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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
Message-Id: <199902010633.WAA15522@waynesworld.ucsd.edu>
Subject: Re: NAMM gathering
To: Loopers-Delight@annihilist.com
Date: Sun, 31 Jan 1999 22:33:32 +73600 (PST)
In-Reply-To: <ae41eeb4.36affaa0@aol.com> from "Nemoguitt@aol.com" at Jan 28, 99 00:50:24 am
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> In a message dated 1/27/99 9:02:57 PM Mid-Atlantic Standard Time,
> pvallado@waynesworld.ucsd.edu writes:

No I didn't.

> <<  Shall there be a predetermined LD meeting place/time for those of us at
>  > the show?  Be kind of silly to have another situation like the one at
>  > the Torn concert last year, where there were five or six of us in the
>  > same room but nobody knew it!
>  >  >>
> 
> thus the need for really big looper delite hats.........michael

Some of us forgot that one has to wear nametags to get into NAMM.

Cheers,
Paolo

From Loopers-Delight-request@annihilist.com  Mon Feb  1 01:50:10 1999
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Date: Mon, 1 Feb 1999 01:47:56 -0500 (EST)
From: Adam Levin <alevin@DarkAether.net>
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Subject: Feed the Silence
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The Dark Aether Project's second CD "Feed The Silence" is now complete and
off to the pressing plant with release expected in early March. However,
you can check out the cover artwork and RealAudio excerpts from three
songs on the website right now.

Track list is as follows:

Burnt Sunrise - 12:40
Nightmare - 8:14
Stages - 6:46
Building the Worm - 4:59
Feed the Silence - 10:22
Out of the Dark/Dark Aether (Live) - 8:52

The Dark Aether Project is:
Adam Levin: Warr 8 String Touch Guitar/Keyboards/Loops
Yaman Aksu: Guitar/Hammond Organ
Brian Griffin: Drums/Percussion
Ray Weston: Vocals

With special guest Markus Reuter of Europa String Choir: Warr 8 String
Touch Guitar on "Building the Worm"

The Dark Aether Project Website: http://www.darkaether.net/
-------------------------------

For the Looper-folk, I'd suggest grabbing a listen to the excerpt 
from "Building the Worm"

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/




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Date: Sun, 31 Jan 1999 23:15:49 -0800
From: Andre LaFosse <altruist@earthlink.net>
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Paolo Valladolid wrote:

> Some of us forgot that one has to wear nametags to get into NAMM.

...uh, talkin' to me?!

Sorry I missed the meeting on Saturday.  I unfortunately succumbed to a
sinus infection of several weeks and had to obey my body's demand for
rest and sleep over the last several days, which translated into my not
even getting out of bed until well after the scheduled meeting time on
Saturday (and not getting to the show at all, in fact).  

Certainly sorry if I left some folks standing around at the Stick booth
wondering where I was; I hope some people were able to make good
connections nonetheless.  

Yours in infirmity,

--Andre

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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
Message-Id: <199902010735.XAA16147@waynesworld.ucsd.edu>
Subject: Re: NAMM gathering
To: altruist@earthlink.net
Date: Sun, 31 Jan 1999 23:35:14 +73600 (PST)
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> Paolo Valladolid wrote:
> 
> > Some of us forgot that one has to wear nametags to get into NAMM.
> 
> ...uh, talkin' to me?!

No, just responding to the comment about wearing big, funny hats.

Hope you're feeling better.  I did get to meet Kim, Doug, John, and David
Wessel.  Basically Dr. Wessel of CNMAT and his alumni. :)  Oops, and Chris
Muir too.

It's just as well you couldn't come to NAMM because none of the others found
anything really interesting outside of software.  I personally had a good
time since it was my first time.  I got to see Michael Manring perform
next door to Stick Enterprises a couple of times, Tony Levin try out
NS Designs' electric cello, Jeff Berlin jam with some guy on ddrums, and
of course 5-6 of the best Stick players in the world perform.   I sort of
saw Reeves Gabrels, but to be honest I dozed off several times even though
I was sitting in front of him being continously assaulted by his guitar
noises.  I got to meet Ralph Novak and try out his Novak fanned fret guitars
in person (I'm enamored of his semi-hollow, archtop acoustic electric 
model).   I saw an even weirder looking brand of guitar than the Kleins
- the Stump Preacher guitars.  They are headless with the strings folded
into their little bodies and the tuners arranged in strange places on the
fronts of the guitar bodies.  

Is it my imagination, or are bass guitars gaining more strings with each
passing year?  I saw one guy slapping and tapping on his 9-string bass
monstrosity.  I cracked up when Jeff Berlin shouted "I'm doing all this 
stuff with JUST FOUR STRINGS!!!" during his duet with that ddrum guy.

The Nord people were putting on a cool 2 DJ show.  But they were too busy
being DJs to answer my questions.  The Nord Lead comes with a wooden
"pitch stick" that is a pleasure to play with.

I have an acquaintance named Jimmy who was given free hotel and meals by
MD guitars to demo their guitars using his double-guitar tapping method.
He said people were asking him all day where he got his really cool string
damper, which has individual dampers for each string and works really well.

Other than my disappointment at not seeing the Digital Echoplex or Klein
guitars, I had a good time.

Paolo 

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From: Kim Flint <kflint@annihilist.com>
Subject: Re: Oberheim email address...
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>Hi Loopers:
>
>Um, did I miss something?  The  link on the Looper's Delight page no longer
>pops up a workable email address for Oberheim.

sorry, I have to fix that....sometime after NAMM show recovery.....

mail to Mike Ayers <mayers@gibson.com>, he's the customer service guy that
handles echoplex. Or call him, 877-623-7434 or (615) 871-4500 x382. he's a
great guy.

if you are one of the people waiting for an echoplex order, word is they
are shipping out 3-4 echoplexes a day to catch up to the backorders, as
fast as the guy can get them assembled and tested. should be there soon. :-)

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Feb  1 05:09:44 1999
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>> In a message dated 1/30/99 11:58:07 AM, akiom@onepine.com writes:
>> >We are NY experimental kaut rock band called "Electro Putas".
>
>Marzzz asked:
>> Is "Puta" what I think it is (se habla espanol)?
>
>On the other hand, it could be the NY pronunciation (or lack thereof) of a
>relatively recent moniker for PCs that's come from the legions of ex-Mac
>users in the workplace, as far as I can figure; they call it a Pooter.  So
>"Electro Putas" could have a link to some reference to this Big
>Pout-and-Sulk Routine, perhaps?  Or, eh, "Poot", hm?

Well, puter has been used as shorthand for computer in europe for many many
years, so it probably just crossed the pond there, along with a mispelling
of "kraut rock". Nice try on the mac bashing, though.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Feb  1 05:35:42 1999
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Forgot to mention this...

_Electronic Musician_ magazine has a special called "Desktop Music
Production Guide" on the stands right now.  There's an article inside
about making music with audio loops; it's slanted towards sequencing and
hard disk applications.

At the very end of the article, the author remarks that he's just
scratched the surface.  He then gives a URL for those who want more info
on looping: You guessed it!  It's our very own Looper's Delight
homepage.  

--A

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Date: Mon, 01 Feb 1999 11:50:00 +0100
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> I am curious about building rythmic loops using an echoplex and percussion based audio sample cd's. Is there
> anyone out there doing this? That is building the loop directly from a cd player into the echoplex or is a
> traditional sampler needed inbetween? What are the limitations of this approach? Synch problems with layering?
> Hi-Fi Bugs

The problem is the tempo.

Musicians can synch by themself to the music flow, but not a CD of
course, and this is why you shoud pick up the exact tempo before
looping.

You can try using some wellknown phrase (REC START/STOP) sampler, but
the problem remain the same : you will have to edit your phrases to try 
to loop them perfectly well afterwards.

If only you could have the tempo to synch your EDP !

But looping CDs require a certain accuracy that even most of nowadays
bpm counters can't give for such an application, or if some do, these
ones remain a bit 'nervous' (see the tempo displayed in real time, it
usualy moves around an average value).

The one way I know is to determine an exact and constant tempo before
recording your loops and this is what does for instance the DJRND2.

And once your loops are recorded, it could only be to enter this same
exact tempo into a metronome to perfectly synch your EDP with.

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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: Chris Q <cqlung@earthlink.net>, Loopers-Delight@annihilist.com
Subject: RE: one more plea...
Date: Mon, 1 Feb 1999 09:17:11 -0500 
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I think I know someone who wants to sell a JAM MAN in Boston.  What would
the going price be?

dk
UNDO

> -----Original Message-----
> From:	Chris Q [SMTP:cqlung@earthlink.net]
> Sent:	Tuesday, January 26, 1999 5:04 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	one more plea...
> 
> Howdy y'all...I know I've asked this before, and I know that I'm probably
> the 18 billionth person to ask it again, but, does anyone have a Jam Man
> for sale? I've looked and looked and looked, you all know the story.
> Occasionally I find one, but it's gone faster than I can get my mail. Any
> leads, info, suggestions or even equipment alternatives that are
> reasonably
> priced would be more than appreciated. Thanks to all...CQ
> www.jigglethehandle.com

From Loopers-Delight-request@annihilist.com  Mon Feb  1 12:15:11 1999
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To: Loopers-Delight@annihilist.com
From: "Paul Poplawski, Phd" <Paulpop@ssnet.com>
Subject: Bob Sellon
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Hi ... I am trying to get a mailing address for Bob Sellon .. does anyone
have one out there

=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=
=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=
=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=83=
=83=83=83
Paul Poplawski, Ph.D.
email =3D ppoplawski@state.de.us  or  paulpop@ssnet.com
phone (service) =3D 302/737-4491    weekday office =3D 302/577-4980


From Loopers-Delight-request@annihilist.com  Mon Feb  1 16:31:28 1999
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Date: Mon, 01 Feb 1999 21:12:45 -0000
From: "Esteban Delgado" <esdel@eudoramail.com>
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Considerando el nombre "Butthole Surfers", "Electro Putas" no esta tan malo (aunque personalmente, yo preferiria "Las Putas Electronicas"). You dig?

Steve Delgado 
---
For the very best in cutting-edge music tune in to The Tuesday
Afternoon Mix every Tuesday afternoon from 3 to 5:30p.m. EST
on WFHB, community radio for Bloomington, Indiana.
Now broadcasting to the world at www.wfhb.net, or visit our
website at www.wfhb.org and follow the links.   



On Sat, 30 Jan 1999 13:38:38   Marzzz wrote:
>
>In a message dated 1/30/99 11:58:07 AM, akiom@onepine.com writes:
>
>>We are NY experimental kaut rock band called "Electro Putas".
>
>
>Hmmm...two questions:
>
>What is "kaut rock?"
>
>Is "Puta" what I think it is (se habla espanol)?
>
>
>
>Marshall
>
>


Join 18 million Eudora users by signing up for a free Eudora Web-Mail account at http://www.eudoramail.com

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From: John Celano <ds115@erols.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Dumping  and Loading EDP samples
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I've never did an echoplex dump, but with other samplers the channels of =
both units must be set to the same.  Also, sys ex must be turned on.  =
Typically when one unit initiates the transfer the other should see it =
automatically though there are some samplers out there that must be in a =
wait state mode.

Hope this  helps and makes sense.

-----Original Message-----
From:	floyd@voicenet.com [SMTP:floyd@voicenet.com]
Sent:	Friday, January 29, 1999 3:29 PM
To:	Loopers-Delight@annihilist.com
Subject:	Re: Dumping  and Loading EDP samples

It was written by someone:

>=20
> >I'm not quite sure about the channel. I have the echoplex set to MIDI
> >channel 1. I have the Akai on system exclusive channel 1. I know the
> >difference between Sysex channel and MIDI channel...
>=20
> Maybe the EDP is accepting the dump on any channel, but sending on a
> specific channel. I would have thought that if the EDP was set to =
channel
> 1, then it would send sysex out channel 1 and that the Akai would =
receive
> it OK. Maybe you can set the EDP sysex MIDI channel to a different =
channel
> than it's basic MIDI channel, I don't know I'm just guessing all this.
>=20

It is my understanding that SysEx data is not channelized - no conecpt
of MIDI channels for SysEx as there is for note and controller data.
So if Sample Dump data is a subset of SysEx then the EDP should accept
a sample dump regardless of it's midi channel setting.  Likewise, when
it sends a Sample Dump it sould be received at the other other without
regards to MIDI channel settings.

If I'm wrong please correct me (but gently).


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In a message dated 2/1/99 1:40:29 AM, pvallado@waynesworld.ucsd.edu writes:

>Other than my disappointment at not seeing the Digital Echoplex or Klein
>guitars, I had a good time.
>

Klein was there (or should I say Lorenzo German?) but he did not have a
specific booth, rather several Kleins were to be seen at various amp areas,
like Bhudda.....

Marshall (just passing on info, I wasn't there)

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From: "wayne schroeder" <geoffreyk46@hotmail.com>
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Subject: Re: Hi!
Date: Mon, 01 Feb 1999 17:25:12 PST
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>Date: Sat, 30 Jan 1999 12:53:07 -0400
>From: akio <akiom@onepine.com>
>To: Loopers-Delight@annihilist.com
>Subject: Hi!
>Reply-To: Loopers-Delight@annihilist.com
>
>We are NY experimental kaut rock band called "Electro Putas".
>We just puted out CD .
>I wanna  sent that CD .
> So,, could you give me your exact adress?
>thank you
>
>       akio
>
>wayne schroeder
 1645 hyde st. #2
 san francisco, ca 94109


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From Loopers-Delight-request@annihilist.com  Mon Feb  1 20:32:54 1999
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Date: Mon, 01 Feb 1999 17:21:05 -0800
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From: Kim Flint <kflint@chromatic.com>
Subject: Re: NAMM gathering
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At 08:04 PM 2/1/99 EST, Marzzz@aol.com wrote:
>
>In a message dated 2/1/99 1:40:29 AM, pvallado@waynesworld.ucsd.edu writes:
>
>>Other than my disappointment at not seeing the Digital Echoplex or Klein
>>guitars, I had a good time.
>>
>
>Klein was there (or should I say Lorenzo German?) but he did not have a
>specific booth, rather several Kleins were to be seen at various amp areas,
>like Bhudda.....

Lorenzo was there, I hung out with him for a bit. He's got so much business
right now, it's all he can do to keep up. So he didn't see much point in
spending all the money for a Klein Electric booth to get even more business.
the waiting period for a klein would be really long then....

kim
________________________________________________________
Kim Flint, MTS		       408-752-9284
ATI Research	       kflint@chromatic.com

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Subject: Re: creative ennui question/Oblique Strategies....Addemdum
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At 10:31 PM -0500 1/25/99, Kriist@aol.com wrote:
>oops,
>as i was saying
>
>performing modern compositions?
>
>Im looking to do the rite of spring for guitar/loops
>
>terry rileys in c
>etc....
>
>rodrigo

"In C" is available as a PDF at http://www.otherminds.org for anyone
interested. There's a page with all 53 phrases and two pages of Terry
Riley's instructions for performance. The other day I set my EDP to delay,
with about a 30 second period with medium-high feedback, and worked through
the whole thing, choosing synth patches by whim. Great fun and a good
head-clearing exercise.

John


From Loopers-Delight-request@annihilist.com  Mon Feb  1 23:51:29 1999
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Subject: Re: Bob Sellon 
Date: Mon, 01 Feb 1999 20:45:22 PST
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> mailing address for Bob Sellon 

Check his website:
  http://people.ne.mediaone.net/sellon/bob.htm


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From Loopers-Delight-request@annihilist.com  Tue Feb  2 05:27:12 1999
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: AKAI delay pedal vs Jamman
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At 1:27 AM -0800 1/29/99, PERILLE wrote:
>I wonder if the new AKAI delay pedal-E1 headrush can record in loops
>just as the Jamman does.

I played with it briefly at the show. It's simple, but pretty nice for what
it does. In loop mode, you tap the right button to start recording, and the
left button to stop. (I think it's more intuitive to use one button for
this, but anyway....)  To overdub, you tap the right (start) button again,
and the left (stop) button to stop overdub. It actually has a simple undo
function as well. After you have done some overdubs, you double tap the
right button and you go back to the original loop. You can't undo layers
like the echoplex, all the overdubs go away at once. But still, that's
pretty cool. The total time for the delay mode is about 23 seconds, but in
loop mode it is only around 11 seconds if you want to do overdubs. I'm
assuming it uses memory like the echoplex, where overdubs are done in new
memory space, with the old stuff preserved. So the headrush only gives you
half.....  And that's about it for the looping. Very basic, but it does it.

Feedback is not available in loop mode, although it is available in the
other modes. Kind of a bummer I guess, since feedback is such a useful
thing.

It has four outputs for the tape echo thing, which is pretty cool I guess.
I didn't play with this mode, so I can't comment on it. I assume it is a
simple tapped delay with a separate output for each tap. I don't really
care about the tape echo sound, so I didn't even try that.

>As it seems to be a 4-head tape echo simulator, may be it can also run
>four spinning loops once a delay is tapped with the footswitch.
>
>And if it is so, it could be a similar recording process to Jamman which
>I was told was patented by Lexicon.
>
>Infringement or not ?

I would say not. Check the IBM patent server,
http://www.patents.ibm.com/ibm.html. Lexicon has no such patent. Besides,
The Paradis LoopDelay did all of this and more a year before Jamman was
out. If they had such a patent, they wouldn't be able to enforce it on
account of prior art.

I also tried the Korg AX-1G(?) which is claimed by Korg as a looper pedal.
I couldn't get it to work. It actually only has around 1.8 seconds, which
they conveniently don't mention anywhere, so it's probably not that
interesting.  I discovered later that it is operated by pressing the
expression pedal all the way forward to engage a switch. This is apparently
designed for people more lead-footed than me, because I couldn't get it to
go. There's a thick bit of foam to stop the pedal, and apparently prevent
us light-weights from pressing the switch. :-)   If you do manage to make
it work, they claim you can do overdubs by using the expression pedal as a
sort of volume into the loop. The other effects on this pedal were really
bad (I never heard a parker fly sound so awful), so proceed with
caution.....

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Feb  2 05:35:02 1999
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The full transcript of Iara Lee's interview with producer Teo Macero (a
brief excerpt of which was featured in the documentary "Modulations")
can be found at the ever-excellent Perfect Sound Forever site:

http://www.furious.com/perfect/teomacero.html

Two reasons why this is important reading for those on the list:

-- Macero makes several references to looping the playing of the
musicians he worked with and then integrating those loops into the
productions he oversaw.

-- He also makes a somewhat alarmingly high number of critical comments
about the modern electronic movement, and sample-based music in
particular, chastising it for lacking musicality and emotion.  My
reaction was one of reading an old man lamenting the fact that "these
kids today just don't do it the *right* way -- like *we* used to waaaaay
back when."  

I highly recommend the interview to any and all, and would like to hear
other reactions to in.

--A

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Subject: EMU Launchpad w/EDP
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I have a friend who has recently purchased an EMU Launchpad.  He's using it
to control midi parameters on his Echoplex Digital Pro.

1) Are their any other users out there with this set-up?  Any "gotcha's" to
be aware of?

2) Is their anything the regular EDP foot controller does that the
Midi/Launchpad cannot do?

Thanks for your help!

David Kirkdorffer
UNDO

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At 6:07 AM -0800 2/2/99, David Kirkdorffer wrote:
>I have a friend who has recently purchased an EMU Launchpad.  He's using it
>to control midi parameters on his Echoplex Digital Pro.
>
>1) Are their any other users out there with this set-up?  Any "gotcha's" to
>be aware of?

no idea if there are any "gotchas", but from the specs it seems like it
would work great.

>2) Is their anything the regular EDP foot controller does that the
>Midi/Launchpad cannot do?

any functions available on the footpedal can also be done by midi. In fact,
you can do more with midi since you can send continuous controllers for
both loop volume and feedback, and you can trigger loops like a sampler. I
think the launch pad has velocity sensitive pads, which the echoplex can
use for setting loop volume when triggering loops. So that would likely
make a nice controller. Also, there is some unfounded rumor that even more
midi functionality will appear in the future, but my source was killed by a
mysterious accident before he could reveal more info.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Feb  2 15:15:20 1999
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Date: Tue, 02 Feb 1999 21:09:24 +0100
To: loopers-delight@annihilist.com
From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: Teo Macero "Modulations" Interview online
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macero did a great job on Miles records and with some others artist, but
clearly he's going nut...

mostly for his anti-sampler statements... basically he was doing the same
stuff, with some other tools.

I've seen  often  this kind of reaction ("we made true music... today it's
all only shit") in older musician, great ones too, not been able to reinvent
their talent during the years. I think it's a normal, "aggressive" reaction
to feeling surpassed from other younger people, new technology, new ideas, ecc. 

By the way, Macero was a great genius for his era. I have huge respect for
its work and contribution. Silly statements apart.

ciao
leo 

 

At 02.44 02/02/99 -0800, you wrote:
>The full transcript of Iara Lee's interview with producer Teo Macero (a
>brief excerpt of which was featured in the documentary "Modulations")
>can be found at the ever-excellent Perfect Sound Forever site:
>
>http://www.furious.com/perfect/teomacero.html
>
>Two reasons why this is important reading for those on the list:
>
>-- Macero makes several references to looping the playing of the
>musicians he worked with and then integrating those loops into the
>productions he oversaw.
>
>-- He also makes a somewhat alarmingly high number of critical comments
>about the modern electronic movement, and sample-based music in
>particular, chastising it for lacking musicality and emotion.  My
>reaction was one of reading an old man lamenting the fact that "these
>kids today just don't do it the *right* way -- like *we* used to waaaaay
>back when."  
>
>I highly recommend the interview to any and all, and would like to hear
>other reactions to in.
>
>--A
>
>
>

From Loopers-Delight-request@annihilist.com  Tue Feb  2 15:48:57 1999
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How do we stop ourselves from getting the same attitude as we grow 
older?

Colin Jenkinson age 32                    |                    23 ega nosnikneJ niloC

From Loopers-Delight-request@annihilist.com  Tue Feb  2 16:05:42 1999
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Date: Tue, 2 Feb 1999 15:59:17 -0500 (EST)
From: Tara Key <tk10@columbia.edu>
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Hello loopers-
Please indulge this missive as I'm sure anyone who owns the mighty
Echoplex and Vortex will understand my heavy heart. Please also excuse
this almost first time posting from a dedicated wallflower who has learned
a lot from all of you all over the past couple of years.
On Friday, Jan. 29th, my SKB rack unit was stolen from Brownie's in NYC
after my band Antietam played. It contained an Oberheim Echoplex, serial
number EDP001721 and a Lexicon Vortex, no serial number available at this
moment. I post this as a reminder to always watch gear with an eagle eye
even in one's own neighborhood (sadly I took mine off of it for 30
minutes) and also in recognition of the global village we all live in in
case anyone should run across it in the NYC area, or by internet.....  
Now the quest for replacements begins...with a looping gig in less than 4
weeks and an album to finish in the next 6 weeks. Thanks for listening.
Tara Key
Antietam

From Loopers-Delight-request@annihilist.com  Tue Feb  2 17:53:00 1999
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Date: Tue, 2 Feb 1999 17:07:50 +0200
To: Loopers-Delight@annihilist.com
From: patrick@his.com (Patrick Smith)
Subject: Re: *Echovirus* Blindfold OneofaKind remix
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On 1/25/99 Rob Switzer echoed:
>
>        I've finally completed a track based on the Blindfold OneofaKind
>tape Ed
>Chang was kind enough to send me several months ago.  While not exactly a
>remix, I sampled heavily from Ed's tape to create a beat-heavy
>trip-hop/ambient dub track called 'BlindFold DisFunktion'.
>
>        This track will be included on an upcoming CD by my electronic/studio
>project *Echovirus* called 'Poison Reverse'.
>
>        The track is available in CD-quality mp3 downloadable form at
>http://www.mp3.com/evirus -- checkit out, and let me know what you think . . .
>

I've listened to this track a few times now and want to encourage everyone
to go give this a listen. Very nicely crafted trip-hop/ambient dub. I
suspect that the guitar bursts I hear are samples from Ed Chang? The guitar
saamples fit the piece in a very musical way.

Rob has created a great swirling undercurrent that is deftly mixed. When
the base rests, I'm really intrigued by what is going on underneath. A very
good piece of music. It has my wife dancing in the kitchen as I type this.

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Tue Feb  2 18:40:59 1999
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To: loopers-delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Teo Macero "Modulations" Interview online
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>
>>http://www.furious.com/perfect/teomacero.html
>>
> My
>>reaction was one of reading an old man lamenting the fact that "these
>>kids today just don't do it the *right* way -- like *we* used to waaaaay
>>back when."  
>
>Thanks for bringing this interview to our attention. You're right; a lot
of what Macero says is of particular relevance to users of technology.
>
>My reading of his comments was much like yours re the reminiscences of a
grumpy old man, although I don't really think he meant everything the way
it sounded. Macero describes in fond detail his innovative use of early
technology, then goes on to lambaste the results which essentially evolved
from work that he himself played a major role in pioneering. His comments
regarding "purists" lead me to wonder how his own cutting-edge work was
viewed by the generation which preceeded him, and how (if at all) this
influenced his techniques.
>
>It's interesting that Macero seems to be saying that technological
innovation was a good thing when it suited his own purposes, but has
developed to a point at which today's musicians can't REALLY be creative
because we're not being forced out of necessity to invent our own recording
techniques the way he and his contemporaries had to. Again, I don't really
know if he meant this the way it sounded...
>
>I found it unusual that the interviewer chose not to clarify Macero's
obvious misunderstanding of the question regarding the origins of funk!
Also, any reference to Bill Laswell's Miles remix album Panthalassa seemed
conspicuously absent. It would have been interesting to see what Macero
thought of it.
>
>Again, thanks for the link!
>
>Tim

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Date: Tue, 02 Feb 1999 16:52:02 -0700
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I found this read to be enlightening in a bunch of ways.....

Most of the response has been negative, but as usual, there's another side
to that coin...

Three disclaimers on Teo:
1.  I doubt that he "really" meant that samplers were "terrible".  He's just
a plain fool if he doesn't realize that those tools are improvements on
things he started with. I don't think he meant what he said.   I don't think
he laughs at the tool, he laughs at the way the tool is being used.  ANYONE
with $$ can buy one.
2.  I don't put Teo in genius category, but he did do a good job of
implementing Miles' ideas.  No Miles, no Teo, IMHO.
3.  We'd say he definitely had at least a little sour grapes on "We did
things this way, and THAT's the RIGHT way" tack, but I think he's got the
credits to make that point.  We'll assume that he's a little more
open-minded than he puts across in a few pages of interviewing.  Miles
wouldn't have kept him around otherwise.

So, i tried to look behind that while i read...

He makes a few good points to keep in mind...  He's emphasizing that you
have a CONCEPT of what you wish to communicate before diving into a bunch of
tools.  He puts emphasis on creativity, imagination, ideas, and spontaneous
creation.  I couldn't agree more.

A really good thing that he does point out, is that he has a hands-on
understanding on how many of today's toys were originally built.  He was
THERE at a time of the creative beginnings of lots of the boxes that sit in
our racks.  Oh BUDDHA, what i'd pay for that kind of experience!  I'm sorry,
but once you put a few loops together via tape and razor blade, you've
learned a few things, a few "intangibles" that stay with you.  Back then,
they had a concept of a sound they wanted to get at, found someone to build
something, tried it...etc.  Tried again....and so on.  Nothing can replace
that kind of experience.  Knee-deep in blood and guts, trying to solve that
problem....

Today, we've got it backwards.  We've got umpteen choices, reverb, loopage,
sampling, etc. etc.  All you need is a little $$ and voila!, you're a
"musician".  But WHAT DO YOU WANT TO DO?  WHAT do you want to express?  Once
you've got that, the choice of "toys" becomes more intelligent, more
"environmental-sounding" in the context of what you're doing.  And sorry,
that's the HARD part.  Usually, i limit my listening to the "masters"
(Tranes,Monks,Dolphys,Hendrixs etc. of the world), but as a result of
listening to this list, I've been checking out lots of other stuff.  That'd
be my #1 complaint of lots of the "other stuff", it doesn't grab me, because
it doesn't have that FOCUS.

i think his basic slam is on people who buy a box, twiddle a few buttons, if
something "good" pops out, they go on and use it and become a "big star",
otherwise the "box" ends up at Sweetwater.com.  i couldn't agree with that
input more....

The other salient point that he made for me, was that "it all happens
live".  In this era of the "bedroom musician", precious little
DesertIslandDisc stuff comes out of a single bedroom.  For me, at least, the
majik of music, comes from that spirited interplay between people.  Its the
intensity of communication that creates the FOCUS that we mentioned
above...  Technology is a TOOL to enhance the focus and the communication,
which all leads to something that someone else would wanna hear.

Thanks fer pointing the article out to me, i enjoyed it....
Jim Lanpheer



Andre LaFosse wrote:

> The full transcript of Iara Lee's interview with producer Teo Macero (a
> brief excerpt of which was featured in the documentary "Modulations")
> can be found at the ever-excellent Perfect Sound Forever site:
>
> http://www.furious.com/perfect/teomacero.html
>
> Two reasons why this is important reading for those on the list:
>
> -- Macero makes several references to looping the playing of the
> musicians he worked with and then integrating those loops into the
> productions he oversaw.
>
> -- He also makes a somewhat alarmingly high number of critical comments
> about the modern electronic movement, and sample-based music in
> particular, chastising it for lacking musicality and emotion.  My
> reaction was one of reading an old man lamenting the fact that "these
> kids today just don't do it the *right* way -- like *we* used to waaaaay
> back when."
>
> I highly recommend the interview to any and all, and would like to hear
> other reactions to in.
>
> --A



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I got this from Stickwire, enjoy!

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Date: Tue, 02 Feb 1999 15:07:10 -0800
From: Cody Rahn <rahn@wwics.com>
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I just found an interesting article/story on the Discovery channel's hp.
It's about music generated and based on fractal equations. Really
interesting stuff. Maybe one of the more experienced stickists could do
something with this?

 http://www.discovery.com/stories/technology/fractals/fractals.html

Cody



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Subject: Hating "today's" music (was: Teo Macero "Modulations" Interview online)
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In a message dated 2/2/99 3:50:25 PM, Colin wrote:

>How do we stop ourselves from getting the same attitude as we grow 
>older?
I think it's the reviling of the "new" that's a problem, not the lack of
interest in it. And that's probably just a measure of personal bitterness.
I know I used to feel compelled to keep up with what was "going on" (altho
dicso temporarily defeated that resolve!), and no longer do (which is not to
say that I don't like lots of what I hear...I just don't care how much of it I
hear, and have no current "heros"), particularly since discovering that my
personal doorway into a truly ever-growing fascination with making music was
to drop ALL efforts to be "with it," and just follow my own ear, which was
certainly formed  a while back. But then, "a while back" for me was the 50s
and 60s, so perhaps I'm generationally incapable of preferring struggle with
myself to self-indulgence.
dpc

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In a message dated 2/3/99 12:02:16 AM !!!First Boot!!!, jlanphe@uswest.com
writes:

> Today, we've got it backwards.  We've got umpteen choices, reverb, loopage,
>  sampling, etc. etc.  All you need is a little $$ and voila!, you're a
>  "musician".  But WHAT DO YOU WANT TO DO?  WHAT do you want to express?
Once
>  you've got that, the choice of "toys" becomes more intelligent, more
>  "environmental-sounding" in the context of what you're doing.  And sorry,
>  that's the HARD part.  Usually, i limit my listening to the "masters"
>  (Tranes,Monks,Dolphys,Hendrixs etc. of the world), but as a result of
>  listening to this list, I've been checking out lots of other stuff.  That'd
>  be my #1 complaint of lots of the "other stuff", it doesn't grab me,
because
>  it doesn't have that FOCUS.
>  
>  i think his basic slam is on people who buy a box, twiddle a few buttons,
if
>  something "good" pops out, they go on and use it and become a "big star",
>  otherwise the "box" ends up at Sweetwater.com.  i couldn't agree with that
>  input more....
>  
>  The other salient point that he made for me, was that "it all happens
>  live".  In this era of the "bedroom musician", precious little
>  DesertIslandDisc stuff comes out of a single bedroom.  For me, at least,
the
>  majik of music, comes from that spirited interplay between people.  Its the
>  intensity of communication that creates the FOCUS that we mentioned
>  above...  Technology is a TOOL to enhance the focus and the communication,
>  which all leads to something that someone else would wanna hear.
>  
>  Thanks fer pointing the article out to me, i enjoyed it....
>  Jim Lanpheer
>  

I have no idea who this Teo guy is but after reading a few comments on this
interview(which i havent read as well) i figured i should throw in my 2cents.

I am of the opinion that music=art and art=life so that anything is art
some 'musicians' tend to look upon 'knobtwiddlers' as something below them
because its......easy?!
so i would make a better trumpet player than Miles because i would struggle to
get a sound of the thing where as he would ever-so-easily blow away anything
that came to mind

i find it beautiful that technology is available to anyone wether they know
what to do with it or not
wether they want to express anything or not
one of the great composers of this century(cage)stressed the purposlesness of
music
i dont agree with that totally since im of the opinion that everything is
music(including if it has purpose/intention or not)

lastly, even though i put alot of time into physical mastery of whatever
instrument(s)i play i look forward to the day where the physical medium will
not be a middle man
a tough one at that

rodrigo

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I seem to remember a quote from Miles to the effect that listening to 
new music kept him young.

From Loopers-Delight-request@annihilist.com  Tue Feb  2 23:11:35 1999
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From: Chris Muir <cbm@well.com>
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At 9:37 PM -0500 2/2/99, Kriist@aol.com wrote:
> I have no idea who this Teo guy is but after reading a few comments on this
> interview(which i havent read as well) i figured i should throw in my 2cents.

Just so long as you have an informed opinion...


> I am of the opinion that music=art and art=life so that anything is art
> some 'musicians' tend to look upon 'knobtwiddlers' as something below them
> because its......easy?!
> so i would make a better trumpet player than Miles because i would struggle to
> get a sound of the thing where as he would ever-so-easily blow away anything
> that came to mind

It's not that the physical act of making music might be hard, it's more like: in the act of learning a craft, your relationship to what you're learning changes. People hear differently, and think differently, after working towards learning composition or an instrument. 

On the "anything is art" front, I contend that intent is _all_ that matters. For example, is a urinal art? Not in its native state, perhaps, but turned upside down and signed it suddenly acquires meaning beyond its mere form.


> i find it beautiful that technology is available to anyone wether they know
> what to do with it or not
> wether they want to express anything or not
> one of the great composers of this century(cage)stressed the purposlesness of
> music
> i dont agree with that totally since im of the opinion that everything is
> music(including if it has purpose/intention or not)

While I have long been saddened that I can't put enough memory in my looper to allow me to perform Cage's 4'33", I no longer subscribe to the theory that everything is music. I think music can be made out of just about anything, but there has to be a musicians or composers intent to frame it and impart meaning.


Chris 
____________________________________________________________
Chris Muir     |     cbm@well.com      |     got moloko?

From Loopers-Delight-request@annihilist.com  Tue Feb  2 23:42:44 1999
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In a message dated 2/3/99 4:14:05 AM !!!First Boot!!!, cbm@well.com writes:

> At 9:37 PM -0500 2/2/99, Kriist@aol.com wrote:
>  > I have no idea who this Teo guy is but after reading a few comments on 
> this
>  > interview(which i havent read as well) i figured i should throw in my 
> 2cents.
>  
>  Just so long as you have an informed opinion...

that just flows beautifully, i had to laugh out loud  

>  > I am of the opinion that music=art and art=life so that anything is art
>  > some 'musicians' tend to look upon 'knobtwiddlers' as something below
them
>  > because its......easy?!
>  > so i would make a better trumpet player than Miles because i would 
> struggle to
>  > get a sound of the thing where as he would ever-so-easily blow away 
> anything
>  > that came to mind
>  
>  It's not that the physical act of making music might be hard, it's more
like:
>  in the act of learning a craft, your relationship to what you're learning 
> changes. People hear differently, and think differently, after working 
> towards learning composition or an instrument. 

this raises the eno question, is music(art)an art or a craft, or both, if so
are they intertwined or completely autonomous
this is preciselly why i go with the life=art thing, it leaves that elbow room

>  On the "anything is art" front, I contend that intent is _all_ that
matters. 
> For example, is a urinal art? Not in its native state, perhaps, but turned 
> upside down and signed it suddenly acquires meaning beyond its mere form.

this takes away from the beauty or nature and/or found art(i use these terms
in the context of what you use them)
does someone need to give a sunset a name as a composition for me to sit back
and say that its art 

>  
>  > i find it beautiful that technology is available to anyone wether they 
> know
>  > what to do with it or not
>  > wether they want to express anything or not
>  > one of the great composers of this century(cage)stressed the
purposlesness 
> of
>  > music
>  > i dont agree with that totally since im of the opinion that everything is
>  > music(including if it has purpose/intention or not)
>  
>  While I have long been saddened that I can't put enough memory in my looper
> to allow me to perform Cage's 4'33", I no longer subscribe to the theory
that 
> everything is music. I think music can be made out of just about anything, 
> but there has to be a musicians or composers intent to frame it and impart 
> meaning.

i do agree that some art can be appreciated more effectively if intention is
introduced(as in a shoenberg , a pollack, or a babbit)but does it make a
difference if the artist intened what you got out of a work
i read a duchamp essay where he talked about the artistic coefficient(i think
that was the term)where he said with every work of art there is the unintended
that is interpreted and the intended which is not interpreted
i think that adds the personal beauty to art


rodrigo

and on a lighter note i just got my LD2 cd today and its good
i have to say that:
electric bird noise, keenan, siobhan, fingerpaint, well, hell all of them
really blew me away
keep up the great work

and again im am gratefull for this medium(mailing list)to communicate with
these artists

From Loopers-Delight-request@annihilist.com  Tue Feb  2 23:51:49 1999
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>While I have long been saddened that I can't put enough memory in my
>looper to allow me to perform Cage's 4'33", I no longer subscribe to the
>theory that everything is music....

I played this piece many times with my Echoplex before I sold it.  Now that
it's gone, I play it even better....


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I just read Jim Lanpheer's post and wanted to comment. I can relate to
many of the things he pointed out- I am a "bedroom musician" and know
that the times I play with others are generally the most exciting,
challenging, thought provoking, and satisfying.
I just got back from a local music store and I bought a Buddha Zen
distortion pedal for my girlfriend- I was excited about the fact it uses
tubes etc. so I ran out to get it- well, I have 6 guitars here and have
been playing with it for awhile- trying this combination and that one
etc.
Now- I am taking a break because after a little while it just got dry-
riffing over and over just to hear the different tones- necessary but
dry-
I think playing with others- and especially listening to what they are
playing, i.e. saying- is the beginning of musical communication- it
becomes an exchange between two persons, and when both are listening and
allowing room for the other to speak, it can be like a conversation- a
dynamic connected string of events wherein you voice opinions, hear
opinions, ask questions, get answers, become inspired, become
confusedetc on and on- a process can take place where the result is
bigger than the individual parts.
This is such good timing for me- I am waiting for my EDP to arrive and
getting my own gear together but do not have people I regularly play
with- I begin to see how crucial it is- even in a sampling or other
environment. It seems important to stop and create from your heart and
not always from your head- I know I get wrapped up in gear to the hilt
sometimes- but it is great to hear someone else's perspective and to
look at what you are doing from a fresh angle.
I am just writing from the top of my head so bear with me-
I also very much agree with the point that starting with an inspiration
and going through the process of realizing it is invaluable. To have an
idea about a certain sound you want- or a certain riff or effect- and to
work at it and find a way to make what is in your mind a reality- it is
something everyone should try at least once.
I , for example had an inspiration at a show once- i wanted to find a
way to go from a clean guitar sound and swell into a distorted one
without having the volume go through the roof- I drew diagrams of dual
amp setups and had an idea for a distortion pot rigged to a foot pedal
like a wah etc. Then a friend just said- "Hey, just get a new multi
effect unit and assign the expression pedal to the gain setting in the
distortion- " Well, shit! I was glad to hear that but I really enjoyed
trying to figure out how to do it- I started with the sound in my mind
and worked at it- it was great- I have yet to actually make it a reality
but when I do it will be great-
It makes me think of Trilok Gurtru- he worked for 10 years or so to get
those custom drums of his designed and perfected- and they are great!

I gotta stop rambling- sorry for the incongruities-

Cliff

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> >
> >-- He also makes a somewhat alarmingly high number of 
> >critical comments
> >about the modern electronic movement, and sample-based music in
> >particular, chastising it for lacking musicality and emotion.  My
> >reaction was one of reading an old man lamenting the fact that "these
> >kids today just don't do it the *right* way -- like *we* 
> >used to waaaaay
> >back when."  
> >


The most difficult thing in grasping what Teo is talking about is
exactly who the "They" is when he makes comments.

On the surface you have implied that Teo is referring to the modern
electronic movement, and sample based music, but I could see no clear
reference to this.
Teo was rambling on in some sort of context, and my guess is that it was
a context based upon his personal experiences, to do with the big record
companies like CBS, and being closely involved with the studio world in
one particular section of the industry.

He sounds like he feels as if he is no longer needed, or that he no
longer has a place where he used to.
And I think that is a shame. But it happens, and he also seems to be
carrying on by himself regardless. It doesn't sound like he is giving
up. And why does being eccentric equal being nuts? A bit of respect
please. And how many of us could have any idea what he is talking about.
Not many I bet.

Anyway.. i was interested in hearing about some of his methods and
techniques, like his method of using multiple mixes and treating them
differently and remixing them. I was thinking of something similar the
other day, when I was figuring out what the "enhancer" control on my
Joemeek VC6 did. I was thinking what would happen if you took your
signal, split it through a multiple array of notch band EQ's, tweaked
the signals and remixed them with the original. I don't have enough EQ
power to do this, but it would be cool to try.

 
JL

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From: Michael Peters <mpeters@csi.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: AW: *Echovirus* Blindfold OneofaKind remix
Date: Wed, 3 Feb 1999 08:13:38 +0100
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> >        The track is available in CD-quality mp3 downloadable form at
> >http://www.mp3.com/evirus -- checkit out, and let me know what you think . . .
> >
> 
> I've listened to this track a few times now and want to encourage everyone
> to go give this a listen. Very nicely crafted trip-hop/ambient dub. 

yes, I second that!


*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://ourworld.compuserve.com/homepages/Mpeters




From Loopers-Delight-request@annihilist.com  Wed Feb  3 02:37:42 1999
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Date: Wed, 3 Feb 1999 00:34:36 -0700
To: Loopers-Delight@annihilist.com
From: Edwin Hurwitz <edwin@indra.com>
Subject: Re: Teo Macero "Modulations" Interview online
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Well, what seems to be escaping Mr Macero, is that there has been drivel
produced along with the good stuff as long as there has been people making
music. I wouldn't take it all that seriously.

Edwin
Who has a LOT  of respect for Mr Macero's work.

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin


From Loopers-Delight-request@annihilist.com  Wed Feb  3 03:16:34 1999
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From: james rhodes <sharkey@texas.net>
Subject: Stick(& loops) live on the internet/radio 2/4/99 San Antonio
  KSYM 90.1
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Hello fello listmembers,

wanted to take a moment to plug a radio show ,which will feature solo stick
(not without a loop or two) broadcast Live:
on KSYM 90.1 San Antonio and simulcast on ,,,,
http://www.accd.edu/sac/rtf/ksym.htm

i will probably start around 10:00pm CST,,,and only play for 15 min or so.
if you have the time,,,i invite you to please give it a listen (Thurs 4 Feb
10:00pm CST)

thanks,
james

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Date: Wed, 03 Feb 1999 01:38:40 +0000
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If you performed Cage's 4'33" at a faster tempo you might be able to fit 
it into your looper;)

Colin|niloC

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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: Colin Jenkinson <jeancolin@earthlink.net>, Loopers-Delight@annihilist.com
Subject: Aging and remaining open
Date: Wed, 3 Feb 1999 09:01:52 -0500 
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Great question!

I guess it could help for older people to keep an ongoing and active
involvement in their lives with younger people.  Maybe that way the older
and younger people can each offer something to the other.

David Kirkdorffer
UNDO


> -----Original Message-----
> From:	Colin Jenkinson [SMTP:jeancolin@earthlink.net]
> Sent:	Tuesday, February 02, 1999 7:42 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: Teo Macero "Modulations" Interview online
> 
> How do we stop ourselves from getting the same attitude as we grow 
> older?
> 
> Colin Jenkinson age 32                    |                    23 ega
> nosnikneJ niloC

From Loopers-Delight-request@annihilist.com  Wed Feb  3 09:40:57 1999
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From: Lorenz Haeusle <lorenz@ganymed.org>
Subject: effects - not loop-related
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hi, all out there

just took a look at the this site:

http://members.aol.com/AnalogMike/zvex.htm

it's about z-vex stomp boxes. has anybody some experience with these
neat-looking-little things? how do they sound?

any comments?

lorenz

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In a message dated 2/3/99 12:39:41 PM Mid-Atlantic Standard Time,
DKirkdorffer@exapps.com writes:

<< 
 I guess it could help for older people to keep an ongoing and active
 involvement in their lives with younger people.  Maybe that way the older
 and younger people can each offer something to the other.
  >>
i know that having children makes this so.....last nite i had my 14 month old
grandson, miles by the way up in my "studio".......his playing was a bit wild
and crazy......he will teach me a few good riffs im sure!.........michael

From Loopers-Delight-request@annihilist.com  Wed Feb  3 10:49:54 1999
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bummer

sorry to hear that, Tara... i read about you in the voice last year, and
haven't seen ya play yet, but know the pain of losing gear!!! dammit! hang
in there and see it as a fresh start...i know it's harsh, but you still
your your hands, ears and brain.... take some deep breaths and keep up the
good work . 

i'm SURE you've thought of this- but perhaps you should inform
www.roguemusic.com - and other nyc net - gear sellers they can also prob
help you find new stuff...and look out for yours....

a pox on theives

andre'

From Loopers-Delight-request@annihilist.com  Wed Feb  3 11:23:36 1999
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As I understand it from several folks I've spoken to that know Teo as well as
other people involved in a pretty exhaustive cataloging of Miles' music, Teo
hates the Laswell remixes, is pissed that his remix of the previously
unreleased music from the play "Time of the Barracudas" was turned down for
inclusion on the Columbia Miles/Gil Evans box, and is a little sour that he's
not being given more credit for being the creative force behind Miles' late
60's-early 70's studio pastiche-based works. (Supposedly Miles was virtually
never even in the studio for those mixing sessions, although he claimed
otherwise - most of the witnesses support Teo's side from what I understand).
I think you definitely have to give credit where credit is due - samplers
today owe a huge debt to his legacy.  Do you have to share his opinions of the
current state of sampling?  Of course not.  If you're serious about it, I
wouild listen to them though, because somewhere in there are more than a few
nuggets of wisdom to learn from.

>2.  I don't put Teo in genius category, but he did do a good job of
>implementing Miles' ideas.  No Miles, no Teo, IMHO.

If Miles had started his career with "Silent Way"  I'd say there was some
basis for this argument, but short of ignoring the 20 year revolutionary
legacy of recordings he made before that, especially those with Rudy Van
Gelder producing, I'd say it's way off the mark.  Although Teo did some great
work on those 67-74 Miles recordings, his tape edits on Mingus' "Mingus Ah Um"
and "Tijuana Moods" are laughably obtrusive.  Ever see the movie "Straight No
Chaser" where Monk chews him out in the studio?  But, those are easy things to
say in retrospect.  Bottom line, for me: he was there in the trenches when the
techniques were being developed, some of it was a mess and some was dead on,
but his work and battle stories are worth checking out if you're interested in
that kind of thing.  Anyone who had to hang out with Monk, Mingus and Miles in
the capacity he did certainly had to have balls of cast iron, I can imagine
how guys like Puff Daddy must look to him.

That period of Miles ('67-'74) is some of my favorite music ever made, and I
vastly prefer Teo's original mixes to the Laswell remixes, mostly because
Laswell tries to smooth over too many of the rough edges and reinvent it as
sort of a quasi-ambient trip, although I dig that he brought the bass out more
front-and-center.

Ken R

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Just a few minutes ago I wrote:

>Although Teo did some great work on those 67-74 Miles recordings, his tape
edits >on Mingus' "Mingus Ah Um" and "Tijuana Moods" are laughably obtrusive. 

I just realized that those were not his extremely lame tape edits on "Tijuana
Moods", but someone else's.  Even so, I thought his work with Mingus was kind
of awkward, as on "Ah Um" and "Let My Children Hear Music" and it may have as
much to do with Mingus as Teo, but my point was - everything Teo touched in
this regard was not necessarily gold, with all due respect to his other
groundbreaking collaborations.

Ken R

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To: Loopers-Delight@annihilist.com
From: improv@peak.org (Dave Trenkel)
Subject: Re: Teo Macero "Modulations" Interview online
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Kriist@aol.com writes:
>I have no idea who this Teo guy is but after reading a few comments on this
>interview(which i havent read as well) i figured i should throw in my 2cents.
>
>I am of the opinion that music=art and art=life so that anything is art
>some 'musicians' tend to look upon 'knobtwiddlers' as something below them
>because its......easy?!
>so i would make a better trumpet player than Miles because i would struggle to
>get a sound of the thing where as he would ever-so-easily blow away anything
>that came to mind
>
It's clear that you haven't listened to Miles, he had some pretty clear
limitations on his instrument. It was the way he worked around them that
gave his music its depth, unlike, say, Maynard Ferguson or Wynton Marsalis.



________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


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Dave Trenkel wrote:
> 
> Kriist@aol.com writes:
> >I have no idea who this Teo guy is but after reading a few comments on this
> >interview(which i havent read as well) i figured i should throw in my 2cents.

I just joined this list, so I don't know whether this was already discussed:

Macero's production work with Miles is well worth checking out--his editing
and post-production effects attracted considerable negative attention from the
late '60's and early '70's jazz press and from the jazz musicians of that
period. Both Miles and Macero were very interested in Stockhausen, Partch, and
Cage at the time, but even those jazz people who had rightfully considered
jazz to historically have been at the forefront of the avant garde were
offended by what they saw as the "artifice" of tape manipulation, thus showing
the latent conservatism of thought regarding the "traditional" elements of
jazz: i.e, the authenticity of the "live" performance. Of course, we can see
that it was hypocritical of the jazzers to descry the elevation of the
engineer/producer and the "artifice" of manipulation while accepting the
disembodied/time-traveling aspect of sound recording as being somehow more
"natural." Gotta go.
--MHL.

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Date: Wed, 03 Feb 1999 13:01:55 -0500
To: Loopers-Delight@annihilist.com
From: kevin miller <km15@cornell.edu>
Subject: Re: Teo Macero "Modulations" Interview online
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Miles, he had some pretty clear
>limitations on his instrument. It was the way he worked around them that
>gave his music its depth, unlike, say, Maynard Ferguson or Wynton Marsalis.

      Yes, and the fact that his tone was so incredible and unique. Whether
the harmon mute was used or not, he exploited that smoky blue tone to all
our benefit. As Gil Evans said, "Miles changed the tone of the trumpet." 

    On the subject of looping, I was wondering if anyone who is represented
on LD CD#2 thought that their piece sounded different than the DAT they
originally sent out? Mine was slowed down and is a full step lower than the
original. It seems to crawl along at a snail's pace compared to what I was
used to hearing. If anyone gives a rat's patooter, I'd be happy to mail
them a copy of the proper version free of charge.

    Kevin 

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Date: Wed, 03 Feb 1999 10:26:33 -0800
From: scott kungha drengsen <kungha@earthlink.net>
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Hate to momentarily interupt this thread,but,could someone please post
Alto Music's phone #. My much awaited 'plex arrived in "not-working"
condition.:-( Sure it's not their fault,just want to get one that
works.:-)    scott

From Loopers-Delight-request@annihilist.com  Wed Feb  3 13:42:15 1999
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scott kungha drengsen wrote:

> Hate to momentarily interupt this thread,but,could someone please post
> Alto Music's phone #. My much awaited 'plex arrived in "not-working"
> condition.:-( Sure it's not their fault,just want to get one that
> works.:-)    scott

914.692.6922



From Loopers-Delight-request@annihilist.com  Wed Feb  3 13:57:09 1999
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Actually,I won't need the #. Gibson has been very helpful:-) and since
they're back ordered 3-months on  Echoplexii.  I'll be fixing it here in
California.        Thanks Everybody!!!

From Loopers-Delight-request@annihilist.com  Wed Feb  3 14:04:28 1999
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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
Message-Id: <199902031854.KAA22496@waynesworld.ucsd.edu>
Subject: Re: Teo Macero "Modulations" Interview online
To: Loopers-Delight@annihilist.com
Date: Wed, 3 Feb 1999 10:54:45 -0800 (PST)
In-Reply-To: <v01510100b2dd81b9d29b@[198.68.22.195]> from "Dave Trenkel" at Feb 3, 99 09:15:49 am
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> It's clear that you haven't listened to Miles, he had some pretty clear
> limitations on his instrument. It was the way he worked around them that
> gave his music its depth, unlike, say, Maynard Ferguson or Wynton Marsalis.

As an owner of 20+ CDs featuring Miles (I have to stop counting after the
three boxed sets I own, not to mention all the cassettes I bought before
I got a CD player), Miles' "limitations" on trumpet have never been clear
to me.  All I can hear is a man who played a lot of great music.

Perhaps it is because I have no background in brass instruments.

Cheers,
Paolo 

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From: "earthblind, starbound" <leper@mindspring.com>
Subject: Re: Loopers-Delight-d Digest V99 #49
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>> >        The track is available in CD-quality mp3 downloadable form at
>> >http://www.mp3.com/evirus -- checkit out, and let me know what you think . . .

I tried to download this, but when i clicked on the whatever.mp3 file
(forgive me, it's been a while) with GetRight to download it, it downloaded
a several kilobyte size file that, well, wasn't an mp3.  Can anyone clue
me in to what wacky stuff mp3.com does with its server?
-- 
*Consider yourself warned.* -- Grendel (Industrial/Electronic Prog):
 http://www.geocities.com/SoHo/Atrium/4664/grendel.html
 Against a Sickness: http://www.geocities.com/SoHo/Atrium/4664

From Loopers-Delight-request@annihilist.com  Wed Feb  3 14:58:00 1999
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I just got a GP and have a question for fellow users. I've got a Jamman 
in the Fx loop and noticed a peculiar thing which has now become an 
annoying thing. How the heck can the volume of my guitar affect the 
volume of my JM once it is playing a loop. I do not understand this. 
Both the volume on my guitar and volume pedal control the JM's output 
once it is looping. I understand it is not actually controlling the 
output, but I guess what is happening is that somehow the preamp is 
being affected my volume settings. What is doing this and how do I stop 
it? 
Thank in advance,
-Dennis


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Hi Dennis!

Dennis wrote:

>I just got a GP and have a question for fellow users. I've got a Jamman 
>in the Fx loop and noticed a peculiar thing which has now become an 
>annoying thing. How the heck can the volume of my guitar affect the 
>volume of my JM once it is playing a loop. 

I had this problem at first, and it is certainly a disturbing thing to
hear, although it CAN be kind of cool in some ways- like a mondo ducking
delay! 

Try turning off your noise suppressor, and see if it still gives you
problems.  My guess is that you have the NS AFTER the send/return.  Simply
moving the NS to before the send/return ought to fix things.  If you prefer
the NS after the s/r, set the NS input to something OTHER than "guitar".

Hope this helps!

