From Loopers-Delight-request@annihilist.com  Sat May  1 02:58:13 1999
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Message-ID: <372A5949.47F4663@erols.com>
Date: Sat, 01 May 1999 02:31:35 +0100
From: "J.G. Wong" <adaaxs@erols.com>
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Subject: GlissandoRods
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 Hi All,

    I am running low on Glissando rods.  The Gong . Daevid Allen et al.
I saw a recent photo of him using  something that did not look so much
like the originals.

    Anybody know or haver any suggestions on a replacement device.

TIA

Fiveman

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From Loopers-Delight-request@annihilist.com  Sat May  1 03:43:34 1999
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From: XJ32@aol.com
Message-ID: <fae4cf58.245c0364@aol.com>
Date: Sat, 1 May 1999 03:12:36 EDT
Subject: Digitech 7.6 Timemachine
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I have 2 near mint Digitech 7.6 time machines.  If any one is interested make 
me an offer. Thanks and happy looping.
- Paul (Ma Ja Le)

From Loopers-Delight-request@annihilist.com  Sat May  1 05:25:09 1999
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Date: Sat, 01 May 1999 02:05:40 -0700
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My apologies if this was already discussed, but what's a Kyma system?  Thanks,

Steve Delgado

On Fri, 30 Apr 1999 09:29:37   Dennis W. Leas wrote:
>Eric, keep me posted on the Kyma system.  I REALLY want one but I'm gonna have to wait.  Something about buying a house right now...
>
>I'm quite interested in your opinion of the Kyma.  It looks like the ultimate system to me right now.
>
>Dennis Leas
>-----------------------------
>dennis@mdbs.com
>    -----Original Message-----
>    From: Eric Williamson <erwill@flink.com>
>    To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>    Date: Thursday, April 29, 1999 4:47 PM
>    Subject: Jamman on ebay.
>    
>    
>    From the guy who brought you ebay's last $700 JamMan, an announcement of my intent to fund a Kyma system with the funds raised from $700 JamMen auctions.  Selling my Echoplexen got me my Hammond organ & three Leslies, the Jammen (who are inexplicibly worth more) will get me my Kyma box.  The URL is:
>     
>    http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=97701200
>     
>    also, check out my tunes at http://www.mp3.com/artists/13/the_suit_and_tie_guy_band.html , I used an Echoplex on the dub tune (#13 on the mp3.com dub reggae chart).
>     
>    Keep Loopin,
>    Eric Williamson aka Suit & Tie Guy
>    --- Peoria's finest ambient bitch ---
>


Join 18 million Eudora users by signing up for a free Eudora Web-Mail account at http://www.eudoramail.com

From Loopers-Delight-request@annihilist.com  Sat May  1 10:31:51 1999
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Message-ID: <19990501141100.26555.rocketmail@web208.mail.yahoo.com>
Date: Sat, 1 May 1999 07:11:00 -0700 (PDT)
From: petr dolak <pepetr@yahoo.com>
Subject: LOOPS AND COFFEE IN OHIO
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LOOPS AND COFFEE IN OHIO

Petr Dolák's shows, Cleveland area
electric and acoustic guitar, looping devices, percussion, accidental
instruments

May 6, CLEVELAND; Arabica, 13220 Shaker Square; 7:30 pm.
May 15, AKRON; Arabica, 1688 W Market St.; 8:30 pm.
May 22, MENTOR; Arabica, 7641 Mentor Ave; 8 pm.


===






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.
_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Sat May  1 14:16:56 1999
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Date: Sat, 01 May 1999 12:00:24 -0600
From: Jim Coker <jcoker@magelang.com>
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Organization: Magelang Institute
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You can get info from www.symbolicsound.com.
You can also search the Loopers-Delight archives
for random posts.

jim

Esteban Delgado wrote:
> 
> My apologies if this was already discussed, but what's a Kyma system?  Thanks,
> 
> Steve Delgado
> 
> On Fri, 30 Apr 1999 09:29:37   Dennis W. Leas wrote:
> >Eric, keep me posted on the Kyma system.  I REALLY want one but I'm gonna have to wait.  Something about buying a house right now...
> >
> >I'm quite interested in your opinion of the Kyma.  It looks like the ultimate system to me right now.
> >
> >Dennis Leas
> >-----------------------------
> >dennis@mdbs.com
> >    -----Original Message-----
> >    From: Eric Williamson <erwill@flink.com>
> >    To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> >    Date: Thursday, April 29, 1999 4:47 PM
> >    Subject: Jamman on ebay.
> >
> >
> >    From the guy who brought you ebay's last $700 JamMan, an announcement of my intent to fund a Kyma system with the funds raised from $700 JamMen auctions.  Selling my Echoplexen got me my Hammond organ & three Leslies, the Jammen (who are inexplicibly worth more) will get me my Kyma box.  The URL is:
> >
> >    http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=97701200
> >
> >    also, check out my tunes at http://www.mp3.com/artists/13/the_suit_and_tie_guy_band.html , I used an Echoplex on the dub tune (#13 on the mp3.com dub reggae chart).
> >
> >    Keep Loopin,
> >    Eric Williamson aka Suit & Tie Guy
> >    --- Peoria's finest ambient bitch ---
> >
> 
> Join 18 million Eudora users by signing up for a free Eudora Web-Mail account at http://www.eudoramail.com

From Loopers-Delight-request@annihilist.com  Sat May  1 15:42:05 1999
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From: Michael Peters <mpeters@csi.com>
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To: "'acoustic-ecology@sfu.ca'" <acoustic-ecology@sfu.ca>,
        "'Ambient-Digest'"
	 <ambient-digest-owner@hyperreal.org>,
        "'Loopers Delight'"
	 <Loopers-Delight@annihilist.com>,
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Cc: "'mpeters@csi.com'" <mpeters@csi.com>,
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Subject: last call for contributors: EARTH SOUNDS FOR SPACE  ) ) )  )   )
Date: Sat, 1 May 1999 21:24:46 +0200
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Last call for contributors: EARTH SOUNDS FOR SPACE  ) ) )  )   )

if you have an interesting short sound, please send it to Michel Redolfi - 
he will include it into his Earth Sounds for Space sound collection which 
will be performed on May 6 (see below). Please check out the earth sounds 
website (see below) for more information about the project, accepted 
formats etc.

                                        *


    *


                *
*
        *

(   (  ( ( (  E A R T H   S O U N D S   F O R   S P A C E  ) ) )  )   )


*                                                     *
                                        *
                           A global sonic event featuring

                                        Y O U

             To be premiered at the STAR TRACKS concert series
                           AMSTERDAM PLANETARIUM
                                  M A Y  6 ,  1 9 9 9


*
    *                                                          *
                          *                    *
                                     *

On MAY 6, to celebrate the final show of STAR TRACKS - a series of
electronic music concerts presented at the Amsterdam Planetarium, host
Michel Redolfi will end the program with EARTH SOUNDS FOR SPACE, a
collection of personal sounds - YOURS ! - received via the Web and
assembled to create a sonic portrait of Earth in 1999.

After the Amsterdam presentation produced by the YSBREKER Music Center,
this collective montage will be placed on a CD and submitted to NASA and
ESA (European Space Agency), which have expressed interest in launching
it in future space programs.

The goal of EARTH SOUNDS FOR SPACE is to update and extend a similar
project created by Carl Sagan. The LP he compiled, entitled "Murmurs of
Earth", was stowed aboard the Voyager spacecraft in 1977 in the hope
that it would be discovered in the future by some extraterrestrial
listener. Today Voyager and its sonic message continue to race from our
solar system at speeds of over 35,000 kph...

Be a part of the 1999 project by contributing to the next world sound
signature.

ONE DAY, SOMEONE MAY HEAR YOU (screaming, laughing, honking, etc...) IN
OUTER SPACE.


            *
    *
                                             *

                     Visit the site EARTH SOUNDS FOR SPACE
for further information, including details on how to submit your sound

                  http://www.imaginet.fr/manca/joy/earthsounds/


From Loopers-Delight-request@annihilist.com  Sat May  1 20:28:41 1999
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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
To: "J.G. Wong" <adaaxs@erols.com>, <Loopers-Delight@annihilist.com>
Subject: Re: GlissandoRods
Date: Sat, 1 May 1999 19:58:04 -0400
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What are GlissandoRods?

From Loopers-Delight-request@annihilist.com  Sun May  2 07:12:59 1999
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Date: Sun, 02 May 1999 12:46:31 +0200
To: Loopers-Delight@annihilist.com
From: Leo Cavallo <cavallo@dada.it>
Subject: didgeridoo info
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I remember that on the list there are few guys playing these beasts...
I've just bought one to add its sound to my sampling and looping setup...
any link about the didgeridoo? mailing list? suggestions? infos?

thnx 
ciao
leo

From Loopers-Delight-request@annihilist.com  Sun May  2 11:25:00 1999
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Reply-To: "Gerry P" <gerryp@air.on.ca>
From: "Gerry P" <gerryp@air.on.ca>
To: <Loopers-Delight@annihilist.com>
Subject: Re: didgeridoo info
Date: Sun, 2 May 1999 10:34:27 -0000
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Steve Roach uses one sparingly along with a multitude of other sounds -
although there is a lot of info at the site, if you poke around you will
eventually find the importance of the didgeridoo in his sound.

http://www.steveroach.com/

Gerry P
gerryp@air.on.ca
-----Original Message-----
From: Leo Cavallo <cavallo@dada.it>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, May 02, 1999 10:49 AM
Subject: didgeridoo info


>I remember that on the list there are few guys playing these beasts...
>I've just bought one to add its sound to my sampling and looping setup...
>any link about the didgeridoo? mailing list? suggestions? infos?
>
>thnx
>ciao
>leo
>

From Loopers-Delight-request@annihilist.com  Sun May  2 16:17:28 1999
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Date: Sun, 02 May 1999 13:30:57 -0600
From: Jim Coker <jcoker@magelang.com>
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Organization: Magelang Institute
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Look to see if you can find a CD by Dr. Didg, he loops
his digeridoo through an echoplex.

jim

Leo Cavallo wrote:
> 
> I remember that on the list there are few guys playing these beasts...
> I've just bought one to add its sound to my sampling and looping setup...
> any link about the didgeridoo? mailing list? suggestions? infos?
> 
> thnx
> ciao
> leo

From Loopers-Delight-request@annihilist.com  Sun May  2 19:25:28 1999
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To: Loopers-Delight@annihilist.com
From: Leo Cavallo <cavallo@dada.it>
Subject: didgeridoo info
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thnx you all for the infos

ciao
leo

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From: lance glover <baumhaus@earthlink.net>
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Subject: Re: didgeridoo info
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Leo Cavallo wrote:

> I remember that on the list there are few guys playing these beasts...
> I've just bought one to add its sound to my sampling and looping setup...
> any link about the didgeridoo? mailing list? suggestions? infos?
>
> thnx
> ciao
> leo

check out:

didgeridoo mailing list

to join, send an email to listproc@eartha.mills.edu with nothing in the
body but:
subscribe didjeridu your name. nothing in the subject field

peace,

lance g.

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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: didgeridoo info
Date: Mon, 3 May 1999 08:40:42 -0500
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Good didjeridu websites:

http://www.mills.edu/LIFE/CCM/DIDJERIDU/index.html
http://www.well.com/user/nhunter/didj/
http://www.fortunecity.com/tinpan/wellerville/164/didgelinks.html
http://www.pacificnet.net/~mtemple/physics.htm
http://www.didgeridoings.com/
http://www.aboriginalart.com.au/

Caution!  Beware!  You will probably contract DIDJERIDU FEVER!  This
incurable ailment manifest itself as sprees of buying more didjeridus.  (One
of the many tragic stories: "It started with one.  Maybe a friend gave it to
me as a gift.  I can't remember.  My memory is a blur.  Before I knew it I
had three, then four and five.  Then I lost count.  Eventually, as my
consciousness returned, I found myself seated in a circle with other
didjeriduists, PLAYING TOGETHER and SHARING DIDJERIDUS.  Oh, the horror!")

Dennis Leas
-----------------------------
dennis@mdbs.com
-----Original Message-----
From: Leo Cavallo <cavallo@dada.it>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, May 02, 1999 6:14 AM
Subject: didgeridoo info


>I remember that on the list there are few guys playing these beasts...
>I've just bought one to add its sound to my sampling and looping setup...
>any link about the didgeridoo? mailing list? suggestions? infos?
>
>thnx
>ciao
>leo
>
>

From Loopers-Delight-request@annihilist.com  Mon May  3 10:59:44 1999
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Subject: Spin-17 gig spam
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Sorry about the last minute nature of this but here's a couple of Spin-17
related gig announcements...


NOW..

MONDAY, MAY 3 (today)
The Moment Of
@The Knitting Factory/AlterKnit Theatre
7pm       $5   74 Leonard St       (212) 219-3006

Motoko Shimizu ++ Ed Chang ++ John Kennedy
Voice -- Turntables -- Guitar -- Sax -- Drums -- Found Objects
"2 members of Spin-17 with the man behind Cyclops Joint"
This won't feature the clenched-tongue, genre-splitting attempted irony of
Spin-17, but will be a free-improvised noise sonata celebrating the
irreconciliable differences between thud-metal. skronk-jazz and New Age
music (yeah, right).


AND THEN...

SUNDAY, MAY 9 (Mother's Day)
Spin-17 with special co-conspirator DONALD MILLER
@The Knitting Factory/AlterKnit Theatre (again)
9pm       $6   74 Leonard St       (212) 219-3006
Featuring:
Ed Chang on ** Electronics ** Homemade Objects of Aural Destruction
Motoko Shimizu on ** Voice ** Self-Destructing records on Semi-Functional
Turntable
Donald Miller on ** What looks like a guitar but sounds like a lawnmower
being chainsawed in half.
This, too will not be a typical Spin-17 show, but more a free-improv
impression of a grand piano being drawn and quartered.  We think.  But then
again we've seen DM play some hellbent slide-blues, too.

Anyways, come on down, we'd love to see you and find out how you're doing!

And here's a recent review of our CD recently published in EMI
(Experimental Musical Instruments) Magazine (March):

"Under the name Spin-17, Ed Chang (electronics, clarinet, guitar, tapes,
turntable) and Motoko Shimizu (voice, turntable, toys, gizmos, guitar) make
some of the most inventive, and some of the funnest and funniest sounds you
will have heard in quite some time.  Lots of emphasis on innate sound
quality; less emphasis on harmony, melody or countable rhythm; but with its
playfulness and humor, the music does not have the abstract feeling often
associated with pure sound exploration."

CD available at Downtown Music Gallery and Kim's Music and Video on St
Mark's Place.

Finally, email me back if you want to get off this "list".
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%


From Loopers-Delight-request@annihilist.com  Mon May  3 11:45:29 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Request for EDP info (HELP!)
Date: Mon, 3 May 1999 09:36:59 -0500
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Kim, this message is directed at you but I'm posting it to the list since
others may find it interesting.

I don't understand enough about how the EDP generates and uses MIDI sync.
I've read the EDP manual several times, the FAQ on the Looper's Delight
website, and other MIDI books like "MIDI for the Professional."  (Pages 3
and 7 on the FAQ are quite well done, BTW.)

Some basic questions I have are:
1) What determines the MIDI clock rate sent by the EDP?
2) How does the 8ths/beat and loop or cycle length affect the clock rate?
3) The manual implies 8ths/beat really means 8ths/cycle, I think.  Please
clarify.
4) How do multiple cycles per loop affect MIDI syncing?
Lots of examples will help.

I use two EDPs.  One is the master and generates the MIDI clock.  The other
is the slave.  I tried some things this past weekend which confused me.
Here is a description.  Can you explain what is happening?

basic setup:
                       MASTER EDP     SLAVE EDP
                       -------------------     -----------------
SYNC             out                        in
8ths/beat        1                           1
SwitchQuant  cyc                       cyc
                        MIDI out<---------->MIDI in

Notes:
a) SYSTEM RESET below means long press on REC of both MASTER and SLAVE
followed by long press on MUL of both MASTER and SLAVE
b) both EDP have latest software and are fully populated with memory

scenario 1
-------------
1) SYSTEM RESET
2) Make a loop approx 10 sec on SLAVE (REC, wait 10 sec, REC)
3) As expected, the StartPoint decimal point flashed at start of loop; also
the Sync decimal point doesn't flash since the SLAVE isn't synced to the
MASTER.
4) Also as expected, pressing NextLoop soon after the StartPoint flashes
will switch to Loop2 at the end of the first loop.

scenario 2
--------------
1) SYSTEM RESET
2) Make a loop approx 10 sec on MASTER (REC, wait 10 sec, REC)
3) Sync decimal point on the SLAVE flashes 12 times for each time the
StartPoint decimal point flashes on the MASTER.
4) Record a loop approx 10 sec on SLAVE (REC, wait 10 sec REC)
5) Pressing NextLoop on SLAVE causes the SLAVE to go to loop 2 before the
end of the cycle.  It seems to go to loop 2 when the next SyncPoint occurs.

Unexpected results/I'm dazed and confused
---------------------------------------------------------
1) When synced to MIDI clock, the slave doesn't seems to pay attention to
the SwitchQuant setting of 'Cyc'  (but see 3 and 4 below).
2) I expect the SLAVE to record only cycles which are in multiples of the
MASTER's cycle time.  It does not in scenario 2 above (but see 3 and 4
below).
3) The SLAVE does record only cycles which are in multiples of the MASTER's
cycle time if 8ths/beat of the SLAVE  = 8ths/beat of the MASTER and not 1
(i.e., 8ths/beat = 2, 3, ..., 20)
4) Also, if 8ths/beat of MASTER and SLAVE is set to 1, the slave does record
only cycles which are in multiples of the MASTER's cycle time for short
cycles.  If the MASTER cycle time if < 5.5 seconds then the SLAVE records
multiples.  If the MASTER cycle time is >= 5.6 seconds then the slave
records non-multiples.

Dennis Leas
-----------------------------
dennis@mdbs.com


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Date: Mon, 3 May 1999 11:07:11 EDT
Subject: Re:  MIDI Controllers with LFOs
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Re: the discussion about a standalone hardware MIDI source for an LFO, the 
suggestion about sending an analog LFO into a Peavy 1600, is intriguing. 

Searching for ready-to-wear analog LFO sources, I found:

Big Briar's MoogerFooger Ring Modulator has an LFO out jack;

Encore Electronics
http://www.encoreelectronics.com
has a box called the Expressionist that has 3 on-board LFO's with multiple 
waveforms, that can be assigned to up to 8 CV outs;

Kenton Electronics in the UK
http://www.kenton.co.uk/
has several similar boxes to the Expressionist, each with at least one 
multi-wave LFO feeding CV outs. They also sell a 1600-type thing called a 
Control Freak that will convert CV ins to MIDI. Don't know if they have a US 
distributor, or if power supplies are a problem.

Of course, there's always the option, on many multiFX, of patching one of 
these units' CV out to an exp-pedal input. And in every case, there's the 
question of whether a device without an internal LFO will respond without 
zippering to an external LFO, either MIDI or CV...depends on the unit, and on 
the parameter...and on the exact voltage coming in, plus many other 
imponderables and unpredictables, no doubt, suggesting the need for lots of 
expensive and time-consuming tests. When I win the Lottery, I will establish 
a fully-equipped test lab for trying out every possible piece of gear with 
every other piece, in an endless round of ecstatic purchase-ordering and 
experimenting. I will allow any interested persons to visit me in my mountain 
retreat to try out all their fantasy equipment for a nominal fee. Gourmet 
organic cooking,  naked massage, and hot tubs (all facilities equipped with 
multiple headphone jacks) will be available options.
Lottery tickets and other contributions may be sent to me care of this 
station.
dpc

From Loopers-Delight-request@annihilist.com  Mon May  3 12:05:29 1999
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To: visaaccount@yahoo.com
Subject: Increase Your Sales Up to 1500%
Date: Mon,  3 May 99 17:28:44 DT
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INCREASE SALES UP TO 50%


ACCEPT CREDIT CARDS OVER THE INTERNET***NO SETUP FEES
Good Credit / Bad Credit/ No Credit***NO PROBLEM***

It Just Doesn't Matter - Everyone Gets Approved
No Upfront Fees For Application-Processing
While Others Charge You From $195 TO $250 To Get Set Up
WE CHARGE ZERO FOR SETUP FEES!!
Limited Offer So Take Advantage Of It!!
We Specialize In Servicing The Following:

* Multilevel Marketing
* Mail Order/ Phone Sales
* Home Based Business
* INTERNET BASED BUSINESS
* New Business
* Small Business
Whatever!! We Do It All!!!
Everyone Is Welcome!
* Scroll to bottom of this e-mail for CONTACT INFORMATION.

>>>>> INTERNET SERVICE <<<<<

It's finally here!!!
A fast and reliable way to process credit cards through your web site.
The Internet's reach is global - it knows no time zones or physical
boundaries. With our user friendly, easy to use program, you will
convert your web site from an electronic brochure to a virtual storfront
without the addition of a sales clerk!!!

SECURE REAL-TIME ON-LINE TRANSACTIONS make it as easy as possible for your
customers to purchase your products or services. We use SSL SECURITY (best
on the NET today). You will summon your customers' impulse buying when you
can safely process credit cards through a secured web site linked directly
to your web page. The Internet is the fastest growing industry in today's
direct marketing business. DON'T BE LEFT BEHIND!!! Give your customers the
convenience of ordering products right from your web page.

Now tell me if this doesn't sound intriguing, lets say a customer visits
your web site and decides they want to buy your product(s) or service(s).
They would simply enter their credit card information and receive an approval
WITHIN 5 SECONDS. Thats all there is to it!! From that point on, the sale is
complete and the money will be directly deposited into your business checking
account within 24 to 48 hours. So you will have LIQUID ASSETS AVAILABLE ALMOST
IMMEDIATELY!!! Your customer will be e-mailed a receipt and you will be
e-mailed an invoice slip, all instantaneously. Now, since this program is
automated for 24 hours a day 7 days a week, you will be receiving orders
and making money in your sleep!!! IT'S JUST THAT EASY!!!

We Also offer SOFTWARE AND TERMINAL PACKAGES. With our SOFTWARE PROGRAM, you
can now take PHONE and MAIL ORDERS, accept credit cards and expose your
business to thousands of new customers. All of this done through your own
personal computer!!!

To accommodate your STOREFRONT RETAIL BUSINESS, we offer an ELECTRONIC TERMINAL
and PRINTER PACKAGE. A terminal will allow you to receive the LOWEST DISCOUNT
RATE per transaction available.

>>>>>CONTACT INFORMATION<<<<<

You can apply for a merchant account with NO APPLICATION FEE, NO SETUP FEE,
and BETTER RATES!!!! We believe the ability to accept credit card payments
greatly enhances your business, adds additional credibility in the marketplace,
and increases your potential for immediate sales. So, if your serious about
increasing your business potential, get your own Merchant Account today!!!


CALL  1(800) 600-0343    ext. 1261

From Loopers-Delight-request@annihilist.com  Mon May  3 13:31:14 1999
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Date: Mon, 3 May 1999 09:32:11 -0700
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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: RE: Increase Your Sales Up to 1500%
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     Are any others on the LD list getting this? Check out the Author... 
     It's our infamous subscribe/unsubscribe address!? How are they 
     spamming from there? Or is Kim pitching a new business plan to us?
     
     -Miko


______________________________ Forward Header __________________________________
Subject: Increase Your Sales Up to 1500%
Author:  Loopers-Delight-request@annihilist.com at INTERNET
Date:    5/3/99 12:03 PM



INCREASE SALES UP TO 50%


ACCEPT CREDIT CARDS OVER THE INTERNET***NO SETUP FEES
Good Credit / Bad Credit/ No Credit***NO PROBLEM***

It Just Doesn't Matter - Everyone Gets Approved
No Upfront Fees For Application-Processing
While Others Charge You From $195 TO $250 To Get Set Up
WE CHARGE ZERO FOR SETUP FEES!!
Limited Offer So Take Advantage Of It!!
We Specialize In Servicing The Following:

* Multilevel Marketing
* Mail Order/ Phone Sales
* Home Based Business
* INTERNET BASED BUSINESS
* New Business
* Small Business
Whatever!! We Do It All!!!
Everyone Is Welcome!
* Scroll to bottom of this e-mail for CONTACT INFORMATION.

>>>>> INTERNET SERVICE <<<<<

It's finally here!!!
A fast and reliable way to process credit cards through your web site.
The Internet's reach is global - it knows no time zones or physical
boundaries. With our user friendly, easy to use program, you will
convert your web site from an electronic brochure to a virtual storfront
without the addition of a sales clerk!!!

SECURE REAL-TIME ON-LINE TRANSACTIONS make it as easy as possible for your
customers to purchase your products or services. We use SSL SECURITY (best
on the NET today). You will summon your customers' impulse buying when you
can safely process credit cards through a secured web site linked directly
to your web page. The Internet is the fastest growing industry in today's
direct marketing business. DON'T BE LEFT BEHIND!!! Give your customers the
convenience of ordering products right from your web page.

Now tell me if this doesn't sound intriguing, lets say a customer visits
your web site and decides they want to buy your product(s) or service(s).
They would simply enter their credit card information and receive an approval
WITHIN 5 SECONDS. Thats all there is to it!! From that point on, the sale is
complete and the money will be directly deposited into your business checking
account within 24 to 48 hours. So you will have LIQUID ASSETS AVAILABLE ALMOST
IMMEDIATELY!!! Your customer will be e-mailed a receipt and you will be
e-mailed an invoice slip, all instantaneously. Now, since this program is
automated for 24 hours a day 7 days a week, you will be receiving orders
and making money in your sleep!!! IT'S JUST THAT EASY!!!

We Also offer SOFTWARE AND TERMINAL PACKAGES. With our SOFTWARE PROGRAM, you
can now take PHONE and MAIL ORDERS, accept credit cards and expose your
business to thousands of new customers. All of this done through your own
personal computer!!!

To accommodate your STOREFRONT RETAIL BUSINESS, we offer an ELECTRONIC TERMINAL
and PRINTER PACKAGE. A terminal will allow you to receive the LOWEST DISCOUNT
RATE per transaction available.

>>>>>CONTACT INFORMATION<<<<<

You can apply for a merchant account with NO APPLICATION FEE, NO SETUP FEE,
and BETTER RATES!!!! We believe the ability to accept credit card payments
greatly enhances your business, adds additional credibility in the marketplace,
and increases your potential for immediate sales. So, if your serious about
increasing your business potential, get your own Merchant Account today!!!


CALL  1(800) 600-0343    ext. 1261

From Loopers-Delight-request@annihilist.com  Mon May  3 13:36:44 1999
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Kim,

  In light of the recent spam messages snet through the looper list,
  is there some way you can configure the list such that only subscribers
  can post messages to the list?

From Loopers-Delight-request@annihilist.com  Mon May  3 15:40:06 1999
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From: Bien Appraisers <clifsound@earthlink.net>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Goin' to Taos for vacation - ideas?
Date: Tue, 27 Apr 1999 09:49:04 -0700
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I spent some time in an area called Bandelier National Monument- Beautiful 
canyons and great hiking- it is outside of Santa Fe and near Albequerque- I 
don't know if that is close to Taos or not- There are some ancient cave 
dwellings you can hike to that are great- lots of Native American history 
in the area- Good luck-

Cliff

----------
From: 	jmw/cmu[SMTP:evening@ulster.net]
Sent: 	Tuesday, April 27, 1999 4:31 AM
To: 	Loopers-Delight@annihilist.com; MAX@LISTS.MCGILL.CA; 
epsasrts-digest@soundcentral.com
Subject: 	OT: Goin' to Taos for vacation - ideas?

My wife & I will be in the Taos, New Mexico area from 5/8 thru 5/22*.
Just wondering if anyone on the list has ideas about interesting things to
see & do in the area.
I'm sure we will have no problem finding the usual tourist traps but
sometimes you need inside help to find the really interesting  events &
performances (the stranger the better).

Thanks in advance.

John

* we'll be attending a workshop on building "Earthships" - completely
off-the-grid sustainable housing using recycled tires, timber, bottles &
cans.





From Loopers-Delight-request@annihilist.com  Mon May  3 17:08:52 1999
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To: <Loopers-Delight@annihilist.com>
References: <01BE955B.0101A480@pool008-max2.ds12-ca-us.dialup.earthlink.net>
Subject: A Request To Test!
Date: Mon, 3 May 1999 13:32:54 -0700
Organization: EarthLight Productions
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Greetings All,

In an effort to add looping to the web in general, I've been attempting for
several years to get both/either Microsoft and/or Netscape to fix the sound
playing mechanism used in their browser(s).  As you might know from my
previous rants on the subject, the process used from the beginning was not a
loop, but a repeat, since there was a gap at the end of each complete
playing of the sound file.

Every time a new revision of Internet Explorer has emerged, I've made a
point to test this capability; this morning (several weeks after upgrading
to Internet Explorer 5, as well as a new revision of Media Player) it
worked.

I've put a sample test up at
http://www.primenet.com/~sgoodman/elslotwol.html for your testing, at your
convenience.  The sound file, an .au for size's sake, is only 176KB,
enabling a fairly swift download even at 28.8.  An email link to me is on
the page for the purposes of knowing what happened when you loaded the page.

Thanks in advance, everybody.

Stephen Goodman * It's the Loop of the Week!
EarthLight Productions * http://www.earthlight.net

From Loopers-Delight-request@annihilist.com  Mon May  3 17:21:54 1999
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From: "Dan Bartell" <speck45@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: MIDI Controllers with LFOs
Date: Mon, 03 May 1999 13:29:25 PDT
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Someting that I have recently found might be of interest.  Check out 
http://www.infusionsystems.com, they have all kinds of MIDI triggers that go 
into a central "brain" called  the I-Cube system that you can program to do 
ANYTHING.  The FarReach, Hot, and Light sensors look very interesting.  I 
plan on going up to Vancouver BC to check them out in person this weekend.

-Dan


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

From Loopers-Delight-request@annihilist.com  Mon May  3 23:53:29 1999
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Date: Mon, 03 May 1999 22:56:09 -0500
To: Loopers-Delight@annihilist.com
From: Grover Sheffield <gls@mindspring.com>
Subject: NOT LOOP RELATED: Re: Increase Your Sales Up to 1500%
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I'm getting this one, too.  Anything I can do to stop it?       


                        -Grover


At 09:32 AM 5/3/99 -0700, you wrote:
>     Are any others on the LD list getting this? Check out the Author... 
>     It's our infamous subscribe/unsubscribe address!? How are they 
>     spamming from there? Or is Kim pitching a new business plan to us?
>     
>     -Miko
>
>
>______________________________ Forward Header
__________________________________
>Subject: Increase Your Sales Up to 1500%


From Loopers-Delight-request@annihilist.com  Tue May  4 07:07:46 1999
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Date: Tue, 04 May 1999 12:04:40 +0200
To: Loopers-Delight@annihilist.com
From: Pierre LIONNET <pierre.lionnet@eurospace.francenet.fr>
Subject: Cheap Samplers (akai s20)
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I was out. Coming back I browsed through the list and saw this question
about cheap samplers not being really answered. So, I'm late but better
late than never?

I have an Akai s20, I can comment it (although it is the one and only
sampler I have ever used...).

The s20 is a good little machine for its price (I bought it second hand for
2500 French Francs, that's 40% below the shop price... that means about 400
Euro or 420 US dollars). But it has some major flaws.
Below I list the good and bad stuff about the Akai. More details on my s20
website (http://persoweb.francenet.fr/~plionnet/FreezerMan/musique.html)
but sorry folks: only in FRENCH (that's what I am...).

Good stuff:
- cheap
- with the 16 Mbit SIMM card (you NEED IT) you can store as much as 3-4
minutes of music total in 16 bit mono at 36 Mhz. (less in stereo...)
without the card you have only 1Mbit (that's like 10-15 secs of music...).
- 8 voice polyphony (that's good for the size: you can play 8 samples
together...)
- 16 banks (usual low-end samplers have only 8-101 banks).
- good for live playing: you can record and loop quite easily in real time
(but you can't record a sample while playing a bank!).
- MIDI compatible (MIDI OUT IN and THRU)
- looks good (personal opinion, some of my friends think its crappy, but
then these are those that think the SP 303 looks good... which I
personnally disagree with, aah! taste, taste... : it comes in all shapes
and forms).
- rather small (20cm x 35 cm x9 cm approx)
- 4 tracks very basic (super- duper- ultra-basic) sequencer: In short the
'sequencer' is able to record as much as 30.000 steps (I THINK) oin four
separate tracks (but you can't playback the tracks one by one....) but no
editing of the sequence once its done. At least not with the built-in
sequencer. But hey, that's already something.
- *easy* looping functions (once you understand how the software works...)
- standard save on 3.5 floppy disks.
- crisp sound (but then, I read the thread on the SP808 sound... this is my
own non-professional user opinion...) some phrases sound even better once
sampled than originally.
- you can use standard akai sample libraries (I've never used them, but so
have I been told).

Bad stuff:
- diskette drive for saves fully unsufficient (I suggest you buy the SCSI
interface, then you can have all your samples on ZIP which is better) -
there are NO (repeat: NO) internal save capacities. This is a MAJOR drawback.
- cryptic user interface: the display is a 4 digit numerical led display...
the information is not easy to understand, read or input... also I have no
clue on the unit sued to maesure usal parameters... for instance it
measures the *sample length* without using a common time measures (like
seconds or clocks). this is still a mystery to me.
- limited edit capacities: you can cut at the beginning, at the end of your
sample, but you can't cut in the middle. you can alter pitch (but this will
alter tempo as well: no time stretching...) there are no filters at all.
The sample will sound as you recorded it, no playing on the sound...
(except through resampling at 8 bit and 4 bit. There you get a radical
change in sound towards the lo-fi...). The coolest edit part is the
'*reverse* mode.
- shitty manual (at least in French: the grammar is fully approximative...)
- you cannot name samples, they are given sequential numbers, if you save
on 3.5 floppies you are most likely to see ALL your samples named S 1...
cool isn't it? (BTW I don't know how the problem is addressed through SCSI.

What can I add:

I like the s20, I use it a lot and it serves me right. But I have bought an
external sequencer to control it because if you control it manually you are
limited. BUT i have the sequencer since one week and there is no way that I
undersatnd how I can have it control the s20. This is rough. I know it can
be done and I believe help will come soon.

Another thing (again!) I have an s20 homepage where I explain how it works
for all basic functions which are badly explained in the manual BUT.... I
am French and the pafge is French. So you can go and check it out if you
can read French. The address is:
http://persoweb.francenet.fr/~plionnet/FreezerMan/musique.html

If there are specific questions on the s20 I may try to answer them here on
the list or personnaly (if they are not relevant to everybody).

Bye you all.

PiR (aka FreezerMan...)

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Date: Tue, 04 May 1999 06:26:18 -0400
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Organization: 144 Music
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The Knitting Factory presents:
"barrels of ambient fun: David Gross' and Theo Bleckmann's soundscapes will
make you trip without the negative side effects of common household drugs
(except for a $8 cover).

DAVID GROSS: bass and electronics
THEO BLECKMANN: voice and electronics

Wednesday, May 5th at 9pm
at the Alterknit Theatre
Knitting Factory
72 Leonard Street (btw) Church and Broadway



From Loopers-Delight-request@annihilist.com  Tue May  4 09:21:11 1999
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Date: Tue, 04 May 1999 07:31:53 -0500
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Got the same in yestermornings mail.

I havn't posted here, read a lot, and checked out other sites you good
people have talked about and most thoroughly enjoy it..Thanks

And as far as what Grover spoke of and others..I got a feeling this is
going to be more of a sign on the future. At least some of the junk mail
you get in your snailbox you can recycle by using to start the grill :-)

I'm getting this one, too.  Anything I can do to stop it?


                        -Grover

From Loopers-Delight-request@annihilist.com  Tue May  4 10:45:22 1999
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From: "R. S." <SZOCIKRJ@mail.milwaukee.k12.wi.us>
Subject: zappa
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does anyone have an info on where one can obtain a collection of early
zappa photos and/or live recordings?  I know Rolling Stone published a
photo book, something maybe on that line.

z


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Date: Tue, 4 May 1999 10:11:18 -0400 (EDT)
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From: Frank Gerace <seahorse@channel1.com>
Subject: More shameless plugs
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        There's loops at mp3.com.  Two of the four Dreamchild songs that are
now up at http://www.mp3.com/dreamchild are loop based pieces, all from our
CD, Gates To The Sea.  "Sea Horses" is based aound a guitar loop and "The
Sirens' Song" is vocal looping.  The other two songs, while nifty, have no
looping content whatsoever (though live, we use the looping devices to pull
'em off).  As these are older cuts, they may not be cutting edge looping
technique, but please, check 'em out.  Thanks.

Frank Gerace
Dreamchild

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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Request for EDP info (HELP!)
Date: Tue, 4 May 1999 09:33:14 -0500
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Thanks for the suggestion.  I tried the BrotherSync connection last night
and it solved many of the weird things I was seeing.

But it leads me to more questions:
1) How do you connect three echoplexes with BrotherSync?  Do you use a
stereo Y connector?
2) When connected via BrotherSync, the 8ths/beat parameter on either unit
does not seem to have an effect.  Sometimes I set this parameter differently
on the two units.  Is this possible with BrotherSync?
3) Should the MIDI-IN be connected to the MIDI-OUT when using BrotherSync?
If so, how is the master selected since Sync=out on both units when using
BrotherSync.  If not so, i.e., if MIDI isn't used, how does the 8ths/beat
affect the cycle times?

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: JT <jt@nwlink.com>
To: dennis@mdbs.com <dennis@mdbs.com>
Date: Monday, May 03, 1999 11:13 AM
Subject: Re: Request for EDP info (HELP!)


>It sounds to me like you are trying to use MIDI to sync the two units.  It
>says in the manual (and from my personal experience) to use BrotherSync for
>this.  You will be a lot happier with the results.
>
>If you want to sync the units to MIDI, keep the EDPs connected with
>BrotherSync.  Plug the MIDI cable to the IN on the unit that is controlling
>the other one.
>
>Example:
>
>                                   Foot Controller
>                                          |
>                                          |
>                                          V
>Drum machine (midi out)  ---> (midi in) EDP 1 (brother sync) ---> EDP 2
>
>
>Hope that helps,
>JT


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James Devillez wrote:
At least some of the junk mail
> you get in your snailbox you can recycle by using to start the grill :-)

print the spam it burns too

<G>

Claude

From Loopers-Delight-request@annihilist.com  Tue May  4 14:16:24 1999
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Date: Tue, 4 May 1999 13:45:41 EDT
Subject: Re: More shameless plugs (DREAMCHILD)
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Nice.  and polished.

Hawkeye 

From Loopers-Delight-request@annihilist.com  Tue May  4 14:49:19 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: EDP DC offset
Date: Tue, 4 May 1999 13:00:38 -0500
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Kim described how to adjust the DC offset (I think) of the EDP.  I can't
find it in the archives.  Can somebody tell me?

It had something to do with holding down some buttons as the EDP booted and
then doing something else...

Dennis Leas
-----------------------------
dennis@mdbs.com

From Loopers-Delight-request@annihilist.com  Tue May  4 14:59:11 1999
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Subject: G707 vs G303 Guitar synths...
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A rather esoteric question but if anyone can handle someone on this list
can.

After a year of loving the Roland GR300 synth unit and G303 guitar to
death I picked up a GR700 floor unit  and G707 guitar. Everything is
totally interchangable but i noticed only the G303 has the Hex Fuzz
sound and only when pluged into the GR300 unit. The G707 has a similar
triposition switch marked Modes 1,2 and 3 but I don't notice any
difference between modes 1 and 2 and mode 3 seems to simply turn off the
floor unit which seems rather silly as there already is a balance knob
on the guitar for that.

Can anyone tell me what the modes on the G707 guitar are for? For that
matter if anyone has a copy of the Gr700 or G707 manuals I'd could trade
any manual for my vast collection or pay costs.

As an aside, I'm somehwat dissappointed in the tracking of the GR700
floor unit. The Gr300 is flawless with the G303 guitar and very good
with the G707 as well. the Gr700 floor unit glitches like hell on
certain patches regardless of the guitar. That said it is a awesome
addition when you get the patch just right. as for the G707 guitar, well
it is unique. At first I hated it but now that I resigned to having to
stand to play it I realize it's good points. Not nearly as playable and
comfortable as the G303 but ceratinly much more spaceship looking which
could have it place in a live show :)

Anyway, any info on the differences in the pickups and such 
appreciated. 

Thanks!

-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Tue May  4 16:13:22 1999
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Subject: Re: Cheap Samplers (akai s20)
References: <199905041005.MAA21330@logatome.micronet.fr>
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while not exactly cheap, i'm quite satisfied with the mpc2000. the
mpc2000 is a GOOD sampler with a GREAT (well, almost) sequencer. 

the mpc is of course a full-fledged MIDI sequencer, so it's great for
selecting program patches on fx units. i'm also starting to use it to
control my jamman, which frees up my hands/feet. iow, i can record loops
on the jamman while playing to programmed stuff. this requires a fair
amount of *arranging* ahead of time but the results can be quite
interesting.

ttfn,
-tmc-



From Loopers-Delight-request@annihilist.com  Tue May  4 18:12:13 1999
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From: Clifford Novey <clifsound@earthlink.net>
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What is DC offset and why would it be good to adjust it? I have software that
has option to remove dc offset but I don't even know what it is- Does it have
to do with running 2 EDP together?

Cliff

"Dennis W. Leas" wrote:

> Kim described how to adjust the DC offset (I think) of the EDP.  I can't
> find it in the archives.  Can somebody tell me?
>
> It had something to do with holding down some buttons as the EDP booted and
> then doing something else...
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com

From Loopers-Delight-request@annihilist.com  Tue May  4 20:05:55 1999
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Date: Tue, 4 May 1999 16:02:08 -0700
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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re[2]: Increase Your Sales Up to 1500%
To: Mike.Biffle@wj.com, Phaedebk@aol.com, loopers-delight@annihilist.com
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     Well, at least we're all still feeling rather cheery about it...
     
     -m


______________________________ Reply Separator _________________________________
Subject: Re: Increase Your Sales Up to 1500%
Author:  Phaedebk@aol.com at INTERNET
Date:    5/4/99 6:49 PM


In a message dated 5/3/99 1:29:42 PM Eastern Daylight Time, 
Mike.Biffle@wj.com writes:

<< Mike.Biffle@wj.com >>
 Yeppers, I got SPAM, SPAM, SPAM, SPAM!  SPAM, SPAM, SPAM, SPAM (Horrible 
SPAM!  Horrible SPAM!)

Lee-ohki.

From Loopers-Delight-request@annihilist.com  Tue May  4 23:01:30 1999
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From: Patrick Smith <patrick@his.com>
Subject: Potential vintage Looping in DC
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Hey Looper's, this should be a fun event. FingerPaint did a gig with
Charles Cohen at the MidAtlantic Loop Show in 1997. Besides his very cool
Buchla synth, he  was also using on of the coveted EH 16 second delays.
Well worth checking out tommorrow night if you dare. I hope to see some of
you there.

Patrick

>++ ++ derek morton
> & the velvet lounge present:
>______________________________________
>e m e r g e n t  m u s i c  f o r u m   SERIES 3
>__________________________long version
>----------------------------------------------------------------------
>
>A place for adventurous ears and minds.
>                 %
>new ideas, avant approaches, electronix,
>a community of other styles in modern sound.
>
>		   %%
>
>$3 at the door - mostly wednesday nights at:
>the velvet lounge 915 U St. NW WDC
>
>___________________________________________
>the schedule and such
>----- - - - - - - - --- -- - - - - - -  - -
>Wed 5/5/99  $3
>
>[Tigers vs. Tornadoes]
> - (Ron Lewis and Clark Sabine ex-Jetsetter fame)
>Drums and Keyboards duo for unusual "mathrawk" soundz.
>
>[Eric Leonardson]
> - springboard & electronics (unusual homemade instrument), from Toronto
>
>[Charles Cohen & Elliot Levin]
> - improv electronics and spoken word.
>What Charles says.."At EMF I will do textural and rhythmic improvisations
>with a Buchla Music Easel.
>(www.buchla.com/historical/music_easel/music_easel.html )
>This is an extremely rare integrated analog performance instrument made
>by Buchla in about 1975. I bought this instrument from him in 1976 and
>have been playing it ever since."
>--
>Elliott Levin is a Philadelphia born and based poet and musician. He
>studied music and creative writing at the University of Oregon. He also
>studied with Michael Guerra (former saxophonist with the Philadelphia
>Orchestra), Cecil Taylor (pianist/composer/improvisor), Claire Polin
>(flutist/composer), and Odean Pope (saxophonist and composer).
>
>He has performed internationally with The Cecil Taylor Ensemble, Harold
>Melvin & the Blue Notes, New Ghost, Interplay, and Talking Free BeBop.
>He has collaborated in performance with many poets, including Miguel
>Algarin, Bob Holman, Gloria Troop, Reg E. Gaines, Wil Perkins, Aschak,
>and Frank Messina & Spoken Motion.


                   <http://www.fingerpaint.net>

From Loopers-Delight-request@annihilist.com  Tue May  4 23:12:59 1999
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From: "Collins" <collinsclan@sprintmail.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: G707 vs G303 Guitar synths...
Date: Tue, 4 May 1999 22:12:38 -0400
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I forwarded your message to a friend of mine who can help you out probably
more than anyone on this list.
Jeff
BTW, his name is Ken Rubenstein. Just to let you know.

-----Original Message-----
From: legion <legion@voicenet.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, May 04, 1999 2:57 PM
Subject: G707 vs G303 Guitar synths...


>A rather esoteric question but if anyone can handle someone on this list
>can.
>
>After a year of loving the Roland GR300 synth unit and G303 guitar to
>death I picked up a GR700 floor unit  and G707 guitar. Everything is
>totally interchangable but i noticed only the G303 has the Hex Fuzz
>sound and only when pluged into the GR300 unit. The G707 has a similar
>triposition switch marked Modes 1,2 and 3 but I don't notice any
>difference between modes 1 and 2 and mode 3 seems to simply turn off the
>floor unit which seems rather silly as there already is a balance knob
>on the guitar for that.
>
>Can anyone tell me what the modes on the G707 guitar are for? For that
>matter if anyone has a copy of the Gr700 or G707 manuals I'd could trade
>any manual for my vast collection or pay costs.
>
>As an aside, I'm somehwat dissappointed in the tracking of the GR700
>floor unit. The Gr300 is flawless with the G303 guitar and very good
>with the G707 as well. the Gr700 floor unit glitches like hell on
>certain patches regardless of the guitar. That said it is a awesome
>addition when you get the patch just right. as for the G707 guitar, well
>it is unique. At first I hated it but now that I resigned to having to
>stand to play it I realize it's good points. Not nearly as playable and
>comfortable as the G303 but ceratinly much more spaceship looking which
>could have it place in a live show :)
>
>Anyway, any info on the differences in the pickups and such
>appreciated.
>
>Thanks!
>
>-----------------------------------------------------------------------
>     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
>"Bringing you the best in Organic Electronic music since we started..."
>
>Home of the Unusual Instrument and Recording Gallery with pictures and
>info of Tube recorders, Omnichords, weird guitars, Casios, and more.
>
>

From Loopers-Delight-request@annihilist.com  Tue May  4 23:49:09 1999
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From: "Douglas Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Cheap Samplers (Zoom Sampletrak)
Date: Tue, 4 May 1999 23:01:52 -0400
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For the price, the Zoom Sampletrak looks pretty cool

Anybody check one of these out?

-----Original Message-----
From: r_t_cummings@csi.com [mailto:r_t_cummings@csi.com]
Sent: Tuesday, May 04, 1999 8:40 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Cheap Samplers (akai s20)


while not exactly cheap, i'm quite satisfied with the mpc2000. the
mpc2000 is a GOOD sampler with a GREAT (well, almost) sequencer. 

the mpc is of course a full-fledged MIDI sequencer, so it's great for
selecting program patches on fx units. i'm also starting to use it to
control my jamman, which frees up my hands/feet. iow, i can record loops
on the jamman while playing to programmed stuff. this requires a fair
amount of *arranging* ahead of time but the results can be quite
interesting.

ttfn,
-tmc-



From Loopers-Delight-request@annihilist.com  Wed May  5 12:09:37 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: EDP DC offset
Date: Wed, 5 May 1999 10:08:11 -0500
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In this context, DC offset refers to a bias presented to the
analog-to-digital converter (ADC).  For audio input, you'd expect a average
value of zero; i.e., the signal should have as many positive excursions as
negative.  However, if you present audio "riding on" a DC voltage, then the
ADC will produce a non-zero average.  It is unrelated to using two EDPs
together.

This has two disadvantages.  1) It reduces the "headroom" since you'll run
out of numbers sooner in one direction (positive or negative).  2) When
leaving the loop (via switching to a empty loop, muting, erasing the current
loop, etc) you'll hear a "thump" or a "click".

Kim describe how to adjust the DC offset for the EDP in a previous message.
I found the message in the archives!  For anybody interested, it's dated
"Wed, 25 Nov 1998 00:04:54 -0800" and the subject is "Re: Duh... Q: EDP & CV
pedal for feedback control" sent from "Kim Flint <kflint@annihilist.com>".

I followed the procedure last night.  The procedure works great (good
instructions, Kim!) but my EDP was already set-up properly.  I.e., the DC
offset was already nulled out.

I'm getting a noisy signal from one of my EDP (I have two) and I thought the
DC offset might be a problem.  But it's not.  :(  I'll have to try something
else.

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: Clifford Novey <clifsound@earthlink.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, May 04, 1999 5:13 PM
Subject: Re: EDP DC offset


>What is DC offset and why would it be good to adjust it? I have software
that
>has option to remove dc offset but I don't even know what it is- Does it
have
>to do with running 2 EDP together?


From Loopers-Delight-request@annihilist.com  Wed May  5 13:36:54 1999
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From: Hawkeye255@aol.com
Message-ID: <af0440e3.2461cf43@aol.com>
Date: Wed, 5 May 1999 12:43:47 EDT
Subject: Re: EDP DC offset
To: Loopers-Delight@annihilist.com
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Any noise I've ever gotten out of my EDP has always been solved by lowering 
the input a little.   Don't know if that's what's happening with you or 
not....

Hawkeye

From Loopers-Delight-request@annihilist.com  Wed May  5 15:04:00 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: EDP DC offset
Date: Wed, 5 May 1999 13:32:25 -0500
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Thanks for the suggestion, but I think it's something else.  Here's the
symptoms:

Nothing connected to input jack.  Output jack connected to channel of PA
system (TASCAM board).

0) Power-up EDP.
1) No unusual noise.
2) Record any length loop.  Say 10 seconds.
3) When loop plays back (upon second press of record), I hear a soft
white-noise, rushy-type sound.
4) The volume of the noise is affected by the Output fader.
5) Long press on record to erase the loop.  Noise disappears.

I don't hear the noise when I do the same experiment with my other EDP.

Any ideas?

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: Hawkeye255@aol.com <Hawkeye255@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, May 05, 1999 12:39 PM
Subject: Re: EDP DC offset


>Any noise I've ever gotten out of my EDP has always been solved by lowering
>the input a little.   Don't know if that's what's happening with you or
>not....
>
>Hawkeye
>
>

From Loopers-Delight-request@annihilist.com  Thu May  6 07:39:32 1999
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Date: Thu, 06 May 1999 06:50:32 -0400
Subject: Input gain structure
From: "Daniel Orlansky" <orlans@earthlink.net>
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This is my first time  writing in, and I might as well mention that I play,
sound process,
and loop didgeridoo. I've used a JamMan for years, and have recently
switched to an
Echoplex, which I'm very happy with, except for the gain structure: I find
the input gain too
sensative, after I 've run through my mic pre-amp and sound processor. As
per the answer in
the FAQ,  I'll be changing the resistors involved, but I have a question: 
Must I use the suggested 1%
metal film resistors, or will 5% metal film resistors do the trick? My
elecronic repairman
says he is quite certain that the 5% will work, and wants to try them
because he has them available 
and they are cheaper.   Anyone out there have any experience with this, or
even changing the
resistors at all ( is is easy to do)? Quick replys will be greatly
appreciated, as this repair 
is scheduled to happen soon because of a gig next week. 

Thanks,    Daniel

From Loopers-Delight-request@annihilist.com  Thu May  6 14:49:11 1999
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Date: Thu, 6 May 1999 11:26:29 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Input gain structure
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5% resistors should work fine. There's a commonly held belief that metal
film resistors have better distortion characteristics in audio circuits,
producing better quality audio, but personally I've never been able to hear
a difference when I made such a change. Whatever improvement you get must
be very subtle.....  Cost difference between them is nominal, though.
something like 1 cent vs 2 cents, so it doesn't hurt much to do it....
anyone who knows how to use a soldering iron and do simple electronics tech
work should be able to change those resistors. Simple through-hole stuff.
Did you just get your echoplex new? I'm surprised this change wasn't
already done at the factory....are you sure it hasn't been?

kim


>This is my first time  writing in, and I might as well mention that I play,
>sound process,
>and loop didgeridoo. I've used a JamMan for years, and have recently
>switched to an
>Echoplex, which I'm very happy with, except for the gain structure: I find
>the input gain too
>sensative, after I 've run through my mic pre-amp and sound processor. As
>per the answer in
>the FAQ,  I'll be changing the resistors involved, but I have a question:
>Must I use the suggested 1%
>metal film resistors, or will 5% metal film resistors do the trick? My
>elecronic repairman
>says he is quite certain that the 5% will work, and wants to try them
>because he has them available
>and they are cheaper.   Anyone out there have any experience with this, or
>even changing the
>resistors at all ( is is easy to do)? Quick replys will be greatly
>appreciated, as this repair
>is scheduled to happen soon because of a gig next week.
>
>Thanks,    Daniel


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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ANNOUNCING:
New Additions to the Book List: Palm Desert and Emigre Magazine Volumes

--------------------------------------------------------------
Palm Desert

A Book by Rudy VanderLans Based on Lyrics and Music by Van Dyke Parks
Published by Emigre
Palm Desert is a combination travel book, fan's tribute, Chamber of 
Commerce propaganda, and music review. This visual/verbal acid trip is 
based on the 1968 musical composition Palm Desert by composer unique Van 
Dyke Parks. Somewhere between fact, fantasy and fiction, this book 
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historical, vernacular, experimental and political themes.
Photography and design by Rudy VanderLans.
Essays by Kenneth FitzGerald and Brian Schorn.
Typeface designs by Zuzana Licko.
Also includes a bonus music CD containing the original Palm Desert 
recording as well as three loose adaptations/interpretations by Itchy 
Pet, Honey Barbara, and Elliott Peter Earls. Playing time: 21 minutes.
96 pages, 5.5 x 8.5 inches, 75 full color and duotone photographs, cloth 
cover with blind emboss, sewn and case-bound, CD attached in back. 
Available in U.S. only.
ISBN 0 - 9669409 - 0 - 3 
$24.95 (1 item shipping rate)
See the cover image at:
http://www.emigre.com/CBPD.html


--------------------------------------------------------------
Emigre Magazine Volumes (#33-49)

To celebrate the publication of its 50th issue Emigre has put together 
100 case-bound sets (2 volumes each) containing "The Small Issues 
Series," Emigre 33 through 49. This collection of 17 issues gives a 
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graphic design in the 1990s. These are also the issues that have won 
Emigre inclusion in the very first I.D. Forty, the Chrysler Award for 
Innovation in Design, The AIGA Gold Medal Award, and the Charles Nypels 
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This set includes the "collectors" issues Emigre 38 and 42 (Regular price 
$50 each), as well as the original type specimen booklets introducing 
Whirligig and The Apollo Program Font set.
For information about the content of each issue see the Emigre Catalog 
99.01 or go to www.emigre.com
$148.00 per set (7 item shipping rate)
(Regular magazine value $219.25)
Only 100 sets available.
Orders are filled on a first come first serve basis. 
See the cover image at:
http://www.emigre.com/EMagVol.html

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--------------------------------------------------------------
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Emigre Inc
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Sacramento CA 95819
800-944-9021 
916-451-4344
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155987458871263

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Date: Thu, 6 May 1999 23:26:48 -0700
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i would love to get from you, or find out from you how to obtain the =
plans for building a Red Special=20

any help at all is greatly appreciated!!!

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<DIV>&nbsp;</DIV>
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From Loopers-Delight-request@annihilist.com  Fri May  7 05:50:39 1999
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Date: Fri, 7 May 1999 02:27:27 -0700 (PDT)
From: John Tidwell <wedgehed@yahoo.com>
Subject: More on Midi LFO
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Am I just completely misunderstanding what I'm reading 
or does this midi foot controller produce a triangle
wave effect?

It's the Phillip Rees MM5 Midi Foot Controller at

http://www.philrees.co.uk


John



===
John Tidwell



_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

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From: "laura ann" <silver_sound@hotmail.com>
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I've just subscribed to this list after it turned up in the results of a 
search on Steve Reich.

I'm a music student and due at the end of this term to present a seminar on 
S.R.

Anything anyone can tell me that I might find helpful would be very much 
appreciated.  (more interested in the music than the man)

thanks


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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OK, 2 notices in one week is alot but these
will be our last gigs  for the next few months
so I hope you don't mind one more  cyber-
invitation/invasion for this Sunday and next
Saturday.  After this, Motoko and I will be
working on a "new direction" which we are
still in the process of defining and refining.
I may even tune my guitar.  So basically,
we hope you can make it to one of these last 2
shows for awhile.  Then, next year you can say
"Yeah, I liked their old stuff better"(?).

SUNDAY, MAY 9 (Mother's Day)
Spin-17
with special co-conspirator DONALD MILLER
@The Knitting Factory/AlterKnit Theatre
9pm  $6   74 Leonard St  NYC  (212) 219-3006

Featuring:

Ed Chang : Electronics / Small Homemade Objects
Motoko Shimizu : Voice / Toys / Turntable
Donald Miller : Guitar / Detritus

"A meeting between the electro-enharmonic
children's/adult music of Spin-17 and the
rough & tumble tyranno from Borbetomagus.
Pornopenultimate music.  This will be
quite good, we think."

%%%%%%%%%%%% cut %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
And then Next Saturday --->

SATURDAY, MAY 15
1:30 pm matinee @ TONIC, NYC

SATURNALIA STRING TRIO WITH DANIEL CARTER
(free jazz reed, flute & trumpet legend
Daniel Carter is joined by the SST:
Jonathan LaMaster - 5 string violin,
Vic Rawlings - prepared cello, serangi,
and Matthew Heyner - double bass,
sitting in for regular SST bass player
Mike Bullock) NYC 7? Release Party!
Performing along with :

THE GOLD SPARKLE TRIO
(Charles Waters - saxophone, clarinets,
Andrew Barker - drums, and
Adam Roberts - double bass) & :

SPIN 17
(featuring Ed Chang: Electronics,
Guitar, Alto Sax, Tape-Wreckage, and
Motoko Shimizu: Vocals, Turntable,
Toys, The Noise Machine)

TONIC : 107 Norfolk St, NY, NY. Info: (212) 358-7504


From Loopers-Delight-request@annihilist.com  Fri May  7 12:26:47 1999
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Date: Fri, 7 May 1999 11:32:20 EDT
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ed.......wish i could make it........tune your guitar?.........why would you 
ever do that?.........michael

From Loopers-Delight-request@annihilist.com  Fri May  7 13:19:58 1999
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From: "kameleyon" <kameleyon@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: FOR SALE:MODULUS FRETLESS 6
Date: Fri, 07 May 1999 09:34:07 PDT
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FOR SALE:MODULUS FRETLESS 6

-Mint Condition, hardly played.
-Hardshell case with Comfort Strap.
-List for $3200, will sell for $2000 (will consider offers)

SEE THIS BASS AT MY w3-SITE:

http://www.geocities.com/SoHo/Studios/8543/Mvc-004f.jpg

---//////-------///-----///------/////---///////---
Joshua D. Pickenpaugh
Boulder, Colorado, U.S.A.
Bassist, Composer, Teacher
Digital "GIGPIX" : http://welcome.to/kameleyonmusic
-///------///////-------------//----------///////--


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

From Loopers-Delight-request@annihilist.com  Fri May  7 14:51:33 1999
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From: Phaedebk@aol.com
Message-ID: <1767575c.2464878a@aol.com>
Date: Fri, 7 May 1999 14:14:34 EDT
Subject: The Zoom 2100?
To: Loopers-Delight@annihilist.com
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Dear Listmates,

	Anyone had any experience with the Zoom 2100?  Is the expression 
pedal worth the extra cash?
	Pretty much, I am looking for a replacement/upgrade to my Yamaha 
E1010 which is an analog looper, with approximately 3 seconds worth of time 
to it.  Also, I am looking for a unit to get started in using, and then 
eventually "graduate" up to something with more range/abilities like an EDP 
or whatever Gibson/Oberheim decides to call the new Echoplex.

	Thanks again,

		Lee-ohki.

From Loopers-Delight-request@annihilist.com  Fri May  7 16:45:18 1999
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Date: Fri, 7 May 1999 16:21:45 -0400
From: Neoteric Earth Enterprises <info@neotericearth.com>
To: <loopers-delight@annihilist.com>
Message-Id: <419.436287.55504051info@neotericearth.com>
Subject: Subject: Emergency Power Back-up!
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From Loopers-Delight-request@annihilist.com  Fri May  7 17:30:26 1999
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Date: Fri, 07 May 1999 15:47:53 -0500
To: Loopers-Delight@annihilist.com
From: "Michael S. Yoder" <myoder@tamiu.edu>
Subject: Lee-ohki's question re: The Zoom 2100
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At 02:14 PM 5/7/99 EDT, you wrote:
>Dear Listmates,
>
>	Anyone had any experience with the Zoom 2100?  Is the expression 
>pedal worth the extra cash?
>	Pretty much, I am looking for a replacement/upgrade to my Yamaha 
>E1010 which is an analog looper, with approximately 3 seconds worth of time 
>to it.  Also, I am looking for a unit to get started in using, and then 
>eventually "graduate" up to something with more range/abilities like an EDP 
>or whatever Gibson/Oberheim decides to call the new Echoplex.
>
>	Thanks again,
>
>		Lee-ohki.
>
Dear Lee-ohki,

Yes, the Zoom 2100 is my main looping device.  It's extremely easy to use
in the 6-second mode (after getting used to the awkward way that one
accesses the looping mode, and then storing that as a patch.)  You can do
infinite loops or slow fadeouts up to 6 seconds, and stack on an infinite
number of overdubs.The built-in foot pedals make the looping functions easy.

