From ???@??? Tue Sep 01 11:09:19 1998
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From: "Steve Lauder" <steve.lauder@elspa.com>
To: "loopy" <loopers-delight@annihilist.com>
Subject: Far out man!
Date: Tue, 1 Sep 1998 12:00:30 +0100
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I'm sure some of you will have heard this before, but I found out about it,
and its tried and tested (I thought I'd send a bit of light heartedness
after all these heavy serious debates!)

Amazingly weird connections that leap off the screen when you play Pink
Floyd's "Dark Side of the Moon" as the soundtrack to "The Wizard of Oz."
The lyrics and music join in cosmic synch with the action, forming dozens
upon dozens of startling coincidences... the kind that make you go "Oh wow,
man" even if you haven't been near a bong in 20 years.

Here's how it works. You start the album at the exact moment when the MGM
lion finishes its third and final roar. It might take a few times to get
everything lined up just right.

Then, just sit back and watch. It'll blow your mind, man.

Consider these examples: Floyd sings "the lunatic is on the grass" just as
the Scarecrow begins his floppy jig near a green lawn. The line "got to
keep the loonies on the path" comes just before Dorothy and the Scarecrow
start
traipsing down the Yellow Brick Road.

During "Breathe," Dorothy teeters along a fence to the lyric: "balanced on
the biggest wave."

The Wicked Witch, in human form, first appears on her bike at the same
moment a burst of alarm bells sounds on the album.

During "Time," Dorothy breaks into a trot to the line: "no one told you
when to run."

When Dorothy leaves the fortuneteller to go back to her farm, the album is
playing: "home, home again."

Glinda, the cloyingly saccharine Good Witch of the North, appears in her
bubble just as the band sings: "Don't give me that do goody goody
bullshit."

A few minutes later, the Good Witch confronts the Wicked Witch as the band
sings, "And who knows which is which" (or is that "witch is witch"?).

The song "Brain Damage" starts about the same time as the Scarecrow
launches into "If I Only Had a Brain."

But it's not just the weird lyrical coincidences. Songs end when scenes
switch, and even the Munchkins' dancing is perfectly choreographed to the
song "Us and Them."

The phenomenon is at its most startling during the tornado scene, when the
wordless singing in "The Great Gig in the Sky" swells and recedes in
strikingly perfect time with the movie.

When Dorothy opens the door into Oz, the movie switches to rich color and
and that exact moment the album starts in with the tinkling cash register
sound effects from "Money."

Anyone who has ever nursed a hangover watching MTV with the sound off and
the radio on can tell you how quick the brain is to turn music into a
soundtrack for pictures. But this is uncanny.

The real fanatics will point out that side one of the vinyl album is the
exact length of the black-and-white portion of the movie. And then there's
that iconic album cover, with its prism and rainbow echoing the movie's
famous black-and-white-into-color switch not to mention Judy Garland's
classic first song.

The real clincher, though, the moment where even the most skeptical of
cynics has to utter a small "whoa!," comes at the end of the album, which
tails off with the insistent sound of a beating heart.

What's happening on screen? Yep, you guessed it: Dorothy's got her ear to
the Tin Man's chest, listening for a heartbeat.

Maybe it's just a string of coincidences. Maybe the mind is just playing
some really cool tricks. Maybe I just had waaaay too much to drink before I
tried this!

Or maybe, as Pink Floyd sings to close out the album, "everything under the
sun really is in tune."

And I thought playing Black Sabbath backwards was a trip!!!

HAVE FUN!

Steve Lauder
steve.lauder@elspa.com

From ???@??? Tue Sep 01 21:17:42 1998
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Date: Tue, 01 Sep 1998 15:33:03 +0100
From: "trevor bajus," <nyfac2@nyfac.com>
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My Mac has some kind of virus, and it is slowly driving me crazy.  I
believe it has been diagnosed as the latest fad in viruses.  Anybody
have any information about this?


Trev

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I record to minidsic from my mac.

 _________________________________
/robb monn -- robm@nytimes.com  |


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Yamaha is also having problems....  my new Ex5R is loaded with glitches...
it seems like they released a beta.  They have good customer support
_people_.. it's just that corporate tells them nothing and as a result I
usually know more than they do.  sigh.

 _________________________________
/robb monn -- robm@nytimes.com  |


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>Same defense attorney had a case where Tom Waits sued Doritos (I think it
>was) because they used a "sound alike" for one of their ads. I guess the
>defense said that the agency had wanted the sound of someone who Waits had
>modeled some of HIS sound on . . . can't remember how that went, but I'm not
>sure that Waits didn't win.

Pretty sure Waits won.  I remember the ad agency's strategy was to go in armed
with Louis Armstrong records, claiming that that's who they were going for and
Waits has made a career out of trying to copy him as well (!).  Wait's defense
was that they had approached him many times with offers that he had turned
down, so it was clear they were after him.  Someone eventually turned up an
internal memo from the ad agency stating more or less, "Since this Waits guy
won't co-operate, get someone who sounds exactly like him". 

Ken R

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Date: Tue, 01 Sep 1998 18:42:30 +0200
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Steve

this is a subject for rec.drugs.cannabis or alt.sun.abuse

8=)

Claude


-- 
Please correct the reply address by deleting this "----" 
Veuillez corriger mon adresse pour me rŽpondre en effaant a "----"

From ???@??? Tue Sep 01 21:17:27 1998
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Date: Tue, 1 Sep 1998 13:04:08 -0500 (CDT)
From: Dave Stagner <dstagner@icarus.net>
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Subject: Re: Far out man!
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On Tue, 1 Sep 1998, Steve Lauder wrote:

> Amazingly weird connections that leap off the screen when you play Pink
> Floyd's "Dark Side of the Moon" as the soundtrack to "The Wizard of Oz."
> The lyrics and music join in cosmic synch with the action, forming dozens
> upon dozens of startling coincidences... the kind that make you go "Oh wow,
> man" even if you haven't been near a bong in 20 years.

I'll vouch for this one!  I've been blowing people's minds with it for a
while now.  Hint: turn up the volume!  Everyone thinks, yeah, this is
interesting... but when the alarm clocks go off the very second the witch
first appears, you'll jump right out of your seat!  The timing
coincidences, both musical and lyrical, are stunning - and loopers can
apppreciate the irony of serendipitous timing better than most.  :}
 
> Here's how it works. You start the album at the exact moment when the MGM
> lion finishes its third and final roar. It might take a few times to get
> everything lined up just right.

Have your CD player on pause, and start playing on the third roar.  It'll
line up closely enough most of the time.

My own little addition to the controversy - a lot of people believe that
it must have been intentional, that such perfect timing can't be just
coincidence.  Personally, i think they overestimate intent and
underestimate coincidence.  The best timing is always unintentional. 

I'll offer some practical evidence to support this view - the reason we
can enjoy this Wiz/DSotM magic today is the widespread availability of CD
and videocassette technologies - technologies that didn't exist when DSotM
was recorded.  The only way to have viewed it then would have been a
turntable and a film projector - an expensive combination, and difficult
to time.  Moreover, the B&W/Color transition (one of the best bits of
timing) would require flipping the album for effect!  Finally, even
quality turntables are not tremendously accurate speed-wise.  A 1% speed
variation would lead to over a second of error by the end of a side,
enough to throw the timing.  

But do try this!  If you don't have a copy of Wizard of Oz, you may need
to rent it - it's out of print right now.  But excellent remastered CDs of
DSotM are available... and a good thing, too.  The first CD i ever heard
back in 1983 was DSotM, and the sound quality was so awful that i didn't
own a CD player for almost ten years afterward! 

-dave

Practice beautiful randomness and act kind of senseless.
<dstagner@icarus.net>

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Date: Tue, 1 Sep 1998 11:30:06 -0700 (PDT)
From: dan sumner <permadan@yahoo.com>
Subject: edp ?
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Will you please tell me what EDP is?  Also, do you know

of a good sound card with A/D and MIDI?--
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From ???@??? Tue Sep 01 21:17:29 1998
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Date: Tue, 1 Sep 1998 14:08:45 -0500
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From: "j. nordberg" <jspot@syncline.com>
Subject: echoplex/boston
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hey there list-

i'm living in cambridge, ma, and am looking for an echoplex or roland (tube
preferably, but solid state ok) analog tape delay (model with
sound-on-sound).  anyone selling, or know someone who is?

thanks much...

-j.

/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/

j. nordberg
jspot@syncline.com
. work . 617.661.7134
. cell . 617.719.8210


From ???@??? Tue Sep 01 21:17:40 1998
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From: Hoover Alan <HooverA@tce.com>
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Subject: RE: muddying the sampling waters
Date: Tue, 1 Sep 1998 14:17:25 -0500 
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This is like the famous George Harrison lawsuit of about 15 years ago.  His
song "My Sweet Lord" is approximately the same tune as "He's So Fine"
(Chiffons?).  Harrison Lost.

-----Original Message-----
From: KRosser414@aol.com [mailto:KRosser414@aol.com]
Sent: Tuesday, September 01, 1998 11:02 AM
To: Loopers-Delight@annihilist.com
Subject: Re: muddying the sampling waters


>Same defense attorney had a case where Tom Waits sued Doritos (I think it
>was) because they used a "sound alike" for one of their ads. I guess the
>defense said that the agency had wanted the sound of someone who Waits had
>modeled some of HIS sound on . . . can't remember how that went, but I'm
not
>sure that Waits didn't win.

Pretty sure Waits won.  I remember the ad agency's strategy was to go in
armed
with Louis Armstrong records, claiming that that's who they were going for
and
Waits has made a career out of trying to copy him as well (!).  Wait's
defense
was that they had approached him many times with offers that he had turned
down, so it was clear they were after him.  Someone eventually turned up an
internal memo from the ad agency stating more or less, "Since this Waits guy
won't co-operate, get someone who sounds exactly like him". 

Ken R

From ???@??? Tue Sep 01 21:17:41 1998
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From: Dino Cattaneo <DCattane@gibson.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: echoplex/boston
Date: Tue, 1 Sep 1998 14:20:47 -0500
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If you are looking for a used  Echoplex, I can't help you.  If you want
a new one, talk to Mr. Music in Allston.

-----Original Message-----
From: j. nordberg [mailto:jspot@syncline.com]
Sent: Tuesday, September 01, 1998 2:09 PM
To: dcattane@gibson.com; pmurphy@gibson.com
Subject: echoplex/boston


hey there list-

i'm living in cambridge, ma, and am looking for an echoplex or roland
(tube
preferably, but solid state ok) analog tape delay (model with
sound-on-sound).  anyone selling, or know someone who is?

thanks much...

-j.

/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/

j. nordberg
jspot@syncline.com
. work . 617.661.7134
. cell . 617.719.8210

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Date: Tue, 01 Sep 1998 14:31:28 -0500
From: "Dennis W. Leas" <dennis@mdbs.com>
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Subject: Re: edp ?
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dan sumner wrote:
> 
> Will you please tell me what EDP is?  Also, do you know
> 
> of a good sound card with A/D and MIDI?--

To most of the world, EDP means Electronic Data Processing.  To us loopers, it generally means the 
Oberheim Echoplex Digital Pro (see: http://www.annihilist.com/loop/tools/echoplex/echoplex.html for 
details).  However, a quick web search turns this up:
---------- FORWARDED MESSAGE --------------------
From:
       "Ken Westra" <ken@amc.ab.ca>
    To:
       mems@ISI.EDU
  Date:
       Fri, 24 May 1996 11:31:13 MST7MDT
Subject:
       EDP Toxicity


We were wondering if anyone had information beyond the MSDS sheets on the toxicity of EDP ? 

We have been using EDP for quite awhile and take various precautions when working with it. For the last 
year,
we have been transfering most of our SI etch work to safer etches (KOH, TMAH), however, we have one
production process that seems to need EDP for decent yields. For this reason, we decided to spend some 
time
looking into EDP toxicity. Any help would be greatly aprreciatated. 

Ken Westra 
Staff Scientist -- Alberta Microelectronic Centre
westra@amc.ab.ca 
---------- END FORWARDED MESSAGE ----------------

Kim, do you know anything about "EDP toxicity"?  Ever since I've been exposed to mine, my thinking has 
changed.  It's affected my neural passages!  I ignore my family and friends!  I got one, but it wasn't 
enough.  I ended up SELLING some stuff to BUY ANOTHER ONE!  AND NOW I WANT A THIRD ONE!!!  AAIIIEEE!!!

Sorry about the smart-a** answer, Dan!  I must be avoiding stuff at work...

- Dennis Leas
-- 
dennis@mdbs.com

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Hi Dave
I was wondering if you could help me out with a little problem, towards
which I would be eternally grateful...

A while back somebody had asked a question about getting signal from their
guitar rack w/o an amp and you had given an answer of making a line out for
the guitar amp.  You said -

"Get a little project box.  It needs a 1/4 jack going in and rwo 1/4 jacks
going out.  The input jack should be connected to the regular speaker jack
on your amp. For the two output jacks, wire them in parallel.
Put a 1000 ohm 5 watt resistor in series with one of the jacks.  This is
the line out.
You should be able to plug it directly into mixers, etc...  Make sure the
speaker is plugged into the other jack!  It is bad for tube amps to not
receive a proper load.....It requires almost NO electronics knowledge!"

What I'm trying to do these days is very similar, except that my amp is not
a guitar amp but ANY amp (electronic toys, Casio PK-1, portable tuntable).
I have a turntable which is from the 50's and doesn't have a line out.  So
a friend of mine soldered the wires leading to the built in speaker to an
output jack.  When I plugged it in to a guitar amp. a capacitor exploded
inside the record player.  Then I remembered your post about  resisters and
loads.  Should I try it  again with a resistor in series?  Should the
resistor be in the ground or the hot wire?  What's the formula to determine
ohms and wattage for any kind of electroinic sound source (powering a small
speaker) to get it to a line out level?

Again I would be greatly indebted to you for any enlightenment...

Ed


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From: floyd@voicenet.com
Date: 1 Sep 1998 20:52:48 -0000
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Virus resources I know of:

Symantec's virus information center:
 http://www.symantec.com/avcenter/vinfodb.html

Virex Virus database:
 http://www.drsolomon.com/products/virex/zoo/maczoopg.html

Disinfectant (free virus scanner and elliminator)
 http://cobweb.berkeley.edu/Disinfectant.nclk

  

From ???@??? Tue Sep 01 21:18:23 1998
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From: "Thomas W¿hni" <hovard@online.no>
To: <nyfac2@nyfac.com>, <Loopers-Delight@annihilist.com>
Subject: Anyine using the Roland S-550 sampler?
Date: Tue, 1 Sep 1998 23:44:46 +0200
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Hi gang , I have just discovered that the Roland S-550 sampler is within my price-range , secondhand. Can anyone offer some pro`s and con`s for this machine.

I`m not exactly shure I`ve got the name right but it`s the one that can(and should) be used with a screen and mouse......that`s all I know about it. 

My main concerns are the filter section and the effects , if there are any........

So , if anyone here have some info on this I`d love to hear it. if it`s too "off-topic" maybe an off-list reply would be best?

Yours , Thomas


Feel free to check out my web-site:
http://www.geocities.com/Eureka/Promenade/1628/
  


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Date: Tue, 1 Sep 1998 17:00:49 -0500 (CDT)
From: Dave Stagner <dstagner@icarus.net>
To: Loopers-Delight@annihilist.com
Subject: Old amps, was Re: Far out man!
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On Tue, 1 Sep 1998 Edward_Chang@mail.amsinc.com wrote:

> A while back somebody had asked a question about getting signal from their
> guitar rack w/o an amp and you had given an answer of making a line out for
> the guitar amp.  You said -
> 
> "Get a little project box.  It needs a 1/4 jack going in and rwo 1/4 jacks
> going out.  The input jack should be connected to the regular speaker jack
> on your amp. For the two output jacks, wire them in parallel.
> Put a 1000 ohm 5 watt resistor in series with one of the jacks.  This is
> the line out.
> You should be able to plug it directly into mixers, etc...  Make sure the
> speaker is plugged into the other jack!  It is bad for tube amps to not
> receive a proper load.....It requires almost NO electronics knowledge!"
> 
> What I'm trying to do these days is very similar, except that my amp is not
> a guitar amp but ANY amp (electronic toys, Casio PK-1, portable tuntable).
> I have a turntable which is from the 50's and doesn't have a line out.  So
> a friend of mine soldered the wires leading to the built in speaker to an
> output jack.  When I plugged it in to a guitar amp. a capacitor exploded
> inside the record player.  Then I remembered your post about  resisters and
> loads.  Should I try it  again with a resistor in series?  Should the
> resistor be in the ground or the hot wire?  What's the formula to determine
> ohms and wattage for any kind of electroinic sound source (powering a small
> speaker) to get it to a line out level?

I assume this old turntable has a tube amplifier?  The problem may just be
its age... old capacitors often fail due to aging.  In fact, any tube
amplifier dating back to the 1960s or earlier should be re-capped by a
professional for safety reasons.  Cap failures can take out other
components - especially expensive vintage output transformers.  A cap job
won't change your amp's sound much, but a new output transformer can ruin
the sonics of a beautiful vintage amp (oh, and as long as you're upgrading
vintage equipment, add a three-prong power cord and a ground lift switch
(for safety), and have all the tubes tested (failed tubes can also kill
other parts)).

Another possibility is that your friend's wiring job, a bad cable, or
something else shorted the output transformer - another recipe for
disaster.  Also, did you keep the original speaker connected to the
output, or was it disconnected?  It is VERY important that tube amp
outputs see the correct impedance loads, or else you risk damage.  

In the model i suggested, the line out is effectively in parallel with the
original speaker.  By Ohm's Law, a minimum 1000 ohm load in parallel with
an 8 ohm load makes a nearly 8 ohm load (close enough).  Voltage across
the 1k load will be equal to the voltage across the 8 ohm speaker, but
power will be greatly reduced.  Here's where computing power output comes
in... watts = volts^2/resistance.  So if your amp puts out ten volts, the
power across an 8 ohm speaker is 10^2/8 = 12.5 watts.  If you have a 1k
line out in parallel, its power is 10^2/1000 = .1 watt.  See, most of the
actual power is going through the speaker, even though the same voltage
goes across the line out.

I believe Kim suggested putting another resistor across the line out as
well.  This is good advice.  Moreover, the output of our little line out
box is *awfully* high for a line out, and should be attenuated somewhat
(especially if you're plugging it into a guitar amp!)

Here's an alternative suggestion - get a 1k ohm pot from Radio Shack.
Wire terminals 1 and 3 across your speaker terminals.  Connect pin 2 to
the tip of your line out jack, and pin 3 to the ring.  This gives you a
line out with a 1k impedance (low enough to match most equipment) and a
volume control as well!  
 
> Again I would be greatly indebted to you for any enlightenment...

Hope this helps.  :} 

-dave

Practice beautiful randomness and act kind of senseless.
<dstagner@icarus.net>

From ???@??? Tue Sep 01 21:18:41 1998
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	Dain,

	You might want to foward Bob Sellon your problem. He has been 
very helpful to other people on this list.

		bsellon@lexicon.com

	good luck and welcome to the list

			joe 


At 05:16 PM 8/29/98 -0500, you wrote:
>Me and my roommate were trying to reset the midi channel on one of the
>jammen without the aid of the manual (aka pushing random buttons and
>powering up) and now when syncing it to midi the loops shut off after a
>while and the delay mode just flicks between 0 for loop and 1 for delay. 
>Could a midi problem have this drastic an effect on it (ODing on note
>info?) or did we fry something?
>
>thanks
>in advance
>Dain
>
>PS I just got on this list yesterday so I'm a newbi
>
>
>

From ???@??? Tue Sep 01 21:18:50 1998
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hello..is anyone using this box and is it worth $199.00 new......michael

From ???@??? Wed Sep 02 08:54:42 1998
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From: "Steve Lauder" <steve.lauder@elspa.com>
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>Steve
>
>this is a subject for rec.drugs.cannabis or alt.sun.abuse
>
>8=)
>
>Claude


As I said at the top of the post, I thought a little light-heartedness was
due after the heavy debates that have recently taken place.  It was a bit of
a laugh, which I thought you might find interesting as well as entertaining.
I appologise if people don't share my idea of entertainment

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Date: Wed, 2 Sep 1998 06:44:07 -0400 (EDT)
From: Stew Benedict <stewb@earthlink.net>
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Has anyone bought from this SoundOnSound outfit in Japan?  Their
prices on Roland and Akai are incredible, but I'm a little hesitant to
just send a check off to Japan...

Thanks,
Stew

From ???@??? Wed Sep 02 08:54:54 1998
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Date: Wed, 2 Sep 1998 06:45:24 -0400
From: Andreas Willers <AWillers@compuserve.com>
Subject: Re: Far out man!
Sender: Andreas Willers <AWillers@compuserve.com>
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It's allright, Steve. I enjoyed the posting.

From ???@??? Wed Sep 02 08:54:52 1998
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Subject: Re: Far out man!
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It's allright, Steve - I enjoyed the posting. In fact the whole issue of
coincidences in parrallel events is something I sometimes wonder about not
only in a looping context but in composition as well. 

When inpiration strikes I often write in a 'stream of consciousness' for a
couple of hours and after the fact am wondering 'how did all this fit
together so gracefully?'
But part of the fun is leaving certain things in the mist here.

Best, Andreas 
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From: Claude Voit <c.voit@vtx.ch>
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Steve Lauder wrote:
> 
> >Steve
> >
> >this is a subject for rec.drugs.cannabis or alt.sun.abuse
> >
> >8=)
> >
> >Claude
> 
> As I said at the top of the post, I thought a little light-heartedness was
> due after the heavy debates that have recently taken place.  It was a bit of
> a laugh, which I thought you might find interesting as well as entertaining.
> I appologise if people don't share my idea of entertainment

No NO 

don't appologise I loved every inch of it, we're in the same ligue
Its just my english that sucks for expressing humour and subtilities in
a foreign language 

Clumsy Claude











-- 
Please correct the reply address by deleting this "----" 
Veuillez corriger mon adresse pour me rŽpondre en effaant a "----"

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WHY do YOU thnink THEY call it DOPE?!!

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From: Hoover Alan <HooverA@tce.com>
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Subject: RE: Old amps, was Re: Far out man!
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Better let someone look at it who is competent at electronics.  It sounds to
me like your record player might have a "hot chassis".  This means that no
isolation transformer was used in order to cut costs.  If the speaker leads
were hooked up to make it difficult to get to them, this is likely the case.
"Ground" on such a chassis runs at about 75vdc relative to actual earth
ground.  Hooking up to the speaker on such a chassis is dangerous, and
should not be done.

You should always use a proper isolation transformer when hooking up to the
speaker output of an amplifier.  Not only because of the above safety
reason, but also to prevent hum due to ground currents.  And another thing!!
If you come off of the speaker output of a guitar amplifier, you should use
a VOLTAGE DIVIDER to reduce the amplitude of the signal going into the line
input, or you will probably damage the input circuitry of your board due to
the high voltage available at the speaker output.  Plus, a filter capacitor
to ground to reduce the highs a little, or the sound will likely be very
"sterile".  This will take some experimentation to get the sound just right,
but well worth the effort.

Better yet, get a "Power Soak", which properly loads down the tube amp
output, letting you crank up the volume to get nice distortion, but use the
filter cap when going into a board at line level to eliminate the sterile
sound.  Let me know if you want more details on the divider, capacitor
values, etc.  You can get great direct sound this way if you are willing to
tweak around a bit. 
-----Original Message-----
From: Dave Stagner [mailto:dstagner@icarus.net]
Sent: Tuesday, September 01, 1998 5:01 PM
To: Loopers-Delight@annihilist.com
Subject: Old amps, was Re: Far out man!

> "Get a little project box.  It needs a 1/4 jack going in and rwo 1/4 jacks
> going out.  The input jack should be connected to the regular speaker jack
> on your amp. For the two output jacks, wire them in parallel.
> Put a 1000 ohm 5 watt resistor in series with one of the jacks.  This is
> the line out.
> You should be able to plug it directly into mixers, etc...  Make sure the
> speaker is plugged into the other jack!  It is bad for tube amps to not
> receive a proper load.....It requires almost NO electronics knowledge!"
> 
> I have a turntable which is from the 50's and doesn't have a line out.  So
> a friend of mine soldered the wires leading to the built in speaker to an
> output jack.  When I plugged it in to a guitar amp. a capacitor exploded
> inside the record player.  
I assume this old turntable has a tube amplifier?  The problem may just be
its age... old capacitors often fail due to aging.  In fact, any tube
amplifier dating back to the 1960s or earlier should be re-capped by a
professional for safety reasons.  Cap failures can take out other
components - especially expensive vintage output transformers.  

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Subject: Re: Old amps, was Re: Far out man!
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Thanks for your advice Dave!  If I can get all this stuff working, I'm
going to refer to these "homemades" as "Dave Stagner Specials".
-'Ehh, whut's thet geezmo?'
-'Oh, why that's a Dave Stagner Special.'


From ???@??? Wed Sep 02 08:55:29 1998
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Date: Wed, 02 Sep 1998 09:57:19 -0500
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Steve Lauder wrote:
> 
> I appologise if people don't share my idea of entertainment

Not to worry, man.  Due to your message, my friends and I have scheduled a "The Pink 
Wizard of the Other Side of Oz" party.  Thanks!

- Dennis Leas
-- 
dennis@mdbs.com

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At 1:26 AM -0700 9/2/98, Steve Lauder wrote:
>>Steve
>>
>>this is a subject for rec.drugs.cannabis or alt.sun.abuse
>>
>>8=)
^^^^^^^^^^

note smiley!!!!


>>Claude
>
>
>As I said at the top of the post, I thought a little light-heartedness was
>due after the heavy debates that have recently taken place.  It was a bit of
>a laugh, which I thought you might find interesting as well as entertaining.
>I appologise if people don't share my idea of entertainment

Claude was just joking too there Steve, easy now!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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From: Laurie Hatch <lahatch@dnai.com>
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Subject: Re: ASR-X Pro vs. MPC2000
Date: Wed, 2 Sep 1998 09:34:25 -0700
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On Wednesday, September 02, 1998 3:44 AM, Stew Benedict 
[SMTP:stewb@earthlink.net] wrote:
>
> Has anyone bought from this SoundOnSound outfit in Japan?  Their
> prices on Roland and Akai are incredible, but I'm a little hesitant to
> just send a check off to Japan...

Stew, I've been hangin' out on a Roland list, and at least 10 people (from 
several different countries) have posted with very positive, enthusiastic 
results about doing business with SOS.  (Nope, they're not paying me for this 
endorsement, but I could definitely get into some barter...  %^).  No one has 
posted any complaints so far -- SOS seems to be competent, fast, and reliable. 
 One thing ya gotta check/deal with is whether the voltage on hardware products 
is compatible with where you are located.  (Is it 220 in Japan?)  I haven't 
looked into that piece of it myself, so I don't know for sure.

Another variable is whether one will be charged customs duties here in the US. 
 Several of the Roland list guys have been charged (usually 2.9%), others were 
charged nothing.  My guess is that it depends on what kind of mood the customs 
dude/dudess is in when the package rolls by.  Send 'em some Wizard of Oz and 
Pink Floyd to distract them...

Yet another consideration is the product warranty being registered through an 
out-of-country retailer.  This may potentially be a costly problem on some 
products if you need repairs, but not necessarily on others.

I can send you more particulars off list if you'd like.

http://www.soundonsound.com/index-e.html

ciao,
laurie

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From: Nemoguitt@aol.com
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hello....on harmony-central today....jam with others over the internet...free
download and info at  www.livejam.com/      this might be interesting and they
seem to be very open to suggestions. so why suffer your psychasthenia
alone....michael

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Subject: RE: Old amps, was Re: Far out man!
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Thanks Alan.  Between you and Dave S and my new copy of Craig Anderton's
"Electronics Projects for Musicians" I'm sure I can make some kind of
noise.  I have a feeling I'm going to soon take up your offer about
questions, tho....(off-line).




Hoover Alan <HooverA@tce.com> on 09/02/98 09:27:30 AM

Please respond to Loopers-Delight@annihilist.com

To:   "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
cc:    (bcc: Edward Chang/AMS/AMSINC)
Subject:  RE: Old amps, was Re: Far out man!





Better let someone look at it who is competent at electronics.  It sounds
to
me like your record player might have a "hot chassis".  This means that no
isolation transformer was used in order to cut costs.  If the speaker leads
were hooked up to make it difficult to get to them, this is likely the
case.
"Ground" on such a chassis runs at about 75vdc relative to actual earth
ground.  Hooking up to the speaker on such a chassis is dangerous, and
should not be done.

You should always use a proper isolation transformer when hooking up to the
speaker output of an amplifier.  Not only because of the above safety
reason, but also to prevent hum due to ground currents.  And another
thing!!
If you come off of the speaker output of a guitar amplifier, you should use
a VOLTAGE DIVIDER to reduce the amplitude of the signal going into the line
input, or you will probably damage the input circuitry of your board due to
the high voltage available at the speaker output.  Plus, a filter capacitor
to ground to reduce the highs a little, or the sound will likely be very
"sterile".  This will take some experimentation to get the sound just
right,
but well worth the effort.

Better yet, get a "Power Soak", which properly loads down the tube amp
output, letting you crank up the volume to get nice distortion, but use the
filter cap when going into a board at line level to eliminate the sterile
sound.  Let me know if you want more details on the divider, capacitor
values, etc.  You can get great direct sound this way if you are willing to
tweak around a bit.
-----Original Message-----
From: Dave Stagner [mailto:dstagner@icarus.net]
Sent: Tuesday, September 01, 1998 5:01 PM
To: Loopers-Delight@annihilist.com
Subject: Old amps, was Re: Far out man!

> "Get a little project box.  It needs a 1/4 jack going in and rwo 1/4
jacks
> going out.  The input jack should be connected to the regular speaker
jack
> on your amp. For the two output jacks, wire them in parallel.
> Put a 1000 ohm 5 watt resistor in series with one of the jacks.  This is
> the line out.
> You should be able to plug it directly into mixers, etc...  Make sure the
> speaker is plugged into the other jack!  It is bad for tube amps to not
> receive a proper load.....It requires almost NO electronics knowledge!"
>
> I have a turntable which is from the 50's and doesn't have a line out.
So
> a friend of mine soldered the wires leading to the built in speaker to an
> output jack.  When I plugged it in to a guitar amp. a capacitor exploded
> inside the record player.
I assume this old turntable has a tube amplifier?  The problem may just be
its age... old capacitors often fail due to aging.  In fact, any tube
amplifier dating back to the 1960s or earlier should be re-capped by a
professional for safety reasons.  Cap failures can take out other
components - especially expensive vintage output transformers.







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Subject: Re: Roland S-550 sampler?
Date: Mon, 4 Jul 39 10:23:56 -0700
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>Subject:     Roland S-550 sampler?
>Sent:        9/3/98 1:57 PM
>Received:    9/4/98 12:24 AM
>From:        Thomas W¿hni, hovard@online.no
>Reply-To:    Loopers-Delight@annihilist.com
>To:          Loopers-Delight@annihilist.com
>
>
>Hey all , I was just wondering if any of you are using the Roland S-550
>sampler?
>What`s your impression of it?  Pro`s n con`s?
>
>Yours, Thomas
>
I used to use on of these.  Great sound, Roland interface (this might be good or bad depending on what you think of Roland interface.  Only one problem as far as I can tell:  This unit really wants to be used with a VGA video monitor for waveform editing, etc.  The video driver card brings up the noise floor by about 20dB.

From ???@??? Wed Sep 02 11:03:26 1998
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Date: Wed, 2 Sep 1998 12:10:59 -0500 (CDT)
From: Dave Stagner <dstagner@icarus.net>
To: Loopers-Delight@annihilist.com
Subject: RE: Old amps, was Re: Far out man!
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Alan raises a good point about the possibility of a "hot chassis"... and
if he's right, you should not use that turntable in a circuit with any
other audio equipment.  It's a hazard to EVERYTHING.  You can possibly
isolate it using a low-current isolation transformer, but ultimately it is
a very dangerous piece of equipment.  Even in high-voltage tube amps (a
tube guitar amp can have upwards of 500v!), the most dangerous part by far
is the AC mains.  Power transformers limit the heart-stopping current.  

For more on electrical safety when working on tube amps, check out
http://www.bottlehead.com/valve/safety.shtml

-dave

Practice beautiful randomness and act kind of senseless.
<dstagner@icarus.net>

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At this point I'm getting nervous about this tube-powered turntable wiring.
How do detect a hot chassis?  Can I do that with  a multimneter?
Up until this point I've been wiring the cartridge leads directly into
output jacks, disconnecting them from the circuit boards completely.
Somebody had mentioned that turntable circuits have some eq built in to
"normalize" the cartridge frequency output, which is why I wanted to try
the speaker outs, but it doesn't sound that bad with some mixer eq anyways
(and I'd hate to have a shocking revelation).  We'll see.
But the idea about the potentiometer sounds good, can I use that same
technique for battery operated toys, like Casio keyboards and hand-held
video games, etc...?  That sounds safer at least....to be honest, I'm
pretty much a beginner so I'm trying to do things a little at a time....
Again thanks for all the help!

Ed


Dave wrote:




Dave Stagner <dstagner@icarus.net> on 09/02/98 01:10:59 PM

Please respond to Loopers-Delight@annihilist.com

To:   Loopers-Delight@annihilist.com
cc:    (bcc: Edward Chang/AMS/AMSINC)
Subject:  RE: Old amps, was Re: Far out man!




Alan raises a good point about the possibility of a "hot chassis"... and
if he's right, you should not use that turntable in a circuit with any
other audio equipment.  It's a hazard to EVERYTHING.  You can possibly
isolate it using a low-current isolation transformer, but ultimately it is
a very dangerous piece of equipment.  Even in high-voltage tube amps (a
tube guitar amp can have upwards of 500v!), the most dangerous part by far
is the AC mains.  Power transformers limit the heart-stopping current.

For more on electrical safety when working on tube amps, check out
http://www.bottlehead.com/valve/safety.shtml

-dave

Practice beautiful randomness and act kind of senseless.
<dstagner@icarus.net>







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From: Hoover Alan <HooverA@tce.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Cc: "'Edward_Chang@mail.amsinc.com'" <Edward_Chang@mail.amsinc.com>
Subject: RE: Old amps, was Re: Far out man!
Date: Wed, 2 Sep 1998 14:35:53 -0500 
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If you have a hot chassis, there will not be any aux. inputs/outputs.
However, that doesn't necessarily mean that if there are no aux. in/out
jacks that the chassis is hot.  If you look inside, there will be no
transformer connected to the AC power line on a hot chassis.  That is the
main savings, elimination of the ac power transformer.  Many tube table
radios/phonographs of the 50's did this to eliminate all transformers.  Most
small TV's made today are hot chassis types.  There might be an audio output
transformer, two leads of which would be connected to the speaker output
(times two for stereo) in which case the speaker terminals may or may not be
hot, depending on whether the output transformer is of the isolating type.

Kids, don't do this at home without adult supervision:  The way to measure
this is to use an ac or dc voltmeter, and measure either of the speaker
terminals with respect to ac (earth) ground.  You can use the metal case of
any grounded appliance as ac ground, or the ground wire of a three wire
groung plug. The voltage will be somewhere around 50vdc, or 60v ac.  Could
be more or less.  It is actually a "half-wave rectified waveform",
containing both dc and ac components.  It is the ac that causes the heart to
go into fibrillation.

  
-----Original Message-----
From: Edward_Chang@mail.amsinc.com [mailto:Edward_Chang@mail.amsinc.com]
Sent: Wednesday, September 02, 1998 1:46 PM
To: Loopers-Delight@annihilist.com
Subject: RE: Old amps, was Re: Far out man!




At this point I'm getting nervous about this tube-powered turntable wiring.
How do detect a hot chassis?  Can I do that with  a multimneter?
Up until this point I've been wiring the cartridge leads directly into
output jacks, disconnecting them from the circuit boards completely.
Somebody had mentioned that turntable circuits have some eq built in to
"normalize" the cartridge frequency output, which is why I wanted to try
the speaker outs, but it doesn't sound that bad with some mixer eq anyways
(and I'd hate to have a shocking revelation).  We'll see.
But the idea about the potentiometer sounds good, can I use that same
technique for battery operated toys, like Casio keyboards and hand-held
video games, etc...?  That sounds safer at least....to be honest, I'm
pretty much a beginner so I'm trying to do things a little at a time....
Again thanks for all the help!

Ed


Dave wrote:




Dave Stagner <dstagner@icarus.net> on 09/02/98 01:10:59 PM

Please respond to Loopers-Delight@annihilist.com

To:   Loopers-Delight@annihilist.com
cc:    (bcc: Edward Chang/AMS/AMSINC)
Subject:  RE: Old amps, was Re: Far out man!




Alan raises a good point about the possibility of a "hot chassis"... and
if he's right, you should not use that turntable in a circuit with any
other audio equipment.  It's a hazard to EVERYTHING.  You can possibly
isolate it using a low-current isolation transformer, but ultimately it is
a very dangerous piece of equipment.  Even in high-voltage tube amps (a
tube guitar amp can have upwards of 500v!), the most dangerous part by far
is the AC mains.  Power transformers limit the heart-stopping current.

For more on electrical safety when working on tube amps, check out
http://www.bottlehead.com/valve/safety.shtml

-dave

Practice beautiful randomness and act kind of senseless.
<dstagner@icarus.net>






From ???@??? Wed Sep 02 23:12:48 1998
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Date: Wed, 02 Sep 1998 12:54:58 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: RIAA listens to Negativland, changes the rules
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>From the SonicNet "music news of the world" website today
(http://www.addict.com/MNOTW/hifi/) comes this interesting article on the
Negativland/RIAA dispute. Since reprinting the entire article here would be
violating Addicted to Noise copyrights, I'll just use some excerpts. :-)

The whole article should be available at this link:

http://rl.sonicnet.com/news/article3.jhtml;$sessionid$VKFA1CYAABS23UID1AKCFE
Q?index=1

(hopefully this won't start the whole debate all over again. :-)

*********************************************
 09/02/98 03:09 
   SonicNet Music News reports: In a surprising response to a furor raised
by underground collage band Negativland, the group's fans and its
supporters, the Recording Industry Association of America announced on
Tuesday that it had agreed to amend its CD Plant Guidelines to account for
the existence of "fair use" material on CDs. 

[snip]

 The decision to amend the plant guidelines was an about-face for the
R.I.A.A., which had previously criticized Negativland for questioning the
original guidelines. 

[snip]

 "Unfortunately, Negativland, and many of you, believe that our CD Plant
Good Business Practices -- formalized earlier this year into specific
guidelines for CD plants to recognize pirated product -- has had the
unintended effect of prejudicing the group's ability to get their album
pressed," the release continued. 

 "As an organization that has worked tirelessly to protect freedom of
expression, we are gravely concerned about this perception. Our objective in
issuing the CD Plant Guidelines has been to stop piracy, not artistic
expression. Accordingly, the R.I.A.A. has amended its CD Plant Guidelines in
response to your concerns." 

 As a result, for the first time in nearly a month, Negativland's co-leader
Mark Hosler had nothing negative to say about the R.I.A.A. "I'm amazed. It's
a really incredible thing," Hosler said Tuesday night of the memo, issued
after the music industry trade organization received an unspecified amount
of e-mail and letters from irate Negativland fans.

[snip]

 "This is really the first time they've acknowledged that 'fair use' is a
gray area in the copyright law," said a giddy Hosler in response to the
R.I.A.A. amendment. Negativland have long professed their belief that their
collage-like appropriation of copyright-protected material is covered under
a 'fair use' provision of copyright law that protects their "transformative"
works of art.

 "The fact that an organization that represents the major labels is coming
out and saying it's not a black-and-white issue, as far as Negativland is
concerned, is unprecedented," added Hosler. 

 According to the amended R.I.A.A. guidelines, "some recordings presented
for manufacture may contain -- as part of an artist's work -- identifiable
'samples' or small pieces of other artists' well-known songs. In some
instances, this sampling may qualify as 'fair use' under copyright law, and
in other instances, it may constitute copyright infringement. There are no
hard and fast rules in this area and judgments on both 'fair use' and
indemnification must be made on a case-by-case basis."

[snip]

******************************************
________________________________________________________
Kim Flint, MTS		       408-752-9284
Chromatic Research	       kflint@chromatic.com
http://www.chromatic.com

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From: AURALG@aol.com
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Date: Wed, 2 Sep 1998 16:31:48 EDT
To: Loopers-Delight@annihilist.com
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Hello all,
I'm trying to find some info on what the best or most suitable 4meg chips are
for the Echoplex memory upgrade.
>From Club Mac I have found some for 25 bucks apiece. They meet all the specs.
Pc Zone is offering the same spec chips at 7.98 apiece.
I've read some posts that say anything will work, but tend to want some
feedback from user experiences.
Any info will be greatly appreciated.

Sincerely
Kevin Bartlett

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Message-ID: <19980902214406.11727.rocketmail@send102.yahoomail.com>
Date: Wed, 2 Sep 1998 14:44:06 -0700 (PDT)
From: Bret <echoplex@yahoo.com>
Subject: ot:loopy instrument
To: Loopers-Delight@annihilist.com
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Folks,
Off topic question follows:
I found an unusual instrument at the pawns shop, curious if any of you
know this one. 

