone's for free music until it's their music they're not being
>*fairly* rewarded for.  One's definition of "fair" varies according to the
>perception of how much money is being personally lost.
>

I'm for free music, and I'm not always fairly rewarded for it. Does that 
make me a nobody?

Personally, I feel that if someone duplicates my CD, they saved me the work 
of duplicating it for them. And if they want the cover art or anything like 
that, they'll buy it. (And I don't charge pretentiously high prices for 
music.)

By offering my music for free in mp3 form, I've been heard by lots of people 
around the country and even some people outside the country. I've met lots 
of interesting musicians on the basis that they've heard my stuff and like 
it, and vice versa.

So I had 2 basic choices, I could've sold my CD's for $12 each to the 6 
people that would've bought them, and made $72. Out of those 6 people, 2 
probably would never listen to them more than once, and those CD's would be 
wasted.

Or I could offer them for free online. People who are curious about what I 
do can download and hear all they want. If they want to hear it at times 
when they're not right next to the computer, they'll contact me for a CD. 
I'll sell more of those CD's for cheaper, and I'll have the satisfaction of 
knowing that they'll actually be enjoyed.

Matt
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Apr 26 16:36:44 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: RE: Free Music
Date: Wed, 26 Apr 2000 13:20:35 -0700
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>To top it of, Lars says: "We take our craft -- whether it be the music, the
>lyrics, or the photos and artwork very seriously, as do most artists," "It
>is therefore sickening to know that our art is being traded like a
commodity
>rather than the art that it is."

It's pretty obvious that he has no idea what napster is.

bIz


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Subject: RE: Free Music
Date: Wed, 26 Apr 2000 16:25:46 EDT
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The old model:

1) Musician makes music

2) Record company records music, makes record, promotes artist, distributes 
music to stores

= Record company controls music production and distribution

The current model:

1)Musician makes music, *can* record music, *can* press master cd and pay 
for duplication, *can* self promote, very hard and expensive to distribute 
music on a large scale

2) Record company *usually* records music, *usually* arranges for media 
duplication (same company or other), promotes artist (depending on who you 
ask), controls wide spread distribution of music recordings to stores

= technology has given artists more ability to produce quality sounding 
recordings fairly cheaply (in comparison), the Internet has given some 
artists more exposure outside of their communities (impact?), record 
companies still control wide spread promotion and distribution (and take a 
pretty good cut for the priviledge)

What does the MP3 and Napster and it's ilk mean?:

1) Physical media will eventually become less prevalent, it's not as 
convenient or portable.   All-digital storage and distribution of music will 
eventually become commonplace (it's harder for your kids to scratch RAM, and 
high-bandwidth or wireless data networks will continue to grow).  I don't 
know when eventually is, but it sure is starting to look like soon.

2) Simple standards based distributed file sharing will allow ANYONE with 
access to the internet to be a mass distributor, potentially.  This alone 
threatens the ability of anyone to generate revenue based on the current 
model.  This need not be centralized.  It would be so easy to create online 
communities (such as this!) with subscribers that share, trade, or sell 
music to each other.  Combine that fact with the ever increasing ability of 
musicians to produce and encode all of their music themselves (or with a few 
others) and you've blown the above two models out of the water.

The only caveat is, how is anyone going to make money distributing music 
with this technology?  *scratches head*  Is that really the point?

Mike

----- Original Message -----
From: "Tiktok" <tiktok@sprintmail.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 1:43 PM
Subject: Free Music


>1) Everyone's for free music until it's their music they're not being
>*fairly* rewarded for.  One's definition of "fair" varies according to the
>perception of how much money is being personally lost.
>
>2) The "music industry" is not a synonymous term for "musicians".
>So, statements such as "Napster is a boon to the music industry, just as
>home taping was" are probably not cause for musicians to rejoice.
>Musicians benefit when they feel transported by playing music.
>People who are also musicians can benefit when they get paid for their
>music, since the last time I checked there was no Napster equivalent for
>gassing up your tour van or buying recording gear.
>Making music at anything above the dilettante/hobbyist level requires a lot
>of money.
>
>3) The "rise of alternative music" was due to the Music Industry deciding 
>to
>promote some Alternative bands, not to home taping.
>
>
>TH
>
>--
>"For over half a century rock 'n' roll music has acted as a kind of 
>umbrella
>under which the noblest elements of society have gathered. Today, the very
>word "rock" is a synonym for everything that's most decent, honorable and
>moderate in Western society. The model behavior of both its stars and fans
>is eclipsed only by the probity and rectitude of the men and women at the
>business end -- that corps of managers, accountants and recording companies
>whose transparent honesty and compassion have made the industry such a
>pleasant environment for musicians to work in."
>
>--John Perry, from a discussion of the Napster situation
>
>
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Apr 26 17:03:05 2000
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You're question is so vague I doubt that anyone knows what the hell you're
talking about, which is probably why no one will answer your question, but I
will give it a try.

Stuff.  Stuff will save stuff and put it on to other stuff, but you've got to
press on the little thing.

I hope that helps.

APerson7531@aol.com wrote:

> What saves midi settings and machine patterns exclusively and can organize
> and save onto disks?    Please tell me someone, and don't think anyone else
> will if you do know!  I need to know,  anyway hi yall, all yall!

--
Mark Sottilaro
Professional Publications, Inc
1250 Fifth Ave, Belmont CA 94002
Multimedia Production
E-mail:  msottilaro@ppi2pass.com
Phone: (650) 593-9119 ext. 29


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Lars Ulricht said in interview with Dave Eichenberger...
> "We take our craft -- whether it be the music, the lyrics, or the
photos and artwork very seriously, as do most artists," "It is
therefore sickening to know that our art is being traded like a
commodity rather than the art that it is."

This from one of the largest COMMODITIES available in the record
industry... although ya gotta respect their hard work... 

I tend to feel that it's going to promote music to more people than
hurt them... The biggies might find a dent in their wallets... I agree
with Larry that with download time, fidelity, and available players,
that Napster is sort of like a listening station at a record store.
Great to get a feel for the artist, but getting the cd gets you the
real deal with art, packaging and hi-fi...

> oh my, maybe this is the end of the music industry as we know it.

One can hope... the INDUSTRY totally sucks wind...

-Miko

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Subject: Re: Bill Frisell's/David Torn's videos?
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> BUT THERE IS NO WAY TO FIND ANY BILL FRISELL'S
> OR DAVID TORN'S VIDEO IN
> THE WEB !!
> does anybody find them on-line for buying ?

I just found DT's:
http://www.homespuntapes.com/item.cfm?od=676&ad=vdabegt01&ae=vdmunin01&ms=&f
rom=a

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From: "Astral Moontribe {Schizodellic Faktor}" <forbin@cyberzone.net>
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Sorry that my first post to the list is off-topic. I just ordered a Zoom
ST-224, and thought I'd subscribe to get a looper's mentality. It hasn't
arrived yet, and it will be my first sampler. If anyone out there has any
experience with this instrument, I'd appreciate some feedback! Heh, by the
sounds of reviews and user experiences, I think I will be pleased with it.
Something that I see as being a hassle is the memory and storage... Oh well.

Anyway...as for the off-topicness...

Sad to admit, but I was watching MTV the other day or week, can't remember,
and the band Limp Bizkit was standing there talking to John Norris (I think
that's his name) about their upcoming album. Turns out they're going to be
performing a bunch of free concerts to promote this album. They mentioned
that Napster was sponsering these concerts, and the conversation turned
towards Napster. Limp Bizkit are avid proponents of Napster, stating what
most of the proponents here have said. They even referred to Metallica,
saying that the first time they ever heard Metallica was via a crap dubbed
tape that a friend gave. The singer then said that afterwards he became the
biggest Metallica fan and endedup buying all of their albums... To him, it
is just like dubbing casettes, and me, well I agree. In most cases, it's
even easier and quicker to dub a tape.

Oh well...whatever. Napster is ok because I like dance music, and I have
found 1 hour sets of live DJ mixtapes that I can't find elsewhere, and they
really aren't worth the money if I did find them at a store, and I know the
DJ's aren't getting any of the profits from those mixtapes anyway. Another
thing that is nice about Napster is I like Phish and the Grateful Dead...I
can get entire shows through Napster. Perhaps whiney bands can look at
Phish, a band that allows taping at their concerts and free trade of those
tapes, and learn something. Phish is one of the most successful touring
bands in America. They make money off of working hard and busting their ass
playing live. They make next to no money off of record sales. :)

Oh well. I will admit I ripped a few commercial tunes off of Napster, but
not many, and most of them are ones I hear on the radio anyway.

-schizodellia

PS: Hope to have some on-topic post in the ensuing weeks... :)

Seems a good list so far.

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From: Crossedout@aol.com
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Date: Wed, 26 Apr 2000 17:03:09 EDT
Subject: Re: fair use for samples
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There's some good information (admittedly, lots of articles are slanted in 
favor of broadening Fair Use significantly) on this subject at 
www.negativland.com <A HREF="http://www.negativland.com/intprop.html">Intellec
tual Property Issues</A> 

check it out. 
- Crossedout@aol.com

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The opinions (to my, thankfully non-lawyeresque eyes) were pretty 
supportive of a more general view of fair use.


At 12:45 PM -0700 4/26/00, George Van Wagner wrote:
>My impression was that the 2 Live Crew case had more to do with parody
>being protected speech and the fair use implications of that, rather
>than a broader interpretation of just what constitutes fair use. There
>is some good information available at http://fairuse.stanford.edu/ for
>them what's innerested.
>
>George
>
>"Emile Tobenfeld (a.k.a Dr. T)" wrote:
>  >
>  > At 1:02 PM -0400 4/26/00, Michael Tuminello wrote:
>  > >Length is not the only constraint.  If a lawyer can make a case for
>  > >it being a major part of a song, like the hook from "satisfaction",
>  > >they could still sue you if you're not paying royalties.  As I
>  > >understand it...
>  > >
>  > >best bet is to have it be not recognizable at all, whatever the length.
>  > >
>  > >MT
>  >
>  > The one who dies with the most lawyers wins(-;
>  >
>  > In the one case that reached the supreme court (the 2 Live Crew
>  > case), both the decision and opinion were firmly in favor of a broad
>  > view of fair use.  Since few of us can afford lawyers for appeal
>  > litigation, this has not help the sampling cause anywhere near as
>  > much as I had hoped.
>  >
>  > Personally, I adapt the rule of thumb that if the original producer
>  > of the source would have a less thagtn 50% chance of catching it
>  > unprompted, its fair use. How folks like DJ Shadow or Richard Kirk,
>  > whose thing is based on using a large number of recognizable though
>  > obscure samples, deal with this is beyond me. (Kirk releases his own
>  > stuff and, presumably, takes his chances. Shadow hasn't done that
>  > much lately, perhaps because of this very issue.)
>  >
>  > "The reasonable man adapts himself to the world. The unreasonable man
>  > persists in adapting the world to himself. Therefore, all progress
>  > depends on the unreasonable man.
>  >
>  > --  George Bernard Shaw
>  >
>  >                 Emile Tobenfeld, Ph. D.
>  > Video Producer                  Image Processing Specialist
>  > Video for your HEAD!                    Boris FX
>  > http://www.foryourhead.com              http://www.borisfx.com


"The reasonable man adapts himself to the world. The unreasonable man 
persists in adapting the world to himself. Therefore, all progress 
depends on the unreasonable man.

--  George Bernard Shaw

		Emile Tobenfeld, Ph. D.
Video Producer			Image Processing Specialist
Video for your HEAD!			Boris FX
http://www.foryourhead.com		http://www.borisfx.com

From Loopers-Delight-request@annihilist.com  Wed Apr 26 17:18:09 2000
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Date: Wed, 26 Apr 2000 17:14:06 -0400 (EDT)
From: "r. dennis" <tonobung@panix.com>
To: "looper's delight" <Loopers-Delight@annihilist.com>
Subject: GIG PROMO west coast
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like it says up top...



guess i'll take advantage of the recent
give and take about gig postings to announce
some of my own! so,....

anti:clockwise in the west!


anti:clockwise is the solo/ipmrov/uglient
alter-project of tono-bungay's r. dennis

west coast loop fanatics have a unique and rare
opportunity to see anti:clockwise as follows:


tues. 5/23 - seattle? olympia? stay tuned
weds. 5/24 - milk bar - portland, or 
fri.  5/26 - kimos - san francisco, ca
              with bill horist & mason jones
sat.  5/27 - live radio broadcast over kfjc


may add 1 or 2 more dates if fortune so deigns.
hope to see you there


a:c

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From: "Larry Tremblay" <ltct@concentric.net>
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Subject: Re: Free Music
Date: Wed, 26 Apr 2000 17:17:28 -0400
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I agree with Matt. However, radio stations already pay
performance royalties to BMI and ASCAP for the right to
broadcast major label product. This is called a performance
royalty, which are figured out statistically (usual) to
determining who gets paid how much based on total airplay
hours within a market segment. BMI has their own
proprietary method of figuring out performance payouts.

Nightclubs, too, must pay performance licences, as do CD
jukebox venders, etc. Quite the revenue stream, no?
(Boo, hoo, hoo...)

So you see, there's lots of money at stake here. :)

- Larry T

----- Original Message -----
From: "matt davignon" <mattdavignon@hotmail.com>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 4:34 PM
Subject: RE: Free Music


> >Metallica or Britney Spears (2 of the most traded
> >mp3s)
>
> Haha, that's another reason why I support the free music cause. Hopefully,
> when people realize that Metallica and Britney Spears albums are now
singles
> with about 80% filler to make a full CD, they'll start to look for artists
> who make "art" rather than "commodity for sale".
>
> >To top it of, Lars says: "We take our craft -- whether it be the music,
> > >the lyrics, or the photos and artwork very seriously, as do most
> > >artists," "It is therefore sickening to know that our art is being
traded
> > >like a commodity rather than the art that it is."
> >
>
> I remember hearing somewhere that a short while ago, the RIAA was actually
> going to try to start charging radio stations for playing music by
> RIAA-involved artists. After all, the radio stations were profiting off of
> other peoples' art and the "Artists" (Record execs) weren't making one red
> cent from radio airplay.
>
> I was crossing my fingers and hoping that they'd actually do it. That way,
> independent musicians (who still have to earn their fan base) could have
> offered their music to radios for "free", thereby destroying the music
> industry as we know it.
>
> Matt
> ________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
>
>

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At 10:34 AM 4/26/00 -0700, you wrote:
>
>The wavedrum sound creation technology has been built into their new OASYS
>pci card.
>
>bIz

I wonder how this would work, in that the Wavedrum's sounds were produced
by incoming signals from various mics on the drumhead, which were then
processed by physical modeling technology.  Very similar in concept to the
VG8, which produces all its sounds from guitar strings processed through
physical modeling technology. 
 
Where would the "input" be for the OASYS card - a new drumhead attachment?

Paolo

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Would it be a problem to take this discussion offline? It seems that every
music related list I am on has turned into the "Napster Arguement List"
lately. I am sure that there are plenty of discussion groups specific to
this subject. Personally, I am much more interested in looping and music
making techniques. 

just my 2 cents...

___________________________________________________________
Dave Onnen
skyeklad@skyeklad.com
___________________________________________________________


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From: "Dennis W. Leas" <dennis@mdbs.com>
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I used to use Stuff.  Now I got More Stuff.  Not only will More Stuff save stuff
and put it onto other stuff (being backward compatible with Stuff) but More
Stuff will save more stuff than Stuff and put it on to more stuff than Stuff!
Cool stuff, hey?
AND
More Stuff is available wherever you get Stuff!  That's right!  ANY store will
sell you More Stuff!  Just ask!  "Can you sell me More Stuff?"

But I didn't know about pressing the little thing.  I've been turning the other
little thing on it instead.  I'll try pressing it on it.

Glad to be of help!

Dennis Leas
-----------------------------
dennis@mdbs.com


-----Original Message-----
From: Mark Sottilaro <msottilaro@ppi2pass.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, April 26, 2000 4:05 PM
Subject: Re: Porn


>You're question is so vague I doubt that anyone knows what the hell you're
>talking about, which is probably why no one will answer your question, but I
>will give it a try.
>
>Stuff.  Stuff will save stuff and put it on to other stuff, but you've got to
>press on the little thing.
>
>I hope that helps.
>
>APerson7531@aol.com wrote:
>
>> What saves midi settings and machine patterns exclusively and can organize
>> and save onto disks?    Please tell me someone, and don't think anyone else
>> will if you do know!  I need to know,  anyway hi yall, all yall!
>
>--
>Mark Sottilaro
>Professional Publications, Inc
>1250 Fifth Ave, Belmont CA 94002
>Multimedia Production
>E-mail:  msottilaro@ppi2pass.com
>Phone: (650) 593-9119 ext. 29
>
>

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Subject: Re: Free Music
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It seems to me the main concern regarding the Napster is the availability
of music that was released on commercial albums.  I don't think there is a
concern over the availability of music that musicians have, of their own
volition, put online to be freely "shared".

Also, I think that those who are "anti-Napster" are protesting the choice
of whether to distribute their music for free being taken away from them.
Mr. X is concerned about protecting his income and doesn't want his music
to be downloaded for free whereas Mr. Y wants to freely give away his
music.  Naturally, Mr. Y is not going to care if something like the Napster
makes it possible for users to upload his music where others can download
it for free while Mr. X is going to have the opposite view.

Well, that's my understanding anyway.  I have no vested interest either
way.  Feel free to correct me. :)

Paolo

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Subject: Re: Napster (aka: The New Digital Realm)
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>I'm usually quiet in regards to letting others keep their opinions, but...
I
>have to say.. This is an outdated, and unfortunate attitude towards
>electronic delivery of music..

Thanks for letting me know...

>Listen... This is a new world, and a new thinking has to be accepted or you
>will die off like a dinosaur.  Have you realized that with the advent of
the
>MP3 market - CD sales INCREASED by nearly 20 BILLION DOLLARS last year?!
>Anyone who believes that FREE mass distribution is a bad thing should ask
>Linus Torvald about how he's doing.  Man this irks me.. Something like the
>Internet comes around - offering EVERYONE the same distribution footprint
as
>the big boys, and all people do is whine about not being able to nickle and
>dime their audience.

I've no idea who Linus Torvald is, and my concern about Napster is not to do
with sympathy with Big Record Companies.

Philosphically, I have a problem with a piece of software specifically
designed for the distribution of unlicenced duplicated music. I think
Streaming Audio is great - I've got Real Audio files on my site, and I hope
that it enables some people who otherwise wouldn't hear what I do to hear
it, and allows others who might have bought it thinking it was good to hear
it first and change their minds and not waste the money. I'd get pretty
pissed off though if someone else took my album and converted it to MP3
format and was distibuting it without asking me. If an artist wants to give
their art away, that's cool, but if they don't, I think it's bad news when
there's a program like Napster around that makes it possible for anyone to
make that decision for them. Nothing to do with Record companies, this is
about artists being in control of their own art, which under current
copyright law is still supposed to be the case (exploitative publishing
deals notwithstanding).

As much as I can see the inequity in Lars Ulrich crying over a loss of sales
when he's worth millions already, I still can't see how that justifies the
(as I see it) theft of the music. Sure, lobby the industry for a drop in CD
prices, same for gig ticket costs, support underground music - whatever, I'm
still not into the 'Robin Hood' approach here...

>You guys (i've been in music 27 years, programming for 20) are just
starting
>to feel the burn that software programmers have been feeling forever.
>People have been copying and distributing pirated copies of software since
>it was possible to duplicate.  Does this mean that software companies went
>out of business?  No! - it means they had to change their 1:1 product:money
>ratio mentality.  Now companies offer crippled versions of software (IE:
>lower sample rates)  Free trials of their software, that expire (not yet
>implemented for music).  And simply GIVING away the software, (MP3
Shoutcast
>/ RADIO / etc.) knowing full well that 80% of the copies that are on the
>market are going to be pirated, but the fact that their product is being
>distributed, talked about, and wanted by those who are in the know means
>that those who can't/won't copy/steal will get caught up in the frenzy and
>BUY a copy.  These companies SUBSIST on the other 20% of the populace who
>buy the product, causing income to actually be generated by a pirate
>distribution methodology.  These are the companies that will survive in the
>future.

And what seems to have happened is that a few corporate clients who pay full
price for licenced software are keeping those companies in business, but
also keeping the price of software way high, due to the piracy, making it
near impossible for anyone to be 'honest' in their purchasing of software,
unless they are making a shit-load from using it. I don't have any
sequencing software, cos I can't afford it and really don't want to use it
unlicenced...

>Nothing is stacked against anybody.. The biggest hurdle in any artistic
race
>is to be the one with the biggest audience, right?  The bigger the
audience,
>the bigger the revenue - no matter WHAT. If you get caught thinking that
>the only way to survive is to sell each and every CD you press for $10.00,
>then you've lost the game already.  Giving away art is the best way to get
>it heard.  Once you're heard, you're known.  Once you're known, you're
>gigging.  Once you're gigging, you're generating REAL revenue based on REAL
>effort, not a snapshot of art (CD's), which is always pale in comparison to
>the true stage of the artform.

Except that for a small time solo artist, each and every CD sale is crucial
to keeping going. I'm about to press up a live CD - the difference between
700 and a 1000 sales is big in terms of my financial commitment. If, as was
the case for cassette copies (supposedly) in the 80s, 2 copies are made for
every one sold, then I'm gonna be working to a much smaller budget with
regards to pressing, artwork etc. Now whether or not that copying will
eventually do me good is not the only issue. I'm still in the position of a
load of people taking my music, without asking, reaping the benefits of my
hours and hours of labour, or practice etc... I know so many great musicians
who aren't making a living and due to time constraints aren't reaching their
potential as musicians - it's really sad.

>Now imagine that your MP3's are distributed (pirated) across the world, and
>millions of people (who you think unfortunate because they didn't pay for
>the initial recording) liked your work.  Now some of these people WILL pay
>to go see your gig.  WILL pay to buy your t-shirts.. WILL pay to get a copy
>of the limited edition release with your signiature, and have a much higher
>probability of BUYING your next CD to own a real copy etc etc etc...

Imagine that your initial scenario of low res MP3s/RA files are distributed,
by you - maybe you'd sell more 'real' copies, have a few less MP3 copies
being used in replacement to CD purchases. It's not the technology I'm
objecting to in some luddite way, I just think that if someone wants to
benefit from my music, then it seems sensible that I should be reimbursed
for that, hopefully allowing me to invest more in the next project, making
it better, giving me more chances to market it etc. etc...

>We can't allow ourselves to be boxed in by the feeding frenzy of the modern
>capitalist world.  We must allow music to flow freely, and as the artist
who
>is creating these ever changing realms of music and altering the mood and
>minds of the listeners - we must not throw spite at those who can't afford
>to buy.  We must focus on those who CAN.


But it's not even an issue of those who 'can't' afford to buy anymore,
that's never really been the issue here - we are talking about computer
owners for a start, which puts you into a certain demographic, and those who
have the time on line... largely students, who have access to CD libraries
anyway (hey, they could make CD copies, or MDs or whatever - the difference
that that technology was not developed  solely for the purpose of
distributing illegal copies of music - I wonder what percentage of Napster
traffic is 'legal' in any sense of the word...)

And as for those of you who have bought CDs after hearing the MP3 - you're
artists, of course you're far more likely to do that. Everyone I've ever met
who objects in anyway to home-taping has been a musician, or closely related
to one - as a breed we tend to be slightly more caring about such things. We
are not the norm on this one...

Steve


From Loopers-Delight-request@annihilist.com  Wed Apr 26 17:42:30 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <m.lameyer@rcn.com>, <loopers-delight@annihilist.com>
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Subject: Re: Free Music
Date: Wed, 26 Apr 2000 17:43:16 -0400
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> The only caveat is, how is anyone going to make money distributing music
> with this technology?  *scratches head*  Is that really the point?

Eventually either a pay-as-you-go micropayment system or some
kind of encryption method may come along for commercial releases.
But even that is doubtful.

But like you said, is that really the point of (recorded) music?
Music is a commodity and once a product becomes commodified it
becomes so wide spread that it no longer makes sense to pay
exhorbitant prices for it. High Tech and software is the perfect
example of this process, for instance RAM memory:

IBM in 1975: "There's maybe a market for 4000 computers out there."

Gates in 1984: "Who would ever want or need more than 64K of
memory?"

(Unnamed defunct company, 1994): "The Internet is a FAD...like
hoola-hoops."

The point is, no one *knows* where this is going. Just that it's
no longer not going to be more of the same and business as usual.

- Larry T
----- Original Message -----
From: "Michael LaMeyer" <mlameyer@hotmail.com>
To: <loopers-delight@annihilist.com>
Sent: Wednesday, April 26, 2000 4:25 PM
Subject: RE: Free Music


> The old model:
>
> 1) Musician makes music
>
> 2) Record company records music, makes record, promotes artist,
distributes
> music to stores
>
> = Record company controls music production and distribution
>
> The current model:
>
> 1)Musician makes music, *can* record music, *can* press master cd and pay
> for duplication, *can* self promote, very hard and expensive to distribute
> music on a large scale
>
> 2) Record company *usually* records music, *usually* arranges for media
> duplication (same company or other), promotes artist (depending on who you
> ask), controls wide spread distribution of music recordings to stores
>
> = technology has given artists more ability to produce quality sounding
> recordings fairly cheaply (in comparison), the Internet has given some
> artists more exposure outside of their communities (impact?), record
> companies still control wide spread promotion and distribution (and take a
> pretty good cut for the priviledge)
>
> What does the MP3 and Napster and it's ilk mean?:
>
> 1) Physical media will eventually become less prevalent, it's not as
> convenient or portable.   All-digital storage and distribution of music
will
> eventually become commonplace (it's harder for your kids to scratch RAM,
and
> high-bandwidth or wireless data networks will continue to grow).  I don't
> know when eventually is, but it sure is starting to look like soon.
>
> 2) Simple standards based distributed file sharing will allow ANYONE with
> access to the internet to be a mass distributor, potentially.  This alone
> threatens the ability of anyone to generate revenue based on the current
> model.  This need not be centralized.  It would be so easy to create
online
> communities (such as this!) with subscribers that share, trade, or sell
> music to each other.  Combine that fact with the ever increasing ability
of
> musicians to produce and encode all of their music themselves (or with a
few
> others) and you've blown the above two models out of the water.
>
> The only caveat is, how is anyone going to make money distributing music
> with this technology?  *scratches head*  Is that really the point?
>
> Mike
>
> ----- Original Message -----
> From: "Tiktok" <tiktok@sprintmail.com>
> To: "Looper's Delight" <Loopers-Delight@annihilist.com>
> Sent: Wednesday, April 26, 2000 1:43 PM
> Subject: Free Music
>
>
> >1) Everyone's for free music until it's their music they're not being
> >*fairly* rewarded for.  One's definition of "fair" varies according to
the
> >perception of how much money is being personally lost.
> >
> >2) The "music industry" is not a synonymous term for "musicians".
> >So, statements such as "Napster is a boon to the music industry, just as
> >home taping was" are probably not cause for musicians to rejoice.
> >Musicians benefit when they feel transported by playing music.
> >People who are also musicians can benefit when they get paid for their
> >music, since the last time I checked there was no Napster equivalent for
> >gassing up your tour van or buying recording gear.
> >Making music at anything above the dilettante/hobbyist level requires a
lot
> >of money.
> >
> >3) The "rise of alternative music" was due to the Music Industry deciding
> >to
> >promote some Alternative bands, not to home taping.
> >
> >
> >TH
> >
> >--
> >"For over half a century rock 'n' roll music has acted as a kind of
> >umbrella
> >under which the noblest elements of society have gathered. Today, the
very
> >word "rock" is a synonym for everything that's most decent, honorable and
> >moderate in Western society. The model behavior of both its stars and
fans
> >is eclipsed only by the probity and rectitude of the men and women at the
> >business end -- that corps of managers, accountants and recording
companies
> >whose transparent honesty and compassion have made the industry such a
> >pleasant environment for musicians to work in."
> >
> >--John Perry, from a discussion of the Napster situation
> >
> >
> ________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
>
>

From Loopers-Delight-request@annihilist.com  Wed Apr 26 17:55:24 2000
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Subject: Re: India
In-Reply-To: <v0422080bb52bcdb733fc@[200.194.254.187]>
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At 02:16 AM 4/26/00 -0300, you wrote:
>Uday said:
>
>>That was really cool ! Well, I am overwhelmed and gratified. Never knew that
>>India and Indians are loved so much.
>
>Many of us learned from Indian philosphy / spiritual work in some way.

Count me in.  I study Indian vocals with students of Pandit Jasraj at the
Pandit Jasraj Indian classical music school in Tampa, FL.  My teachers at
the school rotate, each teaching for several months, because all of them
are touring professionals.  Currently it is Suman Ghosh's turn. I am not a
singer, but my desire to learn this music overcame my shyness over singing.
 It helps a lot that Suman-ji adjusts the "root note" of whatever raag we
are working on to a range most comfortable for everyone - he just reaches
over to his drone boxes and twists some knobs.  After all, not all of us
have a 4-octave range like Pandit-ji. :)  I figure that after sufficient
study, I can play this music on my cello or Stick.

Paolo

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are there sound samples of Matthias's Paradis polystortion thing anywhere ?   (or anything similar?) 
 
would realy like to hear it

thnks


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@annihilist.com  Wed Apr 26 17:54:54 2000
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From: "future perfect" <artmusic@gte.net>
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Subject: RE: Free Music
Date: Wed, 26 Apr 2000 17:56:15 -0400
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Along the lines of providing free music at a lower quality- King Crimson has
their entire new CD available for download, at reduced fidelity.

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave


From Loopers-Delight-request@annihilist.com  Wed Apr 26 17:53:22 2000
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I don't really see how Napster is much different than software companies and their struggles with cranked software. Maybe I'm missing something, but I'm sure there are plenty of people out there, like me, who would like to have an actual hard copy (CDs) of the music. The difference is that CDs don't cost several hundred dollars a copy like software does. So, buying a CD is not as big of a deal as buying an actual copy of some software.

Also, after reading all of the posts here on coding methods, MP3's (and most others?) use data compression and so it seems to me that no matter how good they are, they are not going to be the same fidelity as an original CD. Same with cassettes. They usually have horrible quality compared to the real thing but that never stopped anyone. And like the others have said, it helped sales of real copies of music rather than hurt it.

The HIFI market is going to even higher fidelity with things like HDCDs which are 20 bit instead of 16 bit (not sure about sampling rate, 48kHz?). And there is all kinds of talk of even higher fidelity with things like audio DVDs and other things. We are talking 24+ bit and 88.2 or 96kHz and higher sampling rates. That is a lot of memory. I don't really see how MP3's and the like can compete with that kind of "quality".

Napster does raise some interesting ideas about the future of stereo systems. Maybe in the not too distant future you can get into your car and pop in a Zip disk and listen to music you downloaded the night before. Just a thought.

Ben Porter.


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@annihilist.com  Wed Apr 26 18:21:39 2000
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From: Todd Madson <crash@waste.org>
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Subject: GODS!  THE GUILT IS KILLING MY BALOGNA!
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Check out:

www.paylars.com

It's a real website and it's very funny.