 The 16-second looping sampler (one looped part, no overdubbing like in the
6-second mode) is also a nice feature.  I don't have the expression pedal,
and don't personally see the need for it.  Guitarists might get some use
out of it, however.

In sum, it's an incredible value, and is extremely clean.  
Hope this helps.

Michael.
>
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

From Loopers-Delight-request@annihilist.com  Fri May  7 23:02:33 1999
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Date: Fri, 07 May 1999 19:12:55 -0700
From: brilmar <brilmar@cwix.com>
Subject: experiments-5th grade science
To: loopers-delight@annihilist.com
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I hope this is the right place to ask?????????

My son needs a "science experiment :: how to tell the difference between a
hard and soft boiled egg?

Can you help, us??

5th grade science.........w/details and measurements. Thank You so much.

Tyler & Jo Ann Martin

From Loopers-Delight-request@annihilist.com  Fri May  7 23:36:41 1999
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From: Nemoguitt@aol.com
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Date: Fri, 7 May 1999 23:04:44 EDT
Subject: Re: experiments-5th grade science
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In a message dated 5/8/99 2:01:10 AM Mid-Atlantic Daylight Time, 
brilmar@cwix.com writes:

<< My son needs a "science experiment  >>

so do i.........michael

From Loopers-Delight-request@annihilist.com  Fri May  7 23:43:57 1999
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From: Fmplautus@aol.com
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Date: Fri, 7 May 1999 23:10:32 EDT
Subject: Re: experiments-5th grade science
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Hi Tyler and Joann:

I'm not quite sure what you mean by, 

 "My son needs a "science experiment :: how to tell the difference between a
hard and soft boiled egg?

Can you help, us??

5th grade science.........w/details and measurements. Thank You so much.

What class is your son in?  What's the context of the experiment.  Is he 
being asked to simply "observe" the differences and then quantify them?

Best,
Kevin
aka DR. SCIENCE at Lincoln school

From Loopers-Delight-request@annihilist.com  Sat May  8 02:33:37 1999
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	ETAtAhQNvAGwMbgaROjKov/9Yan9esEWQgIVALM3uFbaorDZTU0GCcQ+exyq4FAE 
From: mjarbogast@webtv.net (Mary Arbogast Arbogast)
Date: Sat, 8 May 1999 02:00:30 -0400 (EDT)
To: Loopers-Delight@annihilist.com
Subject: tomatoes
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i  would like to know when is the best ime to plant and get best results 

From Loopers-Delight-request@annihilist.com  Sat May  8 05:52:26 1999
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 Tyler & Jo Martin ask:
>I hope this is the right place to ask?????????
>My son needs a "science experiment :: how to tell the difference between a
>hard and soft boiled egg?
>
>Can you help, us??
>
>5th grade science.........w/details and measurements. Thank You so much.

      Whoa, finally a question i can field...ok, first you get two eggs, 
(not ostrich, as this experiment involves anal insertion), a small jar
 of vaseline, metal shavings, some tequila (you may want to give 
your son just a lot of cough syrup instead) and a hammer. (The hammer
 is for determining which egg is which after the anal portion of the 
experiment.) To the person with the tomatoes question, maybe you
should be listening too.  Ok, now squat into a pail of the tequila for
twenty minutes or so.  Then refer to the attachment provided. Let me
 know how it goes.

    ciao,
 Olaf
        

From Loopers-Delight-request@annihilist.com  Sat May  8 10:32:17 1999
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Date: Sat, 08 May 1999 09:56:12 -0400
From: theorcolus <theorcolus@earthlink.net>
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Organization: 144 Music
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Sunday night May 9th at the Downtown Music Gallery in NYC @ 7 PM
David Gross 6 string fretless bass/electronics/loops
Tor Snyder-guitar/electronics

will perform one set of improvisatory music.

211 E. 5th St

(212) 473-0043

From Loopers-Delight-request@annihilist.com  Sat May  8 13:49:20 1999
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Date: Sat, 08 May 1999 09:57:43 -0700
From: Paul Ill <paulill@earthlink.net>
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laura ann,
    check out the remix cd released last month - REICH REMIXED (NONESUCH #
79552-2). its a great revision of some of his classics by COLDCUT, DJ SPOOKY,
MANTRONIX, etc...good luck+peace,
                        paul

laura ann wrote:

> I've just subscribed to this list after it turned up in the results of a
> search on Steve Reich.
>
> I'm a music student and due at the end of this term to present a seminar on
> S.R.
>
> Anything anyone can tell me that I might find helpful would be very much
> appreciated.  (more interested in the music than the man)
>
> thanks
>
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com



From Loopers-Delight-request@annihilist.com  Sat May  8 20:01:47 1999
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From: "Philipp Zuercher" <zurrigo@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: eggs'n'tomatoes
Date: Sat, 08 May 1999 16:25:42 PDT
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I don't really know if I get the point but I think it must be a sunday 
morning phenomenon to start talking about eggs and tomatoes because they 
will be part of one of these highly appreciated high-fat-low-fiber meals we 
tend to call Irish breakfast over here in Switzerland.

Anyway...the only method to tell the difference between a boiled and a soft 
egg I know of is the following:

Lay down the egg at the center of a big table, so it can't fall down to the 
floor - still better: put it on the floor, unless it turns out to be too 
sticky for the experiment. Now grab it between two fingers and the thumb and 
spin it right round.

The boiled egg will keep on spinning and the soft one will stop spinning 
after one or two turns. It really works but I don't know if you would call 
the method a scientific one.

I don't know much of tomatoes but there is some other illegal weed stuff 
growing on my balcony...

The whole thing makes me think of a really scientific method to check if a 
Stradivarius is real or fake. My violin making teacher once proposed, when 
there was one of those really old, really expensive Italian fiddles lying on 
our workbench, to burn it and analyse the ashes using the C-16 method.

Enough is enough, enjoy your Irish breakfast and the rest of your sunday

swissPhilipp (busyrecordingandthereforsleepless)

CIAO TUTTI


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat May  8 22:57:42 1999
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Date: Sat, 8 May 1999 23:15:25 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: EDP DC offset
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>In this context, DC offset refers to a bias presented to the
>analog-to-digital converter (ADC).  For audio input, you'd expect a average
>value of zero; i.e., the signal should have as many positive excursions as
>negative.  However, if you present audio "riding on" a DC voltage, then the
>ADC will produce a non-zero average.  It is unrelated to using two EDPs
>together.

NONO!

The ADC offset is corrected automatically when the unit is in Reset.

What we adjust with said procedure is the offset of the VCA controlling the
input. If its dejusted, you get a click when switching Overdub or some
other functions.


From Loopers-Delight-request@annihilist.com  Sun May  9 02:11:08 1999
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Date: Sat, 08 May 1999 22:02:16 -0700
From: lance glover <baumhaus@earthlink.net>
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Philipp Zuercher wrote:

> I don't really know if I get the point but I think it must be a sunday
> morning phenomenon to start talking about eggs and tomatoes because they
> will be part of one of these highly appreciated high-fat-low-fiber meals we
> tend to call Irish breakfast over here in Switzerland.
>
> Anyway...the only method to tell the difference between a boiled and a soft
> egg I know of is the following:
>
> Lay down the egg at the center of a big table, so it can't fall down to the
> floor - still better: put it on the floor, unless it turns out to be too
> sticky for the experiment. Now grab it between two fingers and the thumb and
> spin it right round.
>
> The boiled egg will keep on spinning and the soft one will stop spinning
> after one or two turns. It really works but I don't know if you would call
> the method a scientific one.
>
> I don't know much of tomatoes but there is some other illegal weed stuff
> growing on my balcony...
>
> The whole thing makes me think of a really scientific method to check if a
> Stradivarius is real or fake. My violin making teacher once proposed, when
> there was one of those really old, really expensive Italian fiddles lying on
> our workbench, to burn it and analyse the ashes using the C-16 method.
>
> Enough is enough, enjoy your Irish breakfast and the rest of your sunday
>
> swissPhilipp (busyrecordingandthereforsleepless)
>
> CIAO TUTTI

i like this response a lot better that the one that involved tequila & metal
shavings (at least this one contained a reference to music), but i wonder, kim,
if the list description has gotten scrambled (no pun int'd) for some folks...


lance g.

on a lighter note, i looped myself laughing the other night (it's easy to
figure out what to overdub as contagion sets in fairly quickly...); it was
either my mood or the alteration thereof from the aformentioned loopage, but it
wuz a lot of fun (kinda private fun, tho...)


From Loopers-Delight-request@annihilist.com  Sun May  9 03:45:03 1999
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Date: Sun, 09 May 1999 03:09:50 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: eggs'n'tomatoes (minor loop content)
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>i like this response a lot better that the one that involved tequila & metal
>shavings (at least this one contained a reference to music), but i wonder,
kim,
>if the list description has gotten scrambled (no pun int'd) for some folks...
>
>
>lance g.

Yeah, me too, although that little bit of spoken loopage at the beginning
of "Alan's Psychedelic Breakfast" on Pink Floyd's Atom Heart Mother
(...marmalade, I LIKE marmalade...) could somehow serve to link them,
however tenuously! Well, maybe not... unless Froot Loops are a part of that
complete breakfast. It's SORT of loop-related to ask "Which came first; the
chicken or..." (I've always found the best clue to the difference between
hard- and soft-boiled eggs is that the soft-boiled ones are a lot
runnier... Hey, nobody said we had to leave the shells on!)

Tim

From Loopers-Delight-request@annihilist.com  Sun May  9 03:43:50 1999
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From: "Steve Savage" <steve@digitalm.co.za>
To: <deepbass@netscape.net>
Subject: sharkbrother gigs
Date: Sun, 9 May 1999 08:49:51 +0200
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sharkbrother has a busy weekend coming up, Saturday night we will be playing
at Aberlarde Sanction (http://www.hixnet.co.za/home/abelarde/
mailto:abelarde@hixnet.co.za ). We will be on stage at about 9ish and be
playing some new tracks with a slightly different feel to the rest of our
material.

Aberlarde Sanction is on the corner of Ripley & Fulham Rd, Brixton. 011
8375832

Sunday night finds us back at Tings and Times, Hatfield. The gig starts at
9. Come through and enjoy the relaxed vibe and listen to some cool tunes.
Address Burnett str.Hatfield Pretoria. Tel: (012) 362-5537

See you there

Steve
mailto:steve@digitalm.co.za
mailto:cobusr@satis.co.za

From Loopers-Delight-request@annihilist.com  Sun May  9 13:09:28 1999
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Date: Sun, 09 May 1999 11:51:31 -0400
From: Ken Murano <keno@axxsys.net>
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Dear Loopers.
Can you tell me which is the best CD rom drive to use with the MPC 2000......
I understand there are some good ones, and some bad ones...
But which one works best with the MPC 2000, and which one can read other
Akai Cds sample disks too !
Thanks for your reply.
Keno

From Loopers-Delight-request@annihilist.com  Sun May  9 16:50:35 1999
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Date: Sun, 9 May 1999 20:03:55 +0100
To: Loopers-Delight@annihilist.com
From: Lee Fletcher <lee@waterleat.demon.co.uk>
Subject: Markus Reuter - New CD
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Dear Loopers,

I would like to recommend some listening which I'm sure will appeal to
many others on this list...

Markus Reuter & Ian Boddy - Distant Rituals (DiN Records)

This project is somewhat of a departure for Touch guitarist & fellow
list member Markus Reuter, who's previous releases (the excellent Taster
and Containment CD's) were largely based on live improv's.

The tracks on this CD were mostly assembled by Ian in the UK, using pre-
recorded guitar loops (donated by Markus) as the prime ingredient for
the strange brew that unfolds.

The project takes both artists into new territory. The mood is primarily
ambient, with only minimal use of electronic percussion occasionally
piercing the airy space created. It's not all 'softly-softly' however,
as there are a number of powerful solos played by Markus throughout the
journey.

There are shades of Fripp & Eno, and some of David Sylvian's more
ambient material, and on the rhythmic tracks a slight nudge towards Eno
& Wobble's Spinner project? Despite these comparisons, the overall sound
remains fresh.

I had the opportunity to attend a one-off gig held at the Jodrell Bank
planetarium in Cheshire (UK) recently, where the pair expanded on some
of the themes from this album. It was clear from the audience enthusiasm
that we will most likely see further projects in the future...

Although only released in April, this CD (as with all DiN titles) is
limited to only 1000 copies, so if you're interested you'd better be
quick! Copies can be purchased via the DiN website where you can also
check out an mp3 sample of one of the tracks:-

http://www.selse.demon.co.uk/DiN.html

(By the way, I am not connected with DiN in any capacity other than that
of supportive audient!)

Cheers,

Lee Fletcher

From Loopers-Delight-request@annihilist.com  Sun May  9 17:44:44 1999
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Subject: (off-topic) :Tacoma Guitar 
Date: Sun, 9 May 1999 13:53:19 -0700
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Anyone looking to buy a superb acoustic-electric should check out the =
Tacoma "Chief" C3C.  I walked into a music store I rarely visit =
yesterday with absolutely no intention of buying a guitar, picked one up =
fell totally in love. I was completely blown away by the tone, dynamics, =
playability. It's price is a relatively modest $1189 (w\ case and =
Fishman Prefix Plus pick-up.  I think that this is probably the last =
steel 6-string I will need to buy. The only other factory-made guitar =
I've played that I liked as much was the Tayor 814 CE which goes for a =
lot more (without a pickup).  This guitar absolutely blows away the =
competition in this price range.  It features an Engleman spruce top, a =
cutaway, solid african rosewood back and laminate rosewood sides. =
Salaam.

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<BODY>
<DIV><FONT size=3D2>Anyone looking to buy a superb=20
<STRONG><U>acoustic</U></STRONG>-electric should check out the Tacoma =
"Chief"=20
C3C.&nbsp; I walked into a music store I rarely visit yesterday with=20
<STRONG>absolutely no intention </STRONG>of buying a guitar, picked one =
up fell=20
totally in love. I was completely blown away by the tone, dynamics, =
playability.=20
It's price is a relatively modest $1189 (w\ case and <EM>Fishman Prefix =
Plus=20
</EM>pick-up.&nbsp; </FONT><FONT size=3D2>I think that this is probably =
the last=20
steel 6-string I will need to buy. The only other factory-made guitar =
I've=20
played that I liked as much was the Tayor 814 CE which goes for a lot =
more=20
(without a pickup).&nbsp; This guitar absolutely blows away the =
competition in=20
this price range.&nbsp; It features an Engleman spruce top, a cutaway, =
solid=20
african rosewood back and laminate rosewood sides.=20
Salaam.</FONT></DIV></BODY></HTML>

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------=_NextPart_000_000C_01BE9A23.4B8CBCC0--

From Loopers-Delight-request@annihilist.com  Sun May  9 21:39:30 1999
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Date: Mon, 10 May 1999 02:39:14 +0200
From: Cummings <r_t_cummings@csi.com>
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To: Loopers-Delight@annihilist.com
Subject: Re: (off-topic) :Tacoma Guitar
References: <19990508232543.22569.qmail@hotmail.com> <373516D4.DCAA15AD@earthlink.net> <002201be9a5e$4f9f5d00$3e7a070c@cyberdyne.com>
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people have told me about the guitar - although i've never actually seen
one in person, i have seen photos of it in old encyclopedias. 

is it true that this obsure old instrument is being revived and
reconsidered?

hmmm ...

-the man cable-


> Marc Roche schrieb:
> 
> Anyone looking to buy a superb acoustic-electric should check out the
> Tacoma "Chief" C3C.  I walked into a music store I rarely visit
> yesterday with absolutely no intention of buying a guitar, picked one
> up fell totally in love. I was completely blown away by the tone,
> dynamics, playability. It's price is a relatively modest $1189 (w\
> case and Fishman Prefix Plus pick-up.  I think that this is probably
> the last steel 6-string I will need to buy. The only other
> factory-made guitar I've played that I liked as much was the Tayor 814
> CE which goes for a lot more (without a pickup).  This guitar
> absolutely blows away the competition in this price range.  It
> features an Engleman spruce top, a cutaway, solid african rosewood
> back and laminate rosewood sides. Salaam.
> 
>                 Name: c3.jpg
>    c3.jpg       Type: JPEG Image (image/jpeg)
>             Encoding: base64


From Loopers-Delight-request@annihilist.com  Sun May  9 23:51:56 1999
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Date: Sun, 09 May 1999 23:06:44 +0000
From: Darrell Jones <djones01@columbus.rr.com>
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I also was blown away with the Tacoma Guitar. 2 months ago, I visited my
local music store where they had just 2 hours before received a Tacoma
Chief CB10 bass guitar. I played it for 1 hour, and was unable to leave the
store. I ending up buying this instrument. I'm very happy with this bass.

Darrell Jones



Cummings wrote:

> people have told me about the guitar - although i've never actually seen
> one in person, i have seen photos of it in old encyclopedias.
>
> is it true that this obsure old instrument is being revived and
> reconsidered?
>
> hmmm ...
>
> -the man cable-
>
> > Marc Roche schrieb:
> >
> > Anyone looking to buy a superb acoustic-electric should check out the
> > Tacoma "Chief" C3C.  I walked into a music store I rarely visit
> > yesterday with absolutely no intention of buying a guitar, picked one
> > up fell totally in love. I was completely blown away by the tone,
> > dynamics, playability. It's price is a relatively modest $1189 (w\
> > case and Fishman Prefix Plus pick-up.  I think that this is probably
> > the last steel 6-string I will need to buy. The only other
> > factory-made guitar I've played that I liked as much was the Tayor 814
> > CE which goes for a lot more (without a pickup).  This guitar
> > absolutely blows away the competition in this price range.  It
> > features an Engleman spruce top, a cutaway, solid african rosewood
> > back and laminate rosewood sides. Salaam.
> >
> >                 Name: c3.jpg
> >    c3.jpg       Type: JPEG Image (image/jpeg)
> >             Encoding: base64

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Dear Olaf,
Both you and the Martins have just confirmed my deepest hope that there is
human life on Loopers Delight, or, is this just a ruse? Oops, better get back
on topic.  I heard a rumor that a demo model of a Headrush 2000 was spotted at
Joe's Picks 'n Shit, but, no one knew what it was. Anyone else hear that?

brat@visi.com wrote:

>  Tyler & Jo Martin ask:
> >I hope this is the right place to ask?????????
> >My son needs a "science experiment :: how to tell the difference between a
> >hard and soft boiled egg?
> >
> >Can you help, us??
> >
> >5th grade science.........w/details and measurements. Thank You so much.
>
>       Whoa, finally a question i can field...ok, first you get two eggs,
> (not ostrich, as this experiment involves anal insertion), a small jar
>  of vaseline, metal shavings, some tequila (you may want to give
> your son just a lot of cough syrup instead) and a hammer. (The hammer
>  is for determining which egg is which after the anal portion of the
> experiment.) To the person with the tomatoes question, maybe you
> should be listening too.  Ok, now squat into a pail of the tequila for
> twenty minutes or so.  Then refer to the attachment provided. Let me
>  know how it goes.
>
>     ciao,
>  Olaf



From Loopers-Delight-request@annihilist.com  Mon May 10 10:45:30 1999
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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html

		Show #113		May 6, 1999.
		Host: Bill Fox		http://www.wdiyfm.org
		billfox@fast.net

On this show, I began a month-long focus on the North East Art Rock
Festival (NEARfest).  Space music has ancestry in Progressive rock and
in my first show, I promised that I wouldn't totally abandon the
audience of Jim Ferrani's show Deep Cuts, an Art and Progressive Rock
program.  Now is the time to keep my promise!

Special guest Chad Hutchinson, webmaster of the Ghostland web site and
Vice President of NEARfest will present the music of the bands to be
appearing at the inaugural NEARfest.

        Ghostland     :  http://ghostland.com
	NEARfest      :  http://ghostland.com/nearfest
	EMUSIC Focus  :  http://www.wdiyfm.org/emusic/playlists/focus.html

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
C.H.A.O.S.        In the Wake of Shoemaker-Levy  Improv. Sessions Vol. 2 (none)
Wave World              The Quest                Species (Quantum)
Deborah Martin          One Sun                  Deep Roots (Spotted Peccary)
VA [Ma Ja Le]           Images Remain            Weightless, Effortless (Hypnos)
Protognos               Strange Geographie       Strange Geographie (DiN)
OZMA                    Actualia Three           HugeAndSilentPlace (AtomicCity)
Vidna Obmana            Landscape in Obscurity*  Landscape in Obscurity (Hypnos)

12:00 am
Spock's Beard           The Doorway              Beware of Darkness (Radiant)
Crucible                Over the Falls           Tall Tales (Moonchild)
Scott McGill's Hand Farm  Fred-O-Cal             Ripe (The Laser's Edge)
Ice Age                 Sleepwalker              The Great Divide (Magna Carta)
Solaris             The Martian Chronicles 2&3   The Martian Chronicles(Solaris)
IQ                      Subterranea              Subterranea (GiantElectricPea)
Scott McGill's Hand Farm  7-24                   Ripe (The Laser's Edge)
Spock's Beard           Chatauqua *              Beware of Darkness (Radiant)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will continue the month-long focus on the North East
Art Rock Festival (NEARfest) with special guest Chad Hutchinson.  The
Feature CD at Midnight will return in June.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: EDP DC offset
Date: Mon, 10 May 1999 09:05:12 -0500
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Thanks, Matthias, for clarifying this.  You know, a block diagram would be
helpful.  Perhaps with a flowchart of how the EDP decides to sync to what.
Ok, I won't beg.  But I can offer you half a Mars bar.

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: Matthias Grob <matthias@grob.org>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, May 08, 1999 10:10 PM
Subject: Re: EDP DC offset


>>In this context, DC offset refers to a bias presented to the
>>analog-to-digital converter (ADC).  For audio input, you'd expect a
average
>>value of zero; i.e., the signal should have as many positive excursions as
>>negative.  However, if you present audio "riding on" a DC voltage, then
the
>>ADC will produce a non-zero average.  It is unrelated to using two EDPs
>>together.
>
>NONO!
>
>The ADC offset is corrected automatically when the unit is in Reset.
>
>What we adjust with said procedure is the offset of the VCA controlling the
>input. If its dejusted, you get a click when switching Overdub or some
>other functions.
>
>
>

From Loopers-Delight-request@annihilist.com  Mon May 10 11:24:02 1999
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From: billfox@lucent.com
Date: Mon, 10 May 1999 10:13:09 -0400 (EDT)
Message-Id: <199905101413.KAA05790@badboy.micro.lucent.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Markus Reuter - New CD
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Lee Fletcher said:
> I would like to recommend some listening which I'm sure will appeal to
> many others on this list...
> Markus Reuter & Ian Boddy - Distant Rituals (DiN Records)

I've already started playing this CD and the other three DiN releases
upon my return from attending the 6th Alfa-Centauri EM Festival in
Huizen, the Netherlands.  Please see my April 22 playlist and the two
weeks following it.

Bill	home: billfox@fast.net	work: BillFox@lucent.com
==============================================================================
Host of Emusic, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
==============================================================================
My radio show:	http://www.wdiyfm.org
My band site:	http://www.crosswinds.net/allentown/~shadowplay

"Those little boys don't think too much about what they say... (And how
can they know what they mean before they hear what they say?)"
- Heike M. Madder

From Loopers-Delight-request@annihilist.com  Mon May 10 11:27:19 1999
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> I've already started playing this CD and the other three DiN releases

Oops! that's TWO other releases, not three.  Sorry.

Bill

From Loopers-Delight-request@annihilist.com  Mon May 10 12:35:04 1999
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Date: Mon, 10 May 1999 11:15:02 -0400
To: Loopers-Delight@annihilist.com
From: Michael Tuminello <m1cha3l@earthlink.net>
Subject: OT:  used pedals in NYC
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Hey - 

Anyone got any advice about where to look for used pedals in NY or via the
web?  I am specifically looking for a ProCo Rat and an Electro-Harmonix
Guitar Synth, but I'm always open to new gizmos and more just looking for
places to stop by on the weekend and check out.   (I'm saving for an EDP
first, anyway).

Thanks,

MT

From Loopers-Delight-request@annihilist.com  Mon May 10 13:10:02 1999
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Date: Mon, 10 May 1999 11:22:58 -0500 (CDT)
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From: james rhodes <sharkey@texas.net>
Subject: Daddy Monkey @ The Blue Star art complex 5/14/99
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hello fellow list members,

wanted to take a minute to plug a gig this friday night here in San Antonio.
Daddy Monkey will be playing at the Joan Grona Art Gallery 8-10:00pm,
located in the Blue Star Art Complex
Home of the Blue Star Brewery 1414 S Alamo. for those who have'nt seen us in
a while,,i no longer play electric bass  with Daddy Monkey,,,just Double
bass (upright)...so if you are in the area,,please drop by ,,sample the
micro-brew,,,and enjoy an evening of industrial jazz improv


thanks for reading this plug

james

From Loopers-Delight-request@annihilist.com  Mon May 10 14:17:28 1999
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From: "Wordsman, Lee" <LWordsman@PIRNIE.COM>
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Subject: RE: used pedals in NYC
Date: Mon, 10 May 1999 13:17:30 -0400
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Toys from the Attic in White Plains, NY sells vintage equipment (at vintage
equipment prices)  The had a guitar synth a while back but may have sold it
since.  They may still have a Proco Rat.  They have a web site at
http://www.tfta.com.  I bought my 4 sec time machine ($125) and Schecter
SuperStrat ($225) there.  Both were pretty good deals but I've seen other
stuff that I though was over priced.  

> -----Original Message-----
> From: Michael Tuminello [mailto:m1cha3l@earthlink.net]
> Sent: Monday, May 10, 1999 11:15 AM
> To: Loopers-Delight@annihilist.com
> Subject: OT: used pedals in NYC
> 
> 
> Hey - 
> 
> Anyone got any advice about where to look for used pedals in 
> NY or via the
> web?  I am specifically looking for a ProCo Rat and an 
> Electro-Harmonix
> Guitar Synth, but I'm always open to new gizmos and more just 
> looking for
> places to stop by on the weekend and check out.   (I'm saving 
> for an EDP
> first, anyway).
> 
> Thanks,
> 
> MT
> 

From Loopers-Delight-request@annihilist.com  Mon May 10 15:15:42 1999
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Michael Tuminello wrote:
> 
> Anyone got any advice about where to look for used pedals in NY or via the
> web?  I am specifically looking for a ProCo Rat and an Electro-Harmonix
> Guitar Synth, but I'm always open to new gizmos and more just looking for
> places to stop by on the weekend and check out.   (I'm saving for an EDP
> first, anyway).

  Absolutely. Contact The Pedalman! Romain Bidaut is the Pedalman at
Anatomy Guitars, 332 Bleeker St., Suite K108, New York, NY 10014;
212-802-7279. pedalman@pedalman.com  http://www.pedalman.com
  Tell him Mike at Boomerang sent you. Good luck with your search.

From Loopers-Delight-request@annihilist.com  Mon May 10 15:15:47 1999
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In a message dated 5/10/99 11:35:02 AM Central Daylight Time, 
m1cha3l@earthlink.net writes:

<< Anyone got any advice about where to look for used pedals in NY or via the
 web?  I am specifically looking for a ProCo Rat and an Electro-Harmonix
 Guitar Synth >>

I'd buy an issue of Vintage Guitar at Borders, or check their website.  (Is 
it vguitar.com?)  Or else try the pawnshops, especially in college towns.  (I 
bought my Rat in 1984 that way.)  NYC is where everything remotely musical is 
more expensive, in my judgment.  

K

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> > Hey -
> > Anyone got any advice about where to look for used pedals in
> > NY or via the web?  I am specifically looking for a ProCo Rat and an
> > Electro-Harmonix Guitar Synth, but I'm always open to new gizmos and more just
> > looking for places to stop by on the weekend and check out.   (I'm saving
> > for an EDP first, anyway).


In NYC Rogue Music has a slew of VINATGE!! items. Foirtunately they also
carry new lines as well at decent prices. I'm sure they carry the
reissue EH pedeal s(mircosynth et all) and might have some originals in
as well.

www.roguemusic.com

on the web you might want to check out music central. They claim to beat
anyone's prices on new stuff and carry a lot of interesting things
including the Zvex line.
http://www.primenet.com/~mika/MusicCentral/

-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Mon May 10 22:44:42 1999
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Date: Mon, 10 May 1999 18:18:08 -0700
From: Clifford Novey <clifsound@earthlink.net>
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Hi all-

I had a couple of questions for EDP owners-

1- Do you ever get a problem when first turning the unit on where you
have to turn it off and on again to get it to start properly

2- I recorded an acoustic guitar the other day and in about 5 or 10
minutes the loop had degraded into a noisy mess- loud and noisy-
feedback is all the way up etc- never had the problem before-

3- Is there a warranty of any sort? i did not receive any info with my
unit other than the manual-

Much thanks-

Cliff Novey

http://home.earthlink.net/~clifsound/sounds.htm

From Loopers-Delight-request@annihilist.com  Mon May 10 23:02:36 1999
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: experiments-5th grade science
Date: Mon, 10 May 1999 20:54:54 -0500
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hey, I was out of town and was wondering . . .

did any of these yahoos give you any straight advice ;)  ?

well, here's the skinny (and I have a bachelor's degree in Science)

spin the eggs--hard boiled will spin longer than soft or uncooked

hope you get this in time so your progeny's scholastic record dosen't
flatline . . .

(mothers . . . don't let your BABIES grow up too be LOOPERS)

Tom Lambrecht
hideo@concentric.net


-----Original Message-----
From: brilmar <brilmar@cwix.com>
To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
Date: Friday, May 07, 1999 10:04 PM
Subject: experiments-5th grade science


>I hope this is the right place to ask?????????
>
>My son needs a "science experiment :: how to tell the difference between a
>hard and soft boiled egg?
>
>Can you help, us??
>
>5th grade science.........w/details and measurements. Thank You so much.
>
>Tyler & Jo Ann Martin
>
>

From Loopers-Delight-request@annihilist.com  Tue May 11 00:20:10 1999
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Date: Mon, 10 May 1999 22:23:43 -0500
From: "James H. Sidlo" <jameshsidlo@stic.net>
Organization: James H. Sidlo
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Hello,
        I'm planning on getting a computer for recording. I'd like to
use The Mark of the Unicorn soft/hardware setup. What would be a sound
card to get to support this?? All comments welcome!!
                                                    Thanks, James

From Loopers-Delight-request@annihilist.com  Tue May 11 07:10:35 1999
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From: PJBMHB@aol.com
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Date: Tue, 11 May 1999 06:47:54 EDT
Subject: i just received the east coast tape
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tapeheads,
	remind me again, are we supposed to use noise reduction or not? how 
long can our piece be? and who am i supposed to send it to? someone is on 
vacation. who is that? also, am i allowed to listen to the other pieces on 
the tape or not? how many days do i have to tape something before i send it 
out? i am sure all these things have discussed already. sorry for my lack of 
retention. 

feeling a bit slow these days, =-) PJ

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From: Phaedebk@aol.com
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Date: Tue, 11 May 1999 07:24:58 EDT
Subject: Re: PC vs. Mac for recording
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Dear James,

	Unless Mark of the Unicorn has drastically changed their views on 
computers, you'll only be able to use a Mac with their hardware/software...  
Also, what type of box do you have, as that will make a majour difference as 
to what cards you can use/purchase, along with what OS and version you are 
running on your Mac.  Also, I believe that MOTU has their own interface card 
(PCI) for their equipment.  
	The last time I dealt with MOTU and a Mac was back about 3 to 4 years 
ago, and it was on a tricked out PPC8100/120 with way too much RAM and Avid 
HDD's, and all it did was HDD recording/editing for audio.  I was very 
impressed with the setup, but I spent more time fighting with the OS and the 
box, than getting time to play with the editing/control features/functions.  
It was hardly plug and play, but then again, it really shouldn't be at that 
level, to be honest...

	If you decide to go to the WIntel or UNIX side, let me know, as in 
these two, I have a bit more experience and knowledge.  Recommend NT4.0WS w. 
SvcPk3 or '98 on the WIntel side.  Go with one of the IRIX variants for SGI 
audio on the UNIX side.  If you're into MOD file generation, then SuSE, 
Caldera, or even Red Hat Linux is the better choice.

	Hope this helps.
	Tchus,

		Lee-ohki.

	  

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To: Loopers-Delight@annihilist.com
From: Leo Cavallo <cavallo@dada.it>
Subject: Re: PC vs. Mac for recording
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At 22.23 10/05/99 -0500, you wrote:
>Hello,
>        I'm planning on getting a computer for recording. I'd like to
>use The Mark of the Unicorn soft/hardware setup. What would be a sound
>card to get to support this?? All comments welcome!!
>                                                    Thanks, James

although their products are multi platform, MOTU seems to supports a little
more MAC users.
I've got a PC/MOTU2408 and it's really great, but on MAC is still better.
I'd like to use digital performer or Audiodesk (bundled with the 2408)...
but it's only for Mac. 

If you have to build your setup get a Mac. 
If you wanna do some pro recording get a Mac (more for the stability thing,
not for audio quality: I can get really good results with PC too).

maybe you'll have less little creative progs, but for serious HD recording
it's not so important.

ciao
leo

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Date: Tue, 11 May 1999 08:51:54 -0400
To: Loopers-Delight@annihilist.com
From: Floyd Miller <floyd@voicenet.com>
Subject: Re: PC vs. Mac for recording
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At 07:24 AM 5/11/99 -0400, Phaedebk@aol.com wrote:
>Dear James,
>
>	Unless Mark of the Unicorn has drastically changed their views on 
>computers, you'll only be able to use a Mac with their hardware/software...

Not true, at least as far as MOTU hardware.  The 2048 hard-disk recording
system is supported on both MAC and PC.  Their Mdid and Audio software,
however is only supported on Macintosh.

As far as choosing which platform to use, you will do best to choose
the one you are most comfortable working with, as long as the software you
want to use is available for it.



**************** 
  ********** Floyd Miller
    ****** floyd@voicenet.com
     **** http://www.voicenet.com/~floyd
      ** http://www.studiodust.com

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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: EDP Question
Date: Tue, 11 May 1999 09:17:37 -0500
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Howdy, Cliff.  Hope I can answer some of your questions.

-----Original Message-----
From: Clifford Novey <clifsound@earthlink.net>
To: Loopers <Loopers-Delight@annihilist.com>
Date: Monday, May 10, 1999 9:51 PM
Subject: EDP Question


>1- Do you ever get a problem when first turning the unit on where you
>have to turn it off and on again to get it to start properly


I've never had a problem like this.  What does your EDP do when it starts
improperly?

>2- I recorded an acoustic guitar the other day and in about 5 or 10
>minutes the loop had degraded into a noisy mess- loud and noisy-
>feedback is all the way up etc- never had the problem before-


Make sure you don't have OVERDUB on.  If the EDP thinks it's overdubbing, it
reduces the current loop's amplitude by some amount (10% I think) each
iteration.  This is to allow room for the new overdubbed signal.  If you're
NOT overdubbing, the original contents of the loops will eventually be
replaced by the new ambient input.

>3- Is there a warranty of any sort? i did not receive any info with my
>unit other than the manual-


I think there is but don't take my word for it.  I'm away from my paperwork
right now.  And I'm not an authority on this.

Dennis Leas
-----------------------------
dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Tue May 11 13:07:46 1999
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From: Bien Appraisers <clifsound@earthlink.net>
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Subject: RE: EDP Question
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Thanks Dennis- I will give more details when I get home- I appreciate your 
help- I don't think I had Overdub on though- I have been using it plenty 
with electric- but let me get home from work and get you some better 
details-

Cliff

----------
From: 	Dennis W. Leas[SMTP:dennis@mdbs.com]
Sent: 	Tuesday, May 11, 1999 7:17 AM
To: 	Loopers-Delight@annihilist.com
Subject: 	Re: EDP Question

Howdy, Cliff.  Hope I can answer some of your questions.

-----Original Message-----
From: Clifford Novey <clifsound@earthlink.net>
To: Loopers <Loopers-Delight@annihilist.com>
Date: Monday, May 10, 1999 9:51 PM
Subject: EDP Question


>1- Do you ever get a problem when first turning the unit on where you
>have to turn it off and on again to get it to start properly


I've never had a problem like this.  What does your EDP do when it starts
improperly?

>2- I recorded an acoustic guitar the other day and in about 5 or 10
>minutes the loop had degraded into a noisy mess- loud and noisy-
>feedback is all the way up etc- never had the problem before-


Make sure you don't have OVERDUB on.  If the EDP thinks it's overdubbing, 
it
reduces the current loop's amplitude by some amount (10% I think) each
iteration.  This is to allow room for the new overdubbed signal.  If you're
NOT overdubbing, the original contents of the loops will eventually be
replaced by the new ambient input.

>3- Is there a warranty of any sort? i did not receive any info with my
>unit other than the manual-


I think there is but don't take my word for it.  I'm away from my paperwork
right now.  And I'm not an authority on this.

Dennis Leas
-----------------------------
dennis@mdbs.com






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From: Kriist@aol.com
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Date: Tue, 11 May 1999 12:24:05 EDT
Subject: a nonloopy transtrem question
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i know this isnt a steinberger list but im more than certain theres a good 
amount of you all out there that have them
i have a gmpro
the other day i got together with a friend that has a floydrose on his guitar
he was getting all of this great gargling stuff by hitting it when playing
now the transtrem is way too stiff to wiggle
my question is...
has anyone body modified their trem(i.e. cut the spring , or changed the 
spring)
to make it more.......springy?

thanks
rodrigo

From Loopers-Delight-request@annihilist.com  Tue May 11 13:35:37 1999
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Reply-To: "Stephen P. Goodman" <sgoodman@earthlight.net>
From: "Stephen P. Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
References: <2.2.32.19990511123056.0069a538@mail.dada.it>
Subject: Re: PC vs. Mac for recording
Date: Tue, 11 May 1999 09:38:00 -0700
Organization: EarthLight Productions
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Hi Folks! (he intoned, avoiding the eternal self-abuse of platform
arguments)

Like the others said, if all one wants is a particular package, and it only
runs on Mac, then you've already made your decision, without our input -
though it remains to be seen how long Mac will exist in its present form...

However!  On the subject of EIDE vs. SCSI CD-R and CD-RW drives, I've got
something really important to pass along...

The final verdict on EIDE in this regard is in, and it's a technical reality
as opposed to a preference.  It turns out that Bus Mastering - AND UDMA -
cause the machine to go much faster than EIDE CD burners were designed to
go.  This is the simple version from Smart and Friendly support, after a
torrid week going through multiple units to see which works.  Regardless of
SCSI lovers I decided I was going to try to keep this essentially foreign
bios out of my PC if at all possible, but would relent if necessary.  Well,
it turns out that it's necessary.

** WARNING!  OPINION PROXIMITY ALERT! **

Ugh, frankly.  Goodbye to Yet Another Interrupt (though I've free ones, so
that part is relatively painless), and hello to a lengthier boot process.
Alas.

** END OF OPINION **

Stephen Goodman * It's the Loop of the Week!
EarthLight Productions * http://www.earthlight.net

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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
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Subject: RE: a nonloopy transtrem question
Date: Tue, 11 May 1999 10:17:54 -0700
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No luck, AFAIK. The little rollers and all the other crap in the trans trem
will stop you from doing that 'whammy bar' stuff.


bIz

-----Original Message-----
From: Kriist@aol.com [mailto:Kriist@aol.com]
Sent: Tuesday, May 11, 1999 9:24 AM
To: Loopers-Delight@annihilist.com
Subject: a nonloopy transtrem question


i know this isnt a steinberger list but im more than certain theres a good
amount of you all out there that have them
i have a gmpro
the other day i got together with a friend that has a floydrose on his
guitar
he was getting all of this great gargling stuff by hitting it when playing
now the transtrem is way too stiff to wiggle
my question is...
has anyone body modified their trem(i.e. cut the spring , or changed the
spring)
to make it more.......springy?

thanks
rodrigo


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From: toukol@mindspring.com
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Subject: Homeworkers Needed!
Date: Tue, 11 May 1999 08:29:42
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to 10 days. Cash and Money Orders will result in faster shipping 
of your package.
 
 
 
 
 
 
 
 
 

From Loopers-Delight-request@annihilist.com  Tue May 11 18:33:26 1999
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Date: Tue, 11 May 1999 16:22:55 -0500
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From: Travis Weller <tcweller@purity.com>
Subject: midi looping hardware
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hello,

without getting into the hardware vs. software argument, i'm interested in
finding a hardware (non-computer) solution for overdubbing MIDI events in a
similar way in which the EDP overdubs audio.

the software sequencer i'm currently using (cubase vst on mac) accomplishes
this quite well. set a loop length, start it playing, toggle record
(overdub) on and off as needed. the ability to switch and mute tracks (like
the Alesis MMT-8) would be a big plus. the only catch is: it's on a
computer.

i know from reading this list for a while that many of you use the EDP or
similar overdubbing loop devices. i also know that many of you are MIDI
users. i've seen some good discussions about software vs. hardware
solutions for music creation. so it seems like there would be at least a
few of you who may already be using from something like this.

does anyone know of such a device, or know for sure that one does not exist?

thanks,
travis.


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Date: Tue, 11 May 1999 23:41:15 +0200
To: taptalk@progrock.net, Loopers-Delight@annihilist.com,
        stickwire-l@netcom.com, mreuter@post.uni-bielefeld.de, alaintap@spa.es,
        familia.poveda@mad.servicom.es, c.jorda@arrakis.es,
        kuno.tap@t-online.de
From: =?iso-8859-1?Q?Ra=FCl?= Bonell =?iso-8859-1?Q?Tom=E0s?=
  <rauboto@dragonet.es>
Subject: one more MP3 file
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hi friends !

Just another one ...

	"Lligant el Perfum"

http://www.dragonet.es/users/d3055/slollnoirc/lep.mp3


love.peace.bye

R.

////////////////////////////////////////////////////////////////////////////=
////////
Ra=FCl Bonell Tom=E0s    <rauboto@dragonet.es>=20
http://www.dragonet.es/users/d3055/slollnoirc
////////////////////////////////////////////////////////////////////////////=
////////

From Loopers-Delight-request@annihilist.com  Tue May 11 18:52:33 1999
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From: floyd@voicenet.com
Date: 11 May 1999 21:45:46 -0000
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Apparently our beloved list has made it onto one of the
spammers-delight lists.

Please, Kim, configure the list to not allow posts from non-members.
Those folks you mentioned that send info to the list should join up anyway.

From Loopers-Delight-request@annihilist.com  Tue May 11 19:47:28 1999
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Date: Tue, 11 May 1999 15:45:42 -0700
From: Clifford Novey <clifsound@earthlink.net>
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OFF, I meant I had Overdub OFF- duh-  ;)

Cliff

Bien Appraisers wrote:

> Thanks Dennis- I will give more details when I get home- I appreciate your
> help- I don't think I had Overdub on though- I have been using it plenty
> with electric- but let me get home from work and get you some better
> details-
>
> Cliff
>
> ----------
> From:   Dennis W. Leas[SMTP:dennis@mdbs.com]
> Sent:   Tuesday, May 11, 1999 7:17 AM
> To:     Loopers-Delight@annihilist.com
> Subject:        Re: EDP Question
>
> Howdy, Cliff.  Hope I can answer some of your questions.
>
> -----Original Message-----
> From: Clifford Novey <clifsound@earthlink.net>
> To: Loopers <Loopers-Delight@annihilist.com>
> Date: Monday, May 10, 1999 9:51 PM
> Subject: EDP Question
>
> >1- Do you ever get a problem when first turning the unit on where you
> >have to turn it off and on again to get it to start properly
>
> I've never had a problem like this.  What does your EDP do when it starts
> improperly?
>
> >2- I recorded an acoustic guitar the other day and in about 5 or 10
> >minutes the loop had degraded into a noisy mess- loud and noisy-
> >feedback is all the way up etc- never had the problem before-
>
> Make sure you don't have OVERDUB on.  If the EDP thinks it's overdubbing,
> it
> reduces the current loop's amplitude by some amount (10% I think) each
> iteration.  This is to allow room for the new overdubbed signal.  If you're
> NOT overdubbing, the original contents of the loops will eventually be
> replaced by the new ambient input.
>
> >3- Is there a warranty of any sort? i did not receive any info with my
> >unit other than the manual-
>
> I think there is but don't take my word for it.  I'm away from my paperwork
> right now.  And I'm not an authority on this.
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com

From Loopers-Delight-request@annihilist.com  Tue May 11 22:05:49 1999
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From: Hawkeye255@aol.com
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Date: Tue, 11 May 1999 21:02:32 EDT
Subject: Re: midi looping hardware
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I<< without getting into the hardware vs. software argument, i'm interested in
 finding a hardware (non-computer) solution for overdubbing MIDI events in a
 similar way in which the EDP overdubs audio.>>

I do overdubbing similar to what you describe on my Roland MC50 sequencer 
(used $200).  I can setup locate points or simply use 'loop play' mode and 
mute tracks or add tracks on each iteration.  Along with my MC50, an EDP, a 
Korg Prophecy and a Korg X5DR module, I can do some amazing things all on my 
lonesome.  Even though I've had one for 5 whole months, I've finally learned 
enough about my SP-808 (loaded with ambient and vocal samples) to throw it 
into the mix now and that's going very well.  It is a really great machine, 
despite some of the negative comments I've heard.  But the 'Boss' of the 
outfit is the MC50 (with a little help from me).

BTW: many of the samples I use on the SP-808 were created with my EDP.  I 
understand, as well, that Roland has just come out with a monster, new 
sequencer, the MC80. eat your heart out time...again!

Bill 'Hawkeye' Reiter  

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To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Sync diagram
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>Thanks, Matthias, for clarifying this.  You know, a block diagram would be
>helpful.  Perhaps with a flowchart of how the EDP decides to sync to what.
>Ok, I won't beg.  But I can offer you half a Mars bar.

...to glue my teeth together? And a cola to clean it out? OK.
I made such a diagram for the LOOP delay manual and its still valid.
Kim promissed to stick that onto the site ? Maybe just the diagram?


From Loopers-Delight-request@annihilist.com  Wed May 12 08:00:11 1999
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Date: Wed, 12 May 1999 13:36:12 +0200
From: Malhomme <malhomme@vete.ucl.ac.be>
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Organization: NOPE
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Subject: motu, mac and PC
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MOTU claims that with an off the shelf G3 @450 mHz and a
2048, you can read up to 72 audio tracks. I do myself work
on an "old" (1 year and an half old, so that makes it
almoste prehistoric) 604e Mac clone @ 210 mHz with a single
HD and I have up to 18 audio tracks. Sometimes 22, if  I
don't aply effects in real time. that without sound card.

I'd say that both platforms now are successful in audio.
Maybe PC with diversity of the moteher boards will give more
hassle in the choice of the right machine with the right
components (most of troubles I see in the diverse mailing
lists for any soft usually comes from PC users).

If it was possible I would anyway work under BeOS
environment.


Olivier Malhomme

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Date: Wed, 12 May 1999 08:53:47 +0000
From: bethany cassin <bcassin@iconcapital.com>
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Sure, but only if I can include fliers for upcoming gigs.

toukol@mindspring.com wrote:

> Dear Future Associate,
>
> You Can Work At Home & Set Your Own Hours.  Start earning Big
> Money in a short time
>
>                                     NO Newspaper Advertising!
>
> Your job will be to stuff and mail envelopes for our company. You
> will receive $.25 for each and every envelope you stuff and mail
> out.
>
> Just follow our simple instructions and you will be making money
> as easy as
> 1… 2… 3
>
> For example stuff and mail 200 envelopes and you will receive
> $50.00. Stuff and mail 1000 and you will receive $250.00. Stuff
> and mail 2000 and you will receive $500.00 and more
>
> Never before has there been an easier way to make money from
> home!
>
> Our Company's Home Mailing Program is designed for people with
> little or no experience and provides simple, step by step
> instructions.
>
> There is no prior experience or special skills necessary on your
> part, Just stuffing envelopes.
>
> We need the help of honest and reliable home workers like you.
> Because we are overloaded with work and have more than our staff
> can handle. We have now expanded our mailing program and are
> expecting to reach millions more with our offers throughout the
> US and Canada.
>
> Our system of stuffing and mailing envelopes is very simple and
> easy to do!
> You will not be required to buy envelopes or postage stamps.
>
> We will gladly furnish all circulars at no cost to you. We assure
> you that as a participant in our program you will never have to
> mail anything objective or offensive.
>
> There are no quotas to meet, and there no contracts to sign. You
> can work as much, or as little as you want. Payment for each
> envelope you send out is Guaranteed!
>
> Here is what you will receive when you get your first Package.
> Inside you will find 100 envelopes, 100 labels and 100 sales
> letters ready to stuff and mail
>
> As soon as you are done with stuffing and mailing these first
> letters, your payment will arrive shortly, thereafter. All you
> have to do is to order more free supplies and stuff and mail more
> envelopes to make more money.
>
> Our sales literature which you will be stuffing and mailing will
> contain
> information outlining our highly informative manuals that we are
> advertising nationwide.  As a free gift you will receive a
> special manual valued at  $24.95, absolutely free, just for
> joining our Home Mailers Program.
>
> Plus you will get your own special code number, so that we will
> know how much you are to get paid.  And to make re-ordering of
> more envelopes, that our company supplies very simple for you.
>
> We are giving you this free bonus because we want you to be
> confident in our company and to ensure that we will be doing
> business with you for a long time.
>
> Benefits Of This Job:
>
> 1. You do not have to quit your present job, to earn more money
> at home
> 2. You can make between $2,500 to $4,500 a month depending on the
> amount of time you are willing to spend stuffing and mailing
> envelopes
> 3. This is a great opportunity for the students, mothers,
> disabled persons or those who are home bodies.
>
> To secure your position and to show us that you are serious about
> earning extra income at home we require a one-time registration
> fee of $35.00.
> This fee covers the cost of your initial start up package,  which
> includes 100 envelopes, 100 labels and 100 sales letters and a
> manual, your registration fee will be refunded back to you
> shortly thereafter.
>
> Money Back Guarantee!
>
> We guarantee that as soon as you stuff and mail your first 300
> envelopes You will be paid $75.00 and your registration fee will
> be refunded.
>
> Many of you wonder why it is necessary to pay a deposit to get a
> job. It is because we are looking for people that seriously want
> to work from home.
>
> *  If 3.000 people told us they wanted to start working from home
> and we sent out 3.000 packages free to every one.  And then half
> of the people decided not to work, this would be a potential loss
> of more than $60,000 in supply's and shipping that we have sent
> out to people that don't want to work
>
> We have instituted this policy to make sure that you really want
> to work and at least finish your first package.
>
> To Get Started Today Please Enclose Your Registration Fee of $35
> Check,Cash Or Money Order and fill out the application below and
> mail to:
>
> AHWA CO
> Pmb
> 1928 E. Highland Blvd
> Ste #F104-902
> Phoenix, Az 85016
>
> Name_____________________________________________________
>
> Address___________________________________________________
>
> City____________________________________ State______________
>
> Zip Code________________
>
> Telephone Number(s)_________________________________________
>
> E-mail Address______________________________________________
>
> For all orders, please allow seven (7) days for delivery and up
> to 10 days. Cash and Money Orders will result in faster shipping
> of your package.
>
>
>
>
>
>
>
>



From Loopers-Delight-request@annihilist.com  Wed May 12 10:55:56 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: Sync diagram
Date: Wed, 12 May 1999 08:53:23 -0500
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Sorry about the Mars bar reference.  It's a thread from another list and I
was temporarily dis-oriented. :)  (Really, it's just temporary!)

I can't find the diagram on the website.  (Kim, help!)  BTW, the link
http://www.annihilist.com/loop/tips/Plhints.html#hint13 mentions the BREAK
key.  I see this is a key on the original Paradis LoopDelay.  What is the
equivalent on the EDP?

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: Matthias Grob <matthias@grob.org>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, May 12, 1999 3:14 AM
Subject: Sync diagram


>>Thanks, Matthias, for clarifying this.  You know, a block diagram would be
>>helpful.  Perhaps with a flowchart of how the EDP decides to sync to what.
>>Ok, I won't beg.  But I can offer you half a Mars bar.
>
>...to glue my teeth together? And a cola to clean it out? OK.
>I made such a diagram for the LOOP delay manual and its still valid.
>Kim promissed to stick that onto the site ? Maybe just the diagram?


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Brilliant!  Mailing lists are so expensive.

N

On Wed, 12 May 1999, bethany cassin wrote:

> Sure, but only if I can include fliers for upcoming gigs.
>=20
> toukol@mindspring.com wrote:
>=20
> > Dear Future Associate,
> >
> > You Can Work At Home & Set Your Own Hours.  Start earning Big
> > Money in a short time
> >
> >                                     NO Newspaper Advertising!
> >
> > Your job will be to stuff and mail envelopes for our company. You
> > will receive $.25 for each and every envelope you stuff and mail
> > out.
> >
> > Just follow our simple instructions and you will be making money
> > as easy as
> > 1=85 2=85 3
> >
> > For example stuff and mail 200 envelopes and you will receive
> > $50.00. Stuff and mail 1000 and you will receive $250.00. Stuff
> > and mail 2000 and you will receive $500.00 and more
> >
> > Never before has there been an easier way to make money from
> > home!
> >
> > Our Company's Home Mailing Program is designed for people with
> > little or no experience and provides simple, step by step
> > instructions.
> >
> > There is no prior experience or special skills necessary on your
> > part, Just stuffing envelopes.
> >
> > We need the help of honest and reliable home workers like you.
> > Because we are overloaded with work and have more than our staff
> > can handle. We have now expanded our mailing program and are
> > expecting to reach millions more with our offers throughout the
> > US and Canada.
> >
> > Our system of stuffing and mailing envelopes is very simple and
> > easy to do!
> > You will not be required to buy envelopes or postage stamps.
> >
> > We will gladly furnish all circulars at no cost to you. We assure
> > you that as a participant in our program you will never have to
> > mail anything objective or offensive.
> >
> > There are no quotas to meet, and there no contracts to sign. You
> > can work as much, or as little as you want. Payment for each
> > envelope you send out is Guaranteed!
> >
> > Here is what you will receive when you get your first Package.
> > Inside you will find 100 envelopes, 100 labels and 100 sales
> > letters ready to stuff and mail
> >
> > As soon as you are done with stuffing and mailing these first
> > letters, your payment will arrive shortly, thereafter. All you
> > have to do is to order more free supplies and stuff and mail more
> > envelopes to make more money.
> >
> > Our sales literature which you will be stuffing and mailing will
> > contain
> > information outlining our highly informative manuals that we are
> > advertising nationwide.  As a free gift you will receive a
> > special manual valued at  $24.95, absolutely free, just for
> > joining our Home Mailers Program.
> >
> > Plus you will get your own special code number, so that we will
> > know how much you are to get paid.  And to make re-ordering of
> > more envelopes, that our company supplies very simple for you.
> >
> > We are giving you this free bonus because we want you to be
> > confident in our company and to ensure that we will be doing
> > business with you for a long time.
> >
> > Benefits Of This Job:
> >
> > 1. You do not have to quit your present job, to earn more money
> > at home
> > 2. You can make between $2,500 to $4,500 a month depending on the
> > amount of time you are willing to spend stuffing and mailing
> > envelopes
> > 3. This is a great opportunity for the students, mothers,
> > disabled persons or those who are home bodies.
> >
> > To secure your position and to show us that you are serious about
> > earning extra income at home we require a one-time registration
> > fee of $35.00.
> > This fee covers the cost of your initial start up package,  which
> > includes 100 envelopes, 100 labels and 100 sales letters and a
> > manual, your registration fee will be refunded back to you
> > shortly thereafter.
> >
> > Money Back Guarantee!
> >
> > We guarantee that as soon as you stuff and mail your first 300
> > envelopes You will be paid $75.00 and your registration fee will
> > be refunded.
> >
> > Many of you wonder why it is necessary to pay a deposit to get a
> > job. It is because we are looking for people that seriously want
> > to work from home.
> >
> > *  If 3.000 people told us they wanted to start working from home
> > and we sent out 3.000 packages free to every one.  And then half
> > of the people decided not to work, this would be a potential loss
> > of more than $60,000 in supply's and shipping that we have sent
> > out to people that don't want to work
> >
> > We have instituted this policy to make sure that you really want
> > to work and at least finish your first package.
> >
> > To Get Started Today Please Enclose Your Registration Fee of $35
> > Check,Cash Or Money Order and fill out the application below and
> > mail to:
> >
> > AHWA CO
> > Pmb
> > 1928 E. Highland Blvd
> > Ste #F104-902
> > Phoenix, Az 85016
> >
> > Name_____________________________________________________
> >
> > Address___________________________________________________
> >
> > City____________________________________ State______________
> >
> > Zip Code________________
> >
> > Telephone Number(s)_________________________________________
> >
> > E-mail Address______________________________________________
> >
> > For all orders, please allow seven (7) days for delivery and up
> > to 10 days. Cash and Money Orders will result in faster shipping
> > of your package.
> >
> >
> >
> >
> >
> >
> >
> >
>=20
>=20
>=20
>=20

From Loopers-Delight-request@annihilist.com  Wed May 12 13:42:03 1999
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X-Mailer: Microsoft Outlook Express Macintosh Edition - 4.5 (0410)
Date: Wed, 12 May 1999 12:02:21 -0500
Subject: FS: JamMan $350, 32 sec, Harmony Central
From: "Travis Hartnett" <hartne.t@apple.com>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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Respond to e-mail in ad, not to sender:



FS:Lexicon JamMan

Asking Price: US$350
Condition: Mint
Age: N/A
Description:

       Lexdicon JamMan Delay Looper . With memory upgrade of 32 Seconds.
       Mint with Dual footswitch, AC adapter, and manual.
       $350 plus shipping.

Seller: Ken Volpe, 203/966-2096
E-mail: kjvguitar@aol.com (Profile)
Post Date: 5/12/99

From Loopers-Delight-request@annihilist.com  Wed May 12 13:58:32 1999
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Message-ID: <19990512172707.46158.qmail@hotmail.com>
X-Originating-IP: [206.183.230.74]
From: "Jeremy Martin" <ap2five@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: SYB-3 Bass Synthesizer
Date: Wed, 12 May 1999 10:27:07 PDT
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I'm interested in the Boss Bass Synthesizer and i'd like to know how old it 
is and if the 5 year warranty would still be in effect.  thankyou.

                        -Jeremy Martin



_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

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Reply-To: <jonathan@full-moon.com>
From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: JamMan $350, 32 sec, Harmony Central
Date: Wed, 12 May 1999 10:40:05 -0700
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Argh - I was hoping to keep this one to myself :>

bIz


-----Original Message-----
From: Travis Hartnett [mailto:hartne.t@apple.com]
Sent: Wednesday, May 12, 1999 10:02 AM
To: Looper's Delight
Subject: FS: JamMan $350, 32 sec, Harmony Central


Respond to e-mail in ad, not to sender:



FS:Lexicon JamMan

Asking Price: US$350
Condition: Mint
Age: N/A
Description:

       Lexdicon JamMan Delay Looper . With memory upgrade of 32 Seconds.
       Mint with Dual footswitch, AC adapter, and manual.
       $350 plus shipping.

Seller: Ken Volpe, 203/966-2096
E-mail: kjvguitar@aol.com (Profile)
Post Date: 5/12/99


From Loopers-Delight-request@annihilist.com  Wed May 12 15:08:00 1999
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: MPC3000
Date: Wed, 12 May 1999 10:41:27 -0700
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Hi guys,

	Has anyone hear had any experience with this box? Some told me that they
had seen someone using it for live looping. Is this possible? Can it record
and sample in realtime? Expensive looper, yes, but probably a pretty kicking
live sample tool too.

Thanks,

bIz

From Loopers-Delight-request@annihilist.com  Wed May 12 15:39:40 1999
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Date: Wed, 12 May 1999 15:30:40 +0200
From: Cummings <r_t_cummings@csi.com>
X-Mailer: Mozilla 4.03 [de] (Win95; I)
MIME-Version: 1.0
To: Loopers-Delight@annihilist.com
Subject: Re: Homeworkers Needed!
References: <000401be9bf0$18a86ce0$a2b8aacc@seanix>
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a lot of ATTACK with just practically no SUSTAIN ...

RELEASE us from this DECAY please kim ...

maybe we can put the burnt ashes of a tacoma guitar in the envelopes and
mail them to the SALESMEN on this list ... :-)

feeling nasty after all this spam, <:~|>

-the man cable-

Steven Perry wrote:
> 
> Now, are these pitch envelopes or amplitude envelopes?
> 
> -----Original Message-----
> From: toukol@mindspring.com <toukol@mindspring.com>
> To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
> Date: Tuesday, May 11, 1999 4:42 PM
> Subject: Homeworkers Needed!
> 
> >Dear Future Associate,
> >
> >You Can Work At Home & Set Your Own Hours.  Start earning Big
> >Money in a short time
> >
> >                                    NO Newspaper Advertising!
> >
> >Your job will be to stuff and mail envelopes for our company. You
> >will receive $.25 for each and every envelope you stuff and mail
> >out.