It is made by Farfisa (italian organ company), and is a table-top
electric (fan powered) reed organ with chord buttons.  The enclosure
is nice wood, teak or mahogany.  The name is "Pianorgan" (sounds funny
when you say it).  I am curious of the vintage. It is rather like an
electric harmonium, with chord buttons added.  I have seached the web,
to no avail. Any help or suggestions where to search would be most
appreciated.

thanks,
bret
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

From ???@??? Wed Sep 02 23:13:12 1998
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Message-ID: <35EDC086.E6981524@vtx.ch>
Date: Thu, 03 Sep 1998 00:02:46 +0200
From: Claude Voit <c.voit@vtx.ch>
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Kevin
our host (Kim)
has everything and more about the plex 
Please follow this link 
http://www.annihilist.com/loop/tools/echoplex/echoplex.html


Salut

Claude

AURALG@aol.com wrote:
> 
> Hello all,
> I'm trying to find some info on what the best or most suitable 4meg chips are
> for the Echoplex memory upgrade.
> >From Club Mac I have found some for 25 bucks apiece. They meet all the specs.
> Pc Zone is offering the same spec chips at 7.98 apiece.
> I've read some posts that say anything will work, but tend to want some
> feedback from user experiences.
> Any info will be greatly appreciated.
> 
> Sincerely
> Kevin Bartlett

-- 
Please correct the reply address by deleting this "----" 
Veuillez corriger mon adresse pour me rŽpondre en effaant a "----"

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Message-ID: <35EDC3CE.1F06@dmans.com>
Date: Wed, 02 Sep 1998 17:16:46 -0500
From: "Mikell D. Nelson" <mnelson@dmans.com>
Reply-To: mnelson@dmans.com
Organization: Boomerang Musical Products
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Subject: Re: New Stick Real Audio
References: <1.5.4.32.19980829224449.0066e928@tiac.net>
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Reginald Hunt wrote:
> 
> Please check out my site at
> 
> http://www.tiac.net/users/rphunt
> 
> for a new Stick loop track called "Majestick" in streaming RealAudio.
> 
> Reg

  I did. It's cool, the music I mean. Well... and the site. Thanks for
the treat.

Motley at Boomerang Musical Products

From ???@??? Wed Sep 02 23:13:37 1998
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Date: Wed, 2 Sep 1998 19:37:09 -0400 (EDT)
From: Stew Benedict <stewb@earthlink.net>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: Re: ASR-X Pro vs. MPC2000
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Thanks Laurie,
	I believe Japan is 100v, 50 or 60Hz.  What SOS suggests is buying
a power supply (wall-wart) locally.  Manuals are also not in English.
Warranty service is an issue, but according to their web-page, SOS will
service for you. (Of course you've got to ship back to Japan).

Stew

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From: "Douglas Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: ASR-X Pro Availability
Date: Wed, 2 Sep 1998 19:47:51 -0400
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Does anybody know who has them available here in these states? I've called a
few places and no one seems to have the ASR-X Pro (red box) yet? Anybody
know what they are retailing for?

Thanks,
Doug


On Wednesday, September 02, 1998 3:44 AM, Stew Benedict
[SMTP:stewb@earthlink.net] wrote:
>
> Has anyone bought from this SoundOnSound outfit in Japan?  Their
> prices on Roland and Akai are incredible, but I'm a little hesitant to
> just send a check off to Japan...


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In a message dated 9/2/98 3:50:44 PM, AURALG@aol.com writes:

>I'm trying to find some info on what the best or most suitable 4meg chips
>are for the Echoplex memory upgrade.

Try  "The Chip Merchant" (800)808-CHIP in San Diego, tell them you are looking
for SIMMS for an old Mac II.

Marshall

From ???@??? Wed Sep 02 23:13:45 1998
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Just checking, sorry!


From ???@??? Thu Sep 03 09:55:43 1998
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From: "Steve Lauder" <steve.lauder@elspa.com>
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Subject: Re: Far out man!
Date: Thu, 3 Sep 1998 09:20:45 +0100
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>>Steve
>>
>>this is a subject for rec.drugs.cannabis or alt.sun.abuse
>>
>>8=)
>^^^^^^^^^^
>
>note smiley!!!!


Doh!  I thought that was some sort of error in Claude's e-mail scripting, I
didn't think to look sideways - sorry if my e-mail was a bit brash everyone,
I'm gearing up for our European Trade Show at work this week, and I have a
lot to do in a short amount of time (the pressures killing me!).  Didn't
mean to take it out on you Claude, or the rest of the list.  SORRY!

Steve



From ???@??? Thu Sep 03 09:56:18 1998
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Date: Thu, 3 Sep 1998 10:11:58 -0500 (CDT)
From: Dave Stagner <dstagner@icarus.net>
To: loopers-delight@annihilist.com
Subject: Negativland/RIAA info
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A day or two ago, someone posted that the RIAA had softened its position
relative to Negativland, and actually acknowledged the existence of Fair
Use.  Could someone please forward a copy of that post to me (and
references if possible)?  Negativland was the subject of recent discussion
at /. (www.slashdot.org, of interest if you're into free software), and
i'd like to send them an update.

-dave

Practice beautiful randomness and act kind of senseless.
<dstagner@icarus.net>

From ???@??? Fri Sep 04 00:46:53 1998
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From: Dave Stagner <dstagner@icarus.net>
To: Loopers-Delight@annihilist.com
Subject: RE: Old amps, was Re: Far out man!
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On Wed, 2 Sep 1998 Edward_Chang@mail.amsinc.com wrote:

> At this point I'm getting nervous about this tube-powered turntable wiring.
> How do detect a hot chassis?  Can I do that with  a multimneter?

The way to detect a hot chassis is through examination.  The power cord
should lead to a power transformer inside the chassis, with multiple leads
from that transformer to the tubes and power supply parts.  If the power
cord goes directly into the circuit without a transformer, you have a hot
chassis.  

> Up until this point I've been wiring the cartridge leads directly into
> output jacks, disconnecting them from the circuit boards completely.
> Somebody had mentioned that turntable circuits have some eq built in to
> "normalize" the cartridge frequency output, which is why I wanted to try
> the speaker outs, but it doesn't sound that bad with some mixer eq anyways
> (and I'd hate to have a shocking revelation).  We'll see.

RIAA equalization for turntables provides both eq and gain.  Cartridges
don't have much output.

> But the idea about the potentiometer sounds good, can I use that same
> technique for battery operated toys, like Casio keyboards and hand-held
> video games, etc...?  That sounds safer at least....to be honest, I'm
> pretty much a beginner so I'm trying to do things a little at a time....
> Again thanks for all the help!

For modern solid-state electronics like Casio keyboards, this extra
complication is not needed.  Just take the speaker or headphone out and
plug it into the input of your mixer or guitar amp, and use the on-board
volume controls to manage the volume.  The line-out box i've suggested is
only necessary for tube amps, which are extremely sensitive to their load. 

-dave

Practice beautiful randomness and act kind of senseless.
<dstagner@icarus.net>

From ???@??? Fri Sep 04 00:47:12 1998
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From: "Thomas W¿hni" <hovard@online.no>
To: <Loopers-Delight@annihilist.com>
Subject: Roland S-550 sampler?
Date: Thu, 3 Sep 1998 21:57:41 +0200
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Hey all , I was just wondering if any of you are using the Roland S-550 sampler?
What`s your impression of it?  Pro`s n con`s?

Yours, Thomas

(I posted this question a while back but I`m not shure it got through.....I`ve been having some problems with that lately.)


Feel free to check out my web-site:
http://www.geocities.com/Eureka/Promenade/1628/
  


From ???@??? Fri Sep 04 00:48:37 1998
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Subject: Re: ASR-X Pro vs. MPC2000
Date: Fri, 4 Sep 98 00:24:11 -0600
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From: Doug Tapia <dtapia@unoco.edu>
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>Subject:     Re: ASR-X Pro vs. MPC2000
>Sent:        9/2/98 10:34 AM
>Received:    9/3/98 8:15 AM
>From:        Laurie Hatch, lahatch@dnai.com
>Reply-To:    Loopers-Delight@annihilist.com
>To:          'Loopers-Delight@annihilist.com', Loopers-Delight@annihilist.com
>
>On Wednesday, September 02, 1998 3:44 AM, Stew Benedict 
>[SMTP:stewb@earthlink.net] wrote:
>>
>> Has anyone bought from this SoundOnSound outfit in Japan?  Their
>> prices on Roland and Akai are incredible, but I'm a little hesitant to
>> just send a check off to Japan...
>
>Stew, I've been hangin' out on a Roland list, and at least 10 people (from 
>several different countries) have posted with very positive, enthusiastic 
>results about doing business with SOS.  (Nope, they're not paying me for 
>this 
>endorsement, but I could definitely get into some barter...  %^).  No one 
>has 
>posted any complaints so far -- SOS seems to be competent, fast, and 
>reliable. 

You might want to be careful here.  Aside from the issues mentioned by 
Laurie, both Roland and Akai are fairly protective of dealer territories. 
 There's a lot of care taken by larger companies to keep asian business 
in the asian dealer system, european business through european 
distributors, etc.  While none of us probably care about the invisible 
lines of demarkation set up by the electronis industry giants, it may 
make getting service a bit of a problem at times.

Another thought:  While most of us are on limited budgets and want to get 
the most for our money, I would encourage everyone to patrionize their 
local music stores as much as possible.  I know that some retail goons 
can be a real pain, but it's worth trying to find someone with whom you 
can build a relationship.  I depend on being able to try gear extensively 
before I buy it.  In recent years, I've seen a number of _good_ music 
stores fold under the preasure from the big catalogs.  Most local dealers 
will match price, so it's a good idea to buy from them, as it's usually 
worth the extra money (ya gotta pay tax) to be able to have a 
relationship with a person.  Hopefully, this person will be responsible 
for getting prompt service with any problems that you might have, and 
will be able to keep you abreast of all the latest gizzies.

  
> One thing ya gotta check/deal with is whether the voltage on hardware 
>products 
>is compatible with where you are located.  (Is it 220 in Japan?)  I haven't 
>looked into that piece of it myself, so I don't know for sure.
>
>Another variable is whether one will be charged customs duties here in the 
>US. 
> Several of the Roland list guys have been charged (usually 2.9%), others 
>were 
>charged nothing.  My guess is that it depends on what kind of mood the 
>customs 
>dude/dudess is in when the package rolls by.  Send 'em some Wizard of Oz and 
>Pink Floyd to distract them...
>
>Yet another consideration is the product warranty being registered through 
>an 
>out-of-country retailer.  This may potentially be a costly problem on some 
>products if you need repairs, but not necessarily on others.
>
>I can send you more particulars off list if you'd like.
>
>http://www.soundonsound.com/index-e.html
>
>ciao,
>laurie
>

From ???@??? Fri Sep 04 10:54:28 1998
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From: joseph devlin <jdevlin@WPI.EDU>
Message-Id: <199809041415.KAA27177@ernie.WPI.EDU>
Subject: Re: Roland S-550 sampler?
To: Loopers-Delight@annihilist.com
Date: Fri, 4 Sep 1998 10:15:44 -0400 (EDT)
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> 
> 
> Hey all , I was just wondering if any of you are using the Roland S-550 sampler?
> What`s your impression of it?  Pro`s n con`s?
> 

	i had one for a little while, without scsi. id say that its not
	too bad. it has a lot of outputs, standard, which is nice;
	most samplers today seem to require an additional purchase
	to get that many outs. the outs are assignable to each sound
	within the device. id say that its pretty flexible, inside,
	since it allows you to 'reuse' samples in multiple patches,
	with different starting points and settings. it has filters,
	resonant, i dont know how id compare them to others.

	you will need a monitor to use it; its kind of a pain because
	of this. but its not that bad.

	the os comes on a disk. sampling is not easy. it requires strange
	disk manipulations. each formatted disk contains the os required to
	play the samples and edit some stuff. but most of the real
	hardcore sample editing that you can do with the machine
	requires the system disk, which is also required to sample. it
	takes a minute or two to load up; its definitely not quick
	and easy, the way sampling has been getting (and in my opinion
	the way it should be) so i dont know how thatd effect your
	creative process; frankly, the sampler was too cumbersome for
	me to want to use. i did use it to some effect, it rewarded
	me well when i spent the time to set it up, but i spent entire
	evenings sampling into the thing and only got three or four
	lousy samples into it.

	oh yeah, technically, it has four banks of 7.5 seconds a piece
	(i think) at a sample rate of 30khz. you can double the time
	to one minute by using a 15khz sampling rate. ive heard that
	its a twelve bit sampler, if that means anything to you. also,
	time is rounded up. you can have a really short sample, but the
	sampler sees it as 0.5 seconds, even if its shorter. it rounds
	everything off to the nearest 0.5s interval. 

	in general, id say its not too bad a sampler for the price,
	if you have the dedication to use it. im just used to
	pc sampling programs that allow you to grab anything you
	want at any time you want it. if thats what youd like to
	be able to do, dont get an s550.

	i just remembered: theres not too much in the way of
	sample transfer stuff for this sampler. unless you have 
	a mac, in which case you may be able to find something. the
	best i could do was to find a program which read disk
	images, and sucked the samples right out of it, saving
	them to wav files. of course, there was no way to get
	the samples back into the sampler, short of sampling
	them, and that was always a pain. and it sounded bad.

	but still, this is only one persons opinion.

	joe

From ???@??? Sat Sep 05 01:03:09 1998
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From: "Thomas W¿hni" <hovard@online.no>
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Subject: SV: Roland S-550 sampler?
Date: Fri, 4 Sep 1998 21:08:54 +0200
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Thanks for the help , Joseph. Cleared things up a a lot for me. After reading your post a few facts made me realize that the S-550 isn`t right for me. Since I`m also used to PC based sampling and editing I want it to be a quick and easy process to get sound into the machine. 

The 12 bit part doesn`t bother me so much since the "grit" you can get >from that works in my music. (But I guess 12 bits is as low as I`m willing to go). So the search continues. Another day , another sampler.........Maybe I`ll go read about the Akai S1000.......Maybe that`s the sampler for me?

Thomas




Feel free to check out my web-site:
http://www.geocities.com/Eureka/Promenade/1628/
  


From ???@??? Sat Sep 05 01:03:26 1998
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From: murff@bellsouth.net
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Date: Fri, 04 Sep 1998 16:59:35 -0500
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Subject: RE:Purchasing direct from Japan/web address?
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An earlier poster referred to a site where someone could purchase direct
from a company in Japan. The poster made references to people commenting
about it in a Roland newsgroup. I think that this was a site other than
AnalogJapan.
I need the web address.
thanks
murff


From ???@??? Sat Sep 05 01:03:35 1998
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From: "Arthur Gatesy" <amg@cadence.com>
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Date: Fri, 4 Sep 1998 15:56:24 -0700
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        "RE:Purchasing direct from Japan/web address?" (Sep  4,  4:59pm)
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The company is Sound On Sound - www.soundonsound.com.
I've ordered Roland expansion boards from them twice,
saving about $300.  I would be a little nervous about
warranty/repair work on keyboards/recorders/etc. though.

-Art



On Sep 4,  4:59pm, murff@bellsouth.net wrote:
> Subject: RE:Purchasing direct from Japan/web address?
> An earlier poster referred to a site where someone could purchase direct
> from a company in Japan. The poster made references to people commenting
> about it in a Roland newsgroup. I think that this was a site other than
> AnalogJapan.
> I need the web address.
> thanks
> murff
>
>
>-- End of excerpt from murff@bellsouth.net



-- 

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From: "andre" <andre@monmouth.com>
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Subject: Sampling Resolution
Date: Fri, 4 Sep 1998 23:34:30 -0400
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re: S-550 sampling  machine.  12 bit sampler

anyone know what the sampling reso of the ensoniq mirage was (is) ???

thanks

andre'

----------

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andre wrote:
> re: S-550 sampling  machine.  12 bit sampler
> anyone know what the sampling reso of the ensoniq mirage was (is) ???

8 bit. It's 10x the bear to program the S550 is but it has a wonderful
character (not to mention gritty analog filters with wet phat rez).

Full specs and info at:

http://www.webcom.com/jawknee/Mirage/


-----------------------------------------------------------------------
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Date: Fri, 04 Sep 1998 23:50:41 -0700
From: Bill Moyer <vargo2muse@earthlink.net>
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Subject: Looping at bumbershoot
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Well, I'm coming out of the loopin' closet.  If any of you folks are at
Bumbershoot this weekend, try to come by the Bagley Wright Theater at
1:45 Sunday afternoon.  I'll be accompaniing an energetic young dancer
fron S.F., doing a piece of choreography by Laura Whitman-Curry.  EDP,
Digitech time machine, ESI 32 sampler, and a shopping cart will be my
tools of choice.  Come say hello, I'm eager for feedback....verbal that
is...Knock, knock, knock.
Bill Moyer

From ???@??? Sat Sep 05 13:17:17 1998
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From: Texture444@aol.com
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Date: Sat, 5 Sep 1998 07:51:44 EDT
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Subject: buffalo performance
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hey, loopers:
lurky dt, here.

for anybodies in the buffalo ny/toronto ont region, 
i'll be playing with
foreversharp&vivid (chris massey, david castiglione, steve swallow),
accompanying poet robert creeley on

sat 5th sept 8pm:
hallwalls gallery
2495 main st, buffalo, ny tel 716-835-7362.

ifya show, say hello!

best,
dt

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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Looping at bumbershoot
Date: Sat, 5 Sep 1998 08:59:15 -0700
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Where's Bumbershoot dude?

| -----Original Message-----
| From: Bill Moyer [mailto:vargo2muse@earthlink.net]
| Sent: Friday 04 September 1998 11:51 PM
| To: Loopers-Delight@annihilist.com
| Subject: Looping at bumbershoot
| 
| 
| Well, I'm coming out of the loopin' closet.  If any of you folks are at
| Bumbershoot this weekend, try to come by the Bagley Wright Theater at
| 1:45 Sunday afternoon.  I'll be accompaniing an energetic young dancer
| fron S.F., doing a piece of choreography by Laura Whitman-Curry.  EDP,
| Digitech time machine, ESI 32 sampler, and a shopping cart will be my
| tools of choice.  Come say hello, I'm eager for feedback....verbal that
| is...Knock, knock, knock.
| Bill Moyer
| 
| 
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From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Looping at bumbershoot
Date: Sat, 5 Sep 1998 09:16:42 -0700
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Where's Bumbershoot dude?

| -----Original Message-----
| From: Bill Moyer [mailto:vargo2muse@earthlink.net]
| Sent: Friday 04 September 1998 11:51 PM
| To: Loopers-Delight@annihilist.com
| Subject: Looping at bumbershoot
| 
| 
| Well, I'm coming out of the loopin' closet.  If any of you folks are at
| Bumbershoot this weekend, try to come by the Bagley Wright Theater at
| 1:45 Sunday afternoon.  I'll be accompaniing an energetic young dancer
| fron S.F., doing a piece of choreography by Laura Whitman-Curry.  EDP,
| Digitech time machine, ESI 32 sampler, and a shopping cart will be my
| tools of choice.  Come say hello, I'm eager for feedback....verbal that
| is...Knock, knock, knock.
| Bill Moyer
| 
| 
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Date: Sat, 05 Sep 1998 12:41:07 -0400
From: Jeff Duke <jmar@bellsouth.net>
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Its at ---- http://www.liveconcerts.com/

jd

Javier Miranda V. wrote:

> Where's Bumbershoot dude?
>
> | -----Original Message-----
> | From: Bill Moyer [mailto:vargo2muse@earthlink.net]
> | Sent: Friday 04 September 1998 11:51 PM
> | To: Loopers-Delight@annihilist.com
> | Subject: Looping at bumbershoot
> |
> |
> | Well, I'm coming out of the loopin' closet.  If any of you folks are at
> | Bumbershoot this weekend, try to come by the Bagley Wright Theater at
> | 1:45 Sunday afternoon.  I'll be accompaniing an energetic young dancer
> | fron S.F., doing a piece of choreography by Laura Whitman-Curry.  EDP,
> | Digitech time machine, ESI 32 sampler, and a shopping cart will be my
> | tools of choice.  Come say hello, I'm eager for feedback....verbal that
> | is...Knock, knock, knock.
> | Bill Moyer
> |
> |



From ???@??? Sat Sep 05 13:17:36 1998
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dt, when you coming to atlanta? please come here

jeff

Texture444@aol.com wrote:

> hey, loopers:
> lurky dt, here.
>
> for anybodies in the buffalo ny/toronto ont region,
> i'll be playing with
> foreversharp&vivid (chris massey, david castiglione, steve swallow),
> accompanying poet robert creeley on
>
> sat 5th sept 8pm:
> hallwalls gallery
> 2495 main st, buffalo, ny tel 716-835-7362.
>
> ifya show, say hello!
>
> best,
> dt



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From: Laurie Hatch <lahatch@dnai.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: Modulations
Date: Sat, 5 Sep 1998 10:17:32 -0700
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hey looperz-

Just saw a stunning feature length documentary last night by Iara Lee about the 
electronic music underground, titled "Modulations".  It's been out for a while 
making the film festival and preview circuit, but was just released into 
theatres yesterday.

*Don't miss this one!*

Inspired by early Italian pioneer Luigi Russolo (his 1913 manifesto, "The Art 
of Noises" states "We must break out of this limited circle of sounds and 
conquer the infinite variety of noise-sounds."),  the evolution of electronic 
music is explored via interviews and sounds of Stockhausen, Cage, Moog, 
Theremin, Teo Maceo (Mile's producer), and others.  Lee continues through disco 
(Giorgio Moroder, Donna Summers producer), house, techno, hip-hop, jungle and 
beyond.  It's a who's who of electronica/techno music and turntable culture, 
including interviews with Carl Cox, Bill Laswell, Mixmaster Morris, Danny 
Tenaglia, DJ Spooky, Goldie, Moby, Prodigy, Squarepusher, Photek, Holger 
Czukay, Tetsu Inoue, Juan Atkins, Meat Beat Manifesto, Invisbl Skratch Piklz 
and more.  The film explores the world-wide rave scene, with footage, for 
instance, from the typhoon-soaked Rainbow 2000 rave on top of Japan's Mt. Fuji, 
Future Sound of London, and a spectacular crowd in Moscow's Red Square.  Lee 
also outlines the cultural and sociological evolutionary path of various 
microgenres - acid house, trip hop, drum n bass, ambient, and so on.

Visual imagery is equally intense - a captivating collage of eye candy images 
gleaned from hundreds of hours of film shot all over the world.

If I remember correctly, Modulations soundtrack is (or will be?) available on 
Sire records.

Check it out:
Caipirinha Films:
http://www.modulations.com/Film/filmcontent.html

Or go straight to the Modulations link:
http://www.modulations.com/Film/modulations/modcontents.html
The "Treatment" link is a very interesting evolutionary history of electronica 
from the film's perspective. "Screenings" lists city release locations and 
dates; "Musician Bios" offers brief notes on many of the featured artists. 
 Great site overall.

Caipirinha Productions released a film in 1996 called Synthetic Pleasures, and 
a collection of music entitled "Synthetic Pleasures Volume Two". 
http://www.electronicmusic.com/features/showcase/caipirinha.html

Has anyone else seen this yet?  I'm curious to hear other impressions...

laurie






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it's been a while since we've talked. how have you been?
my band electric bird noise (cinematic loop and layered instrumental rock)
will be doing a couple shows in atlanta in the next month. we will play club
513 on sep. 26th and dottie's on sat. oct. 10th. if interested i could send
you a sample tape of our upcoming cd release which should be on the streets by
dec. 1st. or i could send you a file with snippets of a couple songs?
please let me know?
brian mckenzie  

From ???@??? Sun Sep 06 14:27:23 1998
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Message-ID: <19980905203515.20788.rocketmail@web1.rocketmail.com>
Date: Sat, 5 Sep 1998 13:35:15 -0700 (PDT)
From: "Rev. Doubt-Goat" <dgoat@rocketmail.com>
Subject: Re: my jamman is acting broken
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93

---"Dain R. Luscombe" <DainL@AustinTX.net> wrote:
 and now when syncing it to midi the loops shut off
after a
> while and the delay mode just flicks between 0 for
loop and 1 for delay. 

Ship it back to Lexicon for repair. The same thing
happened to mine, and replacing the pots did nothing.

Good luck!

93
Rev. Doubt-Goat
===
          The Homepages of the Doubt-Goat

               The Darsan Trio
               Sekhet Maat Oasis, O.T.O.
               Lion & Serpent

          http://www.easystreet.com/~twilliam

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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Date: Sat, 5 Sep 1998 19:18:02 -0400
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sure i'd love to hear a tape.
my address is..
Jeff Collins
79 7th Avenue
Pataskala, OH 43062

Can't wait to hear it.
Jeff

-----Original Message-----
From: ENAT21213@aol.com <ENAT21213@aol.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Saturday, September 05, 1998 2:12 PM
Subject: hello jeff


>it's been a while since we've talked. how have you been?
>my band electric bird noise (cinematic loop and layered instrumental rock)
>will be doing a couple shows in atlanta in the next month. we will play
club
>513 on sep. 26th and dottie's on sat. oct. 10th. if interested i could send
>you a sample tape of our upcoming cd release which should be on the streets
by
>dec. 1st. or i could send you a file with snippets of a couple songs?
>please let me know?
>brian mckenzie
>
>

From ???@??? Sun Sep 06 14:27:28 1998
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Subject: Re: Modulations
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Anybody else see this?  The reviews have been good, and have considered
taking it in-but the previous film (from this director, I believe),
"Synthetic Pleasures", was a true embarrassment, some of the most empty
godawful crap I've ever endured on film....


>Just saw a stunning feature length documentary last night by Iara Lee
>about the
>electronic music underground, titled "Modulations".  It's been out for a
>while
>making the film festival and preview circuit, but was just released into
>theatres yesterday.
>
>*Don't miss this one!*
>
>Inspired by early Italian pioneer Luigi Russolo (his 1913 manifesto, "The Art
>of Noises" states "We must break out of this limited circle of sounds and
>conquer the infinite variety of noise-sounds."),  the evolution of electronic
>music is explored via interviews and sounds of Stockhausen, Cage, Moog,
>Theremin, Teo Maceo (Mile's producer), and others.  Lee continues through
>disco
>(Giorgio Moroder, Donna Summers producer), house, techno, hip-hop, jungle and
>beyond.  It's a who's who of electronica/techno music and turntable culture,
>including interviews with Carl Cox, Bill Laswell, Mixmaster Morris, Danny
>Tenaglia, DJ Spooky, Goldie, Moby, Prodigy, Squarepusher, Photek, Holger
>Czukay, Tetsu Inoue, Juan Atkins, Meat Beat Manifesto, Invisbl Skratch Piklz
>and more.  The film explores the world-wide rave scene, with footage, for
>instance, from the typhoon-soaked Rainbow 2000 rave on top of Japan's Mt.
>Fuji,
>Future Sound of London, and a spectacular crowd in Moscow's Red Square.  Lee
>also outlines the cultural and sociological evolutionary path of various
>microgenres - acid house, trip hop, drum n bass, ambient, and so on.
>
>Visual imagery is equally intense - a captivating collage of eye candy images
>gleaned from hundreds of hours of film shot all over the world.
>
>If I remember correctly, Modulations soundtrack is (or will be?) available on
>Sire records.
>
>Check it out:
>Caipirinha Films:
>http://www.modulations.com/Film/filmcontent.html
>
>Or go straight to the Modulations link:
>http://www.modulations.com/Film/modulations/modcontents.html
>The "Treatment" link is a very interesting evolutionary history of
>electronica
>from the film's perspective. "Screenings" lists city release locations and
>dates; "Musician Bios" offers brief notes on many of the featured artists.
> Great site overall.
>
>Caipirinha Productions released a film in 1996 called Synthetic Pleasures,
>and
>a collection of music entitled "Synthetic Pleasures Volume Two".
>http://www.electronicmusic.com/features/showcase/caipirinha.html
>
>Has anyone else seen this yet?  I'm curious to hear other impressions...
>
>laurie



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From: Laurie Hatch <lahatch@dnai.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: Re: Modulations
Date: Sat, 5 Sep 1998 19:21:51 -0700
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From:	David Myers [SMTP:dmgraph@earthlink.net]
>Sent:	Saturday, September 05, 1998 5:01 PM
>To:	Loopers-Delight@annihilist.com
>Subject:	Re: Modulations
>
>Anybody else see this?  The reviews have been good, and have considered
>taking it in-but the previous film (from this director, I believe),
>"Synthetic Pleasures", was a true embarrassment, some of the most empty
>godawful crap I've ever endured on film....

Guess ya didn't care for that one much, huh David?  %^)  I didn't see it, but 
for what it's worth, a couple of the comparative reviews I've come across do 
describe S.P. less charitably than Modulations.  As in "too scattered", and 
"without a clear focus" (Metro, San Jose).  Sounds like that reviewer wasn't 
quite as disgusted as you were!

Even if Lee's fundamental style and vision simply aren't one's piece of cake, I 
would still recommend Modulations if for no other reason than to catch talking 
head interviews with some of the pioneering greats - Stockhausen, Moog, and 
Macero come immediately to mind.  For instance, Macero describes the tape slice 
n' splice he did with some of Miles' stuff (i.e. Live Evil) which I found quite 
interesting.  Those are just a few of many segments in which musicians, 
composers, and inventors on the cutting edge of their craft, both past and 
present, discuss/demonstrate a gamut of topics: their approach, style, 
techniques, philosophy, influences.  Hey, there's even a little bit of gear 
talk! -- albeit not much... (Not to mention a few mid-rave shots of knobs 
getting ~~twisted~~, you reading this, Lambrecht?  %^)

A linear, fully comprehensive, meaty history and analysis of the electronic 
music scene this is not, nor is it intended to be.  It's an art film, one might 
say reflective of the culture which fuels its subject.  However, I do believe 
that one could separate substance from aesthetic (or perceived lack thereof) 
and still come away with a meaningful experience.

laurie

http://www.modulations.com/Film/modulations/modcontents.html

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From: "Collins" <collinsclan@sprintmail.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: Modulations
Date: Sun, 6 Sep 1998 00:43:38 -0400
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I've been checking out some of the posts about this film and if it had not
been for Laurie, i would have paid it no attention at all. She caught my eye
with the mention of Stockhausen, and i had to check the site out. I just
wish i lived around one of the few places that it is being played. Well
there's Cleveland...but i don't feel like driving two hours to see an hour
and thirty minute film. Does anyone know if perhaps it may come out on video
for the rest of us?
Keep experimenting!
Jeff Collins
collinsclan@sprintmail.com

-----Original Message-----
From: Laurie Hatch <lahatch@dnai.com>
To: 'Loopers-Delight@annihilist.com' <Loopers-Delight@annihilist.com>
Date: Saturday, September 05, 1998 10:34 PM
Subject: Re: Modulations


>From: David Myers [SMTP:dmgraph@earthlink.net]
>>Sent: Saturday, September 05, 1998 5:01 PM
>>To: Loopers-Delight@annihilist.com
>>Subject: Re: Modulations
>>
>>Anybody else see this?  The reviews have been good, and have considered
>>taking it in-but the previous film (from this director, I believe),
>>"Synthetic Pleasures", was a true embarrassment, some of the most empty
>>godawful crap I've ever endured on film....
>
>Guess ya didn't care for that one much, huh David?  %^)  I didn't see it,
but
>for what it's worth, a couple of the comparative reviews I've come across
do
>describe S.P. less charitably than Modulations.  As in "too scattered", and
>"without a clear focus" (Metro, San Jose).  Sounds like that reviewer
wasn't
>quite as disgusted as you were!
>
>Even if Lee's fundamental style and vision simply aren't one's piece of
cake, I
>would still recommend Modulations if for no other reason than to catch
talking
>head interviews with some of the pioneering greats - Stockhausen, Moog, and
>Macero come immediately to mind.  For instance, Macero describes the tape
slice
>n' splice he did with some of Miles' stuff (i.e. Live Evil) which I found
quite
>interesting.  Those are just a few of many segments in which musicians,
>composers, and inventors on the cutting edge of their craft, both past and
>present, discuss/demonstrate a gamut of topics: their approach, style,
>techniques, philosophy, influences.  Hey, there's even a little bit of gear
>talk! -- albeit not much... (Not to mention a few mid-rave shots of knobs
>getting ~~twisted~~, you reading this, Lambrecht?  %^)
>
>A linear, fully comprehensive, meaty history and analysis of the electronic
>music scene this is not, nor is it intended to be.  It's an art film, one
might
>say reflective of the culture which fuels its subject.  However, I do
believe
>that one could separate substance from aesthetic (or perceived lack
thereof)
>and still come away with a meaningful experience.
>
>laurie
>
>http://www.modulations.com/Film/modulations/modcontents.html
>
>

From ???@??? Sun Sep 06 14:28:19 1998
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Subject: Re: Modulations
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As far as "Modulations" I've only been reading good things. I rented
"synthetic Pleasures" A year ago and would not recommend it to anyone.

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

A guitar-synth looping duo of dark illbience and dreamy ambience.
Shockwave audio featuring our newest release Primary Colors:Blue

                            www.fingerpaint.net  


From ???@??? Sun Sep 06 14:28:17 1998
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From: patrick@his.com (Patrick Smith)
Subject: Fringe Details.....
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>This is what publicity I got out of making a tape from those of you who sent
>me samples.  Thanks!  The first two and "Name" are not in the IMP! series but
>the rest of them are.  For more info on this years Fringe Festival go to :
>www.Citypaper.net  It is the cover story and you will find complete listings
>of stuff.
>David Forlano
>
>
>
>Tones On Tail
>
>              When in doubt, improvise.
>
>              by Neil Gladstone
>   Trying to explain what an improvised band sounds like is harder than
>dancing about architecture. It's like boogying around a building that hasn't
>been built yet. Several of the groups performing at the Fringe are
>improvisational outfits, so what they will sound like is impossible to say.
>However, most have a basic framework they adhere to. Here are just a few
>impressionistic moves.
>
>  Unlimited Motion ..This new local trip-hop supergroup features members of
>Stinking Lizaveta and EDO. Though the band is providing a live soundtrack for
>Eric Schoefer's dance piece Strung, their music is bound to be fairly riveting
>in and of itself. Brimming with accomplished instrumentalists, Unlimited
>Motion combines guitar synth, bass and didjeridoo with tapes of Serbian
>Orthodox liturgy and early '70s new age music to create a very distinctive
>brew. Sept. 9-19 at The Smoke Building
>
>  Mecca Bodega.. A meditative, ruminating groove band that forges funk from
>hammer dulcimer, African drums, handmade percussion, guitars and gas tanks.
>Schoolly D and Soul Coughing's M. Doughty appeared on their recent CD Subway
>Stories (Sire). Whether either will show up for this gig is anyone's guess.
>Sept. 10 at the Tin Angel
>
>  Finger Paint.. Imagine a rambling cruise across the Martian countryside and
>you might get an inkling of the soundscape created by two guys (Steev Geest
>and Patrick Smith) fiddling with guitars and loops. Sept. 11 at Third Street
>Gallery
>
>   Spin 17.. Ed Chang and Motoko Shimizu create a simmering stew of electronic
>whispers and whistles that sounds like a chorus of sirens in the distance.
>Ghostly howls play off gurgling analog synths. It's a spine-tingling funhouse.
>Sept. 13 at Highwire Gallery
>
> Plankton.. Imagine a carnival band warming up. The frenetic blurts of Todd
>Margasak's trumpet ricochet off Dave Forlano's hyper guitar riffs and David
>Sherick's splattering percussion. It's a manic, slapdash affair, propelled by
>waves of nervous energy. Sept. 17 at Upstairs at Nick's
>
>  Name.. One of the more thought-provoking hip-hop groups on the Philadelphia
>scene, Name is made up of three emcees, backed by guitar, acoustic bass,
>electric bass and drum machines. Sept.16 at the Tin Angel
>
>   Music in the Key of Zero ..John Berndt's rancorous saxophone races through
>notes, accented by squealing crescendos that sound like distorted tones
>propelled through a whale's blowhole. Catherine Pancake's ramshackle
>percussion cuts through the             squirreling wails with rattles and
>taps. Sept. 17 at Upstairs at Nick's
>
> Straylight ..This trio broadcasts an epic soundscape of scrapes,rattles and
>buzzes served up by Jason Finkelman on percussion, Charles Cohen on
>electronics and Geoff Gersh on guitar. Sept.19 at Third Street Gallery
>
>   Unsound.. Given that this trio is a combination of electronics,Chapman
>Stick and violin, it's hard to say which instrument is responsible for what
>sound. High-pitched electronic blurts buzz while bowed notes creep and
>screech, occasionally deviating into melancholy moments. Sept. 9 at Highwire
>Gallery
>
>

Now Available:
                      FingerPaint Primary Colors: BLUE

A guitar-synth looping duo of dark illbience and dreamy ambience.
Shockwave audio featuring our newest release Primary Colors:Blue

                            www.fingerpaint.net  


From ???@??? Sun Sep 06 14:29:01 1998
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From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Modulations 'n Miles
Date: Sun, 6 Sep 1998 13:35:35 -0400
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Laurie said:>...I  would still recommend Modulations if for no other reason
than to catch talking 
> head interviews with some of the pioneering greats - Stockhausen, Moog,
and 
> Macero come immediately to mind.  For instance, Macero describes the tape
slice 
> n' splice he did with some of Miles' stuff (i.e. Live Evil) which I found
quite 
> interesting. 

this brings to mind a recommendation.... right now i'm spinning disc 2 of
the new Henry Kaiser/Wadada Leo Smith Miles Davis tribute -called "Yo
Miles" - it's amazing - 2 discs both seconds short of 80 (EIGHTY!!!)
minutes.... you get yr $$ worth here! 

They do a take on the early/mid 70s miles - the "on the
corner-pangaea-agharta-jack johnson-live evil" type years.... 

with Nels Cline, Chris Muir, Elliott Sharp, Bob Bralove, John Medeski,
Micheal Manring, the Rova Sax Quartete..

it's just amazing - if you like that Miles period

check out Henry's site for details - liner notes, cover art etc>>>>

http://php.indiana.edu/~mpiper/HKMain.html

(thanks to Jeff Collins for hipping me to this wonderful site!!!)

andre'

From ???@??? Sun Sep 06 17:48:45 1998
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From: "Thomas W¿hni" <hovard@online.no>
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Date: Mon, 7 Sep 1998 02:22:27 +0200
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I used to use on of these.  Great sound, Roland interface (this might be good or bad depending on what you think of Roland interface.  Only one problem as far as I can tell:  This unit really wants to be used with a VGA video monitor for waveform editing, etc.  The video driver card brings up the noise floor by about 20dB.  



-------------------------------------------------------------
K , so there is a video card in the sampler? Is the noise level audible to the point where it becomes a problem? Or will it dissappear when the samples are played in context of a song?

By "Roland interface" , do you mean that it`s hard or impractical to use?
Earlier I was told that the S-550 took some time to prepare for samling.
Maybe this is something that you can get past when you get used to the interface?

Anyways , Thanks for the help.

Yours , Thomas 

From ???@??? Sun Sep 06 21:47:14 1998
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Subject: updated loopography
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Michael Peters just updated the Loopography page on the web site, check it out:

http://www.annihilist.com/loop/loopography/Records.html

Also, a reminder! Things like the loopography grow because of input from
all of you! If you want to do a review of a recording you think is
important and significant for this whole loop business, please do! Send it
to Michael Peters <mpeters@csi.com>, and he'll include it with the next
update.

I know damn well more things have happened in the past two decades than
we've got on there! Get busy!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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From: Andre LaFosse <altruist@earthlink.net>
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The thing that struck me the most about the film was the way in which
the construction of the film itself mirrors the aesthetics behind the
music it's documenting.  It literally applies a non-linerar, cut and
paste approach to its subject matter; a segment on detroit techno comes
after one on jungle, both of which come before disco, and all of which
come before footage of Stockhausen and Cage.

Favorite bits for me included:

-- footage of Tom "Squarepusher" Jenkinson, both in a profoundly messy
apartment and hopping around on stage playing bass to an absurdly fast
backing barrage

-- a similar shot of a portly, present-day Holger Czukay dancing around
behind his rig of gear at a recent live performance

-- the segment on Detroit Techno, which seems to strike more at the
essence of the music's origins than most of the other bits with its
footage of the city and commentary from the pioneers of the style

-- actually getting to see turntablists like Q-bert and Mixmaster Mike
do what they do

-- Scanner, talking about his experimental work with extracting found
sounds out of the radio waves of a given area, making a sort of "sonic
map" of whatever area he happens to be in

-- the unintentionally Spinal Tap-esque bits of Gary Cobain (of Future
Sound of London) copping a Max Headroom vibe via Internet relay from his
studio, muttering about making himself a sacrificial lamb in the name of
his ISDN experiments with broadcasted "live" performance

-- some British journalist who makes even more Spinal Tap-esque
commentary, including an hilariously dopey assesment of gabba techno

-- a very stoned Roni Size

The film functions overall less as an in-depth analysis of the different
subgenres of electronic music, and more as a sort of cultural analysis
of technology's impact on life (and concurrently, music) over the last
few decades.  Definitely worth checking out.

--Andre

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Thomas W¿hni wrote:
> 
> Hi gang , I have just discovered that the Roland S-550 sampler is within my price-range , secondhand. Can anyone offer some pro`s and con`s for this machine.

I use the S-330, which is the same with half the memory.

I love it! You can use a mouse & display - in fact, don't buy one unless
you can get hold of these also.
Sounds great, and the filters are really useful. (filter and amplitude
both have 8 stage envelopes - which of course are graphically editable)
All my work to date (eg. see realaudio at 
http://www.collective.co.uk/darkroom/
) uses this sampler.

cheers,
os.


