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From: "Elaine Walters" <ew37@bellsouth.net>
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Subject: U2 song sync
Date: Fri, 1 Oct 1999 01:29:04 -0500
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>I guess because the edges of the sound
>are a little less defined.

Pun intended I presume??

MicahH



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Date: 	Fri, 1 Oct 1999 07:22:54 -0500 (CDT)
Sender: crash@waste.org
From: Todd Madson <crash@waste.org>
To: Loopers-Delight@annihilist.com
Subject: Free Loops for You all
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Go to:

http://www.waste.org/~crash/loopage.html

There are three loops there in mp3 format for you all...

Unfortunately, I mistyped the first link so I'll put all 3 here.
For more information, check the page...

http://www.waste.org/~crash/aliensporebomb-oceanofwaves.mp3
This is a wavetable synthesis demo of sorts.  If you liked the sounds
of the PPG and Waldorf wave synthesizers, check this out.  This one is
about two minutes long.

http://www.waste.org/~crash/aliensporebomb-shortversion.mp3
a short backwards excerpt from "the unravelling".  All guitars.  This
is about two minutes long or so.

http://www.waste.org/~crash/aliensporebomb-unravelling.mp3
A very long (7 minutes +) version of the endloop portion of
'the unravelling' - it's all guitar and the forward version.
It's an excerpt of a 40 minute piece that unfortunately most
of which was lost (thus the title).  

Both of the unravelling variations were processed through the 
procrastination audio looper for the PowerMac by Ken Mistove.

Enjoy.  

Now I gotta finish Source/Object really quickly and I'll feel
like I've actually accomplished something.

-Todd

From Loopers-Delight-request@annihilist.com  Fri Oct  1 09:27:47 1999
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Date: Fri, 01 Oct 1999 12:49:49 +0100
From: Claude Voit <c.voit@vtx.ch>
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Subject: Re: Synchronization band-loop (machine-loop)
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Matthias Grob wrote:
> 
> Jim asked:
> >Anyone use the EDP midi out to sync. drum machines?
> >I always find that even with 1/8th beats at max. the
> >clock output is far too slow even on a 5sec. base loop.
> 
> Oh, thats interesting. It would not be complicated to change the 1/8th
> beats table. Maybe it should not contain all the odd beat numbers, but
> bigger ones instead?
> 

Adding bigger ones is needed 
but cutting out some values could start a war...

you have some responsabilities now Mathias...

<G>

yodliho from

Claude

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Date: Fri, 1 Oct 1999 10:08:52 -0400 (EDT)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
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			Playlist for "EMUSIC"

"EMUSIC," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html

		Show #132		September 30, 1999.
		Host: Bill Fox		http://www.wdiyfm.org
		billfox@fast.net

On this show, I concluded the month-long focus on Utah musician Robert
Carty.  Robert releases his music on his CDR label, Deep Sky Music to
critical acclaim.  Each CD is individually hand painted by Robert.  The
feature CD at midnight was Cloud Pull.

	Robert Carty  :  http://www.california.com/~eameece/carty.htm
	EMUSIC Focus  :  http://www.wdiyfm.org/emusic/playlists/focus.html

Music by Tim Story and Hans-Joachim Roedelius was played in support of
The Gathering XX in nearby Philadelphia.  Music by Spyra and
Airsculpture was played in support of E-Live '99 in Nijmegen, The
Netherlands.  Both concerts will be on October 9.

	The Gathering :  http://www.starsend.org/20gather.html
        E-Live '99    :  http://www.stichting-crew.nl/elive1999.html


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== =============================
11:00 pm
Spyra                   Future of the Past       Future of the Past (Manikin)
Airsculpture            Dark Design              Thunderhead (Neu Harmony)
Aqueous & Roedelius     First Lesson             Meeting the Magus (Hermetic)
Tim Story               More Chains Than Clank   In Another Country (Eurock)
Richard Bone    The Induction of Gilbert Abbott  Etherdome (Hypnos)
Steve Roach             The Reflecting Chamber   Light Fantastic (Fathom)
dreamSTATE              Entre Realites           Between Realities (e-Space)

12:00 am
Robert Carty            Arching Horizon          Cloud Pull (Deep Sky Music)
Robert Carty            The Peeling Sky          Cloud Pull (Deep Sky Music)
Robert Carty            Emergence                Cloud Pull (Deep Sky Music)
Robert Carty            Cycles                   Cloud Pull (Deep Sky Music)
Robert Carty            Earth and Air            Cloud Pull (Deep Sky Music)
Robert Carty            Sky Pull                 Cloud Pull (Deep Sky Music)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will begin a month-long Oktoberfest focus on the
German label, Manikin.  The Feature CD at Midnight will be "The Two
Piece Box" by Detlef Keller and Mario Schonwalder.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

From Loopers-Delight-request@annihilist.com  Fri Oct  1 12:46:49 1999
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Date: Fri, 01 Oct 1999 15:24:34 +0200
Subject: Free loops and tunes
From: "Lionel Hubert" <khpro@worldnet.fr>
To: Looper delight <Loopers-Delight@annihilist.com>
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    KALIKAY home page

    There is free loops and sounds at :  
http://www.ifrance.com/kalikay/loops.html


    And loop oriented only guitar tune at

http://www.ifrance.com/kalikay/spool.html


please tell what you think about this material.

The K
-- kalikay entertainment
**************************
kalikay@worldnet.fr

http://www.ifrance.com/kalikay

From Loopers-Delight-request@annihilist.com  Fri Oct  1 13:54:54 1999
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Date: Fri, 01 Oct 1999 09:59:09 -0700
From: Neil Goldstein <ngold@home.com>
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<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
I tried using the Loop start button on my 5.0 EDP to change the loop start
and nothing happens.
<p>What am I missing?
<br>&nbsp;
<p>--
<br>Neil Goldstein
<br>ngold@home.com
<br>Portland, Oregon USA
<br>&nbsp;<a href="http://www.mp3.com/artists/14/ng.html">My Music on MP3.com</a>
<br>&nbsp;
<br>&nbsp;</html>

From Loopers-Delight-request@annihilist.com  Fri Oct  1 14:05:12 1999
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Message-ID: <000f01bf0c36$9c7bf580$4a23dacf@stepheng>
Reply-To: "Stephen Goodman" <sgoodman@earthlight.net>
From: "Stephen Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
References: <199910011634.QAA14449@m4.worldnet.net>
Subject: Experience Project
Date: Fri, 1 Oct 1999 10:58:35 -0700
Organization: EarthLight Productions
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Folks, we might all want to check this out.  Amongst other things that the
Experience Music Project site is going to have, is a live Net Jamming page.
Hey Ho!

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html
*
(Hear the NEW "Star Spangled Banner" here!)

From Loopers-Delight-request@annihilist.com  Fri Oct  1 14:19:50 1999
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From: "Stephen Goodman" <sgoodman@earthlight.net>
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Subject: Ennh!
Date: Fri, 1 Oct 1999 10:59:22 -0700
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Oops, it's http://www.emplive.com


From Loopers-Delight-request@annihilist.com  Fri Oct  1 19:17:25 1999
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Message-ID: <F5E9D47CE08ED21182C10000D11BB150011EBFE7@bos-mail.exapps.com>
From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>,
        "'Loopers-Delight-d@annihilist.com'" <Loopers-Delight-d@annihilist.com>
Subject: Boston Loopers Collective III, aka Open FauceT Genre PooL #13 
Date: Fri, 1 Oct 1999 19:02:29 -0400 
Importance: high
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Hello my loopyfriends.  Here's some advance notice of the next Boston
Loopers Collective show.
I'm on a quest for looping drummers, who I hope to feature for the evening.
Any leads?

Boston Loopers Collective III, aka Open FauceT Genre PooL #13 
Monday, Nov. 8, 1999 (tentative) at 8pm
Middle East downstairs (tentative)
$6/$5 students & email printout possessors / all ages welcome
Guest-produced by yours truely -- loop musicians will provide a night of
loopednesses with live video mixing by Dr. T. The trippiest night November
will bring. Lineup forthcoming.
David Kirkdorffer

From Loopers-Delight-request@annihilist.com  Fri Oct  1 19:24:09 1999
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Date: Fri, 1 Oct 1999 20:24:08 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: EDP Loop Start
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I tried using the Loop start button on my 5.0 EDP to change the loop start
and nothing happens.

What am I missing?  


you only change the startpoint, so nothing happens immediately.
You will note it when using Mute-Insert or Mute-Undo or SamplerStyle=One/Att.
those functions will restart the loop from the new StartPoint you have chosen.

Also, it case of syncing, its important that the StartPoint coincides with
the beat one of the sequencer (or the point where it started... another
matter...)



         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Sat Oct  2 00:55:03 1999
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Message-ID: <000201bf0c93$4f67ed00$a15bdfc8@doutor>
From: "Julio Moreno" <juliomoreno@bahianet.com.br>
To: <Loopers-Delight@annihilist.com>
References: <v04003a06b418bc98047c@[200.223.91.104]>
Subject: Re: Question of the Week -- when do you NOT loop?
Date: Fri, 1 Oct 1999 10:47:08 -0300
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Matthias:  Toumane Diabate from Mali...they don't need loop machines
and play the best ''loop mantras'' in the world. The band usually plays as
trio with guitar,kora, ngoni, nguini and marimba. AMAZING MUSIC!!!
Julio
----- Original Message -----
From: Matthias Grob <matthias@grob.org>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, September 30, 1999 8:39 AM
Subject: Re: Question of the Week -- when do you NOT loop?


>
> >"When do you make a choice NOT to loop?"
>
> Oh, nice question ;-)
>
> I guess, most of us have parts without loop in their loop pieces, but they
> rather feel like bridges mostly, so thats probably not what we talk about
> here...
>
> I allways had problems with rythms. My music speaks in sound and melody.
> I somehow need the loop to keep me steady and leared a lot from it. Brasil
> tought me another big lesson. But still, without loop, I tend to
> constantely change themes and travel in variations, hardly repeating
myself.
> For a long time, I thought this was not "serious" music, but more and more
> I find it about as interesting as mantric loops.
> Where is that need for repeated parts coming from? Isnt it mostly a help
to
> remember and teach the song? So in an improvisation, you dont need it?
> If you want a mantric effect, use a loop to get the strongest effect, if
> not, just keep going, tell the story! To do it well is not so easy, but I
> am getting better at it, in my candleaccousiticroom.
>
> Could anyone indicate recorded music of this notreapeatatall kind?
>
> Matthias
>
>
>
>          ---> http://Matthias.Grob.org
>
>



From Loopers-Delight-request@annihilist.com  Sat Oct  2 18:47:38 1999
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From: "Future Perfect" <artmusic@gte.net>
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Ok, we have heard a lot about the Zoom 2100 looping stuff, but how do the FX
sound on it? Any general opinions or comparisons to the Boss ME-30? I am
considering a small looping rig to play effected acoustic and electric
guitar when I don't want to drag the rack w/ EDP out. I was considering a
Boss ME-30 alongside a dedicated looping pedal, like the Headrush or the new
Line6 (more $), or just spending the $100 on the Zoom. Any ideas?

 Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave

'Future Perfect' - art music
http://home1.gte.net/artmusic/

From Loopers-Delight-request@annihilist.com  Sat Oct  2 19:33:26 1999
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From: Fmplautus@aol.com
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Date: Sat, 2 Oct 1999 19:29:14 EDT
Subject: Re: Zoom 2100 FX sound
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The Zoom 2100s effects are nothing to sneeze at.  They are more servicable, 
and quiet then some of the whackier and artificial zoom sounds of yon.  Yet 
they are whacky enough -- try the trio on patch nine -- to give a space 
person something to float on.
We repeat...this thing for $99 is the absolute swiss army knife of looping 
and space twanging.  With the accompanying Zoom pedal plugged in as a 
controller, it's a looping, and effecting menace and makes all those $300 
plus pedals seem extravagently obsolete.  Plus, it's small enough so that you 
can put it in your purse.

Best,
The Roctologists

From Loopers-Delight-request@annihilist.com  Sat Oct  2 19:50:10 1999
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Date: Sat, 2 Oct 1999 19:45:43 -0400
To: Matthias Grob <matthias@grob.org>
From: Michael Tuminello <m1cha3l@earthlink.net>
Subject: EDP paranoia
Cc: Loopers-Delight@annihilist.com
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Sorry - don't mean to feed the paranoia.  I'm just (obviously) VERY eager
to get my hands on one (without paying a ridiculous eBay price), and have
been on the list for probably 6 months or so, and have been hearing the EDP
is around the corner the whole time.  I'm just about to be in the position
to actually buy one, and don't want to wait until 2000 if possible.

thanks to you, Kim and Oberheim for coming up with an instrument with such
great possibilities.   I'm excited to own one.   I'm sure those on the list
trying to get a hold of one would agree that it's been awfully hard to tell
from anyone at Oberheim/Gibson/Opcode WHEN exactly it will possible to
purchase a device of this nature from them.  A few months ago, Kim sent out
a message (which thrilled me) that they would be available in August.  It's
now October.  The Boomerang is in production now, but doesn't have the
right capabilities for what I want to do.  I would be happy to get those
capabilites from whoever wants to manufacture the right device.   I'm sure
you can understand that.  I'll try to refrain from feeding the paranoia,
but it would help to hear a hard date from the people at Oberheim...

Thanks,

Michael

>
>>Hey Boomerang -
>>
>>Since Oberheim is apparently never going to make another EDP, why don't you
>>guys come up with something with a little better sound quality that stores
>>multiple loops and does a few other of the important EDP tricks.  Maybe have
>>Kim and Mattheus help you out with the software.  Then we can buy one of
>>those
>>instead of growing old waiting for the next EDP.
>
>You may have missed my "EDP production" mail...
>Please stop feeding paranoia that EDP is not made any more. It IS, they are
>working on it NOW, only its name will change, and it will be CE tested and
>distributed in Europe, and maybe get an improved software ;-)
>
>But, yes, some joint venture for a future unit is a possibility to discuss...
>
>Matthias

From Loopers-Delight-request@annihilist.com  Sat Oct  2 20:20:07 1999
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At 4:45 PM -0700 10/2/99, Michael Tuminello wrote:
>Sorry - don't mean to feed the paranoia.  I'm just (obviously) VERY eager
>to get my hands on one (without paying a ridiculous eBay price), and have
>been on the list for probably 6 months or so, and have been hearing the EDP
>is around the corner the whole time.  I'm just about to be in the position
>to actually buy one, and don't want to wait until 2000 if possible.
>
>thanks to you, Kim and Oberheim for coming up with an instrument with such
>great possibilities.   I'm excited to own one.   I'm sure those on the list
>trying to get a hold of one would agree that it's been awfully hard to tell
>from anyone at Oberheim/Gibson/Opcode WHEN exactly it will possible to
>purchase a device of this nature from them.  A few months ago, Kim sent out
>a message (which thrilled me) that they would be available in August.  It's
>now October.  The Boomerang is in production now, but doesn't have the
>right capabilities for what I want to do.  I would be happy to get those
>capabilites from whoever wants to manufacture the right device.   I'm sure
>you can understand that.  I'll try to refrain from feeding the paranoia,
>but it would help to hear a hard date from the people at Oberheim...
>

Gibson has been saying for many months that they will have units available
in the Fall. (which just started....).  They'll tell you that if you call
them, and that info has been posted to the list many times. Sorry if my
guess of August from a while back turned out to be a bit optimistic and
confused you. I'm not their spokesman, if you want accurate info call them
up and ask or send them an email. No need to sit around freaking out!

There's no doubt they are committed to continuing Echoplex production. I
believe they just want to be certain they have everything well organized
and done right.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Oct  3 00:54:25 1999
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From: Nemoguitt@aol.com
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Date: Sun, 3 Oct 1999 00:02:30 EDT
Subject: Re: Zoom 2100 FX sound
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the sounds on the zoom are quiet serviceable and very tweakable......i have 
used it for guitar, i would guess its primary use but i have found it is a 
lot of fun with a drum machine and also sending synth and vocal signals thru 
it......i have had mine for a few weeks now and am continuing to be more than 
happy with learning all that i can do with it.......it is very 
quiet.......the 3 (5sec) loops are fun, i had a friend play some blues licks 
and i worked the loops, it got to the point where the loops could be used by 
themselves without anymore input, it was weird but it worked......i am not 
familiar with the boss unit, so i can not speak to its abilities, 
sorry.........but for $99.00 i think it ( the zoom) is a great deal.....also, 
the 6 sec delay is pretty nice also.......my only gripe is the differences 
between the volumes of the patches, does anyone have a fix for this or must i 
rewrite the indivdual volumes and save them?........hope this 
helps.........michael

From Loopers-Delight-request@annihilist.com  Sun Oct  3 10:37:45 1999
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To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: Re: Zoom 2100 FX sound & Volume Problems
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On 10/3/99 nmoguitt wrote:

......my only gripe is the differences
>between the volumes of the patches, does anyone have a fix for this or must i
>rewrite the indivdual volumes and save them?........hope this
>helps.........michael

Michael,

I do not have this box, but have frequently emcountered this scenario even
on very high end effects boxes.... start re writing....


Patrick
                     Fingerpaint's New Release:

                            IN THE LOOP

      ... an intelligent, stimulating mixture of mimimaist spacebeats and
           obscure samples layered upon a hypnotic illbient backdrop.

                       DIGITAL ARTIFACT # 12

                      http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Sun Oct  3 10:37:48 1999
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Selling to the high bid at http://www.auctionsoup.com
Jamman, Ends 10/4 at 1:30 PM EDT, current high bid $355
Digitech RDS8000 ends 10/5 at 2:44 PM EDT, current high bid $125

Please visit the site

Dick Michaels
Rogue Music NYC
http://www.roguemusic.com


From Loopers-Delight-request@annihilist.com  Sun Oct  3 11:17:58 1999
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Patrick Smith wrote:
> 
> On 10/3/99 nmoguitt wrote:
> 
> ......my only gripe is the differences
> >between the volumes of the patches, does anyone have a fix for this or must i
> >rewrite the indivdual volumes and save them?........hope this
> >helps.........michael
> 
> Michael,
> 
> I do not have this box, but have frequently emcountered this scenario even
> on very high end effects boxes.... start re writing....
> 
> Patrick
>                      Fingerpaint's New Release:
> 
>                             IN THE LOOP
> 
>       ... an intelligent, stimulating mixture of mimimaist spacebeats and
>            obscure samples layered upon a hypnotic illbient backdrop.
> 
>                        DIGITAL ARTIFACT # 12
> 
>                       http://www.fingerpaint.net
Yes, I agree with Patrick. I have a 2100, and I had to re-write to even
out the patches. Z.

From Loopers-Delight-request@annihilist.com  Sun Oct  3 12:31:13 1999
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Subject: Re: Question of the Week -- when do you NOT loop?
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if you wanna be in 1975 you don't loop but with technology today there's
absolutely no reason not to loop and use patterns created by your self through
your sequencer wether it's souned forge4.5 or cakewalk diffrent versions hgave
the number of patterns you =can sequence or loop with your  better of using
l;oops asv your loop will always be on time will your guatrist?

Julio Moreno wrote:

> Matthias:  Toumane Diabate from Mali...they don't need loop machines
> and play the best ''loop mantras'' in the world. The band usually plays as
> trio with guitar,kora, ngoni, nguini and marimba. AMAZING MUSIC!!!
> Julio
> ----- Original Message -----
> From: Matthias Grob <matthias@grob.org>
> To: <Loopers-Delight@annihilist.com>
> Sent: Thursday, September 30, 1999 8:39 AM
> Subject: Re: Question of the Week -- when do you NOT loop?
>
> >
> > >"When do you make a choice NOT to loop?"
> >
> > Oh, nice question ;-)
> >
> > I guess, most of us have parts without loop in their loop pieces, but they
> > rather feel like bridges mostly, so thats probably not what we talk about
> > here...
> >
> > I allways had problems with rythms. My music speaks in sound and melody.
> > I somehow need the loop to keep me steady and leared a lot from it. Brasil
> > tought me another big lesson. But still, without loop, I tend to
> > constantely change themes and travel in variations, hardly repeating
> myself.
> > For a long time, I thought this was not "serious" music, but more and more
> > I find it about as interesting as mantric loops.
> > Where is that need for repeated parts coming from? Isnt it mostly a help
> to
> > remember and teach the song? So in an improvisation, you dont need it?
> > If you want a mantric effect, use a loop to get the strongest effect, if
> > not, just keep going, tell the story! To do it well is not so easy, but I
> > am getting better at it, in my candleaccousiticroom.
> >
> > Could anyone indicate recorded music of this notreapeatatall kind?
> >
> > Matthias
> >
> >
> >
> >          ---> http://Matthias.Grob.org
> >
> >



From Loopers-Delight-request@annihilist.com  Sun Oct  3 17:48:38 1999
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From: leocavallo <cavallo@dada.it>
Subject: Re: Question of the Week -- when do you NOT loop?
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At 12.12 03/10/99 -0700, you wrote:
>if you wanna be in 1975 you don't loop but with technology today there's
>absolutely no reason not to loop and use patterns created by your self through
>your sequencer wether it's souned forge4.5 or cakewalk diffrent versions hgave
>the number of patterns you =can sequence or loop with your  better of using
>l;oops asv your loop will always be on time will your guatrist?
>


???? 

leo



>Julio Moreno wrote:
>
>> Matthias:  Toumane Diabate from Mali...they don't need loop machines
>> and play the best ''loop mantras'' in the world. The band usually plays as
>> trio with guitar,kora, ngoni, nguini and marimba. AMAZING MUSIC!!!
>> Julio
>> ----- Original Message -----
>> From: Matthias Grob <matthias@grob.org>
>> To: <Loopers-Delight@annihilist.com>
>> Sent: Thursday, September 30, 1999 8:39 AM
>> Subject: Re: Question of the Week -- when do you NOT loop?
>>
>> >
>> > >"When do you make a choice NOT to loop?"
>> >
>> > Oh, nice question ;-)
>> >
>> > I guess, most of us have parts without loop in their loop pieces, but they
>> > rather feel like bridges mostly, so thats probably not what we talk about
>> > here...
>> >
>> > I allways had problems with rythms. My music speaks in sound and melody.
>> > I somehow need the loop to keep me steady and leared a lot from it. Brasil
>> > tought me another big lesson. But still, without loop, I tend to
>> > constantely change themes and travel in variations, hardly repeating
>> myself.
>> > For a long time, I thought this was not "serious" music, but more and more
>> > I find it about as interesting as mantric loops.
>> > Where is that need for repeated parts coming from? Isnt it mostly a help
>> to
>> > remember and teach the song? So in an improvisation, you dont need it?
>> > If you want a mantric effect, use a loop to get the strongest effect, if
>> > not, just keep going, tell the story! To do it well is not so easy, but I
>> > am getting better at it, in my candleaccousiticroom.
>> >
>> > Could anyone indicate recorded music of this notreapeatatall kind?
>> >
>> > Matthias
>> >
>> >
>> >
>> >          ---> http://Matthias.Grob.org
>> >
>> >
>
>
>
>
>

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To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Question of the Week -- when do you NOT loop?
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I think you've misunderstood David Kirkdorffer's original question. He's
not asking "Should one ever loop?", but rather, "As a musician who DOES
take advantage of the available technology, under what specific
circumstances does one make the CHOICE to refrain from looping?", a big
difference. I think most, if not all, of us on this list would agree with
you that we're better off looping, but recognizing that the looping
community manifests a considerable range of approaches, David's question is
ideally suited to discussion in such a  forum. It is by comparing and
contrasting our respective loop techniques, and by getting a feel for the
role looping plays in the context of our overall musicianship that we learn
and grow. The proportion of looped and unlooped playing varies amongst us
for a variety of reasons, and David felt that this warranted discussion.
You're right, there is absolutely no reason not to loop, but sometimes
there are very good reasons not to loop 100% of the time, and this is what
David was addressing.

BTW, Brian Eno's "Discreet Music" was recorded in 1975. Steve Reich and
Terry Riley were looping more than a decade before that, and Stockhausen
was heading in that direction with his layered and manipulated tape loops
as long ago as  1956 (Gesang der Junglinge), so it's not really a question
of whether one needs the latest technology. Looping's not new; the gear's
just getting a lot better. But that wasn't what Mr. Kirkdorffer was asking.

Tim

At 12:12 PM 10/3/99 -0700, you wrote:
>if you wanna be in 1975 you don't loop but with technology today there's
>absolutely no reason not to loop and use patterns created by your self
through
>your sequencer wether it's souned forge4.5 or cakewalk diffrent versions
hgave
>the number of patterns you =can sequence or loop with your  better of using
>l;oops asv your loop will always be on time will your guatrist?

From Loopers-Delight-request@annihilist.com  Sun Oct  3 23:31:51 1999
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Date: Sun, 3 Oct 1999 23:26:06 -0400 (EDT)
From: "Brian Thomson, London UK" <bnt@email.com>
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Subject: Korg DL8000R Delay
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Hi there - I'm the guy who originally promised to post something about the DL8000R, but never got around to it. (Actually, I did write a huge detailed document on it, but thought it would be too much for the list.)

It's basically a 2-in, 2-out delay, with hi/lo eq and two delay sections per channel (400ms pre-delay and 4800ms main delay).

Each main delay section has four taps, tap four being the "feedback tap". Each tap on each channel (plus direct signals) outputs to a mixer section, with pan and level control for each, then out in stereo. In addition, the feedback taps have feedback level (in dB) and hi/lo damping eq, and can be directed back to their own channel (normal) or the other channel (cross-delay).

For setting delay times, it operates in either a MS (millisecond) mode or a Tempo mode (bpm). In Tempo mode, the rhythmic facilities are very strong indeed, with the ability to sync to MIDI sync, or generate it according the delay tempo of the program. The tempo can also be picked up from input signal peaks (if you set the level threshold correctly). The times of all four taps per channel can be set using a "beat pattern" facility, and a multiplier/divider ratio applied to the tempo. Tempo is in quarter-notes, as you would expect, so with Tempo set to 120, a ratio of 1/4 gives you 1/16 notes at 120 = 125ms, while a ratio of 4 gives you a whole note (4/4) = 2000ms. The slowest tempo selectable from the panel is 50, and the longest ratio = 4, which works out to 4800ms per channel.

For example, the "ten second delay" is derived from left input -> left 400ms delay -> left 4800ms delay -> right 4800ms delay -> both outputs. Most other combinations are possible too. I enjoy playing with a 9600ms cross delay, with a very light decay and damping eq.

What confused me a little at first is the way varying delay times are handled. Unlike other loopers I've heard and read about, the internal operating speed is fixed at 48kHz, from inputs to outputs. This has its advantages, such as zero internal noise from conversions, but it means some "standard" looping effects are impossible. As an analogy, think of the DL8000R as two tape loops that run at a permanently fixed speed, each with a write head and four read heads. Each read head can be moved individually, but the loop speed never changes.  When you change the delay time (statically or dynamically), you're moving the head(s) only. Whilst doing so, the frequency/speed of the output changes, but once you stop moving, the speed is back to normal again. You can't record at one speed and play back at another continously, as I've heard e.g. DTorn doing with his Lexicons.

Each head's delay time can be controlled dynamically, as can numerous other parameters such as levels and LFO, by LFO, MIDI or 1 foot-controller. With LFO controlling a simple short delay time, the result is a "warped record" effect that makes me seasick. The presets include various chorus and flange effects too. The foot controller I have (Bespeco) has quite short travel and makes it sensitive - a slight slip can send all 8 taps reeling and leave warped blips in the delay lines if you aren't careful.

Unlike DavidK, I don't find it noisy at all, but maybe I got lucky. It has 48kHz convertors, with unbalanced connectors, and the eqs work well. A setting of 0dB feedback level results in genuine infinite delay with no loss at all - I've left it looping for hours this way. I don't think many were built, or maybe the serial no. on mine (0000240) is just a fluke. I haven't used it in earnest, but I would be happy to do so now I know its limitations.

Likes: 
 - good sync capabilities - great fun with sequencer / drum machine for dub effects
 - sound quality good IMHO
 - inexpensive compared to, well everything else
 - huge display - very visible, brightness controllable
 - "purist" delay - nearly everything is controllable

Dislikes:
 - time / tempo display doesn't reflect changes resulting from real-time control.
 - fixed speed loop (as above)
 - delay time only 9600ms, not upgradeable
 - "line lump" PSU

Cheers,

Brian Thomson, London UK
bnt@email.com
-----------------------------------------------
FREE! The World's Best Email Address @email.com
Reserve your name now at http://www.email.com


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From: "Clifford Novey" <clifsound@mediaone.net>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Jam Man Midi
Date: Sun, 3 Oct 1999 21:19:08 -0700
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This is a multi-part message in MIME format.

------=_NextPart_000_0001_01BF0DE4.EDF193C0
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	charset="iso-8859-1"
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Hi all- I have a question for any Jam Man users here-
I use my  Jam Man to trigger and sync my drum machine- It seems my Jam Man
is a bit sluggish now- when I hit the loop switch the triggered drum machine
and the loop are just a bit off- I remember it working perfectly well
before- but I fiddled with the midi settings in the Jam Man and wonder if I
need to re set or something- the drums are juuuust behing the loop- most
irritating- any suggestions are most appreciated-

Cliff

------=_NextPart_000_0001_01BF0DE4.EDF193C0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D730150904-04101999>Hi =
all- I have a=20
question for any Jam Man users here- </SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN class=3D730150904-04101999>I use =
my&nbsp; Jam=20
Man to trigger and sync my drum machine- It seems&nbsp;my Jam Man is a =
bit=20
sluggish now- when I hit the loop switch the triggered drum machine and =
the loop=20
are just a bit off- I remember it working perfectly well before- but I =
fiddled=20
with the midi settings in the Jam Man and wonder if I need to re set or=20
something- the drums are juuuust behing the loop- most irritating- any=20
suggestions are most appreciated- </SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D730150904-04101999></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D730150904-04101999>Cliff</SPAN></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Mon Oct  4 01:31:04 1999
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Date: Sun, 03 Oct 1999 22:18:30 -0700
Subject: Re: Korg DL8000R Delay
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If U don't have a Lexicon PCM42 w/ expanded memory or a PDS 8000 or an 
'original'electro harmonix 16 sec. delay you will never be able to record @
1 speed and then playback @ different speed (like I do) then you are
basically f- ouled up as to applying this type of program to your LOOPS- sez
me-...stanner...

----------
>From: "Brian Thomson, London UK" <bnt@email.com>
>To: Loopers-Delight@annihilist.com
>Subject: Korg DL8000R Delay
>Date: Sun, Oct 3, 1999, 8:26 PM
>

> Hi there - I'm the guy who originally promised to post something about the
> DL8000R, but never got around to it. (Actually, I did write a huge detailed
> document on it, but thought it would be too much for the list.)
>
> It's basically a 2-in, 2-out delay, with hi/lo eq and two delay sections
> per channel (400ms pre-delay and 4800ms main delay).
>
> Each main delay section has four taps, tap four being the "feedback tap".
> Each tap on each channel (plus direct signals) outputs to a mixer section,
> with pan and level control for each, then out in stereo. In addition, the
> feedback taps have feedback level (in dB) and hi/lo damping eq, and can be
> directed back to their own channel (normal) or the other channel
(cross-delay).
>
> For setting delay times, it operates in either a MS (millisecond) mode or a
> Tempo mode (bpm). In Tempo mode, the rhythmic facilities are very strong
> indeed, with the ability to sync to MIDI sync, or generate it according the
> delay tempo of the program. The tempo can also be picked up from input
> signal peaks (if you set the level threshold correctly). The times of all
> four taps per channel can be set using a "beat pattern" facility, and a
> multiplier/divider ratio applied to the tempo. Tempo is in quarter-notes,
> as you would expect, so with Tempo set to 120, a ratio of 1/4 gives you
> 1/16 notes at 120 = 125ms, while a ratio of 4 gives you a whole note (4/4)
> = 2000ms. The slowest tempo selectable from the panel is 50, and the
> longest ratio = 4, which works out to 4800ms per channel.
>
> For example, the "ten second delay" is derived from left input -> left
> 400ms delay -> left 4800ms delay -> right 4800ms delay -> both outputs.
> Most other combinations are possible too. I enjoy playing with a 9600ms
> cross delay, with a very light decay and damping eq.
>
> What confused me a little at first is the way varying delay times are
> handled. Unlike other loopers I've heard and read about, the internal
> operating speed is fixed at 48kHz, from inputs to outputs. This has its
> advantages, such as zero internal noise from conversions, but it means some
> "standard" looping effects are impossible. As an analogy, think of the
> DL8000R as two tape loops that run at a permanently fixed speed, each with
> a write head and four read heads. Each read head can be moved individually,
> but the loop speed never changes.  When you change the delay time
> (statically or dynamically), you're moving the head(s) only. Whilst doing
> so, the frequency/speed of the output changes, but once you stop moving,
> the speed is back to normal again. You can't record at one speed and play
> back at another continously, as I've heard e.g. DTorn doing with his Lexicons.
>
> Each head's delay time can be controlled dynamically, as can numerous other
> parameters such as levels and LFO, by LFO, MIDI or 1 foot-controller. With
> LFO controlling a simple short delay time, the result is a "warped record"
> effect that makes me seasick. The presets include various chorus and flange
> effects too. The foot controller I have (Bespeco) has quite short travel
> and makes it sensitive - a slight slip can send all 8 taps reeling and
> leave warped blips in the delay lines if you aren't careful.
>
> Unlike DavidK, I don't find it noisy at all, but maybe I got lucky. It has
> 48kHz convertors, with unbalanced connectors, and the eqs work well. A
> setting of 0dB feedback level results in genuine infinite delay with no
> loss at all - I've left it looping for hours this way. I don't think many
> were built, or maybe the serial no. on mine (0000240) is just a fluke. I
> haven't used it in earnest, but I would be happy to do so now I know its
> limitations.
>
> Likes:
>  - good sync capabilities - great fun with sequencer / drum machine for dub
effects
>  - sound quality good IMHO
>  - inexpensive compared to, well everything else
>  - huge display - very visible, brightness controllable
>  - "purist" delay - nearly everything is controllable
>
> Dislikes:
>  - time / tempo display doesn't reflect changes resulting from real-time
control.
>  - fixed speed loop (as above)
>  - delay time only 9600ms, not upgradeable
>  - "line lump" PSU
>
> Cheers,
>
> Brian Thomson, London UK
> bnt@email.com
> -----------------------------------------------
> FREE! The World's Best Email Address @email.com
> Reserve your name now at http://www.email.com
>
>
> 

From Loopers-Delight-request@annihilist.com  Mon Oct  4 06:58:36 1999
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Date: Mon, 04 Oct 1999 12:49:53 +0200
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Hi all,

recently, I purchased a rather obscure and really weird looking delay
pedal at a music fleamarket. It was manufactured by a Japanese firm
named DIGITEC (not DOD/Digitech) and it is called BIG FOOT. Iīd say it
dates back to the mid-eighties as it has similar knobs as the 9.5" rack
series by Boss. The pedal itself features a simple loop delay (about
2,048 ms maximum delay time) with modulation, it has stereo
(phase-inverted) outputs and apparently it can be triggered externally
(it also has two footswitches, one for bypass, the other for
record/hold) but I still couldnīt figure whether it can be clocked
externally or whether the loop in the memory can be triggered for
one-shot playback. 

Does anybody on this list happen to know this device? What can be done
with it
apart from getting really wild industrial noises from it (mayhem ad
nauseam alert!!! ;-))? And what are current going prices for it? Anyway,
I began to realize what weird kind of shit can be gotten out of a 16
Second Digital Delay. The only thing the BIG FOOT doesnīt do is
reversing echoes/loops, but the modulation feature produces absolutely
sea-sick effects like the ones I heard emerging from a 16 SDD. Anybody
wants to swap ;-)?

If anybody on this list can help me any further, please contact me
privately. Thanks in advance,

Stephen.

From Loopers-Delight-request@annihilist.com  Mon Oct  4 07:21:45 1999
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From: PJBMHB@aol.com
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Date: Mon, 4 Oct 1999 06:46:42 EDT
Subject: Re: Question of the Week -- when do you NOT loop?
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i loop when i have my looping rig with me and i don't when i don't. if i am 
going over to someone's house to jam i usually just bring my gtr and a small 
amp. if i am performing or recording i bring everything. if i am playing 
around the house it depends what room i am in. if i am not in my studio i 
don't loop because i don't feel like carting around the rack and mixer. 
laziness has a lot to do with whether i loop or not. =-) PJ

From Loopers-Delight-request@annihilist.com  Mon Oct  4 09:41:01 1999
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Date: Mon, 4 Oct 1999 14:32:22 +0100 (BST)
From: JF Carter <Jim.Carter@bristol.ac.uk>
To: Loopers-Delight@annihilist.com
Subject: Re: Question of the Week -- when do you NOT loop?
In-Reply-To: <a94c0fed.2529df92@aol.com>
Message-ID: <Pine.SOL.3.95q.991004141723.22854C-100000@eis.bris.ac.uk>
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I agree with the list-members who suggest that whether you loop
or not is more a matter of availability than desirability.
How many times has a "predictable" musical situation suddenly
changed direction and left itself wide open for a loop (or two)?
Wouldn't it be great to have every bit of kit available at every
event from a bedroom jam to a big gig? Equally wouldn't it be 
great if every bit of kit could be patched together in any order
whenever needed?
So for any jam or gig I have to decide what to take by way of
instruments, amps and effects. I guess this is a bit like 
loading the pod on Thunderbird 2. Inspiration might be a bit
like lightning striking (according to Robert Fripp anyway)
but if you ain't wired for it it won't do you any good.

So, isn't music/looping like every other form of employment -
"you do the best job you can with what's available in the time
available"? or is this too "workmanlike" in approach?

Jim Carter
University of Bristol
Cantock's Close
Bristol
UK
Tel. (44) 117 9289934
FAX  (44) 117 9293746
e-mail jim.carter@bris.ac.uk


From Loopers-Delight-request@annihilist.com  Mon Oct  4 10:14:58 1999
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Date: Mon, 4 Oct 1999 07:02:16 -0700 (PDT)
From: M T <ylpunk@yahoo.com>
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Ok - 

I will control my dissemination of EDP paranoia until the end of the fall. 
(Can anyone tell me what the first day of winter is?)  :-)

MT

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

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I realize that this was brought up some time ago, but I'm in need of a
definitive answer. Is it, or is it not, a safe practice to put larger
than 1/4 amp fuses in the EDP? Mine continues to go through the
1/4's(both fast and slow blow), like it's on a mission. Thanks. Z.

From Loopers-Delight-request@annihilist.com  Mon Oct  4 11:44:13 1999
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Date: Mon, 04 Oct 1999 11:11:22 -0400
To: Loopers-Delight@annihilist.com
From: Keenan Lawler <klaw@konstant.com>
Subject: Re: Question of the Week -- when do you NOT loop?
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Hi everyone -I think this is a most important topic (i wanted to ask it
myself a while back ) 
I think the practice  of using it because its there is not what David had
in mind -after all (speaking  for myself)
I a musician who uses loops as a tool to get results not available
otherwise.Not a looper who tries to fit in with any context I'm placed in 
I've played many shows where i brought my loop gear  but  dint rely on it -
maybe that has a lot to do with density of the music -who I'm playing with
musical direction..etc  


a few things I've observed -

i have created some truly remarkable  music using looping  with only a
capable drummer 
someone who can get inside of the loop & circle  it at the same time 
interaction like that is beauty -beauty is a rare thing--

in a group situation :
if the other participants dont get what I'm  doing -the music will suffer 
any attempts to loop my way to success  wont work if theres no empathy 

looping is a tool -it isn't necessary  that i do it all the time -if the
music doesn't call for it 
there are things in music ,in sound -space, dynamics 
that looping cannot give me 
I'm not saying i cant have space in loops etc--
 
i like making an intelligent  de scion  when to  deploy or not  

as Tim pointed out,and i agree -how we approach the choice of not looping
says a lot about 
how we loop & our ideas toward creation of music 

great topic  K


At 06:44 PM 10/3/99 -0400, you wrote:
>I think you've misunderstood David Kirkdorffer's original question. He's
>not asking "Should one ever loop?", but rather, "As a musician who DOES
>take advantage of the available technology, under what specific
>circumstances does one make the CHOICE to refrain from looping?", a big
>difference. I think most, if not all, of us on this list would agree with
>you that we're better off looping, but recognizing that the looping
>community manifests a considerable range of approaches, David's question is
>ideally suited to discussion in such a  forum. It is by comparing and
>contrasting our respective loop techniques, and by getting a feel for the
>role looping plays in the context of our overall musicianship that we learn
>and grow. The proportion of looped and unlooped playing varies amongst us
>for a variety of reasons, and David felt that this warranted discussion.
>You're right, there is absolutely no reason not to loop, but sometimes
>there are very good reasons not to loop 100% of the time, and this is what
>David was addressing.
>
>BTW, Brian Eno's "Discreet Music" was recorded in 1975. Steve Reich and
>Terry Riley were looping more than a decade before that, and Stockhausen
>was heading in that direction with his layered and manipulated tape loops
>as long ago as  1956 (Gesang der Junglinge), so it's not really a question
>of whether one needs the latest technology. Looping's not new; the gear's
>just getting a lot better. But that wasn't what Mr. Kirkdorffer was asking.
>
>Tim
>
>At 12:12 PM 10/3/99 -0700, you wrote:
>>if you wanna be in 1975 you don't loop but with technology today there's
>>absolutely no reason not to loop and use patterns created by your self
>through
>>your sequencer wether it's souned forge4.5 or cakewalk diffrent versions
>hgave
>>the number of patterns you =can sequence or loop with your  better of using
>>l;oops asv your loop will always be on time will your guatrist?
> 

From Loopers-Delight-request@annihilist.com  Mon Oct  4 12:52:35 1999
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>,
        "'Loopers-Delight-d@annihilist.com'" <Loopers-Delight-d@annihilist.com>
Subject: Looking for Electric Drummers
Date: Mon, 4 Oct 1999 12:31:12 -0400 
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Are there ANY electric drummers on the loopers' delight mailing list at all?
> I'm on a quest for looping drummers, who I hope to feature for the
> evening.  Any leads?
> 
> Boston Loopers Collective III, aka Open FauceT Genre PooL #13 
> Monday, Nov. 8, 1999 (tentative) at 8pm
> Middle East downstairs (tentative)
> $6/$5 students & email printout possessors / all ages welcome
> Guest-produced by yours truely -- loop musicians will provide a night of
> loopednesses with live video mixing by Dr. T. The trippiest night November
> will bring. Lineup forthcoming.
> David Kirkdorffer

From Loopers-Delight-request@annihilist.com  Mon Oct  4 13:33:32 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: Looking for Electric Drummers
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What do you mean by "electric drummers?"

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>;
'Loopers-Delight-d@annihilist.com' <Loopers-Delight-d@annihilist.com>
Date: Monday, October 04, 1999 11:55 AM
Subject: Looking for Electric Drummers


>Are there ANY electric drummers on the loopers' delight mailing list at
all?


From Loopers-Delight-request@annihilist.com  Mon Oct  4 13:33:35 1999
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From: AAarons107@aol.com
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Date: Mon, 4 Oct 1999 13:16:58 EDT
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I am having trouble getting a jamman to respond to program changes. I am 
using the original software with a memory upgrade.
MIDI sync from my Ensoniq MR61 Keyboard works fine if I am transmitting  
clock. When I attempt to send program change commands in addtion to the clock 
signal the jamman either refuses to respond or starts recording then stopping 
when it receives program change 000 or 001. 
I have hooked up a midi mouse to the jamman and it accepts program changes 
with no problem. But when I try to use send program change and midi clock 
from the MR I'm stuck.
Is there the usual obvious answer staring me in the face that I don't see now?
AA

From Loopers-Delight-request@annihilist.com  Mon Oct  4 13:39:25 1999
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To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Re: Question of the Week -- when do you NOT loop?
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Great question. I've found that it's extremely hard to use any rhythmic
loops in a setting where a drummer's who's not tuned in (or at least has a
great monitoring system for the loop...) is involved. In many situations
like this, I choose either to not loop at all--or to create loops that are
more vague and on top of the music and beats.

As I've seen in other posts, it's really, really a rare thing to have a
drummer who can lock in with the loops--or even play creatively inside and
outside of them. Luckily, I'm playing with one of those rare cases right
now...

Many of the pieces I'm working on and recording at the moment don't involve
any looping. I generally just play it by ear as to whether or not to use
loops in the music I'm creating. For just about every gig, I'll have my
entire setup available. But, many times, I won't use any looping. At other
times, I think I may have done nothing but loop and pile on loops.

So, I'd say that I do not loop only when the mood hits me! Lately, it's
been a 50/50 type of thing. Sometimes more, sometimes less. I make sure
that the capability to loop is always there, however--and that's a nice
thing to know in any performance situation for me.

Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Mon Oct  4 14:00:37 1999
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Date: Mon, 04 Oct 1999 13:50:42 -0400
From: Kevin <kevin@minds-eye.org>
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Subject: Electirc drummers/when to not loop/etc.
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>From my understanding, Pat Mastelotto (spelling?) currently of King Crimson has
been experimenting with looping his drumming and playing along with that and
re-looping the results, etc.  Combine this with Robert Fripp and Trey Gunn and
you have Projekct 3.  You can learn more of this by visiting the discipline
global mobile site if so inclined (I have yet to hear these recordings but I'd
like to)

http://www.disciplineglobalmobile.com

I think Trey Gunn's diary has some mention of the work as well

http://www.treygunn.com/road.html

around the march 1999 entries

Kevin

From Loopers-Delight-request@annihilist.com  Mon Oct  4 15:02:53 1999
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From: Nemoguitt@aol.com
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Date: Mon, 4 Oct 1999 14:48:28 EDT
Subject: to loop or not to loop
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the only way i will stop looping is if you pull my cold dead toe off of my 
rang...................:)...........michael

From Loopers-Delight-request@annihilist.com  Mon Oct  4 16:12:56 1999
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Hi, 

I joined the list a short time ago. I have appreciated
the good humor, resources and helpful tips to making
music found here. 

Question - What other ways are there to trigger and
maintain a loop 'note on' then trigger a 'note off' when
a new note is triggered? 

Basically I want to trigger a loop and play along on the
drums without holding the key or a sustain pedal then
trigger a new loop on a new downbeat or cancel the loop. 

I have been learning to loop and drum along for a
while-one note at a time. I used to play along with the
program (David Z. wrote it I think) with pattern based
sequencing and also I've used max. Lately, I use live
miked drums with the mixing boards mic direct outs
triggering a DM4 drum module. I trigger drum loop
samples setup in a S-760 and phrases in a Mirage that I
trigger from a smaller keyboard near the drumset. S

I fade in and out of these loop options and play along
with other musicians. 

Sustain pedals keep the loops going or I can hold a key
down and play drums with one hand? The setup requires a
few foot pedals to move through patches and change
volume or I have to turn the sampler/synth knobs while I
play (argh). The monitor mix tends to usually be fine
for me (since I set it) and that's probably why playing
with loops works for me. 

I don't loop as often when I play along with acoustic
musicians. We usually play 3 songs with loops then 3
songs without loops. The contrast is nice to explore.

From Loopers-Delight-request@annihilist.com  Mon Oct  4 17:15:58 1999
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From: "postaldave" <postaldave@qx.net>
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Subject: Re: Looking for Electric Drummers
Date: Mon, 4 Oct 1999 17:06:20 -0400
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"Are there ANY electric drummers on the loopers' delight mailing list at
all?"

YEP.  my name is Dave, I live in kentucky USA. I use a Zendrum through a
Alesis dm4 and am currently upgrading to a dm pro(what a total headache to
program this thing). As far as looping i use a boomerang. the sample rate is
still to low to do live but i keep practicing in hopes of the promised
upgrade. the main thing i work with in regards to looping is laying down a
foundation tract and let it loop. secondly i add percussion. after that i
pick up my strat and start playing. i hope to do this live with both
instruments on. IE we the upgrade comes out. I refuse to use any other
sampler at this time. the boomerang is SO SIMPLE to use i could imagine
trying to use any other machine. as far as not being midi capable that is
just fine with me, who needs that 1960's headache.

postaldave@qx.net


From Loopers-Delight-request@annihilist.com  Mon Oct  4 17:21:04 1999
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"the only way i will stop looping is if you pull my cold dead toe off of my 
rang...................:).........."
.michael

wouldn't that in fact start the boomerang looping.lol

there is no hope for you.


From Loopers-Delight-request@annihilist.com  Mon Oct  4 19:32:54 1999
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Date: Tue, 05 Oct 1999 01:21:52 +0200
To: Loopers-Delight@annihilist.com
From: leocavallo <cavallo@dada.it>
Subject: Re: Looking for Electric Drummers
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I make electronic beats but I'm not a drummer at all... ;)
ciao
leo

At 12.14 04/10/99 -0500, you wrote:
>What do you mean by "electric drummers?"
>
>Dennis Leas
>-----------------------------
>dennis@mdbs.com
>
>-----Original Message-----
>From: David Kirkdorffer <DKirkdorffer@exapps.com>
>To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>;
>'Loopers-Delight-d@annihilist.com' <Loopers-Delight-d@annihilist.com>
>Date: Monday, October 04, 1999 11:55 AM
>Subject: Looking for Electric Drummers
>
>
>>Are there ANY electric drummers on the loopers' delight mailing list at
>all?
>
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Oct  4 22:06:13 1999
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Date: Mon, 4 Oct 1999 19:40:52 -0400
To: Loopers-Delight@annihilist.com
From: Doug Wyatt <doug@sonosphere.com>
Subject: Re: Question of the Week -- when do you NOT loop?
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At 12:59 -0700 10/4/99, paul buelow wrote:
> I joined the list a short time ago. I have appreciated
> the good humor, resources and helpful tips to making
> music found here.
>
> Question - What other ways are there to trigger and
> maintain a loop 'note on' then trigger a 'note off' when
> a new note is triggered?

Hi Paul,

I control my Roland S-760 sampler with a Peavey PC-1600.  I've 
programmed some buttons to generate a note-on when pressed, then a 
note-off when pressed again.  Simple, but it requires remembering 
which notes are playing so that they can be shut off.  For example, 
I'll press button 1 to start one loop, then press buttons 1 & 2 
simultaneously to stop the first loop and start another.

If the S-760 responds to All Notes Off (I'd have to try it to see), 
then it'd be possible to make some buttons send <all notes off><note 
on>, with one more button that sends all notes off.

I guess it's the difference between monophonic and polyphonic :)

Doug

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Date: Mon, 04 Oct 1999 22:30:29 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Funky looping drummers/MIDI question
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Paul's comments remind me of a question I've wanted to ask for a few months
now.

A while ago, I was playing with a drummer who'd never played with a looper
before (and yes, there were the usual monitoring issues which we remedied
by creative cabinet placement). I guess my enthusiasm must have been
contagious, 'cause he wanted to know a lot more about the possibility of
looping himself. Specifically, he wanted to know if it was possible to
connect MIDI drum pads to a looper to do WITH HIS STICKS what the rest of
us do with our feet. He wants to keep his feet on his hi-hat and kick drum
pedals and his sticks in his hands. He DOESN'T want to play one-handed or
have a bunch of non-drum pedals. (Using a mixer and miked acoustic drums;
the pads would only be used to punch in and out of the looper, and not as
an electronic sound source. I think he had some twisted idea involving the
MIDI outs on a cheap little Yamaha DD-5 that he had jammed into his
eccentric Bruford-meets-Evelyn Glennie-in-Fred Sanford's-junkyard setup
somewhere between the sawblades and the fire alarm bell. Yikes. I have no
idea what kind of looping device he'd set his evil mind on...) Since I
don't use MIDI, I was unable to satisfactorily answer his question; do any
of you have any experience with this sort of thing?

And if you do and live anywhere near Boston, give David Kirkdorffer a
shout! He needs looping percussionists!

And if you're north of there and want to jam, give ME a shout!

Tim


>Paul wrote:

Question - What other ways are there to trigger and
>maintain a loop 'note on' then trigger a 'note off' when
>a new note is triggered? 
>
>Basically I want to trigger a loop and play along on the
>drums without holding the key or a sustain pedal then
>trigger a new loop on a new downbeat or cancel the loop. 
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct  5 01:15:06 1999
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Date: Tue, 5 Oct 1999 01:08:57 -0400 (EDT)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers <Loopers-Delight@annihilist.com>
Subject: Re: YAMAHA SU10 DIGITAL PHRASE SAMPLER 
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I have one.  It's pretty decent for what it is.  I don't use the touch
ribbon stuff that much, but I use it a lot.  The only thing I would want
on it would be multiple outs, but for it's price it's definitely worth it.

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

On Sat, 25 Sep 1999, postaldave wrote:

>  YAMAHA SU10 DIGITAL PHRASE SAMPLER , is this a good sampler, anyone have
> one??????
> 

From Loopers-Delight-request@annihilist.com  Tue Oct  5 04:26:03 1999
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Date: Tue, 5 Oct 1999 09:17:57 +0100 (BST)
From: JF Carter <Jim.Carter@bristol.ac.uk>
To: Loopers-Delight@annihilist.com
Subject: Re: Electirc drummers/Pat Mastelotto.
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I received the ProjecKt Four CD last week (Fripp/Levin/Gunn/Mast..)
listening to it and look at the picture of the drum kit I get
the impression that Matelotto is using a Roland MC303 to generate
drum loops. The 1st track (heavy construction) also has a very
"squelchy" synth(?) loop which sounds very much the sort of thing
I generate with my Electribe so I assume an MC303 can do the same.

Anyone else heard this CD?

Jim Carter
Bristol
UK
Tel. (44) 117 9289934
FAX  (44) 117 9293746
e-mail jim.carter@bris.ac.uk


From Loopers-Delight-request@annihilist.com  Tue Oct  5 05:11:40 1999
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Date: Tue, 5 Oct 1999 02:04:10 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Looking for Electric Drummers
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At 2:06 PM -0700 10/4/99, postaldave wrote:
> as far as not being midi capable that is
>just fine with me, who needs that 1960's headache.

actually an 80's headache using 60's tech. That's the music biz:

"Yesterday's technology at tomorrow's prices"

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Oct  5 09:18:00 1999
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Date: Tue, 05 Oct 1999 09:04:58 -0400
To: Loopers-Delight@annihilist.com
From: Keenan Lawler <klaw@konstant.com>
Subject: shamless gig announcement
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Hello -
to anyone in NYC area 

Ill be performing at Tonic   Wed  Oct 6 

Metallic soundscapes -improvisation featuring  guests Alan Licht & Dean
Roberts 

1000pm -after Rafael Toral & Loren Mazzacane Connors 

http://www.tonic107.com/eventsframe.cfm?category=1&midnight=6

also be at Down Town Music Gallery sun octt10 -700pm 

hope to see anyone there ---K

From Loopers-Delight-request@annihilist.com  Tue Oct  5 09:39:37 1999
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Date: Tue, 05 Oct 1999 09:37:49 -0400
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: Psycho-Looping in Philly..with Looped Drums!!
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hello all...


come join JFK's LSD UFO as we play our first Philly gig. In fact 1st Penns.
gig

Anyone in Philly or S. jersey?? hope you can make it out. It promises to be
a very
Psychedelic nite - >>>

Anyway - come on down - the other 2 bands are supposedly the stuff of
Philly legend, and one of them opened for Roger Waters on his recent tour,
and are described as somewhat like early, trippy Pink Floyd...

we are very loop oriented, i loop mangled guitar, samples, and some synth
patches, triggered by the most horrible thing in world - MIDI.Loopers are
ol school - digitech Time Machines, we use 4 of 'em on a good day!! plus
some oldskool sequencer loops (1987 mirage) - my partner loops triggered
drum sounds and synth sounds, plus some real drums that get into our
ambient loop-mic....lotsa real, live percussion too:


Jfk's Lsd Ufo

Sat October 9 - PILAM, phila, pa

10:00 pm

at Pi Lam - 3914 Spruce St, Phila, PA


with philly - psychedelic bands
The Red King 
Temple of Bon Matin 


hope to see some PA loopers!

...re: CDs--no - we're lame - and still do not have the CD done yet-- i am
heading
over to the artist's house later to go over the cover/tray card etc. we
don't wanna rush it - a few of you at the recent INTERNET CAFE gig with BON
busted
us for not having 'product' and you're right.. we're lame. Soon this will
change.

ZAPPA fans - the tour is on!! We are gonna be out with Ike Oct 27-Nov 6
check out www.projectobject.com for details...

seeya

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Tue Oct  5 13:14:18 1999
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From: Phaedebk@aol.com
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Date: Tue, 5 Oct 1999 12:36:16 EDT
Subject: Re: Question of the Week -- when do you NOT loop?
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    Have to say that it is also a matter of what you are trying to accomplish 
when you are looping, too!  Personally, I like to generate lots of drones and 
use those as backgrounds rather than a specific phrase...  Just wish that the 
Boomerang had a fade out feature to it...  Shouldn't be more than an added 
pair of roller pots and a button, but then again, I'd prefer it if it ran in 
stereo.

    Back to the question, I won't loop solos that are taking place over 
backgrounds.  As for time constraints with ensembles and playing with other 
people, it is unfortunately a matter of trying to keep up with them in the 
directions they are wanting to go.  
    Also, I don't like to loop miked instruments, had some majour problems 
with feedback, though I am finding that certain piezo pickups out there are a 
MUCH better solution...  Just have to find out if RMC is going to go the 
direction or not... 

    Back to the fun of getting a GR-30 to sound like a pair of Bag Pipes.

    Tchus,

        Lee-ohki. 

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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
To: "Loopers-Delight" <Loopers-Delight@annihilist.com>
Subject:   OT: advice for live sample playback system
Date: Tue, 5 Oct 1999 11:42:30 -0700
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Hi all,

	I've been looking for a way to take my composition, in the form of loops
and samples ( created with my Trinity, Emu and Logic) out to play live
alongside my main instrument - stick. ( http://www.stick.com )

	Basically, I'm looking for a unit that I can trigger with my right hand
from time to time, while laying down grooves with my left. It also needs to
be able to 'freewheel' and playback presequenced material, so that I can get
both hands on deck at once.

	Between loop playback, effected stick (looped with an echoplex soon, I hope
:>), a drummer, a vocalist and a keyboardist, I think I could do a good job
getting a good contemporary electronica sound, but with the freedom of a
live band playing their arses off...

	I've been looking at the SP-808 - it looks like it can do pretty much what
I want, though some people have been suggesting the mpc2000. Has anyone had
any experience with this? It looks like a much simpler beast, and less
functional. AFAICT it doesn't look like it is as set up for live loop based
performance either. It didn't seem to be as easy to get something going and
then leave it to play away. Is there anything else built for these kind of
musical games?

	One problem I found playing with the SP808 in a store was that I couldn't
get the hard disk recorder to switch sections without a pause. Was this
because I couldn't find my way around the machine, or is this a genuine
limitation of the box? It's not a non trivial feature, but it seems, with
all the looping going on, that this would have been easy for Roland to
implement. Mr. Coffin? I saw you sold one recently. Was it possible to loop
the recording section?

Comments? Please email me privately, if you feel that the others on this
list wouldn't be too interested.

Thanks,

bIz

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I'm looking for a keyboardists in the San Francisco Bay Area, probably
closer to SF, but Santa Rosa/Gilroy/Marin wouldn't be to far away, if you
rock :> I live in Palo Alto, but commute to the city daily, and everything
seems to be going on in the city.

Basically, I am looking for a writing partner to form the aforementioned
band. I have a handle on some drummers and I've met a couple of vocalists,
though I have yet to hear them sing. (Come to think of it, do you know any
singers or drummers?) Since the bulk of the music would be written by the
main melodic instruments, it's important to find someone I can groove with.

With so much going on - me on stick, sample playback, electronic percussion
and drums, and vocals, there will be a tight place to fill, so massive chops
wouldn't be necessary, as long as you can tastefully fill the spaces with
interesting pads and textures. Trinity/Triton owners encouraged :>
( Scoots? )

bIz

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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Dennis W. Leas'" <dennis@mdbs.com>, Loopers-Delight@annihilist.com
Subject: RE: Looking for Electric Drummers
Date: Tue, 5 Oct 1999 18:52:01 -0400 
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Well - maybe in a drumming world "real-time sequencing" is much like
"looping."  I guess I'm wondering if any drummers/percussionists are on the
list who can layer their drums in real-time, somehow?

Secondly, if someone doing this is in the Boston area, I'd be interested in
hearing what they're doing.

David Kirkdorffer



From: Dennis W. Leas [mailto:dennis@mdbs.com]
To: Loopers-Delight@annihilist.com

What do you mean by "electric drummers?"

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>;
'Loopers-Delight-d@annihilist.com' <Loopers-Delight-d@annihilist.com>
Date: Monday, October 04, 1999 11:55 AM
Subject: Looking for Electric Drummers


>Are there ANY electric drummers on the loopers' delight mailing list at
all?

From Loopers-Delight-request@annihilist.com  Tue Oct  5 19:33:58 1999
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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
To: "Wordsman, Lee" <LWordsman@PIRNIE.COM>,
        "Earnest Woodall" <ZephyrWood@aol.com>,
        "Jon Wiederhorn" <jwiederhorn@cherrylane.com>,
        "Unit Circle Media" <unitcirc@unitcircle.com>,
        "Travis Hartnett" <hartne.t@apple.com>,
        "Tom Ritchford" <tom@swirly.com>,
        "Todd Reynolds" <todd@toddreynolds.com>,
        "Todd Madson" <crash@waste.org>, "Tim Nelson" <tcn62@ici.net>,
        "Stig Moth" <stigmoth@hotmail.com>,
        "Steven Woods" <swoods@comcen.com.au>,
        "Steve Ball" <steveball@steveball.com>,
        "Stephan Ball" <steverb@earthlink.net>,
        "Mark Sottilaro" <msottila@mailbox.syr.edu>,
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        "Mike Biffle" <mbiffle@svg.com>, "Mike Biffle" <Mike.Biffle@wj.com>,
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        "Michael Tuminello" <m1cha3l@earthlink.net>,
        "Michael P. Hughes, PhD" <M.Hughes@surrey.ac.uk>,
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        "Matt Rowe" <mattrowe@hotmail.com>, "Matt Davignon" <mdavig@sfsu.edu>,
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        "for guitar Lessonlisting" <Musicians@PrivateLessons.com>,
        "legion" <legion@voicenet.com>, "ld thomson" <heatshrink@hotmail.com>,
        "laura ann" <silver_sound@hotmail.com>,
        "Larry Peterson" <larry@vexcel.com>,
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        "Dan Kelly" <Rodbottl2@aol.com>,
        "James Lawrence Keepnews" <keeper@rpi.edu>,
        "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>,
        "Josh Lozada" <jlozada@john.liu.edu>,
        "Jon Trask" <jtrask@worldnet.att.net>,
        "Jon Southwood" <noj@cedar-rapids.net>,
        "John Tidwell" <wedgehed@yahoo.com>,
        "john o 'connor" <johnoc@esatclear.ie>,
        "JF Carter" <Jim.Carter@bristol.ac.uk>,
        "Jenni Leeds" <jennil@bellsouth.net>, "Jeff Duke" <jmar@bellsouth.net>,
        "James Pokorny" <j.pokorny@worldnet.att.net>,
        "James Keepnews" <keepnews@node.net>,
        "James Devillez" <grndflor@apex.net>, "J.G. Wong" <adaaxs@erols.com>,
        "Hoover Alan" <HooverA@tce.com>,
        "Eric Holden" <holden@guitarcenter.com>,
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        "Bill Grillo" <rastabilly@email.msn.com>,
        "Bill Grillo" <rastabilly@msn.com>,
        "Greg Sundberg" <greg_sundberg@hotmail.com>,
        "Curt Golden" <curtgolden@aol.com>,
        "GCWN Editor" <gcwn_editor@hotbot.com>,
        "Don Gabis" <donald.gabis@SSMB.com>,
        "Deborah Freund-Baldwin" <dfreund@notes.cc.sunysb.edu>,
        "Layla Ferrante" <LAYLAMMM@aol.com>, "Lou Farbstein" <louthier@li.net>,
        "Eric Kapke" <kapke@sgi.com>, "Elaine Walters" <ew37@bellsouth.net>,
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Subject: Fw: Food!
Date: Mon, 4 Oct 1999 15:01:56 -0400
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Please forgive the spam-like looks of this message, but this seems like a
legit deal. Click on the web site; it'll only take a few seconds - no
multiple pages to wade through, no personal email addresses to leave - and
pass this on, or tug my coat if I've fallen for yet another hoax.
Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us

>>
>>Now here's an email that's really worth passing on!
>>
>>
>>
>>This is really wonderful - all you do is click a button and somewhere in
>>the world some hungry person gets a meal to eat at no cost to you. The
>>food is paid for by corporate sponsors. All you do is go to the site and
>>click. But, you're only allowed one click per day, so spread the word to
>>others.  I just sent 1 1/2 cups of rice to a needy person!
>>
>>Visit the site and pass the word. http://www.thehungersite.com
>>
>>Together we can make a difference!



From Loopers-Delight-request@annihilist.com  Tue Oct  5 20:26:47 1999
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Date: Tue, 5 Oct 1999 20:15:52 -0400
To: loopers-delight@annihilist.com
From: Michael Tuminello <m1cha3l@earthlink.net>
Subject: OT: keyboard alternatives for stressed wrist
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Hi all -

Since this is the biggest bunch of technology-loving guitar players I can
think of, I thought I might ask the following:

I have been occasionally having some numbness on the back of my left hand,
which goes up the back of my arm, is occasionally SLIGHTLY painful in the
forearm, and other times feels like there is a breeze blowing on the back
of my hand (sorta like that, anyway).   I am a hardcore computer user, and
as of the last 9 months, playing in every spare moment.   I've looked
around, and this sounds kinda like it might be some sorta tendonitis/RSI
thing developing.

So - here's what I'm thinking of doing:

1.  switching from 11's to 10's on the guitar.
2.  buying a wacom tablet (I use one at home, and never had a problem before)
3.  looking into an alternate keyboard, like maybe a one-handed "chording"
keyboard (something called the "BAT" looks interesting)

Anybody have any experience/words of advice/product recommendations?  I
prefer something that is PC and Mac compatible as far as the keyboard is
concerned, but am open to any suggestions.   I don't want to become
crippled just when I'm really starting to be able to play decently!

Thanks,

MT

From Loopers-Delight-request@annihilist.com  Tue Oct  5 21:05:40 1999
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Date: Tue, 5 Oct 1999 20:57:19 EDT
Subject: Re: OT: keyboard alternatives for stressed wrist
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In a message dated 10/5/99 10:26:38 PM Mid-Atlantic Standard Time, 
m1cha3l@earthlink.net writes:

<< I've looked
 around, and this sounds kinda like it might be some sorta tendonitis/RSI
 thing developing. >>

michael.........i had a similiar thing happen to me and what seemed to help 
was raising the guitar neck, in fact the entire guitar, into a higher playing 
position......if you were standing, you would shorten the strap........the 
arm/angle relationship to the neck seemed to get rid of the stress, pull type 
feel.........this is really obvious, but it took me a long time to figure 
out........and now i can play really fast and really loud for longer periods 
of time...........:)..............try it, it may help............"im a 
looper, jim, not a doctor"............michael

From Loopers-Delight-request@annihilist.com  Tue Oct  5 21:00:28 1999
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From: PMimlitsch@aol.com
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Date: Tue, 5 Oct 1999 20:51:53 EDT
Subject: thurs. gig
To: amorphousgoogleplex@yahoo.com
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Thurs. Oct. 7th. 7:30-10:00pm (Solo) "Coffeeworks", Ritz Center, 
Vorhees, N.J. (609) 784-5282.

From Loopers-Delight-request@annihilist.com  Tue Oct  5 21:54:06 1999
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From: "Jesse Kudler" <jkudler@mail.wesleyan.edu>
To: <Loopers-Delight@annihilist.com>
Subject: Momentary Mute Pedal (not loop related)
Date: Tue, 5 Oct 1999 21:46:45 -0400
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Does anyone know if such a pedal exists?  I'm looking for something that
will mute the sound only when stepped on, so I can quickly cut sounds out or
bring them in.  I know ProCo makes the Cough Drop, which does what I want,
but it's meant for microphones and takes XLR ins and outs, which I'd rather
not get into.
If there's no factory pedal, does anyone know anyone who can do custom
pedals that will prove reliable?  And for a reasonable price?

Thanks,
Jesse

From Loopers-Delight-request@annihilist.com  Tue Oct  5 22:12:18 1999
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Subject: Re: Looking for Electric Drummers
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David Kirkdorffer wrote:
> 
> Well - maybe in a drumming world "real-time sequencing" is much like
> "looping."  I guess I'm wondering if any drummers/percussionists are on the
> list who can layer their drums in real-time, somehow?
> 

If I understand correctly, the often-mentioned boxes
with 2 memory positions of 7 sec memory that loop such
as zoom and echoplex etc seem like they would work well.
I guess I will try a zoom to loop live drums. 
 
1) I use a simple keyboard midi sequencer that has 2
measure loop recording. I start the performance with all
memory positions blank and the sequencer recording 2
measure patterns in repeat mode. Any simple drum machine
would work or a pattern midi sequencer. 

2) The drums have mics to trigger the drum module. The
midi events are sent to the sequencer and played back to
any or all drum and bass modules or of course you can
use a keyboard to build the patterns. 

The whole thing often has me spinning back and forth on
drum throne and twisting to hit something-not so good
for the neck.

From Loopers-Delight-request@annihilist.com  Tue Oct  5 22:38:31 1999
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Date: Tue, 05 Oct 1999 22:34:08 -0400
To: Loopers-Delight@annihilist.com
From: kevin miller <km15@cornell.edu>
Subject: Re: Momentary Mute Pedal (not loop related)
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At 09:46 PM 10/05/1999 -0400, you wrote:
>Does anyone know if such a pedal exists?  I'm looking for something that
>will mute the sound only when stepped on, so I can quickly cut sounds out or
>bring them in.  I know ProCo makes the Cough Drop, which does what I want,
>but it's meant for microphones and takes XLR ins and outs, which I'd rather
>not get into.
>If there's no factory pedal, does anyone know anyone who can do custom
>pedals that will prove reliable?  And for a reasonable price?
>
>Thanks,
>Jesse

       If it was me, I suppose I'd take one of my stompboxes (ideally one
with true bypass) and set the gain or volume to zero- when the box was
"on", there'd be no signal, when "off", the (true bypassed) signal. Of
course, if you need all your pedals all the time, then you'd have to look
at other options (which I'm sure exist out there).

       Kevin

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a simple a/b switch should do that shouldn't it?????

Does anyone know if such a pedal exists?  I'm looking for something that
will mute the sound only when stepped on, so I can quickly cut sounds out or
bring them in.  I know ProCo makes the Cough Drop, which does what I want,
but it's meant for microphones and takes XLR ins and outs, which I'd rather
not get into.
If there's no factory pedal, does anyone know anyone who can do custom
pedals that will prove reliable?  And for a reasonable price?

Thanks,

From Loopers-Delight-request@annihilist.com  Tue Oct  5 23:07:21 1999
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From: "Jesse Kudler" <jkudler@mail.wesleyan.edu>
To: <Loopers-Delight@annihilist.com>
References: <3.0.3.32.19991005223408.00f3e310@postoffice.mail.cornell.edu>
Subject: Re: Momentary Mute Pedal (not loop related)
Date: Tue, 5 Oct 1999 23:04:04 -0400
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>        If it was me, I suppose I'd take one of my stompboxes (ideally one
> with true bypass) and set the gain or volume to zero- when the box was
> "on", there'd be no signal, when "off", the (true bypassed) signal. Of
> course, if you need all your pedals all the time, then you'd have to look
> at other options (which I'm sure exist out there).


Yeah, I can do that now with the channel-switching on my amp, but the
problem is that there's a minimum time that I can have either sound or no
sound.  To have a sound for only a brief period, I have to step on the pedal
for on and again for off.  With a momentary, I can just lift my foot for a
brief second and then put it back down.  So I'd prefer that.  It's basically
just a matter of speed and maybe ease.

-Jesse

From Loopers-Delight-request@annihilist.com  Tue Oct  5 23:29:37 1999
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Subject: Re: Momentary Mute Pedal (not loop related)
Date: Tue, 5 Oct 1999 23:24:45 -0400
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Yeah.  I can do it now with channel-switching on the amp, but it's kind of
slow and annoying to have to hit the button twice to bring a sound in and
then cut it out again quickly.  I want a momentary switch so I can do it
really quickly.

-Jesse

----- Original Message -----
From: postaldave <postaldave@qx.net>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, October 05, 1999 10:38 PM
Subject: Re: Momentary Mute Pedal (not loop related)


> a simple a/b switch should do that shouldn't it?????
>
> Does anyone know if such a pedal exists?  I'm looking for something that
> will mute the sound only when stepped on, so I can quickly cut sounds out
or
> bring them in.  I know ProCo makes the Cough Drop, which does what I want,
> but it's meant for microphones and takes XLR ins and outs, which I'd
rather
> not get into.
> If there's no factory pedal, does anyone know anyone who can do custom
> pedals that will prove reliable?  And for a reasonable price?
>
> Thanks,
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct  5 23:48:24 1999
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Date: Tue, 5 Oct 1999 23:44:47 -0500
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From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: Momentary Mute Pedal (not loop related)
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I go the opposite way--my pedal gives a momentary "on" when stepped on--but
it would be no biggie to flip it.  I use a custom synth module based on a
CEM VCA chip, and the "pedal" is just a Radio Shack momentary switch that
pumps it 5 volts to open it up.  Unfortunately you probably don't want to
buy an analog synth VCA to accomplish what you're doing, but you might get
a used half-rack dbx gate or something like that and rig up a footswitch.
Also unfortunately--don't figure on just putting your signal through a
simple mechanical switch.  It will pop.  I think a good solution might be a
design based on Craig Anderton's "electronic foot switch" in "Electronic
Projects For Musicians", but it would take some reworking.  It doesn't
sound like you're too much into DIY though, so maybe all this is lost
breath....

David Myers

>>        If it was me, I suppose I'd take one of my stompboxes (ideally one
>> with true bypass) and set the gain or volume to zero- when the box was
>> "on", there'd be no signal, when "off", the (true bypassed) signal. Of
>> course, if you need all your pedals all the time, then you'd have to look
>> at other options (which I'm sure exist out there).
>
>
>Yeah, I can do that now with the channel-switching on my amp, but the
>problem is that there's a minimum time that I can have either sound or no
>sound.  To have a sound for only a brief period, I have to step on the pedal
>for on and again for off.  With a momentary, I can just lift my foot for a
>brief second and then put it back down.  So I'd prefer that.  It's basically
>just a matter of speed and maybe ease.
>
>-Jesse



From Loopers-Delight-request@annihilist.com  Wed Oct  6 00:07:03 1999
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From: "Don \"Mango\" Pancoe" <pancoe@netaxs.com>
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References: <033001bf0f9c$a60abe60$1e8c8581@stu.wesleyan.edu>
Subject: Re: Momentary Mute Pedal (not loop related)
Date: Tue, 5 Oct 1999 23:58:01 -0400
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Jesse Kudler wrote:
> Does anyone know if such a pedal exists?  I'm looking for something that
> will mute the sound only when stepped on, so I can quickly cut sounds out
or
> bring them in.  I know ProCo makes the Cough Drop, which does what I
> want, but it's meant for microphones and takes XLR ins and outs, which I'd
> rather not get into.
> If there's no factory pedal, does anyone know anyone who can do custom
> pedals that will prove reliable?  And for a reasonable price?
> Thanks,  Jesse

I have an old DOD "Swell" pedal (no puns, please,) which is/was their
version of the old Boss "Slow Gear" pedal. It does what you say. Actually,
it will fade in slowly after you release the pedal, but you can set the rate
pretty high so it is almost instantaneous.

I found this pedal in a clearance box at a local music store, so I'm not
sure how hard it will be for you to find one. Probably even less useful
advice: the Boss SE-70 rack fx unit has a "Slow Gear" patch. Don't know if
its successor, the new VF-1, does or not, though.

-- Mango --

From Loopers-Delight-request@annihilist.com  Wed Oct  6 01:30:35 1999
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Re: Momentary Mute Pedal (not loop related)
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Hi,
	How about a good (high-end optical Morley or the like...) volume pedal
with an adjustable range? This would accomplish what you're needing--just
by a flick of the foot. Not quite momentary, but something that you might
want to consider!
Sincerley,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Wed Oct  6 05:06:44 1999
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From: "Stephen Goodman" <sgoodman@earthlight.net>
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Subject: Re: keyboard alternatives for stressed wrist
Date: Wed, 6 Oct 1999 01:54:29 -0700
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Michael Tuminello <m1cha3l@earthlink.net> inquired:
> I have been occasionally having some numbness on the back of my left
hand...

I was misdiagnosed briefly with Carpal Tunnel Whatsis until it was found
that I'd actually hurt my back slightly in the past, but had developed quite
the muscular compensation for it, ultimately gaining a tense base of the
neck, including the bundle of nerves branching off to the extremities.
Symptoms were at times painful and sometimes frightening (not being able to
squeeze closed a pair of springed pliers!); and before finding out about the
back problem and its complications, was being ordered by doctors to wear
wrist braces at all times.  Phooey.

I found a lot of damage was being done while I slept, in that I'd crook my
wrists in, holding my arms to my chest, and alternately stressing the
muscles at the tops of my hands and wrists, and cutting off the circulation
to my hands.  A superior chiropractor taught me how to sleep with my arms
out from my body, thus relieving the pressure, and the hand stress.  Since
then I've not had too much trouble at all, thank God, since every thing I do
practically is through my hands, including drawing and illustration.
Imagine the relief when the problem went away, only occasionally returning
briefly when I sleep the wrong way.

> 2.  buying a wacom tablet (I use one at home, and never had a problem
before)

Wonderful idea no matter what.  As a person who draws I find the pen-tablet
a superior interface (I'd prefer one that combines touch-screen with
pen-tablet) to the mouse, no matter how many buttons or wheels it's got on
it.

Above all, try to do some relaxation exercises of some kind before bed.
Physical stretching beforehand.  Look into Yoga.  Many folks who in the past
suffered in this manner - some in their 80s - find a good amount of relief
this way too.

At least that's what Dr. Whiplash told me to say... :) [wink]

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html
*
(Hear the NEW "Star Spangled Banner" here!)

From Loopers-Delight-request@annihilist.com  Wed Oct  6 08:15:21 1999
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Lee, if you get that bagpipe sound I'd love to get the settings.
               papadave55@hotmail.com


>From: Phaedebk@aol.com
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Question of the Week -- when do you NOT loop?
>Date: Tue, 5 Oct 1999 12:36:16 EDT
>
>     Have to say that it is also a matter of what you are trying to 
>accomplish
>when you are looping, too!  Personally, I like to generate lots of drones 
>and
>use those as backgrounds rather than a specific phrase...  Just wish that 
>the
>Boomerang had a fade out feature to it...  Shouldn't be more than an added
>pair of roller pots and a button, but then again, I'd prefer it if it ran 
>in
>stereo.
>
>     Back to the question, I won't loop solos that are taking place over
>backgrounds.  As for time constraints with ensembles and playing with other
>people, it is unfortunately a matter of trying to keep up with them in the
>directions they are wanting to go.
>     Also, I don't like to loop miked instruments, had some majour problems
>with feedback, though I am finding that certain piezo pickups out there are 
>a
>MUCH better solution...  Just have to find out if RMC is going to go the
>direction or not...
>
>     Back to the fun of getting a GR-30 to sound like a pair of Bag Pipes.
>
>     Tchus,
>
>         Lee-ohki.
>
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Oct  6 08:43:05 1999
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WOW!  I clicked the button and a bowl of rice appeared at my doorstep!

How did they know.........

"K. Douglas Baldwin" wrote:

> Please forgive the spam-like looks of this message, but this seems like a
> legit deal. Click on the web site; it'll only take a few seconds - no
> multiple pages to wade through, no personal email addresses to leave - and
> pass this on, or tug my coat if I've fallen for yet another hoax.
> Douglas Baldwin, Alpha male Coyote, the Trickster
> dbaldwin@suffolk.lib.ny.us
>
> >>
> >>Now here's an email that's really worth passing on!
> >>
> >>
> >>
> >>This is really wonderful - all you do is click a button and somewhere in
> >>the world some hungry person gets a meal to eat at no cost to you. The
> >>food is paid for by corporate sponsors. All you do is go to the site and
> >>click. But, you're only allowed one click per day, so spread the word to
> >>others.  I just sent 1 1/2 cups of rice to a needy person!
> >>
> >>Visit the site and pass the word. http://www.thehungersite.com
> >>
> >>Together we can make a difference!

--

From Loopers-Delight-request@annihilist.com  Wed Oct  6 09:19:44 1999
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'kevin miller'" <km15@cornell.edu>, Loopers-Delight@annihilist.com
Subject: RE: Momentary Mute Pedal (not loop related)
Date: Wed, 6 Oct 1999 08:59:52 -0400 
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How about an A/B switch - where only one side is patched to anything?

dk

-----Original Message-----
From: kevin miller [mailto:km15@cornell.edu]
Sent: Tuesday, October 05, 1999 10:34 PM
To: Loopers-Delight@annihilist.com
Subject: Re: Momentary Mute Pedal (not loop related)


At 09:46 PM 10/05/1999 -0400, you wrote:
>Does anyone know if such a pedal exists?  I'm looking for something that
>will mute the sound only when stepped on, so I can quickly cut sounds out
or
>bring them in.  I know ProCo makes the Cough Drop, which does what I want,
>but it's meant for microphones and takes XLR ins and outs, which I'd rather
>not get into.
>If there's no factory pedal, does anyone know anyone who can do custom
>pedals that will prove reliable?  And for a reasonable price?
>
>Thanks,
>Jesse

       If it was me, I suppose I'd take one of my stompboxes (ideally one
with true bypass) and set the gain or volume to zero- when the box was
"on", there'd be no signal, when "off", the (true bypassed) signal. Of
course, if you need all your pedals all the time, then you'd have to look
at other options (which I'm sure exist out there).

       Kevin

From Loopers-Delight-request@annihilist.com  Wed Oct  6 09:37:59 1999
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Yes,there is an electronic drummer on the LD list.My name is Jan
Wolfkamp and my drumsoloproject is Pads Alloud!.
I use an echoplex for 4 years now(only one)but when the EDP are
available again I want to buy a second one,for stereo etc.I live in
Holland,Europe and it is not easy to get an EDP here.In combination with
an DDRUM3 and an accoustic setup it is perfect!Last september I record
an CD with Greg Howard,the stickplayer with a lot of loops on it.It will
be released in the biginning of 2000,but on his webside
www.greghoward.com  there is an mp3 file of a liveconcert we did here in
Holland with loops.greating and keep on looping!
Jan Wolfkamp ,Holland

From Loopers-Delight-request@annihilist.com  Wed Oct  6 09:43:51 1999
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Date: 	Wed, 6 Oct 1999 08:28:42 -0500 (CDT)
Sender: crash@waste.org
From: Todd Madson <crash@waste.org>
To: Loopers-Delight@annihilist.com
Subject: Tendonitis Correction Issues
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Here's some things that worked for me:

1.  You're playing guitar, not rowing a boat.  Switch to .009s, not .010s
    from .011s or .12s.  Play with a VERY LIGHT TOUCH and let your amp and
    processors do the work.  If you were used to fighting the instrument 
    to get a sound out of it, stop that approach and use a very light
    touch with light gauge strings and let your gear do the amplification.
    This helped me a lot.   This also allows you to play with controlled
    dynamics more.

2.  Wear your guitar higher on the strap, like a bib almost.  You might
    not get the coveted "junkie swagger" look so many have adopted, but 
    everything is right there and you will not only have a more efficient
    position for both right and left hands, but your playing will be 
    better as a result.

3.  Position your left hand so your thumb is against the back of the
    neck of the instrument.  This lets your left hand fingers make a 
    more efficient position for contact with the fretboard.  Do NOT
    hook your left hand thumb over the low-e string, it makes for a 
    much less efficient position and is actually much more awkward.
    If you're playing certain Jimi chords, though, you will have to 
    switch back and forth.

4.  If you find that you are nervous when playing, you're probably
    clenching your teeth and pressing down on the fretboad with too
    much pressure.  STOP IT.  Find a way to relax, you need to if 
    you are going to play correctly.  

5.  Stop wearing a wristwatch while playing.  If you absolutely must
    know the time of day, put a tiny digital clock on the surface of
    your guitar or add a digital alarm clock to your rack (it will 
    look even more impressive that way).

6.  Make sure you warm up slowly and carefully before playing.

Finally, one thing that really helped me loosen up was washing the 
dishes.  I'm not kidding.  I'd have a basin of warm, soapy water 
and after washing the dishes I'd be all warmed up to play due to 
the heat in the water.  Try it!

Good luck!

-Todd



From Loopers-Delight-request@annihilist.com  Wed Oct  6 11:13:26 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Fw: Food!
Date: Wed, 6 Oct 1999 08:03:42 -0700
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Dude, you are unduly making fun of the millions of people dying of hunger
around the world.  You ought to do some travelling so you get rid of this
uncomfortable provincial humor.

  | -----Original Message-----
  | From: chriswebb [mailto:chriswebb@mail.del.net]
  | Sent: Wednesday 06 October 1999 5:33 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Fw: Food!
  |
  |
  | WOW!  I clicked the button and a bowl of rice appeared at my doorstep!
  |
  | How did they know.........
  |
  | "K. Douglas Baldwin" wrote:
  |
  | > Please forgive the spam-like looks of this message, but this
  | seems like a
  | > legit deal. Click on the web site; it'll only take a few seconds -
no...

From Loopers-Delight-request@annihilist.com  Wed Oct  6 11:13:20 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Looking for Electric Drummers
Date: Wed, 6 Oct 1999 09:57:19 -0500
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I'm a loopy percussionist!  I haven't looped my drumset but I loop hand
drums, marimba, and other toys.  Frankly, it's a little difficult with mics:
1) setting the proper level, 2) bleed-over from monitors, ambient room
sounds, etc, 3) carrying/setting-up several mics.  I've been thinking about
using headphones to monitor and maybe one wireless mic.  I use my loopers
(two EDPs) almost exclusively when I do solo shows.

I have a loopy guitarist friend and I accompany him on several looped
escapades.  We've practiced with both sets of loopers (his and mine) but
have never performed with both.  Currently in performances, he sets up a
loop and I follow it.  Let me tell ya', it's not the easiest thing,
especially when the loop has a "hitch in its git-a-long".

BTW: I'm in Lafayete, Indiana, USA, which is nowhere near Boston
(geographically or culturally).

Dennis Leas
-----------------------------
dennis@mdbs.com



From Loopers-Delight-request@annihilist.com  Wed Oct  6 12:18:59 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Non- Loop stereo mic
Date: Wed, 6 Oct 1999 08:54:29 -0700
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I have had no luck finding an affordable and tiny stereo mic for my new Mini
Disc unit- any suggestions Greatly appreciated-

Cliff

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<DIV><FONT face=3DArial size=3D2><SPAN class=3D380085315-06101999>I have =
had no luck=20
finding an affordable and tiny stereo mic for my new Mini Disc unit- any =

suggestions Greatly appreciated- </SPAN></FONT></DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D380085315-06101999></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><SPAN=20
class=3D380085315-06101999>Cliff</SPAN></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Wed Oct  6 12:22:45 1999
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Date: Wed, 6 Oct 1999 09:09:58 -0700 (PDT)
From: Randy Jones <ranjones@yahoo.com>
Subject: Re: OT: keyboard alternatives for stressed wrist
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Hi all,

I worked out a couple of minor solutions to this
problem. After a minimal amt of research, I felt
the chording type keyboards were going to be too
slow (bat,etc.) I settled on Interfaces by Cramer

http://www.ergointerfaces.com/Welcome.htm

It was around $225 for a refurbished unit (ouch).
They have a chair arm and a desktop model. I
purchased the desktop model as it was exactly
what I wanted for my desk. Most desks are not
suitable for computers and keyboarding, IMHO.  I
finally designed my own, which is really just of
4x8 sheet of maple faced plywood with a rounded
square cut out of the middle. It is simply draped
across a couple of two drawer file cabinets with
the back resting on wall mounted shelf supports.
My chair slides up into the little cutout and my
arms rest along the sides in a very relaxed
position, and interface w/ the keyboard. I have
the monitor in front and can swivel to 2 work
surfaces. There is plenty of room for additional
equip on the larger worksurface. I hope to find
or build a large replica of a computer keyboard
slide out drawer and install a piano keyboard
right under the monitor section, so I can pull it
out and wail away. I also put female velcro tape
on the keys I hit the most to cushion the impact
(spacebar, backspace, enter, etc.).  This has
helped alot to slow down the finger joint
disintegration. A picture of my desk and keyboard
if you are interested is at:

http://members.xoom.com/ranjones/epbimages/desk.JPG

That's not me in the picture. I'm much younger
and better looking :-).

Randy Jones
--- Michael Tuminello <m1cha3l@earthlink.net>
wrote:
> Hi all -
> 
> Since this is the biggest bunch of
> technology-loving guitar players I can
> think of, I thought I might ask the following:
> 
> I have been occasionally having some numbness
> on the back of my left hand,
> which goes up the back of my arm, is
> occasionally SLIGHTLY painful in the
> forearm, and other times feels like there is a
> breeze blowing on the back
> of my hand (sorta like that, anyway).   I am a
> hardcore computer user, and
> as of the last 9 months, playing in every spare
> moment.   I've looked
> around, and this sounds kinda like it might be
> some sorta tendonitis/RSI
> thing developing.
> 
> So - here's what I'm thinking of doing:
> 
> 1.  switching from 11's to 10's on the guitar.
> 2.  buying a wacom tablet (I use one at home,
> and never had a problem before)
> 3.  looking into an alternate keyboard, like
> maybe a one-handed "chording"
> keyboard (something called the "BAT" looks
> interesting)
> 
> Anybody have any experience/words of
> advice/product recommendations?  I
> prefer something that is PC and Mac compatible
> as far as the keyboard is
> concerned, but am open to any suggestions.   I
> don't want to become
> crippled just when I'm really starting to be
> able to play decently!
> 
> Thanks,
> 
> MT
> 
> 


=====

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Oct  6 12:49:58 1999
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I still use my old "sony ecm-ms907"; for MD it still works good.

Jesús

Clifford Novey wrote:

>  I have had no luck finding an affordable and tiny stereo mic for my
> new Mini Disc unit- any suggestions Greatly appreciated- Cliff

From Loopers-Delight-request@annihilist.com  Wed Oct  6 13:00:16 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Non- Loop stereo mic
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Cliff,

Have you checked out www.minidisco.com ?  They have a money-back =
guarentee as I recall.  I nearly bought a mic from them but instead I =
found a Sony mic that I liked (I had borrowed one so I was familiar with =
it).  Also, have you visited www.minidisc.org ? Lots of great info!

What kind of MD unit do you have?

Dennis Leas
-----------------------------
dennis@mdbs.com

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<DIV><FONT color=3D#000000 size=3D2>Cliff,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Have you checked out <A=20
href=3D"http://www.minidisco.com">www.minidisco.com</A> ?&nbsp; They =
have a=20
money-back guarentee as I recall.&nbsp; I nearly bought a mic from them =
but=20
instead I found a Sony mic that I liked (I had borrowed one so I was =
familiar=20
with it).&nbsp; Also, have you visited <A=20
href=3D"http://www.minidisc.org">www.minidisc.org</A> ? Lots of great=20
info!</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>What kind of MD unit do you have?</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Dennis=20
Leas<BR>-----------------------------<BR><A=20
href=3D"mailto:dennis@mdbs.com">dennis@mdbs.com</A></FONT></DIV></BODY></=
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From Loopers-Delight-request@annihilist.com  Wed Oct  6 13:07:13 1999
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Date: Wed, 06 Oct 1999 12:22:19 +0000
From: Eric Aceto <eric@ithacastring.com>
Reply-To: eric@ithacastring.com
Organization: Ithaca Stringed Instruments
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>  I have had no luck finding an affordable and tiny stereo mic for my
> > new Mini Disc unit- any suggestions Greatly appreciated- Cliff
> 
Hey ..If you have any skill with a soldering iron,you can construct a 
great little stereo condenser with mic cartridges and parts available 
at www.digikey.com .Great sound...low cost.
regards,
Eric
-- 
drop on by for a visit
http://www.ithacastring.com

From Loopers-Delight-request@annihilist.com  Wed Oct  6 13:12:00 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Non- Loop stereo mic
Date: Wed, 6 Oct 1999 10:03:37 -0700
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Sorry, I was unclear- I mean to say I need to know where these types of mics
can be found- I only found some $1000 binaural mics so far! No local stores
seem to have any either-

Cliff
  -----Original Message-----
  From: Clifford Novey [mailto:clifsound@mediaone.net]
  Sent: Wednesday, October 06, 1999 8:54 AM
  To: Loopers Delight
  Subject: Non- Loop stereo mic


  I have had no luck finding an affordable and tiny stereo mic for my new
Mini Disc unit- any suggestions Greatly appreciated-

  Cliff

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
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<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D880510017-06101999>Sorry,=20
I was unclear- I mean to say I need to know where these types of mics =
can be=20
found- I only found some $1000 binaural mics so far! No local stores =
seem to=20
have any either- </SPAN></FONT></DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
class=3D880510017-06101999></SPAN></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
class=3D880510017-06101999>Cliff</SPAN></FONT></DIV>
<BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader><FONT face=3D"Times New Roman"=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Clifford Novey=20
  [mailto:clifsound@mediaone.net]<BR><B>Sent:</B> Wednesday, October 06, =
1999=20
  8:54 AM<BR><B>To:</B> Loopers Delight<BR><B>Subject:</B> Non- Loop =
stereo=20
  mic<BR><BR></DIV></FONT>
  <DIV><FONT face=3DArial size=3D2><SPAN class=3D380085315-06101999>I =
have had no luck=20
  finding an affordable and tiny stereo mic for my new Mini Disc unit- =
any=20
  suggestions Greatly appreciated- </SPAN></FONT></DIV>
  <DIV><FONT face=3DArial size=3D2><SPAN=20
  class=3D380085315-06101999></SPAN></FONT>&nbsp;</DIV>
  <DIV><FONT face=3DArial size=3D2><SPAN=20
  =
class=3D380085315-06101999>Cliff</SPAN></FONT></DIV></BLOCKQUOTE></BODY><=
/HTML>

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From Loopers-Delight-request@annihilist.com  Wed Oct  6 13:28:11 1999
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Date: Wed, 6 Oct 1999 10:09:13 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Re: Non- Loop stereo mic
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Without knowing what you mean by 'affordable', I would
suggest you look at:
http://www.hip.atr.co.jp/~eaw/minidisc/part_Microphones.html
bret

--- Clifford Novey <clifsound@mediaone.net> wrote:
> I have had no luck finding an affordable and tiny
> stereo mic for my new Mini
> Disc unit- any suggestions Greatly appreciated-
> 
> Cliff
> 


=====

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Oct  6 13:30:29 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Non- Loop stereo mic
Date: Wed, 6 Oct 1999 10:00:19 -0700
Message-ID: <000201bf101c$45552580$1d358218@we.mediaone.net>
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Yes, but where did you get it? That is my difficulty- thanks!

-----Original Message-----
From: Jesus Turiņo [mailto:j-turino@pop.agri.ch]
Sent: Wednesday, October 06, 1999 9:24 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Non- Loop stereo mic


I still use my old "sony ecm-ms907"; for MD it still works good.

Jesús

Clifford Novey wrote:

>  I have had no luck finding an affordable and tiny stereo mic for my
> new Mini Disc unit- any suggestions Greatly appreciated- Cliff

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Clifford,

You should get it in a normal electronic-store. Here in europe they sold
thousands (Price about 150 US-$). If You are really interessed, mail me
... It should be no problem to find one here.

Jesús

Clifford Novey wrote:

> Yes, but where did you get it? That is my difficulty- thanks!
>
> -----Original Message-----
> From: Jesus Turiņo [mailto:j-turino@pop.agri.ch]
> Sent: Wednesday, October 06, 1999 9:24 AM
> To: Loopers-Delight@annihilist.com
> Subject: Re: Non- Loop stereo mic
>
> I still use my old "sony ecm-ms907"; for MD it still works good.
>
> Jesús
>
> Clifford Novey wrote:
>
> >  I have had no luck finding an affordable and tiny stereo mic for my
> > new Mini Disc unit- any suggestions Greatly appreciated- Cliff

From Loopers-Delight-request@annihilist.com  Wed Oct  6 14:20:14 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Non- Loop stereo mic
Date: Wed, 6 Oct 1999 10:28:31 -0700
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Sharp Md-ms702- I love it!- wish it had back light on main face tho- I use
it every day- Does anyone know if Lithium ion batteries should be kept
charged or if they need to be drained every so often?
I would be very interested in building my own as was suggested by Eric
Aceto- I have not checked out those web sites for mics- I will-  the Sony
ECM-MS907 is $100 bucks- which is fine but it is too big for "stealth"
recording! Which Sony mic do you use?
Hey Eric! What parts did you use? Any photos avail of your creation? What
did you use for a shell? I am interested- thanks all-
Cliff
  -----Original Message-----
  From: Dennis W. Leas [mailto:dennis@mdbs.com]
  Sent: Wednesday, October 06, 1999 9:48 AM
  To: Loopers-Delight@annihilist.com
  Subject: Re: Non- Loop stereo mic


  Cliff,

  Have you checked out www.minidisco.com ?  They have a money-back guarentee
as I recall.  I nearly bought a mic from them but instead I found a Sony mic
that I liked (I had borrowed one so I was familiar with it).  Also, have you
visited www.minidisc.org ? Lots of great info!

  What kind of MD unit do you have?

  Dennis Leas
  -----------------------------
  dennis@mdbs.com

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http-equiv=3DContent-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
Transitional//EN">
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR></HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D80432117-06101999>Sharp=20
Md-ms702- I love it!- wish it had back light on main face tho- I use it =
every=20
day- Does anyone know if Lithium ion batteries should be kept charged or =
if they=20
need to be drained every so often?</SPAN></FONT></DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D80432117-06101999>I would=20
be very interested in building my own as was suggested by&nbsp;Eric =
Aceto- I=20
have not checked out those web sites for mics- I will-  the Sony =
ECM-MS907 is=20
$100 bucks- which is fine but it is too big for "stealth" recording! =
Which Sony=20
mic do you use?</SPAN></FONT></DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN =
class=3D80432117-06101999>Hey=20
Eric! What parts did you use? Any photos avail of your creation? What =
did you=20
use for a shell? I am interested- thanks all- </SPAN></FONT></DIV>
<DIV><FONT color=3D#0000ff face=3DArial size=3D2><SPAN=20
class=3D80432117-06101999>Cliff</SPAN></FONT></DIV>
<BLOCKQUOTE style=3D"MARGIN-RIGHT: 0px">
  <DIV class=3DOutlookMessageHeader><FONT face=3D"Times New Roman"=20
  size=3D2>-----Original Message-----<BR><B>From:</B> Dennis W. Leas=20
  [mailto:dennis@mdbs.com]<BR><B>Sent:</B> Wednesday, October 06, 1999 =
9:48=20
  AM<BR><B>To:</B> Loopers-Delight@annihilist.com<BR><B>Subject:</B> Re: =
Non-=20
  Loop stereo mic<BR><BR></DIV></FONT>
  <DIV><FONT color=3D#000000 size=3D2>Cliff,</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000000 size=3D2>Have you checked out <A=20
  href=3D"http://www.minidisco.com">www.minidisco.com</A> ?&nbsp; They =
have a=20
  money-back guarentee as I recall.&nbsp; I nearly bought a mic from =
them but=20
  instead I found a Sony mic that I liked (I had borrowed one so I was =
familiar=20
  with it).&nbsp; Also, have you visited <A=20
  href=3D"http://www.minidisc.org">www.minidisc.org</A> ? Lots of great=20
  info!</FONT></DIV>
  <DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT size=3D2>What kind of MD unit do you have?</FONT></DIV>
  <DIV><FONT size=3D2></FONT>&nbsp;</DIV>
  <DIV><FONT color=3D#000000 size=3D2>Dennis=20
  Leas<BR>-----------------------------<BR><A=20
  =
href=3D"mailto:dennis@mdbs.com">dennis@mdbs.com</A></FONT></DIV></BLOCKQU=
OTE></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Wed Oct  6 14:18:22 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Non- Loop stereo mic
Date: Wed, 6 Oct 1999 10:57:00 -0700
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Great link- thanks!

-----Original Message-----
From: Bret [mailto:echoplex@yahoo.com]
Sent: Wednesday, October 06, 1999 10:09 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Non- Loop stereo mic


Without knowing what you mean by 'affordable', I would
suggest you look at:
http://www.hip.atr.co.jp/~eaw/minidisc/part_Microphones.html
bret

--- Clifford Novey <clifsound@mediaone.net> wrote:
> I have had no luck finding an affordable and tiny
> stereo mic for my new Mini
> Disc unit- any suggestions Greatly appreciated-
> 
> Cliff
> 


=====

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Oct  6 14:30:43 1999
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orders@minidisco.com


>From: "Clifford Novey" <clifsound@mediaone.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: "Loopers Delight" <Loopers-Delight@annihilist.com>
>Subject: Non- Loop stereo mic
>Date: Wed, 6 Oct 1999 08:54:29 -0700
>
>I have had no luck finding an affordable and tiny stereo mic for my new 
>Mini
>Disc unit- any suggestions Greatly appreciated-
>
>Cliff

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Oct  6 15:08:04 1999
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From: bedwellm@WellsFargo.COM
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To: Loopers-Delight@annihilist.com
Subject: RE: Question of the Week -- when do you NOT loop?
Date: Wed, 6 Oct 1999 11:56:09 -0700 
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I have to agree with Julio. Toumane Diabete is amazing.
Very.

	Micah Bedwell
	Technical Analyst, Level 3
	Private Client Services

	Pager: 800.800.9456
	Office: 415.222.3686


> -----Original Message-----
> From:	nitesh patel [SMTP:tesh@gte.net]
> Sent:	Sunday, October 03, 1999 12:13 PM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: Question of the Week -- when do you NOT loop?
> 
> if you wanna be in 1975 you don't loop but with technology today there's
> absolutely no reason not to loop and use patterns created by your self
> through
> your sequencer wether it's souned forge4.5 or cakewalk diffrent versions
> hgave
> the number of patterns you =can sequence or loop with your  better of
> using
> l;oops asv your loop will always be on time will your guatrist?
> 
> Julio Moreno wrote:
> 
> > Matthias:  Toumane Diabate from Mali...they don't need loop machines
> > and play the best ''loop mantras'' in the world. The band usually plays
> as
> > trio with guitar,kora, ngoni, nguini and marimba. AMAZING MUSIC!!!
> > Julio
> > ----- Original Message -----
> > From: Matthias Grob <matthias@grob.org>
> > To: <Loopers-Delight@annihilist.com>
> > Sent: Thursday, September 30, 1999 8:39 AM
> > Subject: Re: Question of the Week -- when do you NOT loop?
> >
> > >
> > > >"When do you make a choice NOT to loop?"
> > >
> > > Oh, nice question ;-)
> > >
> > > I guess, most of us have parts without loop in their loop pieces, but
> they
> > > rather feel like bridges mostly, so thats probably not what we talk
> about
> > > here...
> > >
> > > I allways had problems with rythms. My music speaks in sound and
> melody.
> > > I somehow need the loop to keep me steady and leared a lot from it.
> Brasil
> > > tought me another big lesson. But still, without loop, I tend to
> > > constantely change themes and travel in variations, hardly repeating
> > myself.
> > > For a long time, I thought this was not "serious" music, but more and
> more
> > > I find it about as interesting as mantric loops.
> > > Where is that need for repeated parts coming from? Isnt it mostly a
> help
> > to
> > > remember and teach the song? So in an improvisation, you dont need it?
> > > If you want a mantric effect, use a loop to get the strongest effect,
> if
> > > not, just keep going, tell the story! To do it well is not so easy,
> but I
> > > am getting better at it, in my candleaccousiticroom.
> > >
> > > Could anyone indicate recorded music of this notreapeatatall kind?
> > >
> > > Matthias
> > >
> > >
> > >
> > >          ---> http://Matthias.Grob.org
> > >
> > >
> 
> 

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Date: Wed, 6 Oct 1999 13:33:51 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: build your own small mics cheaply
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Re: small stealthy microphones you can build yourself
inexpensively:

http://www.tir.com/~liteways/Mandolin.html#Microphone

http://www.arches.uga.edu/~tidmarsh/binmic.html

http://www.connact.com/~eaw/minidisc/homemade_mics.html

bret


=====

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

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From: "Jenni Leeds" <jennil@bellsouth.net>
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Subject: Contact Mic
Date: Wed, 6 Oct 1999 16:17:37 -0500
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Hello there.
    Contact mics seem to be really cool things to have around the house.
I've read where Daniel Menche an underground sound artist records found
sounds with a simple contact mic.
    There have been many a times I've placed one ear up to a thick metal
pole and banged on it to hear "what's going on inside of it"...
    My question. Does anybody out there know how to make a decent contact
mic. Searching on the net has come to a dead end. There aren't even any good
explanations as to what a contact microphone is.
    Jamie Mash
{Exp.MusicDirector
     atWMTS88.3}


From Loopers-Delight-request@annihilist.com  Wed Oct  6 17:59:12 1999
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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
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Subject: Looper party?
Date: Wed, 6 Oct 1999 14:38:44 -0700
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How many people here would be interested in a looping party some upcoming
Saturday or Sunday, in Palo Alto? I have : a small PA (two keyboard amps),
mixer and a DATman.

My place is a bit small - especially since everyone will want to bring their
toys, so it would have to be outside and so it would have to be during the
day, unless another venue can be found. Getting enough clean electricity
>might< be a problem (considering how much crap I have plugged in right now
though, I doubt it :> but then again, if everybody brings their toys...)

Please let me know if you are interested, and how many power outlets you
would need :>

bIz

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Date: Wed, 6 Oct 1999 16:31:32 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: Re: Contact Mic
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Contact mics are typically piezo elements.  See 
http://harmonycentral.com/Guitar/piezo-pickups.txt 
to learn how to make one, and  
http://www.oz.net/~walterh/basspre1.htm
or
http://www.ru.ac.za/departments/iwr/staff/daf/guitar/piezo.html

for articles on how to make a preamp for a piezo
pickup.
You can also learn more by searching for patents on
piezoelectric instrument at:
http://www.patents.ibm.com/
such as
http://www.patents.ibm.com/details?pn=US05155285__
patent by fishman.
bret

--- Jenni Leeds <jennil@bellsouth.net> wrote:
>
> Hello there.
>     Contact mics seem to be really cool things to
> have around the house.
>     My question. Does anybody out there know how to
> make a decent contact
> mic. Searching on the net has come to a dead end.
> There aren't even any good
> explanations as to what a contact microphone is.


=====

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

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If anyone's interested, I'm selling a like-new Zoom Player 2100 with
FP02 exp/vol pedal for $120.00, plus shipping. I'd rather not seperate
the two, as they've grown quite fond of one another, but will if you
insist. The box works perfectly, it was just an impulse buy of a
dedicated loop junkie(like you haven't done it before). If desirous of
said unit, please e-mail me privately. Z.

From Loopers-Delight-request@annihilist.com  Wed Oct  6 23:28:15 1999
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From: Hawkeye255@aol.com
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Date: Wed, 6 Oct 1999 23:15:08 EDT
Subject: Re: Contact Mic
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Jamie,
      I've used cheap Radio  Shack peizo elements ($1.25) as contact mics.  
Run the sound through something that can act like a pre-amp (many effects 
processors, for instance) or a real pre-amp/amp and you're in business.  
There are nickel-sized ones and quarter-sized ones as I recall.  I buy 'em by 
the dozen. ;-)

Good sounds,
      Bill "Hawkeye"

From Loopers-Delight-request@annihilist.com  Thu Oct  7 00:24:04 1999
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--------------320E1ED01A538E061AC25916
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Hi,

I am not a doctor but both my wife and i have had problems like you
outline and some even more things.  We are lucky enough to have our
offices right down the street from one of the best hand surgeons in the
world.  We have learned a lot.

First thing we learned is that there really is no such thing as
tendonitis, those symptoms are indicative of neurological irritation.
Anything that involves tracking, burning or prickly pain requires a
neurologist /hand specialist.  We nearly had a disaster dealing with am
orthopedist (bones ain't nerves) .  You need the smartest MD's you can
get your hands on for these sorts of problems.

One story: Wife goes to Sports Medicine physician (orthopod) for
shoulder arm pain.  He recommends Clavechtomy (sawing off tip of
clavicle)  She waits, devlops shooting pain in same area,  MD says,
"That's impossible, it's in your head".  She goes to Neurologist and he
finds hardly any voltage making it through the nerve in her neck, they
delicately scrape off some scar tissue , pain gone.

It gets complicated. You have three nerves in your arm Radial (thumb and
forefinger on up), Median(middle half of ring on up) and Ulna (pinky to
back of arm on up) rough descriptions.  Three tunnels : wrist (carpal),
elbow and neck (brachialplexus). The last of which is common, most
severe and hardest to diagnose. The nerves feed back from both ends.
Just because you get your wrist done does not mean the neck nerve end
wrong continue your pain.

Often scar tissue and nerves adhering to muscle are the culprits.
Before you let anybody cut on you learn about the nerves and the
structures around them. Get EMGs (nerve studies) and do not let them
just snip your carpal tunel (you will lose the integrity of your hand).
None of the surgeries on these nerves are simple, you need high end
surgeons to do them (none of the good ones are ever eager to cut)

I have the same symptoms and play and compute like you.  I wear a wrist
brace (carpal) when I sleep, use an ergonomic keyboard at the right
elevation with a long cable and a very good chair (most important). I
have staved off surgery by doing this.

I wouldn't change strings.  I tried that and found that I was raising my
action to make up for the tone loss, same diff.  I'm sure some of the
technique hound out there can tell you better about straps and elevatio,
posture etc...

I have no qualifications to give advice and I would not want you to do
anything based on what i have written. Find out for yourself.  It is
important to do that.

This is scary stuff and it concerns any musician.  This is an electronic
disease, literally and figuratively and will probably afeect everyone on
this list in one way or another. Sorry for the screed but I feel it is
important.

Best

Fiveman




> Hi all -
>
> Since this is the biggest bunch of technology-loving guitar players I can
> think of, I thought I might ask the following:
>
> I have been occasionally having some numbness on the back of my left hand,
> which goes up the back of my arm, is occasionally SLIGHTLY painful in the
> forearm, and other times feels like there is a breeze blowing on the back
> of my hand (sorta like that, anyway).   I am a hardcore computer user, and
> as of the last 9 months, playing in every spare moment.   I've looked
> around, and this sounds kinda like it might be some sorta tendonitis/RSI
> thing developing.
>
> So - here's what I'm thinking of doing:
>
> 1.  switching from 11's to 10's on the guitar.
> 2.  buying a wacom tablet (I use one at home, and never had a problem before)
> 3.  looking into an alternate keyboard, like maybe a one-handed "chording"
> keyboard (something called the "BAT" looks interesting)
>
> Anybody have any experience/words of advice/product recommendations?  I
> prefer something that is PC and Mac compatible as far as the keyboard is
> concerned, but am open to any suggestions.   I don't want to become
> crippled just when I'm really starting to be able to play decently!
>
> Thanks,
>
>

--------------320E1ED01A538E061AC25916
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: 7bit

<!doctype html public "-//w3c//dtd html 4.0 transitional//en">
<html>
Hi,
<p>I am not a doctor but both my wife and i have had problems like you
outline and some even more things.&nbsp; We are lucky enough to have our
offices right down the street from one of the best hand surgeons in the
world.&nbsp; We have learned a lot.
<p>First thing we learned is that there really is no such thing as tendonitis,
those symptoms are indicative of neurological irritation.&nbsp; Anything
that involves tracking, burning or prickly pain requires a neurologist
/hand specialist.&nbsp; We nearly had a disaster dealing with am orthopedist
(bones ain't nerves) .&nbsp; You need the smartest MD's you can get your
hands on for these sorts of problems.
<p>One story: Wife goes to Sports Medicine physician (orthopod) for shoulder
arm pain.&nbsp; He recommends Clavechtomy (sawing off tip of clavicle)&nbsp;
She waits, devlops shooting pain in same area,&nbsp; MD says, "That's impossible,
it's in your head".&nbsp; She goes to Neurologist and he finds hardly any
voltage making it through the nerve in her neck, they delicately scrape
off some scar tissue , pain gone.
<p>It gets complicated. You have three nerves in your arm Radial (thumb
and forefinger on up), Median(middle half of ring on up) and Ulna (pinky
to back of arm on up) rough descriptions.&nbsp; Three tunnels : wrist (carpal),
elbow and neck (brachialplexus). The last of which is common, most severe
and hardest to diagnose. The nerves feed back from both ends. Just because
you get your wrist done does not mean the neck nerve end wrong continue
your pain.
<p>Often scar tissue and nerves adhering to muscle are the culprits.&nbsp;
Before you let anybody cut on you learn about the nerves and the structures
around them. Get EMGs (nerve studies) and do not let them just snip your
carpal tunel (you will lose the integrity of your hand). None of the surgeries
on these nerves are simple, you need high end surgeons to do them (none
of the good ones are ever eager to cut)
<p>I have the same symptoms and play and compute like you.&nbsp; I wear
a wrist brace (carpal) when I sleep, use an ergonomic keyboard at the right
elevation with a long cable and a very good chair (most important). I have
staved off surgery by doing this.
<p>I wouldn't change strings.&nbsp; I tried that and found that I was raising
my action to make up for the tone loss, same diff.&nbsp; I'm sure some
of the technique hound out there can tell you better about straps and elevatio,
posture etc...
<p>I have no qualifications to give advice and I would not want you to
do anything based on what i have written. Find out for yourself.&nbsp;
It is important to do that.
<p>This is scary stuff and it concerns any musician.&nbsp; This is an electronic
disease, literally and figuratively and will probably afeect everyone on
this list in one way or another. Sorry for the screed but I feel it is
important.
<p>Best
<p>Fiveman
<br>&nbsp;
<br>&nbsp;
<br>&nbsp;
<blockquote TYPE=CITE>
<pre>Hi all -

Since this is the biggest bunch of technology-loving guitar players I can
think of, I thought I might ask the following:

I have been occasionally having some numbness on the back of my left hand,
which goes up the back of my arm, is occasionally SLIGHTLY painful in the
forearm, and other times feels like there is a breeze blowing on the back
of my hand (sorta like that, anyway).&nbsp;&nbsp; I am a hardcore computer user, and
as of the last 9 months, playing in every spare moment.&nbsp;&nbsp; I've looked
around, and this sounds kinda like it might be some sorta tendonitis/RSI
thing developing.

So - here's what I'm thinking of doing:

1.&nbsp; switching from 11's to 10's on the guitar.
2.&nbsp; buying a wacom tablet (I use one at home, and never had a problem before)
3.&nbsp; looking into an alternate keyboard, like maybe a one-handed "chording"
keyboard (something called the "BAT" looks interesting)

Anybody have any experience/words of advice/product recommendations?&nbsp; I
prefer something that is PC and Mac compatible as far as the keyboard is
concerned, but am open to any suggestions.&nbsp;&nbsp; I don't want to become
crippled just when I'm really starting to be able to play decently!

Thanks,

</pre>
</blockquote>
</html>

--------------320E1ED01A538E061AC25916--

From Loopers-Delight-request@annihilist.com  Thu Oct  7 03:08:34 1999
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>Matthias Grob wrote:
>>
>> Jim asked:
>> >Anyone use the EDP midi out to sync. drum machines?
>> >I always find that even with 1/8th beats at max. the
>> >clock output is far too slow even on a 5sec. base loop.
>>
>> Oh, thats interesting. It would not be complicated to change the 1/8th
>> beats table. Maybe it should not contain all the odd beat numbers, but
>> bigger ones instead?

Jim again:
>propable a bad idea (and assuming your still up for ideas
>for firmware "upgrades) but ... how about an option instead
>of 1/8th beats where you can dial in a bpm setting which
>generates a clock-out and controls the quantised functions?
>then instead of 1/8th beats you could simple have a choice
>of 4/4 3/4 or triplet times which determined how the EDP
>quantises your loop time to the beat pattern.

One thing is the definition of the timing with a programable dial-number
variable. Certainly not for EDP any more, but for something bigger, many
wished that.

The other thing is the definition of the measure. We only have one button
for it. As I understand, you would be satisfied with just 4/4, 3/4 and
multiples while others seam to want all options up to 63/8 ? Really?:

Claude finds:
>Adding bigger ones is needed

ok, lets look for a solution!

>but cutting out some values could start a war...

I hope the soldiers step out here and declare their credo to avoid the war!
If I simply increase the table, you get a tired finger.
I can make the longpress count quickly (like Source#...) instead of go back
to 8, which I found more usefull and might start another "war"...

How about the following middle way:
Instead of all measures up to 64/8, I put:
all measures up to 16/8
then in steps of 2 up to 32/8
then in steps of 4 up to 64/8
then in steps of 8 up to 128/8
then in steps of 16 up to 256/8 = 16 bars of 4/4

Those are 48 values, so its easier to operate than now, and you can sync a
4 times longer loop. You can get 15 bars of 4/4 = 240 or 8 bars of 15/8 =
120, but  not 5 bars of 5/8 = 25.
Those odd numbers of bars of odd measures you can still create with
Mulitply, as explained in the other mail.

The table could also have a different organization to find values quicker, like
all measures up to 8/8
then multiples of 4/8
then multiples of 3/8
then multiples of 5/8
...

Do I make it clear?

>you have some responsabilities now Mathias...

now? yep, its heavy ;-) There are dozends of decisions like this one...
Opinions of users with different aplications are very helpfull!

Thank you
Matthias



         ---> http://Matthias.Grob.org


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>     There have been many a times I've placed one ear up to a thick metal
> pole and banged on it to hear "what's going on inside of it"...

I know what you mean. :)

> Does anybody out there know how to make a decent contact
> mic. Searching on the net has come to a dead end. There aren't even any good
> explanations as to what a contact microphone is.

you wanna look for info on Richard Lerman. He's the guru on that topic. Search the net. You might start here:

	http://music.dartmouth.edu/~kov/soundArt/plinky.html





*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://www.mpeters.de/mpeweb


From Loopers-Delight-request@annihilist.com  Thu Oct  7 03:57:03 1999
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Date: Thu, 07 Oct 1999 00:44:11 -0700
From: scott kungha drengsen <kungha@earthlink.net>
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This Saturday,Roland(the Psuedo Buddha percussionist) and I will again
be playing at the Temescal Cafe at Telegraph, 4920 near 51st from 1.30
to 3.30pm.(510-595-4069)In addition,esteemed list members Alan
Imberg,Javier Miranda,Mark Sottilaro have expressed interest in sitting
in.(please contact me for a semblence of order and forgive me for not
contacting you individually,it's been a crazy week)Last time was
wonderful,with a handful of loopers meeting face to face and Kim
Flint!!! making an appearance.Please stop by if you can.I'll post again
when I know who will be joining us.  THANK YOU
                                           Scott Kungha Drengsen

From Loopers-Delight-request@annihilist.com  Thu Oct  7 08:20:24 1999
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Date: Thu, 07 Oct 1999 13:24:44 +0100
From: Claude Voit <c.voit@vtx.ch>
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we want pictures and gossips
for the loopers delight "people" page
.=)
Claude

scott kungha drengsen wrote:
> 
> This Saturday,Roland(the Psuedo Buddha percussionist) and I will again
> be playing at the Temescal Cafe at Telegraph, 4920 near 51st from 1.30
> to 3.30pm.(510-595-4069)In addition,esteemed list members Alan
> Imberg,Javier Miranda,Mark Sottilaro have expressed interest in sitting
> in.(please contact me for a semblence of order and forgive me for not
> contacting you individually,it's been a crazy week)Last time was
> wonderful,with a handful of loopers meeting face to face and Kim
> Flint!!! making an appearance.Please stop by if you can.I'll post again
> when I know who will be joining us.  THANK YOU
>                                            Scott Kungha Drengsen

From Loopers-Delight-request@annihilist.com  Thu Oct  7 10:16:29 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: build your own small mics cheaply
Date: Thu, 7 Oct 1999 08:40:32 -0500
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Bret,

Thanks for the links to instructions on DIY mics and contact mics!  Most
useful!

