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Date: Tue, 1 Dec 1998 00:48:33 -0500 (EST)
From: Stew Benedict <stewb@earthlink.net>
To: Loopers-Delight@annihilist.com
Subject: Re: WANTED: MIDI-Visual Basic connection
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I don't have an answer for you Chuck, but I've also been searching for
code to access midi under Windows and Macs (for Linux I've got it).  I've
got a cross platform app in Tcl/Tk for the Chapman Stick.  If you find
anything let me know, and I'll do the same for you.

Stew Benedict

On Mon, 30 Nov 1998, Chuck Angert wrote:

> Hi to all!
> I am looking to write some MIDI stuff in Visual Basic 5.0.
> I have searched the help and www - can only find Multi-Media player 
> control, which does not let me get to the real midi data stream.
> 
> I need a custom control (like the MSComm control) that lets me talk to/from 
> MIDI devices already registered into the Win95 environment.
> (like my MusicQuest 8-port-SE or soundblaster MIDI port.)
> Any leads?
> Thanks.
> PS - any interested V.B. hackers out there want to talk MIDI code?  email me!
> Chuck Joy - crs@usa.net
> 
> 

From Loopers-Delight-request@annihilist.com  Tue Dec  1 10:22:08 1998
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From: "Pete Gilbert" <PeteGilbert@email.msn.com>
To: "Loopers Delight (E-mail)" <loopers-delight@annihilist.com>
Subject: Upcoming MST gig in Ann Arbor, MI (minimal loopage)
Date: Tue, 1 Dec 1998 08:38:42 -0500
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The Michigan Stick Trio will be performing at Oz's
Music on Packard in Ann Arbor on Sunday December 13,
at 3pm. For more information, you can email me or call
Oz's at 734 662 8283.

We will be performing pieces from our CD, General Chaos
and Natural Order as well as some new pieces that we 
intend to include on our next CD.

=====
Pete Gilbert AKA pgilbert@ford.com or PeteGilbert@msn.com
Visit the Michigan Stick Trio Web Pages at:
http://www.michsticktrio.com 

From Loopers-Delight-request@annihilist.com  Tue Dec  1 12:54:33 1998
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Date: Tue, 1 Dec 1998 17:11:08 +0000 (GMT)
From: Jim Carter <Jim.Carter@bristol.ac.uk>
To: list server loopers delight <loopers-delight@annihilist.com>
Subject: low-budget reverb recommendations (?)
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Does anyone have any recommendations for a reasonably priced 
reverb unit suitable for live mix? Is the Alesis Nanoverb
any use for this application? 
I just need something cheap and cheerful to brighten up the 
(mainly vocal) mix off a 16 channel deck. I might be tempted to
a Lexicon MPX100 (for subsequent use with loopy guitar) but
only if I can get one for below #200.

Jim Carter

UK
Tel - 0117 9289934
FAX - 0117 9293746
e-mail jim.carter@bris.ac.uk

From Loopers-Delight-request@annihilist.com  Tue Dec  1 12:59:54 1998
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Date: Tue, 01 Dec 1998 18:51:23 +0100
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From: Lorenz Haeusle <lorenz@ganymed.org>
Subject: Re: low-budget reverb recommendations (?)
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what about a lexicon alex, sounds not bad for its price
used: ~$150

At 17:11 01.12.98 +0000, you wrote:
>Does anyone have any recommendations for a reasonably priced 
>reverb unit suitable for live mix? Is the Alesis Nanoverb
>any use for this application? 
>I just need something cheap and cheerful to brighten up the 
>(mainly vocal) mix off a 16 channel deck. I might be tempted to
>a Lexicon MPX100 (for subsequent use with loopy guitar) but
>only if I can get one for below #200.
>
>Jim Carter
>
>UK
>Tel - 0117 9289934
>FAX - 0117 9293746
>e-mail jim.carter@bris.ac.uk
>
>
>

From Loopers-Delight-request@annihilist.com  Tue Dec  1 13:38:11 1998
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Date: Tue, 1 Dec 1998 13:19:39 EST
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In a message dated 12/1/98 11:54:12 AM, Jim.Carter@bristol.ac.uk writes:

>Does anyone have any recommendations for a reasonably priced 
>reverb unit suitable for live mix? Is the Alesis Nanoverb
>any use for this application? 
>I just need something cheap and cheerful to brighten up the 
>(mainly vocal) mix off a 16 channel deck. I might be tempted to
>a Lexicon MPX100 (for subsequent use with loopy guitar) but
>only if I can get one for below #200.


The MXP100 is an enormous bang-for-the-buck unit, and I thought it was vastly
superior to the Nanoverb (which I had also owned) in sound, flexibility, and
tweakabilty. I strongly recommend you spend the extra buck or two (pound?) and
get the Lexicon.

Marshall

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Date: Tue, 1 Dec 1998 13:33:11 -0700
To: Loopers-Delight@annihilist.com
From: Edwin Hurwitz <edwin@indra.com>
Subject: Re: low-budget reverb recommendations (?)
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>Does anyone have any recommendations for a reasonably priced
>reverb unit suitable for live mix? Is the Alesis Nanoverb
>any use for this application?
>I just need something cheap and cheerful to brighten up the
>(mainly vocal) mix off a 16 channel deck. I might be tempted to
>a Lexicon MPX100 (for subsequent use with loopy guitar) but
>only if I can get one for below #200.
>
>Jim Carter
>
>UK
>Tel - 0117 9289934
>FAX - 0117 9293746
>e-mail jim.carter@bris.ac.uk

The hands down winner in this price category seems to be the Lexicon
MPX100. Lists at $US299 and I have seen it on the net at under $US200. I
have 3 Lexicon processors and love them all.

Edwin

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin


From Loopers-Delight-request@annihilist.com  Tue Dec  1 15:52:06 1998
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Date: Tue, 1 Dec 1998 21:11:24 +0100
To: Loopers-delight@annihilist.com
Subject: Echoplexproblem
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My echoplex(5.0)is unable to read midi-clock correctly.accepts not all sources.
i.e.sync=in,jamman provides clock.nextloop reacts sometimes on 
  jamclock,sometimes on internal clock.Sync=off:no switching at all to nextloop.
I.e.3loops,nextloop,multiply-record doesnt wait for the one.-back to loop1 via
nextloop:insert light yellow:plays loop once, then goes into muteWhat is that?
Carsten Wegener.Berlin.

From Loopers-Delight-request@annihilist.com  Tue Dec  1 17:20:09 1998
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Subject: Re: low-budget reverb recommendations (?)
Date: Tue, 1 Dec 98 15:04:05 -0000
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>Subject:     low-budget reverb recommendations (?)
>Sent:        12/1/98 5:11 PM
>Received:    12/1/98 12:31 PM
>From:        Jim Carter, Jim.Carter@bristol.ac.uk
>Reply-To:    Loopers-Delight@annihilist.com
>To:          list server loopers delight, loopers-delight@annihilist.com
>
>Does anyone have any recommendations for a reasonably priced 
>reverb unit suitable for live mix? Is the Alesis Nanoverb
>any use for this application? 

Alesis Nanoverb sounds good for what it is, but. . .

>I just need something cheap and cheerful to brighten up the 
>(mainly vocal) mix off a 16 channel deck. I might be tempted to
>a Lexicon MPX100 (for subsequent use with loopy guitar) but
>only if I can get one for below #200.
>
The Lexicon MPX100 is in a whole other class.  The difference in sound is 
truly remarkable.  I A/B'd both units for a friend of mine who was 
looking at inexpensive reberb boxes.  The MPX100 should be available for 
around $219US.  I think that the list price is going up, if it hasn't 
already from $249US to $299US.  I don't know what the exchange rates are 
these days and such, but you owe it to yourself to at least check it out 
if you can squeek it through your budget.  (No, I don't work for Lexi, I 
just love their stuff)

>Jim Carter
>

By the way, we have an ex-president by the same name. .-}
>UK
>Tel - 0117 9289934
>FAX - 0117 9293746
>e-mail jim.carter@bris.ac.uk
>

From Loopers-Delight-request@annihilist.com  Tue Dec  1 18:16:16 1998
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From: Crossedout@aol.com
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Date: Tue, 1 Dec 1998 18:02:14 EST
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don't know how much they're going for these days, but I still swear by my Boss
SE-50 half-rack multifx, with plenty o' reverb. 

If that's still too pricey, some of the ART multifx like FXR Elite II's and
EFX Network aren't bad, and I picked up one of each for $99 apiece (new in the
box) at a music store blowout sale. 

Good luck. 

- Bill
Crossedout@aol.com

From Loopers-Delight-request@annihilist.com  Tue Dec  1 18:28:28 1998
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Message-ID: <BE1D05F1BF16D2118BD8006008C15F6071E751@mail.exapps.com>
From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: Tiktok Mobile HQ <tiktok@sprintmail.com>,
        "Looper's Delight"
	 <Loopers-Delight@annihilist.com>
Subject: RE: Symetrix 606
Date: Tue, 1 Dec 1998 18:04:12 -0500 
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I diddled with one for an hour in a store one day.  navigating and "getting
into it's head" was my problem.  Sounds were nice and lush, but the user
interface a bit of a bummer as I remember.

> -----Original Message-----
> From:	Tiktok Mobile HQ [SMTP:tiktok@sprintmail.com]
> Sent:	Thursday, November 26, 1998 2:27 AM
> To:	Looper's Delight
> Subject:	Re:Symetrix 606
> 
> >Anybody have any knowledge or actually play one of these things?
> >I hear they have good 24 bit converters, but difficult to program...
> >anybody?........
> 
> I ordered a manual from Symetrix to check out the feature set, and it was 
> impressively deep.  It looked like a super-Vortex with full MIDI 
> implementation, sort of like the Korg 8000 delay, but it did look a bit 
> daunting to program.  Haven't seen one in person.
> 
> Travis Hartnett

From Loopers-Delight-request@annihilist.com  Tue Dec  1 18:56:39 1998
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Date: Tue, 01 Dec 1998 15:37:03 -0800
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From: Kim Flint <kflint@chromatic.com>
Subject: Re: Loop-a-thon: Middle East Downstairs Mon Dec 7 - 8:00pm to
  11:00pm
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At 05:22 PM 12/1/98 -0500, you wrote:

>Looping can be described as a process of realtime and interactive sound
>layering without samplers.  
          ^^^^^^^^^^^^^^^^^

why that restriction?  Besides, aren't most loopers just another sort of
sampler, with a set of functions oriented towards sampling and sample
manipulation in real-time? (and of course there's the common designation,
"phrase sampler"....)

food for thought, maybe. :-)

kim
_________________________________________________________
Kim Flint, MTS                     kflint@chromatic.com
Chromatic Research                 408-752-9284
http://www.chromatic.com

From Loopers-Delight-request@annihilist.com  Tue Dec  1 19:02:59 1998
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From: "future perfect" <artmusic@gte.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: low-budget reverb recommendations (?)
Date: Tue, 1 Dec 1998 18:51:46 -0500
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I use a Digitech S100, in addition to reverb, it has a compressor, chorus,
flange, and a bunch of other stuff. It has the advantage of being split up
into 2 separate processors as well- its about $170 US.
Very cool!
Here is the url: http://www.digitech.com/s100/index.htm

Also, I just wanna mention that my CD was reviewed in a Florida music mag...
read it here:
http://www.eatmag.com/reviews/revl1143.html

Cheers!
Dave Eichenberger


*********************************************************************
'Future Perfect' - art music
guitars-loops-flutes-devices-voices
the NEW IMPROVED site:
http://home1.gte.net/artmusic/





From Loopers-Delight-request@annihilist.com  Tue Dec  1 19:16:18 1998
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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
Message-Id: <199812020006.QAA25953@waynesworld.ucsd.edu>
Subject: Re: Sound Cards [late reply]
To: Loopers-Delight@annihilist.com
Date: Tue, 1 Dec 1998 16:06:26 -0800 (PST)
In-Reply-To: <Pine.SOL.3.95.981114174329.17932C-100000@plato> from "Nick Ring" at Nov 14, 98 05:45:49 pm
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I don't remember if anyone brought this up, but there's the
PC-DAW list website that one could try for looking up info
on soundcards for recording on PCs. 

To get there go to

http://www.missionrec.com/

and click on the PC-DAW icon on the left frame.

BTW, DAW = Digital Audio Workstation

Paolo Valladolid
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From Loopers-Delight-request@annihilist.com  Tue Dec  1 19:57:34 1998
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: sayaaahh@aol.com
Subject: Loop-a-thon: Middle East Downstairs Mon Dec 7 - 8:00pm to 11:00pm
Date: Tue, 1 Dec 1998 17:22:45 -0500 
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Ross Hamlin & Open Faucet Productions Presents:  

"5 Loopers" 
	Monday, 7th December 1998
		The Middle East -- Downstairs
			Cambridge, MA
				8:00pm to 11:00pm

The show will feature "sonic architecture" by 5 Boston-based loopers.
Looping can be described as a process of realtime and interactive sound
layering without samplers.  Expect the music to range from some very
delicate ambient dynamics to thunderous moods, given the widely different
interests and instruments of these players.

	David Kirkdorffer/UNDO - non-guitar
	Daniel Orlansky - diggery-doo
	James Coleman - theremin
	T.G. Noyes - guitar synth
	Jonathon LoMaster - guitar & violin

1st Hour - solo spots
2nd Hour - duets, trio's & quartets
3rd Hour - open to whatever makes sense at the time.

I hope you come to this very unique ambient event.    And naturally, bring
your awareness however you will.

dk

P.S. If you have questions about looping, try:
http://www.annihilist.com/loop/loop.html, or please reply to this e-mail.

From Loopers-Delight-request@annihilist.com  Tue Dec  1 20:02:09 1998
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Date: Tue, 1 Dec 1998 19:46:35 -0500
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From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: low-budget reverb recommendations (?)
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I've owned lots of Alesis and other budget stuff, and many Lexicons.  Do
yourself a BIG favor and get any kind of Lex--even a used Alex can be had
for maybe $120, but the MPX 100 is the $220 killer and will give you lots
more than reverb, though reverb IS the the Lexicon competition snuffer....


From Loopers-Delight-request@annihilist.com  Tue Dec  1 20:04:38 1998
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Date: Tue, 01 Dec 1998 19:57:29 -0500
From: Jeff Duke <jmar@bellsouth.net>
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Subject: mixing a looping rig
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I remember that there were some Mackie users on
this list and I just got a 1202vlz. What i want to
do is run stereo from a gr-30 and stereo from my
guitar pedalboard into a Vortex and Jamman in the
effects loop but I have never used such a
sophisticated mixer! Any help on this would be
appreciated. Also suggestions for a suitable power
amp and speakers.

thanks in advance,

jeff duke

http://members.xoom.com/echo17/tbl.html

From Loopers-Delight-request@annihilist.com  Wed Dec  2 01:27:17 1998
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Date: Wed, 2 Dec 1998 01:16:54 -0500
To: Loopers-Delight@annihilist.com
From: Aden Evens <aden@who.net>
Subject: Re: mixing a looping rig
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Jeff,

Use two stereo channel strips for your two stereo sources. As for the
Jamman and Vortex, here are some closely related questions you need to
answer to decide the best setup:

1) Do you want to go the Vortex and Jamman in series (one after the other)
or in parallel (both get the same stereo signal at the same time)? Series
is easier to do, parallel is harder.

2) Is it OK if your signal always passes through these effects, or do you
want also to be able to route your signal directly to tape or PA without
passing it through the V & J?

3) Do you need the signal(s) from the V & J to go back into the mixer
(maybe (1) because they are in parallel or (2) because you sometimes want
to be able to bypass them completely or perhaps because you want to eq them
or route them somewhere besides main outs).

4) Would it be acceptable if the inputs to the V & J were mono? (Remember,
the loop within the Jamman is mono anyway, although it does pass through
stereo signals. On the other hand, the Vortex has certain effects that are
designed to work with stereo or even with two mono signals.)

Solutions:

You should answer those questions as best you can, and then I (or someone
else) will give you a specific setup recommendation. However, here are some
preliminary ideas:

(A) Go to the V & J in parallel and mono from AUX SEND 1 & 2 and return
from them either into AUX RETURNs 1 & 2 or give them their own stereo or
mono channel strips.

(B) Go to the V & J in series and stereo from ALT 3/4 or from MAIN OUTS or
from CTRL OUT. Then go straight from the V (or J, whichever is last in the
series) into your tape recorder or computer or amplifier or butthole.

(C) Some combination of (A) and (B).

(D) All of the above, plus a patchbay.

Merits and demerits of (A):

The primary disadvantage of setup (A) is that you are only sending a mono
signal to the V & J. This doesn't make much difference in the case of the
Jamman, since you can always hear your 'dry' signal in stereo without
having to pass it through the J, simply by turning up your channel faders
(actually, they are channel knobs, but whose counting?).

The second disadvantage of setup (A) is that whichever unit is on AUX SEND
2 is always getting a post-fader level. This means, for example, that you
can't turn the dry signal for a channel all the way down and still send
some of that signal to the unit. This is probably not at all what you want
for the Vortex, since you will often want to hear only the weird Vortex
sound with no dry signal. However, it may not be so bad in the case of the
Jamman, since you will usually want to hear what you are looping while you
play it. You could turn the Jamman MIX knob to full output (no input
signal), and then it would not 'double' your signal while you play it.
There are other workarounds for this problem, such as MUTE-ing a channel
with the MUTE button while keeping the fader (knob) turned up, but if you
have something else getting signal from ALT 3/4, then MUTE will send that
channel there.

Further disadvantages include high possibilities of feedback if you twist
the wrong knob, extensive time spent 'debugging' when something isn't
working how you expect it to, and, if you give them each a channel strip,
you have used up a lot of channels already.

The big advantage of (A) is that you have more control over your signal
flow, especially if you give each unit its own channel strip, instead of
returning through AUX RETURNs. So, you can send signal first to the V and
then from the V to the J while also adding other signal to the J, then send
the loop from the J to the amp. Or you can create a loop on the J, then
send it to the V and then to the MAIN or STUDIO outs. Also, you can use the
V & J completely independently of each other.

Merits and demerits of (B):

The primary disadvantage of (B) is the total lack of flexibility. You are
either going from the V to the J or from the J to the V, and you have to
decide in advance. Moreover, you don't get to alter the wet/dry mix from
your board; either a given channel goes to the J&V or it doesn't. You have
different kinds of flexibility depending on which outputs you send to the
V&J:
(I) ALT 3/4, flexibility to choose which channels go and how much of each
channel, but any channel going to the J&V doesn't go to the MAIN OUTs.
(II) CTRL RM outs, the only way to send a special mix to the CTRL RM outs
is using the solo buttons, which has the advantage of not affecting the
MAIN MIX and ALT 3/4 but the (big) disadvantage of not allowing you to set
relative levels. Otherwise you are better off using the MAIN OUTs.
(III) MAIN OUTs work well for scenario (B), since you want to send your
whole signal through the equipment, however, if for some reason you don't
want to do this, your 1/4" main outs are no longer available (although you
could still use the XLRs).

Another disadvantage of (B) is that the cheap electronics in the V&J go a
long way to degrading signals, especially quiet signals or delicate
signals, or timbrally complex signals. Considering that you are getting
your signals from a GR-30 and a pedal board, this may not make too much
difference, but your ears will hurt at the end of the night if you listen
to everything through the V&J (even if you choose bypass on the V and go
straight through the J). If you record what you do, and you want anything
dry, I would make sure not to pass it through the V&J.

The big advantage of (B) is that it is easy and quick and simple.

Merits and demerits of (C):

You might use the setup as in (B), going to the V&J from the ALT 3/4 outs,
but then go back from the V&J into a channel strip. Then you can send your
GR-30 and pedal board to the V&J series, bring the signal back to the board
where you can eq or even send it to effects on AUX SENDs, and then go from
MAIN OUTs to wherever you want. This is still pretty simple, but lets you
tweak the signal a bit more. (You can get rid of a lot of that hiss by
turning down the high eq.)

More complicated but more flexible, would be to put one unit on an AUX SEND
and one on the ALT 3/4. You can try to figure out what this will
accomplish, but I am sure it has some advantage over other setups.

Finally, what about (D):

The great advantage of (D) is that it will allow you to quickly use any of
the above setups without having to get out of your seat and climb behind
the rickety table your mixer is sitting on to move wires around. Patchbays
are relatively cheap, not usually very noisy, and, once you get your head
around them, easy to use. You should have a patchbay.

The disadvantage of (D) is that you have to get way more cables, design a
labeling system, and think hard about every change you make. Plus, you are
likely to become obsessive about making sure that every input and output is
hooked into your patchbay.

Wow, I didn't mean to write a dissertation. I hope this helps. You are welcome.

Aden

>I remember that there were some Mackie users on
>this list and I just got a 1202vlz. What i want to
>do is run stereo from a gr-30 and stereo from my
>guitar pedalboard into a Vortex and Jamman in the
>effects loop but I have never used such a
>sophisticated mixer! Any help on this would be
>appreciated. Also suggestions for a suitable power
>amp and speakers.
>
>thanks in advance,
>
>jeff duke
>
>http://members.xoom.com/echo17/tbl.html



From Loopers-Delight-request@annihilist.com  Wed Dec  2 01:33:08 1998
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Subject: OT:  B.L.U.E. in Woodstock
Date: Wed, 2 Dec 98 01:21:29 -0500
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I saw BLUE in woodstock tonight. a good show sure to get better by the 
end of the tour - this being the 1st gig and all.

I haven't seen Torn or Bruford in at least 13 years so it was really 
great to check them out in an intimate (if smokey) setting. Rather than 
being dazzled by technical/gizmo wizardry, I found myself most impressed 
by things like Chris Botti's tone (which was wonderful), Bruford's 
relaxed, almost tai-chi like touch & the joy with which Torn & Levin 
approach their playing. not to mention DT's "stompbox ballet" I got the 
feeling I could've seen them playing in a sandbox and been entertained.

The sets were short (~30 min each), and they rocked more for the second 
set than the first.
There was plenty of loopin' happening on Torn's end & lots of 
polyrhythmic madness on both Bruford's & Levin's parts.

If they come to your town check 'em out...

jmw

From Loopers-Delight-request@annihilist.com  Wed Dec  2 01:54:36 1998
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From: "Clark Battle" <battleaxe@worldnet.att.net>
To: <Loopers-Delight@annihilist.com>
Subject: For Sale: EDP 4Mg w/ pedal $500 obo,  Vortex $200
Date: Tue, 24 Nov 1998 22:45:24 -0800
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For sale:
EDP 4MG & pedal.  Almost new, never left my apartment. Version 5.0. Original
box and manuals.  $500US obo.

Lexicon Vortex. Perfect condition.  $200 obo.

Will ship COD within US or Canada.


From Loopers-Delight-request@annihilist.com  Wed Dec  2 02:17:37 1998
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Date: Tue, 1 Dec 1998 22:20:31 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Echoplexproblem
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not really enough description to figure out your problem easily, but I'll
try....

At 12:11 PM -0800 12/1/98, Adolf wegener wrote:
>My echoplex(5.0)is unable to read midi-clock correctly.accepts not all
>sources.
>i.e.sync=in,jamman provides clock.nextloop reacts sometimes on
>  jamclock,sometimes on internal clock.

make sure you have SwitchQuant set to "cyc" (for cycle). That will quantize
the loop switching to the points determined by midi clock. If SwitchQuant
is off, NextLoop is free of any sync and goes immediately.


>Sync=off:no switching at all to nextloop.

I think this could happen if you didn't reset the loop before turning
sync=off. Or it could be you have switchquant=CNF, or something else
entirely, hard to say without more detail.

>I.e.3loops,nextloop,multiply-record doesnt wait for the one.-back to loop1 via
>nextloop:insert light yellow:plays loop once, then goes into muteWhat is that?

This sounds like you have the SamplerStyle parameter set to "one", when you
probably want it set to "run". You would only set SamplerStyle to something
other than "run" if you were triggering the loops with midi, like a
sampler. If you are just using NextLoop, leave it on the default of "run".

Anyway, since it sounds like you have some parameters set in strange ways,
you might want to reset the parameters to default and start clean. (do that
by holding parameter button in while powering up, until the start screen is
done.)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Wed Dec  2 09:07:01 1998
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Date: Wed, 2 Dec 1998 08:33:52 -0500 (EST)
From: Todd Pafford <todd@galen.erunet>
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On Wed, 2 Dec 1998, evening wrote:

> I saw BLUE in woodstock tonight. a good show sure to get better by the 
> end of the tour - this being the 1st gig and all.
> jmw

I'd love to catch these guys live, the album blows my mind.  Anyone
know where I can find tour info, schedules, etc?

Thanks. :)

---
"If the doors of perception were cleansed everything would appear
 to man as it is, infinite."  -- William Blake

Todd Pafford   galen@erols.com 

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Great job with the previous reply, my setup falls somewhere close to A 
except that I use a the plain ole 1202. I give the J & V their Aux sends 
with the J going back to a stereo strip. That way J can access V. What I 
like about this is that I can turn J totally wet so the only the loop 
gets V'd, not what I play over it. This solves the mono question for me 
concerning J, at least until I get another one. As mentioned above, the 
(-) is that mixed V signal issue concerning how V is fed. If I don't 
feel like messing with anything and I just want to plug'n play, the 
above works for me.
While I have the floor, I would like to know if anyone uses the Digitech 
21xx (either of them) with a Jamman or EDP or any other mono looper? If 
there are, do you use the effects loop. I hear that one of these babies 
allow you to place that loop in differant areas of the signal path. That 
sound interesting, I'd like to hear how that works out and which unit 
allows that flexibility. I am considering one for purchase.




______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Dec  2 13:24:18 1998
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Great job with the previous reply, my setup falls somewhere close to A 
except that I use a the plain ole 1202. I give the J & V their Aux sends 
with the J going back to a stereo strip. That way J can access V. What I 
like about this is that I can turn J totally wet so the only the loop 
gets V'd, not what I play over it. This solves the mono question for me 
concerning J, at least until I get another one. As mentioned above, the 
(-) is that mixed V signal issue concerning how V is fed. If I don't 
feel like messing with anything and I just want to plug'n play, the 
above works for me.


______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Wed Dec  2 13:45:34 1998
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Date: Wed, 2 Dec 1998 13:11:59 -0500 (EST)
From: murkie <mchriste@panther.middlebury.edu>
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On Wed, 2 Dec 1998, evening wrote:


> I saw BLUE in woodstock tonight. a good show sure to get better by the 
> end of the tour - this being the 1st gig and all.


the fact that this gig was in a super small club didn't hurt either.  it
was great fun to watch the interplay between these guys.  there were some
moments of real brilliance.  every now and then one of them would hit THE
note and the room would dissapear.  highly recomended!
 

the tour schedule is at papabear.com.

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Wed Dec  2 13:54:41 1998
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Date: Wed, 2 Dec 1998 13:21:23 EST
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Subject: Re: low-budget reverb rec(spot the loop content)
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In a message dated 01/12/98 17:54:12 GMT, you write:

<< Does anyone have any recommendations for a reasonably priced 
 reverb unit suitable for live mix? Is the Alesis Nanoverb
 any use for this application? 
 I just need something cheap and cheerful to brighten up the 
 (mainly vocal) mix off a 16 channel deck. I might be tempted to
 a Lexicon MPX100 (for subsequent use with loopy guitar) but
 only if I can get one for below #200. >>

MPX100 , very worth it, uses same sounds as a costly MPX1.
............and a 2.5s looper(allows you to play without adding to the loop).


Alesis, may be a bit 'trebly/digital' sounding, but probably OK live.

Lex Alex, v.good.........1.5s loop which fades.

Zoom 1202 , has a couple of acceptably smooth settings and likely to
be very cheap if you can find one.

Zoom 1201  ,   hundreds of cheap tacky reverbs and a 3s loop if you know how.

Andy Butler.  

From Loopers-Delight-request@annihilist.com  Wed Dec  2 14:33:24 1998
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Date: Wed, 2 Dec 1998 10:34:04 -0800
To: Loopers-Delight@annihilist.com
From: improv@peak.org (Dave Trenkel)
Subject: Re: low-budget reverb rec(spot the loop content)
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><< Does anyone have any recommendations for a reasonably priced
> reverb unit suitable for live mix? Is the Alesis Nanoverb
> any use for this application?
> I just need something cheap and cheerful to brighten up the
> (mainly vocal) mix off a 16 channel deck. I might be tempted to
> a Lexicon MPX100 (for subsequent use with loopy guitar) but
> only if I can get one for below #200. >>
>
>MPX100 , very worth it, uses same sounds as a costly MPX1.
>............and a 2.5s looper(allows you to play without adding to the loop).
>
I have a MPX100, and it's got some terrific reverbs. I'm just finishing a
CD for a local pop band, and while I'd normally rent a PCM-80 or -90 for
the final mixes, on this project, because of cost, I just used the MPX.
Sounded great. Every preset on the box sounds good, unlike Alesis or Zoom
or other similarly-priced boxes that may have 1-2 great sounds and the rest
crap. I think I paid $229 for mine, which is slightly above your price
range, but it's really worth it.

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re[2]: mixing a looping rig
To: Loopers-Delight@annihilist.com, "ur eye" <ureye@hotmail.com>
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Wow... that was quite a reply Jeff! I too use the VLZ with JamMan and Vortex and
have sort of settled on this for the meanwhile...

----------------

Aux 2 sends to the JM mono and JM mono returns to channel 8 on the 1202VLZ

Alt 3/4 sends stereo to the Vortex inputs and Vortex stereo returns to channel 7
on the 1202VLZ

My main stereo guitar signal is input on channel 5 of the VLZ.

Drumbox stereo is on channel 6... (Kick and snare sometimes come back on ch1+2 
for separate processing.)

----------------

This allows me to send either/both main guitar-Jammer-drumbox to the Vortex. I 
can also send the Vortex via aux2 to the Jammer if need be... 

I tend to use Aux 1 as a pre-fader send to either my Waldorf 4-pole filter or a 
Boss DD-5 Delay pedal depending on mood.

Best Regards,
Miko

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ur eye wrote:

> While I have the floor, I would like to know if anyone uses the Digitech
> 21xx (either of them) with a Jamman or EDP or any other mono looper? If
> there are, do you use the effects loop. I hear that one of these babies
> allow you to place that loop in differant areas of the signal path. That
> sound interesting, I'd like to hear how that works out and which unit
> allows that flexibility. I am considering one for purchase.

I use the mono effects loop of my gx-700 for my echoplex.  This way you can
record a loop with effects, switch it to the begining of the signal chain,
and add effects to the already effected loop.  Its very fun with a drum
machine.

ben.

From Loopers-Delight-request@annihilist.com  Wed Dec  2 15:56:06 1998
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Date: Wed, 2 Dec 1998 12:25:11 -0800 (PST)
From: Randy Jones <ranjones@yahoo.com>
Subject: A/B switch recommend?
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Hi,
Wanted to get a silent A/B switch for in/out of the loop. Can't have a
sound diminution or any pops! Thinking of Whirlwind, but would like to
hear some suggestions. Thanks.

Randy Jones



_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Wed Dec  2 16:44:48 1998
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Date: Wed, 02 Dec 1998 16:21:40 -0500
From: Jeff Duke <jmar@bellsouth.net>
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Thank you all for the great tips. Of couse before this list I was a happy little
guitar and time machine, amp sorta guy. and now you all have unleashed a gear
monster on me ( and I like it). The Vortex really iced the cake though, once I got
it I had to be in stereo. Well back to the lab and thanks again! I have a lot of
experimenting to do with these great ideas.

jeff duke

http://members.xoom.com/echo17/tbl.html

Aden Evens wrote:

> Jeff,
>
> Use two stereo channel strips for your two stereo sources. As for the
> Jamman and Vortex, here are some closely related questions you need to
> answer to decide the best setup:
>
> Aden
>
> >I remember that there were some Mackie users on
> >this list and I just got a 1202vlz. What i want to
> >do is run stereo from a gr-30 and stereo from my
> >guitar pedalboard into a Vortex and Jamman in the
> >effects loop but I have never used such a
> >sophisticated mixer! Any help on this would be
> >appreciated. Also suggestions for a suitable power
> >amp and speakers.
> >
> >thanks in advance,
> >
> >jeff duke
> >
> >http://members.xoom.com/echo17/tbl.html

From Loopers-Delight-request@annihilist.com  Wed Dec  2 16:40:36 1998
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From: Dpcoffin@aol.com
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Date: Wed, 2 Dec 1998 15:58:53 EST
To: Loopers-Delight@annihilist.com, jmar@bellsouth.net
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There's a schematic diagram of my looper/mixer set-up at vg-8.com under Users,
David Coffin. I use a 1604vlz, so it's more complex, but perhaps there'll be
something useful for you there...
dpc

From Loopers-Delight-request@annihilist.com  Wed Dec  2 21:24:27 1998
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From: "Gerry P" <manda@nomin.norlink.net>
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Subject: Delaying MUTE action?
Date: Wed, 2 Dec 1998 21:15:34 -0000
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I had my EDP set up so that when I hit MUTE, the loop would continue playing
until the end of the current cycle and then mute - and hitting UNDO, started
the loop from the start - immediately.

Last night I was playing with some EDP settings and now I can't get back to
the above.  Not only that, but the manual says that MUTE always acts
immediately???

Any suggestions would be appreciated.

Gerry P
manda@norlink.net


From Loopers-Delight-request@annihilist.com  Wed Dec  2 22:39:14 1998
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From: "Collins" <collinsclan@sprintmail.com>
To: <Loopers-Delight@annihilist.com>
Subject: Four Violins (non-loop oriented)
Date: Wed, 2 Dec 1998 22:15:13 -0500
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To all who are into droning music. One of the fathers...Tony Conrad, has got
his piece "Four Violins" on FRICTION, from WREK in Atlanta. Here it is...
http://cyberbuzz.gatech.edu/wrek/stream/schedule.shtml

I remembered a certain loopist who mentioned this piece and figured that a
few of yourselves might enjoy it.

BTW, there is also some Conlon Nancarrow...and his piano rolls on there
also.

Highly Recommended.
Jeff Collins


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turn quantize parameter on, MuteMode=continuous.

kim


At 09:15 PM 12/2/98 -0000, you wrote:
>I had my EDP set up so that when I hit MUTE, the loop would continue playing
>until the end of the current cycle and then mute - and hitting UNDO, started
>the loop from the start - immediately.
>
>Last night I was playing with some EDP settings and now I can't get back to
>the above.  Not only that, but the manual says that MUTE always acts
>immediately???
>
>Any suggestions would be appreciated.
>
>Gerry P
>manda@norlink.net
>
>
>
>
________________________________________________________
Kim Flint, MTS		       408-752-9284
ATI Research	       kflint@chromatic.com

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Date: Wed, 2 Dec 1998 23:40:14 -0800 (PST)
From: John Tidwell <wedgehed@yahoo.com>
Subject: Re: mixing a looping rig
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I own a 2101 & a 2112. The FX loop on the 2101 is
located between the analog & digital sections. It is
mono send/stereo return. On both the 2112 & 2120, the
FX loop is located in the analog section before the
dual distortions. It is mono send & return. In none of
the above is the FX loop movable.

You can view the manuals for the 2101 & 2120 at
Digitech's web site. http://www.digitech.com

	John




---ur eye <ureye@hotmail.com> wrote:
>
> While I have the floor, I would like to know if anyone uses the
Digitech 
> 21xx (either of them) with a Jamman or EDP or any other mono looper?
If 
> there are, do you use the effects loop. I hear that one of these
babies 
> allow you to place that loop in differant areas of the signal path.
That 
> sound interesting, I'd like to hear how that works out and which unit 
> allows that flexibility. I am considering one for purchase.
> 
> 
> 
> 
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com
> 
> 
 


==
John Tidwell


_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Dec  3 05:33:53 1998
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Date: Thu, 3 Dec 1998 09:56:29 +0000 (GMT)
From: Jim Carter <Jim.Carter@bristol.ac.uk>
To: list server loopers delight <loopers-delight@annihilist.com>
Subject: thanks re budget reverb
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To everyone who recommended the Lexicon MPX100 - Thank you.
Picked one up yesterday for #199 - >twice the price of the
nanoverb but yes it is so like natural room acoustics
that it took me a moment to realise that it was actually on. 

Impressed - thanks again.

Jim Carter

ps can someone talk me into buying a Waldorf 4pole?
I really fancy playing about with one of these but
just can't justify the expense.

Tel - 0117 9289934
FAX - 0117 9293746
e-mail jim.carter@bris.ac.uk

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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Wedge: WAS: low-budget reverb recommendations (?)
Date: Thu, 3 Dec 1998 07:56:22 -0600
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Any of you august personages have any experience with the Alesis Wedge
compared to the MPX 100--I'm still looking for the $100  blowout-priced
Wedge and am getting closer, but that MPX 100 is sounding better . . .

drone on~~~~~~~~~~~~~~~~~~~~Tom


-----Original Message-----
From: David Myers <dmgraph@pulsewidth.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, December 01, 1998 7:07 PM
Subject: Re: low-budget reverb recommendations (?)


>I've owned lots of Alesis and other budget stuff, and many Lexicons.  Do
>yourself a BIG favor and get any kind of Lex--even a used Alex can be had
>for maybe $120, but the MPX 100 is the $220 killer and will give you lots
>more than reverb, though reverb IS the the Lexicon competition snuffer....
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Dec  3 12:03:23 1998
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Subject: Kahler Human Clock manual?
Date: Thu, 3 Dec 98 10:37:31 -0600
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Anyone have a manual for one of these dinosaurs?  Allows you to sync MIDI 
to incoming audio pulses.  Respond via private e-mail, please.

Thanks,

Travis Hartnett

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----------
> 
> >The NEXT! Wave Has Arrived.
> >
> >Ahh... analog. For most DJ's and producer-types, the very word itself
> conjures up those big, deep bass tones and sharp-as-a-razor filter sweeps
> that only vintage analog gear can really deliver. But until now, scoring
> that classic piece of retro analog gear-a TB-303 Bassline, a Moog synth,
a
> Vocoder, or any number of pawn-shop prizes-meant scouring the swap meets
or
> paying big, big bucks on the vintage synth market. But thanks to a new
> company called NEXT!, all that's about to change...
> >
> >When American Gear invited me to review four products from the new NEXT!
> lineup of analog music and DJ processing gear, I jumped at the chance.
What
> arrived on my doorstep days later was the real deal: the SUPERBASS 4.4
and
> SPACEBASS 3.3 Analog Bass Synthesizers, the REZ-30 Resonator, and the
VOX-II
> Vocoder. Each unit was a compact 1U rack-mount size and sported a bunch
of
> front panel knobs with cool retro synth names like "VCO," "VCF," and
"LFO."
> Anxious to drop these beauties into a house remix I was working on, I
> plugged 'em right in.
> >
> >First up was the SPACEBASS 3.3 Analog Bass Synthesizer. This unassuming
> little unit was simple to set up. I connected my keyboard to the MIDI In
> jack on the 3.3's back panel and then connected an instrument cable to
the
> 3.3's audio output (the big one labeled "OUT"-duh). The front panel was
> similarly sparse: just eight knobs for VCO Tune and Wave; VCF Cutoff,
> Resonance, and EnvMod; VCA/VCF Accent; Envelope Decay and Master Volume.
If
> you don't know what all these abbreviations stand for, don't worry. These
> terms come from the glory days of analog synths, standing for things like
> "Voltage Controlled Oscillator," and "Voltage Controlled Filter." And
trust
> me, you've definitely heard the sound of these knobs being twirled on
> classic techno and electro-funk tracks from Detroit to Germany-making it
> easy to just plug in and start tweakin'.
> >
> >The devilish analog growl of the SPACEBASS 3.3 had me floored within
> seconds of hitting that first key. Squealing techno lines of the "acid"
> variety and ultra-deep dub-style bass from those hip-hop records your
mother
> warned you about are easy stuff here. This bass synth is, in short, a
> modern-day emulation of the classic R..... TB-303 Bassline, right down to
> the built-in Accent functions, which activate when you play your keyboard
> above a certain velocity. In my opinion, this affordable little box has
got
> that 'must-have' 303 sound nailed-truly sick bass sounds, teeth-grinding
> filter sweeps and all. And it's a heck of a easier to use and more
reliable
> than the original.
> >
> >Having dropped a few choice filter sweeps and a gnarled buzzsaw hit or
two
> into my track, I decided to explore the SPACEBASS 3.3's big brother, the
> SUPERBASS 4.4. The family resemblance was strong between these two bass
> brethren, with this big guy boasting just a few more knobs and features
and
> expanded MIDI capability. Namely, the SUPERBASS gives you a cool
Autoslide
> control for "sliding" between notes (also called portamento), a Wave
switch
> for selecting between Saw and Square waves (the 3.3 has a continuously
> adjustable knob instead), an Envelope PWM control for thickening up the
> Square wave, and a built in Distortion knob for adding, well, you know.
My
> favorite addition on the 4.4 however, was the Sub Oscillator, which added
> some phat bass frequencies so low that I'm sure only dogs could've heard
> them. The Sub Oscillator can be blended with the Square and Saw waves for
> some truly luscious and full bass sounds, which I quickly used to replace
> the now-wimpy bass sound in my remix. For those who spend any time in the
> world of MIDI sequencing, you'll be glad to know that SUPERBASS 4.4 also
> offers MIDI In, Out and Thru jacks.
> >
> >I next plugged in to the REZ-30 Resonator to see what I could do to
really
> tweak my almost-full house track. Thankfully, the REZ-30 opened up lots
of
> possibilities. This unit offers some very sharp sound filtering and
> phasing/flanging type effects based on a classic analog synth circuit
with
> three parallel filters. To make things interesting, it also includes a
> three-mode LFO Modulation section with adjustable rate and depth and an
> Envelope Modulation section with depth and decay controls-controls which
> react to input frequencies to make things downright scary. I decided to
run
> my drum loops and keyboard tracks through the REZ-30, and the resulting
> filter sweeps and tweaks were among the sharpest and most powerful I've
ever
> heard. I filtered away at two of my loops to give them a unique "pulsing"
> feel, then I went back and used the REZ-30 to flange out the synth sounds
> and give them an ambient touch. Best of all, this whole process was
really
> simple, and I could easily see bringing the REZ-30 into my DJ rig to
tweak a
> mix, flange a breakbeat, phase out a vocal, and more. The possibilities
here
> are really endless.
> >
> >The final piece of NEXT! gear in my rack was the big, bad VOX-II
Vocoder.
> For those of you who haven't played with a vocoder-a good analog
vocoder-the
> VOX-II is a real eye- and ear-opener. Basically, a vocoder takes a sound
> with lots of sustain-a long synth sound, for example-and controls its
attack
> with a separate distinct sound-usually the human voice or something with
> lots of rhythmic variation like a drum loop. The effect produced by
> combining these sounds is truly unique, as heard in the synth-like robot
> voices of some of funk and disco's biggest hits. Possible uses include
robot
> voices, talking basslines, singing synth leads, synth sounds that "pulse"
> like drum loops, and more. Not to be overlooked in the VOX-II is its
awesome
> 11-band Filter Bank section, which I used to dial in to the exact vocoder
> frequencies I wanted to hear, as well as to create some general madness
with
> my loop. I spent hours just playing with the VOX-II, seeing how far I
could
> merge my voice into synthland. I eventually decided to run the vocals
from
> my remix through the VOX-II and create a very funky chorus vocal.
> >
> >Without exception, the new analog NEXT! gear was a joy to use. Simple,
> straightforward operation, ultra-phat analog sounds, sturdy construction,
> and DJ-friendly pricing was clearly the goal here. Thankfully, NEXT! gear
> delivers on all counts. Let's hope my remix does the same in the clubs
next
> weekend...
> >
> >
> >
> >JK
> >
> >
> >
> >
> >
> >
> >
> 

From Loopers-Delight-request@annihilist.com  Thu Dec  3 17:16:40 1998
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Date: Thu, 03 Dec 1998 13:36:16 -0700
From: eric potter <eric@musician.org>
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Organization: Hog Wild Music and Sound FX
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Hey!

I looked around papabear.com, but could only find dates for last Spring.

Anybody know where I can find out about California shows?