> 
> I`m not exactly shure I`ve got the name right but it`s the one that can(and should) be used with a screen and mouse......that`s all I know about it.
> 
> My main concerns are the filter section and the effects , if there are any........
> 
> So , if anyone here have some info on this I`d love to hear it. if it`s too "off-topic" maybe an off-list reply would be best?
> 
> Yours , Thomas
> 
> Feel free to check out my web-site:
> http://www.geocities.com/Eureka/Promenade/1628/
> 

-- 
Os
os@scee.sony.co.uk
os@collective.co.uk
http://www.collective.co.uk/

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Date: Mon, 07 Sep 1998 11:04:11 +0100
From: Malhomme <malhomme@vete.ucl.ac.be>
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Dear people..
I've been away from looping delight for a few month, hence not exactly
update.
One a our few hot topics these times were:
Will the echoplex will be "buyable" in europe?
Is trhe Dod 8 sec (FX 98?) eventually out?

I guess this is now old stuff, so I'd better get a private answer...
Thanx everyone in advance, and happy to be back again...

OLivier Malhomme

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From: "Thomas W¿hni" <hovard@online.no>
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Subject: Re: Anyine using the Roland S-550 sampler?
Date: Mon, 7 Sep 1998 17:40:22 +0200
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hey Os , thanks for the reply.

I`ve been over at your website and listened to the song called "vladimir".
I loved it!!!  Great vibe and mood throughout the track. Great vocals and guitar-playing. Since RealAudio is rather limited in terms of soundquality my impression of the the sound is , um....limited. But I think it sounded cool. I`m just wondering how much ofthe track was done on the sampler.

I assume the kick-drum was a sample , but there was also a filtered , percussive "bleep" wacking away in the background. Was that also the S-550? If so , did you control the filters via some sequenser?  In other words , can you send SySex data to the s-550? 

One more questuion;  the monitor and mouse , do they have to be some
specific model or brand in order to work , or can I use ANY computer type monitor? Just get one from some dusty old 286 PC ???

Hope I`m not too much of a pain in the arse , and I`m really greatful for the help you`ve given me so far.

Yours, Thomas W

PS. Good luck with your music , I love it!!

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Sorry folks.  This is just a test.

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Subject: Newsletter Glitches?
Date: Tue, 8 Sep 1998 11:33:25 -0700
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I'm trying to determine if it's just me or the messages' attributes that
causes this, but it's not consistent enough to trace from this end -
therefore my query.  Sometimes, when I reply to messages from LD, it assumes
the email address for the list - but sometimes it assumes the email address
of the original sender.  In this regard, it WORKED the way it's supposed to
this time, but sometimes it doesn't.

So is it just me?

Stephen GoodmanÊ -Ê It's... The Loop Of The Week (Kurosawa)!
EarthLight StudiosÊ -Ê http://www.earthlight.net/Studios

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From: Sean Echevarria <sean_@mindspring.com>
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It looks like the list software isn't changing the Reply-To header.  So if
a message has a reply-to header, it gets used (with the poster's address)
when hitting reply.  Otherwise a reply gets addressed to the sender (the
list).

Just a guess.

sean


At 11:33 AM 9/8/98 -0700, you wrote:
>I'm trying to determine if it's just me or the messages' attributes that
>causes this, but it's not consistent enough to trace from this end -
>therefore my query.  Sometimes, when I reply to messages from LD, it assumes
>the email address for the list - but sometimes it assumes the email address
>of the original sender.  In this regard, it WORKED the way it's supposed to
>this time, but sometimes it doesn't.

From ???@??? Tue Sep 08 17:32:19 1998
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From: "Liebig, Steuart A." <LiebigSA@Maritz.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Newsletter Glitches?
Date: Tue, 8 Sep 1998 14:41:49 -0500 
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sometimes i hit "reply all" to get the loopers-delight address . . . 

> -----Original Message-----
> From:	Sean Echevarria [SMTP:sean_@mindspring.com]
> Sent:	Tuesday, September 08, 1998 12:06
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: Newsletter Glitches?
> 
> It looks like the list software isn't changing the Reply-To header.  So if
> a message has a reply-to header, it gets used (with the poster's address)
> when hitting reply.  Otherwise a reply gets addressed to the sender (the
> list).
> 
> Just a guess.
> 
> sean
> 
> 
> At 11:33 AM 9/8/98 -0700, you wrote:
> >I'm trying to determine if it's just me or the messages' attributes that
> >causes this, but it's not consistent enough to trace from this end -
> >therefore my query.  Sometimes, when I reply to messages from LD, it
> assumes
> >the email address for the list - but sometimes it assumes the email
> address
> >of the original sender.  In this regard, it WORKED the way it's supposed
> to
> >this time, but sometimes it doesn't.

From ???@??? Tue Sep 08 17:32:34 1998
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Date: Tue, 8 Sep 1998 18:25:51 -0400 (EDT)
From: Nick Ring <nick@simons-rock.edu>
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	Maybe some of you can help me shed a light.

	Yesterday a friend gave me a Slo-Mo Encore as a birthday present.
Seems he picked it up at a tag sale.  it claims to be a "digital slow
motion processor" made by Ridge Runner (or so the logo suggests).

	I've played with it for a little while today and it's pretty cool.
I was wondering if any of you had any knowledge of or experience with
these.  

	Basically, it seems to be a riff-a-matic type of thing, designed
for learning songs by playing along or to transcribe them.  It can
digitally slow down the speed without altering the pitch, but in the
process gives off some serious digital distortion (which I like).  I've
already recorded some drum loops through this thing to particularly
interesting effect.  It records 8-bit sound at 15.6khz.

	It's base memory is 1meg, expandable to 8.  In base form, as I
have, it gives just over a minute of sampling time.  Expanded fully
provides 503 seconds!

	You can then change the speed w/o changing pitch by 1/2 through
1/6 which does some very bizarre things to the loop.  I haven't yet tried
it w/ actual pre-recorded songs yet.  You can set it to alter pitch,
however, and it has a dial to do so.  

	It's mono in/out by rca jacks and as a 1/4 instrument plug w/
volume so you can play along (but not record on the instro jack).

	You can't use it as a delay, but even before recording the signal
through it already sounds digitally distorted to a degree, though this
increases noticeably after recording.

	I can work with its limitations, but one thing I haven't figured
yet is there's always a glitch at the end of a loop.  I've tried editing
by blocks, but it's always there.  I believe you can edit the "frames" it
uses as blocks down to a smaller size and thereby make the space smaller
(as far as I can guess), but as to elimiate it all together?

						-nick

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Date: Tue, 8 Sep 1998 22:10:52 -0400
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>
    Hey I probably cant provide any new illumination on the subject other
than  I got one of these used from Wurltzer online about 2 yrs ago for
$25!.My immediate thoughts  upon purchasing this were " Great now I can
learn those awesome U.Srinivas licks"and maybe adapt it for stage looping.
It isnt set up to do that(realtime anyway)as I soon discovered.
I think the glitches youre hearing are the nature of the low rez beast.The
dig distortion is pretty loud &clear in most cases nothing seems  to help.I
cant recall if It had loud pops at loop points .I didnt have it long either
It became the victim of a midwinter flood disaster in my home.The thing
sells for $699.00
new& has amazing sample time & sounds pretty wicked for some
applications.Good luck & enjoy it.

           BTW I did some amazing acoustic looping improvisation last night
with my friend Joee Conroy on cello, pipa & other exotic wacky
instruments.I played my National steel, autoharp, walkie talkies etc.Joee
has played& recorded with some great mprovisors : Henry Kaiser, Davey
Willams, Chadborne, Greg Goodman John Oswald even Frith he brings a great
deal of expierience & skill to the table.Our first acoustic looping
expieriement was quite sucessfull.I ran a mike directly into the EDP and
out to dat using the headphone out into a n amp as a monitor.The looping in
the room was almost inaudible for the most part & we didnt get into any out
of control feedback(next time well monitor thru phones) .The results sound
pretty bizaare in places. We both commented on playback it was hard to tell
it was looped yet the mix was all wet.There were some strange &
unpredictable transistions and the whole thing  had a great "remixed"
electronic feel to it particullarly when   using multiply& reverse
functions.Im totaly excited about this combination of instruments & the
looping method it has a really odd  beautiful quality.I know this has been
discussed before but anyone have any similar expierences tips etc.Keenan
Lawler . Louisville












	Maybe some of you can help me shed a light.
>
>	Yesterday a friend gave me a Slo-Mo Encore as a birthday present.
>Seems he picked it up at a tag sale.  it claims to be a "digital slow
>motion processor" made by Ridge Runner (or so the logo suggests).
>
>	I've played with it for a little while today and it's pretty cool.
>I was wondering if any of you had any knowledge of or experience with
>these.
>
>	Basically, it seems to be a riff-a-matic type of thing, designed
>for learning songs by playing along or to transcribe them.  It can
>digitally slow down the speed without altering the pitch, but in the
>process gives off some serious digital distortion (which I like).  I've
>already recorded some drum loops through this thing to particularly
>interesting effect.  It records 8-bit sound at 15.6khz.
>
>	It's base memory is 1meg, expandable to 8.  In base form, as I
>have, it gives just over a minute of sampling time.  Expanded fully
>provides 503 seconds!
>
>	You can then change the speed w/o changing pitch by 1/2 through
>1/6 which does some very bizarre things to the loop.  I haven't yet tried
>it w/ actual pre-recorded songs yet.  You can set it to alter pitch,
>however, and it has a dial to do so.
>
>	It's mono in/out by rca jacks and as a 1/4 instrument plug w/
>volume so you can play along (but not record on the instro jack).
>
>	You can't use it as a delay, but even before recording the signal
>through it already sounds digitally distorted to a degree, though this
>increases noticeably after recording.
>
>	I can work with its limitations, but one thing I haven't figured
>yet is there's always a glitch at the end of a loop.  I've tried editing
>by blocks, but it's always there.  I believe you can edit the "frames" it
>uses as blocks down to a smaller size and thereby make the space smaller
>(as far as I can guess), but as to elimiate it all together?
>
>						-nick



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From: "Steve Lauder" <Steve.Lauder@elspa.com>
To: <loopers-delight@annihilist.com>
Subject: Working with a style
Date: Wed, 9 Sep 1998 12:35:21 +0100
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<DIV><FONT color=#000000 size=2>Has anyone on this list heard of 
<STRONG>Hallucinogen</STRONG> (the band, not the drug)?&nbsp; I had their first 
album a while back, and recently heard <STRONG>The Lone Derranger</STRONG>, 
their latest album.</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>
<DIV><FONT color=#000000 size=2>They do some fantastically intricate stuff, and 
I was wondering how much of it would have been loop/FX based, and how much of it 
would have been MIDI based?</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>
<DIV><FONT color=#000000 size=2>Another thing; I have cubase and a MIDI 
keyboard, and every time I try to do some drum work, no matter how hard I try, 
it always sounds basic and repetitive (the best way I can describe it is an 
empty beat).&nbsp; Does anyone have tips on how to write good lively beats 
(especially jungle) with just Cubase and a MIDI keyboard?</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>
<DIV><FONT size=2>The reason I ask these questions is:</FONT></DIV>
<DIV><FONT size=2>a) I like the way Hallucinogen use variations on a phrase to 
make it sound distinctly different every time it's repeated and would like to 
include that non-linearity in my loop work.</FONT></DIV>
<DIV><FONT size=2></FONT>&nbsp;</DIV>
<DIV><FONT size=2>b)&nbsp; The thing that really f***s me off with trance music 
is the fact that in many cases, the beat doesn't change for the duration of an 
album.&nbsp; If I could use those trippy sounds with decent beats, I think I 
will have found loop music that REALLY does it for me!</FONT></DIV>
<DIV><FONT size=2></FONT>&nbsp;</DIV>
<DIV><FONT size=2>Cheers</FONT></DIV>
<DIV><FONT size=2></FONT>&nbsp;</DIV>
<DIV><FONT size=2>Steve Lauder</FONT></DIV>
<DIV><FONT size=2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>
<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV></BODY></HTML>

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Steve,

One trick to livening up your MIDI drum loops is to superimpose them on
themselves, but nudge the copy by a half beat, or a quarter beat, eighth
triplet, etc. Also try taking only a few beats of the original loop,
looping that a few a times, and superimposing it on the original loop,
possibly nudged by a bit. Interesting polyrhythmic or busy sounds will
result. This is very easy to do in Cubase. Let me know how it comes out.

Aden


   ### ## ###
      Aden
   ### ## ###


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Date: Wed, 09 Sep 1998 17:04:30 +0200
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At 12.35 09/09/98 +0100, you wrote:
>Has anyone on this list heard of Hallucinogen (the band, not the drug)?  I
had their first album a while back, and recently heard The Lone Derranger,
their latest album.
>
>They do some fantastically intricate stuff, and I was wondering how much of
it would have been loop/FX based, and how much of it would have been MIDI based?
>
>Another thing; I have cubase and a MIDI keyboard, and every time I try to
do some drum work, no matter how hard I try, it always sounds basic and
repetitive (the best way I can describe it is an empty beat).  Does anyone
have tips on how to write good lively beats (especially jungle) with just
Cubase and a MIDI keyboard?

Hi Steve

making a living programming beats (and writing as journalist, too) I have a
little knowledge about this topic.

You wrote:  
>how to write good lively beats (especially jungle) with just Cubase and a
MIDI keyboard?

Do you mean to use Cubase only as a sequencer for the keyb internal sounds?
Well, I think it depends on the sounds available on th keyboard... Jungle is
not only about bpm speed but sounds too. It's not casual that d&b relies
heavily on breakbeats (whole sampled drum loops or part of them) and not
only on single drum sounds. I think the best approach is to combine the 2
methods, for that "lively beats" you're looking for.

Try to work directly with audio material (.wav with PC, .aiff with Mac) on
Cubase VST or using a sampler with an old Cubase, MIDI only, version. 

To program jungle beats with just some GM MIDI sounds and Cubase (not VST,
no audio capability) I think it's pretty hard.

let me know
ciao
leo 

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<DIV><FONT color=#000000 size=2>Thanks Aden and Leonardo for the 
advice.</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>
<DIV><FONT color=#000000 size=2>Yeah, unfortunately I'm using the keyboard to 
control standard sounds on the AWE 64 card - they are definitely very 
weak.</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>
<DIV><FONT color=#000000 size=2>Could you suggest anywhere I could download some 
decent single hits for jungle, house, trance, or even ambient production?&nbsp; 
Thinking about it, I would be half way towards winning the war with some decent 
samples.</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>
<DIV><FONT color=#000000 size=2>Thanks,</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>
<DIV><FONT color=#000000 size=2>Steve Lauder</FONT></DIV></BODY></HTML>

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Date: Wed, 09 Sep 1998 19:48:45 +0200
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At 17.26 09/09/98 +0100, you wrote:
>Thanks Aden and Leonardo for the advice.
>
>Yeah, unfortunately I'm using the keyboard to control standard sounds on
the AWE 64 card - they are definitely very weak.
>
>Could you suggest anywhere I could download some decent single hits for
jungle, house, trance, or even ambient production?  Thinking about it, I
would be half way towards winning the war with some decent samples.
>
>Thanks,
>
>Steve Lauder

Hi Steve

these are some urls with loops and sounds. You could convert these waves in
soundfonts (with Vienna Editor) to use with AWE64. It's like having a little
sampler inside your card. Think about it.

http://24.2.120.137/beats.html
http://www.shopalberta.com/qode/minbrk.htm
http://business.virgin.net/jack.dunning/links.htm
http://www.jara.demon.co.uk/bass/
http://hem2.passagen.se/rikarde/sladd.html
http://music.takeaway.net/cgi-bin/agility.cgi?_act1=showpage&_fmt1=mtsamples
/overview.html&category=sample
http://www.lloydm.demon.co.uk/samples.htm
http://www.fogelberg.com/samples.html
http://hem2.passagen.se/lej97/kalava/ 
http://www.fortunecity.com/tinpan/morrissey/680/index.html
http://business.virgin.net/jack.dunning/magnacom.htm
http://www.hyperreal.org/music/machines/samples.html
http://www.synthzone.com/sampling.htm
http://www.futurenet.com/samplenet/
http://www.pslnet.demon.co.uk/text_6.htm
http://www.cdrom.com/pub/demos/music/samples/
http://soundamerica.com./
http://www.loknet.demon.co.uk/leech/breakbeats.html
http://www.acc.umu.se/~megaodi/sylinks.html
http://spec.ch.man.ac.uk/~ashley/drums.html
http://members.aol.com/DynoWavs/index2.html
http://www.geocities.com/SoHo/Museum/4312/
http://spec.ch.man.ac.uk/~ashley/synths.html

I've used these sites in the past. I've to say that the sound quality of wav
files you find on the net varies from poor to good. Never optimum. BTW this
is a good starting point, I think ;)

When I'll have some time I'm going to publish on my site all these and other
links, plus some original grooves in mp3 format from a sample CD I'm releasing.

ciao
leo 

   

From ???@??? Wed Sep 09 22:32:18 1998
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	I apologize if this has already been covered here, but it seemed
appropriate in light of recent discussions.  

					-nick

---------- Forwarded message ----------
Date: Wed, 26 Aug 1998 07:32:28 EDT
From: HAPSLOVE@aol.com
To: droneon@listserv.no-fi.com
Subject: negativland news

Maybe this will get some discussion going during the current slack period.

Gary Koehl
---------------------------------------------------------------------
FOR IMMEDIATE RELEASE

NEGATIVLAND STOPPED DEAD (see also
http://www.negativland.com/riaa/index.html)
  Contacts: mailto:mark@negativland.com (Mark Hosler, Negativland)
            mailto:hrosen@riaa.com (Hilary Rosen, President and CEO,
                 Recording Industry Assocation of America)
            mailto:ray.thomas@rtmark.com (Ray Thomas, RTMARK)

The career of recording artists Negativland may be over.

Negativland's CD plant has told the group that it will no longer
manufacture their CDs, and Negativland has so far been unable to find
another factory willing to do so. The reason, according to Mark Hosler
of Negativland, is the RIAA's recent guidelines to compact disk pressing
plants, which inform the plants that they risk huge lawsuits if they
manufacture CDs with even one uncleared sample.

Negativland uses uncleared samples extensively, and consider this to be
Fair Use under the 1976 U.S. Copyright Act. Still, the group has had to
establish their own label because other labels consider Negativland
music too legally risky to distribute. With this new offensive by the
RIAA, CD factories feel they cannot afford the risk either, which
effectively silences Negativland.

Many bands besides Negativland--including Beck, Beastie Boys, Public
Enemy, Nine Inch Nails, etc.--routinely use uncleared samples, but only
Negativland, Illegal Art (which with RTMARK's help produced
Deconstructing Beck), and a few others do so openly, and as an essential
part of their esthetic.

According to Ray Thomas of RTMARK, whose Intellectual Property mutual
fund (http://rtmark.com/projectlist.html) is managed by Negativland,
"The industry saw how much bad publicity Geffen and BMG suffered for
trying--unsuccessfully--to clamp down on Deconstructing Beck. They
realized public opinion would not let them get away with such
high-handed tactics, so now they're cleverly targeting production, which
has a much lower public profile than distribution, but is even more
important. The RIAA is putting CD manufacturers in the position of
policing what is and is not acceptable art, and is thus very effectively
practicing censorship."

The problem is a fundamental misunderstanding of copyright law,
according to Thomas. "The music industry says copyright law protects
artists. But copyright law as applied to samples serves only to protect
corporate money. As the recording industry forces this issue to a head,
we hope that the facts will finally become clear, and that the
groundwork will be laid to change copyright law so that it benefits
artists and consumers, not corporations and capital."

Negativland's full press release, including e-mail addresses of many
RIAA employees, as well as a response by Hilary Rosen, President and CEO
of the RIAA, can be found at http://www.negativland.com/riaa/index.html.

RTMARK was established in 1991 to further anti-corporate activism, in
some cases by channelling funds from donors to workers for sabotage of
corporate products. Recent and upcoming acts of RTMARK-aided subversion
are documented on RTMARK's web site, http://rtmark.com/.




From ???@??? Wed Sep 09 22:32:33 1998
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Thought you might get a kick out of this posting from Fripp's online
diary at his label website.  (Wonder where he got the "synonomous" bit
from...?)

----------------------

Joey from Lakewood asks about budget looping epuipment: I suggest you go
to ET and then on to the loopers' website.
My equipment is printed on the sleeves of recent CDs: it is horribly
expensive, I'm afraid. There are acceptable budget
systems available, but my own budget system (the Electro-Harmonix "Fripp
In A Box") is prehistoric. Loopers'
Synonomous will steer you towards modern alternatives.

----------------------

Nice to know he's at least aware of the site, I guess...

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	Just to note as a response to my forward that the issue has been
covered well here, as well as other places online and off.

	I'm in the process of "trimming" a couple of thousand posts from
my inbox.  While I'm fascinated by much I sometimes make expediant cuts.

	Carry on,
		  nick

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although i am not familiar with cubebase, i am on a quest to create lively
beats that are interesting and are not the same ol' hip hop beat. a few things
that i have been working with have been useing two or more beats at the same
time. the drum sounds may be distinctly different or you may choose to use the
same sounds. also by having each beat in a different time signiature, you can
loop just two beats and they will constantly be linking up at different
points, so its an ever evolving beat, yet you  just loop two beats. one
example would be to have a simple 3/4 drum beat, and a simple 5/4 beat. i have
found these to work well together. another idea is to have your simple
bass/snare beat as a foundation and fill the spaces with quick, frantic type
fills on timbales (or any drum) like 16th note triplets and so on... basically
by thinking of rhythm not as one drum beat, but multiple beats intertwining,
the possibilities of interesting and moving beats are endless. experiment with
it and see what happens. good luck- brad t.

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Matt Frederick wrote:

> As we all know, the JamMan footswitches suck.  Has anyone
> > >found/designed alternative footswitches that work better.  >
> > >Thanks,
> > >matt

I have a Ground Control controller.  Works great.

trev

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  On the subject of bringing dead sequences to life: expierment. Drum n
bass is- was  expiermental music &  I would encourage you to SAMPLE YOUR
OWN bREAKS. Sorry but I cant express the need for individuality in this
genre enough.Try different sequencers(if possible)Use theIPS in Cubase.It
will no doubt spark some wild ideas.Ive developed a  ridiculos method of
realtime snare rolls using a midi arpeggiator> dont underestiamate what one
of these can do for your sequences.Ive recvorded patterns went back &
quantized or edited wherever needed. If drum n bass is going truly evolve
theres got to be some paradim shifts. Lose the funky drummer loop!Or Apache
etc. Sample your own drum loops from a drummer or old analog tapes you will
build a unique catalog of original sounds this way. BTW down load M or Xx
from U&I labs, Check these out . Very different sequencers.   Take care K
LAW, LOuisville.















>At 17.26 09/09/98 +0100, you wrote:
>>Thanks Aden and Leonardo for the advice.
>>
>>Yeah, unfortunately I'm using the keyboard to control standard sounds on
>the AWE 64 card - they are definitely very weak.
>>
>>Could you suggest anywhere I could download some decent single hits for
>jungle, house, trance, or even ambient production?  Thinking about it, I
>would be half way towards winning the war with some decent samples.
>>
>>Thanks,
>>
>>Steve Lauder
>
>Hi Steve
>
>these are some urls with loops and sounds. You could convert these waves in
>soundfonts (with Vienna Editor) to use with AWE64. It's like having a little
>sampler inside your card. Think about it.
>
>http://24.2.120.137/beats.html
>http://www.shopalberta.com/qode/minbrk.htm
>http://business.virgin.net/jack.dunning/links.htm
>http://www.jara.demon.co.uk/bass/
>http://hem2.passagen.se/rikarde/sladd.html
>http://music.takeaway.net/cgi-bin/agility.cgi?_act1=showpage&_fmt1=mtsamples
>/overview.html&category=sample
>http://www.lloydm.demon.co.uk/samples.htm
>http://www.fogelberg.com/samples.html
>http://hem2.passagen.se/lej97/kalava/
>http://www.fortunecity.com/tinpan/morrissey/680/index.html
>http://business.virgin.net/jack.dunning/magnacom.htm
>http://www.hyperreal.org/music/machines/samples.html
>http://www.synthzone.com/sampling.htm
>http://www.futurenet.com/samplenet/
>http://www.pslnet.demon.co.uk/text_6.htm
>http://www.cdrom.com/pub/demos/music/samples/
>http://soundamerica.com./
>http://www.loknet.demon.co.uk/leech/breakbeats.html
>http://www.acc.umu.se/~megaodi/sylinks.html
>http://spec.ch.man.ac.uk/~ashley/drums.html
>http://members.aol.com/DynoWavs/index2.html
>http://www.geocities.com/SoHo/Museum/4312/
>http://spec.ch.man.ac.uk/~ashley/synths.html
>
>I've used these sites in the past. I've to say that the sound quality of wav
>files you find on the net varies from poor to good. Never optimum. BTW this
>is a good starting point, I think ;)
>
>When I'll have some time I'm going to publish on my site all these and other
>links, plus some original grooves in mp3 format from a sample CD I'm
>releasing.
>
>ciao
>leo
>
>



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Reply-To: <andre@monmouth.com>
From: "andre" <andre@monmouth.com>
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Subject: Live!! Jfk's Lsd Ufo and other Loopers
Date: Thu, 10 Sep 1998 12:50:17 -0400
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hey all..

just a reminder for those in the NJ/PA area.....

this saturday, sep 12 - FOR FREE... all day starting at noon (?) or earlier
- 

the Annual Trenton Avant Garde Festival !!!

lotsa fine crazy music, poetry, and other strange art forms. Including a
piece performed totally on a dead 1982 Honda Accord....

and - at least two LD members - 

1. my duo JFK's LSD UFO - looped percussion, synths, guitar, noise &
samples. !!

2. Paul Mimlitsch's project !!

interested?? check out the site:

http://209.153.94.140/slackave/TAG/

more info on JFK's, incl. soundbytes http://www.monmouth.com/~andre

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<html><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=text/html;charset=iso-8859-1 http-equiv=Content-Type><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
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<DIV><FONT color=#000000 face=Baskerville size=2>HI ,fellow cubase-user here. 
Lots of good ideas already offered&nbsp; and the only thing I can add 
is</FONT></DIV>
<DIV><FONT color=#000000 face=Baskerville size=2></FONT><FONT face=Baskerville 
size=2>about quantization. If have found that a few things help:</FONT></DIV>
<DIV><FONT face=Baskerville size=2>-try moving the individual hits separately. 
For instance , try moving the snare and kick to it`s &quot;quantized&quot; place 
and leave the rest as it is. It might be enough if the hi-hats(or whatever is 
left)</FONT></DIV>
<DIV><FONT face=Baskerville size=2>have a cool &quot;swing&quot;.</FONT></DIV>
<DIV><FONT face=Baskerville size=2>- check out the match quantize option if you 
have ,say , a swingin`&nbsp; bassline going.</FONT></DIV>
<DIV><FONT color=#000000 face=Baskerville size=2>-play the different drumsounds 
on separate tracks. If you use kick , snare and ride try spreading them on three 
separate tracks(all with channel 10 if you use GM modules).</FONT></DIV>
<DIV><FONT color=#000000 face=Baskerville size=2>This can help you keep your 
beats from getting too chaotic , and make you more aware of what`s goin on. The 
average drummer has only&nbsp; four limbs and can only make 4 sounds 
simultaniously. Keeping that in mind has helped me a lot. </FONT></DIV>
<DIV><FONT color=#000000 face=Baskerville size=2></FONT><FONT face=Baskerville 
size=2>- learn to play drums , even on a basic level. This has helped me 
TREMENDOUSLY. I can`t hold a groove together for long periods of time , but I 
have gotten a feel for how an average</FONT><FONT face=Baskerville size=2> 
drummer&nbsp; can think and what can be done. Knowing where the arms and legs go 
in a groove is very helpful , even if I can`t perform it in 
real-time.</FONT></DIV>
<DIV><FONT face=Baskerville size=2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Baskerville size=2>Anyways , hope this helps.</FONT></DIV>
<DIV><FONT face=Baskerville size=2></FONT>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT face=Baskerville size=2>Yours , Thomas</FONT></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><FONT color=#000000 face=Baskerville size=2>Feel free to check out my 
web-site:<BR><A 
href="http://www.geocities.com/Eureka/Promenade/1628/">http://www.geocities.com/Eureka/Promenade/1628/</A><BR>&nbsp; 
</FONT></DIV>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: 5px">
    <DIV>&nbsp;</DIV></BLOCKQUOTE></BODY></HTML>

</html>
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From: Matt Frederick <MattF@themilitarychannel.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: Jamman pedals
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> >hey there,
> >
> >I  have subscribed to the mailing list for some
> >time, but I don't read it as religiously as possible, so pehaps the
> >question has already been answered.
> >
> >Here goes:  As we all know, the JamMan footswitches suck.  Has anyone
> >found/designed alternative footswitches that work better.  >
> >Thanks,
> >matt
> 
> 
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
> 
> 

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Date: Thu, 10 Sep 1998 15:56:16 EDT
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>As we all know, the JamMan footswitches suck.  Has anyone
> >found/designed alternative footswitches that work better.  >
> >Thanks,

If these are the plastic Lexicon two-fer's that also came with the Vortex,
just get a tip-ring plug that breaks out into a tip mono and ring mono jack,
and two generic momentary pedals, and you're there.
dpc

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Date: Thu, 10 Sep 1998 17:11:54 -0400
From: Jeff Duke <jmar@bellsouth.net>
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<html><HTML>
<BODY BGCOLOR="#FFFFFF">
Hi folks,

<P>I don't use cubase but haveing play with drum machines for a good while
I can relate to the problem. One way that I attempt to relieve the boring
beat is using delays on 1 or more of the voices. I can get some amazing
poly-rhythms going just by hitting a pad or&nbsp; using a drum machine
or both. If you like you can check out this jam. The drum part is an arpegio
snare sound on my GR-30 fed into a delay set at about 490 milliseconds
then I tapped a bit of&nbsp; it into a jamman, as it would rotate through
the loop it would go in and out of sync with me playing on top of it,I
layered a bit of that, then put it on Hold and bashed my instrument along
with it. Lotta fun!
<BR>Jeff

<P><A HREF="http://members.xoom.com/echo17/sounds/pcfb.ram">http://members.xoom.com/echo17/sounds/pcfb.ram</A>

<P>Thomas W&oslash;hni wrote:
<BLOCKQUOTE TYPE=CITE>&nbsp;<FONT FACE="Baskerville"><FONT COLOR="#000000"><FONT SIZE=-1>HI
,fellow cubase-user here. Lots of good ideas already offered&nbsp; and
the only thing I can add is</FONT></FONT></FONT><FONT FACE="Baskerville"><FONT SIZE=-1>about
quantization. If have found that a few things help:</FONT></FONT><FONT FACE="Baskerville"><FONT SIZE=-1>-try
moving the individual hits separately. For instance , try moving the snare
and kick to it`s "quantized" place and leave the rest as it is. It might
be enough if the hi-hats(or whatever is left)</FONT></FONT><FONT FACE="Baskerville"><FONT SIZE=-1>have
a cool "swing".</FONT></FONT><FONT FACE="Baskerville"><FONT SIZE=-1>- check
out the match quantize option if you have ,say , a swingin`&nbsp; bassline
going.</FONT></FONT><FONT FACE="Baskerville"><FONT COLOR="#000000"><FONT SIZE=-1>-play
the different drumsounds on separate tracks. If you use kick , snare and
ride try spreading them on three separate tracks(all with channel 10 if
you use GM modules).</FONT></FONT></FONT><FONT FACE="Baskerville"><FONT COLOR="#000000"><FONT SIZE=-1>This
can help you keep your beats from getting too chaotic , and make you more
aware of what`s goin on. The average drummer has only&nbsp; four limbs
and can only make 4 sounds simultaniously. Keeping that in mind has helped
me a lot.</FONT></FONT></FONT><FONT FACE="Baskerville"><FONT SIZE=-1>-
learn to play drums , even on a basic level. This has helped me TREMENDOUSLY.
I can`t hold a groove together for long periods of time , but I have gotten
a feel for how an average drummer&nbsp; can think and what can be done.
Knowing where the arms and legs go in a groove is very helpful , even if
I can`t perform it in real-time.</FONT></FONT>&nbsp;&nbsp;<FONT FACE="Baskerville"><FONT SIZE=-1>Anyways
, hope this helps.</FONT></FONT>&nbsp;&nbsp;<FONT FACE="Baskerville"><FONT SIZE=-1>Yours
, Thomas</FONT></FONT>&nbsp;&nbsp;<FONT FACE="Baskerville"><FONT COLOR="#000000"><FONT SIZE=-1>Feel
free to check out my web-site:</FONT></FONT></FONT>
<BR><FONT FACE="Baskerville"><FONT COLOR="#000000"><FONT SIZE=-1><A HREF="http://www.geocities.com/Eureka/Promenade/1628/">http://www.geocities.com/Eureka/Promenade/1628/</A></FONT></FONT></FONT>
<BR><FONT FACE="Baskerville"><FONT COLOR="#000000"><FONT SIZE=-1>&nbsp;</FONT></FONT></FONT>
<BLOCKQUOTE 
style="BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: 5px">&nbsp;</BLOCKQUOTE>
</BLOCKQUOTE>
&nbsp;
</BODY>
</HTML>

</html>
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From: improv@peak.org (Dave Trenkel)
Subject: Re: Jamman pedals
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> >Here goes:  As we all know, the JamMan footswitches suck.  Has anyone
>> >found/designed alternative footswitches that work better.  >
>> >Thanks,
>> >matt

I use a double sustain pedal footswitch for the Tap/Bypass pedal, it has 2
piano-style pedals, it seems to work more responsively than the standard
lexicon pedals. I believe this originally came from a Roland digital piano,
but I'm not certain.

________________________________________________________
Dave Trenkel : improv@peak.org  : www.peak.org/~improv/

"...there will come a day when you won't have to use
gasoline. You'd simply take a cassette and put it in
your car, let it run. You'd have to have the proper
type of music. Like you take two sticks, put 'em
together, make fire. You take some notes and rub 'em
together - dum, dum, dum, dum - fire, cosmic fire."
                                            -Sun Ra
________________________________________________________


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Date: Fri, 11 Sep 1998 09:15:04 +0200
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From: patrick@his.com (Patrick Smith)
Subject: Fringe Looping
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Just a reminder that some of this lists looping artisits:

Paul Mimlitsch with Jody Panetta

            &

FingerPaint


will be performing tonight, Friday, in the Philadelphia Fringe Festival. At
the Third Street Gallery located at 58 N. 2nd St. Admission is $5.

Check out the Philadelphia City Paper for more setails on the entire
exciting festival or visit: www.Citypaper.net

Here's what they had to say about FingerPaint and Spin 17:

 Finger Paint.. Imagine a rambling cruise across the Martian countryside and
you might get an inkling of the soundscape created by two guys (Steev Geest
and Patrick Smith) fiddling with guitars and loops. Sept. 11 at Third Street
Gallery

   Spin 17.. Ed Chang and Motoko Shimizu create a simmering stew of electronic
whispers and whistles that sounds like a chorus of sirens in the distance.
Ghostly howls play off gurgling analog synths. It's a spine-tingling funhouse.
Sept. 13 at Highwire Gallery

patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

A guitar-synth looping duo of dark illbience and dreamy ambience.
Shockwave audio featuring our newest release Primary Colors:Blue

                            www.fingerpaint.net  


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From: patrick@his.com (Patrick Smith)
Subject: RE: Working with a style
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On 9/11/98 David K. said:

>To create non-generic beats, a few conceptsspring to mind:

>5) Try running the beat through a few distortion pedals -- this can sound
>amazing!

This can be great fun. Also try running it through a filter. I have a
Sherman Filterbank and you'd be amazed what this can do to my ALesis Sr-16
drum sounds.

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

A guitar-synth looping duo of dark illbience and dreamy ambience.
Shockwave audio featuring our newest release Primary Colors:Blue

                            www.fingerpaint.net  


From ???@??? Fri Sep 11 09:19:59 1998
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: Hybridco@aol.com, Loopers-Delight@annihilist.com
Subject: RE: Working with a style
Date: Fri, 11 Sep 1998 08:39:21 -0400
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To create non-generic beats, a few conceptsspring to mind:

1) Assign effects individually to different elements of an overall beat
(i.e., delay on snare; flange on kick; long reverbs on hi-hats; and ringer
on toms).

2) Build a beat, then take out xx% of the elements that make it up and see
what's left.

3) Use ridiculous tempos (i.e., really really really slow -- but then use
delays to create repeats of each elements to fill in spaces).

4) Use different lenghted delays on each element of the beat to create
poly-time madness.

5) Try running the beat through a few distortion pedals -- this can sound
amazing!

6) Try taking a beat and running it backwards.

Naturally, mix and matching these or other ideas will provide more
variations.

Have fun.  Break rules.


David
UNDO

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From: "Douglas Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: Totally Frustrated With My EDP !!!!!
Date: Sat, 12 Sep 1998 00:31:46 -0400
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<Warning -- rant below!>
I have had my "new" EDP since March of this year and it has not worked right
since the day I got it. The original problem was sporadic locking of the EDP
or jumping into Record mode when I hit Overdub or Undo. Originally I thought
it was just my lack of experience using the EDP or just being clumsy with
the footpedal, so I gave it a couple of weeks. The I noticed the unit would
not "boot" properly with a blank screen or just hang after running a loop
for a while.

I suspected the new 16 Mb of RAM I had installed, maybe a bad SIMM, so I
returned the one brand I purchased and got another set of chips from another
manufacturer. Still had the same problem after installing the replacement
chips and with the original chips shipped with the EDP.

So now I take it to an "authorized" service center in NYC ("Triple S"). They
had the EDP for three or four weeks and were unable to fix it. The unit was
then shipped by Triple S to Oberheim, where they repaired Triple S's changes
and also made some other modifications, like adding the new voltage
regulator and some other mod's. BTW, Mike Ayers was quite helpful in
organizing this effort.

When I get the EDP back after a couple of weeks, I now notice that when I
hit Undo, the EDP kicks into Record mode and I still get the weird "boot"
blank screen problem. This is after the unit was completely checked out by
Oberheim!

Now I find out that Gibson is in the midst or a major reorganization and
laying off people. It looks like Tobias and Steinberger will not exist for
awhile (possibly forever) and Oberheim is temporarily shutdown. I spoke with
Mike Ayers today and they won't be able to accept the unit for an
unspecified amount of time for repairs.

I am totally frustrated and I would sell this damn EDP in a second if I
could. (Anybody make a bid??) It has been a totally useless, unreliable
piece of equipment to me. I watch in amazement at all the posts in this
group from people who are somehow using EDP's successfully. Does the "Lemon
Law" apply here?

Are there any "authorized" service centers that someone on the list has had
a good experience with or that seem to have a good tech that can work on an
EDP?

I think I would rather ship it somewhere and not have to look at it with the
hope of it getting fixed rather than see it sitting in my living room,
jesting at me of all that it promises it can do. The footpedal now acts as a
memorial in my closet.

Thanks for putting up with my rant ...

Doug.

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Date: Fri, 11 Sep 1998 21:50:54 -0700 (PDT)
From: Randy Jones <ranjones@yahoo.com>
Subject: Re: Totally Frustrated With My EDP !!!!!
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$300 :-)

RJ




---Douglas Lawrence <douglas-lawrence@home.com> wrote:
>
> <Warning -- rant below!>
> I have had my "new" EDP since March of this year and it has not
worked right
> since the day I got it. The original problem was sporadic locking of
the EDP
> or jumping into Record mode when I hit Overdub or Undo. Originally I
thought
> it was just my lack of experience using the EDP or just being clumsy
with
> the footpedal, so I gave it a couple of weeks. The I noticed the
unit would
> not "boot" properly with a blank screen or just hang after running a
loop
> for a while.
> 
> I suspected the new 16 Mb of RAM I had installed, maybe a bad SIMM,
so I
> returned the one brand I purchased and got another set of chips from
another
> manufacturer. Still had the same problem after installing the
replacement
> chips and with the original chips shipped with the EDP.
> 
> So now I take it to an "authorized" service center in NYC ("Triple
S"). They
> had the EDP for three or four weeks and were unable to fix it. The
unit was
> then shipped by Triple S to Oberheim, where they repaired Triple S's
changes
> and also made some other modifications, like adding the new voltage
> regulator and some other mod's. BTW, Mike Ayers was quite helpful in
> organizing this effort.
> 
> When I get the EDP back after a couple of weeks, I now notice that
when I
> hit Undo, the EDP kicks into Record mode and I still get the weird
"boot"
> blank screen problem. This is after the unit was completely checked
out by
> Oberheim!
> 
> Now I find out that Gibson is in the midst or a major reorganization
and
> laying off people. It looks like Tobias and Steinberger will not
exist for
> awhile (possibly forever) and Oberheim is temporarily shutdown. I
spoke with
> Mike Ayers today and they won't be able to accept the unit for an
> unspecified amount of time for repairs.
> 
> I am totally frustrated and I would sell this damn EDP in a second
if I
> could. (Anybody make a bid??) It has been a totally useless,
unreliable
> piece of equipment to me. I watch in amazement at all the posts in
this
> group from people who are somehow using EDP's successfully. Does the
"Lemon
> Law" apply here?
> 
> Are there any "authorized" service centers that someone on the list
has had
> a good experience with or that seem to have a good tech that can
work on an
> EDP?
> 
> I think I would rather ship it somewhere and not have to look at it
with the
> hope of it getting fixed rather than see it sitting in my living room,
> jesting at me of all that it promises it can do. The footpedal now
acts as a
> memorial in my closet.
> 
> Thanks for putting up with my rant ...
> 
> Doug.
> 
> 

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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In a message dated 9/11/98 11:37:23 PM, douglas-lawrence@home.com writes:

<<Now I find out that Gibson is in the midst or a major reorganization and

laying off people. It looks like Tobias and Steinberger will not exist for

awhile (possibly forever) and Oberheim is temporarily shutdown. >>

Just a side note, why would Gibson be putting out full page ads in Guitar
Player for Steinberger (Headless, Get Over It!) if they are pulling the plug?