Dennis Leas
-----------------------------
dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Thu Oct  7 10:56:22 1999
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Date: Thu, 07 Oct 1999 10:22:03 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Looping in Oakland-gig announcement
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What did you end up calling the project?

Tim

At 12:44 AM 10/7/99 -0700, you wrote:
>This Saturday,Roland(the Psuedo Buddha percussionist) and I will again
>be playing at the Temescal Cafe at Telegraph, 4920 near 51st from 1.30
>to 3.30pm.(510-595-4069)
>                                           Scott Kungha Drengsen
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct  7 14:00:57 1999
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Tim Nelson wrote:
> 
> What did you end up calling the project?
> 
> Tim
Still undecided(hmmm there's another one)But I have to say
THANKYOUTHANKYOU!! to everyone for some great suggestions.Yours Tim were
especially traditional and imaginative I think "Lahara"will figure in
somewhere.                           Scott Kungha Drengsen
> >
> >

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Subject: Pachabels Canon
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I just dusted off this old chestnut and it made me curious if anyone on
the list was playing it or any other similer compositions.Canons seem
like wonderful studies for looping.

From Loopers-Delight-request@annihilist.com  Thu Oct  7 14:26:44 1999
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From: "David Potter" <papadave55@hotmail.com>
To: marlew@ns2.pc-intouch.com, Tinkurbelle@hotmail.com, Potterb@sonoma.edu,
        jeremypot@yahoo.com, Circle@Circle-of-Light.com,
        chaskapotter@yahoo.com, ckyman@nextlink.net, Potters@Vornet.com,
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Subject: Fwd: Honda Hoax!
Date: Thu, 07 Oct 1999 11:19:26 PDT
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>From: "Aric Plumley" <aplumley@accurategas.com>
>To: "Mike Biffle" <mbiffle@svg.com>, <gds431@aol.com>, <redsail@aol.com>,   
>      <chillyb@cruzio.com>, <lahatch@dnai.com>, <papadave55@hotmail.com>,   
>      <j.baskin@mindspring.com>, <GPerry@us.ibm.com>
>Subject: Honda Hoax!
>Date: Thu, 7 Oct 1999 08:30:58 -0700
>
>This is what Honda.com had to say about this promotion.  If it sounds too
>good to be true...  Please stop this before it is sent any further.
>
>To our Internet Customers:
>Unfortunately, a false chain letter has been circulating on the Internet
>indicating that Honda will give away free cars to people who circulate the
>chain letter and accumulate "credits" in an account at their local Honda
>dealer.
>NO SUCH OFFER EXISTS.
>
>This is a hoax, pure and simple. Chain letters haven't changed much over 
>the
>years, but since the advent of the Internet, they've become a bigger
>headache. We sincerely regret any inconvenience this may have caused you.
>
>For more information on Internet hoaxes and chain letters, including the
>Honda car giveaway, just follow the links below.
>
>http://urbanlegends.miningco.com
>
>http://www.snopes.com
>
>Again, we apologize for any inconvenience this may have caused you.
>
>-----Original Message-----
>From: Mike Biffle <mbiffle@svg.com>
>To: gds431@aol.com <gds431@aol.com>; redsail@aol.com <redsail@aol.com>;
>chillyb@cruzio.com <chillyb@cruzio.com>; lahatch@dnai.com
><lahatch@dnai.com>; papadave55@hotmail.com <papadave55@hotmail.com>;
>j.baskin@mindspring.com <j.baskin@mindspring.com>; GPerry@us.ibm.com
><GPerry@us.ibm.com>
>Date: Thursday, October 07, 1999 8:25 AM
>Subject: Fwd: (Fwd) Fwd: Fw: FW: [Fwd: ]Honda
>
>
>Ok... I usually never send these out, but this one is claiming to be a
>promotion for Honda's anniversary. It's a long way down to the bottom to 
>see
>what's going on, but check it out! I'm gonna try it...
>
>Miko Biffle      "Running scared from all the usual distractions..."
>mbiffle@svg.com
>
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Oct  7 14:58:49 1999
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Date: Thu, 07 Oct 1999 11:30:28 -0700
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I received the following and thought I would pass it on:
---------------------------------------------------------

Resent-Date: Sat, 25 Sep 1999 16:35:47 -0400
X-Mailer: Microsoft Outlook - 4.5 (0410)
Date: Sat, 25 Sep 1999 22:19:16 +0200
Subject: US Taxes
From: "William Clinton" <bill@whitehouse.gov>
To:  (recipient list undisclosed)

In celebration of the arrival of the next millenium, every US citizen that
receives this message is pardoned of their IRS obligation for the millenial
tax year.  Please forward this message to every US citizen listed in your
email address box (be sure to include mail lists for maximum effect).  The
IRS will track all internet traffic and automatically mark every
recipient's tax obligation as met for the year 2000.

Godspeed,

William J. Clinton

President of the United States
The Whitehouse
1600 Pennsylvania Ave.
Washington, DC 20220

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Subject: Software
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Sorry about that last msg... couldn't help myself.

Hope this sort of on topic post clears my name.

I've updated the Digitech PMC10 software I announced earlier this year.
Now it's an editor.  Edit banks, sets, pedals and patches (edit patch
strings in hex).  

http://sean_.home.mindspring.com/pmc/index.html


Here's a librarian for the Digitech DHP-55

http://sean_.home.mindspring.com/dhp/index.html


Here's an Eventide H3000 remote control applet:

http://sean_.home.mindspring.com/h3/index.html


From Loopers-Delight-request@annihilist.com  Thu Oct  7 15:26:07 1999
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Date: Thu, 07 Oct 1999 15:18:23 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Pachabels Canon
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Brian Eno's three variations on it are great! (On "Discreet Music")

And how about the "1812 Overture"? It's got cannons... sorry...

At 10:59 AM 10/7/99 -0700, you wrote:
>I just dusted off this old chestnut and it made me curious if anyone on
>the list was playing it or any other similer compositions.Canons seem
>like wonderful studies for looping.
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct  7 14:17:24 1999
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From: "David Potter" <papadave55@hotmail.com>
To: mhull@aptoshs.pv.k12.ca.us, jeffreypotter@hotmail.com,
        bhalla@nde.vsnl.net.in, kebmo@gol.com, giannaitaly@yahoo.com,
        worldtree@earthlink.net, antarjyoti@earthlink.net, ragtop@got.net,
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        vaughnpotter@hotmail.com, zev@sasquatch.com
Subject: Fwd: (Fwd) Fwd: Fw: FW: [Fwd: ]Honda
Date: Thu, 07 Oct 1999 11:08:49 PDT
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>From: "Mike Biffle" <mbiffle@svg.com>
>To: gds431@aol.com,redsail@aol.com, chillyb@cruzio.com,lahatch@dnai.com, 
>papadave55@hotmail.com,j.baskin@mindspring.com, GPerry@us.ibm.com
>Subject: Fwd: (Fwd) Fwd: Fw: FW: [Fwd: ]Honda
>Date: Thu, 07 Oct 1999 08:24:17 -0700
>
>Ok... I usually never send these out, but this one is claiming to be a 
>promotion for Honda's anniversary. It's a long way down to the bottom to 
>see what's going on, but check it out! I'm gonna try it...
>
>Miko Biffle      "Running scared from all the usual distractions..."
>mbiffle@svg.com

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Date: Thu, 7 Oct 1999 09:19:00 -0400
Subject: Fwd: (Fwd) Fwd: Fw: FW: [Fwd: ]Honda
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Now this is weird, and unlikely....but what's to lose? There's a sort of =
cleaned
up version of the story at the bottom of this message...good luck!
David


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From: "Alex E. Taylor" <alexet@usm.maine.edu>
Organization: University of Southern Maine
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(Jacqui),        Jennifer King-Rogers <JKRogers@mail.mmc.edu>,
mthomp1@maine.rr.com
Date: Wed, 6 Oct 1999 15:59:32 -0400
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Subject: (Fwd) Fwd: Fw: FW: [Fwd: ]Honda
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Okay guys, let's hope this IS for real......I know it's a LONG way to
the bottom, but get there........Alex E
------- Forwarded Message Follows -------
From:               "Pam Chapman" <pamster55@HOTMAIL.COM>
To:                 Alexet@Maine.edu
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        mefoster@mediaone.net, Tchoden7@HOTMAIL.COM
Subject:            Fwd: Fw: FW: [Fwd: ]Honda
Date sent:          Wed, 06 Oct 1999 03:07:09 PDT




>From: Mark Hendrix <alabmwstretch@yahoo.com>
>To: Dana Worsham <dworsham@ingr.com>,  "'O. D. Wright'"
><owright@internetpro.net>,  Bruce McElhoe <hmcelhoe@aol.com>, Robert
>Metzl <rmetzl@caos.aamu.edu>,  Greg Miller <r11rtrdr@indy.net>, jim
>pippin <beemerjim47@hotmail.com>,  connie reeves <bamabmw@aol.com>,
>charles roberts <crob143966@aol.com>,  Todd Ross <tross@metrolink.net>,
>"'Russ Marty" Simpson <russbmw@aol.com>,  Martha Simpson
><isoaiti@aol.com>,
>  Terese Stevens <terese.stevens@hsv.boeing.com>,  Sam Tabor
><grawuf@blomand.net>, helennfred tweetmeyer <hftweety@linkny.com>,
>Craig'n'Elaine Vechorik <vechbmw@aol.com>, Martha Warren
><mwarren@kcc.com>,
>  "William R. Welborn" <wwelborn@hiwaay.net>,  Cramer Elsie Wilborn
><wilbornce@pugetsound.net>,  Mike Wilborn <mwilbor@ibm.net>, Bruce Wilson
> <flyin46@aol.com>,  Ravinell Wilson <ravinell@zebra.net>,
>"'phil2wheel@aol.com'" <phil2wheel@aol.com>,  Charles Binder
><bikenut@ptialaska.net>, Garry Bird <ymracing@hotmail.com>,  david
>chapman <dchapman40@hotmail.com>,  Dennis Chapman <hapchap@hotmail.com>,
>Pam Chapman <pamster55@hotmail.com>,  Frankie Coseglia
><joecool1@sprynet.com>, DWright <mdwright@allwest.net>,  Bobbi Ead
><bfltnurse@yahoo.com>, DavidMM Gay <dmgay@ugsolutions.com>,  'Kricket
>George' <bmwgeorge@aol.com>,  Joel C SAW Hendrix
><joel.c.hendrix@saw02.usace.army.mil>,  Margaret Hoffman
><doodahdee@mindspring.com>,  Doug-Kimberly Hyde <d-khyde@mindspring.com>,
> Steve Lisa Irwin <weridebmw@aol.com>, Leslie Johnson
><leslienana@aol.com>,  Phillip Johnson <pjohnson@mh.state.al.us>,  Rick
>Jones <motoelekt@mindspring.com>,  eric kimbrell
><erickimbrell@yahoo.com>, dean Klein <bmwloco@mindspring.com> Subject:
>Fwd: Fw: FW: [Fwd: ]Honda Date: Tue, 5 Oct 1999 19:00:22 -0700 (PDT)
>
>Well I doubt this stuff and will have a new honda for
>sale at half price as soon as I get it but why not
>give it a try... Read the message at the bottom
>
>--- Luke <oldways@bellsouth.net> wrote:
> > From: "Luke" <oldways@bellsouth.net>
> > To: "Jo Wittwer" <jw35439@navix.net>,
> >         "Ravinell Wilson"
> > <ravinell@zerocommission.com>,
> >         "Deb Stemple" <dlstemp@nppd.com>, "Shaleen"
> > <raenyx@yahoo.com>,
> >         "Barry Scott" <parts-man@mindspring.com>,
> >         "Rogers, Mellissa A." <maroger@nppd.com>,
> >         "Marian Baker School: Costa Rica"
> > <mbschool@sol.racsa.co.cr>,
> >         "Randy Pettus" <rjpettus@aol.com>, "Randy
> > Pettus" <rpettus@yahoo.com>,
> >         "Stewart O'Bannon" <oban@hiwaay.net>,
> >         "Montana and John" <mctorrey1@aol.com>,
> >         "John Michael" <jlmichael@aep.com>,
> >         "David P Michael" <Tredegar97@aol.com>,
> >         "Matt" <catopiller@hotmail.com>,
> >         "Michael and Debbie Joyce"
> > <mjj1675@tinyonline.co.uk>,
> >         "irisha1" <eireceo@mailexcite.com>,
> >         "Mark Hendrix" <alabmwstretch@yahoo.com>,
> >         "Carol Hendrix" <Carol@wqlt.com>,
> >         "Monteverde" <MStudios@sol.racsa.co.cr>,
> >         "Garris, Summer" <sgarris@etown.k12.ky.us>,
> >         "Tracy's Gal" <gerrylove@aol.com>,
> >         "Brad Futrell" <bfutrell@mindspring.com>,
> >         "Liz Erisman" <liz@getaway.net>, "Jenny
> > Craig" <jcraig2115@aol.com>,
> >         "Frankie Coseglia" <joecool1@sprynet.com>,
> >         "Costa Chamber of Commerce"
> > <feedback@ilisa.com>,
> >         "Brian Bynum" <ohmat@mindspring.com>, "Bob"
> > <raminad@nppd.com>,
> >         "Amadeo" <amemiao@usa.net>
> > Subject: Fw: FW: [Fwd: ]Honda
> > Date: Tue, 5 Oct 1999 17:40:16 -0500
> >
> > Thought I would do whomever started this a favor.
> > Read all the way to the bottom......
> > -----Original Message-----
> > From: brian bynum <brianbynum@hotmail.com>
> > To: blairderryberry@hotmail.com
> > <blairderryberry@hotmail.com>
> > Cc: BScott@aol.com <BScott@aol.com>;
> > betty.coleman@mcquay.com <betty.coleman@mcquay.com>;
> > dsanford@hiwaay.net <dsanford@hiwaay.net>;
> > bfutrell@mindspring.com <bfutrell@mindspring.com>;
> > oldways@bellsouth.net <oldways@bellsouth.net>;
> > timpickford@hotmail.com <timpickford@hotmail.com>;
> > browns420@hotmail.com <browns420@hotmail.com>
> > Date: Tuesday, October 05, 1999 11:08 AM
> > Subject: Fwd: FW: [Fwd: ]Honda
> >
> >
> >
> >
> >
> > >From: "Coleman,Betty A." <betty.coleman@mcquay.com>
> > >To: "'brianbynum@hotmail.com'"
> > <brianbynum@hotmail.com>
> > >Subject: FW: [Fwd: ]Honda
> > >Date: Mon, 4 Oct 1999 13:35:58 -0500
> > >
> > >
> > >
> > > > ----------
> > > > From: Lein,Russ T.
> > > > Sent: Monday, October 04, 1999 1:16 PM
> > > > To: Allen, Jason T.; Blair, Rita F.; Braun,
> > Bernie W; Blair, Rita F.;
> > > > Carter, Terry; Coleman,Betty A.; Docherty, Dale
> > W.; Essig, Robert A.;
> > > > Evans,Wanda F.; Graham, Marion E.; Hall, B.
> > Joan; Hammon, Miles A.;
> > >Hill,
> > > > Charles J; Johnson, Don; Knopps, Eddie R.;
> > Lambert, Laura M; Marquardt,
> > > > Walt; Nasby, Dave; Peterson, Neil T;
> > Rescenete,Pat; Thomas, Michael;
> > > > Weathers, Ron; Whaylen, Dusty; Woods, Eric R,;
> > Wrobel, Lynda L.;
> > > > Yarbrough, Lisa D.; Riley, Burdell M.
> > > > Subject: FW: [Fwd: ]Honda
> > > >
> > > >
> > > >
> > > > ----------
> > > > From: Jean F. Lein[SMTP:jflein@HiWAAY.net]
> > > > Reply To: Jean F. Lein
> > > > Sent: Monday, October 04, 1999 12:11 PM
> > > > To: Russ (work) Lein
> > > > Subject: Fw: [Fwd: ]Honda
> > > >
> > > > nothing to lose!!!!!and we really want one!!
> > > > jean
> > > > -----Original Message-----
> > > > From: Joe Strong <jstrong@epginsurance.com>
> > > > To: 'cbaker@maximgroup.com'
> > <cbaker@maximgroup.com>;
> > > > 'dhendrix@epginsurance.com'
> > <dhendrix@epginsurance.com>;
> > > > 'jflein@hiwaay.net'
> > > > <jflein@hiwaay.net>; 'williamh@usit.net'
> > <williamh@usit.net>;
> > > > 'dcorts@dcclifecare.com'
> > <dcorts@dcclifecare.com>
> > > > Date: Monday, October 04, 1999 9:06 AM
> > > > Subject: FW: [Fwd: ]Honda
> > > >
> > > >
> > > > >
> > > > >
> > > > >-----Original Message-----
> > > > >From: John Boehms
> > [SMTP:John.Boehms@perkinswill.com]
> > > > >Sent: Friday, October 01, 1999 9:31 AM
> > > > >To: Carolyn J. Wise; Charles Plummer; Christie;
> > Cindy @ work; Cynthia
> > > > >Sells; Doug; Doug&Jenny Horn; Jenny Jo; Kelly;
> > Kerry; Kevin Ragan; Mary
> > > > Jo
> > > > >and Tony Boehms; Mother; Renee; Rusty; Scott
> > Lantzy; Skey; Strong;
> > >Steven
> > > > >Hendrix; Shumaker's
> > > > >Subject: FW: [Fwd: ]Honda
> > > > >
> > > > >
> > > > >
> > > > >-----Original Message-----
> > > > >From: Chad Dorsey
> > [mailto:cdorsey@EOA-Architects.com]
> > > > >Sent: Friday, October 01, 1999 10:05 AM
> > > > >To: 'JOHN.BOEHMS@PERKINSWILL.COM'; Kristina
> > Greene; 'TAMI FAUDI';
> > > > >'Stephanie Mann'; 'Susan Golden'; 'antamio';
> > 'Laura Ross'; Chad Dorsey;
> > > > >Kit Ozburn
> > > > >Subject: FW: [Fwd: ]
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >-----Original Message-----
> > > > >From: Ron Gans
> > [mailto:Ron_Gans@ellerbebecket.com]
> > > > >Sent: Friday, October 01, 1999 8:40 AM
> > > > >To: Anna_Riggs@Dell.com; dynquest@feist.com;
> > Gansman5@aol.com;
> > > > >KdaKicks@aol.com; Rdasarmat@aol.com; Ben
> > Birkenmeier; Chad Dorsey;
> > >Cindy
> > > > >Madden; Jesse Gans; Mary Sparks
> > > > >Subject: Fwd: [Fwd: ]
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >---------------------- Forwarded by Ron
> > Gans/KC/Ellerbe Becket on
> > > > >10/01/99 08:30
> > > > >AM ---------------------------
> > > > >
> > > > >e
> > > > >
> > > > >          M    E    M    O    R    A    N    D
> >   U    M
> > > > >
> > > > >          October 1, 1999 at 10:12 PM  (03:12
> > AM GMT)
> > > > >
> > > > >         TO:   ddecker@warwick.net,
> > hadecker@juno.com,
> > > > >DeckerJay@aol.com,
> > > > >          cwhistorian@rogersark.net, Ron Gans
> > > > >         C:
> > > > >
> > > > >         FROM: Tdopb96@aol.com
> > > > >         SUBJECT:   Fwd: [Fwd: ]
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >Return-Path: <dgore@sunflower.com>
> > > > >Received: from  rly-yd01.mx.aol.com
> > (rly-yd01.mail.aol.com
> > > > >[172.18.150.1]) by
> > > > >air-yd02.mail.aol.com (vx) with ESMTP; Thu, 30
> > Sep 1999 16:45:24  -0400
> > > > >Received: from  east.sunflower.com
> > (gateway.east.sunflower.com
> > > > >[24.124.0.11])
> > > > >by rly-yd01.mx.aol.com (v61.13) with ESMTP;
> > Thu, 30 Sep 1999 16:45:10
> > > > >-0400
> > > > >Received: from sunflower.com ([192.168.28.109])
> > by
> > > > >gateway.east.sunflower.com
> > > > >with ESMTP id <113794>; Thu, 30 Sep 1999
> > 15:54:00 -0500
> > > > >Message-ID: <37F3CA7E.24879BB9@sunflower.com>
> > > > >Date: Thu, 30 Sep 1999 15:39:26 -0500
> > > > >From: Dana Gore <dgore@sunflower.com>
> > > > >X-Mailer: Mozilla 4.5 [en] (Win95; I)
> > > > >X-Accept-Language: en
> > > > >MIME-Version: 1.0
> > > > >To: Debbie Gans <Tdopb96@aol.com>
> > > > >Subject: [Fwd: ]
> > > > >Content-Type: text/plain; charset=3Dus-ascii
> > > > >Content-Transfer-Encoding: 7bit
> > > > >
> > > > >
> > > > >
> > > > >
> > > > >Jenny Wise wrote:
> > > > >
> > > > >> >Date: Thu, 30 Sep 1999 15:04:37 -0400
> > > > >> >To: "Sharon Mayes" <smayes@angusjournal.com>
> > > > >> >From: Jenny Wise <jwise@ljworld.com>
> > > > >> >Subject: Re: Fw: What do I have to lose?
> > > > >> >Cc:
> > > > >> >Bcc:
> > > > >> >X-Attachments:
> > > > >> >
> > > > >> >>It's worth a try!
> > > > >> >>
> > > > >> >>-----Original Message-----
> > > > >> >>From: Angie Stump Denton
> > <astump@angusjournal.com>
> > > > >> >>To: Whitestone Farms <WStoneF@aol.com>; Van
> > Dyke Angus
> > > > ><lee@vdar.com>; Trish
> > > > >> >>Runde <trunde@angusjournal.com>; Tammy
> > Riffel
> > > > ><highpte@northland.lib.mi.us>;
> > > > >> >>Susan Waters <swaters@angus.org>; Shelia
> > Stannard
> > > > ><sstannard@angus.org>;
> > > > >> >>Shawn Purkey <spurkey@greensoft.com>;
> > Sharon Mayes
> > > > >> >><smayes@angusjournal.com>; Ron Frye
> > <rfrye@angus.org>; Rod
> > >Wesselman
> > > > >> >><rwesselman@angus.org>; Richard Dyar
> > <rdyar@angus.org>; Quinton
> > > > >Huncovsky
> > > > >> >><mjfrogg99@yahoo.com>; Pohlman Family
> > <cpohlman@ncfcomm.com>; Matt
> > > > >Perrier
> > > > >> >><mperrier@angus.org>; Matt Caldwell
> > <mcaldwell@angus.org>; Mark
> > > > >Schraad
> > > > >> >><mschraad@d3design.com>; Lynn Gordon <Lynn
> > Gordon
> > > > >[lgordon@hereford.org]>
> > > > >> >><Lynn Gordon <Lynn Gordon
> > [lgordon@hereford.org]>>; Kris Strifler
> > > > >> >><K123S@aol.com>; Kim Stump
> > <kas3433@ksu.edu>; Kay & Darrell Denton
> > > > >> >><DDDandKLD@aol.com>; John Dickinson
> > <jdickinson@angus.org>; John
> > > > >Denton
> > > > >> >><john@crownpro.com>; John Cook
> > <cookj@ccp.com>; Jim Shirley
> > > > >> >><jshirley@angus.org>; Jerry Cassady
> > <jcassaday@angus.org>; Jennifer
> > > > >Sue
> > > > >> >>Hotchkiss <jsh7976@ksu.edu>; Jennifer Gatz
> > <jgatz13@yahoo.com>;
> > > > >Jennifer
> > > > >> >>Diehl <jdiehl0218@aol.com>; Jason Cook
> > <cook@ccp.com>; Jami Stump
> > > > >> >><jls3102@ksu.edu>; Don Laughlin
> > <laughlin@angus.org>; David Gazda
> > > > >> >><gazdaangus@aol.com>; Darren Beck
> > <dbeck@d3design.com>; Chuck Grove
> > > > >> >><cgrove@angus.org>; Christy Couch
> > <ccouch@aqha.org>; Brian McCulloh
> > > > >> >><woodhill@mwt.net>; Bill Powell
> > <bpowell@angus.org>; Angus Topics
> > > > >> >><angustopicsinc@wworld.com>; Amy Remmert
> > <ALRKSU98@aol.com>; Amy
> > > > >Cowan
> > > > >> >><acowan@hereford.org>
> > > > >> >>Date: Thursday, September 30, 1999 5:50 AM
> > > > >> >>Subject: Fw: What do I have to lose?
> > > > >> >>
> > > > >> >>
> > > > >> >>>
> > > > >> >>>
> > > > >> >>>
> > > > >> >>>
> > > > >> >>>>I have no idea if this is real or not,
> > but Janna and Susan are
> > > > >exactly
> > > > >> >>>right--what do I
> > > > >> >>>>have to lose?
> > > > >> >>>>
> > > > >> >>>>Susan
> > > > >> >>>>-----Original Message-----
> > > > >> >>>>From: Nancy Allen
> > <nallen@kohlerandsons.com>
> > > > >> >>>>To: Susan Hepburn <hepburn@inlink.com>;
> > Val Maki
> > > > >> >>>><vmaki@kemperinsurance.com>; Shelly
> > Bracken
> > > > ><shelly.bracken@cepm-us.com>;
> > > > >> >>>>Sherri Ricer <LUNY2NZ@bigfoot.com>; Mel
> > Fick <mfick@ralston.com>;
> > > > >Mandi
> > > > >> >>>>Heppermann <aheppermann@excite.com>; Lani
> > Heitgerd
> > > > ><slalex@mail.usmo.com>;
> > > > >> >>>>John Wallace <jwallace@vandaliamo.com>;
> > Jill Wommack
> > > > >> >>>><jillwommack@hotmail.com>; Jenny Geisler
> > > > ><GEISLJ@mail.modot.state.mo.us>;
> > > > >> >>>>Jennifer Rosales
> > <jrosales@sterlingdirect.com>; Jason Lewis
> > > > >> >>>><coachlewis@hotmail.com>; Ginger Nordwald
> > > > >>
> > >>>><ginger_nordwald@mac.pattonville.k12.mo.us>;
> > Debbie Jacobson
> > > > >> >>>><djacobson@ucare.org>; Dave Cobb
> > <cigar@STLNET.com>; Christine
> > > > >Blank
> > > > >> >>>><CBAV8ress@aol.com>; Brian Nothstine
> > <bnothstine@mocty.com>
> > > > >> >>>>Date: Tuesday, September 28, 1999 9:42 AM
> > > > >> >>>>Subject: FW: What do I have to lose?
> > > > >> >>>>
> > > > >> >>>>
> > > > >> >>>>>
> > > > >> >>>>>
> > > > >> >>>>>-----Original Message-----
> > > > >> >>>>>From: Shawnna Maassen
> > [mailto:shawnna_maassen@dbltpa.com]
> > > > >> >>>>>Sent: Tuesday, September 28, 1999 8:21
> > AM
> > > > >> >>>>>To: 'ANITA PETERSON'; 'DAD'; 'H. STEPHEN
> > LANDAU'; 'JENNIFER
> > > > >LANDAU'; 'KIM
> > > > >> >>>>>TINKER'; 'LIZ ERWIN'; 'LIZ SMITH';
> > 'STEVE DERRICK'
> > > > >> >>>>>Subject: FW: What do I have to lose?
> > > > >> >>>>>
> > > > >> >>>>>>>
> > > > >> >>>>>>>I'm sure that this cannot be accurate,
> > however, just in case.
> > > > >> >>>>>>>
> > > > >> >>>>>>>
> > > > >> >>>>>>>Dear valued potential customers:
> > > > >> >>>>>>>
> > > > >> >>>>>>>Here at Honda we have been well known
> > for over 20 years for
> > > > >providing
> > > > >> >>>>>>>the best in reliabillity, comfort, and
> > style.  Over the years
> > > > >we have
> > > > >> >>>>>risen
> > > > >> >>>>>>>to be one of the top auto industries
> > here in Japan.  But that
> > > > >isn't
> > > > >> >>>>>enough.
> > > > >> >>>>>>>We want to be number one in the US.
> > Now our twentieth
> > > > >anniversary
> > > > >> >>>>>>>for making cars is here!!!  This is
> > the perfect opportunity
> > >for
> > > > >you and
> > > > >> >>>>>us >>here at Honda to celebrate our 20
> > years of excellent
> > > > >service.  We
> > > > >> >>>have
> > > > >> >>>>>>>been trying to think of ideas to get
> > more people to know about
> > > > >our
> > > > >> >>cars.
> > > > >> >>>>>>>And with technology and e-mail being
> > the wave of the future,
> > >we
> > > > >want
> > > > >> >>>>>>>to jump on this opportunity.  So we
> > have set up a rewards
> > > > >system to
> > > > >> >>>>>>>repay those who help us spread the
> > word about Honda.  Our
> > > > >marketing
> > > > >> >>>>>>>staff has designed a special program
> > that traces this message
> > > > >as it
> > > > >> >>>>>>>travels across the US.  Anyone who
> > forwards this e-mail, will
> > > > >> >>>>>>>immediately have an account at their
> > local Honda dealer opened
> > > > >in their
> > > > >> >>>>>>>name.  This account will initially be
> > opened with a credit of
> > > > >$1,000
> > > > >> >>>>>>>toward any new or used vehicle at
> > their participating
> > > > >dealership.  For
> > > > >> >>>>>>>each person you forward this e-mail
> > to, the amount of $200
> > >will
> > > > >be
> > > > >> >>>>>>>added to your account.  If the
> > recipients of this e-mail
> > > > >forward it you
> > > > >> >>>>>will
> > > > >> >>>>>>>be rewarded an additional $100 for
> > each person it reaches and
> > > > >if they
> > > > >> >>>>>>>also forward it your account continues
> > to grow in $100
> > > > >increments. You
> > > > >> >>>>>>>can log onto our website at
> > http://www.Honda.com to check the
> > > > >balance
> > > > >> >>>>>>>of your account.  If things go well
> > and everyone participates
> > > > >you
> > > > >> >>should
> > > > >> >>>>>>>see your account grow quite quickly.
> > Follow the on screen
> > > > >instructions
> > > > >> >>>>>>>to order the specific make and model
> > of Honda you want to buy
> > > > >with
> > > > >> >>>>>>>your account.  We hope that this is a
> > rewarding experience for
> > > > >you and
> > > > >> >>>>>>>us.  Our goal is to reach over 1
> > million computers by the year
> > > > >2000.
> > > > >> >>>>>>>
> > > > >> >>>>>>>I thank you for your time and
> > business, Sincerely,
> > > > >> >>>>>>>
> > > > >> >>>>>>>Kageyama Hironobu
> > > > >> >>>>>>>Senior Honda Marketing Advisor
> > > > >> >>>>>>>
> > > > >> >>>>>>>First off, I just want everyone to
> > know that this is the real
> > > > >thing.
> > > > >> >>>>>>>I forwarded this message to everyone I
> > know about 6 months ago
> > > > >> >>>>>>>and last week a Honda employee showed
> > up at my house with my
> > > > >brand
> > > > >> >>>>>>>new 1999  Civic EX!!!  It is so funny
> > because I never believed
> > > > >these
> > > > >> >>>>>>>things worked and actually I sent this
> > one as a joke to all my
> > > > >friends.
> > > > >> >>>>>But
> > > > >> >>>>>>>they forwarded the message to and now
> > I have received a new
> > > > >car!!!
> > > > >> >>>>>>>My best friend actually hasn't gotten
> > his car just yet but he
> > > > >checked
> > > > >> >>>>>>>the balance of his Honda Account and
> > it has reached nearly
> > > > >> >>>>>>>$11,000!!!
> > > > >> >>>>>>>
> > > > >> >>>>>>>If you like Honda's or you just want a
> > new car, please forward
> > > > >this
> > > > >> >>>>>>>message it is the real thing.
> > > > >> >>>>>>>
> > > > >> >>>>>>>Bob Stanley, Denver Colorado
> > > > >> >>>>>>>
> > > > >> >>>>>>>
> > > > >> >>>>>>>Friends,
> > > > >> >>>>>>>Look I know this sounds too good to be
> > true, and that's what I
> > > > >thought
> > > > >> >>>>>>>too.  But I called Honda's
> > headquarters in Japan and spoke to
> > > > >an
> > > > >> >>>>>>>american representative myself and it
> > really is true!  They
> > > > >assured me
> > > > >> >>>>>>>that this the real thing!  I still
> > wasn't >convinced but I
> > > > >called three
> > > > >> >>>>>weeks
> > > > >> >>>>>>>later and my Honda account >balance
> > has reached the
> > > > >unbelievable sum
> > > > >> >>>>>>>of $12,500!!!  So even if you don't
> > believe this forward it
> > > > >anyways so
> > > > >> >>>my
> > > > >> >>>>>>>account will >>continue to grow until
> > I get my brand new
> > > > >Prelude!!!
> > > > >> >>>>>>>
> > > > >> >>>>>>>Steve Kelly, Minneapolis Minnessota
> > > > >> >>>>>>>
> > > > >> >>>>>>
> > > > >> >>>>>
> > > > >> >>>>>
> > > > >> >>>>>
> > > > >> >>>>>
> > > > >> >>>>>
> > > > >> >>>>>
> > > > >> >>>>>
> > > > >> >>>>>
> > > > >> >>>>>
> > > > >> >>>>
> > > > >> >>>>
> > > > >> >>>
> > > > >> >>>
> > > > >> >
> > > > >> >
> > > > >> >
> > > > >>
> > > > >> Wise Guy Design
> > > > >> Jennifer Wise
> > > > >> (785)887-6620
> > > > >> jwise@ljworld.com
> > > > >
> > > > >
> > > > >
> > > > >
> > > >
> > > >
> >
> >
>______________________________________________________
> > Get Your Private, Free Email at
> > http://www.hotmail.com
> >
> >
>
>
>=3D=3D=3D=3D=3D
>
>__________________________________________________
>Do You Yahoo!?
>Bid and sell for free at http://auctions.yahoo.com

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
Alex Elizabeth Taylor
Honors Program
207-780-4330


     I'm sure that this cannot be accurate,  however, just in case.
Dear valued potential customers:          Here at Honda we have been well =
known
for over 20 years for    providing     the best in reliabillity, comfort, =
and
style.  Over the years    we have     risen     to be one of the top auto
industries  here in Japan.  But that    isn't     enough.     We want to =
be
number one in the US.  Now our twentieth    anniversary     for making =
cars is
here!!!  This is  the perfect opportunity  for    you and     us here at =
Honda
to celebrate our 20  years of excellent    service.  We     have     been =
trying
to think of ideas to get  more people to know about    our     cars.     =
And
with technology and e-mail being  the wave of the future,  we    want     =
to
jump on this opportunity.  So we  have set up a rewards    system to     =
repay
those who help us spread the  word about Honda.  Our    marketing     =
staff has
designed a special program  that traces this message    as it     travels =
across
the US.  Anyone who  forwards this e-mail, will     immediately have an =
account
at their  local Honda dealer opened    in their     name.  This account =
will
initially be  opened with a credit of    $1,000     toward any new or used
vehicle at  their participating    dealership.  For     each person you =
forward
this e-mail  to, the amount of $200  will    be     added to your account. =
 If
the  recipients of this e-mail    forward it you     will     be rewarded =
an
additional $100 for  each person it reaches and    if they     also =
forward it
your account continues  to grow in $100    increments. You     can log =
onto our
website at  http://www.Honda.com to check the    balance     of your =
account.
If things go well  and everyone participates    you     should     see =
your
account grow quite quickly.  Follow the on screen    instructions     to =
order
the specific make and model  of Honda you want to buy    with     your =
account.
We hope that this is a  rewarding experience for    you and     us.  Our =
goal is
to reach over 1  million computers by the year    2000.          I thank =
you for
your time and  business, Sincerely,          Kageyama Hironobu     Senior =
Honda
Marketing Advisor

First off, I just want everyone to  know that this is the real    thing.   =
  I
forwarded this message to everyone I  know about 6 months ago     and last =
week
a Honda employee showed  up at my house with my    brand     new 1999  =
Civic
EX!!!  It is so funny  because I never believed    these     things worked =
and
actually I sent this  one as a joke to all my    friends.     But     they
forwarded the message to and now  I have received a new    car!!!     My =
best
friend actually hasn't gotten  his car just yet but he    checked     the
balance of his Honda Account and  it has reached nearly     $11,000!!!
If you like Honda's or you just want a  new car, please forward    this
message it is the real thing.          Bob Stanley, Denver Colorado
Friends,     Look I know this sounds too good to be  true, and that's what =
I
thought     too.  But I called Honda's  headquarters in Japan and spoke to =
   an
american representative myself and it  really is true!  They    assured me
that this the real thing!  I still  wasn't convinced but I    called three
weeks     later and my Honda account balance  has reached the    unbelievab=
le
sum     of $12,500!!!  So even if you don't  believe this forward it    =
anyways
so     my     account will continue to grow until  I get my brand new
Prelude!!!          Steve Kelly, Minneapolis Minnessota





------=_NextPart_000_337abb_5b45da42$6462a210--

From Loopers-Delight-request@annihilist.com  Thu Oct  7 16:15:53 1999
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Message-ID: <001301bf10ff$8a4a6720$2f22dacf@stepheng>
Reply-To: "Stephen Goodman" <sgoodman@earthlight.net>
From: "Stephen Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
References: <37FCDF95.6ADD@earthlink.net>
Subject: Re: Pachabels Canon
Date: Thu, 7 Oct 1999 13:06:12 -0700
Organization: EarthLight Productions
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scott kungha drengsen <kungha@earthlink.net> intoned:


> I just dusted off this old chestnut and it made me curious if anyone on
> the list was playing it or any other similer compositions.Canons seem
> like wonderful studies for looping.

Try Brian Eno's "Discreet Music", which contains some fascinating
experiments using the Canon in question.

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html
*
(Hear the NEW "Star Spangled Banner" here!)

From Loopers-Delight-request@annihilist.com  Thu Oct  7 17:40:05 1999
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From: "postaldave" <postaldave@qx.net>
To: <Loopers-Delight@annihilist.com>, <mhull@aptoshs.pv.k12.ca.us>,
        <jeffreypotter@hotmail.com>, <bhalla@nde.vsnl.net.in>, <kebmo@gol.com>,
        <giannaitaly@yahoo.com>, <worldtree@earthlink.net>,
        <antarjyoti@earthlink.net>, <ragtop@got.net>,
        <mcarpenter@sccs@santacruz.k12.ca.us>, <oskyjane@aol.com>,
        <Ratna@garlic.com>, <deruisa@wans.net>, <kachuck@earthlink.net>,
        <serenapotter@hotmail.com>, <pottertree@aol.com>,
        <vaughnpotter@hotmail.com>, <zev@sasquatch.com>
Subject: Re: (Fwd) Fwd: Fw: FW: [Fwd: ]Honda
Date: Thu, 7 Oct 1999 16:51:21 -0400
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hey david potter, off topic is one thing but this has gone to far. save this
crap for your friends not a list like loopers-delight.

From Loopers-Delight-request@annihilist.com  Thu Oct  7 20:28:30 1999
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From: wb5150@earthlink.net
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Date: Thu, 07 Oct 1999 20:16:57 -0400
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Subject: Just Wondering 
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This is off topic, but at least there'll be no mention of Honda's.
Since there seems to be a large contingency of Bay Areanites on the
list, I was wondering if any of you, or anyone else for that matter,
could inform me of the status of the magazine Mondo 2000. I live in the
far unlit unknown, and haven't seen it on newstands in well over a year.
It's sorely missed, as there was some interesting tech stuff inside. 
Thanks, Z.

From Loopers-Delight-request@annihilist.com  Thu Oct  7 22:19:06 1999
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From: landman@wco.com (Mark Landman)
Subject: Re: Just Wondering
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>This is off topic, but at least there'll be no mention of Honda's.
>Since there seems to be a large contingency of Bay Areanites on the
>list, I was wondering if any of you, or anyone else for that matter,
>could inform me of the status of the magazine Mondo 2000. I live in the
>far unlit unknown, and haven't seen it on newstands in well over a year.
>It's sorely missed, as there was some interesting tech stuff inside.
>Thanks, Z.

Hmmmm- as a former featured illustrator ( my favorite, an Eno
illustration!), I can tell you poor ol' Mondo seems to have been dying a
slow death for several years. My perception is despite several game
attempts, they can't capture the fun the early Mondo's had. One factor
might be that the whole "tech" thing really has been made mainstream by
Wired, which itself appears to be past it's prime. It's truly a vicious
life-cycle for pop culture magazines...

I would be surprised to see another...


Mark


From Loopers-Delight-request@annihilist.com  Fri Oct  8 01:06:42 1999
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From: "Alan Imberg" <alan_i@sprynet.com>
To: <Loopers-Delight@annihilist.com>
References: <37FCDF95.6ADD@earthlink.net>
Subject: Re: Pachabels Canon
Date: Thu, 7 Oct 1999 21:54:46 -0700
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I have an interesting CD that accompanied a book on chanting. The CD
contains a choral version of Pachabels canon with the choir repeating
"Hallelujah" with the cyclical music. Canons are cited as great examples of
Western equivalents to chants. I believe there is power in repetitive music
(hence my looping interest and purpose for being on this e-mail list). I
remember listening to Pachabel's cannon when I was a kid and thinking how
wonderful and beautiful it developed with every cycle. I've never attempted
to play it but I think it would be a wonderful challenge to emulate Pachabel
with contemporary equipment.

----- Original Message -----
From: scott kungha drengsen <kungha@earthlink.net>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, October 07, 1999 10:59 AM
Subject: Pachabels Canon


> I just dusted off this old chestnut and it made me curious if anyone on
> the list was playing it or any other similer compositions.Canons seem
> like wonderful studies for looping.
>


From Loopers-Delight-request@annihilist.com  Fri Oct  8 05:25:32 1999
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Subject: posting hoax crap to the list
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>>Subject: Fwd: (Fwd) Fwd: Fw: FW: [Fwd: ]Honda

etc. etc. etc.

If it's not breathtakingly obvious right now:


DON'T EVER DO THIS AGAIN.



this has to be the most obvious, lamest hoax I've ever seen. (and I've seen
just about all of them by now.) Please think before posting crap like this
to a whole mailing list. It's ridiculously inconsiderate.

Even worse, you left 28KB worth of headers in the damn thing, blowing away
an ENTIRE digest with just this one useless post. I'm sure that several
hundred Looper's Delight Digest readers were thrilled to have their time
wasted by that.

I'm not quite at the point of banning people who do this from posting
forever, but the thought did cross my mind today.

I'll save that punishment for the next time the guitar players bore us to
death discussing their strings. ;-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Fri Oct  8 08:55:59 1999
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Date: Fri, 8 Oct 1999 08:23:04 EDT
Subject: the originalminimalists
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hey all...
had the good fortune to attend the 30th anniversary reunion concert by Mother 
Mallard's Portable Masterpiece Co. up here at Cornell University
... in case you didn't know, they were the first performing ensemble to use 
synthesisers. Bob Moog was developing his stuff here in Ithaca and they were 
sort of the beta testers...

anyway, truly great concert; performed pieces from the original repetoire as 
well as pulling a few of David Borden's more recent works...

reason this is posted to the digest is because  these guys were using loops 
in what was then very new ways... multi-metered contrapuntal figures 
repeating at different time lengths... remember this all pre-dated Eno, Bud 
et all... in the early 70's this music was'nt yet called minimalism... 
critics referred to it as "synthesizer music", "trance" music or simply 
boring because "nothing happened"..

also an excellent set pf program notes which kinda covered the whole seminal 
period of pre- 1975... very beautiful AND entertaining...

skeebo.
Robby Aceto

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> -----Original Message-----
> From: scott kungha drengsen [mailto:kungha@earthlink.net]
> Sent: Thursday, October 07, 1999 2:00 PM
> 
> I just dusted off this old chestnut and it made me curious if 
> anyone on
> the list was playing it or any other similer compositions.Canons seem
> like wonderful studies for looping.

This reminds me; I did a version of that piece (at least the first eight bars, which is as far as I managed to figure out - I'm not a "reader"), using the sound of a keypunch machine as a rhythmic base - this was back in the mid-'80s when such things were still clinging to life. There was a feature on those beasts that allowed for multiple copies of the same card, by wrapping the original on a drum which would then rotate against a row of contacts, and when there was a hole it would punch a corresponding one on the copy card. I had to make several hundred copies of one card, and after hearing the pattern "played" when it ran through the first stack, decided to record it with the new walkperson I'd just bought. Later, I was playing around on my Mini-Moog while the tape was running, and decided to try the old Canon. The bass line fitted fine, but when it came to the melody, things didn't quite work after the first four bars. I then discovered that by augmenting the beats so that!
 accents came on every second note, it was perfect. It just meant that instead of being a canon, it now more closely resembled a waltz.

Go figure.

Has anyone else done things with "mechanical" loopers?

Jim Bailey


----------------------------------------------------------
Get your FREE personalized e-mail at http://www.canada.com

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From: andre <andre@monmouth.com>
Subject: Loop content...JFK's LSD UFO in philly this SAT!!
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hey

just a art/commercial interruption... doing some very loop oriented sound
sculpting this sat oct 9

hope to meet a philly looper or two.

peace, andre'

ps -the other 2 bands are supposedly the stuff of Philly legend, and one of
them opened for Roger Waters on his recent tour; they are described as
somewhat like early, trippy Pink Floyd...


Jfk's Lsd Ufo

Sat October 9

10:00 pm

at Pi Lam - 3914 Spruce St, Phila, PA


with philly - psychedelic bands
The Red King 
Temple of Bon Matin 


Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Fri Oct  8 12:18:12 1999
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Subject: Re: the originalminimalists
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Hey Robby,
       Please scan those program notes and give us all a look-see.  btw: I 
was a complete innocent when I walked into this smallish circus tent during 
the Monterey Pop Festival ('67 or '68?) and saw a synth (or was it a Uniac? I 
wondered)  that was larger and taller than my current two-car garage.   Four 
guys, including Bob Moog, (he grabbed my hand and introduced himself, that's 
how I know) were trying to get any sounds out of it at all.  The successes 
were small with a lot of pulsing white/pink noise, and the smell and smoke of 
burning circuits in between.  There was at least one other large electronic 
synth there too.  Arp maybe?  And a lot of sitars, tablas, tambouras...I 
believe Rickenbacker had a display too.  The tent was very crowded, hell the 
whole Monterey Peninsula Fairgrounds were packed and the ambience in that 
tent was not at all what we think of as 'quality' sounds.  But on the stage 
where Jimi, Janis, Otis, Grace, Bob (Dylan), et al were playing at various 
times...   satori...  ( I had to climb a damn high fence with barb wire at 
the top dozens of times to see who I needed to see, since every show was sold 
out.  The security guys were too stoned to care most of the time and only 
hauled me out twice.  Clint Eastwood bought me a beer too, since I was 
obviously a soldier (the butch cut hair) and didn't blend in too well, in 
spite of my bright yellow, paisley print bellbottoms.  He saw me checking my 
pockets to see if I had enough money for one and he told the guy, "I'll get 
that beer for that soldier.  Been to 'Nam?..."

Thanks (for indulging me my remembrances),
    Bill "Hawkeye"

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At 12:02 -0400 10/8/99, Hawkeye255@aol.com wrote:
> Hey Robby,
>        Please scan those program notes and give us all a look-see.

Rob was too modest to mention that he did an awesome job on the 
graphic design for the program.

Much (all?) of the text of the program is here:

http://www.mothermallard.cornell.edu

But you won't get to see Robby's design there.

Doug

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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: Pachabels Canon
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Jim,

026 or 029?

Dennis Leas
-----------------------------
dennis@mdbs.com


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>Thanks (for indulging me my remembrances),

Okay, Bill, I had to create a folder named "Cool Letters" and drop your
message into it.  That's one of the greatest "remembrances" I've heard.

No apologies necessary!

Dennis Leas
-----------------------------
dennis@mdbs.com


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Actually, the second page I went to on the site had Robbie's poster on it,
with a really cool mallard illustration. It's on the Calendar page, where I
was hoping to find out whether the reunion is/was a one-shot deal or if
they'll be performing anywhere else. Does anyone know?

Tim

>Rob was too modest to mention that he did an awesome job on the 
>graphic design for the program.
>
>Much (all?) of the text of the program is here:
>
>http://www.mothermallard.cornell.edu
>
>But you won't get to see Robby's design there.
>
>Doug
>
>

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Date: Fri, 08 Oct 1999 19:10:24 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: RE: Pachabels Canon/mechanical music
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At 11:40 AM 10/8/99 -0400, Jim Bailey wrote:


>Has anyone else done things with "mechanical" loopers?


Gyorgy Ligeti (influenced by Conlon Nancarrow) has written several pieces
for player piano and also for barrel organ. Ligeti said "Nancarrow's
magnificent music for mechanical pianos prodded me to think up ways in
which living interpreters could manage such complex polyrhythms."


In our "When not to loop" thread, many of us commented on difficulties in
trying to synchronize non-MIDI ensemble performances; with this in mind,
think of Ligeti's pieces for TWO player pianos! (He also wrote a piece
for 100 metronomes, but that's another story altogether!) Several of
these pieces may be heard on Vol. 5 (Mechanical Music) of the Sony set
which is currently in progress to commemorate Ligeti's 75th birthday.


While the Ligeti pieces are not truly looped, they do share several
features with looping; prominent repetition of parts which develop
complex "illusory rhythms" and phase relationships a la Steve Reich, the
possibility of exact playback as an accompaniment for live instrumental
performance (as on Etude 14a), precise control of tempi and dynamics,
etc. Also, the potential may exist for using this type of instrument as a
sort of mechanical looper by splicing the ends of the punched rolls,
which still wouldn't qualify as real-time looping but could be
interesting nonetheless. Have any of you heard of this being done?


Tim


<<<fontfamily><param>Times New
Roman</param><bigger>http://www.futurenet.com/classicalnet/reference/composers/ligeti.html</bigger></fontfamily>>


and this one's interesting (andinteractive!)
<<http://www.illumin.co.uk/ligeti/main.html>


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Date: Fri, 8 Oct 1999 20:07:32 -0400
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At 18:13 -0400 10/8/99, Tim Nelson wrote:
> Actually, the second page I went to on the site had Robbie's poster on it,
> with a really cool mallard illustration. It's on the Calendar page, where I
> was hoping to find out whether the reunion is/was a one-shot deal or if
> they'll be performing anywhere else. Does anyone know?

I'm in the new incarnation of Mother Mallard.  Before last year it 
had been dormant since 1991.  This was my second performance.  There 
aren't any firm future performance dates, but some are in the works. 
Please write privately if you have leads on possible venues.

Doug

-- 
Doug Wyatt                             doug@sonosphere.com
Sonosphere (electric/improv music)     http://www.sonosphere.com/

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Hi -

I want to thank all the people who responded to my posting regarding wrist
stress and playing.  All of the responses have been very helpful.
Frightening, but helpful.   Apologies for not responding to you all
personally.  The moral of the story is loopers are good people.

Thanks to Kim as well - this list has got to be one of the best lists ever,
and I'm sure I'll get even more out of it whenever it is I manage to get my
hands on an EDP.  I'm saving the $3000 now.   ;-)  I've learned at least as
much from the list as I have from the guitar lessons I've had.

Thanks again,

Michael

From Loopers-Delight-request@annihilist.com  Sat Oct  9 11:05:02 1999
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Subject: Gear For Sale
From: "Christopher White" <magicicada@mindspring.com>
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FOR SALE:

 1) Boomerang Looping Pedal
 
 2) Deluxe Memoryman from Electro Harmonix

 3) Q-Tron Enevelope Filter from Electro Harmonix


all of this for 435.00 or best offer

thanks,
 c.white

From Loopers-Delight-request@annihilist.com  Sat Oct  9 20:27:13 1999
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From: RA336@aol.com
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Subject: Re: the originalminimalists
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In a message dated 10/8/99 12:42:09 PM, doug@sonosphere.com writes:

<< > Hey Robby,
>        Please scan those program notes and give us all a look-see.

Rob was too modest to mention that he did an awesome job on the 
graphic design for the program.

Much (all?) of the text of the program is here:

http://www.mothermallard.cornell.edu

But you won't get to see Robby's design there.

Doug >>

- And Doug was too modest to mention he is a performing member of said Mother 
Mallard ... Doug you wailed... or whatever it is you synthesizer guys do... 
you did it!
Rob

From Loopers-Delight-request@annihilist.com  Sat Oct  9 20:46:48 1999
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In a message dated 10/8/99 11:17:55 AM, Hawkeye255@aol.com writes:

<< Hey Robby,
       Please scan those program notes and give us all a look-see. >>

- I can send a text copy to the list if there's wide-scale interest... it's 
very informative and fun look at the history of that time... other wise, you 
can check it all out at the website Doug Wyatt suggests...

let me know if you would like it posted here as well.

best,
RA

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Date: Sat, 09 Oct 1999 20:44:53 -0400
To: loopers-delight@annihilist.com
From: peter koniuto <taghairm@mindspring.com>
Subject: --one-CD printing in Boston area--
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Looperfolk:

Does anyone know of a reliable and relatively
inexpensive place in the Boston area to get 
one or two CDs burned from DAT?

I was thinking about the Tape Complex on 
Haviland Street off Mass. Ave., but thought
i'd run it by you folks for pointers.  What's
a good price?

Until i get my own stand-alone....

Many thanks,
peter koniuto



----------------
TAGHAIRM 

(Old Irish) noise, echo, a mode of divination by 
listening to the noise of water cascades...


from: 

MacBain's Etymological Dictionary of the Gaelic Language
Gairm Publications, 1982
---------------

From Loopers-Delight-request@annihilist.com  Sat Oct  9 22:03:38 1999
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Message-ID: <37FFF00E.3F4A71E2@minds-eye.org>
Date: Sat, 09 Oct 1999 21:46:54 -0400
From: Kevin <kevin@minds-eye.org>
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Subject: old digital delays
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Thought I'd run this question past you folks.

I've got a couple Digitech 2 second delay pedals (PDS 1002 and 20/20
Multi-play) that have been having some problems recently.  When the
delay signal is held, it modulates (sometime extremely, sometimes
lightly).  Any ideas if these pedals are bound to become idiosyncratic
mystery stomp pedals or is there some (easy-ish) way to repair them?

Thanks for any help

Kevin

From Loopers-Delight-request@annihilist.com  Sun Oct 10 03:05:17 1999
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Date: Sun, 10 Oct 1999 02:03:02 +0000
From: Bobdog/Doghouse Audio Laboratory <psbuddha@texas.net>
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since i enjoyed the music from the chain tape so much, i will do cd
transfers from dat for loopers for cheap. send a duplicate of your dat
*not the original* & i'll put it on a mitsui silver cd-r for $15 + 1.20
shipping.

let me know...


bobdog

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i would pop them open & take a look for any trim pots inside; if they
have 'em carefully mark the current settings (i use a fine point
sharpie) then play around & see what happens.

may solve your problem, may make really weird noises (always a +), may
cause tham to make smoke.

good luck!

bob

From Loopers-Delight-request@annihilist.com  Sun Oct 10 08:36:08 1999
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From: "Elaine Walters" <ew37@bellsouth.net>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Boomerang and DL4
Date: Sun, 10 Oct 1999 05:10:52 -0500
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I know it's been discussed here a million times, but I wasn't paying
attention then.  Sorry.  Who's got the really great Boomerang prices??  I
know some folks picked it up for under $400 (slightly).  Where??  I'll call
the bizillion places on their website if I have to, I was just hoping
somebody could save me the phone bill.
I was also wondering if anybody had heard anything new on the Line 6 DL4
delay.  I was going to give them a call Friday but never got the chance.




From Loopers-Delight-request@annihilist.com  Sun Oct 10 09:32:16 1999
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Date: Sun, 10 Oct 1999 09:13:22 -0400
From: Jeff Duke <jmar@bellsouth.net>
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Hi Elaine, I got mine from Musicians Friend www.musiciansfriend.com/
Its 479$ though for the 4 minute version. good luck, Jeff



Elaine Walters wrote:

> I know it's been discussed here a million times, but I wasn't paying
> attention then.  Sorry.  Who's got the really great Boomerang prices??  I
> know some folks picked it up for under $400 (slightly).  Where??  I'll call
> the bizillion places on their website if I have to, I was just hoping
> somebody could save me the phone bill.
> I was also wondering if anybody had heard anything new on the Line 6 DL4
> delay.  I was going to give them a call Friday but never got the chance.

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From: "Doug Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Boomerang and DL4
Date: Sun, 10 Oct 1999 09:32:18 -0400
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>From what I've heard, which isn't much, the Line 6 pedals are due out this
month. In fact, if you check www.pedalman.com, he claims he is getting the
first shipment of DL4's and MM4's, soon. He also claims that Line 6 upped
the suggested retail price to $349. A power supply is an extra $25.

http://home.earthlink.net/~romb/line6.htm

-----Original Message-----
From: Elaine Walters [mailto:ew37@bellsouth.net]
Sent: Sunday, October 10, 1999 6:11 AM
To: Loopers Delight
Subject: Boomerang and DL4


I know it's been discussed here a million times, but I wasn't paying
attention then.  Sorry.  Who's got the really great Boomerang prices??  I
know some folks picked it up for under $400 (slightly).  Where??  I'll call
the bizillion places on their website if I have to, I was just hoping
somebody could save me the phone bill.
I was also wondering if anybody had heard anything new on the Line 6 DL4
delay.  I was going to give them a call Friday but never got the chance.




From Loopers-Delight-request@annihilist.com  Sun Oct 10 11:15:30 1999
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Message-ID: <003401bf1362$81fe1b60$cbf44cc1@bruce>
From: "Bruce Comens" <bcomens@corelli.nexus.it>
To: <Loopers-Delight@annihilist.com>
References: <000901bf1319$a72e4200$42c0d6d1@oemcomputer>
Subject: R: Boomerang sales (and a ? re drones)
Date: Sun, 10 Oct 1999 16:59:57 -0400
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I just got a Boomerang for 425 from:

krazy kat music
210.737.0523
www.krazykatmusic.com
krazy2@flash.net

So far (2 days) it's a lot of fun (useful too!), though I can see I won't be
canceling my order for an EDP.....

A question for Boomerang users:   can somebody tell me if there's a way to
set up a continuous drone without the slight pause when the loop restarts?

Bruce Comens



From Loopers-Delight-request@annihilist.com  Sun Oct 10 12:21:43 1999
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From: Nemoguitt@aol.com
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Date: Sun, 10 Oct 1999 11:58:37 EDT
Subject: Re: R: Boomerang sales (and a ? re drones)
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In a message dated 10/10/99 1:15:14 PM Mid-Atlantic Standard Time, 
bcomens@corelli.nexus.it writes:

<< A question for Boomerang users:   can somebody tell me if there's a way to
 set up a continuous drone without the slight pause when the loop restarts?
  >>

start the drone before you hit the record button.......i do this often and it 
seems to work.........also, "pianos and stuff" here in pittsburgh 
412-828-1003 are selling the rang for close to $400.......ask for dave 
lewis.....its worth a call.......hope this helps..........michael

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From: Tim Nelson <tcn62@ici.net>
Subject: Another Question o' the Week: Audible Click Revisited
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Several months ago in a thread about the Akai Headrush, we talked about an
audible click when stepping on the switches. This is sort of related to
that...

What I'm wondering is: When looping/recording acoustic instruments using a
microphone, what are you guys doing to keep the mic from picking up the
noise created by the switches? I'm not talking about a noise that's
generated by the electronics, but rather the actual sound of the switch
clicking. Most of my effects have (relatively) silent switches, but a few
(my Headrush and all my old EH and EH-like things) have old-style
"clickers" on 'em.

I've tried muffling the switches with towels, but then it's hard to know
what you're stepping on and you can still hear it anyway. Last week's
contact mic thread may be something to try, or maybe a mic with a very
tight unidirectional pattern, but I really like the sound I'm getting using
a PZM (except for the clicking!), and I'm not in a po$ition to $pring for a
$uper-directional mic right now. I really don't feel like modifying the
switches on the gear either...

Any ideas?

Tim

From Loopers-Delight-request@annihilist.com  Sun Oct 10 12:34:27 1999
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i am recording to marantz 4 track cassette Pmd 740 tape machine and well
when I do playback after i have recorded i get kinda a crunchy noise ridden
nasty nasty sound when the *music* gets  loud. Now i am not red lining it to
hard so I am not sure what this is could it be that i need to compress it
more when i record to 4 track? also on track 2 when i tweak my mid eq it
begins to make this analog synth sound like "WHOOO wee Whooaa ooommmm" but
it makes no sound when i keep the eq up high. what an ass pain this is!
please offer me suggestions and i will be happy to try them out.
thanks alot
c.white

From Loopers-Delight-request@annihilist.com  Sun Oct 10 12:53:18 1999
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From: Nemoguitt@aol.com
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Date: Sun, 10 Oct 1999 12:34:53 EDT
Subject: Re: Another Question o' the Week: Audible Click Revisited
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In a message dated 10/10/99 2:21:40 PM Mid-Atlantic Standard Time, 
tcn62@ici.net writes:

<< I've tried muffling the switches with towels, >>

tim........i saw these "transparent noise reduction towels" once, but i dont 
remember where or when........:)..........michael

From Loopers-Delight-request@annihilist.com  Sun Oct 10 13:14:52 1999
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From: Nemoguitt@aol.com
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Date: Sun, 10 Oct 1999 12:57:10 EDT
Subject: electricity question
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this just popped into my head, too much free time, i guess......what would 
you do if you lost all of your electricity, what type of music would you then 
do?........michael

From Loopers-Delight-request@annihilist.com  Sun Oct 10 14:05:06 1999
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Date: Sun, 10 Oct 1999 13:44:08 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: R: Boomerang sales (and a ? re drones)
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At 11:58 AM 10/10/99 EDT, you wrote:
>In a message dated 10/10/99 1:15:14 PM Mid-Atlantic Standard Time, 
>bcomens@corelli.nexus.it writes:
>
><< A question for Boomerang users:   can somebody tell me if there's a way to
> set up a continuous drone without the slight pause when the loop restarts?
>  >>
>
>start the drone before you hit the record button.......

also, if you put a delay after the looper, you can smooth the seams a bit...

From Loopers-Delight-request@annihilist.com  Sun Oct 10 14:04:57 1999
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Date: Sun, 10 Oct 1999 13:40:59 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Another Question o' the Week: Audible Click Revisited
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Let me guess, they were either woven of glass fibers or 100% see-thru
acrylic, right?

Now you've got me thinking of stick-on rubber covers that could go on over
the switch that might be a little quieter.

This isn't a problem when looping plug-in instruments (like 99% of the time).

Hey, Mr. Torn. How does ya amplify that oud of yourn, anyway?

Tim

At 12:34 PM 10/10/99 EDT, you wrote:
>In a message dated 10/10/99 2:21:40 PM Mid-Atlantic Standard Time, 
>tcn62@ici.net writes:
>
><< I've tried muffling the switches with towels, >>
>
>tim........i saw these "transparent noise reduction towels" once, but i dont 
>remember where or when........:)..........michael
>
>

From Loopers-Delight-request@annihilist.com  Sun Oct 10 14:52:30 1999
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Date: Sun, 10 Oct 1999 14:30:37 -0400
To: Loopers-Delight@annihilist.com
From: Floyd Miller <floyd@voicenet.com>
Subject: Re: electricity question
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At 12:57 PM 10/10/99 -0400, you wrote:
>this just popped into my head, too much free time, i guess......what would
>you do if you lost all of your electricity, what type of music would you then
>do?........michael

Acoustic, of course.  I have a nice assortment of percussion instruments,
some melodic.  I would stretch some rubber-bands across some posts
to play bass lines and I've often used my vocal cords to emulate synth
sounds including using my mouth as a resonant filter.

****************
   ********** Floyd Miller
     ****** floyd@voicenet.com
      **** http://www.voicenet.com/~floyd
       ** http://www.studiodust.com  palace://studiodust.com:9996

From Loopers-Delight-request@annihilist.com  Sun Oct 10 14:58:27 1999
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commit homicide!!!

----------
>From: Nemoguitt@aol.com
>To: Loopers-Delight@annihilist.com
>Subject: electricity question
>Date: Sun, Oct 10, 1999, 9:57 AM
>

> this just popped into my head, too much free time, i guess......what would
> you do if you lost all of your electricity, what type of music would you then
> do?........michael
>
> 

From Loopers-Delight-request@annihilist.com  Sun Oct 10 15:26:08 1999
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Date: Sun, 10 Oct 1999 14:20:46 -0500
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
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Well, I've got a sick, prepared-tuning 12-string that I would have to
torture everyone withing earshot with. I'd probably be banging on things
and yelling quite a bit, too...
Jeff McLeod

At 12:57 PM 10/10/1999 EDT, you wrote:
>this just popped into my head, too much free time, i guess......what would 
>you do if you lost all of your electricity, what type of music would you
then 
>do?........michael

__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Sun Oct 10 15:34:54 1999
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Nemoguitt@aol.com wrote:
> 
> this just popped into my head, too much free time, i guess......what would
> you do if you lost all of your electricity, what type of music would you then
> do?........michael
I'd be a skin flautist.

From Loopers-Delight-request@annihilist.com  Sun Oct 10 16:21:06 1999
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
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Subject: Re: electricity question
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Good question, Michael!

Twice in the last two weeks I lost all electrical power, the first time for
two full days due to Hurricane Floyd, the second time for 6 hours due to
collapsed trees bringing down electric lines following a storm.

So I reverted to good old-fashioned acoustic music, practicing sitar and
surbahar by candlelight, something I quickly got accustomed to while
studying in India where electrical power is always quirky and never entirely
dependable.  (Especially when you want to record your lessons :-} )

It was no problem for the short term, but I wonder about total (i.e.,
irreversible) loss of electricity.  Since all my instruments are acoustic it
would present no major problem as far as continuing to play and perform.
But I'd sure miss looping and multiple overdub recording, as well as
listening to all the recorded music I've managed to accumulate over the
years . . .

James Pokorny

-----Original Message-----
From: Nemoguitt@aol.com <Nemoguitt@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, October 10, 1999 1:19 PM
Subject: electricity question


>this just popped into my head, too much free time, i guess......what would
>you do if you lost all of your electricity, what type of music would you
then
>do?........michael
>
>

From Loopers-Delight-request@annihilist.com  Sun Oct 10 16:24:59 1999
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From: improv@peak.org (Dave Trenkel)
Subject: Re: electricity question
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>this just popped into my head, too much free time, i guess......what would
>you do if you lost all of your electricity, what type of music would you then
>do?........michael

I'd finally get around to really learning to play my accordion.

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


From Loopers-Delight-request@annihilist.com  Sun Oct 10 16:51:42 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
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>
> > this just popped into my head, too much free time, i guess......what 
>would
> > you do if you lost all of your electricity, what type of music would you 
>then
> > do?........michael

We'd probably go into hiding. We're called the Electric Friends. Without the 
electricity, we'd just be "Friends" and I don't know if that sitcom is 
anything we want to be tied to.

Mr. Tough
The Electric Friends

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sun Oct 10 17:35:06 1999
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From: Cornhilio2@aol.com
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i would go on a mad bombing spree fucking everything up that i cam in contact 
with also i would carry a micraphone aaround with me recording everything

From Loopers-Delight-request@annihilist.com  Sun Oct 10 19:35:26 1999
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Date: Thu, 07 Oct 1999 18:26:08 -0700
From: Jon and Val Erickson <dragondigital@netzero.net>
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I have been a looper for many years, but I am new to
"Looper's Delight".  Are there any
Loopers of  any sort in the Twin City area?  My wife and I
own a "looper-friendly"
studio here called Dragon Digital Media.  You can view it at
the following site:
http://www.onlinerock.com/services/dragon/index.html

__________________________________________
NetZero - Defenders of the Free World
Get your FREE Internet Access and Email at
http://www.netzero.net/download/index.html

From Loopers-Delight-request@annihilist.com  Sun Oct 10 20:09:48 1999
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Date: Sun, 10 Oct 1999 16:48:22 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: electricity question
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>i would go on a mad bombing spree fucking everything up that i cam in contact
>with also i would carry a micraphone aaround with me recording everything

I think you won't be recording much without any electricity. Unless you use
one of those wax cylinder and a needle contraptions. The bombing might even
be a problem, no electronic triggers and the gas for your molotovs has to
come out of electronic pumps with credit card payment. good luck with it
though, I'm sure you'll work something out.

My drumset and percussion toys appear to be Y2K compliant, so I'm ok. With
no email anymore, I'll have plenty of time to practice and actually learn
how to play the damn things.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Oct 10 20:18:54 1999
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Date: Sun, 10 Oct 1999 19:19:46 -0500
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Jon and Val Erickson wrote:
> 
> I have been a looper for many years, but I am new to
> "Looper's Delight".  Are there any
> Loopers of  any sort in the Twin City area?  My wife and I
> own a "looper-friendly"
> studio here called Dragon Digital Media.  You can view it at
> the following site:
> http://www.onlinerock.com/services/dragon/index.html


A friend of mine from grad school at the University of Iowa was from
Minneapolis.  When I visited him last winter (before he left for L.A. to
attend a Film Music program), he mentioned having gone to see one of his
friends perform a looping show (a duo I believe) at a small art gallery
in a seedier part of the Twin Cities.  He also described a crazy jam
session that happened afterward with a walk-in trumpet player.  I can
ask him who his friend was that was part of the duo.  (Maybe he's on
this list, though, and will know that I'm writing about him--though I
don't know him).  I'll fire off an e-mail to my friend and post the
results here.  I mean, why shouldn't loopers, on or off the list, get
some free publicity now and then, right?

Cheers,

Jon Southwood
noj@cedar-rapids.net

From Loopers-Delight-request@annihilist.com  Sun Oct 10 23:34:14 1999
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From: KB305@aol.com
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Date: Sun, 10 Oct 1999 23:24:03 EDT
Subject: Re: electricity question
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 >this just popped into my head, too much free time, i guess......what would
 >you do if you lost all of your electricity, what type of music would you 
then
 >do?........michael

First, I'd have to examine how dependent I am on electricity.  Then I might 
go back and reread all of my John Cage books.  Maybe I would disown the 
notion  that I actually get to 'make' the music.  But I doubt it.

I believe that all art, fundamentally, is a response to terror.  Before 
electricity, people made wonderful music.  No need to get cliche-fever about 
that.  I'm pretty sure that Erik Satie, for instance, broke as he often was, 
did not depend on 120VAC to compose.

I have a lovely Martin, and as dependent as I am on the American power grid, 
there is no electric instrument I have that sounds quite like it.  Perhaps 
the consequence of unplugging for me as a guitarist is more content over kHz.

Kevin Brunkhorst  <A HREF="http://members.aol.com/kb305/kb305/">http://members
.aol.com/kb305/kb305/</A> 
Red Road the band  <A HREF="http://www.iuma.com/IUMA/Bands/Red_Road/">http://r
edroad.iuma.com</A> 

From Loopers-Delight-request@annihilist.com  Mon Oct 11 00:55:30 1999
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Date: Sun, 10 Oct 1999 21:50:09 PDT
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Hello All,

I've been using the SF Acid program for awhile now, and think its great.

How many of you out there use it, at least occasionally?

I would like to hear what many of you have accomplished w/it,
and would like to chat a bit about some of the features.

Please email!
Take care,

Seth
strivard@hotmail.com

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Mon Oct 11 01:50:49 1999
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From: Cornhilio2@aol.com
Message-ID: <0.c6af0be.2532d3bb@aol.com>
Date: Mon, 11 Oct 1999 01:46:35 EDT
Subject: Re: electricity question
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THEN I SHALL TAKE A GUN AND KILL ALL OF YOU TAHT DON THIONK IM AN YTHE 
CHOSSEN ONE SENT TO U BY ACID MY MOTHER AND UR LOVER

From Loopers-Delight-request@annihilist.com  Mon Oct 11 03:41:12 1999
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Date: Mon, 11 Oct 1999 00:35:19 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: electricity question
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At 10:46 PM -0700 10/10/99, Cornhilio2@aol.com wrote:
>THEN I SHALL TAKE A GUN AND KILL ALL OF YOU TAHT DON THIONK IM AN YTHE
>CHOSSEN ONE SENT TO U BY ACID MY MOTHER AND UR LOVER

I dunno. I'd have thought the looping antichrist would be able to spell
better than this. And have a better grasp of pop culture references. (It's
Cornholio, not cornhilio, dumbass.)

I call your bluff. Come on out here to west oakland and let us see what
your loops are made of. That is, if the local drug gangs and their little
gang war don't getcha first.

Try to remember to take your medication before posting next time.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Oct 11 04:05:37 1999
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hi

I use Acid a lot and I think it's really an amazing app....

Mike S. (from SOnic FOundry) should be still on this list too...

ciao
leo

At 21.50 10/10/99 PDT, you wrote:
>Hello All,
>
>I've been using the SF Acid program for awhile now, and think its great.
>
>How many of you out there use it, at least occasionally?
>
>I would like to hear what many of you have accomplished w/it,
>and would like to chat a bit about some of the features.
>
>Please email!
>Take care,
>
>Seth
>strivard@hotmail.com
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Oct 11 04:14:06 1999
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Date: Mon, 11 Oct 1999 10:06:54 +0200
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Kim,
Sorry for having to do it this way.

I just changed companies with out unsubscribing from the list first. Can you
unsubscribe me to mark @in2win.com and leave this one as is. Ive had my old
mail forwarded to me so Im getting all looper mail twice!!!

Thanks

MArk Red

From Loopers-Delight-request@annihilist.com  Mon Oct 11 04:32:52 1999
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i would just bow my waterphone
----------
>From: KB305@aol.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: electricity question
>Date: Sun, Oct 10, 1999, 11:24 PM
>

> >this just popped into my head, too much free time, i guess......what would
> >you do if you lost all of your electricity, what type of music would you 
>then
> >do?........michael
>
>First, I'd have to examine how dependent I am on electricity.  Then I might 
>go back and reread all of my John Cage books.  Maybe I would disown the 
>notion  that I actually get to 'make' the music.  But I doubt it.
>
>I believe that all art, fundamentally, is a response to terror.  Before 
>electricity, people made wonderful music.  No need to get cliche-fever about 
>that.  I'm pretty sure that Erik Satie, for instance, broke as he often was, 
>did not depend on 120VAC to compose.
>
>I have a lovely Martin, and as dependent as I am on the American power grid, 
>there is no electric instrument I have that sounds quite like it.  Perhaps 
>the consequence of unplugging for me as a guitarist is more content over kHz.
>
>Kevin Brunkhorst  <A HREF="http://members.aol.com/kb305/kb305/">http://members
>.aol.com/kb305/kb305/</A> 
>Red Road the band  <A HREF="http://www.iuma.com/IUMA/Bands/Red_Road/">http://r
>edroad.iuma.com</A> 
>

From Loopers-Delight-request@annihilist.com  Mon Oct 11 09:01:40 1999
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Date: 	Mon, 11 Oct 1999 07:53:01 -0500 (CDT)
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Mother Mallard reuiniting?  That's kind of like Gentle Giant or
the original Tangerine Dream trio reuniting, unlikely but possible.
I'd love to read the text notes.

And if anyone needs any webspace to put up that graphic let me know
since I've got space.

-TOdd



From Loopers-Delight-request@annihilist.com  Mon Oct 11 09:20:45 1999
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Subject: No electricity?  Awww.....
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I guess I'd either have to play my acoustic guitar or play drums or
something.

OR, if I found some energizer or duracell batteries, I'd run my 
Casio MT-240 with a full complement of PPG samples until those
batteries died and then I'd have to go back to acoustic instuments
again.

-t



From Loopers-Delight-request@annihilist.com  Mon Oct 11 09:28:11 1999
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Yep, I'm a looper dwelling in the Minneapolis/St. Paul metro area.
It's one of many musical things I'm into.  I'm aware of some others
but I'll let them speak for themselves.

Not much call for this looping stuff in this area, but I persevere.

Glad to hear there are others...

-Todd



From Loopers-Delight-request@annihilist.com  Mon Oct 11 09:28:17 1999
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Tim Nelson'" <tcn62@ici.net>, Loopers-Delight@annihilist.com
Subject: RE: Another Question o' the Week: Audible Click Revisited
Date: Mon, 11 Oct 1999 09:12:57 -0400
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I've played shows with a tabla player here in Boston, in a highly loud
setting.  What he does is carry around a plexiglass construction that
surrounds his intruments from left/right center and above.  It seems to work
great at keeping all the other intruments out of his signal.

Maybe you can place the PZM in the middle of large plexi-glass sheet that is
facing your amp and away from the switches?

dk



-----Original Message-----
From: Tim Nelson [mailto:tcn62@ici.net]
Sent: Sunday, October 10, 1999 12:05 PM
To: Loopers-Delight@annihilist.com
Subject: Another Question o' the Week: Audible Click Revisited


Several months ago in a thread about the Akai Headrush, we talked about an
audible click when stepping on the switches. This is sort of related to
that...

What I'm wondering is: When looping/recording acoustic instruments using a
microphone, what are you guys doing to keep the mic from picking up the
noise created by the switches? I'm not talking about a noise that's
generated by the electronics, but rather the actual sound of the switch
clicking. Most of my effects have (relatively) silent switches, but a few
(my Headrush and all my old EH and EH-like things) have old-style
"clickers" on 'em.

I've tried muffling the switches with towels, but then it's hard to know
what you're stepping on and you can still hear it anyway. Last week's
contact mic thread may be something to try, or maybe a mic with a very
tight unidirectional pattern, but I really like the sound I'm getting using
a PZM (except for the clicking!), and I'm not in a po$ition to $pring for a
$uper-directional mic right now. I really don't feel like modifying the
switches on the gear either...

Any ideas?

Tim

From Loopers-Delight-request@annihilist.com  Mon Oct 11 10:11:00 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Another Question o' the Week: Audible Click Revisited
Date: Mon, 11 Oct 1999 08:40:49 -0500
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Hi, Tim,

You probably won't like my answer, but I recommend using different switches.
I.e., modifying your equipment.  Now I've never opened up an Akai Headrush
but perhaps you could add a jack in parallel with the existing footswitches
(two on a Headrush, right?) and make a remote footswitch.  With quieter
switches.

Dennis Leas
-----------------------------
dennis@mdbs.com


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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: electricity question
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I see a market for a steam-powered, wax cylinder based looper!  Guarenteed
Y2K compliant!  Even better, Y1.9K compliant!  The boiler can be stoked with
wooden/plastic cases of non-functional electronic gear.

Actually, due to an ice storm a few years ago, I found myself in this
situation.  No problem!  I lit my candles and oil lamp and jammed away on my
instruments which are all acoustic anyway, except for my keyboard.

Dennis Leas
-----------------------------
dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Mon Oct 11 10:15:06 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: Waterphone, was electricity question
Date: Mon, 11 Oct 1999 09:00:22 -0500
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Another Waterphone player!  I've been looping mine alot lately.  Which model
do you have?  How do you loop yours?  What kind of pick-up/mic do you use?

Dennis Leas
-----------------------------
dennis@mdbs.com
-----Original Message-----
From: Christopher White <magicicada@mindspring.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, October 11, 1999 3:33 AM
Subject: Re: electricity question


>i would just bow my waterphone


From Loopers-Delight-request@annihilist.com  Mon Oct 11 10:25:04 1999
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From: wbf@aloft.micro.lucent.com (William_B_Fox)
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			Playlist for "EMUSIC"

"EMUSIC," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html

		Show #133		October 7, 1999.
		Host: Bill Fox		http://www.wdiyfm.org
		billfox@fast.net

On this show, I began Oktoberfest EMUSIC-style with the month-long focus
on the artist roster of the German label Manikin.  The feature CD at
midnight was "The Two Piece Box" by Detlef Keller and Mario Schonwalder.

	Manikin       :  http://www.manikin.com
	EMUSIC Focus  :  http://www.wdiyfm.org/emusic/playlists/focus.html

Music by Tim Story and Hans-Joachim Roedelius was played in support of
The Gathering XX in nearby Philadelphia.  Music by Airsculpture and
the feature CD at midnight was played in support of E-Live '99 in Nijmegen,
The Netherlands.  Both concerts will be on October 9.

	EMUSIC Events :  http://www.wdiyfm.org/emusic/events.html
	The Gathering :  http://www.starsend.org/20gather.html
	E-Live '99    :  http://www.stichting-crew.nl/elive1999.html


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Tim Story               Without Waves            Threads (Eurock)
Han-Joachim Rodelius    Glass from Jasper        Pink, Blue and Amber (Prudence)
Alquimia                First Light              A Separate Reality (AMP)
Alquimia                Reflection               A Separate Reality (AMP)
The Tunnel Singer       Ravens in Moonlight      Ravens in Moonlight (none)
Wendy Carlos            City of Temptation       Tales of Heaven & Hell (ESD)
Jean-Michel Jarre       Chants Magnetiques II    Jarre Live (Dreyfus)
Jean-Michel Jarre       Oxygene IV               Jarre Live (Dreyfus)
Telomere                Visitation               Astral Currents (Evenfall)
Kevin Keller            Convergence             Pendulum (Lektronic Soundscapes)
AirSculpture            Amazonian Lepidotera     Attrition System (Neu Harmony)
                        Theorise on Chaos
12:00 am
Keller & Schonwalder    Another Temptation       The Two Piece Box (Manikin)
Keller & Schonwalder    The Quiet Room           The Two Piece Box (Manikin)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will continue the month-long Oktoberfest focus on
the German label, Manikin.  The Feature CD at Midnight will be "Interkosmos"
by Fanger and Kersten.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

From Loopers-Delight-request@annihilist.com  Mon Oct 11 11:35:28 1999
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From: James Pearce <jamesrp@statenet.com>
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As I recall MONDO2000 is no longer around, the last thing I saw was a compiled
graphic novel of sorts with the "best of.." kinda theme. One quick suggestions
for a really nice catalog/publication that finally came out agains is the AMOK
catalog, I suggest it to anyone looking for obscure publications with obscure
topics about this obscure world, heh.

On Thu, 7 Oct 1999 wb5150@earthlink.net wrote:

|This is off topic, but at least there'll be no mention of Honda's.
|Since there seems to be a large contingency of Bay Areanites on the
|list, I was wondering if any of you, or anyone else for that matter,
|could inform me of the status of the magazine Mondo 2000. I live in the
|far unlit unknown, and haven't seen it on newstands in well over a year.
|It's sorely missed, as there was some interesting tech stuff inside. 
|Thanks, Z.
|
|

   _______________________________________________________________________
						    	   James R. Pearce
						      jamesrp@statenet.com

From Loopers-Delight-request@annihilist.com  Mon Oct 11 12:12:53 1999
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From: Nemoguitt@aol.com
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Date: Mon, 11 Oct 1999 12:02:48 EDT
Subject: electricity question
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first, i would like to state that my question of the lites going off were not 
based on some y2k paranoia, i have more important things to be paranoid 
about.......second, i do not think bombing and shooting are very good 
alternatives, although i had not thought about this as a 
solution........third, yes, i could grab my accoustic and my bells and little 
drums etc but that still poses the problem of "looping", i was thinking more 
in line with,perhaps, player piano rolls or a room full of wind up music 
boxes, accoustic items that can loop.......being a solo player, i cant get 
many folk to play with me now with all my little "black boxes" intact, "hey, 
cant you play the allmond brothers?"......i agree that "looping" was around 
before electricity, chants, drum circles etc.......but i would be hard 
pressed to form a choir or a drum circle by myself......and for the life of 
me, i cant find the feedback switch on my banjo.......:)......michael

From Loopers-Delight-request@annihilist.com  Mon Oct 11 12:30:54 1999
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Subject: Re: electricity question
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>It was no problem for the short term, but I wonder about total (i.e.,
>irreversible) loss of electricity.  Since all my instruments are acoustic it
>would present no major problem as far as continuing to play and perform.
>But I'd sure miss looping and multiple overdub recording, as well as
>listening to all the recorded music I've managed to accumulate over the
>years . . .

...and the stage light and the public that comes by underground...

Since I spend at least an hour/day in my NoElectricityRoom, I would not
mind about music at all. The job I would have to give up. But I have land
to plant on. I dont agree with TV anyway...
But it would be a pity not to listen to you guys any more...



         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Mon Oct 11 13:03:22 1999
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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
To: "scott kungha drengsen" <kungha@earthlink.net>,
        <Loopers-Delight@annihilist.com>
Subject: Re: Pachabels Canon
Date: Mon, 11 Oct 1999 12:47:18 -0400
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Scott Kungha Drengsen wrote:
>I just dusted off this old chestnut (Pachelbel's Canon) and it made me
curious if anyone on
>the list was playing it or any other similer compositions.Canons seem
>like wonderful studies for looping.

And I reply:
    I haven't tackled this one yet, but I've worked out a few of my own. A
real challenge is to build modulations into the harmonic structures. On the
first Looper's Delight compilation CD there is an excellent canon, the title
of which escapes me at the moment, but I am thinking of transcribing it (!)
for my own performances. All royalties to the composer, of course.
Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us


From Loopers-Delight-request@annihilist.com  Mon Oct 11 14:13:10 1999
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Date: Mon, 11 Oct 1999 13:38:31 -0400
From: "roguemus@ix.netcom.com" <roguemus@ix.netcom.com>
Organization: Rogue Music
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We have the Boomerang pedal for $399 plus shipping

Dick Michaels
Rogue Music NYC
http://www.roguemusic.com
Check out our online musical equipment auctions at http://www.auctionsoup.com




From Loopers-Delight-request@annihilist.com  Mon Oct 11 14:52:30 1999
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From: "Weideman, Gary L (Gary)" <weideman@lucent.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Boomerang and DL4
Date: Mon, 11 Oct 1999 13:38:42 -0500
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I've heard from another local music store that the DL4 is coming the end of
the month. 

I printed out the DL4 manual from Line6's website. It appears that the pedal
is 24-bit from the documentation although I'm not sure  if that literally
means that the sampling rate is 24-bit for the looper, can anyone confirm
that ? 

Also it mentions that the loop time is 14seconds long, is that true for the
overdubs as well and not cutting the overdub time down like the Headrush ??

Thanks for any info. This pedal seems to have most of what the Rang does
except the long loop time.

Gary Weideman

From Loopers-Delight-request@annihilist.com  Mon Oct 11 16:54:57 1999
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
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Date: Mon, 11 Oct 1999 16:41:58 -0400
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	well . . . after the chaos subsides, and if i'm still alive/or
there's anywhere to play music in the debris and ruin of our world "culture"
(maybe the electricity shutting off is what really killed the dinosaurs), i
guess that i would take out the old acoustic bass, brush off the bow and
start trying to play that thing again - - assuming that i hadn't had to use
it for firewood to cook food somewhere down the line.


	would there the streets be full of millions of people shouting "i
want my MTV"?


	yours in non-y2k paranoia.

	stig

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You're in West Oakland? I'm over here on Lake Merrit!

	Micah B.


> -----Original Message-----
> From:	Kim Flint [SMTP:kflint@annihilist.com]
> Sent:	Monday, October 11, 1999 12:35 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: electricity question
> 
> At 10:46 PM -0700 10/10/99, Cornhilio2@aol.com wrote:
> >THEN I SHALL TAKE A GUN AND KILL ALL OF YOU TAHT DON THIONK IM AN YTHE
> >CHOSSEN ONE SENT TO U BY ACID MY MOTHER AND UR LOVER
> 
> I dunno. I'd have thought the looping antichrist would be able to spell
> better than this. And have a better grasp of pop culture references. (It's
> Cornholio, not cornhilio, dumbass.)
> 
> I call your bluff. Come on out here to west oakland and let us see what
> your loops are made of. That is, if the local drug gangs and their little
> gang war don't getcha first.
> 
> Try to remember to take your medication before posting next time.
> 
> kim
> 
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
> 

From Loopers-Delight-request@annihilist.com  Mon Oct 11 17:46:58 1999
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From: Jprice01@aol.com
Message-ID: <0.b9d0960e.2533b2ad@aol.com>
Date: Mon, 11 Oct 1999 17:37:49 EDT
Subject: JFK's LSD UFO
To: Loopers-Delight@annihilist.com
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Just wanted to say these guys put on a great show last Sat. Nite at Pi Lam, in Philadelphia. 

andre' u gotta get to philly more often and if anybody else on the list gets word of a show these guys are playing, go and ck them out. Very Tastey stuff !

JFK had Lotsa cool gear ( I saw a vortex in Andre's rig )and very cool and subtle percussion loops. 

Andre was an excellent host and invoked the spirit of derek bailey too. all in all very cool set indeed.

Temple of Bon Matin liked you guys a lot. 

BTW, There are more loop oriented gigs in Philly that are geared and placed soley in the realm of Loop based music where loopers can all fit and find a larger audience. 

Pi Lam is sorta one of em' but not the best known venue for all out drones. Please understand that Pi Lam is 1000 times more diverse than the usual bar or club you would ever play in Philly but its not known for the wide smattering of loop artists it has featured...& i dont mean that in a bad way cause the guys who run the place are totally cool while the audience is typically not one thats geared and revved up toward a very loop oriented approach...& moreover the people who run Pi Lam dig loop stuff & know the artists who are both obscure and very well known but the crowd that goes there once again just doesn't eat and breathe loops like some other venues in Philly. 

We were all kinda disappointed about the turnout ( about perhaps 25 or 35 people, tops. & maybe a few more. perhaps inclimate weather had to contribute to that turnout ) but please, keep in touch. 

On October 23 We play the Astrocade with Cock ESP

Heres a link to a Piece from Bulb Records on Temple of Bon Matin - I think its from stain magazine. Below that you will find a link to The Astrocade.

--------------------------------------------------------
Temple of Bon Matin 
http://scribble.com/~bulb/tobm.html
------------------------------------------------------

Link to the astrocade
Astrocade
1021 Ridge Ave. 
(between 10th & 11th, 
just south of Spring Garden)
http://www.astrocade.com 
--------------------------------------------------------
Warm Regards,
John Price ( I was duh gee-tarr player for Bon Matin )

From Loopers-Delight-request@annihilist.com  Mon Oct 11 17:47:18 1999
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Subject: RE: electricity question
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Hey!

Someone took my medication!

Cornholio?

bIz


-----Original Message-----
From: Kim Flint [mailto:kflint@annihilist.com]
Sent: Monday, October 11, 1999 12:35 AM
To: Loopers-Delight@annihilist.com
Subject: Re: electricity question


At 10:46 PM -0700 10/10/99, Cornhilio2@aol.com wrote:
>THEN I SHALL TAKE A GUN AND KILL ALL OF YOU TAHT DON THIONK IM AN YTHE
>CHOSSEN ONE SENT TO U BY ACID MY MOTHER AND UR LOVER

I dunno. I'd have thought the looping antichrist would be able to spell
better than this. And have a better grasp of pop culture references. (It's
Cornholio, not cornhilio, dumbass.)

I call your bluff. Come on out here to west oakland and let us see what
your loops are made of. That is, if the local drug gangs and their little
gang war don't getcha first.

Try to remember to take your medication before posting next time.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com



From Loopers-Delight-request@annihilist.com  Mon Oct 11 18:29:29 1999
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Subject: Re: electricity question
Date: Mon, 11 Oct 1999 15:20:44 -0700
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From: Jonathan El-Bizri <jbiz@linkexchange.com>
> Hey!
> Someone took my medication!
> Cornholio?

Couldn't be the "real" Cornholio, could it?  Beavis' loveable alter-ego
reaches the state where he can "be all he can be" mainly through the use of
sugar, caffeine, and other over-the-counter stimulants.  Some of us may have
been confused by the pill-taking scene in "Do America", but what caused
Cornholio to emerge were for the most part Sta-Awake etc...

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html
*
(Hear the NEW "Star Spangled Banner" here!)


From Loopers-Delight-request@annihilist.com  Mon Oct 11 18:40:22 1999
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Subject: New Year's Eve
Date: Mon, 11 Oct 1999 15:24:10 -0700
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So, folks, what's everyone's plans for either get-togethers or gigs for this
allegedly mighty night?

As it turns out, I'm probably going to be in London with me sweetie, but not
averse to jamming per se - unless I can't use power converters on such
things as the Zoom 2100, QuadraVerb, and the 7.6 Space Station... On the
other hand, with the different voltage situation there - and I know I've
vainly asked this before - what does my equipment have to fear from
other-than-'merican electricity?

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html
*
(Hear the NEW "Star Spangled Banner" here!)

From Loopers-Delight-request@annihilist.com  Mon Oct 11 19:25:35 1999
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does anyone know if it is possible to make a delay unit out of an old vcr?


Angelfire for your free web-based e-mail. http://www.angelfire.com

From Loopers-Delight-request@annihilist.com  Mon Oct 11 19:34:13 1999
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From: Crossedout@aol.com
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Date: Mon, 11 Oct 1999 19:26:34 EDT
Subject: Re: MPLS.St.Paul Loopers?
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In a message dated 10/10/99 6:35:15 PM Central Daylight Time, 
dragondigital@netzero.net writes:

<< I have been a looper for many years, but I am new to
 "Looper's Delight".  Are there any
 Loopers of  any sort in the Twin City area? >>

Yes indeedy, although my looping is more of the sampler variety than the 
real-time Fripp-style. Are you looking to jam? 

- Bill
Crossedout@aol.com

From Loopers-Delight-request@annihilist.com  Mon Oct 11 19:37:10 1999
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From: MyWarNerve@aol.com
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Date: Mon, 11 Oct 1999 19:28:58 EDT
Subject: electricity
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I'm sure that with all our collective, creative energy, we could create 
enough static between us to keep the gear going. I own an ancient Digitech 
GSP-7 thats been modded, the time clock on the delay has been reset, so the 
delay time is now 16 seconds, in case anyone is interested. Also, check out 
3ms pedals. heres the link. Very cool ambient noise makers
Eternally,
A

 

From Loopers-Delight-request@annihilist.com  Mon Oct 11 20:15:55 1999
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Message-ID: <3802783F.3098@dmans.com>
Date: Mon, 11 Oct 1999 18:52:31 -0500
From: "Mikell D. Nelson" <mnelson@dmans.com>
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Organization: Boomerang Musical Products
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> << A question for Boomerang users:   can somebody tell me if there's a way to
>  set up a continuous drone without the slight pause when the loop restarts?
>   >>

  It is difficult to get a "perfect drone" with a looping device because
of the loop boundary. That's where the end meats the beginning. The
splice in the tape, so to speak. However, I've had some luck with the
following technique.
  Start recording, but play nothing for a moment. Then volume swell the
note or chord. Let it ring for a bit then fade it out. Record just a bit
more silence, then conclude the loop. What you have is a drone loop with
a short silence right over the loop boundary.
  Step two involves layering another part. Swell the second chord (same
or different) toward the end of the first one allowing it to ring.
Record over the loop boundary, fade down and conclude layering after the
original chord comes back strong.
  When done well this can create a drone that has very little volume
change, and covers any artifacts that may occur at the loop boundary.
Additional layers can be added for a more complex or morphing texture.

-- 
Mike Nelson

Boomerang Musical Products       800-530-4699 
PO Box 541595                    214-340-6913, Outside USA
Dallas, TX  75354-1595           214-343-1038, Fax

http://www.boomerangmusic.com    mnelson@dmans.com, email

"Some products make you sound better;
 the Boomerang Phrase Sampler makes you play better."

From Loopers-Delight-request@annihilist.com  Mon Oct 11 20:19:23 1999
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Where's the'link'?

----------
>From: MyWarNerve@aol.com
>To: Loopers-Delight@annihilist.com
>Subject: electricity
>Date: Mon, Oct 11, 1999, 4:28 PM
>

> I'm sure that with all our collective, creative energy, we could create
> enough static between us to keep the gear going. I own an ancient Digitech
> GSP-7 thats been modded, the time clock on the delay has been reset, so the
> delay time is now 16 seconds, in case anyone is interested. Also, check out
> 3ms pedals. heres the link. Very cool ambient noise makers
> Eternally,
> A
>
>
>
> 

From Loopers-Delight-request@annihilist.com  Mon Oct 11 20:59:08 1999
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In response to that question, I've been spending my musical time studying
and practicing tabla ever since I discovered an Indian classical music
school in my area a couple of months ago, so the loss of electricity
wouldn't affect me at all. :)

Cheers,
Paolo

From Loopers-Delight-request@annihilist.com  Mon Oct 11 22:04:58 1999
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From: Nemoguitt@aol.com
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Date: Mon, 11 Oct 1999 21:46:18 EDT
Subject: Re: No electricity?
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maybe this is why they built such big places in the old days........natural 
delay.......made me think of the 10 trombonists in the 186 foot underground 
cistern that had a 45 sec reverb........also mr goodmans tunnel.........i 
guess i would put the guitar down and try to get the loudest movable 
soundmaker i could find and go out in search of  delay.......michael

From Loopers-Delight-request@annihilist.com  Mon Oct 11 22:19:29 1999
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From: "Mike McGary" <mcgary@metronet.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: No electricity?
Date: Mon, 11 Oct 1999 21:16:56 -0500
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> i guess i would put the guitar down and try to get the loudest movable 
> soundmaker i could find and go out in search of  delay.......

I once did a gig as a 5-piece cover band in a building in the
middle of a park.  It had the accoustics of an empty gymnasium.
One snare hit would create a roar that lasted 10 seconds or more.
Needless to say...the music was none-too-pleasing to the
folks wanting classic rock tunes....

Interestingly, if you stood outside a door within direct
sight of the band, virtually all reflections were removed and
you got a clean sound.  So, 2 people got a good show...

        -Mike McGary

From Loopers-Delight-request@annihilist.com  Mon Oct 11 22:34:33 1999
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From: Jax1723@aol.com
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Date: Mon, 11 Oct 1999 22:23:51 EDT
Subject: electricity (lack of)
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If batteries are O.K. I'd  make tape (magnetic) loops and play'em in a 
portable tape-player... if not I guess I'd sit myself in the bottom of the 
grand canyon (or some like place), make some noise, and listen to the echoes.
cheers
-jack

From Loopers-Delight-request@annihilist.com  Tue Oct 12 00:39:43 1999
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From: "L Tremblay" <ltct@concentric.net>
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Perhaps I would end up doing things vocally - like David Hykes'(sp.)
work with the overtone series and throat singing. His ensemble
sings and records in vast acoustical places like cathedrals and
monasteries, many of which have very long echo/delays.

So I guess I'd become a monk :)

- Larry Tremblay

-----Original Message-----
From: Nemoguitt@aol.com <Nemoguitt@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, October 11, 1999 10:34 PM
Subject: Re: No electricity?


>maybe this is why they built such big places in the old days........natural
>delay.......made me think of the 10 trombonists in the 186 foot underground
>cistern that had a 45 sec reverb........also mr goodmans tunnel.........i
>guess i would put the guitar down and try to get the loudest movable
>soundmaker i could find and go out in search of  delay.......michael
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 12 01:30:35 1999
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Reply-To: "Stephen Goodman" <sgoodman@earthlight.net>
From: "Stephen Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
References: <0.f9a7e0dc.2533ecea@aol.com>
Subject: Re: No electricity?
Date: Mon, 11 Oct 1999 22:24:56 -0700
Organization: EarthLight Productions
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I'd stick with string instruments, though if there were no electrocity
[wink] wound strings would become a bit scarcer, wouldn't they?  I want to
take up the violin one of these days, if I don't develop arthritis or
something.  Drums would certainly take a bit of precedence, though the big
Japanese drums are a bit tough to lug around; the tablas and doumbeks are
more portable, and would appeal to the post-shutdown nomad musician type.

Ditto on the tunnel aspects, though most acoustic instruments can't survive
in an enclosed space with lots of drummers as well; last New Year's Eve,
while people were playing mostly acoustic instruments in the living room of
the house we were in, I found myself with the eBow and acoustic guitar, in
the heavily-tiled bathroom at the end of the hall from them.  It
reverberated all the way out into the front of the house, providing an eerie
backdrop to whatever they were doing.

I've seen this kind of home setup several times now: a snare drum, and a
doumbek or so; electric keyboard; and several folks with guitars, flutes and
the softer wind instruments.  The good old diggeridoo (sp) is wonderful if
you can find someone to really make it resonate!

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html
*
(Hear the NEW "Star Spangled Banner" here!)

----- Original Message -----
From: <Nemoguitt@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, October 11, 1999 18:46
Subject: Re: No electricity?


> maybe this is why they built such big places in the old
days........natural
> delay.......made me think of the 10 trombonists in the 186 foot
underground
> cistern that had a 45 sec reverb........also mr goodmans tunnel.........i
> guess i would put the guitar down and try to get the loudest movable
> soundmaker i could find and go out in search of  delay.......michael
>

From Loopers-Delight-request@annihilist.com  Tue Oct 12 07:16:40 1999
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Date: Tue, 12 Oct 1999 07:08:47 EDT
Subject: Re: old digital delays
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In a message dated 10/10/99 03:03:25 GMT Daylight Time, kevin@minds-eye.org 
writes:

> I've got a couple Digitech 2 second delay pedals (PDS 1002 and 20/20
>  Multi-play) that have been having some problems recently.  When the
>  delay signal is held, it modulates (sometime extremely, sometimes
>  lightly).
I don't know these pedals, but
if they have a Knob for  mod depth then you maybe need to replace the pot.

Andy B

From Loopers-Delight-request@annihilist.com  Tue Oct 12 07:28:48 1999
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Subject: Re: Another Question o' the Week: Audible Click Revisited
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> Several months ago in a thread about the Akai Headrush, we talked about an

>  generated by the electronics, but rather the actual sound of the switch

>  
>  Any ideas?
>  
paint the inside of the box with thick gunky antivibration paint.

From Loopers-Delight-request@annihilist.com  Tue Oct 12 07:29:20 1999
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Subject: Re: tech questions for those (who know alot more Than I)& me
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In a message dated 10/10/99 17:33:24 GMT Daylight Time, 
magicicada@mindspring.com writes:

> i am recording to marantz 4 track cassette Pmd 740 tape machine and well
>  when I do playback after i have recorded i get kinda a crunchy noise ridden
>  nasty nasty sound when the *music* gets  loud. Now i am not red lining it 
to

hard to tell from a short description but
i) Demagnetise tape heads 
ii)Use a tape with the correct bias setting for the machine (have you 
   changed brands lately?
iii)check heads for wear, replace if necessary.

>  hard so I am not sure what this is could it be that i need to compress it
>  more when i record to 4 track? also on track 2 when i tweak my mid eq it
>  begins to make this analog synth sound like "WHOOO wee Whooaa ooommmm"
feedback?  under what circumstances? Were you recording on CH1 or 3 while
playing back CH2?

Well that's the best I can do at this distance, 

Andy Butler

From Loopers-Delight-request@annihilist.com  Tue Oct 12 07:50:40 1999
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
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Date: Tue, 12 Oct 1999 06:49:13 -0500
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Stephen G. wrote:

musician type.
>
>Ditto on the tunnel aspects, though most acoustic instruments can't survive
>in an enclosed space with lots of drummers as well; last New Year's Eve,
>while people were playing mostly acoustic instruments in the living room of
>the house we were in, I found myself with the eBow and acoustic guitar, in
>the heavily-tiled bathroom at the end of the hall from them.  It
>reverberated all the way out into the front of the house, providing an
eerie
>backdrop to whatever they were doing.
>
>I've seen this kind of home setup several times now: a snare drum, and a
>doumbek or so; electric keyboard; and several folks with guitars, flutes
and
>the softer wind instruments.  The good old diggeridoo (sp) is wonderful if
>you can find someone to really make it resonate!


the bath tub is one of my favorite amplifiers to run the didg into (tho'
most of mine really don't need much amplification) . . .

I just need a big enough solar panel to replace the wall wart on my Waldorf
4-pole and PDS 8000 and Pignose and the previously mentioned tub . . .

of course what I should do is trade the Waldorf for a couple cases of beans
and the Pig for a speed loader for the Colt Python    ;)

drone on~~~~~~~~~~~~~~~~~


Tom Lambrecht
hideo@concentric.net

From Loopers-Delight-request@annihilist.com  Tue Oct 12 08:18:32 1999
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From: RA336@aol.com
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Date: Tue, 12 Oct 1999 08:11:12 EDT
Subject: Re: wow... Mother Mallard history text
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Hey everybody. 
For anyone interested, here follows the program notes as writtien by David 
Borden for the Mother Mallard Reunion Concert last week at Cornell 
University. I will be posting the additional performance notes later today.
best regards to all; enjoy the history lesson!
Robby Aceto

------------------------------------------


Mother Mallards Portable Masterpiece Co.

The Early Years (1968-1973)

    In 1966-68 I was composer-in-residence for the Ithaca City School 
District. I had come directly from West Berlin, Germany where I had been 
studying as a Fulbright student. In 1967 I introduced myself to Bob Moog whom 
I had heard about from several people around Ithaca. Bob had his company in 
Trumansburg which is a twenty minute drive from Ithaca.
Bob was happy to see someone interested in learning and using his new 
invention, the voltage-controlled electronic synthesizer. To me, it looked 
like the cockpit of an airplane and hopelessly complicated. Bob though, took 
me under his wing and patiently taught me how to use it although I ruined 
some of his modules along the way. In fact, I hooked them up in such a 
bizarre way, not understanding what I was doing, that they redesigned several 
of the modules having not anticipated someone as totally unaware of the 
principles behind the design as I was. Otherwise they could have been facing 
many returned synthesizers burned out by neophytes like me. I didnt realize 
Bob was using me as a test person until several months later when it was 
clear that I finally knew what I was doing. He explained that I helped in the 
research to idiot-proof the soon-to-be famous Moog Synthesizer. I had been 
chief idiot, which upon reflection, I enjoyed immensely.
    By 1968 I was hired by Cornell University as Composer-Pianist for Dance. 
Since the dance program was part of the Womens Physical Education Program 
which in turn was administered by the Department of Athletics, we were a very 
insignificant part of the operation, and although my title looked good on 
paper, in reality I was listed in the directory as a Phys. Ed Instructor. I 
later learned that this was the lowest paying staff job at Cornell. But the 
good thing was, I had no administrative responsibilities, no meetings to 
attend and had only to prepare for teaching one half of one class; the rest 
was improvisation which I had been doing since I was ten years old. This left 
me plenty of time to work late into the night at the Moog Company (Bob had 
given me a key to the place long before) discovering new ways to compose 
using the huge modular Moog and the four-track Scully tape recorder. Soon, I 
was using the synthesizer in all of my compositions including the ones I did 
for dance concerts as part of my job.
    In connection with the Dance Program, Peggy Lawler, the primary dance 
instructor/choreographer would arrange for students and staff (she and I) to 
travel to New York City to see modern dance concerts. This is when I 
discovered Merce Cunningham and the musicians around him including John Cage, 
Gordon Mumma, David Behrman and David Tudor. Seeing them perform live 
electronic music forever changed my way of thinking about performing music. 
Especially electronic music. Up until then, I thought of it as making tapes 
in a studio; after that I always thought of electronic music as something to 
be performed live even if occasionally pre-recorded tapes were involved. In 
1969 the Cunningham Company visited Ithaca for a performance and some dance 
workshops. It was then that I got to know Gordon Mumma and David Tudor who 
would later participate in one of the first performances of Cloudscape For 
Peggy (composed for Peggy Lawlers choreography in 1970) which was one of my 
first all-synthesizer pieces designed for live performance. Late in 1968 I 
decided to start my own live electronic (and amplified acoustic) group for 
giving live concerts. I wanted to present very new and startling work. I 
remember getting ideas from Mumma and Tudor as well as Source Magazine, which 
was an avant garde music publication out of Davis California which featured 
new pieces by young composers. 
    One of the first things I thought about was a name for the new ensemble. 
I wanted it to be ironic  in some way. I certainly didnt want an academic 
sounding name. It was on my mind almost constantly for several days. During 
this time, while shopping in a supermarket, I leaned over the frozen food 
section and the friendly senior-citizen face of Mrs. Smith of Mrs. Smiths 
Frozen Pies hit me and immediately I thought of my own grandmother, Lena 
Belle Mallard. She was called Mother Mallard because she had had her picture 
taken for the Boston papers to show five generations of Mallards of which she 
was the progenitor. So OK, Mother Mallard had a nice alliteration, but what 
else? The word masterpiece followed because it began with an m, and 
besides we were always joking about how it was no longer necessary nor 
desirable to think in terms of masterpieces. So now I had the image I wanted; 
a friendly grandmother behind which we would perform outrageous pieces like 
Robert Ashleys Wolfman, a feedback assault on the ears while miming the 
movements of a crooner. A couple of days later the word portable was 
inserted before masterpiece as an added oxymoronic juxtaposition. Mother 
Mallards Portable Masterpiece Co. was born. Our first concert was in May of 
1969 in Barnes Hall on the Cornell University campus. The concert included 
Wolfman by Ashley, Pitch Out by Allen Bryant (for which Bard Prentiss made 
the amplified string instruments played with metal bars and files), a piece 
by Dan Lentz which included a sinister looking man (Steve Drews) taking 
collection in the audience, and finally some classic pieces by Morton 
Feldman and John Cage. The audience loved it. 
    After this, I planned to compose pieces for live electronic performance 
using synthesizers. I talked with Bob Moog, and he agreed to let us use 
whatever was available. My approach to composition was changing quickly away 
from the complex atonal methods being taught in most universities at the 
time, to a simpler, tonal way of doing things. I had been very impressed with 
Terry Rileys In C, so I started to work with drones and complex rhythms, 
bringing my jazz background into play.
My work as a dance accompanist was affected by this also, as I tried out 
various repeated patterns as part of my daily job. Then later at night I 
would work them out at the Moog Studio. Using the four-track tape recorder 
also appealed to me because it accentuated the contrapuntal approach I had 
always favored when composing. Now I could compose one persons part all the 
way through, and then add another persons part on top with each part 
retaining its individual integrity. This technique is commonly called 
layering, but this kind of layering was more extreme - like working with a 
cantus firmus, a very old medieval idea. My first tonal steady pulse piece 
for the Moog was Easter which was composed for a dance student in April of 
1970. I finished it a few days before Easter, hence the title. Steve Drews 
and I performed it live with tape at Sage Chapel on the Cornell campus on 
Easter Sunday, 1970. This was the first live performance using a MiniMoog. We 
had the prototype.
    At about this time, Moog got a call from someone at Trinity Church in 
Manhattan asking if he could recommend or supply a live performance involving 
the Moog Synthesizer for one of their Lunchtime Concerts. By this time Moog 
was becoming famous as an inventor due to the brisk sales of Switched-On 
Bach, an LP release by Walter Carlos on Columbia Records. It was a collection 
of Bach classics realized on the Moog. It made the cover of Time Magazine. So 
Bob recommended me, and I asked Steve Drews to play Easter with me, using a 
prepared tape. This was the first public performance in New York City using a 
MiniMoog. Even though the official debut of the MiniMoog was months away (by 
Dick Hyman), we took the prototype with us to New York. When we got to 
Trinity Church we found out that we hadnt been billed as Mother Mallard or 
David Borden but as THE MOOG SYNTHESIZER. This kind of billing would dominate 
our appearances for the first few years, because no one else was performing 
with Moog Synthesizers except for Walter Carlos and Richard Teitlebaum. 
Carlos almost never performed live and Teitlebaum was in Europe.
    During the summer of 1970 I worked Summer School and was Barbara Lloyds 
accompanist. She was one of Cunninghams star soloists and is now known as 
Barbara Dilley. She has been president of Naropa Institute. Working with 
Barbara was a joy, and I often brought a Moog to the dance studio to 
improvise live on. I also worked with visiting filmmaker Ed Emshwiller and 
did the soundtrack for his film Branches which he produced hurriedly with 
summer students. In addition, I composed Cloudscape For Peggy for an Ithaca 
College performance by Peggy Lawler. It was during this summer that I really 
got to know Gordon Mumma (he was involved with Barbara at the time) who 
greatly enhanced my knowledge of the perils of live electronic performance. 
At the time, he saw to it that all of John Cages ideas for Cunningham were re
alized electronically. The going joke was that Cage, whom everyone loved, and 
who was the pioneer of live electronic performance had trouble plugging in 
his electric razor. So Gordon took care of the technical problems. Steve 
Reich was another visitor to Ithaca that summer. Cornell was his alma mater, 
and he was also interested in seeing the Moog Studio. We have been friends 
ever since. Finally, Phil Glass passed through Ithaca the following fall 
resulting in a friendship that still continues.
    During the summer of 1970, Steve Drews also started composing pieces for 
Live performance using Moog Synthesizers. With the pieces I had done for the 
Cornell Dance Program, plus Steves new pieces, we had enough for an entire 
program of our own music using nothing but Moogs with an occasional guest 
performer on another instrument. We asked Linda Fisher to join us in giving 
some concerts. She agreed, and in 1971 finally agreed to become a permanent 
member, contributing her RMI Electric Piano as well. The Moog Company kept 
receiving requests for concerts and/or demonstrations, so they would always 
recommend us. Thats how we started travelling around giving concerts. We 
also made a deal to buy several synthesizers over a four year period. We had 
gone to local banks for a loan, but were unsuccessful. So Bob let us pay him 
with quarterly payments, and refused to charge us interest. 
    In the fall of 1971, when Bob left the area, Mother Mallard rented a 
rural farmhouse in Enfield, NY, between Trumansburg and Ithaca. Chris 
Swanson, a jazz composer and recent user of the Moog Studio, found the place. 
It was perfect. Quiet, isolated and with low rent. Together we shared the 
place as our work studio. Chris worked mornings and afternoons. We took the 
nights. It was here that we really came into our own, rehearsing almost every 
night, drilling ourselves on how quickly we could change the dozens of patch 
cords between pieces and blindly set up intricate sounds (i.e., without 
testing them audibly before playing them). During the winter of 1971-72, 
Merce Cunningham came to Binghamton which is an hour from Ithaca. With him 
came some additional staff: his touring manager Jane Yockel and his costume 
manager, Margaret Wood. Margaret had been part of the Cornell Dance Program. 
She drove from Binghamton and brought Jane for dinner at my house. No sooner 
had they arrived than one of the worst blizzards in Finger Lakes history hit. 
Jane and Margaret were snowed in with us for four days and nights. This 
turned out to be a blessing. Jane and Margaret, in partnership with Mimi 
Johnson, (a young woman who managed John Cages affairs) were in the midst of 
starting their own managing team for performing avant garde artists. 
Performing Arts Services was partially born under my own roof, and soon 
Mother Mallard was one of their first clients. It was through the efforts of 
Artservices, as it became known, that MMPMC began to be frequent performers 
in various SoHo performance spaces, as well as the WBAI Free Music Store. 
These appearances got us reviews in several places including the NY Times. We 
also reached a much wider audience than we would have otherwise. 
    During this time, Steve and I (and sometimes Linda) composed new pieces 
to perform. A few of our pieces, like Steves Ceres Motion employed the use 
of a mobius strip tape loop. Gordon Mumma turned us on to these. They came in 
various time lengths. You could tape something live and at the end of the 
tape, turn off the record button and play it back instantly. Each of us had a 
stopwatch to keep track of the loop lengths. The first part of Ceres Motion 
is what is now commonly called a pad. Steve and I recorded the pad (around 4 
minutes), played it back instantly, and being a loop, it would go on forever 
until we turned off the tape recorder. When the pad is played back for the 
first time, the piece changes into an up tempo mantra with Steve improvising 
patterns on a Modular Moog and with his non-playing hand, adjusting the knobs 
of a fixed filter bank accentuating different harmonics for each section. Stev
e found very exotic an beautiful sounds on the Moogs, and was a master 
performer on the ribbon controller. My stuff kept to more simple sounds with 
the emphasis on multi-metered contrapuntal figures that repeated at different 
time lengths. In the early 70s, this kind of music was not yet called 
minimalism. So critics would refer to it as synthesizer music , trance 
music or simply deride it as boring because nothing happened.
    By the fall of 1972 we had developed enough music to perform three or 
four concerts without repeating anything. We started looking around for a 
recording label. The audiences loved our concerts, and we thought our music 
was as good as any other new music, and that our performances had achieved a 
professional polish while at the same time sounding fresh and original. We 
made many phone calls, talked with many record executives, sent out countless 
demo tapes to no avail. After several months of no takers, I decided to start 
my own record company. Margaret Wood at Artservices thought it was a great 
idea. The only problem was, I only had half the money I needed. Margaret had 
looked into the costs of mastering, pressing and cover printing. I forget how 
much this amount was, but it was something like $1500. I only had half, and 
couldnt get a loan. One of the people I approached about becoming a partner 
in starting a record company was Elliot Saltzman, a very funny guy, and 
recent Cornell graduate who had started his own advertising agency.  He 
declined, but talked to Judy Borsher about it who was interested.  She called 
me out of the blue, but I was reluctant because she was still a student and 
didnt want it to appear like I was taking advantage of a younger person who 
stood a good chance of losing her investment.  Unknown to me at the time, 
Judy had been deeply moved by the music we were making, so she welcomed an 
opportunity to get involved with the production of our work.  Judy, who would 
later take Linda Fishers place in Mother Mallard, made it possible to start 
Earthquack Records. Mother Mallard as an image had long ago gone from a 
friendly senior citizen to a duck. In fact, fans used to give us various duck 
gifts at concerts. So we went with it. We had a duck decoy perched on top of 
one of the synthesizers. The first LP was in the can by early fall, but due 
to delays in printing the cover and pressing the disks, the first LPs werent 
available until late January of 1974. We had it distributed through JCOA 
(Jazz Composers Orchestra Association), a group pioneered by jazz composer 
Carla Bley. Artservices, seeing that producing independent LPs and getting 
them distributed was not as difficult as they had imagined, started Lovely 
Music modeled after this first Earthquack LP. 
    Meanwhile, director Billy Friedkin had heard some re-broadcasts of our 
WBAI Free Music Store concerts and was interested in having me compose music 
for his new horror film. We were all invited to the cast party of  The 
Exorcist at  the end of shooting, and Billy introduced us around to everyone 
as the people who were doing the soundtrack. In the end, he would use only 
three short pieces I did for The Exorcist. He asked me if I was considering a 
move to Hollywood, and I said no. 1973 ended with offers from both Hollywood 
and Europe. I didnt want to go to Hollywood, Steve didnt want to go to 
Europe and Linda wanted to do her own thing. A few months after that film 
party in Manhattan, Mother Mallard would change forever. 
    In 1974, after having turned down an offer to tour Europe, and deciding 
not to relocate in Hollywood, Mother Mallard continued the same circuit. In 
New York City, the WBAI Free Music Store and downtown venues like the Paula 
Cooper Gallery, the Kitchen, and various lofts. Otherwise, there were college 
and university concerts, mostly in the northeast. By the end of 1974 Linda 
let us know that she wanted to pursue her own path and by the summer of 1975 
Judy Borsher joined us. There were a couple of interim keyboardists, but they 
were just temporary replacements. Judy had become part of the Mother Mallard 
family and had spent some time at rehearsals at our country studio.  What I 
didnt know was that when we werent there she would sometimes sit at the 
keyboards and the play the parts. Judy proved to be excellent in every way, 
surprising us with her fluid keyboard technique and rapid grasp of the 
technology. 
    By the end of 1975 Steve Drews decided he wanted to give up music and 
pursue a career in photography (he has his own successful photography studio 
in St. Louis). He was replaced by Chip Smith, a wonderful keyboardist who had 
played with Chuck Berry, including his Carnegie Hall concert. This group has 
remained in my memory with great affection. Parts 5-8 of the Continuing Story 
of Counterpoint were written especially for this ensemble. After several 
months Steve left Ithaca and withdrew his pieces from our repertoire. From 
that point until now, Mother Mallard has played only my compositions. Also 
with this group, I shouldered the financial responsibilities for all of the 
music equipment except for Chip Smiths Fender Rhodes which was the second 
polyphonic keyboard in our collection. When Linda Fisher left, I bought her 
RMI Piano. Now Mother Mallard had three Modular Moogs, two MiniMoogs, and the 
two electric pianos. Judy contributed her van for our transportation and her 
tremendous organizational business sense in finding funds, booking and 
managing our concerts. Although we were constantly broke, we really enjoyed 
touring and playing. This group was the last of the Moog-based bands. 
Unfortunately we never made a studio recording although there are some live 
tapes somewhere from a few concerts. It lasted from late 1975 to the summer 
of 1978. I then decided to spend more time with my family and give up the 
band for awhile.
    Now, in 1999 I can look back at some really great musicians who have 
contributed to our performances over the years , but having had both my 
guitarist son Gabriel, and keyboardist stepson Sam Godin take part has been 
very special.