Keep subverting!

Loop Onwards Dribblingly!

-t



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Date: Wed, 26 Apr 2000 15:16:23 -0700 (PDT)
From: Stephen <dakshah@yahoo.com>
Subject: Re: Porn
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I hear Stuff-Pro is coming out soon.

--- "Dennis W. Leas" <dennis@mdbs.com> wrote:
> I used to use Stuff.  Now I got More Stuff.  

=====
Stephen

__________________________________________________
Do You Yahoo!?
Send online invitations with Yahoo! Invites.
http://invites.yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Apr 26 18:44:13 2000
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Satire is the sincerest form ridicule!

Thanks Todd,

- Larry T

----- Original Message ----- 
From: "Todd Madson" <crash@waste.org>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 5:40 PM
Subject: GODS! THE GUILT IS KILLING MY BALOGNA!


> Check out:
> 
> www.paylars.com
> 
> It's a real website and it's very funny.
> 
> Keep subverting!
> 
> Loop Onwards Dribblingly!
> 
> -t
> 
> 
> 
> 

From Loopers-Delight-request@annihilist.com  Wed Apr 26 18:40:23 2000
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	ETAtAhUAyRasG9OKFqpkiDNKDT1oeQC2+v4CFEXy/6mFq1QBBuO8ADjXT+rymfyh 
From: DanKoontz@webtv.net (Dan Koontz)
Date: Wed, 26 Apr 2000 15:31:59 -0700 (PDT)
To: Loopers-Delight@annihilist.com
Subject: RE: open reel deck looping?
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  While we're still on te subject of analog
sampling/splicing/sequencing, could anyone recommend any books or
specific techniques to get started, I've wanted to explore this method
for a long time, but can't find anyone nearby who knows anything about
how to do it. I would greatly appreciate any advice.
Thanks,   - Dan

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From: "luca" <lucafeed@tin.it>
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Subject: R: Napster (aka: The New Digital Realm)
Date: Thu, 27 Apr 2000 00:42:27 +0200
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My respects to Steve's sensibility.
He is right when he says that what we are discussing here is discussed by a
peculiar point of view.
We all are musicians and we do ( in several different ways ) have a contact
with music and the "thing" that carries it different from normal (not so
poetic) people.
I still don't know where on which side to stay, but this has no importance.
One thing surprised me to know: the difference in the cost between writable
CDs.
CDRs (for computers) cost less than Audio CDs.
I have been told this difference ( in Italy it is about 1/2  U.s. $ ) is a
sort of tax that is payed to majors  or whatever because it is clear that
people uses the specific Audio Cd to duplicate music.
Is this correct ?
If yes, majors do protect their lost sells, and what about artists ?
...I know that a guy duplicated one of my cds, but nobody gave me any money
from the Cd for Audio he had used...
Luca.


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Date: Wed, 26 Apr 2000 18:49:26 -0400
From: David Beardsley <xouoxno@virtulink.com>
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Subject: Re: India
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>Uday said:
> >
> >>That was really cool ! Well, I am overwhelmed and gratified. Never knew that
> >>India and Indians are loved so much.

I started singing lessons with La Monte Young (2x) last fall
and a raga singing class with Michael Harrison (9x). My facination
with Hindustani raga is in part connected with my interest in
just intonation (microtonal tuning system). Plus the instruments 
are so unique as is the whole system of raga & taal.


-- 
* D a v i d         B e a r d s l e y
*           xouoxno@virtulink.com
*
* 49/32  R a d i o "all microtonal, all the time"
* M E L A  v i r t u a l  d r e a m house monitor
*
* http://www.virtulink.com/immp/lookhere.htm

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From: =?iso-8859-1?Q?Ra=FCl?= Bonell =?iso-8859-1?Q?Tom=E0s?=
  <rauboto@dragonet.es>
Subject: Napster / Gnutella 
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At 04:22 p.m. 26/04/00 -0500, you wrote:

hi guys !

	Check out also Gnutella,
	it's even vetter, not centralized ...
	
	:-)

we are off topic and (shout it high) proud !

@

bye,
R.Mutt

////////////////////////////////////////////////////////////////////////////
//////////////////////////////////////////
	D   o   c   t   o   r           S   a   x            N   e   w   s
                  		     New CD-R Release !
	Price: 3 EUROS (including packing & postage)
        	      or trading for a cd / tape of your music. 
          http://www.dragonet.es/users/d3055/Doctor_Sax_News/
////////////////////////////////////////////////////////////////////////////
/////////////////////////////////////////
	Raül Bonell Tomàs    <rauboto@dragonet.es> 
	http://www.dragonet.es/users/d3055/slollnoirc
////////////////////////////////////////////////////////////////////////////
/////////////////////////////////////////

From Loopers-Delight-request@annihilist.com  Wed Apr 26 19:44:50 2000
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Date: Wed, 26 Apr 2000 19:35:14 -0400
From: Jeff Yost <yostie@ezworks.net>
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Hi All-

	As per Napster...

	I've been in the 'real' music world (you know, the one that tries to
make a living in music...). I does not infringe on those young/new
musicians that only want their material to be heard by anyone...

	It kills me as an artist who wishes to continue to make a living from
the distribution of my work via the net.

	If napster helps musicians (who want to make a living)...

	Excuse me (PLEASE) I just got home from learning about music and had
103 messages waiting...

	Napster is a nice program that can eliminate musicians (Musicians that
would enjoy spending the time that auto builders do on their work and
still eat).

	Napster is on a par with any program that comes along  takes your job
away!!!!!!

	I better stop now.

love,
jeff
	

steve lawson wrote:
> 
> >>>A bit off topic, but I just got Napster from my friend and it is
> spectacular!!  Basically, Napster is a program which establishes a network
> of mp3 users.  Since everyone is sharing, you can get pretty much anything!
> Completely free, no hassles, search by artist.  It is simply amazing.<<<
> 
> Hey, save yourself the bother - just break into people's houses and steal
> their CDs - amounts to the same thing.
> 
> If napster catches on, you can say goodbye to anyone making any money out of
> recording music, and therefor having any money to invest in getting better..
> 
> thanks very much for hammering another nail into the coffin of the
> collective careers of all the world's musicians.
> 
> Steve

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In a message dated 4/26/00 4:54:11 PM Central Daylight Time, dennis@mdbs.com 
writes:

<< More Stuff is available wherever you get Stuff! >>

Unfortunately, More Stuff (tm) was just bought out by Microsoft, so now you 
can only get More Stuff (tm) through Microsoft-approved resellers, or from 
their website. 

But if you want a free, cracked, zipped copy, go to 
alt.binaries.warez.more-stuff.

- Crossedout *are we being silly yet?*

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Date: Wed, 26 Apr 2000 17:19:43 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Looperplalooza, etc. (a next step)
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At 8:51 AM -0700 4/26/00, Larry Tremblay wrote:
>The next logical step might be to gather a list of
>looper-friendly venues together, hopefully including
>who to contact at the venue for bookings.
>
>Kim -
>Perhaps we could host this "Venue Listing" on
>Looper's Delight". I volunteer to create and update
>the page.
>

I think this is a great idea! Feel free to put something together and send
it in to me.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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Date: Wed, 26 Apr 2000 21:14:17 EDT
Subject: Re: Free Music
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In a message dated 4/26/00 5:00:55 PM Mid-Atlantic Daylight Time, 
tiktok@sprintmail.com writes:

<< Making music at anything above the dilettante/hobbyist level requires a lot
 of money. >>

really?.........michael

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From Loopers-Delight-request@annihilist.com  Thu Apr 27 01:03:04 2000
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From: "Larry Tremblay" <ltct@concentric.net>
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References: <15919-39076E5F-1163@storefull-164.iap.bryant.webtv.net>
Subject: Re: open reel deck looping?
Date: Thu, 27 Apr 2000 00:50:25 -0400
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One of the definitive books to pick up is 
"Tape Music Composition"(1980), by David 
Keane. It's out of print but can be found online 
through various Out Of Print services. That's 
how I got mine. :) Try bookfinder.com and others.
even Barnes and Noble has a good OOP section.

The book covers the nuts and bolts of composition 
using reel-to-reel tape recorders, explains techniques
of sound generation, recording, editing, splicing, 
sound manipulation, looping (of course) and setting 
up your own tape music studio. Good chapters on 
analog synths and musique concrete, too!

I found it very refreshing to read a music-related 
book that did not mention digital synths, MIDI, or 
traditional composition.

Highly recommended.

- Larry

----- Original Message ----- 
From: "Dan Koontz" <DanKoontz@webtv.net>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, April 26, 2000 6:31 PM
Subject: RE: open reel deck looping?


>   While we're still on te subject of analog
> sampling/splicing/sequencing, could anyone recommend any books or
> specific techniques to get started, I've wanted to explore this method
> for a long time, but can't find anyone nearby who knows anything about
> how to do it. I would greatly appreciate any advice.
> Thanks,   - Dan
> 
> 

From Loopers-Delight-request@annihilist.com  Thu Apr 27 01:11:16 2000
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Date: Wed, 26 Apr 2000 22:01:27 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Porn
To: Loopers-Delight@annihilist.com
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Can anyone recommend a good shit/stuff converter?

John

--- "Dennis W. Leas" <dennis@mdbs.com> wrote:
> I used to use Stuff.  Now I got More Stuff.  Not
> only will More Stuff save stuff
> and put it onto other stuff (being backward
> compatible with Stuff) but More
> Stuff will save more stuff than Stuff and put it on
> to more stuff than Stuff!
> Cool stuff, hey?
> AND
> More Stuff is available wherever you get Stuff! 
> That's right!  ANY store will
> sell you More Stuff!  Just ask!  "Can you sell me
> More Stuff?"
> 
> But I didn't know about pressing the little thing. 
> I've been turning the other
> little thing on it instead.  I'll try pressing it on
> it.
> 
> Glad to be of help!
> 
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
> 
> 
> -----Original Message-----
> From: Mark Sottilaro <msottilaro@ppi2pass.com>
> To: Loopers-Delight@annihilist.com
> <Loopers-Delight@annihilist.com>
> Date: Wednesday, April 26, 2000 4:05 PM
> Subject: Re: Porn
> 
> 
> >You're question is so vague I doubt that anyone
> knows what the hell you're
> >talking about, which is probably why no one will
> answer your question, but I
> >will give it a try.
> >
> >Stuff.  Stuff will save stuff and put it on to
> other stuff, but you've got to
> >press on the little thing.
> >
> >I hope that helps.
> >
> >APerson7531@aol.com wrote:
> >
> >> What saves midi settings and machine patterns
> exclusively and can organize
> >> and save onto disks?    Please tell me someone,
> and don't think anyone else
> >> will if you do know!  I need to know,  anyway hi
> yall, all yall!
> >
> >--
> >Mark Sottilaro
> >Professional Publications, Inc
> >1250 Fifth Ave, Belmont CA 94002
> >Multimedia Production
> >E-mail:  msottilaro@ppi2pass.com
> >Phone: (650) 593-9119 ext. 29
> >
> >
> 

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Talk to your friends online and get email alerts with Yahoo! Messenger.
http://im.yahoo.com/

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Check here info about the Napster war  : =
http://www.napster.com/press.html
. I'm totally pro Napster. I found everything for study ... old songs, =
diferent versions of the same song, dificult stuff to find here etcetc =
...=20
julio

Original Message -----=20
  From: David Petrozzi=20
  To: loopers-delight@annihilist.com=20
  Sent: Wednesday, April 26, 2000 11:32 AM
  Subject: Napster


  A bit off topic, but I just got Napster from my friend and it is =
spectacular!!  Basically, Napster is a program which establishes a =
network of mp3 users.  Since everyone is sharing, you can get pretty =
much anything!  Completely free, no hassles, search by artist.  It is =
simply amazing.

  If anyone wants the program I'd be happy to send it over as an email =
attachment.  The install file is very small, about 644k.

  ~dp


  ____________________________
  A disciplined mind brings happiness.

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>Check here info about the Napster =
war&nbsp; :=20
</FONT><FONT face=3DArial size=3D2><A=20
href=3D"http://www.napster.com/press.html">http://www.napster.com/press.h=
tml</A></FONT></DIV>
<DIV><FONT face=3DArial size=3D2>. I'm totally pro Napster. I found =
everything for=20
study ... old songs, diferent versions of the same song, dificult stuff =
to find=20
here&nbsp;etcetc ... </FONT></DIV>
<DIV>julio</DIV>
<DIV>&nbsp;</DIV>
<DIV></FONT>Original Message ----- </DIV></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
  <DIV=20
  style=3D"BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>=20
  <A title=3Ddavid97@wharton.upenn.edu=20
  href=3D"mailto:david97@wharton.upenn.edu">David Petrozzi</A> </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>To:</B> <A=20
  title=3Dloopers-delight@annihilist.com=20
  =
href=3D"mailto:loopers-delight@annihilist.com">loopers-delight@annihilist=
.com</A>=20
  </DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Sent:</B> Wednesday, April 26, 2000 =
11:32=20
  AM</DIV>
  <DIV style=3D"FONT: 10pt arial"><B>Subject:</B> Napster</DIV>
  <DIV><BR></DIV>
  <DIV>A bit off topic, but I just got Napster from my friend and it is=20
  spectacular!!&nbsp; Basically, Napster is a program which establishes =
a=20
  network of mp3 users.&nbsp; Since everyone is sharing, you can get =
pretty much=20
  anything!&nbsp; Completely free, no hassles, search by artist.&nbsp; =
It is=20
  simply amazing.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>If anyone wants the program I'd be happy to send it over as an =
email=20
  attachment.&nbsp; The install file is very small, about 644k.</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>~dp</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>&nbsp;</DIV>
  <DIV>____________________________<BR>A disciplined mind brings=20
happiness.</DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_01D5_01BFAFEA.C467AC80--

From Loopers-Delight-request@annihilist.com  Thu Apr 27 01:54:36 2000
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I took care of this one.

Mike (doing the late shift, apparently)

----- Original Message -----
From: Bill Dickson
To: Loopers-Delight@annihilist.com
Sent: Wednesday, April 26, 2000 10:29 PM
Subject: Unsubscribe


Unsubscribe
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From: Jeff Yost <yostie@ezworks.net>
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Hi gang-
I went to onelist yesterday and set up a page/mail list for loopers who
wish to post their gigs, post their acts booking information, and post
their looper friendly venue information.
There is a database for both performers and venues that all may
contribute to: simply click on database on the left side of the main
page, then click on the appropriate database (performer/venue) on the
page you are taken to. Fill out information!

You may also put your information into a form on the message page. To
get the form click on the first message (1). copy form, fill out, post
to the list.


List main page is located here:
http://www.onelist.com/group/loopgigs

Check it out
have fun
jeff

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From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Napster 
Date: Thu, 27 Apr 2000 00:25:02 -0700
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I'd like it to be known that besides being posted at the Columbia University
Web site (www.loopxchange.com), I offer the "Akapella" project pieces (to
which I contributed) right from my computer whenever I log on to Napster.
But nobody's even started to download one tune.  Dave, if you've got some
cool looping music, I'll be glad to offer you some space in my hard drive to
offer it through Napster— if you wish.  Or maybe you could do it yourself.

Anybody else has any looping music on Napster?  Send me your username today!

  | -----Original Message-----
  | From: Dave Onnen [mailto:skyeklad@skyeklad.com]
  | Sent: Wednesday 26 April 2000 2:22 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Napster
  |
  |
  | Would it be a problem to take this discussion offline? It seems
  | that every
  | music related list I am on has turned into the "Napster Arguement List"
  | lately. I am sure that there are plenty of discussion groups specific to
  | this subject. Personally, I am much more interested in looping and music
  | making techniques.
  |
  | just my 2 cents...
  |
  | ___________________________________________________________
  | Dave Onnen
  | skyeklad@skyeklad.com
  | ___________________________________________________________
  |
  |


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From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Sampling copyrights
Date: Thu, 27 Apr 2000 00:10:48 -0700
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I thought you could "quote" up to two bars of whatever it is, that beyond
two bars you were infringing.

  | -----Original Message-----
  | From: murkie [mailto:murkie@panther.middlebury.edu]
  | Sent: Wednesday 26 April 2000 9:59 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Sampling copyrights
  |
  |
  | At 10:57 AM 4/26/00 -0400, you wrote:
  | >Anyone know what the current fair use for samples is?  Last I
  | knew it was
  | something
  | >like 2 seconds and under was acceptable and longer samples
  | than that needed
  | >credit/permission, etc.
  |
  | i've been told the "2 seconds" law is pretty much a myth.  if it's
  | recognizable, it's stolen.  tweak it so it sounds new and it's yours.
  |
  | m
  |
  | =====================================================================
  | =                                                                   =
  | =         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
  | =     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
  | =                  internet: murkie@middlebury.edu                  =
  | =          http://www.middlebury.edu/~mchriste/murkie.html          =
  | =                                                                   =
  | =====================================================================


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From: Kim Flint <kflint@annihilist.com>
Subject: Re: Loopalooza-Gigs-etc
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At 10:55 PM -0700 4/26/00, Jeff Yost wrote:
>Hi gang-
>I went to onelist yesterday and set up a page/mail list for loopers who
>wish to post their gigs, post their acts booking information, and post
>their looper friendly venue information.
>There is a database for both performers and venues that all may
>contribute to: simply click on database on the left side of the main
>page, then click on the appropriate database (performer/venue) on the
>page you are taken to. Fill out information!
>
>You may also put your information into a form on the message page. To
>get the form click on the first message (1). copy form, fill out, post
>to the list.

I don't get it.

why set up a competing list when you have one right here that serves the
same purpose?

Why not contribute something to our own community site at Looper's Delight
and help it grow, rather than set up something different elsewhere?

And why do it with a company that plasters ads in front of everybody,
making money off of us while LD gets nothing?

baffled,
kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Napster (aka: The New Digital Realm)
Date: Thu, 27 Apr 2000 00:32:12 -0700
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What are you talking about?  Anybody can record to cassette an album (their
own or borrowed) and pass it around to other people.  Anybody can record
stuff off the radio and makes copies of it.  And this is all legal.  Daily
in New York City streets they take down these dudes with hundreds of
illegally copied CDs for sale.  Let's face it:  If it sounds, it can be
copied.  You can't stop that.  This is not the 40s or 50s when it was really
hard to make copies of anything.  The industry thought a certain way then.
The problem is that they want to continue thinking that way.  That's
impossible.

	Paraphrasing Dylan:  Get out of the way if you can't lend a hand.

  | -----Original Message-----
  | From: steve lawson [mailto:steve@steve-lawson.co.uk]
  | Sent: Wednesday 26 April 2000 2:36 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Napster (aka: The New Digital Realm)
  |
  | it, and allows others who might have bought it thinking it was
  | good to hear
  | it first and change their minds and not waste the money. I'd get pretty
  | pissed off though if someone else took my album and converted it to MP3
  | format and was distibuting it without asking me. If an artist
  | wants to give
  | their art away, that's cool, but if they don't, I think it's
  | bad news when
  | there's a program like Napster around that makes it possible
  | for anyone to
  | make that decision for them. Nothing to do with Record
  | companies, this is
  | about artists being in control of their own art, which under current
  | copyright law is still supposed to be the case (exploitative publishing
  | deals notwithstanding).


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Date: Thu, 27 Apr 2000 09:28:01 +0200
From: mark <mark.red@clockworkgroup.no>
Organization: mogul.com
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>Hey, save yourself the bother - just break into people's houses and steal
>their CDs - amounts to the same thing.

er.. Can anyone tell me what a CD is? is it one of those old disk things
my grandfather still uses? 
Do people actually PAY for them? 

Mark Red

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> oh my, maybe this is the end of the music industry as we know it.

good, I dont like it, "as I know it" anyhow!

From Loopers-Delight-request@annihilist.com  Thu Apr 27 03:44:31 2000
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From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Napster
Date: Thu, 27 Apr 2000 00:17:54 -0700
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I don't think that's very precise.  Most MP3s out there in Napster sound
like shit, and no MP3 at even 256 Kbps will ever sound like the original CD,
and further, no CD could ever sound like a good vinyl pressing.  So there.
Further, many MP3s have cut-off endings, weird artifacts sometimes, and some
are taken from old vinyl records.

MP3s should be considered something like a little taste, not the whole meal.
Well, I guess you had to be there.  Breaking into a record store is way more
than getting Napster MP3s, dude.

  | -----Original Message-----
  | From: murkie [mailto:murkie@panther.middlebury.edu]
  | Sent: Wednesday 26 April 2000 9:58 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Napster
  |
  |
  | At 04:01 PM 4/26/00 +0100, you wrote:
  | >Hey, save yourself the bother - just break into people's
  | houses and steal
  | >their CDs - amounts to the same thing.
  |
  | actually, it would be more like breaking into your favourite
  | record store...
  |
  | only i don't think you can get many viruses breaking into
  | record stores.


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I agree with Kim. LD is the best place for the gig info.
Besides the fact that onelist is lame and intrusive as hell.

----- Original Message -----
From: "Kim Flint" <kflint@annihilist.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 27, 2000 3:08 AM
Subject: Re: Loopalooza-Gigs-etc


> At 10:55 PM -0700 4/26/00, Jeff Yost wrote:
> >Hi gang-
> >I went to onelist yesterday and set up a page/mail list for loopers who
> >wish to post their gigs, post their acts booking information, and post
> >their looper friendly venue information.
> >There is a database for both performers and venues that all may
> >contribute to: simply click on database on the left side of the main
> >page, then click on the appropriate database (performer/venue) on the
> >page you are taken to. Fill out information!
> >
> >You may also put your information into a form on the message page. To
> >get the form click on the first message (1). copy form, fill out, post
> >to the list.
>
> I don't get it.
>
> why set up a competing list when you have one right here that serves the
> same purpose?
>
> Why not contribute something to our own community site at Looper's Delight
> and help it grow, rather than set up something different elsewhere?
>
> And why do it with a company that plasters ads in front of everybody,
> making money off of us while LD gets nothing?
>
> baffled,
> kim
>
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  |
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Apr 27 03:53:50 2000
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From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Free Music
Date: Thu, 27 Apr 2000 00:40:01 -0700
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I guess the type of music is up for grabs there.  Michael, why don't we
start a project on looping music made strictly with non-musical instruments?
Wait, would that be considered above the dilettante/hobbyist level?  Maybe
he means to include all the marketing, the artwork, the travelling around,
the gigs, the whores, etc.  I guess that can get quite expensive.

Frank Zappa wrote some good words about this in his book.  He learned a lot
from trying to tame that orchestra in England.

That's right:  When did you buy your last Zappa record?

  | -----Original Message-----
  | From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
  | Sent: Wednesday 26 April 2000 6:14 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Free Music
  |
  |
  | In a message dated 4/26/00 5:00:55 PM Mid-Atlantic Daylight Time,
  | tiktok@sprintmail.com writes:
  |
  | << Making music at anything above the dilettante/hobbyist level
  | requires a lot
  |  of money. >>
  |
  | really?.........michael


__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Apr 27 06:29:30 2000
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Date: Thu, 27 Apr 2000 06:10:18 -0400 (EDT)
From: Stew Benedict <stewb@worldshare.net>
To: Loopers-Delight@annihilist.com
Subject: Re: Loopalooza-Gigs-etc
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I agree, leave them here too.  E-groups is not that bad really, I host a
list off of it, but better not to fracture our small community.  Now if
people would just stop bitching about every post!  I don't know what's up
in internet land, the fall of the tech-stocks or what, but it seems every
list I'm on people have a burr up their a** the last couple of weeks.
Can't we all just get along?

Stew Benedict

On Thu, 27 Apr 2000, Larry Tremblay wrote:

> I agree with Kim. LD is the best place for the gig info.
> Besides the fact that onelist is lame and intrusive as hell.
> 
> ----- Original Message -----
> From: "Kim Flint" <kflint@annihilist.com>
> To: <Loopers-Delight@annihilist.com>
> Sent: Thursday, April 27, 2000 3:08 AM
> Subject: Re: Loopalooza-Gigs-etc
> 
> 
> > At 10:55 PM -0700 4/26/00, Jeff Yost wrote:
> > >Hi gang-
> > >I went to onelist yesterday and set up a page/mail list for loopers who
> > >wish to post their gigs, post their acts booking information, and post
> > >their looper friendly venue information.
> > >There is a database for both performers and venues that all may
> > >contribute to: simply click on database on the left side of the main
> > >page, then click on the appropriate database (performer/venue) on the
> > >page you are taken to. Fill out information!
> > >
> > >You may also put your information into a form on the message page. To
> > >get the form click on the first message (1). copy form, fill out, post
> > >to the list.
> >
> > I don't get it.
> >
> > why set up a competing list when you have one right here that serves the
> > same purpose?
> >
> > Why not contribute something to our own community site at Looper's Delight
> > and help it grow, rather than set up something different elsewhere?
> >
> > And why do it with a company that plasters ads in front of everybody,
> > making money off of us while LD gets nothing?
> >
> > baffled,
> > kim
> >
> >
> > ______________________________________________________________________
> > Kim Flint                   | Looper's Delight
> > kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> > http://www.annihilist.com/  |
> >
> >
> >
> 
> 

From Loopers-Delight-request@annihilist.com  Thu Apr 27 07:47:44 2000
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Date: Thu, 27 Apr 2000 13:41:29 +0200
From: Sevo Stille <sevo@ip23.net>
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"Javier Miranda V." wrote:
> 
> I thought you could "quote" up to two bars of whatever it is, that beyond
> two bars you were infringing.

Two bars of musical notes. Which is a topic entirely different from
sampling. For sampling, there is no such thing as a established fair use
limit for quotations, and there are regional differences. In Europe, you
need permission from the license owner whenever a sample is recognizable
and of artistic merit - mere drum loop samples often are not considered
the latter in court, but the more popular and recognizable a sample is,
the less likely it is legal. As a rule of thumb: No matter how short the
sample may be, if people who do not have a musical background beyond
mainstream radio recognize that it is sampled from something they know,
you would probably lose in court - and if they can even name the artist
or song title, you almost certainly will...

Sevo

-- 
Sevo Stille
sevo@ip23.net

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luca wrote:

> CDRs (for computers) cost less than Audio CDs.
> I have been told this difference ( in Italy it is about 1/2  U.s. $ ) is a
> sort of tax that is payed to majors  or whatever because it is clear that
> people uses the specific Audio Cd to duplicate music.
> Is this correct ?

Yes and no. In the EU (or at least all countries that have already
passed the recent set of EU bills into local law), there is a copyright
fee both on Audio CDRs (i.e. CDRs recordable in consumer audio devices)
and Data CDRs. The money is shared among all  national copyright boards
responsible, and is further shared among their membership by whatever
general distribution scheme each one has. In Germany, that would be GEMA
(publishers, composers) and GVL (musicians and producers) in the case of
Audio CDR, and GEMA, GVL, VG Wort (writers) and VG Bild (graphic
artists) for Data CDR. The software industry is still struggling to get
into the picture. 

> If yes, majors do protect their lost sells, and what about artists ?

At least the GEMA and GVL use sales and airplay statistics to build
their distribution schemes - you get points for each of these events,
and get a corresponding share of the total at the end of each billing
period.

> ...I know that a guy duplicated one of my cds, but nobody gave me any money
> from the Cd for Audio he had used...

How should they know what CD he had copied? Money from events that do
not generate playlists (or where the value is too small to warrant
collecting and evaluating data) is pooled and shared as explained above.
The schemes are arguably unfair to artists catering for a special
interest market, as their sales and airplay tend to be invisible to the
GEMA data collectors, but OTOH, administering the whole thing at a level
where it would observe microsales would be so expensive that they would
get even less out of their membership.

Sevo



-- 
Sevo Stille
sevo@ip23.net

From Loopers-Delight-request@annihilist.com  Thu Apr 27 10:12:04 2000
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From: "Fabrizio Mandolini" <fmandolini@hotmail.com>
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dear kim flint,
this is fabrizio and i really enjoy the fact that this community is so well 
linked together but, my e-mail box is getting bombed everyday by this 
mailing list ...
i tried several times the "unsubscribe" thing and i'm still wasting my time 
everyday cleaning my e-mail box from these mails..

don't get me wrong man,it's great what you do but most of the times people 
is busy and so, am i...



still,i've found looping, a philosophy that improves our live even in a 
spiritual way and that makes us lighter and faster while we are developing 
our vocabulary in music and life...

..let me take "la creme" out of this,please unsuscribe me..

best regards

FABRIZIO MANDOLINI
CIAO

P.S. i hope this letter wont sound bitter to you because i'm not

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Apr 27 10:30:17 2000
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: OT: Audio CD-R vs. Data CD-R
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>luca wrote:
>
>> CDRs (for computers) cost less than Audio CDs.
>> I have been told this difference ( in Italy it is about 1/2  U.s. $ ) is a
>> sort of tax that is payed to majors  or whatever because it is clear that
>> people uses the specific Audio Cd to duplicate music.

Audio CD-R vs. Data CD-R

I've seen this several times.  I don't understand why there's a difference.  I
can understand that a particular manufacturer might recommend using only
particular branded CD-Rs for recording, but I think that has to do with the
combination of dyes in the CD-R and recording technology (laser freq, intensity,
etc).

I don't think there any inherent difference between an audio CD-R and a data
CD-R.  Check out http://www.fadden.com/cdrfaq/

Dennis Leas
-----------------------------
dennis@mdbs.com



From Loopers-Delight-request@annihilist.com  Thu Apr 27 11:15:12 2000
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From: Bizurko@aol.com
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Date: Thu, 27 Apr 2000 11:07:07 EDT
Subject: Re: Free Music
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Well said, Tiktok.  I'd bet the people in this discussion who are trumpeting 
Napster, et al, are people who don't make their living as a musician, no 
disrespect intended.  That is to say that your perspective always changes 
once you actually start to scale the mountain.