Please respond by e-mail also if possible, thanks.

eric p

From Loopers-Delight-request@annihilist.com  Thu Dec  3 17:23:08 1998
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I've heard pops from the Whirlwind and Morley A/B's. I don't know if they
had resistors installed to quieten the pops - this is a technique I've
heard about, but not tried installing myself. Sometimes that is not
enough, though. Sorry I cannot recommend anything, perhaps someone
else...

eric p




Randy Jones wrote:

> Hi,
> Wanted to get a silent A/B switch for in/out of the loop. Can't have a
> sound diminution or any pops! Thinking of Whirlwind, but would like to
> hear some suggestions. Thanks.
>
> Randy Jones
>
> _________________________________________________________
> DO YOU YAHOO!?
> Get your free @yahoo.com address at http://mail.yahoo.com



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From: "david" <david@tracoman.com>
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Subject: Re: next remix review to appear in American Gear catalog
Date: Thu, 3 Dec 1998 17:42:15 -0500
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See more info @ www.tracoman.com or contact tracoman 954-929-8999 for a
demo CD

----------
> 
> ----------
> > 
> > >The NEXT! Wave Has Arrived.
> > >
> > >Ahh... analog. For most DJ's and producer-types, the very word itself
> > conjures up those big, deep bass tones and sharp-as-a-razor filter
sweeps
> > that only vintage analog gear can really deliver. But until now,
scoring
> > that classic piece of retro analog gear-a TB-303 Bassline, a Moog
synth,
> a
> > Vocoder, or any number of pawn-shop prizes-meant scouring the swap
meets
> or
> > paying big, big bucks on the vintage synth market. But thanks to a new
> > company called NEXT!, all that's about to change...
> > >
> > >When American Gear invited me to review four products from the new
NEXT!
> > lineup of analog music and DJ processing gear, I jumped at the chance.
> What
> > arrived on my doorstep days later was the real deal: the SUPERBASS 4.4
> and
> > SPACEBASS 3.3 Analog Bass Synthesizers, the REZ-30 Resonator, and the
> VOX-II
> > Vocoder. Each unit was a compact 1U rack-mount size and sported a bunch
> of
> > front panel knobs with cool retro synth names like "VCO," "VCF," and
> "LFO."
> > Anxious to drop these beauties into a house remix I was working on, I
> > plugged 'em right in.
> > >
> > >First up was the SPACEBASS 3.3 Analog Bass Synthesizer. This
unassuming
> > little unit was simple to set up. I connected my keyboard to the MIDI
In
> > jack on the 3.3's back panel and then connected an instrument cable to
> the
> > 3.3's audio output (the big one labeled "OUT"-duh). The front panel was
> > similarly sparse: just eight knobs for VCO Tune and Wave; VCF Cutoff,
> > Resonance, and EnvMod; VCA/VCF Accent; Envelope Decay and Master
Volume.
> If
> > you don't know what all these abbreviations stand for, don't worry.
These
> > terms come from the glory days of analog synths, standing for things
like
> > "Voltage Controlled Oscillator," and "Voltage Controlled Filter." And
> trust
> > me, you've definitely heard the sound of these knobs being twirled on
> > classic techno and electro-funk tracks from Detroit to Germany-making
it
> > easy to just plug in and start tweakin'.
> > >
> > >The devilish analog growl of the SPACEBASS 3.3 had me floored within
> > seconds of hitting that first key. Squealing techno lines of the "acid"
> > variety and ultra-deep dub-style bass from those hip-hop records your
> mother
> > warned you about are easy stuff here. This bass synth is, in short, a
> > modern-day emulation of the classic R..... TB-303 Bassline, right down
to
> > the built-in Accent functions, which activate when you play your
keyboard
> > above a certain velocity. In my opinion, this affordable little box has
> got
> > that 'must-have' 303 sound nailed-truly sick bass sounds,
teeth-grinding
> > filter sweeps and all. And it's a heck of a easier to use and more
> reliable
> > than the original.
> > >
> > >Having dropped a few choice filter sweeps and a gnarled buzzsaw hit or
> two
> > into my track, I decided to explore the SPACEBASS 3.3's big brother,
the
> > SUPERBASS 4.4. The family resemblance was strong between these two bass
> > brethren, with this big guy boasting just a few more knobs and features
> and
> > expanded MIDI capability. Namely, the SUPERBASS gives you a cool
> Autoslide
> > control for "sliding" between notes (also called portamento), a Wave
> switch
> > for selecting between Saw and Square waves (the 3.3 has a continuously
> > adjustable knob instead), an Envelope PWM control for thickening up the
> > Square wave, and a built in Distortion knob for adding, well, you know.
> My
> > favorite addition on the 4.4 however, was the Sub Oscillator, which
added
> > some phat bass frequencies so low that I'm sure only dogs could've
heard
> > them. The Sub Oscillator can be blended with the Square and Saw waves
for
> > some truly luscious and full bass sounds, which I quickly used to
replace
> > the now-wimpy bass sound in my remix. For those who spend any time in
the
> > world of MIDI sequencing, you'll be glad to know that SUPERBASS 4.4
also
> > offers MIDI In, Out and Thru jacks.
> > >
> > >I next plugged in to the REZ-30 Resonator to see what I could do to
> really
> > tweak my almost-full house track. Thankfully, the REZ-30 opened up lots
> of
> > possibilities. This unit offers some very sharp sound filtering and
> > phasing/flanging type effects based on a classic analog synth circuit
> with
> > three parallel filters. To make things interesting, it also includes a
> > three-mode LFO Modulation section with adjustable rate and depth and an
> > Envelope Modulation section with depth and decay controls-controls
which
> > react to input frequencies to make things downright scary. I decided to
> run
> > my drum loops and keyboard tracks through the REZ-30, and the resulting
> > filter sweeps and tweaks were among the sharpest and most powerful I've
> ever
> > heard. I filtered away at two of my loops to give them a unique
"pulsing"
> > feel, then I went back and used the REZ-30 to flange out the synth
sounds
> > and give them an ambient touch. Best of all, this whole process was
> really
> > simple, and I could easily see bringing the REZ-30 into my DJ rig to
> tweak a
> > mix, flange a breakbeat, phase out a vocal, and more. The possibilities
> here
> > are really endless.
> > >
> > >The final piece of NEXT! gear in my rack was the big, bad VOX-II
> Vocoder.
> > For those of you who haven't played with a vocoder-a good analog
> vocoder-the
> > VOX-II is a real eye- and ear-opener. Basically, a vocoder takes a
sound
> > with lots of sustain-a long synth sound, for example-and controls its
> attack
> > with a separate distinct sound-usually the human voice or something
with
> > lots of rhythmic variation like a drum loop. The effect produced by
> > combining these sounds is truly unique, as heard in the synth-like
robot
> > voices of some of funk and disco's biggest hits. Possible uses include
> robot
> > voices, talking basslines, singing synth leads, synth sounds that
"pulse"
> > like drum loops, and more. Not to be overlooked in the VOX-II is its
> awesome
> > 11-band Filter Bank section, which I used to dial in to the exact
vocoder
> > frequencies I wanted to hear, as well as to create some general madness
> with
> > my loop. I spent hours just playing with the VOX-II, seeing how far I
> could
> > merge my voice into synthland. I eventually decided to run the vocals
> from
> > my remix through the VOX-II and create a very funky chorus vocal.
> > >
> > >Without exception, the new analog NEXT! gear was a joy to use. Simple,
> > straightforward operation, ultra-phat analog sounds, sturdy
construction,
> > and DJ-friendly pricing was clearly the goal here. Thankfully, NEXT!
gear
> > delivers on all counts. Let's hope my remix does the same in the clubs
> next
> > weekend...
> > >
> > >
> > >
> > >JK
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > 
> 

From Loopers-Delight-request@annihilist.com  Thu Dec  3 19:55:11 1998
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Reply-To: "Tom Lambrecht" <hideo@concentric.net>
From: "Tom Lambrecht" <hideo@concentric.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Loop-a-thon: Middle East Downstairs Mon Dec 7 - 8:00pm to 11:00pm
Date: Thu, 3 Dec 1998 18:21:12 -0600
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David K.:

think there might be a tape for us unforunate Midwesterners?

PLEEEEZZZZ . . .

David O. I believe used ot be on the didg mailing list--tell him his mates
are "pulling" for him (the gig is being discussed on that list as well)

loops and drones--two of my favorite tones

drone on~~~~~~~~~~~~~~~~~Tom

-----Original Message-----
From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: sayaaahh@aol.com <sayaaahh@aol.com>
Date: Tuesday, December 01, 1998 5:06 PM
Subject: Loop-a-thon: Middle East Downstairs Mon Dec 7 - 8:00pm to 11:00pm


>Ross Hamlin & Open Faucet Productions Presents:
>
>"5 Loopers"
> Monday, 7th December 1998
> The Middle East -- Downstairs
> Cambridge, MA
> 8:00pm to 11:00pm
>
>The show will feature "sonic architecture" by 5 Boston-based loopers

SNIP

>
> David Kirkdorffer/UNDO - non-guitar
> Daniel Orlansky - diggery-doo
> James Coleman - theremin
> T.G. Noyes - guitar synth
> Jonathon LoMaster - guitar & violin
>


From Loopers-Delight-request@annihilist.com  Thu Dec  3 20:30:17 1998
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Date: Thu, 03 Dec 1998 19:09:20 -0600
From: Matthew Turner <gturner@tstar.net>
Organization: Anathema Enterprises
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After the show I spoke with two guys who are on this list (I've
forgotten both of your names somehow). I was the tenor
saxaphonist/guitarist who was rambling on about the echoplex. Anyway, if
you guys are out there send me some e-mail...there's something I forgot
to ask the both of you...

From Loopers-Delight-request@annihilist.com  Thu Dec  3 21:38:50 1998
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Reply-To: "Gerry P" <manda@nomin.norlink.net>
From: "Gerry P" <manda@nomin.norlink.net>
To: <Loopers-Delight@annihilist.com>
Subject: Dual EDP (was Re: Delaying MUTE action?)
Date: Thu, 3 Dec 1998 21:11:43 -0000
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Kim

Thanks for the quick response.  The MuteMode=continuous didn't solve my
problem completely - in that I still can't get the action of a MUTE press to
delay to the end of the cycle ( which I had previously) - not immediate -
which the manual indicates is the only way.

I also have a another question

I use my EDP along with my DAT in my home studio.  I would love to have this
setup in stereo.

Could I sync the two machines (special cable??), controlling each with
separate foot switches? Is the EDP foot controller of any benefit in
controlling two EDP's.
( vs two EV5's for each)

For my needs, two EV5 foot switches are all I need for my one EDP.

Thanks in advance
Gerry P
manda@norlink.net
-----Original Message-----
From: Kim Flint <kflint@chromatic.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, December 03, 1998 4:08 AM
Subject: Re: Delaying MUTE action?


>turn quantize parameter on, MuteMode=continuous.
>
>kim
>
>
>At 09:15 PM 12/2/98 -0000, you wrote:
>>I had my EDP set up so that when I hit MUTE, the loop would continue
playing
>>until the end of the current cycle and then mute - and hitting UNDO,
started
>>the loop from the start - immediately.
>>
>>Last night I was playing with some EDP settings and now I can't get back
to
>>the above.  Not only that, but the manual says that MUTE always acts
>>immediately???
>>
>>Any suggestions would be appreciated.
>>
>>Gerry P
>>manda@norlink.net
>>
>>
>>
>>
>________________________________________________________
>Kim Flint, MTS        408-752-9284
>ATI Research        kflint@chromatic.com
>
>


From Loopers-Delight-request@annihilist.com  Thu Dec  3 21:46:06 1998
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Date: Wed, 25 Nov 1998 02:24:43 -0500
To: Loopers-Delight@annihilist.com
From: Keenan Lawler <klaw@pop.iglou.com>
Subject: Re: Kaffe Matthews & Adam Wiltzie@33 degrees austin texas
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At 07:09 PM 12/3/98 -0600, you wrote:
>Hey how was the Kaffe show?I saw her at the empty bottle in Chigago.Great
show very inspiring.I posted this once before but do check out her show if
in your area--she is really brillant  & xceptioally musical in live
sampling electronic ambient etc.             Keenan






After the show I spoke with two guys who are on this list (I've
>forgotten both of your names somehow). I was the tenor
>saxaphonist/guitarist who was rambling on about the echoplex. Anyway, if
>you guys are out there send me some e-mail...there's something I forgot
>to ask the both of you...
> 

From Loopers-Delight-request@annihilist.com  Thu Dec  3 21:46:57 1998
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Date: Thu, 3 Dec 1998 20:46:31 +0200
To: Loopers-Delight@annihilist.com
From: patrick@his.com (Patrick Smith)
Subject: Discipline & DAP
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Hey Looper's,

Just wanted to inform any DC/Balto local of a show at Phantasmagoria this
weekend. List memeber Adam Levin's Dark Aether Project will be opening for
Discipline.

Discipline is from Michigan and a real shining star in the prog revival. If
you have not heard Discipline before, don'tmiss this opportunity. Their
1997 release _Unfolded Like Staircase_ was one of my top picks for the year
and as good as it is, it pales in comparison to their live performance.
Their music is dark and brooding, full of emotion. Great organ and piano
work, lots of twists and turns.
Mood-wise think of Peter Hammill and Van der Graaf Generator. I opened for
this group in Baltimore two years ago and they were hot!

Most of you know the lowdown on the Dark Aether Project, so I won't spend a
lot of bandwidth on them. Stick player Aaam Levin is always certain to pull
a few amazing loops out of his rig during each set.

The venue is
Phantasmagoria in Wheaton MD which is just off of the Washington DC
beltway on the north side. It's a very nice hall which has a capacity of
400 with tables around the room and a dance floor area (where we expect
folks to boogie down!) in front of the stage. They serve homemade tex-mex
food (including veggie friendly stuff)  and a wide variety of microbrews
on tap. It's an all ages venue. Needless to say if you're under 21, no
drinking! Smokers have their own smoking lounge since it's not allowed in
the main room. Phantasmagoria also has a record store, thus they're open
all day long.  Showtime is 9pm. Admission is $10

Directions to Phantasmagoria:
Take Washington DC Beltway (495) toward Silver Spring.
Exit at Rt 97 (Georgia Ave) North towards Wheaton
Go 2-3 miles on Georgia, keeping to the right
Turn right on University Blvd (after Safeway)
Take first right onto Elkin.
Phantasmagoria is on the left at 11319

I hope to see some of you there.


Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

Shockwave audio featuring our newest release Primary Colors:Blue

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Thu Dec  3 23:03:03 1998
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Date: Thu, 03 Dec 1998 19:29:53 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: Re: Dual EDP (was Re: Delaying MUTE action?)
Cc: <Loopers-Delight@annihilist.com>
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At 09:11 PM 12/3/98 -0000, Gerry P wrote:
>Thanks for the quick response.  The MuteMode=continuous didn't solve my
>problem completely - in that I still can't get the action of a MUTE press to
>delay to the end of the cycle ( which I had previously) - not immediate -
>which the manual indicates is the only way.

please check my reply again, looks like you missed the first half of the
sentence: "turn quantize parameter on."


>I also have a another question
>
>I use my EDP along with my DAT in my home studio.  I would love to have this
>setup in stereo.
>
>Could I sync the two machines (special cable??), controlling each with
>separate foot switches? Is the EDP foot controller of any benefit in
>controlling two EDP's.
>( vs two EV5's for each)
>
>For my needs, two EV5 foot switches are all I need for my one EDP.

check out the echoplex FAQ on the Looper's Delight page. There is an entire
section on stereo echoplexes:

http://www.annihilist.com/loop/tools/echoplex/FAQ.html

if you still have some question after that, let us know.

kim




>Thanks in advance
>Gerry P
>manda@norlink.net
>-----Original Message-----
>From: Kim Flint <kflint@chromatic.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Thursday, December 03, 1998 4:08 AM
>Subject: Re: Delaying MUTE action?
>
>
>>turn quantize parameter on, MuteMode=continuous.
>>
>>kim
>>
>>
>>At 09:15 PM 12/2/98 -0000, you wrote:
>>>I had my EDP set up so that when I hit MUTE, the loop would continue
>playing
>>>until the end of the current cycle and then mute - and hitting UNDO,
>started
>>>the loop from the start - immediately.
>>>
>>>Last night I was playing with some EDP settings and now I can't get back
>to
>>>the above.  Not only that, but the manual says that MUTE always acts
>>>immediately???
>>>
>>>Any suggestions would be appreciated.
>>>
>>>Gerry P
>>>manda@norlink.net
>>>
>>>
>>>
>>>
>>________________________________________________________
>>Kim Flint, MTS        408-752-9284
>>ATI Research        kflint@chromatic.com
>>
>>
>
>
>
>
________________________________________________________
Kim Flint, MTS		       408-752-9284
ATI Research	       kflint@chromatic.com

From Loopers-Delight-request@annihilist.com  Fri Dec  4 00:15:51 1998
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Date: Thu, 03 Dec 1998 20:38:16 -0800
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Fairly fresh off H-C
I've already got mine...but would jump on it for $180 if I didn't.
They are everything and more than they're cracked up to be.


FS: MINT LEXICON MPX-100

Asking Price: US$180
Condition: Mint
Age: 1 months
Description:

    my Brand new Lexicon mpx-100 $180+ half shipp cost No trade please

Seller: jay Leslie,
E-mail: racksnyder@aol.com
Post Date: 12/3/98

From Loopers-Delight-request@annihilist.com  Fri Dec  4 03:25:06 1998
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From: "andre" <andre@monmouth.com>
To: <eric@musician.org>
Cc: "loopers" <Loopers-Delight@annihilist.com>
Subject: ....B.L.U.E. tour schedule
Date: Sat, 5 Dec 1998 02:10:03 -0500
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 From: eric potter <eric@musician.org>
> Subject: Can't find B.L.U.E. tour schedule
> Date: Thursday, December 03, 1998 3:36 PM

> Hey! I looked around papabear.com, but could only find dates for last
Spring.
 Anybody know where I can find out about California shows?

here are the dates.. did you look in the Diary page??? that's where they
reside... as well as some cool words about the shows so far, from Tony's
hotel/laptop

see any of you at the late show tomorrow..??

Dec. 1 - Woodstock NY - Joyous Lake - 914 679-0367
Dec. 2 - Philadelphia PA - Theater of Living Arts (2 shows) - 215 922-1011
Dec. 3 - New York - Bottom Line (2 shows) - 212 228-6300
Dec. 4 - New York - Bottom Line (2 shows) - 212 228-6300
Dec. 5 - Cambridge MA - House of Blues - 617 497-2229
Dec. 6 - Cambridge MA - House of Blues - 617 497-2229
Dec. 8 - Pontiac MI - 7th House - 248 335-9838
Dec. 9 - Chicago IL - Park West - 773 929-5959
> 

From Loopers-Delight-request@annihilist.com  Fri Dec  4 10:31:59 1998
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: Loopers-Delight@annihilist.com
Subject: BLUE TOUR DATES: http://www.elephant-talk.com/
Date: Fri, 4 Dec 1998 09:57:19 -0500 
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Some BLUE daes and locations... go to: http://www.elephant-talk.com/ for
more...
David K

09-Dec-98 Bruford Levin Upper Extremities East Coast Tour Park West Chicago,
IL 
08-Dec-98 Bruford Levin Upper Extremities East Coast Tour Seventh House
Pontiac, MI 
07-Dec-98 Gordon Haskell Midwest Shows The Grand Emporium Kansas City, MO 
06-Dec-98 Bruford Levin Upper Extremities East Coast Tour House Of Blues
<http://www.hob.com/> Cambridge, MA 
06-Dec-98 Gordon Haskell Midwest Shows The Grand Emporium Kansas City, MO 
05-Dec-98 Bruford Levin Upper Extremities East Coast Tour House Of Blues
<http://www.hob.com/> Cambridge, MA 
05-Dec-98 Gordon Haskell California Shows St Stephen's Green Santa Monica,
CA 1026 Wilshire Blvd. 9pm. 
04-Dec-98 Bruford Levin Upper Extremities East Coast Tour Bottom Line New
York, NY 7:30pm and 10:30pm shows 
03-Dec-98 Bruford Levin Upper Extremities East Coast Tour Bottom Line New
York, NY 7:30pm and 10:30pm shows 
03-Dec-98 Gordon Haskell California Shows Scruffy O'Shea's Marina del Rey,
CA 822 Washington Blvd. 9pm. 
02-Dec-98 Bruford Levin Upper Extremities East Coast Tour The TLA
Philadelphia, PA 2 shows. 
01-Dec-98 Bruford Levin Upper Extremities East Coast Tour Joyous Lake
Woodstock, NY 

From Loopers-Delight-request@annihilist.com  Fri Dec  4 18:16:53 1998
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Date: Fri, 04 Dec 1998 15:14:54 -0800
From: lance glover <baumhaus@earthlink.net>
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Subject: Re: Frissell Gig (no loops, tho)
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greetings,

just wanted to report back from the live music front - caught Bill Frissell
(with Greg Leisz on all manner of slide geetar and David Piltch on standup
bass) last night here in Santa Monica - a fine show, but with nary a hint of
actual looping. if any of you also caught it and would hazard a guess as to the
identity of the two mystery boxes (one a delay/ preset multi-effector,
wedge-shaped with a blue metal frame, the other perhaps a half-space sized
pre-amp with a foam "cloak")  he had up off the floor, please respond privately
('cause neither of 'em looped, but damn it sure sounded good!)...

lance g.





From Loopers-Delight-request@annihilist.com  Fri Dec  4 18:28:39 1998
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Date: Fri, 04 Dec 1998 15:18:08 -0700
From: Bill Moyer <vargo2muse@earthlink.net>
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References: <Pine.SGI.3.95q.981201165009.25772A-100000@zeus.bris.ac.uk>
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Gutitar Center was blowing out the Alesis Wedge for $99 bucks a while back
and I bought two just because ( because I needed 4 discrete channels of rev.
and had little cash).  It's not rack mountable, but the sliders are actually
pretty cool in the right context.
    Question for all you Lexicon fans, and reverb geeks out there, I haven't
"A-B'd" these against anything.  How does the wedge rate?  How about the
Digitech Studio 400?   I'm obsessed with having four channels of everything,
and not much budget, can I do better?

Loop content: Wedge has a 5.5sec. delay ;-)

Bill Moyer

From Loopers-Delight-request@annihilist.com  Fri Dec  4 19:24:51 1998
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Message-ID: <36687C94.390F@dmans.com>
Date: Fri, 04 Dec 1998 18:21:40 -0600
From: "Mikell D. Nelson" <mnelson@dmans.com>
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> Wanted to get a silent A/B switch for in/out of the loop. Can't have a
> sound diminution or any pops! Thinking of Whirlwind, but would like to
> hear some suggestions. Thanks.

Kendrick Amplifiers makes a powered A/B/C box that's supposed to be
quite good, i.e. quiet and doesn't affect the tone of your instrument.
Their number is 512-990-5486. Tell them Boomerang sent you.

Motley

From Loopers-Delight-request@annihilist.com  Fri Dec  4 19:27:25 1998
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: Stinkbug
Date: Fri, 4 Dec 1998 15:10:17 -0600 
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Howdy, 

Stinkbug is Nels Cline and GE Stinson, guitars, implements of destruction,
loopage; Steuart Liebig, basses, implements of noise, loopage; Scott
Amendola, drumset (and loopage at Bruno's?). 


We're doing a mini-tour 12-16 Dec.


12 Dec.: The Sweatshop, 1943 Mission, San Francisco, CA @ 9:00 p.m. - -
$5.00

13 Dec.: Beanbender's, 2295 Shattuck, Berkeley, CA @ 8:00 p.m. - - $5.00

14 Dec.: Bruno's, 2389 Mission, San Francisco, CA @ 9:30 and 11:30 p.m. - -
$?.00

15 Dec.: Art City 2, 31 Peking (corner of Peking and Main), Ventura, CA @
8:30 p.m. - - $5.00

16 Dec.: Luna Park, 665 No. Robertson (near Robertson and Santa Monica),
West Hollywood, CA @ 10:00 p.m.  - - $6.00


Come on down if you get a chance

stig

From Loopers-Delight-request@annihilist.com  Fri Dec  4 19:56:11 1998
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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
To: <Loopers-Delight@annihilist.com>
Subject: Vortex needs service
Date: Fri, 4 Dec 1998 16:46:22 -0800
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Hi,

	The 'tap' button on my vortex broke, and the expression pedal input doesn't
seem to be working properly. Does anyone know a Lexicon service center or
other repair shop in the SF bay area? Maybe I should try contact Lexicon...

Jonathan El-Bizri

From Loopers-Delight-request@annihilist.com  Fri Dec  4 20:48:24 1998
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Message-ID: <36688B3A.F0ABDEAC@texas.net>
Date: Fri, 04 Dec 1998 19:24:12 -0600
From: Bobdog Catlin <psbuddha@texas.net>
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Organization: Pseudo Buddha/Doghouse Ent.
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stig,

i've always felt that stinkbug was one of the greatest names.
rock on.

bobdog

From Loopers-Delight-request@annihilist.com  Sat Dec  5 02:20:55 1998
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Date: Fri, 4 Dec 1998 18:21:38 -0800
To: Loopers-Delight@annihilist.com
From: John Altman <jfa@best.com>
Subject: Re: Vortex needs service
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At 4:46 PM -0800 12/4/98, Jonathan El-Bizri wrote:
>Hi,
>
>	The 'tap' button on my vortex broke, and the expression pedal input
>doesn't
>seem to be working properly. Does anyone know a Lexicon service center or
>other repair shop in the SF bay area? Maybe I should try contact Lexicon...
>
>Jonathan El-Bizri

You might try Studio Maintenance in San Rafael, 415-485-6048. I don't know
whether they are Lexicon approved, but they're good folks and know their
stuff.

John


From Loopers-Delight-request@annihilist.com  Sat Dec  5 11:36:09 1998
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Message-ID: <36695FA8.A3D15F34@bellsouth.net>
Date: Sat, 05 Dec 1998 11:30:32 -0500
From: Jeff Duke <jmar@bellsouth.net>
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hey all,

Does any body have any experiance with the JBL Eon
series powered speakers? I have not tried them but
I am looking for power, affordibility (whats
that), and above all tone in a compact setup.

jeff

From Loopers-Delight-request@annihilist.com  Sat Dec  5 12:53:59 1998
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Date: Sat, 5 Dec 1998 12:43:48 EST
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Lexicon mpx100

From Loopers-Delight-request@annihilist.com  Sat Dec  5 13:10:59 1998
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To run stereo effects on the mackie, buy your self a y-connector (stereo 1/4"
split to two mono singles 1/4")  On your effects out, plug the stereo 1/4" and
send the split signal to the two mono (stereo left, stereo right) of your
effects device, then bring two 1/4" mono plugs back to the effects return.
Your now ready for stereo live performance.

tip 1)
adjustment of sound levels is done in two places a) on the board and b) on the
effects device.

make sure the effects device has plenty of signal by learning how to feed that
signal at the normalized positions of the knobs on the board send aux 1.  To
do this, first make sure your line inputs from your guitar amps are set to
about 70% of their line feed capability.  Then adjust your line levels on the
board (pre-mix) to about mid way and then bring the sliders to their proper
operating position (0db about 70% of the slider level).  Then press your solo
button to read the LEDs on that signal, adjust your line levels until that
signal never exceeds 0db. (this according to the mackie manual)
You now have your line levels set, adjust the high, mid and bass to suit your
taste.

Now adjust the effect send on the board to its normalized position "you'll
feel the click on the knob when you get to that position".   Now send the
signal for that channel by going to that slider and finding the effects send
and turning it up about 1/3.  You should have a signal going to your effects
device.  Check the lights on the effects device and adjust the input levels so
that you don't overdrive the signal, turn the effect device mix to 100% and
adjust the output levels of the effects device to whatever level appears to
create a unity gain.  From there go back to the board and adjust the effects
return level to their normalized values.

confused? it's no secret that you will need to spend a substantial amount of
time with your board in order to get the best possible sounds.  Many of these
tips were learned by my going to internet sites in nashville and finding what
the pros said.  The biggest tip I learned is that you want to run your signals
as wide open as possible, otherwise you will get band filtering which you
cannot get back by your last stage EQ.  

good luck and happy mixing.  in my opinion there are only  a few who really
know their boards, even among the professionals.  i've gone to way too many
concerts wanting to bail due to bad mixes.  it is so irritating to pay a lot
of  money for a good concert and be dupped. 

From Loopers-Delight-request@annihilist.com  Sat Dec  5 17:37:09 1998
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Message-ID: <001401be209d$a2dd02a0$748867cf@brendan>
From: "Brendan Flick" <bflick@voicenet.com>
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Subject: Re: I will play loops through them
Date: Sat, 5 Dec 1998 17:21:40 -0500
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Jeff- I have a pair of powered ones and put loops and drums and stereo feed
out of guitar through them - I've had one lose it's woofer within a week of
getting them ( i believe that speaker's amp went south  ) and store replaced
it - since then (2 1/2 months) i have had no problems at all- for the price,
size and speaker amp matching - i couldn't find a better deal - i tested
peaveys version - they didn't compare in an a/b with jbls- so bottom line
i'm happy and would reccomend them. play 'em hard at first to make sure if
they flake out - they're flaking out while under warranty- Brendan


iginal Message-----
From: Jeff Duke <jmar@bellsouth.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, December 05, 1998 11:39 AM
Subject: I will play loops through them


>hey all,
>
>Does any body have any experiance with the JBL Eon
>series powered speakers? I have not tried them but
>I am looking for power, affordibility (whats
>that), and above all tone in a compact setup.
>
>jeff
>
>

From Loopers-Delight-request@annihilist.com  Sat Dec  5 19:22:23 1998
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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
Message-Id: <199812060008.QAA14126@waynesworld.ucsd.edu>
Subject: Re: I will play loops through them
To: Loopers-Delight@annihilist.com
Date: Sat, 5 Dec 1998 16:08:58 -0800 (PST)
In-Reply-To: <36695FA8.A3D15F34@bellsouth.net> from "Jeff Duke" at Dec 5, 98 11:30:32 am
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> hey all,
> 
> Does any body have any experiance with the JBL Eon
> series powered speakers? I have not tried them but
> I am looking for power, affordibility (whats
> that), and above all tone in a compact setup.
> 
> jeff

My friend was using a JBL Eon as his amp (he plays Stick with MIDI'd
synth and effects).  I thought his sound was ok until I watched him
try the same setup through an Eden bass head/Euphonic Audio cabinet
rig and this 2nd setup had much better bass and warmer tone.  It was
a noticeable difference.  He ended up buying one of the smaller Eden
heads (a 400 watt-er).

Then again, he's a Stick player so maybe his requirements are different
from yours.  Getting a good bass sound is very important to him.

Cheers,
Paolo

From Loopers-Delight-request@annihilist.com  Sat Dec  5 19:49:08 1998
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From: Nemoguitt@aol.com
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Date: Sat, 5 Dec 1998 19:40:50 EST
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In a message dated 12/5/98 4:12:09 PM Mid-Atlantic Standard Time, ANET@aol.com
writes:

<< The biggest tip I learned is that you want to run your signals
 as wide open as possible, otherwise you will get band filtering which you
 cannot get back by your last stage EQ.   >>

what do you mean by this......"as wide open"?.........michael

From Loopers-Delight-request@annihilist.com  Sat Dec  5 23:34:51 1998
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Date: Sat, 5 Dec 1998 20:21:17 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: New Mailing List Archive!
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Ok folks, after months of development,

              It's time for the
      Grand Unveiling of the exciting, new:

   ** Looper's Delight Mailing List Archive **

 http://www.annihilist.com/cgi-bin/wilma/LDarchive


woo hoo!!!

As you've no doubt noticed, the old archive was updated extremely
infrequently. In fact, nothing has been added to it for 9 months now! This
is because it required me to update it MANUALLY, which I hated doing. Very
tedious, blow a whole weekend sort of a thing. Additionally, the old
archive was difficult to navigate and it was nearly impossible to find
specific bits of information in it. So it sucked universally.

(I left it on the site, if you still want to check the old archives for
some reason. http://www.annihilist.com/loop/archive/archive.html )

The new archive, on the other hand, kicks ass. Here's what we've got:

- updated automatically, each day
- every mail converted to an html page, for easy browsing
- lots o' navigational links, for easy navigating
- Date index
- Thread index
- Author index
- automatically split by month, to keep index sizes sane
- a very speedy search engine with all sorts of helpful features
- provision of the actual mailbox files, so you can download
  a month of mail and view it in your own mail program as you
  would any other mail.
- various other goodies, like handling attachments, handling mime,
  converting URLs and email addresses into live links, etc, etc.

This all comes to us courtesy of the Free Software Movement. Amazing
software, created by remarkably talented people, given away free just to
make the world a better place. I can't tell you how happy I am that such
things are possible, cause there's no way in hell I could have written this
stuff! (only downside is those clever unix hackers have no sense of
aesthetics at all, so some of it is a little ugly. but beggars can't be
choosers, eh?)

Special thanks to Arthur Gatesy, who provided me a lot of help and tips in
the beginning so that I was able to get the rest pieced together and setup
by myself. Thanks Art!

One thing: the new archive is big! All your chatter over the years is about
20MB of text. The html version is about 80MB. Altogether, the archive is
over 100MB! I had to increase my disk allotment for this, which means more
$$$ :-(. The only expected revenue for Looper's Delight is the CD projects,
so for those of you working on that, get crackin'! Otherwise, I'll have to
embarass myself with shameless begging.


For you geeky types who like to know these things, the archive uses the
following software:
 - procmail and a procmail recipe to create monthly mailbox archives
 - Mhonarc, the awesome program by Earl Hood that converts mail to html
 - The Glimpse search engine
 - Wilma, by Jason Tibbitts and David Wolfe - the scripts which tie
   Mhonarc and Glimpse together, managing the search indexer and
   providing the search interface and the top archive page.
 - runs on a linux machine with Apache web server.
 - I can tell you more if anyone cares.


Check it out, have fun, let me know if you have any problems!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Dec  6 00:34:08 1998
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From: "Marc Roche" <govinda@cyber-dyne.com>
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Subject: Re: I will play loops through them
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Hi Jeff,

I run my echoplex through a Mackie 1202  and two JBL EON Powered 15"
speakers.  I love them--they do everything well, especially basses and
synths.  You cannot make these suckers distort.  Ciao
-----Original Message-----
From: Jeff Duke <jmar@bellsouth.net>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, December 05, 1998 8:35 AM
Subject: I will play loops through them


>hey all,
>
>Does any body have any experiance with the JBL Eon
>series powered speakers? I have not tried them but
>I am looking for power, affordibility (whats
>that), and above all tone in a compact setup.
>
>jeff
>

From Loopers-Delight-request@annihilist.com  Sun Dec  6 16:24:15 1998
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Subject: Re: I will play loops through them
Date: Sun, 6 Dec 98 14:13:09 -0000
x-mailer: Claris Emailer 1.1
From: Doug Tapia <dtapia@unoco.edu>
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>hey all,
>
>Does any body have any experiance with the JBL Eon
>series powered speakers? I have not tried them but
>I am looking for power, affordibility (whats
>that), and above all tone in a compact setup.
>
>jeff
>
Jeff, 

JBL's EONs are Great.  I use a couple for my (ever expanding) synth rig.  
They have great sound, sound like JBLs are compact, extremely ruged and 
have plenty of bi-amplified power.  There's also a number of ways they 
can be positioned, including as an upright cab, tilted like a monitor or 
on stands.  Considering that the price includes everything you need to 
amplify your signal, I'd say they are very affordable.  The fifteens 
sound great by themselves, or if you're looking for the ultimate in 
tight, focused, flat sound, get two tens on sticks and couple them with 
the 15 inch sub.

Happy looping,


-doug

From Loopers-Delight-request@annihilist.com  Sun Dec  6 18:02:27 1998
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From: "Gerry P" <manda@nomin.norlink.net>
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Subject: Re: Dual EDP (was Re: Delaying MUTE action?)
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Kim

>please check my reply again, looks like you missed the first half of the
>sentence: "turn quantize parameter on."


Ooops!  Works perfect now!

Thanks

Gerry P
manda@norlink.net


From Loopers-Delight-request@annihilist.com  Sun Dec  6 18:31:24 1998
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From: Jeff Duke <jmar@bellsouth.net>
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thanks for all the great tips on everything, this list is the greatest! I
would have floundered around awhile figuring out that Mackie but its up and
running. I am still trying many of the tips from the other users, its deep.
                                                yours,

jeff

New tune at the lab. a geometry of nature
http://members.xoom.com/echo17/tbl.html


Doug Tapia wrote:

> >hey all,
> >
> >Does any body have any experiance with the JBL Eon
> >series powered speakers? I have not tried them but
> >I am looking for power, affordibility (whats
> >that), and above all tone in a compact setup.
> >
> >jeff
> >
> Jeff,
>
> JBL's EONs are Great.  I use a couple for my (ever expanding) synth rig.
> They have great sound, sound like JBLs are compact, extremely ruged and
> have plenty of bi-amplified power.  There's also a number of ways they
> can be positioned, including as an upright cab, tilted like a monitor or
> on stands.  Considering that the price includes everything you need to
> amplify your signal, I'd say they are very affordable.  The fifteens
> sound great by themselves, or if you're looking for the ultimate in
> tight, focused, flat sound, get two tens on sticks and couple them with
> the 15 inch sub.
>
> Happy looping,
>
> -doug

From Loopers-Delight-request@annihilist.com  Mon Dec  7 09:51:35 1998
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Date: Mon, 07 Dec 1998 13:36:17 +0100
From: Claude Voit <c.voit@vtx.ch>
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kim
excellent brilliant
I will definitly try to learn the search language as there are so many
interesting topics in there

a Question : is this database protected against spam mail adress sucking
?

and
If you want to save some space on your harddisk delete every mail with
"UNSbscrribe" included
;=)

Claude

From Loopers-Delight-request@annihilist.com  Mon Dec  7 12:11:26 1998
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From: "Jonathan El-Bizri" <jbiz@linkexchange.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Vortex needs service
Date: Mon, 7 Dec 1998 08:48:37 -0800
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Thanks, I will check them out.

Jonathan El-Bizri


> -----Original Message-----
> From: John Altman [mailto:jfa@best.com]
> Sent: Friday, December 04, 1998 6:22 PM
> To: Loopers-Delight@annihilist.com
> Subject: Re: Vortex needs service
>
>
> At 4:46 PM -0800 12/4/98, Jonathan El-Bizri wrote:
> >Hi,
> >
> >	The 'tap' button on my vortex broke, and the expression pedal input
> >doesn't
> >seem to be working properly. Does anyone know a Lexicon service center or
> >other repair shop in the SF bay area? Maybe I should try contact
> Lexicon...
> >
> >Jonathan El-Bizri
>
> You might try Studio Maintenance in San Rafael, 415-485-6048. I don't know
> whether they are Lexicon approved, but they're good folks and know their
> stuff.
>
> John
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec  7 14:28:05 1998
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i discovered that if i send the aux out on the rang into my alesis q-2 that i
can get a processed loop as well as the original loop and then i can blend
these two signals using the volume wheel, very nice......now i wonder what
little tricks can i use the aux in for? any ideas?.......michael

From Loopers-Delight-request@annihilist.com  Mon Dec  7 15:15:29 1998
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At 4:36 AM -0800 12/7/98, Claude Voit wrote:
>kim
>excellent brilliant
>I will definitly try to learn the search language as there are so many
>interesting topics in there

yes, indeed there are!

>a Question : is this database protected against spam mail adress sucking
>?

no, I have no idea how that could be done. it shouldn't be any different
from the previous archive, so whatever amount of spam that caused, this
should be the same. use bogus mail addresses if it really bugs you, or
learn to be quick with the delete key, or just enjoy your opportunity to
get 50million porno pics and make $$$$millions in multi-level marketing. :-)

>and
>If you want to save some space on your harddisk delete every mail with
>"UNSbscrribe" included

:-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Dec  7 23:31:49 1998
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Yes folks that's right...the Looper's Delight Volume 2 compilation CD is
*finally* available.  Featuring 22 of your favorite loopers on 2 CDs for
only $17.50 (shipped just about anywhere).

To order your copy, please visist: 
http://www.finleysound.com/Looper_CD.html

A portion of the proceeds will be given to Kim Flint to help ease the
financial burden of hosting this wonderful list.

Matt

__________________________________
Matthew F. McCabe
Finley Sound Design
http://www.finleysound.com

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At 8:11 PM -0800 12/7/98, Matt McCabe wrote:
>Yes folks that's right...the Looper's Delight Volume 2 compilation CD is
>*finally* available.  Featuring 22 of your favorite loopers on 2 CDs for

Fantastic! Thanks for all your hard work on this, Matt! And thanks to
everyone who sent in a track, I can't wait to hear it.

now everyone else, go buy a CD and support your fellow loopers!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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In a message dated 12/5/98 6:50:17 PM Central Standard Time, Nemoguitt@aol.com
writes:

> what do you mean by this......"as wide open"?.........michael

                                                                 Start at
adjust overall
               run 50%       run 60%                      50%
volume here
guitar---|---preamp--------lineout----|-------mackie--trim---hi--mid--bass----
main slider----(B)

                                                                 Can adjust
overall 
                                0db (Unity)          0db      here too.
(B)-----main
out----|-----compressor----|-----EQ---|------AMP----------|---------Speakers

Wide open means your preamps, lineout, trim and channel sliders are passing as
much signal as possible.  This reduces line level noise, and stops a lossy
signal.  

I've been working on my overall sound for two years now.  I can dial in a
decent sound in about 20 minutes on my Mackie 1402.   Do yourself a favor and
spend an entire weekend with the board, amps, compressor and eqs.  and hack
until your sound is exactly where you want it, then write all your settings on
a piece of paper and start from there the next time you set up.  You'll find
over time that each device input will have its own mix.  
 
I'll discuss effects loops on the mackie in another note. 
Live vs. Recording settings are completely different approaches.  (another
note)

From Loopers-Delight-request@annihilist.com  Tue Dec  8 23:29:48 1998
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Date: Tue, 8 Dec 1998 19:17:28 EST
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can we do a group buy?..........just kidding!.......cant wait to get my
copy.......btw, how can i get the first LD cd?........michael

From Loopers-Delight-request@annihilist.com  Tue Dec  8 23:50:12 1998
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: Kim Flint <kflint@annihilist.com>, Loopers-Delight@annihilist.com
Subject: Buying the Looper CD from the Loopers-Delight Web-site?
Date: Tue, 8 Dec 1998 18:42:14 -0500 
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Does it make sence to create a page on the Loopers site so people can order
the CD over the web?

dk

> -----Original Message-----
> From:	Kim Flint [SMTP:kflint@annihilist.com]
> Sent:	Tuesday, December 08, 1998 1:58 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: Looper's Delight Volume 2 CDs available NOW!
> 
> At 8:11 PM -0800 12/7/98, Matt McCabe wrote:
> >Yes folks that's right...the Looper's Delight Volume 2 compilation CD is
> >*finally* available.  Featuring 22 of your favorite loopers on 2 CDs for
> 
> Fantastic! Thanks for all your hard work on this, Matt! And thanks to
> everyone who sent in a track, I can't wait to hear it.
> 
> now everyone else, go buy a CD and support your fellow loopers!
> 
> kim
> 
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com

From Loopers-Delight-request@annihilist.com  Tue Dec  8 17:41:09 1998
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Date: Tue, 08 Dec 1998 19:03:41 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: Re: Buying the Looper CD from the Loopers-Delight Web-site?
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At 06:42 PM 12/8/98 -0500, you wrote:
>Does it make sence to create a page on the Loopers site so people can order
>the CD over the web?

uh, you can order it over the web! (you should know that!) It's available
through Marathon Records, who is handling all ordering, shipping, etc. The
page on their site for the CD is here:

http://www.finleysound.com/Looper_CD.html

and the page where you order is here:

http://www.finleysound.com/order.html


they say they take visa, mastercard, american express, and discover.

And yes, there is even a link from the main Looper's Delight site. (although
I still need to add something like "BUY IT NOW!!!" to the wording :-)

so now you have no excuse!

kim
_________________________________________________________
Kim Flint, MTS                     kflint@chromatic.com
Chromatic Research                 408-752-9284
http://www.chromatic.com

From Loopers-Delight-request@annihilist.com  Tue Dec  8 18:01:56 1998
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Subject: HD recording specs
Date: Tue, 8 Dec 98 21:26:45 +0100
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I'm looking into an HD recording setup, on a Mac-based system.  My 
question is: how fast does the hard drive have to be for HD recording?  
Under 10ms?  The system I'm looking at, a 300mHz G3 has an IDE drive.  
Will this cut it, or will I need to invest in a wide/fast SCSI card and a 
drive?

Travis Hartnett

From Loopers-Delight-request@annihilist.com  Tue Dec  8 17:57:22 1998
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From: Trisstine@aol.com
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Date: Tue, 8 Dec 1998 21:12:39 EST
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        Dear Listers,
12/8
        I've been playing guitar for quite a while but recently have decided
to look
        into looping as a compostional tool and as a performance tool. I
already
        have a fairly decent guitar rig, but would like to know if there are
any must
        haves for the beginning looping guitarist. I've got a decent budget to
work
        with, so I was wondering if there is a "do it all machine" like the
Eventide
        series of boxes, or would I be better off going with several different
units
        such as 2 Oberheim Echoplexes, a Rocktron Intellipitch etc.
        Performance is the area I'm most interested in so that would be my
main
        consideration, ease of use during performance, roadworthiness, and so
on.
        However, entertaining myself and my neighbors is also a possibilty,
where
        tap dancing on pedals is not a big problem.
        Any info or help would be greatly appreciated!
                                             Thanks!
                                           Sincerely,
                                         Chris Olden
                                        trisstine@aol.com

From Loopers-Delight-request@annihilist.com  Tue Dec  8 23:58:14 1998
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Message-ID: <000301be2364$5cd7c960$c5b854ce@mark.asisoftware.com>
From: Mark@asisoftware.com (Mark Kata)
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: B.L.U.E. Review
Date: Wed, 9 Dec 1998 06:09:16 -0500
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I saw Bruford-Levin Upper Extremities at the 7th House in Pontiac, Michigan,
last night.

They were fantastic.  David Torn did lots of amazing loops--especially when
he held (and waved) a small tape player over his guitar's pickups and looped
the recording of mid-eastern music through his EDP.

They're performing in Chicago tonight.  Don't miss it.

Mark Kata
Mark@asisoftware.com

From Loopers-Delight-request@annihilist.com  Wed Dec  9 11:20:42 1998
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Message-ID: <366E91E2.B0E16D17@vtx.ch>
Date: Wed, 09 Dec 1998 16:06:10 +0100
From: Claude Voit <c.voit@vtx.ch>
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Hey all

Came back from my Vortex crisis 
thanks for the kind words of psychological support <¦]

Just had an idea about the tap foot switch of the vortex
why not simulate it by hooking it with a tempo source

What is needed:

audio click as tempo source (provided by metronome, seq click out ,drum
machine 
2- relay or else that simulates the vortex switch

I don't have the expertise to build that but I'm sure we could all
brainstorm a little on this idea until one of you engineers makes a
schematics

this could also be used probably for other effects that have a tap tempo
foot switch: Echoplex, G force...