<snip>




From Loopers-Delight-request@annihilist.com  Wed May 12 15:44:15 1999
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From: billfox@lucent.com
Date: Wed, 12 May 1999 14:36:35 -0400 (EDT)
Message-Id: <199905121836.OAA10400@badboy.micro.lucent.com>
To: Loopers-Delight@annihilist.com
Subject: Re: midi looping hardware
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Bill 'Hawkeye' Reiter said:
> I do overdubbing similar to what you describe on my Roland MC50 sequencer 
> (used $200).  I can setup locate points or simply use 'loop play' mode and 
> mute tracks or add tracks on each iteration.  Along with my MC50, an EDP, a 

I had no idea that the MC-50 had a loop play mode!  I'll have to RTFM
again now that I'm entering a loop state of mind.

For years I used Director-S, the optional sequencer software for the
Roland S-550 sampler.  In this sequencer, you make patterns and then
specify their order in song mode.  The method of making patterns seems
like it would easily adapt to looping and overdubbing.

Bill	home: billfox@fast.net	work: BillFox@lucent.com
==============================================================================
Host of Emusic, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
==============================================================================
My radio show:	http://www.wdiyfm.org
My band site:	http://www.crosswinds.net/allentown/~shadowplay

"Those little boys don't think too much about what they say... (And how
can they know what they mean before they hear what they say?)"
- Heike M. Madder

From Loopers-Delight-request@annihilist.com  Wed May 12 16:14:13 1999
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From: "Steven E. Barnes" <akuma@best.com>
Message-Id: <199905121914.MAA21363@shell12.ba.best.com>
To: Loopers-Delight@annihilist.com
Subject: Mac vs PC / MOTU
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Date: Tue, 11 May 1999 14:30:56 +0200
From: Leo Cavallo <cavallo@dada.it>
To: Loopers-Delight@annihilist.com
Subject: Re: PC vs. Mac for recording
Message-Id: <2.2.32.19990511123056.0069a538@mail.dada.it>
Content-Type: text/plain; charset="us-ascii"

At 22.23 10/05/99 -0500, you wrote:

>If you have to build your setup get a Mac. 
>If you wanna do some pro recording get a Mac (more for the stability thing,
>not for audio quality: I can get really good results with PC too).

I've endured so many "bomb" dialogs while doing audio editing on the 
Mac that I would be laughing if the memories weren't so painful.

The latest issue (May 99) of Electronic Musician has a very positive
review of the MOTU 2408.

-steve

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X-Mailer: QUALCOMM Windows Eudora Light Version 3.0.6 (32)
Date: Wed, 12 May 1999 15:43:44 -0700
To: Loopers-Delight@annihilist.com
From: nick ring <nick@simons-rock.edu>
Subject: Re: FS: JamMan $350, 32 sec, Harmony Central
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	For what it's worth, I just called.  I was #13.  He's gonna
	repost at a higher price since people are already offering
	him more.  I don't know that he'll hit the magical $700, but...

				-nick


At 12:02 PM 5/12/99 -0500, you wrote:
>Respond to e-mail in ad, not to sender:
>
>
>
>FS:Lexicon JamMan
>
>Asking Price: US$350
>Condition: Mint
>Age: N/A
>Description:
>
>       Lexdicon JamMan Delay Looper . With memory upgrade of 32 Seconds.
>       Mint with Dual footswitch, AC adapter, and manual.
>       $350 plus shipping.
>
>Seller: Ken Volpe, 203/966-2096
>E-mail: kjvguitar@aol.com (Profile)
>Post Date: 5/12/99
>
>
>

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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Homeworkers Needed!
Date: Wed, 12 May 1999 14:57:39 -0500
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	** i first read this as an attack of satan . . . which is appropos i
think.

> a lot of ATTACK with just practically no SUSTAIN ...
> 
> 

From Loopers-Delight-request@annihilist.com  Wed May 12 17:59:41 1999
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From: "sock s" <sop@n2mail.com>
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Mime-Version: 1.0
Cc: 
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I am wondering why there is no power (on/off) switch on the Lexicon Vortex


What are you N2?  Choose from 150 free e-mail addresses.
http://www.n2mail.com

From Loopers-Delight-request@annihilist.com  Wed May 12 18:51:09 1999
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From: "Steven Perry" <sper@sunlink.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Homeworkers Needed!
Date: Wed, 12 May 1999 18:07:15 -0400
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Are we to stuff pitch envelopes or amplitude envelopes?
-----Original Message-----
From: bethany cassin <bcassin@iconcapital.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, May 12, 1999 10:20 AM
Subject: Re: Homeworkers Needed!


>Sure, but only if I can include fliers for upcoming gigs.
>
>toukol@mindspring.com wrote:
>
>> Dear Future Associate,
>>
>> You Can Work At Home & Set Your Own Hours.  Start earning Big
>> Money in a short time
>>
>>                                     NO Newspaper Advertising!
>>
>> Your job will be to stuff and mail envelopes for our company. You
>> will receive $.25 for each and every envelope you stuff and mail
>> out.
>>
>> Just follow our simple instructions and you will be making money
>> as easy as
>> 1… 2… 3
>>
>> For example stuff and mail 200 envelopes and you will receive
>> $50.00. Stuff and mail 1000 and you will receive $250.00. Stuff
>> and mail 2000 and you will receive $500.00 and more
>>
>> Never before has there been an easier way to make money from
>> home!
>>
>> Our Company's Home Mailing Program is designed for people with
>> little or no experience and provides simple, step by step
>> instructions.
>>
>> There is no prior experience or special skills necessary on your
>> part, Just stuffing envelopes.
>>
>> We need the help of honest and reliable home workers like you.
>> Because we are overloaded with work and have more than our staff
>> can handle. We have now expanded our mailing program and are
>> expecting to reach millions more with our offers throughout the
>> US and Canada.
>>
>> Our system of stuffing and mailing envelopes is very simple and
>> easy to do!
>> You will not be required to buy envelopes or postage stamps.
>>
>> We will gladly furnish all circulars at no cost to you. We assure
>> you that as a participant in our program you will never have to
>> mail anything objective or offensive.
>>
>> There are no quotas to meet, and there no contracts to sign. You
>> can work as much, or as little as you want. Payment for each
>> envelope you send out is Guaranteed!
>>
>> Here is what you will receive when you get your first Package.
>> Inside you will find 100 envelopes, 100 labels and 100 sales
>> letters ready to stuff and mail
>>
>> As soon as you are done with stuffing and mailing these first
>> letters, your payment will arrive shortly, thereafter. All you
>> have to do is to order more free supplies and stuff and mail more
>> envelopes to make more money.
>>
>> Our sales literature which you will be stuffing and mailing will
>> contain
>> information outlining our highly informative manuals that we are
>> advertising nationwide.  As a free gift you will receive a
>> special manual valued at  $24.95, absolutely free, just for
>> joining our Home Mailers Program.
>>
>> Plus you will get your own special code number, so that we will
>> know how much you are to get paid.  And to make re-ordering of
>> more envelopes, that our company supplies very simple for you.
>>
>> We are giving you this free bonus because we want you to be
>> confident in our company and to ensure that we will be doing
>> business with you for a long time.
>>
>> Benefits Of This Job:
>>
>> 1. You do not have to quit your present job, to earn more money
>> at home
>> 2. You can make between $2,500 to $4,500 a month depending on the
>> amount of time you are willing to spend stuffing and mailing
>> envelopes
>> 3. This is a great opportunity for the students, mothers,
>> disabled persons or those who are home bodies.
>>
>> To secure your position and to show us that you are serious about
>> earning extra income at home we require a one-time registration
>> fee of $35.00.
>> This fee covers the cost of your initial start up package,  which
>> includes 100 envelopes, 100 labels and 100 sales letters and a
>> manual, your registration fee will be refunded back to you
>> shortly thereafter.
>>
>> Money Back Guarantee!
>>
>> We guarantee that as soon as you stuff and mail your first 300
>> envelopes You will be paid $75.00 and your registration fee will
>> be refunded.
>>
>> Many of you wonder why it is necessary to pay a deposit to get a
>> job. It is because we are looking for people that seriously want
>> to work from home.
>>
>> *  If 3.000 people told us they wanted to start working from home
>> and we sent out 3.000 packages free to every one.  And then half
>> of the people decided not to work, this would be a potential loss
>> of more than $60,000 in supply's and shipping that we have sent
>> out to people that don't want to work
>>
>> We have instituted this policy to make sure that you really want
>> to work and at least finish your first package.
>>
>> To Get Started Today Please Enclose Your Registration Fee of $35
>> Check,Cash Or Money Order and fill out the application below and
>> mail to:
>>
>> AHWA CO
>> Pmb
>> 1928 E. Highland Blvd
>> Ste #F104-902
>> Phoenix, Az 85016
>>
>> Name_____________________________________________________
>>
>> Address___________________________________________________
>>
>> City____________________________________ State______________
>>
>> Zip Code________________
>>
>> Telephone Number(s)_________________________________________
>>
>> E-mail Address______________________________________________
>>
>> For all orders, please allow seven (7) days for delivery and up
>> to 10 days. Cash and Money Orders will result in faster shipping
>> of your package.
>>
>>
>>
>>
>>
>>
>>
>>
>
>
>
>

From Loopers-Delight-request@annihilist.com  Wed May 12 20:07:56 1999
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Date: Wed, 12 May 1999 16:06:04 -0700
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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Homeworkers NOT needed anymore, disregard previous message!
To: Loopers-Delight@annihilist.com, "Steven Perry" <sper@sunlink.net>
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I only wish I had the email address of the agent(s) who sent this damn message!

>> AHWA CO
>> Pmb
>> 1928 E. Highland Blvd
>> Ste #F104-902
>> Phoenix, Az 85016

No phone number, no email address, no contact name! Oh yeah baby! This has got 
to be LEGIT!!!

I'm a little dismayed to continue seeing this entire SPAM message continuously 
reposted to the list... I have enjoyed the humorous comments though. 'Tis truly 
the stuff of SATAN and Corporate Capitalism! Anyone actually taking them up on 
their offer to take $35.00 in return for $25.00 worth of materials?.. Hmmm. All 
you have to do is stuff $75.00 dollars worth and they refund your initial $35.00
registration fee! Awesome deal! 

-m

> Are we to stuff pitch envelopes or amplitude envelopes?
>> -----Original Message-----
     
     
     snipped!!!!!

From Loopers-Delight-request@annihilist.com  Wed May 12 20:50:38 1999
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Message-ID: <373A09FC.619AAB38@latrobe.edu.au>
Date: Thu, 13 May 1999 10:08:43 +1100
From: Brad Knox <B.Knox@latrobe.edu.au>
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To: "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
Subject: spam : looping gigs in melbourne
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hey all...

some upcoming gigs in melbourne (don't know how many of you are from australia
so this probably spam) : 


sat 22nd at the empress nth fitzroy "polyp messiah" 

mon 31st at subterrain nth fitzroy "knerk"


the first one is under the "noise" asthetic.. loop guitar (me), drums (phil
"yes thats with a 'g'" collings) and mangled bass (iain downie of circushead
etc) .. there will certainly be a few envelopes stuffed. the second one is
just me in a more relaxed mode (although there is always some leakage from
polyp)... both are probably around 9 or 10 pm ...

From Loopers-Delight-request@annihilist.com  Wed May 12 22:30:47 1999
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why do you guys keep reposting the entire message
Subject:
          Re: Homeworkers Needed!
we understand

From Loopers-Delight-request@annihilist.com  Thu May 13 05:52:35 1999
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Date: Thu, 13 May 1999 10:29:59 +0200
To: Loopers-Delight@annihilist.com
From: Leo Cavallo <cavallo@dada.it>
Subject: Re: Why no power switch on Vortex?
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I am wondering why there are no more web pages dedicated to this great unit....
tips? patches? tricks? anyone?

ciao
leo 

At 12.19 12/05/99 -0700, you wrote:
>
>I am wondering why there is no power (on/off) switch on the Lexicon Vortex
>
>
>What are you N2?  Choose from 150 free e-mail addresses.
>http://www.n2mail.com
>
>
>

From Loopers-Delight-request@annihilist.com  Thu May 13 13:08:57 1999
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Message-ID: <01BE9D25.DB817DC0.stevehan@transworld-lax.com>
From: Steve Han <stevehan@transworld-lax.com>
Reply-To: "stevehan@transworld-lax.com" <stevehan@transworld-lax.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: tomatoes
Date: Thu, 13 May 1999 09:46:48 -0700
Organization: Transworld Freight Systems
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There is really no bad time to plant tomatoes
except during the winter and depending on where
you live.  Use pesticide and wire bracing.
If you can, grow them in an indoor arboretum
to avoid insects or worms.

Now if you want to know how to loop the tomatoes
into your Echoplex device, I suggest extreme caution
and consult your local loop doctor before commencing.

Curbie

-----Original Message-----
From:	Mary Arbogast Arbogast [SMTP:mjarbogast@webtv.net]
Sent:	Friday, May 07, 1999 11:01 PM
To:	Loopers-Delight@annihilist.com
Subject:	tomatoes

i  would like to know when is the best ime to plant and get best results 

From Loopers-Delight-request@annihilist.com  Thu May 13 13:08:36 1999
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Message-ID: <003601be9d60$a1461ae0$a65bdfc8@doutor>
From: "Julio Moreno" <juliomoreno@bahianet.com.br>
To: <Loopers-Delight@annihilist.com>
References: <2.2.32.19990513082959.006ca614@mail.dada.it>
Subject: Vortex micro-tip.
Date: Thu, 13 May 1999 12:10:37 -0300
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Try some type of screaming mutron doing a morph.I have't got the unit, but i
think i made this with Aerosol.
I think no power because is cheap.The power suply is VERY cheap too.
Good health!
Julio
----- Original Message -----
From: Leo Cavallo <cavallo@dada.it>
To: <Loopers-Delight@annihilist.com>
Sent: Thursday, May 13, 1999 5:29 AM
Subject: Re: Why no power switch on Vortex?


> I am wondering why there are no more web pages dedicated to this great
unit....
> tips? patches? tricks? anyone?
>
> ciao
> leo
>
> At 12.19 12/05/99 -0700, you wrote:
> >
> >I am wondering why there is no power (on/off) switch on the Lexicon
Vortex
> >
> >
> >What are you N2?  Choose from 150 free e-mail addresses.
> >http://www.n2mail.com
> >
> >
> >
>

From Loopers-Delight-request@annihilist.com  Thu May 13 14:03:54 1999
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From: Phaedebk@aol.com
Message-ID: <4fc91306.246c685f@aol.com>
Date: Thu, 13 May 1999 13:39:43 EDT
Subject: Re: loop the loop the lupe the lay!
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Heer Driessen wrote:
"
What I want  a digital loopmachine with which you can INSERT material in 
a certain point in time, but DELETE the previous sound in that point. 
That way you could correct the sound and make fancy "1 or 2 alteration at 
a time Philip Glass music" and at the same time make fast harmonic 
transitions, by simply inserting everything you play.
In the analog way it is simple, but poorer in quality. So I want a 
digital machine that has got the facilities to do just that.

tjau,

paul"

Lee's response was:"
	
	From what I am seeing on the Looper's Delight Digest, the only animal 
that can really allow you to make such changes is the Oberheim Echoplex, 
where it can deal in "parts" vs. machines like the Zoom 2100 which 
essentially plays back samples, but does not allow for much in the way of 
layering or altering on the fly.  At least without the same degree as the 
Oberheim.

	A boomerang, may be able to do this with only two parts, but I could 
be wrong...

	Hate to shoot you to only one option on a rack unit or stomp box.  
There is a bit of software for the IBM clone or the Mac that'll do this too, 
but like most, I'm dubious about bringing something as fragile as a computer 
to a gig, even though I've done it in the past.  Rack mounting it was 
definitely the way to go, I might add, vs. free standing, but the expenses...

	Tchau,

		Lee-ohki.

	

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Date: Thu, 13 May 1999 13:55:21 -0400
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From: Chris Q <cqlung@geocities.com>
Subject: jam man question
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<html><div>Just got my Jam Man after 3 months of waiting!&nbsp; I am however,
having a problem. It responds fine to the analog footswitches, but I
can't get it to recognize my MIDI controller. I have an RFX Midibuddy
(MP128P).&nbsp; I have the Jam Man to receive channel 1. I have the RFX
to send on channel 1, but there is no response whatsoever. I really want
to use the MIDI controller so I don't have to scroll through the
functions with the regular switches. I've checked the MIDI cable, and the
controller works fine with my other processor. Is there some secret to
getting this thing to work? Please help, after so long a wait to get this
machine I want to use it! Thank you...............CQ</div>
<br>
<BR>

<font face="Lucida Sans Unicode"><a href="http://www.jigglethehandle.com/" eudora="autourl">www.jigglethehandle.com</a></font></html>

From Loopers-Delight-request@annihilist.com  Thu May 13 16:07:43 1999
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From: SoundFNR@aol.com
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Date: Thu, 13 May 1999 15:26:06 EDT
Subject: Re: Why no power switch on Vortex?website
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In a message dated 13/05/99 10:52:33 GMT Daylight Time, cavallo@dada.it 
writes:

>  I am wondering why there are no more web pages dedicated to this great 
> unit....
>  tips? patches? tricks? anyone?
> 
Andy Butler
Lexicon Vortex Database (new section on undocumented features)
http://members.aol.com/soundfnr/vortex.htm

guess you've seen it already though

encourage me to add more to the site by submitting a few patches

I may be tempted to reveal the unprecedented 'dual looper ' patch.

and yes there's no power switch 'cos it's got a wall wart.

AB

 

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From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Why no power switch on Vortex?website
Date: Thu, 13 May 1999 15:38:47 -0500
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Andy:

don't make us beg  ;)

Tom Lambrecht
hideo@concentric.net

>Lexicon Vortex Database (new section on undocumented features)
>http://members.aol.com/soundfnr/vortex.htm
>
>guess you've seen it already though
>
>encourage me to add more to the site by submitting a few patches
>
>I may be tempted to reveal the unprecedented 'dual looper ' patch.


SNIP
>AB
>
> 
>
>

From Loopers-Delight-request@annihilist.com  Thu May 13 18:05:31 1999
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To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Sync diagram
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>I can't find the diagram on the website.  (Kim, help!)

I put the manual as Macintosh Word 5 sit file on my page under:
http://matthias.grob.org/pMusEng/Museng.htm
If this still not helps, I send you the pict attached.

>http://www.annihilist.com/loop/tips/Plhints.html#hint13 mentions the BREAK
>key.  I see this is a key on the original Paradis LoopDelay.  What is the
>equivalent on the EDP?

Mute. It felt then, that break is rather musicians, mute rather technicians
language. But the function is identical.


From Loopers-Delight-request@annihilist.com  Thu May 13 20:34:09 1999
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Date: Thu, 13 May 1999 20:07:40 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: RE: tomatoes
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For the secret teachings revealing the esoteric connection between looping
and gardening, click here>>> <http://hammock.ifas.ufl.edu/txt/fairs/8638>




At 09:46 AM 5/13/99 -0700, you wrote:
>There is really no bad time to plant tomatoes
>except during the winter and depending on where
>you live.  Use pesticide and wire bracing.
>If you can, grow them in an indoor arboretum
>to avoid insects or worms.
>
>Now if you want to know how to loop the tomatoes
>into your Echoplex device, I suggest extreme caution
>and consult your local loop doctor before commencing.
>
>Curbie

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Date: Thu, 13 May 1999 21:51:03 -0500
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From: Patrick Smith <patrick@his.com>
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On 5/12/99 chris Q. wrote:


>Just got my Jam Man after 3 months of waiting!  I am however, having a
>problem. It responds fine to the analog footswitches, but I can't get it
>to recognize my MIDI controller. I have an RFX Midibuddy (MP128P).  I have
>the Jam Man to receive channel 1. I have the RFX to send on channel 1, but
>there is no response whatsoever. I really want to use the MIDI controller
>so I don't have to scroll through the functions with the regular switches.
>I've checked the MIDI cable, and the controller works fine with my other
>processor. Is there some secret to getting this thing to work? Please
>help, after so long a wait to get this machine I want to use it! Thank
>you...............CQ

Chris,

It's been quite a while since I programmed my PMC-10 to control jam men,
but I think you may need to either add 1 or subtract 1 from the program
change # listed in the Lexicon manual. Try this with one of the MIDI fades
messages. Besides hearing the audio fade the jammer will have three dots
come on in the display to let you know it is fading.

Patrick

                   http://www.fingerpaint.net
--============_-1285472230==_ma============
Content-Type: text/enriched; charset="us-ascii"

On 5/12/99 chris Q. wrote:



<excerpt>Just got my Jam Man after 3 months of waiting!  I am however,
having a problem. It responds fine to the analog footswitches, but I
can't get it to recognize my MIDI controller. I have an RFX Midibuddy
(MP128P).  I have the Jam Man to receive channel 1. I have the RFX to
send on channel 1, but there is no response whatsoever. I really want
to use the MIDI controller so I don't have to scroll through the
functions with the regular switches. I've checked the MIDI cable, and
the controller works fine with my other processor. Is there some secret
to getting this thing to work? Please help, after so long a wait to get
this machine I want to use it! Thank you...............CQ

</excerpt>

Chris,


It's been quite a while since I programmed my PMC-10 to control jam
men, but I think you may need to either add 1 or subtract 1 from the
program change # listed in the Lexicon manual. Try this with one of the
MIDI fades messages. Besides hearing the audio fade the jammer will
have three dots come on in the display to let you know it is fading.


Patrick


                   http://www.fingerpaint.net 

--============_-1285472230==_ma============--

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Date: Thu, 13 May 1999 22:00:39 -0500
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From: Patrick Smith <patrick@his.com>
Subject: Vortex Dual Looper Patch
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On 5/1/99 Andy Butlar wrote:

>Lexicon Vortex Database (new section on undocumented features)
>http://members.aol.com/soundfnr/vortex.htm
>
>guess you've seen it already though
>
>encourage me to add more to the site by submitting a few patches
>
>I may be tempted to reveal the unprecedented 'dual looper ' patch.


    Give in to that temptation Andy...give in and then may more of us can
sin...


Patrick

                 http://www.fingerpaint.net

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From Loopers-Delight-request@annihilist.com  Fri May 14 02:55:27 1999
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: didgeridoo info
Date: Fri, 14 May 1999 01:36:45 -0500
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Leo:

don't know if BobDog or Dennis or Peter S.  got back to you, but e-me if you
still need info on the didg

or e-me your phone # since I'm really pathetic as a typist

any of you other loopers tired of the same old sympathetic strings or litlle
electrobleeps want to try the instrument which is the PRIMAL VOICE (with
built-in analog flanger and vibrato) are also welcome to call


Tom Lambrecht
hideo@concentric.net


-----Original Message-----
From: Leo Cavallo <cavallo@dada.it>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, May 02, 1999 6:18 AM
Subject: didgeridoo info


>I remember that on the list there are few guys playing these beasts...
>I've just bought one to add its sound to my sampling and looping setup...
>any link about the didgeridoo? mailing list? suggestions? infos?
>
>thnx
>ciao
>leo
>
>

From Loopers-Delight-request@annihilist.com  Fri May 14 03:01:39 1999
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From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: FS: JamMan $350, 32 sec, Harmony Central
Date: Fri, 14 May 1999 01:38:56 -0500
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HA--I was # 14 and he just reposted it for $625 . . . 

a trifle high, I thinks

drone on~~~~~~~~~~~~~~

Tom Lambrecht


hideo@concentric.net
-----Original Message-----
From: nick ring <nick@simons-rock.edu>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, May 12, 1999 3:55 PM
Subject: Re: FS: JamMan $350, 32 sec, Harmony Central


>
> For what it's worth, I just called.  I was #13.  He's gonna
> repost at a higher price since people are already offering
> him more.  I don't know that he'll hit the magical $700, but...
>
> -nick
>

From Loopers-Delight-request@annihilist.com  Fri May 14 10:02:55 1999
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From: billfox@lucent.com
Date: Fri, 14 May 1999 09:46:52 -0400 (EDT)
Message-Id: <199905141346.JAA16351@badboy.micro.lucent.com>
To: Loopers-Delight@annihilist.com
Subject: EMUSIC Playlist
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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html

		Show #114		May 13, 1999.
		Host: Bill Fox		http://www.wdiyfm.org
		billfox@fast.net

Due to random elements and the fractal nature of the space-time
continuum, this week's installment of the month-long focus on the North
East Art Rock Festival (NEARfest) didn't occur in this timeline or
dimension.  This temporal infraction will be only a temporary anomoly.
Space music has ancestry in Progressive rock and in my first show, I
promised that I wouldn't totally abandon the audience of Jim Ferrani's
show Deep Cuts, an Art and Progressive Rock program.  Next week, special
guest Chad Hutchinson, webmaster of the Ghostland web site and Vice
President of NEARfest will present the music of the bands to be
appearing at the inaugural NEARfest.

        Ghostland     :  http://ghostland.com
	NEARfest      :  http://ghostland.com/nearfest
	EMUSIC Focus  :  http://www.wdiyfm.org/emusic/playlists/focus.html

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Fountainhead            Mist                     Cloud Cover (Aucourant)
Bjorn Fogelberg         Trioxidation             KarooshiPorn (Ninetysix Sounds)
Jon Durant             Stretching the Night Sky  Anatomy of a Wish (Alchemy)
Pryamid Peak            Dreamscape part 1        Atmosphere (Invisible Shadows)
VA [Lamert & Friends]   Floating Images          Syntonic Waves Vol 2(Woodberry)
VA [Lamert & Friends]   Obscure Road             Syntonic Waves Vol 2(Woodberry)
Arttek                  Chill of Change          Sometime Friend (none)
Alan Parsons Project    Hyper-Gamma-Spaces       Pyramid (Arista)
Paul Nagle              Eaten by Pigs            The Live Element (AMP)

12:00 am
VA [Steve Roach]        The Eternal Expanse      The Ambient Expanse (Mirage)
Don Slepian             Sea of Bliss             Sea of Bliss (Fortuna)
Kenton Files            The Weight of Klaus      Kenton Files Demo (none)++
VA [Saul Stokes]        Ivaneer                  Voyager (AdAstra)

1:00 am

 * = exerpt
VA = Various Artists (compilation)
++ = from A Klaus Schulze Tribute (Manikin)

On the next EMUSIC, I will continue the month-long focus on the North East
Art Rock Festival (NEARfest) with special guest Chad Hutchinson.  The
Feature CD at Midnight will return in June.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

From Loopers-Delight-request@annihilist.com  Fri May 14 10:26:07 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Sync diagram
Date: Fri, 14 May 1999 08:59:55 -0500
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Got it!  Thanks very much.  I printed a copy and will study it this weekend.

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: Matthias Grob <matthias@grob.org>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, May 13, 1999 5:06 PM
Subject: Re: Sync diagram


>
>>I can't find the diagram on the website.  (Kim, help!)
>
>I put the manual as Macintosh Word 5 sit file on my page under:
>http://matthias.grob.org/pMusEng/Museng.htm
>If this still not helps, I send you the pict attached.
>
>>http://www.annihilist.com/loop/tips/Plhints.html#hint13 mentions the BREAK
>>key.  I see this is a key on the original Paradis LoopDelay.  What is the
>>equivalent on the EDP?
>
>Mute. It felt then, that break is rather musicians, mute rather technicians
>language. But the function is identical.


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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Loop de Looper
Date: Fri, 14 May 1999 09:17:38 -0500
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Here's something new I found.  Haven't seen it posted before so I'll tell
you all about it.

I happened to have a radio next to my effect rack the other day and noticed
it receives some interesting RFI from the effects.  Most of the noise comes
from my old Yamaha SPX-90 but the EDPs generate some too.  Cool sounding
bleeps and rhythms.  Of course, I HAD to loop the sound from the radio
coming from the looper.

So here's a new way to loop the looper!  Try both the AM and FM band.  Play
with the tuner.  Some settings on my SPX-90 and EDP affect the sounds,
others don't.

Remember, the possibility are endless when you're looping (pun intended).

Dennis Leas
-----------------------------
dennis@mdbs.com


From Loopers-Delight-request@annihilist.com  Fri May 14 10:51:54 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: tomatoes
Date: Fri, 14 May 1999 09:29:03 -0500
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My favorite from this website is "After hatching, the loopers feed on
foliage and produce a ragged appearance."  Hey, I resemble that remark!

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: Tim Nelson <tcn62@ici.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, May 13, 1999 7:35 PM
Subject: RE: tomatoes


>For the secret teachings revealing the esoteric connection between looping
>and gardening, click here>>> <http://hammock.ifas.ufl.edu/txt/fairs/8638>


From Loopers-Delight-request@annihilist.com  Fri May 14 12:09:56 1999
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Date: Fri, 14 May 1999 11:44:05 -0400
To: Loopers-Delight@annihilist.com
From: Michael Tuminello <m1cha3l@earthlink.net>
Subject: powerbook G3 recording
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I have always heard that the internal HD is not fast enough, and an
external SCSI (or firewire at this point, I suppose) is necessary.  The
machines are getting faster though, so who knows.  Last time I asked was
when the 1400 came out.  Go to ogrady.com - they have a few items on
powerbook recording.

A really insanely great reference to digital audio in general is at
http://www.xlr8yourmac.com/audio/

MT

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Message-ID: <00aa01be9e22$e7eda360$6ebfea82@ainola.jyu.fi>
From: "Sami Poimala" <spoimala@st.jyu.fi>
To: <epigram@egroups.com>
References: <7F756A7F899DD11187BF0000C07018E50131F13C@soaspw1.soa.alcoa. <9065291.001404CFE8.uuout@online.com.br>
Date: Fri, 14 May 1999 19:00:36 +0300
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Subject: [epigram] Re: Angra is perfect?
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>I've seen Angra live twice also, and they're really great! It's
>impossibel to find any mistakes in their show, It's like we were
>listening to their records. I mean, they're not actually great, in fact
>they're perfect! one of the best bands ever!

I just wonder is this the most important thing in music? To not to make any
mistakes?
So fucking what, if there is one wrong note?

Does word 'music' mean nothing else but "some technical tricks accomplished
by musical instruments"?


Sami


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This is the eGroups.com service.

You have been added to the epigram@egroups.com group.

Here is a welcome message provided by qrfw@hotmail.com:

------------------
**********************************************************************
**********************************************************************

Hi, this is from epigram's *discussion* mailing list that  will let you discuss everything referring to Progressive Metal and bands as Fates Warning, Dream Theater and Psychotic Waltz. This list is NOT moderated and it's open to every thread or idea.
Nobody is forced there to talk in a "proper" way.  

michael m.

Mini-FAQ of mailing list: http://fly.to/epigram

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From Loopers-Delight-request@annihilist.com  Fri May 14 12:39:20 1999
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Date: Fri, 14 May 1999 10:43:26 -0500
From: "Dark Angel(Alex Zandretta)" <vbobby@ilos.net>
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Subject: [epigram] the band Fight!:now that i have your attention here's I'm a machine that i wrote,it's about as fight sounding as i could get at the time
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--------------4A1A6F0BEF9AA5A640AA9972
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Now that i have your attention,this tune was during my listening to fight
alot,has the same flavor as nailed to the gun,fast an pissed off,the tune was
recorded on a 8 track(drum spank guess if you can tell what the drums were done
on,bet you won't figure it out...*laughter*)the guitar tone was done on an old
piece of shit rockman that i had a bitch of a time getting a ballsy tone on,over
all the tune ended up on the radio here about 6 month's ago,was pretty
cool.....92.1 citi fm,here's were you can grab the tune it's fairly small about 2
and halsf meg,let me know what you guy's think of this i would really like an
opinion on it.....
 http://www.ilos.net/~vbobby/I'm%20a%20Machine.MP3
if this link does not work just go here
 http://www.ilos.net/~vbobby


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML>
&nbsp;
<P>Now that i have your attention,this tune was during my listening to
fight alot,has the same flavor as nailed to the gun,fast an pissed off,the
tune was recorded on a 8 track(drum spank guess if you can tell what the
drums were done on,bet you won't figure it out...*laughter*)the guitar
tone was done on an old piece of shit rockman that i had a bitch of a time
getting a ballsy tone on,over all the tune ended up on the radio here about
6 month's ago,was pretty cool.....92.1 citi fm,here's were you can grab
the tune it's fairly small about 2 and halsf meg,let me know what you guy's
think of this i would really like an opinion on it.....
<BR>&nbsp;<A HREF="http://www.ilos.net/~vbobby/I'm%20a%20Machine.MP3">http://www.ilos.net/~vbobby/I'm%20a%20Machine.MP3</A>
<BR>if this link does not work just go here
<BR>&nbsp;<A HREF="http://www.ilos.net/~vbobby/I'm%20a%20Machine.MP3">http://www.ilos.net/~vbobby</A>


<hr><center><center>
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From Loopers-Delight-request@annihilist.com  Fri May 14 13:02:49 1999
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From: "Michael Menegakis" <qrfw@hotmail.com>
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Date: Fri, 14 May 1999 16:33:15 GMT
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>So fucking what, if there is one wrong note?
>Does word 'music' mean nothing else but "some technical tricks > 
>accomplished by musical instruments"?

  I agree with you but not in every case. I'll explain this by sth that 
happened to me before a month. I bought this Marillion tribute disk and 
*some* of the songs covered there are IMO not that technical (especially in 
vocals) as they are in the original versions. The thing is, I felt like shit 
when I was listening to these songs. I returned to my marillion disks in a 
minute to recover! : )
  So, what I'm trying to say is that in some cases a song *has* to be 
technical to be ok but I really agree with you, it's not the most important. 
When a musician wants to 'reveal' himself/herself it doesn't matter if the 
song will be technical or not. Just my opinion.

- michael

Epigrammers' mini-FAQ: http://fly.to/epigram

BTW Please don't post your mailing list reqests on epigram, just email me at 
qrfw@hotmail.com



______________________________________________________

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From: immortalsin@earthling.net
MIME-Version: 1.0
Message-Id: <99051412340126.05406@weba7.iname.net>
Date: Fri, 14 May 1999 12:34:01 -0400 (EDT)
To: Netzero <immortalsin@netzero.net>,
        Savatage <"savatage@tkl.com"@weba7.iname.net>,
        Ayreon <ayreon@onelist.com>, Epigram <epigram@egroups.com>,
        Symphrock <symphorock@onelist.com>
Subject: [epigram] Fwd: WARNING!
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 ---- you wrote: 
> If you receive an Email with the subject line "Badtimes" delete it    
> IMMEDIATELY, WITHOUT READING IT!  This is the most dangerous Email virus 
> yet. Not only will it completely rewrite your hard drive, but  it will 
> scramble any disks that are even close to your computer. It also 
> demagnetises the strips on all your CREDIT CARDS. It deprograms your ATM 
> access code, messes up the tracking on your VCR and uses subspace field 
> harmonics to scratch any CD's you try to play. It
> will recalibrate your refrigerators coolness settings so all your 
> ice cream melts and your milk curdles. It will give your 
> ex-boy/girlfriend your new phone number. This virus will mix antifreeze 
> into your fish tank. It will drink all your Dr Pepper. It will even 
> leave dirty socks on the coffee table when you are 
> expecting company. It will hide your car keys when you are late for work 
> and interfere with your car radio reception so that you hear only static 
> while stuck in traffic. When executed,"Badtimes" will also give you 
> nightmares about circus midgets. It will replace yourshampoo with Nair 
> and deodorant with Surface Spray. It will give you Dutch Elm
> Disease and Tinea. If the "Badtimes" message is opened in a Windows95
> environment, it will leave the toilet seat up and leave your hairdryer 
> plugged in dangerously close to a full bathtub. It will not only remove 
> the forbidden tags from your mattresses and pillows, but it
> will also refill your skim milk with whole milk. It has also been known 
> to disregard 'Open This End' labels and can often make you 'Push' a door 
> that says 'Pull' and vice versa. It is insidious AND subtle. It is 
> dangerous and terrifying to behold. It is also a rather interesting 
> shade of mauve. These are just a few signs.               YOU HAVE BEEN 
> WARNED!!!!!


---------------------------------------------------------
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This is the eGroups.com service.

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We're sorry, but we haven't been able to unsubscribe you from the
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After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 13:05:10 1999
Received: (from kflint@localhost)
          by rosy.yourwebhost.com (8.8.7/8.8.4)
	  id NAA28765; Fri, 14 May 1999 13:05:10 -0400
Resent-Date: Fri, 14 May 1999 13:05:10 -0400
X-Authentication-Warning: rosy.yourwebhost.com: kflint set sender to Loopers-Delight-request@annihilist.com using -f
Date: Fri, 14 May 1999 12:54:40 -0400
Message-Id: <199905141654.MAA25872@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"ONsyN2.0.UK6.IL5Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
Reply-To: Loopers-Delight@annihilist.com
X-Mailing-List: <Loopers-Delight@annihilist.com> archive/latest/5619
X-Loop: Loopers-Delight@annihilist.com
Precedence: list
Resent-Sender: Loopers-Delight-request@annihilist.com


We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 13:11:03 1999
Received: (from kflint@localhost)
          by rosy.yourwebhost.com (8.8.7/8.8.4)
	  id NAA30190; Fri, 14 May 1999 13:11:03 -0400
Resent-Date: Fri, 14 May 1999 13:11:03 -0400
X-Authentication-Warning: rosy.yourwebhost.com: kflint set sender to Loopers-Delight-request@annihilist.com using -f
Date: Fri, 14 May 1999 12:38:46 -0400
Message-Id: <199905141638.MAA22450@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"EmGB32.0._U5.N65Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
Reply-To: Loopers-Delight@annihilist.com
X-Mailing-List: <Loopers-Delight@annihilist.com> archive/latest/5618
X-Loop: Loopers-Delight@annihilist.com
Precedence: list
Resent-Sender: Loopers-Delight-request@annihilist.com


We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 13:12:38 1999
Received: (from kflint@localhost)
          by rosy.yourwebhost.com (8.8.7/8.8.4)
	  id NAA30656; Fri, 14 May 1999 13:12:38 -0400
Resent-Date: Fri, 14 May 1999 13:12:38 -0400
X-Authentication-Warning: rosy.yourwebhost.com: kflint set sender to Loopers-Delight-request@annihilist.com using -f
Date: Fri, 14 May 1999 12:56:42 -0400
Message-Id: <199905141656.MAA26270@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"w3QpF3.0.gQ6.BN5Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
Reply-To: Loopers-Delight@annihilist.com
X-Mailing-List: <Loopers-Delight@annihilist.com> archive/latest/5620
X-Loop: Loopers-Delight@annihilist.com
Precedence: list
Resent-Sender: Loopers-Delight-request@annihilist.com


We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 13:13:20 1999
Received: (from kflint@localhost)
          by rosy.yourwebhost.com (8.8.7/8.8.4)
	  id NAA31036; Fri, 14 May 1999 13:13:20 -0400
Resent-Date: Fri, 14 May 1999 13:13:20 -0400
X-Authentication-Warning: rosy.yourwebhost.com: kflint set sender to Loopers-Delight-request@annihilist.com using -f
Date: Fri, 14 May 1999 13:03:05 -0400
Message-Id: <199905141703.NAA28052@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"ejVgZ2.0.ds6.BT5Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
Reply-To: Loopers-Delight@annihilist.com
X-Mailing-List: <Loopers-Delight@annihilist.com> archive/latest/5622
X-Loop: Loopers-Delight@annihilist.com
Precedence: list
Resent-Sender: Loopers-Delight-request@annihilist.com


We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 13:20:51 1999
Received: (from kflint@localhost)
          by rosy.yourwebhost.com (8.8.7/8.8.4)
	  id NAA32698; Fri, 14 May 1999 13:20:51 -0400
Resent-Date: Fri, 14 May 1999 13:20:51 -0400
X-Authentication-Warning: rosy.yourwebhost.com: kflint set sender to Loopers-Delight-request@annihilist.com using -f
Date: Fri, 14 May 1999 13:01:53 -0400
Message-Id: <199905141701.NAA27572@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"Gj8xq.0.0l6.3S5Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
Reply-To: Loopers-Delight@annihilist.com
X-Mailing-List: <Loopers-Delight@annihilist.com> archive/latest/5621
X-Loop: Loopers-Delight@annihilist.com
Precedence: list
Resent-Sender: Loopers-Delight-request@annihilist.com


We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 13:26:55 1999
Received: (from kflint@localhost)
          by rosy.yourwebhost.com (8.8.7/8.8.4)
	  id NAA01606; Fri, 14 May 1999 13:26:55 -0400
Resent-Date: Fri, 14 May 1999 13:26:55 -0400
X-Authentication-Warning: rosy.yourwebhost.com: kflint set sender to Loopers-Delight-request@annihilist.com using -f
Date: Fri, 14 May 1999 13:03:41 -0400
Message-Id: <199905141703.NAA28254@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"8-xXf.0.jv6.lT5Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
Reply-To: Loopers-Delight@annihilist.com
X-Mailing-List: <Loopers-Delight@annihilist.com> archive/latest/5623
X-Loop: Loopers-Delight@annihilist.com
Precedence: list
Resent-Sender: Loopers-Delight-request@annihilist.com


We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 13:43:41 1999
Received: (from kflint@localhost)
          by rosy.yourwebhost.com (8.8.7/8.8.4)
	  id NAA05033; Fri, 14 May 1999 13:43:41 -0400
Resent-Date: Fri, 14 May 1999 13:43:41 -0400
X-Authentication-Warning: rosy.yourwebhost.com: kflint set sender to Loopers-Delight-request@annihilist.com using -f
Message-ID: <2148EC143F29D1118BE000805FC13CD092D6A6@migarexch01.maritz.com>
From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Problem unsubscribing from epigram@egroups.com
Date: Fri, 14 May 1999 12:24:03 -0500
X-Mailer: Internet Mail Service (5.5.2448.0)
Resent-Message-ID: <"9Okdz2.0.vG.Un5Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
Reply-To: Loopers-Delight@annihilist.com
X-Mailing-List: <Loopers-Delight@annihilist.com> archive/latest/5626
X-Loop: Loopers-Delight@annihilist.com
Precedence: list
Resent-Sender: Loopers-Delight-request@annihilist.com

	now this is a loop. who has the undo function?

From Loopers-Delight-request@annihilist.com  Fri May 14 13:50:32 1999
Received: (from kflint@localhost)
          by rosy.yourwebhost.com (8.8.7/8.8.4)
	  id NAA06373; Fri, 14 May 1999 13:50:32 -0400
Resent-Date: Fri, 14 May 1999 13:50:32 -0400
X-Authentication-Warning: rosy.yourwebhost.com: kflint set sender to Loopers-Delight-request@annihilist.com using -f
Date: Fri, 14 May 1999 13:29:09 -0400
Message-Id: <199905141729.NAA02001@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"y2Tot2.0.UV.dr5Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
Reply-To: Loopers-Delight@annihilist.com
X-Mailing-List: <Loopers-Delight@annihilist.com> archive/latest/5627
X-Loop: Loopers-Delight@annihilist.com
Precedence: list
Resent-Sender: Loopers-Delight-request@annihilist.com


We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 13:52:17 1999
Received: (from kflint@localhost)
          by rosy.yourwebhost.com (8.8.7/8.8.4)
	  id NAA06665; Fri, 14 May 1999 13:52:17 -0400
Resent-Date: Fri, 14 May 1999 13:52:17 -0400
X-Authentication-Warning: rosy.yourwebhost.com: kflint set sender to Loopers-Delight-request@annihilist.com using -f
Date: Fri, 14 May 1999 13:13:17 -0400
Message-Id: <199905141713.NAA31015@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"PL93z3.0.pa7.lc5Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
Reply-To: Loopers-Delight@annihilist.com
X-Mailing-List: <Loopers-Delight@annihilist.com> archive/latest/5624
X-Loop: Loopers-Delight@annihilist.com
Precedence: list
Resent-Sender: Loopers-Delight-request@annihilist.com


We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 14:03:57 1999
Received: (from kflint@localhost)
          by rosy.yourwebhost.com (8.8.7/8.8.4)
	  id OAA09104; Fri, 14 May 1999 14:03:57 -0400
Resent-Date: Fri, 14 May 1999 14:03:57 -0400
X-Authentication-Warning: rosy.yourwebhost.com: kflint set sender to Loopers-Delight-request@annihilist.com using -f
Date: Fri, 14 May 1999 13:14:12 -0400
Message-Id: <199905141714.NAA31118@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"mFsHW3.0.bc7.cd5Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
Reply-To: Loopers-Delight@annihilist.com
X-Mailing-List: <Loopers-Delight@annihilist.com> archive/latest/5625
X-Loop: Loopers-Delight@annihilist.com
Precedence: list
Resent-Sender: Loopers-Delight-request@annihilist.com


We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 14:44:53 1999
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To: Loopers-Delight@annihilist.com
From: Andy Soto <smaug@servidor.unam.mx>
Subject: Re: Problem unsubscribing from epigram@egroups.com
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  what=B4s this??? get me out of this e-groups shit!!!




At 01:29 PM 14/05/99 -0400, you wrote:
>
>We're sorry, but we haven't been able to unsubscribe you from the
>epigram e-mail group as requested.
>
>The e-mail address you sent your message from
>
>loopers-delight@annihilist.com
>
>is not a member of the epigram group.
>
>You probably subscribed under an address different from what you
>currently use. To unsubscribe you, we need to know what address was in
>use when your subscription started.  Fortunately, there is a way to
>retrieve this address.
>
>Find one of the messages you have been receiving. Go to the headers at
>the top of the message and find the "Return-Path:" (Some e-mail
>programs, like Eudora, optionally let you hide this information.  You
>can unhide it, for example, in Eudora, by clicking the "Blah Blah
>Blah" button.)
>
>Please look for a header like:=20
>
>'Return-Path: <epigram-return-1234-user=3Dhost.dom@egroups.com>'
>
>The information in the header that occupies the same place as
>
>	user=3Dhost.dom@egroups.com
>
>in this example is the e-mail address you were subscribed under.
>
>To unsubscribe, we ask you to send a message to
>
>	epigram-unsubscribe-user=3Dhost.dom@egroups.com
>
>replacing "user=3Dhost.dom@egroups.com" with the address information
>in the Return-Path header of the message you received.
>
>After that, please reply to a confirmation message we will send, and
>you should receive back a message that you're removed from the group.
>
>If this still doesn't work, please forward a group message you've
>received together with a note about what you're trying to achieve to
>the group moderator:
>
>    epigram-owner@egroups.com
>
>We're very sorry for this inconvenience.
>
>The eGroups.com Team
>---
>FREE Web-based e-mail groups!
>http://www.egroups.com
>
>
>

From Loopers-Delight-request@annihilist.com  Fri May 14 14:49:36 1999
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Date: Fri, 14 May 1999 14:14:07 -0400
Message-Id: <199905141814.OAA11513@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"99Xa72.0.8q2.nV6Ft"@rosy.yourwebhost.com>
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We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 14:49:32 1999
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Message-ID: <373C688A.4DF31918@miravant.com>
Date: Fri, 14 May 1999 11:16:42 -0700
From: Alistair Wilson <awilson@miravant.com>
Organization: Miravant
X-Mailer: Mozilla 4.51 [en] (Win95; U)
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To: Loopers-Delight@annihilist.com
Subject: Re: Problem unsubscribing from epigram@egroups.com
References: <199905141636.MAA22059@rosy.yourwebhost.com>
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I don't understand.
Can you unsubscribe me now?
Thanks

"eGroups.com Manager" wrote:

> We're sorry, but we haven't been able to unsubscribe you from the
> epigram e-mail group as requested.
>
> The e-mail address you sent your message from
>
> loopers-delight@annihilist.com
>
> is not a member of the epigram group.
>
> You probably subscribed under an address different from what you
> currently use. To unsubscribe you, we need to know what address was in
> use when your subscription started.  Fortunately, there is a way to
> retrieve this address.
>
> Find one of the messages you have been receiving. Go to the headers at
> the top of the message and find the "Return-Path:" (Some e-mail
> programs, like Eudora, optionally let you hide this information.  You
> can unhide it, for example, in Eudora, by clicking the "Blah Blah
> Blah" button.)
>
> Please look for a header like:
>
> 'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'
>
> The information in the header that occupies the same place as
>
>         user=host.dom@egroups.com
>
> in this example is the e-mail address you were subscribed under.
>
> To unsubscribe, we ask you to send a message to
>
>         epigram-unsubscribe-user=host.dom@egroups.com
>
> replacing "user=host.dom@egroups.com" with the address information
> in the Return-Path header of the message you received.
>
> After that, please reply to a confirmation message we will send, and
> you should receive back a message that you're removed from the group.
>
> If this still doesn't work, please forward a group message you've
> received together with a note about what you're trying to achieve to
> the group moderator:
>
>     epigram-owner@egroups.com
>
> We're very sorry for this inconvenience.
>
> The eGroups.com Team
> ---
> FREE Web-based e-mail groups!
> http://www.egroups.com

From Loopers-Delight-request@annihilist.com  Fri May 14 15:19:38 1999
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Message-ID: <373C6E88.8C04ABF4@hotjobs.com>
Date: Fri, 14 May 1999 14:42:17 -0400
From: Jim Opfinger <jopfing@hotjobs.com>
Reply-To: jopfinger@hotjobs.com
Organization: Hot Jobs, Inc.
X-Mailer: Mozilla 4.05 [en] (WinNT; I)
MIME-Version: 1.0
To: larry@vexcel.com
CC: Loopers-Delight@annihilist.com
Subject: Re: Boomerang wanted!
References: <70CA3F163AFED21197F100805FBB030F32BFFD@whi_exchange.malcolmpirnie.com> <373C66E7.4BA52F5F@vexcel.com>
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I saw one recently on ebay.  Quite expensive though.
JOP

Larry Peterson wrote:

> Greetings!
>
> I got to try one of these beasts a couple of weeks ago and I want
> one!  I've called my local music stores and they either don't know
> what I'm talking about or they "have a few on order".
>
> Can anyone help me locate one?
>
> Thanks
>
> - Larry



--
---------------------------------------------------------------------------------------------------------------------------

COME SEE US AT:

IHRIM in Salt Lake City, Utah
June 13-16, 1999
Booth 219 & 221

SHRM in Atlanta, Georgia
June 27-30, 1999
Booths 1537 & 1539
---------------------------------------------------------------------------------------------------------------------------

Jim Opfinger
jopfinger@hotjobs.com
Account Executive
tel: 212.302.0060
fax: 212.944.8962
Hotjobs.com, Ltd.
www.hotjobs.com
---------------------------------------------------------------------------------------------------------------------------

Today has never happened......
---------------------------------------------------------------------------------------------------------------------------

"So we went to Atari and said, 'Hey, we've got this amazing thing, even
built
with some of your parts, and what do you think about funding us? Or
we'll
give it to you. We just want to do it. Pay our salary, we'll come work
for
you.' And they said, 'No.' So then we went to Hewlett-Packard, and they
said, 'Hey, we don't need you. You haven't got through college yet.'" --

Apple Computer Inc. founder Steve Jobs on attempts to get Atari and H-P
interested in his and Steve Wozniak's personal computer.


From Loopers-Delight-request@annihilist.com  Fri May 14 15:21:28 1999
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Message-ID: <373C6F7C.B79C8AA@hotjobs.com>
Date: Fri, 14 May 1999 14:46:20 -0400
From: Jim Opfinger <jopfing@hotjobs.com>
Reply-To: jopfinger@hotjobs.com
Organization: Hot Jobs, Inc.
X-Mailer: Mozilla 4.05 [en] (WinNT; I)
MIME-Version: 1.0
To: Loopers-Delight@annihilist.com
Subject: Re: Problem unsubscribing from epigram@egroups.com
References: <199905141902.NAA03485@servidor.unam.mx>
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: 8bit
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I hear that!

Andy Soto wrote:

>   what´s this??? get me out of this e-groups shit!!!
>
> At 01:29 PM 14/05/99 -0400, you wrote:
> >
> >We're sorry, but we haven't been able to unsubscribe you from the
> >epigram e-mail group as requested.
> >
> >The e-mail address you sent your message from
> >
> >loopers-delight@annihilist.com
> >
> >is not a member of the epigram group.
> >
> >You probably subscribed under an address different from what you
> >currently use. To unsubscribe you, we need to know what address was in
> >use when your subscription started.  Fortunately, there is a way to
> >retrieve this address.
> >
> >Find one of the messages you have been receiving. Go to the headers at
> >the top of the message and find the "Return-Path:" (Some e-mail
> >programs, like Eudora, optionally let you hide this information.  You
> >can unhide it, for example, in Eudora, by clicking the "Blah Blah
> >Blah" button.)
> >
> >Please look for a header like:
> >
> >'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'
> >
> >The information in the header that occupies the same place as
> >
> >       user=host.dom@egroups.com
> >
> >in this example is the e-mail address you were subscribed under.
> >
> >To unsubscribe, we ask you to send a message to
> >
> >       epigram-unsubscribe-user=host.dom@egroups.com
> >
> >replacing "user=host.dom@egroups.com" with the address information
> >in the Return-Path header of the message you received.
> >
> >After that, please reply to a confirmation message we will send, and
> >you should receive back a message that you're removed from the group.
> >
> >If this still doesn't work, please forward a group message you've
> >received together with a note about what you're trying to achieve to
> >the group moderator:
> >
> >    epigram-owner@egroups.com
> >
> >We're very sorry for this inconvenience.
> >
> >The eGroups.com Team
> >---
> >FREE Web-based e-mail groups!
> >http://www.egroups.com
> >
> >
> >



--
---------------------------------------------------------------------------------------------------------------------------

COME SEE US AT:

IHRIM in Salt Lake City, Utah
June 13-16, 1999
Booth 219 & 221

SHRM in Atlanta, Georgia
June 27-30, 1999
Booths 1537 & 1539
---------------------------------------------------------------------------------------------------------------------------

Jim Opfinger
jopfinger@hotjobs.com
Account Executive
tel: 212.302.0060
fax: 212.944.8962
Hotjobs.com, Ltd.
www.hotjobs.com
---------------------------------------------------------------------------------------------------------------------------

Today has never happened......
---------------------------------------------------------------------------------------------------------------------------

"So we went to Atari and said, 'Hey, we've got this amazing thing, even
built
with some of your parts, and what do you think about funding us? Or we'll
give it to you. We just want to do it. Pay our salary, we'll come work for
you.' And they said, 'No.' So then we went to Hewlett-Packard, and they
said, 'Hey, we don't need you. You haven't got through college yet.'" --
Apple Computer Inc. founder Steve Jobs on attempts to get Atari and H-P
interested in his and Steve Wozniak's personal computer.


From Loopers-Delight-request@annihilist.com  Fri May 14 15:56:06 1999
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From: Fmplautus@aol.com
Message-ID: <5bb584a7.246dd1ba@aol.com>
Date: Fri, 14 May 1999 15:21:30 EDT
Subject: Re: powerbook G3 recording
To: Loopers-Delight@annihilist.com
MIME-Version: 1.0
Content-Type: text/plain; charset="us-ascii"
Content-Transfer-Encoding: 7bit
X-Mailer: AOL for Macintosh sub 54
Resent-Message-ID: <"rdqa82.0.T56.ZV7Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
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I have a powerbook G3 266 loaded with Digital Performer 2.5.  It records up 
to 18 tracks just fine. 

From Loopers-Delight-request@annihilist.com  Fri May 14 15:51:42 1999
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Message-Id: <018a01be9e3d$9c6bb290$1fab82cc@testserver.mdbs.com>
From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Problem unsubscribing from epigram@egroups.com
Date: Fri, 14 May 1999 14:11:46 -0500
Mime-Version: 1.0
Content-Type: text/plain;
	charset="iso-8859-1"
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X-Priority: 3
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I believe the first one of us that unsubscribed did so successfully.  As the
rest of us tried to unsubscribe, the epigram list server bounces the
unsubscribe message, since Loopers-Delight is now unsubscribed.  I suggest
nobody else try unsubscribing and the annoying messages should eventually
stop.

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: eGroups.com Manager <epigram-help@egroups.com>
To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
Date: Friday, May 14, 1999 1:52 PM
Subject: Problem unsubscribing from epigram@egroups.com


>
>We're sorry, but we haven't been able to unsubscribe you from the
>epigram e-mail group as requested.
>
>The e-mail address you sent your message from
>
>loopers-delight@annihilist.com
>
>is not a member of the epigram group.
>


blah-blah-blah

From Loopers-Delight-request@annihilist.com  Fri May 14 16:20:09 1999
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Date: Fri, 14 May 1999 15:48:01 -0400
Message-Id: <199905141948.PAA29575@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"T_iAX1.0.KE7.pt7Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
Reply-To: Loopers-Delight@annihilist.com
X-Mailing-List: <Loopers-Delight@annihilist.com> archive/latest/5638
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Resent-Sender: Loopers-Delight-request@annihilist.com


We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 16:22:25 1999
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Date: Fri, 14 May 1999 15:46:07 -0400
Message-Id: <199905141946.PAA29342@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
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We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 16:48:45 1999
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Message-ID: <000001be9e46$91e29ec0$a942b5a3@sseaver.amd.com>
From: "Tragicom" <tragicom@flash.net>
To: <Loopers-Delight@annihilist.com>
Subject: Digitech/DOD  RDS Series
Date: Fri, 14 May 1999 15:06:53 -0500
MIME-Version: 1.0
Content-Type: multipart/alternative;
	boundary="----=_NextPart_000_0004_01BE9E1B.66E8F000"
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This is a multi-part message in MIME format.

------=_NextPart_000_0004_01BE9E1B.66E8F000
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Gentlemen,

Background:
I came across your name while I was searching for an analog delay for =
use with my guitar rig.  Back in the early 80s I purchased a unit from =
Dod/Digitech that was a 19-inch rack that had three protruding buttons =
and two knobs.  This unit was fantastic.  Unfortunately I got rid of it =
and have been suffering ever since.  I have been trying to replace it =
but I couldn't remember the model number.  It is my belief that these =
units used analog techniques to create delay( charge-coupled devices). =20

Question:  Do the RDS-2000,4000,8000 units utilize analog(CCDs) =
technology?  Where can I purchase these units?  I think my unit was =
marked with "DOD"

Thanks -charlie=20

------=_NextPart_000_0004_01BE9E1B.66E8F000
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Gentlemen,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 =
size=3D2><STRONG>Background:</STRONG></FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>I came across your name while I was =
searching=20
for an analog delay for use with my guitar rig.&nbsp; Back in the early =
80s I=20
purchased a unit from Dod/Digitech that was a 19-inch rack that had =
three=20
protruding buttons and two knobs.&nbsp; This unit was fantastic.&nbsp;=20
Unfortunately I got rid of it and have been suffering ever since.&nbsp; =
I have=20
been trying to replace it but I couldn't remember the model =
number.&nbsp; It is=20
my belief that these units used analog techniques to create delay(=20
charge-coupled devices).&nbsp; </FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Question:&nbsp; Do the =
RDS-2000,4000,8000 units=20
utilize analog(CCDs) technology?&nbsp; Where can I purchase these =
units?&nbsp; I=20
think my unit was marked with &quot;DOD&quot;</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Thanks =
-charlie&nbsp;</FONT></DIV></BODY></HTML>

------=_NextPart_000_0004_01BE9E1B.66E8F000--

From Loopers-Delight-request@annihilist.com  Fri May 14 16:57:28 1999
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Message-ID: <373C87B8.F2F8F6BF@earthlink.net>
Date: Fri, 14 May 1999 16:29:44 -0400
From: Stephan Ball <steverb@earthlink.net>
X-Mailer: Mozilla 4.04 [en] (Win95; I)
MIME-Version: 1.0
To: Loopers-Delight@annihilist.com
Subject: Re: Problem unsubscribing from epigram@egroups.com
References: <199905141729.NAA02001@rosy.yourwebhost.com>
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Why are you sending me this crap?  I've never heard of you or subscribed
to any group you sponser, nor have I changed my email address.  Please
desist immediately from sending this annoying harrassment.



eGroups.com Manager wrote:

> We're sorry, but we haven't been able to unsubscribe you from the
> epigram e-mail group as requested.
>
> The e-mail address you sent your message from
>
> loopers-delight@annihilist.com
>
> is not a member of the epigram group.
>
> You probably subscribed under an address different from what you
> currently use. To unsubscribe you, we need to know what address was in
> use when your subscription started.  Fortunately, there is a way to
> retrieve this address.
>
> Find one of the messages you have been receiving. Go to the headers at
> the top of the message and find the "Return-Path:" (Some e-mail
> programs, like Eudora, optionally let you hide this information.  You
> can unhide it, for example, in Eudora, by clicking the "Blah Blah
> Blah" button.)
>
> Please look for a header like:
>
> 'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'
>
> The information in the header that occupies the same place as
>
>         user=host.dom@egroups.com
>
> in this example is the e-mail address you were subscribed under.
>
> To unsubscribe, we ask you to send a message to
>
>         epigram-unsubscribe-user=host.dom@egroups.com
>
> replacing "user=host.dom@egroups.com" with the address information
> in the Return-Path header of the message you received.
>
> After that, please reply to a confirmation message we will send, and
> you should receive back a message that you're removed from the group.
>
> If this still doesn't work, please forward a group message you've
> received together with a note about what you're trying to achieve to
> the group moderator:
>
>     epigram-owner@egroups.com
>
> We're very sorry for this inconvenience.
>
> The eGroups.com Team
> ---
> FREE Web-based e-mail groups!
> http://www.egroups.com



From Loopers-Delight-request@annihilist.com  Fri May 14 17:16:18 1999
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Date: Fri, 14 May 1999 16:31:25 -0400
Message-Id: <199905142031.QAA06588@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"gPU6I1.0.Kd1.VW8Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
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We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 17:22:33 1999
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Date: Fri, 14 May 1999 16:48:09 -0400
Message-Id: <199905142048.QAA10293@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"Gpf3L2.0.4X2.Bm8Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
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We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 17:23:48 1999
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Message-ID: <355B6363.1601@pop.interport.net>
Date: Thu, 14 May 1998 16:34:32 -0500
From: John + Diane Parada <jparada@pop.interport.net>
Reply-To: jparada@changenow.com
X-Mailer: Mozilla 3.01 (Macintosh; I; PPC)
MIME-Version: 1.0
To: loopers-delight@annihilist.com
Subject: [Fwd: Re: Problem unsubscribing from epigram@egroups.com]
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Liebig, Steuart A. wrote:
> 
>         now this is a loop. who has the undo function?
thats funny. i hate epigram. we had a good thing going.MAKE THEM GO
AWAY!!!!!!!!!!.....jp


From Loopers-Delight-request@annihilist.com  Fri May 14 17:31:14 1999
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Message-ID: <005401be9e4b$8f844a20$fdb5c998@stu.wesleyan.edu>
From: "Jesse Kudler" <jkudler@mail.wesleyan.edu>
To: <Loopers-Delight@annihilist.com>
References: <018a01be9e3d$9c6bb290$1fab82cc@testserver.mdbs.com>
Subject: Re: Problem unsubscribing from epigram@egroups.com
Date: Fri, 14 May 1999 16:51:33 -0400
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How the hell did this happen?  Did someone somehow try to subscribe and
accidentally subscribed the whole LD list?  It's driving me nuts.  At least
you're all dealing with it too.  I thought it was some bizarre nightmare.