Jeff




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From: Robert Switzer <rswitzer@721.com>
Subject: Re: Loopers-Delight-d Digest V99 #49
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At 01:48 PM 2/3/99 -0500, you wrote:
>>> >        The track is available in CD-quality mp3 downloadable form at
>>> >http://www.mp3.com/evirus -- checkit out, and let me know what you
think . . .
>
>I tried to download this, but when i clicked on the whatever.mp3 file
>(forgive me, it's been a while) with GetRight to download it, it downloaded
>a several kilobyte size file that, well, wasn't an mp3.  Can anyone clue
>me in to what wacky stuff mp3.com does with its server?
>-- 

mp3.com has a system in place that uses .cgi scripts to tally the downloads,
so if you right-click (on Windows/Netscape) on the link to save-as, you
wind up with the script 
rather than the actual *.mp3. If there is a right-click equivalent in Mac
land, I'm assuming the results would be the same. 

On this site, you have to actually double-click the link to 
initiate a download, and even then, sometimes it doesn't work -- the file
becomes corrupt, and
fails to load properly.

Thanks for the interest, BTW . . .

rob switzer
echovirus

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>I just got a GP and have a question for fellow users. I've got a Jamman 
>in the Fx loop and noticed a peculiar thing which has now become an 
>annoying thing. How the heck can the volume of my guitar affect the 
>volume of my JM once it is playing a loop


I don't have to have anything coming out of the guitar, all I have to do 
is turn down the volume knob or pedal. If someone were to tell me that 
they were having this problem I would say they are confused, that it was 
not possible. If I move the Jamman through the chain not all positions 
will produce this effect, but the fact that it will do it at all is 
beyond me.

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Date: Wed, 03 Feb 1999 16:37:45 -0500
To: Loopers-Delight@annihilist.com
From: Robert Switzer <rswitzer@721.com>
Subject: Re: *Echovirus* Blindfold OneofaKind remix
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At 05:07 PM 2/2/99 +0200, you wrote:
>On 1/25/99 Rob Switzer echoed:

>
>I've listened to this track a few times now and want to encourage everyone
>to go give this a listen. Very nicely crafted trip-hop/ambient dub. I
>suspect that the guitar bursts I hear are samples from Ed Chang?

Yes -- the guitar solo is de(re)constructed Ed.  The bass sound was also
derived from Ed's guitar.

>
>Rob has created a great swirling undercurrent that is deftly mixed. When
>the base rests, I'm really intrigued by what is going on underneath. 

Many of the background textures are derived from Ed's various clarinet
solos, pitch shifted/doubled, (spatially) processed with the Audiomulch
s-spat tool, and looped.

>It has my wife dancing in the kitchen as I type this.

. . . good!  That's what I had in mind when I put it together :-).

From Loopers-Delight-request@annihilist.com  Wed Feb  3 16:46:59 1999
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Date: Wed, 3 Feb 1999 13:46:32 -0800
To: Loopers-Delight@annihilist.com
From: improv@peak.org (Dave Trenkel)
Subject: Re: Teo Macero "Modulations" Interview online
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>    On the subject of looping, I was wondering if anyone who is represented
>on LD CD#2 thought that their piece sounded different than the DAT they
>originally sent out? Mine was slowed down and is a full step lower than the
>original. It seems to crawl along at a snail's pace compared to what I was
>used to hearing. If anyone gives a rat's patooter, I'd be happy to mail
>them a copy of the proper version free of charge.
>
Just a thought, not having heard the LD CD yet, but could your original DAT
been at 48K? Transferring a 48k tape at 44.1 usually gives that effect,
tuning it down around a whole step. I do DAT to CD almost everyday, and I
screwed up on this on a clients CD yesterday. It's can be pretty easy to
miss if the person doing the transfer doesn't know the material.

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


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In a message dated 2/2/99 6:02:10 PM Central Standard Time, jlanphe@uswest.com
writes:

<< We've got umpteen choices, reverb, loopage,
 sampling, etc. etc.  All you need is a little $$ and voila!, you're a
 "musician".  But WHAT DO YOU WANT TO DO?  WHAT do you want to express?  >>

That's a great point... I like how Geddy Lee referred to it in an interview
from the "power windows" era - "option anxiety". You get so hung up on what
box to use that you lose sight of why you're there in the first place.....

 <<In this era of the "bedroom musician", precious little
 DesertIslandDisc stuff comes out of a single bedroom.  >>

True, but I have to share one - "Bundle of Joy" by Land of the Loops. It's
certainly one of my d.i.d.'s, and it is a one man "bedroom" record. 

- Crossedout@aol.com

From Loopers-Delight-request@annihilist.com  Wed Feb  3 18:50:40 1999
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Date: Wed, 03 Feb 1999 18:42:11 -0500
To: JBKBOUNCE@aol.com, WNGV45A@prodigy.com, etnier@studiodual.com,
        Loopers-Delight@annihilist.com, stickwire-l@netcom.com, rhunt@lr.net,
        rjkoziol@nji.com, DGM@disciplinegm.demon.co.uk, malspal@tka.com
From: Reginald Hunt <rphunt@tiac.net>
Subject: Snow Job 1998
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Just letting y'all know that my web site is now set up for the new "Snow Job
1998" Virtual Album. Better late than never, I guess. There are 4 Xmas songs
posted, featuring on vocals:

Dana Delany
Sara Michelle Gellar
Stephen Hawking
Steve Zodiac


Please pay a visit at www.tiac.net/users/rphunt


Reg

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Date: Wed, 03 Feb 1999 18:50:17 -0800
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Teo Macero "Modulations" Interview online
In-Reply-To: <199902031854.KAA22496@waynesworld.ucsd.edu>
References: <v01510100b2dd81b9d29b@[198.68.22.195]>
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...Miles had some pretty clear
>> limitations on his instrument. It was the way he worked around them that
>> gave his music its depth...

>As an owner of 20+ CDs featuring Miles... All I can hear is a man who
played a lot of great music.

Another example of two apparently contradictory statements which are BOTH
TRUE!

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Date: Wed, 3 Feb 1999 18:41:06 +0200
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From: patrick@his.com (Patrick Smith)
Subject: LD CD Sounds Different?
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snipped from a Teo M. thread....

 On the subject of looping, I was wondering if anyone who is represented
>on LD CD#2 thought that their piece sounded different than the DAT they
>originally sent out? Mine was slowed down and is a full step lower than the
>original. It seems to crawl along at a snail's pace compared to what I was
>used to hearing. If anyone gives a rat's patooter, I'd be happy to mail
>them a copy of the proper version free of charge.

Our cut sounds fine.......

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Wed Feb  3 19:35:42 1999
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Subject: Re: LD CD Sounds Different?
To: Loopers-Delight@annihilist.com, patrick@his.com (Patrick Smith)
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> snipped from a Teo M. thread....

> On the subject of looping, I was wondering if anyone who is represented
>on LD CD#2 thought that their piece sounded different than the DAT they
>originally sent out? Mine was slowed down and is a full step lower than the
>original. It seems to crawl along at a snail's pace compared to what I was
>used to hearing...

Hey! Maybe Teo Macero got hold of it... 

-m


     

From Loopers-Delight-request@annihilist.com  Wed Feb  3 19:35:41 1999
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From: "Darren Blondin" <planetalgon@ttlc.net>
To: <Loopers-Delight@annihilist.com>
Subject: EMU LAUNCHPAD
Date: Wed, 3 Feb 1999 19:31:41 -0500
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This is a multi-part message in MIME format.

------=_NextPart_000_0119_01BE4FAB.D31C4600
Content-Type: text/plain;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

I have some comments to David Kirkdorffer about purchasing midi =
controllers:

The launchpad is a very good controller, but for me it would be much to =
limited. I have often played with it at music stores only to discover =
it's shortcomings. I guess its appeal would be its simplicity, solid =
construction, and built in "keyboard". I recommend checking out the =
Doepfer Regelwerk. It can send virtually any midi command, has 24 =
programmable sliders, a built in analog sequencer (which is great for =
drum n bass sequencing with a sampler), memories, multiple midi =
ins/outs, Roland sync, and even a whole bunch of CV/GATE outputs for =
analog synths. I have version 1.5 which is so far pretty good but it =
still has a few glitches. v1.6 is coming out next month. I upgraded it =
from 1.2 over the internet and blew my own Eprom. Version 2 is suppose =
to blow 1.x out of the water. No exact dates on its release yet. Anyways =
check out Doepfer's midi control boxes. They may not be for the timid =
musician but they are super powerful for the money. I paid only $450 for =
it.

------=_NextPart_000_0119_01BE4FAB.D31C4600
Content-Type: text/html;
	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>I have some comments to David =
Kirkdorffer about=20
purchasing midi controllers:</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>The launchpad is a very good =
controller, but for=20
me it would be much to limited. I have often played with it at music =
stores only=20
to discover it's shortcomings. I guess its appeal would be its =
simplicity, solid=20
construction, and built in &quot;keyboard&quot;. I recommend checking =
out the=20
Doepfer Regelwerk. It can send virtually <U>any</U> midi command, has 24 =

programmable sliders, a built in analog sequencer (which is great for =
drum n=20
bass sequencing with a sampler), memories, multiple midi ins/outs, =
Roland sync,=20
and even a whole bunch of CV/GATE outputs for analog synths. I have =
version 1.5=20
which is so far pretty good but it still has a few glitches. v1.6 is =
coming out=20
next month. I upgraded it from 1.2 over the internet and blew my own =
Eprom.=20
Version 2 is suppose to blow 1.x out of the water. No exact dates on its =
release=20
yet. Anyways check out Doepfer's midi control boxes. They may not be for =
the=20
timid musician but they are super powerful for the money. I paid only =
$450 for=20
it.</FONT></DIV></BODY></HTML>

------=_NextPart_000_0119_01BE4FAB.D31C4600--

From Loopers-Delight-request@annihilist.com  Wed Feb  3 20:19:11 1999
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From: KRosser414@aol.com
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Date: Wed, 3 Feb 1999 20:14:02 EST
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>If you performed Cage's 4'33" at a faster tempo you might be able to fit 
>it into your looper;)

As a testament to Cage's sense of humor, 4'33" was originally scored in three
movements, so with slight pauses between them it actually takes longer than
4'33" to perform.

Unless you rush, that is....

Ken R

From Loopers-Delight-request@annihilist.com  Wed Feb  3 21:34:55 1999
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From: bryan.helm@dinosaur.com
Message-ID: <9902031908.0QVX201@dinosaur.com>
Organization: The Dinosaur Board
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Date: Wed, 03 Feb 99 19:08:19 -0700
Subject: tsk,tsk Teo
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For those who haven't seen it, the exchange between Monk and Teo
in "Straight No Chaser" revolves around Monk asking for a playback
of a number he and his group had just played only to be informed by
Teo that the tape wasn't rolling, much to Monk's dismay Teo informs
him that he thought they were only practicing.Monk goes on to explain
why that was not a good thought for him to have had at the time.

                           Bryan Helm

From Loopers-Delight-request@annihilist.com  Wed Feb  3 22:06:02 1999
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From: Dpcoffin@aol.com
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Date: Wed, 3 Feb 1999 21:49:14 EST
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Brief commercial interlude:
Gotta Zoom 508 gathering dust around here...for $50 I'll ship it anywhere in
the 48 contiguous...(btw, also selling a ZVex Machine pedal for $225 +)
David Coffin
800-283-7252, ext 518 
dcoffin@taunton.com

From Loopers-Delight-request@annihilist.com  Wed Feb  3 23:08:54 1999
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In a message dated 2/3/99 8:20:42 PM Eastern Standard Time, KRosser414@aol.com
writes:

> >If you performed Cage's 4'33" at a faster tempo you might be able to fit 
>  >it into your looper;)
>  
>  As a testament to Cage's sense of humor, 4'33" was originally scored in 
> three
>  movements, so with slight pauses between them it actually takes longer than
>  4'33" to perform.

I know it was scored for piano, but if anyone has transcribed this for guitar
(in tab, of course) please send it my way.
Jody

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From: improv@peak.org (Dave Trenkel)
Subject: Re: 4'33"
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>>If you performed Cage's 4'33" at a faster tempo you might be able to fit
>>it into your looper;)
>
>As a testament to Cage's sense of humor, 4'33" was originally scored in three
>movements, so with slight pauses between them it actually takes longer than
>4'33" to perform.
>
>Unless you rush, that is....
>
>Ken R

I've played it on my 32 sec. JamMan before, by syncing it to a MIDI clock
at 113.75 bpm, looping 16 beats and letting it play 9 times. OK, I really
haven't played it, but I could if I wanted to. Of course, if I wanted to do
all 3 movements, I'd have to work out a tempo map to fit all 3 movements.

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


From Loopers-Delight-request@annihilist.com  Wed Feb  3 23:21:10 1999
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From: Scoo8 <scoo8@home.com>
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Organization: inside.project    http://listen.to/ourbeats
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Subject: WTB (want to buy) almost any type of audio equipment in s/w Ontario
References: <199901221402.JAA29520@badboy.micro.lucent.com>
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just like the subject says.. mostly DJ equipment especially turntables.. echo boxes, samplers.

sorry if this is off topic for the list but i think its pretty "on topic" :)

 good luck in everyones audio adventures.. automatic audio-magic

http://listen.to/ourbeats

From Loopers-Delight-request@annihilist.com  Thu Feb  4 00:01:42 1999
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From: "Jack and Luci" <jacklu@ozemail.com.au>
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Subject: Re: 4'33"
Date: Thu, 4 Feb 1999 15:56:31 +1100
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>>>If you performed Cage's 4'33" at a faster tempo you might be able to fit
>>>it into your looper;)

There is a quite simple reason why you could never play Cage's 4'33" into a
looper (whether it be an Echoplex or a Jamman)......These units fit into a
19 inch rack, while Cage's ditty measures a whopping 4 metres and 33
centimetres...   :~)


From Loopers-Delight-request@annihilist.com  Thu Feb  4 01:13:30 1999
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Date: Wed, 03 Feb 1999 19:07:34 -0800
From: Clifford Novey <clifsound@earthlink.net>
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Scott wrote:

Actually,I won't need the #. Gibson has been very helpful:-)
and since
they're back ordered 3-months on  Echoplexii.  I'll be fixing
it here in
California.        Thanks Everybody!!!

You are joking, right? I got an e-mail from EDP customer support saying
2 to 3 weeks!
Please tell me that was a type-o!!

Cliff


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To: "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
Subject: [Fwd: NAMM Oddities '99]
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This is a multi-part message in MIME format.

--------------7FDC7F0914CD
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The following is from Stickest, techno-looper Barry Wood.

--------------7FDC7F0914CD
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Received: from otheroom.com ([209.60.128.21])
	by toucan.prod.itd.earthlink.net (8.8.7/8.8.5) with SMTP id XAA08619;
	Wed, 3 Feb 1999 23:32:15 -0800 (PST)
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Date: Wed, 3 Feb 1999 23:31:46 -0800
To: Alex Cima <alex_cima@earthlink.net>,
        Arjen van der Schoot <ease@knoware.nl>,
        Casey Arrillaga <kcstick@qnet.com>,
        Colin Jenkinson <jeancolin@earthlink.net>, wavedave@earthlink.net,
        Duke Gibson <dukeman@earthlink.net>,
        Evan Schiller <PeriscopeR@aol.com>,
        Evan Evans <evanevans@e3productions.com>,
        Everett Carroll <saxman@linkline.com>, Geoff Olsen <go@brats.com>,
        Paul Hightower <studioh@best.com>, James Steele <qsystems@znet.com>,
        Joe Aiello <jaiello655@aol.com>,
        Kevin & Laura Weed <ldyviviann@aol.com>,
        Larry Tuttle <lstuttle@ix.netcom.com>,
        Lou Savage <bighousemusic@tpn.com>, 103275.2072@compuserve.com,
        "Mark @ Abacab" <abacabaudio@earthlink.net>,
        Paul McIntire <fiddlist@earthlink.net>,
        Radames & Rina <creature@eudoramail.com>, Scott Meldrum <plus@ioc.net>,
        Steve Kruse <stevekruse@earthlink.net>, SGCompose@aol.com,
        Tim Horrigan <thisboy@fea.net>,
        Thomas Phillips <Thomas_Phillips@compuware.com>,
        Tom Ross <studiosix@home.com>
From: Barry Wood <barry@otheroom.com>
Subject: NAMM Oddities '99
X-UIDL: 4338f0f23ef1b4c10f48fffc7a058960
X-Mozilla-Status: 0001

The NAMM Oddities web pages have been updated with all the new obscure
stuff from the recent NAMM show in LA.

Feel free to pass the URL on to any musicians or relevant lists, this is
meant to give the people who didn't get to NAMM a chance to see things they
might not ever hear about.

http://www.otheroom.com/namm

enjoy!

_______________________________________________________________________
Barry Wood           ICQ #5889688             mailto:barry@otheroom.com
The Other Room   Mastering & CD manufacturing  http://www.otheroom.com/
Edison Suit   Electronica/rock group    http://www.otheroom.com/edison/





--------------7FDC7F0914CD--


From Loopers-Delight-request@annihilist.com  Thu Feb  4 09:38:26 1999
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Date: Thu, 4 Feb 1999 23:10:56 +0900
To: Loopers-Delight@annihilist.com
From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: 6 Feb Real Video live from Kobe
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Hello friends,

This is our Real Video streaming live information.
We hope you enjoy our streaming.

"Remembering Garcia Lorca"

Streaming URL
http://www.cavestudio.com/xebec_live/

6th Feb '99
PM 7:00 to 9:00 (GMT AM10:00 to 12:00)

Live at XEBEC HALL,Kobe Japan

Francoise Bres (Text,Performance)
Masayuki Sumi (Voice,Dance)
Sunao Inami (Sound Treatment)
Yoshihiro Kawasaki (Voice,Sound Treatment)
Takashi Inagaki (Video works)
Guest: Hiroshi Nakagawa (Bansuri,Voice)

More info contact:
XEBEC HALL
tel + 81 78 303 5600 , fax +81 78 303 5604 Kobe Japan
xebec@xebec.co.jp

CAVE Studio
info@cavestudio.com

  Best Regards

  Sunao Inami


Work
E-mail                          webmaster@cavestudio.com
URL"CAVE Studio"         http://www.cavestudio.com
tel&fax                         +81 794 89 5025 Hyogo,Japan

Home
E-mail                          cave@osk.3web.ne.jp
tel&fax                         +81 794 89 5015 Hyogo,Japan

snail mail address       316 Ohshima
                                    Kuchiyokawa
                                    Miki City
                                    Hyogo
                                    Japan
                                    6730755


From Loopers-Delight-request@annihilist.com  Thu Feb  4 13:04:19 1999
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Date: Fri, 05 Feb 1999 04:32:56 +1100
From: "b.knox" <b.knox@latrobe.edu.au>
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hey all,

it looks as though i finally have the chance to buy a lexicon vortex...
after many years of trauling the second hand market i just gave up and
phoned the lexicon distributor in australia.. seems there was one
left--an ex-demo that wasn't working. fine i say, fix it up and send it
around, um, any idea what you want to charge? oh.. it'll be a good
deal... blah blah blah... the thing arrived yesterday with the nice
hefty tag of

$800

this is apparently the wholesale price from a couple of years ago. it
seems they had to get a part from lexicon.. hmm.. i have read and
drooled about this thing for some time...odd rhythmic echoes...
morphing... effects called bleen and maze and fractal... cool cool
cool... but $800 worth of cool? translating to international monetary
units that's about 400 beers..

and so i ask you, loopers, do i suffer for my art yet again or have the
400 beers (hmm is that a tautology?---hmmm is this irony during a soul
vs box thread?)

this would definitely be box before soul...  i still have not actually
heard the vortex and only have a vague idea of what i would *use* it
for... i already have some rhythmic delay in the boss se50 (it has a
pretty good multitap delay as well as a wild 5-dd2's-in-a-row patch)...
occasionally i like to rhythmically whack away looper-into-delay style
-- then hit bypass to see the twisted skeleton beneath... it would be
*really* nice to be able  to morph to the twisted skeleton or to
something totally different... do you vortex users out there mainly go
looper-into-vortex or vortex-into-looper? do i really need a vortex that
bad?

wo.. sorry about the rant.. brad


From Loopers-Delight-request@annihilist.com  Thu Feb  4 13:38:32 1999
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Date: Thu, 04 Feb 1999 13:26:58 -0500
From: legion <legion@voicenet.com>
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b.knox wrote:
> fine i say, fix it up and send it
> around, um, any idea what you want to charge? oh.. it'll be a good
> deal... blah blah blah... the thing arrived yesterday with the nice
> hefty tag of
> 
> $800
> and so i ask you, loopers, do i suffer for my art yet again or have the
> 400 beers (hmm is that a tautology?---hmmm is this irony during a soul
> vs box thread?)

That is an absurdly high price. Even in AUS dollars. There is a Vortex
forsale this week on the newsgroups for $175 US. I have never *ever*
seen one sell for more than $250 US and that was mint in the box with
all pedals in plastic, manual, etc a few years after the blowout.

A vortex is nice but no where near $800AUS worth of cool IMO. 

Troll Rogue music's web site and other places. I'm sure you can find one
easy enough and at a much better price.





-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Thu Feb  4 15:07:06 1999
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A Vortex for $800 bucks is too high.  You could hire sombody in the US to find
you one, and pay much less i would think.

It is a cool box though.  It's great running a mono source into it...like a
loop...and bring it back into the world in strange stereo.


From Loopers-Delight-request@annihilist.com  Thu Feb  4 15:16:22 1999
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Date: Thu, 04 Feb 1999 14:11:49 -0600
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Lorenz Haeusle wrote:

> hi, all out there
>
> just took a look at the this site:
>
> http://members.aol.com/AnalogMike/zvex.htm
>
> it's about z-vex stomp boxes. has anybody some experience with these
> neat-looking-little things? how do they sound?
>
> any comments?
>
> lorenz

        I've got the "Fuzz Factory" really great dial-up
sustain/feedback and just strange noises!! They have have germanium
resistors and have that original Roger Mayer fuzz face sound!! But they
are on the high end of the sound spectrum. My ADA cab emulator takes
care of this.
        I'm interested in the "Seek-Wah". Torn posted awhile back on
"...Delight", that he was happy with it.
                                                    Good luck, James

From Loopers-Delight-request@annihilist.com  Thu Feb  4 16:10:24 1999
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>> it's about z-vex stomp boxes. has anybody some experience with these
>> neat-looking-little things? how do they sound?
>>
>> any comments?
>>
>> lorenz
>        I'm interested in the "Seek-Wah". Torn posted awhile back on
>"...Delight", that he was happy with it.
>                                                    Good luck, James

the seek wah is _amazing_.  i've never been a wah kinda guy... but this 
can be a real "set and forget" pedal.  or, you can spend days tweeking 
it.  either way, it's fantastic for adding a little animation to an 
otherwise lifeless tone.  low- medium- and high- gain, it works great!

i'm keeping my eyes open for a good price on any of his other pedals.  
i'm really impressed with this little guy.  it's well built, sounds 
great, and looks cool with all those flashing lights.  only bummer is 
that there's no jack for a power supply, but my original 9 volt is still 
going strong.

matt


The price I pay for free, private email is the following commercial 
message...


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Thu Feb  4 19:09:07 1999
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Date: Fri, 05 Feb 1999 00:59:32 +0100
From: Mark Kunzmann <kunmar00@stud.unibas.ch>
Subject: PMC10/GR1 Sysex
To: Loopers Delight <Loopers-Delight@annihilist.com>
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Hope this question isn't too off-topic... :-)
Maybe someone out there could give me a hand with this: I'd like to send
a sysex message from my PMC10 to a Roland GR-1 which would toggle the
local on/off setting. I don't really know too much about sysex stuff, so
any suggestions/comments/help would be greatly appreciated!

Thanks a lot -
Mark

From Loopers-Delight-request@annihilist.com  Thu Feb  4 19:57:26 1999
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From: Hawkeye255@aol.com
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Date: Thu, 4 Feb 1999 19:15:42 EST
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I've bought 2 Vortex's in the last year and paid $175 for one and $200 for the
other.

Hawkeye

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Hello all,

I'm brand new to the list today, and thought I'd de-lurk to ask about 
where I can find an Oberheim Echoplex w/controller. I've searched the 
archive and that doesn't seem to help my efforts.

---//////-------------/////---///////---
Joshua D. Pickenpaugh
Boulder, Colorado, U.S.A.
Bassist, Composer, Teacher
http://welcome.to/kameleyonmusic
-///------///////--------------///////--


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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First of all, Kim, let me apologize for never signing up, but visiting
frequently.  I guess I was too concerned with the possibility of drowning in
email about how cool Robert Fripp is too realize how important to this artform
your information has been.  I have used a pds 8000 for years, and got a jamman
a few years ago as well, and have been trying to find something that bridges
the two.  Checking out the NAMM site a few days ago, I happened upon this:
 
NEW PEDAL FROM AKAI  (AKAI?????)
  
E1 Headrush Tap Delay / Tape Echo Simulator / Looping Recorder
16 bit Digital Delay - Delay time from 0.5ms to 23.8 sec
Tape Echo mode with 4 tape-head parallel outputs for amplifier or mixer
inputs.
Simulates an analog 4-head tape echo machine
Looping Recorder with overdub mode - Powerful tool for solo performances
Max. Recording time is 11.9 sec for loop recording
HEAD GAP adjusts the delay time between the heads
Delay time is from 10ms to 5.9 sec
HF Damp simulates an analog delay sound
Feedback sets the feedback level for repeat times
Ratio allows adjustment of wet and dry mix
Dynamic delay control - sets the delay time by tapping the footswitch twice
True Bypass 

So what do we have here?  A Jamman with a slightly upgraded memory, a high
frequency roll-off, outputting quadrophonically (!), a tap tempo control, and
a knob for modulating delay time while in that mode, providing the often
coveted "speeding up and slowing down" sound of a tape based delay.  All this
is in a pedal . . . selling at a suggested price of $250.  Um, I don't know if
I'm jumping the gun here, but this, quite frankly, seems to be the shit.  Now,
I know you don't have multiple loops, or any of that jazz, but fuckit, no one
but us dweebs use that anyway.  Everyone else wants to solo over their pretty
little loop until they get bored and do another one.  Now they can set the
tempo on the fly without a midi pedal or, as I' ve been doing with the pds,
playing and praying.  Too bad you can't modulate the time of the loop once
it's set, but maybe that's a mod you can figure out and sell.  Anyway, please
add me to your mailing list, drown me in tech speak if you so require, because
at least I won't feel like the weird guy in town anymore . . . also, if you
want, I'll manage a PDS-8000 site on Tools of the Trade (check out my product
review in Harmony Central under Digitech effect pedals), if you can help me
out (i.e. tell me how to do it!)  Thanks a trillion, and as soon as you can
get the echoplex under $600, you've got my business!
SINcerely,
                                                                    Aaron
Solomon Goldsmith
												aaroneous88@hotmail.com
												536 Galen Dr.
												State College, PA, 16803
												(814) 861-5220

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Date: Thu, 4 Feb 1999 17:21:13 -0800 (PST)
From: Bret <echoplex@yahoo.com>
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Joshua,

Call Robbs Music in Boulder, they often have them in stock.  Great to
see another Boulder looper.
bret (in boulder)

---kameleyon  wrote:
>
> Hello all,
> 
> I'm brand new to the list today, and thought I'd de-lurk to ask about 
> where I can find an Oberheim Echoplex w/controller. I've searched the 
> archive and that doesn't seem to help my efforts.
> 
> ---//////-------------/////---///////---
> Joshua D. Pickenpaugh
> Boulder, Colorado, U.S.A.
> Bassist, Composer, Teacher
> http://welcome.to/kameleyonmusic
> -///------///////--------------///////--
> 
> 
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
> 
> 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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If anyone else just received the new Musician's Fiend catalog, have a look
at the  bottom right corner of pg. 49.

It's the Akai E1 Headrush Pedal. MF wants $199.99.

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In a message dated 2/5/99 3:41:41 AM !!!First Boot!!!, tcn62@ici.net writes:

> If anyone else just received the new Musician's Fiend catalog, have a look
>  at the  bottom right corner of pg. 49.
>  
>  It's the Akai E1 Headrush Pedal. MF wants $199.99.
>  
>  
what is the headrush pedal?

rodrigo

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Subject: Punk Jazz?
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im trying to find some artist that are doing out there jazz, preferably on the
really intense/experimental side.
with or without looping really

any recommendations?

thanks in advance

rodrigo

From Loopers-Delight-request@annihilist.com  Thu Feb  4 23:36:16 1999
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b.knox wrote:
> 
> hey all,
> 
> it looks as though i finally have the chance to buy a lexicon vortex...
> after many years of trauling the second hand market i just gave up and
> phoned the lexicon distributor in australia.. seems there was one
> left--an ex-demo that wasn't working. fine i say, fix it up and send it
> around, um, any idea what you want to charge? oh.. it'll be a good
> deal... blah blah blah... the thing arrived yesterday with the nice
> hefty tag of
> 
> $800

sorry to be blunt, but if you spend $800 on a lexicon vortex, you are insane. 
there are so many better ways to spend that kind of money.

look into the new digitech studio quad 4, it's about $399 and offers all kinds of 
esoteric effects, including "time warp" and reverse delays. 

or, if you want to spend $800, get a second hand g-force or MPX-1. these boxes 
are light-years beyond the vortex. 


but it's your money.

From Loopers-Delight-request@annihilist.com  Fri Feb  5 00:03:41 1999
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Date: Thu, 04 Feb 1999 20:59:47 +0000
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Dr. Nerve.

Naked City, or some other John Zorn projects.

Colin|niloC

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I'll second the votes for Doctor Nerve and Nake City. They are exactly what
you're looking for. You could also check out Stull (a shamelss plug--but an
accurate one, considering what you're looking for...). I've emailed you
privately with some more info.
Take care,
Jeff McLeod

At 11:11 PM 2/4/99 EST, you wrote:
>im trying to find some artist that are doing out there jazz, preferably on
the
>really intense/experimental side.
>with or without looping really
>
>any recommendations?
>
>thanks in advance
>
>rodrigo
>
>
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/

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My suggestions,

Anything by Evan Parker, but I find The Evan Parker Electo-Acoustic
Ensemble's "Towards The Margins" to be essential.  Also, any of the Evan
Parker/Lawrence Cassarly collaborations are well worth your time.
 

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chlorine dream wrote:

>
>
> sorry to be blunt, but if you spend $800 on a lexicon vortex, you are insane.

hehe.............. heheee heeeheeeeee haahaaaaaaaaahhhhhhaaaaaaarrrrrrrrrrrrrrhhh
oh..

>
> there are so many better ways to spend that kind of money.

i'm starting to wonder exactly what kind of money we are using down here -- it is
actually made out of plastic so...

>
>
> look into the new digitech studio quad 4, it's about $399 and offers all kinds of
> esoteric effects, including "time warp" and reverse delays.

i have fiddled around a lot with this little device and it seems to do a lot of nice
things-- any parameter can link to one of two LFO's or the envelope---just having
quad inputs and outputs is a huge plus---it lists here at around $1100... it's
actually pretty hard to get a new rack unit for under $600 here... but you're right
-- $800 for a fucked up ex-demo is just plain ludicrous...



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>Call Robbs Music in Boulder, they often have them in stock.  Great to
>see another Boulder looper.
>bret (in boulder)
 
---Hey thanks. I'm playing at the Boulder Theatre Friday night with Fat 
Mama and Ron Miles...no looping, though, just acoustic stuff. I'll be 
playing URB...come check it out, maybe we'll meet then. We should do 
some playing sometime, eh?

l8r


---//////-------------/////---///////---
Joshua D. Pickenpaugh
Boulder, Colorado, U.S.A.
Bassist, Composer, Teacher
http://welcome.to/kameleyonmusic
-///------///////--------------///////--


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
Message-Id: <199902050617.WAA15314@waynesworld.ucsd.edu>
Subject: Re: Punk Jazz?
To: Loopers-Delight@annihilist.com
Date: Thu, 4 Feb 1999 22:17:42 -0800 (PST)
In-Reply-To: <7ce775d5.36ba6f7b@aol.com> from "Kriist@aol.com" at Feb 4, 99 11:11:39 pm
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> im trying to find some artist that are doing out there jazz, preferably on the
> really intense/experimental side.
> with or without looping really
> 
> any recommendations?

Oh my...

These artists are all over the place!  I don't even know where to begin,
other than to quickly jot down some names:

George Lewis (the trombone/computer guy, not the clarinetist)
Anthony Braxton
John Zorn (and practically anything on his various labels such as Avant,
Tzadik, etc.)
Marc Ribot
Dave Douglas
David Torn (solo and countless collaborations)
Splatter Trio
Chris Speed
Squarepusher
Albert Ayler
Eric Dolphy
Ornette Coleman
Derek Bailey
Vijay Iyer
Miroslav Tadic
Tim Berne
Gary Thomas
Steve Coleman
Massacre (Fred Frith/Bill Laswell/some drummer)
Nels Cline
Zussan Fasteau
God knows how many people on this very list! (Stu Liebig, Ken Rosser, 
David Torn, Ed Chang, etc. etc.)
Hundreds more names out there...

Cheers,
Paolo

From Loopers-Delight-request@annihilist.com  Fri Feb  5 01:28:35 1999
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Date: Fri, 05 Feb 1999 00:27:32 -0600
From: Bobdog <psbuddha@texas.net>
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look into daddy monkey. james h sidlo may have something for you soon...

bobdog

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perhaps your future?

> what is the headrush pedal?
>
> rodrigo

woof

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At 7:31 PM 2/3/99, Darren Blondin wrote:

I recommend checking out the Doepfer Regelwerk...I paid only $450 for it.
-------
Hi Darren,

Can you tell me where you bought the Regalwork?

Thanks,
Sanford


From Loopers-Delight-request@annihilist.com  Fri Feb  5 01:39:45 1999
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Date: Thu, 04 Feb 1999 13:55:23 -0600
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From: Keenan Lawler <klaw@pop.iglou.com>
Subject: East Coast tour
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Hi everybody.Trying to arrange a mini tour of east coast week of 14 - 21
.Ill be doing several pieces for bowed & prepared National Steel
gtr,involving looping ,pure tuning& 'punk 'minimalism(my term for it).I
will also be performing as a member of Atacama ,who have a distinctive
spooky gtr sound .- darkly psychedelic stuff .Its a joint tour of  music
from Louisville Ky that doesnt sound anything like Slint. We have a date in
Detroit for fri 19 (radio broadcast) & Sat 20 , & would also love to hook
up with anyone in Boston-Philly-NYC -Providence-Chicago etc. Please email
me if anyone has any ideas / connections .Thanks so much- hope to meet some
of you out there.   Keenan Lawler 

From Loopers-Delight-request@annihilist.com  Fri Feb  5 02:28:52 1999
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Date: Thu, 04 Feb 1999 23:25:34 +0000
From: Colin Jenkinson <jeancolin@earthlink.net>
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How about a Jazz-punk band called "The Dead KennyGees"?

Colin|niloC

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http://www.akai.com/akaipro/namm99.html

Looks quite fun to me....



At 09:11 PM 2/4/99 -0800, you wrote:
>If anyone else just received the new Musician's Fiend catalog, have a look
>at the  bottom right corner of pg. 49.
>
>It's the Akai E1 Headrush Pedal. MF wants $199.99.
>
>
>
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Fri Feb  5 02:45:20 1999
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If you live near NYC, guitarist Dave Fiuczynski has a new project called "Jazz
Punk" which features Tim Lefebvre and Zach Danziger on bass and drums.  I
havent heard them yet, but will soon- they are playing at the Knits "Old
Office" this month- he's there every Monday actually- tho not sure which night
is Jazz Punk. Check Knits web page.  I'm sure the project will live up to the
name.

From Loopers-Delight-request@annihilist.com  Fri Feb  5 06:19:23 1999
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This is a multi-part message in MIME format.

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please add me to your mailing list, thanks,    markcopley@hotmail.com

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From Loopers-Delight-request@annihilist.com  Fri Feb  5 06:24:45 1999
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Date: Fri, 5 Feb 1999 12:24:19 +0000
To: Loopers-Delight@annihilist.com
From: Udo Garritzmann <g-man@luna.nl>
Subject: Re: echoplex 
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Hello Jon,

this is just to inform about my echoplex (switchable to 220 Volt) +
footcontroler order. Counting the days since your last message times about
4 echoplexes a day, I thought by now I should have heard from you. Just to
make sure my order is not forgotten.

Best,

Udo




>     Hello this is Jon from Alto Music. Gibson is  building and sending me
>all the echoplexes they can the same day. They are  overnighting them to
>me at their expense. We are shipping them in order that the  orders were
>received. Thank you for your patience any questions call me 914 692  6922.
>I will be out of town for the NAMM show Jan 28-Feb1. In that time frame
>speak to Gary as I will leave him with all pertinent info. Thanks again
>for your  patience.



From Loopers-Delight-request@annihilist.com  Fri Feb  5 08:11:43 1999
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From: Todd Madson <crash@waste.org>
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No, the Vortex (especially broken) is probably not worth $800.

However, it is a very worthy device and once you get beyond the presets
you can create some really amazing textures.

If you check out:
http://www.waste.org/~crash/asb.html

You'll see a page of various MP3 files I've done.  Check out "1998"
in particular which has lots of Vortex textures, also check out the
tune "aliensporebomb" where all the guitar parts as well as they 
keyboards were processed via vortex.  The guitars some sort of giant
chorusing effect with a distant ambience, the synths a sort of vibrant
leslie'ish sound.  The tune "late nite" has it all over a synth part
and subtly on the clean guitar part.  "Requiem" has a B3-ish part 
processed via vortex, as well as the lead guitar, and the lead synth.
The drums even get processed by vortex in the second part of the tune.
The newest tune "second dance" has all the guitars processed by vortex
as well as a barely audible ambient part.

None of these tunes have much in the way of looping (I have yet to put
some of my loopwerk on the web yet) but the Vortex is my main processor
for a lot of reasons.

It's flexible, does stuff that nothing else does and compared to some of
today's COSM-moded amazo processors still holds up in that textural area.

More on tap tempo delay sequences in a future article.

-t


From Loopers-Delight-request@annihilist.com  Fri Feb  5 09:10:40 1999
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Date: Fri, 05 Feb 1999 08:40:15 -0500
Subject: truncated digests....
From: "jmw/cmu" <evening@SPAMEX.ulster.net>
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>Content-Type: text/plain
>
>Loopers-Delight-d Digest    Volume 99 : Issue 53
>
>Today's Topics:
Hi gang,

Anyone else out there receiving truncated digests?
It doesn't happen every time but every now & then I'll get a digest that
gets cut off.

jmw

From Loopers-Delight-request@annihilist.com  Fri Feb  5 09:13:22 1999
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Date: Fri, 5 Feb 1999 14:58:38 +0100 (CET)
To: Loopers-Delight@annihilist.com
Subject: echoplex
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Hallo out there!

Is there anyone out there who would like to sell his echoplex?

Thanks,

Mike.

From Loopers-Delight-request@annihilist.com  Fri Feb  5 09:37:11 1999
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Date: Fri, 05 Feb 1999 09:27:52 -0500
From: Morgan Lang <mhl21@columbia.edu>
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To the powers that be on this here list:
Is there a "digest" version of this interesting but bulky list? If not, any
plans to make one? 
--MHL.

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Date: Fri, 05 Feb 1999 09:33:02 -0500
From: Morgan Lang <mhl21@columbia.edu>
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I have not recieved ANY digests! Is there a separate subscribe address for the
digest version? I'm wearing out my "delete" key!
--MHL

jmw/cmu wrote:
> 
> >Content-Type: text/plain
> >
> >Loopers-Delight-d Digest    Volume 99 : Issue 53
> >
> >Today's Topics:
> Hi gang,
> 
> Anyone else out there receiving truncated digests?
> It doesn't happen every time but every now & then I'll get a digest that
> gets cut off.
> 
> jmw

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To: Loopers-Delight@annihilist.com, Loopers-Delight@annihilist.com
From: "Michael S. Yoder" <myoder@tamiu.edu>
Subject: Re: Punk Jazz?
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At 11:11 PM 2/4/99 EST, Kriist@aol.com wrote:
>im trying to find some artist that are doing out there jazz, preferably on
the
>really intense/experimental side.
>with or without looping really
>
>any recommendations?
>
>thanks in advance
>
>rodrigo
>
>
Rodrigo,

Would this possibly be for long distance recording (using 4 track Tascam
424 or DAT) that could be done via the U.S. mail?  If so, I'm a bassist and
"looper" into ECM sort-of stuff, and have even been part of CD projects
which involved my involvement from afar.

Contact me if you wish.

Michael
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

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At 07:35 PM 2/4/99 EST, Egold2604@aol.com wrote:
>
>
  I have used a pds 8000 for years . . . also, if you
>want, I'll manage a PDS-8000 site on Tools of the Trade 
>                                                                    Aaron
>

[I have a question re: the PDS 8000, which I, too, have used for years, but
with the following frustration:  in the infinite loop mode, it drifts sharp
until the unit has warmed up for about 2 hours.  Has this been your
experience, too?  When I first bought it brand new, I sent it to Digitech
for warranty work, and their response was something like "well, it must
just be a design flaw.  There's nothing we can do about it."

Now that I have a real job (no longer a starving grad student), I've put my
name and credit card number on the Oberheim Echoplex waiting list.  I guess
by next year I'll have a reliable unit.  And yes, please be encouraged to
"manage a PDS 8000 site on Tools of the Trade," whatever that means (I'm
new to this mailing list, so I still don't have the lingo down yet.)]

Best to all.
Michael.
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

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From: "Michael S. Yoder" <myoder@tamiu.edu>
Subject: Re: Punk Jazz?
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OOOOPPS!!  I misunderstood your message, and thought you were looking to
collaborate with experimental jazz musicians.  

As far as CDs, etc., in addition to those already mentioned in others'
messages, I suggest:

Manu Pekar
Ahmad Mansour
Bill Dixon
Christi (Christy?) Doran
Terje Rypdal (anything of his before 1980)
Eberhard Weber (it's mellow, but experimental, and he's my favourite bassist.
	  He uses looping on "Pendulum")


Best,
Michael.
At 11:11 PM 2/4/99 EST, Kriist@aol.com wrote:
>im trying to find some artist that are doing out there jazz, preferably on
the
>really intense/experimental side.
>with or without looping really
>
>any recommendations?
>
>thanks in advance
>
>rodrigo
>
>
>
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

From Loopers-Delight-request@annihilist.com  Fri Feb  5 10:58:17 1999
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Date: Fri, 05 Feb 1999 07:42:28 PST
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Still need help on this one, let me say what 
I got going on just to clarify things, guitar > volume pedal > Gp > 
Mackie 1202 > Amps etc..
In the FX loop of the GP I've got the Jamman. Here's the confusing part, 
(I've been to a few of the local shops and explained this and had a hard 
time getting this across at first) once I've got something looping, I 
can put the guitar down(not play anything) and everything will be fine, 
the looper just goes on doing it's thing. BUT, if I turn down the volume 
pedal OR the volume knob on my guitar, the looper's volume is also 
lowered. It was suggested that the GP can sense voltage from the guitar 
in which case this might be the culprit. Do you know of this feature? 
Can I turn it off? More weight is given to this theory due to the fact 
that if I place the JM before the preamp section it is not an issue, 
however I run into problems with functionality if I can't loop the 
preamp sounds. For example, being able to layer completely differant 
sound patches. If I remove the JM out of the FX loop and place it after 
the unit all together then I lose all stereo effects being that the 
Jamman is mono. That is one of the things I was excited about regarding 
the GP. I would be able to place the JM after the preamps and speaker 
sims but before the delays and chorus. 
Desperately seeking help
Dennis

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Fri Feb  5 11:01:11 1999
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Subject: FS: JamMan, $450, Sellon upgrade
Date: Fri, 5 Feb 99 09:45:33 -0600
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Yet another of the mythical Sellon upgrades:




Lexicon JamMan $450.00

Asking Price: US$450
Condition: Excellent
Age: 4 years 
Description:

       Lexicon JamMan for sale... Excelent condition w/32 second
       memory upgrade. Im yet another guy who has the Bob Sellon
       custom ROM (uninstalled) and will throw it into the deal
       as well. $450.00 plus shipping in the lower 48...

Seller: Miko Biffle, 831.439.4622
E-mail: mike.biffle@wj.com (Profile)
Location: CAPITOLA, CAJ
Post Date: 2/4/99

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Date: Fri, 05 Feb 1999 10:02:14 -0600
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> Would this possibly be for long distance recording (using 4 track Tascam
> 424 or DAT) that could be done via the U.S. mail?

this sounds like fun.

bobdog


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Date: Fri, 05 Feb 1999 08:47:03 -0800
From: Clifford Novey <clifsound@earthlink.net>
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How about a Jazz-punk band called "The Dead KennyGees"?

Colin|niloC
--------------------------------------------------------------------------------------

I love it!!!

Question: Are Vortex units very available and if so, what is a good
price on a used unit?

Cliff

From Loopers-Delight-request@annihilist.com  Fri Feb  5 12:07:35 1999
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From: "Future Perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: attn: GP-100 users; revision 
Date: Fri, 5 Feb 1999 11:56:20 -0500
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I don't own the GP (yet), but I do use an ART preamp into a Mackie 1202vlz
with an Echoplex...I plug the Echoplex input into Aux send 1 (set to
pre-fader), and the Plex out into a channel on the Mackie..this allows me to
'tap off' a signal from whatever is plugged into the mixer, and then set the
level, eq, etc of the loop separate from all the other instruments. This
way, your GP settings couldn't possibly effect the Jamman.

Just a thought...
Dave Eichenberger
*********************************************************************
'Future Perfect' - art music
guitars-loops-flutes-devices-voices
http://home1.gte.net/artmusic/

>
> Still need help on this one, let me say what
> I got going on just to clarify things, guitar > volume pedal > Gp >
> Mackie 1202 > Amps etc..
> In the FX loop of the GP I've got the Jamman. Here's the confusing part,
> (I've been to a few of the local shops and explained this and had a hard
> time getting this across at first) once I've got something looping, I
> can put the guitar down(not play anything) and everything will be fine,
> the looper just goes on doing it's thing.

From Loopers-Delight-request@annihilist.com  Fri Feb  5 14:35:35 1999
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Subject: Re: Punk Jazz?
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BTW, the some drummer was Fred Mayer who later went on to play with Lou
Reed. I remember hearing about a reformed Massacre recently, anyone else
hear about it?

As far as experimental-electronic-avant-jazz musics go, try "The Wire"
magazine (not "Wired"). Great informative articles, lots of reviews etc.

rob
-the man cable-

Paolo Valladolid schrieb:
> 
> Massacre (Fred Frith/Bill Laswell/some drummer)




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Date: Fri, 5 Feb 1999 14:12:55 -0500 (EST)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
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To: Loopers-Delight@annihilist.com
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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://wdiyfm.org/schedule/s_emusic.html

		Show #100		February 4, 1999.
		Host: Bill Fox		http://wdiyfm.org
		billfox@fast.net

On this show, I began a month-long focus on early synth master, Larry
Fast and his Synergy releases.  For background information, please point
your web browser to the WDIY web site or visit the...

Synergy web site:		http://www.eclipse.net/~synergy
See also the NEARFest site:	http://ghostland.com/nearfest

The feature CD at midnight was "Electronic Realizations for Rock
Orchestra" on Third Contact.

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
VA [Air Sculpture]      Sargasso Sea             GoldTri: Volume One (Stonker)
VA [Intelligentsia]     Micro-Chip Pop           GoldTri: Volume Two (Stonker)
MinistryOfInsideThings  (The last track ++)      Live at the ICA (Synkronos)
James Johnson           Return                   Unity (Zero Music)
Steve Roach & Vir Unis  Bloodstreaming           Body Electric (Projekt)
Ian Boddy               Shades of Dorian         Untitled CDR from Ian (none)
VA [Jeff Pearce]        From the Quiet Hours     The Ambient Eclipse (Mirage)

12:00 am
Synergy (Larry Fast)    Legacy               ElecRealizForRockOrch(ThirdContact)
Synergy (Larry Fast)    SlaughterOn10thSt    ElecRealizForRockOrch(ThirdContact)
Synergy (Larry Fast)    Synergy              ElecRealizForRockOrch(ThirdContact)
Synergy (Larry Fast)    Relay Breakdown      ElecRealizForRockOrch(ThirdContact)
Synergy (Larry Fast)    Warriors             ElecRealizForRockOrch(ThirdContact)
Deep Space Network      The Beyond Within        Big Rooms (Instinct Ambient)
Spacecraft              Galileo                  Hummel (Lektronic Sounscapes)

1:00 am

++ = I forgot to not the track's title in my log!
 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will continue the month-long focus on that
synergistic composer, Larry Fast and his Synergy (R) releases.  The
feature CD at midnight will be "Games" on Third Contact.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

From Loopers-Delight-request@annihilist.com  Fri Feb  5 15:21:19 1999
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Date: Fri, 5 Feb 1999 19:22:07 +0000
To: Loopers-Delight@annihilist.com
From: Udo Garritzmann <g-man@luna.nl>
Subject: Re: echoplex
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Sorry, I send this to LD by mistake. It was intended for ALTOMUSIC.

Udo


>Hello Jon,
>
>this is just to inform about my echoplex (switchable to 220 Volt) +
>footcontroler order. Counting the days since your last message times about
>4 echoplexes a day, I thought by now I should have heard from you. Just to
>make sure my order is not forgotten.
>
>Best,
>
>Udo
>
>
>
>
>>     Hello this is Jon from Alto Music. Gibson is  building and sending me
>>all the echoplexes they can the same day. They are  overnighting them to
>>me at their expense. We are shipping them in order that the  orders were
>>received. Thank you for your patience any questions call me 914 692  6922.
>>I will be out of town for the NAMM show Jan 28-Feb1. In that time frame
>>speak to Gary as I will leave him with all pertinent info. Thanks again
>>for your  patience.



From Loopers-Delight-request@annihilist.com  Fri Feb  5 16:25:33 1999
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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
Message-Id: <199902052118.NAA24572@waynesworld.ucsd.edu>
Subject: Re: Punk Jazz?
To: Loopers-Delight@annihilist.com
Date: Fri, 5 Feb 1999 13:18:38 -0800 (PST)
In-Reply-To: <36BAE666.EEB58CA@csi.com> from "Cummings" at Feb 5, 99 01:39:02 pm
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> BTW, the some drummer was Fred Mayer who later went on to play with Lou
> Reed. I remember hearing about a reformed Massacre recently, anyone else
> hear about it?

Yes, there's a new album on the Tzadik label, with a different drummer.

http://www.tzadik.com

> As far as experimental-electronic-avant-jazz musics go, try "The Wire"
> magazine (not "Wired"). Great informative articles, lots of reviews etc.

As far as magazines go, I highly recommend Cadence

http://cadencebuilding.com/Cadence/CadenceMagazine.html

Cheers,
Paolo

From Loopers-Delight-request@annihilist.com  Fri Feb  5 18:07:46 1999
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Date: Fri, 5 Feb 1999 14:56:28 -0800 (PST)
From: Randy Jones <ranjones@yahoo.com>
Subject: MP3.com/Plug
To: Loopers-Delight@annihilist.com
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Plug

http://www.mp3.com/music/Electronica/8520.html

This place seems pretty cool. Anyway its easy enuf to get some sounds
on the net. this is lo-fi cassette to mp3 using xing encoder and then 
uploaded.  Anyone else check this out? Send me some urls with songs. I
need something new input.

Randy Jones




_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Fri Feb  5 18:49:18 1999
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Date: Fri, 05 Feb 1999 18:41:19 -0500
To: Loopers-Delight@annihilist.com
From: "earthblind, starbound" <leper@mindspring.com>
Subject: Re: echovirus mp3
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>On this site, you have to actually double-click the link to 
>initiate a download, and even then, sometimes it doesn't work -- the file
>becomes corrupt, and
>fails to load properly.
>

That's unfortunate.  Means I can't listen to it, since I use Netscape
for browsing, and one of Netscape's flaws is it can't download mp3s
without scrambling them.  That task needs to be forwarded to another
piece of software.

Just goes to show you, friends don't let friends overuse scripts.  Or
use javascript.

-- 
*Consider yourself warned.* -- Grendel (Industrial/Electronic Prog):
 http://www.geocities.com/SoHo/Atrium/4664/grendel.html
 Against a Sickness: http://www.geocities.com/SoHo/Atrium/4664

From Loopers-Delight-request@annihilist.com  Fri Feb  5 19:33:28 1999
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Reply-To: "Stephen Goodman@Work" <gwspud@earthlight.net>
From: "Stephen Goodman@Work" <spud@earthlight.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: echovirus mp3
Date: Fri, 5 Feb 1999 16:03:08 -0800
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There are other players out there capable of playing MP3 files, such as
Windows Media Player...  Or is this more of a proprietary Java-esque issue?

Stephen Goodman
EarthLight Productions
http://www.earthlight.net


-----Original Message-----
From: earthblind, starbound <leper@mindspring.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, February 05, 1999 3:55 PM
Subject: Re: echovirus mp3


>>On this site, you have to actually double-click the link to
>>initiate a download, and even then, sometimes it doesn't work -- the file
>>becomes corrupt, and
>>fails to load properly.
>>
>
>That's unfortunate.  Means I can't listen to it, since I use Netscape
>for browsing, and one of Netscape's flaws is it can't download mp3s
>without scrambling them.  That task needs to be forwarded to another
>piece of software.
>
>Just goes to show you, friends don't let friends overuse scripts.  Or
>use javascript.
>
>--
>*Consider yourself warned.* -- Grendel (Industrial/Electronic Prog):
> http://www.geocities.com/SoHo/Atrium/4664/grendel.html
> Against a Sickness: http://www.geocities.com/SoHo/Atrium/4664
>

From Loopers-Delight-request@annihilist.com  Fri Feb  5 21:46:50 1999
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From: Crossedout@aol.com
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Date: Fri, 5 Feb 1999 21:41:32 EST
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Not sure what the "Re:" is, since I haven't seen the original yet, but if you
are looking for some "Punk Jazz", may I suggest a band out of California
called Man Is The Bastard?

Unfortunately, they have gone their separate ways, but when they were together
they were fusing hardcore noise-punk with fusion-style jazz. It is amazing. 

Wood, one of the singer / bassists, should still have some releases available,
7"s for $3, postpaid in US, int'l is like $5. 

Contact - 

Man Is The Bastard
p.o. box 164
Claremont CA 91711

tell him Henson sent you. 

- Crossedout@aol.com

From Loopers-Delight-request@annihilist.com  Fri Feb  5 21:53:31 1999
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Another suggestion, which I didn't think of until reading some other posts, is
Painkiller (Zorn / Bill Laswell / Mick Harris), especially the album
"Execution Ground". 

Total improv, two discs, one day, two mixes - one straight, the other ambient.
Some amazing stuff. 

- Crossedout@aol.com

From Loopers-Delight-request@annihilist.com  Fri Feb  5 22:41:50 1999
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Date: Fri, 05 Feb 1999 15:25:41 -0600
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From: Keenan Lawler <klaw@pop.iglou.com>
Subject: Re: Punk Jazz?
In-Reply-To: <199902052118.NAA24572@waynesworld.ucsd.edu>
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At 01:18 PM 2/5/99 -0800, you wrote:
>> BTW, the some drummer was Fred Mayer who later went on to play with Lou
>> Reed. I remember hearing about a reformed Massacre recently, anyone else
>> hear about it?
>
>Yes, there's a new album on the Tzadik label, with a different drummer.
>Not just 'some 'drummer but the brillant Charles Hayward-one of the great
unsung musical geniuses of the last 20 yrs.This Massacre is a requirement!
>http://www.tzadik.com
>
>check out Resonance as well thru Forced Exposure (free cd every issue!)