Audio in---vol adjust----divider (x clicks = 1 SW action)----out to FX 

on the box SW 1 = normal tap tempo; SW 2 = send switch action to fx 

SW 1 should be same type as the vortex
SW 2 should be momentary type of switch so you can send the nb of switch
actions you want

this is the start idea

please join in


Claude

From Loopers-Delight-request@annihilist.com  Wed Dec  9 15:33:10 1998
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In a message dated 12/9/98 3:51:51 AM Mid-Atlantic Standard Time,
Trisstine@aol.com writes:

<<  Performance is the area I'm most interested in so that would be my
 main
         consideration, ease of use during performance, roadworthiness, and so
 on. 

no need to fandango when ya got the boomerango!....... its easy and its a
tank....michael

From Loopers-Delight-request@annihilist.com  Wed Dec  9 15:38:32 1998
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Date: Wed, 9 Dec 1998 11:34:42 -0800
To: Loopers-Delight <Loopers-Delight@annihilist.com>
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Vortex footswitch improovement brainstorm
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not really answering the question, but adding a little tidbit of info:

At 7:06 AM -0800 12/9/98, Claude Voit wrote:
>audio click as tempo source (provided by metronome, seq click out ,drum
>machine


>this could also be used probably for other effects that have a tap tempo
>foot switch: Echoplex, G force...

you can actually plug an audio click source (metronome, drum machine, etc.)
directly into the BeatSync jack of the echoplex, and use it for
synchronizing loops to the tempo. Interface-wise, it works much like using
midi clock.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Wed Dec  9 17:32:53 1998
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Date: Wed, 09 Dec 1998 17:01:33 -0500
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From: murkie <murkie@panther.middlebury.edu>
Subject: OT: B.L.U.E. tour
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>Date: Wed, 09 Dec 1998 16:57:01 -0500
>To: door-x
>From: murkie <murkie@middlebury.edu>
>Subject: B.L.U.E. tour
>
>hey.
>
>having been lucky enough to catch a couple shows of the recent tour, i
thought i might share some observations.
>
>whilst trying to prove that you really can drive a buick to death, i hit
the 12/1 show at the joyous lake in woodstock and the 12/5 gig at the
boston-area house of blues.  the differences between these shows were many,
woodstock being a hometown (for torn and levin) warm-up and the h.o.b. show
being mid-tour.  the woodstock gig was dubbed by bruford "david torn's
christmas party" and torn & levin observed that they thought they knew
every single person in the audience.  the woodstock show was loose and
short (2 quick sets), the h.o.b. longer & tighter with fewer (noticeable)
technical difficulties.  the crowd at the woodstock gig was small and
attentive, the h.o.b. was rowdier (with a couple of really scarry drunks).
>
>from these two shows i have also concluded the following:
>
>- bill bruford wants to be a stand-up comic when he grows up.
>
>- levin only photographs his side of the audience
>
>- botti is a magnet for beautiful women (speaking of which, is there a
provision in their rider    requesting  a really cute blonde waitress for
every show?  i wonder...)
>
>- paul (guitar & bass tech) should get combat pay
>
>- torn is a stomp-box Barishnikov
>
>
>at the h.o.b. show, i was lucky enough to be right in front of torn about
8 feet away from his amps (and unbeknownst to me, right next to anil
prasad)  i have never spent so much time at a gig watching someone's feet
(torn's, not anil's).  :^)
>
>there were a couple of nice improv/works in progress and at the h.o.b.
they played a burning "3 minutes of pure entertainment".  
>
>supposedly all of these shows (and the previous tour) were archived to
adat, with a live album coming out next year!  :^)
>
>later,
>m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Wed Dec  9 18:24:44 1998
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From: Fmplautus@aol.com
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Here's today is an XMAS cult looping special.  

I am going to sell a Jamman.  It's loaded with 32 seconds of memory, and comes
complete with manual and foot pedal.

These things still have that signature mellow Lexicon sound...very easy on the
ears out to 14khz...and the interface is straightforward.

$400 plus buyer pays UPS COD shipping.

contact fmplautus@aol.com

From Loopers-Delight-request@annihilist.com  Wed Dec  9 18:25:56 1998
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Date: Wed, 9 Dec 1998 08:59:23 EST
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Vortex JamMan footswitch by mail order (or Maplin stores, UK)

Maplin Electronics (world service) tel +44 (0) 1702 554000
order code YK75S   Double foot switch    inc VAT =A312.25(UK sterling)+pp
(credit card ordering)
I've just found this in the catalogue, it's made by Re-an and is
the same unit that lex supply . 
But its supplied as latching  (easily convertable to non-latching they say=
) .
This is how
You'll need a good medium sized phillips screwdriver and pointy ended plie=
rs
i) remove bottom plate, (two central screws)
ii) remove plastic nut from jack socket
iii) lift out circuit board
iv) now the fiddly bit, you'll see a small part of the switch which is mad=
e
from silver
     colored wire   and wiggles from side to side when you press the switc=
h.
     grab the end of this which is nearest to the jack socket with the pli=
ers.
     You now need to pull away vertically until the end you have hold of 
      comes oout of its hole, without pulling out the other end.
       Now twist to one side and release so that the end you have hold of
falls
       back along side of the switch.
It's easy to do but hard to explain without pictures.

also replacement switches for above order code FH67 (same source).
These aren't actually that good but they are what lex use and I don't know
oof another.

Andy Butler.

From Loopers-Delight-request@annihilist.com  Wed Dec  9 19:10:19 1998
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Message-ID: <366F00D0.3168AEB0@musician.org>
Date: Wed, 09 Dec 1998 15:59:34 -0700
From: eric potter <eric@musician.org>
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The aux input is good for another source like a sampler, or how about a mic and
preamp. You could fly vocalizations in while your playing. I sometimes have a
Mini-disc player with all kinds of weird samples from radio, TV, ethereal
shortwave, etc. On one disc I have tons of loopable tidbits, and I can just call
up number 26 or whatever (As long as I remember the ID numbers).  Or sometimes I
jack an AM radio straight in and make it more of a live performance including
whatever's happening on the local all-Korean station (hey, I'm in Los
Angeles...). AM radio is a great source for adding odd vocals to loops, and of
course tuning in the radio noises that your own equipment generates makes it an
all-original performance.


One thing the aux might be handy for would be feeding it an aux send from your
mixer (if you can spare one) right back into the 'rang. Of course beware of
electronic feedback, but with care you might be able to alter the texture and
maybe create a deteriorating loop as the 'rang attenuates the earlier material
while replacing it with a recycled, grainier pass of the same material. Just
theorizing here. Could be cool.

Anybody else?


Nemoguitt@aol.com wrote:

> i discovered that if i send the aux out on the rang into my alesis q-2 that i
> can get a processed loop as well as the original loop and then i can blend
> these two signals using the volume wheel, very nice......now i wonder what
> little tricks can i use the aux in for? any ideas?.......michael



From Loopers-Delight-request@annihilist.com  Wed Dec  9 19:49:13 1998
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From: Trisstine@aol.com
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Date: Wed, 9 Dec 1998 19:25:09 EST
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     Murkie,(or anyone else who caught the B.L.U.E. tour)
12/9
     Haven't had the oppurtunity to see D.T. perform live, but have his
looping
     videos and they're great! Just out of curiosity, what knd of pedals did
D.T.
     deploy/employ(besides the c.v. pedals) during the gigs? Thanks!
                                        Chris Olden
                                       trisstine@aol.com
                                                        

From Loopers-Delight-request@annihilist.com  Wed Dec  9 20:51:38 1998
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At 07:25 PM 12/9/98 EST, you wrote:
>
>     Murkie,(or anyone else who caught the B.L.U.E. tour)
>12/9
>     Haven't had the oppurtunity to see D.T. perform live, but have his
>looping
>     videos and they're great! Just out of curiosity, what knd of pedals did
>D.T.
>     deploy/employ(besides the c.v. pedals) during the gigs? Thanks!

boss aw-2 auto wah
t.c. electronics sustainer
t.c. electronics phaser
several volume pedals controlling you-name-it
and several stompies i didn't recognize and couldn't read the labelling on.

m

=====================================================================
=                                                                   =
=         M  a  r   k      C  h  r  i  s  t  e  n  s  e  n          =
=     Cramped Quarters Studio / Jasperpottamus Music Publishing     =
=                  internet: murkie@middlebury.edu                  =
=          http://www.middlebury.edu/~mchriste/murkie.html          =
=                                                                   =
=====================================================================

From Loopers-Delight-request@annihilist.com  Wed Dec  9 22:06:27 1998
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Subject: Re: HD recording specs
Date: Thu, 10 Dec 98 02:58:58 -0000
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>I'm looking into an HD recording setup, on a Mac-based system.  My 
>question is: how fast does the hard drive have to be for HD recording?  
>Under 10ms?  The system I'm looking at, a 300mHz G3 has an IDE drive.  
>Will this cut it, or will I need to invest in a wide/fast SCSI card and a 
>drive?
>
>Travis Hartnett

You'll get a pretty low track count out of the IDE drive. You can 
probably use a regular SCSI drive attached to the mac's built in SCSI, 
you don't really need super-fast drives but the faster the better. Go for 
less than 10ms sek time and sustained transfer of 10Mb/s or more. 



Martin Shellard

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Hello there...I'm new to this list, but I am delighted to have found 
you all.

I'm wondering if anyone can offer any insight about a little internal 
debate I've been having.  Although I'm sure this question has already 
been posed several times, here goes....

What are some +'s and -'s when comparing these 2 machines (A3000 and 
SP-808)?  I'm primarily interested in ease/speed of use, sound 
quality, capabilities, features, sexiness, versitility, power, and I 
guess last but not least, live usage.

Right then...thanks in advance.

jsilver

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In a message dated 12/9/98 6:50:58 PM, Trisstine@aol.com writes:

>Haven't had the oppurtunity to see D.T. perform live, but have his looping
> videos and they're great! Just out of curiosity, what knd of pedals
>did D.T. deploy/employ(besides the c.v. pedals) during the gigs?

He seems to be using pretty much the same pedals as in his video....some
differences I noted at the Chicago show- he has "industrial" switches on his
EDP controller pedal, and he hwas one of those volume pedals with the string
of lights (I don't recall the brand).

Oh, btw, it was a fantastic show......and yes, Bruford is pretty funny.

Marshall

From Loopers-Delight-request@annihilist.com  Thu Dec 10 01:19:15 1998
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Reply-To: <sgoodman@earthlight.net>
From: "Stephen P. Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: HD recording specs
Date: Wed, 9 Dec 1998 21:44:50 -0800
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I think one item that is platform-independent is caching.  If you've got a
450MHz machine and a 7ms drive, you're still going to be disappointed in the
performance unless you've got a sizable cache.

Thoughts on this, folks?

Stephen Goodman  -  It's... The Loop Of The Week (Flip Wilson)!
EarthLight Studios  -  http://www.earthlight.net/Studios

From Loopers-Delight-request@annihilist.com  Thu Dec 10 02:02:33 1998
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Date: Wed, 9 Dec 1998 20:36:00 -0800 (PST)
From: Randy Jones <ranjones@yahoo.com>
Subject: Re: HD recording specs
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Hi,

Event Electronics has a free software program, "Echo Reporter"

http://www.event1.com/

that will analyze a system and give specific information for recording
w/ their hardware (PC/MAC-Layla, Gina, etc.) I'm not sure though
whether the Echo Reporter works on a Mac. I believe the speed of the
hard drive is relative to the number of tracks to be recorded/played 
at once as well as sample rate, etc. Hard drive size is another
consideration as sound files can become huge. I have started using a
Travan 4/8 gig tape drive with my PC to store some wav files, using
Seagate's Direct Tape Access which allows access to the tape drive as
if it were a hard drive. Its access is too slow to process or record,
but it is handy for storage and transfer. I can store 4/8 gigs for
$30+-, keeping lots of wav handy.

Randy Jones







---Martin Shellard <martins@pwdu.demon.co.uk> wrote:
>
> >I'm looking into an HD recording setup, on a Mac-based system.  My 
> >question is: how fast does the hard drive have to be for HD
recording?  
> >Under 10ms?  The system I'm looking at, a 300mHz G3 has an IDE
drive.  
> >Will this cut it, or will I need to invest in a wide/fast SCSI card
and a 
> >drive?
> >
> >Travis Hartnett
> 
> You'll get a pretty low track count out of the IDE drive. You can 
> probably use a regular SCSI drive attached to the mac's built in
SCSI, 
> you don't really need super-fast drives but the faster the better.
Go for 
> less than 10ms sek time and sustained transfer of 10Mb/s or more. 
> 
> 
> 
> Martin Shellard
> 
> 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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Date: Thu, 10 Dec 1998 13:38:46 +0100
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In fact, I would choose the EMU ESI 4000.
Wait, I dfid choose it. Mmmmm... (Sound quality, more than anything and price
were the two main reasons. It is equipped with a zip drive and the turbo option.
All tests point the superior sound of the ESI 4000 over the A3000, in the same
price range. For teh Sp 808, I can't tell, but the filters on the Emu, that I
know, are a real pleasure...

Olivier Malhomme

From Loopers-Delight-request@annihilist.com  Thu Dec 10 08:08:53 1998
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Date: Thu, 10 Dec 1998 13:47:42 +0100
From: PERILLE <perille@club-internet.fr>
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Subject: DJRND2  Fs=40khz 
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Hello

I have upgrated the DJRND2 to a sampling rate frequency of 40 khz, which
gives now a 19 khz bandwith.

Some prototypes are available if you wish to try.

http://www.club-internet.fr/membres/perille

So long

Emmanuel PERILLE
perille@club-internet.fr

From Loopers-Delight-request@annihilist.com  Thu Dec 10 08:55:56 1998
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Date: Thu, 10 Dec 1998 14:43:41 +0100
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From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: A3000 vs. SP-808?
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Hi

they are 2 different machines, but if you want to do a great investment for
the future go for tha A3000. It's a real sampler (not phrase sampler like
the SP808) with a lot of real time features. plus 3 internal multi FX (a lot
of modern processing), great support on the web (A3K central and mailing
list), multi output kit for few dollars, a lot of filters, sequence reader
and a great sound. Use it along a PC for sample editing and it's a killer!   

ciao
leo

At 22.07 09/12/98 -0500, you wrote:
>Hello there...I'm new to this list, but I am delighted to have found 
>you all.
>
>I'm wondering if anyone can offer any insight about a little internal 
>debate I've been having.  Although I'm sure this question has already 
>been posed several times, here goes....
>
>What are some +'s and -'s when comparing these 2 machines (A3000 and 
>SP-808)?  I'm primarily interested in ease/speed of use, sound 
>quality, capabilities, features, sexiness, versitility, power, and I 
>guess last but not least, live usage.
>
>Right then...thanks in advance.
>
>jsilver
>
>
>

From Loopers-Delight-request@annihilist.com  Thu Dec 10 13:46:09 1998
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Date: Thu, 10 Dec 1998 09:53:00 -0800 (PST)
From: H IP <hip808@yahoo.com>
Subject: MIDI Sync for Echoplex and Live Setup
To: Loopers-Delight@annihilist.com
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Dear all,

I sync-ed my computer (with Logic Audio on Mac and Cubase VST on PC)
to EDP via MIDI (Computer as master). After I've recorded a couple of
"Next" loops, the EDP is out of sync with the computer. I found the
start point is drifting and finally my EDP is complete out of sync
with the computer. However, it sometimes go back in sync after I
"Mute" and un-"Mute".

I'm using the latest s/w version 5.0 which is supposed to be perfect
for MIDI sync. I've two units of EDP and they have the same problem.
Anyone has similar experience?

Also, I want to play the EDP "live" with my drummer. I'd like to let
my drummer hear the "click" on my EDP without disturbing others (of
course, I don't want the audiences hear the click) and all other band
players follow the beat from drummer.

One of my setup is to use a drum machine as a master MIDI clock and
let my drum hear it directly. However, the drum machine has a low
volume and the drummer cannot hear when everyone plays. I was thinking
to use a PC lab top but it failed me with the above problem.

Anyone has better suggestion for the simplest setup so that I can have
a "click" for my drummer?

Besides, how do you guys use the Echoplex for live with a band?

Any comments are highly appreciated.

Alan



---Kim Flint <kflint@annihilist.com> wrote:
>
> not really answering the question, but adding a little tidbit of info:
> 
> At 7:06 AM -0800 12/9/98, Claude Voit wrote:
> >audio click as tempo source (provided by metronome, seq click out
,drum
> >machine
> 
> 
> >this could also be used probably for other effects that have a tap
tempo
> >foot switch: Echoplex, G force...
> 
> you can actually plug an audio click source (metronome, drum
machine, etc.)
> directly into the BeatSync jack of the echoplex, and use it for
> synchronizing loops to the tempo. Interface-wise, it works much like
using
> midi clock.
> 
> kim
> 
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
> 
> 
> 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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From: Chris Chovit <cho@newdream.net>
Subject: tape backup (was Re: HD recording specs)
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Interesting...  Does anyone have other comments on tape backup systems?
good or bad experiences with various media?



>Hi,
>
>Event Electronics has a free software program, "Echo Reporter"
>
>http://www.event1.com/
>
>that will analyze a system and give specific information for recording
>w/ their hardware (PC/MAC-Layla, Gina, etc.) I'm not sure though
>whether the Echo Reporter works on a Mac. I believe the speed of the
>hard drive is relative to the number of tracks to be recorded/played
>at once as well as sample rate, etc. Hard drive size is another
>consideration as sound files can become huge. I have started using a
>Travan 4/8 gig tape drive with my PC to store some wav files, using
>Seagate's Direct Tape Access which allows access to the tape drive as
>if it were a hard drive. Its access is too slow to process or record,
>but it is handy for storage and transfer. I can store 4/8 gigs for
>$30+-, keeping lots of wav handy.
>


From Loopers-Delight-request@annihilist.com  Thu Dec 10 14:25:33 1998
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Subject: Re: MIDI Sync for Echoplex and Live Setup
Date: Thu, 10 Dec 98 19:02:56 -0000
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From: Martin Shellard <martins@celtic.co.uk>
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>One of my setup is to use a drum machine as a master MIDI clock and
>let my drum hear it directly. However, the drum machine has a low
>volume and the drummer cannot hear when everyone plays. I was thinking
>to use a PC lab top but it failed me with the above problem.
>
>Anyone has better suggestion for the simplest setup so that I can have
>a "click" for my drummer?

Yes, buy a headphone amplifier for your drummer to monitor the click 
through. Taking a pc laptop onstage? why that's just crazy talk!



Martin Shellard

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> From: Chris Chovit [mailto:cho@newdream.net]
> Interesting...  Does anyone have other comments on tape
> backup systems?
> good or bad experiences with various media?

It would almost be incumbent to think DAT tapes as the medium for tape
backups these days, though the good old 3120's can still take 680MB on their
own.  From a functional standpoint, though,  TAPE DIES.  In one way or
another, the medium is less-than-permanent.

I think that, given the cost of DAT backup drives (the HP Surestore being a
workhorse) and the decreasing cost of CD-R and CD-RW drives, that it's much
better to save them on CD.  And that tape should go the way of, well, tape,
unless one needs to backup whole 4GB partitions at a time.

When DVD becomes home-recordable this too should be historical.  It's a
wonder that 3M isn't thinking about this as well.

Stephen Goodman  -  It's... The Loop Of The Week!
EarthLight Studios  -  http://www.earthlight.net/Studios

From Loopers-Delight-request@annihilist.com  Thu Dec 10 18:11:30 1998
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From: John Neilson <jneil@echonyc.com>
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Subject: Multiple Loops question
To: Loopers-Delight@annihilist.com
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I haven't had a chance to play with all of the latest generation of 
loopers, but here's a question that might help narrow things down for
me:

Which -- if any -- of these boxes will let you play multiple loops
simultaneously?  I don't mean layering on one loop and then clicking
to a parallel, but unrelated loop for another section.  I mean having
loops 1 - 2 - 3 - 4... running simultaneously in parallel, and being
able to turn off #2 for a couple passes, then bring it back in and 
turn off #4, etc.  You know, like an 8-track mixer with track mute
buttons, or like a sampler where you can trigger multiple samples 
while others are playing.

I've been reading the lit, and while they'll all do more than one loop
it's unclear if they'll do it in quite this way.

Thanks!
----------------------- Tear Along Dotted Line -----------------------
John Neilson                                             www.mixup.com 
jneil@mixup.com                                  "a site for sore ears"

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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re: Multiple Loops question
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> ...  I don't mean layering on one loop and then clicking to a parallel, but 
> unrelated loop for another section.  I mean having loops 1 - 2 - 3 - 4... 
> running simultaneously in parallel, and being able to turn off #2 for a couple
> passes, then bring it back in and  turn off #4, etc.  You know, like an 
> 8-track mixer with track mute buttons, or like a sampler where you can trigger
> multiple samples  while others are playing.

Hi John... Bob Sellon from Lexicon has attempted to do this Channel approach to 
looper programming in an upgrade to the JamMan... Whether it's out of the beta 
phase and running smoothly is anyone's guess.

OTOH you can easily achieve this approach with an old TEAC 3340 (is that the 
number?) 4 track deck. Of course you end up with giant rabbit ears and spindles 
hanging out in space... 8-)

-miko

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Multiple loops question ?

One answer = DJRND2

http://www.club-internet.fr/membres/perille

prototypes available to try

Emmanuel PERILLE
perille@club-internet.fr

From Loopers-Delight-request@annihilist.com  Fri Dec 11 00:22:50 1998
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To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: MIDI Sync for Echoplex and Live Setup
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At 9:53 AM -0800 12/10/98, H IP wrote:
>Dear all,
>
>I sync-ed my computer (with Logic Audio on Mac and Cubase VST on PC)
>to EDP via MIDI (Computer as master). After I've recorded a couple of
>"Next" loops, the EDP is out of sync with the computer. I found the
>start point is drifting and finally my EDP is complete out of sync
>with the computer. However, it sometimes go back in sync after I
>"Mute" and un-"Mute".
>
>I'm using the latest s/w version 5.0 which is supposed to be perfect
>for MIDI sync. I've two units of EDP and they have the same problem.
>Anyone has similar experience?

Well, that should work. (It's always worked great for me, anyway...:-)

check the following parameter settings:

SwitchQuant = CYC
Quantize = On
Sync = IN
8ths/beat = something appropriate to your sequence

Sounds to me like you might have SwitchQuant off?  Also, watch the sync
LEDs. While the clock is going you should see the dot on the far right of
the numeric display blink at each cycle point. That tells you the echoplex
is seeing the clock. Once you have a loop going, you should see the
second-from-the-right dot blink at the same time as the rightmost one, at
the startpoint. That one blinks each time the echoplex syncs the loop with
the clock, at the start point. It should remain consistent with beginning
of the bar of your sequencer (or whatever time increment you use). It
shouldn't get off when you switch loops either, unless somehow you are
switching out of time, without waiting for the echoplex to switch it
automatically at the sync point. Or it could happen if you force one of the
other loops to record out of sync (by pressing record again during the
period when it is waiting for the sync, which is sometimes useful.)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Fri Dec 11 03:51:10 1998
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>Subject: Multiple Loops question
>
>Which -- if any -- of these boxes will let you play multiple loops
>simultaneously?  I don't mean layering on one loop and then clicking
>to a parallel, but unrelated loop for another section.  I mean having
>loops 1 - 2 - 3 - 4... running simultaneously in parallel, and being
>able to turn off #2 for a couple passes, then bring it back in and 
>turn off #4, etc.  You know, like an 8-track mixer with track mute
>buttons, or like a sampler where you can trigger multiple samples 
>while others are playing.

I've wondering about this as well - my dream looper would be all of the 
above w/ pitch modulation, the ability to save the loops to a SCSI 
device,  Full MIDi support and onboard FX ('verb at least). It Doesn't 
seem like it's too much to ask for but until I get an advanced E.E. 
degree  I'll be  hoping that my EDP &  sampler (an ASR10) will have 
puppies one night...

jmw


From Loopers-Delight-request@annihilist.com  Fri Dec 11 10:19:20 1998
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Date: Fri, 11 Dec 1998 07:01:50 -0800 (PST)
From: H IP <hip808@yahoo.com>
Subject: Re: MIDI Sync for Echoplex and Live Setup
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Thanks for comments from Martin and Kim. I'll try it again and see
what happen.

By the way, I didn't mention that one reason I bring the laptop on
stage is to play pre-recorded loops (since I used Logic Audio on Mac)
in real time with drummer and myself playing the EDP. I have to play
these pre-cooked loops since they are heavily processed (like pitch
shifted and harmonic changed).

I think some of you will prefer to bring a sampler, like ASR-10, S3000
or S760 (like David Torn). However, I'm using SampleCell at home, I
can't bring it out. Second, I have almost all my recordings with Logic
Audio. I can simply mute those MIDI sequences and let band member to
perform.

It may sound a bit ironic to some of you, but I just don't want
everything "pre-cooked", and I would like to do some improvisatios,
both for solo and loops on stage.




---Martin Shellard <martins@celtic.co.uk> wrote:
>
> >One of my setup is to use a drum machine as a master MIDI clock and
> >let my drum hear it directly. However, the drum machine has a low
> >volume and the drummer cannot hear when everyone plays. I was
thinking
> >to use a PC lab top but it failed me with the above problem.
> >
> >Anyone has better suggestion for the simplest setup so that I can
have
> >a "click" for my drummer?
> 
> Yes, buy a headphone amplifier for your drummer to monitor the click 
> through. Taking a pc laptop onstage? why that's just crazy talk!
> 
> 
> 
> Martin Shellard
> 
> 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Fri Dec 11 13:59:58 1998
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From: John Neilson <jneil@echonyc.com>
Message-Id: <199812111842.NAA12944@echonyc.com>
Subject: Re: Multiple Loops question
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Forwarded message:
> >Subject: Multiple Loops question
> >
> >Which -- if any -- of these boxes will let you play multiple loops
> >simultaneously?  I don't mean layering on one loop and then clicking
> >to a parallel, but unrelated loop for another section.  I mean having
> >loops 1 - 2 - 3 - 4... running simultaneously in parallel, and being
> >able to turn off #2 for a couple passes, then bring it back in and 
> >turn off #4, etc.  You know, like an 8-track mixer with track mute
> >buttons, or like a sampler where you can trigger multiple samples 
> >while others are playing.
> 
> I've wondering about this as well - my dream looper would be all of the 
> above w/ pitch modulation, the ability to save the loops to a SCSI 
> device,  Full MIDi support and onboard FX ('verb at least). It Doesn't 
> seem like it's too much to ask for but until I get an advanced E.E. 
> degree  I'll be  hoping that my EDP &  sampler (an ASR10) will have 
> puppies one night...
> 
> jmw
> 
So I gather that none of the current boxes do this?  I had thought that
the Echoplex would have been the one that might have his feature, given
the big ticket price and the fact that it has the perfect foot controller 
for it (unlike the old JamMan).

I can't believe this would be all that hard to do.

----------------------- Tear Along Dotted Line -----------------------
John Neilson                                             www.mixup.com 
jneil@mixup.com                                  "a site for sore ears"

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Date: Fri, 11 Dec 1998 11:16:26 -0800
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: MIDI Sync for Echoplex and Live Setup
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At 7:01 AM -0800 12/11/98, H IP wrote:

>It may sound a bit ironic to some of you, but I just don't want
>everything "pre-cooked", and I would like to do some improvisatios,
>both for solo and loops on stage.

I don't think that's very unusual for this list at all. Most people here
seem to be quite interested in that mix of live and looped. That's a big
focus of this idea of "looping", that it doesn't have to be all
pre-cooked.....quite a few of us prefer to do all looping entirely on the
fly and never precomopse anything at all. lots of interesting territory to
explore there.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Date: Sat, 12 Dec 1998 08:55:24 +1100 (EST)
From: Bret <echoplex@yahoo.com>
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Am I stating the obvious, the EDP in brother sync with other EDP can
do this, and more. 
bret

---Mike Biffle <Mike.Biffle@wj.com> wrote:
>
> > ...  I don't mean layering on one loop and then clicking to a
parallel, but 
> > unrelated loop for another section.  I mean having loops 1 - 2 - 3
- 4... 
> > running simultaneously in parallel, and being able to turn off #2
for a couple
> > passes, then bring it back in and  turn off #4, etc.  You know,
like an 
> > 8-track mixer with track mute buttons, or like a sampler where you
can trigger
> > multiple samples  while others are playing.
> 


_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Fri Dec 11 22:33:11 1998
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From: Kriist@aol.com
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Date: Fri, 11 Dec 1998 22:13:30 EST
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Im looking to buy a used echoplex, anybody?
Any leads?

Rodrigo 
Kriist@Aol.com

From Loopers-Delight-request@annihilist.com  Fri Dec 11 22:32:28 1998
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Marzzz@aol.com mighta writ:

>He seems to be using pretty much the same pedals as in his video....some
>differences I noted at the Chicago show- he has "industrial" switches on
>his
>EDP controller pedal, and he hwas one of those volume pedals with the string
>of lights (I don't recall the brand).

pedals were these:
visual volume wah (disconnected from a.c., ie: minus the lightshow & wah)
tc compressor/para eq, tc 12-stage phaser
guyatone wr2
boss aw2, boss analog delay
z-vex seekwah, z-vex fuzzfactory

>Oh, btw, it was a fantastic show......
thanks!

>and yes, Bruford is pretty funny.
yup.....
best,
dt

From Loopers-Delight-request@annihilist.com  Fri Dec 11 23:18:42 1998
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From: RA336@aol.com
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Date: Fri, 11 Dec 1998 22:58:30 EST
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hey all...
quick notification I'll be at CBGB's with the TomTomClub on Saturday 12
december... looping and funky-noodling.
all best,
Robby Aceto

From Loopers-Delight-request@annihilist.com  Sat Dec 12 06:19:59 1998
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Date: Sat, 12 Dec 1998 12:10:13 +0100
From: Mark Kunzmann <kunmar00@stud.unibas.ch>
Subject: dt CD and EDP mailorder
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Hi guys!

I'm new to the list - and am really glad  to have found you :-) Don't
know if you know about this: Just thought I'd let you know about a new
CD featuring Vernon Reid/E#/David Torn live at The Knitting Factory, NY
earlier this year. Don't know how much looping is going on though as I'm
still waiting for my copy to arrive... Check out www.knittingfactory.com
They have a cool special offer going on at the moment too: any 3 CDs for
$25 (-and no, I don't work for them!)

Also, I've been looking to buy an EDP through mailorder but haven't
found anyone who is willing do this. Has anyone out there in Europe
ordered one of these in the States? If so, I'd be glad to hear from you.

Thanks -
Mark

From Loopers-Delight-request@annihilist.com  Sat Dec 12 12:03:46 1998
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Message-ID: <3672A029.441E6BAC@dial.pipex.com>
Date: Sat, 12 Dec 1998 16:56:09 +0000
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Hello chaps,
'Been messing with a brilliant program for the PC - Audiomulch.
It's what I've ben looking for for a loooong time.
Basically its a series of signal processing "contraptions", 
ring mod, stereo delay up to 2seconds per side, phaser, 
flanger, mixers spatialiser, (doppler shifter) and - wait for it 

REAL TIME GRANULATOR YES YES YES :)))))))

So you set up the real time input icon and attatch it to say 
a stereo delay, (of course) but then you set up another 
stereo delay, and another........
you can feed the signal back into itself via a virtual 
mixer, perhaps also via a parametric eq or a reverb contraption 
so each successive delay is more reverberated than the last.
and yes you could arrange it so that you can set up a loop 
by opening the input to one of an array of delays,set up a loop
close its input thus leaving it running and then open another 
leaving you with the option to fade the original. If you have 
enough processing power you could have quite a few going.
I have a Pentium 1 200mhz and can set up 2 * 8 sec independant 
delays (mono) with the ability to fade each in or out. I've taken 
audiomulch to work, (purely in the interests of research you understand)
 and it runs about 4 times as fast on that p2 333mhz. Thats 8 * 8second
mono delays all at once. I can't stop using this thing:))

The latency is about 160 millisecs on my system which I can certainly
live with but obviously even less on a P2

It's a beta version at the moment but it's surprisingly stable for that.

I KNOW some of you guys are going to LOVE this thing.

Naturally I've asked for longer delays and the author seems amenable
check it out
www.audiomulch.com

No I'm not working for the guy I'm just SOOOO impressed!

Gareth

> Which -- if any -- of these boxes will let you play multiple loops
> simultaneously?  I don't mean layering on one loop and then clicking
> to a parallel, but unrelated loop for another section.  I mean having
> loops 1 - 2 - 3 - 4... running simultaneously in parallel, and being
> able to turn off #2 for a couple passes, then bring it back in and
> turn off #4, etc.  You know, like an 8-track mixer with track mute
> buttons, or like a sampler where you can trigger multiple samples
> while others are playing.
>> 
> > ...  I don't mean layering on one loop and then clicking to a parallel, but
> > unrelated loop for another section.  I mean having loops 1 - 2 - 3 - 4...
> > running simultaneously in parallel, and being able to turn off #2 for a couple
> > passes, then bring it back in and  turn off #4, etc.  You know, like an

From Loopers-Delight-request@annihilist.com  Sat Dec 12 14:48:20 1998
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Date: Sat, 12 Dec 1998 12:46:53 -0800
From: Jim Coker <jcoker@magelang.com>
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Try erwill@hotmail.com. I think he still has one.

jim


Kriist@aol.com wrote:
> 
> Im looking to buy a used echoplex, anybody?
> Any leads?
> 
> Rodrigo
> Kriist@Aol.com

From Loopers-Delight-request@annihilist.com  Sat Dec 12 15:50:57 1998
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Subject: Textures upon compilation
Date: Sat, 12 Dec 1998 15:39:25 -0500
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To allow everyone in on what's going on in my line of life, i have recently
been released on two separate compilations.

First...The Guitar Player Compilation CD is finally out with myself as the
next to the last song on the CD. If anyone is interested in hearing this
compilation, i am selling them for $7.00 American currency. For more
information on this please e-mail me at... collinsclan@sprintmail.com

Second...I have recently been put upon a cassette compilation by Digital
Intersect Recordings. It features a nine minute piece off my first cassette
titled "An Intuitive Definition of the Strong Force that Guides Us". This is
a compilation that includes noise shapers, and ambient terrifies. This
compilation is $3.00 from their company. For more information, please
contact... http://www.geocities.com/SunsetStrip/Arena/1996/

I thank you all for your time...and hope that you will also visit my site,
which will be updated very soon. Continue looping brothers.

Sincerely,
Jeff Collins
http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html


From Loopers-Delight-request@annihilist.com  Sat Dec 12 16:07:22 1998
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: this looper's delight
Date: Sat, 12 Dec 1998 12:52:50 -0800
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From: "Gerry P" <manda@nomin.norlink.net>
To: <Loopers-Delight@annihilist.com>
Subject: Recording with Stereo EDP's
Date: Sat, 12 Dec 1998 18:34:20 -0000
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Just wondering if :

1) Is it possible to RECORD on both EDP's at the same time -i.e. assigning L
and R
    tracks of my DAT - each to one of the synced EDPs?
2) Can both synced EDP's OVERDUB at the same time?  i.e. split source to
each
    EDP - i.e. processed/unprocessed signal

Thanks in advance

Gerry P
manda@norlink.net


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To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Recording with Stereo EDP's
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At 10:34 AM -0800 12/12/98, Gerry P wrote:
>Just wondering if :
>
>1) Is it possible to RECORD on both EDP's at the same time -i.e. assigning L
>and R
>    tracks of my DAT - each to one of the synced EDPs?

yep.

>2) Can both synced EDP's OVERDUB at the same time?  i.e. split source to
>each
>    EDP - i.e. processed/unprocessed signal

yep. that's the idea with using two of them sync'd together as a stereo
pair. Whatever function you do on one occurs simultaneously on the other.
But they are still two discrete units, so the audio paths are completely
separate.

alternatively, you can have two (or more) of them BrotherSync'd together
for synching the loops while still having independent control over each.
That's one really versatile way of getting the multitrack loop setup
without compromising on user interface. It's also a great way to have
multiple people looping together. Each has independent control over his own
echoplex, while being able to keep loops sync'd with the others.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sat Dec 12 19:46:09 1998
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Date: Sat, 12 Dec 1998 16:35:33 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: dt CD and EDP mailorder
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At 3:10 AM -0800 12/12/98, Mark Kunzmann wrote:

>Also, I've been looking to buy an EDP through mailorder but haven't
>found anyone who is willing do this. Has anyone out there in Europe
>ordered one of these in the States? If so, I'd be glad to hear from you.


I think people have successfully gotten echoplex units sent overseas from
these places:

Bananas at Large almost always has them:
1504 Fourth Street
San Rafael, CA 94901
USA
Phone (415)457-7600
Fax (415)457-9148
bananas@bananas.com
http://www.bananas.com

Mars music:
http://www.marsmusic.com

Alto Music @ (914) 692-6922 10-6pm Monday through Saturday and ask for John

8th street music in new york:
http://www.8thstreet.com


I think any Gibson dealer (in the states, anyway, probably not europe yet)
can order one. They're working on CE approval for it, but I don't know when
they expect to have that all done. I guess you could always ask them:
obie@gibson.com. Although, you're in Switzerland, where they don't need CE,
right? I dunno, maybe the Gibson dealers in CH can get them. Worth a try,
eh?

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sat Dec 12 20:15:31 1998
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From: "Gerry P" <manda@nomin.norlink.net>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Recording with Stereo EDP's
Date: Sat, 12 Dec 1998 20:08:58 -0000
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Kim

Thanks for the response - and from what I've seen from my EDP to date, it
doesn't surprise me that it is able to do the tasks I asked about - it's
just a great product.


Gerry P
manda@norlink.net
-----Original Message-----
From: Kim Flint <kflint@annihilist.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, December 12, 1998 11:46 PM
Subject: Re: Recording with Stereo EDP's


>At 10:34 AM -0800 12/12/98, Gerry P wrote:
>>Just wondering if :
>>
>>1) Is it possible to RECORD on both EDP's at the same time -i.e. assigning
L
>>and R
>>    tracks of my DAT - each to one of the synced EDPs?
>
>yep.
>
>>2) Can both synced EDP's OVERDUB at the same time?  i.e. split source to
>>each
>>    EDP - i.e. processed/unprocessed signal
>
>yep. that's the idea with using two of them sync'd together as a stereo
>pair. Whatever function you do on one occurs simultaneously on the other.
>But they are still two discrete units, so the audio paths are completely
>separate.
>
>alternatively, you can have two (or more) of them BrotherSync'd together
>for synching the loops while still having independent control over each.
>That's one really versatile way of getting the multitrack loop setup
>without compromising on user interface. It's also a great way to have
>multiple people looping together. Each has independent control over his own
>echoplex, while being able to keep loops sync'd with the others.
>
>kim
>
>______________________________________________________________________
>Kim Flint                   | Looper's Delight
>kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
>
>
>

From Loopers-Delight-request@annihilist.com  Sat Dec 12 22:29:12 1998
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Subject: EDP price?
Date: Sun, 13 Dec 98 03:26:14 -0000
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From: Martin Shellard <martins@pwdu.demon.co.uk>
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
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Hi all
I'n new to the list and was wondering how much an echoplex goes for in 
the US. I'm in the UK but I'm planning a trip th SF soon. Also, is anyone 
using a G-Forcs? Any comments appreciated.



Martin Shellard

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Date: Sat, 12 Dec 1998 21:09:46 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Multiple Loops question
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At 10:42 AM -0800 12/11/98, John Neilson wrote:
>Forwarded message:
>> >Subject: Multiple Loops question
>> >
>> >Which -- if any -- of these boxes will let you play multiple loops
>> >simultaneously?  I don't mean layering on one loop and then clicking
>> >to a parallel, but unrelated loop for another section.  I mean having
>> >loops 1 - 2 - 3 - 4... running simultaneously in parallel, and being
>> >able to turn off #2 for a couple passes, then bring it back in and
>> >turn off #4, etc.  You know, like an 8-track mixer with track mute
>> >buttons, or like a sampler where you can trigger multiple samples
>> >while others are playing.
>>
>> I've wondering about this as well - my dream looper would be all of the
>> above w/ pitch modulation, the ability to save the loops to a SCSI
>> device,  Full MIDi support and onboard FX ('verb at least). It Doesn't
>> seem like it's too much to ask for but until I get an advanced E.E.
>> degree  I'll be  hoping that my EDP &  sampler (an ASR10) will have
>> puppies one night...
>>
>> jmw
>>
>So I gather that none of the current boxes do this?  I had thought that
>the Echoplex would have been the one that might have his feature, given
>the big ticket price and the fact that it has the perfect foot controller
>for it (unlike the old JamMan).

When did ~$600 become a "big ticket price"???  Which adjectives are left
for things in the $3-4k range, like kyma, eventide dsp4000, emu 4xt, k2500,
etc?  "really fuckin' enourmously huge ticket price?" :-)  I mean, the
"affordable" class of traditional samplers (emu esi-4000, yamaha A3k, etc.)
or even the roland sp808, are about twice that with no options added, at a
street price around $1200. And none of those have full duplex audio to let
you do things like real-time overdubs and such that loopers do. they also
lack high end sampler features like scsi, spdif, full effects, etc. You
just ain't going to get full realtime looping capabilities plus all the
features of the top samplers for $600! (or $1200, probably....).

I'm curious about your thought that the echoplex footpedal is perfect for
working with multitrack loops. It's fine for one loop track, but I don't
see how it could easily apply to multiple tracks at the same time. I think
people don't realize just how complicated the interface for fully
multitracking looper would have to be. The idea of fully asynchronous
multitracked loops sounds great on the surface, and everyone wants it, but
how do really deal with controlling it all in realtime without being
totally overwhelmed? Have you really thought this out? I don't think 7 red
buttons are gonna do it! Imagine: recording input 1 onto loop 5 while
multiplying loop 2 and adding something else from input 2 to it while
changing the feedback of loop 4 and copying 2 bars of loop4 to loop 1 and
loop 7 while changing the mix of loop 3 and doing undos on loop 6 and
stuttering triggers on loop 8. Is it possible to make an elegant interface
where such things can be done easily? Or do we need to grow more appendages?

At the very minimal, I'd think you would want this footcontroller to have a
set of switches to select which track you are currently operating on,
another set of function switches, and some indicators to tell you what loop
you are currently working with. That right there is quite a bit more
complicated than the echoplex pedal, and to me it is still very
rudimentary.

What about mixing? you also want to control which tracks the inputs are
going to, and control the mix of all the loop tracks and the inputs going
to the output. (or outputs, since you probably want several...:-) And
you'll probably want patch points to send the feedback path out to external
effects, with appropriate mix control over that. So that's a whole mess of
faders, level indicators, mute buttons, etc. Certainly way beyond what
could be sensibly put on a footpedal or a rack, so we're talking table-top.

You'll need quite a display to show you what's going on with all these
different tracks (loop time for each, current function operating,
multiple#'s, sync status, etc, etc...). In fact, we want to access a file
system over scsi or whatever and probably deal with lots of parameters. So
we'll throw in a nice graphical display with some function keys and
parameter editing knob. And lots of knobs, right? We'll need feedback
control for each track, and the endlessly requested pitch and time warp
knobs. And some filter knobs, can't forget those. Knobs for LFO modulations
too, sure. Others? heck we'll throw in a few assignable knobs for anything
you want. And we'll need some set of controls to let loops interact with
each other, for copies, replaces, synchronization, even modulations maybe.

uh-oh, looks like our control panel all by itself will cost $2000, hope
there's lots of wealthy loopers out there....;-)

But we still haven't really dealt with the question, "how do you control
multiple loop tracks in realtime?" Sure, our imaginary uber-looper has
multiple tracks availabe. and lots of controls for them. But it's the
brute-force approach, everything is laid out there, it's big. The more
tracks, the more complicated it gets. When does it get too complicated and
you can no longer focus on the actual music? Also, it still enforces an
approach where the user is really only working on one track at a time, then
switching to another to work with it. The tracks might be playing
simultaneously, but not controlled simultaneously by the user. That might
be ok for meticulously composing something, but we want to work in real
time. So somehow, a meta interface is needed, something to put the user a
notch above the detailed interface so he/she/it can truly manipulate
multiple tracks simultaneously, and still remain musically creative. Any
thoughts on that? Is there a genius in the house to crack this nut?

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Dec 13 02:08:30 1998
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Date: Sun, 13 Dec 1998 02:00:44 -0500
Subject: Straylight in NYC
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the ambient-avant-world music improv. trio Straylight will be performing
at Tonic on Wed. Dec. 16th along with the Bern Nix trio.
show starts at 9pm

Straylight:
Geoff Gersh- elec. guitar, loops
Charles Cohen- analog Buchla music easel
Jason Finkelman- percussion
special guest: Cynthia Oliver- movement, texts


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      Listers,                                                          12/12
      At the risk of sounding like the complete novice that I am, I'd like to
get some
      feedback on some of the "looping" capable units that are on the market
now.
      ( I've heard good things about the JamMan, but since it's no longer in
produc-
      tion, it doesn't count.) Firstly, I'm really interested in live
performance. So, 
      ease of use is important. However, sound quality, and memory for loops
are
      also right up there. The effects in my current rig run stereo, so I'd
like to keep
      that.(The Echoplex is a mono unit, but two can be hooked together for
stereo
      if I understand correctly?) What is an EDP? I've been seeing posts about
it on
      the list but don't know anything about it. Are there others?
      What about units like the Eventides?(In all their various incarnations)
I know 
      their effects are outstanding, but what about looping capability? And,
would it
      be "worth" it to purchase a single Eventide or to go the multiple
component
      route, a dedicated looper(s), a harmonizer, a delay/reverb unit etc?
      And lastly(sorry this is so long winded!), after the purchase of an
Echoplex,
      what is the cost to beef up it's memory to the full 200 second capacity?
      Thanks in advance!
                                              Sincerely,
                                             Chris Olden
                                            trisstine@aol.com

From Loopers-Delight-request@annihilist.com  Sun Dec 13 03:59:15 1998
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Date: Sun, 13 Dec 1998 00:54:44 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: re:getting started
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yer mail formatting is a bit screwy there, might want to look at how you've
got word wrapping or the # of columns configured in your mail program.....


At 11:37 PM -0800 12/12/98, Trisstine@aol.com wrote:
>      also right up there. The effects in my current rig run stereo, so I'd
>like to keep
>      that.(The Echoplex is a mono unit, but two can be hooked together for
>stereo
>      if I understand correctly?)

that is correct.


>What is an EDP? I've been seeing posts about
>it on
>      the list but don't know anything about it.

EDP = Oberheim Echoplex Digital Pro


>Are there others?
>      What about units like the Eventides?(In all their various incarnations)
>I know
>      their effects are outstanding, but what about looping capability? And,
>would it
>      be "worth" it to purchase a single Eventide or to go the multiple
>component
>      route, a dedicated looper(s), a harmonizer, a delay/reverb unit etc?

jack of all trades, master of none? I like mixing components that are each
really good at what they do, instead of one thing that does it all badly.
(although, eventides probably do everything well, I havent seriously used
one)


>      And lastly(sorry this is so long winded!), after the purchase of an
>Echoplex,
>      what is the cost to beef up it's memory to the full 200 second capacity?

four 4MB 30 pin simms, I think they are $10-15 each now. If you find them
collecting dust in an old computer, they are $0.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sun Dec 13 05:57:33 1998
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Subject: Uber Looper interface ideas
Date: Sun, 13 Dec 98 05:54:31 -0500
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>At the very minimal, I'd think you would want this footcontroller to have a
>set of switches to select which track you are currently operating on,
>another set of function switches,...
>
>What about mixing? you also want to control which tracks the inputs are
>going to, and control the mix of all the loop tracks and the inputs going
>to the output. 