-Jesse

----- Original Message -----
From: Dennis W. Leas <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, May 14, 1999 3:11 PM
Subject: Re: Problem unsubscribing from epigram@egroups.com


> I believe the first one of us that unsubscribed did so successfully.  As
the
> rest of us tried to unsubscribe, the epigram list server bounces the
> unsubscribe message, since Loopers-Delight is now unsubscribed.  I suggest
> nobody else try unsubscribing and the annoying messages should eventually
> stop.
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
>
> -----Original Message-----
> From: eGroups.com Manager <epigram-help@egroups.com>
> To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
> Date: Friday, May 14, 1999 1:52 PM
> Subject: Problem unsubscribing from epigram@egroups.com
>
>
> >
> >We're sorry, but we haven't been able to unsubscribe you from the
> >epigram e-mail group as requested.
> >
> >The e-mail address you sent your message from
> >
> >loopers-delight@annihilist.com
> >
> >is not a member of the epigram group.
> >
>
>
> blah-blah-blah
>
>

From Loopers-Delight-request@annihilist.com  Fri May 14 17:53:48 1999
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Date: Fri, 14 May 1999 17:18:45 -0400
Message-Id: <199905142118.RAA16642@rosy.yourwebhost.com>
From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
Resent-Message-ID: <"esT0h1.0.F44.tC9Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
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We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 17:54:04 1999
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From: "Bailey, Jim" <baileyj@donmspcn.cmail.southam.ca>
To: "'looppost'" <loopers-delight@annihilist.com>
Subject: RE: Problem unsubscribing from epigram@egroups.com
Date: Fri, 14 May 99 15:30:00 EDT
Message-ID: <373C93CB@199.71.32.33>
Rr: 
Encoding: 14 TEXT
X-Mailer: Microsoft Mail V3.0
Resent-Message-ID: <"BVzRf3.0.cF4.LF9Ft"@rosy.yourwebhost.com>
Resent-From: Loopers-Delight@annihilist.com
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>We're sorry, but we haven't been able to unsubscribe you from the
>epigram e-mail group as requested.

So what happened here, did we get caught in a loop...

...caught in a loop...

...caught in a loop...

...caught in a loop...

...caught in a loop...

From Loopers-Delight-request@annihilist.com  Fri May 14 18:24:40 1999
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Message-ID: <373C986C.A3B051A4@bellsouth.net>
Date: Fri, 14 May 1999 17:41:01 -0400
From: Jeff Duke <jmar@bellsouth.net>
X-Mailer: Mozilla 4.51 [en] (Win95; U)
X-Accept-Language: en
MIME-Version: 1.0
To: Loopers-Delight@annihilist.com
Subject: Re: Problem unsubscribing from epigram@egroups.com
References: <018a01be9e3d$9c6bb290$1fab82cc@testserver.mdbs.com>
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I concur with Dennis, whenever I get an unwanted piece o' spam I just delete it.
I figure that to reply at all just tells them that there is a (gullible?) real
person that received the message, hence......
jd

"Dennis W. Leas" wrote:

> I believe the first one of us that unsubscribed did so successfully.  As the
> rest of us tried to unsubscribe, the epigram list server bounces the
> unsubscribe message, since Loopers-Delight is now unsubscribed.  I suggest
> nobody else try unsubscribing and the annoying messages should eventually
> stop.
>
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
>
> -----Original Message-----
> From: eGroups.com Manager <epigram-help@egroups.com>
> To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
> Date: Friday, May 14, 1999 1:52 PM
> Subject: Problem unsubscribing from epigram@egroups.com
>
> >
> >We're sorry, but we haven't been able to unsubscribe you from the
> >epigram e-mail group as requested.
> >
> >The e-mail address you sent your message from
> >
> >loopers-delight@annihilist.com
> >
> >is not a member of the epigram group.
> >
>
> blah-blah-blah

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From: "Stephen Goodman@Work" <spud@earthlight.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Problem unsubscribing from epigram@egroups.com
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[rustling papers from behind broadcast desk]

...Deja Vu, that strange feeling we get when - [looking around before
running off to catch the milk lorry, so to see the psychiatrist]

-----Original Message-----
From: Bailey, Jim <baileyj@donmspcn.cmail.southam.ca>
To: 'looppost' <loopers-delight@annihilist.com>
Date: Friday, May 14, 1999 2:56 PM
Subject: RE: Problem unsubscribing from epigram@egroups.com


>
>
>>We're sorry, but we haven't been able to unsubscribe you from the
>>epigram e-mail group as requested.
>
>So what happened here, did we get caught in a loop...
>
>...caught in a loop...
>
>...caught in a loop...
>
>...caught in a loop...
>
>...caught in a loop...
>

From Loopers-Delight-request@annihilist.com  Fri May 14 19:06:21 1999
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From: toukol@mindspring.com
Message-Id: <199905142236.SAA31942@rosy.yourwebhost.com>
Subject: Homeworkers Needed!
Date: Fri, 14 May 1999 12:03:14
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To: Loopers-Delight@annihilist.com
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Dear Future Associate,

You Can Work At Home & Set Your Own Hours.  Start earning Big 
Money in a short time
       
                                    NO Newspaper Advertising!

Your job will be to stuff and mail envelopes for our company. You 
will receive $.25 for each and every envelope you stuff and mail 
out.

Just follow our simple instructions and you will be making money 
as easy as
1… 2… 3

For example stuff and mail 200 envelopes and you will receive 
$50.00. Stuff and mail 1000 and you will receive $250.00. Stuff 
and mail 2000 and you will receive $500.00 and more 

Never before has there been an easier way to make money from 
home!

Our Company's Home Mailing Program is designed for people with 
little or no experience and provides simple, step by step 
instructions.  

There is no prior experience or special skills necessary on your 
part, Just stuffing envelopes.

We need the help of honest and reliable home workers like you.  
Because we are overloaded with work and have more than our staff 
can handle. We have now expanded our mailing program and are 
expecting to reach millions more with our offers throughout the 
US and Canada.

Our system of stuffing and mailing envelopes is very simple and 
easy to do!
You will not be required to buy envelopes or postage stamps.

We will gladly furnish all circulars at no cost to you. We assure 
you that as a participant in our program you will never have to 
mail anything objective or offensive. 

There are no quotas to meet, and there no contracts to sign. You 
can work as much, or as little as you want. Payment for each 
envelope you send out is Guaranteed!

Here is what you will receive when you get your first Package.  
Inside you will find 100 envelopes, 100 labels and 100 sales 
letters ready to stuff and mail

As soon as you are done with stuffing and mailing these first 
letters, your payment will arrive shortly, thereafter. All you 
have to do is to order more free supplies and stuff and mail more 
envelopes to make more money.

Our sales literature which you will be stuffing and mailing will 
contain
information outlining our highly informative manuals that we are
advertising nationwide.  As a free gift you will receive a 
special manual valued at  $24.95, absolutely free, just for 
joining our Home Mailers Program.

Plus you will get your own special code number, so that we will 
know how much you are to get paid.  And to make re-ordering of 
more envelopes, that our company supplies very simple for you.

We are giving you this free bonus because we want you to be 
confident in our company and to ensure that we will be doing 
business with you for a long time.

Benefits Of This Job:

1. You do not have to quit your present job, to earn more money 
at home
2. You can make between $2,500 to $4,500 a month depending on the 
amount of time you are willing to spend stuffing and mailing 
envelopes
3. This is a great opportunity for the students, mothers, 
disabled persons or those who are home bodies.

To secure your position and to show us that you are serious about 
earning extra income at home we require a one-time registration 
fee of $35.00.
This fee covers the cost of your initial start up package,  which 
includes 100 envelopes, 100 labels and 100 sales letters and a 
manual, your registration fee will be refunded back to you 
shortly thereafter.

Money Back Guarantee!

We guarantee that as soon as you stuff and mail your first 300 
envelopes You will be paid $75.00 and your registration fee will 
be refunded.

Many of you wonder why it is necessary to pay a deposit to get a 
job. It is because we are looking for people that seriously want 
to work from home.  

*  If 3.000 people told us they wanted to start working from home 
and we sent out 3.000 packages free to every one.  And then half 
of the people decided not to work, this would be a potential loss 
of more than $60,000 in supply's and shipping that we have sent 
out to people that don't want to work

We have instituted this policy to make sure that you really want 
to work and at least finish your first package.

To Get Started Today Please Enclose Your Registration Fee of $35
Check,Cash Or Money Order and fill out the application below and 
mail to:

AHWA CO
Pmb
1928 E. Highland Blvd
Ste #F104-902
Phoenix, Az 85016

Name_____________________________________________________

Address___________________________________________________

City____________________________________ State______________

Zip Code________________

Telephone Number(s)_________________________________________

E-mail Address______________________________________________



For all orders, please allow seven (7) days for delivery and up 
to 10 days. Cash and Money Orders will result in faster shipping 
of your package.
 
 
 
 
 
 
 
 
 

From Loopers-Delight-request@annihilist.com  Fri May 14 20:34:02 1999
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From: "eGroups.com Manager" <epigram-help@egroups.com>
Subject: Problem unsubscribing from epigram@egroups.com
To: loopers-delight@annihilist.com
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We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
FREE Web-based e-mail groups!
http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Fri May 14 21:28:21 1999
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Date: Fri, 14 May 1999 17:52:32 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@atitech.com>
Subject: Re: loopers, lemmings, and other garden pests.
Resent-Message-ID: <"35kNw2.0.BP5.HLCFt"@rosy.yourwebhost.com>
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At 08:03 PM 5/14/99 -0400, you wrote:
>
>We're sorry, but we haven't been able to unsubscribe you from the
>epigram e-mail group as requested.

Which of you looper-lemmings keeps replying to this? Perhaps the same ones
who quote entire 7k spam messages back to the list along with their one-line
witty comment, perhaps? It only took one bright person this morning to fix
the problem, the rest of you are now causing it. I know it's Friday and
you're all probably hitting the sauce pretty hard by now (or the fermented
foliage), but try to keep the gray matter engaged just long enough to scroll
by or hit the delete button...

thanks,
kim
________________________________________________________
Kim Flint, MTS                  408-845-6383
ATI Research                    kflint@atitech.com
http://www.atitech.com

From Loopers-Delight-request@annihilist.com  Fri May 14 22:46:09 1999
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From: "eGroups.com Manager" <epigram-help@egroups.com>
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We're sorry, but we haven't been able to unsubscribe you from the
epigram e-mail group as requested.

The e-mail address you sent your message from

loopers-delight@annihilist.com

is not a member of the epigram group.

You probably subscribed under an address different from what you
currently use. To unsubscribe you, we need to know what address was in
use when your subscription started.  Fortunately, there is a way to
retrieve this address.

Find one of the messages you have been receiving. Go to the headers at
the top of the message and find the "Return-Path:" (Some e-mail
programs, like Eudora, optionally let you hide this information.  You
can unhide it, for example, in Eudora, by clicking the "Blah Blah
Blah" button.)

Please look for a header like: 

'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'

The information in the header that occupies the same place as

	user=host.dom@egroups.com

in this example is the e-mail address you were subscribed under.

To unsubscribe, we ask you to send a message to

	epigram-unsubscribe-user=host.dom@egroups.com

replacing "user=host.dom@egroups.com" with the address information
in the Return-Path header of the message you received.

After that, please reply to a confirmation message we will send, and
you should receive back a message that you're removed from the group.

If this still doesn't work, please forward a group message you've
received together with a note about what you're trying to achieve to
the group moderator:

    epigram-owner@egroups.com

We're very sorry for this inconvenience.

The eGroups.com Team
---
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http://www.egroups.com


From Loopers-Delight-request@annihilist.com  Sat May 15 00:20:35 1999
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Date: Fri, 14 May 1999 22:50:35 -0500
From: James Devillez <grndflor@apex.net>
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Subject: who got bored?
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talk about looping and not being good..we know and  don't want to give
them credit for anything..Subject:
          Problem
hey.....

From Loopers-Delight-request@annihilist.com  Sat May 15 06:55:15 1999
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Date: Sat, 15 May 1999 02:29:32 +0200
From: Cummings <r_t_cummings@csi.com>
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To: Loopers-Delight@annihilist.com
Subject: Re: Loop de Looper
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this i can't wait to try out!

although i shouldn't because once i get started ... 
you know what happens, it's probably happening to you right now. ;-)

-the man cable-

Dennis W. Leas schrieb:
> 
> Here's something new I found.  Haven't seen it posted before so I'll tell
> you all about it.
> 
> I happened to have a radio next to my effect rack the other day and noticed
> it receives some interesting RFI from the effects.  Most of the noise comes
> from my old Yamaha SPX-90 but the EDPs generate some too.  Cool sounding
> bleeps and rhythms.  Of course, I HAD to loop the sound from the radio
> coming from the looper.
> 
> So here's a new way to loop the looper!  Try both the AM and FM band.  Play
> with the tuner.  Some settings on my SPX-90 and EDP affect the sounds,
> others don't.
> 
> Remember, the possibility are endless when you're looping (pun intended).
> 
> Dennis Leas
> -----------------------------
> dennis@mdbs.com



From Loopers-Delight-request@annihilist.com  Sat May 15 10:13:39 1999
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Date: Sat, 15 May 1999 09:53:46 -0400
From: Stephan Ball <steverb@earthlink.net>
X-Mailer: Mozilla 4.04 [en] (Win95; I)
MIME-Version: 1.0
To: Loopers-Delight@annihilist.com
Subject: Re: Problem unsubscribing from epigram@egroups.com
References: <199905142048.QAA10293@rosy.yourwebhost.com>
Content-Type: text/plain; charset=us-ascii
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I'm still getting 5-10 of these messages in a 24 hour period, apparently
corresponding to the number of  "legitimate" messages from the LD list
(?).  Can anyone suggest a definitive solution?  Maybe at the list
maintenance level (Kim??).

Steve


eGroups.com Manager wrote:

> We're sorry, but we haven't been able to unsubscribe you from the
> epigram e-mail group as requested.
>
> The e-mail address you sent your message from
>
> loopers-delight@annihilist.com
>
> is not a member of the epigram group.
>
> You probably subscribed under an address different from what you
> currently use. To unsubscribe you, we need to know what address was in
> use when your subscription started.  Fortunately, there is a way to
> retrieve this address.
>
> Find one of the messages you have been receiving. Go to the headers at
> the top of the message and find the "Return-Path:" (Some e-mail
> programs, like Eudora, optionally let you hide this information.  You
> can unhide it, for example, in Eudora, by clicking the "Blah Blah
> Blah" button.)
>
> Please look for a header like:
>
> 'Return-Path: <epigram-return-1234-user=host.dom@egroups.com>'
>
> The information in the header that occupies the same place as
>
>         user=host.dom@egroups.com
>
> in this example is the e-mail address you were subscribed under.
>
> To unsubscribe, we ask you to send a message to
>
>         epigram-unsubscribe-user=host.dom@egroups.com
>
> replacing "user=host.dom@egroups.com" with the address information
> in the Return-Path header of the message you received.
>
> After that, please reply to a confirmation message we will send, and
> you should receive back a message that you're removed from the group.
>
> If this still doesn't work, please forward a group message you've
> received together with a note about what you're trying to achieve to
> the group moderator:
>
>     epigram-owner@egroups.com
>
> We're very sorry for this inconvenience.
>
> The eGroups.com Team
> ---
> FREE Web-based e-mail groups!
> http://www.egroups.com



From Loopers-Delight-request@annihilist.com  Sat May 15 13:23:29 1999
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From: "Joseph Buck" <josephbuck@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Homewreckers Needed!
Date: Sat, 15 May 1999 10:04:55 PDT
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Dear Future Associate,

Ever had a spouse or significant other question you over your need to get 
and covet gear? I understand. They DON'T!

BUT!

You Can Work At Home & Set Your Own Hours. 

                                    NO Newspaper Advertising!

Your job will be to send to Buck as much gear as you have and can get ahold 
of. You will receive sincere thanks and warm fuzzy like feelings for every 
piece of gear you mail out.

Just follow our simple instructions and you will be super happy as easy as 
1… 2… 3

Never before has there been an easier way to make Buck happy from
home!

Our Company's Home Mailing Program is designed for people with
little or no experience and provides simple, step by step
instructions.

There is no prior experience or special skills necessary on your
part, Just handing over the gear.

We need the help of honest and reliable home workers like you.
Because I'm overloaded with work and broke I have now expanded gear 
"liberation" program and are expecting to reach millions more throughout the 
world.

There are no quotas to meet, and there no contracts to sign. You
can work as much, or as little as you want. Your thanks for each piece of 
gear you send to me is Guaranteed!

Benefits Of This Job:

1. You do not have to quit your present job, to earn more money
at home
2. You can receive satisfaction over something in your life.

To Get Started Today Please Send Your First Piece Of Gear To:

Joseph Buck
c/o Timkat
P.O. Box 70428
Pasadena, CA 91107

Name_____________________________________________________

Address___________________________________________________

City____________________________________ State______________

Zip Code________________

Telephone Number(s)_________________________________________

E-mail Address______________________________________________



For all orders, please allow seven days after I receive your gear to get 
your appreciation.

++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++














_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

From Loopers-Delight-request@annihilist.com  Sat May 15 14:45:35 1999
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Date: Sat, 15 May 1999 14:36:10 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: Re: Homewreckers Needed!
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Hi Buck,

Thanks for the good laugh. Can I get in on the bottom floor and have some
gear sent to me also? Maybe I could even take all the gear sent and then
put it on e-bay and make enough to quit my day job....

Patrick



                    http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Sat May 15 15:59:03 1999
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Message-ID: <373DCD20.2916@prodigy.net>
Date: Sat, 15 May 1999 14:38:08 -0500
From: Steve Dee <stevedee@prodigy.net>
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I just emailed an online music store about Echoplex pricing. He said it
is not being made for awhile (6 months+?). Is this true? So let me get
this straight! No more Jamman, no more Echoplex Digital Pro. Does that
mean that the Boomerang might be the only affordable looping machine
left to purchase brand new? If so, what's a decent price for a new or
used Boomerang? I'm ready to start looping! Thanks.
-- 
Steve
http://pages.prodigy.net/stevedee

From Loopers-Delight-request@annihilist.com  Sat May 15 19:51:45 1999
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Message-ID: <373E026C.2C871E91@stic.net>
Date: Sat, 15 May 1999 18:25:32 -0500
From: "James H. Sidlo" <jameshsidlo@stic.net>
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    I just wanted to thank everybody for their input!!!!!

James

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We're sorry, but we haven't been able to unsubscribe you from the
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Message-ID: <373DD0CA.6E45577F@texas.net>
Date: Sat, 15 May 1999 19:53:50 +0000
From: Bobdog <psbuddha@texas.net>
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wasn't me.

bobdog

From Loopers-Delight-request@annihilist.com  Sat May 15 23:05:03 1999
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From: "Wayne & Melva Perry" <mrper@netpci.com>
To: <Loopers-Delight@annihilist.com>
Subject: Oberheim Echo Plex, In search of...
Date: Sun, 16 May 1999 12:21:51 +1000
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This is a multi-part message in MIME format.

------=_NextPart_000_0091_01BE9F96.AD99C840
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	charset="iso-8859-1"
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Where are these available for purchase?  I've only found one place on =
the 'net.

Wayne

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	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content=3D"text/html; charset=3Diso-8859-1" =
http-equiv=3DContent-Type>
<META content=3D"MSHTML 5.00.2314.1000" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Where are these available for purchase?&nbsp; I've =
only found=20
one place on the 'net.</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT size=3D2>Wayne</FONT></DIV></BODY></HTML>

------=_NextPart_000_0091_01BE9F96.AD99C840--

From Loopers-Delight-request@annihilist.com  Sun May 16 09:29:37 1999
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Date: Sun, 16 May 1999 10:00:30 -0300
Subject: Re: Oberheim Echo Plex, In search of...
From: "Sebastian Woscoboinik" <sdw@satlink.com>
To: Loopers-Delight@annihilist.com, Loopers-Delight@annihilist.com
Mime-version: 1.0
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> THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3009693630_54541_MIME_Part
Content-type: text/plain; charset="US-ASCII"
Content-transfer-encoding: 7bit

http://www.tbred-music.com/network/

----------
From: "Wayne & Melva Perry" <mrper@netpci.com>
To: <Loopers-Delight@annihilist.com>
Subject: Oberheim Echo Plex, In search of...
Date: Sat, May 15, 1999, 11:21 PM


Where are these available for purchase?  I've only found one place on the
'net.

Wayne


--MS_Mac_OE_3009693630_54541_MIME_Part
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<HTML>
<HEAD>
<TITLE>Re: Oberheim Echo Plex, In search of...</TITLE>
</HEAD>
<BODY BGCOLOR=3D"#FFFFFF">
http://www.tbred-music.com/network/<BR>
<BR>
----------<BR>
From: &quot;Wayne &amp; Melva Perry&quot; &lt;mrper@netpci.com&gt;<BR>
To: &lt;Loopers-Delight@annihilist.com&gt;<BR>
Subject: Oberheim Echo Plex, In search of...<BR>
Date: Sat, May 15, 1999, 11:21 PM<BR>
<BR>
<BR>
<BLOCKQUOTE><FONT SIZE=3D"2">Where are these available for purchase? &nbsp;I'=
ve only found one place on the 'net.<BR>
</FONT>&nbsp;<BR>
<FONT SIZE=3D"2">Wayne<BR>
</FONT><BR>
</BLOCKQUOTE>
</BODY>
</HTML>

--MS_Mac_OE_3009693630_54541_MIME_Part--

From Loopers-Delight-request@annihilist.com  Sun May 16 10:56:39 1999
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From: RA336@aol.com
Message-ID: <821980d4.24703201@aol.com>
Date: Sun, 16 May 1999 10:36:49 EDT
Subject: Re: Homewreckers Testimonial
To: Loopers-Delight@annihilist.com
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... I tried Buck's program and I gotta tell ya, it worked for me!
Never have I felt such a release from anxiety and tension, and the sense of 
well-being is overwhelming...
and, that little "problem" I was experiencing... well... um... er...
let's just say it cleared that up as well!
I think I'll send him some more of my gear today!

Buck, let us know when you do the info-mercial.

From Loopers-Delight-request@annihilist.com  Sun May 16 12:16:17 1999
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Message-ID: <000d01be9fb5$9fad8a40$2e5bdfc8@doutor>
From: "Julio Moreno" <juliomoreno@bahianet.com.br>
To: <Loopers-Delight@annihilist.com>
References: <821980d4.24703201@aol.com>
Subject: Re: Homewreckers Testimonial
Date: Sun, 16 May 1999 12:59:14 -0300
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I can send my girlfriend to Buck?
Julio.
----- Original Message -----
From: <RA336@aol.com>
To: <Loopers-Delight@annihilist.com>
Sent: Sunday, May 16, 1999 11:36 AM
Subject: Re: Homewreckers Testimonial


> ... I tried Buck's program and I gotta tell ya, it worked for me!
> Never have I felt such a release from anxiety and tension, and the sense
of
> well-being is overwhelming...
> and, that little "problem" I was experiencing... well... um... er...
> let's just say it cleared that up as well!
> I think I'll send him some more of my gear today!
>
> Buck, let us know when you do the info-mercial.
>

From Loopers-Delight-request@annihilist.com  Sun May 16 12:21:21 1999
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Message-ID: <19990516160133.17985.qmail@hotmail.com>
X-Originating-IP: [206.216.80.76]
From: "Joseph Buck" <josephbuck@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Homewreckers Testimonial
Date: Sun, 16 May 1999 09:01:32 PDT
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SEE? An unsolicited testimonial to my remarkable system. Thank you "Rob" for 
your words.
You could be just like him! Well, perhaps without the predilection for 
Russian literature, but you could be like him!
Don't wait! ACT NOW! Etc.

Kisses,

Buck


>From: RA336@aol.com
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Homewreckers Testimonial
>Date: Sun, 16 May 1999 10:36:49 EDT
>
>.... I tried Buck's program and I gotta tell ya, it worked for me!
>Never have I felt such a release from anxiety and tension, and the sense of
>well-being is overwhelming...
>and, that little "problem" I was experiencing... well... um... er...
>let's just say it cleared that up as well!
>I think I'll send him some more of my gear today!
>
>Buck, let us know when you do the info-mercial.
>
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

From Loopers-Delight-request@annihilist.com  Sun May 16 12:32:48 1999
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Message-ID: <19990516160938.19885.qmail@hotmail.com>
X-Originating-IP: [12.74.90.110]
From: "kameleyon" <kameleyon@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Cool Jaco loop stuff
Date: Sun, 16 May 1999 09:09:38 PDT
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I purchased a disc recently, "Live in Italy & Honestly" on the Jazzpoint 
label, of Jaco Pastorius playing live, solo loop stuff in Italy recorded in 
March of '86. It's a double CD set with Disc 1 being a trio date with Jaco, 
rock-star guitarist Bireli LeGrene, and a drummer whose name escapes me now, 
and Disc 2 being the solo Jaco loop performances made with his old analog 
delay. There's some real cool sounds on the disc...highly recemended for the 
fellow jaco-philes.

Has anyone heard the "Jungle Funk" disc with Doug Wimbish and Will Calhoun?

---//////-------///-----///------/////---///////---
Joshua D. Pickenpaugh
Boulder, Colorado, U.S.A.
Bassist, Composer, Teacher
Digital "GIGPIX" : http://welcome.to/kameleyonmusic
-///------///////-------------//----------///////--


_______________________________________________________________
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From Loopers-Delight-request@annihilist.com  Sun May 16 16:23:35 1999
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From: "Steve Delgado" <chino@scican.net>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
References: <19990516160938.19885.qmail@hotmail.com>
Subject: Re: Cool Jaco loop stuff
Date: Sun, 16 May 1999 15:02:08 -0500
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Hi Joshua,

>It's a double CD set with Disc 1 being a trio date with Jaco,
> rock-star guitarist Bireli LeGrene,

Rock-star??  Bireli Le Grene??!   Have you heard him on Larry Coryell's
"Spaces Revisited" CD?  Not exactly Eddie Van Halen fare, if you ask me...
BTW, if you haven't heard that disc, and being a Jaco fan, you would
certainly dig the bass player on that session, a guy named Richard Bona.
He's from Cameroon, of all places.  He's also on the Zawinul "World Tour"
CD.  He solos on both discs, but not nearly enough!  What a monster!
At any rate, the Jaco disc sounds great; thanks for telling us about it.
I'm always looking for music for my radio show, and it sounds like this
would be a good one to have.  I had the pleasure of seeing Jaco with Pat
Metheny and a well-known drummer whose name escapes me right now many years
ago in a tiny little club in Boston called The Jazz Basement (I saw Miles
there too!).  Jaco stole the show, as he did every time I saw him with
Weather Report.

> Has anyone heard the "Jungle Funk" disc with Doug Wimbish and Will
Calhoun?

Yes; as a matter of fact, I first heard about them on this very list.  GREAT
musicians, but a little too "pop" for me.  I would also say they could use a
good guitarist, but perhaps I'm prejudiced, being one myself.

Steve Delgado



From Loopers-Delight-request@annihilist.com  Sun May 16 18:26:04 1999
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Date: Sun, 16 May 1999 15:05:35 -0700
From: lance glover <baumhaus@earthlink.net>
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Subject: Re: Cool Jaco loop stuff
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joshua wrote:

....It's a double CD set with Disc 1 being a trio date with Jaco,
rock-star guitarist Bireli LeGrene, and a drummer whose name escapes me now,
and Disc 2 being the solo Jaco loop performances...


then Steve wrote:

> ...I had the pleasure of seeing Jaco with Pat
> Metheny and a well-known drummer whose name escapes me right now...

i do believe drummers don't get 'nuff respect 'round here...

:)

lance g.

From Loopers-Delight-request@annihilist.com  Mon May 17 03:18:01 1999
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From: Leo Cavallo <cavallo@dada.it>
Subject: Re: Cool Jaco loop stuff
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hi

At 09.09 16/05/99 PDT, you wrote:
>I purchased a disc recently, "Live in Italy & Honestly" on the Jazzpoint 
>label, of Jaco Pastorius playing live, solo loop stuff in Italy recorded in 
>March of '86. It's a double CD set with Disc 1 being a trio date with Jaco, 
>rock-star guitarist Bireli LeGrene, and a drummer whose name escapes me now, 
>and Disc 2 being the solo Jaco loop performances made with his old analog 
>delay. There's some real cool sounds on the disc...highly recemended for the 
>fellow jaco-philes.
>
>Has anyone heard the "Jungle Funk" disc with Doug Wimbish and Will Calhoun?

I own both the records. Interesting studio stuff... but really brilliant on
stage.
ciao
leo

>
>---//////-------///-----///------/////---///////---
>Joshua D. Pickenpaugh
>Boulder, Colorado, U.S.A.
>Bassist, Composer, Teacher
>Digital "GIGPIX" : http://welcome.to/kameleyonmusic
>-///------///////-------------//----------///////--
>
>
>_______________________________________________________________
>Get Free Email and Do More On The Web. Visit http://www.msn.com
>
>
>

From Loopers-Delight-request@annihilist.com  Mon May 17 06:36:57 1999
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From: PJBMHB@aol.com
Message-ID: <5bbc32f9.247147a4@aol.com>
Date: Mon, 17 May 1999 06:21:24 EDT
Subject: east coast tape
To: Nemoguitt@aol.com, Loopers-Delight@annihilist.com
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it is finally out. sent it via "quickie mail" today to michael klobuchar in 
pittsburg. shoud get it tomorrow i believe. sorry for the hold up. =-0 PJ

From Loopers-Delight-request@annihilist.com  Mon May 17 09:30:37 1999
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Reply-To: <andre@monmouth.com>
From: "andre" <andre@monmouth.com>
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Subject: Torn /Calhoun show postponed!!! tues 18th KF, NYC
Date: Mon, 17 May 1999 09:16:53 -0400
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BTW -

i called the knit - the DAVID TORN/WILL CALHOUN gig - Spalltercell- is
postponed !! it was to be at the knit tomorrow night - TUES -
18th...however - Elliott Sharp  wil still bethere - and some band
SPACEHEADS - a duo with lotsa looping - are supposed to be greeeeaaaaaat!

see ya!?? i'll be there.

andre'

From Loopers-Delight-request@annihilist.com  Mon May 17 09:30:53 1999
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From: "andre" <andre@monmouth.com>
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Subject: Re: Cool Jaco loop stuff
Date: Mon, 17 May 1999 09:14:51 -0400
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Jaco - loops

sounds great... he also does some great looping in the  infamous Joni
Mitchell concert film 'shadows and llight'= band also features Pat
Metheny,Lyle Mays,Don ALias,Mike Brecker,,, killer!!! those bums at
elektra<?> have just re-released the CD as a double - so as to restore the
ONE SONG they pulled off to make it a SINGLE!! SCREW them!!!! at least NOW
- fill up the extra - wasted space!!!! Give us the JACO-LOOPS and a couple
extra songs!!! Charlatans!!

sigh... in other news - i've heard the jungle funk (wimbush/calhoun/vinx) -
pretty good- though the scale tips more towards songcraft/singing/r&b than
Loopcraft - and empahasis on weirdosity or anything. it's a pretty tame CD
- every track, pretty much, could be on the radio on a pop,rock or r n b
station ...... but 3-4 real standout trax with killer playing esp by doug
and will.

andre'




http://www.monmouth.com/~andre
Band Info, Articles, Health Links
JFK's LSD UFO and HIDDEN AGENDA

PROJECT/OBJECT http://projectobject.com
[frank  zappa trib. i play guitar in]

from an email....

I still think it's funny that Rock Music is descended from a parody of
slave culture that white people did 100 years ago.

Once I saw Carlene Carter at the Bottom Line. She came out on stage and
greeted the audience with "My name is Carlene Carter and I'm here to put
the "cunt" back into Country Music!"

Dad Johnny Cash was sitting at one of the tables nearby and I saw him
bury his face in his hands.


----------
> From: kameleyon <kameleyon@hotmail.com>
> To: Loopers-Delight@annihilist.com
> Subject: Cool Jaco loop stuff
> Date: Sunday, May 16, 1999 12:09 PM
> 
> I purchased a disc recently, "Live in Italy & Honestly" on the Jazzpoint 
> label, of Jaco Pastorius playing live, solo loop stuff in Italy recorded
in 
> March of '86. It's a double CD set with Disc 1 being a trio date with
Jaco, 
> rock-star guitarist Bireli LeGrene, and a drummer whose name escapes me
now, 
> and Disc 2 being the solo Jaco loop performances made with his old analog

> delay. There's some real cool sounds on the disc...highly recemended for
the 
> fellow jaco-philes.
> 
> Has anyone heard the "Jungle Funk" disc with Doug Wimbish and Will
Calhoun?
> 
> ---//////-------///-----///------/////---///////---
> Joshua D. Pickenpaugh
> Boulder, Colorado, U.S.A.
> Bassist, Composer, Teacher
> Digital "GIGPIX" : http://welcome.to/kameleyonmusic
> -///------///////-------------//----------///////--
> 
> 
> _______________________________________________________________
> Get Free Email and Do More On The Web. Visit http://www.msn.com
> 

From Loopers-Delight-request@annihilist.com  Mon May 17 09:33:02 1999
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From: "Sean Witters" <seanwitters@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Bob Moses
Date: Mon, 17 May 1999 06:21:19 PDT
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"Bright Sized Life" features; Pat, Jaco and of course ....Bob Moses (the 
drummer who's name alludes).  I recently saw him appearing with the Joel 
Harrison Quartet.  (Pardon the loopy digression)Harrison seems to be 
exploring looping possiblities via guitar with a Boomerang.  While it was 
nice to see, he hadn't really mastered his device yet but it did lend some 
nice textures to his free jazz stew.
But I've gotten off the point, I was talking about Bob Moses. He's a great 
player and an interesting and dynamic improviser with a palette of 
interesting sounds.  He's developed a wonderfully unconventional style of 
drumming (highly sampleable).  Moses is currently working on a duo project 
with John Medeski.  I don't know if they're recording but they're playing 
with Charlie Hunter and Adam Cruz on a double duo bill at the Somerville 
Theatre in Somerville, MA May 22nd.


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

From Loopers-Delight-request@annihilist.com  Mon May 17 10:46:51 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: What's Left?
Date: Mon, 17 May 1999 09:18:50 -0500
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As further point of concern, I just spoke with Manny's Music in NYC.  The
person I spoke with told me that the EDP had been discontinued.  I think
some PR is needed to get the word out that the EDP is alive.

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: Steve Dee <stevedee@prodigy.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, May 15, 1999 2:59 PM
Subject: What's Left?


>I just emailed an online music store about Echoplex pricing. He said it
>is not being made for awhile (6 months+?). Is this true? So let me get
>this straight! No more Jamman, no more Echoplex Digital Pro. Does that
>mean that the Boomerang might be the only affordable looping machine
>left to purchase brand new? If so, what's a decent price for a new or
>used Boomerang? I'm ready to start looping! Thanks.
>--
>Steve
>http://pages.prodigy.net/stevedee
>
>

From Loopers-Delight-request@annihilist.com  Mon May 17 10:53:21 1999
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Date: Mon, 17 May 1999 08:42:14 -0600
To: Loopers-Delight@annihilist.com
From: Edwin Hurwitz <edwin@indra.com>
Subject: Re: Cool Jaco loop stuff
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>  I had the pleasure of seeing Jaco with Pat
>Metheny and a well-known drummer whose name escapes me right now many years
>ago in a tiny little club in Boston called The Jazz Basement (I saw Miles
>there too!).  Jaco stole the show, as he did every time I saw him with
>Weather Report.

Would that have been Bob Moses?

Edwin

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin

From Loopers-Delight-request@annihilist.com  Mon May 17 11:09:35 1999
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From: Jon Grant <tianmus@aracnet.net>
To: "Loopers-Delight (E-mail)" <Loopers-Delight@annihilist.com>
Subject: Digital Audio Reference Sites
Date: Mon, 17 May 1999 10:45:17 -0700
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	Ir's time (once again) for me to upgrade my computer setup, and I'm =
just wondering if anyone has found good reference sites or lists on the =
web.  I'd like a fair amount of reliable technical information about =
hardware and software.

		Cheers,

			Jon Grant

From Loopers-Delight-request@annihilist.com  Mon May 17 11:29:19 1999
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From: dan sumner <permadan@yahoo.com>
Subject: Re: Bob Moses
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Moses is a great musician and a very odd fellow.  I
was a member of his student band at the New England
Conservatory in 1991.  We played the premeir of his
piece "Return of the Goddess" at Jordan Hall. 
Rehearsals were intense as there were no written parts
and he would sing your part to you until you got it
just right.  He was hell on guitar players but I
learned quite a bit from him.  He also had some
interesting stories about Jaco.
Dan 
--- Sean Witters <seanwitters@hotmail.com> wrote:
> "Bright Sized Life" features; Pat, Jaco and of
> course ....Bob Moses (the 
> drummer who's name alludes).  I recently saw him
> appearing with the Joel 
> Harrison Quartet.  (Pardon the loopy
> digression)Harrison seems to be 
> exploring looping possiblities via guitar with a
> Boomerang.  While it was 
> nice to see, he hadn't really mastered his device
> yet but it did lend some 
> nice textures to his free jazz stew.
> But I've gotten off the point, I was talking about
> Bob Moses. He's a great 
> player and an interesting and dynamic improviser
> with a palette of 
> interesting sounds.  He's developed a wonderfully
> unconventional style of 
> drumming (highly sampleable).  Moses is currently
> working on a duo project 
> with John Medeski.  I don't know if they're
> recording but they're playing 
> with Charlie Hunter and Adam Cruz on a double duo
> bill at the Somerville 
> Theatre in Somerville, MA May 22nd.
> 
> 
>
_______________________________________________________________
> Get Free Email and Do More On The Web. Visit
> http://www.msn.com
> 
> 

_____________________________________________________________
Do You Yahoo!?
Free instant messaging and more at http://messenger.yahoo.com

From Loopers-Delight-request@annihilist.com  Mon May 17 11:53:24 1999
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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
To: <Phaedebk@aol.com>, <p.driessen@axis.nl>
Cc: <Loopers-Delight@annihilist.com>
Subject: Re: loop the loop the lupe the lay!
Date: Sun, 16 May 1999 19:17:48 -0400
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Two solutions for popping new info into loops: The Digitech RP7 and Bob
Sellon's modified Lexicon PCM42. Both have foot controls which vary the
amount of regeneration from one to infinite. By rocking the pedal back to
the "one" spot, inserting whatever you wish, and rocking back to whatever
(multiple delays or infinite loop), the next time around the insert will
appear "alone", surrounded by whatever you've built up at that point.
    I've been meaning to sing the praises of the Digitech multi-effects
pedals for a while. Their delay features are very robust, offering (on the
RP7) dual parallel delays of up to 3.5 seconds, definitely enough to get
some hip ambient stuff going. If I find the time, I will write more for the
Website's "Tools" page on the Digitech stuff.

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Date: Mon, 17 May 1999 12:08:29 -0400
To: <Loopers-Delight@annihilist.com>
From: murkie <murkie@panther.middlebury.edu>
Subject: Re: Torn /Calhoun show postponed!!! tues 18th KF, NYC
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At 09:16 AM 5/17/99 -0400, andre wrote:
>BTW -
>
>i called the knit - the DAVID TORN/WILL CALHOUN gig - Spalltercell- is
>postponed !! it was to be at the knit tomorrow night - TUES -
>18th...however - Elliott Sharp  wil still bethere - and some band
>SPACEHEADS - a duo with lotsa looping - are supposed to be greeeeaaaaaat!
>
>see ya!?? i'll be there.
>
>andre'


hmmm...  i just got off the phone with the KF and they say it's on. i'd
recomend calling the Factory tomorrow  to find out fer sure, though.  any
other LD folks planning on going besides me & andre?  secret handshake time?  

later.

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Mon May 17 13:10:39 1999
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From: "Joseph Buck" <josephbuck@hotmail.com>
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Subject: Further Testamonial
Date: Mon, 17 May 1999 09:58:14 PDT
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Dear Valued Generic Corporation,

About a year ago I was down on my luck. I lived paycheck to paycheck, never 
knowing when I would get out of debt. Never knowing IF, for that matter. 
Then I stumbled into Homewreckers Needed! The plan seemed simple enough:
Send Buck gear, get his appreciation.

I really had nothing to lose. So I figured ... why not?

So I tried this out. Some of the stuff I sent him was actual gear, e.g. 
computers, VCRs, printers; but mostly I sent him various services. These 
jockables ranged from designing his magazine, to rewriting "Send Buck Gear" 
proposals he was sending out to the great corporations of America. I was 
sending him so many jockables that I finally signed up for a special program 
that, with each jockable I sent him, would let me earn miles toward a free 
trip to Pasadena. This was the "Fact-Checkin'-Cuz" program.

And ever since, my life has been enriched. I'm still in debt, still living 
paycheck to paycheck, down a few computers, and still waiting for him to pay 
his share of the "Girls Gone Wild" video we ordered, but at least now I can 
spend my lunch hours and evenings making sure Buck can receive more gear.

Thank you, Buck!


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

From Loopers-Delight-request@annihilist.com  Mon May 17 13:57:27 1999
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Date: Mon, 17 May 1999 10:23:39 -0700
Subject: Powerbooking and loopsters
From: "Ryan Blum" <lowfrqcy@west.net>
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Hey everyone--

I've been on the list for a long time, lurking and being distracted by
various school, etc. commitments, and I thought I'd ask y'alls opinion on
how to get my new Powerbook G3 (shipping at the end of May) decked out with
digital audio, MIDI sequencing (the standard stuff) and as much cool weird
looping stuff as has been discovered for the MacOS (no one's done much audio
with Linux, right?).  Right now, I've been told of Cubase VST and
Studiovision, and that's where my knowledge stops.  Ultimately, I'd love to
be able to use the computer for recording stuff that I use my DAT for now,
arranging and printing parts for jazz band, and experimenting with Drumnbass
and other eletronic noises.

If this is too un-loopy, maybe we should take it to private email.
Thanks!
Ryan Blum

From Loopers-Delight-request@annihilist.com  Mon May 17 14:09:50 1999
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To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: What's Left?
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It's not discontinued, they're just changing where and how they produce it.
Doesn't appear to be going as fast as one might hope, but they are still
going.

kim

>As further point of concern, I just spoke with Manny's Music in NYC.  The
>person I spoke with told me that the EDP had been discontinued.  I think
>some PR is needed to get the word out that the EDP is alive.
>
>Dennis Leas
>-----------------------------
>dennis@mdbs.com
>
>-----Original Message-----
>From: Steve Dee <stevedee@prodigy.net>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Saturday, May 15, 1999 2:59 PM
>Subject: What's Left?
>
>
>>I just emailed an online music store about Echoplex pricing. He said it
>>is not being made for awhile (6 months+?). Is this true? So let me get
>>this straight! No more Jamman, no more Echoplex Digital Pro. Does that
>>mean that the Boomerang might be the only affordable looping machine
>>left to purchase brand new? If so, what's a decent price for a new or
>>used Boomerang? I'm ready to start looping! Thanks.
>>--
>>Steve
>>http://pages.prodigy.net/stevedee
>>
>>


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon May 17 14:13:45 1999
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Date: Mon, 17 May 1999 13:37:19 -0400
From: Legion <legion@voicenet.com>
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Subject: FS: Roland G707 guitar - $350
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Well in my eternal quest for a Roland G33/G88 bass I am putting my G707
guitar up for sale. This is the silver guitar with the wildass
stabilizer bar running accross the top. I have pics I can send if anyone
wants to see the model. PLease note this is the guitar w/case ONLY. Not
the floor unit or cable. Just a damn cool guitar.

The guitar is in excellent condition cosmetically and functionally. I
have run a GR700 and GR300 floor unit from this and the electronics are
also in top shape. I have decided to keep my G303 guitar for all my
roland synth needs so this unit is forsale or trade for a G33/G88 bass.
I'd also consider a Casio PG380 guitar.

The guitar comes with the whammy bar and original Hardshell case which
is a big deal only because it's custom built to fit this sucker (hard to
find a case that will hold it in place right). I just had the strings
changed and set up so it plays great as a guitar in it's own right. If
you've ever wanted to have a spaceage designed guitar that sounds great
too this is the one to get. 

I'm asking $350 obo plus shipping which I'm told it's certainly worth.
last week I had some idiot try and sell me a G77 bass (no floor unit or
cable) for $650 (that'll teach me to put an ad in Vintage Guitar Mag) so
I don't want to give this away but note the OBO as pickup in Phila would
be great as well. 

References out the wazoo. Any questions email me direct.

Thanks for reading.

D_

----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Mon May 17 15:29:52 1999
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Reply-To: "Collins" <collinsclan@sprintmail.com>
From: "Collins" <collinsclan@sprintmail.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Powerbooking and loopsters
Date: Mon, 17 May 1999 14:06:25 -0400
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Ryan,

  Everything you could probably need is at www.opcode.com they have all
kinds of stuff for those with Macs. I now wish i had one...that way i could
mess around with LiSa from STEIM and MAX from Opcode. Two amazing programs.

Jeffrey  Collins

A Strange View of Music
http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html


-----Original Message-----
From: Ryan Blum <lowfrqcy@west.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, May 17, 1999 1:57 PM
Subject: Powerbooking and loopsters


>Hey everyone--
>
>I've been on the list for a long time, lurking and being distracted by
>various school, etc. commitments, and I thought I'd ask y'alls opinion on
>how to get my new Powerbook G3 (shipping at the end of May) decked out with
>digital audio, MIDI sequencing (the standard stuff) and as much cool weird
>looping stuff as has been discovered for the MacOS (no one's done much
audio
>with Linux, right?).  Right now, I've been told of Cubase VST and
>Studiovision, and that's where my knowledge stops.  Ultimately, I'd love to
>be able to use the computer for recording stuff that I use my DAT for now,
>arranging and printing parts for jazz band, and experimenting with
Drumnbass
>and other eletronic noises.
>
>If this is too un-loopy, maybe we should take it to private email.
>Thanks!
>Ryan Blum
>
>

From Loopers-Delight-request@annihilist.com  Mon May 17 16:03:57 1999
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From: "Steve Delgado" <chino@scican.net>
To: <Loopers-Delight@annihilist.com>
References: <19990516160938.19885.qmail@hotmail.com><003a01be9fd6$fb6a0680$8cd1f8cc@newmicronpc> <v04205100b365db2a0134@[204.144.142.191]>
Subject: Re: Cool Jaco loop stuff
Date: Mon, 17 May 1999 14:28:24 -0500
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I would say it almost certainly was.  Didn't Moses play regularly with Jaco
and Pat back then (we're talking '74 or '75)?   If so, t'was he.  Thanks for
almost jogging my memory!

Steve Delgado

> >  I had the pleasure of seeing Jaco with Pat
> >Metheny and a well-known drummer whose name escapes me right now
>
> Would that have been Bob Moses?
>


From Loopers-Delight-request@annihilist.com  Mon May 17 16:15:41 1999
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From: charles.boswell@amd.com
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To: Loopers-Delight@annihilist.com
Subject: Digitech,DOD Series PDS,RDS
Date: Mon, 17 May 1999 14:58:41 -0500
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All,

I used a very early "digital" delay from Dod/Digitech.  I am almost sure
that this unit had the name DOD on it.   I lost the unit in move and would
like to replace it.   I also believe that it was manufactured in the early
eighties(83,84).  I purchased it in 1984.  It was able to give chorus,
flange, slapback, and delay.  The sound was incredible( probable anlalog -
CCD devices).  It was a 19-inch rack unit.  It had three push-in knobs and a
couple of pots.  

I think it was one the RDS or PDS series. Does anyone out there know where I
could purchase another one of these units?

> Charles R. Boswell Jr
> AMD - Advanced Development Labs
> 5204 East Ben White Blvd.
> Mail Stop 621
> Austin, Texas 78741
> 512-602-2418
> 512-602-6582(FAX)
> 1-800-538-8450-52418
> 
> 

From Loopers-Delight-request@annihilist.com  Mon May 17 17:51:56 1999
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Date: Mon, 17 May 1999 15:16:15 -0600
From: Jim Coker <jcoker@magelang.com>
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Organization: Magelang Institute
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You might want to look at Digital Performer (www.motu.com).
The next version (2.6) will offer an interesting loop
audio recording feature.  It's also makes an excellent
DAW on its own.  

Jim

Ryan Blum wrote:
> 
> Hey everyone--
> 
> I've been on the list for a long time, lurking and being distracted by
> various school, etc. commitments, and I thought I'd ask y'alls opinion on
> how to get my new Powerbook G3 (shipping at the end of May) decked out with
> digital audio, MIDI sequencing (the standard stuff) and as much cool weird
> looping stuff as has been discovered for the MacOS (no one's done much audio
> with Linux, right?).  Right now, I've been told of Cubase VST and
> Studiovision, and that's where my knowledge stops.  Ultimately, I'd love to
> be able to use the computer for recording stuff that I use my DAT for now,
> arranging and printing parts for jazz band, and experimenting with Drumnbass
> and other eletronic noises.
> 
> If this is too un-loopy, maybe we should take it to private email.
> Thanks!
> Ryan Blum

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From: "Julio Moreno" <juliomoreno@bahianet.com.br>
To: <Loopers-Delight@annihilist.com>
References: <19990517165817.62184.qmail@hotmail.com>
Subject: Buck crap.
Date: Mon, 17 May 1999 18:28:46 -0300
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Hey!!! ''Girls Gone Wild'' sounds interesting...
Julio.
----- Original Message -----
From: Joseph Buck <josephbuck@hotmail.com>
To: <Loopers-Delight@annihilist.com>
Sent: Monday, May 17, 1999 1:58 PM
Subject: Further Testamonial


> Dear Valued Generic Corporation,
>
> About a year ago I was down on my luck. I lived paycheck to paycheck,
never
> knowing when I would get out of debt. Never knowing IF, for that matter.
> Then I stumbled into Homewreckers Needed! The plan seemed simple enough:
> Send Buck gear, get his appreciation.
>
> I really had nothing to lose. So I figured ... why not?
>
> So I tried this out. Some of the stuff I sent him was actual gear, e.g.
> computers, VCRs, printers; but mostly I sent him various services. These
> jockables ranged from designing his magazine, to rewriting "Send Buck
Gear"
> proposals he was sending out to the great corporations of America. I was
> sending him so many jockables that I finally signed up for a special
program
> that, with each jockable I sent him, would let me earn miles toward a free
> trip to Pasadena. This was the "Fact-Checkin'-Cuz" program.
>
> And ever since, my life has been enriched. I'm still in debt, still living
> paycheck to paycheck, down a few computers, and still waiting for him to
pay
> his share of the "Girls Gone Wild" video we ordered, but at least now I
can
> spend my lunch hours and evenings making sure Buck can receive more gear.
>
> Thank you, Buck!
>
>
> _______________________________________________________________
> Get Free Email and Do More On The Web. Visit http://www.msn.com
>


From Loopers-Delight-request@annihilist.com  Mon May 17 18:05:50 1999
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From: SoundFNR@aol.com
Message-ID: <a1684bf.2471e09b@aol.com>
Date: Mon, 17 May 1999 17:14:03 EDT
Subject: Vortex dual loop patch
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 OK    here it is
  .......but you have to submit a patch to my site (maybe)
  Morph between 2 versions of 11 Shimmer A
  
  mix                  	32          32
  output              	64          64
  mod fx lvl              64          64
  echo fx lvl             64          64
  morph AB            45          45
  envelope              1            1
  echo% 1              1            1
  echo% 2              1            1
  feedback 1        pedal       64
  feedback 2         64         pedal
  then set all rates depths & resonances to 1

............now you might want to know how it works,
.....................................more fun to just try it though,

......all right then

you now have 2 seperate (up to)1second loops to play with ,
one on the left and one on the right (this sounds better in stereo) ,
 let's call them loopA and loopB 
you can only alter one loop at a time
the A/B switch switches between them
the pedal can be used to insert/replace/erase/add material,
full down is infinite loop with none of the input added
full up is no loop feedback but add input to loop,
so you have to pull back on the ped to add new stuff then push down to keep 
it,
or pull back half way to add stuff without totally erasing the old.

So you can start out with one loop , loop A and get it just how you like it,
then hit the A/B switch
and get to work on loop B, while loop A stays the same
hitting the A/B again lets you go back to modifying loopA, while loop B stays 
the same. 

If you don't have a pedal set the pedalled parameters to about 32,and just 
play with the A/B it's still quite entertaining.   
  
  Andy Butler
  Lexicon Vortex Database (newish section on undocumented features)
  http://members.aol.com/soundfnr/vortex.htm
  

From Loopers-Delight-request@annihilist.com  Tue May 18 09:34:47 1999
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Reply-To: <andre@monmouth.com>
From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Torn /Calhoun show postponed!!! tues 18th KF, NYC
Date: Tue, 18 May 1999 09:18:53 -0400
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hey al

the show is DEF'NITly off..... as of monday 1pm or so - according to the
operator at the knit - 212-219-3006...POSTPONED till another date.

again - spaceheads/elliott sharp are on!!  - c'monn in or listen on
theweb... u know ...www.knittingfactory.com

peace and loops.

andre'


From Loopers-Delight-request@annihilist.com  Tue May 18 10:04:40 1999
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Date: Tue, 18 May 1999 09:50:27 -0500
From: Mark Sottilaro <msottila@mailbox.syr.edu>
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Subject: I'm back in the loop, and bound for SF
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Hello all,

A while ago (how the time blurs!) I had to leave the list due to a heavy
college work load involving many list-serves.  Anyway, I graduated, and
now I join the ranks of the unemployed.  Woooooo hoooooo!

I said, Wooo hooo.

So the deal-e-o is I've been excepted to Cal State, Hayward, into their
Multimedia program.  I seem to remember that San Francisco has a really
good looping community, and I'm psyched to join it.  I've been stuck in
Syracuse, NY for the last 3 years, and let me tell you, it's pretty grim
here, in almost all ways.

Hey Kim, thanks for still being here.  This is such a great resource.
You rock.  One thing I did notice is that the looper's page is so
silent.  I've been starting to use Macromedia's Flash to do web
animation and sound.  The files are tiny and seem to work really well.
( check out gabocorp.com ) I've been looking for a project to go for as
a learning experience, and I may attempt a revamp of the looper logo,
with loop included.  Use it if you like it, I'm doing it for fun.

Anyway, it's great to be back.

See you in the future!

Mark Sottilaro

From Loopers-Delight-request@annihilist.com  Tue May 18 12:01:52 1999
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Date: Tue, 18 May 1999 11:32:52 -0400
From: legion <legion@voicenet.com>
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Subject: Re: Digitech,DOD Series PDS,RDS
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> I used a very early "digital" delay from Dod/Digitech.  I am almost sure
> that this unit had the name DOD on it.   I lost the unit in move and would
> like to replace it.   I also believe that it was manufactured in the early
> eighties(83,84).  I purchased it in 1984.  It was able to give chorus,
> flange, slapback, and delay.  The sound was incredible( probable anlalog -
> CCD devices).  It was a 19-inch rack unit.  It had three push-in knobs and a
> couple of pots.
> I think it was one the RDS or PDS series. Does anyone out there know where I
> could purchase another one of these units?

DOD (later Digitech0 made quite a few rack mount delay systems. The
early DOD ones were very simple with a few knobs for mixing dry/wet
signal, delay length and time, an LFO of sorts, and push buttons to set
preset delay time ranges (this is where you got the double, flange,
delay options). These then evolved into the "Time Machine" RDS systems
by digitech.

Digitech made at least three different series of time machines all with
the RDS line and the actualdelay times in the title.

ie: RDS960 was 960 millisenconds, RDS3.6 was 3.6 seconds, RDS8000 was 8
seconds long

All of these had the LFO, mix contorls and preset buttons but the later
versions also added a hold feature, trigger button, and quieter overall
performance. As far as i know all the models were digital delays; the
digitech RDS certainly was.

These show up all the time everywhere. If you can't find one locally in
a music store that sells used gear you can always find anumber of them
forsale on the web in newsgroups or at very least in stock at Daddy's
junky music
http://www.ugbm.com/group.shtml

look under rack effects.

They should range from $100-200 depending on the model and condition. I
adore my RDS 3.6.
 good luck!


-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Tue May 18 12:45:49 1999
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From: charles.boswell@amd.com
Message-ID: <AB4CB1CC6547D21197B00008C7F48FB4D22455@txexmta0.amd.com>
To: Loopers-Delight@annihilist.com
Subject: RE: Digitech,DOD Series PDS,RDS
Date: Tue, 18 May 1999 11:17:09 -0500
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Legion,

Thank you.  I appreciate you taking the time to respond.  I loved my early
DOD unit and anticipate getting even better results with the RDS line.
Thanks again.  -charlie

> Charles R. Boswell Jr
> AMD - Advanced Development Labs
> 5204 East Ben White Blvd.
> Mail Stop 621
> Austin, Texas 78741
> 512-602-2418
> 512-602-6582(FAX)
> 1-800-538-8450-52418
> 
> 
> 
> -----Original Message-----
> From:	legion [SMTP:legion@voicenet.com]
> Sent:	Tuesday, May 18, 1999 10:33 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: Digitech,DOD Series PDS,RDS
> 
> > I used a very early "digital" delay from Dod/Digitech.  I am almost sure
> > that this unit had the name DOD on it.   I lost the unit in move and
> would
> > like to replace it.   I also believe that it was manufactured in the
> early
> > eighties(83,84).  I purchased it in 1984.  It was able to give chorus,
> > flange, slapback, and delay.  The sound was incredible( probable anlalog
> -
> > CCD devices).  It was a 19-inch rack unit.  It had three push-in knobs
> and a
> > couple of pots.
> > I think it was one the RDS or PDS series. Does anyone out there know
> where I
> > could purchase another one of these units?
> 
> DOD (later Digitech0 made quite a few rack mount delay systems. The
> early DOD ones were very simple with a few knobs for mixing dry/wet
> signal, delay length and time, an LFO of sorts, and push buttons to set
> preset delay time ranges (this is where you got the double, flange,
> delay options). These then evolved into the "Time Machine" RDS systems
> by digitech.
> 
> Digitech made at least three different series of time machines all with
> the RDS line and the actualdelay times in the title.
> 
> ie: RDS960 was 960 millisenconds, RDS3.6 was 3.6 seconds, RDS8000 was 8
> seconds long
> 
> All of these had the LFO, mix contorls and preset buttons but the later
> versions also added a hold feature, trigger button, and quieter overall
> performance. As far as i know all the models were digital delays; the
> digitech RDS certainly was.
> 
> These show up all the time everywhere. If you can't find one locally in
> a music store that sells used gear you can always find anumber of them
> forsale on the web in newsgroups or at very least in stock at Daddy's
> junky music
> http://www.ugbm.com/group.shtml
> 
> look under rack effects.
> 
> They should range from $100-200 depending on the model and condition. I
> adore my RDS 3.6.
>  good luck!
> 
> 
> -----------------------------------------------------------------------
>      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
> "Bringing you the best in Organic Electronic music since we started..."
>      
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Tue May 18 12:57:25 1999
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Date: Tue, 18 May 1999 11:35:21 -0500
To: Loopers-Delight@annihilist.com
From: "Michael S. Yoder" <myoder@tamiu.edu>
Subject: Re: Digitech,DOD Series PDS,RDS
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At 11:32 AM 5/18/99 -0400, you wrote:
>> I used a very early "digital" delay from Dod/Digitech.   I lost the unit
in >>move and would like to replace it.    It was a 19-inch rack unit. =20
>> I think it was one the RDS or PDS series. Does anyone out there know
where I
>> could purchase another one of these units?


If you find the 8-second Digitech RDS 8000, be careful:  mine drifts sharp
in the infinite loop mode until it's warmed up for 2-3 hours.  I've heard
similar horror stories from other loopers about Digitech looping devices.
I'm willing to sacrifice the additional 2 seconds to have the pitch
reliability and cleaner sound of the 6-second Zoom 2100 ($140.00 new).

Hasta la revoluci=F3n,
Michael.
=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=
=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464=20
Internet:myoder@tamiu.edu

=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=
=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D--=3D-=3D-=3D-=3D=3D

From Loopers-Delight-request@annihilist.com  Tue May 18 13:22:41 1999
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Date: Tue, 18 May 1999 11:17:15 -0600
From: Jim Coker <jcoker@magelang.com>
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The new loop recording feature of Digital Performer:
http://www.motu.com/english/software/dp/dp26/index.html

Jim

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Date: Tue, 18 May 1999 11:32:44 -0700
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Subject: Re: I'm back in the loop, and bound for SF
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At 7:50 AM -0700 5/18/99, Mark Sottilaro wrote:

>
>Hey Kim, thanks for still being here.  This is such a great resource.
>You rock.  One thing I did notice is that the looper's page is so
>silent.  I've been starting to use Macromedia's Flash to do web
>animation and sound.  The files are tiny and seem to work really well.
>( check out gabocorp.com ) I've been looking for a project to go for as
>a learning experience, and I may attempt a revamp of the looper logo,
>with loop included.  Use it if you like it, I'm doing it for fun.