From Loopers-Delight-request@annihilist.com  Thu Apr 27 11:20:09 2000
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Subject: audio/data CDR (The New Digital Realm)
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I recently bought a consumer level CDR (Pioneer 3cd changer on one side and
the burner on the other).  I bit the bullet and knew that the audio cd's
are more expensive due to the money being shared amongst the powers that
be.  I found it interesting though, that a month ago i went a bought a
10pack of audio CDR's for $28, and a few days ago, i went to the same store
and the same brand 10pack is now $22.  Are the Audio CDR's going through
the same price wars that the data CDR's are, despite the fact that there is
some additional money being skimmed off the top?

and i've even burned some loops, too, to be not completely OT.

rich


>luca wrote:
>
>> CDRs (for computers) cost less than Audio CDs.
>> I have been told this difference ( in Italy it is about 1/2  U.s. $ ) is a
>> sort of tax that is payed to majors  or whatever because it is clear that
>> people uses the specific Audio Cd to duplicate music.
>> Is this correct ?
>
>Yes and no. In the EU (or at least all countries that have already
>passed the recent set of EU bills into local law), there is a copyright
>fee both on Audio CDRs (i.e. CDRs recordable in consumer audio devices)
>and Data CDRs. The money is shared among all  national copyright boards
>responsible, and is further shared among their membership by whatever
>general distribution scheme each one has. In Germany, that would be GEMA
>(publishers, composers) and GVL (musicians and producers) in the case of
>Audio CDR, and GEMA, GVL, VG Wort (writers) and VG Bild (graphic
>artists) for Data CDR. The software industry is still struggling to get
>into the picture.
>
>> If yes, majors do protect their lost sells, and what about artists ?
>
>At least the GEMA and GVL use sales and airplay statistics to build
>their distribution schemes - you get points for each of these events,
>and get a corresponding share of the total at the end of each billing
>period.
>
>> ...I know that a guy duplicated one of my cds, but nobody gave me any money
>> from the Cd for Audio he had used...
>
>How should they know what CD he had copied? Money from events that do
>not generate playlists (or where the value is too small to warrant
>collecting and evaluating data) is pooled and shared as explained above.
>The schemes are arguably unfair to artists catering for a special
>interest market, as their sales and airplay tend to be invisible to the
>GEMA data collectors, but OTOH, administering the whole thing at a level
>where it would observe microsales would be so expensive that they would
>get even less out of their membership.
>
>Sevo
>
>
>
>--
>Sevo Stille
>sevo@ip23.net



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>>> Kim Flint <kflint@annihilist.com> 04/27 12:16 AM >>>
At 10:55 PM -0700 4/26/00, Jeff Yost wrote:
>Hi gang- I went to onelist yesterday and set up a page/mail list for
loopers who wish to post their gigs, post their acts booking
information, and post their looper friendly venue information. There
is a database for both performers and venues that all may contribute
to: simply click on database on the left side of the main page, then
click on the appropriate database (performer/venue) on the page you
are taken to. Fill out information!

>You may also put your information into a form on the message page.
To get the form click on the first message (1). copy form, fill out,
post to the list.

> I don't get it. why set up a competing list when you have one right
here that serves the same purpose? Why not contribute something to our
own community site at Looper's Delight and help it grow, rather than
set up something different elsewhere? And why do it with a company
that plasters ads in front of everybody, making money off of us while
LD gets nothing? baffled, kim

I second this opinion... I'd rather keep the flow of looping
conversation right here... gigs included. Another page on the LD site
for venues/booking is more preferable to me... I already have the
extensive profiles section to browse among looping performer types.

-Miko

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To: Loopers-Delight@annihilist.com
From: traig <Traig.S.Foltz.5@nd.edu>
Subject: Re: OT: Audio CD-R vs. Data CD-R
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>>luca wrote:
>>
>>> CDRs (for computers) cost less than Audio CDs.
>>> I have been told this difference ( in Italy it is about 1/2  U.s. $ ) is a
>>> sort of tax that is payed to majors  or whatever because it is clear that
>>> people uses the specific Audio Cd to duplicate music.
>
>Audio CD-R vs. Data CD-R
>
>I've seen this several times.  I don't understand why there's a difference.  I
>can understand that a particular manufacturer might recommend using only
>particular branded CD-Rs for recording, but I think that has to do with the
>combination of dyes in the CD-R and recording technology (laser freq,
>intensity,
>etc).
>
>I don't think there any inherent difference between an audio CD-R and a data
>CD-R.  Check out http://www.fadden.com/cdrfaq/
>


well, there may not be any "inherent differences"  but rest assured that a
CD-R  WILL NOT work in a CD-AUDIO only recorder.  i have just discovered
this the hard way - i am the audio production specialist for the university
of notre dame and  i was told point blank by a salesman that the unit i
bought WOULD use normal cd-r's WRONG!  so i now have to pay $1.50 more per
cd for this unit to work - which is a substantial loss to my line of
business.

traig

Traig Foltz
Audio Production Specialist
University of Notre Dame
Office of Information Technology
Office: (219)631 - 3752
Fax:  (219) 631 - 8777


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From: Bret <echoplex@yahoo.com>
Subject: Re: OT: Audio CD-R vs. Data CD-R
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The difference with the Audio (consumer) disc is that
there is a flag written to the disk before you buy it.
 The consumer CD recorders require this flag to be
present in order to record.  

The reason these discs cost more is that there is a
Tariff included in the price of the audio cd.  This
was imposed by the RIAA, I believe, just as it was
done with audio DAT tape.  They collect money on these
formats ASSUMING that you and I will be using this to
copy copywritten material, and they want money for
that. 

You can fake out a consumer CD recorder.  This worked
on the old phillips units, your mileage may vary.  The
trick involves first putting a consumer blank disc in
the recorder.  The flag is read, and it thinks it is
ok to record.  Then, pry the cd door open so that you
can exchange the consumer disc with a cheap blank disk
(but the cd recorder thinks the old disc is still
there).  It will allow recording on the cheaper media
(if you were able to exchange the disk without it's
knowledge).  Obviously this is a cumbersome process,
and it may have some shortfalls in quality.  

CD recorders burn test spots on disks in order to
optimize the laser intensity appropriately for that
particular disk.  Using this exchange process, the
test spots will be burned on the consumer disc, NOT
the cheap disk, so that the laser settings will not be
optimized for the cheap disk.

--- traig <Traig.S.Foltz.5@nd.edu> wrote:
> >>luca wrote:
> >>
> >>> CDRs (for computers) cost less than Audio CDs.
> >>> I have been told this difference ( in Italy it
> is about 1/2  U.s. $ ) is a
> >>> sort of tax that is payed to majors  or whatever
> because it is clear that
> >>> people uses the specific Audio Cd to duplicate
> music.
> >
> >Audio CD-R vs. Data CD-R
> >
> >I've seen this several times.  I don't understand
> why there's a difference.  I
> >can understand that a particular manufacturer might
> recommend using only
> >particular branded CD-Rs for recording, but I think
> that has to do with the
> >combination of dyes in the CD-R and recording
> technology (laser freq,
> >intensity,
> >etc).
> >
> >I don't think there any inherent difference between
> an audio CD-R and a data
> >CD-R.  Check out http://www.fadden.com/cdrfaq/
> >
> 
> 
> well, there may not be any "inherent differences" 
> but rest assured that a
> CD-R  WILL NOT work in a CD-AUDIO only recorder.  i
> have just discovered
> this the hard way - i am the audio production
> specialist for the university
> of notre dame and  i was told point blank by a
> salesman that the unit i
> bought WOULD use normal cd-r's WRONG!  so i now have
> to pay $1.50 more per
> cd for this unit to work - which is a substantial
> loss to my line of
> business.
> 
> traig
> 
> Traig Foltz
> Audio Production Specialist
> University of Notre Dame
> Office of Information Technology
> Office: (219)631 - 3752
> Fax:  (219) 631 - 8777
> 
> 

__________________________________________________
Do You Yahoo!?
Talk to your friends online and get email alerts with Yahoo! Messenger.
http://im.yahoo.com/

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From: "r. dennis" <tonobung@panix.com>
To: Loopers-Delight@annihilist.com
Cc: kflint@annihilist.com
Subject: posting gigs remedial-style
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$.02 fr yall...

i think that when it comes to announcing
gigs & venues, more is better & proliferation
the emblem all...

but some of us (or perhaps just the one of me)
who are limited to text-only internet access (ie this
here unix shell account) would have
no way to make use of a web-based
"gigs page"... so i respectfully request
that we consider a redundant-systems approach (as they
(as they say at NASA).

hope that's ok?

rbrt

On Thu, 27 Apr 2000, Mike Biffle wrote:

> 
> 
> >>> Kim Flint <kflint@annihilist.com> 04/27 12:16 AM >>>
> At 10:55 PM -0700 4/26/00, Jeff Yost wrote:
> >Hi gang- I went to onelist yesterday and set up a page/mail list for
> loopers who wish to post their gigs, post their acts booking
> information, and post their looper friendly venue information. There
> is a database for both performers and venues that all may contribute
> to: simply click on database on the left side of the main page, then
> click on the appropriate database (performer/venue) on the page you
> are taken to. Fill out information!
> 
> >You may also put your information into a form on the message page.
> To get the form click on the first message (1). copy form, fill out,
> post to the list.
> 
> > I don't get it. why set up a competing list when you have one right
> here that serves the same purpose? Why not contribute something to our
> own community site at Looper's Delight and help it grow, rather than
> set up something different elsewhere? And why do it with a company
> that plasters ads in front of everybody, making money off of us while
> LD gets nothing? baffled, kim
> 
> I second this opinion... I'd rather keep the flow of looping
> conversation right here... gigs included. Another page on the LD site
> for venues/booking is more preferable to me... I already have the
> extensive profiles section to browse among looping performer types.
> 
> -Miko
> 
> 

From Loopers-Delight-request@annihilist.com  Thu Apr 27 13:45:33 2000
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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Hell-o! Roland Hand Socic
Date: Thu, 27 Apr 2000 10:28:05 PDT
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I got a price on them at $925 now and $899 in a month or 2.  Papa Dave


>From: rich <rich@nuvision.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Hell-o! Roland Hand Socic
>Date: Wed, 26 Apr 2000 10:00:04 -0700
>
>Yes, I saw this being demo'd at the LA NAMM show...fantastic!  It wasn't
>even fully implemented at the show either, some features were still
>missing.  They were suggesting $1200 msrp, however, which is a lot to pay.
>However, i the hands of a capable hand drummer...lookout.  My question
>would be can you sync to a looper in real time?  Could the drummer set a
>sequence that would send a midi clock to the looper?  And then if the
>drummer cuts the sequence and plays in real time along with you, could the
>HandSonic then record another sequence/loop and drop back in synch with the
>looper?
>
>rich
>
> >http://www.rolandus.com/PRODUCTS/hardware/hpd15.htm
> >
> >Any heard this thing yet? Vdrum technology, built in sequencer, 15 (!)
> >pads. looks mighty interesting...
>
>
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Apr 27 14:09:33 2000
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Date: Thu, 27 Apr 2000 11:04:24 -0700
To: Loopers-Delight@annihilist.com
From: Chris Chovit <cho@newdream.net>
Subject: Re: Loopalooza-Gigs-etc
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Sounds like another opportunity for a cgi script...A bulletin board setup
for posting gigs...It could be as simple as dropping a prebuilt script in
there.  It would be cool to link to the profiles, as well.  I would be
willing to create (or help to create) a script for this, if there is a
consensus on a fairly SIMPLE design.

- Chris


>>>> Kim Flint <kflint@annihilist.com> 04/27 12:16 AM >>>
>At 10:55 PM -0700 4/26/00, Jeff Yost wrote:
>>Hi gang- I went to onelist yesterday and set up a page/mail list for
>loopers who wish to post their gigs, post their acts booking
>information, and post their looper friendly venue information. There
>is a database for both performers and venues that all may contribute
>to: simply click on database on the left side of the main page, then
>click on the appropriate database (performer/venue) on the page you
>are taken to. Fill out information!
>
>>You may also put your information into a form on the message page.
>To get the form click on the first message (1). copy form, fill out,
>post to the list.
>
>> I don't get it. why set up a competing list when you have one right
>here that serves the same purpose? Why not contribute something to our
>own community site at Looper's Delight and help it grow, rather than
>set up something different elsewhere? And why do it with a company
>that plasters ads in front of everybody, making money off of us while
>LD gets nothing? baffled, kim
>
>I second this opinion... I'd rather keep the flow of looping
>conversation right here... gigs included. Another page on the LD site
>for venues/booking is more preferable to me... I already have the
>extensive profiles section to browse among looping performer types.
>
>-Miko

From Loopers-Delight-request@annihilist.com  Thu Apr 27 14:13:17 2000
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Reply-To: "Ken M" <wgold@mecasw.com>
From: "Ken Melms" <wgold@mecasw.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: posting gigs remedial-style
Date: Thu, 27 Apr 2000 14:13:25 -0400
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Ever heard of "lynx" ??  It's a UNIX text-based browser..  Most unix systems
either have it or you can find it easily..

Ken

-----Original Message-----
From: r. dennis <tonobung@panix.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Cc: kflint@annihilist.com <kflint@annihilist.com>
Date: Thursday, April 27, 2000 2:07 PM
Subject: posting gigs remedial-style


>
>
>$.02 fr yall...
>
>i think that when it comes to announcing
>gigs & venues, more is better & proliferation
>the emblem all...
>
>but some of us (or perhaps just the one of me)
>who are limited to text-only internet access (ie this
>here unix shell account) would have
>no way to make use of a web-based
>"gigs page"... so i respectfully request
>that we consider a redundant-systems approach (as they
>(as they say at NASA).
>
>hope that's ok?
>
>rbrt
>
>On Thu, 27 Apr 2000, Mike Biffle wrote:
>
>>
>>
>> >>> Kim Flint <kflint@annihilist.com> 04/27 12:16 AM >>>
>> At 10:55 PM -0700 4/26/00, Jeff Yost wrote:
>> >Hi gang- I went to onelist yesterday and set up a page/mail list for
>> loopers who wish to post their gigs, post their acts booking
>> information, and post their looper friendly venue information. There
>> is a database for both performers and venues that all may contribute
>> to: simply click on database on the left side of the main page, then
>> click on the appropriate database (performer/venue) on the page you
>> are taken to. Fill out information!
>>
>> >You may also put your information into a form on the message page.
>> To get the form click on the first message (1). copy form, fill out,
>> post to the list.
>>
>> > I don't get it. why set up a competing list when you have one right
>> here that serves the same purpose? Why not contribute something to our
>> own community site at Looper's Delight and help it grow, rather than
>> set up something different elsewhere? And why do it with a company
>> that plasters ads in front of everybody, making money off of us while
>> LD gets nothing? baffled, kim
>>
>> I second this opinion... I'd rather keep the flow of looping
>> conversation right here... gigs included. Another page on the LD site
>> for venues/booking is more preferable to me... I already have the
>> extensive profiles section to browse among looping performer types.
>>
>> -Miko
>>
>>
>

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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Ins. Vid. :Lobby Gibson
Date: Thu, 27 Apr 2000 11:04:27 PDT
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I think we ought to do it ourselves!  Dave Torn said he would help with help 
from others ie Matthias and Kim.  Ug waiting for Gibson again!!!  Fight the 
realistic fight!  Om and Out


>From: jordanpease@webtv.net (Jordan Pease)
>Reply-To: Loopers-Delight@annihilist.com
>To: loopers-delight@annihilist.com
>Subject: Ins. Vid. :Lobby Gibson
>Date: Wed, 26 Apr 2000 11:08:35 -0700 (PDT)
>
>For those who would like to take action on the 'EDP tutorial video'
>issue; please write to Mike Ayers at mayers@gibson.com
>
>Fight the good fight.
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: OT: Audio CD-R vs. Data CD-R
Date: Thu, 27 Apr 2000 10:50:06 -0700
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This is not the case. It depends on the CD player you are using. 'Gold' CD-R
otherwise being refered to as 'Computer CDRs' will work in a cd
player/recorder that is not too old and feeble. The quality of the CDR is
also important.

However, for best results, use a blue-green 'Audio CD-R'. They cost more.
The compromise is silver cd-rs which are not so good for either type of
reading, but do both equally well.

I'd advise you to try more than one brand of cdr and see what works/is
cheapest/gives you the best results. There's definitely a difference.

bIz

>>luca wrote:
>>
>>> CDRs (for computers) cost less than Audio CDs.
>>> I have been told this difference ( in Italy it is about 1/2  U.s. $ ) is
a
>>> sort of tax that is payed to majors  or whatever because it is clear
that
>>> people uses the specific Audio Cd to duplicate music.
>
>Audio CD-R vs. Data CD-R
>
>I've seen this several times.  I don't understand why there's a difference.
I
>can understand that a particular manufacturer might recommend using only
>particular branded CD-Rs for recording, but I think that has to do with the
>combination of dyes in the CD-R and recording technology (laser freq,
>intensity,
>etc).
>
>I don't think there any inherent difference between an audio CD-R and a
data
>CD-R.  Check out http://www.fadden.com/cdrfaq/
>


well, there may not be any "inherent differences"  but rest assured that a
CD-R  WILL NOT work in a CD-AUDIO only recorder.  i have just discovered
this the hard way - i am the audio production specialist for the university
of notre dame and  i was told point blank by a salesman that the unit i
bought WOULD use normal cd-r's WRONG!  so i now have to pay $1.50 more per
cd for this unit to work - which is a substantial loss to my line of
business.

traig

Traig Foltz
Audio Production Specialist
University of Notre Dame
Office of Information Technology
Office: (219)631 - 3752
Fax:  (219) 631 - 8777



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Subject: Re: Napster
Date: Thu, 27 Apr 2000 11:26:07 PDT
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Is there a napster site for you napster topic people?  Sick of the subject!


>From: "juliomoreno" <ciego@ig.com.br>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: Napster
>Date: Thu, 27 Apr 2000 01:49:04 -0300
>
>Check here info about the Napster war  : http://www.napster.com/press.html
>. I'm totally pro Napster. I found everything for study ... old songs, 
>diferent versions of the same song, dificult stuff to find here etcetc ...
>julio
>
>Original Message -----
>   From: David Petrozzi
>   To: loopers-delight@annihilist.com
>   Sent: Wednesday, April 26, 2000 11:32 AM
>   Subject: Napster
>
>
>   A bit off topic, but I just got Napster from my friend and it is 
>spectacular!!  Basically, Napster is a program which establishes a network 
>of mp3 users.  Since everyone is sharing, you can get pretty much anything! 
>  Completely free, no hassles, search by artist.  It is simply amazing.
>
>   If anyone wants the program I'd be happy to send it over as an email 
>attachment.  The install file is very small, about 644k.
>
>   ~dp
>
>
>   ____________________________
>   A disciplined mind brings happiness.

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <v04020a22b52e3034d437@[192.168.11.10]>
Subject: Re: Loopalooza-Gigs-etc
Date: Thu, 27 Apr 2000 14:35:43 -0400
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Count me in too on the CGI and design aspect. It's what I 
do for work all day anyway.

- Larry T

----- Original Message ----- 
From: "Chris Chovit" <cho@newdream.net>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 27, 2000 2:04 PM
Subject: Re: Loopalooza-Gigs-etc


> Sounds like another opportunity for a cgi script...A bulletin board setup
> for posting gigs...It could be as simple as dropping a prebuilt script in
> there.  It would be cool to link to the profiles, as well.  I would be
> willing to create (or help to create) a script for this, if there is a
> consensus on a fairly SIMPLE design.
> 
> - Chris
> 
> 
> >>>> Kim Flint <kflint@annihilist.com> 04/27 12:16 AM >>>
> >At 10:55 PM -0700 4/26/00, Jeff Yost wrote:
> >>Hi gang- I went to onelist yesterday and set up a page/mail list for
> >loopers who wish to post their gigs, post their acts booking
> >information, and post their looper friendly venue information. There
> >is a database for both performers and venues that all may contribute
> >to: simply click on database on the left side of the main page, then
> >click on the appropriate database (performer/venue) on the page you
> >are taken to. Fill out information!
> >
> >>You may also put your information into a form on the message page.
> >To get the form click on the first message (1). copy form, fill out,
> >post to the list.
> >
> >> I don't get it. why set up a competing list when you have one right
> >here that serves the same purpose? Why not contribute something to our
> >own community site at Looper's Delight and help it grow, rather than
> >set up something different elsewhere? And why do it with a company
> >that plasters ads in front of everybody, making money off of us while
> >LD gets nothing? baffled, kim
> >
> >I second this opinion... I'd rather keep the flow of looping
> >conversation right here... gigs included. Another page on the LD site
> >for venues/booking is more preferable to me... I already have the
> >extensive profiles section to browse among looping performer types.
> >
> >-Miko
> 
> 

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From: "Rev. Doubt-Goat" <dgoat@quik.com>
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93

APerson7531@aol.com wrote:
> 
> What saves midi settings and machine patterns exclusively and can organize
> and save onto disks?    Please tell me someone, and don't think anyone else
> will if you do know!  I need to know,  anyway hi yall, all yall!

Alesis used to make a box called the data-disk. I use my EPS because it
does the same thing.

93
Rev. Doubt-Goat

From Loopers-Delight-request@annihilist.com  Thu Apr 27 15:55:33 2000
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: OT: Audio CD-R vs. Data CD-R
Date: Thu, 27 Apr 2000 14:39:15 -0500
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>The difference with the Audio (consumer) disc is that
>there is a flag written to the disk before you buy it.
> The consumer CD recorders require this flag to be
>present in order to record.

In that case, I'm just speculating that somewhere there's a shareware program
that burns a such flag into a "data" CD-R, making it usable in an audio-only CD
recorder.

Dennis Leas
-----------------------------
dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Thu Apr 27 17:54:25 2000
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Subject: Re: OT: Audio CD-R vs. Data CD-R
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>In that case, I'm just speculating that somewhere there's a shareware program
>that burns a such flag into a "data" CD-R, making it usable in an audio-only CD
>recorder.

After this, I'll shut-up on this topic.

My speculation is wrong.  Reading this FAQ -
http://www.fadden.com/cdrfaq/faq07.html#[7-1] answered my question.
------------- quotation follows ---------------------
There is no difference in quality between consumer audio blanks and standard
blanks from a given manufacturer. If you have a consumer audio CD recorder, you
simply have no other choice. There is no way to "convert" a standard blank into
a consumer audio blank. See section (5-12) for notes on how you can trick
certain recorders into accepting standard blanks.
------------- end of quotation  ---------------------

Sorry for my previous mis-information...

Dennis Leas
-----------------------------
dennis@mdbs.com


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Message-ID: <390878EC.5663BE50@texas.net>
Date: Thu, 27 Apr 2000 17:29:19 +0000
From: Bobdog/Doghouse Audio Laboratory <psbuddha@texas.net>
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hey all o' you west coasters -

pseudo buddha http://www.pseudobuddha.com is thinking kinda seriously
about doing some west coast gigging this summer:

any contact names & numbers any of y'all may have would be extra nice.
we have a very nice cheesy-ass promo pack we can send out...

please email me OFF LIST psbuddha@texas.net or bobdog@pseudobuddha.com

xxxooo

bobdog

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Message-ID: <3908C2B6.EF8F23D7@ppi2pass.com>
Date: Thu, 27 Apr 2000 15:44:07 -0700
From: Mark Sottilaro <msottilaro@ppi2pass.com>
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Organization: PPI
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Hey kids!  Electronic music in our backyard!  I'll be there for sure.

for info go to http://sfemf.org/

see  ya there! (it's things like this where Looper's teeshirts would be great
to identify eachother)
--
Mark Sottilaro
Professional Publications, Inc
1250 Fifth Ave, Belmont CA 94002
Multimedia Production
E-mail:  msottilaro@ppi2pass.com
Phone: (650) 593-9119 ext. 29


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From: "Bill Fox" <billfox@fast.net>
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Subject: Re: Sampling copyrights
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-----Original Message-----
From: Kevin Cheli-Colando <kevin@minds-eye.org>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, April 26, 2000 10:57 AM
Subject: Sampling copyrights


>Anyone know what the current fair use for samples is?  Last I knew it was
something
>like 2 seconds and under was acceptable and longer samples than that needed
>credit/permission, etc.

I may be wrong, but my understanding is if somebody recognizes a sample and
word gets back to the copyright owner, you're busted.  Length [size ;-) ]
does NOT matter!  Depending upon the copyright owner's disposition, you may
be ignored, praised, asked to pull you product or sued to within an inch of
your life.  Fair use only comes into play if your song is a parody.  Please
take what I write with however many grains of salt deemed appropriate since
I am not a lawyer!

Bill         billfox@fast.net            http://wdiyfm.org
============================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay
consideration.
Visit http://www.crosswinds.net/~shadowplay for the ShadowPlay site.

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pls remove me from the list

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From: "crix" <mcrix@tin.it>
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pls remove me from the list

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pls remove me from the list

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pls remove me from the list

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From Loopers-Delight-request@annihilist.com  Thu Apr 27 20:52:10 2000
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Date: Thu, 27 Apr 2000 20:46:39 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: unsuscribe
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Uh-oh! Duck!!!

(For instructions on how to unsuBscribe without becoming the target of
laughter and derision, please see
<http://www.annihilist.com/loop/list/LoopList.html>...

And here's a hint: pay particular attention to the email address you'll be
sending your request to. It's not the same as the one you use to post to
the list, so no one need know you're going home early from the party...)

At 02:08 AM 4/28/00 +0200, you wrote:
>ÿþ   pls remove me from the list 

From Loopers-Delight-request@annihilist.com  Thu Apr 27 20:25:45 2000
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Date: Thu, 27 Apr 2000 20:23:54 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Cyberarts special in today's Boston Globe
In-Reply-To: <390050F6.891F64E8@compuserve.com>
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This may be of interest to many of you:

<http://www.boston.com/globe/calendar/features/maestros/ram.shtml>

It links to a feature in today's Boston Globe Calendar magazine about
performance art and the electronic music scene in Boston. There's a brief
(although somewhat vague) description of looping, and a couple of LD
listmembers are mentioned by name. (David Kirkdorffer and T.G. Noyes,
probably others as well... Is Ross Hamlin a listmember? Click on the link
to read about what he calls an "improvised vocal/body echo loop massage";
the article actually mentions how he loops with "sex toys".)

Loop artist Maria Moran (aka Zipper Spy) is given a few paragraphs, as
is/are the Boston Loopers Collective and the Toneburst Collective, whose
site <http://www.toneburst.com> contains further info about the Boston loop
scene. 

The part about Teresa Marrin Nakra's electronic conductor's jacket is cool,
too. It's not really looping, but quite a few of you have expressed
interest in alternate controllers, so check it out.

Hey, why should Miko & Co. over in Santa Cruz get to have all the fun? We
in the Northeast should have a Loopapalooza as well!

Tim

From Loopers-Delight-request@annihilist.com  Thu Apr 27 21:11:44 2000
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From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <v04020a14b4e493fa813d@[138.72.11.242]> <3908C2B6.EF8F23D7@ppi2pass.com> <006101bfb0a5$dda2f540$6787d8d4@default>
Subject: Re: unsuscribe
Date: Thu, 27 Apr 2000 20:57:35 -0400
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Here's how to do it:

Put unsubscribe (note the spelling) in the body and subject 
of the message and send it to:

Loopers-Delight-request@annihilist.com

Note the DIFFERENT ADDRESS. This is the key.

- Larry (being helpful for some reason and not the least abusive)



----- Original Message ----- 
From: "crix" <mcrix@tin.it>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 27, 2000 8:08 PM
Subject: unsuscribe


pls remove me from the list


From Loopers-Delight-request@annihilist.com  Thu Apr 27 21:24:14 2000
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Subject: Re: unsubcribe
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I tried to be nice...

Crix -
READ the f*cking e-mail I sent you!

----- Original Message ----- 
From: "crix" <mcrix@tin.it>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 27, 2000 8:10 PM
Subject: unsubcribe


pls remove me from the list


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From: "Petr Dolak" <pepetr@crnet.net>
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Subject: Female Loopers?
Date: Thu, 27 Apr 2000 22:03:03 -0400
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Just curious: over years of being on the LD list, I keep noticing that a
total majority of people involved in looping are males, guessing according
to names.  I wonder if looping is the "guy thing"...?

petr


From Loopers-Delight-request@annihilist.com  Thu Apr 27 22:51:03 2000
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From: "Pedro Felix" <PedroFelix@worldnet.att.net>
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Subject: Re: Female Loopers?
Date: Thu, 27 Apr 2000 22:42:16 -0500
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Petr, Actually my girlfriend is not only a looper she basically introduced
me to the EDP. So they are definately out there!
PedrOOrdeP


>Just curious: over years of being on the LD list, I keep noticing that a
>total majority of people involved in looping are males, guessing according
>to names.  I wonder if looping is the "guy thing"...?
>
>petr
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Apr 27 22:33:24 2000
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From: Echophazer@aol.com
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Date: Thu, 27 Apr 2000 22:29:00 EDT
Subject: Re: Female Loopers?
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what ever happened to those crazy looper chick dancers or whatever that i 
read about in a post a while back?

From Loopers-Delight-request@annihilist.com  Thu Apr 27 23:03:56 2000
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At 10:03 PM 4/27/00 -0400, pepetr@crnet.net wrote:
>Just curious: over years of being on the LD list, I keep noticing that a
>total majority of people involved in looping are males, guessing according
>to names.  I wonder if looping is the "guy thing"...?

No, I don't think so.  But subscribing to mailing lists is.


From Loopers-Delight-request@annihilist.com  Thu Apr 27 23:36:35 2000
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From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Free Music
Date: Thu, 27 Apr 2000 20:11:14 -0700
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Well, there's a lot to be said about that.  Countless artists are very big
and in favor of MP3.  Jimmy Page and the Crows just released that live album
in MP3.  There are many sites where big-time musicians give away a tune.  A
couple of bands have expressed their high regard for Napster.  I keep
hearing stories of small-time bands who start getting sales because of
word-of-mouth in the Internet-- even through Napster.

The difference here that I suspect you're not seeing is that the
"establishment" that is complaining now is the one entrenched in their
exploitative ways since after World War II.  Make their living as musicians?
Do some reading about how many musicians have lost everything because of
corrupt business practices in our beloved "record industry."  Read some of
the articles Fripp points to in his liner notes.  Track down some of the
material Bonnie Raitt talks about when she talks about her foundation.  We
all hear about the brilliant impossible stories, the Beatles, Pink Floyd,
the limos, the excess.  We seldom hear about the rest of the musicians who
end up selling their lives and their livelihoods to some fucker with a big
contract (who by the way has a hot seat in hell waiting for him/her).

Bottom line, hopefully some of the awful business practices of the record
industry will die thanks to new technologies such as Napster and MP3.  There
are SmartCards, really tiny hard drives, there's going to be a lot more
bandwidth down the line...  We ain't seen nothing yet.  Those that do not
adapt will be left by the wayside.  The crooks can see their demise further
down the road.  But the musicians, the good ones, the artists, these will
remain.

In the 30s a generation of musicians were left virtually jobless when the
"talkies" took over their jobs in the theaters.  They were no longer needed
to provide the sound for a movie.  Then there were "motion pictures."  Well,
now there's MP3, and MP6 is around the corner.  WMA (or whatever it's
called) is getting more and more implemented.

How we think of how money was made in the 60s and 70s in the music world may
be good enough; but new ways will need to be developed if we want to pretend
to "make a living" at making music in the new millennium-- which by the way
begins next January (pass the word).

JMV

  | -----Original Message-----
  | From: Bizurko@aol.com [mailto:Bizurko@aol.com]
  | Sent: Thursday 27 April 2000 8:07 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Free Music
  |
  |
  | Well said, Tiktok.  I'd bet the people in this discussion who
  | are trumpeting
  | Napster, et al, are people who don't make their living as a
  | musician, no
  | disrespect intended.  That is to say that your perspective
  | always changes
  | once you actually start to scale the mountain.


__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Apr 27 23:54:05 2000
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From: "juliomoreno" <ciego@ig.com.br>
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References: <20000427182607.19000.qmail@hotmail.com>
Subject: Re: Napster
Date: Fri, 28 Apr 2000 00:50:26 -0300
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Relax  David ...for the people ''far away'' from the battle, it's good to
know the opinions from the people whom live in ''first world'' countrys ...
julio, from the third world.
Pd:
My teaching, if that is the word you want to use, has no copyright. You are
free to reproduce,distribute, interpret, misinterpret, distort, garble, do
what you like, even claim authorship, without my consent or the permission
of anybody.
U.G. Krishnamurti.