Hey check out the new Annie Gosfield  on tzadik also!

From Loopers-Delight-request@annihilist.com  Fri Feb  5 23:35:56 1999
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From: Kriist@aol.com
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Date: Fri, 5 Feb 1999 23:22:32 EST
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first, id like to that all of you who replied to my punk jazz inquiries
i will look into all of it(at least as much as present finances will allow)
i was also wondering(as a former stick owner)is there a warr guitar sight, how
pricy are these things 
fretless?
etc....

thanks
rodrigo

From Loopers-Delight-request@annihilist.com  Sat Feb  6 03:09:53 1999
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Date: Sat, 6 Feb 1999 00:54:21 -0700
To: Loopers-Delight@annihilist.com
From: Edwin Hurwitz <edwin@indra.com>
Subject: Re: Punk Jazz?
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>At 01:18 PM 2/5/99 -0800, you wrote:
>>> BTW, the some drummer was Fred Mayer who later went on to play with Lou
>>> Reed. I remember hearing about a reformed Massacre recently, anyone else
>>> hear about it?
>>
>>Yes, there's a new album on the Tzadik label, with a different drummer.
>>Not just 'some 'drummer but the brillant Charles Hayward-one of the great
>unsung musical geniuses of the last 20 yrs.This Massacre is a requirement!
>>http://www.tzadik.com
>>
>>check out Resonance as well thru Forced Exposure (free cd every issue!)
>
>Hey check out the new Annie Gosfield  on tzadik also!

Have you experienced the joy of Zubi Zuva, also on Tzadik? It's like
Japanese cheerleaders on Tuvan acid!

Edwin

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin


From Loopers-Delight-request@annihilist.com  Sat Feb  6 05:10:24 1999
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To: mhl21@columbia.edu, Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: How 'bout a digest?
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At 6:27 AM -0800 2/5/99, Morgan Lang wrote:
>To the powers that be on this here list:
>Is there a "digest" version of this interesting but bulky list? If not, any
>plans to make one?

yes, there is a digest. Please go to the list info page to learn all about it:

http://www.annihilist.com/loop/list/LoopList.html

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sat Feb  6 07:45:45 1999
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Date: Sat, 06 Feb 1999 07:33:14 -0800
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From: Tim Nelson <tcn62@ici.net>
Subject: Re: warr
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At 11:22 PM 2/5/99 EST, you wrote:
>first, id like to that all of you who replied to my punk jazz inquiries
>i will look into all of it(at least as much as present finances will allow)
>i was also wondering(as a former stick owner)is there a warr guitar sight,
how
>pricy are these things 
>fretless?
>etc....
>
>thanks
>rodrigo
>
If you're looking for general info about Warr guitars, Mark Warr himself
has a site at <http://www.warrguitars.com/>

If you're looking for purchase information (i.e. a "deal") you might be
better off firing up your favorite search engine (try Dogpile) and
contacting some retailers. Warr's site does sell directly, but you might
find a used one somewhere (maybe) for a lot less.

Hope this helps,

Tim

BTW, I'm holding you personally responsible for the frustrated gear-lust
I'm experiencing right now. Ever since finding the Warr site, I WANT one o'
those puppies, and they ain't cheap!

From Loopers-Delight-request@annihilist.com  Sat Feb  6 09:00:14 1999
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From: Michael Peters <mpeters@csi.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: AW: echovirus mp3
Date: Sat, 6 Feb 1999 13:41:02 +0100
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> one of Netscape's flaws is it can't
> download mp3s without scrambling them.

Netscape scrambling mp3s while *downloading* them? Rubbish. It's just files 
that are downloaded. Netscape doesn't scramble them on my PC - must be 
something else going wrong on yours. Why don't you really test this before 
blaming Netscape.

*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://ourworld.compuserve.com/homepages/Mpeters




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>Hello Jon,
>
>this is just to inform about my echoplex (switchable to 220 Volt) +
>footcontroler order. Counting the days since your last message times about
>4 echoplexes a day, I thought by now I should have heard from you. Just to
>make sure my order is not forgotten.
>
>Best,
>
>Udo


Udo,

This is not the John from Alto music (but I'm the guy who setup the bulk
purchase deal).
I know for a fact that the people at Alto are doing their best to fill the
orders that they have.
(I was the first one to order from them and I *just got* my foot controller
- 3 months!)

I don't think that John is on the Loopers Delight list - their email is
alto@warwick.net

sincerely,

jmw

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Subject: I got an Echoplex!
Date: Sat, 06 Feb 1999 07:32:35 PST
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Hello all...

I found a great used Oberheim Echoplex here in Boulder for $575 
w/controller. Big thanks to Micheal Reese and Robb's Music for selling 
it to me (are you on this list, Mr. Reese?).

Thanks to all who showed up at the Fat Mama Acoustic Project show last 
night at the Boulder Theatre. Keep an eye out for the "InfoSeek Hot 
Link" page for 3D video and audio of the event, which InfoSeek will have 
up and running a week or two. 

BTW, anyone wanna buy a used Boomerang?

---//////-------------/////---///////---
Joshua D. Pickenpaugh
Boulder, Colorado, U.S.A.
Bassist, Composer, Teacher
http://welcome.to/kameleyonmusic
-///------///////--------------///////--


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Subject: I got an Echoplex!
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Hello all...

I found a great used Oberheim Echoplex here in Boulder for $575 
w/controller. Big thanks to Micheal Reese and Robb's Music for selling 
it to me (are you on this list, Mr. Reese?).

Thanks to all who showed up at the Fat Mama Acoustic Project show last 
night at the Boulder Theatre. Keep an eye out for the "InfoSeek Hot 
Link" page for 3D video and audio of the event, which InfoSeek will have 
up and running a week or two. 

BTW, anyone wanna buy a used Boomerang?

---//////-------------/////---///////---
Joshua D. Pickenpaugh
Boulder, Colorado, U.S.A.
Bassist, Composer, Teacher
http://welcome.to/kameleyonmusic
-///------///////--------------///////--


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Sat Feb  6 11:48:56 1999
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Date: Sat, 06 Feb 1999 17:34:04 +0100
From: Claude Voit <c.voit@vtx.ch>
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To: Loopers-Delight <Loopers-Delight@annihilist.com>
Subject: GR-30 editor adaptation for Emagic Sound Diver for you
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I'm happy to share with you this brand new GR-30 adaptation for the
sound diver librarian, editor

features:
Librarian for system area, patches, arps (the patch data is separated
from the arp data so you can mix and match patches and arps)
in fact you can even send new arps during arpeggio playing with a hold;
the GR supports this sys ex real-time burst bravely while playing 
cool no ?

All parameters are supported in a very personal digital guitar layout
the arp editor is very very useful and easy

voila

please don't harass me with questions about it, its really simple to use
and I guess it works fine for me.

If one finds a way to cut and paste the original patches names to other
patch locations let me know, I didn't find how ..be..

if I ever upgrade it or else I'll let you know

more info's on sound diver and the Sound Diver mailing list : 

http://www.emagic.de

thanks to Paolo Valladolid the Digital guitar site had some space for it

http://waynesworld.ucsd.edu/DigitalGuitar/gr30editor.html

have fun

Claude

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From: Keenan Lawler <klaw@pop.iglou.com>
Subject: Re: Punk Jazz?
In-Reply-To: <l03130301b2e1a5775a4a@[204.144.142.149]>
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 <199902052118.NAA24572@waynesworld.ucsd.edu>
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>Have you experienced the joy of Zubi Zuva, also on Tzadik? It's like
>Japanese cheerleaders on Tuvan acid!
>No but  I just saw the Tuvan throat singers give a concert/q&a session at
the music school -pretty awesome----------K

>
>Edwin Hurwitz
>Boulder CO
>http://www.indra.com/~edwin
> 

From Loopers-Delight-request@annihilist.com  Sat Feb  6 13:58:14 1999
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In a message dated 2/6/99 2:11:19 AM Central Standard Time, edwin@indra.com
writes:

<< Have you experienced the joy of Zubi Zuva, also on Tzadik? It's like
 Japanese cheerleaders on Tuvan acid!
  >>

if you like that, check out Zubi Zuva member Tatsuya Yoshida's other bands The
Ruins (drums and bass, freak jazz blasting) and 100 Sights of Koenji (rather
hard to find, try Aquarius Records on the web http://aquarius.bianca.com/)....
it's crazy japanese prog/metal/folk/jazz weirdness. It's amazing. 

- Crossedout@aol.com

From Loopers-Delight-request@annihilist.com  Sat Feb  6 14:04:29 1999
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Date: Sat, 06 Feb 1999 10:57:41 +0000
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How much for the used boomarang? 

Colin|niloC

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maybe it's not the stuff you're expecting but Clifford Gilberto's "I was
young and I needed the money" cd IMO it's THE perfect example of modern
jazz/electronica/drum&bass/avantgarde music with a real punk attitude in the
use of sampler. Check it out on Ninja Tune records. This guy is really
inspiring...

ciao
leo

PS Kim, buy this record!! I know you'll thank me!

From Loopers-Delight-request@annihilist.com  Sat Feb  6 17:05:24 1999
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Date: Sat, 06 Feb 1999 16:47:58 -0500 (EST)
From: CHRISTOPHER T SPROUL <S_CTSPROUL@MAIL.CLARION.EDU>
Subject: dtorn
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Does anyone out there have the torn cd - What Means Solid, Traveller? or
any live footage of DT?  If so, I'll either buy or trade for a recorded copy 
of this stuff via snail mail.  

Also - could someone explain to me what kinds of things an E-bow does, and is
it worth the purchase.    thanks!

chris

From Loopers-Delight-request@annihilist.com  Sat Feb  6 18:56:50 1999
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listening to what means right now as i read your email. weird. i like it a
lot. the ebow excites the string of a guitar like feedback from a loud amp. it
can be good for an effect but i was never crazy about it. hope this helps. PJ

From Loopers-Delight-request@annihilist.com  Sat Feb  6 20:24:33 1999
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To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: dtorn/E-Bow
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>Also - could someone explain to me what kinds of things an E-bow does, and is
>it worth the purchase. 

An E-Bow generates a small electromagnetic field which you can focus on a
guitar string to keep it vibrating without picking. It's useful for legato,
single-string playing. The lack of a sharp, percussive attack, and the
infinite sustain are well suited to slide, and work particularly well with
a lot of delay. The manufacturer claims that one can use the E-Bow to mimic
conventional instruments like horns and synths, but I've never really found
this to be true. It is only suited for monophonic playing, one string at a
time, although many players have developed proficiency at jumping the
device from string to string to arpeggiate. (I've not found this technique
all that useful, since with the amount of delay I like to use with the
E-Bow, any squawks, clicks or other unintentional noises which happen to
occur when jumping strings come back to haunt me, and this is even more
true when looping!) You CAN get a deep, throaty squeal out of your low E
using an E-Bow that's pretty cool, kind of like a rhinoceros on steroids,
but not every player would find a use for the sounds of large, angry,
chemically-enhanced African wildlife! The newest version of the E-Bow
features a switch that is said to emphasize higher harmonics, but mine is
the older model, so I can't tell you how well the switch works. The E-Bow
IS a neat effect, but it's really not all that versatile (despite
exaggerated claims of the E-Bow's usefulness on bass and acoustic guitars
which I've found to be rather a stretch). You can get pretty much the same
sound with distortion and controlled feedback, although in low-volume
situations and when using an amp emulator, the E-Bow can be useful. It
might be a good idea to see if you can borrow one from someone to try it
out before spending $70-100 for one... You'll know fairly soon if it's
something you'll use a lot, in which case it's probably worth it. I know a
lot of people who've bought them and hardly ever take 'em out of their
guitar cases, though... I sort of fall in the middle of the road on that
one; I like my E-Bow well enough, but I really don't use it all that often.
You might be better off filling in any vacant spots in your pedalboard
first with stuff you're more certain you'll use often.

Tim

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Subject: Re: AW: echovirus mp3
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At 4:41 AM -0800 2/6/99, Michael Peters wrote:
>> one of Netscape's flaws is it can't
>> download mp3s without scrambling them.
>
>Netscape scrambling mp3s while *downloading* them? Rubbish. It's just files
>that are downloaded. Netscape doesn't scramble them on my PC - must be
>something else going wrong on yours. Why don't you really test this before
>blaming Netscape.
>

I believe there is some problem with Netscape 4.5 and java sound, which
will hopefully get fixed eventually, but I've never heard of any trouble
with mp3.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Subject: Re: echovirus mp3
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>There are other players out there capable of playing MP3 files, such as
>Windows Media Player...  Or is this more of a proprietary Java-esque issue?

It's not a play issue, it's a download issue.  Netscape downloads mp3s in
7 bit mode, basically ASCII.  However, mp3s are binary files, and need to
be downloaded in 8 bit mode.  Now you can download ASCII with an 8 bit
connection, easy, but if you try the other way around, you get crap.

A lot of people zip their mp3s for this very reason--netscape is intelligent
enough to download zip files in 8 bit mode.  There is no way to tell
Netscape to download binary, like you could with a ten year old ftp
program.  This is a flaw in a program that is otherwise about a million
times more pleasant to deal with than the Microsoft product.

GetRight is a program that will do the trick, though, but it only works
with valid URLs.  Which is killed by the cgi script.

-- 
*Consider yourself warned.* -- Grendel (Industrial/Electronic Prog):
 http://www.geocities.com/SoHo/Atrium/4664/grendel.html
 Against a Sickness: http://www.geocities.com/SoHo/Atrium/4664

From Loopers-Delight-request@annihilist.com  Sat Feb  6 22:05:40 1999
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Date: Sat, 06 Feb 1999 18:53:19 -0800
To: Loopers-Delight@annihilist.com
From: Sean <sean_@mindspring.com>
Subject: Re: echovirus mp3
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Are we talking about a specific verion of netscape for a specific platform?
 If not, I can vouch for netscape 3.01 win32's ability to download mp3s
with no problems whatsoever.


At 09:33 PM 2/6/99 -0500, someone wrote:
>>There are other players out there capable of playing MP3 files, such as
>>Windows Media Player...  Or is this more of a proprietary Java-esque issue?
>
>It's not a play issue, it's a download issue.  Netscape downloads mp3s in
>7 bit mode, basically ASCII.  However, mp3s are binary files, and need to
>be downloaded in 8 bit mode.  Now you can download ASCII with an 8 bit
>connection, easy, but if you try the other way around, you get crap.

From Loopers-Delight-request@annihilist.com  Sat Feb  6 22:55:01 1999
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Reply-To: "Gerry P" <gerryp@air.on.ca>
From: "Gerry P" <gerryp@air.on.ca>
To: <Loopers-Delight@annihilist.com>
Subject: Re: dtorn/E-Bow
Date: Sat, 6 Feb 1999 22:47:59 -0000
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How does the Ebow compare to the Sustainiac - a new and improved version of
the Sustainiac is about to be released for about $200 (plus installation) -
I have the EBow Plus and find it good to touch up notes for sustain in
recording - not too practical for a complete solo.

Gerry P
gerryp@air.on.ca
-----Original Message-----
From: Tim Nelson <tcn62@ici.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, February 07, 1999 1:21 AM
Subject: Re: dtorn/E-Bow


>>Also - could someone explain to me what kinds of things an E-bow does, and
is
>>it worth the purchase.
>
>An E-Bow generates a small electromagnetic field which you can focus on a
>guitar string to keep it vibrating without picking. It's useful for legato,
>single-string playing. The lack of a sharp, percussive attack, and the
>infinite sustain are well suited to slide, and work particularly well with
>a lot of delay. The manufacturer claims that one can use the E-Bow to mimic
>conventional instruments like horns and synths, but I've never really found
>this to be true. It is only suited for monophonic playing, one string at a
>time, although many players have developed proficiency at jumping the
>device from string to string to arpeggiate. (I've not found this technique
>all that useful, since with the amount of delay I like to use with the
>E-Bow, any squawks, clicks or other unintentional noises which happen to
>occur when jumping strings come back to haunt me, and this is even more
>true when looping!) You CAN get a deep, throaty squeal out of your low E
>using an E-Bow that's pretty cool, kind of like a rhinoceros on steroids,
>but not every player would find a use for the sounds of large, angry,
>chemically-enhanced African wildlife! The newest version of the E-Bow
>features a switch that is said to emphasize higher harmonics, but mine is
>the older model, so I can't tell you how well the switch works. The E-Bow
>IS a neat effect, but it's really not all that versatile (despite
>exaggerated claims of the E-Bow's usefulness on bass and acoustic guitars
>which I've found to be rather a stretch). You can get pretty much the same
>sound with distortion and controlled feedback, although in low-volume
>situations and when using an amp emulator, the E-Bow can be useful. It
>might be a good idea to see if you can borrow one from someone to try it
>out before spending $70-100 for one... You'll know fairly soon if it's
>something you'll use a lot, in which case it's probably worth it. I know a
>lot of people who've bought them and hardly ever take 'em out of their
>guitar cases, though... I sort of fall in the middle of the road on that
>one; I like my E-Bow well enough, but I really don't use it all that often.
>You might be better off filling in any vacant spots in your pedalboard
>first with stuff you're more certain you'll use often.
>
>Tim
>

From Loopers-Delight-request@annihilist.com  Sat Feb  6 23:26:35 1999
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Subject: Re: dtorn/E-Bow
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Hi Chris- cant think of a better purchase for the money!I got my first ebow
in 1984 & have burned out 2 since buying the plus(nifty blue light
model).At first I did emulate alot of the the heroes of the ebow,but after
alot of chemical intake I realized the potential of this device & ive used
it in practically every musical endeavor for 15 yrs I once asked a local
hotshot gtr shop owner how it was possible to play more than one string at
a time with it ,his reply was to rake it across the strings  really fast!
Knowing full well he was Bs ing me as usual I dismissed it as more useless
advice from the asshole for the file...I went home that night & discoved he
was right.a It has an enduring sustaining (forgive me!) quality that I
return to.Ive \mastered alot of the advanced techniques & honestly have
about 20 different approaches of my own.Yes you  can do a sax,oboe
,clarinet etc  also that amazing flock-of birds bowing sound that is
totally unique to the ebow.I find its important to realize the full
potential of this device is often found while combinig it with other
instuments(not ness gtr)&effects concepts etc.It really is a great ideas
tool& it always stimulates something new for me.For xample if you have a
Zvex fuzz factory(& who amoung us being of unsound mind wouldnt?)then you
have an amazing range of  beautiful & abrasive osscilating ,horn like &
radio wave surfer sounds used in conjunction with an ebow.Yes this device
is essentialy a controllable electromagnet but designed for making music
with.Ive  come up with many techniques 
based on the physical limitation of having this thing in my hand & using
the extraneous 'noises ' it makes while not doing its real job ,sustaining
a string  BTW  Ive recorded some amazing drone based music using the ebow
on a fender bass-it can be done!Great on acoustic insruments-Just played a
show in a art gallery using 2 ebowed acoustic guitars with micotonal slide
& tambora ..no electric sound & every one could here it .buzzing & humming
away.Looping with an ebow ......well..space doesnt allow  for the
possibilties..
Most important reason to have an ebow it gives instant acsess to the DRONE
and dont we need that in all our lives?
only a short list of people who have used the ebow as a real tool to
achieve great music: David First .Elliot Sharp. Fred Frith. Arnold
Dreyblatt.-Roger Kleier -BJ Cole 
Just my 2 cents   -----------Keenan
                                  



>>Also - could someone explain to me what kinds of things an E-bow does,
and is
>>it worth the purchase. 
>
>An E-Bow generates a small electromagnetic field which you can focus on a
>guitar string to keep it vibrating without picking. It's useful for legato,
>single-string playing. The lack of a sharp, percussive attack, and the
>infinite sustain are well suited to slide, and work particularly well with
>a lot of delay. The manufacturer claims that one can use the E-Bow to mimic
>conventional instruments like horns and synths, but I've never really found
>this to be true. It is only suited for monophonic playing, one string at a
>time, although many players have developed proficiency at jumping the
>device from string to string to arpeggiate. (I've not found this technique
>all that useful, since with the amount of delay I like to use with the
>E-Bow, any squawks, clicks or other unintentional noises which happen to

>occur when jumping strings come back to haunt me, and this is even more
>true when looping!) You CAN get a deep, throaty squeal out of your low E
>using an E-Bow that's pretty cool, kind of like a rhinoceros on steroids,
>but not every player would find a use for the sounds of large, angry,
>chemically-enhanced African wildlife! The newest version of the E-Bow
>features a switch that is said to emphasize higher harmonics, but mine is
>the older model, so I can't tell you how well the switch works. The E-Bow
>IS a neat effect, but it's really not all that versatile (despite
>exaggerated claims of the E-Bow's usefulness on bass and acoustic guitars
>which I've found to be rather a stretch). You can get pretty much the same
>sound with distortion and controlled feedback, although in low-volume
>situations and when using an amp emulator, the E-Bow can be useful. It
>might be a good idea to see if you can borrow one from someone to try it
>out before spending $70-100 for one... You'll know fairly soon if it's
>something you'll use a lot, in which case it's probably worth it. I know a
>lot of people who've bought them and hardly ever take 'em out of their
>guitar cases, though... I sort of fall in the middle of the road on that
>one; I like my E-Bow well enough, but I really don't use it all that often.
>You might be better off filling in any vacant spots in your pedalboard
>first with stuff you're more certain you'll use often.
>
>Tim
> 

From Loopers-Delight-request@annihilist.com  Sat Feb  6 23:27:22 1999
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Date: Sat, 06 Feb 1999 20:20:12 -0800
From: Clifford Novey <clifsound@earthlink.net>
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Here is a link to the Ebow web site that has a long demo in different
formats- worth a listen even if you already own one-
http://www.ebow.com/24hr.htm

Cliff

From Loopers-Delight-request@annihilist.com  Sat Feb  6 23:29:05 1999
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Date: Sat, 06 Feb 1999 14:26:06 -0600
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From: Keenan Lawler <klaw@pop.iglou.com>
Subject: Re: dtorn/E-Bow
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Hi Tim-I cant think of a better purchase for the money!I got my first ebow
in 1984 & have burned out 2 since buying the plus(nifty blue light
model).At first I did emulate alot of the the heroes of the ebow,but after
alot of chemical intake I realized the potential of this device & ive used
it in practically every musical endeavor for 15 yrs I once asked a local
hotshot gtr shop owner how it was possible to play more than one string at
a time with it ,his reply was to rake it across the strings  really fast!
Knowing full well he was Bs ing me as usual I dismissed it as more useless
advice from the asshole for the file...I went home that night & discoved he
was right.a It has an enduring sustaining (forgive me!) quality that I
return to.Ive \mastered alot of the advanced techniques & honestly have
about 20 different approaches of my own.Yes you  can do a sax,oboe
,clarinet etc  also that amazing flock-of birds bowing sound that is
totally unique to the ebow.I find its important to realize the full
potential of this device is often found while combinig it with other
instuments(not ness gtr)&effects concepts etc.It really is a great ideas
tool& it always stimulates something new for me.For xample if you have a
Zvex fuzz factory(& who amoung us being of unsound mind wouldnt?)then you
have an amazing range of  beautiful & abrasive osscilating ,horn like &
radio wave surfer sounds used in conjunction with an ebow.Yes this device
is essentialy a controllable electromagnet but designed for making music
with.Ive  come up with many techniques 
based on the physical limitation of having this thing in my hand & using
the extraneous 'noises ' it makes while not doing its real job ,sustaining
a string  BTW  Ive recorded some amazing drone based music using the ebow
on a fender bass-it can be done!Looping with an ebow ......well..space
doesnt allow  for the possibilties..
Most important reason to have an ebow it gives instant acsess to the DRONE
and dont we need that in all our lives?
only a short list of people who have used the ebow as a real tool to
achieve great music: David First .Elliot Sharp. Fred Frith. Arnold Dreyblatt.-
Just my 2 cents   -----------Keenan
                                  



>>Also - could someone explain to me what kinds of things an E-bow does,
and is
>>it worth the purchase. 
>
>An E-Bow generates a small electromagnetic field which you can focus on a
>guitar string to keep it vibrating without picking. It's useful for legato,
>single-string playing. The lack of a sharp, percussive attack, and the
>infinite sustain are well suited to slide, and work particularly well with
>a lot of delay. The manufacturer claims that one can use the E-Bow to mimic
>conventional instruments like horns and synths, but I've never really found
>this to be true. It is only suited for monophonic playing, one string at a
>time, although many players have developed proficiency at jumping the
>device from string to string to arpeggiate. (I've not found this technique
>all that useful, since with the amount of delay I like to use with the
>E-Bow, any squawks, clicks or other unintentional noises which happen to

>occur when jumping strings come back to haunt me, and this is even more
>true when looping!) You CAN get a deep, throaty squeal out of your low E
>using an E-Bow that's pretty cool, kind of like a rhinoceros on steroids,
>but not every player would find a use for the sounds of large, angry,
>chemically-enhanced African wildlife! The newest version of the E-Bow
>features a switch that is said to emphasize higher harmonics, but mine is
>the older model, so I can't tell you how well the switch works. The E-Bow
>IS a neat effect, but it's really not all that versatile (despite
>exaggerated claims of the E-Bow's usefulness on bass and acoustic guitars
>which I've found to be rather a stretch). You can get pretty much the same
>sound with distortion and controlled feedback, although in low-volume
>situations and when using an amp emulator, the E-Bow can be useful. It
>might be a good idea to see if you can borrow one from someone to try it
>out before spending $70-100 for one... You'll know fairly soon if it's
>something you'll use a lot, in which case it's probably worth it. I know a
>lot of people who've bought them and hardly ever take 'em out of their
>guitar cases, though... I sort of fall in the middle of the road on that
>one; I like my E-Bow well enough, but I really don't use it all that often.
>You might be better off filling in any vacant spots in your pedalboard
>first with stuff you're more certain you'll use often.
>
>Tim
> 


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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: echovirus mp3
Date: Sun, 7 Feb 1999 00:57:51 -0800
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I'll have to differ.  I've used both IE and Navigator for a long time and
hands down IE is a superior experience.  There are lots of little tricks in
IE that make life a lot easier and browsing a more speedier and pleasant
experience.  How do I love IE?  Let me count the ways...

-----Original Message-----
From: earthblind, starbound [mailto:leper@mindspring.com]
Sent: Saturday 06 February 1999 6:33 PM
To: Loopers-Delight@annihilist.com
Subject: Re: echovirus mp3

A lot of people zip their mp3s for this very reason--netscape is intelligent
enough to download zip files in 8 bit mode.  There is no way to tell
Netscape to download binary, like you could with a ten year old ftp
program.  This is a flaw in a program that is otherwise about a million
times more pleasant to deal with than the Microsoft product.

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Date: Sun, 07 Feb 1999 12:51:21 +0100
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From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: dtorn/E-Bow
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HI tim

how difficult is playing the E-bow on a bass?
No problem with the string gauge?
Any special advice?

thnx
leo

From Loopers-Delight-request@annihilist.com  Sun Feb  7 08:08:40 1999
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Date: Sun, 7 Feb 1999 05:02:53 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: 4 meg 30 pin simms  $12 each
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Just maxed out my EDP. :)

http://www.computerpartsusa.com

Use the money you save to have it sent FedEx 2nd Day.
UPS lost my first order.

Tell them that the email pain in the ass sent you!

	John








==
John Tidwell



_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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Date: Sun, 07 Feb 1999 09:22:30 -0500
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From: Gary Davis <artshop@artist-shop.com>
Subject: Re: dtorn (What Means 'Solid,' Traveller? availability)
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At 11:35 PM 2/6/99 -0500, chris wrote:
>
>Does anyone out there have the torn cd - What Means Solid, Traveller? or
>any live footage of DT?  If so, I'll either buy or trade for a recorded copy 
>of this stuff via snail mail.  

What Means 'Solid,' Traveller? is easily available through The Artist Shop
as is the rest of Torn's output on CMP.  In fact, we have the entire CMP
catalog at <http://www.artist-shop.com/cmp> which includes Tripping Over
God, Polytown and other releases in which Torn played a significant role.

Since I get these CD's directly from the label, I rarely have trouble
getting them in.  Although sometimes there's a delay in restocking since the
label is overseas.

Gary

**************************************************************
                          Gary Davis
The Artist Shop                              The Other Road
http://www.artist-shop.com          artshop@artist-shop.com
phone: 330-929-2056			   fax:330-945-4923
              SUPPORT THE INDEPENDENT ARTIST!!!
**************************************************************
       Check out the latest Artist Shop newsletter at
            http://www.artist-shop.com/news.htm

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In a message dated 2/7/99 7:10:03 AM, wedgehed@yahoo.com writes:

>Just maxed out my EDP. :)


Hey Kim,

Didn't it used to cost over $1000 to max out an EDP? At this point, they
should just sell the EDP maxed out! 

I wonder, I maxed out my EDP last year for something like $65, but I really
haven't come close to using 198 seconds of looping memory. Does anyone see
where an "EDP II" could use more/cheaper memory? Perhaps it would be cool to
have a unit that would either do stereo loops, or allow you to run two
separate loops......

Marshall



From Loopers-Delight-request@annihilist.com  Sun Feb  7 10:54:26 1999
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Date: Sun, 07 Feb 1999 10:48:01 -0500
To: Loopers-Delight@annihilist.com
From: kevin miller <km15@cornell.edu>
Subject: Re: Teo Macero "Modulations" Interview online
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>Just a thought, not having heard the LD CD yet, but could your original DAT
>been at 48K? Transferring a 48k tape at 44.1 usually gives that effect,
>tuning it down around a whole step. I do DAT to CD almost everyday, and I
>screwed up on this on a clients CD yesterday. It's can be pretty easy to
>miss if the person doing the transfer doesn't know the material.

     Thanks Dave, this explains it. Well, live and learn!

         Kevin

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Date: Sun, 07 Feb 1999 11:26:09 -0800
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: dtorn/E-Bow
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Hi Leo,

The two biggest difficulties you'll run into using an E-Bow on bass are 1)
the string spacing guides are more appropriate for guitar and make it
difficult to accurately zero in on a string, and 2) the greater mass of the
strings on a bass, especially the E & A (or even lower if you've got one o'
them critters with the extra strings like Jeff Berlin WASN'T using at NAMM;
see archive for funny anecdote...) means that it takes the E-Bow longer to
get them vibrating, hence the attack may be too slow to be musically
useful. But, as Keenan Lawler pointed out last night, it CAN be done, and
is particularly effective (and loop-friendly) for creating a droning pedal
point bass part.

As I remarked to Keenan off-list, I wonder how much luck E-Bow would have
if they issued a larger, more powerful BASS E-Bow with the appropriate
string spacing... Maybe if enough of us tried to convince 'em the demand
would be sufficient for it to be worth it to them... (Or, more likely,
they've already considered it and concluded, as Keenan has, that their
existing model works well enough on a bass, and that we just need to
practice more to get good at using it! Blatant conjecture, but not a
far-fetched scenario!)

Clifford Novey's posting last night contained an URL which lets you hear
several great examples of E-Bow playing <http://www.ebow.com/24hr.htm> and,
as he pointed out, is worth a listen even for those of us who already own
E-Bows. 

Tim

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Date: Sun, 7 Feb 1999 12:28:35 +0200
To: Loopers-Delight@annihilist.com
From: patrick@his.com (Patrick Smith)
Subject: Re: *Echovirus* Blindfold OneofaKind remix
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>At 05:07 PM 2/2/99 +0200, you wrote:
>>On 1/25/99 Rob Switzer echoed:
>
>>
>>I've listened to this track a few times now and want to encourage everyone
>>to go give this a listen. Very nicely crafted trip-hop/ambient dub. I
>>suspect that the guitar bursts I hear are samples from Ed Chang?
>
>Yes -- the guitar solo is de(re)constructed Ed.  The bass sound was also
>derived from Ed's guitar.
>
>>
>>Rob has created a great swirling undercurrent that is deftly mixed. When
>>the base rests, I'm really intrigued by what is going on underneath.
>
>Many of the background textures are derived from Ed's various clarinet
>solos, pitch shifted/doubled, (spatially) processed with the Audiomulch
>s-spat tool, and looped.
>


Rob,

Would you say that most of the sonic material is Ed CHang then, and you
have just manipulated this. I'd love to hear the origianl along side this.
Any plans for posting it at mp3.com or elsewhere.

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

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                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Sun Feb  7 13:57:58 1999
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Dear Leo,

	I use both an older E-Bow and one of the plastic ones on a Steinberger
5-string bass and a Kramer 8-string...  The majour difference between using it
on an electric guitar or an acoustic or other instrument is trying to keep the
E-Bow centered above the string or strings that you want to "activate."
Single string instruments are much easier to handle/control/activate than
double strings.
	As for string gauges, the big thing I've found is that the larger the easier
it is for them to go out of control, but on the same token, you can get some
really interesting sounds out of the larger gauged strings.  The other side is
to remember that the E-Bow activates strings faster the smaller in gauge they
are, but that sometimes it is more difficult to activate the smaller strings
unless you have the E-Bow perfectly centered.
	Takes a lot of practice but it sounds interesting.

	Hope this helps,

		Lee-ohki.
	

From Loopers-Delight-request@annihilist.com  Sun Feb  7 14:43:05 1999
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Date: Sun, 07 Feb 1999 13:30:05 -0600
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From: "Michael S. Yoder" <myoder@tamiu.edu>
Subject: Alternatives to Oberheim?
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Dear Loopers,

I just can't believe the expensive, nearly-impossible-to-acquire Oberheim
Echoplex is the ONLY thing on the market that allows infinite
loops/layerings.  Is there anything else available, besides the 4-second
pedals (Zoom 508, DOD DFX94)??  

Has anyone ever tried out the Zoom 2100 "32-Second Sample Guitar Effects
Processor"?  I see it in the Musician's Friend catalog for $199.00 list
(their price $149).  It says the following:  "Phrase sampler records up to
32 seconds from CD or tape OR YOUR OWN PHRASES (my emphasis).  You can also
switch between three different 5 second samples to play over. . . "  
Could these "samples" be automatically repeatable (looped)?

What the hell was Lexicon thinking when they discontinued the Jam Man?
I just don't really want to spend the better part of $800 right now simply
because my Digitech RDS 8000 drifts sharp until it's warmed up for 2 hours.
I just found this wonderful LD list service a few days ago, so please
accept my apology if this question has been asked a thousand times.

Thanks.
Michael
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

From Loopers-Delight-request@annihilist.com  Sun Feb  7 15:15:16 1999
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Date: Sun, 7 Feb 1999 14:30:56 +0200
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From: patrick@his.com (Patrick Smith)
Subject: Vortexes for sale
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Hey Loopers,

There are two vortexes(vortexi):) for bid at the Rogue Music Auction.

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Sun Feb  7 15:36:00 1999
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Date: Sun, 07 Feb 1999 15:25:04 -0500
To: Loopers-Delight@annihilist.com
From: "earthblind, starbound" <leper@mindspring.com>
Subject: Re: mp3 cooking
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>Are we talking about a specific verion of netscape for a specific platform?

Possibly.  Netscape post-4.0, for Windows and MacOS, as well as the
AOL browser (it wasn't MY AOL, honest) all cook mp3s.  There are programs,
'cook' and 'phyx,' which are windows programs that are supposed to correct
this program (just not worth my trouble to download and install, since I
never download mp3s with Netscape).

-- 
*Consider yourself warned.* -- Grendel (Industrial/Electronic Prog):
 http://www.geocities.com/SoHo/Atrium/4664/grendel.html
 Against a Sickness: http://www.geocities.com/SoHo/Atrium/4664

From Loopers-Delight-request@annihilist.com  Sun Feb  7 16:11:10 1999
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Date: Sun, 7 Feb 1999 12:55:10 -0800 (PST)
From: Bret <echoplex@yahoo.com>
Subject: Re: Alternatives to Oberheim?
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---"Michael S. Yoder" <myoder@tamiu.edu> wrote:
> Dear Loopers,
> I just can't believe the expensive, nearly-impossible-to-acquire
Oberheim
> Echoplex is the ONLY thing on the market that allows infinite
> loops/layerings.  Is there anything else available..

First, "nearly-impossible-to-acquire", this is absurd. I have never
had any problem getting EDPs, and I have 3.  If you can't find them
(at least in the USA) then you aren't looking. Call or email Gibson,
and they can tell you where they shipped EDP recently. 

Infinite loops/layerings are hardly what sets the EDP apart from the
crowd.  The jamman, the boomerang, the EH16 second delay, and probably
many others allow this.

If that is your only requirment then seek those. 

The EDP is special for more reasons that I can state here, but a few
aspects are:
1.  Undo
2.  Brother Sync
3.  Stereo Brother Sync
4.  Multiply
5.  Confirgurable Quantize/no Quantize/Confirm on switch actions
6.  Allows creation and storage and replay of multiple unique loops,
each of unique length.
7.  198 seconds 

Read the FAQ at Loopers Delight web page.

I'm sure other EDP users have other favorite features, but IMO there
is no substitute.
bret
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Sun Feb  7 16:47:03 1999
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In a message dated 2/7/99 7:44:28 PM, myoder@tamiu.edu writes:

<< I just don't really want to spend the better part of $800 right now >>

How about spending the lessor part of $600? You are looking for EDP in all the
wrong places!


Marshall

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Subject: Re: 4 meg 30 pin simms  $12 each
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At 7:38 AM -0800 2/7/99, Marzzz@aol.com wrote:
>In a message dated 2/7/99 7:10:03 AM, wedgehed@yahoo.com writes:
>
>>Just maxed out my EDP. :)
>
>
>Hey Kim,
>
>Didn't it used to cost over $1000 to max out an EDP?

yeppers. and what an extravagant luxury it was too....

>At this point, they
>should just sell the EDP maxed out!

well, they used to sell it with 12 seconds installed, now they sell it with
50 seconds stock. wouldn't surprise me if they eventually decide to sell it
stock with the full memory installed. Probably memory is not quite cheap
enough for that yet.


kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Date: Sun, 7 Feb 1999 14:26:57 -0800
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: Alternatives to Oberheim?
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>Dear Loopers,
>
>I just can't believe the expensive, nearly-impossible-to-acquire Oberheim
>Echoplex is the ONLY thing on the market that allows infinite
>loops/layerings.

I continue to be amused by <$600 being considered "expensive" for music
gear. For synths and samplers, that's the low-end..... In fact, that's even
true for guitar stuff...the things I ended up keeping, liking, and using on
a regular basis, all cost me quite a bit more than an echoplex goes for.
(except my death metal pedal, of course....)

besides, as Bret noted, there's a lot more to looping than just recording a
loop and adding a few layers to it. lots of stuff does that.



>
>What the hell was Lexicon thinking when they discontinued the Jam Man?

they were thinking, "we are losing money hand over fist on this product.
Let's cut our loses and get out now!"  ya know, not many companies are
willing to wait four years with a warehouse full of inventory before people
actually decide they want the thing.....


kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Feb  7 18:13:42 1999
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From: "Gerry P" <gerryp@air.on.ca>
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Subject: Stereo EDP's
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Kim

Just received my EDP from Alto w/ft controller - now I have Stereo looping
as it is my 2nd EDP.

You were absolutely right when you said the EDP was designed for stereo -
the stereo sound is fantastic and the BrotherSync worked flawlessly - I
maintain a stereo loop of 61.2 sec for 1 hour and it remained in sync - not
that I doubted it.

Once again - a great product!

Gerry P
gerryp@air.on.ca


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> BTW, anyone wanna buy a used Boomerang?

  how much?

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I have the following items for sale:

Roland FC-200 (ac adapter outlet slightly bent, works perfectly, otherwise mint) 
$220

Digitech Valve-FX (mint, new software installed) $285.

Digitech XP-300 Space Station Pedal (mint) $135

Boss SYB-3 Bass Synthesizer Pedal (mint) $95

Boss CE-2 Chorus Pedal (near mint) $40

Boss Blues Driver Pedal (mint) $45.

Yamaha DJX (mint) $240.

Buyer pays shipping from Los Angeles.

Please send all inquiries to metaphor@earthlink.net.

Thanks,

Scott.

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Subject: Re: Alternatives to Oberheim?
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Could someone let me know what the below mentioned EH16 is? Although I'd
love to have an EDP, I can't afford one right now. The features on the EDP
are all things I'd really like to have, but any loop/sampler is better than
none. Thanks... CQ




At 12:55 PM 2/7/99 -0800, you wrote:
>
>---"Michael S. Yoder" <myoder@tamiu.edu> wrote:
>> Dear Loopers,
>> I just can't believe the expensive, nearly-impossible-to-acquire
>Oberheim
>> Echoplex is the ONLY thing on the market that allows infinite
>> loops/layerings.  Is there anything else available..
>
>First, "nearly-impossible-to-acquire", this is absurd. I have never
>had any problem getting EDPs, and I have 3.  If you can't find them
>(at least in the USA) then you aren't looking. Call or email Gibson,
>and they can tell you where they shipped EDP recently. 
>
>Infinite loops/layerings are hardly what sets the EDP apart from the
>crowd.  The jamman, the boomerang, the EH16 second delay, and probably
>many others allow this.
>
>If that is your only requirment then seek those. 
>
>The EDP is special for more reasons that I can state here, but a few
>aspects are:
>1.  Undo
>2.  Brother Sync
>3.  Stereo Brother Sync
>4.  Multiply
>5.  Confirgurable Quantize/no Quantize/Confirm on switch actions
>6.  Allows creation and storage and replay of multiple unique loops,
>each of unique length.
>7.  198 seconds 
>
>Read the FAQ at Loopers Delight web page.
>
>I'm sure other EDP users have other favorite features, but IMO there
>is no substitute.
>bret
>_________________________________________________________
>DO YOU YAHOO!?
>Get your free @yahoo.com address at http://mail.yahoo.com
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Feb  8 11:40:44 1999
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I just bought a used Vortex for 120 bones. The value knob revaled itself
to be malfunctioning  once I got it home last night (of course) The
value number flickers and wil change erratically- the unit seems to work
perfectly otherwise-
Anyone who has had any experience with this PLEASE let me know- I am
highly doubtful if I will get my money back-

Clifford

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Subject: Re: *Echovirus* Blindfold OneofaKind remix
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>
>Would you say that most of the sonic material is Ed CHang then, and you
>have just manipulated this. 

Yes -- most of the *sonic* material was derived from the original tape.  To
get the bass sound, for instance, I took a wiggly bit of Ed's guitar,
dropped the pitch to about C2, constructed an attack envelope for it,
loaded it into a sampler, and applied a resonant filter.  Then, I used a
MIDI sequence to trigger it, rendered it direct to disk, then pasted it
into the piece using Cool Edit Pro.

I added some sax, and a one-note guitar bit, constructed the primary
groove/drum loop and wrote the bass line.

>I'd love to hear the origianl along side this.
>Any plans for posting it at mp3.com or elsewhere.

At 30 minutes, the original is too big for mp3 distribution via either
mp3.com, or my ftp site -- I will, however, send a copy of both 'BlindFold
DisFunktion', and the original piece to anyone willing to send me either an
SASE or CD/DAT/cassette of some original music.  

If anyone wants to re-remix either/both, that's cool, too -- email me
privately for my address, etc.

rob 




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I have the following for sale:

Boss octave pedal (oc-2)w/AC adapter $50 
Boss bass chorus (ce-2b)w/AC adapter $50
Boss bass flanger (bf-2b)w/AC adapter $50
Boss digital delay/reverb (rv-3) $85
Boomerang sampler $275 
Dunlop bass wah-wah pedal $40
Zoom bass 506 w/expression pedal $65
Dunlop volumn pedal (free with purchase...one available)

Also, for Chapman Stick:
Roland GK-2A MIDI pick-up with GR-30 $575

All "OBO" will be considered...actually encouraged more than just 
considered! Please respond via private e-mail. Thanks!

---//////-------------/////---///////---
Joshua D. Pickenpaugh
Boulder, Colorado, U.S.A.
Bassist, Composer, Teacher
http://welcome.to/kameleyonmusic
-///------///////--------------///////--


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Date: Mon, 8 Feb 1999 11:07:24 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Alternatives to Oberheim?
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At 6:13 AM -0800 2/8/99, Chris Q wrote:
>Could someone let me know what the below mentioned EH16 is? Although I'd
>love to have an EDP, I can't afford one right now. The features on the EDP
>are all things I'd really like to have, but any loop/sampler is better than
>none. Thanks... CQ

Electro-Harmonix 16 second delay. Long out of production, now rare and a
collectors item. Even rarer to find one that still works. If you can't
afford an Echoplex, you *definitely* can't afford an EH16.

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Feb  8 20:04:41 1999
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From: "Michael S. Yoder" <myoder@tamiu.edu>
Subject: Chris Q: Re: Alternatives to Oberheim?
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At 11:07 AM 2/8/99 -0800, you wrote:
>At 6:13 AM -0800 2/8/99, Chris Q wrote:
 
Although I'd love to have an EDP, I can't afford one right now. The
features on the EDP
>>are all things I'd really like to have, but any loop/sampler is better than
>>none. Thanks... CQ
>
>

Chris,
I've been in the same boat, and have found the following cheap loopers by
doing lots of homework over the past 3 days:

1. DOD DFX94 pedal is sometimes available, street price $100-120.  I have
2, and they're not bad for live performance.  Just a tiny bit noisey during
fadeout. You need 3 hands to do it well if you play a stringed instrument.
4 seconds max.  I just did an art gallery gig using my two with a fretless
bass and two small amps, and the crowd seemed to really like hearing a
textural kind of jazz that they've probably never heard before.

2. Zoom 508.  4 seconds, street price $99.  No idea how it sounds, but the
multi-effects Zoom pedals in the 500 series are quite noisey (which doesn't
necessarily mean the 508 is.)  Easy to obtain.

3. Zoom 2100.  16 seconds in "hi-fi" mode (32K sampling), or 3 separate
5-second recordings.  The owners manual implies that looping is possible
but it seems a little awkward (never seen one in person). Street price
approx. $150
Easy to obtain.

4. Boss DD5.  2 seconds of quiet delay/looping.  Very easy to use.  Street
price $140-150.  Easy to obtain.

5. Korg AX1G and AX1B (guitar and bass multi-effects, respectively).  1.8
seconds.  Street price $130.  Plus, "chingos" of other effects.

6. Boomerang.  Under $400 street.  2 minutes in "hi-fi" mode, plus reverse
loops.  Looks very easy to use.  And hey, it's made in Texas!!  I seem to
recall seeing in their web site that David Torn has used it.

Like you said, any looping device is better than none.  EDP does seem to be
the most sophisticated.  I've been assured that one can be obtained with
foot pedal board for around $600 (??)

Hope this helps.
Michael.
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

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Subject: Chris Q: Re: Alternatives to Oberheim?
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I forgot to add something important:  A million thanks to all of those of
Loopers Delight who have helped me over the past couple days!!!!!!!

Michael.

>
>At 11:07 AM 2/8/99 -0800, you wrote:
>>At 6:13 AM -0800 2/8/99, Chris Q wrote:
> 
>Although I'd love to have an EDP, I can't afford one right now. The
features on the EDP
>>>are all things I'd really like to have, but any loop/sampler is better than
>>>none. Thanks... CQ
>>
>>
>
>Chris,
>I've been in the same boat, and have found the following cheap loopers by
doing lots of homework over the past 3 days:
>
>Michael.
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Dr. Michael S. Yoder
Assistant Professor of Geography,
Coordinator of Urban Studies
Texas A&M International University
5201 University Blvd.
Laredo, TX  78041
Tel. (956) 326-2634; FAX (956) 326-2464 
Internet:myoder@tamiu.edu

=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-==

From Loopers-Delight-request@annihilist.com  Mon Feb  8 20:23:42 1999
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i will vouch for the zoom 508. it is pretty quiet and very versatile.
definitely the price/performance winner in its range. PJ

From Loopers-Delight-request@annihilist.com  Mon Feb  8 21:51:19 1999
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From: Todd Pafford <todd@galen.erunet>
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Subject: Re: Vortex
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On Mon, 8 Feb 1999, Clifford Novey wrote:

> I just bought a used Vortex for 120 bones. The value knob revaled itself
> to be malfunctioning  once I got it home last night (of course) The
> value number flickers and wil change erratically- the unit seems to work
> perfectly otherwise-
> Anyone who has had any experience with this PLEASE let me know- I am
> highly doubtful if I will get my money back-
> 
> Clifford
> 

When I bought my Vortex it exhibited similar problems with both the Value
and Parameter knobs.  I contacted Greg Hogan from Vortex through this list
and he set me up with getting the Vortex returned to Lexicon for repair.
The process was painless and effective.  So, get a hold of Lexicon,
they'll fix you right up.  :)

---
"If the doors of perception were cleansed everything would appear
 to man as it is, infinite."  -- William Blake

Todd Pafford   galen@erols.com 

From Loopers-Delight-request@annihilist.com  Mon Feb  8 22:32:17 1999
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I'll throw in my two cents for the Boomerang.  I just bought mine a couple
weeks ago and am head over heels in love with the thing.  It's so easy to
use I'm pretty sure my cat could figure it out if only he played an
instrument.  I've heard complaints in the past about sound quality and
noise, but I have no complaints.  Granted, it's not pristine, but this by
no means lessens it's value in my opinion.  For the money, I think you'd
be hard pressed to find a more enjoyable looper.

Brief feature list:
 - max of 2 minutes loop length in HiFi, 4 minutes in LoFi 
 - infinite layering of overdubs
 - foot roller to control volume of loop output (effectively the mix)
 - playback/record in reverse

So there's my two cents.  Give one a try. :)

---
"If the doors of perception were cleansed everything would appear
 to man as it is, infinite."  -- William Blake

Todd Pafford   galen@erols.com 

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Subject: Make Like a Loop Machine
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I did something this evening which turned out to be quit fun. I've been
having trouble triggering a certain synth a Doepfer MS 404 with my MIDI
guitar set-up. So on my way home from work I decided to hook up my Yamaha
QY-10 directly to the 404. The QY-10 is an old Yahama sequencer that I
picked up in December when FingerPaint was experimenting with stripping
down our set-up to save on chiropratic fees. By using the QY-10 to trigger
MIDI notes in a couple of synths I was able to leave my guitar and the GR-1
at home. I was also travelling with only two loopers and one effect box.
Anyhow back at home I have access to my Echoplex, two jam men, and various
effects.

But back to tonight. I began working with the 404 and was happy with the
results. I laid down a simple low sounding loop in the plex. Then I made a
short loop in Jam man one, then another short loop, and finally a third
short loop. Then on the second jam man I set up set up two more longer
loops to complement what was happening. Then I started to dial between the
various loops on the jam men. (I've yet to get into multiple loops with my
echoplex, but that's tommorrow nights lesson...) Anyhow I liked the results
of changing loops while still triggering sounds via the QY-10. So far this
was not new ground for me. Sounded Frippian, which I usually avoid, but
tonight I went with.

I decided to turn on the 8 track and just record myself letting the loops
rub against one another, switching between the five options and
occassionally fading loops out. The loops I created were all sparse BTW.

After recording this I then of course wanted to play over it. But instead
of grabbing my guitar, I recorded the next tracks with the QY-10 as my
instrument and put the limit of "making myself play like a looping machine"
as a guide. Actually I was set up more in repeat mode more then in loop
mode.

After this I did grab my guitar and put it through a twisted effect, muted
the actual guitar sound and hit record again. Still instructing myself to
play like a loop machine.

When I played it all back tonight I liked the result. Who knows if it will
hold up over time and that's really not important. It was fun and is
fertile ground for me and others blessed with multi track recorders to
till.

Peace,

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Mon Feb  8 23:05:17 1999
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Date: Mon, 8 Feb 1999 22:52:46 EST
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im just curious, 
is anyone selling a grand stick?
or recently bought one?
im going to buy one soon and i want to get a feel for the prices

thanks

rodrigo

From Loopers-Delight-request@annihilist.com  Mon Feb  8 23:09:19 1999
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To: Loopers-Delight@annihilist.com
From: chuckv@starsend.org (Chuck van Zyl)
Subject: Ma Ja Le + Jeff Pearce Live
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m u s i c  . . . .  c o n c e r t  . . . .  c a l a n d a r   l i s t i n g


MA JA LE TO PERFORM LIVE CONCERT AT THE NEXT STAR'S END GATHERING

(Philadelphia 02-08-99) Tribal Ambient duo Ma Ja Le will perform a concert
of Electronic Music at The Star's End Gathering on Saturday, March 6th,
1999 in Philadelphia.

Using synthesizers, guitar, outboard processing gear and an array of exotic
instruments, Ma Ja Le creates an extended musical journey through rhythms,
soundworlds and sonic atmospheres.

Based in Milwaukee, Ma Ja Le consists of Chris Short (synths, effects,
flutes and Guitartronics) and Paul Vnuk Jr. (synths, voice and percussion).
Thus far they have released two full length CDs: "Dreams In The Orchards Of
Saturn" and (teamed with ambient groove wizard Vir Unis and produced by
Steve Roach) "Imaginarium".

Pursuing the course laid down by the recent music of Steve Roach, Vidna
Obmana and Robert Rich, Ma Ja Le is making significant contributions to the
emerging genre of Tribal Ambient. They have carefully examined the genre
and produce music with contrast, subtlety and originality. Drawing on their
influencences and their own inspiration, Ma Ja Le offers clear, crafted
timbres, driving pulse percussion, swirling clouds of harmonics and
floating dream textures.

Ma Ja Le's Gathering performance will be their first ever on the east coast
of the USA and will reflect their interest in soundscapes, texture and
rhythm.

Opening for Ma Ja Le will be sonic innovator Jeff Pearce. Based in the
Indianapolis area, Pearce is well known to the Spacemusic community for his
unique approach to playing guitar. The tones Pearce produces do not betray
their origin as they are processed, delayed, distorted and looped to create
complex harmonies and timbres not usually associated with an ordinary
electric guitar. Pearce's triumph does not lie merely in the technical but
in the emotional aspect of his playing. His music is compelling and moody,
and displays a talent for traversing the Space, Ambient, Experimental and
New Age genres.

With four full length CDs to his credit and represented on several
prestigeous anthologies, Pearce "mines the terrain where Ambient, Space and
Minimalism converge...". His music ranges from deep, dark, lengthy
soundworlds to bright, elegant, focused compositions. Performing live
infrequently, Pearce's appearence in Philadelphia at the Star's End
Gathering is unique.

The Star's End Gathering with Ma Ja Le and Jeff Pearce will take place from
8pm to 11pm on Saturday, March 6th, 1999 at St. Mary's Church, 3916 Locust
Walk, Philadelphia, PA. Admission at the door is $15; $10 w/WXPN MemberCard
and $5 w/proper student ID.

Before The Gathering: WXPN MemberCard holders are welcome to attend a free
Spacemusic workshop/discussion moderated by Star's End host Chuck van Zyl.
van Zyl will lead a discussion pertaining to the technology behind the
music, and Gathering artist Jeff Pearce will be on hand with his guitar and
effects processors to demonstrate the process and craft by which he
realizes his sound.

The WXPN Members Only Spacemusic workshop will run from 7-7:30pm on March
6th, 1999 at St. Mary's Church. Just show your current WXPN MemberCard at
the door and you'll be admitted free to the workshop.

Concert Preview: In the weeks prior to the concert, the Star's End radio
program will regularly feature the music of Ma Ja Le and Jeff Pearce. A
live telephone interview with the artists is scheduled for the 02.28.99
broadcast.

Following The Gathering: the Star's End radio program will feature a live
in-studio performance by featured Gathering artist Jeff Pearce. Tune in to
Star's End on 03.07.99 and hear a totally improvised, live radio concert
from one of the Ambient community's most innovative guitarists.