Hi Mark, that would be great! It would be fun if we could get different
people from the list to do loops and have it randomly choose one each time
the page is opened. Or maybe "feature" a different loop each day.

looking forward to seeing what you do!

and the rest of you, don't forget, I'm always looking for new website
contributions! Thanks to everybody who has contributed stuff over the
years. I know I'm slow to integrate things into the site sometimes, but it
all gets there eventually. Keep it coming!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue May 18 15:19:33 1999
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From: "Wordsman, Lee" <LWordsman@PIRNIE.COM>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Digitech,DOD Series PDS,RDS
Date: Tue, 18 May 1999 14:20:39 -0400
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While were on this topic, I want to ask a question that I may have posed
once before but never gotten an answer to.  I use a Roland FS-1 footswitch
on my RDS 4.0 open and close a loop for overdubbing.  It takes 1.5 presses
on the switch to get the RDS to either open or close the loop.  I expected
that it would only require me to step on the switch once and I could either
overdub or hold the loop indefinitely.  Any solutions to this.  

> -----Original Message-----
> From: legion [mailto:legion@voicenet.com]
> Sent: Tuesday, May 18, 1999 11:33 AM
> To: Loopers-Delight@annihilist.com
> Subject: Re: Digitech,DOD Series PDS,RDS
> 
> 
> > I used a very early "digital" delay from Dod/Digitech.  I 
> am almost sure
> > that this unit had the name DOD on it.   I lost the unit in 
> move and would
> > like to replace it.   I also believe that it was 
> manufactured in the early
> > eighties(83,84).  I purchased it in 1984.  It was able to 
> give chorus,
> > flange, slapback, and delay.  The sound was incredible( 
> probable anlalog -
> > CCD devices).  It was a 19-inch rack unit.  It had three 
> push-in knobs and a
> > couple of pots.
> > I think it was one the RDS or PDS series. Does anyone out 
> there know where I
> > could purchase another one of these units?
> 
> DOD (later Digitech0 made quite a few rack mount delay systems. The
> early DOD ones were very simple with a few knobs for mixing dry/wet
> signal, delay length and time, an LFO of sorts, and push 
> buttons to set
> preset delay time ranges (this is where you got the double, flange,
> delay options). These then evolved into the "Time Machine" RDS systems
> by digitech.
> 
> Digitech made at least three different series of time 
> machines all with
> the RDS line and the actualdelay times in the title.
> 
> ie: RDS960 was 960 millisenconds, RDS3.6 was 3.6 seconds, 
> RDS8000 was 8
> seconds long
> 
> All of these had the LFO, mix contorls and preset buttons but 
> the later
> versions also added a hold feature, trigger button, and 
> quieter overall
> performance. As far as i know all the models were digital delays; the
> digitech RDS certainly was.
> 
> These show up all the time everywhere. If you can't find one 
> locally in
> a music store that sells used gear you can always find anumber of them
> forsale on the web in newsgroups or at very least in stock at Daddy's
> junky music
> http://www.ugbm.com/group.shtml
> 
> look under rack effects.
> 
> They should range from $100-200 depending on the model and 
> condition. I
> adore my RDS 3.6.
>  good luck!
> 
> 
> --------------------------------------------------------------
> ---------
>      HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
> "Bringing you the best in Organic Electronic music since we 
> started..."
>      
> Home of the Unusual Instrument and Recording Gallery with pictures and
> info of Tube recorders, Omnichords, weird guitars, Casios, and more.
> 

From Loopers-Delight-request@annihilist.com  Tue May 18 16:49:59 1999
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Digitech,DOD Series PDS,RDS
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> I use a Roland FS-1 footswitch
> on my RDS 4.0 open and close a loop for overdubbing.  It takes 1.5 presses
> on the switch to get the RDS to either open or close the loop. 
> 
	** that's the roland latching switch? i think (it's been a while)
that i used the non-latching switches for my rds-8000s and that they only
required 1 stomp. maybe that's your problem.

	stig



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From: "earthblind, starbound" <leper@mindspring.com>
Subject: sound processing ideas
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OK, I'm stuck.  I've got experimental musicians' block.

I was able to make a decent amount of synth-type sounds out of flute to
loop--using mostly reverb, echo, and various delay effects.  I still have
the song I used them for up on the web because I've been too unenergetic
to update my page with the new one, which I should have uploaded half
a month ago.  Anyway, that's neither here nor there.

Here's the crux of the biscuit. Though my past experiment was successful, 
I could not develop enough sounds to continually use for a whole album (or
half an album, which is what I have to fill).  I did some attempts at
vocoding, but all the software based vocoders are essentially pure crap.
So that's out.

And now I'm out of ideas.

What ways are there to completely mangle a sound, to make them sound
completely different (without ruining them to the point that the pitch
or timing is ruined), by unfairly abusing fairly run of the mill
effects?  I throw this out to the list, all you people who make wacky
sounds.  What are your favorite experiments, not in sound sources to
loop this time, but in modifying sound sources?
-- 
Listen to Grendel (ambient/signal music) at http://listen.to/grendel
  Note, my return address may be munged.  You make the call.  Though
  if you send mail from a spam friendly ISP, such as Earthlink or cw.net,
  your mail may be blacklisted.

From Loopers-Delight-request@annihilist.com  Tue May 18 20:14:33 1999
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Date: Tue, 18 May 1999 17:14:28 -0700 (PDT)
From: Randy Jones <ranjones@yahoo.com>
Subject: Re: sound processing ideas
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Hi,

Ck out the June Issue of Electronic Musician. It
has recipes (including software recommendations)
for 12 personal studios. One setup is devoted to
creating sounds.

Randy Jones

--- "earthblind, starbound"
<leper@mindspring.com> wrote:
> OK, I'm stuck.  I've got experimental
> musicians' block.
> 
> I was able to make a decent amount of
> synth-type sounds out of flute to
> loop--using mostly reverb, echo, and various
> delay effects.  I still have
> the song I used them for up on the web because
> I've been too unenergetic
> to update my page with the new one, which I
> should have uploaded half
> a month ago.  Anyway, that's neither here nor
> there.
> 
> Here's the crux of the biscuit. Though my past
> experiment was successful, 
> I could not develop enough sounds to
> continually use for a whole album (or
> half an album, which is what I have to fill). 
> I did some attempts at
> vocoding, but all the software based vocoders
> are essentially pure crap.
> So that's out.
> 
> And now I'm out of ideas.
> 
> What ways are there to completely mangle a
> sound, to make them sound
> completely different (without ruining them to
> the point that the pitch
> or timing is ruined), by unfairly abusing
> fairly run of the mill
> effects?  I throw this out to the list, all you
> people who make wacky
> sounds.  What are your favorite experiments,
> not in sound sources to
> loop this time, but in modifying sound sources?
> -- 
> Listen to Grendel (ambient/signal music) at
> http://listen.to/grendel
>   Note, my return address may be munged.  You
> make the call.  Though
>   if you send mail from a spam friendly ISP,
> such as Earthlink or cw.net,
>   your mail may be blacklisted.
> 
> 

_____________________________________________________________
Do You Yahoo!?
Free instant messaging and more at http://messenger.yahoo.com

From Loopers-Delight-request@annihilist.com  Tue May 18 20:41:48 1999
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Date: Tue, 18 May 1999 20:33:02 -0400
From: Jeff Duke <jmar@bellsouth.net>
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I really like my Digitech IPS 33B Super Smart Shift, OK its old and not that
smart but it does some wonderful mangling! And I know you have heard of the
Lexicon Vortex., amazing.
 Anyway don't lose the faith. I have your stuff in regular rotation for
inspiration.

jd

"earthblind, starbound" wrote:

> OK, I'm stuck.  I've got experimental musicians' block.
>
> I was able to make a decent amount of synth-type sounds out of flute to
> loop--using mostly reverb, echo, and various delay effects.  I still have
> the song I used them for up on the web because I've been too unenergetic
> to update my page with the new one, which I should have uploaded half
> a month ago.  Anyway, that's neither here nor there.
>
> Here's the crux of the biscuit. Though my past experiment was successful,
> I could not develop enough sounds to continually use for a whole album (or
> half an album, which is what I have to fill).  I did some attempts at
> vocoding, but all the software based vocoders are essentially pure crap.
> So that's out.
>
> And now I'm out of ideas.
>
> What ways are there to completely mangle a sound, to make them sound
> completely different (without ruining them to the point that the pitch
> or timing is ruined), by unfairly abusing fairly run of the mill
> effects?  I throw this out to the list, all you people who make wacky
> sounds.  What are your favorite experiments, not in sound sources to
> loop this time, but in modifying sound sources?
> --
> Listen to Grendel (ambient/signal music) at http://listen.to/grendel
>   Note, my return address may be munged.  You make the call.  Though
>   if you send mail from a spam friendly ISP, such as Earthlink or cw.net,
>   your mail may be blacklisted.

From Loopers-Delight-request@annihilist.com  Tue May 18 21:05:53 1999
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Date: Tue, 18 May 1999 20:52:20 -0400
From: Jeff Duke <jmar@bellsouth.net>
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I now have unlimited space at my Xoom site as a trade off for the
Xoombar in a frame thing they put up so I started a Spaced Oddities
section. Anyone who would like to contribute contact me privately and
we'll work it out. I take alot of hits at my site due to links from
Elephant Tape, and Elepant Talk, (# 2 and 5 on the E- Tape jukebox at
both), and I am linked to Rob Murphrees Official Adrian Belews Web Site/
So I offer this as a free service to anyone that maybe doesn't have
access to or is new to the web and wants to get their music out. I will
make a tape or cd into Real Audio for free so come on ahead!

Jeff (the Sound Mangler, thanks Grendal) Duke
http://members.xoom.com/echo17/tbl.html

From Loopers-Delight-request@annihilist.com  Tue May 18 22:25:28 1999
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Date: Wed, 19 May 1999 06:31:30 -0500
To: Loopers-Delight@annihilist.com
From: Keenan Lawler <klaw@konstant.com>
Subject: DAVID FIRST w Keenan Lawler live webcast
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David First and Keenan Lawler
Performance and Live Webcast
Thursday May 20 9:00 pm ET
>From Artswatch in Louisville, KY

LOUISVILLE, KY --  Composer/guitarist David First will perform "A Bet on
Transcendence Favors the House Part 2" for 13 drone paths guitar/synth
controller and tonal fool.
Visuals by Patricia Smith.
First has written, "I am attempting through my music to charge the
atmosphere with a directly physical presence, to disturb
balances and re-focus attentions through the manipulation of subtle
vibrational quantities, to play the tune for the dance between
disorientation and total clarity, reconciling the unchecked senses with the
logic games of the higher intellect. My ultimate wish is
to transport an audience to the realm of pure feeling--to a state where all
conflicting ideologies reach an harmonic
concordance." 
Jon Pareles wrote in THE NEW YORK TIMES,
"Strange things can happen in the spaces between the steps of the Western
chromatic scale.....David First used finely calibrated
pitch combinations to make the whole gallery throb and buzz and shimmer
with invisible turbulence." 
The room is set spinning, careening and flying into a whirling
dervish of tone and vibrational resonance. Sound swoops into the very fiber
of the listener's being, and soars up the spine,
directly into the cerebral cortex. 


Keenan Lawler, composer/improviser, will open the show performing music
based on his new release on Konstant: "The Ghost of a Plane of Air." It
features his acclaimed work on prepared, bowed and
electronically-manipulated National Steel Resonator Guitar.
Always seeking to expand beyond the boundaries of convention into a place
of freedom where anything might happen, as a means of process Lawler takes
this unlikely instrument so rich with tradition into an arena whereby it
becomes a transmutable sound source -almost, in effect, a new instrument
unto itself.

The webcast will be displayed at www.konstant.com
Webcast provided by Shadowcast Networks, www.shadowcast.com.


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Date: Tue, 18 May 1999 22:40:25 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: Re: sound processing ideas
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>OK, I'm stuck.  I've got experimental musicians' block.
>
get your self a filter. I have a Sherman FilterBank and it can totally warp
any sound source...

patrick


              http://www.fingerpaint.net

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From: PJBMHB@aol.com
Message-ID: <c506ce16.24738871@aol.com>
Date: Tue, 18 May 1999 23:22:25 EDT
Subject: bill frisell's new cd
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i just bought bill's new cd and it is awesome. lots of loops too. Good Dog 
Happy Man it is called. =-) PJ

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Date: Tue, 18 May 1999 21:10:38 -0700
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What's the title?



> i just bought bill's new cd and it is awesome. lots of loops too. Good Dog
> Happy Man it is called. =-) PJ
>


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From: PJBMHB@aol.com
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Date: Wed, 19 May 1999 00:57:11 EDT
Subject: Re: bill frisell's new cd
To: Loopers-Delight@annihilist.com
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good dog happy man. great stuff. also got the new tom waits which is also 
great if you are so inclined. pj

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From: MrBERWELL@aol.com
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Date: Wed, 19 May 1999 01:09:12 EDT
Subject: Re: bill frisell's new cd
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In a message dated 5/19/99 12:51:48 AM Eastern Daylight Time, 
alan_i@sprynet.com writes:

> What's the title?
>  
>  
>  
>  > i just bought bill's new cd and it is awesome. lots of loops too. Good 
Dog
>  > Happy Man it is called. =-) PJ

 "Good Dog Happy Man", perhaps?  :-)

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Subject: Re: sound processing ideas
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  try the basics,go back to the good ol=B4stompboxes,how about some=
 distorsion
on the flute? it worked for me! :-)=20

Andy,



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Hi all-

I am having a problem with my EDP and would like to know any ideas on
it-

I get a sort of hissing sound with a loop which is audible only when the
Feedback indicator lights up- on soft passages there is no noise. The
noise is somehow interrelated to the signal/Feedback light- is this
normal? I hope it is not-

I also have a bit of the "thump" described when ending a loop but I have
not had the time to open the unit and run the diagnostic described
earlier-

I find this noise to be most irritating and hope I can find the
soloution-

Thanks a lot-

Cliff

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> From: Kim Flint <kflint@annihilist.com>
> To: Loopers-Delight@annihilist.com


> hmm, the old Andre problem returns.... there's an ECO oberheim should be
> doing to correct that before they ship it. I guess they lost track of
that


wow - that was weird.. what the hell am i doing up?? and i see my name at
3.30 am..weird synchro..

spaceheads was pretty cool tonite - anyone hear them on the knit's web???

looped effected trumpet with live drummer, some taped<?> bass lines
often.weird and cool band.

andre (east)

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Subject: Re: EDP question
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>Hi all-
>
>I am having a problem with my EDP and would like to know any ideas on
>it-
>
>I get a sort of hissing sound with a loop which is audible only when the
>Feedback indicator lights up- on soft passages there is no noise. The
>noise is somehow interrelated to the signal/Feedback light- is this
>normal? I hope it is not-
>

hmm, the old Andre problem returns.... there's an ECO oberheim should be
doing to correct that before they ship it. I guess they lost track of that
one. It's a pretty easy mod, involves soldering a couple of caps onto the
board. I'll try to put that on the web site in case other people need it. I
can send the text to you if you're comfortable with a soldering iron and
want to do it yourself. I'll be meeting with OB/opcode/gibson people on
friday, I'll ask them what's up with this one.

As I recall, the noise was pretty low, hopefully you can work around it
until you can get it fixed up right.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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From: Michael Peters <mpeters@csi.com>
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Subject: AW: sound processing ideas
Date: Wed, 19 May 1999 09:23:16 +0200
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earthblind, starbound [leper@mindspring.com] wrote,

> What ways are there to completely mangle a sound

Definitely try granular synthesis. There is a shareware program called 
Granulab, by Rasmus Ekman, at http://hem.passagen.se/rasmuse - also very 
nice: Audiomulch, at http://www.audiomulch.com which features granular 
synthesis functions in realtime, and a stereo spatializer which is great 
fun with headphones.

*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://ourworld.compuserve.com/homepages/Mpeters




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Date: Wed, 19 May 1999 01:58:28 -0700
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At 12:39 AM -0700 5/19/99, andre wrote:
>> From: Kim Flint <kflint@annihilist.com>
>> To: Loopers-Delight@annihilist.com
>
>
>> hmm, the old Andre problem returns.... there's an ECO oberheim should be
>> doing to correct that before they ship it. I guess they lost track of
>that
>
>
>wow - that was weird.. what the hell am i doing up?? and i see my name at
>3.30 am..weird synchro..

>
>andre (east)

of course, it's Andre of the West I'm referring to, unless you two are now
one....

speaking of whom, Western Andre has been mighty quiet lately. Where is that
boy?

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Kim Flint wrote:

> >> hmm, the old Andre problem returns.... 

Nice that this should be the first message I get after coming home from
the premiere of Star Wars at the movie theater.  Deja Vu runs rampant.

> >>there's an ECO oberheim should be
> >> doing to correct that before they ship it. I guess they lost track of
> >that

The probnlem can beĘ"dealt with" in a couple of ways.  If you set the
MIX knob all the way to "loop", then the hissing noise goes away.  (It
also goes away if you set the knob to "dir," but of course you won't
hear the loop that way...)  It will also go away once the loop is built
up to a more dense texture.  I don't know the mechanical cause of the
anomaly, but it tends to occur when signals fade into or out of
silence.  As Kim says, it's a very minor thing, which I only noticed
after a year and a half of use.

> of course, it's Andre of the West I'm referring to, unless you two are now
> one....

No no, the bi-coastal brotherhood remains intact yet distinct.  (Sorry,
two hours of Liam Neeson talking to baby Darth Vader gets under the
proverbial skin.)

> speaking of whom, Western Andre has been mighty quiet lately. Where is that
> boy?

Recovering from finally completing the mixing and mastering of a
forthcoming debut CD some two years in the making.  Stay tuned...

--Andre

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From: Mark@asisoftware.com (Mark Kata)
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Cc: "earthblind, starbound" <leper@mindspring.com>
Subject: Fw: sound processing ideas
Date: Wed, 19 May 1999 07:01:55 -0400
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>OK, I'm stuck.  I've got experimental musicians' block.
>
>What ways are there to completely mangle a sound, to make them sound
>completely different (without ruining them to the point that the pitch
>or timing is ruined), by unfairly abusing fairly run of the mill
>effects?

Try running one or more EQs in parallel and set each one with a strange or
unnatural EQ.  For example, try cutting all frequencies that make your
instrument sound natural, then boost one very narrow frequency.

You might also want to try experimenting with very short delay times (1-10
milliseconds) with the feedback or regeneration control cranked up quite a
bit.

Mark Kata

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----- Original Message -----
From: Andy Soto <smaug@servidor.unam.mx>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, May 19, 1999 8:20 AM
Subject: Re: sound processing ideas



  try the basics,go back to the good ol´stompboxes,how about some distorsion
on the flute? it worked for me! :-)

Andy,

I did that to, and I got a real fat bass, if you play the low flute notes
it was a boss hm-7, heavy metal stompbox



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From: Todd Madson <crash@waste.org>
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Process your stuff through:

Lexicon Vortex (heady trippy possibilities)

Octave Divider (play in a range below your usual home ground)

Distortion with the high-end rolled off or full on

Ibanez Swell Flanger works nicely for unusual attacks of sounds

Vocoderize your tracks (a recent track I did has vocoderized drums,
vocoderized synth bass, and vocoderized drone guitars).  The dynamic
control here provides wonderful tonal variations.  (This is the 
vocoder in my Roland VS-840 workstation).

Put your instrument through an MXR blue box (interesting FX).

Go to the local consignment store and buy a used, weird stompbox
and try that out.

Record your instrument backwards and flip the tape.

Experiment with compression - that can have a vast effect on the
attacks and flavor of your tones.

Try playing through multiple delays, and/or split your signal path
so that one path has an effected delay happening (octave divided 
signal leading into a delay, distortion into a delay, vocoder into
a delay).

Record a track with your instrument.  Then record a second track at
the same pan position playing the indentical notes and attacks but
in a different octave (or interval).  Then effect the results so 
that it doesn't sound like two instruments, but one with an unusual
tone color.  Insure volume levels for each instrument doesn't cancel
the other out, but just enough of each to be distinctive.

If that bores you, flip that track backwards.

If that bores you, send the effected signal back to tape (or disk)
and then re-effect (with a different effect) that track.

Put a drum machine through a tap tempo delay for an interesting effect.

Put a drum machine through a tap tempo delay and a vocoder for a weird,
vocally percussive effect.

Put a drum machine through a distortion box or tube preamp for that
industrial effect.

Bring a stereo recordable walkman on a walk through a park.  Use the
resulting field recording in your project.  Steve Tibbets did this to
great effect on "Safe Journey".

Use audio morphing software to give a note the attack of a trumpet
with the decay of a flute or other instrument.

These are just some of the ideas I thought of to try for variations
in sound.  Don't forget to loop the results.

Todd Madson
Musician, Mountain Biker, Stunt Kite Flyer, BeOS/MacOS/Linux/WinNt user.
http://www.waste.org/~crash/index.html

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From: Hawkeye255@aol.com
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Date: Wed, 19 May 1999 11:12:31 EDT
Subject: Re: sound processing ideas
To: Loopers-Delight@annihilist.com
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Or get yourself a sampler, preferably an old one with analog filters....  I 
use mine all the time.

Hawkeye

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Date: Wed, 19 May 1999 08:57:13 -0700
From: Clifford Novey <clifsound@earthlink.net>
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Thanks Kim- I have no problem using a soldering iron- if you could send along
the text it would be much appreciated- the noise is low but not low enough! I
do lots of single line guitar work on it and find the noise to be quite
prominant at times, enough to prevent me from recording the results- if I could
make it quiet I would be very pleased indeed. -  I would also be interested in
what the builders say as far as whether or not they were addressing this
problem or not-

Cliff

P.S.
Hey Andre, not a word about the Phantom Menace? Am I the only one who is
curious?? ;)

Kim Flint wrote:

> hmm, the old Andre problem returns.... there's an ECO oberheim should be
> doing to correct that before they ship it. I guess they lost track of that
> one. It's a pretty easy mod, involves soldering a couple of caps onto the
> board. I'll try to put that on the web site in case other people need it. I
> can send the text to you if you're comfortable with a soldering iron and
> want to do it yourself. I'll be meeting with OB/opcode/gibson people on
> friday, I'll ask them what's up with this one.
>
> As I recall, the noise was pretty low, hopefully you can work around it
> until you can get it fixed up right.
>
> kim
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com

From Loopers-Delight-request@annihilist.com  Wed May 19 12:30:27 1999
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Date: Wed, 19 May 1999 12:12:09 -0400
To: Loopers-Delight@annihilist.com
From: Michael Tuminello <m1cha3l@earthlink.net>
Subject: powerbook and looping
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check out www.bitheadz.com for a cool software synth and sampler.

Also www.koblo.com.  YOu can get some amazing sounds out of both of these.

MT

From Loopers-Delight-request@annihilist.com  Wed May 19 13:05:41 1999
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I'm writing this from the web.  I'm sorry to share a bit of dark news with you about my computer, which fried last Saturday night.  It burned my hard drives for some reason, I still don't know why, but, after the repairs, I found the motherboard and CPU were fine.  I've lost everything in my hard drives, including a great deal of e-mail from this wonderful Loopers' Delight.  To those whom I owe information or help because of my neglect, please re-e-mail me.  I should have my computer up and running with a new little hard drive late tonight.

Let this be a lesson to you:  Back up, back up and back up!  I did not back up my effing computer.  I lost a great deal of music software, musical experiments, bits and pieces I was working with, collections of interesting things from all over the Web, writings I'd been doing, etc., etc.  I can't remember everything that was in there, but every time I do remember another thing, it's like another knife twisting inside.

I never thought my computer would do this, but it did!  It's costing me a hell of too much money to put it back together, and all it would have cost me was an effing cheap $250 back-up drive from HP.  Would-have, should-have...  I'm also gonna get a battery back-up unit from APC, which is said to also protect from spikes and other electrical meanies.

Back up your computer data!

Sorry for the lack of looping content.

----------------------------------------------------------------
Get your free email from AltaVista at http://altavista.iname.com

From Loopers-Delight-request@annihilist.com  Wed May 19 14:48:52 1999
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Message-ID: <002f01bea226$87c145c0$ee07b3d1@jeancolin>
From: "Jean or Colin Jenkinson" <jeancolin@earthlink.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: sound processing ideas
Date: Wed, 19 May 1999 11:35:46 -0700
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Go to a toy store!



Colin Jenkinson|nosnikneJ  niloC
jeancolin@earthlink.net


"Close bathtub drain.Pour a small amount of Foaming Bubble Bath under the
faucet. Adjust the water  temmperature." --DIRECTIONS



From Loopers-Delight-request@annihilist.com  Wed May 19 15:35:35 1999
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From: "Ryan Jackson" <celestine8@hotmail.com>
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Date: Wed, 19 May 1999 12:24:01 PDT
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Enogh of it, I know now World. O.K. now I know I'm in the trueman show.

>I'm writing this from the web.  I'm sorry to share a bit of dark news with 
>you about my computer, which fried last Saturday night.  It burned my hard 
>drives for some reason, I still don't know why, but, after the repairs, I 
>found the motherboard and CPU were fine.  I've lost everything in my hard 
>drives, including a great deal of e-mail from this wonderful Loopers' 
>Delight.  To those whom I owe information or help because of my neglect, 
>please re-e-mail me.  I should have my computer up and running with a new 
>little hard drive late tonight.
>
>Let this be a lesson to you:  Back up, back up and back up!  I did not back 
>up my effing computer.  I lost a great deal of music software, musical 
>experiments, bits and pieces I was working with, collections of interesting 
>things from all over the Web, writings I'd been doing, etc., etc.  I can't 
>remember everything that was in there, but every time I do remember another 
>thing, it's like another knife twisting inside.
>
>I never thought my computer would do this, but it did!  It's costing me a 
>hell of too much money to put it back together, and all it would have cost 
>me was an effing cheap $250 back-up drive from HP.  Would-have, 
>should-have...  I'm also gonna get a battery back-up unit from APC, which 
>is said to also protect from spikes and other electrical meanies.
>
>Back up your computer data!
>
>Sorry for the lack of looping content.
>
>----------------------------------------------------------------
>Get your free email from AltaVista at http://altavista.iname.com
>
>


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

From Loopers-Delight-request@annihilist.com  Wed May 19 16:50:20 1999
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From: PJBMHB@aol.com
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Date: Wed, 19 May 1999 16:37:14 EDT
Subject: Re: (CT) EAST
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the unknown reason i sent it to you (michael) is because i am an idiot. 
sorry. now it is a known reason. when i was in high school years ago i 
managed to send myself roses instead of to a girl i was interested in. OOPS!! 
there is something about filling out forms and mailing stuff that challenges 
me for some reason. not sure why. sorry to everyone for my postal bungling. 
=-) PJ

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From: lance glover <baumhaus@earthlink.net>
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MrBERWELL@aol.com wrote:

> In a message dated 5/19/99 12:51:48 AM Eastern Daylight Time,
> alan_i@sprynet.com writes:
>
> > What's the title?
> >
> >
> >
> >  > i just bought bill's new cd and it is awesome. lots of loops too. Good
> Dog
> >  > Happy Man it is called. =-) PJ
>
>  "Good Dog Happy Man", perhaps?  :-)



this brings me great joy, having seen frisell play recently (and being utterly
humbled in the process)... anyone out there know what he's using for looping?


lance g.


p.s.: i'll second the recommendation on tom waits' new album. mule variations
it is called (that's the title, too...:^))




From Loopers-Delight-request@annihilist.com  Wed May 19 17:20:33 1999
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From: PJBMHB@aol.com
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Date: Wed, 19 May 1999 17:00:54 EDT
Subject: Re: bill frisell's new cd
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not sure what bill is using on the cd but some of the stuff sounds backwards 
and some sounds sped up and slowed down so that kind of narrows down what it 
can and can't be. going to see bill this sat. night in nyc. i will check out 
his looping devices. =-) PJ

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From: Dpcoffin@aol.com
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Date: Wed, 19 May 1999 17:26:39 EDT
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In a message dated 5/19/99 9:50:19 PM, PJ wrote:

<<i 
managed to send myself roses instead of to a girl i was interested in. 
OOPS!!>>

Don't you mean LOOPS!!??

Sounds like an early-warning sign of aptitude for looping to me...
Looking forward to hearing your looping gifts!
dpc

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>the unknown reason i sent it to you (michael) is because i am an idiot.
>sorry. now it is a known reason. when i was in high school years ago i
>managed to send myself roses instead of to a girl i was interested in. OOPS!!
>there is something about filling out forms and mailing stuff that challenges
>me for some reason. not sure why. sorry to everyone for my postal bungling.
>=-) PJ

Hey PJ you did it again, cause now you replied to the whole LD list not
just the tape list....:)  did you enjoy the roses....

patrick



              http://www.fingerpaint.net

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From: PJBMHB@aol.com
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Date: Wed, 19 May 1999 17:48:13 EDT
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actually the reply to all was on purpose. i wanted to let everyone know i was 
an idiot. the roses eventually got to the girl but nothing really came of 
them if i recall. =-) PJ

From Loopers-Delight-request@annihilist.com  Wed May 19 19:23:48 1999
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From: Hawkeye255@aol.com
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Date: Wed, 19 May 1999 19:18:39 EDT
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Thanks alot for the roses, 

(whoever sent them!!!)

hawkeye ;-)

From Loopers-Delight-request@annihilist.com  Thu May 20 02:22:07 1999
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From: "Alan Imberg" <alan_i@sprynet.com>
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I saw him do an unaccompanied solo gig in SF last October. I believe he uses
an EH 16 Second Delay in conjunction with a Boss delay. I tried to get a
closer look at his rig but was thwarted.

----- Original Message -----
From: lance glover <baumhaus@earthlink.net>
To: <Loopers-Delight@annihilist.com>
Sent: Wednesday, May 19, 1999 1:47 PM
Subject: Re: bill frisell's new cd


>
>
> MrBERWELL@aol.com wrote:
>
> > In a message dated 5/19/99 12:51:48 AM Eastern Daylight Time,
> > alan_i@sprynet.com writes:
> >
> > > What's the title?
> > >
> > >
> > >
> > >  > i just bought bill's new cd and it is awesome. lots of loops too.
Good
> > Dog
> > >  > Happy Man it is called. =-) PJ
> >
> >  "Good Dog Happy Man", perhaps?  :-)
>
>
>
> this brings me great joy, having seen frisell play recently (and being
utterly
> humbled in the process)... anyone out there know what he's using for
looping?
>
>
> lance g.
>
>
> p.s.: i'll second the recommendation on tom waits' new album. mule
variations
> it is called (that's the title, too...:^))
>
>
>
>


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From Loopers-Delight-request@annihilist.com  Thu May 20 06:06:19 1999
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Date: Thu, 20 May 1999 11:45:43 +0200
From: Malhomme <malhomme@vete.ucl.ac.be>
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I would also simply add

Listen to a few Brian Eno CD (like 'Nerve Net')

If you have a guitar, change completely the tuning in order
to be completely unable to rely on your routine playing.

Start work with constraint:
        Anything would work: No bass drum. E is a forbidden
note. Never have more than 4 bars in the same time
signature.

Most of those things won't make music. They are more of a
kind of mind exercices. That can lead somewhere.

You can also go to d/l the Eno's "Oblique Strategies" deck
ccards (funny no one mentioned it) after all that was why
they were done.

And  agood thing is to work and NEVER record anything. No
security allowed. Just rely on your (distorted by your
feelings at best) memory to make the piece go on.
Too much back ups of anything kills us.


Olivier Malhomme

From Loopers-Delight-request@annihilist.com  Thu May 20 10:41:50 1999
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Reply-To: <andre@monmouth.com>
From: "andre" <andre@monmouth.com>
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Subject: bill frisell's new trio..LIVE 2nite
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anyone gonne be at the Frisell trio tionite?? 

Village vanguard
thur 5/20 - 9.30pm -- i'll be there!!

my pic is at http://www.monmouth.com/~andre

see ya, andre'

From Loopers-Delight-request@annihilist.com  Thu May 20 18:24:30 1999
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Subject: Overt looping comes to Denver.
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Looping sighting in Denver last nite-

Trey Anastasio (of Phish fame) appeared in a trio format at the opening
of the new Denver Fillmore last night.

I grokked the extensive use of loopage to the point of maximum sensory
overload .... mmmmm, sensory overload....

I did a stage dive to ascertain the secrets of said looping device(s),
but was thwarted by monitors.  He's got like TWENTY pedals for gosh
sake!

Peace!

From Loopers-Delight-request@annihilist.com  Thu May 20 19:38:50 1999
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Date: Thu, 20 May 1999 20:28:07 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: experimental block / I'm away for a bit
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Olivier Malhommes philosophy:

>Too much back ups of anything kills us.

... is great. Its can turn into ball and chain.

I thought of answering something like this to the poor friend gnominus that
lost all his stuff. Shure its hard, but some people started to live after
their flat burnt down, simply because they had a free new joice to invest
into what they really want, with the freedom not to finish what they
started.

Maria throws her agenda in the trash when she moves to the next city.

Here in Brasil, sometimes I feel that I am the only one that backs up, and
the PCs break down a lot. I am lucky to have the means to carefully burn
all to CDs, but do I live happier?

Joplin sung: Freedom is just another word for nothing left to loose...


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>I would also be interested in
>what the builders say as far as whether or not they were addressing this
>problem or not-
>
>Cliff

It seams that on most units, the noise not audible. Here, I never noted it.
I wonder why its so strong on yours...

We also slowed down the writing to the LED in the soft (no visible change)
to reduce the high frequencies on the line to the LED and such the
interference.
But maybe this is only for the version to come out, is it, Kim?


From Loopers-Delight-request@annihilist.com  Fri May 21 00:10:44 1999
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Date: Thu, 20 May 1999 23:40:38 -0500
From: Mark Sottilaro <msottila@mailbox.syr.edu>
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Subject: Out of the loop.
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Hey all,

Well, I've been away for a while, and let me tell you: I have no idea
what's going on in the world of looper gear.  I've been using ACID on my
girlfriend's laptop, but I long for a similar program for the Mac.  Does
such a thing exist?

Also, I still use my trusty JamMan, but long for the fabled Echoplex.
Is such a thing currently in production?  Something similar?  I use a
MIDI clock from a sequencer to establish a loop length, so that's pretty
important for my looping needs.  I'd much rather do a hardware solution,
but a software solution is OK.  I've got a Power Macintosh 7500 upgraded
to a 300 mhz G3 with 168 meg of RAM.  Is Digital Performer worth the
cash?  I'm currently using Metro 4 for MIDI sequencing and audio
recording.  It works OK, but I fear that my Mac's sound card just
doesn't cut it for squeezing out those extra tracks.  Anyone know of a
decent low cost audio card for the Mac.  Love that wacky OS, if only
there were the same hardware and software available for it.  (hear that,
developers?)

Hey, I found this cool website, check it out:

http://www.hitsquad.com/smm/

Mark

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Message-ID: <3744CEE5.7B42F5B2@texas.net>
Date: Fri, 21 May 1999 03:11:35 +0000
From: Bobdog <psbuddha@texas.net>
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mark of the unicorn will have a nifty looping tool on digital performer
2.6 called polar; check it out @ www.motu.com

bobdog

From Loopers-Delight-request@annihilist.com  Fri May 21 06:23:46 1999
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Date: Fri, 21 May 1999 12:05:01 +0100
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Matthias, I couldn't "demonstrate" it better.
And clearly, each time i've lost data that were "so dear to me", passing
the initial shock (which is of some magnitude, sometimes), I felt more
free. Usually things turn out like i wanted them. 

Who was that (well known, even for a french man) american writer who
said "you have to kill your dearest"?

Question is how much of affection we throw in the piece, i mean, when
you have been working on a string arrangement for 2 week, and that
eventually it works not so bad. How easy is it to say "OK this song just
need an acoustic guitar and voice. period."?

For me it is never easy.

Olivier Malhomme

From Loopers-Delight-request@annihilist.com  Fri May 21 06:37:52 1999
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Date: Fri, 21 May 1999 11:15:28 +0100 (BST)
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Hi all

According to an ad in "Making Music", the Akai Headrush is available in the
UK, priced GBP 139.00, which sounds pretty fair.

So - all you long-term owners - could you remind me: is there an audible
click at the loop point, or has anyone found a work-around for it (or did I
just mis-read, and it gives a crystalline response under all conditions)?!

Oh - and new CDs: can't Wait for the new Bill F (down! sit! good dog etc)
but I'm surprised that no one's mentioned the Steve Tibbetts recording with
the Norwegian fiddle players, given the collective enthusiasm for his
previous work. And David Toop has a new(ish), quite dark work ("Museum Of
Fruit") which some here might appreciate.

Cheers

David
<http://www.mp3.com/davidcooperorton>


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Date: Fri, 21 May 1999 12:18:12 +0100
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I doubt your mac g3 is going to get overwhelmed.

I have a Power computing clone (604e @ 210 mHz) and in cubase, I can run
up to 18 tracks of audio. This is not connected to the audio card
performance. The trouble of built-in audio is sound quality.

I think the ceappest are SEK'D, Yamaha's DSP farm and the old audiomedia
III.
Again I may be wrong.

Regarding Acid, I think that Recycle is doing more or less what acid may
do. But i'm no expert on that point. Looping on a computer just involves
in my case, recording a part of interest and copying it. I can then
change effects/placement/volume:eq/whatever, but that is the main way
for me to loop on a computer.

A french advertisement for MOTU says "with an off the shelf G3 @ 450 mHz
and a 2408, it was possible to get up to 72 audio tracks
simultaneously".
Not exactly M. Jackson, but getting close!
:-)

Olivier malhomme

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Date: Fri, 21 May 1999 15:23:12 +0200
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Subject: roland dj70 disc
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hi!
i had a roland dj70 sampler.... i sold it, but  i still have a lot of 
floppy-disks with the samples i did.
is there a way to read these floppy with a Mac or a PC?
(sorry for my english, i hope you're understanding....)

bye from italy.
canemacchina
briozzo@atene.it
icq 25922888

From Loopers-Delight-request@annihilist.com  Fri May 21 09:44:05 1999
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Date: Fri, 21 May 1999 09:34:01 -0400 (EDT)
From: Adam Levin <alevin@DarkAether.Net>
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To: loopers-delight@annihilist.com
Subject: Sat in NJ: Dark Aether Project/Quarkspace/Ray Ashley
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At 8pm on Saturday May 22nd 1999 The Dark Aether Project, Quarkspace and
Ray Ashley will perform at The Vault located at 10 Livingston Ave in New
Brunswick NJ. Admission is $10 at the door.

The Dark Aether Project's 21st century progressive-psyche-fusion features
Adam Levin (Warr 8 String Touch Guitar/Keyboards/Loops), Yaman Aksu
(Fretted and Fretless Guitars, Guitar Synth, Hammond Organ), Ray Weston
(Vocals) and Allen Brunelle (Drums/Percussion/Keyboards). The Dark Aether
Project will perform in support of their latest CD "Feed The Silence". 
See http://www.DarkAether.Net/

Space rock improv greats Quarkspace hail from Columbus Ohio. Their music
blends spacey-synth textures, tribal rhythms and a dual guitar attack for
a mind-blowing experience.  Check out their 5th volume of spontaneous
improv "SpaceFolds 5" now in anticipation of their forthcoming double
album "Hidden Moon". See: http://www.quarkspace.com/

Ray Ashley is a member of psychedelic fusion jammers Three Hour Detour.
Joining Ray will be guest percussionist Mike Lambe. Ray will be playing
his 10 String Austin Douglas Touch Guitar which allows him to play both
bass and medley lines at the same time for an amazing experience that'll
leave you wondering how all of that sound can come from a single person!
For more info, check out:  http://mars.superlink.net/~rayash/

Directions:

- Take the NJ Turnpike to Exit 9
- After paying the toll, bear right onto Route 18 North to New Brunswick
- At the fork go to the left to stay on Rt 18 North getting over to the right
- 100 yards after the second light, take the New Street exit
- Continue on New Street until the third light where you will turn right
  onto Livingston. 
- The Vault is about 50 yards down inside the Monument Hotel directly across
  from the State Theater.

-------------------------------------------------------------------------
Upcoming Dark Aether Project concerts for the month of June

Sat Jun 12 11pm -Live in the studios of WBZC 88.9 FM - Pemberton NJ
                 Email info@darkaether.net if you'd like to be in the
                 studio audience
Thu Jun 17 9pm - Cafe Tattoo - 4825 Belair Road - Baltimore MD
                 with Chaos Code and Winston's Dog
Sat Jun 19 8pm - W. Hare American Legion Hall - 2nd/Walnut - Lansdale PA
                 other act TBA
Fri Jun 25 8pm - Phantasmagoria - 11319 Elkin St - Wheaton MD
                 with Solaris - all the way from Hungary in their first
                 U.S. east coast show
                 $15 admission at the door

Many other shows on the way including the 5th annual Progday outdoor
international music festival in Chapel Hill NC Labor Day weekend with
Discipline, Thinking Plague, Tenn Jinn (US), NeBeLNeST (France), Tribe of
Cro (Belgium), Consorzio Acqua Potabile (Italy), Equinox (Panama),
Apocalypse (Brazil) and more. Stay tuned to the website at
http://www.DarkAether.Net/

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Date: Fri, 21 May 1999 08:40:02 -0500
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: OT . . . help finding music
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Hi, all...

I'm having trouble finding a particular live James Brown recording, so I
figured that I'd pick everyone's brains in hopes that someone out there was
an authority on James Brown. Here's what I've got:

I heard a live version of "Cold Sweat" on the radio, and I'd really like to
get the CD that it comes from. Unfortuntely (as you know), there are so
many live recordings that it's hard to find the exact one. This version was
pretty hot, and the recording was really, really good. The guitar was
figuring more prominently in the mix, and the vocals sounded like a younger
JB--tons of screaming and some incredible grunts and such. It was a long
version of the tune. Somewhere in the middle, James tells the band over and
over to "let the drummer have some..." and, finally the band sort of falls
out. Then, James tells them that "it's alright, y'all can play with him if
you want to..." The end of the version has James totally screaming his
brains about over and over again, saying "I can't stop singing!!!!" I've
described this version to several people, and they all figure that it's an
older recording, but no one know which one it is. So, I'm hoping that you
might be able to point me in the right direction. This version was just so
hot that I've got to have the whole recording!
	
	Any help that you can offer would be most appreciated!
Sincerely,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

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From: billfox@lucent.com
Date: Fri, 21 May 1999 10:02:40 -0400 (EDT)
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Subject: EMUSIC Playlist
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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html

		Show #115		May 20, 1999.
		Host: Bill Fox		http://www.wdiyfm.org
		billfox@fast.net

On this show, I continued the month-long focus on the North East Art
Rock Festival (NEARfest).  Space music and Progressive rock share some
common ancestry and musical cross pollination which continues to this
day.   When I began EMUSIC, I promised that I wouldn't totally abandon
the audience of Jim Ferrani's show Deep Cuts, the Art and Progressive
Rock program which used to occupy this time slot.  This focus on
NEARfest fulfills that promise.

Special guest Chad Hutchinson, webmaster of the Ghostland web site and
Vice President of NEARfest presented the music of the bands to be
appearing at the inaugural NEARfest.

        Ghostland     :  http://ghostland.com
        NEARfest      :  http://ghostland.com/nearfest
        EMUSIC Focus  :  http://www.wdiyfm.org/emusic/playlists/focus.html


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Tangerine Dream         Phaedra                  Phaedra (Virgin)
Meg Bowles              Ancestral Ground         From the Dark Earth (Kumatone)
Robert Rich             Coils                    Seven Veils (Hearts of Space)
Robert Carty            Gravitation              Darklight (Deep Sky)
Ian Boddy/Markus Reuter PresentationOfAnOffering Distant Rituals (DiN)
Rad. Mass. Int.         30 Years                 Borrowed Atoms (Centaur)

12:00 am
Nathan Mahl             Clever Use of Shadows    Clever Use of Shadows (none)
Nathan Mahl             Orgasmik Outburst II     Clever Use of Shadows (none)
Mastermind              Ride of the Valkyrie     Volume 2: Brainstorm (ZNR)
Mastermind              On the Road By Noon      Excelsior! (Inside Out)
Spock's Beard           Gibberish                Day for Night (Radiant)
Spock's Beard           The Light                The Light (Syn-Phonic)
Synergy                 Synergy                  Electronic Realizations for
                                                   Rock Orchestr (Polgram)
Synergy                 Disruption of World      Cords (Polygram)
                          Communications *
1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will conclude the month-long focus on the North East
Art Rock Festival (NEARfest) with special guest Chad Hutchinson.  The
Feature CD at Midnight will return in June.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

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From: billfox@lucent.com
Date: Fri, 21 May 1999 10:28:44 -0400 (EDT)
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WDIY 88.1 FM "EMUSIC" Top 20 report to New Age Voice for April, 1999.
(Shows #112 to #115; 29-April-1999 to 20-May-1999
Reported in alphabetical order by album title.
Compiled by Bill Fox

PLEASE USE THIS ADDRESS: billfox@fast.net <===*****
                         ----------------


ARTIST - ALBUM TITLE - LABEL
============================
Various - The Ambient Expanse - Mirage
Pryamid Peak - Atmosphere - Invisible Shadows
Radio Massacre International - Borrowed Atoms - Centaur
Ian Boddy - Box of Secrets - DiN
Fountainhead - Cloud Cover - Aucourant
Robert Carty - Darklight - Deep Sky
Deborah Martin - Deep Roots - Spotted Peccary
Ian Boddy & Markus Reuter - Distant Rituals - DiN
Paul Nagle - Earthshaper - AMP
Meg Bowles - From the Dark Earth - Kumatone
OZMA - Huge And Silent Place - AtomicCity
Bjorn Fogelberg - KarooshiPorn - Ninetysix Sounds
Viridian Sun - Perihelion - Hypnos
Robert Rich - Seven Veils - Hearts of Space
Wave World - Species - Quantum
Protognos - Strange Geographie - DiN
Various - Syntonic Waves Vol 2 - Woodberry
Ron Boots - Tainted Bare Skin - Groove
Various - Voyager - AdAstra
Various - Weightless, Effortless - Hypnos

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Date: Fri, 21 May 1999 09:40:23 -0700 (PDT)
From: petr dolak <pepetr@yahoo.com>
Subject: OHIO MUSICAL LANDSCAPES
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Musical Landscapes for Site Specific Sculptures in Ohio
Closing Reception

Petr Dolak, electric guitar, looping devices, percussion, objects.

Saturday May 22, 3pm.

Where: Northside Ice & Coal Complex
Millworks Gallery, Inc.
129 Summit St.
Akron, OH

from downtown akron:
main st to n. howard st,
right on furnace st,
right on summit st,
129 summit st on left

===






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.
_____________________________________________________________
Do You Yahoo!?
Free instant messaging and more at http://messenger.yahoo.com

From Loopers-Delight-request@annihilist.com  Fri May 21 13:17:20 1999
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hi 

At 12.18 21/05/99 +0100, you wrote:
>I doubt your mac g3 is going to get overwhelmed.
>
>I have a Power computing clone (604e @ 210 mHz) and in cubase, I can run
>up to 18 tracks of audio. This is not connected to the audio card
>performance. The trouble of built-in audio is sound quality.
>
>I think the ceappest are SEK'D, Yamaha's DSP farm and the old audiomedia
>III.
>Again I may be wrong.
>
>Regarding Acid, I think that Recycle is doing more or less what acid may
>do. 

they are really different programs. Recycle breaks the original audio file
in multiple slices, analizing attack tresholds. then you can export slices
as single audio files or transmit them to a sampler to be played via MIDI
(the prog creates the MIDI sequence too).
Acid works on audio only, performing real time timestretching and pitch
shifting operations. If you have a bunch of loops at different tempos and
pitch, just load them in acid and in a few seconds all has musical sense!
Two great softwares, but really different...

But i'm no expert on that point. Looping on a computer just involves
>in my case, recording a part of interest and copying it. I can then
>change effects/placement/volume:eq/whatever, but that is the main way
>for me to loop on a computer.
>
>A french advertisement for MOTU says "with an off the shelf G3 @ 450 mHz
>and a 2408, it was possible to get up to 72 audio tracks
>simultaneously".

I've got a MOTU2408 and it's a great soundcard. If you plan to work a lot
with adat and other digital devices get a 2408. I'm only waiting to have
some money for a new mac G3... ;)

ciao
leo

>Not exactly M. Jackson, but getting close!
>:-)
>
>Olivier malhomme
>
>
>

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From: Dogsandice@aol.com
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Date: Fri, 21 May 1999 13:46:29 EDT
Subject: Re: OHIO MUSICAL LANDSCAPES
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this sounds very interesting.  i wish i could go.  cc

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Date: Fri, 21 May 1999 11:22:05 -0700
From: lance glover <baumhaus@earthlink.net>
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Jeff & Vonda McLeod wrote:

> Hi, all...
>
> I'm having trouble finding a particular live James Brown recording, so I
> figured that I'd pick everyone's brains in hopes that someone out there was
> an authority on James Brown....

let us know where you find it!

lance g.


From Loopers-Delight-request@annihilist.com  Fri May 21 20:13:19 1999
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From: "Alan Imberg" <alan_i@sprynet.com>
To: <Loopers-Delight@annihilist.com>
References: <c506ce16.24738871@aol.com>
Subject: Re: bill frisell's new cd
Date: Fri, 21 May 1999 16:51:22 -0700
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I just got the Frisell CD myself. I concur with PJ: cool loops and great
playing. For those of you familiar with his previous stuff, the vibe on the
latest is slightly similar to his Nashville CD but less "down-home" feeling
which is probably due to the addition of a full rhythm section (Nashville
was sans drummer). To my surprise, I found that another of my favorite
guitarists, Ry Cooder, plays on one song. Good CD.


----- Original Message -----



> i just bought bill's new cd and it is awesome. lots of loops too. Good Dog
> Happy Man it is called. =-) PJ
>


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Subject: Re: Headrush in the UK - coming some day, maybe
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The audible click is most noticable when recording direct. When I set it up
through my amplifier/looping rig (Mesa Boogie, fx loop > DOD Dimension 12 >
Midiverb> Headrush and back to Boogie), the click is undetectable. As for
noise, it is as quieter than most of my delay stomp pedals though not as
quiet as a more expensive rack-mount looper. However, I must reiterate that,
for the money, it is well worth the investment.

----- Original Message -----
From: david cooper orton <or387751@subnet.virtual-pc.com>
To: <Loopers-Delight@annihilist.com>
Sent: Friday, May 21, 1999 3:15 AM
Subject: Headrush in the UK - coming some day, maybe


> Hi all
>
> According to an ad in "Making Music", the Akai Headrush is available in
the
> UK, priced GBP 139.00, which sounds pretty fair.
>
> So - all you long-term owners - could you remind me: is there an audible
> click at the loop point, or has anyone found a work-around for it (or did
I
> just mis-read, and it gives a crystalline response under all conditions)?!
>
> Oh - and new CDs: can't Wait for the new Bill F (down! sit! good dog etc)
> but I'm surprised that no one's mentioned the Steve Tibbetts recording
with
> the Norwegian fiddle players, given the collective enthusiasm for his
> previous work. And David Toop has a new(ish), quite dark work ("Museum Of
> Fruit") which some here might appreciate.
>
> Cheers
>
> David
> <http://www.mp3.com/davidcooperorton>
>
>


From Loopers-Delight-request@annihilist.com  Fri May 21 21:16:21 1999
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From: PMimlitsch@aol.com
Message-ID: <dc633d44.24775a11@aol.com>
Date: Fri, 21 May 1999 20:53:37 EDT
Subject: Adelante/ Amnesty international benefit
To: binkyg@hotmail.com, stickwire-l@majordomo.netcom.com
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 Sat. June 5th. 3:00-8:00pm. "Amnesty International Sponsored Tienamin 
Square Remembrance", JFK Park, Sommers Point, N.J. For info call: 
(609)391-1806. 
Adelante will be one of several performers at this event and will most likely 
be performing in the evening.

From Loopers-Delight-request@annihilist.com  Fri May 21 23:09:38 1999
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Date: Fri, 21 May 1999 22:51:23 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: DOD/ DIGITECH DELAYS FS
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I saw this at Harmony Central tonight. I know someone was looking for
dod/digiwreck delays ealier this week. I don't know if these are the ones ,
but here goes:

>EFFECTS PROCESSORS (DELAY) DigiTech RDS 7.6 Sec. Digital
>       Delay/Sampler Rack Unit great RDS 7.6 Sec. Digital Delay/Sampler
>       Rack Unit, Good Cond., Owned by famous Christian guitarist, lots
>       of controls & features. Amazing- chorus, sampling, flange $145obo
>       EFFECTS PROCESSORS (DELAY) DOD Dual Delay R880 Rack Unit
>       (Analog), great Dual Delay R880 Rack Unit (Analog), Good Cond.,
>       interesting, midrangey, 70's sound & cool vintage "Personality"
>       for your rack - Beige w/ big blue knobs- sturdy $49 firm
>Seller: Wendell Nilson, 6155555555
>E-mail: troyn@nashville.net (Profile)
>Location: NASHVILLE, TN
>Post Date: 5/21/99


Please contact the seller and not me.

Patrick


                 http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Sat May 22 07:17:23 1999
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Date: Sat, 22 May 1999 13:08:22 +0200
From: Malhomme <malhomme@vete.ucl.ac.be>
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Just to say "Falkner".
It was Faulkner who said (wrote in fact) "you have to kill
your dearest"

Olivier Malhomme

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How do I get of this list?

--
/°>- - - - - - - - - - - - <°\
|Pieter Vandecasteele|
| ICQ# : 32919660      |
\>- - - - - - ~  - - - - - -</

A crowd counts many heads but few brains.

From Loopers-Delight-request@annihilist.com  Sat May 22 09:33:36 1999
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From: Phaedebk@aol.com
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Date: Sat, 22 May 1999 09:16:07 EDT
Subject: Re: sound processing ideas
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Hellay there,

	Try out a new musical style...  Pretty much, if I get stuck, I end up 
taking a good listen to something from Womad or other ethnic label, and off I 
go...  Just a matter of broadening your perspective.  Hey, even read a new 
authour, know this helps for a few friends of mine who gig it out.

	L8r,

		Lee-ohki.

From Loopers-Delight-request@annihilist.com  Sat May 22 10:30:32 1999
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
To: <malhomme@vete.ucl.ac.be>, <Loopers-Delight@annihilist.com>
Subject: Re: Re:bac up the sequel (off topic)
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>Just to say "Falkner".
>It was Faulkner who said (wrote in fact) "you have to kill
>your dearest"
>
>Olivier Malhomme


Apologies for being WAY off topic, but the two spellings of the
Nobel-prize-winning author's name are both correct.  His family spelled it
"Falkner" but he added the "u" to make it "Faulkner."  If anyone in
interested in avant-garde, dense and almost "looped" prose, please read such
masterpieces as "The Sound And The Fury," "As I Lay Dying," "Sanctuary,"
"Absalom, Absalom," [see what I mean?] etc.

BTW, Mr. Faulkner's literary reputation is more greatly appreciated in
Europe, especially France, than here in the U.S.

Belletristric regards to Olivier.

James



From Loopers-Delight-request@annihilist.com  Sat May 22 11:21:36 1999
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
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Subject: Sound processing ideas / Stuck in a rut
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> Try out a new musical style...  Pretty much, if I get stuck, I end up
>taking a good listen to something from Womad or other ethnic label, and off
I
>go...  Just a matter of broadening your perspective.  Hey, even read a new
>authour, know this helps for a few friends of mine who gig it out.
>
> L8r,
>
> Lee-ohki.


Great advice, Lee!

I'd like to amplify this a little and give some suggestions.

Try imitating a musical style from another culture (unusual scales, interval
tunings, rhythms, etc.)

Imitate an instrument from another culture, e.g. make your guitar sound like
a shakuhachi (or make your shakuhachi sound like a bagpipes).

Make up your own "musical culture" and set your own rules, resulting in an
"imagined" ethnic music.

Invert the accustomed role of your instrument.  I.e., instead of playing
melody on guitar use it solely as a "drum", turn the "rhythm" section into
the main melodic focus, etc.

Limit yourself to a span of three or four notes and see how much new
material you can get from these notes by permutations, varying tone color,
leaping across octaves, etc.

Use found objects and other unlikely "musical" sources -- vacuum cleaners,
lawn mowers, etc. run through effects and used as drones.

Imitate the rhythms of speech -- instead of a fluid melodic line try to
incorporate all the little pauses, "um-s," "er-s," "y'know-s" as well as the
stammerings, repeated words, etc. that we all use when talking, but we let
our brains filter this all out so as to get the gist of what's being
communicated.  The best musical example I can think of this is Lou Reed's
guitar soli on "All Tomorrow's Parties" from the first Velvet Underground
album.

Focus on tone color and texture as the main elements in a piece, instead of
lyrics, melody, rhythm, etc.  [This is probably a common practice for
everyone already]

Totally ignore any one element of a "song" -- for instance, write a "formula
song" (verse - chorus - verse - bridge, etc.) but don't use any chords.

Polytonality - have different instruments play in unrelated (or only
marginally related) keys.

"Cross rhythms" or "polyrhythms" - have each instrument play in a different
time signature.

Force "microtonality" from instruments that don't have this capability.  For
example, using recording pitch controls, record a keyboard instrument
slightly slower or faster than the other instruments for a "wobbly" effect.
Or add temporary microtonal frets to your fingerboard by using toothpicks,
etc.

BUT BEWARE:  I'd begun using these ideas years ago in an "experimental /
avant-garde" vein, but somehow wound up formally studying Indian classical
music for the last fifteen years, abandoning my piano for sitar and
surbahar.  Don't say I didn't warn you!

Great to see everyone else's truly creative ideas and solutions.

James

From Loopers-Delight-request@annihilist.com  Sat May 22 12:27:20 1999
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Date: Sat, 22 May 1999 12:30:31 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Sound processing ideas / Stuck in a rut
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Many great ideas/suggestions on this thread! I wanted to mention something
I'm sure many of you have discovered; it's interesting the way when one is
stuck in that rut and exploring new and unusual ways to process the sound
of your instrument, after doing so for a while you come back to the
conventional approach with a fresh perspective, and find new ideas popping
up for making use of straight, unprocessed sound! Best of both worlds, really!

Tim

From Loopers-Delight-request@annihilist.com  Sat May 22 15:18:49 1999
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From: "Michael S. Yoder" <myoder@tamiu.edu>
Subject: Re: Sound processing ideas / Stuck in a rut
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At 12:30 PM 5/22/99 -0400, Tim N. wrote:
>it's interesting the way when one is
>stuck in that rut and exploring new and unusual ways to process the sound
>of your instrument, after doing so for a while you come back to the
>conventional approach with a fresh perspective, and find new ideas popping
>up for making use of straight, unprocessed sound!

EXACTLY!!!  Presumably, that's why the Fender Rhodes is still so popular!
Just check out the group "Incognito," whose doing a refreshing
"London-ised" version of the mid-70's funk/fusion/Rhodes thing. =20

BTW--maybe if some of these bored suburban kids would take up music
composition and looping, they might not be inclined to acquire those stupid
assault weapons and concealed handguns.  Doesn't an introductory-level
multitrack cassette recorder, inexpensive guitar or keyboard, and cheap mic
cost less than those silly weapons?

=A1Hasta la revoluci=F3n!

Michael.
=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=
=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464=20
Internet:myoder@tamiu.edu

=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D-=
=3D-=3D-=3D-=3D-=3D-=3D-=3D-=3D--=3D-=3D-=3D-=3D=3D

From Loopers-Delight-request@annihilist.com  Sat May 22 17:20:58 1999
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Date: Sat, 22 May 1999 15:56:57 -0500
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    Crevice, "Think of Pleasant Things" cd is now available at:
www.theorchard.com.
                    Now wasn't that brief!!!! James

From Loopers-Delight-request@annihilist.com  Sat May 22 17:34:37 1999
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Subject: KIds.. Guns??...MUSIC !!!!
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> 
> BTW--maybe if some of these bored suburban kids would take up music
> composition and looping, they might not be inclined to acquire those
stupid
> assault weapons and concealed handguns.  Doesn't an introductory-level
> multitrack cassette recorder, inexpensive guitar or keyboard, and cheap
mic
> cost less than those silly weapons?
> 
> ˇHasta la revolución!
> 
> Michael.
> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=


yeah -- well.. i don't need to point out which side of the political
spectrum has ensured decades of cuts in school - art funds - music is
pretty fast on the chopping block!! And, peculiarly - that 'wong' of the
american political landscape also worships the @nd amendment a bit too
much.. how 'bout the RIGHT TO FREE EXPRESSION!!!! AMendment Number ONE..
let's give kids a CREATIVE outlet...

But no - we'll blame the TV and movies, rap music etc.

wacky country.

Music.. with Looping will save my brain.

andre'

From Loopers-Delight-request@annihilist.com  Sat May 22 17:37:59 1999
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To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Sound processing ideas / Stuck in a rut
In-Reply-To: <3.0.1.32.19990522135710.008cbaa0@tamiu.edu>
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At 01:57 PM 5/22/99 -0500, you wrote:
  Doesn't an introductory-level
>multitrack cassette recorder, inexpensive guitar or keyboard, and cheap mic
>cost less than those silly weapons?
>
But it doesn't stop there! Gear is an expensive addiction; what starts with
a cassette 4 track soon leads to 8, then to the hard(drive) stuff. Just ONE
more guitar, then I'll stop! If only those stompboxes weren't made in all
those bright colors, so appealing to kids! What starts with an innocent
fuzzbox leads straight to electronic heroin!

Tim

P.S.: Anyone got any spare change; I NEED a JamMan! $700 should do...

From Loopers-Delight-request@annihilist.com  Sun May 23 02:07:00 1999
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Date: Sat, 22 May 1999 22:30:46 -0700
To: Loopers-Delight@annihilist.com
From: John Altman <jfa@best.com>
Subject: EDP, 16mb, pedal F/T Bay Area
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Hello all,

Much as I've enjoyed my EDP for the last few months I've sold my soul to
Kyma and must adjust a little to keep my sanity, so:

Echoplex Digital Pro w/ 16 Mb RAM (i.e. maxed out), and seven-button foot
pedal.