>You'll need quite a display to show you what's going on with all these
>different tracks (loop time for each, current function operating,
>multiple#'s, sync status, etc, etc...). In fact, we want to access a file
>system over scsi or whatever and probably deal with lots of parameters. So
>we'll throw in a nice graphical display with some function keys and
>parameter editing knob. And lots of knobs, right? ...
>
>So somehow, a meta interface is needed, something to put the user a
>notch above the detailed interface so he/she/it can truly manipulate
>multiple tracks simultaneously, and still remain musically creative. Any
>thoughts on that? Is there a genius in the house to crack this nut?

<major snippage>

Kim brings up some good points and unlike myself, he has a clue since he 
worked on the EDP -  but as long as I'm dreaming...

Here's my idea for an uberpedal:

An EDP-like display on the footpedal would do well for everything except 
loading from a SCSI device although I think that an LCD panel would be 
more informative that LED.

The  "Next Loop" or Loop increment button and appropriate "L1-L8" on the 
display be enough to indicate what loop is currently controlled by the 
pedalboard. possibly the volume as well. The display on my sampler only 
shows me info about one track/instrument at a time - it works for most 
situations.

A CV pedal or two built into the larger footpedal (ala ART's X-15 
Ultrafoot) one for Volume & the other for Pitch modulation or feedback.

Kim's idea's for assignable switches is great - maybe the pedalboard can 
be a giant PC1600!

Obviously being able to control the volumes of 8 or more loops at the 
same time would be difficult with only two feet - there will always be 
limits. Maybe a row of 8 "rang style rollers, each with a mute button - 
might as well throw in a Global volume roller & mute button too!  - and a 
chair so you don't fall on your ass...We will all succumb to 
Fripperization...

As for maintaining muscial creativity...ahem...I'm still workin' on that 
one...

jmw

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In a message dated 12/13/98 4:59:09 AM, evening@ulster.net writes:

<<Obviously being able to control the volumes of 8 or more loops at the 
same time would be difficult with only two feet - there will always be 
limits. Maybe a row of 8 "rang style rollers, each with a mute button - 
might as well throw in a Global volume roller & mute button too!  - and a 
chair so you don't fall on your ass...We will all succumb to 
Fripperization...>>

One thing we should keep in mind is that when you have a bunch of loops
playing, you may reach a point where you can take your hands off of your
soundsource (guitar perhaps?) and start modulating things by hand, so maybe
the extremely complex pedal may not be needed. Watching DT perform with
B.L.U.E this past week, there were several instances where he really got
things going (seemingly only with the EDP and the Lex42) and was actually
reaching over and just playing knobs (DT really needs to get out more often! I
learned a great deal watching him....).

......and as for Fripp, he would get up and walk off stage....


Marshall

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From: John Neilson <jneil@echonyc.com>
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Subject: Re: Multiple Loops question
To: Loopers-Delight@annihilist.com
Date: Sun, 13 Dec 1998 12:36:43 -0500 (EST)
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Hey, thanks for thinking this question through enough to point out some
possible levels of "complexity cascade", but I'm not sure that it's so 
impossible to come up with some subset of features in an affordable box.

> When did ~$600 become a "big ticket price"???  Which adjectives are left
> for things in the $3-4k range, like kyma, eventide dsp4000, emu 4xt, k2500,
> etc?  "really fuckin' enourmously huge ticket price?" :-)  I mean, the
> "affordable" class of traditional samplers (emu esi-4000, yamaha A3k, etc.)
> or even the roland sp808, are about twice that with no options added, at a
> street price around $1200. And none of those have full duplex audio to let
> you do things like real-time overdubs and such that loopers do. they also
> lack high end sampler features like scsi, spdif, full effects, etc. You
> just ain't going to get full realtime looping capabilities plus all the
> features of the top samplers for $600! (or $1200, probably....).
 
Well, as a guitarist, a "big ticket price" for a sound processor is one
that's the same or higher than the guitar that's running through it.
And more to the point, I was comparing it to the other 'looper boxes' 
that get discussed most frequently here, such as the Boomerang, the old
JamMan (my current box), Digitech pedals, etc.  

As far as comparing to samplers, I think even the bottom-of-the-barrel 
Akai lets you sample 8 or so samples and then trigger them singly or 
multiply from the front panel buttons.  Sync those samples together to
some master loop length, move those buttons down to an EDP-style
footpedal, and you have the kind of functionality I was imagining.

> I'm curious about your thought that the echoplex footpedal is perfect for
> working with multitrack loops. It's fine for one loop track, but I don't
> see how it could easily apply to multiple tracks at the same time. I think
> people don't realize just how complicated the interface for fully
> multitracking looper would have to be. The idea of fully asynchronous
> multitracked loops sounds great on the surface, and everyone wants it, but
> how do really deal with controlling it all in realtime without being
> totally overwhelmed? Have you really thought this out? I don't think 7 red
> buttons are gonna do it! Imagine: recording input 1 onto loop 5 while
> multiplying loop 2 and adding something else from input 2 to it while
> changing the feedback of loop 4 and copying 2 bars of loop4 to loop 1 and
> loop 7 while changing the mix of loop 3 and doing undos on loop 6 and
> stuttering triggers on loop 8. Is it possible to make an elegant interface
> where such things can be done easily? Or do we need to grow more appendages?
> 
> At the very minimal, I'd think you would want this footcontroller to have a
> set of switches to select which track you are currently operating on,
> another set of function switches, and some indicators to tell you what loop
> you are currently working with. That right there is quite a bit more
> complicated than the echoplex pedal, and to me it is still very
> rudimentary.
 
As a JamMan user, I'm used to not having all that copying/multiplying/mixing 
going on, so I'll leave that to someone else to figure out.  What I might 
imagine is this:  a pedal setup the similar to the EDP's, with the individual
buttons assigned to individual 'tracks' and some sort of function
selection.  So you'd set up a loop, but then as you tap in 'overdubs' they
appear on subsequent tracks instead of merging with a single track.
Maybe an LED lights up above each track with an active loop.  Then,
depending on the function selection, you could tap each button to mute
or unmute that track, or replace it, or just delete it.

> What about mixing? you also want to control which tracks the inputs are
> going to, and control the mix of all the loop tracks and the inputs going
> to the output. (or outputs, since you probably want several...:-) And
> you'll probably want patch points to send the feedback path out to external
> effects, with appropriate mix control over that. So that's a whole mess of
> faders, level indicators, mute buttons, etc. Certainly way beyond what
> could be sensibly put on a footpedal or a rack, so we're talking table-top.
>
> You'll need quite a display to show you what's going on with all these
> different tracks (loop time for each, current function operating,
> multiple#'s, sync status, etc, etc...). In fact, we want to access a file
> system over scsi or whatever and probably deal with lots of parameters. So
> we'll throw in a nice graphical display with some function keys and
> parameter editing knob. And lots of knobs, right? We'll need feedback
> control for each track, and the endlessly requested pitch and time warp
> knobs. And some filter knobs, can't forget those. Knobs for LFO modulations
> too, sure. Others? heck we'll throw in a few assignable knobs for anything
> you want. And we'll need some set of controls to let loops interact with
> each other, for copies, replaces, synchronization, even modulations maybe.
> 
> uh-oh, looks like our control panel all by itself will cost $2000, hope
> there's lots of wealthy loopers out there....;-)
> 
> But we still haven't really dealt with the question, "how do you control
> multiple loop tracks in realtime?" Sure, our imaginary uber-looper has
> multiple tracks availabe. and lots of controls for them. But it's the
> brute-force approach, everything is laid out there, it's big. The more
> tracks, the more complicated it gets. When does it get too complicated and
> you can no longer focus on the actual music? Also, it still enforces an
> approach where the user is really only working on one track at a time, then
> switching to another to work with it. The tracks might be playing
> simultaneously, but not controlled simultaneously by the user. That might
> be ok for meticulously composing something, but we want to work in real
> time. So somehow, a meta interface is needed, something to put the user a
> notch above the detailed interface so he/she/it can truly manipulate
> multiple tracks simultaneously, and still remain musically creative. Any
> thoughts on that? Is there a genius in the house to crack this nut?
> 

Umm, all of that would be nice, but I guess they could wait until 
Rev. 2... 8^)

----------------------- Tear Along Dotted Line -----------------------
John Neilson                                             www.mixup.com 
jneil@mixup.com                                  "a site for sore ears"

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Subject: Another Multiple Loops question
Date: Sun, 13 Dec 1998 11:31:15 -0800
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As I've got an RDS 7.6, I've wanted to have more than one loop in my process
for some time, yeah, 7.6 seconds isn't enough sometimes... But in the wake
of some of the "for sale" notices I've seen for more of these units, I
started thinking of configurations in which they'd work together.

Is there a way to sync up two units?  Would it be necessary to get a third
module of some kind, to act as the control process?  And do we all have our
holiday shopping done?

Thanks.  Also, any suggestions for dedications this week?

Stephen Goodman  -  It's... The Loop Of The Week (noone at this writing)!
EarthLight Studios  -  http://www.earthlight.net/Studios

From Loopers-Delight-request@annihilist.com  Sun Dec 13 17:45:09 1998
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Date: Sun, 13 Dec 1998 14:39:59 +0000
From: Robert Rich <rrich@amoeba.com>
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Hi everyone,

I am considering selling my EH 16 sec. delay. I am the original owner,
serial # 0071. It has some scratches, etc. from years of use. It's been
in my rig since 1981. I hear that they sometimes go for >$1500, but that
seems high. $1000 seems about fair. I'll discuss serious offers with
people. I have some other (non-loop related) items for sale, also. 

Thanks - Robert Rich

-------------------------------------------------
Robert Rich               glurp@amoeba.com
Amoeba/Soundscape         http://www.amoeba.com
P.O. Box 8891             Tel: 650-938-5297  
Stanford, CA 94309 USA    Fax: 650-938-5397  
-------------------------------------------------

From Loopers-Delight-request@annihilist.com  Sun Dec 13 18:09:17 1998
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From: Nemoguitt@aol.com
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In a message dated 12/13/98 3:25:54 AM Mid-Atlantic Standard Time,
kflint@annihilist.com writes:

<< When does it get too complicated and
 you can no longer focus on the actual music?  >>

well put!..................michael

From Loopers-Delight-request@annihilist.com  Sun Dec 13 19:18:07 1998
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Date: Sun, 13 Dec 1998 19:16:36 -0500
From: Jeff Duke <jmar@bellsouth.net>
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Yes, Yes and Yes! I sync to my jamman or drum track, etc with the cv pulse input

on the back of the time machine. I use an old Roland 626 drum machine it accepts

midi sync and will put out a +5 volt pulse, I know other old stuff had cv out
put and there are some midi clock to cv clock units.then you just split the cv
line out for two or more time machines. I have two 7.6s going now. I have a
little page with other info about uses for the other cv input on the 7.6
courtesy of Craig Anderton.
http://members.xoom.com/echo17/dddl.html

enjoy,

jeff

Stephen P. Goodman wrote:

> As I've got an RDS 7.6, I've wanted to have more than one loop in my process
> for some time, yeah, 7.6 seconds isn't enough sometimes... But in the wake
> of some of the "for sale" notices I've seen for more of these units, I
> started thinking of configurations in which they'd work together.
>
> Is there a way to sync up two units?  Would it be necessary to get a third
> module of some kind, to act as the control process?  And do we all have our
> holiday shopping done?
>
> Thanks.  Also, any suggestions for dedications this week?
>
> Stephen Goodman  -  It's... The Loop Of The Week (noone at this writing)!
> EarthLight Studios  -  http://www.earthlight.net/Studios

From Loopers-Delight-request@annihilist.com  Sun Dec 13 21:46:45 1998
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From: PJBMHB@aol.com
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i might get one of these from santa? should i? anyone own one. any opinions? 
=-) PJ

From Loopers-Delight-request@annihilist.com  Sun Dec 13 22:20:31 1998
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Subject: New list member!
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Hi,
	My name's Jeff McLeod. I'm new to the looping list, and I just wanted to
say hello. I'm already enjoying many of the posts that I've received, and
figured that I'd tell everyone a little about myself in case I posted and
you all wondered who the hell I was.
	I'm an improvisor and experimental musician residing in the heart of the
Bible Belt--Montgomery, AL. I've toured WAY too much with a noise rock trio
called bert, and am currently pursuing two musical avenues: one with an
improv trio called Stull and the other being solo recording projects under
the moniker of Gezoleen. 
	My looping interest comes from being an owner of a Boomerang that I got
from Mike at Boomerang Music in Dallas. Wonderful, intuitive pedal. I look
forward to learning and sharing with all of you--and I'd definitely be
interested in trading music if you are!
Sincerely,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 

From Loopers-Delight-request@annihilist.com  Sun Dec 13 23:23:49 1998
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>Hi,
>	My name's Jeff McLeod. I'm new to the looping list, and I just wanted to
>say hello. 

Welcome aboard, Jeff! Hasta -> Dr Rico

From Loopers-Delight-request@annihilist.com  Mon Dec 14 01:08:10 1998
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Date: Sun, 13 Dec 1998 23:47:18 -0600
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: recording question
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Howdy again...
	Do any of you use a Roland VX series hard disc recorder? I was interested
in getting one, but was curious about some of the mixdown capabilities.
Here's the question--for anyone who can answer:

Let's say you've got 8 full tracks ready to mix down, and you've got the
VS-880 with the CD burning kit. Are you able to mix those 8 tracks directly
to the CD--or do you have to sub-mix down to two-track stereo somehow? I'm
just curious about how this gets accomplished, and if the CD burning kit is
useful . . . especially since I have a CD burner in my computer. I'd like
to think I'd be able to master my own CDs and then burn them up, y'know?

	Thanks in advance. I appreciate any help anyone can give!

Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 

From Loopers-Delight-request@annihilist.com  Mon Dec 14 01:59:11 1998
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In a message dated 12/13/98 8:48:21 PM, PJBMHB@aol.com writes:

>i might get one of these from santa? should i? anyone own one. any opinions?
>

Yes, I own one and it is totally fantasic. The "Lexicon Sound" for about
$200US, and it is easy to use and well designed, even has stereo pathways so
you can run two different stereo effects (thought they are mixed at the outs).
Blows away the Alesis stuff.....

Marshall

From Loopers-Delight-request@annihilist.com  Mon Dec 14 02:07:04 1998
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Date: Mon, 14 Dec 1998 00:56:34 -0600
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Doctor Nerve's Loopmachine
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Hi, all...
	
	Here's something you all might enjoy online. This is a java applet
loopmachine set up by Nick Didkovsky, guitarist of NY avant-jazz monsters
Doctor Nerve. There are instructions at the site. I've come up with some
intersting stuff here. Here's the URL:

http://www.ingress.com/~drnerve/nerve/pages/interact/loopmachine/loopmachine
.shtml	

Sincerely,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 

From Loopers-Delight-request@annihilist.com  Mon Dec 14 03:23:43 1998
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Date: Mon, 14 Dec 1998 00:14:26 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
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just added some new bits to the echoplex faq on the website - nextloop,
loop switching, switchquantize, etc. check it out:

http://www.annihilist.com/loop/tools/echoplex/FAQ.html

don't forget, all ideas and contributions to the web site are welcomed! The
more people get involved, the better it gets.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Dec 14 05:58:41 1998
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Date: Mon, 14 Dec 1998 05:55:08 -0500
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Welcome to the list,

For some reason I am unable to get that loop machine to do anything. I have been
there before and my java works, usually. I have downloaded the 26 events and put
them into Acid by Sonic Foundry, wow what a rush! I got them jamming with David
Torn and Bob Wills to a hip hop drum groove. sheesh

btw, any advice from anybody on a device such as Sans Amp or the H&K Redbox for
an amp simulator. Stereo would be nice.

jeff

Jeff & Vonda McLeod wrote:

> Hi, all...
>
>         Here's something you all might enjoy online. This is a java applet
> loopmachine set up by Nick Didkovsky, guitarist of NY avant-jazz monsters
> Doctor Nerve. There are instructions at the site. I've come up with some
> intersting stuff here. Here's the URL:
>
> http://www.ingress.com/~drnerve/nerve/pages/interact/loopmachine/loopmachine
> .shtml
>
> Sincerely,
> Jeff McLeod
> __________________________________________
> This is not here--
> And now is almost over...

From Loopers-Delight-request@annihilist.com  Mon Dec 14 09:46:39 1998
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Re: Doctor Nerve's Loopmachine
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Hi,
	What you might want to try to do at the loopmachine site is this:

After you type in your event number and have entered the millisecond
value--hit your enter key. That should trigger the event--and all
subsequent entries that you make. If this doesn't work, just email Nick
from the link at the site, and perhaps he can help get it straight.
	
	Doctor Nerve has a CD that has 44 of those Nerve Events on it--for random
sequencing on your CD player. So many people used those pieces to make new
and larger ones that the band released a CD called Transforms, which is
nothing but those outside arrangements.

Jeff McLeod


At 05:55 AM 12/14/98 -0500, you wrote:
>Welcome to the list,
>
>For some reason I am unable to get that loop machine to do anything. I
have been
>there before and my java works, usually. I have downloaded the 26 events
and put
>them into Acid by Sonic Foundry, wow what a rush! I got them jamming with
David
>Torn and Bob Wills to a hip hop drum groove. sheesh
>
>btw, any advice from anybody on a device such as Sans Amp or the H&K
Redbox for
>an amp simulator. Stereo would be nice.
>
>jeff
>
>Jeff & Vonda McLeod wrote:
>
>> Hi, all...
>>
>>         Here's something you all might enjoy online. This is a java applet
>> loopmachine set up by Nick Didkovsky, guitarist of NY avant-jazz monsters
>> Doctor Nerve. There are instructions at the site. I've come up with some
>> intersting stuff here. Here's the URL:
>>
>>
http://www.ingress.com/~drnerve/nerve/pages/interact/loopmachine/loopmachine
>> .shtml
>>
>> Sincerely,
>> Jeff McLeod
>> __________________________________________
>> This is not here--
>> And now is almost over...
>
>
__________________________________________
This is not here--
And now is almost over... 

From Loopers-Delight-request@annihilist.com  Mon Dec 14 10:12:22 1998
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Date: Mon, 14 Dec 1998 09:47:50 EST
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if it is for an audio CD, you have to submix down to 2 channels. If it's an
archive file, it doesn't matter...

From Loopers-Delight-request@annihilist.com  Mon Dec 14 10:25:34 1998
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
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Date: Mon, 14 Dec 1998 09:56:27 -0500
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Probably some law to do with diminishing returns can be quoted here -- but
two thoughts hit me:

1.  If someone builds an UberLooper with multiple parallel looping "stream"
features -- it will be used by someone to great effect; 

2.  With the abstract type of looping I do, it would be very very hard to
keep straight in my mind which "loop" is coming from which "stream."

dk


From Loopers-Delight-request@annihilist.com  Mon Dec 14 10:40:21 1998
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Date: Mon, 14 Dec 1998 16:13:56 +0100
From: Mark Kunzmann <kunmar00@stud.unibas.ch>
Subject: Re: recording question
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Jeff & Vonda McLeod wrote:
> 
> Howdy again...
>         Do any of you use a Roland VX series hard disc recorder? I was interested
> in getting one, but was curious about some of the mixdown capabilities.
> Here's the question--for anyone who can answer:
> 
> Let's say you've got 8 full tracks ready to mix down, and you've got the
> VS-880 with the CD burning kit. Are you able to mix those 8 tracks directly
> to the CD--or do you have to sub-mix down to two-track stereo somehow? I'm
> just curious about how this gets accomplished, and if the CD burning kit is
> useful . . . especially since I have a CD burner in my computer. I'd like
> to think I'd be able to master my own CDs and then burn them up, y'know?
> 
>         Thanks in advance. I appreciate any help anyone can give!
> 
> Jeff McLeod
> __________________________________________
> This is not here--
> And now is almost over...

Hi Jeff,

I don't actually own a VS880, but I'll try my best.

Audio CDs: From what I know I can tell you that you're going to have to
mixdown to 2 tracks on your 880 before you can burn an audio CD. The
machine creates what is called an image file before the CD is burned.
This process unfortunately takes a very long time. What's more, this
image file can't be saved, i.e. you can't archive it for future CD runs.
This means that every time you want to burn this material to a CD you're
going to have to wait for the image file to be created :-(

Archive CDs: With Rolands latest software version you can now archive
your data on a CD with this kit, though this won't give you a playable
audio CD.

Since you have a CD burner in your computer already, you might also want
to check out AirWorks' VS/Link sofware which will let you beam your
VS880 data to your computer for further editing and/or burning. This, as
far as I can see, is a very nice way of running things! I have never
seen this in action though. Unfortunately, the company that makes the
software isn't doing too well financially and I don't know about the
availability, so you'll have to contact them if this interests you.
Check out their site at www.airworks.com

Hope to have been of some help -
Mark

From Loopers-Delight-request@annihilist.com  Mon Dec 14 10:44:36 1998
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Jeff & Vonda McLeod wrote:
> 
> Howdy again...
>         Do any of you use a Roland VX series hard disc recorder? I was interested
> in getting one, but was curious about some of the mixdown capabilities.
> Here's the question--for anyone who can answer:
> 
> Let's say you've got 8 full tracks ready to mix down, and you've got the
> VS-880 with the CD burning kit. Are you able to mix those 8 tracks directly
> to the CD--

Hey there Jeff.  I guess I'm pretty new to this list as well...My name 
is Joel, and I do have a VS-880.  Although I don't have they CD 
burning kit for it, I understand that you have to bounce your mix down 
to 2 tracks, and they have to be tracks 7&8.  This doesn't mean that 
your song can only have 6 trax though, there Are several workarounds.

Cool, I hope that helps!

jsilver

jsilver@interlog.com

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Bob,
my modified pcm42 (centerpiece of my rig for some 10yrs...) got bonked in a
flight from Omaha and the pot which controls rate for the lfo got creamed.
Everything else is working ok... are these pots available?... got an idea
where I could get one?
sorry to take your time but I couldn't find your email address...

many thanks in advance,
Robby Aceto

From Loopers-Delight-request@annihilist.com  Mon Dec 14 12:55:52 1998
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Date: Mon, 14 Dec 1998 12:26:17 -0500 (EST)
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To: Loopers-Delight@annihilist.com
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Subject: Re: recording question
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Hi Jeff,
        I use a VS880 and love it.

At 11:47 PM 12/13/98 -0600, you wrote:
>Howdy again...
>	Do any of you use a Roland VX series hard disc recorder? I was interested
>in getting one, but was curious about some of the mixdown capabilities.
>Here's the question--for anyone who can answer:
>
>Let's say you've got 8 full tracks ready to mix down, and you've got the
>VS-880 with the CD burning kit. Are you able to mix those 8 tracks directly
>to the CD--or do you have to sub-mix down to two-track stereo somehow?
        I don't have the CD burnier, but a a subscriber to the 880 list (you
too can be a part-try going to http://www.virtualstudio.org/index2.html and
signing up.  If that doesn't work-and it might not as there have been
problems with the list server-there's a big surprise,eh?) here's what I've
found out.
        You have to mix to stereo before making a playable CD (you can
archive all 8 tracks to CD as a backup copy).  There's stuff at the
aformentioned website that goes into depth about the mixdown from 8-2 tracks
using effects.
        The effects in the 880 are very good.  There are a lot of folks with
extensive experience in the recording world on the list and no one is shy
about their opinions.   Check the site out and if you have any questions
email me off list and I'll see if I can be any help.

Frank Gerace
Dreamchild
        
 

From Loopers-Delight-request@annihilist.com  Mon Dec 14 14:34:26 1998
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Date: Mon, 14 Dec 1998 20:14:10 +0100
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From: Lorenz Haeusle <lorenz@ganymed.org>
Subject: jungle funk in da house
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hi all you loopin' guys out there!

yesterday i got the chance to see jungle funk live in dornbirn/ austria for
the first time, and belive me, it was something very special to me.

they also recorded their live-cd named "jungle funk" in this club (conrad
sohm) in april, so it was kinda like a 'we are back, see what we got for
you, folks- party! 

it was an amazing gig, they playd for 3 1/2 hours, 20minutes drum-solo
included. doug wimbish and will calhoun also played 2 living color songs,
then the whole club sang 'happy birthday' for vinx. he celebrated his
bithday on his own way: on stage & singin' some traditionals, just with his
voice, jamman, and djembe!

after the show i had the chance to look at doug's bass & looping rig -
quite impressive!!!

... a memorable night ...

if you get the chance to see them, don't miss that oportunity

lorenz

From Loopers-Delight-request@annihilist.com  Mon Dec 14 15:02:42 1998
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Date: Mon, 14 Dec 1998 13:44:12 -0600 (CST)
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From: james rhodes <sharkey@texas.net>
Subject: San Antonio Gig info for Theorem 5
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hello fellow list members who might be in the area,

Theorem 5 (myself- Stick/Bass/Keys; Scott Harris-Guitar; Jude Ortiz-Drums)
will be appearing Tuesday evenings
10:00pm,,at Taco Land (103 W. Grayson St, 78212- (210) 223-8406. This
Tuesday we expect to have a local Sax player, James Cobb (Daddy
Monkey/Pseudo Buddha), and perhaps fellow listmember(loopers delight) James
Sidlo on Guitar. So if you are in the area on some boring Tuesday
evening,,please come by...we will be there every Tuesday,,,see ya there!

Also

we will be appearing at La Tuna (100 Probandt St. 78204 (210) 224-8862) on
Sat. Jan, 2nd at 9:00pm
if warm enough, we'll do this one outdoors.
stay tuned for more dates!

thanks for your time,

james rhodes

From Loopers-Delight-request@annihilist.com  Mon Dec 14 16:37:09 1998
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Date: Mon, 14 Dec 1998 15:59:28 -0500
From: Jeff Duke <jmar@bellsouth.net>
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hit enter huh? damn I have tried many time to get that to work. I feel so ignorant.

thanks
         jeff
              http://members.xoom.com/echo17/tbl.html

Jeff & Vonda McLeod wrote:

> Hi,
>         What you might want to try to do at the loopmachine site is this:
>
> After you type in your event number and have entered the millisecond
> value--hit your enter key. That should trigger the event--and all
> subsequent entries that you make. If this doesn't work, just email Nick
> from the link at the site, and perhaps he can help get it straight.
>
>         Doctor Nerve has a CD that has 44 of those Nerve Events on it--for random
> sequencing on your CD player. So many people used those pieces to make new
> and larger ones that the band released a CD called Transforms, which is
> nothing but those outside arrangements.
>
> Jeff McLeod
>
> At 05:55 AM 12/14/98 -0500, you wrote:
> >Welcome to the list,
> >
> >For some reason I am unable to get that loop machine to do anything. I
> have been
> >there before and my java works, usually. I have downloaded the 26 events
> and put
> >them into Acid by Sonic Foundry, wow what a rush! I got them jamming with
> David
> >Torn and Bob Wills to a hip hop drum groove. sheesh
> >
> >btw, any advice from anybody on a device such as Sans Amp or the H&K
> Redbox for
> >an amp simulator. Stereo would be nice.
> >
> >jeff
> >
> >Jeff & Vonda McLeod wrote:
> >
> >> Hi, all...
> >>
> >>         Here's something you all might enjoy online. This is a java applet
> >> loopmachine set up by Nick Didkovsky, guitarist of NY avant-jazz monsters
> >> Doctor Nerve. There are instructions at the site. I've come up with some
> >> intersting stuff here. Here's the URL:
> >>
> >>
> http://www.ingress.com/~drnerve/nerve/pages/interact/loopmachine/loopmachine
> >> .shtml
> >>
> >> Sincerely,
> >> Jeff McLeod
> >> __________________________________________
> >> This is not here--
> >> And now is almost over...
> >
> >
> __________________________________________
> This is not here--
> And now is almost over...

From Loopers-Delight-request@annihilist.com  Mon Dec 14 18:08:07 1998
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Date: Mon, 14 Dec 1998 23:22:05 +0100
To: Loopers-Delight@annihilist.com
From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: jungle funk in da house
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yeah

saw them 2 times here in Florence, Italy. I have the CD (bad "produced" in 2
days) but the show is incredible...

ciao
leo

At 20:14 14.12.98 +0100, you wrote:
>hi all you loopin' guys out there!
>
>yesterday i got the chance to see jungle funk live in dornbirn/ austria for
>the first time, and belive me, it was something very special to me.
>
>they also recorded their live-cd named "jungle funk" in this club (conrad
>sohm) in april, so it was kinda like a 'we are back, see what we got for
>you, folks- party! 
>
>it was an amazing gig, they playd for 3 1/2 hours, 20minutes drum-solo
>included. doug wimbish and will calhoun also played 2 living color songs,
>then the whole club sang 'happy birthday' for vinx. he celebrated his
>bithday on his own way: on stage & singin' some traditionals, just with his
>voice, jamman, and djembe!
>
>after the show i had the chance to look at doug's bass & looping rig -
>quite impressive!!!
>
>... a memorable night ...
>
>if you get the chance to see them, don't miss that oportunity
>
>lorenz
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec 14 19:20:44 1998
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Date: Tue, 15 Dec 1998 00:56:26 +0100 (MET)
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From: adam davidovics <absolute@mail.datanet.hu>
Subject: Re: jungle funk in da house
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HEEEEEEY! 

i want to check Jungle Funk live again!

if you know where i could catch them, please mail to this list!

others might be interested too!

adam

From Loopers-Delight-request@annihilist.com  Mon Dec 14 20:17:17 1998
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Subject: RE: jungle funk in da house
Date: Mon, 14 Dec 1998 19:56:34 -0500
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I caught Jungle Funk when they opened up for Marcus Miller. It
was a great show. I didn't get to see what kind of pedals Doug
Wimbash was using. Anybody know?

Jungle Funk dates from www.pollstar.com

Date       City          State          Venue
=========================================================
12/14/98   Salzburg      AUT            Rockhaus Salzburg
12/16/98   Zurich        SWI            Moods
12/18/98   Ris Orangis   FRA	          Le Plan
12/19/98   Quimper       FRA            Run Ar Puns
12/21/98   Hannover      GER	          Altro Mondo


Has anybody caught the live Drum 'N Bass shows at the Izzy Bar
in New York City?



-----Original Message-----
From: adam davidovics [mailto:absolute@mail.datanet.hu]
Sent: Monday, December 14, 1998 6:56 PM
To: Loopers-Delight@annihilist.com
Subject: Re: jungle funk in da house


HEEEEEEY! 

i want to check Jungle Funk live again!

if you know where i could catch them, please mail to this list!

others might be interested too!

adam


From Loopers-Delight-request@annihilist.com  Mon Dec 14 21:52:17 1998
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Subject: Re: jungle funk in da house
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> I caught Jungle Funk when they opened up for Marcus Miller. It
> was a great show. I didn't get to see what kind of pedals Doug
> Wimbash was using. Anybody know?
> 
holy shit.... is there one he DOESN'T use...????

he has a semi circle in front of him, of  every Boss bass pedal, -
choruses, overdrives, ist, octave, flange, autowah, plus digi-whammy
pedal(s), on/off things for jammen, etc

i always marvel at how clean his signal remains....thru 15-20 boxes...
maybe cos he uses batteries??? I've had several effects sound noisier with
wall-warts.

andre' (east)

From Loopers-Delight-request@annihilist.com  Tue Dec 15 09:45:54 1998
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 Go for it!  It shines the most on recordings.

From Loopers-Delight-request@annihilist.com  Tue Dec 15 11:16:19 1998
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From: "Gerry P" <manda@nomin.norlink.net>
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Subject: EDP mailorder
Date: Tue, 15 Dec 1998 10:39:38 -0000
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Kim:

I am ready to order a second EDP but 8th Street Music, who I normally deal
with, doesn't think they can get any in - they are under the impression that
Oberheim is no longer shipping.

Can you clarify the situation?

Thanks
Gerry P
manda@norlink.net

-----Original Message-----
From: Kim Flint <kflint@annihilist.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, December 12, 1998 11:48 PM
Subject: Re: dt CD and EDP mailorder


>At 3:10 AM -0800 12/12/98, Mark Kunzmann wrote:
>
>>Also, I've been looking to buy an EDP through mailorder but haven't
>>found anyone who is willing do this. Has anyone out there in Europe
>>ordered one of these in the States? If so, I'd be glad to hear from you.
>
>
>I think people have successfully gotten echoplex units sent overseas from
>these places:
>
>Bananas at Large almost always has them:
>1504 Fourth Street
>San Rafael, CA 94901
>USA
>Phone (415)457-7600
>Fax (415)457-9148
>bananas@bananas.com
>http://www.bananas.com
>
>Mars music:
>http://www.marsmusic.com
>
>Alto Music @ (914) 692-6922 10-6pm Monday through Saturday and ask for John
>
>8th street music in new york:
>http://www.8thstreet.com
>
>
>I think any Gibson dealer (in the states, anyway, probably not europe yet)
>can order one. They're working on CE approval for it, but I don't know when
>they expect to have that all done. I guess you could always ask them:
>obie@gibson.com. Although, you're in Switzerland, where they don't need CE,
>right? I dunno, maybe the Gibson dealers in CH can get them. Worth a try,
>eh?
>
>kim
>
>______________________________________________________________________
>Kim Flint                   | Looper's Delight
>kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
>
>
>

From Loopers-Delight-request@annihilist.com  Tue Dec 15 13:32:20 1998
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From: Legion <legion@voicenet.com>
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> >I think people have successfully gotten echoplex units sent overseas from
> >these places:
> >8th street music in new york:
> >http://www.8thstreet.com

Gerry P wrote:
> I am ready to order a second EDP but 8th Street Music, who I normally deal
> with, doesn't think they can get any in - they are under the impression that
> Oberheim is no longer shipping.
> Can you clarify the situation?

Well for one thing 8th st music is in Phila Pa. , not NYC. It's my
"local" store so I know most of the people and what's going on.
According to one of the guys I tend to trust, 8th st has *always* had
trouble ordering stuff form Oberheim. Things not being sent on time or
not at all is a common theme. 

Add to that this time of year they are less "helpful" than usual and
even have some new employees in to handle the rush. I was there last
week and was amazed at the dip in service and the tension floating
around. While there's no real excuse for this it is a reality so you
might be hearing the truth (I wouldn't doubt it) or some permutation
thereof.

My advice is call and ask for Randy Segal (If you haven't talked to him
already). He's been there for years and is the head of the Keyboard Dept
and is basically a good guy. At least he'll shoot straight with you. If
he says they can't get them in then I wouldn't hold your breath for them
to miraculously appear.

I bought my EPD(used) and pedal(new) from 8th st and they do carry and
try to stock them. I also know they tried to place and order for me a
while ago and weren't able to get the stuff form Gibson/Oberheim.

Good luck!

-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

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dear Looper's Delight staff,
i am interested in finding a jam man or Oberheim Echoplex.  What are your
deals du jour?
thanks for your info
Theo Bleckmann

From Loopers-Delight-request@annihilist.com  Tue Dec 15 15:58:01 1998
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: EDP mailorder
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>Kim:
>
>I am ready to order a second EDP but 8th Street Music, who I normally deal
>with, doesn't think they can get any in - they are under the impression that
>Oberheim is no longer shipping.
>
>Can you clarify the situation?

sure, they're wrong (deja vu! didn't we do this a month ago, precipitating
the "group buy"?).

According to the big kahuna at the Oberheim division (who is now the big
kahuna for the electar division too) any gibson dealer can order one, from
their gibson rep or the inside sales line at gibson. echoplexes are being
shipped without any trouble, and have been for a long time. Maybe these
guys are confused by recent division shuffling at Gibson?  although other
dealers don't seem to have that problem. go somewhere else.

according to gibson, its actually much easier to get echoplexes now than it
used to be. You used to have to find an actual Oberheim dealer, since they
had oberheim's dealer network separate from the rest of gibson's for some
reason. There weren't very many OB dealers, so that wasn't so great. Now
they have all the dealers combined, so any gibson dealer can get
echoplices. I think they did kill off all the other Oberheim products, with
the echoplex actually now being handled by the "electar" division (which
also includes trace elliot and maestro, I think). But from the outside it
looks the same, you can still call Oberheim and get an OB guy on the phone.
In fact, call them to find a good dealer: 877-OBERHEIM (877-623-7434) or
obie@gibson.com. they're quite helpful.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Dec 15 16:03:40 1998
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At 10:04 AM -0800 12/15/98, EARrel@aol.com wrote:
>dear Looper's Delight staff,
>i am interested in finding a jam man or Oberheim Echoplex.  What are your
>deals du jour?
>thanks for your info
>Theo Bleckmann

uh, this is an internet mailing list, not a store. However, I'll be happy
to sell you one of my echoplexes for $10,000.

you'll probably get a better deal from a gibson dealer (or maybe another
list member), buy mine will have better karma. :-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Dec 15 16:12:17 1998
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From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Gtr Oblq
Date: Wed, 16 Dec 1998 15:41:17 -0500
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hey

anyone gonna be at the show(s) fri??? if not , as always.. join us audience
members on the web!!! http://www.knittingfactory.com

here's a cool pg the knit has up about the CD - just stumbled 'cross it

http://www.knittingfactory.com/Discs/KFR/Catalog/CDs/Gtroblq.html

it's even got a snippet of a track from the CD

see ya

andre'

From Loopers-Delight-request@annihilist.com  Tue Dec 15 16:56:14 1998
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Reply-To: <sgoodman@earthlight.net>
From: "Stephen P. Goodman" <sgoodman@earthlight.net>
To: "'Jeff Duke'" <jmar@bellsouth.net>
Cc: <Loopers-Delight@annihilist.com>
Subject: LOTW...
Date: Tue, 15 Dec 1998 13:27:41 -0800
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I hadn't caught Norman Fell's name in alt.obituaries this week, strange...
And of course Lawton Chiles is a no-go, as he's a political figure, and thus
has lots of people to mourn HIS passing by default.

I've decided and be seasonal without being overly definable. :)  The next
three LOTW items are just that, seasonal.  Sort of all-enclosing.  You
figure it out.  :)

Soon, my piece for this year's Christmas as well, though not until the 21st
or so.  Keep tuned!

Stephen Goodman  -  It's... The Loop Of The Week!
EarthLight Studios  -  http://www.earthlight.net/Studios

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Subject: Re: EDP mailorder
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>Well for one thing 8th st music is in Phila Pa. , not NYC. It's my
>"local" store so I know most of the people and what's going on.
>According to one of the guys I tend to trust, 8th st has *always* had
>trouble ordering stuff form Oberheim. Things not being sent on time or
>not at all is a common theme.

Oberheim was really screwed up for a long time, but for the past year
they've been quite good. those guys did a good job of turning things around
in a short time.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Dec 15 21:14:22 1998
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Date: Tue, 15 Dec 1998 23:28:25 +0000 (GMT)
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Hi,

Looking to get that Torn/Reid CD from www.knittingfactory.com 

any others w/ loopers worth getting from them? They have a 3 for 25 I
can't pass up.

thanks
Randy Jones
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Tue Dec 15 22:04:51 1998
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Date: Tue, 15 Dec 1998 21:30:16 -0500
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Four words for you..."The Sign of Four". Derek Bailey, Pat Metheny, Greg
Bendian, Paul Wertico. Totally insane brilliant improvisations.
Jeff Collins
http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html

-----Original Message-----
From: Randy Jones <ranjones@yahoo.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Tuesday, December 15, 1998 9:15 PM
Subject: knittingfactory


>Hi,
>
>Looking to get that Torn/Reid CD from www.knittingfactory.com
>
>any others w/ loopers worth getting from them? They have a 3 for 25 I
>can't pass up.
>
>thanks
>Randy Jones
>_________________________________________________________
>DO YOU YAHOO!?
>Get your free @yahoo.com address at http://mail.yahoo.com
>
>

From Loopers-Delight-request@annihilist.com  Tue Dec 15 22:52:17 1998
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From: David Talento <legion@voicenet.com>
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On Tue, 15 Dec 1998, Kim Flint wrote:

> >According to one of the guys I tend to trust, 8th st has *always* had
> >trouble ordering stuff form Oberheim. Things not being sent on time or
> >not at all is a common theme.
> 
> Oberheim was really screwed up for a long time, but for the past year
> they've been quite good. those guys did a good job of turning things around
> in a short time.

I will gracefullly point out I haven't had any dealings with Oberheim in
the past year (via 8th st or otherwise).

They certainly did have problems but quite frankly if Kim Flint says
they're straightened out I'd say they are. If a dealer says they can't (or
won't) be able to get an EDP then by all means go to another!

And EPD is (IMO) Far better than the vintage units around at almost the
same price. Hit up the LD wed page and do the input/compression mods
and/or get the new ROM and you'll be cooking!

d-


-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more. 
      Visit it at:   Http://www.voicenet.com/~legion/weird.htm







From Loopers-Delight-request@annihilist.com  Wed Dec 16 00:16:42 1998
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From: Kriist@aol.com
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Date: Tue, 15 Dec 1998 23:49:15 EST
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In a message dated 12/15/98 10:54:01 PM EST, legion@voicenet.com writes:

> 
>  And EPD is (IMO) Far better than the vintage units around at almost the
>  same price. Hit up the LD wed page and do the input/compression mods
>  and/or get the new ROM and you'll be cooking!
>  
>  d-
>  
oops, i meant to say, too many acronyms

rodrigo

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From: Kim Flint <kflint@chromatic.com>
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At 10:23 PM 12/15/98 -0500, David Talento wrote:
>
>And EPD is (IMO) Far better than the vintage units around at almost the
>same price. Hit up the LD wed page and do the input/compression mods
>and/or get the new ROM and you'll be cooking!

those mods and the new software roms are standard in the units made for
about the past year, no need for any updatin'. yer cookin right outta the box.

oh, wait they changed the power supply so it doesn't hardly get warm
anymore. I guess you'll be chillin'.  ;-)

kim
_________________________________________________________
Kim Flint, MTS                     kflint@chromatic.com
ATI Research 	                   408-752-9284
http://www.chromatic.com

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In a message dated 12/15/98 10:54:01 PM EST, legion@voicenet.com writes:

> 
>  And EPD is (IMO) Far better than the vintage units around at almost the
>  same price. Hit up the LD wed page and do the input/compression mods
>  and/or get the new ROM and you'll be cooking!
>  
>  d-

woah there
a little too many ana  
what does it all mean
oh, what are the input/compression mods?
are there more mods?
stereo?

rodrigo
Kriist@Aol.com

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hey'all:
gtr obliq will perform at
knitting factory, leonard st, ny
@
8pm & 11pm, friday 12/18/98.

maybe seeya,
dt

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>gtr obliq will perform at
>knitting factory, leonard st, ny
>@
>8pm & 11pm, friday 12/18/98.
>
>maybe seeya,
>dt

Love to...dang I wish I lived in nuyawk. Don't reckon you all mosey down to
Miami  now and then?

Hasta -> Rico

From Loopers-Delight-request@annihilist.com  Wed Dec 16 08:59:00 1998
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From: Morgan Fisher <morgan@gol.com>
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Dear fellow loopers.

I am about to buy a used Lexicon Vortex. It has no footswitch (it usually
comes with a dual footswitch as standard). I hear that Lexicon still make
this switch, but that it is a bit fragile and prone to breaking. I am
wondering if another company is making a better, sturdier switch which
would be compatible. I'd be grateful for any suggestions!

Thank you,

Morgan Fisher

>From Morgan Fisher, Tokyo, Japan

Email address: morgan@gol.com
Second email address: Morgan_Fisher@ringo.net


From Loopers-Delight-request@annihilist.com  Wed Dec 16 09:04:00 1998
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From: "Tom Lambrecht" <hideo@concentric.net>
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Subject: Re: knittingfactorygig: 12/18
Date: Wed, 16 Dec 1998 07:53:53 -0600
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-----Original Message-----
From: Texture444@aol.com <Texture444@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, December 16, 1998 6:41 AM
Subject: knittingfactorygig: 12/18


>hey'all:
>gtr obliq will perform at
>knitting factory, leonard st, ny
>@
>8pm & 11pm, friday 12/18/98.
>
>maybe seeya,
>dt
>
>

WISH . . . but it's a long drive from St. Louis esp. just before the holiday
. . .

but I'll be streaming it and I ordered the KNF Gtr Oblq CD (and others)
yesterday

all you ECoasters . . .  ENJOY . . .

drone on~~~~~~~~~~~~~~~~~~~~~Tom

From Loopers-Delight-request@annihilist.com  Wed Dec 16 11:18:58 1998
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From: Michael Peters <mpeters@csi.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
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Date: Wed, 16 Dec 1998 07:41:32 +0100
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> according to gibson, its actually much easier 
> to get echoplexes now than it used to be. 

in the US, that is. Any information on Europe and the infamous CE stamp?


*	Michael Peters:	mpeters@csi.com
*	escape veloopity:	electronic guitar loop music:	http://listen.to/michaelpeters




From Loopers-Delight-request@annihilist.com  Wed Dec 16 13:40:42 1998
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From: "Collins" <collinsclan@sprintmail.com>
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Subject: Re: knittingfactorygig: 12/18
Date: Wed, 16 Dec 1998 13:15:45 -0500
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Mr. Torn,
Will the video be turned on this time so all us loopers and experimenters
can enjoy the festivities? I wish that could've happened the last show.

Sincerely,
Jeff Collins

-----Original Message-----
From: Texture444@aol.com <Texture444@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Wednesday, December 16, 1998 7:34 AM
Subject: knittingfactorygig: 12/18


>hey'all:
>gtr obliq will perform at
>knitting factory, leonard st, ny
>@
>8pm & 11pm, friday 12/18/98.
>
>maybe seeya,
>dt
>
>

From Loopers-Delight-request@annihilist.com  Wed Dec 16 16:21:32 1998
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From: james rhodes <sharkey@texas.net>
Subject: San Antonio area radio broadcast of Theorem 5 
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hello any list members in the area,

there will be a a portion of a 12/18/98 Theorem 5 performance broadcast this
evening on KSYM 90.1 FM
this is from a gig at Taco Land, and features Stick, Drums, Guitar, and Sax.
the broadcast will begin between 1:00-1:30 am. 

there will also be a live radio broadcast on 90.1 KSYM,,,sometime in late
Jan. 99...stay tuned

thanks for your time,

james rhodes

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Hi Gerry,

I ordered mine from Alto music (somewhere in New York State) a couple of
months ago, and received it here in Nova Scotia less than two weeks after I
telephoned my order. The price was right too! Something like US$560 plus
$100 for the pedal. And they didn't charge my credit card until the product
was shipped. A bunch of other folks on this list did the same thing and
apparently there were no complaints.

If you are interested, just call Alto Music at (914) 692-6922 10-6pm Monday
through Saturday and ask for John.