Where to find Star's End

Saturday Nights/Sunday Mornings 1:00am to 6:00am on:

88.5fm WXPN Philadelphia, PA
88.1fm WXPH Harrisburg, PA
90.5fm WKHS Worton/Baltimore, MD
104.5fm Allentown, PA


Gatherings are live concerts featuring musicians from the ambient,
electronic and space music worlds.  For more info:  http://www.starsend.org


                                x x x


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From: dan mcmullen <dog@well.com>
Subject: Re: Vortex
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you might also try opening the Vortex up and squirting some Cramolin/Deoxit
or other contact cleaner in the value encoder.  this fixed a similar
problem for me.

At 09:41 PM 2/8/99 -0500, Todd Pafford wrote:
>On Mon, 8 Feb 1999, Clifford Novey wrote:
>
>> I just bought a used Vortex for 120 bones. The value knob revaled itself
>> to be malfunctioning  once I got it home last night (of course) The
>> value number flickers and wil change erratically- the unit seems to work
>> perfectly otherwise-
>> Anyone who has had any experience with this PLEASE let me know- I am
>> highly doubtful if I will get my money back-
>
>When I bought my Vortex it exhibited similar problems with both the Value
>and Parameter knobs.  I contacted Greg Hogan from Vortex through this list
>and he set me up with getting the Vortex returned to Lexicon for repair.
>The process was painless and effective.  So, get a hold of Lexicon,
>they'll fix you right up.  :)

___
dan mcmullen, sf, ca, usa                  don't worry - pay attention
mailto:dog@well.com                                       415.681-0712
pgp fingerprint  =  1C70 8D81 6B94 93A9 F2D8  9609 2122 BF70 8619 EDAF

From Loopers-Delight-request@annihilist.com  Mon Feb  8 23:39:55 1999
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Date: Mon, 08 Feb 1999 20:38:00 -0800
From: Clifford Novey <clifsound@earthlink.net>
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I'll give that a try- thanks-

Cliff

dan mcmullen wrote:

> you might also try opening the Vortex up and squirting some Cramolin/Deoxit
> or other contact cleaner in the value encoder.  this fixed a similar
> problem for me.
>
> At 09:41 PM 2/8/99 -0500, Todd Pafford wrote:
> >On Mon, 8 Feb 1999, Clifford Novey wrote:
> >
> >> I just bought a used Vortex for 120 bones. The value knob revaled itself
> >> to be malfunctioning  once I got it home last night (of course) The
> >> value number flickers and wil change erratically- the unit seems to work
> >> perfectly otherwise-
> >> Anyone who has had any experience with this PLEASE let me know- I am
> >> highly doubtful if I will get my money back-
> >
> >When I bought my Vortex it exhibited similar problems with both the Value
> >and Parameter knobs.  I contacted Greg Hogan from Vortex through this list
> >and he set me up with getting the Vortex returned to Lexicon for repair.
> >The process was painless and effective.  So, get a hold of Lexicon,
> >they'll fix you right up.  :)
>
> ___
> dan mcmullen, sf, ca, usa                  don't worry - pay attention
> mailto:dog@well.com                                       415.681-0712
> pgp fingerprint  =  1C70 8D81 6B94 93A9 F2D8  9609 2122 BF70 8619 EDAF

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Date: Mon, 8 Feb 1999 23:57:21 -0500 (EST)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Punk Jazz?
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Check out Outhouse, http://www.tacoma.net/~outhouse/

They're super hardcore jazz.  Live they're amazingly loud, the closest
thing I've heard to a punk bad in a jazz setting ever.

	Kevin



Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/


From Loopers-Delight-request@annihilist.com  Tue Feb  9 00:34:28 1999
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From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: QY 10 for loopers....
Date: Tue, 9 Feb 1999 00:12:10 -0500
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funny to see talk of the yamaha qy10 - i just was re- acquanting with mine
it's great!!

if you see one used- grab it!! these are great little units that do WAY
more than you may think...it's worth it just for the fact that a device the
size of a videotape (i store mine in a video sleeve) - is not only an
8track sequencer, 36 sound synth module, drum machine, but can quickly be
set up as a "looping" jam partner - any groove in any key over any chord,
etc.. 

i've written music on the beach in jamaica with this - with 'phones it's
amazing what you've got. The unit TOTALLY died when Yamaha brought itout -
for one reason- the ridiculously small, one line screen!! Yikes...!! while
i'm used to it - i'm sure the QY10 is easier to use with it's big
screen....

so - all in all - my recommendations are that this piece rules for loopers
because:

-can be found cheap
-small, great for stealth loop gigs
-nice for adding drum bites or a splash of synth tone to a loop
-easy 'step time'programming lets you plug in tough passages, from printed
music, for analysis....
-if you only ever use it for warming up over a metronome and a fun scale -
it'll pay for itself.

have fun

andre'

From Loopers-Delight-request@annihilist.com  Tue Feb  9 02:56:41 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: "Loopers' Delight" <Loopers-Delight@annihilist.com>
Subject: Service in Chicago
Date: Mon, 8 Feb 1999 23:51:52 -0800
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I just found out about this company in Chicago; I think some of us might be
interested in finding out more about them.

http://www.aeromix-mastering.com/

Javier
Berkeley, Calif.


From Loopers-Delight-request@annihilist.com  Tue Feb  9 13:07:11 1999
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From: "Tim Walker" <tawalker@dircon.co.uk>
To: "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
Date: Mon, 08 Feb 1999 18:53:49 
Reply-To: "Tim Walker" <tawalker@dircon.co.uk>
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With the odd exception, the comments I've read on the EBow thread so
far seem to have been largely "indifferent" - as in, "well, it's OK,
but probably not worth the money". Personally, I couldn't agree less...

IMHO, the EBow could've been made for the looping guitarist (not to
mention other instrumentalists who give it a go). Once you've got the
hang of the unit, it opens up whole new sounds and effects which would
be well-nigh impossible without a guitar synth; and as we all know, the
more of these you have as a solo looper, the better!

As you might guess, I make extensive use of the EBow in my looping
improvisations, and a few of the many effects I've discovered can be
heard on my forthcoming MP3.com CD. Try these for starters:
- Turn up the guitar treble to about 5, stick on some chorus or
flanging, and presto! a nice "synthy"-type solo sound. My track "The
place of little rivers" is almost exclusively made up of layered EBow
parts.
- Play long sustained notes, fading them slowly in and out, and use
your looper to layer lots of them so some come up as others decay -
Fripp's "The Cathedral Of Tears" is an example of the kind of effect,
though of course he used guitar synth.
- Use a nice rich overdrive sound, and combine the EBow with a slide -
David Torn's intro solo from "Gidya Hana", or at least something close.

I'd give the EBow another chance, especially as it only costs about the
same as an average effects pedal - not bad for a unit with so much
potential. Don't be afraid to experiment and use your imagination -
you'll have people saying they never knew one guitar could sound like
that! (Well, it happened to me, anyway.)

Time to get some more practice in :-)

Tim.

*******************Tim Walker - Staines, UK*******************
     tawalker@dircon.co.uk - www.tawalker.dircon.co.uk/
          Visit Tim's NEW recordings page at MP3.com:
*********************www.mp3.com/timwalker/*******************


From Loopers-Delight-request@annihilist.com  Tue Feb  9 22:09:19 1999
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Date: Tue, 9 Feb 1999 22:01:28 EST
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ok, so i have my echoplex
ive been making some great loops(i got the thing not long ago)and ive set the
insert to reverse
now ive been reading up on how to actually 'insert' stuff and im seeing that
the insert button does a whole lot
so this question goes for the veteran loopers
do you reverse the loop, and then switch the quantization to insert etc.....
and are there any other things to be weary of in quantization setting
thanks a ton

rodrigo

From Loopers-Delight-request@annihilist.com  Tue Feb  9 22:47:48 1999
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Date: Tue, 09 Feb 1999 22:43:04 -0500
From: calvert_medical <calvert_medical@cwix.com>
Subject: Volunteers Needed
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------=_NextPart_000_0004_01BE547D.8E3F2260
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Retention and Career Enhancement

Volunteers needed to help with all phases of program development and =
implementation at Calvert Medical Associates, a wholly owned small =
business, based in Atlanta, Georgia. Volunteers can range in ages from 9 =
to 80. Be homemakers, artists, retirees, students and professionals. =
Everyone is welcome to participate on most projects.=20

Volunteers needed with the ability to work independently to mold their =
won experiences in completing projects. Many of these projects are first =
time projects and volunteers must be willing to be pioneers; flexible, =
self motivated, committed, open minded, resourceful and having a sense =
of humor are important qualities of volunteers on these projects.

Our services have consistently high ratings for client satisfaction. One =
way Calvert Medical Associates has achieved this is by listening to our =
clients and acting when they have a need. That=92s where volunteers =96 =
come in. As a volunteer, you=92ll

    a.. Provide office support
    b.. Conduct telemarketing surveys
    c.. Quarterly mailings, paper folding and envelope stuffing
    d.. Word processing=20
    e.. Transfer incoming calls
    f.. Keep track and provide assistance to incoming callers
    g.. Taking good notes is also important
    h.. Know how to handle various and unusual events (these will be =
explained in your orientation).
    i.. Most importantly, work with Calvert Medical Associates =
representative to develop improvements/changes in programs
    j.. Computer skills are helpful if you have them, but not required
    a.. Flexible time commitment, Friday-Sunday good, too.
Volunteer services with Calvert Medical Associates is an excellent way =
to gain work experience while going good. This experience may also be =
used for internships.

If you have an interest in volunteering at Calvert Medical Associates, =
please call us at (770) 322-9131, or fax (770) 322-8698.=20


------=_NextPart_000_0004_01BE547D.8E3F2260
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
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<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.2106.6"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#008000 face=3D"Matura MT Script Capitals" size=3D6>
<P align=3Dcenter>Retention and Career Enhancement</P></FONT><FONT =
color=3D#008000=20
face=3D"Matura MT Script Capitals" size=3D5>
<P>Volunteers needed</FONT><FONT size=3D5> to help with all phases of =
program=20
development and implementation at Calvert Medical Associates, a wholly =
owned=20
small business, based in Atlanta, Georgia. Volunteers can range in ages =
from 9=20
to 80. Be homemakers, artists, retirees, students and professionals. =
Everyone is=20
welcome to participate on most projects. </P></FONT><FONT =
color=3D#008000=20
face=3D"Matura MT Script Capitals" size=3D5>
<P>Volunteers needed</FONT><FONT size=3D5> with the ability to work =
independently=20
to mold their won experiences in completing projects. Many of these =
projects are=20
first time projects and volunteers must be willing to be pioneers; =
flexible,=20
self motivated, committed, open minded, resourceful and having a sense =
of humor=20
are important qualities of volunteers on these projects.</P>
<P>Our services have consistently high ratings for client satisfaction. =
One way=20
</FONT><B><FONT color=3D#008000 face=3D"Matura MT Script Capitals" =
size=3D5>Calvert=20
Medical Associates</B></FONT><FONT color=3D#0000ff size=3D5> =
</FONT><FONT size=3D5>has=20
achieved this is by listening to our clients and acting when they have a =
need.=20
That&rsquo;s where volunteers &ndash; come in. As a volunteer, =
you&rsquo;ll</P>
<UL><B>
    <LI>Provide office support</LI>
    <LI>Conduct telemarketing surveys</LI>
    <LI>Quarterly mailings, paper folding and envelope stuffing</LI>
    <LI>Word processing </LI>
    <LI>Transfer incoming calls</LI>
    <LI>Keep track and provide assistance to incoming callers</LI>
    <LI>Taking good notes is also important</LI>
    <LI>Know how to handle various and unusual events (these will be =
explained=20
    in your orientation</B>).</LI><B>
    <LI>Most importantly, work with Calvert Medical Associates =
representative to=20
    develop improvements/changes in programs</LI>
    <LI>Computer skills are helpful if you have them, but not =
required</LI></UL>
<UL>
    <LI>Flexible time commitment, Friday-Sunday good, =
too.</LI></UL></FONT><FONT=20
size=3D4></FONT><FONT size=3D5>
<P>Volunteer services with Calvert Medical Associates is an excellent =
way to=20
gain work experience while going good. This experience may also be used =
for=20
internships.</P></B><B><I>
<P>If you have an interest in volunteering at Calvert Medical =
Associates, please=20
call us at (770) 322-9131, or fax (770) 322-8698.=20
</P></B></I></FONT></DIV></BODY></HTML>

------=_NextPart_000_0004_01BE547D.8E3F2260--

From Loopers-Delight-request@annihilist.com  Wed Feb 10 01:19:55 1999
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Date: Tue, 09 Feb 1999 22:12:38 -0800
From: Clifford Novey <clifsound@earthlink.net>
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Subject: Vortex/Lexicon Pedals
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Hey all- I have been playing with my new Vortex for hours and had a
question or two-
1) I seem to get a bit of noise/hiss even running direct to the unit- I
have mainly been using the "Deja Vu" B patch though- anyone else have
this? Anyone else not have this? how is yours set up? Mine right now is
as follows:
Guitar to resistance mixer (splits signal)/one signal to Vortex, the
other to effects board and amp- both signals end in 4 track- I get one
clean Vortex and one non-Vortex signal.
2) The one I have only came with a cheap mono foot pedal- are the
original stereo pedals still avail? How much? Can you use other pedals
instead?
I would like to be able to switch from bank A to B to use the morphing
capabilities on the fly- etc.
3) I can hear certain effects running when there is no input- kind of
like a flanger or phaser where you can hear it with no signal- (or maybe
there IS a small signal comprised of hiss...shit, I don't know! :-p )
Anyone else get this?

Thanks to all who passed on suggestions for my Value dial problem on my
Vortex- they were VERY much appreciated-  I tried cleaning the pot with
a little bit of brake cleaner (evaporates completely) but had no
success- one thing I noticed is it seems to work perfect the first few
seconds the unit is on- it works but it is frustrating because it may
take 20 turns to change the value  5 or 10 points. I am still hoping the
person I bought it from will be cool and exchange it back- I wouldn't be
worried but it sometimes pops into Value mode on its own and flickers a
point or two and in some cases it creates an audible difference-
Not a desireable effect!

I was pleased to get a ring modulator effect- I felt just like John
McLaughlin! (ahem, not) ;)

Thanks all-

Cliff

PS- I see some of us awaiting new EDPs are getting them- I'm next,
right? ;)



From Loopers-Delight-request@annihilist.com  Tue Feb  9 21:50:52 1999
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Message-ID: <002001be54d8$1dd32ac0$eec0ae98@jkudler.stu.wesleyan.edu>
From: "Jesse Kudler" <jkudler@mail.wesleyan.edu>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Volunteers Needed
Date: Wed, 10 Feb 1999 04:31:17 -0500
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Where the hell did this come from?

-Jesse


    -----Original Message-----
    From: calvert_medical <calvert_medical@cwix.com>
    To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
    Date: Tuesday, February 09, 1999 10:59 PM
    Subject: Volunteers Needed
   =20
   =20
    Retention and Career Enhancement

    Volunteers needed to help with all phases of program development and =
implementation at Calvert Medical Associates, a wholly owned small =
business, based in Atlanta, Georgia. Volunteers can range in ages from 9 =
to 80. Be homemakers, artists, retirees, students and professionals. =
Everyone is welcome to participate on most projects.=20

    Volunteers needed with the ability to work independently to mold =
their won experiences in completing projects. Many of these projects are =
first time projects and volunteers must be willing to be pioneers; =
flexible, self motivated, committed, open minded, resourceful and having =
a sense of humor are important qualities of volunteers on these =
projects.

    Our services have consistently high ratings for client satisfaction. =
One way Calvert Medical Associates has achieved this is by listening to =
our clients and acting when they have a need. That=92s where volunteers =
=96 come in. As a volunteer, you=92ll

        a.. Provide office support=20
        b.. Conduct telemarketing surveys=20
        c.. Quarterly mailings, paper folding and envelope stuffing=20
        d.. Word processing=20
        e.. Transfer incoming calls=20
        f.. Keep track and provide assistance to incoming callers=20
        g.. Taking good notes is also important=20
        h.. Know how to handle various and unusual events (these will be =
explained in your orientation).=20
        i.. Most importantly, work with Calvert Medical Associates =
representative to develop improvements/changes in programs=20
        j.. Computer skills are helpful if you have them, but not =
required
        a.. Flexible time commitment, Friday-Sunday good, too.
    Volunteer services with Calvert Medical Associates is an excellent =
way to gain work experience while going good. This experience may also =
be used for internships.

    If you have an interest in volunteering at Calvert Medical =
Associates, please call us at (770) 322-9131, or fax (770) 322-8698.=20


------=_NextPart_000_001B_01BE54AE.336A4DC0
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HTML//EN">
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</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Where the hell did this come =
from?</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT size=3D2>-Jesse</FONT></DIV>
<DIV><FONT size=3D2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
    <DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
    </B>calvert_medical &lt;<A=20
    =
href=3D"mailto:calvert_medical@cwix.com">calvert_medical@cwix.com</A>&gt;=
<BR><B>To:=20
    </B><A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>=20
    &lt;<A=20
    =
href=3D"mailto:Loopers-Delight@annihilist.com">Loopers-Delight@annihilist=
.com</A>&gt;<BR><B>Date:=20
    </B>Tuesday, February 09, 1999 10:59 PM<BR><B>Subject: =
</B>Volunteers=20
    Needed<BR><BR></DIV></FONT>
    <DIV><FONT color=3D#008000 face=3D"Matura MT Script Capitals" =
size=3D6>
    <P align=3Dcenter>Retention and Career Enhancement</P></FONT><FONT=20
    color=3D#008000 face=3D"Matura MT Script Capitals" size=3D5>
    <P>Volunteers needed</FONT><FONT size=3D5> to help with all phases =
of program=20
    development and implementation at Calvert Medical Associates, a =
wholly owned=20
    small business, based in Atlanta, Georgia. Volunteers can range in =
ages from=20
    9 to 80. Be homemakers, artists, retirees, students and =
professionals.=20
    Everyone is welcome to participate on most projects. =
</P></FONT><FONT=20
    color=3D#008000 face=3D"Matura MT Script Capitals" size=3D5>
    <P>Volunteers needed</FONT><FONT size=3D5> with the ability to work=20
    independently to mold their won experiences in completing projects. =
Many of=20
    these projects are first time projects and volunteers must be =
willing to be=20
    pioneers; flexible, self motivated, committed, open minded, =
resourceful and=20
    having a sense of humor are important qualities of volunteers on =
these=20
    projects.</P>
    <P>Our services have consistently high ratings for client =
satisfaction. One=20
    way </FONT><B><FONT color=3D#008000 face=3D"Matura MT Script =
Capitals"=20
    size=3D5>Calvert Medical Associates</B></FONT><FONT color=3D#0000ff =
size=3D5>=20
    </FONT><FONT size=3D5>has achieved this is by listening to our =
clients and=20
    acting when they have a need. That&rsquo;s where volunteers &ndash; =
come in.=20
    As a volunteer, you&rsquo;ll</P>
    <UL><B>
        <LI>Provide office support=20
        <LI>Conduct telemarketing surveys=20
        <LI>Quarterly mailings, paper folding and envelope stuffing=20
        <LI>Word processing=20
        <LI>Transfer incoming calls=20
        <LI>Keep track and provide assistance to incoming callers=20
        <LI>Taking good notes is also important=20
        <LI>Know how to handle various and unusual events (these will be =

        explained in your orientation</B>).<B>=20
        <LI>Most importantly, work with Calvert Medical Associates=20
        representative to develop improvements/changes in programs=20
        <LI>Computer skills are helpful if you have them, but not =
required</LI></UL>
    <UL>
        <LI>Flexible time commitment, Friday-Sunday good, =
too.</LI></UL></FONT><FONT=20
    size=3D4></FONT><FONT size=3D5>
    <P>Volunteer services with Calvert Medical Associates is an =
excellent way to=20
    gain work experience while going good. This experience may also be =
used for=20
    internships.</P></B><B><I>
    <P>If you have an interest in volunteering at Calvert Medical =
Associates,=20
    please call us at (770) 322-9131, or fax (770) 322-8698.=20
    </P></B></I></FONT></DIV></BLOCKQUOTE></BODY></HTML>

------=_NextPart_000_001B_01BE54AE.336A4DC0--

From Loopers-Delight-request@annihilist.com  Tue Feb  9 22:30:35 1999
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Date: Wed, 10 Feb 1999 00:02:35 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Vortex/Lexicon Pedals
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At 10:12 PM -0800 2/9/99, Clifford Novey wrote:

>Thanks to all who passed on suggestions for my Value dial problem on my
>Vortex- they were VERY much appreciated-  I tried cleaning the pot with
>a little bit of brake cleaner (evaporates completely) but had no
>success- one thing I noticed is it seems to work perfect the first few
>seconds the unit is on- it works but it is frustrating because it may
>take 20 turns to change the value  5 or 10 points. I am still hoping the
>person I bought it from will be cool and exchange it back- I wouldn't be
>worried but it sometimes pops into Value mode on its own and flickers a
>point or two and in some cases it creates an audible difference-
>Not a desireable effect!

before you send it back, make sure to contact Greg Hogan
<GHogan@lexicon.com>, customer service guy at lexicon, and ask if they can
fix it for you. Greg's been real helpful to people here in the past. I met
Greg in the flesh at NAMM and chatted for a while, great guy....

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Wed Feb 10 01:45:09 1999
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In a message dated 2/10/99 9:43:30 AM, jkudler@mail.wesleyan.edu writes:

<< Where the hell did this come from? >>

It seems that someone has learned how to spam entire mailing lists.....


Marshall


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Date: Thu, 11 Feb 1999 00:22:58 +0900
To: Loopers-Delight@annihilist.com
From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: DOEPFER ENDLESS (Re: MOOG ENDLESS)
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Hello,

MOOG ENDLESS information.
Our MOOG System 55 will go out till next Monday.
Now DOEPFER modulars are proxy for System 55.
We will streaming DOEPFER modulars music by Real Video till next Monday.

Streaming URL is
http://www.cavestudio.com/S+V/moog_endless.html

You need a Real Player 5.0 or G2 and 28.8k or greater connection for enjoy
this streaming.

  Regards

  Sunao Inami


Work
E-mail                          webmaster@cavestudio.com
URL"CAVE Studio"         http://www.cavestudio.com
tel&fax                         +81 794 89 5025 Hyogo,Japan

Home
E-mail                          cave@osk.3web.ne.jp
tel&fax                         +81 794 89 5015 Hyogo,Japan

snail mail address       316 Ohshima
                                    Kuchiyokawa
                                    Miki City
                                    Hyogo
                                    Japan
                                    6730755


From Loopers-Delight-request@annihilist.com  Wed Feb 10 12:17:08 1999
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Message-ID: <01BE54D3.2CC39380.stevehan@transworld-lax.com>
From: Steve Han <stevehan@transworld-lax.com>
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To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: stick
Date: Wed, 10 Feb 1999 08:47:47 -0800
Organization: Transworld Freight Systems
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Grand Stick costs $1,600.00 directly from Mr. Chapman
himself.  The 10 stringer costs $1,300.00.  I believe they
both have the new Piezo pick ups.
I think Mr. Chapman also offers 1 free lesson with
the deal.  Although he himself does not offer lessons
anymore, he has a slew of pupils who offer the lesson(s).
He had just performed at NAMM to demonstrate the Stick
and Tony Levin even showed up to watch and endorse it.

-----Original Message-----
From:	Kriist@aol.com [SMTP:Kriist@aol.com]
Sent:	Monday, February 08, 1999 7:53 PM
To:	Loopers-Delight@annihilist.com
Subject:	stick

im just curious, 
is anyone selling a grand stick?
or recently bought one?
im going to buy one soon and i want to get a feel for the prices

thanks

rodrigo

From Loopers-Delight-request@annihilist.com  Wed Feb 10 14:45:59 1999
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From: james rhodes <sharkey@texas.net>
Subject: live gigs Thur & Fri in San Antonio/with webcast preview "Punk
  Jazz"?
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Hello once again,

thought i might mention that I'll be playing Stick live on Thursday 2/11/99
at The Reverb Lounge 
San Antonio 1033 Ave B. 210-223-5160 with the "Punk Jazz" combo DADDY
MONKEY,,,i was told there will be at
least a 4 piece horn section there that evening. i expect we'll start at
11:00-11:30 ..The experimental trio of CREVICE will also play that evening.
not sure about cover?? fellow listmember James Sidlo will be playin with
both bands,,,a dedicated string picker indeed...He will offer no less with
his prescence at the following gig as well...see below

will also be playing Taco Land Friday 2/12/99 (with THEOREM 5) 103 W.
Grayson 210-223-8406 
another fine Local Band ,THE SWINDELS will be playing as well. $3.00 cover  

I will we plugin both gigs on the radio Thurs 9:00pm CST on KSYM 90.1 FM ,as
well as playing
some Theorem 5 tunes while im there. 
this can be heard on the web at    http://www.accd.edu/sac/rtf/ksym.htm

thanks for checkin this out
have a great day
james

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Date: Wed, 10 Feb 1999 11:20:51 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Slaves ....er Volunteers Needed
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Slaves needed to help with all phases of program  development and
implementation at Looper's Delight Web site, a wholly owned, unprofitable
small business, based in cyberspace. Slaves can range in ages >from 9  to
80, but prefer 18-35 with a hot, sexy body. Be homemakers, artists,
retirees, students, professionals, and even loopers. Everyone is  welcome
to participate on most projects.

Slaves needed with the ability to work independently  to mold their won
experiences in completing projects. Many of these projects are  first time
projects and volunteers must be willing to be pioneers; flexible,  self
motivated, committed, open minded, resourceful and having a sense of humor
are important qualities of volunteers on these projects. Good spelling and
grammar skills are clearly not required, but you will be empowered! That
sense of humor will definitely come in handy though, as you constantly hear
new age business euphimisms used to describe your menial work.

Our services have consistently high ratings for client satisfaction, except
for the people who can't figure out how to unsubscribe from the mailing
list. One way  Looper's Delight has  achieved this is by listening to our
clients and acting when they have a need. Or not acting when they have a
need. Depends on our mood that day.  Thats where volunteers  come in. As a
volunteer, youll

-Provide office support, back rubs, etc.
-Write lots of cgi and/or java scripts to do lame things at my whim
-Clean my house
-Play games and look at porno on the web when I'm not around
-Code html in a dark room all day
-Do my laundry
-Transfer incoming emails, mostly to the trash
-Clean up after my pets
-Rip off stuff from other web sites
-Know how to handle various and unusual events (this is my favorite, but
what does it mean?)
-Most importantly, work with Looper's Delight representative to develop
improvements/changes in programs, which we may or may not do anything with.
-Computer skills are helpful if you have them, but not required if are
18-35 with a hot, sexy body



      inflexible time commitment, you'll be locked up here for a while.


Slave services with Looper's Delight is a good way to  gain work experience
while going good. However, it's an excellent way to gain experience while
going bad, or a great historical lesson in the lives and times of medieval
serfs.  This experience may also be used for  internships.

;-)

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Wed Feb 10 15:45:37 1999
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Subject: Re: stick
Date: Wed, 10 Feb 1999 15:19:37 -0500
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Actually the Stick Enterprises website lists the price of the 
Grand Stick as $1905 and the 10 string Stick as $1605.

-----Original Message-----
From: Steve Han <stevehan@transworld-lax.com>
To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
Date: Wednesday, February 10, 1999 12:25 PM
Subject: RE: stick


>Grand Stick costs $1,600.00 directly from Mr. Chapman
>himself.  The 10 stringer costs $1,300.00.  

>Sent: Monday, February 08, 1999 7:53 PM
>To: Loopers-Delight@annihilist.com
>Subject: stick
>>
>>im just curious, 
>>is anyone selling a grand stick?
>>or recently bought one?
>>im going to buy one soon and i want to get a feel for the prices
>>
>>thanks
>>
>>rodrigo


From Loopers-Delight-request@annihilist.com  Wed Feb 10 16:57:47 1999
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From: PJBMHB@aol.com
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Date: Wed, 10 Feb 1999 16:33:00 EST
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the footswitch that came with my jamman stinks. better to use 2 decent
footswitches and y'ed to a stereo y cord. good luck. PJ

From Loopers-Delight-request@annihilist.com  Wed Feb 10 17:07:32 1999
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Date: Wed, 10 Feb 1999 16:50:11 -0500
To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: Gear FS
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Stuff may be relevant to loopers, so here's your shot (Harmony Central is
next):

All near-perfect to mint condition:

Lexicon MPX 100, with box and manual, $180

Lexicon Vortex, with box and manual, $220

another Lexicon Vortex, not original box, photocopied manual, $210

Lexicon MRC MIDI controller-essential for LXP-1s and LXP-5s, Reflex, etc.
I believe it's the latest software version.  No manual, $120

Buyer pays FedEx COD shipping

-------------------------------

Mackie 1202-VLZ  Lots of these listed, so I'm pricing it stupidly low: mint
with box and manual, $225

Buyer pays FedEx COD shipping and it's a heavy little bugger

Also have a Re 'an 48-point single rackspace patchbay, selectable
normalled/non-normalled/half-normalled, nearly new, $85 shipping included

-------------------------------

Electro-Harmonix Q-Tron envelope controlled filter, mint in wooden box, $125

Boss pedals, mint in box:

MT-2 Metal Zone, everyone asks this price but this one is really perfect, $60

PS-3 Pitch Shifter/Delay $90

SYB-3 "Bass Synthesizer"-probably the most far-out Boss pedal, wild
triggered synthy sounds and filter effects, $85

Buyer pays FedEx COD shipping


From Loopers-Delight-request@annihilist.com  Wed Feb 10 18:08:49 1999
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From: Slam630@aol.com
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Date: Wed, 10 Feb 1999 17:25:29 EST
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In a message dated 99-02-10 17:03:03 EST, you write:

<< SYB-3 "Bass Synthesizer"-probably the most far-out Boss pedal, wild
 triggered synthy sounds and filter effects, $85
  >>
 Is this still available?

Thanks,

David

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Subject: Gear Inherited...
Date: Wed, 10 Feb 1999 16:33:11 -0800
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A good friend of mine has dropped a gem (I think!) on me, a Morley
PowerWah/Volume Pedal.  This is the kind that one has to plug into the wall,
imagine that!  Anyone else have one of these babies?

Stephen Goodman
EarthLight Productions
http://www.earthlight.net


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Date: Wed, 10 Feb 1999 20:20:26 -0500 (EST)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: "Stephen Goodman@Work" <gwspud@earthlight.net>
cc: Loopers-Delight@annihilist.com
Subject: Re: Gear Inherited...
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I've got one of these with distortion, but it stopped working a while ago.
I probably need to clean it out or something...  It's a fun pedal.

	Kevin



Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

On Wed, 10 Feb 1999, Stephen Goodman@Work wrote:

> A good friend of mine has dropped a gem (I think!) on me, a Morley
> PowerWah/Volume Pedal.  This is the kind that one has to plug into the wall,
> imagine that!  Anyone else have one of these babies?
> 
> Stephen Goodman
> EarthLight Productions
> http://www.earthlight.net
> 
> 

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Date: Wed, 10 Feb 1999 21:10:42 -0500
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> A good friend of mine has dropped a gem (I think!) on me, a Morley
> PowerWah/Volume Pedal.  This is the kind that one has to plug into the wall,
> imagine that!  Anyone else have one of these babies?

I have one that I bought about ten years ago and use a lot on bass. I
nicknamed it the "Toaster" because of it's  size and big chrome design.
I don't think they are vintage prices or anything but they are wonderful
boxes and sound *very* rough and rock and roll. Noisy as hell too but in
a good way (IMO at least)

----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Wed Feb 10 21:40:36 1999
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Date: Wed, 10 Feb 1999 20:30:12 -0600
To: Loopers-Delight@annihilist.com
From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Re: Vortex/Lexicon Pedals
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A few months ago I was having problems with my Jam-Man randomly resetting
itself. I remembered the problems that I used to have with the LXP-1 and
LXP-5 resetting themselves. Back then the problem was the rotary switches
that Lexicon used. Guess what! It's the same switch in the Jam-Man and the
Vortex! 
At 12:02 AM 2/10/99 -0800, you wrote:
>At 10:12 PM -0800 2/9/99, Clifford Novey wrote:
>
>>Thanks to all who passed on suggestions for my Value dial problem on my
>>Vortex- they were VERY much appreciated-  I tried cleaning the pot with
>>a little bit of brake cleaner (evaporates completely) but had no
>>success- one thing I noticed is it seems to work perfect the first few
>>seconds the unit is on- it works but it is frustrating because it may
>>take 20 turns to change the value  5 or 10 points. I am still hoping the
>>person I bought it from will be cool and exchange it back- I wouldn't be
>>worried but it sometimes pops into Value mode on its own and flickers a
>>point or two and in some cases it creates an audible difference-
>>Not a desireable effect!
>
>before you send it back, make sure to contact Greg Hogan
><GHogan@lexicon.com>, customer service guy at lexicon, and ask if they can
>fix it for you. Greg's been real helpful to people here in the past. I met
>Greg in the flesh at NAMM and chatted for a while, great guy....
>
>kim
>
>______________________________________________________________________
>Kim Flint                   | Looper's Delight
>kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
>
>
>
>
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Wed Feb 10 22:08:18 1999
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Date: Wed, 10 Feb 1999 18:54:21 -0800
From: Clifford Novey <clifsound@earthlink.net>
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Ok, I bought a stereo male 1/4" to 2 mono rca- then got 2- rca to mono
1/4" adapters and hooked up two mono pedals pedals but nothing happened-
bummer!

Any ideas?? Everyone has been very kind in the help dep't thus far- much
thanks!

Cliff

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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Slaves ....er Volunteers Needed
Date: Wed, 10 Feb 1999 19:35:11 -0800
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LOL!!!!  Great sense of humour, Kim.

-----Original Message-----
From: Kim Flint [mailto:kflint@annihilist.com]
Sent: Wednesday 10 February 1999 11:21 AM
To: Loopers-Delight@annihilist.com
Subject: Slaves ....er Volunteers Needed



Slaves needed to help with all phases of program  development and
implementation at Looper's Delight Web site, a wholly owned, unprofitable
small business, based in cyberspace. Slaves can range in ages >from 9  to
80, but prefer 18-35 with a hot, sexy body. Be homemakers, artists,
retirees, students, professionals, and even loopers. Everyone is  welcome
to participate on most projects... <<snipped>>

;-)

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com



From Loopers-Delight-request@annihilist.com  Thu Feb 11 00:31:29 1999
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Date: Thu, 11 Feb 1999 13:52:05 +0900
To: Loopers-Delight@annihilist.com
From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: LD vol.2 CD has arrived
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Hello,

Finally, I got LD vol.2 CD today!!
Thank you Matt!!

I love the CD,it very cool music and design.

I will encode the msuic to Real Audio and put it my server in this month.

  Regards

  Sunao Inami

*Lopper's Delight J live report web
http://www.cavestudio.com/LD_J/


Work
E-mail                          webmaster@cavestudio.com
URL"CAVE Studio"         http://www.cavestudio.com
tel&fax                         +81 794 89 5025 Hyogo,Japan

Home
E-mail                          cave@osk.3web.ne.jp
tel&fax                         +81 794 89 5015 Hyogo,Japan

snail mail address       316 Ohshima
                                    Kuchiyokawa
                                    Miki City
                                    Hyogo
                                    Japan
                                    6730755


From Loopers-Delight-request@annihilist.com  Thu Feb 11 01:45:17 1999
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Date: Thu, 11 Feb 1999 00:25:56 -0600
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Booking? 
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Hi, all...
	I'm going to be doing a solo guitar performance at a friend's art thesis
presentation in Oxford, MS on April 1. I was curious if any of you on the
list knew of any venues that booked experimental/improv music near that
area. Nothing is too small--even a person's living room will do (provided
they normally put on shows and the like...).Since the thesis show is on a
Thursday, I'll be able to book performances on Friday and Saturday. Any
help that anyone can offer will be most appreciated. Perhaps I'll be able
to return the favor for you.
Sincerely,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/

From Loopers-Delight-request@annihilist.com  Thu Feb 11 01:44:25 1999
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From: "Evil Paul" <pixiepuck@hotmail.com>
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Subject: Introduction and 'Instant music' software
Date: Wed, 10 Feb 1999 22:25:39 PST
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Hi Loopers,

I live in Perth, Western Australia and create loop based music at home 
on my PC.  At the moment I'm using the freeware version of DDClip which 
gives four stereo tracks of ausio and allows me to sequence WAV files 
from my hard drive and it mixes and plays them back in real time.

I was reading Computer Music magazine the other day and it had a small 
feature on 'instant music' CD-ROM's.  You now the type - Dance Music 
e-jay software.  A CD-ROM with a with a custom interface thousand or so 
dance music samples that lets you put all the loops together and make a 
dance track.  If you've never tried one - give it a go as they are a lot 
of fun.  

I tried out a program called Hip Hop eJay and found that it was quite 
similar to the way I am making music with DDClip.  Most of the loops for 
HHejay were ten seconds long exacly.  Others were 5 seconds so you could 
for example have a ten second bassline loop and then have a 
complementary 5 seconf loop on another track come in on the start or the 
second half of the loop.  Anyway, my question is, how would I go about 
creating a set of loops like that.  Would I have to create separate 
libraries of basslines and beats according to BPM?  How would I create 
loops of different BPM in loops that are exactly ten seconds anyway?

Thanks,
Pixiepuck

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Date: Thu, 11 Feb 1999 00:00:33 -0700
To: Loopers-Delight@annihilist.com
From: Edwin Hurwitz <edwin@indra.com>
Subject: Re: Gear Inherited...
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>I've got one of these with distortion, but it stopped working a while ago.
>I probably need to clean it out or something...  It's a fun pedal.
>
>	Kevin
>
>
>
>Kevin Goldsmith				kevin@unitcircle.com
>Unit Circle Media			http://www.unitcircle.com/
>


It's probably just the lightbulb. They're cheap and easy to replace. Any
hardware store should have 'em.

Edwin

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin


From Loopers-Delight-request@annihilist.com  Thu Feb 11 02:43:32 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Introduction and 'Instant music' software
Date: Wed, 10 Feb 1999 23:21:45 -0800
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You gotta get yourself a software program called ACID, dude.  It's... acid!

You'll love it.  They have a cheaper introductory version without the bells,
but it's got the whistles.  I've got the one with both the bells and the
whistles.

Acid will allow you to elongate or shorten loops so they fit either the key
or the BPMs.  Try the demo at least, but try ACID, dude.

-----Original Message-----
From: Evil Paul [mailto:pixiepuck@hotmail.com]
Sent: Wednesday 10 February 1999 10:26 PM
To: Loopers-Delight@annihilist.com
Subject: Introduction and 'Instant music' software


Hi Loopers,

I live in Perth, Western Australia and create loop based music at home
on my PC.  At the moment I'm using the freeware version of DDClip which
gives four stereo tracks of ausio and allows me to sequence WAV files
from my hard drive and it mixes and plays them back in real time.

I was reading Computer Music magazine the other day and it had a small
feature on 'instant music' CD-ROM's.  You now the type - Dance Music
e-jay software.  A CD-ROM with a with a custom interface thousand or so
dance music samples that lets you put all the loops together and make a
dance track.  If you've never tried one - give it a go as they are a lot
of fun.

I tried out a program called Hip Hop eJay and found that it was quite
similar to the way I am making music with DDClip.  Most of the loops for
HHejay were ten seconds long exacly.  Others were 5 seconds so you could
for example have a ten second bassline loop and then have a
complementary 5 seconf loop on another track come in on the start or the
second half of the loop.  Anyway, my question is, how would I go about
creating a set of loops like that.  Would I have to create separate
libraries of basslines and beats according to BPM?  How would I create
loops of different BPM in loops that are exactly ten seconds anyway?

Thanks,
Pixiepuck

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com


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Damn, Kim, that was the funniest thing I've read in ages.  I can
definitely live with a bit of spam if it helps inspire that sort of
monologue...

--A

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hi

try Acid from SOnic Foundry. It allows you to automatically allign loops
with different BPMs. But not only...
what's this DDClip?

ciao
leo


At 22.25 10/02/99 PST, you wrote:
>Hi Loopers,
>
>I live in Perth, Western Australia and create loop based music at home 
>on my PC.  At the moment I'm using the freeware version of DDClip which 
>gives four stereo tracks of ausio and allows me to sequence WAV files 
>from my hard drive and it mixes and plays them back in real time.
>
>I was reading Computer Music magazine the other day and it had a small 
>feature on 'instant music' CD-ROM's.  You now the type - Dance Music 
>e-jay software.  A CD-ROM with a with a custom interface thousand or so 
>dance music samples that lets you put all the loops together and make a 
>dance track.  If you've never tried one - give it a go as they are a lot 
>of fun.  
>
>I tried out a program called Hip Hop eJay and found that it was quite 
>similar to the way I am making music with DDClip.  Most of the loops for 
>HHejay were ten seconds long exacly.  Others were 5 seconds so you could 
>for example have a ten second bassline loop and then have a 
>complementary 5 seconf loop on another track come in on the start or the 
>second half of the loop.  Anyway, my question is, how would I go about 
>creating a set of loops like that.  Would I have to create separate 
>libraries of basslines and beats according to BPM?  How would I create 
>loops of different BPM in loops that are exactly ten seconds anyway?
>
>Thanks,
>Pixiepuck
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Feb 11 07:43:51 1999
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Date: Thu, 11 Feb 1999 07:23:39 -0500
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A good friend of mine has dropped a gem (I think!) on me, a Morley
PowerWah/Volume Pedal.  This is the kind that one has to plug into the wall,
imagine that!  Anyone else have one of these babies?

This is the PDW model? Yes, I have one of these & love it in all its noisy
obnoxiousness. Plus it's
the only combo wah/vol/distort pedal I've seen. There are probably others. I
like this thing too much, probably, as I've felt compelled to put even
drumkits and voices through it. The distort-o-swoop sound of the drums is
noisy but fun. Did I mention that this pedal is noisy? It's noisy. XLRs for
everyone, I say.

--MHL.

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David Myers wrote:
> 
> Lexicon Vortex, with box and manual, $220
> 
> Buyer pays FedEx COD shipping

Well, I've waited long enough for one of these.  I'm interested!  (Read that as "I WANT 
THIS.") Let's talk!

Is it still available?  What's your estimate on FedEx COD shipping?  I'm located in 
Lafayette, Indiana (it's about 60 miles from Indianapolis).

- Dennis Leas
-- 
dennis@mdbs.com

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From: wbf@aloft.micro.lucent.com (William_B_Fox)
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Evil Paul "Pixiepuck" <pixiepuck@hotmail.com> said:
> I live in Perth, Western Australia and create loop based music at home 
> on my PC.  At the moment I'm using the freeware version of DDClip which 
> gives four stereo tracks of ausio and allows me to sequence WAV files 
                              ^^^^^
Is that audio made by an Aussie?   :-)

Bill	BillFox@lucent.com	http://wdiyfm.org
==============================================================================
Host of Emusic, an electronic, ambient, and space music show.  Thursdays at
11pm on WDIY 88.1 FM, Allentown and Bethlehem and 93.9 FM in Easton and
Phillipsburg.  Email me if you wish to submit music for airplay consideration.
==============================================================================
Get all digital synths. Give me your Xpanders.  Trust Kate Bush and everyone
who even remotely looks like her.

From Loopers-Delight-request@annihilist.com  Thu Feb 11 11:49:48 1999
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My JamMan pedal sucks as well... But I find ALOT of footpedals to be of
"bare-bones" quality and fairly fragile.

What do you mean by "decent footswitches" (brand and model), and how much
$$ are we talkin' about?

Regards,
Jim Lanpheer


PJBMHB@aol.com wrote:

> the footswitch that came with my jamman stinks. better to use 2 decent
> footswitches and y'ed to a stereo y cord. good luck. PJ



From Loopers-Delight-request@annihilist.com  Thu Feb 11 12:29:27 1999
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A final note on this thing to tie off the thread altogether since it's not
particularly loop related.

There was a fairly short but enthusiastic article on the Ebow in Electronic
Musician by Matt Blackett back in the February 1998 issue. As that was a year
ago now so it may be a little hard to dig up, but it might be worthwhile to
some interested.

Lenny Walker, Michael Manring, and yours truly were among Matt's interviewees.

Now back to looping...

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Jonathan,

Perhaps you are right.  $1,300.00 & $1,600.00 were
probably special prices for the NAMM show only.
I wonder why Stanley Jordan hasn't pick one up...
Hmmmm  think of the possibilities....


-----Original Message-----
From:	Jonathan Brainin [SMTP:jbrainin@planet.net]
Sent:	Wednesday, February 10, 1999 12:20 PM
To:	Loopers-Delight@annihilist.com
Subject:	Re: stick


Actually the Stick Enterprises website lists the price of the 
Grand Stick as $1905 and the 10 string Stick as $1605.

-----Original Message-----
From: Steve Han <stevehan@transworld-lax.com>
To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
Date: Wednesday, February 10, 1999 12:25 PM
Subject: RE: stick


>Grand Stick costs $1,600.00 directly from Mr. Chapman
>himself.  The 10 stringer costs $1,300.00.  

>Sent: Monday, February 08, 1999 7:53 PM
>To: Loopers-Delight@annihilist.com
>Subject: stick
>>
>>im just curious, 
>>is anyone selling a grand stick?
>>or recently bought one?
>>im going to buy one soon and i want to get a feel for the prices
>>
>>thanks
>>
>>rodrigo


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> the only combo wah/vol/distort pedal I've seen. 
> There are probably others.

I have a Foxx pedal from back in the day. 
It's a volume, a wah with five selectable tones, 
a distortion and an octave doubler.
To top it off, it's fuzzy and it's red.
Doesn't get much better'n that.

I like my old AC powered Morley stuff too.

Dan



Kate and Dan Richardson
Northampton, MA
mailto:dlr@javanet.com

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In a message dated 2/11/99 12:00:13 PM, stevehan@transworld-lax.com writes:

>Perhaps you are right.  $1,300.00 & $1,600.00 were
>probably special prices for the NAMM show only.
>I wonder why Stanley Jordan hasn't pick one up...
>Hmmmm  think of the possibilities....

Wow, they have gotten expensive. Maybe you should consider a used one? I owned
a polycarbonate one back in the mid 80's, but eventually sold it (to that
Tracktor Topaz guy) and switched to guitar. If Stanley Jordan hasn't picked
one up by now, it ain't likely, i have read in several interview that he knows
they exist, but it seems he doesn't want to climb the learning curve of a new
instrument.....

Marshall

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At 9:41 AM -0800 2/11/99, Steve Han wrote:
>Jonathan,
>
>Perhaps you are right.  $1,300.00 & $1,600.00 were
>probably special prices for the NAMM show only.
>I wonder why Stanley Jordan hasn't pick one up...
>Hmmmm  think of the possibilities....

hmmm, ok. I'll think about it.


ahhhhhhhrhhhrhhrgggghhh!!!! nooo! stop stop stop


ok, i'm not going to think about it again.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Thu Feb 11 15:15:08 1999
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From: "andre" <andre@monmouth.com>
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Date: Thu, 11 Feb 1999 14:08:42 -0500
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hey

interested in the Boss bass synth...

i'm there if you still have it- you cansend me a phn num and times to call,
i'm in NJ.

thanx.will check for a reply later on thurs.

andre'

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Date: Thu, 11 Feb 1999 14:11:38 -0500
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Oops

let me engage in the paradox of creating more cyber junk to apologize for
that last gear-commerce-post-in-error (GCPIE).

andre'

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Date: Thu, 11 Feb 1999 15:33:01 -0500 (EST)
From: Unit Circle Media <unitcirc@unitcircle.com>
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Subject: Re: Gear Inherited...
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Nope, it's stranger than that.  When I kick in the distortion on the
pedal, the output drops like 20 dB.  It's also gotten extremely noisy.  I
don't think that they make this config any more.  It's really cool though.
It works as a volume pedal, but you can kick it into a wah.  You can also
kick in distortion, so you can have way + distorion or volume + distortion
or just wah or just volume.  very cool.

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

On Thu, 11 Feb 1999, Edwin Hurwitz wrote:

> It's probably just the lightbulb. They're cheap and easy to replace. Any
> hardware store should have 'em.
> 
> Edwin
> 
> Edwin Hurwitz
> Boulder CO
> http://www.indra.com/~edwin
> 
> 

From Loopers-Delight-request@annihilist.com  Thu Feb 11 17:50:13 1999
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Message-ID: <36C35CC0.E057128F@stic.net>
Date: Thu, 11 Feb 1999 16:42:08 -0600
From: "James H. Sidlo" <jameshsidlo@stic.net>
Organization: James H. Sidlo
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    Crevice's, "Think of Pleasant Things" cd. Available from:
www.unclebuzz.com. Sound samples are on my web site:
www.stic.net/users/jameshsidlo.

                                                        Thanks, James

From Loopers-Delight-request@annihilist.com  Thu Feb 11 18:08:23 1999
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From: "Mentari & Suryo" <oetun@dnet.net.id>
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Subject: Re: Introduction and 'Instant music' software
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-----Original Message-----
From: Evil Paul <pixiepuck@hotmail.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: 11 Februari 1999 13:23
Subject: Introduction and 'Instant music' software


>Hi Loopers,
>
>I live in Perth, Western Australia and create loop based music at home 
>on my PC.  At the moment I'm using the freeware version of DDClip which 
>gives four stereo tracks of ausio and allows me to sequence WAV files 
>from my hard drive and it mixes and plays them back in real time.
>
>I was reading Computer Music magazine the other day and it had a small 
>feature on 'instant music' CD-ROM's.  You now the type - Dance Music 
>e-jay software.  A CD-ROM with a with a custom interface thousand or so 
>dance music samples that lets you put all the loops together and make a 
>dance track.  If you've never tried one - give it a go as they are a lot 
>of fun.  
>
>I tried out a program called Hip Hop eJay and found that it was quite 
>similar to the way I am making music with DDClip.  Most of the loops for 
>HHejay were ten seconds long exacly.  Others were 5 seconds so you could 
>for example have a ten second bassline loop and then have a 
>complementary 5 seconf loop on another track come in on the start or the 
>second half of the loop.  Anyway, my question is, how would I go about 
>creating a set of loops like that.  Would I have to create separate 
>libraries of basslines and beats according to BPM?  How would I create 
>loops of different BPM in loops that are exactly ten seconds anyway?
>
>Thanks,
>Pixiepuck
>
>______________________________________________________
>Get Your Private, Free Email at http://www.hotmail.com
>


Have U try MPTRACKER or FASTTRACKER



MALARI


From Loopers-Delight-request@annihilist.com  Thu Feb 11 18:44:16 1999
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Date: Thu, 11 Feb 1999 16:26:48 -0700
To: Loopers-Delight@annihilist.com
From: Edwin Hurwitz <edwin@indra.com>
Subject: Re: Gear Inherited...
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>Nope, it's stranger than that.  When I kick in the distortion on the
>pedal, the output drops like 20 dB.  It's also gotten extremely noisy.  I
>don't think that they make this config any more.  It's really cool though.
>It works as a volume pedal, but you can kick it into a wah.  You can also
>kick in distortion, so you can have way + distorion or volume + distortion
>or just wah or just volume.  very cool.
>
>	Kevin
>
>
Well, there might be schematics on the web to help you out.

Edwin

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin


From Loopers-Delight-request@annihilist.com  Thu Feb 11 18:51:08 1999
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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
Message-Id: <199902112337.PAA05367@waynesworld.ucsd.edu>
Subject: Re: stick
To: Loopers-Delight@annihilist.com
Date: Thu, 11 Feb 1999 15:37:36 -0800 (PST)
In-Reply-To: <v03102801b2e8dcbc53cb@[207.171.198.43]> from "Kim Flint" at Feb 11, 99 11:17:29 am
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> At 9:41 AM -0800 2/11/99, Steve Han wrote:
> >Jonathan,
> >
> >Perhaps you are right.  $1,300.00 & $1,600.00 were
> >probably special prices for the NAMM show only.
> >I wonder why Stanley Jordan hasn't pick one up...
> >Hmmmm  think of the possibilities....
> 
> hmmm, ok. I'll think about it.
> 
> 
> ahhhhhhhrhhhrhhrgggghhh!!!! nooo! stop stop stop
> 
> 
> ok, i'm not going to think about it again.
> 
> kim

Besides, the Jordan thing has been beaten to death on the Stick list.
What it amounts to is that he basically wants to play guitar, not Stick.
They are two DIFFERENT instruments.

Cheers,
Paolo

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Date: Thu, 11 Feb 1999 19:46:59 -0800
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: Re: Gear Inherited...
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>Nope, it's stranger than that.  When I kick in the distortion on the
>pedal, the output drops like 20 dB.  It's also gotten extremely noisy.

Sounds like it could be a component in the distortion circuit has failed or
is failing, maybe a leaky transistor...

For some amusingly polarized reviews of this and other Morleys, check out
<http://www.harmonycentral.com/Effects/Data/Morley/> ("Totally awesome and
here's why..." versus "This %$#@ing pedal sucks, let me count the ways...",
delegates from both extremes offer their opinions. 

This may or may not help; I haven't ever called the guy (or gal?, the name
is Tracy) but <http:/www.musician.com/free/faq/access_6.html>

Then there's <http://users.aol.com/AnalogMike/faq.htm> for some useful
effects info, where you might have some luck posting your situation...

Have you tried Morley's site <http://www.morleypedals.com/menu.asp> ?
Although they may have forgotten they ever made this one... the animated
GIF of the foot operating one of their products is alone worth the click. I
used to have some boots like that! I wore them while using an old Foxx wah
that (really) was wired backwards, so I guess that made it an ahwahw
pedal... (sorry... but at least I didn't comment on the ausio clips,
although I did wonder if tape loops go the other way round south of the
equater...)

Hope SOMETHING here helps...

Tim

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Date: Thu, 11 Feb 1999 22:29:36 EST
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In a message dated 2/11/99 3:08:26 PM Eastern Standard Time,
kflint@annihilist.com writes:

> At 9:41 AM -0800 2/11/99, Steve Han wrote:
>  >Jonathan,
>  >
>  >Perhaps you are right.  $1,300.00 & $1,600.00 were
>  >probably special prices for the NAMM show only.
>  >I wonder why Stanley Jordan hasn't pick one up...
>  >Hmmmm  think of the possibilities....
>  
i think i saw/read somehwere that he was playing a warr guitar(or somthing
similar)

rodrigo

From Loopers-Delight-request@annihilist.com  Thu Feb 11 23:48:19 1999
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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
Message-Id: <199902120438.UAA06653@waynesworld.ucsd.edu>
Subject: Re: stick
To: Loopers-Delight@annihilist.com
Date: Thu, 11 Feb 1999 20:38:25 -0800 (PST)
In-Reply-To: <2c3ba249.36c3a020@aol.com> from "Kriist@aol.com" at Feb 11, 99 10:29:36 pm
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> >  >I wonder why Stanley Jordan hasn't pick one up...
> >  >Hmmmm  think of the possibilities....
> >  
> i think i saw/read somehwere that he was playing a warr guitar(or somthing
> similar)
> 
> rodrigo

I seriously doubt it.  The Warr guitar is not a guitar either.

Maybe you're thinking of the StarrLabs Ztar.  It too is not a guitar, but
it is configured like a guitar, much more so than a Warr guitar or a Stick.
It's a MIDI controller.

Paolo

From Loopers-Delight-request@annihilist.com  Fri Feb 12 08:59:42 1999
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Date: Fri, 12 Feb 1999 08:48:55 -0500
Subject: Jamman on Ebay  - $500?!?!?!?!
From: "jmw/cmu" <evening@ulster.net>
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Check it out....it's the TB303 of 1999!