- David Borden

From Loopers-Delight-request@annihilist.com  Tue Oct 12 09:08:12 1999
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Date: Tue, 12 Oct 1999 08:55:40 EDT
Subject: Re: No electricity?
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we are monks already
A

From Loopers-Delight-request@annihilist.com  Tue Oct 12 09:38:53 1999
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Date: 12 Oct 99 09:27:01 -0400
From: "Jonathan Matis" <matis@freedomhouse.org>
Subject: upcoming show
To: alice <alicedee@erols.com>, Travis Hartnett <hartne.t@apple.com>,
        dc improv <dc-improv@wnur.org>,
        "Loopers-Delight" <Loopers-Delight@annihilist.com>
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***** For immediate Release


Metatron Press CD release event featuring

Zitt/Matis and Comma

at Galaxy Hut
2711 Wilson Blvd
Arlington VA  22201

Monday, October 25th - 9:00 pm

Galaxy Hut's first ever "Fringe music night" will feature experimental improvised music by the guitar/voice duo Zitt/Matis and the vocal trio Comma.  The groups will perform independently and mixed in various combinations.

Joseph Zitt and Jonathan Matis perform primarily improvised music for voice and guitar.  Jonathan plays electric guitar with a variety of preparations and signal processors and Joseph sings, chants, and sounds in languages known and unknown.  Their music draws freely on the vocabularies of free jazz, experimental classical, ambient, and world musics. The musicians' backgrounds in improvisation, composition, experimentation, and classical, religious, jazz, and rock musics combine to create new music that is challenging as well as mysteriously absorbing.

Comma is an ensemble specializing in music that involves improvisation and mindfulness practices. Their repertory includes newly composed musical works, performance poetry, chant from various early traditions, and group improvisations. Techniques include many extended uses of the voice as well as electro-acoustic environments.

The show will serve as a CD Release event for Metatron Press, which is issuing the first three items in a new series: * "Even the Widest Aardvark Outdreams the Gnu" by Zitt/Matis * a self-titled release by Gusty Winds May Exist, a shakuhachi/recorder duo featuring Nancy Beckman and Comma member Tom Bickley
* "Animals: electronikazoomusique", a collection of electronic works and mixes by Comma member Matthew Ross Davis.

For more information about the artists, please see:
http://www.metatronpress.com/artists/zittmatis
http://www.artswire.org/comma
http://www.metatronpress.com/artists/gwme
http://www.metatronpress.com/artists/mrd

For information about Galaxy Hut, see
http://www.galaxyhut.com

For more information please contact
Jonathan Matis
j_matis@yahoo.com
202 296-5101


From Loopers-Delight-request@annihilist.com  Tue Oct 12 09:07:33 1999
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Date: Tue, 12 Oct 1999 08:59:43 EDT
Subject: Re: No electricity?
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Read "Fingerprints of the Gods" by Graham Hancock. More evidence to support 
your theory.
A

From Loopers-Delight-request@annihilist.com  Tue Oct 12 09:07:31 1999
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Subject: Re: old digital delays
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to much input signal before the pedal?

From Loopers-Delight-request@annihilist.com  Tue Oct 12 10:09:32 1999
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Date: Tue, 12 Oct 1999 09:48:48 -0400 (EDT)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
Message-Id: <199910121348.JAA19504@badboy.micro.lucent.com>
To: Loopers-Delight@annihilist.com
Subject: Re: JFK's LSD UFO
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> Loopers-Delight-d Digest				Volume 99 : Issue 395
> ------------------------------
> Date: Mon, 11 Oct 1999 17:37:49 EDT
> From: Jprice01@aol.com
> To: Loopers-Delight@annihilist.com
> Subject: JFK's LSD UFO
>
> Just wanted to say these guys put on a great show last Sat. Nite at
> Pi Lam, in Philadelphia.
> [...snip...]
> We were all kinda disappointed about the turnout (about perhaps 25 or
> 35 people, tops. & maybe a few more. perhaps inclimate weather had to
> contribute to that turnout) but please, keep in touch.
>
> Warm Regards,
> John Price ( I was duh gee-tarr player for Bon Matin )

Hi John,

Perhaps the Gathering with Tim Story and Hans-Joachim Rodelius at St.
Mary's Church drew some of the crowd you were expecting to see.

> On October 23 We play the Astrocade with Cock ESP

Ouch!!  Bad timing.  That's the next Gathering with Coyote Oldman and
Monk.

Bill     >>> home: billfox@fast.net <<<     work: billfox@lucent.com
==============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
==============================================================================
The radio station:      http://www.wdiyfm.org
My radio show:          http://www.wdiyfm.org/schedule/s_emusic.html
My band's site:         http://www.crosswinds.net/~shadowplay

From Loopers-Delight-request@annihilist.com  Tue Oct 12 11:00:38 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: No electricity?
Date: Tue, 12 Oct 1999 07:33:07 -0700
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I have never deleted so many e-mails on any thread at LD.  This thread has
marked some sort of record for me.  Like an old car, I'm just waiting for it
to poop over and die.

  | -----Original Message-----
  | From: MyWarNerve@aol.com [mailto:MyWarNerve@aol.com]
  | Sent: Tuesday 12 October 1999 5:56 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: No electricity?
  |
  |
  | we are monks already
  | A
  |
  |

From Loopers-Delight-request@annihilist.com  Tue Oct 12 12:09:02 1999
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Sorry if someone's beaten me to the green punch on this or if this seems to be
off/at-the-extremes-of-the-topic, but so far I haven't seen a discussion in this
thread about the environmental impact of electronic music production.

This is a particular concern of mine, coming out of an electronic arts Master's
program where visiting artists would arrive with multiple "refrigerators" on wheels
and, you may be sure, more than one power strip to fire up the watt-hungry gear so
chilled. My thesis attempted to address this footprint left by electronic art by
presenting a video installation (as it took place in the out-of-doors, I dubbed it
an "outstallation") off the grid; most of my time not actually creating video and
its soundtrack was spent researching reliable electronic generation means that have
the least environmental impact. Solar cells have achieved some advances but, sadly,
affordability is not among them. My best solution was a air/noise-polluting gas
generator, not really appropriate for those Morton Feldman loops and the club you
might want to heft it into might not ask you back...or to stay.

Thoughts? The targato and the shenai are lovely alternatives to wall-warts and,
with practice, you can even, for example, shift their pitch and/or get chords out
of them (one multi-phonic nutjob saxophonist of my acquaintance once prefaced his
discussion of this technique by observing, "Now...it ain't like a piano..."). But,
our gear fetish of choice, its means of sounding, this list from that website --
these all accept the means of electrical production and consumption as a sine qua
non (thus, this thread). I'm not looking to foment any Luddite bashing of
prevailing technological imperatives (on on-line listserves like this, such bashing
is, at least, markedly compromised) but I do wonder what an environmental impact
study of just the popular music tradition alone, as it is manifested at the turn of
the millenium, might reveal. "MP3 kills"?

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The Pi Lam show was not billed as a loop show or anything in particular which was why there was probably not a large number of people present - also  combined with the weather which was kinda miserable...

I throw in loops here and there but the music Bon Matin plays does not have much room for wide open textures. but as a loop lovin geetar player i always try to slip extreme sorts textures in the mix when theres a chance. often times its either arpeggiated gr-30 patches looped thru the gt-3 or samples of gr-30 improvs or other homemade sounds i get tweaked out of ACID then sampled back into the sp202.

the crowd that was at the Story show on The 9th tends to be either appalled & or taken aback by temple of Bon Matin or they totally love it. And its a love it or hate it kinda thing with bon matin because we are typically very ... very unlooper like & visceral...full of noise, covert sarcasm and nowhere near polished in most areas with reverence for only that which is loud ; moreover we are a train wreck that is often heavy and hard & sloppy by both intent and design. In other words its modern rock n roll but not like u expect it to be.

also Bon Matin is really the brainchild of Ed Wilcox and I just play guitar and gig and instigate in Bon matin. 

this is also like the bazillionth incarnation of Temple of Bon Matin and for all of us involved its another branch of what we refer to as "the Army of Mars" which flows thru bon matin and AKASH 

AKASH is a group with both me and Ed playing with Kali Morgan on Vocals, Nudity and Authority ) which is a lot more melodic, subtle and loop oriented but jazzy and more refined and song/texture/visually focused with a lot of pronographic spoken word, humor, nudity, bondage - sex - sleaze porno imagery thrown in behind it. 

I always say we like to play new jazz standards and that the whole thing is one big caberet of what is desirable. 

in akash, we are not gimicky ( but im certain many people love to think that we are )Akash is beginning to find that an audience can go a lot of places with adventurous music they wouldnt normally listen to especialluy when the context of loop music is uprooted from its usual locations and environments and its a true journey and dialog u get going.
 
the hardcore sex dialog & imagery are a stark conrtrast to music which seems very tranquil, spritual and melodic but theres a lot of subtley being thrown out to the point where its just as loud psycholigically as say bon matin is a physical train wreck. 

AKASH plays adult book stroes in Center city Philly and Manhatten...no joke...and we get a decent mix of men women and mostly couples aged 25-40 who turn out for our shows...our website is in perpetual progress but we are linking to the fetishesboutique web site ( our singer Kali Morgan is the owner of the sexshop ) and we expect that we will get more hits on the fetishes site than we would going the usual "we are musicians with a web page route" and we could possibly have a greater audience and more control and input into how we present ourselves and directly build our own momentum based on the business that is being done on that site as it stands now.


Different topic

Also my jamman went bye bye and just died on me 2 weeks ago...never liked its as much as my zoom 508 pedal ...go figure...so im not going to replace it. but i am Looking for a new loop tool. 

Ive been doing fake loops from my gt-3 and get by well so far but i'm seriously considering the line 6 DL4 whenever they are shipping or perhaps a headrush

the guys at 8th street music here in philly warn me to steer clear of the plex because they were all returned defective when they sold em and they continue to say that they are out of production. but i have still not had a chance to see and hear one for myself and have never played with one. No one in Philly has them or knows about them - new or used any clues on a plex in Philly anybody ? 

Regards,
JP

 

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I'm a bike freak and could go on about looping and
bikes, so in response to Michael's question
regarding looping in the absence of electricity,
what immediately comes to mind is the bicycle.
Everyone knows how to stick playing cards in the
spokes, but we could also use a stationary bike to
propel a whole series of, ahem, cyclic noisemaking
devices, leaving our hands free to play along on
the tuba or whatever. Fun and good for us, yes? A
room full of chain-driven musical machines. You
could have gear levers to "mute" some instruments
while starting others, allowing some instruments
to "freewheel" while others go into high gear.

Otherwise, windmills and water wheels could of
course be used to directly operate musical
machines without relying on electricity, whereas
solar panels, geothermal vent turbines, and
wave-action generators could all be used in
conjunction with AC converters and batteries and
stuff to produce electricity. Dennis' boiler would
work, too. If we had to, we would come up with our
own ways to make electricity. Maybe a subsequent
question would be: what sort of looping music
would you make if you had to keep your electrical
consumption to an absolute minimum by relying as
much as possible on mechanical means?

MHL.



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Sorry, crap programming. members.rotfl.com/3ms/
They also have a very cool "collective" for innovative pedal designers.
Good luck.
A

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Hey all-

I was wondering - I think you all were raving about this unit earlier, but I'm
not sure.  I currently am using a Quadraverb GT with a wah & overdrive, and was
planning on adding an EH microsynth and a Echoplex, whenever the (*&&%$^%**&! I
can get ahold of one.  THEN, I spent 2 hours the other day playing with the
GT3, and started to think I could make my life a lot easier if this thing can
do what I think it can, like get rid of my wah, forget about buying a separate
controller pedal, and ditch all the xtra cables. (there is no posted manual)

My questions about the unit are:

1.  Do you have a lot of control over synth parameters - is it the equal of the
microsynth in this regard?
2.  Do you have full control over the rhythms used by the slicer, gate and
others?

Any input about this unit, as well as comparable units from other
manufacturers,  would be very cool.  (Most of the ones I saw had no synth
effects or anything like that.)  Also, I heard the wah sucks.  Is this true?

Thanks,

MT


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From Loopers-Delight-request@annihilist.com  Tue Oct 12 14:41:31 1999
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Greetings, I want to connect my jamman to a drum machine.  Can anyone 
suggest inexpensive drum machines that work well with the jamman.

______________________________________________________
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From Loopers-Delight-request@annihilist.com  Tue Oct 12 15:27:50 1999
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El Grupo Loopo:

Over the last week or so, the MAX list has been nostril-deep in conspiratorial theorizing over the absence of Opcode from the commercial radar screen. Here's the latest tale of ill non-communication from Opcode from said list:

"Despite their release of (Vision) 4.5.1 they sure seem dead. I've been waiting for 2.5 weeks for a challenge response for (MAX) 3.5.9. Multiple phone calls & email with no response....

drag..."

...and sturm. Another gentleman from the self-same list provides this sintillating bit of QT/v. hush-hush scuttlebutt:

"Begin rumor<<
As happens so often in this industry, Gibson had purchased Opcode to get into this high tech thing, and Opcode had submitted in order to get a consistent cash flow. Gibson wanted dsp boxes for the guitar market--- The Opcode engineers have tried to follow their true calling instead, but the powers at Gibson eventually lost patience and cut off funding. Arguments and lawsuits ensued, and last week Gibson invoked the final solution and fired nearly everybody. The way I hear it,  little remains except some left-over inventory of less popular products
(probably inculding Max), suppliers refusing to ship unpaid for popular products, and a building lease. The intellectual rights involved will probably be tied up for a long time. Current employees seem to be 1 salesman, 1 shipping clerk, and 1 tech support.
>>end rumor"

A private note Kim sent me a few months ago is alarmingly prescient about this current turn of events re: Gibson in re: Opcode, although who dared believe how current that turn would be? Not me, sweetie darlings. Is this part of Gibson's brilliant re-structuring of its assets, up-to-&-including das EDP? The targato looks ever more alluring...

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i know, it's an old thread, but...

played a looping gig Friday night where the pre-show music was the Kronos
Quartet's recording of "Different Trains".  'twas very inspirational.  

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

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<<but we could also use a stationary bike to
propel a whole series of, ahem, cyclic noisemaking
devices, leaving our hands free to play along on
the tuba or whatever. Fun and good for us, yes? A
room full of chain-driven musical machines. You
could have gear levers to "mute" some instruments
while starting others, allowing some instruments
to "freewheel" while others go into high gear.<<

...or use the bike to generate electricity...I've done a couple of those..

From Loopers-Delight-request@annihilist.com  Tue Oct 12 16:19:11 1999
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From: "mark givens" <markeg@ivillage.com>
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dear list: can you get a  decent mix with pc speakers. if you  are producing with  a pc audio setup do you think that a speaker set with subwoofers would give you idea of wht your mix will sound like. i thonk they are small enough to give you a radio sound  and with a subwoofer you arent cheating yourself on the bass.its my theory but i am a month from finding out.


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 you can buy a musical saw online  and get thereminy noise. just punch in "musical saw" in any search engine(i like metacrawler) and you can sound electronic even after the light go off
--

On Mon, 11 Oct 1999 13:33:26   bedwellm wrote:
>You're in West Oakland? I'm over here on Lake Merrit!
>
>	Micah B.
>
>
>> -----Original Message-----
>> From:	Kim Flint [SMTP:kflint@annihilist.com]
>> Sent:	Monday, October 11, 1999 12:35 AM
>> To:	Loopers-Delight@annihilist.com
>> Subject:	Re: electricity question
>> 
>> At 10:46 PM -0700 10/10/99, Cornhilio2@aol.com wrote:
>> >THEN I SHALL TAKE A GUN AND KILL ALL OF YOU TAHT DON THIONK IM AN YTHE
>> >CHOSSEN ONE SENT TO U BY ACID MY MOTHER AND UR LOVER
>> 
>> I dunno. I'd have thought the looping antichrist would be able to spell
>> better than this. And have a better grasp of pop culture references. (It's
>> Cornholio, not cornhilio, dumbass.)
>> 
>> I call your bluff. Come on out here to west oakland and let us see what
>> your loops are made of. That is, if the local drug gangs and their little
>> gang war don't getcha first.
>> 
>> Try to remember to take your medication before posting next time.
>> 
>> kim
>> 
>> ______________________________________________________________________
>> Kim Flint                   | Looper's Delight
>> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
>> 
>
>


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From Loopers-Delight-request@annihilist.com  Tue Oct 12 16:44:49 1999
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From: "Mike McGary" <mcgary@metronet.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: mixdown
Date: Tue, 12 Oct 1999 15:35:18 -0500
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> dear list: can you get a  decent mix with pc speakers.

You cannot get a reliable mix with ANY one set of speakers.
I use Event 20/20 powered reference monitors.  It's hard
to get any cleaner and flatter than they are.  Each monitor
has a 70 watt dedicated amp for the tweeter and a 130 watt
dedicated amp for the 8" woofer.  But....everytime I mix
down...I have to listen to it through different sets of
headphones, through PC speakers, through boom boxes, through
home stereos, car stereos...you get the picture.  Each of these
brings out something else about the mix.  Sometimes the conga
will come blaring out on a particular boombox...but is perfectly
balanced on the monitors.

You have to figure
out what equipment your target audience is going to be using.
If you are making a mix for a dance hall....bass is not going
to be a limiting factor.  Crank it.  If you are making a mix
to be listened to as a demo of your material...cranking the
bass will make it sound horrible on a boombox or car stereo
(uhm...the average car stereo).

In short...if you mixdown using pc speakers with a subwoofer, your
song will sound good on that set of speakers.  Others, without your
setup, are going to hear something different.

     -Mike McGary

From Loopers-Delight-request@annihilist.com  Tue Oct 12 20:42:09 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Digitech PDS-8000 Echo Plus siting
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Not mine, but I thought you might like to know...

It's on eBay:
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=179297176

- Larry

From Loopers-Delight-request@annihilist.com  Tue Oct 12 20:47:39 1999
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From: "nitesh patel" <tesh@gte.net>
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Subject: Re: No electricity?
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I AGREE THIS SENSE 8 AND VIRTUAL CAMPUS IDS GETTIN TO ME TOO
----- Original Message ----- 
From: <MyWarNerve@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, October 12, 1999 5:55 AM
Subject: Re: No electricity?


> we are monks already
> A
> 
> 

From Loopers-Delight-request@annihilist.com  Tue Oct 12 21:23:20 1999
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My turn, 

This is silly, we could build solar powered units that can charge and run my pignose amp adequately and my satelite
phone and a bunch of other crap. I enjoy bringing my stuff to Baja for a few weeks every year and get by making
electricity. Some looping devices can work on low power, e.g. SU10 and tape play back based keyboards could be used to
play loops. 

This group could build power plants based on hydro, solar, coal or bike power in about a week and setup our own
woodstock in the second week... after the nuclear bomb hits.  

Here's a new question. 

What kind of performance would you create if you had everything you ever wanted or needed? -Paul

From Loopers-Delight-request@annihilist.com  Tue Oct 12 22:46:04 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
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Subject: No elec
Date: Tue, 12 Oct 1999 19:23:29 -0700
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I find it interesting to see how when posed with the idea of being w/out
electricity- lots of us start imagining how they would produce it again- the
point is that there would be none- period. I can only think of myself when I
get back from camping in the desert- sometimes I wont turn on my stereo etc
for a day or two- it becomes so clear what a distraction it all can be- it
is a blessing and like anything is easy to abuse-

Well, my loop and drum machine are playing without me- and my electric
guitar is hanging on my neck as I stare into this bright cathode screen-
maybe a candle is in order... definitely!  ;)

Cliff

From Loopers-Delight-request@annihilist.com  Wed Oct 13 00:02:31 1999
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From: Hawkeye255@aol.com
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Date: Tue, 12 Oct 1999 23:18:44 EDT
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"What kind of performance would you create if you had everything you ever 
wanted or needed? -Paul"

Interesting question.  I would create sound and lightscapes replete with 
certain dramatic spoken and sung words of either great beauty or great import 
(or quite the contrary).  Loops moving through or sustaining certain sections 
with clear (or sometimes ambiguous) emotional content.  
                           'Bout what I'm doing now.  ;-)

btw: I've simplified my setup greatly in the last several weeks to the 
noticeable improvement of my pieces.  There is no substitute for simplicity.

                Bill  "Hawkeye" 

From Loopers-Delight-request@annihilist.com  Wed Oct 13 00:37:31 1999
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Gigs (In case you're in the area...)
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Howdy, folks...
	I'll be mangling the guitar and dosing people up with loopage with the
Athens, GA band Baghouse this weekend, Fri. the 15th at Stanley's in
Cincinnati, OH. If you're in the area, please come out and say hi. I would
expect the show would start mid-evening.
	Also, we'll be playing two shows in Morgantown, West VA on Sat. the 16th.
However, I'm unsure of the venues--as i'm still waiting on the final
confirmation list for the mini-tour. The first show is at 3pm at some sort
of outdoor festival there in Morgantown. If you're in that area, you might
know what this is. If so, try to come by. That evenings show is a opening
slot, but I'm sorry to say that I'm not sure of where it is or who it is
with. If I find out before I leave, I'll be sure to post it here.
	Anyway, if you come out--just look for the lanky dork in specs making
unbearable racket on his G&L or Carvin. Should be easy to spot me/hear me.
Hope to see some of you,
Jeff McLeod 
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Wed Oct 13 01:01:55 1999
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Forwarded from the Critical Mass bike list 
(we're working on making music while riding bikes)
-------- Original Message --------
Subject: Re: [Fwd: electricity]
Date: 12 Oct 1999 14:56:53 -0700
From: Karl Anderson <kra@monkey.org>
To: paul buelow <paul@webms.com>
References: <38039D89.D3E4BA60@webms.com>


There's a bike powered music collective thiny in the UK called Rinky
Dink that does stuff like this.  They have some notes on what they
use, too.

http://web.ukonline.co.uk/baka/rinky.htm

A related page at: 

http://mondodesigno.com/micro.html

-- 
Karl Anderson      kra@monkey.org      <URL:http://www.pobox.com/~kra/>

From Loopers-Delight-request@annihilist.com  Wed Oct 13 01:07:30 1999
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Date: Tue, 12 Oct 1999 23:34:44 -0400
To: Loopers-Delight@annihilist.com
From: Michael Tuminello <m1cha3l@earthlink.net>
Subject: out of the loop (so to speak)
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I used to wonder how far ahead of me this list was, now I know (I just
discovered how wrong I suspect I was about the GT-3 this weekend).  The
list is 106 digests ahead of me.

how embarrassing (from #291):

>>For $400 you can have a Boss GT-3 which does all the psycho analog guitar
>>synth sounds plus a whole lot more.
>>
>>TH
>
>I checked it out, and it seems that that would duplicate a lot of the
>effects that are in the QV GT right now, and I'm not sure that it would add
>the kind of synth flexibility of the micro synth.  Plus it's huge.  I was
>thinking instead of getting something that would do the synth sounds well,
>and ultimately possibly replacing the QV with a more up-to-date rack
>effects unit.   I was figuring with the QV, Echoplex, distortion, wah, and
>micro synth, I would have a pretty good range of effects.   The pedals are
>there to supplement the things I have heard racks units don't necessarily
>do well (like distortion).  I don't know of any unit, rack or pedal, that
>does what the microsynth does, with different waveforms, envelopes, etc.
>I'm sure I'm just missing stuff.  It doesn't seem like the Boss GT-3 has
>this stuff though.
>
>Thanks,
>
>MT

From Loopers-Delight-request@annihilist.com  Wed Oct 13 03:28:04 1999
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From: MyWarNerve@aol.com
Message-ID: <0.c011fab0.25358745@aol.com>
Date: Wed, 13 Oct 1999 02:57:09 EDT
Subject: Re: out of the loop (so to speak)
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Check out 3ms pedals. Awsome. Totaly dedicated to ambient noise.A very cool 
collective of pedal makers also.
A

From Loopers-Delight-request@annihilist.com  Wed Oct 13 11:03:34 1999
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Date: Wed, 13 Oct 1999 10:23:22 -0400
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From: andre <andre@monmouth.com>
Subject: Bon Matin and JFK's LSD UFO vs Animal House..
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At 11:59 AM 10/12/99 EDT, you wrote:
>The Pi Lam show was not billed as a loop show or anything in particular
which was why there was probably not a large number of people present -
also  combined with the weather which was kinda miserable...
>


hey john et al...

thanx for the kindness john.. you guys warped my mind as well.... i thought
the setting was pretty cool - converted frat house living room!!! with a
better sound system than many clubs....

yeah - temple of bon matin was VERY strange to say the least... the drummer
in particular should be locked up for observation.. his set looked like
granpa munster had a lot to do with it... bizarre peices of percussionoid
stuff, and this great huge (real!!) gong tree... (we could only muster up
gong samples....)

john dialed up an insane wall of twisted sound for the drums and violin(ce)
to bump up against. lovely. and perfect for the  fratters smoking pot on
the above floors. though the front-of stage audience was kinda lite - we
all had the benefit of playing in front of open windows .. so many more
'virtual passerby' enjoyed the gig from the sidewalk!!! plus teh many
people studying throughout the building had a very surreal bit of study music!

see ya 

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Wed Oct 13 11:34:27 1999
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Date: Wed, 13 Oct 1999 23:56:38 +0900
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From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: my songs
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Hi,

I uploaded the my band TIME CONTROL unreleased tracks by Real Audio G2.

http://cavestudio.xmit.org/TC/TCII/

  enjoy

  Sunao Inami
www.cavestudio.com

From Loopers-Delight-request@annihilist.com  Wed Oct 13 11:38:54 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
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I found a website awhile back that described a really cool "bike loop".  The
composer mounted resonanting tubes to several bicycles.  The pitch varied
with the speed of the bicycle.  The "score" consisted of a route (a loop!)
through city streets.  The bicyclists rode in scored-out formations, which
included speeding up and passing each other at various times.  As a
consequence, the composition sounded different depending on where you stood
to hear it.  And there was no place to hear the whole thing or no "right"
place to listen.

No electricity involved!

I can't find the website again :(  If anybody is interested, I think I
printed the description and I'll search for the hardcopy.  Of course,
somebody on the list may know more about this also.

Dennis Leas
-----------------------------
dennis@mdbs.com


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Hello again,

Sorry this reply is so late, but the free-mail account on which I receive the digest seems to arbitrarily truncate long messages, and a couple of responses to my last contribution fell victim (I'm going to switch back to the works account, I think).

In response to Dennis W. Leas:

IIRC, it was an 029 model keypunch, but that was over 15 years ago, so I can't be sure.


Also, thanks to Tim Nelson for mentioning the Ligeti and Nancarrow. I wasn't actually thinking of them, being more concerned just with members of this list, but yeah I guess their things would apply in some fashion. James Tenney also did a piece for player piano (and dedicated to Nancarrow) which sounds very loopy and dense.

I just this moment realized, that a musical box could probably be considered the first true looping device. My dubious memory tells me that someone recorded a piece with several of them running simultaneously, but not who it was. Any takers on this one?


Jim Bailey

p.s.: The correct spelling is Pachelbel for those who are interested. I just keep the subject misspelling for reference.

----------------------------------------------------------
Get your FREE personalized e-mail at http://www.canada.com

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From: "Weideman, Gary L (Gary)" <weideman@lucent.com>
To: Loopers-Delight@annihilist.com
Subject: Does Lexicon fix a damaged JamMan 
Date: Wed, 13 Oct 1999 12:52:58 -0500
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Hi,

Just wondering if Lexicon will fix a JamMan if it breaks ??

G. Weideman

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=====
*************************************************************
This is a web-based account I use when I can't access my "normal" mail account. Please reply to my regular address at 'm1cha3l@earthlink.net'.  Thanks.
*************************************************************
__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Oct 13 19:18:43 1999
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>,
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Hi 

could the following people please send me e-mail asap.

Mike Biffle
Tyondai Braxton
Florian Antoine
Jasper Blom
Robert Bulanyi

dk

From Loopers-Delight-request@annihilist.com  Wed Oct 13 19:34:50 1999
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Subject: Re: Anyone sell a JamMan Footswitch ??
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Again, try Lexicon.  One of mine (actually Cheryl's) went haywire due to a
funky pedal.  We got a bunch of new ones as replacements so it won't ever
happen to us live again.  Though I'm sure something else will.

Frank Gerace
Dreamchild

At 03:06 PM 10/13/99 -0500, you wrote:
>> Hi,
>> 
>Another JamMan question - where can I get footswitches
>for a JamMan ??
>
>G. Weideman
>
>
>

From Loopers-Delight-request@annihilist.com  Wed Oct 13 19:34:52 1999
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Hello David! Wutsup??? Just a test? This was a reply...

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

>>> David Kirkdorffer <DKirkdorffer@exapps.com> 10/13 3:18 PM >>>

Hi 

could the following people please send me e-mail asap.

Mike Biffle
Tyondai Braxton
Florian Antoine
Jasper Blom
Robert Bulanyi

dk

From Loopers-Delight-request@annihilist.com  Wed Oct 13 19:36:34 1999
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Absolutely.  They have a bench charge, which if I remember correctly, is
around $90.  Look through the old digests and get Greg Hogan's number (at
Lexicon).  He's very helpful and they do a great job.  I've had two in for
work and they work just fine now.

Frank Gerace
Dreamchild

At 12:52 PM 10/13/99 -0500, you wrote:
>Hi,
>
>Just wondering if Lexicon will fix a JamMan if it breaks ??
>
>G. Weideman
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 14 00:36:59 1999
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-----Original Message-----
From: Stevwotrab@aol.com <Stevwotrab@aol.com>
To: recycle@cnct.com <recycle@cnct.com>; recycle1@mindspring.com
<recycle1@mindspring.com>
Date: Tuesday, October 12, 1999 12:27 AM
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>
>

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Cc: Fire38Sh@aol.com, lmblack@pojonews.infi.net,
little.knick@juno.com,Jubilee82@aol.com, DEB165@aol.com,
HOUSEDRX@aol.com, MrMew9@aol.com,Edsbigbuck@aol.com, JessCa15@aol.com,
Jamie5597@aol.com
Subject: Re: hey it can't hurt
Date: Sat, 2 Oct 1999 15:47:58 EDT
Message-ID: <8cb9da12.2527bb6e@aol.com>

Hey, I know this is pretty stupid, but you know what, It workds!  Just
read=20
it and you can think what you want when you're done.

-manda
In a message dated 10/2/99 3:30:44 PM Eastern Daylight Time,
readwolf@ufl.edu=20
writes:

<<=20
 >>> > Subject: Microsoft and AOL Merger
 >>> >
 >>> > I am forwarding this because the person who sent it to me is a
good
 >>> > friend and does not send me junk. Microsoft and AOL are now the
 largest
 >>> > Internet company and in an effort make sure that Internet explorer
 >>> > remains the most widely used program, Microsoft and AOL are
running an
 >>> > e-mail beta test.
 >>> >
 >>> > When you forward this e-mail to friends, Microsoft can and will
track
 >>> > it (if you are a Microsoft Windows user) for a two week time
period.
 >>> > For every person that you forward this e-mail to, Microsoft will
pay
 >>> > you $5.00, for every person that you sent it to that forwards it
on,
 >>> > Microsoft will pay you $3.00 and for every third person that
receives
 >>> > it, you will be paid $1.00. Within two weeks, Microsoft will
contact
 >>> > you for your address and then send you a check.
 >>> >
 >>> > I thought this was a scam myself, but two weeks after receiving
this
 >>> > e-mail and forwarding it on, Microsoft contacted me for my e-mail
and
 >>> > within days, I received a check for $800.00!
 >>> >
 >>> >
 >>> > Ajay Patel
 >>> > Media Relations
 >>> > Dynamic Communications
 >>> > 214-335-4435
 >>> > 214-993-7777 >>
--------- End forwarded message ----------

___________________________________________________________________
Get the Internet just the way you want it.
Free software, free e-mail, and free Internet access for a month!
Try Juno Web: http://dl.www.juno.com/dynoget/tagj.

--part5_0.6acc8647.25334c9b_boundary--

--part4_0.6acc8647.2533b21b_boundary--

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------=_NextPart_000_0098_01BF1560.1EAD97C0--

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From Loopers-Delight-request@annihilist.com  Thu Oct 14 01:34:35 1999
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Date: Thu, 14 Oct 1999 01:34:49 -0200
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: No electricity?
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>In response to that question, I've been spending my musical time studying
>and practicing tabla ever since I discovered an Indian classical music
>school in my area a couple of months ago, so the loss of electricity
>wouldn't affect me at all. :)
>
>Cheers,
>Paolo

I doubt it. You never record?
Can you play shows without amplifying?

But there are positive aspects: If someone wants to dance, he needs to call
a musician.
Didnt you ever go through the embarassing experience that someone politely
asked you to stop playing because he (or often: the public) prefered to
listen to a CD?

Without electronic media, you are not confronted with the best of the world
that does what you do, but better. People are happy that you do it as good
as you can.


Tom Lambrecht sees it coming on us:
>I just need a big enough solar panel to replace the wall wart on my Waldorf
>4-pole and PDS 8000 and Pignose and the previously mentioned tub . . .
>
>of course what I should do is trade the Waldorf for a couple cases of beans
>and the Pig for a speed loader for the Colt Python    ;)

Yeah... or you could trade the Pig for a pig and educate it to smell solar
mushroms in the Waldorf forest...



         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Thu Oct 14 01:39:17 1999
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Date: Thu, 14 Oct 1999 01:36:04 -0200
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: No electricity? Mountain loops...
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>maybe this is why they built such big places in the old days........natural
>delay.......made me think of the 10 trombonists in the 186 foot underground
>cistern that had a 45 sec reverb........also mr goodmans tunnel.........i
>guess i would put the guitar down and try to get the loudest movable
>soundmaker i could find and go out in search of  delay.......michael

I have been born close to the alps and one of my very early experiences up
in the valeys was this natural delay. Not reverb! A distinct repetition of
a word you shout toards the other side of the valey, coming back a second
later - amazing.
It influenced the music of the mountains. The repetitions are not loud
enough to be able to play to it  as we do, but they give an ambience that
inspires to play slow and sustained: Alphorn.



         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Thu Oct 14 01:46:59 1999
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Date: Thu, 14 Oct 1999 01:34:32 -0200
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: RE: Boomerang and DL4
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>I've heard from another local music store that the DL4 is coming the end of
>the month.
>
>I printed out the DL4 manual from Line6's website. It appears that the pedal
>is 24-bit from the documentation although I'm not sure  if that literally
>means that the sampling rate is 24-bit for the looper, can anyone confirm
>that ?

dont worry about this too much. The converter is not 24bits anyway, and its
quality cannot be expressed in bits really. Even 16bit converters usually
dont use the last bit truely.
The processor calculates in 24 or 32bits internally. This is a must and
does not say anything either.



         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Thu Oct 14 01:54:55 1999
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Date: Thu, 14 Oct 1999 02:38:14 -0200
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: 3ms pedals
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>...Also, check out
>3ms pedals. heres the link. Very cool ambient noise makers
>Eternally,
>A

where is the link? Ive never heard of those...



         ---> http://Matthias.Grob.org


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http://members.rotfl.com/3ms/


----------
>From: Matthias Grob <matthias@grob.org>
>To: Loopers-Delight@annihilist.com
>Subject: 3ms pedals
>Date: Wed, Oct 13, 1999, 9:38 PM
>

>>...Also, check out
>>3ms pedals. heres the link. Very cool ambient noise makers
>>Eternally,
>>A
>
>where is the link? Ive never heard of those...
>
>
>
>         ---> http://Matthias.Grob.org
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 14 03:51:19 1999
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Message-ID: <19991014071131.3476.qmail@ww183.netaddress.usa.net>
Date: 14 Oct 99 00:11:31 PDT
From: Dael Franke <daelfranke@netscape.net>
To: Loopers-Delight@annihilist.com
Subject: fwd:fwd:fwd:etc.hey it hurts
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STUPID HOAX FORWARDS ARE NOT WELCOME HERE. Are you all as annoyed as I am?
Consider this: The next idiotic forward will have its originating e-mail
address copied down and given to every spammer on the internet. The sender
will receive more junk than they ever dreamed of posting to Looper's Delight.


Are you with me on this? Shall we try it? 
(evil chuckle)

On Topic: I am now the delighted owner of a Digitech 7.6.
Now I need 4mb smartmedia for my Boss sp202 Dr.Sample.
The Roland site is no help, and it's ugly too. Does anyone know where I can
find the right smartmedia for the sp202? Can it handle larger smartmedia
cards?


Send me a recipe.

On second thought, send me a vegetarian recipe.

Dael Tree Franke

____________________________________________________________________
Get your own FREE, personal Netscape WebMail account today at http://webmail.netscape.com.

From Loopers-Delight-request@annihilist.com  Thu Oct 14 04:20:28 1999
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members.rotfl.com/3ms/
A

From Loopers-Delight-request@annihilist.com  Thu Oct 14 04:52:16 1999
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Date: Thu, 14 Oct 1999 01:11:55 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: hey it can hurt
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At 8:16 PM -0700 10/13/99, Jax1723@aol.com wrote:

<the lamest hoax in history deleted>

Were you not paying attention when I flamed somebody last week for posting
bullshit hoaxes to the list? You have to be a complete moron to believe
this one, plus you ruined another digest by leaving all the headers in it.
Thanks for letting us see all the other morons who forwarded it before you.

Since my judgement is currently clouded by the nice glass of Glenlivet I
had at Spat's a little while ago, I'm going to do something I threatened
last week but I've never done: ban you from posting. You clearly can't be
trusted with this responsibility.

I may or may not change my mind in the morning.


kim




______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Thu Oct 14 05:49:32 1999
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Date: Thu, 14 Oct 1999 02:44:39 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: hey it can hurt
To: Loopers-Delight@annihilist.com
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Kim,

Have I missed anything? I've been away.

Bill Gates & I have been driving around in my new
Honda distributing food to the children.

Bill sends hugs!

John



--- Kim Flint <kflint@annihilist.com> wrote:
> At 8:16 PM -0700 10/13/99, Jax1723@aol.com wrote:
> 
> <the lamest hoax in history deleted>
> 
> Were you not paying attention when I flamed somebody
> last week for posting
> bullshit hoaxes to the list? You have to be a
> complete moron to believe
> this one, plus you ruined another digest by leaving
> all the headers in it.
> Thanks for letting us see all the other morons who
> forwarded it before you.
> 
> Since my judgement is currently clouded by the nice
> glass of Glenlivet I
> had at Spat's a little while ago, I'm going to do
> something I threatened
> last week but I've never done: ban you from posting.
> You clearly can't be
> trusted with this responsibility.
> 
> I may or may not change my mind in the morning.
> 
> 
> kim
> 
> 
> 
> 
>
______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       |
> http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  |
> Loopers-Delight-request@annihilist.com
> 
> 
> 


=====
John Tidwell



__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

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Date: Thu, 14 Oct 1999 06:43:51 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: SMART  Media Cards
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On 10/1/3/99 Dael Frane wrote:
.
>Now I need 4mb smartmedia for my Boss sp202 Dr.Sample.
>The Roland site is no help, and it's ugly too. Does anyone know where I can
>find the right smartmedia for the sp202? Can it handle larger smartmedia
>cards?
>
>


Dael,

I'm fairly certain that 4mb is the max. Check the manual. I picked up my
smart media card at COMPUSA. BE CLEAR THAT YOU BUY THE PROPER TYPE OF CARD!
I saw a 4mb in  camera store that would not work. Again check the manual
for assistance.

Patrick
                     Fingerpaint's New Release:

                            IN THE LOOP

      ... an intelligent, stimulating mixture of mimimaist spacebeats and
           obscure samples layered upon a hypnotic illbient backdrop.

                       DIGITAL ARTIFACT # 12

                      http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Thu Oct 14 07:10:53 1999
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References: <v04011701b42b7167d166@[205.252.121.209]>
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Try:

pricewatch.com

Do a search for a 5v smartmedia card. They go up to 20 mb I believe. I bought
all my cards this way and ended up paying about HALF what I would have paid
locally.

Good luck

David

Patrick Smith wrote:

> On 10/1/3/99 Dael Frane wrote:
> .
> >Now I need 4mb smartmedia for my Boss sp202 Dr.Sample.
> >The Roland site is no help, and it's ugly too. Does anyone know where I can
> >find the right smartmedia for the sp202? Can it handle larger smartmedia
> >cards?
> >
> >
>
> Dael,
>
> I'm fairly certain that 4mb is the max. Check the manual. I picked up my
> smart media card at COMPUSA. BE CLEAR THAT YOU BUY THE PROPER TYPE OF CARD!
> I saw a 4mb in  camera store that would not work. Again check the manual
> for assistance.
>
> Patrick
>                      Fingerpaint's New Release:
>
>                             IN THE LOOP
>
>       ... an intelligent, stimulating mixture of mimimaist spacebeats and
>            obscure samples layered upon a hypnotic illbient backdrop.
>
>                        DIGITAL ARTIFACT # 12
>
>                       http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Thu Oct 14 07:52:05 1999
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From: Tim Cassler <TimC@FocusDirect.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Does Lexicon fix a damaged JamMan 
Date: Thu, 14 Oct 1999 06:43:15 -0500
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Hi Frank. My name is Tim Cassler...I am in San Antonio, TX. I Hope today
finds you well!

Are you up to speed on the new Lexicons? Are they making anything now that
is comparable to the JamMan? I am new to the looping thing, but I know that
I do not want to spend $1,000 for an effects processor, just because it
samples.

You sound like you have an appreciation for the Lexicon makes...can you
advise me?

> -----Original Message-----
> From:	Frank Gerace [SMTP:seahorse@channel1.com]
> Sent:	Wednesday, October 13, 1999 5:36 PM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: Does Lexicon fix a damaged JamMan 
> 
> Absolutely.  They have a bench charge, which if I remember correctly, is
> around $90.  Look through the old digests and get Greg Hogan's number (at
> Lexicon).  He's very helpful and they do a great job.  I've had two in for
> work and they work just fine now.
> 
> Frank Gerace
> Dreamchild
> 
> At 12:52 PM 10/13/99 -0500, you wrote:
> >Hi,
> >
> >Just wondering if Lexicon will fix a JamMan if it breaks ??
> >
> >G. Weideman
> >
> >
> >

From Loopers-Delight-request@annihilist.com  Thu Oct 14 07:52:33 1999
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From: Tim Cassler <TimC@FocusDirect.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: hey it can hurt
Date: Thu, 14 Oct 1999 06:45:32 -0500
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Kim - 

Please unsubscribe me. I thought this was just for a weekly or monthly or
newsletter. Is there such  a thing for Looper's Delight?

> -----Original Message-----
> From:	Kim Flint [SMTP:kflint@annihilist.com]
> Sent:	Thursday, October 14, 1999 3:12 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: hey it can hurt
> 
> At 8:16 PM -0700 10/13/99, Jax1723@aol.com wrote:
> 
> <the lamest hoax in history deleted>
> 
> Were you not paying attention when I flamed somebody last week for posting
> bullshit hoaxes to the list? You have to be a complete moron to believe
> this one, plus you ruined another digest by leaving all the headers in it.
> Thanks for letting us see all the other morons who forwarded it before
> you.
> 
> Since my judgement is currently clouded by the nice glass of Glenlivet I
> had at Spat's a little while ago, I'm going to do something I threatened
> last week but I've never done: ban you from posting. You clearly can't be
> trusted with this responsibility.
> 
> I may or may not change my mind in the morning.
> 
> 
> kim
> 
> 
> 
> 
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
> 

From Loopers-Delight-request@annihilist.com  Thu Oct 14 09:52:06 1999
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X-Sender: subversive@pop.mindspring.com
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Date: Thu, 14 Oct 1999 08:39:44 -0500
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: gigs cancelled
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Hi, all...
	Anyone (Michael, etc.)  who was planning on making it out to my shows with
Baghouse in Cincinnati, OH (Stanley's) and Morgantown, WV (Picnic Fest
Outdoors and TBA evening show) need not worry about it now. Thanks to lame
promotion and weak booking, these shows will not be happening (isn't this
always the way...). I apologize.
Thanks,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Thu Oct 14 10:11:44 1999
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From: Hawkeye255@aol.com
Message-ID: <0.6adc203f.25373c5b@aol.com>
Date: Thu, 14 Oct 1999 10:02:03 EDT
Subject: Re: SMART  Media Cards
To: Loopers-Delight@annihilist.com
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I picked up my 4 mb Smartmedia card at my local Roland dealer for $40.  He 
had several in stock.

Bill "Hawkeye"

From Loopers-Delight-request@annihilist.com  Thu Oct 14 10:23:07 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: fwd:fwd:etc.hey it hurts -- Kb and KB
Date: Thu, 14 Oct 1999 07:16:08 -0700
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I would also like everybody to start saying what they mean:  "Kb" is not the
same as "KB."

Kb = kilobit, that is, 1,024 (2 to the 10th power) bits
KB = kilobyte, 1,024 bytes.
Mb = megabit, 1,024 kilobits.
MB = megabyte, 1,048,576 (2 to the 20th power) bytes, or 1,024 kilobytes
Gb = gigabit, 1,024 megabits.
GB = gigabyte, 1,073,741,824 (2 to the 30th power) bytes, or 1,024 megabytes
etc.

>From downloading files, you ought to know that 20 Kb per second is obviously
not the same as 20 KB per second.

Remember also that bits and bytes are not measured in the decimal system but
in the binary.

In computer circles, the letter "K" is always uppercase.  Also, computer
people tried to have the letter "K" be uppercase for binary systems and
lowercase for decimal systems, but nobody pays any attention to that.

Let's be on the same page about this.

OK, now everybody, how many bits in a byte?


  | -----Original Message-----
  | From: Dael Franke [mailto:daelfranke@netscape.net]
  | Sent: Thursday 14 October 1999 12:12 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: fwd:fwd:fwd:etc.hey it hurts
  |
  |
  | STUPID HOAX ...

  | On Topic: I am now the delighted owner of a Digitech 7.6.
  | Now I need 4mb smartmedia for my Boss sp202 Dr.Sample.

From Loopers-Delight-request@annihilist.com  Thu Oct 14 10:58:36 1999
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: hey it can hurt
Date: Thu, 14 Oct 1999 09:46:14 -0500
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Hello,

	Well, I think they posted that hoax to the wrong list. I think they
meant to send it to the idiots-delight list not the loopers-delight list.
Easy to get them confused (in fact they are sometimes one and the same).

Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com



At 8:16 PM -0700 10/13/99, Jax1723@aol.com wrote:

<the lamest hoax in history deleted>

W

From Loopers-Delight-request@annihilist.com  Thu Oct 14 11:06:48 1999
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From: "Weideman, Gary L (Gary)" <weideman@lucent.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Boomerang and DL4
Date: Thu, 14 Oct 1999 09:45:45 -0500
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Matt,

Thanks for the response. Do you (or anyone else) know what the sampling rate
is the the DL4 ?? I'm wondering if it is close to a JamMan or EP or lower
like the Rang. I would like to get a looper that is at least as good as the
JamMan since I'm playing acoustic guitar and want the loop sample to be
pretty good.

Thanks in advance

G. Weideman

> ----------
> From: 	Matthias Grob[SMTP:matthias@grob.org]
> Reply To: 	Loopers-Delight@annihilist.com
> Sent: 	Wednesday, October 13, 1999 10:34 PM
> To: 	Loopers-Delight@annihilist.com
> Subject: 	RE: Boomerang and DL4
> 
> >I've heard from another local music store that the DL4 is coming the end
> of
> >the month.
> >
> >I printed out the DL4 manual from Line6's website. It appears that the
> pedal
> >is 24-bit from the documentation although I'm not sure  if that literally
> >means that the sampling rate is 24-bit for the looper, can anyone confirm
> >that ?
> 
> dont worry about this too much. The converter is not 24bits anyway, and
> its
> quality cannot be expressed in bits really. Even 16bit converters usually
> dont use the last bit truely.
> The processor calculates in 24 or 32bits internally. This is a must and
> does not say anything either.
> 
> 
> 
>          ---> http://Matthias.Grob.org
> 
> 

From Loopers-Delight-request@annihilist.com  Thu Oct 14 10:48:26 1999
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From: SoundFNR@aol.com
Message-ID: <0.d766e209.2537449f@aol.com>
Date: Thu, 14 Oct 1999 10:37:19 EDT
Subject: UK Headrush anyone?
To: Loopers-Delight@annihilist.com
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Has anyone in UK seen an Akai Headrush?

Andy Butler

From Loopers-Delight-request@annihilist.com  Thu Oct 14 11:06:19 1999
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From: SoundFNR@aol.com
Message-ID: <0.78b25447.2537449d@aol.com>
Date: Thu, 14 Oct 1999 10:37:17 EDT
Subject: Vortex pedal info request+jamMan footswitch
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OK folks, announcing another page on the Vortex Database
...coming soon
...this is about footswitches and pedals.
I'm currently working on the footswitch, which is also suitable for the jamman
and I include details of how to get the same switch that lex use at a greatly 
reduced cost

If anyone has any info about vortex/jamman accessory hardware please share 
and I'll put it on the page (and give you a link if you want

especially wanted.. info on expression peds for the vortex, what works & what 
doesn't
(I use the Bespeco VM 18-L, can you get this in the states?)

thanks 
Andy Butler
Lexicon Vortex Database 
http://members.aol.com/soundfnr/vortex.htm

oh yes, and if anyone wants to send in patches/morphs please do so (theres 
forms to fill in)

From Loopers-Delight-request@annihilist.com  Thu Oct 14 12:01:15 1999
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>,
        Loopers-Delight-d@annihilist.com
Subject: Magnus Hannibal's e-mail please!
Date: Thu, 14 Oct 1999 11:00:15 -0400
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Does anyone know how to reach Magnus Hannibal in Denmark (yes, I could go
there...).

Magnus, if you're out there please e-mail me.  Thanks!
dk


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Date: Wed, 13 Oct 1999 23:41:20 -0400
From: Legion <legion@voicenet.com>
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Subject: Looper's Delight CD#1 STILL available!!!
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Orders are slowly trickling in for the LD CD#1 but we still haven't
reached even the preorder number we were hoping for. This will probably
be the one and only run of this fabulous CD thus making it a RARE
VINTAGE LOOPING ITEM!!!(tm). Buy two today and sell one on ebay in a
year for $3k!! :)

Seriously folks, this is an awesome CD and the profits go to running the
LD mailing list and web site. If you haven't gotten one yet you're
really missing out. And I ain't kidding about the the limited edition
part; when these are gone, this run is over. 

Here's the skinny again:
===================================================================================

The reissue of the Looper's Delight Subscriber's CD #1 is now available
directly from Help Wanted Productions via Mail order.

Costs are $12.00 US including shipping anywhere in the United States and
$13.00 including shipping to Canada or anywhere else in the world. 

Checks or MO (Prefered) in US funds (Payable to Help Wanted Productions)
can be sent to: 
Help Wanted Productions 
PO Box 2205, Phila, Pa 19103

Proceeds will go to the Looper's Delight Web site to help pay ISP and
other costs. 

There's a web page dedicated to this product from the HWP catalog with a
pic of the cover, link to the full track listing, artist Biographies,
and ORDER FORM at: 

http://www.voicenet.com/~legion/ldcd1.htm

Print out the order form from the link on this page and put down the
name and #'s of CDs you want. BE SURE TO INCLUDE YOUR RETURN ADDRESS! 
Mail it in and you'll get the goods in 2-4 weeks tops! 

---------------------------------------------------------------------------------
Thanks for all your patience on this project. The CDs look and sound
GREAT! Thanks to Ray Peck for starting the whole thing and getting the
fantastic covers done as well as Kim Flint and Michael Peters for
helping me organize this monster and getting it re-released.

There are links galore all over the catalog with info on other music HWP
sells, check them out if you so desire. The Web site houses a gallery of
unusual instruments and an extensive page of electronic music links to
other site, artists, and instruments including a page on the Roland
GR300/GR33b guitar synths. If anyone has any questions feel free to
contact  me and I'll try and help you out. It all free so as AB sings
"Dig me but don't bury me".

-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Thu Oct 14 12:13:40 1999
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Date: Thu, 14 Oct 1999 11:20:37 -0400
To: Loopers-Delight@annihilist.com
From: andre <andre@monmouth.com>
Subject: Re: Fwd: Fw: TSumers@aol.com: Re: hey it can't hurt
In-Reply-To: <0.c1f8e378.2536a50c@aol.com>
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yes it can hurt

this kinda email crap just exponentially....loops around... and clogs the
'net!!

stop it!!!

microsoft will send NO ON money!!




> >>> >
> >>> > I am forwarding this because the person who sent it to me is a
>good
> >>> > friend and does not send me junk. Microsoft and AOL are now the
> largest
> >>> > I thought this was a scam myself, but two weeks after receiving
>this
> >>> > e-mail and forwarding it on, Microsoft contacted me for my e-mail
>and
> >>> > within days, I received a check for $800.00!
> >>> >
> >>> >
> >>> > Ajay Patel

Jfk's Lsd Ufo site			Project Object/Zappa tribute
http://www.ufomusic.com			http://www.projectobject.com

From Loopers-Delight-request@annihilist.com  Thu Oct 14 12:22:52 1999
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From: "Jenni Leeds" <jennil@bellsouth.net>
To: <Loopers-Delight@annihilist.com>
References: <199910141513.LAA22299@rosy.yourwebhost.com>
Subject: Rio MP3 player
Date: Thu, 14 Oct 1999 11:00:03 -0500
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Hi all.  Does anyone own a Rio mp3 player .  If so,  Do you know if there is
an adapter to send audio from the headphone jack  out  through a cord which
converts into a quarter inch jack. I don't think the headphone jack is an
1/8 incher.  I could probably find the right size a ra**o s**ck.  Does
anybody know what size output that is?
    I have this idea to fit hundreds of mp3 sample snippets in their and
send 'em through my echoplex/vortex. This oughta be pretty cool. Just need
the proper outlet sizes. Anyway. Peace out.
Jamie Mash
{experimental
music director
WMTS 88.3}

From Loopers-Delight-request@annihilist.com  Thu Oct 14 12:25:09 1999
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From: "Weideman, Gary L (Gary)" <weideman@lucent.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Vortex pedal info request+jamMan footswitch
Date: Thu, 14 Oct 1999 10:58:59 -0500
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Andy,

When will the page be up ?? I'm getting a JamMan and need the footswitches
so any help is greatly appreciated !!!

Gary Weideman


> ----------
> From: 	SoundFNR@aol.com[SMTP:SoundFNR@aol.com]
> Reply To: 	Loopers-Delight@annihilist.com
> Sent: 	Thursday, October 14, 1999 9:37 AM
> To: 	Loopers-Delight@annihilist.com
> Subject: 	Vortex pedal info request+jamMan footswitch
> 
> OK folks, announcing another page on the Vortex Database
> ...coming soon
> ...this is about footswitches and pedals.
> I'm currently working on the footswitch, which is also suitable for the
> jamman
> and I include details of how to get the same switch that lex use at a
> greatly 
> reduced cost
> 
> If anyone has any info about vortex/jamman accessory hardware please share
> 
> and I'll put it on the page (and give you a link if you want
> 
> especially wanted.. info on expression peds for the vortex, what works &
> what 
> doesn't
> (I use the Bespeco VM 18-L, can you get this in the states?)
> 
> thanks 
> Andy Butler
> Lexicon Vortex Database 
> http://members.aol.com/soundfnr/vortex.htm
> 
> oh yes, and if anyone wants to send in patches/morphs please do so (theres
> 
> forms to fill in)
> 

From Loopers-Delight-request@annihilist.com  Thu Oct 14 12:40:41 1999
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Date: Thu, 14 Oct 1999 11:19:20 -0500
Subject: GT-3 Guitar Synth parameters
From: "Travis Hartnett" <hartne.t@apple.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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Someone was asking yesterday about what parameters were adjustable on the 
GT-3 synth effect, and how it compares with the EH Microsynth.  I don't have
the Microsynth manual here, but here's what you can control on the GT-3:

Input sensitivity: quicker response with higher sensitivity setting, but
more prone to glitching.

Wave: Square, Sawtooth, "brass", "bow" (soft attack)

Chromatic: selects whether synth responds to pitch changes of less than a
semitone.

Octave Shift: displace the synth tone an octave from the input signal

Pulse Wise Modulation Rate: allows you to modulate the waveform when square
wave is selected

Pulse Wise Mudlation Depth: depth of the aforementioned modulation

Cutoff Frequency: adjusts the frequency where the hormonics content of the
sound is cut off.

Resonance: adjusts how much of the harmonics contents around the cutoff
frequency should be emphasized

Filter Sensitivity: allows you to vary the point where the filter kicks in
based on picking volume

Filter Decay: period before filter change is stable

Filter Depth: depth of the filter effect

Attack: time for synth sound to reach maximum volume

Release: time needed for synth sound to reach zero

Velocity: volume sensitivity setting for synth sound (how much you picking
dynamics affect the synth volume)

Hold: allows you systain the synth sound independent of input (usually tied
to a momentary switch)

Synth Level

Direct Level




TH

From Loopers-Delight-request@annihilist.com  Thu Oct 14 13:11:16 1999
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
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Subject: off topic/info request
Date: Thu, 14 Oct 1999 12:54:51 -0400
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hi,

for any folks in the uk. my wife and i are planning a trip to london and
environs next year. i'm wondering if anyone in the uk (or otherwise) has
info about "outsider"/folk art or art brut museums and/or sites in england
(yeah i guess it's trendy). any help is appreciated. please reply via
private e-mail.


thanks, 

stig 


you mean that microsoft isn't going to send me money and i won't get a new
honda???? i am SHATTERED :-)

From Loopers-Delight-request@annihilist.com  Thu Oct 14 13:33:26 1999
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From: "L Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Boomerang and DL4 - URL to DL4 docs???
Date: Thu, 14 Oct 1999 12:45:14 -0400
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What's the URL to the DL4 docs? I couldn't find it
anywhere on the Line6 site.

thanks

Larry

-----Original Message-----
From: Weideman, Gary L (Gary) <weideman@lucent.com>
To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
Date: Thursday, October 14, 1999 12:00 PM
Subject: RE: Boomerang and DL4


>Matt,
>
>Thanks for the response. Do you (or anyone else) know what the sampling
rate
>is the the DL4 ?? I'm wondering if it is close to a JamMan or EP or lower
>like the Rang. I would like to get a looper that is at least as good as the
>JamMan since I'm playing acoustic guitar and want the loop sample to be
>pretty good.
>
>Thanks in advance
>
>G. Weideman
>
>> ----------
>> From: Matthias Grob[SMTP:matthias@grob.org]
>> Reply To: Loopers-Delight@annihilist.com
>> Sent: Wednesday, October 13, 1999 10:34 PM
>> To: Loopers-Delight@annihilist.com
>> Subject: RE: Boomerang and DL4
>>
>> >I've heard from another local music store that the DL4 is coming the end
>> of
>> >the month.
>> >
>> >I printed out the DL4 manual from Line6's website. It appears that the
>> pedal
>> >is 24-bit from the documentation although I'm not sure  if that
literally
>> >means that the sampling rate is 24-bit for the looper, can anyone
confirm
>> >that ?
>>
>> dont worry about this too much. The converter is not 24bits anyway, and
>> its
>> quality cannot be expressed in bits really. Even 16bit converters usually
>> dont use the last bit truely.
>> The processor calculates in 24 or 32bits internally. This is a must and
>> does not say anything either.
>>
>>
>>
>>          ---> http://Matthias.Grob.org
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 14 13:34:16 1999
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From: Nemoguitt@aol.com
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Date: Thu, 14 Oct 1999 13:22:44 EDT
Subject: Re: Looper's Delight CD#1 STILL available!!!
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In a message dated 10/14/99 2:06:20 PM Mid-Atlantic Standard Time, 
legion@voicenet.com writes:

<<  Buy two today and sell one on ebay in a
 year for $3k!! :) >>

i was already offered $4k for my copy, but i said "no way".......ill keep it, 
thanks.........michael

From Loopers-Delight-request@annihilist.com  Thu Oct 14 13:38:06 1999
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Date: Thu, 14 Oct 1999 12:57:03 -0400 (EDT)
From: Stew Benedict <stewb@earthlink.net>
To: Loopers-Delight@annihilist.com
Subject: Re: Looper's Delight CD#1 STILL available!!!
In-Reply-To: <380550E0.2F88@voicenet.com>
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Just got mine, have to agree - Mathias and the rest of you that
contributed - Great Stuff!

Stew Benedict

On Wed, 13 Oct 1999, Legion wrote:

> Orders are slowly trickling in for the LD CD#1 but we still haven't
> reached even the preorder number we were hoping for. This will probably
> be the one and only run of this fabulous CD thus making it a RARE
> VINTAGE LOOPING ITEM!!!(tm). Buy two today and sell one on ebay in a
> year for $3k!! :)
> 
> Seriously folks, this is an awesome CD and the profits go to running the
> LD mailing list and web site. If you haven't gotten one yet you're
> really missing out. And I ain't kidding about the the limited edition
> part; when these are gone, this run is over. 
> 
> Here's the skinny again:
> ===================================================================================
> 
> The reissue of the Looper's Delight Subscriber's CD #1 is now available
> directly from Help Wanted Productions via Mail order.
> 
> Costs are $12.00 US including shipping anywhere in the United States and
> $13.00 including shipping to Canada or anywhere else in the world. 
> 
> Checks or MO (Prefered) in US funds (Payable to Help Wanted Productions)
> can be sent to: 
> Help Wanted Productions 
> PO Box 2205, Phila, Pa 19103
> 
> Proceeds will go to the Looper's Delight Web site to help pay ISP and
> other costs. 
> 
> There's a web page dedicated to this product from the HWP catalog with a
> pic of the cover, link to the full track listing, artist Biographies,
> and ORDER FORM at: 
> 
> http://www.voicenet.com/~legion/ldcd1.htm
> 
> Print out the order form from the link on this page and put down the
> name and #'s of CDs you want. BE SURE TO INCLUDE YOUR RETURN ADDRESS! 
> Mail it in and you'll get the goods in 2-4 weeks tops! 
> 
> ---------------------------------------------------------------------------------
> Thanks for all your patience on this project. The CDs look and sound
> GREAT! Thanks to Ray Peck for starting the whole thing and getting the
> fantastic covers done as well as Kim Flint and Michael Peters for
> helping me organize this monster and getting it re-released.
> 
> There are links galore all over the catalog with info on other music HWP
> sells, check them out if you so desire. The Web site houses a gallery of
> unusual instruments and an extensive page of electronic music links to
> other site, artists, and instruments including a page on the Roland
> GR300/GR33b guitar synths. If anyone has any questions feel free to
> contact  me and I'll try and help you out. It all free so as AB sings
> "Dig me but don't bury me".
> 
> -----------------------------------------------------------------------
>      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
> "Bringing you the best in Organic Electronic music since we started..."
>      
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.
> 
> 


From Loopers-Delight-request@annihilist.com  Thu Oct 14 14:02:34 1999
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Looper's Delight CD#1 STILL available!!!
Date: Thu, 14 Oct 1999 12:56:25 -0500
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and it's really tastey . . .

my copy has been in the steady rotation on mY stereo . . .

besides, Kim has been testy lately and he might just unsub you if you don't
BUY
one
NOW

drone on~~~~~~~~~~~~~

Tom Lambrecht
hideo@concentric.net

-----Original Message-----
From: Legion <legion@voicenet.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 14, 1999 11:41 AM
Subject: Looper's Delight CD#1 STILL available!!!


>Orders are slowly trickling in for the LD CD#1 but we still haven't
>reached even the preorder number we were hoping for. This will probably
>be the one and only run of this fabulous CD thus making it a RARE
>VINTAGE LOOPING ITEM!!!(tm). Buy two today and sell one on ebay in a
>year for $3k!! :)

SNIP>

From Loopers-Delight-request@annihilist.com  Thu Oct 14 14:28:56 1999
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From: Tim Cassler <TimC@FocusDirect.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Looper's Delight CD#1 STILL available!!!
Date: Thu, 14 Oct 1999 12:59:05 -0500
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Stew - 

Who are the artists on the CD?

> -----Original Message-----
> From:	Stew Benedict [SMTP:stewb@earthlink.net]
> Sent:	Thursday, October 14, 1999 11:57 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: Looper's Delight CD#1 STILL available!!!
> 
> 
> Just got mine, have to agree - Mathias and the rest of you that
> contributed - Great Stuff!
> 
> Stew Benedict
> 
> On Wed, 13 Oct 1999, Legion wrote:
> 
> > Orders are slowly trickling in for the LD CD#1 but we still haven't
> > reached even the preorder number we were hoping for. This will probably
> > be the one and only run of this fabulous CD thus making it a RARE
> > VINTAGE LOOPING ITEM!!!(tm). Buy two today and sell one on ebay in a
> > year for $3k!! :)
> > 
> > Seriously folks, this is an awesome CD and the profits go to running the
> > LD mailing list and web site. If you haven't gotten one yet you're
> > really missing out. And I ain't kidding about the the limited edition
> > part; when these are gone, this run is over. 
> > 
> > Here's the skinny again:
> >
> ==========================================================================
> =========
> > 
> > The reissue of the Looper's Delight Subscriber's CD #1 is now available
> > directly from Help Wanted Productions via Mail order.
> > 
> > Costs are $12.00 US including shipping anywhere in the United States and
> > $13.00 including shipping to Canada or anywhere else in the world. 
> > 
> > Checks or MO (Prefered) in US funds (Payable to Help Wanted Productions)
> > can be sent to: 
> > Help Wanted Productions 
> > PO Box 2205, Phila, Pa 19103
> > 
> > Proceeds will go to the Looper's Delight Web site to help pay ISP and
> > other costs. 
> > 
> > There's a web page dedicated to this product from the HWP catalog with a
> > pic of the cover, link to the full track listing, artist Biographies,
> > and ORDER FORM at: 
> > 
> > http://www.voicenet.com/~legion/ldcd1.htm
> > 
> > Print out the order form from the link on this page and put down the
> > name and #'s of CDs you want. BE SURE TO INCLUDE YOUR RETURN ADDRESS! 
> > Mail it in and you'll get the goods in 2-4 weeks tops! 
> > 
> >
> --------------------------------------------------------------------------
> -------
> > Thanks for all your patience on this project. The CDs look and sound
> > GREAT! Thanks to Ray Peck for starting the whole thing and getting the
> > fantastic covers done as well as Kim Flint and Michael Peters for
> > helping me organize this monster and getting it re-released.
> > 
> > There are links galore all over the catalog with info on other music HWP
> > sells, check them out if you so desire. The Web site houses a gallery of
> > unusual instruments and an extensive page of electronic music links to
> > other site, artists, and instruments including a page on the Roland
> > GR300/GR33b guitar synths. If anyone has any questions feel free to
> > contact  me and I'll try and help you out. It all free so as AB sings
> > "Dig me but don't bury me".
> > 
> > -----------------------------------------------------------------------
> >      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
> > "Bringing you the best in Organic Electronic music since we started..."
> >      
> > Home of the Unusual Instrument and Recording Gallery with pictures and
> > info of Tube recorders, Omnichords, weird guitars, Casios, and more.
> > 
> > 
> 

From Loopers-Delight-request@annihilist.com  Thu Oct 14 14:34:57 1999
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From: "Weideman, Gary L (Gary)" <weideman@lucent.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Boomerang and DL4 - URL to DL4 docs???
Date: Thu, 14 Oct 1999 13:05:33 -0500
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Here it is:

http://www.line6.com/support/library.htm

Go to the Looper Document 

Gary
> ----------
> From: 	L Tremblay[SMTP:ltct@concentric.net]
> Reply To: 	Loopers-Delight@annihilist.com
> Sent: 	Thursday, October 14, 1999 11:45 AM
> To: 	Loopers-Delight@annihilist.com
> Subject: 	Re: Boomerang and DL4 - URL to DL4 docs???
> 
> What's the URL to the DL4 docs? I couldn't find it
> anywhere on the Line6 site.
> 
> thanks
> 
> Larry
> 
> -----Original Message-----
> From: Weideman, Gary L (Gary) <weideman@lucent.com>
> To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
> Date: Thursday, October 14, 1999 12:00 PM
> Subject: RE: Boomerang and DL4
> 
> 
> >Matt,
> >
> >Thanks for the response. Do you (or anyone else) know what the sampling
> rate
> >is the the DL4 ?? I'm wondering if it is close to a JamMan or EP or lower
> >like the Rang. I would like to get a looper that is at least as good as
> the
> >JamMan since I'm playing acoustic guitar and want the loop sample to be
> >pretty good.
> >
> >Thanks in advance
> >
> >G. Weideman
> >
> >> ----------
> >> From: Matthias Grob[SMTP:matthias@grob.org]
> >> Reply To: Loopers-Delight@annihilist.com
> >> Sent: Wednesday, October 13, 1999 10:34 PM
> >> To: Loopers-Delight@annihilist.com
> >> Subject: RE: Boomerang and DL4
> >>
> >> >I've heard from another local music store that the DL4 is coming the
> end
> >> of
> >> >the month.
> >> >
> >> >I printed out the DL4 manual from Line6's website. It appears that the
> >> pedal
> >> >is 24-bit from the documentation although I'm not sure  if that
> literally
> >> >means that the sampling rate is 24-bit for the looper, can anyone
> confirm
> >> >that ?
> >>
> >> dont worry about this too much. The converter is not 24bits anyway, and
> >> its
> >> quality cannot be expressed in bits really. Even 16bit converters
> usually
> >> dont use the last bit truely.
> >> The processor calculates in 24 or 32bits internally. This is a must and
> >> does not say anything either.
> >>
> >>
> >>
> >>          ---> http://Matthias.Grob.org
> >>
> >>
> >
> >
> 

From Loopers-Delight-request@annihilist.com  Thu Oct 14 15:11:41 1999
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From: Nemoguitt@aol.com
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Date: Thu, 14 Oct 1999 14:16:57 EDT
Subject: dear heloise
To: Loopers-Delight@annihilist.com
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one of the many little things that will eventually push me over the edge is 
the fact that i must dust off my equipment every day........and yes heloise, 
i smoke and smoke and smoke.......but unlike kim, i do not have to worry 
about single malt contamination, i think gin dries cleaner.......so my 
question is this, will i have to dust less when i can no longer plug my 
tablas in or if the electrcity does not go away how do you suggest that i 
deal with the air-born pollution problem.......or should i get myself another 
job and not worry about it?.........thanks........michael

From Loopers-Delight-request@annihilist.com  Thu Oct 14 15:18:56 1999
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Date: Thu, 14 Oct 1999 15:07:36 -0400
From: "roguemus@ix.netcom.com" <roguemus@ix.netcom.com>
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To: Loopers-Delight@annihilist.com
Subject: Re: Anyone sell a JamMan Footswitch ??
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We have the footswitch for $25.

Dick Michaels
Rogue Music NYC
http://www.roguemusic.com
Check out our online musical instrument auctions
at http://www.auctionsoup.com
Weideman, Gary L (Gary) wrote:

> > Hi,
> >
> Another JamMan question - where can I get footswitches
> for a JamMan ??
>
> G. Weideman



From Loopers-Delight-request@annihilist.com  Thu Oct 14 15:17:17 1999
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Date: Thu, 14 Oct 1999 02:59:41 -0400
From: Legion <legion@voicenet.com>
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Subject: Re: Looper's Delight CD#1 STILL available!!!
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Tim Cassler wrote:
 
> Who are the artists on the CD?

Good Lord! Can it be that someone hasn't heard of this yet?  That *must*
explain why they haven't bought one yet too. 

To correct both problems here ya go:

(Taken From -  http://www.annihilist.com/loop/cd1/LDCD1.htm)

Artist - Track Name

1. Michael Peters - On The Move
2. Dave Stafford - Spider's Web
3. Matthias Grob with Bira Reis (percussion) - Sete
4. Matthias Grob - The Fool's Dance
5. Andre Krikula and Conny Sommer - Es geschah
6. Renato Rizzo - Salina
7. Matthias Grob - Grama Para Todos
8. Mike Stevens - A Walk In My Dream
9. Doug Michael-  Helix
10. Doug Michael - Trance (edit)
11. Fingerpaint (Patrick Smith and Steev Geest) - Sirens Of Titan
12. Doug Michael - Feed
13. David Talento - Just Give Up And Marry The Boss's Daughter
14. The Outside Loop -  Bag In A Tree
15. Kuno Wagner - Intermedium

Now BUY one of these great disk and support the music of LD and the web
site:

To Order this CD please Send $12 (in the US) or $13 (from canada and the
rest of the World) payable in US funds to: Help Wanted Productions - PO
Box 2205, Phila., Pa 19103 

Full info, pics, links, civer art, Order From, other CDs, etc AT:
http://www.voicenet.com/~legion/ldcd1.htm

THANKS!
-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Thu Oct 14 15:36:41 1999
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From: Tim Cassler <TimC@FocusDirect.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Looper's Delight CD#1 STILL available!!!
Date: Thu, 14 Oct 1999 14:24:13 -0500
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1. YES! The Lord is good!
2. No, I had not heard of this cd...and..
3. No, I have not bought one....

I don't see any problem here......

> -----Original Message-----
> From:	Legion [SMTP:legion@voicenet.com]
> Sent:	Thursday, October 14, 1999 2:00 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: Looper's Delight CD#1 STILL available!!!
> 
> Tim Cassler wrote:
>  
> > Who are the artists on the CD?
> 
> Good Lord! Can it be that someone hasn't heard of this yet?  That *must*
> explain why they haven't bought one yet too. 
> 
> To correct both problems here ya go:
> 
> (Taken From -  http://www.annihilist.com/loop/cd1/LDCD1.htm)
> 
> Artist - Track Name
> 
> 1. Michael Peters - On The Move
> 2. Dave Stafford - Spider's Web
> 3. Matthias Grob with Bira Reis (percussion) - Sete
> 4. Matthias Grob - The Fool's Dance
> 5. Andre Krikula and Conny Sommer - Es geschah
> 6. Renato Rizzo - Salina
> 7. Matthias Grob - Grama Para Todos
> 8. Mike Stevens - A Walk In My Dream
> 9. Doug Michael-  Helix
> 10. Doug Michael - Trance (edit)
> 11. Fingerpaint (Patrick Smith and Steev Geest) - Sirens Of Titan
> 12. Doug Michael - Feed
> 13. David Talento - Just Give Up And Marry The Boss's Daughter
> 14. The Outside Loop -  Bag In A Tree
> 15. Kuno Wagner - Intermedium
> 
> Now BUY one of these great disk and support the music of LD and the web
> site:
> 
> To Order this CD please Send $12 (in the US) or $13 (from canada and the
> rest of the World) payable in US funds to: Help Wanted Productions - PO
> Box 2205, Phila., Pa 19103 
> 
> Full info, pics, links, civer art, Order From, other CDs, etc AT:
> http://www.voicenet.com/~legion/ldcd1.htm
> 
> THANKS!
> -----------------------------------------------------------------------
>      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
> "Bringing you the best in Organic Electronic music since we started..."
>      
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Thu Oct 14 16:01:22 1999
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Date: Thu, 14 Oct 1999 12:39:33 -0700
From: "mark givens" <markeg@ivillage.com>
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 dear list: I have the sp 202 and I use it as a second sampler. It doesnt have the editing capablility of, say an ensoniq,but with practice can get tight  loops The unit does have  real time time stretch(turn a knob and watch it slow down and speed up a sample instantly) and a ring modulor and filter resonance. I am gratefulthat this unit introduced me to the joys of delay (great on drums) as well as the other effects i mentioned.  I have it expanded my unit fully and now i use it for the extra memory it provides in a pinch.                                              That said , I want to mention that the sp202 is 16 bit,31 hz at the hi fi setting(!) and that the expanded portin(with the smart cards) doe not have the time strecthing
--

On Thu, 14 Oct 1999 06:43:51   Patrick Smith wrote:
>
>On 10/1/3/99 Dael Frane wrote:
>.
>>Now I need 4mb smartmedia for my Boss sp202 Dr.Sample.
>>The Roland site is no help, and it's ugly too. Does anyone know where I can
>>find the right smartmedia for the sp202? Can it handle larger smartmedia
>>cards?
>>
>>
>
>
>Dael,
>
>I'm fairly certain that 4mb is the max. Check the manual. I picked up my
>smart media card at COMPUSA. BE CLEAR THAT YOU BUY THE PROPER TYPE OF CARD!
>I saw a 4mb in  camera store that would not work. Again check the manual
>for assistance.
>
>Patrick
>                     Fingerpaint's New Release:
>
>                            IN THE LOOP
>
>      ... an intelligent, stimulating mixture of mimimaist spacebeats and
>           obscure samples layered upon a hypnotic illbient backdrop.
>
>                       DIGITAL ARTIFACT # 12
>
>                      http://www.fingerpaint.net
>
>


--
Join the most exciting community of women on the web!
iVillage.com's FREE membership gets you private email,
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From Loopers-Delight-request@annihilist.com  Thu Oct 14 16:50:32 1999
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Reply-To: "Stephen Goodman" <sgoodman@earthlight.net>
From: "Stephen Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
References: <0.59137c90.25377819@aol.com>
Subject: Re: dear heloise
Date: Thu, 14 Oct 1999 13:22:49 -0700
Organization: EarthLight Productions
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I'm not Heloise, but...

There's no escape beyond covering your equipment with sheets in case you've
got the bloody Stucco Ceiling Syndrome, a common problem in Southern
California, and other sectors possessing Cheap Landlord Disfunction.
Frigging stucco is in a constant state of decomposition, and will supply a
fine coating of dust everywhere, especially in a State That Moves like CA
does.

Suggestions involve using sheets to cover your equipment, and fairly regular
dusting over everything else.  ESPECIALLY if you're a smoker (of any kind),
as the smoke particles are sticky buggars, and complicate the issue of
dusting immensely.  Venetian blinds suffer the worst from this if you don't
dust 'em regularly; they'll take on a crappy looking surface eventually,
revealing the tar  (/etc.) from one's smoking activities over a several year
period.  By which time it's best to just replace them, and not attempt to
clean...

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html
*
(Hear the NEW "Star Spangled Banner" here!)

----- Original Message -----
From: <Nemoguitt@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, October 14, 1999 11:16
Subject: dear heloise


> one of the many little things that will eventually push me over the edge
is
> the fact that i must dust off my equipment every day........and yes
heloise,
> i smoke and smoke and smoke.......but unlike kim, i do not have to worry
> about single malt contamination, i think gin dries cleaner.......so my
> question is this, will i have to dust less when i can no longer plug my
> tablas in or if the electrcity does not go away how do you suggest that i
> deal with the air-born pollution problem.......or should i get myself
another
> job and not worry about it?.........thanks........michael
>

From Loopers-Delight-request@annihilist.com  Thu Oct 14 17:09:19 1999
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Subject: Hi & Line 6 has a new pedal out
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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Hi all,  I just joined. Don't do any looping yet (waiting for maney for 
gear), but have experimented some in the past. Meanwhile, I figure this list
should keep me on the up and up re. the looping world...

Oh, just thought I'd mention (in case no one has yet)
Line 6' new pedal, the DL4 Delay Modeler
It's a stereo, 14 second programmable loop sampler !
Supposed to retail US@$300

http://www.line6.com/products/stomper.htm

There's a user preview-review at Harmony Central :

http://www.harmony-central.com/Effects/Data/Line_6/DL4_Delay_Modeler_01-01.h
tml

- Drew

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Oct 14 17:17:45 1999
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Date: Thu, 14 Oct 1999 15:38:46 +0000
From: Bobdog/Doghouse Audio Laboratory <psbuddha@texas.net>
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        Loopers Delight <Loopers-Delight@annihilist.com>
Subject: We got Boomerangs
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hi elaine -

i've got boomerangs in stock & i sell them to looper's delight folks for
$425 + shipping.

please contact me at work, not here, please:

krazy kat music
210-737-0523
krazy2@flash.net

i'll be there friday & saturday if you would like to chat.

bobdog

From Loopers-Delight-request@annihilist.com  Thu Oct 14 17:15:41 1999
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From: "L Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Boomerang and DL4 - URL to DL4 docs???
Date: Thu, 14 Oct 1999 14:17:29 -0400
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Nevermind...found it.
-----Original Message-----
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 14, 1999 2:06 PM
Subject: Re: Boomerang and DL4 - URL to DL4 docs???


>What's the URL to the DL4 docs? I couldn't find it
>anywhere on the Line6 site.
>
>thanks
>
>Larry
>
>-----Original Message-----
>From: Weideman, Gary L (Gary) <weideman@lucent.com>
>To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
>Date: Thursday, October 14, 1999 12:00 PM
>Subject: RE: Boomerang and DL4
>
>
>>Matt,
>>
>>Thanks for the response. Do you (or anyone else) know what the sampling
>rate
>>is the the DL4 ?? I'm wondering if it is close to a JamMan or EP or lower
>>like the Rang. I would like to get a looper that is at least as good as
the
>>JamMan since I'm playing acoustic guitar and want the loop sample to be
>>pretty good.
>>
>>Thanks in advance
>>
>>G. Weideman
>>
>>> ----------
>>> From: Matthias Grob[SMTP:matthias@grob.org]
>>> Reply To: Loopers-Delight@annihilist.com
>>> Sent: Wednesday, October 13, 1999 10:34 PM
>>> To: Loopers-Delight@annihilist.com
>>> Subject: RE: Boomerang and DL4
>>>
>>> >I've heard from another local music store that the DL4 is coming the
end
>>> of
>>> >the month.
>>> >
>>> >I printed out the DL4 manual from Line6's website. It appears that the
>>> pedal
>>> >is 24-bit from the documentation although I'm not sure  if that
>literally
>>> >means that the sampling rate is 24-bit for the looper, can anyone
>confirm
>>> >that ?
>>>
>>> dont worry about this too much. The converter is not 24bits anyway, and
>>> its
>>> quality cannot be expressed in bits really. Even 16bit converters
usually
>>> dont use the last bit truely.
>>> The processor calculates in 24 or 32bits internally. This is a must and
>>> does not say anything either.
>>>
>>>
>>>
>>>          ---> http://Matthias.Grob.org
>>>
>>>
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 14 17:42:33 1999
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From: SoundFNR@aol.com
Message-ID: <0.be14ae55.2537a450@aol.com>
Date: Thu, 14 Oct 1999 17:25:36 EDT
Subject: Re: Vortex pedal info request+jamMan footswitch
To: Loopers-Delight@annihilist.com
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In a message dated 14/10/99 17:22:59 GMT Daylight Time, weideman@lucent.com 
writes:

> Andy,
>  
>  When will the page be up ?? I'm getting a JamMan and need the footswitches
>  so any help is greatly appreciated !!!
>  
>  Gary Weideman
It's up there now.

Andy Butler
Lexicon Vortex Database 
http://members.aol.com/soundfnr/vortex.htm

From Loopers-Delight-request@annihilist.com  Thu Oct 14 18:13:58 1999
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From: "nitesh patel" <tesh@gte.net>
To: <Loopers-Delight@annihilist.com>
References: <NPLBHDFKGPICAAAA@ivillage.com>
Subject: Re: sp 202
Date: Sun, 14 Feb 1999 17:42:56 -0800
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pc connection has em dirt cheap 1 -800-800-5555 they're 34.00 for 4 mb with
shipping
----- Original Message -----
From: mark givens <markeg@ivillage.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, October 14, 1999 11:39 AM
Subject: sp 202


> dear list: I have the sp 202 and I use it as a second sampler. It doesnt
have the editing capablility of, say an ensoniq,but with practice can get
tight  loops The unit does have  real time time stretch(turn a knob and
watch it slow down and speed up a sample instantly) and a ring modulor and
filter resonance. I am gratefulthat this unit introduced me to the joys of
delay (great on drums) as well as the other effects i mentioned.  I have it
expanded my unit fully and now i use it for the extra memory it provides in
a pinch.                                              That said , I want to
mention that the sp202 is 16 bit,31 hz at the hi fi setting(!) and that the
expanded portin(with the smart cards) doe not have the time strecthing
> --
>
> On Thu, 14 Oct 1999 06:43:51   Patrick Smith wrote:
> >
> >On 10/1/3/99 Dael Frane wrote:
> >.
> >>Now I need 4mb smartmedia for my Boss sp202 Dr.Sample.
> >>The Roland site is no help, and it's ugly too. Does anyone know where I
can
> >>find the right smartmedia for the sp202? Can it handle larger smartmedia
> >>cards?
> >>
> >>
> >
> >
> >Dael,
> >
> >I'm fairly certain that 4mb is the max. Check the manual. I picked up my
> >smart media card at COMPUSA. BE CLEAR THAT YOU BUY THE PROPER TYPE OF
CARD!
> >I saw a 4mb in  camera store that would not work. Again check the manual
> >for assistance.
> >
> >Patrick
> >                     Fingerpaint's New Release:
> >
> >                            IN THE LOOP
> >
> >      ... an intelligent, stimulating mixture of mimimaist spacebeats and
> >           obscure samples layered upon a hypnotic illbient backdrop.
> >
> >                       DIGITAL ARTIFACT # 12
> >
> >                      http://www.fingerpaint.net
> >
> >
>
>
> --
> Join the most exciting community of women on the web!
> iVillage.com's FREE membership gets you private email,
> your own home page, special discounts and sweepstakes,
> and dozens of problem-solving tools.
> http://www.ivillage.com/frame/join_email.html
>

From Loopers-Delight-request@annihilist.com  Thu Oct 14 20:44:15 1999
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From: "K. G. Dick" <kgdick@hotmail.com>
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Subject: Hoax Spam
Date: Thu, 14 Oct 1999 16:30:15 PDT
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Dear Kim,
Please, if it helps you stay the course, have ANOTHER glass of Glenlivet!  
LOL.  These people have a place in the world... and it AIN'T here!  Let them 
all spam each other, but do ban them from a music list, of all places.

BTW, I post very little (to none), but nonetheless enjoy it VERY much.  And 
your home page has been invaluable to me, the owner of a EDP.  Thanks so 
much.

Best,
K. G. Dick

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Oct 14 20:20:57 1999
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Dear folks,

Here is another thought too.  Why is it virtually everyone on this list (or 
so it seems) has their email set to send and re-send threads ad infinitum?  
Y'all DO know you can shut it off right?  So that the message you are 
responding to isn't repeated over and over, growing with each additional 
response.  Sure, sometimes it takes a lil of the ol' cut and paste to 
maintain continuity, but usually not, and gosh, y'all are musicians, with 
strong fingers.  I KNOW you can manage the additional keystrokes (all 3 or 4 
of 'em!).  Really, it would help make the list much more intelligible.  
Thanks.

Best,
K. G. Dick

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Oct 14 21:50:12 1999
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Message-ID: <003001bf16ad$becfb5a0$b132dacf@stepheng>
Reply-To: "Stephen Goodman" <sgoodman@earthlight.net>
From: "Stephen Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
References: <19991014233015.75787.qmail@hotmail.com>
Subject: A Whisky Suggestion
Date: Thu, 14 Oct 1999 18:36:28 -0700
Organization: EarthLight Productions
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If we're talking fine single-malt, might I recommend Ardbeg?  I've a bottle
of 17-yr-old, and opened it for the first time last Friday night.  My
friends who consider themselves extreme oenophiles even went "mmmm," when
they had their own drams...

By the way, while I don't have an EDP, I can't deny the positive
input/advice gleaned from this list, to say nothing of a good bunch of
collaborators in the Movement To Loopify The Planet.

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html
*
(Hear the NEW "Star Spangled Banner" here!)

From Loopers-Delight-request@annihilist.com  Thu Oct 14 22:06:34 1999
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um..................how about just cutting out all the crap. just a thought.

From Loopers-Delight-request@annihilist.com  Thu Oct 14 22:16:00 1999
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Date: Thu, 14 Oct 1999 19:11:00 -0700
From: ROLAND EBERLE <number17@home.com>
Organization: @Home Network Member
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Subject: Electro Harmonix 16 sec on ebay
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A freind is selling his EH 16...go to ebay for item descritption and to
bid...thanks:
ELECTRO-HARMONIX 16 SECOND DELAY, VINTAGE  Item #176633424
                                 Miscellaneous:Musical
Instruments:Electronic




             Currently    $700.00
             First bid          
             Quantity     1
             # of bids    1 (bid history) (with emails)
             Time left    1 days, 8 hours +
             Location     Oakland,CA
             Started      10/05/99, 21:22:22 PDT
                                                     (mail this auction
to a friend)
             Ends         10/15/99, 21:22:22 PDT
                                                     (request a gift
alert)

             Seller       chefboy@lanminds.com (0)

From Loopers-Delight-request@annihilist.com  Thu Oct 14 22:48:11 1999
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Date: Thu, 14 Oct 1999 22:32:23 -0400
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Subject: Answers to Mattias
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>Date: Thu, 14 Oct 1999 01:34:49 -0200
>From: Matthias Grob <matthias@grob.org>
>To: Loopers-Delight@annihilist.com
>Subject: Re: No electricity?
>Message-Id: <v04003a05b42aac9a2082@[200.223.91.63]>
>Content-Type: text/plain; charset="us-ascii"
>
>>In response to that question, I've been spending my musical time studying
>>and practicing tabla ever since I discovered an Indian classical music
>>school in my area a couple of months ago, so the loss of electricity
>>wouldn't affect me at all. :)
>>
>>Cheers,
>>Paolo
>
>I doubt it. You never record?

If my teacher gives me a new composition to learn, I record it in my notebook.

>Can you play shows without amplifying?

I don't play shows.  I've only been to five classes and have never before
played any type of drum.  

>Didnt you ever go through the embarassing experience that someone politely
>asked you to stop playing because he (or often: the public) prefered to
>listen to a CD?

Luckily, no.  But I was involved in a situation where the dancers preferred
us playing live musical accompaniment (even with our mistakes!!!) over
recorded music.

I did attend performances which consisted entirely of the composer slipping
a tape into a player and pressing "Play" and we all just sat there and
listened to the playback.  I didn't get it at all until I realized it was a
tape of music for multiple-channel sound (that is, more than the two for
stereo).


Paolo



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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
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Subject: Re: Multi-effects (GT-3 mostly)
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I am (still) pretty psyched on the GT-3. It is phenomenally powerful, and I
am beginning to believe that it will rival some $1,000-plus rack units in
processing power. BUT be prepared to don your propeller hat and pen
protector, as the manual truly sucketh. At the GT-3 email newsgroup, we seem
to be rewriting the book, as it were, page by bloody page. Check out:
GT-3@onelist.com for email and the Boss GT-3 Users' Site
http://members.tripod.com/bossgt3/FAQ_Superframe.htm for the in-progress web
site.
    In response to your questions, I don't know if the GT-3 will sound as
"low-tech" as the EH microsynth, but I think it can be coaxed in that
direction. It certainly does some more wildly extreme stuff (and cleanly!)
than loads of EH pedals, the MicroSynth included. Think about what you heard
when you demo'd the GT-3, and then think about being able to tweak EVERY
parameter that you heard, including the order of effects. Remember also that
EH stuff falls apart pretty easily, while the GT-3 is built like a tank. And
if you swing the MIDI way, the GT-3 has your hookup.
    The slicer, if I remember correctly, has about ten preprogrammed rhythms
in it, and no way to edit them. But by imposing another effect, like an
in-sync trem, you could probably make it stutter into some new polyrhythm. I
think the mere availability of rhythm based effects in sync is rad.
    There was a post just a day or two ago about beefing up the wah by using
the (more powerful) autowah, and controlling it with the expression pedal.
Such tricks are commonplace on the GT-3. You could, ferinstance, set up the
expression pedal to control not only the wah, but to goose the highs of one
of the selected preamps at the high end of the pedal's travel to really fizz
it out, or bloat the bottom in a similar way, or make a wah morph into a
cloud of delays... or a cloud of aluminum locusts, clattering Ring
Modulator-like across fields of Escheresque step-chorus plants...
    "scuse me while I go play my GT-3ar..."
Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us


-----Original Message-----
From: M T <ylpunk@yahoo.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, October 12, 1999 12:41 PM
Subject: Multi-effects (GT-3 mostly)


>Hey all-
>
>I was wondering - I think you all were raving about this unit earlier, but
I'm
>not sure.  I currently am using a Quadraverb GT with a wah & overdrive, and
was
>planning on adding an EH microsynth and a Echoplex, whenever the
(*&&%$^%**&! I
>can get ahold of one.  THEN, I spent 2 hours the other day playing with the
>GT3, and started to think I could make my life a lot easier if this thing
can
>do what I think it can, like get rid of my wah, forget about buying a
separate
>controller pedal, and ditch all the xtra cables. (there is no posted
manual)
>
>My questions about the unit are:
>
>1.  Do you have a lot of control over synth parameters - is it the equal of
the
>microsynth in this regard?
>2.  Do you have full control over the rhythms used by the slicer, gate and
>others?
>
>Any input about this unit, as well as comparable units from other
>manufacturers,  would be very cool.  (Most of the ones I saw had no synth
>effects or anything like that.)  Also, I heard the wah sucks.  Is this
true?
>
>Thanks,
>
>MT
>
>
>=====
>*************************************************************
>This is a web-based account I use when I can't access my "normal" mail
account. Please reply to my regular address at 'm1cha3l@earthlink.net'.
Thanks.
>*************************************************************
>__________________________________________________
>Do You Yahoo!?
>Bid and sell for free at http://auctions.yahoo.com
>


From Loopers-Delight-request@annihilist.com  Fri Oct 15 00:30:06 1999
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Reply-To: "Mike" <camuscar@globaldialog.com>
From: "Mike" <camuscar@globaldialog.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Acid prg
Date: Thu, 14 Oct 1999 21:01:03 -0700
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Yup, I'm here to say that ACID kicks ass, and if you don't believe me, then
who can you believe?  ;-)

Hey, how about a Looper's Delight ACID library?


Mike Scheibinger
Sound Development Manager
Sonic Foundry
Ambient Soundscapes: LAGOM
http://www.mp3.com/artists/31/lagom.htm
Site updated 7/10/99
-----Original Message-----
From: leocavallo <cavallo@dada.it>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, October 11, 1999 1:03 AM
Subject: Re: Acid prg


>hi
>
>I use Acid a lot and I think it's really an amazing app....
>
>Mike S. (from SOnic FOundry) should be still on this list too...
>
>ciao
>leo
>
>At 21.50 10/10/99 PDT, you wrote:
>>Hello All,
>>
>>I've been using the SF Acid program for awhile now, and think its great.
>>
>>How many of you out there use it, at least occasionally?
>>
>>I would like to hear what many of you have accomplished w/it,
>>and would like to chat a bit about some of the features.
>>
>>Please email!
>>Take care,
>>
>>Seth
>>strivard@hotmail.com
>>
>>______________________________________________________
>>Get Your Private, Free Email at http://www.hotmail.com
>>
>>
>>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 15 00:27:06 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: Answers to Mattias
Date: Thu, 14 Oct 1999 23:38:34 -0400
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>>Didnt you ever go through the embarassing experience that someone politely
>>asked you to stop playing because he (or often: the public) prefered to
>>listen to a CD?

How is this any different from greebos yelling out 'requests'
for so-called alternative pablum during a set?

Just wondering. I'll shut up now.

- Larry

From Loopers-Delight-request@annihilist.com  Fri Oct 15 00:27:45 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: GT-3 Guitar Synth parameters
Date: Thu, 14 Oct 1999 21:13:58 -0700
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Well, I can say that the MicroSynth is just a distortion pedal with a
built-in volume pedal -- you can make it "fade" you in as though with an
envelope filter on a synthesiser (this is great with lots of echoes).  It
also has a built-in wah-wah pedal in that you can make it seem that it's
opening and closing a filter around the waveform.  But it's just a nice way
of managing distortion to fake a real synth.

  | -----Original Message-----
  | From: Travis Hartnett [mailto:hartne.t@apple.com]
  | Sent: Thursday 14 October 1999 9:19 AM
  | To: Looper's Delight
  | Subject: GT-3 Guitar Synth parameters
  |
  |
  | Someone was asking yesterday about what parameters were
  | adjustable on the
  | GT-3 synth effect, and how it compares with the EH Microsynth.
  | I don't have
  | the Microsynth manual here, but here's what you can control on the GT-3:
...

From Loopers-Delight-request@annihilist.com  Fri Oct 15 03:16:07 1999
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From: Hawkeye255@aol.com
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Date: Fri, 15 Oct 1999 02:49:11 EDT
Subject: Re: dear heloise
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michael,
       Positive pressure ventilation is used to keep radon out of basements 
and other underground living spaces.  And it's amazing how little a fan is 
needed to keep the radon levels down near zero...probably would work on 
airborne dust too(?).  If it were me, I would start with a whisper-quiet 
computer power supply fan.  For it to work (ie: have positive pressure), the 
room must be pretty tightly sealed and a small opening (with small fan 
blowing in) steadily maintaining the pressure in the room slightly above the 
rest of the building.
     I change my furnace filters once a month religiously and that makes a 
huge difference in the amount of dust that lands on my gear.  When I forget 
for even a couple of weeks, I can really tell the difference.  And dust is 
attracted to electronic equipment like nothing else.

Bill "Hawkeye"

From Loopers-Delight-request@annihilist.com  Fri Oct 15 03:21:49 1999
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From: Jax1723@aol.com
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Date: Fri, 15 Oct 1999 02:21:02 EDT
Subject: spam apology
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so i was at work and the my girlfriend was checking my mail said "there's 
this thing that says if you forward it you'll get money"  -- i said forward 
to everyoneone in my mail box (that's less than a dozen people).  I was 
drunk.  Now i'm sober and i realize i'm a bit of an a-hole.  sorry.  I'll 
never forward anything again.  That's a sincere promise and apology.  If ya 
all want to flame me and ban from the list that o.k. too --  i will still 
keep loooping.  Even though I didn't reallly know what was taking place in my 
name I still assume full responsiblity... I'd have been pissed if i got it so 
i understand all the shit i've gotten for sending it.
  cheers and happy looping.
 jack

From Loopers-Delight-request@annihilist.com  Fri Oct 15 07:54:59 1999
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subcribe

From Loopers-Delight-request@annihilist.com  Fri Oct 15 08:22:43 1999
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hello loopland, i'm back after after a long hiatus. after having first
found out about the audiomulch software (fer windoze) from this list,
i've spent a fair bit of time using it in the last coupla weeks. what a
great tool! 

it's basically a modular system of gadgets that you can wire together in
any way imaginable (until your computer chokes). in addition to many
interesting and bizarre effects, it also includes a loop player (ahhh,
list relevancy!). there are even 4x4 and 8x8 mixer matrices which can be
misused to produce organic feedback/ glitch storms a la David Myers
(still on the list Dave?) or Merzbow. i've produced some intersting
patches using the 4x4 matrix as well as using the granulators,
nebulizers, risset filters etc. for example, the bubbleblower granulator
is great for creating continuous streams of rhythmically chopped speech
a la Autechre or Boards Of Canada.

to the point: any of you out there messing with this stuff as well? are
any of you interested in exchanging patches?

rob
-the man cable-

From Loopers-Delight-request@annihilist.com  Fri Oct 15 09:00:46 1999
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Date: Fri, 15 Oct 1999 08:50:11 -0400 (EDT)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
Message-Id: <199910151250.IAA25498@badboy.micro.lucent.com>
To: Loopers-Delight@annihilist.com
Subject: Re: RE: fwd:fwd:etc.hey it hurts -- Kb and KB
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> Loopers-Delight-d-request@annihilist.com wrote:
> Loopers-Delight-d Digest                               Volume 99 : Issue 400
> ----------------------------------------------------------------------------
> Subject: RE: fwd:fwd:etc.hey it hurts -- Kb and KB
> From: "Javier Miranda V." <gnominus@earthling.net>
>
> I would also like everybody to start saying what they mean: "Kb" is not
> the same as "KB."
> In computer circles, the letter "K" is always uppercase.  Also, computer
> people tried to have the letter "K" be uppercase for binary systems and
> lowercase for decimal systems, but nobody pays any attention to that.
> Let's be on the same page about this.
>
> OK, now everybody, how many bits in a byte?

Now let's see...  If there are four bits (binary digits) in a nybble
and two nybbles in a byte, then there must be eight bits in a byte.
What's your word size?  :-)
--
Bill	>>> home: billfox@fast.net	work: billfox@lucent.com
==============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
==============================================================================
The radio station:	http://www.wdiyfm.org
My radio show:		http://www.wdiyfm.org/schedule/s_emusic.html
My band's site:		http://www.crosswinds.net/~shadowplay

From Loopers-Delight-request@annihilist.com  Fri Oct 15 10:32:58 1999
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			Playlist for "EMUSIC"

"EMUSIC," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html

		Show #134		October 14, 1999.
		Host: Bill Fox		http://www.wdiyfm.org
		billfox@fast.net

On this show, I continued Oktoberfest EMUSIC-style with a month-long
focus on the artist roster of the German label Manikin.  The feature CD
at midnight was "Interkosmos" by Fanger & Kersten.

	Manikin       :  http://www.manikin.com
	EMUSIC Focus  :  http://www.wdiyfm.org/emusic/playlists/focus.html

Monk and Hearts of Space recording group Coyote Oldman will appear at
the next Gathering on October 23 at St. Mary's Church Sanctuary.  The
Electronic Music Mini Festival will be held at the Theatre 3-in-1 in
Huizen, The Netherlands on October 30.  Ron Boots & Friends, Syndromeda,
Free System Project with Patchwork, Wave World, and Gert Emmens will be
the performing artists.  Music was played in support of these two
outstanding events.

	EMUSIC Events :  http://www.wdiyfm.org/emusic/events.html
	The Gathering :  http://www.starsend.org/20gather.html
	Mini Festival :  http://home.wxs.nl/~quantumproductions/minifest.htm
	Mini Festival :  http://www.groove.nl/news.html#oct99


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Tales                   Ankalerye's Terklands    Interstellar Memories (SIT)
Dub Automica            Autonomic                Autonomic (DiN)
Jorg Schaaf             Eric's Birth             Sonar Experience (96 Sounds)
Steve Roach             Realm of Refraction      Light Fantastic (Fathom)
Coyote Oldman           Brilliant Darkness     TheShapeOfTime(CoyoteOldmanMusic)
Ron Boots               Dewdrop Plungle          Tainted Bare Skin (Groove)
Fanger & Kersten        Interkosmos              Interkosmos (Manikin)

12:00 am
Fanger & Kersten        New Times                Interkosmos (Manikin)
Fanger & Kersten        Deep Sleep               Interkosmos (Manikin)
Fanger & Kersten        Nightshift               Interkosmos (Manikin)
Fanger & Kersten        Searched                 Interkosmos (Manikin)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will continue the month-long Oktoberfest focus on
the German label, Manikin.  The Feature CD at Midnight will be "The
Ancient Saga" by Arcanum.

EMUSIC will also be participating in the WDIY membership drive next
week.  Interstellar Memories by Tales (Somewhere In Time Records) will
be added to the list of CD choices offered as thank you gifts at the
Family pledge level.  Available ONLY during EMUSIC!!

And to make this edition of EMUSIC special, Tribal-Ambient master Steve
Roach will phone in a live interview from the Timeroon in Arizona!

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

From Loopers-Delight-request@annihilist.com  Fri Oct 15 11:57:32 1999
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From: "Weideman, Gary L (Gary)" <weideman@lucent.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: JAMMAN sold on EBAY for $730 !!!
Date: Fri, 15 Oct 1999 10:32:41 -0500
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Well I thought I was going to get this one but someone came
in in the last 2 hours and ran the price from $430 to $730 !!!

Guess I have to wait for another one or think about a DL4 for now !!!

Whaaaaaaaaaaaa!!!!

G. Weideman

From Loopers-Delight-request@annihilist.com  Fri Oct 15 12:03:57 1999
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From: "Joseph Buck" <josephbuck@hotmail.com>
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Subject: Re: audiomulch patches
Date: Fri, 15 Oct 1999 08:33:07 PDT
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Rob-

Yo.  I have been exclusively using audiomulch stuff for the past few months 
now to the frustration of all my other instruments and schwag. It is easy to 
get a repore going with it.  I will tone up some stuff using different parts 
of the frequency spectrum to add a little wobble and complexity to the tone 
and then begin bubbling up, looping, and combining stuff together. I then 
have been working with a British composer friend of mine who has been doing 
stuff in Koan and he then creates stuff in and around my work. Really some 
great stuff.
Between that and Soundedit 16 for the MAC (which I generated and recorded my 
album "The Dead Sometimes Speak" that's going to be coming out this year 
<gentle plug>) it has been an exciting time and a new direction for my work.

good God y'all!


Buck

>From: Cummings <r_t_cummings@compuserve.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers Delight <Loopers-Delight@annihilist.com>
>Subject: audiomulch patches
>Date: Fri, 15 Oct 1999 13:24:40 +0200
>
>hello loopland, i'm back after after a long hiatus. after having first
>found out about the audiomulch software (fer windoze) from this list,
>i've spent a fair bit of time using it in the last coupla weeks. what a
>great tool!
>
>it's basically a modular system of gadgets that you can wire together in
>any way imaginable (until your computer chokes). in addition to many
>interesting and bizarre effects, it also includes a loop player (ahhh,
>list relevancy!). there are even 4x4 and 8x8 mixer matrices which can be
>misused to produce organic feedback/ glitch storms a la David Myers
>(still on the list Dave?) or Merzbow. i've produced some intersting
>patches using the 4x4 matrix as well as using the granulators,
>nebulizers, risset filters etc. for example, the bubbleblower granulator
>is great for creating continuous streams of rhythmically chopped speech
>a la Autechre or Boards Of Canada.
>
>to the point: any of you out there messing with this stuff as well? are
>any of you interested in exchanging patches?
>
>rob
>-the man cable-
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Oct 15 11:54:43 1999
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Date: Fri, 15 Oct 1999 11:50:41 -0400
From: Darcy Clark <darcyc@engin.umich.edu>
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I have played with AudioMulch, but it as of the last beta it would crash
my machine very regularly. I have yet to extensive tweak the latest beta
yet to see if the stability has improved. That said I would be extremely
interested in swapping patches with other loopers.

Darcy

Cummings wrote:
> 
> hello loopland, i'm back after after a long hiatus. after having first
> found out about the audiomulch software (fer windoze) from this list,
> i've spent a fair bit of time using it in the last coupla weeks. what a
> great tool!
> 
> to the point: any of you out there messing with this stuff as well? are
> any of you interested in exchanging patches?
> 
> rob
> -the man cable-


-- 
---------------------------------------------------
Ph: (734) 764 3377 
Email: darcyc@engin.umich.edu
URL: http://www-personal.engin.umich.edu/~darcyc/
---------------------------------------------------
'If you're not part of the solution, you're part of the precipitate'
..... Steven Wright

From Loopers-Delight-request@annihilist.com  Fri Oct 15 12:30:59 1999
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From: "Weideman, Gary L (Gary)" <weideman@lucent.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: WTB: Lexicon JAMMAN
Date: Fri, 15 Oct 1999 10:52:07 -0500
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Seriously looking for  a good used JAMMAN. Let me know
if you have one to sell or know of someone who does !!

Thanks to the list

G. Weideman

From Loopers-Delight-request@annihilist.com  Fri Oct 15 18:30:53 1999
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uncsubscribe: anomoleee@aol.com

From Loopers-Delight-request@annihilist.com  Fri Oct 15 19:59:09 1999
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I don't believe that I have seen that spelling
before, Kim?

Anomoleee@aol.com wrote:

> uncsubscribe: anomoleee@aol.com

From Loopers-Delight-request@annihilist.com  Fri Oct 15 21:34:20 1999
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From: Phil Petrocelli <philpet@microsoft.com>
To: Loopers-Delight@annihilist.com
Subject: soultheft goes live on MP3.com
Date: Fri, 15 Oct 1999 18:13:05 -0700
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> Finally.  The laziness factor in my life staggers me sometimes.
> http://www.mp3.com/soultheft.
> 
> Feedback welcome - lemme know what you think.  Please pass this on to
> whomever might be interested.
> 
> Thanks.
> 
> Phil
> 
> ====================
> My other vehicle is my mind.
> 
> 

From Loopers-Delight-request@annihilist.com  Fri Oct 15 22:10:05 1999
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Date: Sat, 16 Oct 1999 02:37:12 +0000
Subject: Re: UK Headrush anyone?
From: "Martin Shellard" <martins@pwdu.demon.co.uk>
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Yes I have one, I had some trouble finding one but I think someone found one
for me at Turnkey in London for Ģ130.

Martin Shellard


----------
>From: SoundFNR@aol.com
>To: Loopers-Delight@annihilist.com
>Subject: UK Headrush anyone?
>Date: Thu, Oct 14, 1999, 2:37 pm
>

> Has anyone in UK seen an Akai Headrush?
>
> Andy Butler
> 

From Loopers-Delight-request@annihilist.com  Fri Oct 15 23:59:04 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
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Subject: Re: spam apology
Date: Fri, 15 Oct 1999 20:39:50 PDT
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I'm drunk right now and I think you look very pretty.

Mr. Tough

:)


>From: Jax1723@aol.com
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: spam apology
>Date: Fri, 15 Oct 1999 02:21:02 EDT
>
>so i was at work and the my girlfriend was checking my mail said "there's
>this thing that says if you forward it you'll get money"  -- i said forward
>to everyoneone in my mail box (that's less than a dozen people).  I was
>drunk.  Now i'm sober and i realize i'm a bit of an a-hole.  sorry.  I'll
>never forward anything again.  That's a sincere promise and apology.  If ya
>all want to flame me and ban from the list that o.k. too --  i will still
>keep loooping.  Even though I didn't reallly know what was taking place in 
>my
>name I still assume full responsiblity... I'd have been pissed if i got it 
>so
>i understand all the shit i've gotten for sending it.
>   cheers and happy looping.
>  jack
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Oct 16 11:26:53 1999
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Message-ID: <38085A59.DE9772AC@toddreynolds.com>
Date: Sat, 16 Oct 1999 11:01:36 +0000
From: Todd Reynolds <todd@toddreynolds.com>
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This is a multi-part message in MIME format.
--------------4C08E158D8938337B7C7187E
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now the only thing to do is find an apartment and gather boxes.  (where
can I get them in bulk around here?)

dear friends,

I've made the committment to find another living space.  There is no
current pressure to do so, so i'm putting out the appropriate feelers.
I request that you keep me in mind if you become aware of spaces in
manhattan, brooklyn, washington heights, east village, long island city,
really, no possibility is closed to me.   with regard to specifics i'm
looking for what everybody looks for, the most space for the least
amount of money.  go figure.  My budget is only somewhat flexible.
thank you for your consideration, and your friendship. if it starts to
come down to the wire, i'll probably start offering door prizes, but for
now, my request is only based on your generosity and our relationship,

thanks,  and hope you are well

todd reynolds

please resist feeling obligated to respond if you have no information.
the last thing i intend is to use up more valuable email time for you...




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--------------4C08E158D8938337B7C7187E--

From Loopers-Delight-request@annihilist.com  Sat Oct 16 11:54:46 1999
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Date: Sat, 16 Oct 1999 11:43:33 -0400 (EDT)
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To: Loopers-Delight@annihilist.com
From: Frank Gerace <seahorse@channel1.com>
Subject: RE: Does Lexicon fix a damaged JamMan 
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Hi Tim,
Sorry to disappoint you, but my experience with Lexicon is limited to the
JamMan.  I may lust after some of their products, but haven't had the money
or time to invest in them.

Frank
At 06:43 AM 10/14/99 -0500, you wrote:
>Hi Frank. My name is Tim Cassler...I am in San Antonio, TX. I Hope today
>finds you well!
>
>Are you up to speed on the new Lexicons? Are they making anything now that
>is comparable to the JamMan? I am new to the looping thing, but I know that
>I do not want to spend $1,000 for an effects processor, just because it
>samples.
>
>You sound like you have an appreciation for the Lexicon makes...can you
>advise me?
>
>> -----Original Message-----
>> From:	Frank Gerace [SMTP:seahorse@channel1.com]
>> Sent:	Wednesday, October 13, 1999 5:36 PM
>> To:	Loopers-Delight@annihilist.com
>> Subject:	Re: Does Lexicon fix a damaged JamMan 
>> 
>> Absolutely.  They have a bench charge, which if I remember correctly, is
>> around $90.  Look through the old digests and get Greg Hogan's number (at
>> Lexicon).  He's very helpful and they do a great job.  I've had two in for
>> work and they work just fine now.
>> 
>> Frank Gerace
>> Dreamchild
>> 
>> At 12:52 PM 10/13/99 -0500, you wrote:
>> >Hi,
>> >
>> >Just wondering if Lexicon will fix a JamMan if it breaks ??
>> >
>> >G. Weideman
>> >
>> >
>> >
>
>
>

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Perhaps the gentleman would like to subscribe his UNCle.

-----Original Message-----
From: Jeff Duke <jmar@bellsouth.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, October 15, 1999 8:34 PM
Subject: Re: Hoax Spam Continued


>I don't believe that I have seen that spelling
>before, Kim?
>
>Anomoleee@aol.com wrote:
>
>> uncsubscribe: anomoleee@aol.com
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 16 14:16:24 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: I'm Moving!!!!!
Date: Sat, 16 Oct 1999 11:09:33 -0700
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Todd, good luck on your move.  But NY is big and there must be somewhere for
you; it can't all be possibly taken out.  I do remember big buildings left
empty for years, but that's another story.

As a public service to all fellow Loopers of our species, I would like to
risk posting this non-looping-related item.

I have just discovered this week that Yahoo! now offers, besides the
excellent free e-mail and other services, now they offer free POP3
connections!

I have done it and proved it works perfectly, but still don't believe it...
You can customize your Eudora, Outlook Express/98/2000, Netscape, or
whatever e-mail client you use, to connect via the Internet to their SMTP
and POP servers to both send and receive e-mail.

This, combined with the several "free" Internet-connection services out
there, means that you can connect to the Web at 56K and have a permanent
e-mail account for free...

The significance of the free e-mail account is that when you move, only you
move, not your e-mail.  You maintain a single point of contact with all your
friends and family, even though you move between different houses, ISPs, or
whatever -- sell your Echoplex, sell your Boomerang, sell your EH 16-sec --
you still have the same e-mail address...  No hastles e-mailing everybody
that your e-mail address is changing.

Not only that, but other companies charge anywhere from $10 to $25 yearly so
that you have this nice convenience.

I hope some of you find this important and get your free SMTP and POP
services at Yahoo too.  Well, we all here have e-mail addresses, yes?

Thanks; you can resume your looping activities now.

Javier

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From: "Pete" <manx72@voyager.net>
To: "loopers" <Loopers-Delight@annihilist.com>
Subject: fruityloops
Date: Sat, 16 Oct 1999 17:37:53 -0400
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I have been using a program called fruityloops for drum loops, and some =
looping of small wave samples=20

for about a month or so. I'm wondering if anyone else on this list has =
used this program for looping.

If so what do you all think about it?=20

Does it work for you?

Have you found any major shortcomings?

Thanks for any and all input-

                                            Pete=20

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3401" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>I have been using a program called fruityloops =
for&nbsp;drum=20
loops, and some looping of small wave samples </FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>for about</FONT><FONT size=3D2> a month&nbsp;or so. =
I'm=20
wondering if anyone else on this list has used this program for=20
looping.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>If so what do you all think about it? </FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>Does it work for you?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>Have you found any major shortcomings?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>Thanks for any and all input-</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp;=20
&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; =
&nbsp;&nbsp;&nbsp; Pete=20
</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Sat Oct 16 18:28:01 1999
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Date: Sun, 17 Oct 1999 07:20:39 +0900
To: Loopers-Delight@annihilist.com
From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: LD Vol.2 RealAudio site
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--============_-1272010054==_ma============
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Hi,

Very very sorry for my delay.

I made LD Vol.2 RealAudio site.

http://www.cavestudio.com/S+V/LD2_RA.html


It need Real Player G2 or greater for listen.
I refer to http://www.finleysound.com/loop/Looper_info.html for the web design.

 Thanks

  Sunao Inami
http://www.cavestudio.com
--============_-1272010054==_ma============
Content-Type: text/enriched; charset="us-ascii"

Hi,


Very very sorry for my delay.


I made LD Vol.2 RealAudio site.


http://www.cavestudio.com/S+V/LD2_RA.html



It need Real Player G2 or greater for listen.

I refer to http://www.finleysound.com/loop/Looper_info.html for the web
design.


 Thanks


  Sunao Inami

http://www.cavestudio.com 

--============_-1272010054==_ma============--

From Loopers-Delight-request@annihilist.com  Sat Oct 16 19:58:56 1999
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From: "Pete" <manx72@voyager.net>
To: "loopers" <Loopers-Delight@annihilist.com>
Subject: fruityloops
Date: Sat, 16 Oct 1999 19:53:04 -0400
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(Sorry about the HTML floyd,)


I have been using a program called fruityloops for drum loops, and some
looping of small wave samples

for about a month or so. I'm wondering if anyone else on this list has used
this program for looping.

If so what do you all think about it?

Does it work for you?

Have you found any major shortcomings?

Thanks for any and all input-

                                            Pete

From Loopers-Delight-request@annihilist.com  Sun Oct 17 00:30:40 1999
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Message-ID: <38091421.8A6B5C89@toddreynolds.com>
Date: Sun, 17 Oct 1999 00:11:15 +0000
From: Todd Reynolds <todd@toddreynolds.com>
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Todd Reynolds wrote:

> I'm sooo sorry, inadvertently sent a personal email  to the list.  My
> apologies... to everyone.

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From Loopers-Delight-request@annihilist.com  Sun Oct 17 00:42:07 1999
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Message-ID: <38095C82.65F10BFF@cdm.sfai.edu>
Date: Sat, 16 Oct 1999 21:20:05 -0800
From: Mark Sottilaro <mark@cdm.sfai.edu>
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Organization: San Francisco Art Institute
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Subject: Where to buy Steinberger strings in SF area?
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Hey pals,

Anyone know where one would buy TranstremŪ strings or Double ball bass
strings?  Yeah, I've got a soft spot for these headless mutants, but The
Guitar Center did not have them and I'm new out here and don't know
where to go.

Thanks,

Mark


From Loopers-Delight-request@annihilist.com  Sun Oct 17 01:25:40 1999
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Message-ID: <005201bf185d$be89f2c0$c473d6d1@micronjenni>
From: "Jenni Leeds" <jennil@bellsouth.net>
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Subject: Re: AudioMulch
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Cool. um er. I'm speechless. Yes. AudioMulch is very cool. Emphasize very.
I'm interested in exchanging patches and ideas...although I'm just beginning
to work with this. You could be my guru though. Emphasize could. Anyway. Who
is you. Ah yes. Does anybody er know of a decent inexpensive "stereo" in and
out sound card for pee-seeez. I don't want to dip to deep into my pocket, it
being my girlfriends computer in all. (Take that how you like). I'm actually
preparing to buy a 1000 Mhz. Apple G4 super computer next summer ('cause
they have all the best software, dig).  So anyway the soundcard should be a
PC based where as I can hook up a lexicon vortex audio out into the
computer. Pulverize the sound with AudioMulch and send it out into a
four-track (Don't ask).
    By the way thanks for the tips on the mp3 player hook-up compatibility.
Experiment a success! Live sampling using audio tracks downloaded off the
internet and loaded onto my mp3. Hell, I coulda just pressed play and stood
their and enjoyed the random-fire mp3 samples. Cool. Yet I deterred in favor
of tweeking them with my audio morpher and looping 'em with the echoplex.
Cool. .....Next step, find a program that turns wav. to mp3 in which I can
therefore mutilate sounds via audiomulch and resample as live mp3 sorcery!
Also now have access to portable mini-disk w/ stereo mics for found-sound
collage mysteries. I'm so excited about the possiblities! Egads!
    One further note. Have just put in an order with 3ms for the
duo-distorter. It was just fate after I heard the My Bloody Valentine song
on a real audio sample of the distorters sound! Oh heaven. Well gotta go.
And to those that stuck with me through this whole entire message. Props!