----- Original Message -----
From: "David Potter" <papadave55@hotmail.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 27, 2000 3:26 PM
Subject: Re: Napster


> Is there a napster site for you napster topic people?  Sick of the
subject!
>
>
> >From: "juliomoreno" <ciego@ig.com.br>
> >Reply-To: Loopers-Delight@annihilist.com
> >To: <Loopers-Delight@annihilist.com>
> >Subject: Re: Napster
> >Date: Thu, 27 Apr 2000 01:49:04 -0300
> >
> >Check here info about the Napster war  :
http://www.napster.com/press.html
> >. I'm totally pro Napster. I found everything for study ... old songs,
> >diferent versions of the same song, dificult stuff to find here etcetc
...
> >julio
> >
> >Original Message -----
> >   From: David Petrozzi
> >   To: loopers-delight@annihilist.com
> >   Sent: Wednesday, April 26, 2000 11:32 AM
> >   Subject: Napster
> >
> >
> >   A bit off topic, but I just got Napster from my friend and it is
> >spectacular!!  Basically, Napster is a program which establishes a
network
> >of mp3 users.  Since everyone is sharing, you can get pretty much
anything!
> >  Completely free, no hassles, search by artist.  It is simply amazing.
> >
> >   If anyone wants the program I'd be happy to send it over as an email
> >attachment.  The install file is very small, about 644k.
> >
> >   ~dp
> >
> >
> >   ____________________________
> >   A disciplined mind brings happiness.
>
> ________________________________________________________________________
> Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
>

From Loopers-Delight-request@annihilist.com  Fri Apr 28 01:25:03 2000
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From: "future perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Napster (looping content)
Date: Fri, 28 Apr 2000 01:28:22 -0400
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In order to turn this around to a post with looping content, how 'bout this:
Loopers USE Napster as a tool to trade mp3s of our list members. It works
like this:
You record an mp3, name it something with the word 'Loop' in it like
"JungleCorn(Loop)-Dave Eichenberger.mp3" (ya do this so we can search by the
word 'loop'),  this way we can easily hear *new* music by our list members.
Maybe even chat with our members in real-time..who knows.
Would something like this work?

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave




From Loopers-Delight-request@annihilist.com  Fri Apr 28 01:46:02 2000
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At 10:03 PM 4/27/00 -0400, pepetr@crnet.net wrote:
>>Just curious: over years of being on the LD list, I keep noticing that a
>>total majority of people involved in looping are males, guessing according
>>to names.  I wonder if looping is the "guy thing"...?
>
>No, I don't think so.  But subscribing to mailing lists is.
>

Insofar as

	a) It is about creating music, unfortunately a predominantly guy thing.
	b) It involves using and maintaining boxes of electrical equipment with
lots of wires and blinking lights, definitely not a girl thing.

I would say that looping is about as guy thing as you can get and still be
musical.

Somebody please point out where I'm wrong, and in the direction of the
island where all the looping women are.

bIz

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From: jordanpease@webtv.net (Jordan Pease)
Date: Thu, 27 Apr 2000 22:36:07 -0700 (PDT)
To: Loopers-Delight@annihilist.com
Subject: EDP Tutorial Video
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LOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLO
I'm kinda surprised that there hasn't been more discussion about this
idea. I agree that waiting for Gibson to produce a video may be a bit...
excruciating.

I'm really curious what Kim has to say about this idea. 

If LD can produce compilation CDs- Why not a tutorial video ?  I would
think there would be a real interest in buying it. I doubt that anyone
on this list knows all there is to know about this 'art-form' called
looping. What if people just sent-in their own submissions and someone
edited and compiled them ? That would be a start  !

Come-on you guys: this list is supposed to be about stuff like THIS !
Let's make it happen ! 

LOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOP
[ever tried typing 'loop' over and over ? it's kind of fun; try
it!]LOOPLOOPLOOP

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Subject: Re: Female Loopers? 
Date: Fri, 28 Apr 2000 03:38:41 -0300
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> b) It involves using and maintaining boxes of electrical equipment with
> lots of wires and blinking lights, definitely not a girl thing.

What's about Madame Curie ???
>
> I would say that looping is about as guy thing as you can get and still be
> musical.

Girls tend to ''loop'' topics  in her chats ..  :  )
>
> Somebody please point out where I'm wrong, and in the direction of the
> island where all the looping women are.

 Take care ... and  bring your credit card anyway ...a friend say me that
only gays like men ....women like money ..   :  )
julio

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LOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLO
LOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOP
> [ever tried typing 'loop' over and over ? it's kind of fun; try
> it!]LOOPLOOPLOOP

Remenbers me  the bus in ''The Kool Aid Acid Test" book  :  )

From Loopers-Delight-request@annihilist.com  Fri Apr 28 03:46:41 2000
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Date: Fri, 28 Apr 2000 00:43:47 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Is it possible to sync Vortex to EDP?
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I came across some Vortex info in the Analogue Heaven
archives that indicates that some of these folks were
able to operate the tap tempo function of the Vortex
from their sequencers and/or synths.

I've tried running the EDP's midi out to a midi/cv
converter & then connecting the converter's S-TRIG
out to the Vortex tap tempo jack. I then recorded a
3 second loop on the EDP in hopes that the midi
note message that the EDP sends at the start of the
loop would operate the tap tempo of the Vortex.
It did not.

Out of curiosity, I disconnected the midi cable
from the EDP & hooked it up to the midi out of a
keyboard. Guess what? Every key on the keyboard now
acted like the tap tempo foot switch of the Vortex!

I've verified that the EDP is sending midi by hooking
its midi out to the keyboard's midi in.

I just thought it would be nice to have the EDP
control the Vortex delay time as the EDP moved
from one short loop to another.

Can anyone fill in the blanks? It's really irritating
me that I can't figure this out.

Many thanks.

John 

=====
John Tidwell




__________________________________________________
Do You Yahoo!?
Talk to your friends online and get email alerts with Yahoo! Messenger.
http://im.yahoo.com/

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I'm looking for a used Lexicon JamMan with the 32 sec. sampling option.
Does anyone have one available for sale? or know of someone? If so, what
is the asking price? 
Thanks,
Raymond Powers

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i'd be surprised if there aren't more female loopers out there......most of
those I've been involved with, were great at being completely "loopy"....

Simes


----- Original Message -----
From: Petr Dolak <pepetr@crnet.net>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 28, 2000 12:03 PM
Subject: Female Loopers?


> Just curious: over years of being on the LD list, I keep noticing that a
> total majority of people involved in looping are males, guessing according
> to names.  I wonder if looping is the "guy thing"...?
>
> petr
>
>
>

From Loopers-Delight-request@annihilist.com  Fri Apr 28 05:32:47 2000
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Date: Fri, 28 Apr 2000 02:28:15 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: EDP Tutorial Video
In-reply-to: <2373-39092347-3622@storefull-112.iap.bryant.webtv.net>
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At 10:36 PM -0700 4/27/00, Jordan Pease wrote:
>LOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLO
>I'm kinda surprised that there hasn't been more discussion about this
>idea. I agree that waiting for Gibson to produce a video may be a bit...
>excruciating.
>
>I'm really curious what Kim has to say about this idea.

I'm not sure why my opinion is so important, or why it's more important
than what Matthias already said about it. But you asked, so here goes:

Instructional video, great idea. We've wanted to do one for many years. But
nobody has the time or the money. I don't know exactly how much it costs to
produce something like that, but if somebody could please send me $25,000,
I'll see to it that it gets done. :-)


In addition to videos, I think it would be great if people wrote
instructional books, taught classes at the community center, held seminars,
gave private lessons, etc. There should be a loop teacher in the back room
of every music store in the land, in the little room where the guitar
teacher used to be.


>If LD can produce compilation CDs- Why not a tutorial video ?  I would
>think there would be a real interest in buying it. I doubt that anyone
>on this list knows all there is to know about this 'art-form' called
>looping. What if people just sent-in their own submissions and someone
>edited and compiled them ? That would be a start  !
>
>
>Come-on you guys: this list is supposed to be about stuff like THIS !
>Let's make it happen !

go to it. every other instrument has a small cottage industry of
educational materials surrounding it. Why not this one?

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


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Date: Fri, 28 Apr 2000 02:17:09 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Is it possible to sync Vortex to EDP?
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I have no idea why your midi/cv thing isn't working right with the
echoplex's midi output, but I think maybe you can do this without midi at
all.

When sync=out, the echoplex sends out a pulse from the BeatSync jack in the
back. The pulse is sent at the startpoint of the loop.  Perhaps you could
use this pulse to trigger the vortex tap tempo jack?

I have no idea if it will work, but I'd be plenty interested in finding out!

BTW, with the midi thing, did you try different midi channels? Does the cv
thing care what the velocity is? Can it use cc instead?

kim

At 12:43 AM -0700 4/28/00, John Tidwell wrote:
>I came across some Vortex info in the Analogue Heaven
>archives that indicates that some of these folks were
>able to operate the tap tempo function of the Vortex
>from their sequencers and/or synths.
>
>I've tried running the EDP's midi out to a midi/cv
>converter & then connecting the converter's S-TRIG
>out to the Vortex tap tempo jack. I then recorded a
>3 second loop on the EDP in hopes that the midi
>note message that the EDP sends at the start of the
>loop would operate the tap tempo of the Vortex.
>It did not.
>
>Out of curiosity, I disconnected the midi cable
>from the EDP & hooked it up to the midi out of a
>keyboard. Guess what? Every key on the keyboard now
>acted like the tap tempo foot switch of the Vortex!
>
>I've verified that the EDP is sending midi by hooking
>its midi out to the keyboard's midi in.
>
>I just thought it would be nice to have the EDP
>control the Vortex delay time as the EDP moved
>from one short loop to another.
>
>Can anyone fill in the blanks? It's really irritating
>me that I can't figure this out.
>
>Many thanks.
>
>John
>
>=====
>John Tidwell
>

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Fri Apr 28 06:16:12 2000
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Date: Fri, 28 Apr 2000 07:18:41 -0300
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thats amazing!

I burnt many CDRs here for audio here and there always was a problem 
of getting a good enough quality, otherwhise SOME CDRs would not play 
in SOME CD players (beeing that in my simple SONY Diskman, they all 
worked)
So yes, there are more apropriate technologies for Audio, but I never 
felt necessity to buy Audio labeled CDRs.

Now you bring up two things I did not know about:

- Traig and others say there is a flag that marks the Audio CD.
So my Yamaha burner (connected to the Mac) ignores those?
Or: What is a CD-AUDIO only recorder?

- Bret saiz:
>CD recorders burn test spots on disks in order to
>optimize the laser intensity appropriately for that
>particular disk.  Using this exchange process, the
>test spots will be burned on the consumer disc, NOT
>the cheap disk, so that the laser settings will not be
optimized for the cheap disk.

What do you mean by cheap disk?
Does this mean that in my recorder this optimizing process never happened?
If so, I doubt its necessary.

Can you give us some sources for those theories? I really want to 
learn all about it...

Thank you
Matthias


          ---> http://Matthias.Grob.org

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Date: Fri, 28 Apr 2000 07:18:41 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: EDP alternative to vol pedal [a DIY idea}
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Claudes proposual:

>With my pmc 10 I'm handling my edp's feedback through 5 switches on the
>pmc's top row

hm... smart...

>those five switches send 5 different cc values that give me instant
>feedback value inc/decrease presets

dont you hear the sudden change of FB in the loop afterwards?

>I really like the way it works but it takes 5 switches of the pmc only
>for that
>
>Was thinking:
>
>how a bout a simple circuit that would replace the edp feedback
>expression pedal

what is so bad about it?

>with  a set of 5 switches that would emulate 5 fixed values
>the 5 values would be preset with trim pots and the switches would
>toggle through the values

certainly possible, but once you start doing such effort, wouldnt it 
be smarter to use just two swiches: up/down ?

>a 6th switch could repatch a real vol pedal for fades etc...
>
>If all this is possible I would drill holes on my edp footswitch to
>implement those feedback preset switches 2-3 cm over the existing ones

great

>The main problem is I'm not an electronic engineer so I hav'nt a clue of
>how and if this could be done

Could be done with 2-3 CMOS ICs. There might even be a specific IC 
doing exactly this.
They probably could be fed by the EDP through the switch line, since 
they use very little power.
A perfect student exercise :-)


          ---> http://Matthias.Grob.org

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Peters point is nice and sincere:

>Wow another person on the list is doing a show. It's too bad the venue is so
>far. I'd love to see in person the approach they take to it. I could always
>use some new input on how to set up for a live scenario. ::looks around at
>gear:: I have all this cool stuff wired up around me and it sounds great when
>I get it all going. Something is missing though. I know what it is. I've lost
>that feeling of exploration. When I first bought each piece I'd play with it
>for days straight, constantly finding those new ways it can call out aspects
>of my personality in its sound. I buy more and more equipment now to try and
>find that feeling again but each time the sensation is just a faded copy of
>what it was before. All this time I've spent shut in and learning hasn't been
>for nothing though. I just feel I have to move on to the next level soon, let
>what I found interact with the world for once. I should go out and show
>others who I am inside.  Some people will like it and some won't. I could
>find new people to share with and they can share with me. I could use some
>friends. It's good to see that others out there are doing it. I'll try a
>little harder at getting it all together. I can make it happen, I can do it.
>I have to never give up finding new ways to believe in who i am. It's hard at
>times but has anything bad ever came out of trying?
>

... but I dont think you need to do gigs for this.
The first step is to vistit friends with a tape of your latest music. 
No need to anounce it specially, just let it run. You hear it in a 
differnet ambience and with some people more or less paying atention, 
and you have time to observe how they react and how the conversation 
changes according to the music.
The conclusion does not need to be clear in mind, the intuition grows 
automatically and makes you play differently.
Then you record the next tape... dont overdo it though, my friends 
could not stand it any more at some point :-)

I am using the same set of gear for 13 years now (just upgrading 
reverb and loop units). Its interesting...


          ---> http://Matthias.Grob.org

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Yeah, but watch out- you make accidentally download Cantaloop by US3, and no
one deserves that.


> In order to turn this around to a post with looping content, how 'bout
this:
> Loopers USE Napster as a tool to trade mp3s of our list members. It works
> like this:
> You record an mp3, name it something with the word 'Loop' in it like
> "JungleCorn(Loop)-Dave Eichenberger.mp3" (ya do this so we can search by
the
> word 'loop'),  this way we can easily hear *new* music by our list
members.
> Maybe even chat with our members in real-time..who knows.
> Would something like this work?
>
> Dave Eichenberger- guitars.loops.devices
> http://home1.gte.net/artmusic/dave
>

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Everyone knows you must have a penis to loop!!!
>
>Subject: Female Loopers?
>
>
>Just curious: over years of being on the LD list, I keep noticing that a
>total majority of people involved in looping are males, guessing according
>to names.  I wonder if looping is the "guy thing"...?
>
>petr

Just kidding girls....love the female loopers...I'm the father of one
Om and Out   Papa Dave

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Am I free to not get napster posts?


>My teaching, if that is the word you want to use, has no copyright. You are
>free to reproduce,distribute, interpret, misinterpret, distort, garble, do
>what you like, even claim authorship, without my consent or the permission
.

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Subject: R: Female Loopers? 
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i've looping and playing synth for ages....sound engineering =
now..cristina ppppppprrrrrrrrrrr

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Subject: R: Female Loopers?
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i'm a she!

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From: "David Potter" <papadave55@hotmail.com>
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Subject: Re: EDP Tutorial Video
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I want one!!!!  If I could ever get my #ucking EDP back from J.L. and Music 
Tec Services in North Hollywood.  THEY HAVE HAD IT SINCE JAN!!!!!!!!!!  I've 
forgotton if it way a neat tool or not.  It was brand new and wouldn't keep 
the echo going!!!  Now he's waiting for parts!!!  Anyone else had bad luck 
with those people.  I feel shined on by them!!!  They won't even return 
phone calls!!!  Om and bitch and Out  Papa Dave


>From: jordanpease@webtv.net (Jordan Pease)
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: EDP Tutorial Video
>Date: Thu, 27 Apr 2000 22:36:07 -0700 (PDT)
>
>LOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLO
>I'm kinda surprised that there hasn't been more discussion about this
>idea. I agree that waiting for Gibson to produce a video may be a bit...
>excruciating.
>
>I'm really curious what Kim has to say about this idea.
>
>If LD can produce compilation CDs- Why not a tutorial video ?  I would
>think there would be a real interest in buying it. I doubt that anyone
>on this list knows all there is to know about this 'art-form' called
>looping. What if people just sent-in their own submissions and someone
>edited and compiled them ? That would be a start  !
>
>Come-on you guys: this list is supposed to be about stuff like THIS !
>Let's make it happen !
>
>LOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOP
>[ever tried typing 'loop' over and over ? it's kind of fun; try
>it!]LOOPLOOPLOOP
>

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In a message dated 4/28/00 8:29:19 AM Eastern Daylight Time, mcrix@tin.it 
writes:

<< i'm a she! >>
can you loop that too!!

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In a message dated 4/28/00 8:18:00 AM Eastern Daylight Time, mcrix@tin.it 
writes:

<< i've looping and playing synth for ages....sound engineering now..cristina 
ppppppprrrrrrrrrrr >>
Can you loop that!!!

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From: Echophazer@aol.com
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Roland makes pretty good video manuals for many of it's products. This is a 
great way for a new user to jump into a device and begin accessing it's 
features. I buy the roland videos for my gear it's worth it. It also provides 
an excellent base to stand on when going deep into the recesses of their 
manuals. A FAQ section in the video would be awesome. I don't have an EDP but 
i would buy the video to see what it has to offer me. Everyone send them an 
e-mail please.

peter

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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: OT: Audio CD-R vs. Data CD-R
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I guess I don't know when to shut-up...

Check out http://www.fadden.com/cdrfaq/ .  It has some really good information.

>- Traig and others say there is a flag that marks the Audio CD.
>So my Yamaha burner (connected to the Mac) ignores those?
>Or: What is a CD-AUDIO only recorder?

What I understand is that a CD-AUDIO only recorder (aka stand-alone recorder)
accepts only audio inputs.  They generally have superior ADC than common
soundcards.  They record only CD-AUDIO disks; you can't record data files.  They
come in two flavors, consumer and professional.  The consumer version will
record ONLY on special CD-AUDIO CD-R blanks.  These CD-R's are specially marked,
in a machine-readable fashion, so they can be distinguished from regular CD-Rs.
Consequently, the blank CD-AUDIO CD-Rs cost more due to a tax.  The quaility of
the CD-AUDIO CD-Rs is no different than regular CD-Rs.  The revenue from this
tax is paid to the music industry because they have convinced law-makers that
copyrighted material is being reproduced so they need to make up for lost
income.  Note that NO ARTIST receives any compensation, only the music industry.
Also, when you duplicate your own songs on such CD-AUDIO CD-Rs, you are paying
money to the music industry via the tax.  (This is an industry that should be
preserved???  Sounds like a bunch of thugs, to me.)

CD-R recorders attached to computers do not have such restrictions.  You don't
have to use CD-AUDIO CD-R blanks.

>What do you mean by cheap disk?
>Does this mean that in my recorder this optimizing process never happened?
>If so, I doubt its necessary.

There is a "trick" you can use with certain CD-AUDIO only recorders to bypass
the use of special CD-AUDIO CD-Rs.  Load the recorder with a real CD-AUDIO CD-R.
The recorder identifies the CD-R as OKed by the thugs, I mean generating revenue
to the music industry, and permits you to continue.  But before you actually
start recording, you pry out the CD-AUDIO CD-R and replace it with a regular
CD-R.  Now you burn your stuff onto the lower-cost regular CD-R.  It's lower
cost because there isn't an added tax.

However, since different manufactures use different dyes in their CD-Rs (which
respond to the write laser differently), some recorders test the CD-R by burning
test spots.  Unfortunately, when using the  "trick" above, the test spots are
burnt onto the CD-AUDIO CD-R which may respond differently than the regular
CD-R.

>Can you give us some sources for those theories? I really want to
>learn all about it...

Here's a good page that includes a link to the FAQ above.
http://www.tardis.ed.ac.uk/~psyche/cdrom/index.html

Hope this information helps.

Dennis Leas
-----------------------------
dennis@mdbs.com



From Loopers-Delight-request@annihilist.com  Fri Apr 28 11:11:45 2000
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Date: Fri, 28 Apr 2000 08:06:36 -0700
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, tcn62@ici.net
Subject: Re: Cyberarts special in today's Boston Globe
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> Hey, why should Miko & Co. over in Santa Cruz get to have all the
fun? We in the Northeast should have a Loopapalooza as well! Tim

Right now we're at 14 confirmed attendees! The rehearsal studio I
rented is going to be packed! 8-) This should be some major fun...

-miko

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From: "Larry Tremblay" <ltct@concentric.net>
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Subject: Re: Wanted: Lexicon JamMan
Date: Fri, 28 Apr 2000 11:36:39 -0400
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There are a few Jammmen on eBay as we 'speak'.
- Larry
----- Original Message ----- 
From: "Raymond Powers" <raypows@ojai.net>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, April 27, 2000 7:48 PM
Subject: Wanted: Lexicon JamMan


> I'm looking for a used Lexicon JamMan with the 32 sec. sampling option.
> Does anyone have one available for sale? or know of someone? If so, what
> is the asking price? 
> Thanks,
> Raymond Powers
> 
> 

From Loopers-Delight-request@annihilist.com  Fri Apr 28 12:02:25 2000
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Subject: Re: Cyberarts special in today's Boston Globe
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Miko - 

Did you send a press release to the local papers?
This actually works, you know. Also, try contacting
the 'city desk' person and talk to them personally.
Sometimes your one-on-one enthusiasm for the event
will motivate a major paper to send someone down.

I've done this several times - and even made some 
friends at the paper this way, which makes it easier 
for the next event. :)

Just be yourself.

Good luck,

- Larry T (who's had many past lives)

----- Original Message ----- 
From: "Mike Biffle" <mbiffle@svg.com>
To: <Loopers-Delight@annihilist.com>; <tcn62@ici.net>
Sent: Friday, April 28, 2000 11:06 AM
Subject: Re: Cyberarts special in today's Boston Globe


> > Hey, why should Miko & Co. over in Santa Cruz get to have all the
> fun? We in the Northeast should have a Loopapalooza as well! Tim
> 
> Right now we're at 14 confirmed attendees! The rehearsal studio I
> rented is going to be packed! 8-) This should be some major fun...
> 
> -miko
> 
> 

From Loopers-Delight-request@annihilist.com  Fri Apr 28 11:59:51 2000
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From: Jprice01@aol.com
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Date: Fri Apr 28 11:29:10 2000
Subject: Re: Female Loopers?
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I think there are not that many women who loop for very concurrent though specific and subtle reasons. 

the majority of loop work people will see & hear let alone the loop stuff folks actually are aware of is visually represented by men who are almost always overly analytical, gear driven as opposed to being inclusive feeling in texture and overall attractiveness ( be it physical attractiveness, social or frivilous, etc). 

Plus most loop music just feels like a guy thing with an anti-social or detached-intellectual guy perspective. And when i say anti social i mean in a way that is boring as opposed to invigorating or inspiring more than just others like themselves.

Most loop music and musicians are always looking for affirmation amongst themselves and it always perpetuates itself. But how many times can you preach to he converted ? most loiop artists seem to be content preaching to the converted and remain in very familiar and very safe looping contexts: art galleries, coffee shops...not many loopers seem to me be playing to anyone other than their own.

and to illustrate what i mean, look at this analogy which is quite obvious and may seem a bit like apples and pineapples to the die hard loop dudes but here goes: 

lillith fair compared to robert fripp soundscapes...two different crowds (i know) but they both conjure up clear and concise images of what their respective audiences will look like. which audience seems to attract more women ?

I have yet to hear loop material other than AKASH ( but i'm in AKASH so that is a very subjective statement - GRIN! ) that is truly from a female perspective but AKASH is a mix of men and women. 

AKASH goes a little further than having feminine and femininist perspectives by using BDSM and Fetish oriented porn, total nudity, dancers, go-go and images of male sexuality and male agressiveness reversed to fit a very very free thinking but manufactured lifestyle agenda ( shameless plugs - i know )...

and unquestionably, the look and the image and the nudity AKASH puts out there goes with the music and attracting an audience.

but with AKASH we do a lot of spoken word/improv & we have seen a fairly even mix at our shows where guys and girls all are represented evenly. and we were surprised because we thought that we would turn off a lot of women and men with our blatent sexual content but the response to AKASH live is just the opposite. 

Most of our audience tends to be unmarried couples and Married couples who are 25-35, lesbians, gays and even those overly analytical types both boy and girl but they are typically mixed evenly in representation. 

most loopers & this one in particular are trying really to be exclusive from a process and process execution point of view to only include what is necessary to the music. 

but I think loop musicians unintentionally end up making a lot of loop music that is exclusive to the point that the final product is uninviting and narrow. 
i would vconstantly get that feedbk from the women a lot in the beginning of AKASH. 

Also, loop performances are usually executed in contexts/venues that are not where women tend to go and or be interested in having their musical experience. 

Loop shows are usually held in venues that are off the typical beaten musical path where women I mean the women who will actually go to shows will hang.

Add to that the fact that music in general does not matter that much anymore as it did b4 and most music is taken for granted.

Hard to say more than what i have why loop music is so male dominanted cause well...remeber this is a very subjective male opinion i have but it is based on observing and playing a lot of loop performances. 

I have seen women looping and i have seen women at loop shows but always in small numbers.

trick is with anything you do whether it is r&b, jungle, drum n bass or trance or even gamelan music...to attract people in more proprotionate #'s both men and women not only do folks have to dig you but u gotta make them wanna be like you. even ol fripp does that...he does it very well.

Now who other than those who have been introduced to loop music ( by a guide ),  who familiar with the artists who loop & the different styles and variations that are in between loops would appeal to someone, a woman that is unfamiliar with loop oriented material..there are not that many folks IMHO in terms of loop musicians who are good good guides to propel the music forward someplace beyond where it seems to always stand.

Not saying i am any better than others but i'm saying that the same faces always tend to play to the same faces in loop performances ( not a bad thing either ) ...just a recipee for the status quo to always remain in the loop heiarchy.

Regards,
JP

From Loopers-Delight-request@annihilist.com  Fri Apr 28 12:03:36 2000
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Subject: Re: EDP Tutorial Video
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RE: Video Tutorial

With the proliferation of near-Pro quality video
cameras today, especially the digital cams from
Sony, an instructional video can be produced
on the cheap easily. Independent filmmakers
routinely produce shorts and whole movies for
between $0 - $10,000 using scrounged equipment
and talent.

All you need at minimum is a cameraperson,
soundperson and good lighting. A video of
this type can be shot in someone's livingroom,
studio, wherever you want.

Script the instructional content very tightly,
covering all the bases, and shoot it. Simple.

The Point: THIS CAN BE DONE QUICKLY & CHEAPLY.

- Larry T

----- Original Message -----
From: "Kim Flint" <kflint@annihilist.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 28, 2000 5:28 AM
Subject: Re: EDP Tutorial Video


> At 10:36 PM -0700 4/27/00, Jordan Pease wrote:
> >LOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLOOPLO
> >I'm kinda surprised that there hasn't been more discussion about this
> >idea. I agree that waiting for Gibson to produce a video may be a bit...
> >excruciating.
> >
> >I'm really curious what Kim has to say about this idea.
>
> I'm not sure why my opinion is so important, or why it's more important
> than what Matthias already said about it. But you asked, so here goes:
>
> Instructional video, great idea. We've wanted to do one for many years.
But
> nobody has the time or the money. I don't know exactly how much it costs
to
> produce something like that, but if somebody could please send me $25,000,
> I'll see to it that it gets done. :-)
>
>
> In addition to videos, I think it would be great if people wrote
> instructional books, taught classes at the community center, held
seminars,
> gave private lessons, etc. There should be a loop teacher in the back room
> of every music store in the land, in the little room where the guitar
> teacher used to be.
>
>
> >If LD can produce compilation CDs- Why not a tutorial video ?  I would
> >think there would be a real interest in buying it. I doubt that anyone
> >on this list knows all there is to know about this 'art-form' called
> >looping. What if people just sent-in their own submissions and someone
> >edited and compiled them ? That would be a start  !
> >
> >
> >Come-on you guys: this list is supposed to be about stuff like THIS !
> >Let's make it happen !
>
> go to it. every other instrument has a small cottage industry of
> educational materials surrounding it. Why not this one?
>
> kim
>
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  |
>
>
>

From Loopers-Delight-request@annihilist.com  Fri Apr 28 12:49:54 2000
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If, when a sync slave, the EDP loses a beat (i.e. doesn't receive one),
what happens?  Does it just assume the relationship's over and goes on
its merry way?

Also:  how about when the master has been turned off for a while - is
there any way to get the EDP to sync back up to it when it starts
delivering beats again (with the currently playing loops - i.e. without
clearing them and starting over)?

Thanks in advance for any help.
Cheers,
eobe

[note to Andre LaFosse:  guess what?!?! :) ]

From Loopers-Delight-request@annihilist.com  Fri Apr 28 12:52:56 2000
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From: "Clifford@BienAppraisers" <bienappraisers@mindspring.com>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: OT: Mother Mallard on NPR
Date: Fri, 28 Apr 2000 09:34:28 -0700
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This is a multi-part message in MIME format.

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I heard most of a very interesting radio piece on Mother Mallard on =
Wednesday on NPR- I think it was All Things Considered - you can =
probably find it on their website- Seems the guy who formed the band had =
keys to Bob Moog's first lab and was instrumental in testing all the =
prototypes! Neat!

Cliff


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3612.1706"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>I heard most of a very interesting =
radio piece=20
on Mother Mallard on Wednesday on NPR- I think it was All Things =
Considered -=20
you can probably find it on their website- Seems the guy who formed the =
band had=20
keys to Bob Moog's first lab and was instrumental in testing all the =
prototypes!=20
Neat!</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Cliff</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV></BODY></HTML>

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93/156

On or around , Jprice01@aol.com said:

>the majority of loop work people will see & hear let alone the loop stuff 
>folks actually are aware of is visually represented by men who are almost 
>always overly analytical, gear driven as opposed to being inclusive feeling 
>in texture and overall attractiveness ( be it physical attractiveness, 
>social or frivilous, etc). 

Other than perpetuating the usual PC "men are slime" perspective, I don't
really see how this is relevant; the 'inclusive feeling' in texture isn't
something that one can reasonably quantify as a male or female trait.  As
far as physical attractiveness and performance, I've discovered that being
competent and self-assured (as well as not just some idiot out to get laid)
overcomes resistance in this area; ditto on the social aspect.  Being
"frivolous" depends on the context at hand; I'm all for looping my literal
(as in, children's) toys in frivolous numbers if the time be right for such
a thing.

>Plus most loop music just feels like a guy thing with an anti-social or 
>detached-intellectual guy perspective. And when i say anti social i mean in 
>a way that is boring as opposed to invigorating or inspiring more than just 
>others like themselves.