Marshall

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From: "Douglas Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: Gibson Status
Date: Sat, 12 Sep 1998 10:01:45 -0400
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>>Just a side note, why would Gibson be putting out full page ads in Guitar
>>Player for Steinberger (Headless, Get Over It!) if they are pulling the
plug?

The status of what's happening at Gibson is true. They have shutdown the
Steinberger and Tobias production lines. According to them, they will
re-open the lines in Memphis *late* 1999, but nothing has been officially
announced. I doubt if you would be able to order a new instrument at this
point, but they might sell you existing stock if they have it. This thread
has been verified in some of the other newsgroups that I subscribe to and
people who have talked to Gibson employees.

When I spoke with Mike Ayers yesterday, he claimed that Oberheim will still
exist as a product brand, but people are getting laid off and they may be
relocating. I think Pat Murphy was laid off. Right now, they are not
authorizing RA's or repairs to equipment. It seems Gibson has purchased
Opcode and Opcode has just relocated to Mountain View, CA. Maybe that's
where Oberheim will end up (???)

A typical corporate tactic is to run the business as usual until firm
"corporate" decisions have been made regardless of the cost. That keeps the
employees productive and the product name alive until official announcements
are made.

>From The Bottom Line:
Date: Fri, 11 Sep 1998 17:40:48 EDT
From: Trevhole@aol.com
Subject: new tobias info.

After hearing all the Tobias Steinberger rumors I decided to call my buddy
Dwayne Propes (Gibson/Tobias/Steinberger Artist Relataions and bassist for
the
now defunkt country group "Little Texas").  I was told that Dwayne was let
go
with the Tobias shut down.  Yes there is a plant supposed to open in late
1999
in Memphis and Tobias and Steinberger might be a part of it but there don't
seem to be any solid plans.  They have been advertising more but it isn't to
move stock.  The guy I spoke with said there isn't much in the way of
inventory there.  I'm sure the ads were placed months ago and Tobias had an
ample setup at Summer NAMM.

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Doug,
I'd personally, given the chance, cramm it down Oberhiem's fucking throat !
Call your your Attorney General and put an end to this insanity.
Alot of these companies really don't give a shit about our frustrations, and 9
out of 10 times they're the ones who are causing it.
I think you've got a case for the "Lemon" law scenario.
I used the Attorney Gen back in the 70's when I had a piece of gear go down
and a "temporarily"  shut down manufacturer. They got me results. I couldn't
believe it. This was in NY to boot.
Then again......................firmware ? You putting in funky chips ? Doing
it in the bathtub ? There are alot of variables once you pop the top.......
Best of luck 
KB

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Hi Douglas,

I want to say that I sympathize with you.  I bought my EDP last june and it
would never work with the expansion memory (two different sets) that I
installed,though it worked fine with the original 50secs of memory.  I
finally sent it back to Oberheim, they repaired it and got it back promptly
to me and now it works perfectly. My only complaint is that they didn't tell
me what was wrong with it.  I hope everything works out for you. Hang in
there!!
-----Original Message-----
From: Douglas Lawrence <douglas-lawrence@home.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, September 11, 1998 9:36 PM
Subject: Totally Frustrated With My EDP !!!!!


><Warning -- rant below!>
>I have had my "new" EDP since March of this year and it has not worked
right
>since the day I got it. The original problem was sporadic locking of the
EDP
>or jumping into Record mode when I hit Overdub or Undo. Originally I
thought
>it was just my lack of experience using the EDP or just being clumsy with
>the footpedal, so I gave it a couple of weeks. The I noticed the unit would
>not "boot" properly with a blank screen or just hang after running a loop
>for a while.
>
>I suspected the new 16 Mb of RAM I had installed, maybe a bad SIMM, so I
>returned the one brand I purchased and got another set of chips from
another
>manufacturer. Still had the same problem after installing the replacement
>chips and with the original chips shipped with the EDP.
>
>So now I take it to an "authorized" service center in NYC ("Triple S").
They
>had the EDP for three or four weeks and were unable to fix it. The unit was
>then shipped by Triple S to Oberheim, where they repaired Triple S's
changes
>and also made some other modifications, like adding the new voltage
>regulator and some other mod's. BTW, Mike Ayers was quite helpful in
>organizing this effort.
>
>When I get the EDP back after a couple of weeks, I now notice that when I
>hit Undo, the EDP kicks into Record mode and I still get the weird "boot"
>blank screen problem. This is after the unit was completely checked out by
>Oberheim!
>
>Now I find out that Gibson is in the midst or a major reorganization and
>laying off people. It looks like Tobias and Steinberger will not exist for
>awhile (possibly forever) and Oberheim is temporarily shutdown. I spoke
with
>Mike Ayers today and they won't be able to accept the unit for an
>unspecified amount of time for repairs.
>
>I am totally frustrated and I would sell this damn EDP in a second if I
>could. (Anybody make a bid??) It has been a totally useless, unreliable
>piece of equipment to me. I watch in amazement at all the posts in this
>group from people who are somehow using EDP's successfully. Does the "Lemon
>Law" apply here?
>
>Are there any "authorized" service centers that someone on the list has had
>a good experience with or that seem to have a good tech that can work on an
>EDP?
>
>I think I would rather ship it somewhere and not have to look at it with
the
>hope of it getting fixed rather than see it sitting in my living room,
>jesting at me of all that it promises it can do. The footpedal now acts as
a
>memorial in my closet.
>
>Thanks for putting up with my rant ...
>
>Doug.
>

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Date: Sat, 12 Sep 1998 13:35:05 -0400 (EDT)
From: Adam Levin <alevin@DarkAether.net>
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On Sat, 12 Sep 1998 AURALG@aol.com wrote:

> Doug,
> I'd personally, given the chance, cramm it down Oberhiem's fucking throat !
> Call your your Attorney General and put an end to this insanity.
> Alot of these companies really don't give a shit about our frustrations, and 9
> out of 10 times they're the ones who are causing it.

Not sure what the situation is currently, but back in January when we were
recording our album, I was having trouble with my out-of-warranty
Echoplex. Pat Murphy was great. He ended up having it repaired free of
charge and threw in a ROM upgrade to the latest version of the loop
software AT NO COST and got it back to me in time to finish recording the
album. So, my experience is that the folks working at Oberheim *DO* "give 
a shit about our frustrations". Chill out man.

In response to Doug's original post. I know it may sound like a simple
thing, but does this weirdness occur if you try operating the 'plex
without plugging in the foot controller. As I myself have experienced, bad
or improperly shielded cables from the controller to the rack can cause
the things you have described to randomly occur.

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/


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From: Adam Levin <alevin@DarkAether.net>
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Come on folks, let's hear the poop on last night's loop show in Philly.


-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/

From ???@??? Sat Sep 12 16:37:42 1998
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From: "Douglas Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Totally Frustrated With My EDP !!!!!
Date: Sat, 12 Sep 1998 14:09:23 -0400
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>> does this weirdness occur if you try operating the
>> 'plex without plugging in the foot controller. As
>> I myself have experienced, bad or improperly shielded
>> cables from the controller to the rack can cause the
>> things you have described to randomly occur.
>> -Adam

Whoa ... DB needs to chill a little ... I said I was
frustrated, not maniacal. Like I said, I tried two brands
of SIMMS, so I'm ruling out bad memory at this point. Whatever
work Oberheim did, they fixed part of the problem, but it's
still not 100%. It just that after all this, I don't know
if I would feel confident to take this EDP on stage with me.

RE: Adam's Q, I have the same problem with or without the
footpedal. I suspected possible cable shorting or static
electricity from the carpet as well. I tried just using the
panel and have the same problem.

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From: "Javier Miranda V." <gnominus@earthling.net>
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Subject: RE: Echoplex in Belgium? 2nd try
Date: Sat, 12 Sep 1998 12:33:45 -0700
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Dude, just try http://www.8thstreet.com; I'm sure they sell worldwide.  They have it.  I just bought one from them.

| -----Original Message-----
| From: Serge Devadder [mailto:serge.devadder@planetinternet.be]
| Sent: Saturday 12 September 1998 3:40 PM
| To: 'Loopers-Delight@annihilist.com'
| Subject: Echoplex in Belgium? 2nd try
| 
| 
| Hello loopers,
| 
| Since I didn t find my mail in the digest, I post it a second 
| time with some additions:
| 
| After reading about the Echoplex in the Looper's pages, I really 
| wanted such a thing. But after a few weeks hunting in Belgian 
| music-shops around Brussels and Antwerp, I have come to believe 
| the EDP is like the Loch Ness monster: it's picture is on the 
| web, everybody's talking about it, but does it really exist...??? 
| No one sells it.
| 
| As soon as I mention the word Oberheim, vendors get this worried 
| expression on their face. Many complain about Oberheim service 
| and refuse to list the stuff. Like Claude Lassonde in Montreal, I 
| was told the story that Oberheim no longer lists the EDP. 
| Moreover Oberheim seems to have a peculiar idea of customer 
| service. None of my mails get answered, and the Echoplex-page is 
| indeed still on the Gibson website. I do not know of many 
| succesful companies that ignore requests saying "I like your 
| product! I want it! I need it! Please, please sell it to me!". 
| Those that do so, end up in Dilbert cartoons.
| 
| In any case I am surprised at how few looping devices are 
| available. With all those experimental musicians outthere who 
| worship Fripp, how come you need to kill for a JamMan or EDP? Not 
| everyone can afford a TC Electronics box, and judging by the 
| stories I hear, even the smallest shops get 2-3 requests for 
| looping devices every week. There's a market out there but nobody 
| seems to want it...
| 
| Since I first tried to post this last week, I've seen that even 
| in sunny California finding an EDP is not a sinecure. Does any 
| European looper know of a distributor for the EDP in a city near 
| Brussels (Paris? Amsterdam? Cologne? London?...). Thanks!
| 
| Serge Devadder
| Brussel, Belgium
| serge.devadder@planetinternet.be
| 
| 
From ???@??? Sat Sep 12 21:23:32 1998
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Date: Sat, 12 Sep 1998 22:20:21 +0200
To: Loopers-Delight@annihilist.com
From: patrick@his.com (Patrick Smith)
Subject: Wayside Has Looper's Music
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The New September catalog of Wayside Music, distributor for Cunieform and
other fine lables has some releases of interest to the looping community.
And unlike us at FNGP they do accept credit cards.

FINGERPAINT-Primary Colors: Blue $11.00
Fingerpaint are a electric guitar duo, but they hook their instruments up to
so many boxes, toasters & devices that what comes out is mostly
unrecognizable as "guitar music", & might be more properly compared to
a good Cluster record. I think this is all improvised &, if so, they have
spent some time taking out the good parts & collecting it here.

THE DARK AETHER PROJECT-Dark Aether Project $12.00
"The D.A.P. music is a blend of progressive, psychedelic, fusion &
free-form rock with a heavy improv element." Using Stick/loops,
guitar/guitar synth, drums + guest vocals on 3 tracks, the music has
influences from the work of Guitarcraft-type bands [Philharmonie,
L.O.C.G., Calif. Guitar Trio, etc], but put their own slant on it. Stick
player Adam Levin is a big behind-the-scenes supporter of progressive &
new music from his work on Baltimore's Orion Concert series as well as
the Progressive Rock website.

MARKUS REUTER-Taster (Germany) $13.00
Markus is a Warr guitar player who is quite known in "tapping
instrument" circles, & may be best known as a member of the Europa
String Choir, who have a very nice CD on Discipline. This is a fine
release of live looping work, similar in scope to Fripp's "soundscapes" I
suppose, but with a totally different sound, due to the instrument
involved & Reuter's different style.

Wayside has an extensive collection of good hard to find music and are
doing a real service to both musicians and listeners. Check  out their site
at: http://members.aol.com/Cuneiform2/cuneiform.html

Patrick

Now Available:
                      FingerPaint Primary Colors: BLUE

A guitar-synth looping duo of dark illbience and dreamy ambience.
Shockwave audio featuring our newest release Primary Colors:Blue

                            www.fingerpaint.net  


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From: Serge Devadder <serge.devadder@planetinternet.be>
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Hello loopers,

Since I didn t find my mail in the digest, I post it a second time with some additions:

After reading about the Echoplex in the Looper's pages, I really wanted such a thing. But after a few weeks hunting in Belgian music-shops around Brussels and Antwerp, I have come to believe the EDP is like the Loch Ness monster: it's picture is on the web, everybody's talking about it, but does it really exist...??? No one sells it.

As soon as I mention the word Oberheim, vendors get this worried expression on their face. Many complain about Oberheim service and refuse to list the stuff. Like Claude Lassonde in Montreal, I was told the story that Oberheim no longer lists the EDP. Moreover Oberheim seems to have a peculiar idea of customer service. None of my mails get answered, and the Echoplex-page is indeed still on the Gibson website. I do not know of many succesful companies that ignore requests saying "I like your product! I want it! I need it! Please, please sell it to me!". Those that do so, end up in Dilbert cartoons.

In any case I am surprised at how few looping devices are available. With all those experimental musicians outthere who worship Fripp, how come you need to kill for a JamMan or EDP? Not everyone can afford a TC Electronics box, and judging by the stories I hear, even the smallest shops get 2-3 requests for looping devices every week. There's a market out there but nobody seems to want it...

Since I first tried to post this last week, I've seen that even in sunny California finding an EDP is not a sinecure. Does any European looper know of a distributor for the EDP in a city near Brussels (Paris? Amsterdam? Cologne? London?...). Thanks!

Serge Devadder
Brussel, Belgium
serge.devadder@planetinternet.be

From ???@??? Sat Sep 12 16:37:51 1998
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From: "future perfect" <artmusic@gte.net>
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Subject: Next Generation Looper reprise.
Date: Sat, 12 Sep 1998 18:09:59 -0400
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 With the shakeups at Gibson, I think it will be quite awhile until we see
any upgrades in the EDP.
I don't know if this has been covered before, but I was trying out a new
volume pedal to control feedback on my EDP today. When a feedback value is
changed, wouldn't it be nice to be able to see the numeric value? Like as
soon as you changed the feedback amount, the display would quickly show the
new value- hell, since Im dreaming, why not a separate feedback amount
display?
Dave Eichenberger
*********************************************************************
'Future Perfect' - art music - visit our website at:
http://home1.gte.net/artmusic/


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Date: Sat, 12 Sep 1998 17:58:32 -0500
To: Loopers-Delight@annihilist.com
Subject: RE: Echoplex in Belgium? 2nd try
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|You also might try any Mars location. They all carry the Echoplex.
>Mars is a music store chain here in the US. They have a web site.
<www.marsmusic.com >. They do international sales. They may not be able to
order one from Oberheim at this time but I know that they carry them at all
their locations (about 20 of them) and they could transfer one from one of
their locations to sell to you.
>murff
>


>>| >Dude, just try http://www.8thstreet.com; I'm sure they sell worldwide.
>>| They have it.  I just bought one from them.
>>| >
>>| >| -----Original Message-----
>>| >| From: Serge Devadder [mailto:serge.devadder@planetinternet.be]
>>| >| Sent: Saturday 12 September 1998 3:40 PM
>>| >| To: 'Loopers-Delight@annihilist.com'
>>| >| Subject: Echoplex in Belgium? 2nd try
>>| >| 
>>| >| 
>>| >| Hello loopers,
>>| >| 
>>| >| Since I didn t find my mail in the digest, I post it a second 
>>| >| time with some additions:
>>| >| 
>>| >| After reading about the Echoplex in the Looper's pages, I really 
>>| >| wanted such a thing. But after a few weeks hunting in Belgian 
>>| >| music-shops around Brussels and Antwerp, I have come to believe 
>>| >| the EDP is like the Loch Ness monster: it's picture is on the 
>>| >| web, everybody's talking about it, but does it really exist...??? 
>>| >| No one sells it.
>>| >| 
>>| >| As soon as I mention the word Oberheim, vendors get this worried 
>>| >| expression on their face. Many complain about Oberheim service 
>>| >| and refuse to list the stuff. Like Claude Lassonde in Montreal, I 
>>| >| was told the story that Oberheim no longer lists the EDP. 
>>| >| Moreover Oberheim seems to have a peculiar idea of customer 
>>| >| service. None of my mails get answered, and the Echoplex-page is 
>>| >| indeed still on the Gibson website. I do not know of many 
>>| >| succesful companies that ignore requests saying "I like your 
>>| >| product! I want it! I need it! Please, please sell it to me!". 
>>| >| Those that do so, end up in Dilbert cartoons.
>>| >| 
>>| >| In any case I am surprised at how few looping devices are 
>>| >| available. With all those experimental musicians outthere who 
>>| >| worship Fripp, how come you need to kill for a JamMan or EDP? Not 
>>| >| everyone can afford a TC Electronics box, and judging by the 
>>| >| stories I hear, even the smallest shops get 2-3 requests for 
>>| >| looping devices every week. There's a market out there but nobody 
>>| >| seems to want it...
>>| >| 
>>| >| Since I first tried to post this last week, I've seen that even 
>>| >| in sunny California finding an EDP is not a sinecure. Does any 
>>| >| European looper know of a distributor for the EDP in a city near 
>>| >| Brussels (Paris? Amsterdam? Cologne? London?...). Thanks!
>>| >| 
>>| >| Serge Devadder
>>| >| Brussel, Belgium
>>| >| serge.devadder@planetinternet.be
>>| >| 
>>| >| 
>>| 
>>| 

From ???@??? Sat Sep 12 20:04:08 1998
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Date: Sat, 12 Sep 1998 16:54:27 -0700
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Subject: Re: Next Generation Looper reprise.
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At 3:09 PM -0700 9/12/98, future perfect wrote:
> With the shakeups at Gibson, I think it will be quite awhile until we see
>any upgrades in the EDP.

since oberheim has nothing to do with echoplex upgrades, I wouldn't be so
sure! That's up to the creators here at Aurisis Research....

>I don't know if this has been covered before, but I was trying out a new
>volume pedal to control feedback on my EDP today. When a feedback value is
>changed, wouldn't it be nice to be able to see the numeric value? Like as
>soon as you changed the feedback amount, the display would quickly show the
>new value-

hmmmm, I seem to notice a few echoplexes around here recently developed
exactly that feature.....

BTW, gibson goes through these corporate spasms on a regular basis.
...usually accompanied by large amounts of uninformed opinions on the net.
Things generally turn out better than they were;  best to just chill on the
panic attacks and wait-and-see.

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From ???@??? Sat Sep 12 18:52:46 1998
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At 10:01 AM 9/12/98, Douglas Lawrence wrote:

>The status of what's happening at Gibson is true. They have shutdown the
>Steinberger and Tobias production lines.
-----
They have also just laid off several long time employees at Opcode. From
what I heard(from a departing Opcode employee), Oberheim might be
discontinued as a 'line' (this is just a strong rumor at this point).
Product development will continue on Vision DSP and Studio Vision with a
planned port of Studio Vision to Windows. There is currently no one
maintaining Galaxy or Galaxy + Editors - it *may* go away. Also,
development and maintenence of MusicTime, a low end product, will probably
cease.

Gibson bought Opcode right after Cakewalk, Roland and Fender decided to
share technologies; Gibson probably wants to stay in the game. There are
plans for new directions at Opcode, but I don't know just what they are.
There are talented people there; however, in that business a lot will
depend a lot on passion, vision (no pun intended) and great marketing moxy.


Bottom line: the music industry is a tough business.

Sanford


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From: Bobdog Catlin <psbuddha@texas.net>
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hi serge-

you might try contacting mike nelson at boomerang about his phrase
sampler; they're different than the edp's, but very nice & he's a
friendly fella.

if he can't help you, or if you can't get in touch w/him, email me. i've
got one in stock at the store i work at (krazy kat music in san antonio
tx, www.krazykatmusic.com), & perhaps we could ship it to you.

let me know if i can help...

bobdog

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Subject: Re: Echoplex in Belgium? 2nd try
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At 1:39 PM -0700 9/12/98, Serge Devadder wrote:
>Hello loopers,
>
>Since I didn t find my mail in the digest, I post it a second time with
>some additions:
>
>After reading about the Echoplex in the Looper's pages, I really wanted
>such a thing. But after a few weeks hunting in Belgian music-shops around
>Brussels and Antwerp, I have come to believe the EDP is like the Loch Ness
>monster: it's picture is on the web, everybody's talking about it, but
>does it really exist...??? No one sells it.
>


I don't know how you missed it, but Dino Cattaneo of Oberheim replied to
your last post on this, over a month ago.  Here's what he said:


>To people who have questions about the Echoplex, here is the story.
>
>We are shipping the Echoplex from Nashville to many US dealers. We shipped
>50 units on Friday alone!
>The unit is not yet CE approved and so is not being shipped to the EEC. We
>have quite few dealers in Canada but regularly ship to Long and McQuade
>up there.  We expect to have CE approval by the end of September.
>
>Our largest dealers are Musicians Friend out of Seattle, Bananas at Large
>out of San Francisco, Thoroughbred Music out of Florida and Sam Ash out of
>New York.  As of Friday we have no unfulfilled backorders in our system for
>Echoplexes.
>
>We are ramping up production but I must stress the fact that we have no
>unfulfilled orders in our system.
>
>If you need to get in touch with Oberheim, contact us at our customer
>service address:
>
>obie@gibson.com
>This is the Oberheim Customer Support e-mail.
>
>or from the US call toll free at
>(877) OBERHEIM
>


hope this helps,

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From ???@??? Sat Sep 12 20:04:12 1998
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From: "future perfect" <artmusic@gte.net>
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>since oberheim has nothing to do with echoplex upgrades, I wouldn't be so
>sure! That's up to the creators here at Aurisis Research....
>
>>I don't know if this has been covered before, but I was trying out a new
>>volume pedal to control feedback on my EDP today. When a feedback value is
>>changed, wouldn't it be nice to be able to see the numeric value? Like as
>>soon as you changed the feedback amount, the display would quickly show
the
>>new value-
>
>hmmmm, I seem to notice a few echoplexes around here recently developed
>exactly that feature.....

Ah, good! Does that mean you've worked on something similar??

Dave Eichenberger
*********************************************************************
'Future Perfect' - art music - visit our website at:
http://home1.gte.net/artmusic/


From ???@??? Sun Sep 13 00:13:22 1998
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excuse me, as i've been off the list for awhile, but i've read nothing
about(nor seen on the website-loopers tools section) the new looper by
dod...called the dimension 12...havent really had a chance to get too into
it yet, but has a max of 4 seperate 6 second loops with editing
capability...12 second delay...with flange/chorus type effects
-things i dont like on first glance are no on/off switch(have to unplug
wallwart) and no led(for signal/overload) on the input
anyone using one yet...lists for $279

cheers

                                all my mistakes were once acts of genius
                                                      neato@pipeline.com


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Date: Sat, 12 Sep 1998 21:59:43 -0700
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Subject: Re: new looping hardware
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There were some reviews of it here when it came out. maybe someone could
repost it. I've been meaning to add posted reviews about this and some other
devices to the tools page on the LD site, but haven't yet gotten around to
it....

kim


At 12:46 AM 9/13/98 -0400, you wrote:
>excuse me, as i've been off the list for awhile, but i've read nothing
>about(nor seen on the website-loopers tools section) the new looper by
>dod...called the dimension 12...havent really had a chance to get too into
>it yet, but has a max of 4 seperate 6 second loops with editing
>capability...12 second delay...with flange/chorus type effects
>-things i dont like on first glance are no on/off switch(have to unplug
>wallwart) and no led(for signal/overload) on the input
>anyone using one yet...lists for $279
>
>cheers
>
>                                all my mistakes were once acts of genius
>                                                      neato@pipeline.com
>
>
>
>
_________________________________________________________
Kim Flint, MTS                     kflint@chromatic.com
Chromatic Research                 408-752-9284
http://www.chromatic.com

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In a message dated 9/13/98 12:45:11 AM Mid-Atlantic Daylight Time,
psbuddha@texas.net writes:

<< hi serge-
 
 you might try contacting mike nelson at boomerang about his phrase
 sampler; they're different than the edp's, but very nice & he's a
 friendly fella.
  >>
i couldnt agree with bobdog more!  when im frustrated, my boomerang makes it
all go away very simply............michael

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Date: Sun, 13 Sep 1998 01:39:09 -0400
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Organization: Uplink Hill Disability Technology Consulting, Tokusatsu Access, Video Japan Archive
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I have an Electro Harmonix Guitar Synthesizer for sale. I will sell it
to whoever makes the best offer by next Friday 9/18/98  7:30 EST.
Please make all correspondence private.

G. Wong
--



Tokusatsu Access Page (soon to be  tokusatsu.com)
http://www.angelfire.com/pa/Tokusatsuaccess

ãAn educated man is to an uneducated man as the living are to the deadä

Aristotle


From ???@??? Sun Sep 13 16:30:43 1998
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From: Michael Peters <mpeters@csi.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: AW: Wayside Has Looper's Music
Date: Sun, 13 Sep 1998 10:05:59 +0200
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> The New September catalog of Wayside Music, distributor for Cunieform and
> other fine lables has some releases of interest to the looping community.

> MARKUS REUTER-Taster (Germany) $13.00

Recommended to all lovers of long quiet minimalist/experimental soundscapes. 
Check out Markus' website at

	http://ourworld.compuserve.com/homepages/mpeters/markus.htm

or his entry in our loopers of the world index.


*	michael peters		mpeters@csi.com
*	"escape veloopity"	electronic guitar loop music
*	http://listen.to/michaelpeters




From ???@??? Sun Sep 13 03:25:37 1998
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From: Serge Devadder <serge.devadder@planetinternet.be>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: EDP : error
Date: Sun, 13 Sep 1998 11:58:26 +-200
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ooooops,

It seems I accidentally reposted an old mail on the availability of the EDP and as allways many friendly people replied (patiently). Sorry loopers for dropping the s/n-ratio of the forum. But then again, this whole list is about loops & repetitions:)

I was actually waiting for the announced introduction of EC-label compliant EDP's in Europe as announced after my original posting. Then I heard through the grapevine that Oberheim is postponing this EC-thing and many nice people offered to ship me an EDP from the States. However,  the recent posts on faulty EDP memory and erratic behaviour are keeping me from buying this thing. I sometimes get the impression the EDP is a prototype gizmo soldered togeteher in some garage... I can't risk shelling out hundreds of bucks to an unknown party for an unpredictable machine without a solid guarantee. It's virtually impo$$ible to ship this back across the ocean for repair, maintenance or upgrade. So unless Oberheim hits Europe with an EC-labeled version, through an official dealer and with an authorized service center, I'm not touching it. The recent rumours around Oberheim are not increasing my confidence either...

I'm  very sad because there is probably not a piece of gear I need or want more than an EDP, but right now I'm not gambling. I whish a big corporate like Yamaha would buy a licence for the EDP. Maybe I'll have to start thinking about a boomerang.

bye!

s.-

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Hello all, 
                    In setting up a jam man for live rig, w/mixer,  what
would be the best way to put it in chain, so i can catch all instruments in
loop? as an aux send, or on the main outs? Forgive this "newbie" question,
but would appreciate any tips or examples of setups.- Thanks! - Brendan 

From ???@??? Sun Sep 13 16:31:06 1998
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From: "Jonathan Brainin" <jbrainin@planet.net>
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Subject: Fw: T.C. Electronic G-Force  Guitar Effects processor
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Maybe someone out there will be interested.  YOu won't find
a better deal on this unit anytime soon.


-----Original Message-----
From: NO.SPAMdhoffma1@columbus.rr.com
Newsgroups: rec.music.makers.marketplace
Date: Sunday, September 13, 1998 1:59 AM
Subject: T.C. Electronic G-Force Guitar Effects processor


>Price: $800
>
>T.C. Electronic G-Force rack effects processor designed specifically for
guitar. As the ad states it is "The Ultimate" processor. Retails for 1,799
purchased from Musician's Friend for 1,499 one year ago, selling for $800 .
Unit has only been used in my home studio and has never left the house.
Please visit WWW.TCELECTRONIC.COM for details on the unit. It truely has
some of THE best reverbs and effects you can buy. 24bit A/D D/A converters.
Please email me at dhoffma1@columbus.rr.com if interested.
>
>(p.s. please see my ad for the A.R.T. X-15 Ultra Foot Midi Footcontroller
to performance control the G-Force)
>
>Dan Hoffman
>
>--------------------------------------------------------------------------
>Anti-Spam: delete "NO.SPAM" in E-mail address
>Posted through http://www.harmony-central.com
>Comments/Complaints: webmaster@harmony-central.com

From ???@??? Sun Sep 13 16:31:08 1998
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Date: Sun, 13 Sep 1998 18:46:01 -0400 (EDT)
From: Adam Levin <alevin@DarkAether.net>
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To: loopers-delight@annihilist.com
Subject: Dark Aether Project/Three Hour Detour in Philadelphia 9/19
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On Saturday September 19th, The Dark Aether Project and Three Hour Detour
will perform together in Philadelphia PA at the Lion Fish, which is
located at 614 N. 2nd Street. Showtime is 8pm for this all-ages show. 

The Dark Aether Project will kick off the show with a mixture of material
both old and new. The Dark Aether Project features Adam Levin (Warr
Guitar/Loops), Yaman Aksu (Fretted and Fretless Guitar) and Brian Griffin
(Drums). Joining DAP for this very special show will be guest vocalist Ray
Weston, the voice of Echolyn, Still and Always Almost. This is one DAP
show not to miss! 

Sharing the bill will be Three Hour Detour featuring Ray Ashley (Chapman
Stick/Vocals), Joe D'Andrea (Drums/Vocals) and Helene Zisook
(Violin/Vocals). This show will be their official Philadelphia CD release
event, so expect them to play most of the tunes on the CD, jammed out to
their proper full length as well as new material. Come see Ray use the
Stick to it's full potential! 

The Lion Fish is on 614 N. 2nd Street Philadelphia. 
- From I-95, take the exit marked Calowhill and bear right, to get on
  Calowhill going west. 
- Make a right turn on 3rd
- Take 3rd past Spring Garden and  make a right on Brown
- Turn right onto 2nd Street
- Proceed south for a block and a half until you see the Lion Fish on your
  right.

There is ample and safe parking in this neighborhood

Other upcoming Dark Aether Project shows:

Oct 9th: Cafe Tattoo - Baltimore MD 
         with Discipline Global Mobile recording artist Tony Geballe
         (Trey Gunn Band, Robert Fripp and the League of Crafty
         Guitarists, Toyah) in support of his solo release _Native of the
         Rain_ and the illbient guitar duo Fingerpaint
Nov 7th: Orion Studios - Baltimore MD
         Tap Tech II: Chapman Stick and Warr Guitar artist showcase
         with Frank Jolliffe, Ray Ashley, Squash and more TBA
Dec 5th: Phantasmagoria - Wheaton MD (Washington DC area)
         with Discipline

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/






From ???@??? Sun Sep 13 19:16:19 1998
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From: Kim Flint <kflint@annihilist.com>
Subject: Re: EDP : error
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At 4:58 AM -0700 9/13/98, Serge Devadder wrote:
>
>to ship me an EDP from the States. However,  the recent posts
>on faulty EDP memory and erratic behaviour are keeping me from
>buying this thing. I sometimes get the impression the EDP is a
>prototype gizmo soldered togeteher in some garage...


I think you should remember the basic nature of the internet, where a large
number of people who are perfectly satisfied will not post anything about
that, and a very small number who are unhappy can make a lot of noise. The
people complaining typically appear to be a much larger group than they
are. I think that is the case here. Oberheim has sold a lot of echoplexes
that are out there working just fine.

And as was carefully noted here by Oberheim, the "faulty EDP memory" is
almost always bad simms or user installation problems, not the echoplex.
The echoplex's memory circuits have always proved to be extremely reliable.
A few uninformed internet posts to the contrary, and this incorrect
perception is created and apparently has stuck. frustrating...

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From ???@??? Mon Sep 14 01:31:17 1998
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Date: Mon, 14 Sep 1998 02:14:38 -0500
To: Loopers-Delight@annihilist.com
From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Re: new looping hardware
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Kim,
 I thought you were going to put my 'review' of the dimension 12 on the web
page....

-Chuck Zwicky


At 12:46 AM 9/13/98 -0400, you wrote:
>excuse me, as i've been off the list for awhile, but i've read nothing
>about(nor seen on the website-loopers tools section) the new looper by
>dod...called the dimension 12...havent really had a chance to get too into
>it yet, but has a max of 4 seperate 6 second loops with editing
>capability...12 second delay...with flange/chorus type effects
>-things i dont like on first glance are no on/off switch(have to unplug
>wallwart) and no led(for signal/overload) on the input
>anyone using one yet...lists for $279
>
>cheers
>
>                                all my mistakes were once acts of genius
>                                                      neato@pipeline.com
>
>
>
>

From ???@??? Mon Sep 14 01:31:21 1998
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Date: Mon, 14 Sep 1998 03:49:00 -0400
Subject: DJ Singe - G Gersh and guests
Message-ID: <19980914.035705.11374.24.gsg@juno.com>
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for those of you in the NYC area:

DJ Singe & Geoff Gersh
with special guests:

Melvin Gibbs-bass<>Grisha Coleman-vox<>MC Verb

turntables+guitar+flash+loops

Thursday Sept. 17  11pm
Alterknit Theatre @ the Knitting Factory
74 Leonard St.  219-3006

_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]

From ???@??? Mon Sep 14 03:15:53 1998
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Date: Mon, 14 Sep 1998 01:23:21 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: Re: new looping hardware
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At 02:14 AM 9/14/98 -0500, you wrote:
>Kim,
> I thought you were going to put my 'review' of the dimension 12 on the web
>page....
>
>-Chuck Zwicky

yeah, I'm gonna....been busy with other projects, but I'm planning to spend
a couple days on the website soon, adding all the stuff people have sent me
recently. Even broke down and bought real web page development software!
(golive cyberstudio, sweeeet....) Should make updates much easier than before.

One thing that's coming soon is a really nice, automated, searchable,
indexed, web-based mailing list archive. Should be cool.... no more waiting
around for me to do the job manually! 

As always, any contributions to the web page are very welcome! content,
labor, programming, graphics, ideas, design, whatever you can do.....

kim
_________________________________________________________
Kim Flint, MTS                     kflint@chromatic.com
Chromatic Research                 408-752-9284
http://www.chromatic.com

From ???@??? Mon Sep 14 10:22:29 1998
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From: Todd Madson <crash@waste.org>
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Subject: Gibson/Steinberger/Oberheim
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Geez, and all the Steinie advertisements were nearly enticing me to buy
one of those transtrem guitars.  Now I have second thoughts (especially
since I found a handmade in the u.s.a. kinda guitar thingie before I was
able to get to my local Steinie dealer).

I see a lot of these guitar monopolies want to get into technology, but
the persistent layoffs and lack of advertising smarts bothers me.  I 
saw perhaps one ad for the echoplex since it was introduced and they
really could have pushed it.

On the other hand, you see tons of ads for the dod/digitech stuff and
they don't have anything remotely similar.

From ???@??? Mon Sep 14 10:22:33 1998
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Date: Mon, 14 Sep 1998 08:51:11 EDT
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In a message dated 9/14/98 6:58:54 AM, pycraft@elec.gla.ac.uk writes:

>I know this is off-topic, but it's on a subject close to the hearts of
>many here - how will Steinberger's demise affect Klein, with their
>dependence on Steinberger for trems and nuts?

He has always been able to obtain parts, even during periods where Steinberger
was dormant. He gets them thru Gibson, and (I guess) pays a licensing fee to
use them. I am sure he would be able to go directly to the manufacturer to
obtain parts. At the very worst, I know he has been looking into building
these parts himself for several years, if they became unavailable it would
provide an impetus to do so.

Of course, we can just ask him.....

Marshall

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In a message dated 9/14/98 8:04:14 AM, Marzzz@aol.com writes:

>Of course, we can just ask him.....

BTW- I forgot to mention the "he" is Lorenzo German, who is Klein Electric
Guitars, not to be confused with Steve Klein, who makes Klein (acoustic)
guitars. Steve sold the "electric" division to Lorenzo several years back, and
they worked together (at least in the same barn) up until recently.

Marshall

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From: joseph devlin <jdevlin@WPI.EDU>
Message-Id: <199809141437.KAA11091@reno.WPI.EDU>
Subject: Jamman
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	Hello,

	i have a jamman that i would like to sell. i payed about $550
	for it; it includes full memory expansion, power supply, 
	footswitch, and an art x-11 pedal board to send program change
	messages. its in very good condition; no scratches or discolorations
	or operational weirdness involved. the reason im trying to sell it 
	is because i payed a lot of money for it and ive realized i
	just cant afford it.

	im not asking what i payed for it unless someones willing to
	give me that much. i will listen to offers.

	thank you,

	joseph devlin 

From ???@??? Mon Sep 14 10:22:40 1998
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Date: Mon, 14 Sep 1998 15:47:10 +0100
From: Malhomme <malhomme@vete.ucl.ac.be>
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For Serge: I'm french but now live in Belgium. As you experienced it,
looping device are not exactly trendy, on the edge of fashion. I spent a
lot of time looking (at this time, about 1 year ago) a Jamman. No way or
so expensive, you wouldn't believe.

This ended in me buying it in America, thanks to someone of the list
locating one in a store to which I phoned immediately (according of
course to local american time!). The machine was sent to me, and the
time it passed through customs, with all taxes paid, and with the
shipping price (which is awfully high, of course), it took 1 week and an
half, and between one third and half the price. Everything then
absolutely legal.
Now to add some fuel to the fire I'll use to burn importing dealer, when
I bought the memory to expand it to full capacity, it was $50, shipping
included. In France Beyer (that imports Lexicon) would sell them for
2000 French Francs (about $333).
I had AGAIN THANKS TO THE PEOPLE OF THE LIST, THAT MUST BE STRESSED!
bought a vortex for a price that was barely all things included one
third of the french price.
Usually, prices in belgium are very near than french ones.

The lesson is: I propose we stop paying for allowing dealer (i mean
"importers", but does it exists?) going in vacation with their
secretaries in the sun?
The aother thing is can get rid of warranty, which is usually the "real"
price to pay...

Olivier Malhomme


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This reminds me-

I've been writing some Ornette style heads, which need some harmelodics.
I'm thinking a day, two loopers plugged into a fourtrack, and rip it
loose.  What do you think?


tdb

From ???@??? Mon Sep 14 10:23:17 1998
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hello....about 2 weeks ago i had asked about the DOD D12 stereo delay/24 sec
sampler, i do recall some discussion about it in the past....the reason for my
question was this, i received a flyer in the mail from Harpers Music and they
had a sale on this beastie for $199.00....that sounded like a good price to me
if this is indeed a useable piece of equipment......here is the address of
Harper's Music, 241 3Rd. Ave. Ste. C, Chula Vista, Ca. 91910.....their e-mail
is  www.Musicrent.com      i have not done any bussiness with these folks so i
can not speak to their methods but they do have some deals, it seems. also, i
am curious as to how we can help our fellow loopers outside of the U.S. in
their quest for equipment. can anything be done so they are not clobbered
price wise with all the duties and add ons? Perhaps nothing can be done, i
dont know, i just wanted to hear some ideas.....................michael

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Date: Mon, 14 Sep 1998 20:21:44 +0200
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From: patrick@his.com (Patrick Smith)
Subject: Re: Einstein's Physics Refuted: Matter Escapes From Black Hole!
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Let me be the first to congratulate you Ray...this is news worthy of the
loop of the week!!!

Patrick

>Monday, September 14, 11:53 Pacific Daylight Time
>
>Einstein's Physics Refuted: Matter Escapes From Black Hole!
>

Now Available:
                      FingerPaint Primary Colors: BLUE

A guitar-synth looping duo of dark illbience and dreamy ambience.
Shockwave audio featuring our newest release Primary Colors:Blue

                            www.fingerpaint.net  


From ???@??? Mon Sep 14 13:05:59 1998
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From: "Thomas W¿hni" <hovard@online.no>
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Subject: Midicontroller and Jamman
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Hi all , I have a jamman and a Rocktron midimate. I was just curious about what the possibilities are when connecting them.  What can I make the `man do with the `mate?

Yours , Thomas





Feel free to check out my web-site:
http://www.geocities.com/Eureka/Promenade/1628/
  


From ???@??? Mon Sep 14 13:06:02 1998
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Finally checked out "Modulations".  About 90% dance music, as expected, but
well worth while for anyone interested in electronic music.  Where else
will you get Stockhausen, Pierre Henry, John Cage, Squarepusher, and Marcus
Popp in a film?

Remarks by my painter friend Alex Ross:

Booth or Brown picks his nose.
Detroit rules planet Earth.
Future Sound of London are pretentious snobs.
Ditto Genisis P. O. (Wendy Carlos?)
Tom Jenkinson is SEXY AS HELL.
Richard James and Richie Hawtin mysteriously absent.
THAT'S Oval?!?!
Ravers are the best thing that's landed here since the Flappers.
Alec Empire wants attention.
For the love of Cage,
German hardcore is laughable.
Break dancing footage is wonderful beyond anything.
DJ's and Turntablists kick everyone's butt.
Part 2: computer animation and beats, no talking!
Gabba good. Was the word Goa mentioned at all?
Donna Summers sounded SO good.
Q-Bert funtime!
Is Irmin Schmidt cool or what? Still wearin' those shades...
Czukay is the clowner's clown.
Those English music writers have gorgeous mouths and teeth.
I don't hate Bill Lasswell so much any more.
Bob Moog is Albert Hofmann.
Miles Davis has a HUGE shadow.
No focus on the graphic arts revolution? Not ONE smiling alien?
Overall rating: 4 houses


From ???@??? Mon Sep 14 10:22:30 1998
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Date: Mon, 14 Sep 1998 13:39:20
To: Loopers-Delight@annihilist.com
From: "Michael Pycraft Hughes, PhD" <pycraft@elec.gla.ac.uk>
Subject: Re: Gibson/Steinberger/Oberheim
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At 06:33 AM 9/14/98 -0500, you wrote:
>Geez, and all the Steinie advertisements were nearly enticing me to buy
>one of those transtrem guitars.  Now I have second thoughts (especially
>since I found a handmade in the u.s.a. kinda guitar thingie before I was
>able to get to my local Steinie dealer).