Used only in home studio, mint condition, manual and packing materials.

Would prefer to trade for any of the following and deal direct in the Bay
Area (I'm in N. Berkeley/El Cerrito):

DP/4 or Pro
Balanced patch bay(s)
PC-1600x
Other rack effects?
Korg Prophecy

Thanks,

John Altman

-  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -

 	Cacophony is at least as intricate an art as harmony.

							Basil Bunting


From Loopers-Delight-request@annihilist.com  Sun May 23 03:02:40 1999
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Date: Sun, 23 May 1999 02:44:12 +0000
From: Darrell Jones <djones01@columbus.rr.com>
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Organization: Intra Sites
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How much are you asking, I have a Digitech Studio Quad V2 in mint condition. Let
me know. Lets make a deal.

Darrell

John Altman wrote:

> Hello all,
>
> Much as I've enjoyed my EDP for the last few months I've sold my soul to
> Kyma and must adjust a little to keep my sanity, so:
>
> Echoplex Digital Pro w/ 16 Mb RAM (i.e. maxed out), and seven-button foot
> pedal.
>
> Used only in home studio, mint condition, manual and packing materials.
>
> Would prefer to trade for any of the following and deal direct in the Bay
> Area (I'm in N. Berkeley/El Cerrito):
>
> DP/4 or Pro
> Balanced patch bay(s)
> PC-1600x
> Other rack effects?
> Korg Prophecy
>
> Thanks,
>
> John Altman
>
> -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -  -
>
>         Cacophony is at least as intricate an art as harmony.
>
>                                                         Basil Bunting

From Loopers-Delight-request@annihilist.com  Sun May 23 05:21:59 1999
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Date: Sun, 23 May 1999 05:04:22 -0400
From: Andreas Willers <AWillers@compuserve.com>
Subject: Re: Sound processing ideas / Stuck in a rut
Sender: Andreas Willers <AWillers@compuserve.com>
To: "INTERNET:Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
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Yeah, just get down to basics: practise your axe preferably with and
acoustic/unaltered sound and work on your phrasing, timing etc. New ideas=

will follow inevitably.....
Best, Andreas =

From Loopers-Delight-request@annihilist.com  Sun May 23 09:02:57 1999
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From: PJBMHB@aol.com
Message-ID: <14ed081.24794fd2@aol.com>
Date: Sun, 23 May 1999 08:34:26 EDT
Subject: bill frisell's 1st set last night
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great stuff from bill last night with lots of whacky looping via his eh 16 
sec. delay. the trio was very organic and country/folky. very nice stuff. 
played his klein and a small jazz guitar i think is an anderson. lots of fun. 
wish we could have stayed for the 2nd set. =-) PJ

From Loopers-Delight-request@annihilist.com  Sun May 23 10:00:50 1999
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Subject: re DIGITECH 8 second delay FS
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another time machine sighting . . .  on Harmony:

FS: Digitech Time Machine RDS 8000 8 Sec. Delay
Asking Price: US$200
Condition: Mint
Age: N/A
Description:
Hard to find, Digitech RDS 8000 rackmount delay unit



Great for looping - 8 seconds max time



Sampling, Triggering, and infinite repeat



also chorus, Flanging, phasing, and slapback echo



Unit is in mint shape. Microscopic scrapes near rack holes. This



is the later (better) version of the time machines. Comes with



original manual, power cord, and footswitch. This is an amazing



piece of gear $200 plus shipping.
Seller: Chris Jackson,
E-mail: deadlimb@aol.com (Profile)
Post Date: 5/22/99

----------------------------------------------------------------------------
----


go get it:

Tom Lambrecht
hideo@concentric.net


From Loopers-Delight-request@annihilist.com  Sun May 23 12:49:31 1999
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Michael,
I think the weapons are probably cheaper and easier for kids to get .



Daniel

"Michael S. Yoder" wrote:

>
>
> BTW--maybe if some of these bored suburban kids would take up music
> composition and looping, they might not be inclined to acquire those stupid
> assault weapons and concealed handguns.  Doesn't an introductory-level
> multitrack cassette recorder, inexpensive guitar or keyboard, and cheap mic
> cost less than those silly weapons?
>
> ˇHasta la revolución!
>
> Michael.
> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
>
> Dr. Michael S. Yoder
> Assistant Professor of Geography,
> Coordinator of Urban Studies
> Texas A&M International University
> 5201 University Blvd.
> Laredo, TX  78041
> Tel. (956) 326-2634; FAX (956) 326-2464
> Internet:myoder@tamiu.edu
>
> =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

From Loopers-Delight-request@annihilist.com  Sun May 23 14:20:19 1999
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From: "ur eye" <ureye@hotmail.com>
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Subject: Jamman help w/ cakewalk sync 
Date: Sun, 23 May 1999 10:04:35 PDT
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Hi folks, I can't seem to get cakewalk to transmit or receive Midi clock. 
I'm pretty sure it's not the interface for my jamman controls my Rebirth 
fine. I've recently moved from CW3 to CW8 but I don't remember ever using 
clock messages to control anything. What i am trying to do it is take loops 
that I have dumped from the Jamdude to Cooledit(or Cakewalk, I'm just used 
to CE), then sync them to new loops. I realize life would be much simpler if 
I had a EDP with that UNDO function but I won't even try for a few months 
from what I understand about the status of new units. Basically that's the 
idea though, to be able add a loop then remove it if desired.
Any help, much appreciated
Dennis


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

From Loopers-Delight-request@annihilist.com  Sun May 23 19:47:02 1999
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 <3.0.5.32.19990522123031.007a0e40@pop.ici.net>
 <001501bea464$eae7d7a0$49954e0c@u73x0>
Date: Sun, 23 May 1999 18:42:48 -0500
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From: Patrick Smith <patrick@his.com>
Subject: PLEX BUYER W/ BIG $$$
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>WTB: Oberheim Echoplex Digital Pro
>
>Asking Price: US$N/A
>Condition: Excellent
>Age: N/A
>Description:
>
>       Will pay big bucks for an Echoplex Digital Pro in excellent
>       condition. Name your price and don't be shy
>
>Seller: JOHN TETI,
>E-mail: teti@kear.tdsnet.com (Profile)
>Post Date: 5/23/99
>


OK Boys & Girls,

  Any body need $$$...looks like a ripe one...

Patrick


                http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Sun May 23 19:53:15 1999
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Here's an idea:

Purchase an instrument that you can't play.  (check garage sales, flea
markets) Don't use any traditional learning methods, just try an figure
it out.  When you gain some degree of "proficiency," try to incorporate
the new instrument into your music.

If you have any doubts about this method, buy a Residents album and
behold...

Mark

From Loopers-Delight-request@annihilist.com  Sun May 23 22:25:05 1999
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From: John Altman <jfa@best.com>
Subject: EDP, 16mb, pedal F/T Bay Area--TRADE PENDING
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Thanks to all who expressed interest but it looks like the package is
spoken for.

John


From Loopers-Delight-request@annihilist.com  Mon May 24 01:28:24 1999
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From: Kriist@aol.com
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Date: Mon, 24 May 1999 01:10:08 EDT
Subject: german(?) 'industrial' music loop people
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a while ago there was some mentioning of this , old school, real 
industrial(tools etc...) group
real popular
can anybody inform me as to what it was?

the vocalist did some looping noise stuff as well(as was mentioned)

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Date: Sun, 23 May 1999 23:15:32 -0700
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: german(?) 'industrial' music loop people
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>a while ago there was some mentioning of this , old school, real
>industrial(tools etc...) group
>real popular
>can anybody inform me as to what it was?
>
>the vocalist did some looping noise stuff as well(as was mentioned)

was it Einsterzende Neubaten?

do I win something if I'm right?
kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon May 24 06:45:18 1999
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Date: Mon, 24 May 1999 06:38:28 -0400
From: Andreas Willers <AWillers@compuserve.com>
Subject: german(?) 'industrial' music loop people
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It was (is?) called EINST=DCRZENDE NEUBAUTEN ('new houses falling apart')=
.
Their singer Blixa Bargeld just held an art exhibition in Cologne
displaying hundreds of sets of polaroid photo shots (2 to 5 per set) he h=
ad
taken from the hotel bathrooms he's been in in the last ten years ago.
Probably sells like crazy...   =

From Loopers-Delight-request@annihilist.com  Mon May 24 10:51:09 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Kyma review; was Re: EDP, 16mb, pedal F/T Bay Area
Date: Mon, 24 May 1999 09:22:51 -0500
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So how's your soul been doin'?

I've been really interested in the Kyma.  How about a review of it?  Maybe
something for the Looper's Delight website?  I see we have some decent info
on the Akai Headrush now (thanks Kim and Alan!).  Symbolic Sound Corp. has
some good info but I'd like feedback on how easy (or not) the Kyma is to use
as a live looper.  Like, real-time, performance-oriented, ease-of-use, and
other hyphenated view-points.  Since you've used the EDP, I especially value
your opinion comparing the two.

Dennis Leas
-----------------------------
dennis@mdbs.com

-----Original Message-----
From: John Altman <jfa@best.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, May 23, 1999 1:09 AM
Subject: EDP, 16mb, pedal F/T Bay Area


>Much as I've enjoyed my EDP for the last few months I've sold my soul to
>Kyma and must adjust a little to keep my sanity, so:


From Loopers-Delight-request@annihilist.com  Mon May 24 12:04:30 1999
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Date: Mon, 24 May 1999 16:38:59 +0100 (BST)
Message-Id: <199905241538.QAA07833@www.dircon.net>
To: Loopers-Delight@annihilist.com
From: "TAWalker" <tawalker@dircon.co.uk>
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Subject: "Over The Bridge" CD available again
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After a few weeks of technical problems at the server end, I'm pleased to report that it looks like "Over The Bridge", my CD of solo electric guitar with Boomerang, EBow etc., is once more available from my MP3.com page:

www.mp3.com/timwalker/

"OTB" contains forty-five minutes of unadorned and (largely) unedited looping, loaded onto a mixed-mode disc containing both CD audio & MP3 versions of the tracks. MP3.com CDs have recently been revamped, with improved packaging (jewel case! inlay card!) and a multimedia interface for Windows & Mac; this has put the price up a bit, but I think

$5.99 + shipping

is still pretty good value...

Just out of interest: I know about David Cooper Orton (www.mp3.com/davidcooperorton/), but are there any other LDers on MP3.com?

Best wishes,
Tim.
---
Tim Walker
tawalker@dircon.co.uk
www.tawalker.dircon.co.uk
"You can't always wait for a composer to write the music you want to play." (Derek Bailey)

From Loopers-Delight-request@annihilist.com  Mon May 24 12:46:34 1999
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Date: Mon, 24 May 1999 10:34:23 -0600
From: Larry Peterson <larry@vexcel.com>
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Greetings!

I just found an EDP being blown out by my local music store.  Does
anybody have a foot pedal that they'd like to part with?  Does anyone
know where I can get one?  How about a MIDI controller? 


Thanks

- Larry

From Loopers-Delight-request@annihilist.com  Mon May 24 18:25:59 1999
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Hi, I'm a new users of EDP and I would like to know your experience about
the BEST POSITION  (more low noise possible) of INPUT and OUTPUT knoll.

thanks.

From Loopers-Delight-request@annihilist.com  Mon May 24 19:52:21 1999
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From: SoundFNR@aol.com
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Date: Mon, 24 May 1999 18:30:11 EDT
Subject: Digitech Space Station
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Anyone out there know what this actually does.
The Digitech website isn't very informative.
Some interesting filtering perhaps?

Andy Butler
Lexicon Vortex Database (newish section on undocumented features)
http://members.aol.com/soundfnr/vortex.htm
  

From Loopers-Delight-request@annihilist.com  Mon May 24 20:12:59 1999
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Date: Mon, 24 May 1999 17:52:24 -0500
From: Micah <micah@iamerica.net>
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    Hi all.  I'm brand spanking new to this list.  I've been through
quite a bit of the archives and I couldn't find anything on this
subject, so I'm gonna fire away.
    I just got off the phone with a tech from TC Electronics.  He tells
me that as of the end of 1998 TC has discontinued both the TC0050 and
the TC0144 footcontrol units that are used with the 2290.  The 0144 is
the larger unit which has switches for the sampling/loop functions,
dedicated switches for the 5 fx loops in the 2290, and some preset
switching options as well.  The 0050 is a 5 button footcontroller which
theoretically (according to the manual) can be configured to perform any
number of functions with proper programming of the 2290.  (By the way
these are not MIDI pedals, they connect with 1/4" plugs)  In addition to
this, he tells me that TC no longer offers the ME00 sampling time
expansion units.  In the past TC has offered 4 seconds of stock sampling
time on the 2290 that can be upgraded in 4 second increments with
purchase of an additional ME00.  You could go all the way up to 32
seconds of CD quality sampling.  I bought my 2290 a few years ago under
the notion that I could upgrade and expand the unit as my needs and my
pocketbook allowed.  Now I'm stuck with only 4 seconds of time, and no
footcontroler.  This will not allow me to use the 2290 as a real-time
looper in any capacity in a live performance.  Let this be a warning for
those out there who are thinking about picking up a 2290 for its
realtime performance sampling/loop features.  Right now the only way I
can do any looping is through the front panel buttons.
    I'm a little pissed about this, because there is no mention of this
on TCs website.  Have they all but abandoned the 2290??  Is it now just
essentially an expensive digital delay??  I do hope I'm wrong about all
this, because the tech mentioned that the 5-switch 0050 footcontroller
could only access the 5 individual FX loops.  This COMPLETELY defies
what the manual says, which states that each switch can be user defined
through programming of the 2290.  He also tried to convince me that the
0144 footcontrol did not allow for any specific sampling/loop
functions.  I didn't even bother to tell him that Doug Wimbish has been
using his 0144 to start/stop realtime loops on his 2290 for YEARS (by
the way you can see both of Doug's TC footconrtolers in the current
issue of Bass Player).  So maybe the guy had no clue what he was talking
about.  I hope so.
    The manual does mention something about building a 5 switch unit for
use with the 2290, with specific resistor values for each switch.  I may
end up having to try to put one of these together.  If it works I could
at least salvage SOME live performance/loop function out of the unit.
What I would rather do is locate a 0144, or an 0050 footcontrol unit,
new or used.  I would also desperately like to find a source for some
memory expansion units.  I hate it that I have this big ol expensive
machine with all this cool potential, and I can't do anything with it
because TC has pulled the rug out from under me.  If all else fails I
guess I'll buy a Boomerang and call it a day.
    Sorry for such a long message from a first timer, but I thought this
might be of some interest/importance to those here.
Micah

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Date: Mon, 24 May 1999 17:22:11 -0600
From: Jim Coker <jcoker@magelang.com>
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Subject: Re: Kyma review; was Re: EDP, 16mb, pedal F/T Bay Area
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Hi John, I'd also like to hear how you're using Kyma for looping.
I'll be leaving soon for an out-of-town trip, but I'll post my
own experiences when I get back (5/31), then Kim is welcome to
add them to the web site.

Jim

Dennis W. Leas wrote:
How about a review of it?  Maybe
> something for the Looper's Delight website?  I see we have some decent info
> on the Akai Headrush now (thanks Kim and Alan!).  Symbolic Sound Corp. has
> some good info but I'd like feedback on how easy (or not) the Kyma is to use
> as a live looper.  Like, real-time, performance-oriented, ease-of-use, and
> other hyphenated view-points.  Since you've used the EDP, I especially value
> your opinion comparing the two.
> 
> Dennis Leas
> -----------------------------
> dennis@mdbs.com
> 
> -----Original Message-----
> From: John Altman <jfa@best.com>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Sunday, May 23, 1999 1:09 AM
> Subject: EDP, 16mb, pedal F/T Bay Area
> 
> >Much as I've enjoyed my EDP for the last few months I've sold my soul to
> >Kyma and must adjust a little to keep my sanity, so:

From Loopers-Delight-request@annihilist.com  Tue May 25 00:00:17 1999
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Date: Tue, 25 May 1999 00:34:47 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: EDP Gain/Noise
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>Hi, I'm a new users of EDP and I would like to know your experience about
>the BEST POSITION  (more low noise possible) of INPUT and OUTPUT knoll.

try output all to the left, you will have no noise at all.



serious: its just like a tape machine: let the input LED flash red at peaks
and be yellow most of the time.

*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


From Loopers-Delight-request@annihilist.com  Tue May 25 00:03:40 1999
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Date: Mon, 24 May 1999 20:45:33 -0700
From: Clifford Novey <clifsound@earthlink.net>
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Hi all-

I just finished completing the installation of 2 capacitors to my EDP to
eliminate noise and must report it has worked perfectly!

I can't say I am glad I had to do it but there is a certain sense of
satisfaction-

**Hey Kim,  please disregard my former question regarding pin number- I
went ahead assuming there was no serious risk involved if i used the
wrong pin (like I know anything about that cryptic pc board!)**

I am always amazed when looking closely at pc boards, they are 3
dimensional mazes that are amazing in form and amazing in that they
produce the functions that they do- They design those boards on a
software program now, but was it always that way?? I doub't it- it seems
like it would take some serious thinking in the way of the old game
"Simon", where you had to remember more and more of an overall pattern
as you went along- but on a much more intricate level-

Anyway folks- the mod works, oh- to make sure you have the correct "pin"
count them from 1 to 8 from left to right while looking at the unit from
the front.

Take care,

Clifford

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To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: TC 2290 a request and a warning
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>    Hi all.  I'm brand spanking new to this list.  I've been through
>quite a bit of the archives and I couldn't find anything on this
>subject, so I'm gonna fire away.

Hi, welcome Micah

>    I'm a little pissed about this, because there is no mention of this
>on TCs website.  Have they all but abandoned the 2290??

Try to be fair: I bought my 2290 in 1985, so I do not think that any other
digital equipment has been manufactured during such a long time (exept
maybe the PCM70). Its because of the extremly high quality.

>    The manual does mention something about building a 5 switch unit for
>use with the 2290, with specific resistor values for each switch.  I may
>end up having to try to put one of these together.

Thats what I was gona say. Probably cheaper even. Just do it!

For the memory you must know that tc depends on chips that are not
manufactured any more for many years.
They would have to make a new board with bigger chips for the old thing...

As far as I remember they had a bigger memory (32sec?) that might still be
available because its built with bigger chips (maybe 256kBx1?!).

>    Sorry for such a long message from a first timer

yep, was too long ;-)

Matthias

*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


From Loopers-Delight-request@annihilist.com  Tue May 25 00:25:40 1999
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Date: Mon, 24 May 1999 23:52:41 -0500
From: Mark Sottilaro <msottila@mailbox.syr.edu>
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Hey,

If you're looking for silky distortions, rich reverb and singing chorus,
DON'T BUY A SPACE STATION!

However, if you want you're guitar to sound like whales orbiting Pluto
then this is the pedal for you!

Basically, the Station does a lot of cool, but very non-traditional
effects, ranging from Ring Modulator, to a wicked backwards delay.  The
nice thing is that you can alter an assigned perimeter with a pedal as
you're playing.  The bad thing is that it's a Digitech ROM box.  No user
programmability at all.  I wouldn't make it my only gun, but I'd
definitely put it in my arsenal (I did about a year ago).  I used it
last month for the sound track of a 3d animation that I did, where I fed
my voice through it.  Fun!

Mark Sottilaro

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Gain.  Very tricky subject.  When you get right down to it, when you use
the word gain, you're getting noise (in the analogue world) .  The trick
is to achieve something called "Unity Gain" (translation: No increase
throughout the system)

The best advise I can give you is to look at the lights, but trust your
ears.  Feed in as much signal as you can with out clipping the input.
Boosting a weak signal is never a good plan.  Same goes for out put.
The best thing you can do is put out a test tone of a known db level and
track it's level through the system.  That gets a little tricky, as few
pro-sumer gear produces such calibrated tones.  If anyone knows of such
things, let me know.

Also, where did you get your EDP?  Are they being sold as new gear?  Did
you get it used, and if so, how much?

Mark Sottilaro

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Date: Mon, 24 May 1999 21:37:11 -0700
From: lance glover <baumhaus@earthlink.net>
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Larry wrote:

> Greetings!
>
> I just found an EDP being blown out by my local music store...

hey kim,

is there something in the manual about this? i mean, won't this void
your warranty?

lance g.

:-)


ps: sorry for the personal send, larry (forgot to check address...)

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Date: Tue, 25 May 1999 05:10:47 -0400
From: Andreas Willers <AWillers@compuserve.com>
Subject: TC 2290 a request and a warning
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the 2290 has been around for ages and they didn't make any upgrades since=
 I
don't know when: no backwards delay, no multiple loops etc. Still it has
the best sound quality of anything I tried, even it's clipping is quite
smooth and musical sounding! tc is growing rapidly and that might be the
reason their current tec's in the US don't know much about the 2290 any
more, it's prehistoric.

I happen to have a footcontroller of the 0050-kind flying around that I
might not need any more (my 2290 served as part of a trade-in for a '50s
Les Paul, sub). It starts and stops the loop with one button, the other
four can be programmed at will to do any sequence of front-button-presses=

on the unit (via special #'s, you'll need the list for that). I'll look f=
or
it in the rummage box today.

Although I'm over here in Germany, if you're interested, send me a mail
directly,
best, Andreas =


 =

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From: Kim Flint <kflint@annihilist.com>
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At 9:37 PM -0700 5/24/99, lance glover wrote:
>Larry wrote:
>
>> Greetings!
>>
>> I just found an EDP being blown out by my local music store...
>
>hey kim,
>
>is there something in the manual about this? i mean, won't this void
>your warranty?
>

yes, you should try to keep explosives a reasonable distance from the
echoplex. Most professionals recommend placing them by the keyboard player,
as that's the least likely spot for groupies to be hanging around if an
accident occurs. You can always get another keyboardist.

haha, but seriously, selling a looping device below maximum price is in
fact illegal in most places. This store should be reported!

You can make your own pedal pretty easy, info is on the echoplex page:

http://www.annihilist.com/loop/tools/echoplex/echoplex.html

There's also info there on about what kind of midi pedal to get. Check the
"pedal tutorial."

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue May 25 06:30:15 1999
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Date: Tue, 25 May 1999 05:46:50 -0400 (EDT)
From: Stew Benedict <stewb@earthlink.net>
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Subject: Re: EDP Mod
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  Hey, I missed the details of the mod!  I don't think I've seen this
problem with my plex, but it'd be good to add to the old folder just in
case.  I lay out circuit boards as one of my careers.  Yes it is a bit
easier with software.  In the "old" days, I used a special tape and mylar
film, stacking up layers of film for board layers, working on a light
table with an xacto knife.  You used to have to refer to the schematic(s)
a lot to keep track  of what's connected where.  Now the software does
that for you.  It is a rather enjoyable task for me anyway.  An almost
artistic aspect of the design process.

Stew Benedict

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From: Hawkeye255@aol.com
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Date: Tue, 25 May 1999 08:00:53 EDT
Subject: Re: TC 2290 a request and a warning
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In a message dated 99-05-24 23:53:07 EDT, you write:

<< For the memory you must know that tc depends on chips that are not
 manufactured any more for many years.
 They would have to make a new board with bigger chips for the old thing...
 
 As far as I remember they had a bigger memory (32sec?) that might still be
 available because its built with bigger chips (maybe 256kBx1?!) >>

The Univ. of Iowa has a surplus shop that gets rid of tons of old computer 
equipment (among other things) every month.  I find my memory chips for older 
gear there.  Last month I picked up ten 286 and 386 motherboards loaded with 
various types memory for $5.  And three external SCSI CDROM drives for $2 a 
piece (two worked fine, the other, I used the enclosure by replacing the shot 
CDROM drive with a 1 gig hard disk drive for my JS-30 Sampler).  Perhaps 
there's such a thing near you?
                
               Hawkeye

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Date: 	Tue, 25 May 1999 06:59:49 -0500 (CDT)
Sender: crash@waste.org
From: Todd Madson <crash@waste.org>
To: Loopers-Delight@annihilist.com
Subject: Space Station, 2290 comments
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I think the reason the 2290 has so many things discontinued on it is
that the box effectively uses memory chips that are no longer being
manufactured.  It appears TC has moved on to smaller, more powerful
boxes (Finalizer, G-Force, etc.) but at the same time, we know that
Fripp has several 2290s maxed out - perhaps a TC dealer has one of
the upgrades in stock but perhaps forgotten somewhere.

The Space Station is a very cool effect and I want one (my wife keeps
going: "Space Station?  They cost hundreds of millions of dollars just
to keep in orbit, we can't afford that!" [ha, ha]).

Yes, it does have ring modulation and backwards guitar fx, but it 
also has the waycool string pad swell, the weird pixelization effect,
and the sample and hold guitar effect, a built in tuner and I think it
would work greatly with the Lexicon Vortex effect (another misunderstood
effect).

When I was using it at the local music store, I was playing weird 
chords with the string pad effect and it sounded just like Allan
Holdsworth's string pad work on "The Un Merry Go Round."  I'd 
gathered a small crowd just playing with the thing.  Then I played
some single note stuff thru the pixelization patch and it sounded 
like some techno rhythm guitar part, but live.  I finished with 
the sample and hold part, playing robotic eighth notes and sounded
like some Tangerine Dream outtake from the early days.

I handed the guitar to a kid on my way out and he switched the pedal
to the sample and hold and starting playing this really fast staccato
stuff and the guitar started making this weird POP-POP-POP-WHOP-WHOP
WHOP sound that made me laugh out loud.  He switched to the string pad
part and started playing high position three note chords and it sounded
like a demented harpsichord since he was muting stuff and playing real
fast. 

Todd Madson
Musician, Mountain Biker, Stunt Kite Flyer, BeOS/MacOS/Linux/WinNt user.
http://www.waste.org/~crash/index.html

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Date: Tue, 25 May 1999 10:12:55 -0500
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Hey,

As a retail veteran, I've got to call you on this one, Kim.  Selling a
product at any price is not illegal.  Price fixing is illegal.  There
are laws against "dumping" products into a market where the manufacturer
takes a loss to undercut a competitor, but I don't really understand the
complexity of international trade.

Many manufacturers claim that you have to sell their products for a set
price, or suffer legal consequences.  This is false.  The only thing
they can do is pull your exclusive dealership.  When you see a retail ad
that says, "Call for best pricing!" it is usually because the retailer
has a co-op advertising deal with the manufacturer where the retailer
agrees not to advertise the product for a certain price in exchange for
money toward advertising their product.  This isn't to protect the
consumer, but to protect the retailer.

On the other hand, the mark up in retail musical instruments and gear is
actually pretty low.  Often 10-20%.  What retailers do to make money is
to sell accessories, and service.  Large retailers make money on
"volume, volume, volume!"

Mark Sottilaro

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Date: Tue, 25 May 1999 10:50:14 -0400
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>Attachment converted: thing 1:Loopers-Delight-d Digest 38 
>(TEXT/CSOm) (0001AD9D)

hi damnit thwre is he damn inderlined text and why the hell does it 
happen>?/  xcvbcb, m,v mvn  mcvnm,nbklidrgifdsyg7ursiufuadoasopidpo 
kjl;kl;kok odskjvopjdsiouv80esy08fy8yihfisdjvhidsujiIuiuij Iu 
ijiUioujiIJIOJIJIJIJIJi jofpdvjpoj ljdovj
bit e me

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From: Dpcoffin@aol.com
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Date: Tue, 25 May 1999 11:17:49 EDT
Subject: Re:  Digitech Space Station
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In a message dated 5/25/99 12:52:25 AM, Andy wrote:

<<Anyone out there know what this actually does.>>

I got one and love it. It's got variations on each of several basic effects 
(let's see if I can remember 'em all):

A kind of synthy symphonic string sound;
Quite raw ring modulation;
Twangy resonance like you'd get from high-feedback chorusing or flanging;
VERY nice Reverse delays.

There are NO parameters to adjust, but each variation patch reacts 
differently to the foot pedal.

There may be other algorithms, but I only use the reverse patches. In fact, I 
always keep mine set on patch #10, which is bypass in pedal up, plain old 
100%-wet reverse in pedal down, and does really nice whammy-bar-like 
low-pitch tricks as you sweep the pedal. That one patch is worth the 
admission for me, since I can get all the other fx in the pedal more flexibly 
and tweakably from other units, but nothing that sounds quite like 
this...it's a kind of morphing between pitch shifting and reverse delay.
David

From Loopers-Delight-request@annihilist.com  Tue May 25 13:10:16 1999
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Reply-To: <asavoia@velogic.com>
From: "Alberto Savoia" <asavoia@velogic.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: EDP For Sale.
Date: Tue, 25 May 1999 10:02:52 -0700
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I am very interested.  How much?

Thanks,

Alberto

-----Original Message-----
From: Hawkeye255@aol.com [mailto:Hawkeye255@aol.com]
Sent: Tuesday, May 25, 1999 5:16 AM
To: Loopers-Delight@annihilist.com
Subject: EDP For Sale.


I have my fully loaded EDP with pedal and manual for sale.  Not being used
presently.  Works perfectly.  Open to offers.  Have not advertised anywhere
else.

Thanks,
           Bill 'Hawkeye' Reiter
             319-895-8410

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Date: Tue, 25 May 1999 13:18:31 -0400
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Hello,

first time posting to the list (which is quite interesting so far).  Would
anyone like to help a complete MIDI novice with understanding some of the
basics of using Midi control with rack effects for guitar?  I'm primarily using
a Digitech TSR 24 and any help (web sites, advice, etc (off list I suppose))
would be greatly appreciated.

Thanks

Kevin

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From: Mark@asisoftware.com (Mark Kata)
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Check out Craig Anderton's book, "Multi-effects."

MK

-----Original Message-----
From: Kevin <kevin@minds-eye.org>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Cc: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, May 25, 1999 1:46 PM
Subject: MIDI help


>Hello,
>
>first time posting to the list (which is quite interesting so far).  Would
>anyone like to help a complete MIDI novice with understanding some of the
>basics of using Midi control with rack effects for guitar?  I'm primarily
using
>a Digitech TSR 24 and any help (web sites, advice, etc (off list I
suppose))
>would be greatly appreciated.
>
>Thanks
>
>Kevin
>

From Loopers-Delight-request@annihilist.com  Tue May 25 16:06:58 1999
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Date: Tue, 25 May 1999 13:01:10 -0700
From: Clifford Novey <clifsound@earthlink.net>
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Stew- check the archives for the mod- it was last week- if you can't find it
let me know-

Also, board design with schematics and an exacto sounds nutty! ;)

Cliff

Stew Benedict wrote:

>   Hey, I missed the details of the mod!  I don't think I've seen this
> problem with my plex, but it'd be good to add to the old folder just in
> case.  I lay out circuit boards as one of my careers.  Yes it is a bit
> easier with software.  In the "old" days, I used a special tape and mylar
> film, stacking up layers of film for board layers, working on a light
> table with an xacto knife.  You used to have to refer to the schematic(s)
> a lot to keep track  of what's connected where.  Now the software does
> that for you.  It is a rather enjoyable task for me anyway.  An almost
> artistic aspect of the design process.
>
> Stew Benedict

From Loopers-Delight-request@annihilist.com  Tue May 25 16:57:07 1999
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Message-ID: <374B07E8.AC815C03@iamerica.net>
Date: Tue, 25 May 1999 15:28:24 -0500
From: Micah <micah@iamerica.net>
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> I happen to have a footcontroller of the 0050-kind flying around that I
> might not need any more (my 2290 served as part of a trade-in for a '50s
> Les Paul, sub). It starts and stops the loop with one button, the other
> four can be programmed at will to do any sequence of front-button-presses
> on the unit (via special #'s, you'll need the list for that). I'll look for
> it in the rummage box today.

Thanks Andreas that would be wonderful.  Just name your price.  This will help
me out tremendously.
Micah

From Loopers-Delight-request@annihilist.com  Tue May 25 17:23:33 1999
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From: "Sean Witters" <seanwitters@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Frisell @ the Vanguard
Date: Tue, 25 May 1999 14:17:41 PDT
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I caught the first set on Thursday night, Frisell used a lot of looping.  He 
had his EH 16 Second Delay resting on-top of his foam clad Lexicon Lxp-5 all 
within easy reach on a stool.  He tapped in and out and tweaked levels and 
reversed loops with his hands (no dancing involved).  He was focused on 
capturing motifs from his solos and then playing against them or bringing 
them back later.  He seemed vary much at home with the EH and was able to 
create some very interesting and musical effects with it.  One particular 
moment which stands out; is when he brought back a particularly nasty bluesy 
lick ladden with tubescreamer (that's right no RAT)after a long quiet 
section on a dimminuendo which might have been interpreted as a fade out.  
The nasty lick (playing back in reverse mode) kicked the song back in and he 
launched into a raunchy outro solo. The achieved effect was clearly amusing 
to Bill.  His performance is a testimony to the value of being intimately 
connected to all instruments in one's signal chain.  There are other devices 
which might have been more efficient but he has clearly spent a lot of time 
developing his own techinique for manipulating his chosen foil and from that 
kind of intimate knowledge one always yields more original and musical 
effects.


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

From Loopers-Delight-request@annihilist.com  Tue May 25 17:23:39 1999
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Sorry about that last message.  That was meant to go to Andreas personally.  The
"reply" button can be dangerous.Micah


From Loopers-Delight-request@annihilist.com  Tue May 25 17:56:30 1999
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Date: Tue, 25 May 1999 17:48:36 -0400
From: Legion <legion@voicenet.com>
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Subject: New Roland Guitar Synth site!
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Thanks to many people on this list as well as some old Roland info I've
finally been able to pull together a comprehensive site on the early
analog Roland guitar *and* bass synthesizers. 

I've created a page dedicated to the GK1 and BK1 series units including
the controllers and bass and guitar floor units. Right now there is a
gallery including the main three units (GR300, GR100, GR33b),
configuration and pickups of the guitars (G202,G303,G505,G707), and some
other pictures and info. 

I've also included links to old Roland literature, larger pictures, and
more indepth info from other pages I've found along my way.

I put this site together as a one stop type of place to find out about
this particular line of instruments. I hope to add some more info from
old RUG magazines and perhaps tips, tricks, and samples. It is not meant
to replace other sites but offer a full view of the guitars and basses
avalable as well as some player hints. I've been studying this line for
almost two years and have come across misinformation and bits and pieces
so often I decided to try and pull it all together and help set the
record straight. Also, as a bass player I've been more than frustrated
with the lack of info on the best bass synth ever made (IMO of course!)
the GR33b.

Please stop by for a visit and let me know what you think. Of course all
contributions and ideas welcome! I still need pictures of some of the
other guitar controllers and I'm trying to track down a pic of the G88
and rumored B33 bass. I'll also be adding more text along the way but it
goes online this evening.

Start here and enjoy! - Http://www.voicenet.com/~legion/guitsyn.htm  


-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Mark Sottilaro'" <msottila@mailbox.syr.edu>,
        Loopers-Delight@annihilist.com
Subject: RE: Digitech Space Station: Cool
Date: Tue, 25 May 1999 17:55:52 -0400
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I definately agree, there are no other effect boxes for this little money
that give you so many totally warped and weird effects.

10x better than a pedalboardful of the rediculously priced and limited
electro-harmonix re-issues.

there, I said it --  now I can go home quietly...

David Kirkdorffer
UNDO


-----Original Message-----
From: Mark Sottilaro [mailto:msottila@mailbox.syr.edu]
Sent: Tuesday, May 25, 1999 12:53 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Digitech Space Station: Cool


Hey,

If you're looking for silky distortions, rich reverb and singing chorus,
DON'T BUY A SPACE STATION!

However, if you want you're guitar to sound like whales orbiting Pluto
then this is the pedal for you!

Basically, the Station does a lot of cool, but very non-traditional
effects, ranging from Ring Modulator, to a wicked backwards delay.  The
nice thing is that you can alter an assigned perimeter with a pedal as
you're playing.  The bad thing is that it's a Digitech ROM box.  No user
programmability at all.  I wouldn't make it my only gun, but I'd
definitely put it in my arsenal (I did about a year ago).  I used it
last month for the sound track of a 3d animation that I did, where I fed
my voice through it.  Fun!

Mark Sottilaro

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From: PJBMHB@aol.com
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Date: Tue, 25 May 1999 17:34:12 EDT
Subject: Re: Frisell @ the Vanguard
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i totally agree with sean. i saw bill's 1st set on saturday night and i 
thought what mastery he had over his looping. i would not want to have messed 
with the eh by hand but it totally worked for him. ( i like doing the dance 
with my feet!) he sounded and played great and both my wife and i had a 
fantastic time. =-) PJ

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Date: Tue, 25 May 1999 14:51:39 -0700 (PDT)
From: dan sumner <permadan@yahoo.com>
Subject: Re: Space Station, 2290 comments
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can you tell me who makes the space station?
Dan
--- Todd Madson <crash@waste.org> wrote:
> I think the reason the 2290 has so many things
> discontinued on it is
> that the box effectively uses memory chips that are
> no longer being
> manufactured.  It appears TC has moved on to
> smaller, more powerful
> boxes (Finalizer, G-Force, etc.) but at the same
> time, we know that
> Fripp has several 2290s maxed out - perhaps a TC
> dealer has one of
> the upgrades in stock but perhaps forgotten
> somewhere.
> 
> The Space Station is a very cool effect and I want
> one (my wife keeps
> going: "Space Station?  They cost hundreds of
> millions of dollars just
> to keep in orbit, we can't afford that!" [ha, ha]).
> 
> Yes, it does have ring modulation and backwards
> guitar fx, but it 
> also has the waycool string pad swell, the weird
> pixelization effect,
> and the sample and hold guitar effect, a built in
> tuner and I think it
> would work greatly with the Lexicon Vortex effect
> (another misunderstood
> effect).
> 
> When I was using it at the local music store, I was
> playing weird 
> chords with the string pad effect and it sounded
> just like Allan
> Holdsworth's string pad work on "The Un Merry Go
> Round."  I'd 
> gathered a small crowd just playing with the thing. 
> Then I played
> some single note stuff thru the pixelization patch
> and it sounded 
> like some techno rhythm guitar part, but live.  I
> finished with 
> the sample and hold part, playing robotic eighth
> notes and sounded
> like some Tangerine Dream outtake from the early
> days.
> 
> I handed the guitar to a kid on my way out and he
> switched the pedal
> to the sample and hold and starting playing this
> really fast staccato
> stuff and the guitar started making this weird
> POP-POP-POP-WHOP-WHOP
> WHOP sound that made me laugh out loud.  He switched
> to the string pad
> part and started playing high position three note
> chords and it sounded
> like a demented harpsichord since he was muting
> stuff and playing real
> fast. 
> 
> Todd Madson
> Musician, Mountain Biker, Stunt Kite Flyer,
> BeOS/MacOS/Linux/WinNt user.
> http://www.waste.org/~crash/index.html
> 
> 

_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Tue May 25 18:13:24 1999
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From: "James Pokorny" <j.pokorny@worldnet.att.net>
To: <Loopers-Delight@annihilist.com>
Subject: Pity the poor keyboard player!
Date: Tue, 25 May 1999 17:58:59 -0400
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Kim wrote:
>yes, you should try to keep explosives a reasonable distance from the
>echoplex. Most professionals recommend placing them by the keyboard player,
>as that's the least likely spot for groupies to be hanging around if an
>accident occurs.

Ain't that the truth!  After years of frustration from sitting behind a drab
old piano, watching all the string players (and even the occasional drummer)
get all the ladies, I said "Enough is enough!"  Actually it wasn't even
close to "enough," it was more like "too little too late" (except that "too
little" was a gross overstatement).  What I really said was "Not getting any
is killing me!"  So I abandoned the piano, switched over to the sitar and as
soon as I could bend five notes on one fret I had more groupies than I'd
ever had hot meals.  I advise all frustrated keyboard players to do
likewise.




From Loopers-Delight-request@annihilist.com  Tue May 25 18:37:29 1999
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From: Hawkeye255@aol.com
Message-ID: <f24bcfba.247bee82@aol.com>
Date: Tue, 25 May 1999 08:16:02 EDT
Subject: EDP For Sale.
To: Loopers-Delight@annihilist.com
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I have my fully loaded EDP with pedal and manual for sale.  Not being used 
presently.  Works perfectly.  Open to offers.  Have not advertised anywhere 
else.

Thanks,
           Bill 'Hawkeye' Reiter
             319-895-8410

From Loopers-Delight-request@annihilist.com  Tue May 25 18:39:32 1999
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To: Loopers-Delight@annihilist.com
From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Re: Input gain structure
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Mouser electronics lists 5% carbon resistors at 0.22 each and 1% metal film
resistors at 0.11 each. Surprising, no?
At 06:50 AM 5/6/99 -0400, you wrote:
> As
>per the answer in
>the FAQ,  I'll be changing the resistors involved, but I have a question: 
>Must I use the suggested 1%
>metal film resistors, or will 5% metal film resistors do the trick? My
>elecronic repairman
>says he is quite certain that the 5% will work, and wants to try them
>because he has them available 
>and they are cheaper.  
>
>Thanks,    Daniel
>
>
>

. 
...........................................................................
Be the change you want to see in the world. -Mahatma Gandhi (1869-1948)
 

From Loopers-Delight-request@annihilist.com  Tue May 25 19:06:02 1999
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Date: Thu, 29 Apr 1999 16:23:50 +0000
Subject: wanted digiteck PMC 10 midi controler
From: "clay saunders" <c-lay@gol.com>
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Wanted to buy Digiteck PMC 10 midi foot controler. If you have one or know
where one is please drop me a message.

clay

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Message-ID: <3728D1A6.77CFE6D3@texas.net>
Date: Thu, 29 Apr 1999 21:39:53 +0000
From: Bobdog <psbuddha@texas.net>
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i'm interested in this, too. please post any info to the list or include
me in the reply.

thanks.

bobdog

From Loopers-Delight-request@annihilist.com  Tue May 25 19:07:17 1999
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Message-ID: <373C66E7.4BA52F5F@vexcel.com>
Date: Fri, 14 May 1999 12:09:43 -0600
From: Larry Peterson <larry@vexcel.com>
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Greetings!

I got to try one of these beasts a couple of weeks ago and I want
one!  I've called my local music stores and they either don't know
what I'm talking about or they "have a few on order".

Can anyone help me locate one?


Thanks

- Larry

From Loopers-Delight-request@annihilist.com  Tue May 25 19:07:50 1999
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Why no power switch on Vortex?website
Date: Thu, 13 May 1999 14:12:55 -0700
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>
>Andy:
>
>don't make us beg  ;)
>
>Tom Lambrecht
>hideo@concentric.net

To late...


PLEASE, PLEASE, PLEASE, PLEASE, PLEASE, PLEASE, PLEASE, PLEASE, PLEASE....

bIz


From Loopers-Delight-request@annihilist.com  Tue May 25 19:08:44 1999
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Much looping will be happening this Thursday (13th):

band: Darkroom (guitar, keyboard/tapes, voice)

venue: The Club Room (Queen's Arms, Donegal St, Angel, Islington,
London)

for more details: http://www.collective.co.uk/darkroom/
or: http://www.l-m-c.org.uk/nav_index.html


thankyou for your attention.


cheers,
-- 
Os
os@scee.sony.co.uk
os@collective.co.uk
http://www.collective.co.uk/

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From: "Jesse Kudler" <jkudler@mail.wesleyan.edu>
To: <Loopers-Delight@annihilist.com>
References: <1272-3733D2FE-11220@postoffice-612.iap.bryant.webtv.net>
Subject: Re: tomatoes
Date: Mon, 31 May 1999 04:10:38 -0400
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Is that a joke?  This off-topic stuff is getting out of hand.

-Jesse

----- Original Message ----- 
From: Mary Arbogast Arbogast <mjarbogast@webtv.net>
To: <Loopers-Delight@annihilist.com>
Sent: Saturday, May 08, 1999 2:00 AM
Subject: tomatoes


> i  would like to know when is the best ime to plant and get best results 
> 
> 

From Loopers-Delight-request@annihilist.com  Tue May 25 19:10:38 1999
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Date: Fri, 14 May 1999 11:02:58 -0700
From: Alistair Wilson <awilson@miravant.com>
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unsubscribe me please

Tim Nelson wrote:

> For the secret teachings revealing the esoteric connection between looping
> and gardening, click here>>> <http://hammock.ifas.ufl.edu/txt/fairs/8638>
>
> At 09:46 AM 5/13/99 -0700, you wrote:
> >There is really no bad time to plant tomatoes
> >except during the winter and depending on where
> >you live.  Use pesticide and wire bracing.
> >If you can, grow them in an indoor arboretum
> >to avoid insects or worms.
> >
> >Now if you want to know how to loop the tomatoes
> >into your Echoplex device, I suggest extreme caution
> >and consult your local loop doctor before commencing.
> >
> >Curbie

From Loopers-Delight-request@annihilist.com  Tue May 25 19:11:43 1999
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X-Originating-IP: [206.216.80.8]
From: "Joseph Buck" <josephbuck@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Homewreckers Needed!
Date: Sat, 15 May 1999 13:25:51 PDT
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Patrick-

Thank you for your response to this amazing plan. However I think you missed 
the point. Let me break it down for you.
1. Send ME gear.
2. You then get thanked by ME.

See how simple?

Remember. You can't spell Buck without U.

Kisses,


Buck


>Hi Buck,
>
>Thanks for the good laugh. Can I get in on the bottom floor and have some
>gear sent to me also? Maybe I could even take all the gear sent and then
>put it on e-bay and make enough to quit my day job....
>
>Patrick
>
>
>
>                     http://www.fingerpaint.net
>
>
++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

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From: "Steven Perry" <sper@sunlink.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Homeworkers Needed!
Date: Tue, 11 May 1999 16:51:50 -0400
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Now, are these pitch envelopes or amplitude envelopes?

-----Original Message-----
From: toukol@mindspring.com <toukol@mindspring.com>
To: loopers-delight@annihilist.com <loopers-delight@annihilist.com>
Date: Tuesday, May 11, 1999 4:42 PM
Subject: Homeworkers Needed!


>Dear Future Associate,
>
>You Can Work At Home & Set Your Own Hours.  Start earning Big
>Money in a short time
>
>                                    NO Newspaper Advertising!
>
>Your job will be to stuff and mail envelopes for our company. You
>will receive $.25 for each and every envelope you stuff and mail
>out.
>
>Just follow our simple instructions and you will be making money
>as easy as
>1… 2… 3
>
>For example stuff and mail 200 envelopes and you will receive
>$50.00. Stuff and mail 1000 and you will receive $250.00. Stuff
>and mail 2000 and you will receive $500.00 and more
>
>Never before has there been an easier way to make money from
>home!
>
>Our Company's Home Mailing Program is designed for people with
>little or no experience and provides simple, step by step
>instructions.
>
>There is no prior experience or special skills necessary on your
>part, Just stuffing envelopes.
>
>We need the help of honest and reliable home workers like you.
>Because we are overloaded with work and have more than our staff
>can handle. We have now expanded our mailing program and are
>expecting to reach millions more with our offers throughout the
>US and Canada.
>
>Our system of stuffing and mailing envelopes is very simple and
>easy to do!
>You will not be required to buy envelopes or postage stamps.
>
>We will gladly furnish all circulars at no cost to you. We assure
>you that as a participant in our program you will never have to
>mail anything objective or offensive.
>
>There are no quotas to meet, and there no contracts to sign. You
>can work as much, or as little as you want. Payment for each
>envelope you send out is Guaranteed!
>
>Here is what you will receive when you get your first Package.
>Inside you will find 100 envelopes, 100 labels and 100 sales
>letters ready to stuff and mail
>
>As soon as you are done with stuffing and mailing these first
>letters, your payment will arrive shortly, thereafter. All you
>have to do is to order more free supplies and stuff and mail more
>envelopes to make more money.
>
>Our sales literature which you will be stuffing and mailing will
>contain
>information outlining our highly informative manuals that we are
>advertising nationwide.  As a free gift you will receive a
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From Loopers-Delight-request@annihilist.com  Tue May 25 19:25:39 1999
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Subject: Re: Space Station, 2290 comments
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In a message dated 5/25/99 11:24:16 AM Mid-Atlantic Daylight Time, 
crash@waste.org writes:

<< and the sample and hold guitar effect, >>
really? which patch?........michael

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Date: Tue, 25 May 1999 20:12:28 -0400 (EDT)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re:  Digitech Space Station
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Has anyone tried this with a bass?  Does it keep any of the bottom end?

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/


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Date: Tue, 25 May 1999 12:39:27 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: EDP Mod
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At 2:46 AM -0700 5/25/99, Stew Benedict wrote:
>  Hey, I missed the details of the mod!  I don't think I've seen this
>problem with my plex, but it'd be good to add to the old folder just in
>case.

it wasn't posted. I'm going to put it on the website, I'll let you know
when it's there. For a lot of units it was done at the factory before it
shipped. So if you don't have the problem, you probably don't need to worry
about it.

>I lay out circuit boards as one of my careers.  Yes it is a bit
>easier with software.  In the "old" days, I used a special tape and mylar
>film, stacking up layers of film for board layers, working on a light
>table with an xacto knife.  You used to have to refer to the schematic(s)
>a lot to keep track  of what's connected where.  Now the software does
>that for you.  It is a rather enjoyable task for me anyway.  An almost
>artistic aspect of the design process.

They used to do ICs this way too!

PCB design is a bit of an artistic talent. Takes a certain type of
creativity to visualize the best ways for all the traces to route around
the board. On the complicated stuff I do these days, practically all of the
PCB gets hand routed (instead of autorouted). The layout designers we use
do seem to be a bit arty, and have this great intuition for sorting a lot
of it out in their mind as they go. I've heard many say it's a lot like
doing a painting. It's all done on software programs, of course, but
without the human involvement it's a disaster. the autorouters are no
substitute...

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue May 25 20:58:42 1999
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Date: Tue, 25 May 1999 17:29:44 -0700
From: Clifford Novey <clifsound@earthlink.net>
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Anyone get any tape of the Frisell shows? Let me know off list- I have items to
trade if there is interest...


Cliff


PJBMHB@aol.com wrote:

> i totally agree with sean. i saw bill's 1st set on saturday night and i
> thought what mastery he had over his looping. i would not want to have messed
> with the eh by hand but it totally worked for him. ( i like doing the dance
> with my feet!) he sounded and played great and both my wife and i had a
> fantastic time. =-) PJ

From Loopers-Delight-request@annihilist.com  Tue May 25 21:30:38 1999
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Date: Tue, 25 May 1999 21:32:41 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re:  Digitech Space Station
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At 08:12 PM 5/25/99 -0400, you wrote:
>Has anyone tried [a Space Station] with a bass?  Does it keep any of the
bottom end?
>
>	Kevin

I plugged my Precision into a friend's Space Station and while a few of the
patches were pretty interesting, most of them really didn't sound too good.
The low end lost its "ooomph", and the high end seems to need the overtones
of guitar  to sound right. I'll bet it would sound good with a baritone
guitar, though...

Tim

From Loopers-Delight-request@annihilist.com  Tue May 25 21:41:37 1999
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Date: Tue, 25 May 1999 21:39:34 +0000
From: Darrell Jones <djones01@columbus.rr.com>
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Organization: Intra Sites
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How much are you asking, I'm a serious buyer.

Darrell

Hawkeye255@aol.com wrote:

> I have my fully loaded EDP with pedal and manual for sale.  Not being used
> presently.  Works perfectly.  Open to offers.  Have not advertised anywhere
> else.
>
> Thanks,
>            Bill 'Hawkeye' Reiter
>              319-895-8410

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Date: Tue, 25 May 1999 23:47:39 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: EDP autopsy
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Clifford wrote:
>I just finished completing the installation of 2 capacitors to my EDP to
>eliminate noise and must report it has worked perfectly!
>I can't say I am glad I had to do it but there is a certain sense of
>satisfaction-

sounds nice... is it a bit more yours now, at least? ;-)
Sorry for the inconvenience anyway!

>They design those boards on a
>software program now, but was it always that way?? I doub't it- it seems
>like it would take some serious thinking in the way of the old game
>"Simon", where you had to remember more and more of an overall pattern
>as you went along - but on a much more intricate level-

I dont know Simon, but yes, there are several layers of interdependent
patterns that you develop, remember and forget:
- the functionalities
- the hard ware signal flow
- the hard ware physical layout
- the software
- the business (partners, suppliers, customers...)
While developping you go into them one by one and can remember a lot of it
while working on it. Then it fades again, and next time you have to treat
it, you have to spend some time relearning the patterns.
And now that I only live in the software pattern for years, it got so
complex that I do not manage any more to keep it all at once in brain. So I
have to search through it regarding some aspect, resolve that problem and
forget those parts again to learn another. Its fun reading a bit of code
you wrote some month ago just as if it was someone elses...

Stew Benedict answered:

>I lay out circuit boards as one of my careers.  Yes it is a bit
>easier with software.  In the "old" days, I used a special tape and mylar
>film, stacking up layers of film for board layers, working on a light

My first products were one sided, which is really nice to handle and I
loved to work with the black tape, but its complex, since you cannot jump
to the other side, the only way to cross trails is "under" the components -
a strategy that the computer never learned to design automatically. The
computers strategy is simple: horizontal on one side and vertical on the
other.

>table with an xacto knife.  You used to have to refer to the schematic(s)
>a lot to keep track  of what's connected where.  Now the software does
>that for you.  It is a rather enjoyable task for me anyway.  An almost
>artistic aspect of the design process.

Yes, I remember the long nights for the LOOP delay layout as a coloured
trip! The program puts the trails during hours, one after the other, trying
various options and since the parts are yellow, the upper side red and the
lower blue its like a big city trafic labirinth. Then when the process
stops, you see where you have free space and where it lacks. You move the
parts a little and run it all again, turn the light out, put some music and
watch the trails appearing through the smoke...
Once its done you still work another some days to simplify and correct what
the soft cannot resolve and you end up knowing the meaning each trail,
which is  helpfull to make the prototype work.
Then when you run the first little software routines to test, you can "see"
the bits circulating on the trails you layed out and verify with the scope
that all those impulses described in the manuals are really there, and not
very clean (as a master said: there is no digital electronics, really) - I
loved it!

Is this OT? I think users could profit from insights about how their tools
grew. There is so much fear and fascination and anger and love for the
"cold" or "phantasmic" digital machines, while they are built by humans and
contain emotions and inspirations just like analog ones and mechanics
before - a bit more hidden, I admit, but thats evolution, things get more
complex and pioneers always have been overadmired by a growing minority and
rejected by a decreasing majority - while its just another job.
In the middle ages they were burnt, so I feel just fine if some thirst for
tape hiss... ;-)

So enjoy your FeedbackLED noise. Maybe it will be the reason why in 10
years the kids will search for an old Echoplex DP with a real human error!
;-)

Keep you inner ears open and play out what comes in!
Matthias

*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


From Loopers-Delight-request@annihilist.com  Tue May 25 23:42:01 1999
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Date: Mon, 25 May 1998 23:25:01 -0500
From: John + Diane Parada <jparada@pop.interport.net>
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i' ve had lots of fun with my space station. best 200 bucks i've spent
in a long time..btw anyone know anything about the zoom gfx multi
effects for gtr w/ a built in drum machine. perusing this months gtr
plyr and saw a nice 2 page ad. i have some zoom stuff and am impressed
w/ bang for the buck.. any enlightened responses?...jp


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hey, hey, hey!!!! what kind of tomates are you growing? you're gonna get
us arrested. that stuff is illegal here in the states.

From Loopers-Delight-request@annihilist.com  Wed May 26 01:10:49 1999
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OK, what gives?  Over the last couple of weeks I've made several
requests for EDP availability info, and have heard not a peep.  I've
never seen one, but I want to believe!  Is Gibson making them?  I've
surfed and surfed, but no sign of 'em.

I seem to remember my sister once using one, but after that she was
never seen again.

Mark Sottilaro

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References: <199905250510_MC2-76F4-932C@compuserve.com>
 <374B07E8.AC815C03@iamerica.net> <374B1143.2E902A41@iamerica.net>
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Date: Tue, 25 May 1999 23:15:28 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: EDP X File.
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At 11:06 PM -0700 5/25/99, Mark Sottilaro wrote:
>OK, what gives?  Over the last couple of weeks I've made several
>requests for EDP availability info, and have heard not a peep.  I've
>never seen one, but I want to believe!  Is Gibson making them?  I've
>surfed and surfed, but no sign of 'em.

Sorry, I guess I could have answered, but I've been busy and not paying
much attention lately.

Gibson closed Oberheim a while ago, but they kept the Echoplex. There has
been the usual batch of rumors about the echoplex being out of production,
but that's not true. I think they just wanted to get rid of a bunch of
other products that weren't selling at all, and decided to bail on the
whole division. Echoplex was the only gem in that tar pit, so they kept it
alive. They were a bit slow to decide what to do with it after that, but it
now seems that they are moving it to the Opcode division (at least for
production of it, I don't know what they will call it.) I went to Opcode
the other day to help them sort some things out; it seems pretty positive.

Unfortunately, it's temporarily unavailable right now, while they switch
the production to Opcode. Hopefully it will only take them a month or two
to get that going. It probably wouldn't hurt to call Opcode and ask them to
please hurry up. If they know people want it, they will probably make it a
higher priority and get it out faster. (hint, hint, wink, wink.....)


>I seem to remember my sister once using one, but after that she was
>never seen again.

She's a lovely girl. She says to say hello. ;-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Wed May 26 02:50:56 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Digitech Space Station: Cool
Date: Tue, 25 May 1999 23:29:02 -0700
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Same here.

| -----Original Message-----
| From: David Kirkdorffer [mailto:DKirkdorffer@exapps.com]
| Sent: Tuesday 25 May 1999 2:56 PM
| To: 'Mark Sottilaro'; Loopers-Delight@annihilist.com
| Subject: RE: Digitech Space Station: Cool

| 10x better than a pedalboardful of the rediculously priced and limited
| electro-harmonix re-issues.

From Loopers-Delight-request@annihilist.com  Wed May 26 06:03:06 1999
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        taptalk@progrock.net
From: =?iso-8859-1?Q?Ra=FCl?= Bonell =?iso-8859-1?Q?Tom=E0s?=
  <rauboto@dragonet.es>
Subject: ... more and more mp3 files ....
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hi friends !

 	mp3 files at:

	http://www.dragonet.es/users/d3055/slollnoirc/demo.htm


	i asure you, lots of fun !


	thanks in advance=20
                for your comments and reviews !

=09
=09
	peace.bye.love.

	Ra=FCl.

////////////////////////////////////////////////////////////////////////////=
////////
Ra=FCl Bonell Tom=E0s    <rauboto@dragonet.es>=20
http://www.dragonet.es/users/d3055/slollnoirc
////////////////////////////////////////////////////////////////////////////=
////////

From Loopers-Delight-request@annihilist.com  Wed May 26 09:34:12 1999
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Date: 	Wed, 26 May 1999 08:21:42 -0500 (CDT)
Sender: crash@waste.org
From: Todd Madson <crash@waste.org>
To: Loopers-Delight@annihilist.com
Subject: Space Station
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Someone asked about the sample and hold style patch - I'm afraid I have
no clue what patch number it is because I was just trying the thing out
in a store (which made me want it all the more).

I want one really bad, but should probably get a suspension fork for my
mountain bike first.  I'll end up with one of these devices eventually.

Anyway, with the weirdo mutation power of the Vortex and the bizarro 
sound creation abilities of the Space Station, I imagine that I could
create unusual sound textures.

I bet it sounds great with voice, keys, drums too.  Bass - might need to
do the bootsy thing and have a splitter or something.  Or use a 6 string
bass.

Todd Madson
Musician, Mountain Biker, Stunt Kite Flyer, BeOS/MacOS/Linux/WinNt user.
http://www.waste.org/~crash/index.html

From Loopers-Delight-request@annihilist.com  Wed May 26 09:46:10 1999
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Date: Wed, 26 May 1999 09:22:40 -0500
From: Mark Sottilaro <msottila@mailbox.syr.edu>
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Are you sure it was the keyboard?

I've been playing guitar for 18 years, and it's yet to attract me a
woman... as a matter of fact, I think it's broken up a few of my
relationships!  Maybe it's the LCD displays?

Maybe it's the shoes...

Mark Sottilaro

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From: "Sean Witters" <seanwitters@hotmail.com>
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Subject: Boomerang @ Rudy's
Date: Wed, 26 May 1999 06:30:34 PDT
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Larry, I was at Rudy's Guitars on 48th Street in New York last thursday and 
they had a Boomerang in stock.  They also had the Z-Vex Seek Wah, an 
original Micro Synth...(insert gear lust item here)... just be careful if 
you go in that back room; it's the kind of place that makes rent money 
evaporate.
If you aren't any where near NY you might want to call... Good Luck


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

From Loopers-Delight-request@annihilist.com  Wed May 26 10:29:45 1999
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From: "pearce" <pearce@tctc.com>
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Subject: Re: Space Station
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Todd wrote:

>Anyway, with the weirdo mutation power of the Vortex and the bizarro
>sound creation abilities of the Space Station, I imagine that I could
>create unusual sound textures.


The combination of the Space Station and the Vortex IS a great thing- I use
it a lot.  And throwing my Jamman into the mix produces wonderful results!

I've heard some people talk about the lack of parameter editing available on
the Space Station.  Although, as a tweak-head, I sympathize with this, I
also realize that there are some things on the space station that I simply
can't find elsewhere.  I kind of view it like another set of sounds coming
out of the guitar- just one more thing to process, loop, etc.......

Speaking of guitar sounds, I can't speak highly enough of the new Earvana
compensated guitar nut!  Check out:

www.earvana.com

This nut REALLY pulls the guitar "in-tune".  I've played with the Buzz
intonation system a bit, and while it's really nice, it's my opinion that
the Earvana nut is probably a more practical system for most guitarists-
plus, it's at a price that even guitar players can afford!  I had my guitar
tech put this on my strat, and he was knocked out by just how in tune the
guitar was on his strobe tuner.