Jamie Mash
{Experimental
Music Director
wmts 88.3}



From Loopers-Delight-request@annihilist.com  Sun Oct 17 02:29:23 1999
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Date: Sun, 17 Oct 1999 15:08:47 +0900
To: Loopers-Delight@annihilist.com
From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: our ambient music real audio site
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Hi,

I also made our ambient music real audio site,
Please visit and listen to:
http://www.cavestudio.com/personaldance/

All music wirrten in 1995.

  enjoy

  Sunao Inami
http://www.cavestudio.com

From Loopers-Delight-request@annihilist.com  Sun Oct 17 06:57:15 1999
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Where to buy Steinberger strings in SF area?
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>Date: Sun, 17 Oct 1999 06:45:10 -0400
>To: mark@cdm.sfai.edu
>From: Tim Nelson <tcn62@ici.net>
>Subject: Re: Where to buy Steinberger strings in SF area?
>In-Reply-To: <38095C82.65F10BFF@cdm.sfai.edu>
>References: <E11cJ0L-000IVj-0K@tele-post-20.mail.demon.net>
>
>You should probably talk to your small, friendly local music shop first to
see if they'll stock 'em for ya, since it's good to keep your small,
friendly local music shops in business. BUT, if you're unable to locate
special-interest strings locally, <http://www.juststrings.com/> has a huge
variety of strings for normal guitars, abnormal guitars, ethnic
instruments, etc., and their service is pretty fast.
>
>Tim
>
>At 09:20 PM 10/16/99 -0800, you wrote:
>>Anyone know where one would buy TranstremŪ strings or Double ball bass
>>strings?  

From Loopers-Delight-request@annihilist.com  Sun Oct 17 09:15:14 1999
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hi jamie

At 00.09 17/10/99 -0500, you wrote:
>
>Cool. um er. I'm speechless. Yes. AudioMulch is very cool. Emphasize very.
>I'm interested in exchanging patches and ideas...although I'm just beginning
>to work with this. You could be my guru though. Emphasize could. Anyway. Who
>is you. Ah yes. Does anybody er know of a decent inexpensive "stereo" in and
>out sound card for pee-seeez. I don't want to dip to deep into my pocket, it
>being my girlfriends computer in all. (Take that how you like). I'm actually
>preparing to buy a 1000 Mhz. Apple G4 super computer next summer ('cause
>they have all the best software, dig).  So anyway the soundcard should be a
>PC based where as I can hook up a lexicon vortex audio out into the
>computer. Pulverize the sound with AudioMulch and send it out into a
>four-track (Don't ask).

sorry to ask... ;) but why don't you use the Audiomulch hard disk rendering
option?

>    By the way thanks for the tips on the mp3 player hook-up compatibility.
>Experiment a success! Live sampling using audio tracks downloaded off the
>internet and loaded onto my mp3. Hell, I coulda just pressed play and stood
>their and enjoyed the random-fire mp3 samples. Cool. Yet I deterred in favor
>of tweeking them with my audio morpher and looping 'em with the echoplex.
>Cool. .....Next step, find a program that turns wav. to mp3 in which I can
>therefore mutilate sounds via audiomulch and resample as live mp3 sorcery!
>Also now have access to portable mini-disk w/ stereo mics for found-sound
>collage mysteries. I'm so excited about the possiblities! Egads!

can you explain a little better?

ciao
leo 


From Loopers-Delight-request@annihilist.com  Sun Oct 17 09:10:24 1999
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Date: Sun, 17 Oct 1999 15:00:13 +0200
To: Loopers-Delight@annihilist.com
From: leocavallo <cavallo@dada.it>
Subject: Re: fruityloops
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great little prog. ;)

really creative when you start to put VST plugins on each track.

maybe the output sound is a little weak... my impression?

ciao
leo

At 17.37 16/10/99 -0400, you wrote:
>I have been using a program called fruityloops for drum loops, and some
looping of small wave samples 
>
>for about a month or so. I'm wondering if anyone else on this list has used
this program for looping.
>
>If so what do you all think about it? 
>
>Does it work for you?
>
>Have you found any major shortcomings?
>
>Thanks for any and all input-
>
>                                            Pete 
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META content="text/html; charset=iso-8859-1" http-equiv=Content-Type>
><META content="MSHTML 5.00.2614.3401" name=GENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=#ffffff>
><DIV><FONT size=2>I have been using a program called fruityloops for&nbsp;drum 
>loops, and some looping of small wave samples </FONT></DIV>
><DIV><FONT size=2></FONT>&nbsp;</DIV>
><DIV><FONT size=2>for about</FONT><FONT size=2> a month&nbsp;or so. I'm 
>wondering if anyone else on this list has used this program for 
>looping.</FONT></DIV>
><DIV>&nbsp;</DIV>
><DIV><FONT size=2>If so what do you all think about it? </FONT></DIV>
><DIV>&nbsp;</DIV>
><DIV><FONT size=2>Does it work for you?</FONT></DIV>
><DIV>&nbsp;</DIV>
><DIV><FONT size=2>Have you found any major shortcomings?</FONT></DIV>
><DIV>&nbsp;</DIV>
><DIV><FONT size=2>Thanks for any and all input-</FONT></DIV>
><DIV>&nbsp;</DIV>
><DIV><FONT size=2>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; 
>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; 
>&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;
Pete 
></FONT></DIV></BODY></HTML>
>

From Loopers-Delight-request@annihilist.com  Sun Oct 17 19:09:37 1999
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Message-ID: <017301bf18f0$8634fb20$9ee931d4@demon.co.uk>
From: "Lee Fletcher" <lee@waterleat.screaming.net>
To: <Loopers-Delight@annihilist.com>
Subject: UK Headrush? / 
Date: Sun, 17 Oct 1999 23:39:49 +0100
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This is a multi-part message in MIME format.

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>Has anyone in UK seen an Akai Headrush?
>
>Andy Butler

Yes. I probably had one of the first back in July after a very long =
wait, (it had been on order since February.) I purchased mine through a =
local music store - Soundpad, in Torquay - for 139 UK Pounds. Worth =
every penny too.

I've been away from the list for a little while due to the recent birth =
of my first daughter, Sabrina Helen. During this time-out I finally got =
around to uploading my first website. The URL is =
http://www.waterleat.demon.co.uk if any of you Loopers would care to =
check it out. I don't yet have audio clips, but these will be added =
soon...

Re - Loopers Delight CD Volume 1. If in doubt, buy it! I picked up a =
copy shortly after the re-pressing and it's hardly been out of my player =
since.

Regards,

--
Lee Fletcher

http://www.waterleat.demon.co.uk

------=_NextPart_000_0170_01BF18F8.E6D46B20
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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3401" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 face=3DArial size=3D2><BR>&gt;Has anyone in =
UK seen an Akai=20
Headrush?<BR>&gt;<BR>&gt;Andy Butler<BR></FONT></DIV>
<DIV><FONT color=3D#000000 face=3DArial size=3D2>Yes. I probably had one =
of the first=20
back in July after a very long wait, (it had been on order since=20
February.)</FONT><FONT color=3D#000000 face=3DArial size=3D2> I =
purchased mine through=20
a local music store - Soundpad, in Torquay - for 139 UK Pounds. Worth =
every=20
penny too.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=3D#000000 face=3DArial size=3D2>I've been away from the =
list for a=20
little while due to the recent birth of&nbsp;my first daughter, Sabrina =
Helen.=20
During this time-out I finally got around to uploading my first website. =
The URL=20
is <A=20
href=3D"http://www.waterleat.demon.co.uk">http://www.waterleat.demon.co.u=
k</A>&nbsp;if=20
any of you Loopers would care to check it out. I don't yet have audio =
clips, but=20
these will be&nbsp;added soon...</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3DArial><FONT color=3D#000000>Re - =
Loopers Delight CD=20
Volume 1. If in doubt, buy it! I picked up a copy shortly after the =
re-pressing=20
and it's hardly been out of my player since.</FONT></FONT></FONT></DIV>
<DIV><FONT size=3D2><FONT face=3DArial></FONT></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2><FONT face=3DArial><FONT=20
color=3D#000000>Regards,</FONT></DIV></FONT></FONT>
<DIV><BR><FONT color=3D#000000 face=3DArial size=3D2>--<BR>Lee =
Fletcher</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=3D#000000 face=3DArial size=3D2><A=20
href=3D"http://www.waterleat.demon.co.uk">http://www.waterleat.demon.co.u=
k</A></FONT></DIV></BODY></HTML>

------=_NextPart_000_0170_01BF18F8.E6D46B20--

From Loopers-Delight-request@annihilist.com  Mon Oct 18 01:06:26 1999
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: VINTAGE Jamman memory on eBay
Date: Sun, 17 Oct 1999 23:52:17 -0500
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man, I've gotta' stop combing the auction sites . . .

they're at $122.50 and climbing . . . genuine SILICON upgrade chips to bring
your Jamman up to 32 SECONDS

get your bid in now . . .

Tom Lambrecht
hideo@concentric.net
-----Original Message-----
From: Jenni Leeds <jennil@bellsouth.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, October 17, 1999 12:57 AM
Subject: Re: AudioMulch


>
>Cool. um er. I'm speechless. Yes. AudioMulch is very cool. Emphasize very.
>I'm interested in exchanging patches and ideas...although I'm just
beginning
>to work with this. You could be my guru though. Emphasize could. Anyway.
Who
>is you. Ah yes. Does anybody er know of a decent inexpensive "stereo" in
and
>out sound card for pee-seeez. I don't want to dip to deep into my pocket,
it
>being my girlfriends computer in all. (Take that how you like). I'm
actually
>preparing to buy a 1000 Mhz. Apple G4 super computer next summer ('cause
>they have all the best software, dig).  So anyway the soundcard should be a
>PC based where as I can hook up a lexicon vortex audio out into the
>computer. Pulverize the sound with AudioMulch and send it out into a
>four-track (Don't ask).
>    By the way thanks for the tips on the mp3 player hook-up compatibility.
>Experiment a success! Live sampling using audio tracks downloaded off the
>internet and loaded onto my mp3. Hell, I coulda just pressed play and stood
>their and enjoyed the random-fire mp3 samples. Cool. Yet I deterred in
favor
>of tweeking them with my audio morpher and looping 'em with the echoplex.
>Cool. .....Next step, find a program that turns wav. to mp3 in which I can
>therefore mutilate sounds via audiomulch and resample as live mp3 sorcery!
>Also now have access to portable mini-disk w/ stereo mics for found-sound
>collage mysteries. I'm so excited about the possiblities! Egads!
>    One further note. Have just put in an order with 3ms for the
>duo-distorter. It was just fate after I heard the My Bloody Valentine song
>on a real audio sample of the distorters sound! Oh heaven. Well gotta go.
>And to those that stuck with me through this whole entire message. Props!
>
>Jamie Mash
>{Experimental
>Music Director
>wmts 88.3}
>
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Oct 18 02:38:45 1999
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All interested in upgrading your JamMan...
if what Tom wrote is true that's preposterous...for info I have a few
sets of chips that will get you upgraded to 32 secs...and they're
yours for $40 for a set of 4...email me privately if interested...I sold
some of the same batch to other list members a few months ago and
everyone was quite happy with the chips and the deal.
thanks...Roland (number17@home.com)

Tom Lambrecht wrote:
> 
> man, I've gotta' stop combing the auction sites . . .
> 
> they're at $122.50 and climbing . . . genuine SILICON upgrade chips to bring
> your Jamman up to 32 SECONDS
> 
> get your bid in now . . .
> 
> Tom Lambrecht

From Loopers-Delight-request@annihilist.com  Mon Oct 18 10:38:56 1999
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Date: Mon, 18 Oct 1999 15:46:26 +0100
From: Claude Voit <c.voit@vtx.ch>
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Subject: Re: Synchronization band-loop (machine-loop)
References: <v04003a04b418b5484c7d@[200.223.91.104]>
			 <v04003a0ab4196b13bb45@[200.223.91.156]> <v04003a01b41a9c4d2b1d@[200.223.91.156]>
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Sorry to reply so late
was in holidays in my litle casa down in Ibiza......

Matthias Grob wrote:
> 
> >Matthias Grob wrote:
> >>
> >> Jim asked:
> >> >Anyone use the EDP midi out to sync. drum machines?
> >> >I always find that even with 1/8th beats at max. the
> >> >clock output is far too slow even on a 5sec. base loop.
> >>
> >> Oh, thats interesting. It would not be complicated to change the 1/8th
> >> beats table. Maybe it should not contain all the odd beat numbers, but
> >> bigger ones instead?
> 
> Jim again:
> >propable a bad idea (and assuming your still up for ideas
> >for firmware "upgrades) but ... how about an option instead
> >of 1/8th beats where you can dial in a bpm setting which
> >generates a clock-out and controls the quantised functions?
> >then instead of 1/8th beats you could simple have a choice
> >of 4/4 3/4 or triplet times which determined how the EDP
> >quantises your loop time to the beat pattern.
> 
> One thing is the definition of the timing with a programable dial-number
> variable. Certainly not for EDP any more, but for something bigger, many
> wished that.
> 
> The other thing is the definition of the measure. We only have one button
> for it. As I understand, you would be satisfied with just 4/4, 3/4 and
> multiples while others seam to want all options up to 63/8 ? Really?:
> 
> Claude finds:
> >Adding bigger ones is needed
> 
> ok, lets look for a solution!
> 
> >but cutting out some values could start a war...
> 
> I hope the soldiers step out here and declare their credo to avoid the war!
> If I simply increase the table, you get a tired finger.

as the new edp soft will have presets this wouldn't be a real problem
now 
assign a cc to the 8th value you can make the sequencer switch tempo
on the fly while keeping the loop lenght intact I'm not sure every seq
can hold that but I just tried with seq303 www.technotoys.com and MMT8
and it
works trop cool 
went from 4/4 (8)to 3/4 6/8 (6) with the 4/4 loop
washing away while the new meter fighting his way in

just try it mannually on the EDP display (I sometimes send a stop/start
to realign the seq to the loop)



> I can make the longpress count quickly (like Source#...) instead of go back
> to 8, which I found more usefull and might start another "war"...

the worst problem is actually when you miss the target value and have to
make a long press to start again (8th/beat) or go thru all the values
like (Source#)

is there no way to use the parameter btn to make alt functions for
scrolling values
like push 8th/beat (long), it starts scrolling fwd, keeping the button
pressed hit PAR (short) :scrolls backward
hit PAR long scrolls fast


hope this helps

Claude

From Loopers-Delight-request@annihilist.com  Mon Oct 18 12:23:25 1999
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Date: Mon, 18 Oct 1999 10:34:40 -0500
Subject: FS: Boomerang, $350, (Harmony Central)
From: "Travis Hartnett" <hartne.t@apple.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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Boomerang Phrase Sampler

Asking Price: US$N/A
Condition: Mint
Age: N/A
Description:

       Very New, almost never used Boomerang Phrase Sampler. Samples up to
four minutes of music. playing, etc. Does just about everything you can
imagine. I need
       the money and and getting rid of it cheap. The warranty tag hasn't
even been sent in. A new one is not any better! Any questions e-mail me.
$350 or best
       offer!

Seller: Clint Cryer,
E-mail: ccryer@ttacs.ttu.edu (Profile)
Post Date: 10/17/99

From Loopers-Delight-request@annihilist.com  Mon Oct 18 14:56:42 1999
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Date: Tue, 19 Oct 1999 04:32:24 +1000
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Sunao Inami wrote:
> 
> Hi,
> 
> Very very sorry for my delay.
> 
> I made LD Vol.2 RealAudio site.
> 
> http://www.cavestudio.com/S+V/LD2_RA.html
> 
> It need Real Player G2 or greater for listen.
> I refer to http://www.finleysound.com/loop/Looper_info.html for the web design.
> 
> Thanks
> 
> Sunao Inami
> http://www.cavestudio.com



fantastic !!!!! ... what i've heard so far has been nothing short of
brilliant ... well done to all involved ... (yep i know it was a couple
of years ago) ... ummm.... WOW ... 

brad

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Anybody heard anything about the new delay from line6?  Does the loop mode
allow you to overdub loops?  And is the reverse mode as good as the JamMan?
How aplicable to live settings is it?  Just give me any info you've got, ok?

From Loopers-Delight-request@annihilist.com  Mon Oct 18 19:27:15 1999
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From: Phil Petrocelli <philpet@microsoft.com>
To: Loopers-Delight@annihilist.com
Subject: FREE SEATTLE SHOW!!!  Sunday, 10/24: soultheft vs. Quixote
Date: Mon, 18 Oct 1999 15:41:29 -0700
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> Hey there, folks.  A lot of you on this list know me simply as a guy named
> Phil.  This email is to inform you that my alter-ego, soultheft, is going
> to make a brief appearance along with my good friend Quixote for an hour
> or two of improvised noise, sounds, environments, experimental
> electronics, etc. on Sunday, Oct. 24.  Here is what the ad in The Tentacle
> (http://www.tentacle.org) says about us:
> 
> "Improvised pops, clicks, skips, new vocabulary words, and simulated train
> wrecks, with all the grace and good looks of a retarded Shaolin swordsman.
> Audience participation encouraged and strongly recommended. Got a CD,
> tape, or record that you would like to make part of the performance? Bring
> it along - we'll add it! We might even share some of the loot with you."
> 
> The tools we'll be using include turntables, samplers, tape players,
> various records and tapes, and lots of processing, mostly in the form of
> guitar effects boxes.  It will probably be light on beats, heavier on
> mindf@ck.  This is your chance to listen to what goes on inside our heads
> when we're being talked to death by scenesters waiting in lines to
> out-cool everyone at music venues all over the world.  Glad-handing: it's
> what's for dinner.
> 
> This show is the receptor hole on the delicious custard-filled Winchell's
> Donut substitute that is the All the Transients Concert Series
> (http://members.xoom.com/transients/attpres.html).  
> Entrainment commences at approximately 8pm on Sunday, Oct 24.  
> Habitat Espresso in Seattle
> (http://yp.uswest.com/cgi/search.fcg?mq=Y&listing_id=180829057&state=Washi
> ngton) is the Skinner Box onlookers will pack into.  Be nice to the
> chess-playing regulars.  Bring us all your loose change and used razor
> blades.
> 
> If you're not willing to take the risk based on this craftily engineered
> waste of bandwidth, try out the material located at
> http://www.mp3.com/soultheft first.  Once you've listened, it's safe to
> make other plans for that evening.  Hell, we know there will be many
> people sitting around talking about football and Budweiser who we're sure
> need the companionship.
> 
> Thanks for reading, and we hope to see some of you there.  Please forward
> this mail to anyone you think might be interested.
> 
> "Black Sabbath, man."
> 
> Phil
> 
> P.S. - This email was not generated by a script, nor can you expect to be
> spammed mercilessly as a result.  I typed this by hand, and will send this
> sort of thing only once in a while.  If you can't stand even that, please
> let me know and I will remove you from the list.
> 
> ====================
> My other vehicle is my mind.
> 
> 

From Loopers-Delight-request@annihilist.com  Mon Oct 18 23:24:31 1999
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From: "Weideman, Gary L (Gary)" <weideman@lucent.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: line6
Date: Mon, 18 Oct 1999 21:23:53 -0500
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Joey,

Yes it allows overdubs and was modeled after the Boomerang as uses a 
similar 4 switch scheme to control the 1/2 speed, tap tempo and
reverse. I have one on order I think they are due out around Nov. 1st. 
It uses 24 bit processing and has a 14 second looper. Check it out at
line6.com or harmonycentral.com !!

Gary Weideman

> ----------
> From: 	Joey Dail[SMTP:stumbleine@macconnect.com]
> Sent: 	Monday, October 18, 1999 5:04 PM
> To: 	Loopers-Delight@annihilist.com
> Subject: 	line6
> 
> Anybody heard anything about the new delay from line6?  Does the loop mode
> allow you to overdub loops?  And is the reverse mode as good as the
> JamMan?
> How aplicable to live settings is it?  Just give me any info you've got,
> ok?
> 

From Loopers-Delight-request@annihilist.com  Mon Oct 18 23:48:14 1999
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From: "Julio Moreno" <juliomoreno@bahianet.com.br>
To: "Yuriko" <TANDAVA@direct.A2000.nl>,
        "yemina serodino" <syemina@hotmail.com>,
        "Yemina" <yemina@zipmail.com.br>, "WR Discos" <wrdiscos@e-net.com.br>,
        <webmaster@mailer.xxxfiles.com>,
        "Vicki/Ariel" <avaelec@interar.com.ar>,
        "Vera Baltensperger" <vera@datacomm.ch>,
        "vera" <veramgc@elogica.com.br>, "Valeria" <valeriaba@hotmail.com>,
        "Valentin" <bluesvalentin@hotmail.com>,
        "Tony Dale" <adale@tpgi.com.au>, "Terry" <brn@mindspring.com>,
        "Tatyana/Cintia" <lua25@starmedia.com.br>,
        "Tano Tchervis" <dantano@isdn.net.il>,
        "Tagedes" <tagedes@zipmail.com.br>,
        "Stephen P. Goodman" <sgoodman@earthlight.net>,
        "Spencer" <spencer@svn.com.br>, "Sora Maia" <soramaia@svn.com.br>,
        "Smiles - Programa de Milhagem VARIG/Rio-Sul/Nordeste/Pluna" <smiles@varig.com.br>,
        <saviosousa@usa.net>, "SandraAntonio" <vargaspetit@for.sol.com.br>,
        "Rodrigo Vasquez" <vasquez@bahianet.com.br>,
        "Rita" <cax933x@tninet.se>,
        =?Windows-1252?Q?Ricardo_Enrique_Murgu=EDa?= <lu6dnw@s8.coopenet.com.ar>,
        "RBT" <rauboto@dragonet.es>, "Raul" <raulsax@svn.com.br>,
        "Ramiro Mussotto" <ramirose@ism.com.br>, "Rambo" <rambo@svn.com.br>,
        "Rafael Batista Mineiro de Souza" <barrote@net.em.com.br>,
        "Quique Burgoa" <quique@algonet.se>, <pgonzalez@icpa.com.ar>,
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        "Nestor Mussotto" <nmusotto@overnet.com.ar>,
        "Nestor Cristina" <madrid@e-net.com.br>,
        "Nancy2" <nancyviegas@hotmail.com>,
        "Nancy" <luiz.viegas@quasar.com.br>, "Nachin" <toval@hotmail.com>,
        "mundusfundus" <mundusfundus@e-net.com.br>,
        "Mikael" <mikael@enet.com.br>, "metazak" <webcanal@dialdata.com.br>,
        <mercadao-unsubscribe-juliomoreno=bahianet.com.br@egroups.com>,
        <mercadao-req-s6a1@egroups.com>, <mercadao@egroups.com>,
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        "Marcelo Marcolini" <fmsol@bblanca.com.ar>,
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        "ManuelBB" <manuel@punkass.com>,
        "Mail Delivery Subsystem" <MAILER-DAEMON@postman.bahianet.com.br>,
        <Luiz_Carlos_Santos@spe.sony.com>,
        "Luis Salinas" <xanalla@geocities.com>,
        "Luis Maria Saavedra" <luisa@bariloche.com.ar>,
        =?Windows-1252?Q?Luciano_Vass=E3o?= <luciano.m.v@mailcity.com>,
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        "Leo-Jo" <pw990081@allways.com.br>,
        "Kim Flint" <kflint@annihilist.com>,
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        "Juan Martin Cora" <jmcora@zaz.com.br>,
        "Jorge Enei" <eneipro@neunet.com.ar>,
        "Jorge Enei" <eneipro@centenario.neunet.com.ar>,
        "Joatan" <joatan@e-net.com.br>,
        =?Windows-1252?Q?Jo=E3o_Portela?= <paginasdomar@e-net.com.br>,
        "Jeti" <jeti@bahianet.com.br>,
        "Jennifer Sanders" <alisa@magiclink.com>,
        "jean-luc androuin" <"jean-luc androuin"androu1@club-internet.fr>,
        "Jason Davidson" <jdavidso@gibson.com>,
        "Iencenella Records" <ience@bblanca.com.ar>,
        "hebbe" <heberson@telia.com>, "Hare" <selina@uol.com.br>,
        "Gustavo Guedes" <gguedes@cos.ufrj.br>,
        "Guido Baltensperger" <GuidoBa@attachmate.com>,
        "Gregui" <gregperc@hotmail.com>,
        "gregor markowitz" <gregor@myhouse.com>,
        "GP-David/Luciano" <guitarplayer@guitarplayer.com.br>,
        "Genaro" <genaro@bahianet.com.br>, "Gedilson" <gtl@e-net.com.br>,
        "Gabriela Quiroga" <quiroga_gabriela@hotmail.com>,
        "FM de la calle" <fmcalle@rcc.com.ar>,
        "Fito Paes" <rcp@interlink.com.ar>, "Fabio Marc" <fmb@e-net.com.br>,
        "esteban koundakjian" <ekohot@hotmail.com>, "Espiga" <espiga@sion.com>,
        "Eduardo" <edusilva@bahianet.com.br>,
        "Edla Lula" <jrolima@nutecnet.com.br>,
        "Edivaldo" <multitrack@svn.com.br>,
        "Edivaldo" <edvaldomatos@svn.com.br>,
        "Dominic Smith" <allien.ds@mcmail.com>,
        "Daniel de Souza Oliveira Neto" <deto@uol.com.br>,
        "damian losada" <sumbudrule@hotmail.com>,
        "Dallara" <dalmo@deus.art.br>, "dafne" <dafne@ciudad.com.ar>,
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        "Chingo" <dlo@topmail.com.ar>,
        =?Windows-1252?Q?C=E9sar_Ruzieska?= <c_ruzieska@hotmail.com>,
        "caver ares" <caver9@hotmail.com>, "Carla2" <alinecarla@hotmail.com>,
        "Carla1" <alinecap@ssa.zaz.com.br>, "Camilo" <kamillo@e-net.com.br>,
        "Cacho Asprello" <cax66@hotmail.com>, "cacai" <cacai@svn.com.br>,
        "CABEZA GUSTAVO" <gyctel@infovia.com.ar>,
        "Botafogo" <miguelbotafogo@hotmail.com>, "Bocha" <cbrown@e-net.com.br>,
        "Bira" <connex@e-net.com.br>, "Bere" <sergioberesovsky@hotmail.com>,
        "Bengt Nystrom" <benti@swipnet.se>,
        "Barracas da Praia dos Artistas" <artista@e-net.com.br>,
        "Banzai" <atlanticcafe@e-net.com.br>,
        <audio_list-req-s6a19@egroups.com>, <audio_list@egroups.com>,
        "AndreBecker" <abecker@svn.com.br>,
        "Andre Tavares" <andretav@bahianet.com.br>, <AnalogMike@aol.com>,
        "AMAR" <amarba@cpunet.com.br>,
        "AlfredoMoura" <mundusfundus@enet.com.br>,
        "Alex & Tati" <"Alex & Tati"libra2@sti.com.br>,
        "Alejandro" <alefuentealba@hotmail.com>,
        "Aldemir Cameron" <aldemircameron@mailbr.com.br>,
        "Alceu do Cavaco" <amaia@marlin.com.br>
Subject: novo numero de tel.
Date: Tue, 19 Oct 1999 00:59:01 -0200
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Galera : meu novo numero e  461 6269.... 

From Loopers-Delight-request@annihilist.com  Tue Oct 19 00:39:06 1999
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Date: Mon, 18 Oct 1999 21:25:49 -0700
To: Loopers-Delight@annihilist.com
From: Sean <sean_@mindspring.com>
Subject: Off-topic: Home Electrical Wiring
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Maybe some of you know about home wiring.  I just moved to a recently
remodeled old house.

I plugged my computer's UPS in and the electical fault LED came on.  Went
to Radio Shack and bought an AC outlet analyzer.  Although the outlets are
three prong there is no ground on any of the outlets in the house except
for the bathrooms and one outlet near the kitchen sink (another outlet near
the sink has no ground but does have a GFCI outlet).  About half of the
outlets in the house also have reversed polarity.

I went into the cellar to put in wiring for a second phone line and noticed
that the electrical wiring is old.  I found an electrical wiring FAQ and
learned that the wiring in this house is K&T (knob and tube) - 2 conductor,
no ground.

Would I be risking life and limb by playing electic guitar in this house?

Thanks for any related feedback.

sean

From Loopers-Delight-request@annihilist.com  Tue Oct 19 02:43:57 1999
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Date: Mon, 18 Oct 1999 23:22:02 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Off-topic: Home Electrical Wiring
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At 9:25 PM -0700 10/18/99, Sean wrote:
>Maybe some of you know about home wiring.  I just moved to a recently
>remodeled old house.

I'm an electronics engineer, don't know anything about that high voltage
stuff. Try not to touch the wires....hope that helps.


>Would I be risking life and limb by playing electic guitar in this house?

In my expert opinion, the only good music made with electric guitars these
days is by the people risking their lives to play it. You should welcome
this opportunity!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Oct 19 02:38:56 1999
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From: "Pete" <manx72@voyager.net>
To: <Loopers-Delight@annihilist.com>
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Subject: Re: Off-topic: Home Electrical Wiring
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Ignore it and it will go away
or;
It may plague you with sporadic hums,
variant peaks,
and other such anomalies!

Clean power leaves less room for question,
at least with my somewhat limited experience:)



From: Sean <sean_@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, October 19, 1999 12:25 AM
Subject: Off-topic: Home Electrical Wiring


> Maybe some of you know about home wiring.  I just moved to a recently
> remodeled old house.
>
> I plugged my computer's UPS in and the electical fault LED came on.  Went
> to Radio Shack and bought an AC outlet analyzer.  Although the outlets are
> three prong there is no ground on any of the outlets in the house except
> for the bathrooms and one outlet near the kitchen sink (another outlet
near
> the sink has no ground but does have a GFCI outlet).  About half of the
> outlets in the house also have reversed polarity.
>
> I went into the cellar to put in wiring for a second phone line and
noticed
> that the electrical wiring is old.  I found an electrical wiring FAQ and
> learned that the wiring in this house is K&T (knob and tube) - 2
conductor,
> no ground.
>
> Would I be risking life and limb by playing electic guitar in this house?
>
> Thanks for any related feedback.
>
> sean
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 19 03:46:26 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Off-topic: Home Electrical Wiring
Date: Tue, 19 Oct 1999 00:28:30 -0700
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Sage advice- I got a good chuckle from that one- 

Kim Flint wrote- 
I'm an electronics engineer, don't know anything about that high voltage
stuff. Try not to touch the wires....hope that helps.


From Loopers-Delight-request@annihilist.com  Tue Oct 19 09:22:06 1999
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From: Claude Voit <c.voit@vtx.ch>
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Subject: Re: novo numero de tel.
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Julio Moreno wrote:
> 
> Galera : meu novo numero e  461 6269....

If I understand Kim should subcrybe all those people 

Claude

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Subject: Re: novo numero de tel.
Date: Tue, 19 Oct 1999 08:12:39 -0700
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Is this perhaps a new cover of '867-5309', but with international
restrictions?

> Julio Moreno wrote:
> >
> > Galera : meu novo numero e  461 6269....


From Loopers-Delight-request@annihilist.com  Tue Oct 19 11:46:42 1999
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Date: Tue, 19 Oct 1999 13:38:58 -0200
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: novo numero de tel.
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>Is this perhaps a new cover of '867-5309', but with international
>restrictions?
>
>> Julio Moreno wrote:
>> >
>> > Galera : meu novo numero e  461 6269....

Julio used to be a friend of mine. He plays a brilliant rock an blues
guitar and uses a loop dealy of a long time, but he does not take care for
other people enough, writes all wrong mails...

then again, is it worth all the discussion, just because of half a line he
did not mean to send to the list?

For me, some other long mails that say little in some fancy cool street
dialect are much worse!



         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Tue Oct 19 16:08:02 1999
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From: Echopark99@aol.com
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Date: Tue, 19 Oct 1999 15:44:11 EDT
Subject: OT:  Minidisc  vs.  DAT  for portable
To: Loopers-Delight@annihilist.com
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I know we did a bit of this a while back but I wasn't paying attention. I 
noticed, though that some of you did purchase MDs recently and I'm interested 
in hearing direct comparisons of the audio quality to that of  48KHz DAT, 
which is what I'm used to.

On Nov.1 I'm headed to India  and would like to record in various situations 
on battery power and as light as possible. I've used the Sony D8 DAT with 
good results, using an Audio Technica AT 822 stereo mic (pretty darn good mic 
for $300).  But I might have to buy the recorder instead of borrowing it, and 
the MD would be a great convenience for live jams and as an audio source for 
looping (random access, etc.).

Can anybody compare the mic pre-amps of their MD to those on the D7 or D8 
Sony DAT?

thanks,
eric p
echo park

From Loopers-Delight-request@annihilist.com  Tue Oct 19 16:07:00 1999
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From: "Julio Moreno" <juliomoreno@bahianet.com.br>
To: <Loopers-Delight@annihilist.com>
References: <v04003a04b43240ab8c5d@[200.223.91.165]>
Subject: Re: novo numero de tel.
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Sorry...i send other people to make this for me, because i been in another
city when my telephone change the number and he send to ALL my mail
list...sorry about this crime.
Good health!!!
julio
----- Original Message -----
From: Matthias Grob <matthias@grob.org>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, October 19, 1999 1:38 PM
Subject: Re: novo numero de tel.


> >Is this perhaps a new cover of '867-5309', but with international
> >restrictions?
> >
> >> Julio Moreno wrote:
> >> >
> >> > Galera : meu novo numero e  461 6269....
>
> Julio used to be a friend of mine. He plays a brilliant rock an blues
> guitar and uses a loop dealy of a long time, but he does not take care for
> other people enough, writes all wrong mails...
>
> then again, is it worth all the discussion, just because of half a line he
> did not mean to send to the list?
>
> For me, some other long mails that say little in some fancy cool street
> dialect are much worse!
>
>
>
>          ---> http://Matthias.Grob.org
>
>


From Loopers-Delight-request@annihilist.com  Tue Oct 19 16:24:39 1999
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Date: Tue, 19 Oct 1999 16:14:20 -0400 (EDT)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
Message-Id: <199910192014.QAA02707@badboy.micro.lucent.com>
To: Loopers-Delight@annihilist.com
Subject: EMUSIC Top 20
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WDIY 88.1 FM "EMUSIC" Top 20 report to New Age Voice for October, 1999.
(Shows #129 to #134; 26-August-1999 to 14-October-1999
Reported in alphabetical order by album title.
Compiled by Bill Fox, billfox@fast.net

CONTACT:   >>> billfox@fast.net <<<

ARTIST - ALBUM TITLE - LABEL
============================
Ozma - A Huge and Silent Place - Atomic City
Alquimia - A Separate Reality - AMP
Telomere - Astral Currents - Evenfall
Dub Automica - Autonomic - DiN
Cosmic Hoffman - Beyond the Galaxy - Heart & Mind
Robert Carty - Cloud Pull - Deep Sky Music
Robert Carty - Darklight - Deep Sky Music
Richard Bone - Etherdome - Hypnos
Fanger & Kersten - Interkosmos - Manikin
Jean-Michel Jarre - Jarre Live - Dreyfus
Steve Roach - Light Fantastic - Fathom
Vidna Obmana - Memories Compiled 2 - Projekt
Kevin Keller - Pendulum - Lektronic Soundscapes
Robert Carty - Silent Dreams - Deep Sky Music
David Helpling - Sleeping on the Edge of Shadows - Spotted Peccary
Jorg Schaaf - Sonar Experience - Ninetysix Sounds
Ron Boots - Tainted Bare Skin - Groove
Tim Story - Threads - Eurock
Vidna Obmana & Jeff Pearce - True Stories (Mirage)
Keller & Schonwalder - The Two Piece Box (Manikin)

From Loopers-Delight-request@annihilist.com  Tue Oct 19 17:31:24 1999
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
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Subject: Re: novo numero de tel.
Date: Tue, 19 Oct 1999 17:26:58 -0400
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Pois nao!  Nao e ruim.  Tudo o mundo pode cometer um erro.

Ate logo,

Jaimezinho

-----Original Message-----
From: Julio Moreno <juliomoreno@bahianet.com.br>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, October 19, 1999 4:23 PM
Subject: Re: novo numero de tel.


>Sorry...i send other people to make this for me, because i been in another
>city when my telephone change the number and he send to ALL my mail
>list...sorry about this crime.
>Good health!!!
>julio
>----- Original Message -----
>From: Matthias Grob <matthias@grob.org>
>To: <Loopers-Delight@annihilist.com>
>Sent: Tuesday, October 19, 1999 1:38 PM
>Subject: Re: novo numero de tel.
>
>
>> >Is this perhaps a new cover of '867-5309', but with international
>> >restrictions?
>> >
>> >> Julio Moreno wrote:
>> >> >
>> >> > Galera : meu novo numero e  461 6269....
>>
>> Julio used to be a friend of mine. He plays a brilliant rock an blues
>> guitar and uses a loop dealy of a long time, but he does not take care
for
>> other people enough, writes all wrong mails...
>>
>> then again, is it worth all the discussion, just because of half a line
he
>> did not mean to send to the list?
>>
>> For me, some other long mails that say little in some fancy cool street
>> dialect are much worse!
>>
>>
>>
>>          ---> http://Matthias.Grob.org
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 19 19:38:27 1999
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From: Nemoguitt@aol.com
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Date: Tue, 19 Oct 1999 18:45:52 EDT
Subject: Re: novo numero de tel.
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In a message dated 10/19/99 7:31:04 PM Mid-Atlantic Standard Time, 
j.pokorny@worldnet.att.net writes:

<< Pois nao!  Nao e ruim.  Tudo o mundo pode cometer um erro.
 
 Ate logo,
  >>

im sorry, but does the above mean.........julio, you can be my friend and im 
am going to give you a call later ...........:)........manuel

From Loopers-Delight-request@annihilist.com  Tue Oct 19 21:25:22 1999
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From: "Laurie Hatch" <lahatch@dnai.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Off-topic: Home Electrical Wiring
Date: Tue, 19 Oct 1999 18:10:17 -0700
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> From: Clifford Novey [mailto:clifsound@mediaone.net]
> Sent: Tuesday, October 19, 1999 12:29 AM
>
> Sage advice- I got a good chuckle from that one-
>
> Kim Flint wrote-
> I'm an electronics engineer, don't know anything about that high voltage
> stuff. Try not to touch the wires....hope that helps.


Or if ya do touch 'em, just use one hand!

Seriously, my sweetie's uncle was a high-voltage guy; he worked on wiring
the big dams back in the 40's.  Under emergency circumstances, he would make
repairs on live million-volt circuits -- with one hand in his pocket.

It boggles the mind.

laurie



From Loopers-Delight-request@annihilist.com  Tue Oct 19 22:05:41 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: Off-topic: Home Electrical Wiring
Date: Tue, 19 Oct 1999 22:00:16 -0400
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It's not the volts that'll kill ya, it's the amps.

Be careful. Rubber-soled shoes please!

- Larry

-----Original Message-----
From: Laurie Hatch <lahatch@dnai.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, October 19, 1999 9:51 PM
Subject: Re: Off-topic: Home Electrical Wiring


>> From: Clifford Novey [mailto:clifsound@mediaone.net]
>> Sent: Tuesday, October 19, 1999 12:29 AM
>>
>> Sage advice- I got a good chuckle from that one-
>>
>> Kim Flint wrote-
>> I'm an electronics engineer, don't know anything about that high voltage
>> stuff. Try not to touch the wires....hope that helps.
>
>
>Or if ya do touch 'em, just use one hand!
>
>Seriously, my sweetie's uncle was a high-voltage guy; he worked on wiring
>the big dams back in the 40's.  Under emergency circumstances, he would
make
>repairs on live million-volt circuits -- with one hand in his pocket.
>
>It boggles the mind.
>
>laurie
>
>
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 19 22:50:58 1999
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From: "Julio Moreno" <juliomoreno@bahianet.com.br>
To: <Loopers-Delight@annihilist.com>
References: <0.1c2e8f0d.253e4ea0@aol.com>
Subject: Re: novo numero de tel.
Date: Wed, 20 Oct 1999 00:47:39 -0200
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:   )

julio
----- Original Message -----
From: <Nemoguitt@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, October 19, 1999 8:45 PM
Subject: Re: novo numero de tel.


> In a message dated 10/19/99 7:31:04 PM Mid-Atlantic Standard Time,
> j.pokorny@worldnet.att.net writes:
>
> << Pois nao!  Nao e ruim.  Tudo o mundo pode cometer um erro.
>
>  Ate logo,
>   >>
>
> im sorry, but does the above mean.........julio, you can be my friend and
im
> am going to give you a call later ...........:)........manuel
>

From Loopers-Delight-request@annihilist.com  Tue Oct 19 22:26:00 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: novo numero de tel.
Date: Tue, 19 Oct 1999 19:17:35 -0700
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Your name is Miguel, not Manuel...

  | -----Original Message-----
  | From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
  | Sent: Tuesday 19 October 1999 3:46 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: novo numero de tel.
  | 
  | 
 | am going to give you a call later ...........:)........manuel
  | 
  | 

From Loopers-Delight-request@annihilist.com  Tue Oct 19 22:58:30 1999
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Date: Tue, 19 Oct 1999 22:53:24 -0500
To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: novo numero de tel.
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No, it means "how can you people be so lame as to make a thread out of
this?  Enough already!"

And if the dog ate your logo, you'll just have to have a new one designed,
I guess....

>In a message dated 10/19/99 7:31:04 PM Mid-Atlantic Standard Time,
>j.pokorny@worldnet.att.net writes:
>
><< Pois nao!  Nao e ruim.  Tudo o mundo pode cometer um erro.
>
> Ate logo,
>  >>
>
>im sorry, but does the above mean.........julio, you can be my friend and im
>am going to give you a call later ...........:)........manuel



From Loopers-Delight-request@annihilist.com  Tue Oct 19 23:03:10 1999
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Date: Tue, 19 Oct 1999 22:59:35 -0500
To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: Off-topic: Home Electrical Wiring
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It's the truth, I've got a 1/4 million volt Tesla coil and you can grab
onto it; your hair may stick out, but the amperage is nil.  Also, the
one-hand-in-pocket is an old but wise tactic for handling the really
dangerous stuff.  Explaination: you avoid catching an arc from each hand &
over the heart....

>It's not the volts that'll kill ya, it's the amps.
>
>Be careful. Rubber-soled shoes please!
>
>- Larry

>>> Kim Flint wrote-
>>> I'm an electronics engineer, don't know anything about that high voltage
>>> stuff. Try not to touch the wires....hope that helps.
>>
>>
>>Or if ya do touch 'em, just use one hand!
>>
>>Seriously, my sweetie's uncle was a high-voltage guy; he worked on wiring
>>the big dams back in the 40's.  Under emergency circumstances, he would
>make
>>repairs on live million-volt circuits -- with one hand in his pocket.


From Loopers-Delight-request@annihilist.com  Wed Oct 20 06:27:45 1999
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Date: Wed, 20 Oct 1999 08:25:05 -0200
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Off-topic: Home Electrical Wiring
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>It's not the volts that'll kill ya, it's the amps.

Never heard someone playing through a volt. Probably sounds less warm since
its not killing.



         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Wed Oct 20 08:21:20 1999
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> Is there a way to continuously loop from one delay to another? I loop on
> a Boomerang,and then sample a segment of that loop with a Headrush. After
>
> overdubbing on top of that segment  I want to be able send it back to be
> overdubbed on the boomerang, then grab another segment with the Headrush,
> and so on. Without
> using two A/B boxes is there anyway to do this?
>
> Neither of my delays is tunable. What is the best way to be able to
> speed up or slow down a loop? Perhaps a pitch shifter after the delays?
> Any help would be greatly appreciated.
>
> Thanks very much, Paul Sullivan.



From Loopers-Delight-request@annihilist.com  Wed Oct 20 09:22:19 1999
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Date: Wed, 20 Oct 1999 06:11:13 -0700
To: Loopers-Delight@annihilist.com
From: Alex Stahl <alex@pixar.com>
Subject: Re: Off-topic: Home Electrical Wiring
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At 3:25 AM -0700 10/20/99, Matthias Grob wrote:
>>It's not the volts that'll kill ya, it's the amps.
>
>Never heard someone playing through a volt.

Let alone looping through one, that would be... revolting.

(sorry, I've been up all night doing what used to be called audio
engineering, but has now become data file management)

-Alex S.


From Loopers-Delight-request@annihilist.com  Wed Oct 20 10:28:07 1999
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From: Texture444@aol.com
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Date: Wed, 20 Oct 1999 09:58:25 EDT
Subject: Re: Two looping questions from a neophyte
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hey, paul:
> > Is there a way to continuously loop from one delay to another? I loop on
> > a Boomerang,and then sample a segment of that loop with a Headrush. After
> >
> > overdubbing on top of that segment  I want to be able send it back to be
> > overdubbed on the boomerang, then grab another segment with the Headrush,
> > and so on. Without
> > using two A/B boxes is there anyway to do this?
i regularly do this kinda exchange between a pcm42 & an edp, though its a bit kludgey & requires the use of hands; also, a slightly modified rane sm82 mixer is involved in the process:
the edp & pcm42 are fed by (pre-fader) effects-sends, so when i wanna share/modify material tween the 2 devices, i merely turn up the appropriate send to the target-unit.

> > Neither of my delays is tunable. What is the best way to be able to
> > speed up or slow down a loop? Perhaps a pitch shifter after the delays?
actually, those're 2 separate questions, methinks:
1) ifya wanna *re-tune* yer loop, any (probably polyphonically capable) pitch-shifter will do, though: they all sound different.
2) ifya wanna *speed-up/slow-down* yer loops (in 'real-time', or approximately), ya may hafta git yerself either some kinda modulateable delay, or a realtime-sampler (like jhno's Looper1.5, for MACintosh, web-available);
also, software like arboretum systems' HyperEngine has a wonderful 'real-time' 'vari-speed' function. (see also NI Reaktor, for MAC/PC).

but:
a Q: fer y'all:
anybody have other paths to these particular ends? more practical/economical?
best regards,
dt

From Loopers-Delight-request@annihilist.com  Wed Oct 20 11:08:07 1999
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From: Hoover Alan <HooverA@tce.com>
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>-----Original Message-----
>From: L Tremblay [mailto:ltct@concentric.net]
>Sent: Tuesday, October 19, 1999 9:00 PM
>To: Loopers-Delight@annihilist.com
>Subject: Re: Off-topic: Home Electrical Wiring


>It's not the volts that'll kill ya, it's the amps.

>Be careful. Rubber-soled shoes please!

>- Larry

This is a dangerous statement that I hear from time-to-time.  While it is
true that current passing through the heart is what usually causes
electrocution, keep one thing in mind:  It is the voltage that causes the
current to "flow".  The higher the voltage, the more current that flows.
Zero voltage produces zero current.  High voltage produces high current.  

If there is something close to 120 volts ac on your guitar amplifier chassis
and on your guitar strings (with respect to earth ground), and you touch
your strings with one hand and something connected to ground with the other,
you will likely get a dangerous electric shock, possibly fatal.  It's the
volts that produce the amps that'll kill ya.

Alan

From Loopers-Delight-request@annihilist.com  Wed Oct 20 11:10:01 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Off-topic: Home Electrical Wiring
Date: Wed, 20 Oct 1999 07:56:44 -0700
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OK, now we're talking about
http://www.ingava.com/reviews/pc/revolt/index.htm , so lay off.

  | -----Original Message-----
  | From: Alex Stahl [mailto:alex@pixar.com]
  | Sent: Wednesday 20 October 1999 6:11 AM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Off-topic: Home Electrical Wiring
  |
  | >Never heard someone playing through a volt.
  |
  | Let alone looping through one, that would be... revolting.

From Loopers-Delight-request@annihilist.com  Wed Oct 20 11:10:35 1999
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From: Hoover Alan <HooverA@tce.com>
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Date: Wed, 20 Oct 1999 09:48:19 -0500
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LET'S CLEAR THIS UP BEFORE SOMEONE GETS HURT:

Tesla coils typically have very high internal resistance, like TV high
voltage transformers.  Their voltage is high with no load.  As soon as they
are connected to a load resistance (your body), the output voltage drops to
a very low level, because the current is limited by this very high internal
resistance.  Only 1 to 5 milliamperes actually flow through the body,
because the voltage drops to a much lower level.  It takes about 10 times
this much current to cause heart fibrillation due to disrupting nerve
conduction.

The ac power line, on the other hand, has VERY LOW internal resistance.  If
you touch a quarter of a million volt power line, even with one hand,
current will conduct through you, right through your shoes, through the
earth, back to the generator.  You will likely die in seconds, unless you
are wearing VERY THICK RUBBER boots or shoes having no holes or cracks where
moisture exists.  The power line voltage doesn't drop at all, because the
generator has for all practical purposes zero internal resistance.  Your
body might even cook rapidly if the current is high enough to boil your
electrolytes.  People who work on these high voltages for a living use
special techniques and equipment to insulate themselves to a high degree.  

Don't even think of playing with the power grid, even with one hand in your
pocket.

Alan

-----Original Message-----
From: David Myers [mailto:dmgraph@pulsewidth.com]
Sent: Tuesday, October 19, 1999 11:00 PM
To: Loopers-Delight@annihilist.com
Subject: Re: Off-topic: Home Electrical Wiring


It's the truth, I've got a 1/4 million volt Tesla coil and you can grab
onto it; your hair may stick out, but the amperage is nil.  Also, the
one-hand-in-pocket is an old but wise tactic for handling the really
dangerous stuff.  Explaination: you avoid catching an arc from each hand &
over the heart....

>It's not the volts that'll kill ya, it's the amps.
>
>Be careful. Rubber-soled shoes please!
>
>- Larry

>>> Kim Flint wrote-
>>> I'm an electronics engineer, don't know anything about that high voltage
>>> stuff. Try not to touch the wires....hope that helps.
>>
>>
>>Or if ya do touch 'em, just use one hand!
>>
>>Seriously, my sweetie's uncle was a high-voltage guy; he worked on wiring
>>the big dams back in the 40's.  Under emergency circumstances, he would
>make
>>repairs on live million-volt circuits -- with one hand in his pocket.

From Loopers-Delight-request@annihilist.com  Wed Oct 20 11:25:48 1999
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------ =_NextPart_001_01BF1B0C.66E83DA0
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Home Studio Liquidation
Auction begins 10/20/99 4PM, ends 10/30/99 4PM
For details, see http://www.ultranet.com/~mblais/eqtlist.htm
.............................................
Oberheim Echoplex Digital Pro, 16MB, V5.0 (2)
Oberheim EFC-7 Echoplex foot controller
Event Electronics Layla PCI audio system
Event Electronics EMP-1 Mic Preamp
MOTU MIDI Express XT Mac/Win 8-in, 8-out MIDI interface
Korg Wavestation EX keyboard
Kurzweil K2000 keyboard
CD-ROM drive for K2000 (SCSI)
Roland SC-55 Sound Canvas
Blue Sky Logic MIXI M-100 17-fader MIDI controller *!RARE!*
Neutrik/Mogami Studio-Quality TRS Patch Cables (60)
Audio Technica AT4033/SM studio large-diaphragm mic (2)
Audio Technica 440D dynamic mic
Audio Technica ATH-M40 fs studio headphones
Crown CM-311 headworn condensor mic
Behringer Eurorack MX2642 26-input mixer
Behringer Ultrafex II EX3100
Behringer Denoiser SNR-2000
Behringer Multicom MDX2400 4-Channel Compressor
Behringer Virtualizer DSP 1000 FX
Digitech TSR-24S FX
Boss SE-70 FX
dbx 1531X 31-Band Stereo Graphic EQ
Aphex 106 Easy Rider 4-Channel Stereo Compressor
Anatek Pocket MIDI Merge
NHT 1.3A Compact Loudspeakers
Oz Audio Qmix HM-6 headphone matrix mixer/amplifier
MidiMan Mini Mixer
Peavey PV-4C 250Wx2 stereo power amp
Kat DK-10 drum pad
Kat midi K.I.T.I. 9-input drum trigger module
Kat f.a.t.KAT electronic drum bass pedal trigger
Re'an RPM48S Patch Bays (2)
ILIO Synclavier Sampler Library Percussion+ CD for K2000
  (ethnic and orchestral percussion)
Optimus SCT-56 Dual Auto-Reverse Cassette Deck
Sony CDP-550 CD Player w/ remote
Korg EXP-2 Expression Pedal
Telescoping Boom Mic Stands (2)
RaXXess CR10/6 Converta Rack
10-Space CTA Effects Rack
Quik Lok 2-Tier "X" Keyboard Stand
Adjustable "X" Keyboard Stand
Ultimate Support Apex 2-Tier Keyboard Stand
RokSak padded keyboard carrying case
Hosa Audio Cables (assorted)
MIDI Cables and Misc. (assorted)
Miscellaneous Adapters (assorted)
Oberheim Echoplex Digital Pro spare user manual

For details, see http://www.ultranet.com/~mblais/eqtlist.htm

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<HTML>
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charset=3Dus-ascii">
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5.5.1960.3">
<TITLE>FA: Audio Equipment</TITLE>
</HEAD>
<BODY>

<P><FONT SIZE=3D2>Home Studio Liquidation</FONT>
<BR><FONT SIZE=3D2>Auction begins 10/20/99 4PM, ends 10/30/99 =
4PM</FONT>
<BR><FONT SIZE=3D2>For details, see <A =
HREF=3D"http://www.ultranet.com/~mblais/eqtlist.htm" =
TARGET=3D"_blank">http://www.ultranet.com/~mblais/eqtlist.htm</A></FONT>=

<BR><FONT SIZE=3D2>.............................................</FONT>
<BR><FONT SIZE=3D2>Oberheim Echoplex Digital Pro, 16MB, V5.0 (2)</FONT>
<BR><FONT SIZE=3D2>Oberheim EFC-7 Echoplex foot controller</FONT>
<BR><FONT SIZE=3D2>Event Electronics Layla PCI audio system</FONT>
<BR><FONT SIZE=3D2>Event Electronics EMP-1 Mic Preamp</FONT>
<BR><FONT SIZE=3D2>MOTU MIDI Express XT Mac/Win 8-in, 8-out MIDI =
interface</FONT>
<BR><FONT SIZE=3D2>Korg Wavestation EX keyboard</FONT>
<BR><FONT SIZE=3D2>Kurzweil K2000 keyboard</FONT>
<BR><FONT SIZE=3D2>CD-ROM drive for K2000 (SCSI)</FONT>
<BR><FONT SIZE=3D2>Roland SC-55 Sound Canvas</FONT>
<BR><FONT SIZE=3D2>Blue Sky Logic MIXI M-100 17-fader MIDI controller =
*!RARE!*</FONT>
<BR><FONT SIZE=3D2>Neutrik/Mogami Studio-Quality TRS Patch Cables =
(60)</FONT>
<BR><FONT SIZE=3D2>Audio Technica AT4033/SM studio large-diaphragm mic =
(2)</FONT>
<BR><FONT SIZE=3D2>Audio Technica 440D dynamic mic</FONT>
<BR><FONT SIZE=3D2>Audio Technica ATH-M40 fs studio headphones</FONT>
<BR><FONT SIZE=3D2>Crown CM-311 headworn condensor mic</FONT>
<BR><FONT SIZE=3D2>Behringer Eurorack MX2642 26-input mixer</FONT>
<BR><FONT SIZE=3D2>Behringer Ultrafex II EX3100</FONT>
<BR><FONT SIZE=3D2>Behringer Denoiser SNR-2000</FONT>
<BR><FONT SIZE=3D2>Behringer Multicom MDX2400 4-Channel =
Compressor</FONT>
<BR><FONT SIZE=3D2>Behringer Virtualizer DSP 1000 FX</FONT>
<BR><FONT SIZE=3D2>Digitech TSR-24S FX</FONT>
<BR><FONT SIZE=3D2>Boss SE-70 FX</FONT>
<BR><FONT SIZE=3D2>dbx 1531X 31-Band Stereo Graphic EQ</FONT>
<BR><FONT SIZE=3D2>Aphex 106 Easy Rider 4-Channel Stereo =
Compressor</FONT>
<BR><FONT SIZE=3D2>Anatek Pocket MIDI Merge</FONT>
<BR><FONT SIZE=3D2>NHT 1.3A Compact Loudspeakers</FONT>
<BR><FONT SIZE=3D2>Oz Audio Qmix HM-6 headphone matrix =
mixer/amplifier</FONT>
<BR><FONT SIZE=3D2>MidiMan Mini Mixer</FONT>
<BR><FONT SIZE=3D2>Peavey PV-4C 250Wx2 stereo power amp</FONT>
<BR><FONT SIZE=3D2>Kat DK-10 drum pad</FONT>
<BR><FONT SIZE=3D2>Kat midi K.I.T.I. 9-input drum trigger module</FONT>
<BR><FONT SIZE=3D2>Kat f.a.t.KAT electronic drum bass pedal =
trigger</FONT>
<BR><FONT SIZE=3D2>Re'an RPM48S Patch Bays (2)</FONT>
<BR><FONT SIZE=3D2>ILIO Synclavier Sampler Library Percussion+ CD for =
K2000</FONT>
<BR><FONT SIZE=3D2>&nbsp; (ethnic and orchestral percussion)</FONT>
<BR><FONT SIZE=3D2>Optimus SCT-56 Dual Auto-Reverse Cassette =
Deck</FONT>
<BR><FONT SIZE=3D2>Sony CDP-550 CD Player w/ remote</FONT>
<BR><FONT SIZE=3D2>Korg EXP-2 Expression Pedal</FONT>
<BR><FONT SIZE=3D2>Telescoping Boom Mic Stands (2)</FONT>
<BR><FONT SIZE=3D2>RaXXess CR10/6 Converta Rack</FONT>
<BR><FONT SIZE=3D2>10-Space CTA Effects Rack</FONT>
<BR><FONT SIZE=3D2>Quik Lok 2-Tier &quot;X&quot; Keyboard Stand</FONT>
<BR><FONT SIZE=3D2>Adjustable &quot;X&quot; Keyboard Stand</FONT>
<BR><FONT SIZE=3D2>Ultimate Support Apex 2-Tier Keyboard Stand</FONT>
<BR><FONT SIZE=3D2>RokSak padded keyboard carrying case</FONT>
<BR><FONT SIZE=3D2>Hosa Audio Cables (assorted)</FONT>
<BR><FONT SIZE=3D2>MIDI Cables and Misc. (assorted)</FONT>
<BR><FONT SIZE=3D2>Miscellaneous Adapters (assorted)</FONT>
<BR><FONT SIZE=3D2>Oberheim Echoplex Digital Pro spare user =
manual</FONT>
</P>

<P><FONT SIZE=3D2>For details, see <A =
HREF=3D"http://www.ultranet.com/~mblais/eqtlist.htm" =
TARGET=3D"_blank">http://www.ultranet.com/~mblais/eqtlist.htm</A></FONT>=

</P>

</BODY>
</HTML>
------ =_NextPart_001_01BF1B0C.66E83DA0--

From Loopers-Delight-request@annihilist.com  Wed Oct 20 12:23:42 1999
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Date: Wed, 20 Oct 1999 18:01:16 +0100
From: Claude Voit <c.voit@vtx.ch>
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To: Loopers-Delight@annihilist.com, Texture444@aol.com
Subject: Re: Two looping questions from a neophyte
References: <0.4812d709.253f2481@aol.com>
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Texture444@aol.com wrote:

> a Q: fer y'all:
> anybody have other paths to these particular ends? more practical/economical?
> best regards,
> dt

for loop to loop exchange

not very cheap but the switchblade is _the_ box for reconfiguring your
efx rack on the fly

http://www.soundsculpture.com

Claude

From Loopers-Delight-request@annihilist.com  Wed Oct 20 13:10:10 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Two looping questions from a neophyte
Date: Wed, 20 Oct 1999 11:39:04 -0500
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>not very cheap but the switchblade is _the_ box for reconfiguring your
>efx rack on the fly

Please describe the switchblade.  Webpages?

Thanks!

Dennis Leas
-----------------------------
dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Wed Oct 20 13:10:19 1999
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Date: Wed, 20 Oct 1999 09:42:38 -0600
From: gisjef@coagis.cabq.gov (jason fink - 3943 SUN Workstation)
Message-Id: <199910201542.JAA16344@agsws1.cabq.gov>
To: Loopers-Delight@annihilist.com
Subject: Introduction & Headrush Question
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Greetings Loopers,

    I am new to the list... stumbling upon it while
    searching for information on the Akai Headrush.  By
    way of introduction; I am 35,live in Albuquerque
    New Mexico, and until the recent departure of my drummer
    played in a sloppy punk band under the moniker "dimbulb"
    ( http://www.unm.edu/~cornflak ).

    While I havent really been a looper, I became interested in the
    Headrush pedal after seeing it in action during a performance
    by Don Caballero (both Bass & guitar were using them).  
    I was so impressed with the band, and with the pedals that
    I purchased one.

    I have been playing with it for a coupla days now and having alot of
    fun with both the tape echo mode and the loop mode.  With my band
    in limbo I find that looping may hold great promise in my 
    music-making at home.  At this moment I am listening to the
    Looper CD via real-audio, its great and has made it to my "must
    purchase soon" list.

    With regard to the Headrush, I am having a little difficulty 
    during the looping function.  If I get a riff going, the looper
    seems to have a pause before the repeat begins.  I am not sure if
    it is a function of MY timing when I hit the switchs, or if the
    box is just screwing with the timing.  As it is now, I get a loop
    going, then pause to adapt any further playing to the new beat of 
    the loop.  Does that make any sense?

    Can anyone advise a fledgling looper on making the most out of this
    stomp box?

Thanks,
-jas
Albuquerque
gisjef@coagis.cabq.gov













From Loopers-Delight-request@annihilist.com  Wed Oct 20 13:18:22 1999
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From: Texture444@aol.com
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Date: Wed, 20 Oct 1999 13:00:07 EDT
Subject: Re: Two looping questions from a neophyte
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claude,
>for loop to loop exchange
>not very cheap but the switchblade is _the_ box for
>reconfiguring your efx rack on the fly
>http://www.soundsculpture.com

thanks for that.
unfortunately, the switchblade is anti-tactile (unless ya add midi/voltage faders, eh?):
no knobs, no sliders:
so, ce n'est pas pour moi!
best,
dt

From Loopers-Delight-request@annihilist.com  Wed Oct 20 13:28:42 1999
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From: Hawkeye255@aol.com
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Date: Wed, 20 Oct 1999 13:11:35 EDT
Subject: Re: Home Electrical Wiring
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<< Don't even think of playing with the power grid, even with one hand in your
 pocket.   
                Alan >>

right arm! Alan.  Some real sense of the questioner's dilemma.

    1st)     The reversed polarity outlets are a likely place to get a shock 
with your gear.  So, get those fixed TODAY.
     2nd)     The 3-prong outlets need checked to see if there is a ground 
wire connected to the ground terminal of the receptacle or not.  If not, get 
that fixed.
     3rd)     Knob & Tube was and is good safe wiring.  Problems occur, 
however, when modern 3-wire conductors and old knob & tube (2-wire) are mixed 
on the same circuit(s).  The floating neutral of the old stuff can become 
severely overloaded--a fire hazard.
     4th)     The highest voltage I ever worked was 34,500 volts distribution 
power.  Perfectly safe if all the precautions are taken and the right gear is 
used.
     5th)     The only time I nearly got electrocuted was when assembling the 
buss bars inside a large 440v. 3-phase switchgear cabinet (about the size of 
a normal bedroom).  I had my safety padlock on the main, but a young 
electrical engineer decided he needed to show a group of state senators how 
the facility looked.  He wanted to turn on some overhead lights.  (Engineers 
had master keys for everything in those days.)  He didn't check with anyone, 
he just unlocked my padlock and turned it all on.  Well I was sweating (July 
in Iowa) just pushing a 90 pound solid slab of copper buss in place when the 
power came on.  I was absolutely locked up and could not move, I couldn't 
even take a breath and my heart was stopped completely, since the 440 volts 
was going from arm-to-arm for almost a full minute.  Finally, an apprentice I 
was working with, ran up and turned it off when he realized what was 
happening.  He punched out the EE too later, I heard!  Good lad.  I had minor 
burns on both arms where they were touching the buss bars.  I felt very 
strange for several days.  But, I got six months off with pay and the young 
EE got fired!  And no one could ever unlock anybody else's safety lock after 
that.  At least at that facility.
     6th)     The problem with 120 volts is that usually doesn't have enough 
strength to stop your heart, just enough to cause erractic fibrillations 
which will kill you in 5 minutes or so.  A heart de-fibrillator like medics 
use operates on between 300 and 500 volts, I believe.  But a dead short 
circuit on even a 120 volt 20 amp circuit has about the same amount of 
available power as a  locomotive engine going 60 miles an hour--if only for a 
fraction of a second.  I don't know about you, but I wouldn't want to get hit 
by such a thing (again), even if it was only for a few microseconds.

     Bill "Hawkeye"      

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Date: Wed, 20 Oct 1999 12:14:26 -0500
Subject: Re: Two looping questions from a neophyte
From: "Travis Hartnett" <hartne.t@apple.com>
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For most people all you need to know is that it costs around $1725 factory
direct.

If you're still curious, check

http://www.soundsculpture.com/

TH




----------
>From: "Dennis W. Leas" <dennis@mdbs.com>
>To: Loopers-Delight@annihilist.com
>Subject: Re: Two looping questions from a neophyte
>Date: Wed, Oct 20, 1999, 11:39 AM
>

>>not very cheap but the switchblade is _the_ box for reconfiguring your
>>efx rack on the fly
>
> Please describe the switchblade.  Webpages?
>
> Thanks!
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com

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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Two looping questions from a neophyte
Date: Wed, 20 Oct 1999 10:42:58 -0700
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>From good old H-C:

GCX switcher with foot controller
Asking Price: US$300
Condition: Mint
Age: N/A
Description:
Switcher with midi foot controller. Easy and fun to use. Buyer pays
shipping. Thanks!
Seller: Robert Williams,
E-mail: jazzaplaza@aol.com (Profile)
Location: NASHVILLE, TN
Distance: 1945 miles
Post Date: 10/20/99

-----Original Message-----
From: Travis Hartnett [mailto:hartne.t@apple.com]
Sent: Wednesday, October 20, 1999 10:14 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Two looping questions from a neophyte


For most people all you need to know is that it costs around $1725 factory
direct.

If you're still curious, check

http://www.soundsculpture.com/

TH




----------
>From: "Dennis W. Leas" <dennis@mdbs.com>
>To: Loopers-Delight@annihilist.com
>Subject: Re: Two looping questions from a neophyte
>Date: Wed, Oct 20, 1999, 11:39 AM
>

>>not very cheap but the switchblade is _the_ box for reconfiguring your
>>efx rack on the fly
>
> Please describe the switchblade.  Webpages?
>
> Thanks!
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Wed Oct 20 14:43:10 1999
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Hello...

I have the Headrush, and have no problem with pauses....but I do believe
that pinpoint operation is necessary....You do have to be on with your
button pushing


Daniel Goodwin

From Loopers-Delight-request@annihilist.com  Wed Oct 20 15:52:00 1999
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Date: Wed, 20 Oct 1999 14:32:37 -0500
Subject: FS: Time Machine, PMC 10 (ebay)
From: "Travis Hartnett" <hartne.t@apple.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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Time Machine"

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=181386096



PMC 10:

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=184123429

From Loopers-Delight-request@annihilist.com  Wed Oct 20 15:55:25 1999
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Date: Wed, 20 Oct 1999 12:20:33 -0700
From: "Mike Biffle" <mbiffle@svg.com>
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Subject: Re: Two looping questions from a neophyte
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dt writes...
> i regularly do this kinda exchange between a pcm42 & an edp, though its a bit kludgey & requires the use of hands; also, a slightly modified rane sm82 mixer is involved in the process: the edp & pcm42 are fed by (pre-fader) effects-sends, so when i wanna share/modify material between the 2 devices, i merely turn up the appropriate send to the target-unit.

Hi David... So is the SM82 mod the pre-fader fx send? Is this in your live rack? Are you still using the Ashley mixer as well? And finally... What are your stereoizing fx used on the loopers?

> a Q: fer y'all: anybody have other paths to these particular ends? more practical/economical? best regards, dt

I saw your response on the Switchblade... don't you use a Peavey PC1600 for midi fader moves? The Blade could really integrate well with something like that and an extension footswitch or expression pedal. (although the price IS daunting...)

I do the same thing for feeding loopers... reach over and turn up an aux send. All my loopers come back to channel strips instead of aux returns. I just need that pre fader send option.

best...
-Miko

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From: Kevin Cheli-Colando <kevin@minds-eye.org>
Subject: Re: FS: Time Machine, PMC 10 (ebay)
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Just so you know, this PMC10 does not have the remote controller (and is
hence non-programmable (or so says Digitech).

End public service announcement

Kevin
>
>PMC 10:
>
>http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=184123429
> 

From Loopers-Delight-request@annihilist.com  Wed Oct 20 16:03:28 1999
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Subject: Re: Two looping questions from a neophyte
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Plus it'll cost you $1725.00 *factory direct*.
Tad pricey...

regards
- Larry
-----Original Message-----
From: Texture444@aol.com <Texture444@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, October 20, 1999 1:30 PM
Subject: Re: Two looping questions from a neophyte


>claude,
>>for loop to loop exchange
>>not very cheap but the switchblade is _the_ box for
>>reconfiguring your efx rack on the fly
>>http://www.soundsculpture.com
>
>thanks for that.
>unfortunately, the switchblade is anti-tactile (unless ya add midi/voltage
faders, eh?):
>no knobs, no sliders:
>so, ce n'est pas pour moi!
>best,
>dt
>
>

From Loopers-Delight-request@annihilist.com  Wed Oct 20 16:48:08 1999
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Oh, thanks man. I was already bidding on it.
Now ALL the vultures will be wheeling... ;)

- Larry
-----Original Message-----
From: Travis Hartnett <hartne.t@apple.com>
To: Looper's Delight <Loopers-Delight@annihilist.com>
Date: Wednesday, October 20, 1999 4:04 PM
Subject: FS: Time Machine, PMC 10 (ebay)


>Time Machine"
>
>http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=181386096
>
>
>
>PMC 10:
>
>http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=184123429
>
>

From Loopers-Delight-request@annihilist.com  Wed Oct 20 16:55:04 1999
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Date: Wed, 20 Oct 1999 13:20:07 -0700
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From: Kim Flint <kflint@ati.com>
Subject: Re: FS: Time Machine, PMC 10 (ebay)
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At 03:43 PM 10/20/99 -0400, Kevin Cheli-Colando wrote:
>Just so you know, this PMC10 does not have the remote controller (and is
>hence non-programmable (or so says Digitech).

Does digitech still sell the remote controllers? I know you could still buy
them recently, because the same basic thing was used on other digitech gear.
If not, it's a pretty simple device, wouldn't be too hard to make one. It's
a good idea to have a spare anyway, cause the remotes tend to get flakey.
(especially the dinky cable it uses.) That's the one thing about the PMC-10
I don't like...eventually I'm going to rebuild my remote controller to be
more rugged.

kim
___________________________________________________________
Kim Flint                                408-845-6383
Manager, Board and System Design         kflint@ati.com
ATI Research                             http://www.ati.com

From Loopers-Delight-request@annihilist.com  Wed Oct 20 16:54:50 1999
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From: Jprice01@aol.com
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Date: Wed, 20 Oct 1999 16:17:38 EDT
Subject: Re: Introduction & Headrush Question
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I too have the headrush and have found no problems whatsoever with it. 

I got the headrush last friday to replace my jamman and zoom 508 and i luv it save for the fact that it has knobs. 

I like having my menu presets - patches per se' in a user bank i can just with the touch of the foot bring up...u dont do dat' with the headrush and u have knobs u have to twist and fiddle with or even worse mark off with a pen to recall cool settings...i hate that but can live with it for the price and functionality of a headrush. 

also the headrush is an akai product which is not going to be difficult to have replaced or serviced or go out of production anytime soon.

the headrush is straight forward in its use and applications but for looping its a lot like a sampler - beat looper in that you have to start playing immediately when the rec option is selected. 

If u are doing something that is in a particular rhythm pattern, u have to consciously count it out - in time ie., a one bar loop would be initiated by counting one-two-three-four - AND ONE ---.....now here is the catch - ya gotta close out the loop on the "ONEcount - not the and one count but the One count" your loops will be accurate but it takes practice. you can have longer loops on the akai easilly just as long as u dont go over the alloted 11.9 secs for loop with overdub.

The tape echo sim is neat and fairly accurate with the panning capabilities it gives you but u will need a mixer to get the full effect of having 4 or 5 outputs going at once and u can also have a lot of fun sending aux. sends from these outs to other f/x etc.

JP

From Loopers-Delight-request@annihilist.com  Wed Oct 20 17:18:24 1999
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To: Loopers-Delight@annihilist.com
From: Sean <sean_@mindspring.com>
Subject: Re: FS: Time Machine, PMC 10 (ebay)
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I checked a little over a year ago - they don't have anymore.  But they
also said the controller for the Digitech DSP256 wouldn't work with the
PMC10.  I picked one up for $10 and it does work (but all the button lables
are wrong).  At any rate you can do most of the programming from some free
windoze app.

sean

At 01:20 PM 10/20/99 -0700, Kim wrote:
>Does digitech still sell the remote controllers? I know you could still buy
>them recently, because the same basic thing was used on other digitech gear.

From Loopers-Delight-request@annihilist.com  Wed Oct 20 18:01:01 1999
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From: PMimlitsch@aol.com
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Date: Wed, 20 Oct 1999 17:22:50 EDT
Subject: Headrush Mod Question
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Has anybody replaced the "hard click/ snap" buttons on the Headrush with 
something that is silent and more touch sensitive?  If so - recommendation?  
Also, how involved would it be to add an input signal overload light to the 
Headrush? 

From Loopers-Delight-request@annihilist.com  Wed Oct 20 18:18:32 1999
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> -----Original Message-----
> From: Hoover Alan [mailto:HooverA@tce.com]
> Sent: Wednesday, October 20, 1999 10:48 AM
> 
> Don't even think of playing with the power grid, even with 
> one hand in your pocket.

Besides, GUYS, if the electricity were to flow directly through to your
other hand, is THAT where you want it to be???? ;->

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From Loopers-Delight-request@annihilist.com  Wed Oct 20 18:01:01 1999
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>>> Kim Flint <kflint@ati.com> 10/20 1:37 PM >>>
> Does digitech still sell the remote controllers? I know you could still buy them recently, because the same basic thing was used on other digitech gear. 

I had a couple of the PMC-10 controllers and when Digitech said they "couldn't find" another one for me (a long time ago) one of their guys suggested the SR-7 (I believe) controller, and they sent me one which I used just fine for a long time until I re-discovered where I'd stashed my old flakey PMC-10 controllers. I took them both apart and used DeOxit on them both and they worked great! I've now managed to stash my other controllers somewhere else where I can't find the suckers... they'll turn up eventually, but now I have a second PMC-10 which I'd like a controller for...

> If not, it's a pretty simple device, wouldn't be too hard to make one. It's a good idea to have a spare anyway, cause the remotes tend to get flakey. (especially the dinky cable it uses.) That's the one thing about the PMC-10 I don't like...eventually I'm going to rebuild my remote controller to be more rugged.

It might be cool to actually use momentary stomp switches and make a rugged floor controller... Ah... maybe not, but it's a thought.

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

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At 04:17 PM 10/20/99 EDT, Jprice01@aol.com wrote:
>I got the headrush last friday to replace my jamman and zoom 508 
>and i luv it save for the fact that it has knobs. 

If I may ask, why would you replace a jamman with a headrush? That seems
like going backwards to me....


>also the headrush is an akai product which is not going to be 
>difficult to have replaced or serviced or go out of production 
>anytime soon.

You mean like the Akai Remix 16, the cool dj oriented looper they released a
few years ago? It seemed to vanish off the face of the earth for quite a
while and now is in some sort of maybe-it-exists-maybe-it-doesn't status. It
happens everywhere....


kim
___________________________________________________________
Kim Flint                                408-845-6383
Manager, Board and System Design         kflint@ati.com
ATI Research                             http://www.ati.com

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Subject: Re: Headrush question and alternate loopers discussion...
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> also the headrush is an akai product which is not going to be difficult to have replaced or serviced or go out of production anytime soon.

hahahahahahahahaha... They're a big company all right... but so is Korg and they discontinued the  DL8000R Delay AND the AM8000R multi-effect processor before they were even a year old.

I've heard these used by a couple friends now with great results... Very good midi interface etc. Just very poorly received by the general public. They were actually reviewed very well by more than a couple magazines with the exception of the DL delay getting low marks for user i/f... 

This is fellow list member David Coffin's main looper and believe me... it's a looping beast! You can modulate the multi tap delays with various waveforms etc. 5 secs stereo / 10 secs mono. Each of the multi-taps is tempo assignable with various divisors allowing you to make clicks and pops jump into looping polyrythyms. It's one of the deepest tap tempo delays out there.

And it's now going to be one of those relics which pop up in the odd rack from time to time just like the Digitech RDS series.

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

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>

Does that windows software to control the PMC10 work nicely? Sounds
great on paper.

(I'm on the Mac platform and tried to get it working in Softwindows but
couldn't)

Neil


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I've been using it a lot lately, it's great for trying out grooves
quickly before working them out in more detail in the mpc2000.

Thumbs up: the f/x section is excellent (esp. in the pro version), it'll
take years for the slow poke copy cats at akai to come up with any near
it. Also, it's a simple program to use - it doesn't take much time to
get things groovy.

Thumbs down: as far as i know, the resolution is liited to sixteenths
and the only time signature is 4/4. Because of this, i don't use it for
much more than "groove sketching".

Rob


Pete wrote:
> 
> I have been using a program called fruityloops for drum loops, and some
> looping of small wave samples
> 
> for about a month or so. I'm wondering if anyone else on this list has used
> this program for looping.
> 
> If so what do you all think about it?
> 
> Does it work for you?
> 
> Have you found any major shortcomings?
> 
> Thanks for any and all input-
> 
>                                             Pete


From Loopers-Delight-request@annihilist.com  Wed Oct 20 20:10:46 1999
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From: Jprice01@aol.com
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Date: Wed, 20 Oct 1999 19:49:13 EDT
Subject: Re: Introduction & Headrush Question
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Kim,

I dont get no "gearis - gearus envy" in the loop area. At least not at the 
moment :-)

I got a headrush because of  #1 cost ($169 US Dollars - No tax ), 
effectiveness, size and simplicity.  Those 4 things were main factors...& no, 
i disagree with you because its not necessarily going back...not at all & 
i'll try to explain why. 

BTW, the jamman was also touchy in certain applications which was probably 
more to do with the particular unit i had than with the state or quality of 
all jammen en masse. but with the headrush, its a pretty even keel where im 
at and from what i was using before with some exceptions i dont really get to 
boo-hooed over not having but with a sorta retro tape cartridge based sound 
to it i feel like im 12 again but not necessarily steppin back inside the 
"way-back" machine. 

also im of the opinion that the quality of any loop is in what the player 
puts inside or leaves out along with the quality of the gear to a certain 
degree but still with the musician being the main ingredient. 

Theres no doubt that the headrush has basic but not expanded flexibility in 
areas of loop - time, including the basic variations such as feedback, level 
and HF trim plus the head gap features. 

Now the jamman on the other hand was not maxed out in terms of memory - it 
was just out of da' box and never modified so i see it sorta as a lateral 
move with the headrush but not a step down in any way at all. also i got the 
jamman for free; cant beat that price. It was inherited from a musician 
friend who decided that he was going to go corporate and give up music.

in regards to products coming and going, sure they all do but the demand for 
headrush's seems to be very high. & its very hard to find them here in philly 
cause they have been selling very fast it seems. also the manufacturer is one 
that has a product that can be supported or in the case of the headrush u 
could probably look at it in terms of price where it can be replaced easilly 
if necessary. if there ever is a problem with my headrush, i can count on 
finding an Akai e-1 in a pinch. also, chances are there will be lots of 
headrushes for quite while or so it seems to these eyes. & its a good fit for 
me.

But in terms of MIDI syncing and or having more variation and control, 
clearly u dont and will not find that with a headrush - i dont and logically 
cant say the headrush is the answer to all things u would ever need to loop 
because it isnt. I'm just saying for me it fits perfectly for what i do and 
really need at the moment. 

I dont look to sync my textured loops and if i do its a sample of a loop that 
is worked chained together and or treated in acid or the sound forge 4.5  prg 
i have.  

for other stuff such as morphing like effects and more esoteric sounds or 
samples,  they will come from my sp202 and or a combo of the gt-3 or gr-30 or 
ensoniq asr 10 and my trusty zoom 234 drum machine for the riddem'.

Gotta say 11.9 secs or 23 seconds loop time is plenty for me & i dig the 
limitations too and was going to point out the limitations in my original 
post but kinda let slide.

Its easy to get intuitive with the head rush and be a lot closer to making 
the loop ring - and once again the $169 price tag rings my bell and meets me 
smiling for what i get out of it :)  

Regards,
JP

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From: wo-5100dogrules@webtv.net (Steven Bazar)
Date: Wed, 20 Oct 1999 18:50:05 -0500 (CDT)
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the adress being wo-5100dogrules@webtv.net

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Rob - I agree...

At first I thought the program was good in concept - get some loops
together quickly, see what works, what doesn't, etc...

Unfortunately, it seems geared to turntablists - to the extent
that the beat resolution severely limits the range of things
that can be done - fairlt simple things like 'track sliding',
i.e. shifting a loop track incrementallly either forward or
backward in time. (it *is* computer-based, so it should be
simple to accomplish).

Got bored and frustrated quickly, deleted it from my drive...
To be fair, its not strickly a looping program despite its
name - its main audience is MOD trackers.

- Larry



-----Original Message-----
From: Cummings <r_t_cummings@compuserve.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, October 20, 1999 8:00 PM
Subject: Re: fruityloops


>I've been using it a lot lately, it's great for trying out grooves
>quickly before working them out in more detail in the mpc2000.
>
>Thumbs up: the f/x section is excellent (esp. in the pro version), it'll
>take years for the slow poke copy cats at akai to come up with any near
>it. Also, it's a simple program to use - it doesn't take much time to
>get things groovy.
>
>Thumbs down: as far as i know, the resolution is liited to sixteenths
>and the only time signature is 4/4. Because of this, i don't use it for
>much more than "groove sketching".
>
>Rob
>
>
>Pete wrote:
>>
>> I have been using a program called fruityloops for drum loops, and some
>> looping of small wave samples
>>
>> for about a month or so. I'm wondering if anyone else on this list has
used
>> this program for looping.
>>
>> If so what do you all think about it?
>>
>> Does it work for you?
>>
>> Have you found any major shortcomings?
>>
>> Thanks for any and all input-
>>
>>                                             Pete
>
>
>

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Same here, and since the loopers come back to channel strips, y'can send
one loop to the other looper at will. Just be sure to turn one aux send
down before turning the other up, though, or you'll get a blast of nasty
overload feedback when it goes back into the first device!

Tim

.>I do the same thing for feeding loopers... reach over and turn up an aux
send. All my loopers come back to channel strips instead of aux returns. I
just need that pre fader send option.
>
>best...
>-Miko
>
>

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From: "Clifford Novey" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Off-topic: Home Electrical Wiring
Date: Wed, 20 Oct 1999 19:09:08 -0700
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i once heard that if you needed to toch something that could be dangerous as
far as high voltage but were unsure- you could touch it with the forearm
with your palm towards your face and the current would cause your arm to
contract towards you and away from the source-

That is about as off topic as you can get-

PS- anyone who owns Core low cost binaurals mssg me off list-

Cliff

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From: Tim Nelson <tcn62@ici.net>
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Of course, a 99 cent continuity tester would be a little safer... You can
check a 9v battery with your tongue, too, but when we're talking about high
voltage, that's another story.

I read somewhere once that when you shuffle your feet on a carpet and touch
something, it requires thousands of volts (with hardly any amperage) just
to make that little spark. And if you've ever gotten a shock from a car's
electrical system you know the wallop a mere 12 volts can pack when it's
got enough amps behind it... But again, static electricity is not wall
current. Even those big capacitors inside our gear can hurt you whether or
not you're plugged into the mains. Be careful! We don't want to lose any of
you! Remember what happened to Keith Relf!

Tim

At 07:09 PM 10/20/99 -0700, you wrote:
>
>i once heard that if you needed to toch something that could be dangerous as
>far as high voltage but were unsure- you could touch it with the forearm
>with your palm towards your face and the current would cause your arm to
>contract towards you and away from the source-
>Cliff
>
>

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From: "L Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: WTB: VSO to sync 2 Revox A-77's
Date: Thu, 21 Oct 1999 01:10:26 -0400
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I'm looking for a (preferably) used variable-speed oscillator
to sync 2 Revox A-77s.

Anyone got an idea where I can find one of these things?
I know that Ampex makes one (the VS-20) but they want over
$800 new. And the old Ampex VS-10s are $1200...Geeeez.

Thanks,

- Larry

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To: Loopers-Delight@annihilist.com
From: leocavallo <cavallo@dada.it>
Subject: Re: fruityloops
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I disagree! ;) 

I'm not payed by the author of the program... but I assure you that you can
get really great sounding results of it... try a little more... and if you
want I can send you a little MP3 demo...
Clearly, forget the FL examples, they're pure shit... but I'm working a lot
with it and getting really "liquid" and "non-mechanical at all" grooves
(well... when I want mechanical grooves I know how to get it from FL too!).
I'm sure a lot of this work would be liked from the prog-Fripp-loopin-thing
people here too! ;) sorry guys....

ciao
leo

PS and if I have understood your mail, FL does allows istant pattern
shifting... try with Shift with left/right arrows.


At 20.13 20/10/99 -0400, you wrote:
>Rob - I agree...
>
>At first I thought the program was good in concept - get some loops
>together quickly, see what works, what doesn't, etc...
>
>Unfortunately, it seems geared to turntablists - to the extent
>that the beat resolution severely limits the range of things
>that can be done - fairlt simple things like 'track sliding',
>i.e. shifting a loop track incrementallly either forward or
>backward in time. (it *is* computer-based, so it should be
>simple to accomplish).
>
>Got bored and frustrated quickly, deleted it from my drive...
>To be fair, its not strickly a looping program despite its
>name - its main audience is MOD trackers.
>
>- Larry
>
>
>
>-----Original Message-----
>From: Cummings <r_t_cummings@compuserve.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Wednesday, October 20, 1999 8:00 PM
>Subject: Re: fruityloops
>
>
>>I've been using it a lot lately, it's great for trying out grooves
>>quickly before working them out in more detail in the mpc2000.
>>
>>Thumbs up: the f/x section is excellent (esp. in the pro version), it'll
>>take years for the slow poke copy cats at akai to come up with any near
>>it. Also, it's a simple program to use - it doesn't take much time to
>>get things groovy.
>>
>>Thumbs down: as far as i know, the resolution is liited to sixteenths
>>and the only time signature is 4/4. Because of this, i don't use it for
>>much more than "groove sketching".
>>
>>Rob
>>
>>
>>Pete wrote:
>>>
>>> I have been using a program called fruityloops for drum loops, and some
>>> looping of small wave samples
>>>
>>> for about a month or so. I'm wondering if anyone else on this list has
>used
>>> this program for looping.
>>>
>>> If so what do you all think about it?
>>>
>>> Does it work for you?
>>>
>>> Have you found any major shortcomings?
>>>
>>> Thanks for any and all input-
>>>
>>>                                             Pete
>>
>>
>>
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 21 03:27:56 1999
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wrong! ;) 

in the latest FL Pro versions you can set the grid resolution up to 64 steps
(for 4 pattern measures... or 64th notes bar, multiplying X 4 BPM tempo) and
you can set the pattern lenght in the range 8-64 steps. Quite flexible I
think... :)

if you scratch the surface, you can get really professional sounding results
from it.. I'm using it a lot, along my samplers and a tons of other
softwares, to program the material for an upcoming "groove oriented" sample
CD for a weeeeell known software house...  ;)

ciao
leo


>Thumbs down: as far as i know, the resolution is liited to sixteenths
>and the only time signature is 4/4. Because of this, i don't use it for
>much more than "groove sketching".
>
>Rob
>
>
>Pete wrote:
>> 
>> I have been using a program called fruityloops for drum loops, and some
>> looping of small wave samples
>> 
>> for about a month or so. I'm wondering if anyone else on this list has used
>> this program for looping.
>> 
>> If so what do you all think about it?
>> 
>> Does it work for you?
>> 
>> Have you found any major shortcomings?
>> 
>> Thanks for any and all input-
>> 
>>                                             Pete
>
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 21 03:54:10 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
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Subject: RE: Audio Equipment
Date: Thu, 21 Oct 1999 00:44:58 -0700
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So what, dude are you becoming a monk or something like that?

-----Original Message-----
From: Matt Blais [mailto:Matt@exotech.com]
Sent: Wednesday 20 October 1999 8:04 AM
Subject: FA: Audio Equipment


Home Studio Liquidation 
Auction begins 10/20/99 4PM, ends 10/30/99 4PM 
For details, see http://www.ultranet.com/~mblais/eqtlist.htm 
............................................. 
Oberheim Echoplex Digital Pro, 16MB, V5.0 (2) 
Oberheim EFC-7 Echoplex foot controller 
Event Electronics Layla PCI audio system 
Event Electronics EMP-1 Mic Preamp ...

From Loopers-Delight-request@annihilist.com  Thu Oct 21 04:22:57 1999
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Date: Thu, 21 Oct 1999 01:18:33 -0700
From: Kim Flint <kflint@annihilist.com>
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I was wonderin' that too. what sort of drama results in selling your entire
studio?

kim

>So what, dude are you becoming a monk or something like that?
>
>-----Original Message-----
>From: Matt Blais [mailto:Matt@exotech.com]
>Sent: Wednesday 20 October 1999 8:04 AM
>Subject: FA: Audio Equipment
>
>
>Home Studio Liquidation
>Auction begins 10/20/99 4PM, ends 10/30/99 4PM
>For details, see http://www.ultranet.com/~mblais/eqtlist.htm
>.............................................
>Oberheim Echoplex Digital Pro, 16MB, V5.0 (2)
>Oberheim EFC-7 Echoplex foot controller
>Event Electronics Layla PCI audio system
>Event Electronics EMP-1 Mic Preamp ...


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Thu Oct 21 04:53:12 1999
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what a difficult word, you know that susbrice, dammit i mean subscrieb,
sh*t! i'll never get this right ... :)

i couldn't resist,
Rob

Steven Bazar wrote (header):
> hello id like to subsribe to the list


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i'm using version 1.4.0 pro - i couldn't find this feature there - was
this added in a leter version?

thanks for the info,
rob


leocavallo schrieb:
> 
> in the latest FL Pro versions you can set the grid resolution up to 64 steps
> (for 4 pattern measures... or 64th notes bar, multiplying X 4 BPM tempo) and
> you can set the pattern lenght in the range 8-64 steps. Quite flexible I
> think... :)

From Loopers-Delight-request@annihilist.com  Thu Oct 21 04:53:39 1999
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This is not going to help you all too much but i can tell about my sony
MD (mz-r30): the mic preamp only has two gain settings (high/ low).
This is good enough for basic recordings but probably a little to coarse
not for sensitive recordings.
There also seems to be a lot of compression in the pre-amp, it's
difficult to actually produce digital clipping.

Sorry, i have no experience with dat equipment ...

hth,
rob

Echopark99@aol.com wrote:
>
> Can anybody compare the mic pre-amps of their MD to those on the D7 or D8
> Sony DAT?
> 
> thanks,
> eric p
> echo park

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From: Michael Peters <mpeters@csi.com>
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Date: Thu, 21 Oct 1999 08:52:48 +0200
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L Tremblay [SMTP:ltct@concentric.net] wrote,

> I'm looking for a (preferably) used variable-speed oscillator
> to sync 2 Revox A-77s.

have you tried running them without syncing? I remember that in the old 
days, I just ran them like that, and without problems. If one of them 
should turn out to run a bit faster than the other, just put it on the 
right side to make it drag the tape.


*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://www.mpeters.de/mpeweb

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From: "Future Perfect" <artmusic@gte.net>
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Subject: Belewps
Date: Thu, 21 Oct 1999 06:03:03 -0400
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This is a section cut & pasted from  recent Adrian Belew interview at
http://www.virtualguitarmagazine.com/
(actually, the whole interview is packed with gear stuff)

Ok, here it is...the questions are obviously the interviewer's...

*****
And you call your loops Belewps?

Well, they are different.  That's a funny little name we just jokingly have
for them.  It's sort of like Frippertronics or something.  You know, I think
it's funny.  The difference with Belewps is that you can make chord changes
and you can change the loop as you go.  With any other loop that I know,
they're not interactive, they're static.  You start the loop and it stays
that way.  The real huge discovery for me with this looping thing that I'm
doing is that I can cause it to change.

How, exactly, are you using the Johnson [amp] to do this?

Inside the Johnson amp I'm using one delay that's two seconds long.  You
have to change the length of the delay for the tempo that you want.  The
tempo I like a lot ends up being 1.84 instead of two full seconds.  Then I
have one of the parameter pedals (expression pedals) set so that when I put
it down, it puts the last thing that I played into a hold pattern and flips
it to the outside speakers.  So the guitar is coming from the middle  what
I'm actually playing  and the loop is coming from the outside.  You have to
turn the volume of the effect up, you have to put it into the hold pattern,
but it's all linked to this one expression pedal.  So with one foot
movement, boom, you've got a loop.*******
Interesting stuff..
Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave

'Future Perfect' - art music
http://home1.gte.net/artmusic/

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From: Texture444@aol.com
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Date: Thu, 21 Oct 1999 06:10:28 EDT
Subject: Re: Two looping questions from a neophyte
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miko,
> Hi David... So is the SM82 mod the pre-fader fx send?
yeah. and the 'pan' control has been swapped out for a nother pre-fader effects send.

> Is this in your live rack?
yup.

> Are you still using the Ashley mixer as well?
sometimes, not so often; though i do think it sounds better (& its certainly mo flexible), unfortunately it takes up 3 rackspaces.

>And finally... What are your stereoizing fx used on the loopers?
a lexicon pcm 80. occasionally, a waldorf (tabletop) filter. 

> > a Q: fer y'all: anybody have other paths to these particular ends? more practical/economical? best regards, dt
 
> I saw your response on the Switchblade... don't you use a Peavey PC1600 for midi fader moves?
not very often ::: in the past, i've mainly used that thing to trigger (a very few) samples.

> I do the same thing for feeding loopers... reach over and turn up an aux send. All my loopers come back to channel strips instead of aux returns.
> I just need that pre fader send option.
tendsta keep my hands offa that damned gtr-thang, yeah?!?
8-)
dt
 

From Loopers-Delight-request@annihilist.com  Thu Oct 21 06:19:59 1999
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Date: Thu, 21 Oct 1999 06:14:26 EDT
Subject: Re: Two looping questions from a neophyte
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tim,
> Just be sure to turn one aux send
> down before turning the other up, though, or you'll get a blast of nasty
> overload feedback when it goes back into the first device!
what fun, eh?
dt

From Loopers-Delight-request@annihilist.com  Thu Oct 21 06:28:17 1999
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Date: Thu, 21 Oct 1999 12:12:44 +0100
From: Claude Voit <c.voit@vtx.ch>
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there is _no_ programmer 
and there is no way to use it without a programmer

Claude
> >
> >PMC 10:
> >
> >http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=184123429
> >
> >

From Loopers-Delight-request@annihilist.com  Thu Oct 21 06:28:32 1999
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hi Rob

1.7.6 is the latest version. it has all the features that I mentioned PLUS a
lot more... internal synth, compatibility with other synthesis software
patches, VST plugins support on 5 different FX send (to process each track
indipendently), MP3 rendering, etc.

hope this helps
ciao
leo

At 10.49 21/10/99 +0200, you wrote:
>i'm using version 1.4.0 pro - i couldn't find this feature there - was
>this added in a leter version?
>
>thanks for the info,
>rob
>
>
>leocavallo schrieb:
>> 
>> in the latest FL Pro versions you can set the grid resolution up to 64 steps
>> (for 4 pattern measures... or 64th notes bar, multiplying X 4 BPM tempo) and
>> you can set the pattern lenght in the range 8-64 steps. Quite flexible I
>> think... :)
>
>
>

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It surely be.

So, does the "replace the panpot with another send" mod leave the channel
mono (to be later stereoized with the pcm80) or what? How's that work?

And how do you amplify your oud?

Tim

At 06:14 AM 10/21/99 EDT, you wrote:

>> Just be sure to turn one aux send
>> down before turning the other up, though, or you'll get a blast of nasty
>> overload feedback when it goes back into the first device!
>what fun, eh?
>dt
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 21 07:02:08 1999
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Date: Thu, 21 Oct 1999 03:58:30 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Belewps
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FYI

I seem to recall reading that the Johnson amps have a
built in Digitech 2112. What Mr. Belew describes is
just scratching the surface.

ALSO

The news at Harmony Central says that T.C. Electronics
is coming out with a new delay box. No price was
given. The brief description reminded me of the Korg
DL-8000.

Good day all!

John





--- Future Perfect <artmusic@gte.net> wrote:
> This is a section cut & pasted from  recent Adrian
> Belew interview at
> http://www.virtualguitarmagazine.com/
> (actually, the whole interview is packed with gear
> stuff)
> 
> Ok, here it is...the questions are obviously the
> interviewer's...
> 
> *****
> And you call your loops Belewps?
> 
> Well, they are different.  That's a funny little
> name we just jokingly have
> for them.  It's sort of like Frippertronics or
> something.  You know, I think
> it's funny.  The difference with Belewps is that you
> can make chord changes
> and you can change the loop as you go.  With any
> other loop that I know,
> they're not interactive, they're static.  You start
> the loop and it stays
> that way.  The real huge discovery for me with this
> looping thing that I'm
> doing is that I can cause it to change.
> 
> How, exactly, are you using the Johnson [amp] to do
> this?
> 
> Inside the Johnson amp I'm using one delay that's
> two seconds long.  You
> have to change the length of the delay for the tempo
> that you want.  The
> tempo I like a lot ends up being 1.84 instead of two
> full seconds.  Then I
> have one of the parameter pedals (expression pedals)
> set so that when I put
> it down, it puts the last thing that I played into a
> hold pattern and flips
> it to the outside speakers.  So the guitar is coming
> from the middle  what
> I'm actually playing  and the loop is coming from
> the outside.  You have to
> turn the volume of the effect up, you have to put it
> into the hold pattern,
> but it's all linked to this one expression pedal. 
> So with one foot
> movement, boom, you've got a loop.*******
> Interesting stuff..
> Dave Eichenberger- guitars.loops.devices
> http://home1.gte.net/artmusic/dave
> 
> 'Future Perfect' - art music
> http://home1.gte.net/artmusic/
> 
> 


=====
John Tidwell



__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

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Hi, all...
	I had the pleasure of seeing Mr. Belew play in Nashville, and he did some
great stuff with his "Belewps." They were all short little loops of
himself, but his way of using them was pretty spectacular.
Jeff Mc.
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Thu Oct 21 10:05:13 1999
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From: Matt Blais <Matt@exotech.com>
To: Loopers-Delight@annihilist.com
Subject: RE: Audio Equipment
Date: Thu, 21 Oct 1999 09:44:37 -0400
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> I was wonderin' that too. what sort of drama results in 
> selling your entire
> studio?
> 
> kim
> 
> >So what, dude are you becoming a monk or something like that?

Heh - you guys are too much! :)

Not a monk - just getting out of the electronic end of the music
thing... it's just not doing it for me anymore.  Still drumming, tho'.
And I'm keeping my DAT.

There's been a lot of changes going on in my life recently... long
story.  But nobody died, and my girlfriend didn't dump me (sorry to
disappoint all you drama-junkies out there).

Peace,
-- Matthew
__________________________________________________
  ---------Healing and Spiritual Crisis---------
    http://www.spiritweb.org/Spirit/blais.html
        --------Yummage Unlimited!--------
             http://www.yummage.com

From Loopers-Delight-request@annihilist.com  Thu Oct 21 11:54:41 1999
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From: "Jenni Leeds" <jennil@bellsouth.net>
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Pre-Millenial freak out, y2k phobia, sell all your gear and head for the
mountains.........!


----- Original Message -----
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To: <Loopers-Delight-d@annihilist.com>
Sent: Thursday, October 21, 1999 4:41 AM
Subject: Loopers-Delight-d Digest V99 #406



From Loopers-Delight-request@annihilist.com  Thu Oct 21 11:42:59 1999
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Message-Id: <3.0.5.32.19991021112702.007ac400@panther.middlebury.edu>
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To: Loopers-Delight@annihilist.com
From: murkie <murkie@panther.middlebury.edu>
Subject: trans-trem (way off topic!)
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sorry for the o.t. post, but methinks there's a lot of t-trem users on this
list...

anybody have any advice on setting up a trans-trem?  is there any resource
out there on how to do this?  mine doesn't seem to be transposing uniformly
and i've got a lot to learn about these thingies.
private replies appreciated so's not to clutter the voltage thread.  ;^)

thanks.

murks

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Thu Oct 21 12:19:48 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: VSO to sync 2 Revox A-77's
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Thanks,. I'l try that. At least they're identical models
and should be pretty close.

- Larry
-----Original Message-----
From: Michael Peters <mpeters@csi.com>
To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
Date: Thursday, October 21, 1999 5:45 AM
Subject: AW: VSO to sync 2 Revox A-77's


>L Tremblay [SMTP:ltct@concentric.net] wrote,
>
>> I'm looking for a (preferably) used variable-speed oscillator
>> to sync 2 Revox A-77s.
>
>have you tried running them without syncing? I remember that in the old 
>days, I just ran them like that, and without problems. If one of them 
>should turn out to run a bit faster than the other, just put it on the 
>right side to make it drag the tape.
>
>
>* Michael Peters: mpeters@csi.com
>* escape veloopity: electronic guitar loop music
>* hop - fractals in motion: strange attractors
>* http://www.mpeters.de/mpeweb
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 21 12:44:46 1999
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From: "Sean Witters" <seanwitters@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: CD-RW Burner for Mac Laptop
Date: Thu, 21 Oct 1999 09:31:55 PDT
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I'm going to purchase a CD-RW burner.  I'm using a 400Mhz Powerbook G3, I'm 
assuming that because this is a laptop I'll have to get a USB interfaced 
burner.  I'm new to the CD-Burner realm, any suggestions?  Please keep the 
answers mac oriented.  Thanks, Sean

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Oct 21 13:17:16 1999
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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
To: "jason fink - 3943 SUN Workstation" <gisjef@coagis.cabq.gov>,
        <Loopers-Delight@annihilist.com>
Subject: Re: Introduction & Headrush Question
Date: Thu, 21 Oct 1999 11:58:57 -0400
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Jason Fink wrote:

>    With regard to the Headrush, I am having a little difficulty
>    during the looping function.  If I get a riff going, the looper
>    seems to have a pause before the repeat begins.  I am not sure if
>    it is a function of MY timing when I hit the switchs, or if the
>    box is just screwing with the timing.  As it is now, I get a loop
>    going, then pause to adapt any further playing to the new beat of
>    the loop.  Does that make any sense?
>
>    Can anyone advise a fledgling looper on making the most out of this
>    stomp box?


    It's interesting that using the Headrush , or any real-time "start-stop"
looping device really hones our rhythmic skills and alerts us to our
rhythmic inadequecies. The trick is to get your rhythm happening in advance,
and percieve the seam of the loop as the first beat of the repetition. For
example, if I were to create a two-measure loop, I would begin counting to
myself "1, 2, 3, 4, 1, 2, 3, 4," etc. Then when I felt ready, I'd go "STOMP
(starting the loop), 2, 3, 4, 1, 2, 3, 4, STOMP (ending/looping the loop)".
If my timing is good, the rhythm will be seamless. If I pause the tiniest
bit, there will be a pause in the loop. More commonly, it is human nature to
speed up while playing (even over two measures) so that the beginning of the
loop will be slower than the end, creating a herky-jerky jolt at the loop
seam. Hang with your metronome, relax, and focus on your breathing, and you
will honor the groove, and know where the One is.
Douglas Baldwin, Alpha male Coyote, the Trickster
dbaldwin@suffolk.lib.ny.us


From Loopers-Delight-request@annihilist.com  Thu Oct 21 13:31:24 1999
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Date: Thu, 21 Oct 1999 10:09:28 -0700
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, Texture444@aol.com
Subject: Re: Two looping questions from a neophyte
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>> Hi David... So is the SM82 mod the pre-fader fx send?
> yeah. and the 'pan' control has been swapped out for a nother pre-fader effects send.

Gotta look inside my mixer and see if sacrificing a pan pot is feasable... nice idea.

>> And finally... What are your stereoizing fx used on the loopers? 
> a lexicon pcm 80. occasionally, a waldorf (tabletop) filter. 

Whatabout the FireworX? Where does that go? (I've gotta give my lonely 4-pole a little more attention!... I'm talking filters here gang!  8-))

> tendsta keep my hands offa that damned gtr-thang, yeah?!? 8-) dt
 
More string time exactly! I use a Boss GT-5 and have found it's 1.8 secs to be extremely loopable... Sometimes I just leave the EDP and rack at home and have a blast with the GT-5 and a fuzz or two... 

Is there anyone out there who might know the feasability of expanding the GT-5 delay time? 4 secs or more would be amazing for a standalone all-in-one processor...

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

From Loopers-Delight-request@annihilist.com  Thu Oct 21 13:56:17 1999
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Message-ID: <7BAC931E644ED211A90C00805F65CB640282D776@georgia.exchange.indiana.edu>
From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: Boomerang use
Date: Thu, 21 Oct 1999 12:33:57 -0500
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Hello,

	I have an mp3 of a song I recorded where I used a boomerang. The
boomerang plays throughout the song and no keyboards or synth's were used.
Just guitar,bass and drum programs. If anyone is interested in taking a
listen, you can get it at:

http://www.dtguitar.com

on the free mp3 page. It's called "begin.mp3" . Let me know what you think.
I will try to get it into streaming format so the download won't be as long.

Thanks
Denis

Denis Taaffe
dneis_aliengtr@geocities.com
http://www.dtguitar.com

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It looks like i'm out of touch with the fruit loops thing ... thanks for
the details Leo!

What other software are you using these days?

Rob

leocavallo schrieb:
> 
> 
> hi Rob
> 
> 1.7.6 is the latest version. it has all the features that I mentioned PLUS a
> lot more... internal synth, compatibility with other synthesis software
> patches, VST plugins support on 5 different FX send (to process each track
> indipendently), MP3 rendering, etc.
> 
> hope this helps
> ciao
> leo
> 
> At 10.49 21/10/99 +0200, you wrote:
> >i'm using version 1.4.0 pro - i couldn't find this feature there - was
> >this added in a leter version?
> >
> >thanks for the info,
> >rob
> >
> >
> >leocavallo schrieb:
> >>
> >> in the latest FL Pro versions you can set the grid resolution up to 64 steps
> >> (for 4 pattern measures... or 64th notes bar, multiplying X 4 BPM tempo) and
> >> you can set the pattern lenght in the range 8-64 steps. Quite flexible I
> >> think... :)
> >
> >
> >


From Loopers-Delight-request@annihilist.com  Thu Oct 21 16:51:11 1999
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From: Fmplautus@aol.com
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Date: Thu, 21 Oct 1999 16:44:43 EDT
Subject: Re: Two looping questions from a neophyte
To: Loopers-Delight@annihilist.com
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Mike Biffle wrote: 

"Is there anyone out there who might know the feasability of expanding the 
GT-5 delay time? 4 secs or more would be amazing for a standalone all-in-one 
processor..."

Hey, Mike, you should run right out and grab one of them thar $95 Zoom 2100s 
if you want an amazing looper/processor all in one.  If your gt-5 has an 
effects loop, just hang it off that and away you go.

Best,
The Roctologists

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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>remove</FONT></DIV>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_011F_01BE5DBA.4DCF8B20--

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jump



At 04:50 PM 2/21/99 -0800, "nitesh patel" <<tesh@gte.net> wrote: 

>>>>

<fontfamily><param>Arial</param>remove

</fontfamily>  

<<<<<<<<


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> jump

ROFL!

-M

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From: Texture444@aol.com
Message-ID: <0.e6dacc91.2540e25e@aol.com>
Date: Thu, 21 Oct 1999 17:40:46 EDT
Subject: Re: Two looping questions from a neophyte
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tn,
> So, does the "replace the panpot with another send"
> mod leave the channel
> mono (to be later stereoized with the pcm80) or what?
> How's that work?
yeah, that's it: for now.
twas a quick fix, so.....
i left 2 stereo chls & the effects return pannable, w/only 1 pre-fader send apiece.
compromises, for the sake of smallerising.....

> amplify your oud?
though i much prefer the acoustic oud -i have a cheapie k&k pickup, for it- i use an electric najarian oud, 'live': amplified through my regular guitar rig.
best,
dt

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From: Texture444@aol.com
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Date: Thu, 21 Oct 1999 17:47:45 EDT
Subject: Re: Two looping questions from a neophyte
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> Whatabout the FireworX? Where does that go?
the fireworx hath left the building.....

> More string time exactly! I use a Boss GT-5 and have
> found it's 1.8 secs to
> be extremely loopable... Sometimes I just leave the
> EDP and rack at home and
> have a blast with the GT-5 and a fuzz or two...
actually, i wasn't complaining *at all* bout keeping me hands off the strings: i dig it.
best,
dt 

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From: peter koniuto <taghairm@mindspring.com>
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> > Just be sure to turn one aux send 
> > down before turning the other up, though, or you'll get a 
> >blast of nasty 
> > overload feedback when it goes back into the first device! 

> what fun, eh? dt

Yeah, especially when yer doing this on purpose!

I've spent a fair amount of time practicing with the
gain structures in this possible chain of devices and
the result can be quite satisfying.

Stumbled upon it when i was trying to get an atmo-loop
out of guitar part a collaborator had already laid down to
tape.  

I fed the dry in signal into the reverb unit, and a little bit
into the EDP.  Then i sent the reverb unit into the Vortex,
and a touch of that into the EDP...and sent a some of that
Vortex mangling into the EDP as well.  Then, of course,
i sent the EDP back to the reverb unit.

The "dry" guitar part off tape had long ended and i was
still juggling these signals going to and fro.  That's when
i started EQing each device slightly hear and there to
take the loop to a completely different place.  'Twas all
quite an improvisational process.

I captured the second half of this experimentation on DAT
(about 25 minutes or so), and the whole thing is beautiful.
I ended up stealing a chunk and laying it underneath all
the other elements in the piece the original guitar part
came from.  

By far the most interesting "pad" used in any project i've ever
worked on.

The cat loved it too.

See ya,
pete koniuto


----------------
TAGHAIRM 

(Old Irish) noise, echo, a mode of divination by 
listening to the noise of water cascades...


from: 

MacBain's Etymological Dictionary of the Gaelic Language
Gairm Publications, 1982
---------------

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Date: Thu, 21 Oct 1999 15:07:36 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
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OT request for info:
I am shopping for a midi to control voltage converter
so that I can control my moog synths with midi guitar.
 If you have experience and comments about any
commercial midi to cv converter please respond
directly to me
echoplex@yahoo.com
thanks,
bret


=====

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Oct 21 18:50:42 1999
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Date: Thu, 21 Oct 1999 15:45:50 -0700 (PDT)
From: Randy Jones <ranjones@yahoo.com>
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OK,

Sounds cool, let's hear it. We cats will be a
judge of beautiful :-).

Randy Jones
--- peter koniuto <taghairm@mindspring.com>
wrote:
> I captured the second half of this
> experimentation on DAT
> (about 25 minutes or so), and the whole thing
> is beautiful.
> I ended up stealing a chunk and laying it
> underneath all
> the other elements in the piece the original
> guitar part
> came from.  
> 
> By far the most interesting "pad" used in any
> project i've ever
> worked on.
> 
> The cat loved it too.
> 
> See ya,
> pete koniuto
> 
> 
> ----------------
> TAGHAIRM 
> 
> (Old Irish) noise, echo, a mode of divination
> by 
> listening to the noise of water cascades...
> 
> 
> from: 
> 
> MacBain's Etymological Dictionary of the Gaelic
> Language
> Gairm Publications, 1982
> ---------------
> 
> 


=====

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

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i'll 2nd that!

Randy Jones wrote:

> OK,
>
> Sounds cool, let's hear it. We cats will be a
> judge of beautiful :-).
>
> Randy Jones
> --- peter koniuto <taghairm@mindspring.com>
> wrote:
> > I captured the second half of this
> > experimentation on DAT
> > (about 25 minutes or so), and the whole thing
> > is beautiful.
> > I ended up stealing a chunk and laying it
> > underneath all
> > the other elements in the piece the original
> > guitar part
> > came from.
> >
> > By far the most interesting "pad" used in any
> > project i've ever
> > worked on.
> >
> > The cat loved it too.
> >
> > See ya,
> > pete koniuto
> >
> >
> > ----------------
> > TAGHAIRM
> >
> > (Old Irish) noise, echo, a mode of divination
> > by
> > listening to the noise of water cascades...
> >
> >
> > from:
> >
> > MacBain's Etymological Dictionary of the Gaelic
> > Language
> > Gairm Publications, 1982
> > ---------------
> >
> >
>
> =====
>
> __________________________________________________
> Do You Yahoo!?
> Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Oct 21 20:30:16 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: Midi to CV
Date: Thu, 21 Oct 1999 20:23:02 -0400
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I recommend Kenton Pro Solo. Hands down the best for the 
money. About $200 USD.

You can get one at Rogue Music in the US: www.roguemusic.com

Kentons website is www.kenton.co.uk

- Larry

-----Original Message-----
From: Bret <echoplex@yahoo.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 21, 1999 6:13 PM
Subject: OT: Midi to CV


>OT request for info:
>I am shopping for a midi to control voltage converter
>so that I can control my moog synths with midi guitar.
> If you have experience and comments about any
>commercial midi to cv converter please respond
>directly to me
>echoplex@yahoo.com
>thanks,
>bret
>
>
>=====
>
>__________________________________________________
>Do You Yahoo!?
>Bid and sell for free at http://auctions.yahoo.com
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 21 21:25:21 1999
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From: Nemoguitt@aol.com
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In a message dated 10/21/99 7:46:35 PM Mid-Atlantic Standard Time, 
Texture444@aol.com writes:

<< amplified through my regular guitar rig. >>

please elaborate..........:).........michael

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Date: Fri, 22 Oct 1999 03:27:38 +0200
From: PERILLE <perille@club-internet.fr>
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> K. Douglas Baldwin wrote:
> 
>     It's interesting that using the Headrush , or any real-time "start-stop"
> looping device really hones our rhythmic skills and alerts us to our
> rhythmic inadequecies. The trick is to get your rhythm happening in advance,
> and percieve the seam of the loop as the first beat of the repetition. For
> example, if I were to create a two-measure loop, I would begin counting to
> myself "1, 2, 3, 4, 1, 2, 3, 4," etc. Then when I felt ready, I'd go "STOMP
> (starting the loop), 2, 3, 4, 1, 2, 3, 4, STOMP (ending/looping the loop)".
> If my timing is good, the rhythm will be seamless. If I pause the tiniest
> bit, there will be a pause in the loop. More commonly, it is human nature to
> speed up while playing (even over two measures) so that the beginning of the
> loop will be slower than the end, creating a herky-jerky jolt at the loop
> seam. Hang with your metronome, relax, and focus on your breathing, and you
> will honor the groove, and know where the One is.
> Douglas Baldwin, Alpha male Coyote, the Trickster
> dbaldwin@suffolk.lib.ny.us
> 
> 

See also DJRND2 singer version (automatic built in metronome + longer
mono loops (up to 32 bars)

But only possible for free-hand users

Emmanuel

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remove



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Date: Thu, 21 Oct 1999 19:43:58 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@ati.com>
Subject: Re: CD-RW Burner for Mac Laptop
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sort of off-topic, but you'll probably hear people wondering about USB2.0
audio sooner or later, so it's kind of related....

At 11:10 AM 10/21/99 -0700, Stephen Goodman wrote:
>Watch for USB 2.0 as it's supposed to supply a bigger throughput than the
>present spec.  Kim probably knows this one on a more tech level.  

I've had to think about USB 2.0 a lot lately....

At this point USB 2.0 consists of Intel's Power Point slides and the
version1.0 spec, which was finally released to those who have signed the
various license agreements just last week. (too bad you can't sell ppt
slides  ;-)

This means:
- no silicon exists now. Indeed, chipset designs with USB2 are only just
starting, they won't be here for a while.
- motherboards with these chipsets will take a while after that, especially
since there will be no peripherals or drivers, so it's the usual chicken/egg
thing.
- USB2 peripherals won't show up until there is installed base of users,
sometime after the mobos appear.
- Microsoft says (not very enthusiastically) that they will write drivers
after they have received working hardware to test them on. These will appear
in whatever windows release comes after that. (The version with all the bugs
fixed will be in the next windows release after that. ;-) The mainstream
products won't appear until this happens. (probably apple is similar.) 
- After all this happens, it won't work for a while. Bugs, plus sending
480MHz over a crap USB cable is really hard, and Intel's track record in
this area ain't so hot lately. (see Rambus)
- and of course, the market will be totally confused about what the
difference between USB1 and USB2 is (and whether to use 1394 or USB2), so
adoption and price drops will be slow. 

In summary, USB 2.0: don't hold your breath. A good rule of thumb for this
hyped up PC industry stuff is, whatever the most conservative estimate for
it's appearance in the market, multiply by 2-3. (c.f., USB 1.0 ;-)

If USB is on your powerbook, and USB CDRW is available now, that's probably
the thing to do. Or, if 1394/firewire is on the powerbook, I see that 1394
CDRW (16x) is available about $100 more than the 8x USB drives, that might
be better since it's much faster. (and it actually exists now...) I notice a
lot of 1394 peripherals have been appearing lately, at good prices.

kim
___________________________________________________________
Kim Flint                                408-845-6383
Manager, System Engineering              kflint@ati.com
ATI Research, Inc.                       http://www.ati.com

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Date: Fri, 22 Oct 1999 02:19:55 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Introduction & Headrush Question
In-reply-to: <012201bf1be7$2e448120$392310ac@Douglas>
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At 8:58 AM -0700 10/21/99, K. Douglas Baldwin wrote:
>Jason Fink wrote:
>
>>    With regard to the Headrush, I am having a little difficulty
>>    during the looping function.  If I get a riff going, the looper
>>    seems to have a pause before the repeat begins.  I am not sure if
>>    it is a function of MY timing when I hit the switchs, or if the
>>    box is just screwing with the timing.  As it is now, I get a loop
>>    going, then pause to adapt any further playing to the new beat of
>>    the loop.  Does that make any sense?
>>
>>    Can anyone advise a fledgling looper on making the most out of this
>>    stomp box?
>
>
>    It's interesting that using the Headrush , or any real-time "start-stop"
>looping device really hones our rhythmic skills and alerts us to our
>rhythmic inadequecies. The trick is to get your rhythm happening in advance,
>and percieve the seam of the loop as the first beat of the repetition. For
>example, if I were to create a two-measure loop, I would begin counting to
>myself "1, 2, 3, 4, 1, 2, 3, 4," etc. Then when I felt ready, I'd go "STOMP
>(starting the loop), 2, 3, 4, 1, 2, 3, 4, STOMP (ending/looping the loop)".
>If my timing is good, the rhythm will be seamless. If I pause the tiniest
>bit, there will be a pause in the loop. More commonly, it is human nature to
>speed up while playing (even over two measures) so that the beginning of the
>loop will be slower than the end, creating a herky-jerky jolt at the loop
>seam. Hang with your metronome, relax, and focus on your breathing, and you
>will honor the groove, and know where the One is.

This is all very good advice. The unfortunate thing about the headrush is
it uses those big clunky switches that are difficult to tap with accuracy.
You have to stomp; it's much easier to be accurate with a light and relaxed
tap. With all the other foot activated loopers the designers seemed to have
thought of this point, and carefully selected switches that can easily be
tapped with rhythmic accuracy....

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Introduction & Headrush Question
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As sort of a followup to my question about muffling the noise of these big
clunky switches (EH stuff, too), does anyone know of a quieter alternative
that can be swapped in without too much modification? (i.e. supplier/part #
or anything like that...) I have a feeling we're out of luck on this one,
as the ideal thing would probably require the additional circuitry of
electronic switching, but it's worth asking. Anyone?