Interesting; I've had my best overall reaction from women having heard my
music, yet I seem to typify the traits villified here.  I don't waste my
time with stage shows or audience participation or generally on doing
whatever the muse strikes at the moment.  That said, I do not believe one
bit that 'loop music' or any other kind for that matter will fail to
attract a wide range of people...if it's performed well, is generally of
interest, et cetera.  Even when I've gotten into the realms of modulated
feedback, I haven't seen women run for the hills.

>Most loop music and musicians are always looking for affirmation amongst 
>themselves and it always perpetuates itself. 

Most artists, be they male, female, or undecided, do the same thing.  It's
called building community, based on interest.  

>But how many times can you 
>preach to he converted ? 

How many times do you feel it is a moral imperative to preach to the
unwashed masses?  I mean, I play a guitar, and not even very well in a
technical, proper sense, and that's it.  There isn't any attendant
responsibility to bring culture to the masses, or promulgate looping, or
whatever.  I don't bother to promote my religion to the troglodytes of the
world; why should I raise my music to a different standard?  In the end,
I'm making sound waves, nothing more than sound waves.   If I hear them,
that's enough.  If it happens to influence others to make a positive change
or commit suicide or walk out in disgust, so be it.  It isn't my intent.  

>most loiop artists seem to be content preaching to 
>the converted and remain in very familiar and very safe looping contexts: 
>art galleries, coffee shops...not many loopers seem to me be playing to 
>anyone other than their own.

I have no desire to personally go forth and push the envelope with my
performance in that shoving it down someone's throat at an unfriendly venue
just doesn't cut it.  It's rude, counterproductive, and generally not
something I choose to do as an artist.  Sure, I went through my "turn the
amps to 10 and make the soundman's ears bleed as we make 2 1/2 hours of
absolute shit that doesn't bear any resemblance to Western music" phase,
just like a lot of us probably did.  I still do it from time to time..but
going out with a message or to convert people just isn't my style.  

>and to illustrate what i mean, look at this analogy which is quite obvious 
>and may seem a bit like apples and pineapples to the die hard loop dudes but 
>here goes: 

It is apples and pineapples; one is aiming at a mainstream market with
effective niche 'hip' advertising (i.e. the female aspect of the Lilith
Fair), and the other is going after the frequently-aging art-rock crowd
that generally isn't trying to keep up with current trends.  I'd call it a
classic instance of "I listen to what's currently the flavor d'jour" versus
"I listen to what I want" in the eyes of the average attendee.

>lillith fair compared to robert fripp soundscapes...two different crowds (i 
>know) but they both conjure up clear and concise images of what their 
>respective audiences will look like. which audience seems to attract more 
>women ?

I could care less whether one venue attracts more women than the other; my
life doesn't revolve around making men or women scream long and hard for a
piece of my cock.

>I have yet to hear loop material other than AKASH ( but i'm in AKASH so that 
>is a very subjective statement - GRIN! ) that is truly from a female 
>perspective but AKASH is a mix of men and women. 

Music is music; when it panders to a particular perspective, I know it
personally makes me vomit.  I want to listen to quality musicians
performing something worthwhile, and that is worthwhile even if the
'message' is stripped from it.  Case in point was last year's "Sexworkers
Art Show" that I attended in Olympia, Washington, in which the musical
entertainment was booked simply because it featured sexworkers.  On any
other count, it was run-of-the-mill poorly performed bar-band cock rock
with a male-bashing perspective.  Was it entertaining?  Not really.   Was
it good as music, devoid of political message?  Hell no.  Was the message
delivered effectively?  Not really.

>AKASH goes a little further than having feminine and femininist perspectives 
>by using BDSM and Fetish oriented porn, total nudity, dancers, go-go and 
>images of male sexuality and male agressiveness reversed to fit a very very 
>free thinking but manufactured lifestyle agenda ( shameless plugs - i know
)...

Call me a heretic here, but the whole patriarchal oppression thing has
gotten a bit old now; if I have to hear more Barbara Walkeresque inspired
tripe masquerading as "herstory" one more time, I want to be paid my usual
consulting fee for the experience.

>and unquestionably, the look and the image and the nudity AKASH puts out 
>there goes with the music and attracting an audience.

I'm sure it does; the people who would show up at King Velveeta's Court of
Porn in Chicago for shows weren't the type to even give a shit whatsoever
about what was being played; the music was an excuse to see T&A and more.
Not that I have anything against that sort of thing; I'm a proud producer
of pornography myself and freely admit to hosting and designing more than a
few adult sites as my primary business.

>but with AKASH we do a lot of spoken word/improv & we have seen a fairly 
>even mix at our shows where guys and girls all are represented evenly. and 
>we were surprised because we thought that we would turn off a lot of women 
>and men with our blatent sexual content but the response to AKASH live is 
>just the opposite. 

I'm sure it is; the suburban masses want to be titilated whenever possible.
 "Hey ma, can I look at the whores!" was a common sentiment expressed at
the art show I attended.  Personally, I prefer to be associated with a
scene that is about music first and foremost, and where attendant
personality, popularity, agenda, philosophy, and sex comes in distant
seconds, thirds, and whatnot.  If that only attracts other musicians, so be it.

>Most of our audience tends to be unmarried couples and Married couples who 
>are 25-35, lesbians, gays and even those overly analytical types both boy 
>and girl but they are typically mixed evenly in representation. 

Sex caters to a wider demographic split than live music; if money's the
issue, sex is always a better way to go.

>most loopers & this one in particular are trying really to be exclusive from 
>a process and process execution point of view to only include what is 
>necessary to the music. 

I'm stil curious as to why this is a bad thing; artifice and impressive
presentation can always be added later, but impressive cute antics don't
make the music any better if it sucks.

>but I think loop musicians unintentionally end up making a lot of loop music 
>that is exclusive to the point that the final product is uninviting and 
>narrow. 

If you're referencing failing to put on a full strip show, sure..I'm sure a
lot of us fail in that area.  However, the same can be said for most jazz
and classical performances; we're dealing with artists who are more
concerned about the music than the image or the presentation thereof.  If
the mass audience can't deal with that, so be it.

>Also, loop performances are usually executed in contexts/venues that are not 
>where women tend to go and or be interested in having their musical 
>experience. 

Well, I don't expect to be playing an abortion clinic any time soon,
although it'd be a fine addition to my list of strange venues for a gig.

>Loop shows are usually held in venues that are off the typical beaten 
>musical path where women I mean the women who will actually go to shows will 
>hang.

There you've fractured the demographic further, destroying most of your point.

>Add to that the fact that music in general does not matter that much anymore 
>as it did b4 and most music is taken for granted.

I'm sorry you feel that way; I couldn't present shows cogently and
responsibly to my audience if I felt anything near that.  For me, it's all
about the music; it isn't about minority posturing (which as a member of a
fruitcake religious 'cult' I could do), or in selling sex, or making money,
or getting laid, or accumulating more gear, or getting endorsements, or any
other reason.  It's about music in the moment, without boundaries, without
expectations, hell, even without looping if that's what the moment calls for.

>Hard to say more than what i have why loop music is so male dominanted cause 
>well...remeber this is a very subjective male opinion i have but it is based 
>on observing and playing a lot of loop performances. 

It is a very subjective opinion, obviously attached to some sort of agenda.

>I have seen women looping and i have seen women at loop shows but always in 
>small numbers.

By and large, women aren't represented in the greater performing musical
community in numbers equal to men.  It's not something I lose sleep over.

>trick is with anything you do whether it is r&b, jungle, drum n bass or 
>trance or even gamelan music...to attract people in more proprotionate #'s 
>both men and women not only do folks have to dig you but u gotta make them 
>wanna be like you. even ol fripp does that...he does it very well.

I hate "fans."  I really do.  The people who "want to be like me" just make
me want to avoid live shows altogether.  I'm there to perform, not to sell
my soul or be someone's confessor or whatever.  An individual who wants to
emulate me or be like me needs serious, serious counselling.  It's one
thing to like what a musician is doing, and another to want to be their
reincarnation and know every little bit of trivia about their personal life
and performance catalog.  It's a bit eerie, actually, in there are those
who want people to emulate them and want to be like them in every way
possible.  Count me out as the spokesman for the New Looper Generation; I
don't want to see my chosen pieces of gear get lauded over like great
unobtainable holy grails and watch the prices skyrocket on what is
essentially by current standards total crap; I don't want people to be
charging $50 for bootleg videos or second-hand CDs on eBay.  None of this
helps me be a better musician or anything else I really want to be.

>Now who other than those who have been introduced to loop music ( by a guide 
>),  who familiar with the artists who loop & the different styles and 
>variations that are in between loops would appeal to someone, a woman that 
>is unfamiliar with loop oriented material..there are not that many folks 
>IMHO in terms of loop musicians who are good good guides to propel the music 
>forward someplace beyond where it seems to always stand.

I could care less whether any type of music I'm interested in or perform
hits the mainstream; I won't stop playing it if it does.  Anyone who wants
to be a 'guide' to the masses generally makes me ill.

>Not saying i am any better than others but i'm saying that the same faces 
>always tend to play to the same faces in loop performances ( not a bad thing 
>either ) ...just a recipee for the status quo to always remain in the loop 
>heiarchy.

This occurs in any music scene; when I played rock, we'd see the same
people.  When I played noise from hell, we saw the same people.  A certain
demographic goes for live music, and a certain demographic does not.

93/156
==
the Reverend Rob      ICQ: 1280871  
http://www.realm-of-shade.com .`. .`. .`. .`. http://www.qblh.com
=================================================================
"I prefer not to kill people, but I'd like to destroy as much
 property as possible." - Grace Slick, from the Airplane FBI file
=================================================================
http://www.reverendrob.com : feedback and echo MP3s

From Loopers-Delight-request@annihilist.com  Fri Apr 28 13:20:02 2000
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Date: Fri, 28 Apr 2000 10:16:20 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: RE: OT: Audio CD-R vs. Data CD-R
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Matthias,
What I meant by cheap disk is the data type disk. 
They are cheaper than the consumer audio disk (because
of the tarrif on the audio disk).  I didn't mean to
imply that the lower cost disks are inferior in any
way.

I don't know how computer based cd burners handle
optimization, or if they do test burns.  

I only know what my HHB standa alone CD audio recorder
does.  Optimization would allow the burner to create
usable disks across the varied blanks.  The disks vary
due to manufacturing variences, as well as formulation
differences from company to company.

We use optimization routines in manufacturing hard
disk drives.  The variation in heads, media, preamps
and other components, along with asssembly variences
create a population of drives that may not work (write
and read) optimally.  So, we tune several parameters
such as write current, and dsp filter settings on the
read channel in order to make the all (or most) of the
drive population write and read reliably ( over the
life of the drive).  If they can't be optimized, the
drives are rejected and rebuilt.
bret


--- Matthias Grob <matthias@grob.org> wrote:
> 
> What do you mean by cheap disk?
> Does this mean that in my recorder this optimizing
> process never happened?
> If so, I doubt its necessary.
> 
> Can you give us some sources for those theories? I
> really want to 
> learn all about it...
> 
> Thank you
> Matthias
> 
> 
>           ---> http://Matthias.Grob.org
> 

__________________________________________________
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From Loopers-Delight-request@annihilist.com  Fri Apr 28 13:25:31 2000
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From: "Gary Lehmann" <relay@funtv.com>
To: <Loopers-Delight@annihilist.com>
References: <3908D1D3.1184@ojai.net> <002001bfb127$8e1f7390$5e310140@concentric.net>
Subject: Ebay JamMan; also EDP prices
Date: Fri, 28 Apr 2000 10:02:16 -0700
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Yes, I've been waiting for my humble bid of $300 to be bested for an 8 sec
Jampup posted to Ebay--I'd expect to pay $600-800 for a tricked out one.  I
am happy to have my own 32 sec model, but I am going to look into buying an
EDP.  Can anyone give me an idea of what list is, memory prices, and/or what
I should expect to pay to move up to the big time (I made a joke).  Also, do
all the new units ship with the latest software?  I'll take my answer off
the air.
Gary

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Date: Fri, 28 Apr 2000 13:15:52 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: (OT) Promo tips, was: Re: Cyberarts special... 
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At 11:55 AM 4/28/00 -0400, Larry T. wrote:
>Did you send a press release to the local papers?
>This actually works, you know. Also, try contacting
>the 'city desk' person and talk to them personally.
>Sometimes your one-on-one enthusiasm for the event
>will motivate a major paper to send someone down.

I agree 100% that maintaining contact with local press is a great way to
get some free promo for gigs and recorded releases. However, rather than
asking for the city desk person, you'd usually get better results talking
to the arts and entertainment editor(s). The problem with going through a
"regular" newsroom editor is that entertainment stories are considered
"soft news" and even if they're keen to print it, it's unfortunately
usually the first thing to get bumped when something more sensational
breaks, like a fire, an accident, an armed seizure of a six-year-old Cuban
boy, or a photo of the publisher's wife's sister's bridge club's bake sale
raffle winner. Building a rapport with the arts & entertainment editor
you'll more likely get better play and a much better chance of being
mentioned repeatedly as other events happen. And it's often worthwhile to
find out if a paper has more than one Arts editor, as it's common for there
to be a separate one for a paper's ROP pages (the regular ones in the paper
with the movie ads on 'em), the Arts magazine that a lot of papers run on
Thursdays so we can sell more ads, AND the Sunday Arts section, and it can
be amazing how little these three people can communicate with each other
sometimes.

Also, apart from the editors, make an effort to meet the people who
actually write the reviews, as it's been my experience that many of them
are themselves active participants in local music scenes, and you might
pick up some shows that way.

 Play up the angle that your music is not the same as that being done by
most of the artists who're sending them press materials. Send the editors
gifts! (Passes/invites to your event, well-written, concise press releases
that can be used almost verbatim, good clear photos, review copies of your
releases...) Include good contact info and follow up on it (when they're
NOT on deadline, or they won't want to talk to you), impressing the editor
with your cool and friendly charm and non-pushy persistance. 

Tim (who's a graphic artist for, yes, a newspaper...) 

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Date: Fri, 28 Apr 2000 10:38:21 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Re: Is it possible to sync Vortex to EDP?
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--- John Tidwell <wedgehed@yahoo.com> wrote:

> 
> I've tried running the EDP's midi out to a midi/cv
> converter & then connecting the converter's S-TRIG
> out to the Vortex tap tempo jack. 

This did not work because you need to apply a "note
on" from the midi size in order to generate the S-trig
output (note on in midi is translated to S-trig for
moog type analog synths).

That is why the following worked for you:

> 
> Out of curiosity, I disconnected the midi cable
> from the EDP & hooked it up to the midi out of a
> keyboard. Guess what? Every key on the keyboard now
> acted like the tap tempo foot switch of the Vortex!

The keyboard sends a midi note on when each key is
pressed.  

I have been thinking lately on how to use beat sync to
gen a S-trig for my analog synths.  I think it can be
done rather easily and cheaply, and might be fun.

bret


__________________________________________________
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From Loopers-Delight-request@annihilist.com  Fri Apr 28 13:57:36 2000
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Subject: RE: EDP beat clock question
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>If, when a sync slave, the EDP loses a beat (i.e. doesn't receive one),
>what happens?  Does it just assume the relationship's over and goes on
>its merry way?

No. It sync up if it hears a clock again. I'm not sure how close the clock
has to be, or how fast - or if changing the tempo does anything. Someone
elseasked this question before and asked for me to clrify but I couldn't
find their message later.



>Also:  how about when the master has been turned off for a while - is
>there any way to get the EDP to sync back up to it when it starts
>delivering beats again (with the currently playing loops - i.e. without
>clearing them and starting over)?

I can press play on my SP-808, and have the EDP sync, then stop the 808,
rewind, press play, and have it sync again. I do this all the time when my
songs are too short.


bIz

From Loopers-Delight-request@annihilist.com  Fri Apr 28 13:59:33 2000
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From: "Mike Biffle" <mbiffle@svg.com>
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Subject: Re: Cyberarts special in today's Boston Globe
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This is NOT a public performance... It's a private session among
invited loopers. I'm minimizing outside attendance so we can have our
own social gathering and also have a controlled taping environment.
The recording may become a "calling card" for future more public
variants on this theme. 

Best,
-Miko

>>> "Larry Tremblay" <ltct@concentric.net> 04/28 8:53 AM >>>
Miko - 

Did you send a press release to the local papers?
This actually works, you know. Also, try contacting
the 'city desk' person and talk to them personally.
Sometimes your one-on-one enthusiasm for the event
will motivate a major paper to send someone down.

I've done this several times - and even made some 
friends at the paper this way, which makes it easier 
for the next event. :)

Just be yourself.

Good luck,

- Larry T (who's had many past lives)

----- Original Message ----- 
From: "Mike Biffle" <mbiffle@svg.com>
To: <Loopers-Delight@annihilist.com>; <tcn62@ici.net>
Sent: Friday, April 28, 2000 11:06 AM
Subject: Re: Cyberarts special in today's Boston Globe


> > Hey, why should Miko & Co. over in Santa Cruz get to have all
the
> fun? We in the Northeast should have a Loopapalooza as well! Tim
> 
> Right now we're at 14 confirmed attendees! The rehearsal studio I
> rented is going to be packed! 8-) This should be some major fun...
> 
> -miko
> 
> 

From Loopers-Delight-request@annihilist.com  Fri Apr 28 14:14:07 2000
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Subject: Re: Female Loopers?
Date: Fri, 28 Apr 2000 14:00:06 -0500
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From: Jprice01@aol.com <Jprice01@aol.com>
>Hard to say more than what i have why loop music is so male dominanted
cause well...remeber this is a very subjective male opinion i have but it is
based on observing and playing a lot of loop performances.
>I have seen women looping and i have seen women at loop shows but always in
small numbers.
>Regards,
>JP
>

JP, just a quick question/though: where do you live/perform? I'm in NYC and
that doesn't seem to be happening here at all, there seems to be just about
an even split at most shows I attend and perform at,...Knitting
Factory/Tonic/37th Street Theater/Baby Jupiter etc...
PedrOOrdeP

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> I can press play on my SP-808, and have the EDP sync, then stop the 808,
> rewind, press play, and have it sync again. I do this all the time when my
> songs are too short.

So if the EDP's in the middle of a cycle and it receives a sync (after it
hasn't for a while) - does it jump immediately to the start of the cycle
(which is what i'm most interested in) or does it just sync at whatever
relationship exists at that moment?

Thanks for the help!
eobe

From Loopers-Delight-request@annihilist.com  Fri Apr 28 13:52:02 2000
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: RE: Is it possible to sync Vortex to EDP?
Date: Fri, 28 Apr 2000 10:49:22 -0700
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I'm sure it's too late to ask for this for the next version, but would it be
possible to add a 'sync=both' option, that syncs to midi and >also< sends
out a beat sync signal, so you could sync your EDP to midi, and your vortex
to your edp?

This would be absolutely killer.

bIz

-----Original Message-----
From: Kim Flint [mailto:kflint@annihilist.com]
Sent: Friday, April 28, 2000 2:17 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Is it possible to sync Vortex to EDP?


I have no idea why your midi/cv thing isn't working right with the
echoplex's midi output, but I think maybe you can do this without midi at
all.

When sync=out, the echoplex sends out a pulse from the BeatSync jack in the
back. The pulse is sent at the startpoint of the loop.  Perhaps you could
use this pulse to trigger the vortex tap tempo jack?

I have no idea if it will work, but I'd be plenty interested in finding out!

BTW, with the midi thing, did you try different midi channels? Does the cv
thing care what the velocity is? Can it use cc instead?

kim

At 12:43 AM -0700 4/28/00, John Tidwell wrote:
>I came across some Vortex info in the Analogue Heaven
>archives that indicates that some of these folks were
>able to operate the tap tempo function of the Vortex
>from their sequencers and/or synths.
>
>I've tried running the EDP's midi out to a midi/cv
>converter & then connecting the converter's S-TRIG
>out to the Vortex tap tempo jack. I then recorded a
>3 second loop on the EDP in hopes that the midi
>note message that the EDP sends at the start of the
>loop would operate the tap tempo of the Vortex.
>It did not.
>
>Out of curiosity, I disconnected the midi cable
>from the EDP & hooked it up to the midi out of a
>keyboard. Guess what? Every key on the keyboard now
>acted like the tap tempo foot switch of the Vortex!
>
>I've verified that the EDP is sending midi by hooking
>its midi out to the keyboard's midi in.
>
>I just thought it would be nice to have the EDP
>control the Vortex delay time as the EDP moved
>from one short loop to another.
>
>Can anyone fill in the blanks? It's really irritating
>me that I can't figure this out.
>
>Many thanks.
>
>John
>
>=====
>John Tidwell
>

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  |



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While you make some interesting points (and a shameless plug :),
I disagree with your basic premise that looping is male-oriented,
or that, by nature, women aren't interested in loop-oriented
music.

Of my many musical mentors, it was a woman who introduced me
to early Eno and the academic side of loop/ambient/drone music,
and another woman who introduced me to Eno's ambient works, Jon
Hassell, Japan and similar artists. In Middle School, it was
a woman teacher who introduced me to tape-looping and tape-manipulation
techniques via musique concrete AND synthesizers.
Obviously, my personal experience could be construed as an
exception, but I doubt it.

Pauline Oliveros was also a very influencial, and say what
you will about Yoko Ono, but through her, the Beatles
produced "Revolution Number 9".

No offense, but AKASH sounds like a throwback to the spectacles
staged by The Tubes and Fluxus in the 1960's and 1970's. Be-ins,
Happenings and such. But since I haven't seen/heard it, I'm probably
wrong.

However, it does sound a bit desperate to rely on Spectacle (see
Dubord) to broaden in order to expand one's audience. On the other
hand, for comparison's sake, something like The Blue Man Group,
or Negativeland, while somewhat spectacular, works great.
The troupe enjoys BOTH critical acclaim and a wide audience. Not
that either of these criteria is terribly important. It's just one
way of measuring progress, however one defines it.

I also question the value of proportional representation. Is
it a value in and of itself, just *for the sake of it*? People
like what they like because they like it. [Now there's a nice
tautology :) ]

It's a mistake I think to extrapolate the representation of
women in the looping community from their Internet habits.
Fact: the demographics of the Internet/Web are primarily male.
It's that simple. It does not follow that looping is primarily
the purview of males.

> lillith fair compared to robert fripp soundscapes...
More like comparing Apples and machine-guns.

>>> but I think loop musicians unintentionally end up making a lot of loop
music that is exclusive to the point that the final product is uninviting
and narrow. <<<

That's an aesthetic problem for the performer to work out.

>>> Also, loop performances are usually executed in contexts/venues that are
not where women tend to go and or be interested in having their musical
experience.
> Loop shows are usually held in venues that are off the typical beaten
musical path where women I mean the women who will actually go to shows will
hang.<<<

Absurd. You are saying women don't read, don't drink coffee, don't
hang out, or discuss and BS like the boys do. My wife would take
acception to this I think. Do you really KNOW many women?

>>> Add to that the fact that music in general does not matter that much
anymore as it did b4 and most music is taken for granted.
<<

This is true, of course. The means for music creation and the
pervasiveness of music in our lives has increasingly devalued
it. This was inevitable though. The trajectory of music creation
from "patronage by kings", to "patronage by millions", logically
ends with the disappearance of the Star system altogether. There
will be celebrities for sure, but not the same star-making
machinery that has dominated as in the past. It's the
democratization of music.

>>>
Now who other than those who have been introduced to loop music ( by a
guide ),  who familiar with the artists who loop & the different styles and
variations that are in between loops would appeal to someone, a woman that
is unfamiliar with loop oriented material..there are not that many folks
IMHO in terms of loop musicians who are good good guides to propel the music
forward someplace beyond where it seems to always stand.
<<<

Insert 'Dance' or 'Techno' wherever 'loop' is mentioned above . ;)

>>> Not saying i am any better than others but i'm saying that the same
faces always tend to play to the same faces in loop performances ( not a bad
thing either )<<<

Can be said of In-Sync and Metalica concerts. So what's the point?

>>>...just a recipee for the status quo to always remain in the loop
heiarchy. <<<

What does this mean??? Who are the Status Quo?

Curmugeonly yours, :)

- Larry T


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Sorry to be the opener of this can of worms.

One sexist post from each 'side' is two more than I can stomach. Let's kill
this thread.

bIz

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>This did not work because you need to apply a "note
>on" from the midi size in order to generate the S-trig
>output (note on in midi is translated to S-trig for
>moog type analog synths).

The EDP sends a note-on/note-off at the beginning of every cycle.  If you have
Source# set to 36, a note number 45 will be sent.  I don't remember if you need
to have sync=out or not.

Try it!  Connect your EDP to a synth.  You might need to fuss with the various
parameters (channel number, control source, etc).

Dennis Leas
-----------------------------
dennis@mdbs.com


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>From what I can tell - and I've had my EDP for about a week or so now - it
slowly but surely shortens the loop each pass until they are in sync.
Someone else should be able to tell you.

bIz



-----Original Message-----
From: eric [mailto:eobertha@inreach.com]
Sent: Friday, April 28, 2000 11:08 AM
To: Loopers-Delight@annihilist.com
Subject: Re: EDP beat clock question




> I can press play on my SP-808, and have the EDP sync, then stop the 808,
> rewind, press play, and have it sync again. I do this all the time when my
> songs are too short.

So if the EDP's in the middle of a cycle and it receives a sync (after it
hasn't for a while) - does it jump immediately to the start of the cycle
(which is what i'm most interested in) or does it just sync at whatever
relationship exists at that moment?

Thanks for the help!
eobe


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93

Jprice01@aol.com wrote:
> 
> I think there are not that many women who loop for very concurrent though specific and subtle reasons.

I am reminded of an XTC lyric:

"As time goes on your opinion will change like the weather / Things that
you said now seem small they just don't seem to matter" -- The World is
Full of Angry Young Men

93
Rev. Doubt-Goat

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You need to something like Song Position Pointer data 
or MTC (MIDI Time Code) to keep the machines locked 
in this manner. FSK to MTC or SPP is common (nice soup, 
eh?)

- Larry T

----- Original Message ----- 
From: "eric" <eobertha@inreach.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 28, 2000 12:43 PM
Subject: EDP beat clock question


> If, when a sync slave, the EDP loses a beat (i.e. doesn't receive one),
> what happens?  Does it just assume the relationship's over and goes on
> its merry way?
> 
> Also:  how about when the master has been turned off for a while - is
> there any way to get the EDP to sync back up to it when it starts
> delivering beats again (with the currently playing loops - i.e. without
> clearing them and starting over)?
> 
> Thanks in advance for any help.
> Cheers,
> eobe
> 
> [note to Andre LaFosse:  guess what?!?! :) ]
> 
> 

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If that is true - then I am extremely impressed.
Kim, is this true?
eobe
(of course - when i get home i'll try it out pronto!)

Jonathan El-Bizri wrote:

> >From what I can tell - and I've had my EDP for about a week or so now - it
> slowly but surely shortens the loop each pass until they are in sync.
> Someone else should be able to tell you.
>
> bIz
>
> -----Original Message-----
> From: eric [mailto:eobertha@inreach.com]
> Sent: Friday, April 28, 2000 11:08 AM
> To: Loopers-Delight@annihilist.com
> Subject: Re: EDP beat clock question
>
> > I can press play on my SP-808, and have the EDP sync, then stop the 808,
> > rewind, press play, and have it sync again. I do this all the time when my
> > songs are too short.
>
> So if the EDP's in the middle of a cycle and it receives a sync (after it
> hasn't for a while) - does it jump immediately to the start of the cycle
> (which is what i'm most interested in) or does it just sync at whatever
> relationship exists at that moment?
>
> Thanks for the help!
> eobe

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Subject: Re: EDP beat clock question
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woah there!
i'm about 50% with ya.
1st - are you saying what bIz says ain't so/
2nd - does the EDP even recognize MTC?
3rd - What does the last sentence mean?
Thanks a bunch.
eobe

Larry Tremblay wrote:

> You need to something like Song Position Pointer data
> or MTC (MIDI Time Code) to keep the machines locked
> in this manner. FSK to MTC or SPP is common (nice soup,
> eh?)
>
> - Larry T
>
> ----- Original Message -----
> From: "eric" <eobertha@inreach.com>
> To: <Loopers-Delight@annihilist.com>
> Sent: Friday, April 28, 2000 12:43 PM
> Subject: EDP beat clock question
>
> > If, when a sync slave, the EDP loses a beat (i.e. doesn't receive one),
> > what happens?  Does it just assume the relationship's over and goes on
> > its merry way?
> >
> > Also:  how about when the master has been turned off for a while - is
> > there any way to get the EDP to sync back up to it when it starts
> > delivering beats again (with the currently playing loops - i.e. without
> > clearing them and starting over)?
> >
> > Thanks in advance for any help.
> > Cheers,
> > eobe
> >
> > [note to Andre LaFosse:  guess what?!?! :) ]
> >
> >

From Loopers-Delight-request@annihilist.com  Fri Apr 28 16:28:14 2000
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Date: Fri, 28 Apr 2000 13:21:43 -0700
From: Mark Sottilaro <msottilaro@ppi2pass.com>
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I am in love with a looper!  Met her a little while ago in Yahoo personals.
True story.  I did a keyword search on "Eno" and boom!  There she was.  We met
at SFMOMA and it was love at first sight.  On our third date she took me to see
Tom Verlaine do music for silent movies, so of course I was hooked for life.

Ahhhh one day I long to say these words to my children (male or female) "Fade
out of that loop and come to dinner!"

I am a truly lucky man.

--
Mark Sottilaro
Professional Publications, Inc
1250 Fifth Ave, Belmont CA 94002
Multimedia Production
E-mail:  msottilaro@ppi2pass.com
Phone: (650) 593-9119 ext. 29


From Loopers-Delight-request@annihilist.com  Fri Apr 28 17:39:20 2000
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Date: Fri, 28 Apr 2000 17:31:20 -0400
From: Jeff Yost <yostie@ezworks.net>
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Hi Kim-
	I don't want to start any separate list. I thought quite a few were
gripping about gig posting on the list. I just set up the loopgig list
to allow those that wanted that aspect (without the bitching).

	I think Loopers-Delight is a fine forum the way it is. I just wish
people would hit the deleat button instead of the bitch button.

jeff

Kim Flint wrote:
> 
> At 10:55 PM -0700 4/26/00, Jeff Yost wrote:
> >Hi gang-
> >I went to onelist yesterday and set up a page/mail list for loopers who
> >wish to post their gigs, post their acts booking information, and post
> >their looper friendly venue information.
> >There is a database for both performers and venues that all may
> >contribute to: simply click on database on the left side of the main
> >page, then click on the appropriate database (performer/venue) on the
> >page you are taken to. Fill out information!
> >
> >You may also put your information into a form on the message page. To
> >get the form click on the first message (1). copy form, fill out, post
> >to the list.
> 
> I don't get it.
> 
> why set up a competing list when you have one right here that serves the
> same purpose?
> 
> Why not contribute something to our own community site at Looper's Delight
> and help it grow, rather than set up something different elsewhere?
> 
> And why do it with a company that plasters ads in front of everybody,
> making money off of us while LD gets nothing?
> 
> baffled,
> kim
> 
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  |

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From: "Larry Tremblay" <ltct@concentric.net>
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Subject: Re: EDP beat clock question
Date: Fri, 28 Apr 2000 17:26:44 -0400
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> 1st - are you saying what bIz says ain't so/
> 2nd - does the EDP even recognize MTC?