Jeff

From Loopers-Delight-request@annihilist.com  Wed May 26 12:18:12 1999
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Kim Flint'" <kflint@annihilist.com>, Loopers-Delight@annihilist.com
Subject: RE: EDP X File -- Reaching OPCODE:  http://www.opcode.com/sales/
Date: Wed, 26 May 1999 12:08:23 -0400
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REACHING OPCODE

If you would like to let OPCODE know that their is an unmet market for "That
Which Has Been Known As The Oberheim Echoplex Digital Pro" (TWHBKATOEDP),
you may want to surf to the links below...
http://www.opcode.com/sales/
http://www.opcode.com/contact/

Also, you could register an ad on their site looking for "TWHBKATOEDP" --
that may catch their attention too.
http://www.opcode.com/funbytes/classified/submit.html

Finally, there is a very lively discussion-group area which gets lots of
traffic that may be a good place to drop in and add a question or two...
http://www.opcode.com/funbytes/optalk/


David Kirkdorffer



-----Original Message-----
From: Kim Flint [mailto:kflint@annihilist.com]
Sent: Wednesday, May 26, 1999 2:15 AM
To: Loopers-Delight@annihilist.com
Subject: Re: EDP X File.


At 11:06 PM -0700 5/25/99, Mark Sottilaro wrote:
>OK, what gives?  Over the last couple of weeks I've made several
>requests for EDP availability info, and have heard not a peep.  I've
>never seen one, but I want to believe!  Is Gibson making them?  I've
>surfed and surfed, but no sign of 'em.

Sorry, I guess I could have answered, but I've been busy and not paying
much attention lately.

Gibson closed Oberheim a while ago, but they kept the Echoplex. There has
been the usual batch of rumors about the echoplex being out of production,
but that's not true. I think they just wanted to get rid of a bunch of
other products that weren't selling at all, and decided to bail on the
whole division. Echoplex was the only gem in that tar pit, so they kept it
alive. They were a bit slow to decide what to do with it after that, but it
now seems that they are moving it to the Opcode division (at least for
production of it, I don't know what they will call it.) I went to Opcode
the other day to help them sort some things out; it seems pretty positive.

Unfortunately, it's temporarily unavailable right now, while they switch
the production to Opcode. Hopefully it will only take them a month or two
to get that going. It probably wouldn't hurt to call Opcode and ask them to
please hurry up. If they know people want it, they will probably make it a
higher priority and get it out faster. (hint, hint, wink, wink.....)


>I seem to remember my sister once using one, but after that she was
>never seen again.

She's a lovely girl. She says to say hello. ;-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com

From Loopers-Delight-request@annihilist.com  Wed May 26 13:09:24 1999
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Date: Wed, 26 May 1999 11:00:24 -0600
From: "James Lanpheer" <jlanphe@uswest.com>
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To: "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
Subject: Happy Birthday!
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to Miles Dewey Davis....

>From Charlie Parker to Gil Evans to Gerry Mulligan to Sonny Rollins to
Sonny Stitt to Bill Evans to John Coltrane to Wynton Kelly to Cannonball
Adderley to Wayne Shorter to Herbie Hancock to Tony Williams to Chick
Corea to Keith Jarrett to Joe Zawinul to John McLaughlin to Bennie
Maupin to Dave Holland to Pete Cosey to Mtume to Airto Moriera to Steve
Grossman to Sonny Fortune to Marcus Miller to John Scofield to Mike
Stern to Bill Evans (the other one..) to Bob Berg to Foley to Kenny
Garrett (and countless greats in between) he's brought out the very best
in all of them!

If i wanted to name my top 5 or top 10 fav Miles CDs, i'm not sure that
i could differentiate between them enough to pick 5!

Some of my favs would include:
Milestones
Bitches Brew
Big Fun
On the Corner
Agartha
Kind of Blue
Cookin'
Sketches of Spain
Jack Johnson
Porgy and Bess
Nefertiti
Star People

and on and on and on....

Today, my favorite period of his music is his late 60's/early 70's
stuff, but that classic sextet from the late 50's/early 60's is right
there... and then the 65-68 group....

I actually only saw Miles in concert once in 1986 in Phoenix AZ and i
STILL get goose bumps every time i think of it...  I had NO idea what i
was in for, he had brought the sounds of the JUNGLE to the DESERT!  They
had to drag me outta there afterwards...  THE true master of colors,
sounds, textures!  Happy Birthday to the Prince of Darkness!

What does Miles mean to YOU?

Peace.


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> THIS MESSAGE IS IN MIME FORMAT. Since your mail reader does not understand
this format, some or all of this message may not be legible.

--MS_Mac_OE_3010577477_41859_MIME_Part
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I bought in trorougbred in Orlando.

thanks



----------
>From: Mark Sottilaro <msottila@mailbox.syr.edu>
>To: Loopers-Delight@annihilist.com
>Subject: Re: EDP Gain/Noise
>Date: Tue, May 25, 1999, 2:00 AM
>

> Also, where did you get your EDP?  Are they being sold as new gear?  Did
> you get it used, and if so, how much?
>
> Mark Sottilaro
> 

--MS_Mac_OE_3010577477_41859_MIME_Part
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<HTML>
<HEAD>
<TITLE>&lt;no subject&gt;</TITLE>
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<TT>I bought in trorougbred in Orlando.<BR>
<BR>
thanks<BR>
<BR>
<BR>
<BR>
----------<BR>
&gt;From: Mark Sottilaro &lt;<FONT COLOR=3D"#0000FF"><U>msottila@mailbox.syr.=
edu</U></FONT>&gt;<BR>
&gt;To: <FONT COLOR=3D"#0000FF"><U>Loopers-Delight@annihilist.com<BR>
</U></FONT>&gt;Subject: Re: EDP Gain/Noise<BR>
&gt;Date: Tue, May 25, 1999, 2:00 AM<BR>
&gt;<BR>
<BR>
&gt; Also, where did you get your EDP? &nbsp;Are they being sold as new gea=
r? &nbsp;Did<BR>
&gt; you get it used, and if so, how much?<BR>
&gt;<BR>
&gt; Mark Sottilaro<BR>
&gt; <BR>
</TT>
</BODY>
</HTML>

--MS_Mac_OE_3010577477_41859_MIME_Part--

From Loopers-Delight-request@annihilist.com  Wed May 26 15:36:22 1999
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From: "K. Douglas Baldwin" <dbaldwin@suffolk.lib.ny.us>
To: "Todd Madson" <crash@waste.org>, <Loopers-Delight@annihilist.com>
Subject: Re: Space Station, 2290 comments
Date: Wed, 26 May 1999 15:29:28 -0400
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Please, Todd, tell us again about how you demo'd the Space Station, then
handed it to someone else who made you laugh and laugh... :-)
    Seriously, if you can give more detail on the settings, it might push
someone (like me, ferinstance) to either buy it or scratch it off their
list. Does the string pad just add a slow-rise envelope? How deep is the
ring mod? As long as it has a sample-and-hold function, discussion here at
LD seems appropriate.
    PS Between the time I wrote this note and went to send it, the other
responses told me much of what I wanted to know. I tell you, Loopers are
CONNECTED. (Probably with good old audio wire and 1/4" jacks, too)

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From: Todd Madson <crash@waste.org>
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Hi.

The string pad settings were more or less instantaneous in terms of
playing a note and hearing a sound.  To make it fade in, you would 
use either the included volume pedal or your volume knob on your 
instrument of choice.

To the best of my recollection, the sounds were as follows - 
droning string pad settings, some had octave above and some
had octave below sounds mixed in with a short delay or echo
tail.  They all sounded pretty lush.

As far as depth of the ring mod - hard to say as I've never
had a ring modulation device before, but it sounded like the
ring mod effects I've heard on Terje Rypdal recordings.  You
could create quite a racket with it or be musical.

The reverse delays were particularly attractive.  Pretty smooth.
You could do the sort of Adrian Belew backwards guitar effect 
with that setting.

I would suggest you get one of the folks who own one to review it
better than I could since I spent maybe 20 minutes with the one
in the store and there were a good 10 presets I listened to for 
20 seconds before moving on, so all the subtle details are likely
being missed.  

Sorry I wasn't of more help, but if you find one you have to try it.

Todd Madson
Musician, Mountain Biker, Stunt Kite Flyer, BeOS/MacOS/Linux/WinNt user.
http://www.waste.org/~crash/index.html

On Wed, 26 May 1999, K. Douglas Baldwin wrote:

> Please, Todd, tell us again about how you demo'd the Space Station, then
> handed it to someone else who made you laugh and laugh... :-)
>     Seriously, if you can give more detail on the settings, it might push
> someone (like me, ferinstance) to either buy it or scratch it off their
> list. Does the string pad just add a slow-rise envelope? How deep is the
> ring mod? As long as it has a sample-and-hold function, discussion here at
> LD seems appropriate.
>     PS Between the time I wrote this note and went to send it, the other
> responses told me much of what I wanted to know. I tell you, Loopers are
> CONNECTED. (Probably with good old audio wire and 1/4" jacks, too)
> 

From Loopers-Delight-request@annihilist.com  Wed May 26 16:16:45 1999
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Date: Wed, 26 May 1999 16:08:34 EDT
Subject: Re: Boomerang @ Rudy's
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there is a music store in ct that has a boomerang also. my bet is that it is 
a lot cheaper there then rudy's. if you are interested let me know and i will 
give you their  phone #. pj

From Loopers-Delight-request@annihilist.com  Wed May 26 17:18:52 1999
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Date: Wed, 26 May 1999 22:56:21 +0200
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   Could anybody tell me how to change the resistors on my EDP step by step to 
change the gain structor on it?has anybody gone through the same frustration as 
me?

          L.Angulo@t-online.de

From Loopers-Delight-request@annihilist.com  Wed May 26 19:28:26 1999
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From: "Tom Lambrecht" <hideo@concentric.net>
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Subject: Re: Pity the poor keyboard player!
Date: Wed, 26 May 1999 18:35:56 -0500
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you guys are both wrong . . .

the didg player should be the ladykiller--swaggering around the stage,
swinging that big stick suggetively, while demonstrating his mastery of
circular breatthing and tongueing technique . . .

I've figured out that the reason it dosen't work out that way probably  has
something to do with the puffy, flushed cheeks of the player, the horrific
facial grimaces and the pool of saliva that drips from the end of the didg
in an ever widening pool . . .   ;)

drone on~~~~~~~~~~~~


Tom Lambrecht
hideo@concentric.net

-----Original Message-----
From: Mark Sottilaro <msottila@mailbox.syr.edu>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, May 26, 1999 8:52 AM
Subject: Re: Pity the poor keyboard player!


>Are you sure it was the keyboard?
>
>I've been playing guitar for 18 years, and it's yet to attract me a
>woman... as a matter of fact, I think it's broken up a few of my
>relationships!  Maybe it's the LCD displays?
>
>Maybe it's the shoes...
>
>Mark Sottilaro
>
>

From Loopers-Delight-request@annihilist.com  Wed May 26 21:14:31 1999
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Date: Wed, 26 May 1999 18:12:45 -0700
From: Allan Hoeltje <ahoeltje@best.com>
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As per a pervious suggestion, I visited the Opcode web page and sent a note to
their information department (copied below).  Their brief response "Opcode is
not handling any Oberheim products" adds to the EDP mystery.  Could the person
who responded be out of the loop (argh) or is Opcode realy not the new EDP
distributor for Gibson/Oberheim as has been mentioned here at Loopers Delight?

Allan


infoone@opcode.com wrote:

> >Allan Hoeltje
> >ahoeltje@best.com
> >Update Address:
> >
> >
> >Oakland, CA
> >
> >
> >Additional Info:
> >I am desperately in need of an Oberheim Echoplex Digital Pro!  When do you
> >plan on reintroducing this product?  What will be the price?  What
> >differences will there be between the new product and the old?
> >
> >
> Opcode is not handling any Oberheim products.

From Loopers-Delight-request@annihilist.com  Wed May 26 23:13:50 1999
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At 18:12 -0700 5/26/99, Allan Hoeltje wrote:
> As per a pervious suggestion, I visited the Opcode web page and sent a
>note to
> their information department (copied below).  Their brief response "Opcode is
> not handling any Oberheim products" adds to the EDP mystery.  Could the
>person
> who responded be out of the loop (argh) or is Opcode realy not the new EDP
> distributor for Gibson/Oberheim as has been mentioned here at Loopers
>Delight?

Well, on issues like this, the person answering the phone or email probably
has the correct answers.  They do generally know what's for sale and
shipping.

Front-line customer service/support people don't tend to know much about
future product plans.  Programmers and even managers don't always know
either! :)  (are all sufficiently large organizations like this?  I dunno)
On top of that, sometimes plans change.

Doug
who used to work for Opcode


From Loopers-Delight-request@annihilist.com  Thu May 27 00:08:20 1999
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Date: Wed, 26 May 1999 23:06:22 +0000
From: Bobdog <psbuddha@texas.net>
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hi kids -

i keep boomerangs in stock at krazy kat music, san antonio tx. i will
mail order.

email me *there*, not here

krazy2@texas.net
210.737.0523

bobdog

From Loopers-Delight-request@annihilist.com  Thu May 27 01:11:10 1999
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From: "Future Perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Plex Upgrade (Opcode is not telling)
Date: Thu, 27 May 1999 00:58:03 -0400
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Now that the Plex's future is unknown for the time being, can we get an idea
of what the planned Plex upgrade would be? It seems that it will be awhile
till that is released, but it woud be fun to know.

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave
 
'Future Perfect' - art music
http://home1.gte.net/artmusic/


 > Their brief
> response "Opcode is
> > not handling any Oberheim products" adds to the EDP mystery.
>

From Loopers-Delight-request@annihilist.com  Thu May 27 02:03:39 1999
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I think someone mentioned looping instructional videos here some time
ago. Could anyone recommend one. 
Come to think of it not just looping but more arcane guitar techniques.
I'm not interested in scales and all that - unless of course they're
anything to do with eastern music:)
Oh sod it just video's that you lot have been inspired/impressed by.

Gareth

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Date: Thu, 27 May 1999 03:23:16 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: RE: Plex Upgrade (Opcode is not telling)
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>Now that the Plex's future is unknown for the time being, can we get an idea
>of what the planned Plex upgrade would be? It seems that it will be awhile
>till that is released, but it would be fun to know.

That question hits me somehow because I am doing it. Sometimes I stop for a
while and care for other projects. But right now it is first priority and
its fun to see it grow and I intend not to stop any more before its done.
Some of the features I am using for quite a while, especially regarding
Sync and MIDI. Those became a lot more smother and smarter and there are
new functions and heavy new ways to operate through MIDI.
And you can save sets of parameters.
Eberhard Weber contributed the optical metronome and the low octave (not
that those are new ideas, Lexicon did it a long while ago, but he had the
energy - convincing sound! - that made it possible).
And more...

The intention is to pack all that is possible on the EDP into this upgrade
so that you all are going to want it and be satisfied for a while :-)

Maybe its whise not to say much in order not to create expectations and
"pressures", so please do not ask further, because I should rather do it
than talk about it, right? :-)

But I am far from giving up it thats what you wanted to know, the
programming does not depend on Opcode.

*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


From Loopers-Delight-request@annihilist.com  Thu May 27 05:17:28 1999
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 There may be a new mini looper out there...
>From Harmony Central:
The ZOOM GFX707
"...You can even layer your own guitar parts (or external audio sources)
using the internal six-second sampler. The Jam Play feature allows you to
record two seconds of a phrase and then use the expression pedal to control
the playback speed and direction, or "scratch" like a DJ."

This is the actual page:
http://www.harmony-central.com/Newp/1999/GFX707.html

First person to try one, please post your thoughts.

Dave Eichenberger- guitars.loops.devices
http://home1.gte.net/artmusic/dave
 
'Future Perfect' - art music
http://home1.gte.net/artmusic/

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Date: Thu, 27 May 1999 02:54:42 -0700
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Subject: Re: Opcode is not telling
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At 6:12 PM -0700 5/26/99, Allan Hoeltje wrote:
>As per a pervious suggestion, I visited the Opcode web page and sent a note to
>their information department (copied below).  Their brief response "Opcode is
>not handling any Oberheim products" adds to the EDP mystery.  Could the person
>who responded be out of the loop (argh)

probably they just saw the word "oberheim" and reacted to that. It wouldn't
surprise me if the support guy doesn't know about echoplex yet. But don't
be discouraged, if people are asking they'll notice all the interest and
things will move faster. Keep bugging them, it wouldn't be the first time
that user enthusiasm kept a cool product going!

> or is Opcode realy not the new EDP
>distributor for Gibson/Oberheim as has been mentioned here at Loopers Delight?

Opcode is a division of Gibson, just like Oberheim used to be. So they
would not be distributing really. Just handling the manufacturing.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Subject: RE: Plex Upgrade (Opcode is not telling)
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At 9:58 PM -0700 5/26/99, Future Perfect wrote:
>Now that the Plex's future is unknown for the time being, can we get an idea
>of what the planned Plex upgrade would be? It seems that it will be awhile
>till that is released, but it woud be fun to know.
>

to clear this up a bit, what opcode is doing is not any upgrade, they are
just taking on the production of the existing echoplex. (whether they all
know it or not....)  Although I hope they make some minor changes to add
the various mods to the PCB and for CE, but that shouldn't be noticeble
from the outside.

What Matthias and the rest of us at Aurisis are doing, now that's a
different story!

but of course, I'm going to leave you in suspense on that one....;-)

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Thu May 27 08:52:30 1999
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Date: Thu, 27 May 1999 07:40:50 +0000
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sorry, wrong email. it's actually:

krazy2@flash.net

oops...

bobdog

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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Todd Madson'" <crash@waste.org>,
        "K. Douglas Baldwin"
	 <dbaldwin@suffolk.lib.ny.us>
Cc: Loopers-Delight@annihilist.com
Subject: RE: Space Station - string pads -- a little corney
Date: Thu, 27 May 1999 09:19:22 -0400
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The one thing I'll mention about the 6 or 7 string pad settings, is that
sound VERY LIKE what you may have already heard on CD's for a few years --
THAT IS TO SAY, they are a bit generic and you run the risk of sounding a
bit like a fine guitarist whose last name begins with F and ends in P.

If the string pads become a STARTING point for you to then add further
"warpage" like a few fuzz boxes, wah-wah's or even another space station,
you'll start to have something neato and unique.

And that's the truth.

David K
UNDO

P.S.  The Space Station is a STEREO box, but sounds just wonderful in MONO.

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Re: generic string pads: oh yeah, you definetely gotta process them
further after the main box.  That's why the string pad I created for
the Leicon Vortex is dynamically sensitive and then is processed 
further after it - it sounds completely different than most of the
string pad sounds I've used (check out "The Alien Murk" from the
Sounds from the Noisy Room Vortex Patch Exchange).

Guitarist whose last name begins with F and ends with P?  You've got
me there.....Robert....FOPP!!!!  Dripp?  Dropp?  Dryiee?  Oh
nevermind.

Hey, you should have heard the patch I came up with for a Digitech
GSP5 + ART SGE + Boss OC-2.  It literally sounded like the rings of
saturn falling apart.  The drummer I was working with at the time 
looked at me like I was out of my mind.  Boy, it didn't sound like
a guitar at all.


Todd Madson
Musician, Mountain Biker, Stunt Kite Flyer, BeOS/MacOS/Linux/WinNt user.
http://www.waste.org/~crash/index.html

On Thu, 27 May 1999, David Kirkdorffer wrote:

> The one thing I'll mention about the 6 or 7 string pad settings, is that
> sound VERY LIKE what you may have already heard on CD's for a few years --
> THAT IS TO SAY, they are a bit generic and you run the risk of sounding a
> bit like a fine guitarist whose last name begins with F and ends in P.
> 
> If the string pads become a STARTING point for you to then add further
> "warpage" like a few fuzz boxes, wah-wah's or even another space station,
> you'll start to have something neato and unique.
> 
> And that's the truth.
> 
> David K
> UNDO
> 
> P.S.  The Space Station is a STEREO box, but sounds just wonderful in MONO.
> 

From Loopers-Delight-request@annihilist.com  Thu May 27 10:18:00 1999
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From: "Sean Witters" <seanwitters@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Save the Echo Plex and a Joycean digression
Date: Thu, 27 May 1999 07:06:33 PDT
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I'm a Jam Man user myself, but I would hate to see the Echo Plex go the way 
of Sellon's masterpiece.  Kim, since you are running this show, why don't 
you put together an e-petition here on Loopers Delight to send to Opcode.  
It would also be a fine idea to include desired modifications.  If we could 
send in a serious looking proposal/petition it might shore up any leaks in 
Opcode/Gibson's confidence.  Lexicon abandoned the Jam Man because they had 
little faith in it's vaibility as a profitable item.  I'm sure that similar 
doubts are being harbored by Opcode, after all as much as we love our 
loopers, they are a niche product in many ways.  Not that they should be, 
but not everyone is interested "in that other word".  (Pardon the literary 
reference, the quatation is from Leopold Bloom's letter in Ulysses.  Bloom 
means to write "other world" but instead leaves us to contemplate "other 
words".  Pardon the Joyce refrence but Faulkner was noted the other day as a 
looper and if we are going to invoke literary loopers Joyce must be 
mentioned.  I've actually Looped readings of the Molly Bloom chapter which 
is terribly appropriate since the symbol for the chapter is a lazy 8 and its 
text is designed as an infinite loop of doubt and reconciliation.)...Pardon 
the parenthentical digression, save the Echo Plex.


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

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Date: Thu, 27 May 1999 10:47:14 -0400
Subject: Re: Save the Echo Plex and a Joycean digression
From: "sandro" <sscoccia@ma.ultranet.com>
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let me add my 2 cents to this.
have you noticed that the JamMan sells [used] more that the price you would
have paid for a new one. Maybe Lexicon and Oberheim/Opcode/Gibson should
think about this
sandro

----------
>From: "Sean Witters" <seanwitters@hotmail.com>
>To: Loopers-Delight@annihilist.com
>Subject: Save the Echo Plex and a Joycean digression
>Date: Thu, May 27, 1999, 10:06 AM
>

> I'm a Jam Man user myself, but I would hate to see the Echo Plex go the way
> of Sellon's masterpiece.  Kim, since you are running this show, why don't
> you put together an e-petition here on Loopers Delight to send to Opcode.
> It would also be a fine idea to include desired modifications.  If we could
> send in a serious looking proposal/petition it might shore up any leaks in
> Opcode/Gibson's confidence.  Lexicon abandoned the Jam Man because they had
> little faith in it's vaibility as a profitable item.  I'm sure that similar
> doubts are being harbored by Opcode, after all as much as we love our
> loopers, they are a niche product in many ways.  Not that they should be,
> but not everyone is interested "in that other word".  (Pardon the literary
> reference, the quatation is from Leopold Bloom's letter in Ulysses.  Bloom
> means to write "other world" but instead leaves us to contemplate "other
> words".  Pardon the Joyce refrence but Faulkner was noted the other day as a
> looper and if we are going to invoke literary loopers Joyce must be
> mentioned.  I've actually Looped readings of the Molly Bloom chapter which
> is terribly appropriate since the symbol for the chapter is a lazy 8 and its
> text is designed as an infinite loop of doubt and reconciliation.)...Pardon
> the parenthentical digression, save the Echo Plex.
>
>
> _______________________________________________________________
> Get Free Email and Do More On The Web. Visit http://www.msn.com
> 

From Loopers-Delight-request@annihilist.com  Thu May 27 11:10:49 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Plex Upgrade (Opcode is not telling)
Date: Thu, 27 May 1999 09:40:20 -0500
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I'm drooling already!

BTW, will the upgrade function with existing EDP hardware?

Also, here's a unsolicited suggestion for a new feature. :)

Many times I build a loop using MULTIPLY.  I.e., I do the sequence: RECORD
(start), RECORD (stop), MULTIPLY (start), MULTIPLY (stop).  So I have a
multi-cycle loop.  Next, I want to manipulate the loop as if it were a
single-cycle loop.  For example, the rate of the MIDI clock is different if
the same length loop is composed of one cycle or multiple cycles.  Also, the
NEXT LOOP-MULTIPLY "lame-duck" period is longer with a loop composed of one
cycle so I have enough time to do things before switching to the next loop.

To the chase: I'm requesting a function that merges a multi-cycle loop into
a single-cycle loop.

Dennis Leas
-----------------------------
dennis@mdbs.com


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In a message dated 5/27/99 9:53:09 AM Central Daylight Time, 
sscoccia@ma.ultranet.com writes:

<< (Pardon the literary reference, the quotation is from Leopold Bloom's 
letter in Ulysses.  >>


I still have neither an EDP nor a JamMan, not a Headrush, Electro-Harmonix, 
TC, Zoom, or Electro-hu-cardio-shnooks (the reference is from Dr. Seuss); (I 
am still making noise with my Klein into just a NanoVerb, a SPX-50D, a 
Digitech Whammy, a ProCo Rat, and a Budda,) but if you guys are going to 
quote Joyce's Ulysses, all I can offer you is my heartfelt yes yes yes.

Stately plump Kevin Brunkhorst

From Loopers-Delight-request@annihilist.com  Thu May 27 14:52:35 1999
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Date: Thu, 27 May 1999 13:37:07 -0500
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From: "Michael S. Yoder" <myoder@tamiu.edu>
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At 11:00 AM 5/26/99 -0600, you wrote:
>to Miles Dewey Davis....
>
>If i wanted to name my top 5 or top 10 fav Miles CDs, i'm not sure that
>i could differentiate between them enough to pick 5!
>
>Some of my favs would include:
>Milestones
>Bitches Brew
>Big Fun
>Today, my favorite period of his music is his late 60's/early 70's
>stuff, 

Jim,

Then you must check out "In a Silent Way."  I also like "Sorcerer" from
around 1967 (the one with Ms. Tyson on the cover), except for that strange
little 2:00 song at the end.

Best,
Michael.
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
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Date: Thu, 27 May 1999 12:13:53 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Plex Upgrade (Opcode is not telling)
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Dennis said:
>I'm drooling already!
>
>BTW, will the upgrade function with existing EDP hardware?

yes, that is all it would be for. there isn't any hardware change happening
soon.

>Also, here's a unsolicited suggestion for a new feature. :)
>
>Many times I build a loop using MULTIPLY.  I.e., I do the sequence: RECORD
>(start), RECORD (stop), MULTIPLY (start), MULTIPLY (stop).  So I have a
>multi-cycle loop.  Next, I want to manipulate the loop as if it were a
>single-cycle loop.  For example, the rate of the MIDI clock is different if
>the same length loop is composed of one cycle or multiple cycles.  Also, the
>NEXT LOOP-MULTIPLY "lame-duck" period is longer with a loop composed of one
>cycle so I have enough time to do things before switching to the next loop.
>
>To the chase: I'm requesting a function that merges a multi-cycle loop into
>a single-cycle loop.

well this one's easy, cause it's already there!

If you do a Multiply, and end it with a press of Record (instead of a
second press of Multiply), you get exactly what you want. The multi-cycle
loop is redefined to a single cycle loop. The length of the new loop will
be however long it was between the Multiply and Record press. You can do
this with a pre-existing, already multiplied loop.

If quantize is on, the new loop will automatically be defined to a cycle
boundary. If Quantize is off, you can redefine it to any point. This is
also a great way to chop out sections of a loop or edit the loop length in
real time.

Here's an explicit example of what you want to do:
- set quantize on
- Record a short 2 second loop.
- Press Multiply, let it get 4 multiples, and press multiply again.

Now you have the original loop repeated 4 times in this new, 4 cycle, 8
second loop.

now, lets convert it to a single cycle, 8 second loop that's 4 times longer
than the original. In other words, take the 4 cycles and covert them to one
cycle, without other wise changing the loop.
- during the 4th cycle of the current loop, press multiply
- you'll see the 'ooo' display that means its quantizing (waiting for the
cycle boundary)
- When cycle 1 starts, the echoplex starts multiplying automatically.
- watch the counter, when it shows you are at cycle 4 again, press Record
- it will again show 'ooo'. At the cycle boundary the Record executes,
redefining the cycle length to that point.

So now you have an 8 second, 1 cycle loop, with four repetitions of your
original.

This seems a bit complicated just for that, but think of all the power and
flexibility it gives you otherwise! You can cut your loop back to 3 cycles
or 1 cycle or extend it to 7 or 39 or whatever. You can chop out a section
and make a loop just with that. You can easily fix the length in real time
if its a little off, or if tempo from other musicians/samples has drifted.

This is a great thing for making transitions and evolutions of the loop. If
you have a long loop, it can be very slow to convert it to something else.
So instead, chop out a much shorter piece of it to carry on the theme, and
work with that to edit into something new.

Try it!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Date: Thu, 27 May 1999 12:23:00 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Save the Echo Plex and a Joycean digression
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uh, you guys are getting a bit ahead of yourselves again. nothings been
canceled or in any danger of that. (it was in danger of that, in the recent
Oberheim massacre, but that danger is well passed.)   Gibson is just moving
the production to a different division, Opcode. This means there is a
temporary delay in new units while they get things going again. The
advantage of people contacting them about it is that they will see the
interest out there, and they will move faster to get the new units
available.

It probably wouldn't be completely appropriate for me to organize petition
drives or whatever (I don't have time anyway....). But if you all want to
do that, chances are good that I wouldn't stop you....

kim

At 7:06 AM -0700 5/27/99, Sean Witters wrote:
>I'm a Jam Man user myself, but I would hate to see the Echo Plex go the way
>of Sellon's masterpiece.  Kim, since you are running this show, why don't
>you put together an e-petition here on Loopers Delight to send to Opcode.
>It would also be a fine idea to include desired modifications.  If we could
>send in a serious looking proposal/petition it might shore up any leaks in
>Opcode/Gibson's confidence.  Lexicon abandoned the Jam Man because they had
>little faith in it's vaibility as a profitable item.  I'm sure that similar
>doubts are being harbored by Opcode, after all as much as we love our
>loopers, they are a niche product in many ways.  Not that they should be,
>but not everyone is interested "in that other word".  (Pardon the literary
>reference, the quatation is from Leopold Bloom's letter in Ulysses.  Bloom
>means to write "other world" but instead leaves us to contemplate "other
>words".  Pardon the Joyce refrence but Faulkner was noted the other day as a
>looper and if we are going to invoke literary loopers Joyce must be
>mentioned.  I've actually Looped readings of the Molly Bloom chapter which
>is terribly appropriate since the symbol for the chapter is a lazy 8 and its
>text is designed as an infinite loop of doubt and reconciliation.)...Pardon
>the parenthentical digression, save the Echo Plex.
>
>
>_______________________________________________________________
>Get Free Email and Do More On The Web. Visit http://www.msn.com


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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From: "Dennis W. Leas" <dennis@mdbs.com>
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Thanks for the speedy response, Kim!

Yes, lots of times I end the MULTIPLY with a RECORD to create a single cycle
loop out of many.  However, in this situation I need to have QUANTIZE=OFF
due to the way I'm building the loop.  Now that I've got the loop where I
want it, I need to do the MULTIPLY ended with a quantized RECORD.  That is,
I need to change QUANTIZE to ON, then do the MULTIPLY ended by a RECORD.  I
was hoping for an easier way.  Like a single button press.  Maybe I should
get a MIDI pedal and set-up this parameter change/multiply/record sequence.
Would that work?

Dennis Leas
-----------------------------
dennis@mdbs.com
-----Original Message-----


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In a message dated 26/05/99 20:36:21 GMT Daylight Time, 
dbaldwin@suffolk.lib.ny.us writes:

> As long as it has a sample-and-hold function, discussion here at
>  LD seems appropriate.
Actually I have a notion that this isn't what you think.
Sample-and-hold=looper? right?

Well as far as I can make out this actually refers to a method used in 
analogue 
synths to generate a series of random voltages to control either pitch 
(random note generator) or ,as in the case of the SS ,the frequency of a 
filter (sort of bubbly effect).

Perhaps I've got this wrong, but I reckon the SS would make loopable sounds, 
or 
process a loop, but is not capable of looping on its own.((but then I've 
never tried one))

Thanks to all for  the info on this ped so far.
At the moment i'm veering towards giving it a miss for the following reasons
1) not tweakable
2) too 'digital sounding' 
3) I'm looking for something to vary the sound without echoing, and that 
leaves
   out a lot of the SS presets it seems.
4) It doesn't have a whammy patch (some people want everything).
.......still considering though. 



Andy Butler
Lexicon Vortex Database (newish section on undocumented features)
http://members.aol.com/soundfnr/vortex.htm 
 

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David Kirkdorffer wrote:
> 
> The one thing I'll mention about the 6 or 7 string pad settings, is that
> sound VERY LIKE what you may have already heard on CD's for a few years --
> THAT IS TO SAY, they are a bit generic and you run the risk of sounding a
> bit like a fine guitarist whose last name begins with F and ends in P.

that's what i like about it....jp

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>Thanks for the speedy response, Kim!
>
>Yes, lots of times I end the MULTIPLY with a RECORD to create a single cycle
>loop out of many.  However, in this situation I need to have QUANTIZE=OFF
>due to the way I'm building the loop.  Now that I've got the loop where I
>want it, I need to do the MULTIPLY ended with a quantized RECORD.  That is,
>I need to change QUANTIZE to ON, then do the MULTIPLY ended by a RECORD.  I
>was hoping for an easier way.  Like a single button press.

are there any free buttons? :-)

>Maybe I should
>get a MIDI pedal and set-up this parameter change/multiply/record sequence.
>Would that work?

That would be an advanced way. Since quantizing happens to the incoming
MIDIclock (if there is one), you can divide the rate from the sequencer
(isnt that what you wanted to do?) and then press that key with
QuantizeON/Multi/Rec?QuantizeOFF and it should do what you want in one
step.

We can also reconsider a new Quantize mode where a different set of
functions is quantized. We discussed that before, since we are not quite
sure, which functions should be quantized. Any other requests for this?

Since we cannot keep the multiple information in case of Record/Undo, you
can use this combination, too. Its rather crude, though, because it creates
a moment of silence ;-)

I can also consider to create an extra onlyMIDI function.

Are there more users looking for this?


*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


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Date: Thu, 27 May 1999 18:26:01 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: Save the Echo Plex and a Joycean digression
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>I'm sure that similar
>doubts are being harbored by Opcode, after all as much as we love our
>loopers, they are a niche product in many ways.

they did not have any doubts, but after reading this... :-)
I do not quite think so, because it serves not only for specific music and
stage, but for practicing, teaching, composing, voice arrangements, quick
demos - a general tool for ALL instruments, so the market is even bigger
even than the one for guitar pedals or keyboard expanders for example.

>save the Echo Plex.

Thank you!

*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


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>Are you sure it was the keyboard?
>
>I've been playing guitar for 18 years, and it's yet to attract me a
>woman... as a matter of fact, I think it's broken up a few of my
>relationships!  Maybe it's the LCD displays?

no, its the MIDI connector. Too many pins. They want a straight one...

emm, how low are we going to go?  :-)

*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
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Date: Thu, 27 May 1999 18:25:51 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: RE: Space Station - string pads -- a little corney
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>It literally sounded like the rings of saturn falling apart.

hahaha - literally? hahaha!

*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
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SoundFNR@aol.com wrote:

> In a message dated 26/05/99 20:36:21 GMT Daylight Time,
> dbaldwin@suffolk.lib.ny.us writes:
>
> > As long as it has a sample-and-hold function, discussion here at
> >  LD seems appropriate.
> Actually I have a notion that this isn't what you think.
> Sample-and-hold=looper? right?
>
> Not really a looper that I have noticed, but then I got it for patch 10, the
> aforementioned Adrian Belew Backwards guitar patch, great patch!
>
> Thanks to all for  the info on this ped so far.
> At the moment i'm veering towards giving it a miss for the following reasons
> 1) not tweakable
>

One of the best things about the Space Station is that its not tweakable.
The worst thing about it is that its not tweakable.

I have gotten so much gear now that somthing that is plug and play is almost a
relief.Option Anxiety rears it head.
the pedal does its own type of tweaking in its own right. wish it had at least a
couple of knobs though....sigh


> 2) too 'digital sounding'
>

Very true, even more than its big bro' the Digitech Super Smart Shift I-PBS33B,
(gotta love that name) in fact alot of the string and harmonizer patches are
taken from it  seems to me. Sometimes that is good though to me.


> 3) I'm looking for something to vary the sound without echoing, and that
> leaves
>    out a lot of the SS presets it seems.
> 4) It doesn't have a whammy patch (some people want everything).
> .......still considering though.
>

Glutton that I am I bought both the whammy and the SS, now I can put my
sustainor into upper octave range hit the Whammy up 2 octaves  in reverse play
before it hits the Jamman and then the Vortex.... well sorry, ahem, wearing of
ear plugs is highly recommened if you try this!

my 2 or 3 cents worth,
Jeff
http://members.xoom.com/echo17/tbl.html

>
> Andy Butler
> Lexicon Vortex Database (newish section on undocumented features)
> http://members.aol.com/soundfnr/vortex.htm
>

From Loopers-Delight-request@annihilist.com  Thu May 27 19:23:13 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Plex Upgrade (Opcode is not telling)
Date: Thu, 27 May 1999 16:38:42 -0500
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Wow, the list is REALLY active today!  Thank you, too, for the speedy
response, Matthias!

From: Matthias Grob <matthias@grob.org>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, May 27, 1999 4:33 PM
Subject: Re: Plex Upgrade (Opcode is not telling)
>
>are there any free buttons? :-)
>

I can add any number of free buttons to my footpedal.  Just tell me what the
labels should say.  :)  ;)  :)

Dennis Leas
-----------------------------
dennis@mdbs.com


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>NEXT LOOP-MULTIPLY "lame-duck" period is longer with a loop composed of one
>cycle so I have enough time to do things before switching to the next loop.

There will be a "Loop" value for the NextQuant parameter to solve the
"lame-duck" problem even better.


*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


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Date: Thu, 27 May 1999 18:21:59 -0400
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: RE: Space Station - string pads -- a little corney
In-Reply-To: <F5E9D47CE08ED21182C10000D11BB150A07481@bos-mail.exapps.com
 >
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...they are a bit generic and you run the risk of sounding a
>bit like a fine guitarist whose last name begins with F and ends in P.

Allan Fholdsworthp? :-)

No, I know you're referring to the guy who sits on the stool behind Adrian
Fbelewp, Tony Flevinp and Trey Fgunnp...

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Date: Thu, 27 May 1999 18:47:32 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: Pity the poor keyboard player!
In-Reply-To: <v04003a02b371dd6887e8@[200.223.91.3]>
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 <003201bea6f9$cbd11f60$0d954e0c@u73x0>
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At 06:27 PM 5/27/99 -0300, you wrote:
>>Are you sure it was the keyboard?
>>
>>I've been playing guitar for 18 years, and it's yet to attract me a
>>woman... as a matter of fact, I think it's broken up a few of my
>>relationships!  Maybe it's the LCD displays?

It can get really interesting when you switch between the two mid-tune;
I've had experiences where I'll be playing a stringed thing and noticing
how the room seems to be full of attractive women listening with rapt
attention, then I'll turn to sample and hold a pad or something and it's
like they suddenly notice my pocket protector and the adhesive tape on my
glasses...

Tim

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Date: Thu, 27 May 1999 20:13:57 -0400
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Subject: Zoom 2100
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Is anyone using the Zoom 2100 unit for looping, or at all? I haven't been
able to find anything about it except the catalog write-ups.
Thanx.
Larry


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From: PMimlitsch@aol.com
Message-ID: <8ca29a08.247f4332@aol.com>
Date: Thu, 27 May 1999 20:54:10 EDT
Subject: Akai Headrush avail.
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Russo's Music (609)888-0620 (Hamilton, N.J.) has the Headrush in stock for 
$174.99
I picked one up last weekend and will post a in depth review shortly but I 
concur with the previous comments that it was well worth the price for a 
basic no frills loop/ delay. - Paul

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From: Dpcoffin@aol.com
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Date: Thu, 27 May 1999 21:09:36 EDT
Subject: Loop length query
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Topic suggestion:
How many of you folks routinely use loops longer than, say 10
sec.? Maybe it's just because all my loopers max out at 10 sec, or much less,
that I've focused my own looping--which isn't what I mainly do,
BTW (sound design and composition come a little ahead of looping, but not by 
much, I guess) ---primarily on the rhythms produced by the length of the loop 
itself, rather than, say, the phrasing of the loop material, or the 
construction of backing
tracks, making longer looping times less interesting to me than fool-proof,
flexible, interactive and intuitive loop control, and multi-tap, panning, and 
other rhythmic possibilities inherent in complex stereo delays. My GT-5, 
VG-8...even the
sold-and-now-missed Vortex have all provided MUCHO Looping fun at well under 2
sec.
When I DO go for a longer "backing" loop, I tend to set up some FX to blur or 
annihilate the sense of a repeat within a fairly sparse harmonic looping 
texture using a slow LFO or a filter or phaser.
Comments on how you use longer loops, or don't, welcome....
David Coffin

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From: PJBMHB@aol.com
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Subject: Re: Loop length query
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i tend to use long loops on the jamman...10 seconds or longer usually though 
it isn't like i have a stopwatch. with the zoom 508 i am limited to 4 seconds 
so i tend to use a lot of feedback and roll off the treble so the repeats 
sound kind of garbled and lo-fi. the lexicon mpx 100 also has a 5 and a half 
second delay patch that i have been using a lot and also an endless patch 
that you can use as a looper. i think that is also around 5 seconds. between 
these 3 critters i can get some pretty whacky stuff going. thank god for the 
mackie mixer!! =-) PJ

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--------------934A6F5877052FF639F9B487
Content-Type: text/plain; charset=us-ascii
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Hi girls+guys,
 I'm wondering about and would love feedback on a few possibilities.
    The new Zoom SampleTrak looks very inviting and at $500, affordable
too. I downloaded the manual and checked it out and it seems very kool!
Speaking w/o too much knowledge I noticed it can only tweek previously
stored samples in real time and not fresh sounds during live
performances. Is this true? Is this a problem? It doesn't seem like
there is much to sample in a live setting anyway except atmospherics and
crowd noise unless from some hidden radio or tape source...Anyway, the
SampleTrak looks delicious and I'm set to spend some money. Could the
Echoplex be better? This one store (a major) had it for 700 bucks. Is
that too much?
    What I'm looking for, is performing MyBloodyValentine/Spacemen3 type
Atmelodosherical harmonies which continually morph into beautiful dreamy
colors of sound...I like the idea of sampling found sounds as
well...Being in Nashville, TN, there is no shortage of music
stores....any help towards a beginner would be greatly appreciated. Long
live Looper's Delight!
Jamie

--------------934A6F5877052FF639F9B487
Content-Type: text/html; charset=us-ascii
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<HTML>
Hi girls+guys,
<BR>&nbsp;I'm wondering about and would love feedback on a few possibilities.
<BR>&nbsp;&nbsp;&nbsp; The new Zoom SampleTrak looks very inviting and
at $500, affordable too. I downloaded the manual and checked it out and
it seems <B>very </B>kool! Speaking w/o too much knowledge I noticed it
can only tweek previously stored samples in real time and not fresh sounds
during live performances. Is this true? Is this a problem? It doesn't seem
like there is much to sample in a live setting anyway except atmospherics
and crowd noise unless from some hidden radio or tape source...Anyway,
the SampleTrak looks delicious and I'm set to spend some money. Could the
Echoplex be better? This one store (a major) had it for 700 bucks. Is that
too much?
<BR>&nbsp;&nbsp;&nbsp; What I'm looking for, is performing MyBloodyValentine/Spacemen3
type Atmelodosherical harmonies which continually morph into beautiful
dreamy colors of sound...I like the idea of sampling found sounds as well...Being
in Nashville, TN, there is no shortage of music stores....any help towards
a beginner would be greatly appreciated. Long live Looper's Delight!
<BR>Jamie</HTML>

--------------934A6F5877052FF639F9B487--

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Date: Thu, 27 May 1999 20:05:28 -0700 (PDT)
From: Randy Jones <ranjones@yahoo.com>
Subject: Opcode sells EDP Division
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Made you look!

Really, though...

I'm curious how much one would have to pay for
the whole enchilada? i.e. How much for all the
rights to an old effects processor that no one is
currently producing?  Any guesses?  And how much
to tool up to produce 2-3 hundred a month?

Randy Jones
_________________________________________________________
Do You Yahoo!?
Get your free @yahoo.com address at http://mail.yahoo.com

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David Coffin wrote:

> Topic suggestion:
> How many of you folks routinely use loops longer than, say 10
> sec....

well, for quite a long time i was confined to loops of 2 seconds or less (had a
couple of boss dd5's chasing a dd3...now i'm down, er, up to a single dd5, a dd3
and an edp with full memory...), and to be honest, i had quite a good time with 2
seconds, tho i'd never go back (just like trading in a g3 for a power pc or a 21"
monitor for a 17"...why would you want to?)...as for loops longer than 10
seconds, yeah, i do that all the time; sometimes i like to multiply over a
shorter "rhythmic" figure; this way i can weave in and around the rhythm in ways
that can blur the edges of the original loop(s)...

lance g.

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From: DainL@AustinTX.net (Dain R. Luscombe)
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heyguys,
    I was recently given the option to relocate to boston, and was wondering
what the scene was like there (I've never even seen the place) and general
opinions of the city itself. I've lived in texas all my life and am looking
forward to wearing jackets 80% of the year, plus I figured you've got to get
more shows up there even though I live in the "live music capital of the
world" ha bloody ha... any listing of clubs/guitar stores would be food for
daydream...thanks!
    I'm into bands like the insides and seefeel, and am really sick of
fighting for my jamman rights in a cowboy town...is it really any better up
there?

I guess 1 million "avant garde" composers can't be wrong...
dain

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Subject: Re: Loop length query
Date: Thu, 27 May 1999 22:05:43 -0700
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While this is a great deal different than live play, I've found a great deal
of satisfaction in making layers of loops, in order to extend the length of
the piece.  Recording a loop, then recording play along with the loop, then
playing along with THAT result; eventually I've got something that I'd be
happy with as a base for an entire piece, that has enough variety to get
away with being that long.  Then I put more on top of it, as the case may
be.  It's sort of like a 2-d pyramid chart, with all bricks being the same
size, but their placement presenting a larger pattern to the listener.

Stephen Goodman * It's the Loop of the Week!
EarthLight Productions * http://www.earthlight.net

> David Coffin wrote:
>
> > Topic suggestion:
> > How many of you folks routinely use loops longer than, say 10
> > sec....


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From: Dogsandice@aol.com
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Date: Fri, 28 May 1999 00:45:22 EDT
Subject: Re: Boston
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hey dain there is a pretty hip improve scene in boston.  there's a gallery 
called the zeitgeist which features out jazz.  i live in northampton mass 
which is about two hours away but i have a friend going to school up there so 
i visit a bit.  cc

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Subject: Re: Boston
Date: Thu, 27 May 1999 22:23:46 -0700
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Dogsandice@aol.com put forth:
> hey dain there is a pretty hip improve scene in boston.  there's a gallery
> called the zeitgeist which features out jazz.

...'Out Jazz'?  Is this a new term we should be aware of?

Stephen Goodman * It's the Loop of the Week!
EarthLight Productions * http://www.earthlight.net

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Date: Fri, 28 May 1999 01:45:19 -0500
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From: Tom S <ths@interaccess.com>
Subject: Re: Opcode sells EDP Division/Let's Buy It!
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Here's my guess for 300 sold/month (assume $400 sales cost):

Assume 30% discount rate
Year | Revenue | Revenue | After-tax | After-tax | PV Earnings
          | Growth  |                | Margin      |  Profit        |
1               0%        1.4M          10%              140,000
$107,700
2             10%        1.54M        10%              154,000       $91,124
3             10%        1.69M        10%              169,000       $76,923
4             10%        1.86M        10%              186,000       $65,123
5             10%        2.05M        10%              205,000      $55,212

              ------------
Total present value of earnings:                                    $396,082
Terminal Value:
  + $75,000
What You Should Pay For EDP Factory:                       $471,082

              ------------

              ------------

This assumes that (1) that you're pretty confident of selling 300 units per
month,
(2) you think the EDP can hold off competition for the next 5 years and
sustain 10%
growth. I think the terminal value is pretty close for sales assumptions
and market conditions
down the digital road. 

So, if just 20 of us chip in for about the price of a new car, we can OWN
Echoplex! We'd probably
get a free one, or at least a good discount!!

Tom

ths@interaccess.com

At 08:05 PM 5/27/99 -0700, you wrote:
>Made you look!
>
>Really, though...
>
>I'm curious how much one would have to pay for
>the whole enchilada? i.e. How much for all the
>rights to an old effects processor that no one is
>currently producing?  Any guesses?  And how much
>to tool up to produce 2-3 hundred a month?
>
>Randy Jones
>_________________________________________________________
>Do You Yahoo!?
>Get your free @yahoo.com address at http://mail.yahoo.com
>
>

From Loopers-Delight-request@annihilist.com  Fri May 28 03:54:41 1999
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Date: Fri, 02 Jan 1998 02:37:46 -0800
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Ah, I remember Northampton. A nice little town. I'd like to visit there next time
I'm in the state. I used to live in Agawam. Now I live in San Francisco.

Here's what I can say about Boston from my very limited experience. In the
winter, it gets pretty cold. Not Minnesota cold, but you'll have a few 0 degree
days (f) during the year. You get most of your rain in the summer. It's actually
kind of nice that way since the summers are VERY hot. Lots of 90-100 degree days
with 70-80% humidity. Sweat doesn't evaporate as well as it does in Texas.

The streets are pretty darn windy and confusing compared to other cities. They
were designed in colonial times, and while they're paved and stuff now, they
don't make a lot of sense for cars. There's lots of rotaries and stuff. It might
be better with a bike.

People in Boston still like Aerosmith about as much as people in L.A. like Guns
N' Roses. Not a majority by any means, but more than you'd expect. On the other
hand, I keep hearing lots of nice lo-fi experimental home recorded music coming
out of that area. The experimental noise label PURE is from around there, as well
as a few others. Experimental is a really tiny part of all the music that goes on
in Boston. I know very little about the rest though.

I still think that Boston is a pretty nice city. First of all, it's near the
ocean. (It's a cold ocean though.) There's lots of culture too. Massachusetts is
a really pretty state too with lots of trees. I say you should go to Boston,
Dain. If you don't like it, then you can always move back. I was a little
apprehensive about moving to San Francisco, but I tried it anyway and I love it!

I don't know how old you are Dain. I'm guessing that you're in your 20's or early
30's. Explore and travel while you can! It's never impossible, but uprooting gets
harder as you get older. I believe that the experience will make you wiser. (I'm
not saying that you're not wise, but it never hurts to be wiser, right?)

best,

matt davignon

Dogsandice@aol.com wrote:

> hey dain there is a pretty hip improve scene in boston.  there's a gallery
> called the zeitgeist which features out jazz.  i live in northampton mass
> which is about two hours away but i have a friend going to school up there so
> i visit a bit.  cc

From Loopers-Delight-request@annihilist.com  Fri May 28 05:19:27 1999
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Date: Fri, 28 May 1999 04:45:38 -0400
From: Andreas Willers <AWillers@compuserve.com>
Subject: Re: Plex Upgrade ideas
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I found that the biggest problem in using (and also exploring) these
different little features that are very helpfull at one point or another =
is
that you cannot store presets. Although the layout of the plex is quite
comfortable, I am absolutely hopeless in strolling through parameter list=
s
in mid-performance, especially on solo gigs. Even notes like 'turn on/off=

XY for tune AB' taped somewhere on the rig wouldn't help me.

For solo stuff I am using an Oberheim (only through the information on th=
is
list I got one, THANKS KIM & EVERBODY!!!) in a standard setting (2 loops,=

quantize on, using reverse, feedback, multiply & overdub of course) and
Boomerang stuff reversed, sped up or slowed down against that. That keeps=

enough possibilities for improvisation.

For group work I usually take (if at all) the boomerang, although the spe=
ed
up/down mode is a little hard to get to (you have to stop the loop first)=
.
If I understood you right Kim, the 'plex is technically not primitive
enaugh to do these 'tape speed'-atmospheres that are much beloved in Bill=

Frisell's playing (I wonder that his historic EH delay is still working, =
or
is he buying them used for 1200$ apiece?) =


SO: how about a super-deep sine modulation that effects the pitch and the=

speed of the signal so that it changes between an octave up & faster and/=
or
octave down & slower continuously?? The 2290 had something like that and =
I
tried to copy that sound with other units using like an expr.pedal-steere=
d,
delayed pitchshifter, but those harmonizers all sound 'yak' to me.

Best, Andreas       =

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Date: Fri, 28 May 1999 06:06:06 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Plex Upgrade ideas
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>I found that the biggest problem in using (and also exploring) these
>different little features that are very helpfull at one point or another is
>that you cannot store presets. Although the layout of the plex is quite
>comfortable, I am absolutely hopeless in strolling through parameter lists
>in mid-performance, especially on solo gigs. Even notes like 'turn on/off
>XY for tune AB' taped somewhere on the rig wouldn't help me.

Right. There will be, in the upgrade. How many do you need?






*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


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Date: Fri, 28 May 1999 02:32:03 -0700
From: Clifford Novey <clifsound@earthlink.net>
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Hi all-

I am having a serious recurring problem with my EDP that worries me-

Sometimes my loop will very slowly decay into a sound like "hissing in a
pipe"- no more loop, just the fuzzy hissing sound- awful
Feedback is 100% etc-
It takes 10 min or so but I can't understand why- it does not happen
every time-

I thought maybe it has to do with changing drum machine patterns during
the loop- my Dr-5 is in sync- I can't really think of anything else that
wouldn't be hardware or simply a defective unit-  Has anyone else
experienced this problem?
I can put the sound on my website if need be-

Your input is greatly appreciated-

Clifford

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Date: Fri, 28 May 1999 06:35:07 -0400
From: Andreas Willers <AWillers@compuserve.com>
Subject: Re: Plex Upgrade ideas
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Five should do, ten would be generous.
Ciao, Andreas

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Date: Fri, 28 May 1999 03:31:39 -0700
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: Opcode sells EDP Division
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At 8:05 PM -0700 5/27/99, Randy Jones wrote:
>Made you look!
>
>Really, though...
>
>I'm curious how much one would have to pay for
>the whole enchilada? i.e. How much for all the
>rights to an old effects processor that no one is
>currently producing?  Any guesses?  And how much
>to tool up to produce 2-3 hundred a month?

Gibson doesn't own the echoplex, they license it from Aurisis Research. And
the license is... non-exclusive!

Maybe we'll put one license on eBay, and you can all go bid for it. ;-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Ok, now I am really worried- I did a small loop and left everything alone-
no adjustements to the DR-5 drums and I still get the same result- I have
posted a before and after example on the link below for listening purposes-

http://home.earthlink.net/~clifsound/edp.htm

Cliff

Clifford Novey wrote:

> Hi all-
>
> I am having a serious recurring problem with my EDP that worries me-
>
> Sometimes my loop will very slowly decay into a sound like "hissing in a
> pipe"- no more loop, just the fuzzy hissing sound- awful
> Feedback is 100% etc-
> It takes 10 min or so but I can't understand why- it does not happen
> every time-
>
> I thought maybe it has to do with changing drum machine patterns during
> the loop- my Dr-5 is in sync- I can't really think of anything else that
> wouldn't be hardware or simply a defective unit-  Has anyone else
> experienced this problem?
> I can put the sound on my website if need be-
>
> Your input is greatly appreciated-
>
> Clifford

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Ok, sorry to be so busy with the postings-

I turned the EDP off and upon restarting it worked fine- this is not good news-
Maybe the head honchos have some clues??

Cliff

Clifford Novey wrote:

> Ok, now I am really worried- I did a small loop and left everything alone-
> no adjustements to the DR-5 drums and I still get the same result- I have
> posted a before and after example on the link below for listening purposes-
>
> http://home.earthlink.net/~clifsound/edp.htm
>
> Cliff
>
> Clifford Novey wrote:
>
> > Hi all-
> >
> > I am having a serious recurring problem with my EDP that worries me-
> >
> > Sometimes my loop will very slowly decay into a sound like "hissing in a
> > pipe"- no more loop, just the fuzzy hissing sound- awful
> > Feedback is 100% etc-
> > It takes 10 min or so but I can't understand why- it does not happen
> > every time-
> >
> > I thought maybe it has to do with changing drum machine patterns during
> > the loop- my Dr-5 is in sync- I can't really think of anything else that
> > wouldn't be hardware or simply a defective unit-  Has anyone else
> > experienced this problem?
> > I can put the sound on my website if need be-
> >
> > Your input is greatly appreciated-
> >
> > Clifford

From Loopers-Delight-request@annihilist.com  Fri May 28 08:52:30 1999
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From: Todd Madson <crash@waste.org>
To: Loopers-Delight@annihilist.com
Subject: It just goes...
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Anyone get the urge to just put a loop on and let it go throughout the
afternoon?  Sometimes letting a loop cycle for hours is a fun thing.


Todd Madson
Musician, Mountain Biker, Stunt Kite Flyer, BeOS/MacOS/Linux/WinNt user.
http://www.waste.org/~crash/index.html

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From: "Dennis W. Leas" <dennis@mdbs.com>
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Humm, good question.

During an evening's performance I mostly tweak on the 8ths/beat and SYNC
parameters.  I use two EDPs and some compostions require synchronized
operations while others use unsynchronized loops.  Occasionally, I'll tweak
MoreLoops.

Not to be excessive, but I'd suggest thirty-two (32) would be more than
enough for most people and adequate for the "power-looper" maniac.  Sixteen
(16) would probably be fine for normal, well-adjusted loopers who have a
real life.

Dennis Leas
-----------------------------
dennis@mdbs.com


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From: "Dennis W. Leas" <dennis@mdbs.com>
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I'd guess that 60% of my loops are longer than 10 seconds.  Some stretch to
a minute or so.

Dennis Leas
-----------------------------
dennis@mdbs.com


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From: "Dennis W. Leas" <dennis@mdbs.com>
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...through the night, maybe, but I'm gone in the afternoon and my cat has
mental problems already (delusions of grandeur, he thinks he's God)....

Dennis Leas
-----------------------------
dennis@mdbs.com


>Anyone get the urge to just put a loop on and let it go throughout the
>afternoon?  Sometimes letting a loop cycle for hours is a fun thing.
>
>
>Todd Madson
>Musician, Mountain Biker, Stunt Kite Flyer, BeOS/MacOS/Linux/WinNt user.
>http://www.waste.org/~crash/index.html



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From: Jim Carter <Jim.Carter@bristol.ac.uk>
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One evening I achieved a really soothing loop (heavenly guitar choir -
you know the shit), lay down with a beer to listen and woke up about
four hours later. Now that's catatonic.

Jim Carter

e-mail jim.carter@bris.ac.uk

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Yessir. I did that one evening with a longer looped bass and guitar figure.
It was in a room in the house that was a bit isolated from the rest, so I
would wander off for a while and forget about it. When I'd come back to the
room, some time later, I would be surprised, and go "Oh, yeah!" when I
heard the loop still going. Occasionally, with longer loops like this, you
can hear things over time that you otherwise wouldn't. I've gotten some
nice ideas from listening to a repeated figure for an extended length.

Jeff McLeod

At 09:19 AM 5/28/99 -0400, you wrote:
>> Anyone get the urge to just put a loop on and let it go throughout the
>> afternoon?  
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

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this is one of the great things in life.

Todd Madson wrote:

> Anyone get the urge to just put a loop on and let it go throughout the
> afternoon?  Sometimes letting a loop cycle for hours is a fun thing.



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Todd Madson <crash@waste.org> wrote:

> Anyone get the urge to just put a loop on and let it go throughout the
> afternoon?  Sometimes letting a loop cycle for hours is a fun thing.
> 

I do this quite often.  I'll get a loop going and listen for a while.
Then perhaps I'll go off and do something else around the house, leaving the
loop going and loud enough to hear parts of it.  I'll come back to the
studio several minutes or an hour or so later and listen some more.

If I still really dig it I might add some more to it and/or record it
into my Macintosh to save for a rainy day or even upload it to my WEB pages.


----- 
Floyd Miller
http://www.studiodust.com

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From: Nemoguitt@aol.com
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this is your brain GGFDGFJRRGDVNVFGBlg
this is your brain on loops ahhhhhhhhahhhhhhhhhahhhhhhhhh.......michael

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From: "Sean Witters" <seanwitters@hotmail.com>
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Subject: Re: Boston
Date: Fri, 28 May 1999 08:03:55 PDT
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Dain,
I moved to Boston last fall from Burlington, Vt; here's my take on the music 
scene:  Alt-Rock still rules the clubs here (ya know a bill with six bands 
on it all trying to sound like the Pixes or Pavement).  There is a Jazz 
pulse but if you want a heartbeat go to New York.  In Boston you have to 
seek out your musical experiences with a bit more diligence.  The most 
interesting stuff seems to happen in random places, old churches, galleries 
and microscopic bars.  Good stuff does happen with reasonable regularity at 
the Somerville Theatre, the Middle East, and (occasionally) the Paradise; of 
course, who can miss The Fringe with Garzone and Gullatti on Mondays at the 
Lizard Lounge in Cambridge.  I've left out the Regatta Bar because I don't 
like it, but it does feature top jazz performers (B.Marsalis, Abercrombie, 
Either Orch., Sco...) in an "intimate setting".  The downside with that 
place is that it's in the most exclusive hotel in Cambridge, the room is 
sterile and the audience is generally a bunch of "refined" jazz conniseurs 
who have kenny-g along side their copy of "Kind of Blue" (was that bitter, 
sorry).
Berklee provides plenty of musicians but they seem to me to be off in their 
own little world; of course, if you want really scary horn players there is 
the New England Conservatory.  I've made some contacts but all the musicians 
I've met so far are either not interesting or are totally unreliable (come 
to think of it that's kind of the way it goes everywhere; maybe I've just 
run out of patience).
There are plenty of Music stores, my two current favorites are New England 
Vintage guitars (a guitar/amp repair shop that doubles as the jawa set from 
Star Wars) and Mr. Music which has a great collection of used Guitars and 
Amps.  There are also the usual suspects, Guitar Center (echo..center, 
center)and Daddy's Junk Music.
That's my synopsis.  I've lived here for 8 months and I still haven't really 
figured this place out, either.  Perhaps I'm missing out on something in 
Boston.  Anyone have some tips?  Is there a mecca I haven't discovered yet?