I know this is off-topic, but it's on a subject close to the hearts of many
here - how will Steinberger's demise affect Klein, with their dependence on
Steinberger for trems and nuts?

Michael

Dr Michael Pycraft Hughes, University of Glasgow, Glasgow UK G12 8QQ 
--------------------------------------------------------------------
     "What can be done with fewer assumptions is done in vain 
with more" - William of Occam (1285-1347) (now called Occam's Razor)
--------------------------------------------------------------------
   www.elec.gla.ac.uk/~pycraft             pycraft@elec.gla.ac.uk

From ???@??? Mon Sep 14 22:28:15 1998
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>>since oberheim has nothing to do with echoplex upgrades, I wouldn't be so
>>sure! That's up to the creators here at Aurisis Research....
>>
>>>I don't know if this has been covered before, but I was trying out a new
>>>volume pedal to control feedback on my EDP today. When a feedback value is
>>>changed, wouldn't it be nice to be able to see the numeric value? Like as
>>>soon as you changed the feedback amount, the display would quickly show
>the
>>>new value-
>>
>>hmmmm, I seem to notice a few echoplexes around here recently developed
>>exactly that feature.....
>
>Ah, good! Does that mean you've worked on something similar??

Yes, I spend my free hours on this and other new features, just give me
some more time...
Matthias


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Date: Mon, 14 Sep 1998 17:43:24 -0700 (PDT)
From: Ray Peck <rpeck@no-spam-rpeck.com>
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Monday, September 14, 11:53 Pacific Daylight Time

Einstein's Physics Refuted: Matter Escapes From Black Hole!

LOS ALTOS, Calif., Sept. 14 /LoopNewsWire/ -- There were confirmed
reports today of the refutation of one of the basic tenets of
relativistic physics.  A number of bodies of matter, known to insiders
as "Looper's Delight CD No. 1", were seen entering a United States Post
Office after being ejected from a small, dense black hole known as "the
Peck house".  Bystanders were shocked and amazed to witness this event,
long held by experts to be so unlikely as to be essentially impossible
to occur within our lifetimes.  The chunks of matter, which are on a set
of trajectories toward "The Creators", are expected to arrive at their
destinations within days' time.

"It's likely to be possible to jar loose more of these particles in the
coming days", said one knowledgable bystander.  "The process required
that we generate a minimum of 200 of the attached decorative motifs,
which could also be ejected quickly by the black hole, either in single
units, or more likely in larger groups."


Contact Information:

For more information on this sighting and future such sightings, contact
The Peck Black Hole Institute at the address as explained below.  The
Institute is not currently monitoring broadcast communications.

----------
Note: the email address in the header is hacked as an anti-spam measure.
Please remove the 'no-spam-' to reply to The Peck Black Hole Institute.
Sorry for the inconvenience.")

From ???@??? Tue Sep 15 00:41:25 1998
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Date: Mon, 14 Sep 1998 23:07:49 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Gibson/Steinberger/Oberheim
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>Geez, and all the Steinie advertisements were nearly enticing me to buy
>one of those transtrem guitars.  Now I have second thoughts (especially
>since I found a handmade in the u.s.a. kinda guitar thingie before I was
>able to get to my local Steinie dealer).

As I understand, they are reopening steinberg and tobias around the 1st of
the year, in a new facility in Memphis. So it's only a few
months....depending of course on how long it takes them to get things
running again.


>I see a lot of these guitar monopolies want to get into technology, but
>the persistent layoffs and lack of advertising smarts bothers me.  I
>saw perhaps one ad for the echoplex since it was introduced and they
>really could have pushed it.

Actually, they were selling echoplexes faster than they could make them
most of the time, so there hasn't been any need for advertising so far.
Word-of-mouth was enough. Ads would have just made the backorder list
longer!

kim


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From ???@??? Tue Sep 15 02:32:09 1998
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Date: Tue, 15 Sep 1998 04:44:33 -0300
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From: Matthias Grob <matthias@grob.org>
Subject: Re: Einstein's Physics Refuted: Matter Escapes From Black Hole!
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NO !

:-)


From ???@??? Tue Sep 15 11:18:17 1998
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Date: Tue, 15 Sep 1998 11:48:35 +0100
From: Malhomme <malhomme@vete.ucl.ac.be>
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Chuck, I'd like to get your review!

Olivier Malhomme

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Message-ID: <021301bde0ab$16f7a600$c5b854ce@mark.asisoftware.com>
From: Mark@asisoftware.com (Mark Kata)
To: "Loopers Delight" <Loopers-Delight@annihilist.com>
Subject: Fw: Einstein's Physics Refuted: Matter Escapes From Black Hole!
Date: Tue, 15 Sep 1998 09:16:46 -0400
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Hi Ray,

I'd like to buy a copy, as I'm sure many on the list would.  Please provide
us with the details.

Thanks,
Mark Kata
Mark@asisoftware.com

-----Original Message-----
From: Ray Peck <rpeck@no-spam-rpeck.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Monday, September 14, 1998 9:06 PM
Subject: Einstein's Physics Refuted: Matter Escapes From Black Hole!


>
>Monday, September 14, 11:53 Pacific Daylight Time
>
>Einstein's Physics Refuted: Matter Escapes From Black Hole!
>
>LOS ALTOS, Calif., Sept. 14 /LoopNewsWire/ -- There were confirmed
>reports today of the refutation of one of the basic tenets of
>relativistic physics.  A number of bodies of matter, known to insiders
>as "Looper's Delight CD No. 1", were seen entering a United States Post
>Office after being ejected from a small, dense black hole known as "the
>Peck house".  Bystanders were shocked and amazed to witness this event,
>long held by experts to be so unlikely as to be essentially impossible
>to occur within our lifetimes.  The chunks of matter, which are on a set
>of trajectories toward "The Creators", are expected to arrive at their
>destinations within days' time.
>
>"It's likely to be possible to jar loose more of these particles in the
>coming days", said one knowledgable bystander.  "The process required
>that we generate a minimum of 200 of the attached decorative motifs,
>which could also be ejected quickly by the black hole, either in single
>units, or more likely in larger groups."
>
>
>Contact Information:
>
>For more information on this sighting and future such sightings, contact
>The Peck Black Hole Institute at the address as explained below.  The
>Institute is not currently monitoring broadcast communications.
>
>----------
>Note: the email address in the header is hacked as an anti-spam measure.
>Please remove the 'no-spam-' to reply to The Peck Black Hole Institute.
>Sorry for the inconvenience.")
>

From ???@??? Tue Sep 15 11:18:35 1998
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Date: Tue, 15 Sep 1998 10:02:42 -0400
From: "Lee Wordsman" <lwordsman@pirnie.com>
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Painter Alex Ross of "Kingdom Come" and other Comic Book fame?

David Myers wrote:
> 
> Finally checked out "Modulations".  About 90% dance music, as expected, but
> well worth while for anyone interested in electronic music.  Where else
> will you get Stockhausen, Pierre Henry, John Cage, Squarepusher, and Marcus
> Popp in a film?
> 
> Remarks by my painter friend Alex Ross:
> 
> Booth or Brown picks his nose.
> Detroit rules planet Earth.
> Future Sound of London are pretentious snobs.
> Ditto Genisis P. O. (Wendy Carlos?)
> Tom Jenkinson is SEXY AS HELL.
> Richard James and Richie Hawtin mysteriously absent.
> THAT'S Oval?!?!
> Ravers are the best thing that's landed here since the Flappers.
> Alec Empire wants attention.
> For the love of Cage,
> German hardcore is laughable.
> Break dancing footage is wonderful beyond anything.
> DJ's and Turntablists kick everyone's butt.
> Part 2: computer animation and beats, no talking!
> Gabba good. Was the word Goa mentioned at all?
> Donna Summers sounded SO good.
> Q-Bert funtime!
> Is Irmin Schmidt cool or what? Still wearin' those shades...
> Czukay is the clowner's clown.
> Those English music writers have gorgeous mouths and teeth.
> I don't hate Bill Lasswell so much any more.
> Bob Moog is Albert Hofmann.
> Miles Davis has a HUGE shadow.
> No focus on the graphic arts revolution? Not ONE smiling alien?
> Overall rating: 4 houses

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Subject: Re: Fw: Einstein's Physics Refuted: Matter Escapes From Black Hole!
References: <021301bde0ab$16f7a600$c5b854ce@mark.asisoftware.com>
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I think that Ray mentioned that he was not monitoring this list and that
if you wanted a copy that you should contact him at his despammed
address.  I've already sent in a request and will advise the list as to
how that all proceeds.

Mark Kata wrote:
> 
> Hi Ray,
> 
> I'd like to buy a copy, as I'm sure many on the list would.  Please provide
> us with the details.
> 
> Thanks,
> Mark Kata
> Mark@asisoftware.com
> 
> -----Original Message-----
> From: Ray Peck <rpeck@no-spam-rpeck.com>
> To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
> Date: Monday, September 14, 1998 9:06 PM
> Subject: Einstein's Physics Refuted: Matter Escapes From Black Hole!
> 
> >
> >Monday, September 14, 11:53 Pacific Daylight Time
> >
> >Einstein's Physics Refuted: Matter Escapes From Black Hole!
> >
> >LOS ALTOS, Calif., Sept. 14 /LoopNewsWire/ -- There were confirmed
> >reports today of the refutation of one of the basic tenets of
> >relativistic physics.  A number of bodies of matter, known to insiders
> >as "Looper's Delight CD No. 1", were seen entering a United States Post
> >Office after being ejected from a small, dense black hole known as "the
> >Peck house".  Bystanders were shocked and amazed to witness this event,
> >long held by experts to be so unlikely as to be essentially impossible
> >to occur within our lifetimes.  The chunks of matter, which are on a set
> >of trajectories toward "The Creators", are expected to arrive at their
> >destinations within days' time.
> >
> >"It's likely to be possible to jar loose more of these particles in the
> >coming days", said one knowledgable bystander.  "The process required
> >that we generate a minimum of 200 of the attached decorative motifs,
> >which could also be ejected quickly by the black hole, either in single
> >units, or more likely in larger groups."
> >
> >
> >Contact Information:
> >
> >For more information on this sighting and future such sightings, contact
> >The Peck Black Hole Institute at the address as explained below.  The
> >Institute is not currently monitoring broadcast communications.
> >
> >----------
> >Note: the email address in the header is hacked as an anti-spam measure.
> >Please remove the 'no-spam-' to reply to The Peck Black Hole Institute.
> >Sorry for the inconvenience.")
> >

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GRAIGORY2@aol.com wrote:

> I am getting PISSED with the sound quality of computers and what not... so I
> am thinking about getting the following things...
>
> 1)digital 8 track
> 2) dat machine
> 3)standalone CDR
> 4)ASR-X pro

The opinions that follow are not my own, but have been implanted in my head by
space aliens during my last abduction.I have always been a big proponant of
computer based digital recording.  If you are going to deal with the loss of the
yummieness of tape (and there are many good reasons for that) then you should
really take advantage of what makes digital cool- the editing.

There is nothing quite so nice as flying by the seat of your pants, editing the
good bits together, and catching more spontaniety than you can shake a stick at.
Need a new mix?  An extra chorus?  Chopping out a bum fill?  Bum note?  All
easily done.

The two digital recorders that I am most familiar with are Digi's Session8 (now
called ProTools Project on the Mac, i believe) and Akai's DR8.  To make a long
story short, Digi's stuff worked like a dream (esp. after editing on 1/4 tape
w/razor and tape), but the working with the stand alone, even with the monitor
card, was just a nightmare.  Still better than a razor though.  Nominally.

I used to have a tascam DA-30 (the first model) and it sucked big.  It seems
anything that Tascam/Teac make that costs more than a $800 is shit.


I'm not a keyboard player, but I play one on TV.  Ensoniq stuff seems to work
well for a lot of folks.

I ain't got a clue 'bout CDRs.

tdb



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To: Loopers-Delight@annihilist.com
From: Leonardo Cavallo <cavallo@dada.it>
Subject: Roland SP808 groovesampler
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Hi guys

I've just received a Roland SP808 groovesampler to test. First impression
quite impressing... a compact device with a sampler and a HD recorder
inside, plus FX and D Beam controllers...
It seems ideal for looping and sample playing live.
I'll let you know in the next days

ciao
leo

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>Einstein's Physics Refuted: Matter Escapes From Black Hole!

I have been in contact with the technicians at the The Peck Black Hole
Institute regarding additional trajectories for the LDCDNo.1 matter.
Details for dissemination in small quantities are currently being worked
out with Kim, so hold tight!

----------
Note: the email address in the header is hacked as an anti-spam measure.
Please remove the 'no-spam-' to reply.  Sorry for the inconvenience.
----------------------------------------------------------------------
"There is no expedient to which a man will not go to avoid the labor
of thinking."  --Thomas Edison

From ???@??? Wed Sep 16 01:37:59 1998
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From: "Collins" <collinsclan@sprintmail.com>
To: <Loopers-Delight@annihilist.com>
Subject: new clips on site
Date: Tue, 15 Sep 1998 14:36:41 -0400
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Hello everyone,
I'm just writing to let you know that i have three new songs up to my
website. And now all songs are streaming, so no more waiting for the clip to
load. If you have been to my site before, you would know that i am helping
out my good friends by putting them on my site as well. So there are nine
songs to listen to. Hope you enjoy.
WARNING!!!
This music is extremely weird! Any damage to brain cells or sanity is not to
be blamed upon us. You've been warned.
Jeff Collins

www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html



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Message-ID: <35FEBE7D.CC629E59@texas.net>
Date: Tue, 15 Sep 1998 14:22:39 -0500
From: Bobdog Catlin <psbuddha@texas.net>
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i know this isn't looper exclusive,but...

for sale: roland vs-880, expanded, almost unused - $1000

maybe someone is interested, maybe not.

bobdog

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From: GRAIGORY2@aol.com
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Date: Tue, 15 Sep 1998 16:06:17 EDT
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I am getting PISSED with the sound quality of computers and what not... so I
am thinking about getting the following things...

1)digital 8 track
2) dat machine
3)standalone CDR
4)ASR-X pro


I make mixtapes, as well as produce beats and emcee...  will this be enough
for quality work from home?  I want to be able to do as much at home as
possible, and have no experience with any of the things I just named...  ANY
ADVICE???  HELP???  IDEAs???  Also, what about microphones and other types of
cnnections?

peace

From ???@??? Wed Sep 16 01:38:24 1998
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Brendan wrote:
>Hello all, 
>                    In setting up a jam man for live rig, w/mixer,  what
>would be the best way to put it in chain, so i can catch all instruments in
>loop? as an aux send, or on the main outs?

     Use the aux send/return on your mixer.  Then you can adjust the fx
levels for each input into the mixer, and also,  you can shut off the signal
to fx of a particular channel if you've got a loop  going and want to solo a
particular instrument on top without adding it to the loop, while still
being able to add the other instruments to the loop.

Steve

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Message-ID: <19980915234720.3733.rocketmail@send104.yahoomail.com>
Date: Tue, 15 Sep 1998 16:47:18 -0700 (PDT)
From: robert kolosowski <kolosoro@yahoo.com>
Subject: midi to jack ?
To: loopers-delight@annihilist.com
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Does anyone know if there is a device and or/interface that will
control standard amp footswitching via midi,
eg. I have no midi in on the amp just a footswitch jack.
regards
Rob



 

==

Robert Kolosowski
Kolosoro@Yahoo.com

_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

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From: "Douglas Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Roland SP808 groovesampler
Date: Tue, 15 Sep 1998 20:31:10 -0400
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This month's Keyboard (October '98) has a comprehensive review of the Roland
SP-808, Sonic Foundry's Acid and Roland MC-505.

My .02 ... I'm going with the Ensoniq ASR-X Pro.



-----Original Message-----
From: Leonardo Cavallo [mailto:cavallo@dada.it]
Sent: Tuesday, September 15, 1998 11:41 AM
To: Loopers-Delight@annihilist.com
Subject: Roland SP808 groovesampler

Hi guys

I've just received a Roland SP808 groovesampler to test. First impression
quite impressing... a compact device with a sampler and a HD recorder
inside, plus FX and D Beam controllers...
It seems ideal for looping and sample playing live.
I'll let you know in the next days

ciao
leo

From ???@??? Wed Sep 16 01:38:51 1998
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In a message dated 9/15/98 3:19:52 PM Central Daylight Time, GRAIGORY2@aol.com
writes:

<< I am getting PISSED with the sound quality of computers and what not... so
I
 am thinking about getting the following things...
 
 1)digital 8 track
 2) dat machine
 3)standalone CDR
 4)ASR-X pro
  >>

Well, let me throw in to the ring here....

well, just for starters, you're looking at around $1800-$2K for the 8 track,
another $600-900 for the DAT, another $500-1K for the burner, and another
$1200-1400 for the ASR-X (and these are way ballpark figures), so you're
looking at least $4,100 - $5,300 in gear. Assuming you don't need a mixer, so
in that case add another $500-$2500, depending on what kind of mixer you want.

Now, a Pentium II with 256Mb of RAM and a several-Gb harddrive will probably
run you around $2000 if you build it from parts. Then another few hundred for
some sequencing and digital-recording software, and another $500 - $whatever
to get a decent sounding midi sound module. You're looking at somewhere around
$3K for a decent computer based system. 

I personally am running a Mackie board into two ADAT XT's, and using an Akai
MPC2000 for sampling, sequencing and drum machine. But I also just discovered
the joys of editing in the digital realm, on the computer....it's nice to be
able to highlight a mistake and press "delete". 

You could go either way. If I was in your position, I'd probably try to set it
all up as a computer based system before going for tape. 

I will highly recommend the MPC as an extremely good, user-friendly
workstation, and I can also recommend Phillips CDD-2600 cd-drives - I've
burned about 200 discs so far on mine, and only one "coaster". 

Anyway, good luck. 

- Bill
Crossedout@aol.com

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Subject: Re: Einstein's Physics Refuted: Matter Escapes From Black Hole!
From: "Finley Sound Design" <mkmccabe@earthlink.net>
To: "Looper's Delight" <Loopers-Delight@annihilist.com>
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Kim said:

>wow, I had to pinch myself to make sure I wasn't dreaming! Volume 1 is
>actually done before volume 2!! great!
>
>Are there additional copies available, or a master from which we can make
>more? I'd like to make it available for sale through the web site, with
>proceeds going to the artists/producer and a pay-for-Looper's-Delight fund.
>I think we can probably arrange additional production and ordering/shipping
>through Matt McCabe, who's doing vol. 2. What do you guys think?

I'm willing to help out....just let me know how you guys want me involved.

Matt
__________________________________
Matthew F. McCabe
Finley Sound Design
http://www.finleysound.com

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Of course I'd like to get one too, ray!

Olivier Malhomme

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From: "Jon Thompson" <jon.thompson@clara.net>
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>I am getting PISSED with the sound quality of computers and what not... so
I
>am thinking about getting the following things...
>
>1)digital 8 track
>2) dat machine
>3)standalone CDR
>4)ASR-X pro
>
>
>I make mixtapes, as well as produce beats and emcee...  will this be enough
>for quality work from home?  I want to be able to do as much at home as
>possible, and have no experience with any of the things I just named...
ANY
>ADVICE???  HELP???  IDEAs???  Also, what about microphones and other types
of
>cnnections?
>
>peace
>
>


Add a Yamaha A3000 Version 2.

cheers,

Jon.
 --


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From: joseph devlin <jdevlin@WPI.EDU>
Message-Id: <199809161414.KAA27482@reno.WPI.EDU>
Subject: Re: Jamman a couple of revisions
To: Loopers-Delight@annihilist.com
Date: Wed, 16 Sep 1998 10:14:45 -0400 (EDT)
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> 
> 
> 
> 
> 	Hello,
> 
> 	i have a jamman that i would like to sell. i payed about $550
> 	for it; it includes full memory expansion, power supply, 
> 	footswitch, and an art x-11 pedal board to send program change
> 	messages. its in very good condition; no scratches or discolorations
> 	or operational weirdness involved. the reason im trying to sell it 
> 	is because i payed a lot of money for it and ive realized i
> 	just cant afford it.
> 
> 	im not asking what i payed for it unless someones willing to
> 	give me that much. i will listen to offers.
> 
> 	thank you,
> 
> 	joseph devlin 
> 
> 


	hi,

	i have a couple of additions to make with regards to this
	forsale post.

	first, my arrangements to expand the device have fallen through,
	so this jamman is _not_ expanded. i know that this can be done
	for about $40, which was what i was going to do in the
	first place. now im not.

	second, i have received offers for $350. if the person who
	offered that is still interested in talking, i would
	ask him to please send me email.

	thank you,

	joseph devlin






From ???@??? Wed Sep 16 10:39:49 1998
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To: Loopers-Delight@annihilist.com
From: Frank Gerace <seahorse@channel1.com>
Subject: Re: best signal method?
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At 03:54 PM 9/15/98 -0500, you wrote:
>Brendan wrote:
>>Hello all, 
>>                    In setting up a jam man for live rig, w/mixer,  what
>>would be the best way to put it in chain, so i can catch all instruments in
>>loop? as an aux send, or on the main outs?
>
>     Use the aux send/return on your mixer.  Then you can adjust the fx
>levels for each input into the mixer, and also,  you can shut off the signal
>to fx of a particular channel if you've got a loop  going and want to solo a
>particular instrument on top without adding it to the loop, while still
>being able to add the other instruments to the loop.

        In addition, if you don't use the aux return,and instead use another
channels input for the return signal, you have additional control over the
jamman's output.   EQ, additional (say stereo) effects if you have another
aux. send.
        We use two Mackie 1202s (one for the vocals and one for the guitars)
and we each have a JamMan.  The vocals go into the JamMan thru aux send 1 of
the Mackie and the output is returned into channel 2.  Aux send two is a
stereo reverb/delay, so we have a "stereo" loop and lead vocal signal.  For
the guitar, the signal path to the JamMan is the same (Aux 1 send for into
to the JamMan and the output is routed to channel 2).  Aux send 2 is an
Echoplex which is returned to channel 3.  This allows me to send signal to
both from the guitar as well as sending the output of one looper to the
inout of the other.  I also have a Boss RSP-10 as the other part of the Aux
1. send signal chain (On the Mackie board, the aux sends are stereo, so
using a Y cord, I have two mono devices on aux send 1).  This allows me to
send the return from the RSP-10 (which I use mainly for its backwards echo)
to the Echoplex.
        The more you play around with the ideas, the more fun you have.  

Frank Gerace
Dreamchild

Dreamchild's first CD, Gates To the Sea is now available!
http://www.channel1.com/users/seahorse
http://www.channel1.com/users/seahorse/cd.html

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From: Hoover Alan <HooverA@tce.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Home Studio
Date: Wed, 16 Sep 1998 10:32:51 -0500
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The last (October) Guitar Player magazine has reviews of four of these
stand-alone digital recorders, including the Korg D8, plus "similar"
products by Fostex, Yamaha, Roland. They are all quite different for
capabilities, format, tradeoffs.

There is also the product line from Event 1 (www.event1.com), consisting of
plug-in modules for multi-channel PC recording plus a $299 condenser
microphone that looks excellent.  

Haven't tried any of these.

-----Original Message-----
From: David Myers [mailto:dmgraph@earthlink.net]
Sent: Wednesday, September 16, 1998 11:06 AM
To: Loopers-Delight@annihilist.com
Subject: Re: Home Studio



>well, just for starters, you're looking at around $1800-$2K for the 8
track,
>another $600-900 for the DAT, another $500-1K for the burner, and another
>$1200-1400 for the ASR-X (and these are way ballpark figures), so you're
>looking at least $4,100 - $5,300 in gear. Assuming you don't need a mixer,
so
>in that case add another $500-$2500, depending on what kind of mixer you
want.

It doesn't have to be such a bummer, IMO.  I'd recommend the Korg D8 8
track at $900, a Phillips CDR 870 stand-alone CDR recorder for $600, and
forget the DAT.  A Mackie 1202VLZ may do your mixing job and there are a
lot of used ones at $250.  I can't claim experience with the ASR-X or its
competitors, sorry....

David Myers

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In a message dated 9/16/98 11:21:58 AM Eastern Daylight Time,
dmgraph@earthlink.net writes:

<< forget the DAT >>


I want to be able to create my beats at home, then have a quality copy to
transfer over in the studio for vocals and mastering, then come home and burn
my cds.... is there something that i can do that with besides a DAT?

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>well, just for starters, you're looking at around $1800-$2K for the 8 track,
>another $600-900 for the DAT, another $500-1K for the burner, and another
>$1200-1400 for the ASR-X (and these are way ballpark figures), so you're
>looking at least $4,100 - $5,300 in gear. Assuming you don't need a mixer, so
>in that case add another $500-$2500, depending on what kind of mixer you want.

It doesn't have to be such a bummer, IMO.  I'd recommend the Korg D8 8
track at $900, a Phillips CDR 870 stand-alone CDR recorder for $600, and
forget the DAT.  A Mackie 1202VLZ may do your mixing job and there are a
lot of used ones at $250.  I can't claim experience with the ASR-X or its
competitors, sorry....

David Myers


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minidic works pretty well for me....

 _________________________________
/robb monn -- robm@nytimes.com  |


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What do you all think or have heard about the Layla Professional Digital
Multitrack Recording System.

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Date: Wed, 16 Sep 1998 10:44:37 -0700
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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re: MIDI amp  channel switching
To: "Looper's Delight" <Loopers-Delight@annihilist.com>,
        "T.W. Hartnett" <hartnett.t@apple.com>
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     The Digital Music Corp's. GCX Expander relay loop switcher will 
     provide momentary and latching control of non midi items as well as 
     having 8 mono relay loops for things fuzzboxes, preamps, dsp's etc.
     
     Mine's been working like a champ for years.
     
     best,
     -Miko Biffle


______________________________ Reply Separator _________________________________
Subject: MIDI amp  channel switching
Author:  "T.W. Hartnett" <hartnett.t@apple.com> at INTERNET
Date:    9/16/98 12:19 PM


>Does anyone know if there is a device and or/interface that will
>control standard amp footswitching via midi,
>eg. I have no midi in on the amp just a footswitch jack.
>regards
>Rob

There are several devices which would do this.  The Rockman Octapus is a 
half-rack unit which will control up to 8 switching functions (channels, 
reverb, effects loop, whatever).  They've been discontinued, but often 
show up on Harmony Central and the like for between $75 and $100.  I 
believe Rocktron and Peavey made similiar units.

Travis Hartnett

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As an alternative, you might take a close
look at the new Akai samplers, S5000 and S6000.  They
can both read samples directly from the hard drive
(don't know how many at a time, but I'd expect at least
8), and the drive is formatted as DOS with WAV files.
Add an external sequencer, and I think It would make an
interesting alternative to a dedicated HD-recording
system paired w/ a drum machine. 

Jim

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From: Hoover Alan <HooverA@tce.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Equiptment
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This is one of the Event 1 products.  They have others.  See www.event1.com.

-----Original Message-----
From: GRAIGORY2@aol.com [mailto:GRAIGORY2@aol.com]
Sent: Wednesday, September 16, 1998 12:31 PM
To: Loopers-Delight@annihilist.com
Subject: Equiptment


What do you all think or have heard about the Layla Professional Digital
Multitrack Recording System.

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From: Mike.Biffle@wj.com (Mike Biffle)
Subject: Re[2]: MIDI amp  channel switching
To: "Looper's Delight" <Loopers-Delight@annihilist.com>,
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     I forgot this... They will upgrade the GCX switcher to stereo loops. I 
     think they'll only do this on up to four of them, but that's pretty 
     substantial and opens the unit up to many more possibilities.
     
     Good stuff.
     
     -m


______________________________ Reply Separator _________________________________
Subject: Re: MIDI amp  channel switching
Author:  Mike.Biffle@wj.com (Mike Biffle) at INTERNET
Date:    9/16/98 10:44 AM


     The Digital Music Corp's. GCX Expander relay loop switcher will 
     provide momentary and latching control of non midi items as well as 
     having 8 mono relay loops for things fuzzboxes, preamps, dsp's etc.
     
     Mine's been working like a champ for years.
     
     best,
     -Miko Biffle


______________________________ Reply Separator _________________________________
Subject: MIDI amp  channel switching
Author:  "T.W. Hartnett" <hartnett.t@apple.com> at INTERNET
Date:    9/16/98 12:19 PM


>Does anyone know if there is a device and or/interface that will
>control standard amp footswitching via midi,
>eg. I have no midi in on the amp just a footswitch jack.
>regards
>Rob

There are several devices which would do this.  The Rockman Octapus is a 
half-rack unit which will control up to 8 switching functions (channels, 
reverb, effects loop, whatever).  They've been discontinued, but often 
show up on Harmony Central and the like for between $75 and $100.  I 
believe Rocktron and Peavey made similiar units.

Travis Hartnett

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Subject: MIDI amp  channel switching
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>Does anyone know if there is a device and or/interface that will
>control standard amp footswitching via midi,
>eg. I have no midi in on the amp just a footswitch jack.
>regards
>Rob

There are several devices which would do this.  The Rockman Octapus is a 
half-rack unit which will control up to 8 switching functions (channels, 
reverb, effects loop, whatever).  They've been discontinued, but often 
show up on Harmony Central and the like for between $75 and $100.  I 
believe Rocktron and Peavey made similiar units.

Travis Hartnett

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(blush) i meant MiniDisc.  ahem.

The D/A A/D converters in many of the new models are fabulous...  even
though my Sony MZR50 has some noise and is compression based I find it's
output sweeter by far than my Mac's builtin 16bit44k sound and very similar
to the high-q outs of my audiomedia card (which should be about the best
16bit sound around.)

Also I can use the MD to capture and store unlimited length seamless
loops...  I used a 55 sec loop of enviornmental sounds in a performance
over the weekend, actually.

All this might make it the perfect looper's companion.


 _________________________________
/robb monn -- robm@nytimes.com  |


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>>I am getting PISSED with the sound quality of computers and what not... so
>I
>>am thinking about getting the following things...
>>
>>1)digital 8 track
>>2) dat machine
>>3)standalone CDR
>>4)ASR-X pro

these are all computers, too, in the end. Get a good sound card. I am very
happy with Mac and Korg1212


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GRAIGORY2@aol.com wrote:

> What do you all think or have heard about the Layla Professional Digital
> Multitrack Recording System.

I have one and love it...I also love Event. I had no problems installing it,
running it, and paying the relatively low price (899$) for it. Then add the
free software like CD Architect, very professional. I make a loop on my
echoplex and if I like it I dump it right into the computer. This was my
first jump into the digital age and I'm very happy I chose Layla. Check out
their web site. I think it's Event.com or Event1.com.

Matthew Pierce


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Microphones....

I have two regular PA mics (3 pin joints) and I am not really liking the way
lyrics sounds coming from them... any suggestions on mic amps? or new mics?

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Date: Wed, 16 Sep 1998 15:49:30 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: Re: Home Studio
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At 06:29 PM 9/16/98 -0500, you wrote:
>>In a message dated 9/16/98 11:21:58 AM Eastern Daylight Time,
>>dmgraph@earthlink.net writes:
>>
>><< forget the DAT >>
>>
>>
>>I want to be able to create my beats at home, then have a quality copy to
>>transfer over in the studio for vocals and mastering, then come home and burn
>>my cds.... is there something that i can do that with besides a DAT?
>
>The "quality copy" could as easily be your own CD.  Whether the studio can
>give you a CD rather than DAT is the question....
>

I've seen this discussion before on other lists.....I think a lot of studios
are just DAT-centric, for better or worse. You might want to check with the
studios you expect to work with, but it seems that owning a DAT is still
useful. Eventually, you ought to be able to just transfer files over the
internet, but I don't think we're quite there yet.

kim
________________________________________________________
Kim Flint, MTS		       408-752-9284
Chromatic Research	       kflint@chromatic.com
http://www.chromatic.com

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From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: Home Studio
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>In a message dated 9/16/98 11:21:58 AM Eastern Daylight Time,
>dmgraph@earthlink.net writes:
>
><< forget the DAT >>
>
>
>I want to be able to create my beats at home, then have a quality copy to
>transfer over in the studio for vocals and mastering, then come home and burn
>my cds.... is there something that i can do that with besides a DAT?

The "quality copy" could as easily be your own CD.  Whether the studio can
give you a CD rather than DAT is the question....


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From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: midi to jack ?
Date: Wed, 16 Sep 1998 22:55:03 -0400
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> 
> Does anyone know if there is a device and or/interface that will
> control standard amp footswitching via midi,
> eg. I have no midi in on the amp just a footswitch jack.
> regards
> Rob

the ol' rockman octopus, and rarer still, the three 'relay devices' by lake
butler/midigator - all can respond to a midi prog change command. 
Each patch can contain any combination of eight on/off states, assignable
to 1/4" jack - acceptable to many amplifier amp footswitches

you see the rockman octopus used a  lot

peace, andre'

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From: "Collins" <collinsclan@sprintmail.com>
To: <Loopers-Delight@annihilist.com>
Subject: To all into Different music
Date: Wed, 16 Sep 1998 23:31:34 -0400
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Hello all,
 Jeff here again...just to let all of you out there who are into some
strange and beautiful...and sometimes downright ugly music. Boy have i found
the site for you...

http://cyberbuzz.gatech.edu/wrek/wrek.html

A program that plays a lot of very ambient music called "FRICTION" and an
amazingly scary program called "DESTROY ALL MUSIC". This station has some
pretty great stuff, for those of us into it.

By the way I'd like to thank Jeff Duke for introducing me to this online
radio station.
Jeff Collins


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Date: Wed, 16 Sep 1998 21:08:56 -0700
From: Jim Poppen <zebu@mindspring.com>
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re: "Destroy All Music"... !!!Holy Saxophonomania!@#!*!!! Whoever did
that piece should either be shot or given a Pulitzer prize, can't decide
which... :-)

Thanks for the pointer!

Jim

Collins wrote:
> 
> Hello all,
>  Jeff here again...just to let all of you out there who are into some
> strange and beautiful...and sometimes downright ugly music. Boy have i found
> the site for you...
> 
> http://cyberbuzz.gatech.edu/wrek/wrek.html
> 
> A program that plays a lot of very ambient music called "FRICTION" and an
> amazingly scary program called "DESTROY ALL MUSIC". This station has some
> pretty great stuff, for those of us into it.
> 
> By the way I'd like to thank Jeff Duke for introducing me to this online
> radio station.
> Jeff Collins

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In a message dated 9/17/98 2:45:31 AM Mid-Atlantic Daylight Time,
collinsclan@sprintmail.com writes:

<< collinsclan@sprintmail.com >>

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sorry about my last post.....hit the wrong key.......michael

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Date: Thu, 17 Sep 1998 02:43:40 -0300
To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: groovesamplers
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I wonder which samplers play best with which looper.

I changed my mind and would like to take a HD full of drum loops (sampled
from african and southamerican drum bands!) on stage to create some
"dancing ambient" improvised popular instrumental music :-)

So I imagine, the sampler should be able to keep looping those samples at
their full lengh and send a sync to the looper each time the sample reaches
the end. Is that possible?

Or do you loop the samples in the looper? Its what I do now, from CD, but I
could do it more acurate on the computer and have the looper free and have
it stereo if it came directly from a sample player.

Thank you for advice and creativity
Matthias


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To: Loopers-Delight@annihilist.com
From: Matthias Grob <matthias@grob.org>
Subject: Re: MIDI amp  channel switching
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>>Does anyone know if there is a device and or/interface that will
>>control standard amp footswitching via midi,
>>eg. I have no midi in on the amp just a footswitch jack.
>>regards
>>Rob
>
>There are several devices which would do this.  The Rockman Octapus is a
>half-rack unit which will control up to 8 switching functions (channels,
>reverb, effects loop, whatever).  They've been discontinued, but often
>show up on Harmony Central and the like for between $75 and $100.  I
>believe Rocktron and Peavey made similiar units.

I need such stuff, too. Would be better even with a fader to blend two
channels together or pan the plex outputs.
I guess Doepfer is good on that. Any experiences?


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Date: Thu, 17 Sep 1998 09:05:00 +0100
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GRAIGORY2@aol.com wrote:
> 
> What do you all think or have heard about the Layla Professional Digital
> Multitrack Recording System.

For lots of user opinion, check out alt.steinberg.cubase

In summary, everyone hates Event for not releasing drivers for a year
after they said they would.


-- 
Os
os@scee.sony.co.uk
os@collective.co.uk
http://www.collective.co.uk/

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I've been thinking of the same thing.
Eventually my choice is turning me to the ESI 4000 from Emu, which a low
price and a quality of sound no A3000 can even hope to have. The filter
section is a dream.

Anyway, thgat can be huge to have also to handle a sampler on stage
while playing guitar...
I tested not long ago (2 weeks) a new Roland thing which is a a kind of
octapad, whith -waow!- 8 pads, several hundreds of sounds, and loops.
You can create your own loops and the sounds are pretty incredible,
really and extremely dynamic.
So, it can add the thing of people seeing you perform the "rythm loop"
and then add other instruments on it, or you can prerecord your
percussion loop and then make it start when you want it. It coast about
us $700, I think.

Olivier Malhomme

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At 1:05 AM -0700 9/17/98, Os wrote:
>GRAIGORY2@aol.com wrote:
>>
>> What do you all think or have heard about the Layla Professional Digital
>> Multitrack Recording System.
>
>For lots of user opinion, check out alt.steinberg.cubase
>
>In summary, everyone hates Event for not releasing drivers for a year
>after they said they would.

took them about a year to release Layla after they first announced it,
maybe there's a pattern? :-)

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From ???@??? Thu Sep 17 10:19:51 1998
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Date: Thu, 17 Sep 1998 11:44:11 +0200
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From: Leonardo Cavallo <cavallo@dada.it>
Subject: Re: groovesamplers
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At 02.43 17/09/98 -0300, you wrote:
>I wonder which samplers play best with which looper.
>
>I changed my mind and would like to take a HD full of drum loops (sampled
>from african and southamerican drum bands!) on stage to create some
>"dancing ambient" improvised popular instrumental music :-)
>
>So I imagine, the sampler should be able to keep looping those samples at
>their full lengh and send a sync to the looper each time the sample reaches
>the end. Is that possible?
>
Hi Matthias

I think any good sampler with a seq (internale or dedicated device) should
do the work.

the seq should sync the sampler AND the looper to the same bar lenght. In
this way you could play your loops
over perfectly synchronized sampled grooves.

>for 
>Or do you loop the samples in the looper? Its what I do now, from CD

Knowing how a good seq can be rock solid about time (and having sadly
experienced sample drifting due to bad sync) I don't think this approach is
quite accurate. 
all the latest sampler seem to have good sequencing capabilities inside. go
for it...

ciao
leo


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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: Loopers-Delight@annihilist.com, Loopers-Delight-d@annihilist.com
Subject: Looping Music to Transition Seasons
Date: Thu, 17 Sep 1998 08:48:59 -0400
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A change of seasons is about to hit us.  Here in Boston, we can expect only
a few more beautiful days like today.

Do any of you have musical recommendations (with looping content, please) to
help us transition from one season to the next?

David K

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From: "Jonathan Brainin" <jbrainin@planet.net>
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In xase anyone is liiking for one:

-----Original Message-----
From: YESepb52995@csun.edu <YESepb52995@csun.edu>
Newsgroups: rec.music.makers.marketplace
Date: Wednesday, September 16, 1998 9:49 PM
Subject: FS: ROLAND GP-100


>$499 +Shipping
>
>Remove "YES" to respond

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Date: Thu, 17 Sep 1998 10:42:20 -0400
From: Matthew Pierce <seedmuse@bway.net>
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With regard to Layla:

As far as their untimely announcements I only heard about this much later so it
didn't bother me as I wasn't waiting for one, but I must say that Event has set
a new industry precedent; get the hype going by announcing the product and then
don't release it right away...what is this a new marketing strategy? I must say
though, for all this b.s. they have a solid product.

My pc setup includes 128 Ram, 3 gig hard running Cakewalk so I literally record
the loop by muting then sampler style (one), record the one pass and let
cakewalk do the looping after adjusting the tempo.

I'm a violinist and my absolutely mostest favoritest mic for recording and live
comes from the world of horns...the ATM-35 miniature condenser with a gooseneck
clip 'cause I can't afford anything else, but even if I had a Neumann I have a
noisy apartment (no excuse really). I don't have a mic pre but would buy a joe
meek if I could. I can't recommend this mic highly enough, it's my secret weapon
and especially if you're a fiddle player. You know, electric's sound horrible.

Matthew Pierce

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In a message dated 9/17/98 6:31:06 AM Eastern Daylight Time,
os@scee.sony.co.uk writes:

<< alt.steinberg.cubase >>

how do I get there?	

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I was thinking of getting the layla system for my computer, and someone told
me that you can share a SCSI bus in between an mpc2000 and a PC, so that you
can exchange files easy... true?	