First a disclaimer: I have no idea to what extent the
EDP supports MIDI, nor the mature of it's clock output.

> 3rd - What does the last sentence mean?
Here's what I mean:

You *might* need to look into whether the EDP
supports MIDI Time Code (MTC), or MIDI Song Position
Pointer(SPP) - SPP gives you the ability to lock the
two machines together so that when you stop the Master,
the Slave stays in sync.

If neither the EDP or the slave supports SSP natively, then
could sync both of them to a common clock using a standalone
device.

Was that clearer?

Kim - help me out here...

- Larry
----- Original Message -----
From: "eric" <eobertha@inreach.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 28, 2000 3:58 PM
Subject: Re: EDP beat clock question


> woah there!
> i'm about 50% with ya.
> 1st - are you saying what bIz says ain't so/
> 2nd - does the EDP even recognize MTC?
> 3rd - What does the last sentence mean?
> Thanks a bunch.
> eobe
>
> Larry Tremblay wrote:
>
> > You need to something like Song Position Pointer data
> > or MTC (MIDI Time Code) to keep the machines locked
> > in this manner. FSK to MTC or SPP is common (nice soup,
> > eh?)
> >
> > - Larry T
> >
> > ----- Original Message -----
> > From: "eric" <eobertha@inreach.com>
> > To: <Loopers-Delight@annihilist.com>
> > Sent: Friday, April 28, 2000 12:43 PM
> > Subject: EDP beat clock question
> >
> > > If, when a sync slave, the EDP loses a beat (i.e. doesn't receive
one),
> > > what happens?  Does it just assume the relationship's over and goes on
> > > its merry way?
> > >
> > > Also:  how about when the master has been turned off for a while - is
> > > there any way to get the EDP to sync back up to it when it starts
> > > delivering beats again (with the currently playing loops - i.e.
without
> > > clearing them and starting over)?
> > >
> > > Thanks in advance for any help.
> > > Cheers,
> > > eobe
> > >
> > > [note to Andre LaFosse:  guess what?!?! :) ]
> > >
> > >
>
>

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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: RE: EDP beat clock question
Date: Fri, 28 Apr 2000 14:50:36 -0700
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The EDP supports midi clock, not MTC or SMPTE. It doesn't seem to worry
about song position - probably ignores this part of the information, just
using the code as a 'pulse', but Kim knows all.

bIz


-----Original Message-----
From: Larry Tremblay [mailto:ltct@concentric.net]
Sent: Friday, April 28, 2000 2:27 PM
To: Loopers-Delight@annihilist.com
Subject: Re: EDP beat clock question


> 1st - are you saying what bIz says ain't so/
> 2nd - does the EDP even recognize MTC?

First a disclaimer: I have no idea to what extent the
EDP supports MIDI, nor the mature of it's clock output.

> 3rd - What does the last sentence mean?
Here's what I mean:

You *might* need to look into whether the EDP
supports MIDI Time Code (MTC), or MIDI Song Position
Pointer(SPP) - SPP gives you the ability to lock the
two machines together so that when you stop the Master,
the Slave stays in sync.

If neither the EDP or the slave supports SSP natively, then
could sync both of them to a common clock using a standalone
device.

Was that clearer?

Kim - help me out here...

- Larry
----- Original Message -----
From: "eric" <eobertha@inreach.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 28, 2000 3:58 PM
Subject: Re: EDP beat clock question


> woah there!
> i'm about 50% with ya.
> 1st - are you saying what bIz says ain't so/
> 2nd - does the EDP even recognize MTC?
> 3rd - What does the last sentence mean?
> Thanks a bunch.
> eobe
>
> Larry Tremblay wrote:
>
> > You need to something like Song Position Pointer data
> > or MTC (MIDI Time Code) to keep the machines locked
> > in this manner. FSK to MTC or SPP is common (nice soup,
> > eh?)
> >
> > - Larry T
> >
> > ----- Original Message -----
> > From: "eric" <eobertha@inreach.com>
> > To: <Loopers-Delight@annihilist.com>
> > Sent: Friday, April 28, 2000 12:43 PM
> > Subject: EDP beat clock question
> >
> > > If, when a sync slave, the EDP loses a beat (i.e. doesn't receive
one),
> > > what happens?  Does it just assume the relationship's over and goes on
> > > its merry way?
> > >
> > > Also:  how about when the master has been turned off for a while - is
> > > there any way to get the EDP to sync back up to it when it starts
> > > delivering beats again (with the currently playing loops - i.e.
without
> > > clearing them and starting over)?
> > >
> > > Thanks in advance for any help.
> > > Cheers,
> > > eobe
> > >
> > > [note to Andre LaFosse:  guess what?!?! :) ]
> > >
> > >
>
>

From Loopers-Delight-request@annihilist.com  Fri Apr 28 18:51:23 2000
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In a message dated 4/28/00 8:32:58 AM Mid-Atlantic Daylight Time, 
kflint@annihilist.com writes:

<<  There should be a loop teacher in the back room
 of every music store in the land, in the little room where the guitar
 teacher used to be. >>

what a vision!............................michael

From Loopers-Delight-request@annihilist.com  Fri Apr 28 18:52:22 2000
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Date: Fri, 28 Apr 2000 23:31:05 +0100
Subject: EDP in LA?
From: Martin Shellard <martins@pwdu.demon.co.uk>
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Can anyone tell a good place to buy an EDP in LA? I'm visiting for a few
days and hope to pick one up.
Thanks

Martin Shellard

-------------------------


From Loopers-Delight-request@annihilist.com  Fri Apr 28 19:31:11 2000
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Date: Sat, 29 Apr 2000 00:11:23 +0100
Subject: EDP gain structure...
From: Graham Pattison <pentlandcrown@u.genie.co.uk>
To: Loopers Delight <Loopers-Delight@annihilist.com>
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Hey all,
Anybody got any experience of performing the gain structure MOD that is in
the FAQ archive?
I've just done it but hasn't made any difference. The unit still works
though!
I'm trying to get my two units (sorry!) sorted out so I can use them in
stereo. Help greatly appreciated.
Thanks in advance,
Graham. 

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Subject: Re: (OT) Promo tips, was: Re: Cyberarts special... 
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In a message dated 4/28/00 4:16:51 PM Mid-Atlantic Daylight Time, 
tcn62@ici.net writes:

<< Tim (who's a graphic artist for, yes, a newspaper...)  >>

i could have sworn it was jimmy olson speakin.........you better pay 
attention there miko....................:)........................michael

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From: "X-ray" <ew37@bellsouth.net>
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Subject: Re: EDP Tutorial Video
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I want to second Larry T here.  This CAN be done quickly and cheaply....and
really really damn well too.

MikeH

>With the proliferation of near-Pro quality video
>cameras today, especially the digital cams from
>Sony, an instructional video can be produced
>on the cheap easily. Independent filmmakers
>routinely produce shorts and whole movies for
>between $0 - $10,000 using scrounged equipment
>and talent.
>The Point: THIS CAN BE DONE QUICKLY & CHEAPLY.
>
>- Larry T



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From: rich <rich@nuvision.com>
Subject: Re: EDP Tutorial Video
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Just to let you guys (and gals, oops) know...I asked about possibly using
our ad agency studio space for a video and it's a no go...we have got alot
of stuff happening and can't really get into other projects at the moment.
Sorry!  Good Luck...

rich



>I want to second Larry T here.  This CAN be done quickly and cheaply....and
>really really damn well too.
>
>MikeH
>
>>With the proliferation of near-Pro quality video
>>cameras today, especially the digital cams from
>>Sony, an instructional video can be produced
>>on the cheap easily. Independent filmmakers
>>routinely produce shorts and whole movies for
>>between $0 - $10,000 using scrounged equipment
>>and talent.
>>The Point: THIS CAN BE DONE QUICKLY & CHEAPLY.
>>
>>- Larry T



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Subject: Re: EDP in LA?/ EDP Video
Date: Fri, 28 Apr 2000 18:19:28 -0700
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I live in L.A. and bought mine through Alto Music in New York- it's more a
matter of where you want to order it- I don't think many stores will stock
them-

Also, regarding the video- here's what we do- people who want to do segments
get on a list and specify the basic items they want to teach- then the video
camera is sent out and in chain tape style, every participant records their
section- sending the tape to home base and the camera on to the next
"teacher" - This would have the advantage of really making people commit and
also gets the ball rolling and keeps it rolling as we all know where the
camera is and for how long- I did something similar on the Johm Mclaughlin
list- cd masters travelling all over the world so each of us were able to
make digital copies- worked great and when someone stalled, they heard about
it and got on the ball and sent the masters to the next person-
The key is finding someone willing to lend a decent camera for the job- but
a custom box with form fitting packing i.e. molded foam etc and pre-order
cash from list members could make this happen!
I will be the first to volunteer- I will do a section explaining how to turn
the unit on and off- ;)
Anyway- if you start with the list and compile a rough draft of content, get
the camera on it's way, and finally get it edited your basically done!
Comments please-

Cliff


----- Original Message -----
From: "Martin Shellard" <martins@pwdu.demon.co.uk>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Sent: Friday, April 28, 2000 3:31 PM
Subject: EDP in LA?


> Can anyone tell a good place to buy an EDP in LA? I'm visiting for a few
> days and hope to pick one up.
> Thanks
>
> Martin Shellard
>
> -------------------------
>
>

From Loopers-Delight-request@annihilist.com  Fri Apr 28 21:48:28 2000
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Date: Fri, 28 Apr 2000 22:51:38 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: RE: Is it possible to sync Vortex to EDP?
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>I'm sure it's too late to ask for this for the next version, but would it be
>possible to add a 'sync=both' option, that syncs to midi and >also< sends
>out a beat sync signal, so you could sync your EDP to midi, and your vortex
>to your edp?
>
>This would be absolutely killer.

We cared about thoses chain situations. For example: If a BeatSync 
arrives during reset, we assume that we sync to it and send out the 
MIDIclock, even at Sync=IN (this is for the version I am working on, 
in the shipping 5.0, MIDIclock is allways sent

Now you want the oposite: MIDIclock in to BeatSync out. No, with 
Sync=in BeatSync is not sent and with Sync=out MIDIclock is not 
received.
But BrotherSync is sent out even at Sync=IN for a similar reason: It 
allowes to connect one EDP to the MIDIclock source and transfer this 
sync through the brother cable to more EDPs. The BeatSync signal is 
on the ring of the 1/4 jack (the tip is the sample clock), so its 
also useable.


          ---> http://Matthias.Grob.org

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Date: Fri, 28 Apr 2000 22:51:42 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Female Loopers?
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ok, I know, I need to say something about everything... but dont 
worry, my subscription here is not for a long time. While this I say 
a lot, then I shut up.


First we will have to accept that in almost all cultures at almost 
all times the women incorporated beauty through dancing (and maybe 
singing) while the men called the spirits using instruments and 
drugs. This chemistry will be arround in our brain bases for another 
while. I hope I dont open a worm box here, certainly there are many 
ways to see this and lots of exeptions, I mean just a rough tendency.

We observe clearly that those frontiars dissolve like most frontiers 
in this phase of evolution and the humans discover that they all have 
some of the male and some of the female energy, different amounts in 
different aspects.

So the contribution of the woman in music is growing anyway and I 
dont think we can do much about it exept listen to each other and 
play with each other when the oportunities arrive.


My public is more female than male. I rather play in meditations and 
meetings about holistics and therapies where for some reason the 
interest and dedication of the females is bigger. This is not 
traditional, is it? If this movement is new, it seams the woman are 
quicker in evolution then man. ;-)


I know a female looper in Sao Paulo called Magda Pucci and she is 
also the leader of a great "world music" group of female singers and 
(male) "ethnic" instrumentists called Mavaca (no looping yet, though) 
www.neoradio.com. I have some recordings of her looping that I should 
put up on my site for you to hear.


          ---> http://Matthias.Grob.org

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Date: Fri, 28 Apr 2000 22:50:04 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: EDP beat clock question
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Sorry, I should have answered this one before...

>  > I can press play on my SP-808, and have the EDP sync, then stop the 808,
>>  rewind, press play, and have it sync again. I do this all the time when my
>>  songs are too short.
>
>So if the EDP's in the middle of a cycle and it receives a sync (after it
>hasn't for a while) - does it jump immediately to the start of the cycle
>(which is what i'm most interested in) or does it just sync at whatever
>relationship exists at that moment?

nono, I dont think you would like that. You want the loop to go on, 
and when a sync arrives within the sync window (within 180ms before 
or after the loop start point or some fraction of the whole loop, if 
its a short one) it jumps to the start point.

Jonathan said:
>  >From what I can tell - and I've had my EDP for about a week or so now - it
>slowly but surely shortens the loop each pass until they are in sync.
>Someone else should be able to tell you.

Loop time does not change, it just corrects each time the amount the 
loop is off. If the clock sources speed changes more than 180ms / 
loop, the sync is not recognized any more and it runs off. This is 
better, since the chopping off or repeating of bigger bits becomes 
audible (even smaller ones can be audible, depending on the signal on 
the loop).
The technology to really adapt the loop time with time stretch to an 
external clock source is way beyond, even at studio level, I dont 
know of any machine that does this.

  Larry T said:
>You need to something like Song Position Pointer data
>or MTC (MIDI Time Code) to keep the machines locked
>in this manner. FSK to MTC or SPP is common (nice soup,
eh?)

The soft version I work on will receive Song Position Pointer. I 
fought with it these days and it works now. MTC we do not decode.
You will be able to stop the sequencer and restart it in a different 
place and the EDP will calulate its relation to that new section, 
even considering its own multiples (which turned it much more 
difficult).
After you restart the sequencer, to loop will go on the same, but 
with the new function ReAlign, the loop restarts the next time the 
sequencer is at the point again where the loop started before you 
stopped the sequencer.
Hard to understand? But easy to use: Press Mute-Multiply and all 
sounds right again.

Jonathan again:
>  >Also:  how about when the master has been turned off for a while - is
>>there any way to get the EDP to sync back up to it when it starts
>>delivering beats again (with the currently playing loops - i.e. without
>>clearing them and starting over)?
>
>I can press play on my SP-808, and have the EDP sync, then stop the 808,
>rewind, press play, and have it sync again. I do this all the time when my
>songs are too short.
>
This only works if you start the 808 pretty much at the right moment, right?
The above said ReAlign function will do this for you.


          ---> http://Matthias.Grob.org

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Date: Fri, 28 Apr 2000 22:48:34 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: OT: Audio CD-R vs. Data CD-R
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>I guess I don't know when to shut-up...

nono, you are great, I understood all!

>
>Check out http://www.fadden.com/cdrfaq/ .  It has some really good 
>information.

I did not even have to look... I find teaching each other the best 
way to learn.

THank you!

oh yes, and Bret made it even clearer in details!


          ---> http://Matthias.Grob.org

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Date: Fri, 28 Apr 2000 22:49:15 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Is it possible to sync Vortex to EDP?
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I like this kind of thread. Its smart: you can do a short loop on the 
Plex, the Vortex does one of the same lenght. Not so interesting. But 
then you can multiply the one on the Plex and the Vortex continues 
the same, thats how BeatSync is.

Ofcourse, it also would be interesting to be able to subdivide the 
BeatSync output with the 8th/beat parameter...remember my 
SubCycleSync idea, Kim?

As Kim said, BeatSync would be the most handy way to tap automatically.
I just tried it: my BeatSync pulse is too short for the Vortex.  :-(
8ms is pretty short. I just increased it to 40ms and it worked!

Are there any arguments for the length of BeatSync?
Who uses this output for what?
I thought it could be a metronome like click. If I make it longer, 
the sound turns audibly doubble, but its ugly anyway.

I think we should adapt the length to the necessity of aplications 
like this. And since all switch inputs need some debounce function, 
pulses need to be longer...



>--- John Tidwell <wedgehed@yahoo.com> wrote:
>  > I've tried running the EDP's midi out to a midi/cv
>>  converter & then connecting the converter's S-TRIG
>>  out to the Vortex tap tempo jack.
>
>This did not work because you need to apply a "note
>on" from the midi size in order to generate the S-trig
>output (note on in midi is translated to S-trig for
>moog type analog synths).
>
>That is why the following worked for you:
>
>>
>>  Out of curiosity, I disconnected the midi cable
>>  from the EDP & hooked it up to the midi out of a
>>  keyboard. Guess what? Every key on the keyboard now
>>  acted like the tap tempo foot switch of the Vortex!
>
>The keyboard sends a midi note on when each key is
>pressed.

EDP does that too: It sends a NoteOn/velocity 64, immediately 
followed by a NoteOn/velocity 0, each time the loop is back to its 
startpoint (when the multiple dot flashes).

Probably the note is to short to do the trigger, since its of the 
same lenth as the BeatSync out and probably your converter also 
maintains this time.


>
>I have been thinking lately on how to use beat sync to
>gen a S-trig for my analog synths.  I think it can be
>done rather easily and cheaply, and might be fun.

yes, yes!


oops, Denis explained it all before me:
>The EDP sends a note-on/note-off at the beginning of every cycle.  If you have
>Source# set to 36, a note number 45 will be sent.  I don't remember 
>if you need
>to have sync=out or not.

No, Sync does not influence that, ControlSource does, needs to be set 
to NOTE, in this case.


          ---> http://Matthias.Grob.org

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Subject: RE: Napster
Date: Fri, 28 Apr 2000 19:29:35 -0700
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Hey, dude, like Kim says.  If you don't like the subject, don't read the
e-mail.  It takes 0.15 seconds to delete an e-mail.  Keep those Napster
e-mails coming!

  | -----Original Message-----
  | From: David Potter [mailto:papadave55@hotmail.com]
  | Sent: Friday 28 April 2000 4:40 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Napster
  |
  |
  | Am I free to not get napster posts?
  |
  |
  | >My teaching, if that is the word you want to use, has no
  | copyright. You are
  | >free to reproduce,distribute, interpret, misinterpret,
  | distort, garble, do
  | >what you like, even claim authorship, without my consent or
  | the permission
  | ..
  |
  | ________________________________________________________________________
  | Get Your Private, Free E-mail from MSN Hotmail at
  | http://www.hotmail.com


__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

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Subject: Re: EDP beat clock question
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Thanks Mathias,

Very informative.

- Larry T

----- Original Message -----
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 28, 2000 9:50 PM
Subject: Re: EDP beat clock question


> Sorry, I should have answered this one before...
>
> >  > I can press play on my SP-808, and have the EDP sync, then stop the
808,
> >>  rewind, press play, and have it sync again. I do this all the time
when my
> >>  songs are too short.
> >
> >So if the EDP's in the middle of a cycle and it receives a sync (after it
> >hasn't for a while) - does it jump immediately to the start of the cycle
> >(which is what i'm most interested in) or does it just sync at whatever
> >relationship exists at that moment?
>
> nono, I dont think you would like that. You want the loop to go on,
> and when a sync arrives within the sync window (within 180ms before
> or after the loop start point or some fraction of the whole loop, if
> its a short one) it jumps to the start point.
>
> Jonathan said:
> >  >From what I can tell - and I've had my EDP for about a week or so
now - it
> >slowly but surely shortens the loop each pass until they are in sync.
> >Someone else should be able to tell you.
>
> Loop time does not change, it just corrects each time the amount the
> loop is off. If the clock sources speed changes more than 180ms /
> loop, the sync is not recognized any more and it runs off. This is
> better, since the chopping off or repeating of bigger bits becomes
> audible (even smaller ones can be audible, depending on the signal on
> the loop).
> The technology to really adapt the loop time with time stretch to an
> external clock source is way beyond, even at studio level, I dont
> know of any machine that does this.
>
>   Larry T said:
> >You need to something like Song Position Pointer data
> >or MTC (MIDI Time Code) to keep the machines locked
> >in this manner. FSK to MTC or SPP is common (nice soup,
> eh?)
>
> The soft version I work on will receive Song Position Pointer. I
> fought with it these days and it works now. MTC we do not decode.
> You will be able to stop the sequencer and restart it in a different
> place and the EDP will calulate its relation to that new section,
> even considering its own multiples (which turned it much more
> difficult).
> After you restart the sequencer, to loop will go on the same, but
> with the new function ReAlign, the loop restarts the next time the
> sequencer is at the point again where the loop started before you
> stopped the sequencer.
> Hard to understand? But easy to use: Press Mute-Multiply and all
> sounds right again.
>
> Jonathan again:
> >  >Also:  how about when the master has been turned off for a while - is
> >>there any way to get the EDP to sync back up to it when it starts
> >>delivering beats again (with the currently playing loops - i.e. without
> >>clearing them and starting over)?
> >
> >I can press play on my SP-808, and have the EDP sync, then stop the 808,
> >rewind, press play, and have it sync again. I do this all the time when
my
> >songs are too short.
> >
> This only works if you start the 808 pretty much at the right moment,
right?
> The above said ReAlign function will do this for you.
>
>
>           ---> http://Matthias.Grob.org
>
>

From Loopers-Delight-request@annihilist.com  Fri Apr 28 23:02:20 2000
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Subject: Re: Is it possible to sync Vortex to EDP?
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Mathias, what kind of signal is the Beatsync? Wouldn't
FSK or a switchable waveform triger/gate out be a
useful feature?

Please explain Beatsync the signal. Thanks in advance.

- Larry T

----- Original Message -----
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 28, 2000 9:49 PM
Subject: Re: Is it possible to sync Vortex to EDP?


> I like this kind of thread. Its smart: you can do a short loop on the
> Plex, the Vortex does one of the same lenght. Not so interesting. But
> then you can multiply the one on the Plex and the Vortex continues
> the same, thats how BeatSync is.
>
> Ofcourse, it also would be interesting to be able to subdivide the
> BeatSync output with the 8th/beat parameter...remember my
> SubCycleSync idea, Kim?
>
> As Kim said, BeatSync would be the most handy way to tap automatically.
> I just tried it: my BeatSync pulse is too short for the Vortex.  :-(
> 8ms is pretty short. I just increased it to 40ms and it worked!
>
> Are there any arguments for the length of BeatSync?
> Who uses this output for what?
> I thought it could be a metronome like click. If I make it longer,
> the sound turns audibly doubble, but its ugly anyway.
>
> I think we should adapt the length to the necessity of aplications
> like this. And since all switch inputs need some debounce function,
> pulses need to be longer...
>
>
>
> >--- John Tidwell <wedgehed@yahoo.com> wrote:
> >  > I've tried running the EDP's midi out to a midi/cv
> >>  converter & then connecting the converter's S-TRIG
> >>  out to the Vortex tap tempo jack.
> >
> >This did not work because you need to apply a "note
> >on" from the midi size in order to generate the S-trig
> >output (note on in midi is translated to S-trig for
> >moog type analog synths).
> >
> >That is why the following worked for you:
> >
> >>
> >>  Out of curiosity, I disconnected the midi cable
> >>  from the EDP & hooked it up to the midi out of a
> >>  keyboard. Guess what? Every key on the keyboard now
> >>  acted like the tap tempo foot switch of the Vortex!
> >
> >The keyboard sends a midi note on when each key is
> >pressed.
>
> EDP does that too: It sends a NoteOn/velocity 64, immediately
> followed by a NoteOn/velocity 0, each time the loop is back to its
> startpoint (when the multiple dot flashes).
>
> Probably the note is to short to do the trigger, since its of the
> same lenth as the BeatSync out and probably your converter also
> maintains this time.
>
>
> >
> >I have been thinking lately on how to use beat sync to
> >gen a S-trig for my analog synths.  I think it can be
> >done rather easily and cheaply, and might be fun.
>
> yes, yes!
>
>
> oops, Denis explained it all before me:
> >The EDP sends a note-on/note-off at the beginning of every cycle.  If you
have
> >Source# set to 36, a note number 45 will be sent.  I don't remember
> >if you need
> >to have sync=out or not.
>
> No, Sync does not influence that, ControlSource does, needs to be set
> to NOTE, in this case.
>
>
>           ---> http://Matthias.Grob.org
>
>

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From: eric <eobertha@inreach.com>
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You can set a filter to send all incoming "Napster" emails to your trash.


"Javier Miranda V." wrote:

> Hey, dude, like Kim says.  If you don't like the subject, don't read the
> e-mail.  It takes 0.15 seconds to delete an e-mail.  Keep those Napster
> e-mails coming!
>
>   | -----Original Message-----
>   | From: David Potter [mailto:papadave55@hotmail.com]
>   | Sent: Friday 28 April 2000 4:40 AM
>   | To: Loopers-Delight@annihilist.com
>   | Subject: Re: Napster
>   |
>   |
>   | Am I free to not get napster posts?
>   |
>   |
>   | >My teaching, if that is the word you want to use, has no
>   | copyright. You are
>   | >free to reproduce,distribute, interpret, misinterpret,
>   | distort, garble, do
>   | >what you like, even claim authorship, without my consent or
>   | the permission
>   | ..
>   |
>   | ________________________________________________________________________
>   | Get Your Private, Free E-mail from MSN Hotmail at
>   | http://www.hotmail.com
>
> __________________________________________________
> Do You Yahoo!?
> Talk to your friends online with Yahoo! Messenger.
> http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Fri Apr 28 23:34:29 2000
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Ditto.
Looking forward to the upgrade.
eobe

Larry Tremblay wrote:

> Thanks Mathias,
>
> Very informative.

From Loopers-Delight-request@annihilist.com  Fri Apr 28 23:54:42 2000
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From: Kim Flint <kflint@ati.com>
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Subject: RE: Napster
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No, that's not what I say at all. In fact, statements like that are a pet
peeve of mine as a list manager.

I say: please stay on topic. Nobody is going to police or moderate the list,
it is up to everybody to take responsibility for their own actions. That
means monitoring your own contributions and making sure what you post is
likely to be worthwhile to the interests of people here, and not completely
off topic. It also means resisting the urge to leap on the reply button to
needlessly prolong a thread that has nothing to do with the list topic. 

Looping is the thing everybody here has in common interest, I think we
should all try to respect that.

kim


> -----Original Message-----
> From: Javier Miranda V. [mailto:gnomesis@yahoo.com]
> Sent: Friday, April 28, 2000 7:30 PM
> To: Loopers-Delight@annihilist.com
> Subject: RE: Napster
> 
> 
> Hey, dude, like Kim says.  If you don't like the subject, 
> don't read the
> e-mail.  It takes 0.15 seconds to delete an e-mail.  Keep 
> those Napster
> e-mails coming!
> 
>   | -----Original Message-----
>   | From: David Potter [mailto:papadave55@hotmail.com]
>   | Sent: Friday 28 April 2000 4:40 AM
>   | To: Loopers-Delight@annihilist.com
>   | Subject: Re: Napster
>   |
>   |
>   | Am I free to not get napster posts?
>   |
>   |
>   | >My teaching, if that is the word you want to use, has no
>   | copyright. You are
>   | >free to reproduce,distribute, interpret, misinterpret,
>   | distort, garble, do
>   | >what you like, even claim authorship, without my consent or
>   | the permission
>   | ..
>   |
>   | 

From Loopers-Delight-request@annihilist.com  Sat Apr 29 00:16:51 2000
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From: "Peter Shindler" <shindler@mediaone.net>
To: <Loopers-Delight@annihilist.com>
References: <C17613BF4690D211910C0008C7491242F92AC2@ca00exh01.atitech.com>
Subject: general digital recording query
Date: Fri, 28 Apr 2000 23:58:37 -0400
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Sorry to distract y'all from the Napster and "can chicks loop?" threads
(both of which I'm enjoying immensely, keep it coming), but here's something
that's on my mind.

I've just been introduced to the world of digital recording by a friend
who's letting me borrow his Roland VS-840 Digital Workstation.  I've been
having a blast playing around with it, especially mixing-and-matching my own
guitar loops and noises with Acid and FruityLoops drum sounds.  However, it
occurred to me that most of the cut-and-paste functions I've been messing
with would be much easier if the whole process was done on my PC.  So now
I'm considering buying a package like Cakewalk, and I'm wondering:  Is a
program like that really comparable to a stand-alone recording unit?  What
does the Roland do that a good software program cannot?  And aside from
Cakewalk, what other programs should I be checking out?

Thanks.  I'm sure I'm asking the right people (just keep it clean!).


Peter


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 <v04220805b52fc427f5a1@[200.194.253.51]>
 <00ce01bfb186$b6d09440$66310140@concentric.net>
Date: Sat, 29 Apr 2000 01:59:27 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: BeatSync signal
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>Mathias, what kind of signal is the Beatsync? Wouldn't
>FSK or a switchable waveform triger/gate out be a
>useful feature?

You mean we should not invent a new standard here but use an existing?
The problem is that I wanted the same pin to be in and out, so any 
kind is possible. This should be discussed again for a future unit.
But the length of the pulse could be the same, do you know such specifications?

>
>Please explain Beatsync the signal. Thanks in advance.

Its open colector. 10k Ohms pull up to 5V where it usually stays. 
Then the puls is pushing down to ground with 200 Ohms.



          ---> http://Matthias.Grob.org

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> >Mathias, what kind of signal is the Beatsync? Wouldn't
> >FSK or a switchable waveform triger/gate out be a
> >useful feature?
>
> You mean we should not invent a new standard here but use an existing?
No, not at all. But you must admit that using existing standards
has clear advantages. A 5V +/- trigger pulse is a fairly flexible
and open standard that works with lots of other gear, especially
synths and FX.

> The problem is that I wanted the same pin to be in and out, so any
> kind is possible. This should be discussed again for a future unit.

I see. It would be great to add CV and trigger pulse in the future.

> But the length of the pulse could be the same, do you know such
specifications?
>
Not offhand...
> >
> >Please explain Beatsync the signal. Thanks in advance.
>
> Its open colector. 10k Ohms pull up to 5V where it usually stays.
> Then the puls is pushing down to ground with 200 Ohms.
>

Ok, I understand. Thanks for the wealth of info. :)

- Larry T

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Subject: Re: Is it possible to sync Vortex to EDP?
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How did you increase the time?

Cliff

----- Original Message ----- 
From: "Matthias Grob" <matthias@grob.org>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 28, 2000 6:49 PM
Subject: Re: Is it possible to sync Vortex to EDP?


> I just tried it: my BeatSync pulse is too short for the Vortex.  :-(
> 8ms is pretty short. I just increased it to 40ms and it worked!


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Before I go to Harmony Central, I'd like to run this list past my loop
friends.  Going the software route, can use the bucks.