Tim

At 02:19 AM 10/22/99 -0700, you wrote:
... The unfortunate thing about the headrush is
>it uses those big clunky switches that are difficult to tap with accuracy.
>You have to stomp; it's much easier to be accurate with a light and relaxed
>tap. With all the other foot activated loopers the designers seemed to have
>thought of this point, and carefully selected switches that can easily be
>tapped with rhythmic accuracy....

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Date: Fri, 22 Oct 1999 08:13:19 EDT
Subject: Re: Two looping questions from a neophyte
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<< amplified through my regular guitar rig. >>
>  please elaborate..........:).........michael

me current live stuff:
sound sources: klein electric gtr, najarian electric oud, highlander-amplified national duolian, saltshaker mic (?mfr?), riyazmaster pro tabla machine, veillette baritone gtr, crews amp-in-gtr, fender mustang gtr, sony mono cassette recorder (w/pitch ctrl), sony micro-cassette recorder (w/pitch ctrl), same single modified Min'D-pick that i've used since 1979

amps: rivera m100 amp w/single celestion 12" cab (for original gtr & snd srces), 2 rivera r100 w/2x12" celestions each for processed signals; when travelling light(er), sometimes the rivera m100 is replaced by a mesa formulapre feeding the 2 rivera r100's via the 'mixer rack'

pedales: tc sustain/eq, tc 12-stage phaser, zvex fuzzfactory (& sometimes) seekwah, guyatone autowah, boss aw2 autowah, (sometimes) guyatone digital delay, boss analog delay, prescription electronics experience (& sometimes others), visual volume/wah, 3 voltage ctrls for pcm42, voodoolabs pedalpower

rack: modified rane sm82 (or modified ashley) mixer, EDP, modified lexicon pcm42, lexicon pcm80, moogerfooger ringmodulator, waldorf miniworks 4-pole filter, and occasionally: a zoom or roland sampler

wow, thatsa lotta shite!
but it *has* been more than 30 years in contruction.....
best,
dt

From Loopers-Delight-request@annihilist.com  Fri Oct 22 08:39:14 1999
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Date: Fri, 22 Oct 1999 14:32:31 +0200
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From: leocavallo <cavallo@dada.it>
Subject: Re: fruityloops
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Hi Rob

to make percussive loops (not just drums) via software I use a lot of
progs... testing software and writing for a music mag has its advantages... :)

I can suggest fruity loops, rebirth (with mods and the rewire technology you
can do really great things ), acid, drumstation, gigasampler, reality,
probe, cubase VST with rex files, reaktor, dreamstation, audiomulch,
hammerhead and moonfish, simsynth.... and these are just my preferred
ones... not that I use all them at the same time, in every project!

lot of my work is done on my samplers too.. the communication between
software and hardware plays a big role in my production method: the dialogue
between PC, Yamaha A3k and Ensoniq ASR X is entirely digital, so I have
maximum creative flexibility.
For example, I could program a basic beat using the ASR X pads (one of my
preferred methods...), send the loop to the PC where I can resequence the
whole pattern. the rearranged groove can go to the A3000 for some weird
processing and come back to the PC for final editing. Lots of options, really. 

hope this helps
ciao
leo


At 17.19 21/10/99 +0200, you wrote:
>It looks like i'm out of touch with the fruit loops thing ... thanks for
>the details Leo!
>
>What other software are you using these days?
>
>Rob
>
>leocavallo schrieb:
>> 
>> 
>> hi Rob
>> 
>> 1.7.6 is the latest version. it has all the features that I mentioned PLUS a
>> lot more... internal synth, compatibility with other synthesis software
>> patches, VST plugins support on 5 different FX send (to process each track
>> indipendently), MP3 rendering, etc.
>> 
>> hope this helps
>> ciao
>> leo

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?????? riyazmaster pro tabla machine???????

what the **** is this thang? :)

ciao
leo


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Subject: Re: Two looping questions from a neophyte
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I've never see you live but... how do you play all this stuff??? :)

ciao
leo

At 08.13 22/10/99 EDT, you wrote:
><< amplified through my regular guitar rig. >>
>>  please elaborate..........:).........michael
>
>me current live stuff:
>sound sources: klein electric gtr, najarian electric oud,
highlander-amplified national duolian, saltshaker mic (?mfr?), riyazmaster
pro tabla machine, veillette baritone gtr, crews amp-in-gtr, fender mustang
gtr, sony mono cassette recorder (w/pitch ctrl), sony micro-cassette
recorder (w/pitch ctrl), same single modified Min'D-pick that i've used
since 1979
>
>amps: rivera m100 amp w/single celestion 12" cab (for original gtr & snd
srces), 2 rivera r100 w/2x12" celestions each for processed signals; when
travelling light(er), sometimes the rivera m100 is replaced by a mesa
formulapre feeding the 2 rivera r100's via the 'mixer rack'
>
>pedales: tc sustain/eq, tc 12-stage phaser, zvex fuzzfactory (& sometimes)
seekwah, guyatone autowah, boss aw2 autowah, (sometimes) guyatone digital
delay, boss analog delay, prescription electronics experience (& sometimes
others), visual volume/wah, 3 voltage ctrls for pcm42, voodoolabs pedalpower
>
>rack: modified rane sm82 (or modified ashley) mixer, EDP, modified lexicon
pcm42, lexicon pcm80, moogerfooger ringmodulator, waldorf miniworks 4-pole
filter, and occasionally: a zoom or roland sampler
>
>wow, thatsa lotta shite!
>but it *has* been more than 30 years in contruction.....
>best,
>dt
>
>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 22 09:11:16 1999
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Message-ID: <380F8194.5DEC2DED@arrakis.es>
Date: Thu, 21 Oct 1999 23:11:50 +0200
From: "Carmelo Jordá" <c.jorda@arrakis.es>
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Subject: Tapeadores Autumn course 1999 report
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Hi all!

Between the 8th and the 13th of october the most recent Tapeadores
course took place
(with Markus Reuter as instructor and Steve Whitman, David Poveda and
Carmelo Jordá as attendants).

We had very useful and funny days of playing and practising. We all are
very
happy with the final results of the course and with the profit we have
taken of it, especially
Steve, who came over from the states to join us.

We have worked and improved on all the aspects of our playing (rhythm,
basic technique,
sound, improvisation...) and we also spend a great time together!

Next year we expect to to have other courses and everybody is invited to
join us. Be
sure that it will be worth the effort.

Best Regards,

             Carmelo Jordá


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From: Openjam99@aol.com
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Date: Fri, 22 Oct 1999 09:34:56 EDT
Subject: jamming over the edp
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Hello, I have abandoned my 2 jammen for 1 EDP. I happy so far except one 
thing. with the EDP how can I cruise through loop structures and solo over 
them without automatically recording them?

Example: 3 loops. On the fly I can record 1-2-3 but when I get back to 1 or 2 
the EDP wants to record. I want it to simply play and allow me to add texture 
when I build up another jam.

I'm sure it can, but I have yet to find the exact example in the book. I will 
continue while this is being posted.

openjam

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From: Texture444@aol.com
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Date: Fri, 22 Oct 1999 10:03:58 EDT
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leo,
> ?????? riyazmaster pro tabla machine???????
> what the **** is this thang? :)
its a (non-syncable) indian pre-set synthesisized tabla-sound 'drum-machine', kinda.
best,
dt

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it's a cool little tabla drum machine that uses decent sounding samples
for the different tabla bols. lotsa fun, you can get them at the ali
akbar college store (1-800-74-tabla)

bobdog



leocavallo wrote:

> ?????? riyazmaster pro tabla machine???????
>
> what the **** is this thang? :)
>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 22 10:32:10 1999
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From: Texture444@aol.com
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Date: Fri, 22 Oct 1999 10:13:05 EDT
Subject: Re: Two looping questions from a neophyte
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leo,
> I've never see you live but... how do you play all this stuff??? :)

not so difficult..... the actuality is probably more well-integrated than it appears 'in text':
and, i've been doing an awfully good job of faking-it/knob-tweaking-string-pushing-posing!

anyway:
sorry that you missed the Gtr Obliq (vernon reid, elliott sharp, myself) gigs in italia, this past june:
i think they were far better than the (very weak) live recording that was (maybe unfortunately) released.
best,
dt

From Loopers-Delight-request@annihilist.com  Fri Oct 22 10:56:26 1999
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Is there a URL for this??? Sound like a neat machine.
- Larry

-----Original Message-----
From: Bobdog/Doghouse Audio Laboratory <psbuddha@texas.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, October 22, 1999 10:31 AM
Subject: Re: Two looping questions from a neophyte


>it's a cool little tabla drum machine that uses decent sounding samples
>for the different tabla bols. lotsa fun, you can get them at the ali
>akbar college store (1-800-74-tabla)
>
>bobdog
>
>
>
>leocavallo wrote:
>
>> ?????? riyazmaster pro tabla machine???????
>>
>> what the **** is this thang? :)
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 22 11:14:21 1999
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From: MKata@Wintegrity.com (Mark Kata)
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Any chance of a CD from the Italia gig being released?
Mark Kata

> sorry that you missed the Gtr Obliq (vernon reid, elliott sharp, myself)
gigs in italia, this past june:
> i think they were far better than the (very weak) live recording that was
(maybe unfortunately) released.
> best,
> dt
>

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Date: Fri, 22 Oct 1999 08:30:32 -0700 (PDT)
From: M T <ylpunk@yahoo.com>
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Subject: Re: fruity loops and powerbook CD burner
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I've been using the freeware hammerhead in rehearsal when the drummer can't
make it.  It's simple, but good - does the job and has an easy as pie
interface.

I've looked around at a bunch of others, including fruity loops, and will
probably give it another look now.  I think the reason I didn't use it in the
first place is cause I thought it was ugly. 

As far as the powerbook goes - get a scsi cd-rom drive.  That powerbook still
has a scsi port on it, and that will be WAY faster than burning over the usb
port.  Unless speed isn't an issue, and you really want to get a usb one, for
cross-platform reasons or whatever... 

I'll be buying one of those powerbooks myself in a few weeks.  It looks like
they'll be the last ones with a scsi port. 

MT

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Fri Oct 22 12:29:37 1999
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Date: Fri, 22 Oct 1999 18:22:30 +0200
To: Loopers-Delight@annihilist.com
From: leocavallo <cavallo@dada.it>
Subject: Re: Two looping questions from a neophyte
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At 09.22 22/10/99 +0000, you wrote:
>it's a cool little tabla drum machine that uses decent sounding samples
>for the different tabla bols. lotsa fun, you can get them at the ali
>akbar college store (1-800-74-tabla)

uhm... intersting... any URL?

ciao
leo

>
>bobdog
>
>
>
>leocavallo wrote:
>
>> ?????? riyazmaster pro tabla machine???????
>>
>> what the **** is this thang? :)
>>
>>
>
>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 22 12:31:30 1999
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From: Nemoguitt@aol.com
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Date: Fri, 22 Oct 1999 12:13:44 EDT
Subject: Re: Two looping questions from a neophyte
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In a message dated 10/22/99 10:20:45 AM Mid-Atlantic Standard Time, 
Texture444@aol.com writes:

<< me current live stuff: >>

thanks david..........looks alot like my current 
set-up........right!..........:).......michael

From Loopers-Delight-request@annihilist.com  Fri Oct 22 12:31:15 1999
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Date: Fri, 22 Oct 1999 18:22:31 +0200
To: Loopers-Delight@annihilist.com
From: leocavallo <cavallo@dada.it>
Subject: Re: Two looping questions from a neophyte
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uhm... I've seen Vernon Reid and Elliot Sharp in a few different places
(altough not playing together) here in Italy, but sadly I've missed the
Guitar Oblique shows...

where did you play?

just a question: do you use the whole setup more for improvising contexts or
for structured playing too?

ciao
leo

At 10.13 22/10/99 EDT, you wrote:
>leo,
>> I've never see you live but... how do you play all this stuff??? :)
>
>not so difficult..... the actuality is probably more well-integrated than
it appears 'in text':
>and, i've been doing an awfully good job of
faking-it/knob-tweaking-string-pushing-posing!
>
>anyway:
>sorry that you missed the Gtr Obliq (vernon reid, elliott sharp, myself)
gigs in italia, this past june:
>i think they were far better than the (very weak) live recording that was
(maybe unfortunately) released.
>best,
>dt
>
>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 22 13:11:31 1999
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Date: Fri, 22 Oct 1999 12:02:42 -0500
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: min'd picks and akai remix 16
In-Reply-To: <001301bf1b98$2c610d00$9f8b0b18@pinol1.sfba.home.com>
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Hi, all...
	I saw Mr. Torn's mention of the Min'd pick, and I was curious if those
were still in production. If so, who has them and where can one pick up one?
	Also, I just got a beat up Akai Remix 16 and am looking for a manual for
it. There are no resources on the web, so I was wondering if anyone here
had a manual or could obtain a photocopy of it. Heck, someone might even
know of a web resource where I could download it.
Thanks in advance,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Fri Oct 22 13:12:36 1999
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http://www.aacm.org/aacm/index.html

	Micah 

> -----Original Message-----
> From:	leocavallo [SMTP:cavallo@dada.it]
> Sent:	Friday, October 22, 1999 9:23 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: Two looping questions from a neophyte
> 
> At 09.22 22/10/99 +0000, you wrote:
> >it's a cool little tabla drum machine that uses decent sounding samples
> >for the different tabla bols. lotsa fun, you can get them at the ali
> >akbar college store (1-800-74-tabla)
> 
> uhm... intersting... any URL?
> 
> ciao
> leo
> 
> >
> >bobdog
> >
> >
> >
> >leocavallo wrote:
> >
> >> ?????? riyazmaster pro tabla machine???????
> >>
> >> what the **** is this thang? :)
> >>
> >>
> >
> >
> >

From Loopers-Delight-request@annihilist.com  Fri Oct 22 14:13:18 1999
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From: wbf@aloft.micro.lucent.com (William_B_Fox)
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To: Loopers-Delight@annihilist.com
Subject: EMUSIC Playlist
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			Playlist for "EMUSIC"

"EMUSIC," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html

		Show #135		October 21, 1999.
		Host: Bill Fox		http://www.wdiyfm.org
		billfox@fast.net

On this show, I continued Oktoberfest EMUSIC-style with a month-long
focus on the artist roster of the German label Manikin.  The feature CD
at midnight was "The Ancient Saga" by Arcanum.

	Manikin       :  http://www.manikin.de
	EMUSIC Focus  :  http://www.wdiyfm.org/emusic/playlists/focus.html

Monk and Hearts of Space recording group Coyote Oldman will appear at
the next Gathering on October 23 at St. Mary's Church Sanctuary.  The
Gathering after that will see the return of Steve Roach to Philadelphia
on November 5 at St. Mary's Church.

The Electronic Music Mini Festival will be held at the Theatre 3-in-1 in
Huizen, The Netherlands on October 30.  Ron Boots & Friends, Syndromeda,
Free System Project with Patchwork, Wave World, and Gert Emmens will be
the performing artists.  Music was played in support of these three
outstanding events.

	EMUSIC Events :  http://www.wdiyfm.org/emusic/events.html
	The Gathering :  http://www.starsend.org/20gather.html
	Mini Festival :  http://home.wxs.nl/~quantumproductions/minifest.htm
	Mini Festival :  http://www.groove.nl/news.html#oct99

I'd like to express my thanks to the listeners who called in their
pledges in support of EMUSIC and WDIY.  Your support keeps the
soundscapes going!  Thanks to Steve Roach for the wonderful interview,
insights into his musical world, and support of WDIY's membership drive.
And thanks to Tales for supporting the cause by supplying copies of
Interstellar Memories to use as thank you gifts to send to our
listeners who pledged their support.


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Tales                   The Leap in the Dark     Interstellat Memories (SIT)
Steve Roach interview with music from Light Fantastic underneath
Steve Roach             Trip the Light           Light Fantastic (Fathom)
Steve Roach             Breathing the Pulse      Light Fantastic (Fathom)
Steve Roach             The Reflecting Chamber   Light Fantastic (Fathom)
Steve Roach             Touch the Pearl *        Light Fantastic (Fathom)
Coyote Oldman           The Shape of Time        In Beauty I Walk (HoS)
Wave World              Urban Distance           Species (Quantum)

12:00 am
Arcanum                 Close to the Edge        The Ancient Saga (Manikin)
Arcanum                 Shadowland               The Ancient Saga (Manikin)
Arcanum                 The Ancient Saga *       The Ancient Saga (Manikin)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will conclude the month-long Oktoberfest focus on
the German label, Manikin.  The Feature CD at Midnight will be "Recall
Level" by Rolf Trostel.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

From Loopers-Delight-request@annihilist.com  Fri Oct 22 14:21:20 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Two looping questions from a neophyte
Date: Fri, 22 Oct 1999 13:14:17 -0500
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You might also check out Taal Wizard at: http://www.swarsystems.com/TaalWizard/

Dennis Leas
-----------------------------
dennis@mdbs.com


-----Original Message-----
From: leocavallo <cavallo@dada.it>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, October 22, 1999 11:31 AM
Subject: Re: Two looping questions from a neophyte


>At 09.22 22/10/99 +0000, you wrote:
>>it's a cool little tabla drum machine that uses decent sounding samples
>>for the different tabla bols. lotsa fun, you can get them at the ali
>>akbar college store (1-800-74-tabla)
>
>uhm... intersting... any URL?
>
>ciao
>leo


From Loopers-Delight-request@annihilist.com  Fri Oct 22 14:34:00 1999
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From: Kevin Cheli-Colando <kevin@minds-eye.org>
Subject: Sound on Sound
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Does anyone know anything about a Teac AX10 Sound on Sound Stereo Echo
Effect?  I've found a reference to one of these pretty cheap and am
wondering if this is actually a tape echo or something else altogether.
I'm coming up blank on all other searches so the question goes to the list.

Thanks for any help

Kevin

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Subject: Re: min'd picks and akai remix 16
Date: Fri, 22 Oct 99 14:30:40 -0400
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Hey Jeff-

I doubt you'll find the Mind Pick, but a SF-based company called Brasilia 
makes hand-made stone picks in a couple sizes. I've found the Fender size 
works quite well, but they have four or five choices. Ohone (415) 
386-0166. I think that their url is www. brasilia.com, but I can't 
recall. Good luck.
Jon Durant

>Hi, all...
>	I saw Mr. Torn's mention of the Min'd pick, and I was curious if those
>were still in production. If so, who has them and where can one pick up one?
>	Also, I just got a beat up Akai Remix 16 and am looking for a manual for
>it. There are no resources on the web, so I was wondering if anyone here
>had a manual or could obtain a photocopy of it. Heck, someone might even
>know of a web resource where I could download it.
>Thanks in advance,
>Jeff McLeod

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Date: Fri, 22 Oct 1999 20:42:08 +0200 
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Subject: EDP
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Anyone know where I can find an EDP in England? Situation complicated as
I will only be there for one week later this year. Currently reside in
Zimbabwe/Botswana. ....Ian


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Date: Fri, 22 Oct 1999 12:15:53 -0700
From: "mark givens" <markeg@ivillage.com>
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 i always write the mfger and they alwyas help. get any  mag  with an akai ad Keyboard,mix eq, elect musician and look for an ad
--

On Fri, 22 Oct 1999 12:02:42   Jeff & Vonda McLeod wrote:
>Hi, all...
>	I saw Mr. Torn's mention of the Min'd pick, and I was curious if those
>were still in production. If so, who has them and where can one pick up one?
>	Also, I just got a beat up Akai Remix 16 and am looking for a manual for
>it. There are no resources on the web, so I was wondering if anyone here
>had a manual or could obtain a photocopy of it. Heck, someone might even
>know of a web resource where I could download it.
>Thanks in advance,
>Jeff McLeod
>__________________________________________
>This is not here--
>And now is almost over... 
>http://members.xoom.com/Gezoleen/
>http://members.xoom.com/edkempertrio/
>
>


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Subject: Brasilia Picks
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Found 'em at 
http://www.mediaproca.com/brasilia/

----- Original Message ----- 
From: "jdurant" <jdurant@alchemyrecords.com>
To: "Loopers-Delight" <Loopers-Delight@annihilist.com>
Sent: Friday, October 22, 1999 11:30 AM
Subject: Re: min'd picks and akai remix 16


> Hey Jeff-
> 
> I doubt you'll find the Mind Pick, but a SF-based company called Brasilia
> makes hand-made stone picks in a couple sizes. I've found the Fender size
> works quite well, but they have four or five choices. Ohone (415)
> 386-0166. I think that their url is www. brasilia.com, but I can't
> recall. Good luck.
> Jon Durant

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Subject: FS: Boomerang $250 (Harmony Central)
From: "Travis Hartnett" <hartne.t@apple.com>
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FS: Boomerang Phrase Sampler 4 meg $225 obo

Asking Price: US$225
Condition: Mint
Age: 4 months
Description:

       Not a scratch, in original box with manual. 4 meg model. Buyer pays
shipping, no trades please.

Seller: Lou Vena, 773-404-1149
E-mail: louvena@hotmail.com (Profile)
Location: CHICAGO, IL
Post Date: 10/21/99

From Loopers-Delight-request@annihilist.com  Fri Oct 22 15:43:15 1999
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To: "Electronic music "gearhead" list" <SYNTH-L@LISTSERV.AMERICAN.EDU>
Date: Fri, 22 Oct 1999 12:33:43 -0700
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dear list: I just got my rocktek vibrator . Its great great for 20.00.  I really like it. Now , oive been told that most so called tremolo pedals are actually vibrato pedals (or is it the other way round) and that there is a difference . I see that there is a pedal that does both. what is the difference. Anyway i like this so much I may upgrade in about a year to the dod pedal with the third nob for waveform control .or this other which says it does both. I will use this one to imitate a dj's "transform" which is where a dj crossfades quickly so as to cuase parts of the sound to drop in or out. this is also sometimes accompanied with a pitch bend at the same time.my mixer has a botton"transform" but it is so noisy i cant record with it. so i end up using the fader and fading to silence on channel 2 and back quickly.now ill just use this.

On Fri, 22 Oct 1999 13:41:06   Drew Skyfyre wrote:
>> If your under 25,...etc.
>Hey I'm 26, can I still play, huh ?
>
>Anyway, I've been here on & off since Jan of '98. Nicest Synth list around.
>I for one enjoy even the occasional off-topic banter. And while we're on the
>subject of the US & Canada, here's a good one a buddy from California just
>sent my way - Drew
>------------------------------------------------------------------------
><<This is the transcript of an ACTUAL radio conversation of a U.S. naval
>ship with Canadian authorities off the coast of Newfoundland in October,
>1995.  (Radio conversation released by the Chief of Naval Operations
>10/10/95).
>
>Americans:  Please divert your course 15 degrees to the north to avoid a
>collision.
>
>Canadians:  Recommend you divert YOUR course 15 degrees to the south to
>avoid a collision.
>
>Americans:  This is the Captain of a U.S. Navy ship.  I say again, divert
>YOUR course.
>
>Canadians:  No.  I say again, you divert YOUR course.
>
>Americans:  This is the Aircraft Carrier U.S.S. Lincoln, the second largest
>ship in the United States' Atlantic Fleet.  We are accompanied by three
>destroyers, three cruisers and numerous support vessels.  I demand that you
>change your course 15 degrees north, that's one five degrees north, or
>counter-measures will be undertaken to ensure the safety of this ship.
>
>Canadians:  This is a lighthouse.  Your call.>>
>
>-------------------------------------------------------------------------
>
>__________________________________________________
>Do You Yahoo!?
>Bid and sell for free at http://auctions.yahoo.com
>


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From Loopers-Delight-request@annihilist.com  Fri Oct 22 15:52:08 1999
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Subject: Re: EDP
From: "Martin Shellard" <martins@pwdu.demon.co.uk>
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The original EDP has CE certification and so has never been sold in England
afaik. I'd say your chance of finding one second hand/imported are slim.
Martin Shellard


----------
>From: igames@zol.co.zw
>To: Loopers-Delight@annihilist.com
>Subject: EDP
>Date: Fri, Oct 22, 1999, 6:42 pm
>

> Anyone know where I can find an EDP in England? Situation complicated as
> I will only be there for one week later this year. Currently reside in
> Zimbabwe/Botswana. ....Ian

From Loopers-Delight-request@annihilist.com  Fri Oct 22 16:04:36 1999
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From: Cornhilio2@aol.com
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Date: Fri, 22 Oct 1999 15:53:09 EDT
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what do you all think of the xbase09 i was thinking of buying one

From Loopers-Delight-request@annihilist.com  Fri Oct 22 17:47:34 1999
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From: Hawkeye255@aol.com
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Date: Fri, 22 Oct 1999 17:00:10 EDT
Subject: Re: Introduction & Headrush Question
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>>the quality of any loop is in what the player puts inside or leaves out 
along with the quality of the gear to a certain degree but still with the 
musician being the main ingredient<<

Very well put, JP.  Kinda made my day.  ;-)

In addition: The sound 'quality' of the Headrush is simply much higher than 
the (two) Jamman I used to have.  I didn't find noisy loops acceptable for 
the kind of music I do.  Both maxxed out too!  I sold my EDP because I don't 
need most of what it does and if a piece of gear flakes out on me too many 
times in a live situation (a few Ensoniq keyboards come to mind as well), I 
kind of get to not trust it..  It was maxxed out as well.  Call me crazy.  
But for me, simple and clean is what I enjoy best about my two Headrushes.  
And with the 2nd one, lots of possiblities present themselves.  And can you 
imagine, three or even four!?!  Still cost you less than what a few used 
Jammen are selling for.  Here's to more music and less "twiddly bits".  Enjoy 
and thanks,
          Bill  "Hawkeye"

From Loopers-Delight-request@annihilist.com  Fri Oct 22 17:49:49 1999
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From: Hawkeye255@aol.com
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Date: Fri, 22 Oct 1999 17:14:30 EDT
Subject: Re: Introduction & Headrush Question
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<< As sort of a followup to my question about muffling the noise of these big 
clunky switches (EH stuff, too), does anyone know of a quieter alternative 
that can be swapped in without too much modification? >>

I'll go to Radio Shack tomorrow and see if they have something that might 
work.  Should be simple really.  I'm only bothered by the switches when using 
a mic.  Then I get synced 'clicks'.  Hasn't bothered me too much, but we all 
do things differently...


Bill "Hawkeye"

From Loopers-Delight-request@annihilist.com  Fri Oct 22 18:37:36 1999
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Subject: Re: Two questions / tabla machine (again)
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On the thread of tabla machines, etc. -- just came across this on =
rec.music.indian.classical

http://www.swarsystems.com/TaalTrax/

James

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<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
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<DIV><FONT color=3D#000000>On the thread of tabla machines, etc. -- just =
came=20
across this on rec.music.indian.classical</FONT></DIV>
<DIV><FONT color=3D#000000></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000><A=20
href=3D"http://www.swarsystems.com/TaalTrax/">http://www.swarsystems.com/=
TaalTrax/</A></FONT></DIV>
<DIV><FONT color=3D#000000></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000>James</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Fri Oct 22 18:51:25 1999
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To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: vibrato tremolo
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Hi Mark,

Yeah, it is the other way 'round. A tremolo is a fluctuation in amplitude,
which is a pretty simple circuit, whereas (true) vibrato is a fluctuation
in pitch, not as easy. A lot of pedals marketed as vibratos are actually
tremolos.

Tim

At 12:33 PM 10/22/99 -0700, you wrote:
> 
>dear list: I just got my rocktek vibrator . Its great great for 20.00.  I
really like it. Now , oive been told that most so called tremolo pedals are
actually vibrato pedals (or is it the other way round) and that there is a
difference . I see that there is a pedal that does both. what is the
difference. 

From Loopers-Delight-request@annihilist.com  Fri Oct 22 18:59:19 1999
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
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Subject: Re: Two questions / tabla machine
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Also check Radel Systems at http://www.radelindia.com

James

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Subject: Re: vibrato tremolo
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The converse is also true...

- Larry
-----Original Message-----
From: Tim Nelson <tcn62@ici.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, October 22, 1999 6:55 PM
Subject: Re: vibrato tremolo


>Hi Mark,
>
>Yeah, it is the other way 'round. A tremolo is a fluctuation in amplitude,
>which is a pretty simple circuit, whereas (true) vibrato is a fluctuation
>in pitch, not as easy. A lot of pedals marketed as vibratos are actually
>tremolos.
>
>Tim
>
>At 12:33 PM 10/22/99 -0700, you wrote:
>>
>>dear list: I just got my rocktek vibrator . Its great great for 20.00.  I
>really like it. Now , oive been told that most so called tremolo pedals are
>actually vibrato pedals (or is it the other way round) and that there is a
>difference . I see that there is a pedal that does both. what is the
>difference.
>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 22 19:53:13 1999
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Subject: Re: vibrato tremolo
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The difference in vibrato and tremelo is as follows:
tremelo is the variation in the volume of you sound
vibrato is a variation in the pitch
What peole generally refer to as a tremelo bar should actually be called a
vibrato bar.  Drives me crazy.  something you may want to look into as far
as vibrato goes is DigiTech's wammy pedal.  Not only are there several
(programable) types of vibrato, but there are also a lot of wah's.  Just a
thought.

----------
>From: "mark givens" <markeg@ivillage.com>
>To: "Electronic music "gearhead" list" <SYNTH-L@LISTSERV.AMERICAN.EDU>
>Subject: vibrato tremolo
>Date: Fri, Oct 22, 1999, 3:33 PM
>

>
> dear list: I just got my rocktek vibrator . Its great great for 20.00.  I
> really like it. Now , oive been told that most so called tremolo pedals are
> actually vibrato pedals (or is it the other way round) and that there is a
> difference . I see that there is a pedal that does both. what is the
> difference. Anyway i like this so much I may upgrade in about a year to the
> dod pedal with the third nob for waveform control .or this other which says
> it does both. I will use this one to imitate a dj's "transform" which is
> where a dj crossfades quickly so as to cuase parts of the sound to drop in
> or out. this is also sometimes accompanied with a pitch bend at the same
> time.my mixer has a botton"transform" but it is so noisy i cant record with
> it. so i end up using the fader and fading to silence on channel 2 and back
> quickly.now ill just use this.
>
> On Fri, 22 Oct 1999 13:41:06   Drew Skyfyre wrote:
>>> If your under 25,...etc.
>>Hey I'm 26, can I still play, huh ?
>>
>>Anyway, I've been here on & off since Jan of '98. Nicest Synth list around.
>>I for one enjoy even the occasional off-topic banter. And while we're on the
>>subject of the US & Canada, here's a good one a buddy from California just
>>sent my way - Drew
>>------------------------------------------------------------------------
>><<This is the transcript of an ACTUAL radio conversation of a U.S. naval
>>ship with Canadian authorities off the coast of Newfoundland in October,
>>1995.  (Radio conversation released by the Chief of Naval Operations
>>10/10/95).
>>
>>Americans:  Please divert your course 15 degrees to the north to avoid a
>>collision.
>>
>>Canadians:  Recommend you divert YOUR course 15 degrees to the south to
>>avoid a collision.
>>
>>Americans:  This is the Captain of a U.S. Navy ship.  I say again, divert
>>YOUR course.
>>
>>Canadians:  No.  I say again, you divert YOUR course.
>>
>>Americans:  This is the Aircraft Carrier U.S.S. Lincoln, the second largest
>>ship in the United States' Atlantic Fleet.  We are accompanied by three
>>destroyers, three cruisers and numerous support vessels.  I demand that you
>>change your course 15 degrees north, that's one five degrees north, or
>>counter-measures will be undertaken to ensure the safety of this ship.
>>
>>Canadians:  This is a lighthouse.  Your call.>>
>>
>>-------------------------------------------------------------------------
>>
>>__________________________________________________
>>Do You Yahoo!?
>>Bid and sell for free at http://auctions.yahoo.com
>>
>
>
> --
> Join the most exciting community of women on the web!
> iVillage.com's FREE membership gets you private email,
> your own home page, special discounts and sweepstakes,
> and dozens of problem-solving tools.
> http://www.ivillage.com/frame/join_email.html
> 

From Loopers-Delight-request@annihilist.com  Fri Oct 22 20:02:48 1999
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Date: Fri, 22 Oct 1999 20:05:59 -0400
Subject: Buying Gear
From: "Joey Dail" <stumbleine@macconnect.com>
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I'm looking at buying a sampler.  Just now getting into this really.  I'm 
currently looking at the JamMan, the Boomerang, and the Headrush.  Any
advice?  Pros-cons?  I've read a lot of good comments here about the
headrush, it seems to be pretty hot.  But then Phil Keaggy uses the JamMan,
which is good enough for me!  Just let me know your opinions.

From Loopers-Delight-request@annihilist.com  Fri Oct 22 20:03:39 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
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Subject: Re: vibrato tremolo
Date: Fri, 22 Oct 1999 16:59:41 PDT
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Yeah, I just bought a vibrator myself last week. I haven't busted it out and 
used it yet, is it any good? I've never heard of the Rocktek brand before 
seeing it but at the time I thought $50 was too good of a price.

Here's a thing to remember about vibrato/tremolo and which is which:

  The "whammy bar" on a guitar is also known as a Tremolo Bar. That's the 
official name for it. That's also a bold faced lie. The tremolo bar allows 
us do the same things that a vibrato pedal does. This has caused me much 
confusion and I'm not even sure I know anything anymore.

   If something was vibrating (very violently)in relationship to you, there 
would be some sort of a doppler effect that would make the pitch waver very 
slighty. I think that's what a vibrato effect is supposed to simulate.

   If you were very frightened, and were trembling in a corner, your voice 
would probably waver in volume. Get it? Tremolo!

Mr. Tough


>From: "mark givens" <markeg@ivillage.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: "Electronic music "gearhead" list" <SYNTH-L@LISTSERV.AMERICAN.EDU>
>CC: loopers-delight@annihilist.com
>Subject: vibrato tremolo
>Date: Fri, 22 Oct 1999 12:33:43 -0700
>
>
>dear list: I just got my rocktek vibrator . Its great great for 20.00.  I 
>really like it. Now , oive been told that most so called tremolo pedals are 
>actually vibrato pedals (or is it the other way round) and that there is a 
>difference . I see that there is a pedal that does both. what is the 
>difference. Anyway i like this so much I may upgrade in about a year to the 
>dod pedal with the third nob for waveform control .or this other which says 
>it does both. I will use this one to imitate a dj's "transform" which is 
>where a dj crossfades quickly so as to cuase parts of the sound to drop in 
>or out. this is also sometimes accompanied with a pitch bend at the same 
>time.my mixer has a botton"transform" but it is so noisy i cant record with 
>it. so i end up using the fader and fading to silence on channel 2 and back 
>quickly.now ill just use this.
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Oct 22 20:49:00 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: Buying Gear
Date: Fri, 22 Oct 1999 20:38:58 -0400
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I'll have a lot more to say about the Headrush in a few
days. I just bought one for a rock bottom of $169.

Since tape-based looping has always beenmy thing, I hope the
Headrush sounds as good as I've heard around here on LD.

- Larry
-----Original Message-----
From: Joey Dail <stumbleine@macconnect.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, October 22, 1999 8:05 PM
Subject: Buying Gear


>I'm looking at buying a sampler.  Just now getting into this really.  I'm
>currently looking at the JamMan, the Boomerang, and the Headrush.  Any
>advice?  Pros-cons?  I've read a lot of good comments here about the
>headrush, it seems to be pretty hot.  But then Phil Keaggy uses the JamMan,
>which is good enough for me!  Just let me know your opinions.
>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 22 23:00:05 1999
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Subject: Re: vibrato tremolo
Date: Fri, 22 Oct 1999 21:45:23 -0500
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don't go too crazy:  use of word tremolo wrt guitar whammy bars isn't all that
incorrect because the word actually has two definitions.

tremolo

1    the rapid reiteration of a musical tone
    or of alternating tones to produce a tremulous
    effect

2    a mechanical device in an organ for causing
    a tremulous effect

however, the electric guitar has given us a morph of definition two:  a
tremolo is now also a special kind of bridge on an electric guitar for bending
the pitch of notes.

tremolos on electric guitars allow you to do vibrato, which is

    a slightly tremulous effect imparted to vocal
    or instrumental tone for added warmth and
    expressiveness by slight and rapid variations
    in pitch,

but that's not all you can do with them.  You can use them to dive-bomb,
imitate vocal tones and police sirens, create psychotic glissandi, and make
lots of other cool sounds.  none of that stuff I just mentioned is vibrato,
but it's damn cool, so cool that I just bought a new guitar with a
double-locking tremolo so I can do it all night long without having to retune
500 times.

didn't it used to be called a vibrolo?

Cheers,
Cliff Claven


----- Original Message -----
From: Joey Dail <stumbleine@macconnect.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, October 22, 1999 6:51 PM
Subject: Re: vibrato tremolo


> The difference in vibrato and tremelo is as follows:
> tremelo is the variation in the volume of you sound
> vibrato is a variation in the pitch
> What peole generally refer to as a tremelo bar should actually be called a
> vibrato bar.  Drives me crazy.  something you may want to look into as far
> as vibrato goes is DigiTech's wammy pedal.  Not only are there several
> (programable) types of vibrato, but there are also a lot of wah's.  Just a
> thought.


From Loopers-Delight-request@annihilist.com  Fri Oct 22 23:10:21 1999
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: vibrato tremolo (off-topic)
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Disclaimer: None of the effects mentioned in the following post can loop by
themselves, but the relevance depends on the length of your patch cords.

Hi Larry,

At 07:45 PM 10/22/99 -0400, you wrote:
>The converse is also true...

After I wrote:
... A lot of pedals marketed as vibratos are actually
>>tremolos.

And I'm wondering which pedals you're referring to. I'm not really
disagreeing with you; I just can't think of any.

The Rocktek Vibrator is a tremolo, as are the Boss TR-2, the Dunlop TS-1,
the Ibanez TL-5, the Rocktron Surf, the Dunlop TVP-1, etc. The channel on a
lot of vintage Fender amps that says "Vibrato" features a tremolo (although
I'm fairly sure the old Vibrosonic and a couple of others did actually have
what Fender called a "harmonic" vibrato). The "vibrato" on some old Selmers
featured a cool little light that pulsed in time with, you guessed it, the
tremolo. Vox amps had a very distinctive sounding tremolo with a nice hard
on-off pulse, yet the trade name for this feature was VibroVox.

Dual-duty pedals like the Carl Martin Trem O'Vibe offer tremolo and actual
pitch modulation vibrato, as supposedly does the Marshall VT-1, although I
haven't checked this one out.

Some pedals (e.g. Rocktron's Purple Haze) have both distortion and
phase-shifting circuitry, which can modulate kind of like a vibrato, but
they're not.
And they're not calling it a tremolo, either.

Then there are the Lovetone Doppelganger, the Uni-Vibe, the RotoVibe, and
so forth... Leslies, even, taking advantage of the Doppler effect. But none
of these say "tremolo" on 'em. 

I'm sure there are isolated examples of "tremolos" which do actually
modulate pitch, and I agree that the terminology has often been used
interchangeably, but to say "most so called tremolo pedals are actually
vibrato pedals" as was stated at the beginning of this thread is patently
untrue. I wish we COULD all get real pitch-modulating vibrato pedals for
twenty bucks apiece, but it's just not gonna happen...

Tim

From Loopers-Delight-request@annihilist.com  Fri Oct 22 23:34:12 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: vibrato tremolo (off-topic)
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Tim,

What I meant by "the converse is also true" is that many
people - music dealers and musos often use the term tremelo
when they really mean vibrato.

I totally agree with your definitions of each:
Tremelo - modulation of amplitude (volume)
Vibrato - modulation of frequency

For some many folks transpose the two - or use them
interchanegably.

- Larry

-----Original Message-----
From: Tim Nelson <tcn62@ici.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, October 22, 1999 11:12 PM
Subject: Re: vibrato tremolo (off-topic)


>Disclaimer: None of the effects mentioned in the following post can loop by
>themselves, but the relevance depends on the length of your patch cords.
>
>Hi Larry,
>
>At 07:45 PM 10/22/99 -0400, you wrote:
>>The converse is also true...
>
>After I wrote:
>... A lot of pedals marketed as vibratos are actually
>>>tremolos.
>
>And I'm wondering which pedals you're referring to. I'm not really
>disagreeing with you; I just can't think of any.
>
>The Rocktek Vibrator is a tremolo, as are the Boss TR-2, the Dunlop TS-1,
>the Ibanez TL-5, the Rocktron Surf, the Dunlop TVP-1, etc. The channel on a
>lot of vintage Fender amps that says "Vibrato" features a tremolo (although
>I'm fairly sure the old Vibrosonic and a couple of others did actually have
>what Fender called a "harmonic" vibrato). The "vibrato" on some old Selmers
>featured a cool little light that pulsed in time with, you guessed it, the
>tremolo. Vox amps had a very distinctive sounding tremolo with a nice hard
>on-off pulse, yet the trade name for this feature was VibroVox.
>
>Dual-duty pedals like the Carl Martin Trem O'Vibe offer tremolo and actual
>pitch modulation vibrato, as supposedly does the Marshall VT-1, although I
>haven't checked this one out.
>
>Some pedals (e.g. Rocktron's Purple Haze) have both distortion and
>phase-shifting circuitry, which can modulate kind of like a vibrato, but
>they're not.
>And they're not calling it a tremolo, either.
>
>Then there are the Lovetone Doppelganger, the Uni-Vibe, the RotoVibe, and
>so forth... Leslies, even, taking advantage of the Doppler effect. But none
>of these say "tremolo" on 'em.
>
>I'm sure there are isolated examples of "tremolos" which do actually
>modulate pitch, and I agree that the terminology has often been used
>interchangeably, but to say "most so called tremolo pedals are actually
>vibrato pedals" as was stated at the beginning of this thread is patently
>untrue. I wish we COULD all get real pitch-modulating vibrato pedals for
>twenty bucks apiece, but it's just not gonna happen...
>
>Tim
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 23 02:19:38 1999
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Please, 
unsubscribe me to this list.

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You must have meant "Please unsubscribe me from this list."

  | -----Original Message-----
  | From: Lionel Hubert [mailto:khpro@worldnet.fr]
  | Sent: Friday 22 October 1999 11:16 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: unsubscribe
  | 
  | 
  | Please, 
  | unsubscribe me to this list.
  | 
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From Loopers-Delight-request@annihilist.com  Sat Oct 23 05:40:01 1999
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From: Dlangenes@aol.com
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Date: Sat, 23 Oct 1999 05:34:58 EDT
Subject: re: Mesa Boogie Mark amps
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Loopers,

Anyone have any opinions on the Mesa Boogie "Mark" amps? Is the Mark III 
better than the Mark IV? What about the Mark I? Is one considered more 
"classic" than another? Does it matter? Does anything matter? Is there a god? 
Anyone?

David

From Loopers-Delight-request@annihilist.com  Sat Oct 23 06:08:50 1999
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Date: Sat, 23 Oct 1999 03:03:32 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: re: Mesa Boogie Mark amps
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At 2:34 AM -0700 10/23/99, Dlangenes@aol.com wrote:
>Loopers,
>
>Anyone have any opinions on the Mesa Boogie "Mark" amps? Is the Mark III
>better than the Mark IV? What about the Mark I? Is one considered more
>"classic" than another? Does it matter? Does anything matter? Is there a god?
>Anyone?
>
>David

your god is not on this list. Try the Boogie-Talk list:

http://www.auburn.edu/~swangdb/boogie-info.html

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sat Oct 23 08:27:43 1999
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From: MyWarNerve@aol.com
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Date: Sat, 23 Oct 1999 08:10:46 EDT
Subject: Re: Mesa Boogie Mark amps
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I am a proud Boogie owner, since Kim thinks he's god, I'll try to help. The 
Mark series of Boogie amps are considered by most tube purists to be the 
pinnacle of perfection for straight tube valve power. The thing is, it 
depends on what kind of tone you are after, Mark I's are remeniscent of 
"plexi" Marshalls, while the Mark II and III's have distinct Fender'ish clean 
tones with a more modern "california" dirt tones. These amps,(combos or 
heads) are pretty versatile and just plain loud. You wont get the 
oversaturated sound of the Rectifiers, but they do offer some very warm tube 
overdrive with a minimum amount of work and hum. I own a DC-5 (caliber 
series) which I use as a master, slaving a Simulclass2:90 from it, it works 
pretty well, being in the middle of the MarkIV and the Rectifier, big gain, 
very warm, and very versatile.
I don't know if this will help you or not, and I'm sure that this will start 
some kind of ridiculouse thread from the list, but gear is gear, and anything 
I can help with is better than nothing at all.
A

From Loopers-Delight-request@annihilist.com  Sat Oct 23 09:27:47 1999
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From: wo-5100dogrules@webtv.net (Steven Bazar)
Date: Sat, 23 Oct 1999 08:23:38 -0500 (CDT)
To: Loopers-Delight@annihilist.com
Subject: Re: Buying Gear
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get the boomerang and run it through a volume pedal in a dual amp
setting.so your not only layering your sound yo can pre alter it and
suprise yourself whith the new acompiament

From Loopers-Delight-request@annihilist.com  Sat Oct 23 12:23:03 1999
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remove

From Loopers-Delight-request@annihilist.com  Sat Oct 23 12:56:33 1999
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From: Texture444@aol.com
Message-ID: <0.54515531.25434171@aol.com>
Date: Sat, 23 Oct 1999 12:50:57 EDT
Subject: Re: Two looping questions from a neophyte
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>thanks david
yer welcome.
dt

From Loopers-Delight-request@annihilist.com  Sat Oct 23 13:01:01 1999
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From: Texture444@aol.com
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Date: Sat, 23 Oct 1999 12:55:53 EDT
Subject: Re: Two looping questions from a neophyte
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leo,
>where did you play?
napoli, salerno, roma, padova..... somewhere else, too, i think.....

>just a question: do you use the whole setup more for
>improvising contexts or for structured playing too?
what's the difference?
8-))
both:always.
best,
dt


From Loopers-Delight-request@annihilist.com  Sat Oct 23 13:02:16 1999
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From: Texture444@aol.com
Message-ID: <0.8b872c92.254342ff@aol.com>
Date: Sat, 23 Oct 1999 12:57:35 EDT
Subject: Re: min'd picks and akai remix 16
To: Loopers-Delight@annihilist.com
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jm,
>I saw Mr. Torn's mention of the Min'd pick, and I was
>curious if those were still in production. If so, who
>has them and where can one pick up one?
sorry: don't know.
dt

From Loopers-Delight-request@annihilist.com  Sat Oct 23 13:27:26 1999
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From: "James Ko" <Kojaque@email.msn.com>
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Subject: Re: Mesa Boogie Mark amps
Date: Sat, 23 Oct 1999 13:38:18 -0400
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Hi David:

I own a Boogie Mark IV combo and I love it.  Avoid the Mark III (a friend of
mine had one).  Don't get me wrong, it's two channels (clean and dirty)
sound great but it was originally advertised as having three different
tones.  The problem is the third tone was a mixing of the two channels that
never really worked that well.  There is also volume balance problems when
you switch between the two channels.

The Mark IV succeeded where the Mark III failed.  The three channels (clean,
dirty, lead) are all excellent sounding, all very flexable tone wise, and
you can switch between them using the included floor pedal.  The amp is very
well designed and although the many knobs and switches look intimidating at
first, it is very intuatively laid out.  It is a great amp for someone like
me who wants a full tube amp and needs to switch instantly to different
tones.  I highly recommend it if you can afford it.

The main problem I have with the amp is that it is just too damn loud. I
have never had it above 4 and that was in a largish club.  Also, the speaker
(ev black shadow), while sounding great, is very directional and there is a
noticable
volume difference when you are directly in line with it as opposed to being
askew from it.  It's also really heavy for it's size.

Hope this helps.

Jim Ko
Philadelphia, PA

-----Original Message-----
From: Dlangenes@aol.com <Dlangenes@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, October 23, 1999 5:39 AM
Subject: re: Mesa Boogie Mark amps


>Loopers,
>
>Anyone have any opinions on the Mesa Boogie "Mark" amps? Is the Mark III
>better than the Mark IV? What about the Mark I? Is one considered more
>"classic" than another? Does it matter? Does anything matter? Is there a
god?
>Anyone?
>
>David
>



From Loopers-Delight-request@annihilist.com  Sat Oct 23 13:30:59 1999
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REMOVE


Texture444@aol.com wrote:

> leo,
> >where did you play?
> napoli, salerno, roma, padova..... somewhere else, too, i think.....
>
> >just a question: do you use the whole setup more for
> >improvising contexts or for structured playing too?
> what's the difference?
> 8-))
> both:always.
> best,
> dt



From Loopers-Delight-request@annihilist.com  Sat Oct 23 13:49:10 1999
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From: "nitesh patel" <tesh@gte.net>
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References: <37B8C115.86C8D1C1@toddreynolds.com> <37B9E9CE.A1C06226@gte.net>
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REMOVE
----- Original Message -----
From: nitesh patel <tesh@gte.net>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, August 17, 1999 3:01 PM
Subject: Re: subscribe


> please remove me from list
>
> Todd Reynolds wrote:
>
> > --
> > Todd Reynolds                                    "paint as you like, and
> > die happy"   -   henry miller
> > 500B Grand St.  11G
> > New York, NY  10002
> >
> > 212 475-8559  phone
> > 917 861-1755  cell, pager, et al.
> >
> > todd@toddreynolds.com
> > http://www.toddreynolds.com
>
>
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 23 16:13:17 1999
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Date: Sun, 24 Oct 1999 01:27:33 +0530
Subject: Yamaha SU700
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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Hi,

Anyone here use a Yamaha SU700 ? Seems pretty powerful, though I've come
acroos reports of system freezes. Assuming that it has pretty comprehensive
MIDI implementation (which most Yamaha units seem to have), then under
control from a sequencer or MIDI foot control pedal board, it could be used
like an Echoplex. Plus the SCSI option means that loops can be saved
directly to hard disk/removable drives & there are resonant filters, 68MB
RAM, 3 effects processors, & a max of 64 voices, or in this case, actually
tracks.

Any comments ?

- Drew

--
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Drew Skyfyre      songwriter, webmaster, happy human

           Skyfyre 2.0: http://skyfyre.lookscool.com
                       email: drew_skyfyre@yahoo.com

    Xenharmonic Engines : microtonality/xenharmonics
                     http://microtonal.lookscool.com
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Sat Oct 23 16:33:51 1999
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I'd like to post a public-service announcement for all those who are not
aware about how to unsubscribe from Loopers' Delight and are contemplating
doing so:

Go to http://www.annihilist.com/loop/list/LoopList.html and look at the
instructions on how to unsubscribe, and spare us from little droppings like
the one below:

  | -----Original Message-----
  | From: nitesh patel [mailto:tesh@gte.net]
  | Sent: Tuesday 23 February 1999 1:26 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Two looping questions from a neophyte
  |
  |
  | REMOVE
  |
  |
  | Texture444@aol.com wrote:
  |
  | > leo,
  | > >where did you play?
  | > napoli, salerno, roma, padova..... somewhere else, too, i think.....
  | >
  | > >just a question: do you use the whole setup more for
  | > >improvising contexts or for structured playing too?
  | > what's the difference?
  | > 8-))
  | > both:always.
  | > best,
  | > dt
  |

Thanks!

From Loopers-Delight-request@annihilist.com  Sat Oct 23 17:28:33 1999
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Date: Sat, 23 Oct 1999 17:05:39 EDT
Subject: please unsubsribe me
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I would like to be unsubsribed thanks   

From Loopers-Delight-request@annihilist.com  Sat Oct 23 19:54:48 1999
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Date: Sat, 23 Oct 1999 19:49:55 -0400 (EDT)
From: Adam Levin <alevin@DarkAether.net>
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Subject: Dark Aether Project in Washington DC area next Saturday
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The Dark Aether Project will perform live in the Washington DC area at 8pm
on Saturday October 30th 1999 at Phantasmagoria (301-949-8886) located at
11319 Elkin Street in Wheaton MD. Admission is $10 at the door for this
all ages show.

The Dark Aether Project's music has been described as "jazz-inflected,
often minimalistic...classy... mature musicianship without
pretentiousness" by Progression magazine and "..intense and blistering
lead work...amazing loops and shimmering textures that are at once
haunting and dreamlike...worthy of attention." by Expose. The Dark Aether
Project will perform in support of their latest album _Feed The Silence_
of which Progression writer Larry Nai writes: "Dark Aether Project hits a
lot of progressive rock pleasure points with Feed the Silence, but make no
mistake: this is not another derivative band with little new to say...this
is an absolutely fabulous album." See http://www.DarkAether.Net/ 

The Dark Aether Project is:

Adam Levin - Warr 8 String Touch Guitar/Keyboards/Loops
Ray Weston - Vocals
Allen Brunelle - Drums/Percussion/Keyboards/Vocals
Steev Geest - Guitar/Guitar Synth/Loops

Also appearing is Iluvatar who will perform in support of their brand new
release _A Story Two Days Wide_, their first studio album of new material
since 1995's _Children_. When attempting to describe the music of
Iluvatar, one is tempted to compare and contrast it with other well-known
groups such as Genesis, Rush, Yes, Pink Floyd, Marillion, Kansas, and
others which fall into the same genre. While Iluvatar have certainly been
influenced by these and numerous others, they are a clone of none. They
successfully create their own unique and diverse sound. For more
information about Iluvatar, see http://www.progrock.net/Bands/Iluvatar/

Chris Mack - drums, percussion
Glenn McLaughlin - lead vocals, percussion
Dean Morekas - bass guitar, bass pedals, backing vocals
Dennis Mullin - guitars
Jim Rezek - keyboards

Directions to Phantasmagoria:        
Take DC Beltway (495) toward Silver Spring.  
Exit at Rt 97 (Georgia Ave) North towards Wheaton
Go 2-3 miles on Georgia, keeping to the right
Turn right on University Blvd (after Safeway)
Take first right onto Elkin.
Phantasmagoria is on the left










From Loopers-Delight-request@annihilist.com  Sat Oct 23 21:55:53 1999
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From Loopers-Delight-request@annihilist.com  Sat Oct 23 22:20:50 1999
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Date: Sat, 23 Oct 1999 22:23:22 -0400
From: "J.G. Wong" <adaaxs@erols.com>
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Organization: Tokusatsu.com, Tokusatsu Access Archive
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Hi Larry,

Where'd you get the Headrush for $ 169 ?

Best

Gino

From Loopers-Delight-request@annihilist.com  Sun Oct 24 06:44:11 1999
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Subject: Foot controller
Date: Sun, 24 Oct 1999 12:37:56 +0200
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I need an advice on foot controllers. I sold my PMC10 because it =
betrayed me so many times. Now i=B4m looking for one with similar =
features but reliable! is anybody outhere familiar with the ground =
control or the new one from lexicon?can they send program changes to =
different midi chanels and can i trigger synth chords with either =
one?which one is the best option outhere? their web pages are not so =
informative.My other question is when will they bring the EDP back in =
production?

L.A.

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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I need an advice on foot controllers. I =
sold my=20
PMC10 because it betrayed me so many times. Now i=B4m looking for one =
with similar=20
features but reliable! is anybody outhere familiar with the ground =
control or=20
the new one from lexicon?can they send program changes to different midi =
chanels=20
and can i trigger synth chords with either one?which one is the best =
option=20
outhere? their web pages are not so informative.My other question is =
when will=20
they bring the EDP back in production?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial =
size=3D2>L.A.</FONT></DIV></FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Sun Oct 24 06:56:26 1999
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Date: Sun, 24 Oct 1999 12:42:41 +0200
From: Cummings <r_t_cummings@compuserve.com>
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hello loopland, hope this isn't too off-topic:

my topic:
i'm using the mpc2000 to control a multitimbral midi expander (roland jv
1010). i program "msb bank select" and "lsb bank select" controller
change messages to select the sound bank and a "program change" to
select the patch. these are located at the first note of the first bar. 

my problem:
the actual sound of the patch gets cut off if a note occurs at the same
point (i.e. the "one" of the first bar) as the controller/ program
change messages.

my question:
how can i get around this?

thanks,
rob


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thanks!
rob

leocavallo schrieb:
>
-slice-
> I can suggest fruity loops, rebirth (with mods and the rewire technology you
> can do really great things ), acid, drumstation, gigasampler, reality,
> probe, cubase VST with rex files, reaktor, dreamstation, audiomulch,
> hammerhead and moonfish, simsynth.... and these are just my preferred
> ones... not that I use all them at the same time, in every project!
> 
> lot of my work is done on my samplers too.. the communication between
> software and hardware plays a big role in my production method: the dialogue
> between PC, Yamaha A3k and Ensoniq ASR X is entirely digital, so I have
> maximum creative flexibility.
- slice -
> >> hope this helps
> >> ciao
> >> leo


From Loopers-Delight-request@annihilist.com  Sun Oct 24 07:02:56 1999
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hello loopland, hope this isn't too off-topic:

my topic:
i'm using the mpc2000 to control a multitimbral midi expander (roland jv
1010). i program "msb bank select" and "lsb bank select" controller
change messages to select the sound bank and a "program change" to
select the patch. these are located at the first note of the first bar. 

my problem:
the actual sound of the patch gets cut off if a note occurs at the same
point (i.e. the "one" of the first bar) as the controller/ program
change messages.

my question:
how can i get around this?

thanks,
rob

From Loopers-Delight-request@annihilist.com  Sun Oct 24 07:03:51 1999
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thanks!
rob

leocavallo schrieb:
>
-slice-
> I can suggest fruity loops, rebirth (with mods and the rewire technology you
> can do really great things ), acid, drumstation, gigasampler, reality,
> probe, cubase VST with rex files, reaktor, dreamstation, audiomulch,
> hammerhead and moonfish, simsynth.... and these are just my preferred
> ones... not that I use all them at the same time, in every project!
> 
> lot of my work is done on my samplers too.. the communication between
> software and hardware plays a big role in my production method: the dialogue
> between PC, Yamaha A3k and Ensoniq ASR X is entirely digital, so I have
> maximum creative flexibility.
- slice -
> >> hope this helps
> >> ciao
> >> leo

From Loopers-Delight-request@annihilist.com  Sun Oct 24 07:04:39 1999
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From: "Future Perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Foot controller
Date: Sun, 24 Oct 1999 06:58:29 -0400
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The Ground Control can send program changes on 8 midi channels and can be
configured to send some CC messages (& has 2 expression pedal inputs), but
no note on/note off stuff. Apparently, the PMC10 is the one to have for
maximum control.

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave

'Future Perfect' - art music
http://home1.gte.net/artmusic/



You wrote:
I need an advice on foot controllers. I sold my PMC10 because it betrayed me
so many times. Now iīm looking for one with similar features but reliable!
is anybody outhere familiar with the ground control or the new one from
lexicon?can they send program changes to different midi chanels and can i
trigger synth chords with either one?which one is the best option outhere?
their web pages are not so informative.My other question is when will they
bring the EDP back in production?

L.A.

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do you mean the jomox drum machine? table-top or rack version?

rob

Cornhilio2@aol.com schrieb:
> 
> 
> what do you all think of the xbase09 i was thinking of buying one

From Loopers-Delight-request@annihilist.com  Sun Oct 24 08:06:15 1999
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I have that problem too using a computer sequencer. The only solution I
found was to start my entire sequence one measure in keeping the first
bar as a countoff to rest all the instruments. I've bought some midi
files from TwiddlyBits and I've downloaded Midi files from the Net that
all take advantage of MSB and LSB messages and they all seem to start
one measure in. 

I think if you do this as well all your problems would go away.

David

Cummings wrote:
> 
> hello loopland, hope this isn't too off-topic:
> 
> my topic:
> i'm using the mpc2000 to control a multitimbral midi expander (roland jv
> 1010). i program "msb bank select" and "lsb bank select" controller
> change messages to select the sound bank and a "program change" to
> select the patch. these are located at the first note of the first bar.
> 
> my problem:
> the actual sound of the patch gets cut off if a note occurs at the same
> point (i.e. the "one" of the first bar) as the controller/ program
> change messages.
> 
> my question:
> how can i get around this?
> 
> thanks,
> rob

From Loopers-Delight-request@annihilist.com  Sun Oct 24 09:07:38 1999
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The "All Access Midi Foot Controller" from Rocktron is the best unit. I'm using
it with my guitar rack which is loaded with midi gear, (2) EPD's, Axon Midi
guitar, Switchblade, ADA MB-1, all kind of floor effect pedals, it a great
unit.

http://www.rocktron.com/main.html

DJones

Future Perfect wrote:

> The Ground Control can send program changes on 8 midi channels and can be
> configured to send some CC messages (& has 2 expression pedal inputs), but
> no note on/note off stuff. Apparently, the PMC10 is the one to have for
> maximum control.
>
> Dave Eichenberger- guitars.loops.devices
> http://home1.gte.net/artmusic/dave
>
> 'Future Perfect' - art music
> http://home1.gte.net/artmusic/
>
> You wrote:
> I need an advice on foot controllers. I sold my PMC10 because it betrayed me
> so many times. Now iīm looking for one with similar features but reliable!
> is anybody outhere familiar with the ground control or the new one from
> lexicon?can they send program changes to different midi chanels and can i
> trigger synth chords with either one?which one is the best option outhere?
> their web pages are not so informative.My other question is when will they
> bring the EDP back in production?
>
> L.A.

From Loopers-Delight-request@annihilist.com  Sun Oct 24 11:57:41 1999
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From: "Bruce Comens" <bcomens@corelli.nexus.it>
To: <Loopers-Delight@annihilist.com>
References: <0.172c8ddb.25434299@aol.com>
Subject: R: Two looping questions:  Italia / tablas URL/rack
Date: Sun, 24 Oct 1999 17:56:56 -0400
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Alas, I  just missed that tour twice:  first the Salerno concert and then
the one back in Rome--same
thing happened re Sainkho Namtchylak's Italia tour.  Hard to get advance
notice of events here....

David, I thought you'd started using the MPX G2?   I ask because I've been
thinking of switching from a bunch of pedals to a rack multi-effect unit
when I return to
the US, and that seems a promising unit....offers an extra looper, too--is
the looper really equivalent to a Jamman?

For all interested, here's a  URL for the Ali Akbar  College of Music Store:
http://www.aacm.org/shop
They have 3 different tabla machines, and other interesting gadgets.

Ciao,
Bruce Comens












From Loopers-Delight-request@annihilist.com  Sun Oct 24 11:58:55 1999
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Date: Sun, 24 Oct 1999 11:48:14 -0400 (EDT)
From: Adam Levin <alevin@DarkAether.net>
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Subject: Prog/Psych/Fusion/Free Jazz in Houston area 10/31-11/5?
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I'll be in Houston from 10/31-11/5 and I was wondering if anyone in the
area is aware of any interesting shows going on that week? 

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/




From Loopers-Delight-request@annihilist.com  Sun Oct 24 12:43:19 1999
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From: Matthias Grob <matthias@grob.org>
Subject: Re: min'd picks and akai remix 16
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> i always write the mfger and they alwyas help. get any  mag  with an akai
>ad Keyboard,mix eq, elect musician and look for an ad

what does this mean?
maybe I should not spend so much time to work out short and clear mails?



         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Sun Oct 24 14:59:13 1999
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Date: Sun, 24 Oct 1999 11:55:01 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Yamaha SU700
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At 12:57 PM -0700 10/23/99, Drew Skyfyre wrote:
>Hi,
>
>Anyone here use a Yamaha SU700 ? Seems pretty powerful, though I've come
>acroos reports of system freezes. Assuming that it has pretty comprehensive
>MIDI implementation (which most Yamaha units seem to have), then under
>control from a sequencer or MIDI foot control pedal board, it could be used
>like an Echoplex. Plus the SCSI option means that loops can be saved
>directly to hard disk/removable drives & there are resonant filters, 68MB
>RAM, 3 effects processors, & a max of 64 voices, or in this case, actually
>tracks.

I watched a guy demo it at the NAMM show. (so I don't have any hands on
use.) Unlike the echoplex or other real-time samplers, you can't sample
something and immediately have it looping in rhythm. There are some steps
in between, so it won't be seamless for a performance. (When I asked the
guy doing the demo about this, he said, "why would anybody want to do
that?" He was completely baffled, thought I was nuts for for wanting to
sample stuff live...:-)   So in that way, it is fundamentally different
from echoplex, jamman, etc. It might not let you sample new stuff while
it's playing back either, but I don't remember that point now. Better to
compare to Roland SP808 or Akai MPC2000, other devices more oriented to
live sequencing with precreated samples.  Watching him use it, it seemed
powerful but the interface seemed kind of clumsy and slow. But like I said,
I didn't use it myself and this was almost a year ago. Seems to me that
someone on the list here has/had one, maybe they can give a better
explanation of the good points.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Oct 24 15:15:56 1999
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table tob of course

From Loopers-Delight-request@annihilist.com  Sun Oct 24 15:39:17 1999
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At 6:34 AM -0700 10/22/99, Openjam99@aol.com wrote:
>Hello, I have abandoned my 2 jammen for 1 EDP. I happy so far except one
>thing. with the EDP how can I cruise through loop structures and solo over
>them without automatically recording them?

It normally works the way you want. You probably have a parameter set where
you don't realize what it does. (sampler style, autorecord, etc.) You might
want to start back at the default parameters. (hold the parameter button
down while you power up to restore defaults, keep it held til it gets to
the play state.) Set it to 3 loops with the MoreLoops parameter, and play
around with that for a while. Once you get the hang of the more basic use,
then try experimenting with some of the more advanced parameters.

>Example: 3 loops. On the fly I can record 1-2-3 but when I get back to 1 or 2
>the EDP wants to record. I want it to simply play and allow me to add texture
>when I build up another jam.

do you mean it is overdubbing always, or is recording a new loop? If it is
overdubbing, you may have it in Delay mode. The it will act like a delay
where the input is always open and audio is always being fed into the delay
line. Check the Loop/Delay parameter, make sure it is in Loop. (which is
the default, so it will be Loop if you reset the parameters.)

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Oct 24 15:43:24 1999
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: EDP
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It was for sale in europe before CE went into effect. That was a few years
ago, though.

kim

At 1:23 PM -0700 10/22/99, Martin Shellard wrote:
>The original EDP has CE certification and so has never been sold in England
>afaik. I'd say your chance of finding one second hand/imported are slim.
>Martin Shellard
>
>
>----------
>>From: igames@zol.co.zw
>>To: Loopers-Delight@annihilist.com
>>Subject: EDP
>>Date: Fri, Oct 22, 1999, 6:42 pm
>>
>
>> Anyone know where I can find an EDP in England? Situation complicated as
>> I will only be there for one week later this year. Currently reside in
>> Zimbabwe/Botswana. ....Ian


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Oct 24 16:43:19 1999
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At 11:55 AM 10/24/99 -0700, you wrote:
...(When I asked the
>guy doing the demo about this, he said, "why would anybody want to do
>that?" He was completely baffled, thought I was nuts for for wanting to
>sample stuff live...:-) 

"There's a very fine line between clever and stupid."
                                       - Spinal Tarp's Nigel Tufnell

They said Van Gogh was nuts, too...

Tim

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Date: Sun, 24 Oct 1999 14:10:40 -0700
From: "mark givens" <markeg@ivillage.com>
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 write the manufacturer they will help.Look up an ad im mags like MIX,keyboard",EQ and Musician for ads. they will have adresses and phone numbers.
--

On Sun, 24 Oct 1999 14:46:28   Matthias Grob wrote:
>> i always write the mfger and they alwyas help. get any  mag  with an akai
>>ad Keyboard,mix eq, elect musician and look for an ad
>
>what does this mean?
>maybe I should not spend so much time to work out short and clear mails?
>
>
>
>         ---> http://Matthias.Grob.org
>
>
>


--
Join the most exciting community of women on the web!
iVillage.com's FREE membership gets you private email,
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DO NOT TRY TO MAKE A DEAL WITH JASKIN00@AOL.COM HE TELLS YOU HE SENDS THINGS 
THEN CALL A LAWYER WHEN HE THINKS YOU BACKED OUT ON A DEAL JUST LETTING YOU 
PEOPLE KNOW TO STAY AWAY FROM HIM PLEASE PASS THIS ON TO AS MANY PEOPLE AS 
YOU CAN

From Loopers-Delight-request@annihilist.com  Sun Oct 24 18:23:04 1999
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ok, the table top version i do know. i asked because there is also a
rack version which i've never used.

plusses: 
the jomox is a great sounding TRUE analog drum machine. the bass drum
sound is very impressive and flexible. it's hard to describe the
physicality of the sound until you experience it. the thing is also
built fairly robustly, it can take a bit of a beating.

negatives:
the timing isn't very stable - you definitely need to slave it to a more
solid sequencer. it's an old fashiioned step sequencer, you know one bar
of sixteen notes. well i lied, you actually can program over several
bars but this gets a little too "non-intuitive" for my tastes.

hope to have helped,
rob

Cornhilio2@aol.com schrieb:
> 
> 
> table tob of course


From Loopers-Delight-request@annihilist.com  Sun Oct 24 18:23:03 1999
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thanks david, that seems to be the only way around the problem.
i finally learned how to dump the various sysex patch settings (midi
parts) back into the sequencer. the sysex messages seem to function even
better than msb & lsb messages with the roland jv-1010.

i tried putting all of the sysex in a short bar of a single 1/4 note and
this works fine.

thanks,
rob

David Pattee wrote:
> 
> 
> I have that problem too using a computer sequencer. The only solution I
> found was to start my entire sequence one measure in keeping the first
> bar as a countoff to rest all the instruments. I've bought some midi
> files from TwiddlyBits and I've downloaded Midi files from the Net that
> all take advantage of MSB and LSB messages and they all seem to start
> one measure in.
> 
> I think if you do this as well all your problems would go away.
> 
> David
> 
> Cummings wrote:
> >
> > hello loopland, hope this isn't too off-topic:
> >
> > my topic:
> > i'm using the mpc2000 to control a multitimbral midi expander (roland jv
> > 1010). i program "msb bank select" and "lsb bank select" controller
> > change messages to select the sound bank and a "program change" to
> > select the patch. these are located at the first note of the first bar.
> >
> > my problem:
> > the actual sound of the patch gets cut off if a note occurs at the same
> > point (i.e. the "one" of the first bar) as the controller/ program
> > change messages.
> >
> > my question:
> > how can i get around this?
> >
> > thanks,
> > rob

From Loopers-Delight-request@annihilist.com  Sun Oct 24 19:32:38 1999
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From: "Colin Seddon" <colin@drumbase.freeserve.co.uk>
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Subject: Oberheim Echoplex
Date: Mon, 25 Oct 1999 00:17:42 +0100
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This is a multi-part message in MIME format.

------=_NextPart_000_01A2_01BF1E7E.5AEA99A0
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Hello,

I've only just subscribed:

I borrowed a JamMan recently and had a great time, looping voice and =
percussion and bouzouki as an accompaniment to Vayu Naidu's rendition of =
the story of The Ramayana.

I decided that I'd like to buy one and discovered that they're no longer =
made.
I hear that the Oberheim Echoplex Digital Pro is loads better anyway.

Anyone out there with any advice on what this here novice looper should =
look to buy?

And in the meantime,  anyone out there got an Echoplex to sell?

Cheers  - Colin

------=_NextPart_000_01A2_01BF1E7E.5AEA99A0
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
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<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#c0c0c0>
<DIV><FONT size=3D2>Hello,</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I've only just subscribed:</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I borrowed a JamMan recently and had a great time, =
looping=20
voice and percussion and bouzouki as an accompaniment to Vayu Naidu's =
rendition=20
of the story of The Ramayana.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>I decided that I'd like to buy one and discovered =
that they're=20
no longer made.</FONT></DIV>
<DIV><FONT size=3D2>I hear that the Oberheim Echoplex Digital Pro is =
loads better=20
anyway.</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Anyone out there with any advice on what this here =
novice=20
looper should look to buy?</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>And in the meantime,&nbsp; anyone out there got an =
Echoplex to=20
sell?</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>Cheers&nbsp; - Colin</FONT></DIV></BODY></HTML>

------=_NextPart_000_01A2_01BF1E7E.5AEA99A0--

From Loopers-Delight-request@annihilist.com  Sun Oct 24 20:13:37 1999
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From: Nemoguitt@aol.com
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Date: Sun, 24 Oct 1999 20:06:19 EDT
Subject: zoom2100
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not to beat a dead horse.....i guess live ones are better.....but, the up to 
6 sec delay on this puppie is a ton of fun.....i have been forgetting to use 
the rang at times, and what a joy to send  pre-made loops to the rang......it 
seems everyone is on the band wagon and are all dumping these for 
$99.00......and it truely blows my mind, that i can do so many things to a 
sound with this inexpensive little box.........so for collin and all them 
folks waitin for the edp or the rang, the zoom 2100 is a quick loopin 
fix...........michael

From Loopers-Delight-request@annihilist.com  Sun Oct 24 20:36:42 1999
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Date: Mon, 25 Oct 1999 01:26:37 +0000
Subject: Re: EDP
From: "Martin Shellard" <martins@pwdu.demon.co.uk>
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I humbly bow to your great knowledge Kim : ) 
I have never seen one advertised  in the UK nor do I know of anyone here
owning one.

Martin Shellard


> It was for sale in europe before CE went into effect. That was a few years
> ago, though.
>
> kim

From Loopers-Delight-request@annihilist.com  Sun Oct 24 22:19:43 1999
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I agree that the lower end loopers are dumped on a lot here. but some of the 
lower end stuff can offer up a lot of fun and very quick and simple noise 
making possibilities at an affordable price...the zoom stuff is not bad at 
all. I think I'm gonna get another zoom 508 to use with the headrush. 

JP

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bruce,
hey.
>David, I thought you'd started using the MPX G2?
i did: i was: i had.
pretty cool box: couldn't replace my travel-setup (previously listed, this week), though, and not hairy enough to replace my direct-to-tape rig. (which is: rivera m100 head-ada ampulator, w/an ada microcab2 for the effects mixer).
i *really* don't like to own gear that isn't in regular use.

>I ask because I've been
>thinking of switching from a bunch of pedals to a rack
>multi-effect unit when I return to
>the US, and that seems a promising unit....offers an
>extra looper, too--
my advice: try it!: the only way for you to know.

>is the looper really equivalent to a Jamman?
inna word: no.
and:
no other hardware looper is equivalent to an EDP.
best,
dt


From Loopers-Delight-request@annihilist.com  Sun Oct 24 22:29:46 1999
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From: Texture444@aol.com
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Date: Sun, 24 Oct 1999 22:24:49 EDT
Subject: Re: Yamaha SU700
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kim, drew et al,

> >Drew Skyfyre wrote:
> >Anyone here use a Yamaha SU700 ? Seems pretty powerful, though I've come
> >acroos reports of system freezes. Assuming that it has pretty comprehensive
> >MIDI implementation (which most Yamaha units seem to have), then under
> >control from a sequencer or MIDI foot control pedal board, it could be used
> >like an Echoplex. Plus the SCSI option means that loops can be saved
> >directly to hard disk/removable drives & there are resonant filters, 68MB
> >RAM, 3 effects processors, & a max of 64 voices, or in this case, actually
> >tracks.

kim replied:
> I watched a guy demo it at the NAMM show. (so I don't have any hands on
> use.) Unlike the echoplex or other real-time samplers, you can't sample
> something and immediately have it looping in rhythm. There are some steps
> in between, so it won't be seamless for a performance.
right: its not.
i had one of these for a week or so:
this box is clearly *not* performance oriented, in regards to doing any kinda 'live' sampling.

>(When I asked the
> guy doing the demo about this, he said, "why would anybody want to do
> that?" He was completely baffled, thought I was nuts for for wanting to
> sample stuff live...:-)   So in that way, it is fundamentally different
> from echoplex, jamman, etc. It might not let you sample new stuff while
> it's playing back either, but I don't remember that point now. Better to
> compare to Roland SP808 or Akai MPC2000, other devices more oriented to
> live sequencing with precreated samples.  Watching him use it, it seemed
> powerful but the interface seemed kind of clumsy and slow.
i found the user interface architecture to be kinda: how can i say this?, uhhh.....
opaque.
cool sound manipulation possibilities, though, from an 'after-the-fact' perspective.

>But like I said,
> I didn't use it myself and this was almost a year ago. Seems to me that
> someone on the list here has/had one, maybe they can give a better
> explanation of the good points.

best,
dt

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>no other hardware looper is equivalent to an EDP.
>best,
>dt


Is it just me, or do we have a great sales pitch for the new version of the
Loop software?

In total agreement,

Mark


From Loopers-Delight-request@annihilist.com  Sun Oct 24 22:33:20 1999
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From: "Peter Shindler" <shindler@mediaone.net>
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Subject: Re: zoom2100
Date: Sun, 24 Oct 1999 22:26:58 -0400
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I agree;  I've been using a DOD DFX 94 pedal and after 3 years, I'm still
finding new ways to make it work.  Best $90 I've ever spent!

I am, however, hoping to own a nice EDP by the end of the year...


Peter

----- Original Message -----
From: <Jprice01@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Sunday, October 24, 1999 10:07 PM
Subject: Re: zoom2100


> I agree that the lower end loopers are dumped on a lot here. but some of
the
> lower end stuff can offer up a lot of fun and very quick and simple noise
> making possibilities at an affordable price...the zoom stuff is not bad at
> all. I think I'm gonna get another zoom 508 to use with the headrush.
>
> JP
>

From Loopers-Delight-request@annihilist.com  Sun Oct 24 22:34:38 1999
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Subject: MIDI looper?
From: "Tiktok World HQ" <tiktok@sprintmail.com>
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Is there sequencing software (or better, a standalone sequencer) which can
act as a looper, except for MIDI events instead of audio?

Travis Hartnett

From Loopers-Delight-request@annihilist.com  Sun Oct 24 22:46:13 1999
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Akai made two interesting units. An arpeggiator and a MIDI delay.
They come up for sale all the time for minimum bux on eBay and 
elsewhere.

Don't know a lot about them, but they sound like they might be worth 
looking into.

 Larry
-----Original Message-----
From: Tiktok World HQ <tiktok@sprintmail.com>
To: Looper's Delight <Loopers-Delight@annihilist.com>
Date: Sunday, October 24, 1999 10:36 PM
Subject: MIDI looper?


>Is there sequencing software (or better, a standalone sequencer) which can
>act as a looper, except for MIDI events instead of audio?
>
>Travis Hartnett
>
>

From Loopers-Delight-request@annihilist.com  Sun Oct 24 23:12:40 1999
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>>Is there sequencing software (or better, a standalone sequencer) which can
act as a looper, except for MIDI events instead of audio?<<

     I used to use the TR-909 for exactly that for quite a few years, but 
since it's now gone (sold), I use a Quasimid Sirius and a Roland JX-305.   
The Sirius even loops it's sinc signal across the lites ala 909 which is 
great onstage.  I believe there are several other drum machines and 
sequencers that have the same capabilities, albeit that they probably "do it" 
in different ways.  BTW: I use Korg modules driven by my looping 
sequencers--two X5DR's and a NS5R.  
     On the 909, I would first, set my tempo, then set the output midi 
channel to 1.  Pick a drum sound on the 909, pick a sound on the module (on 
the correct channel) and start the loop.  When I had that sound looping to my 
satisfaction (usually a drum or bass line, occassionally an ambient textured 
sound) then layer something over that with my EDP.  Limited to one channel on 
the 909, however.
       With the new stuff, you can have 7, 8, or 16 channels continuing to 
loop.  I think the Quasimidi 309 and Sirius have the greatest capabilities 
for this.  But I believe the Roland MC-303, MC-505 and JX-305 are damn good 
at it too.  I now play these much more sophisticated 'midi loopers' with two 
Akai Headrushes thru a 24 channel mixing board (Spirit) adding guitar and 
vocal loops to the mash (as in home made whiskey).

  Bill  "hawkeye"

From Loopers-Delight-request@annihilist.com  Sun Oct 24 23:29:19 1999
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I used to use the TR-505, 626 and 707 for looping/sequencing too.
Whats neat about the 626 and 707 is that you can send the tape sync
through a delay and to delay the sync tone.

The same technique can be used with all the audio outs too,
if you use them to trigger older pre-midi analog gear.

I daisy chain the tape sync from the 626 through 7 Digitech
RDS's and finally send it straight into an MC-202 for even more
flat out wackiness.

There's a lot you can do with simple means.

- Larry

- Larry

-----Original Message-----
From: Hawkeye255@aol.com <Hawkeye255@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, October 24, 1999 11:15 PM
Subject: Re: MIDI looper?


>>>Is there sequencing software (or better, a standalone sequencer) which
can
>act as a looper, except for MIDI events instead of audio?<<
>
>     I used to use the TR-909 for exactly that for quite a few years, but
>since it's now gone (sold), I use a Quasimid Sirius and a Roland JX-305.
>The Sirius even loops it's sinc signal across the lites ala 909 which is
>great onstage.  I believe there are several other drum machines and
>sequencers that have the same capabilities, albeit that they probably "do
it"
>in different ways.  BTW: I use Korg modules driven by my looping
>sequencers--two X5DR's and a NS5R.
>     On the 909, I would first, set my tempo, then set the output midi
>channel to 1.  Pick a drum sound on the 909, pick a sound on the module (on
>the correct channel) and start the loop.  When I had that sound looping to
my
>satisfaction (usually a drum or bass line, occassionally an ambient
textured
>sound) then layer something over that with my EDP.  Limited to one channel
on
>the 909, however.
>       With the new stuff, you can have 7, 8, or 16 channels continuing to
>loop.  I think the Quasimidi 309 and Sirius have the greatest capabilities
>for this.  But I believe the Roland MC-303, MC-505 and JX-305 are damn good
>at it too.  I now play these much more sophisticated 'midi loopers' with
two
>Akai Headrushes thru a 24 channel mixing board (Spirit) adding guitar and
>vocal loops to the mash (as in home made whiskey).
>
>  Bill  "hawkeye"
>
>

From Loopers-Delight-request@annihilist.com  Mon Oct 25 02:02:14 1999
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Subject: Re: Mesa Boogie Mark amps
Date: Sun, 24 Oct 1999 22:37:33 -0700
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I have owned a Mark II and Mark III head and am the current owner of a DC 5
head. The differences between the Mark II and III (for that matter the Mark
IV as well) is the amount of options. The Mark II was rather simple for
dialing in tone. The Mark III, with its supposed 3 channel option, took me a
bit more time to find the tones I was looking for. Being a former "plexi"
Marshall owner, I was a bit overwhelmed at the tonal possibilities that the
Mark III offered. The Mark IV was something I didn't feel compelled to try
because of the additional options it offered over the Mark III. However,
I've gotten over that and have grown to love and rely on the options that my
current DC 5 set-up gives me. The constant qualities that have kept me a
loyal Boogie owner for 15 years is the consistently great tone and the
durability.

----- Original Message -----
From: <Dlangenes@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, October 23, 1999 2:34 AM
Subject: re: Mesa Boogie Mark amps


> Loopers,
>
> Anyone have any opinions on the Mesa Boogie "Mark" amps? Is the Mark III
> better than the Mark IV? What about the Mark I? Is one considered more
> "classic" than another? Does it matter? Does anything matter? Is there a
god?
> Anyone?
>
> David
>


From Loopers-Delight-request@annihilist.com  Mon Oct 25 03:30:24 1999
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Subject: hello
Date: Mon, 25 Oct 1999 02:29:24 -0500
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hello,

I am a guitarist in the austin area looking for other musicians to jam / write
/ record / perform with.  I and a drummer currently rent lockout space in
south austin.  we are playing loud hardcore / heavy music in the godsmack /
static x / voivod / neurosis / white zombie vein.  we are looking for a couple
more musicians (vocalist, bass player, sampler/keyboardist, 2nd guitarist,
etc.) to complete our band.

I have decent equipment (jackson & strat, roland vg8ex, digitech rp7, fender
rock pro stack, and a boomerang pedal).  we also have an 8-track hard disk
recorder & a loaded computer (500 mhz, 384 megs ram, ACID Pro, Cakewalk Pro,
et. al.) for recording & sampling.  we have a DAT for final mixdowns & live
playback.  I design & program web sites for money and will be providing a pro
web site for us as soon as we get our sound / image together.

this site was recommended to me by someone at a local music store whom I was
asking about devices for looping guitar samples via MIDI.  he recommended this
list and the echoplex digital pro to me.  I understand they're not on the
market right now but as soon as they become available I am interested in
purchasing two of them and a MIDI sequencer.

since I'm doing music just about full-time right now, I am available to
rehearse pretty-much 24/7.  If you like heavy music and are interested in
coming and auditioning / jamming / hanging out with us some time, let me know.
our short-term goal is to have a back-room-ready set in the next six months.
we are writing original material right now but welcome new input.

From Loopers-Delight-request@annihilist.com  Mon Oct 25 03:49:38 1999
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Cornhilio2 wrote:
>DO NOT TRY TO MAKE A DEAL WITH JASKIN00@AOL.COM HE TELLS YOU HE SENDS THINGS 
>THEN CALL A LAWYER WHEN HE THINKS YOU BACKED OUT ON A DEAL JUST LETTING YOU 
>PEOPLE KNOW TO STAY AWAY FROM HIM PLEASE PASS THIS ON TO AS MANY PEOPLE AS 
>YOU CAN

    YES I KNOW HE BORROW MY PEAVEY T-30 AND NEVER GIVE IT BACK

STEVE

From Loopers-Delight-request@annihilist.com  Mon Oct 25 06:59:18 1999
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Date: Mon, 25 Oct 1999 06:39:23 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: MIDI looper?
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I'm not sure if it's still there, but Daddy's Junky Music had an Akai MIDI
Delay for extremely cheap the other day. I saw it in the Portsmouth NH
store, but their whole inventory is available online at Used Gear By Mail
<http://www.ugbm.com/ubmhome.shtml>. Or, as Larry points out, they come up
for sale very often...

Tim

At 10:43 PM 10/24/99 -0400, you wrote:
>Akai made two interesting units. An arpeggiator and a MIDI delay.
>They come up for sale all the time for minimum bux on eBay and 
>elsewhere.
> Larry

From Loopers-Delight-request@annihilist.com  Mon Oct 25 07:13:21 1999
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From: PJBMHB@aol.com
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Date: Mon, 25 Oct 1999 07:03:15 EDT
Subject: Re: Mesa Boogie Mark amps
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The constant qualities that have kept me a
loyal Boogie owner for 15 years is the consistently great tone and the
durability.

what about the intense weight and high prices? those are the qualities that 
come to my mind when i think of mesa boogie. =-) PJ

From Loopers-Delight-request@annihilist.com  Mon Oct 25 07:39:53 1999
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Date: Mon, 25 Oct 1999 07:37:28 -0500
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From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: zoom2100
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JP, just wondering why would you want a 508 rather than a 2100.  The price
must be the same and the 2100 has 50% more delay time, better specs, and
does a bunch of other stuff if you want it to.  Size?

>I agree that the lower end loopers are dumped on a lot here. but some of the
>lower end stuff can offer up a lot of fun and very quick and simple noise
>making possibilities at an affordable price...the zoom stuff is not bad at
>all. I think I'm gonna get another zoom 508 to use with the headrush.
>
>JP



From Loopers-Delight-request@annihilist.com  Mon Oct 25 09:50:25 1999
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Date: Mon, 25 Oct 1999 09:37:28 EDT
Subject: Re: zoom2100
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Size matters and the fact that i loved the 508.

The 508 love i have is not for its looping capabilities cause it does not 
loop...it gives delays that have a long fade out that appear to be loops and 
its patch cut off was seamless and not all of a sudden unless u wanted it to 
be. 

the 508 gave me great at my fingertips, knobless delay patches a la "run like 
hell" or the edge in a programable, punchable way quick and easy.

combined with the stuff i already have: gt-3, the zoom 503 and the 505 with 
zoom volume/expression pedal and a headrush, I dont really need the 2100. I 
typically will only use the gt-3, headrush and gr-30 and I also have an old 
rackmount boss de-200 i use evry now and then on A/B patches.

I dont use midi for looping on stage though I do sometimes have my gr-30 
connected to my ASR 10 sampler and an Emu Morpheus sometimes. I'll use the 
morpheus for solo guitar stuff. but im not big on syncing my loops to midi 
time.

I always tend to do everything loopwise in realtime but usually not synced to 
midi. in my case the loops that are synced to midi arent realy loops 
tho...they are sequences but nothing realtime and frankly for the dancier 
stuff i tend to just push the buttons or deliberately not have non rhythmic 
loops play in any particular time...and the sequenced stuff that is looped 
outside of the rhythmic stuff underneath is samples of my guitar rig that 
have been treated in sound forge 4.5 and bounced into an sp202 and then 
sequenced using cakewalk and bounced back into the ASR 10's sequencer.

I never got the 2100 cause i had the 505, then 508 and 503 and found pretty 
much everything that was funky about zooms in those products. then i bought 
other stuff and im happy with the setup i presently use. I try to only get 
what i'm actually gonna use a lof of over time.

JP

From Loopers-Delight-request@annihilist.com  Mon Oct 25 09:59:08 1999
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From: RA336@aol.com
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Date: Mon, 25 Oct 1999 09:40:54 EDT
Subject: Re: RE: Foot controller
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check out a Midi-Mitigator RFC-1... dissicult to find but by far the most 
fully implemented controller available...
    any midi message on any channel
    seq start-stop
    note on-note off (as many as you want simultaneously) with velocity info
    "keyboard" mode allows you to trigger notes while holding down a switch- 
note off is immediate on            letting up the switch (cool!)
    one cv input

best,\
RA

From Loopers-Delight-request@annihilist.com  Mon Oct 25 10:03:34 1999
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Message-ID: <001901bf1eed$198210a0$7bcf08cf@donaldpancoe>
From: "Don \"Mango\" Pancoe" <pancoe@netaxs.com>
To: <Loopers-Delight@annihilist.com>
References: <199910250230.TAA01666@crow.a001.sprintmail.com>
Subject: Re: MIDI looper?
Date: Mon, 25 Oct 1999 09:30:24 -0400
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Travis Hartnett wrote:
> Is there sequencing software (or better, a standalone sequencer) which can
> act as a looper, except for MIDI events instead of audio?

I have an old Alesis MMT8 that would be good for this. Its in the same
slant-front case as the now-venerable Alesis drum machines of the same era
(HR-16 I think.)

The unit is set up to have eight "tracks," with each track having a button
on the front panel. The machine also has a loop mode where all eight tracks
just keep looping (they all have to be the same length though.) So you could
have eight MIDI loops running, and use the front panel buttons to select or
mute tracks accordingly.

And the best part, they aren't too hard to find, and they sell used for
about $150.

-- Mango --

From Loopers-Delight-request@annihilist.com  Mon Oct 25 10:35:42 1999
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From: "Weideman, Gary L (Gary)" <weideman@lucent.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Introduction & Headrush Question
Date: Mon, 25 Oct 1999 09:19:12 -0500
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Bill,

Let me know if you find a replacement switch at RS. I have
a HR and would like to replace my siwtches as well !!

Thanks
Gary

> ----------
> From: 	Hawkeye255@aol.com[SMTP:Hawkeye255@aol.com]
> Reply To: 	Loopers-Delight@annihilist.com
> Sent: 	Friday, October 22, 1999 4:14 PM
> To: 	Loopers-Delight@annihilist.com
> Subject: 	Re: Introduction & Headrush Question
> 
> << As sort of a followup to my question about muffling the noise of these
> big 
> clunky switches (EH stuff, too), does anyone know of a quieter alternative
> 
> that can be swapped in without too much modification? >>
> 
> I'll go to Radio Shack tomorrow and see if they have something that might 
> work.  Should be simple really.  I'm only bothered by the switches when
> using 
> a mic.  Then I get synced 'clicks'.  Hasn't bothered me too much, but we
> all 
> do things differently...
> 
> 
> Bill "Hawkeye"
> 

From Loopers-Delight-request@annihilist.com  Mon Oct 25 11:32:48 1999
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Date: Mon, 25 Oct 1999 08:02:39 -0700 (PDT)
From: M T <ylpunk@yahoo.com>
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Subject: guitar strings
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Hey -

I recently switched to 10's from 11's 'cause my wrist was bothering me (it's
getting better, I think - thanks again to all who responded).  In the week or 2
since I switched though, I've broken strings twice.  I NEVER broke 11's and I'm
not really playing that hard.  My feeling is that D'Addario 10's are really
cheap, since that's what most people play, and they take a bit more care with
the 11's (or a bit less with the 10's).  I broke a D string on the 10's!

Any thoughts on this?  Anyone have better strings to recommend, or am I going
to end up back with 11's again?

Thanks,

MT
__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Mon Oct 25 12:00:44 1999
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Date: Mon, 25 Oct 1999 10:10:05 -0500
Subject: Re: MIDI looper?
From: "Travis Hartnett" <hartne.t@apple.com>
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I guess I should clarify--what I want is a MIDI sequencer that emulates a 
long digital delay, in that repeats can be set to decrease in volume.

TH

----------
>From: "Don \"Mango\" Pancoe" <pancoe@netaxs.com>
>To: Loopers-Delight@annihilist.com
>Subject: Re: MIDI looper?
>Date: Mon, Oct 25, 1999, 8:30 AM
>

>
> Travis Hartnett wrote:
>> Is there sequencing software (or better, a standalone sequencer) which can
>> act as a looper, except for MIDI events instead of audio?
>
> I have an old Alesis MMT8 that would be good for this. Its in the same
> slant-front case as the now-venerable Alesis drum machines of the same era
> (HR-16 I think.)
>
> The unit is set up to have eight "tracks," with each track having a button
> on the front panel. The machine also has a loop mode where all eight tracks
> just keep looping (they all have to be the same length though.) So you could
> have eight MIDI loops running, and use the front panel buttons to select or
> mute tracks accordingly.
>
> And the best part, they aren't too hard to find, and they sell used for
> about $150.
>
> -- Mango --
> 

From Loopers-Delight-request@annihilist.com  Mon Oct 25 12:00:18 1999
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Subject: FS: Digitech PDS 8000 (8 second pedal delay, Harmony Central)
From: "Travis Hartnett" <hartne.t@apple.com>
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Digitech PDS 8000 "Echo Plus"

Asking Price: US$200
Condition: Good
Age: N/A
Description:

       Up to 8 seconds of delay with infinite repeat. This is the same pedal
used by Bill frisell. Works great. Missing battery cover. Will consider
trading for a
       Lexicon Pedalman with 32 second upgrade, or a Hughes & Kettener Tube
Rotosphere. Call me at home at (513)651-5128.

Seller: Jack Broad, (513)651-5128
E-mail: jbroad@ibm.net (Profile)
Location: CINCINNATI, OH
Post Date: 10/23/99

From Loopers-Delight-request@annihilist.com  Mon Oct 25 12:05:41 1999
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Message-ID: <7BAC931E644ED211A90C00805F65CB640282D7B1@georgia.exchange.indiana.edu>
From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: RE: Foot controller
Date: Mon, 25 Oct 1999 10:15:50 -0500
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Hi,

	Hey, the midimitgator, that's what I use. It's really great. I love
it. What happened to lake butler the makers of the rfc-1? Did they go under.
They also made a nother pedal that had 4 ev pedals, no?


Denis

denis taaffe
denis_aliengtr@geocities.com
http://www.dtgutiar.com


check out a Midi-Mitigator RFC-1..

From Loopers-Delight-request@annihilist.com  Mon Oct 25 12:18:29 1999
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spat@visi.com wrote:
> 
> Cornhilio2 wrote:
> >DO NOT TRY TO MAKE A DEAL WITH JASKIN00@AOL.COM HE TELLS YOU HE SENDS THINGS
> >THEN CALL A LAWYER WHEN HE THINKS YOU BACKED OUT ON A DEAL JUST LETTING YOU
> >PEOPLE KNOW TO STAY AWAY FROM HIM PLEASE PASS THIS ON TO AS MANY PEOPLE AS
> >YOU CAN
> 
>     YES I KNOW HE BORROW MY PEAVEY T-30 AND NEVER GIVE IT BACK
> 
> STEVE

HE MEAN TOO HE BEAT HIS DOG ON CHRISTMAS AND NEVER REWINDED THE TAPE
FROM BLOCKBUSTER HE HAS THE KOODIES

From Loopers-Delight-request@annihilist.com  Mon Oct 25 12:45:05 1999
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Subject: RE: guitar strings
Date: Mon, 25 Oct 1999 09:14:22 -0700
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I have been playing .14's for the last couple years. I cannot recommend
using heavier strings strong enough. I intend to move up as my hands get
stronger. Then I will start raising the action.
Tone for days, Loopers.

	Micah 
	


> -----Original Message-----
> From:	M T [SMTP:ylpunk@yahoo.com]
> Sent:	Monday, October 25, 1999 8:03 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	guitar strings
> 
> 
> Hey -
> 
> I recently switched to 10's from 11's 'cause my wrist was bothering me
> (it's
> getting better, I think - thanks again to all who responded).  In the week
> or 2
> since I switched though, I've broken strings twice.  I NEVER broke 11's
> and I'm
> not really playing that hard.  My feeling is that D'Addario 10's are
> really
> cheap, since that's what most people play, and they take a bit more care
> with
> the 11's (or a bit less with the 10's).  I broke a D string on the 10's!
> 
> Any thoughts on this?  Anyone have better strings to recommend, or am I
> going
> to end up back with 11's again?
> 
> Thanks,
> 
> MT
> __________________________________________________
> Do You Yahoo!?
> Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Mon Oct 25 12:59:10 1999
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: vibrato tremolo (off-topic)
Date: Mon, 25 Oct 1999 12:33:23 -0400
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> Some pedals (e.g. Rocktron's Purple Haze) have both distortion and
> phase-shifting circuitry, which can modulate kind of like a vibrato, but
> they're not.
> And they're not calling it a tremolo, either.
> 
	** i was under the impression that this was a fuzz with both lower
and higher octaves, no way affiliated with trem or vibrato.


> Then there are the Lovetone Doppelganger, the Uni-Vibe, the RotoVibe, and
> so forth... Leslies, even, taking advantage of the Doppler effect. But
> none
> of these say "tremolo" on 'em. 
> 
	** the doppelganger is a dual oscillator phase shifter which can do
some vibrato stuff. lovetone also made the wobulator which was their
dual-oscillator trem.

	other uni-vibe clones would be the prescription electronics vibe
unit, and the fulltone deja vibe (both version 1 and 2). most of these will
say that they're chorus/vibrato pedals, not trem (and they do vibrato, not
trem). fulltone makes a trem (supa-trem) which is really good, presc. elec.
makes the throb (also pretty cool).

	stig

From Loopers-Delight-request@annihilist.com  Mon Oct 25 13:01:40 1999
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From: MyWarNerve@aol.com
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Date: Mon, 25 Oct 1999 12:32:17 EDT
Subject: Re: Mesa Boogie Mark amps
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you cant put a high enough price on weight:)

From Loopers-Delight-request@annihilist.com  Mon Oct 25 13:03:47 1999
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Date: Mon, 25 Oct 1999 12:36:17 -0400
Subject: strings
From: "klowy@wrinklemuzik" <klowy@wrinklemuzik.com>
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i've been using elixir strings for a while (10's) and have yet to break a
string. they're expensive, but i think they last longer and are definitely
stronger. also use them on my acoustic guitars (10's again) and they really
hold up (both 6 & 1q2 string guitars). and i use some odd tunings.



klowy



"ignorance of your own culture is not considered cool"

the residents

From Loopers-Delight-request@annihilist.com  Mon Oct 25 13:04:03 1999
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From: "L Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: MIDI looper?
Date: Mon, 25 Oct 1999 12:49:53 -0400
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Have you checked out the Akai MIDI delay?

- Larry
-----Original Message-----
From: Travis Hartnett <hartne.t@apple.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, October 25, 1999 12:09 PM
Subject: Re: MIDI looper?


>I guess I should clarify--what I want is a MIDI sequencer that emulates a
>long digital delay, in that repeats can be set to decrease in volume.
>
>TH
>
>----------
>>From: "Don \"Mango\" Pancoe" <pancoe@netaxs.com>
>>To: Loopers-Delight@annihilist.com
>>Subject: Re: MIDI looper?
>>Date: Mon, Oct 25, 1999, 8:30 AM
>>
>
>>
>> Travis Hartnett wrote:
>>> Is there sequencing software (or better, a standalone sequencer) which
can
>>> act as a looper, except for MIDI events instead of audio?
>>
>> I have an old Alesis MMT8 that would be good for this. Its in the same
>> slant-front case as the now-venerable Alesis drum machines of the same
era
>> (HR-16 I think.)
>>
>> The unit is set up to have eight "tracks," with each track having a
button
>> on the front panel. The machine also has a loop mode where all eight
tracks
>> just keep looping (they all have to be the same length though.) So you
could
>> have eight MIDI loops running, and use the front panel buttons to select
or
>> mute tracks accordingly.
>>
>> And the best part, they aren't too hard to find, and they sell used for
>> about $150.
>>
>> -- Mango --
>>
>
>

From Loopers-Delight-request@annihilist.com  Mon Oct 25 13:07:42 1999
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Subject: FS: Digitech RDS 8000 8-sec Delay
Date: Mon, 25 Oct 1999 12:53:40 -0400
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**** DO NOT EMAIL ME *****

Digitech RDS 8000 8-sec Delay : $200 + shipping

Good condition. Contact Howelin@aol.com

- Larry

From Loopers-Delight-request@annihilist.com  Mon Oct 25 13:05:36 1999
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Date: Mon, 25 Oct 1999 09:39:47 -0700 (PDT)
From: James Pearce <jamesrp@statenet.com>
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can we get any more chro-mag with this thread?

On Mon, 25 Oct 1999, Jim Poppen wrote:

|spat@visi.com wrote:
|> 
|> Cornhilio2 wrote:
|> >DO NOT TRY TO MAKE A DEAL WITH JASKIN00@AOL.COM HE TELLS YOU HE SENDS THINGS
|> >THEN CALL A LAWYER WHEN HE THINKS YOU BACKED OUT ON A DEAL JUST LETTING YOU
|> >PEOPLE KNOW TO STAY AWAY FROM HIM PLEASE PASS THIS ON TO AS MANY PEOPLE AS
|> >YOU CAN
|> 
|>     YES I KNOW HE BORROW MY PEAVEY T-30 AND NEVER GIVE IT BACK
|> 
|> STEVE
|
|HE MEAN TOO HE BEAT HIS DOG ON CHRISTMAS AND NEVER REWINDED THE TAPE
|FROM BLOCKBUSTER HE HAS THE KOODIES
|
|

   _______________________________________________________________________
						    	   James R. Pearce
						      jamesrp@statenet.com

From Loopers-Delight-request@annihilist.com  Mon Oct 25 13:26:13 1999
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Message-ID: <003601bf1f0a$e4619e40$1216a5ce@stepheng>
Reply-To: "Stephen Goodman" <sgoodman@earthlight.net>
From: "Stephen Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
References: <l03110700b439fed58ecc@[38.32.74.251]>
Subject: Don Preston Live!
Date: Mon, 25 Oct 1999 10:03:35 -0700
Organization: EarthLight Productions
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This note passed to me just now!

Don Preston of our beloved Mothers of Invention is performing October 27th
and 28th (this Wed. and Thurs.) at the

DOWNTOWN PLAYHOUSE
121 S. VIGNES
LA, between 1st and 2nd streets
8 pm.

Oct. 27th it's with ART JARVINEN on METAL PERCUSSION and KEN ROSSER on
ALTERED GUITAR.
On the 28th it's with BUNK GARDNER - woodwinds "THE DON AND BUNK SHOW"
..lots of Zappa material.

Don and Bunk played together at Lumpy Gravy some time ago, with my pals the
Oil Junkys.  What fun!  If I can secure a ride or have a newer car by that
time I'm going, that's fer damn sure.

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html
*
(Hear the NEW "Star Spangled Banner" here!)

From Loopers-Delight-request@annihilist.com  Mon Oct 25 14:19:58 1999
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Date: Mon, 25 Oct 1999 13:58:30 -0400 (EDT)
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On Mon, 25 Oct 1999, Jim Poppen wrote:

> spat@visi.com wrote:
> > 
> > Cornhilio2 wrote:
> > >DO NOT TRY TO MAKE A DEAL WITH JASKIN00@AOL.COM HE TELLS YOU HE SENDS THINGS
> > >THEN CALL A LAWYER WHEN HE THINKS YOU BACKED OUT ON A DEAL JUST LETTING YOU
> > >PEOPLE KNOW TO STAY AWAY FROM HIM PLEASE PASS THIS ON TO AS MANY PEOPLE AS
> > >YOU CAN
> > 
> >     YES I KNOW HE BORROW MY PEAVEY T-30 AND NEVER GIVE IT BACK
> > 
> > STEVE
> 
> HE MEAN TOO HE BEAT HIS DOG ON CHRISTMAS AND NEVER REWINDED THE TAPE
> FROM BLOCKBUSTER HE HAS THE KOODIES

Are these lyrics from the new Yes album?

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/


From Loopers-Delight-request@annihilist.com  Mon Oct 25 14:17:21 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: guitar strings
Date: Mon, 25 Oct 1999 13:30:35 -0400
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Jazz gauges and wound Gs are a must. I've been using 14s for high E
for years, too! BE CAREFUL: some necks cannot withstand the extra
tension requirements. Check first, unless you want to snap you
favorite guitar's neck. (Use heavy cheapo guitars! THE BEST)

FYI -for anyone familiar with Sonic Youth, they ALWAYS use heavy gauge
strings. That's how they get those powerful overtones and extremely
clear tone.

- Larry

-----Original Message-----
From: bedwellm@wellsfargo.com <bedwellm@wellsfargo.com>
To: m1cha3l@earthlink.net <m1cha3l@earthlink.net>;
Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, October 25, 1999 1:00 PM
Subject: RE: guitar strings


>I have been playing .14's for the last couple years. I cannot recommend
>using heavier strings strong enough. I intend to move up as my hands get
>stronger. Then I will start raising the action.
>Tone for days, Loopers.
>
> Micah
>
>
>
>> -----Original Message-----
>> From: M T [SMTP:ylpunk@yahoo.com]
>> Sent: Monday, October 25, 1999 8:03 AM
>> To: Loopers-Delight@annihilist.com
>> Subject: guitar strings
>>
>>
>> Hey -
>>
>> I recently switched to 10's from 11's 'cause my wrist was bothering me
>> (it's
>> getting better, I think - thanks again to all who responded).  In the
week
>> or 2
>> since I switched though, I've broken strings twice.  I NEVER broke 11's
>> and I'm
>> not really playing that hard.  My feeling is that D'Addario 10's are
>> really
>> cheap, since that's what most people play, and they take a bit more care
>> with
>> the 11's (or a bit less with the 10's).  I broke a D string on the 10's!
>>
>> Any thoughts on this?  Anyone have better strings to recommend, or am I
>> going
>> to end up back with 11's again?
>>
>> Thanks,
>>
>> MT
>> __________________________________________________
>> Do You Yahoo!?
>> Bid and sell for free at http://auctions.yahoo.com
>
>

From Loopers-Delight-request@annihilist.com  Mon Oct 25 14:57:24 1999
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Message-ID: <003701bf1f16$45d82d00$becf08cf@donaldpancoe>
From: "Don \"Mango\" Pancoe" <pancoe@netaxs.com>
To: <Loopers-Delight@annihilist.com>
References: <199910251510.IAA16467@scv1.apple.com>
Subject: Re: MIDI looper?
Date: Mon, 25 Oct 1999 14:25:04 -0400
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Travis Hartnett:
> I guess I should clarify--what I want is a MIDI sequencer that emulates a
> long digital delay, in that repeats can be set to decrease in volume.

Hmmm, if you are PC-enabled (and I don't mean politically correct) you might
want to check out...

http://midiworld.com/AuReality/software/building_blocks/index.htm

-- Mango --

From Loopers-Delight-request@annihilist.com  Mon Oct 25 15:24:33 1999
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>,
        ylpunk@yahoo.com
Subject: RE: strings
Date: Mon, 25 Oct 1999 13:35:53 -0500
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Hello,

	Yes, Elixir strings are great. I used to have to change a set of
strings after 3- days. Now I can keep elixir's on for about 2 weeks and you
get a real smooth sound with them. In fact, after switching to them I
eventually got an endorsement with them.

Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtgutiar.com


-----Original Message-----
From: klowy@wrinklemuzik [mailto:klowy@wrinklemuzik.com]
Sent: Monday, October 25, 1999 11:36 AM
To: Loopers-Delight@annihilist.com; ylpunk@yahoo.com
Subject: strings


i've been using elixir strings for a while (10's) and have yet to break a
string. they're expensive, but i think they last longer and are definitely
stronger. also use them on my acoustic guitars (10's again) and they really
hold up (both 6 & 1q2 string guitars). and i use some odd tunings.



klowy



"ignorance of your own culture is not considered cool"

the residents

From Loopers-Delight-request@annihilist.com  Mon Oct 25 15:34:19 1999
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From: bedwellm@WellsFargo.COM
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To: Loopers-Delight@annihilist.com
Subject: RE: guitar strings
Date: Mon, 25 Oct 1999 11:50:30 -0700
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Yeah, I had my guitar shop (Subway Guitars in Berkeley, CA.) do the work.
Intonation is great, and the neck is still intact.

	Micah Bedwell
	Technical Analyst, Level 3
	Private Client Services

	Pager: 800.800.9456
	Office: 415.222.3686


> -----Original Message-----
> From:	L Tremblay [SMTP:ltct@concentric.net]
> Sent:	Monday, October 25, 1999 10:31 AM
> To:	Loopers-Delight@annihilist.com; m1cha3l@earthlink.net
> Subject:	Re: guitar strings
> 
> Jazz gauges and wound Gs are a must. I've been using 14s for high E
> for years, too! BE CAREFUL: some necks cannot withstand the extra
> tension requirements. Check first, unless you want to snap you
> favorite guitar's neck. (Use heavy cheapo guitars! THE BEST)
> 
> FYI -for anyone familiar with Sonic Youth, they ALWAYS use heavy gauge
> strings. That's how they get those powerful overtones and extremely
> clear tone.
> 
> - Larry
> 
> -----Original Message-----
> From: bedwellm@wellsfargo.com <bedwellm@wellsfargo.com>
> To: m1cha3l@earthlink.net <m1cha3l@earthlink.net>;
> Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Monday, October 25, 1999 1:00 PM
> Subject: RE: guitar strings
> 
> 
> >I have been playing .14's for the last couple years. I cannot recommend
> >using heavier strings strong enough. I intend to move up as my hands get
> >stronger. Then I will start raising the action.
> >Tone for days, Loopers.
> >
> > Micah
> >
> >
> >
> >> -----Original Message-----
> >> From: M T [SMTP:ylpunk@yahoo.com]
> >> Sent: Monday, October 25, 1999 8:03 AM
> >> To: Loopers-Delight@annihilist.com
> >> Subject: guitar strings
> >>
> >>
> >> Hey -
> >>
> >> I recently switched to 10's from 11's 'cause my wrist was bothering me
> >> (it's
> >> getting better, I think - thanks again to all who responded).  In the
> week
> >> or 2
> >> since I switched though, I've broken strings twice.  I NEVER broke 11's
> >> and I'm
> >> not really playing that hard.  My feeling is that D'Addario 10's are
> >> really
> >> cheap, since that's what most people play, and they take a bit more
> care
> >> with
> >> the 11's (or a bit less with the 10's).  I broke a D string on the
> 10's!
> >>
> >> Any thoughts on this?  Anyone have better strings to recommend, or am I
> >> going
> >> to end up back with 11's again?
> >>
> >> Thanks,
> >>
> >> MT
> >> __________________________________________________
> >> Do You Yahoo!?
> >> Bid and sell for free at http://auctions.yahoo.com
> >
> >

From Loopers-Delight-request@annihilist.com  Mon Oct 25 15:45:45 1999
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Subject: Re: MIDI looper?
From: "Travis Hartnett" <hartne.t@apple.com>
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No.  Anyone who can point me to a discussion of its features would be most
welcome.


TH

----------
>From: L Tremblay <ltct@concentric.net>
>To: Loopers-Delight@annihilist.com
>Subject: Re: MIDI looper?
>Date: Mon, Oct 25, 1999, 11:49 AM
>

> Have you checked out the Akai MIDI delay?
>
> - Larry
> -----Original Message-----
> From: Travis Hartnett <hartne.t@apple.com>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Monday, October 25, 1999 12:09 PM
> Subject: Re: MIDI looper?
>
>
>>I guess I should clarify--what I want is a MIDI sequencer that emulates a
>>long digital delay, in that repeats can be set to decrease in volume.
>>
>>TH
>>
>>----------
>>>From: "Don \"Mango\" Pancoe" <pancoe@netaxs.com>
>>>To: Loopers-Delight@annihilist.com
>>>Subject: Re: MIDI looper?
>>>Date: Mon, Oct 25, 1999, 8:30 AM
>>>
>>
>>>
>>> Travis Hartnett wrote:
>>>> Is there sequencing software (or better, a standalone sequencer) which
> can
>>>> act as a looper, except for MIDI events instead of audio?
>>>
>>> I have an old Alesis MMT8 that would be good for this. Its in the same
>>> slant-front case as the now-venerable Alesis drum machines of the same
> era
>>> (HR-16 I think.)
>>>
>>> The unit is set up to have eight "tracks," with each track having a
> button
>>> on the front panel. The machine also has a loop mode where all eight
> tracks
>>> just keep looping (they all have to be the same length though.) So you
> could
>>> have eight MIDI loops running, and use the front panel buttons to select
> or
>>> mute tracks accordingly.
>>>
>>> And the best part, they aren't too hard to find, and they sell used for
>>> about $150.
>>>
>>> -- Mango --
>>>
>>
>>
> 

From Loopers-Delight-request@annihilist.com  Mon Oct 25 16:50:13 1999
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Hi all,

    I'm a guitar/banjo/madolin player who's trying to get better putting
scales over chord progressions.I tried using a tape, but can't get
enough on a tape to get any benefit from practice.  I start run out of
recording and rewind.   I've looked at a couple of effects processors,
but they only have 1-3 seconds of loop.  Obviously, I need more. How
much I don't know? What should I be looking for? Is software a cost
effective option? Good new/used equipment to look at?

    I know nothing about what is on the market at his time. I really
don't care about any effects; just clean, easy pedal operation looping.
Any information/helpful hints/websites would be extremely helpful.

Thanks,

Thor Steffen


From Loopers-Delight-request@annihilist.com  Mon Oct 25 17:07:14 1999
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the akai mpc2000 can do this - set it in record mode, define the loop
length, tempo and signature and away you go. you could even play along
with other tracks in parallel.

Better yet: use midi commands in your sequence to control your jamman or
edp - this latter approach is great for playing "composed" songs. for
example, you could have the looper start recording at bar 5 and stop at
bar 9 and then, at say bar 13, record overdubs etc. 

there is a lot you can do ...

... and you probably knew all this. 

i'm sure this is also possible with the yamaha su700 or the ensoniq
asr-x etc.

btw, now's the time to get an "old" (already out of production after two
years) mpc2000. all sorts of silly people are selling them now that the
modestly "improved" mpc2000xl has been brought out.

rob


Tiktok World HQ schrieb:
> 
> 
> Is there sequencing software (or better, a standalone sequencer) which can
> act as a looper, except for MIDI events instead of audio?
> 
> Travis Hartnett


From Loopers-Delight-request@annihilist.com  Mon Oct 25 17:15:50 1999
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From: Kriist@aol.com
Message-ID: <0.585ac410.254613fa@aol.com>
Date: Mon, 25 Oct 1999 16:13:46 EDT
Subject: ELIXER   Re: strings
To: Loopers-Delight@annihilist.com
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my friend swears by elixers , particularly on his fretless bass(what i play 
in his band)and on his acoustics
ive putting together a metal fretboard fretless guitar, and am seriously 
considering elixers for it(since ive fallen in love with them on fretless 
bass)
my question:
are they as bright as regular strings?(the wound ones that is)
my friend loves them on bass because their "smoother"
as in, not as bright

rodrigo

In a message dated 10/25/99 1:03:12 PM Eastern Daylight Time, 
klowy@wrinklemuzik.com writes:

<< i've been using elixir strings for a while (10's) and have yet to break a
 string. they're expensive, but i think they last longer and are definitely
 stronger. also use them on my acoustic guitars (10's again) and they really
 hold up (both 6 & 1q2 string guitars). and i use some odd tunings.
  >>

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From Loopers-Delight-request@annihilist.com  Mon Oct 25 18:22:31 1999
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
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Subject: RE: I want a loop machine
Date: Mon, 25 Oct 1999 16:39:00 -0500
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Hello,

	Of course, the boomerang is an option. This helped my playing a
great deal, simple to use, looping on the fly.

Denis

Denis taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com


- Obviously, I need more. How
much I don't know? What should I be looking for? Is software a cost
effective option? Good new/used equipment to look at?

    ; just clean, easy pedal operation looping.
Any information/helpful hints/websites would be extremely helpful.

Thanks,

Thor Steffen

From Loopers-Delight-request@annihilist.com  Mon Oct 25 18:22:25 1999
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Date: Mon, 25 Oct 1999 16:59:53 -0500
From: "Mikell D.Nelson" <mnelson@dmans.com>
Organization: Boomerang Musical Products
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Hi,
    Just a gear post, so it's distantly related to looping. I have just
put a Lexicon LXP-1 and LXP-5 on eBay. Also a nifty little Bedrock tube
amp. Thanks.

--
Mike Nelson


From Loopers-Delight-request@annihilist.com  Mon Oct 25 18:49:06 1999
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From: Dlangenes@aol.com
Message-ID: <0.9d49c097.25462db4@aol.com>
Date: Mon, 25 Oct 1999 18:03:32 EDT
Subject: Re: Mesa Boogie Mark amps
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Thanks all for the comments. I've been using a 20 watt Subway Blues for most 
of a year and am pretty happy with my tone but am just looking for something 
for louder, outside shows but without having to lug around a huge cabinet. 
Sounds like the Mark series are what I'm looking for.

Any wisdom about Rivera combos? 

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I've got a Boogie .50 caliber head and it's the lightest amp I've ever 
owned. Still don't like it though : )
Martin Shellard


----------
>From: PJBMHB@aol.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Mesa Boogie Mark amps
>Date: Mon, Oct 25, 1999, 11:03 am
>

> what about the intense weight and high prices? those are the qualities that
> come to my mind when i think of mesa boogie. =-) PJ

From Loopers-Delight-request@annihilist.com  Mon Oct 25 20:04:52 1999
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Date: Mon, 25 Oct 1999 16:31:51 -0700
From: "Mike Biffle" <mbiffle@svg.com>
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Subject: FS: DOD DFX 94 four second delay...
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Just another gear post... This one does loop! DFX 94... $95.00 plus shipping.

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

From Loopers-Delight-request@annihilist.com  Mon Oct 25 20:04:50 1999
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Date: Mon, 25 Oct 1999 18:56:36 -0500
From: "Mikell D.Nelson" <mnelson@dmans.com>
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    Riveras? I don't like them; they seem to have a sterile quality to them. But
then I don't like most Mesa Boogies or Marshalls. I use a VHT Pittbull 45 combo
with 1 12" in a wide cabinet, and it sounds better than any amp I've ever heard.
It's very versatile and plenty loud. It is heavy, though. I was considering
getting their 2 12" close backed cabinet and a head to divide the load. They
offer a wide variety of combos and head/cabinet arrangements. Call Steve Fryette
at 805-376-9899. Tell him Mike at Boomerang sent you.


Dlangenes@aol.com wrote:

> Thanks all for the comments. I've been using a 20 watt Subway Blues for most
> of a year and am pretty happy with my tone but am just looking for something
> for louder, outside shows but without having to lug around a huge cabinet.
> Sounds like the Mark series are what I'm looking for.
>
> Any wisdom about Rivera combos?