Hope this helps.

Regards,

Howard
At 10:39 AM 12/15/98 -0000, you wrote:
>Kim:
>
>I am ready to order a second EDP but 8th Street Music, who I normally deal
>with, doesn't think they can get any in - they are under the impression that
>Oberheim is no longer shipping.
>
>Can you clarify the situation?
>
>Thanks
>Gerry P
>manda@norlink.net
>
>-----Original Message-----
>From: Kim Flint <kflint@annihilist.com>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Saturday, December 12, 1998 11:48 PM
>Subject: Re: dt CD and EDP mailorder
>
>
>>At 3:10 AM -0800 12/12/98, Mark Kunzmann wrote:
>>
>>>Also, I've been looking to buy an EDP through mailorder but haven't
>>>found anyone who is willing do this. Has anyone out there in Europe
>>>ordered one of these in the States? If so, I'd be glad to hear from you.
>>
>>
>>I think people have successfully gotten echoplex units sent overseas from
>>these places:
>>
>>Bananas at Large almost always has them:
>>1504 Fourth Street
>>San Rafael, CA 94901
>>USA
>>Phone (415)457-7600
>>Fax (415)457-9148
>>bananas@bananas.com
>>http://www.bananas.com
>>
>>Mars music:
>>http://www.marsmusic.com
>>
>>Alto Music @ (914) 692-6922 10-6pm Monday through Saturday and ask for John
>>
>>8th street music in new york:
>>http://www.8thstreet.com
>>
>>
>>I think any Gibson dealer (in the states, anyway, probably not europe yet)
>>can order one. They're working on CE approval for it, but I don't know when
>>they expect to have that all done. I guess you could always ask them:
>>obie@gibson.com. Although, you're in Switzerland, where they don't need CE,
>>right? I dunno, maybe the Gibson dealers in CH can get them. Worth a try,
>>eh?
>>
>>kim
>>
>>______________________________________________________________________
>>Kim Flint                   | Looper's Delight
>>kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>>http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
>>
>>
>>
>
>
==========================================================
Howard Harawitz      howard@brooknorth.com              
==========================================================
Brooklyn North Software Works Inc.
Halifax, Nova Scotia, Canada 
Telephone: 1-902-423-0257
==========================================================
Check the Halifax Harbor Cam: http://www.brooknorth.com/camsite/

From Loopers-Delight-request@annihilist.com  Wed Dec 16 21:19:51 1998
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zanga@mindspring.com scribbled:

>Don't reckon you all mosey down to
>Miami  now and then?
ummmm:
not these days, no.
where d'yall play?
(don't wanna jam the LD bandwidth on this, so: private reply is probly best
for the rest).
eeek,
dt

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From: John Celano <ds115@erols.com>
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Subject: EDP mods
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I've picked up an used EDP.   It has version 3.2 and I maxed out the =
ram.  Which  modifications suggested at the FAQ should I consider doing.

Thanks in advance

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Date: Thu, 17 Dec 1998 00:46:08 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: EDP mods
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>I've picked up an used EDP.   It has version 3.2 and I maxed
>out the ram.  Which  modifications suggested at the FAQ
>should I consider doing.

1. get the new software update from Oberheim

2. make sure pin 5 of U12 is cut, which fixes a thermal problem. see this
page for details and a diagram:
http://www.annihilist.com/loop/tools/echoplex/FAQ6.html#Anchor-17304

3. do the gain stage modification:
http://www.annihilist.com/loop/tools/echoplex/FAQ6.html#Anchor-47383


If you are feeling motivated, you could also replace the two 7805 5V
regulators at the back of the unit with one Power Trends PT5101N  5V
switching regulator. You can get them from digikey for about $15 I think.
The new regulator can power both of the power rails that the old ones were
on, and doesn't need the heatsink. This reduces the heat generated by the
unit by a LOT. (new units have this....)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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From: Kim Flint <kflint@annihilist.com>
Subject: Re: AW: EDP mailorder
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At 10:41 PM -0800 12/15/98, Michael Peters wrote:
>> according to gibson, its actually much easier
>> to get echoplexes now than it used to be.
>
>in the US, that is. Any information on Europe and the infamous CE stamp?
>

they're working on it now. claim is they will have it in february.

Unless you really like the warm, safe feeling that the beautiful CE logo
gives, you could always buy in some other country by mailorder and have it
shipped to you. Seems like everyone's doing that these days....

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Thu Dec 17 11:23:14 1998
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A while back (couple years) I heard about someone in the UK who did a mod for
the Rolad SDE3000 (out of the box a 4second delay) which turned it into a big
fat looper...
anyone have any contact info for this person? I've got a sed3000 in good
working order... always looking for another looper I am...
I'd be real thankful. you can email me private so's not to take up
bandwidth...
merry christmas and other seasonal greetings.
Robby Aceto

From Loopers-Delight-request@annihilist.com  Thu Dec 17 11:52:45 1998
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Subject: Echoplex group buy order status
Date: Thu, 17 Dec 98 10:37:28 -0600
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From: Travis Hartnett <hartnett.t@apple.com>
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I just ordered an EDP from Alto Music, and John asked me to pass on the 
information that current orders won't be filled until probably the middle 
of January, as they're waiting on units from Oberheim, who are waiting on 
circuit boards.  So, if you're waiting, it'll probably be a little while 
longer.

Loop on,

Travis Hartnett

From Loopers-Delight-request@annihilist.com  Thu Dec 17 14:02:01 1998
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Subject: Live Loopage In Austin
Date: Thu, 17 Dec 98 12:49:56 -0600
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Futura, an improvisational trio (guitar, bass, DJ), will be playing 
Austin, Texas, on Saturday, the 19th of December, at Mojo's Daily Grind 
(2714 Guadalupe), between 9PM and 2AM Sunday morning.  Admission is free. 
 


Travis Hartnett
Futura

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From: Todd Quincy <tquincy@davitt-hanser.com>
To: loopers-delight@annihilist.com
Subject: tap tempo drum machines
Date: 	Thu, 17 Dec 1998 16:22:53 -0500
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does anyone use a tap tempo drum machine with their rig. I use a boss dr
660 to slave my 2 jammen but then my band is restiricted to jamming
within a certian time from the beginning, i would like to be able to set
the clock in mid jam by tapping a drum machine just as i would a jamman
but be in exact clock. this would allow for the perfect hybrid of
traditional band jams (preferred by most) and the looping jams
(preferred by folks like us)

From Loopers-Delight-request@annihilist.com  Thu Dec 17 17:19:26 1998
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Message-ID: <19981217220359.2475.rocketmail@send106.yahoomail.com>
Date: Thu, 17 Dec 1998 14:03:59 -0800 (PST)
From: Bret <echoplex@yahoo.com>
Subject: LD Volume 2
To: Loopers-Delight@annihilist.com
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Well,

Since I see no other posts about this I am wondering if I am the first
on the block to recieve the Loopers Delight Volume 2 CD.

After 2 listenings, first impression is that it is wonderful.  The
artwork is beautiful, the audio is a musical adventure.   The
exploration of sounds, the broad acceptance of what is music, the
willingness to try something different or peculier is clearly shown on
this volume.    

The flow from title to title is remarkable.  Whoever sequenced these
22 compositions should get an award.   I don't see how music so varied
can flow and connect as well as it does.  The audio quality is
excellant, as well.

I get the feeling that we could all get in one room together and just
start playing, and create a joyous noise (or a hell of a noise)
without saying a word.  It is great to hear samples  of the music that
you make.  I want to hear more.  I want to meet more of you folks.  
We really must have a loopers convention.  May I suggest Boulder, CO 
;-)
Any seconds to that? Bryan, Edwin?

Many thanks to Matt and Jeff for the organizing and legwork to pull
this CD together.  Thanks to Peter Pauley for the cover/liner art. 
Thanks to each of you contributing to LD Volume 2.   I am proud of all
of  you, and grateful to be able to participate with you on this 
project.

bret
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Thu Dec 17 17:19:41 1998
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Date: Thu, 17 Dec 1998 17:14:53 -0500
From: Jeff Duke <jmar@bellsouth.net>
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Subject: Re: tap tempo drum machines
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Hi Todd,
You can slave your drum machine to your jamen. Then when you tap in your
loop, at the second tap the drumbox will start playing in sync. You may have
to adjust your drum boxs midi assignment.
 But no I have not seen tap tempo drum machine, if you find one let me know!

peace,
jeff
http://members.xoom.com/echo17/tbl.html

Todd Quincy wrote:

> does anyone use a tap tempo drum machine with their rig. I use a boss dr
> 660 to slave my 2 jammen but then my band is restiricted to jamming
> within a certian time from the beginning, i would like to be able to set
> the clock in mid jam by tapping a drum machine just as i would a jamman
> but be in exact clock. this would allow for the perfect hybrid of
> traditional band jams (preferred by most) and the looping jams
> (preferred by folks like us)

From Loopers-Delight-request@annihilist.com  Thu Dec 17 17:43:51 1998
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Hey, yeah, Bret...we're impressed too!  Some really beautiful music.  Much
thanks to Matt.  The mastering sounds really good.

Best,
the LoOpdOctOrs

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I ordered mine from Alto at the same time as the rest of the group. Per John
at Alto, I missed the cutoff on the initial 12-13 units he received orders
from. I'm still waiting patiently. I hope it will be here soon though. My wife
is afraid I may become the GRINCH  for Christmas. 

Ben

From Loopers-Delight-request@annihilist.com  Thu Dec 17 17:55:59 1998
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Date: Thu, 17 Dec 1998 14:49:12 -0800
To: Loopers-Delight@annihilist.com
From: improv@peak.org (Dave Trenkel)
Subject: Re: tap tempo drum machines
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>Hi Todd,
>You can slave your drum machine to your jamen. Then when you tap in your
>loop, at the second tap the drumbox will start playing in sync. You may have
>to adjust your drum boxs midi assignment.
> But no I have not seen tap tempo drum machine, if you find one let me know!
>
I have a Roland MC-303 drumbox/synth/sequencer/instAntTeKKnoRaveBoxxx that
has a tap tempo, and have used it to control the j-man. I think Rolands new
drumbox in their "GrooveBox" line has this as well.

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


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Hi LD,

has anybody got a hint on how to contact Bob Sellon of Lexicon?
I read about his JamMan Mods but was unable to reach him under either
bsellon@lexicon.com or sellon@medione.com.

Manfred


From Loopers-Delight-request@annihilist.com  Thu Dec 17 21:23:18 1998
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Subject: Re: A better Vortex footswitch?
Date: Fri, 18 Dec 98 02:20:56 -0000
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From: Martin Shellard <martins@pwdu.demon.co.uk>
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>Dear fellow loopers.
>
>I am about to buy a used Lexicon Vortex. It has no footswitch (it usually
>comes with a dual footswitch as standard). I hear that Lexicon still make
>this switch, but that it is a bit fragile and prone to breaking. I am
>wondering if another company is making a better, sturdier switch which
>would be compatible. I'd be grateful for any suggestions!

Sorry I don't have suggestions for this switch but I would strongly 
recconmend that you get a controller pedal as well. This really brings a 
vortex to life. You can control any parameter with it and sweep through a 
morph with it. 



Martin Shellard

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>A while back (couple years) I heard about someone in the UK who did a mod for
>the Rolad SDE3000 (out of the box a 4second delay) which turned it into a big
>fat looper...
>anyone have any contact info for this person? I've got a sed3000 in good
>working order... always looking for another looper I am...
>I'd be real thankful. you can email me private so's not to take up
>bandwidth...
>merry christmas and other seasonal greetings.
>Robby Aceto


I'm in the UK but don't know anyone who mods Roland but I do know a guy 
who builds rackmounted EH 16 second delay replicas. I have one and it 
sounds great. If anyone is interested I'll glad mail them the details. 



Martin Shellard

From Loopers-Delight-request@annihilist.com  Thu Dec 17 23:51:33 1998
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Date: Thu, 17 Dec 1998 20:48:42 -0800
Subject: Re: LD Volume 2
From: "Matt and Kristy McCabe" <mkmccabe@earthlink.net>
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>Since I see no other posts about this I am wondering if I am the first
>on the block to recieve the Loopers Delight Volume 2 CD.

Maybe some of the non-contributors would care to share their thoughts about
the project?  What if I bribe you with the opportunity to have your comments
published on the LD CD V2 web page.  Tempting?

Matt

__________________________________
Matthew F. McCabe
Finley Sound Design
http://www.finleysound.com

From Loopers-Delight-request@annihilist.com  Fri Dec 18 00:16:42 1998
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you wrote:

> I'm in the UK but don't know anyone who mods Roland but I do know a guy
> who builds rackmounted EH 16 second delay replicas. I have one and it
> sounds great. If anyone is interested I'll glad mail them the details.

martin, this sound very cool indeed. please forward any details you have.

thanks

lance g.
baumhas@earthlink.net


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matt, i am still waiting for my copy.......i need no bribes.........although,
bribes are nice.......michael

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From: John Altman <jfa@best.com>
Subject: Re: Echoplex group buy order status
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At 10:37 AM -0600 12/17/98, Travis Hartnett wrote:
>I just ordered an EDP from Alto Music, and John asked me to pass on the
>information that current orders won't be filled until probably the middle
>of January, as they're waiting on units from Oberheim, who are waiting on
>circuit boards.  So, if you're waiting, it'll probably be a little while
>longer.

Does this apply to the foot pedals also? I got my EDP last month, but am
still waiting for the pedal. Anyone else have this problem?

John (wishing he had three hands)


From Loopers-Delight-request@annihilist.com  Fri Dec 18 04:39:09 1998
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In a message dated 12/17/98 10:58:12 PM EST, martins@pwdu.demon.co.uk writes:

> m in the UK but don't know anyone who mods Roland but I do know a guy 
>  who builds rackmounted EH 16 second delay replicas. I have one and it 
>  sounds great. If anyone is interested I'll glad mail them the details. 
>  
>  
>  
>  Martin Shellard

do tell

rodrigo

From Loopers-Delight-request@annihilist.com  Fri Dec 18 05:41:10 1998
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From: Mark@asisoftware.com (Mark Kata)
To: <Manfred@Buddhas.de>, "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Re: Bob Sellon?!?
Date: Fri, 18 Dec 1998 05:43:36 -0500
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Here's the URL to his website:

http://www.geocities.com/SiliconValley/Peaks/8541/

Mark Kata
Mark@asisoftware.com

-----Original Message-----
From: Manfred Bohnhoff <Manfred_Bohnhoff@t-online.de>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, December 17, 1998 6:20 PM
Subject: Bob Sellon?!?


>Hi LD,
>
>has anybody got a hint on how to contact Bob Sellon of Lexicon?
>I read about his JamMan Mods but was unable to reach him under either
>bsellon@lexicon.com or sellon@medione.com.
>
>Manfred
>
>

From Loopers-Delight-request@annihilist.com  Fri Dec 18 08:55:47 1998
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From: Leonardo Cavallo <cavallo@dada.it>
Subject: demo mp3
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Hi guys

I've just uploaded a little demo mp3 files containing some short examples of
my sampling and sequencing work. 
The file is CAVALLOdemo.mp3 (1.7M) on the ftp.teklab.com site. directory:
Incoming.
Used gear : a PC with some software, A3000 sampler, electric bass 5 string.
Variuos styles of drum'n bass, trip hop, etc.

ciao
leo


PS any comments and suggestion are welcome! 

From Loopers-Delight-request@annihilist.com  Fri Dec 18 08:57:29 1998
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Date: Fri, 18 Dec 1998 08:52:38 -0500
From: "Dennis W. Leas" <dennis@mdbs.com>
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Martin Shellard wrote:
> 
> I'm in the UK but don't know anyone who mods Roland but I do know a guy
> who builds rackmounted EH 16 second delay replicas. I have one and it
> sounds great. If anyone is interested I'll glad mail them the details.

Please, mail me the details!  Perhaps you should just post a message to the list.  There's 
probably enough interest.

- Dennis Leas
-- 
dennis@mdbs.com

From Loopers-Delight-request@annihilist.com  Fri Dec 18 09:28:06 1998
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From: Todd Quincy <tquincy@davitt-hanser.com>
To: Loopers-Delight@annihilist.com
Subject: RE: tap tempo drum machines
Date: 	Fri, 18 Dec 1998 09:11:18 -0500
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i've tried this and it works when using 1 jammam, but how would sync
additional jammen. currently i send clock form the dr660 to a midiman 1
in 4 out &  then to the jammen & everything is locked tight.  

> -----Original Message-----
> From:	improv@peak.org [SMTP:improv@peak.org]
> Sent:	Thursday, December 17, 1998 5:49 PM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: tap tempo drum machines
> 
> >Hi Todd,
> >You can slave your drum machine to your jamen. Then when you tap in
> your
> >loop, at the second tap the drumbox will start playing in sync. You
> may have
> >to adjust your drum boxs midi assignment.
> > But no I have not seen tap tempo drum machine, if you find one let
> me know!
> >
> I have a Roland MC-303 drumbox/synth/sequencer/instAntTeKKnoRaveBoxxx
> that
> has a tap tempo, and have used it to control the j-man. I think
> Rolands new
> drumbox in their "GrooveBox" line has this as well.
> 
> ________________________________________________________
> Dave Trenkel : improv@peak.org  : www.peak.org/~improv/
> 
> "...there will come a day when you won't have to use
> gasoline. You'd simply take a cassette and put it in
> your car, let it run. You'd have to have the proper
> type of music. Like you take two sticks, put 'em
> together, make fire. You take some notes and rub 'em
> together - dum, dum, dum, dum - fire, cosmic fire."
>                                             -Sun Ra
> ________________________________________________________
> 

From Loopers-Delight-request@annihilist.com  Fri Dec 18 09:47:48 1998
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Date: Fri, 18 Dec 1998 07:06:27 -0700
To: Loopers-Delight@annihilist.com
From: Edwin Hurwitz <edwin@indra.com>
Subject: Re: LD Volume 2
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>I get the feeling that we could all get in one room together and just
>start playing, and create a joyous noise (or a hell of a noise)
>without saying a word.  It is great to hear samples  of the music that
>you make.  I want to hear more.  I want to meet more of you folks.
>We really must have a loopers convention.  May I suggest Boulder, CO
>;-)
>Any seconds to that? Bryan, Edwin?

Well, I have been doing a show of looping at Penny Lane here in Boulder
every few months and it would be very cool to get a big jam going of this
sort, so not only am I open to this, I also have a possible venue. The only
real restriction is that volume cannot be hugely loud. Getting here is
another question!

Edwin

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin


From Loopers-Delight-request@annihilist.com  Fri Dec 18 10:25:05 1998
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Subject: Problem with Oberheim not shipping EDP?
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     Hello,
     
        I have recently been looking around trying to purchase a new EDP 
     but have found that everywhere is telling me that there is a 
     problem at Gibson/Oberheim and god only knows when they will be 
     shipping the EDP again. Has anyone else run into this problem? 
     Anyone know what the delay is? 
        By the way I found the Looper's delight web page and mailing 
     list archives very helpful in my research of looping tools. You 
     guys have been very helpful in my decision to get an EDP to use for 
     textures and more in my live improvisations.
     
     
        Thanks,
              Joe DiRusso

From Loopers-Delight-request@annihilist.com  Fri Dec 18 11:29:07 1998
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Date: Fri, 18 Dec 1998 08:16:41 -0800 (PST)
From: H IP <hip808@yahoo.com>
Subject: Re: Problem with Oberheim not shipping EDP?
To: Loopers-Delight@annihilist.com, Loopers-Delight@annihilist.com
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EDP is an excellent tool for live (real time looping). I don't there
is anything come close. However, if you consider to do more processing
on your loop in a studio or home, try to use a Audio sequencer, I used
Emagic Logic Audio on Mac and you can produce much more complex stuff
with it.

Having said that I still enjoy very much on using EDP to capture my
spontaneous ideas and get everything done without looking at a
computer monitor.

I've looked around for 3 months for my first used EDP and I've waited
more than half a year to get my 2nd new EDP. However, it's 100% worth
to wait.

Hip

---jadirusso@statestreet.com wrote:
>
>      Hello,
>      
>         I have recently been looking around trying to purchase a new
EDP 
>      but have found that everywhere is telling me that there is a 
>      problem at Gibson/Oberheim and god only knows when they will be 
>      shipping the EDP again. Has anyone else run into this problem? 
>      Anyone know what the delay is? 
>         By the way I found the Looper's delight web page and mailing 
>      list archives very helpful in my research of looping tools. You 
>      guys have been very helpful in my decision to get an EDP to use
for 
>      textures and more in my live improvisations.
>      
>      
>         Thanks,
>               Joe DiRusso
> 
> 
 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Fri Dec 18 11:37:27 1998
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From: Hawkeye255@aol.com
Message-ID: <3918f801.367a80de@aol.com>
Date: Fri, 18 Dec 1998 11:20:46 EST
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Subject: Re: LD Volume 2
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Reserve the joint, rent the rooms!!!   I'll come to Boulder to Loop!  (Don't
need much of an excuse to get back to them Rocky Mountains of mine.)

Hawkeye

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From: "Gerry P" <manda@nomin.norlink.net>
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Subject: Re: Problem with Oberheim not shipping EDP?
Date: Fri, 18 Dec 1998 11:59:46 -0000
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The following is an email I received this morning from Oberheim - it appears
all is well in EDP land.
______________________________________

Good morning;

Sorry about the confusion concerning the Echoplex. This is NOT a
discontinued item, nor is Oberheim out of business.

The Echoplex is available, however, due to the Christmas rush, there is
about a three-week backorder.

I will call 8th Street Music and give them the information. Meanwhile,
thanks so much for writing and allowing me to hopefully clear up any
misunderstanding.

Sincerely,
Michael Ayers
Oberheim Customer Relations


Gerry P
manda@norlink.net
-----Original Message-----
From: jadirusso@statestreet.com <jadirusso@statestreet.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, December 18, 1998 2:34 PM
Subject: Problem with Oberheim not shipping EDP?


>     Hello,
>
>        I have recently been looking around trying to purchase a new EDP
>     but have found that everywhere is telling me that there is a
>     problem at Gibson/Oberheim and god only knows when they will be
>     shipping the EDP again. Has anyone else run into this problem?
>     Anyone know what the delay is?
>        By the way I found the Looper's delight web page and mailing
>     list archives very helpful in my research of looping tools. You
>     guys have been very helpful in my decision to get an EDP to use for
>     textures and more in my live improvisations.
>
>
>        Thanks,
>              Joe DiRusso
>
>

From Loopers-Delight-request@annihilist.com  Fri Dec 18 12:10:48 1998
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From: Todd Quincy <tquincy@davitt-hanser.com>
To: Loopers-Delight@annihilist.com
Subject: RE: LD Volume 2
Date: 	Fri, 18 Dec 1998 11:59:28 -0500
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i would go as well. We should invite john diliberto (echoes) to come to
our showcase of looping.
tq

> -----Original Message-----
> From:	Hawkeye255@aol.com [SMTP:Hawkeye255@aol.com]
> Sent:	Friday, December 18, 1998 11:21 AM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: LD Volume 2
> 
> Reserve the joint, rent the rooms!!!   I'll come to Boulder to Loop!
> (Don't
> need much of an excuse to get back to them Rocky Mountains of mine.)
> 
> Hawkeye

From Loopers-Delight-request@annihilist.com  Fri Dec 18 13:18:47 1998
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From: RA336@aol.com
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Date: Fri, 18 Dec 1998 11:12:52 EST
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Martin,

<<I'm in the UK but don't know anyone who mods Roland but I do know a guy 
who builds rackmounted EH 16 second delay replicas. I have one and it 
sounds great. If anyone is interested I'll glad mail them the details. 



Martin Shellard>>

sounds interesting!
Please send me the info
best regards,
Robby Aceto

From Loopers-Delight-request@annihilist.com  Fri Dec 18 13:26:24 1998
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Organization: James H. Sidlo
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Travis Hartnett wrote:

> Futura, an improvisational trio (guitar, bass, DJ), will be playing
> Austin, Texas, on Saturday, the 19th of December, at Mojo's Daily Grind
> (2714 Guadalupe), between 9PM and 2AM Sunday morning.  Admission is free.
>
>
> Travis Hartnett
> Futura

Hello Travis,
            How's it going? Just got my Korg ToneWorks AGX1 processor.
Interesting sounds. Also limited looping capability of 1.8 sec (in low
sampling) and .9 (in high). Not bad for around $150.
        See ya in January!! Merry Christmas! James

From Loopers-Delight-request@annihilist.com  Fri Dec 18 13:35:54 1998
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From: "Collins" <collinsclan@sprintmail.com>
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Subject: Re: Roland-Looper?
Date: Fri, 18 Dec 1998 13:10:02 -0500
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I'd like to find out about the EH remake that you have. How much are the
prices?
Jeff Collins

-----Original Message-----
From: Kriist@aol.com <Kriist@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, December 18, 1998 4:35 AM
Subject: Re: Roland-Looper?


>In a message dated 12/17/98 10:58:12 PM EST, martins@pwdu.demon.co.uk
writes:
>
>> m in the UK but don't know anyone who mods Roland but I do know a guy
>>  who builds rackmounted EH 16 second delay replicas. I have one and it
>>  sounds great. If anyone is interested I'll glad mail them the details.
>>
>>
>>
>>  Martin Shellard
>
>do tell
>
>rodrigo
>
>

From Loopers-Delight-request@annihilist.com  Fri Dec 18 13:36:21 1998
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Date: Fri, 18 Dec 1998 10:21:37 -0800 (PST)
From: dan sumner <permadan@yahoo.com>
Subject: Re: roland dr. sample
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actually we were talking about the GR1!!!





---Slam630@aol.com wrote:
>
> In a message dated 98-11-28 17:45:14 EST, you write:
> 
> << Wana buy mine? CHEAP  >>
> How much do you want for the Dr. Sample?
> 
> 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Fri Dec 18 14:22:53 1998
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Subject: Re: Problem with Oberheim not shipping EDP?
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At 3:59 AM -0800 12/18/98, Gerry P wrote:
Michael Ayers wrote

>The Echoplex is available, however, due to the Christmas rush, there is
>about a three-week backorder.

Santa's been buying up all the stock, huh?  a lot of you going to be
looping around the christmas tree this year? A few jingle bell loops maybe?

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Fri Dec 18 14:38:16 1998
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Date: Fri, 18 Dec 1998 11:35:26 -0600
To: Loopers-Delight@annihilist.com
From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Re: Bob Sellon?!?
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I've also been looking for him. The web site is no way to reach him.
????????????????????????????????????????????????????????????????????????


At 05:43 AM 12/18/98 -0500, you wrote:
>Here's the URL to his website:
>
>http://www.geocities.com/SiliconValley/Peaks/8541/
>
>Mark Kata
>Mark@asisoftware.com
>
>-----Original Message-----
>From: Manfred Bohnhoff <Manfred_Bohnhoff@t-online.de>
>To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
>Date: Thursday, December 17, 1998 6:20 PM
>Subject: Bob Sellon?!?
>
>
>>Hi LD,
>>
>>has anybody got a hint on how to contact Bob Sellon of Lexicon?
>>I read about his JamMan Mods but was unable to reach him under either
>>bsellon@lexicon.com or sellon@medione.com.
>>
>>Manfred
>>
>>
>
>
>

From Loopers-Delight-request@annihilist.com  Fri Dec 18 15:10:42 1998
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Date: Fri, 18 Dec 1998 11:58:31 -0800
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From: improv@peak.org (Dave Trenkel)
Subject: RE: tap tempo drum machines
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>i've tried this and it works when using 1 jammam, but how would sync
>additional jammen. currently i send clock form the dr660 to a midiman 1
>in 4 out &  then to the jammen & everything is locked tight.
>
You have to split the MIDI signal between the drumbox and the JamMen. This
sounds like what you're already doing with the midiman.

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


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From Loopers-Delight-request@annihilist.com  Fri Dec 18 15:51:16 1998
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Date: Fri, 18 Dec 1998 15:31:58 -0500 (EST)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: eric potter <eric@musician.org>
cc: Loopers-Delight@annihilist.com
Subject: Re: rang-o-mania
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Abouyt using the Aux input on the rang...  I tried to use my portable CD
player with the rang on my tour last summer, but I couldn't get enough
volume from either the line our or headphones out.  Is this a problem with
the rang, or is there something I'm missing?

	Kevin



Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/


From Loopers-Delight-request@annihilist.com  Fri Dec 18 17:30:00 1998
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From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Multiple Loops question
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Actually, I think you missed the point of the original post.  The EDP in
brother sync lets you do stereo loops.  It doesn't let you have multiple
loops of different lengths playing simultaneously, out of phase with each
other.  If I'm wrong on this, let me know and I'll run out and buy an EDP
right now.  We've discussed this on the list before.  I don't think it's a
major technical limitation for a box to do this, it's more of a UI
limitation for a controller.

	Kevin



Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

On Sat, 12 Dec 1998, Bret wrote:

> Am I stating the obvious, the EDP in brother sync with other EDP can
> do this, and more. 
> bret
> 
> ---Mike Biffle <Mike.Biffle@wj.com> wrote:
> >
> > > ...  I don't mean layering on one loop and then clicking to a
> parallel, but 
> > > unrelated loop for another section.  I mean having loops 1 - 2 - 3
> - 4... 
> > > running simultaneously in parallel, and being able to turn off #2
> for a couple
> > > passes, then bring it back in and  turn off #4, etc.  You know,
> like an 
> > > 8-track mixer with track mute buttons, or like a sampler where you
> can trigger
> > > multiple samples  while others are playing.
> > 
> 
> 
> _________________________________________________________
> DO YOU YAHOO!?
> Get your free @yahoo.com address at http://mail.yahoo.com
> 

From Loopers-Delight-request@annihilist.com  Fri Dec 18 18:00:21 1998
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From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Multiple Loops question
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Whoops, Kim covered all of this.  Sorry.

	Kevin





Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/

On Fri, 18 Dec 1998, Unit Circle Media wrote:

> Actually, I think you missed the point of the original post.  The EDP in
> brother sync lets you do stereo loops.  It doesn't let you have multiple
> loops of different lengths playing simultaneously, out of phase with each
> other.  If I'm wrong on this, let me know and I'll run out and buy an EDP
> right now.  We've discussed this on the list before.  I don't think it's a
> major technical limitation for a box to do this, it's more of a UI
> limitation for a controller.
> 
> 	Kevin
> 
> 
> 
> Kevin Goldsmith				kevin@unitcircle.com
> Unit Circle Media			http://www.unitcircle.com/
> 
> On Sat, 12 Dec 1998, Bret wrote:
> 
> > Am I stating the obvious, the EDP in brother sync with other EDP can
> > do this, and more. 
> > bret
> > 
> > ---Mike Biffle <Mike.Biffle@wj.com> wrote:
> > >
> > > > ...  I don't mean layering on one loop and then clicking to a
> > parallel, but 
> > > > unrelated loop for another section.  I mean having loops 1 - 2 - 3
> > - 4... 
> > > > running simultaneously in parallel, and being able to turn off #2
> > for a couple
> > > > passes, then bring it back in and  turn off #4, etc.  You know,
> > like an 
> > > > 8-track mixer with track mute buttons, or like a sampler where you
> > can trigger
> > > > multiple samples  while others are playing.
> > > 
> > 
> > 
> > _________________________________________________________
> > DO YOU YAHOO!?
> > Get your free @yahoo.com address at http://mail.yahoo.com
> > 
> 

From Loopers-Delight-request@annihilist.com  Fri Dec 18 18:12:23 1998
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Date: Fri, 18 Dec 1998 14:54:11 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: Re: Multiple Loops question
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At 05:20 PM 12/18/98 -0500, Unit Circle Media wrote:
>Actually, I think you missed the point of the original post.  The EDP in
>brother sync lets you do stereo loops.  It doesn't let you have multiple
>loops of different lengths playing simultaneously, out of phase with each
>other.  If I'm wrong on this, let me know and I'll run out and buy an EDP
>right now.  We've discussed this on the list before.  I don't think it's a
>major technical limitation for a box to do this, it's more of a UI
>limitation for a controller.
>

you are wrong about that. The simultaneous multiple loops, different
lengths, etc, is exactly the main function of BrotherSync on the echoplex. 

For stereo connections of echoplex you use the BrotherSync connection, but
you don't truly use all the BrotherSync function. In that case you are
actually just using the half of it that syncs the sample clocks together on
the two units. This keeps you from having phase units and keeps the units
nicely together. But this is a master/slave stereo configuration, which is
not really BrotherSync.

The main point of BrotherSync is the multitrack loop thing that you're all
looking for, which is why lots of people own multiple echoplexes to do this.
BrotherSync lets you synchronize as many echplexes together as you like. The
"Brother" in the name refers to the fact that the units are all equals,
rather than in a master-slave configuration. Any one of them can be used to
set a basic loop length. The other units can then use that sync pulse to set
up loops of any multiple of the original length. Each unit can be operated
completely independently, giving you a powerful user interface to the
multiple loop tracks or even allowing for multiple loopers working together.
At any time, any of them can be used to set a basic loop cycle for the others. 

There is much more detail about this in the echoplex FAQ on the looper's
delight site:

http://www.annihilist.com/loop/tools/echoplex/FAQ7.html

kim

________________________________________________________
Kim Flint, MTS		       408-752-9284
ATI Research	       kflint@chromatic.com

From Loopers-Delight-request@annihilist.com  Fri Dec 18 20:48:16 1998
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From: Kriist@aol.com
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In a message dated 12/18/98 8:59:08 AM EST, dennis@mdbs.com writes:

> Martin Shellard wrote:
>  > 
>  > I'm in the UK but don't know anyone who mods Roland but I do know a guy
>  > who builds rackmounted EH 16 second delay replicas. I have one and it
>  > sounds great. If anyone is interested I'll glad mail them the details.
>  
>  Please, mail me the details!  Perhaps you should just post a message to the
> list.  There's 
>  probably enough interest.
>  
>  - Dennis Leas
>  -- 
Um, if this info was posted already, can someone repost it please.

Rodrigo
Kriist@Aol.com

From Loopers-Delight-request@annihilist.com  Fri Dec 18 23:26:53 1998
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Date: Fri, 18 Dec 1998 17:55:22 -0600
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Re: rang-o-mania
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Kevin,
	The aux inputs should be optimized for most consumer-level stuff, but you
could try different input settings on the 'Rang using the regular
inputs--you could even use an A/B box in order to do this. This way, you'd
have a trim control and an input type select switch to get the level you
needed. I've found that a bit of experimentation with it usually yields the
result you're looking for. You could also compare the output of your home
CD player or some other source, and be able to see if you portable just
wasn't putting out much of a signal. If all else fails, email Mike at
Boomerang at:

mnelson@dmans.com

Please let me know if any of this helps or not. Good luck!

Jeff McLeod

At 03:31 PM 12/18/98 -0500, you wrote:
>Abouyt using the Aux input on the rang...  I tried to use my portable CD
>player with the rang on my tour last summer, but I couldn't get enough
>volume from either the line our or headphones out.  Is this a problem with
>the rang, or is there something I'm missing?
>
>	Kevin
>
>
>
>Kevin Goldsmith				kevin@unitcircle.com
>Unit Circle Media			http://www.unitcircle.com/
>
>
>
__________________________________________
This is not here--
And now is almost over... 

From Loopers-Delight-request@annihilist.com  Sat Dec 19 00:00:49 1998
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From: bryan.helm@dinosaur.com
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Organization: The Dinosaur Board
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Date: Fri, 18 Dec 98 21:37:16 -0700
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As a consequence of reading this list almost every day
for most of it's existance, I've come to the conclusion
that the 4th Looper's Delight CD should be titled simply..

              "Unsubscribe"

Given the nature of such things, estimated release date will
be well into the next century.....no criteria of import will
be used in selecting the work to be included... and the cover
graphics will be done by an artist of less than 10 years of age...
looks to be a possible double disc deal already...did I mention
there will be a non-refundable 25 cent($0.25) fee for submission?
This "unlurked" jab is intended for amusement purposes only and
no wagering is allowed.

                        Continuing to avoid being the subject
of the "loop of the week"...

                             Bryan Helm
                        "Techno-Primitive Tantrum Boy"

From Loopers-Delight-request@annihilist.com  Sat Dec 19 02:57:59 1998
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At 8:37 PM -0800 12/18/98, bryan.helm@dinosaur.com wrote:
>As a consequence of reading this list almost every day
>for most of it's existance, I've come to the conclusion
>that the 4th Looper's Delight CD should be titled simply..
>
>              "Unsubscribe"

no, it would be titled "Unsusribbe", and the follow up would be "Stop
sending me your fucking mail! I didn't subbcribe to this fucking list!!
Take me off NOW!"

actually, these things happen much less frequently since we got the list
software updated. It now recognizes far more bizarre spelling variations of
"unsubscribe", and most of the ones sent to the list address are filtered
off to the request server. (although a few sneak by.) Even hotmail
addresses work now, although I sortof miss seeing hotmail users getting
apoplectic and threatening my life over being on the list two days longer
than they wanted to be.  ahh, the good old days....

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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      Listers,                                              12/18
      Having picked my main looping unit(s), the EDP(2 of them), I'm
      now looking to update my reverb/delay units.(2 older Alesis 
      Quadraverbs) Are there any units out there that are live-use
      friendly(i.e. easily adjustable w/o using midi), as well as 
      producing excellent reverbs? Anyone using any of the newer
      Lexicons? Recommendations?
                                         Chris Olden

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Subject: Re: demo mp3
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At 5:48 AM -0800 12/18/98, Leonardo Cavallo wrote:
>Hi guys
>
>I've just uploaded a little demo mp3 files containing some short examples of
>my sampling and sequencing work.
>The file is CAVALLOdemo.mp3 (1.7M) on the ftp.teklab.com site. directory:
>Incoming.

Hey Leo! some really nice bits in there. When can we hear the whole tracks?

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Sat Dec 19 05:24:43 1998
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Date: Sat, 19 Dec 1998 09:42:20 +0000
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From: David.Orton@mail.bl.uk (David Orton)
Subject: A seasonal gift (sorta) plus news for UK loopers (mainly)
To: Loopers-Delight@annihilist.com, Kim Flint <kflint@annihilist.com>
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     Hi eveyone
     
     In the spirit of seasonal sharing etc. I've just uploaded an MP3 file 
     (approx 1.4Mb) with a deconstruction of a Yule-tide classic I used to 
     sing as a boy several decades ago - it lives at:
     
     <http://www.geocities.com/BourbonStreet/Delta/2495/in_d_bmw.mp3>
     
     And spreading good will throughout the UK - a few of you may recall my 
     gig at the British Library's new(ish) building at St. Pancras, here in 
     London, UK.
     
     I have since been in touch with Tony Panayi of Global Village 
     Productions who organised several other music events there during 
     1998. He is hoping to put some concerts on starting around March 1999. 
     Still nothing definite, subject to agreement with the BL etc etc. 
     However if you're at all interested, send him a tape at his collection 
     box:
     Tony Panayi
     Global Village Productions
     37 Store Street
     London WC1E 7BF
     
     His phone number - 07050 311870 - is a message answeing thing so he 
     can be difficult to contact. I can't say if anything will come of this 
     - obviously I hope so, cos I'm on a promise of a gig myself, but for 
     the cost of a C60 I can't see it'll hurt.
     
     Anyways over to you
     
     Cheers and best wishes to you & yours from me & mine
     
     David
     <http://subnet.virtual-pc.com/~or387751/>

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At 00:24 19.12.98 -0800, you wrote:
>At 5:48 AM -0800 12/18/98, Leonardo Cavallo wrote:
>>Hi guys
>>
>>I've just uploaded a little demo mp3 files containing some short examples of
>>my sampling and sequencing work.
>>The file is CAVALLOdemo.mp3 (1.7M) on the ftp.teklab.com site. directory:
>>Incoming.
>
>Hey Leo! some really nice bits in there. When can we hear the whole tracks?
>
>kim

thanks Kim

I have several tracks done but those bits are samples from groove CDs I make
every month for an italian magazine (Cubase magazine). 
That mp3 contains only the "mixed" version of the grooves. Each trax has its
single instruments and parts too, so to be used by others.

As soon as possibile I'm going to upload more complete tracks on the same
ftp stite (ftp.teklab.com).

ciao
leo





>______________________________________________________________________
>Kim Flint                   | Looper's Delight
>kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
>
>
>
>

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SORRY: don't know if this appeared on the list (I'm having some problems
with my mail server).
--------------

Hi guys

I've just uploaded a little demo mp3 files containing some short examples of
my sampling and sequencing work. 
The file is CAVALLOdemo.mp3 (1.7M) on the ftp.teklab.com site. directory:
Incoming.
Used gear : a PC with some software, A3000 sampler, electric bass 5 string.
Variuos styles of drum'n bass, trip hop, etc.

ciao
leo


PS any comments and suggestion are welcome! 

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"you don't know what you've got till its gone"
jeff

Kim Flint wrote:

> At 8:37 PM -0800 12/18/98, bryan.helm@dinosaur.com wrote:
> >As a consequence of reading this list almost every day
> >for most of it's existance, I've come to the conclusion
> >that the 4th Looper's Delight CD should be titled simply..
> >
> >              "Unsubscribe"
>
> no, it would be titled "Unsusribbe", and the follow up would be "Stop
> sending me your fucking mail! I didn't subbcribe to this fucking list!!
> Take me off NOW!"
>
> actually, these things happen much less frequently since we got the list
> software updated. It now recognizes far more bizarre spelling variations of
> "unsubscribe", and most of the ones sent to the list address are filtered
> off to the request server. (although a few sneak by.) Even hotmail
> addresses work now, although I sortof miss seeing hotmail users getting
> apoplectic and threatening my life over being on the list two days longer
> than they wanted to be.  ahh, the good old days....
>
> kim
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com

From Loopers-Delight-request@annihilist.com  Sat Dec 19 08:15:26 1998
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what do you want for the quadraverbs?
jeff

Trisstine@aol.com wrote:

>       Listers,                                              12/18
>       Having picked my main looping unit(s), the EDP(2 of them), I'm
>       now looking to update my reverb/delay units.(2 older Alesis
>       Quadraverbs) Are there any units out there that are live-use
>       friendly(i.e. easily adjustable w/o using midi), as well as
>       producing excellent reverbs? Anyone using any of the newer
>       Lexicons? Recommendations?
>                                          Chris Olden

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santa just gave me a lexicon mpx 100 and i am liking it a lot so far. haven't
really had time to put it through its paces but it sounds a lot better than
the midiverb3 i got rid of a few yrs back. and my jamman is happy to have
something sharing its rack with it again. i just hope there isn't any sibling
rivalry to contend with later. =-)  PJ

From Loopers-Delight-request@annihilist.com  Sat Dec 19 09:33:27 1998
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In a message dated 12/19/98 8:56:24 AM, Trisstine@aol.com writes:

<<I'm
      now looking to update my reverb/delay units.(2 older Alesis 
      Quadraverbs) Are there any units out there that are live-use
      friendly(i.e. easily adjustable w/o using midi), as well as 
      producing excellent reverbs?>>

Lexicon MXP100 (!)


Marshall

From Loopers-Delight-request@annihilist.com  Sat Dec 19 09:38:37 1998
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Sorry, LD,

but bsellon@mediaone.net didn´t work either. And Bob´s website is where
I got the two other addresses from that seem to be inactive.

Any other hints?

Manfred


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Atmosphere B
Set:-
Mix                                       32
Mod FX LVL and Echo LVL     64
Echo 1& 2                              1
Feedback 1                            64   or less maybe
Feedback  2                            1
Resonance 1                         64
........and assign pedal to resonance 2

You now have a pedal activated varispeed echo,
the effect gets greater on shorter delay times.

Andy Butler.

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Melissa & Scott O'Brien wrote:

>  unsubscribe

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Subject: Gtr Oblq...
Date: Sat, 19 Dec 1998 13:06:39 -0500
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GTR OBLQ Knit 12/18 11pm

anyone else make the show..real or virtually???

well - hope so - 2nd set was a mind-blow....

guitar - metal strings vibrating in an electrified magnetic field, simple
equation yet - what the fuck does it all tap into?? That's what we're here
to find out.

It's impossible to put music into words - you all know that, but i'll
attempt to bring a little bit of the experience to light.

....first couple pieces were a little disjointed, and as a friend in
attendance remarked, it sounded like Torn,Sharp & Reid were all playing 
their own , albeit very cool, ideas, but not really connected.

But then about 25-30 mins in, everything kicked in - they started creating
a huge wind of sound..i personally was hearing chants, airplane screams and
bombs.. to these stoned out ears , at times they were channelling the
attack on Iraq....esp. when Torn kicked on the arabic-sounding vocalist he
puts thru his pickups from a little dictaphone\\

from time to time vernon and E# dipped into some acoustics, which added a
nice new dynamic- vernon at one point cycling thru an almost genesis-style
arpeggio, Torn filling the space with a fluid fog of tone, Elliot
skittering out bizarre chattering notes.

-they also dipped into two of the pieces on the CD, which was nice to have
something to hang onto - a familiar melody!! this project really is
developing into something wild - they pretty much live on the edge -
anything goes.. i only wish BLUE would go out there a bit more. i love not
knowing AT ALL where we the audience will be in 5 minutes! Once these guys
lock in, they really listen and let everything  breathe and segue real
nicely-hope someone taped it !

One bizarre, scary event transpired.. Vernon had his 4x12, on top of that
the 5-6 space rack with the amp in it, on top of THAT his 6 space guitar
stand.. well.. vibrations or whatever, at one point the whole fuckin' thing
came falling down!!! all his guitars ALL of em - smashing down onto the
stage - a 6-8 ft fall!! i dunno how the 50 pound head didn't trash any gear
on the floor! vernon went tumbling forward - amazingly - only with a small
cut to a thumb.

the stunned crowd hung out while E# , DT and Sascha (KF sound) put it all
together again...unbelievably - all guitars were pretty much in tune and
unharmed!! Good Karma!

ahh..and quite the quiet fashionable  loopers, Torn yogi-like in
comfortable all white, Vernon in black with a stylish wool hat, E# snazzy,
euro-style, with a great black shirt with egyptian-ish bands of gold all
around it...


approximate (!) GEARhead report:

E#- asst. bizarre headless guitars, 8-10 string custom thing, Godin(?)
electro-acoustic
powerbook for asstd grooves (hmm.. sometimes not my fave sounds emanating
here..)
Asstd pedals, whammy etc into a Boomerang, into a couple combos - fender
and ?