Home studio items for sale, all mint, original boxes and manuals, pedals
never even stepped on, prices plus COD Fed Ex:

Mackie 1202-VLZ PRO, 8 mo. old.  The best of its kind.  Cost $370.  Price
$290 (plus $22 ship)
Boss VF-1 multiprocessor, 5 mo. old.  Half rack unit, incredible.  Cost
$400.  Price $320 (plus $17 ship)
Waldorf 4 Pole filter unit, 3 mo. old.  What am I, nuts?  Filter madness.
Cost $450.  Price $380 (plus $17 ship)
Lexicon Reflex, 18 mo. old.  Does stuff the new MPX's don't, nice unit.
Cost $280 at blowout.  Price $175 (plus $15 ship)
Akai Headrush delay/looper, 6 mo. old.  Fripperpedal.  Cost $180.  Price
$120 (plus $12 ship)
(Two) Zoom 2100 floor effects units, 6 mo. old.  Many effects plus great
looping capabilities.  Cost $150-$100 (blowout), now discontinued.  Price
$85 each (plus $15 ship)
Boss PS-3 pitch shifter/delay pedal, 1 yr old.  Cost $150.  Price $70 (plus
$12 ship)
Boss MT-2 Metal Zone pedal, 1 yr. old.  Cost $95.  Price $50 (plus $12 ship)

Thanks all.

David Myers


From Loopers-Delight-request@annihilist.com  Sat Apr 29 03:13:40 2000
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From: jordanpease@webtv.net (Jordan Pease)
Date: Fri, 28 Apr 2000 23:45:16 -0700 (PDT)
To: Loopers-Delight@annihilist.com
Subject: Tutorial Video-
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LOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEO


All right Cliff !

Great Idea !

Good that you can help the more timid users with that daunting power
switch issue. I'll volunteer to demonstrate advanced rack-mounting
techniques and front panel cleaning with emphasis on mild, non-abrasive
cleaners.

Seriously, I'm happy to see some interest and enthusiasm in the idea. We
really need some talented and long-time users to step forward.

This could be a really great project. A camera doesn't have to go to
everybody, either, I don't think. Some people could just send tapes. I
really wish Kim would break his silence. He's GOT to be involved in this
somehow. 

LOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEO

From Loopers-Delight-request@annihilist.com  Sat Apr 29 03:11:43 2000
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Message-ID: <000d01bfb1a8$9bbed460$30310140@concentric.net>
From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
References: <l03110700b52ff15e33dc@[38.26.250.111]>
Subject: Re: Gear sale
Date: Sat, 29 Apr 2000 03:00:29 -0400
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David, I might want the Mackie 1202. Will know in two days.
Can ya wait?

Thanks,
- Larry

> Before I go to Harmony Central, I'd like to run this list past my loop
> friends.  Going the software route, can use the bucks.
>
> Home studio items for sale, all mint, original boxes and manuals, pedals
> never even stepped on, prices plus COD Fed Ex:
>
> Mackie 1202-VLZ PRO, 8 mo. old.  The best of its kind.  Cost $370.  Price
> $290 (plus $22 ship)
> Boss VF-1 multiprocessor, 5 mo. old.  Half rack unit, incredible.  Cost
> $400.  Price $320 (plus $17 ship)
> Waldorf 4 Pole filter unit, 3 mo. old.  What am I, nuts?  Filter madness.
> Cost $450.  Price $380 (plus $17 ship)
> Lexicon Reflex, 18 mo. old.  Does stuff the new MPX's don't, nice unit.
> Cost $280 at blowout.  Price $175 (plus $15 ship)
> Akai Headrush delay/looper, 6 mo. old.  Fripperpedal.  Cost $180.  Price
> $120 (plus $12 ship)
> (Two) Zoom 2100 floor effects units, 6 mo. old.  Many effects plus great
> looping capabilities.  Cost $150-$100 (blowout), now discontinued.  Price
> $85 each (plus $15 ship)
> Boss PS-3 pitch shifter/delay pedal, 1 yr old.  Cost $150.  Price $70
(plus
> $12 ship)
> Boss MT-2 Metal Zone pedal, 1 yr. old.  Cost $95.  Price $50 (plus $12
ship)
>
> Thanks all.
>
> David Myers
>
>
>

From Loopers-Delight-request@annihilist.com  Sat Apr 29 04:17:52 2000
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From: "Brian Mulvey" <bdmulvey@earthlink.net>
To: <Loopers-Delight@annihilist.com>
References: <008e01bfb143$48ea19d0$5e310140@concentric.net>
Subject: Fs: Various Electronic, Noise, Experimental, and more
Date: Sat, 29 Apr 2000 03:54:01 -0700
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http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems&userid=alex__kidd@
hotmail.com&include=0&since=-1&sort=2&rows=25

Low prices, no reserves.


CDs-
D'Arcangelo - Shipwreck (in metal tin)
Jake Mandell - Parallel Processes
Nobukazu Takemura - Scope
Disc - GaijinCD4
Coil - The Angelic Conversation
Haters - Drunk on Decay
Thurston Moore - Root
Incoherent - D.I.Y.
The Wire Magazine compilation featuring photek, FSOL
The Wire Magazine / Domino Records comp - Jim O'Rourke, Silver Jews, Mouse
on Mars
DJ Wally - The Stoned Ranger Rydes Again
Skinny Puppy - The Process
Ornette Coleman & Prime Time - Tone Dialing
Axiom (Bill Laswell) Collection 2 - Praxis, Material, Master Musicians of
Jajouka
We - The Square Root of Negative One
Blue Note Breaks Vol. 2
Dim Stars - Richard Hell, Don Fleming, Thurston and Steve from Sonic Youth
Hazel - Are you gonna eat that?
Buy Product 2 CD - Beck, Boss Hog, Sonic Youth, Garbage, etc
The Doors - Soundtrack

Vinyl-
Maeror Tri - Pleroma/Altrove picture disc 10" Ant-Zen
Carsten Nicolai - Noto - (infinity) 2x10" lock groove edition
Gescom - Key Nell Skam007
Oval - Szenario USA  Thrill 064b
Lexaunculpt - Double Density ep
Kid 606 - Dubplatestyle
Can - Cannibalism 1
David Bowie - Stage - 2xLP Coloured Vinyl
Scott Walker / Walker Bros - Nite Flights
Jan Garbarek - All Those Born With Wings
George Crumb / William Schuman - NY Philharmonic
The Sonics - Boom (Norton)
Negativland - Guns
Schneider Tm - Moist
Rough Trade / Creation compilation test pressing
The Fugs - s/t - ESP Disk, Base Record Reprint
Robert Quine/ Fred Maher - Basic
The Replacements - Don't Tell a Soul
Pavement - Brighten the Corners

Cassette-
Nurse With Wound - Chance Meeting... (United Dairies)
Current 93 / Nurse With Wound - Mi-Mort (UD)
Rising From the Red Sand 2 and 4 - Nurse With Wound, Test Dept., Chris and
Cosey
Skinny Puppy - Cleanse, Fold, and Manipulate
Zoviet France - Loh Land 1st Ed

VHS Video-
Aphex Twin Video Item - Come to daddy



From Loopers-Delight-request@annihilist.com  Sat Apr 29 04:55:50 2000
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From: "Javier Miranda V." <gnomesis@yahoo.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Napster
Date: Sat, 29 Apr 2000 01:24:56 -0700
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Hot damn!  Then it wasn't Kim who said that.  Who was it?  I think it was
Matthias.

  | -----Original Message-----
  | From: Kim Flint [mailto:kflint@ati.com]
  | Sent: Friday 28 April 2000 8:51 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: RE: Napster
  |
  |
  |
  | No, that's not what I say at all. In fact, statements like that
  | are a pet
  | peeve of mine as a list manager...


__________________________________________________
Do You Yahoo!?
Talk to your friends online with Yahoo! Messenger.
http://im.yahoo.com

From Loopers-Delight-request@annihilist.com  Sat Apr 29 05:09:34 2000
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From: "Om_Audio" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
References: <14065-390A84FC-11176@storefull-116.iap.bryant.webtv.net>
Subject: Re: Tutorial Video-
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Kim is there- don't worry- we have to take care of the logistics- once it is
set up I'm sure he will take a week vacation and record his section- - Right
Kim?

Cliff

----- Original Message -----
From: "Jordan Pease" <jordanpease@webtv.net>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 28, 2000 11:45 PM
Subject: Tutorial Video-


> LOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEO
>
>
> All right Cliff !
>
> Great Idea !
>
> Good that you can help the more timid users with that daunting power
> switch issue. I'll volunteer to demonstrate advanced rack-mounting
> techniques and front panel cleaning with emphasis on mild, non-abrasive
> cleaners.
>
> Seriously, I'm happy to see some interest and enthusiasm in the idea. We
> really need some talented and long-time users to step forward.
>
> This could be a really great project. A camera doesn't have to go to
> everybody, either, I don't think. Some people could just send tapes. I
> really wish Kim would break his silence. He's GOT to be involved in this
> somehow.
>
> LOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEOLOOPVIDEO
>

From Loopers-Delight-request@annihilist.com  Sat Apr 29 06:37:57 2000
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Date: Sat, 29 Apr 2000 03:20:55 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Tutorial Video-
In-reply-to: <001401bfb1b6$a6859600$8f368218@we.mediaone.net>
To: Loopers-Delight@annihilist.com
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At 1:41 AM -0700 4/29/00, Om_Audio wrote:
>Kim is there- don't worry- we have to take care of the logistics- once it is
>set up I'm sure he will take a week vacation and record his section- - Right
>Kim?
>
>Cliff

oh yeah, I'd really like to spend my vacation dealing with the echoplex. :-)
kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Sat Apr 29 07:58:42 2000
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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Ebay JamMan; also EDP prices
Date: Sat, 29 Apr 2000 04:29:09 PDT
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One Billion Dollars


>From: "Gary Lehmann" <relay@funtv.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Ebay JamMan; also EDP prices
>Date: Fri, 28 Apr 2000 10:02:16 -0700
>
>Yes, I've been waiting for my humble bid of $300 to be bested for an 8 sec
>Jampup posted to Ebay--I'd expect to pay $600-800 for a tricked out one.  I
>am happy to have my own 32 sec model, but I am going to look into buying an
>EDP.  Can anyone give me an idea of what list is, memory prices, and/or 
>what
>I should expect to pay to move up to the big time (I made a joke).  Also, 
>do
>all the new units ship with the latest software?  I'll take my answer off
>the air.
>Gary
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Apr 29 08:14:01 2000
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Subject: Re: Napster
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cool I'll use that one ...thanks

>You can set a filter to send all incoming "Napster" emails to your trash.
>
>
>"Javier Miranda V." wrote:
>
> > Hey, dude, like Kim says.  If you don't like the subject, don't read the
> > e-mail.  It takes 0.15 seconds to delete an e-mail.  Keep those Napster
> > e-mails coming!
> >
> >   | -----Original Message-----
> >   | From: David Potter [mailto:papadave55@hotmail.com]
> >   | Sent: Friday 28 April 2000 4:40 AM
> >   | To: Loopers-Delight@annihilist.com
> >   | Subject: Re: Napster
> >   |
> >   |
> >   | Am I free to not get napster posts?
> >   |
> >   |
> >   | >My teaching, if that is the word you want to use, has no
> >   | copyright. You are
> >   | >free to reproduce,distribute, interpret, misinterpret,
> >   | distort, garble, do
> >   | >what you like, even claim authorship, without my consent or
> >   | the permission
> >   | ..
> >   |
> >   | 
>________________________________________________________________________
> >   | Get Your Private, Free E-mail from MSN Hotmail at
> >   | http://www.hotmail.com
> >
> > __________________________________________________
> > Do You Yahoo!?
> > Talk to your friends online with Yahoo! Messenger.
> > http://im.yahoo.com
>

________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Apr 29 08:23:44 2000
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Date: Sat, 29 Apr 2000 13:05:14 +0100
Subject: EDP Gain structure...
From: Graham Pattison <pentlandcrown@u.genie.co.uk>
To: <Loopers-Delight@annihilist.com>, <kflint@annihilist.com>,
        <matthias@gros.org>
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Hello,
Am having difficulties with my EDP's gain structure. I've recently boughgt a
second unit off harmony and have just performed the Gain Mod as described in
the FAQ list.
I still have a huge discrepancy between the two units.
Anyone got any ideas?
The resistors are definitely the right values. I used 0.6w metal film
resistors with a 1% tolerance.
On my original unit the resistor is a black (silicone coated?) version
whereas the one I've just  put in was a more standard 5 colour band blue
one. Could this have anything to do with it?
Any help greatly appreciated as I'm very frustrated and paranoid I've
screwed something up.
Also are there any other MOD's for the EDP to maybe increase the S/N ratio?
A list of what mods there are would be useful.
Thanks for your help,
Graham Pattison

From Loopers-Delight-request@annihilist.com  Sat Apr 29 08:47:12 2000
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Date: Sat, 29 Apr 2000 08:36:50 EDT
Subject: Re: Female Loopers?
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In a message dated 4/28/00 1:26:44 PM Eastern Daylight Time, 
reverendrob@realm-of-shade.com writes:

<< I hate "fans."  I really do.  >>

& boy oh boy, you seem to have a propensity to vomit if an agenda is not in 
line with your agenda. That seems to say that u must have a lot of hostility 
or a digestive problem young man :)  I know just the cure for that 
mindset...LOL

I know that as a looping male geetar player, I react with over-analysis 
paralysis whenever anyone points out that i have a tendancy to gravitate 
toward the perspective that how i am and how i do things is who i am 
regardless as to whether or not i am inclusive or exclusive. I have a 
tendancy to immediately offer an in depth break down of how my thoughts are 
processed and finalized focusig on me, me me & more me. 

I have also come to accept how much slime men are and continue to be ...u too 
must accept this "herstorical' truth and submit   with exceptional PC grace 
and guilt- GRIN!

& I do know the women & men in AKASH are out to get chicks so we are guilty 
of that rock n roll myth/stereotype but can you really call us cock 
rockers...i wont go down there.....:-) 

But I think im the only person in AKASH other than the drummer who would be 
aware of Flexxus and The Tubes...definitely not our vibe though u can draw a 
number of evolutionary parallels from them to what we do today but that is 
not quite our game.

Pornography and blatent sexuality be it erotica or intended to be gratuitous 
and graphic and or distasteful imagery is very very very chic right now and 
more mainstream than ever among more women than ever. 

We also find porn and loops go hand and hand - no puns intended and have done 
so for years in the scope of film and video. it was a natural combination to 
make. we just make it so matter of fact that I dont think there really is any 
shock value we (dah band ) get out of indulging porn or using porn publicly 
as a backdrop to loops. it is nothing new the music & porn thang but it is an 
extension of the way we all lead our lives as individuals apart from the band.

and if T&A were the common denominator and the entertainment factor were the 
only thing we had going as an act, people woulda been gone say 2 yrs 
ago...cuz u can only shock so much and reveal so much until it becomes 
boring...

AKASH walks a lot of lines and starts off and remains outside a lot of things 
but it is always inside the realm of what it needs to be.

But secretly everyone in AKASH has developed & perfected clones of 
themselves. 

just try to think of them clones as little mini mees running amuck in coffee 
shops to heckle all those slimey, male geetar playas with lotsa loop gear who 
play really exclusive and very introspective soundscapes. BTW, Next week we 
are targeting stick players and folks with no exposure to Camille Paglia's 
writings...look out cause the mini mees are coming to get you !

& Music does not have to be good or sincere or even well executed for a band 
or individual to be successful or well received. 

to be successful & make $$$ at playing music you need to be derrivative, have 
the ability for many different outlets of commerce to co-brand your image and 
music and have lots of people wanna be like you. & having teenaged girls talk 
about u in chat rooms will boost record sales too ...we aim for that moment 
where we can be on the cover of Teeny Bop Sensation Mag & Ms Magazine.

And of course women read books & women dig porn and hang out in coffee shops 
too...but i have noticed gals are not really into guys that are so into 
themselves and their gizmo gadgets as much as the dudes who can make it seem 
like that the book they have in their hands is being read especially for them 
or the men who can make their gadgets work in areas that hit closer to shall 
we say a deeper feminine perspective. 

( BTW, I should know about women cuz im in a band and i go to borders but i 
tend to like books with pictures ... the ones with staples in em...i read em 
more so for the pics than the words :)

AKASH wants to be the dominator of all things that are curmudgingly yours too 
Reverend... regardless of like and dislike which seems to have a strong hold 
on you. 

A little fun and a lot of seduction plus a williness to not be ghettoized or 
relgated to a so called community where other people think loop musicians 
should be or look / sound and act like is what i was getting at in my first 
post along with reasons why women are tuned off to the loop music in general 
( not absolute ) and it was speculation on observations..pure subjective 
speculation that i like to call an opinion :) 

& BTW, I'm located in dwntwn Philly. 

This is a loopey town that is rich with lots of very good and a number of 
very bad musians just like anywhere in a major metro city. and just like 
anywhere else, Philly has the eternal problem of too few places to play and 
perform matched against the number of musicians available and interested in 
performing and playing.

i would also say the only loop oriented show in Philly where I actually saw a 
fair turn-out of women was when David Torn played at a Stars end gathering at 
UPENN in 98; ummm, i think it was in 98...but i'm sure there are other philly 
loopers on the list who were at that show who have better momories than this 
one here.

Sorta related here is that another band I play with did a bill with JFK's LSD 
UFO last year @ pi-lam in west philly (im the geetar slinger for temple of 
Bon Matin). 

we were all very impressed by the drum work and loop work the female drummer 
laid out ( andre was killa too ) ..very very very tastey stuff and very 
powerful seeing a female drummer and one that was looping really cool 
"waveforms". 

Nowadays u do see more women dj's ( trance/drum n bass ) who are doing loopey 
things w/ delay pedals that are kinda cool but there are no women in Philly 
that are looping to my knowledge in the gear heavy manner me and all the 
other boys do  ( bear in mind my knowledge of philly's local scene is 
admittedly very limited concerning detals on whos other than this being 
roots, josh wink and king britt country ). 

Here in philly, loop music is almost always relegated to the realm of the 
experimental...and i hate that definition but not to the point of 
vomiting...so i choose to define or redefine myself in ways that are of my 
choice & need. & that is sorta just like a lot of other loop musicians who 
are doing things loop related in their own necessary ways. 

my other point was that the affectionately dubbed status quo i referred to 
were not really doing anything other than perprtuating themselves and their 
gear exhibition upon people/their communities ( not necessarily a bad 
thing...but definitely not my thang and imho never is it musical but defining 
what is musical is like saying u have a blanket definition for what makes 
something a work of art - good luck analyzing that one  ).

Since when was ambition and inclusiveness such a hard thing to swallow ? ...

The answer depends on how you define those 2 words and execute the so called 
agenda :)

Regards,
JP

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From: "David Potter" <papadave55@hotmail.com>
To: loopers-delight@annihilist.com, collegeman55@aol.com
Subject: let's be loving loopers
Date: Sat, 29 Apr 2000 05:47:54 PDT
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If these babies can share the love then maybe we loopers can too.  Sorry in 
advance for the off topic picture....Uh... I loop to my children and they 
are loving human beings....6 of them...   there I'm on topic............Om 
and Out   Papa Dave
________________________________________________________________________
Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com

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Date: Thu, 20 Apr 2000 08:19:34 -0700
From: Claudia Stevenson <claudia@witi.org>
Subject: Check this out!
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I love this!

Claudia
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--------------64315B5E4838--



------=_NextPart_000_6fb83b97_6f653d0f$663af582--

From Loopers-Delight-request@annihilist.com  Sat Apr 29 11:37:26 2000
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From: SoundFNR@aol.com
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Date: Sat, 29 Apr 2000 11:20:06 EDT
Subject: Re: OT: Audio CD-R vs. Data CD-R
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> Audio labeled CDRs.
Well I heard the 'Audio only' CD-Rs were preformatted in some way.
for use in standalone CD recorders.

I use a PC system, currently with cheapish discs and no problems.
(except where I wrote at 4x instead of 2x, and even then the only
problem was that one player couldn't read the index data, though it 
played the CD)
(once I had to clean the lens on a player)

For best results you want a WORM writer, that is
one that can't use CD-RW . (eg TEAC CDR 55s),
this will improve compatibility.

For better results it's probably worth investing in 'pro-quality' CDR blanks.
gold for archival permanance
silver for compatibility. 


Andy Butler
Lexicon Vortex Database 
http://members.aol.com/soundfnr/vortex.htm

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Subject: Re: Is it possible to sync Vortex to EDP?
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> When sync=out, the echoplex sends out a pulse from the BeatSync jack in the
>  back. The pulse is sent at the startpoint of the loop.  Perhaps you could
>  use this pulse to trigger the vortex tap tempo jack?
>  
>  I have no idea if it will work, but I'd be plenty interested in finding 
out!

What's the BeatSync O/P like?
Wouldn't it have to be a -VE going pulse to make the Vortex think
the switch had been hit?





Andy Butler
Lexicon Vortex Database 
http://members.aol.com/soundfnr/vortex.htm

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--------------D8725E0D017569B2D1E74814
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Hey Peter,
I've got a VS-880 EX that I love. It's very portable so I can multi-track a lot
of my live shows. I'm sure that some folks get hung up on Roland's data
compression -it doesn't bother me that much.
    On the other hand, I just finished having a record that I produced, mixed on
the stripped down version of Pro Tools and that program is simply amazing!
There's lots you can do on that program that the Vs-880 would find hard to do.
However, You need a really fast Mac and tons of RAM ( 500 megs preferably ). And
, it's not very portable.
    My two cents........
    Mike
    www.mikegeorgin.com

Peter Shindler wrote:

> Sorry to distract y'all from the Napster and "can chicks loop?" threads
> (both of which I'm enjoying immensely, keep it coming), but here's something
> that's on my mind.
>
> I've just been introduced to the world of digital recording by a friend
> who's letting me borrow his Roland VS-840 Digital Workstation.  I've been
> having a blast playing around with it, especially mixing-and-matching my own
> guitar loops and noises with Acid and FruityLoops drum sounds.  However, it
> occurred to me that most of the cut-and-paste functions I've been messing
> with would be much easier if the whole process was done on my PC.  So now
> I'm considering buying a package like Cakewalk, and I'm wondering:  Is a
> program like that really comparable to a stand-alone recording unit?  What
> does the Roland do that a good software program cannot?  And aside from
> Cakewalk, what other programs should I be checking out?
>
> Thanks.  I'm sure I'm asking the right people (just keep it clean!).
>
> Peter

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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
Hey Peter,
<br>I've got a VS-880 EX that I love. It's very portable so I can multi-track
a lot of my live shows. I'm sure that some folks get hung up on Roland's
data compression -it doesn't bother me that much.
<br>&nbsp;&nbsp;&nbsp; On the other hand, I just finished having a record
that I produced, mixed on the stripped down version of Pro Tools and that
program is simply amazing! There's lots you can do on that program that
the Vs-880 would find hard to do. However, You need a <i>really</i> fast
Mac and tons of RAM ( 500 megs preferably ). And , it's not very portable.
<br>&nbsp;&nbsp;&nbsp; My two cents........
<br>&nbsp;&nbsp;&nbsp; Mike
<br>&nbsp;&nbsp;&nbsp; www.mikegeorgin.com
<p>Peter Shindler wrote:
<blockquote TYPE=CITE>Sorry to distract y'all from the Napster and "can
chicks loop?" threads
<br>(both of which I'm enjoying immensely, keep it coming), but here's
something
<br>that's on my mind.
<p>I've just been introduced to the world of digital recording by a friend
<br>who's letting me borrow his Roland VS-840 Digital Workstation.&nbsp;
I've been
<br>having a blast playing around with it, especially mixing-and-matching
my own
<br>guitar loops and noises with Acid and FruityLoops drum sounds.&nbsp;
However, it
<br>occurred to me that most of the cut-and-paste functions I've been messing
<br>with would be much easier if the whole process was done on my PC.&nbsp;
So now
<br>I'm considering buying a package like Cakewalk, and I'm wondering:&nbsp;
Is a
<br>program like that really comparable to a stand-alone recording unit?&nbsp;
What
<br>does the Roland do that a good software program cannot?&nbsp; And aside
from
<br>Cakewalk, what other programs should I be checking out?
<p>Thanks.&nbsp; I'm sure I'm asking the right people (just keep it clean!).
<p>Peter</blockquote>
</html>

--------------D8725E0D017569B2D1E74814--

From Loopers-Delight-request@annihilist.com  Sat Apr 29 12:30:48 2000
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To: <Loopers-Delight@annihilist.com>
References: <l03110700b52ff15e33dc@[38.26.250.111]> <000d01bfb1a8$9bbed460$30310140@concentric.net>
Subject: Re: Gear sale
Date: Sat, 29 Apr 2000 12:31:47 -0400
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Sorry...
Damn. I hate it when I do that.

- Larry T

----- Original Message -----
From: "Larry Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, April 29, 2000 3:00 AM
Subject: Re: Gear sale


> David, I might want the Mackie 1202. Will know in two days.
> Can ya wait?
>
> Thanks,
> - Larry
>
> > Before I go to Harmony Central, I'd like to run this list past my loop
> > friends.  Going the software route, can use the bucks.
> >
> > Home studio items for sale, all mint, original boxes and manuals, pedals
> > never even stepped on, prices plus COD Fed Ex:
> >
> > Mackie 1202-VLZ PRO, 8 mo. old.  The best of its kind.  Cost $370.
Price
> > $290 (plus $22 ship)
> > Boss VF-1 multiprocessor, 5 mo. old.  Half rack unit, incredible.  Cost
> > $400.  Price $320 (plus $17 ship)
> > Waldorf 4 Pole filter unit, 3 mo. old.  What am I, nuts?  Filter
madness.
> > Cost $450.  Price $380 (plus $17 ship)
> > Lexicon Reflex, 18 mo. old.  Does stuff the new MPX's don't, nice unit.
> > Cost $280 at blowout.  Price $175 (plus $15 ship)
> > Akai Headrush delay/looper, 6 mo. old.  Fripperpedal.  Cost $180.  Price
> > $120 (plus $12 ship)
> > (Two) Zoom 2100 floor effects units, 6 mo. old.  Many effects plus great
> > looping capabilities.  Cost $150-$100 (blowout), now discontinued.
Price
> > $85 each (plus $15 ship)
> > Boss PS-3 pitch shifter/delay pedal, 1 yr old.  Cost $150.  Price $70
> (plus
> > $12 ship)
> > Boss MT-2 Metal Zone pedal, 1 yr. old.  Cost $95.  Price $50 (plus $12
> ship)
> >
> > Thanks all.
> >
> > David Myers
> >
> >
> >
>
>

From Loopers-Delight-request@annihilist.com  Sat Apr 29 13:11:27 2000
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JP -
It was me who compared AKASH with the Tubes and Fluxus, et al.

Interestingly you mentioned Camille Paglia, who is brilliant
and whom I enjoy reading. My wife thinks she's cool.

In fact, I thought of Camiile while I was reading your
description of AKASH - the whole (tired?) porn-chic thing set
down by Camille *years ago*. Don't get me wrong, I think women
should get in touch with their inner Slut-Goddess. ;)

I suppose there's really nowhere else to go with 'shock',
so maybe a Dada attempt to recapitulate to the mainsteam
is all thats left. Just seems...what's the word, trendy?
Not exactly. Maybe self-conscious.

There's a passage from Helmholtz regarding aesthetics
which says it better:

    "Whenever we see that conscious reflection has acted
    in the arrangement of the whole, we find it lacking."

        'Man fuhlt die Absicht, und man wird verstimmt.'
        (We feel the purpose, and it jars upon us.)

Again, I haven't seen or heard AKASH, yet I seem to have
been able to nail the schtick dead on just by "feeling
the purpose". No offense. I'm just pointing out the tendency
of an agenda to swamp the music. But that might be your
intention for all I know. It might be great fun. :)

Such a damn curmugeon sometimes,
- Larry T

----- Original Message -----
From: <Jprice01@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, April 29, 2000 8:36 AM
Subject: Re: Female Loopers?


> In a message dated 4/28/00 1:26:44 PM Eastern Daylight Time,
> reverendrob@realm-of-shade.com writes:
>
> << I hate "fans."  I really do.  >>
>
> & boy oh boy, you seem to have a propensity to vomit if an agenda is not
in
> line with your agenda. That seems to say that u must have a lot of
hostility
> or a digestive problem young man :)  I know just the cure for that
> mindset...LOL
>
> I know that as a looping male geetar player, I react with over-analysis
> paralysis whenever anyone points out that i have a tendancy to gravitate
> toward the perspective that how i am and how i do things is who i am
> regardless as to whether or not i am inclusive or exclusive. I have a
> tendancy to immediately offer an in depth break down of how my thoughts
are
> processed and finalized focusig on me, me me & more me.
>
> I have also come to accept how much slime men are and continue to be ...u
too
> must accept this "herstorical' truth and submit   with exceptional PC
grace
> and guilt- GRIN!
>
> & I do know the women & men in AKASH are out to get chicks so we are
guilty
> of that rock n roll myth/stereotype but can you really call us cock
> rockers...i wont go down there.....:-)
>
> But I think im the only person in AKASH other than the drummer who would
be
> aware of Flexxus and The Tubes...definitely not our vibe though u can draw
a
> number of evolutionary parallels from them to what we do today but that is
> not quite our game.
>
> Pornography and blatent sexuality be it erotica or intended to be
gratuitous
> and graphic and or distasteful imagery is very very very chic right now
and
> more mainstream than ever among more women than ever.
>
> We also find porn and loops go hand and hand - no puns intended and have
done
> so for years in the scope of film and video. it was a natural combination
to
> make. we just make it so matter of fact that I dont think there really is
any
> shock value we (dah band ) get out of indulging porn or using porn
publicly
> as a backdrop to loops. it is nothing new the music & porn thang but it is
an
> extension of the way we all lead our lives as individuals apart from the
band.
>
> and if T&A were the common denominator and the entertainment factor were
the
> only thing we had going as an act, people woulda been gone say 2 yrs
> ago...cuz u can only shock so much and reveal so much until it becomes
> boring...
>
> AKASH walks a lot of lines and starts off and remains outside a lot of
things
> but it is always inside the realm of what it needs to be.
>
> But secretly everyone in AKASH has developed & perfected clones of
> themselves.
>
> just try to think of them clones as little mini mees running amuck in
coffee
> shops to heckle all those slimey, male geetar playas with lotsa loop gear
who
> play really exclusive and very introspective soundscapes. BTW, Next week
we
> are targeting stick players and folks with no exposure to Camille Paglia's
> writings...look out cause the mini mees are coming to get you !
>
> & Music does not have to be good or sincere or even well executed for a
band
> or individual to be successful or well received.
>
> to be successful & make $$$ at playing music you need to be derrivative,
have
> the ability for many different outlets of commerce to co-brand your image
and
> music and have lots of people wanna be like you. & having teenaged girls
talk
> about u in chat rooms will boost record sales too ...we aim for that
moment
> where we can be on the cover of Teeny Bop Sensation Mag & Ms Magazine.
>
> And of course women read books & women dig porn and hang out in coffee
shops
> too...but i have noticed gals are not really into guys that are so into
> themselves and their gizmo gadgets as much as the dudes who can make it
seem
> like that the book they have in their hands is being read especially for
them
> or the men who can make their gadgets work in areas that hit closer to
shall
> we say a deeper feminine perspective.
>
> ( BTW, I should know about women cuz im in a band and i go to borders but
i
> tend to like books with pictures ... the ones with staples in em...i read
em
> more so for the pics than the words :)
>
> AKASH wants to be the dominator of all things that are curmudgingly yours
too
> Reverend... regardless of like and dislike which seems to have a strong
hold
> on you.
>
> A little fun and a lot of seduction plus a williness to not be ghettoized
or
> relgated to a so called community where other people think loop musicians
> should be or look / sound and act like is what i was getting at in my
first
> post along with reasons why women are tuned off to the loop music in
general
> ( not absolute ) and it was speculation on observations..pure subjective
> speculation that i like to call an opinion :)
>
> & BTW, I'm located in dwntwn Philly.
>
> This is a loopey town that is rich with lots of very good and a number of
> very bad musians just like anywhere in a major metro city. and just like
> anywhere else, Philly has the eternal problem of too few places to play
and
> perform matched against the number of musicians available and interested
in
> performing and playing.
>
> i would also say the only loop oriented show in Philly where I actually
saw a
> fair turn-out of women was when David Torn played at a Stars end gathering
at
> UPENN in 98; ummm, i think it was in 98...but i'm sure there are other
philly
> loopers on the list who were at that show who have better momories than
this
> one here.
>
> Sorta related here is that another band I play with did a bill with JFK's
LSD
> UFO last year @ pi-lam in west philly (im the geetar slinger for temple of
> Bon Matin).
>
> we were all very impressed by the drum work and loop work the female
drummer
> laid out ( andre was killa too ) ..very very very tastey stuff and very
> powerful seeing a female drummer and one that was looping really cool
> "waveforms".
>
> Nowadays u do see more women dj's ( trance/drum n bass ) who are doing
loopey
> things w/ delay pedals that are kinda cool but there are no women in
Philly
> that are looping to my knowledge in the gear heavy manner me and all the
> other boys do  ( bear in mind my knowledge of philly's local scene is
> admittedly very limited concerning detals on whos other than this being
> roots, josh wink and king britt country ).
>
> Here in philly, loop music is almost always relegated to the realm of the
> experimental...and i hate that definition but not to the point of
> vomiting...so i choose to define or redefine myself in ways that are of my
> choice & need. & that is sorta just like a lot of other loop musicians who
> are doing things loop related in their own necessary ways.
>
> my other point was that the affectionately dubbed status quo i referred to
> were not really doing anything other than perprtuating themselves and
their
> gear exhibition upon people/their communities ( not necessarily a bad
> thing...but definitely not my thang and imho never is it musical but
defining
> what is musical is like saying u have a blanket definition for what makes
> something a work of art - good luck analyzing that one  ).
>
> Since when was ambition and inclusiveness such a hard thing to swallow ?
...
>
> The answer depends on how you define those 2 words and execute the so
called
> agenda :)
>
> Regards,
> JP
>
>

From Loopers-Delight-request@annihilist.com  Sat Apr 29 13:45:46 2000
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 <001701bfb19e$196287a0$8f368218@we.mediaone.net>
Date: Sat, 29 Apr 2000 14:47:48 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Is it possible to sync Vortex to EDP?
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>  > I just tried it: my BeatSync pulse is too short for the Vortex.  :-(
>  > 8ms is pretty short. I just increased it to 40ms and it worked!