From Loopers-Delight-request@annihilist.com  Mon Oct 25 20:44:12 1999
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From: "Christopher White" <magicicada@mindspring.com>
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HE STOLE MY MEAT AND TOOK MY FIRE
----------
>From: James Pearce <jamesrp@statenet.com>
>To: Loopers-Delight@annihilist.com
>Subject: Re: "WARNING" jASKIN00
>Date: Mon, Oct 25, 1999, 12:39 PM
>

>can we get any more chro-mag with this thread?
>
>On Mon, 25 Oct 1999, Jim Poppen wrote:
>
>|spat@visi.com wrote:
>|> 
>|> Cornhilio2 wrote:
>|> >DO NOT TRY TO MAKE A DEAL WITH JASKIN00@AOL.COM HE TELLS YOU HE SENDS THINGS
>|> >THEN CALL A LAWYER WHEN HE THINKS YOU BACKED OUT ON A DEAL JUST LETTING YOU
>|> >PEOPLE KNOW TO STAY AWAY FROM HIM PLEASE PASS THIS ON TO AS MANY PEOPLE AS
>|> >YOU CAN
>|> 
>|>     YES I KNOW HE BORROW MY PEAVEY T-30 AND NEVER GIVE IT BACK
>|> 
>|> STEVE
>|
>|HE MEAN TOO HE BEAT HIS DOG ON CHRISTMAS AND NEVER REWINDED THE TAPE
>|FROM BLOCKBUSTER HE HAS THE KOODIES
>|
>|
>
>   _______________________________________________________________________
>              James R. Pearce
>            jamesrp@statenet.com
>

From Loopers-Delight-request@annihilist.com  Mon Oct 25 20:47:06 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: DOD DFX 94 four second delay...
Date: Mon, 25 Oct 1999 20:24:19 -0400
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How well does it work? I gotta ask - someone sold me a broken RDS4000
once. Live and learn (and distrust).

Thanks,

Larry
-----Original Message-----
From: Mike Biffle <mbiffle@svg.com>
To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
Date: Monday, October 25, 1999 8:08 PM
Subject: FS: DOD DFX 94 four second delay...


>Just another gear post... This one does loop! DFX 94... $95.00 plus
shipping.
>
>Miko Biffle      "Running scared from all the usual distractions..."
>mbiffle@svg.com
>
>

From Loopers-Delight-request@annihilist.com  Mon Oct 25 21:13:34 1999
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From: "Michael Davis" <davis.michael.c@worldnet.att.net>
To: <Loopers-Delight@annihilist.com>
References: <2.2.32.19991022124920.007025fc@mail.dada.it>
Subject: Re: Two looping questions from a neophyte
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here is a URL for Indian beat boxes and other cool stuff
http://www.indiansources.com/electronics/html/repl33r1.htm


Michael C Davis


----- Original Message ----- 
From: leocavallo <cavallo@dada.it>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, October 22, 1999 5:49 AM
Subject: Re: Two looping questions from a neophyte


> ?????? riyazmaster pro tabla machine???????
> 
> what the **** is this thang? :)
> 
> ciao
> leo
> 
> 
> 

From Loopers-Delight-request@annihilist.com  Mon Oct 25 22:11:16 1999
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From: "nicholas konopka" <perihelion.1@excite.com>
To: Loopers-Delight@annihilist.com
Subject: ozric
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Is anyone familiar with the band Ozric Tentacles?
If so, my question is..
What is the equipment that the synth player (Seaweed) plays?
The synths and looping devices...
Nick..




________________________________________________________________
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From Loopers-Delight-request@annihilist.com  Mon Oct 25 22:37:04 1999
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He asked me in to do a mural on his wall of the hunt, and then he kicked me
out on the pretext that I'd put ferocious animals in his cave, forcing him
and his family to search for another place to live.  Now they've dragged
this into the tribe meeting, all the time trailed by this chattering monkey
wearing a bow tie...

Judge Ugh, presiding...

> >From: James Pearce <jamesrp@statenet.com>
> >To: Loopers-Delight@annihilist.com
> >Subject: Re: "WARNING" jASKIN00
> >Date: Mon, Oct 25, 1999, 12:39 PM
> >
>
> >can we get any more chro-mag with this thread?


From Loopers-Delight-request@annihilist.com  Mon Oct 25 23:06:30 1999
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From: Lcbois@aol.com
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Date: Mon, 25 Oct 1999 23:01:00 EDT
Subject: Re: Oberheim Echoplex
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hello 

i have a one year old echoplex to sell.  I've got an oberheim foot pedal to 
go with it.  I'm reluctant to part with it but... 

if you're interested, please reply.

thanks,

rob  

From Loopers-Delight-request@annihilist.com  Mon Oct 25 23:51:14 1999
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HE (stomp, stomp) OOT AND HE (click click click) GRRRR!!!!!

>
>HE STOLE MY MEAT AND TOOK MY FIRE
>----------

> >
>
> >can we get any more chro-mag with this thread?
> >
> >On Mon, 25 Oct 1999, Jim Poppen wrote:
> >
> >|spat@visi.com wrote:
> >|>
> >|> Cornhilio2 wrote:
> >|> >DO NOT TRY TO MAKE A DEAL WITH JASKIN00@AOL.COM HE TELLS YOU HE SENDS 
>THINGS
> >|> >THEN CALL A LAWYER WHEN HE THINKS YOU BACKED OUT ON A DEAL JUST 
>LETTING YOU
> >|> >PEOPLE KNOW TO STAY AWAY FROM HIM PLEASE PASS THIS ON TO AS MANY 
>PEOPLE AS
> >|> >YOU CAN
> >|>
> >|>     YES I KNOW HE BORROW MY PEAVEY T-30 AND NEVER GIVE IT BACK
> >|>
> >|> STEVE
> >|
> >|HE MEAN TOO HE BEAT HIS DOG ON CHRISTMAS AND NEVER REWINDED THE TAPE
> >|FROM BLOCKBUSTER HE HAS THE KOODIES
> >|
> >|
> >
> >   
>_______________________________________________________________________
> >              James R. Pearce
> >            jamesrp@statenet.com
> >
>
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Tue Oct 26 01:16:52 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
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Subject: RE: "WARNING" jASKIN00
Date: Mon, 25 Oct 1999 22:03:57 -0700
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HE STOLE MY MOJO THAT BASTARD!

  | -----Original Message-----
  | From: Christopher White [mailto:magicicada@mindspring.com]
  | Sent: Monday 25 October 1999 5:24 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: "WARNING" jASKIN00
  | 
  | 
  | HE STOLE MY MEAT AND TOOK MY FIRE
  | ----------
  | >From: James Pearce <jamesrp@statenet.com>
  | >To: Loopers-Delight@annihilist.com
  | >Subject: Re: "WARNING" jASKIN00
  | >Date: Mon, Oct 25, 1999, 12:39 PM
  | >
  | 
  | >can we get any more chro-mag with this thread?
  | >
  | >On Mon, 25 Oct 1999, Jim Poppen wrote:
  | >
  | >|spat@visi.com wrote:
  | >|> 
  | >|> Cornhilio2 wrote:
  | >|> >DO NOT TRY TO MAKE A DEAL WITH JASKIN00@AOL.COM HE TELLS 
  | YOU HE SENDS THINGS
  | >|> >THEN CALL A LAWYER WHEN HE THINKS YOU BACKED OUT ON A DEAL 
  | JUST LETTING YOU...

From Loopers-Delight-request@annihilist.com  Tue Oct 26 03:27:30 1999
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From: Matthias Grob <matthias@grob.org>
Subject: RE: RE: Foot controller
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>Hi,
>
>	Hey, the midimitgator, that's what I use. It's really great. I love
>it. What happened to lake butler the makers of the rfc-1? Did they go under.
>They also made a nother pedal that had 4 ev pedals, no?


Yep, I use the board of this one in my system for 10 years without any
trouble...



         ---> http://Matthias.Grob.org


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From: Matthias Grob <matthias@grob.org>
Subject: Re: Plex Upgrade ideas: Loose the box. (POLAR!)
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In May, David Caplivski had a dream (below). Did you someone else realize it?

>>Mark Sottilaro wrote:
>> >
>> > Here's a suggestion:
>> >
>> > Why not loose the box, guts and all?  If the wonder of the EDP is in the
>> > software, then let's do away with the silicon.  I've got a ton of it
>> > sitting in front of me right now.  I'd just love a software version of
>> > the Echoplex that I could run on a Macintosh.  Especially if it could
>> > sync to a MIDI sequencing program, such as Metro.
>> >
>> > Is this possible?
>>
>>Its probably possible
>>but then the loopers delight would be transformed in a bug report,
>>computer configuration hell , all the fatiguing background noize you
>>see/hear in every music software forum
>>
>>remember there is no bug in the EDP software v5 (there is one but I wont
>>tell !):-)
>>
>>Claude
>>

>Couldn't someone run a labtop (i.e. G3 powerbook) with running Digital
>Performer's P.O.L.A.R. software (performance orietated looping audio
>recording) fullly equiped with a recording gate and automatic loop playback
>functions and achieve more because of the computer's memory and other
>feature's. It's an expensive proposition but one I'm looking into because
>the idea of having a portable studio and synthesizer and looping brain is my
>holy grail right now.  The problem I foresee with POLAR's recording gate
>function is not so much start times but stop times.  But then again you
>could bypass this function and manually trigger start and stop times.
>
>
>_______________________________________________________________
>Get Free Email and Do More On The Web. Visit http://www.msn.com




         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Tue Oct 26 03:43:34 1999
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Oberheim Echoplex
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Rob:
>i have a one year old echoplex to sell.  I've got an oberheim foot pedal to
>go with it.  I'm reluctant to part with it but...
>
>if you're interested, please reply.


REALLY??
Please tell us how many offers you get... ;-)



         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Tue Oct 26 05:55:19 1999
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To: "Loopers delight" <loopers-delight@annihilist.com>
Subject: looking for a footcontroller like the PMC10 but reliable
Date: Tue, 26 Oct 1999 11:51:34 +0200
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This is a multi-part message in MIME format.

------=_NextPart_000_001A_01BF1FA8.7390CEE0
Content-Type: text/plain;
	charset="iso-8859-1"
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Has anybody had the chance to explore this new Phill Rees midi =
footcontroller?What are the pros and cons?=20



http://www.philrees.co.uk/

And a  question for the EDP users: Dou you also have problems with the =
EDP foot switch? i find it extremely sensitive especially the record =
button. Try it without shoes on and you=B4ll see what i mean!
=20

------=_NextPart_000_001A_01BF1FA8.7390CEE0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Has anybody had the chance to explore =
this new=20
Phill Rees midi footcontroller?What are the pros and cons?</FONT> </DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3DArial size=3D2><A=20
href=3D"http://www.philrees.co.uk/">http://www.philrees.co.uk/</A></FONT>=
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2><FONT face=3DArial =
size=3D2></FONT></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>And a  question for the EDP users: Dou =
you also=20
have problems with the EDP foot switch? i find it extremely sensitive =
especially=20
the record button. Try it without shoes on and you=B4ll see what i=20
mean!</FONT></DIV></FONT>&nbsp;</DIV></BODY></HTML>

------=_NextPart_000_001A_01BF1FA8.7390CEE0--

From Loopers-Delight-request@annihilist.com  Tue Oct 26 10:13:34 1999
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Date: Tue, 26 Oct 1999 10:02:49 -0400
To: Kriist@aol.com, Loopers-Delight@annihilist.com
From: kenn lowy <klowy@wrinklemuzik.com>
Subject: Re: ELIXER   Re: strings
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i use them on all my guitars (several electrics, and my 2 acoustics - 6 &
12 string) and they sound bright enough for me.

however, i really cannot recommend using really high gauge strings (14's as
several suggested), because they will rip your hands apart. everyone has to
find the right gauge that works for them. your tone is created by the way
you play, but (necessarily) by the gauge of string you use.

klowy



At 4:13 PM -0400 10/25/99, Kriist@aol.com wrote:
>my friend swears by elixers , particularly on his fretless bass(what i play
>in his band)and on his acoustics
>ive putting together a metal fretboard fretless guitar, and am seriously
>considering elixers for it(since ive fallen in love with them on fretless
>bass)
>my question:
>are they as bright as regular strings?(the wound ones that is)
>my friend loves them on bass because their "smoother"
>as in, not as bright
>
>rodrigo
>
>In a message dated 10/25/99 1:03:12 PM Eastern Daylight Time,
>klowy@wrinklemuzik.com writes:
>
><< i've been using elixir strings for a while (10's) and have yet to break a
> string. they're expensive, but i think they last longer and are definitely
> stronger. also use them on my acoustic guitars (10's again) and they really
> hold up (both 6 & 1q2 string guitars). and i use some odd tunings.
>  >>

From Loopers-Delight-request@annihilist.com  Tue Oct 26 10:41:16 1999
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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'thor@uofl.edu'" <thor@uofl.edu>, Loopers-Delight@annihilist.com
Subject: vortex for sale
Date: Tue, 26 Oct 1999 09:27:49 -0500
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Hello,

	I have a lexicon vortex for sale if anyone is interested. It's in
great condition with owner's manual,power supply and footswitch. ASking same
price I paid for it. $190.00 . It's cool, but won't fit in my rack. 

Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com

From Loopers-Delight-request@annihilist.com  Tue Oct 26 11:54:48 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: AKAI MIDI Delay Info (FA on eBay)
Date: Tue, 26 Oct 1999 11:37:08 -0400
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*** NOT Mine - DO NOT E-MAIL ME ***

AKAI ME10D MIDI Delay

Features:
- MIDI IN/OUT/THRU
- Digital Delay button with LED and Control knob. Adds delay between
  the moment you press a key in your MIDI keyboard and the moment
  the rack synth sounds.
- Dynamics knob. Changes the velocity of the MIDI signal (how hard you
  press the key).
- Octave Up/Norm/Down buttons with LEDs.
- Program Change button with LED. Turns Program Change On/Off.
- MIDI monitor LED. Blinks whenever a MIDI signal is received.
- Thru button with LED. Cancels everything without changing any
  settings though, so that you can switch back if you press this button
again.

*** NOT Mine - DO NOT E-MAIL ME ***

Larry

From Loopers-Delight-request@annihilist.com  Tue Oct 26 12:37:41 1999
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From: Todd Madson <crash@waste.org>
To: Loopers-Delight@annihilist.com
Subject: Elixir Strings
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I find them NOT as bright as regular strings, however, you can compensate
for this by judicious use eq on the high end of the guitar signal.

They do last a long time, though.  Almost absurdly so.  I once decided to
see how long I could keep them on a guitar and one set lasted around 9
months of 2-4 hour a day playing sessions.  Yes, they were real grungy and
dirty when I was done and they were pretty beat.  I know of no other
string where you could get away with this without the strings rusting.

Maybe Maxima gold strings, but those are alot more expensive.

-t



From Loopers-Delight-request@annihilist.com  Tue Oct 26 13:23:18 1999
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From: Hoover Alan <HooverA@tce.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Elixir Strings
Date: Tue, 26 Oct 1999 11:56:55 -0500
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I find them INITIALLY not as bright as "regular" strings.  Then, with
regular strings you quickly go through the "break-in period" where the
initial high brightness wears off and you begin a useful period of "normal"
string sound.  This period (2) starts off being "quite bright", then goes
through normal period, but eventually reaches a dullness and unwillingness
to tune which is not tolerable.  These periods are all dependent on how much
you sweat, instrument quality, etc.

With the Elixer strings, the initial brigtness is not quite as good as
regular strings.  However, there is this LONNNGG period where the Elixers
keep a brightness that is equal to regular strings when almost but not quite
new ("quite bright").  When the brightness of Elixers reaches regular string
brightness (normal period), you are tempted to throw them away, because you
have become spoiled by the long "quite bright" period!  This is the beauty
of these strings.  I haven't timed it, but I believe that they are actually
cheaper in the long run than regulars.  Now, I have this pile of bulk
strings that I will take forever to use because I am so spoiled! 

I use them on both acoustic and electric, and am equally impressed with
both.  (The Sustainiac loves them, too.  heh heh)

Alan

-----Original Message-----
From: Todd Madson [mailto:crash@waste.org]
Sent: Tuesday, October 26, 1999 11:27 AM
To: Loopers-Delight@annihilist.com
Subject: Elixir Strings


I find them NOT as bright as regular strings, however, you can compensate
for this by judicious use eq on the high end of the guitar signal.

From Loopers-Delight-request@annihilist.com  Tue Oct 26 13:44:38 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: Elixir Strings
Date: Tue, 26 Oct 1999 13:41:13 -0400
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Once they get all grubby, they last even longer is
you boil them to get the crap off. Re-string the 
guitar and presto! New strings (sorta).

- Larry

-----Original Message-----
From: Todd Madson <crash@waste.org>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, October 26, 1999 1:20 PM
Subject: Elixir Strings


>I find them NOT as bright as regular strings, however, you can compensate
>for this by judicious use eq on the high end of the guitar signal.
>
>They do last a long time, though.  Almost absurdly so.  I once decided to
>see how long I could keep them on a guitar and one set lasted around 9
>months of 2-4 hour a day playing sessions.  Yes, they were real grungy and
>dirty when I was done and they were pretty beat.  I know of no other
>string where you could get away with this without the strings rusting.
>
>Maybe Maxima gold strings, but those are alot more expensive.
>
>-t
>
>
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 26 14:16:38 1999
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Date: Tue, 26 Oct 1999 14:08:53 EDT
Subject: Re: OT:  Minidisc  vs.  DAT  for portable
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In a message dated 19/10/99 21:07:39 GMT Daylight Time, Echopark99@aol.com 
writes:

> Can anybody compare the mic pre-amps of their MD to those on the D7 or D8 
>  Sony DAT?
minidiscs:-
Sharp 702 = lousy mic-pre

Sony MZ-R35 =OK mic-pre with useful limiter (which can be bypassed)
to my ears it's the Atrac which limits the quality of this one , not the 
preamp.

DAT will give you better quality if cost (+media cost) no object.

but you might find the editing capabilities of MD very useful for your
purposes 

Andy Butler  

From Loopers-Delight-request@annihilist.com  Tue Oct 26 14:15:39 1999
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From: SoundFNR@aol.com
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Date: Tue, 26 Oct 1999 14:08:51 EDT
Subject: Re: Sound on Sound
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In a message dated 22/10/99 19:33:27 GMT Daylight Time, kevin@minds-eye.org 
writes:

> Does anyone know anything about a Teac AX10 Sound on Sound Stereo Echo
>  Effect?  I've found a reference to one of these pretty cheap and am
>  wondering if this is actually a tape echo or something else altogether.
>  I'm coming up blank on all other searches so the question goes to the list.
>  
>  Thanks for any help
>  
>  Kevin
I'd guess this a passive mixing box which gives you tape echo FX when used in 
conjunction with a reel to reel tape deck.  The AX20 (which I have) is a 
passive "mix-down panel" for a 4 track R to R.

Andy Butler  

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Date: Tue, 26 Oct 1999 10:46:30 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Elixir Strung-outs
In-reply-to: <Pine.LNX.3.96.991026112416.31301D-100000@waste.org>
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>strings,

blahblahblah

usually when I make some comment about off-topicness, I make a joke about
the guitar players boring the life out of everybody else by talking about
their strings. As you all can see though, this is a very real danger! We
must be ever vigilent. I don't know what it is about guitar players, for
some reason they are just oblivous to the fact that not everybody wants to
hear them 100% of the time. They do this in bands (you've heard the
jokes...) and they do it on mailing lists. You put a few of them together
and they start babbling about picks and tube amps and strings and tuning
pegs and whatever, completely ignoring the topic. You don't even get so
much as an apology or an "excuse me for being off topic"!

So as yet another reminder, this list is about looping. (hence the
name....). Let's try to veer back that way.  Many, many people here do not
play guitar, or are not interested in discussing it here. The thing that
everyone is commonly here to discuss is looping. Try to stick to that.
There are numerous places for guitar discussions, this is it for looping.
Let's try to keep the SNR a little higher.....

thanks,
kim



______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Oct 26 15:33:35 1999
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Date: Tue, 26 Oct 1999 15:34:53 -0400
Subject: Re: "WARNING" jASKIN00
From: "Joey" <stumbleine@macconnect.com>
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HE SAY HE LOVE ME FOREVER AND THEN HE TAKE ALL MY MONEY AND LEAVE ME FOR 
'NOTHER MAN!  WHAT I DO?

----------
>From: "Javier Miranda V." <gnominus@earthling.net>
>To: <Loopers-Delight@annihilist.com>
>Subject: RE: "WARNING" jASKIN00
>Date: Tue, Oct 26, 1999, 1:03 AM
>

> HE STOLE MY MOJO THAT BASTARD!
>
>   | -----Original Message-----
>   | From: Christopher White [mailto:magicicada@mindspring.com]
>   | Sent: Monday 25 October 1999 5:24 PM
>   | To: Loopers-Delight@annihilist.com
>   | Subject: Re: "WARNING" jASKIN00
>   |
>   |
>   | HE STOLE MY MEAT AND TOOK MY FIRE
>   | ----------
>   | >From: James Pearce <jamesrp@statenet.com>
>   | >To: Loopers-Delight@annihilist.com
>   | >Subject: Re: "WARNING" jASKIN00
>   | >Date: Mon, Oct 25, 1999, 12:39 PM
>   | >
>   |
>   | >can we get any more chro-mag with this thread?
>   | >
>   | >On Mon, 25 Oct 1999, Jim Poppen wrote:
>   | >
>   | >|spat@visi.com wrote:
>   | >|>
>   | >|> Cornhilio2 wrote:
>   | >|> >DO NOT TRY TO MAKE A DEAL WITH JASKIN00@AOL.COM HE TELLS
>   | YOU HE SENDS THINGS
>   | >|> >THEN CALL A LAWYER WHEN HE THINKS YOU BACKED OUT ON A DEAL
>   | JUST LETTING YOU...
> 

From Loopers-Delight-request@annihilist.com  Tue Oct 26 16:42:59 1999
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From: floyd@voicenet.com
Date: 26 Oct 1999 19:45:00 -0000
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To: Loopers-Delight@annihilist.com
Subject: (OT) Re: strings & looping
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Kim wrote:
> 
> So as yet another reminder, this list is about looping. (hence the
> name....). Let's try to veer back that way.  Many, many people here do not
> play guitar, or are not interested in discussing it here. The thing that
> everyone is commonly here to discuss is looping. Try to stick to that.
> There are numerous places for guitar discussions, this is it for looping.
> Let's try to keep the SNR a little higher.....

I like to put loops in the excess length of my strings so the ends don't
poke at me.

From Loopers-Delight-request@annihilist.com  Tue Oct 26 16:59:09 1999
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Date: Tue, 26 Oct 1999 13:38:07 -0700
From: lance glover <baumhaus@earthlink.net>
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Organization: treehouse
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Luis Angulo wrote:
...And a question for the EDP users: Dou you also have problems with the
EDP foot switch? i find it extremely sensitive especially the record
button. Try it without shoes on and youīll see what i mean...


hey, didn't we once cover the topic (slightly loop-related?) of to wear
or not (shoes, that is) while activating our varied electro-magnetic
appendages? i think there were some safety concerns w/ bare feet
(sensuous though they be)...


lance g.


ps the sensitivity is what i dig, 'course it did require some getting
used to...




From Loopers-Delight-request@annihilist.com  Tue Oct 26 16:59:12 1999
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From: Texture444@aol.com
Message-ID: <0.14d69680.25476a87@aol.com>
Date: Tue, 26 Oct 1999 16:35:19 EDT
Subject: in apologia, re:OT-itudes
To: Loopers-Delight@annihilist.com
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kf, et al:
sorry, if i helped further the OT-ness.
best,
dt

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From: "L Tremblay" <ltct@concentric.net>
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OK. Are *you* 15 friggin years old or something? Cut the crap!
If it was funny I wouldn't mind deleting them, but it's not.

Get it? Masterbate somewhere else.

- Larry
-----Original Message-----
From: Joey <stumbleine@macconnect.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, October 26, 1999 3:56 PM
Subject: Re: "WARNING" jASKIN00


>HE SAY HE LOVE ME FOREVER AND THEN HE TAKE ALL MY MONEY AND LEAVE ME FOR 
>'NOTHER MAN!  WHAT I DO?
>
>----------
>>From: "Javier Miranda V." <gnominus@earthling.net>
>>To: <Loopers-Delight@annihilist.com>
>>Subject: RE: "WARNING" jASKIN00
>>Date: Tue, Oct 26, 1999, 1:03 AM
>>
>
>> HE STOLE MY MOJO THAT BASTARD!
>>
>>   | -----Original Message-----
>>   | From: Christopher White [mailto:magicicada@mindspring.com]
>>   | Sent: Monday 25 October 1999 5:24 PM
>>   | To: Loopers-Delight@annihilist.com
>>   | Subject: Re: "WARNING" jASKIN00
>>   |
>>   |
>>   | HE STOLE MY MEAT AND TOOK MY FIRE
>>   | ----------
>>   | >From: James Pearce <jamesrp@statenet.com>
>>   | >To: Loopers-Delight@annihilist.com
>>   | >Subject: Re: "WARNING" jASKIN00
>>   | >Date: Mon, Oct 25, 1999, 12:39 PM
>>   | >
>>   |
>>   | >can we get any more chro-mag with this thread?
>>   | >
>>   | >On Mon, 25 Oct 1999, Jim Poppen wrote:
>>   | >
>>   | >|spat@visi.com wrote:
>>   | >|>
>>   | >|> Cornhilio2 wrote:
>>   | >|> >DO NOT TRY TO MAKE A DEAL WITH JASKIN00@AOL.COM HE TELLS
>>   | YOU HE SENDS THINGS
>>   | >|> >THEN CALL A LAWYER WHEN HE THINKS YOU BACKED OUT ON A DEAL
>>   | JUST LETTING YOU...
>> 
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 26 17:18:34 1999
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Subject: Re: Elixir Strung-outs
From: "Joey" <stumbleine@macconnect.com>
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All due respect Kim, there are subject lines for a reason.  You don't have
to read this if you so choose, and we are all entitled to use forums like
this however we want.  Granted, you are right in that it is slightly
annoying, and maybe even rude, but lighten up!  I see no problem with
someone discussing tone or gear; guitar or otherwise.

----------
>From: Kim Flint <kflint@annihilist.com>
>To: Loopers-Delight@annihilist.com
>Subject: Re: Elixir Strung-outs
>Date: Tue, Oct 26, 1999, 1:46 PM
>

>
>>strings,
>
> blahblahblah
>
> usually when I make some comment about off-topicness, I make a joke about
> the guitar players boring the life out of everybody else by talking about
> their strings. As you all can see though, this is a very real danger! We
> must be ever vigilent. I don't know what it is about guitar players, for
> some reason they are just oblivous to the fact that not everybody wants to
> hear them 100% of the time. They do this in bands (you've heard the
> jokes...) and they do it on mailing lists. You put a few of them together
> and they start babbling about picks and tube amps and strings and tuning
> pegs and whatever, completely ignoring the topic. You don't even get so
> much as an apology or an "excuse me for being off topic"!
>
> So as yet another reminder, this list is about looping. (hence the
> name....). Let's try to veer back that way.  Many, many people here do not
> play guitar, or are not interested in discussing it here. The thing that
> everyone is commonly here to discuss is looping. Try to stick to that.
> There are numerous places for guitar discussions, this is it for looping.
> Let's try to keep the SNR a little higher.....
>
> thanks,
> kim
>
>
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
>
> 

From Loopers-Delight-request@annihilist.com  Tue Oct 26 18:33:03 1999
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From: "Peter Shindler" <shindler@mediaone.net>
To: <Loopers-Delight@annihilist.com>
References: <v04003a0db43b01f6aa0f@[200.223.91.50]>
Subject: Re: Plex Upgrade ideas: Loose the box. (POLAR!)
Date: Tue, 26 Oct 1999 18:05:26 -0400
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Sounds like an idea that I can't get out of my head, ridiculous as it is.  I
envision a band consisting of 2 guitars (ideally Sticks or Warrs, but
whatever) equipped with synth pickups, and a drummer using a V-Drum kit.
Instead of each player having his own rack of effects, samplers, et  al...
EVERYONE's signal goes into one G3 Powerbook, which has all the sound
samples and looping software onboard, and then a simple controller for each
person to manipulate his own signal and loops.  Plus, since everyone's got
access to the same sounds, the drummer could use guitar/bass patches, and
vice versa.  For a bonus, you could even let a fourth person sit at the
computer and act as a DJ, controlling the loops and manipulating the sounds
in real-time while the other three play.

Is such a thing even technically possible?  And, if so, how much moolah
would all this crap cost?


Peter


----- Original Message -----
From: Matthias Grob <matthias@grob.org>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, October 26, 1999 3:28 AM
Subject: Re: Plex Upgrade ideas: Loose the box. (POLAR!)


> In May, David Caplivski had a dream (below). Did you someone else realize
it?
>
> >>Mark Sottilaro wrote:
> >> >
> >> > Here's a suggestion:
> >> >
> >> > Why not loose the box, guts and all?  If the wonder of the EDP is in
the
> >> > software, then let's do away with the silicon.  I've got a ton of it
> >> > sitting in front of me right now.  I'd just love a software version
of
> >> > the Echoplex that I could run on a Macintosh.  Especially if it could
> >> > sync to a MIDI sequencing program, such as Metro.
> >> >
> >> > Is this possible?
> >>
> >>Its probably possible
> >>but then the loopers delight would be transformed in a bug report,
> >>computer configuration hell , all the fatiguing background noize you
> >>see/hear in every music software forum
> >>
> >>remember there is no bug in the EDP software v5 (there is one but I wont
> >>tell !):-)
> >>
> >>Claude
> >>
>
> >Couldn't someone run a labtop (i.e. G3 powerbook) with running Digital
> >Performer's P.O.L.A.R. software (performance orietated looping audio
> >recording) fullly equiped with a recording gate and automatic loop
playback
> >functions and achieve more because of the computer's memory and other
> >feature's. It's an expensive proposition but one I'm looking into because
> >the idea of having a portable studio and synthesizer and looping brain is
my
> >holy grail right now.  The problem I foresee with POLAR's recording gate
> >function is not so much start times but stop times.  But then again you
> >could bypass this function and manually trigger start and stop times.
> >
> >
> >_______________________________________________________________
> >Get Free Email and Do More On The Web. Visit http://www.msn.com
>
>
>
>
>          ---> http://Matthias.Grob.org
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 26 19:24:34 1999
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Date: Tue, 26 Oct 1999 15:51:15 -0700
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Hi Kevin... This was one of those gee whiz, I wish my GT-5 could do THIS!!! things... I've got an EDP and also loop a lot with the 1.8 secs the GT-5 has... The 2100 is probably great, but there's a couple new things coming which look extremely nice. Anyway we've got the Headrush doing mono looping for 11/22 secs with good reviews. There's the new Line6 Delay Modeler which appears to have around 14 secs with all the Boomerang perks... reverse, double speed/half speed and a ton of other desirable delays in there... probably around $350. Then there's the new TC Electronics D-Two Multitap Rhythym Delay which has a hold function, midi, temp sync and tap, and 10 secs of STEREO delay... I've made a deposit on one of these babies... They'll supposedly ship in late November. $699 list and the TC US guy said maybe $499 street price... I'm really tired of using a Vortex to stereoize my loops... I want my looper to just grab panning, chorus, multitap, anything stereo and just keep it that way. I can use the Vortex for mind twisting, but I'm really pining for stereo looping. Love to hear some of the new stuff!

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

>>> <Fmplautus@aol.com> 10/21 1:48 PM >>>
Mike Biffle wrote: 

"Is there anyone out there who might know the feasability of expanding the 
GT-5 delay time? 4 secs or more would be amazing for a standalone all-in-one 
processor..."

Hey, Mike, you should run right out and grab one of them thar $95 Zoom 2100s 
if you want an amazing looper/processor all in one.  If your gt-5 has an 
effects loop, just hang it off that and away you go.

Best,
The Roctologists


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From: "Mike Biffle" <mbiffle@svg.com>
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Subject: Re: Two looping questions from a neophyte
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Please excuse this last message... meant to send it privately y'know!
Oops... Thankfully, it was ON TOPIC! There IS a God!

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

>>> "Mike Biffle" <mbiffle@svg.com> 10/26 4:00 PM >>>
Hi Kevin... This was one of those gee whiz, I wish my GT-5 could do
THIS!!! things... I've got 

From Loopers-Delight-request@annihilist.com  Tue Oct 26 19:36:27 1999
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From: "chalchiuhtlicue" <chalchiuhtlicue@hotmail.com>
To: <Loopers-Delight@annihilist.com>
References: <E11gDhZ-0000nb-00@relay02.equinox.net>
Subject: Get Over Yourself (was Re: Elixir Strung-outs)
Date: Tue, 26 Oct 1999 18:13:22 -0500
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jeeze, it's not like these guys were exchanging urls for pay porn sites.  they
were talking shop -- loopers discussing an instrument they use in looping.
the list name, which you patronizingly pointed out, is "looper's delight".
how is that so off-topic?

in fact, in this whole thread, your own post makes you look most like who you
describe when you insult half the people on this list -- a ranting,
self-important, calloused jerk.

if this is the sort of tone you wish to set here then unsubscribe me.  because
it is you who are off-topic.  at least until you change the list name to
Loopers-Full-Of-Themselves.

thanks,
ch

> >>strings,
> >
> > blahblahblah
> >
> > usually when I make some comment about off-topicness, I make a joke about
> > the guitar players boring the life out of everybody else by talking about
> > their strings. As you all can see though, this is a very real danger! We
> > must be ever vigilent. I don't know what it is about guitar players, for
> > some reason they are just oblivous to the fact that not everybody wants to
> > hear them 100% of the time. They do this in bands (you've heard the
> > jokes...) and they do it on mailing lists. You put a few of them together
> > and they start babbling about picks and tube amps and strings and tuning
> > pegs and whatever, completely ignoring the topic. You don't even get so
> > much as an apology or an "excuse me for being off topic"!
> >
> > So as yet another reminder, this list is about looping. (hence the
> > name....). Let's try to veer back that way.  Many, many people here do not
> > play guitar, or are not interested in discussing it here. The thing that
> > everyone is commonly here to discuss is looping. Try to stick to that.
> > There are numerous places for guitar discussions, this is it for looping.
> > Let's try to keep the SNR a little higher.....
> >
> > thanks,
> > kim
> >
> >
> >
> > ______________________________________________________________________
> > Kim Flint                   | Looper's Delight
> > kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> > http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
> >
> >
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 26 19:36:06 1999
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Message-ID: <008401bf2008$424664c0$becf08cf@donaldpancoe>
From: "Don \"Mango\" Pancoe" <pancoe@netaxs.com>
To: <Loopers-Delight@annihilist.com>
References: <v04003a0db43b01f6aa0f@[200.223.91.50]> <013301bf1ffe$35be9560$0100a8c0@ne.mediaone.net>
Subject: Re: Plex Upgrade ideas: Loose the box. (POLAR!)
Date: Tue, 26 Oct 1999 19:17:14 -0400
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Peter Shindler wrote:
<snip>
> EVERYONE's signal goes into one G3 Powerbook, which has all the sound
> samples and looping software onboard, and then a simple controller for
each
> person to manipulate his own signal and loops.
<more snip>
> Is such a thing even technically possible?  And, if so, how much moolah
> would all this crap cost?

Hmmm, that is a very interesting concept. I, too, dream of a laptop-based
looping/effect/synth/recording rig with a PowerBook, a Magma PCI expansion
chassis (www.magma.com) and a Creamware Pulsar (www.creamware.com.)

One G3 would be hard-pressed to process three or four peoples' worth of
music however. To make your idea work reasonably well, it might require each
member to have their own G3 rig, and they would have to be networked with at
least 100Mb or possibly even gigabit ethernet.

Initial estimates for my dream rig started getting close to $10,000US before
I just put the whole idea aside for the moment. And remember, that is just
for one rig.

Technology just keeps getting cheaper though...

-- Mango --

From Loopers-Delight-request@annihilist.com  Tue Oct 26 20:21:15 1999
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Message-ID: <38163C2F.A212EC80@minds-eye.org>
Date: Tue, 26 Oct 1999 19:41:35 -0400
From: Kevin <kevin@minds-eye.org>
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Subject: Hendrix Strings
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To paraphrase Jimi,

"strings can be such a drag so tonight were just gonna play like they aren't
there"

Kevin

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From: landman@wco.com (Mark Landman)
Subject: Re: Get Over Yourself (was Re: Elixir Strung-outs)
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>
>if this is the sort of tone you wish to set here then unsubscribe me.  because
>it is you who are off-topic.  at least until you change the list name to
>Loopers-Full-Of-Themselves.
>

Kim-

Please give these nice folks with their strings what they ask for, unsub
them so the rest of us can go back to obsessing about looping devices...

Because if the minutae of the instruments we loop with is up for posting,
I'll be forced to start ranting about the analog filters in my Fenix
synthesizer and how they compare to Moog, Arp and Roland filters (trust me
folks, we don't want to go there).

Mark


From Loopers-Delight-request@annihilist.com  Tue Oct 26 20:23:54 1999
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Get Over Yourself (was Re: Elixir Strung-outs)
Date: Tue, 26 Oct 1999 19:00:40 -0500
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yikes . . . ch . . . this may be a LITTLE extreme--I didn't detect that tone
in Kim's post

I'm on a couple of lists where anything not conforming to the newsgroup
subject is summarily executed . . . the list admins job is to keep things on
topic--Kim merely asked that we keep things on topic

one of those cases where e-mail is not a good communications medium--you
can't detect the facial expressions and nuances that make you distinguish a
gentle rebuke from a "rant"--IMHO Kim's response was not a rant

all the best,

Tom Lambrecht
hideo@concentric.net
-----Original Message-----
From: chalchiuhtlicue <chalchiuhtlicue@hotmail.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, October 26, 1999 6:41 PM
Subject: Get Over Yourself (was Re: Elixir Strung-outs)


>jeeze, it's not like these guys were exchanging urls for pay porn sites.
they
>were talking shop -- loopers discussing an instrument they use in looping.
>the list name, which you patronizingly pointed out, is "looper's delight".
>how is that so off-topic?
>
>in fact, in this whole thread, your own post makes you look most like who
you
>describe when you insult half the people on this list -- a ranting,
>self-important, calloused jerk.
>
>if this is the sort of tone you wish to set here then unsubscribe me.
because
>it is you who are off-topic.  at least until you change the list name to
>Loopers-Full-Of-Themselves.
>
>thanks,
>ch
>
>> >>strings,
>> >
>> > blahblahblah
>> >
>> > usually when I make some comment about off-topicness, I make a joke
about
>> > the guitar players boring the life out of everybody else by talking
about
>> > their strings. As you all can see though, this is a very real danger!
We
>> > must be ever vigilent. I don't know what it is about guitar players,
for
>> > some reason they are just oblivous to the fact that not everybody wants
to
>> > hear them 100% of the time. They do this in bands (you've heard the
>> > jokes...) and they do it on mailing lists. You put a few of them
together
>> > and they start babbling about picks and tube amps and strings and
tuning
>> > pegs and whatever, completely ignoring the topic. You don't even get so
>> > much as an apology or an "excuse me for being off topic"!
>> >
>> > So as yet another reminder, this list is about looping. (hence the
>> > name....). Let's try to veer back that way.  Many, many people here do
not
>> > play guitar, or are not interested in discussing it here. The thing
that
>> > everyone is commonly here to discuss is looping. Try to stick to that.
>> > There are numerous places for guitar discussions, this is it for
looping.
>> > Let's try to keep the SNR a little higher.....
>> >
>> > thanks,
>> > kim
>> >
>> >
>> >
>> > ______________________________________________________________________
>> > Kim Flint                   | Looper's Delight
>> > kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>> > http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
>> >
>> >
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 26 20:24:02 1999
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From: "postaldave" <postaldave@qx.net>
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Subject: Re: Plex Upgrade ideas: Loose the box. (POLAR!)
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"Sounds like an idea that I can't get out of my head, ridiculous as it is.
I
envision a band consisting of 2 guitars (ideally Sticks or Warrs, but
whatever) equipped with synth pickups, and a drummer using a V-Drum kit"

hey don't forget about us Zendrummers. why lug a vdrum around when you can
have a Zen. if the whole point is to cut down on stuff to bring this would
be the way to go.


http://www.zendrum.com/images/zxfigm1.jpg     this is mine. i use a alesis
dm pro with it.


From Loopers-Delight-request@annihilist.com  Tue Oct 26 20:26:44 1999
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From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, chalchiuhtlicue@hotmail.com
Subject: Get Over Yourself (was Re: Elixir Strung-outs)
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Wow! This is going downhill fast... 

chalchiuhtlicue@hotmail.com writes...
> jeeze, it's not like these guys were exchanging urls for pay porn
sites.  they were talking shop -- loopers discussing an instrument
they use in looping...

And by extension... the motor size of the auto one drives to the
looping gig... Do Elixers LOOP better for some reason? Kim's post (the
list owner and maintainer) was a nice reminder of what we're here to
discuss... Entertaining too! Maybe you're just taking it a little too
personally. I WAS getting tired of that string thread...

> in fact, in this whole thread, your own post makes you look most
like who you describe when you insult half the people on this list --
a ranting, self-important, calloused jerk.

Admittedly, Kim likes to poke fun at us geetar guys... (although he's
one hisself as well). Remember... Kim could moderate the list and make
it a whole lot less fun. 8-b We're here as guests in an all volunteer
sorta place...

> if this is the sort of tone you wish to set here then unsubscribe
me.  because it is you who are off-topic.  at least until you change
the list name to Loopers-Full-Of-Themselves.

Now there's an offer which might satisfy everyone!

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

From Loopers-Delight-request@annihilist.com  Tue Oct 26 20:21:10 1999
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From: "Tom Lambrecht" <hideo@concentric.net>
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Subject: Re: Two looping questions from a neophyte
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oh YEEEAAAHH . . . post the good s**t privately and keep the nice, short
milktoast posts for Loopers . . .

hey Miko, what kind of guitar strings do you use anyway?

;)  ;) ;) ;0 ;0 ;0 ;0

Tom Lambrecht
hideo@concentric.net

BTW . . .

HE PUT THE TOILET PAPER SPOOLING THE RONG WAY AND LEFT GREASY MARKS ON MY
VORTEKS

(sorry Kim, could'nt resist)
-----Original Message-----
From: Mike Biffle <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, October 26, 1999 6:36 PM
Subject: Re: Two looping questions from a neophyte


>Please excuse this last message... meant to send it privately y'know!
>Oops... Thankfully, it was ON TOPIC! There IS a God!
>
>Miko Biffle      "Running scared from all the usual distractions..."
>mbiffle@svg.com
>
>>>> "Mike Biffle" <mbiffle@svg.com> 10/26 4:00 PM >>>
>Hi Kevin... This was one of those gee whiz, I wish my GT-5 could do
>THIS!!! things... I've got
>
>

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Subject: Re: Two looping questions from a neophyte
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Not Elixers...

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

>>> "Tom Lambrecht" <hideo@concentric.net> 10/26 4:55 PM >>>
oh YEEEAAAHH . . . post the good s**t privately and keep the nice,
short
milktoast posts for Loopers . . .

hey Miko, what kind of guitar strings do you use anyway?

;)  ;) ;) ;0 ;0 ;0 ;0

Tom Lambrecht
hideo@concentric.net 

BTW . . .

HE PUT THE TOILET PAPER SPOOLING THE RONG WAY AND LEFT GREASY MARKS
ON MY
VORTEKS

(sorry Kim, could'nt resist)
-----Original Message-----
From: Mike Biffle <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, October 26, 1999 6:36 PM
Subject: Re: Two looping questions from a neophyte


>Please excuse this last message... meant to send it privately
y'know!
>Oops... Thankfully, it was ON TOPIC! There IS a God!
>
>Miko Biffle      "Running scared from all the usual
distractions..."
>mbiffle@svg.com 
>
>>>> "Mike Biffle" <mbiffle@svg.com> 10/26 4:00 PM >>>
>Hi Kevin... This was one of those gee whiz, I wish my GT-5 could do
>THIS!!! things... I've got
>
>

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From: MyWarNerve@aol.com
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Date: Tue, 26 Oct 1999 20:18:20 EDT
Subject: Re: Get Over Yourself (was Re: Elixir Strung-outs)
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Well said sir.
A

From Loopers-Delight-request@annihilist.com  Tue Oct 26 21:07:24 1999
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Date: Tue, 26 Oct 1999 21:02:54 -0400
Subject: Re: "WARNING" jASKIN00
From: "Christopher White" <magicicada@mindspring.com>
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it was kinda funny i suppose...
----------
>From: "L Tremblay" <ltct@concentric.net>
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: "WARNING" jASKIN00
>Date: Tue, Oct 26, 1999, 4:29 PM
>

>OK. Are *you* 15 friggin years old or something? Cut the crap!
>If it was funny I wouldn't mind deleting them, but it's not.
>
>Get it? Masterbate somewhere else.
>
>- Larry
>-----Original Message-----
>From: Joey <stumbleine@macconnect.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Tuesday, October 26, 1999 3:56 PM
>Subject: Re: "WARNING" jASKIN00
>
>
>>HE SAY HE LOVE ME FOREVER AND THEN HE TAKE ALL MY MONEY AND LEAVE ME FOR 
>>'NOTHER MAN!  WHAT I DO?
>>
>>----------
>>>From: "Javier Miranda V." <gnominus@earthling.net>
>>>To: <Loopers-Delight@annihilist.com>
>>>Subject: RE: "WARNING" jASKIN00
>>>Date: Tue, Oct 26, 1999, 1:03 AM
>>>
>>
>>> HE STOLE MY MOJO THAT BASTARD!
>>>
>>>   | -----Original Message-----
>>>   | From: Christopher White [mailto:magicicada@mindspring.com]
>>>   | Sent: Monday 25 October 1999 5:24 PM
>>>   | To: Loopers-Delight@annihilist.com
>>>   | Subject: Re: "WARNING" jASKIN00
>>>   |
>>>   |
>>>   | HE STOLE MY MEAT AND TOOK MY FIRE
>>>   | ----------
>>>   | >From: James Pearce <jamesrp@statenet.com>
>>>   | >To: Loopers-Delight@annihilist.com
>>>   | >Subject: Re: "WARNING" jASKIN00
>>>   | >Date: Mon, Oct 25, 1999, 12:39 PM
>>>   | >
>>>   |
>>>   | >can we get any more chro-mag with this thread?
>>>   | >
>>>   | >On Mon, 25 Oct 1999, Jim Poppen wrote:
>>>   | >
>>>   | >|spat@visi.com wrote:
>>>   | >|>
>>>   | >|> Cornhilio2 wrote:
>>>   | >|> >DO NOT TRY TO MAKE A DEAL WITH JASKIN00@AOL.COM HE TELLS
>>>   | YOU HE SENDS THINGS
>>>   | >|> >THEN CALL A LAWYER WHEN HE THINKS YOU BACKED OUT ON A DEAL
>>>   | JUST LETTING YOU...
>>> 
>>
>>
>

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From: Nemoguitt@aol.com
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Date: Tue, 26 Oct 1999 20:57:31 EDT
Subject: is it the moon?
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In a message dated 10/26/99 9:32:48 PM Mid-Atlantic Standard Time, 
mbiffle@svg.com writes:

<< Please excuse this last message... meant to send it privately y'know!
 Oops... Thankfully, it was ON TOPIC! There IS a God!
  >>

why have we come to this?..............................:)..........michael

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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: FS: DOD DFX 94 four second delay...
Date: Tue, 26 Oct 1999 17:55:54 PDT
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That's a good deal everybody! The DFX 94 may not have all sorts of features 
and it may give a little noise, but it's excellent for live improvisation 
and quick loop generation. It's also very easy to use! It has analog-like 
pitch control, and it's very easy to us it like a simple push-button 
sampler.

Like most sqashboxes that are actually fun to use, this was discontinued a 
few years ago to make way for more crappy distortion pedals that sound 
exactly like other distortion pedals. Now they're pretty hard to find.

I'd buy it myself if I didn't already own several.

Mr. Tough

>From: "Mike Biffle" <mbiffle@svg.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: loopers-delight@annihilist.com
>Subject: FS: DOD DFX 94 four second delay...
>Date: Mon, 25 Oct 1999 16:31:51 -0700
>
>Just another gear post... This one does loop! DFX 94... $95.00 plus 
>shipping.
>
>Miko Biffle      "Running scared from all the usual distractions..."
>mbiffle@svg.com
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Subject: Re: Get Over Yourself (was Re: Elixir Strung-outs)
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1)  it did conform to the subject - it was loopers talking about their looping
rigs.  the instrument one uses to feed sounds into the loop is a large portion
of the rig.  the posters weren't exchanging pie recipes, they were loopers who
were talking shop.

2) it wasn't a gentle rebuke.  he insulted half the list subscribers in a
patronizing way.  I'm sorry, but it's hard not to take that as a rant, and
it's offensive.  I don't care if he's the listkeeper or not.  he accuses
guitarists for not apologizing for going off subject, and at the same time he
doesn't apologize for his attitude or indicate in any way that he is being
facetious.  Sorry, Tom, but I simply don't buy it.

all the best,
ch

----- Original Message -----
From: Tom Lambrecht <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, October 26, 1999 7:00 PM
Subject: Re: Get Over Yourself (was Re: Elixir Strung-outs)


> yikes . . . ch . . . this may be a LITTLE extreme--I didn't detect that tone
> in Kim's post
>
> I'm on a couple of lists where anything not conforming to the newsgroup
> subject is summarily executed . . . the list admins job is to keep things on
> topic--Kim merely asked that we keep things on topic
>
> one of those cases where e-mail is not a good communications medium--you
> can't detect the facial expressions and nuances that make you distinguish a
> gentle rebuke from a "rant"--IMHO Kim's response was not a rant
>
> all the best,
>
> Tom Lambrecht




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In a message dated 10/26/99 10:23:41 PM Mid-Atlantic Standard Time, 
postaldave@qx.net writes:

<< http://www.zendrum.com/images/zxfigm1.jpg  >>

dave........thanks for the picture........made me shiver.........michael

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From: "Peter Shindler" <shindler@mediaone.net>
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Wow!  Thanks for pointing the Zendrum out to me.  I'm ashamed to say that
I'd never heard of it before, but it sure looks cool!

Great, now I have another item for my wish list.

Hmmm....  2 Sticks and 2 Zendrummers, all wired to a Cray-2...  could be
slightly interesting...  ;)


Peter

----- Original Message -----
From: postaldave <postaldave@qx.net>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, October 26, 1999 7:49 PM
Subject: Re: Plex Upgrade ideas: Loose the box. (POLAR!)


> "Sounds like an idea that I can't get out of my head, ridiculous as it is.
> I
> envision a band consisting of 2 guitars (ideally Sticks or Warrs, but
> whatever) equipped with synth pickups, and a drummer using a V-Drum kit"
>
> hey don't forget about us Zendrummers. why lug a vdrum around when you can
> have a Zen. if the whole point is to cut down on stuff to bring this would
> be the way to go.
>
>
> http://www.zendrum.com/images/zxfigm1.jpg     this is mine. i use a alesis
> dm pro with it.
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 26 21:51:14 1999
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Subject: Re: Plex Upgrade ideas: Loose the box. (POLAR!)
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At 07:49 PM 10/26/99 -0400, you wrote:
>"Sounds like an idea that I can't get out of my head, ridiculous as it is.
>I
>envision a band consisting of 2 guitars (ideally Sticks or Warrs, but
>whatever) equipped with synth pickups, and a drummer using a V-Drum kit"
>
>hey don't forget about us Zendrummers. why lug a vdrum around when you can
>have a Zen. if the whole point is to cut down on stuff to bring this would
>be the way to go.
>
>
>http://www.zendrum.com/images/zxfigm1.jpg     this is mine. i use a alesis
>dm pro with it.

How about a beginning tabla student who wants to pick up a set of miniTabla
(live looping, also one doesn't have to sit on the floor to play them) and
also play NS Stick and Ztar at the same time?

Paolo

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At 07:17 PM 10/26/99 -0400, you wrote:
>Peter Shindler wrote:
><snip>
>> EVERYONE's signal goes into one G3 Powerbook, which has all the sound
>> samples and looping software onboard, and then a simple controller for
>each
>> person to manipulate his own signal and loops.
><more snip>
>> Is such a thing even technically possible?  And, if so, how much moolah
>> would all this crap cost?
>
>Hmmm, that is a very interesting concept. I, too, dream of a laptop-based
>looping/effect/synth/recording rig with a PowerBook, a Magma PCI expansion
>chassis (www.magma.com) and a Creamware Pulsar (www.creamware.com.)
>
>One G3 would be hard-pressed to process three or four peoples' worth of
>music however. To make your idea work reasonably well, it might require each
>member to have their own G3 rig, and they would have to be networked with at
>least 100Mb or possibly even gigabit ethernet.

Don't we have a couple of members of The Hub on this list?  

The Hub is an electronic band consisting of five or six musicians playing
electronic instruments networked together.

Paolo

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From: Echopark99@aol.com
Message-ID: <0.576ea9e4.2547b4c7@aol.com>
Date: Tue, 26 Oct 1999 21:52:07 EDT
Subject: OT: recording in India
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Speaking of Indian music... I'm leaving for Calcutta environs on Monday for 
about three weeks. I'm bringing a DAT and stereo mics.

I remember someone posting about being in India for musical reasons, and I'd 
be interested in learning about Calcutta instrument shops and opportunities 
to record interesting instruments for sampling and, yes, LOOPING (there - not 
so OT...) I'll be staying at the Institute of Culture and at a monastery 
(Belur Math), then possibly on to Varanasi and fly back from Delhi.

Also - where else to post this topic?

eric p
echo park

In a message dated 99-10-25 21:13:20 EDT, you write:

<< 
 here is a URL for Indian beat boxes and other cool stuff
 http://www.indiansources.com/electronics/html/repl33r1.htm
 
 
 Michael C Davis >>

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Date: Tue, 26 Oct 1999 22:03:21 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Q o' th' Week: Live Gig Rig Logistics
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Okay, back to looping....

We discuss individual pieces of looping gear a great deal, but when it
comes to containing it and carrying it around as a system, are any of you
using innovative racks/pedalboards/stands/cases that transport, set up and
tear down particularly well? Any ideas that would benefit a looper playing
on a multiple bill (you know, 6 acts on a crowded stage with ten minutes to
set up between, and no sound check...)? Ways to "smallerize", yet retain
versatility? Original ways to avoid having to unpack, plug in, unplug and
re-pack every patch cord every time ya play out? Effective methods for
making sure that all of your equipment ends up making it home from the gig
with you?

Tim

P.S.: HE ALWAYS STOPES STRANGERS ON THE STREET AND MAKE THEM LOOK AT HIS
CALLOUS FINGRS FROM USEING THICK HEVY STRINGS WITH NEW STANDERD TUNNING... 

(sorry...)

From Loopers-Delight-request@annihilist.com  Tue Oct 26 22:11:39 1999
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From: Echopark99@aol.com
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Date: Tue, 26 Oct 1999 22:07:01 EDT
Subject: Re: Elixir Strings
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In a message dated 99-10-26 12:37:20 EDT, you write:

<< 
 They do last a long time, though.  Almost absurdly so. >>


I'll chime in here.  I use the Elixirs on guiatrs I don't play much, i.e. 
that old acoustic, that Korean Les Paul I've got for living room fun, etc. On 
those two guitars, the Elixirs have been on for over a year, and they still 
feel good and you don't have to apologize when you pass the guitar to your 
guests.  But I simply prefer the DR nickel sound on my main ASAT, but another 
good sounding/long lasting combination is Tomastik-Infeld (sp?) I've been 
amazed by those. They have gold colored high strings. I've had them on a 
well-used electric (every two days of playing) since mid-August. They are now 
tonally only somewhat tired, but still feel very good.

eric p
echo park

From Loopers-Delight-request@annihilist.com  Tue Oct 26 22:31:15 1999
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From: Hawkeye255@aol.com
Message-ID: <0.464b4afa.2547b9b7@aol.com>
Date: Tue, 26 Oct 1999 22:13:11 EDT
Subject: Re: THANKS FOR THE TAPE!!!
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I remember several weeks ago requesting a tape (I don't remember from whom), 
but it did arrive and I have to say, "very nice tabla/ambient loops".

Please identify yourself.  Nothing came with the tape to let me know whose it 
is.

Thanks alot whoever you are.  I'm really enjoying listening to it.

Bill  "Hawkeye"

ps: the title on the label "Lahara Mandola" (sp?)

From Loopers-Delight-request@annihilist.com  Tue Oct 26 22:36:46 1999
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From: "L Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Get Over Yourself (was Re: Elixir Strung-outs)
Date: Tue, 26 Oct 1999 22:22:15 -0400
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I'd liked it better when you were going to unsubscribe.
And it's Kim's list so shut up if you can't take a
fucking joke.

His facetious description of guitarists (especially whiners
like you) is so correct it hurts...you're living proof.

*I'm* a (sorta) guitarist and *my* fragile little ego was NOT
bruised in the least. Get over your self-important innerchild
or whatever guitarist-cliche-machismo trip you think you're on.

Geez...

- Larry "piano-wire" Tremblay
-----Original Message-----
From: chalchiuhtlicue <chalchiuhtlicue@hotmail.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, October 26, 1999 9:20 PM
Subject: Re: Get Over Yourself (was Re: Elixir Strung-outs)


>1)  it did conform to the subject - it was loopers talking about their
looping
>rigs.  the instrument one uses to feed sounds into the loop is a large
portion
>of the rig.  the posters weren't exchanging pie recipes, they were loopers
who
>were talking shop.
>
>2) it wasn't a gentle rebuke.  he insulted half the list subscribers in a
>patronizing way.  I'm sorry, but it's hard not to take that as a rant, and
>it's offensive.  I don't care if he's the listkeeper or not.  he accuses
>guitarists for not apologizing for going off subject, and at the same time
he
>doesn't apologize for his attitude or indicate in any way that he is being
>facetious.  Sorry, Tom, but I simply don't buy it.
>
>all the best,
>ch
>
>----- Original Message -----
>From: Tom Lambrecht <hideo@concentric.net>
>To: <Loopers-Delight@annihilist.com>
>Sent: Tuesday, October 26, 1999 7:00 PM
>Subject: Re: Get Over Yourself (was Re: Elixir Strung-outs)
>
>
>> yikes . . . ch . . . this may be a LITTLE extreme--I didn't detect that
tone
>> in Kim's post
>>
>> I'm on a couple of lists where anything not conforming to the newsgroup
>> subject is summarily executed . . . the list admins job is to keep things
on
>> topic--Kim merely asked that we keep things on topic
>>
>> one of those cases where e-mail is not a good communications medium--you
>> can't detect the facial expressions and nuances that make you distinguish
a
>> gentle rebuke from a "rant"--IMHO Kim's response was not a rant
>>
>> all the best,
>>
>> Tom Lambrecht
>
>
>
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 26 22:38:16 1999
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From: WshaUfizi@aol.com
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Date: Tue, 26 Oct 1999 22:16:06 EDT
Subject: Re: Zendrum/losing the box
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Futureman from Bela Fleck and the Flecktones uses the Zendrum for audio 
samples that aren't specifically percussion oriented (these are saved on his 
Synthaxe Drumitar, his main axe).  He mainly uses the Zendrum during his 
solos, when a touch of a pad produces a melody from a South African choir, or 
a sampled Gandhi speech.  I always thought it was a cool instrument.

~kris

From Loopers-Delight-request@annihilist.com  Tue Oct 26 22:41:57 1999
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Some more questions for those more knowledgeable about the nature of loops and
analog/digital delay units. Can a loop be sped up or slowed down only if the delay
time is adjustable with a knob? Is every delay that has knobs capable of being
sped up/slowed down? I assume the position of the delay time knob  (at the time of
the loop recording) would determine the degree to which the loop could be sped up/
slowed down (in the middle would mean it could be raised or lowered the same
amount, etc.).

Most digital loops seem to destruct when you try to change the delay time-are
there any (except the EH 16 sec delay) that are able to do this? Has anyone
overcome these limitations by using a pitch shifter  the loop, and if so, which
model (s) seem to work best for the thick texture of a multi-overdubbed loop?

Thanks for your time,
Paul Sullivan




From Loopers-Delight-request@annihilist.com  Tue Oct 26 22:41:47 1999
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From: "postaldave" <postaldave@qx.net>
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There is one problem i see with running all of those instruments into a g3.
i run my zen into a dm pro with 64 voice polophiny and still run out some
times. ie....sounds cutting off to fast. could a g4 with any software keep
up with so many midi input???

"Wow!  Thanks for pointing the Zendrum out to me.  I'm ashamed to say that
I'd never heard of it before, but it sure looks cool!

Great, now I have another item for my wish list.

Hmmm....  2 Sticks and 2 Zendrummers, all wired to a Cray-2...  could be
slightly interesting...  "


From Loopers-Delight-request@annihilist.com  Tue Oct 26 23:05:29 1999
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Date: Tue, 26 Oct 1999 20:02:03 -0700
To: Loopers-Delight@annihilist.com
From: improv@peak.org (Dave Trenkel)
Subject: Re: Get Over Yourself (was Re: Elixir Strung-outs)
Cc: Loopers-Delight@annihilist.com
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At 4:49 PM 10/26/99, Mark Landman wrote:
>
>Because if the minutae of the instruments we loop with is up for posting,
>I'll be forced to start ranting about the analog filters in my Fenix
>synthesizer and how they compare to Moog, Arp and Roland filters (trust me
>folks, we don't want to go there).
>
>Mark

Oooh yeah, can I rant about my MOTM filters? Coolest I've ever used!
Filters! Filters! Filters (and you may be thinking about establishing an
e-mail filter right about now...)



________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


From Loopers-Delight-request@annihilist.com  Tue Oct 26 23:19:07 1999
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From: Nemoguitt@aol.com
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Date: Tue, 26 Oct 1999 23:00:30 EDT
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In a message dated 10/27/99 12:09:10 AM Mid-Atlantic Standard Time, 
Echopark99@aol.com writes:

<< I'm leaving for Calcutta environs on Monday for 
 about three weeks. I'm bringing a DAT and stereo mics. >>

how nice!..........eric, please find out for me, what caste guitar players 
fit into?......you are right in taking the DAT and the stereo mics but please 
leave those damn strings at home.......:)........will you be able to post to 
the group from india?........i think looping up-dates from afar would be 
fun........i look forward to hearing the loops of your 
labor........enjoy..........michael

From Loopers-Delight-request@annihilist.com  Tue Oct 26 23:26:16 1999
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Date: Tue, 26 Oct 1999 22:16:40 +0000
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the moon is looking mighty fine tonight as it makes yet one more tick on
its endless loop around earth, no hardware needed.

bobdog

From Loopers-Delight-request@annihilist.com  Tue Oct 26 23:26:20 1999
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From: David Myers <dmgraph@pulsewidth.com>
Subject: Boss VF-1?
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>From initial info the Boss VF-1 seems to be the successor to the SE-50/70
line, and as such would be a formidable gizmo, perhaps even as a looper.
Has anyone actually seen one of these puppies?  Or is it still in vapor
mode a la the Line 6 modeling pedals?

David Myers


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Futureman from Bela Fleck is of by far who i listen to the most. he in fact
played on mine while it was in the shop for upgrades. there is little
differance between the zen and his ax except shape. once you get use to
playing one a certain way namely the one he created I see no reason why he
would switch over to a new one. in the end they are both just a bunch of
triggers on a block of wood. with all the sounds availble you can get any
drumset soulnd you want. the problem with it is to get the band to stop
freaking out because you don't have a huge metal eriter set called a
"drumset" on stage. if only i could find a banjo player and a bass player
that played like Vic..........oh to dream.

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My little DOD DFX 94 (probably the simplest looping hardware of all) has a
knob for adjusting the delay time (up to 4 seconds).  Turning the knob while
a loop is going doesn't "destroy" the loop, and in fact can create some wild
sounds that couldn't be obtained any other way.  How good or bad it sounds
when the delay time changes is very variable, but of course you can always
put it back to its original position if it sounds like shite.

Something I just discovered is that if you turn the delay-time knob back and
forth, while sustaining a note on your instrument (I don't want to use the
word "guitar" right now!), it causes insane whammy dives/leaps that'll put
Adrian Belew in his place (actually, I think he used to use this same
technique a lot).  Perhaps not the most overtly musical way to use a delay
pedal, but it sure sounds cool!


Peter

----- Original Message -----
From: Paul Sullivan <paulsull@gis.net>
To: <Loopers-Delight@annihilist.com>
Sent: Tuesday, October 26, 1999 5:31 PM
Subject: delay questions


> Some more questions for those more knowledgeable about the nature of loops
and
> analog/digital delay units. Can a loop be sped up or slowed down only if
the delay
> time is adjustable with a knob? Is every delay that has knobs capable of
being
> sped up/slowed down? I assume the position of the delay time knob  (at the
time of
> the loop recording) would determine the degree to which the loop could be
sped up/
> slowed down (in the middle would mean it could be raised or lowered the
same
> amount, etc.).
>
> Most digital loops seem to destruct when you try to change the delay
time-are
> there any (except the EH 16 sec delay) that are able to do this? Has
anyone
> overcome these limitations by using a pitch shifter  the loop, and if so,
which
> model (s) seem to work best for the thick texture of a multi-overdubbed
loop?
>
> Thanks for your time,
> Paul Sullivan
>
>
>
>

From Loopers-Delight-request@annihilist.com  Tue Oct 26 23:27:21 1999
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From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: Get Over Yourself (was Re: Elixir Strung-outs)
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>jeeze, it's not like these guys were exchanging urls for pay porn sites.  they
>were talking shop -- loopers discussing an instrument they use in looping.
>the list name, which you patronizingly pointed out, is "looper's delight".
>how is that so off-topic?

But when we have to wade through about 60 posts a day--y'know?  Hell, I
just got A JOB and have to spend an increased amount of time feeling sorry
for myself; there's only so many hours in a day....

David Myers


From Loopers-Delight-request@annihilist.com  Tue Oct 26 23:25:22 1999
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Date: Tue, 26 Oct 1999 23:16:56 EDT
Subject: A question
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Does anyone have any recommendations for the best place to buy a rack to hold 
my crap?

Thanks a lot,
~kris

From Loopers-Delight-request@annihilist.com  Tue Oct 26 23:42:10 1999
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HE MADE ME CRY BECAUSE HE MOCKED MY GUITAR PLAYING LOUDLY TO FRIENDS.

Nevermind.  Neanderthal behavior mode off.

I tried an instrument tonight that I think all of you should try out
because it gave me the same reaction I had when I tried the Vortex 
in years past.

I think it would make a great textural looping instrument.

I'm primarily a guitarist, but I also play synths and I tried a synth
that was very strange this afternoon, an Ensoniq Fizmo.

Damn weirdo device.  I couldn't for the life of me make it act normal
at all.  No conventional strings, brasses, or moog sounds here.  No
way. 

 Instead, giant shimmering sheets of molten metal rippling in the
solar wind, harpsichords made out of lead and cadmium, and the sound of
glass oozing through an ionospheric medium.  I mean, what the hell were
they thinking?  Anyone try using one in a top40 band would be shot on
sight.  Anyone looking for oozing, fluidic, metallic, shimmering 
atmospheres has at least gotta check it out.  Kind of like a PPG Wave
on hallucinogens.

The funniest thing was these knobs corresponding to the name of the
device, an f knob, an I knob, a z knob, and so on.  And it was like it
was designed to mess with my head as one knob would change the PITCH
on certain patches and others would boost the ultra-piercing highs this
thing was capable of and still others did stuff that sounded like it
was ring modulating some notes in a patch (but not others), and I'm
not sure I can describe the other sounds but it would really be cool
looped thru a vortex into some other looping processor.

I'm not fully convinced I figured it out, but I at least made it sound
musical.  And it was about $1000.  I suspect that someday it will be blown
out in a guitar center sale because nobody could figure it out.  It's 
really weird.

Back to your regularly scheduled looping content.

-t



From Loopers-Delight-request@annihilist.com  Wed Oct 27 00:06:39 1999
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From: "Stephen Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
References: <3.0.5.32.19991026220321.007ada90@pop.ici.net>
Subject: Re: Q o' th' Week: Live Gig Rig Logistics
Date: Tue, 26 Oct 1999 20:54:06 -0700
Organization: EarthLight Productions
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Tim Nelson <tcn62@ici.net> asked:

> are any of you
> using innovative racks/pedalboards/stands/cases that transport, set up and
> tear down particularly well?

On a recent trip to Reno, I used a regular large duffel bag with dual
compartments to transport my rack units (the rds 7.6 and the qverb, wrapped
in blankets), a stomp box, and cables.  It worked well, considering that I'd
not had the time to think out this very query in advance.  To ease concerns
amongst you that I've completely lost my mind, I've thought of getting one
of those rack/transport boxes that open at both ends.  It doesn't take much
time to take down-put up, though I've also thought of using coloured cables
and dabs of similarly-coloured paint on the sockets; but then, if it's
already hooked up in the back the way yez wants it that's even taken care
of.

I should point out that, on the occasions I've played live and electric,
it's been with other folks, and I've only used two In's on their mixer
board, using only the guitar for sound source.  To transport the rig I've
got at home - which includes a Juno-106, RX-15, Shure SM52, a Tascam
Portastudio with bad belts being used for a mixer, in conjunction with a
cheap mixer (Yamaha KM502) on an 80s-era Ultimate Support rack - is so much
of a pain that I've configured the living room more as a playing space
lately... :)

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html
*
(Hear the NEW "Star Spangled Banner" here!)


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Subject: Re: delay questions and detritus
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In a message dated 10/26/1999 10:25:58 PM Central Daylight Time, 
shindler@mediaone.net writes:

<< Perhaps not the most overtly musical way to use a delay pedal, but it sure 
sounds cool!  >>


Hey, any way to mangle the equipment that doesn't break it is fair game in my 
book.  Let me fling far my bibliography (for my book, that is):

1.  Duke said: "if it sounds good, it IS good".

2.  torn is on this list, i believe he will concur.

My book includes both duke and dt.  So please rotate all knobs fully at any 
time during the program.  (And for chrissakes, dont play whole tones over the 
D9#11 in 'A-Train', it's banal.)

And that post about everyone playing something into a big electric funnel (or 
a G3, if you must) and stirring: isn't that what the Wire reunion is going to 
sound like?  I know that Bruce Gilbert says he doesn't play the guitar 
anymore, so maybe he'll just trim the pots, so to speak.



Kevin Brunkhorst  <A HREF="http://members.aol.com/kb305/kb305/">http://members
.aol.com/kb305/kb305/</A> 
Red Road the band  <A HREF="http://www.iuma.com/IUMA/Bands/Red_Road/">http://r
edroad.iuma.com</A> 

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Subject: Re: Stuff
Date: Wed, 27 Oct 1999 00:31:45 -0400
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Yes, pretty neat atmosphere machine. I think you're probably
right about people not being able to figure out what to do with it -
Musician's Friend is blowing them out already for $499!

There's also an audio input for "vocoderizing" vocals or 
processing yer geetar :)

My hunch is that the Fizmo could make up it's mind about whether 
it wanted to be a Virtual Analog or a Groove Box. The F-I-Z...
buttons you mentioned are assignable to parameters for real-time 
tweaking. The FIZMO has instant 'classic' weirdo-machine written 
all over it. It's such a piece of crap with great potential.

I'm giving it another look. I want to try feeding the output of 
the machine into audio-input to see what happens...heh heh heh.

- Larry

-----Original Message-----
From: Todd Madson <crash@waste.org>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, October 26, 1999 11:58 PM
Subject: Stuff


>HE MADE ME CRY BECAUSE HE MOCKED MY GUITAR PLAYING LOUDLY TO FRIENDS.
>
>Nevermind.  Neanderthal behavior mode off.
>
>I tried an instrument tonight that I think all of you should try out
>because it gave me the same reaction I had when I tried the Vortex 
>in years past.
>
>I think it would make a great textural looping instrument.
>
>I'm primarily a guitarist, but I also play synths and I tried a synth
>that was very strange this afternoon, an Ensoniq Fizmo.
>
>Damn weirdo device.  I couldn't for the life of me make it act normal
>at all.  No conventional strings, brasses, or moog sounds here.  No
>way. 
>
> Instead, giant shimmering sheets of molten metal rippling in the
>solar wind, harpsichords made out of lead and cadmium, and the sound of
>glass oozing through an ionospheric medium.  I mean, what the hell were
>they thinking?  Anyone try using one in a top40 band would be shot on
>sight.  Anyone looking for oozing, fluidic, metallic, shimmering 
>atmospheres has at least gotta check it out.  Kind of like a PPG Wave
>on hallucinogens.
>
>The funniest thing was these knobs corresponding to the name of the
>device, an f knob, an I knob, a z knob, and so on.  And it was like it
>was designed to mess with my head as one knob would change the PITCH
>on certain patches and others would boost the ultra-piercing highs this
>thing was capable of and still others did stuff that sounded like it
>was ring modulating some notes in a patch (but not others), and I'm
>not sure I can describe the other sounds but it would really be cool
>looped thru a vortex into some other looping processor.
>
>I'm not fully convinced I figured it out, but I at least made it sound
>musical.  And it was about $1000.  I suspect that someday it will be blown
>out in a guitar center sale because nobody could figure it out.  It's 
>really weird.
>
>Back to your regularly scheduled looping content.
>
>-t
>
>
>
>

From Loopers-Delight-request@annihilist.com  Wed Oct 27 00:46:30 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: Q o' th' Week: Live Gig Rig Logistics
Date: Wed, 27 Oct 1999 00:36:46 -0400
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Have you looked into an SKB Mini Gig Rig? Rugged and reasonably priced
(under $200)

- Larry
-----Original Message-----
From: Tim Nelson <tcn62@ici.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, October 26, 1999 10:15 PM
Subject: Q o' th' Week: Live Gig Rig Logistics


>Okay, back to looping....
>
>We discuss individual pieces of looping gear a great deal, but when it
>comes to containing it and carrying it around as a system, are any of you
>using innovative racks/pedalboards/stands/cases that transport, set up and
>tear down particularly well? Any ideas that would benefit a looper playing
>on a multiple bill (you know, 6 acts on a crowded stage with ten minutes to
>set up between, and no sound check...)? Ways to "smallerize", yet retain
>versatility? Original ways to avoid having to unpack, plug in, unplug and
>re-pack every patch cord every time ya play out? Effective methods for
>making sure that all of your equipment ends up making it home from the gig
>with you?
>
>Tim
>
>P.S.: HE ALWAYS STOPES STRANGERS ON THE STREET AND MAKE THEM LOOK AT HIS
>CALLOUS FINGRS FROM USEING THICK HEVY STRINGS WITH NEW STANDERD TUNNING...
>
>(sorry...)
>
>

From Loopers-Delight-request@annihilist.com  Wed Oct 27 00:47:54 1999
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References: <Pine.LNX.3.96.991026222930.26216B-100000@waste.org>
Subject: Re:gig plug-ann arbor!!
Date: Wed, 27 Oct 1999 00:42:09 -0400
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hey-

Ann Arbor!!!

Looping & other interesting sounds!!!

Actually it is in Ypsi, but close enough eh?

""""The Elbow Room""""

Mich Ave @ "The Tap Room",  / "T.c.'s Speak Easy"

Turn south!!!

Parking on your left !!

You wont regret it!

Bowed Double Bass (*Acoustic)
Electric guitar
Female Vocals
Marimba
Conga's
Electric Bass
Keyboards
Synth's
Live Drum Kit
Etc.!!!!!!!!!!!!!!!!!!!!!!!\





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Date: Tue, 26 Oct 1999 23:40:25 -0500
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: SoundRaider
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Hi, all...
	Here's something that everyone will be interested in. It's a really,
really strange little program that takes all your WAV files and creates and
ever-changing loop or noise and chaos. Incredible. I've had it on all
evening and it's still freaking me out. Here's the URL for downloads and info:

http://andyw.zinc.co.uk/raider/

	Lemme know what ya think and how it works for you folks.
Sincerely,
Jeff McLeod

	
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

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Subject: boomerang on harmony
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FS: Boomerang Phrase Sampler Looper pedal
Asking Price: US$N/A
Condition: Good
Age: N/A
Description:
Boomerang phrase sampler pedal with 4 meg, works great, some paint chips on 
the metal from use....$300 obo
Seller: LENNY STEVENS, 
E-mail: scurry@airmail.net (Profile)
Location: DALLAS, TX
Post Date: 10/26/99

From Loopers-Delight-request@annihilist.com  Wed Oct 27 01:22:08 1999
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Date: Tue, 26 Oct 1999 23:46:33 -0500
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Re: Q o' th' Week: Live Gig Rig Logistics
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Hi,
	In reply to the question about small, useful setups:  I've managed to cram
all my pedals (including a Boomerang . . . on topic, on topic, on topic!!!)
onto a homemade plexiglass board unit. The stay completely wired through a
simple switch box. It's also easy to rewire and get different results with
this. Right now, I've got the signal split in two, so that it can feed two
different amps. My direct, effected signal goes into a Line 6 AxSys 212
combo, and my effected loops go out to a small Carvin 1x15 bass combo. My
setup is still pretty small, yet I can do everything that I would normally
do through a large rig. All the harmonizing, pitch-shifting, looping and
generally unfriendly noise that I could ever want. And, after loading in,
it only takes me about 10 minutes to set up.
Sincerely,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Wed Oct 27 01:23:15 1999
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From: Jax1723@aol.com
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Date: Wed, 27 Oct 1999 00:50:29 EDT
Subject: jam man on harmony
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from harmony central:

Lexicon Jam Man, 8 seconds
-excellent condition with photocopied manual...$500 US obo.
Seller: Robert Brasz, (416)516-9538
E-mail: eelirak@yesic.com (Profile)
Post Date: 10/26/99

(do not email me, email eelirak@yesic.com)
thanks
jack

From Loopers-Delight-request@annihilist.com  Wed Oct 27 01:54:19 1999
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From: MDMwoof@aol.com
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Date: Wed, 27 Oct 1999 01:43:03 EDT
Subject: Re: Oberheim Echoplex
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rob-
I'm interested in purchasing your echoplex. What is your price and terms?
Tim (mdmwoof@aol.com)

From Loopers-Delight-request@annihilist.com  Wed Oct 27 02:18:28 1999
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To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Plex Upgrade ideas: Loose the box. (POLAR!)
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>Sounds like an idea that I can't get out of my head, ridiculous as it is.  I
>envision a band consisting of 2 guitars (ideally Sticks or Warrs, but
>whatever) equipped with synth pickups, and a drummer using a V-Drum kit.
>Instead of each player having his own rack of effects, samplers, et  al...
>EVERYONE's signal goes into one G3 Powerbook, which has all the sound
>samples and looping software onboard, and then a simple controller for each
>person to manipulate his own signal and loops.  Plus, since everyone's got
>access to the same sounds, the drummer could use guitar/bass patches, and
>vice versa.  For a bonus, you could even let a fourth person sit at the
>computer and act as a DJ, controlling the loops and manipulating the sounds
>in real-time while the other three play.

yes,yes, and 1 pedal board/musician chained to the USB port with a display
on it that is controlled by the computer to tell you what function each
foot switch has at the moment.

>Is such a thing even technically possible?  And, if so, how much moolah
>would all this crap cost?

Certainly less than all the samplers and mixing desks you economize.
But what if it crashes? Take a break. Maybe not too bad. The worst is when
the sound hangs at the crash....Piiiiiii !


>> In May, David Caplivski had a dream (below). Did you someone else realize
>it?
>>
>> >>Mark Sottilaro wrote:
>> >> >
>> >> > Here's a suggestion:
>> >> >
>> >> > Why not loose the box, guts and all?  If the wonder of the EDP is in
>the
>> >> > software, then let's do away with the silicon.  I've got a ton of it
>> >> > sitting in front of me right now.  I'd just love a software version
>of
>> >> > the Echoplex that I could run on a Macintosh.  Especially if it could
>> >> > sync to a MIDI sequencing program, such as Metro.
>> >> >
>> >> > Is this possible?
>> >>
>> >>Its probably possible
>> >>but then the loopers delight would be transformed in a bug report,
>> >>computer configuration hell , all the fatiguing background noize you
>> >>see/hear in every music software forum
>> >>
>> >>remember there is no bug in the EDP software v5 (there is one but I wont
>> >>tell !):-)
>> >>
>> >>Claude
>> >>
>>
>> >Couldn't someone run a labtop (i.e. G3 powerbook) with running Digital
>> >Performer's P.O.L.A.R. software (performance orietated looping audio
>> >recording) fullly equiped with a recording gate and automatic loop
>playback
>> >functions and achieve more because of the computer's memory and other
>> >feature's. It's an expensive proposition but one I'm looking into because
>> >the idea of having a portable studio and synthesizer and looping brain is
>my
>> >holy grail right now.  The problem I foresee with POLAR's recording gate
>> >function is not so much start times but stop times.  But then again you
>> >could bypass this function and manually trigger start and stop times.
>> >
>> >
>> >_______________________________________________________________
>> >Get Free Email and Do More On The Web. Visit http://www.msn.com
>>
>>
>>
>>
>>          ---> http://Matthias.Grob.org
>>
>>




         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Wed Oct 27 02:18:41 1999
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 <012201bf1be7$2e448120$392310ac@Douglas>
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From: Matthias Grob <matthias@grob.org>
Subject: Low action Foot Switches
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>As sort of a followup to my question about muffling the noise of these big
>clunky switches (EH stuff, too), does anyone know of a quieter alternative
>that can be swapped in without too much modification? (i.e. supplier/part #
>or anything like that...) I have a feeling we're out of luck on this one,
>as the ideal thing would probably require the additional circuitry of
>electronic switching, but it's worth asking. Anyone?
>
>Tim
>
>At 02:19 AM 10/22/99 -0700, you wrote:
>... The unfortunate thing about the headrush is
>>it uses those big clunky switches that are difficult to tap with accuracy.
>>You have to stomp; it's much easier to be accurate with a light and relaxed
>>tap. With all the other foot activated loopers the designers seemed to have
>>thought of this point, and carefully selected switches that can easily be
>>tapped with rhythmic accuracy....

I never looked at headrush but we modified footswitches at PARADIS.
The important about acuracy is the short action of the switch. The contact
should be made as soon as you hit it. So we used keyboard style flat
membrane tiny switches. Since they are small, its easy to find a place for
them in a existing heavy foot pedal mechanism.
Then you have to limit the action of this existing mechanic to protect the
switch which is far to sensible to support a foot. Probably its enough to
glue some little piece of anything in the right spot of the mechanism (look
and think...;-).

Matthias



         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Wed Oct 27 02:19:46 1999
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Hendrix Strings
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>To paraphrase Jimi,
>
>"strings can be such a drag so tonight were just gonna play like they aren't
>there"
>
>Kevin

hahaha, I did not know that one. Did he really say that on a gig?



         ---> http://Matthias.Grob.org


From Loopers-Delight-request@annihilist.com  Wed Oct 27 02:20:39 1999
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Date: Tue, 26 Oct 1999 23:11:14 -0700
From: scott kungha drengsen <kungha@earthlink.net>
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uh..That would be me...
Lahara Mandala(thanks Tim!)
was the name we settled on,partly because it leaves things open for
other collaborations(Mandalas=circles=loops)
It's me(bass and loops) and Roland Robles (Tabla and Urdu)tape running
the 2nd time we played together.
                   Thanks for the Thanks:)
                   Scott Kungha Drengsen

From Loopers-Delight-request@annihilist.com  Wed Oct 27 06:03:12 1999
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Tim wrote:
> You can  check a 9v battery with your tongue, too,

   Is there a proper name for the feeling that is produced from doing that? I want to use it 
as a band name.  It's also cool to do between shots of tequila, try it.

steve

From Loopers-Delight-request@annihilist.com  Wed Oct 27 06:38:23 1999
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CH
I want to add a peaceful message to you (hang on I'm serious please)
If I (me) would have recieved the same message from Kim I would just
hang my face a big <G> smile and agree because of the humour of the
message
I would get it this way because I'm around in loopers delight for 2
years now and this has never been an agressive list but a deep and funny
crowd of individuals

don't be offended; just hang around here for the topics and the fine
crowd.

Claude


chalchiuhtlicue wrote:
> 
> 1)  it did conform to the subject - it was loopers talking about their looping
> rigs.  the instrument one uses to feed sounds into the loop is a large portion
> of the rig.  the posters weren't exchanging pie recipes, they were loopers who
> were talking shop.
> 
> 2) it wasn't a gentle rebuke.  he insulted half the list subscribers in a
> patronizing way.  I'm sorry, but it's hard not to take that as a rant, and
> it's offensive.  I don't care if he's the listkeeper or not.  he accuses
> guitarists for not apologizing for going off subject, and at the same time he
> doesn't apologize for his attitude or indicate in any way that he is being
> facetious.  Sorry, Tom, but I simply don't buy it.
>

From Loopers-Delight-request@annihilist.com  Wed Oct 27 06:46:47 1999
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From: Tim Nelson <tcn62@ici.net>
Subject: RE: Off-topic: Home Electrical Wiring
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Maybe "Lingual Tingle"?  (OFF TOPIC!)

At 04:57 AM 10/27/99 -0500, you wrote:
>Tim wrote:
>> You can  check a 9v battery with your tongue, too,
>
>   Is there a proper name for the feeling that is produced from doing
that? I want to use it 
>as a band name.  It's also cool to do between shots of tequila, try it.
>
>steve
>
>

From Loopers-Delight-request@annihilist.com  Wed Oct 27 07:23:36 1999
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Date: Wed, 27 Oct 1999 04:19:12 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Line 6 DL-4 at AMS
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http://www.americanmusical.com

catalog # lindl4

price: $249.99

Be the first kid on your block to have one!

John


=====
John Tidwell



__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

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From: Jprice01@aol.com
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Date: Wed, 27 Oct 1999 08:10:29 EDT
Subject: Re: Q o' th' Week: Live Gig Rig Logistics
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I apparently got my headrush nicked sat nite. & yes, sometimes gear does not 
make it back.

we made the mistake of packing up our equipment and then leaving it 
unattended and out of eyeshot after we played - big mistake- we should have 
loaded out immediately after we finished playing but we were all pretty beat 
& wanted to see the other bands and DJ's that were playing.

I've been doing a lot of acoustic stuff thruout this week and didnt bother 
unpacking my electro rig for electrified stuff until last nites full band 
practice and then it hit me when i went to plug in the rack gear and floor 
units - the headrush was gone and at that point, it wuz probably long gone.

back to the music store again and ouch ! the $169 price tag is not that big 
but its still money that could have been saved or spent elsewhere.

I have never had any music gear ever stolen but theres a first time for 
everything. I'd say that i'm going to have an inventory of my live rig and 
use a cklist of things to go thru before i finally say i'm finished packing 
and run off for the nite.

JP

JP

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From: Texture444@aol.com
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Date: Wed, 27 Oct 1999 08:18:58 EDT
Subject: Re: delay questions and detritus
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><< Perhaps not the most overtly musical way to use a
>delay pedal, but it sure sounds cool!  >>

whichall begs the (?rhetorical?) question: is there *any* technique (or technology) that **is** 'overtly musical?

also: re: the subject:
said technique --(that of modulating the loop's 'delay' time)-- tis nice discovery, neh?
this is a well-established one for all kindsa musictechfolk, e.g.
dj's, gitfiddlers, bassbusters, drumboppers, fiddlers, keyrollers, microprocessioneers, etc.

>Hey, any way to mangle the equipment that doesn't break
>it is fair game in my
>book. Let me fling far my bibliography (for my
>book,that is):
>1.  Duke said: "if it sounds good, it IS good".
>2.  torn is on this list, i believe he will concur.
yup: i concur, though:
i have broken stuff, occasionally, & the 'breaking' sounded better to me than the surrounding music that i had intended.
glurp,
dt


From Loopers-Delight-request@annihilist.com  Wed Oct 27 08:46:23 1999
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Date: Wed, 27 Oct 1999 08:39:57 -0400
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From: Floyd Miller <floyd@voicenet.com>
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At 08:10 AM 10/27/99 -0400, Jprice01@aol.com wrote:
>I apparently got my headrush nicked sat nite. & yes, sometimes gear does not
>make it back.


Man, I hope you just misplaced it somehow and that it turns up.
Having gear stolen (or anything) really makes you feel violated.



****************
   ********** Floyd Miller
     ****** floyd@voicenet.com
      **** http://www.voicenet.com/~floyd
       ** http://www.studiodust.com  palace://studiodust.com:9996

From Loopers-Delight-request@annihilist.com  Wed Oct 27 09:26:50 1999
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An idea

when you're cool at home make yourself a cassette tape with all the
connections to make given to you by your sexy voice 
made up in a logical way according to your rig

then at set up time play it thru your walkman and do whatever it says

now you can say: yes yes I can setup in 12mn 22secs exactly !!
and not forget anything

Claude

PS: the dictaphone trick is an old live sound engineer trick to remember
the state of the desk

From Loopers-Delight-request@annihilist.com  Wed Oct 27 09:40:40 1999
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From: Lcbois@aol.com
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Date: Wed, 27 Oct 1999 09:30:04 EDT
Subject: Re: Oberheim Echoplex
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$1000. for unit and footpedal(oberheim) i pay shipping.  if interested call 
me at 404 231 5214 after 11 am est for details.

From Loopers-Delight-request@annihilist.com  Wed Oct 27 10:45:17 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: "Loopers' Delight" <Loopers-Delight@annihilist.com>
Subject: Recommendation
Date: Wed, 27 Oct 1999 07:30:04 -0700
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For those who hate being in Loopers' Delight, and hate talking about loops
and related matters, try this on for size:

> > Start Your Own FREE Email List at http://www.listbot.com/

AND STOP POSTING "REMOVE" MESSAGES YOU LAZY BUMS.

Javier Miranda
Berkeley, California
United States

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From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Q o' th' Week: Live Gig Rig Logistics
Date: Wed, 27 Oct 1999 09:24:50 -0500
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Hey tim Nelson,

	Someone suggested an interesting mod for the boomerang pedalboard.
this one would involve using a momentary switch on the record/play swutch.
This way, when you step on it , it would record, and when you release it
would play. Is this mod possible? Would improve the timing a bit?

Denis

Denis Taaffe
denis_aliengtr@geocities.com
http://www.dtguitar.com


-----Original Message-----
From: Tim Nelson [mailto:tcn62@ici.net]
Sent: Tuesday, October 26, 1999 9:03 PM
To: Loopers-Delight@annihilist.com
Subject: Q o' th' Week: Live Gig Rig Logistics


Okay, back to looping....

We discuss individual pieces of looping gear a great deal, but when it
comes to containing it and carrying it around as a system, are any of you
using innovative racks/pedalboards/stands/cases that transport, set up and
tear down particularly well? Any ideas that would benefit a looper playing
on a multiple bill (you know, 6 acts on a crowded stage with ten minutes to
set up between, and no sound check...)? Ways to "smallerize", yet retain
versatility? Original ways to avoid having to unpack, plug in, unplug and
re-pack every patch cord every time ya play out? Effective methods for
making sure that all of your equipment ends up making it home from the gig
with you?

Tim

P.S.: HE ALWAYS STOPES STRANGERS ON THE STREET AND MAKE THEM LOOK AT HIS
CALLOUS FINGRS FROM USEING THICK HEVY STRINGS WITH NEW STANDERD TUNNING... 

(sorry...)

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Date: Wed, 27 Oct 1999 08:06:20 -0700 (PDT)
From: M T <ylpunk@yahoo.com>
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Hi all -

Sorry, I am the one who started the strings thread.  I also recently started a
thread on wrist injuries, the GT-3 and, come to think of it, practically
everything I've ever posted to the list has not been loop-related.  In my
defense, that's because I can't seem to get ahold of a ^*&R&*$^%! EDP. 
Hopefully, that will change very shortly, at which point I may be able to
contribute some on-topic posts.  

I have to say that this list has been immensely helpful to me as a player, and
I think we all owe Kim a lot for keeping it running.  And, from being on some
software lists full of newbies asking unrelated questions, I can definitley
emphasize with those loopers who already know their gear, their strings, and a
hell of a lot of other stuff, and just want to talk about looping here, but
have to wade through a million posts that aren't particularly relevant. 

If Kim or anyone else knows of another list that is as relatively low traffic (
I get 4-7 digests a DAY from the evil list I mentioned above), with as many
helpful quality people on it, I will happily post all offtopic guitar topics
there.  If not, I'll still try to restrain myself from polluting this list when
it's not relevant.  I expect to get ahold of an EDP soon, at which point I
should be full of on-topic questions... 

Thanks,

MT

PS:  At the same time, I do appreciate the answers I got on strings.  Thanks!
__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Oct 27 12:31:22 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: Hendrix Strings
Date: Wed, 27 Oct 1999 12:18:58 -0400
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Didn't Jimi also say "'scuse me while I puke and die"?

- LT
-----Original Message-----
From: Matthias Grob <matthias@grob.org>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, October 27, 1999 2:57 AM
Subject: Re: Hendrix Strings


>>To paraphrase Jimi,
>>
>>"strings can be such a drag so tonight were just gonna play like they
aren't
>>there"
>>
>>Kevin
>
>hahaha, I did not know that one. Did he really say that on a gig?
>
>
>
>         ---> http://Matthias.Grob.org
>
>
>

From Loopers-Delight-request@annihilist.com  Wed Oct 27 13:00:23 1999
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Date: Wed, 27 Oct 1999 22:19:52 +0530
Subject: Re: Plex Upgrade ideas: Loose the box.
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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> EVERYONE's signal goes into one G3 Powerbook etc....

> Is such a thing even technically possible?  And, if so, how much moolah
> would all this crap cost?

Forgedaboudid. Little thing called latency. U know, the time lag between
your signal goin in & your signal comin out. True, you can reduce latency by
using high performance sound cards, but not really good enough. PLus, we're
talkin' computers here, system crashes, freezes, & what not. Not a good
thing for live performance.

Which is why, despite all ze hoopla, computers still have a way to go. And
hardware solutions still rule.

BUT THERE IS A SOLUTION TO ALL YOUR LOOPING (& OTHER) GEAR FANTASIES !

http://www.symbolicsound.com

Get Kyma for $3300 (base model with 4 Motorola 80MHz DSP chips & 96MB of
RAM, 4 audio ins & outs, extremely powerful). Can be later expanded (one
$700, 2 DSP, 48MB RAM card at a time) to a max. of 28 DSPs.

This one box can serve as ultimate synth, sequencer, sampler, looper,
composition tool, coffee maker, etc. All at the same time ! You have to hook
it up to a computer, (PC or Mac, desktop or laptop, & it doesn't have to be
a powerful one either) because that's what the graphical user interface runs
on. No processing takes place in your computer. You can use your computer's
hard drive to store your data though.

$3300 may seem like a lot of money, but even a Kurzweil K2600 can do but a
fraction of what Kyma can. Among their benchmarks for the base model is
listed the capablility to do 70 (mono) voices of sampling. You can build
some pretty freaky Echoplexes-out-of-a-dream in Kyma with this kind
of power ! Imagine having the ability to incorporate LFOs, resonant filters,
toy with the speed, pitch, direction, whatever of your loops in real time.

> Hmmm....  2 Sticks and 2 Zendrummers, all wired to a Cray-2...  could be
> slightly interesting...  ;)

Nah, forget the Cray, Kyma can do everything you dream of & replace a studio
full of gear.

BTW, it's the same DSP chips the Nord & Novation (& Waldorf I thnk) synths
run on. But here in an open environment.

Little bitty bit of a review at
http://www.keyboardmag.com/demos/kyma/kyma.shtml

Drool on !

- Drew

--
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Drew Skyfyre      songwriter, webmaster, happy human

           Skyfyre 2.0: http://skyfyre.lookscool.com
                       email: drew_skyfyre@yahoo.com

    Xenharmonic Engines : microtonality/xenharmonics
                     http://microtonal.lookscool.com
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Oct 27 12:59:14 1999
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Subject: Re: Yamaha SU700
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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Thanks for the info, Kim, DT.

I found a review (of sorts) at :
http://www.keyboardmag.com/demos/su700/su700.shtml
Looks like the SU700 is pretty close to pointless.
The A3000 is infinitely better, but not for real-time of course.

There's also a review of the Lexicon MPX-G2 at :
http://www.guitarplayer.com/archive/gear/bench9904.htm
Nice, but only 20 seconds (non-upgradable ?)

The MPX-G2 seems to be the best all-in-one solution.
Plus the ability to do create very starnge sounds with lots of tweakability
is most important to me, personally. I'm not all that concerned about
replicating the sound of a Marshall. But soon as I can spare $3300, I'm
getting the Kyma system. http://www.symbolicsound.com


- Drew

--
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Drew Skyfyre      songwriter, webmaster, happy human

           Skyfyre 2.0: http://skyfyre.lookscool.com
                       email: drew_skyfyre@yahoo.com

    Xenharmonic Engines : microtonality/xenharmonics
                     http://microtonal.lookscool.com
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Oct 27 14:08:55 1999
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Date: Wed, 27 Oct 1999 12:29:52 -0500
Subject: Looping gigs in Austin, TX, USA this week
From: Travis Hartnett <hartne.t@apple.com>
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For those of you in the area, I'll be looping acoustic guitar through a
Boomerang at the former Covert Buick building on 5th Street, providing lobby
and intermission music for Ariel Dance Theatre's production of "Sound
Paintings" on Thursday and Saturday (7:30PM) and Sunday (2:30) PM.

On Friday, Futura (guitar, bass, DJ) will play at Mojo's Daily Grind (27th
and Guadalupe) between 9PM and 1AM.


Travis Hartnett

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Date: Wed, 27 Oct 1999 13:49:00 EDT
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or......cunning lingual tingula...

Hawkeye

From Loopers-Delight-request@annihilist.com  Wed Oct 27 14:43:52 1999
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Date: Wed, 27 Oct 1999 10:54:14 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a Mailing
 List)
In-reply-to: <19991026230949.1526.qmail@hotmail.com>
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>jeeze, it's not like these guys were exchanging urls for pay porn sites.  they
>were talking shop -- loopers discussing an instrument they use in looping.
>the list name, which you patronizingly pointed out, is "looper's delight".
>how is that so off-topic?
>
>in fact, in this whole thread, your own post makes you look most like who you
>describe when you insult half the people on this list -- a ranting,
>self-important, calloused jerk.
>
>if this is the sort of tone you wish to set here then unsubscribe me.  because
>it is you who are off-topic.  at least until you change the list name to
>Loopers-Full-Of-Themselves.
>
>thanks,
>ch

Well, I must say, I practically had tears in my eyes from laughing over
this whole thing.

You may want to peruse the famous Netiquette guide by Arlene Rinaldi,
especially the section on mailing list etiquette:

http://www.fau.edu/netiquette/net/dis.html

Very smart advice from decades of collective wisdom on how these things
work. Those of you who haven't checked it in a while may wist to review.
Some great points from Arlene:

*******************************************************************
  - Keep your questions and comments relevant to the focus of the
    discussion group.

  - If another person posts a comment or question that is off the
    subject, do NOT reply to the list and keep the off- subject
    conversation going publicly.

[This next one is my favorite, people are so predictable....]

  - When someone posts an off-subject note, and someone else criticizes
    that posting, you should NOT submit a gratuitous note saying "well, I
    liked it and lots of people probably did as well and you guys ought to
    lighten up and not tell us to stick to the subject".


[And finally, since Mr. CH only subscribed on Monday, this next one should
be particularly relavant...]

   - When you join a list, monitor the messages for a few days to get a
     feel for what common questions are asked, and what topics are deemed
     off-limits. This is commonly referred to as lurking. When you feel
     comfortable with the group, then start posting.

********************************************************************

A lot more good advice there, check it out.

And yes, I am an asshole. My daddy was an asshole before me, and his daddy
an asshole before him. Very long, proud asshole tradition. You'll just have
to get over it. ;-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Wed Oct 27 14:45:06 1999
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Subject: Re: Get Over Yourself (peace and love said jimmi)
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k

----- Original Message -----
From: Claude Voit <c.voit@vtx.ch>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, October 27, 1999 2:23 PM
Subject: Re: Get Over Yourself (peace and love said jimmi)


> CH
> I want to add a peaceful message to you (hang on I'm serious please)
> If I (me) would have recieved the same message from Kim I would just
> hang my face a big <G> smile and agree because of the humour of the
> message
> I would get it this way because I'm around in loopers delight for 2
> years now and this has never been an agressive list but a deep and funny
> crowd of individuals
>
> don't be offended; just hang around here for the topics and the fine
> crowd.

From Loopers-Delight-request@annihilist.com  Wed Oct 27 14:49:32 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Yamaha SU700
Date: Wed, 27 Oct 1999 13:27:31 -0500
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Drew,

>But soon as I can spare $3300, I'm
>getting the Kyma system. http://www.symbolicsound.com

I've looked at Kyma before and I've been really impressed.  How soon do you
think you'll get one and how's about posting a review?

Dennis Leas
-----------------------------
dennis@mdbs.com



From Loopers-Delight-request@annihilist.com  Wed Oct 27 14:45:19 1999
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Subject: Re: Hendrix Strings
Date: Wed, 27 Oct 1999 13:09:29 -0500
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I think he just did that one without telegraphing it..  sometimes actions
speak louder than words!

poor Jimi

----- Original Message -----
From: L Tremblay <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, October 27, 1999 11:18 AM
Subject: Re: Hendrix Strings


> Didn't Jimi also say "'scuse me while I puke and die"?
>
> - LT


From Loopers-Delight-request@annihilist.com  Wed Oct 27 14:46:18 1999
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Date: Wed, 27 Oct 1999 14:03:45 -0400
Subject: Live Gig Rig Logistics
From: "klowy@wrinklemuzik" <klowy@wrinklemuzik.com>
To: <Loopers-Delight@annihilist.com>
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although i'm (i'm sure we all are) always trying to find an easier way, my
current set up for live usage is to put all the rack stuff in two racks (one
is too heavy). the main rack has the following:

EDP
harmonizer
ART SG2000
switchblade GL

all of the cables are wrapped inside the rack. the ones that have to go
external devices are marked, and there is a snake that goes to the floor
effects (all cable ends are clearly marked).

the secured rack has the amp, a 2nd EDP, tuner and jamMan and in some cases
a synth or two.

it now takes me about 10 minutes to set up, but with lots of cables there
are always problems.

klowy

--------------------------------------------
you can actually hear wrinklemuzik on the web:

http://www.riffage.com/Bands/1,2939,1682,00.html

From Loopers-Delight-request@annihilist.com  Wed Oct 27 14:58:54 1999
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: of possiblel interest to the list . . . 
Date: Wed, 27 Oct 1999 14:21:07 -0400
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for the really retro-minded: i picked this up from the pedalman site . . . 

i wonder if the "tubeplex" does the old echoplex sound-on-sound thing.

stig



Mike Battle - The original designer of the Tube Echoplex (back in the early
1960s) - 
brings the magnificent Tube Echoplex back to life, better than ever, not
only *the REAL
THING* with its all tube design, chrome plate and wooden case with handle,
but quieter,
more stable, and more reliable! 


                                     "Virtually identical to the original
ECHOPLEX,
                                     but with a few improvements made. We
have
                                     incorporated a noise reduction circuit
to
                                     eliminate tape hiss, and have also used
a cap
                                     stan motor to do away with the fly
wheel and
                                     belt, which decreases wow and flutter
noise." 
                                     FEATURES: 
                                     3 - 12AX7 pre-amp Tubes 
                                     Balance, Repeat and Record Controls 
                                     Footswitchable 
						 coming end of Oct 1999 
                                     Suggested Retail is set at $998

From Loopers-Delight-request@annihilist.com  Wed Oct 27 15:29:05 1999
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Message-ID: <7BAC931E644ED211A90C00805F65CB640282D801@georgia.exchange.indiana.edu>
From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Live Gig Rig Logistics
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Hello,

	Yes, I'm struggling with this as well. At what point is it
ridiculous. Originally I had the setup being:

3 pedalboards, 2 8spracks, 4 2x12's, 2 15" bass cabs, stands, 2 electrics
and 1 acoustic. Completely rediculous and it certainly doesn't fit in my
puny car and it takes me way to long to setup. Hmmm... at what point does it
border on stupidity.setup time is 1/2-45 minutes?!

Denis

Denis taaffe
denis_alienbgtr@geocities.com
http://www.dtguitar.com


From Loopers-Delight-request@annihilist.com  Wed Oct 27 15:43:01 1999
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a MailingList)
Date: Wed, 27 Oct 1999 14:34:07 -0500
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-----Original Message-----
From: Kim Flint <kflint@annihilist.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, October 27, 1999 1:59 PM
Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a
MailingList)

SNIP

>  - If another person posts a comment or question that is off the
>    subject, do NOT reply to the list and keep the off- subject
>    conversation going publicly.
>
>[This next one is my favorite, people are so predictable....]
>
>  - When someone posts an off-subject note, and someone else criticizes
>    that posting, you should NOT submit a gratuitous note saying "well, I
>    liked it and lots of people probably did as well and you guys ought to
>    lighten up and not tell us to stick to the subject".>

YEAH . .. what Kim SAID!!    %^?

(SNIP and please, always trim the extraneous parts of the original
post--thank you and HND)

drone on~~~~~~~~~~~

Tom Lambrecht
hideo@concentric.net


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Date: Wed, 27 Oct 1999 14:35:25 -0500
Subject: FS: Boomerang ($325) Harmony Central
From: Travis Hartnett <hartne.t@apple.com>
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Boomerang Phrase Sampler /Looper

Asking Price: US$325
Condition: Mint
Age: 1 year 
Description:

       Boomerang floor-based phrase sampler. This one has a 1 minute memory,
but it can be inexpensively upgraded to 4 minutes.

       Cool tool for layering sounds, or improvising with
self-accompaniment. Similar to the Lexicon JamMan, but with more memory.
Very user friendly layout. Refer to
       harmony-central's effects database for more info.

       Paid more than $400 for it a year ago. Didn't use it much - guess I
had a G.A.S. problem back then. It's in mint condition with manual and
original box. Asking
       $325, inclusive of COD shipping within the continental US by UPS
ground.

Seller: Jai Kasthurirangan, (512)420-0429
E-mail: jai@io.com (Profile)
Location: AUSTIN, TX
Post Date: 10/26/99

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Date: Wed, 27 Oct 1999 14:30:18 -0500
Subject: FS: JamMan (8sec) $500 (Harmony Central)
From: Travis Hartnett <hartne.t@apple.com>
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Roland Synth / Lexicon Jam Man

Asking Price: US$N/A
Condition: Excellent
Age: N/A
Description:

       Lexicon Jam Man, 8 seconds
       -excellent condition with photocopied manual...$500 US obo.

       Roland CMU 810 and 800
       -the 800 is essentially an SH101 without keyboard or sequencer,
however this 800 is patched out for modular use.
       -the 810 is similar to a 606 with no sequencer, each drum sound is
patched to be triggered from outside trigger source or sequencer...$400 US
for the pair.

       Robert Brasz (416)516-9538
       Toronto, ON

Seller: Robert Brasz, (416)516-9538
E-mail: eelirak@yesic.com (Profile)
Post Date: 10/26/99

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Date: Wed, 27 Oct 1999 14:33:58 -0500
Subject: FS: Boomerang Phrase Sampler Looper pedal ($300) Harmony Central
From: Travis Hartnett <hartne.t@apple.com>
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FS: Boomerang Phrase Sampler Looper pedal

Asking Price: US$N/A
Condition: Good
Age: N/A
Description:

       Boomerang phrase sampler pedal with 4 meg, works great, some paint
chips on the metal from use....$300 obo

Seller: LENNY STEVENS,
E-mail: scurry@airmail.net (Profile)
Location: DALLAS, TX
Post Date: 10/26/99

From Loopers-Delight-request@annihilist.com  Wed Oct 27 16:21:47 1999
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Date: Wed, 27 Oct 1999 15:47:56 -0400 (EDT)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Yamaha SU700
In-Reply-To: <016301bf20a8$eebc0fc0$1fab82cc@testserver.mdbs.com>
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I played a gig last year with someone who was (trying to use) a Kyma.  He
lived near the people who invented it and had brought it back to them a
bunch of times to get fixed.  When he set it up on stage it was totally
dead, useless.  I love the concept, but for that kind of cash, I'd want a
system that was slightly more bullet-proof.

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

On Wed, 27 Oct 1999, Dennis W. Leas wrote:

> Drew,
> 
> >But soon as I can spare $3300, I'm
> >getting the Kyma system. http://www.symbolicsound.com
> 
> I've looked at Kyma before and I've been really impressed.  How soon do you
> think you'll get one and how's about posting a review?
> 
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
> 
> 
> 

From Loopers-Delight-request@annihilist.com  Wed Oct 27 16:26:31 1999
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Subject: edp INSERT/ REHEARSE mode
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Dear loopers and meta-loopers,

A Friend of mine has a query concerning the insert/ rehearse mode on His
edp (with LOOP v5.0). I hope You all don't mind me redirecting His
question towards Your meta-intelligence. :-)

When He switches His edp to INSERT mode, it only works as advertised the
first time through. The second time through the edp behaves in normal
looping mode, i.e. it simply creates a "closed" loop and doesn't allow
further "rehearsals".

If you could help Him, He would be thankful. I'll serve as a conduit
from You to Him, sorta like the Pope. ;-)

AND HE WILL GRANT UPON THEE MERCY.

<outrageous humor mode off>

thanks,
rob


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Date: Wed, 27 Oct 1999 16:16:41 -0400 (EDT)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
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> Loopers-Delight-d Digest				Volume 99 : Issue 412
> ------------------------------
> Date: Sun, 24 Oct 1999 21:31:07 -0400
> From: "Tiktok World HQ" <tiktok@sprintmail.com>
> To: "Looper's Delight" <Loopers-Delight@annihilist.com>
> Subject: MIDI looper?
>
> Is there sequencing software (or better, a standalone sequencer) which can
> act as a looper, except for MIDI events instead of audio?
>
> Travis Hartnett
> ------------------------------
> Date: Mon, 25 Oct 1999 10:10:05 -0500
> From: "Travis Hartnett" <hartne.t@apple.com>
> To: Loopers-Delight@annihilist.com
> Subject: Re: MIDI looper?
>
> I guess I should clarify--what I want is a MIDI sequencer that emulates a
> long digital delay, in that repeats can be set to decrease in volume.
>
> TH
> ----------
> End of Loopers-Delight-d Digest V99 Issue #412
> **********************************************

Digital Music's MX-8 MIDI patchbay/processor can do what you want.  Play
a synth note and it will come out followed by repeats that have
decreasing note-on velocities.  You can program the delay time and decay
rate.  It can also do other whacky things like rechannelize the data so
that the repeats are on a different MIDI channel!  Whatch out for MIDI
feedback loops.  You may wish to put your master keyboard (or other
controller) into LOCAL OFF mode.  IIRC, it can do MIDI pitch shifts,
too.  BTW, you also get a 6 in x 8 out patchbay to boot!

Bill     >>> home: billfox@fast.net <<<     work: billfox@lucent.com
==============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
==============================================================================
The radio station:      http://www.wdiyfm.org
My radio show:          http://www.wdiyfm.org/schedule/s_emusic.html
My band's site:         http://www.crosswinds.net/~shadowplay

From Loopers-Delight-request@annihilist.com  Wed Oct 27 16:25:53 1999
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From: WshaUfizi@aol.com
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Date: Wed, 27 Oct 1999 15:56:55 EDT
Subject: Re: Zendrum/losing the box
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hey!  I play electric banjo!!  Same model Deering.  'course I'm not as good 
as Bela but hopefully that will come in time.  Speaking of Bela, he's got an 
interesting setup as well.  Has anyone ever tried the Roland synth he uses?

~kris

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Viking Case company

From Loopers-Delight-request@annihilist.com  Wed Oct 27 16:42:09 1999
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Subject: Re: Get Over Yourself (was Re: Elixir Strung-outs)
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Watch what happens when they start talking about scotch again.
A

From Loopers-Delight-request@annihilist.com  Wed Oct 27 17:05:09 1999
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Date: Wed, 27 Oct 1999 15:30:41 -0500
Subject: Re: MIDI looper?
From: Travis Hartnett <hartne.t@apple.com>
To: <Loopers-Delight@annihilist.com>
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How flexible are the repeat parameters?  It'd be nice to be able to specify
"precisely [n] repeats of the same volume" and so on.

TH



> From: wbf@aloft.micro.lucent.com (William_B_Fox)
> Reply-To: Loopers-Delight@annihilist.com
> Date: Wed, 27 Oct 1999 16:16:41 -0400 (EDT)
> To: Loopers-Delight@annihilist.com
> Subject: Re: MIDI looper?
> Resent-From: Loopers-Delight@annihilist.com
> Resent-Date: Wed, 27 Oct 1999 16:28:39 -0400
> 
>> Loopers-Delight-d Digest    Volume 99 : Issue 412
>> ------------------------------
>> Date: Sun, 24 Oct 1999 21:31:07 -0400
>> From: "Tiktok World HQ" <tiktok@sprintmail.com>
>> To: "Looper's Delight" <Loopers-Delight@annihilist.com>
>> Subject: MIDI looper?
>> 
>> Is there sequencing software (or better, a standalone sequencer) which can
>> act as a looper, except for MIDI events instead of audio?
>> 
>> Travis Hartnett
>> ------------------------------
>> Date: Mon, 25 Oct 1999 10:10:05 -0500
>> From: "Travis Hartnett" <hartne.t@apple.com>
>> To: Loopers-Delight@annihilist.com
>> Subject: Re: MIDI looper?
>> 
>> I guess I should clarify--what I want is a MIDI sequencer that emulates a
>> long digital delay, in that repeats can be set to decrease in volume.
>> 
>> TH
>> ----------
>> End of Loopers-Delight-d Digest V99 Issue #412
>> **********************************************
> 
> Digital Music's MX-8 MIDI patchbay/processor can do what you want.  Play
> a synth note and it will come out followed by repeats that have
> decreasing note-on velocities.  You can program the delay time and decay
> rate.  It can also do other whacky things like rechannelize the data so
> that the repeats are on a different MIDI channel!  Whatch out for MIDI
> feedback loops.  You may wish to put your master keyboard (or other
> controller) into LOCAL OFF mode.  IIRC, it can do MIDI pitch shifts,
> too.  BTW, you also get a 6 in x 8 out patchbay to boot!
> 
> Bill     >>> home: billfox@fast.net <<<     work: billfox@lucent.com
> ==============================================================================
> Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
> 11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
> Phillipsburg.  Email me if you wish to submit music for airplay consideration.
> ==============================================================================
> The radio station:      http://www.wdiyfm.org
> My radio show:          http://www.wdiyfm.org/schedule/s_emusic.html
> My band's site:         http://www.crosswinds.net/~shadowplay
> 

From Loopers-Delight-request@annihilist.com  Wed Oct 27 17:03:47 1999
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From: Lcbois@aol.com
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Date: Wed, 27 Oct 1999 16:38:18 EDT
Subject: please remove
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please remove me from list

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Message-ID: <005901bf20ba$d38248c0$78cf883e@colins-gear>
From: "Colin Seddon" <colin@drumbase.freeserve.co.uk>
To: <Loopers-Delight@annihilist.com>
Subject: Re: is it the moon?
Date: Wed, 27 Oct 1999 21:05:06 +0100
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Aha,

Let the tenuous loopology begin..........

Who out there has played with Mobius strips?  You don't need hardware for
those either.
Just strips of looped paper, any number of twists and a pair of scissors.
Amaze your friends!

Bobdog  are you the very same bobdog of megadog?
Remember Big Top in empty American warehouses, broken down buses and lots of
hanging about?

Colin

-----Original Message-----
From: Bobdog/Doghouse Audio Laboratory <psbuddha@texas.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: 27 October 1999 04:16
Subject: Re: is it the moon?


>the moon is looking mighty fine tonight as it makes yet one more tick on
>its endless loop around earth, no hardware needed.
>
>bobdog
>
>

From Loopers-Delight-request@annihilist.com  Wed Oct 27 17:10:02 1999
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From: "nitesh patel" <tesh@gte.net>
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removeme it's not what i thunk it was lots doubles and junk

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remove

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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Live Gig Rig Logistics
Date: Wed, 27 Oct 1999 15:54:03 -0400
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> at what point does it
> border on stupidity.setup time is 1/2-45 minutes?!
> 
	** yeah. i was in a band where both the guitarist and i brought
stereo rigs (i play bass); i was hauling stereo amp/preamp, two cabinets,
two roland rsp-550s plus two rds-8000s (for looping - - one per channel to
have different loops at opposite sides of the stage) and foot stuff, too.
the vocalist also did some looping and processing. usual set-up time was at
least 30 minutes, more often longer - - for a 45-minute set.

	i called us the band with more gear than sense . . . 

	now it's amp (walter woods) and processing in some small backbacks.
used to do two but now it's up to three (megalomania strikes). need to get a
bigger bag. everything (except the amp) is stomp boxes (eh-16 and headrush
for loopage).

	i don't miss stereo, but still have the capability with the woods.

	stig


From Loopers-Delight-request@annihilist.com  Wed Oct 27 17:29:40 1999
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Date: Wed, 27 Oct 1999 16:25:14 -0400 (EDT)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
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> Loopers-Delight-d Digest				Volume 99 : Issue 413
> ------------------------------
> From: "Taaffe, Denis G" <dtaaffe@indiana.edu>
> Subject: RE: RE: Foot controller
> 	Hey, the midimitgator, that's what I use. It's really great. I love
> it. What happened to lake butler the makers of the rfc-1? Did they go under.
> They also made a nother pedal that had 4 ev pedals, no?
> ------------------------------
> End of Loopers-Delight-d Digest V99 Issue #413
> **********************************************

I found a busted one in 1996 and grabbed it for $75.  I sent it in to
Lake Butler for repairs and the memory upgrade.  They said that they
still support their music products but are out of the MI business and on
to other things instead.  Sorry my info isn't any more recent than that.

Bill     >>> home: billfox@fast.net <<<     work: billfox@lucent.com
==============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
==============================================================================
The radio station:      http://www.wdiyfm.org
My radio show:          http://www.wdiyfm.org/schedule/s_emusic.html
My band's site:         http://www.crosswinds.net/~shadowplay

From Loopers-Delight-request@annihilist.com  Wed Oct 27 17:41:08 1999
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Subject: Re: ozric
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> Loopers-Delight-d Digest				Volume 99 : Issue 414
> ------------------------------
> Date: Mon, 25 Oct 1999 19:04:28 PDT
> From: "nicholas konopka" <perihelion.1@excite.com>
> To: Loopers-Delight@annihilist.com
> Subject: ozric
>
> Is anyone familiar with the band Ozric Tentacles?
> If so, my question is..
> What is the equipment that the synth player (Seaweed) plays?
> The synths and looping devices...
> Nick..
> ------------------------------
> End of Loopers-Delight-d Digest V99 Issue #414
> **********************************************

Seaweed?  Must be a newer keyboard player.  Joie (was that his name?  I
forget.) used some standard stuff and a little one that he made.  This
was back in about 1995 when I saw them in NYC in some hole in the wall.
Sorry I can't remember any more.  I wasn't aware of looping back then so
I have no idea if they looped anything or not.

Bill     >>> home: billfox@fast.net <<<     work: billfox@lucent.com
==============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
==============================================================================
The radio station:      http://www.wdiyfm.org
My radio show:          http://www.wdiyfm.org/schedule/s_emusic.html
My band's site:         http://www.crosswinds.net/~shadowplay

From Loopers-Delight-request@annihilist.com  Wed Oct 27 17:45:26 1999
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Date: Wed, 27 Oct 1999 16:13:21 -0500
Subject: FS: 7.6sec Time Machine (ebay)
From: Travis Hartnett <hartne.t@apple.com>
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http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=186667982

From Loopers-Delight-request@annihilist.com  Wed Oct 27 17:45:27 1999
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Subject: Re: Live Gig Rig Logistics
From: Travis Hartnett <hartne.t@apple.com>
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Having hauled around rigs of varying sizes, I use three rules:

1) Don't have any single piece of gear you can't lift by yourself.
2) Don't have more stuff than fits into a vehicle you own.
3) With everything stacked next to the stage, don't take more than 10
minutes to setup.

TH



> From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
> Reply-To: Loopers-Delight@annihilist.com
> Date: Wed, 27 Oct 1999 15:54:03 -0400
> To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
> Subject: RE: Live Gig Rig Logistics
> Resent-From: Loopers-Delight@annihilist.com
> Resent-Date: Wed, 27 Oct 1999 16:49:58 -0400
> 
> 
>> at what point does it
>> border on stupidity.setup time is 1/2-45 minutes?!