Vernon - VHT amp/4x12 spkrs, Effects incl boomerang, Boss floor multiFX
thing (GT5?) whammy pedal, not much more. TONS of yamaha, alesis etc
samplers, synth modules, mackie or similar little mixing board,etc (TOO
MANY WIRES!!) (check out Torn's rack , Vern!)
he played asttd Hamer custom axes, one with built-in-body midi pickup, an
ovation acoustic, a banjo (scenes of the duet CD with Frisell-great disc)
Axon double neck - with one neck regular, one neck radical synth trigger -
(this thing was amazing!! i simply cannot exagerate the amt of sensitivity
he was getting, the expressiveness on one flute sound he had..anyone hear
that?? it was NOT a real woodwind player!! NO It was NOT!!) 

D Torn mutilated air with his usual Klein, rivera monster rig, the encore
featured the Mini blue Strat - his FX have been listed here recently, same
rig as BLUE shows... lexicon-loaded rack, on the floor a maze of TC, Boss,
custom boxes, exp & vol pedals a little bit o'looping with the ol' oud too

From Loopers-Delight-request@annihilist.com  Sat Dec 19 13:40:14 1998
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From: "Salvatore Passaro" <spassaro@pelagus.it>
To: "Loop" <Loopers-Delight@annihilist.com>
Subject: help?
Date: Sat, 19 Dec 1998 19:38:37 +0100
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Hi, 
I have a prob with my echoplex.
Every time I push record on my echoplex or on EFC-7 it makes a pop (or a
click if you prefer).
The same thing is for overdub or multiply, insert etc.
I think this is for everthing is with recording operations.
I have also a noise on the background, always!

any help?
Salvatore





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From: "Salvatore Passaro" <spassaro@pelagus.it>
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Subject: help? 2
Date: Sat, 19 Dec 1998 20:57:22 +0100
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always Salvatore from Italy, an update :-)

I forgotted to write also that my echoplex also doesn't record (sample) if
volume of what I play is too low (it's too low for echoplex not for me).
When volume becomes enough it starts to record (samples) something.

Salvatore



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From: "Salvatore Passaro" <spassaro@pelagus.it>
To: <Loopers-Delight@annihilist.com>
Subject: R: EDP mailorder
Date: Sat, 19 Dec 1998 21:25:49 +0100
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-----Messaggio originale-----
Da: Kim Flint <kflint@annihilist.com>
A: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Data: martedì 15 dicembre 1998 22.53
Oggetto: Re: EDP mailorder


>In fact, call them to find a good dealer: 877-OBERHEIM (877-623-7434) or
>obie@gibson.com. they're quite helpful.
>
>kim
>


This email address doesn't work to me.

Salvatore


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From: "Tim Walker" <tawalker@dircon.co.uk>
To: "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
Date: Sat, 19 Dec 1998 19:50:00 
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Subject: Forthcoming MP3.com looping CD
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Hi y'all,

A little shameless plug in advance of the festive season...

I'm currently working on a guitar & looper solo CD, to be made
available through MP3.com's DAM scheme. There are a couple of sample
tracks available for download from my page on the site, and I'll be
uploading more as I complete more pieces for the project. Feel free to
drop by

http://www.mp3.com/timwalker/

and take a listen - the tracks currently there are around 4-5Mb
downloads, but some shorter ones will be winging their merry way to
MP3.com shortly (including a sequence of ten sixty-second pieces).
Recording for the project should be completed by the spring of next
year, after which I intend to release the CD (which carries a working
title of "Over The Bridge") via my MP3.com page.

BTW, for those who've been posting on the subject of the Boomerang
looper: I use it all over these recordings, as I did with my previous
project ("Through The Arch Window" - still available online at
www.geocities.com/SunsetStrip/Amphitheatre/5117/). It's turned my
guitar style around in the space of six months...

Thanks for reading, and happy Christmas to all LD readers!


************************************************************
  +--------------+  Tim Walker
  { o          o }  Staines, Middlesex, UK
  {      []      }  tawalker@dircon.co.uk
  { \__________/ }  http://www.users.dircon.co.uk/~tawalker/
  +--------------+
"You can't always wait for a composer to write the music you
want to play."                                (Derek Bailey)
************************************************************


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Subject: OT: Echoplex prices
Date: Sun, 20 Dec 98 00:51:45 -0000
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Hi all

Iwas just wondering if any kind soul could give me an idea of EDP prices 
in the US, I'm planning a trip and would love to pick one up.

Thanks






Martin Shellard

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Subject: EH 16 sec delay copy
Date: Sun, 20 Dec 98 00:51:55 -0000
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>In a message dated 12/17/98 10:58:12 PM EST, martins@pwdu.demon.co.uk =
writes:
>
>> m in the UK but don't know anyone who mods Roland but I do know a guy 
>>  who builds rackmounted EH 16 second delay replicas. I have one and it 
>>  sounds great. If anyone is interested I'll glad mail them the details. =
 
>>  Martin Shellard
>
>do tell
>
>rodrigo

To all who replied and are curious:

I don't have the guy's address on me right now but I can tell you =
that the delay comes in a 19" rack with a footpedal to control =
bypass,loop on/off, Fast/Slow speed and Forward/Bacward playback. The =
front panel has all these controls plus an lfo rate and depth, =
feedback and a clix control (I think for syncing to some kind of =
input but no midi).
On the back panel are mono in/out, power out for the footpedal,clix =
input and power in. The power supply is internal so for the US it =
would need to be converted (or ordered for US spec)
To get the 16 sec you have to use the slow speed p[layback which =
lowers sample rate and so sounds different to high speed but it's a =
great sound. In fact I often play guitar through on slow set to short =
delay and no feedback with lfo on just for this sound.
It has that great mellow sound that the EH has
.
AFAIK it's electronically authentic replica and it's performance =
reflects this. 
The build quality is a little home made but as they are built to =
order I guess he'll use higher spec components (switches and buttons =
etc.) if you ask for them.
When I got one the price was about =A3400 UK sterling. This isn't =
cheap for what it is but when you see the originals going for =
$1000+....if you can find one.
It's more roadworthy than the original and sound great.
I will post contact details privately to anyone that is interested.



Martin Shellard

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Subject: Re: Problem with Oberheim not shipping EDP?
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>EDP is an excellent tool for live (real time looping). I don't there
>is anything come close. However, if you consider to do more processing
>on your loop in a studio or home, try to use a Audio sequencer, I used
>Emagic Logic Audio on Mac and you can produce much more complex stuff
>with it.

Have you tried Prosoniq's free North Pole VST plug in. It's a resonant 
filter with delay and distortion, great for loop processing!



Martin Shellard

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From: Kim Flint <kflint@annihilist.com>
Subject: Re: R: EDP mailorder
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At 12:25 PM -0800 12/19/98, Salvatore Passaro wrote:
>>In fact, call them to find a good dealer: 877-OBERHEIM (877-623-7434) or
>>obie@gibson.com. they're quite helpful.
>>
>>kim
>>
>
>
>This email address doesn't work to me.

hmm, try Mike Ayers directly, mayers@gibson.com

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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pla-supp wrote:

>
>
> Melissa & Scott O'Brien wrote:
>
>>  unsubscribe
>

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At 11:57 AM -0800 12/19/98, Salvatore Passaro wrote:
>always Salvatore from Italy, an update :-)
>
>I forgotted to write also that my echoplex also doesn't record (sample) if
>volume of what I play is too low (it's too low for echoplex not for me).
>When volume becomes enough it starts to record (samples) something.

sounds to me like you have the "threshold" parameter set to something other
than 0. That's the purpose of this parameter - when it's set to something,
You tap record and the echoplex waits until you actually start playing
something before the recording starts. Convenient for people who can't
coordinate their foot tapping and their playing. :-)

It's funny to watch people first try to use a looper. For some reason they
often don't realise that starting and stopping the Record is a rhythmic
thing, which they have to do in time. So its Tap, then start playing a
moment later. Then wonder why they have that space in the beginning of the
loop. :-)  I guess people see a pedal and think of it like changing an amp
channel or a preset on a multieffect, or turning on a stompbox, where you
tap the pedal before you start playing, usually not in rhythm. For people
who just can't break that habit, the threshold parameter is helpful.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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From: siforte@ix.netcom.com (Sanford Forte)
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At 4:57 PM 12/19/98, Kim Flint wrote:

>hmm, try Mike Ayers directly, mayers@gibson.com
-----
Mike Ayers is a gem - a genuine asset to Oberheim. *Every* time I have ever
asked him for help or advice he has come through.

Sanford 'giving credit where it's due' Forte


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Date: Sun, 20 Dec 1998 00:53:25 -0600
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Music suggestions?
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Hello, everyone,
	Since I'm in a searching mode, I thought I'd ask for suggestions on music
(looping-oriented desired, but not completely necessary...).
	What I like is the darker stuff. Atonal, noisy or even ambient--just as
long as it has an edge of danger to it. I do appreciate artists who have a
nice balance of dark and light, too. I'm currently listening to a band
called Hovercraft, who are improv-based and have blown the cobwebs out of
my skull. Just guitar, bass and drums--but it all sounds like something
right from a murderer's brain. Very disturbing.
	I thought I'd pick everyone's brains and see what came back from the list!
I look forward to hearing from you. If you need any more info or
descriptiveness, I'd be happy to oblige!
Thanking you all in advance,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 

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At 12:53 AM 12/20/98 -0600, you wrote:
Hi Jeff-

>	What I like is the darker stuff. Atonal, noisy or even ambient--just as
>long as it has an edge of danger to it. I
>Check out Frontier from Chicago.E.A.R.from UK..Robert Rich. Final (Justin
from Godflesh)Have you heard any of the stuff Pauline Oliveros recorded in
the Fort Worden cistern?Its amazing very ambient dark & beautiful -notable
for natural decay time of the enviroment itself-45 secs!!Wow too many
sounds to metion here.lotta music out there.. 
               check out Forced Exposures website.Its very informative and
full of great obscure -underground  music   KLAW
>

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From: Trisstine@aol.com
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        Jeff,                                                  12/20
        Check out Death Cube K. It's actually Buckethead, but ambient
        strrangeness instead of his normal psycho-shred. Heck, check 
        out all of his stuff! Very bizzarre, and cool. Blind Idiot God is 
        a cool band from N.Y. Very noisy instrumental stuff. And finally,
        Caspar Brotzmann. Check out "Massaker". Very, very loud
        and scary!
                                      Chris Olden

From Loopers-Delight-request@annihilist.com  Sun Dec 20 05:30:29 1998
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Date: Sun, 20 Dec 1998 12:46:13 +0000
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Howdy:
            Check out:
            Skiny Puppy, Forrest for the  Trees, and  try Audio files of Joe 
Frank(he's mostly spoken word but uses lots of loops).

Colin Jenkinson|nosnikneJ niloC

        P.S. I have  scary ,all ambient Chapman Stick CD called "Experience 
Cloud",  two of the tracks were inspired by David Lynches "Errasor 
Head".

From Loopers-Delight-request@annihilist.com  Sun Dec 20 10:10:18 1998
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Hey now, Jefe

>	Since I'm in a searching mode, I thought I'd ask for suggestions on music

1) James Blood Ulmer "Music speaks louder than words" on Koch Jazz
3-7833-2-H1 (1997). Six of the compositions are by Ornette Coleman (Ulmer's
former gig) and three are originals penned by Blood. I'm quite fond of all
of his recorded work, but this one is in the heaviest recent rotation.
Ulmer is a dangerous guitarist alright. One of his tricks, one that I rip
off shamelessly, is to tune 5 strings standard and one string randomly.
Ulmer calls this "giving a string to the guitar" and it forces you to be
more copncious of the instrument instead of merely wanking. He also employs
sopme lovely but harrowing dissonance by playing drones using the "guitar's
string" while playing a harmolodic figure on the other strings. Cool!

2) Derek Bailey and Henry Kaiser "Wire forks". I lent this to a jazzer in
Vancouver BC and never saw it again (though I did manage to get back Oliver
Lake..). If you are remotely familiar with Bailey's work, this will be no
suprise. If your are familiar with Kaiser's work, you will be suprised
(unless you've come to the conclusion that he'll play almost ANYTHING, in
which case it will be biz as usual). This whole CD sounds like prepared
guitar, but I don't believe it is (someone correct me if I'm wrong). I
thuink it sounds alot like electricity, and the coloured lihgts you get
when pressing on your eyelids. Man. And, yes, pretty disturbing stuff. Used
to give me the willies.

That should give you plenty to chew on!

Hasta and hoho -> Dr Rico

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Please take support@play-live.com off your mailing list!!!!!


Play-live Support wrote:

>
>
> pla-supp wrote:
>
>>
>>
>> Melissa & Scott O'Brien wrote:
>>
>> >  unsubscribe
>>

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Please take support@play-live.com off your mailing list!!!!!
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<P>pla-supp wrote:
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Play-live Support wrote:

>
>
> pla-supp wrote:
>
>>
>>
>> Melissa & Scott O'Brien wrote:
>>
>> >  unsubscribe
>>

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From Loopers-Delight-request@annihilist.com  Sun Dec 20 11:26:34 1998
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From: Nemoguitt@aol.com
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Date: Sun, 20 Dec 1998 11:13:23 EST
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Subject: speakers????
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ola all.....i play my music through my stereo system.....my  very old klh
speakers are falling apart.....any ideas on inexpensive (and i stress this
word) speakers.....i would like to get 4 so i can always play the "big
room"......also, some time ago there was some talk about the digitec "space
station" pedal.....is it worth looking at?.....i would like to wish you all a
very merry christmas.........and send a special thanks to kim for his
wonderful work for all of us...........michael

From Loopers-Delight-request@annihilist.com  Sun Dec 20 12:40:27 1998
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Kriist@aol.com wrote:

> In a message dated 12/17/98 10:58:12 PM EST, martins@pwdu.demon.co.uk writes:
>
> > m in the UK but don't know anyone who mods Roland but I do know a guy
> >  who builds rackmounted EH 16 second delay replicas. I have one and it
> >  sounds great. If anyone is interested I'll glad mail them the details.
> >
> >    Most definately!! I also just got the first AMMMusic album(cd) from 1966.
> Great stuff!!!      James
> >
> >  Martin Shellard
>
> do tell
>
> rodrigo

From Loopers-Delight-request@annihilist.com  Sun Dec 20 12:57:11 1998
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Date: Sun, 20 Dec 1998 12:50:13 -0500
From: Alessandro Ricciarelli <Ricciarelli@compuserve.com>
Subject: Re: Music suggestions?
Sender: Alessandro Ricciarelli <Ricciarelli@compuserve.com>
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Cluster&Eno. There are two albums they did together, and the one I like i=
s
just titled Cluster&Eno. It is really good. =

From Loopers-Delight-request@annihilist.com  Sun Dec 20 13:08:42 1998
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Reply-To: <sgoodman@earthlight.net>
From: "Stephen P. Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: speakers????
Date: Sun, 20 Dec 1998 10:02:44 -0800
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The speakers I use on my PC are actually a pair of Chinese knockoffs of Bose
mini-speakers, and put out 120W per channel (not that I've used the volume
much, but I checked once with a loop going, turned 'em up and went outside,
to hear no distortion), with separate volume, bass and treble adjustments.

They cost $29.  Is that cheap enough for you?  Bought 'em in Covina at one
of a million PC stores, near the WalMart Monolith.

Stephen Goodman  -  It's... The Loop Of The Week (for the Holidays)!
EarthLight Studios  -  http://www.earthlight.net/Studios


> -----Original Message-----
> From: Nemoguitt@aol.com [mailto:Nemoguitt@aol.com]
> Sent: Sunday, December 20, 1998 8:13 AM
> To: Loopers-Delight@annihilist.com
> Subject: speakers????
>
>
> ola all.....i play my music through my stereo system.....my
> very old klh
> speakers are falling apart.....any ideas on inexpensive (and
> i stress this
> word) speakers.....i would like to get 4 so i can always play the "big
> room"......also, some time ago there was some talk about the
> digitec "space
> station" pedal.....is it worth looking at?.....i would like
> to wish you all a
> very merry christmas.........and send a special thanks to kim for his
> wonderful work for all of us...........michael
>

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Organization: James H. Sidlo
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Keenan Lawler wrote:

> At 12:53 AM 12/20/98 -0600, you wrote:
> Hi Jeff-
>
> >       What I like is the darker stuff. Atonal, noisy or even ambient--just as
> >long as it has an edge of danger to it. I
> >Check out Frontier from Chicago.E.A.R.from UK..Robert Rich. Final (Justin
> from Godflesh)Have you heard any of the stuff Pauline Oliveros recorded in
> the Fort Worden cistern?Its amazing very ambient dark & beautiful -notable
> for natural decay time of the enviroment itself-45 secs!!Wow too many
> sounds to metion here.lotta music out there..
>                check out Forced Exposures website.Its very informative and
> full of great obscure -underground  music   KLAW
> >    I most definately agree.

From Loopers-Delight-request@annihilist.com  Sun Dec 20 13:40:01 1998
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Date: Sun, 20 Dec 1998 18:33:44 +0000
From: Gareth Whittock <whiteoak@dial.pipex.com>
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What sort of music are we talking about here?
My own is a sort of tribal ambience using extended guitar techniques,
(hey that sounds good doesn't it)?

By the way, I'll be doing a spot at the diggers gig at the end of
January at the Chapter Arts Centre in Cardiff using a Zoom 8080, a strat
and poss a slide guitar also possibly some live computer processing
using AudioMulch, (which incidentally nobody's reponded to my
announcement of- Strange!). Loops akimbo!
Gareth


>      And spreading good will throughout the UK - a few of you may recall my
>      gig at the British Library's new(ish) building at St. Pancras, here in
>      London, UK.

From Loopers-Delight-request@annihilist.com  Sun Dec 20 13:43:55 1998
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Oh,
forgot to say that I really enjoyed the gig review posted here
(sorry I've lost the name). Wish I'd been there.
Gareth

From Loopers-Delight-request@annihilist.com  Sun Dec 20 13:40:21 1998
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check out electric bird noise (sound samples, etc.) at :
http://members.aol.com/ebnoise/index.html
your thoughts?

In a message dated 12/20/98 2:06:56 AM Eastern Standard Time,
subversive@mindspring.com writes:

> Hello, everyone,
>  	Since I'm in a searching mode, I thought I'd ask for suggestions on music
>  (looping-oriented desired, but not completely necessary...).
>  	What I like is the darker stuff. Atonal, noisy or even ambient--just as
>  long as it has an edge of danger to it. I do appreciate artists who have a
>  nice balance of dark and light, too. I'm currently listening to a band
>  called Hovercraft, who are improv-based and have blown the cobwebs out of
>  my skull. Just guitar, bass and drums--but it all sounds like something
>  right from a murderer's brain. Very disturbing.
>  	I thought I'd pick everyone's brains and see what came back from the list!
>  I look forward to hearing from you. If you need any more info or
>  descriptiveness, I'd be happy to oblige!
>  Thanking you all in advance,
>  Jeff McLeod

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Play-live Support wrote:

>
>
> Play-live Support wrote:
>
>>
>>
>> pla-supp wrote:
>>
>> >
>> >
>> > Melissa & Scott O'Brien wrote:
>> >
>> >>   unsubscribe
>> >

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take us off your mailing list


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Play-live Support wrote:

> Please take support@play-live.com off your mailing list!!!!!
>
>
> Play-live Support wrote:
>
>>
>>
>> pla-supp wrote:
>>
>> >
>> >
>> > Melissa & Scott O'Brien wrote:
>> >
>> >>   unsubscribe
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From Loopers-Delight-request@annihilist.com  Sun Dec 20 14:49:58 1998
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To unsubscribe from most of these majordomo lists, I believe you need 
to send the message to majordomo@ari.net and in the body of the 
message write unsubscribe [mail list name].

       I'm no expert on this, just trying to help.

Colin Jenkinson|nosnikneJ niloC

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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re[2]: LD Volume 2
To: Loopers-Delight@annihilist.com, Todd Quincy <tquincy@davitt-hanser.com>
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     It's now likely that I may be able to get out to Boulder for "other" 
     purposes in the spring or summer! I'd certainly be into bringing a 
     small rig for some loop jamming!
     
     Miko


______________________________ Reply Separator _________________________________
Subject: RE: LD Volume 2
Author:  Todd Quincy <tquincy@davitt-hanser.com> at INTERNET
Date:    12/18/98 12:07 PM


i would go as well. We should invite john diliberto (echoes) to come to
our showcase of looping.
tq

> -----Original Message-----
> From: Hawkeye255@aol.com [SMTP:Hawkeye255@aol.com]
> Sent: Friday, December 18, 1998 11:21 AM
> To:   Loopers-Delight@annihilist.com
> Subject:      Re: LD Volume 2
> 
> Reserve the joint, rent the rooms!!!   I'll come to Boulder to Loop!
> (Don't
> need much of an excuse to get back to them Rocky Mountains of mine.)
> 
> Hawkeye

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Hey! Since someone was mentioning the cgdaeg tuning I thought Id 
put this question up. I like having only 5 strings on my guitar so I 
can do wider vibrato on the high E string and I was tuning my guitar to
cgdae. I liked that alot but I wanted more high notes since I dont use 
the real low ones so I tried tuning d#-a#-f-c-g. Honestly - I thought
I was being a bit original with that fifth tuning stuff untill I saw
that some "guitar craft" people were actually teaching it that way. 
I was just wondering since aparently there are other players tuning 
to fifths and tuning a high E string to G if there is a string size 
that wont break as easily to tune up to G. Or maybe some spells to
recite over the string before tuning it? Some special way of setting
up a tuning peg? They bust at the peg alot but it doesent seem rough 
anywhere. Id hate to have to put it back down to the other tuning
cuz you get that awsome high E with only 21 frets and it sounds super
dramatic with wide vibrato.

From Loopers-Delight-request@annihilist.com  Sun Dec 20 16:27:18 1998
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Message-ID: <367D668C.3DE2@club-internet.fr>
Date: Sun, 20 Dec 1998 22:05:16 +0100
From: PERILLE <perille@club-internet.fr>
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Hello looping people,

I have just incorporated on my website a small sound example : GORGONE

http://www.club-internet.fr/membres/perille

I have lowered down the price of my DJRND2 40khz propotyte to US$800

Emmanuel
perille@club-internet.fr

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From: "Salvatore Passaro" <spassaro@pelagus.it>
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Subject: R: help? 2
Date: Sun, 20 Dec 1998 22:23:11 +0100
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...
>sounds to me like you have the "threshold" parameter set to something other
>than 0. That's the purpose of this parameter - when it's set to something,
>You tap record and the echoplex waits until you actually start playing
>something before the recording starts. Convenient for people who can't
>coordinate their foot tapping and their playing. :-)
>

:-(

My threshold is 0!

thanks, Salvatore


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Date: Sun, 20 Dec 1998 17:14:15 -0500
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From: "earthblind, starbound" <leper@mindspring.com>
Subject: new Grendel song
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Hi folks.  It's Grendel here again, to tell you there's another Grendel
song for you to listen to, if you'e interested.  It's sort of folk and
industrial and metal and prog, and makes use of a few samples from country
music, so this little ditty is called, "My Bitch Ran Away With My Best
Friend, but Fuck You If You Think I'm Writing a Country Song About It."
Almost everything in it is looped.

In the future there may be an extra guitar part added, but I wanted to
have something up in 1998.  Tell me what you think.  URL is in the .sig.

-- 
*Consider yourself warned.* -- Grendel (Industrial/Electronic Prog):
 http://www.geocities.com/SoHo/Atrium/4664/grendel.html
 Against a Sickness: http://www.geocities.com/SoHo/Atrium/4664

From Loopers-Delight-request@annihilist.com  Sun Dec 20 18:21:14 1998
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Yes, the album called 'Home' is incredible. Three piece guitar / bass / 
drums, Caspar plays a howling, gnawing, grinding, sawing, shrieking, 
tortured guitar. Lovely.


> And finally, Caspar Brotzmann. Check out "Massaker". Very, very loud and 
scary!

From Loopers-Delight-request@annihilist.com  Sun Dec 20 18:24:34 1998
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Date: Sun, 20 Dec 1998 16:12:55 -0700
To: Loopers-Delight@annihilist.com
From: Edwin Hurwitz <edwin@indra.com>
Subject: Boulder Lollapaloopa
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	OK, it seems like there really would be some interest in a Loop Jam
in Boulder, so anyone who would want to do this, email me directly and I'll
see what I can do. Let me know when a good time to come to town would be.
It would be good to know what kind of stuff you do and what kind of gear
you have (roughly, I don't need a blow by blow account) so I can ascertain
the correct venue. Preferable to me is to be able to do it fairly quietly
so that we can do it at Penny Lane, which can get a good crowd that is very
receptive to listening. If it seems like it will be loud, we'll have to go
to a larger alcohol based venue that will probably be less fun and less
forgiving of weirdness, although the West End Tavern might be a good bet.
Income will probably be entirely based on tips that will probably mostly
have to go to publicity, so if you need remuneration, bring product to
sell. If we get really lucky and can create an aura of respectability,
maybe I can convince Don Strasberg to give us a slot at the Fox Theatre.


Edwin

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin


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In a message dated 12/20/98 10:28:13 AM Central Standard Time,
Nemoguitt@aol.com writes:

<< any ideas on inexpensive (and i stress this
 word) speakers >>

There are some Yamaha home stereo speakers, whose product number escapes me,
but they're bookshelf-size, three way speakers that go for about $100 a pair
at places like Best Buy. They have great frequency response and will take
quite a beating. 

Good luck. 

- Crossedout@aol.com

From Loopers-Delight-request@annihilist.com  Sun Dec 20 18:31:56 1998
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Subject: Re: speakers????
Cc: Nemoguitt@aol.com
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>ola all.....i play my music through my stereo system.....my  very old klh
>speakers are falling apart.....any ideas on inexpensive (and i stress this
>word) speakers.....i would like to get 4 so i can always play the "big
>room"......also, some time ago there was some talk about the digitec "space
>station" pedal.....is it worth looking at?.....i would like to wish you all a
>very merry christmas.........and send a special thanks to kim for his
>wonderful work for all of us...........michael

I had this trouble with my old smaller Advents. The surrounds on the
woofers completely s*** the bed. I was looking at over $100 to recone them
until I discovered speakerkits.com. they sold me new surrounds for $15 and
although I had some trepidation, it worked great. They also have some kits
that involve components that are very close to some popular less expensive
monitors, since they design and manufacture the woofer for this said
monitor.  When I save up come $$$, I will be trying out one of their kits.
They also have manufactured speakers for Eugene OR sites, such as club PAs,
university installations, etc and the prices are great! Kenneth was very
helpful.


Edwin

Edwin Hurwitz
Boulder CO
http://www.indra.com/~edwin


From Loopers-Delight-request@annihilist.com  Sun Dec 20 18:41:08 1998
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I have always wanted to see Boulder in June.

Best,
Kevin

PS: Equipment would be Echoplex and guitar.

From Loopers-Delight-request@annihilist.com  Sun Dec 20 19:08:05 1998
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Date: Sun, 20 Dec 1998 12:54:32 +0000
From: Colin Jenkinson <jeancolin@earthlink.net>
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howdy loopy:


       Try a .7 or .8 on the 1st string. 

       Try this  tuning CGDAEE, the 1st and 2nd strings in unison. Play 
around with this a while, it's a lot of fun. When you tire of this, slowly 
but surely tune the 1st string to the G. Enjoy the wierd tunings on the 
way up :CGDAEF,and CGDAEF#.
       Note in these tunings, the last four strings are exactly the same 
tuning as standard cello tuning.

Enjoy!

Colin Jenkinson|nosnikneJ niloC

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Subject: Re: speakers????
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>In a message dated 12/20/98 10:28:13 AM Central Standard Time,
>Nemoguitt@aol.com writes:
>
><< any ideas on inexpensive (and i stress this
> word) speakers >>
>

This may fall outside of the inexpensive catagory...
but I was wondering if anyone has listened to the
Infinity Studio Monitor series of speakers.

****************
  ********** Floyd Miller
    ****** floyd@voicenet.com
      ** http://www.voicenet.com/~floyd


From Loopers-Delight-request@annihilist.com  Sun Dec 20 20:05:57 1998
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Date: Mon, 21 Dec 1998 01:59:16 +0100
From: Mark Kunzmann <kunmar00@stud.unibas.ch>
Subject: PMC 10 editor?
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As I believe some of you use a Digitech PMC 10 to control your loop rigs
I was wondering if anyone out there has an alternative to the handheld
programmer (i.e. a software editor?). The Buttons on mine seem to be on
their way out - besides, I've always found using it somewhat tedious...

Thanks for your help!
Mark

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From: jimarnt@interlog.com (Jim Arnott)
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This may be out of date, but Bob repaired my EH 16 sec delay back in 1994.
I reached him through the following address which, I think, I got out of a
Guitar Player Article. By the way, I remember him not being too thrilled
when I called him to find out if he'd be willing/able to try fixing my
delay. Maybe he doesn't want to be contacted.

Lexicon, Inc.,
c/o Bob Sellon
100 Beaver St.,
Waltham, MA02154
508-670-6098

Hope this helps
-j


From Loopers-Delight-request@annihilist.com  Sun Dec 20 20:48:18 1998
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Date: Sun, 20 Dec 1998 19:40:34 -0600
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Re: Music suggestions?
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I have to give the thumbs up for Massaker! Even thought I started this
thread, I have to say that he's one of my favorite guitarists. Speaking of
him, have you heard if he's got anything new coming out anytime soon?

Jeff McLeod

At 04:08 AM 12/20/98 EST, you wrote:
>
>        Jeff,                                                  12/20
>        Check out Death Cube K. It's actually Buckethead, but ambient
>        strrangeness instead of his normal psycho-shred. Heck, check 
>        out all of his stuff! Very bizzarre, and cool. Blind Idiot God is 
>        a cool band from N.Y. Very noisy instrumental stuff. And finally,
>        Caspar Brotzmann. Check out "Massaker". Very, very loud
>        and scary!
>                                      Chris Olden
>
>
__________________________________________
This is not here--
And now is almost over... 

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T	hanks to all for their music suggestions!

	Here are a few from me to all of you:

Hovercraft - Experiment Below (Seattle-based band who sound like the end of
the world. Improv-oriented and LOUD...)

Nels Cline/Thurston Moore - Pillow Wand (Nels Cline--of The Geraldine
Fibbers and Nels Cline Trio, ect.--and Thurston Moore--of Sonic Youth--team
up to make beautiful and spooky layers of guitar music. A dream/nightmare
soundtrack.

	I'd also recommend anything that Nels Cline plays on. Here are a few
choice ones:

The Geraldine Fibbers - Butch

Nels Cline Trio - Chest, Ground and Sad (3 different albums)

Nels Cline/Devin Sarno - Edible Flowers (bass and guitar rumble and
grind--sure to shake your neighbors out of bed, if you have it cranked on a
sub-woofer system...)

Thanks again,

Jeff McLeod

__________________________________________
This is not here--
And now is almost over... 

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Subject: Re: cgdaeg tuning
Date: Mon, 21 Dec 98 02:16:09 -0000
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>I was just wondering since aparently there are other players tuning 
>to fifths and tuning a high E string to G if there is a string size 
>that wont break as easily to tune up to G.


A standard 0.09" should take a G tuning but if they are breaking try a 
0.08" or a 0.085 if you can find one. You get a tradeoff between tension 
and strength but it should work ok. Bear in mind that Fripp uses a Gibson 
scale length guitar (24 3/4") so if you use Fender scale (25 1/2") the 
string tension will be greater you will be more likely to break strings.



Martin Shellard

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Date: Sun, 20 Dec 1998 21:25:38 EST
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In a message dated 12/20/98 9:19:16 PM EST, martins@pwdu.demon.co.uk writes:

> >I was just wondering since aparently there are other players tuning 
>  >to fifths and tuning a high E string to G if there is a string size 
>  >that wont break as easily to tune up to G.
>  
>  
>  A standard 0.09" should take a G tuning but if they are breaking try a 
>  0.08" or a 0.085 if you can find one. You get a tradeoff between tension 
>  and strength but it should work ok. Bear in mind that Fripp uses a Gibson 
>  scale length guitar (24 3/4") so if you use Fender scale (25 1/2") the 
>  string tension will be greater you will be more likely to break strings.
>  
>  
>  
>  Martin Shellard
>  

Marting, 
Ive been using that tuning for about 2-3 years now.
The gauges that ive come to use are
.009
.010
.016
.026
.038
.052

thats tight

for a looser feel

.009
.009
.013
.026
.026
.048

i woudnt go to an .008 at all
its too tinny

any one else out there using this tuning?
i thought i was the only one(aside from the craft)

Rodrigo
Kriist@Aol.com

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Date: Sun, 20 Dec 1998 23:09:34 -0800
To: Loopers Delight <Loopers-Delight@annihilist.com>
From: Kim Flint <kflint@annihilist.com>
Subject: Re: PMC 10 editor?
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At 4:59 PM -0800 12/20/98, Mark Kunzmann wrote:
>As I believe some of you use a Digitech PMC 10 to control your loop rigs
>I was wondering if anyone out there has an alternative to the handheld
>programmer (i.e. a software editor?). The Buttons on mine seem to be on
>their way out - besides, I've always found using it somewhat tedious...

oooh, me too, me too!  If anybody knows an editor, do tell. If anyone wants
to program an editor, I'm willing to buy a copy even.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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At 5:20 AM -0800 12/20/98, Colin Jenkinson wrote:
>To unsubscribe from most of these majordomo lists, I believe you need
>to send the message to majordomo@ari.net and in the body of the
>message write unsubscribe [mail list name].

hmmmmm,

well, lists are not necessarily run by the majordomo program, so you don't
want to go assuming that. This one, for example, uses Smartlist. So
majordomo commands won't work on the Looper's Delight list server. Also,
"majordomo@ari.net" would only apply to lists running on a server at the
ari.net domain. I have no idea what ari.net is, but it certainly has
nothing to do with this list! In general, mailing lists are automated
programs running on a server at the domain where they come from. You need
to send proper commands to that server if you want it to do things like
subscribing and unsubscribing. Usually there is a special address for that
purpose. What you definitely don't want to do is send a post to the list
with something like "please unsubscribe me from the list NOW!" because it
is quite unlikely that you will accomplish much other than irritation
and/or snickering among the other subscribers.

In general, the best advice for unsubscribing from a mailing list is to
save that set of instructions you got when you subscribed, and follow them
when you want to leave!

If you somehow "misplaced" those critical instructions that ask you not to
"misplace" them, or if, say, an employee at your company somehow subscribes
the tech support address by mistake and nobody knows where those
instructions might be, then another approach is to go to the basic web page
where the list is coming from and try to find the unsubscribe instructions
there. In the case here that might be http://www.annihilist.com, where
indeed you see a link for "Looper's Delight", the name of the list.
Following that link, you see another page containing a link for "Mailing
List Info" (http://www.annihilist.com/loop/list/LoopList.html), and low and
behold, there you can find instructions for unsubscribing from the list!

Or if that approach fails you, you could always send a private message to
another subscriber politely asking if they might be able to remind you of
the unsubscribe instructions.

A little bit of patience and common sense, and you'll figure it out. And
sorry for snideness, but ya know I just can't help it. ;-)

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Mon Dec 21 03:09:53 1998
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Date: Sun, 20 Dec 1998 23:53:00 -0800
To: Loopers-Delight@annihilist.com
From: Sean <sean_@mindspring.com>
Subject: Re: PMC 10 editor?
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>At 4:59 PM -0800 12/20/98, Mark Kunzmann wrote:
>As I believe some of you use a Digitech PMC 10 to control your loop rigs
>I was wondering if anyone out there has an alternative to the handheld
>programmer (i.e. a software editor?). The Buttons on mine seem to be on
>their way out - besides, I've always found using it somewhat tedious...

Even if someone could do an editor, you'd still need the handheld
programmer.  It's the only way to get what is in the PMC-10 out.  I haven't
seen a way to do a data dump without the programmer.  

I'm working (in my extremely rare spare time) on a librarian type app for
the PMC-10 and seeing all the presets and the bank layouts on a computer
screen is nice - even if it's readonly.

sean

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Colin Jenkinson wrote:
>             Check out:
>             Skiny Puppy, Forrest for the  Trees, and  try Audio files of Joe
>             Frank(he's mostly spoken word but uses lots of loops).

How/where can I find the Audio files of Joe Frank?  This sounds interesting!

- Dennis Leas
-- 
dennis@mdbs.com

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Subject: FS: PMC 10
Date: Mon, 21 Dec 98 09:35:36 -0600
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>From Harmony Central, respond to the e-mail address at the bottom, not to 
me.
The highly-praised PMC 10 foot controller:


***************************************
Wahs, whammys, whims, and giggles

Asking Price: US$450
Condition: Excellent
Age: N/A
Description:

       For Sale:
       1. Vox Wah from late 60's or eraly 70's
       2. 70's Thomas Organ wah
       3. Digitech Whammy pedal
       4. Digitech pmc 10 programmable midi foot controller with remote 
programmer


       all power supplies/ paperwork incl.

       $450...will not separate



       thanks,
       Brian

Seller: Brian D'Souza, 
E-mail: ouijaesp@aol.com (Profile)
Location: OTTAWA, IL
Post Date: 12/18/98

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Does anybody have the URL for the Forced Exposure website???

Thank,
Jim Lanpheer

James H. Sidlo wrote:

> Keenan Lawler wrote:
>
> > At 12:53 AM 12/20/98 -0600, you wrote:
> > Hi Jeff-
> >
> > >       What I like is the darker stuff. Atonal, noisy or even ambient--just as
> > >long as it has an edge of danger to it. I
> > >Check out Frontier from Chicago.E.A.R.from UK..Robert Rich. Final (Justin
> > from Godflesh)Have you heard any of the stuff Pauline Oliveros recorded in
> > the Fort Worden cistern?Its amazing very ambient dark & beautiful -notable
> > for natural decay time of the enviroment itself-45 secs!!Wow too many
> > sounds to metion here.lotta music out there..
> >                check out Forced Exposures website.Its very informative and
> > full of great obscure -underground  music   KLAW
> > >    I most definately agree.



From Loopers-Delight-request@annihilist.com  Mon Dec 21 11:56:25 1998
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Subject: Fripp Soundscaping Setup
Date: Mon, 21 Dec 98 09:43:40 -0600
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The new issue of Guitar Techniques, an English guitar mag, has an article 
on Robert Fripp's Soundscapes gear.  For those of you who are interested, 
here's the signal path:


Fernandes sustainer-equipped Les Paul copy with Roland six-way pickup:
Roland VG-8, GR1 or GR30
Digitech Whammy Pedal
TC electronics G-Force, split left and right into:
two Roland GP-100's, left and right outs from each of those feed:
one of four TC 2290's with 64 seconds sampling time
the TC's go into one input of either a Eventide 3500 or 3000
the resulting four outs can then be either true quad or two stereo pairs.


Travis Hartnett

From Loopers-Delight-request@annihilist.com  Mon Dec 21 12:13:47 1998
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From: David.Orton@mail.bl.uk (David Orton)
Subject: Re: LD Digest V98 #251 - UK looping possibilities
To: Loopers-Delight@annihilist.com, Gareth Whittock <whiteoak@dial.pipex.com>
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     Sure, why not! Global Village Productions, as its name suggests has 
     been dealing mainly with musicians from the "world music" area - the 
     Peking Brothers are the only ones I remember by name, but also 
     musicians from Africa, Afghanistan, Pakistan, Latin America were 
     featured.
     
     They - GVP - want to move into other areas too - broadly ambient from 
     either end of that description. He already has one 
     abstract/sound/noise group in mind (again the name escapes me) and I 
     suppose I'm the other end, as you can tell from a quick scout around 
     the sounds at <http://subnet.virtual-pc.com/or387751>. However, I just 
     bought ACID Ph1 and have incorporated some of the world drum samples 
     into a new-online-today sort of Rolf Harris meets Bing and Bowie 
     uptown with Eno according to my wife. See what you think!
     
     And good luck with the Cardiff gig - nowhere near Splott, by any 
     chance?
     
     Cheers
     
     David


______________________________ Reply Separator _________________________________
Subject: Re: Loopers-Delight-d Digest V98 #251
Author:  Gareth Whittock <whiteoak@dial.pipex.com> at Internet
Date:    20/12/98 18:33


What sort of music are we talking about here?
My own is a sort of tribal ambience using extended guitar techniques, 
(hey that sounds good doesn't it)?
     
By the way, I'll be doing a spot at the diggers gig at the end of 
January at the Chapter Arts Centre in Cardiff using a Zoom 8080, a strat 
and poss a slide guitar also possibly some live computer processing 
using AudioMulch, (which incidentally nobody's reponded to my 
announcement of- Strange!). Loops akimbo!
Gareth
     
     
>      And spreading good will throughout the UK - a few of you may recall my 
>      gig at the British Library's new(ish) building at St. Pancras, here in 
>      London, UK.
     

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Subject: RE: Music suggestions?
Date: Mon, 21 Dec 1998 11:07:34 -0600
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http://www.fe.org/

-----Original Message-----
From: James Lanpheer [mailto:jlanphe@uswest.com]
Sent: Monday, December 21, 1998 10:23 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Music suggestions?


Does anybody have the URL for the Forced Exposure website???

Thank,
Jim Lanpheer

James H. Sidlo wrote:

> Keenan Lawler wrote:
>
> > At 12:53 AM 12/20/98 -0600, you wrote:
> > Hi Jeff-
> >
> > >       What I like is the darker stuff. Atonal, noisy or even
ambient--just as
> > >long as it has an edge of danger to it. I
> > >Check out Frontier from Chicago.E.A.R.from UK..Robert Rich. Final
(Justin
> > from Godflesh)Have you heard any of the stuff Pauline Oliveros recorded
in
> > the Fort Worden cistern?Its amazing very ambient dark & beautiful
-notable
> > for natural decay time of the enviroment itself-45 secs!!Wow too many
> > sounds to metion here.lotta music out there..
> >                check out Forced Exposures website.Its very informative
and
> > full of great obscure -underground  music   KLAW
> > >    I most definately agree.


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Date: Mon, 21 Dec 1998 10:24:55 -0800
To: Loopers-Delight@annihilist.com
From: Chris Muir <cbm@well.com>
Subject: Re: Music suggestions?
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At 5:49 PM -0800 12/20/98, Jeff & Vonda McLeod wrote:
>	I'd also recommend anything that Nels Cline plays on. Here are a few
>choice ones:

[excellent suggestions deleted]

As long as we're gushing over Nels, let me reccomend "Yo, Miles" from Henry
Kaiser and Wadada Leo Smith. Nels does some great work on this set,
including some very cool 16-Second Delay stuff.

Note that this is not an unbiased plug; I co-produced and played on this disk.

Chris


_____________________________________________________
Chris Muir        |  The Web Comes Alive With Music:
cbm@headspace.com |  http://www.headspace.com/beatnik


From Loopers-Delight-request@annihilist.com  Mon Dec 21 14:25:17 1998
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Date: Mon, 21 Dec 1998 14:07:55 EST
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In a message dated 98-12-21 03:16:10 EST, you write:

<< >I was just wondering since aparently there are other players tuning 
 >to fifths and tuning a high E string to G if there is a string size 
 >that wont break as easily to tune up to G.
 
 
 A standard 0.09" should take a G tuning but if they are breaking try a 
 0.08" or a 0.085 if you can find one. You get a tradeoff between tension 
 and strength but it should work ok. Bear in mind that Fripp uses a Gibson 
 scale length guitar (24 3/4") so if you use Fender scale (25 1/2") the 
 string tension will be greater you will be more likely to break strings. >>

A standard issue light-gauge set for electric 12 string uses 0.08 for the
octave-higher G string, so it seems like that would take it.  Even still, many
12-string sets will give you two of those 0.08's, obviously because they're
still pretty easy to break.

Ken R

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Date: Mon, 21 Dec 1998 13:25:13 +0000
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Try this address for Joe Frank stuff:

     www.upl.cs.wisc.edu/~rafter/joefrank


Colin Jenkinson|nonikneJ niloC

From Loopers-Delight-request@annihilist.com  Mon Dec 21 14:52:41 1998
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Date: Mon, 21 Dec 1998 14:20:33 -0500 (EST)
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com
Subject: Re: Multiple Loops question
In-Reply-To: <2.2.32.19981218225411.00d95790@pop.chromatic.com>
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I stand corrected.  Thanks Kim!

	Kevin



Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/


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Date: Mon, 21 Dec 1998 14:41:25 -0500 (EST)
From: Unit Circle Media <unitcirc@unitcircle.com>
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Subject: Re: Music suggestions?
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You must check out Bethany Curve and SubArachnoid Space.  There are
samples of them at http://www.amz.com/labels/UnitCircle/listen.html

yes, it's my label, but I think it's a good suggestion anyways.

	Kevin


Kevin Goldsmith				kevin@unitcircle.com
Unit Circle Media			http://www.unitcircle.com/


From Loopers-Delight-request@annihilist.com  Mon Dec 21 14:56:36 1998
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From: "Jesse Kudler" <jkudler@wesleyan.edu>
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Date: Mon, 21 Dec 1998 14:41:05 -0500
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Funny.  I've been using www.forcedexposure.com , which is apparently the
exact same pages.

-Jesse

-----Original Message-----
From: Paul.C.Wright@ercgroup.com <Paul.C.Wright@ercgroup.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, December 21, 1998 1:32 PM
Subject: RE: Music suggestions?


>http://www.fe.org/
>
>-----Original Message-----
>From: James Lanpheer [mailto:jlanphe@uswest.com]
>Sent: Monday, December 21, 1998 10:23 AM
>To: Loopers-Delight@annihilist.com
>Subject: Re: Music suggestions?
>
>
>Does anybody have the URL for the Forced Exposure website???
>
>Thank,
>Jim Lanpheer
>
>James H. Sidlo wrote:
>
>> Keenan Lawler wrote:
>>
>> > At 12:53 AM 12/20/98 -0600, you wrote:
>> > Hi Jeff-
>> >
>> > >       What I like is the darker stuff. Atonal, noisy or even
>ambient--just as
>> > >long as it has an edge of danger to it. I
>> > >Check out Frontier from Chicago.E.A.R.from UK..Robert Rich. Final
>(Justin
>> > from Godflesh)Have you heard any of the stuff Pauline Oliveros recorded
>in
>> > the Fort Worden cistern?Its amazing very ambient dark & beautiful
>-notable
>> > for natural decay time of the enviroment itself-45 secs!!Wow too many
>> > sounds to metion here.lotta music out there..
>> >                check out Forced Exposures website.Its very informative
>and
>> > full of great obscure -underground  music   KLAW
>> > >    I most definately agree.
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec 21 15:14:07 1998
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Message-Id: <199812211952.LAA09724@scv2.apple.com>
Subject: Looping gear, sustainer guitar FS
Date: Mon, 21 Dec 98 13:53:58 -0600
x-sender: hartne.t@mail.apple.com
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From: Travis Hartnett <hartnett.t@apple.com>
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I culled these from Harmony Central--contact the e-mail address listed in 
the ad, not me.
Also included is an ad for a systainer equipped guitar, a frequent topic 
of conversation on this list.