Cliff wonders:

>How did you increase the time?

I changed a constant in the soft. You would like that, too, huh?
We are not far from the upgrade, but since we are not shure to do the 
mod in general and you want to test it now, I found another solution 
for you:

Make a cable with any diode in series and a 2 MF cap to ground:


                 |   |                    
                 |  /|                    
                 | / |
EDP   ----------|/  |---------------------  VORTEX
                 |\  |        |           
                 | \ |        |           
                 |  \|        |           
                 |   |     -------        
                         -----------       
                              |           
                              |           
                              |           
                              | /         
                              |/          
                              /           
                             /            

The parts fit into an ordinary 1/4" connector.


          ---> http://Matthias.Grob.org

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Date: Sat, 29 Apr 2000 14:47:48 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: The family that loops together...
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>I am in love with a looper!  Met her a little while ago in Yahoo personals.
>True story.  I did a keyword search on "Eno" and boom!  There she was.  We met
>at SFMOMA and it was love at first sight.  On our third date she 
>took me to see
>Tom Verlaine do music for silent movies, so of course I was hooked for life.
>
>Ahhhh one day I long to say these words to my children (male or female) "Fade
>out of that loop and come to dinner!"
>
>I am a truly lucky man.
>

I am deeply impressed...


          ---> http://Matthias.Grob.org

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Date: Sat, 29 Apr 2000 14:47:48 -0300
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Subject: RE: Napster
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>Hot damn!  Then it wasn't Kim who said that.  Who was it?  I think it was
>Matthias.

I said what??
Forget it.

>
>   | -----Original Message-----
>   | From: Kim Flint [mailto:kflint@ati.com]
>   | Sent: Friday 28 April 2000 8:51 PM
>   | To: Loopers-Delight@annihilist.com
>   | Subject: RE: Napster
>   |
>   |
>   |
>   | No, that's not what I say at all. In fact, statements like that
>   | are a pet
>   | peeve of mine as a list manager...
>


          ---> http://Matthias.Grob.org

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Matthis-

Thanks for your e-mail.

Sounds like Kim isn't ready to commit too much to a project like this,
unfortunately.

I don't think that expecting Gibson to take this on is too far fetched.
Especially if enough people bug them about it.

I'm beginning to see two ways this can go:

Gibson, or somebody else with money, authority and interest, does a
really professional production (graphics, scripted, comprehensive,
etc.).

[What about other third party production houses who have already done
similar projects ?]

Or 

LD people do a no-budget, home-grown show-and-tell kind of thing that
covers more ground than just the EDP (like has already been discussed).

I want to see both happen, actually, but think option one is a bit more
realistic and ultimately useful, maybe.

I would volunteer some time to do the order fulfillment function, but
that's the only area of this project that I am really qualified to do. 

The most important element is finding the right guy(s) with the skill
and know-how with the EDP. Another reason why this is maybe best left up
to Gibson. Is that just a pipe dream ?

Glad you're thinking about this.

-Jordan


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From: Matthias Grob <matthias@grob.org>
Subject: Re: EDP Tutorial Video
Cc: "Larry Tremblay" <ltct@concentric.net>, "David Potter" <papadave55@hotmail.com>, "X-ray" <ew37@bellsouth.net>, jordanpease@webtv.net (Jordan Pease), rich <rich@nuvision.com>
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Kim said:
>I was half joking really. But I'm curious what you include in the cost
>there, because I really have no idea about a project like this. You guys
>seemed to know something about the subject, so I'm just asking you direct
>rather than bother the whole list with it.
>
>Is that $10k just the cost of producing it? Does that include duplication
>and media costs? packaging, printing, shipping? (I'd imagine we would want
>to make 1-2000 copies.)

I guess the user would pay for his copy, so at least these direct 
cost could be covered, I think.

>Travel costs to get whoever the instructors are to
>the same place where the equipment and producers are? (for example, maybe
>Matthias flies up from Brazil, or david torn flies in from new york or
>whatever.)

I dont think that there should be any traveling. Each contribution is 
filmed by people around the contributor. Bad filming does not enter 
the final cut.

>And somebody needs to manage the whole thing, which I guess
>must be everything from writing the script and coordinating the crew to
>editing to taking orders, stuffing envelopes, and driving to the post
>office a lot. How big of a job is that?  I'm guessing it's more than a
>saturday afternoon, but how much more?  Does this guy need to be retired or
>independently wealthy so he doesn't need to quit his day job to do it all?

That would be like an Editor, right?
Well, we had CD projects working out right, this one is not that different.

The first step could be that each one does his thing and sends it to 
the Editor. He selects and cuts out parts that are clearly repetition 
from several contributors.

Then comes the dificult step:  We dont just want to give ideas but 
really explain how it works. So we have to figure out what is lacking 
and complete. Maybe it takes a person with skills in teaching to 
figure out a good way to make things understandable. And I think 
demonstrating musicians is not enough, it takes some graphics to make 
it clear. So ideally, this teacher has a computer where he can do 
animated graphics (PowerPoint...)

Done this filming, it goes back to the editor who does the final order like:
- and introduction, showing to anyone how looping is fun and flexible
- the basics, theory, fundamental functions
- applications, each one shows his tricks and style

Then the final thing could go to Gibson for the distribution, no? 
Unless someone whants to do that, too...

The question of wanting money from Gibson or doing it freely is delicate.
Maybe the best is to start out freely and when it grows to a 
something impressive and needs money to finish, look for Gibson and 
negociate.


          ---> http://Matthias.Grob.org

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Hello Matthias,
I, for one, would really love the ability to sync my vortex to my EDP - I
hope you do include the change in the software.

If it's not possible I'd love to make the cable that would do it - though
I'm not at all experienced with electronics (at least the part that  goes on
inside these wonderful boxes).

Just to be clear - by the way - are you saying that if you make this special
cable (or the software gets modified) then you can connect a cable from the
beatsync out of the EDP to the tap tempo jack of the Vortex and the vortex
will read it as if it's being tapped once at every cycle start (thus
constantly updating it's tempo)?

thanks,
eric

Matthias Grob wrote:

> >  > I just tried it: my BeatSync pulse is too short for the Vortex.  :-(
> >  > 8ms is pretty short. I just increased it to 40ms and it worked!
>
> Cliff wonders:
>
> >How did you increase the time?
>
> I changed a constant in the soft. You would like that, too, huh?
> We are not far from the upgrade, but since we are not shure to do the
> mod in general and you want to test it now, I found another solution
> for you:
>
> Make a cable with any diode in series and a 2 MF cap to ground:
>
>                  |   |
>                  |  /|
>                  | / |
> EDP   ----------|/  |---------------------  VORTEX
>                  |\  |        |
>                  | \ |        |
>                  |  \|        |
>                  |   |     -------
>                          -----------
>                               |
>                               |
>                               |
>                               | /
>                               |/
>                               /
>                              /
>
> The parts fit into an ordinary 1/4" connector.
>
>           ---> http://Matthias.Grob.org

From Loopers-Delight-request@annihilist.com  Sat Apr 29 15:19:45 2000
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Subject: Re: general digital recording query
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Peter,

It doesn't sound like you're going to want Cakewalk for digital audio, it's
primarily a MIDI sequencer for sythesizers (which it's fine at).  If you
have Acid and you're comfortable with that, Sonic Foundry also a
multi-tracker called Vegas.  However, it has functionality you might not
want or need.   You can check out www.harmony-central.com and check out the
demos in the software section for a broad idea of what's out there.  The
shareware music machine also has a number of these: www.hitsquad.com/smm/

----- Original Message -----
From: "Peter Shindler" <shindler@mediaone.net>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, April 28, 2000 11:58 PM
Subject: general digital recording query


> Sorry to distract y'all from the Napster and "can chicks loop?" threads
> (both of which I'm enjoying immensely, keep it coming), but here's
something
> that's on my mind.
>
> I've just been introduced to the world of digital recording by a friend
> who's letting me borrow his Roland VS-840 Digital Workstation.  I've been
> having a blast playing around with it, especially mixing-and-matching my
own
> guitar loops and noises with Acid and FruityLoops drum sounds.  However,
it
> occurred to me that most of the cut-and-paste functions I've been messing
> with would be much easier if the whole process was done on my PC.  So now
> I'm considering buying a package like Cakewalk, and I'm wondering:  Is a
> program like that really comparable to a stand-alone recording unit?  What
> does the Roland do that a good software program cannot?  And aside from
> Cakewalk, what other programs should I be checking out?
>
> Thanks.  I'm sure I'm asking the right people (just keep it clean!).
>
>
> Peter
>
>

From Loopers-Delight-request@annihilist.com  Sat Apr 29 16:49:32 2000
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From: Stuart Fox <freemanfox@earthlink.net>
Subject: Open reel looper's trick
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I would like to pass along an old analog tape loopers trick which I 
haven't seen used or mentioned in about 20 years.

To handle very long loops of tape, just spool it loose directly into 
a large paper shopping bag.  The tape must drop vertically in loose 
folds and is pulled out from the bottom through the top of the bag. 
The bag should be a foot or two below the tape deck in order to allow 
any tangles to fall out naturally by gravity.

I seems impossible, but it works like a charm.

Stuart
 

At 12:13 AM +0000 4/25/2000, J.G. Wong wrote:
>I use a telescoping aluminum arm that has a spare guide from the machine
>I am using.  For longer loops I use a microphone stand with a guide
>affixed to the top.
>Using a replacement guide is easier on the machine and tape and gives
>more consistent results.
>
>G. Wong
>
>I'm surprised no one has mentioned it, but one of the easiest ways to
>make a
>"looping fixture" on an open-reel machine is to simply build a wood face
>(probably plywood) around the machine, then use push - pins (y'know, the
>ones with the barrel-like upper parts) to extend the tape outwards from the
>deck. Least that's how I did it when I was a boy.
>Douglas Baldwin, Alpha male Coyote, the Trickster
>dbaldwin@suffolk.lib.ny.us
 

Stuart Fox
Director-CalArts Guitar Program
sgfox @music.calarts.edu

From Loopers-Delight-request@annihilist.com  Sat Apr 29 18:00:56 2000
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Date: Sat, 29 Apr 2000 17:28:08 EDT
Subject: Re: Female Loopers?
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In a message dated 4/29/00 1:11:50 PM Eastern Daylight Time, 
ltct@concentric.net writes:

<< Again, I haven't seen or heard AKASH, yet I seem to have
 been able to nail the schtick dead on just by "feeling
 the purpose". No offense. I'm just pointing out the tendency
 of an agenda to swamp the music. But that might be your
 intention for all I know. It might be great fun. :) >>

u got it :)

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From: "luca" <lucafeed@tin.it>
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Subject: R: general digital recording query
Date: Sun, 30 Apr 2000 02:29:59 +0200
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This is a multi-part message in MIME format.

------=_NextPart_000_0061_01BFB24B.FAF1B8A0
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	charset="iso-8859-1"
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I have bought a Vs-840 ex (250 Mb Zip) almost a years ago thinking to =
solve the big problem to understand which kind of software it would be =
the best to buy remaining in the same price range of it (I payed for it =
around 1.200 $).
I thought it was hard to set up my pc with a good software, an added =
hard disk, and the analog/digital converter ( I am using guitars and no =
midi).
Plus, with Zips I can make an archive of my tunes and have always the =
chance to remix them in the time.
I know the editing power of Vs-840 is limited and I would like to have =
more, but I thought that was the best solution at that time.
Any suggestions ?
Luca

------=_NextPart_000_0061_01BFB24B.FAF1B8A0
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>I have bought a Vs-840 ex (250 Mb Zip) =
almost a=20
years ago thinking to solve the big problem to understand which kind of =
software=20
it would be the best to buy remaining in the same price range of it (I =
payed for=20
it around 1.200 $).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I thought it was hard to set up my pc =
with a good=20
software, an added hard disk, and the analog/digital converter ( I am =
using=20
guitars and no midi).</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Plus, with Zips I can make an archive =
of my tunes=20
and have always the chance to remix them in the time.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I know the editing power of Vs-840 is =
limited and I=20
would like to have more, but I thought that was the best solution at =
that=20
time.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Any suggestions ?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Luca</FONT></DIV></BODY></HTML>

------=_NextPart_000_0061_01BFB24B.FAF1B8A0--

From Loopers-Delight-request@annihilist.com  Sat Apr 29 23:41:57 2000
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Subject: Re: general digital recording query
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Just a personal recommendation on this thread. I use my PC as a Digital
Audio Workstation, but don't need MIDI/Sequencing functionality, and use
Cool Edit Pro 1.2. I like the simplicity and the layout. Plus I like the
fact it doubles as a sound file or track editor and has multitrack window,
all within the click of an Icon. Also supports DX plugins which works for
me.

Just my $0.02.

Cheers

Simes
----- Original Message -----
From: Michael LaMeyer <m.lameyer@rcn.com>
To: <Loopers-Delight@annihilist.com>
Sent: Sunday, April 30, 2000 5:09 AM
Subject: Re: general digital recording query


> Peter,
>
> It doesn't sound like you're going to want Cakewalk for digital audio,
it's
> primarily a MIDI sequencer for sythesizers (which it's fine at).  If you
> have Acid and you're comfortable with that, Sonic Foundry also a
> multi-tracker called Vegas.  However, it has functionality you might not
> want or need.   You can check out www.harmony-central.com and check out
the
> demos in the software section for a broad idea of what's out there.  The
> shareware music machine also has a number of these: www.hitsquad.com/smm/
>
> ----- Original Message -----
> From: "Peter Shindler" <shindler@mediaone.net>
> To: <Loopers-Delight@annihilist.com>
> Sent: Friday, April 28, 2000 11:58 PM
> Subject: general digital recording query
>
>
> > Sorry to distract y'all from the Napster and "can chicks loop?" threads
> > (both of which I'm enjoying immensely, keep it coming), but here's
> something
> > that's on my mind.
> >
> > I've just been introduced to the world of digital recording by a friend
> > who's letting me borrow his Roland VS-840 Digital Workstation.  I've
been
> > having a blast playing around with it, especially mixing-and-matching my
> own
> > guitar loops and noises with Acid and FruityLoops drum sounds.  However,
> it
> > occurred to me that most of the cut-and-paste functions I've been
messing
> > with would be much easier if the whole process was done on my PC.  So
now
> > I'm considering buying a package like Cakewalk, and I'm wondering:  Is a
> > program like that really comparable to a stand-alone recording unit?
What
> > does the Roland do that a good software program cannot?  And aside from
> > Cakewalk, what other programs should I be checking out?
> >
> > Thanks.  I'm sure I'm asking the right people (just keep it clean!).
> >
> >
> > Peter
> >
> >
>
>

From Loopers-Delight-request@annihilist.com  Sun Apr 30 04:11:40 2000
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Date: Sun, 30 Apr 2000 00:52:29 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Echoplex goes bananas, or vice versa
To: Loopers-Delight@annihilist.com
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a website visitor informs me that the music store Bananas at Large in San
Rafael, CA currently has echoplexes in stock, for those looking for one.
Bananas is a nice store, they supported this crazy looping stuff from the
beginning and stocked OB echoplexes when nobody else would. here's some
details:


>From: "Terry Tungjunyatham"
>To: kflint@annihilist.com
>Subject: Echoplex is now on sale!!!
>
>Hi Kim,
>
>I just recieved a call from Rik Elswit from the music store called "Bananas
>at Large" that they have GIBSON Echoplex (which is exactly identical to late
>Oberheim Echoplex)in stock and ready for shipment.  I have not buy it yet
>but I will soon.  The price I'm not sure but it could be shipped with the
>memory expansion board.
>
>Rik's e-mail is rik@bananas.com  and his phone number is 415-457-7600.
>Their website is www.bananas.com
>
>Kim if you have time please spread the words on your website.  I'll bet that
>there will be lots and lots of happy loopers out there that would be
>delighted to hear it.
>
>I'll keep you posted for further info.
>
>terry t.
>
>

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | 


From Loopers-Delight-request@annihilist.com  Sun Apr 30 04:41:28 2000
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Date: Sun, 30 Apr 2000 05:45:28 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Is it possible to sync Vortex to EDP?
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>Hello Matthias,
>I, for one, would really love the ability to sync my vortex to my EDP - I
>hope you do include the change in the software.

go ahead and then tell us...

>If it's not possible I'd love to make the cable that would do it - though
>I'm not at all experienced with electronics (at least the part that  goes on
>inside these wonderful boxes).

you will find someone, its really a simple thing.

>Just to be clear - by the way - are you saying that if you make this special
>cable (or the software gets modified) then you can connect a cable from the
>beatsync out of the EDP to the tap tempo jack of the Vortex and the vortex
>will read it as if it's being tapped once at every cycle start (thus
>constantly updating it's tempo)?

exactly. I did it here, it works.



          ---> http://Matthias.Grob.org

From Loopers-Delight-request@annihilist.com  Sun Apr 30 06:23:37 2000
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From: L.Angulo@t-online.de (Luis Angulo)
To: <Loopers-Delight@annihilist.com>
References: <C17613BF4690D211910C0008C7491242F92AC2@ca00exh01.atitech.com> <003f01bfb18f$32cd0580$0100005a@ne.mediaone.net> <390B0FF3.3FB9399A@fuse.net>
Subject: Re: general digital recording query
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Sorry could you guys develop more on this
I also owe a VS 840 but i never experimented with music computer programs. I
just got the Cool Edit pro 1.0 is this a good music program? Am i supposed
to then record on my PC what i´ve recorded in the VS 840?How could i then
record extra guitar tracks do i need a special patch bay for the PC or how
do you input your guitar to it?
Sorry for my ignorance but it would be great if you guys could help me out a
bit
I appreciate it!
Luis



Hey Peter,
I've got a VS-880 EX that I love. It's very portable so I can multi-track a
lot of my live shows. I'm sure that some folks get hung up on Roland's data
compression -it doesn't bother me that much.
    On the other hand, I just finished having a record that I produced,
mixed on the stripped down version of Pro Tools and that program is simply
amazing! There's lots you can do on that program that the Vs-880 would find
hard to do. However, You need a really fast Mac and tons of RAM ( 500 megs
preferably ). And , it's not very portable.
    My two cents........
    Mike
    www.mikegeorgin.com
Peter Shindler wrote:
Sorry to distract y'all from the Napster and "can chicks loop?" threads
(both of which I'm enjoying immensely, keep it coming), but here's something
that's on my mind.
I've just been introduced to the world of digital recording by a friend
who's letting me borrow his Roland VS-840 Digital Workstation.  I've been
having a blast playing around with it, especially mixing-and-matching my own
guitar loops and noises with Acid and FruityLoops drum sounds.  However, it
occurred to me that most of the cut-and-paste functions I've been messing
with would be much easier if the whole process was done on my PC.  So now
I'm considering buying a package like Cakewalk, and I'm wondering:  Is a
program like that really comparable to a stand-alone recording unit?  What
does the Roland do that a good software program cannot?  And aside from
Cakewalk, what other programs should I be checking out?
Thanks.  I'm sure I'm asking the right people (just keep it clean!).
Peter

From Loopers-Delight-request@annihilist.com  Sun Apr 30 12:36:07 2000
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Date: Sun, 30 Apr 2000 18:07:06 -0700
From: Claude voit <c.voit@vtx.ch>
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CC: Matthias Grob <matthias@grob.org>
Subject: Re: Is it possible to sync Vortex to EDP?
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	 <v04220805b52fc427f5a1@[200.194.253.51]>
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Matthias Grob wrote:

> Make a cable with any diode in series and a 2 MF cap to ground:
> 
>                  |   |
>                  |  /|
>                  | / |
> EDP   ----------|/  |---------------------  VORTEX
>                  |\  |        |
>                  | \ |        |
>                  |  \|        |
>                  |   |     -------
>                          -----------
>                               |
>                               |
>                               |
>                               | /
>                               |/
>                               /
>                              /
> 
> The parts fit into an ordinary 1/4" connector.

sorry Mathias

I can solder but thats all...

can you comment on the parts (cap type ; microF or miliF and where are
the + & -  on the diagram

this mod looks great 

thanks

Claude

From Loopers-Delight-request@annihilist.com  Sun Apr 30 13:01:45 2000
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Subject: Re: EDP alternative to vol pedal [a DIY idea}
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Matthias Grob wrote:
> 
> Claudes proposual:
> 
> >With my pmc 10 I'm handling my edp's feedback through 5 switches on the
> >pmc's top row
> 
> hm... smart...
> 
> >those five switches send 5 different cc values that give me instant
> >feedback value inc/decrease presets
> 
> dont you hear the sudden change of FB in the loop afterwards?

thats what I want for a sudden change of volume of the loop at a certain
beat/measure of the loop
with the switch presets it can be sudden and exact 

------on the same topic but never published---------

One of the ideas I didnt throw at you because it came too late for the
future soft <G>

the reduce command

a quantized/or not command that would send the loop a certain vol notch
in the background
this operation is done once on the entire loop/cycle
same as an instant feedback reduction without playing during exactly one
loop from the funct push
(undo heaven)

certainly the OverdubReduce command commes in handy to make some space
for the overdub; and in one pass !!!

BTW why didnt you ever think of a quantized overdub acting exactly as
the rec function
you push the function and have the punch in/out done at loop/cycle
boundaries
is it because you dont like too much square music ?

I disgress back on the topic
 
> >I really like the way it works but it takes 5 switches of the pmc only
> >for that
> >
> >Was thinking:
> >
> >how a bout a simple circuit that would replace the edp feedback
> >expression pedal
> 
> what is so bad about it?

nothing at all; its just faster and more precise (time and amount wise) 
for more structured tunes than the soundscape wishiwash <G>
I still have a vol ped engaged for continuous fdb control though

> 
> >with  a set of 5 switches that would emulate 5 fixed values
> >the 5 values would be preset with trim pots and the switches would
> >toggle through the values
> 
> certainly possible, but once you start doing such effort, wouldnt it
> be smarter to use just two swiches: up/down ?

eh.. no, because if I want a 50% redux I'll have to pedal down or up
several times ----resulting in steps

> >a 6th switch could repatch a real vol pedal for fades etc...
> >
> >If all this is possible I would drill holes on my edp footswitch to
> >implement those feedback preset switches 2-3 cm over the existing ones
> 
> great
> 
> >The main problem is I'm not an electronic engineer so I hav'nt a clue of
> >how and if this could be done
> 
> Could be done with 2-3 CMOS ICs. There might even be a specific IC
> doing exactly this.
> They probably could be fed by the EDP through the switch line, since
> they use very little power.
> A perfect student exercise :-)

I'll be the student if you draw the schematics 

I could pay some for the ehancement it would bring

Take care

Claude

From Loopers-Delight-request@annihilist.com  Sun Apr 30 14:43:29 2000
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From: "luca" <lucafeed@tin.it>
To: <Loopers-Delight@annihilist.com>
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Subject: R: general digital recording query (for Simon Kean)
Date: Sun, 30 Apr 2000 19:30:31 +0200
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How many analog inputs do you use ?
Do you use an additional H.disk?
Luca
----- Original Message -----
From: Simon Kean <skean@ihug.com.au>
To: <Loopers-Delight@annihilist.com>
Sent: Sunday, April 30, 2000 5:40 AM
Subject: Re: general digital recording query


> Just a personal recommendation on this thread. I use my PC as a Digital
> Audio Workstation, but don't need MIDI/Sequencing functionality, and use
> Cool Edit Pro 1.2. I like the simplicity and the layout. Plus I like the
> fact it doubles as a sound file or track editor and has multitrack window,
> all within the click of an Icon. Also supports DX plugins which works for
> me.
>
> Just my $0.02.
>
> Cheers
>
> Simes
> ----- Original Message -----
> From: Michael LaMeyer <m.lameyer@rcn.com>
> To: <Loopers-Delight@annihilist.com>
> Sent: Sunday, April 30, 2000 5:09 AM
> Subject: Re: general digital recording query
>
>
> > Peter,
> >
> > It doesn't sound like you're going to want Cakewalk for digital audio,
> it's
> > primarily a MIDI sequencer for sythesizers (which it's fine at).  If you
> > have Acid and you're comfortable with that, Sonic Foundry also a
> > multi-tracker called Vegas.  However, it has functionality you might not
> > want or need.   You can check out www.harmony-central.com and check out
> the
> > demos in the software section for a broad idea of what's out there.  The
> > shareware music machine also has a number of these:
www.hitsquad.com/smm/
> >
> > ----- Original Message -----
> > From: "Peter Shindler" <shindler@mediaone.net>
> > To: <Loopers-Delight@annihilist.com>
> > Sent: Friday, April 28, 2000 11:58 PM
> > Subject: general digital recording query
> >
> >
> > > Sorry to distract y'all from the Napster and "can chicks loop?"
threads
> > > (both of which I'm enjoying immensely, keep it coming), but here's
> > something
> > > that's on my mind.
> > >
> > > I've just been introduced to the world of digital recording by a
friend
> > > who's letting me borrow his Roland VS-840 Digital Workstation.  I've
> been
> > > having a blast playing around with it, especially mixing-and-matching
my
> > own
> > > guitar loops and noises with Acid and FruityLoops drum sounds.
However,
> > it
> > > occurred to me that most of the cut-and-paste functions I've been
> messing
> > > with would be much easier if the whole process was done on my PC.  So
> now
> > > I'm considering buying a package like Cakewalk, and I'm wondering:  Is
a
> > > program like that really comparable to a stand-alone recording unit?
> What
> > > does the Roland do that a good software program cannot?  And aside
from
> > > Cakewalk, what other programs should I be checking out?
> > >
> > > Thanks.  I'm sure I'm asking the right people (just keep it clean!).
> > >
> > >
> > > Peter
> > >
> > >
> >
> >
>

From Loopers-Delight-request@annihilist.com  Sun Apr 30 20:09:10 2000
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Subject: RE: general digital recording query
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My personal opinion of protools is that it doesn't live up to the hype,
unless you fork over the money for all hardcore hardware, which is seriously
overpriced.

I barely use Protools other than to import projects that come from other
studios into other programs.

I beleive there is a version of Logic Audio Platinum which interfaces
directly with the VS series recorders, allowing you to control and edit your
work on your computer, using your VS's hardware. You should definitely check
it out - Logic is the sequencer of choice for most serious professionals,
and it would allow you to interace smoothly with the hardware you already
have.

bIz



-----Original Message-----
From: Luis Angulo [mailto:L.Angulo@t-online.de]
Sent: Sunday, April 30, 2000 2:57 AM
To: Loopers-Delight@annihilist.com
Subject: Re: general digital recording query


Sorry could you guys develop more on this
I also owe a VS 840 but i never experimented with music computer programs. I
just got the Cool Edit pro 1.0 is this a good music program? Am i supposed
to then record on my PC what i´ve recorded in the VS 840?How could i then
record extra guitar tracks do i need a special patch bay for the PC or how
do you input your guitar to it?
Sorry for my ignorance but it would be great if you guys could help me out a
bit
I appreciate it!
Luis



Hey Peter,
I've got a VS-880 EX that I love. It's very portable so I can multi-track a
lot of my live shows. I'm sure that some folks get hung up on Roland's data
compression -it doesn't bother me that much.
    On the other hand, I just finished having a record that I produced,
mixed on the stripped down version of Pro Tools and that program is simply
amazing! There's lots you can do on that program that the Vs-880 would find
hard to do. However, You need a really fast Mac and tons of RAM ( 500 megs
preferably ). And , it's not very portable.
    My two cents........
    Mike
    www.mikegeorgin.com
Peter Shindler wrote:
Sorry to distract y'all from the Napster and "can chicks loop?" threads
(both of which I'm enjoying immensely, keep it coming), but here's something
that's on my mind.
I've just been introduced to the world of digital recording by a friend
who's letting me borrow his Roland VS-840 Digital Workstation.  I've been
having a blast playing around with it, especially mixing-and-matching my own
guitar loops and noises with Acid and FruityLoops drum sounds.  However, it
occurred to me that most of the cut-and-paste functions I've been messing
with would be much easier if the whole process was done on my PC.  So now
I'm considering buying a package like Cakewalk, and I'm wondering:  Is a
program like that really comparable to a stand-alone recording unit?  What
does the Roland do that a good software program cannot?  And aside from
Cakewalk, what other programs should I be checking out?
Thanks.  I'm sure I'm asking the right people (just keep it clean!).
Peter