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=65093304

things are getting out of hand with the prices...

jmw

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Date: Fri, 12 Feb 1999 11:05:12 -0500 (EST)
From: wbf@aloft.micro.lucent.com (William_B_Fox)
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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://wdiyfm.org/schedule/s_emusic.html

		Show #101		February 11, 1999.
		Host: Bill Fox		http://wdiyfm.org
		billfox@fast.net

On this show, I continued the month-long focus on early synth master,
Larry Fast and his Synergy releases.  For background information, please
point your web browser to the WDIY web site or visit the...

Synergy web site:		http://www.eclipse.net/~synergy
See also the NEARFest site:	http://ghostland.com/nearfest

The feature CD at midnight was "Games" on Third Contact.

Upcoming events announced: Star's End Gathering XVI, Arttek at Second
Avenue, Synthetic Pleasures,  and NEARfest.  I played the music of Ma Ja Le
and Jeff Pearce to promote their upcoming appearances at SEG XVI.

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Ma Ja Le & Vir Unis     Imaginarium              Imaginarium (Mirage)
S.O.C. 7                Alone                    Mission: Critical
Steve Roach          Towards the Dream   Dreaming...Now,Then(CelestialHarmonies)
David Tollefson         Palomar                New Eyes on the Universe (Hypnos)
VA [Fanger & Kersten]   Intrip                   GoldTri: Volume One (Stonker)
Don Slepian             Glimmerings              Computer Breakdown (I.M.Music)
VidnaObmana(w/J.Pearce) This Splendid Place      Crossing the Trail (Projekt)

12:00 am
Synergy (Larry Fast)    Delta Two                Games (Third Contact)
Synergy (Larry Fast)    Delta Four               Games (Third Contact)
Synergy (Larry Fast)    Delta One                Games (Third Contact)
Synergy (Larry Fast)    Delta 3/A - 3/F          Games (Third Contact)
Under the Dome          Hell               The Demon Haunted World (Neu Harmony)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will continue the month-long focus on that
synergistic composer, Larry Fast and his Synergy (R) releases.  The
feature CD at midnight will be "Audion" on Third Contact.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

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From: Ambientronic@webtv.net (Scott Harrington)
Date: Fri, 12 Feb 1999 12:21:54 -0500 (EST)
To: Loopers-Delight@annihilist.com
Subject: Re: Jamman on Ebay  - $500?!?!?!?!
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$500??   Thats a little crazy in my opinion.  After all, its just a
PEDAL(albeit a great one but come on).  I've seen people asking  $450
for one which also seems high but I don't know what it originally went
for.  It seems that to be a looper means to be in a higher tax bracket,
Oh well. 

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From: Edwin Hurwitz <edwin@indra.com>
Subject: Re: Jamman on Ebay  - $500?!?!?!?!
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>$500??   Thats a little crazy in my opinion.  After all, its just a
>PEDAL(albeit a great one but come on).

I don't know if you have actually seen one, but it's a rack mount 1 space
unit and not a pedal.

Edwin

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin


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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>, <stevehan@transworld-lax.com>
Subject: RE: RE: stick
Date: Fri, 12 Feb 1999 13:42:53 -0800
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> Maybe you should consider a used
> one? I owned
> a polycarbonate one back in the mid 80's, but eventually sold it (to that
> Tracktor Topaz guy) and switched to guitar. If Stanley Jordan
> hasn't picked
> one up by now, it ain't likely, i have read in several interview
> that he knows
> they exist, but it seems he doesn't want to climb the learning
> curve of a new
> instrument.....
>

Did it have a midi pickup? What was the serial number? I have black poly
carb #2408, from Traktor's collection.

bIz

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Subject: RE: Jamman on Ebay  - $500?!?!?!?!
Date: Fri, 12 Feb 1999 13:47:08 -0800
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>
> $500??   Thats a little crazy in my opinion.  After all, its just a
> PEDAL(albeit a great one but come on).  I've seen people asking  $450
> for one which also seems high but I don't know what it originally went
> for.  It seems that to be a looper means to be in a higher tax bracket,
> Oh well.
>
>

I sold mine for $450 within 30 minutes of putting it on harmony-central.
Since I bought it for $125, I figured that that was a ridiculous amount to
ask for it, but would ask anyway and put the money to buy an echoplex, if,
by some strange happening, someone was willing to spend that much. If I had
only known how popular they were - I would have planned to put the money to
by an Eventide :>

So, how come Jam-mans sell for used for almost the full price of an EDP? Was
I a fool to lose it?

bIz

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In a message dated 2/12/99 3:47:58 PM, jonathan@full-moon.com writes:


>I owned a polycarbonate one back in the mid 80's, but eventually sold it >(to
that Tracktor Topaz guy) and switched to guitar. 
>
>
>Did it have a midi pickup? What was the serial number? I have black poly
>carb #2408, from Traktor's collection.

I bought it in 1985, no MIDI pick-up, and it was #2040 if I remember
correctly. I remember spending a lot of time strumming it (in addition to the
touch technique), so I decided to get a guitar instead. 

Marshall

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In a message dated 2/12/99 3:53:10 PM, jonathan@full-moon.com writes:

>So, how come Jam-mans sell for used for almost the full price of an EDP?
>Was I a fool to lose it?

Great question, especially since if you don't go for a EDP, you could get a
Lexicon G2 (20 secs looping-they are even calling it the "jamman" feature!) or
a  'Rang.....


Marshall

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Subject: RE: RE: Jamman on Ebay  - $500?!?!?!?!
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> -----Original Message-----
> From: Marzzz@aol.com [mailto:Marzzz@aol.com]
> Sent: Friday, February 12, 1999 2:01 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: RE: Jamman on Ebay - $500?!?!?!?!
>
>
>
> In a message dated 2/12/99 3:53:10 PM, jonathan@full-moon.com writes:
>
> >So, how come Jam-mans sell for used for almost the full price of an EDP?
> >Was I a fool to lose it?
>
> Great question, especially since if you don't go for a EDP, you
> could get a
> Lexicon G2 (20 secs looping-they are even calling it the "jamman"
> feature!) or
> a  'Rang.....
>

I don't like the sound quality of the 'rang at all. In fact, I found the
jamman made the signal somewhat dull to my ears - just a tad, and nothing I
would worry about in a live setting. However, I always had to run the signal
into a BBE sonic maximizer to cover for it - when the un-jamman'd signal did
not need it.

Some people mentioned that the Echoplex doesn't sound as good as the
jam-man. It would be nice to be able to try one so I cna decide to wait for
the next 'big thing' or buy one now. Anyone know where I could try one in
the San Francisco Bay Area?

bIz


>
> Marshall
>
>

From Loopers-Delight-request@annihilist.com  Fri Feb 12 19:07:36 1999
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From: Chris Chovit <cho@newdream.net>
Subject: RE: RE: Jamman on Ebay  - $500?!?!?!?!
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>I don't like the sound quality of the 'rang at all. In fact, I found the
>jamman made the signal somewhat dull to my ears - just a tad, and nothing I
>would worry about in a live setting. However, I always had to run the signal
>into a BBE sonic maximizer to cover for it - when the un-jamman'd signal did
>not need it.
>
>Some people mentioned that the Echoplex doesn't sound as good as the
>jam-man. It would be nice to be able to try one so I cna decide to wait for
>the next 'big thing' or buy one now. Anyone know where I could try one in
>the San Francisco Bay Area?
>


Try Bananas at Large in San Rafael.  Not exactly downtown SF though...

Personally, I think the EDP has better sound quality than the Jam Man. I
notice a slight high-freq rolloff on the Jam man, but can not tell a
difference on the EDP from the direct signal, if I have my levels set right.

I thought of selling my Jam man recently too.  I use the EDP for looping
and am just using the Jam Man as a delay.  I decided not to though, cause I
like the ease of tapping the tempo, adjusting feedback, and that it can
sync to MIDI clock.  I imagine its just a matter of time before someone
makes a unit with the same capabilities, better sound quality, more loop
time, smaller, and with a $100 price tag...

-chris


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From: patrick@his.com (Patrick Smith)
Subject: Jam Man Feeding Frenzy 
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Well there's been concern about the $500 Jamster at Ebay. Remorse for
selling one @ $450 in 30 minutes. Well let us see what happens when a Jam
Man with 32 seconds is auctioned off at the Rogue Music Site:
www.auctionsoup.com

Patrick

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>
>
> Try Bananas at Large in San Rafael.  Not exactly downtown SF though...
>

But probably worth the trip. Do you know how much they are selling them for
there? I would feel kind of bad going there, checking it out and then buying
somewhere else because it meant saving a few hundred dollars.

> Personally, I think the EDP has better sound quality than the Jam Man. I
> notice a slight high-freq rolloff on the Jam man, but can not tell a
> difference on the EDP from the direct signal, if I have my levels
> set right.

Great! My ears are not deceiving me, and apparently this is not a problem
for you on the echo
 >
> I thought of selling my Jam man recently too.  I use the EDP for looping
> and am just using the Jam Man as a delay.  I decided not to
> though, cause I
> like the ease of tapping the tempo, adjusting feedback, and that it can
> sync to MIDI clock.  I imagine its just a matter of time before someone
> makes a unit with the same capabilities, better sound quality, more loop
> time, smaller, and with a $100 price tag...
>

Many delay units do this and more, and don't cost $500 :> Though I don't
think you'ld find one with a 30 second delay time.

bIz

> -chris
>
>
>

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> Try Bananas at Large in San Rafael.  Not exactly downtown SF though...
>

 ...but an awfully nice drive, though.

bobdog


From Loopers-Delight-request@annihilist.com  Fri Feb 12 22:26:51 1999
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Date: Fri, 12 Feb 1999 19:14:53 -0800
From: Clifford Novey <clifsound@earthlink.net>
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Hello all-

Question-
Does anyone know what type of pedal the stereo pedal jacks need on the
Vortex? I checked the pedals I have and they interrupt the connection
and work fine in the mono pedal jacks-
Do the stereo jacks (for A/B switch, register/preset, etc.) need a pedal
that  creates a connection??  I broke out the multitester to be sure
that the adapter setup I have is not mixing the signals and I don't
think it is-

Thanks!

Still awaiting my EDP...

Clifford

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Subject: V. Pedal 
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Ok, shit-
I just found out that one of the four mono pedals I have does create a
connection- it is for my 4 track- and it doesen't work either!

Interestingly enough, the mono jacks on the Vortex respond to either
type of pedal just fine- go figure.

Clifford

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Reply-To: "Collins" <collinsclan@sprintmail.com>
From: "Collins" <collinsclan@sprintmail.com>
To: <Loopers-Delight@annihilist.com>
Subject: Modulations
Date: Sat, 13 Feb 1999 00:21:13 -0500
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To all,

I just viewed the film that is "Modulations" at the Wexner Center here in
Columbus, Ohio. I must say that i thoroughly enjoyed this film. I do wish it
had more on guys like Cage and Stockhausen, and Henry. And a little less of
the techno music that was included, although it seemed to me that every time
there was a Japanese performer in there, it was more interesting what they
were doing in techno music (or dance music).
I'm going back today...7:00 PM Saturday to enjoy it again, since it will
only be around for so long.
Perhaps they (the producers) will make this filmatic event into a home
video. That would be great. Then i could watch it in a more personal
environment (which means that i can get more out of it).
Anyway, I would like to say to those who began speaking about this film on
this list...THANK YOU!!!  You've helped me by bringing a little more
happiness into my life.

Sincerely,
Jeff Collins

A Strange View of Music:
http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html

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From: "Evil Paul" <pixiepuck@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: Ausio
Date: Fri, 12 Feb 1999 21:31:19 PST
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Thanks for all the replies folks.  Here goes .....

>try Acid from SOnic Foundry. It allows you to automatically allign 
>loops
>with different BPMs. But not only...what's this DDClip?

ACID looks like just what I need.  You can find DDClip at the Shareware 
Music Machine.  Thanks to them I now have about twenty different audio 
programs on my machine. 

http://www.hitsquad.com/smm/

>> gives four stereo tracks of ausio and allows me to sequence WAV  
>                              ^^^^^Is that audio made by an Aussie?

Yes, here in Australia CD's play anti-clockwise and I have to invert the 
waveforms of any samples that I download from the northern hemisphere 
before they will play in my upside-down speakers.

>Have U try MPTRACKER or FASTTRACKER?

If I was going to use a tracker I would use Buzz.  The last time I used 
a tracker was back in high-school when I didn't have a life and could 
find the time to learn to use such things.


Later,
Evil Paul

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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I have a performance soon of some looping stuff, for some reason (and ive read
the manual) when i go to a new loop(im talking EDP here)with the autorecord
thing on and switchquantize off itll play the loop fine, then when i jump back
to the first loop it will play in once and then stop, itll start again when i
press undo or some other button and then it does this again when i go back to
the second loop. 

thanks again to anybody who replies

rodrigo

From Loopers-Delight-request@annihilist.com  Sat Feb 13 02:34:02 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Ausio
Date: Fri, 12 Feb 1999 23:23:00 -0800
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You're fxxking with me, right?  (Just saw "There's something about Mary.")
But it's true, right?, you must be kidding about inverting waveforms...

-----Original Message-----
From: Evil Paul [mailto:pixiepuck@hotmail.com]
Sent: Friday 12 February 1999 9:31 PM
To: Loopers-Delight@annihilist.com
Subject: Ausio

Yes, here in Australia CD's play anti-clockwise and I have to invert the
waveforms of any samples that I download from the northern hemisphere
before they will play in my upside-down speakers.

From Loopers-Delight-request@annihilist.com  Sat Feb 13 04:21:08 1999
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Date: Sat, 13 Feb 1999 04:10:05 -0500 (EST)
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From: Jeff Duke <jmar@bellsouth.net>
Subject: Re: Vortex Question
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M````````````````````````````````````````````````````````````
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M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
M````````````````````````````````````````````````````````````
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M````````````````````````````````````````````````````````````
*````````````````
`
end

From Loopers-Delight-request@annihilist.com  Sat Feb 13 04:21:30 1999
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From: Jeff Duke <jmar@bellsouth.net>
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I got 1 stereo female jack from Radio Shack and replaced the out put jack of
a regular volume pedal following the schematic in the manual. Works like a
charm. See more in the Tools of the Trade archive on the Loopers Delight
site.
http://www.annihilist.com/loop/tools/vortex/vortex04.GIF
All you need is here.

jd

Clifford Novey wrote:

> Hello all-
>
> Question-
> Does anyone know what type of pedal the stereo pedal jacks need on the
> Vortex? I checked the pedals I have and they interrupt the connection
> and work fine in the mono pedal jacks-
> Do the stereo jacks (for A/B switch, register/preset, etc.) need a pedal
> that  creates a connection??  I broke out the multitester to be sure
> that the adapter setup I have is not mixing the signals and I don't
> think it is-
>
> Thanks!
>
> Still awaiting my EDP...
>
> Clifford

From Loopers-Delight-request@annihilist.com  Sat Feb 13 04:53:49 1999
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From: Leonardo Cavallo <cavallo@dada.it>
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jd
check your computer for virii

you're spreading the happy99.exe virus. Don't open the attachment if you
don't want some serious problems.

To all who received the happy99.exe. erase the file without opening it. 
No panic please! ;)

ciao
leo

At 04.09 13/02/99 -0500, you wrote:
>I got 1 stereo female jack from Radio Shack and replaced the out put jack of
>a regular volume pedal following the schematic in the manual. Works like a
>charm. See more in the Tools of the Trade archive on the Loopers Delight
>site.
>http://www.annihilist.com/loop/tools/vortex/vortex04.GIF
>All you need is here.
>
>jd
>
>Clifford Novey wrote:
>
>> Hello all-
>>
>> Question-
>> Does anyone know what type of pedal the stereo pedal jacks need on the
>> Vortex? I checked the pedals I have and they interrupt the connection
>> and work fine in the mono pedal jacks-
>> Do the stereo jacks (for A/B switch, register/preset, etc.) need a pedal
>> that  creates a connection??  I broke out the multitester to be sure
>> that the adapter setup I have is not mixing the signals and I don't
>> think it is-
>>
>> Thanks!
>>
>> Still awaiting my EDP...
>>
>> Clifford
>
>
>

From Loopers-Delight-request@annihilist.com  Sat Feb 13 04:58:55 1999
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sorry about that new year attachment I have no idea how that happened!

jeff

From Loopers-Delight-request@annihilist.com  Sat Feb 13 05:27:25 1999
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: Help here.
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At 11:19 PM -0800 2/12/99, Kriist@aol.com wrote:
>I have a performance soon of some looping stuff, for some reason (and ive read
>the manual) when i go to a new loop(im talking EDP here)with the autorecord
>thing on and switchquantize off itll play the loop fine, then when i jump back
>to the first loop it will play in once and then stop, itll start again when i
>press undo or some other button and then it does this again when i go back to
>the second loop.

sounds like what happens when you have the SamplerStyle parameter set to
something other than "run". Set it to run and see if that fixes it.

Probably Next shouldn't be affected by samplerstyle like that, maybe we'll
do something about that someday...

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sat Feb 13 06:02:20 1999
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Date: Sat, 13 Feb 1999 02:52:14 -0800
From: Clifford Novey <clifsound@earthlink.net>
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You are kidding, right?? Please tell me this is not true.

Cliff

Leonardo Cavallo wrote:

> jd
> check your computer for virii
>
> you're spreading the happy99.exe virus. Don't open the attachment if you
> don't want some serious problems.
>
> To all who received the happy99.exe. erase the file without opening it.
> No panic please! ;)
>
> ciao
> leo
>
> At 04.09 13/02/99 -0500, you wrote:
> >I got 1 stereo female jack from Radio Shack and replaced the out put jack of
> >a regular volume pedal following the schematic in the manual. Works like a
> >charm. See more in the Tools of the Trade archive on the Loopers Delight
> >site.
> >http://www.annihilist.com/loop/tools/vortex/vortex04.GIF
> >All you need is here.
> >
> >jd
> >
> >Clifford Novey wrote:
> >
> >> Hello all-
> >>
> >> Question-
> >> Does anyone know what type of pedal the stereo pedal jacks need on the
> >> Vortex? I checked the pedals I have and they interrupt the connection
> >> and work fine in the mono pedal jacks-
> >> Do the stereo jacks (for A/B switch, register/preset, etc.) need a pedal
> >> that  creates a connection??  I broke out the multitester to be sure
> >> that the adapter setup I have is not mixing the signals and I don't
> >> think it is-
> >>
> >> Thanks!
> >>
> >> Still awaiting my EDP...
> >>
> >> Clifford
> >
> >
> >

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Date: Sat, 13 Feb 1999 03:18:04 -0800
From: Clifford Novey <clifsound@earthlink.net>
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Subject: Happy99 Virus
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Ok, that virus was for real- Go to the following to get details on how
to remove all the components of the virus and DO NOT restart your
computer until you remove it all!!

http://www.datafellows.fi/v-descs/ska.htm

Cliff

PS- I am embarassed to say I figured out my Vortex "problem"- I was
unaware that ALL the jacks are stereo and that the two middle ones have
two functions- the outer two which i thought were the only stereo ones
control an amp channel switch or an expression pedal to adjust the
currently selected parameter-

Thanks for all the help everyone!!!
I will be posting a patch or a morph to Andy Butler's Vortex page and
encourage anyone who has a favorite patch or morph to do the same- it is
a great idea and Andy has an easy to use format for submissions and
display!
Andy's Vortex Page: http://members.aol.com/soundfnr/vortex.htm

Clifford

From Loopers-Delight-request@annihilist.com  Sat Feb 13 06:51:53 1999
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Date: Sat, 13 Feb 1999 03:41:39 -0800
From: Clifford Novey <clifsound@earthlink.net>
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To: clifsound <clifsound@lunez.com>
Subject: Happy99.exe VIRUS
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Ok folks- I hate those chain mails about some bullshit virus alert but
this is for REAL-

I got an e-mail with an attachment that was named "Happy99.exe"- when
you open it you see a fireworks display- well, someone wrote me right
after (on a mailing list) and said it was a virus so I searched the
internet and found out is a real virus! The following link will tell you
about it-
http://www.datafellows.fi/v-descs/ska.htm

Do not restart your computer until you have removed all the virus files
if you received Happy99.exe in an e-mail and opened it and saw the
fireworks display!
If you have the file but have not opened it just delete it.

Most of the virus files are in C:\Windows\System
There is also a key in the directory that needs to be removed.
If you have Win 98 you can re-install your Winsock32.dll file which is
modified by the virus.

Contact me if you need any help-
I hope you are all well-

Clifford

If you have any questions or need help you can call me-

Here is the info on the virus:
--------------------------------------------------------------------------------------

NAME:
                          Win32/Ska.A
                   ALIAS:
                          Happy99, WSOCK32.SKA,
                          SKA.EXE, I-Worm.Happy,
                          PE_SKA
                   SIZE:
                          10000

                  Win32/Ska.A is a Win32-based e-mail and
                  newsgroup worm. It displays fireworks when
                  executed first time as Happy99.exe. (Normally this
                  file arrives as an e-mail attachment to a particular
                  PC, or it is downloaded from a newsgroup.)

                  When executed first time, it creates SKA.EXE and
                  SKA.DLL in the system directory. SKA.EXE is a
                  copy of HAPPY99.EXE. SKA.DLL is packed inside
                  SKA.EXE. After this Ska creates a copy of
                  WSOCK32.DLL as WSOCK32.SKA in the system
                  directory. Then it tries to patch WSOCK32.DLL so
                  that its export entries for two functions will point
to
                  new routines (to the worm's own functions) inside
                  the patched WSOCK32.DLL. If WSOCK32.DLL is
                  in use, Ska.A modifies the registry's RunOnce
                  entry to execute SKA.EXE during next boot-up.
                  (When executed as SKA.EXE it does not display
                  the firework, just tries to patch WSCOK32.DLL
                  until it is not used.)

                  "Connect" and "Send" exports are patched in
                  WSOCK32.DLL. Thus the worm is able to see if
                  the local user has any activity on network. When
                  "Connect" or "Send" APIs are called, Ska loads its
                  SKA.DLL containing two exports: "news" and
                  "mail".

                  Then it spams itself to the same newsgroups or
                  same e-mail addresses where the user was
                  posting or mailing to. It maps SKA.EXE to memory
                  and converts it to uuencoded format and mails an
                  additional e-mail or newsgroup post with the same
                  header information as the original message but
                  containing no text but just an attachment called
                  Happy99.exe.

                  Therefore Happy99 is not limited like the
                  Win32/Parvo virus which is unable to use a
                  particular news server when the user does not
                  have access to it. The worm also maintains a list
                  of addresses it has posted a copy of itself. This is
                  stored in a file called LISTE.SKA. (The number of
                  entries are limited in this file.)

                  The worm contains the following encrytped text
                  which is not displayed:

                          Is it a virus, a worm, a trojan?
                          MOUT-MOUT Hybrid (c) Spanska 1999.

                  The mail header of the manipulated mails will
                  contain a new field called "X-Spanska: YES".
                  Normally this header field is not visible to
                  receivers of the message.

                  Since the worm does not check WSOCK32.DLL's
                  attribute, it can not patch it if it is set to read
only.


From Loopers-Delight-request@annihilist.com  Sat Feb 13 07:12:53 1999
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Date: Sat, 13 Feb 1999 12:59:19 +0100
To: Loopers-Delight@annihilist.com
From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: Vortex Question
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it's sadly true....

ciao
leo

At 02.52 13/02/99 -0800, you wrote:
>You are kidding, right?? Please tell me this is not true.
>
>Cliff
>
>Leonardo Cavallo wrote:
>
>> jd
>> check your computer for virii
>>
>> you're spreading the happy99.exe virus. Don't open the attachment if you
>> don't want some serious problems.
>>
>> To all who received the happy99.exe. erase the file without opening it.
>> No panic please! ;)
>>
>> ciao
>> leo
>>
>> At 04.09 13/02/99 -0500, you wrote:
>> >I got 1 stereo female jack from Radio Shack and replaced the out put jack of
>> >a regular volume pedal following the schematic in the manual. Works like a
>> >charm. See more in the Tools of the Trade archive on the Loopers Delight
>> >site.
>> >http://www.annihilist.com/loop/tools/vortex/vortex04.GIF
>> >All you need is here.
>> >
>> >jd
>> >
>> >Clifford Novey wrote:
>> >
>> >> Hello all-
>> >>
>> >> Question-
>> >> Does anyone know what type of pedal the stereo pedal jacks need on the
>> >> Vortex? I checked the pedals I have and they interrupt the connection
>> >> and work fine in the mono pedal jacks-
>> >> Do the stereo jacks (for A/B switch, register/preset, etc.) need a pedal
>> >> that  creates a connection??  I broke out the multitester to be sure
>> >> that the adapter setup I have is not mixing the signals and I don't
>> >> think it is-
>> >>
>> >> Thanks!
>> >>
>> >> Still awaiting my EDP...
>> >>
>> >> Clifford
>> >
>> >
>> >
>
>
>

From Loopers-Delight-request@annihilist.com  Sat Feb 13 08:44:02 1999
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Date: Sat, 13 Feb 1999 08:31:06 -0500
From: Jeff Duke <jmar@bellsouth.net>
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I am just glad it wasn't the SAD.exe, jeez I need to clean up all these bundles
of death I have lying around. I apoligize once again and just follow Leos and
Cliffords advice. Its all part of my plan for world domination.

Leonardo Cavallo wrote:

> jd
> check your computer for virii
>
> you're spreading the happy99.exe virus. Don't open the attachment if you
> don't want some serious problems.
>
> To all who received the happy99.exe. erase the file without opening it.
> No panic please! ;)
>
> ciao
> leo
>
> At 04.09 13/02/99 -0500, you wrote:
> >I got 1 stereo female jack from Radio Shack and replaced the out put jack of
> >a regular volume pedal following the schematic in the manual. Works like a
> >charm. See more in the Tools of the Trade archive on the Loopers Delight
> >site.
> >http://www.annihilist.com/loop/tools/vortex/vortex04.GIF
> >All you need is here.
> >
> >jd
> >
> >Clifford Novey wrote:
> >
> >> Hello all-
> >>
> >> Question-
> >> Does anyone know what type of pedal the stereo pedal jacks need on the
> >> Vortex? I checked the pedals I have and they interrupt the connection
> >> and work fine in the mono pedal jacks-
> >> Do the stereo jacks (for A/B switch, register/preset, etc.) need a pedal
> >> that  creates a connection??  I broke out the multitester to be sure
> >> that the adapter setup I have is not mixing the signals and I don't
> >> think it is-
> >>
> >> Thanks!
> >>
> >> Still awaiting my EDP...
> >>
> >> Clifford
> >
> >
> >

From Loopers-Delight-request@annihilist.com  Sat Feb 13 10:06:42 1999
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Date: Sat, 13 Feb 1999 09:55:41 -0500
From: Jeff Duke <jmar@bellsouth.net>
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What can I say, it is true. That little bundle was sent to me by my
drummer. I had no idea that it was infected and I am running Nortons
anti-virus but had not updated it.

I downloaded the free trial version of  F-Secure antivirus and have
cleaned my system.
http://www.datafellows.fi/v-descs/ska.htm

 Once again, I am truly sorry and apoligize for this inadvertant act of
cyber- terrorism.
Its the first time that I have ever seen a real virus and I had gotten
slack.

Jeff ( not happy ) Duke

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Reply-To: <andre@monmouth.com>
From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Vortex Question
Date: Sat, 13 Feb 1999 10:18:18 -0500
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fuck!!!!

i opened it!!so much for being careful!

andre'

----------
> From: Jeff Duke <jmar@bellsouth.net>
> To: Loopers-Delight@annihilist.com
> Subject: Re: Vortex Question
> Date: Saturday, February 13, 1999 8:31 AM
> 
> I am just glad it wasn't the SAD.exe, jeez I need to clean up all these
bundles
> of death I have lying around. I apoligize once again and just follow Leos
and
> Cliffords advice. Its all part of my plan for world domination.
> 
> Leonardo Cavallo wrote:
> 
> > jd
> > check your computer for virii
> >
> > you're spreading the happy99.exe virus. Don't open the attachment if
you
> > don't want some serious problems.
> >
> > To all who received the happy99.exe. erase the file without opening it.
> > No panic please! ;)
> >
> > ciao
> > leo
> >
> > At 04.09 13/02/99 -0500, you wrote:
> > >I got 1 stereo female jack from Radio Shack and replaced the out put
jack of
> > >a regular volume pedal following the schematic in the manual. Works
like a
> > >charm. See more in the Tools of the Trade archive on the Loopers
Delight
> > >site.
> > >http://www.annihilist.com/loop/tools/vortex/vortex04.GIF
> > >All you need is here.
> > >
> > >jd
> > >
> > >Clifford Novey wrote:
> > >
> > >> Hello all-
> > >>
> > >> Question-
> > >> Does anyone know what type of pedal the stereo pedal jacks need on
the
> > >> Vortex? I checked the pedals I have and they interrupt the
connection
> > >> and work fine in the mono pedal jacks-
> > >> Do the stereo jacks (for A/B switch, register/preset, etc.) need a
pedal
> > >> that  creates a connection??  I broke out the multitester to be sure
> > >> that the adapter setup I have is not mixing the signals and I don't
> > >> think it is-
> > >>
> > >> Thanks!
> > >>
> > >> Still awaiting my EDP...
> > >>
> > >> Clifford
> > >
> > >
> > >
> 

From Loopers-Delight-request@annihilist.com  Sat Feb 13 10:40:57 1999
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From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Vortex....uh ..VIRUS Question
Date: Sat, 13 Feb 1999 10:31:10 -0500
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hey..

i got that dumb virus (thankx)

i deleted the files mentioned on the site...will that do it?? i really hope
i can start my computer later to get your reply!!!

thanx,andre'


Homepage http://www.monmouth.com/~andre
Info on my bands JFK's LSD UFO and HIDDEN AGENDA

official PROJECT/OBJECT site  http://www.jswd.net/projectobject
[frank  zappa tribute band i play guitar in]


----------
> From: Jeff Duke <jmar@bellsouth.net>
> To: Loopers-Delight@annihilist.com
> Subject: Re: Vortex Question
> Date: Saturday, February 13, 1999 8:31 AM
> 
> I am just glad it wasn't the SAD.exe, jeez I need to clean up all these
bundles
> of death I have lying around. I apoligize once again and just follow Leos
and
> Cliffords advice. Its all part of my plan for world domination.
> 
> Leonardo Cavallo wrote:
> 
> > jd
> > check your computer for virii
> >
> > you're spreading the happy99.exe virus. Don't open the attachment if
you
> > don't want some serious problems.
> >
> > To all who received the happy99.exe. erase the file without opening it.
> > No panic please! ;)
> >
> > ciao
> > leo
> >
> > At 04.09 13/02/99 -0500, you wrote:
> > >I got 1 stereo female jack from Radio Shack and replaced the out put
jack of
> > >a regular volume pedal following the schematic in the manual. Works
like a
> > >charm. See more in the Tools of the Trade archive on the Loopers
Delight
> > >site.
> > >http://www.annihilist.com/loop/tools/vortex/vortex04.GIF
> > >All you need is here.
> > >
> > >jd
> > >
> > >Clifford Novey wrote:
> > >
> > >> Hello all-
> > >>
> > >> Question-
> > >> Does anyone know what type of pedal the stereo pedal jacks need on
the
> > >> Vortex? I checked the pedals I have and they interrupt the
connection
> > >> and work fine in the mono pedal jacks-
> > >> Do the stereo jacks (for A/B switch, register/preset, etc.) need a
pedal
> > >> that  creates a connection??  I broke out the multitester to be sure
> > >> that the adapter setup I have is not mixing the signals and I don't
> > >> think it is-
> > >>
> > >> Thanks!
> > >>
> > >> Still awaiting my EDP...
> > >>
> > >> Clifford
> > >
> > >
> > >
> 

From Loopers-Delight-request@annihilist.com  Sat Feb 13 11:00:38 1999
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In a message dated 11/02/99 03:03:50 GMT Standard Time,
clifsound@earthlink.net writes:

> Ok, I bought a stereo male 1/4" to 2 mono rca- then got 2- rca to mono
>  1/4" adapters and hooked up two mono pedals pedals but nothing happened-
>  bummer!
>  
>  Any ideas?? Everyone has been very kind in the help dep't thus far- much
>  thanks!
>  
>  Cliff
>  
Sounds like it ought to work, have you checked that the footswitches work
individually?
Loose connections with all those adapters?
Better to solder up a stereo jack to two monos if pos. 

From Loopers-Delight-request@annihilist.com  Sat Feb 13 12:32:25 1999
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Date: Sat, 13 Feb 1999 12:21:48 -0500
From: Jeff Duke <jmar@bellsouth.net>
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btw, I did not send and would never send any attachment unasked to any
mailing list or newsgroup. I had already been infected and when I replied
to Cliffords post the virus sent itself to the list. Nobody was more
suprised than me to see happy99.exe show up like that.

chagrined in Atlanta,

jeff

Jeff Duke wrote:

> What can I say, it is true. That little bundle was sent to me by my
> drummer. I had no idea that it was infected and I am running Nortons
> anti-virus but had not updated it.
>
> I downloaded the free trial version of  F-Secure antivirus and have
> cleaned my system.
> http://www.datafellows.fi/v-descs/ska.htm
>
>  Once again, I am truly sorry and apoligize for this inadvertant act of
> cyber- terrorism.
> Its the first time that I have ever seen a real virus and I had gotten
> slack.
>
> Jeff ( not happy ) Duke

From Loopers-Delight-request@annihilist.com  Sat Feb 13 13:08:57 1999
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Date: Sat, 13 Feb 1999 10:59:48 -0700
To: Loopers-Delight@annihilist.com
From: Edwin Hurwitz <edwin@indra.com>
Subject: Re: Happy.exe
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>What can I say, it is true. That little bundle was sent to me by my
>drummer. I had no idea that it was infected and I am running Nortons
>anti-virus but had not updated it.
>
>I downloaded the free trial version of  F-Secure antivirus and have
>cleaned my system.
>http://www.datafellows.fi/v-descs/ska.htm
>
> Once again, I am truly sorry and apoligize for this inadvertant act of
>cyber- terrorism.
>Its the first time that I have ever seen a real virus and I had gotten
>slack.
>
>Jeff ( not happy ) Duke

Boy am I gald I run a Mac G3 instead of windows! :-) Although, does anyone
know if I am running a windows emulator, can I still get the virus?

Thanks,
Edwin

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin


From Loopers-Delight-request@annihilist.com  Sat Feb 13 13:17:42 1999
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Message-ID: <36C3FE0F.6921@earthlink.net>
Date: Fri, 12 Feb 1999 10:10:23 +0000
From: Colin Jenkinson <jeancolin@earthlink.net>
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If you did'nt see the fireworks display and just recieved a file of 
giberish does that mean  you were not infected?
Colin|niloC

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From: "Javier Miranda V." <gnominus@earthling.net>
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Subject: RE: Happy99 Virus
Date: Sat, 13 Feb 1999 10:45:10 -0800
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Clifford,

I want to thank you for your prompt advice.  I'd never heard of viruses
through e-mail, but I now I know.  I read several messages following yours
and had time to just delete Happy99 without opening it.

Thanks, dude.

-----Original Message-----
From: Clifford Novey [mailto:clifsound@earthlink.net]
Sent: Saturday 13 February 1999 3:18 AM
To: Loopers
Subject: Happy99 Virus


Ok, that virus was for real- Go to the following to get details on how
to remove all the components of the virus and DO NOT restart your
computer until you remove it all!!

http://www.datafellows.fi/v-descs/ska.htm

Cliff

PS- I am embarassed to say I figured out my Vortex "problem"- I was
unaware that ALL the jacks are stereo and that the two middle ones have
two functions- the outer two which i thought were the only stereo ones
control an amp channel switch or an expression pedal to adjust the
currently selected parameter-

Thanks for all the help everyone!!!
I will be posting a patch or a morph to Andy Butler's Vortex page and
encourage anyone who has a favorite patch or morph to do the same- it is
a great idea and Andy has an easy to use format for submissions and
display!
Andy's Vortex Page: http://members.aol.com/soundfnr/vortex.htm

Clifford


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From: Nemoguitt@aol.com
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Date: Sat, 13 Feb 1999 17:13:42 EST
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In a message dated 2/13/99 4:04:23 PM Mid-Atlantic Standard Time,
edwin@indra.com writes:

<< I downloaded the free trial version of  F-Secure antivirus and have
 >cleaned my system.
 >http://www.datafellows.fi/v-descs/ska.htm >>

i went to this page and filled out the form for the trial and it sent me to a
page that wouldnt let me do anything.....help......i did not see the "fire-
works" when i  d/l this happy exe.....now im freakin.....im afraid to shut
down my puter......all this and no vallium.....michael

From Loopers-Delight-request@annihilist.com  Sat Feb 13 18:01:03 1999
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Date: Sat, 13 Feb 1999 17:56:59 -0800
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From: Tim Nelson <tcn62@ici.net>
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Here's the question I posed to EBow re last week's thread, and their
two-word reply:

>:Comments :  Would it be commercially viable for you guys to issue a
>larger, more powerful BASS EBow? You know, one where the spacing is correct
>for bass strings so we won't have to keep doing the balancing act you
>describe in your FAQ section.

>Some day.


From Loopers-Delight-request@annihilist.com  Sat Feb 13 21:47:37 1999
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Date: Sat, 13 Feb 1999 21:39:42 -0500
To: Loopers-Delight@annihilist.com
From: Floyd Miller <floyd@voicenet.com>
Subject: Re: Happy.exe
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At 05:13 PM 2/13/99 -0500, Nemoguitt@aol.com wrote:
>....help......i did not see the "fire-
>works" when i  d/l this happy exe.....now im freakin.....im afraid to shut
>down my puter......all this and no vallium.....michael
>

i don't think the virus can get loose just by downloading the program.
You have to run it (click on it or "open" it as some people say) to see
the fireworks and get infected.

Just throw it in the trash (errr. recycling bin) and empty it
and get some sleep :)



**************** 
  ********** Floyd Miller
    ****** floyd@voicenet.com
     **** http://www.voicenet.com/~floyd
      ** http://www.studiodust.com

From Loopers-Delight-request@annihilist.com  Sun Feb 14 03:28:17 1999
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From: Chris Muir <cbm@well.com>
Subject: POLAR
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Has anyone checked out Mark of the Unicorn's latest Digital Performer? It
has a feature that they call POLAR, for Performance Oriented Loop Audio
Recording. They were apparently showing this at NAMM, but I seem to have an
alergic reaction to MOTU, so I didn't look at their booth.

Chris

_________________________________________________
Chris Muir   |   cbm@well.com   |   Got moloko?  


From Loopers-Delight-request@annihilist.com  Sun Feb 14 03:34:04 1999
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In a message dated 2/13/99 5:22:51 AM Eastern Standard Time,
kflint@annihilist.com writes:

> At 11:19 PM -0800 2/12/99, Kriist@aol.com wrote:
>  >I have a performance soon of some looping stuff, for some reason (and ive 
> read
>  >the manual) when i go to a new loop(im talking EDP here)with the
autorecord
>  >thing on and switchquantize off itll play the loop fine, then when i jump 
> back
>  >to the first loop it will play in once and then stop, itll start again
when 
> i
>  >press undo or some other button and then it does this again when i go back
> to
>  >the second loop.
>  
>  sounds like what happens when you have the SamplerStyle parameter set to
>  something other than "run". Set it to run and see if that fixes it.
>  
>  Probably Next shouldn't be affected by samplerstyle like that, maybe we'll
>  do something about that someday...
>  
>  kim
>  

that did the trick
thanks a ton

rodrigo

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I remember some talk here before about mail ordering the memory for an EDP,
what was the name of the place to get it from

rodrigo

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i once talked to the guys at ebow about the bass model as well. you see,
i remember seeing ads for the bass model when i was a kid in guitar
player. i mentioned this to them & they told me that they made six. so
if you find one...

bobdog

From Loopers-Delight-request@annihilist.com  Sun Feb 14 04:25:25 1999
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Date: Sun, 14 Feb 1999 01:00:23 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: SIMM chips?
To: Loopers-Delight@annihilist.com
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I posted last week saying that I bought the 4 meg simms
(60 ns) for $12 each from Computer Parts USA. They are
installed & working fine.

http://computerpartsusa.com


John




---Kriist@aol.com wrote:
>
> I remember some talk here before about mail ordering the memory for
an EDP,
> what was the name of the place to get it from
> 
> rodrigo
> 
> 

==
John Tidwell



_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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From: Michael Peters <mpeters@csi.com>
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Date: Sun, 14 Feb 1999 00:33:40 +0100
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> >:Comments :  Would it be commercially viable for you guys to issue a
> >larger, more powerful BASS EBow? You know, one where the spacing is correct
> >for bass strings so we won't have to keep doing the balancing act you
> >describe in your FAQ section.
> 
> >Some day.

ROFL. They make the guitar notes long, but their words are short.


*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://ourworld.compuserve.com/homepages/Mpeters




From Loopers-Delight-request@annihilist.com  Sun Feb 14 10:16:20 1999
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www.computerpartsusa.com  was one option.

From Loopers-Delight-request@annihilist.com  Sun Feb 14 10:38:32 1999
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From: "Alex Barnell" <tapped@ambient.powernet.co.uk>
To: <Loopers-Delight@annihilist.com>
Subject: New loop-based software in development
Date: Sun, 14 Feb 1999 01:45:34 -0000
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Hi there

I am primarily a musician, using my computer as a sampler to knock out
tunes. I am starting a new software project, which will allow the user to
produce *live* music, by looping existing sounds, and recording new ones on
the fly.

This will be done by accessing all the program features via a MIDI keyboard
menu system. This way, you can play in tunes, sample external sources and do
effects on your loops without ever having to touch a mouse or keyboard
(something I think can get in the way of making music). So for example,
bottom C on your keyboard would activate your menus on screen (and also
activate the menu keys on your keyboard), there would be basic keys to
start, stop and record MIDI data from the keyboard, and you could use your
pitch bend wheel (or any controller available to you) to change envelopes,
filters, reverb etc. Basically, everything is done from your keyboard for
simplicity, with visual representation of what you are doing on screen.

I would very much appreciate your comments, and any ideas you may have. I
plan to continue this project into my university course at doc.ic.ac.uk.

Tell me what you think! :-)

Alex


From Loopers-Delight-request@annihilist.com  Sun Feb 14 12:18:48 1999
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Date: Sun, 14 Feb 1999 18:04:51 +0100
To: Loopers-Delight@annihilist.com
From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: Happy.exe
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one time for all

to be infected you have to run the file happy99.exe.

if you trash the attachment without opening it there'll be no problem.

ciao
leo


At 21.39 13/02/99 -0500, you wrote:
>At 05:13 PM 2/13/99 -0500, Nemoguitt@aol.com wrote:
>>....help......i did not see the "fire-
>>works" when i  d/l this happy exe.....now im freakin.....im afraid to shut
>>down my puter......all this and no vallium.....michael
>>
>
>i don't think the virus can get loose just by downloading the program.
>You have to run it (click on it or "open" it as some people say) to see
>the fireworks and get infected.
>
>Just throw it in the trash (errr. recycling bin) and empty it
>and get some sleep :)
>
>
>
>**************** 
>  ********** Floyd Miller
>    ****** floyd@voicenet.com
>     **** http://www.voicenet.com/~floyd
>      ** http://www.studiodust.com
>
>
>

From Loopers-Delight-request@annihilist.com  Sun Feb 14 12:20:35 1999
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From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: New loop-based software in development
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great!
I'm really interested...

let us know for future development.

ciao
leo

At 01.45 14/02/99 -0000, you wrote:
>Hi there
>
>I am primarily a musician, using my computer as a sampler to knock out
>tunes. I am starting a new software project, which will allow the user to
>produce *live* music, by looping existing sounds, and recording new ones on
>the fly.
>
>This will be done by accessing all the program features via a MIDI keyboard
>menu system. This way, you can play in tunes, sample external sources and do
>effects on your loops without ever having to touch a mouse or keyboard
>(something I think can get in the way of making music). So for example,
>bottom C on your keyboard would activate your menus on screen (and also
>activate the menu keys on your keyboard), there would be basic keys to
>start, stop and record MIDI data from the keyboard, and you could use your
>pitch bend wheel (or any controller available to you) to change envelopes,
>filters, reverb etc. Basically, everything is done from your keyboard for
>simplicity, with visual representation of what you are doing on screen.
>
>I would very much appreciate your comments, and any ideas you may have. I
>plan to continue this project into my university course at doc.ic.ac.uk.
>
>Tell me what you think! :-)
>
>Alex
>
>
>
>

From Loopers-Delight-request@annihilist.com  Sun Feb 14 13:12:25 1999
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Reply-To: <sgoodman@earthlight.net>
From: "Stephen P. Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: SIMM chips?
Date: Sun, 14 Feb 1999 09:53:05 -0800
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If you know the specs of the chips you're looking for, you might do a
comparison shop via the venerable Computer Shopper, at
http://www.computershopper.com - this links to vendors as well, thus saving
mucho tiempo.  I used it to locate a vendor who could supply me with most of
the parts I need for my New PC...

Stephen Goodman  -  It's... The Loop Of The Week (now Dedication-Free)!
EarthLight Studios  -  http://www.earthlight.net/Studios


> -----Original Message-----
> From: Kriist@aol.com [mailto:Kriist@aol.com]
> Sent: Sunday, February 14, 1999 12:22 AM
> To: Loopers-Delight@annihilist.com
> Subject: SIMM chips?
>
>
> I remember some talk here before about mail ordering the
> memory for an EDP,
> what was the name of the place to get it from
>
> rodrigo
>

From Loopers-Delight-request@annihilist.com  Sun Feb 14 14:02:59 1999
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Date: Sun, 14 Feb 1999 10:41:55 -0800
To: Loopers-Delight@annihilist.com
From: Stuart Fox <foxes@jps.net>
Subject: Re: POLAR
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A friend of mine, who saw the demo at NAMM, said it was very impressive.  A
guitarist, bass player, and drummer, plus Shaka Khan and other singers all
laying down live loops, and switching between them.

There has been no official information from MOTU outside of the NAMM demo
about the details of POLAR.  It is slated to be incorporated into version
2.6.  They just started shipping version 2.5, so I wouldn't expect it soon.

Digital performer already has the ability to loop audio and MIDI sequences.
There has been a lot of discussion on the MOTU list about the fact that it
is not very suited to live performance.  MOTU monitors the list and is
generally responsive to suggestions.  I don't think it would take a lot of
programming to create a live interface to the existing features.  DP 2.6 is
supposed to be shipped as a free upgrade to purchasers of 2.5

Stuart


>Has anyone checked out Mark of the Unicorn's latest Digital Performer? It
>has a feature that they call POLAR, for Performance Oriented Loop Audio
>Recording. They were apparently showing this at NAMM, but I seem to have an
>alergic reaction to MOTU, so I didn't look at their booth.
>
>Chris
>
>_________________________________________________
>Chris Muir   |   cbm@well.com   |   Got moloko?


Stuart Fox
CalArts Guitar
sgfox@music.calarts.edu


From Loopers-Delight-request@annihilist.com  Sun Feb 14 14:07:21 1999
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: New loop-based software in development
Date: Sun, 14 Feb 1999 10:48:23 -0800
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It's time somebody would have done that.  I wish you much success, and I'll
surely be among your first customers.

>Hi there
>
>I am primarily a musician, using my computer as a sampler to knock out
>tunes. I am starting a new software project, which will allow the user to
>produce *live* music, by looping existing sounds, and recording new ones on
>the fly.
>
>This will be done by accessing all the program features via a MIDI keyboard
>menu system. This way, you can play in tunes, sample external sources and
do
>effects on your loops without ever having to touch a mouse or keyboard
>(something I think can get in the way of making music). So for example,
>bottom C on your keyboard would activate your menus on screen (and also
>activate the menu keys on your keyboard), there would be basic keys to
>start, stop and record MIDI data from the keyboard, and you could use your
>pitch bend wheel (or any controller available to you) to change envelopes,
>filters, reverb etc. Basically, everything is done from your keyboard for
>simplicity, with visual representation of what you are doing on screen.
>
>I would very much appreciate your comments, and any ideas you may have. I
>plan to continue this project into my university course at doc.ic.ac.uk.
>
>Tell me what you think! :-)
>
>Alex
>
>
>
>


From Loopers-Delight-request@annihilist.com  Sun Feb 14 21:14:52 1999
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Date: Sun, 14 Feb 1999 17:59:15 -0800
From: Clifford Novey <clifsound@earthlink.net>
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Hello all-

I am getting into working with my new Vortex and you definitely have to
have all the foot controllers to use it's full potetial-
I have my keyboard/DR 5 running stereo through it and my guitar running
through it stereo as well-both to my stereo system and a dry line going
to my guitar amp- I love making little loops with either (keyboard or
guitar) and jamming is a blast- It is making my mouth water at the
thought of getting my EDP. I love using the Leslie like sounds and the
a/b switch to speed it up or slow it down- I really am just getting
started with this thing though-
I was wondering if anyone knows what kind of pedal works in the port
that controls the Value? I tried my volume pedal but that obviously did
not work- duh-
What kind does it use/ are you all using and are they expensive?

Thanks-

Clifford

From Loopers-Delight-request@annihilist.com  Sun Feb 14 22:05:43 1999
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Message-ID: <01BE5864.931BD040.laureen@webjogger.net>
From: Laureen Kress <laureen@webjogger.net>
Reply-To: "laureen@webjogger.net" <laureen@webjogger.net>
To: "'loopers-delight@annihilist.com'" <loopers-delight@annihilist.com>
Subject: She is my HERO!!!!!!
Date: Sun, 14 Feb 1999 21:54:07 -0500
Organization: John Kress Consulting, Inc.
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I have loved Joni for what seems like forever, went to see her many times,
had a friend back in high school who was obsessed, he knew how to play all 
her songs on the guitar and I would do my best to belt out her tunes, which 
was not an easy task with her range, but I tried. I will never stop 
listening to her and have all of her albums and play them on  my turn table 
every chance I get. I'm 39 and she makes me feel like I'm a teenager again 
with every line
I melt back in time. Thanks for the chance to talk about the most gifted 
human being on the face of this earth!!!     Laureen from New York

From Loopers-Delight-request@annihilist.com  Mon Feb 15 00:52:25 1999
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From: Greg Sundberg <gregsun@MICROSOFT.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: EBow Guestlist Entry
Date: Sun, 14 Feb 1999 21:37:35 -0800
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I can beat that 2 word reply.  I sent an email to ebow asking if they plan
on marketing a 6 string version that would fit into a standard pickup slot
(i.e. a Fernandes sustainer, but as we all know ya can't buy 'em without
buying the whole damn guitar).

Their response: "Yup."

I sent a follow up asking if they could elaborate.  Their repines: "Nope."
They did stretch themselves and added a few extra words:

>> "Sorry. We found it better to say nothing until a 
>> product is actually fully manifest. Avoids the 
>> onslaught of questions. It's NOT just around the corner."

So I'm not holding my breath -- but I'm refraining from buying a Fernandes
sustainer for now (although I did see one on Ebay for $500....  oops, wrong
thread) :^)


-----Original Message-----
From: Tim Nelson [mailto:tcn62@ici.net]
Sent: Saturday, February 13, 1999 5:57 PM
To: Loopers-Delight@annihilist.com
Subject: Re: EBow Guestlist Entry


Here's the question I posed to EBow re last week's thread, and their
two-word reply:

>:Comments :  Would it be commercially viable for you guys to issue a
>larger, more powerful BASS EBow? You know, one where the spacing is correct
>for bass strings so we won't have to keep doing the balancing act you
>describe in your FAQ section.

>Some day.

From Loopers-Delight-request@annihilist.com  Mon Feb 15 04:16:29 1999
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Date: Mon, 15 Feb 1999 10:13:05 +0100
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Well, i don't get it people;.. I use my Ebow
with my Stick, my bass and my guitars. No
trouble. What kind of impediment you think
you would have to overcome, to use an Ebow
with  a bass?????

Olivier Malhomme

From Loopers-Delight-request@annihilist.com  Mon Feb 15 10:25:37 1999
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Date: Mon, 15 Feb 1999 09:16:52 -0500
From: fretless6 <144music@spyral.net>
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I was wondering if anyone has purchased the new Akai looper pedal and
whether it is a worthwhile investment.

Thanks

David C Gross



From Loopers-Delight-request@annihilist.com  Mon Feb 15 10:49:57 1999
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Date: Mon, 15 Feb 1999 10:21:58 -0500
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I was wondering if anyone has purchased the new Akai looper pedal and
whether it is a worthwhile investment.

Thanks

David C Gross

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At 09.16 15/02/99 -0500, you wrote:
>I was wondering if anyone has purchased the new Akai looper pedal and
>whether it is a worthwhile investment.
>
>Thanks
>
>David C Gross
>

hey, are you the bassist I think you are? ;)

Did you use Fodera basses?

ciao
leo

From Loopers-Delight-request@annihilist.com  Mon Feb 15 14:48:09 1999
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Happy.exe
Date: Mon, 15 Feb 1999 11:35:22 -0800
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Here's another URL about the Happy99 virus I saw at Anchordesk:

http://www.geocities.com/SiliconValley/Heights/3652/SKA.HTM

From Loopers-Delight-request@annihilist.com  Mon Feb 15 14:53:49 1999
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From: "Jonathan El-Bizri" <jonathan@full-moon.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: EBow Guestlist Entry
Date: Mon, 15 Feb 1999 11:39:07 -0800
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Damn! They used to sell them separately. I suppose they figured they could
make more money this way. Too bad for them - I would have bought one for
every guitar and stick I could still buy them separate.

bIz

> -----Original Message-----
> From: Greg Sundberg [mailto:gregsun@MICROSOFT.com]
> Sent: Sunday, February 14, 1999 9:38 PM
> To: 'Loopers-Delight@annihilist.com'
> Subject: RE: EBow Guestlist Entry
>
>
> I can beat that 2 word reply.  I sent an email to ebow asking if they plan
> on marketing a 6 string version that would fit into a standard pickup slot
> (i.e. a Fernandes sustainer, but as we all know ya can't buy 'em without
> buying the whole damn guitar).
>
> Their response: "Yup."
>
> I sent a follow up asking if they could elaborate.  Their repines: "Nope."
> They did stretch themselves and added a few extra words:
>
> >> "Sorry. We found it better to say nothing until a
> >> product is actually fully manifest. Avoids the
> >> onslaught of questions. It's NOT just around the corner."
>
> So I'm not holding my breath -- but I'm refraining from buying a Fernandes
> sustainer for now (although I did see one on Ebay for $500....
> oops, wrong
> thread) :^)
>
>
> -----Original Message-----
> From: Tim Nelson [mailto:tcn62@ici.net]
> Sent: Saturday, February 13, 1999 5:57 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: EBow Guestlist Entry
>
>
> Here's the question I posed to EBow re last week's thread, and their
> two-word reply:
>
> >:Comments :  Would it be commercially viable for you guys to issue a
> >larger, more powerful BASS EBow? You know, one where the spacing
> is correct
> >for bass strings so we won't have to keep doing the balancing act you
> >describe in your FAQ section.
>
> >Some day.
>
>

From Loopers-Delight-request@annihilist.com  Mon Feb 15 17:31:07 1999
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Date: Mon, 15 Feb 1999 15:26:52 -0800
From: Jim Coker <jcoker@magelang.com>
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>From a thread about a year ago, I remember that placement 
of the sustainer pickup relative to the strings is
critical, and difficult to achieve as an add-on kit.