Travis Hartnett


******************************
Roland Chorus Echo RE-301 $300

Asking Price: US$300
Condition: Mint
Age: N/A
Description:

       For sale Roland Chorus echo RE-301 vintage tape delay

       excellent working and cosmetic condition

       $300

       email to beatyboy@aol.com

Seller: Chris Beaty, 304.525.0232
E-mail: beatyboy@aol.com (Profile)
Location: HUNTINGTON, WV

FS/T: Guitar, Amps, Speakers

Asking Price: US$N/A
Condition: Good
Age: N/A
Description:

       Guitar:
       ASI Sustainiac guitar w/infinite sustain pickups $300

       Amps:
       Fender "85" amp, excellent cond. $250
       Peavey Classic 30, new Sovtec tubes plus a set of spares, 
excellent cond. $300

       Speakers:
       2 EV 12" white back SRO's, 8 ohm, original cones w/tech sheet $200 
ea
       1 EV 12" white back SRO, 8 ohm, original (repaired) cone $125
       1 EV 15" SRO, 8 ohm, original cone, missing magnet cover, w/tech 
sheet $150
       1 Yamaha 15", 8 ohm, new $75

Seller: Phil Diem, 
E-mail: pdiem@edcen.ehhs.cmich.edu (Profile)
Location: ANN ARBOR, MI
Post Date: 12/18/98
Post Date: 12/21/98
****************************

Lexicon JamMan

Asking Price: US$N/A
Condition: Mint
Age: N/A
Description:

       Lexicon JamMan Sampler 8 second upgradable to 32 seconds with 
manual and non origional power supply. Very good condition. $435.00 Plus
       shipping

Seller: Donald Dillon, (210)674-0868
E-mail: donray@flash.net (Profile)
Location: SAN ANTONIO, TX
Post Date: 12/20/98
***************************
effects...

Asking Price: US$N/A
Condition: Excellent
Age: N/A
Description:

       Lexicon Vortex, multi effects, $190; Digitech TSR 24S, multi 
effects w/ 2nd processor/ memory, $490; Digitech HotBox, 
distortion/delay, $45;
       Digitech Time Machine, 8second digital delay, $195. 
phone:703-734-0110 or email:faybe@aol.com

Seller: ollo ollo, 703-734-0110
E-mail: faybe@aol.com (Profile)
Location: MC LEAN, VA
Post Date: 12/18/98
***************************
FS/T: Effects, Mixers

Asking Price: US$N/A
Condition: Excellent
Age: N/A
Description:

       Effects:
       Digitech RDS 8000 8 sec sample/delay $275
       Digitech IPS 33b harmonizer/pitchshifter w/manual & remote $250
       Hush IIcx two channel noise reduction w/manual $125
       Mixers:
       Tascam MM1 keyboard mixer, 20 channel, midi, w/manual and power 
supply, $250
       Biamp 12 Channel Board w/manual. Good inexpensive PA board $125

Seller: Phil Diem, 
E-mail: pdiem@edcen.ehhs.cmich.edu (Profile)
Location: ANN ARBOR, MI
Post Date: 12/18/98

From Loopers-Delight-request@annihilist.com  Mon Dec 21 16:40:10 1998
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From: "Jesse Kudler" <jkudler@wesleyan.edu>
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Subject: Re: Music suggestions?
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I should also recommend the Bill Horist cd, also on Unit Circle.  I wasn't
crazy about Bill's live show at the time, and it took me a while to get into
the CD, but I really like it now.  Prepared guitar with a bunch of effects
(I think he had a Jamman, and a pedal detuner was used prominently live)
making totally alien sounds.  Some is fairly low key ambient, some is more
noisy.  Sounds like mostly improv, with little discernible structure, but
the cd doesn't sound aimless, which was my main criticism of the live show.
I'm probably not doing a great job describing the disc, but it's hard. It's
basically solo guitar that sounds more like a synth and percussion ignoring
traditional rules of music, which were useless anyway.  The cd also includes
several duets which are very fine as well.
http://www.amz.com/labels/UnitCircle/releases/tUC045.html  has a bunch of
info, and I'm sure Kevin does as well.

-Jesse

-----Original Message-----
From: Unit Circle Media <unitcirc@unitcircle.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, December 21, 1998 3:10 PM
Subject: Re: Music suggestions?


>You must check out Bethany Curve and SubArachnoid Space.  There are
>samples of them at http://www.amz.com/labels/UnitCircle/listen.html
>
>yes, it's my label, but I think it's a good suggestion anyways.
>
> Kevin
>
>
>Kevin Goldsmith kevin@unitcircle.com
>Unit Circle Media http://www.unitcircle.com/
>
>
>

From Loopers-Delight-request@annihilist.com  Mon Dec 21 16:49:51 1998
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From: Michael Peters <mpeters@csi.com>
To: "'Loopers Delight'" <Loopers-Delight@annihilist.com>
Subject: what is a spectrum follower?
Date: Mon, 21 Dec 1998 21:15:07 +0100
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Who knows what a spectrum follower does, where one can get one, and how 
expensive it is? Apparently such a device was extensively used by Wendy 
Carlos in the early seventies, as can be read in the liner notes of the 
awesome Clockwork Orange rerelease.

*	Michael Peters:	mpeters@csi.com
*	escape veloopity:	electronic guitar loop 
music:	http://listen.to/michaelpeters




From Loopers-Delight-request@annihilist.com  Mon Dec 21 16:50:38 1998
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From: PJBMHB@aol.com
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Date: Mon, 21 Dec 1998 16:37:37 EST
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Subject: Re: Music suggestions? Yo Miles is Great!!
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Totally dig yo miles. fun and funky. check it out. =-) PJ

From Loopers-Delight-request@annihilist.com  Mon Dec 21 17:08:49 1998
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In a message dated 17/12/98 22:57:39 GMT, you write:

<< >You can slave your drum machine to your jamen. Then when you tap in your
 >loop, at the second tap the drumbox will start playing in sync. You may have
 >to adjust your drum boxs midi assignment. >>


 And doing it this way round cuts out the glitch at the beginning/end of the
loop

From Loopers-Delight-request@annihilist.com  Mon Dec 21 18:32:26 1998
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Date: Mon, 21 Dec 1998 19:29:59 +0100
From: Mark Kunzmann <kunmar00@stud.unibas.ch>
Subject: Re: PMC 10 editor?
To: Loopers-Delight@annihilist.com
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 <3.0.5.32.19981220235300.01648de0@pop.mindspring.com>
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> I'm working (in my extremely rare spare time) on a librarian type app for
> the PMC-10 and seeing all the presets and the bank layouts on a computer
> screen is nice - even if it's readonly.

Hi Sean!

The app you're working on sounds interesting. - Would you be willing to
share it with us? Would be glad to reimburse you for your efforts. Also,
(and I don't mean to be pushy here :-) do you see it maybe becoming a
true patch editor sometime in the future?
I guess one would have to use the programmer to initiate patch/bulk
dumps, still, that would mean only one 'operation' as opposed to the
procedure of keying in command after command -

Thanks -
Mark

From Loopers-Delight-request@annihilist.com  Mon Dec 21 18:53:04 1998
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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
Message-Id: <199812212343.PAA25680@waynesworld.ucsd.edu>
Subject: Loop Sighing: Leni Stern
To: Loopers-Delight@annihilist.com
Date: Mon, 21 Dec 1998 15:43:57 -0800 (PST)
In-Reply-To: <v04003a00b2a4423a3e8a@[205.134.241.202]> from "Chris Muir" at Dec 21, 98 10:24:55 am
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I managed to catch Leni Stern on tour (she miraculously decided to
make a stop in San Diego).   Her setup was fairly simple; just her Strat,
Matchless amp (a 1x12), a JamMan, volume pedal, and another little
effects box.

She is unusual, for a guitarist, in that she uses a wide dynamic range
(the guitarist stereotype being that the guitarist only plays in one
range - LOUD :)), ranging from very soft to loud enough to be clearly heard
over the drummer and bass player.  Thus it was hard to tell if she was using 
the Jam Man for anything other than delay effects.  There was however one 
tune that began with clearly looped intro, but even then she kept the 
looper's volume level fairly low. 

I had heard that her teachers were her esteemed husband Mike (aka "Fat Time")
and Bill Frisell.  I heard more of Frisell's influence (and thus, indirectly
the influence of Jim Hall) in her melodic style which made effective use of 
silence.  She was billed as a jazz act, but threw in a generous helping of
vocal numbers.  My buddy said her pop/vocal tunes reminded him of Sting, 
post-Police. :)

Cheers,
Paolo

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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
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Subject: Re: Loop Sighing: Leni Stern
To: Loopers-Delight@annihilist.com
Date: Mon, 21 Dec 1998 17:08:55 -0800 (PST)
In-Reply-To: <199812212343.PAA25680@waynesworld.ucsd.edu> from "Paolo Valladolid" at Dec 21, 98 03:43:57 pm
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Oops, I meant "Sighting", not "Sighing"...

Paolo

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Does anyone know of a reputable dealer that can beat $699 on an Echoplex
Digital Pro?  

P.S. Please reply directly by E-mail as I do not subscribe to the list. 
Thanks!

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Message-ID: <367EF2A2.2CC03BB5@vtx.ch>
Date: Tue, 22 Dec 1998 02:15:14 +0100
From: Claude Voit <c.voit@vtx.ch>
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Sean wrote:

> I'm working (in my extremely rare spare time) on a librarian type app for
> the PMC-10 and seeing all the presets and the bank layouts on a computer
> screen is nice - even if it's readonly.

Sean

sorry for the bandwidth but me too me too I'm also ready to spend some
money on your project

Please keep us informed

Claude

From Loopers-Delight-request@annihilist.com  Mon Dec 21 20:40:18 1998
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From: "wayne schroeder" <geoffreyk46@hotmail.com>
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>From Loopers-Delight-d-request@annihilist.com Mon Dec 21 00:16:00 1998
>Received: from [209.239.39.1] by hotmail.com (1.0) with SMTP id 
MHotMail30916809584201235065324693522111233146050; Mon Dec 21 00:16:00 
1998
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>
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>
Dear Kim, is there something wrong with the Loopers Delight
transmission? I'm just getting the letterhead top portion,
but not the body of the list and correspondences...

What gives?

Wayne

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

From Loopers-Delight-request@annihilist.com  Mon Dec 21 22:20:57 1998
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From: stevens@ebtech.net (Jane/Mike Stevens)
Subject: f/s TC elctronics G force
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For sale TC electronics G force. New condition . $1150. U.S funds.           
                         email or ph/fax  519-869-8175                       
                      Thankyou Mike

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Date: Mon, 21 Dec 1998 22:30:25 -0500
To: Loopers-Delight@annihilist.com
From: Floyd Miller <floyd@voicenet.com>
Subject: Re: f/s TC elctronics G force
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At 10:00 PM 12/21/98 -0500, you wrote:
>For sale TC electronics G force. New condition . $1150. U.S funds.           
>                         email or ph/fax  519-869-8175                       
>                      Thankyou Mike
>

I've been thinking about getting one of those and I'm interested.
But I've never heard on of them.
I'm curious as to why you are seeling it.

**************** 
  ********** Floyd Miller
    ****** floyd@voicenet.com
      ** http://www.voicenet.com/~floyd

From Loopers-Delight-request@annihilist.com  Tue Dec 22 03:38:19 1998
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Thank you, loopers,

for your suggestions. I was finally able to place an email that was at least
not instantly rejected by some "Mailer System". I´ll keep you all
informed....:-))) just kidding!

Manfred



From Loopers-Delight-request@annihilist.com  Tue Dec 22 05:29:31 1998
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Date: Tue, 22 Dec 1998 11:27:09 +0100
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For a few days I've notived that regardless
of the level of the input, my loop in the
Jamman were severely distorted. This
phenomena occured suddenly, in a
configuration I as using for months without
problem.
The thing is I found were the problem was,
and it is surprising as well as limiting my
future plans.
Let me tell you what I found.
I bought recently two electro static
microphones: two Audio technica 3528. I had
only a few cheap Sure's, and wanting to
expand to (still cheap) electrostatiic ones.

So the two AT are plugged in my  Mackie CR 16
04, as well as the outputs of the vortex, in
whic the Jamdude in injected.
It appears that when the phantom power is
turned on, the loops get distorted (?!?!),
and everythiçng comes back to normal when the
phantom power is off.
I don't know how this can occur. I even fear
that this effect of the phantom power may
mean possible damage to the Vortex and
Jamman.
If any knowledgable peole here have any
idea...


Olivier Malhomme

From Loopers-Delight-request@annihilist.com  Tue Dec 22 06:25:54 1998
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I play with a fifth tuned guitar among
others, and in fact the high "E" string is
G#.
I tried lot of brands of strings, different
alloys, different origins (even harpsichord
strings that use a different metal: american
steel is known to be of poor quality, while
harpsichord string string are made of a
greman steel).
In the end. Dean Markley string were the best
suiting. I use a .008. I tune it carefully in
several times, and can bend it one half tone.
They usually resist until next string change.

Olivier Malhomme

From Loopers-Delight-request@annihilist.com  Tue Dec 22 06:46:39 1998
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Date: Tue, 22 Dec 1998 22:32:11 +1000
To: Loopers-Delight@annihilist.com
From: Simon <simon@dynamite.com.au>
Subject: Vintage Maestro Echoplex model info?
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I'm am going to buy a vintage Maestro Echoplex soon, I am wondering if
there is a web page with information on what models were released, what the
advantages/disadvantages of particular models are, and what models are most
desirable?

Also, a guide to what each model should cost, and any problems to look out,
for would also be helpful.

I was going to find a tube model, I've heard that these have a 'fatter' sound.

It would be most appreciated if someone could point me in the direction of
this info, or take a little time to share what you know of these older
Echoplex boxes.


Thanks
Simon
Canberra
AUSTRALIA


From Loopers-Delight-request@annihilist.com  Tue Dec 22 08:48:42 1998
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Date: Tue, 22 Dec 1998 13:42:10 +0000
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From: David.Orton@mail.bl.uk (David Orton)
Subject: Re: Loop Sighing: Leni Stern
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Paolo mentioned:
>  I heard more of Frisell's influence (and thus, indirectly the influence 
> of Jim Hall) in her melodic style which made effective use of silence.
     
     True enough, and don't forget that Bill played on her debut LP, 
     featured particularly on "Stella by Starlight" and (I think) "Blue 
     Monk".
     
     Cheers
     
     David
     <http://subnet.virtual-pc.com/or387751>
     

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Date: Tue, 22 Dec 1998 16:57:07 +0100
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I need info. Sorry to bother. I've lost (?!)
my Jam man manual, and I'd like to sync it to
a midi click coming from Cubase. How should I
do that???

Thanks in advance.

From Loopers-Delight-request@annihilist.com  Tue Dec 22 11:33:13 1998
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Please unsubscribe. Thank You and merry Christmas

From Loopers-Delight-request@annihilist.com  Tue Dec 22 13:23:12 1998
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Date: Tue, 22 Dec 1998 19:14:26 +0100
To: Loopers-Delight@annihilist.com
From: Leonardo Cavallo <cavallo@dada.it>
Subject: ftp://ftp.teklab.com/teklab/incoming/FreeForm.mp3
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Hy guys

ftp://ftp.teklab.com/teklab/incoming/FreeForm.mp3
Not a real song but some experimental stuff with a A3000 and a PC. 
Heavy breakbeat programming at 170 bpm. Only 1.7M long.
Suggestions and comments are welcome.

ciao
leo

From Loopers-Delight-request@annihilist.com  Tue Dec 22 16:57:40 1998
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From: "Salvatore Passaro" <spassaro@pelagus.it>
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>In fact, call them to find a good dealer: 877-OBERHEIM (877-623-7434) or
>obie@gibson.com. they're quite helpful.
>
>kim


also the telephone number doesn't work.
Any idea?
How to contact Oberheim?

Salvatore


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At 10:53 PM 12/22/98 +0100, you wrote:
>
>>In fact, call them to find a good dealer: 877-OBERHEIM (877-623-7434) or
>>obie@gibson.com. they're quite helpful.
>>
>>kim
>
>
>also the telephone number doesn't work.

oops, that's a toll-free number that would only work in the US. I don't have
the regular number with me, maybe somebody else knows it.

>Any idea?
>How to contact Oberheim?

Did you try Mike Ayers, mayers@gibson.com? He's Oberheim tech support, he
should be able to help you.

kim
________________________________________________________
Kim Flint, MTS		       408-752-9284
ATI Research	       kflint@chromatic.com

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Date: Tue, 22 Dec 1998 18:53:22 -0400
To: Loopers-Delight@annihilist.com
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I just got one of those Lexicon MP100's. It sounds good and the price is
right -- even in ever-devaluating C$!

At 08:59 AM 12/19/98 EST, you wrote:
>
>In a message dated 12/19/98 8:56:24 AM, Trisstine@aol.com writes:
>
><<I'm
>      now looking to update my reverb/delay units.(2 older Alesis 
>      Quadraverbs) Are there any units out there that are live-use
>      friendly(i.e. easily adjustable w/o using midi), as well as 
>      producing excellent reverbs?>>
>
>Lexicon MXP100 (!)
>
>
>Marshall
>
>
==========================================================
Howard Harawitz      howard@brooknorth.com              
==========================================================
Brooklyn North Software Works Inc.
Halifax, Nova Scotia, Canada 
Telephone: 1-902-423-0257
==========================================================
Check the Halifax Harbor Cam: http://www.brooknorth.com/camsite/

From Loopers-Delight-request@annihilist.com  Tue Dec 22 17:57:53 1998
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From: "Salvatore Passaro" <spassaro@pelagus.it>
To: "Loop" <Loopers-Delight@annihilist.com>
Subject: How to contact Oberheim
Date: Tue, 22 Dec 1998 23:31:15 +0100
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I've called Gibson at 615 8714 500 and they given me 615 8714 382 to contact
Oberheim (Michael Ayers), I listened his answering machine :-)

I haven't understand a lot about changing numbers when you call from Europe
to Usa.
Does something change when I call from Italy?

Salvatore


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From: "Salvatore Passaro" <spassaro@pelagus.it>
To: "Loop" <Loopers-Delight@annihilist.com>
Subject: Marry Christmas
Date: Tue, 22 Dec 1998 23:52:07 +0100
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Marry Christmas and happy new Loop :-)

Salvatore


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---Salvatore Passaro <spassaro@pelagus.it> wrote:
>
> Marry Christmas and happy new Loop :-)
> 
> Salvatore
> 
> 
> 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From Loopers-Delight-request@annihilist.com  Tue Dec 22 18:17:06 1998
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     Just got one too! It's definitely more versatile than it's front panel 
     would lead you to believe. Sounds great as well... will know more 
     later as I get further into the unit. Price is awesomely right!
     
     It's about 1/8th the weight of my LXP15II as well...
     
     best,
     Miko


______________________________ Reply Separator _________________________________
Subject: Re: re:reverb/delay units
Author:  Howard Harawitz <howard@brooknorth.com> at INTERNET
Date:    12/22/98 5:52 PM


I just got one of those Lexicon MP100's. It sounds good and the price is
right -- even in ever-devaluating C$!

At 08:59 AM 12/19/98 EST, you wrote:
>
>In a message dated 12/19/98 8:56:24 AM, Trisstine@aol.com writes:
>
><<I'm
>      now looking to update my reverb/delay units.(2 older Alesis 
>      Quadraverbs) Are there any units out there that are live-use
>      friendly(i.e. easily adjustable w/o using midi), as well as 
>      producing excellent reverbs?>>
>
>Lexicon MXP100 (!)
>
>
>Marshall
>
>
==========================================================
Howard Harawitz      howard@brooknorth.com              
==========================================================
Brooklyn North Software Works Inc.
Halifax, Nova Scotia, Canada 
Telephone: 1-902-423-0257
==========================================================
Check the Halifax Harbor Cam: http://www.brooknorth.com/camsite/

From Loopers-Delight-request@annihilist.com  Tue Dec 22 18:21:06 1998
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From: Paolo Valladolid <pvallado@waynesworld.ucsd.edu>
Message-Id: <199812222317.PAA29785@waynesworld.ucsd.edu>
Subject: Re: Loop Sighing: Leni Stern
To: Loopers-Delight@annihilist.com
Date: Tue, 22 Dec 1998 15:17:00 -0800 (PST)
In-Reply-To: <001C5DA6.1424@mail.bl.uk> from "David Orton" at Dec 22, 98 01:42:10 pm
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> Paolo mentioned:
> >  I heard more of Frisell's influence (and thus, indirectly the influence 
> > of Jim Hall) in her melodic style which made effective use of silence.
>      
>      True enough, and don't forget that Bill played on her debut LP, 
>      featured particularly on "Stella by Starlight" and (I think) "Blue 
>      Monk".
>      
>      Cheers
>      
>      David

She was selling her CD _Recollection_ (a sort of greatest hits which
includes some unreleased tracks) which includes a duet with Frisell
on "Someday My Prince Will Come".

There are two tracks which prominently feature looping.

Paolo

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From: John Celano <ds115@erols.com>
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Subject: RE: Jam man sync
Date: Tue, 22 Dec 1998 20:11:50 -0500
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To sync it to external source set the dial in phrased or punch to the =
number of beats you want the loop to be. if the is receiving the clock =
you should see the tempo light blinking.  press tap to start recording, =
again to stop, if you don't press the 2nd time it will automatically end =
when the set number of beats is reached and start playing.  Hope this =
helps. =20

You can p/u a manual from lexicon=20

http://www.lexicon.com/support/homeframe.htm




-----Original Message-----
From:	Malhomme [SMTP:malhomme@vete.ucl.ac.be]
Sent:	Tuesday, December 22, 1998 10:57 AM
To:	Loopers-Delight@annihilist.com
Subject:	Jam man sync

I need info. Sorry to bother. I've lost (?!)
my Jam man manual, and I'd like to sync it to
a midi click coming from Cubase. How should I
do that???

Thanks in advance.

From Loopers-Delight-request@annihilist.com  Tue Dec 22 21:51:40 1998
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Date: Wed, 23 Dec 1998 03:44:40 +0100
From: Mark Kunzmann <kunmar00@stud.unibas.ch>
Subject: EDP Mailorder
To: Loopers Delight <Loopers-Delight@annihilist.com>
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Just thought I'd let you know: I contacted Mike Ayers at Gibson who was
very helpful indeed. He pointed me to http://www.tbred-music.com -
They're selling EDPs for around $700 which seems a little more expensive
than the prices that have been mentioned here in the past.

Cheers -
Mark

From Loopers-Delight-request@annihilist.com  Wed Dec 23 04:29:17 1998
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Date: Wed, 23 Dec 1998 01:25:32 -0800
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: ftp://ftp.teklab.com/teklab/incoming/FreeForm.mp3
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At 10:14 AM -0800 12/22/98, Leonardo Cavallo wrote:
>Hy guys
>
>ftp://ftp.teklab.com/teklab/incoming/FreeForm.mp3
>Not a real song but some experimental stuff with a A3000 and a PC.
>Heavy breakbeat programming at 170 bpm. Only 1.7M long.
>Suggestions and comments are welcome.

what a nutty track! great! You're my new drum and bass god.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Date: Wed, 23 Dec 1998 05:11:22 EST
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black guitars is the leni cd that has the most looping. bill was on her 1st
cd, which i think is one of her best. wayne krantz has also been on some of
her cds and he is a great guitar player in his own right. =-) PJ

From Loopers-Delight-request@annihilist.com  Wed Dec 23 09:59:03 1998
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Date: Wed, 23 Dec 1998 15:35:42 +0100
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From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: ftp://ftp.teklab.com/teklab/incoming/FreeForm.mp3
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At 01:25 23.12.98 -0800, you wrote:
>At 10:14 AM -0800 12/22/98, Leonardo Cavallo wrote:
>>Hy guys
>>
>>ftp://ftp.teklab.com/teklab/incoming/FreeForm.mp3
>>Not a real song but some experimental stuff with a A3000 and a PC.
>>Heavy breakbeat programming at 170 bpm. Only 1.7M long.
>>Suggestions and comments are welcome.
>
>what a nutty track! great! You're my new drum and bass god.
>

ehhhh? 

;)


in the next hours I'm going to upload another experimental track,
freeform2.mp3, to the same ftp directory. 
I'd like to point that these are only rough mixes and "first try" sequences. 
None of these trax is complete... but you can have a good idea where I'm now
musically.
One of the following steps should be to include live looping (I still play
my bass and Stick through jamman and FX) and some jazz improvisation above it.

thnx for the attention
ciao
leo 


From Loopers-Delight-request@annihilist.com  Wed Dec 23 09:59:23 1998
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Subject: Fifths tuning, string breakage
Date: Wed, 23 Dec 98 08:46:31 +0100
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I use the Guitar Craft tuning (CGDAEG), and I use an .011 on the 
acoustic, and a .010 on the electric. I haven't had breakage problems on 
the high G.  The A on the acoustic is the string most prone to breakage 
in my experience.  When it does break, it always breaks at the tuning 
machine.  I use Sperzel locking tuners on the electrics, which puts fewer 
turns around the post, which may contribute to longer string life for 
high-tuned strings.

Travis Hartnett

From Loopers-Delight-request@annihilist.com  Wed Dec 23 14:04:16 1998
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Date: Wed, 23 Dec 1998 19:20:13 +0100
From: Mark Kunzmann <kunmar00@stud.unibas.ch>
Subject: PMC10 BulkDump
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Dear Loopers -

Yesterday I lost all the patches in my PMC10, luckily though I'd
transferred all data to my PC before this happened. Unfortunately I am
having trouble sending this data back to the PMC. Is there anything in
particular I have to do to put the PMC into 'SysEx receive mode'? Any
suggestions would be highly appreciated.

Thanks - and a very merry Christmas to all!
Mark

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Reply-To: <sgoodman@earthlight.net>
From: "Stephen P. Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
Subject: Merry Merry, Everyone!
Date: Wed, 23 Dec 1998 10:21:08 -0800
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A short note to wish everyone in and on this list, the best of holidays.
May we all be with those close to us at this time, if not physically, than
at least spiritually.

Another short note, that I'll be releasing This Year's Free Song on the
24th; it's to be named "Fur or Feather", and will be posted tomorrow
afternoon/evening for your enjoyment.  In case one doesn't know, for the
past 3 years I've been posting an annual piece, composed for the season, and
made available for free charitable use.  It'll be at
http://www.earthlight.net/Studios by that time.  Do drop in and say hello at
least!

Stephen Goodman  -  It's... The Loop Of The Week!
EarthLight Studios  -  http://www.earthlight.net/Studios

From Loopers-Delight-request@annihilist.com  Wed Dec 23 15:44:08 1998
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Date: Wed, 23 Dec 1998 11:49:24 -0800
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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re: Merry Merry, Everyone!
To: <Loopers-Delight@annihilist.com>,
        "Stephen P. Goodman" <sgoodman@earthlight.net>
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     Best of the season to you all... I'll be away from my system for a 
     while, so I'll be coming back to a full mailbox!
     
     A friend just gave me and E-mu Emax 1 to clear out his garage! It's 
     really starting to feel like Christmas now... Are any of you out there 
     Emax users? I'm starting from scratch and this is my first sampler so 
     I could use any tips our resources you might offer.
     
     Best for the holidays,
     Miko Biffle

From Loopers-Delight-request@annihilist.com  Wed Dec 23 17:52:33 1998
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From: Michael Peters <mpeters@csi.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: AW: Merry Merry, Everyone!
Date: Wed, 23 Dec 1998 23:07:21 +0100
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>      A friend just gave me and E-mu Emax 1 to clear out his garage! It's
>      really starting to feel like Christmas now... Are any of you out 
there
>      Emax users? I'm starting from scratch and this is my first sampler 
so
>      I could use any tips our resources you might offer.

I have an Emax 1 too. It has its limitations but it's a very nice box, I 
had lots of fun with it. First of all, be sure you can still find 720k 
disks somewhere. They are an endangered species I think.

*	Michael Peters:	mpeters@csi.com
*	escape veloopity:	electronic guitar loop music
*			http://listen.to/michaelpeters




From Loopers-Delight-request@annihilist.com  Wed Dec 23 18:03:06 1998
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Merry Christmas,Mike!  Got the PMC-10 manual today.  And I can't thank you
enough.  But I might be able to help you a liitle with your Emax.  I have an
Emax II, had it for several years and love it.  Even though there are a lot
more sophisticated samplers out there, (and I have a few),  that ugly old Emax
II is truly my first love when it comes to sampling.  And the analog filters
are great.  After you played with your Emax awhile and you have still have
questions, let me know...I owe you one, man.
Thanks,
		Bill

From Loopers-Delight-request@annihilist.com  Wed Dec 23 19:18:39 1998
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Subject: New "Christmas" Album out...
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NOTE: Promotion of a listmember's "music" follows. Skip if you'd like.

My duo/band, Overdrive Date Master, has gotten into a bad habit of
playing shows without instruments. We have our second annual holiday
concert coming up jan 6, 1999 here in Phila, Pa (Upstairs at Nicks) and
it's going to be a CD release party for our new album; "ODM: The
Christmas Show".

Last year we played a concert without any real instruments. We used two
mono tube record players and a stack of the strangest records you can
imagine (speeches, How-to albums, some music of all types) and mixed
them all up at various speeds (8RPM to 78 RPM) with delays direct into
some vintage fender amps. Occasionally there was some bizarro leads and
fills from two analog monosynths getting the same amp/delay treatments
and of course we filled it out with children's toys and out famous
windup monkey, Binky.

A CD of this concert was going to be released this Easter (A Christmas
Album at Easter just seemed right) but due to popular demand (honest,
people have been asking me for this thing!) it's available now for $10
including shipping in the US.

Full info at: Http://www.voicenet.com/~legion/odmxmas.htm

Many members on these lists have contributed ideas and support for this
nonsense so I figured I'd let y'all know. Thanks for your time.

-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From Loopers-Delight-request@annihilist.com  Wed Dec 23 21:24:06 1998
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From: DainL@AustinTX.net (Dain R. Luscombe)
To: <Loopers-Delight@annihilist.com>
Subject: Re: Merry Merry, Everyone!
Date: Sun, 20 Dec 1998 20:25:02 -0600
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Lucky dog! I've been using an Emax for 8 years or so, The filters are rad
and the arpeggiator is really cool. let me know if you have any questions.

seeya
dain


----------
> From: Mike Biffle <Mike.Biffle@wj.com>
> To: Loopers-Delight@annihilist.com; Stephen P. Goodman
<sgoodman@earthlight.net>
> Subject: Re: Merry Merry, Everyone!
> Date: Wednesday, December 23, 1998 1:49 PM
> 
>      Best of the season to you all... I'll be away from my system for a 
>      while, so I'll be coming back to a full mailbox!
>      
>      A friend just gave me and E-mu Emax 1 to clear out his garage! It's 
>      really starting to feel like Christmas now... Are any of you out
there 
>      Emax users? I'm starting from scratch and this is my first sampler
so 
>      I could use any tips our resources you might offer.
>      
>      Best for the holidays,
>      Miko Biffle

From Loopers-Delight-request@annihilist.com  Thu Dec 24 10:59:27 1998
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From: Simon <simon@dynamite.com.au>
Subject: Re: Merry Merry, Everyone! (Emulator resources)
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>     A friend just gave me and E-mu Emax 1 to clear out his garage! It's
>     really starting to feel like Christmas now... Are any of you out there
>     Emax users? I'm starting from scratch and this is my first sampler so
>     I could use any tips our resources you might offer.
>
>     Best for the holidays,
>     Miko Biffle


A useful Emulator resource is the Emulator mailing list. Some info on the
list follows....


Happy birthday to JC and seasons well wishes to all,
Simon
Canberra
AUSTRALIA


>************************************************************
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>
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>
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>
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>so please DON'T ask for actual product specs or prices.
>
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From: Leonardo Cavallo <cavallo@dada.it>
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HI all

I've just uploaded another little experimental track on Teklab Ftp site.
freeform2.mp3, 140 bpm, 1.4 Mb. 


thnx for the attention
ciao
leo 


From Loopers-Delight-request@annihilist.com  Fri Dec 25 13:01:38 1998
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Date: Fri, 25 Dec 1998 10:55:32 +0000
From: Jim Sincock <lobo27@boulder.quik.com>
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I recently bought a Boss SP-202 Dr. Sampler and am wondering if anyone
on the list has one and can help me with some questions.  The main
problem I am running into is I pick up a click in my loop when I hit the
record button, or the marker.  Sometimes I can get a clean loop with no
click, but most of the time it is there.

I am also picking up "line noise" when I record.  This happens even when
I have it running off of batteries and not plugged into the outlet.  I
have tried various input levels, but still get the noise, most of the
time.

Thanks in advance,

Jim

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Reply-To: "Collins" <collinsclan@sprintmail.com>
From: "Collins" <collinsclan@sprintmail.com>
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Subject: update to website
Date: Sat, 26 Dec 1998 01:57:41 -0500
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Hello all,

Jeff Collins here to let you know that the site which i run, (A Strange View
of Music) has just been updated. Now all of you can look at my mug on your
computers monitor.

http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html

There are now a few pictures of the three of us. Soon there will be much
more.
Hope you come to the site often.
Thank you all.
Jeff Collins

Note: The guitar in my hands is refretted to give 16 tones to the octave. It
now has NO fingerboard, as i am trying to find a person to put either a
Titanium  or Stainless Steel board on it.

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Please unsubscribe. Thank You and merry Christmas



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unsubscribe

Melissa & Scott O'Brien wrote:

>  unsubscribe



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From Loopers-Delight-request@annihilist.com  Sat Dec 26 11:46:19 1998
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From: PMimlitsch@aol.com
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Date: Sat, 26 Dec 1998 11:32:05 EST
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Subject: Princeton Loops
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Sat. Jan. 9 at 7:30 p.m.
Paul Mimlitsch ("tapped strings"/Live Loops) with percussionist Jody Janetta
The Arts Council of Princeton, upstairs, Witherspoon Street, downtown
Princeton, N.J.
tickets are $10 at the door, $5 in advance
for tickets or directions contact the Arts Council
(609) 924-8777
(If the volunteer answering the phone can't answer your question, ask for
Mark.)
Advance tickets also available directly from Carlton at 457 Whittaker Ave.,
Trenton 

This recital will be the second in a four-part series scheduled for the second
Saturday of each month at the Arts Council and featuring some of the recent
solo music and collaborative works of composer Carlton Wilkinson. Some of the
recordings made during this series will be used on an upcoming IMMP release.
There's a heavy emphasis on technology in many of these works, as an
extension of solo playing.

The recital in November featured Sabrina Berger on electric 5-string violin,
playing Key West, Libra and the premiere of My Undoing, for 5-string violin
and accompanying soundfiles. It was a great performance, with real good
attendance. 

Upcoming:
Jan. 9--Paul Mimlitsch, "tapped strings"/loops with Jody Janetta, percussion
Feb. 13--Wilbo Wright, bass
March 13--Stanley Alexandrowicz, classical guitar



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Message-ID: <36851935.8598DE6C@stic.net>
Date: Sat, 26 Dec 1998 11:13:25 -0600
From: "James H. Sidlo" <jameshsidlo@stic.net>
Organization: James H. Sidlo
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PMimlitsch@aol.com wrote:

> Sat. Jan. 9 at 7:30 p.m.
> Paul Mimlitsch ("tapped strings"/Live Loops) with percussionist Jody Janetta
> The Arts Council of Princeton, upstairs, Witherspoon Street, downtown
> Princeton, N.J.
> tickets are $10 at the door, $5 in advance
> for tickets or directions contact the Arts Council
> (609) 924-8777
> (If the volunteer answering the phone can't answer your question, ask for
> Mark.)
> Advance tickets also available directly from Carlton at 457 Whittaker Ave.,
> Trenton
>
> This recital will be the second in a four-part series scheduled for the second
> Saturday of each month at the Arts Council and featuring some of the recent
> solo music and collaborative works of composer Carlton Wilkinson. Some of the
> recordings made during this series will be used on an upcoming IMMP release.
> There's a heavy emphasis on technology in many of these works, as an
> extension of solo playing.
>
> The recital in November featured Sabrina Berger on electric 5-string violin,
> playing Key West, Libra and the premiere of My Undoing, for 5-string violin
> and accompanying soundfiles. It was a great performance, with real good
> attendance.
>
> Upcoming:
> Jan. 9--Paul Mimlitsch, "tapped strings"/loops with Jody Janetta, percussion
> Feb. 13--Wilbo Wright, bass
> March 13--Stanley Alexandrowicz, classical guitar

Wish I could be there. Good luck with your performance!! James
 www.stic.net/users/jameshsidlo

From Loopers-Delight-request@annihilist.com  Sat Dec 26 16:00:12 1998
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From: "Jake Bell" <jbell@li.com>
To: <Loopers-Delight@annihilist.com>
Subject: echoplex
Date: Sat, 26 Dec 1998 15:51:58 -0500
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Greetings
I have a brand new echoplex with additional simm chip memory and
footpedal. I want to sell it because I was originally looking for a Jamman
and found one. I paid just over $1,000.00 for the echoplex and footpedal.
I will consider reasonable offers. Manual included.
J Bell

From Loopers-Delight-request@annihilist.com  Sat Dec 26 16:19:09 1998
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Reply-To: <sgoodman@earthlight.net>
From: "Stephen P. Goodman" <sgoodman@earthlight.net>
To: <Loopers-Delight@annihilist.com>
Subject: An Apology
Date: Sat, 26 Dec 1998 13:12:47 -0800
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I've hit technical difficulties in recording the past several days and as
such will announce when "Fur or Feather" is placed on the site.  Again, my
apologies.

Stephen Goodman  -  It's... The Loop Of The Week!
EarthLight Studios  -  http://www.earthlight.net/Studios

From Loopers-Delight-request@annihilist.com  Sun Dec 27 02:39:13 1998
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Date: Sun, 27 Dec 1998 02:32:00 -0500 (EST)
From: Adam Levin <alevin@DarkAether.net>
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To: loopers-delight@annihilist.com
Subject: Dark Aether Project year end round up
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Dear friends,

We hope everyone is enjoying this time of holidays. As 1998 comes to a
close, we'd like to thank everyone for their kind support that has made
this such a wonderful year for us. To all of the folks at the radio
stations, magazines, newspapers, distributors, clubs and concert halls,
the fine bands that we've had the pleasure of playing with and especially
the folks who have bought CDs and come out to see us play, we wish you all
the best for the new year! 

1999 is looking to be an even better year for us as we finish up the
writing for our next album. In addition to the three songs which you may
already be familiar with from recent shows:  "Nightmare" - a 7+ minute
vocal tune, "Stages" - a 7+ minute instrumental, and our still untitled
12+ minute instrumental, this past weekend we worked out the music for an
entirely new song which is running over 11 minutes long.  This track just
could turn out to be the album centerpiece. I've asked Ray to write the
lyrics for this song. The lyrics Ray has written in the past as a member
of Echolyn, Still and Always Almost are miles ahead of anything I could
dream of coming up with and since he'll have to sing them, I'm happy to
let him write them! As mentioned previously, the CD will also contain a
bonus live 9+ minute version of "Dark Aether" recorded at TapTech II back
in November.

We'll be working on at least one additional piece between now and mid-late
January when we will get down to putting the little magnetic bits to tape. 
With my switch to Warr Guitar from Stick, the addition of keyboards on
some of the songs, Ray helping us out on vocals and the longer more
complex songs, I'm really excited about the direction of this new album.
The plan is to have the album ready for release in time for a special show
we've booked at Phantasmagoria in Wheaton MD on Saturday March 13th with
special guests from the Europa String Choir. For those unfamiliar with the
ESC, I highly recommend checking out their 1995 debut _The Starving Moon_
released by Discipline Global Mobile Records as well as ESC Warr Guitarist
Markus Reuter's _Taster_ - an excellent live recording of solo improvised
loop based touchstyle guitar music from a performance in Cologne, Germany
back in 1997. You can find out more about the ESC on their website at
http://www.dscplne.demon.co.uk/

As an aside, the weekend prior to the March show, Markus and I will be out
in the Seattle area studying two handed tapping techniques for fretted
string instruments with Trey Gunn of King Crimson. In addition to Trey's
course, there will be another introducing newcomers to the Guitar Craft
Standard Tuning. The location is the Seabeck Retreat Center on Bainbridge
Island which is breathtakingly beautiful (after returning from a course
there in 1997, I came very close to moving out there permanently!). Those
interested in learning more about these and other upcoming courses are
encouraged to visit the Seattle Circle Web Site at
http://www.seattlecircle.com/

We hope you enjoy the last days of '98 and we'll see you in the new year!

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/








From Loopers-Delight-request@annihilist.com  Sun Dec 27 03:53:09 1998
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Date: Sun, 27 Dec 1998 08:50:39 +0000
From: Gareth Whittock <whiteoak@dial.pipex.com>
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Now that I'm embarking on live performances it's occurred to me that it
would be useful if we compiled a list of suitable venues for looping in
the UK - and beyond!
My two penneth worth is chapter Arts' centre, Cardiff, Wales. Every
month they hold a concert called the Diggers featuring pure electronic
music , live instruments and tape, experimental dance, freeform jazz
etc. A PA is provided though there's no payment for performances. The
audience is attentive and intelligent. The bar's in another room so
people sit around smoking and drinking, listening and watching but dont
talk over the music.
Any other contributions?
 Gareth

From Loopers-Delight-request@annihilist.com  Sun Dec 27 05:42:07 1998
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: list of venues
Date: Sun, 27 Dec 1998 02:36:54 -0800
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From Loopers-Delight-request@annihilist.com  Sun Dec 27 13:38:08 1998
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Date: Sun, 27 Dec 1998 12:26:21 -0600
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Ordering David Torn CDs
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Hello, all...
	I've run into difficulty finding two particular David Torn CDs. They are
the Polytown CD and Tripping Over God. As I am in Alabama, there aren't
many places that would have them in-store--so, I've turned to the internet.
The one place where I have found them (Pentagon Music) just informed me
that they were out of stock.
	I was curious if you all knew of any other internet resources or places
where I could order these recordings.
Thank you,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 

From Loopers-Delight-request@annihilist.com  Sun Dec 27 15:49:43 1998
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Subject: Re: Ordering David Torn CDs
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Jeff & Vonda McLeod wrote:

> Hello, all...
>         I've run into difficulty finding two particular David Torn CDs. They are
> the Polytown CD and Tripping Over God. As I am in Alabama, there aren't
> many places that would have them in-store--so, I've turned to the internet.
> The one place where I have found them (Pentagon Music) just informed me
> that they were out of stock.
>         I was curious if you all knew of any other internet resources or places
> where I could order these recordings.
> Thank you,
> Jeff McLeod
> __________________________________________
> This is not here--
> And now is almost over...

    You might try Wayside Music/ Cuneiform. They've got a web site (you'll have to
do a search engine). Wayside's last catalogue (they're quarterly) had "Polytown" cd
for cheap ($8-$10).
                                                    Good luck, James

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Date: Sun, 27 Dec 1998 18:57:51 -0600
To: Loopers-Delight@annihilist.com
From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: Re: Ordering David Torn CDs
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Hi, all...
	Thanks for the replies. I just wanted to let everyone know that Pentagon
just wrote and said that there was an error. My order is going to be
filled, so I've found a way to get both CDs. Thanks anyway for all the help!
Sincerely,
Jeff McLeod

At 02:47 PM 12/27/98 -0600, you wrote:
>
>
>Jeff & Vonda McLeod wrote:
>
>> Hello, all...
>>         I've run into difficulty finding two particular David Torn CDs.
They are
>> the Polytown CD and Tripping Over God. As I am in Alabama, there aren't
>> many places that would have them in-store--so, I've turned to the internet.
>> The one place where I have found them (Pentagon Music) just informed me
>> that they were out of stock.
>>         I was curious if you all knew of any other internet resources or
places
>> where I could order these recordings.
>> Thank you,
>> Jeff McLeod
>> __________________________________________
>> This is not here--
>> And now is almost over...
>
>    You might try Wayside Music/ Cuneiform. They've got a web site (you'll
have to
>do a search engine). Wayside's last catalogue (they're quarterly) had
"Polytown" cd
>for cheap ($8-$10).
>                                                    Good luck, James
>
>

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Date: Sun, 27 Dec 1998 18:15:09 +0000
From: Jim Sincock <lobo27@boulder.quik.com>
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Hello,

Tower Records has a good selection of Torn, but they seem kind of high
on their prices.
They're at http://www.towerrecords.com

Jim

From Loopers-Delight-request@annihilist.com  Sun Dec 27 21:09:28 1998
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Date: Sun, 27 Dec 1998 15:57:05 -0500 (EST)
From: Stew Benedict <stewb@earthlink.net>
To: Loopers-Delight@annihilist.com
Subject: Re: Ordering David Torn CDs
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Try the Artist's Shop, they got most of the Torn/Karn collections for me:

http://www.artist-shop.com

Stew

On Sun, 27 Dec 1998, Jeff & Vonda McLeod wrote:

> Hello, all...
> 	I've run into difficulty finding two particular David Torn CDs. They are
> the Polytown CD and Tripping Over God. As I am in Alabama, there aren't
> many places that would have them in-store--so, I've turned to the internet.
> The one place where I have found them (Pentagon Music) just informed me
> that they were out of stock.
> 	I was curious if you all knew of any other internet resources or places
> where I could order these recordings.
> Thank you,
> Jeff McLeod
> __________________________________________
> This is not here--
> And now is almost over... 
> 
> 

From Loopers-Delight-request@annihilist.com  Mon Dec 28 10:54:06 1998
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Subject: FS: Symetrix 606 $400
Date: Mon, 28 Dec 98 09:40:45 -0600
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From: Travis Hartnett <hartnett.t@apple.com>
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>From Harmony Central, respond to the e-mail address listed at the bottom 
of the ad, not to me.
The 606 has been the subject of speculation on the list.  It's sort of a 
super Vortex with MIDI control.  Also similiar to the Korg DL-8000, but 
max delay time is around five seconds, I believe.