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

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Date: Fri, 28 May 1999 08:55:57 -0700
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Presently I'm listening to a loop that was started last Monday, and I've
added to in dribs and drabs ever since.  I too love doing this.  And a great
tool for conceptualizing melodies also.

Stephen Goodman * It's the Loop of the Week!
EarthLight Productions * http://www.earthlight.net

From: Todd Madson <crash@waste.org>
> Anyone get the urge to just put a loop on and let it go throughout the
> afternoon?  Sometimes letting a loop cycle for hours is a fun thing.


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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Dpcoffin@aol.com'" <Dpcoffin@aol.com>,
        "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Loop length query
Date: Fri, 28 May 1999 11:03:24 -0400
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Hello.
My name is David.
My longest loop was 196 seconds.


The fun in really long loops is, not only is the audience suprized when
something they remember comes around again so long after they first heard
it, the musician is too!

David K



-----Original Message-----
From: Dpcoffin@aol.com [mailto:Dpcoffin@aol.com]
Sent: Thursday, May 27, 1999 9:10 PM
To: Loopers-Delight@annihilist.com
Subject: Loop length query


Topic suggestion:
How many of you folks routinely use loops longer than, say 10
sec.? Maybe it's just because all my loopers max out at 10 sec, or much
less,
that I've focused my own looping--which isn't what I mainly do,
BTW (sound design and composition come a little ahead of looping, but not by

much, I guess) ---primarily on the rhythms produced by the length of the
loop 
itself, rather than, say, the phrasing of the loop material, or the 
construction of backing
tracks, making longer looping times less interesting to me than fool-proof,
flexible, interactive and intuitive loop control, and multi-tap, panning,
and 
other rhythmic possibilities inherent in complex stereo delays. My GT-5, 
VG-8...even the
sold-and-now-missed Vortex have all provided MUCHO Looping fun at well under
2
sec.
When I DO go for a longer "backing" loop, I tend to set up some FX to blur
or 
annihilate the sense of a repeat within a fairly sparse harmonic looping 
texture using a slow LFO or a filter or phaser.
Comments on how you use longer loops, or don't, welcome....
David Coffin

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Date: Fri, 28 May 1999 11:17:13 -0400
From: Legion <legion@voicenet.com>
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To: Loopers-Delight@annihilist.com
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> > Anyone get the urge to just put a loop on and let it go throughout the
> > afternoon?  Sometimes letting a loop cycle for hours is a fun thing.

Back before I had any looping tools I used to run guitar into my ibanez
analog delay and mix this up for many an afternoon. Once when I was
inviting my neighbors to a gig they asked "Are you going to play the
Vacum cleaner song?" I had no idea what they were talking about until
they explained on occasion they hear me starting off playing guitar and
then it turns into about an hour or two of me cleaning the house using
what sounds like industrial tools. Of course I thanked them for their
patience and assured them the set would indeed include an extended romp
through the hoover factory. 

Funny thing, they never showed up for the gig...

-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Fri May 28 13:37:44 1999
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Reply-To: <andre@monmouth.com>
From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Zappa music...city of TINY loops....
Date: Fri, 28 May 1999 13:02:45 -0400
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hey all

i gotta be honest - i do only about 1-2 loops in this band!! as part of the
crazy jam in "King Kong"... but nevertheless - i know there's some Zappa
heads in here.

Frank actually does a bunch of looping starting in say 84 - he would trap a
chord or a 
tweaked out odd-time line, let it loop and solo over it ...check out
"guitar" or " does humor belong in music ?"...anyway...

We, (project object) will be setting off on a 12 date tour - in mid June 99

- Bringing you a ton of Zappa music - performed live on stage. And - with
Frank's lead vocalist and rhythm guitarist Ike Willis. Ike first appeared
on JOE'S GARAGE (as Joe) and was on every subsequent Zappa tour excepy
81-82 and every LP/CD with vocal content....

So--- scoot over to the site http://www.projectobject.com and get some
info.... - it's all east coast, sorry - but we'll be as far south  as
Towson MD, as far north as Buffalo NY....wif Boston just added (see ya
Dreamchild-ers...!???)

Jun 9-20
Project Object with Ike Willis on Guitar & Vocals
performing the Music of Frank Zappa

peace, pls email me for more info, to get on our email list - or check the
page!!

thanks, 

andre'
-project object-


self promotional digital junket off.

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From: Hawkeye255@aol.com
Message-ID: <8242ddfa.24803423@aol.com>
Date: Fri, 28 May 1999 14:02:11 EDT
Subject: Re: Hawkeye's EDP has been sold. Thanks to all who inquired.
To: Loopers-Delight@annihilist.com
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I was getting 15 to 20 calls and as many e-mails a day about the EDP.  So... 
Gibson/Opcode needs to get it in gear.  I may (& probably will) want to get 
another EDP sometime in the future, when I've annihilated a few of the 
possibilities with samplers.  It's a sad day to see the beast go down the 
road, but it needs a home where it will be put to greater use.
	I am putting together a short paper on live performance looping with 
sequencers and samplers.  As with all other looping experiments, the 
experience so far has been mesmerizing and wonderful.  And about as 'seat of 
the pants' as my EDP meditations (or whatever they were).

Thanks again all,
			Bill Reiter   (musically 'BoomSlang')

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Date: Fri, 28 May 1999 13:43:53 -0400 (EDT)
From: billfox@lucent.com (William_B_Fox)
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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html

		Show #116		May 27, 1999.
		Host: Bill Fox		http://www.wdiyfm.org
		billfox@fast.net

On this show, I concluded the month-long focus on the North East Art
Rock Festival (NEARfest).  Special guest Chad Hutchinson, webmaster of
the Ghostland web site and Vice President of NEARfest presented the
music of the bands to be appearing at the inaugural NEARfest.

        Ghostland     :  http://ghostland.com
        NEARfest      :  http://ghostland.com/nearfest
        EMUSIC Focus  :  http://www.wdiyfm.org/emusic/playlists/focus.html


ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Ivo Keers               Purple Galaxy Crystal    Concerto in Epsilon (PNW)
VA [Stratosphere]       If All Was Clear         Soundscape Gallery 3
                                                   (Lektronic Soundscapes)
Liveform                Aquatic Bird             In Harmony (Salisbury Sound)
VA [Protogonos]         Chlorine Girl's Reverie  Mind Out (Wandering Aimlessly)
Bil Vermette            Lunarphase               Geophobia (Rainforest)
Biff Johnson            Dawn Prey                Mirage at the Crossroads
                                                   (P&C Broad Vista)
VA [Dave Fulton]        Floating in Two Thirds   Weightless, Effortless (Hypnos)
AirSculpture            Slow Glass               Attrition System (Neu Harmony)
VA [Chris Harvey]       Biomorph                 Sampler Vol. 1 (AD Music)
Vidna Obmana            Landscape in Obscurity*  Landscape in Obscurity (Hypnos)

12:00 am
IQ                      Widow's Peak             Forever Live (GEP)
IQ                      The Thousand Days        Forever Live (GEP)
Scott McGill            Luggage                  The Hand Farm (Train)
Alaska                  Bardanes                 Alaska (Lifescape)
Alaska                  Reason to Wonder         Alaska (Lifescape)
Nathan Mahl           Orgasmik Out-Burst (Pt 3)  Parallel Eccentricities (none)
Nathan Mahl             Schizophrenia            Parallel Eccentricities (none)
Crucible                The Salamander           Tall Tales (none)
Spock's Beard           In the Mouth of Madness  Kindness of Strangers (Radiant)
Spock's Beard           June                     Kindness of Strangers (Radiant)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will begin a month-long focus on the British group
AirSculpture.  The Feature CD at Midnight will be Impossible Geometries
on Neu Harmony.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

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From: Allan Hoeltje <ahoeltje@best.com>
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Does this mean that it would be legal to sell the EDP as a do-it-yourself
kit?  I suppose it's the software in the box that's really the thing of
value.  Hmmm, for UNIX we have Gnu, for Loop how about Gnuoop?  An open
architecture looping software foundation could be interesting.  A Loop OS
written in tiny C and ported to any number of micro processors.  I can see it
now, a looping box with internal hard disk, PCMCIA, expansion slots, delay
times in terms of hours, not seconds.  Oh, oh, time to get back to work!

Allan



Kim Flint wrote:

>
> Gibson doesn't own the echoplex, they license it from Aurisis Research. And
> the license is... non-exclusive!

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From: "Jean or Colin Jenkinson" <jeancolin@earthlink.net>
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One evening I had a loop going on my boomarang and let it run all night. The
next morning my cat thought she was God.

I kept this loop for the next evening. That evening I put it into reverse
mode.
The next  morning my cat thought she was doG.

Colin Jenkinson | nosnikneJ niloC

jeancolin@earthlink.net


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Date: Fri, 28 May 1999 15:48:17 -0400
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Is any of this availiable online? I searched the links but to no avail.
thanks,
jeff

William_B_Fox wrote:

>                         Playlist for "EMUSIC"
>
> "Emusic," an electronic, ambient, and space music show, airs each Thursday
> at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
> Easton, PA and Phillipsburg, NJ.  http://www.wdiyfm.org/schedule/s_emusic.html
>
>                 Show #116               May 27, 1999.
>                 Host: Bill Fox          http://www.wdiyfm.org
>                 billfox@fast.net
>

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Message-ID: <h8xUCLAkvvT3Ewql@waterleat.demon.co.uk>
Date: Fri, 28 May 1999 21:26:12 +0100
To: Loopers-Delight@annihilist.com
From: Lee Fletcher <lee@waterleat.demon.co.uk>
Subject: Re: Zoom 2100
References: <3.0.3.32.19990527201357.006a87b8@pop.flash.net>
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Larry Clinton asked:-

>Is anyone using the Zoom 2100 unit for looping, or at all? I haven't been
>able to find anything about it except the catalog write-ups.

I purchased the 2100 a few weeks ago to use mainly as a looping device.
There are 4 ways to create loops in real time:- 

1.      The Jam Play mode allows up to three 5 second samples. (Not  
        that effective actually, as the sampled 'phrases' cut out rather   
        abruptly when the foot trigger is released!) 

2.      Sampler - Up to 32 second sampling, with a basic Timestretch 
        feature. (Although this is a useful feature it isn't really 
        any good for live looping, as there are no overdub facilities.)

3.      Ping-Pong Delay - Although not 'infinite' you can create
        pp delays of up to 10 seconds with massive feedback times. (This  
        effect can also be combined with other internal fx to create 
        interesting textures.)

4.      Sound-On-Sound -  Although limited to 6 seconds tops, this  
        feature allows the user to either overdub parts or simply play 
        along with the main loop. (Again, this feature can incorporate   
        other effects, which can be tweaked in real time via the front 
        panel.)


I chose this unit over the Akai Headrush, and would recommend it for the
Sound-On-Sound feature alone. Excellent value for money.

Incidentally, you can download the full manual from the UK Zoom
website:-

http://zoom.co.jp/english/home/html

Cheers,

Lee Fletcher




-- 
Lee Fletcher

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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: http://www.opcode.com/forms/feedback.html
Date: Fri, 28 May 1999 16:37:33 -0400
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OK -

I'll play ring-leader on this one.

It's time to make a concerted push to let OPCODE know their is pent-up
demand for the EDP.

If you are:

1) Waiting to receive an EDP you have already ordered, or
2) Want to buy a first or supplimental EDP, or
3) Can't find an EDP in stores to check-out, or 
4) Represent a dealer/retailer and want stock the EDP, then...

...please go to the following link/page:
http://www.opcode.com/forms/feedback.html and add a Product Suggestion,
asking when about EDP availability.




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To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: New Features for EDP & OPCODE Commitment to EDP
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Folks -

If you were being asked to pick-up responsibility for an orphaned child,
would a clamour of things to fix, or would all the fun and profit you can
enjoy in the future be more attractive to you?

That is to say, I would suggest we work very hard to first foster real
commitment to the EDP from OPCODE, before we start to think about
modifications and improvements to the hardware.  

The software comes from Kim & Matthias, so we can continue to pester them
with our brainstorms and suggestions.

But changing the hardware is another issue.

That's my opinion anyway.

OK.  Getting off of the soap box now...

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Date: Fri, 28 May 1999 15:31:06 -0700
From: Andre LaFosse <altruist@earthlink.net>
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> I thought maybe it has to do with changing drum machine patterns during
> the loop- my Dr-5 is in sync- I can't really think of anything else that
> wouldn't be hardware or simply a defective unit-  Has anyone else
> experienced this problem?
> I can put the sound on my website if need be-
> 
> Your input is greatly appreciated-

I think I know what the problem is here.  It has to do with input levels
that happen to clip or distort when the initial cycle is being recorded.

If a preliminary signal starts clipping past a certain point when you're
recording your first pass (between the time that you hit "Record" and
whatever button you use to close the loop), then the unit's feedback
seems to get locked into a "scaling down" syndrome.  You'll notice that
the feedback LED should be flickering into the orange or red at certain
points during this loop; that tends to be the clincher.  I don't know
exactly what's going on internally, but theĘreal-world result is that
theĘfeedback of the unit gets scaled back to a value somewhat less than
100%, so that the loop will fade out after several minutes.

Even if you let the loop die down to a lower level and then overdub new
layers on top which don't clip, the feedback seems to stay locked in
this "scaled down" mode.  You basically have to erase this loop and
begin completely anew with a new preliminary cycle (preferably after
scaling back the input levels!)  

The only times I've ever noticed this syndrome are, as I described, when
the input is hot enough that it noticably clips, and the feedback LED
glows orange or red at some point in the cycle.

Next time you notice this problem, check the feedback LED (or it input
LED as you're recording your preliminary cycle) and see if you notice
the same thing.

Good luck,

--Andre

From Loopers-Delight-request@annihilist.com  Fri May 28 23:05:40 1999
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From: "kameleyon" <kameleyon@hotmail.com>
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Subject: any 'rangs for sale?
Date: Fri, 28 May 1999 19:33:03 PDT
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Does anyone have a Boomerang they want to sell me? Please respond to me off 
the list.

---//////-------///-----///------/////---///////---
Joshua D. Pickenpaugh
Boulder, Colorado, U.S.A.
Bassist, Composer, Teacher
Digital "GIGPIX" : http://welcome.to/kameleyonmusic
-///------///////-------------//----------///////--


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

From Loopers-Delight-request@annihilist.com  Fri May 28 23:09:23 1999
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Date: Fri, 28 May 1999 22:52:48 -0400
Subject: Re: any 'rangs for sale?
From: "Tommy Kochel" <stickist@jazz.lover.org>
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> Does anyone have a Boomerang they want to sell me? Please respond to me off
> the list.

FYI, I have a 32-second JamMan in Mint condition I'm ready to sell.

Tommy Kochel

   0 #
   //>
 <//
 //|\
   |/
Chapman Stick
Teak Grand #1325
6+6 Matched Reciprocal Tuning

"I find it hard to take offense at, or be insulted by, a commentary which
demonstrates that life without sentience is not only possible but ongoing."
- Robert Fripp, 1997, Epitaph boxed set booklet.

From Loopers-Delight-request@annihilist.com  Sat May 29 02:55:50 1999
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Date: Fri, 28 May 1999 23:20:13 -0700
From: Clifford Novey <clifsound@earthlink.net>
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Thanks Andre for your help- I am sorry to say that although your
suggestion makes sense to me I don't think clipping is the culprit- I am
pretty mindful of my input levels and rarely even see the orange led
light if ever- plus last night I am sure my level was just flickering
the green- not even 100% solidly lit- I think my unit is a bit quirky-
sometimes but far from rarely- when I turn it on it is non responsive
and the screen shows all led lights lit but not at full brightness- it
looks like all "888"ect. I think I may have to try to get some help from
OpcodeGibsonOberheim but the chances of that are probably a little slim!
Plus I have no idea what their support policy is or how they implement-
I will have to look into it. :(

I will keep experimenting to see if I can duplicate the problem based on
a certain setup- I will try with no midi connections etc but it seems to
be like a computer that has an error and needs to be re booted- but
should not be happening with this unit-

Thanks again- I really appreciate the help

Clifford

Andre wrote:
I think I know what the problem is here.  It has to do with input levels

that happen to clip or distort when the initial cycle is being recorded.

If a preliminary signal starts clipping past a certain point when you're

recording your first pass (between the time that you hit "Record" and
whatever button you use to close the loop), then the unit's feedback
seems to get locked into a "scaling down" syndrome...............

From Loopers-Delight-request@annihilist.com  Sat May 29 03:49:26 1999
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From: Matthias Grob <matthias@grob.org>
Subject: Re: New Features for EDP & OPCODE Commitment to EDP
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sounds very reasonable to me, Dave

>If you were being asked to pick-up responsibility for an orphaned child,
>would a clamour of things to fix, or would all the fun and profit you can
>enjoy in the future be more attractive to you?
>
>That is to say, I would suggest we work very hard to first foster real
>commitment to the EDP from OPCODE, before we start to think about
>modifications and improvements to the hardware.
>
>The software comes from Kim & Matthias, so we can continue to pester them
>with our brainstorms and suggestions.
>
>But changing the hardware is another issue.

... and may happen through us, too, after the upgrade...






*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


From Loopers-Delight-request@annihilist.com  Sat May 29 07:39:45 1999
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At 11:20 PM -0700 5/28/99, Clifford Novey wrote:

>looks like all "888"ect. I think I may have to try to get some help from
>OpcodeGibsonOberheim but the chances of that are probably a little slim!
>Plus I have no idea what their support policy is or how they implement-
>I will have to look into it. :(

oh, they are still doing repairs and warranty service and all that! The guy
doing it is really good too, Richard Akers. Nice fellow. You might want to
contact Mike Ayers <mayers@gibson.com>, customer service guy, and see if he
can get you some help with that. (they're just moving the production to a
new place, not closing everything up!)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sat May 29 09:35:55 1999
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Date: Sat, 29 May 1999 06:19:31 -0700 (PDT)
From: dan sumner <permadan@yahoo.com>
Subject: Re: Boston
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The New England Conservatory has concerts nearly every
night of the week and most are free.  They feature
faculty, students, and/or guest musicians and are
almost always very musical.  Just check out the
faculty list sometime.
--- Sean Witters <seanwitters@hotmail.com> wrote:
> Dain,
> I moved to Boston last fall from Burlington, Vt;
> here's my take on the music 
> scene:  Alt-Rock still rules the clubs here (ya know
> a bill with six bands 
> on it all trying to sound like the Pixes or
> Pavement).  There is a Jazz 
> pulse but if you want a heartbeat go to New York. 
> In Boston you have to 
> seek out your musical experiences with a bit more
> diligence.  The most 
> interesting stuff seems to happen in random places,
> old churches, galleries 
> and microscopic bars.  Good stuff does happen with
> reasonable regularity at 
> the Somerville Theatre, the Middle East, and
> (occasionally) the Paradise; of 
> course, who can miss The Fringe with Garzone and
> Gullatti on Mondays at the 
> Lizard Lounge in Cambridge.  I've left out the
> Regatta Bar because I don't 
> like it, but it does feature top jazz performers
> (B.Marsalis, Abercrombie, 
> Either Orch., Sco...) in an "intimate setting".  The
> downside with that 
> place is that it's in the most exclusive hotel in
> Cambridge, the room is 
> sterile and the audience is generally a bunch of
> "refined" jazz conniseurs 
> who have kenny-g along side their copy of "Kind of
> Blue" (was that bitter, 
> sorry).
> Berklee provides plenty of musicians but they seem
> to me to be off in their 
> own little world; of course, if you want really
> scary horn players there is 
> the New England Conservatory.  I've made some
> contacts but all the musicians 
> I've met so far are either not interesting or are
> totally unreliable (come 
> to think of it that's kind of the way it goes
> everywhere; maybe I've just 
> run out of patience).
> There are plenty of Music stores, my two current
> favorites are New England 
> Vintage guitars (a guitar/amp repair shop that
> doubles as the jawa set from 
> Star Wars) and Mr. Music which has a great
> collection of used Guitars and 
> Amps.  There are also the usual suspects, Guitar
> Center (echo..center, 
> center)and Daddy's Junk Music.
> That's my synopsis.  I've lived here for 8 months
> and I still haven't really 
> figured this place out, either.  Perhaps I'm missing
> out on something in 
> Boston.  Anyone have some tips?  Is there a mecca I
> haven't discovered yet?
> 
> 
>
_______________________________________________________________
> Get Free Email and Do More On The Web. Visit
> http://www.msn.com
> 
> 

_________________________________________________________
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From Loopers-Delight-request@annihilist.com  Sat May 29 12:36:00 1999
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From: Matthias Grob <matthias@grob.org>
Subject: BeatSyncing in the studio / poslooping
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I was working on a session I recorded to two tracks last year with Marcelo
Bernardes (yes, I am behind!). I did not install a Plex for him, but he
played pretty loopy in some part, so I wanted to loop his track to make it
richer/fater/more regular.

I was happy to find a solution:
On my track, there was a outstanding bass tone in the loop. So I fed the
guitar track through an aux send into BeatSync and regulated its level so
that the SyncLED only flashed at that one note.
The sax track I sent through another aux to Input and recorded the result
on a separate track while operating the Plex functions. Fun! It worked
perfectly up to the guitar solo, that contained higher peaks than the bass
tone and disturbed the sync. So I simply closed the send during the solo
and it continued reasonably in time.

This is a serious method, but depends a lot on the sound material. I then
tried to sync an average pop song and it worked partially. It depends
totaly on the mix and the bass drum pattern. With more than one bass drum
hit/bar, I suggest to try a steep filter (I do not have a parametric Eq
here exept the plug in, which is clumsy for this) that tunes to a bass note
that repeats once/loop.

Anyone made such experiences?




*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


From Loopers-Delight-request@annihilist.com  Sat May 29 12:32:26 1999
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From: Matthias Grob <matthias@grob.org>
Subject: RE: Loop length query
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>The fun in really long loops is, not only is the audience suprized when
>something they remember comes around again so long after they first heard
>it, the musician is too!

I have done a lot of those surprize loops lately. Even after 30 seconds, I
do not remember what I played and have to react somehow. I sometimes start
simply with a melody and then put a second and a bass line over it. Such
the harmonies become more or less defined and more can be elaborated.

I find it especially interesting to fade during some part of a long loop
and replace it with something new. Often there is an ostinato from a
multiplied original short loop which fades in that part and when it comes
back again, I feel like overdubbing to make it grow more even and then
relax more when the faded part comes back. Thus the dynamic increases and
you ride on a long growing wave like Gamelan or so.

I must admit though that many friends long for my old works with short
loops. They are easyer to follow.
I wonder whether loops naturally become longer with evolution and the
listener will like them better after listening more (and after we learn to
play them better :-)
Or whether we are just curious to squeeze out the marvelous long memory but
the stuck at some point...




*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


From Loopers-Delight-request@annihilist.com  Sat May 29 13:08:38 1999
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Date: Sat, 29 May 1999 13:03:41 -0500
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Subject: Re: Plex Upgrade ideas: Loose the box.
References: <02f201bea911$96525970$1fab82cc@testserver.mdbs.com>
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Here's a suggestion:

Why not loose the box, guts and all?  If the wonder of the EDP is in the
software, then let's do away with the silicon.  I've got a ton of it
sitting in front of me right now.  I'd just love a software version of
the Echoplex that I could run on a Macintosh.  Especially if it could
sync to a MIDI sequencing program, such as Metro.

Is this possible?

Mark Sottilaro

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Date: Sat, 29 May 1999 20:06:55 +0200
From: Claude Voit <c.voit@vtx.ch>
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I've done something approaching Yesterday

The idea was to extract the groove from a wav drum loop to feed it
afterward in a sequencer 
as a mod source for effects

here is the routing and processing i used (all vst plugs)

drum loop---Dpole band pass---gate----write the resulting
wave----recycle-----midifile

the band pass filter is for selecting the drum loop instrument (low freq
for the BD med freq for the snare etc..)

the gate is for giving me clear impulses edges of the D loop freq
selection 

I wrote to wav 3 "grooves" each giving me the groove of a frequency band

those 3 wav were analyzed in recycle resulting in 3 midi files playing
the 3 grooves

back in cubase where each midi file on its track is now considered as a
trig for a multieffect

the parameter I wanted to control was the filter in my G force so I
assigned a low value to the BD track a medium value to the snare and a
high value to the hat

instant groove when you play the guitar "morphed" by a drum beat

Claude

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Mark Sottilaro wrote:
> 
> Here's a suggestion:
> 
> Why not loose the box, guts and all?  If the wonder of the EDP is in the
> software, then let's do away with the silicon.  I've got a ton of it
> sitting in front of me right now.  I'd just love a software version of
> the Echoplex that I could run on a Macintosh.  Especially if it could
> sync to a MIDI sequencing program, such as Metro.
> 
> Is this possible?

Mark 
Its probably possible 
but then the loopers delight would be transformed in a bug report,
computer configuration hell , all the fatiguing background noize you
see/hear in every music software forum

remember there is no bug in the EDP software v5 (there is one but I wont
tell !):-) 

Claude


PS: the PC platform is probably the best for that.


HIHIHI hihihi (sorry couldn't resist)

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From: "Mike McGary" <mcgary@metronet.com>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: RE: EDP Foot Pedal
Date: Sat, 29 May 1999 14:15:21 -0500
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> Does anybody have a foot pedal that they'd like to part with?

Following directions on Kim's website, I just built a pedal
for a friend who has one backordered.  I'll put an image up
when I get a chance.

Cost: ~$10 in the finished pedal.  I bought extra resisters so I spent
      more.  

I made the body out of a 2" heavy gauge PVC pipe that I split down
the middle.  It takes up much less room that the stock EDP pedal.

Note: I tried to add the 'parameter' button (with a on/off switch on 
the back so it could be disabled for live performances)...but was not
successful.  The web site say 28.0K Ohm is the right value, but the 
original spec called for 33.2K Ohm.  The 28.0K resister triggered the
MULTIPLY function (huh?), and the 33.2K triggers the parameter...but
only every once in a while.  Not repeatable...and not usable (you can't
seem to 'untrigger' it).  It could be a problem with my construction,
but I tried several resisters...and tried it by hand (touching the resister
to the cord directly).  The rest of the pedal works like the stock one.

                   -Mike McGary

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Subject: Re: Plex Upgrade ideas: Loose the box.
Date: Sat, 29 May 1999 12:28:19 PDT
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>From: Claude Voit <c.voit@vtx.ch>
>Reply-To: Loopers-Delight@annihilist.com
>To: Loopers-Delight@annihilist.com
>Subject: Re: Plex Upgrade ideas: Loose the box.
>Date: Sat, 29 May 1999 20:21:46 +0200
>
>Mark Sottilaro wrote:
> >
> > Here's a suggestion:
> >
> > Why not loose the box, guts and all?  If the wonder of the EDP is in the
> > software, then let's do away with the silicon.  I've got a ton of it
> > sitting in front of me right now.  I'd just love a software version of
> > the Echoplex that I could run on a Macintosh.  Especially if it could
> > sync to a MIDI sequencing program, such as Metro.
> >
> > Is this possible?
>
>Mark
>Its probably possible
>but then the loopers delight would be transformed in a bug report,
>computer configuration hell , all the fatiguing background noize you
>see/hear in every music software forum
>
>remember there is no bug in the EDP software v5 (there is one but I wont
>tell !):-)
>
>Claude
>
>
>PS: the PC platform is probably the best for that.
>
>
>HIHIHI hihihi (sorry couldn't resist)
>
I disagree.
Couldn't someone run a labtop (i.e. G3 powerbook) with running Digital 
Performer's P.O.L.A.R. software (performance orietated looping audio 
recording) fullly equiped with a recording gate and automatic loop playback 
functions and achieve more because of the computer's memory and other 
feature's. It's an expensive proposition but one I'm looking into because 
the idea of having a portable studio and synthesizer and looping brain is my 
holy grail right now.  The problem I foresee with POLAR's recording gate 
function is not so much start times but stop times.  But then again you 
could bypass this function and manually trigger start and stop times.


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

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I want out.... for now thanx.


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

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FYI

In order to unsubscribe, you have to hit the UNDO
button while connected to the internet making
sure the infrared beam on your looper can reach
your computer.

--Deviant D_Master Baiter

AKA Randy Jones
 
--- Devious D_MasterMixer
<dj_devious_d@hotmail.com> wrote:
> I want out.... for now thanx.
> 
> 
>
_______________________________________________________________
> Get Free Email and Do More On The Web. Visit
> http://www.msn.com
> 
> 

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From Loopers-Delight-request@annihilist.com  Sat May 29 18:07:40 1999
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From: Clifford Novey <clifsound@earthlink.net>
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Thanks Kim- I will contact them and see if they might sus it out for me-

Cliff

Kim Flint wrote:

> oh, they are still doing repairs and warranty service and all that! The guy
> doing it is really good too, Richard Akers. Nice fellow. You might want to
> contact Mike Ayers <mayers@gibson.com>, customer service guy, and see if he
> can get you some help with that. (they're just moving the production to a new
> place, not closing everything up!)
>
> kim
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com

From Loopers-Delight-request@annihilist.com  Sat May 29 20:59:35 1999
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From: Micah <micah@iamerica.net>
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    Hmmmm.  I've heard mention of guys that can do custom modifications
of old Lexicon delays to obtain long delay and looping.  Does anyone
know of someone who might be savvy enough to upgrade my 2290 to achieve
the max 32 seconds of sampling??  TC obviously doesn't make the memory
cards anymore, so I assume it would involve custom made hardware.  I
know very little about these matters, so I have no idea if this would be
practical or cost-efficient....I don't even know if it is humanly
possible.  If this is not a viable alternative, I'll probably search for
a fully loaded used 2290 on the net (which I do see from time to time).
I'll buy it up and then sell my current one for as little loss as
possible for the exchange.  Oh well, not that big of a deal I suppose.
Micah


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------=_NextPart_000_0041_01BEAA19.8BC991E0
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I like working with long loops too, especially 10 seconds and over.  =
However, is anyone using short loops--say under 500 milliseconds?

I've experimented with them a bit, but only altering the delay times and =
making them shorter or longer (and increasing or decreasing their =
pitches).  What other things can be done with short loops?

Mark Kata
Shelby Township, Michigan US

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http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.2106.6"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>I like working with long loops too, =
especially=20
10 seconds and over.&nbsp; However, is anyone using short loops--say =
under 500=20
milliseconds?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>I've experimented with them a bit, =
but only=20
altering the delay times and making them shorter or longer (and =
increasing or=20
decreasing their pitches).&nbsp; What other things can be done with =
short=20
loops?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Mark Kata</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Shelby Township, Michigan=20
US</FONT></DIV></BODY></HTML>

------=_NextPart_000_0041_01BEAA19.8BC991E0--

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From: Kim Flint <kflint@annihilist.com>
Subject: RE: EDP Foot Pedal
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At 12:15 PM -0700 5/29/99, Mike McGary wrote:
>> Does anybody have a foot pedal that they'd like to part with?
>
>Following directions on Kim's website, I just built a pedal
>for a friend who has one backordered.  I'll put an image up
>when I get a chance.
>
>Cost: ~$10 in the finished pedal.  I bought extra resisters so I spent
>      more.
>
>I made the body out of a 2" heavy gauge PVC pipe that I split down
>the middle.  It takes up much less room that the stock EDP pedal.

that's a clever way to do it, and cheap!


>Note: I tried to add the 'parameter' button (with a on/off switch on
>the back so it could be disabled for live performances)...but was not
>successful.  The web site say 28.0K Ohm is the right value, but the
>original spec called for 33.2K Ohm.  The 28.0K resister triggered the
>MULTIPLY function (huh?), and the 33.2K triggers the parameter...but
>only every once in a while.  Not repeatable...and not usable (you can't
>seem to 'untrigger' it).  It could be a problem with my construction,
>but I tried several resisters...and tried it by hand (touching the resister
>to the cord directly).  The rest of the pedal works like the stock one.

I just tried this parameter thing and had the same trouble. I guess we'll
look at it and see if the software can read it better for a future version.
Its something we never really tested, since it wasn't part of the
production switch. We just stuck it in the soft, thinking it might be
useful for somebody, and let it go.... I'll ket you know what we figure out.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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From: Kim Flint <kflint@annihilist.com>
Subject: Re: EDP Problem
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At 5:11 AM -0700 5/28/99, Clifford Novey wrote:
>Ok, sorry to be so busy with the postings-
>
>I turned the EDP off and upon restarting it worked fine- this is not good
>news-
>Maybe the head honchos have some clues??
>

I do have one thought, based on this. I don't know if it helps, its all
conjecture at the moment.... When the machine is first turned on, we do a
calibration of the digital audio parts. We also do this whenever you reset
the loop, and at regular intervals if you leave it sitting there in reset.
The point of this is to take care of offsets that can develop in the
digital audio convertor parts as they warm up. So let's say you turn the
echoplex on when it's cold and immediately record a loop and leave it going
for a long time. Then after it's running for a while, this fade thing
starts to happen. It could be that an offset has developed as the digital
audio parts warmed up, gotten bad enough to cause this problem, and we
haven't had any chance to do our calibration. (we can't do it while the
loop is going, since it causes a dropout/pop.) When you turn it off and
back on again, the digital audio part gets calibrated again and is already
warmed up, and everything is fine. You also might try pressing reset, and
see if that does it since that also runs the calibration.

we'll look into it and see if we come up with anything else. It's weird,
because most units are fine and never do this. It could be that the digital
audio part in yours has an unusual offset problem, or maybe it's something
else altogether... hard to diagnose by email!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sat May 29 23:13:20 1999
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To: Loopers-Delight@annihilist.com
From: Larry Clinton <larryc3@flash.net>
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Tommy,
 How much do you want for that Jam Man?
Larry

At 10:52 PM 5/28/99 -0400, you wrote:
>> Does anyone have a Boomerang they want to sell me? Please respond to me off
>> the list.
>
>FYI, I have a 32-second JamMan in Mint condition I'm ready to sell.
>
>Tommy Kochel
>
>   0 #
>   //>
> <//
> //|\
>   |/
>Chapman Stick
>Teak Grand #1325
>6+6 Matched Reciprocal Tuning
>
>"I find it hard to take offense at, or be insulted by, a commentary which
>demonstrates that life without sentience is not only possible but ongoing."
>- Robert Fripp, 1997, Epitaph boxed set booklet.
>
>
>

From Loopers-Delight-request@annihilist.com  Sun May 30 02:19:45 1999
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Date: Sun, 30 May 1999 01:51:30 -0500
From: Mark Sottilaro <msottila@mailbox.syr.edu>
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Is there a Digital Performer's P.O.L.A.R demo out and about?  I couldn't
find one.

Mark

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You can get some really cool effects if you use a really short loop and
then pitch shift the output.  For fun, control the interval (and loop
length) with a foot pedal, if you have such toys.

Fun!

Mark Sottilaro

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From: Phaedebk@aol.com
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Dear all,

	I have to concur with my namesake on this one...  Though I am finding 
that in a more live setting, it is far easier to use the Zoom2100 as a looper 
as a bridge unit, vs. being something along the lines of an Echoplex wherein 
you drop lines to it, to have it repeat them ad infinitum...

	Also, the click (from activating the recording to stopping it) is 
really noticable, but then again at $130.00 USA it is a real happening 
effects pedal box, especially once you have it tweaked out.  On the fly 
tweaking is highly not recommended, but sitting back with it and just 
fiddling with the controls is a blast!

	Granted, I've only been playing with mine for a little less than 6 
days, so there is a bit of learning curve...  Especially, in sussing out what 
you are setting and what you are not.

	Currently, using it with solid body, hollow body, bass electric 
guitars, though I did give it a whirl or three with a lap dulcimer that has a 
pickup in it, and had lots of fun!  Using a bass on it, is a trip, and I've 
found that with the "clean" effects that the Jam portion of looping is very 
nice and works great.

	One thing that I would like to do is to get the Expression pedal so 
that the volume, rates and/or depth of different effects can be used for 
things like volume swells and such.  I noticed that it does make a bit of 
difference for this unit.

	L8r on,

		Lee-ohki.

From Loopers-Delight-request@annihilist.com  Sun May 30 15:32:09 1999
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Date: Sun, 30 May 1999 12:26:38 -0700
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Kim,

I will try to see if I can create some loops right when I turn it on- making
sure it is stone cold each time and see if I can duplicate the results- Thank
you for your input man, really- it is nice to have the minds behind the
machine!

Cliff

Note: Anyone who wants to have a greater appreciation for their EDP should
visit Mattias's website re the Loop 5 software and check out the LONG list of
fixes and improvements- it gives an idea of the depth and scope of work that
goes into the EDP and software-

Kim Flint wrote:

> ...........we'll look into it and see if we come up with anything else. It's
> weird,
> because most units are fine and never do this. It could be that the digital
> audio part in yours has an unusual offset problem, or maybe it's something
> else altogether... hard to diagnose by email!
>
> kim
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com

From Loopers-Delight-request@annihilist.com  Sun May 30 18:20:48 1999
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From: Michael Peters <mpeters@csi.com>
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Subject: the big where is loop music today contest
Date: Mon, 31 May 1999 00:04:06 +0200
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hi all,

two years ago, I wrote a modest little essay about the history of looping 
(called 'The Birth of Loop'), mainly in order to clarify that it wasn't Eno 
or Fripp who invented this thing, but that the roots of looping go back a 
little further. The essay can be found on our looper's website under 
'history'.

I closed the essay essentially with some lines about Fripp's kind of 
looping music, and with the question what the future of looping might be.

My essay is clearly outdated now - there is a lot of looping in 
contemporary music which should be mentioned. Also, the definition of 
looping that I used is possibly too narrow: For me, looping meant something 
continuous, basically similar to Frippertronics. For many other people, 
loops are essentially samples, like the closed ring tape loops that were 
used since the earliest days of music concrete.

I'd like very much to add these things to the essay, but I need your help. 
While in the seventies or eighties, I felt like an expert on all those 
genres and important musical currents, I don't feel like that any longer, 
so I don't feel like I should write about them myself.

I got this message from rusellc@aol.com today:

> Before hip hop, yes there was looping.  But hip hop was the music that
> made the use of loops in music.  Before hip hop looping was only 
exprimental,
> but now it is used as a basis for music.  Many looping machines such as
> samplers were never used the way they are now until hip hop artists used
> them.  In closing I'd like to say that hip hop music should be credited 
more
> for bringing foward the use of loops creatively.

That's a very interesting thought and an example for what I'd like to hear 
from you all:

a couple of lines about the state of looping in today's music - general 
thoughts, opinions, examples, whatever - not necessarily just about hip 
hop, but about all those kinds of today's music which incorporate loops, 
and also about contemporary loop technologies and maybe philosophies.

I'll collect the results and add them to the history essay (listing all 
authors of course). Looking forward to your entries,

-Michael Peters



From Loopers-Delight-request@annihilist.com  Sun May 30 21:11:07 1999
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	I believe that hip-hop did bring looping to the main-stream, but I also 
think that the underground is taking and refining a different direction.  
That direction would be the "live looping" that has been around for years 
but I think is becoming more nattural and intuitive. 		Anything you do on 
stage you can do in the studio.  This is true, but I see the day where 
anything you do in the studio you can do on stage.  And if your an engineer 
or so inclined then you have a head start.  Am I right? or Am I...not wrong?


_______________________________________________________________
Get Free Email and Do More On The Web. Visit http://www.msn.com

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Just wanted to let everyone know about the infamous movie about electronic
music. It is now out on video. If you go to this link at Forced Exposure you
will be able to get it yourself. I've already got mine on order.
http://www.forcedexposure.com/artists/lee.director.lara.html

Jeff Collins


From Loopers-Delight-request@annihilist.com  Mon May 31 03:20:54 1999
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Date: Mon, 31 May 1999 09:02:34 +0200
From: mark <mark.francombe@in2win.com>
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how much?

Tommy Kochel wrote:
> 
> > Does anyone have a Boomerang they want to sell me? Please respond to me off
> > the list.
> 
> FYI, I have a 32-second JamMan in Mint condition I'm ready to sell.
> 
> Tommy Kochel
> 
>    0 #
>    //>
>  <//
>  //|\
>    |/
> Chapman Stick
> Teak Grand #1325
> 6+6 Matched Reciprocal Tuning
> 
> "I find it hard to take offense at, or be insulted by, a commentary which
> demonstrates that life without sentience is not only possible but ongoing."
> - Robert Fripp, 1997, Epitaph boxed set booklet.

-- 
\
-\
--\
---\
----\
-----\
------\
-------\
--------\
---------\
----------\
-----------\
------------\
mark-red-----\
--------------\
---------------\
work------------\
-----------------\
in2win------------\
-------------------\
multimedia-designer-\
ovre-slottsgate-5----\
0157-oslo-------------\
tlf.--22-40-29-94------\
fax--22-42-14-24--------\
e-mail--mark@in2win.com--\
web--http-//www.in2win.com\
---------------------------\
----------------------------\
personal---------------------\
tlf.-22-43-10-79--------------\
mob.-91-56-99-88---------------\
mark@8day.com-------------------\
christine@8day.com---------------\
----------------------------------\
-----------------------------------\
redweb------------------------------\
http-//www.8day.com/redweb-----------\
--------------------------------------\
---------------------------------------\
icq-4531031-----------------------------\
-----------------------------------------\

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Date: Mon, 31 May 1999 11:41:33 +0100
To: Loopers-Delight@annihilist.com
From: Lee Fletcher <lee@waterleat.demon.co.uk>
Subject: Re: Zoom 2100
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Dear Lee,

The 'click' that you describe - are you getting this when using the
Sound On Sound function? I haven't come across this in any mode.

I have the Expression pedal, and although I don't use it for volume (I
have a separate pedal for this) it was worth buying to fully utilise the
other real-time stuff such as Wah & Pitch...

Cheers,

(The other) Lee.

In message <686a6f43.248279e9@aol.com>, Phaedebk@aol.com writes
>Dear all,
>
>       I have to concur with my namesake on this one...  Though I am finding 
>that in a more live setting, it is far easier to use the Zoom2100 as a looper 
>as a bridge unit, vs. being something along the lines of an Echoplex wherein 
>you drop lines to it, to have it repeat them ad infinitum...
>
>       Also, the click (from activating the recording to stopping it) is 
>really noticable, but then again at $130.00 USA it is a real happening 
>effects pedal box, especially once you have it tweaked out.  On the fly 
>tweaking is highly not recommended, but sitting back with it and just 
>fiddling with the controls is a blast!
>
>       Granted, I've only been playing with mine for a little less than 6 
>days, so there is a bit of learning curve...  Especially, in sussing out what 
>you are setting and what you are not.
>
>       Currently, using it with solid body, hollow body, bass electric 
>guitars, though I did give it a whirl or three with a lap dulcimer that has a 
>pickup in it, and had lots of fun!  Using a bass on it, is a trip, and I've 
>found that with the "clean" effects that the Jam portion of looping is very 
>nice and works great.
>
>       One thing that I would like to do is to get the Expression pedal so 
>that the volume, rates and/or depth of different effects can be used for 
>things like volume swells and such.  I noticed that it does make a bit of 
>difference for this unit.
>
>       L8r on,
>
>               Lee-ohki.
>

-- 
Lee Fletcher

From Loopers-Delight-request@annihilist.com  Mon May 31 08:24:21 1999
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Plex Upgrade ideas: Loose the box.
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>Mark Sottilaro wrote:
>> Here's a suggestion:
>>
>> Why not loose the box, guts and all?  If the wonder of the EDP is in the
>> software, then let's do away with the silicon.  I've got a ton of it
>> sitting in front of me right now.  I'd just love a software version of
>> the Echoplex that I could run on a Macintosh.  Especially if it could
>> sync to a MIDI sequencing program, such as Metro.
>>
>> Is this possible?

gime some weeks to design the windows ;-)

Claude answered:
>Its probably possible
>but then the loopers delight would be transformed in a bug report,
>computer configuration hell , all the fatiguing background noize you
>see/hear in every music software forum
>
>remember there is no bug in the EDP software v5 (there is one but I wont
>tell !):-)

I think you are both right and we want both versions, depending on use and $


>PS: the PC platform is probably the best for that.

NO ! :-)




*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


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Subject: Re: BeatSyncing in the studio / poslooping
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>I've done something approaching Yesterday

It seams rather different to me, but totally interesting!
Its even a suggestion for Sequencer manufacturers to incorportate the
"touchwah idea" into their soft!
Its like a AudioToMIDIcontroller conversion, while I did a AudioToSync
conversion (which may be available in some sequencers, actually?).

Matthias

>The idea was to extract the groove from a wav drum loop to feed it
>afterward in a sequencer
>as a mod source for effects
>
>here is the routing and processing i used (all vst plugs)
>
>drum loop---Dpole band pass---gate----write the resulting
>wave----recycle-----midifile
>
>the band pass filter is for selecting the drum loop instrument (low freq
>for the BD med freq for the snare etc..)
>
>the gate is for giving me clear impulses edges of the D loop freq
>selection
>
>I wrote to wav 3 "grooves" each giving me the groove of a frequency band
>
>those 3 wav were analyzed in recycle resulting in 3 midi files playing
>the 3 grooves
>
>back in cubase where each midi file on its track is now considered as a
>trig for a multieffect
>
>the parameter I wanted to control was the filter in my G force so I
>assigned a low value to the BD track a medium value to the snare and a
>high value to the hat
>
>instant groove when you play the guitar "morphed" by a drum beat
>
>Claude





*    Lots of music (samples), inventions (drawings), philosophy:
*         ---> http://Matthias.Grob.org
*    Archive and mailinglist about looping:
*         ---> http://www.annihilist.com/loop/loop.html


From Loopers-Delight-request@annihilist.com  Mon May 31 08:55:40 1999
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Date: Mon, 31 May 1999 08:36:38 EDT
Subject: akai headrush owners out there?
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anyone own one of these puppies? how do they rate with other loopers/delays 
soundwise and featurewise? any information would be greatly appreciated. 

thank you and enjoy your day, =-) PJ

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At 07:24 AM 5/30/99 EDT, Lee-ohki wrote:
>Dear all,
>
> it is far easier to use the Zoom2100 as a looper 
>as a bridge unit, vs. being something along the lines of an Echoplex wherein 
>you drop lines to it, to have it repeat them ad infinitum...
>
>	Also, the click (from activating the recording to stopping it) is 
>really noticable



Hmmmm.  That's strange. . . . .
I have two Zoom 2100s and have never experienced an audible click.  It's
the cleanest looper I've ever worked with.

Best,
Michael

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

From Loopers-Delight-request@annihilist.com  Mon May 31 10:48:38 1999
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Date: Mon, 31 May 1999 10:36:51 -0400
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From: Tim Nelson <tcn62@ici.net>
Subject: Korg ToneWorks AX1-G
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Have any of you tried Korg's ToneWorks AX1-G Guitar Multi-Effects Processor?

Musician's Fiend describes it as having "a sample and play loop function
for live performance which allows you to layer new parts onto repeating
patterns", plus the usual assortment of effects to avoid!

For the price ($140) it sounds a little too good to be true, but I'm
wondering if it's at least in the same league with the Headrush and the
Zoom 2100.

By the way, MF carries Boomerangs now! ($480)

Tim

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Subject: RE: Plex Upgrade ideas: Loose the box.
Date: Mon, 31 May 1999 10:59:40 -0400
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>>> Here's a suggestion:
>>>
>>> Why not loose the box, guts and all?  If the wonder of the EDP is in the
>>> software, then let's do away with the silicon.
>>> Is this possible?

>>gime some weeks to design the windows ;-)

>>>PS: the PC platform is probably the best for that.

>>NO ! :-)

Well, I think you should consider the Windows CE platform. Think about it
... with Windows CE 2.1, you get mutli-threaded support, multi-windows
support, pen support, device driver library support and a bunch more in a
package smaller than an Echoplex. Most of the half decent CE devices already
have a more powerful processor than the Echoplex and support a PC Card as
well, which you could use for MIDI support. ADC/DAC conversion could be
handled by an outboard system, or I think some of the newer systems such as
the Nino have a sound chip built-in as well ...

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> Have any of you tried Korg's ToneWorks AX1-G Guitar Multi-Effects Processor?

I tried one when it first came out and was pretty disappointed in it.  The delay
length is only 1.6 seconds which wasn't nearly enough for me.  If you want a
cheap intro into multi effects pedals, you could do worse, but for a looping
tool, I'd say pass on this one (the Zoom GFX7 something that's coming out seems
to be Zoom's attempt at this pedal.  Their pedal however has 2 seconds of
loopable delay and a 6 second sampler.  I haven't heard this one yet though).


Kevin

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At 10:36 AM 5/31/99 -0400, you wrote:
>Have any of you tried Korg's ToneWorks AX1-G Guitar Multi-Effects Processor?
>
>Musician's Fiend describes it as having "a sample and play loop function
>for live performance which allows you to layer new parts onto repeating
>patterns", plus the usual assortment of effects to avoid!
>

I called Korg a few months ago when I was in the market for an inexpensive
looping device, and that model loops at a maximum of 1.8 seconds.  Zoom
2100 is, obviously, better for looping.  Akai Headrush seems to be the most
advanced and versatile looper of the three, but I've read too many
complaints about the audible click.

Michael.
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

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Date: Mon, 31 May 1999 12:47:58 EDT
Subject: Re: Korg ToneWorks AX1-G
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The AX1-has extremely limited looping capacity...about 2 seconds if i 
remember right.

The Zoom 2100 is much more powerful in the looping department. 

From Loopers-Delight-request@annihilist.com  Mon May 31 13:12:26 1999
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From: "andre" <andre@monmouth.com>
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Date: Mon, 31 May 1999 13:00:33 -0400
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my first looping was probably mid 80s in electronic music course - with Dan
Goode - donig tape loops, maually (with non-virtual razor/splicing!!)..
that was fun an instructive.

maye the 'click' in the new akai headrush is to simulate the click you
sometimes get with a real tape loop.....


an early source of musique concrete style looping is - alot of the work of
teh great Karlheinz Stockhausen. he needs to be listened to more - and i do
see his name here a bit - but as a living archetypal looping hero he is
probably undersung.


andre'

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> From: Tim Nelson <tcn62@ici.net>
> Subject: Korg ToneWorks AX1-G

> Have any of you tried Korg's ToneWorks AX1-G Guitar Multi-Effects
Processor?
> For the price ($140) it sounds a little too good to be true, but I'm
> wondering if it's at least in the same league with the Headrush and the
> Zoom 2100.

well- i haven't tried it yet - but i'll tell ya - a year after getting it -
i'm still VERY blown away by the sounds i get from it's immediate
predecessor - the korg toneworks AX300G - no built in pedal, but jacks for
any 2 volume/expr. pedals to be used as vol. and expr. inputs... great -
diverse sounds - several distortions, all the basic time based stuff - 2
sec delay (??) phazer, flgr, chorus, pitch shift, tremolo, RING MOD,
OSCILLATOR - which is especially great to llop - this sound patch always
turns heads.

quiet, sturdy -quick setup, excellent food for my loopers - i feed them all
manner of chopped, diced audio thru this beast -the vortex loves to chew on
some ring mod/distorto sounds, while my time machine enjoys the oscillator
with pedal controlled pitch shift.


so - what does all this mean?? if the AX1G - which i'm gonna try someday -
is anywhere near the quality of the ax300G - which i hear it is - then it's
a winner. The one thing i'm wondering, is how they worked out with only 2
pedals, the whole  random bank/prog switching. the ax300g is a dream in
this aspect - you can change bank/patch while playing one patch... and it
stays in stdby until you want it.

My verdict - TRY THE SUCKER -- a couple times if you need to - but from
what i hear, it's a deep, deep deep unit that is not getting marketed well
-- i saw one catalog describe it as ' an expression pedal'..... no -it's a
seriou multi  effect monster in one pedal. I see Zoom has a competing,
similar looking device - even with a drum machine!! built in!!

wanna hear korg ax300g?? here's a sneaky re-plug!!! i play in a zappa trib
band, amongst other things... if we're in yr town i'd love to meet some
loopers. A CD or a couple cassettes gets you in.... OR - just check out our
real audio (link below) - it's all from the knit/halloween 98 - and all
guitar is via the Korg Ax300G and a tube combo.


andre'

ON TOUR Jun 9-20
Project Object with Zappa band guitarist/vocalist since 1978-1993
IKE WILLIS
performing the MUSIC of FRANK ZAPPA
details>> http://projectobject.com

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Oops!! sorry - i responded to the Ax1-G questions on the basis of 'tone
generating' excellence , rather than loop time.

sorry, andre'


> From: Fmplautus@aol.com
> To: Loopers-Delight@annihilist.com
> Subject: Re: Korg ToneWorks AX1-G
> Date: Monday, May 31, 1999 12:47 PM
> 
> The AX1-has extremely limited looping capacity...about 2 seconds if i 
> remember right.

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From: Hawkeye255@aol.com
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Date: Mon, 31 May 1999 13:40:24 EDT
Subject: Re: Korg ToneWorks AX1-G Vs. Akai Headrush
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The Akai is leagues ahead of the Korg AX1-G for looping (though far behind 
the EDP).  With the Headrush you can continue to add layers to your loop or 
stop all layers except the original loop then add new layers again.  The Korg 
sample and loop function is almost impossible to use.  I have both and hardly 
ever use the Korg for anything except it's great wah effects.

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From: Hawkeye255@aol.com
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Date: Mon, 31 May 1999 13:44:09 EDT
Subject: Re: Korg ToneWorks AX1-G
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I use the Akai Headrush everyday and I get NO AUDIBLE CLICK unless I miss the 
loop point badly.  Any sampler will click when the end of the loop and the 
beginning of the loop are out of phase.  And they will not click when the end 
of loop and beginning of loop are in phase.  "Somedays timing is everything."

Bill  

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Date: Mon, 31 May 1999 17:23:07 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: 2290 @ Harmony central
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Hey loop Heads,

For the gear hog with $$$:

T.C. ELECTRONICS 2290 DELAY

Asking Price: US$1300
Condition: Mint
Age: N/A
Description:

       tc 2290 in perfect condition with manual. awesome delay with many
other features. as used by robben ford and
       countless others. if you want the best digital delay in the world
this is it. great clarity and transparentcy.

Seller: charlie hitchcock, 805 564 8902
E-mail: uhitcc00@umail.ucsb.edu (Profile)
Post Date: 5/30/99


Happy Looping,

patrick



                    http://www.fingerpaint.net

From Loopers-Delight-request@annihilist.com  Mon May 31 17:59:54 1999
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Date: Mon, 31 May 1999 17:35:25 -0500
To: Loopers-Delight@annihilist.com
From: Patrick Smith <patrick@his.com>
Subject: Re: Loop length query
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>Topic suggestion:
>How many of you folks routinely use loops longer than, say 10
>sec.?

 Within the context of FingerPaint and also with my personal looping I use
loops of more than 10 secundos all the time. Part of my intitial attraction
to the Jam Man was the 32 second upgrade. And then along came the plex with
way too many seconds...

  But I seldom am looping riffs or motives, generally textural sonic
landscapes of varying loop sizes. Frquently we will have two or more very
long loops "brushing against one another and then some shorter loops. Add
to this what ever we lay on top.

  Lately I've been making longer loops of events with silence in between.
Three or 4 sparse loops made in this manner  have yielded interesting
collages.

Patrick

                   http://www.fingerpaint.net

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Patrick wrote:

>   Lately I've been making longer loops of events with silence in between.

interesting, i have also lately been playing with a lot of silence layered in
between loops; for me, this moves away a bit from the *wall of sound* that the
luxury of so many layers can easily lead to...

of course walls can be good, but i'm more interested lately in creating
spaces...

lance g.

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To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Loop length query
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>>Topic suggestion:
>>How many of you folks routinely use loops longer than, say 10
>>sec.?

Something nobody mentioned in this thread, which seems obvious to me but I
guess not to all you arty ambient soundscape guys, is looping the chord
progression or bassline of a tune and playing the melody or soloing over
it. I do this with jazz tunes - make a loop of myself comping one chorus,
and then use that as background for solos. I mostly do it to practice, but
I've seen people do it live, too, with various instruments. One time
through most jazz standards is usually quite a lot more than 10 seconds,
unless you play it *really* uptempo.... same for other types of music, too.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon May 31 19:43:31 1999
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Subject: Re: Korg ToneWorks AX1-G
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At 10:44 AM -0700 5/31/99, Hawkeye255@aol.com wrote:
>I use the Akai Headrush everyday and I get NO AUDIBLE CLICK unless I miss the
>loop point badly.  Any sampler will click when the end of the loop and the
>beginning of the loop are out of phase.  And they will not click when the end
>of loop and beginning of loop are in phase.  "Somedays timing is everything."

this would be true except for devices designed specifically not to click at
the endpoint of the loop. (which I think should be the case for anything
designed for looping!)  We designed the echoplex this way, where it does a
quick crossfade between endpoint and startpoint, so you don't get a click.
In fact, I think the design was always that way, it seemed like a pretty
obvious requirement right from the start. I'm rather surprised that some of
these looping devices coming out now didn't do something similar. You
should be able to play anything into the loop, right up to the endpoint and
beyond, and never get a click.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon May 31 19:51:26 1999
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: Korg ToneWorks AX1-G Vs. Akai Headrush
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At 10:40 AM -0700 5/31/99, Hawkeye255@aol.com wrote:
>The Akai is leagues ahead of the Korg AX1-G for looping (though far behind
>the EDP).  With the Headrush you can continue to add layers to your loop or
>stop all layers except the original loop then add new layers again.  The Korg
>sample and loop function is almost impossible to use.  I have both and hardly
>ever use the Korg for anything except it's great wah effects.

I tried the Korg AX1-G at NAMM to see it's looping features, and I couldn't
even figure out how to get it to loop at all! I tried all sorts of things
that seemed obvious and not obvious, and eventually convinced one of the
demo guys to explain it to me, and I still couldn't make it work.
Programming it seemed confusing too. The interface is just way too limited
for what they tried to pack into it.....

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon May 31 22:42:25 1999
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> Anyone get the urge to just put a loop on and let it go throughout the
> afternoon?  Sometimes letting a loop cycle for hours is a fun thing.

All the time.  Of course I prefer two loops or more with enough processing
on them so that the sound never quite repeats itself exactly.

Brian Eno has suggested that in the future, kids will be amazed that people
used to listen to the same piece of music twice.

Kevin


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>>>Topic suggestion:
>>>How many of you folks routinely use loops longer than, say 10
>>>sec.?
>
>Something nobody mentioned in this thread, which seems obvious to me but I
>guess not to all you arty ambient soundscape guys, is looping the chord
>progression or bassline of a tune and playing the melody or soloing over
>it. I do this with jazz tunes - make a loop of myself comping one chorus,
>and then use that as background for solos. I mostly do it to practice, but
>I've seen people do it live, too, with various instruments. One time
>through most jazz standards is usually quite a lot more than 10 seconds,
>unless you play it *really* uptempo.... same for other types of music, too.


Excellent point, Kim!

I've found my EDP to be an incredible tool for practicing "compositions" in
Indian music.  There are basically 2 types of instrumental composition -- a
very slow 16-beat rhythm, and also a much faster style.  Each has a very
specific "feel" and structure.  The slow composition can take up to 30
seconds at the beginning tempo, the fast speed maybe 5 seconds.  These
"compositions" are then interspersed with short improvisations, for instance
for 4 or 5 beats, then return to the precomposed section which is repeated
throughout the performance.   Gradually the improvisations get longer and
longer, eventually going over several cycles of the rhythm.  Part of the joy
of hearing a good performer is to see how skillfully he or she can link
their improvisations back into the main composition.  But it's very
difficult to keep track of exactly where the time is during these improvs.

So I use a tactic similar to your looping the changes or bassline for a jazz
tune -- I loop the entire "composition" then practice improvisations over
it.  This makes it much easier to hear where each beat is, and to be able to
work out how much time is needed to weave the improvisations seamlessly back
into the composition.  I wish I'd had this great tool years ago!

James

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Date: Mon, 31 May 1999 19:59:05 -0700
From: Clifford Novey <clifsound@earthlink.net>
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Hey all,

I sometimes find myself having to turn off my drum machine for one
reason or another and find myself without a way to re trigger the drum
machine to be back in sync with my loop- is there a way to do this? If
not, then I make the suggestion for the next upgreade! :0 )

Cliff

From Loopers-Delight-request@annihilist.com  Mon May 31 23:51:22 1999
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Date: Mon, 31 May 1999 23:20:30 -0400 (EDT)
From: Todd Pafford <galen@erols.com>
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On Mon, 31 May 1999, Kim Flint wrote:
> Something nobody mentioned in this thread, which seems obvious to me but I
> guess not to all you arty ambient soundscape guys, is looping the chord
> progression or bassline of a tune and playing the melody or soloing over
> it...

I do this all the time with my Boomerang.  I'll tell ya', my skills as a
'soloist' have progressed by leaps and bounds.  

Another use for long loops that may bear mentioning is as a compositional
tool.  A perfect example is this piece I've recently written with a very
chromatic or at least non-diatonic chord progression as a base, making it
VERY difficult for me to write a melody for it.  After an hour or so of
looping it and playing over it I've found a great melody and harmony to go
along with it.  I would've pulled my hair out trying to do this on paper
and probably wouldn't have written a melody I liked half as much as what
was produced through the loop.

---
"If the doors of perception were cleansed everything would appear
 to man as it is, infinite."  -- William Blake

Todd Pafford   galen@erols.com 