From Loopers-Delight-request@annihilist.com  Wed Oct 27 17:59:49 1999
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Message-ID: <005201bf20c1$feec28d0$c34badce@ltremblay.concentric.net>
From: "L Tremblay" <ltct@concentric.net>
To: "Loopers" <Loopers-Delight@annihilist.com>
Subject: FA: MX-8 MIDI Patch bay (eBay) (RE: MIDI Looper)
Date: Wed, 27 Oct 1999 17:26:44 -0400
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MX-8 MIDI Patch bay

Digital Music Corp. MX-8 MIDI Patch bay. Features 6 MIDI in's and 8 out's. 
Fully programmable paramaters let you route your MIDI configuration any 
way you want it, and quickly! Comes with manual and power supply. Rack 
mountable for live or studio work. The MX-8 allows you to rout and merge 
midi inputs, dit processors and filters, transpose, set digital delay, 
velocity crosswitch, program change, etc, to name a few. 

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=188977713

- Larry Tremblay

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Subject: OT - Re: Live Gig LOOPING Rig Logistics
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>>> Travis Hartnett <hartne.t@apple.com> 10/27 2:26 PM >>>
> Having hauled around rigs of varying sizes, I use three rules:
> 1) Don't have any single piece of gear you can't lift by yourself.
> 2) Don't have more stuff than fits into a vehicle you own.
> 3) With everything stacked next to the stage, don't take more than
10 minutes to setup.

I'm one of those stereo rack / full range guys... I swing wildly
between wanting everything for total mayhem, to being totally sick of
taking it and resorting to as small a rig as possible.

I have a 10sp w/EDP, 2x Vortex, LXP15II, 1sp Mixer, 1sp Mic Pre
w/dynamic control, GCX Loop switcher, Pwr Conditioner, Stereo Patch
Bay... I have a fuzz board w/3-5 fuzzes or a Waldorf 4-pole velcro'd
to the top of the rack and it stows on the inside of the back cover
when in transit. I've also begun taking along a groovy audio/visual
cart with nice big casters and a built in power strip. It has a low
shelf, a middle shelf about 2 feet above the bottom one, and another
shelf about a foot from the middle one. I put the 4-pole and drum box
on the middle shelf and sometimes even stick the GT-5 on the bottom
shelf, leaving only one pedal board and some loose items on the
floor...

On the floor, there's a Boss GT-5 w/extra ExPed and FS5U switch as
well as a Fuzz Factory and Wah... then there's another pedal board
with the PMC10 midi controller and 3 ExPeds as well as 4 FS5U's for
control of the two Vortexes... Then there's the EDP foot controller as
well...

I used to use a 1sp pwr amp and a pair of excellent sounding Acme
Lo-B 2x10 3 way enclosures (courtesy of our LD friend, the generous
Laurie Hatch! Thanks Laurie!) and these were a snap to cable up as
well although elevation is sometimes a problem. Maybe those darn pole
mount stands will have to be a consideration... (I would tilt them
back and use like monitors...) BTW: Acme Bass now has in production a
Lo-B 1x10 3-way selling mail order direct for $360 ea. 

http://www.acmebass.com/

When motivated, I can be set up in 10-15 minutes, although to be
truthful... maintaining a meditative mood and soft stroking the muse
requires a more relaxed pace. Maybe 20-25 minutes. This all usually
works without a sound check, or just a brief stint in the
headphones...

When really traveling light, I take my GT-5 in a bag which will also
hold it's ExPed and FS5U as well as all cables, strings, wah and a
couple stomps... all on a shoulder strap. With something like the
headrush and a pair of powered speakers this a a very small setup and
extremely powerful... I could set that up in 5 minutes.

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

From Loopers-Delight-request@annihilist.com  Wed Oct 27 18:59:28 1999
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Message-ID: <4495C77AB577D31199120008C756D0C412FD2F@migarexch01.maritz.com>
From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: late notice: looping + in long beach, ca, usa
Date: Wed, 27 Oct 1999 18:33:46 -0400
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	howdy,

	playing with a dj/turntable maestro in long beach, ca, thursday 28
october. 

	steuart liebig (me): bass, loopage, other effects
	dj chowderhead: turntables, beats, thangs

	it's a small and reflective place, so we'll be doing our best to
keep in on the meditative and less-raucous end of things.

	portfolio cafe: corner of junipero and 4th streets, long beach, ca


From Loopers-Delight-request@annihilist.com  Wed Oct 27 19:09:19 1999
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Date: Thu, 28 Oct 1999 00:41:10 +0200
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if you bring up this thread again ...
the lagavulin's great over here, how're you doing?

Rob

WarNerve wrote:
> 
> Watch what happens when they start talking about scotch again.

From Loopers-Delight-request@annihilist.com  Wed Oct 27 19:31:07 1999
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Date: Wed, 27 Oct 1999 18:12:55 -0600 (CST)
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From: Andy Soto <smaug@servidor.unam.mx>
Subject: re-301 replacement tape
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    just a question,does anybody knows where I could buy some replacement
tapes for my re-301 in the New York City-New Jersey area? a friend of mine
is going up north for a week and heīll try to find me some.

    I just need that tape because I get cranky without my sound on sound %)

thanx

Andy in Mexico City.


From Loopers-Delight-request@annihilist.com  Wed Oct 27 20:52:45 1999
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From: "Alan Imberg" <alan_i@sprynet.com>
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Subject: Re: Q o' th' Week: Live Gig Rig Logistics
Date: Wed, 27 Oct 1999 17:33:42 -0700
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I have 3 rackmountable units and 5 floor pedal units in my live rig which
got rather unmanagable with patch cables and wallwarts all over the place.
I'm always amazed how frequently I loose cables and gain someone elses after
a gig. To resolve this mess, I wanted to get a rack but couldn't afford one.
One day, I was rummaging through the local 2nd hand store looking for golf
clubs when I saw a beat up stereo cabinet for $5. I bought it and spurced it
up with some black paint. My rack mount gear fit perfectly. The top shelf
where normally a turntable would sit was perfect for my looping foot pedals
that I manipulate with my hands (Akai Headrush, Digitech Delay, etc). I
slanted the shelf at a moderate incline so the pedals would be a bit more
upright for my playing position (I play seated). I put velcro tape on the
shelf and pedals. I made an additional shelf for my candles and incense. At
the bottom of the rack, I installed some power strips and slot for my combo
amp for the occassions that I don't bring my amp head and 4x12 cabinet. I
put some casters on for mobility and have been pleased with my bargain rack
ever since. All the patch cables are neatly bundled within the rack so I
only have to insert the rack into my effects loop when I use my half stack
set up. It now takes me all of 5 minutes to get on and off the stage and I
leave the joint with the same patch cables I came with.



> Okay, back to looping....
>
> We discuss individual pieces of looping gear a great deal, but when it
> comes to containing it and carrying it around as a system, are any of you
> using innovative racks/pedalboards/stands/cases that transport, set up and
> tear down particularly well? Any ideas that would benefit a looper playing
> on a multiple bill (you know, 6 acts on a crowded stage with ten minutes
to
> set up between, and no sound check...)? Ways to "smallerize", yet retain
> versatility? Original ways to avoid having to unpack, plug in, unplug and
> re-pack every patch cord every time ya play out? Effective methods for
> making sure that all of your equipment ends up making it home from the gig
> with you?
>
> Tim
>
> P.S.: HE ALWAYS STOPES STRANGERS ON THE STREET AND MAKE THEM LOOK AT HIS
> CALLOUS FINGRS FROM USEING THICK HEVY STRINGS WITH NEW STANDERD TUNNING...
>
> (sorry...)
>


From Loopers-Delight-request@annihilist.com  Wed Oct 27 22:02:59 1999
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From: Tim Nelson <tcn62@ici.net>
Subject: RE: Q o' th' Week: Live Gig Rig Logistics
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Hi Denis,

I think you mean Mikel Nelson... Same surname, but he knows a whole lot
more about 'Rangs, for some strange reason!

Mike? Would this work?

Tim

At 09:24 AM 10/27/99 -0500, you wrote:
>Hey tim Nelson,
>
>	Someone suggested an interesting mod for the boomerang pedalboard.
>this one would involve using a momentary switch on the record/play swutch.
>This way, when you step on it , it would record, and when you release it
>would play. Is this mod possible? Would improve the timing a bit?
>
>Denis
>
>Denis Taaffe
>denis_aliengtr@geocities.com
>http://www.dtguitar.com

From Loopers-Delight-request@annihilist.com  Wed Oct 27 22:19:07 1999
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I met Kim at this year's Winter NAMM and he's actually pretty cool in person.

Cheers,
Paolo

From Loopers-Delight-request@annihilist.com  Wed Oct 27 22:24:56 1999
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From: Jax1723@aol.com
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Date: Wed, 27 Oct 1999 22:07:38 EDT
Subject: EH 16 second delay
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anyone check this out on ebay: 
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=186259137
supposedly it's the second one ever made (prototype)...  
pretty damn rare I suppose.

cheers
jack

From Loopers-Delight-request@annihilist.com  Wed Oct 27 21:42:50 1999
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From: "Weideman, Gary L (Gary)" <weideman@lucent.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: Anyone sell a JamMan Footswitch ??
Date: Wed, 13 Oct 1999 15:06:20 -0500
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> Hi,
> 
Another JamMan question - where can I get footswitches
for a JamMan ??

G. Weideman

From Loopers-Delight-request@annihilist.com  Wed Oct 27 22:34:24 1999
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do you mean the jomox drum machine? table-top or rack version?

rob

Cornhilio2@aol.com schrieb:
> 
> 
> what do you all think of the xbase09 i was thinking of buying one

From Loopers-Delight-request@annihilist.com  Wed Oct 27 21:47:58 1999
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> Some more questions for those more knowledgeable about the nature of loops and
> analog/digital delay units. Can a loop be sped up or slowed down only if the delay
> time is adjustable with a knob? Is every delay that has knobs capable of being
> sped up/slowed down? I assume the position of the delay time knob  (at the time of
> the loop recording) would determine the degree to which the loop could be sped up/
> slowed down (in the middle would mean it could be raised or lowered the same
> amount, etc.).
> 
> Most digital loops seem to destruct when you try to change the delay time-are
> there any (except the EH 16 sec delay) that are able to do this? Has anyone
> overcome these limitations by using a pitch shifter  the loop, and if so, which
> model (s) seem to work best for the thick texture of a multi-overdubbed loop?
> 
> Thanks for your time,
> Paul Sullivan
> 

Yes there is another case at least.

See at http://perso.club-internet.fr/perille

Emmanuel

From Loopers-Delight-request@annihilist.com  Wed Oct 27 22:47:20 1999
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From: "Colin Seddon" <colin@drumbase.freeserve.co.uk>
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Hi Rob,

As I said, I'm waiting for the closing date of the auction, so I'll know by
4pm on Saturday.
I notice there are others interested.  If they want to buy before Saturday,
I reckon you should go ahead.  Cheers -

Colin

-----Original Message-----
From: Lcbois@aol.com <Lcbois@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: 27 October 1999 14:31
Subject: Re: Oberheim Echoplex


>$1000. for unit and footpedal(oberheim) i pay shipping.  if interested call
>me at 404 231 5214 after 11 am est for details.
>
>

From Loopers-Delight-request@annihilist.com  Wed Oct 27 21:47:39 1999
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Subject: Re: Two looping questions from a neophyte
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> Any chance of a CD from the Italia gig being released?
 Mark Kata

probly not.
a studio recording: or, remixes of the live stuff:
is/are more likely, but not for some while.
best,
dt

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From: "postaldave" <postaldave@qx.net>
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does anyone out there know if this unit is a stereo or mono unit?
postaldave@qx.net


by the way fender flat wounds is the only clear choose for REAL loopers. lol



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Subject: Re: CD-RW Burner for Mac Laptop
Date: Thu, 21 Oct 1999 11:10:04 -0700
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Watch for USB 2.0 as it's supposed to supply a bigger throughput than the
present spec.  Kim probably knows this one on a more tech level.  I went
through a good deal of trouble with an EIDE CDRW drive earlier this year
(though on a PC, I think the problems are cross-platform in this regard);
the IDE CDRW drives and the USB ones made earlier this year don't run too
well on a machine with a bus faster than 66MHz, without disabling some
aspect of bus mastering - which of course makes a fast machine seem like
otherwise.

As one PC reader quipped last week, "most of the devices I see made for USB
are translucent blue," so perhaps you've got more hope for resolution in the
USB realm.  But I wonder about the aspect of USB 2.0, so it's worth
investigating.

Stephen Goodman       * It's the free Loop Of The Week!
EarthLight Productions * http://www.earthlight.net/Studios.html
*
(Hear the NEW "Star Spangled Banner" here!)

----- Original Message -----
From: Sean Witters <seanwitters@hotmail.com>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, October 21, 1999 09:31
Subject: Re: CD-RW Burner for Mac Laptop


> I'm going to purchase a CD-RW burner.  I'm using a 400Mhz Powerbook G3,
I'm
> assuming that because this is a laptop I'll have to get a USB interfaced
> burner.  I'm new to the CD-Burner realm, any suggestions?  Please keep the
> answers mac oriented.  Thanks, Sean
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
>

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Date: Wed, 27 Oct 1999 19:38:53 -0700
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I just played a gig at the Filmore last week where I wanted to either 
take the kitchen sink, or next to nothing. Because this was a Miles 
Davis tribute band, covering the electric period from 70-75,  I erred 
on the side of taking everything.  The early 70's were a period of 
excess in many ways.

In my case, the kitchen sink consisted of:
  - a mostly filled 12-space rack (with EDP, natch)
  - a pedalboard (comp, fuzz , wah-wah, overdrive, boost)
  - a MIDI switchboard
  - a couple of random footswitches (effects bypass)
  - a couple of random footpedals (effects continuous control)
  - a master stereo volume pedal (doesn't fit on the pedal board)
  - a knobby synth (gets velcroed to the top of my rack)
  - a drum stool
  - amplification courtesy of a pair of JBL Eon 15 PAKs

Perhaps because I have a station wagon, all of this broke only two of 
Travis' three rules:
  - I can't really lift the 12-space, although it has great 4" wheels 
and is fairly maneuverable
  - It takes me 20-30 minutes to set this all up

I could probably cut down the set-up time a little with better cabling.

Chris

_________________________________________________________
The optimist sees a glass half full...     | Chris Muir
The pessimist sees a glass half empty...   | cbm@well.com
The realist sees a glass twice as big as it needs to be.

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I met Kim a couple of weeks ago at an ugly cafe in north Oakland.  He is
actually a very unassuming fellow, very friendly and open, salt of the
Earth.  He's one very cool dude indeed.  He even said we should get several
San Francisco Bay-area loopers together for a beer or something -- one of
those fancy liquors he likes to savor at night.

Cheers 2,
Javier

  | -----Original Message-----
  | From: pvallad1@tampabay.rr.com [mailto:pvallad1@tampabay.rr.com]
  | Sent: Wednesday 27 October 1999 6:28 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a
  | MailingList)
  |
  |
  | I met Kim at this year's Winter NAMM and he's actually pretty
  | cool in person.
  |
  | Cheers,
  | Paolo
  |
  |

From Loopers-Delight-request@annihilist.com  Thu Oct 28 00:12:05 1999
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Date: Wed, 27 Oct 1999 23:53:37 EDT
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In a message dated 10/28/99 12:17:45 AM Mid-Atlantic Standard Time, 
pvallad1@tampabay.rr.com writes:

<< I met Kim at this year's Winter NAMM and he's actually pretty cool in 
person. >>

wow......thank goodness.........michael

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From: Nemoguitt@aol.com
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Date: Thu, 28 Oct 1999 00:23:00 EDT
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In a message dated 10/27/99 2:47:51 AM Mid-Atlantic Standard Time, 
subversive@mindspring.com writes:

<< http://andyw.zinc.co.uk/raider/
 
    Lemme know what ya think and how it works for you folks.
 Sincerely,
 Jeff McLeod
  >>

jeff.........thanks........very freaky.........michael

From Loopers-Delight-request@annihilist.com  Thu Oct 28 00:54:32 1999
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Date: Wed, 27 Oct 1999 21:49:02 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@ati.com>
Subject: RE: Get Over Yourself (or, How Not to Introduce Yourself to a
  MailingList)
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thanks guys, the $10 is in the mail.

kim

At 08:17 PM 10/27/99 -0700, Javier Miranda V. wrote:
>I met Kim a couple of weeks ago at an ugly cafe in north Oakland.  He is
>actually a very unassuming fellow, very friendly and open, salt of the
>Earth.  He's one very cool dude indeed.  He even said we should get several
>San Francisco Bay-area loopers together for a beer or something -- one of
>those fancy liquors he likes to savor at night.


>  | I met Kim at this year's Winter NAMM and he's actually pretty
>  | cool in person.
>  |
>  | Cheers,
>  | Paolo
___________________________________________________________
Kim Flint                                408-845-6383
Manager, System Engineering              kflint@ati.com
ATI Research, Inc.                       http://www.ati.com

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From: Andy Soto <smaug@servidor.unam.mx>
Subject: re-301 replacement tape
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    just a question,does anybody knows where I could buy some replacement
tapes for my re-301 in the New York City-New Jersey area? a friend of mine
is going up north for a week and heīll try to find me some.

    I just need that tape because I get cranky without my sound on sound %)

thanx

Andy in Mexico City.


From Loopers-Delight-request@annihilist.com  Thu Oct 28 03:58:48 1999
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Date: Thu, 28 Oct 1999 00:35:28 -0700
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From: "Stan Card" <stanitarium@earthlink.net>
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Lets get those Bay-Area beer drinkin' looper guys together for once and for
all. I'm in and I'll get the 1st round-who else??...stannerthemanner...

----------
>From: "Javier Miranda V." <gnominus@earthling.net>
>To: <Loopers-Delight@annihilist.com>
>Subject: RE: Get Over Yourself (or, How Not to Introduce Yourself to a
MailingList)
>Date: Wed, Oct 27, 1999, 8:17 PM
>

> I met Kim a couple of weeks ago at an ugly cafe in north Oakland.  He is
> actually a very unassuming fellow, very friendly and open, salt of the
> Earth.  He's one very cool dude indeed.  He even said we should get several
> San Francisco Bay-area loopers together for a beer or something -- one of
> those fancy liquors he likes to savor at night.
>
> Cheers 2,
> Javier
>
>   | -----Original Message-----
>   | From: pvallad1@tampabay.rr.com [mailto:pvallad1@tampabay.rr.com]
>   | Sent: Wednesday 27 October 1999 6:28 PM
>   | To: Loopers-Delight@annihilist.com
>   | Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a
>   | MailingList)
>   |
>   |
>   | I met Kim at this year's Winter NAMM and he's actually pretty
>   | cool in person.
>   |
>   | Cheers,
>   | Paolo
>   |
>   |
>
> 

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To: "Loopers delight" <loopers-delight@annihilist.com>
Subject: Shopping for a FC
Date: Thu, 28 Oct 1999 09:33:45 +0200
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This is a multi-part message in MIME format.

------=_NextPart_000_0014_01BF2127.879085E0
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hello Loopers!

I=B4d like to know more about the All acess or the Roland FC 200 foot =
controllers since i am about to pick one up.Do you know if i can trigger =
my self made synth chords like with the PMC 10 and trigger loops sampler =
style from the EDP?Yes it is ashame that i sold my PMC 10 i found it =
very geniously done but i can=B4t tell you how frustrating it was having =
to reprogram this thing over and over again even with the new upgrade. I =
am also very curios about this Phill Rees FC but i never heard of the =
company and don=B4t know how reliable they are.It sure sounds good =
though although there is only four buttons per bank and i think it would =
be a little less. As far as a Lake Butler it would be nice but i dont =
think i have a chance to find one here in Europe!

------=_NextPart_000_0014_01BF2127.879085E0
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2614.3500" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>
<DIV><FONT face=3DArial size=3D2>Hello Loopers!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I=B4d like to know more about the All =
acess or the=20
Roland FC 200&nbsp;foot controllers since i am about to pick one up.Do =
you know=20
if i can trigger my self made synth chords&nbsp;like with the PMC 10 and =
trigger=20
loops sampler style from the EDP?Yes it is ashame that i sold my PMC 10 =
i found=20
it very geniously done but i can=B4t tell you how frustrating it was =
having to=20
reprogram this thing over and over again even with the new upgrade. I am =
also=20
very curios about this Phill Rees FC but i never heard of the company =
and don=B4t=20
know how reliable they are.It sure sounds good though although there is =
only=20
four buttons per bank and i think it would be a little less. As far as a =
Lake=20
Butler it would be nice but i dont think i have a chance to find one =
here in=20
Europe!</FONT></DIV></FONT></DIV></BODY></HTML>

------=_NextPart_000_0014_01BF2127.879085E0--

From Loopers-Delight-request@annihilist.com  Thu Oct 28 04:44:42 1999
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From: Dlangenes@aol.com
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Date: Thu, 28 Oct 1999 04:39:05 EDT
Subject: Reverb/Delay question
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Loopers,

I recently got rid of my rack effects (lexicon mpx 100 and nanocompressor) to 
simplify my live guitar setup, reduce hiss, etc, and reinvested in pedals. 
Only now (duh) I'm missing the kinds of rich, hall reverbs I was getting with 
the lexicon that my new boss reverb/delay can't hold a candle to. And then 
there's my boss comp/sustain which I'm still trying to get a subtle sound 
from. I was thinking of getting rack effects again and maybe fitting them 
into my pedal case under the pedals, but I don't know if they're durable 
enough for that kind of treatment and then there's the origional problem of 
the lexicon making too much hiss. Does anyone know of a line-level reverb 
unit that has studio quality sound? Is the idea of putting rack effects in my 
pedal board stupid? Am I playing the part of a clueless guitar player?

David

From Loopers-Delight-request@annihilist.com  Thu Oct 28 05:27:45 1999
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Date: Thu, 28 Oct 1999 14:52:07 +0530
Subject: Symbolic Sound's Kyma
From: "Drew Skyfyre" <skyfyre_dys@yahoo.com>
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> I played a gig last year with someone who was (trying to use) a Kyma.  He
> lived near the people who invented it and had brought it back to them a
> bunch of times to get fixed.  When he set it up on stage it was totally
> dead, useless.

I've been aware of Kyma for a number of years, have read numerous reviews (
a couple of excellent ones appeared in Electronic Musician) &
spoken to users. The problems that you mention above must have had a very
good reason, or possibly a freak occurance. My understanding is that Kyma is
a very reliable & well built system. An incredible concept & an incredible
product that's been in production for many years now.

Peruse the web site, at http://www.symbolicsound.com/eighth-userDir.html
there's a partial list of users, including John Paul Jones who is using it
live on tour, and several others who I'm sure wouldn't be using it if it
wasn't essentially bullet-proof.

I would have no hesitation in buying one. Soon as I have $3300 to spend ;-)

>  I love the concept, but for that kind of cash, I'd want a
> system that was slightly more bullet-proof.

Slightly irresponsible (dontchathink ?)dissing a product based on one user's
experience, the details of which u know nothing about, or at least haven't
told us, if u know. The internet's become notorious for this sort of thing.

Anyhow :

Kyma's OS has just been upgraded to v5 :
http://www.symbolicsound.com/press-AES99.html

A quick synopsis of it's capabilities :
http://www.symbolicsound.com/press-AES98.html

>From the Symbolic Sound site :

The first Kyma system was delivered in January 1991, and since that time,
there have been seven major software upgrades, three hardware upgrades...

Electronic Musician magazine Editors' Choice Award for 1998.

Featured in the March 1998 Wall Street Journal Entertainment Technology
insert.


Cheers,
- Drew

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Oct 28 09:52:11 1999
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From: Todd Madson <crash@waste.org>
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Subject: Ozrics Synth Players
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Well, the first Ozrics synth player was Joie Hinton and he basically
had a bunch of synths, samplers and sequencers.  I know the sampler
in the early days was an old Akai, they used the D50 by Roland, the
Wavestation by Korg, an old Putney VCS3 (I believe), a WASP, an 
OSCAR and more.  Check out the homepage that Mike Werning put together
for these guys and all of their synth gear is laid out in details.  I
know they're using one of the Korg virtual modeling synths now for
ethnic instruments.

When I saw them live, there were like 9 synths onstage at the same
time (Ed had 3 in a stand up rack, the remainder was played by the
new guy).

The current guy, Seaweed (I think his real name is Chris Lenox-Smythe)
and is so named because his synths frequently sound like they are under
water and his hair is in big huge dreads that look like seaweed too..he
has a similar rig to Joie (in fact, even bought an old synth off of him
too) but in some ways is just as impressive.  He sounds like the second
coming of Hi T Moonweed.  He actually came across as being somewhat 
more impressive than Ed (the frontman)..

I definetely heard at one point an arpeggiator going through a long 
delay with a ducker going so he could create what SOUNDED like complex
polyphonic sequences but actually were complicated, played patterns
done via arpeggiator and into a delay for even more madness.

I've since tried this on my old Korg Poly61 through the Lexicon Vortex
and it's a great trick.  Just change one note in a five note chord or
make something go from major to minor and it really changes the whole
atmosphere of a track.  It's kind of like the delay trick that Albert 
Lee uses on guitar - he plays straight 8th notes with two repeats and
creates the illusion of ridiculously fast, even 16th note runs.  Here
an arpeggiator is in play so the notes never let up and create a very
hypnotic effect, especially if you have oozing pads with synth bass
underneath.

Anyway, search for that Ozrics page to get the full scoop on their gear-
it's a pretty impressive selection of stuff.

As for straight, conventional looping - I don't think I've ever quite
heard it on any of their recordings, but I would check out the title
track of "Arborescence" to check out how ethereal they can get.




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Date: Thu, 28 Oct 1999 08:45:42 +0000
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hi andy -

i just cut & splice my own out of ampex 456 1/4". for sound on sound i find a
shorter piece of tape than the stock loop is very effective.

bobdog

Andy Soto wrote:

>
>     just a question,does anybody knows where I could buy some replacement
> tapes for my re-301 in the New York City-New Jersey area? a friend of mine
> is going up north for a week and heīll try to find me some.
>
>     I just need that tape because I get cranky without my sound on sound %)
>
> thanx
>
> Andy in Mexico City.

From Loopers-Delight-request@annihilist.com  Thu Oct 28 10:11:03 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: Reverb/Delay question
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>the lexicon making too much hiss. Does anyone know of a line-level reverb
>unit that has studio quality sound? Is the idea of putting rack effects in
my
>pedal board stupid?

The LXP series is fairly quiet and sounds pretty nice. Regarding putting
rack FX in your pedal board, rack FX weren't built to take that kind of
shock, so I would avoid it.

As far as noise goes, maybe you should look at your gain structure to
reduce the noise you're sending to the reverb. It might be necessary
to add a noise gate (not a pedal, they're worthless IMO) to the chain.

Best Regards,

Larry

-----Original Message-----
From: Dlangenes@aol.com <Dlangenes@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 28, 1999 4:47 AM
Subject: Reverb/Delay question


>Loopers,
>


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References: <E11gDhZ-0000nb-00@relay02.equinox.net> <v03102801b43ce791c052@[63.192.37.242]>
Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a MailingList)
Date: Thu, 28 Oct 1999 12:22:50 -0500
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> [And finally, since Mr. CH only subscribed on Monday, this next one should
> be particularly relavant...]
>
>    - When you join a list, monitor the messages for a few days to get a
>      feel for what common questions are asked, and what topics are deemed
>      off-limits. This is commonly referred to as lurking. When you feel
>      comfortable with the group, then start posting.

I monitored the archives, dumbass, and have looked at threads that were more
off-topic than your guitar strings pet peeve that passed without insulting
comment.  They key to this is below:

> And yes, I am an asshole. My daddy was an asshole before me, and his daddy
> an asshole before him. Very long, proud asshole tradition. You'll just have
> to get over it. ;-)

Yes you are.  And you are the one who needs to get over - yourself.  Example:
you laugh after you make blanket generalizations that are offensive to others:

> Well, I must say, I practically had tears in my eyes from laughing over
> this whole thing.

Who's the one who doesn't apologize for their behavior?  Refer to your
original post for context, Einstein.  Grow up.

UNSUBSCRIBE

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From Loopers-Delight-request@annihilist.com  Thu Oct 28 13:39:47 1999
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
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Subject: RE: Get Over Yourself 
Date: Thu, 28 Oct 1999 13:32:09 -0400
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i've now decided to officially get over myself.

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Subject: jamman NOT ME!
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found this in the recycler. DO NOT CALL OR E-MAIL ME!



                             lexicon jam man great shape w/pedal & manual=
200.00 and digitech gsp
                        2101 artist pro great tube sounds= 350.00 or all for
500.00 lve message sta.
                        clarita area
                           

                        jose
        Phone
                        (661) 250-9173 

                        cedron@pacbell.net

From Loopers-Delight-request@annihilist.com  Thu Oct 28 13:55:01 1999
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Date: Thu, 28 Oct 1999 10:43:44 -0700
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From: Alex Stahl <alex@pixar.com>
Subject: Re: Live Gig Rig Logistics
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Hi,

I don't play out all that much, but I've done theater sound design and
toured for several years as the Kronos Quartet's sound guy. So I'm spoiled
with load-in times measured in days rather than minutes.  The last time I
performed with my looping setup I had a hand-truck which I prewired
offstage then rolled on.  This made it possible to start playing into a
loop even before getting up on stage; even though the dolly held two 12
space racks, plus a Yamaha 03D and a Powerbook.  For interconnecting the
racks, I've made wiring harnesses which bring everything from each rack out
to Elco connectors, like the ones on the back of ADAT's.  Then I have a
bunch of fat Elco 16-pair patch cords; so I can unplug the processing racks
from the Elco-ized patch bay rack in my home studio, and plug them directly
into each other and into the mixer for live use. I cut little doors in the
back of the SKB rack covers, so the back doors can stay on and the racks
look pretty clean.

As well as that worked, it sure doesn't fit under an airplane seat, which
is my criteria for a good live rig.
That's why I've spent the last three years working toward replacing the
whole rig with a laptop or two.
I've solved the latency issue as far as looping is concerned, and completed
a few features which I have always wanted but never found in dedicated
hardware boxes: reverse-offspeed playback while continuing to overdub,
graphic timing display for multiple different-length loops, multi-level
undo, and sampler-style random access to fragments of a loop.  I have all
this working, but yeah, it still crashes enough that I wouldn't be doing
anyone any favors by posting it just yet.

I just joined this list a couple months ago, prior to that I had no idea
there were so many other people still playing with long regenerant (or
degenerate?) delays. The first looping concert I gave was in 1977, playing
my just-built electric upright bass with a pair of Ampex 1/2" four track
decks 30 feet apart behind a curtain. The curtain caught and broke the tape
as it went up, so I've enjoyed the risk factor of live looping from the
beginning. Perhaps that explains why I think a software solution will be
viable. (That, plus the idea that if you try and enter your datebook into
your echoplex, it doesn't work so well either:-)

-Alex S.


From Loopers-Delight-request@annihilist.com  Thu Oct 28 14:47:58 1999
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Date: Thu, 28 Oct 1999 11:41:14 -0700
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Hey,

Count me in on any gathering of loopers.  I met a few of you (including
Kim) in that "ugly" (I personally didn't think it was too
ugly...especially aurally speaking) cafe in North Oakland, but it would
sure be nice to hang just for hanging sake.  Without the focus of having
to entertain or be entertained.  As for getting together for music
makage, count me in for that as well.

Cheer-e-o

--
Mark Sottilaro
Multimedia Specialist
Center for Digital Media
San Francisco Art Institute
(415) 771-7020 ext. 4411



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Hi David...

I used to be a tube amp Marshall kind of guy... went stereo
eventually with a pair of 'em. Then migrated to a Pearce stereo
pre/amp which was great. Torn, Holdsworth, Montrose used 'em... Worked
great, but I was still having trouble integrating all my stomp fuzzes
with the amp. Then I found the Boss GX-700, then a Boss GT-5. I've
been *very* happy with the GT-5... The reverbs are still not a match
for my Lexicon LXP15II, but they're *way* better than the Boss RV
(whatever it is... had one just to check out and sold). The compressor
and noise reduction is awesome when combined... still not as good as
my TC compressor, but they're built into a comprehensive multi-fx /
amp sim / spkr sim floor unit with foot pedal etc. It's really one of
the best of the breed. It also loops like crazy with it's 1.8 secs...
if you put a longer delay in the fx insert, you've got major damage in
a shoulder bag goin' on... I'm either getting a Headrush or a Line6
Delay Modeler to complete my all floor small rig. The rack is still
there for the kitchen sink approach!

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

>>> <Dlangenes@aol.com> 10/28 1:42 AM >>>
Loopers,

I recently got rid of my rack effects (lexicon mpx 100 and
nanocompressor) to 
simplify my live guitar setup, reduce hiss, etc, and reinvested in
pedals. 
Only now (duh) I'm missing the kinds of rich, hall reverbs I was
getting with 
the lexicon that my new boss reverb/delay can't hold a candle to. And
then 
there's my boss comp/sustain which I'm still trying to get a subtle
sound 
from. I was thinking of getting rack effects again and maybe fitting
them 
into my pedal case under the pedals, but I don't know if they're
durable 
enough for that kind of treatment and then there's the origional
problem of 
the lexicon making too much hiss. Does anyone know of a line-level
reverb 
unit that has studio quality sound? Is the idea of putting rack
effects in my 
pedal board stupid? Am I playing the part of a clueless guitar
player?

David

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alex stahl wrote:

> (That, plus the idea that if you try and enter your datebook into
> your echoplex, it doesn't work so well either:-)

i know what you mean. our accounting hasn't been the same since i started
running quicken on the edp...


lance g.


ps your software sounds promising. be sure to post the list when you get it
debugged!


pps what means reverse-offspeed playback?

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Alex Stahl
<snip>
> That's why I've spent the last three years working toward replacing the
> whole rig with a laptop or two.
>
> I've solved the latency issue as far as looping is concerned...

Please tell us how you've done this. I'd be very happy to have a
laptop-based rig w/o using an expensive DSP-equipped sound card and
associated PCI expansion chasis.

Thanks,
-- Mango --

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From: "Don \"Mango\" Pancoe" <pancoe@netaxs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Help My PMC10!!
Date: Thu, 28 Oct 1999 16:08:05 -0400
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This is a multi-part message in MIME format.

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Okay, so I was the crazy one who paid $107.50 for the "wounded" PMC10 on =
Ebay. I really wanted one, and resurrecting this one might be an =
interesting project in its own right.

Here's where I would greatly appreciate any help from you guys in the =
following areas:

1. Power Supply: shouldn't be too difficult to find locally, but am I =
correct in assuming that the little symbol on the back indicates need =
for a 9V *AC* supply, with approx 300 mA current capacity?

2. Manual: anyone care to photocopy it, or scan it into *.pdf for me? Or =
is it on the net somewhere?

3. Programmer: I'm expecting to do most programming with the "Raymond" =
librarian prog, but I may want a hand-held programmer eventually. Anyone =
have a spare they care to part with? How about a schematic so I can =
build my own? Someone mentioned that another Digitech programmer which =
is still availabe works, but the button labels are all wrong. Which one =
was it, and what should the labels be to use it as a PMC10 programmer?

4. Missing End Cap(s): does anyone have a *DEAD* PMC10, or similar =
sized/shaped Digitech footpedal, and would you be willing to sacrifice =
your endcaps, or even the whole pedal body? Has anyone put the PMC10 =
guts into a custom enclosure? If so, can you provide details or =
suggestions?

With your help, I can keep one more of these venerable devices alive and =
kicking. If anyone is willing to provide physical items such as manuals =
or parts, I will pay all expenses plus a little more for your troubles. =
If anyone is willing to part with a fully-functional PMC10 programmer, I =
would pay a fair price for that.

Thank you all very much for your help,
-- Mango --

------=_NextPart_000_00A7_01BF215E.9EAACF60
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2014.210" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Okay, so I was the crazy one who paid =
$107.50 for=20
the "wounded" PMC10 on Ebay. I really wanted one, and resurrecting this =
one=20
might be an interesting project in its own right.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Here's where I would greatly appreciate =
any help=20
from you guys in the following areas:</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>1. Power Supply: shouldn't be too =
difficult to find=20
locally, but am I correct in assuming that the little symbol on the back =

indicates need for a 9V *AC* supply, with approx 300 mA current=20
capacity?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>2. Manual: anyone care to photocopy it, =
or scan it=20
into *.pdf for me? Or is it on the net somewhere?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>3. Programmer: I'm expecting to do most =

programming&nbsp;with the "Raymond" librarian prog, but I may want a =
hand-held=20
programmer eventually. Anyone have a spare they care to part with? How =
about a=20
schematic so I can build my own? Someone mentioned that another Digitech =

programmer which is still availabe works, but the button labels are all =
wrong.=20
Which one was it, and what should the labels be to use it as a PMC10=20
programmer?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>4. Missing End Cap(s): does anyone =
have&nbsp;a=20
*DEAD* PMC10, or similar sized/shaped Digitech footpedal, and would you =
be=20
willing to sacrifice your endcaps, or even the whole pedal body? Has =
anyone put=20
the PMC10 guts into a custom enclosure? If so, can you provide details =
or=20
suggestions?</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>With your help, I can keep one more of =
these=20
venerable devices alive and kicking. If anyone is willing to provide =
physical=20
items such as manuals or parts, I will pay all expenses plus a little =
more for=20
your troubles. If anyone is willing to part with a fully-functional =
PMC10=20
programmer, I&nbsp;would pay a fair price for that.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Thank you all very much for your =
help,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>-- Mango --</FONT></DIV></BODY></HTML>

------=_NextPart_000_00A7_01BF215E.9EAACF60--

From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:22:06 1999
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Date: Thu, 28 Oct 1999 16:13:54 -0400
From: Darcy Clark <darcyc@engin.umich.edu>
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Subject: vent spleens elsewhere .... please ?
References: <s8182eed.017@svg.com>
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to all concerned in the recent off-topic 'debate' that seems to have now
developed into a full-on flame-war - please take it to private
email....most of us have absolutely no interest in who can come up with
the most original put-down or slag-off. We're just here for the music.

Also.....I just delete the off-topic messages, but there are people on
this list who pay by the minute or kilobyte for internet access....just
have a little consideration for these people before you post and
everything should be cool.

later,

Darcy

From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:34:04 1999
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Date: Thu, 28 Oct 1999 11:08:54 -0700
From: "Mike Biffle" <mbiffle@svg.com>
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kim...
>> Well, I must say, I practically had tears in my eyes from laughing
over this whole thing.
ch...
> Yes you are. (an asshole) And you are the one who needs to get over
- yourself.  Example: you laugh after you make blanket generalizations
that are offensive to others:

You still fail to realize that this was HUMOR... (and a reminder of
what this list is about.) Your failure to listen to several other
posts urging you to take a second look at Kim's statement and maybe
observe your own extreme reaction says a little about your rigidity in
dealing with what's transpired. You also take personally what was
aimed at a fairly large group of individuals... why aren't the rest of
us pissed off? Do you think we're AFRAID of Kim scolding us further?
Get a grip... You're in a minority and need to get over yourself.

> UNSUBSCRIBE

To get off this list you'll have to go follow the instructions at the
LD site. At least you've spelled it correctly!

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:42:13 1999
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Date: Thu, 28 Oct 1999 10:43:08 -0700 (PDT)
From: James Pearce <jamesrp@statenet.com>
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umm, guests should just remove themselves quietly while the rest of us laugh
at you (which seems to piss you ppl off even more) and walk out the door. too
much fucking argument over such an issue. wonder if these same ppl whine about
not having ops on irc? what a waste of everyones time. this isn't america, he
can be as fascist as he feels necessary to keep the list on-topic, a list and
a topic he started. you don't like it? yes, feel free to bitch. but i'd
imagine a more "adult" way to deal with this whole thing would have been just
to remove yourself from the list as soon as you felt "violated", without
issue. i'd imagine the only reason you'd create such an "issue" out of a
simple request to "stay on topic" would be to gain acceptance and support from
others on this list. such validation seems very shallow.

   _______________________________________________________________________
						    	   James R. Pearce
						      jamesrp@statenet.com

From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:52:45 1999
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Date: Thu, 28 Oct 1999 10:43:44 -0700
To: Loopers-Delight@annihilist.com
From: Alex Stahl <alex@pixar.com>
Subject: Re: Live Gig Rig Logistics
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Hi,

I don't play out all that much, but I've done theater sound design and
toured for several years as the Kronos Quartet's sound guy. So I'm spoiled
with load-in times measured in days rather than minutes.  The last time I
performed with my looping setup I had a hand-truck which I prewired
offstage then rolled on.  This made it possible to start playing into a
loop even before getting up on stage; even though the dolly held two 12
space racks, plus a Yamaha 03D and a Powerbook.  For interconnecting the
racks, I've made wiring harnesses which bring everything from each rack out
to Elco connectors, like the ones on the back of ADAT's.  Then I have a
bunch of fat Elco 16-pair patch cords; so I can unplug the processing racks
from the Elco-ized patch bay rack in my home studio, and plug them directly
into each other and into the mixer for live use. I cut little doors in the
back of the SKB rack covers, so the back doors can stay on and the racks
look pretty clean.

As well as that worked, it sure doesn't fit under an airplane seat, which
is my criteria for a good live rig.
That's why I've spent the last three years working toward replacing the
whole rig with a laptop or two.
I've solved the latency issue as far as looping is concerned, and completed
a few features which I have always wanted but never found in dedicated
hardware boxes: reverse-offspeed playback while continuing to overdub,
graphic timing display for multiple different-length loops, multi-level
undo, and sampler-style random access to fragments of a loop.  I have all
this working, but yeah, it still crashes enough that I wouldn't be doing
anyone any favors by posting it just yet.

I just joined this list a couple months ago, prior to that I had no idea
there were so many other people still playing with long regenerant (or
degenerate?) delays. The first looping concert I gave was in 1977, playing
my just-built electric upright bass with a pair of Ampex 1/2" four track
decks 30 feet apart behind a curtain. The curtain caught and broke the tape
as it went up, so I've enjoyed the risk factor of live looping from the
beginning. Perhaps that explains why I think a software solution will be
viable. (That, plus the idea that if you try and enter your datebook into
your echoplex, it doesn't work so well either:-)

-Alex S.


From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:48:07 1999
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Date: Thu, 28 Oct 1999 13:36:09 -0700
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, pancoe@netaxs.com
Subject: Re: Help My PMC10!!
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I could probably get a copy of my manual to you... I also am sure I
have *at least* 2 additional controllers...BUT they're buried
somewhere in my byzantine pile of stuff and I've not been able to
locate them when there were request by others... I could stumble
across them any time now (or not...) If you give me your mailing
address, I'll try to get the manual to you. If I ever find a
controller I'll let you know... Sheesh, where did I put those damn
things!? I believe it was the Digitech SR7 controller which worked,
but I believe the IPS33B also had a remote controller which works as
well... (although I don't remember ever having one with MY IPS33B).

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

>>> "Don "Mango" Pancoe" <pancoe@netaxs.com> 10/28 1:16 PM >>>

Okay, so I was the crazy one who paid $107.50 for the "wounded" PMC10
on Ebay. I really wanted one, and resurrecting this one might be an
interesting project in its own right.

Here's where I would greatly appreciate any help from you guys in the
following areas:

1. Power Supply: shouldn't be too difficult to find locally, but am I
correct in assuming that the little symbol on the back indicates need
for a 9V *AC* supply, with approx 300 mA current capacity?

2. Manual: anyone care to photocopy it, or scan it into *.pdf for me?
Or is it on the net somewhere?

3. Programmer: I'm expecting to do most programming with the
"Raymond" librarian prog, but I may want a hand-held programmer
eventually. Anyone have a spare they care to part with? How about a
schematic so I can build my own? Someone mentioned that another
Digitech programmer which is still availabe works, but the button
labels are all wrong. Which one was it, and what should the labels be
to use it as a PMC10 programmer?

4. Missing End Cap(s): does anyone have a *DEAD* PMC10, or similar
sized/shaped Digitech footpedal, and would you be willing to sacrifice
your endcaps, or even the whole pedal body? Has anyone put the PMC10
guts into a custom enclosure? If so, can you provide details or
suggestions?

With your help, I can keep one more of these venerable devices alive
and kicking. If anyone is willing to provide physical items such as
manuals or parts, I will pay all expenses plus a little more for your
troubles. If anyone is willing to part with a fully-functional PMC10
programmer, I would pay a fair price for that.

Thank you all very much for your help,
-- Mango --

From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:50:00 1999
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Date: Thu, 28 Oct 1999 13:42:45 -0700 (PDT)
From: dan sumner <permadan@yahoo.com>
Subject: permagrin gig cancelled
To: a a <loopers-delight@annihilist.com>, chris becker <beckermusic@yahoo.com>,
        michael bober <mbbober@pol.net>,
        Nick Boeglin <greatness44@hotmail.com>,
        Kamal BouMikael <kamalrock@worldnet.att.net>,
        George Davis <jordavi@aol.com>, Scott Edware <sedwards@loyola.edu>,
        bart ferguson <beksorphan21@hotmail.com>,
        Ann Marie Guidry <amguidry@bellsouth.net>,
        Lorenz Haeusle <lorenz@ganymed.org>, Francis James <keyfilms@aol.com>,
        Amy Johnson <amyjohnson@law.tulane.edu>,
        Stephan langdon <imiro@yahoo.com>,
        THOMAS NEWMAN <GLYNSTYLER@webtv.net>,
        michelle Nunez <prodigtl@baileylink.net>,
        David POPE <75613.1761@compuserve.com>,
        Dereck Rollins <drollin@mailhost.tcs.tulane.edu>,
        anita sumner <anitasum@yahoo.com>,
        jason sumner <sizzlecheste@yahoo.com>,
        jason sumner <jasonsum@yahoo.com>, nick white <nick@advance.com>,
        Tiktok WorldHQQ <tiktok@sprintmail.com>
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Tonight's Permagrin show at the Funky Butt, New
Orleans, hass been cancelled due to a death in the
Sumner family.  We look forward to seeing you again
soon.

Dan and Lou


=====

__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:48:39 1999
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Date: Thu, 28 Oct 1999 16:22:58 -0400 (EDT)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
Message-Id: <199910282022.QAA19893@badboy.micro.lucent.com>
To: Loopers-Delight@annihilist.com
Subject: Re: MIDI looper?
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> Loopers-Delight-d Digest				Volume 99 : Issue 418
> From: Travis Hartnett <hartne.t@apple.com>
> How flexible are the repeat parameters?  It'd be nice to be able to specify
> "precisely [n] repeats of the same volume" and so on.

I'm at work, manual's at home.  I'll try to remember to look it up over
the weekend.  But I do recall that you can set the amount of decrease in
velocity.  If set to -10 and your note has a velocty of 100, then the
repeats will have velocities of 90, 80, 70, ..., 20, 10; giving you nine
repeats.  If there is another way to specify repeats, I forget off the
top of my head.

Bill     >>> home: billfox@fast.net <<<     work: billfox@lucent.com
==============================================================================
Host of EMUSIC, an electronic, ambient, and space music show.  Thursdays at
11 pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
==============================================================================
The radio station:      http://www.wdiyfm.org
My radio show:          http://www.wdiyfm.org/schedule/s_emusic.html
My band's site:         http://www.crosswinds.net/~shadowplay

From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:52:34 1999
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Date: Thu, 28 Oct 1999 13:44:36 -0700
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com
Subject: Re: DOD DFX 94 four second delay...
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Hi Larry... I meant to pull it out and test it last night just to be
sure, but got sidetracked... It sampled and the hold function worked
fine... The delay seemed to match the direct level. But the thing that
ticked me off about it was you couldn't kill the direct signal... I
has a delay level knob instead of blend. I wanted to use it on an aux
send... I've had few bites on this one, so let me check it out again,
in line with some stomps to see if it's REALLY acting like it should.


Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

>>> "L Tremblay" <ltct@concentric.net> 10/25 5:41 PM >>>
How well does it work? I gotta ask - someone sold me a broken
RDS4000
once. Live and learn (and distrust).

Thanks,

Larry
-----Original Message-----
From: Mike Biffle <mbiffle@svg.com>
To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
Date: Monday, October 25, 1999 8:08 PM
Subject: FS: DOD DFX 94 four second delay...


>Just another gear post... This one does loop! DFX 94... $95.00 plus
shipping.
>
>Miko Biffle      "Running scared from all the usual
distractions..."
>mbiffle@svg.com 
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:48:09 1999
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Date: Thu, 28 Oct 1999 16:33:36 -0400
Subject: Re: Reverb/Delay question
From: "Joey" <stumbleine@macconnect.com>
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Something you may want to look into is multi effects floor processors.  All
of the $200 or so styles generally suck.  The best I've played (I do prefere
rack units) is the Rocktron Taboo Artist.  Rocktron is top of the line.
Very high quality stuff.  Great preamp with rich overdrives to screaming
distortion.  Excelent compression.  It has a nice noise gate and great multi
effects.  Lots of lush reverb.  A very quiet box.  It has inputs for an
expression pedal.  Complete MIDI implementation.  There may even be a
looper, but I'm not sure.  I was using it as more of a tone box.  Much
higher quality sound than pedals, but I'm still partial to racks.  It's also
much better than a lot of the crap people like Boss and DOD are putting out
now.  They all skimp on tone and quality to put in more effects and
features.  Rocktron puts everything into it plus quality.  It costs between
$900 and $1100, which is darn good considering.  These $200 boxes just piss
me off.  Digitech also makes a nice box.  It is a rack module, but they make
a floorboard specifically for it.  I believe it's called the 2120 Valve
Artist.  Or Artist Valve...you get the idea.  Also very nice...It's got full
midi too, but I believe the foot controler (sold seperately) is operated on
a simple 1/4" send and return.  Hope this helps...just my opinion.

----------
>From: Dlangenes@aol.com
>To: Loopers-Delight@annihilist.com
>Subject: Reverb/Delay question
>Date: Thu, Oct 28, 1999, 4:39 AM
>

> Loopers,
>
> I recently got rid of my rack effects (lexicon mpx 100 and nanocompressor) to
> simplify my live guitar setup, reduce hiss, etc, and reinvested in pedals.
> Only now (duh) I'm missing the kinds of rich, hall reverbs I was getting with
> the lexicon that my new boss reverb/delay can't hold a candle to. And then
> there's my boss comp/sustain which I'm still trying to get a subtle sound
> from. I was thinking of getting rack effects again and maybe fitting them
> into my pedal case under the pedals, but I don't know if they're durable
> enough for that kind of treatment and then there's the origional problem of
> the lexicon making too much hiss. Does anyone know of a line-level reverb
> unit that has studio quality sound? Is the idea of putting rack effects in my
> pedal board stupid? Am I playing the part of a clueless guitar player?
>
> David
> 

From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:45:26 1999
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Date: Thu, 28 Oct 1999 10:50:54 -0700
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, stanitarium@earthlink.net
Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to
	aMailingList)
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Are we just talkin' beer here or are we all going over to Javier's or
Kim's and jamming? In either case it would probably good fun! 

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

>>> "Stan Card" <stanitarium@earthlink.net> 10/28 12:57 AM >>>
Lets get those Bay-Area beer drinkin' looper guys together for once
and for
all. I'm in and I'll get the 1st round-who
else??...stannerthemanner...

----------
>From: "Javier Miranda V." <gnominus@earthling.net>
>To: <Loopers-Delight@annihilist.com>
>Subject: RE: Get Over Yourself (or, How Not to Introduce Yourself to
a
MailingList)
>Date: Wed, Oct 27, 1999, 8:17 PM
>

> I met Kim a couple of weeks ago at an ugly cafe in north Oakland. 
He is
> actually a very unassuming fellow, very friendly and open, salt of
the
> Earth.  He's one very cool dude indeed.  He even said we should get
several
> San Francisco Bay-area loopers together for a beer or something --
one of
> those fancy liquors he likes to savor at night.
>
> Cheers 2,
> Javier
>
>   | -----Original Message-----
>   | From: pvallad1@tampabay.rr.com
[mailto:pvallad1@tampabay.rr.com]

>   | Sent: Wednesday 27 October 1999 6:28 PM
>   | To: Loopers-Delight@annihilist.com 
>   | Subject: Re: Get Over Yourself (or, How Not to Introduce
Yourself to a
>   | MailingList)
>   |
>   |
>   | I met Kim at this year's Winter NAMM and he's actually pretty
>   | cool in person.
>   |
>   | Cheers,
>   | Paolo
>   |
>   |
>
> 

From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:57:15 1999
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Date: Thu, 28 Oct 1999 16:50:49 -0400 (EDT)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Symbolic Sound's Kyma
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On Thu, 28 Oct 1999, Drew Skyfyre wrote:

> >  I love the concept, but for that kind of cash, I'd want a
> > system that was slightly more bullet-proof.
> 
> Slightly irresponsible (dontchathink ?)dissing a product based on one user's
> experience, the details of which u know nothing about, or at least haven't
> told us, if u know. The internet's become notorious for this sort of thing.
> 
	Excuse me?  I'm relating an event I witnessed first-hand and
discussed with the Kyma owner.  If you can explain how that is
irresponsible, let me know.

Drew, you seem like a huge Kyma fan (given what you said and all the
included links and such).  I'm sorry to contradict what you believe about
the Kyma, but I certainly stand by what I said.

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

From Loopers-Delight-request@annihilist.com  Thu Oct 28 17:13:21 1999
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> Don \"Mango\" Pancoe wrote:

> 
> 1. Power Supply: shouldn't be too difficult to find locally, but am I
> correct in assuming that the little symbol on the back indicates need
> for a 9V *AC* supply, with approx 300 mA current capacity?

Don
FYI
the power suply is rated 9.75 vac 820 ma

before all I would ask digitech if they still have them 
this wouldn't surprise me because I bought one spare last year
In europe though

claude

From Loopers-Delight-request@annihilist.com  Thu Oct 28 16:59:26 1999
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Date: Thu, 28 Oct 1999 16:33:57 -0400 (EDT)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Live Gig Rig Logistics
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There are pretty good rules to live by.  I can get insane sometimes with
my set-up as well, but I have an extra rule that applies for my solo
shows.

Don't bring more than you can carry in one trip.

This isn't always possible, but it's a pretty good goal.  For my solo
shows, I don't bring out the major wattage usually because I don't have to
compete with everyone else on stage.  So between instrument case, combo
amp and backpack I can usually do the whole thing in one trip which makes
me feel a lot safer when I can't park near the gig and don't have anyone
to watch the car while I unload.

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

On Wed, 27 Oct 1999, Travis Hartnett wrote:

> Having hauled around rigs of varying sizes, I use three rules:
> 
> 1) Don't have any single piece of gear you can't lift by yourself.
> 2) Don't have more stuff than fits into a vehicle you own.
> 3) With everything stacked next to the stage, don't take more than 10
> minutes to setup.
> 
> TH
> 
> 
> 
> > From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
> > Reply-To: Loopers-Delight@annihilist.com
> > Date: Wed, 27 Oct 1999 15:54:03 -0400
> > To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
> > Subject: RE: Live Gig Rig Logistics
> > Resent-From: Loopers-Delight@annihilist.com
> > Resent-Date: Wed, 27 Oct 1999 16:49:58 -0400
> > 
> > 
> >> at what point does it
> >> border on stupidity.setup time is 1/2-45 minutes?!
> 

From Loopers-Delight-request@annihilist.com  Thu Oct 28 18:25:04 1999
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Date: Thu, 28 Oct 1999 17:18:00 -0500
Subject: FS: JamMan $425 (Austin area)
From: Travis Hartnett <hartne.t@apple.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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LEXICON Jam Man $425. Retrospect bass compressor $350.
Washburn fretless acoustic bass $550.
(512) 452-5668

From Loopers-Delight-request@annihilist.com  Thu Oct 28 18:27:34 1999
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Date: Thu, 28 Oct 1999 15:24:11 -0700
From: paul buelow <paul@webms.com>
Organization: WebMS 
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San Francisco 10/26/99 "Critical Mass - an aural bicycle adventure" 

Here is an audio composition titled "Critical Mass - an aural bicycle adventure".

This downloadable or streaming audio recording includes sax, drums, synth and
upright bass accompaniment; an aural interpretation of biking in San Francisco.

You'll recognize the bells, news helicopters, whoops, cheers, swooshes, street
bands, sirens and horns from a typical day cycling in San Francisco.

It' audiocracy! (like xerocracy=handing out leaflets) Looping immitates
commuting?

http://www.ooto.com/cm99.ram Stream Real Audio low bandwidth - Modem
http://www.ooto.com/cm99.rm Download Real Audio medium bandwidth - ISDN
http://www.ooto.com/cm99.mp3 Mpeg3 high bandwidth - T1 High Speed

I live near Oakland/SF and would enjoy the opportunity for discourse to foment
ideas. I hope to meet, relax, jam and talk and possibly reveal the secret to zen
and the art of looping. 

Thoughtfully,
 
Paul

From Loopers-Delight-request@annihilist.com  Thu Oct 28 18:53:45 1999
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> On Wed, 27 Oct 1999, Travis Hartnett wrote:
>
> > Having hauled around rigs of varying sizes, I use three rules:
> >
> > 1) Don't have any single piece of gear you can't lift by yourself.
> > 2) Don't have more stuff than fits into a vehicle you own.
> > 3) With everything stacked next to the stage, don't take more than 10
> > minutes to setup.

Yeah, the one great thing about my current setup, joke that it is- it all
fits into a standard briefcase.  Of course, all I have is a DOD DFX pedal
(the looper in my vast arsenal), a DOD wah/volume pedal, and an old Zoom
9002 handheld multi-effect unit (anyone remember those?).  All three weigh
about four pounds total, and there's plenty of room left over in the
briefcase for cables, wall-warts, and even a surge protector.

I guess those days will be over when I acquire an EDP and a Roland
guitar-synth...  if only.

And, even though I'm not overly inundated with gear yet, I too am very
interested in what Alex Stahl mentioned in his post, about replacing
everything with a laptop or two.  Keep us informed!


Peter

From Loopers-Delight-request@annihilist.com  Thu Oct 28 19:10:10 1999
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From: MyWarNerve@aol.com
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Date: Thu, 28 Oct 1999 19:04:31 EDT
Subject: Re: Run Over Yourself ...
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saints fan, BUD man, in NOLA, we don't play that shit

From Loopers-Delight-request@annihilist.com  Thu Oct 28 19:15:29 1999
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From: "L Tremblay" <ltct@concentric.net>
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Hi Mike,

OK. Thanks for lettinglme know. I wondering whether 
I actually e-mailed you. :)

Larry
-----Original Message-----
From: Mike Biffle <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 28, 1999 5:08 PM
Subject: Re: DOD DFX 94 four second delay...


>Hi Larry... I meant to pull it out and test it last night just to be
>sure, but got sidetracked... It sampled and the hold function worked
>fine... The delay seemed to match the direct level. But the thing that
>ticked me off about it was you couldn't kill the direct signal... I
>has a delay level knob instead of blend. I wanted to use it on an aux
>send... I've had few bites on this one, so let me check it out again,
>in line with some stomps to see if it's REALLY acting like it should.
>
>
>Miko Biffle      "Running scared from all the usual distractions..."
>mbiffle@svg.com
>
>>>> "L Tremblay" <ltct@concentric.net> 10/25 5:41 PM >>>
>How well does it work? I gotta ask - someone sold me a broken
>RDS4000
>once. Live and learn (and distrust).
>
>Thanks,
>
>Larry
>-----Original Message-----
>From: Mike Biffle <mbiffle@svg.com>
>To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
>Date: Monday, October 25, 1999 8:08 PM
>Subject: FS: DOD DFX 94 four second delay...
>
>
>>Just another gear post... This one does loop! DFX 94... $95.00 plus
>shipping.
>>
>>Miko Biffle      "Running scared from all the usual
>distractions..."
>>mbiffle@svg.com 
>>
>>
>
>

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DO IT YOURSELF!!!!!!
----------
From: "nitesh patel" <tesh@gte.net>
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Date: Sun, Feb 28, 1999, 5:18 PM


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From Loopers-Delight-request@annihilist.com  Thu Oct 28 19:42:49 1999
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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
To: "Loopers-Delight" <Loopers-Delight@annihilist.com>
Subject: RE: Bay area looper gettogether.
Date: Thu, 28 Oct 1999 16:37:02 -0700
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Me too.

In fact, at one point I wanted to set up a party of chapman stick players,
Korg Trinity Users and Loopers - from the three main intrument list I am on,
but I am sooo busy :<

bIz

-----Original Message-----
From: Mark Sottilaro [mailto:mark@cdm.sfai.edu]
Sent: Thursday, October 28, 1999 11:41 AM
To: Loopers-Delight@annihilist.com
Subject: Bay area looper gettogether.


Hey,

Count me in on any gathering of loopers.  I met a few of you (including
Kim) in that "ugly" (I personally didn't think it was too
ugly...especially aurally speaking) cafe in North Oakland, but it would
sure be nice to hang just for hanging sake.  Without the focus of having
to entertain or be entertained.  As for getting together for music
makage, count me in for that as well.

Cheer-e-o

--
Mark Sottilaro
Multimedia Specialist
Center for Digital Media
San Francisco Art Institute
(415) 771-7020 ext. 4411




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When someone joins a list, they should actually 
READ THE FUCKING INSTRUCTIONS FOR UNSUBSCRIBING.

christ, lamers...
-----Original Message-----
From: Christopher White <magicicada@mindspring.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 28, 1999 7:44 PM
Subject: Re: UNSUSCRIBE


>DO IT YOURSELF!!!!!!
>----------
>From: "nitesh patel" <tesh@gte.net>
>To: <Loopers-Delight@annihilist.com>
>Subject: UNSUSCRIBE
>Date: Sun, Feb 28, 1999, 5:18 PM
>
>
>UNSUBSCRIBE
>
>

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unsuscribe

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unphukin buleevabul



At 08:08 PM 2/28/99 -0800, dick wrote: 

>>>>

<fontfamily><param>Arial</param>unsuscribe

</fontfamily>

<<<<<<<<



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Kim - anyway to keep the poster on the list but automatically reject his
posts?



At 08:08 PM 2/28/99 -0800, some idiot wrote: 

>>>>

<fontfamily><param>Arial</param>unsuscribe

</fontfamily>

<<<<<<<<


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From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: DOD DFX 94 four second delay...
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Miko, Larry . . .

you two are posting your whole sordid interlude to the list--

cozy up in a corner somewhere  ;)


Tom Lambrecht
hideo@concentric.net
-----Original Message-----
From: L Tremblay <ltct@concentric.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 28, 1999 6:45 PM
Subject: Re: DOD DFX 94 four second delay...


>Hi Mike,
>
>OK. Thanks for lettinglme know. I wondering whether 
>I actually e-mailed you. :)
>
>Larry
>-----Original Message-----
>From: Mike Biffle <mbiffle@svg.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Thursday, October 28, 1999 5:08 PM
>Subject: Re: DOD DFX 94 four second delay...
>
>
>>Hi Larry... I meant to pull it out and test it last night just to be
>>sure, but got sidetracked... It sampled and the hold function 

SNIP >

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Date: Thu, 28 Oct 1999 20:39:59 -0400
From: "J.G. Wong" <adaaxs@erols.com>
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Organization: Tokusatsu.com, Tokusatsu Access Archive
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I use an 11-13 foot loop of Ampex (Quantegy) mastering tape.  When
possible I use answering machine mylar splices to cut down on the edit
wow.  They haven't made OEM (Roland) loops for so long that I would be
very careful where I got them because they would have had to have been
stored very carefully.

Gino Wong

From Loopers-Delight-request@annihilist.com  Thu Oct 28 20:55:54 1999
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>Lets get those Bay-Area beer drinkin' looper guys together for once
>and for
>all. I'm in and I'll get the 1st round-who
>else??...stannerthemanner...

I'm in the Bay Area... the Tampa Bay Area, that is.  Yes, this is how
people in this part of Florida refer to the Tampa/St.
Petersburg/Clearwater/etc. section of the state. 

I take it this is not what you guys are talking about, but I'm just
checking anyway.

Cheers,
Paolo



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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Reverb/Delay question
Date: Thu, 28 Oct 1999 20:01:43 -0500
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all of the vets are going "DUUUUH!", but it took me  a year and a half to
rack my MPX 100, jammie, Vortex, RDS 8000  (and recently, Symetrix 606) and
it's great having them in a movable package and well worth the $50 I paid
for a pre-owned SKB 5 space shallow rack

just got a 3 space for overflow--they're worth it

I put the covers on when not using to reduce dusting

I've been really pleased with the MPX 100 and haven't noticed a significant
noise problem cept on a few normally noisy effects

Tom Lambrecht
hideo@concentric.net
-----Original Message-----
From: Dlangenes@aol.com <Dlangenes@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 28, 1999 3:47 AM
Subject: Reverb/Delay question


>Loopers,
>
>I recently got rid of my rack effects (lexicon mpx 100 and nanocompressor)
to
>simplify my live guitar setup, reduce hiss, etc, and reinvested in pedals.
>Only now (duh) I'm missing the kinds of rich, hall reverbs I was getting
with
>the lexicon that my new boss reverb/delay can't hold a candle to. And then
>there's my boss comp/sustain which I'm still trying to get a subtle sound
>from. I was thinking of getting rack effects again and maybe fitting them
>into my pedal case under the pedals, but I don't know if they're durable
>enough for that kind of treatment and then there's the origional problem of
>the lexicon making too much hiss. Does anyone know of a line-level reverb
>unit that has studio quality sound? Is the idea of putting rack effects in
my
>pedal board stupid? Am I playing the part of a clueless guitar player?
>
>David
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 28 21:05:09 1999
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From: Tim Nelson <tcn62@ici.net>
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Here are the "unsubscribe" instructions, as found on the LD site. Please
note that the address is different from regular list postings, and
observe the spelling of the word "unsubscribe". 


At 08:08 PM 2/28/99 -0800, you wrote:

>   unsuscribe 


<fontfamily><param>Times New Roman</param><bigger>I'm sorry, I need to
unsubscribe from Looper's Delight. How do I do that? It's not that I
dislike people there or anything, you understand.


To unsubscribe, send mail with the word "unsubscribe" in both the subject
and body, and no sig files or anything else, to:


Loopers-Delight-request@annihilist.com




I'm having trouble subscribing/unsubscribing to the list. What's wrong?


Usually people have trouble because they try to have a conversation with
me or someone while subscribing. Don't do that. The subscription process
is automated, and the mailing list server is very stupid. Idle
conversation totally confuses it. It also will totally fail to understand
the witty quote in your signature file. So turn those sig files off!


If you say anything other than "subscribe" it makes a confused whimpering
sound and then replies to you with a help file. You may want to consider
reading the help file before resending the exact same subscribe mail 30
times. (you'd be surprised!)


other common problems:


- Don't use the quotes on "subscribe." It's just subscribe


- Subscribe is spelled S - U - B - S - C - R - I - B - E. 


If you still have a problem, send me mail at:
kflint@annihilist.com</bigger></fontfamily>

From Loopers-Delight-request@annihilist.com  Thu Oct 28 21:39:19 1999
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From: pvallad1@tampabay.rr.com
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Date: Thu, 28 Oct 1999 21:30:10 -0400
To: Loopers-Delight@annihilist.com
Subject: Re: Plex Upgrade ideas: Loose the box.
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>$3300 may seem like a lot of money, but even a Kurzweil K2600 can do but a
>fraction of what Kyma can. Among their benchmarks for the base model is
>listed the capablility to do 70 (mono) voices of sampling. You can build
>some pretty freaky Echoplexes-out-of-a-dream in Kyma with this kind
>of power ! Imagine having the ability to incorporate LFOs, resonant filters,
>toy with the speed, pitch, direction, whatever of your loops in real time.

I lurked in one of the Kurzweil web forums and the word is that the street
price for a new K2600 is well into the $5000s.  An outrageous price, but
that's just my opinion.  It supposedly can to realtime processing of
incoming audio (not sure about being able to sample-on-the-fly and process
like a dedicated looper such as the EDP/JamDudes/etc.), but only with the
purchase of the expensive Sampling option.

I did find the K2500 to have one really cool feature and that is the 2
foot-long ribbon controller (the K2600 comes with that too) that can be
split into three independent ribbons.  I found one patch where you can
trigger a sound just by tapping on the ribbon (no need to touch the
keyboard keys) and it will change its pitch if you tap on a different area
or slide.  I had a good time improvising on the ribbon with one- and
two-handed tapping and sliding on the ribbon.  As it turns out, Kurzweil
also offers the ExpressionMate, which is just the ribbon controller with a
box that has MIDI ports, breath controller port, ports for footswitches,
MIDI mapping features, etc.  It even has for some wacky reason 3 built-in
arpeggatiors.  The Harmony Central review says its actually quite a bit
more powerful in the MIDI department than the ribbon controller that comes
with the keyboards.  With the breath controller and/or footpedal to control
volume and the ribbon to control pitch, it's actually a viable musical
instrument in its own right.   

Anyway, you may want to shout out to Jim Coker.  If he's still on this
list, he's the resident Kyma expert and can tell you his personal war
stories.  Actually, you may want to check out the Looper's Delight list
archives for his posts.  It's not like nobody ever heard of the Kyma before
on this list. :)

Starr Labs, makers of MIDI controllers for guitarists, recommended the
Kyma/Capybara as the sound source for their MicroZone controller because it
was (at the time - maybe its different now) the only commercially available
synth/sampler that was capable of producing the resolution that one
StarrLabs customer demanded - 768 notes to one octave!

Cheers,
Paolo

From Loopers-Delight-request@annihilist.com  Thu Oct 28 21:43:35 1999
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Subject: ExpressionMate URL
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Well, since I brought it up, I might as well present the official URL for
the thing:

http://www.youngchang.com/kurzweil/html/expmate.html

This product sounds too weird and cool to be in production for too long, so
maybe this is something to watch for in blowout sales in the near future.
I sure will be.

Paolo

From Loopers-Delight-request@annihilist.com  Thu Oct 28 21:45:22 1999
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From: Nemoguitt@aol.com
Message-ID: <0.c3a939d1.254a5529@aol.com>
Date: Thu, 28 Oct 1999 21:40:57 EDT
Subject:  "loops! we don't need no stinking loops"
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so we can talk about a booze swillin, tea drinkin, coffee guzzelin, loop 
extravaganza, love in, somewhere in the bay area.......... (wish i could be 
there)..........but, strings are off topic..........its more than the 
moon...............:)............michael

From Loopers-Delight-request@annihilist.com  Thu Oct 28 22:11:48 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: SoundRaider
Date: Thu, 28 Oct 1999 19:06:10 PDT
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I like it a lot. It's kept me from buying new CD's this week.


>From: Nemoguitt@aol.com
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: SoundRaider
>Date: Thu, 28 Oct 1999 00:23:00 EDT
>
>In a message dated 10/27/99 2:47:51 AM Mid-Atlantic Standard Time,
>subversive@mindspring.com writes:
>
><< http://andyw.zinc.co.uk/raider/
>
>     Lemme know what ya think and how it works for you folks.
>  Sincerely,
>  Jeff McLeod
>   >>
>
>jeff.........thanks........very freaky.........michael
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Oct 28 22:15:41 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a MailingList)
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(sound of gasps and dropping silverware)


>From: "chalchiuhtlicue" <chalchiuhtlicue@hotmail.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a 
>MailingList)
>Date: Thu, 28 Oct 1999 12:22:50 -0500
>
> > [And finally, since Mr. CH only subscribed on Monday, this next one 
>should
> > be particularly relavant...]
> >
> >    - When you join a list, monitor the messages for a few days to get a
> >      feel for what common questions are asked, and what topics are 
>deemed
> >      off-limits. This is commonly referred to as lurking. When you feel
> >      comfortable with the group, then start posting.
>
>I monitored the archives, dumbass, and have looked at threads that were 
>more
>off-topic than your guitar strings pet peeve that passed without insulting
>comment.  They key to this is below:
>
> > And yes, I am an asshole. My daddy was an asshole before me, and his 
>daddy
> > an asshole before him. Very long, proud asshole tradition. You'll just 
>have
> > to get over it. ;-)
>
>Yes you are.  And you are the one who needs to get over - yourself.  
>Example:
>you laugh after you make blanket generalizations that are offensive to 
>others:
>
> > Well, I must say, I practically had tears in my eyes from laughing over
> > this whole thing.
>
>Who's the one who doesn't apologize for their behavior?  Refer to your
>original post for context, Einstein.  Grow up.
>
>UNSUBSCRIBE
>

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From Loopers-Delight-request@annihilist.com  Thu Oct 28 22:21:42 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: REMOVE`
Date: Thu, 28 Oct 1999 19:17:23 PDT
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Hey, try "EXPUNGE"

>From: "nitesh patel" <tesh@gte.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: REMOVE`
>Date: Sun, 28 Feb 1999 13:18:13 -0800
>
>REMOVE

>From: "nitesh patel" <tesh@gte.net>
>Reply-To: Loopers-Delight@annihilist.com
>To: <Loopers-Delight@annihilist.com>
>Subject: UNSUBSCRIBE
>
>UNSUBSCRIBE

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From Loopers-Delight-request@annihilist.com  Thu Oct 28 22:37:15 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Knobs
Date: Thu, 28 Oct 1999 19:32:39 PDT
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>Hi Larry... I meant to pull it out and test it last night just to be
>sure, but got sidetracked... It sampled and the hold function worked
>fine... The delay seemed to match the direct level. But the thing that
>ticked me off about it was you couldn't kill the direct signal... I
>has a delay level knob instead of blend. I wanted to use it on an aux
>send... I've had few bites on this one, so let me check it out again,
>in line with some stomps to see if it's REALLY acting like it should.

Well, the "Level" knob on the left raises or lowers the echo/loop volume, 
much like the "blend" on some of my other effects. If you want to lower the 
instrument volume, you could use a volume pedal, or play quieter, or play 
farther away...

The cool thing is that the "level" knob doesn't affect the recording level. 
You can record loops quietly and then turn up the level and force yourself 
to play with the result. Or you can record a loop before you start and fade 
it in later while you're playing.

Keep in mind that some parakeets don't have knobs. (If you didn't know what 
we're talking about, that's supposed to throw you for another loop.)

Mr. Lurk

(p.s. : it rhymes with "God! Chia pets! Find me more!")

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From Loopers-Delight-request@annihilist.com  Thu Oct 28 22:40:47 1999
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From: "postaldave" <postaldave@qx.net>
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Subject: Re: REMOVE`
Date: Thu, 28 Oct 1999 22:32:16 -0400
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just a suggestion. some list that I am on have a link that is added to the
end of all emails so people can either get on or off without any trouble.
just a thought.

fender flatwounds..............the strings for real loopers. lol

From Loopers-Delight-request@annihilist.com  Thu Oct 28 23:24:49 1999
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From: "L Tremblay" <ltct@concentric.net>
To: "Tom Lambrecht" <hideo@concentric.net>, <Loopers-Delight@annihilist.com>
Subject: Re: Reverb/Delay question - 5-space SKB
Date: Thu, 28 Oct 1999 23:21:52 -0400
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Yep. The 5-space shallow rack is grrrrrreat.
Affordable and relatively hernia proof.
Highly recommended.

Nice price you got BTW.

- Larry

-----Original Message-----
From: Tom Lambrecht <hideo@concentric.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 28, 1999 9:01 PM
Subject: Re: Reverb/Delay question


>all of the vets are going "DUUUUH!", but it took me  a year and a half to
>rack my MPX 100, jammie, Vortex, RDS 8000  (and recently, Symetrix 606) and
>it's great having them in a movable package and well worth the $50 I paid
>for a pre-owned SKB 5 space shallow rack
>
>just got a 3 space for overflow--they're worth it
>
>I put the covers on when not using to reduce dusting
>
>I've been really pleased with the MPX 100 and haven't noticed a significant
>noise problem cept on a few normally noisy effects
>
>Tom Lambrecht
>hideo@concentric.net
>-----Original Message-----
>From: Dlangenes@aol.com <Dlangenes@aol.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Thursday, October 28, 1999 3:47 AM
>Subject: Reverb/Delay question
>
>
>>Loopers,
>>
>>I recently got rid of my rack effects (lexicon mpx 100 and nanocompressor)
>to
>>simplify my live guitar setup, reduce hiss, etc, and reinvested in pedals.
>>Only now (duh) I'm missing the kinds of rich, hall reverbs I was getting
>with
>>the lexicon that my new boss reverb/delay can't hold a candle to. And then
>>there's my boss comp/sustain which I'm still trying to get a subtle sound
>>from. I was thinking of getting rack effects again and maybe fitting them
>>into my pedal case under the pedals, but I don't know if they're durable
>>enough for that kind of treatment and then there's the origional problem
of
>>the lexicon making too much hiss. Does anyone know of a line-level reverb
>>unit that has studio quality sound? Is the idea of putting rack effects in
>my
>>pedal board stupid? Am I playing the part of a clueless guitar player?
>>
>>David
>>
>>
>
>

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Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a MailingList)
Date: Thu, 28 Oct 1999 23:25:44 -0400
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>(sound of gasps and dropping silverware)

Bwa-ha-ha-ha-ha-ha-hahahahah <out loud>

I'm replying privately so people won't think I'm an idiot
for laughing so uncontrollably.

You kill me :)

-----Original Message-----
From: Mr. Tough <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 28, 1999 10:18 PM
Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a
MailingList)


>
>
>>From: "chalchiuhtlicue" <chalchiuhtlicue@hotmail.com>
>>Reply-To: Loopers-Delight@annihilist.com
>>To: <Loopers-Delight@annihilist.com>
>>Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a
>>MailingList)
>>Date: Thu, 28 Oct 1999 12:22:50 -0500
>>
>> > [And finally, since Mr. CH only subscribed on Monday, this next one
>>should
>> > be particularly relavant...]
>> >
>> >    - When you join a list, monitor the messages for a few days to get a
>> >      feel for what common questions are asked, and what topics are
>>deemed
>> >      off-limits. This is commonly referred to as lurking. When you feel
>> >      comfortable with the group, then start posting.
>>
>>I monitored the archives, dumbass, and have looked at threads that were
>>more
>>off-topic than your guitar strings pet peeve that passed without insulting
>>comment.  They key to this is below:
>>
>> > And yes, I am an asshole. My daddy was an asshole before me, and his
>>daddy
>> > an asshole before him. Very long, proud asshole tradition. You'll just
>>have
>> > to get over it. ;-)
>>
>>Yes you are.  And you are the one who needs to get over - yourself.
>>Example:
>>you laugh after you make blanket generalizations that are offensive to
>>others:
>>
>> > Well, I must say, I practically had tears in my eyes from laughing over
>> > this whole thing.
>>
>>Who's the one who doesn't apologize for their behavior?  Refer to your
>>original post for context, Einstein.  Grow up.
>>
>>UNSUBSCRIBE
>>
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 28 23:28:18 1999
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From: Loopbozo@aol.com
Message-ID: <0.c6102628.254a6d37@aol.com>
Date: Thu, 28 Oct 1999 23:23:35 EDT
Subject: ..now you tell me!
To: loopers-delight@annihilist.com
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You mean there's a way to stop these messages from coming day in..day out
for the last couple of years? That's what I get for being a techno-primitive.
Last changed my strings....2 plus years ago, can't remember what kind.Last
played out live 4 years ago this week.Loop all the time, but no more dog
and pony show(see the musician ,see him play!). It's not like the legions of
my fans are in any way dissapointed, and I think my gear feels safe in the 
basement (older devices benefit from that sense of well being..false or 
otherwise).
As to this Kim fellow,I have it on good authority that Kim is not a real 
person,
it's the initials of a Dutch company that specializes in internet 
domination...and
not just of the conversation content.

                                                  Bryan Helm

From Loopers-Delight-request@annihilist.com  Thu Oct 28 23:29:14 1999
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From: "L Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: REMOVE`
Date: Thu, 28 Oct 1999 23:27:02 -0400
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>
>Hey, try "EXPUNGE"
>

You're EVIL! lol :)

-----Original Message-----
From: Mr. Tough <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 28, 1999 10:24 PM
Subject: Re: REMOVE`


>
>Hey, try "EXPUNGE"
>
>>From: "nitesh patel" <tesh@gte.net>
>>Reply-To: Loopers-Delight@annihilist.com
>>To: <Loopers-Delight@annihilist.com>
>>Subject: REMOVE`
>>Date: Sun, 28 Feb 1999 13:18:13 -0800
>>
>>REMOVE
>
>>From: "nitesh patel" <tesh@gte.net>
>>Reply-To: Loopers-Delight@annihilist.com
>>To: <Loopers-Delight@annihilist.com>
>>Subject: UNSUBSCRIBE
>>
>>UNSUBSCRIBE
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>
>

From Loopers-Delight-request@annihilist.com  Thu Oct 28 23:49:33 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a MailingList)
Date: Thu, 28 Oct 1999 23:47:45 -0400
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Sorry about that everyone. Like I said...
I was laughing WAY too much :-P

-----Original Message-----
From: L Tremblay <ltct@concentric.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 28, 1999 11:30 PM
Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a
MailingList)


>>(sound of gasps and dropping silverware)
>
>Bwa-ha-ha-ha-ha-ha-hahahahah <out loud>
>
>I'm replying privately so people won't think I'm an idiot
>for laughing so uncontrollably.
>
>You kill me :)
>
>-----Original Message-----
>From: Mr. Tough <electricfriends@hotmail.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Thursday, October 28, 1999 10:18 PM
>Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a
>MailingList)
>
>
>>
>>
>>>From: "chalchiuhtlicue" <chalchiuhtlicue@hotmail.com>
>>>Reply-To: Loopers-Delight@annihilist.com
>>>To: <Loopers-Delight@annihilist.com>
>>>Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself to a
>>>MailingList)
>>>Date: Thu, 28 Oct 1999 12:22:50 -0500
>>>
>>> > [And finally, since Mr. CH only subscribed on Monday, this next one
>>>should
>>> > be particularly relavant...]
>>> >
>>> >    - When you join a list, monitor the messages for a few days to get
a
>>> >      feel for what common questions are asked, and what topics are
>>>deemed
>>> >      off-limits. This is commonly referred to as lurking. When you
feel
>>> >      comfortable with the group, then start posting.
>>>
>>>I monitored the archives, dumbass, and have looked at threads that were
>>>more
>>>off-topic than your guitar strings pet peeve that passed without
insulting
>>>comment.  They key to this is below:
>>>
>>> > And yes, I am an asshole. My daddy was an asshole before me, and his
>>>daddy
>>> > an asshole before him. Very long, proud asshole tradition. You'll just
>>>have
>>> > to get over it. ;-)
>>>
>>>Yes you are.  And you are the one who needs to get over - yourself.
>>>Example:
>>>you laugh after you make blanket generalizations that are offensive to
>>>others:
>>>
>>> > Well, I must say, I practically had tears in my eyes from laughing
over
>>> > this whole thing.
>>>
>>>Who's the one who doesn't apologize for their behavior?  Refer to your
>>>original post for context, Einstein.  Grow up.
>>>
>>>UNSUBSCRIBE
>>>
>>
>>______________________________________________________
>>Get Your Private, Free Email at http://www.hotmail.com
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 29 00:02:25 1999
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Date: Thu, 28 Oct 1999 20:57:38 -0700 (PDT)
From: Jeffery Hildebrand <jshildebrand@ucdavis.edu>
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To: loopers-delight@annihilist.com
Subject: bay area loopy folks:
Message-ID: <Pine.GSO.4.10.9910282054510.24972-100000@runner.ucdavis.edu>
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          is there any of you out there who are in yer twenties or
younger? i'm 19, and i'm wondering if i'm the youngest looper here? well i
love the idea of a bay area get together. i don't have my chapman stick or
my triton yet, but i do have a guitar and a boomerang! so i'm up for it,

					scott

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From: "David Potter" <papadave55@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: jamman NOT ME!
Date: Thu, 28 Oct 1999 22:33:05 PDT
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Sorry Is the jamman still available?  I'll take it...Papa Dave


>From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
>Subject: jamman NOT ME!
>Date: Thu, 28 Oct 1999 13:24:54 -0400
>
>found this in the recycler. DO NOT CALL OR E-MAIL ME!
>
>
>
>                              lexicon jam man great shape w/pedal & manual=
>200.00 and digitech gsp
>                         2101 artist pro great tube sounds= 350.00 or all 
>for
>500.00 lve message sta.
>                         clarita area
>
>
>                         jose
>         Phone
>                         (661) 250-9173
>
>                         cedron@pacbell.net
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Oct 29 03:17:54 1999
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Well  we are talking San Fran/Oaktown  Bay-Area beer drinkin'looper guys...I
guess we wait for you,Kim to pick up the ball(w/ your organizational powers
that be) to set up a time and place around here in this loopy
world!!!...stanner

----------
>From: pvallad1@tampabay.rr.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself
toaMailingList)
>Date: Thu, Oct 28, 1999, 5:46 PM
>

>>Lets get those Bay-Area beer drinkin' looper guys together for once
>>and for
>>all. I'm in and I'll get the 1st round-who
>>else??...stannerthemanner...
>
> I'm in the Bay Area... the Tampa Bay Area, that is.  Yes, this is how
> people in this part of Florida refer to the Tampa/St.
> Petersburg/Clearwater/etc. section of the state.
>
> I take it this is not what you guys are talking about, but I'm just
> checking anyway.
>
> Cheers,
> Paolo
>
>
>
> 

From Loopers-Delight-request@annihilist.com  Fri Oct 29 04:06:55 1999
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From: "Future Perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Get Over Yourself (or, How Not to Introduce Yourself toaMailingList)
Date: Fri, 29 Oct 1999 04:04:30 -0400
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 Well, Paolo, I'm afaid you and I are *it* for this area. Any other *Tampa
Bay* area loopers out there? Florida for that matter?? The southeast US???

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave

'Future Perfect' - art music
http://home1.gte.net/artmusic/



>
> I'm in the Bay Area... the Tampa Bay Area, that is.  Yes, this is how
> people in this part of Florida refer to the Tampa/St.
> Petersburg/Clearwater/etc. section of the state.
>
> I take it this is not what you guys are talking about, but I'm just
> checking anyway.
>
> Cheers,
> Paolo
>
>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 29 04:25:11 1999
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References: <3.0.5.32.19991028172736.015514e0@pop.mindspring.com>
Subject: Re: unsuscribe
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What is it that compels you people to be such assholes?
Besides, I think you meant to say "any way"..... as in... "Is there ANY WAY
I could obsess over the shortcomings of others just a bit more ?"


----- Original Message -----
From: Sean
To: Loopers-Delight@annihilist.com
Sent: Thursday, October 28, 1999 6:27 PM
Subject: Re: unsuscribe


Kim - anyway to keep the poster on the list but automatically reject his
posts?


At 08:08 PM 2/28/99 -0800, some idiot wrote:
>>>>
unsuscribe

<<<<

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Date: Fri, 29 Oct 1999 04:01:56 -0500
To: Loopers-Delight@annihilist.com
Subject: HEY WHAT HAPPEN TO MY
  THREAD!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
 !!!!!!!!!!!!!!!!!!!!!!!
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        test    (of patience)



Re: Symbolic Sound's Kyma
Drew said:
>there's a partial list of Kyma users, including John Paul Jones who is using it
>live on tour, 

   John Paul Jones is looping on his tour, or was.  To open the second set, 
he came out solo with the triple-necked acoustic he used in Zeppelin, and looped the
various parts played on each neck.  I'm not sure what looping device he used, 
but the looped sound was muddy and John Paul grimaced throughout the piece.
He later in the tour dropped it from the set..

steve

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I'd love to indulge in some kind of loopers get together.  But I live
in Minnesota, which is the land of the cold and the home of the frozen.
How depressing.



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From: wbf@aloft.micro.lucent.com (William_B_Fox)
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			Playlist for "EMUSIC"

"EMUSIC," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html

		Show #136		October 28, 1999.
		Host: Bill Fox		http://www.wdiyfm.org
		billfox@fast.net

On this show, I concluded the Oktoberfest celebration, a month-long
focus on the artist roster of the German label Manikin.  The feature CD
at midnight was "Recall Level" by Rolf Trostel.

	Manikin       :  http://www.manikin.de
	EMUSIC Focus  :  http://www.wdiyfm.org/emusic/playlists/focus.html

Steve Roach will appear at the next Gathering on Friday, November 5 at
St. Mary's Church Sanctuary.

The Electronic Music Mini Festival will be held at the Theatre 3-in-1 in
Huizen, The Netherlands on October 30.  Ron Boots & Friends, Syndromeda,
Free System Project with Patchwork, Wave World, and Gert Emmens will be
the performing artists.

Music was played in support of these outstanding events.

	EMUSIC Events :  http://www.wdiyfm.org/emusic/events.html
	The Gathering :  http://www.starsend.org/20gather.html
	Mini Festival :  http://home.wxs.nl/~quantumproductions/minifest.htm
	Mini Festival :  http://www.groove.nl/news.html#oct99


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
BlackTapeForABlueGirl   TheFloorWasHardButHome   AcrossAThousandBlades (Projekt)
VA [Kevin Bartlett]     SlowDayAtTheFaceFactory  Aural Gratification 2 (A.Grat.)
Syndromeda              Best of Both Worlds      Circles of Life (Groove)
Arcane                  Time Will Run Back       Gather Darkness (Neu Harmony)
wEirD                   Klaus to the Edge        ADifferentKindOfNormal(NeuHarm)
Broekhuis, Keller,      Fallen Angel             The Anazaal Tapes (Manikin)
Schonwalder & Friends
Steve Roach             Day Three *              Stormwanint (Timeroom)

12:00 am
Rolf Trostel            Testtanz                 Recall Level desc 1 (Manikin)
Rolf Trostel            Artmeta                  Recall Level desc 1 (Manikin)
Rolf Trostel            Urteil                   Recall Level desc 1 (Manikin)
Rolf Trostel            Skizo                    Recall Level desc 1 (Manikin)
Rolf Trostel            I Love Europe            Recall Level desc 1 (Manikin)
Rolf Trostel            It Is War In Europe      Recall Level desc 1 (Manikin)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will begin a month-long focus on British
synthesist Ian Boddy's new label, DiN.  "Purveyors of fine comtemporary
electronica."  The Feature CD at Midnight will be "Box of Secrets" by
Ian Boddy.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

From Loopers-Delight-request@annihilist.com  Fri Oct 29 09:52:33 1999
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Date: Mon, 01 Mar 1999 09:41:46 -0800
From: nitesh patel <tesh@gte.net>
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i have ready made loops you just gotta sample em in to your sampler there pre
sequenced at diffrent bpm e-mu phatt and e-mu orbit. mail me two blan discs
and 10 bucks and i'll copy em for you the 10 bucks is for return shipping and
whatever else it costs me they're preety awesome i got the asrx 1 disc to add
another ten and i'll give you those sounds tesh patel
702 catalpa place
brandon fl m33510 keep it down low i don't usually make pirated copies if you
live in tampa you can just come over and copy em

Future Perfect wrote:

>  Well, Paolo, I'm afaid you and I are *it* for this area. Any other *Tampa
> Bay* area loopers out there? Florida for that matter?? The southeast US???
>
> Dave Eichenberger- guitars.loops.devices
> http://home1.gte.net/artmusic/dave
>
> 'Future Perfect' - art music
> http://home1.gte.net/artmusic/
>
> >
> > I'm in the Bay Area... the Tampa Bay Area, that is.  Yes, this is how
> > people in this part of Florida refer to the Tampa/St.
> > Petersburg/Clearwater/etc. section of the state.
> >
> > I take it this is not what you guys are talking about, but I'm just
> > checking anyway.
> >
> > Cheers,
> > Paolo
> >
> >
> >



From Loopers-Delight-request@annihilist.com  Fri Oct 29 10:11:42 1999
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unsubscribe

Tim Nelson wrote:

> Here are the "unsubscribe" instructions, as found on the LD site. Please note that the address is different from regular list postings, and observe the spelling of the word "unsubscribe".
>
> At 08:08 PM 2/28/99 -0800, you wrote:
> > unsuscribe
>
> I'm sorry, I need to unsubscribe from Looper's Delight. How do I do that? It's not that I dislike people there or anything, you understand.
>
> To unsubscribe, send mail with the word "unsubscribe" in both the subject and body, and no sig files or anything else, to:
>
> Loopers-Delight-request@annihilist.com
>
> I'm having trouble subscribing/unsubscribing to the list. What's wrong?
>
> Usually people have trouble because they try to have a conversation with me or someone while subscribing. Don't do that. The subscription process is automated, and the mailing list server is very stupid. Idle conversation totally confuses it. It also will totally fail to understand the witty quote in your signature file. So turn those sig files off!
>
> If you say anything other than "subscribe" it makes a confused whimpering sound and then replies to you with a help file. You may want to consider reading the help file before resending the exact same subscribe mail 30 times. (you'd be surprised!)
>
> other common problems:
>
> - Don't use the quotes on "subscribe." It's just subscribe
>
> - Subscribe is spelled S - U - B - S - C - R - I - B - E.
>
> If you still have a problem, send me mail at: kflint@annihilist.com



From Loopers-Delight-request@annihilist.com  Fri Oct 29 10:36:19 1999
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Date: Fri, 29 Oct 1999 10:24:45 -0400
Subject: gibson article
From: "klowy@wrinklemuzik" <klowy@wrinklemuzik.com>
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this probably seems a bit off topic, but this (URL below) is an interesting
article about gibson and opcode (oberheim is mentioned!). i'm wondering if
kim has any comments to add (especially since it is almost november, and
still no sign of the EDP).

klowy

http://www.geocities.com/SiliconValley/Monitor/6454/index.html

From Loopers-Delight-request@annihilist.com  Fri Oct 29 10:53:19 1999
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Date: Fri, 29 Oct 1999 10:46:51 -0400
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From: Tom Ritchford <tom@swirly.com>
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>this probably seems a bit off topic, but this (URL below) is an interesting
>article about gibson and opcode (oberheim is mentioned!). i'm wondering if
>kim has any comments to add (especially since it is almost november, and
>still no sign of the EDP).
>
>klowy
>
>http://www.geocities.com/SiliconValley/Monitor/6454/index.html

I've been active on the Opcode user's mailing list and I have to
say that it was Gibson's behavior that made me refuse to confirm
for the Echoplex group purchase list.

Frankly, if what I'm starting to suspect is true, I have been
sent a letter from the president of Gibson which is, if not
factually untrue, highly misleading.  And if so I have suffered
a pretty nasty loss financially in terms of work in old and
perhaps unretrievable formats as well as time and software
money invested.

My personal advice is not to have anything to do with Gibson
in any position where you have to trust them.  If you are
presented with a burned-in and working Echoplex, go for it,
but otherwise I'd wait for something else to come up.

	/t

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From: "Don \"Mango\" Pancoe" <pancoe@netaxs.com>
To: <Loopers-Delight@annihilist.com>
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Subject: Re: SoundRaider
Date: Fri, 29 Oct 1999 10:27:52 -0400
Organization: 
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Jeff McLeod wrote:
>Lemme know what ya think and how it works for you folks.

I like it. One of the cooler shareware proggies I've downloaded recently.
When I heard it, my first thought was "this would be great for an art
installation." When I played it for my fiance, she said "I feel like I'm in
somebody's art installation."

Another cool bit of freeware I've found, which would make for cool looping
material (although it doesn't loop on its own,) is "SayIt" from AnalogX. It
is a speech-synthesis program based on the old Texas Instruments Speak and
Spell.

http://www.analogx.com/contents/download/audio/sayit.htm

-- Mango --

From Loopers-Delight-request@annihilist.com  Fri Oct 29 11:01:09 1999
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From: Phaedebk@aol.com
Message-ID: <0.b8ec19f0.254b0dd4@aol.com>
Date: Fri, 29 Oct 1999 10:48:52 EDT
Subject: Re: ozric
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Sorry, I don't know what equipment he's using outside of a few ARP's that are 
pictured on the inside of the CD covers.  Glad to see that they're back 
together again, the new album, "Waterfall Cities" is a blast.

Tchus,

    Lee-ohki.

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Date: Fri, 29 Oct 1999 08:13:47 -0700
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, hideo@concentric.net
Subject: Re: DOD DFX 94 four second delay...
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Escuse me folks! My mailer always takes the first address when I do a
normal reply and instead of the poster, it's friggin' Loopers
Delight... I always have to reply all, then delete the LD address...
I'll eventually get it right! 

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

>>> "Tom Lambrecht" <hideo@concentric.net> 10/28 5:34 PM >>>
Miko, Larry . . .

you two are posting your whole sordid interlude to the list--

cozy up in a corner somewhere  ;)


Tom Lambrecht
hideo@concentric.net 
-----Original Message-----
From: L Tremblay <ltct@concentric.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 28, 1999 6:45 PM
Subject: Re: DOD DFX 94 four second delay...


>Hi Mike,
>
>OK. Thanks for lettinglme know. I wondering whether 
>I actually e-mailed you. :)
>
>Larry
>-----Original Message-----
>From: Mike Biffle <mbiffle@svg.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Thursday, October 28, 1999 5:08 PM
>Subject: Re: DOD DFX 94 four second delay...
>
>
>>Hi Larry... I meant to pull it out and test it last night just to
be
>>sure, but got sidetracked... It sampled and the hold function 

SNIP >

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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: SoundRaider
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I got a copy sometime back and I love it.

We had an evening of improv music, images, and dance called "A Wolf in the Bath
Tub" last month.  From the Web I downloaded a bunch of wolf calls in WAV files
and recorded myself saying "A Wolf in the Bath Tub".  I used these files with
SoundRaider to provide "audience assembly and dis-assembly" music, etc.  Worked
great!

I really like how you can change the feel of SoundRaider by changing which WAV
files it uses.  For example - If you use a bunch of didjeridu, singing bowl, and
birdcall WAV files you get one feel.  If you use a bunch of Beatle songs you get
a completely different feel.

Dennis Leas
-----------------------------
dennis@mdbs.com


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Montgomery, AL here. Perhaps we can all find some mid-south area to do
something?
Sincerely,
Jeff McLeod

At 04:04 AM 10/29/1999 -0400, you wrote:
> Well, Paolo, I'm afaid you and I are *it* for this area. Any other *Tampa
>Bay* area loopers out there? Florida for that matter?? The southeast US???

__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

From Loopers-Delight-request@annihilist.com  Fri Oct 29 11:41:08 1999
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From: Phaedebk@aol.com
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Date: Fri, 29 Oct 1999 11:31:57 EDT
Subject: Re: A question
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I've had some really great luck going through 
http://www.smellygig.com/atomic/ for used rack's...

Another place to check out is http://www.wmcworld.com

Tchus,

    Lee-ohki.

From Loopers-Delight-request@annihilist.com  Fri Oct 29 13:26:29 1999
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Message-ID: <4495C77AB577D31199120008C756D0C412FD45@migarexch01.maritz.com>
From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: jamman NOT ME!
Date: Fri, 29 Oct 1999 13:09:55 -0400
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> Sorry Is the jamman still available?  I'll take it...Papa Dave
> 
	** PLEASE READ MY ORIGINAL MESSAGE - - see highlighted portions
below

> >From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
> >Reply-To: Loopers-Delight@annihilist.com
> >To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
> >Subject: jamman NOT ME!
> >Date: Thu, 28 Oct 1999 13:24:54 -0400
> >
> >found this in the recycler. DO NOT CALL OR E-MAIL ME!
> >
> >
> >
> >                              lexicon jam man great shape w/pedal &
> manual=
> >200.00 and digitech gsp
> >                         2101 artist pro great tube sounds= 350.00 or all
> 
> >for
> >500.00 lve message sta.
> >                         clarita area
> >
> >
> >                         jose
> >         Phone
> >                         (661) 250-9173
> >
> >                         cedron@pacbell.net
> >
> 
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Oct 29 14:37:12 1999
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Jane, get me off this crazy thing!

Please unsubscribe me from this list.

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Jane, get me off this crazy thing!

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Jane, get me off this crazy thing!

Please unsubscribe me from this list.

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Jane, get me off this crazy thing!

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Jane, get me off this crazy thing!

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From Loopers-Delight-request@annihilist.com  Fri Oct 29 14:37:44 1999
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Jane, get me off this crazy thing!

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From Loopers-Delight-request@annihilist.com  Fri Oct 29 14:49:21 1999
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Reply-To: "Ken M" <wgold@mecasw.com>
From: "Ken Melms" <wgold@mecasw.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Live Gig Rig Logistics
Date: Fri, 29 Oct 1999 14:14:36 -0400
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How did you solve the latency issue? What OS? What
hardware?

I asked a question about this kind of setup a while back and
was pointed towards a few sources, but their latencies were
all 100ms or more... Almost useless.

I'd love to know more about your work.

Ken

wgold@mags.net / wgold@mecasw.com

-----Original Message-----
From: Alex Stahl <alex@pixar.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, October 28, 1999 4:57 PM
Subject: Re: Live Gig Rig Logistics


>Hi,
>
>I don't play out all that much, but I've done theater sound design and
>toured for several years as the Kronos Quartet's sound guy. So I'm spoiled
>with load-in times measured in days rather than minutes.  The last time I
>performed with my looping setup I had a hand-truck which I prewired
>offstage then rolled on.  This made it possible to start playing into a
>loop even before getting up on stage; even though the dolly held two 12
>space racks, plus a Yamaha 03D and a Powerbook.  For interconnecting the
>racks, I've made wiring harnesses which bring everything from each rack out
>to Elco connectors, like the ones on the back of ADAT's.  Then I have a
>bunch of fat Elco 16-pair patch cords; so I can unplug the processing racks
>from the Elco-ized patch bay rack in my home studio, and plug them directly
>into each other and into the mixer for live use. I cut little doors in the
>back of the SKB rack covers, so the back doors can stay on and the racks
>look pretty clean.
>
>As well as that worked, it sure doesn't fit under an airplane seat, which
>is my criteria for a good live rig.
>That's why I've spent the last three years working toward replacing the
>whole rig with a laptop or two.
>I've solved the latency issue as far as looping is concerned, and completed
>a few features which I have always wanted but never found in dedicated
>hardware boxes: reverse-offspeed playback while continuing to overdub,
>graphic timing display for multiple different-length loops, multi-level
>undo, and sampler-style random access to fragments of a loop.  I have all
>this working, but yeah, it still crashes enough that I wouldn't be doing
>anyone any favors by posting it just yet.
>
>I just joined this list a couple months ago, prior to that I had no idea
>there were so many other people still playing with long regenerant (or
>degenerate?) delays. The first looping concert I gave was in 1977, playing
>my just-built electric upright bass with a pair of Ampex 1/2" four track
>decks 30 feet apart behind a curtain. The curtain caught and broke the tape
>as it went up, so I've enjoyed the risk factor of live looping from the
>beginning. Perhaps that explains why I think a software solution will be
>viable. (That, plus the idea that if you try and enter your datebook into
>your echoplex, it doesn't work so well either:-)
>
>-Alex S.
>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 29 14:49:55 1999
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Jane, get me off this crazy thing!

Please unsubscribe me from this list.

Sincerely,
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Sincerely,
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Jane, get me off this crazy thing!

Please unsubscribe me from this list.

Sincerely,
anomoleee@aol.com

From Loopers-Delight-request@annihilist.com  Fri Oct 29 15:52:01 1999
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What an idiot. As if sending the same Unsubscribe note to the list multiple
times will do the job.

Read the instructions you got when you subscribed.

	Micah 


> -----Original Message-----
> From:	Anomoleee@aol.com [SMTP:Anomoleee@aol.com]
> Sent:	Friday, October 29, 1999 11:21 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: unsubscribe
> 
> Jane, get me off this crazy thing!
> 
> Please unsubscribe me from this list.
> 
> Sincerely,
> anomoleee@aol.com

From Loopers-Delight-request@annihilist.com  Fri Oct 29 16:19:02 1999
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Loopers:

Before anyone else goes crazy with this latest request to be
unsubscribed, please consider the following: Some of us like to make fun
of newbie listers who don't know how to unsubscribe, (including me,
albeit without e-mail comment), and are baffled at their seemingly total
lack of brains. However, I must say that I've noticed the more we all
make fun of these folks, the less the quality of loop (or other)
conversation. Instead of adding more mess to the mess, how about sending
these people instructions or pointers directly to their personal e-mail
address? Or perhaps posting unsubscribe instructions periodically to the
list itself, calmly and kindly? I'm getting tired of the noise, and want
this list be as great as it can be and has been. I'm going to try to
follow my own advice too. :-)

Jim


unsubscribe instructions can be found here
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Anomoleee@aol.com wrote:
> 
> Jane, get me off this crazy thing!
> 
> Please unsubscribe me from this list.
> 
> Sincerely,
> anomoleee@aol.com

From Loopers-Delight-request@annihilist.com  Fri Oct 29 17:52:58 1999
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From: "postaldave" <postaldave@qx.net>
To: "Loopers" <Loopers-Delight@annihilist.com>
Subject: picking question?????
Date: Fri, 29 Oct 1999 16:35:01 -0400
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i have a question to the guitars out there. what is the best way to hold a
pick. i for years now hold my pick somewhat like you would a dart( you know
as in a dart board.) i saw this guy a bar play very very fast something i
have been trying to do but he held his pick differently.
http://www.personal.psu.edu/users/f/p/fpm108/glw/pictures/lesson3_figure1.jp
g this is how he held it. i took this off of a guitar lesson page.

any thoughts? iafter trying this i have found i can play fast but not as
articulate. than again my pointing finger isn't wearing down to the bone
playing it this new way for me.

postaldave@qx.net


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Date: Fri, 29 Oct 1999 16:39:48 -0700
From: James Keepnews <keepnews@node.net>
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Lawd a'mercy! Just read this article and, while I generally prefer sending out prospecti for pyramid schemes, lame jokes and nude Pat Paulsen JPEGs via e-mail in lieu of gossip-mongering, this article seems very much on-topic for our purposes and demonstrably credible; e.g., Chris Halaby either is or is not suing Gibson. Discuss...

<disclaimer>**WARNING** Off-topic discussion to follow by a guitarist who unapologetically, blanketly generalizes, compulsive asshole that I am and whom I am unable to get over, much less get one over on, Einstein!!</disclaimer> I was most alarmed to discover in this article that, like Oberheim Musical Instruments, Gibson has proprietary ownership of
ZIPI, the once-much-touted protocol intended to be a successor to MIDI and currently only used by musicking thought-thug geeks in the academy who have the proper "connections". Perhaps now Gibson might buy the Amiga platform from Gateway, so as to continue their success in killing technologies dead-but-for-the-burying/acquiring?

I'm with ya, Tom -- let us consider no longer waiting for Godot in the form of the "new, improved" EDP. Kim, maybe it's time to open up negotiations with Digitech?

-----------------------------------------------------------------
   ~      > --- James Keepnews --- <  "Don't quote anybody, Sir!"
 (.-.)    > -- Multimedia Yahoo -- <
    \                 *                           -- Krishnamurti
   -      > -  keepnews@node.net - <
-----------------------------------------------------------------


>
> >this probably seems a bit off topic, but this (URL below) is an interesting
> >article about gibson and opcode (oberheim is mentioned!). i'm wondering if
> >kim has any comments to add (especially since it is almost november, and
> >still no sign of the EDP).
> >
> >klowy
> >
> >http://www.geocities.com/SiliconValley/Monitor/6454/index.html
>
> I've been active on the Opcode user's mailing list and I have to
> say that it was Gibson's behavior that made me refuse to confirm
> for the Echoplex group purchase list.
>
> Frankly, if what I'm starting to suspect is true, I have been
> sent a letter from the president of Gibson which is, if not
> factually untrue, highly misleading.  And if so I have suffered
> a pretty nasty loss financially in terms of work in old and
> perhaps unretrievable formats as well as time and software
> money invested.
>
> My personal advice is not to have anything to do with Gibson
> in any position where you have to trust them.  If you are
> presented with a burned-in and working Echoplex, go for it,
> but otherwise I'd wait for something else to come up.
>
>         /t

From Loopers-Delight-request@annihilist.com  Fri Oct 29 17:58:19 1999
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Date: Fri, 29 Oct 1999 13:31:39 -0700
From: "Mike Biffle" <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com, zebu@mindspring.com
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My paranoid twin want me to believe that the guy who flamed Kim has
returned with another "throw away" address and name and is now
tormenting us for being meanies... 

And from the look of Nitesh Pratel's only post with a subject other
than "suscrabp" He'll be selling pirated samples and forming a looping
supergroup with Paolo and Jim down in Tampa...

Miko Biffle      "Running scared from all the usual distractions..."
mbiffle@svg.com

From Loopers-Delight-request@annihilist.com  Fri Oct 29 18:06:38 1999
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From: "Russell" <russell@mamasutra.com>
To: <Loopers-Delight@annihilist.com>
References: <0.2dfa7dfd.254b3fa1@aol.com> <3819F6BB.4E4E27C2@mindspring.com>
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AGREED!!!
I sent a note to the multiple poster giving him the instructions.
Let's keep this civil and we'll all be deleting a lot less mail with subject
lines reading "Re: unsubscribe"
Peace
Russell


Henry Ward Beecher
*********
----- Original Message -----
From: Jim Poppen <zebu@mindspring.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, October 29, 1999 1:34 PM
Subject: Re: unsubscribe


Loopers:

Before anyone else goes crazy with this latest request to be
unsubscribed, please consider the following: Some of us like to make fun
of newbie listers who don't know how to unsubscribe, (including me,
albeit without e-mail comment), and are baffled at their seemingly total
lack of brains. However, I must say that I've noticed the more we all
make fun of these folks, the less the quality of loop (or other)
conversation. Instead of adding more mess to the mess, how about sending
these people instructions or pointers directly to their personal e-mail
address? Or perhaps posting unsubscribe instructions periodically to the
list itself, calmly and kindly? I'm getting tired of the noise, and want
this list be as great as it can be and has been. I'm going to try to
follow my own advice too. :-)

Jim


unsubscribe instructions can be found here
http://www.annihilist.com/loop/list/LoopList.html

or follow these instructions, from that page:

To unsubscribe, send mail with the word "unsubscribe" in both the
subject and body, and no sig files or anything else, to:
Loopers-Delight-request@annihilist.com


Anomoleee@aol.com wrote:
>
> Jane, get me off this crazy thing!
>
> Please unsubscribe me from this list.
>
> Sincerely,
> anomoleee@aol.com



From Loopers-Delight-request@annihilist.com  Fri Oct 29 18:29:31 1999
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Subject: Re: Get Over Yourself (or, How Not to Introduce Yourself
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From: "Christopher White" <magicicada@mindspring.com>
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i am in atlanta...
----------
>From: "Future Perfect" <artmusic@gte.net>
>To: <Loopers-Delight@annihilist.com>
>Subject: RE: Get Over Yourself (or, How Not to Introduce Yourself toaMailingList)
>Date: Fri, Oct 29, 1999, 4:04 AM
>

> Well, Paolo, I'm afaid you and I are *it* for this area. Any other *Tampa
>Bay* area loopers out there? Florida for that matter?? The southeast US???
>
>Dave Eichenberger- guitars.loops.devices
>http://home1.gte.net/artmusic/dave
>
>'Future Perfect' - art music
>http://home1.gte.net/artmusic/
>
>
>
>>
>> I'm in the Bay Area... the Tampa Bay Area, that is.  Yes, this is how
>> people in this part of Florida refer to the Tampa/St.
>> Petersburg/Clearwater/etc. section of the state.
>>
>> I take it this is not what you guys are talking about, but I'm just
>> checking anyway.
>>
>> Cheers,
>> Paolo
>>
>>
>>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 29 18:34:53 1999
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After the String Uproar of Late '99, you ask this question??!!
You are a brave soul, indeed.

	Micah 


> -----Original Message-----
> From:	postaldave [SMTP:postaldave@qx.net]
> Sent:	Friday, October 29, 1999 1:35 PM
> To:	Loopers
> Subject:	picking question?????
> 
> i have a question to the guitars out there. what is the best way to hold a
> pick. i for years now hold my pick somewhat like you would a dart( you
> know
> as in a dart board.) i saw this guy a bar play very very fast something i
> have been trying to do but he held his pick differently.
> http://www.personal.psu.edu/users/f/p/fpm108/glw/pictures/lesson3_figure1.
> jp
> g this is how he held it. i took this off of a guitar lesson page.
> 
> any thoughts? iafter trying this i have found i can play fast but not as
> articulate. than again my pointing finger isn't wearing down to the bone
> playing it this new way for me.
> 
> postaldave@qx.net
> 

From Loopers-Delight-request@annihilist.com  Fri Oct 29 19:09:18 1999
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From: "postaldave" <postaldave@qx.net>
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"After the String Uproar of Late '99, you ask this question??!!
You are a brave soul, indeed."

it's a good way to weed out the weak.lol

postaldave@qx.net


From Loopers-Delight-request@annihilist.com  Fri Oct 29 19:14:59 1999
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is this list group always so grumpy. ever wondered of the reason why people
loop? could it be that they can't get along with other players so they are
forced to play by themselfs?

who knows.................doing an all night jam........by
myself...................your not invited.lol

postaldave@qx.net


From Loopers-Delight-request@annihilist.com  Fri Oct 29 19:17:17 1999
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Russell--I know we're cruel and I think back to my beginning net days when I
couldn't figure out how to log on to my ISP, much less unsubscribe . . .

your suggestion is of course the humane and bandwidth efficient way to do it

it's not just a Loopers thing to love to witness the DANGLING . . . the
faucet drip . . . equipoised between here and eternity, waiting for the
other shoe to drop

caught in the spider's web awaiting  the inevitable . . .



dang is that glass empty again . . . BOY!!  more GRAPPA!

BTW ON TOPIC--beware the Symetrix 606 dual mod delay--last nite I almost
didn't make it back out  ;)

drone on~~~~~~~~~~~~~~~~~
Tom Lambrecht

hideo@concentric.net


-----Original Message-----
From: Russell <russell@mamasutra.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, October 29, 1999 5:11 PM
Subject: Re: unsubscribe


>AGREED!!!
>I sent a note to the multiple poster giving him the instructions.
>Let's keep this civil and we'll all be deleting a lot less mail with
subject
>lines reading "Re: unsubscribe"
>Peace
>Russell
>
>
>Henry Ward Beecher
>*********

SNIP

From Loopers-Delight-request@annihilist.com  Fri Oct 29 19:19:02 1999
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http://www.personal.psu.edu/users/f/p/fpm108/glw/pictures/lesson3_figure1.jp
g

opps..    forgot the g at the end


From Loopers-Delight-request@annihilist.com  Fri Oct 29 19:20:28 1999
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not so sure--it's just that geo-magnetic anomaly in conjunctionwith the full
moon that is corrupting newsgroup chats everywhere

I mean, Larry T. is even being testy . . . SO unlike him    ;)

and as far as our other unwilling participant, "removeme it's not what i
thunk it was lots doubles and junk"  ranks right up there with the upper
case Neanderthal posts as far as pure enntertainment

like the Visa commercial sez' . . . "priceless"

Tom Lambrecht
hideo@concentric.net
-----Original Message-----

From: Mike Biffle <mbiffle@svg.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>;
zebu@mindspring.com <zebu@mindspring.com>
Date: Friday, October 29, 1999 5:07 PM
Subject: Re: unsubscribe


>My paranoid twin want me to believe that the guy who flamed Kim has
>returned with another "throw away" address and name and is now
>tormenting us for being meanies...
>
>And from the look of Nitesh Pratel's only post with a subject other
>than "suscrabp" He'll be selling pirated samples and forming a looping
>supergroup with Paolo and Jim down in Tampa...
>
>Miko Biffle      "Running scared from all the usual distractions..."
>mbiffle@svg.com
>
>

From Loopers-Delight-request@annihilist.com  Fri Oct 29 19:19:44 1999
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Date: Fri, 29 Oct 1999 19:06:05 -0400
From: Jeff Duke <jmar@bellsouth.net>
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References: <199910292153.RAA11053@smtp7.atl.mindspring.net>
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i'm in conyers, close to atlanta, lets jam!

Christopher White wrote:

> i am in atlanta...
> ----------
> >From: "Future Perfect" <artmusic@gte.net>
> >To: <Loopers-Delight@annihilist.com>
> >Subject: RE: Get Over Yourself (or, How Not to Introduce Yourself toaMailingList)
> >Date: Fri, Oct 29, 1999, 4:04 AM
> >
>
> > Well, Paolo, I'm afaid you and I are *it* for this area. Any other *Tampa
> >Bay* area loopers out there? Florida for that matter?? The southeast US???
> >
> >Dave Eichenberger- guitars.loops.devices
> >http://home1.gte.net/artmusic/dave
> >
> >'Future Perfect' - art music
> >http://home1.gte.net/artmusic/
> >
> >
> >
> >>
> >> I'm in the Bay Area... the Tampa Bay Area, that is.  Yes, this is how
> >> people in this part of Florida refer to the Tampa/St.
> >> Petersburg/Clearwater/etc. section of the state.
> >>
> >> I take it this is not what you guys are talking about, but I'm just
> >> checking anyway.
> >>
> >> Cheers,
> >> Paolo
> >>
> >>
> >>
> >

From Loopers-Delight-request@annihilist.com  Fri Oct 29 19:34:54 1999
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Date: Fri, 29 Oct 1999 19:03:51 -0400
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Subject: Re: picking question?????
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At 04:35 PM 10/29/99 -0400, you wrote:
>i have a question to the guitars out there. what is the best way to hold a
>pick. i for years now hold my pick somewhat like you would a dart( you know
>as in a dart board.) i saw this guy a bar play very very fast something i
>have been trying to do but he held his pick differently.
>http://www.personal.psu.edu/users/f/p/fpm108/glw/pictures/lesson3_figure1.jp
>g this is how he held it. i took this off of a guitar lesson page.

Yes, this is the way I was taught by my jazz guitar teacher (back when I
was actually playing guitar - I play mostly tabla these days).  For me, it
was basically learning how to play all over again because I was holding my
pick like Steve Morse, but my teacher deemed it a necessity because I was
taking an classical guitar to private and small group lessons and the Steve
Morse method was not producing enough volume acoustically.

If you ask 10 guitarists, you will probably get 10 different answers. :) 

Cheers,
Paolo

From Loopers-Delight-request@annihilist.com  Fri Oct 29 20:09:25 1999
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From: Sean <sean_@mindspring.com>
Subject: 606
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yeah - i was going to ask about that since you mentioned it in the rack
posting.  How's it compare to the vortex?  Or to word another way - keeping
the vortex?

sean


At 05:44 PM 10/29/99 -0500, Tom L wrote:
>BTW ON TOPIC--beware the Symetrix 606 dual mod delay--last nite I almost
>didn't make it back out  ;)
>

From Loopers-Delight-request@annihilist.com  Fri Oct 29 20:30:43 1999
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Subject: Symetrix 606
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Tom Lambrecht said:

>BTW ON TOPIC--beware the Symetrix 606 dual mod delay--last nite I almost
>didn't make it back out  ;)

Thank Gawd!

So tell us a little about this machine, I remember being enthused with the
feature set and price point of the machine, until I read about the user
interface...

Compared to other units, just how usable is it? What features set it apart
from the Vortex or the Korg AM-8000

best-

Mark (desperately trying to avoid more mail on strings and picking technique)



From Loopers-Delight-request@annihilist.com  Fri Oct 29 20:49:45 1999
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Date: Fri, 29 Oct 1999 19:51:30 -0400
From: Kevin <kevin@minds-eye.org>
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I suppose this is on topic (enough)

I have some pedals that I'm selling if anyone is interested.  The
caveat, these all have some quirk or another (I'll describe them later)
so the prices are low ( I think).

Digitech PDS 1002, 2 second delay pedal with sample/hold.  Very nice
delay that has a few unfortunate quirks (inquired after a few weeks ago
here).  When you hold the delay loop, it will sometimes (not always)
begin to modulate slightly (slows down, speeds up, etc.).  A nice enough
effect in itself I suppose, but I have too many stray pedals at the
moment and want other things.  The pedal has delay time, regeneration,
mix and input and output knobs that can be tweaked to alter the loop in
strange and unusual ways without destroying the loop (or introducing
digital noise).  I'll sell it for $40 (postage paid to the US (I'll also
throw in the power adapter).

Boss Super Phaser.  The BRIGHT green one.  Very nice sound, rate, depth
resonance and mode (I and II, or sort of a low and high).  The problem
here, the pedal took a spill years ago and the rate knob was knocked off
(fixed at the slowest currently).  I still have the knob, I just never
took the trouble to repair the beast.  The unit ships with the original
knob and a power supply for $45 postage paid.