From ???@??? Thu Sep 17 10:20:38 1998
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----------
> From: Robert Monn <robm@nytimes.com>
> To: Loopers-Delight@annihilist.com
> Subject: Re: Home Studio
> Date: Wednesday, September 16, 1998 12:50 PM
> 
> minidic works pretty well for me....

bummer!! sorry to hear ya got a "minidic"

LOL.

andre'

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From: "Collins" <collinsclan@sprintmail.com>
To: <Loopers-Delight@annihilist.com>
Subject: Re: To all into Different music
Date: Thu, 17 Sep 1998 12:27:46 -0400
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Jim,
I found out from forwarding through those amazing sense stunners that it is
Evan Parker with a piece titled "FINGERPRINTS". I actually thought it was
John Zorn...then i waited and forwarded through and was definitely shocked.
Jeff

-----Original Message-----
From: Jim Poppen <zebu@mindspring.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Thursday, September 17, 1998 12:16 AM
Subject: Re: To all into Different music


>re: "Destroy All Music"... !!!Holy Saxophonomania!@#!*!!! Whoever did
>that piece should either be shot or given a Pulitzer prize, can't decide
>which... :-)
>
>Thanks for the pointer!
>
>Jim
>
>Collins wrote:
>>
>> Hello all,
>>  Jeff here again...just to let all of you out there who are into some
>> strange and beautiful...and sometimes downright ugly music. Boy have i
found
>> the site for you...
>>
>> http://cyberbuzz.gatech.edu/wrek/wrek.html
>>
>> A program that plays a lot of very ambient music called "FRICTION" and an
>> amazingly scary program called "DESTROY ALL MUSIC". This station has some
>> pretty great stuff, for those of us into it.
>>
>> By the way I'd like to thank Jeff Duke for introducing me to this online
>> radio station.
>> Jeff Collins
>
>

From ???@??? Thu Sep 17 10:20:47 1998
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From: "William A. Cummings" <billcumm@sprynet.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Home Studio
Date: Thu, 17 Sep 1998 12:05:32 -0500
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Well, you could do all this with just the ASRX, and walk into the studio
with it under your arm. You'd also need a scsi Zip or Jaz drive for storing
your stuff on, although you might be able to get by just using the built in
floppies if your only doing drum sequencing.

IMHO, the X is the best sounding unit of its type. It also has 40 ultra high
quality FX built in, sampling and re-sampling, 16 track sequencer, and more.
Do be aware that the new ASRX-Pro is about to be released any minute, so the
stores are blowing out the original ASRX  (its BLACK) turbo versions at
$1000. or so. The deals will probably get even better once the new Pro model
(it's RED) hits the shelf, (I think), as the original model has been phased
out of production.

I own the original model with the 8-out expander, scsi (of course), 34 MB
max memory installed, and also the exp-3 "Dance" chip installed, and I'm
very happy with it !

Bill Cummings

-----Original Message-----
From:	GRAIGORY2@aol.com [mailto:GRAIGORY2@aol.com]
Sent:	Wednesday, September 16, 1998 10:51 AM
To:	Loopers-Delight@annihilist.com
Subject:	Re: Home Studio

In a message dated 9/16/98 11:21:58 AM Eastern Daylight Time,
dmgraph@earthlink.net writes:

<< forget the DAT >>


I want to be able to create my beats at home, then have a quality copy to
transfer over in the studio for vocals and mastering, then come home and
burn
my cds.... is there something that i can do that with besides a DAT?

From ???@??? Thu Sep 17 10:20:49 1998
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To: <Loopers-Delight@annihilist.com>
Subject: RE: Home Studio
Date: Thu, 17 Sep 1998 12:15:54 -0500
Message-ID: <002b01bde25e$d39ac260$1064a8c0@bill-s-computer>
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You can do this with the ASRX too.

One other product you might want to look at is ACID by sonic foundry. A
wicked PC program that lets you do amazing things with loops and beats. It's
easy to use too.

BTW, there is a substantial learning curve with most hardware  (I'm thinking
of Samplers and HD recorders here), and most software (such as sequencers,
i.e. cubase). I've had my X and Cubase for 6 months or so, and I'm still
digging deep to get to the more advanced functions, but it does get easier
as I go along. I do think ACID is relatively easy to use by comparison.

Bill Cummings

-----Original Message-----
From:	GRAIGORY2@aol.com [mailto:GRAIGORY2@aol.com]
Sent:	Thursday, September 17, 1998 10:08 AM
To:	Loopers-Delight@annihilist.com
Subject:	Re: Home Studio

I was thinking of getting the layla system for my computer, and someone told
me that you can share a SCSI bus in between an mpc2000 and a PC, so that you
can exchange files easy... true?

From ???@??? Fri Sep 18 00:26:37 1998
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From: Crossedout@aol.com
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Date: Thu, 17 Sep 1998 14:59:17 EDT
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In a message dated 9/17/98 10:24:15 AM Central Daylight Time,
GRAIGORY2@aol.com writes:

<< I was thinking of getting the layla system for my computer, and someone
told
 me that you can share a SCSI bus in between an mpc2000 and a PC, so that you
 can exchange files easy... true?	
  >>

check www.akaipro.com for MPC specs...

The MPC does have a 25-pin SCSI port on it, and it will read .wav audio and
write it too (with the new 1.7 software, also on the website). I don't know
how well it will hook up with a computer since I haven't tried it. But
theoretically, it should be able to. Good luck. 

- Bill
Crossedout@aol.com

From ???@??? Fri Sep 18 00:26:50 1998
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From: Michael Peters <mpeters@csi.com>
To: "'Andre LaFosse'" <altruist@earthlink.net>,
        "'Loopers Delight'"
	 <Loopers-Delight@annihilist.com>,
        "'raül bonell tomàs'"
	 <rauboto@dragonet.es>,
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	 <rcr@way.net>,
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	 <a2463105@smail.Uni-Koeln.DE>,
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	 <owner-goldtri-digest@aracnet.com>,
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	 <cmdcosmos@earthlink.net>,
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	 <willfred@gte.net>,
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To: "'bilg@worldnet.att.net'" <bilg@worldnet.att.net>,
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	 <hrmisao@ibm.net>,
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	 <halcyon@halcyonrecordings.com>,
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	 <ahollo@connexus.net.au>,
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	 <ambient-digest-owner@hyperreal.org>,
        "'ENAT21213@aol.com'"
	 <ENAT21213@aol.com>
To: "'Paolo Valladolid'" <pvallado@waynesworld.ucsd.edu>,
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	 <entropymusic@onelist.com>,
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	 <nervenet@noc.pue.udlap.mx>,
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        "'Michael Rüsenberg'" <Michael_Ruesenberg@compuserve.com>,
        "'Randy A. Scott'" <ras@iname.com>
To: "'Edward James Hudek'" <hudek@stratos.net>
Subject: ESCAPE VELOOPITY available now
Date: Thu, 17 Sep 1998 21:53:46 +0200
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Michael Peters: ESCAPE VELOOPITY - a CD of electronic guitar loop 
improvisations

... available now by mail order!


---------------------------
>From the website guestbook and emails:

"... some great ambient ventures in the style of Eno/Fripp but very unique. 
Very impressive. [...]  In an age when much music is quite stagnant it is great 
to see some serious exploration taking  place."

"... very impressed with what you have done. A great display of talent!!!! 
Excellent technique and  style."

"... very interesting music! Etherial and nostalgic! Relaxing and thoughtfully 
provocative!"

" ... listened to the sound files on your Web page, and I wanted to drop a line 
to say how impressed I was. Some of the better music (looped or otherwise) that 
I've heard in a long time ..."


---------------------------
>From the Eurock website:

"A former member of that late, great German band Camera Obscura re-emerges with 
a new album of  electronic guitar music that adds new dimensions to the genre 
pioneered by Frippertronics. Like  Michael Brook, Peters' music contains more 
emotion than that of Fripp, but unlike Brook he avoids  overly formalized 
composition. His intent is not to produce great art, but interesting 
synthesized  guitar music. The result is a series of loose pieces that explore 
different shades of light and  dark sonically, ultimately congealing into an 
instrumental tapestry of multi-tone colors. At times  the music is so powerful 
it will send shivers up your spine, alternately it will waft over you like the 
darkness of sleep."


---------------------------
More details, realaudio, guestbook and order information at

	http://listen.to/michaelpeters







From ???@??? Fri Sep 18 00:27:42 1998
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At 10:42 AM 9/17/98, Matthew Pierce wrote:

>As far as their untimely announcements I only heard about this much later so it
>didn't bother me as I wasn't waiting for one, but I must say that Event has set
>a new industry precedent; get the hype going by announcing the product and then
>don't release it right away...what is this a new marketing strategy? I must say
>though, for all this b.s. they have a solid product.
----------------
The main reason for this kind of vaporware hype from day one has been to
keep the potential buyer tantakized and create desire. If the technology's
promise pushes the buyer's buttons, then s/he won't buy anything else
(read: competing product) until the "promise" is delivered.

There are usually legitimate delays as well, but marketers play mostly on
the buyer's weaknesses.

Think about it - for just about everyone on this mailing list, the imagined
"right" synth is desire incarnate.

Now, if I could only justify 6K for Scope.  :)

Sanford


From ???@??? Fri Sep 18 00:27:44 1998
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To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: Re: Equiptment...Layla
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At 07:10 PM 9/17/98 -0500, siforte@ix.netcom.com wrote:
>At 10:42 AM 9/17/98, Matthew Pierce wrote:
>
>>As far as their untimely announcements I only heard about this much later
so it
>>didn't bother me as I wasn't waiting for one, but I must say that Event
has set
>>a new industry precedent; get the hype going by announcing the product and
then
>>don't release it right away...what is this a new marketing strategy? I
must say
>>though, for all this b.s. they have a solid product.
>----------------
>The main reason for this kind of vaporware hype from day one has been to
>keep the potential buyer tantakized and create desire. If the technology's
>promise pushes the buyer's buttons, then s/he won't buy anything else
>(read: competing product) until the "promise" is delivered.
>
>There are usually legitimate delays as well, but marketers play mostly on
>the buyer's weaknesses.

Also known as FUD - Fear, Uncertainty, and Doubt. Also a good way to scare
potential competitors from getting into a market, if they don't think they
could match your vapor product. Or scaring stores and distributors from
stocking the competition. Great fun!

kim


ps: don't forget to vote Eric Cartman in Time's person of the century award
ballot:
http://cgi.pathfinder.com/time/time100/poc/century.html
________________________________________________________
Kim Flint, MTS		       408-752-9284
Chromatic Research	       kflint@chromatic.com
http://www.chromatic.com

From ???@??? Fri Sep 18 00:27:41 1998
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Matthew Pierce wrote:
> 
> With regard to Layla:
> 
> As far as their untimely announcements I only heard about this much later so it
> didn't bother me as I wasn't waiting for one, but I must say that Event has set
> a new industry precedent; get the hype going by announcing the product and then
> don't release it right away...what is this a new marketing strategy? I must say
> though, for all this b.s. they have a solid product.
> 

I think this new profusion of vaporware (MOTU 2408, Mackie D8B,
etc.) is to be expected, as these products become more complex,
interact in complex ways with other equipment, and especially
when hooked up to a PC.  I heard a rumor that the major reason
for the 2408 shipping delay was for writing the PC drivers.
Personally, I try not to depend on manufacturer shipping dates,
but do like to know of new things ahead of time.  Sometimes
it is worth waiting a while for a better product.

Jim

From ???@??? Fri Sep 18 00:28:24 1998
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Reply-To: <gnominus@earthling.net>
From: "Javier Miranda V." <gnominus@earthling.net>
To: <Loopers-Delight@annihilist.com>
Subject: RE: Equipment
Date: Thu, 17 Sep 1998 19:19:45 -0700
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You need a news reader, like Outlook Express, and hook up through your ISP's newsgroups, or

Use your browser and connect via http://www.talkworks.com.  They serve you the whole newsgroup in a WebPages.  They're hot.

You can also do searches on newsgroups via http://www.dejanews.com.

| -----Original Message-----
| From: GRAIGORY2@aol.com [mailto:GRAIGORY2@aol.com]
| Sent: Thursday 17 September 1998 8:00 AM
| To: Loopers-Delight@annihilist.com
| Subject: Re: Equipment
| 
| 
| In a message dated 9/17/98 6:31:06 AM Eastern Daylight Time,
| os@scee.sony.co.uk writes:
| 
| << alt.steinberg.cubase >>
| 
| how do I get there?	
| 
| 
From ???@??? Fri Sep 18 09:42:39 1998
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Message-ID: <360221F0.FB07BE93@musician.org>
Date: Fri, 18 Sep 1998 02:03:50 -0700
From: eric potter <eric@musician.org>
Reply-To: eric@musician.org
Organization: Hog Wild Music and Sound FX
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To: Loopers-Delight@annihilist.com
Subject: Re: Looping Music to Transition Seasons
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Go outside with a portable recorder and a skechpad. Find a place to sit,
breathe deeply and when you're ready sing  tones or make vocal sounds into the
tape or even describe the feeling of the atmosphere. Sketch a visual
representation of the feeliing and vibe of the environment, maybe draw some
waves that look like the sound you might be imagining as you're there.

The idea is to intensify your awareness and deepen your experience while you
are there, then bring everything back home and start sketching the soundscape,
both working from memory and referring to your field notes.

I miss New England, especially right about now. Actually, noticing the change
of seasons in Southern California can be VERY sensitizing. If your not paying
attention, you'll eventually look around and wonder what season it is.

eric p

David Kirkdorffer wrote:

> A change of seasons is about to hit us.  Here in Boston, we can expect only
> a few more beautiful days like today.
>
> Do any of you have musical recommendations (with looping content, please) to
> help us transition from one season to the next?
>
> David K



From ???@??? Fri Sep 18 09:43:26 1998
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Message-ID: <2C396693FBDED111AEF60000F84104A71A6497@indyexch_fddi.indy.tce.com>
From: Hoover Alan <HooverA@tce.com>
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Subject: Testing
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Testing

From ???@??? Fri Sep 18 23:48:58 1998
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Date: Fri, 18 Sep 1998 13:24:32 -0400
From: Jason Lescalleet <noises@worldnet.att.net>
Organization: head of the maja
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To: Loopers-Delight@annihilist.com
Subject: new LP of Loops
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check out this record!
it's a compilation of 500 artists, each artist submitting a loop for one
groove on the record.
that's right, 250 locked grooves on each side.
put the needle in a groove, and it will play that loop forever (or until
you move the needle to another groove).

this record is sure to sell out.  (the 100 groove 7" is long-gone)

artists include:
aube
jan werner
l@n
toy bizarre
zoviet france
p.a.l.
#/tau
noisex
the doo-dooettes
gov't alpha
jad fair
tom dimuzio
princess dragon-mom
his name is alive
voice crack
grunt
impact test
evil moisture
ashtray navigations
agoraphobic nosebleed
lull
deerhoof
dissecting table
japanese torture comedy hour
sudden infant
bertoia
terry riley
derek bailey
red krayola
john oswald
schloss tegal
free kitten
rehberg and bauer
artificial memory trace
skin crime
faxed head
the haters
amk
macronympha
chop shop
lee renaldo
john wiggins
jerome noetinger
rlw
en nihil
pain jerk
naj
runzelstirn and gurgelstock
sonic youth
smell and quim
msbr
crank sturgeon
cock e.s.p.

and too many more!
reply to order your copy for ten bucks.


jason


From ???@??? Fri Sep 18 23:48:44 1998
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Date: Fri, 18 Sep 1998 11:34:08 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: some good Echoplex news from oberheim
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Despite the fun we all would have had rushing to the store to buy the last
echoplexes on earth, and bidding the used prices up into the stratosphere,
looks like the 'plex has survived the recent "adjustments" at Gibson and
Oberheim. Here's the news:

At 6:49 AM -0700 9/18/98, Michael Ayers wrote:
>Hi, Kim;
>
>Good news to pass on to your Echoplex devotees. Beginning next week,
>Oberheim will once again be manufacturing and shipping the Echoplex.
>Evidently, the unit was so popular that Gibson couldn't bring itself to end
>it.
>
>We will also have tech support and repair here in Nashville.
>
>Probably best of all, we're working on a deal which will allow all
>authorized Gibson dealers to receive and sell the Echoplex, not just
>Oberheim dealers.
>
>I'll keep you posted.
>Take care,
>Michael Ayers

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From ???@??? Fri Sep 18 23:48:54 1998
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Date: Fri, 18 Sep 1998 16:36:03 -0400
From: buzzard@world.std.com (Sean T Barrett)
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Subject: Re:  some good Echoplex news from oberheim
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So Kim, does this mean you have to go
down and 'train' a new batch of employees?

Sean

From ???@??? Fri Sep 18 23:49:10 1998
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From: "Collins" <collinsclan@sprintmail.com>
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Subject: Re: some good Echoplex news from oberheim
Date: Fri, 18 Sep 1998 19:24:55 -0400
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Thanks Kim, I'm glad to hear that. Too bad Lexicon didn't find out the same
thing about the JamMan's popularity.
Jeff Collins

-----Original Message-----
From: Kim Flint <kflint@annihilist.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Friday, September 18, 1998 2:58 PM
Subject: some good Echoplex news from oberheim


>Despite the fun we all would have had rushing to the store to buy the last
>echoplexes on earth, and bidding the used prices up into the stratosphere,
>looks like the 'plex has survived the recent "adjustments" at Gibson and
>Oberheim. Here's the news:
>
>At 6:49 AM -0700 9/18/98, Michael Ayers wrote:
>>Hi, Kim;
>>
>>Good news to pass on to your Echoplex devotees. Beginning next week,
>>Oberheim will once again be manufacturing and shipping the Echoplex.
>>Evidently, the unit was so popular that Gibson couldn't bring itself to
end
>>it.
>>
>>We will also have tech support and repair here in Nashville.
>>
>>Probably best of all, we're working on a deal which will allow all
>>authorized Gibson dealers to receive and sell the Echoplex, not just
>>Oberheim dealers.
>>
>>I'll keep you posted.
>>Take care,
>>Michael Ayers
>
>______________________________________________________________________
>Kim Flint                   | Looper's Delight
>kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
>http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com
>
>
>

From ???@??? Fri Sep 18 23:49:23 1998
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From: GRAIGORY2@aol.com
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Date: Fri, 18 Sep 1998 21:38:06 EDT
To: Loopers-Delight@annihilist.com
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Which do you all feel is better... computer based, or stand alone CDR drives?

and what are your views on the following:

1) Phillips cdd-2600 and 2) Phillips cdr 870
3) Smart and Friendly  CD Rocket 
8x20 CD-Recorder 

From ???@??? Sat Sep 19 18:34:54 1998
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Subject: Re: CDRs
Date: Sat, 19 Sep 98 01:46:52 -0000
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>Which do you all feel is better... computer based, or stand alone CDR drives?
>
>and what are your views on the following:
>
>1) Phillips cdd-2600

I have a 2600 (APS). It's great, I've burned about 1000 CDRs or more on 
it, no problems. I love APS stuff too, works great with Macs.




 and 2) Phillips cdr 870
>3) Smart and Friendly  CD Rocket 
>8x20 CD-Recorder 
>

From ???@??? Fri Sep 18 23:49:30 1998
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Message-ID: <36031EC2.1925F1FB@texas.net>
Date: Fri, 18 Sep 1998 22:02:28 -0500
From: Bobdog Catlin <psbuddha@texas.net>
Reply-To: psbuddha@texas.net
Organization: Pseudo Buddha/Doghouse Ent.
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hi graigory -

i use a panasonic 7502 4x8 w/a mac. it came bundled w/toast which i feel
is somewhat weak; i'll be getting jam soon. it seems to me tht there are
better burning programs for pc than for mac.

*does anyone have suggestions for mac based burning software????*

i have not been impressed w/the stand alone cd burners,
    more expensive blanks
    limited to real time burning only

it's less expensive hardware-wise, though.

i've been *real* impressed w/smart & friendly burners, but i can't
afford one right now.

From ???@??? Fri Sep 18 23:49:35 1998
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Date: Fri, 18 Sep 1998 23:33:54 -0400
To: Loopers-Delight@annihilist.com
From: Doug Wyatt <doug@sonosphere.com>
Subject: Re: CDRs
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At 21:38 -0400 9/18/98, GRAIGORY2@aol.com wrote:
> Which do you all feel is better... computer based, or stand alone CDR drives?
>
> and what are your views on the following:
>
> 1) Phillips cdd-2600 and 2) Phillips cdr 870
> 3) Smart and Friendly  CD Rocket
> 8x20 CD-Recorder

What I like about my computer-based CD-R drive is that I can back up and
archive my computer files and my sampler's hard disk, as well as create
audio CD's.

I use a Ricoh CD-RW (not as cool as it used to be when CD-R blanks cost
more) on a Mac with Adaptec's Toast (fine for everything except audio) and
Jam (good for audio).  I've tried Digidesign's program, but it refuses to
work with my drive, saying that I need new firmware.  Toast and Jam don't
seem to mind (nor did the CD manufacturer).  Jam is pretty cool, you have a
fair amount of control over spacing and crossfades between tracks, and you
can audition everything before burning a disc.

What's best for you depends on how you're making your masters.  If you're
recording, mixing and/or mastering on the computer, then it's likely that
burning CD's from the computer will be a logical extension of what you're
already doing.  On the other hand, if you don't already have a way to get
CD-quality audio into the computer, then you'd need an audio card and 650
MB of hard disk space as well as the burner.  The standalone unit makes
sense, I suppose, in an environment where computer file backup and transfer
isn't so important and you're doing more work away from the computer.

Doug


--
Doug Wyatt                             doug@sonosphere.com
Sonosphere (electric/improv music)     http://www.sonosphere.com/
"Accidental Beauties" CD release:      http://www.sonosphere.com/wyatt/
available from CMC, 1-800-882-4262     http://www.MusicDiscoveries.com/


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Date: Sat, 19 Sep 1998 00:09:50 -0400 (EDT)
From: Rob Monn <robm@mailgate.nytimes.com>
To: Loopers-Delight@annihilist.com
Subject: Re: CDRs and the mac
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Having spent some time burnin on the mac and pc I have to interject here
and say that the mac is where it's at here.

toast is a great burner as long as you don't have to crossfade anything...
if you do pick up Jam, it makes master ready redbook cds with all the
codes fit to burn.  between those two apps there really isn't anything you
can't do (except burn copies of some cds with more than 10,000 files on
them.)

I can't say enough about these two mac based apps.

also, toast will let you copy direct from cd to cd and even let you line
up a bunch of tracks without extracting them and feed it the cds one at a
time as it burns... very handy for mix discs.

my $.02

long live the mac.

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From: Michael Peters <mpeters@csi.com>
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Date: Sat, 19 Sep 1998 14:07:58 +0200
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> reply to order your copy for ten bucks.

I want one. Please send me the details.


*	michael peters		mpeters@csi.com
*	"escape veloopity"	electronic guitar loop music
*	http://listen.to/michaelpeters




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In a message dated 9/19/98 4:54:08 AM, you wrote:

<<
I use a Ricoh CD-RW (not as cool as it used to be when CD-R blanks cost
more) on a Mac with Adaptec's Toast (fine for everything except audio) and
Jam (good for audio).  I've tried Digidesign's program, but it refuses to
work with my drive, saying that I need new firmware.  Toast and Jam don't
seem to mind (nor did the CD manufacturer).  Jam is pretty cool, you have a
fair amount of control over spacing and crossfades between tracks, and you
can audition everything before burning a disc.

W
Doug


--
Doug Wyatt                             doug@sonosphere.com
Sonosphere (electric/improv music)     http://www.sonosphere.com/

You can Download firmware and a firmware loader from 
http://www.ricoh.co.jp/cd-r/cgi/e-/version.html
This is firmware for the Ricoh CDR and CDRW. The latest version is 2.4
This is very easy to do on a MAC. I dont know about the PC.

Kelly

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hi robb -

on the subject of jam: can you crossfade?

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From: Saulnierds@aol.com
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hello to all
i have an akai mpc 2000.  and okay, so my first problem is trying to program
some beats that dont sound so straight and linear.  you know, i'm trying to
get some beats with some swing and some funk to them but they always come out
sounding so square and 1-2-3-4, like connect the dots.  i cannot figure out
the swing function on the damn machine, so if anyone can explain that to me a
little bit better that would be cool.  
also, i am trying to find or figure out how to get some of those nice crispy
hip hop drum sounds.  those drums that sounds real raw and dirty.  if anyone
can help me it would be greatly appreciated.  and if anyone has an mpc 2000
and would like to exchange tips and info that would be nice too.
thanks,
dave
saulnierds@aol.com

From ???@??? Sat Sep 19 18:35:15 1998
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From: Matthew Pierce <seedmuse@bway.net>
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Thanks for the discussion on mac likes and dislikes but I have a pc and I already
have an adaptec scsi card (ultrawide). Does anyone have any suggestions for
me...I also have CD Architect already but I don't know what kind of burner to
buy.

Matthew

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At 10:35 AM 9/19/98 -0400, you wrote:
>Thanks for the discussion on mac likes and dislikes but I have a pc and I
already
>have an adaptec scsi card (ultrawide). Does anyone have any suggestions for
>me...I also have CD Architect already but I don't know what kind of burner to
>buy.
>
>Matthew
> 

Read the CD Architect 'Read me' file... it should contain a list of all
supported CD burners..

Troy

From ???@??? Sun Sep 20 13:55:39 1998
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From: "future perfect" <artmusic@gte.net>
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What is the difference between CYC and CNF on the SwitchQuant parameter on
the 'Plex? The manual just states that there is just 'off' and 'on'.

Dave Eichenberger
*********************************************************************
'Future Perfect' - art music
http://home1.gte.net/artmusic/


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Hello dave, you'll probably hear from some others on this list who own
an mpc2000. Moi, I'm dying to get one next month! However, I have been
trying it out a lot in music stores along with the ASR-X. 

I can say this about the SWING function: move the cursor to the
"Timing:" parameter, select "EDIT" and viola, there's the "Swing:"
parameter.

On making beats funky and dirty (disclaimer: everyone probably does this
differently, and all established techniques are waiting to be broken!):
1) use varying dynamics! (i.e. vary the accents slightly) - nothing
makes a bit more stiff than unvarying accent levels, especially on
hihats, cymbals etc.
2) think of larger cycles which change above the basic groove
3) run the beat though a distortion/flanger/pitch shifter pedal etc.
4) stream the beat to a computer and process it WHOLE [with distortion,
very short delays (< 10 ms), slight reverb, pitch shifting] to get rid
of the "discrete beats" feel
5) resample snares, hihats etc. at a lower rate for a super dirty sound
6) use a compressor (esp. on bass drums) to get really FAT, oops I mean
PHAT sounds
7) break a groove into 1/8ths and reassemble the pieces (e.g. with
Recycler or whatever its called)
8) tweak the resonant frequencies of individual drum sounds (e.g. bass
drums)

n nuff o ma bla bla,
Rob

Saulnierds@aol.com wrote:
> 
> hello to all
> i have an akai mpc 2000.  and okay, so my first problem is trying to program
> some beats that dont sound so straight and linear.  you know, i'm trying to
> get some beats with some swing and some funk to them but they always come out
> sounding so square and 1-2-3-4, like connect the dots.  i cannot figure out
> the swing function on the damn machine, so if anyone can explain that to me a
> little bit better that would be cool.
> also, i am trying to find or figure out how to get some of those nice crispy
> hip hop drum sounds.  those drums that sounds real raw and dirty.  if anyone
> can help me it would be greatly appreciated.  and if anyone has an mpc 2000
> and would like to exchange tips and info that would be nice too.
> thanks,
> dave
> saulnierds@aol.com




From ???@??? Sun Sep 20 20:36:41 1998
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Hello loopers, sorry if these toys have already been discussed in the
last few weeks while I've been away. I'm looking to get a sampling drum
machine and I'm having a hard time deciding between the two (Akai
mpc2000 vs. Ensoniq ASR-X). The Akai seems to have the edge in
user-friendliness and MIDI (two outputs), while the Ensoniq rules with 
internal sounds, better filters, deeper resolution (384 ppq!).

My question: which of these is better live, i.e. which of these can be
tweaked most effectively?

thanks,
rob



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In a message dated 9/18/98 3:51:41 PM Central Daylight Time,
noises@worldnet.att.net writes:
http://www.brainwashed.com/rrr/index.html<< 
 this record is sure to sell out.  (the 100 groove 7" is long-gone)
  >>
The 7" (RRR 100) has been repressed...

check out RRR records web site.... http://www.brainwashed.com/rrr/index.html

- Crossedout@aol.com

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In a message dated 9/18/98 8:49:43 PM Central Daylight Time, GRAIGORY2@aol.com
writes:

<< Which do you all feel is better... computer based, or stand alone CDR
drives?
 
 and what are your views on the following:
 
 1) Phillips cdd-2600 >>


having converted my stand-alone to a computer-based one, I think I should have
just gone with computer-based from the get-go. 

And my burner is the 2600, and I like it very much. I've burnt a few hundred
discs now, and only one "coaster". 

- Crossedout@aol.com

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In a message dated 9/19/98 10:10:27 AM Central Daylight Time,
stetina@execpc.com writes:

<< 
 Read the CD Architect 'Read me' file... it should contain a list of all
 supported CD burners..
 
  >>
And also check out the company's web site - many will post updates as new
burners come on the market. 

- Crossedout@aol.com

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From: Jason Lescalleet <noises@worldnet.att.net>
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Crossedout@aol.com wrote:

> In a message dated 9/18/98 3:51:41 PM Central Daylight Time,
> noises@worldnet.att.net writes:
> http://www.brainwashed.com/rrr/index.html<<
>  this record is sure to sell out.  (the 100 groove 7" is long-gone)
>   >>
> The 7" (RRR 100) has been repressed...

the 7" was repressed three times and is now sold out for the last time.
the webpage you refer to was not put up by RRR and is out of date.

jason


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Which record is the new one?	

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Date: Sun, 20 Sep 1998 22:01:16 -0400 (EDT)
From: Rob Monn <robm@mailgate.nytimes.com>
To: Loopers-Delight@annihilist.com
Subject: crossfading in jam.
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yup. i can crossfade.  if anyone who is using jam has trouble crossfading,
they should read that manual.  i was very dissapointed with jam and my
panasonic cdr w/r/t it's seeming inability to xfade until i read the book
and found that i had been trying to use the program insocrrectly.  almost
all cdrs can write xfades.

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Date: Sun, 20 Sep 1998 22:04:32 -0400 (EDT)
From: Adam Levin <alevin@DarkAether.net>
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Subject: Fragments of the Mass Dream
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                        FRAGMENTS OF THE MASS DREAM
                     Diverse Directions in Guitar Music
                        Friday, October 9th 1998 9pm
        Cafe Tattoo - 4825 Belair Road - Baltimore MD (410)325-7427

One instrument, three different styles of music. On Friday October 9th
Cafe Tattoo (The Baltimore City Paper's pick for the Best Jazz Club for
1998) will be hosting an exciting and diverse evening of guitar music.
FingerPaint, The Dark Aether Project, and Tony Geballe converge from
diverse musical backgrounds to share their love of sonic exploration. 
Fragments of musical vision presented as one whole evening of enticing
music. 
----- 
FingerPaint is guitarists/synthesists Steev Geest and Patrick Smith.
Exploring the edges of electronic music and spontaneous composition, their
improvisatory soundscapes have been described as "sinister and alien" by
the Philadelphia City Paper.  

See http://www.fingerpaint.net/ for more information about FingerPaint.  
----- 
The Dark Aether Project features Adam Levin (Warr 8 String Touch Guitar/
Loops), Yaman Aksu (Fretted and Fretless Guitars/Guitar Synth), and
Brian Griffin (Drums).  Progression magazine says "...jazz-inflected,
often minimalistic...foreboding soundscape[s]...  classy...offers mature
musicianship without pretentiousness."  Expose says "...intense and
blistering lead work...amazing loops and shimmering textures that are at
once haunting and dreamlike...worthy of attention." 

See http://www.darkaether.net/ for more info on The Dark Aether Project
-----
Tony Geballe has been a member of the Turkish music trio Dostlar and the
New York Indonesian Consulate Gamelan. As a member of Robert Fripp and the
League of Crafty Guitarists, Tony has made several recordings and toured
Israel, Europe and the US, as well as appearing on local and national
radio and television shows. 

The 12-string guitar is primarily known as a folk instrument, but Tony
combines elements of classical and jazz techniques, harmony and form with
the shimmering and resonant sound of the instrument, to create a unique,
compelling and satisfying music. Tony 's CD of solo 12-string guitar
music, "Native of the Rain," has been released by Discipline Global Mobile
records.

"Deftly bridges the chasm between pop accessibility and meticulously
crafted musicianship. Geballe's compositions, awash in dazzling, evocative
sonic cascades, demonstrate just how far one exemplary musician can push
the musical envelope armed with only one 12-string acoustic guitar." 
-----


-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/




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From: klaw@iglou.com
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Date: Sun, 20 Sep 1998 22:58:04 -0400
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Hello anyone here currently working in  just intonation on guitar.Im about
to  convert a strat to  fretless for this purpose.Please email me directly
with any tips, expierences etc.  Thanks as always K LAW


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Date: Sun, 20 Sep 1998 22:09:45 -0500
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From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Jam-Man spontaneous reset....
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I recall a while age there was some mention of a jam man spontaneously
resetting itself. Mine is doing this currently. The display flickers
sporadically when it happens.

Any ideas? I've got a show coming up on thursday....

-Chuck Zwicky

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Date: Sun, 20 Sep 1998 20:34:18 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: Echoplex SwitchQuant
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At 3:02 AM -0700 9/20/98, future perfect wrote:
>What is the difference between CYC and CNF on the SwitchQuant parameter on
>the 'Plex? The manual just states that there is just 'off' and 'on'.
>
>Dave Eichenberger

I haven't finished that FAQ page yet, sorry...:-)

This is what it's going to say:


The SwitchQuant parameter lets you select whether loop switching happens
immediately or not. There are currently three values for this parameter.

SwitchQuant=Off
means that a press of the NextLoop button immediately sends you to the next
loop.
So if you are in loop 4, and press Next, you instantly jump to loop 5.


SwitchQuant=CYC
means that the Echoplex will wait until the current cycle finishes before
switching. For example, you record something in loop number 1. As the loop is
playing, you press Next somewhere in the middle. The echoplex display will show
"L 2", which tells you which loop you will be going to. Pressing Next again
shows
"L 3", and so on. When the end of the loop arrives, you jump to the one
displayed.

If you have used Multiply on the loop you are in, the echoplex will jump to the
next loop at the end of the cycle in which you press Next. Say you have
Multiplied a loop to have 4 cycles (counting in the multiple display). You
press
Next during Multiple #2. Switching will occur at the end of multiple 2, not the
end of the whole loop.


SwitchQuant=Cnf
"Cnf" stands for "confirm." In this mode, the echoplex goes into a waiting
period
when you press Next. It jumps to the loop shown in the display when you
"confirm"
that you want to switch. You do this be pressing the Undo button.

The point of this is you can more easily decide which loop you are switching to
with confirm mode. You can continue to press NextLoop until the display
shows the
one you want, and then press Undo and go there. The current loop continues to
play during this time. If you want to be executing a particular function
when you
go to the next loop (recording, overdubbing, copying, etc.) you can press those
from the "ooo" waiting period.

example:
you are in loop 1, and want to switch to loop 7
you press Next, the display shows "ooo". Loop 1 continues to play.
you keep pressing Next until the display shows "L 7"
then you press Undo when want to switch, and you immediately go to loop 7.

If you want to have have a function like Record immediately start when you
go to
Loop 7, press that button instead of Undo. (so when it says "L 7" press Record,
and you will immediately be recording in Loop 7.

With short loops this mode is helpful, because it gives you more time to set
things up before the loop switch.


During the waiting periods for SwitchQuant=on and cnf, you have the opportumity
to copy the current loop's audio or time base into the loop you are going to.
This is explained in the manual under SwitchQuant, and is done with the
multiply
and insert buttons, repectively.


kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: new LP of Loops
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>the 7" was repressed three times and is now sold out for the last time.
>the webpage you refer to was not put up by RRR and is out of date.
>
>jason

Three repressings!  Golly, must be a great product.  RRRon Lessard must
have made a few bucks.  Too bad that no one who is ever involved with these
"cool" projects ever sees a dime (ahem!).  Will admit that my track
(literally) was only one revolution, but shouldn't somebody consider this?
Ron is a nice guy and I don't mean to put him down, but someone provides
the content for these silly projects, while somebody else sells a few
thousand at something like five bucks a pop.  The former receives two
lovely copies of said item.

Sorry to be spiteful.  I haven't even thought of this little thing for
years.  But isn't there something wrong here?  Musicians, are you valuing
yourselves enough?  Shouldn't you get *something*, for chrissakes?

David Myers


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Date: Sun, 20 Sep 1998 21:25:31 -0700
To: Loopers-Delight@annihilist.com
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Subject: new stuff on the LD website
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I put a couple new things on the Looper's Delight website today.

first, a page for the dod dimension 12, including Chuck's review from a few
months ago. So whoever was asking for that, here ya go:

http://www.annihilist.com/loop/tools/dimension12/D12.html


and second, a schematic for the original tube based, tape echoplex of long
ago. Linked from the Maestro Echoplex page:

http://www.annihilist.com/loop/tools/oldechoplex/oldechoplex.html


enjoy!

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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In a message dated 9/21/98 3:41:10 AM Mid-Atlantic Daylight Time,
kflint@annihilist.com writes:

<< http://www.annihilist.com/loop/tools/dimension12/D12.html >>
thanks kim for the reprint of this info.......michael

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David Kirkdorffer wrote:

> My guess: Loopers-Delight has helped save the Echoplex.  That's to say, my
> guess is were L-D running with as much momentum then (at the time lexicon
> decided to pull the plug on JAMMAN) as if has today, we would still have
> JAMMAN on the market.
>
> By the way, I saw ANOTHER new "guitar-oriented" looper in this months
> Musicans Friend.
>
> David K

How many people are one the list now?  How much clout does the mighty LD
knight wield?  Does that make Kim King Arthur?  Should I have gotten more
sleep last night?

tdb1

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GRAIGORY2@aol.com wrote:

> Which record is the new one?

the RRR-500 LP is new.

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To: Loopers-Delight@annihilist.com, ChuckZwicky <chuck.zwicky@wavefront.com>
Subject: Re: Jam-Man spontaneous reset....
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Hi CHuck,

This happened once to my Vortex. If you can, try another power supply, in
my case it did the trick. I knew 'cause I swapped it with my JamMan
supply which was handy. Be careful, of course, I believe the current
should be AC, so finding one in a pinch could be tough.

-eric p.
los angeles

Chuck Zwicky wrote:

> I recall a while age there was some mention of a jam man spontaneously
> resetting itself. Mine is doing this currently. The display flickers
> sporadically when it happens.
>
> Any ideas? I've got a show coming up on thursday....
>
> -Chuck Zwicky



From ???@??? Mon Sep 21 10:53:18 1998
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Date: Mon, 21 Sep 1998 08:14:55 -0400
From: Jason Lescalleet <noises@worldnet.att.net>
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> >the 7" was repressed three times and is now sold out for the last time.
> >the webpage you refer to was not put up by RRR and is out of date.
> >
> >jason
>
> Three repressings!  Golly, must be a great product.
>

my mistake.  two repressings, three pressings total.

>  RRRon Lessard must have made a few bucks.

think about what you're saying.  ron made a few dollars?  is something wrong
with making money?
what about the records ron has lost money on?

>  Too bad that no one who is ever involved with these "cool" projects ever
> sees a dime (ahem!).

this is a false statement.  the lock groove records are the exception to the
rule.  many artists have released successful records thru ron's label.
think about it.  do people buy the lock-groove records for the artists involved
or for the concept of a cool record?   nobody's made a record like that before
or since.

>  Will admit that my track(literally) was only one revolution, but shouldn't
> somebody consider this?

(what is the name of yr groove?  i don't recall a david myers track.)  do you
really think you deserved more than what you received?  how much should each of
the hundred artists received?  how much effort did you put into recording that
two second snippet of audio?  who bought the 7" because yr name is on it?

> But isn't there something wrong here?

no.

>  Musicians, are you valuing yourselves enough?  Shouldn't you get
> *something*, for chrissakes?

if you received two copies, you received one more copy than you deserved.  if
you wanted to make money with the record, you could've bought some from ron at
wholesale cost and sold them yourself.  most of the artists i know are simply
thrilled to be on the record and were very very happy to receive their copy as
payment.

stop whining, you're making loopers look bad.

jason


ps., anybody out there want to buy a copy of the new and exciting RRR-500
lockgroove record?

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To: Loopers-Delight@annihilist.com
From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: Live streaming from Japan tomorrow!!
Cc: stayclose@moon.cooshin.kita.osaka.jp
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Hi Loopers,

LIVE INFORMATION

LOOPER'S DELIGHT J
"Loop is life,Life is loop"

22th Sept (tomorrow!!)
at BARTON HALL,Nishinomiya,Japan

We will live streaming our show via Real Audio.
Please listen us in around the world ;)

Please hit this address by Real Player 5.0 or later.
pnm://210.163.123.36.loopers_j.rm

Streaming time is maybe 18:00 - 21:30(JST)
then London is 10:00 - 13:30 22th,NYC is 4:00 - 7:30 22th I guess..

more info avaialable:
http://www.threeweb.ad.jp/~cave/LD_J.html

 p.s.
Collins and Joseph,
Thanks for your materials,we will use it tomorrow!

  Regards

  Sunao Inami

Work
E-mail                          webmaster@cavestudio.com
URL"CAVE Studio"         http://www.cavestudio.com
tel&fax                         +81 794 89 5025 Hyogo,Japan

Home
E-mail                          cave@osk.3web.ne.jp
URL"cave home"            http://www.threeweb.ad.jp/~cave/
tel&fax                        +81 794 89 5015 Hyogo,Japan

snail mail address       316 Ohshima
                                    Kuchiyokawa
                                    Miki City
                                    Hyogo
                                    Japan
                                    6730755




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Date: Mon, 21 Sep 1998 13:59:13 +0100
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Also, yes, I know, It was partly answered lately, but , erm, I don't get
it
Well. I have Cubase VST, and a few things like peak, mastertrack... and
at my job place ther is a CD burner with toast 3.5.4, I think. Can I
expect to bring the audio files at my job place and burn a CD with them,
or must I necessarily buy jam???