On the plus side, Fernandez should now be offering
a decent LesPaul copy w/ a sustainer, and also a GK-2a
if you custom order it.

jim

Jonathan El-Bizri wrote:
> 
> Damn! They used to sell them separately. I suppose they figured they could
> make more money this way. Too bad for them - I would have bought one for
> every guitar and stick I could still buy them separate.
> 
> bIz
> 
> > -----Original Message-----
> > From: Greg Sundberg [mailto:gregsun@MICROSOFT.com]
> > Sent: Sunday, February 14, 1999 9:38 PM
> > To: 'Loopers-Delight@annihilist.com'
> > Subject: RE: EBow Guestlist Entry
> >
> >
> > I can beat that 2 word reply.  I sent an email to ebow asking if they plan
> > on marketing a 6 string version that would fit into a standard pickup slot
> > (i.e. a Fernandes sustainer, but as we all know ya can't buy 'em without
> > buying the whole damn guitar).
> >
> > Their response: "Yup."
> >
> > I sent a follow up asking if they could elaborate.  Their repines: "Nope."
> > They did stretch themselves and added a few extra words:
> >
> > >> "Sorry. We found it better to say nothing until a
> > >> product is actually fully manifest. Avoids the
> > >> onslaught of questions. It's NOT just around the corner."
> >
> > So I'm not holding my breath -- but I'm refraining from buying a Fernandes
> > sustainer for now (although I did see one on Ebay for $500....
> > oops, wrong
> > thread) :^)
> >
> >
> > -----Original Message-----
> > From: Tim Nelson [mailto:tcn62@ici.net]
> > Sent: Saturday, February 13, 1999 5:57 PM
> > To: Loopers-Delight@annihilist.com
> > Subject: Re: EBow Guestlist Entry
> >
> >
> > Here's the question I posed to EBow re last week's thread, and their
> > two-word reply:
> >
> > >:Comments :  Would it be commercially viable for you guys to issue a
> > >larger, more powerful BASS EBow? You know, one where the spacing
> > is correct
> > >for bass strings so we won't have to keep doing the balancing act you
> > >describe in your FAQ section.
> >
> > >Some day.
> >
> >

From Loopers-Delight-request@annihilist.com  Mon Feb 15 18:02:06 1999
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Date: Mon, 15 Feb 1999 17:17:52 +0200
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From: patrick@his.com (Patrick Smith)
Subject: Boomerang @ Harmony Central
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I don't know if this is a good price or not, but for those who are
interested I just found htis at Harmnony Central:

FS: Boomerang Phrase Sampler $300.

Asking Price: US$300
Condition: Mint
Age: 1 year
Description:

       Hardly used Boomerang Phrase Sampler; 4 Min. maximum recording time,
looping
       capabilities and the best backwards playback in the business. Foot
switches for
       looping, half-speed, reversal, etc. List $650., sell $300. Includes
manual and
       AC adaptor.

       Klimmer1@aol.com

Seller: Rob Coleman,
E-mail: klimmer1@aolNOSPAM.com (Profile)
Location: GREENBRAE, CA
Post Date: 2/14/99

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Mon Feb 15 19:05:25 1999
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From: Kim Flint <kflint@annihilist.com>
Subject: RE: EBow Guestlist Entry
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as far as I know, you always had to special order the fern. sustainer
pickups from Japan, probably you still can. And then you have to find
someone who was capable of installing it. That's actually not a small
trick, because retrofitting it into an instrument is not easy at all.
requires precise placement or it doesn't work right, which is likely to
mean unpleasant amounts of routing. IMO, its a one trick pony and you're
better off getting one of the low end (cheap) fernandes guitars for the
times when you want the one trick.....

At 11:39 AM -0800 2/15/99, Jonathan El-Bizri wrote:
>Damn! They used to sell them separately. I suppose they figured they could
>make more money this way. Too bad for them - I would have bought one for
>every guitar and stick I could still buy them separate.
>
>bIz
>
>> -----Original Message-----
>> From: Greg Sundberg [mailto:gregsun@MICROSOFT.com]
>> Sent: Sunday, February 14, 1999 9:38 PM
>> To: 'Loopers-Delight@annihilist.com'
>> Subject: RE: EBow Guestlist Entry
>>
>>
>> I can beat that 2 word reply.  I sent an email to ebow asking if they plan
>> on marketing a 6 string version that would fit into a standard pickup slot
>> (i.e. a Fernandes sustainer, but as we all know ya can't buy 'em without
>> buying the whole damn guitar).

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Feb 15 19:18:22 1999
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At 3:26 PM -0800 2/15/99, Jim Coker wrote:
>On the plus side, Fernandez should now be offering
>a decent LesPaul copy w/ a sustainer,

hmm, do they just like getting sued, or is it not really a lespaul copy?

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Feb 15 19:29:33 1999
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Just to add another thought in this e-bow discussion....

Sustainiac Music is soon going to have a new installable sustainer unit.  I
talked with Alan Hoover recently, and although I don't remember exactly
WHEN he said it would be available, it sounds like this Sustainiac system
will be pretty easy to install- probably MUCH easier than gutting a
Fernandes......if you want to contact Alan, his e-mail is HooverA@tce.com
He's a great guy, and really knows his stuff in this area of infinite sustain.

Jeff

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They list both Mr. Fripp and Mr. Belew as users,
and since Mr. Fripp plays a "les-paul-style" fernandez
with various goodies, I called to check on availability.
They said a version of their Monterey (i.e. looks
like a L.P.) w/ sustainers would be out early 99.

jim

Kim Flint wrote:
> 
> At 3:26 PM -0800 2/15/99, Jim Coker wrote:
> >On the plus side, Fernandez should now be offering
> >a decent LesPaul copy w/ a sustainer,
> 
> hmm, do they just like getting sued, or is it not really a lespaul copy?
> 
> kim
> 
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com

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Kim wrote:


>as far as I know, you always had to special order the fern. sustainer
>pickups from Japan, probably you still can. And then you have to find
>someone who was capable of installing it. That's actually not a small
>trick, because retrofitting it into an instrument is not easy at all.
>requires precise placement or it doesn't work right, which is likely to
>mean unpleasant amounts of routing. IMO, its a one trick pony and you're
>better off getting one of the low end (cheap) fernandes guitars for the
>times when you want the one trick.....


You're absolutely right!
As far as I know, the do it yourself sustainer kits from Fernandes were
costing around 45000 yen last time i checked. That's about $450 for us. Hell
it almost will cost you that much to get a guitar with the sustainer from
fernandes. Talk about a jip.

Sincerely,
Jeff Collins

From Loopers-Delight-request@annihilist.com  Mon Feb 15 21:32:18 1999
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Anybody try a sustainiac on a Chapman Stick or Warr or any other 
Stinged insttrument?

Colin|niloC

From Loopers-Delight-request@annihilist.com  Tue Feb 16 10:59:59 1999
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From: Adam Good <goodadam@quicklink.com>
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Hi,
I've only been subscribed to the list for a week so this may have been
discussed. Can anyone tell me how this sustainer pickup works? I use an
e-bow but find it very hard to control the volume without turning down my
volume knob. poor people get their little ears BLASTED for 1 second if i
get too close to the "hotspot". So the idea of a permanent pickup in my 
guitar is interesting.

thanks for any info. email privately if you'd like.
--
Adam Good
goodadam@quicklink.com
http://www.quicklink.com/~goodadam



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From: Kriist@aol.com
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last week i posted with some problems on my nextloop thing, 
well, kim, its working but now my loop start points are all over the place

ive mess with the quantize and nothing, its almost as if its random too
sometimes itll start from the begining and then sometimes, wherever itd like

thanks in advance

rodrigo

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Date: Tue, 16 Feb 1999 13:39:29 -0500
From: Leander REININGHAUS <LEALOOP@compuserve.com>
Subject: another newbie ! / Sustainerdiscussion
Sender: Leander REININGHAUS <LEALOOP@compuserve.com>
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Hi, everybody

firstly, I'd like to say hello to all you guys at LD !
I'm a fan for quite a long time but its' just two weeks ago that I manage=
d
to jump on the net
and yesterday I subscribed

I'm a guitar pro from Germany, I've been working with loops since 1981 wh=
en
I first heard
" LET THE POWER FALL " and got my first looping delay which was a Ibanez
DM1100 with 3.6 secs
Now, I'm working with Oberheim Echoplex and Paradis Loop Delay and I'm ju=
st
about to finish a
solo CD with quiet ambient loopstuff called " STARSCAPES 1 - The Bright
Zones ".
I'm a close friend to Michael Peters and Markus Reuter with whom I had a
little band called  " Trio GitarriStick ".
I met both of them 1991 on my first Guitar Craft Seminar wth Robert Fripp=

in Switzerland. Since then I'm a
Crafty and play the New Standard Tuning nearly exclusively. I'm a fan of
David Torn and Steve Tibbetts - and I'd say I  know a little about guitar=
s,
too.

As Sustainers seem to be the toppic of the day, I'd like to post a little=

bit on that:

I've been using them since 1989 when I first met Alan Hoover at the "
Frankfurt Musik Messe " ( a trade show,
almost like NAMM ). I played with a  harpist that time ( yes, the big thi=
ng
with strings ) and I  was =

looking for something that should give me long sustained notes at low
volume. So I bought one, learned how =

to install it and from that time it went in all that were my favourite
guitars. After a short period of exploring and getting used to it, it
became an important part of my expression and I still don't want to miss
it. =

Then, my first unit broke and I had to change to Fernandes Sustainers
because Sustainiac had disappeared
from the market place. Normally, I like to support small companies rather=

than big ones, so I felt happy viewing Alan Hoover reentering the market
some two years ago. I really admire him as an inventor and craftsman and
that he managed to keep his head up fighting for his ideas, but I must sa=
y,
without wanting to offend him in any way, dealing with him often takes a
looong time... =

15 months ago I began working on a custom electric guitar series called  =
"
PAINTERS Series " I constructed together with Eduard Tueske, a fine luthi=
er
and builder of PHANTOM Guitars and Basses here in Cologne, Germany.
I really put all the ideas and experience of 23 years of guitarplaying in=

this guitar and it should have been out on the market last year.
And of course, because it should be the ultimate guitar with ultimate
playing comfort and sound flexibility
it should have ( besides high-quality pickups and a piezo-trem with midi
access ) a sustainer on it ! =

Eduard also planned to make basses with sustainers but this is still the
missing link. I've been exchanging emails with AH now for more than a yea=
r,
saw the rise and fall of the GA-5 system but there's still no sustainer I=

can put my hands on. Maybe it's easier for you guys in the States ( if so=
,
please, let me know ! ).
But again, I want to state my respect for Mr. Hoover and I'd like to send=

him my best wishes hoping the delay problem will be solved. =

Maybe, some more orders from us can do the trick !
 =

Okay, I think this may be enough for the first post... and there are some=

tasty spaghetti waiting in the kitchen !

Greetings to all

Leander

PS.: If somebody is interested in specs of the PAINTERS Series Guitars or=

PHANTOM Guitars and Basses,             please, let me know or write to
PHANTOM.GUITARS@okay.net

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Date: Tue, 16 Feb 1999 10:40:10 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: moving loop points?!
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check the echoplex FAQ:

http://www.annihilist.com/loop/tools/echoplex/FAQ.html

there is a whole section on multiple loops and loop switching, where your
question is answered.

As a hint, try using the SwitchQuant parameter.....

kim


At 8:58 AM -0800 2/16/99, Kriist@aol.com wrote:
>last week i posted with some problems on my nextloop thing,
>well, kim, its working but now my loop start points are all over the place
>
>ive mess with the quantize and nothing, its almost as if its random too
>sometimes itll start from the begining and then sometimes, wherever itd like
>
>thanks in advance
>
>rodrigo


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Feb 16 14:54:03 1999
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Date: Tue, 16 Feb 1999 14:44:33 +0000
From: Frank Martinez <lr@baka.com>
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PRO QUALITY GEAR FOR SALE!!!!!!! If Interested, please email lr@baka.com


Everything listed below are 19in rack units unless otherwise specified

LEXICON PCM 70-$1100.00

ART Ultrafoot Midi controller-essential for real time control of PCM
70-$100.00

PIERCE G2R amp-dual stereo with stereo digital effects built in,  2
channel(100watt per channel), 4 Stage overdrive, 2 rack space-absolutely
crushing unit-$525.00

DIGITECH 7 SECOND LOOPING DELAY-$100.00

ADA PITCH TRAQ HARMONIZER-$100.00

RANE 3 BAND PARAMETRIC EQUALIZER-$150.00

KAWAI 8 CHANNEL MIXER-2 Sends and returns, xlr or 1/4 in. outputs, pre
or post send fader options, 2 rack spaces-$200.00

8 Space "Frankenrack" by Hot Rod roadcases-"anvil" style road/tour case
with locking rubber casters with metal ball bearing locking hubs,
internally shock mounted 8 space 13 ply birch rack(with black enamal
finish)The Real Thing to move all the above mentioned gear
around-$250.00---A DEAL!

8 Space rack with "anvil" style roadcase with high quality caster
wheels-$125.00

2 Full range Peavey Mark III PA 3 way speakers-Full range, 12in
w/coaxial mid horn, wide dispersion tweeter,heavy duty, great for PA,
Violins(Of Course!)or keyboards-$500.00 for pair

2 Ultimate support stands-$50.00

Millions of patch cords and cables-$65.00(when you think about it, a
real value!)

From Loopers-Delight-request@annihilist.com  Tue Feb 16 16:14:58 1999
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From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Re: another newbie ! / Sustainerdiscussion
Cc: PHANTOM.GUITARS@okay.net
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How do you like the Paradis Loop Delay?

At 01:39 PM 2/16/99 -0500, you wrote:
>Hi, everybody
>
>firstly, I'd like to say hello to all you guys at LD !
>I'm a fan for quite a long time but its' just two weeks ago that I managed
>to jump on the net
>and yesterday I subscribed
>
>I'm a guitar pro from Germany, I've been working with loops since 1981 when
>I first heard
>" LET THE POWER FALL " and got my first looping delay which was a Ibanez
>DM1100 with 3.6 secs
>Now, I'm working with Oberheim Echoplex and Paradis Loop Delay and I'm just
>about to finish a
>solo CD with quiet ambient loopstuff called " STARSCAPES 1 - The Bright
>Zones ".
>I'm a close friend to Michael Peters and Markus Reuter with whom I had a
>little band called  " Trio GitarriStick ".
>I met both of them 1991 on my first Guitar Craft Seminar wth Robert Fripp
>in Switzerland. Since then I'm a
>Crafty and play the New Standard Tuning nearly exclusively. I'm a fan of
>David Torn and Steve Tibbetts - and I'd say I  know a little about guitars,
>too.
>
>As Sustainers seem to be the toppic of the day, I'd like to post a little
>bit on that:
>
>I've been using them since 1989 when I first met Alan Hoover at the "
>Frankfurt Musik Messe " ( a trade show,
>almost like NAMM ). I played with a  harpist that time ( yes, the big thing
>with strings ) and I  was 
>looking for something that should give me long sustained notes at low
>volume. So I bought one, learned how 
>to install it and from that time it went in all that were my favourite
>guitars. After a short period of exploring and getting used to it, it
>became an important part of my expression and I still don't want to miss
>it. 
>Then, my first unit broke and I had to change to Fernandes Sustainers
>because Sustainiac had disappeared
>from the market place. Normally, I like to support small companies rather
>than big ones, so I felt happy viewing Alan Hoover reentering the market
>some two years ago. I really admire him as an inventor and craftsman and
>that he managed to keep his head up fighting for his ideas, but I must say,
>without wanting to offend him in any way, dealing with him often takes a
>looong time... 
>15 months ago I began working on a custom electric guitar series called  "
>PAINTERS Series " I constructed together with Eduard Tueske, a fine luthier
>and builder of PHANTOM Guitars and Basses here in Cologne, Germany.
>I really put all the ideas and experience of 23 years of guitarplaying in
>this guitar and it should have been out on the market last year.
>And of course, because it should be the ultimate guitar with ultimate
>playing comfort and sound flexibility
>it should have ( besides high-quality pickups and a piezo-trem with midi
>access ) a sustainer on it ! 
>Eduard also planned to make basses with sustainers but this is still the
>missing link. I've been exchanging emails with AH now for more than a year,
>saw the rise and fall of the GA-5 system but there's still no sustainer I
>can put my hands on. Maybe it's easier for you guys in the States ( if so,
>please, let me know ! ).
>But again, I want to state my respect for Mr. Hoover and I'd like to send
>him my best wishes hoping the delay problem will be solved. 
>Maybe, some more orders from us can do the trick !
> 
>Okay, I think this may be enough for the first post... and there are some
>tasty spaghetti waiting in the kitchen !
>
>Greetings to all
>
>Leander
>
>PS.: If somebody is interested in specs of the PAINTERS Series Guitars or
>PHANTOM Guitars and Basses,             please, let me know or write to
>PHANTOM.GUITARS@okay.net
>
>
>
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Wed Feb 17 01:09:33 1999
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Date: Wed, 17 Feb 1999 00:59:18 -0500 (EST)
From: Dark Aether Project <info@DarkAether.Net>
X-Sender: info@red
To: loopers-delight@annihilist.com
Subject: Dark Aether Project CD release multimedia event 3/13 in Washington
 DC area
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On Saturday, March 13th, Phantasmagoria in Wheaton, MD will host a
multimedia event rarely seen outside of huge stadiums. The Dark Aether
Project will perform in support of their brand new second CD _Feed The
Silence_ accompanied by special guests German Warr Guitarist Markus Reuter
of the Europa String Choir (who also appears on the album) and space-jam
improv greats Quarkspace. This event also marks former Echolyn vocalist
Ray Weston's first performance as a full member of The Dark Aether
Project since joining just prior to the recording of the new album.

Accompanying the music will be the spectacular visual work of the
Ohio-based Solar Fire Lightshow and their multi-projection liquid light &
film systems with multi-colored strobes, black lights, smoke, beams and
other amazing visual effects which have made them one of the premier US
lightshow outfits and the choice of visiting foreign space rock
forefathers like Hawkwind and Gong.

Showtime is 9pm and admission price is $10

The Dark Aether Project is:
Adam Levin: Warr 8 String Touch Guitar/Keyboards/Loops
Yaman Aksu: Guitar/Hammond Organ
Brian Griffin: Drums/Percussion
Ray Weston: Vocals

What reviewers are saying about The Dark Aether Project:

"...jazz-inflected, often minimalistic...foreboding soundscapes...classy
...offers mature musicianship without pretentiousness" - Progression

"..intense and blistering lead work...amazing loops and shimmering
textures that are at once haunting and dreamlike...worthy of 
attention." - Expose

"...delivers what the demanding progressive rock fan wants: a unique and
original product, dexterity, a sharp musical flair and the ability to play
with the listener's emotions." - Cyclone Magazine (Quebec)

The Dark Aether Project: http://www.DarkAether.Net/
Markus Reuter/Europa String Choir: http://www.dscplne.demon.co.uk/
Quarkspace: http://www.quarkspace.com/
Solar Fire Lightshow: http://www.now-online.com/jmfinity/

Other upcoming Dark Aether Project performances:
3/20  William E Hare American Legion Hall - Lansdale PA
9/4-5 The 5th annual Progday Outdoor International progressive music
      festival in Chapel Hill NC with acts including Thinking Plague (US),
      Tribe of Cro (Belgium), NeBeLNeST (France), Equinox (Panama) and
      more to be announced.

More concert dates will be announced in coming weeks.
-----------------------------------------------------------------
Directions to Phantasmagoria:
Take Washington DC Beltway (495) toward Silver Spring.  
Exit at Rt 97 (Georgia Ave) North towards Wheaton
Go 2-3 miles on Georgia, keeping to the right
Turn right on University Blvd (after Safeway)
Take first right onto Elkin.
Phantasmagoria is on the left at 11319

Phantasmagoria is a hall with a capacity of 400 with tables around the
room and a dance floor area in front of the stage. They serve homemade
tex-mex food (including veggie friendly stuff)  and a wide variety of
microbrews on tap. It's an all ages venue (21 to drink) with a record
store that is open during the day prior to showtime. Phantasmagoria is an
artist and music fan-friendly venue, so please come out and show your
support. In addition to the above mentioned show, here's a couple of other
upcoming Phantasmagoria shows which may interest fans of music which
pushes beyond the boundaries of the ordinary:

3/20 Richard Pinhas (of the classic French band Heldon)
5/26 Magma (France)/Porcupine Tree (England) - to be confirmed





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From: Michael Peters <mpeters@csi.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: AW: another newbie ! / Sustainerdiscussion
Date: Tue, 16 Feb 1999 23:07:35 +0100
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> Hi, everybody

hi Leander, nice to have you here.

*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://ourworld.compuserve.com/homepages/Mpeters




From Loopers-Delight-request@annihilist.com  Wed Feb 17 09:40:55 1999
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Waldorf 4 Pole filter on eBay
Date: Wed, 17 Feb 1999 08:29:42 -0600
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Just got one of these aural warp machines myself a couple of days
ago--remember the thread on these . . .

Love mine to death already--small and powerful filter with great control of
parameters, LFO with 5 waveforms, envelope follower, 40 presets (20 are
user-definable) MIDI and envelope follower

this one is $200 and rising . . .  retail is about $450--5 hours to go

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=65779276

Tom Lambrecht
hideo@concentric.net


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Lexicon PCM 70 version 3 software-$1000.00 firm

From Loopers-Delight-request@annihilist.com  Wed Feb 17 14:21:57 1999
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From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: INFINITE GUITAR
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What about the INFINITE GUITAR?. here is a web site that talks about it :

http://www.dns.net/eyesore/html/interview/BrookMichael.AlbinoAlligatorFilm.p
ress.html

Do a search for infinite and it should take your to the proper text.

...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Wed Feb 17 14:22:23 1999
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Date: Wed, 17 Feb 1999 12:59:15 -0600
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From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Jam-Man on e-bay closed at $700.00 !?!?!?!?!?
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Lexicon JamMan Looping Delay 
Item #65093304 


Bidding is closed for this item.
 
Currently $700.00 (reserve met)  First bid $100.00 
Quantity 1  # of bids 21 (bid history) (with emails) 
Time left Auction has ended.  Location Peoria, IL 
Started 02/08/99 13:18:11 PST     (mail this auction to a friend) 
Ends 02/15/99 13:18:11 PST    (request a gift alert) 
     
Seller erwill (0) 

High bid marzmusic@aol.com (0) 
    

...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Wed Feb 17 14:58:18 1999
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Date: Wed, 17 Feb 1999 12:43:09 -0700
From: "James Lanpheer" <jlanphe@uswest.com>
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Hi-

I received my new EDP late last week, and am really enjoying myself.
Last night was my first available night to do extended work with it, and
I encountered one bothersome thing, and I'm not sure if that's the
nature of the beast or a problem with my unit...

I create myself a nice loop, am pretty satisfied with it, and let it run
for awhile...  The problem is that the audio output of the loop slowly
diminishes, as if the memory of the loop in the unit slowly evaporates,
or leaks out.  So,  if I create a loop and let it run without adding to
it, over the course of 5-10 minutes, all audible traces of the loop have
vanished, leaving me with amplifier hiss, only.

I'll have to admit, sometimes this would be nice to have some user-input
in....  A little feature to have the loop slowly die away or perhaps
increase in intensity, or remain the same.  Having the loop slowly fade
is peaceful-sounding, but may NOT be what i WANT!

My setup (for now) is pretty simple and I think has no effect on the
above problem, but I include it to lay out the full range of possible
problems:

Instruments:
Various Saxes, Tabla, Yamaha WX7 Wind-Controller,Wavestation A/D, Yamaha
VL1-m.  All MIDI sound modules driven thru a Sondius MIDI A/B Switcher.
All modules go directly to the mixer:  Mackie VLZ-1402
directly into:
Lexicon MPX100, and then EDP and then to amp (no AUX SEND back to mixer,
at the moment)

I'd really appreciate anyone's feedback on this, other than that, I love
the thing!  I respect the opinions of those on this list...

Regards,
Jim Lanpheer

From Loopers-Delight-request@annihilist.com  Wed Feb 17 15:12:29 1999
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Date: Wed, 17 Feb 1999 11:49:37 -0800
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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re: Jam-Man for $700.00!!!  Plus an EDP query...
To: Loopers-Delight@annihilist.com, Chuck Zwicky <chuck.zwicky@wavefront.com>
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     > Lexicon JamMan Looping Delay 
     > Item #65093304 
     > Bidding is closed for this item.
     > Currently $700.00 (reserve met)  First bid $100.00 
     
     WOW!!! And I thought $450.00 was high... That's what mine sold for 
     within an hour of posting it. Now I'm ready to buy an EDP!
     
     One question... Would all of you who have already purchased and 
     received (or are still waiting) your EDP's through Alto Music please 
     reply with a quick summary of how long it took you to get your unit 
     and the condition it arrived in?
     
     Best regards,
     -Miko Biffle

From Loopers-Delight-request@annihilist.com  Wed Feb 17 15:14:52 1999
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Date: Sun, 17 Jan 1999 20:57:09 +0100
From: "Arnaud D@S" <epytaph@usa.net>
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Subject: Help ! I need somebody ! Help ! (on ADA MP1)
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Hi,
I'm a recent owner of an ADA MP-1 (the first model, NOT the classic
one)which was a second hand. And of course,the manual was missing.
It would be very coool if you could "e-mail" me a copy of this manual
(scan or an other support) or if you know an address on the Internet
where I can find it.

Futhermore, I'm just beginning in "killer sound seeking". I would be
grateful you for communicate me some of your great preset (OD1  OD2  MG
B  M  T  P  Voicing).
I would like to find a very "big" sound for heavy metal (Megadeth,
Pantera,...)

A last question : I heard somebody talking about MIDI possibilities
(send new patch directly in the RAM of the MP1). Could you give me more
info ?

I really thank you in advance, hoping you will be able to take few
minutes to answer my deseperate message.

Thanks.
--
_______________________________________________________
Arnaud.
E-mail : epytaph@usa.net
Epytaph : http://www.chez.com/epytaph/


From Loopers-Delight-request@annihilist.com  Wed Feb 17 15:30:33 1999
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From: "Joseph Buck" <josephbuck@hotmail.com>
To: Loopers-Delight@annihilist.com
Subject: So where are we?
Date: Wed, 17 Feb 1999 12:17:29 PST
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Hola Groovers-

So this is kinda of a checking of the winds if you will.... seeing where 
the community is, etc...

The Headrush is exciting news, this list in no uncertain terms has 
redefined the palette of sonic manufacturers.
But- we were told about a DOD long delay pedal as well... and the 
rerelease of the EH 16 sec delay...
However my money is still on Akai to deliver...

Gibson and related stuff is a mess. Questionable marketing, questionable 
delivery of goods (no ram in many units, destroyed boxes, broken 
faceplates), and a shifting corporation.
Why do I care so much? The promise of the EDP is great. It is a deep and 
wonderful machine in spite of all the nonsense.

I find myself listening to less music.... What has crossed my drums in 
the past months has been- Tortoise, Don Caballero "What Burns Never 
Returns", Dark Magus et al by Miles, Thomas Koner, Barry White, Talk 
Talk's "Spirit Of Eden", John Cale, Marvin Gaye, Takemitsu....

Nevertheless I am wooed again by the printed word...

I am being asked to do more visual arts then sound stuff at the 
moment....

so there ya go.

thoughts?

selam,


Buck



______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Feb 17 15:43:32 1999
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--------------1A65084A418C893A0D356CB6
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I just got a simple private response "to set the feedback level to
100%".  This IS how I have it set up and still have the problem, and
forgot to include this bit of info in my plea for input.  I'd be
interested in any and all other ideas....

Thanks,
Jim Lanpheer

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Hi-

I received my new EDP late last week, and am really enjoying myself.
Last night was my first available night to do extended work with it, and
I encountered one bothersome thing, and I'm not sure if that's the
nature of the beast or a problem with my unit...

I create myself a nice loop, am pretty satisfied with it, and let it run
for awhile...  The problem is that the audio output of the loop slowly
diminishes, as if the memory of the loop in the unit slowly evaporates,
or leaks out.  So,  if I create a loop and let it run without adding to
it, over the course of 5-10 minutes, all audible traces of the loop have
vanished, leaving me with amplifier hiss, only.

I'll have to admit, sometimes this would be nice to have some user-input
in....  A little feature to have the loop slowly die away or perhaps
increase in intensity, or remain the same.  Having the loop slowly fade
is peaceful-sounding, but may NOT be what i WANT!

My setup (for now) is pretty simple and I think has no effect on the
above problem, but I include it to lay out the full range of possible
problems:

Instruments:
Various Saxes, Tabla, Yamaha WX7 Wind-Controller,Wavestation A/D, Yamaha
VL1-m.  All MIDI sound modules driven thru a Sondius MIDI A/B Switcher.
All modules go directly to the mixer:  Mackie VLZ-1402
directly into:
Lexicon MPX100, and then EDP and then to amp (no AUX SEND back to mixer,
at the moment)

I'd really appreciate anyone's feedback on this, other than that, I love
the thing!  I respect the opinions of those on this list...

Regards,
Jim Lanpheer


--------------1A65084A418C893A0D356CB6--

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Subject: RE: Help ! I need somebody ! Help ! (on ADA MP1)
Date: Wed, 17 Feb 1999 12:42:13 -0800
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>
> Futhermore, I'm just beginning in "killer sound seeking". I would be
> grateful you for communicate me some of your great preset (OD1  OD2  MG
> B  M  T  P  Voicing).
> I would like to find a very "big" sound for heavy metal (Megadeth,
> Pantera,...)

Not to be too negative, but I think you will have trouble getting the sounds
you are looking for with this unit alone. However, you may be >very< pleased
with your sound if you use it in conjunction with a BBE sonic maximizer and
a good eq. Mart Friedman was swearing by the BBE, last time I checked, and a
good graphic eq will make an ok preamp a total screamer. I'll never record
another heavy guitar track without both of them in the stream. This is
another $200 or so :< but I guarantee that it will make all the difference
in the world.

You might also want to try using it in conjunction with other distortions
you have lying around.

Just my opinion, of course.

Good luck.

bIz



>
> A last question : I heard somebody talking about MIDI possibilities
> (send new patch directly in the RAM of the MP1). Could you give me more
> info ?
>
> I really thank you in advance, hoping you will be able to take few
> minutes to answer my deseperate message.
>
> Thanks.
> --
> _______________________________________________________
> Arnaud.
> E-mail : epytaph@usa.net
> Epytaph : http://www.chez.com/epytaph/
>
>
>

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Date: Wed, 17 Feb 1999 12:54:43 -0800
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Just some ideas: 

If you are using overdub mode, switch out even if the input is 'silent'.

Does the problem happen regardless of Delay/Loop mode?


At 01:28 PM 2/17/99 -0700, you wrote:
>I just got a simple private response "to set the feedback level to
>100%".  This IS how I have it set up and still have the problem, and
>forgot to include this bit of info in my plea for input.  I'd be
>interested in any and all other ideas....
>
>Thanks,
>Jim Lanpheer

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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re: So where are we?
To: Loopers-Delight@annihilist.com, "Joseph Buck" <josephbuck@hotmail.com>
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Author:  "Joseph Buck" <josephbuck@hotmail.com> at INTERNET
> ... Gibson and related stuff is a mess. Questionable marketing, questionable 
> delivery of goods (no ram in many units, destroyed boxes, broken faceplates), 
> and a shifting corporation. Why do I care so much? The promise of the EDP is 
> great. It is a deep and wonderful machine in spite of all the nonsense.

Which brings me to this follow up on my request for summaries of EDP purchaser's
experiences...

I was on the phone today with (someone who shall remain nameless) at a very 
respectable west coast bay area dealer discussing EDP price and availability and
he said this...

"We've got 6 units on order and they should arrive this week or next at the 
latest... IT WILL BE HARD TO GET EDP'S AFTER THAT BECAUSE GIBSON IS MOVING THE 
FACTORY."

He also said all their units thus far had Oberheim on them and they've received 
no Electra units. He didn't know about that change.

I'm going to the LD list archive to dig up the Gibson contact person and email 
or call them to get some real answer, but this does not sound good to someone 
who just sold a pile of gear (including my JamMan) in order to purchase an 
EDP... I you have that contact info please let me know.

best,
Miko

From Loopers-Delight-request@annihilist.com  Wed Feb 17 16:07:10 1999
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James Lanpheer wrote:
> I encountered one bothersome thing, and I'm not sure if that's the
> nature of the beast or a problem with my unit...
> 
> I create myself a nice loop, am pretty satisfied with it, and let it run
> for awhile...  The problem is that the audio output of the loop slowly
> diminishes, as if the memory of the loop in the unit slowly evaporates,
> or leaks out.

Hi, James!  I'd check the "FEEDBACK" knob and make sure it is fully clockwise.  Are you using 
a footpedal for feedback control?  Sometimes I set feedback at less than 100% to do an 
automated fade-out kind of thing.  Sometimes I forget to set it back afterwards.  Sometimes 
I'm embarassed during my next song when my loop unexpectedly decays.  Fortunately, I learn 
quickly. :)

So you play tabla?  It's my latest mania.  How do you use tabla in your loops?

- Dennis Leas
-- 
dennis@mdbs.com

From Loopers-Delight-request@annihilist.com  Wed Feb 17 16:32:39 1999
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> I'm going to the LD list archive to dig up the Gibson contact 
> person and email 
> or call them to get some real answer, but this does not sound 
> good to someone 
> who just sold a pile of gear (including my JamMan) in order to 
> purchase an 
> EDP... I you have that contact info please let me know.
> 
> best,
> Miko
> 
YESYESYES Let us know please!!

bIz

> 

From Loopers-Delight-request@annihilist.com  Wed Feb 17 16:55:59 1999
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Date: Wed, 17 Feb 1999 16:43:09 -0500
Subject: RDS3.6 schematics
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I have a Digitech RDS3.6 DIgital Delay System (I would guess "mid-period",
based on other posts I've seen in the archives) which has decided to start
generating its own sounds and ignoring my input signals.  Does anyone on
the list have a schematic for this beast they'd like to share?

Thanks in advance for any help,

Paul Camann
(please reply to prcamann@aol.com)


From Loopers-Delight-request@annihilist.com  Wed Feb 17 16:58:28 1999
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From: andy@harmonixmusic.com (Andy McGraw)
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: and it was only $550
Date: Wed, 17 Feb 1999 16:46:05 -0500
Organization: Harmonix Music Systems, Inc.
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I have to say what an awesome piece of equipment the new
Echoplex is.  A bass player friend and myself have gotten one each and have 
them brother linked.  My rig includes  A LOT of percussion (marimbas, 
gamelan instruments, drum-set etc. drumKat) and his includes guitars, 
basses, Moog Tarus, casio keyboards...  We run lives mics and inputs 
through a Mackie 1404 board and into the echoplexes (echolpy?). We then run 
the echolpexes back through
The board and into monitors, main, and a portable DAT.  We are only 
scratching the surface of what is possible with this arrangement. If anyone 
is interested I have posted some mp3's of this last weekend's jam on the 
net:

ftp://ftp2.harmonixmusic.com/mp3

These are LIVE recordings with just the two of us (!) Pretty soon it will 
be possible to create music completely devoid of any human contact....

Andy McGraw
Harmonix Music Systems, INC.
Cambridge, MA
www.harmonixmusic.com
andy@harmonixmusic.com
617.491.6144 ext. 105


-----Original Message-----
From:	Jonathan El-Bizri [SMTP:jonathan@full-moon.com]
Sent:	Wednesday, February 17, 1999 4:16 PM
To:	Loopers-Delight@annihilist.com
Subject:	RE: So where are we?


> I'm going to the LD list archive to dig up the Gibson contact
> person and email
> or call them to get some real answer, but this does not sound
> good to someone
> who just sold a pile of gear (including my JamMan) in order to
> purchase an
> EDP... I you have that contact info please let me know.
>
> best,
> Miko
>
YESYESYES Let us know please!!

bIz

>

From Loopers-Delight-request@annihilist.com  Wed Feb 17 17:43:49 1999
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Date: Wed, 17 Feb 1999 14:37:12 -0800
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help i am looking for an obreheim digital echoplex really badly. I'm in =
canada and gibson up here is useless! could anyone help
thanx sean
vancesean@hotmail.com

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<DIV><FONT color=3D#000000 size=3D2>help i am looking for an obreheim =
digital=20
echoplex really badly. I'm in canada and gibson up here is useless! =
could anyone=20
help</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>thanx sean</FONT></DIV>
<DIV><FONT color=3D#000000 =
size=3D2>vancesean@hotmail.com</FONT></DIV></BODY></HTML>

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From Loopers-Delight-request@annihilist.com  Wed Feb 17 18:42:15 1999
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From: Sean <sean_@mindspring.com>
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At 12:43 PM 2/17/99 -0700, you wrote:
>I create myself a nice loop, am pretty satisfied with it, and let it run
>for awhile...  The problem is that the audio output of the loop slowly
>diminishes, as if the memory of the loop in the unit slowly evaporates,
>or leaks out.  So,  if I create a loop and let it run without adding to
>it, over the course of 5-10 minutes, all audible traces of the loop have
>vanished, leaving me with amplifier hiss, only.
...
>
>
>I'd really appreciate anyone's feedback on this, other than that, I love
                                ^^^^^^^^^

Check your feedback knob.

From Loopers-Delight-request@annihilist.com  Wed Feb 17 19:55:33 1999
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From: "Jack and Luci" <jacklu@ozemail.com.au>
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Subject: Re: EDP newbie question.
Date: Thu, 18 Feb 1999 11:42:56 +1100
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 The problem is that the audio output of the loop slowly
>>diminishes, as if the memory of the loop in the unit slowly evaporates,
>>or leaks out.  So,  if I create a loop and let it run without adding to
>>it, over the course of 5-10 minutes, all audible traces of the loop have
>>vanished, leaving me with amplifier hiss, only.


>>>Check your feedback knob.

......and make sure you turn "overdub" off when your not recording
anything....

From Loopers-Delight-request@annihilist.com  Wed Feb 17 22:07:51 1999
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Date: Wed, 17 Feb 1999 18:57:50 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: Re: Help ! I need somebody ! Help ! (on ADA MP1)
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At 08:57 PM 1/17/99 +0100, you wrote:
>Hi,
>I'm a recent owner of an ADA MP-1 (the first model, NOT the classic

>Futhermore, I'm just beginning in "killer sound seeking". I would be
>grateful you for communicate me some of your great preset (OD1  OD2  MG
>B  M  T  P  Voicing).
>I would like to find a very "big" sound for heavy metal (Megadeth,
>Pantera,...)

I think the MP-1 sounds great when you whack it with a sledge hammer.
Chain-sawing the MP-1 is another fave. When combined with a vintage ART
effects unit, I'd highly recommend the sound of it being crushed under a
heavy boulder. All great metal sounds. don't forget to press record.....

sorry. ;-)

kim
________________________________________________________
Kim Flint, MTS		       408-752-9284
ATI Research	       kflint@chromatic.com

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In a message dated 2/17/99 1:17:48 PM, chuck.zwicky@wavefront.com writes:

>High bid marzmusic@aol.com

Hmmm......this wasn't me, but I sometimes go as Marzzz Music!

Marshall

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Date: Wed, 17 Feb 1999 23:03:16 -0500 (EST)
From: CHRISTOPHER T SPROUL <S_CTSPROUL@MAIL.CLARION.EDU>
Subject: creative loop ideas
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Hello All,

I just wanted to share with everyone an interesting loop idea.  You start out
with a simple two or three chord progression.  Use a clean tone with a 
harmonizer effect and simply pick out or arpeggiate the chords however you
want.  Record that on to your looping device - and then have the machine
spit it out backwards.  As someone mentioned earlier-the Boomerang Phrase
Sampler produces an excellent backwards guitar effect.  The end result will
be some eerie organ like patch-very bizarre sounding.  I don't know, this
might be elementary stuff to most of you out there-but I think it creates a
very interesting wall of sound.

By the Way - That Dark Aether Project sounds like somethin else.  We'll be
doing whatever we can to get to that one in March.      peace

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From: "James Ko" <Kojaque@email.msn.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: EDP survey
Date: Thu, 18 Feb 1999 00:59:57 -0500
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Hi All.

I got my EDP about a week ago and I think I ordered it about a month before
that.  I was not an original group buyer but I signed up for one (including
the footswitch) of the "extras" that John at Alto Music had ordered.  He
called me up to verify my apartment number and I received the unit the next
day.

Because of unavoidable time constraints, I have not been able to fully try
out the unit but the exterior looks good.  It did not come in the same type
of box that my other, older, EPD came in but the manual was the same (down
to the inaccurate statement of having only 12.5 sec. of looping time.  I
guess they never updated the manual when they updated the units to 50 secs).

By the way, I also heard of the factory switch and the unavailablity of
future EPDs for several months.  My first EPD, which was purchased about 6
months ago, appeared to have been used when I purchased it.  The salesman
told me to return it to him and he would exchange it with Gibson for a new
unit.  That afternoon he called me to inform me of the factory change
information he recieved from Gibson. According to them, no more EDPs were
going to be sent out for a while.

Maybe John at Alto has more "extra" EPDs for sale for others on this list?
The price is unbeatable!

Jim Ko

>
>     One question... Would all of you who have already purchased and
>     received (or are still waiting) your EDP's through Alto Music please
>     reply with a quick summary of how long it took you to get your unit
>     and the condition it arrived in?
>
>     Best regards,
>     -Miko Biffle
>



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Date: Thu, 18 Feb 1999 00:57:19 -0500
To: Loopers-Delight@annihilist.com
From: "earthblind, starbound" <leper@mindspring.com>
Subject: Re: happy99 worm
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>If you did'nt see the fireworks display and just recieved a file of 
>giberish does that mean  you were not infected?

...

>page that wouldnt let me do anything.....help......i did not see the "fire-
>works" when i  d/l this happy exe.....now im freakin.....im afraid to shut
>down my puter......all this and no vallium.....michael

...

Just like with all "virus" kind programs, just downloading it or looking
at the uuencoded file won't infect you, just the same as reading a message
with the title "join the crew" won't infect you.  You have to actually
run the program.  So if you haven't run happy99.exe, delete it and don't
worry.

In fact, as a general rule, don't run programs if you don't know what they
are and you'll be safe.  If people did that, this program wouldn't
have gotten out.

Actually, happy99 isn't a virus.  It doesn't attach itself to other
programs.  It's just a self-contained program that knows how to use the
lamest thing invented by microsoft, the windows registry, and human
naivete, to its advantage.  In its own way, it's an elegant little idea.
I wonder if internet musicians might use the idea to spread their music--
someone gets an exe that plays incredible (looping, natch) music, and
then sends itself on, without waiting for word of mouth.
-- 
*Consider yourself warned.* -- Grendel (Industrial/Electronic Prog):
 http://www.geocities.com/SoHo/Atrium/4664/grendel.html
 Against a Sickness: http://www.geocities.com/SoHo/Atrium/4664

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Date: Wed, 17 Feb 1999 23:58:51 -0800
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It took about 3 months.
when it arrived it wasn't working,a couple of connections had come loose
and needed to be soldered.(35$)Gibson told me they were 3 months
behind.But,Jon at Alto told me 2 weeks when I got bit by the stereo bug
after my 1st was running.:-)

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Date: Thu, 18 Feb 1999 01:54:51 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: So where are we?
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For the people wondering how to contact Gibson for echoplex info, you want
Mike Ayers <mayers@gibson.com>. Here's a bunch of phone numbers to try:
877-623-7434, 800-777-0795 x382,  (615) 871-4500 x382. use the last one if
you're not in the US.

At 12:43 PM -0800 2/17/99, Mike Biffle wrote:
>"We've got 6 units on order and they should arrive this week or next at the
>latest... IT WILL BE HARD TO GET EDP'S AFTER THAT BECAUSE GIBSON IS MOVING
>THE
>FACTORY."

I think they moved the factory a month or so ago. That's been done for a
while, and didn't really screw things up. I haven't heard that they were
planning another move, but if they are the people involved are pretty
competent and will likely manage it fine. (like they did last time....)
This guy's probably working off old news.

Gibson got a bit behind there because echoplex orders went way up, hence
the long echoplex waiting periods lately. Seems like they're getting caught
up now, though.


>He also said all their units thus far had Oberheim on them and they've
>received
>no Electra units. He didn't know about that change.

I don't think they've decided what the new brand name is going to be yet.
At this point, I'm guessing "Electar" is not it, but I don't know. I say we
start up a "guess the name" betting pool. I'll put a fiver on "opcode
echoplex".

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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From: Kim Flint <kflint@annihilist.com>
Subject: Re: RDS3.6 schematics
Cc: prcamann@aol.com
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If anybody actually does have this, I'd also like a copy for the LD
website.....

kim

At 1:43 PM -0800 2/17/99, pcamann@csc.com wrote:
>I have a Digitech RDS3.6 DIgital Delay System (I would guess "mid-period",
>based on other posts I've seen in the archives) which has decided to start
>generating its own sounds and ignoring my input signals.  Does anyone on
>the list have a schematic for this beast they'd like to share?
>
>Thanks in advance for any help,
>
>Paul Camann
>(please reply to prcamann@aol.com)


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Thu Feb 18 07:04:42 1999
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From: patrick@his.com (Patrick Smith)
Subject: Re: EDP survey
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I was part of the first EDP group by with Alto. My unit arrived quickly
without a blemish and working fine. I've been investigating the subtle
qualities of this baby in the last two weeks and still all is fine. My
partner Steev was part of the second buy and did receive a unit with a bent
rack ear.
Patrick

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                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

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From Loopers-Delight-request@annihilist.com  Thu Feb 18 07:21:08 1999
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Date: Thu, 18 Feb 1999 07:11:23 -0800
To: Loopers-Delight@annihilist.com
From: Tim Nelson <tcn62@ici.net>
Subject: HAPPY99 Diagnosis & Removal
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This info may be redundant, or possibly redundant, but I thought I'd pass
it along. I have no idea who wrote these instructions originally, so I
don't know if I trust it; suspicion, paranoia, I feel like Mulder...

It might be helpful if one of you on the list who's better versed in DOS
than I am could look the enclosed instructions over to confirm that I'm
actually passing along good information and not just clouding the water...
The thing I'm leery of is how we've been warned by other postings not to
restart without taking care of the problem first, while the first thing
this one tells us to do is to restart in DOS mode... So a short reply to
the list from someone who would know better than I either confirming the
instructions or sounding the BS alarm would be appreciated.

Thanks,

Tim

BTW, I never saw any fireworks either, just a bunch of gibberish, and
didn't see or open any attachments, and I have restarted successfully
several times since the scare, so I'm pretty sure I'm all set, but would
still appreciate if one of you could give the omini-domini to the removal
instructions...

-------------------------------------
>This one is for real. I haven't seen this e-mail, but they tend to go
>>around for a long time. You may want to make a note of the name for future
>>reference. Hopefully we won't ever see it.
>>
>>The virus, HAPPY99.EXE can not infect your computer unless you actually
>>run/execute the program! The program, happy99.exe would have come attached
>>to an EMAIL. If you double clicked on happy.exe, you would then see
>>fireworks. 
>>If you did not get the program happy99.exe attached to an email, or you
>>didn't execute the program if you did receive it, then you are NOT infected
>>with the virus!!
>>If you did execute the program, you have the virus and are passing it along
>>to others!
>>Here are instructions for removing this virus:
>>Click Start, then Shut Down, then "Restart Computer in MS-DOS mode", then
>>click Yes. It's important to do this so you can make the necessary changes. 
>>At the DOS prompt type this exactly and press enter at the end of each
line: 
>>CD \WINDOWS\SYSTEM 
>>If that doesn't work, try 
>>CD SYSTEM
>>Delete SKA.EXE and SKA.DLL by typing 
>>DEL SKA.EXE
>>DEL SKA.DLL
>>If you get "File not found" you're either not infected or in the wrong
>>directory. Make sure you're in your Windows System directory; check to see
>>if you followed step 2 exactly. 
>>Copy WSOCK32.SKA to WSOCK32.DLL by typing 
>>COPY WSOCK32.SKA WSOCK32.DLL
>>Answer "Yes" if it asks if you want to overwrite WSOCK32.DLL. Explanation:
>>WSOCK32.SKA is a backup of the original WSOCK32.DLL made by the virus. You
>>are replacing the modified DLL with the original. Delete WSOCK32.SKA by
>>typing 
>>DEL WSOCK32.SKA Do not delete WSOCK32.SKA if you are unable to replace
>>WSOCK32.DLL with WSOCK32.SKA. 
>>Return to Windows by typing 
>>EXIT
>>Optional: Choose Start, Programs, Accessories, Notepad, choose File, then
>>Open then type C:\WINDOWS\SYSTEM\LISTE.SKA in the File Name box. Warn the
>>people on the list, then delete LISTE.SKA 
>>
>>

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Date: Thu, 18 Feb 1999 08:24:38 -0800
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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re[2]: So where are we?
To: Loopers-Delight@annihilist.com, Kim Flint <kflint@annihilist.com>
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Thanks for the EDP contact info Kim! I got a callback from Mike. We're going to 
talk today... I'll report the latest relevant info.

Kim states...
> I don't think they've decided what the new brand name is going to be yet. At 
> this point, I'm guessing "Electar" is not it, but I don't know. I say we start
> up a "guess the name" betting pool. I'll put a fiver on "opcode echoplex".

Hmmm... Opcode Echoplex? I guess since they bought Opcode they may as well add a
nice high tech hardware looper to their roster. Can't wait to get one, whatever 
they call it!

BTW: Regarding Klein guitars... I've had the opportunity to play one and you're 
right. Once your body holds one, it's hard to forget the ease of position and 
playability of them. I keep looking at those Klein pictures at their site and I 
can just feel my credit cards twitching in my back pocket! 

best regards,
-Miko

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From: Mark@asisoftware.com (Mark Kata)
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Off Topic - Help
Date: Thu, 18 Feb 1999 12:51:53 -0500
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If anyone knows the whereabouts of Bruce Barr, effects archivist at Sound
Barrier Music and www.soundsfuzzy.com, in the Chatanoga, TN, area, please
e-mail me privately.

Thanks,
Mark Kata
Mark@asisoftware.com

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To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re[2]: So where are we?
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At 8:24 AM -0800 2/18/99, Mike Biffle wrote:
>Thanks for the EDP contact info Kim! I got a callback from Mike. We're
>going to
>talk today... I'll report the latest relevant info.
>
>Kim states...
>> I don't think they've decided what the new brand name is going to be
>>yet. At
>> this point, I'm guessing "Electar" is not it, but I don't know. I say we
>>start
>> up a "guess the name" betting pool. I'll put a fiver on "opcode echoplex".
>
>Hmmm... Opcode Echoplex? I guess since they bought Opcode they may as well
>add a
>nice high tech hardware looper to their roster. Can't wait to get one,
>whatever
>they call it!

well? not going to join the echoplex name pool? Someone else must have some
creative entries....


>BTW: Regarding Klein guitars... I've had the opportunity to play one and
>you're
>right. Once your body holds one, it's hard to forget the ease of position and
>playability of them. I keep looking at those Klein pictures at their site
>and I
>can just feel my credit cards twitching in my back pocket!

They've got you now!  although, I don't think Lorenzo takes credit cards.
But I guess you could use one of the quasi-checks they send you with the
credit card statement. listen to your body, it's whispering: "buy me a
Klein....buy me a Klein....buy me a Klein...."

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Thu Feb 18 15:21:45 1999
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From: Mike.Biffle@wj.com (Mike Biffle)
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To: Loopers-Delight@annihilist.com, Kim Flint <kflint@annihilist.com>
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> well? not going to join the echoplex name pool? Someone else must have some
> creative entries....

OK! OK!.. Let's see if they call it the Flatiron Flashback...

>> BTW: Regarding Klein guitars... I've had the opportunity to play one and 
>> you're right. Once your body holds one, it's hard to forget the ease of 
>> position and playability of them. I keep looking at those Klein pictures at 
>> their site and I can just feel my credit cards twitching in my back pocket!

> They've got you now!  although, I don't think Lorenzo takes credit cards. But 
> I guess you could use one of the quasi-checks they send you with the credit 
> card statement. listen to your body, it's whispering: "buy me a Klein....buy 
> me a Klein....buy me a Klein...." 
> kim

Hmmmm... maybe time to re-fi the house. Can anybody float me a loan?

best,
-Miko

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>>BTW: Regarding Klein guitars... I've had the opportunity to play one and
>>you're
>>right. Once your body holds one, it's hard to forget the ease of position
and
>>playability of them. I keep looking at those Klein pictures at their site
>>and I
>>can just feel my credit cards twitching in my back pocket!
>
>They've got you now!  although, I don't think Lorenzo takes credit cards.


just give in.  resistance is futile.

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Thu Feb 18 15:39:01 1999
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Date: Thu, 18 Feb 1999 12:26:23 +0000
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Colin Jenkinson wrote:
> 
> Anybody attending the crafty tapping semminar in Seatle planning on
> driving up from southern California? If so, are you interested in
> car-pooling?
> 
> Colin Jenkinson|nosnikneJ niloC
> 
> "I,m deppressed. It's  almost the new Millinium and I haven't found the
> right cult yet."

From Loopers-Delight-request@annihilist.com  Thu Feb 18 16:06:10 1999
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Subject: Re: Re[2]: So where are we?
Date: Thu, 18 Feb 99 12:53:15 -0800
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how about "the Ghost of Jimi"

2/18/99 11:31 AM   Kim Flint (kflint@annihilist.com) wrote:

>well? not going to join the echoplex name pool? Someone else must have some
>creative entries....


Matt Peterson
Project Manager, Media Services
XOOM.com, Inc.
300 Montgomery St., 3rd Floor
San Francisco CA 94104
415-288-2505    FAX: 415-288-2575    matt@xoom.com
NASDAQ: XMCM

From Loopers-Delight-request@annihilist.com  Thu Feb 18 16:20:04 1999
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Date: Thu, 18 Feb 1999 13:08:10 -0800
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From: Kim Flint <kflint@chromatic.com>
Subject: Re: Re[2]: So where are we?
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not sure what jimi has to do with loops, or what jimi has to do with gibson,
for that matter, but if they named it that I'd surely revoke their
license.... :-)

kim

At 12:53 PM 2/18/99 -0800, Matt Peterson wrote:
>how about "the Ghost of Jimi"
>
>2/18/99 11:31 AM   Kim Flint (kflint@annihilist.com) wrote:
>
>>well? not going to join the echoplex name pool? Someone else must have some
>>creative entries....
>
________________________________________________________
Kim Flint, MTS		       408-752-9284
ATI Research	       kflint@chromatic.com

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>>how about "the Ghost of Jimi"

>not sure what jimi has to do with loops, or what jimi has to do with gibson=
,
>for that matter, but if they named it that I'd surely revoke their
>license.... :-)
>
>kim
>

Good point Kim, how about the "Fripp-a-Rangulator"?=8A

Just Kidding,

Mark


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I got mine after waiting for 2+ months from Alto. DOA: One of the Simms was
loose, and connections had to be fixed by local service center. Took a week,
then installed full memory cap. with old K2000 simms. Love it!

Interim name until everyone gets theirs (:

Elusive EDP

or (brainstorm mode):

Loop Catcher

Sonic Core Dump Digitial Device

Audio Mirroring Device

etc.





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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Where are we? >> Gibson + EDP update...
To: Loopers-Delight@annihilist.com, Kim Flint <kflint@chromatic.com>
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I'm still banking on the Flatiron Flashback! Or maybe the Steinberger 
Einstein...

Just got off the phone with Mike Ayers from Giberheim... No facility relocation 
is scheduled... all is status quo. Units are shipping as fast as they can make 
them. Sales people at the retail outlets appear to be way behind what we know 
here at the list and sometimes confuse the hell out of us with old information.

Longer term plans may include a move out to Palo Alto to live under the Opcode 
banner. 