And finally, a Morley Power Wah Boost.  Big silver pedal (heavy too)
that has Wah, Fuzz, Volume and Fuzz Wah (Boost intensity dial).  The
pedal action is very loose and the unit is noisy.  Perhaps its an easy
clean up job and you've got a great wah pedal, but not for me.  I'll
sell it for $30 (you pay the shipping on this one).  The power cable is
attached to the unit (no wall wart for this beast).

I think these are basically good pedals in need of some care (which I
can't provide) and these are sold as is (which is, working with
quirks).  If you're interested, drop me a line.

Thanks for looking

Kevin

From Loopers-Delight-request@annihilist.com  Fri Oct 29 20:50:47 1999
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Okay, I'll bite.

	I had to abandoned the speed co-efficient awhile ago. I wasn't go to
be John Mclauglin, or any of those great African guitarists out of Zaire.
So, 
naturally, I started to use a pick and my middle finger in combination or in
tandem. It's served me well. Now, if only I can get the other fingers
involved.

"Lenny Breau - white courtesy phone!"

	Micah 


> -----Original Message-----
> From:	pvallad1@tampabay.rr.com [SMTP:pvallad1@tampabay.rr.com]
> Sent:	Friday, October 29, 1999 4:04 PM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: picking question?????
> 
> At 04:35 PM 10/29/99 -0400, you wrote:
> >i have a question to the guitars out there. what is the best way to hold
> a
> >pick. i for years now hold my pick somewhat like you would a dart( you
> know
> >as in a dart board.) i saw this guy a bar play very very fast something i
> >have been trying to do but he held his pick differently.
> >http://www.personal.psu.edu/users/f/p/fpm108/glw/pictures/lesson3_figure1
> .jp
> >g this is how he held it. i took this off of a guitar lesson page.
> 
> Yes, this is the way I was taught by my jazz guitar teacher (back when I
> was actually playing guitar - I play mostly tabla these days).  For me, it
> was basically learning how to play all over again because I was holding my
> pick like Steve Morse, but my teacher deemed it a necessity because I was
> taking an classical guitar to private and small group lessons and the
> Steve
> Morse method was not producing enough volume acoustically.
> 
> If you ask 10 guitarists, you will probably get 10 different answers. :) 
> 
> Cheers,
> Paolo

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> ...could it be that they can't get along with other players so they are
>forced to play by themselfs?

I *prefer* to work alone - that way no one's gonna put
their grubby little fingers all over my ideas. :)

Half-kidding...

- Larry

From Loopers-Delight-request@annihilist.com  Fri Oct 29 21:01:13 1999
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From: RA336@aol.com
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Date: Fri, 29 Oct 1999 20:45:49 EDT
Subject: controllers
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uhm... just curious, but isn't anyone using a Lexicon MRC as a controller?...
I had one for a little while and it sat nicely on top of my rack doing a 
great job... just found I  had to use my fingers too much for other things 
and couldn't spare them for the slider thingies... they could sure do some 
good tricks tho... 
just wonderin...

gleeb and twinkles,
Ra

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This is a multi-part message in MIME format.

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Now that everyone else is doing it...

anyone here live in or around Boston?? =20



Peter

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2721.2900" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Now that everyone else is doing =
it...</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>anyone here live in or around =
Boston??&nbsp;=20
</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>Peter</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Fri Oct 29 21:49:37 1999
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At 11:14 AM -0700 10/29/99, Ken Melms wrote:
>How did you solve the latency issue?>What OS? What
>hardware?

If you read the fine print I was careful to say I only dealt with latency
in a looping situation, which is a special circumstance.
What I meant was, if the computer is only used to output the loop, not any
"dry" signal, then my scheme works. If you also want to replace a bunch of
stomp boxes and reverbs with software, I agree you are stuck with a fixed
minimum delay (the latency) that cannot be turned off. (Although a good
fast computer plus a sound card with very small buffers can bring this down
to just a few milliseconds.)

The idea is pretty simple but seems to be a little hard to believe. Several
people said it wouldn't work, and I still doubt it sometimes even after
demonstrating it to 40 people. Let's say you want a 10.000 second loop and
your computer's total latency (from audio input through the OS, through
your application, and back down out to the audio output) is 0.2 seconds--
enough to throw off even a viola player or an accordionist or a guitarist
or whatever (duck!). You set up a 10 second delay line, with two delay
taps-- one at 10.000 seconds and one at 9.800 seconds. The 10 second tap is
used for feedback or regeneration, which happens inside the software every
sample so there is no latency problem there. The 9.8 second tap is what you
listen to. If you play along in perfect sync with what you hear, it ends up
back inside the computer in sync with the 10.0 s internal feedback tap.
Note that even though you are technically listening to a 9.8 s tap the
delay that you hear, and the total loop length, is exactly 10.0 s.

In this scheme the computer's internal sense of "now" is still slightly off
from the outside world, but it is nonetheless possible to overdub in
perfect sync (barring musicianship like mine, of course!). If this
discrepancy bothers you, perhaps for existential reasons, I can't help. But
I wouldn't be surprised if our mind-body connections work in a similar
manner when we're keeping time anyway. In any case, for me the concept of
multiple nows fits right in with my interest in altering time perception
through music.

Anyway, I worked this out when I had a system with over 300 msec latency,
and it took care of that nicely. I am currently using a MOTU 2408 card in a
400Mhz blue-and-white G3 Mac.  The latency with this setup is under 6
milliseconds end-to-end, which is less time than it takes for the sound
from my speakers to reach my ear. So I'm not sure if it is still worth the
trouble, unless you want to get into compensating for the air too. These
newer systems make me hopeful that I can eventually get rid of the outboard
compressors, distortion, etc. too.

-Alex S.


From Loopers-Delight-request@annihilist.com  Fri Oct 29 21:52:06 1999
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Date: Fri, 29 Oct 1999 21:33:08 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Boston area loopers?
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I'm glad someone asked about the Northeast; I'm in seacoast New Hampshire,
about an hour and a half north of Boston... Anyone else up here? You don't
have to be near San Francisco to be a thirsty, sociable looper!

You might be interested in David Kirkdorffer's Boston Loopers' Collective.
I think he said they'll be downstairs at the Middle East in Cambridge, MA
on Monday , Nov. 8th. (Is that correct, David?) The last one was great!

Tim

At 08:52 PM 10/29/99 -0400, you wrote:
>   Now that everyone else is doing it... (more html text that Eudora seems
to have rejected...)

> Peter 

From Loopers-Delight-request@annihilist.com  Fri Oct 29 21:54:46 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
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Subject: Re: SoundRaider
Date: Fri, 29 Oct 1999 18:37:05 PDT
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>I really like how you can change the feel of SoundRaider by changing which 
>WAV
>files it uses.  For example - If you use a bunch of didjeridu, singing 
>bowl, and
>birdcall WAV files you get one feel.  If you use a bunch of Beatle songs 
>you get
>a completely different feel.
>
>Dennis Leas

Is there a way to direct that without copying the whole program into 
different folders? I want to change my funk!


Mr. Tough
A Subsidiary of CorpCom Enterprises
Branch Management Division

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Oct 29 21:55:54 1999
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From: murkie <murkie@panther.middlebury.edu>
Subject: Re: controllers
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got one but haven't figured out how i want to incorporate it into my set-up
(or if i even need to!).  how'd you use it?  

m

At 08:45 PM 10/29/99 EDT, you wrote:
>uhm... just curious, but isn't anyone using a Lexicon MRC as a controller?...
>I had one for a little while and it sat nicely on top of my rack doing a 
>great job... just found I  had to use my fingers too much for other things 
>and couldn't spare them for the slider thingies... they could sure do some 
>good tricks tho... 
>just wonderin...
>
>gleeb and twinkles,
>Ra
>

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Fri Oct 29 22:48:15 1999
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To: Loopers-Delight@annihilist.com
Subject: So THAT's what happened to ZIPI...
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I remember Gibson at one time was in cahoots with UC Berkeley's CNMAT and
Zeta working on ZIPI, a network-based protocol that would supplant MIDI as
a control standard.  Instead of MIDI's 32 or so KHz bandwidth, you have
bandwidth at least equivalent to Ethernet (which is much, much higher).
And since its network based, you can connect a bunch of devices into an
Ethernet-like LAN without the mess of lots of MIDI in and out cables.

I also remember hearing that ZIPI was dead in the water.

Now, I hear Gibson announcing something called GMICS (http://www.gmics.org/)
The idea of using it as a replacement for MIDI is downplayed.  It's being
pushed more as a digital audio networking solution.

Will GMICS make it?  Or is it doomed?  Find out next year, same time, same
Bat-channel...

Paolo

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Subject: Re: Symetrix 606 first impressions
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posted to the list- a number of people asking about this


-----Original Message-----
From: Mark Landman <landman@wco.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Cc: hideo@concentric.net <hideo@concentric.net>
Date: Friday, October 29, 1999 7:53 PM
Subject: Symetrix 606


>Tom Lambrecht said:
>
>>BTW ON TOPIC--beware the Symetrix 606 dual mod delay--last nite I almost
>>didn't make it back out  ;)
>
>Thank Gawd!
>
>So tell us a little about this machine, I remember being enthused with the
>feature set and price point of the machine, until I read about the user
>interface...


it's no clunkier than any other punch and menu scroll machine which is to
say most of the really fun pieces with less than 12 knobs, slider and
switches made since 1986

>
>Compared to other units, just how usable is it?

much quieter than the Korg SDDs tho' mine has an annoying little hum in one
channel that persists EVEN after the unit is turned off and unplugged (any
ideas guys)

>What features set it apart
>from the Vortex or the Korg AM-8000

no experience with the Korg DL or AM (which I was also considering - but
this came along first)  though it sounds similar .description-wise. .

it is similar to the Vortex in having prestructured delay modules that you
can rearrange and tweak--look at the flowchart and parameter list on the
Symetrix web site to see how tweakable it is--also up to 2.74 seconds on
each delay line

http://www.symetrixaudio.com/flowcharts/606-flow.pdf

http://www.symetrixaudio.com/pdffiles/606chart.pdf

(Acrobat files BTW)

>yeah - i was going to ask about that since you mentioned it in the >rack
>posting.  How's it compare to the vortex?  Or to word another way -
>keeping
the vortex?

>sean

I doubt I'll ever willingly part with my Vortex--the modules are to my
untutored mind, fairly unique and difficult to emulate with other gear I own

I'll try and post more after I have more quality time with it, but first
impressions are very favorable--even with the little hum glitch on mine



>
>best-
>
>Mark (desperately trying to avoid more mail on strings and picking
technique)


drone on~~~~~~~~~~~~~~~~
Tom Lambrecht
hideo@concentric.net

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Subject: Re: MIDI delay
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this was a recent thread of interest to some

spotted on Harmony--NOT MINE--DO NOT E-ME
(address below)


Yamaha MEP4 Midi Controller for $95.00
Asking Price: US$95
Condition: Mint
Age: N/A
Description:
Yamaha MEP4 Midi Controller for $95.00 plus shipping
Yamaha MEP4 Midi Controller with SNAP MEP4 Companion Software for $95.00
plus shipping
The MEP-4 is a Midi Event Processor, accepting incoming midi data and
modifying it to the midi outputs. Four micro processors are included,
allowing very flexible midi operation. Examples of use would be: split a
single keyboard in four ways, independently transposed, midi echo, on a
different note and sound, connect a drum machine to the MEP4 and play the
kick drum with your sustain pedal, accent only strongly played notes with
another tone generator, set aftertouch to send pitch bend messages, etc.
up to 60 patches can be programmed - even a 9 character name can be assigned
data presetter functions for patch change of connected instruments at once
channel filtering message filter, data modifier (as in examples above + much
more) delay processor (echo from 0 - 3000 ms, more) output assigner 1 midi
in/4 outs + 1 thru 16 character backlit LCD, more.
Seller: Jason Biggs,
E-mail: jaaag@apci.net (Profile)
Location: MARYVILLE, IL
Post Date: 10/28/99


Tom Lambrecht
hideo@concentric.net


From Loopers-Delight-request@annihilist.com  Fri Oct 29 23:15:16 1999
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From: Jeffery Hildebrand <jshildebrand@ucdavis.edu>
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Subject: keyboards and sequencers... question
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	i'm hoping to buy a keyboard in the near future, and i really like
the triton so far. i'm just wondering if it would be more practical to
just get a controller instead because i already have cubase and a ton of
other computer based sequencers. would it be a waste of money to get a
triton anyways?

				scott

From Loopers-Delight-request@annihilist.com  Fri Oct 29 23:33:38 1999
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>
>
> Jane, get me off this crazy thing!
>
> Please unsubscribe me from this list.
>
> Sincerely,
> @aol.com

 well.well,well sinc,sinc.since mentioned it in unison, perhaps there is more fun than  realized.......for myself, having kept entertained for many years withr The EDP.(and a lurker  of knowledge). i am ready to reentry another facet of realities with the extended Jamman i havn't turned on in 6 years __o so....welll. with this stereo guitar , let's see
what happens! any others out there with stereo guitars, I promise i won't talk about strings, BUT thanks for the insight!
james<jsd>..hey, and I'm interested in 'filters' or throwing of sounds around.. and to hear something i havn't.. is not that just one of the reasons we listening to ourselves, so as to better that which we are?



From Loopers-Delight-request@annihilist.com  Fri Oct 29 23:34:11 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
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Subject: Advice on digital VCR for loop purposes
Date: Fri, 29 Oct 1999 20:13:10 -0700
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I would like to request of those loopers who are knowledgeable of VCR and
VCR recording for audio purposes -- loop audio of course -- to review the
specs on this digital VCR that I've come to know about.  I've copied the
specs on a page in my website:

http://www.gnominus.org/toss/digital_VCR.html

I don't know what makes a VCR digital, does that mean it records digitally?
It seems this thing, if it records digitally, would turn out to be one hell
of a mixing deck, no? ...for the price, I mean.  I'm getting what looks like
a good deal for this at http://shop.theglobe.com.

From Loopers-Delight-request@annihilist.com  Sat Oct 30 00:22:11 1999
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Date: Fri, 29 Oct 1999 20:52:29 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@ati.com>
Subject: Re: Advice on digital VCR for loop purposes
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At 08:13 PM 10/29/99 -0700, Javier Miranda V. wrote:
>I would like to request of those loopers who are knowledgeable of VCR and
>VCR recording for audio purposes -- loop audio of course -- to review the
>specs on this digital VCR that I've come to know about.  I've copied the
>specs on a page in my website:
>
>http://www.gnominus.org/toss/digital_VCR.html
>
>I don't know what makes a VCR digital, does that mean it records digitally?
>It seems this thing, if it records digitally, would turn out to be one hell
>of a mixing deck, no? ...for the price, I mean.  I'm getting what looks like
>a good deal for this at http://shop.theglobe.com.

hey, shameless plug for my buddies in ATI's video software team, creators of
a Digital VCR that runs on your PC:

ATI Announces ATI-Video Wonder(TM) Add-In Board for
Frame-Accurate Video Editing, Time-Shifting, Turning the PC
Into A Digital VCR
http://biz.yahoo.com/prnews/990830/ati_video__1.html

Not sure how you'd use it for looping, but you're all a creative lot, I'm
sure you'll figure something out. go nuts...

kim
___________________________________________________________
Kim Flint                                408-845-6383
Manager, System Engineering              kflint@ati.com
ATI Research, Inc.                       http://www.ati.com

From Loopers-Delight-request@annihilist.com  Sat Oct 30 01:59:09 1999
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uhm... interesting... are you running your own software?

ciao
leo


At 18.30 29/10/99 -0700, you wrote:
>At 11:14 AM -0700 10/29/99, Ken Melms wrote:
>>How did you solve the latency issue?>What OS? What
>>hardware?
>
>If you read the fine print I was careful to say I only dealt with latency
>in a looping situation, which is a special circumstance.
>What I meant was, if the computer is only used to output the loop, not any
>"dry" signal, then my scheme works. If you also want to replace a bunch of
>stomp boxes and reverbs with software, I agree you are stuck with a fixed
>minimum delay (the latency) that cannot be turned off. (Although a good
>fast computer plus a sound card with very small buffers can bring this down
>to just a few milliseconds.)
>
>The idea is pretty simple but seems to be a little hard to believe. Several
>people said it wouldn't work, and I still doubt it sometimes even after
>demonstrating it to 40 people. Let's say you want a 10.000 second loop and
>your computer's total latency (from audio input through the OS, through
>your application, and back down out to the audio output) is 0.2 seconds--
>enough to throw off even a viola player or an accordionist or a guitarist
>or whatever (duck!). You set up a 10 second delay line, with two delay
>taps-- one at 10.000 seconds and one at 9.800 seconds. The 10 second tap is
>used for feedback or regeneration, which happens inside the software every
>sample so there is no latency problem there. The 9.8 second tap is what you
>listen to. If you play along in perfect sync with what you hear, it ends up
>back inside the computer in sync with the 10.0 s internal feedback tap.
>Note that even though you are technically listening to a 9.8 s tap the
>delay that you hear, and the total loop length, is exactly 10.0 s.
>
>In this scheme the computer's internal sense of "now" is still slightly off
>from the outside world, but it is nonetheless possible to overdub in
>perfect sync (barring musicianship like mine, of course!). If this
>discrepancy bothers you, perhaps for existential reasons, I can't help. But
>I wouldn't be surprised if our mind-body connections work in a similar
>manner when we're keeping time anyway. In any case, for me the concept of
>multiple nows fits right in with my interest in altering time perception
>through music.
>
>Anyway, I worked this out when I had a system with over 300 msec latency,
>and it took care of that nicely. I am currently using a MOTU 2408 card in a
>400Mhz blue-and-white G3 Mac.  The latency with this setup is under 6
>milliseconds end-to-end, which is less time than it takes for the sound
>from my speakers to reach my ear. So I'm not sure if it is still worth the
>trouble, unless you want to get into compensating for the air too. These
>newer systems make me hopeful that I can eventually get rid of the outboard
>compressors, distortion, etc. too.
>
>-Alex S.
>
>
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 01:59:16 1999
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I'm in Charlotte, North Carolina...

- Larry
-----Original Message-----
From: Jeff Duke <jmar@bellsouth.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, October 29, 1999 7:22 PM
Subject: Re: Get Over Yourself (or, How Not to Introduce
YourselftoaMailingList)


>i'm in conyers, close to atlanta, lets jam!
>
>Christopher White wrote:
>
>> i am in atlanta...
>> ----------
>> >From: "Future Perfect" <artmusic@gte.net>
>> >To: <Loopers-Delight@annihilist.com>
>> >Subject: RE: Get Over Yourself (or, How Not to Introduce Yourself
toaMailingList)
>> >Date: Fri, Oct 29, 1999, 4:04 AM
>> >
>>
>> > Well, Paolo, I'm afaid you and I are *it* for this area. Any other
*Tampa
>> >Bay* area loopers out there? Florida for that matter?? The southeast
US???
>> >
>> >Dave Eichenberger- guitars.loops.devices
>> >http://home1.gte.net/artmusic/dave
>> >
>> >'Future Perfect' - art music
>> >http://home1.gte.net/artmusic/
>> >
>> >
>> >
>> >>
>> >> I'm in the Bay Area... the Tampa Bay Area, that is.  Yes, this is how
>> >> people in this part of Florida refer to the Tampa/St.
>> >> Petersburg/Clearwater/etc. section of the state.
>> >>
>> >> I take it this is not what you guys are talking about, but I'm just
>> >> checking anyway.
>> >>
>> >> Cheers,
>> >> Paolo
>> >>
>> >>
>> >>
>> >
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 02:19:02 1999
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Me? Testy? :)

After a while the incompetence reaches a level where Natural Law
almost demands a nasty rejoinder.  It's like strolling through
lion country wearing a meatloaf jacket and a steak tie...

...you're gonna get bitten.

- Larry

-----Original Message-----
From: Tom Lambrecht <hideo@concentric.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, October 29, 1999 7:23 PM
Subject: Re: OT unsubscribe


>not so sure--it's just that geo-magnetic anomaly in conjunctionwith the
full
>moon that is corrupting newsgroup chats everywhere
>
>I mean, Larry T. is even being testy . . . SO unlike him    ;)
>
>and as far as our other unwilling participant, "removeme it's not what i
>thunk it was lots doubles and junk"  ranks right up there with the upper
>case Neanderthal posts as far as pure enntertainment
>
>like the Visa commercial sez' . . . "priceless"
>
>Tom Lambrecht
>hideo@concentric.net
>-----Original Message-----
>
>From: Mike Biffle <mbiffle@svg.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>;
>zebu@mindspring.com <zebu@mindspring.com>
>Date: Friday, October 29, 1999 5:07 PM
>Subject: Re: unsubscribe
>
>
>>My paranoid twin want me to believe that the guy who flamed Kim has
>>returned with another "throw away" address and name and is now
>>tormenting us for being meanies...
>>
>>And from the look of Nitesh Pratel's only post with a subject other
>>than "suscrabp" He'll be selling pirated samples and forming a looping
>>supergroup with Paolo and Jim down in Tampa...
>>
>>Miko Biffle      "Running scared from all the usual distractions..."
>>mbiffle@svg.com
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 02:20:43 1999
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Date: Fri, 29 Oct 1999 23:18:25 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: Advice on digital VCR for loop purposes
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No hands on experience, but I've read a little about
using VCRs as mixdown decks. The main thing that comes
to mind is that it needs to be a "HiFi" VCR. This will
allow you to record & play in stereo. The VCR you 
mention appears to be mono. I also seem to recall
audio compression issues depending on the particular
brand of VCR.

This concludes any possible contribution on my part
to this thread, as I excell at knowing a little about
a lot.

I would like to know what you have in mind as far as
looping goes.

John


--- Kim Flint <kflint@ati.com> wrote:
> At 08:13 PM 10/29/99 -0700, Javier Miranda V. wrote:
> >I would like to request of those loopers who are
> knowledgeable of VCR and
> >VCR recording for audio purposes -- loop audio of
> course -- to review the
> >specs on this digital VCR that I've come to know
> about.  I've copied the
> >specs on a page in my website:
> >
> >http://www.gnominus.org/toss/digital_VCR.html
> >
> >I don't know what makes a VCR digital, does that
> mean it records digitally?
> >It seems this thing, if it records digitally, would
> turn out to be one hell
> >of a mixing deck, no? ...for the price, I mean. 
> I'm getting what looks like
> >a good deal for this at http://shop.theglobe.com.
> 
> hey, shameless plug for my buddies in ATI's video
> software team, creators of
> a Digital VCR that runs on your PC:
> 
> ATI Announces ATI-Video Wonder(TM) Add-In Board for
> Frame-Accurate Video Editing, Time-Shifting, Turning
> the PC
> Into A Digital VCR
> http://biz.yahoo.com/prnews/990830/ati_video__1.html
> 
> Not sure how you'd use it for looping, but you're
> all a creative lot, I'm
> sure you'll figure something out. go nuts...
> 
> kim
>
___________________________________________________________
> Kim Flint                               
> 408-845-6383
> Manager, System Engineering             
> kflint@ati.com
> ATI Research, Inc.                      
> http://www.ati.com
> 
> 


=====
John Tidwell



__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

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Before affordable digital workstations came along, folks
were using their CD-Quality Hi-Fi Stereo VCRs as direct
two-track recorders, utilizing just the audio tracks.

I imagine the specs are even better today. But since I can't
even program the damn clock, fat chance I'd use mine as a looper. :)

- Larry

-----Original Message-----
From: Javier Miranda V. <gnominus@earthling.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, October 29, 1999 11:35 PM
Subject: Advice on digital VCR for loop purposes


>I would like to request of those loopers who are knowledgeable of VCR and
>VCR recording for audio purposes -- loop audio of course -- to review the
>specs on this digital VCR that I've come to know about.  I've copied the
>specs on a page in my website:
>
>http://www.gnominus.org/toss/digital_VCR.html
>
>I don't know what makes a VCR digital, does that mean it records digitally?
>It seems this thing, if it records digitally, would turn out to be one hell
>of a mixing deck, no? ...for the price, I mean.  I'm getting what looks
like
>a good deal for this at http://shop.theglobe.com.
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 02:23:46 1999
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>Okay, I'll bite.
>
So will I.

> I had to abandoned the speed co-efficient awhile ago. I wasn't go to
> be John Mclauglin, or any of those great African guitarists out of Zaire.

For those who want to know how to improve yer pickin' chops, here's a 
secret: banjo flat-picking. That's all I'm gonna say on the subject.
And if you don't beleive me, just ask Roy Clark.

- Larry

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Keep the whele=s keep on spinneint gkepal eae;;r         myfr i gdge is
making th emost wonderrfule sound behind me . .. and the list sight tha t is
going arounds make me whurly and a bit under the shade of a sunny web page
day at Loopers Delight,

    My Echoplex was broken and I was in dire need of assistance when low and
behold Kim comes mailing in with a forward that gets me to a Gibson employee
who will fix it for free. Then all of a sudden it was fixed. Oh my god. I
love Halloween.     !!!!

Happy Halloween
Looper's:!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!


Jamie Mash
{Experimental
Music Director
 wmts  88.3}


From Loopers-Delight-request@annihilist.com  Sat Oct 30 03:33:59 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Advice on digital VCR for loop purposes
Date: Sat, 30 Oct 1999 00:17:46 -0700
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Well, I don't mean to use it as a looping device, but as a place to record
"live" looping, from which to take parts for further work, etc., remix,
sampling, Acidising, etc., which requires a lot more quality than a common
cassette recorder.

I wanted to know if that digital VCR would be of better quality than the
trusty old Hi-Fi VCRs.


  | Before affordable digital workstations came along, folks
  | were using their CD-Quality Hi-Fi Stereo VCRs as direct
  | two-track recorders, utilizing just the audio tracks.
  |
  | I imagine the specs are even better today. But since I can't
  | even program the damn clock, fat chance I'd use mine as a looper. :)
  |
  | - Larry
  |


  | >I would like to request of those loopers who are knowledgeable
  | of VCR and
  | >VCR recording for audio purposes -- loop audio of course -- to
  | review the
  | >specs on this digital VCR that I've come to know about.  I've
  | copied the
  | >specs on a page in my website:
  | >
  | >http://www.gnominus.org/toss/digital_VCR.html
  | >
  | >I don't know what makes a VCR digital, does that mean it
  | records digitally?
  | >It seems this thing, if it records digitally, would turn out
  | to be one hell
  | >of a mixing deck, no? ...for the price, I mean.  I'm getting what looks
  | like
  | >a good deal for this at http://shop.theglobe.com.
  | >
  | >
  |
  |

From Loopers-Delight-request@annihilist.com  Sat Oct 30 05:07:40 1999
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Date: Sat, 30 Oct 1999 02:05:14 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
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Have you ever noticed that when ever someone does post
the unsubscribe instructions, it is almost always
followed by even more unsubscribe messages to the
list?

There should be some clinical term for this reflex.

Personally, I think it's Kim, loaded on Cutty Sark,
and pissed. :)

John...just south of Atlanta, still north of Hell.




--- L Tremblay <ltct@concentric.net> wrote:
> Me? Testy? :)
> 
> After a while the incompetence reaches a level where
> Natural Law
> almost demands a nasty rejoinder.  It's like
> strolling through
> lion country wearing a meatloaf jacket and a steak
> tie...
> 
> ...you're gonna get bitten.
> 
> - Larry
> 
> -----Original Message-----
> From: Tom Lambrecht <hideo@concentric.net>
> To: Loopers-Delight@annihilist.com
> <Loopers-Delight@annihilist.com>
> Date: Friday, October 29, 1999 7:23 PM
> Subject: Re: OT unsubscribe
> 
> 
> >not so sure--it's just that geo-magnetic anomaly in
> conjunctionwith the
> full
> >moon that is corrupting newsgroup chats everywhere
> >
> >I mean, Larry T. is even being testy . . . SO
> unlike him    ;)
> >
> >and as far as our other unwilling participant,
> "removeme it's not what i
> >thunk it was lots doubles and junk"  ranks right up
> there with the upper
> >case Neanderthal posts as far as pure
> enntertainment
> >
> >like the Visa commercial sez' . . . "priceless"
> >
> >Tom Lambrecht
> >hideo@concentric.net
> >-----Original Message-----
> >
> >From: Mike Biffle <mbiffle@svg.com>
> >To: Loopers-Delight@annihilist.com
> <Loopers-Delight@annihilist.com>;
> >zebu@mindspring.com <zebu@mindspring.com>
> >Date: Friday, October 29, 1999 5:07 PM
> >Subject: Re: unsubscribe
> >
> >
> >>My paranoid twin want me to believe that the guy
> who flamed Kim has
> >>returned with another "throw away" address and
> name and is now
> >>tormenting us for being meanies...
> >>
> >>And from the look of Nitesh Pratel's only post
> with a subject other
> >>than "suscrabp" He'll be selling pirated samples
> and forming a looping
> >>supergroup with Paolo and Jim down in Tampa...
> >>
> >>Miko Biffle      "Running scared from all the
> usual distractions..."
> >>mbiffle@svg.com
> >>
> >>
> >
> >
> 
> 


=====
John Tidwell



__________________________________________________
Do You Yahoo!?
Bid and sell for free at http://auctions.yahoo.com

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>Personally, I think it's Kim, loaded on Cutty Sark,
>and pissed. :)
>

Cutty Sark? never.

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sat Oct 30 07:29:01 1999
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Alex,
 You are a God.
Tried it with Audiomulch and it works a treat. All my stuff is loop
based so I can use your method in ay work . All I need is a laptop now
and away to go rather than dragging my desktop around, (actually it's
the monitor that's the pain in the arse).
Thanks again.

While I'm posting, I'm doing a loop based gig tonight at the Cardiff
Chambers in Cardiff bay, Wales. It's quite a cool setup. Me and this guy
Neil are playing in the atrium of this building with art galleries on
all sides, (sculptures, video art, 2d etc) - surrounded by art and
plants, great. I play my modified slide guitar with violin bow etc and
Neil has this really unstable moog. My stuff as I said is all looping
and he provides noises off, (or on).

Cheers,
Gareth


> If you read the fine print I was careful to say I only dealt with latency
> in a looping situation, which is a special circumstance.
> What I meant was, if the computer is only used to output the loop, not any
> "dry" signal, then my scheme works. If you also want to replace a bunch of
> stomp boxes and reverbs with software, I agree you are stuck with a fixed
> minimum delay (the latency) that cannot be turned off. (Although a good
> fast computer plus a sound card with very small buffers can bring this down
> to just a few milliseconds.)
> 
> The idea is pretty simple but seems to be a little hard to believe. Several
> people said it wouldn't work, and I still doubt it sometimes even after
> demonstrating it to 40 people. Let's say you want a 10.000 second loop and
> your computer's total latency (from audio input through the OS, through
> your application, and back down out to the audio output) is 0.2 seconds--
> enough to throw off even a viola player or an accordionist or a guitarist
> or whatever (duck!). You set up a 10 second delay line, with two delay
> taps-- one at 10.000 seconds and one at 9.800 seconds. The 10 second tap is
> used for feedback or regeneration, which happens inside the software every
> sample so there is no latency problem there. The 9.8 second tap is what you
> listen to. If you play along in perfect sync with what you hear, it ends up
> back inside the computer in sync with the 10.0 s internal feedback tap.
> Note that even though you are technically listening to a 9.8 s tap the
> delay that you hear, and the total loop length, is exactly 10.0 s.

From Loopers-Delight-request@annihilist.com  Sat Oct 30 08:44:51 1999
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
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Subject: Re: unsubscribe / grumpy loopers
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Hear, hear, Dave!

I recently attended a show by a well-known looping artist.  I was very
interested in hearing what this performer could do, having heard the
person's name and reputation but never having heard the music.  This
performer's stage demeanor was so hideous, obnoxious and blatantly
condescending to the audience (who were extremely polite and attentive) as
to be inexcusable.  My immediate thought was:  "No wonder this person uses
all these looping devices . . . they'd never be able to get along with any
other musicians!"  I spoke afterwards with other audience members who echoed
[:-)] similar sentiments.  I guess the pathologically grumpy should be
grateful for looping technology.

James Pokorny
-----Original Message-----
From: postaldave <postaldave@qx.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, October 29, 1999 7:22 PM
Subject: Re: unsubscribe


>is this list group always so grumpy. ever wondered of the reason why people
>loop? could it be that they can't get along with other players so they are
>forced to play by themselfs?
>
>who knows.................doing an all night jam........by
>myself...................your not invited.lol
>
>postaldave@qx.net
>
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 08:45:41 1999
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From: Tim Nelson <tcn62@ici.net>
Subject: RE: Advice on digital VCR for loop purposes
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I use MiniDisc for the same purpose... Probably cheaper, and then there's
also the seamless looping ability when you use the Repeat 1 function. (Not
live looping, but it's a lot of fun to use to feed prepared loops back into
a "real" looper live.)

There's been a lot of talk about less-than-ideal compression issues on both
of these devices. Anyone know how the specs compare?

Also, several months back we had a thread about video looping. I wonder how
a digital VCR would work in this area...

Tim

At 12:17 AM 10/30/99 -0700, you wrote:
>Well, I don't mean to use it as a looping device, but as a place to record
>"live" looping, from which to take parts for further work, etc., remix,
>sampling, Acidising, etc., which requires a lot more quality than a common
>cassette recorder.

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I do think there is something to this notion that some loopers get to
exercise control freak tendencies without having to deal with "my lame
drummer who can't keep a straight beat", or any of the other fallible
human types. Looping pleasure can be like the pleasure one gets from
hearing one's own voice. Which leads to another notion and reminds me of
my favorite quote, from the Sherlock Holmes story "The Valley of Fear":
"Mediocrity knows nothing higher than itself, but talent instantly
recognizes genius." I think musical collaboration is a remedy to
individual mediocrity. Now, collaboration can still produce mediocre
music, but I'll go out on a limb and say not as mediocre as the average
"solo effort." 

This is coming from a guy who has done more masturbatory wanking on his
guitar and bass and drum machine than a hermit teen male with "special"
magazines would do on his "instrument."

Jim

p.s. If you must dis Fripp's stage demeanor, please do so elsewhere.
:-)!

James Pokorny wrote:
> 
> Hear, hear, Dave!
> 
> I recently attended a show by a well-known looping artist.  I was very
> interested in hearing what this performer could do, having heard the
> person's name and reputation but never having heard the music.  This
> performer's stage demeanor was so hideous, obnoxious and blatantly
> condescending to the audience (who were extremely polite and attentive) as
> to be inexcusable.  My immediate thought was:  "No wonder this person uses
> all these looping devices . . . they'd never be able to get along with any
> other musicians!"  I spoke afterwards with other audience members who echoed
> [:-)] similar sentiments.  I guess the pathologically grumpy should be
> grateful for looping technology.
> 
> James Pokorny
> -----Original Message-----
> From: postaldave <postaldave@qx.net>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Friday, October 29, 1999 7:22 PM
> Subject: Re: unsubscribe
> 
> >is this list group always so grumpy. ever wondered of the reason why people
> >loop? could it be that they can't get along with other players so they are
> >forced to play by themselfs?
> >
> >who knows.................doing an all night jam........by
> >myself...................your not invited.lol
> >
> >postaldave@qx.net
> >
> >
> >

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Talk about a well-timed post. Thanks, my 301's tape could very well be
flaking into tiny non-discript bits.

	Micah 


> -----Original Message-----
> From:	J.G. Wong [SMTP:adaaxs@erols.com]
> Sent:	Thursday, October 28, 1999 5:40 PM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: re 301 tape
> 
> I use an 11-13 foot loop of Ampex (Quantegy) mastering tape.  When
> possible I use answering machine mylar splices to cut down on the edit
> wow.  They haven't made OEM (Roland) loops for so long that I would be
> very careful where I got them because they would have had to have been
> stored very carefully.
> 
> Gino Wong

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I saw Laurie Anderson last night at Berkeley's Zellerbach Auditorium.
Over all, a
good show, but nothing really musically or technologically cutting edge,
as she was
during the 80's.  And so the world catches up.  Over all entertaining.

She played with a bass player (Skuli Sverrisson) and pre
recorded/sequenced
accompaniment, and there were definitely times when Skuli Sverrisson was

looping.  All gear (except a foot controller that I couldn't make out)
was hidden from
view.

I know we've been through this before, but with a role model like
Laurie, why do we
find so few women interested in working with new tools (such as loopers)
in Music?
Are there still women on this list?  There were some time  back, but I
left the list for a while and have seemingly come back to a "boys"
club.  Bizarrely enough, I always
thought that our beloved loop leader Kim was a woman, until I met him.
When you
assume...  and so the web degenders us.  But still the question as to
why most
women (I've met) seem to avoid music that's off the "beaten trail."  The
women that
I do know that are interested in new modes of aural expression, seem to
be as in
the dark as myself.

Perhaps I only wonder this, as my date drifted into deep sleep during
the
performance.  Ha!


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From: KB305@aol.com
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Date: Sat, 30 Oct 1999 15:44:50 EDT
Subject: Re: Looping Laurie Anderson
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A highly personal thought re this thread:

Music involves both sides of the brain for me.  The right side, intuitive, 
emotional, involving my body... when I get into that side of myself, music 
comes and visits, ideas come easily... I have recordings of things, and tunes 
I've written, where I have no idea afterwards what happened, how I played 
what I did, why I chose that chord, etc.

The left side, intellectual, formal... I often use that side to clean up and 
organize the stuff I made from the right side.  This is often the side that 
deals with technology.  My 'heart' or 'soul' often has problems dealing with 
Insert modes, MIDI, milliseconds, etc., or even such basic things as 
intonation.

Not being female, I can't address why women do what they do, or not do, but I 
believe both sexes have both sides of the brain, and choose how they live in 
each.  (Of course, how they address this is what makes us the sexes we 
are...)  When I get too emotional, I can't easily think about all these knobs 
and crap... and I usually end up playing acoustically!

The real key to working with tools (i.e. technology) is to learn to address 
them from both hemispheres, or to balance myself so that I can address both 
of them inside myself at once.  (And most therapists don't have a clue on how 
to approach this, either...)

Think about it another way: Laurie is/was technologically far ahead of the 
curve.  But she does not embody many of the traits that our culture regards 
as feminine.  And she has done some gender-bending in her work as well (I am 
thinking first of the instances when she has harmonized her voice down to a 
masculine pitch...).

Here lies a problem we all keep answering in one way or another -- the one of 
using technology to reach a place where technology does not live- a place 
inside us as listeners.  This is the place music wants to go anyway...  The 
most basic primordial original expression needs no EDP, that's for sure.  At 
the other extreme, using all the technology we can can easily lead to 
overload, tabula-rasa-block (that sense of paralysis that comes from not 
being able to choose from too many possibilities), or the utterly soulless 
expression, which is rampant.  So how do we account for it?  Your mileage may 
vary...

I welcome everyone's thoughts on this...  even if you think me full of 
shite...



Kevin Brunkhorst  <A HREF="http://members.aol.com/kb305/kb305/">http://members
.aol.com/kb305/kb305/</A> 
Red Road the band  <A HREF="http://www.iuma.com/IUMA/Bands/Red_Road/">http://r
edroad.iuma.com</A> 

From Loopers-Delight-request@annihilist.com  Sat Oct 30 15:51:45 1999
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Subject: Re: Advice on digital VCR for loop purposes
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>Well, I don't mean to use it as a looping device, but as a place to record
>"live" looping, from which to take parts for further work, etc., remix,
>sampling, Acidising, etc., which requires a lot more quality than a common
>cassette recorder.
>
>I wanted to know if that digital VCR would be of better quality than the
>trusty old Hi-Fi VCRs.
>

My guess is that the digital audio on the new VCRs are of the same 
quality as DAT. For what it's worth, I would venture that the older HiFi
deck are warmer sounding, but I prefer analog over digital anyway.
Differents strokes...

- Larry

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Date: Sat, 30 Oct 1999 15:57:51 -0400
To: Loopers-Delight@annihilist.com
Subject: Re: Looping Laurie Anderson
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I once watched a concert by a woman from Mills College.  She had a velvet
glove that she wired up herself.  It had sensors for each of her fingers.
It could also sense the distance from another sensor in her belt buckle and
yet another sensor attached to one of her shoes.  This glove was driving a
gigantic Max patch on her Powerbook which in turn was driving a couple of
samplers and a synth.   She said she built her velvet glove controller
because she wanted a more feminine alternative to the videogame Powergloves
(I think by Mattel) that other experimental musicians were using.   She
would perform by making motions with her gloved hand while reciting poetry
or prose.

I don't know why I didn't ask her when I had the chance her thoughts on the
male-female ratio in the avant garde music scene.  Then again, women were
always in the minority in all the engineering classes I took in college.

Paolo

From Loopers-Delight-request@annihilist.com  Sat Oct 30 16:13:51 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: SF Bay area loopers (group looping?)
Date: Sat, 30 Oct 1999 13:03:04 -0700
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As opposed to lonesome looping, and related to the thought of getting as
many San Francisco Bay-area loopers together as they wish, I had the idea of
setting up some instruments -- couple of guitars, keyboards, etc. -- in some
place somewhere where everybody can jump in and add a riff or two to a loop,
taking turns, thereby producing loops in the context of several individuals'
creativity.  I thought that this, together with beer gushing and other
related drinking, would make up for some novel time.

But it was just a thought.  Who would think this could be accomplished?

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From: "James Pokorny" <j.pokorny@worldnet.att.net>
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Subject: Re: unsubscribe / grumpy loopers
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>p.s. If you must dis Fripp's stage demeanor, please do so elsewhere.
>:-)!


Dear JP:

The artist to whom I was referring makes Mr. Fripp look warm, fuzzy, cozy
and avuncular!  :-}

JP (ever notice how many loopers on this list have the same initials?)

From Loopers-Delight-request@annihilist.com  Sat Oct 30 16:14:29 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Looping Laurie Anderson
Date: Sat, 30 Oct 1999 13:03:02 -0700
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I think this relates to what Jim Poppen said today about male masturbatory
tendencies.  Women tend to seek mutual satisfaction rather than their own,
i.e., "You don't share your feelings," "But honey, we don't talk," etc.  I
would predict that women will get into looping only in the context of a
group, where their looping interacts somehow with others.

Come to think of it, I will post another thought separately.

  | -----Original Message-----
  | From: Mark Sottilaro [mailto:mark@cdm.sfai.edu]
  | Sent: Saturday 30 October 1999 12:52 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Looping Laurie Anderson
  |
  | I know we've been through this before, but with a role model like
  | Laurie, why do we
  | find so few women interested in working with new tools (such as loopers)
  | in Music?

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"This is coming from a guy who has done more masturbatory wanking on his
guitar and bass and drum machine than a hermit teen male with "special"
magazines would do on his "instrument."

i'm seeing a possible 12 step group starting. or at least the need for
one.lol

From Loopers-Delight-request@annihilist.com  Sat Oct 30 16:37:37 1999
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Almost certainly there are many dickhead loopers who are so
socially retarded that they should thank their Godhead for
the tech-age we live in.

But I certainly *do not* miss the days (late '70s/early '80s)
when one's muse and performance schedule were often severely
curtailed or limited by the idiosyncracies of irresponcible,
uncommitted, clueless or simply unavailable drummers,
guitarists, <insert your favorite muso here>. Hence,
the signal-to-noise ratio of many group situations
tended toward the low-end of the scale.

When affordable tape machines, drum machines, and signal
processors appeared, the creative individual was free to
innovate and experiment, unbounded by the whims & wishes of
inconvenient outsiders and hired-hands (this applies to
non-collaborators, which is a different thing altogether).
It was a windfall to many creatives tilling the frontiers
of music where other dared not tread.

All these factors contributed and necessitated the era
of the one-man band. Finally it's possiblities were open to
everyone.

And today, computers are having the same effect but at an
exponential rate, especially given the Internet. But the Net
is changing the dynamic in a profound way - rather than pushing
the lone creatives to the margins, it has brought these kindred
souls together in forums such as Loopers Delight, to share their
hard-won knowledge, which might otherwise be gleaned in
isolation.

So instead of group situations formed either out of geographic
accident or convenience, alliances can be forged out of
communities of interest. Obviously, this is much more
satisfying arrangement.

- Larry


- Larry



-----Original Message-----
From: James Pokorny <j.pokorny@worldnet.att.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, October 30, 1999 8:47 AM
Subject: Re: unsubscribe / grumpy loopers


>Hear, hear, Dave!
>
>I recently attended a show by a well-known looping artist.  I was very
>interested in hearing what this performer could do, having heard the
>person's name and reputation but never having heard the music.  This
>performer's stage demeanor was so hideous, obnoxious and blatantly
>condescending to the audience (who were extremely polite and attentive) as
>to be inexcusable.  My immediate thought was:  "No wonder this person uses
>all these looping devices . . . they'd never be able to get along with any
>other musicians!"  I spoke afterwards with other audience members who
echoed
>[:-)] similar sentiments.  I guess the pathologically grumpy should be
>grateful for looping technology.
>
>James Pokorny
>-----Original Message-----
>From: postaldave <postaldave@qx.net>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Friday, October 29, 1999 7:22 PM
>Subject: Re: unsubscribe
>
>
>>is this list group always so grumpy. ever wondered of the reason why
people
>>loop? could it be that they can't get along with other players so they are
>>forced to play by themselfs?
>>
>>who knows.................doing an all night jam........by
>>myself...................your not invited.lol
>>
>>postaldave@qx.net
>>
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 16:40:45 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: Looping Laurie Anderson
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Before aone else errs in their opinion of when the "little ladies"
will finally get into looping, you might want to pick up a book or
learn how to read.

Pauline Oliveros created looping as we know it today.
A women. (Gasp!) In 1966, at Mills College.

Eno knew this, Terry Riley new this. Geesh.

Larry

-----Original Message-----
From: pvallad1@tampabay.rr.com <pvallad1@tampabay.rr.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, October 30, 1999 4:18 PM
Subject: Re: Looping Laurie Anderson


>I once watched a concert by a woman from Mills College.  She had a velvet
>glove that she wired up herself.  It had sensors for each of her fingers.
>It could also sense the distance from another sensor in her belt buckle and
>yet another sensor attached to one of her shoes.  This glove was driving a
>gigantic Max patch on her Powerbook which in turn was driving a couple of
>samplers and a synth.   She said she built her velvet glove controller
>because she wanted a more feminine alternative to the videogame Powergloves
>(I think by Mattel) that other experimental musicians were using.   She
>would perform by making motions with her gloved hand while reciting poetry
>or prose.
>
>I don't know why I didn't ask her when I had the chance her thoughts on the
>male-female ratio in the avant garde music scene.  Then again, women were
>always in the minority in all the engineering classes I took in college.
>
>Paolo
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 16:40:34 1999
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Subject: Re: unsubscribe / grumpy loopers
From: "Christopher White" <magicicada@mindspring.com>
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u should tell us who it is as i do not want to spend my hard earned cash on
assholes.

----------


regards
c.white
>From: "James Pokorny" <j.pokorny@worldnet.att.net>
>To: <Loopers-Delight@annihilist.com>
>Subject: Re: unsubscribe / grumpy loopers
>Date: Sat, Oct 30, 1999, 4:05 PM
>

>
>>p.s. If you must dis Fripp's stage demeanor, please do so elsewhere.
>>:-)!
>
>
>Dear JP:
>
>The artist to whom I was referring makes Mr. Fripp look warm, fuzzy, cozy
>and avuncular!  :-}
>
>JP (ever notice how many loopers on this list have the same initials?)
>

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By that that logic, Bach, Ludwig Van, Phillip Glass and a
million other composers past and present are simply jerking
off into the oblivion of mediocrity.

Please... Do some actual thinking next time before you spout off
unfounded generalizations like that.

- Larry
-----Original Message-----
From: Jim Poppen <zebu@mindspring.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, October 30, 1999 2:52 PM
Subject: Re: unsubscribe / grumpy loopers


>I do think there is something to this notion that some loopers get to
>exercise control freak tendencies without having to deal with "my lame
>drummer who can't keep a straight beat", or any of the other fallible
>human types. Looping pleasure can be like the pleasure one gets from
>hearing one's own voice. Which leads to another notion and reminds me of
>my favorite quote, from the Sherlock Holmes story "The Valley of Fear":
>"Mediocrity knows nothing higher than itself, but talent instantly
>recognizes genius." I think musical collaboration is a remedy to
>individual mediocrity. Now, collaboration can still produce mediocre
>music, but I'll go out on a limb and say not as mediocre as the average
>"solo effort."
>
>This is coming from a guy who has done more masturbatory wanking on his
>guitar and bass and drum machine than a hermit teen male with "special"
>magazines would do on his "instrument."
>
>Jim
>
>p.s. If you must dis Fripp's stage demeanor, please do so elsewhere.
>:-)!
>
>James Pokorny wrote:
>>
>> Hear, hear, Dave!
>>
>> I recently attended a show by a well-known looping artist.  I was very
>> interested in hearing what this performer could do, having heard the
>> person's name and reputation but never having heard the music.  This
>> performer's stage demeanor was so hideous, obnoxious and blatantly
>> condescending to the audience (who were extremely polite and attentive)
as
>> to be inexcusable.  My immediate thought was:  "No wonder this person
uses
>> all these looping devices . . . they'd never be able to get along with
any
>> other musicians!"  I spoke afterwards with other audience members who
echoed
>> [:-)] similar sentiments.  I guess the pathologically grumpy should be
>> grateful for looping technology.
>>
>> James Pokorny
>> -----Original Message-----
>> From: postaldave <postaldave@qx.net>
>> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>> Date: Friday, October 29, 1999 7:22 PM
>> Subject: Re: unsubscribe
>>
>> >is this list group always so grumpy. ever wondered of the reason why
people
>> >loop? could it be that they can't get along with other players so they
are
>> >forced to play by themselfs?
>> >
>> >who knows.................doing an all night jam........by
>> >myself...................your not invited.lol
>> >
>> >postaldave@qx.net
>> >
>> >
>> >
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 17:41:49 1999
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Subject: Re: grumpy loopers
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Cantankerous?! Us?!

One of the things that makes me the grumpiest about playing with a group of
musicians has absolutely nothing to do with the music. Once everyone has
shown up, set up and gets playing it's fine, but as often as not there's
the simple logistical problem that any project involving a number of people
gets proportionately more impossible to schedule as the number of people
involved increases, especially when the people have day jobs, lives, a
distance to travel and/or attitudes. Concensus issues get easier with fewer
players, too. Looping technology enables us to do more with fewer people,
thereby increasing the odds of actually doing SOMETHING on any given
occasion! On the other hand, there're fewer hands to carry stuff when
playing out, but at least the vast sums of money taken in at the door don't
have to be split in as many ways. (Admit it, how many of us thought of that
right away when multi-member ska or swing bands started getting popular
again?! A $68 Tuesday night door take divided by guitar, bass, drums, 2
saxes, 2 trumpets, a trombone, a piano player and a vocalist comes to a big
$7.50 each before deducting gas money. If you bought two drinks of
Glenlivet and a set of those wire things that many of us use on our
instruments but don't talk about here, you're in the hole. A loopist and a
drummer could split that 68 bucks in half and take home a hefty $34 each,
riding in one vehicle! :-))

At 11:45 AM 10/30/99 -0700, Jim wrote:
> I think musical collaboration is a remedy to
>individual mediocrity. 

Yep, it sure can be, as long as everybody's listening to each other and
respectful of each others' contribution. Otherwise it's the sum total of
the individual mediocrity of everyone in the room.
>
>This is coming from a guy who has done more masturbatory wanking on his
>guitar and bass and drum machine than a hermit teen male with "special"
>magazines would do on his "instrument."

Who amongst us can truly claim otherwise! We even use "special" devices. ;-)
>
>If you must dis Fripp's stage demeanor, please do so elsewhere. :-)!

Apart from the artist-in-question's attitude, Mr. Pokorny never said how he
otherwise enjoyed the performance... Nor did he reveal who the ornery
looper was for that matter, but since you mention RF, I wanted to include a
link to a response Fripp wrote to someone who was complaining about not
being able to see him at a Fripp/Sylvian concert because of the "moody"
lighting, but I couldn't find it. If anyone can locate it, it's hilarious;
Fripp actually sent the guy a small check as a prorated refund with the
condition that the whiner never again come to see him or listen to his
recordings...

Tim (Ernie Ball Hybrid Slinky, Rotosound Swing Bass and Dunlop nylon
plectrum user, but let's not get started on that!)


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Date: Sat, 30 Oct 1999 14:27:19 -0700
From: Jim Poppen <zebu@mindspring.com>
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Come on Larry, I said the "average "solo effort'". To use your
expression, Geesh. Bach, Beethoven, Philip Glass (BTW, there's only one
'L' in Philip, Larry :-)), etc., did not develop their genius in a
bubble. I am making the observation that much of the music I've heard
from this new wave of solo performers is mediocre. Yes, including my
music (grumble). Beware the creative vacuum!

I think this is a sensitive subject for any "artist." Who wants to admit
their "art" is masturbatory? (Perhaps "masturbatory" is an unfortunate
expression for this thread. It does good job expressing the idea,
though.)

You are right on about the internet being a new and great tool for
sharing the music and ideas of these "lone creatives." That's why I'm on
this list. And why I think the critical scrutiny of others is crucial to
the process of loop making or whatever.

Jim


L Tremblay wrote:
> 
> By that that logic, Bach, Ludwig Van, Phillip Glass and a
> million other composers past and present are simply jerking
> off into the oblivion of mediocrity.
> 
> Please... Do some actual thinking next time before you spout off
> unfounded generalizations like that.
> 
> - Larry
> -----Original Message-----
> From: Jim Poppen <zebu@mindspring.com>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Saturday, October 30, 1999 2:52 PM
> Subject: Re: unsubscribe / grumpy loopers
> 
> >I do think there is something to this notion that some loopers get to
> >exercise control freak tendencies without having to deal with "my lame
> >drummer who can't keep a straight beat", or any of the other fallible
> >human types. Looping pleasure can be like the pleasure one gets from
> >hearing one's own voice. Which leads to another notion and reminds me of
> >my favorite quote, from the Sherlock Holmes story "The Valley of Fear":
> >"Mediocrity knows nothing higher than itself, but talent instantly
> >recognizes genius." I think musical collaboration is a remedy to
> >individual mediocrity. Now, collaboration can still produce mediocre
> >music, but I'll go out on a limb and say not as mediocre as the average
> >"solo effort."
> >
> >This is coming from a guy who has done more masturbatory wanking on his
> >guitar and bass and drum machine than a hermit teen male with "special"
> >magazines would do on his "instrument."
> >
> >Jim
> >
> >p.s. If you must dis Fripp's stage demeanor, please do so elsewhere.
> >:-)!
> >
> >James Pokorny wrote:
> >>
> >> Hear, hear, Dave!
> >>
> >> I recently attended a show by a well-known looping artist.  I was very
> >> interested in hearing what this performer could do, having heard the
> >> person's name and reputation but never having heard the music.  This
> >> performer's stage demeanor was so hideous, obnoxious and blatantly
> >> condescending to the audience (who were extremely polite and attentive)
> as
> >> to be inexcusable.  My immediate thought was:  "No wonder this person
> uses
> >> all these looping devices . . . they'd never be able to get along with
> any
> >> other musicians!"  I spoke afterwards with other audience members who
> echoed
> >> [:-)] similar sentiments.  I guess the pathologically grumpy should be
> >> grateful for looping technology.
> >>
> >> James Pokorny
> >> -----Original Message-----
> >> From: postaldave <postaldave@qx.net>
> >> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> >> Date: Friday, October 29, 1999 7:22 PM
> >> Subject: Re: unsubscribe
> >>
> >> >is this list group always so grumpy. ever wondered of the reason why
> people
> >> >loop? could it be that they can't get along with other players so they
> are
> >> >forced to play by themselfs?
> >> >
> >> >who knows.................doing an all night jam........by
> >> >myself...................your not invited.lol
> >> >
> >> >postaldave@qx.net
> >> >
> >> >
> >> >
> >
> >

From Loopers-Delight-request@annihilist.com  Sat Oct 30 18:20:20 1999
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In a message dated 10/30/99 6:13:30 PM Mid-Atlantic Standard Time, 
gnominus@earthling.net writes:

<< Who would think this could be accomplished? >>

i could do it........but you will all have to come to pittsburgh.......michael

From Loopers-Delight-request@annihilist.com  Sat Oct 30 18:20:28 1999
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Date: Sat, 30 Oct 1999 15:16:46 -0700
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Looping Laurie Anderson
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At 12:57 PM -0700 10/30/99, pvallad1@tampabay.rr.com wrote:
>I once watched a concert by a woman from Mills College.  She had a velvet
>glove that she wired up herself.  It had sensors for each of her fingers.
>It could also sense the distance from another sensor in her belt buckle and
>yet another sensor attached to one of her shoes.  This glove was driving a
>gigantic Max patch on her Powerbook which in turn was driving a couple of
>samplers and a synth.   She said she built her velvet glove controller
>because she wanted a more feminine alternative to the videogame Powergloves
>(I think by Mattel) that other experimental musicians were using.   She
>would perform by making motions with her gloved hand while reciting poetry
>or prose.

That would have been Laetitia Sonami. She uses the sensors from a Mattel
Powerglove in her custom made glove, and there are some Max objects to
support this. She's really cool, I have her email address if anyone wants
to ask her about it.


>I don't know why I didn't ask her when I had the chance her thoughts on the
>male-female ratio in the avant garde music scene.  Then again, women were
>always in the minority in all the engineering classes I took in college.

yet, some of the best engineers I've ever worked with were women. I've
never noticed that my genitalia was of much use one way or the other in
this field (same with music).  Seems to be more of a cultural resistance,
which I never really understood. Interestingly, other cultures seem to
produce a lot more women engineers than the US. India, east asia, etc.
Don't know if that's true for techno-music-geeks too.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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From: "Don \"Mango\" Pancoe" <pancoe@netaxs.com>
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Subject: Re: Looping Laurie Anderson
Date: Sat, 30 Oct 1999 18:13:38 -0400
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Javier Miranda V. wrote:
> I think this relates to what Jim Poppen said today about male masturbatory
> tendencies.  Women tend to seek mutual satisfaction rather than their own,
> i.e., "You don't share your feelings," "But honey, we don't talk," etc.  I
> would predict that women will get into looping only in the context of a
> group, where their looping interacts somehow with others.

I think your above theory might be borne out by the (relatively) recent
popularity of womens' drum circles. Of course, there is the whole
earth-mother-godess-provider thing (done in my best James Burke voice.)

-- Mango --

From Loopers-Delight-request@annihilist.com  Sat Oct 30 18:51:55 1999
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From: "L Tremblay" <ltct@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Gender and Electronic Music (was Looping Laurie...)
Date: Sat, 30 Oct 1999 18:43:23 -0400
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You may want a woman's perspective on this:

Gender and Electronic Music By Hannah Bosma
http://cadre.sjsu.edu/switch/sound/articles/bosma-gend1.html

I don't beleive orgasm is mentioned anywhere in the article
as a determinant for involvement though.

Sorry to disappoint. ;)

- Larry

-----Original Message-----
From: Javier Miranda V. <gnominus@earthling.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, October 30, 1999 4:17 PM
Subject: RE: Looping Laurie Anderson


>I think this relates to what Jim Poppen said today about male masturbatory
>tendencies.  Women tend to seek mutual satisfaction rather than their own,
>i.e., "You don't share your feelings," "But honey, we don't talk," etc.  I
>would predict that women will get into looping only in the context of a
>group, where their looping interacts somehow with others.
>
>Come to think of it, I will post another thought separately.
>
>  | -----Original Message-----
>  | From: Mark Sottilaro [mailto:mark@cdm.sfai.edu]
>  | Sent: Saturday 30 October 1999 12:52 PM
>  | To: Loopers-Delight@annihilist.com
>  | Subject: Looping Laurie Anderson
>  |
>  | I know we've been through this before, but with a role model like
>  | Laurie, why do we
>  | find so few women interested in working with new tools (such as
loopers)
>  | in Music?
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 18:52:47 1999
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>Come on Larry, I said the "average "solo effort'". To use your
>expression, Geesh. Bach, Beethoven, Philip Glass (BTW, there's only one
>'L' in Philip, Larry :-)), etc., did not develop their genius in a
>bubble. I am making the observation that much of the music I've heard
>from this new wave of solo performers is mediocre. Yes, including my
>music (grumble). Beware the creative vacuum!
>


I guess have a hard time imagining an "average solo effort".
You must admit that the generalization is oblique, subjective
and ultimately unquantifiable.

Maybe I'll lighten up and improve my typing skills anyway :)

You *do* get the point though...

>I think this is a sensitive subject for any "artist." Who wants to admit
>their "art" is masturbatory? (Perhaps "masturbatory" is an unfortunate
>expression for this thread. It does good job expressing the idea,
>though.)
>

Gratuitous might be a more appropriate description. For instance,
the mindless virtuoso who's performances strive to break land speed
record, whether or not it complements or adds anything to the idiom
s/he is working in. That would be gratuitous.

>You are right on about the internet being a new and great tool for
>sharing the music and ideas of these "lone creatives." That's why I'm on
>this list. And why I think the critical scrutiny of others is crucial to
>the process of loop making or whatever.
>


At least we can agree on that.

- Larry

>
>L Tremblay wrote:
>>
>> By that that logic, Bach, Ludwig Van, Phillip Glass and a
>> million other composers past and present are simply jerking
>> off into the oblivion of mediocrity.
>>
>> Please... Do some actual thinking next time before you spout off
>> unfounded generalizations like that.
>>
>> - Larry
>> -----Original Message-----
>> From: Jim Poppen <zebu@mindspring.com>
>> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>> Date: Saturday, October 30, 1999 2:52 PM
>> Subject: Re: unsubscribe / grumpy loopers
>>
>> >I do think there is something to this notion that some loopers get to
>> >exercise control freak tendencies without having to deal with "my lame
>> >drummer who can't keep a straight beat", or any of the other fallible
>> >human types. Looping pleasure can be like the pleasure one gets from
>> >hearing one's own voice. Which leads to another notion and reminds me of
>> >my favorite quote, from the Sherlock Holmes story "The Valley of Fear":
>> >"Mediocrity knows nothing higher than itself, but talent instantly
>> >recognizes genius." I think musical collaboration is a remedy to
>> >individual mediocrity. Now, collaboration can still produce mediocre
>> >music, but I'll go out on a limb and say not as mediocre as the average
>> >"solo effort."
>> >
>> >This is coming from a guy who has done more masturbatory wanking on his
>> >guitar and bass and drum machine than a hermit teen male with "special"
>> >magazines would do on his "instrument."
>> >
>> >Jim
>> >
>> >p.s. If you must dis Fripp's stage demeanor, please do so elsewhere.
>> >:-)!
>> >
>> >James Pokorny wrote:
>> >>
>> >> Hear, hear, Dave!
>> >>
>> >> I recently attended a show by a well-known looping artist.  I was very
>> >> interested in hearing what this performer could do, having heard the
>> >> person's name and reputation but never having heard the music.  This
>> >> performer's stage demeanor was so hideous, obnoxious and blatantly
>> >> condescending to the audience (who were extremely polite and
attentive)
>> as
>> >> to be inexcusable.  My immediate thought was:  "No wonder this person
>> uses
>> >> all these looping devices . . . they'd never be able to get along with
>> any
>> >> other musicians!"  I spoke afterwards with other audience members who
>> echoed
>> >> [:-)] similar sentiments.  I guess the pathologically grumpy should be
>> >> grateful for looping technology.
>> >>
>> >> James Pokorny
>> >> -----Original Message-----
>> >> From: postaldave <postaldave@qx.net>
>> >> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>> >> Date: Friday, October 29, 1999 7:22 PM
>> >> Subject: Re: unsubscribe
>> >>
>> >> >is this list group always so grumpy. ever wondered of the reason why
>> people
>> >> >loop? could it be that they can't get along with other players so
they
>> are
>> >> >forced to play by themselfs?
>> >> >
>> >> >who knows.................doing an all night jam........by
>> >> >myself...................your not invited.lol
>> >> >
>> >> >postaldave@qx.net
>> >> >
>> >> >
>> >> >
>> >
>> >
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 19:54:54 1999
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To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Halloween Loops
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It's not often that someone posts while actually looping, but right now I'm
scaring the hell out of the trick-or-treaters with live theremin loops!

Tim

From Loopers-Delight-request@annihilist.com  Sat Oct 30 20:01:42 1999
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Date: Sat, 30 Oct 1999 19:39:39 -0400
To: Loopers-Delight@annihilist.com
Subject: Re: Looping Laurie Anderson
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At 04:36 PM 10/30/99 -0400, you wrote:
>Before aone else errs in their opinion of when the "little ladies"
>will finally get into looping, you might want to pick up a book or
>learn how to read.
>
>Pauline Oliveros created looping as we know it today.
>A women. (Gasp!) In 1966, at Mills College.
>
>Eno knew this, Terry Riley new this. Geesh.
>
>Larry

Hey Larry,

Was that comment directed towards me personally?  

Paolo

>
>-----Original Message-----
>From: pvallad1@tampabay.rr.com <pvallad1@tampabay.rr.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Saturday, October 30, 1999 4:18 PM
>Subject: Re: Looping Laurie Anderson
>
>
>>I once watched a concert by a woman from Mills College.  She had a velvet
>>glove that she wired up herself.  It had sensors for each of her fingers.
>>It could also sense the distance from another sensor in her belt buckle and
>>yet another sensor attached to one of her shoes.  This glove was driving a
>>gigantic Max patch on her Powerbook which in turn was driving a couple of
>>samplers and a synth.   She said she built her velvet glove controller
>>because she wanted a more feminine alternative to the videogame Powergloves
>>(I think by Mattel) that other experimental musicians were using.   She
>>would perform by making motions with her gloved hand while reciting poetry
>>or prose.
>>
>>I don't know why I didn't ask her when I had the chance her thoughts on the
>>male-female ratio in the avant garde music scene.  Then again, women were
>>always in the minority in all the engineering classes I took in college.
>>
>>Paolo
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 20:14:07 1999
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From: "Clifford Novey" <clifsound@mediaone.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Halloween Loops
Date: Sat, 30 Oct 1999 17:05:03 -0700
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Sounds like something to be recorded- butisn't Halloween tomorrow night?

Cliff

-----Original Message-----
From: Tim Nelson [mailto:tcn62@ici.net]
Sent: Saturday, October 30, 1999 4:32 PM
To: Loopers-Delight@annihilist.com
Subject: Halloween Loops


It's not often that someone posts while actually looping, but right now I'm
scaring the hell out of the trick-or-treaters with live theremin loops!

Tim

From Loopers-Delight-request@annihilist.com  Sat Oct 30 20:45:17 1999
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Subject: Re: Looping Laurie Anderson
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No it wasn't. It was just an FYI.

- Larry
-----Original Message-----
From: pvallad1@tampabay.rr.com <pvallad1@tampabay.rr.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, October 30, 1999 8:03 PM
Subject: Re: Looping Laurie Anderson


>At 04:36 PM 10/30/99 -0400, you wrote:
>>Before aone else errs in their opinion of when the "little ladies"
>>will finally get into looping, you might want to pick up a book or
>>learn how to read.
>>
>>Pauline Oliveros created looping as we know it today.
>>A women. (Gasp!) In 1966, at Mills College.
>>
>>Eno knew this, Terry Riley new this. Geesh.
>>
>>Larry
>
>Hey Larry,
>
>Was that comment directed towards me personally?
>
>Paolo
>
>>
>>-----Original Message-----
>>From: pvallad1@tampabay.rr.com <pvallad1@tampabay.rr.com>
>>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>>Date: Saturday, October 30, 1999 4:18 PM
>>Subject: Re: Looping Laurie Anderson
>>
>>
>>>I once watched a concert by a woman from Mills College.  She had a velvet
>>>glove that she wired up herself.  It had sensors for each of her fingers.
>>>It could also sense the distance from another sensor in her belt buckle
and
>>>yet another sensor attached to one of her shoes.  This glove was driving
a
>>>gigantic Max patch on her Powerbook which in turn was driving a couple of
>>>samplers and a synth.   She said she built her velvet glove controller
>>>because she wanted a more feminine alternative to the videogame
Powergloves
>>>(I think by Mattel) that other experimental musicians were using.   She
>>>would perform by making motions with her gloved hand while reciting
poetry
>>>or prose.
>>>
>>>I don't know why I didn't ask her when I had the chance her thoughts on
the
>>>male-female ratio in the avant garde music scene.  Then again, women were
>>>always in the minority in all the engineering classes I took in college.
>>>
>>>Paolo
>>>
>>>
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 21:30:04 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Looping Laurie Anderson
Date: Sat, 30 Oct 1999 18:15:15 -0700
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Yes, dude!  Women love those witch circles where they all get together to
get naked, get drunk and dance all night...  Well, I've never been there --
this is just pure speculation.

  | -----Original Message-----
  | From: Don "Mango" Pancoe [mailto:pancoe@netaxs.com]
  | Sent: Saturday 30 October 1999 3:14 PM
  | To: Loopers-Delight@annihilist.com
  | Subject: Re: Looping Laurie Anderson
  |
  |
  |
  | Javier Miranda V. wrote:
  | > I think this relates to what Jim Poppen said today about male
  | masturbatory
  | > tendencies.  Women tend to seek mutual satisfaction rather
  | than their own,
  | > i.e., "You don't share your feelings," "But honey, we don't
  | talk," etc.  I
  | > would predict that women will get into looping only in the
  | context of a
  | > group, where their looping interacts somehow with others.
  |
  | I think your above theory might be borne out by the (relatively) recent
  | popularity of womens' drum circles. Of course, there is the whole
  | earth-mother-godess-provider thing (done in my best James Burke voice.)
  |
  | -- Mango --
  |
  |

From Loopers-Delight-request@annihilist.com  Sat Oct 30 21:46:48 1999
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Just a matter of WHERE we could accomplish it, isn't it?

At 01:03 PM 10/30/99 -0700, Javier wrote:
>But it was just a thought.  Who would think this could be accomplished?
>
>

From Loopers-Delight-request@annihilist.com  Sat Oct 30 21:54:35 1999
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Date: Sat, 30 Oct 1999 21:45:34 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: RE: Looping Laurie Anderson
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Women? Naked? Drunk? Speculation? .... oh, nevermind...

Anyway, while I'm pretty sure most of us CAN read, most of us have probably
never read what Pauline Oliveros has written. There's a lot of good info,
including a bibliography at <http://www.artswire.org/pof/peop_po.html>

Tim

ps: before anybody points this out, I'm aware that $68 divided by ten does
not equal $7.50 :-)

At 06:15 PM 10/30/99 -0700, you wrote:
>Yes, dude!  Women love those witch circles where they all get together to
>get naked, get drunk and dance all night...  Well, I've never been there --
>this is just pure speculation.

From Loopers-Delight-request@annihilist.com  Sat Oct 30 23:01:44 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: grumpy friths
Date: Sat, 30 Oct 1999 19:56:54 PDT
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A friend of mine and I met Fred Frith after one of his shows in SF lately, 
and, while he wasn't the most talkative musician, he certainly came across 
as a nice guy.

My friend had Fred sign a copy 'Gravity' and Fred put a word bubble next to 
his own picture saying, "Hi Chris".

Mr. Frith is now a music instructor at Mills College. Maybe there's a 
student of his on this list that could provide an expert opinion on Fred 
Frith's cuddliness?

And I'll have you know that this is ABSOLUTELY loop related somehow.

M.T.



> >
> >The artist to whom I was referring makes Mr. Fripp look warm, fuzzy, cozy
> >and avuncular!  :-}
> >
> >JP (ever notice how many loopers on this list have the same initials?)
> >
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Oct 30 23:18:49 1999
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From: "Mr. Tough" <electricfriends@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: grumpy fripps too
Date: Sat, 30 Oct 1999 20:11:41 PDT
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Oh, wait, so you're telling me that Fred Frith and Robert Fripp are actually 
two different people?!?!?!

Don't worry folks, I smacked my eyeballs around some and now they know to 
read more carefully before I go opening my big yap.

Mr. Tough


>From: "Mr. Tough" <electricfriends@hotmail.com>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: grumpy friths
>Date: Sat, 30 Oct 1999 19:56:54 PDT
>
>A friend of mine and I met Fred Frith after one of his shows in SF lately,
>and, while he wasn't the most talkative musician, he certainly came across
>as a nice guy.
>
>My friend had Fred sign a copy 'Gravity' and Fred put a word bubble next to
>his own picture saying, "Hi Chris".
>
>Mr. Frith is now a music instructor at Mills College. Maybe there's a
>student of his on this list that could provide an expert opinion on Fred
>Frith's cuddliness?
>
>And I'll have you know that this is ABSOLUTELY loop related somehow.
>
>M.T.
>
>
>
>> >
>> >The artist to whom I was referring makes Mr. Fripp look warm, fuzzy, 
>>cozy
>> >and avuncular!  :-}
>> >
>> >JP (ever notice how many loopers on this list have the same initials?)
>> >
>>
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Oct 30 23:20:55 1999
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: So THAT's what happened to ZIPI...
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OT historical stuff follows:

Paolo said:
>Re: So THAT's what happened to ZIPI...

I guess you read Lynx Crowe's site? I don't think that is much of a
representation of what happened to ZIPI. I was there throughout that whole
affair, witnessing it first hand. Much of what is said on Lynx's site
didn't quite happen that way in the same universe I exist in. Lynx had
nothing to do with the end of zipi, aside from causing huge schedule delays
and preventing us from ever having working hardware.

Lynx was writing code for the ZIPI hardware, and had never delivered
anything that worked at all after a full year of work on what seemed to be
an easy project. (he just had to implement the detailed specs we had
written.) We had given up on him and were in the process of hiring somebody
else when all that nonsense started. The "war" as Lynx calls it was
initiated by Lynx, not Gibson, since we just wanted him to go away. His
claims about the value of his worthless software are pretty funny, but his
claims about the value of the OBMx are funnier still. That thing is the
titanic of the synth world, hardly any of them were ever sold. I think as
part of a settlement Gibson gave him all that code for zipi and obmx to do
whatever he wanted with, since it certainly wasn't worth anything to
anybody else.

At 7:25 PM -0700 10/29/99, pvallad1@tampabay.rr.com wrote:
>I remember Gibson at one time was in cahoots with UC Berkeley's CNMAT and
>Zeta working on ZIPI,

I was one of the people who worked on it, at Gibson's G-WIZ labs R&D
division. Another poster expressed surprise that Gibson owned this, which
seems a little odd since there is no secret about that. What's known as
ZIPI was developed in Gibson's G-WIZ labs division, by Gibson employees,
paid for by Gibson. We worked closely with people at CNMAT as well, and
some initial ideas came from zeta. CNMAT has received very generous funding
from Gibson for many years, BTW.

>a network-based protocol that would supplant MIDI as
>a control standard.  Instead of MIDI's 32 or so KHz bandwidth, you have
>bandwidth at least equivalent to Ethernet (which is much, much higher).
>And since its network based, you can connect a bunch of devices into an
>Ethernet-like LAN without the mess of lots of MIDI in and out cables.

It wasn't "ethernet" speed (I guess you mean 10base-t). Zipi was spec'd as
scaling bandwidth from 256Kb/s to 4Mb/s. But unlike ethernet it guaranteed
a very fast real-time response for time-critical control signals, which we
felt was necessary for communicating the expression data we expected our
guitar-synth controller to generate. The lower layers of the network were a
clever token ring network with some really great ideas in it. It was never
working in the real world, btw.


>I also remember hearing that ZIPI was dead in the water.

has been for years. No development happened after mid '95. Most of the work
was done well before that, late '93 - early '94.  There was a different
legal issue which froze zipi up, but I don't think it would have made a
difference. Niche protocols like this don't have much of a future anymore,
and there was never much support for zipi in the MI industry. The outcome
would have been the same no matter what.


>Now, I hear Gibson announcing something called GMICS (http://www.gmics.org/)
>The idea of using it as a replacement for MIDI is downplayed.  It's being
>pushed more as a digital audio networking solution.
>
>Will GMICS make it?  Or is it doomed?  Find out next year, same time, same
>Bat-channel...

What I like is, the people who developed it pronounce it "Gimmicks".

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Oct 31 00:31:41 1999
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Subject: Re: Looping Laurie Anderson
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Hey Tim,

I know *you* can read. One need go no further than the Looper's
Delight History section and check out Michael Peter's wonderful
essay, "The Birth of Loop", provided for our reading enjoyment
by none other than our host Kim, who as we know descends from a
long and distinguished line of assholes. ;)

The San Francisco Tape Music Center (Pauline, Terry, et al)
http://www.annihilist.com/loop/history/Loophist.html#hist6

Best Regards,

- Larry

-----Original Message-----
From: Tim Nelson <tcn62@ici.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, October 30, 1999 9:57 PM
Subject: RE: Looping Laurie Anderson


>Women? Naked? Drunk? Speculation? .... oh, nevermind...
>
>Anyway, while I'm pretty sure most of us CAN read, most of us have probably
>never read what Pauline Oliveros has written. There's a lot of good info,
>including a bibliography at <http://www.artswire.org/pof/peop_po.html>
>
>Tim
>
>ps: before anybody points this out, I'm aware that $68 divided by ten does
>not equal $7.50 :-)
>
>At 06:15 PM 10/30/99 -0700, you wrote:
>>Yes, dude!  Women love those witch circles where they all get together to
>>get naked, get drunk and dance all night...  Well, I've never been
there --
>>this is just pure speculation.
>
>

From Loopers-Delight-request@annihilist.com  Sun Oct 31 00:31:41 1999
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: gibson article
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At 7:46 AM -0700 10/29/99, Tom Ritchford wrote:
>I've been active on the Opcode user's mailing list and I have to
>say that it was Gibson's behavior that made me refuse to confirm
>for the Echoplex group purchase list.


>My personal advice is not to have anything to do with Gibson
>in any position where you have to trust them.  If you are
>presented with a burned-in and working Echoplex, go for it,
>but otherwise I'd wait for something else to come up.
>

Please let's stop spreading this kind of conspiratorial nonsense around.
Events at opcode have nothing to do with the Echoplex's future at Gibson,
or the business relationship between Gibson and Aurisis. We've been working
with Gibson since 1993 and things are fine. Unlike opcode, the echoplex is
a popular, profit-generating product, which is all it needs to survive.
Rather than drawing these kinds of gloomy conclusions, please feel free to
contact us or Gibson to get some accurate information.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Oct 31 00:32:16 1999
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Subject: Re: gibson article
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>this probably seems a bit off topic, but this (URL below) is an interesting
>article about gibson and opcode (oberheim is mentioned!). i'm wondering if
>kim has any comments to add (especially since it is almost november, and
>still no sign of the EDP).
>
>klowy
>
>http://www.geocities.com/SiliconValley/Monitor/6454/index.html

comment:

- Business is not warm and fuzzy. welcome to capitalism. Just because it's
the music instrument business doesn't make it pretty. These same things
happen everywhere.

- The average business people in the music world seem to be stupider than
most. They have knack for vastly overestimating their own importance and
wealth-generating potential, getting very greedy, then doing foolish things
and getting themselves sued by entites who actually do have the power they
thought they had.

- Opcode had screwed themselves over long before Gibson came along. They
were blinking out fast. Seems to me that Gibson kept a terminal patient
alive one year longer than they would have lasted anyway. It baffles me how
people see Gibson as the bad guy here. I guess conspiracy theory is always
more fun.

- This represents a bigger trend. Music application software is a doomed
industry IMO. There's hardly any money in it now, and all the customers
freely steal the products anyway. Or they find a freeware version
elsewhere. Expect to see a lot more companies vanish in the next five
years. Even Microsoft doesn't expect to be selling software in 10 years,
they are transitioning towards a services business model. I doubt that will
work in a small-money niche like the music biz, certainly not before a lot
more consolodation.

- Events with Opcode are mostly unrelated to the Echoplex. We (Aurisis
Research) have had a reasonable business relationship with Gibson for many
years. Our deal with them is simple and clear, and we try not to be idiots
about it, so it continues to work.

- I say "mostly" because we wasted a bunch of time getting opcode set up
for echoplex production, while they went back and forth on it and couldn't
decide what to do. If they had run with it, they would have had at least
one product making money and maybe still be around, and echoplexes would
have been available months ago. If you want to blame somebody for lack of
echoplexes right now, try the geniuses at opcode. That whole event pissed
me off a lot, but in retrospect it is better. I like the current situation
for the Echoplex a lot more, and new units are indeed on the way.

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Oct 31 00:34:08 1999
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Kim - 

I remember this going down in the late '80's/early-90's too.

Do you have any idea what happened to adding alternate-tuning
capabilities (Just Intonation, for example) to the MIDI Spec 
that was supposed to supercede the current General MIDI kludge 
we're stuck with now?

I got so disgusted with MIDI that I eventually abandoned it
in favor of CV control. Anyone else?

- Larry


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Subject: Re: bay area gathering
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At 12:16 AM -0700 10/29/99, Stan Card wrote:
>Well  we are talking San Fran/Oaktown  Bay-Area beer drinkin'looper guys...I
>guess we wait for you,Kim to pick up the ball(w/ your organizational powers
>that be) to set up a time and place around here in this loopy
>world!!!...stanner

afraid I don't have time this month to organize or host this. You guys pick
a place and time, I'll be happy to join you if I'm free.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Oct 31 01:24:56 1999
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At 9:31 PM -0700 10/30/99, L Tremblay wrote:
>Kim -
>
>I remember this going down in the late '80's/early-90's too.
>
>Do you have any idea what happened to adding alternate-tuning
>capabilities (Just Intonation, for example) to the MIDI Spec
>that was supposed to supercede the current General MIDI kludge
>we're stuck with now?

no idea about that one, sorry.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Oct 31 01:37:34 1999
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In a message dated 10/29/99 8:55:49 PM, murkie@panther.middlebury.edu writes:

>got one but haven't figured out how i want to incorporate it into my set-up
>(or if i even need to!).  how'd you use it?  
>
- um lessee... we are talkking the Lexicon MRC desktop controller... nice 
thingie. I had the keypad sending program changes... punch inna number & 
enter... you could set this up to task multiple channels etc... problem was I 
hate remembering numbers so i always had a list of what programs were doing 
what... then that was heard to read onstage etc. got sos I would use a basic 
five or six programs... kinda like driving a semi to the grocery store. just 
take the bug; ya know?
      then the slider things could you know; do the usual continuous 
controller business ie: increase effects mix, um... chorous depth, leslie 
speed... umm.. you name it. targeting multiple expression inputs with 
positive-negative values is always fun too... as in increase reverb time 
while decreasing the mix... shite like that.

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the avuncular mr. fripp...wasn't that a series on bbc for a few years? =-) PJ

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Hi Kim (not female),

Do you dare to venture a ROUGH, approximate timeframe estimate, or would
that be taken too literally , like "August" was? With the full
understanding that your guess is in no way binding and you don't run
Gibson, what's the latest word on when we maybe gon' see these thangs?

BTW, how are your callouses? Regards to you and your distinguished line of
ancestry,

Tim (GraphTech saddles keep my wire things from breaking, but we won't talk
about that...)

At 09:15 PM 10/30/99 -0700, you wrote:
>If you want to blame somebody for lack of
>echoplexes right now, try the geniuses at opcode. That whole event pissed
>me off a lot, but in retrospect it is better. I like the current situation
>for the Echoplex a lot more, and new units are indeed on the way.

From Loopers-Delight-request@annihilist.com  Sun Oct 31 10:34:49 1999
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>>If you must dis Fripp's stage demeanor, please do so elsewhere. :-)!
>
>Apart from the artist-in-question's attitude, Mr. Pokorny never said how he
>otherwise enjoyed the performance... Nor did he reveal who the ornery
>looper was for that matter

Good call, Tim!  I should have mentioned that the music itself was
absolutely incredible.  The performer, whom I would prefer not to name, had
a virtuosic command of the instrument (which was NOT a guitar, but did have
some of those unmentionable taut wire things on it ;-} ), and also had a
real mastery of the technology, pedals, and looping equipment.  I was most
impressed by the textures, melodies, rhythms and complex arrangements all
generated by one person through one instrument and devices.  If the music
had not been so compelling I would have left after the first piece because I
resent being insulted by any performer.  I don't expect every musician to
"work the crowd" or to win an audience over with their charming personality,
but I don't think it's too great a stretch of the imagination to realize
that people who have paid money to hear you play should be treated with
decency and respect.

This brings up a somewhat off-topic point that's been brought up recently
and has been plaguing me for quite some time:  how to separate the art from
the artist, especially when the art is sublime but the artist is a
miserable, misanthropic so-and-so.  Some examples that immediately come to
mind:  Richard Wagner, Ezra Pound, Pablo Picasso, Graham Greene, Lou Reed, .
. .  I'm sure that everyone can think of many other examples from the worlds
of music, art, literature, etc.  It's impossible not to admire their immense
talent or genius, but hard to reconcile the pain and grief that they brought
either to immediate friends and family, or to vast numbers of people unknown
to them (e.g., the very public anti-Semitism of Wagner and Pound).

I don't want to get too far OT, but I always have difficulty in isolating
the greatness of the art because conscience kicks in and urges "Yeah, but he
was such a jerk!"

James Pokorny

From Loopers-Delight-request@annihilist.com  Sun Oct 31 11:00:18 1999
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Date: Mon, 1 Nov 99 00:51:24 -0000
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Only 16 audio channels??  One sampler could exhaust that.

>>Now, I hear Gibson announcing something called GMICS (http://www.gmics.org/)
>>The idea of using it as a replacement for MIDI is downplayed.  It's being
>>pushed more as a digital audio networking solution.
>>
>>Will GMICS make it?  Or is it doomed?  Find out next year, same time, same
>>Bat-channel...
>
>What I like is, the people who developed it pronounce it "Gimmicks".
>
>kim

From Loopers-Delight-request@annihilist.com  Sun Oct 31 11:32:14 1999
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From: Loopbozo@aol.com
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Date: Sun, 31 Oct 1999 11:19:42 EST
Subject: Re: grumpy loopers, genius vs. jerk
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Back in 1981 my partner and I sent a tape of loops we had done, to Fred Frith.
About a year later we received a very nice letter from Fred with a positive 
swirl
to it and the encouragement to keep at it.The nature of the art versus the 
artist
argument was first made to me as a youngster by my father who said that the
work of Charlie Parker was to be admired, but his choice of lifestyle was not.
The list of people whose work could fall into this realm is as unique as the
individual doing the lisiting.I love Debussy.....but as I understand it he was
not a nice guy in the context of family life.

                                                        Bryan Helm

From Loopers-Delight-request@annihilist.com  Sun Oct 31 12:16:01 1999
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Hey sarcasm boy,


> Before aone else errs in their opinion of when the "little ladies"
> will finally get into looping, you might want to pick up a book or
> learn how to read.
>

I'm pretty sure most of us know that woman, can, will, and do loop.
That wasn't the point.  The point is, I don't think that there is a
single woman on this list.  I find that bothersome.  It seems
unnatural.  There were females on this list at one time, why did they
leave?  Are we creating a hostile environment towards women?  Are we a
bunch of boring tech geeks?

Mark


From Loopers-Delight-request@annihilist.com  Sun Oct 31 12:21:33 1999
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Subject: Pauline Oliveros interview
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There's a great interview with Oliveros in William Duckworth's book "Talking
Music", which I'd highly recommend to anyone with an interest in
experimental music.  Also has great interviews with Cage, Riley, Young,
Zorn, Laurie Anderson, Branca, Glass, and many more.

Travis Hartnett

From Loopers-Delight-request@annihilist.com  Sun Oct 31 12:31:41 1999
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It seems kind of weird to me that so many of feel the need to stay "on
topic."  A lot of us have been on this list a long time.  I was on it
for a pretty long time, left, and have recently come back to find that
we seem to be going over the same ground, over and over.  "Oh, there's a
new box that blah, blah blahs..."  "Fripp is a poop head..." and so on.

Anyway, I welcome diversity in topics.  Perhaps we should all just try
to use Subject headers that accurately describe the post, rather than
try to strictly censor ourselves.  If you're not interested in a post,
don't read it.  I've found ton's of interesting stuff on this list that
didn't directly relate to looping, but was useful to me as a looper.
Which dog shampoo helps control fleas the best, is probably a bad topic,
but maybe the short life cycle of the flea and the mutations that occur
from genetic "looping" could be useful and interesting to the list.
It's a subtle point, and one that's bound to be broken, again and again,
but if we're to continue to be a vital list, we may need to be a little
more forgiving of the myriad of wacky topics that come from our loopy
selves.

Of course, you could just tell me to shut up...

Mark


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For anyone interested in looking below the surface into
Fripp's philosophical and political orientation, one will
find the root of his animosity, bitterness and outright
hostility toward the "marketplace" and its attendant
participants.

(How's that for oblique?)

- Larry

-----Original Message-----
From: James Pokorny <j.pokorny@worldnet.att.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, October 31, 1999 10:37 AM
Subject: Re: grumpy loopers, genius vs. jerk


>>>If you must dis Fripp's stage demeanor, please do so elsewhere. :-)!
>>
>>Apart from the artist-in-question's attitude, Mr. Pokorny never said how
he
>>otherwise enjoyed the performance... Nor did he reveal who the ornery
>>looper was for that matter
>
>Good call, Tim!  I should have mentioned that the music itself was
>absolutely incredible.  The performer, whom I would prefer not to name, had
>a virtuosic command of the instrument (which was NOT a guitar, but did have
>some of those unmentionable taut wire things on it ;-} ), and also had a
>real mastery of the technology, pedals, and looping equipment.  I was most
>impressed by the textures, melodies, rhythms and complex arrangements all
>generated by one person through one instrument and devices.  If the music
>had not been so compelling I would have left after the first piece because
I
>resent being insulted by any performer.  I don't expect every musician to
>"work the crowd" or to win an audience over with their charming
personality,
>but I don't think it's too great a stretch of the imagination to realize
>that people who have paid money to hear you play should be treated with
>decency and respect.
>
>This brings up a somewhat off-topic point that's been brought up recently
>and has been plaguing me for quite some time:  how to separate the art from
>the artist, especially when the art is sublime but the artist is a
>miserable, misanthropic so-and-so.  Some examples that immediately come to
>mind:  Richard Wagner, Ezra Pound, Pablo Picasso, Graham Greene, Lou Reed,
.
>. .  I'm sure that everyone can think of many other examples from the
worlds
>of music, art, literature, etc.  It's impossible not to admire their
immense
>talent or genius, but hard to reconcile the pain and grief that they
brought
>either to immediate friends and family, or to vast numbers of people
unknown
>to them (e.g., the very public anti-Semitism of Wagner and Pound).
>
>I don't want to get too far OT, but I always have difficulty in isolating
>the greatness of the art because conscience kicks in and urges "Yeah, but
he
>was such a jerk!"
>
>James Pokorny
>
>

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Date: Sun, 31 Oct 1999 13:44:44 -0400
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>Some examples that immediately come to
>mind:  Richard Wagner, Ezra Pound, Pablo Picasso, Graham Greene, Lou Reed, .

Hey, Lou Reed is very approachable!  I see him pretty often at gallery openings
around New York.  A few years ago my girlfriend (who was a big fan of his)
saw and was staring at him as he was leaving a gallery... "is that Lou Reed?"
and he very politely waited for her to walk over to him.  "I'd just 
like to shake
your hand," she said, and he said, "Put it there!" (in that 
inimitable voice of his),
shook, smiled at her, and left with a friendly wave.  Really warm and 
non-pretentious.

ObLooping:  OTOH, a famous looper who I won't identify except to say that
he plays with a progressive rock band that has lasted 30 years and with a
seminal ambient musician...  was being driven around by a Friend Of A Friend.
Said FOAF had been instructed not to speak to F, er, the
musician, and didn't... except right as he was driving to the airport,
at the very end, they were stopped at a light and he said, "Excuse me,
Mr. Xxxxx, I've been a huge fan of yours for over ten years and..."
At this juncture, Xxxxx interrupted him by yelling "ASSHOLE!" at him
at the top of his lungs and the journey finished in silence again.

	/t

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If indeed there are no women on the list I beleive
the last one perhaps would have left at rate when the
conversation turned to masterbation (a typically locker 
room-type male obsession).

Everyone knows women can be just as crude and rude as 
any of the boys. But I think at times the Boys club 
atmosphere is a bit stifling at off-putting at times.

My wife regularly reads some of these posts and I asked
her what she thought of it. She simply said "Guys..." and
added "so what if your sister wanted to subscribe? Would 
*she* be impressed?"

Therefore, I'm resolved to abstain from overtly offensive
guy talk in an effort to reduce my own alienation quotient.

Sorry guys :)

- Larry (sarcasm boy) Tremblay

-----Original Message-----
From: Mark Sottilaro <mark@cdm.sfai.edu>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, October 31, 1999 12:20 PM
Subject: Learning to read.


>Hey sarcasm boy,
>
>
>> Before aone else errs in their opinion of when the "little ladies"
>> will finally get into looping, you might want to pick up a book or
>> learn how to read.
>>
>
>I'm pretty sure most of us know that woman, can, will, and do loop.
>That wasn't the point.  The point is, I don't think that there is a
>single woman on this list.  I find that bothersome.  It seems
>unnatural.  There were females on this list at one time, why did they
>leave?  Are we creating a hostile environment towards women?  Are we a
>bunch of boring tech geeks?
>
>Mark
>
>
>

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Mark Sottilaro said:

>but maybe the short life cycle of the flea and the mutations that occur
>from genetic "looping" could be useful and interesting to the list

Hmmmm, how about non-destructive random mutation of the loop with every
repetition?

Realizing the Echoplex and most loopers aren't multi-effects, what kind of
fun could we have with this scenario?

Knowing from hints that the new Loop software does some granular tricks,
maybe random reordering of sections of the loop, for example dividing the
loop into 8ths or 16ths and rearranging playback order? How about doing
this and dividing the playback lengths into some really small divisors, so
the sections are only a few milleseconds long?

Now put control of the degree of randomicity (?) and the division length
under midi real-time control...

More suggestions for random mutation please!

Mark


From Loopers-Delight-request@annihilist.com  Sun Oct 31 13:29:44 1999
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Date: Sun, 31 Oct 1999 12:59:20 -0500 (EST)
From: Tara Key <tk10@columbia.edu>
Sender: tk10@columbia.edu
To: Loopers-Delight@annihilist.com
Subject: Re: Learning to read.
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I have been holding my tongue because I absolutely hate discussions based
on gender (seeing as for 20+ years of performing I have had to address it
SO many times).
Suffice it to say that I, a female (also a guitar player, pinball freak,
painter and any other thing that describes me IN PART) am on the list as I
have been for a while. I have gotten much, much, much out of the list, but
by nature I am not talking at the party, but lurking. This has nothing to
do with being female. Don't worry boys, until you get stuck on the stuff
like masturbatory music being guy-centric (not, not true---a) girls DO IT
TOO), the list is always informative and entertaining. Hell, seeing some
of you boys get all het up about this is sorta entertaining as well! And
as I get older and poorer and retreat to my home studio more and more, I
find myself being able to talk tech with the best of ya'll. It has nothing
to do with being a girl...I have been shooting it with the boys at the
guitar store since I was barely able to play.
Yanked out of lurk mode (amusedly),
Tara Key
Antietam
shamelessly promoting Rick Rizzo/Tara Key "Dark Edson Tiger" (mucho
loop-centric instrumental disc) due Jan 2000 on Thrill Jockey

From Loopers-Delight-request@annihilist.com  Sun Oct 31 13:39:14 1999
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Date: Sun, 31 Oct 1999 13:32:32 -0500 (EST)
From: Stew Benedict <stewb@earthlink.net>
To: Loopers-Delight@annihilist.com
Subject: New loopage - for me anyway.
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No wildly deep contibutions to make, but I did here some unique loopage on
NPR today.  Gideon Freudmann - plays electric cello, and talked a bit
about the old tape-based echoplex.  Had some unique sounding stuff, the
one tune I heard started out like some of Adrian Belew's animal sounds,
then transitioned through Smoke on the Water, the Andy Mayberry song,
Sunshine of your love, a Beatles tune, the Flintstones, and a few other
things, before coming to the end.  There are some samples of his stuff up
on cdnow.  I'm off to enjoy the last fleeting nice weather here in the
rust belt.

Loop/Talk On!
Stew Benedict 



From Loopers-Delight-request@annihilist.com  Sun Oct 31 13:53:53 1999
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From: Jim Poppen <zebu@mindspring.com>
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Larry,

Your persnickety attitude is alienating. You should do some work on that
front too. :-)
or maybe :-( , your call.

My comments about masturbation, taken in context, wouldn't even have
been misconstrued by a well trained monkey. I resent your characterizing
my comments as "overtly offensive", too. And I was not making "guy
talk."

If you must make idle accusation like, "If indeed there are no women on
the list I believe the last one perhaps would have left at rate when the
conversation turned to masterbation (a typically locker room-type male
obsession)", or other accusations about a person's ability to read, why
don't you keep it to yourself or e-mail the person you have a problem
with privately?

Jim

Sorry for posting this to the list. I'm just upset by yer attitude
Larry. If you didn't post so much it wouldn't be a big deal.

> 
> Therefore, I'm resolved to abstain from overtly offensive
> guy talk in an effort to reduce my own alienation quotient.
> 
> Sorry guys :)
> 
> - Larry (sarcasm boy) Tremblay
>

From Loopers-Delight-request@annihilist.com  Sun Oct 31 14:25:31 1999
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From: "Peter Shindler" <shindler@mediaone.net>
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References: <Pine.LNX.4.02.9910311327560.23902-100000@moe.ays.net>
Subject: Re: New loopage - for me anyway.
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I saw Freudmann perform a few years ago at the University of Connecticut as
part of their Cello Society's annual concert.  He performed solo and stole
the show.  He played a couple of silly songs, which he sang while plucking
his cello like an upright bass, and did a number of his own instrumental
pieces.  The only looping he did was one piece where he set up a polka-esque
bass line, looped it through a small DigiTech floor unit of some kind, then
went nuts over it.  Very musical all the way through.  I don't know what
he's been up to lately, but I believe he's got a site out there somewhere.


Peter

----- Original Message -----
From: Stew Benedict <stewb@earthlink.net>
To: <Loopers-Delight@annihilist.com>
Sent: Sunday, October 31, 1999 1:32 PM
Subject: New loopage - for me anyway.


>
> No wildly deep contibutions to make, but I did here some unique loopage on
> NPR today.  Gideon Freudmann - plays electric cello, and talked a bit
> about the old tape-based echoplex.  Had some unique sounding stuff, the
> one tune I heard started out like some of Adrian Belew's animal sounds,
> then transitioned through Smoke on the Water, the Andy Mayberry song,
> Sunshine of your love, a Beatles tune, the Flintstones, and a few other
> things, before coming to the end.  There are some samples of his stuff up
> on cdnow.  I'm off to enjoy the last fleeting nice weather here in the
> rust belt.
>
> Loop/Talk On!
> Stew Benedict
>
>
>

From Loopers-Delight-request@annihilist.com  Sun Oct 31 14:46:34 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
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Subject: RE: Learning to read.
Date: Sun, 31 Oct 1999 11:25:07 -0800
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I have to agree 200%.  I will acknowledge my guilt now, before someone
points their finger at me.  As Kim says, let's stick to looping.  Come to
think of it, it's very embarrassing that a lot of search engines, which
index LD, have all these links, and these things show up in the LD search
pages.  Overall, it makes sense to think three times before posting anything
to Loopers' Delight.

  | -----Original Message-----
  | From: L Tremblay [mailto:ltct@concentric.net]
  | Sent: Sunday 31 October 1999 9:47 AM
  | To: mark@cdm.sfai.edu; Loopers-Delight@annihilist.com
  | Subject: Re: Learning to read.
  |
  |
  | My wife regularly reads some of these posts and I asked
  | her what she thought of it. She simply said "Guys..." and
  | added "so what if your sister wanted to subscribe? Would
  | *she* be impressed?"
  |
  | Therefore, I'm resolved to abstain from overtly offensive
  | guy talk in an effort to reduce my own alienation quotient.
  |
  | Sorry guys :)
  |

From Loopers-Delight-request@annihilist.com  Sun Oct 31 15:44:18 1999
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Date: Sun, 31 Oct 1999 12:39:29 -0800
From: Kim Flint <kflint@annihilist.com>
Subject: Re: chill
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ok boys, take a deep breath and chill out. Otherwise I'll have to send you
to your rooms (with no loops) until you can talk nice.

It's just a mailing list....it's sunday, it's halloween, etc.....grab a
beer and some mini candy bars and watch the kiddies play in the jar-jar
binks costumes.

kim

>Your persnickety attitude is alienating. You should do some work on that
>front too. :-)
>or maybe :-( , your call.



>> Therefore, I'm resolved to abstain from overtly offensive
>> guy talk in an effort to reduce my own alienation quotient.
>>
>> Sorry guys :)
>>
>> - Larry (sarcasm boy) Tremblay



______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Oct 31 16:16:13 1999
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>Your persnickety attitude is alienating. You should do some work on that
>front too. :-)
>or maybe :-( , your call.


I have to agree with you there. :-)

>
>My comments about masturbation, taken in context, wouldn't even have
>been misconstrued by a well trained monkey. I resent your characterizing
>my comments as "overtly offensive", too. And I was not making "guy
>talk."
>


I suppose what is and isn't guy talk is up for grabs, just my opinion
here. BTW, I did not say *your* comments were overtly offensive. I 
said *I* would refrain from it. And please leave my ancestors out of it. :)

>If you must make idle accusation like, "If indeed there are no women on
>the list I believe the last one perhaps would have left at rate when the
>conversation turned to masterbation (a typically locker room-type male
>obsession)", or other accusations about a person's ability to read, why
>don't you keep it to yourself or e-mail the person you have a problem
>with privately?
>

My idle persnickety side wants to dash off repostes like "Hit 
a nerve?", but I realize that someone might take it to heart. ;)

>Sorry for posting this to the list. I'm just upset by yer attitude
>Larry. If you didn't post so much it wouldn't be a big deal.
>


And I apologize for apparently inciting such ire based on an 
opinion of why so few members of the fairer sex frequent LD.
(No offense Tara, and the others, if any).

>> 
>> Therefore, I'm resolved to abstain from overtly offensive
>> guy talk in an effort to reduce my own alienation quotient.
>> 


See? I said *I* would abstain for overtly offensive guy talk.
You certainly have the first amendment on your side to speak 
as you wish.

Best Regards,

Larry


From Loopers-Delight-request@annihilist.com  Sun Oct 31 16:19:00 1999
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i wanna B your boyfriend,girlfriend...

----------
>From: Tara Key <tk10@columbia.edu>
>To: Loopers-Delight@annihilist.com
>Subject: Re: Learning to read.
>Date: Sun, Oct 31, 1999, 10:59 AM
>

> I have been holding my tongue because I absolutely hate discussions based
> on gender (seeing as for 20+ years of performing I have had to address it
> SO many times).
> Suffice it to say that I, a female (also a guitar player, pinball freak,
> painter and any other thing that describes me IN PART) am on the list as I
> have been for a while. I have gotten much, much, much out of the list, but
> by nature I am not talking at the party, but lurking. This has nothing to
> do with being female. Don't worry boys, until you get stuck on the stuff
> like masturbatory music being guy-centric (not, not true---a) girls DO IT
> TOO), the list is always informative and entertaining. Hell, seeing some
> of you boys get all het up about this is sorta entertaining as well! And
> as I get older and poorer and retreat to my home studio more and more, I
> find myself being able to talk tech with the best of ya'll. It has nothing
> to do with being a girl...I have been shooting it with the boys at the
> guitar store since I was barely able to play.
> Yanked out of lurk mode (amusedly),
> Tara Key
> Antietam
> shamelessly promoting Rick Rizzo/Tara Key "Dark Edson Tiger" (mucho
> loop-centric instrumental disc) due Jan 2000 on Thrill Jockey
>
> 

From Loopers-Delight-request@annihilist.com  Sun Oct 31 16:23:35 1999
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From: Cornhilio2@aol.com
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Date: Sun, 31 Oct 1999 16:19:47 EST
Subject: Re: Learning to read
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hey man both of you and everyone whos fighting just knock it off and learn to 
forgive and forget man shit you joined this mailin list to talk to poeple 
like your selfs about the one thing that brings you together not to fight 
about masterbation   

From Loopers-Delight-request@annihilist.com  Sun Oct 31 17:02:56 1999
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Date: Sun, 31 Oct 1999 15:44:20 -0600
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Fear Of Technology
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Hi, all...
	I have a question for everyone. How many here have had to get over (or are
currently trying to get over) a fear of technology? By this I mean not
wanting to move on with technology (i.e. computer recording or editing--or
even something as simple as a slight gear upgrade from pedals to rack gear).
	An example of my own is a reluctance to start working with computer
recording and editing software. I've just got up the guts to dive into the
digital recording world of a Rolqand VS880EX, and it's great. It's taken a
while to work through that learning curve, but it's been worth work and
drudgery of that Roland manual. However, I am very reluctant to start work
with a computer editing and recording program. Even though I would love it
for it's editing and looping possiblitlies--it just seems that I would
somehow be shortchanging my music or watering down the work process that
I've become accustomed to. I know that this is just something to get over,
but I am very curious to hear other folks' experiences with this.
Thanks, 
Jeff
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

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From: "Colin Seddon" <colin@drumbase.freeserve.co.uk>
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This is all just missing the point.  It's like that old ridiculous argument
that used to say that synthesizers and drum machines were putting musicians
out of business.
For example,  using loopage , one percussionist in a band could set up some
wicked grooves for other players in the band to jam with.  That's what I'll
be using it for when I finally get hold of an Echoplex.
There are of course, times when use of loops gets you around the financial
constraints of a project, like when there's only money for one musician.
But it's not always about lone-loopers vs bands.
-----Original Message-----
From: Tim Nelson <tcn62@ici.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: 30 October 1999 21:25
Subject: Re: grumpy loopers


>Cantankerous?! Us?!
>
>One of the things that makes me the grumpiest about playing with a group of
>musicians has absolutely nothing to do with the music. Once everyone has
>shown up, set up and gets playing it's fine, but as often as not there's
>the simple logistical problem that any project involving a number of people
>gets proportionately more impossible to schedule as the number of people
>involved increases, especially when the people have day jobs, lives, a
>distance to travel and/or attitudes. Concensus issues get easier with fewer
>players, too. Looping technology enables us to do more with fewer people,
>thereby increasing the odds of actually doing SOMETHING on any given
>occasion! On the other hand, there're fewer hands to carry stuff when
>playing out, but at least the vast sums of money taken in at the door don't
>have to be split in as many ways. (Admit it, how many of us thought of that
>right away when multi-member ska or swing bands started getting popular
>again?! A $68 Tuesday night door take divided by guitar, bass, drums, 2
>saxes, 2 trumpets, a trombone, a piano player and a vocalist comes to a big
>$7.50 each before deducting gas money. If you bought two drinks of
>Glenlivet and a set of those wire things that many of us use on our
>instruments but don't talk about here, you're in the hole. A loopist and a
>drummer could split that 68 bucks in half and take home a hefty $34 each,
>riding in one vehicle! :-))
>
>At 11:45 AM 10/30/99 -0700, Jim wrote:
>> I think musical collaboration is a remedy to
>>individual mediocrity.
>
>Yep, it sure can be, as long as everybody's listening to each other and
>respectful of each others' contribution. Otherwise it's the sum total of
>the individual mediocrity of everyone in the room.
>>
>>This is coming from a guy who has done more masturbatory wanking on his
>>guitar and bass and drum machine than a hermit teen male with "special"
>>magazines would do on his "instrument."
>
>Who amongst us can truly claim otherwise! We even use "special" devices.
;-)
>>
>>If you must dis Fripp's stage demeanor, please do so elsewhere. :-)!
>
>Apart from the artist-in-question's attitude, Mr. Pokorny never said how he
>otherwise enjoyed the performance... Nor did he reveal who the ornery
>looper was for that matter, but since you mention RF, I wanted to include a
>link to a response Fripp wrote to someone who was complaining about not
>being able to see him at a Fripp/Sylvian concert because of the "moody"
>lighting, but I couldn't find it. If anyone can locate it, it's hilarious;
>Fripp actually sent the guy a small check as a prorated refund with the
>condition that the whiner never again come to see him or listen to his
>recordings...
>
>Tim (Ernie Ball Hybrid Slinky, Rotosound Swing Bass and Dunlop nylon
>plectrum user, but let's not get started on that!)
>
>
>

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From: "Colin Seddon" <colin@drumbase.freeserve.co.uk>
To: <Loopers-Delight@annihilist.com>
Subject: Oberheim Echoplex wanted
Date: Sun, 31 Oct 1999 23:19:16 -0000
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I bid at the Lycos auction for an Echoplex but lost.  Zzounds have one =
but don't ship outside the US.
Does anyone know of a used Echoplex for sale in Europe (particularly the =
UK, where I live)?
I get the feeling that most of the Loopers on this list are from the =
USA. If any of you folks in the USA have one to sell, what would the =
cost of the shipping be?

Interesting thing about the auction.........the foot controller sold for =
more than the cost of a new one and the echoplex wasn't far off either,=20

Colin

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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
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<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#c0c0c0>
<DIV><FONT color=3D#000000 size=3D2>I bid at the Lycos auction for an =
Echoplex but=20
lost.&nbsp; Zzounds have one but don't ship outside the US.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Does anyone know of a used Echoplex =
for sale in=20
Europe (particularly the UK, where I live)?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>I get the feeling that most of the =
Loopers on=20
this list are from the USA. If any of you folks in the USA have one to =
sell,=20
what would the cost of the shipping be?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Interesting thing about the =
auction.........the=20
foot controller sold for more than the cost of a new one and the =
echoplex wasn't=20
far off either,&nbsp;</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Colin</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Sun Oct 31 18:33:35 1999
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From: "Colin Seddon" <colin@drumbase.freeserve.co.uk>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Looping Laurie Anderson
Date: Sun, 31 Oct 1999 22:53:35 -0000
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Saw Ursula Dudziak with 3 other female singers in 1989.  She and the other
singers made great use of looping.  Didn't notice at the time what the
gadget was though.
-----Original Message-----
From: L Tremblay <ltct@concentric.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: 30 October 1999 20:34
Subject: Re: Looping Laurie Anderson


>Before aone else errs in their opinion of when the "little ladies"
>will finally get into looping, you might want to pick up a book or
>learn how to read.
>
>Pauline Oliveros created looping as we know it today.
>A women. (Gasp!) In 1966, at Mills College.
>
>Eno knew this, Terry Riley new this. Geesh.
>
>Larry
>
>-----Original Message-----
>From: pvallad1@tampabay.rr.com <pvallad1@tampabay.rr.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Saturday, October 30, 1999 4:18 PM
>Subject: Re: Looping Laurie Anderson
>
>
>>I once watched a concert by a woman from Mills College.  She had a velvet
>>glove that she wired up herself.  It had sensors for each of her fingers.
>>It could also sense the distance from another sensor in her belt buckle
and
>>yet another sensor attached to one of her shoes.  This glove was driving a
>>gigantic Max patch on her Powerbook which in turn was driving a couple of
>>samplers and a synth.   She said she built her velvet glove controller
>>because she wanted a more feminine alternative to the videogame
Powergloves
>>(I think by Mattel) that other experimental musicians were using.   She
>>would perform by making motions with her gloved hand while reciting poetry
>>or prose.
>>
>>I don't know why I didn't ask her when I had the chance her thoughts on
the
>>male-female ratio in the avant garde music scene.  Then again, women were
>>always in the minority in all the engineering classes I took in college.
>>
>>Paolo
>>
>>
>
>

From Loopers-Delight-request@annihilist.com  Sun Oct 31 19:09:26 1999
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From: Nemoguitt@aol.com
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Date: Sun, 31 Oct 1999 18:51:35 EST
Subject: Re: grumpy loopers, genius vs. jerk
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In a message dated 10/31/99 4:02:04 PM Mid-Atlantic Standard Time, 
tom@swirly.com writes:

<<  Xxxxx interrupted him by yelling "ASSHOLE!" >>

did mr. x think this guy was kim?...........:)..........im not sorry......i 
dont have a sister, and my brother would not be impressed by this group 
either, but he is not a looper nor does he care of things "looping".......as 
for myself, i give thanks every day for kim and his wonderful "loop" 
club.......and dont forget, adolph hitler was a painter........michael

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From: Tim Nelson <tcn62@ici.net>
Subject: Re: grumpy loopers
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At 11:01 PM 10/31/99 -0000, you wrote:
>This is all just missing the point.  It's like that old ridiculous argument
>that used to say that synthesizers and drum machines were putting musicians
>out of business.

Uh, what point would that be? Way back when the Mellotron came out, sure,
the musicians' unions were pretty ticked off, but unlike the horse-drawn
buggy makers' beef with Henry Ford (i.e. newer tech superceding the old),
we're not talking about mutually incompatible things. Television may have
forced radio to change, but I still don't watch it while driving and, as
you point out, synths and drum machines didn't render "real" musicians
obsolete. The availability of technology merely increases our options. In
my example I was speaking mainly of how annoying it is in an amateur or
part-time semi-professional context (most of us, really) to have to cancel
or postpone a get-together because the (fill in an instrument) player
doesn't show up, or to attempt to carry on with an integral instrument
absent. Looping in this regard offers us more possibilities. While many of
us may indeed be surly SOB's or self-admittedly pedigreed arseholes, I
don't think the main reason we're looping is because we can't play nicely
with others, nor is it because we're stingy and want to cut costs. However,
the increased flexibility and lower overhead of taking advantage of looping
technology and of having fewer people involved are not bad things. And,
like I said, it's easier for a smaller group to agree on things.
 
>For example,  using loopage , one percussionist in a band could set up some
>wicked grooves for other players in the band to jam with.  That's what I'll
>be using it for when I finally get hold of an Echoplex.

Absolutely. That's what I mean when I say technology increases our options.
My current situation involves two looping multi-instrumentalists and a
percussionist (who's also intrigued by looping, but isn't doing any yet);
by mutual agreement, any two of us constitute a quorum capable of playing,
as it's largely improvised anyway. Contrast that with a non-looping trio
who would either have to cancel or limp by with great holes in their sound.
We're not putting anyone out of work; it just allows us to play together a
little more often.

 I haven't even mentioned the obvious point that looping allows our music
to develop in directions that wouldn't be possible otherwise, but in a
forum such as this one, that's generally understood.

>There are of course, times when use of loops gets you around the financial
>constraints of a project, like when there's only money for one musician.
>But it's not always about lone-loopers vs bands.

Agreed, but that wasn't really the point, either.

Colin, not only do I respect your opinion, I completely agree with
everything you've said, except for that first sentence. For me to have been
missing the point as you described it, we'd have needed to have been in
disagreement. I wasn't speaking for everybody. I was talking about how
difficult it can be for part-time musicians with daytime jobs to synch up
their busy lives to play on a regular basis, and how looping helps in this
regard; my comments about the profitability of small-time gigs were
secondary, as the meager amount of money cited in my example (with a math
error, no less! :^I) would indicate!

Tim

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 I've just acquired a Digitech PDS-8000  delay pedal without a manual or
any instructions. Does anyone on this list know how to use the sampling
function? I can only get it to work in the "normal" mode, and in that
mode I'm able to record loops,  and then speed up/slow down these loops
(at last)! I'm just wondering if I'm missing something not being able to
use either the trigger mode, (I assume that means triggring from a drum
machine or synth, which I dont really need), or the sample mode.

Any help will be greatly appreciated. Also the case says that a 10 volt
DC neg. ground converter is required, even though it only takes a 9 volt
battery. Is it OK to use a 9 volt neg ground AC adaptor?

Thanks again,
PS

From Loopers-Delight-request@annihilist.com  Sun Oct 31 22:01:15 1999
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From: "L Tremblay" <ltct@concentric.net>
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Subject: Re: Fear of Technology (or Bad Interfaces?)
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This is interesting. I feel like a such a Luddite whenever I
admit that I've made a conscious decision to sit out the
digital revolution, and instead stick with mostly analog
equipment, for many of the reasons already mentioned.

Primarily it's the human-machine interface and other
usability issues that have soured me on new technologies.

As a software engineer in the employ of a large multinational
I understand the underlying complications - turnover,
shareholders, quarterly reports, etc - all these things which
are often at cross-purposes with each other, conspiring to
deliver low-quality, less-than ideal solutions to the
marketplace. However unintended. It's a big problem - even
before you factor in competition.

>I also think that limitations are, by and large, a good thing.  I've got a
>box of looping devices (for example) from the last decade or so, and
they've
>all got problems and they've all got at least one thing that none of the
>others will do, and I write and play differently when I use one of them
over
>the other.

I agree. Given this state of affairs, the only thing one *can* do
is set limitations - e.g., Eno's notion of working within narrow
constraints. Also, at some point enough is enough. Unless there's
some very compelling reason to aquire a new toy, then why bother?

I like having an intimate knowledge and familiarity with the tools
I use for looping - mostly old Digitech RDS boxes, Roland RE-201's,
and a dozen or so pedals. But when some things do come along,
like the Zoom 2100 or Akai Headrush, which are relatively
user-friendly and very useful, I definitely look into them
but I'm no longer lusting for the latest gear fix.

There's a lot to recommend for the minimal approach.

- Larry


-----Original Message-----
From: Tiktok World HQ <tiktok@sprintmail.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, October 31, 1999 8:02 PM
Subject: Re: Fear of Technology (or Bad Interfaces?)


>I think I know what you mean about hard disk recording, something I've been
>rebuffed by numerous times once I start trying to deal with poorly
>thought-out interfaces.  It's much easier to solve the "mundane" problems
of
>recording and playing back information (audio or MIDI) than it is to design
>a smooth interface.  Good ones don't come out of nowhere--they evolve over
>years of use and feedback from user to designer.
>
>Unfortunately, in the digital world there's no "reason" to do anything a
>particular way, the turnover at technology companies (particularly in niche
>markets like MI) is high, and companies themselves tend to bite the dust or
>get absorbed at a ferocious rate...not the sort of thing that results in
>time-tested, well-thought out designs.
>
>I also think that limitations are, by and large, a good thing.  I've got a
>box of looping devices (for example) from the last decade or so, and
they've
>all got problems and they've all got at least one thing that none of the
>others will do, and I write and play differently when I use one of them
over
>the other.  Over the last few years, I've seen a number of people say that
>they preferred the Boomerang to the rackmount loopers because it's a
simpler
>device.  Everything's laid out there in front of you, you don't really need
>a manual (they could have almost printed the manual on the back of the
>thing), and one level, I know what they mean.  I can quickly set up
>something with the Boomerang or Headrush, whereas my Echoplexes sit in a
big
>heavy rack which tends to only get set up at gigs or recording dates, just
>because it takes more space and another fifteen minutes or so wire
>everything up.
>
>I'm somewhat embarassed that I bought a MPX G2 a month ago, and I've only
>turned it on three times since then.  Sounds great, but I open the manual
>(well-written, but it's a deep box) and for the first time in fifteen years
>of playing with all manner of gadgets, my eyes glaze over, and I end up
>going with one of my other setups.
>
>TH
>
>----------
>>From: Loopers-Delight-d-request@annihilist.com
>>To: Loopers-Delight-d@annihilist.com
>>Subject: Loopers-Delight-d Digest V99 #429
>>Date: Sun, Oct 31, 1999, 6:35 PM
>>
>
>> I have a question for everyone. How many here have had to get over (or
are
>> currently trying to get over) a fear of technology? By this I mean not
>> wanting to move on with technology (i.e. computer recording or
editing--or
>> even something as simple as a slight gear upgrade from pedals to rack
gear).
>>  An example of my own is a reluctance to start working with computer
>> recording and editing software. I've just got up the guts to dive into
the
>> digital recording world of a Rolqand VS880EX, and it's great. It's taken
a
>> while to work through that learning curve, but it's been worth work and
>> drudgery of that Roland manual. However, I am very reluctant to start
work
>> with a computer editing and recording program.
>
>

From Loopers-Delight-request@annihilist.com  Sun Oct 31 22:12:16 1999
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From: Jim Poppen <zebu@mindspring.com>
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Cornhilio's right...

I hit the send button on that last message too quickly. I am plainly a
sensitive type, wish I wasn't! I could use thicker skin. I'll try to
take disagreement a little less seriously next time, promise. Sorry to
Larry and all for the bile!

Jim



Cornhilio2@aol.com wrote:
> 
> hey man both of you and everyone whos fighting just knock it off and learn to
> forgive and forget man shit you joined this mailin list to talk to poeple
> like your selfs about the one thing that brings you together not to fight
> about masterbation