Olivier Malhomme

From ???@??? Mon Sep 21 10:53:25 1998
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Date: Mon, 21 Sep 1998 06:02:50 -0700
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Hey everybody,

I'd like to hear anything about using the older Digitech stuff for
looping, particularly the RDS-8000, RDS-3.6 sec. and the RDS-1900. I've
been offered one or more of these in a long-distance trade, but I've
never tried them. These days I use a Jam Man and a Boomerang. I'm not at
all afraid of lo-fi situations, in fact I'm looking for a tool for the
gritty extremes.

thanks, of course,
eric p

From ???@??? Mon Sep 21 10:53:17 1998
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Date: Mon, 21 Sep 1998 14:12:44 +0100
From: Malhomme <malhomme@vete.ucl.ac.be>
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I won't give you any tips about just intonation, but I converted one of
my guitars to a fretlesss. I also then from several testing converted it
to a kind of baritone (a fifth lower).
Of course you can't rely anymore on the marks on the neck (but in case
of search for j. i. I guess you don't care). Due to the heigth of the
nut, notes near the nut will be up more than a 1/4 of tone, because of
higher string tension (on heavy gauge strings only) . As you progress to
higher notes, the effect diasppear.
Try to replace as many strings with round wound. You can even find (not
easy, but..) 0.016. I tried flat wounds and 1/2 round, and the sounds
gets to dark. Really darker than the same strings on fretted guitar.
To end here my babble: to get a nice sound, with thin strings, you'll
have to pick the string nearer the fretting position. And I forgot:
Chord working becomes of course a real nightmare, but that you can
imagine...

Olivier mahomme

From ???@??? Mon Sep 21 10:53:29 1998
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From: David Kirkdorffer <DKirkdorffer@exapps.com>
To: Collins <collinsclan@sprintmail.com>, Loopers-Delight@annihilist.com
Subject: e-list makes a difference:  we still have the echoplex
Date: Mon, 21 Sep 1998 09:39:25 -0400
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My guess: Loopers-Delight has helped save the Echoplex.  That's to say, my
guess is were L-D running with as much momentum then (at the time lexicon
decided to pull the plug on JAMMAN) as if has today, we would still have
JAMMAN on the market.

By the way, I saw ANOTHER new "guitar-oriented" looper in this months
Musicans Friend.

David K

> -----Original Message-----
> From:	Collins [SMTP:collinsclan@sprintmail.com]
> Sent:	Friday, September 18, 1998 7:25 PM
> To:	Loopers-Delight@annihilist.com
> Subject:	Re: some good Echoplex news from oberheim
> 
> Thanks Kim, I'm glad to hear that. Too bad Lexicon didn't find out the
> same
> thing about the JamMan's popularity.
> Jeff Collins
> 

From ???@??? Mon Sep 21 10:53:42 1998
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Date: Tue, 22 Sep 1998 00:18:15 +0900
To: Loopers-Delight@annihilist.com
From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: Re: Live streaming from Japan tomorrow!!
Cc: stayclose@moon.cooshin.kita.osaka.jp
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Hi again,

I missed the URL.

pnm://210.163.123.36/loopers_j.rm
is right.

  take care

  Sunao Inami

Work
E-mail                          webmaster@cavestudio.com
URL"CAVE Studio"         http://www.cavestudio.com
tel&fax                         +81 794 89 5025 Hyogo,Japan

Home
E-mail                          cave@osk.3web.ne.jp
URL"cave home"            http://www.threeweb.ad.jp/~cave/
tel&fax                        +81 794 89 5015 Hyogo,Japan

snail mail address       316 Ohshima
                                    Kuchiyokawa
                                    Miki City
                                    Hyogo
                                    Japan
                                    6730755





At 21:47 +0900 98.9.21, Sunao Inami wrote:
> Hi Loopers,
>
> LIVE INFORMATION
>
> LOOPER'S DELIGHT J
> "Loop is life,Life is loop"
>
> 22th Sept (tomorrow!!)
> at BARTON HALL,Nishinomiya,Japan
>
> We will live streaming our show via Real Audio.
> Please listen us in around the world ;)
>
> Please hit this address by Real Player 5.0 or later.
> pnm://210.163.123.36.loopers_j.rm
>
> Streaming time is maybe 18:00 - 21:30(JST)
> then London is 10:00 - 13:30 22th,NYC is 4:00 - 7:30 22th I guess..
>
> more info avaialable:
> http://www.threeweb.ad.jp/~cave/LD_J.html
>
>  p.s.
> Collins and Joseph,
> Thanks for your materials,we will use it tomorrow!
>
>   Regards
>
>   Sunao Inami
>
> Work
> E-mail                          webmaster@cavestudio.com
> URL"CAVE Studio"         http://www.cavestudio.com
> tel&fax                         +81 794 89 5025 Hyogo,Japan
>
> Home
> E-mail                          cave@osk.3web.ne.jp
> URL"cave home"            http://www.threeweb.ad.jp/~cave/
> tel&fax                        +81 794 89 5015 Hyogo,Japan
>
> snail mail address       316 Ohshima
>                                     Kuchiyokawa
>                                     Miki City
>                                     Hyogo
>                                     Japan
>                                     6730755



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From: Legion@voicenet.com
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Date: Mon, 21 Sep 1998 12:04:46 -0400
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I just got off the phone with Ron at RRRecords and here's the scoop:

The RR100 7" is out of print for good because the pressing plant lost
the plates (!). He can't make any more if he wanted to. There will new
no more pressing of the RRR100 and all copies are sold out.

The good news is as a result he was suffienciently motivated to make a
new record, the RRR-500, which is a 12" vinyl release with 500 locking
grooves. These are currently stocked and readily available from RRR or
the usual distributors. $10 plus shipping.

The official Address for the label is:

RRRecords
23 Central Street
Lowell MA 01852 USA
978-454-8002


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At 13:59 +0100 9/21/98, Malhomme wrote:
> Also, yes, I know, It was partly answered lately, but , erm, I don't get
> it
> Well. I have Cubase VST, and a few things like peak, mastertrack... and
> at my job place ther is a CD burner with toast 3.5.4, I think. Can I
> expect to bring the audio files at my job place and burn a CD with them,
> or must I necessarily buy jam???

Hi,

Toast will work fine.  Create AIFF stereo 16-bit 44.1 KHz files.  Each
audio file will become a single CD track.  You don't get to crossfade
between tracks or be very precise with the spaces between tracks, but you
can still burn CD's just fine.

Doug


--
Doug Wyatt                             doug@sonosphere.com
Sonosphere (electric/improv music)     http://www.sonosphere.com/
"Accidental Beauties" CD release:      http://www.sonosphere.com/wyatt/
available from CMC, 1-800-882-4262     http://www.MusicDiscoveries.com/


From ???@??? Mon Sep 21 22:53:57 1998
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In a message dated 9/20/98 10:32:16 PM Central Daylight Time,
dmgraph@pulsewidth.com writes:

<< 
 Ron is a nice guy and I don't mean to put him down, but someone provides
 the content for these silly projects, while somebody else sells a few
 thousand at something like five bucks a pop.  The former receives two
 lovely copies of said item.
 
 Sorry to be spiteful.  I haven't even thought of this little thing for
 years.  But isn't there something wrong here?  Musicians, are you valuing
 yourselves enough?  Shouldn't you get *something*, for chrissakes?
  >>

Well....

did you make a deal with Ron for points or money or more in return for your
musical contribution than 2 copies, and he didn't follow through? Or has this
*silly project* just had more legs under it than you thought, and now you are
kicking yourself in the pants that you didn't make a better deal? 

Everything's a crapshoot. Sometimes the ones who get paid are the ones who do
the gruntwork, not the ones who put up 2 seconds of sound. 

- Crossedout@aol.com

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In a message dated 9/20/98 10:32:16 PM Central Daylight Time,
dmgraph@pulsewidth.com writes:

<< >the 7" was repressed three times and is now sold out for the last time.
 >the webpage you refer to was not put up by RRR and is out of date.
 >
 >jason
 
 Three repressings!  Golly, must be a great product.  >>

And yes, I think it's a great product, an interesting idea, well executed, and
has come in real handy for improv/efx-laden dj experiments. 

- Crossedout@aol.com

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Subject: Re: new LP of Loops
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Hi guys

talking about loops to sample, I'm going to redesign as soon as possible my
pages to publish several hundreds of ALL ORIGINAL INSTRUMENT LOOPS in hi
quality MP3 format. The collection will include heavily edited and processed
drum loops, sound FX, pad & synths, etc, in the jungle/d&b/trip hop/techno
styles. Lot of them will be free of charge. 

ciao
leo

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Date: Mon, 21 Sep 1998 21:01:31 -0400
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Hi Loopers,

My EDP seems to be misbehaving. When I powered it up today, it went 
through its LED power-up routine, and finished with digits "198" in the 
looptime LED frames, "1L" in the multiple LED frames, and the green 
light under the record button. When I push the record button, nothing 
happens. When I press the parameters button, all of the button lights 
come on green for each parameter, and I get "P1" "P2" "P3" "P4" in the 
multiple LED frames with each press of the parameters button, finally 
returning to a single green light under the record button, but now the 
only alphanumeric readout is "198" in the looptime frames. And it still 
won't record. 

I have 16mb and LoopIII v5.0. The only thing I have tried is 
reinitializing the 'plex. I have never had any problems with this 'plex 
in the two years I have had it. I upgraded to v5.0 last Winter with no 
problems, just joy.
 Gettin' worried.  
Any suggestions? Maybe this only happens on the last day of Summer? Does 
this sound like a static electricity related problem? Should I remove 
the EDP from my rack, open it up and jiggle some of the chips and stuff? 
I hope this is just one of those little problems with an obvious 
solution that I have overlooked.

Thanks for your wisdom.

Michael Preston

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From: "Douglas Lawrence" <douglas-lawrence@home.com>
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Subject: RE: live applications: mpc2000 vs. ASR-X
Date: Mon, 21 Sep 1998 21:09:10 -0400
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I've been monitoring an ASR-X mailing list for a couple weeks since I'm in
the same boat trying to decide between the two.

>From what I understand, the MPC-2000 with OS v1.7 is rock solid in the
sequencing department and finally reads .WAV files which is helpful. Also,
the on-board sample editing is quite easy to use. Although an effect board
is available, it's light compared to the ASR-X. The bigger screen is great
and you have a few extra pads and knobs.

As for the ASR-X, the sequencer is not totally solid yet and has a tendency
to crash frequently (even with the latest v2.62 OS) if you tweak too much or
hit buttons too fast. I can't speak for the new ASR-X Turbo since it claims
to have OS v3.0. Many of the subscriber's seem to use an external sequencer
and computer based sample editing to make up for those shortcomings. It
seems the sampler is better quality in the ASR-X and don't the built-in MR
synth engine. The small screen is not so great, but you have velocity
sensitive pads.

Some of the subscribers are using the ASR-X live in conjunction with an EMU
Launch Pad successfully. Others use it in conjunction with a MIDI keyboard
controller. Some of the parameters that you may want to control may not be
available real-time, like time stretching.

With all the problems that they've experienced, the ASR-X users seem to
think that it's a one-of-a-kind tool and I think Ensoniq has shown some
commitment to development of the product with release of the "Pro" version.
It will probably be rock solid with 2 more releases of the OS. Now how long
that will take, who knows, but it seems to be a great instrument anyway.

I was thinking about getting one from Musician's Friend. Although you may
pay a little more, you have 45 days to check out the unit and return it if
you don't like it. Last I checked, they didn't have any in-stock and this
policy may be voided for special order items.

Doug

-----Original Message-----
From: r_t_cummings@csi.com [mailto:r_t_cummings@csi.com]
Sent: Sunday, September 20, 1998 5:16 PM
To: Loopers Delight
Subject: live applications: mpc2000 vs. ASR-X


Hello loopers, sorry if these toys have already been discussed in the
last few weeks while I've been away. I'm looking to get a sampling drum
machine and I'm having a hard time deciding between the two (Akai
mpc2000 vs. Ensoniq ASR-X). The Akai seems to have the edge in
user-friendliness and MIDI (two outputs), while the Ensoniq rules with
internal sounds, better filters, deeper resolution (384 ppq!).

My question: which of these is better live, i.e. which of these can be
tweaked most effectively?

thanks,
rob



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eric potter wrote:

> I'd like to hear anything about using the older Digitech stuff for
> looping, particularly the RDS-8000, RDS-3.6 sec. and the RDS-1900. I've
> been offered one or more of these in a long-distance trade, but I've
> never tried them. These days I use a Jam Man and a Boomerang. I'm not at
> all afraid of lo-fi situations, in fact I'm looking for a tool for the
> gritty extremes.

The time machine series has a number of generations in it. the earlier
ones are more noisy (not nescessarily gritty - just noisy) and came be
identified by their large grey buttons that stick out of the front
pannel and black with blue lettering design. Next came two series of
balck units with blue lettering and flatter square buttons. These units
were a little quieter and started to stretch out the times some more
(ie: this series introduced the 7.6 second delay) and the 2nd series
added a manual trigger button. Finally there was the white/grey design
and this had the 8 second delay with all the trimmings.

As a sound processor  I think these things are amazing. I use my 3.6 sec
(mid period) delay all the time for almost everything live. It can
stutter a sound, do the roboflange, and catch a loop and destroy it with
the built in width which acts as an LFO. Really freaky stuff.

As a straight looper it's a bit limited though. You can easily set the
time manually and warp the loop with the front pannel knobs but there's
not much chance of layering (at least not in the EPD or Jamman sense)
and you can't play something backwards or anything like that.

Still it is a wonderful piece and fairly inexpensive these days. oddly
enough I've used an 8 second and decided to stick with my 3.6 as it
prompts me to do more with the sound that a straight loop in order to
make it interesting. YMMV but overall I say the time machines are killer
pieces.

All the loops on my latest live album were done feeding a pitchshifting
tape recorder into the time machine. It does *insane* things.

-----------------------------------------------------------------------
     HELP WANTED PRODUCTIONS - Http://www.voicenet.com/~legion
"Bringing you the best in Organic Electronic music since we started..."
     
Home of the Unusual Instrument and Recording Gallery with pictures and
info of Tube recorders, Omnichords, weird guitars, Casios, and more.

From ???@??? Tue Sep 22 01:58:25 1998
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Yes, its totaly on the other side:-) I think the times are wrong, or better
the day in N.Y. and London probably is the 23th, no?

>LIVE INFORMATION
>
>LOOPER'S DELIGHT J
>"Loop is life,Life is loop"

pretty exagerated, but interesting :-)

>22th Sept (tomorrow!!)
>at BARTON HALL,Nishinomiya,Japan
>
>We will live streaming our show via Real Audio.
>Please listen us in around the world ;)
>
>Please hit this address by Real Player 5.0 or later.
>pnm://210.163.123.36.loopers_j.rm

I could not understand this adress

>Streaming time is maybe 18:00 - 21:30(JST)
>then London is 10:00 - 13:30 22th,NYC is 4:00 - 7:30 22th I guess..
>
>more info avaialable:
>http://www.threeweb.ad.jp/~cave/LD_J.html

When I click on HERE, I come back to the initial page, could not find the
information.

What a pitty!


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Subject: Re: new LP of Loops
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>In a message dated 9/20/98 10:32:16 PM Central Daylight Time,
>dmgraph@pulsewidth.com writes:
>
><< >the 7" was repressed three times and is now sold out for the last time.
> >the webpage you refer to was not put up by RRR and is out of date.
> >
> >jason
>
> Three repressings!  Golly, must be a great product.  >>
>
>And yes, I think it's a great product, an interesting idea, well executed, and
>has come in real handy for improv/efx-laden dj experiments.


In fact I think it deserves some space on the loop site, since its the most
simple way to get the experience, right?


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Please, could someone tell us about experiences with the combination
SamplerStyle=Att and Autorecord=On and a keyboard or pedal to select
multiple loops directly?

This combination lets you grab a sound while you press the key and then
immediately can play it back with the same key. And after you fill several
loops you have a canvas of sounds that just happened. I just tried it with
my new PC1600 controler and voice.
If you are at the mixing desk, you can steal sounds of the other members or
the band and imitate them. Is that fun?
Is it what those phrase samplers do?

Anyway, does someone use this feature as seriously as to tape the result?
Or can we listen to it on a website yet? or soon,,, please?

I think I urgently need some MIDISample (LoopTrig) keys on the floor, its
just like having a Record key for each loop.
I just added the long press Reset to those keys to make it complete. When
you are in Att, the long press means the time the sample plays. With run
and ONE, it means Reset. How do you like that?


From ???@??? Tue Sep 22 02:32:52 1998
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Subject: Re: EDP puzzle
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If you are using a footpedal, check that the front panel works when you
unplug it. It could be the cable or a dirty jack or something. Elsewise, I
hear that Gibson/Oberheim is reinstating their crack echoplex support
squad, contact them for repairs. They should be able to handle it. (877)
OBERHEIM or obie@gibson.com or Mike Ayers <cayers@gibson.com>.

kim

>Hi Loopers,
>
>My EDP seems to be misbehaving. When I powered it up today, it went
>through its LED power-up routine, and finished with digits "198" in the
>looptime LED frames, "1L" in the multiple LED frames, and the green
>light under the record button. When I push the record button, nothing
>happens. When I press the parameters button, all of the button lights
>come on green for each parameter, and I get "P1" "P2" "P3" "P4" in the
>multiple LED frames with each press of the parameters button, finally
>returning to a single green light under the record button, but now the
>only alphanumeric readout is "198" in the looptime frames. And it still
>won't record.
>
>I have 16mb and LoopIII v5.0. The only thing I have tried is
>reinitializing the 'plex. I have never had any problems with this 'plex
>in the two years I have had it. I upgraded to v5.0 last Winter with no
>problems, just joy.
> Gettin' worried.
>Any suggestions? Maybe this only happens on the last day of Summer? Does
>this sound like a static electricity related problem? Should I remove
>the EDP from my rack, open it up and jiggle some of the chips and stuff?
>I hope this is just one of those little problems with an obvious
>solution that I have overlooked.
>
>Thanks for your wisdom.
>
>Michael Preston


______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


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I'm wondering what type of footswitch works with the Time Machines.  A
simple on/off or a momentary (which I think acts only when your
depressing the switch like a keyboard sustain).  

I use a Digitech RDS 4000 (4 sec, black w/ blue letters).  I'm very
happy with the unit as an introductory looping device but it's
limitations become fairly obvious within a short time.  However, as
Legion points out, it forces you to be more creative given those limits. 

The LFO definitely allows for adding much wierdness to a loop.

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Subject: Re: new LP of Loops
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I'll only put in one more word on this subject, if I may.  I want to make
it very clear that Ron Lessard is, in my opinion, a stand-up guy.  In my
few relations with him and RRR he always did what he promised, always
delivered what was expected, and never imparted the feeling that there were
any kind of double-dealings or shady licensing deals, or anything of the
kind, unlike some other experiences I've had with small record labels.  RRR
fills a certain need and Ron puts out unique stuff, and I want to be clear
that neither in my previous post, nor now, did I or do I wish to say
anything negative about Ron.  If anyone here is considering having dealings
with RRR, rest assured that he's a straight shooter, OK?

I know somebody will now say "Myers wants to cover his tracks and not burn
any bridges", but it's not so.  I just don't want anyone to get the wrong
idea about Ron.


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From: Hoover Alan <HooverA@tce.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: Roland SP808 groovesampler
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test

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From: "Steve Lauder" <Steve.Lauder@elspa.com>
To: <Loopers-Delight@annihilist.com>
Subject: Farewell for now
Date: Tue, 22 Sep 1998 16:15:50 +0100
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<html><!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
<HTML>
<HEAD>

<META content=text/html;charset=iso-8859-1 http-equiv=Content-Type>
<META content='"MSHTML 4.72.3110.7"' name=GENERATOR>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><FONT color=#000000 size=2>I'm having to leave the list temporarily - I 
only have e-mail at work and my boss is kicking up a fuss about wasting company 
time (oops).</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>
<DIV><FONT color=#000000 size=2>I'll be back as soon as I can hide postings from 
him on my machine!</FONT></DIV>
<DIV><FONT color=#000000 size=2></FONT>&nbsp;</DIV>
<DIV><FONT size=2>Many thanks to all the people who've provided me with tips and 
tricks, and I'll hopefully be back soon.</FONT></DIV>
<DIV><FONT size=2></FONT>&nbsp;</DIV>
<DIV><FONT size=2>Best Regards,</FONT></DIV>
<DIV><FONT size=2></FONT>&nbsp;</DIV>
<DIV><FONT size=2>Steve Lauder</FONT></DIV></BODY></HTML>

</html>
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Date: Tue, 22 Sep 1998 11:22:48 -0500
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From: Chuck Zwicky <chuck.zwicky@wavefront.com>
Subject: Jam-man reset solved
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Loopers,
 I think I've solved the problem with the Jam-Man resetting. It is caused
by a  flakey switch, specifically the rotary 'mode' switch. As you know,
turning this switch clears the memory (WHY??), disconcerting when you
expect it to only change the timebase of the loop. The type of switch seems
to be identical to those used on the LXP-1 and LXP-5. I suffered through
diagnosing the odd behavior that those switches caused years ago. I tend to
keep my Jam-Man in the 16 or 24 'phrased loop' setting, due to a
programming oversight which  assumes that loops are only one bar long,
which means that when you've expanded the memory you can have a 32 second
bar, and an equivalent MIDI tempo of  7.5 BPM. Not good. I use the tempo
LED to keep track of my loops, and using the 16 or 24 setting gives me a
reasonable flash rate. Now that those switch positions are shot, I'll have
to do something else...

-Chuck Zwicky

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From: "Collins" <collinsclan@sprintmail.com>
To: <klaw@iglou.com>, <Loopers-Delight@annihilist.com>
Subject: Re: just guitar
Date: Tue, 22 Sep 1998 13:12:47 -0400
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Hello K LAW,
If you're interested in just intonation with a fretless guitar. I'm the man
that can help you. First off...have you got Harry Partch's book "Genesis of
a Music"? It's a great book that can help you in many ways. I also have a
paper written by Brian McLaren about how to get into the partch stuff
easier. Check for stuff on the Web about LaMonte Young. He's an amazing
MICROTONALIST who's working with sine tone generators to create music in
Just for a sound instillation in New York. The two guys on my website are
very into microtonality. Check it out.
http://www.geocities.com/SunsetStrip/Stadium/1429/STRANGETONES.html
I can send you some papers about ratios and how to apply it to guitar if
you'd like.
Jeff Collins
PS. Bobdog is putting a stainless steel board on his guitars and he's going
to be doing the same to my guitar when he's done with his.
You can also get ahold of a guy in New York who does refretting and
fretless-izing of guitars. His name is Larry. And his # is 1-516-520-0664.
He's doing work with Jon Catler on a new grouping of Just Intonated guitars.
Later.

-----Original Message-----
From: klaw@iglou.com <klaw@iglou.com>
To: Loopers-Delight@annihilist.com <Loopers-Delight@annihilist.com>
Date: Sunday, September 20, 1998 11:03 PM
Subject: just guitar


>Hello anyone here currently working in  just intonation on guitar.Im about
>to  convert a strat to  fretless for this purpose.Please email me directly
>with any tips, expierences etc.  Thanks as always K LAW
>
>
>

From ???@??? Tue Sep 22 23:07:04 1998
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From: Kevan Staples <staples@magic.ca>
To: Kim Flint <kflint@annihilist.com>
Cc: Loopers-Delight@annihilist.com
Date: Tue, 22 Sep 1998 13:29:26 -0400
Subject: Re: some good Echoplex news from oberheim
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kflint@annihilist.com (Kim Flint),Internet writes:
>Despite the fun we all would have had rushing to the store to buy the last
>echoplexes on earth, and bidding the used prices up into the stratosphere,
>looks like the 'plex has survived the recent "adjustments" at Gibson and
>Oberheim. Here's the news


I seem to remember reading that Opcode Systems bought Gibson so I would assume they aquired EDP as
well
I hope that's a good sign

Kevan

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Subject: Re: some good Echoplex news from oberheim
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kflint@annihilist.com (Kim Flint),Internet writes:
>Despite the fun we all would have had rushing to the store to buy the last
>echoplexes on earth, and bidding the used prices up into the stratosphere,
>looks like the 'plex has survived the recent "adjustments" at Gibson and
>Oberheim. Here's the news


I seem to remember reading that Opcode Systems bought Gibson so I would assume they aquired EDP as
well
I hope that's a good sign

Kevan

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Thanks for the information Doug, what's the address of the ASR-X list?
And does anyone know of a mpc2000 list?

Thanks in advance,
Rob


Douglas Lawrence wrote:
> 
> I've been monitoring an ASR-X mailing list for a couple weeks since I'm in
> the same boat trying to decide between the two.
> 
> >From what I understand, the MPC-2000 with OS v1.7 is rock solid in the
> sequencing department and finally reads .WAV files which is helpful. Also,
> the on-board sample editing is quite easy to use. Although an effect board
> is available, it's light compared to the ASR-X. The bigger screen is great
> and you have a few extra pads and knobs.
> 
> As for the ASR-X, the sequencer is not totally solid yet and has a tendency
> to crash frequently (even with the latest v2.62 OS) if you tweak too much or
> hit buttons too fast. I can't speak for the new ASR-X Turbo since it claims
> to have OS v3.0. Many of the subscriber's seem to use an external sequencer
> and computer based sample editing to make up for those shortcomings. It
> seems the sampler is better quality in the ASR-X and don't the built-in MR
> synth engine. The small screen is not so great, but you have velocity
> sensitive pads.
> 
> Some of the subscribers are using the ASR-X live in conjunction with an EMU
> Launch Pad successfully. Others use it in conjunction with a MIDI keyboard
> controller. Some of the parameters that you may want to control may not be
> available real-time, like time stretching.
> 
> With all the problems that they've experienced, the ASR-X users seem to
> think that it's a one-of-a-kind tool and I think Ensoniq has shown some
> commitment to development of the product with release of the "Pro" version.
> It will probably be rock solid with 2 more releases of the OS. Now how long
> that will take, who knows, but it seems to be a great instrument anyway.
> 
> I was thinking about getting one from Musician's Friend. Although you may
> pay a little more, you have 45 days to check out the unit and return it if
> you don't like it. Last I checked, they didn't have any in-stock and this
> policy may be voided for special order items.
> 
> Doug
> 
> -----Original Message-----
> From: r_t_cummings@csi.com [mailto:r_t_cummings@csi.com]
> Sent: Sunday, September 20, 1998 5:16 PM
> To: Loopers Delight
> Subject: live applications: mpc2000 vs. ASR-X
> 
> Hello loopers, sorry if these toys have already been discussed in the
> last few weeks while I've been away. I'm looking to get a sampling drum
> machine and I'm having a hard time deciding between the two (Akai
> mpc2000 vs. Ensoniq ASR-X). The Akai seems to have the edge in
> user-friendliness and MIDI (two outputs), while the Ensoniq rules with
> internal sounds, better filters, deeper resolution (384 ppq!).
> 
> My question: which of these is better live, i.e. which of these can be
> tweaked most effectively?
> 
> thanks,
> rob




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In a message dated 9/21/98 8:15:51 PM Central Daylight Time, douglas-
lawrence@home.com writes:

<< From what I understand, the MPC-2000 with OS v1.7 ... finally reads .WAV
files which is helpful.>>

It always (at least from 1.3 on) read .wavs, but now it can SAVE in .wav
format as well. 

 <<[on the ASR] The small screen is not so great, but you have velocity
 sensitive pads.
  >>

The MPC pads can be switched into velocity sensitive mode (at least 16 levels
of sensitivity). 

Just correcting a few minor glitches.... :)

- Crossedout@aol.com

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From: "Douglas Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: RE: live applications: mpc2000 vs. ASR-X
Date: Tue, 22 Sep 1998 20:12:55 -0400
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ASR-X mailing list is available at www.onelist.com ... search for ASR-X ...
there's an archive available for searching as well.


>>what's the address of the ASR-X list?
>>And does anyone know of a mpc2000 list?
>>Thanks in advance,
>>Rob


>>Douglas Lawrence wrote:
>
> I've been monitoring an ASR-X mailing list for a couple weeks since I'm in
> the same boat trying to decide between the two.
>

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From: PJBMHB@aol.com
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Date: Tue, 22 Sep 1998 22:02:01 EDT
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how are these units? soundwise? loopability? reliability? i have a chance to
pick one up and am curious. thanks in advance.
=-) PJ

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References: <199809211250.VAA15790@pop1.ngy.3web.ne.jp>
 <36064D9E.D5459A7C@vete.ucl.ac.be><199809200705.DAA32666@rosy.yourwebhost.
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Date: Wed, 23 Sep 1998 11:02:15 +0900
To: Loopers-Delight@annihilist.com
From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: Re: Live streaming from Japan tomorrow!!
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At 2:46 -0300 98.9.22, Matthias Grob wrote:
> Yes, its totaly on the other side:-) I think the times are wrong, or better
> the day in N.Y. and London probably is the 23th, no?

no. early morning at 22th..
(we played 22th evening in Japan.)


> >Please hit this address by Real Player 5.0 or later.
> >pnm://210.163.123.36.loopers_j.rm
>
> I could not understand this adress

sorry.
but I corrected real url in my last message..

pnm://210.163.123.36/loopers_j.rm
is right.

> >Streaming time is maybe 18:00 - 21:30(JST)
> >then London is 10:00 - 13:30 22th,NYC is 4:00 - 7:30 22th I guess..
> >
> >more info avaialable:
> >http://www.threeweb.ad.jp/~cave/LD_J.html
>
> When I click on HERE, I come back to the initial page, could not find the
> information.

you can see the flyer.
we offer ouur real audio streaming URL,another contact info etc in this URL.

 Regards

  Sunao Inami

Work
E-mail                          webmaster@cavestudio.com
URL"CAVE Studio"         http://www.cavestudio.com
tel&fax                         +81 794 89 5025 Hyogo,Japan

Home
E-mail                          cave@osk.3web.ne.jp
URL"cave home"            http://www.threeweb.ad.jp/~cave/
tel&fax                        +81 794 89 5015 Hyogo,Japan

snail mail address       316 Ohshima
                                    Kuchiyokawa
                                    Miki City
                                    Hyogo
                                    Japan
                                    6730755


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Date: Wed, 23 Sep 1998 11:02:15 +0900
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From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject: Re: Live streaming from Japan tomorrow!!
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Hi,

our live gig was complete.
also real audio streaming was complete via 28.8k modem and NT machine.

we really enjoyed the show.
and we will make web page with pictures and real audio.

  Regards

 Sunao Inami

Work
E-mail                          webmaster@cavestudio.com
URL"CAVE Studio"         http://www.cavestudio.com
tel&fax                         +81 794 89 5025 Hyogo,Japan

Home
E-mail                          cave@osk.3web.ne.jp
URL"cave home"            http://www.threeweb.ad.jp/~cave/
tel&fax                        +81 794 89 5015 Hyogo,Japan

snail mail address       316 Ohshima
                                    Kuchiyokawa
                                    Miki City
                                    Hyogo
                                    Japan
                                    6730755


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Date: Tue, 22 Sep 1998 19:05:30 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@chromatic.com>
Subject: Re: some good Echoplex news from oberheim
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At 01:29 PM 9/22/98 -0400, you wrote:
>kflint@annihilist.com (Kim Flint),Internet writes:
>>Despite the fun we all would have had rushing to the store to buy the last
>>echoplexes on earth, and bidding the used prices up into the stratosphere,
>>looks like the 'plex has survived the recent "adjustments" at Gibson and
>>Oberheim. Here's the news
>
>
>I seem to remember reading that Opcode Systems bought Gibson so I would
assume they aquired EDP as
>well
>I hope that's a good sign
>
>Kevan

heheh, you have it backwards...that would be like a minnow swallowing
godzilla....gibson bought opcode.

kim
________________________________________________________
Kim Flint, MTS		       408-752-9284
Chromatic Research	       kflint@chromatic.com
http://www.chromatic.com

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To: Loopers-Delight@annihilist.com
From: Grover Sheffield <gls@mindspring.com>
Subject: Re: Echoplex SwitchQuant
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Thanks, Dave, for asking, and Kim, for the answer.   Grover


>>What is the difference between CYC and CNF on the SwitchQuant parameter on
>>the 'Plex? The manual just states that there is just 'off' and 'on'.
>>
>>Dave Eichenberger


>The SwitchQuant parameter lets you select whether loop switching happens
>immediately or not. There are currently three values for this parameter.
>
>SwitchQuant=Off
>means that a press of the NextLoop button immediately sends you to the next
>loop.
>So if you are in loop 4, and press Next, you instantly jump to loop 5.
>
>
>SwitchQuant=CYC
>means that the Echoplex will wait until the current cycle finishes before
>switching. For example, you record something in loop number 1. As the loop is
>playing, you press Next somewhere in the middle. The echoplex display will show
>"L 2", which tells you which loop you will be going to. Pressing Next again
>shows
>"L 3", and so on. When the end of the loop arrives, you jump to the one
>displayed.
>
>If you have used Multiply on the loop you are in, the echoplex will jump to the
>next loop at the end of the cycle in which you press Next. Say you have
>Multiplied a loop to have 4 cycles (counting in the multiple display). You
>press
>Next during Multiple #2. Switching will occur at the end of multiple 2, not the
>end of the whole loop.
>
>
>SwitchQuant=Cnf
>"Cnf" stands for "confirm." In this mode, the echoplex goes into a waiting
>period
>when you press Next. It jumps to the loop shown in the display when you
>"confirm"
>that you want to switch. You do this be pressing the Undo button.

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Date: Tue, 22 Sep 1998 22:22:26 -0500 (CDT)
From: Dave Stagner <dstagner@icarus.net>
To: Loopers-Delight@annihilist.com
Subject: Re:Delta Lab Effectron Rack Units, Good, Bad, Ugly?
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On Tue, 22 Sep 1998 PJBMHB@aol.com wrote:

> how are these units? soundwise? loopability? reliability? i have a chance to
> pick one up and am curious. thanks in advance.

I have a DeltaLab Echotron and it sounds *great*... much better than
modern, quote high fidelity unquote digital delays.  Old-style PCM A/D
conversion rules!  Sure, it's mono, and it doesn't have the bandwidth or
dynamic range of newer stuff, but it's very musical.  

On the other hand, if it breaks, you fix it yourself or you're screwed. 

-dave

Practice beautiful randomness and act kind of senseless.
<dstagner@icarus.net>

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From: "Douglas Lawrence" <douglas-lawrence@home.com>
To: <Loopers-Delight@annihilist.com>
Subject: Yamaha's ASR-X or MPC2000 Competitor
Date: Wed, 23 Sep 1998 01:41:50 -0400
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With all the talk about the MPC-2000 and ASR-X, I finally dug up the info on
the product that Yamaha is about to announce as competition to these
products. It's suppose to hit the streets this Fall. I got a GIF of the
prototype and it has tons of buttons, a dial wheel, and that awesome ribbon
controller like on the SU-10...

Yamaha SU700 Sampler Unit

NASHVILLE-Yamaha Corporation of America, Audio, Guitar & Synthesizer
Division, is entering a brand-new market area with the introduction of
the SU700 Sampler Unit at Summer NAMM. The SU700 is a powerful,
pattern-based
multi-functional music production center which is a hybrid combination of a
sampler, sequencer, tone generator and drum machine. It will be a great
asset
for the DJ and hip-hop markets as well as a valuable compositional, live
performance and recording tool for the professional musician.

"The SU700 crosses the boundaries of techno/hip-hop/dance into a wide range
of market areas," states Avery Burdette, product manager, Digital Musical
Instruments Department, Yamaha Corporation of America. "Although there are
similar
units out on the market, Yamaha has not had anything like it before. We're
coming into this growing market area capitalizing on Yamaha's strengths.
We're
combining the QY pattern-based music production approach that we've
developed over
the years, and incorporating the sampling, loop playback type of approach
into a
powerful table-top unit."

Included with the SU700 are an optional SCSI interface, multiple outputs,
digital I/O, assignable ribbon controller, and many other functions. The
SU700
has a projected list price of $1,500 and will begin shipping in September.

"The SU700 is going to have a strong DJ application," adds Burdette, "plus
it can
be incorporated into a production studio to function with virtually any
style of
music. The unit's sampling, looping, ribbon controller and multi-effects
processing
capabilities make it naturally suited to the lo-fi/vinyl/scratch approach
used by
hip-hop music. It has all of those capabilities but it's certainly not
limited to
that. It can do much more."

With the unit's sampling features, "you can sample from a CD-ROM or audio
CD,
transfer the audio information into the SU700 and then edit it, chop it up
and
slice and dice it-any way you want," says Burdette.

The SU700 is totally loaded with functions and features. Its Sequencer
records
in either Real Time or Step mode, features 42 tracks, has an adjustable
tempo
from 40.0-299.9 BPM, and a resolution of 1/480. Its AWM2 (Advanced Wave
Memory 2)
based Tone Generator/Sampler features 64-note polyphony, adjustable data
format
(16-, 12-, or 8-bit linear), sampling times ranging from 44.1 kHz 16-bit
stereo
down to 11.025 kHz 8-bit mono, and 4MB of sampling wave memory expandable to
64MB.

From ???@??? Wed Sep 23 00:45:38 1998
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From: CORROSIVE@aol.com
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Date: Wed, 23 Sep 1998 02:31:59 EDT
To: Loopers-Delight@annihilist.com
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Subject: vortex for sale??
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anybody out there have or know where there is a vortex for sale??

From ???@??? Wed Sep 23 10:22:18 1998
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From: JC <ds115@erols.com>
To: "Loopers-Delight@annihilist.com" <Loopers-Delight@annihilist.com>
Subject: Jam man memory
Date: Wed, 23 Sep 1998 03:39:59 -0400
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Does anyone know where I  can get memory for my jamman

Thanks in advance

From ???@??? Wed Sep 23 10:22:23 1998
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Message-ID: <01BDE6D2.5D88A9C0@tor-usr10.074193.aracnet.net>
From: Jon Grant <tianmus@aracnet.net>
To: "'Loopers-Delight'" <Loopers-Delight@annihilist.com>
Subject: fretless guitars
Date: Wed, 23 Sep 1998 09:08:36 -0400
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	Jeff Collins mentioned  someone named Bobdog fitting a "stainless steele board" onto his guitars to make them fretless.  Can you enlighten me as to this procedure?  Years ago, when I wanted a fretless, I just went out (on the advise of a very respectable guitar tech/luthier) and bought a set of good quality metal files, then set about to filing down the frets.  This took forever, and resulted in a sore arm for a few days.  It worked beautifully, however, and I'm still enjoying the guitar.  For those for whom cost is an issue, the files cost me $15 Canadian.  As long as you're careful not so damage the actual wood on the fretboard, everything should be fine.

From ???@??? Wed Sep 23 10:22:29 1998
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so you actually had a real FRETLESS WONDER!!! hee hee ho ho. 
=-) PJ

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Date: Wed, 23 Sep 1998 13:37:05 +0000
From: Eric Aceto <eric@ithacastring.com>
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Hello any violin loopers in the NYC area.
We have been invited to exibit at the Celebration of American 
Excelence on sept 26 and 27 , 11am. to 5pm.  in the Landon 
Gallery,across from Lincoln Center. There should be lots of beautiful 
fiddles there and I will have a rig with looping capability all set 
up.Stop on by and introduce yourself.
Best regards, Eric
http://www.ithacastring.com

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Date: Wed, 23 Sep 1998 09:51:16 -0500
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hello fretless folks: bobdog here.

i have several fretless electric & acoustic guitars - some were already
done when i got 'em, others i've de-fretted myself. this all stems from
being jealous of the melodic expressiveness of the sarod & fretless
bass. i haven't pursued just intonations any further than elementary
hindustani music studies.

i've never filed the frets down as jon grant has done, i'm far too lazy.

i use a flathead screwdriver which has been curved & sharpened to pry
the frets out very slowly, using the curve as a fulcrum. i then fill the
slot created by the fret tang with 20-25 mil plastic inserts. this
plastic is hard enough to keep the neck from warping (& it gives cheater
marks for those of us who need that!).
all of this takes a full afternoon or 2.

how i finish the fingerboard depends upon the tone i want from the
instrument:
    raw wood (sometimes waxed w/carnuba) for a softer tone; kinda jaco
sounding
        on electric, 'ud sonding on acoustic
    clear epoxy for that bengali dotar, glass-like sound
    stainless steel for that crisp, sharp sarod sound

using the fingernail to stop the plain strings - re: sarod technique -
gets a sharper
sustained note than using the pads of the finger - re: guitar technique.
going back & forth between these 2 styles makes for nice tonal contrast.

thats my 2 cents.

bobdog

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Subject: FS: Vortex $225 (not mine)
Date: Wed, 23 Sep 98 09:43:34 -0600
x-sender: hartne.t@mail.apple.com
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From: Travis Hartnett <hartnett.t@apple.com>
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Someone was asking about finding a used Vortex.  Here's an ad from 
Harmony Central, in case anyone's interested.  If so, respond to the 
e-mail address in the ad, not to me.

Best of luck,

Travis Hartnett

******************************************************************

***** FS/T LEXICON VORTEX morphing effects unit

Asking Price: US$225
Condition: Mint
Age: N/A
Description:

       mint lexicon vortex, includes, box, manual, warrenty card, ac, 
foot switches, cables

       this is the most out there sound effects rack unit around !