I still think they're missing a big market by ignoring all the bluegrass/country
loopers out there. Hell if Chet's doin' it there's gotta be more! Those guys all
have lots of space in their "racks" for loopers.

"Hey Hank! I thought they meant *gun racks* when I answered that market 
survey?!"

-Miko

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Well, you're right about the Gibson part... I didn't consider that.. but 
the Maestro Echoplex and Jimi... ??

2/18/99 1:08 PM   Kim Flint (kflint@chromatic.com) wrote:

>not sure what jimi has to do with loops, or what jimi has to do with gibson,
>for that matter, but if they named it that I'd surely revoke their
>license.... :-)
>
>kim
>
>At 12:53 PM 2/18/99 -0800, Matt Peterson wrote:
>>how about "the Ghost of Jimi"
>>
>>2/18/99 11:31 AM   Kim Flint (kflint@annihilist.com) wrote:
>>
>>>well? not going to join the echoplex name pool? Someone else must have some
>>>creative entries....
>>
>________________________________________________________
>Kim Flint, MTS		       408-752-9284
>ATI Research	       kflint@chromatic.com
>
>


Matt Peterson
Project Manager, Media Services
XOOM.com, Inc.
300 Montgomery St., 3rd Floor
San Francisco CA 94104
415-288-2505    FAX: 415-288-2575    matt@xoom.com
NASDAQ: XMCM

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Hear tunes from the Loops and Lines CD at http://www.mp3.com/burnett



From Loopers-Delight-request@annihilist.com  Thu Feb 18 18:05:11 1999
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Subject: RE: Where are we? >> Gibson + EDP update...
Date: Thu, 18 Feb 1999 14:19:36 -0800
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> Longer term plans may include a move out to Palo Alto to live
> under the Opcode
> banner.
>

Yes!!! I could bike over and pester them then, like I used to pester the
Opcode programmers!!

bIz

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What's all this about renaming the echoplex  DP?

        What's all this about renaming the echoplex  DP?

   Have I missed something important in this thread that
    I thought was irrelevant?

                What's all this about renaming  the echoplex  DP?

          I thought was irrelevant?


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From: "Tim Walker" <tawalker@dircon.co.uk>
To: "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
Date: Thu, 18 Feb 1999 22:15:04 
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Subject: Loop guitar CD out on MP3.com
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I'm pleased to announce that, after a few months of steady uploading of
tracks, my first CD of solo loop guitar is now available from my page
on MP3.com (www.mp3.com/timwalker/).

"Over The Bridge" contains eighteen tracks recorded at home between
last September and this January, all but one being live-to-hard-disk
recordings with guitar, looper and other assorted gadgets. It includes
most of the tracks that have been available for download from the page
over the last few months, plus many others which are exclusive to the
CD.

The disc can be ordered from MP3.com for $4.99, plus shipping (about
$1.55 for international orders, but check the page), and whilst it
doesn't come with a jewel case or inlay, I'm hoping to make an inlay
design available for download from my Web site - maybe as a PDF?

And while you're on MP3.com, check out David Cooper Orton's page for
some cool loop stuff - any other LD'ers there too?

Many thanks, and catch you round...

Tim.

*******************Tim Walker - Staines, UK*******************
     tawalker@dircon.co.uk - www.tawalker.dircon.co.uk/
          Visit Tim's NEW recordings page at MP3.com:
*********************www.mp3.com/timwalker/*******************


From Loopers-Delight-request@annihilist.com  Thu Feb 18 18:30:11 1999
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From: "Dennis W. Leas" <dennis@mdbs.com>
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Here's an idea for a new feature for the EDP (Kim, are ya' listenin'?).

It would really be cool if you could dump/load samples in a speedy 
manner.  I'm thinking of something like 1 or 2 seconds to complete the 
operation.  I know MIDI wouldn't support this but I'm thinking of 
something like 10 or 100 Mbps Ethernet.

Why?

I'd like to use multiple EDPs as input and play-back devices.  (The EDP 
user interface is GREAT for quickly improvising loops.)  The EDPs would 
connect to a computer via a speedy interface.  I could tell the computer 
to "take a snapshot" of the loopers.  This would dump the digital audio 
data into the computer, perhaps it would also snapshot the complete 
state of the looper (i.e., all memories, parameter settings, etc.).  
Later, I could command the computer to restore a given looper to a 
"saved" setting.

In this scenario, the EDPs functions as special purpose audio 
input/output devices.  The computer functions as a programmable "master 
coordinator."  The EDPs are able to respond in real-time to the user 
interface (being dedicated, special purpose, etc.) without audio 
"glitches".  The computer isn't required to respond with a guarenteed 
real-time latency so it could run Windows 95 or NT or MacOS.  This 
permits the use of standard developer tools like VB, VC++, even Java.  I 
suppose you could have features like: the computer "merging" data from 
two sources (say two different loopers, perhaps two memories from a 
single looper, or two loops constructed at different times), etc.  After 
doing the math, the new data would be downloaded into an EDP for 
playback and more manipulation/improvisation.

MIDI footpedals would send commands to the computer to upload/download 
loopers and perform whatever other functions you wanted.  The complete 
system could manage multiple loopers easily.  I'm thinking at least 
three EDPs in the system but more could be easily added.

My friends would probably file a "missing person" report on me, if I had 
a system like this.  You might require a medical release form as part of 
the sale. :)

What da' ya' think?

- Dennis Leas
-- 
dennis@mdbs.com

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Date: Thu, 18 Feb 1999 14:54:14 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@atitech.com>
Subject: Re: Re[2]: So where are we?
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er...we're talking about the Oberheim Echoplex, which has about as much in
common with the ancient Maestro thing as I've got in common with, well, jimi...

It's the "Oberheim" portion of the name that they're going to change, since
they're not using that brand name anymore, and vanquished the whole
division. The bet is over what they'll change it to.

Flatiron, I like that guess...."Come on down, getch yer real-time sampling
and mandolins right here folks!"  :-)

kim

At 01:54 PM 2/18/99 -0800, Matt Peterson wrote:
>Well, you're right about the Gibson part... I didn't consider that.. but 
>the Maestro Echoplex and Jimi... ??
>
>2/18/99 1:08 PM   Kim Flint (kflint@chromatic.com) wrote:
>
>>not sure what jimi has to do with loops, or what jimi has to do with gibson,
>>for that matter, but if they named it that I'd surely revoke their
>>license.... :-)
>>
>>kim
>>
>>At 12:53 PM 2/18/99 -0800, Matt Peterson wrote:
>>>how about "the Ghost of Jimi"
>>>
>>>2/18/99 11:31 AM   Kim Flint (kflint@annihilist.com) wrote:
>>>
>>>>well? not going to join the echoplex name pool? Someone else must have some
>>>>creative entries....
>>>
________________________________________________________
Kim Flint, MTS		       	408-752-9284
ATI Research	                kflint@atitech.com

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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
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Subject: RE: Re[2]: So where are we?
Date: Thu, 18 Feb 1999 16:49:35 -0600
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jimi hendrix . . . flying v. it was done. also some pix with a les paul??

> -----Original Message-----
> From:	Matt Peterson [SMTP:matt@xoom.com]
> Sent:	Thursday, February 18, 1999 13:54
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: Re[2]: So where are we?
> 
> Well, you're right about the Gibson part... I didn't consider that.. but 
> the Maestro Echoplex and Jimi... ??
> 
> 2/18/99 1:08 PM   Kim Flint (kflint@chromatic.com) wrote:
> 
> >not sure what jimi has to do with loops, or what jimi has to do with
> gibson,
> >for that matter, but if they named it that I'd surely revoke their
> >license.... :-)
> >
> >kim
> >
> >At 12:53 PM 2/18/99 -0800, Matt Peterson wrote:
> >>how about "the Ghost of Jimi"
> >>
> >>2/18/99 11:31 AM   Kim Flint (kflint@annihilist.com) wrote:
> >>
> >>>well? not going to join the echoplex name pool? Someone else must have
> some
> >>>creative entries....
> >>
> >________________________________________________________
> >Kim Flint, MTS		       408-752-9284
> >ATI Research	       kflint@chromatic.com
> >
> >
> 
> 
> Matt Peterson
> Project Manager, Media Services
> XOOM.com, Inc.
> 300 Montgomery St., 3rd Floor
> San Francisco CA 94104
> 415-288-2505    FAX: 415-288-2575    matt@xoom.com
> NASDAQ: XMCM

From Loopers-Delight-request@annihilist.com  Thu Feb 18 18:54:55 1999
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Date: Thu, 18 Feb 1999 14:52:29 -0800
From: Clifford Novey <clifsound@earthlink.net>
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Hello all-

just got my Loopers II Cd- Track 2 was quite nice- I'm only up to track
3-
If there is a third maybe I will be able to contribute- who knows-

As for the new name...

The Gibson USA Cud Chewer, er I mean The Gibson USA Loop Cutter-
With the ultra lame Gibson USA emblem prominently displayed!

;)

Cliff



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At 04:49 PM 2/18/99 -0600, Liebig, Steuart A. wrote:
>jimi hendrix . . . flying v. it was done. also some pix with a les paul??

oh that's right, we even had that flying v poster hanging in the reception
area at g-wiz. I recall people making a lot of jokes about it.... Dead guys
can endorse anything, eh?

kim
________________________________________________________
Kim Flint, MTS		       	408-752-9284
ATI Research	                kflint@atitech.com

From Loopers-Delight-request@annihilist.com  Thu Feb 18 19:04:20 1999
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Date: Fri, 19 Feb 1999 00:48:56 +0100
From: Claude Voit <c.voit@vtx.ch>
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Dennis

I think you can already do almost exactly as you said ;=)
I didn't try what follows but ..listen


put the plex in sync out and slave your computer to the plexes midi
clock

plex audio out to the puter in

now
probably all serious DAW has a remote function so assign the relevant
midi message to the punch I/O 

play and make snapshots of your plex loops when you want it with  your
midi foot switch hooked to the puter
after playing and recording you have the raw loops ready to be
reassembled arranged etc...

later

you slave the plex _to_ the computer 
puter audio out plex in 
fire the DAW 
record the loops with the plex
overdub
etc.. etc.

ooh well

I know all this could be completely destroyed by MIDI-audio drifts,
irregular sync, puter latency, 
audio clock slaved to midi clock what did I forget ?

I will probably try it but not tonight

Bonne nuit

Claude
 

"Dennis W. Leas" wrote:
> 
> Here's an idea for a new feature for the EDP (Kim, are ya' listenin'?).
> 
> It would really be cool if you could dump/load samples in a speedy
> manner.  I'm thinking of something like 1 or 2 seconds to complete the
> operation.  I know MIDI wouldn't support this but I'm thinking of
> something like 10 or 100 Mbps Ethernet.
> 
> Why?
> 
> I'd like to use multiple EDPs as input and play-back devices.  (The EDP
> user interface is GREAT for quickly improvising loops.)  The EDPs would
> connect to a computer via a speedy interface.  I could tell the computer
> to "take a snapshot" of the loopers.  This would dump the digital audio
> data into the computer, perhaps it would also snapshot the complete
> state of the looper (i.e., all memories, parameter settings, etc.).
> Later, I could command the computer to restore a given looper to a
> "saved" setting.
> 
> In this scenario, the EDPs functions as special purpose audio
> input/output devices.  The computer functions as a programmable "master
> coordinator."  The EDPs are able to respond in real-time to the user
> interface (being dedicated, special purpose, etc.) without audio
> "glitches".  The computer isn't required to respond with a guarenteed
> real-time latency so it could run Windows 95 or NT or MacOS.  This
> permits the use of standard developer tools like VB, VC++, even Java.  I
> suppose you could have features like: the computer "merging" data from
> two sources (say two different loopers, perhaps two memories from a
> single looper, or two loops constructed at different times), etc.  After
> doing the math, the new data would be downloaded into an EDP for
> playback and more manipulation/improvisation.
> 
> MIDI footpedals would send commands to the computer to upload/download
> loopers and perform whatever other functions you wanted.  The complete
> system could manage multiple loopers easily.  I'm thinking at least
> three EDPs in the system but more could be easily added.
> 
> My friends would probably file a "missing person" report on me, if I had
> a system like this.  You might require a medical release form as part of
> the sale. :)
> 
> What da' ya' think?
> 
> - Dennis Leas
> --
> dennis@mdbs.com

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> >jimi hendrix . . . flying v. it was done. also some pix with a les paul??
> 
> oh that's right, we even had that flying v poster hanging in the reception
> area at g-wiz. I recall people making a lot of jokes about it.... Dead
> guys
> can endorse anything, eh?
> 
> kim
> 
> 
	i know, it was a stretch but i lonely . . . 


	and of course there are the stevie ray vaughn and jaco pastorius
"signature models" (or whatever they are) at fender . . . 

	stig

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Here it is:

Gibson's JamMan. Ha!

J. McLeod
__________________________________________
This is not here--
And now is almost over... 
http://members.xoom.com/Gezoleen/
http://members.xoom.com/edkempertrio/

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Stig...
>>jimi hendrix . . . flying v. it was done. also some pix with a les paul??

At least Burger King hasn't used his stuff yet...

Kim...
> oh that's right, we even had that flying v poster hanging in the reception
> area at g-wiz. I recall people making a lot of jokes about it.... Dead
> guys can endorse anything, eh?

I wonder what toothpaste Jimi used? Does anyone really know?

Stig...
> i know, it was a stretch but i lonely . . . and of course there are the 
> Stevie ray vaughn and jaco pastorius "signature models" (or whatever they are)
> at fender . . . 

Stevie and Jaco were frequently seen chowing down at Taco Bell! Those guy were 
whalers, eh? But they got the big harpoon!

Speaking of "Sig" models... The Klein model numbers for their 2 different guits 
have prefixes of "DT" and "BF". Can anyone guess who's initials those are? They 
both loop... Coincidence?..

I lonely too Stig...
So I ordered EDP!!!

-m

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Date: Thu, 18 Feb 1999 19:29:57 -0500
From: Leander REININGHAUS <LEALOOP@compuserve.com>
Subject: Gibson address / Feedback problem
Sender: Leander REININGHAUS <LEALOOP@compuserve.com>
To: Loopers Delight <Loopers-Delight@annihilist.com>
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Hi everybody,

I'd like to give a reply to James Lanpheer's feedback problem :

If it's NOT that you didn't crank the feedback knob all up or forgot to
leave the "overdub" mode
the reason may be a  bad pot .
I know another three guys with the same problem
This could be fixed by either exchanging the pot or adding a capacitor on=

the pot
( I can't tell you the right value but I think a good technician will )
Actually, if you got a brandnew one you should return it and get it
repaired on guarantee, because normally,
with feedback all up your loop should repeat endlessly !

By the way, did you Digitech RDS owners know that you can get get a bit
more delay time out of your
Time Machine by adjusting an internal trim pot ?
I got my RDS 7.6 ( which I don't have anymore ) " tuned " to 9 secs and a=

friend of mine his even to 12 !!
The bad thing is that by turning the delay time up you will cut down the
frequency range
You'll have to find out a balance which is okay for you.

If anyone wants to know how to do the trick please, let me know
If that's an old fart for you please, forgive me because I'm new on the
list


Mike Biffle wanted to know a Gibson address :

What I know is the address of Mr. Keith Paul, the General Manager of
Oberheim as on his business card
( this information is one year old, I met him last year on the " Musik
Messe " trade show in Frankfurt, Germany)

1818 Elm Hill Pike
Nashville, Tennessee 37210 USA
615-871-4500 EXT 494 - 404-485-4060 FAX
kpaul@gibson.com


Hey Kim,

anything new about the EDP being  " CE-fied " ?
We poor guys in Europe have still the problem that new  EDPs can't get
imported until they got this f...ing
CE button on them
 =

Anybody selling a used one ? ( okay okay, just kidding... )


Someone asked me ( I think it was Chuck ) if I liked the Paradis Loop Del=
ay

Yes, I like it !
As you might know, it's the predecessor pf the EDP
It works well and sounds well
It doesn't have many of the MIDI functions the EDP has, it features just
one loop instead of nine,
six jacks for six switches ( yuck ! )instead of one jack and one footpeda=
l,
no reverse and so on...
But there are two advantages :
a) it has a  "direct out" jack, what I think is helpful when you want to
combine two loopers without using a mixer
b) the loop/delay time  can be altered via MIDI controller or a voltage
pedal connected to the sync jack


And again, I say that IMHO the EDP still lacks a) another possibility to
define the loop/delay time than with
                                                                         =
  =

           the RECORD button

                                                                         =
  =

       b) pedal control for the loop/delay time

                                                                         =
  =

       c) modulation with different waveforms

                                                                         =
  =

       d) DIRECT OUT and EFFECT ONLY OUTS (minor important)

So long

Leander

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Date: Thu, 18 Feb 1999 16:36:48 -0800 (PST)
From: Randy Jones <ranjones@yahoo.com>
Subject: Re: Loops and Lines
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Most excellent! Thanks for sharing.

Randy Jones




---Bob Burnett <burb@etrassociates.org> wrote:
>
> Hear tunes from the Loops and Lines CD at http://www.mp3.com/burnett
> 
> 
> 
> 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Feb 18 20:13:22 1999
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From: Greg Meredith <gregmer@MICROSOFT.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: idea/new feature
Date: Thu, 18 Feb 1999 17:02:45 -0800
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Dennis,

Your idea is superlative.

--greg

	-----Original Message-----
	From:	Dennis W. Leas [SMTP:dennis@mdbs.com]
	Sent:	Thursday, February 18, 1999 3:04 PM
	To:	Loopers-Delight@annihilist.com
	Subject:	idea/new feature

	Here's an idea for a new feature for the EDP (Kim, are ya'
listenin'?).

	It would really be cool if you could dump/load samples in a speedy 
	manner.  I'm thinking of something like 1 or 2 seconds to complete
the 
	operation.  I know MIDI wouldn't support this but I'm thinking of 
	something like 10 or 100 Mbps Ethernet.

	Why?

	I'd like to use multiple EDPs as input and play-back devices.  (The
EDP 
	user interface is GREAT for quickly improvising loops.)  The EDPs
would 
	connect to a computer via a speedy interface.  I could tell the
computer 
	to "take a snapshot" of the loopers.  This would dump the digital
audio 
	data into the computer, perhaps it would also snapshot the complete 
	state of the looper (i.e., all memories, parameter settings, etc.).

	Later, I could command the computer to restore a given looper to a 
	"saved" setting.

	In this scenario, the EDPs functions as special purpose audio 
	input/output devices.  The computer functions as a programmable
"master 
	coordinator."  The EDPs are able to respond in real-time to the user

	interface (being dedicated, special purpose, etc.) without audio 
	"glitches".  The computer isn't required to respond with a
guarenteed 
	real-time latency so it could run Windows 95 or NT or MacOS.  This 
	permits the use of standard developer tools like VB, VC++, even
Java.  I 
	suppose you could have features like: the computer "merging" data
from 
	two sources (say two different loopers, perhaps two memories from a 
	single looper, or two loops constructed at different times), etc.
After 
	doing the math, the new data would be downloaded into an EDP for 
	playback and more manipulation/improvisation.

	MIDI footpedals would send commands to the computer to
upload/download 
	loopers and perform whatever other functions you wanted.  The
complete 
	system could manage multiple loopers easily.  I'm thinking at least 
	three EDPs in the system but more could be easily added.

	My friends would probably file a "missing person" report on me, if I
had 
	a system like this.  You might require a medical release form as
part of 
	the sale. :)

	What da' ya' think?

	- Dennis Leas
	-- 
	dennis@mdbs.com

From Loopers-Delight-request@annihilist.com  Thu Feb 18 20:36:19 1999
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Date: Thu, 18 Feb 1999 20:27:28 +0000
From: Darrell Jones <djones01@columbus.rr.com>
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You will be able to do that with the new midi interface that's in the wing,
it's called "mLAN" it uses firewire, just read an artical about it.

Greg Meredith wrote:

> Dennis,
>
> Your idea is superlative.
>
> --greg
>
>         -----Original Message-----
>         From:   Dennis W. Leas [SMTP:dennis@mdbs.com]
>         Sent:   Thursday, February 18, 1999 3:04 PM
>         To:     Loopers-Delight@annihilist.com
>         Subject:        idea/new feature
>
>         Here's an idea for a new feature for the EDP (Kim, are ya'
> listenin'?).
>
>         It would really be cool if you could dump/load samples in a speedy
>         manner.  I'm thinking of something like 1 or 2 seconds to complete
> the
>         operation.  I know MIDI wouldn't support this but I'm thinking of
>         something like 10 or 100 Mbps Ethernet.
>
>         Why?
>
>         I'd like to use multiple EDPs as input and play-back devices.  (The
> EDP
>         user interface is GREAT for quickly improvising loops.)  The EDPs
> would
>         connect to a computer via a speedy interface.  I could tell the
> computer
>         to "take a snapshot" of the loopers.  This would dump the digital
> audio
>         data into the computer, perhaps it would also snapshot the complete
>         state of the looper (i.e., all memories, parameter settings, etc.).
>
>         Later, I could command the computer to restore a given looper to a
>         "saved" setting.
>
>         In this scenario, the EDPs functions as special purpose audio
>         input/output devices.  The computer functions as a programmable
> "master
>         coordinator."  The EDPs are able to respond in real-time to the user
>
>         interface (being dedicated, special purpose, etc.) without audio
>         "glitches".  The computer isn't required to respond with a
> guarenteed
>         real-time latency so it could run Windows 95 or NT or MacOS.  This
>         permits the use of standard developer tools like VB, VC++, even
> Java.  I
>         suppose you could have features like: the computer "merging" data
> from
>         two sources (say two different loopers, perhaps two memories from a
>         single looper, or two loops constructed at different times), etc.
> After
>         doing the math, the new data would be downloaded into an EDP for
>         playback and more manipulation/improvisation.
>
>         MIDI footpedals would send commands to the computer to
> upload/download
>         loopers and perform whatever other functions you wanted.  The
> complete
>         system could manage multiple loopers easily.  I'm thinking at least
>         three EDPs in the system but more could be easily added.
>
>         My friends would probably file a "missing person" report on me, if I
> had
>         a system like this.  You might require a medical release form as
> part of
>         the sale. :)
>
>         What da' ya' think?
>
>         - Dennis Leas
>         --
>         dennis@mdbs.com

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In a message dated 2/18/99 9:02:34 PM Mid-Atlantic Standard Time,
burb@etrassociates.org writes:

<< Hear tunes from the Loops and Lines CD at http://www.mp3.com/burnett
  >>

bob.....tasty.....loved "igor".....thanks......michael

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From: "Rd. Jaingsaleh Prawirosari BSc" <oetun@dnet.net.id>
To: <loopers-delight@annihilist.com>
Subject: try my loop
Date: Fri, 19 Feb 1999 08:53:15 +0700
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This is a multi-part message in MIME format.

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    Those who likes looping ... try my music at www.mp3.com.malari



MALARI


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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.71.1712.3"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#fffff0>
<DIV><FONT color=3D#000000 size=3D2>&nbsp;&nbsp;&nbsp; <FONT =
color=3D#000000>Those who=20
likes looping ... try my music at <A=20
href=3D"http://www.mp3.com.malari">www.mp3.com.malari</A></FONT></FONT></=
DIV>
<DIV><FONT color=3D#000000 size=3D2><FONT =
color=3D#000000></FONT></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2><FONT =
color=3D#000000></FONT></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2><FONT =
color=3D#000000></FONT></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2><FONT =
color=3D#000000>MALARI</FONT></FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2><FONT=20
color=3D#000000></FONT></FONT>&nbsp;</DIV></BODY></HTML>

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From: Floyd Miller <floyd@voicenet.com>
Subject: Re: try my loop
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You mean /malari?

At 08:53 AM 2/19/99 +0700, you wrote: 
>
>     Those who likes looping ... try my music at
> <http://www.mp3.com.malari>www.mp3.com.malari
>  
>  
>  
> MALARI
>  




**************** 
  ********** Floyd Miller
    ****** floyd@voicenet.com
     **** http://www.voicenet.com/~floyd
      ** http://www.studiodust.com 
--=====================_686480==_.ALT
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<html>
You mean /malari?<br>
<br>
At 08:53 AM 2/19/99 +0700, you wrote: <br>
<blockquote type=cite cite>&nbsp;&nbsp;&nbsp; Those who likes looping ...
try my music at
<a href="http://www.mp3.com.malari">www.mp3.com.malari</a><br>
&nbsp;<br>
&nbsp;<br>
&nbsp;<br>
MALARI<br>
&nbsp;</blockquote><br>
<br>
<br>
<div>**************** </div>
<div>&nbsp; ********** Floyd Miller</div>
<div>&nbsp;&nbsp;&nbsp; ****** floyd@voicenet.com</div>
<div>&nbsp;&nbsp;&nbsp;&nbsp; ****
<a href="http://www.voicenet.com/%7Efloyd" EUDORA=AUTOURL>http://www.voicenet.com/~floyd</a></div>
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; **
<a href="http://www.studiodust.com/" EUDORA=AUTOURL>http://www.studiodust.com</a>
</html>

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Hi fellow loopers:

I just today found out about the looper list.  Never occurred to me there
would be such a thing, but why not?  I bumbled onto it because I was doing
web searches to look for a Jam Man and to explore alternatives.  I'll keep
trying to find a Jam Man for a while and if I can't find one at an
attractive price I'll go for an Echoplex.  I have a Jam Man now and I want a
second one to do sync looping with the other.  Believe it or not, I was
doing sampled phrase looping YEARS before anyone even thought of such an
idea (to my best knowlede, anyhow).  This was in the late Pleistocene (or
so) when 12 bit samplers with floppy drives were state of the art.  I had 12
(yep, TWELVE) Yamaha TX-16W samplers with lots of extra memory to achieve
the ability to do lots of fairly long loops.  I controlled the sequencing of
the loops from midi files originally typed into a digital music system
(Synclavier).  This was back when the Synclavier was just an FM synth and I
had one of those new fangled midi upgrades for it.  In spite of the TX-16W
experience, I never lost my fascination for loops.  They're now very
important to my "one man band" stage presentation of didgeridoo and world
beat music as well as in the studio.  I have a truly HUGE (maybe world
record size?) collection of ethnic and dance sample CD's and I've also
produced a didgeridoo sample CD/CD ROM that has proven to be my principal
source of income for the last few years.  It's distributed by Big Fish and
they've done well by me indeed.  Imagine in this day and age a music related
business that pays royalties honestly and promptly.  I also have a
Synclavier FM sounds sample CD ROM with Big Fish.  Anyway, if you want to
check out my website www.didgeridoings.com  you can find out how I've used
my huge sample CD collection very effectively in 2 of my albums:
"Didgeridoo USA" (featuring the best and best known didge players in the US)
and "Whole Earth Didgeridoo", which features 6 incredible players I recorded
in Australia as well as another American and me.  Both of these albums make
extremely extensive use of commercial sample loops and as an owner of a
large Pro Tools system I also use looping techniques extensively in my own
material.
If the "netiquette" of your list disallows members mentioning products they
sell, please forgive and let me know.  I've been on other lists where quite
a few member post occasional news related to products they're selling.  No
one minds as long as the material is truly relevant to the spirit of the
list and is not just a spamming effort.  I've seen a variety of flame wars
on special interest email lists and I sure don't want to be part of any
here, so just let me know if I've offended and I'll sign off.
In case the idea of someone obsessed with musical and technological creative
esoterica also attempting to make a living with that doesn't offend anyone
too much, maybe some of you might share with me any knowledge of other
relevant lists I could check out to share with and learn from.  Also, if
anyone knows of a Jam Man for sale at a reasonable price (LESS than the
original new price) or of a used Echoplex, could you let me know?
Incidentally how many people are on this list (active or as lurkers)?  Is
the list quite international, or mainly US?  It's rather interesting that
the other list I've spent the most time on (the infamous didge list) is as
low tech as it gets (nothing lower tech than a hollow tube, eh?) and digital
looping is pretty seriously high tech.

Thanks,

Peter

Peter Spoecker
peter@didgeridoings.com
check out www.didgeridoings.com for didgeridoo music,
tutorial CD, free circular breathing primer, computer animation,
fractals and much more

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Subject: Los Angeles International BookExpo, 1999 
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                          Attention Authors, Publishers And Book Promotion Agents

                               (Los Angeles Book Expo April 30 - May 2, 1999)

Are you interested in presenting your book at this year’s BookExpo?

For more information, please visit  www.outcrybookreview.com/authors.htm

Press: See a pictorial coverage of the recent visit of  Pope Paul  to the United States ( to St. Louis, MO).
 www.outcrybookreview.com/PopeParade1.htm

 OUTCRY Magazine, Lara Publications
 www.outcrybookreview.com
 www.smallbusinesses.com



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Date: Thu, 18 Feb 1999 23:37:03 PST
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So I sold a Jamman for $700...  I needed the money for a Kyma system; 
and if someone wants to pay $700 for an antiquated delay unit, I want to 
be the beneficiary.  In my looping career, I have owned two JamDudes, 
two EDPs, an RDS-8000, a TSR-24, and a Vortex.  I have sold all of them, 
and not regretted it at all.

The appropriateness of the 
rackmount-MIDI-controlled-three-buttons-and-an-LCD-with-twenty-user-presets 
paradigm is wearing thin.  I want ten individual 20-bit 44.1k loops with 
variable looptimes (lengths determined by number of beats or seconds) 
synchronised with a modular sequencer driving a phase-coherent additive 
synthesiser with a click track out to my drummer so I can bring the 
concept of an imrovisational 1960s jazz organ trio into the 21st 
century.  I cannot accomplish this with the rig I listed in my user 
profile.

Anyway, I'm going to start collecting for the next big goldmine.. 
vintage DJ equipment!

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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At 1:08 PM -0800 2/18/99, Kim Flint wrote:
>not sure what jimi has to do with loops, or what jimi has to do with gibson,
>for that matter, but if they named it that I'd surely revoke their
>license.... :-)

Surely you remember the Gibson poster that had that shot of Jimi playing a
Flying V? (Think "lobby" of GWIZ).

-C


_________________________________________________
Chris Muir   |   cbm@well.com   |   Got moloko?  


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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: HAPPY99 Diagnosis & Removal
Date: Fri, 19 Feb 1999 00:55:11 -0800
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The instructions were posted by Jeff Duke on 13 February at 7:05 a.m.  The
instructions are good.  For more information, read up on the Happy99
phenomenon at Symantec and other virus-related websites around the Internet:

Symantec:
http://www.symantec.com/avcenter/venc/data/happy99.worm.html

Dude at Geocities:
http://www.geocities.com/SiliconValley/Heights/3652/SKA.HTM

These two are quite prominent.  You should look up the thread a few days
back on the Happy99 worm.  If you know the McAffee website, they also have a
large page on Happy99.

MAIN THING:  Do not run programs you receive via e-mail without knowing what
they are.  If you do get Happy99 via e-mail, DO NOT RUN IT.

If you have Vortex patches worth sharing, visit:
Andy's Vortex Page: http://members.aol.com/soundfnr/vortex.htm

Be well.

Javier
Berkeley

-----Original Message-----
From: Tim Nelson [mailto:tcn62@ici.net]
Sent: Thursday 18 February 1999 7:11 AM
To: Loopers-Delight@annihilist.com
Subject: HAPPY99 Diagnosis & Removal


This info may be redundant, or possibly redundant, but I thought I'd pass
it along. I have no idea who wrote these instructions originally, so I
don't know if I trust it; suspicion, paranoia, I feel like Mulder...

It might be helpful if one of you on the list who's better versed in DOS
than I am could look the enclosed instructions over to confirm that I'm
actually passing along good information and not just clouding the water...
The thing I'm leery of is how we've been warned by other postings not to
restart without taking care of the problem first, while the first thing
this one tells us to do is to restart in DOS mode... So a short reply to
the list from someone who would know better than I either confirming the
instructions or sounding the BS alarm would be appreciated.

Thanks,

Tim

BTW, I never saw any fireworks either, just a bunch of gibberish, and
didn't see or open any attachments, and I have restarted successfully
several times since the scare, so I'm pretty sure I'm all set, but would
still appreciate if one of you could give the omini-domini to the removal
instructions...

-------------------------------------
>This one is for real. I haven't seen this e-mail, but they tend to go
>>around for a long time. You may want to make a note of the name for future
>>reference. Hopefully we won't ever see it.
>>
>>The virus, HAPPY99.EXE can not infect your computer unless you actually
>>run/execute the program! The program, happy99.exe would have come attached
>>to an EMAIL. If you double clicked on happy.exe, you would then see
>>fireworks.
>>If you did not get the program happy99.exe attached to an email, or you
>>didn't execute the program if you did receive it, then you are NOT
infected
>>with the virus!!
>>If you did execute the program, you have the virus and are passing it
along
>>to others!
>>Here are instructions for removing this virus:
>>Click Start, then Shut Down, then "Restart Computer in MS-DOS mode", then
>>click Yes. It's important to do this so you can make the necessary
changes.
>>At the DOS prompt type this exactly and press enter at the end of each
line:
>>CD \WINDOWS\SYSTEM
>>If that doesn't work, try
>>CD SYSTEM
>>Delete SKA.EXE and SKA.DLL by typing
>>DEL SKA.EXE
>>DEL SKA.DLL
>>If you get "File not found" you're either not infected or in the wrong
>>directory. Make sure you're in your Windows System directory; check to see
>>if you followed step 2 exactly.
>>Copy WSOCK32.SKA to WSOCK32.DLL by typing
>>COPY WSOCK32.SKA WSOCK32.DLL
>>Answer "Yes" if it asks if you want to overwrite WSOCK32.DLL. Explanation:
>>WSOCK32.SKA is a backup of the original WSOCK32.DLL made by the virus. You
>>are replacing the modified DLL with the original. Delete WSOCK32.SKA by
>>typing
>>DEL WSOCK32.SKA Do not delete WSOCK32.SKA if you are unable to replace
>>WSOCK32.DLL with WSOCK32.SKA.
>>Return to Windows by typing
>>EXIT
>>Optional: Choose Start, Programs, Accessories, Notepad, choose File, then
>>Open then type C:\WINDOWS\SYSTEM\LISTE.SKA in the File Name box. Warn the
>>people on the list, then delete LISTE.SKA
>>
>>


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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: idea/new feature
Date: Fri, 19 Feb 1999 00:55:17 -0800
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I think that's a great idea.  It seems also to blend the idea of using SCSI
or Ultra-DMA HDD -- or CD-W -- as storage devices.  By using loads of fast
RAM and virtual memory (with large caches, of course), the EDP could
increase the available memory for loops to actually like an hour, which you
could divide up into many many different loops that you could actually
switch between in real time.

Being that the Ethernet is rapidly becoming a standard for so-called "home"
networks, I can see the EDP making use of Ethernet.  Just think!  Pentium
III, Ultra-wide SCSI-3, Fast Ethernet, and the EDP!  All working together to
produce sound in real time.  That would be really cool, no?

-----Original Message-----
From: Dennis W. Leas [mailto:dennis@mdbs.com]
Sent: Thursday 18 February 1999 3:04 PM
To: Loopers-Delight@annihilist.com
Subject: idea/new feature


Here's an idea for a new feature for the EDP (Kim, are ya' listenin'?).

It would really be cool if you could dump/load samples in a speedy
manner.  I'm thinking of something like 1 or 2 seconds to complete the
operation.  I know MIDI wouldn't support this but I'm thinking of
something like 10 or 100 Mbps Ethernet.

Why?

I'd like to use multiple EDPs as input and play-back devices.  (The EDP
user interface is GREAT for quickly improvising loops.)  The EDPs would
connect to a computer via a speedy interface.  I could tell the computer
to "take a snapshot" of the loopers.  This would dump the digital audio
data into the computer, perhaps it would also snapshot the complete
state of the looper (i.e., all memories, parameter settings, etc.).
Later, I could command the computer to restore a given looper to a
"saved" setting.

In this scenario, the EDPs functions as special purpose audio
input/output devices.  The computer functions as a programmable "master
coordinator."  The EDPs are able to respond in real-time to the user
interface (being dedicated, special purpose, etc.) without audio
"glitches".  The computer isn't required to respond with a guarenteed
real-time latency so it could run Windows 95 or NT or MacOS.  This
permits the use of standard developer tools like VB, VC++, even Java.  I
suppose you could have features like: the computer "merging" data from
two sources (say two different loopers, perhaps two memories from a
single looper, or two loops constructed at different times), etc.  After
doing the math, the new data would be downloaded into an EDP for
playback and more manipulation/improvisation.

MIDI footpedals would send commands to the computer to upload/download
loopers and perform whatever other functions you wanted.  The complete
system could manage multiple loopers easily.  I'm thinking at least
three EDPs in the system but more could be easily added.

My friends would probably file a "missing person" report on me, if I had
a system like this.  You might require a medical release form as part of
the sale. :)

What da' ya' think?

- Dennis Leas
--
dennis@mdbs.com


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From: "Javier Miranda V." <gnominus@earthling.net>
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Subject: Guess the name
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OK. I guess "Gibson Echoplex."  I also guess "Gibson Digital Echoplex," or
GDE.  What about 'Lectric ex-Oberheim Orange Pro Echoplex, or "LOOP
Echoplex"?  You'd have to paint them all orange, of course.

-----Original Message-----
From: Kim Flint [mailto:kflint@annihilist.com]
Sent: Thursday 18 February 1999 1:55 AM
To: Loopers-Delight@annihilist.com
Subject: Re: So where are we?

I don't think they've decided what the new brand name is going to be yet.
At this point, I'm guessing "Electar" is not it, but I don't know. I say we
start up a "guess the name" betting pool. I'll put a fiver on "opcode
echoplex".

kim

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Date: Fri, 19 Feb 1999 10:27:58 +0100
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From: Leonardo Cavallo <cavallo@dada.it>
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hey Peter

welcome... and great job!

I'm really interested in the making of sample CD

Actually I work for an italian mag. to program grooves and sequences 
for their monthly CDs. 

what does it mean that you use "commercial sample loops"? 
Did you create only the didgeridoo parts? Is it right?
Any samples on line?

ciao
leo



Both of these albums make
>extremely extensive use of commercial sample loops and as an owner of a
>large Pro Tools system I also use looping techniques extensively in my own
>material.
>If the "netiquette" of your list disallows members mentioning products they
>sell, please forgive and let me know.  I've been on other lists where quite
>a few member post occasional news related to products they're selling.  No
>one minds as long as the material is truly relevant to the spirit of the
>list and is not just a spamming effort.  I've seen a variety of flame wars
>on special interest email lists and I sure don't want to be part of any
>here, so just let me know if I've offended and I'll sign off.
>In case the idea of someone obsessed with musical and technological creative
>esoterica also attempting to make a living with that doesn't offend anyone
>too much, maybe some of you might share with me any knowledge of other
>relevant lists I could check out to share with and learn from.  Also, if
>anyone knows of a Jam Man for sale at a reasonable price (LESS than the
>original new price) or of a used Echoplex, could you let me know?
>Incidentally how many people are on this list (active or as lurkers)?  Is
>the list quite international, or mainly US?  It's rather interesting that
>the other list I've spent the most time on (the infamous didge list) is as
>low tech as it gets (nothing lower tech than a hollow tube, eh?) and digital
>looping is pretty seriously high tech.
>
>Thanks,
>
>Peter
>
>Peter Spoecker
>peter@didgeridoings.com
>check out www.didgeridoings.com for didgeridoo music,
>tutorial CD, free circular breathing primer, computer animation,
>fractals and much more
>
>
>

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From: Kim Flint <kflint@annihilist.com>
Subject: Re: Gibson address / Feedback problem
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At 4:29 PM -0800 2/18/99, Leander REININGHAUS wrote:

>By the way, did you Digitech RDS owners know that you can get get a bit
>more delay time out of your
>Time Machine by adjusting an internal trim pot ?
>I got my RDS 7.6 ( which I don't have anymore ) " tuned " to 9 secs and a
>friend of mine his even to 12 !!
>The bad thing is that by turning the delay time up you will cut down the
>frequency range
>You'll have to find out a balance which is okay for you.
>
>If anyone wants to know how to do the trick please, let me know
>If that's an old fart for you please, forgive me because I'm new on the
>list

Hey, could you send me the details?  I'd like to put it on the Looper's
Delight web pages. I always like cool little hacks like this....


>Mike Biffle wanted to know a Gibson address :
>
>What I know is the address of Mr. Keith Paul, the General Manager of
>Oberheim as on his business card

Keith ain't there no more. He lasted longer than many gibson GM's, but they
all meet their maker sooner or later.



>anything new about the EDP being  " CE-fied " ?

no idea. it's gibson's deal. God knows I've offered to help them do it
often enough. Pray that it ends up at Opcode, those guys can probably
manage it right.

>We poor guys in Europe have still the problem that new  EDPs can't get
>imported until they got this f...ing
>CE button on them

just buy it from a US store and have them ship it to you, like everyone
else. :-)



>
>And again, I say that IMHO the EDP still lacks a) another possibility to
>define the loop/delay time than with

>
>       d) DIRECT OUT and EFFECT ONLY OUTS (minor important)

I modified some to have this feature for a particular Rock Star once.
(actually for his tech and sound guy, who wanted wanted to control
loop/direct mix independent of said Rock Star's tendancy to tweak the knobs
all the time.)  It was actually pretty easy, but meant losing one of the
jacks in the back. If anybody cares a lot, I might be willing to write down
how to do it.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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From: Kim Flint <kflint@annihilist.com>
Subject: Re: I'm the $700 a**hole
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At 11:37 PM -0800 2/18/99, James Eric Williamson wrote:
>So I sold a Jamman for $700...

that doesn't make you an asshole, parting fools from their money is a fine
tradition. feel proud.

congrats!

now eventually, the guy who paid the $700 has got to show up here, that
should be fun.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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At 3:03 PM -0800 2/18/99, Dennis W. Leas wrote:
>Here's an idea for a new feature for the EDP (Kim, are ya' listenin'?).

yep.

>It would really be cool if you could dump/load samples in a speedy
>manner.  I'm thinking of something like 1 or 2 seconds to complete the
>operation.  I know MIDI wouldn't support this but I'm thinking of
>something like 10 or 100 Mbps Ethernet.

interesting thing: it's now typical for embedded microprocessor development
to use ethernet for transferring code from the PC to the development
systems. (serial ports were used in the bad old days.) So all the
microprocessor eval systems and software development tools come with
ethernet built in. The result is, at the end of the product development,
you've got functional ethernet developed for free.

So, given time and money, (a lot of money, please give us money. :-)  we
aurisis maniacs will eventually develop another Loop hardware platform, and
it will certainly have ethernet as a possibility for the final product.
I've been thinking of this for a while actually. Ethernet is useless for
real time control, but great for fast, reliable file transfers. It would
seem pretty cool to me to have your studio all networked, right?

someday.

kim

(Or maybe firewire will finally arrive, that would be even better.)

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Fri Feb 19 08:08:14 1999
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From: "Peter Spoecker" <spoecker@didgeridoings.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Howdy and whatnot
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Hi Leo:


>welcome... and great job!


Thanks

>what does it mean that you use "commercial sample loops"?
>Did you create only the didgeridoo parts? Is it right?

On "Whole Earth Didgeridoo" everything but didge is commercial sample loops,
yes.  On "Didgeridoo USA" there's also quite a bit of normally performed
material in addition to the many commercial loops.  In the case of "Whole
Earth" even the didge parts relied on looping to an extreme degree.  All the
Australia recording was quick field recordings onto a portable DAT.  There
were lots of mistakes and never any click track or other timing reference.
To create those final pieces with steady tempo and tight timing I had to do
extensive digital fixing of mistakes and extensive clipping out good riffs
and time stretching them to fit a tempo.  In some cases the rhythmic feel
ended up totally different from the original performances.  An incredible
concept and tremendously time consuming, but it worked.  Quite a few people
regard "Whole Earth" as the best or at least one of the best didge albums
ever recorded.  I may be a bit biased, but I tend to agree.  I recorded some
totally unbelievable players and then went all out (over a period of over 2
years) on the production.

>Any samples on line?


Not on my site.  However www.bigfishaudio.com has samples of my samples as
well as lots of their other sample libraries.

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Howdy:

>>So I sold a Jamman for $700...
>
>that doesn't make you an asshole, parting fools from their money is a fine
>tradition. feel proud.


I heard about this $700 ebay JamMan deal before I even got onto this list.
I'm glad that that's not a normal common price for a JamMan.  I want a
second JamMan because I want to use a single pedal to control record on and
off for 2 units, not for stereo sampling, but for allowing overdubbing
without the first take getting too buried after a while.  It's often nice to
start with a basic drum riff to build on top off, but you sure don't want
that drum riff getting too far back in the mix after a while.  I figure
controlling 2 JamMans (Men?) simultaneously would allow me to use one for
the percussion bed and a second one to layer other stuff onto.  Then you
could simply adjust the levels of the 2 units as you're building your piece.
Is there anybody out there with experience with JamMan & Echoplex both?
>From my study of the Echoplex manual it appears that it should be possible
to control record on and off on an Echoplex and a JamMan with the same
pedal.  It would be quite easy to parallel wire a second cable out from a
simple switch type pedal.  The loops should easily stay in sync for at least
half an hour or so.  Phase coherence is not an issue in this case.  Ideas?
Anyone with actual relevant experience?  Also, what would be a reasonable
and realistic price to pay for a JamMan nowadays?  I don't need the memory
upgrade as I have several obsolete and mostly non-functional Amigas with Zip
chips I can cannibalize.  In case I can't find a JamMan, what is a realistic
used Echoplex price?  I can also rob old Amigas of Simms for memory upgrade
for that.
Thanks for any help.

Peter

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At 12:55 AM 2/19/99 -0800, Javier wrote:
>The instructions were posted by Jeff Duke on 13 February at 7:05 a.m.  The
>instructions are good.  For more information, read up on the Happy99
>... blah blah blah

Alright already... all these messages about the worm are becoming
worse than the worm.  Or is this part of the diabolical plot?


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From: Jeff Shorthouse <jshorthouse@loyalty.com>
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Hi All,

This can actually kinda be accomplished now- alot of samplers now have
SCSI-2 ports and if you sample at lower bandwidths/bit rates (say 32khz/12
or 8 bit-perfect for low-fi sounds) and couple this with a fast external
hard drive you could load several longish ( a couple of minutes or so) in
the amount of time your bandmates can take a sip of beer in between songs.
Alot of samplers can also have flash ram installed for instant loading of
some of your longer loops (typically samplers max out at about 10 megs of
flash ram). There are also alot of MIDI devices out now that will give you
the real time control that you need over the loops.

Jeff Shorthouse
Alien Radio Station
Toronto, Canada 

At 3:03 PM -0800 2/18/99, Dennis W. Leas wrote:
>Here's an idea for a new feature for the EDP (Kim, are ya' listenin'?).

yep.

>It would really be cool if you could dump/load samples in a speedy
>manner.  I'm thinking of something like 1 or 2 seconds to complete the
>operation.  I know MIDI wouldn't support this but I'm thinking of
>something like 10 or 100 Mbps Ethernet.

interesting thing: it's now typical for embedded microprocessor development
to use ethernet for transferring code from the PC to the development
systems. (serial ports were used in the bad old days.) So all the
microprocessor eval systems and software development tools come with
ethernet built in. The result is, at the end of the product development,
you've got functional ethernet developed for free.

So, given time and money, (a lot of money, please give us money. :-)  we
aurisis maniacs will eventually develop another Loop hardware platform, and
it will certainly have ethernet as a possibility for the final product.
I've been thinking of this for a while actually. Ethernet is useless for
real time control, but great for fast, reliable file transfers. It would
seem pretty cool to me to have your studio all networked, right?

someday.

kim

(Or maybe firewire will finally arrive, that would be even better.)

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com

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			Playlist for "EMUSIC"

"Emusic," an electronic, ambient, and space music show, airs each Thursday
at 11pm on WDIY 88.1 FM, Allentown and Bethlehem, PA and 93.9 FM in
Easton, PA and Phillipsburg, NJ.  http://wdiyfm.org/schedule/s_emusic.html

		Show #102		February 18, 1999.
		Host: Bill Fox		http://wdiyfm.org
		billfox@fast.net

On this show, I continued the month-long focus on early synth master,
Larry Fast and his Synergy releases.  For background information, please
point your web browser to the WDIY web site or visit the...

Synergy web site:		http://www.eclipse.net/~synergy
See also the NEARFest site:	http://ghostland.com/nearfest

The feature CD at midnight was "Audion" on Third Contact.

Upcoming events announced: Star's End Gathering XVI (Ma Ja Le and Jeff
Pearce) and XVII (Richard Pinhas), Arttek at Second Avenue, and
NEARfest.  I played the music of Ma Ja Le and Jeff Pearce to promote
their upcoming appearances at SEG XVI.

ARTIST                  TRACK                    ALBUM (label)
======================= ======================== ==============================
11:00 pm
Cassiel                 Nijinsky (Red Axis)      Listen/Move (Atomic City)
Sir Isaac Neutron's     The Fractured Caverns    Gravity for Beginners (none)
  Ambient Dalliance          of the Snow Wolf
Lee Barry               Time Warp                Miles from Mars (Consilient)
Mother Mallard's        Train                    1970-1973 (Cuneiform)
Portable Masterpiece Co.
Ma Ja Le & Vir Unis     Falling Sky              Imaginarium (Mirage)
VA [Jeff Pearce]        The Sacred Descent       The Other World (Hypnos)
The Ministry of Inside  While the Rest of the    Live at the ICA (Synkronos)
                Things           World Sleeps
Jon Jenkins             Into a Worl of Wonder    Flow (Spotted Peccary)
Laocoon                 Leviathan                Immersion (Parnassus Nump)

12:00 am
Synergy (Larry Fast)    Orbit Five               Audion (Third Contact)
Synergy (Larry Fast)    Revolt at L-5            Audion (Third Contact)
Synergy (Larry Fast)    Terminal Hotel           Audion (Third Contact)
Synergy (Larry Fast)    Electric Blue            Audion (Third Contact)
Synergy (Larry Fast)    Ancestors                Audion (Third Contact)
Synergy (Larry Fast)    After the Earthquake     Audion (Third Contact)
Synergy (Larry Fast)    Falcons & Eagles         Audion (Third Contact)
Synergy (Larry Fast)    FlightOfTheLookingGlass  Audion (Third Contact)
Synergy (Larry Fast)    Shibolet                 Audion (Third Contact)
Synergy (Larry Fast)    An End to History        Audion (Third Contact)
Stockhausen             tracks 1 - 12            Oktophonie (none)

1:00 am

 * = exerpt
VA = Various Artists (compilation)

On the next EMUSIC, I will continue the month-long focus on that
synergistic composer, Larry Fast and his Synergy (R) releases.  The
feature CD at midnight will be "Sequencer" on Third Contact.

Please visit the WDIY web site and navigate through the schedule to the
EMUSIC pages.  Playlists for every show are there.  Hot links to artists
and labels can be found in the monthly focus section.

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Date: Fri, 19 Feb 1999 09:11:58 +0200
To: Loopers-Delight@annihilist.com
From: patrick@his.com (Patrick Smith)
Subject: I'd love to be a $700 A**Hole
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I currently have a JAmn AMn over at the Rogue Music Auction. It is sitting
at $500 right now. The auction ends at 5pm Friday Evening, just in case any
of you have to have this baby.

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


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Built-in on Macs and Sonys today.
Now if only Apple doesn't kill it by mandating that $1/port licensing 
fee...

2/19/99 2:49 AM   Kim Flint (kflint@annihilist.com) wrote:

>(Or maybe firewire will finally arrive, that would be even better.)


Matt Peterson
Project Manager, Media Services
XOOM.com, Inc.
300 Montgomery St., 3rd Floor
San Francisco CA 94104
415-288-2505    FAX: 415-288-2575    matt@xoom.com
NASDAQ: XMCM

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Leander:> >By the way, did you Digitech RDS owners know that you can get
get a bit
> >more delay time out of your
> >Time Machine by adjusting an internal trim pot ?
> 
Kim: Hey, could you send me the details?  I'd like to put it on the
Looper's  Delight web pages. I always like cool little hacks like this....


Kim, count me in!! i'dlove to try that weird mod - pls post when you have
gotten it up on the site

thanx

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Reply-To: <andre@monmouth.com>
From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Jimi w/ Les Paul
Date: Fri, 19 Feb 1999 12:21:43 -0500
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> From: Liebig, Steuart A. <LiebigSA@Maritz.com>
> To: 'Loopers-Delight@annihilist.com'
> Subject: RE: Re[2]: So where are we?
> Date: Thursday, February 18, 1999 5:49 PM
> 
> jimi hendrix . . . flying v. it was done. also some pix with a les paul??
> 

in the (excellent) CD "south saturn Delta" - which features a ton of
unreleased Jimi, there is a  picture of him in session with a small horn
section, he is seated, playing a Les Paul.... (the instrumental track is
great, too, Jimi with Horns!!!)

peace

From Loopers-Delight-request@annihilist.com  Fri Feb 19 13:22:39 1999
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From: Matt Blais <Matt@exotech.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: Some Loop music on the web
Date: Fri, 19 Feb 1999 13:01:15 -0500
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Hi,

I have some samples of my loop music on my Yummage web site (URL below).
They are in MP3 format, and were created with two Echoplexes, my voice, some
effects, a Wavestation, and K2000.  Enjoy!

-- Matt
__________________________________________________
  ---------Healing and Spiritual Crisis---------
    http://www.spiritweb.org/Spirit/blais.html
      ---------Yummage Unlimited!-----------
          http://yummage.hypermart.net 

From Loopers-Delight-request@annihilist.com  Fri Feb 19 14:44:40 1999
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Date: Fri, 19 Feb 1999 11:15:05 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: idea/new feature
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well, you already pay similar royalties on practically everything else in a
PC. scsi, ethernet, mpeg, most of the core logic, processor busses, etc,
etc, etc. Everything is patented, everything has a charge somewhere. I
thought it was really funny the way people went into a tizzy over the idea
of paying a royalty for 1394/firewire IP as well. I guess people don't mind
paying for IP if they don't know they're paying for it. Sure makes them
look dumb from my perspective....

kim

At 8:46 AM -0800 2/19/99, Matt Peterson wrote:
>Built-in on Macs and Sonys today.
>Now if only Apple doesn't kill it by mandating that $1/port licensing
>fee...
>
>2/19/99 2:49 AM   Kim Flint (kflint@annihilist.com) wrote:
>
>>(Or maybe firewire will finally arrive, that would be even better.)
>

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Fri Feb 19 15:00:20 1999
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Date: Fri, 19 Feb 1999 14:51:44 -0500
From: "Dennis W. Leas" <dennis@mdbs.com>
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Welcome, Peter!  This is fellow didjeriduist Dennis Leas.  To my knowledge, yourself, Tom 
Lambrecht, and myself are the only folks on BOTH Loopers-Delight@annihilist.com and 
didjeridu@eartha.mills.edu.  Certainly is interesting contrast, eh?

- Dennis Leas
-- 
dennis@mdbs.com

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Message-ID: <001101be5c62$7406b6a0$ab0294ca@kaer-s>
From: "Mentari & Suryo" <oetun@dnet.net.id>
To: <loopers-delight@annihilist.com>
Subject: typos
Date: Sat, 20 Feb 1999 06:48:24 +0700
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    I recently send you :
    
Those who likes looping ... try my music at www.mp3.com.malari

the correct one is www.mp3.com/malari

thanx to FLOYD MILLER


MALARI

From Loopers-Delight-request@annihilist.com  Fri Feb 19 19:43:04 1999
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Date: Fri, 19 Feb 1999 17:30:06 -0700
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Just a note of thanks for replies on my 'dying loop' EDP problem....