Travis Hartnett

************************

New Symetrix 606 delay with realtime controls

Asking Price: US$400
Condition: Mint
Age: N/A
Description:

       New Symetrix 606 in box with manual and warranty card etc. 
       Never used, never racked. Brand new from store 3 weeks 
       ago. Retail 750.00, street price 580.00, this one 450.00 
       shipped to you.

       The ultimate for realtime tweaking. A modern Lex PCM 42. 
       Very cool unit. Knobs!

       r-mode@webtv.net

Seller: Rod Modell, (810)622-7933
E-mail: r-mode@webtv.net (Profile)
Location: PORT SANILAC, MI
Post Date: 12/27/98

From Loopers-Delight-request@annihilist.com  Mon Dec 28 12:16:29 1998
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could anyone send me the address of the folks in charge of the LD. Vol.2
c.d.....thanks.....michael

From Loopers-Delight-request@annihilist.com  Mon Dec 28 12:48:07 1998
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Date: Mon, 28 Dec 1998 12:33:30 -0500
To: Loopers-Delight@annihilist.com
From: Gary Davis <artshop@artist-shop.com>
Subject: Re: Ordering David Torn CDs
Cc: subversive@mindspring.com
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At 03:06 AM 12/28/98 -0500, Jeff McLeod wrote:

>
>Hello, all...
>	I've run into difficulty finding two particular David Torn CDs. They are
>the Polytown CD and Tripping Over God. As I am in Alabama, there aren't
>many places that would have them in-store--so, I've turned to the internet.
>The one place where I have found them (Pentagon Music) just informed me
>that they were out of stock.
>	I was curious if you all knew of any other internet resources or places
>where I could order these recordings.
>Thank you,
>Jeff McLeod

I have a direct connection to CMP and can get almost anything in their
catalog.  I have a special CMP page up in The Artist Shop at
<http://www.artist-shop.com/cmp>.  Although it can take a while since I have
to order these from overseas, there's not much in their catalog that I've
had trouble getting.  And I have not had any trouble getting those Torn CD's.

Torn fans should definitely check these other pages we have up for the
following labels:

Alchemy Records <http://www.artist-shop.com/alchemy>
LoLo Records  <http://www.artist-shop.com/lolorec>
Papabear Records  <http://www.artist-shop.com/papabear>

Gary

**************************************************************
                          Gary Davis
The Artist Shop                              The Other Road
http://www.artist-shop.com          artshop@artist-shop.com
phone: 330-929-2056			   fax:330-945-4923
              SUPPORT THE INDEPENDENT ARTIST!!!
**************************************************************
       Check out the latest Artist Shop newsletter at
            http://www.artist-shop.com/news.htm

From Loopers-Delight-request@annihilist.com  Mon Dec 28 16:59:05 1998
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Date: Mon, 28 Dec 1998 13:38:22 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: some interesting interviews
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Happened across this Bob Moog interview, it's pretty good. thought some of
you might be interested:

http://www.zzounds.com/discover.music?page=moog1&a=hcmoog


also, this interview with Henry Juszkiewicz, Gibson CEO, where he discusses
various rumors surrounding Gibson that have appeared on the list here:

http://www.mmrmagazine.com/feature/dec98/gibson.htm

Note he mentions the Oberheim name now just being used for an italian
company. As I understand it, that only includes the Viscount keyboard
products that Gibson/Oberheim has been selling for the past few years. It
doesn't include other OB stuff like the Echoplex or matrix-1000, OBMX, etc.
The Echoplex is getting moved to another Gibson division, Electar, which
also includes Trace-Elliot and Maestro. I'm guessing they'll be calling it
the "Electar Echoplex Digital Pro" or something like that, but it's the same
thing as it was from Oberheim. Most likely this will confuse the hell out of
people for a while, but anyway, now you know.

kim
_________________________________________________________
Kim Flint, MTS                     kflint@chromatic.com
ATI Research 	                   408-752-9284
http://www.chromatic.com

From Loopers-Delight-request@annihilist.com  Mon Dec 28 17:44:04 1998
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-----Original Message-----
From:	Kim Flint [SMTP:kflint@chromatic.com]
Sent:	Monday, December 28, 1998 4:38 PM
To:	Loopers-Delight@annihilist.com
Subject:	some interesting interviews

Just an FYI, When I received my footcontroller a couple of weeks ago , the oberheim sticker was covered w/ an electar sticker.  
Note he mentions the Oberheim name now just being used for an italian
company. As I understand it, that only includes the Viscount keyboard
products that Gibson/Oberheim has been selling for the past few years. It
doesn't include other OB stuff like the Echoplex or matrix-1000, OBMX, etc.
The Echoplex is getting moved to another Gibson division, Electar, which
also includes Trace-Elliot and Maestro. I'm guessing they'll be calling it
the "Electar Echoplex Digital Pro" or something like that, but it's the same
thing as it was from Oberheim. Most likely this will confuse the hell out of
people for a while, but anyway, now you know.

kim
_________________________________________________________
Kim Flint, MTS                     kflint@chromatic.com
ATI Research 	                   408-752-9284
http://www.chromatic.com

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From Loopers-Delight-request@annihilist.com  Mon Dec 28 22:45:16 1998
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From: "Douglas Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: some interesting interviews
Date: Mon, 28 Dec 1998 22:35:20 -0500
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I found a much better interview with Henry in the World Traveler magazine
which is the airline magazine for Northwest Airlines.

What Henry realizes he has is market share. Everybody knows the "Gibson"
name. He says "80% of the consumer market recognizes the Gibson name."
That's why he's going to start making everything he can with that name on
it. Merchandising and cafes are the key to his new found fortunes. The
Japanese will line up for jammies and shot glasses with the Gibson name on
it, or "lifestyle marketing" in his terms. He cites Caterpillar shoes, the
Hardrock Cafe, and the Nascar Cafe as his inspiration.

In this article he claims that the site in Memphis is going focus on
becoming a "custom" Les Paul plant and also a "Hard Rock Cafe" style bar
with guitars all over the walls. They will also have live music.

Now, I'll be the first to buy the "I got looped at the Gibson Cafe with my
Echoplex" T-shirt, but I think it's a shame that he thinks that re-focusing
an instrument manufacturer to consumer products is a positive thing for the
business. It's not that I want to bite the hand that feeds me, but I think
many of us saw the quality of many Gibson products (Tobias, Steinberger,
Slingerland) suffer over the years. I hope they find time to keep their
quality in check and put some profits back into R&D.


-----Original Message-----
From: Kim Flint [mailto:kflint@chromatic.com]
Sent: Monday, December 28, 1998 4:38 PM
To: Loopers-Delight@annihilist.com
Subject: some interesting interviews


Happened across this Bob Moog interview, it's pretty good. thought some of
you might be interested:

http://www.zzounds.com/discover.music?page=moog1&a=hcmoog


also, this interview with Henry Juszkiewicz, Gibson CEO, where he discusses
various rumors surrounding Gibson that have appeared on the list here:

http://www.mmrmagazine.com/feature/dec98/gibson.htm

Note he mentions the Oberheim name now just being used for an italian
company. As I understand it, that only includes the Viscount keyboard
products that Gibson/Oberheim has been selling for the past few years. It
doesn't include other OB stuff like the Echoplex or matrix-1000, OBMX, etc.
The Echoplex is getting moved to another Gibson division, Electar, which
also includes Trace-Elliot and Maestro. I'm guessing they'll be calling it
the "Electar Echoplex Digital Pro" or something like that, but it's the same
thing as it was from Oberheim. Most likely this will confuse the hell out of
people for a while, but anyway, now you know.

kim
_________________________________________________________
Kim Flint, MTS                     kflint@chromatic.com
ATI Research 	                   408-752-9284
http://www.chromatic.com

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From: Michael Peters <mpeters@csi.com>
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Subject: AW: some interesting interviews
Date: Tue, 29 Dec 1998 08:19:38 +0100
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Douglas Lawrence wrote,

> Now, I'll be the first to buy the "I got looped 
> at the Gibson Cafe with my Echoplex" T-shirt

good idea, let's do some more aggressive merchandising to get looping into peoples heads.

What about a 'Loopers do it again and again' bumper sticker? :)


*	Michael Peters:	mpeters@csi.com
*	escape veloopity:	electronic guitar loop music
*			http://listen.to/michaelpeters




From Loopers-Delight-request@annihilist.com  Tue Dec 29 09:20:46 1998
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Subject: The Three-Ring Circus, a.k.a "Gibson"
Date: Tue, 29 Dec 98 08:12:39 +0100
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>Note he mentions the Oberheim name now just being used for an italian
>company. As I understand it, that only includes the Viscount keyboard
>products that Gibson/Oberheim has been selling for the past few years. It
>doesn't include other OB stuff like the Echoplex or matrix-1000, OBMX, etc.
>The Echoplex is getting moved to another Gibson division, Electar, which
>also includes Trace-Elliot and Maestro.

I read the interview, and my first thought was that he's unaware that the 
Echoplex exists.  Gibson has been in a state of confusion for longer than 
I can remember.  I bought my first Echoplex two years ago, and I've held 
off on getting the LED display fixed (one of the elements in the 
loop-time counter went out early on) due to the numerous re-org's, office 
relocations, and horror stories about sending in units and not seeing 
them back for three months while no-one returns your phone calls.  In the 
meantime, Gibson keeps buying up smaller companies and raising the prices 
on their thirty-year old designs, which still have less-than perfect 
finishes while listing for $3000+.  I'd have to say that if they're going 
to rename the Echoplex, I'd suspect another impending long delay for new 
units, service, etc. Ah...life in the soap opera of the looping 
underworld continues business-as-usual.

Travis Hartnett

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or "Over and Over 'til they get it right!"

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Douglas Lawrence wrote:

> I found a much better interview with Henry in the World Traveler magazine
> which is the airline magazine for Northwest Airlines.
>
> What Henry realizes he has is market share....
> That's why he's going to start making everything he can with that name on
> it. Merchandising and cafes are the key to his new found fortunes...  He cites
> Caterpillar shoes, the Hardrock Cafe, and the Nascar Cafe as his inspiration.
>

Yuck.  Talk about putting your short term profit over long term gain.  Does
anyone think that this is an unlikely scenario:  The Allstar Hard Gibson Cafe
opens, the merchandising frenzy begins, demand for even their guitars
increases.  They see that by radically cutting costs thay can rake in a ton of
profit, they can meet this newfound demand quickly, and make a killing.  Most
people who are now Gibson users abandon them for Hamers (after my Custom Shop
Les Paul developed a huge hump in the neck, I'll never buy a new one).  All of
the hobbiests move onto the Next Big Thing and Gibson is left with no market
share.

Kim Flint, at this point having achieved Rock God status and wealth, feels sorry
for his old employers, buys the company, and brings them back to their former
glory....

I guess I should be glad I've always been a Fender boy.


--
Evil Hong Kong Kung-Fu Legions Petition
For Right To Attack Two At A Time

VICTORIA, HONG KONG--The Red Dragon
Legion, a union representing Hong Kong's 22
largest evil kung-fu goon squads, formally
petitioned the Hong Kong action-film industry
Monday to lift its long-term ban on
dual-attacking in fights against the forces of
good. "We feel it is both reasonable and fair to
permit evil henchmen to pair up, attacking the
hero two at a time," the petition read. The union
cited a study which found that from 1989 to
1997, 100 percent of diabolical armies who took
on lone heroes in a single-file fashion were
defeated.

from the Onion http://www.theonion.com/


--------------5C3D06B1E7074F204600C0BB
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<HTML>
&nbsp;

<P>Douglas Lawrence wrote:
<BLOCKQUOTE TYPE=CITE>I found a much better interview with Henry in the
World Traveler magazine
<BR>which is the airline magazine for Northwest Airlines.

<P>What Henry realizes he has is market share....
<BR>That's why he's going to start making everything he can with that name
on
<BR>it. Merchandising and cafes are the key to his new found fortunes...&nbsp;
He cites Caterpillar shoes, the Hardrock Cafe, and the Nascar Cafe as his
inspiration.
<BR><A HREF="http://www.chromatic.com"></A>&nbsp;</BLOCKQUOTE>
Yuck.&nbsp; Talk about putting your short term profit over long term gain.&nbsp;
Does anyone think that this is an unlikely scenario:&nbsp; The Allstar
Hard Gibson Cafe opens, the merchandising frenzy begins, demand for even
their guitars increases.&nbsp; They see that by radically cutting costs
thay can rake in a ton of profit, they can meet this newfound demand quickly,
and make a killing.&nbsp; Most people who are now Gibson users abandon
them for Hamers (after my Custom Shop Les Paul developed a huge hump in
the neck, I'll never buy a new one).&nbsp; All of the hobbiests move onto
the Next Big Thing and Gibson is left with no market share.

<P>Kim Flint, at this point having achieved Rock God status and wealth,
feels sorry for his old employers, buys the company, and brings them back
to their former glory....

<P>I guess I should be glad I've always been a Fender boy.
<BR>&nbsp;

<P>--
<BR>Evil Hong Kong Kung-Fu Legions Petition
<BR>For Right To Attack Two At A Time

<P>VICTORIA, HONG KONG--The Red Dragon
<BR>Legion, a union representing Hong Kong's 22
<BR>largest evil kung-fu goon squads, formally
<BR>petitioned the Hong Kong action-film industry
<BR>Monday to lift its long-term ban on
<BR>dual-attacking in fights against the forces of
<BR>good. "We feel it is both reasonable and fair to
<BR>permit evil henchmen to pair up, attacking the
<BR>hero two at a time," the petition read. The union
<BR>cited a study which found that from 1989 to
<BR>1997, 100 percent of diabolical armies who took
<BR>on lone heroes in a single-file fashion were
<BR>defeated.

<P>from the Onion <A HREF="http://www.theonion.com/">http://www.theonion.com/</A>
<BR>&nbsp;</HTML>

--------------5C3D06B1E7074F204600C0BB--

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Subject: Re: The Echoplex
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I too, received my echoplex and the segment was burnt out on one of the
units...I also, decided not to send it back, yet...due to slow turnaround.
Also, I've experienced a strange situation....When programming a loop into the
unit...it plays it, over and over for a few times, and then fades out, or gets
real quiet...if I touch one of the controls on the front for feedback or
input/output volumes....I get a loud pop!   Any comments?  Note: I'm running a
pair of them in stereo with the brother sync.

Wayne

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Date: Tue, 29 Dec 1998 11:16:32 -0800
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: The Echoplex
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Why are you guys so afraid to send it in for a repair?  Granted, there
*were* lots of problems at Oberheim, but that was a year and a half and
more ago! The Oberheim-now-Electar guys have been very responsive and
helpful in the time since, and there have been quite a lot of testamonials
to that here. I don't think anything has changed about that with recent
events, if anything switching the echoplex to Electar is a further
improvement. Those guys deserve some credit for working their ass off and
doing things right; its hardly fair to be endlessly hanging them with crap
done years ago.

Give Mike Ayers a call and take care of it, he's a great guy.
<mayers@gibson.com>, 877-623-7434 or 615-871-4382.

kim


At 8:45 AM -0800 12/29/98, Wjguitar@aol.com wrote:
>I too, received my echoplex and the segment was burnt out on one of the
>units...I also, decided not to send it back, yet...due to slow turnaround.
>Also, I've experienced a strange situation....When programming a loop into the
>unit...it plays it, over and over for a few times, and then fades out, or gets
>real quiet...if I touch one of the controls on the front for feedback or
>input/output volumes....I get a loud pop!   Any comments?  Note: I'm running a
>pair of them in stereo with the brother sync.
>
>Wayne


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Dec 29 14:55:02 1998
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Date: Tue, 29 Dec 1998 12:44:56 -0800
To: Loopers-Delight@annihilist.com
From: siforte@ix.netcom.com (Sanford Forte)
Subject: Re: The Three-Ring Circus, a.k.a "Gibson"
Cc: "Looper's Delight" <Loopers-Delight@annihilist.com>
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At 8:12 AM 12/29/98, Tiktok Mobile HQ wrote:

>I read the interview, and my first thought was that he's unaware that the
>Echoplex exists.  Gibson has been in a state of confusion for longer than
>I can remember.  I bought my first Echoplex two years ago, and I've held
>off on getting the LED display fixed (one of the elements in the
>loop-time counter went out early on) due to the numerous re-org's, office
>relocations, and horror stories about sending in units and not seeing
>them back for three months while no-one returns your phone calls.
-------
FWIW, Mike Ayers at Gibson (I've said this before) is the person you want
to connect with. He gets things done - your Echoplex will be in good hands
with him.

I've had nothing but good luck with Gibson as regards upgrades and service
with Mike att the service and support helm.

Sanford


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Date: Tue, 29 Dec 1998 11:53:32 -0800
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: The Three-Ring Circus, a.k.a "Gibson"
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At 11:12 PM -0800 12/28/98, Tiktok Mobile HQ wrote:
>
>I read the interview, and my first thought was that he's unaware that the
>Echoplex exists.

I guess it seems that way in the interview, but Henry would clearly be
responsible for the move to another division. Since Electar seems to be a
division they want to focus on, I read the echoplex switch as Henry
recognizing that as the only successful product in the old Oberheim line.
He's keeping that for a more prominent division, and tossing out all the
other Oberheim junk that never sold well.

>Gibson has been in a state of confusion for longer than
>I can remember.  I bought my first Echoplex two years ago, and I've held
>off on getting the LED display fixed (one of the elements in the
>loop-time counter went out early on) due to the numerous re-org's, office
>relocations, and horror stories about sending in units and not seeing
>them back for three months while no-one returns your phone calls.

like I said, that's ancient history. You really ought to give them a call.

>In the
>meantime, Gibson keeps buying up smaller companies and raising the prices
>on their thirty-year old designs, which still have less-than perfect
>finishes while listing for $3000+.

And yet they still sell every one they make, and when they raise the
prices, the sales go up! Rough business, huh? It's like the wine industry.
Or Harley. I find it pretty funny the way some guitar players get worked
into a lather over this. It's usually the same guys who would defend to the
death any other big corporation's right to make a buck, but as soon as it's
their treasured guitar maker, the rules change. Those guitars are status
toys for rich guys, who lap them up like there's no tomorrow. If you're not
one of them, well, that's why there's hondas, gallo, and epiphone.

>I'd have to say that if they're going
>to rename the Echoplex, I'd suspect another impending long delay for new
>units, service, etc. Ah...life in the soap opera of the looping
>underworld continues business-as-usual.

no need to be so cynical. I think the transition is largely complete
already, with no serious bumps expected. It seems to me that they've made
it ok. Nobody's said anything here anyway, and you guys usually scream
about everything, so it must be safe! :-)   But ya know, you could always
call them yourself and see how it's going.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From Loopers-Delight-request@annihilist.com  Tue Dec 29 15:12:46 1998
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Subject: Re: some interesting interviews
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At 8:26 AM -0800 12/29/98, Trevor D. Bajus, purveyor of the new rock wrote:

>Kim Flint, at this point having achieved Rock God status and wealth, feels
>sorry for his old employers, buys the company, and brings them back to
>their former glory....
>

Well, this past weekend I did some practicing, and went partying like a
Rock Star. (including wild drunken insanity in hotel rooms.) After a couple
of days for recovery, I now suspect I'm getting too old for that. :-)
Maybe I'll try the corporate tycoon route instead. I hear that golf and
upper class call girls are easier on the liver......

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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Subject: RE: The Echoplex
Date: Tue, 29 Dec 1998 16:20:08 -0800
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U28gdGhlcmUhDQoNCj4gLS0tLS1PcmlnaW5hbCBNZXNzYWdlLS0tLS0NCj4gRnJvbTogS2ltIEZs
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c29uLmNvbT4sIDg3Ny02MjMtNzQzNCBvciA2MTUtODcxLTQzODIuDQo+IA0KPiBraW0NCj4g

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the march "guitar shop" mag. has a few good things to read also.....first
article after letters to ed.... "gibson acquires music software pioneer opcode
systems" blah blah blah the music world will change, yapa yapa yapa......but
the fun article is our beloved dt preaching the gospel of loop.......fun
stuff..........michael

what is the march issue of any mag doing out in dec?.....this always jams me
up

From Loopers-Delight-request@annihilist.com  Tue Dec 29 19:42:13 1998
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: Gigs, gigs, gigs
Date: Tue, 29 Dec 1998 18:32:05 -0600
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Howdy,


Upcoming gigs:

StALiQ:

Steuart Liebig: ContraBassguitars, loopage
Alex Cline: Drumset
Jeff Gauthier: El. Violins
Eric Barber: Saxophones

with Billy Mintz Trio (Billy is a great drummer)

3 Jan, 1999; 8:00 p.m.
Pasadena Shakespeare Theater
Pasadena Mall, 2nd Level
$10.00


Napalm Quartet:

G.E. Stinson: Guitars, applied tools and technology, loopage, noise
Andrew Van Ah: Guitars, mayhem
Brian Christopherson: Drumset
Steuart Liebig: Basses, loopage, metal and wood implements


4 Jan, 1999; 10:30 p.m.
Luna Park,
665 No Robertson. (@ Robertson and Santa Monica)
$6.00

From Loopers-Delight-request@annihilist.com  Tue Dec 29 20:33:31 1998
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From: Ed Drake <ejmd@erols.com>
Subject: Problem: My Vortex won't save user registers
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Hello fellow loopers (and loopettes!)
First of all, seasons greetings and Happy New Year to all!

Lately my vortex doesn't want to save any user registers that I create.
Thankfully I haven't created that many, but I was wondering if anyone knows
if there is some sort of battery inside to store registers in memory. I
figured I would check here on the list first before I contact Lexicon or
open up the vortex. The manual doesn't mention anything about this so I was
wondering if anyone else here knows.
Much thanks in advance and I eagerly await any replies.
Ed


From Loopers-Delight-request@annihilist.com  Tue Dec 29 22:51:40 1998
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Date: Tue, 29 Dec 1998 19:45:38 PST
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Hi folks, Well, I find myself thinking about my loops the next day. I 
think that means that I am ready to look for a sampling device. I'm 
going to try Cool edit for now but I would like to know what others are 
using in terms of samplers and/or software. Maybe a post-party listing 
of what you all are presently using would be of interest to others as 
well.
Thanks again and again

______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com

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Dear loopers: I been reading the list for months and enjoing a lot the
clever and ironic chats...thanks and a happy new year for every looper!
>From Brasilian paradise ( with a Paradis), Julio Moreno.

From Loopers-Delight-request@annihilist.com  Wed Dec 30 01:45:11 1998
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Date: Wed, 30 Dec 1998 00:36:06 -0600
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From: Jeff & Vonda McLeod <subversive@mindspring.com>
Subject: My web site...
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Hi, all...
	Well, I've finally gotten around to getting a small site back up to
promote my music and such. I figured I'd post here, as there are a couple
of things of interest linked up from the site. One is a compilation called
Pure Granulated Noise. 70 artists are invited to contribute one-minute
tracks. There's more info linked from my site, so please check it out, if
you're at all interested. I'll probably send everyone the info as well.
	I hope to have some sound files up in the upcoming weeks, so I'll keep you
all posted. Thanks for listening!
Sincerely,
Jeff McLeod
__________________________________________
This is not here--
And now is almost over... 

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Howdy,
	Here's the compilation info that I mentioned in a previous post. Seems
like a great idea. I thought this might be of interest to everyone.
Sincerely,
Jeff McLeod

I invite you to participate in Pure Granulated Sound, a
CD compilation project coordinated by Interfear Recordings
(myself) and co-produced by all who contribute. All you need
to join in is one minute of sound, and twenty-five dollars (US).

                         The General Plan:

It's pretty simple really: You send me a one-minute recording
and 25 bucks, and your recording will be part of the CD. Once
70 submissions are recieved, 1000 CDs will be pressed, and this
pressing will be divided up amongst the contributors. If you
contribute a track, you will receive 14 copies of the CD. Isn't
this a cool idea? I got it from Brent C. at Thora-Zine. Is it
really so simple? Of course not! Read on for details... 

                      Acceptable Types of Sound:

Just about anything, but it better be interesting. I'm starting
this mostly as a showcase for experimental artists, which includes:
electronic, noise, avant-garde, collage, all those terms and more.
However, I would not refuse to place a pop song or punk band or
hip-hop act or techno piece on this CD so long as it was interesting.
Different. Distinctive in some way. If you sound like Hootie and the
Blowfish, well, save your money, the world already has enough of
that. However, if you sound like Hootie and the Blowfish being
lowered into a vat of rabid hamsters, well, I want to hear that.
INTERFEAR RECORDINGS (me) RESERVES THE RIGHT to reject any submitted
track for lack of interesting qualities, but I'm actually a softie,
so you'll have to be pretty darn ordinary for me to reject you. 

                          Submission Formats:

I'm anticipating a variety of entries, from lo-fi to hi-tech. Here's
what I can work with:

 Cassettes: Cassettes are cheap and easy. You can send your track in
on any bias tape. I can play tapes encoded with Dolby B, C, and S.
No Dolby is also perfectly acceptable. PLEASE MARK DOWN WHAT SORT
OF NOISE REDUCTION YOU ARE USING, EVEN IF YOU AREN'T USING ANY. If
you don't label your tape clearly and I have to guess what's going
on, I'm not going to feel at all gulity if I mess it up.
 Digital Computer Files: DO NOT E-MAIL TRACKS!! E-mailing me large
sound files will get you rejected out of hand. I would prefer audio
files to be sent in CD-quality .WAV format (44.1khz, 16 bit). I can
do some conversions, but of course, this degrades sound quality.
Digital files can be sent on Iomega ZIP disks or CD-ROM. If you can
write your own audio CD-Rs, you can send your track as an audio CD.
Contact me if you have any questions. At this time, I am not able to
handle mp3-encoded files.
 Digital Audio Tape: I also accept tracks on DAT. Again, have the
recordings made at CD-standard 44.1khz sampling rate.
 Other: If you must be difficult, I can play 8-track cartridges. I also
have an old homestyle reel-to-reel machine (1/4" quarter-track stereo,
plays the two-sided home stereo tapes). At this moment, I have no
pro-style reel deck. (well, I do, but it's in the shop, and I'm not
sure if it can be fixed, or if I'll be able to afford repairing it.) 

                             One Minute!

Why one minute? Several reasons. 1. If it sucks, it'll be over soon.
2. I hope to have as many different artists participating as possible--
It's a good way to share your name and work with lots of other artists!
3. It's a challenge (lots of experimental artists, myself included, tend
to make long epic compositions. I found it a challenge to make an
interesting track that kept within one minute for Brent C.'s Noise
Kills Punk Dead [still not quite released yet]). 4. It keeps the cost
down for each contributor. 5. Frankly, I just like the idea of a whole
bunch of short tracks thrown together in chaotic fashion on one disc.
So there.
Please keep your track as close to a minute as possible. If you're
working in the digital domain, you should have no problems keeping it at
a minute. If you're recording on analog, it's trickier, I know. I won't
bitch about it if you're one or two seconds over or under. If, however,
you start going over 5, 10, 15 seconds, well... I will not be afraid to
edit. Be warned. 

                         The Disc Roster:

This project is open-ended-- if it looks like I'll be getting enough
submissions to do more than one disc, I will. Positions on the disc
are on a first-come, first-serve basis. I will not be taking
reservations; your track will be placed on the disc's roster only when
both your master tape and your payment are in my possession. You may
enter more than one track; however, in order to encourage a wide
variety of artists, I am limiting an artist's appearance on each
disc to no more than 2 tracks. (Some leeway may be granted for
collaborative efforts.) Excess tracks will be rolled over into the
next edition of the compilation. 

                          The Financial Plan:

If you send cash, conceal it well. Make checks or money orders out to:
                             Colin Wales.

                  Send master tapes and payment to:

                  Colin Wales / interfear recordings
                          P.O. Box 1324
                      Muscatine, Iowa 52761
                              U.S.A.
          questions/comments by email: stophim@muscanet.com

I encourage international contributions; however, I have no way to convert
foreign funds-- please pay in U.S. funds.
70 tracks/contributors at $25 each means a fund of $1750, which should be
enough to press 1000 CDs, as well as handle mailing 70 packages out to
each contributor. Each contributor will receive 14 CDs, the remainder will
be used for promotional purposes.

I am currently looking at different CD plants and possible options for
packaging (suggestions are welcome), and there is a possibility of coming
in under budget. If this happens, I'll try to increase the number of CDs
pressed. In such a case, 1050 CDs will be distributed among the contributors.
Anything over that amount, I will attempt to distribute and sell through
commercial channels. Any profit from such sales will be retained by Interfear
Recordings (me). Consider it my fee for organizing this project. Don't worry,
it will go towards producing more quality strangeness. 

                            Final Notes:

I'm looking forward to putting this CD (and many more after) together-- it
has the potential for being a fun and interesting little artifact. Comments
are welcome. Do you have a suggestion for 'zines or other suitable review
publications? Do you have distribution tips if the thing goes over a
thousand copies? I'd love to hear 'em... If, for some reason, you have a
dire objection to some aspect of this project or the way I'm coordinating
it... well, start your own project! We need lots more of this kind of stuff!

     http://members.xoom.com/stophim/interfear/granular.htm

From Loopers-Delight-request@annihilist.com  Wed Dec 30 03:39:58 1998
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To: Loopers-Delight@annihilist.com
From: Morgan Fisher <morgan@gol.com>
Subject: Re: The Next Step(?)
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"ur eye" wrote:

Hi folks, Well, I find myself thinking about my loops the next day. I
think that means that I am ready to look for a sampling device. I'm
going to try Cool edit for now but I would like to know what others are
using in terms of samplers and/or software. Maybe a post-party listing
of what you all are presently using would be of interest to others as
well.
=========

As samplers go I think Akai are easy to use and used ones are getting
cheaper and cheaper. For sound editing/processing software (for the Mac), I
really recommend SoundMaker, which is cheap and has a huge number of very
good plugins. It's in a slightly complicated phase right now because it is
in transition to become a new version of an old program called
SoundEffects. I won't confuse you with more details here, except to
introduce some sites with plenty of info on these programs and their
plugins:

http://www.micromat.com/micromat/soundmaker/soundmaker.html
(the site for the soon-to be defunct SoundMaker)

http://www.riccisoft.com/soundeffects/
(the site for the soon-to be reborn SoundMaker)

http://members.tripod.com/~alex_yermakov
(SoundFront plugins)

http://www.kagi.com/mnorris/soundmagic
(SoundMagic plugins)

Good luck!

Morgan Fisher

>From Morgan Fisher, Tokyo, Japan

Email address: morgan@gol.com
Second email address: Morgan_Fisher@ringo.net


From Loopers-Delight-request@annihilist.com  Wed Dec 30 07:49:24 1998
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Date: Wed, 30 Dec 1998 13:44:12 +0100
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From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: The Next Step(?)
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For easy of use I don't think the Yamaha A3000 has rivals. Great and cheap
sampler. I just purchased one few months ago and I think it is a great
product. Great sound, a lot of realtime control, 3 FX processors inside as
standard and an exp. unit (more output channels plus dig.out, standard ONLY
4 analogic) for few more dollars. I use a PC and there are a lot of progs
that support the A3000 directly. Wavesurgeon for chopping beats and sounds
(and SCSI transfer), next version of Recycle or you can use SoundForge,
Wavelab, ecc. for sample editing and quick transferring to the sampler.

Using a PC can have some drawbacks in setup the whole thing (the Net is a
great help for this) but there are a lot of fantastic progs (Acid,
SoundForge, Wavelab, WaveSurgeon, Fruity Loops, Making Waves, ecc.) to make
music. make your own choice. at the end you can make music professionally on
either the platforms and using every progs available.

ciao
leo


At 17:35 30.12.98 +0900, you wrote:
>"ur eye" wrote:
>
>Hi folks, Well, I find myself thinking about my loops the next day. I
>think that means that I am ready to look for a sampling device. I'm
>going to try Cool edit for now but I would like to know what others are
>using in terms of samplers and/or software. Maybe a post-party listing
>of what you all are presently using would be of interest to others as
>well.
>=========
>
>As samplers go I think Akai are easy to use and used ones are getting
>cheaper and cheaper. For sound editing/processing software (for the Mac), I
>really recommend SoundMaker, which is cheap and has a huge number of very
>good plugins. It's in a slightly complicated phase right now because it is
>in transition to become a new version of an old program called
>SoundEffects. I won't confuse you with more details here, except to
>introduce some sites with plenty of info on these programs and their
>plugins:
>
>http://www.micromat.com/micromat/soundmaker/soundmaker.html
>(the site for the soon-to be defunct SoundMaker)
>
>http://www.riccisoft.com/soundeffects/
>(the site for the soon-to be reborn SoundMaker)
>
>http://members.tripod.com/~alex_yermakov
>(SoundFront plugins)
>
>http://www.kagi.com/mnorris/soundmagic
>(SoundMagic plugins)
>
>Good luck!
>
>Morgan Fisher
>
>From Morgan Fisher, Tokyo, Japan
>
>Email address: morgan@gol.com
>Second email address: Morgan_Fisher@ringo.net
>
>
>
>

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>
>>I'd have to say that if they're going
>>to rename the Echoplex, I'd suspect another impending long delay for new
>>units, service, etc. Ah...life in the soap opera of the looping
>>underworld continues business-as-usual.
>
>no need to be so cynical. I think the transition is largely complete
>already, with no serious bumps expected. It seems to me that they've made
>it ok. Nobody's said anything here anyway, and you guys usually scream
>about everything, so it must be safe! :-)   But ya know, you could always
>call them yourself and see how it's going.

I haven't called them because I only have one Echoplex, and I'm waiting 
for the second one through the group buy.  I need the Echoplex for gigs 
several times a week, and haven't had a backup.  I'll be pleased as punch 
if they can turn it around in 7-10 days, but if some part goes on 
backorder for a few weeks it means nothing to Gibson but I'm flat fucked 
at that point, so I'll wait until I've got my second unit in hand.

Travis Hartnett

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From: Jim Bailey <jbailey@corporate.southam.ca>
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Subject: RE: Music suggestions?
Date: Wed, 30 Dec 1998 12:08:14 -0500
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>From: 	Jeff & Vonda McLeod[SMTP:subversive@mindspring.com]
>Sent: 	December 20, 1998 1:53 AM

>	What I like is the darker stuff. Atonal, noisy or even ambient--just =
as
>long as it has an edge of danger to it. I do appreciate artists who =
have a
>nice balance of dark and light, too. I'm currently listening to a band
>called Hovercraft, who are improv-based and have blown the cobwebs out =
of
>my skull. Just guitar, bass and drums--but it all sounds like something
>right from a murderer's brain. Very disturbing.

Although this thread seems to have been and gone already, I thought I'd =
add a late contribution. Not only to make a suggestion, but because this =
is the third list on which the subject of =
dark/scary/creepy/dangerous-sounding music has arisen in the last =
month!! (at least of the ones to which I belong). Now that's creepy in =
itself; the same topic, independently, on three different lists. As far =
as I know, I'm the only common factor, and I didn't start it in any of =
the cases.

My suggestion on the other two lists was "Electric Storm," by White =
Noise from way back in '69. I don't know for sure if there's any looping =
going on, but wouldn't be surprised. The first five tracks are more pop =
oriented, but the last two (side two on wonderful vinyl) are very =
creepy. The last track "Black Mass: An Electric Storm in Hell" is the =
theme tune for my radio show, named after the album. BTW, if anyone out =
there would like to send promo material our way, I'd be more than happy =
to play it. You can get the address from: =
http://www.sac.ryerson.ca/ckln/html/about/ContactCKLN.html . I play all =
sorts of stuff, not just dark/gloomy, so don't worry about style (unless =
it's ultra-commercial sounding - the weirder the better). If you send it =
to the attention of "Electric Storm" it should get to me fairly quickly.

Have a good new year, all.

Jim Bailey

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From Loopers-Delight-request@annihilist.com  Wed Dec 30 14:22:43 1998
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From: Todd Quincy <tquincy@davitt-hanser.com>
To: Loopers-Delight@annihilist.com
Subject: RE: Loopers-Delight-d Digest V98 #263
Date: 	Wed, 30 Dec 1998 14:17:03 -0500
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hey what's group buy?

> -----Original Message-----
> From:	Travis Hartnett [SMTP:hartnett.t@apple.com]
> Sent:	Wednesday, December 30, 1998 10:33 AM
> To:	Looper's Delight
> Subject:	Re: Loopers-Delight-d Digest V98 #263
> 
> I'm waiting for the second one through the group buy. 
> 
> Travis Hartnett

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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: Scanners
Date: Wed, 30 Dec 1998 11:41:18 -0800
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From: "Javier Miranda V." <gnominus@earthling.net>
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Subject: Music Shopping Resources
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AABGAAAAAFKFAADwEwAACwA7gAggBgAAAAAAwAAAAAAAAEYAAAAADoUAAAAAAAADAD2ACCAGAAAA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QTVBNzk5ODA2OURFNDEzMjYwMAAAAACokA==

------=_NextPart_000_0006_01BE33ED.09B86DE0--

From Loopers-Delight-request@annihilist.com  Wed Dec 30 16:37:38 1998
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Date: Wed, 30 Dec 1998 13:31:10 +0000
From: Bill Moyer <vargo2muse@earthlink.net>
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I use a EMU ESI 32,  it's pretty simple, has scsi and upgrade options.
I'm as mac guy so I do my editing using D-Sound Pro, shareware $39
developed by a great guy in Italy, does scsi transfers ect., and I edit
with Sound Edit 16 also.  Seems you can get a lot of bang for your buck
these days, have  fun.
Bill


From Loopers-Delight-request@annihilist.com  Wed Dec 30 16:42:42 1998
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From: Michael Peters <mpeters@csi.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: AW: Looper's Delight Volume 2 CDs available NOW!
Date: Wed, 30 Dec 1998 16:32:55 +0100
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hi Matt,

have you sent copies to me yet? It's so disappointing to come home from work every day and there's nothing in the mailbox.


*	Michael Peters:	mpeters@csi.com
*	escape veloopity:	electronic guitar loop music
*			http://listen.to/michaelpeters




From Loopers-Delight-request@annihilist.com  Wed Dec 30 17:03:16 1998
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Date: Wed, 30 Dec 1998 13:48:49 -0800
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From: john s cooper <john@planetz.com>
Subject: PMC-10 editor/librarian
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to the folks who were asking about pmc-10 editors:

there's a kinda clunky pmc-10 editor in motu's unisyn.  not the greatest
editor/lib available, but it works:

http://www.motu.com/english/software/unisyn/unisyn.html

-john

......................................................
john s cooper                     opcode systems, inc
http://www.planetz.com          http://www.opcode.com

From Loopers-Delight-request@annihilist.com  Wed Dec 30 17:18:53 1998
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Date: Wed, 30 Dec 1998 17:10:54 EST
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In a message dated 12/30/98 11:18:52 AM Central Standard Time,
jbailey@corporate.southam.ca writes:

<< My suggestion on the other two lists was "Electric Storm," by White Noise
from way back in '69. >>

Good call!! I was looking for this for years, and Island Records just re-
issued it (at least in Europe, where a friend found me a copy). 

- Crossedout@aol.com

From Loopers-Delight-request@annihilist.com  Wed Dec 30 19:44:20 1998
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Date: Wed, 30 Dec 1998 18:54:35 +0200
To: Loopers-Delight@annihilist.com
From: patrick@his.com (Patrick Smith)
Subject: Re: The Next Step(?)
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ur eye wrote:

>Hi folks, Well, I find myself thinking about my loops the next day. I
>think that means that I am ready to look for a sampling device.

Well I suspect this is not really your next step, but I've had a lot of fun
with my BOSS SP202 Dr. Sample. Forget about editing any samples unless your
very patient and somewhat lucky. BUt for around$225 used you can get a
taste to see if it's for you.FngerPaint uses it all the time theses days.
Perhaps some day we''ll get a real sampler, but until the dollars rain down
again we're holding tight with the doctor.

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

            "can be edgy and intense as well as relaxing...." FAQT

Shockwave audio featuring our newest release Primary Colors:Blue

                            www.fingerpaint.net  


From Loopers-Delight-request@annihilist.com  Wed Dec 30 20:49:43 1998
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "Allison Brooker (E-mail)" <AllisonB@LastDesign.com>,
        "Amanda Walker (E-mail)" <amanda@tvc15.com>,
        "Acosta, Andres"
	 <AcostaA@Maritz.com>,
        "Honkawa, Anthony I." <tonedog@aol.com>,
        "Brian Allman (E-mail)" <ballman@earthlink.net>,
        "Johansson, Britt M."
	 <JohansBM@Maritz.com>,
        "Bruce Gardner (E-mail)" <blg247@gte.net>,
        "Frodyma, Carla A." <FrodymCA@Maritz.com>,
        "Ceci Galban (E-mail)"
	 <cgalban@digital66.com>,
        "Dunne, Chris J." <cdunne@aol.com>,
        "Darryl Tewes (E-mail)" <tewes@macsch.com>,
        "David Mosso (E-mail)"
	 <"chowderhead"@kuci.org>,
        "Poelman, David H." <PoelmaDH@Maritz.com>,
        "Tarabochia, David A." <TaraboDA@Maritz.com>,
        "Omatsu, Dean T."
	 <OmatsuDT@Maritz.com>,
        "Rogers, Deborah A." <RogersDA@Maritz.com>,
        "Loubert, Denise J." <LouberDJ@Maritz.com>,
        "Daley, Dianne F."
	 <DaleyDF@Maritz.com>,
        "Ellen Burr (E-mail)" <ELLENBURR@aol.com>,
        "GE Stinson (E-mail)" <stinson@ix.netcom.com>,
        "Payne, James C."
	 <PayneJC@Maritz.com>,
        "Christmas, Janice J." <ChristJJ@Maritz.com>,
        "Joe Berardi (E-mail)" <zklang@gte.net>,
        "John and Kelly (E-mail)"
	 <johnandkelly@earthlink.net>,
        "Ken Rosser (E-mail)" <krosser414@aol.com>,
        "Larry Rott (E-mail)" <lrott@corpinfo.com>,
        "Brush, Mark P."
	 <BrushMP@Maritz.com>,
        "Phoebe Liebig (E-mail)" <liebig@almaak.usc.edu>,
        "Scot Ray (E-mail)" <scotray@compuserve.com>,
        "Dunn, Shari L."
	 <DunnSL@Maritz.com>,
        "Chollar, Stephen K." <ChollaSK@Maritz.com>,
        "Burke, Susan M." <BurkeSM@Maritz.com>,
        "Gonzalez, Sybil A."
	 <GonzalSA@Maritz.com>,
        "Tim Morales (E-mail)" <Bandini@aol.com>,
        "Fowler, Valerie M." <TakataVM@Maritz.com>,
        "Woody A. (E-mail)"
	 <WoodyAplan@aol.com>,
        "'Loopers-Delight@annihilist.com'"
	 <Loopers-Delight@annihilist.com>,
        "Allen Moon (E-mail)"
	 <AllenM@entdesign.com>
Subject: StALiQ/Napalm Quartet
Date: Mon, 28 Dec 1998 14:09:12 -0600
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Howdy,


Upcoming gigs:

StALiQ:

Steuart Liebig: ContraBassguitars, loopage
Alex Cline: Drumset
Jeff Gauthier: El. Violins
Eric Barber: Saxophones

with Billy Mintz Trio (Billy is a great drummer)

3 Jan, 1999; 8:00 p.m.
Pasadena Shakespeare Theater
Pasadena Mall, 2nd Level
$10.00


Napalm Quartet:

G.E. Stinson: Guitars, applied tools and technology, loopage, noise
Andrew Van Ah: Guitars, mayhem
Brian Christopherson: Drumset
Steuart Liebig: Basses, loopage, metal and wood implements


4 Jan, 1999; 10:30 p.m.
Luna Park,
665 No Robertson. (@ Robertson and Santa Monica)
$6.00

From Loopers-Delight-request@annihilist.com  Wed Dec 30 21:53:29 1998
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From: =?iso-8859-1?Q?ra=FCl?= bonell =?iso-8859-1?Q?tom=E0s?=
  <rauboto@dragonet.es>
Subject: FS: Digitech TSR-12 studio reverb/multi-effects processor
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Hi there !

   I'm selling this processor, if interested, e-mail me privately.
   I'm asking  $250 + shipping.

   I include a brief description of the unit :

Digitech TSR-12 =20
Studio Reverb / Multi-Effects Processor

256 presets, (128+128 user)
Stereo Input / Output
stereo processing,
full bandwidth effects(20 Hz-20 Khz)
studio quality reverb, gated reverb,
4 tap delay, modulated delay, =20
4 phase chorus, dual pitch shifter,=20
arpeggiator, 1.5 sampler, dual phaser,
5 band parametric equalizer,
15 band graphic equalizer,=20
tremolo, dual panning , dual flanger,
stereo ducker, stereo noise gate,
phase inverter, ...


Excuse me for the non-related content.

Yours.  Ra=FCl.

  =20

////////////////////////////////////////////////////////////////////////////=
////////
Ra=FCl Bonell Tom=E0s    <rauboto@dragonet.es>=20
http://www.dragonet.es/users/d3055/slollnoirc
////////////////////////////////////////////////////////////////////////////=
////////

From Loopers-Delight-request@annihilist.com  Wed Dec 30 21:58:10 1998
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Date: Wed, 30 Dec 1998 20:48:43 -0600 (CST)
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To: Loopers-Delight@annihilist.com
From: james rhodes <sharkey@texas.net>
Subject: San Antonio dates for Theorem 5 etc.( with loops etc.)
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to any local list members,

wanted to provide an updated schedule to any listmembers etc. planning in
the San Antonio area in the next month. I will be providing Stick and loops
for the following dates

Sat, Jan 2 with : Theorem 5 at La Tuna 9:00-11:00pm ..100 Probandt St. 78204
(210) 224-8862

Tues Jan 5 with:  Theorem 5 at Taco Land 10:30pm-1:00am 306 W. Grayson St.
78212 (210) 223-8406

Fri  Jan 8 with: Daddy Monkey at the Clippership Bookstore 8:00-10:00pm 722
Balcones Hgts Rd (210) 734-5409

Fri  Feb 12 with : Theorem 5 at Taco Land 12:00-2:00am 306 W. Grayson st.
(210) 223-8406


hope to see some of you there
thanks,
james