       Includes chorus, pitch shifting, ring mod, tremolo, delay, reverb 
etc

       True stereo operation !! effects routable and controble in many 
ways, including input
       singnal, foot switch, pitch etc

       audio morph allows to you morph in real time between presents !! 
amazing sounds when left in
       between the two settings.

       im asking $250 but really would like to trade more

       stuff i want to trade for/towards:

       (((((((( Kawia K5000s )))))))))))

       ((((((((( Ensoniq DP/2 or DP/4 ))))))))))

       ((((((((((( Boss SE70 or SE50 or GX7000 ))))))))))))

       ((((((((((( BC Rich Warlock or "v" stlye guitar ))))))))))

       ((((((((((( ESP 'v' stlye guitar )))))))))))))

Seller: jeff m, 
E-mail: lqdsnddist@aol.com
Location: WESTERVILLE, OH
Post Date: 9/22/98

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From: magostin@trabajo.gov.ar
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Date: Wed, 23 Sep 1998 13:15:03 -0300
Subject: JUST 2 QUESTIONS
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Hello. I'm Marcelo and i'm from Argentina. I don't know if this is the
right place to ask for info, but i have to try.

The fact is that i want to buy a Guitar MultiFX, the BOSS ME30. In my
country is over $(dollars)400...

I have my parents touring in Frankfurt and i thought they can buy me the ME
30 in a lower price.

This are the questions: Where, in Frankfurt, can i tell them to buy me the
ME 30? and: Do you have any idea of that item's price (dollars) in Germany?

Thanks a million for your time, even if you can't answer me.

Marcelo.


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Date: Wed, 23 Sep 1998 11:22:47 -0500
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> how i finish the fingerboard depends upon the tone i want from the
> instrument:
>     raw wood (sometimes waxed w/carnuba) for a softer tone; kinda jaco
> sounding
>         on electric, 'ud sonding on acoustic
>     clear epoxy for that bengali dotar, glass-like sound
>     stainless steel for that crisp, sharp sarod sound
> 
> 
	fyi: it is said that jaco pastorious used boat (finish?) epoxy on
his fretboards to get his sound.

	I prefer "raw" wood for my fretless sound, sounds more 'cello/bass
viol-like.

	david fuzinski uses a fretless fingerboard on a guitar, I can't
remember whether or not it's coated. he uses flatwound strings tho'.

	stig


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Date: Wed, 23 Sep 1998 09:49:36 -0700
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Subject: Re: Jam man memory
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Try Visionsoft.

I got mine there and they worked fine.  About $50.00 at the time. The 
prices may have dropped by now.

http://www.visionsoft.com/


	good luck

	
		joe


At 03:39 AM 9/23/98 -0400, you wrote:
>Does anyone know where I  can get memory for my jamman
>
>Thanks in advance
>
>
>

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From: Adam Levin <alevin@DarkAether.net>
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On Wed, 23 Sep 1998, Jon Grant wrote:

> 	Jeff Collins mentioned someone named Bobdog fitting a "stainless
> steele board" onto his guitars to make them fretless.  Can you enlighten
> me as to this procedure?  Years ago, when I wanted a fretless, I just
> went out (on the advise of a very respectable guitar tech/luthier) and
> bought a set of good quality metal files, then set about to filing down
> the frets.  This took forever, and resulted in a sore arm for a few
> days.  It worked beautifully, however, and I'm still enjoying the
> guitar.  For those for whom cost is an issue, the files cost me $15
> Canadian.  As long as you're careful not so damage the actual wood on
> the fretboard, everything should be fine. 

Yaman, the guitarist in my band plays a fretless guitar that he put
together and hand carved the body himself. Here's what he said about the
neck:

"The company I got it from is called Warmoth. They specialize in making
necks for Strats.  They'll customize to what you need (type of wood for
neck and fretboard (mine is mahogany/ebony), with or without tuners, etc).
It's located in either Oregon or Washington state (they have ads in
Acoustic Guitar magazine and probably in others)."

-Adam

---
       "...if one strives at hearing for the sake of constant virtue,
       out of seeking liberation from cyclic existence, gradually one 
                           becomes a Hearer."
                           - Chandrakirti

              T h e   D a r k   A e t h e r   P r o j e c t
                       http://www.darkaether.net/

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  >
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Date: Wed, 23 Sep 1998 15:01:30 -0400
To: Loopers-Delight@annihilist.com
From: Robert Monn <robm@nytimes.com>
Subject: Re: Jam man memory
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the catalog lists this:

1x4-70ns Page Zip (Jam Mem Upgrade) @ $9.95

how many of these do i need?

robm

 _________________________________
/robb monn -- robm@nytimes.com  |


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Date: Wed, 23 Sep 1998 15:29:45 -0400
To: Loopers-Delight@annihilist.com
From: Robert Monn <robm@nytimes.com>
Subject: Want to trade Powermac for SCSI sampler
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hey, I'm posting htis everywhere so I might as well try it here:

I have a nice powermac 7100 with 2gig HD, 32MB RAM (could be 64 if the deal
is sweet), 56K modem, os 8.1, protools installed and working for stereo in
out and bounce, keyboard, mouse and  24bit vid card.  you could spend $450
on this guy and make it a g3, you could spend $300 and put an audiomedia II
card in it for pro level sound (the built in sound is pretty good, too).
If you get the audiomedia II, BTW, there is a $50 program that will allow
you to have multiple delays as long as you have RAM... check it out here:
http://www.hku.nl/~pieter/SOFT/SP.html.

What I want badly is a S1000 w/ SCSI+RAM, an S1000PB with SCSI +RAM, an
S1100 with SCSI/RAM, an ESI32 or any other SCSI sampler that will work with
recycle and has 8 MB of RAM (r is easily expandable.)  As the machine is I
think that this would make a good trade.  Check out that audiomedia II
program, too.... very cool for loopers.  This thing will also run
supercollider, which is great for programming your own DSP-style effects...
long delays with resonany filters, etc.


robm@nytimes.com (212-597-8104)

 _________________________________
/robb monn -- robm@nytimes.com  |


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Message-ID: <E21498AF39DCD111A47C00A0C999885717A961@cof110exch001h.dr.lucent.com>
From: "Schreier, Steven (Steven)" <schreier@lucent.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: RE: fretless guitars
Date: Wed, 23 Sep 1998 14:05:21 -0600
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Files? 

I had my frets expertly removed from my guitar tech which then in turn
filled them in with a white resin-polymer substance.  It plays fantastic and
look beautiful. Plus I can still somewhat keep my intonation.

Steven J. Schreier 
Something Audio Studios
San Diego, Ca. 

Voice:ÊÊÊ 619.297.2614 
Fax:ÊÊÊÊÊÊ619.874.1701 
E-mail:Ê schreier@lucent.com <mailto:schreier@lucent.com> Ê 

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Subject: Re: Jam man memory
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		The upgrade requires 4 chips.


					joe

At 03:01 PM 9/23/98 -0400, you wrote:
>the catalog lists this:
>
>1x4-70ns Page Zip (Jam Mem Upgrade) @ $9.95
>
>how many of these do i need?
>
>robm
>
> _________________________________
>/robb monn -- robm@nytimes.com  |
>
>
>
>

From ???@??? Wed Sep 23 22:36:23 1998
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From: PMimlitsch@aol.com
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Date: Wed, 23 Sep 1998 20:56:09 EDT
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Subject: Thurs. gig
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"Explorations in Time and Space" - soundscapes and improvisations.
Cafe Seattle, Haddon Ave./Redman St., Haddonfield, N.J. (609) 354-2220
Thurs. evening  7:30 - 9:30  no cover
Paul Mimlitsch (touchstyle Warr¨ guitar/loops), Jody Janetta
(percussion/voice)

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Kim,

Thanks for the suggestions. I wasn't ever really using the pedal. It 
looks like it probably needs to ship out to Nashville for some therapy. 
I contacted Mike Ayers. He responded immediately with a few 
diagnosis-oriented questions, and we'll see what he recommends.

I wish I had a spare EDP.

Michael

Kim Flint wrote:
> 
> If you are using a footpedal, check that the front panel works when you
> unplug it. It could be the cable or a dirty jack or something. Elsewise, I
> hear that Gibson/Oberheim is reinstating their crack echoplex support
> squad, contact them for repairs. They should be able to handle it. (877)
> OBERHEIM or obie@gibson.com or Mike Ayers <mayers@gibson.com>.
> 
> kim
> 
> >Hi Loopers,
> >
> >My EDP seems to be misbehaving. When I powered it up today, it went
> >through its LED power-up routine, and finished with digits "198" in the
> >looptime LED frames, "1L" in the multiple LED frames, and the green
> >light under the record button. When I push the record button, nothing
> >happens.

From ???@??? Thu Sep 24 10:48:16 1998
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Date: Thu, 24 Sep 1998 10:56:08 +0100
From: Malhomme <malhomme@vete.ucl.ac.be>
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IU have a fretless guitar; It was previously a fretted instrument who
got it's frets go to no-fretland.
The board was then worked on and it stayed "wood". I think I'd like to
know anyway how to test a metal board...

Olivier Malhommme


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From: "Collins" <collinsclan@sprintmail.com>
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Subject:  fretless guitars
Date: Thu, 24 Sep 1998 12:17:51 -0400
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To all those interested in fretless guitars. Vigier guitars in France
(played by the likes of Shawn Lane and Ron Thal) has begun to make a
fretless guitar with a Delta Metal Stainless Steel fingerboard that has no
radius to it. If you're interested in taking a look, you can go to....

http://www.vigierguitars.com/indexp.htm

and check out the fretless from them. Their company is like the Tom Anderson
guitars but from France.

Jeff Collins


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test

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Subject: New (?) looper: Lexicon MPX-G2
Date: Thu, 24 Sep 98 12:54:15 -0600
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Looking through the new Guitar Player, I see an ad for the Lexicon 
MPX-G2, a preamp with a number of neat features (listed on Lex's 
website), the most notable of which for the LD group is the "20 second 
JamMan" mode.  Perhaps Greg Hogan could shed some more light on the 
details of this?

Travis Hartnett

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I'm back after a long time, the link from LD will be working by tomorrow,
....honest

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I know this has been discussed here before, but for some reason
i can't find the info i'm looking for in the archives.

What is the reserved feature on the EDP do?  It wasn't functional
until the most recent upgrade, correct?

Sorry to make folks answer the same question....

Many thanks,
pete

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At 08:38 PM 9/24/98 EDT, you wrote:
>
>I know this has been discussed here before, but for some reason
>i can't find the info i'm looking for in the archives.
>
>What is the reserved feature on the EDP do?  It wasn't functional
>until the most recent upgrade, correct?

It doesn't do anything yet, it's still reserved for a future upgrade. We're
adding a function for it, though.

kim
________________________________________________________
Kim Flint, MTS		       408-752-9284
Chromatic Research	       kflint@chromatic.com
http://www.chromatic.com

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legion wrote:
As a sound processor  I think these things are amazing. I use my 3.6 sec

> (mid period) delay all the time for almost everything live.

> ...but there's not much chance of layering (at least not in the EPD or
> Jamman sense)
> and you can't play something backwards or anything like that.

Why no layering? Does the feedback not suatain a phrase long enough to get
more than a couple passes over it? Is there a structural limitation?

>

Thanks for your other points-eric p.

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From ???@??? Fri Sep 25 22:23:54 1998
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From: Edward_Chang@mail.amsinc.com
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To: ManleyCB3@aol.com, BLAISE SIWULA <BSIWULA@compuserve.com>,
        Downtown Music Gallery <dmg@panix.com>,
        "Elaine M. Kaplinsky" <ekap@compuserve.com>,
        fateravenglass@geocities.com, G.Miles@prodigy.com (MR GARY S MILES),
        grace chang <gchang@frontier.wilpaterson.edu>, KitBraz@aol.com,
        "Laura Parent" <laura_parent@smb.com>, Loopers-Delight@annihilist.com,
        mmusgrove@schawk.com (Misty Musgrove),
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        tatsuya@earthlink.net, stevenj@aumfidelity.com, CelliOO5@aol.com,
        rkleier@aol.com, liuambrose@juno.com, firstavenue@aol.com,
        kato@expandedears.com, spencerp@staff.juno.com,
        telly@attitudefilms.com, wkcrnewmusic@columbia.com
Message-ID: <8525668B.0002EC86.00@ams-central-gate-5a.amsinc.com>
Date: Fri, 25 Sep 1998 20:34:50 -0400
Subject: The Moment Of (Gig Announcement)
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A Special Performance of "THE MOMENT OF" at ABC noRio, 156 Rivington, NYC
Sunday, September 27, 8PM
featuring
Motoko Shimizu (Voice & Turntable/Japan)
Ed Chang (Guitar & Electronics/NYC)
John Kennedy (Drums & Detritus/Texas)
Greg Wildes (Reeds and Prepared Reeds/New Orleans)

"...improvised construction and demolition of melodic/sonic/harmonic sound
forms, usually all at the same time....all degrees of density are explored"

This will be "The Moment Of"'s FIRST and LAST gig in the United States.
Due to various Obscenity laws regarding taste and restraint  recently
passed in Congress, The Moment Of feels as a group that these shores will
no longer be a nurturing atmosphere conducive to renegade musical concerns
such as those explored by groups they don't even like, let alone by "The
Moment Of".  Be there this Sunday to see & hear this once in 5 lifetimes
worth of experimental skullduggery and truculence.

SUNDAY
September 27, 1998
8 PM, $3
ABC noRio
156 Rivington St (2 blocks below Houston, between Clinton and Suffolk)
(212)254-3697

Also on the Bill :
Laurie Hefner - Accordion & Vocals


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Date: Sun, 27 Sep 1998 16:46:33 +0900
To: Loopers-Delight@annihilist.com
From: Sunao Inami <cave@pop1.osk.3web.ne.jp>
Subject:  "Looer's Delight J" web page
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<x-rich><fontfamily><param>Geneva</param>Hi Loopers,


Our live show, "Looer's Delight J" review page available.

you can hear our music by Real Audio.


Please visit to:

http://www.cavestudio.com/LD_J


 Regards

  

Sunao Inami


</fontfamily>Work

E-mail                          webmaster@cavestudio.com

URL"CAVE Studio"         http://www.cavestudio.com

tel&fax                         +81 794 89 5025 Hyogo,Japan






</x-rich>
From ???@??? Sun Sep 27 01:59:17 1998
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<x-rich><fontfamily><param>Geneva</param>Hi Loopers,


Our live show, "Looer's Delight J" review page available.

you can hear our music by Real Audio.


Please visit to:

http://www.cavestudio.com/LD_J


 Regards

  

Sunao Inami


</fontfamily>Work

E-mail                          webmaster@cavestudio.com

URL"CAVE Studio"         http://www.cavestudio.com

tel&fax                         +81 794 89 5025 Hyogo,Japan





</x-rich>
From ???@??? Mon Sep 28 12:15:09 1998
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Subject: Layering with the RDS 8000, 3.7 sec delay
Date: Sun, 27 Sep 98 16:42:14 +0100
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Both of those units allow layering.  I've never counted the exact number 
of repeats when the feedback knob is cranked up all the way, but as I 
recall, it's somewhere between 10 and 16, depending on how loud your 
output feed is.

Travis Hartett

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How many people on this list are involved with the creation of Hip Hop music?

From ???@??? Mon Sep 28 12:15:11 1998
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test

GRAIGORY2@aol.com wrote:

> How many people on this list are involved with the creation of Hip Hop music?



From ???@??? Mon Sep 28 12:15:21 1998
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Subject: RE: Layering with the RDS 8000, 3.7 sec delay
Date: Sun, 27 Sep 1998 17:42:18 -0700
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Tiktok Mobile HQ [mailto:tiktok@sprintmail.com]

> Both of those units allow layering.  I've never counted the
> exact number of repeats when the feedback knob is cranked
> up all the way, but as I recall, it's somewhere between 10 and
> 16, depending on how loud your output feed is.

It's 16 layers deep on the 7.6 Time Machine at Max Feedback.  Far be it from
most processor-RAM components today to not use a factor of 8 or 16 in their
figuring .

Stephen GoodmanÊ -Ê It's... The Loop Of The Week (Mary Frann)!
EarthLight StudiosÊ -Ê http://www.earthlight.net/Studios

From ???@??? Mon Sep 28 12:16:22 1998
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Date: Mon, 28 Sep 1998 01:52:29 -0700
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> This will be "The Moment Of"'s FIRST and LAST gig in the United States.
> Due to various Obscenity laws regarding taste and restraint  recently
> passed in Congress, The Moment Of feels as a group that these shores will
> no longer be a nurturing atmosphere conducive to renegade musical concerns
> such as those explored by groups they don't even like, let alone by "The
> Moment Of".

I think this is a crock of shit, basically. If you can't beat 'em -  then
split?  Despite certain congressional reactionaries, there has never been a
higher degree of public acceptance of obscene, absurd, critical or even
revolutionary cutltural content since the invention of government. Are things
so bad here that 'renegade musical concerns' have to leave?

Sure, there are plenty of other places to live and work where audiences are
more open-minded and radical content can be encouraged. If I had the chance to
work in this kind of inspiring and inviting atmosphere, I'd go for it, too.
But we still need our domestic cultural dissidents here at home. I hope "The
Moment Of" are indeed attracted to something different and encouraging, as
opposed to resorting to fleeing the oppressive U.S. government. If the latter
is truly the case, they are leaving us when we need them most.

-eric p.
los angeles

p.s. if I were in NYC, I'd check it out. I'll spread the word to my Brooklyn
buddies.

From ???@??? Mon Sep 28 12:16:52 1998
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>>> This will be "The Moment Of"'s FIRST and LAST gig in the United States.
> Due to various Obscenity laws regarding taste and restraint  recently
> passed in Congress, The Moment Of feels as a group that these shores will
>> no longer be a nurturing atmosphere conducive to renegade musical
concerns

>>I think this is a crock of shit, basically. If you can't beat 'em -  then
split?<<<

actually it was our last gig as a group in the States because our drummer
is quitting.  But that just didn't sound pretentious enough...


From ???@??? Tue Sep 29 11:40:09 1998
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Date: Mon, 28 Sep 1998 12:31:37 -0700
To: Loopers-Delight@annihilist.com
From: Kim Flint <kflint@annihilist.com>
Subject: Re: The Moment Of... Excuses?
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>> This will be "The Moment Of"'s FIRST and LAST gig in the United States.
>> Due to various Obscenity laws regarding taste and restraint  recently
>> passed in Congress, The Moment Of feels as a group that these shores will
>> no longer be a nurturing atmosphere conducive to renegade musical concerns
>> such as those explored by groups they don't even like, let alone by "The
>> Moment Of".
>
>I think this is a crock of shit, basically. If you can't beat 'em -  then
>split?  Despite certain congressional reactionaries, there has never been a
>higher degree of public acceptance of obscene, absurd, critical or even
>revolutionary cutltural content since the invention of government. Are things
>so bad here that 'renegade musical concerns' have to leave?

holy humor impairment, batdude! I thought that was one of the better gig
descriptions I've seen in a while...

So Ed, how did the show go? Anybody go see it? I spent the weekend cleaning
in anticipation of visiting relatives rather than being subverted by
dissidents. wheeeee.....

kim

______________________________________________________________________
Kim Flint                   | Looper's Delight
kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com


From ???@??? Tue Sep 29 11:40:36 1998
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From: Michael Peters <mpeters@csi.com>
To: "'Loopers-Delight@annihilist.com'" <Loopers-Delight@annihilist.com>
Subject: 3rd cd project
Date: Mon, 28 Sep 1998 23:34:00 +0200
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Now that the 1st Looper's Delight CD is finished (a website will come soon), 
and the 2nd one almost, I wonder what happened to the 3rd CD project. John?


*	michael peters		mpeters@csi.com
*	"escape veloopity"	electronic guitar loop music
*	http://listen.to/michaelpeters




From ???@??? Tue Sep 29 11:41:06 1998
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Michael Peters wrote:

> Now that the 1st Looper's Delight CD is finished (a website will come soon),
> and the 2nd one almost, I wonder what happened to the 3rd CD project. John?
>

How does one submit material to be considered for the next Looper's Delight CD?

Matthew Pierce

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Michael;
No excuses from me, i have all of the submissions, i have contacted the studio
to do the mix down, i spent 2 months mixing down my own work, and i dropped
it.  

no money, except from stephan in switzerland has been accepted.  i am almost
ready to start up again, i guess i need pressure from the list, i didn't
realize the amount of work these little projects can have.  That and the fact
i work as a network engineer in my day job (a drain), i was performing
regularly (mega work), and having some stuff goin' on in my personal life
(very positive, but a lot of work).  i bumped the priority to zero sometime
this summer.  So, with fall here-  things are looking better.

Oh by the way, michael, reconsider a track on the project?  Love your stuff.

regards to all and keep on playing!
John Peters


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Hello everybody,
I dicovered  this mailing list last Friday and I was staggered. 
I had no idea you people existed. I've been looping, (off and on) 
since the mid '70's, (yes, I know but you're never too old to loop)
I started off using a WEM copycat echo which had a loop of tape and 3 
replay tape heads fitted to its surface, (+ record and erase). 
I discovered that if you covered up the erase head with a little
piece of cardboard you could build up a sound-on-sound effect.
I ended up with three, (two stood on their sides with a 6 foot
long loop travelling between them - great stuff). 
I currently use a zoom 8080 which is absolutely LUSH, 
(4 sec and 32 sec parallel delays + ring mod, octaver efects send
etc etc) all in one box with two peadals and tons of switches, all 
transmit MIDI controller data, (you can tell I'm a fan, can't you?)
Anyway I look forward to bouncing some ideas around with you lot.
And there was I thinking I was the only one - what an egotist!
Incidentally I'm in Wales, (UK)
Best wishes to you all,
Gareth

From ???@??? Tue Sep 29 18:57:05 1998
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Date: Tue, 29 Sep 1998 13:12:34 -0700
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Edward_Chang@mail.amsinc.com wrote:

> >>> This will be "The Moment Of"'s FIRST and LAST gig in the United States.
> > Due to various Obscenity laws regarding taste and restraint  recently
> > passed in Congress, The Moment Of feels as a group that these shores will
> >> no longer be a nurturing atmosphere conducive to renegade musical
> concerns
>
> >>I think this is a crock of shit, basically. If you can't beat 'em -  then
> split?<<<
>
> actually it was our last gig as a group in the States because our drummer
> is quitting.  But that just didn't sound pretentious enough...


Whew, now I feel better. I guess if you're going to cease to exist you might
as well take a shot at the bastards on the way out.

good luck,
eric p.

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Subject: Re: 32 Secs on Zoom 8080???
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> 
> >Hi Mike,

> I take it you didn't play live!  ;)

When I played live it was using a couple od reel to reels for ping pong
stereo with better fidelity. with a band called "Whirlin' Myrlyn and the
transistor sisters", We played Celtic reels, jigs and airs using some
home made synths as well as penny whistles etc.
> 
> >I currently use a zoom 8080 which is absolutely LUSH,
> >(4 sec and 32 sec parallel delays + ring mod, octaver efects send
> >etc etc)
> 
> I'm intrigued .... I know the 8080 has a 4-sec loop mechanism, but 32-sec
> parallel?  I don't follow.  If there's one of them in the 8080 I may just
> sell my JamMan....!

OOps! before you rush out and sell your Jam man It's all been a terrible
mistake. 2 seconds only, in parallel with the 4s. Maybe that was some
sort of subconscious wish bursting out! Sorry for the confusion.
> 

> I'm in Glasgow (UK), but come from Holyhead and lived in Bangor for 7
> years... whereabouts in the Land of my Fathers are you?
>
South Wales, just North of Pontypridd.
Hwyl,
Gareth

From ???@??? Tue Sep 29 18:57:11 1998
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Kim Flint wrote:


>  I spent the weekend cleaning in anticipation of visiting relatives rather than
> being subverted by
> dissidents. wheeeee.....
>
> kim

That's *exactly* what they want you to think...

-eric p

> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com

So Ed, how did the show go? Anybody go see it? I spent the weekend cleaning

> in anticipation of visiting relatives rather than being subverted by
> dissidents. wheeeee.....
>
> kim
>
> ______________________________________________________________________
> Kim Flint                   | Looper's Delight
> kflint@annihilist.com       | http://www.annihilist.com/loop/loop.html
> http://www.annihilist.com/  | Loopers-Delight-request@annihilist.com



From ???@??? Tue Sep 29 18:57:26 1998
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Welcome Gareth,

Your in for a treat with this list! I have learned alot and have gotten to
hear much weird and wonderful music.
I just spotted in the new Thouroghbred catalog another Zoom unit; the 2100
multi effects sampler system, it states that its just right for practicing
and jamming. It features a 32 sec. sampler and three 5 sec samplers.
Apparently you can speed it up and slow it down without affecting the pitch.
With 32 effects, 6 simul. its  going for a whopping 149.99. I gotta get this
one.

Jeff Duke

Michael Pycraft Hughes, PhD wrote:

> >Hello everybody,
>
> Hello Gareth!
>
> >I dicovered  this mailing list last Friday and I was staggered.
>
> We often have that effect on people....
>
> >I ended up with three, (two stood on their sides with a 6 foot
> >long loop travelling between them - great stuff).
>
> I take it you didn't play live!  ;)
>
> >I currently use a zoom 8080 which is absolutely LUSH,
> >(4 sec and 32 sec parallel delays + ring mod, octaver efects send
> >etc etc)
>
> I'm intrigued .... I know the 8080 has a 4-sec loop mechanism, but 32-sec
> parallel?  I don't follow.  If there's one of them in the 8080 I may just
> sell my JamMan....!
>
> >Incidentally I'm in Wales, (UK)
>
> I'm in Glasgow (UK), but come from Holyhead and lived in Bangor for 7
> years... whereabouts in the Land of my Fathers are you?
>
> Michael
>
> Dr Michael Pycraft Hughes, University of Glasgow, Glasgow UK G12 8QQ
> --------------------------------------------------------------------
>      "What can be done with fewer assumptions is done in vain
> with more" - William of Occam (1285-1347) (now called Occam's Razor)
> --------------------------------------------------------------------
>    www.elec.gla.ac.uk/~pycraft             pycraft@elec.gla.ac.uk



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From: Michael Peters <mpeters@csi.com>
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Date: Tue, 29 Sep 1998 23:36:04 +0200
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John,

> No excuses from me

no accusations. I guess we all know how it is to have little time.

> i guess i need pressure from the list, i didn't
> realize the amount of work these little projects can have.

alright, let's give John a little pressure then.

> So, with fall here-  things are looking better.

I'm looking forward to it.

> Oh by the way, michael, reconsider a track on the project?  Love your stuff.

Thanks very much - but I'm already on the first and second CD, and there are so 
many brilliant musicians on the list ...


*	michael peters		mpeters@csi.com
*	"escape veloopity"	electronic guitar loop music
*	http://listen.to/michaelpeters




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Matthew Pierce wrote,

> How does one submit material to be considered 
> for the next Looper's Delight CD?

I guess John Peters <ANET@aol.com> would be the person to contact. 

*	michael peters		mpeters@csi.com
*	"escape veloopity"	electronic guitar loop music
*	http://listen.to/michaelpeters




From ???@??? Tue Sep 29 18:57:45 1998
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welcome gareth.......michael

From ???@??? Fri Oct 02 23:51:57 1998
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From: DainL@AustinTX.net (Dain R. Luscombe)
To: <Loopers-Delight@annihilist.com>
Subject: PDS vs.RDS Digitech HEll and more listening lists
Date: Tue, 29 Sep 1998 21:08:41 -0500
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allright this is my first real post EVER to this list so I'm gonna make it
good...

	I've been using the 8 sec digi for like two years now, and though I change
pedals and guitars for every gig, the PDS 8000 and at least one PDS 20/20
(2 sec with modulation) are always there for every show.  They are small,
look cool, mine are in pretty good shape and yes you can record a 2 sec
sample and then slow it down so it lasts 8 sec (sounds kinda like
braaaaaaaa paaaaaaaa daaaaaaaaaa)  My friend tyler has a PDS 8000 too (they
seem to gather in Texas) and has perfected the art of using the side of his
foot to speed up and slow down the loop, which is something I've never seen
done in my life.  My only bitch is that the sample/trigger function is
kinda lost if you keep it on the floor because you have to switch it from
record to play.  150$ is I guess what they're going for these days, and I
guess its worth it, I just remember when these things were 20$ because
every body hated digital delays... by the way if you find a PDS 20/20 multi
play you should buy it! It is my favorite out of all the 2 secs, you can
record a loop and then it will change the speed for you.

while I'm posting useless info I might as do the listening list:
	OMD Dazzle Ships (definetly looper related)
	Seefeel Seefeel and more Seefeel
	Scala, Locust, and a little bit of Seefeel
	Dif Juz - Out of the Trees (does anybody like these guys?)
	Bettie Boo - Boomania (don't even ask me why because I don't know)
	Seefeel - Polyfusia
	OMD - Junk Culture (not looper related but my band is going to do a cover
of white trash, yes I 	know this is kinda a dorky album)
	Colourbox out the ass. (does anybody like them either?)

From ???@??? Tue Sep 29 12:47:26 1998
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From: "Michael Pycraft Hughes, PhD" <pycraft@elec.gla.ac.uk>
Subject: 32 Secs on Zoom 8080???
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>Hello everybody,

Hello Gareth!

>I dicovered  this mailing list last Friday and I was staggered.

We often have that effect on people....
 
>I ended up with three, (two stood on their sides with a 6 foot
>long loop travelling between them - great stuff). 

I take it you didn't play live!  ;)

>I currently use a zoom 8080 which is absolutely LUSH, 
>(4 sec and 32 sec parallel delays + ring mod, octaver efects send
>etc etc) 

I'm intrigued .... I know the 8080 has a 4-sec loop mechanism, but 32-sec
parallel?  I don't follow.  If there's one of them in the 8080 I may just
sell my JamMan....!

>Incidentally I'm in Wales, (UK)

I'm in Glasgow (UK), but come from Holyhead and lived in Bangor for 7
years... whereabouts in the Land of my Fathers are you?

Michael

Dr Michael Pycraft Hughes, University of Glasgow, Glasgow UK G12 8QQ 
--------------------------------------------------------------------
     "What can be done with fewer assumptions is done in vain 
with more" - William of Occam (1285-1347) (now called Occam's Razor)
--------------------------------------------------------------------
   www.elec.gla.ac.uk/~pycraft             pycraft@elec.gla.ac.uk

From ???@??? Tue Sep 29 20:25:38 1998
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From: "andre" <andre@monmouth.com>
To: <Loopers-Delight@annihilist.com>
Subject: Wel-wel-w-welc-welco-welcome GARETH.!..!..!
Date: Wed, 30 Sep 1998 09:39:05 -0400
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hey gareth!!

welcome to the little corner of cyberspace inhabited by us loopers ..

 we're all mad men and women..
oozing weird noises into our digital friends
and occasionally creating something great

..and some of our posts are actually Very Loop Related !!!

i gots a couple questions??

-How's the gigging in wales??
-do you get to see any 'looping artists' , and...
-what's the nearest major/minor tour-stop??
-what, if any, are some of the artists you like to listen to...?
- do any recording??

peace, andre'

http://www.monmouth.com/~andre

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Subject: Hello there...
Date: Wed, 30 Sep 98 21:19:49 +0100 ( + )
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Hello everyone,

It must be the weather for it here in the UK, but I found this list about the same time as
Gareth W ! It was quite a surprise to find a web site, never mind a mailing list all about
looping. I've been looping away for a few years now, mostly influenced by early
Frippertronics and some of Michael Brook's music too. Started off with a small Vestax delay
pedal (1 sec, rather grainy but the repeats went on for ages), moved on to a Korg SDD1000
(2 secs, grainer but great fun) and now use a JamMan, mostly with a Roland VG8. I'm based
in South Lanarkshire in sunny Scotland in the UK.

Best wishes to everyone out there

- Tony

From ???@??? Wed Sep 30 23:27:11 1998
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Reply-To: <classonde@emsb.qc.ca>
From: "classonde" <classonde@emsb.qc.ca>
To: "Wolfgang Bottenberg" <bott@alcor.concordia.ca>,
        "Tnbar@Earthlink. Net" <tnbar@earthlink.net>, <support@voyetra.com>,
        "support Voyetra" <support@voyetra.com>,
        "support Hp" <Surestore_Support@HP-Loveland-om10.om.hp.com>,
        "Stefan Scheffler" <s.scheffler@steinberg.de>,
        "serv. Matrox" <graph_ts@Matrox.COM>,
        "Schmidt M. - pluggin - Steinberg" <m.schmidt@steinberg.de>,
        "Sales" <Sales@voyetra.com>,
        "Robert TŽtrault" <robert.tetrault@droit.usherb.ca>,
        "Richard Lassonde" <Lasson32@netcom.ca>,
        "Reabou@Vif. Com" <reabou@vif.com>,
        "Pierre Laporte Midilab" <midilab_pl@hotmail.com>,
        "Philippe Goutier" <ph.goutier@demeter.fr>,
        "New notation Score" <new@notation.demon.co.uk>,
        "Monique TŽtrault" <cvdmi@colba.net>,
        "MIDI TIME PIECE" <techsupport@motu.com>,
        "Mario Gauthier" <mgauthier@montreal.src.ca>,
        "Marc-Andre Tetrault" <matetrau@crccuse.usherb.ca>,
        "Marc Naeije" <Marc.Naeije@LR.TUDELFT.NL>,
        "Marc Denis" <denma@videotron.ca>,
        "Macro Scheduler" <support@mjtnet.com>,
        "Loopers-Delight" <Loopers-Delight@annihilist.com>,
        "Kevan Staples" <staples@magic.ca>,
        "Johanne TŽtrault-Lassonde" <johanne_lassonde@hotmail.com>,
        "Johanne Lassonde" <johanne_lassonde@hotmail.com>,
        "Jean Gouin" <J-L.Gouin@Mercure.net>,
        "GR BACKUP" <support@grsoftware.net>,
        "Gilles Douaire" <Gilles.Douaire@polymtl.ca>,
        "Gael Martinet" <gael.yvan@hol.fr>,
        "Event-Echo-Support" <techsupport@event1.com>,
        "Event-Echo" <info@event1.com>,
        "ƒlisabeth Cabanne-Lavigeur" <ecabanne@interlink.net>,
        "Douglas Lawrence" <douglas-lawrence@home.com>,
        "Diff. im." <dim@CAM.ORG>,
        "Dcattane@Gibson. Com" <dcattane@gibson.com>, "CMC" <cmc_que@CAM.ORG>,
        "AndrŽ-Luc Desjardins" <des_alentours.ed@sympatico.ca>,
        "AndrŽ Roy" <maximer@sympatico.ca>,
        "AndrŽ Pelchat" <pelchat.andre@uqam.ca>,
        "Alexandre Desmarais" <desmaraa@cadvision.com>,
        "Alain Thibault" <thibault@CAM.ORG>,
        "Alain Robert" <Alain.Robert.alrobert@nt.com>
Subject: Nouveau-new EMAIL : classonde@emsb.qc.ca
Date: Wed, 30 Sep 1998 16:45:21 -0400
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SVP, veuillez prendre note de ma nouvelle adresse EMAIL :
PLEASE, take note of my new EMAIL address :

classonde@emsb.qc.ca

Merci.

From ???@??? Wed Sep 30 23:27:18 1998
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Date: Wed, 30 Sep 1998 22:17:17 +0100
From: Gareth Whittock <whiteoak@dial.pipex.com>
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First Thanks to all for making me welcome - what a friendly bunch you
are!

This new Zoom seems pretty good. I just downloaded the manual and it has
some whacky capabilities. There seem to be delays coming out of every
orifice a 6sec here and a 10 sec there. The 32secs is at reduced
bandwidth but I remember playing with a boss digital delay pedal with a
7k bandwidth and it sounded perfectly clear. Maybe I've been deafened by
my Marshall though.This Zoom is CHEAP!! 
Don't get the impression that I want to talk gear all the time though.
I've been trawling through the digests and one of the things i like
about this mailing list is the variety of postings drom DIY philosophy
to hard specs on equipment along with shared experiences and ideas for
gigs etc.
I'm just going to answer a couple of Q's from Andre'

> i gots a couple questions?? -see!
> 
> -How's the gigging in wales??
There are all sorts of venues from acid jazz clubs to indie dives to a
monthly event called "The Diggers" this usually features off the wall
freeform music. Last time I was there we had live signal processing of a
flute piece with a MAC, freeform jazz and traditional moroccan music
played on a couple of lutes.

> -do you get to see any 'looping artists' ,
Never seen one. Upuntill last week I thought I was the only one!

> -what's the nearest major/minor tour-stop??

Major - Cardiff international Arena and Newport Centre
How minor is minor?

> -what, if any, are some of the artists you like to listen to...?

Eric Satie, Debussy, Ravel, David Sylvian, Carl Orff, The Orb, Tangerine
Dream
, Peter Gabriel, Giovanni Gabrielli,Massive Attack, Palestrina, JS Bach. 
I intend to listen to some of David Torn's work since it seems to be
highly reccommended judging by the digests.
Any suggestions?
 
> - do any recording??
Yes I've been writing music for theatre, dance, TV, film, animation
professionally for some time now though I think I've had enough of it. I
lecture now. Its more regular and quite stimulating.

toodleoo,
Gareth

From ???@??? Wed Sep 30 23:27:38 1998
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Date: Thu, 1 Oct 1998 01:08:34 +0200
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To: Loopers-Delight@annihilist.com
Subject: Loop Project
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THE FIRST EUROPEAN

LOOP-PROJECT


You«re a guitar-, bass-, Stick TM,- or Warrguitar player, a violinist or
cellist and you work with Loop-Gear?


You want your Loops or your Loop-oriented music to be published on a CD?

Be part of the

FIRST EUROPEAN LOOP-PROJECT!


http://bizarr.pages.de


The first European Loop-Project is a CD-Sampler of Loop-oriented music and
will feature 12-15 European Loop-artists. The CD will be produced and
distributed by HOME Production in association with Sonnenengel Musik and
Aquarius International Distribution.
If you want to participate and get your music on this CD check out our rules:

1) Send your DAT-tape, CD, Minidisc or high quality audio-tape, a short
biography and the filled out application below to

HOME Production, Liegnitzerstr. 12, 65191 Wiesbaden, Germany

Make sure your DAT, disc or tape is labeled with your name and address.

2) The piece of music may not exceed 6 minutes in length and must be
your/your band´s original work.

3) There´s no limit in style or musical direction, but it should be
recognizable that your music is based on Loops!!

4) Every participant featured on the CD has to pay 150,00 DM and will get
10 CDs. Further you can order additional CDs for 12,00 DM (+ shipping &
handling).

(For example: If you you order 10 CDs for 12,00 DM you will get 20 CDs for
a total of 270,00 DM. If you sell 15 CDs for 25,00 DM you will have 375,00
DM and still have 5 CDs for your girlfriend, boyfriend, your grandmother
etc.)

Don«t pay now!! You will be notified and you have to return a signed
contract and you pay after that procedure.

5) HOME Production is allowed to change your master for technical reasons
(noise-reduction, compression etc.). No musical changes will be done
without your agreement.
If you have any further questions contact us at the above adress or drop us
a line at


 Uta.Til@t-online.de







----------------------------------------------------------------------------
--------------------
					Application


Name:_______________________________________________________________

Address:_____________________________________________________________

City:________________________________________________________________

Postal Code:__________________________________________________________

Country:_____________________________________________________________

Phone/Fax/E-mail:_____________________________________________________

Age:________________________________________________________________

Titel:________________________________________________________________

( Solo recording      ( Band recording (add bandname, and bandmembers on an
extra sheet)

Used instruments:
___________________________________________________________________


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Date: Wed, 30 Sep 1998 21:02:25 -0500
From: "James H. Sidlo" <jameshsidlo@stic.net>
Organization: James H. Sidlo
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Tony Douglas wrote:

> Hello everyone,
>
> It must be the weather for it here in the UK, but I found this list about the same time as
> Gareth W ! It was quite a surprise to find a web site, never mind a mailing list all about
> looping. I've been looping away for a few years now, mostly influenced by early
> Frippertronics and some of Michael Brook's music too.    I really enjoy Brooks and Fripps
> stuff. What do you think of David Torn?

> Started off with a small Vestax delay
> pedal (1 sec, rather grainy but the repeats went on for ages), moved on to a Korg SDD1000
> (2 secs, grainer but great fun) and now use a JamMan, mostly with a Roland VG8. I'm based
> in South Lanarkshire in sunny Scotland in the UK. I'm sing a 2 year old Boomerang (4mg)
> sampler and various sundry effects. I you want a detailed breakdown, let me know. I'm based
> out of San Antonio, Texas (Sleepyville). I'm working with several groups: Psuedo Buddha,
> Honey Barbara, Crevice, DreamLand, and Daddy Monkey. All of with I'm using some looping. I'd
> like to go back to theUK. And to visit Scotland (in the summer).  Some song/sound samples can
> be found on my web site: www.stic.net/users/jameshsidlo.

                                        Cheers, James

>
>
> Best wishes to everyone out there
>
> - Tony

From ???@??? Wed Sep 30 23:27:57 1998
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From: Nemoguitt@aol.com
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Date: Wed, 30 Sep 1998 23:34:55 EDT
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hello tony and welcome!!.....michael

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Date: Wed, 30 Sep 1998 22:57:15 -0500
To: Loopers-Delight@annihilist.com
From: David Myers <dmgraph@pulsewidth.com>
Subject: Re: Zoom 2100
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>This new Zoom seems pretty good. I just downloaded the manual and it has
>some whacky capabilities.

Can you give the address for the manual download?  Thanks....