I believe it was that i accidently left 'Overdub' engaged, and it makes
sense that Feedback would need to be reduced to prevent system
overload...

I appreciate everyone's suggestions!

Thanks again,
Jim

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This is a multi-part message in MIME format.

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Dear Kim,

	Let us not forget that the processor itself also is kind enough to tell
people out there on the net exactly where you are, and to some extent who.
Intel finally caught up with Apple on that one unfortunately.  Glad to see
that AMD did not follow suit and is doing more in making their hardware and
firmware more compatible and conducive to working with Linux.  
	We also won't get into a discussion on why phone call prices are sky-
rocketing when they should be plummeting; again it deals with ignorance on the
part of the US consumer and it's irrational fear of technology and/or changes
to the existing technology.

	It all gets back to information and the dissemination thereof.  On a more
musical note, remember how many pieces of equipment out there use the floppy
disk drive from either the IBM or Apple side of the fence.  How many pieces of
equipment made such a choice and have then switched sides over the years?
Akai, comes to mind on this issue.  USB, it seems is the new format to jump
upon and is supposed to be making it's way to synthesizers near us.  Let alone
the SCSI IIIUW hardware compliancy.

	Oh well, just wanted to throw in my 2 cents worth on this one.

	Tchus,

		Lee-ohki.


	


In a message dated 2/19/99 2:40:08 PM Eastern Standard Time,
kflint@annihilist.com writes:

<< Subj:	 Re: idea/new feature
 Date:	2/19/99 2:40:08 PM Eastern Standard Time
 From:	kflint@annihilist.com (Kim Flint)
 Reply-to:	Loopers-Delight@annihilist.com
 To:	Loopers-Delight@annihilist.com
 
 well, you already pay similar royalties on practically everything else in a
 PC. scsi, ethernet, mpeg, most of the core logic, processor busses, etc,
 etc, etc. Everything is patented, everything has a charge somewhere. I
 thought it was really funny the way people went into a tizzy over the idea
 of paying a royalty for 1394/firewire IP as well. I guess people don't mind
 paying for IP if they don't know they're paying for it. Sure makes them
 look dumb from my perspective....
 
 kim
 
 At 8:46 AM -0800 2/19/99, Matt Peterson wrote:
 >Built-in on Macs and Sonys today.
 >Now if only Apple doesn't kill it by mandating that $1/port licensing
 >fee...
 >
 >2/19/99 2:49 AM   Kim Flint (kflint@annihilist.com) wrote:
 >
 >>(Or maybe firewire will finally arrive, that would be even better.)
 >
 
 ______________________________________________________________________
 Kim Flint                   | Looper's Delight
 kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
 http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
 
 
  >>


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To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: idea/new feature
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well, you already pay similar royalties on practically everything else in a
PC. scsi, ethernet, mpeg, most of the core logic, processor busses, etc,
etc, etc. Everything is patented, everything has a charge somewhere. I
thought it was really funny the way people went into a tizzy over the idea
of paying a royalty for 1394/firewire IP as well. I guess people don't mind
paying for IP if they don't know they're paying for it. Sure makes them
look dumb from my perspective....

kim

At 8:46 AM -0800 2/19/99, Matt Peterson wrote:
>Built-in on Macs and Sonys today.
>Now if only Apple doesn't kill it by mandating that $1/port licensing
>fee...
>
>2/19/99 2:49 AM   Kim Flint (kflint@annihilist.com) wrote:
>
>>(Or maybe firewire will finally arrive, that would be even better.)
>

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com



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From Loopers-Delight-request@annihilist.com  Fri Feb 19 21:25:49 1999
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Date: Fri, 19 Feb 1999 21:16:11 -0500
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hi all,

Can anyone out there tell me what type of SIMM is used in the Boomerang?

(Strange as it may sound I couldn't find this info in the archives or on the
Web)


Thanks, 

jmw

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Dear JMW,

	The Boomerang uses 30-pin, non-parity, 120ns or faster SIMM's.  Check out
www.marketpro.com  or   www.pricewatch.com  for the nearest computer show or
for inexpensive prices respectively.  You can save quite a bit, because 30-pin
SIMMs are not really in use any more, and to be honest 72-pin SIMMs are nearly
in the same boat, now!

	Hope this helps!
	Tchus,

		Lee-ohki.

From Loopers-Delight-request@annihilist.com  Fri Feb 19 22:23:37 1999
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Reply-To: "Collins" <collinsclan@sprintmail.com>
From: "Collins" <collinsclan@sprintmail.com>
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Subject: Re: Howdy and whatnot
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AH,AH,AH, I Jeff Collins am too on the list. I just don't post to it. I more
or less read things people say. I don't have much to share in the way's of
the Didgeridu.
Sincerely,
Jeff

-----Original Message-----
From: Dennis W. Leas <dennis@mdbs.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, February 19, 1999 2:55 PM
Subject: Re: Howdy and whatnot


>Welcome, Peter!  This is fellow didjeriduist Dennis Leas.  To my knowledge,
yourself, Tom
>Lambrecht, and myself are the only folks on BOTH
Loopers-Delight@annihilist.com and
>didjeridu@eartha.mills.edu.  Certainly is interesting contrast, eh?
>
>- Dennis Leas
>--
>dennis@mdbs.com
>
>

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I just spied the new Zoom SampleTrak in Sound-on-Sound today. It looks like
a Yamaha SU-10 on steroids, or an atrophied ASR-X. It seems like they'll
sell for something like $300.

Any body check these out?? It seems like a better tool than an SP-202.

A brief description ...

** Sample time 60 sec. @ 32KHz up to 4 min. @ 8 Khz

** Maximum simultaneous sample - 8 mono or 4 stereo

** Tempo range 40-250 BPM

** Sophisticated Resampler function lets you resample
any phrase again in the digital domain with effects

** Intelligent Autosync feature lets you match the
tempos of different samples without changing pitch
up to +/- 30 BPM

** 22 Zoom effects including Extreme EQ, Time Stretch,
Lo-Fi, Scratch, Step Cry (Sample And Hold) and more

** 8 Song, 5,000 Note On-Board Sequencer

** 32 samples stored in memory with 24 available from
8 buttons chosen from 3 banks

** Easy Sample Editing with trim and split pad assign
(also pad assign with apply "major scale" function

** Play List lets you record up to eight songs and
assign them to any of the pads for real-time playback

** Real Time control for creative live performances

** MIDI-In capability and limited SysEx control

** 4 Mb Flash Memory/Data Card expandability.

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From: "Marc Roche" <govinda@cyber-dyne.com>
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Subject: Re: I'm the $700 a**hole
Date: Fri, 19 Feb 1999 05:34:20 -0800
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-----Original Message-----
From: Peter Spoecker <spoecker@didgeridoings.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, February 19, 1999 5:13 AM
Subject: Re: I'm the $700 a**hole


>
>Howdy:
>
>>>So I sold a Jamman for $700..

>>.I sold my Jamman last year for $500 to get the bread to buy the EDP and I
was plaeased as punch.

>>
>>that doesn't make you an asshole, parting fools from their money is a fine
>>tradition. feel proud.
>
>
>I heard about this $700 ebay JamMan deal before I even got onto this list.
>I'm glad that that's not a normal common price for a JamMan.  I want a
>second JamMan because I want to use a single pedal to control record on and
>off for 2 units, not for stereo sampling, but for allowing overdubbing
>without the first take getting too buried after a while.  It's often nice
to
>start with a basic drum riff to build on top off, but you sure don't want
>that drum riff getting too far back in the mix after a while.  I figure
>controlling 2 JamMans (Men?) simultaneously would allow me to use one for
>the percussion bed and a second one to layer other stuff onto.  Then you
>could simply adjust the levels of the 2 units as you're building your
piece.
>Is there anybody out there with experience with JamMan & Echoplex both?
>>From my study of the Echoplex manual it appears that it should be possible
>to control record on and off on an Echoplex and a JamMan with the same
>pedal.  It would be quite easy to parallel wire a second cable out from a
>simple switch type pedal.  The loops should easily stay in sync for at
least
>half an hour or so.  Phase coherence is not an issue in this case.  Ideas?
>Anyone with actual relevant experience?  Also, what would be a reasonable
>and realistic price to pay for a JamMan nowadays?  I don't need the memory
>upgrade as I have several obsolete and mostly non-functional Amigas with
Zip
>chips I can cannibalize.  In case I can't find a JamMan, what is a
realistic
>used Echoplex price?  I can also rob old Amigas of Simms for memory upgrade
>for that.
>Thanks for any help.
>
>Peter
>

From Loopers-Delight-request@annihilist.com  Sat Feb 20 09:20:14 1999
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Date: Sat, 20 Feb 1999 06:26:46 -0500 (EST)
From: Stew Benedict <stewb@earthlink.net>
To: looper list <Loopers-Delight@annihilist.com>
Subject: Re: Howdy and whatnot
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How does one subscribe to the digd list?

Thanks,
Stew Benedict

From Loopers-Delight-request@annihilist.com  Sat Feb 20 09:44:17 1999
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From: "Peter Spoecker" <spoecker@didgeridoings.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Howdy and whatnot
Date: Sat, 20 Feb 1999 06:48:55 -0800
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>How does one subscribe to the digd list?

Send an email to listproc@eartha.mills.edu with nothing in the body but:
subscribe didjeridu Your Name.
Nothing in the subject field




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From: M3chakucha@aol.com
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Dear Looper's Delight,

Help!  Picked up a Digitech TSR-24S and I am in need of a manual!  Anyone out
there have one for this unit that is stored electronically and can be sent out
as a *.txt, *.rtf, *.wpd, *.doc, or *.pdf file?  Feel free to send it as a
*.zip or *.lzh should you choose.  Thanks a bunch, again!  

Lee-ohki.

From Loopers-Delight-request@annihilist.com  Sat Feb 20 18:04:09 1999
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Message-ID: <36CF3C53.6033@dmans.com>
Date: Sat, 20 Feb 1999 16:50:59 -0600
From: "Mikell D. Nelson" <mnelson@dmans.com>
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Organization: Boomerang Musical Products
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Patrick Smith wrote:
> 
> I don't know if this is a good price or not, but for those who are
> interested I just found htis at Harmnony Central:
> 
> FS: Boomerang Phrase Sampler $300.
> 
> Asking Price: US$300
> Condition: Mint
> Age: 1 year
> Description:
> 
>        Hardly used Boomerang Phrase Sampler; 4 Min. maximum recording time,
> looping
>        capabilities and the best backwards playback in the business. Foot
> switches for
>        looping, half-speed, reversal, etc. List $650., sell $300. Includes
> manual and
>        AC adaptor.

Hi all,
  The MSRP (retail price) of a new Rang is $599. The "street price" for
a new Rang is typically $459-$499, depending on where you live and your
relationship with your local dealer. $300 sounds like a great price for
a Rang in excellent condition.

Mike Nelson at Boomerang Musical Products

From Loopers-Delight-request@annihilist.com  Sat Feb 20 19:10:08 1999
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Date: Sat, 20 Feb 1999 18:00:36 -0600
From: "Mikell D. Nelson" <mnelson@dmans.com>
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> Can anyone out there tell me what type of SIMM is used in the Boomerang?
> 
> (Strange as it may sound I couldn't find this info in the archives or on the
> Web)

Howdy,
  The Rang uses either a 1Mbyte 30-pin SIMM (30 sec / 1 min record time)
or a 4Mbyte 30-pin SIMM (2 min / 4 min record time). Either way, any
speed and any parity is acceptable. We're not picky. I hope this helps.

Mike Nelson at Boomerang Musical Products

From Loopers-Delight-request@annihilist.com  Sat Feb 20 19:17:31 1999
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Posted-Date: Sat, 20 Feb 1999 18:03:34 -0600 (CST)
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Date: Sat, 20 Feb 1999 18:05:59 -0600
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From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Jam-Man Schematics?
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Last year there was mention of someone scanning and posting the schematics
for the Lexicon Jam-Man on the web page.
Is this pending?

-Chuck Zwicky
...........................................................................
But they are useless. They can only give you answers. -Picasso, on 
computers.

From Loopers-Delight-request@annihilist.com  Sat Feb 20 21:27:28 1999
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Subject: Re: Older Effects Units.
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Lee-ohki wrote:
>Dear Looper's Delight,
>
>Help!  Picked up a Digitech TSR-24S and I am in need of a manual!  Anyone out
>there have one for this unit that is stored electronically and can be sent out
>as a *.txt, *.rtf, *.wpd, *.doc, or *.pdf file?  Feel free to send it as a
>*.zip or *.lzh should you choose.  Thanks a bunch, again!
>


I do not have this manual and if you do not find one, Rogue Music in NEw
York CIty genrally has manuals for everything. They charge a very
reasonable fee for photo copying it. Thier phone number is 212-629-5073.

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


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i once heard the echoplex refered to as the *complex* by a
jamman/dulcimer equipped busker dude...



From Loopers-Delight-request@annihilist.com  Sun Feb 21 13:40:34 1999
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From: GRAIGORY2@aol.com
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Date: Sun, 21 Feb 1999 13:09:48 EST
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I was wondering if any of you may be able to refer me to any drum loop sites
on the internet that offers free downloads in either .wav or .mp3 format...

peace

B-double-O

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Subject: RE: Drum Loop Sites
Date: Sun, 21 Feb 1999 14:14:19 -0500
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The ~best~ site I found was Phatso's Place ...

http://www.2xtreme.net/mhat/drums.html



-----Original Message-----
From: GRAIGORY2@aol.com [mailto:GRAIGORY2@aol.com]
Sent: Sunday, February 21, 1999 1:10 PM
To: Loopers-Delight@annihilist.com
Subject: Drum Loop Sites


I was wondering if any of you may be able to refer me to any drum loop sites
on the internet that offers free downloads in either .wav or .mp3 format...

peace

B-double-O


From Loopers-Delight-request@annihilist.com  Sun Feb 21 14:55:22 1999
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Date: Sun, 21 Feb 1999 13:37:25 -0600
Subject: gr-30 and pk-5 compatability
From: "Mathew Kaarlela/Davin Auble" <matthewdavin@earthlink.net>
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    When using the pk-5 with the gr-30 I run into this problem.  The pk is
in bass mode which holds a single note until canceled or a new note is
triggered which is then held and so on.  However, if I also play the guitar
I find myself limited to 5 of the 6 strings. One of the strings when played
will cause the note being held by the pk to cut off while the other five can
be played without cutting off the note.  I have tried using different midi
channels and the problem may switch strings but still remains.  I would like
to be able to play chords freely on the guitar while using the pk for
sustained bass parts.  I am new to the world of midi and am just beginning
my education.  What books would people recommend?  Does any one have a
solution to this particular problem?

                                        Thank You.

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From: "Douglas Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: Jungle Funk -- Back From Europe
Date: Sun, 21 Feb 1999 15:39:09 -0500
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FYI ... Jungle Funk looping with Doug Wimbish on bass, Will Calhoun on drums
and Vinx on percussion/vox is back from Europe and playing shows in the US.

Date  	City       		Venue
==============================================
03/31/99	Providence, RI	To Be Announced
04/01/99	Boston, MA		To Be Announced
04/02/99	New York, NY	S.O.B.'S
04/03/99	Philadelphia, PA	North Star Bar

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Date: Sun, 21 Feb 1999 16:25:25 -0800
To: "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
From: Sean Echevarria <sean_@mindspring.com>
Subject: Digitech PMC 10 software [non-loop content]
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I've put together a little app for backing up and restoring Digitech PMC 10
data.  A couple of you asked me to make an announcement about this when it
was ready.  I won't post to the list about this anymore as there is now a
web site for it.  More info is available at:

http://sean_.home.mindspring.com/pmc/index.html

And now back to your regularly scheduled looping...

From Loopers-Delight-request@annihilist.com  Sun Feb 21 21:56:09 1999
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From: Hawkeye255@aol.com
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Date: Sun, 21 Feb 1999 21:33:53 EST
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Sean,
	Thanks alot.  You the man!

Hawkeye

From Loopers-Delight-request@annihilist.com  Sun Feb 21 22:33:52 1999
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Message-ID: <36D0C9E0.263790BE@usa.net>
Date: Sun, 21 Feb 1999 19:07:12 -0800
From: posterazzi <posterazzi@usa.net>
Organization: .
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To: Loopers-Delight@annihilist.com
Subject: Colorful Exotic Vintage CULT MX LOBBY CARDS---$5 each 
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Colorful Exotic Vintage CULT MX LOBBY CARDS---$5 each

Rock & Roll, Sci-Fi/Horror, Fantasy, Chop Suey, Bad Girls, Cult Mexican
Wrestlers, Dope,
Motorcycle, Blaxploitation, Film Noir, Soft Core EUR, Italian Epics,
Teen Exploitation,
MX Cowboys, Hot Rod, Spaghetti Westerns, B-Films, Action, Classic Cult,
etc. etc.

>From our vast collection of 150,000 Original Vintage MX Lobby Cards,
1935-1980’s, (over 15,000 titles),
we are offering to Record Stores and Memorabilia/Collectibles Shops our
very lowest price of $5 each.

These Classic original-release 13”x17” Film Posters retail for $25 each.

Bulk purchases:  (no choice of specific titles)

100   piece assortment @ $7.50 each
1000 piece assortment @ $6.00 each
2500 piece assortment @ $5.00 each

(sample pkg:  10 different genres for $50)

You can view some samples at:
http://www.geocities.com/Hollywood/Academy/8695/

#########################################################################

The Posters are original, and come from a Regional Film Archive in
Mexico City.
They were designed in Hollywood and printed in Mexico.
Each oversized title/lobby card contains the same design elements found
on Posters from the US.
They contain both stills from the Film and also design elements from the
One Sheet Poster.

The typography, photos, artwork, stars names, credits, drawings, scenes,
emotional impact,
appeal, and intrinsic value are virtually the same as Posters from
Hollywood or any other
international Metropolis where the film had been shown.

However, the layout will be much flashier, more graphically intensive,
or even more lurid.
The size is appx. 13" x 17"---over 40% larger than a standard Lobby
Card.
As such, each Poster is a cross between a Jumbo Lobby Card, Title Card,
and a One Sheet Poster.
They were printed on either heavy Cardboard Stock, thick fine Linen
Paper, or
sturdy Poster Stock.

Overall very good condition, altho there will be occasional tears,
pinholes, stains, etc.

#########################################################################



From Loopers-Delight-request@annihilist.com  Sun Feb 21 22:38:22 1999
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Date: Sun, 21 Feb 1999 22:13:17 EST
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anyone interested in selling a 12 string stick

rodrigo

From Loopers-Delight-request@annihilist.com  Sun Feb 21 23:45:55 1999
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I know this is sounding really, greedy, but could you do a MAC version? ;)

Best,
Kevin

From Loopers-Delight-request@annihilist.com  Mon Feb 22 08:47:57 1999
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Date: Mon, 22 Feb 1999 08:18:06 -0500
From: Leander REININGHAUS <LEALOOP@compuserve.com>
Subject: Digitech RDS modification
Sender: Leander REININGHAUS <LEALOOP@compuserve.com>
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Hi Kim,

I don't remember the position of the pot u have to turn for the
modification exactly, because I don't have my Time Machine anymore but I
will look it up in my friends delay. I will see him next week.

Would somebody be so kind to post  " Alto's " address again for me ?
He seems to be the one where I could get an EDP at a reasonable price.
What' s his price, again ?

Thank u

Leander

From Loopers-Delight-request@annihilist.com  Mon Feb 22 13:42:44 1999
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Date: Mon, 22 Feb 1999 10:13:35 -0800
To: Loopers-Delight@annihilist.com
From: Sean <sean_@mindspring.com>
Subject: Re: Digitech PMC 10 software [non-loop content]
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I've got a feeling you already know the answer - there will not be a Mac
version.  But if you have access to a Windows machine and wanted to check
out the app with your PMC 10 data, you could do a MIDI Data Dump to your
Mac as long as you save the dump as raw sysex without any Mac file header
stuff.  The app reads and stores PMC 10 dumps to file as raw sysex.  A raw
sysex file for the PMC 10 should have F0 for the first byte and F7 as the
last byte (as viewed in a hex file view utility).

sean


At 11:16 PM 2/21/99 EST, Fmplautus@aol.com wrote:
>I know this is sounding really, greedy, but could you do a MAC version? ;)
>
>Best,
>Kevin
>

From Loopers-Delight-request@annihilist.com  Mon Feb 22 13:50:42 1999
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Date: Mon, 22 Feb 1999 10:15:48 -0800 (PST)
From: "Rev. Doubt-Goat" <dgoat@rocketmail.com>
Subject: Re: Gibson address / Feedback problem
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93

> At 4:29 PM -0800 2/18/99, Leander REININGHAUS wrote:
> 
> >By the way, did you Digitech RDS owners know that
you can get get a bit
> >more delay time out of your
> >Time Machine by adjusting an internal trim pot ?
> >I got my RDS 7.6 ( which I don't have anymore ) "
tuned " to 9 secs and a
> >friend of mine his even to 12 !!

I actually did this mod to both of my old RDS
7.6'ers. The tech who did the mod for me informed me
that tweaking those trim pots actually f*cked with
the bais of the machine. I did it not to get more
delay time, but to get godzilla runaway feedback. The
end result was that I also got about 10 sec. of delay
out of one and 9 out of the other. The repeats
disintegrate pretty severely after about 6 or 8
repeats, but that can be a cool thing in and of itself.

The only reason I sold 1 of my 7.6'ers was the pitch
drift was driving me nutty and to fund a Jamman. The
other sits in my recording rack as a more or less
standard delay.

Anyway...

93
Rev. Doubt-Goat
===
          The Homepages of the Doubt-Goat

               The Darsan Trio
               Sekhet Maat Oasis, O.T.O.
               Lion & Serpent

          http://www.easystreet.com/~twilliam
 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Mon Feb 22 13:54:32 1999
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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re: Digitech PMC 10 software [non-loop content]
To: "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>,
        Sean Echevarria <sean_@mindspring.com>
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     Sean
     
     I've tried to go to that URL and I get 404'ed... I went to your site 
     and found the link you've included for the PMC-10 editor and it takes 
     me to the Digitech site instead of your editor. Am I missing 
     something, or is this still under construction?
     
     Thanks, 
     -Miko


______________________________ Reply Separator _________________________________
Subject: Digitech PMC 10 software [non-loop content]
Author:  Sean Echevarria <sean_@mindspring.com> at INTERNET
Date:    2/21/99 7:37 PM


I've put together a little app for backing up and restoring Digitech PMC 10
data.  A couple of you asked me to make an announcement about this when it
was ready.  I won't post to the list about this anymore as there is now a
web site for it.  More info is available at:

http://sean_.home.mindspring.com/pmc/index.html

And now back to your regularly scheduled looping...

From Loopers-Delight-request@annihilist.com  Mon Feb 22 15:28:08 1999
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From: Stevaum@aol.com
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Date: Mon, 22 Feb 1999 14:54:19 EST
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I've just joined the Looper's Delight website!

Please check out my Profile:  sTeVo iN yR sTuDiO + Pupaum

I have used looping extensively in both my audio & video art.

I am very interested in hearing from other Loopers who have worked in video!!!

All other inquiries are also welcome.

From Loopers-Delight-request@annihilist.com  Mon Feb 22 22:18:43 1999
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From: patrick@his.com (Patrick Smith)
Subject: ALto Phone nUmber
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On 2/22/99 Leander said:

>Would somebody be so kind to post  " Alto's " address again for me ?
>He seems to be the one where I could get an EDP at a reasonable price.
>What' s his price, again ?

 Call Alto Music @ (914) 692-6922 10-6pm Monday through Saturday and
ask for John. The price is $560 US. The time is Eastern Standard Time.
Sorry no address handy.

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Mon Feb 22 22:31:49 1999
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From: Fmplautus@aol.com
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Hi Sean.  Thanks for the reply.  Yeah, I think i can save Sysex to Mac.  I'll
check out a window's connection.

Best,
Kevin

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Date: Mon, 22 Feb 1999 23:22:29 -0800 (PST)
From: Bret <echoplex@yahoo.com>
Subject: Re: the CDs
To: Loopers-Delight@annihilist.com
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Matt,
I wrote several weeks ago regarding this, but I need your mailing
address so I can send a check to buy more CDs.  You had written and
quoted me $4 each (rounded up from $3.60, I believe).

I want to get some more CDs as I have given all mine away.

thanks,
bret
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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Date: Tue, 23 Feb 1999 11:00:59 +0000
From: Gareth Whittock <whiteoak@dial.pipex.com>
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Hi Guys,
Llive llooping in Cardiff, Wales Wednesday evening featuring modified
guitar with violin bow and Ebow, (the old one) a zoom 8080 and live
computer processing using audiomulch.
Ethnopsychedelistribalgranulatedoose.
Chapter Arts Centre, Canton, Cardiff UK

Gareth

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Date: Tue, 23 Feb 1999 06:15:31 +0200
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From: patrick@his.com (Patrick Smith)
Subject: Re: Llive lloops
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On 2/23/99 Gareth described his live music as:

>Ethnopsychedelistribalgranulatedoose.

WOW!!!

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Tue Feb 23 09:25:17 1999
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Date: Tue, 23 Feb 1999 09:09:44 -0500 (EST)
From: Neal Trembath <ntrembat@www.anything.com>
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Subject: looking for loopers and weirdos in NYC
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I'm just moved to NYC and looking for competent, odd open jam sessions to
go nuts in.

Neal
(remove "nospam.")


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Date: Tue, 23 Feb 1999 07:08:07 -0800 (PST)
From: petr dolak <pepetr@yahoo.com>
Subject: Looping in Chicago
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Looping in Chicago's Hyde Park

Wednesday February 24, at 10 p.m.
University of Chicago's Reynolds Club, C-Shop

Petr Dolak (voice, electric and acoustic gitars, looping devices) 
Anna Milazzo (voice, harmonium, typewriter, bottles, percussion) 






==






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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Date: Tue, 23 Feb 1999 14:22:44 -0500 (EST)
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From: Frank Gerace <seahorse@channel1.com>
Subject: Looping in Boston - 2/26
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        An unoffical Loopers Delight Vol. 2 CD release party will take place
at Jacque's, 79 Broadway, Boston (Bay Village, behind the Cinema 57) on
Friday night, February 26, 1999.  
        David Kirkdorffer (UNDO) will play a set of improvised looped guitar
pieces.  Following his set, he will be joined by Frank Gerace (VG8 Guitar
and looping devices) and Cheryl Wanner (voice, wire strung harp, looping
devices) in a set of spontaneous pieces.  The evening will end with a set by
Dreamchild, featuring new material as wellas material from their CD Gates To
The Sea.
        Opening the night will be ambient artist Morse Code.  Doors open at
9:00 PM.  21+.  Cds will be available at the show.

Frank Gerace
Dreamchild
http://www.channel1.com/users/seahorse

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From: Michael Peters <mpeters@csi.com>
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Date: Tue, 23 Feb 1999 21:27:48 +0100
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> An unoffical Loopers Delight Vol. 2 CD release party will take place
> at Jacque's, 79 Broadway, Boston (Bay Village, behind the Cinema 57) on
> Friday night, February 26, 1999.  

too bad I can't be there. Have a great night!


*	Michael Peters:		mpeters@csi.com
*	escape veloopity:		electronic guitar loop music
*	hop - fractals in motion: 	strange attractors
*	http://ourworld.compuserve.com/homepages/Mpeters




From Loopers-Delight-request@annihilist.com  Wed Feb 24 12:36:03 1999
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Date: Wed, 24 Feb 1999 11:57:24 -0500
To: loopers-delight@annihilist.com
From: Robert Switzer <rswitzer@721.com>
Subject: Great music from Crevice
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I just did a CD exchange with listmate James Sidlo, and the CD 
he sent me by his band Crevice is great -- things start out well within
the standard looping vocabulary -- Fripp, Torn, etc. --
but, just when you think you know where things are going, the
going gets wierd!  

Crevice is a six piece band playing looped music/sampledelia live in real
time.
Delightful, and highly recommended.


http://www.stic.net/users/jameshsidlo, http://www.unclebuzz.com.

BTW, I'm offering the newest *echovirus* single 'BlindFold DisFunktion',
along with the original Ed Chang improv from which it was derived in
a special limited CD-R edition of 25.

Each CD-R is individually burned and thoroughly tested, packaged in original
artwork, signed, and numbered.  

To get a copy, send me your original music!  CD, CD-R, DAT, cassette, LP; it
matters not.  Or, if you don't have a trade, I'll send it anywhere for
$10.00.  

I'm also interested in additional remix collaborations -- right now, I'm
liking
acoustic free improv and/or lofi electronics, but will consider anything.

Email me privately for details.
 
rob
-----------------------
New by *echovirus* 'BlindFold DisFunktion'
now playing at mp3.com http://www.mp3.com/evirus

From Loopers-Delight-request@annihilist.com  Wed Feb 24 13:31:03 1999
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Date: Wed, 24 Feb 1999 13:05:06 -0500
From: Leander REININGHAUS <LEALOOP@compuserve.com>
Subject: RE: RDS mod / Alto's address
Sender: Leander REININGHAUS <LEALOOP@compuserve.com>
To: "INTERNET:Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
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Hi everybody,

 - Rev. Doubt-Goat wrote: "...tweaking this pot means f*cking with the bi=
as
of the machine..."

That's right, this is what I meant by saying the frequency range would
suffer.
You can turn up the pot to the point when the sound gets  " crackling "
..., and that's different on every machine.
The feedback can be altered to the point when you get feedback-windup ( =

like on old analog machines )
by weldering a capacitor on the fb-pot. I don't remember the right value =
of
the capacitor and if you have to put =

it in serial or parallel. I'm no tech at all, so please, don't sew me for=

my humble opinion.
I'd say, you have to do whatever has to be done to stretch the pots range=

on the upper end...

 - Patrick wrote Alto's address and his EDP's price...

Thanks for the information !
Alto's price is really unbeaten !
I'd like to know if  that price includes the footpedal or not ( because I=

don't need another one ) and if I could  order it without?

 - Hey Kim, =


please, would you tell me anything necessary for ordering the EDP's
software update ?
Thanx in advance !

So long,

Leander

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From: "Jonathan Brainin" <jbrainin@planet.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: RDS mod / Alto's address
Date: Wed, 24 Feb 1999 13:51:14 -0500
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>- Patrick wrote Alto's address and his EDP's price...

Crafties are so helpful!

>Thanks for the information !
>Alto's price is really unbeaten !
>I'd like to know if  that price includes the footpedal or not ( because I
>don't need another one ) and if I could  order it without?


The $560 price is without the foot controller.  

take care,
Jonathan

From Loopers-Delight-request@annihilist.com  Wed Feb 24 18:48:22 1999
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From: Nemoguitt@aol.com
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Date: Wed, 24 Feb 1999 18:19:36 EST
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In a message dated 2/24/99 3:31:09 PM Mid-Atlantic Standard Time,
rswitzer@721.com writes:

<< 
 Crevice is a six piece band playing looped music/sampledelia live in real
 time.
 Delightful, and highly recommended.
 
 
 http://www.stic.net/users/jameshsidlo, http://www.unclebuzz.com.
  >>

couldnt agree more........michael

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From: "ben" <yamin@sprint.com.au>
To: <Loopers-Delight@annihilist.com>
Subject: can anyone help?
Date: Thu, 25 Feb 1999 11:18:26 +1100
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This is a multi-part message in MIME format.

------=_NextPart_000_002B_01BE60B0.90A81E00
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	charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

hi, my name is ben blay, i'm from melbourne australia. i am desperately =
trying to track down (and buy) an echoplex, jamman or equivelent. i have =
searched australia, but had no luck, so i was wondering if anyone has =
one to sell me, anywhere in the world. it would be a great help to me, =
as i am experimenting with vocal loops, drum, bass, and lead. i need =
this to be able to perform, and i know when i get my hands on one, my =
whole world will change. pleas let me know of any leads i can follow up, =
and thanks again.
from PLEASE HELP ME,
ben blay, melbourne australia
yamin@sprint.com.au

------=_NextPart_000_002B_01BE60B0.90A81E00
Content-Type: text/html;
	charset="iso-8859-1"
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=3Dtext/html;charset=3Diso-8859-1 =
http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>hi, my name is ben blay, i'm from =
melbourne=20
australia. i am desperately trying to track down (and buy) an echoplex, =
jamman=20
or equivelent. i have searched australia, but had no luck, so i was =
wondering if=20
anyone has one to sell me, anywhere in the world. it would be a great =
help to=20
me, as i am experimenting with vocal loops, drum, bass, and lead. i need =
this to=20
be able to perform, and i know when i get my hands on one, my whole =
world will=20
change. pleas let me know of any leads i can follow up, and thanks=20
again.</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>from PLEASE HELP ME,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>ben blay, melbourne =
australia</FONT></DIV>
<DIV><FONT color=3D#000000 =
size=3D2>yamin@sprint.com.au</FONT></DIV></BODY></HTML>

------=_NextPart_000_002B_01BE60B0.90A81E00--

From Loopers-Delight-request@annihilist.com  Wed Feb 24 20:19:10 1999
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From: Steve Han <stevehan@transworld-lax.com>
Reply-To: "stevehan@transworld-lax.com" <stevehan@transworld-lax.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Looping in Chicago
Date: Wed, 24 Feb 1999 16:13:41 -0800
Organization: Transworld Freight Systems
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Petr and Anna,

I wish I lived in Chicago so that I can attend your performance.
I'm stuck in LA.  Good luck in your performance.

Typewriter and Bottles !!!!!
Push that envelope !!!!

Steve (Curbie)

-----Original Message-----
From:	petr dolak [SMTP:pepetr@yahoo.com]
Sent:	Tuesday, February 23, 1999 7:08 AM
To:	Loopers-Delight@annihilist.com
Subject:	Looping in Chicago


Looping in Chicago's Hyde Park

Wednesday February 24, at 10 p.m.
University of Chicago's Reynolds Club, C-Shop

Petr Dolak (voice, electric and acoustic gitars, looping devices) 
Anna Milazzo (voice, harmonium, typewriter, bottles, percussion) 






==






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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On 2/22/99 Leander said:

>Would somebody be so kind to post  " Alto's " address again for me ?
>He seems to be the one where I could get an EDP at a reasonable price.
>What' s his price, again ?

 Call Alto Music @ (914) 692-6922 10-6pm Monday through Saturday and
ask for John. The price is $560 US. The time is Eastern Standard Time.
Sorry no address handy.

Patrick

ben wrote:

>  hi, my name is ben blay, i'm from melbourne australia. i am
> desperately trying to track down (and buy) an echoplex, jamman or
> equivelent. i have searched australia, but had no luck, so i was
> wondering if anyone has one to sell me, anywhere in the world. it
> would be a great help to me, as i am experimenting with vocal loops,
> drum, bass, and lead. i need this to be able to perform, and i know
> when i get my hands on one, my whole world will change. pleas let me
> know of any leads i can follow up, and thanks again.from PLEASE HELP
> ME,ben blay, melbourne australiayamin@sprint.com.au

--------------405A4F22D0194F8DA15613DB
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML>
<BODY BGCOLOR="#FFFFFF">
On 2/22/99 Leander said:
<P>>Would somebody be so kind to post&nbsp; " Alto's " address again for
me ?
<BR>>He seems to be the one where I could get an EDP at a reasonable price.
<BR>>What' s his price, again ?
<P>&nbsp;Call Alto Music @ (914) 692-6922 10-6pm Monday through Saturday
and
<BR>ask for John. The price is $560 US. The time is Eastern Standard Time.
<BR>Sorry no address handy.
<P>Patrick
<P>ben wrote:
<BLOCKQUOTE TYPE=CITE>&nbsp;<FONT COLOR="#000000"><FONT SIZE=-1>hi, my
name is ben blay, i'm from melbourne australia. i am desperately trying
to track down (and buy) an echoplex, jamman or equivelent. i have searched
australia, but had no luck, so i was wondering if anyone has one to sell
me, anywhere in the world. it would be a great help to me, as i am experimenting
with vocal loops, drum, bass, and lead. i need this to be able to perform,
and i know when i get my hands on one, my whole world will change. pleas
let me know of any leads i can follow up, and thanks again.</FONT></FONT><FONT COLOR="#000000"><FONT SIZE=-1>from
PLEASE HELP ME,</FONT></FONT><FONT COLOR="#000000"><FONT SIZE=-1>ben blay,
melbourne australia</FONT></FONT><FONT COLOR="#000000"><FONT SIZE=-1>yamin@sprint.com.au</FONT></FONT></BLOCKQUOTE>

</BODY>
</HTML>

--------------405A4F22D0194F8DA15613DB--

From Loopers-Delight-request@annihilist.com  Wed Feb 24 21:28:55 1999
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Date: Wed, 24 Feb 1999 21:13:06 -0500
From: Leander REININGHAUS <LEALOOP@compuserve.com>
Subject: Looper's party
Sender: Leander REININGHAUS <LEALOOP@compuserve.com>
To: "INTERNET:Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
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Hi folks,

Frank Gerace wrote about the CD party....

I really regret that i can't be there but I wish all participators a hole=

lotta fun !

Anything available on CD from metalstrung harpist Cherryl Wanner ?


Leander

From Loopers-Delight-request@annihilist.com  Wed Feb 24 22:30:44 1999
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Date: Wed, 24 Feb 1999 21:42:40 +0200
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From: patrick@his.com (Patrick Smith)
Subject: Alto e-mail address
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I'm not sure that they are ready for on-line ordering yet, but I received
thier e-mail address recently and some of you may find it useful.

"ALTO MUSIC" <u1010403@warwick.net>

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

"fascinating aural images...luminous portraits of sound & vision..." Outburn 8

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Thu Feb 25 08:58:55 1999
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Subject: Alto Music Website
From: "jmw/cmu" <evening@ulster.net>
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>I'm not sure that they are ready for on-line ordering yet, but I received
>thier e-mail address recently and some of you may find it useful.
>
>"ALTO MUSIC" <u1010403@warwick.net>



They even have a website now: http://www.altomusic.com

Not much there at the moment...

jmw

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At 09:13 PM 2/24/99 -0500, you wrote:
>Hi folks,
>

>Anything available on CD from metalstrung harpist Cherryl Wanner ?
>
>
>Leander
        Leander, (and anyone else who's interested)
So far, Cheryl's only recorded output on the wirestrung harp is two cuts on
the Dreamchild CD Gates To The Sea (see the web address below for more on
that).  There are no pieces yet recorded where she loops it.  You can email
me off list if you're interested.  
        Thanks to all for allowing a semi commercial interruption of your
looping activities.
Frank Gerace
Dreamchild
http://www.channel1.com/users/seahorse
>
>

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Date: Thu, 25 Feb 1999 23:59:16 +0100
From: Mark Kunzmann <kunmar00@stud.unibas.ch>
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ben wrote:
> 
> hi, my name is ben blay, i'm from melbourne australia. i am
> desperately trying to track down (and buy) an echoplex, jamman or
> equivelent. i have searched australia, but had no luck, so i was
> wondering if anyone has one to sell me, anywhere in the world. it
> would be a great help to me, as i am experimenting with vocal loops,
> drum, bass, and lead. i need this to be able to perform, and i know
> when i get my hands on one, my whole world will change. pleas let me
> know of any leads i can follow up, and thanks again.
> from PLEASE HELP ME,
> ben blay, melbourne australia
> yamin@sprint.com.au



Alto Music
680 Route 211E
Middletown, NY 10941-1757
USA

Phone: (914) 692 6922 - talk to Jon
Fax: (914) 692 5551

Good luck!
- Mark

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Date: Fri, 26 Feb 1999 06:51:31 -0800 (PST)
From: petr dolak <pepetr@yahoo.com>
Subject: LOOPING IN CHICAGO
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LOOPING IN CHICAGO

Petr Dolák (voice, electric and acoustic gitars, looping devices) 
Anna Milazzo (voice, harmonium, bottles, typewriter, percussion) 

Petr Dolak and Anna Milazzo will perform their compositions on the
occassion of opening of the new exposition "Transience: Chinese
Experimental Art at the End of the 20th Century".  The event will be
at the Smart Museum, 5550 S. Greenwood on Thursday, March 4.

Opening and gallery tours and refreshments 6:00-8:00
Concert 8:00-9:00
 
________________________________________________________________

==






Nasledujici oznameni je bohuzel nevyhnutelne.  V zadnem pripade ale neznamena, ze bych osobne chtel propagovat tuto spolecnost.
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Fri Feb 26 10:38:00 1999
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From: "Darren Woolsey" <Darren@attic-studio.freeserve.co.uk>
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Subject: Trading live tapes
Date: Fri, 26 Feb 1999 14:31:25 -0000
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------=_NextPart_000_002D_01BE6194.B06648E0
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Hello,
I've been listening to the music of Fred Frith, Henry Kaiser, and John =
Zorn, for just a couple of years now, and I want to trade live =
recordings with anyone and everyone. I have started to collect and build =
a small library, but its pretty meagre, and I'm sure there are loads of =
recordings out there. Can anyone help??

Cheers=20
Darren   =20

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http-equiv=3DContent-Type>
<META content=3D'"MSHTML 4.72.3110.7"' name=3DGENERATOR>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT color=3D#000000 size=3D2>Hello,</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>I've been listening to the music of =
Fred Frith,=20
Henry Kaiser, and John Zorn, for just a couple of years now, and I want =
to trade=20
live recordings with anyone and everyone. I have started to collect and =
build a=20
small library, but its pretty meagre, and I'm sure there are loads of =
recordings=20
out there. Can anyone help??</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT color=3D#000000 size=3D2>Cheers&nbsp;</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2>Darren&nbsp;&nbsp;&nbsp;=20
</FONT></DIV></BODY></HTML>

------=_NextPart_000_002D_01BE6194.B06648E0--

From Loopers-Delight-request@annihilist.com  Fri Feb 26 12:22:29 1999
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the new (april) "guitar player" has a review of the lexicon mpx g2 what i
found interesting was the fact that this box has a 20 sec. jam-man in it, at
least that is how i understood the article.......michael

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Date: Fri, 26 Feb 1999 10:12:45 -0700
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From: Edwin Hurwitz <edwin@indra.com>
Subject: Re: lexicon MPX G2 review
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>the new (april) "guitar player" has a review of the lexicon mpx g2 what i
>found interesting was the fact that this box has a 20 sec. jam-man in it, at
>least that is how i understood the article.......michael

It does, but it doesn't have nearly the functionality of the original jamman.

Edwin

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin


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WDIY 88.1 FM "EMUSIC" Top 20 report to New Age Voice for February, 1999.
(Shows #99 to #103; 1/28/99 to 2/25/99)
Reported in alphabetical order by album title.
Compiled by Bill Fox, billfox@fast.net <== New Address!!!

ARTIST - ALBUM TITLE - LABEL
============================
Mother Mallard's Portable Masterpiece Co. - 1970-1973 - Cuneiform
VA - The Ambient Eclipse - Mirage
Synergy - Audion - Third Contact
Steve Roach & Vir Unis - Body Electric - Projekt
Fountainhead - Cloud Cover - Aucourant
Under the Dome - The Demon Haunted World - Neu Harmony
Dweller At The Threshold - Dweller At The Threshold - Eurock
Synergy - Electronic Realizations for Rock Orchestra - Third Contact
Jon Jenkins - Flow - Spotted Peccary
Synergy - Games - Third Contact
VA - GoldTri: Volume Two - Stonker
Spacecraft - Hummel - Lektronic Sounscapes
Ma Ja Le & Vir Unis - Imaginarium - Mirage
Laocoon - Immersion - Parnassus Nump
VA - Is Anybody Out There? - Champagne Lake, SMD, AD Music
Liquid Mind - Liquid Mind III/Balance - Chuck Wild
The Ministry Of Inside Things - Live at the ICA - Synkronos
VA - The Other World - Hypnos
Synergy - Sequencer - Third Contact
Wendy Carlos - Sonic Seasonings + - ESD

From Loopers-Delight-request@annihilist.com  Sat Feb 27 01:41:51 1999
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there was some talk a bit ago about these korg(?) pedals
i think they was something8000
there were 2 of them
one did mostly time based stuff
the other filter stuff
what were they called
oh, and what was that new stomp box looper
something head

thanks

rodrigo

oh, i know ive said his before but is anyone selling a grand stick?

From Loopers-Delight-request@annihilist.com  Sat Feb 27 03:40:27 1999
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Date: Sat, 27 Feb 1999 00:47:19 -0800
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They are the AM8000R
and the DL8000R,there's a great review by David Coffin at Harmony
Central.

From Loopers-Delight-request@annihilist.com  Sat Feb 27 08:49:15 1999
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From: "Douglas Lawrence" <douglas-lawrence@home.com>
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Subject: RE: what were those pedals?
Date: Sat, 27 Feb 1999 08:44:24 -0500
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Rodrigo-

Well, as for the last one, I think your we're looking for the new Akai E1
Headrush Tap Delay/Tape Echo Simulator/Looping Recorder. It's a 16-bit
digital delay with up to 28 sec. For more information, checkout ...

http://www.akai.com/akaipro/namm99.html

I think Musician's Friend is selling them for $199.00, but I don't know if
they actually have them in stock.

Don't forget that you can always search the archives from the Looper's
Delight web page for what was previously discussed about this pedal as well.

Doug

-----Original Message-----
From: Kriist@aol.com [mailto:Kriist@aol.com]
Sent: Saturday, February 27, 1999 1:35 AM
To: Loopers-Delight@annihilist.com
Subject: what were those pedals?


there was some talk a bit ago about these korg(?) pedals
i think they was something8000
there were 2 of them
one did mostly time based stuff
the other filter stuff
what were they called
oh, and what was that new stomp box looper
something head

thanks

rodrigo

oh, i know ive said his before but is anyone selling a grand stick?


From Loopers-Delight-request@annihilist.com  Sat Feb 27 09:08:38 1999
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From: "Douglas Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: Great Show At The Knitting Factory!
Date: Sat, 27 Feb 1999 09:02:22 -0500
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I got to catch a great show last night at the Knitting Factory in NYC billed
as "Punk-FunK Harmodelic". The billed line-up was Jamaaladeen Tacuma(b),
Marc Ribot(g) & Calvin Weston(d), but when they got onstage, a keyboard
player (???) and two sax players joined them, one of whom was John Zorn and
the other I didn't recognize. He looked like Dennis Rodman playing the tenor
sax!

It was a great show from some spontaneous playing outside playing by Zorn to
Jamal and Calvin laying down some funky grooves.

Jamal is a great player and has his own style when it comes to tearing up
the bass. He mixes his classic chromatic runs with large interval leaps on
the neck. He is still considered one of the greatest bass players in my
book, although many seemed to have forgotten about him. One CD by Jamal to
check out is his DIW release called "Dreamscape".

They will be playing at the Knitting Factory again on April 2nd.

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From: MrBERWELL@aol.com
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The Rodman lookalike sax player was Micah Gaugh, who you only ever see sitting
in at other peoples gigs. But he does get around.  The keyboardist was Manny,
although I dont think Ive ever seen or heard him before.  Jamaaladeen is a
bad-ass!!

From Loopers-Delight-request@annihilist.com  Sat Feb 27 22:48:10 1999
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Subject: echoplex
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hi!
ran across some info about the echoplex and owner's manuals...was one ever
produced? My son just got an echoplex and would like info/tips on how to
operate his EP-2....

Thanks!
Sharon

From Loopers-Delight-request@annihilist.com  Sun Feb 28 10:55:03 1999
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From: Dpcoffin@aol.com
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Date: Sun, 28 Feb 1999 10:44:56 EST
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In a message dated 2/26/99 12:38:59 PM, edwin@indra.com writes:

>>the new (april) "guitar player" has a review of the lexicon mpx g2 what
>i
>>found interesting was the fact that this box has a 20 sec. jam-man in
>it, at
>>least that is how i understood the article.......michael

I don't know about the original JamMan, but I've been exploring a G2 for
several weeks, using a MIDI pedal (Roland FC-200) and focusing mostly on its
delay functions. The new JamMan is a 0-20 sec. mono delay line with feedback
control and several on/off toggle switches that aren't typical, or available
in the other G2 delay algorithms: Delay Clear, Layer, Replace, Delay (turns
looper into a mono delay...but without retaining the length set when looping
(!?)), and Mute, which is a Stop/Restart-from-beginning function. You can
assign any attached pedals or switches to these functions; works well with my
FC-200. To start a loop you hit whatever you've set for your tap switch, and
the display shows a shortening horizontal bar to indicate remaining delay
time. Hit Tap again to stop recording and play loop. The manual also shows
that you can place other fx modules inside the feedback loop of the JamMan,
but this is a misprint.
However, you can set up the other delay algorithms (which will let you insert
other fx) to loop also, by placing a volume module in front of the delay after
splitting the signal to place the delay on a parallel path to the non-delayed
signal. I assigned one external foot switch to control input to the delay by
toggling this volume on/off (could have been a foot pedal, for shaping the
envelope of the input volume), and another switch to toggle feedback from
0-100 (also could be a pedal). This way you can choose either mono or stereo
delay, giving (ideally) 10 sec. stereo loops. UNFORTUNATELY, there is a bug in
the system that switches, above 5.6 secs of delay time, the stereo delay to an
interesting (if choosable!) variation in which one side of the delay uses the
preset or tapped time, and the other uses half of it, so you get a nice long
ping-pong effect...but no more true stereo delay. I pointed this out to Greg
Hogan at Lexicon, who came back a day or so later to say in effect: "Hmmm,
yes, this is what happens on the in-house G2s also; it's a bug...and I guess
we'll fix it, but don't hold your breath!"
Nevertheless, this setup is quite nice. I was able to place an auto wah on the
non-delayed routing, and a step filter on the delay line without exhausting
the DSP resources--lost stereo imaging, tho. The JamMan and the Stereo delay
line use 23-25 out of a possible 190 units of DSP power. The Gain block and
the reverb block can always be used...but in my opinion, there's not much
you'd want to do with the gain functions besides clean tones, at least for
emulating amps--get a POD (a very interesting device--nice slow-gear effect,
and over 3 sec. of delay, besides extremely cool amp tones). G2's reverb is
great, of course. A very capable machine; will be more so when they get that
bug fixed!
David Coffin

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There's a pretty detailed product description on Lexicon's site.

http://www.lexicon.com/

From Loopers-Delight-request@annihilist.com  Sun Feb 28 14:08:45 1999
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Date: Sun, 28 Feb 1999 11:01:18 -0800 (PST)
From: dan sumner <permadan@yahoo.com>
Subject: Re:London/Paris connections
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Permagrin, my loop based duo project is looking to find information
about clubs in France, England or Germany where instrumental groove
ambient music will go over well.  Does anybody have any info on this?
Does anybody know any booking agents or promoters in that area.  Any
info is appreciated.
Thanks,
Dan Sumner 

> 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Sun Feb 28 14:38:23 1999
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From: "andre" <andre@monmouth.com>
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Subject: Great Show Tonight!!At The Knitting Factory!
Date: Sun, 28 Feb 1999 14:30:50 -0500
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hey all... just wanted to give a heasds up to NYC area peeps....esp. mr
berwell, spin 17 et al

tho' it's at the knit - the 'alterknit room' isn't online yet

please don't miss -... great show sunday nite at  the alterknit - bob musso
-guitar, with lance carter - drums (ex cassandra  wilson, sonny sharrock)
bob is the engineer or producer on tons of stuff on Axiom & Celluloid
labels, all the Laswell, material,  Panthalassa Miles Davis remix, and
other stuff - like Buckethead, 24-7 Spyz, Last Exit, Sonny Sharrock,
Praxis, bernie worrell (who is on this new Musso record) etc.

Bob is a very unsung guitarist and creative force, the band will be
perfoming stuff from his new CD 

 come if ya can - it'll be great. also in the band is charles burnham
 (benbow??) on violin, who played with james blood ulmer.. great stuff
 
  sun 27th  - knitting factory alterknit
 9pm
 
 Bob Musso band
 
 maybe see ya

Homepage http://www.monmouth.com/~andre
Info on my bands JFK's LSD UFO and HIDDEN AGENDA

official PROJECT/OBJECT site  http://projectobject.com
[frank  zappa tribute band i play guitar in]


----------
> From: MrBERWELL@aol.com
> To: Loopers-Delight@annihilist.com
> Subject: Re: Great Show At The Knitting Factory!
> Date: Saturday, February 27, 1999 3:58 PM
> 
> The Rodman lookalike sax player was Micah Gaugh, who you only ever see
sitting
> in at other peoples gigs. But he does get around.  The keyboardist was
Manny,
> although I dont think Ive ever seen or heard him before.  Jamaaladeen is
a
> bad-ass!!
> 

From Loopers-Delight-request@annihilist.com  Sun Feb 28 16:00:41 1999
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Date: Sun, 28 Feb 1999 15:45:29 -0500 (EST)
From: Dark Aether Project <info@DarkAether.Net>
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The Dark Aether Project's second CD "Feed The Silence" has now been
shipped off to distributors. 

Track list is as follows:

Burnt Sunrise - 12:40
Nightmare - 8:14
Stages - 6:46
Building the Worm - 4:59
Feed the Silence - 10:22

Live bonus track:
Out of the Dark/Dark Aether - 8:52

The Dark Aether Project is:
Adam Levin: Warr 8 String Touch Guitar/Keyboards/Loops
Yaman Aksu: Guitar/Hammond Organ
Brian Griffin: Drums/Percussion
Ray Weston: Vocals

With special guest Markus Reuter of Europa String Choir: Warr 8 String
Touch Guitar on "Building the Worm"

What the critics are saying about The Dark Aether Project:

"...jazz-inflected, often minimalistic...foreboding soundscapes...classy
...offers mature musicianship without pretentiousness" - Progression

"..intense and blistering lead work...amazing loops and shimmering
textures that are at once haunting and dreamlike...worthy of 
attention." - Expose

"...delivers what the demanding progressive rock fan wants: a unique and
original product, dexterity, a sharp musical flair and the ability to play
with the listener's emotions." - Cyclone Magazine (Quebec)

The CD release multimedia event for "Feed the Silence" will take place at
9pm on Saturday, March 13th, at Phantasmagoria located at 11319 Elkin St.
in Wheaton MD (5 minutes from the Washington DC beltway) The Dark Aether
Project will perform with special guests Warr Guitarist Markus Reuter of
the Europa String Choir and space-jam improv greats Quarkspace. This show
marks former Echolyn vocalist Ray Weston's first performance as a full
member of The Dark Aether Project, having joined during the writing of the
new album.

Accompanying the music will be the spectacular visual work of the
Ohio-based Solar Fire Lightshow and their multi-projection liquid light &
film systems with multi-colored strobes, black lights, smoke, beams and
other amazing visual effects which have made them one of the premier US
lightshow outfits and the choice of visiting foreign space rock
forefathers like Hawkwind and Gong.

Admission is $10 for this all ages show.

For sound samples, full concert schedule, venue directions, CD distributor
contacts and more info, visit http://www.DarkAether.Net/



From Loopers-Delight-request@annihilist.com  Sun Feb 28 16:10:47 1999
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Date: Sun, 28 Feb 1999 12:49:12 PST
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Hello folks, anyone use this unit for processing loops? If so, where did 
you find one?
Thanks, Dennis

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From Loopers-Delight-request@annihilist.com  Sun Feb 28 20:49:26 1999
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Date: Sun, 28 Feb 1999 17:26:12 -0800
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From: Kim Flint <kflint@annihilist.com>
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At 10:05 AM -0800 2/24/99, Leander REININGHAUS wrote:

>
> - Hey Kim,
>
>please, would you tell me anything necessary for ordering the EDP's
>software update ?
>Thanx in advance !

The latest available software available for the echoplex has been shipping
in every new echoplex for the last year and a half. You don't have to do
anything if you are just buying one. If you have an older unit you buy the
update from Gibson.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


